.t12 Copy 1 \;-,^. :/K 'i IS^W' 3k.^v:-'s>: N. J. McARTHUR PEN PICTURES -OF- Standard Cotton Grades DESIGNED For Use as a Text Book in the Common Schools of the COTTON BELT Combined with ^'THE COTTON GRADER" By N. 1. McARTHUR. Copyrighted October 19l0 «r"' .^^ 'o ^^ Vi\ copies of tliis work on Lntt.m ( iradiniL; will ii«>l l)c sold to those who niav use them. 'I'hey will be leased ohIn and will remain the property of the Author, subject to be returned on demand. The teriu of lease, however, will be indefinite, regu- lated wholly by a compliance of the lessee with the terms of lease, 'idiese terms will be set fortli in a contract and if they are not abused the Ixiok will remain in the ])ossession of the lessee without limit of time, ."^ee W'arnintj^ ra-c !'*'•. ^Cl.A:i7o:?*i3 ■ INTRODUCTORY. 111 Mav. 1!M)S. I |)iil)lislic(l ihc "Cotlon ( iradcr," iiUcmlin::; it Id be a full and ciiin])k'te text on the subject of L'otton <"ira(lin^'. Later i i)re|)ai-e(l and ])ublishe(l the same matter in more elaborate form and detail, and made it suijplemental to m\- hrst work, undei- the sub-title of '■< irade Notes."' .My third •effoi't now appears in this series of ""( IradiuL;' i.e.s>oiis." which I concei\e to be the most comi)rehensi\e and yet the >im])lest and clearest ])resentation of the subject to be ottere(l. Antici- ])alinL;' the i>roi;ressi\e idea which will ine\itably introduce this toi)ic into the curriculum of our common schools, these lessons ha\e been prejjared in tlie ])est form for a text work- on the subject. A fidl theoretical knowded^e of the (|uestion ma\ be gained by a careful study of the Pen Pictures i)or- lra\ed. In this ])ortra\al. imaginary types are so \-i\idly ■drawn, that the original Real ma\- be easily known on sij^ht. I'.ut with a set of Real sami)les in 'hand, the whole subject is ])lace(l witliin eas\- luenlal L^ras]). These sam|)les arc of mere nominal cost, and easil\- obtainable. The \eil should be lifted. The manifest truth should be proclaimed that the nusterious intricacies of cotton mani])ulations by the com- luercial world ha\e unnecessarih' been made to include the simple process of ^radin^- or "'saving' what it is." while it is in the hands of the pr(Klucer. With the hoi)e that it will accomplish i;reat ujood the work is mi>st respectfulK submitted b\- The Author. PREFATORY An Appeal to Southern Patriotism, A man lias l)eeii rMl)l)c(l of (Hie hundred dollar-. N^u read of f'he incident with a sort of indifferent sym])atliy for the suf- ferer, ddie ri)l)l)er and liis victim, as you su])i)ose. arc both unknown to \-ou. The money was not yours. 'I he poor roh- ber perhaps needed it. Later you learn that the \ictim was your del)tor. — that he was hearinj^ this, his oidy money, to you to cancel that debt. Mow chanL;ed now the \ie\\ you lake of the matter! ^'our indifferent sym])athy becomes inteii--e in- terest. The poor rol)ber is n maintain "ohli- .^atory relations." lie is ]»ertecll\' satisfied tliou^h tlnuisands • i)f lit line-belt )nL;inj4 dollars ma\' lia\e heen taken a\\a\' in this closing of accounts. The independent small farmer is no wisei-. lie is told hy the resident or \isitin<4- ex])erl that his cotton is of tliis or that .L;rade. and \vt)rth so much. II is de- 'Cision is accei)ted nn(|nestioned. lie is told that "'Colonel Landlord has sold to-day the same cotton at that h.L;ure." He lets lii^ l;"o. and ])erha])s. with each sale, he has let j^'o from t'hi"ee to ten dollai'> that he mi^ht ha\e retained in his own ])os>e>>ion for his L^ood. for the ^oml of "|'>eck\- and the chil- dren." and tor the higher huildiuL;' of the circulating' wealth of his coiiiniunity. Me docs not know, lie has heen taui^ht that he cannot mentally penetrate the unsoKahle nnsteries of cotton ::.;radinL;. Is it not written that to him it must hi- like an unknown tonj^ue." 1 >a\ these thinj^s moj-e to cite the fact that the condition is an ahoiuinat ion than to hrim.;' a charge against cotton classers I do not declai'e that the\- take a "rake olT" of se\eral dollar ■■ 1)\ nndei'L;radino- each l)ale the\' ina\' purchase, hut I d< > say "The ,L;ap is down." They can do it. As l)usines> men they are in their line for ])usiness. and as a class. the\ ma\- he rated amazingly human. In fonmdatin;^ the i)redicate of this api)eal it was not my intention to allude to the loss of an\- especial i!idi\idual or clas^. liut I will i-efer a^ain to the sexeral i)arlies named as particijiants in account closing' and selling;' day transactions, and lea\"e deductions to t'he puhlic that ou^ht to he \itally iti- tcrested. The adxancin;.; merchant closes his accounts. He is read\ to pick- up a few cri])pled cash dollars that may stag- tier his \\a_\'. hut as oiu" colored lin>.iuists would say, ".\Iost- inL;l\ ." he is readv for farmim;' attain — tor "adxanciu^" on tho next crop. He i> satisfied. T'he Landlord l'"armer has had liis lei^al enouii'.! — his acreage rent anur pride {*< l)<>ast. I know \\c arc not slow-niindccl ; I'hat from our cross roads liorsc swap])ers to our lari^cst l)ank- crs, merchants, and manufacturers we ha\e money chasers and nione\- getters of the shrewdest "donar per cent." type. lUit eotton. w liat of cotton? 'l"lioui;h it is the hi^'^est known com- mercial pro])osition — the l^reatest sin!.iie money hearing- i)rod- uct in the vvliole worlih and though we of tlie Sout'h liave a monopol\- of ownershi]). we ha\e liitherto ignored all sources of loss. onl\- looking with treml)ling anxiety to the settling ot our domestic accoiuits and making an annual halance of our hooks. ( )ur ahle financiers ha\ e not taken cognizance oi the loss t'hat may and therefore does exist as a result ol under- grading, and strange to say. they have never manifested inter- est enough in the matter to hx^k f(^r that or an\- other mone\' leak Irom i>ur country, j^ertaining to the marketing of cottou. Consideration of this (piestion has heen left to the ])ro(lucer. Who is the pi'oducer? Let us look for 'him. It is not the land- owner, who is satisfied with preserved lands and collected rents, though from his hroad acred domain hundreds of hales may go to market. It is not the small independent grower. l'"or though he sits in council with his fellows and ad;ift-source of superior endowments. \\ hy ha\e our cotton ])roducers believed this unreasonable statement? My ])eoplc do not consider. Urot'ier tm" the ."south, do not be offended when 1 tell vou that if Conne'-iieut, or any other of our so-called ^'ankee States \\cre a cotton .urowin^- .State, within its l)orders could not be found a farm- er l)o}- fourteen years of aqe who would not know well the ij^rades of the cotton marketed from his father's farm. I'.ut how is it with us? We trust, we belie\e. we are deceived. We are mystified, we are inoculated, we are satm-ated. ves. we are literally ••soaked." with the false teaching- that Cotton Grad- ing is a d>>u])le-action, rexerse-rexohint;-. here it is. there it is, n(Tw you see it and now you don't see it, delusixe science im- measuraldy beyond the scope of a farmer's comprehension. J his is not so. Let my denial l)e emphasized. 1(» PEN PICTURES I will place OIK' thousaiid dollars as a forfeit — a like amount l)eiiiL;' placed for the same ])ur])ose 1)\' aii\ taker of the oppos- ite faith — t'hat i can instruct a selected l)o\- aho\e fourteen years of a^e, resident of the cotton States, within a course of thirt\- days, so that he will he ahle to class one hundred l)ale^ < if cotton l)^• the side of ari\- e\])ert cotton classer, to he k'nown as Classer \o .1, and mit \ar\' fr(im his classing' more than another expert classer to hr kuiiwn as Classer Xo. 2, would \ar_\- on the same Liradin^-. Acceptors to name a county in any one of t'he cotton States from which I am to select a youth — forfeit to he ^ixen 1)\- ri^-htful custodian to the chai"- it\' of his choosiuL^'. dlie sinceritv this character of common school countr\- education fliat forms the hasis of this appeal. We ha\e our State com- missioners of Agriculture, our Agricultural colleges and our I'^arm journals. It is to he assumed that officials, faculties and editors are acceptahh ipialitied tor their i"especti\'e lines of \\(irk, hut it may he almost as safely assmued that not one of them, "from Cousin I'ete to Cncle IMe/.." has an\ more knowledge of cotton tana this suljject. It shovdd be tauj^ht in e\-ery school. It would cost l)ut little to put into operation this system of instruction. Teachers could easily ([ualify and both they and the i)upils STANDARD C( )r'r()\ (iRADl^S 11 instructed would tind the work pleasiuj^iy interestin,^-. And here let it be said t'hat the aoquirinij and the imparting- of this knowledge is an adaptability fitly belonging- to our Lady- Teachers. Innovation as it may be. only give them the opi:)or- tuuitv, whicli is easv ti> do. and good will follow, .^he whose eve and touch readily finds the <|uality of a fabric would not be slow in gixing the correct grading of an\ sample of cot- ton. A set of sam])les covdd be easily obtained for e\-ery school at a cost too small to be considered, and the acconipany- ing Course of Instruction is a pen picture and explanatory dis- cussion of e\er\- grade to be obtained. With such etjuipment results would attend bearing the fruit of remuneration — yea, return a hundred fold. It is not claimed that in a short course of sample study any- one may learn all that pertains to cotton and its commercial travel from the field to the finished product. i'>ut it is reas'.>na- bly^ claimed that the producer may easily learn to grade his own cotton and know its market \'alue. This Protects him and it is enough for him to know. This he should knf)w as easih- and as well as he knows the grades of his pumpkins, peas, corn and other farm produce, or as he knows the relati\e value of any two s])ecimens of li\e stock on 'his farm. Let him ac- quire the s!m])Ie protecti\e knowledge of (irading and leave all else to the Ex])en who comes out of the supposed (liz/.\- labyrinths of mysteryland. Bug Under the Chip. If it is suspected that other than patriotic motives have inspired t'he writing of this appeal, in other words ;[ it is thought there is a bug under the Chip, in respect to t'he economies do not waste any \aluable time looking for him. Though the question "For Whose Cood," should be answered a thousand times, '"I-'or t'he (k)od of .\11, for the Public (iood," yet it is to be understood, if you so please, that tlie sale of 12 I'KX I'ICll'kl'.S m\ l(itti>ii ( iradiiii^' Lessons ])r( mi])te(l the framin<;- of this a])i)eal. .\ better view for you to take of the inalter. liowever. is to concetlon (irad- ini; sli'udd be tau^lit in the eoiuinon scIio<'!s. as su.t^i^ested. and sooner or hiter it will lie so taui^ht. 'i'lie Cotton Slate 'hat stands first in this line (^f le.q'islation will have just cause to feel ])rou(l of her proj^ressixe step. lUit if it is t'lK^uiiht 1)_\ You the People, or by You the Representatives of the Peop'e that luv bui^- under the chi]) should be killed and kept dead at an annual cost to the country of Twenty-Five Million Dol- lars, perhaps the wiser statesnianshi]) will be to oi^e no en- couraLi'ement to (iradins;' Lessons, and ^et in line with that ijreat tinancier who s]ioke so broadly about the condemnation of common folk>. A direct a])perd will be made to the sexeral lei^islatures i>\ the Cotton .States to enact laws uiion this (piestion. .\s the\' nia\ res])on(l. so will the i)eople be profited. Let every resident of the I'otton .States become acti\e. T^et every one in Citv and C'ountr\- ur,L;e that the weal of the whole i)eo])le l)e ^^uarded that his |)ersonal interests ma\- thereby be i)r(Tmote(l. l\es|)ectful!\' submitted as a fit acconi])anyinQ- chapter t> mv sexeral work-s on Cotton Crradinq". N. T. McArthur. STANr>ARi) ro'i^rox ckadi-.s ABOUT PREPARATION FOR STUDY. If a full board of samples could I)c had for use in connec- tion with this lessou. it would be better for the student. If onh- one sani])le of each of the seven full grades could be kept in tlie class room bef(.)re students, comprehension of the interxeniuL; and surrounding- half and (piarter grades, as de- scribed in "Pen Pictures," would be much facilitated. As no real exhibit of sami)les could possibly accompany this work, as a part thereof, an imaginary exhibit has been i)re- >ented. The language and arrangement of the lessons ])rovi(le for either a real or a supposed exhibit. In case of a su])i)osed exhil>it, tlie lessons becouie purely theoretical, though the theoretical l)ecomes practical as soon as real cotton is placed before the student. lUit why, in this land of cotton should poverty of supply exist? In au}' cotton warehouse in a cottou territory a partial, if not a full set of sani])les may be easily procured, and if not there, they may l)e obtained at small cost trom other sources. As they may be had l)ot1i easily and cheap, a full set of types should be ke]U before the student as he studies their minute descri])tion gi\en herein. Procure your cotton samples wdiereyer it may be conxenient. of known or unknown grades. Examine each tyi)e carefully and look in Pen Pictures for its descri])tion. You will find it described and its Grade named. These Pictures \ou can soon transfer to your mind, and then uhereyer you fnid cotton and what- ever cotton you mav tind \-ou will know its t-rade. LESSONS BEFORE CLASS. CHAPTER I, Assuming- tliat you arc familiar with the •)r(Kluct as a ticld or«i|), we will discuss the varied cunditinns t.f cotton in its intermediate position, that is. between the held and the loom or factory. I will take the place of instructor, and vou will interrogate, asking such questions as my answers mav sug- gest, or that may otherwise present themselves U) you. Wni may ])roceed now with }()ur (piestion!:ig. Q, What is the subject-name (tf the ])ro])<)sed discussion? Ans. Cotton (irading or COtton Classing. Q. What is its scope, or what utilit\' is embraced in this subject ? Ans. it sets out and names the varied conditions just re- ferred to. And cotton coming under the class condition of an\- particular grade is so named. Q. Why is it so graded? Ans. To separate into parts or parcels, according to con- dition, for commercial distinction, so that relative valties ma\' be assigned. ( )ur sul)ject, as we will discu.-s it. embraces in detail these conditier. what other grades are comprised? Ans. ( )ther distinct grade names, a dozen or mcM-e in num- ber, refer to the color condition of the luill,, iialf and Ouart^M" Grades. Q. What are the names of these grades^ Ans. They will be taken up separately, and as their charac- Ki • I'F.X I'lr'IT'KF.S tcr iir (lisiinctioii i:^ ci )nsiderc(l and tletined, to each its name will he assif^ned. Vou will later he furnished a list of the tirade names as they ai)pear consecutix elv. Q. W hat is the hasis i)f these distinctions? Ans. It is the leiij^th, strength, and core, or diameter, of .the til)er. to which is gixen the general name of staple. As this sia])Ie or body, may he g"ood or bad. and as it mav be white, or colored by shadings, tinges and stains, or as it may he attected by scaling, impurities so it is ctniimerciallv graded. Q. \\ hat are the impurities to which vou refer? Ans. They are trash, sand and motes. Q. What is trash and its character of impurity? Ans. Trash is usually a showing of broken cotton leaves, boll shucks, grass stems and other dried foliage and vegetal)le matter tiiat mav bec(»me mixed with the cotton. The cotton leaf is the i)rincipal form of trash, and the tiner the particles or parts inte) which it is cut or broken l)v the gin- ning ])rocess, the greater the {percentage of damage. I will later show you the relatixe damaging character of the forms of leaf trash. Q. What of sand, and how as an im])urity does it affect Cotton? Ans. Sand is sometimes lifted into the open bolls l)y str(^ng winds, but the great bulk of the santl found in cotton, is that which adheres to locks of cotton that, after having fallen out of the burr, are picked up from the ground. Sand ' adds to the weight i>f cotton and injures machinery at the mills. Cotton carrying much sand is expected to bear an ac- conij)anying (piota of trash and stain. Q. What are motes.'' Ans. Motes or neps are knotty de\elopments of immature cotton that pass in wlnde seed form through the gin — or they may be seed ends and parts of seed hulls, cut into the mass .of lint bv too close, or sharj) ginning. The latter kind Sr.WDARI) C'O'I'TOX CKADES 17 is known as shell nujtfs ancl is usually accompanied by gin cul or a (loul)le cultini;- of the fiber by the ^in. A trace or small showing- of motes ma_\- be f()und in nearly all grades of cotton, but motes in ([uantity are highly injurious. J'hev in- terlock with the general mass of hber and become insepara- ble. Q. You refer to stain as a damage, why did vluisli tinge. Tf this decaying process is arrested in time and the cotton is dried and ginned, a sample will show in most instances, a dead sta])le of bluish tinge and mustv odor; if the strength of the fiber has been |)reserved. it may be graded, but if the fiber shows the efi:'ect of rot, it is to l)e classed dam- aged. Frost stain is a cold blight afl:"ecting only late imma- ture cotton. Its j)resence indicates a weak staple bod\ . Q. Are the general points of grading end)raced in the )8 VKS IMCTl'RES ltn_L;lh and str(.'ii.L;tli of tlic liber, its color, and its ciniditinn as to iini)uritics .•' Ans. Tliis is all that is to he considered in Ljradini; cotton, except the items of water daniaj^e. |)reparation. and ine(|na]it\ of tiher len-th. Q. [low does water damai^e manifest itself ?- Ans. W ater damai^e is simply rotten cotton. I he weltini; ])rocess is the onl\ means of hrim^inL;' cotton to a condition of rot — deca\ . CCtton in hale as in the seed le\])lained) ma\ hecome heated and damaged ti' the extent of ha\ im4' its \i- talit\' (elasticit\ ) destroyed, and yet ha\e a commercial value. The extent of ihi^ damas^e is to he estimated hy the classer. The mere wetting' of cottim. followed h\- immediate e\ apora- tion. does not affect its market value. Q. W 'hat is InecpialitN as ai>plied to L^radin^? Ans. .\s the word imi)lies. it is a diti'erence in the length of the fibers coin])osin<; a hulk of cotton. To the awra^e grower (though he should he wisei") all cotton is coUon. re- gardless of its color or staple. lie mixes pickings from his hest lands with the ])oorei" (pialily gathered from thinner soils. I'netpially de\eloi)ed crops of the same openiui^' or jiickini^" or the natui"al \ar\ in^- de\elopment ot ditterent openings are often thrown to.L^ether. This ^i\es the result ol Inecjuality. It graded !)y the l)ulk of the shorter stai)le e'ement, a cut '-r dis- cr)unt would l)e made in tiie i^rade on account of this mixture. Manufact urei^s regard une(puil hher leuL^th as ;i purchase to h:- a\'( tuiecl. Q. What is to he understoiKJ ])y Trej^arati' m ? Ans. In a general sense it includes the met'hoc's of ^ather- iuQ- and snhsecpient ettects from prohahle exposure, hut its especial a])])licat ion refers to tlu' process of Liinnin^. compress- iuL; and wi'appiuL;. Q. \\ h\- is cotton graded accordim.; to color.-' Ans. Cotton is ai)i)reciated l)y manufacturers for its character, as it ma\- .U'ive at least cost throuL^h pr(X-esses of S'lWXDAKI) COTTOX C.RADl'.S 1!) manntacture, the hii^hcst Li'rade of finished ])ro(hu-l. The whit- er the cotton the nearer it a])])roaehes ])erfect uniformity. Tliis uniformity is maintained in the ])rocess of l)leaeliin!4'. and notwitlistandini^- the ehiim that some of tlie tinj^es and stains are easil\- eliminated, extra e\i)ense is in\dl\ed. and the ab- sence of uniformity is feared. Q. Does this lack of uniformity a])])ear following the d\ein^- processes .■' Ans. That it does not oi- mav not is due to treatment inxdKiuL;' extra expense and to a thorou.Li'h mixing- of the tiher l)efore manufacture. Q. I'.efore i)roceedin;..; further will you attain explain fully the .general conditious named affecting" the characlei" of cot- ton as they may he applied in ^radini^? Ans. ^'es : hut I will do this in a se])arate lesson. 1 will therein discuss, in a general re\ie\v. all the points ot ^radim.: l)re\iousl\- ])resented and 1)\- this repetition pre])are you better to coiujjrehend the imaginary sample exhibit, t}pe by ty , as the\- are unfolded to \(>ur iiuaL^inatiou. CHAPTER 11. A Discussion of Impurities, Stains, Trash and Other Demer- its. hi (.'iitcriiii;- ui)(iii lliis sc])aratc (liscu-^sinn nf I iii]uii"ilifs. I will first consider Stains, sliowinj^ each as it appears as a daiii- a^iiiL^- amMit. and explain its origin, as well as its effect. 1 will first present Boll Stain and Burr-Sink. Boll stain is a sli.^htK' xelhnvish or hrown discdlnratii >n caused h\ rain falling- upon and entering into the oi)en pod of cotton. The coloring" matter of the inner hin^r is ahsorbed h\- the outer presented surface of the encl<)sed cotton, and this stain is the result. In niinimnni (piantities it may he seen in the finest i^rades of cotton. I'.oll stain is to he founil. therefore, more or less in the whole descent of grades. This stain is not to he confounded with the llun^-siid; stain. th()u,L;h hoth result from similar cause^. The r.urr-Sink slain is the dee])-seated deca\ed end of a lock or section of the boll of cotton, caused 1)\- water si|)einL;' to that position and there remaining till a sticky cemcntiu}.;- form of decomposition is hrou,L;ht into action. The llnrr-sink stain, where it ap])ears in a sample exhibit, indicates that one of the several locks of cotton in its produciuL; l)oll has been shortened. This slK)rtenin,L;' has for its effect. Inequality of fiber length, and thouo-h the feath- ery-like stain is easily beaten out oj the i^eneral mass, and is therefore compaialively harmless as a stain, where it is seen in (piantity. the element of Inequality is to be substituted as a i^rade reducing factor. Foliage Stain. |-\dia!je .Stain, next to be descriljed, in its milder forms. STAXOARI) COTI'OX CRADKS iM" has I)C-on included witli lloll Stain. l)nt there is a niarkeiF distinction in tlieir eftect res])ecti\ely, as the dej^ree of ^reat magnitude is ai)i)roache(l l)y eacli. Iixat^^.^a^rated lloll Stain or its continuous formation wouhl ])r(K]uce l)urr rot, and a consequent damage to tlie enclosed l)ol]. As Foliage Stain is only t'he colored washings from the cotton leaf. the~-e drip- pings upon the open holl dry away and leaxe a stain which' has not affected the length or strength of the fiber. The col- oring- matter is originated l)y a ])uncturc of the cotton leaf, coming- from the feeding mouths of in>ects. nearlv in\isil)lc in form, that may be foimd feasting thereon These cut inter the tissue of the leaf and. as state(h rain wasliings are colored. g-iving" the result of l-idiage .Stain. W'liile entomologists and i^otanists are left to harnu)ni/.e their \ ar\'ing o])inions as to w'hether Cotton Rust is a constitutional troulde coming from a diseased stalk body or whether it is caused 1)\- mu]ti]>lied millions of foliage feeding fungi, we will pass on to results in the form of stain anrl in imagination view g^reat fields of open- ing cotton that ha\e been overspread by this blight. As the Rust works its devitalizing- force, gentle rains may ])roduce the above described effects till almost every fiber of de\elo]X'rr cotton in those fields will bear the marks of Foliage Stain. The staple bod}- would remain unaff'ected b}- this great dyeing of stain, and if cotton of t'his kind should show freedom front other imimrities it would be gi\-en a gorjd commercial classi- fication. Oil Stain. Oil Stain propt'r. is the stain caused by crushed seed in the lint before ginning. It is of a greenish yellow cast and is eas- ily distinguished from other stains. The circuTiistances wouhf be indeed peculiar that would furnish a ]>ale of cotton aft'ected throughout by crushed seed Oil Stain. As a damaging imi>ur- ity its appearance in cotton at t'he factory i< regarded a- being ri':.\ I'lcTL'RKs alnmsl C(|ual t > a similai' distrihutioii of ordinary imicilanx' of a like i|uaiUitv. It j^iiies the tihers together in sucli manner that tlie\- art- not easily se])arate(l. This stain is rarely f(Tun(l in a cotton exhibit. I'.n.t a nice stainless exhibit may carry Concealed, in the form of fatty seed ends or whole seeds, the ( )il Stain so much to l)e dreaded. As these pass t'hrou.^h the mill machinery they are crushed and the exuding- oil becomes absorbed by the surrounding;- fibers. Oil Stain, therefore, is not to l)c looked for. onlv as a se(|uent of patent causes. When these described causes are found in an exhibit, they are to be rated as Oil Stain. Seed Oil Stain is the effect of dampness causinj.;' its deca\. T'he process of decomposition of the com- pact mass of stoi-ed \ the tact that a new home must be found in place of the decayinj^ shell it has occupied, lie'^in^ t( I distribute it.>elf e\'enl\ to the adjacent fiber. It is us- ualh (luriu;.;- this process of distribution that the cotton is shaken up, aired, dried out and L^inned. ( )ne certain result is a t^eneral seed-sweat coloring of a combined yellow and bluish tint. A second result is that the fiber, though chart;ed with oil seems (le\italized. and it is this ])rincii)le of absent \italitv, as it i> more or less to be noted, that determines how much lias l)een the loss sustained b\ a cotton that has ])assed throus^h this process. The stages ran^e from a sli^luK colored, lii^htlv atiected fiber, to the opposite extreme of dee]i tinqe and nuistx' ■ilecay. Discoloratiou is the most frecpient appearinq- damage, but an occasional dean in tlie way T have just descrihed, im- parts a reddish color, and all grades so aft'ected are denomina- ted Tinges. Soil Stain as a result of storm or wind heaten cotton coming in contact with the soil direct is colored ac- cordiu"- as the soil mav he colored. This field stain does not STAXDARD COTTi ).\ (;RA1)I-:S 25 affect tlie cotton only at and near the j^oints (>f contact. In consequence the stains are not t^eneral, but appear in spots an ti'oin the highest Stain to the lowest mark of Stains and Tinges, ac- cording as the sta])le body may be otherwise varyingly af- fected. l'"ormerly a large percentage of the adhering sand went with ihc mass of cotton through the gin and into the bale, but modern im])ro\ed methods of clearing fntm sand at the gin ha\e in a great measure, eliminated sand as an im- purity to be found in grading: \ct it must l)e looked for. and if by excei)tion to the rule it should appear, it must l)c measured first as to its estimated weight and secondly as to its injury to machinery at the mills. In e\ery grade of cotton, from the highest to the lowest, small particles of grit or sand arc to be found. Imwever. it is onl}' where sand is found in larger ([uantity that it is to be considered an impurity. Tinges. Natural tinges arc little to be considered by the classcr. \ ariety. soil, sunshine and atmosphere are agents pr«Kluciug many different natural tinges. The Brown Egyptian, the Red Peruvian, the Yellow Sea Island and our own tiiiii'es, i;i\'ini4' to it the l)cncht of all douhttui |)iiim> lit i;i-;ule merit. The eream colored cotton of the hiii"h .grades is also a Natural Tinge, hut it is graded as a White J)]"! iduct. Red Tinge. All Soil Stain, ha\in!4 red dust as a ])ro(lucii)^- cause, is i^raded as a Red Tinge. It co\ers the entii'e list of commer- cial L^i'ades. In determining; any ^rade the same law that ti'ov- erns where there is no tim^e is to he ohser\ed. h'xcept, how- ex er. that a tinned j^radin^u; will carr\ a slight addition of im- ])uritie^ aho\e that made for a con-espondinj^' White cotton. 'i"i)o i.;reat a diti'erence in assigned \alue is supposed to he the hasic reason for this allowance. Dark Tinge, Ai^ain 1 will refei' you to m\- remarks concerning;' Soil Stain. Therein I told you that it was this .shading; of I )ark Tin^e that, in i)art. L;a\e complexion to the Grade Face of all the Gradings, from Good Middling to Low Middling- I did not include the tirades of Good Ordinary and Strict Good Ordinary for the lea- son that, t houL^h it mii;ht in certain instances he aptl\ a])plied, other stains and tinges are more fre(pientl\ found. After dealing- with these coloring's in that way we ma\- take all soil- stains aho\ e that of a Low Middling in shade and class them as Dark Tinges. A i)o])ular prejudice against thi^ ""Off Color" -kee])> it in tlie lower grades of Tinges, Middling Tinged he- ing ahi'Ut the highest limit allowed. A mud(h appearing e\- hihit of otherwise good cotton has heen classed locallv, in name a- '"( )nly a Xigger." and in merit, exerywhere. it is held down to ihe Lower Middling Grades. Smoke Tinge It i^ not impossihlc for the i)articles of coloring matter in STAXDAKD C( )'I"'I"()X (iR.\l)l<:S 27 smoke to he wafled a distance as i^reat as tliat from I'itts- burgh in Pennsylvania to tlie cotton fields of Western Texas and Oklahoma Mid-ocean is said to have its smok\ days. These particles of coal smoke from ditterent points often unite, and form ^reat blanket-like clouds and in settling- form a dark deposit on all material at the point of descent. lM>r ■whole seasons, clouds such as these follow in succession and reg'ulated b}- some unexplained law. settle in the same terri- tory. More, the axenues of transit seem so routed that an- nual \isitations of this kind succeed their precedin:^' lead until we ha\e a fixed territory from which we ma\- expect to receixe cotton t<» he graded as a Smoke Tinge. This territor\ includes a broken or irrej^ular section, traxersino- the entire cotton belt, and included between t'he hill breaks al)o\e t<» points within fifty or sixty miles of the sea-coast. There ma\- be long- gaps in the line of its a])pearance. but where\er found it is the same, and traceable to the same character of cause. Smoke Tinge is graded just the same as Dark Tinge. (jrowers have attributed this Tinge to local causes, such as having fields approximate to smoking furnaces, and near where many locomotixes ])ass- It is ])ossible thus to discolor a field of cotton without conllict with the general accepted law. wdiich T ha\e just set out. Blue Puff. . Blue Puff or Smutty Puff as it is sometimes termed, is caused by gathering the whole pod together wdierein t'here is or may be a perished and decayed lock of cotton, niight of this kind is often found in a field and one Ixdl tluis affected to each fifty taken is sufficient to blacken the whole combina- tion. This tinge or stain sometimes shows in limited tpianti- ties and is then to be estimated as a stain affecting the general Sample Exhibit. lUit if the tinge shows tixteent li of an inch diameter. The smaller dust-like j)articles that sometimes mar the face of an exhibit, are sim])le forms of dust that may be shaken out ea.^- il\ in the processes of cleaning'. A mere casual examination will show a distinctixe difference in these foi'.us of imv^uri- ties. With the re^idar foliage Pepper Trash the fiber em- braces these small parts in its mesh like hold, and it is next to im])ossible to effect their release. Larger bodies r)f leaf trash, sometimes desii^nated bleak trash, are not so difficult to remo\e. The locking- fiber cannot s^rasp them in their en- liret\' as is the case with the intermediate forms and the still smaller pepper trash. ( )l course the (puintity of this trash as well as its (piality is to be considered in grading. Cotton ^ets its loading of trash frecpiently through careless- ness of the gatherer, but often proxidential causes render sucli loadini;s una\()iente(l this phase of Motes in my discussion oi Oil Stain. Motes are considered hea\y impurities and because of their tenacity to the bod\- of fibers about them, they have been classed to t'hat extent. Inseparable. A small trace of Motes, an occasional immature seed, and the shell or sjjHi hull also, as incidentals, may be found in the higher grades. Uut Motes indicate bad ginning and when fomid in (piantit\ are usuall\- accompanied by gin cut. Therefore where Motes are found as a prominent imi)urity cotton is to be ])lace(l in the lower grades. Sleek Heads. Unripe and Dead fibers are to be found iii all grades of cot- ton. If only a trace or small showing is presented. the\' are to be regarded harmless, but as their number or (piantit\' in- .creases. thev begin to call for recognition as a damai>in<> fea- ■Ai) PEN PICTURES turc. An\- cause that would 'liindcr the (lc\ cl< i])nient of a holl (if cotton, or cxfti one lock as a part of a l)oll. would ;^i\e the result of half ripe, or as it niit^ht be dead tiher. I'dl^ht. such as rust or black root produces, mii^ht fall Ujxtn a field, carrying" with its larg-er part of fuUv luatured bolls a fair percentage of half-rii)e as well as less de\-eloped l)olls, the i^reater number ot which would open, either w'holly, or partially, but sufficiently to be gathered and mixed with the mass of full ri])ene(l fiber. In such a mixture we should see nund)ers of little thread-like fibers which had n<^t fleeced out as they left the oin and which would now curl u\) into somethiuf.;' like the form of an inter- rogation point, as the\' would ])resent themsehes in the general ])t)d\- of the fiber for observation. Aj^ain niiiiht be seen num- bers of small riattened sul)stances encased in the sleek folding of the immature part of t'he producinj;' burr, for this is cotton to which has adhered the oi'i^inal pulp\- part of the burr, tliat had fallen far short of maturitw These showins^s woidd lose in measure of both leni^t'h and strength as compared with the t^^eneral mass of the b(xl\- bearing" them. As a result the fea- ture of lne(pialit\' is presented to be estimated in ^radin^. accordino- to the (uiantitv exhibited Gin Cut. 'I'his feature of demerit has been referred to in so man\ instances that it must be already well understood. It is the severed parts of fiber divided into two or more lem^ths b\ tiie jjin as it may be too sharj) or i^iven loo hii^h a rate of s])eed. By the ])resent mode of distributinj.;' the cotton of a single bale to a system of a half do/.en or more .^ins. all moxino- at the same rate of speed, but no two. perhaps, regulated alike as to cutting- capacity, it is remarkable that i;in cut is not more j^fenerally encountered. It is unfortunate that the 'oni.;er sta|)led cotton suffers most from this double cutting-. It is relieving, liowever. to know that where only a few saws of one of a iari^e svstem of i^ins ma\' i)robabh- be doinq this disastrous STANDARD COTTON GRADES 31 work, the proportional part of Gin Cut falls to a consequent lower percentag"e of the whole. Gin Cut is a bad form of Inequality. It shows in a Sample Exhibit with the cut parts lying- across the even general layer or standing out like the bristles of an angered animal. As before stated, in a small way. it appears in all saw-ginned C(3tton. but where it is fi)Uiid in marked (juantity the grading descends accordingly. Gin Roll. Gin Roll is the rope like mass of wet cotton w'hich does not leave the gin freely and is twirled into this form by t'he pro- cess of clearing the saws. It does not affect the value of the fiber but its presence usually points to Gin Cut. Water Pack. Cotton that has been ginned and compressed in an ex- tremely wet (or steamed) condition is classed Water Packed- If by any means the avenues of evaporation should become closed and the included compressed air should firul no means of escape, fermentation would follow and rot would be the result If the Cotton has been "wet down" between the gin and the press, with the view of increasing weight, the damp- ness would be less generally distributed and, as a sequence of concentrated puddling, decay would be more probable. Much depends upon the age of the bale or the length of time intervening betw^een the date of packing and that of its exami- nation by a classer. If the bale is presented fresh from the press, he should grade with full allowance for the extreme conditions I have mentioned. Ijut if t'he bale had that age which would allow it to present a dry surface, examination by deep boring or cutting would determine its state as to soundness. If no signs of water damage should appear, the cotton would show onlv a slight discount of grade on account of having been Water Packed. Otherwise such damage as 3 32 PEN PICTURES might appear would be estimated by its extent. Water Pack is evidenced by the wavy rolls or ropings on the sides of the compressed bale and by slightly colored lines between the edges of the layers, produced by the emission of water at these points. A sample exhibit from a restored bale of Water Packed cotton has the wrinkled appearance usually to be seen in a fabric that has been washed and left unironed. Water Pack is so rarely found under the present system of prepara- tion, that I will leave the given description as sufificient. Flexibility. Flexibilty is the elastic principle of cotton that enables the classer to recognize by clasping in the hand the fine or coarse quality of a specimen exhibit. The response to his touch or clasp inforius him c|uickly as to wliether the exhibit is a live, responsive specimen of the higher grades or whether from brit- tleness, roughness and a sleep}- or slow form of elasticity it is to be placed in the intermediate or lower grades The ex- treme contrasts of the features of flexibility may be likened to the difference you would observe in the respective hand clasps of a fresh handed school boy or girl and that of the 'hard handed daily laborer- The vital principles of an exhibit are to be measured mainly by its flexibility, though loadings of trash and other affecting causes serve to reduce t'his quality. Inequality. If you have followed me closely in this discussion, you have heartl frequent allusion to the character of Inequality. You doubtless know that it means unequal length or strength of fiber In each reference I 'have luade to this condition, I have mentioned the cause producing it. Mixed products from the fields, immature fiber, gin cut and other causes have been discussed, and your acquaintance with the subject should con- sequently be well established. Spinners desire fiber of nearly STANDARD COTTON GRADES 33 uniform length. It is known that fibers of distorted length will not run or work out together, and that the cost and an- noyance attending their separation at the mills is reckoned fully equal to the value of the shorter parts extracted. There- fore in an estimate of an exhibit carrying an objectionable quantity of short fiber, its comparative weight with that of the afifected body would be considered a fair amount of loss to be estimated in depreciating its grade. In my published work on Grading, a copy of which you have before you, the full text of this discourse is treated. Read it carefully and you will find therein the full essence of the subject as I have "here treated it orally. Note. The Author was recently called by its college board to give a short course of Grading Lessons to the graduating class of the Textile Department in one of our Southern Industrial In- stitutions- The foregoing with only a few changes is an exact reproduction of a preparatory address made before that class, in advance of a practical study of the subject to be made by ex- amining and classifying a large array of samples, embracing many times over the full variety of grades. He 'has deemed it fitly appropriate to make it a part of this publication, consider- ing that if it were an exact rehearsal of the matter to be found in The Cotton Grader and Grade Notes, it would be good just at this point in these lessons to emphasize all that is to be found therein. It is published as a part of these lessons and is given the exact position in point of presentation that it had in giving to actual students practical training in a course of cotton grading. CHAPTER III. Continuation of Grading Lessons Q. We have listened atLeutively ki >uur discourse on cot- kui ami tile various conditions aft'ecting it, and now will you show us in a practical wa} the application of your lecture to the science of cotton classifying? Ans. Yes, and to do this I place before you a pivotal or centrally characteristic type of each of the Eighteen Current Commercial Grades, (See Plates.) Q. What are the names of t'hese grades? Ans. Taken in their descending scale from the highest to the lowest they are named Fair, Strict Middling Fair, Mid- dling i*"air. Strict ( lood Middling, liood Middling. Strict Mid- dling. Middling, .^trict Low Middling. Low Middling, Strict (lOod Ordinarv and (lood (Ordinary. These are known as the White Grades. Then we have Strict Good Middling Tinged, Good Middling Tinged, Strict Middling Tinged, Middling Tinged. Strict Low Middling Tinged, Low Middling Tinged, and Middling stained, all comprising the eighteen Grades mentioned. Q. Will you explain the terms "pivotal" and ''centrally characteristic," as you have used them in referring to the types "ijefore us ? Ans. These terms refer to the complexion or face color of the tyi)es and to the faces themselves as each may be affected by a dissimilar showing of impurities or bv other peculiar lines of difference. The\ show one ope;ning or face of the sample exhibit only, and from this face, as presented to our view, we are to conclude other openings and faces to be the same. That is, we are to determine the character ()f the grade upon vision, or "How it looks." STANDARD COTTON GRADES 35 Q. Is vision alone sufficient? Is appearance an infallible guide to a definite placing of grades? Ans. Wliile in the main, any type or grade of cotton may be recognized by its face, verification of a decision so made is established through the sense of Touch. What is known as "body" or staple character, the length and strength of the fiber must be determined by feeling. It is very rare, however, that ''hand examination" fails to coincide with indications pre- sented on the face of a sample exhibit. Q. Shall we not be permitted to handle the saiuple exhibit before us ? Ans. Continuous handling would so wear the face of a sample that its characteristic features would be changed. It is better, therefore, that we use these only as guide types, pre- serving their faces intact for study and comparison. Q. Are the several color casts or grade complexions, and the showing of Impurities as they appear in these types to be accepted as the exact allowance for each of these grades? Ans. No; there may be slight variations of both Color and sliowing of Impurities. A little more or a little less of one or both might appear and still fall short of a quarter grade, above or below. This is a law of variance applied in grading, but it is usually found that the variations of Color and Impurities offset each other, an increase of shade being met bv a compen- sating decrease of Impurities. As I have stated, however, t'hese types are centrally characteristic, <>r pivotal, and no graded samples of cotton compared witli them will be found to vary in any significant degree from the faces here displayed. Fair. Q. What is the first type in the line before us? Ans. It is the highest grade of Uplands cotton and is des- ignated Fair. You will see that it is almost purely white and that it is free from all the blemis'hes I have described as Im- S6 PEN PICTURES purities. At the foot of the type I have combed out a mass of fiber which shows a uniform measurement of one and one- eio'hth inches. It is not excessively long' and fine, neither is it coarse and brittle. It is a good specimen of Fair Cotton. Strict Middling Fair. Q. What is the next type wdiich seems to have exactly the face of the first? Ans. It is to be graded Strict Middling Fair. The color and the staple are the same as for Fair, but you have over- looked the particles of trash that show upon close inspection. These reduce it in value to the descending half grade. Middling Fair. Q. And w'hat is the next of these white types classed? Ans. It is typed Middling Fair. You will observe that it is as bright in color as the first grades, although a faint shade of difference would be allowable. The fiber also shows a good character of stai)le. but an increased showing" of trash and trac- ings of stain gives it the low^er grading as typed. Q. Do these t'hree types constitute the entire grouping of the Fair Grades? Ans. Xo : the complete grou}) includes three Quarter Grades; viz.. ( 1 ) Barely Fair, which is a close grading between Fair and Strict Middling Fair; (2) Fully Middling Fair, an intermediate between Middling Fair and Strict Middling Fair, and (8) Barely Middling Fair, a Quarter Grade below Mid- dling Fair. The (Juarter Grades are not at present used in classifying (see date of issue) but a return to this minuter classing may be expected at any time, according" to the whim? or purposes of the American Cotton Exchanges. In this con- nection it is proper here to state that the grade of Middling Fair is llic highest grade now quoted in our domestic market. STANDARD COTTON GRADES 37 SECOND GROUPING— MIDDLING GRADES. Strict Good Middling. Q. We observe a change of color in the next sample ex- hibit. \\^here is it to be placed in the list of Grades? Ans. We are next to consider the Grouping of Middling Grades. The type before us is Strict Good Middling. As a grade, generally, it is one of the strongest types of cotton both as to natural condition and cleanliness. It shows often a better body than the higher classed Fair grades, but on account of shade or color it is placed lower in classing. The type under consideration, as you see, is of a rich, whitish cream color; showing too little of the cream cast to be put into the list of tinges, and yet too deep a shade to admit of Fair classiiication. It is comparatively as clean as tlie higher grade of Middling Fair, and its combed fiber shows a strong staple, at least nine-eighths of an inch in length. This type embraces all gradings of this grouping above Fully Good Middling, and as a consequence, classifications of this title oiten show marked degrees of variation. This is explained by the state- ment that a cotton wdiich mig'ht be classed higher than Fully Good Middling (a quarter grade) would be placed in this classing, while, with color debarring, the highest merit could not raise it above the grade of Strict Good Middling. The nan,ie Strict Good Middling implies a higher superior grading of Good Middling. Color is not an arbitrary or ruling charac- teristic of this Grade. The brightest and best bodied types of Fair cotton, if too badly "loaded" with trash, or if they should present other indications of demerit, would be classed down to this Grade. (Note previous remark on this subject.) Good Middling. Q. We see a very close resemblance of face in the next 38 PEN PICTURES type to the one we have just discussed. What is its classifica- tion ? Ans. It is to be classed Good Middling. Tlie likeness you have observed could be appropriately termed parental, as this is the basic grade of the type we have just passed, and which on account of its better features as to iminirities, we classed as a Strict Good Middling, thus placing it a half grade higher than the basic grade of Good Middling. ]f not already so un- derstood, I will explain t'hat the term "Strict." when used be- fore any grade name defines that grade as being raised to the middle or highest point in ascent ttnvards the hull Grade above. It is the term used to signify all half grades. Apropos to this explanation I will say that anv commi'rcial name given to a grading of cotton, though it should be designated whole, lialf or quarter, stamps the same as a full type of grading, and it is. therefore, to be estimated as a distinct grade regardless of the distance above or below a basic whole grade. In this typing of Good Middling you observe the same color and fiber length exhil)ited in the j)receding type. It is a basic grade and you should give close attention to the face it presents. You observe two pieces of large or fleak trash (one smaller or intermediate in size, and only a few dottings of the finer parts of "pep])er trash." There are two very small specks of foliage stain to be seen and we may also see indications of immature fiber. These impurities are allowable and the type is to be accepted as a standard Good Middling. I have else- where stated that the cream cast of color frequently found in the Good Middling types is a change or departure in color from the pure white of the first general opening, as it is also different from the paler white of succeeding openings. This does not apply as a universal rule. In many instances this creamv tinge does not appear. Therefore a shade of white falling below Fair may be taken also as the type-color of these grades. STANDARD COTTON GRADES 39 Strict Middling. Q. Now we come to a noticeable change of exhibit. By what name is it to be known ? Ans. It is a specimen type of Strict Middling. In its color you see a free white only slightly shaded by dust and stains. Unprotected by the greener and consequently denser foliage which shielded the higher grade openings it shows a slightly lower degree of complexion. Next we notice on its face in- creased showings of both trash and weather stain. This is due to dryer foliage and exposure to rain. We see, also, curling fibers or sleek-heads denoting a small falling off in uniformity of fiber length. This, 'however, does not show to a harmful degree in the combed fiber, which measures above an inch, and appears to be of fairly even length. It can be accepted as a full rounded type of Strict Middling. I will refer you to a characteristic description of this grade to be foimd in "The Cotton Grader." Middling. Q. What is the type we are next to consider? Ans. It is the Grade of Middling. This is the basic or central grade with which all other gradings higher or lower are to be compared for assignment of degrees of variation, better or worse, that a consequent placing of name and value may be determined. It is a knowledge of the character of this grade and an acquaintance with the degrees of departure therefrom that enables the classer to name properly, or ap- proximately near, the entire line of varyings comprising the system of cotton classing. Only know Middling and tlie scheme of grading may be easily comprehended. In this type you see a shading of the complexion which may be described as a "step down" from the type of strict middling- We ob- serve on its face four of the intermediate breakings of fleak trash, besides numerous dottings of sma^'^^r breakings. There 40 ■ PEN PICTURES is also a sprinkling of pepper trash which, if we are to be pr.' cise in our estimate, I should say, if generally distributed, would average about four forms to the square inch. There is a single small blur of stain to be seen. Next we see the indications of unripe fiber l)ut not in sufficient (piantity to es- tablish a luarked degree of inequality. Finally as we inspect we note that the combed fiber is a full inch in length, fairly \uniform and of apparent perfect soundness. By comparing with the hig'her grade of strict good middling it is easy to see that its fiber layers are not so evenly presented, and that other graceful features of that type are not fully (^bser\al:)Ie. It is, however, a substantial representation of the great middle bulk of the American uplands cotton crops as they are mnv gath- ered and prepared for market. Taking this btdk of output for t'he last quarter of a centurv and we wmdd see that there has been but little change in the appearance oi its face as it reached the factory. Hence the original type of middling has remained unchanged, and it is patently plain that it must so remain — Exchange ruling and Government Standardization to the contrary, notwithstanding, until there is a change in the methods of lu-oducing, gather- ing, ginning and preserving the great central bulk known as Middling- An impro\ed output would give us an improved Middling. I'ntil such time and event middling will be Middling. It is not at all improbable that some system of gath- ering by machinerv may be brought into vogue. In such case a lower type of bulk or middling crop might be presented. You are to remend)er that this txpe is gi\en as a central or pivotal sample exhibit of middling. Variations allowable in both color and impurities w ill be discussed in a future refer- ence to this Basic Grade. Strict Low Middling. Q. What is the type next in line? STANDARD COTTON GRADES 41 Ans. It is Strict Low Middling. Its complexion is a de- gree lower than that of Middling- We see also heavier load- ings of trash as well as increased s'howings of stains. This is a later picking of the Middling crop which has been dark- ened by a dust deposit to a shade, placing it below the limit allowable to a Middling Variant. It is also proscribed such entry by its increased quota of Impurities. (Jbserve that the quantity is about double that shown on the face of Middling. Vet its combed fiber shows to be as long and nearly as uni- form as that of the higher grade. The lower shading and in- creased loadings and stains are the natural results of delayed gatherings. Low Middling. Q, We see that you present one other type of this group, what is this grade? Ans. It is Low Middling. As its name implies it is an- other type of Middling Cotton reduced in grade- Observe that its color shows the regular and continuous "step down" in complexion. The increased measure of trash and stains are plainly visible and yet it, too, combs out a fiber only slightly below that of middling, in length and uniformity. I will call your attention especially to the facts that a cotton of this color could not be graded above Low Middling though comparatively clean ; and t'hat a cotton of any brighter color with loadings of the type before us could not be placed above that grade. Yet we find a pivotal type of Low Middling bearing the demerits of both dark color and impurities. This rule will apply to all central or pivotal grades, but we are not to understand that in the less pronounced types, ofifsets of color and impurities the one against the other are not to be reckoned. This concludes the line of Middling types and now we will consider others. 42 . PEN PICTURES GROUP OF ORDINARY TYPES. Strict Good Ordinary. Q. What is the next group; and what is the type we have first to consider? Ans. The types before us are a part of the Ordinary group- There are only two taken and they mark the limit of descent in commercial grading and rating. The first is a type of Strict Good Ordinary. You will observe that it is a shade darker than the types of Low Middling, that it carries a slightly increased degree of impurity more than shows in that type and that its face is marred ami blurred by knotty looking bulks of fiber. Its combed out fiber shows greater irregular- ity of length, ranging from seven-eighths to an inch in meas- ure. This is due to a mixed gathering of the Middling crop with the shorter stapled later second or top cr(*p. The Mid- dling staple shows weather stains, and trash tliat has been unavoidably taken in the hand grasp of the ])icker, either from the ground or from dried plant foliage about the burr. The later opening of top or second crop cotton if separated would s'how a clean white exhil)it. lUit the mixture before us shows a dark faced unclean type of cotton, the irregular fiber length of which gives it a small discount in value, but having a sound bod}' of good "breaking strengih." it is accepted on the market as a spinable cotton, lowered in worth bv inequality, color and impurities. Good Ordinary. Q- What is the other type of this group? Ans. It is classed Good Ordinary. With only a sliglit in- crease of shade there is a bolder showiug of stain to distin- guish this face from that of the preceding type. The material points of difi"erence are the ineciuality of fiber length and fall- ing off in fiber strength. This type is tlie output of gathering STANDARD COTTON GRADES 43 that includes delayed and weather worn middling- with all that follows in the form of late picking. A sufficient percen- tage of Frost Stain is presented to warrant a cut in grade and yaiue on account of reduced fiber strength. A small introduc- tion of Frost Stain is admissable in this grade, but where it predominates as an ingredient or even shows in excessive de- gree the cotton bearing it is reduced below a commercial white grading. Tliis concludes the full classing of commercial white types and we will next consider the cohered cottons. Tinges. Q. What is the array of types you have arranged for our in- spection? Ans- They are tinged type equivalents of the White Grades we have just inspected. Beginning witli the highest type, w'hich is Strict Good Middling, I have placed each op- posite its equivalent in the line of white grades down to and including the grade of Low Middling. You will observe that the Tinge is the only characteristic point of difference in these gradings, as each of the named types corresponds in class. In this array the Red Tinge only is presented. 1 will quote from my opening lecture by remarking that t'he dark tinges are as- signed to the grade of Middling, Strict Low Middling and Low Middling. The dark tinges of higher ty]K's than Mid- dling are usually classed Low Middling White. Middling Stained. Q. What is the lone type yet remaining to be graded? Ans- It is Middling Stained. It has an apparent cleaner face than its White equivalent. HoY^^ever. on account of its pronounced imprintings of Foliage or light Boll stains it is so classed. This closes our study, for the present, of these types. I will say to you that a familiar acquaintance with these ex- hibited types and a memory of my explanation as it has been 44 • PEN PICTURES given relating to each separately will give to you, the student examiner, an open way to the field of cotton grading. A knowledge t'hus gained is like a light thrown over the whole field to be explored, as it may also be compared to a pool where the young swimmer has acquired such capability in the art of swimming that he may venture with confidence and safety into any nearby unexplored waters. Rating and Classing. Before parting with you at this time I will refer to the con- fusion of gradings so puzzling to the inexperienced classer. arising from the placing of entirely dififerent cottons in fhe same grade. In such instances as where two dififerent cottons have been assigned to the same grade, it is evident t'hat one of them is a Rating and not a Classing. ] wdl illustrate by tak- ing in r.naginat'oa .i .'car type of Str.'cr Middling and "salt- ing'' or befouling it with trash till it is carried thereby below anv of the Middling grades- Then its classification as Strict Good Ordinary would not be a Type Classing but a Class Rating.. Do not let such grading confuse you. Learn the Central Types before you and all cotton so to be Classed will be found to have a close resemblance thereto. Note: In this descriptive lesson I have kept l)efore me i pivotal type of each grade. I have discussed them as if they were also before you. for the reason that any set of selected types of grades to be used could not vary far from those I have pictured. CHAPTER IV. OTHER PEN PICTURES— A DAY AT THE BOARD. The class is now invited to go with me. in imagination, to i cotton warehouse in the interior where a large lot of cotton has been purchased and stored by a resident buyer. The pur- chaser has sold on grades the entire lot to a large firm of buy- ers, whose classing agent is on the ground to check out and assign grade values, bale by bale, to the shipment. Fresh samples have been boarded, two from each bale, representing the "show" of cotton on its respective sides. This is done for the reason that under the system of gang ginning where the cotton goes to the press from a series of several gins it is diffi- cult to give to each bale an initial roll of its finished cotton. If not carefully handled and watched a thin facing of the pre viously ginned bale will show to change the natural type When such a difiference appears it becomes necessarv to cut deeper into the bale on both sides to ascertain its actual grad- ing. An experienced classer will know from the arrangement of t'he tie buckles on the bale which is its top or its under side, but he, too, usually takes the double sample. The owner has assorted his cotton and has selected his bes'. grades for first classification. All is in readiness, and the classing begins. The owner turns to his tally book and the classer opens the double sample of the first exhibit in the ar- ranged row. It shows to be a perfectly clean body of the whitest cotton, with a staple only a little short of an inch and cne-quarter inch in length. The fiber is fine and silken to the touch. It 'has been well prepared and as the classing agent closes his examination, he calls out "Fair" to be answered by the seller, "'Check. " The sample has an enclosed duplicate form of the tag attached to the bale. It shows the name ant', locality of the ware'house and the number and weight of the bale. The classer enters these points and the grading in his 46 PEN PICTURES note book and passes to the next examination- We see thai he finds several bales having a like body to the tirst, but some of them show a slight fleck of stain and others a mere moiety of trash, fie remarks that these are a little above the quarte*- grade of Barely Fair and tiiey, too. are checked by the selle; on liis original grading of Fair. llu- next gratl'iig is of a >lii)rter, coarser, and less elastic staple bod)' than the first, but it is white, clean and well |)re])ared. This too is checked Fair, but the classer notes in his book, by a private mark, that it is the coarser and stronger stapled (piality of that grade. Otl.'- ers of the same type follow, bearing similar flecks of stain and specks of trash to those of the first types graded Fair, but on account (^f the coarser body he declines to place them above the grade of : Strict Middling Fair. n This grading is accepted by the seller. A mixed lot of bot these white stapled bodies, showing in each sample a few par- ticles of trasli or a trace of early light colored foliage stain is next presented. These are, one by one, passed into the grade of Strict Middling Fair, as they have shown face, color ana staple body higher than Fully Middling Fair, but a few class- ing about I'ully Middling I^air, or a little lower, have by agree- ment been dro])ped to the grade of: Middling Fair. A line is now presented w'hich shows specimens of both the while stapled cotton you have just seen, changed only in the matter of presenting on their faces several ])articles of trash of the intermediate form, a dim showing, of an occasional small stain with here and there a sleek head indicating a more mark- ed degree of inequality. These are checked out as pivotal types of Middling Fair- A few others, not quite so good, but IKitcntly higher than the quarter grades of Barely Middling" STAXDARl) COTTON GRADES 47 Fair, have also hccii assis^ned this classing', .\o-ain there is a ""lay out" of si>(.'cimcns, comparing favorably in staple, body and cleanliness with the hig-her named types, but althoui?'. there is a sus]:)ici()n of shade in their color, these, too, are placed in the grade of Middling Fair. C)ther specimens of the last- named cotton, shovxing a greater degree of the several kinc's of imj)urities named are scaled to the grade ot Strict Good Middling. The board is now cleared for a new exhibit of samples. \\'e see the classer take from a line of samjjles one of a creamy white colf)r which shows a ])erfectly smooth face, with only a slight dotting ot trash. Its staple will measure uniformly fullv one and one-eighth inches. He classes it Strict Good Middling. He must hold it here on accmuit of its color. Oth- ers in the line not so good in character. Aarying in face and sta])le quality, none alike, yet all a little higher than the quar- ter grade of Fully Good Middling, he also checks with the owner as Strict Good Middling. A similar line of samples of a slightly shaded white, embracing a like showing of variants, we see also that he checks out on the grade of Strict Good Middling. Xext we see him take up and oi)en a specimen irom another litie- lie sees that in color and staple it is the same as the jjreceeding classification, but he perceives a mark- ed increase of Impurities. He obser\es two of the larger forms of tieak trash, one of the intermediate Aariet}', and a few conspicuous ])articles of ])ei)]^er trash. He sees also a greenish cohered seed end i-^r mote, but this he regards as inci- dental. A trace of foliage stain is observable. ( )nh- a few^ nidications of unri])e cottcMi are present, though a sui'ticient number to point to the objection of Inequality. He clasps the sample a second time and its elasticity he tinds to be stand- ard. He calls out the grade of 4 48 PEN PICTURES Good Middling, and is checked by the owner's answer, "O. K." Others in this line, of both the cream cast of color and the whiter cot- ton as appeared in the preceding type of Strict Good Middling, are examined. They show variants of the first type, rangmg from just below the quarter grade of Fully Good Middling above to a point just within the limits of Barely Good Mid- dling below. All of these he and the seller place in the grade of Good Middling- In the next line he first finds a few samples of Good Mid- dling color and body, ])Ut on account of increased loadings they are taken beyond t'he quarter grade of Barely Good Mid- dling to the classing of Strict Middling. Next he examines a sample showing a degree of dark shade below that of the wliite type of Good Middling. He opens the sample and finds its face not so smooth as the previous types examined. He sees sleekheads, several pieces of trash of each of the larger forms and also a showing of pepper trash. A stain spot and a fugitive mote are to be seen. It shows a fairly uniform fiber length of one inch, and he grades it, and Ihe line of slight \'ariants grouped with it. Strict Mid- dling. Middling. The board is now cleared and made ready for a very large array of samples. We see that in these there is a deeper or darker shade, just enough to mark a color distinction, when compared with those of the preceding lot, yet they could not properly be described as falling below a semi-bright pale white cast. A single specimen being taken for examination, the classer sees that the smoothness of its face is marred by several pieces of broken fleak trash, and that similar pieces STANDARD COTTON GRADES 49 have been rebroken into finer parts and show plainly, but not to a damagingly conspicuous degree, in the form of pepper trash. -The curling forms of immature cotton and one or more small flecks of stain are in evidence, but he sees that these have not weakened the fiber, nor established the char- acter of inequality to a hurtful extent- He passes on in liis examination till the entire lot has been classed. In all he finds some slight variations in color or impurities from that first examined, as each of the lot differs, in some respects, from all the others. You see, as he does, that the first speci- men examined is approximately near a central or pivotal type, and t'hat others are its admissable variants. As the classer calls and the owner checks, this entire lot is graded Middling. The variants have maintained their approximate relationships to the central type, by keeping within the limits of the quar- ter grades, Fully Middling and Barely Middling, as they show to be better or worse t'han the mean types. Strict Low Middling. The next "boarding" presents a line showing another drop in shade. Wfth only one or two exceptions, none of them can be graded as high as Middling on forbidding color alone. A specimen sample shows that in addition to a darker color, it carries heavy loadings of trash, nearly or quite double t'hat allowed on a Middling grade, other impurities are noted in a corresponding increased degree. The suspicion of the classer is aroused, and he now begins an examination of body. He finds by breaking and measuring that the staple has a stand- ard length of about one inch, that its inequality is not exces- sively great, and that the brittleness shown in hand clasp is due to overloadings of impurities- Some of the lot are bright- er than the specimen first taken, yet bear the same showing of loadings. Others are slightly darker but are much cleaner. One by one as the lot passes the inspection of the classer, liis call of Strict Low Middling is accepted by the seller. .50 . PEN PICTURES Low Middling, Now a yet darker line of samples is presented. Except as to a deeper shade i>f duskiness and a sliQluly increased meas- ure of impurities, tliero is nothing;' to distinguish this line from the precedinj^ lol. There is. ho\ve\er. a greater uniformity of color, and color is to be taken as a ruling' characteristic o( this f;rade. With pertect a|2;'reement. classer and seller ])lace this lot in the L;i"ade of Low Middling. Strict Good Ordinary. A smaller lot is now presented. He selects a sample which shows a still lower shade of coh^r than that ()f the i^recedinq' exhibit- It has a roug'h face badlv marked by stains anfl trash. Its staple he examines closely, and hnds it to be from se\'en-ei}.^hths of an inch to one inch in leuiji'th. lie finds its breakint:;' strenL,'^th unimpaired, but that the objections of Ine- quality and impurities take it below the Middling grades. He classes it Strict Good Ordinary. ( )thers of the exhibit, though varying somewhat in appearance from the first, are placed in the same grade, wliich classing is accepted bv the seller. Good Ordinary. A tew^ other samples are olTered. These all alike, in addi- tion to low color and trash, show signs of frost stain and other forms of affected hber U'ngth and strength. The staple body, however, is not so badly atfecled as to reduce it l)elow the grading of Good Ordinary. It is so classed and accej^jted. Storm Cotton. A lot of storm cotton is now presented- !>e\-eral sam])les of wdiite standard stapled cotton are examined. rhe\- are found to be so loaded with trash that the gr.ading of the cotton be- comes a secondary matter. lie places them, sexerallv. ac- cording to their a])pearance and rate value, in the grades of Strict Low Middling, Low Middling and Strict Good Ordi- nary. STANDARD COTTON GRADES 5I Inferior. Two other samples only remain to be examined. They are very bulky, two or three times the usual size, and upon bein^^ opened they look little like a cotton exhibit. They fall far below the grading of Good Ordinary. The classer prefer.s not to take them, but 'his principals have [)urchased the lot, and these two bales are a part thereof. We see a bulk com- posed of fibers of different length, varying from one-half inch to one irich, in part sound and strong, but \vith this rough pre- senting is a large mixture of frost stained and other unclean and damaged fiber. Such cotton can not be graded. It can only be rated- Classer and seller agree that it would clean out at the mills about forty per cent long and strong staple, and that the re- maining sixty per cent, of waste would not more than balance in value the cost of carriage and cleaning. L'pon this basis of agreement the two bales are taken at fort\' per cent, of the?r weight, and classed Good Ordinary, or the lowest commercial grade. And now the several hundred bales we have seen classed, stand lined up. each having the consignment mark of the purchaser, ready for immediate shipment. We will re- tire and think of the interestin"- work we have witnessed. TH E Cotton Grader OR How to Classify Cotton The above titled work is here reproduced as published in 1908. It is made a part of these lessons. The following- pages, including Preface, are with only a few slight changes, identical with the original publication- The student will find all therein that may be taken as supplemental and explanatory of Pen Pictures. (Used by consent of lessee.) PREFACE This liook is intended to give a clear, eoniprehenslve idea of tlie Art of Cotton Grading and Classifying. As to whether or not t'hat work has been accomplished, he who reads it with the view of learning the Art will be rewarded. The Fiber is made the unit of classification- Every form and variety of Fiber is described and every character of impurity that might affect it is discussed. As these conditilished. Writers, like buyers, have seemingly considered the subject beyond the comprehension of an ordinary Farmer. At least f(^r .some rea- son the}- have acquiesced in the buyers' opinion that grading and naming tlie price of Cotton was something of which the Farmer should exercise no primary judgment.. Just a little agitation has aroused the barmers to a sense of tlieir hel|)less- ness in this respect, and when thev are told that it recpiires, in connection with a \ery short treatise on the subject, only a limited course r coarse, strong or weak, wilh or without natural twist, uniform or irregular, dead ur live, elastic or brittle — the whole comprising the qualities o'' length and strength. Color in grading applies to wdiite, as a basf, and to all the regular shades from that to the brown or Nankin. It does not include stains, fleck-marks, spots or other discol'..'atio,'iS. Condition fcdlow s upon a multiplicity of cause.>. (1) SOUNDXl-lSS — as indicated by strength of fiber, or by freedom from the effects of present or prexioivs dampness. (2) hTR.MXl'.SS — as it may feel res])iin,';;\ ely live ot dead to the touch — elastic and flexible. (3) CLEANLINESS — as it may have more or less trash or "dirt." (4) DlSCr)L()RATION— as from boll stam— trom damp- ness in seed — from possible soil stain — from tlie chv burr marks of late ])icking — from hoop stain and from od stani- (5) AIOTLS — as from faulty ginning or from immature seed and seed ends. (6) INEOl'ALITY — as from mixing diffc,-ent kinds oi varieties of seed cotton. (7) SPOT.S — as from mildew or fungoid or from foliage rust-stain ; and, (8) NON-DEVELOPMENT— as shown by the lack of spi- ral form or natural twist in the fiber and by the unequal length and strength of the fiber resulting from a mixture of ripe, half-ripe and dead staple. Quality is that estimate o7 rating which is ba'-ed upon tht; STAXDARD COTTON GI>L\I)l-:S 59 combination uf staple, color and condition. To tell the (jual- ity is lo name the i;rade or classification. Type. 1 ype is mtjre proi)erly a manufacturing term as api)iied to i^rades, but it is one with which the field classifier must be ac- quamtcd. It is a selected grade of cotton about which and with which other approximate grades, higher and lower, may be combined in harmonious blending. This jjroduces a mix- ture ditt'ering from all its component parts, better than the lower Init not so good as the higher, and, of course, unlike the (jriginal type grade- By this method, classifying by the manufacturer is reduced from the broad range of div^ersified grades, to a few types which embrace the better part of these grades. The econonn- attending this order of arrangement gives, from the several grades selected, a uniftjrm finished product; whereas, if each were taken sei)arate!y, it would, in itself, constitute a specific type. It also enables the manu- facturer the nnu'e easily to suppl}' himself with stock, as a large bulk of cotton of any given classification is not always readily obtainable. Types are made up at. or as it may be ior, the mills and factories b}- (jualified expert cotton graders, llere vou will find an artist who knows his profession, lie does not know, necesarily, and he need not care, whether the cotton he must examine so closely is worth in the market one dollar per pound or r)nly one cent per pound, but he does know that the several lots or i)arcels of cotton he has selected, \-arying in weight and classification, after being mixed and taken through all the preparatory piocesses, must produce a cond^ination wdiich shall give, as a finished product, one without noticea- ble difference from that resulting from a ])re\i )us condjina- tion of a similar character, and, likewise, from oi'hers he must make in future to fill a uniform large order. A knowledge of this kind has been the professional capita! 60 PEN PICTURES of the field cotton buyer, as a lack of its possession by the cot- ton producer has long kept him on the roll of the victimized. Ye buyer understands well the art of "putting- up" types, and though there could be no harm in "putting up" an honest type, it is barely fair to work the damaging "average up" plan on the farmer, when in most cases it means ''average down." Under our present system of handling cotton, the buyer is en- titled to his comission or his rightful speculative profits, but the "average up" plan should be stopped by the seller till 'he,' himself, learns how to "average up." Every farmer who grows cotton should know how to grade, classify and type oi average up any assorted lot or number of bales he may ofifer to sell- In the sense here discussed the term type means to average, or to combine different grades for marketmg at a "lump figure." Type is also a term of distinction used by manufacturers to indicate variety. In the American mills' classification we 'have the Sea Island, some foreign, and the several Uplands varieties each constituting a type. Varieties of Cotton. Many exhaustive treatises have been written upon the Bot- any of Cotton. Eor a history of the plant these works are re- ferred to, but in this elTort no attempt will be made to go be- yond the naming of the difi:'erent foreign and home varieties and showing their textile coiuparison. Foreign Cottons. Tlie Brown Egyptian is a very fine fibered long stapled cot- ton. It is used in the manufacture of high grade varus and fabrics, and a considerable (juantity is annually imported into the United States for that purpose. All other varieties of Egyptian Cotton are considered inferior- The China and India cottons are both of very low grade. STANDARD COTTON GRADES 61 The China is consumed entirely at home, but India exports a large part of her raw product to Europe. The South American cottons are of many varieties. The principal two are the Brazilian and the Peruvian. The Bra- zilian goes chiefly to Europe, but our American manufactur- ers use a great deal of the Peruvian (red) in the manufacture of special lines and in the making up of types. Other varie- ties of the South American cotton are classed with the Mexi- can product and are considered unimportant both in bulk and quality. American Cotton. This designation applies only to the product of the United States of North America and the adjacent islands. Sea Island is considered an American product. It is grown principally on the islands off the South Atlantic coast- ' All points of merit considered, it ranks highest in the grades of cotton the world over. Sea Island cotton is grown also on the main land of Florida, Georgia and South Carolina, that of Florida being the best, but still distinguishable as a lower grade than that of the island product. The American mainland cotton and its many classes or kinds, both native and improved, is next to be mentioned. The quantity of this general variety is greater than that pro- duced by all ot'her parts of the world combined, and the value set upon its middle or basic grade controls tlie price of cotton in all commercial quarters of the globe. Sub-Divisions. The most important of the several divisions or varieties of the American mainland cotton is that known as the Orleans or Gulf. These names embrace a number of included varie- ties, all. in the market, being understood as virtually tlie same. Its staple is both long and strong, measuring in 62 PEN PICTURES length from one inch to one and one-half inc'hes, and having a tensile capacity highly valued by spinners. IVoducts from the fields of the higher inland river valley lands of Mississippi, Louisiana, Alabama, Arkansas and Ten- nessee are only sliglUly inferior to the Orleans, but they con- stitute a marketable variety. Texas cotton stands alone as a saparate variety- It varies from seven-eighths to one inch in length of staple. The prod- uct of the r>razos Valley, however, ranks above this rating ami is ai)preciated in both the home and foreign market. ^ much above the commonly accepted Texas variety. Uplands embraces all that yield coming from tlie territory not designated as the home of the several special sub-varie- ties mentioned. Uplands cotton has a staple from three- fourths of an inch to one and one-eighth inches in standard lenij-th. HOW TO CLASSIFY COTTON- A carefully grown, well develoi)ed, cleanly gathered, proD- eily ginned and wrapped bale of white Uplands cotton forms the basic center from w'hich all higher or lower grades are de- termined. L^plands has its many "ImproN'ed" varieties, and its sub-varieties are almost as numerous as the varied char- acters of the soil, the latitude and the altitude of the fields where they are severally grown. L plands, however varied is Uplands and a classifier who may be able to grade one of its varieties may as easily grade all of them. The Principle of Cotton Grading. In every development there is a basic point from which growth begins. It is well known that a proper solution of any mathematical question depends upon a careful starting with its unit. As applied in mathematics so the rule must STANDARD COTTON GRADES 63 be made to operate in all things. If we wish to understand by investigation any given proposition, we must work out from its initial point. We must go to its base for our first and only correct comprehension of its parts. Again, there is a law governing fhe economy of action which prohibits the attempted performance of two different acts at one and the same time- "'Do one thing and do it well, then do the sec- ond thing and dt) it better" is a nice old j)roverb. If you wish to learn the art of grading cotton, you should take up the study alone, and let every non-essential collateral element of cotton be put aside for the time. From this preliminary it might be argued that in t'he cotton seed is the germ, the unit, the initial point from which to move out in the start to study cotton. I have before told you that volumes and vol- umes have been written upon cotton with our subject Cotton Grading, left out. These writers begin with the seed and 'have taken you everywhere else but to a knowledge of clas- sifying the staple about which, otherwise, thev have written so much. Our subject, Cotton Grading, has its unit, an initial point, a starting place, that is wholly and entirely its own. If from a bale, or any large bulk of cotton, you should take away, part by part, the smallest quantity you could separate from the general mass, in t'he course of time, though it should be a long time, you would come to a last small part, a little fila- ment, and this is your Cotton Grading L^nit. It is a simple. Fiber. To learn to classify cotton here your study begins- You must know all about the single fiber and its combinations with other fibers of the same or of different kinds. Despise not the study of small things if you would undertake the con- sideration of the cotton fiber, for you are to take only one and it is so small that it would require one hundred and forty millions like it to weigh one pound. 5 64 PEN PICTURES The cotton fiber casually observed presents a deceptive ap- pearance. Viewed thus it looks to be a small, long, solid and perfectly round body, but upon closer observation it shows itself as a narrow tiattened tube, twisted in form, and in tnis respect, resembling somewhat a spirally curled hair. The fiber has its tip extremity closed but its base is fastened like a mouth to its mother seed, from which it feeds itself by a capillary process to maturity, h'iber does not taper in form. Jt has the same diameter in all t'he parts of its length. It has a large or small cavity, and is fiat, or retains more nearly its apparent cylindrical form, according to its full or its imperfect development. A perfect fiber is covered by a thin clinging dustlike membrane, called by botanists the "cuticula" or skin. This covering sometimes goes with the fiber through the fac- tory into yarns or other products, but oftener it disappears in the form of gin dust or mill dust- It is comparatively weightless and neither adds to nor detracts from the value of the staple. Fiber may be fully developed and still be short or long ac- cording to its parent variety. The range of length is from one-half inch to two inches. This measure of filler length is designated its staple and is the first item to be considered in grading or assigning value. Other items, however, relating to t'he fiber construction are to be reckoned. They are the core or diameter and their strength or tensile power of re- sistance. The following show'S the relative diameter, length, and strength of the fiber belonging to the several \arieties pre- sented : I^ength Inches Sea Island 1.61 Orleans 1.02 Texas 1.00 Uplands 93 Egyptian 1.41 Indian •. . . .89 DiameTe? in. .000640 Ereakii ^ straiD, grftins 83.9 .000775 147.7 .000765 109.5 .000763 104-5 .000665 127.2 .000894 160.7 STANDARD COTTON GRADES 65 This table is given to show that the fiber with the greatest diameter is the strongest and that usually the coarser grades of fiber belong to the shorter staples. The measure of tension or breaking strain of a single fiber is estimated by spinners to be from five to ten grams or from eighty to one hundred and sixty grains, or an average of about fifty fibers to sustain a pound. A Closer Study of the Fiber. Again let the fact be emphasized that the cotton classifier must he perfectly familiar with the unit of classification. Im- purities found in cotton are to him a secondary matter. Tliey are usually easily traced and their causes located. Never let any appearance or condition of a cotton sample take you away from a study of the fiber as the part most affected by that condition. After the cotton boll fully matures and opens, a few days of exposure to air and sunlight are beneficial, in t'he way of giving to the slower maturing parts of the pod mature devel- opment, and to the whole spiral individuality of fiber. But if left longer than this, exposed to heat and air, the fiber will tend to become harsh and brittle, and the longer so left the more perceptible these injuries become. Besides, if strong winds prevail, dust and sand will be blown into the open cot- ton, and if it should rain much, water stain will follow- Natural Twist. The Natural twist of the cotton fiber varies from about two hundred turns to the inch in good grade Uplands to three hundred turns per inch or more in the best Sea Island prod- uct. In connection with its lengt'h the value ot the fiber hinges upon this quality, as in manufacturing the joining pro- cess with other fibers depends upon this as an interlocking principle. Manufacturers use the microscope to ascertain ex- 6^ I'KN PICTl'RKS act spiral cliaracter, but this does not imply tliat the ordinary ^i;rading classifier, with his natural vision, holding" a sample secti(^n in hand, ciudd not determine cpiite well enough for practical purposes the j)resence or absence ot this ([uality. just in the same way lie would form conclusive opinion as to length, strength, and other special characteristics of the fi')er niKki- examinalion. Natural Twist is not to be confounded wirii the Elastic Twist of a live healthy tiber. M is the vital force. hovve\-er. of Natural Twist that gives the kinky form of Elastic Twist. Unripe Fibers. In e\ ery sam])le of cotton. fr(~>m the 'highest to the lowest graper deduction for water -weight can be made. If the dampness should extend into the interic:)r of the bale, the classifier is placed in a dilemma. E.xcessive damp- ness disturbs normal elasticity and he will be able to judge of this quality only as a collateral adjunct of the length and strength of the staple under examination. He will be able easily to know whether this dampness is new or fresh or whet'her it is an old water sob. If the latter, the form and strength of the staple, besides the changes before mentioned, will show rank abnormal differences in fibers of apparently even development. Parts of the same staple will .s'how differ- 72 PEN PICTURES ent degrees of elasticity, and an unmistakeable odor of musti- uess will manifest itself. Cotton in this condition, no matter what it once may have been, is now to be graded "Inferior." If, on the contrary the bale s'hould appear to be generally damp, and otherwise sound, its grade is not affected and a deduction for water-weight from the bulk weight of the bale is all that need be done in fairness to seller and buyer. , Structural Composition. In a work on Grading and Classifying it is not necessary to go into the "Chemistry" of the cotton staple- However, as the laws of Fermentation, Decomposition, Fungi, etc.. operate with more or less force according to t'he physical stability of the substance to be acted on, any one desiring thus further to investigate is referred to chemistry as applied to these cjues- tions, and in that connection, the following structural analys".s of cotton is given : Fiber 8;]. 71 per cent Water (j.74 per cent. h'ree Nitrogen 5.79 per cent. Ash 1.65 per cent. Protein 1.50 per cent. Fat 61 per cent. 100. Porosity is a general property of matter, but the surface pores of a single fiber of cotton are too nearly allied in magni- tude to the atomic nature of t'heir surroundings to give pas- sage \va\ to the combined elements composing water. Hence moisture of cotton is due wholly to fiber-layer and capillary avenues of ingress. Dryness. In connection with Dampness is to be considered a principle STANDARD COTTON GRADES 73 of Dryness, that affects the worth of cotton. A sample of cot- ton of average high grade, in its normal state, contains nearly seven per cent, water. Immerse it in a vessel of water till it becomes thoroughly saturated, then expose it to the air and sun for a few hours and it would show only its normal quan- tity or part of water. Subject it next to a heating process. Confine it in a bake-oven or other drying place till, as nearly as possible all moisture is driven out, expose it again to the air and from that element it would soon absorb moisture enough to have its original normal quantity. It is this quality of dampness that enables the classifier to judge, through its character of elasticity and flexibility, the presence or absence of t'he necessary vitality in a sample under examination. A healthful well developed capillary state of the staple gives a normal condition of dampness. This in turn through the elas- ticity and flexibility of a sample containing it proves and shows the origin of its presence. Flexibility. As a rule flexibility indicates strength of fiber, thoug'h short, coarse and strong staples are rather more harsh than flexible. A sample of the latter kind, in response to the touch or clasp of the hand, will show sufficient capillary (cavity) force to in- dicate its right position in t'he line of grades. If from any cause a sample staple should show a quality of dryness below that of the normally damp stage, it would be indicated by a harsh, brittle yielding to the touch, and upon closer examina- tion it would be found wanting in some of the characteristic essential points of good grade. Grades of Cotton. In an American cotton crop of twelve million bales, if graded by t'he bale, it may be truthfully asserted that twelve million different and varying grades would be found. In otl er words, no two bales could be found that would sample 74 PEN PICTURES '"through and tlirough" or "out and out" in exact likeness. Notwithstanding' t'his fact, there might be found, say, one-third of this number of bales that would be so nearly alike as to be classed toget'her as one type or grade. Another small frac- tional lot. better or worse, higher or lower, finer or coarser, might be found that could be placed in another grade. And so on, another fractional part of the twelve million bales might be found having a general bulk likeness and similar grade cjuality, till the whole could be embraced in about twenty of these fractional divisional parts- These twenty or more parts mig'ht again be sub-grouped into seven or eight distinct qual- ity divisions, designated "Full Grades," with which higher or Jower approximately similar grades may be typed, to com- pose a bulk lot of cotton of a required given classification. These approximates are designated "Half" and "Quarter" grades. The American Exchange Market. As an American proposition, l^oth the classification of cot- ton and the price to be paid for it are regulated by a class who have no interest, whatever, either in its production or its manufacture. We have two great commercial or market "Ex- changes," located respectively in New York and New Or- leans. Seats in these "Exchanges" are of high commercial value, and are of a limited number. The membership com- posing them is supposed to be '"strticly" American, but it may be remarked, soto voce, that the supposition is "strictly" a sup- position. ]^>om these places the men who have no part in producing, hauling or manufacturing cotton, designate the terms by which its differing grades shall be known, and dicta- torially declare what the market price shall be. This is only another way of showing our American disposition to bow to "custom," respect established "precedents," and "w^alk in ttie way our fathers trod." But the right or wrong of this custom is not a matter to be discussed here- S'lWiVDARD COTTON GRAl>IvS 75 Grade Classification. According' to American Classification tlicre arc seven full grades of the niainhuui varieties with which, however, neither t'he Florida nor the Ceorgia and South Carolina htng or Sea Island staples are to Ije included. These seven grades are: Fair, Middling Fair, Good Middling, Middling, Low Middling, Good Ordinary and Ordinary. Fair is tlie highest and best grade and, therefore, there can be no half or (juarter grades above it, but, descemh'ng, all other grades have half or quarter grades both al)ove and below them. The complete table of American grades used until recently by t'he conunercial world is as follows : (1) FAIR, Barely Fair, Strict Middling Fair and Fully Middling Fair. (2) MIDDLING FAIR, Barely Middling Fair, Strict Good Middling and Fully Good Middling. (3) GOOD MIDDLING, Barely Good Middling, Strict Middling and Fully Middling. (4) MIDDLING, Barely Middling, Strict Low Middling and Fully Low Middling. (5) LOW MIDDLING, Barely Low Middling. Strict Good Ordinary and Fully Good Ordinary. (6) GOOD ORDINARY, Barely Good Ordinary and Strict Ordinary. (7) ORDINARY, Low Ordinary and Inferior. This system, or catalog, of classifying terms i-^ as old ;ilm(>t as the American cotton market itself. When the Americati cotton exchanges first were established, about thirty-five vears ago, they adoi)ted and used the old classifying term>i. r)ut V. ithin recent vears they "have dropped out the fi\e grades be- low Good Ordinary, and have substituted or added thirteen n.ew terms. These added terms are: (1) Strict Good Middling Tinged. (2) Good Middling Tinged. (3) Strict Middling 76 PEN PICTURES Tinged. (4) Middling Tinged- (5) Strict Low Middling Tinged. (6) Low Middling Tinged. (7) Strict Good Ordin- ary Tinged. (8) Fully Middling Stained. (9) Middling Stained. (10) Barely Middling Stained- (11) Strict Low Middling Stained. (12) Fully Low Middling Stained, and (13) Low Middling Stained.. Middling is still made the basis of value, and Good Middling Tinged is placed on a par with it. The regular classification in its revised form, showing the 1907-1908 variation of values is given on the next page. The difference in value t'herein quoted is rather more basic than ar- bitrary, and is changed as the demand may increase for a specific type of cotton. Note: the given print referred to above is not much at vari- ance with the present differences. The matter is therefore kept before you only as a guide to the method of determining grade valuations. STANDARD COTTON GRADES 77 New York Differences in Grade. Cents. Fair 1.75 on Strict Middling Fair 1.50 " Middling Fair 1.25 " Barely Middling Fair ■ 1.00 " Strict Good Middling 75 '' Fully Good Middling 62 " Good Middling 50 " Barely Good Middling 37 " Strict Middling 25 " Middling Basis Strict Low Middling -30 off Fully Low Middling 65 Low Middling 1.00 " Barely Low Middling 1.25 Strict Good Ordinary 1.50 " Fully Good Ordinary 1.75 Good Ordinary 2.00 " Strict Good Middling Tinged -35 on Good Middling Tinged \Aalue of Mia. Strict Middling Tinged 20 off Middling Tinged 30 " Strict Low Middling Tinged 1.00 " Low Middling Tinged 1.50 Strict Good Ordinary Tinged 200 Fully Middling Stained 1.00 " Middling Stained 1-25 Barely Middling Stained 1-75 Strict Low Middling Stained 2.25 F'ully Low Middling Stained 2.62 Low Middling Stained 3.00 78 PEN PR'TTRlvS Tinge. The Lcnn ""ringe" or "Ting-cd" ;us applied in this classifica- fiun refers [o natural color only, and not to any stain or dye frum extraneous causes. The color of cotton is strongl} marked by the character of the soil u])on which it is produced. I)inj4y, ,i;ra\-. cream, \'ello\vish hrown and other shades are common departures from white, which is the color cpiality of the best i;rade^. Sea Island Cotton. .Sea Island cotton is classed ui only two (American) vari- eties and se\en grades. The varieties are the island proper and the Mainlaml. A distinction between the Florida product and that of (ieorgia and Carolina is sometimes made. This would ^,ive a third \aricty. The .grades are: Extra Fine. Fine. Medi- um Fine, Good Medium, Medium, Common and Ordinary. lig"y])tian and India cotton, and the South American prod- uct ha\ e each a large number of \arieties, but a limited order ()[ grade classifications. In this work it is not at all necessary to quote these points specifically^ as its scope is intended to embrace only the American classification- Grading and Light. Again we are brought to the unit of classification, the fiber. To judge ]troperly the character of a sample staple, we must be able t(^ see it under favorable conditions. Smce it is a re- jection of the direct ray of light falling u])on an object that brings it to view, the best view is to be ol^tained by making' the Ime of vision and the line of direct ray to coincide. That is, in homely parlance, we must look at an object fre expected in the highest typed bale of cotton, we have none the less a standard highest grade, h^rom this grade to the basis, the middle or medium grade between t'he highest and the lowest, including "Strict (^lood Middling Tinged," there are ten steps of descent. If we should take a bale of our best stapled and cleanest wdiite cotton and grade it ''Fair," there must be some falling oil either in quality of staple or character of purity, or both, to make the lirst descending step to "Strict Middling Fair." There might not appear any additional impurity and the staple might be as good, yet dififerent, and the grade is not the same. The long hbered more fragile but finer filament would take precedence over the shorter, coarser and stronger staple with which it would be compared- As we would come down the line, at each step we should find changes in the classification occurring from ditiference in length and strength, lack of uniformity and other previously mentioned inequalities of the staple. The Basis. "Middling," the merlium or middle quality between "Fair" and "Ordinary," is t'he basis of classification. Given a sample of white, firm elastic and fiexible bulk fiber having staple of STANDARD COTTON GRADES 83 uniform measure from above three-fourths of an inch to one inch or more in length, with a minimum showing- of broken leaf, and without stain or any of the heavy impurities of shell, motes, etc., and we should have an accepted grade of ''Mid- dling." Observe there is a difference between "broken" leaf and "peppered" leaf. The latter in its pulverized form is consid- ered a very objectionable impurity, as previously exolained. No sample carrying powered leaf in quantity, or stem trasli could be classed ''Middling." All classifications, higher than Middling, are ^n])posed to be unalTected by any slight impurities they may carry- But from ''Middling" through the descending grades impurities are an important consideration. Staple still holds its priority. But even a good staple loses its finer character wlicn associated with impurities. The quality of the staple falls off. or the im- ])r.rities increase, or both, in the old classification, from "Mid- dling' 'to ''Interior." "Inferior" grades are usually from late pickings of short-developed or half-open frost bitten bolls. The staple is of the lowest type, and the fiber is nearly always stained. "Inferior" has its descending grades t'hrough a varv- ing line from bad to worse, known as "Dog-tails." All strict commercial classification lies between the grades o[ from ''Fair" to "Good Ordinary." These represent the ex- treme variations in value of about four cents. l)elow the grade of Ordinary, "Tinge," or the natural color oi the cotton, does not affect its grade- From this pont it is ])urely a ques- tion of staple and impurity. In this matter, if the staple is comparatively good or bad the accompanying impurities would govern its valuation. The whole list of impurities has been given on a preceding page, as well as their respective degrees of damaging character. A careful study of the question of Impurities should be made. "The last of the crop," is sup- posced to be gradeless, but not so : it is only gradeless as it af- fords the buyer an opportunity to place his knowledge against the inexperience of the seller. Where one knows and the 84 PEN PICTURES Liher guesses, the guesser los es. The shrewd buyer not only grades this kind of cotton, but he also grades the man who of- tcrs it for sale. That is. he sizes up the one and undergrades the other, much to his own satisfaction and profit- Codes, We have only a few very large cotton firms who buy directly frc>m the producer, yet the whole field is covered by them. Instead of the usual terms of commercial classification, each of these firms has a ''Code" made up of letters or figures to represent the different classifications. These "Codes'* are used onh in one way. and that is in t'he deal between these ^ame buyers, or ihcir agents, and the farmers or producers. When the turn is made by them to the regular market these "Code" classifications are dropi^ed, and the regular market terms are employed. Imagine the blank look that would shade the face of any regular market buyer if you should ofifer him a lot of cotton and tell him that it ought to class all around, fours or fives or Bs or Ds. He would no more understand you than if you were to address 'him in Chinese. These "Codes" are ad- mitted to be variable; that is, subject to change, as to the pre- cise grades represented at all times. In several of the states, the State of Cjeorgia for instance, the arbitrary ''Code" of one f;rm of cotton buyers is the only classification known. Granting the probability that no imposition has been prac- ticed through this method of grading, still a uniform basis of classification, understood by all, would 'be better- Then again, if. say. '"fours" in Alabama is not "fours" in South Carolina, what would be "fours" in Georgia? If I should fix a '"Code" grading "Fours" as Middling and you should so undesrtand it. and. later for my convenience, I should change ''Fours" to "Good Middling," to say the least, you would not have a clear conception of the market grades. It is generally conceded that a uniform universally accepted system of grading by number v/ould be better than the present, (but until such time as this may be done, let us cling to the old system. In t'he present STANDARD COTTON GRADES 85 s>stcni of private Codes in use the numbers range from one lor ''Fair" to four for "Middling,' 'and eights and tens for the ordinary and inferior grades. The numbers employed, how- ever, run much higher, as the lower grades are to be desig- nated. A Quotation. Charles William Burkett, Professor of Agriculture in t'he State College of North Carolina, in his work entitled "Cotton," published in 1906, comments on the respective situations of producer and buyer as follows : ''Ordinarily the judgment rests solely with the buyer. He classes fiber as he thinks it should be classed, or as 'he chooses to class it, and otTers a market price for that grade of cotton. You can readily see that where only a single buyer is present, and especially if that one be unscrupulous to some degree, a considerable loss may come to t'he producer and a correspond- mg gain to the buyer. Naturally there are tricks in buying cotton as there are tricks in other trades, and honesty and business integrity find recognition in the cotton market as they do elsewhere in life- ''The most satisfactory selling is done where several buyers are on hand, and this competition, as a rule, means the high- est price will be ofifered. Of course even in this case buyers may join hands and one do the most of the buying one day, atiother a second day, and so on. each taking his turn and get- ting his cotton at the lowest price. But the daily paper now gives t'he farmer the prices in the leading markets of tlie world, and with the railways making transportation to better mar- kets easy, 'he usually secures what the product is worth, or at least the market value of the grade in which it is classed." The "But" above, referring to daily papers and railways, loses all its force in the concluding words of the ])aragrapli. which are, "Or at least the market value of the grade in whicli it is classed." Yes, classed by the buyer and not the seller. TYPE EXAMINATION-SAMPLING A sample of cotton is, or should be, a fair representative type of the bulk or bale from which it is taken. It should be procured from a part of the bale that 'has not been aiifected by contact with the compressing machinery; that is, away from the ends or sides of the bale, and from beneath the outer layers composing the bulk. A good sample should weigh about three ounces. The first work of the examiner is to determine the body quality of the type in hand; that is, to learn, through its showing of elasticity, flexibility and yielding to the toucli. whether it belongs to the higher, the middle or the lower grades. This he may do almost unconsciously, as he grasps t'he sample in first clasp of hand, or later separates a i)art of it into staple length and then "opens up" the lasers to loolc for such impurities as may be found afi:"ecting the l^od}- as it nas presented itself to him- In the examination of a type, as a rule, its high or low grade is indicated by the smooth or rough character of its face. If the cotton is of a low grade the face of the type will be natu- rally rough. (Jn the contrary, high grades show a smooth face. There is a lacking smoothness, however, indicated by bad "prej)aration" that sliould not aft'ect to an}- great extent the grade of an otherwise smor»the type. This is caused by ginning damp cotton or compressing it while in a damp state. In such cases the fibers are often massed or rolled together. The staple is not injured thereby, except in appearance, but bad ginning thus affecting the face of a type would cause it to be droppetl at least a half grade be- low its standard worth. In the fair grades the fibers lie low, close together and give the face of the type a clean and per- fectly smooth ai)pearance, except, as stated, in t'lie case of gin rr)ll. which ma\- show in the form of small ro])C like ridges. Ijoth the hand and the eye are used to determine smooth- ness. The sense of touch co-operates wit'h that vi vision, au'^I STANDARD COTTON GRADES 8.7 whatever the decision may be, it should always follow as a result of the joint action of these agencies- As the grades de- scend the faces of their various types grow rougher. Brittle- ness, showing the lower character of staple, manifests itself , in upturned fiber ends, small opening lines, and irregular swell- ings and depressions. Dead and half-ripe fiibers, white and sleek, show themselves like little bow-backed worms or curl ing blisters. Trash adds its quota, both in appearance and to the touch. Stains show their natural tendency to kink the fibers carrying t'hem. These, including motes, neps, shell, seed-ends and every other kind of impurity — all — as they may show themselves in small or great degree in the various type faces, show at the same time the smoothe or rough face of the type aftected by them. Then after a general estimate of the body of the tvpe, made in the manner suggested, proceed to pass upon its cjuality of smoothness, and your decision of grade thus found is now to be verified or corrected by a closer inspection made through "opening up." Types or samples of cotton lie in folds or lasers. As they ''open up" the true type of cotton is revealed. As the parts are separated every impurity seems to stand up for recogni- tion- Particles of trash, stains, sleekheads, and ot'her forms of perished or immature fiber, including the knotty burr-sink : motes, shell, seed ends and other indications of bad ginning, if they should be present, each and all appear fully conspic- uous as the fcat or layer "opens up." Color also is seen anew, and an estimate of the fiiiish or smoot'hness is again taken. Three "opens" of a sample or type are usually made by t he classer and "'How It Opens" is the basis of his grading esti- mate. GRADE NOTES. Fair. This is the best grade of the several varieties of American 88 PEN PICTURES short-stapled cotton. It is commercially described as being purely white wit'h staple, if coarse and short, ranging from seven-eighths of an inch to one inch in length ; or, if fine and long, from one inch to one and one-quarter inches in length. It should have in either case natural twist, denoting mature development, or so nearly mature that but few dead and half- ripe fibers would appear to mar t'he face of the type and change its character of perfect smoothness. This grade is commercially supposed t<^) be absolutely free from impurities, yet, as "purity" in cotton-grading is only a ''nearest pure," it may carry a bare trace of the slighter ulTsets to perfect clean- liness. If more than a im-rcly perceptible trace is shown, of course, the grade should be scaled, a> it is teniieil, t'hat is, dropped to a lower classing. This scaling has twn ])oints of limit. If the type is placed upon the market upon the basis of a single bale or small lot sale any descent from Fair would nec- essarily go to the ne*^t regular commercial grade, Strict Mid- dling Fair, liut the same cotton, while it could not be graded I'^air, might so nearly approach t'hat grade that it would be ^better even than l>arely h'air. In which case, if marketed with a type lot of cotton centering near any given grade, its face worth, irrespective of commercial grade stations, would be estimated by the classer. "Climbers" and ".Sliders" are terms carried in the mind of the classer as he recognizes the varia- tions, up and down, from any full, half or cjuarter grade- In typing, these e.xact variations stand as merits and demerits af- fecting an amalgamation or mixture forming a l)asic type. This basis of mixture is named by that simple process of math- ematical calculation known as allegation. A type body is worth the smn <:)f its component parts. That is all. This system of grading prevails only in large lot sales between dealer and dealer, and between dealers and manufacturers. The whole cotton crop is graded, first from the wagon of the producer by the single bale, or, as is most usually the case, in lots of from two to four bales. The classer buvs mostly bv STANDARD COTTON GRADES 89 the merit of the bale, or, in some instances, he may make a lump purchase. In either case he buys, as he should buy, safely. He grades by a strict commercial grading- With him. the first classer, barelys and fullys and climbers and sliders 'have no day. All such margins are his legitimately if he has so graded. He may sell to a dealer, classing as he has bought, or he may possess the necessary means and business sagacity to type out his purchases on hig'hly improved grading. If he has repre- sented a principal his purchases will surely take this course, and the second grading of this cotton will always be higher than the first. This reference is here made to t'he drop or descent of any commercial grade, because it applies in the descriptions of all other grades as will be noted. Strict Middling Fair. This is a half grade between Fair and Middling Fair- Its commercial description is the same as for Fair, except that the trace of impurities becomes a degree more pronounced. As these impurities bring it below t'he grade of Fair it must take its place in the next lower commercial grading If it should have higher merit, by reason of having just a small showing of impurities, such' merit could receive credit only as it would give higher character to a type to be made up of slightly varying approximate grades. A biiyer in small lots buying on a basis of commercial grading, could make special types from his accumulation of purchases that would give to him the mar- gin of profit between the commercial grade and the strict value above that grade. Middling Fair. This is t'he second full grade descending from hair. Its pre- sentation of color is too slight to be called a shade, and still it is suf^ciently distinct to mark a change. Its staple and gen- 90 PEN PICTURES eral body must be as good as that of Fair, but it will carry a showing of the lighter and less injurious impurities easily ob- servable. A slightly greater departure from white or an ad- ditional showing of impurities would type it Barely Middling Fair, but in commercial grading it would descend to the 'half grade below- Strict Good Middling. This is a half grade between Middling h'air and Good Mid- dling. In its general appearance there may be seen a slight increase of shade, a small loss of staple character and a notice- able increase of non-injurious stains and light imj^urities. This grade is an improved Good Middling, and is the highest j)()int to w'hich that grade can ibe taken, however free from impuri- ties. Grade is first determined by staple and color, then cot- ton that is not fair can not be graded above Strict (iood Mid- dling. It is not to ])e forgotten however, that grade first estab- lished on staple and color, may be materially afifected by con- dition. Strict Good Middling, Fully Good Middling, Good Middling and Barely Good Middling arc \irtually the same ex- cept as to condition. Strict Good Middling, like other grades, may be typed on the next lowest quarter grade, but if condition will not sustain a full classing it would descend to the next Tower commercial grade. Good Middling- This is the third grade below b^air. It has just been re- ferred to as the basic type of a group of ascending and de- scending cjuarter and half grades. Good Middling does not mean a superior cast of Middling; it means an independent type or grade better than Middling and differing materially from Middling. The staple ranges from full seven-eighths of an inch to above a full inch in meas- ure of length. Its color varies from t'he white of nearly Fair STANDARD COTTON GRADES 91 down through the wavings of white to a rich creamy cast, readily distinguished from the colorings known as tinges, and brighter in luster than the pallor-like w'hiteness belonging to the grade of Middling. Good Middling, bodied on its basic color and stai^Ie, \\ill carry on its face and in its o])enings only a very small quantity of pepper-trash, a slight showing of sheet trash, a bare sprinkling of sleekheads, or perished cot- ton, a minimum showing of non-injurious stains and an occa- sional fugitive mote or seed-end. A noticeable decrease of these impurities, with fair preparation (ginning) would type this grade a quarter higher to Fully Good Midding — a. still greater disappearance and improvement would raise it to the grade of Strict Good Middling. As previously stated it could not be classed higher though every vestige of impurity should be removed. Any buyer or classer, however, would show his appreciation of so rare a type of cotton, and credit such clean- liness with its market worth- Again, if the color should be a shade deeper or the impurities a degree more marked the grade for typing would drop a quarter to Barely Good Middling, but as a single bale or in small lot sale it would be classed Strict Middling only. Added impurities might bring it to tliis grade as. in fact, it could by loadings be taken by degrees down through the several grades to Low Middling. It is to be ob- served, 'however, that a Good Middling body, color and staple, in each grade that it may be reduced to by loadings ,will admit of more impurities than would be allowed the same grades on their own respective natural bodies. That is, a Good Middling reduced by impurities to a Middling, would open to more trash, stain, etc., than would be alloiwable in a Middling proper. Strict Middling. This is the half grade between Good Middling and Middling. Strict Middling has been partially described under Good Mid- dling, but only as that grade reduced. Strict Middling proper 92 PEN PICTURES is not so bright in color as Good Middling, but lighter than its basic grade, Middling- It will be mentioned again in the grades grouped around Middling. It is to be noted that Strict Middling bodied on Middling or on Good Middling, as it may be raised from the one or reduced to the other, would be allowed more or less impurities according as its color and sta- ple approached the higher or lower grade. It 'has been claimed that the white of Strict Middling is a distinct grade color, but this play of mergings from both Middling behivv and Good Middling above would seem to annul such assumption. Strict Middling as an independent grade in body, color and impurity is to be treated as other grade» in typing and scaling down for grade Middling. This grade is t'he l^asis of all cotton classification through- out the commercial world. (See Cotton Grader.) Its stand- ard staple is from above three-fourths of an inch to one inch or more in length, and its defined color is a pale, clean, uni- form white — not so bright as the hig'her grades, but yet a pure untinged white. In this central grade-color many minute de- grees of variation are embraced, ascending and descending each a half grade. These variations in ten thousand or more specimen types of Middling would show, probably, no two ex- actly the same, still t'he color ((uality of Middling would be manifest in each. Of course, this standard of color does not apply in case of reduced higher grades, as a Fair type could be brought to the grade of Middling through loadings. Mid- dling is the representative type of the bulk of the American .cotton crop. Its name implies t'he ''most of the kind." as cot- ton is considered a kind of product. It is not the average grade, as supiposed, but it is so called for vhe reason that in point of body, color, and cleanliness it shows the character of the bulk of cotton gathered and prepared for the market. This being the case, it would seem that as no two seasons produce STANDARD COTTON GRADES 93 exactly t'he same Middling crop we should have no standard Middling grade. But a standard has been established by aver- aging the output of varying seasons, and though this varying may sometimes be much above and at others much below the average, the standard is maintained. With a good type of Middling in 'hand, after proving its body and color, observe closely the quantity and the kind of loadings to be allowed. Particles of peppered trash will show here and there, not in quantity, but sufificient to be passed up- on in grading, as "too much" or ''allowable" as its quantity may measure. With a type to guide, it will be seen that a bare pronounced presence is all that is allowable. Sheet irasTi or larger parts of leaf trash, being less harmful, may show a little more boldly conspicuous. Sleekheads or immature sta- ple and a little bad ginning are to be looked for; but if too much of the former is seen it would suggest a second and more careful examination of the body. Stains, just enough not to mar the white face of t'he type, may be passed over. An ex- tra clean grade of Middling may be classed with Strict Mid- dling; likewise if the type is found below the standard it should be classed Strict Low Middling. Middling, in typing, will embrace these two grades, but under no circumstances will the smutty pufif or blue tinge be carried in a white Mid- dling type. Strict Low Middling. This is a half grade below Middling, and has just been par- tially described. In staple and color it is below Middling. It, of course, carries a larger quota of impurities. Often this grade is found comparatively clean, l)ut on account of its body and color it can not be graded above Barely Middling. A small s'howing of smutty puff, blue tinge, or what is in some localities termed ''smoky cotton," can be carried in this grade. Low Middling. This grade has a similar staple and body to that of Strict 94 ' PEN PICTURES Low Middling, but with this g;rade the darker tinges, deeper stains and heavier impurities show their presence. It is an easy grade to place; its color and staple raising it above the ordinary grades, and its impurities dropping it to the lowest of t'he Middling grades. Strict Good Ordinary. While this is chissed as a half grade, it has the independent characteristics of a full grade. It may show comparatively good staple and basic color as good as Middling, and yet by stains, trash and other impurities be graded down. It is gen- erally a body of late pickings of good cotton stained by field exposure, mixed with the later immature openings that 'have been alTected by frost. When little of the latter named mix- ture appears, and the type shows no blue tinge, and is other- wise fairly clean, classers sometimes place it in the grade of Middling Stained. Good Ordinary. This is, at present (season 1908-1909), the lowest commer- cial White Grade. It carries t'he darkest shade of white min- gled with the full list of stains. It is only recpiired that its staple shall be sound, by not being overloaded with decayed lower pod ends, known as sink stains, or by other indications of damaged fiber. It embraces the former commercial grades below it, and is, therefore, now a lower type than it was for- merly. But there is a limit to its loadings and after this limit is passed, "tailinjs" or "dog-tails" is t'he assigned classification. Inferior Cotton. A surprisingly large percentage of the American cotton crop falls below the commercial grades. Many firms of buyers and single buyers deal only in these low grades. The largest profits are made and a season of storms or a late and bad bar- STANDARD COTTON GRADES 95 vest means a bonanza of financial prosperity to them. The knowledge of the experienced cotton-classer is good capital in this field. Tinges and Stains, Tn recent classification we 'have only six grades of Tinged and one of Stained. The tinges range from Strict Goi^d Middling to Low Middling, including all half grades. Mid- dling is the only grade of stained. It is a cleanly-gathered, well-ginned, neatly-prepared output of cotton that has been left ungathered too long after maturity. The stain is princi- pally a burr and foliage weather mark. It will carry a greater degree of loadings than Middling white, thoug'h it is often found much r'eaner. In the lower grades of tinges harmless stains are often al- lowed to such a degree that the grade would appear to be mis- named, but the character of tinge may be easily determined. The same quantity of stain on a w'hite base would show a more pronounced character of color. The lightest tinge is (sup- posedly) seen in Strict Good Middling. Of course, no tinge could be classed higher. From this type the shades of tinge deepen by degrees to Low Middling. The parenthetic word (supposedly) may be thus explained: A good bodied type of deep tinge may be graded 'higher than a lighter type of poorer quality. Any grade body of tinged or stained cotton will carry a greater degree of impurities than a similar grade body on a white ibase — a difference of about a half grade being allowed. For instance, a Strict Middling white, with its poorer body and allowed quota of impurities, if tinged, could be graded a Good Middling. This is done to compensate for the differ- ence made in the market value of whites and tinges. Thus, Strict Middling w'hite is worth one-quarter of a cent above the basis value — the same grade, tinged, though raised to the grade of Good Middling, would have the basis value only. 7 96 PEN PICTURES This undervaluation is in part offset by overg-rading. The system is wrong, 'but it is an established custom. Actual grades should not be changed to regulate valuation. About Shipping. This note is added, not in ridicule of the advertised work of a so-called cotton college, for the tricky notices it sends out to snare the unwary youth of the ctnmtry are self-sufficient in the way of procuring amusement. It proposes to teach the boys how to buy and sell, and how to export. Moreover young men who learn to ''export" are given "jobs" exporting." These notices bring to us indirectly many incpiiries relative to the subject, 'hence, tliis general answer to all. Cotton must be moved from warehouses, and whatever stops it may make or devious turns it may take, the factory is its ultimate destination. An American shipment of cotton to an American factory or to any other American destination would be termed a domestic shipment. American shipments to other countries are called foreign and are classed as exports. All carriers by land or sea issue invoice receipts, bills of lading or manifests to shippers, showing the kind, the quan- tity, the condition and, in most instances, the \alue. of the goods received. These receipts are usuall}- issued in tripli- cate, one for the consignee, one for the shipper, and one to be retained by the carrier. An interior buyer mav buv for himself and ship to an "or- der to l)uy" from another, or he may buy for the order direct. He may buv and consign to a factor for selling. He may ex- port t'hrough a factor, or he may export directly. The banka- ble value of any cotton consignment exhibit depends upon the character of t'he shipment and the known commercial stand- ing of the consignor and consignee. A domestic shipment of good character will usually command a bank advance of three-fourths of its stated value. STANDARD COTTON GRADES 97 The holder of a large lot of cotton, when he wishes to sell, gives notice to a line of bnyers, making an exact descriptive exhibit of t'he types he may have. The best prospects are selected and actual types, usually a very small specimen sam- ple of the different grades, are furnished. Upon this a deal may be closed. The same system applies to exporting. A manifest of the shipment is issued to be used by the shipper just as he would use a domestic bill of lading, the various lines of consignment, sale, etc., being virtually the same. Any well-stocked bookstore can furnis'h a directory of every cotton buyer, both domestic and foreign, on the globe. From this list a shipper may select as he may choose for correspond- ents, filing with each his business address, his bank references and his field of purchase. A book might be filled with unim- portant details, as to forms of orders, commissions, advances, exchange, freight, insurance, etc.. but there is but one import- ant statement to be made and that is: ''Establish yourself as a man (or firm) of business integrity, stand on a good com- mercial rating and prove yourself a safe buyer." After which all the other things will be added unto you. including export- ing in its details. It is easy to get a complete list of all responsible foreign buyers. (See Kelley's Directory.) 95 TEN PICTURES WARNING! Every page, every line, every word and every syllable com- prising tlie contents of this little book. "The Cotton Grader, or lF:ow to Clas>it\ (otloii." is protected by copyright. To a majoritv of those into whose hands il may fall this announce- ment will ha\e no signhcancc. Uut there arc others. It is contemplated that the information it may con\cy shall go out directly from its author to the individuals to be benefited thereby. This does not mean that any person desiring to possess a copy would be barred from obtaining it from the publishers or through the legitimate channels of trade. It means that any appropriation of the work, in parts or as a w'hole, to be used, secondarily, for the promotion of private ed- ucational enterprises would be an infringement. Let those concerned be governed accordingly. N. I. Mc ARTHUR. CHAPTER VI. IN THE SPINNING ROOM OF A COTTON MILL. On a recent visit to the Georgia School of Technology the author desiring to follow the course of fiber from its introduc- tion into the opening room to its form as finished yarn or thread, was referred by Prof. W. N. Randle, the efficient Di- rector of the Textile Department, to one of liis assistants, Prof. E. A. Camp, superintendtent of the spinning processes. Prof. Camp being informed that the especial object of the visit was to note the methods of cleaning and have him explain the general effects of Impurities, very courteously responded. ]\Iany books with explanatory plates are to be had. defining all of t'his work, but such an illustration is not so satisfacto- rily edifying as to have an expert Supervisor go with you from machine to machine and explain as each was doing its succes- sive part in the measure of completion. The department is equipped with the latest improved ma- chinery, and though as compared with large luill plants, it presents only a miniature appearance, nearly all can be seen in operation here that may be found in the large factories. Prof. Camp was asked to write out in the saiue homely lan- guage of his explanations all that he had so courteously told. Tliis he kindlv agreed to do and complying, his written state- ment is herewith given, with the hope that it will prove in- structive to those who may read it. Cotton Manufacturing. By Prof. E. A. Camp. Cotton manufacturing comprises a great number of pro- cesses ; and these vary, according to. the product desired, so much that it will be impossible to give t'hem to fit all cases. I therefore will mention only those most generally used. In 100 PEN PICTURES the yarn mills (those which do not contain looms) the cotton passes throu.q'h about as follows: The ties and ba,^ging being removed the coiton is mixed; contents of several U^ales placed together, so that there will be uniformity in staple and color. It is very necessary that there will be uniformity in staple (length) as it is impossible to set the drawing rolls of the machines to work different lengths of staple at the same time. If set for t'he long, many of the short libers fall out as waste ; and, if set for the short, the long ones will be broken and then fall out. There are means provided for the adjustment or setting of these rolls in the various machines, but it is a rather difficult operation. Therefore when properly set, it is advisable to run about the same average length of staple, and not alter the settings. The cotton is taken from the mixing bin or room and passed through a machine to open it ui chorougMy and feed it to the Lapper. The object of the Lapper is to sep- arate the ffbers. remove many of the impurities (in the form of dust, motes, leaf, stem, sand, etc.) and to get the cotton into a lap (or roll) that is uniform in weight per vard. This lap is made by rolling up a sheet of C(^tton that is from f(-)rt} to forty-five inches in width and about tifty yards long. The weig'ht per yard varies from about eight to sixteen ozs. depending upon the product into which it is to be converted. There are usually three lapping processes used, viz. : break- er, intermediate, and finisher. Often thougii, the interme- diate is omitted on the 'better stapled cottons. ( )n leaving the finished Lapper (or F'icker, as termed in some localities), the cotton is taken lo ilic Revolving Top Flat Card. This carding ()])eralion remoxes impurities, neps, motes, short fibers, etc., left by Cappers, combs or cards the fibers, and converts the cotton inio a Sliver (rope form). Six card slivers are placed at the back of t'he first drawing frame, and passed through, side by side, converging at the front of STANDARD COTTON GRADES 101 the machine into one strand or Sliver. The weight per yard of the latter is abont equal to the weight of a single strand at the back of a mac'hine ; or as received from the card. This reduction in weight is accomplished by Roller Drafting, i. e., having the successive lines of rollers through which the cotton passes accelerated in speed. The above drafting or drawing out tends to lay the fibers parallel. Anot'her very important object of this machine is to get a Sli\er which is uniform; this being accomplished ' y the doubling of six at the back of the machine. There are usually two processes of drawing used; the sec- ond being further to accomplish objects sought for in first process. The Sliver is now passed through the Slubber, the objects of which are further to attentuate, to insert a small amount of twist, and to wind on bobbin the small strand of roving or slubbing. The drafting on this and succeeding machines is for the purpose of reducing the weight per yard and not for getting the fibers more parallel. The slubbing is fed doubly to the intermediate Fly Frame, which is the next process. The objects for this mac'hine are the same as for previous ma- chines. Of course the doubling here tends to make more even or uniform work. The intermediate roving is fed double to the fine frame, the objects of which are the same as those for the two ])receding machines. The roving has now been drawn down sufificiently fine so that the balance of drafting necessary to give the required number for yarns can be obtained on Spinning Frame. The twist imparted here is very 'hard as compared to that of the slubber intermediate and fine frame; the latter being only suf- ficient to give strength enough to enable it to be unwound on next machine. The yarn is spun with dififerent amounts of twist, depend- 102 PEN PICTURES ing upon its future use. Warp yarns requiring more twist than Filling and Filling, more than Hosiery yarns. The number of the yarn is the number of Tianks, of 840 yards each in one pound. The processes given above are generally used for medium nmnbers, tut for coarse numbers, the Fine Roving Frame is usually omitted, and the roving carried direct to spinning frame from the Intermediate Fly Frame. This roving is often fed singly into the Spinning Frame. I'or tlie 'higher numbers the Jack Frame is used. This machine follows the Fine Rov- ing Frame and of course precedes t'he spinning irame. Com- bed yarns and all fine numbers pass through the machines already given, and sometimes ot'hers. These yarns are made from medium to long staple cotton. To make a superior yarn it is necessary that the Fibers be of Equal Length, and this condition cannot be obtained by carding alone; therefore the Comber, whic'h takes out. as waste, all fibers below a certain length, all impurities, and gets the remaining fibers parallel, has t(_i be resorted to. The card slivers are passed through the Sliver Lap machine with fourteen doublings and a low draft, and are made into a small narrow laj). These laps are fed into the Ribbon Lapper, whose objects are tho same as the drawing frame, but working Laps instead of Slivers. The cotton in the form of small narrow lai)s is next j^assed througTi the Comber. The combed slivers are passed through the drawing frame (six doublings) from draw frame to Slub- ber and so on as previously given. In working the better staple cotton usually there are only two la})ping processes used; omitting the intermediate machine. The filling yarns are taken from the spinning frame direct to the looms to be placed into the shuttle, but the warp has several ot'her processes through which it has to go. The warp yarn is spooled, i. e., contents of several spinning liobbins are placed (wound) on a large spool. These spools have the yarn STANDARD COTTON GRADES 103 withdrawn or unwound from them and rewound on to a large beam, liolding 400 pounds or more. This machine is known as a Warper or Beaxner. Several of the above beams are unwound and t'he yarn passed through a Slasher or Siz- ing machine. The starch or size tends to glue the fibers com- posing the yarn together so that the yarn will not chafe in weaving. The yarn is wound on to a small or Loom Beam at the front of the slasher. After the threads have been drawn through the harness and reeded the beam is ready to be carried to the loom. Many mills take the yarn from spools to the Twisting (doubling) machine, where two or more tTireads are twisted together. From the twister the yarn is carried to the cone- winder reel, etc., depending on its future use. CHAPTER VII. A FRIENDLY CRITICISM. The latest issue of a work on Cotton emanates from Mr. T. S. Miller, Sr., a Texas author. The title of his work is, "The American Cotton System." It is an excellent arrange- tnent of the quoted opinions of more than a half dozen emi- nently prominent Americans, including" congressmen, ex- change officials, and large firms of cotton dealeis, combined with a neat and accurate compilation of matter from a full dozen written authorities upon the subject. Xot withstanding" this array of Quotings, there is sufficient presentation of the author's individuality to stamp the work "original." It contains much useful informati()n not to be found in any one previously jjublished work. Mr. Miller devotes a long chapter to the subject of Cotton Classification, hence this no- tice. He names and gives the (market i)rice), grade dififer- ences of the eighteen current ct^mmercial grades, and in the same line of paragraphs asserts that there can be no standard type, nor as he terms it, "mechanical measuren"ient," by which one of these gradings n"iay be distinguished from anot'her, especially those bearing near semblance of feature. A Stand- ard Type is a Mechanical Measurement, a Guide whether im- printed on the memory of an experienced classer or given for comparison into the hands of the less expert novitiate. In t'he name of reason, if not from the studv of i-iriginal Standard Types or Mechanical Measurements, where, oh where, did the gifted expert receive his knowledge of classing'^ The fact that classers sometimes differ from each oihev, and {\\i>A n classer not infrecpientlv dififers in a second gr.iding from 'his first, is no argument that Standard Types < >y Mechanical Measurements do not f<^rm the basis of all cotK^n classifica- tion. Let us take a sample of the Grade Good Middling. The face shows it to be a standard type, and without further exam- STANDARD COTTON GRADES 105 ination, novice and expert alike would so grade it. But there is to be a furt'her eaxmination. It opens to increased loadings of trash, and besides stains and cut fiber are presented to view. The expert classer rates it Strict Middling, and the beginner, of any common sense, would not do otherwise. Again a similar sample of the same Standard Type, Good Mid- dling, shows on its openings to be so clean and well prepared that both alike rate it, Strict Good Middling. Hioth are Good Middling Types on Grade but they have been rated, one lower and the other higher t'han that standard. This Rating is the great mysterious "bugaboo" that has placed cotton classing in the category of inspired work. The highest Standard Type of animal life graded in the lines of creation is Man. All of this Type are not alike. We have cripples, blind men, deaf men, and men l)oth Inferior and Superior. They are all graded "Man," but are to be Rated according to t'heir several degrees of gifts or infirmities. No one would make the mistake to Grade a man as some other type of animal, though his rat- ing might scale him down to the commercial worth of a mon- key. Neither would any one having even a 'half familiar ac- quaintance with cotton make the mistake to place any sample exhi'bit elsewhere than in line with its Standard Type of Me- chanical Measurement. If openings showed it to be higher or lower, he would so Rate it.. The baseless, absurd opinion that cotton classing cannot be learned and be as well known to any man of ordinary intelligence within a very short period of time, as it may be known to any other man. is an inheritance bequeathed to believing, uninvestigating producers w'ho have all along accepted this "Pumpkin and Rock" doctrine and method of doing business as their whole ances<-ral line- for generations before them have accepted it. Not many dollars of cotton money except that paid the producers (Southern cotton mills operated on Eastern capital not excepted) re- main in the section of country wliere it is produced. This fact should be an appealing argument influencing every resi- 106 PEN PICTURES dent of that section to feel an interest in common with the producer. Millions upon millions of dollars have been lost to the farmer as a consequence of his ignorance of grading and these millions have been indirectly a loss to all the people of 'his section. It is a deplorable truth that all this loss has fol- lowed upon the unfounded remark made far back in the past, that a farmer did not have common sense enough to grade his cotton. This remark grew into a popular belief, till now its force is accepted by the majority as an existing law of mental misendowment not to be changed. The producer has paid 'high for the luxurious enjoyment of an ancient custom, and it is to be regretted that Mr. Miller, who has given to the public an otherwise excellent work, has omitted the in- vestigation of this great error. There arc but two parties to the transaction embracing a transfer of property right in cot- ton. One of t'hese is the producer, whose knowledge of cot- ton should be superior to that of any other man, and the sec- ond party is the buyer, many of whom would not know a stalk of cotton as distinguished from an (Jkra ])usli, if such knowl- edge should be based on familiar acquaintance with t'he two productions. Yet the Wand of Custom has been waved over the buyer, and he enters the field, knowing all about the grades of cotton. He is versed in all the signs, winks, grips and |)ass-wor(ls of the Profession, and thougii, perhaps, only a beginner, it is his secret. The farmer, however, sits veiled in the mysticisms. He wonders in this progressive age, while he considers t'he many fallacies, false beliefs, and harmful, igno- rant practices of his forefathers, why the higher native intelli- gence possessed by them did not reveal these mistakes. As he does this he swallows his 'dope" with a smile of compla- cency, and accepts as truth a statement which would have been discarded as unreasonable by any of t'he most ardent believers in New England witchcraft. It would we w^ell if the organized bodies of farmers in the cotton section would combine with their plannings to hold STANDARD COTTON GRADES 107 for "higher prices, and to seek the best points of market some slight knowledge of What It Is They Have to Sell. County Institutes should >be established throughout the territory to be presided over by intelligent growers, in which Cotton Grading should be made a study throug'h a system of "Standard Types," and "Mechanical Measurements." Why not mix a lit- tle of this study wit'h the items on the farmers' meeting pro- grams? It would bring remunerative returns without ques- tion. A point has been raised that suc'h knowledge would be of no benefit to the farmer, that the grading buyer would pur- chase on his own grading only. This is equal to the cry of '"Surrender" before there has been a declaration of war. This law might stand where only one of many was affected. But let it be known to all that every cotton producer has a fairly good knowledge of cotton classing and the arbitrary law of the buyer would stand self-abolished. It is strange that in the conservation of mental energies t'he farmer should begin the practice of economy of thought just at this point, by treat- ing this item of knowledge as a matter only intellectually cumbersome. It is not only strange but shameful ; and if the system is to be continued, the several cotton states, hav- ing the riglit to protect the common interests of the whole people wihin their borders, should enact cotton classing laws, operative in the same way as those applying to weights and measures. I have stated in other writings (explaining that I intended no reflection on my people of the Sout'h) that if cotton were produced in Connecticut or Massachusetts it would not be easy to find a male member of the population of those states above the age of fourteen years who would not understand thoroughly the system of cotton classing. Its study would be made a part of the common school curriculum, and t'hough every old expert cotton classer, every interested cotton buyer and every manufacturer on the globe, should go as a lobby before their legislative bodies, arguing that -cotton classing could not be taught through Standard Types JOS • PEN PICTURES and Mechanical Measurements, they would not l)e heard above the reasoning of common sense, and the laws would be enacted. I am making this criticism (and excellent advertise- ment) of Mr. Miller's book, a part of this publication, not be- cause there is ample room between its covers to give it a place, but because it is proper matter to be included. The work is written to be used primarily as a text book in our common schools, but an effort will be made to give it a large and general circulation otherwise. With Heavy Accent on the "I." Unfortunately for one seeking information on the subject of cotton classing as a study, he naturally approaches a known cotton classer. When he asks whether or not cotton classing can be taught successfully in any of the schools now conducted f«)r that purpose, he is laughed to ridicule, and told that the idea is absurd ; that cotton classing is not to be learned at all, that it is just known, ''felt in the bones," after many years practical work handling it. (^f course, tlie appli- cant for information leaves discouraged. If he had plied him with a few pertinent questions touching his career as a classer, the answers given would not have sustained the declarations that had killed 'his ambitions to become one of the guild. Why men of high reputation for truth and general honesty will make these (untrue) stereotyped answers is a mystery almost as great as the fact that they are belived by all the outside world. Each and every one will leave the impression that he, himself, is master of the art, however short the time it has taken him to attain such proficiency. The answers invariably name a period just a little short of the time eac'h has been in active work. Let us quiz a few of them, and note their respective decla- rations. Mr. A., as an expert cotton classer will you tell me what STANDARD COTTON GRADES J09 length of time is required to gain a knowledge of your pro- fession ? Ans. "I have been engaged in the work about twenty years, and I should say that it is only within the last year or two that I could claim to 'be what you might call, pretty well up." Q. How did you gain your first knowledge of the work? Ans. ''Oh. I just picked it up watching good graders, now and then, and noticing the names they gave to the different samples?" Q. Did you begin buying on the knowledge you had thus acquired? Ans. "Oh, yes; but I had good friends wbom I could sometimes consult.'' Q. Did you make any mistakes in your early work ; that is, during your first and second seasons as a classing buyer? Ans. No, not one, but I was very jiarticular. Let like questions be propounded to B. C. D. and E, who have worked at this business respectively fifteen, twelve, ten and five years and the answers from each will be in substance that of A, except for the last question, when each answers t'he same. ''No, not one. but I was very particular." Let us next present D, who is like the others a 'pick it up" graduate, but wdio is just entering his third season as buyer. He wil Itell you that two years of experience are recjuisite, but to the last question he will join the others in the speech, ''No, not one, but I was very particular." In concluding this notice I will say again that Mr. Miller makes a mistake in promulgating through his publication this "'strain of false sonnet." For several generations there has been no one in position to contradict t'he declarations behind this grand scheme of in- terested cotton manipulators, but now it is dift'erent. Thous- ands are going out from the various cotton schools of the country, who know cotton and who gained that knowledge from a study of "Standard Types" and "Mechanical Measure- ments." 1 l^ic LIBRARY OF CONGRESS 000 927 470 4 •