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 U. S. Engraving: Works, 24 Vesey S,t. 
 
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Copyrighted by A. J. Fishir, 24 Vesey street, Nevr Yorie, 1*7^ * 
 
 The Love Cure. 
 
 Singing sketch. 
 
 BY SAUL SERTREW. 
 r CHARACTETS. ~> 
 
 Alice. Charles. 
 
 SCENE — A room with table centre. Vase thereon for flowers. 
 Lounge > chairs, &c. Window in flat to open. A crash is 
 heard outside. Enter CHARLES. 
 
 Charles (climbing through window, bouquet in hand, very 
 much pleased, walks to and fro.)— I have scaled the outer 
 walls unobserved. Here I am at last, in the charming retreat 
 of the most adorable creature on earth. A perfect angel ! 
 Such eyes ! Such hair ! The form of a Venus ! The voice 
 of a siren— sweet as otto of r6ses ! She sings, too, like a 
 nightingale. I am desperately in love with her. I could 
 brave an army of Modocs or guerrillas to defend her. See 
 her I must— my life depends upon it. I have sent her numer- 
 ous bouquets, billets-doux, &c, but she never responds ; so I 
 have come myself to gain an interview. She cannot refuse to 
 see me when she finds out how I idolize her. She lives per- 
 fecLly secluded here, sees no one, seldom goes into society. 
 I have watched her for hours when she has come out in the 
 Park for her morning walk. She often looks up at my window 
 and smiles upon me— that is, I imagine she does. No doubt 
 she is now taking her usual strall, so I will leave ihis note 
 (puts note on table) where she will surely find it. I shall 
 return for an answer at the time I have now.appointed, and 
 if I am not disappointed I shall be the jolliest dog alive. 
 
 f ■ ■-s^ck :- 
 
" SHE IS MY HEART'S DELIGHT/' 
 
 Air : ." The Dew is*m the Flow'r." 
 
 She is my heart's delight, 
 
 And the apple of my eye ; 
 My hope by day and night, 
 . Of her alone I sigh ! 
 Her face it is the sweetest, 
 
 Her form it is the neatest ; 
 Of women she's completest, 
 
 And that's the reason why — 
 
 Refrain — She is my heart's delight, 
 
 And the apple of my eye, &c. 
 
 I'll see her if I can, 
 
 I'll dare what no man dare ; 
 I'll fight with fiend or man, 
 
 I'll climb by roof and stair ! 
 Her eyes so fondly beaming, 
 
 Like stars in midnight gleaming, 
 Have set my soul to dreaming, 
 
 And chain me unaware ! 
 
 Refrain — She is my heart's delight, &c. 
 
 [Exit, singing, through window. 
 
 Enter Alice, with book and bouquet in her hands, singing : 
 
 "I'VE BEEN STRAYING." 
 Air: " I've Been Roaming." 
 
 I've been straying, I've been straying, 
 
 In the green and pleasant Park ; 
 And, my gracious ! oh, my gracipus ! - 
 
 I have had the gayest lark ! 
 
 Yes ; I have seen the impudent features of that young man 
 looking upon me in the usual way. This is a nice, quiet 
 place, but it has one annoyance — this young fellow who is 
 spending his leisure time with some of his relatives on the 
 opposite farm. They say he is very wealthy and of good 
 family, and ever since I have been here I have noticed him at 
 the window staring and ogling at me. He waves his hand- 
 kerchief at me, and throws over the wall numerous billets* 
 
doux with little strings and stones tied tevthem. They con- 
 tain all sorts of lovely verses and love-sick avowals. I have 
 never paid any attention to this fellow ; but if he persists in 
 his infatuation I shall have to cure him. (Goes to table and 
 discovers the note and bouquet.) Bless ine ! here is a note 
 in my vase ! (Opens and reads :) 
 
 My Adored One : 
 
 Angel of angels ! Perfection of womankind! Will you 
 permit an interview this afternoon at 3 ? With boundless 
 love and adoration, I am, 
 
 Your devoted slave, 
 
 Charles. 
 
 I thought as much. The man has lost his wits. I have a 
 good mind to have him arrested. No ; I have it ! I will see 
 him and cure him of his delusion. He must be some escaped 
 lunatic. Yes, I will play a good joke on him. It'ii fun 1 I 
 will cure this love-lorn Romeo. (Sings.) 
 
 "I WILL CURE HIM." 
 Air : " Conspirators' Chorus, Fille du llr.d:un Angot." 
 
 I will cure him, this fellow, in the handsomest way, 
 
 For it's well he deserves it, I assuredly say ! 
 
 I've a plot that will floor him when he up here shall 
 
 stray — 
 Dark deeds I will surely perform ! 
 He's coming, he's coming, that I know ; 
 This little note kindly telle nie co. 
 Then I'll withdraw a little while, 
 The merry moments to beguile, 
 And the train that I've laid shall explode. 
 
 Then I'll withdraw, &c. [Exit. 
 
 Enter CHARLES, through window. 
 
 Charles (resting his elbows on window-sill, and looking 
 around) — Well, I wonder if my queen has arrived ? Oh, how 
 I have suffered waiting her return ! I was chased by a bull 
 all over the farm, but I didn't stop to take a horn. I stumbled 
 into a hornet's nest, upset a bee-hive, and had to take shelter 
 
4, . •• • - - . « 
 
 lii a tree to get out of the way of a i_ cji^us dog ; and, to 
 cap the climax, somebody took the ladder away from the 
 window, and I had to climb up the spout to get here. Hark 1 
 I think I hear an angel sing ! She's coming. I must keep 
 
 quiet. 
 
 JZntei ALICE, with writing materials. Sits at table. 
 
 Alice — Now I think I will write a letter to my pa and ma, 
 and by the time I have finished my visitor will be here. 
 . (Writes.) 
 
 Charles (popping head up suddenly). [Aside — There 
 she is. Look at her.] (He slips down.) 
 
 Alice — I thought I heard something — some mouse, no 
 doubt. 
 
 Charles (popping up head) — She looks as sweet as straw- 
 berries and cream. And that hand ! Oh, that I were a glove 
 upon that hand. (He slips down.) 
 
 ALICE — Surely I heard something ; or was it the wind ? 
 
 Charles (popping up head) — Ah ! I wonder who is the 
 lucky man she is writing to ? I must attract her attention. 
 I have been bolding on by the teeth long enough.' (Throws 
 in glove — then hat.) 
 
 Alice (starting and rising) — Mercy ! what is that ? (Dis- 
 covers glove and hat.) A glove — a gentleman's glove and 
 hat ! (Discovers Charles, who is frantically endeavoring to 
 attract her attention.) Oh, dear ! (Screams.) [Aside — It's 
 
 he!] 
 
 Charles (coming through window) — Yes, madam ; don't 
 
 be alarmed. Don't scream. Let me tell you how much I 
 Jove you — here at your feet ! 
 " {Duet.). 
 
 "OH, MADAM, HEAR!" 
 Air : "' Quaker Duet." 
 Charles — Oh, madam, hear what I have got to tell ; 
 
 I won't detain you very long. 
 Alice-— It's wicked, sir ; you know it mighty well, 
 Your presence here i. wrong. 
 
Charles — Your face and form have stolen my heart from 
 me, 
 
 And so yourself I had resolved to see. 
 ALICE-—- You might have entered by the proper way, 
 
 But now you're here, you hadn't better stay. 
 
 Both. 
 
 He— I love you true, yes, verily, oh, verily, 
 
 Oh, yes, verily, oh, — 
 
 I do love you — oh, verily, oh, * 
 
 Oh, tell me, tell me, darling, you'll be mine ! 
 She-" I don't love you, that's verily, oh, 
 
 Verily, oh, yes, verily, oh, 
 I can't love you, that's verily, oh, 
 I never, never, never can be thine. 
 Charles — I'd climb the Andes, scale the highest peak, 
 
 To catch a glimpse, my own, of you. 
 Alice — And if you did, I think that monstrous .cheek 
 Must dwell, bold sir, in you. ■ ... 
 
 Charles — Let this excuse my seeming want of style 
 
 In bouncing through that window all the while. 
 Alice — Your manners, sir, I can never forgive ; 
 
 Your form and figure framed are to deceive. 
 Both (as before). ; 
 
 He — I love you true, &c. 
 
 She— I don't love you, &c. 
 
 (During chorus the fingers are twirled in Quaker style, and 
 business is coquettish. &c.) 
 
 Alice — Sir, your mysterious entrance and intrusion in a 
 lady's apartment is very improper. 
 
 Charles — Oh, pray pardon me. Let me beseech you to 
 listen to me. 
 
 Alice — Proceed, sir. (They take seats.) 
 
 (Charles has a .fright wig on, and raises it at every other 
 word that is uttered.) 
 
 Charles: — Let my love speak for me. I— 
 
6 
 
 Alice— Sir, you have been very bold. You nave taken a 
 desperate chance in this adventure. You have made yourself 
 liable to be murdered -without a moment's warning. Yes, sir. 
 To be cut to pieces, and each piece given to the dogs. (In 
 low, mysterious voice) — Know, sir, that this place is a secret 
 piison ! Yes. It abounds in horrible underground dun- 
 geons ! Chains ! Bread and water ! Cold straw to sleep on ! 
 
 Charles (greatly alarmed)— Oh, Lord ! oh, Lord ! And 
 you mean to tell me you arc a victim of torture and abuse, 
 surrounded by all these luxuries ? No ! It can't be ! 
 
 Alice (excitedly) — It's true, sir. (Grasps him roughly by 
 
 shoulder, making him look around and tremble.) I am most 
 
 terribly punished for a crime I'm not guilty of ! Yes ; they 
 
 say I'm insane I A most dangerous woman ! At certain 
 hours of the day I rave and break things ! I do ! 
 
 Charles (greatly agitated) — My dear lady, you don't mean 
 to say so ? You — you are subject to— to^-to— fits of insanity? 
 
 Alice — Yes. And my keeper is a most detestable villain, 
 employed by my persecutor to watch me and prevent my 
 escape. Though, I am allowed to walk out in the morning, 
 and then return when I feel the spells are coming on. Then 
 I am ruthlessly thrown into a horrible dungeon till they are 
 over. 
 
 Charles (alarmed and shaking)— Merciful heavens ! What 
 is this pun— punishment for ? What is your crime ? 
 
 Alice — Because I won't marry the man I hate. (Takes 
 his hand mysteriously.) Come hither. (Drarp him to doors 
 and listens. Looks about her cautiously, and locks doors.) 
 I must exclude all eavesdroppers. (Looks under table, and 
 then they take seats, she looking wildly around her.) 
 
 Charles — Mercy on me ! I hope she is not going to have 
 one cf those spells ! I guess I'm in the wrong house! I 
 thinl: I'd better go home. 
 
 AUC- (slaps him on back) — Listen J I have a secret to 
 unfold o' a most terrible and heartrending nature 1 (Suddenly 
 
rises and makes some mysterious gestures, as if pointing out 
 some horrible object.) See ! Look I There ! Behold ! 
 Charles (jumping up in affright) — What is it? Which? 
 
 Where ? Who ? 
 
 I - .-. 
 
 Alice (striking a tragic attitude) sings : 
 
 " OH, DON'T YOU SEE THE SPECTRE ? '* 
 Air: " Mulligan Band." 
 
 SHE — Oh, don't you see the spectre, 
 
 Just over by the wall ? 
 It's eyes are glaring ever at me, 
 It's looks my heart appal ! 
 He — Oh, kindly let me leave you, 
 
 I'll go to my mamma ! 
 I've suffered enough, and I'd like to run 
 And find out my dear papa ! 
 
 Both. 
 
 She — Oh, see him there ; he's marching, marching off ! 
 
 I hope he's gone ; at him I dare not scoff. 
 I'll drown myself by jumping from the wharf — 
 Yes, he's marched, marched, marched in a hurry 
 away ! 
 
 liiij — Oh, my heart is sad ; I wish I'd never come ! 
 
 How glad were I if I were only home ! 
 Don't drown yourself but to your dungeon 
 
 roam, 
 If he's marched, marched, marched in a hurry 
 
 away ! 
 
 Alice — Hark ! What noise is that ? (Noise outside.) 
 Mercy on me ! 'Tis my keeper returning ! He will murder 
 us both ! Save me ! Save me ! 
 
 Charles (works fright wig. Makes bolt for window. She 
 follows him. He goes through window head first, his heels 
 dangling. She grabs his legs, and a crash is heard as he dis- 
 appears. She pulls through window a pair of pantaloons and 
 rushes forward, holding them to view.) 
 
 ALICE (screaming) — Saved ! Saved ! Saved ! 
 
 CERTAIN, 
 
 2 
 
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DIME SONG BOOKS 
 
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 Jenny Hughes' Dolly Varden. 
 
 Squeeze Me, Joe. 
 
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 Jennie Engle's Grand Parade. 
 
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 Harrigan A Hart's Mulcahy Twins. 
 
 Johnny Roach's Greatest. 
 
 Kiss Behind the Door. 
 
 Delehanty & Hengler's Songs, &c. 
 
 Miles Morris' Irish Gems. 
 
 Foy Sisters Songster 
 
 McKee & Rogers' Rebecca Jane. 
 
 Jennie Engle s Serio Comic. 
 
 The Fielding's Songster. 
 
 Wayne & Lovely's Acrohatic. 
 
 Johnny Roach's Emerald. 
 
 I want to go Home to Mama. 
 
 Luke Schoolcraft's Shine on. 
 
 Billy Cotton's Old Black Joe. 
 
 Delehanty & Hengler's Love, &c. 
 
 Biliie & Maggie Ray's Old Log Cabin. 
 
 McAndrew's Water Melon Man. 
 
 Johnny Roach's Its Funny when you Feel, &c. 
 
 Harrigan & Hart's Mulligan Guards. 
 
 Walters and Morton's My Gal. 
 
 Billy Carter's Great Banjo Solo. 
 
 Johnson & Power's Little Moke. 
 
 Jennie Engle's Favorite Songs. 
 
 Shoot the Hat. 
 
 Freeman Sisters' On Board the Mary Jane. 
 
 Jennie Hughes' I Should Like To. 
 
 Woman's Temperance. 
 
 Gus Williams' Belle of the Ball. 
 
 The Fieldings' Tipperary Couple. 
 
 Harrigan & Hart's Tom Collins. 
 
 Wild & Bradley's Big Fat Nance. 
 
 Larry Tooley's Bouncing Dutchman. 
 
 Harrigan & Hart's Regular Army. 
 
 Ain't you Awful. 
 
 Harrigan & Hart's Patrick's Day Parade. 
 
 Arnold Brothers' Jig, Song and Dance. 
 
 Diamond & Ryan's Irish Hod Carriers. 
 
 Harrigan & Hart's Mulligan Grds (2d An. Prde) 
 
 Sandford & Wilson's Musical Mokes. 
 
 Harrigan & Hart's Skidmore Guards. 
 
 Ui 1 1 v Conrtwright's Fie wy, Fie wy , Flewy Sngstr 
 
 Harper & Stansill's One Legged Songster. 
 
 Fielding's Irish Domestics Songster. 
 
 Tony Pastor's Traveling Songster. 
 
 Jennv Moigan's Kiss Songster. 
 
 Foy Sisters Mr. ami Mrs. Thompson. 
 
 Wild & Bradley Theatre Comique. 
 
 Alice Harrison's Olympic. 
 
 Billy Carter's Champion Banjo. 
 
 Cool Burgess' Nicodemus Johnson. 
 
 Alice Bennett's Laughing Eyes. 
 
 Richmond Sister's Challenge Song and Dance. 
 
 Harrigan & Hart's Day we Celebrate. 
 
 Dr. J. L. Thayer's Laugh and Grow Fat, Ac. 
 
 Sheridan & Mack's Knocking on de Outside, &c. 
 
 Harrigan & Hart's Gallant 69ih. 
 
 T. M. Hengler's Fun in the Kitchen. 
 
 Delehanty & Cuinmings' Sunset in the South. 
 
 Rollin Howard's Dramatic. 
 
 C. L Davis' Dutch Song and Dance. 
 
 Johnson & Bruno's Mania Monia Nigs. 
 
 Sain Deve f e's Caricature Song. 
 
 Miles Morris' Roger O'Malley. 
 
 Harrigan & Hart's Blue and Gray 
 
 Harper & Stansill's Sweet June Rose 
 
 Ada Richmond's Wait Till Moonlight Falls, &c. 
 
 Pat Roouey's O'Reilly You're N. (J. 
 
 La Verd Sisters Sailing on the Lake. 
 
 Ella Wesner's King of Trumps. 
 
 T. M. Hengler's Sweet Aleen. 
 
 Harrigan & Hart's Hildebrand Montrose. 
 
 Jolly Nash's Our Boys. 
 
 Tierney & Croniu's Ashantee Recruits. 
 
 Big Four, Lester, Allen. Smith & Waldron. 
 
 The Murray's Drops of Blarney. 
 
 Western & Wal ling's Just as You See us Now. 
 
 Am. Team, Wayne, Lovely, Cotton & Birdue. 
 
 Jakey Woolfingstein. 
 
 Larry Tooley's Turn Down Your Collar 
 
 Bennett & Kernel l's Across the Raging Waters. 
 
 Foster & Dudley's Irish Clog. Song and Dance. 
 
 87. The Braham's Vocal Character 
 
 88. Harry Montague's Popular Son: 
 
 89. The Fielding's New York. 
 
 90. Winnett's Love in Broken Gern 
 
 91. Sam Martin's One Leg Soldier 
 
 92. Jennie Lindsay's Style of the E 
 
 93. Virginia Stickney's Parisian Va 
 
 94. Harrigan & Hart's Theatre Con 
 
 95. Sam Devere's Combination. 
 
 96. J. O'Neill's Candidate for Aid. 
 
 97. Frank Lewis' Hurrah for the M 
 
 98. Will You Love Me When I'm < 
 
 99. John Reilly's The Way I Mard 
 
 100. Billy Pastor's Star Traveling. 
 
 101. H. Osborne's & F. Wentworth'i 
 
 102. Johnson & Bruno's Just from 1 
 
 103. Scaulon & Cronin's Irishmen t< 
 
 104. Foy Sisters' Branigan Band. 
 
 105. HaYrigan & Hart's S. O. T. 
 
 106. Niles & Evans' Two Love Let 
 
 107. Arnold Brothers' Triple Clog, » 
 
 108. Kirk & Drew's Mischievous Offspring. 
 
 109. Sam Devere's A Lean Banana. 
 
 110. Harry Braham's Silly Bill and Father. 
 
 111. Scanlan & Cronin's Poor, buta Gentleman Still. 
 
 112. Harrigan & Hart's Slavery Days. 
 
 113. Dick Sands' Irish Character 
 
 114. Bryant & Williams' Slender Nigs. 
 
 115. Lizzie Braham's Sweet Bye and Bye. 
 
 116. Delehanty & Hengler's Re-united Serenaders. 
 117 Murray's* Old and Young. 
 
 118. Frank Lewis' Motto Songster. 
 
 119. Harrigan & Hart's Gliding Down the Stream. 
 
 120. Harrigan & Hart, Walking for dat Cake. 
 
 121. Jeppe and Fanny Delano's Love at First Sight. 
 
 122. Clara Moore's Character and Descriptive. 
 
 123. Will Morton's Behind the Scenes. 
 
 124. Kelly & Ryan's Bards of Tara. 
 
 125. Bran* New Big Four. 
 
 126. Cool Burgess Don't Get Weary. 
 
 127. Scanlan & Cronin, Dundreary O'Donnell. 
 I2«. James D Roomes' Fashionanle Beats 
 
 129. Lvdia Thompson's On the Strict Q. T. 
 
 130. Tile Peasleys' O'Rielleys' Raffle. 
 
 131. Girard Brothers' Dancing in the Sunlight. 
 
 132. Harrigan & Hart's Sunday Night when, &c. 
 
 133. Chas. Konollmau's New York Variety. 
 
 134. Sheehan & Jones' Man of Education. 
 
 135. Chas Diamond's Milanese Minstrels. 
 
 136. The Murdoch's Don't You Do It. 
 
 137. Will. H. Trimble's Specialty. 
 
 138. The Bennett's Kitchen Domestic. 
 
 139. F. Lewis's Remember you have Children, &c. 
 
 140. Larry Tooley's Mutton Pie. 
 
 141. Harry Woodson's Uwine Back to Dixie. 
 
 142. Harrigan & Hart's Front Stoop. 
 
 143. The McKee's Dancing in the Barn. 
 
 144. Worden & Mack's Little Ruby 
 
 145. Ben Dodge's Don't take any Notice. 
 
 146. Collyer & Kelly's Buck Goat. 
 
 147. Delehanty & Hengler's Strawberries and Cream. 
 
 148. Fields & Hoev Musical Songster. 
 
 149. Whoa Emma' 
 
 150. Harry Montague's At it Asain. 
 
 151. Harry Bennett's Charley Flynn. 
 
 152. Tim Roger's Ain't he a Baby. 
 
 153. Harrigan & Hart's Isle de Black well. 
 154 Bobby Newcomb's Sweet Forget me Not. 
 
 155. H. Osborne & F. Wentworth's Irish Comedian. 
 
 156. Duncan Sisters' Down in the Meadows. 
 
 157. Andy and Annie Hughes Happy Irish Couple. 
 15H. Robert McKay's Since der Band was Broken up. 
 159. Will H Morton's America's Comique. 
 
 160 J. K Emmet's Lullaby. 
 
 161. Pat Rooney's Day I Played Base Ball 
 
 162. Seamon & Sommers' Hip. Lit. Chil. from the So. 
 
 163. Queen & West's Popular Songster. 
 
 164. Bennett's Combination. 
 
 165 Pat Rooney's Day I Walked O'Leary. 
 
 166. Barlow Brothers' Cabin Floor 
 
 167. Harrigan & Hart's Such an Education, &c. 
 
 165. Delehanty & Hengler's Laugh and Be Merry. 
 
 169. Jennie Hughes' Cash, Cash Songster. 
 
 170. Goss & Fox Jubilee Songster. 
 
 171 . Flora Moore's Just Over Songster. 
 
 172. Folev & Sheffer's Big Pound Cake Songster. 
 
 A. J. FISHER, PUBLISHER, 24 VESEY STREET, N. Y. 
 
LIBRARY OF CONGRESS 
 
 017 400 188 1