iilstf^^W!3 '$m NEEDLE AND BRUSH: USEFUL AND DECORATIVE. i* COPYRKlHr, 1889, Bv THE BUTTERICK PUBLISHING CuMPANV, (Limited). ^^METROPOLITAN^ ART SERIES. ^ , 'U NEEDLES ANDS BRUSH: USEFUL AND DECORATIVE. ^•7 ^ t %- n / ^s5Xo»^ X OP CO i JUL 131889;.] ' "''-^SHiNGTOf NEW YORK: THE BUTTERICK PUBLISHING CO., (Limited). A <" M- " Here the needle plies its busy task. — Co7vper. "Where you rest, there decorate," -Ru^kin. w mm WHEN the publication of the Metropoli- tan An Series was begun, our aim was to meet the demand of our patrons for books containing illustrations and descrip- tions of such varieties of fancy-work as come within the reach of those whose best efforts are dedicated to the task of making home beautiful. That we have succeeded in fulfill- ing the demand is proven by the unprecedented sales of the initial volume, which is published under the title of *' Needle-craft," and empha- sized by the requests that followed its pub- lication for another volume, which should be complete in itself as well as supplementary to the first in its exposition of such varieties of decorative work as are dependent both on needle and brush for their perfect develop- ment. The principle which has always actu- ated us in all our undertakings has been the recognition of the expressed wants of our patrons in various sections, and we have not deviated from it in the preparation of these volumes. Those who have asked for instruc- tions regarding such varieties of painting as are applicable to articles of household use and decoration have been given generous space in " Needle and Brush," while those who have expressed their satisfaction with the contents of " Needle-craft " and requested additional designs for artistic and practical articles that depend mainly on skilful needle-work for their good effect, receive equal consideration. Accepting as a fair augury the interest manifested in even the most elaborate designs contained in the first vol- ume, we have introduced into " Needle and Brush " many novelties which are by many mistakenly supposed to involve large expense, and to be procurable only at- the shops de- voted to the manufacture of specialties in certain lines. Nothing has, however, been attempted that is beyond the possibility of execution in the home, and every design is accompanied by accurate instructions. The present volume is therefore ofTered to the public with the belief that it will win for itself the same degree of gratifying approval as has been accorded its predecessor. •X3BE3S 38XJXT3E3RICK: 3PXJ3BXJ.IS3BEI1TG- G01Kl£>&J DECORATIONS, CALENDARS AND SCREENS, 97 CHAPTER XIV. FOR AND ABOUT THE WORK-TABLE, 113 CHAPTER XV. CHAMOIS .AND CELLULOID ARTICLES, 125 CHAPTER XVI. DECORATED THERMOMETERS, 131 ^ CHAPTER XVII. ON THE WRITING-DESK, 137 .©Q(S)@i)(D^®3S©©©@©i)i)®©©®@®i)3)i)®SSl®a>@@aS©®®®®©@( NeeDLe and bhqsh. CHAPTER XVIII. FRAME AND CASES FOR PHOTOGRAPHS, CHAPTER XIX. FANS, ADAPTED TO USE AND ORNAMENT, 157 CHAPTER XX. FANCY FRAMES FOR MIRRORS AND PICTURES, ^65 CHAPTER XXI. FANCY BASKETS, 171 CHAPTER XXII. PRACTICAL PAPER-POCKETS, 181 CHAPTER XXIII. ARTICLES FOR THE TOILETTE TABLE, CHAPTER XXIV PINCUSHIONS, 197 CHAPTER XXV. HELPS FOR AMATEUR ARTISTS, 207 CHAPTER XXVI. DECORATION OF DAISIES IN OIL COLORS, CHAPTER XXVII. DECORATION OF AZALEAS IN OIL COLORS, 218 CHAPTER XXVIII. ^ FLOWER PAINTING IN OILS, @@S@@) S)@i@)as)3®a NeeDLG AND BR^SM. COlSTTIEJl^rT S . CHAPTER XXIX. PAINTING ON GLASS, . I'AGE CHAPTER XXX. PAINTING ON PLAQUES, 129 CHAPTER XXXI. THREE-FOLD SCREEN AND DESIGNS FOR DECO- RATING IT, ... . 235 CHAPTER XXXII. DESIGNS FOR DECORATIVE PAINTING, = 55 CHAPTER XXXIII. DESIGN IN KENSINGTON PAINTING : OWLS ON A BRANCH. ..... 262 CHAPTER XXXIV. AUTUMN-LEAF DESIGN FOR EMBROIDERING OR PAINTING, ..... 265 CHAPTER XXXV. SKETCHING IN WATER COLORS, 270 CHAPTER XXXVI. LUSTER PAINTING, 279 CHAPTER XXXVII. CRYSTALLIZATION PAINTING, . 284 CHAPTER XXXVIII. PAINTING ON CHINA, ^9_ CHAPTER XXXIX. SI'ATTKR-WORK, 295 >93@(i)@®®@ai>®@®i>@©®i)(i>®@i)S©i)i)i)#©©®(i)<^^ A t)i '^ ^OOOaOaOQ '' ^OOQOQ'OQaoCQaOo56aQCvOQOQOQ'OQOQ^OQOA^ : BEDLB Al BRUS -e O ' QD ' Q.Q'QC' C)£i"0^ ' aC; ' a;^ ' QOQD ' 00 ' QQ ' OD DQ G • Q ^ O^ ^ ^ ('A 71 Tf!* .^^ CHAPTER I. SGRREHTQ EMBRGIDERY. OTH needle and brush are em- ployed in the execution of the fascinating variety of decorative work known as Sorrento em- broidery. Linen sateen is the material oftenest chosen for a background, and the purposes to which such work is best adapted are those which permit of developing bold effects. The sofa cushion chosen as an exposition of the work in the present instance is made of dark green plush and linen sateen of a slightly creamy shade. The plush forms the under side, and the linen, upon which the em- broidery is developed, forms the other. Be- fore the cushion is made up, the linen is prepared by being stamped with a design showing oak leaves and acorns in combination with an effective arrangement of conventional curves and angles. One-fourth of this de- sign is comprised in Diagrams A and B, which are illustrated on succeeding pages, and are of the full size required. By placing the cor- responding edges of these two diagrams to- gether with the corresponding dotted lines marked A and B together, one-fourth of the entire design will result, and by quadrupling the portion thus achieved the entire pattern will be reproduced. The remaining dotted lines show where the corresponding sections come together, and by comparing the dia- grams with the cushion illustrated the process of enlargement will be fully comprehended. When the design has been traced, it is gone over with liquid dye in a dark green shade, the application being made with a brush that is not soft enough to take up much at a time. The liquid is applied with quick, even strokes, and extreme care is exercised lest it go be- yond the outlines, as the beauty x)i the effect depends on the regularity with which the work is done and the strength of the contrast between the design and its background. When the design has been tinted in the requisite color and given plenty of time to dry, all its outlines are bordered with a button-hole stitching done with heavy rope- silk of the exact shade of the dye, and upon the background a network of outline stitching, broken here and there by a loop stitch, is made. The leaves are then veined with silk somewhat finer, but of the same shade, and the cover is ready for making up. The effect suggests rich applique work, and the process as thus described is illustrated at Figure No. 2 on another page. Sometimes it is the back- 14 NeeDLG AND SH^S^- ground wliicli is tinted as pictured at Figure their experience yet to undergo, the maxim of Xo. 3, while the design is left in the color of "make haste slowly" may be repeated with the linen ; Figure No. 3 also ijluslrates the emphasis. We have spoken of the linen button-hole stitching very plainly, while sateen so much favored for this class of work. Figure Xo. 2 clearly exemplifies the process It is sometimes called "art linen '" and is very of veining. \Mien the design is geometric or firmly and smoothly woven; it is obtainable architectural, or in any severely conventional in cream and pure white shades, and, when FiGURK No. I.— SuKA Cushion Decouated wrrii Sokrenk.' I^miuioidkry. style, the tinted background is effective ; but foliage appears best when it is itself tinted. yVlmost everybody who has experimented much with the brush will exercise personal preference regarding the liquid dyes which are us(m1 for this class of work, and to such only the hint to profit by experience need be given. To such, however, as liave most of enriched in the manner described, is counted suitable for association with the richest fab- rics employed for cushions, portieres and other decorative articles. Any other material woven so that the dyes v.ill not spread too quickly may be used instead. Art linen or linen sateen resembles what is more famil- iarly or generally known as linen drilling. 15 NeeDLe and gj^QS^- 17 Those who attempt Sorrento emljioiclery with- certain effects, whicli to combine, and how out previous experimental knowledge, usually much they may 'be diluted. If, however, the find Grenies' dyes the easiest to work with, be- worker desires but one tint and is certam of cause with them they may procure a medium obtaining that in perfection at the shops where Figure No. 2.— Showing the Efi-ect oe a Tinted DKsrG^ for mixing with them, which imparts body .such articles are kept, she may proceed even enougli to iiold them within even the most cir- more fearlessly, but in no instance should she cumscribed space, and because they are so few apply it to the article to be embroidered with- in number that a few trials will convince her out first testing it upon a scrap of the same tex- which are the pn^per ones to use to produce ture. The fabric should be laid over a sheet NeeDLG AND gF^asH. of blotting paper in order to arrest the super- previous warning, that practice alone can teach fluous moisture, and the first strokes should the process thoroughl}'. Beginners will do be made toward the edges of the design, in well to limit their first efforts to producing order to guard against overrunning. In gen- uniformly tinted designs, but when they have Figure NO. 3. — Siiuwi.N(; tiik Efkkct uk a Tinted Background. eral, it may be said that any dyes and any progressed a little in this direction they will materials adapted to tapestry painting may be understand the possibility of developing shaded used for Sorrento work. ]5ut it must be tints and of uniting different hues in the same urged, even witli the danger of repeating our design. NeeDLG AND gi^QSH. 19 CHAPTER II. RQMAH EMBR81DERY HIS is one of the most set of toilette articles comprisjng a cushion, beautiful varieties of perfume bottle and bureau scarf, fancy-work in vogue, Figures Nos. i and 2 show the style of the and one that, owing to its cushion and bottle. The latter is round in adaptability to articles of shape, and easily procurable for a small sum. use and adornment, may The cushion is oblong in shape and is simply be truly classed among the most practical a bag filled very solidly with whatever mate- FlGURES Nos. I AND 2. — CUSHION AND BoTTLE. with which a lady may employ herself. We rial is preferred and provided with an outer have selected to illustrate its development a covering of satin, which is drawn on very NeeDLS AND BRtiSH. smoothly. Upon the top is laid a cover of inner edge of the engraving show where to be- Roman embroidery, wrought upon linen sateen gin to increase the size. The dark background and bordered with a fringe of rings and shows where the linen is to be cut away, and Fkjure No. -Dksicn kok Cushion-Cover. tassels. The design of the cover is illustrated the finish of the edges, which is button-hole at Figure No, 3, which is one half of the actual stitching done with flax thread, is clearly size, the design being duplicated to produce illustrated at Figure No. 7. Considerable the requisite dimensions The letters along the care is required to insure regularity in cutting NeeDLS AND BH^S^* away this background, and it is a question of personal skill whether the butlon-hole stitch- ing be done before or after the background is cut away. For one who is not an expert with the needle it would be easier to do the button- holing first, and this plan is followed by many who do not lack experience, because, they claim, the fraying or stretching of the edges often called linen drilliii:^ and by that name is easily obtained at almost any shop where such articles are kept for sale. The ring fringe, which is such a hand- some hnish for the cover, is made of silk crochetted over metal rings, the process be- ing very accurately described and illustrated in '• Needle-craft," and a ring partially cov- FiGURE .\u. 4. — Design iur Doi ii.k-Cover. is thus avoided. The network or cobweb stitches are likewise done at whichever stage the worker finds most convenient. Such work progresses rapidly in deft hands and is done on silk and bolting cloth, on duck and various other fabrics as well as on the linen sateen used in the i^resent instance. The latter is ered with the tassel attached being shown at Figure No. 5 of this chapter. Flax-thread, rope-silk or any material adapted to the making of fringes may be employed for the jnn-pose. In attaching the rings to form the fringe, their adjoining sides are connected bv invisible stitches and the NeeBLe ftN9 bR^SH- fringe «he„ completed is caught ,o .he cover cover is shown a F.gnre N . 4- He pa in tL same wav. Much of the good effect of tern is duphcated as many fmes as n c- Ron,an embroidery depends on bringing out essary to produce the ,e,u,s,te letrgth, and Figure No. 5.— King and Tassei. Figure No. 6.— Bureau Scare. the pattern by laving it over a color present- the lower edge of the cover, which extends ing a decided contrast. almost to the bottom of the bottle and has a The design which enriches the bottle- row of button-hole stitching along the margin, NeeDLG AND B^^SH. 23 Figure No. 1. — Corner Section ok Dksh.n for Uireau Scarf. 24 NeeDLG ilND BKQSH. is finished with a row of r'w^^s. covered with The bureau scarf shown at Figure No. 6 silk. Rings adapted to this purpose may be is a charming exponent of Roman embroidery, Fi(-.URE No. 8. — Ckntkr Section of En'o ok Desic.n for Bureau Scarf. purchased readv for use at any fancy-goods and its practical value, joined to its beautiful shop. A ribbon bowed about the neck of the effect, well repays the time and expense of bottle completes the ornamentation. making it. The embroidery designs shown nggDlg and gi^cas"- at Figures Nos. 7, 8 and 9 are in the full color. Brown with ecru and red with cream, size of the sections they represent. Two are effective combinations. When the em- corner sections like Figure No. 7 and broidery is developed upon any article which one like Figure No. 8 comprise the width will require laundering it is of course best to of the embroidery at each end, and the limit the choice to fadeless colors, but when FicuRK No. Q.— Section of Dksic.n for Sides of Bureau Scarf. requisite length for each side is obtained by done on silk very delicate and effective con- duplicating the design shown at Figure No. 9. trasts may be developed. Very delicate texi- The network may be made as simple or as ures are sometimes rendered less liable to elaborate as personal taste desires and the fray if they are sized with diluted white glue, needle-work may all be done in the same white of egg, gum-arabic or some similar shade as the material or in a contrasting mixture before the background is cut awav. ftl^X X X XX X X X X X .^QTi^ NSeDLG anB sh^$h. 'C^^A. < X' K X' X- XX X- X' > vV'^^ How 10 do this so as to produce a graceful junction with the silk scarf as described effect without involving a large outlay ; or, above a piece of Irish point lace long enough even if the expense be a minor consideration, to pass about the shelf. This may be ar- without producing too heavy and elaborate an ranged plainly with its depth hanging below effect is often a puzzling question. A simple the edge, and the scarf, run through a ring, but artistic arrangement is developed as fol- disposed to overhang it slightly. A bow of lows. A scarf of India silk, a little longer ribbon matching the scarf in hue might be than the distance round the shelf, is bordered fastened where the draping is made with the at the ends and at one of its sides with ring. Mantel draperies thus arranged are thumb fringe or little ornaments sewed on to easily taken down, shaken and readjusted, form a fringe, and is run through a brass ring and this fact alone is much in their favor, which is concealed by being button-holed or especially where open fires are used, crochetted all over with cable silk. The ring Among the most beautiful of inexpensive is adjusted at the center or to one side of it, material for draperies is a Japanese cotton and the scarf is disposed with its untrimmed crape, delicately figured in gold. Pongee, side on the shelf and its extremities falling sateen, chintz, and all materials adapted to gracefully at the ends. The edges which rest the purpose may be arranged in the manner upon, the shelf may be held in position by described. Sometimes two shorter scarfs are extending them beneath the heaviest orna- passed through a large ring, and one end of mcnts or pieces of bric-a-brac and the fulness eacii is carried to its respective end of the may be drawn into iimumerable graceful folds shelf ; the remaining ends then disposed in as it escapes from the ring. any pretty fashion at the center, a favorite This arrangement is one upon which a disposal being a fan-shaped arrangement great many variations may be rung. An ex- which displays to good advantage whatever quisite effect is produced by using in con- decoration is upon liicm. NeeDLG AND B^^S"- 27 l,®^£!25, ^■.^^■*^^^-i: ^ ^i^~=-^'n .••-^*?^->-^>t^-'-^^t^O \>.^^~'-'^^-'^f'^~''(«h^^^\ ; ; JkM^"'^'^^-"'^'^^''^^^^ v!> W.W.I CHAPTER III. P1AN0-G0VERS OW can I make a piano-cover that which may be applied to a piano-cover of will be pretty, harmonize with felt, billiard-cloth, etc., with most effective other furnishings and yet not re- and pleasing results. Tjs^TJT quire a large outlay of money, is I a question often asked. In this '^^^^^ °' Pi^"° Cover. * ^ * chapter is illustrated a pretty Figure No. i. — This engraving illustrates y cover suitable for a table or a table or piano cover that is handsome and piano, and also a very effective border, not very expensive, if made at home. The . HR; JpEvHii'lB^ ■^ '^L^ :l^i^. '' 'M' 'til' "lii- '^liwi '^ iii ^ i i i riBir iMmmr "" ^ Figure Nu. i.— Tahi.k ok Piano Cover. 28 NeeDLG AND gi^tiSM- fabric is dark-red cloth, and the border is strip is pointed, the outer ends being ex- made of rows of black velvet-ribbon applied tended some two or three inches beyond the Figure No. 2. — Part ok Border Desicn. as illustrated with fancy stitches done with edge of the cover and tipped with a fancy silk floss in bright gold. Each end of each ornament of gold and red; thus forming a Figure No. •;. — Tart of Border Design. 3° NeeDLG AND BI^tlSH. handsome and rich looking fringe. Tassels may be loosened from old fringes and used with good effect, or any style of ornament may be selected. Long stitches are crossed upon the fringed ends of the ribbon, to ren- der them lighter and more elaborate in effect. A variety of colors may be introduced in the application of the ribbon, and the cover fabric may be of any color and of any preferred material. Border Design for a Piano-Cover. Figures Nos. 2 and 3. — These two engrav- ings illustrate a geometrical mosaic arranged as a border to a piano-cover. The best way to proceed in duplicating the design is to trace it on parchment paper, uniting the two sections on one piece of paper according to the capital letters, and then duplicate the size as often as may be necessary to obtain the requisite dimensions, making subsequent duplications so as to complete the shapes by bringing the small letters together. The un- broken lines indicate complete outlines, and the dotted lines show where parts of the de- sign are separated owing to the size of the pages. No difficulty in perfecting the outlines, need be feared, however, if the design be traced and matched according to the instruc- tions given. Such borders are worked with metallic cord sewed down invisibly with cot- ton, with fine silk cord purled with button- hole stitches, and with embroidery silk which follows the design in chain or herring-bone stitch. A handsome piano-cover, which may be made at small cost is of felt in old-red, with a border of olive velveteen, upon which this design is stamped and then reproduced with bronze and copper-colored metal cords. ■^^S^^__ ■l.c? NeeDLG AND 5I^tl$H. CHAPTER IV ^^^13^ gmm DECORATIONS RUB CUSHIONS. KRY often the turnish- and this chapter contains several illustra- ings of a room which tions of chairs, both modern and antique. seem quite luxurious From them many ideas may be gleaned which are the result of in- may be applied to possessions in hand, genious feminine fin- gers and taste, the Decorated Chair. )pment of artistic needle- Figure No, i. — Any chair of like shape being not always completed may be decorated in this way, and it may be the driving of tacks, gilded or colored, the gilding being exceed- Just now there is a fancy for ingly effective. A square, flat pillow or using old-fashioned chair frames and brisihten- cushion is made of brocaded silk to tit FiGiRE No. I. — Decurated Chair. ing them up with pretty cushions and covers, the back as pictured, and the filling may be NeeDLe and brcish. balsam, fir, cotton, down, etc. An edge of cord is added, and bows at the upper corners appear to secure it to the cliair. A scarf of the silk is laid across the seat and is edged all round with cord and decorated at the ends with a row of ball fringe. Tiie cushion and scarf mav be of any preferred material or color and decorated to please the taste. and then carefully cut out, leaving a design in low relief. A fancy stitch in yellow silk floss fastens the edge of the pongee strip to the side of the scarf. The ends are then deco- rated with a heavy silk fringe and fall well over the seat and back. The covers for the arms are made in the same way, only they are, of course, much smaller. If preferred, FUiURK No. 2. — ClIAlK-CuVKRS. Plain fabrics will be decorated with embroi- tightly twisted silk fringe, with acorn pen- dery done in outline stitch, or with applique' dants, could be used, or brass crescents might embroidery or ribbons. be employed if liked. Chair-Covers. Decorated Chair. Figure No. 2. — Dark brown velvet consti- Figure No. 3. — A wooden chair of any tutes the background of these covers, and shape may be decorated in this manner, and upon it is laid pongee silk in its natural hue. may be gilded or painted in any preferred The silk is stamped in foliage pattern —which color. The scarf of velvet or plush is long is outlined with silk braid upon the velvet— enough to throw over the cross-bar below the NeeDL© AND gF^as^- 33 top and is caught in at the back of the seat tlie back, and also below the seat, it is em- with wide ribbon that is bowed prettily ; it bellished with applique' flower sprays, which I-IGUKK 2\U. 3. — DKCORATiiD CHAIR. Fi(;l-ke Xu. 4. — Decora ir.ii Ruckkr. falls nearly to the floor in front and has a row are selections from Kursheedt's Standard flo- of plush ball ornaments along this end. At ral appliques. If preferred, this part of the 34 NeeDLG AND si^tiSH. decoration may be hand-painted or embroi- dered, but the applique decoration is effective and easier of accomplishment. Decorated Rocker. Fi(;UKB No. 4. — In this engraving is illus- trated a handsomely decorated rocker having an upholstered seat and back. A handsome scarf, made of oblong sections of velvet in frame at the meeting of the back and seat, and hold the scarf permanently in place, though other means of fastening may be used, if these and the weight of the fringe and tassels be not sufficient. Fancy and plain ribbons and silks may be used instead of vel- vet, with pretty effect ; and the colors may be those most pleasing to the taste. Such scarfs are usually prettily lined and are as suitable Figure No. 5. — Decorated Rocking-Chair iwo shades arranged as pictured, and deco- rated with long stitches done with gold floss in imitation of sun rays, is arranged upon it to fall over the back and below the seat, all the edges being bordered with thick cord. The ends are trimmed with bullion fringe, and bullion tassels are fastened to the corners. Wide ribbons fastened to the scarf at the lower part of the back are tied above the for arm and easy chairs as for rockers. A willow chair with a pretty cushion fastened in the seat will be rendered very elegant by the addition of such a scarf. Decorated Rocking-Chair, FinuRK No. 5. — The covers on the back, seat and arms of this handsome chair are made of scraps of silk, plush, satin, velvet. NGGDLe AND 5^a$H. 35 ribbon, etc., put together in the famous crazy or mosaic fashion. All varieties of fancy stitches may be used with pleasing variety in such work, and, of course, all sorts of colors may be introduced in them. A narrow band of velvet borders the covers, and the back cover is made long enough to fall over for a short di'stance at the back, where it is bordered with a row of handsome fringe. A row of similar fringe falls from the band crossing the front of the chair, and also from cotton with either material. Fancy matting is also used for chair covers, all its edges being tacked to place under gimp with brass headed tacks. Fancy Chair. Figure No. 6. — This chair was made of inexpensive wood, tinted and varnished to imitate ebony and touched along some of the edges with gold paint. The seat is slightly padded and covered with figured silk. A FicuRE No. 6. — Fancy Chair. FicuRE Nu. 7. — Decorated Chair. the outer long edges of the arm covers. Around the lower front part of the arm is passed a wide ribbon that is tied in a large bow. An old chair, varnished or painted, will look like new when decorated in this way, and will result in a rich and elegant piece of furniture. Canvas and burlaps in e'cni and the yellow shades are used for covering chairs in- tended for balcony use or for the upper rooms of houses. A combination that is very effec- tive is developed by associating Turkey red sachet in crescent shape covered with silk is tied to the top of the back with ribbon bunched in long loops and ends, the ends being pointed and tipped with small pompons. A fringe formed of strips of ribbon similarly finished depends from the seat of the chair, and also from the lower edge of the sachet. The silk employed in the present instance has a gold-colored ground showing black figures, and the ribbon and pompons being gold the effect is gorgeous and handsome. 36 NGeDLG AND gp^asH. Fi(;rKK Xo. 8. — Emhkoidkrv DKSKiN NeeDLG AND gi^tiSH. 37 Decorated Chair. Figure No. 7. — Any fancifully shaped small chair ma)' be decorated in this way. The wood may be of any handsome variety, or inexpensive wood may be beautified by paint and varnish. The cushion is made of fancy striped, loosely woven canvas or crash embroidered in oriental colors, according to the design pictured and described at Figure" No. 8. To the top of the chair is fastened a sachet in two parts, one part falling backward and the other forward, and the two being tied entire pattern and is done in short button- hole stitch, the stitches being taken up at comparatively long intervals. The filling stitch is Kensington and the colors are indi- cated by letters in the engraving, which, being interpreted, mean : A, cream ; B, blue ; C, red ; D, orange ; E, light-olive ; F, pink ; G, heliotrope ; H, dark-olive ; I, reddish-orange. The stems are embroidered with gold tinsel thread, and the straight lines in the figures and the little cross designs are done with flat silver tinsel. Ik Figure No. 9. — Chair, with Embroidered Cushions. Figure No. 10. — Emkroidery Dksi(;x. to the chair with ribbons. The outer covering of the sachet is embroidered to correspond with the cushion and it is lined with the plain color. Embroidery Design for Chair. Figure No. 8. — This design is used in embroidering the chair-cushion and sachet illustrated at Figure No. 7. Its colors are dark-cream, old-pink, old-blue, old-red, reddish- orange, dark and light olive-green, heliotrope and black. 7"he black is used to outline the Chair, with Embroidered Cushions. Figure No. 9. — The frame of this chair is of a shape that may be purchased at any shop dealing in such articles, and the cushions are of velvet ornamented with outline designs done in silk. Such a chair in wood having a white enamelled finish, with blue satin cush- ions wrought in pale gold would be very ornamental in a drawing-room or boudoir. An ebony frame with yellow cushions would be equally effective. 38 NeeDLG AND S^CiS"- Embroidery Designs. embroidery, and ibe stems may be increased Figures Nos. io and ii. — These two fig- in length and blossoms added in proportion ures illustrate the designs employed in em- to the size of the seat and back of the chair. Figure No. ii. — Embroidery Design. broidering the chair pictured at Figure No. 9, If solid embroidery be preferred to outline on the ])receding page. Either satin or out- work the floral designs may be done in satin line stitch may be employed in doing the stitch. They are equally pretty when painted. NeeDLs AND gi^tiSK- 39 ^&^\f :S^>5 #^n^ r*?. ,- /^^' (^0^1 '^tsy^ic 'w^^i- %'V _^ (^ •■ t I V-o ''r ■ ^^' 'C i*^ -^Z-i'^< CHAPTER V T^ABLES AND T-ABLE-G0VERS. HK fancy recently displayed for putting ornamental covers ^ upon our tables has resulted V/J, very happily ; for the designer, in showing of what he is capable, also shows people how to work artistic- ally themselves. Provided with a good design the worker need only " go ahead," for she is right. Fine felt, flan- nel, cloth, Canton-flannel and Turkish tow- elling are all called into service for the cover proper, while all these materials, with silk, plush, fancy stitches,7f/(yj't'//i? and crewels, add to the ornamental part. Very simple tables of pine wood, with ebonized legs, be- come works of art, and dainty rattan ones gain new beauties. There are few houses without unsightly tables that are absolute necessities, and these a mantle of beauty should cover, so that use and beauty may form the proper partnership. Table, with Fancy Cover. Figure No. i. — The table illustrated is of rattan, the size being such that it commends itself to people who have all sorts of little things seeking for a resting place. The cloth is of the proper size to hang over the edges gracefully. It is of dark red felt, with its edges cut out in large points that round slightly, each one being ornamented with an applique design and tipped with an olive tassel of silk. At each corner, near the lower shelf, the slender legs are ornamented with a bow of satin ribbon. The applique pieces are securely button-holed to the cloth with bright yellowyf/(«r//f. They are of fine felt, which is found the best material for such purposes, as it does not fray. E\ en when the cloth is of the other materials suggested, the pieces are usually of felt. Following are descriptions of the pieces, which are pleasingly varied in design. Appliqu^ Design. Figure No. 2. — A dark shade of blue is used for this fan, while the embroidery is wrought out in bright yellow and dull brown. On one side the effect is Chinese and cabal- istic enough to delight the soul of her who is most eager for all that comes from Celestial lands. Applique Design. Figure No. 3. — This broadly shaped fan is of light olive felt, with the embroidery upon 4° NeeDLG AND B^^SM- it done in liglu and dark cardinal filoselle. are all familiar ones, being the outline stitches Figure No. i. — Tahle. with Fancy C(jver. Figure No. 2. — Ai'i'i,i(,)rE nEsiGN. Figure No. 3. — Aim'I.kjue Design. The stitches employed in performing the work general!}- known as the South-Kensington. NeeDLe and gi^as^- 41 Applique Design. brown, cream and very light blue. In cut- FiGURE No. 4. — This slender fan design is ting out these appliques, it would be well of the light red shade so often seen on to remember that very sharp scissors should Figure No. -AiM'i.Kji'E [Resign. Figure Nu. 5. — Ati'lhjue Design. Figure No. 6. — Arri.iQUE 1)esu;n. Figure No. 7.— AritiQUE Design. Turkish embroidery and to which it owes its be used, so that the edges will be perfectly present popularity. The work is done in smooth. 42 NeeDLG AND 5P. 9. — Applique Design. elaborate work on it is in blue and pale pink. If an entirely realistic effect should be desired, pale straw-colored felt may be used instead of the darker shade. In such a case, the silk would correspond in tone, the result being very pretty. Embroidered Table-Cover. Figure No. 10. — -This engraving portrays a table-cover that is novel in shape and very beautifully decorated with an embroidered border and a fringe of pompons. The cover is of plush, and is intended for an oblong or square table. It is cut in a large scollop at each side, the scollops falling at the sides in simulation of drop leaves. I'he scollops NeeDLe and gj^as^- 43 may be lined with the material or with satin, course, any other design preferred by the Surah, silk, etc. ; and any kind of fringe or worker may be embroidered instead, or the ornaments mav be added (o tlie edges. I'iie decoration may be cii applique. Figure No. io. — Emuroidered Table-Covek. Figures Nos. ii and 12.— Designs eor Emhroidekv on Tahle-Cover. correct sizes of the flowers and leaves forming Designs for Embroidery on Table-Cover, the embroidery design used in this instance Figures Nos. ii and 12. — The Hower are "iven at Figures Nos. 11 and 12: but, of and leaf designs decorating the table-cover 44 NeeDLG AND gf^tiS"- pictured at Figure No. lo are here shown in plain stitch, as illustrated, for the petals, and full size. The leaf may be worked in Ken- the knot stitch for the center. The leaves KicuKE No. 15. — Cover for Dim.nc-Room Tahle. DiACRAMS A. K ANO C— S ECl ION-, lOK DksK.N ().\ T A IM.E-CoVER. sington or other embroidery stitch, but the may be cut from velvet, plush or cloth and flowers are done with a long loop and short applied, if preferred to embroidery. The NeeDLG iiND gi^a$H. 45 stitches referred to are very clearly illustrated Cover for Dining-Room Table. ill the present flower design, and are easy to Figure No. 13. — This handsome cover is accomplish. for the table when the dishes and other rem- Appliques do not require extreme care in nants of a repast have been removed. It is their attachment, and it is not so difficult to made of billiard cloth, and its border deco- "V? ''V'' %^' ^' 'W "V ''i /^ M i\ (^'S f% A^ FlCURE No. I '5 -^ ,1 .^^1 Figure No. 16. Figures Nos. 15 and 16. — Fancy Stitches. Figure Nu. 14. — Table-Cover. achieve a good result with them as with ration is produced by a vine-like arrangement embroidery; consequentlv the novice who is of branches laden with pears and leafages all doubtful of success with the more elaborate en applique. The brandies and stems are varieties of needle-work will do well to begin done in Kensington stitch, and the pears and her efforts by learning how to apply them. leaves are cut from velvet or plush and 46 NeeDLG AND 5i^a$H. applied in a gracefully natural manner. The shape and size of the pears and the leaves required are shown by diagrams A, B and C. The veining of the leaves may be done with filoselle, crewels or silk. If desired, the leaves may be embroidered. The simplest wav to produce a graceful effect is to outline the pattern on the cloth and then baste on the leaves and fruit. Some of the pears may be green and some golden-yellow, or any combination of colors natural to the pear may be achieved. Felt-cloth, momie cloth or any preferred materials may be used for the cover. The edges may be pinked, fringe-trimmed or left plain, as preferred. Sections for Design on Table-Cover. Diagrams A, B and C. — The correct size and shape of the pears and leaves for decorat- ing the table-cover shown at Figure No. 13 are furnished by these diagrams, and the lines for veining are also shown. Tissue or tracing paper may be used to duplicate their outlines, and these designs wUl be found quite as valuable as guides in doing all varieties of outline work as for the purpose illustrated, and very much more novel than stereotyped patterns. Table-Cover. Figure No. 14. — For a square or oblong table this is a handsome and elaborate-look- ing cover. The material is cloth of dimen- sions to hang gracefully deep at all sides of the table. A wide band of velvet is arranged a little above the edges and fastened down at its edges with fancy stitches done with con- trasting silks. It is also richly embroidered near the top and bottom with simple stitches, which only require care in producing a very elaborate and pretty effect. The stitches used are illustrated at Figures Nos. 15 and 16. The cloth may be of any pre- ferred color, and the band may be in very striking contrast and of ribbon, plush, velvet or any preferred material. Sometimes a contrasting shade in the same material will be used, with very pretty eifect. The stitches may be done with one or many colors. Fancy Stitches. Fi(;uRES Nos. 15 and 16. — These engrav- ings ilhistrate the stitches used in decorating the table-cover shown at Figure No. 14. They can be very easily copied and may also be classed among the stitches used for crazy work. Table, with Cover. Figure No. 17. — A small table, with elabo- rately carved ebony legs will be found much more decorative when its cover is also orna- mental. T'he one illustrated is formed of alternate pieces of cardinal plush and pale- blue satin, embroidered and trimmed with chenille fringe, tassels and cord. The arrangement of the pieces may be perfectly seen in the engraving, the fitting-in and finishing of each one being perfectly percep- tible. A lining of Silesia is used to mount them upon, and each one has a chenille cord between it and the next. Applique designs may be used with as good a result as if the sections were hand-embroidered. Section of Cover. Figure No. 18. — This section is of the plush, embroidered in yellow silk to simulate miniature sunflowers. It is the shape of that portion of the cloth that fits in each corner, four being cut after this shape. Section of Cover. Figure No. 19. — This section is part of the lambrequin-like portion of the cover, it being the one that falls immediately over the front. Similar sections are at each side and nggDlg and bhqsh. 47 in the back. It is of the satin, and is worked here illustrated. The material is satin, and in yellow silk to simulate young leaves. the design a glowing red liliaceous plant, with 1-iGUKE Nu. 17.— Taule, with Cuver. Section of Cover. its attendant leaves. Any preferred selection Figure No. 2o.-The center section is of colors for the embroidery may be made. NeeDLG AND BHtl$H. Section of Cover. Figure No. 21. — One of the square sec- tions is here shown, being of the plush em- broidered in purple grapes and green leaves. Much taste may be shown in shading the fruit. Section of Cover. Figure No. 22. — This pointed section is of the plush wrought in dark green and scar- let, the work bringing forth bright berries and leaves. Four such sections are used, and they constitute the side pieces of the drooping portion of the cover. silk with felt or plush, may be combined in a table cover of this kind, and the center por- tion may be embellished with hand-painting, embroidery or applique's, if a very elaborate effect be desired. Knot stitches done with tinsel thread may be substituted for the spangles. Grecian Border. Figure No. 24. — This engraving represents a Greek key pattern, traced by two lines of gilt braid. The pattern is either traced on tissue paper, which is basted over the portions ^:. . /?pi Fh.l'rk .\i>. 21. Figure No. 22. Figures Nos. 18, 19, 20, 21 and 22. — Section.s of Cover Shown .\t Fku're No. 17. Table-Cover. Figure No. 23. — Two shades of felt-cloth are combined in this handsome table-cover, the center portion being tut with undulating edges and decorated with small gilt spangles arranged in groups of three. Strips of velvet ribbon of varied lengths are applied and deco- rated with fancy stitches done with tinsel thread. Spangles are sewed below the long stitches applying the strips at the ends and the nearest two strips at each side. The edges of the cover are finished plain. Two shades of plush, felt and plush, or satin or to be adorned, or it is stamped on the goods. The braid is then carefully stitched by ma- chine or hand to the article, the strictest preci- sion being observed in turning the corners. The paper, if used, is now torn away, and gilt beads or spangles are sewed between the lines of braid with sewing silk, so coarse that a single stitch will suffice to hold them to place. After fastening one bead, pass the needle to the place where the next one is to be sewn, long needlefuls of silk being preferable for the purpose, as the less frequently a new thread is started the smoother will appear the surface. NeeDLG AND B^tlSH. 49 This pattern is easily and very rapidly done, used for elegant coverings of this style; and and is adapted to table and piano covers or the fringe may be of worsted chenille tipped scarfs. with acorns, or of ball, tassel, fiy, finger or any other variety preferred. A very Table-Cover. elegant cover of this style is of olive felt-cloth Figure No. 25. — This beautiful cover is with a deep border of water-lilies and cat-tails made of olive-green cloth and is oblong in embroidered in their natural colors with shape. It is edged all around with a row of crewels, and a row of pretty worsted-chenille Figure No. 23. — Tahle-Covkr. handsome ball fringe, and has an applique'ed border consisting of daisies, cat-tails and bitter-sweet berries arranged in artistic order and in their natural colors. For square or oval tables, the cover is very handsome ; the former style of table requiring a perfect square of cloth. Plush, Turkish towelling, momie- cloth, felt-cloth, satin, velvet and silk are all fringe tipped with golden acorns. The lilies and cat-tails may be appliqueed, if preferred ; or they maybe formed of bead-embroidery, A great many illustrations of designs adapted to the decoration of such covers are given in this book and personal taste may be made umpire in deciding which is best adapted to the color and purpose of any s]:;ecial cover. 5° NeeDLG ANi:) gi^tis"- The Grecian border illustrated is adapted cord upon velvet or plush, and it possesses to the decoration of any variety of table-cover the advantage of being rapidly executed. Figure No. 24. — Grecian Border. ^^/3 Figure No. 25. — Table-Cover. large enough to form a background for it. When done with outline-stitching between two It is very effective when developed in metallic rows of metal cord, it is quite unique. NeeDLG AND SH^s^* 51 CHAPTER VI. FAPGY LAMBREQDinS. HERE is scarcely a table or shelf so uncompromising in construction that it cannot be tjmi made attractive by being taste- ili mM fully draped, and the engravings in this department offer many sug- gestions which tasteful ladies will value. Among the pretty things in the way of decorations are peacock-feathers in their beautiful tin tings, and they are used to em- bellish everything. Door-panels, lambrequins, table-scarfs, etc., are rendered beautiful and quaint by them, and they may either be painted or embroidered, or the real feathers may be applied, with very artistic results. Lambrequin for a Fancy Table. Figure No. i. — A beautiful lambrequin for a table to ])old statuary or bric-k-brac is here illustrated. It is of felt-cloth of a hunter's- green shade, and is made wide enough to cover the top of the table. The lower edge is cut in large scollops, which are very narrowly bordered with peacock-blue cloth, prettily pinked, and the lambrequin is elaborately embroidered in an artistic design of peacock- feathers in natural tintings. Between the scollops are fastened pendent cones of pea- cock-blue silk. Velvet, plush, silk, satin or any fabric preferred may be employed for the lambrequin, and, if desired, the edge may be plain, with fringe the shade of the cover as a bordering. The method of embroidering the peacock-feathers is described at Figure No. 2 of this chapter. Embroidered Peacock-Feather. Figure No. 2. — The proper colorings for this design may be obtained from the natural feather. The flues, eye and stem are all done in the Kensington stitch. Very effective and artistic groupings of these feathers in embroid- ery may be secured. Lambrequin for Table. Figure No. 3. — This pretty lambrequin, especially suitable for either brackets, small shelves or tables, is made of alternate pieces of dark-blue velvet and pale rose-colored satin. On the velvet sections are applied flowers and leaves of pale-blue, while on the satin ones are geometrical designs wrought out in pearl beads. Gilt rings are pendent from each point and from them fall full silk tassels of the blue shade. Gilt crescents may be used instead of the rings, and an equally good effect will be obtained with them. Silk-fin- 52 NeeDLG AND 5i^a5H. ished Silesia will be found the most desirable of this illustration before folding. They are lining for such a lambrequin. then folded as shown, and a narrow seam is FuiUKE No. I. — La.mi!Ri:(>uin i-or a Fancy Tahle. Section of Satin Flower. taken, holding them together at the top and FiGURK No. 4. — To form tlie satin flower on slightly at the sides, after which they are the lambrequin, pieces are rut the shape turned inside out. NeeDLG AND BHtl$H. 53 Figure Xo. 2. — Emhk(jidekkli Peacock-Feather. * ^ 54 NeeDLG AND B^tiSH. Section of Satin Flower. A little deftness in turning it is required, so Figure No. 5. — This illustration shows the that, when completed, it may display the Figure No. 3. — Lambrequin for Table. Figure No. 4. — Section of Satin Flower. Figure No. 5. — Section of Satin Flower. Figure No. 6. — Saiin Kujwkk for Lambrequin. petal after it is turned, and a few stitches, curled leaf effect noticeable in the petals of drawinir it sliirhtlv, are taken at the bottom. natural roses. NGeDLe AND 5i^a$H. 55 Satin Flower, for Lambrequin. stitch and with pale-green silk, while the Figure No. 6. — The flower is here shown leaves are cut out of the satin and then with its petals joined together and a natural- applied. Figure Nu. 7. — Fancy LaimbrequiiN. / Figure No. 8. — Xelvet and Plush J.A.MiiKE^^ 6o NeeDLG AND SHQSM. This new and beautiful nielhod of deco- rating Armenian pottery, vases, bottles, um- brella-stands, picture-frames, etc., is done in the following manner: The lava comes in cans ; the top of the can is made of thin tin and over this is a loose cover of thick tin. Remove the outside cover and cut the thin tin close to the side all round. When not in use place the loose cover tightly over the can. See that the surface of the vase or bottle to be decorated is thoroughly clean and dry, and cover it lightly with gum shellac ; then apply the lava with a palette-knife, spreading on a coating about an eighth of an inch thick. The next step is to produce a network of raised figures or designs in the lava. This is done by marking or scoring the surface with a sharpened pencil, the point being held firmly in the vase and moved about in a series of irregular curves ; a series of ridges is pro- duced by tangled scroll-work over the entire surface. When the marking is completed the article should be set aside to harden, which will take twenty-four hours. When perfectly dry, apply a coat of lacquer evenly over the entire surface; this will dry in two hours, 'i'lm lacquer comes in three- ounce bottles, and costs twenty-five cents. The work is now ready for the last coat, which ma\- be any color of gold or bronze paint or any luster shade. mJU^^£:SLrr- NeeDLG AND gp^asH. 6i •%JI ,',^,\ :#:: aaaaaaaa^aaaaii^H 4y- CHAPTER VIII. S A G H E T S REFINED preference for faint aromas rather than for strong scents makes novel shapes in sachet cases for holding the delicate powder eagerly sought for, and ladies who have many of these pretty trifles always desire more. This chapter illustrates and explains a number of pretty sachets. Sachet. Figure No. i. — Three varieties of pretty cornered, and applied points of ribbon deco- rate one side, while the bottom is decorated with ribbons gathered to the lower corners and tied together near the left corner. Scraps of fancy silks, velvets or ribbons may be thus utilized, and frequently the three will be seen in one sachet. Of course, the customary fill- ing of cotton, well-sprinkled with sachet-pow- der, is requisite, but it should not be too compact. Japanese Sachet. Figure No, 2. — This engraving illustrates Figure No. 1. — .Saciikt. ribbon are joined to form this beautiful a double sachet, which is made of a Japanese sachet, and fancy stitching- in colored silk is napkin showing an artistic design in pretty made along the seams. Tlie shape is three- colors. The napkin is folded double, joined 62 NeeDLG AND gl^GlSH. at the sides and ends, and lightly filled with is pushed toward either end, the ribbon divid- cotton well-sprinkled with the favorite sachet- ing the sachet into two parts. The napkins Figure No. 2. — Japanese Sachet. Figure No. 3. — Ribbun Sachet. Figure Nv. 4. — Fancy Sachet. powder. A ribbon is tied tightly in a bow may be procured in great variety of sizes and about the center of the napkin, and the filling designs, and they cost very little. Such NeeDLG AND gi^as^- 63 sachets may be used like a chair scarf, or they may be fastened wherever they will be effec- tive. The ribbon may be of any preferred color, violet and heliotrope being used with sachets of those perfumes. Ribbon Sachet. Figure No. 3. — Two shades of ribbon are united to form this sachet, which is in bag shape, the ribbon being joined by fine over- and-over stitches and the joinings decorated with fancy stitchjng done with different col- ored silk. The ends of the ribbon are rav- elled to form a deep fringe, which falls over in a cascade on either side. The basr is filled bag is faced with silk, and far enough below the top to form a full, pretty frill ; it is closed by a wide feather-edged ribbon that is grace- fully tied in an immense bow, the words "Birthday Greeting" embroidered in bullion decorating the loops. Any preferred colors may be selected for the sachet, three shades of heliotrope, green, blue or yellow being especially effective. The ribbons may be of different colors. Sachet. Figure No. 5. — A plain India silk hand- kerchief or a square of India silk hemmed at the edges may be used for this exhaler of Figure No. 5. — Sachet. with cotton well-sprinkled with the favorite perfume powder, and is tied in with narrow ribbon of the two shades, the ribbon being tied in many long loops and ends. Any pre- ferred colors may be chosen, and the ribbon may be of one or two varieties, the width depending upon the size of the sachet. Fancy Sachet. Figure No. 4. — Three shades of grosgrain ribbon are used in this sachet. The ribbons are frayed to form a deep fringe at the bottom and are joined to form a bag which is filled v.'iih cotton, well-sprinkled with the favorite perfume powder. Fancy stitching is made on either side of all the seams ; the top of the delightful odors. The sachet is filled with cotton well-sprinkled with perfume powder, and tied together as pictured, the ends being spread out and eacii decorated with a different design done in Kensington outline or satin stitch in suitable colors. The correct sizes for the designs are given at Figures Nos. 6, 7, 8 and 9. The handkerchief or silk may be of any preferred color. Embroidery Designs for Sachet. Figures Nos. 6, 7, 8 and 9. — These designs are the proper size for the sachet pictured at Figure No. 4, and may be done in satin stitch, solid Kensington or outline stitch, or they may be painted, as preferred. The 64 NSeDLG AND SI^QSH. designs are also handsome for decorating closely, and tied together at the top with other articles, such as mouchoir and glove ribbon in two or three contrasting colors, cases, scarfs, tidies, etc. Each bag may be of a different color, or all Figure No. 8. Figure No. 9. Sachet Card-Receiver. rnay be of one color, as desired. The bags Figure No. id. — This unique card-receiver are filled with cotton, thickly sprinkled with is composed of three satin bags drawn in sachet powder, and at the bottom of each NeeDLG AND SHa$H. 6s bag are formed two compartments for cards. effect is produced by leaving the compart- Tlie bags may be elaborated with floral or menls plain. Satin, silk, velvet, plush, etc., other embroidery designs, or the cards in the will be handsome for accessories of this kind, compartments may be specified in prettily and any preferred combination of colors may embroidered or painted letters on each bag. be realized. Figure No. io. — Sachet Card-Receiver. Figure No. ii. — Hanukerchief- Case, Closed. Figure No. 12.— Handkerchief-Case, open. One or all of the compartments may be deco- Handkerchief Case. rated with embroidery or hand-painting, but Fir.uRES Nos. 11 and 12. — This is a very if the bags are elaborately decorated the best pretty and popular receptacle for one's hand- 66 NeeDLG AND 5H^$H. kerchiefs. It is made of corded silk and the case was selected from Kursheedt's Stand- lined with quilted satin of a delicate color. ard floral appliquees. A strap of ribbon, the At Figure No. ii the case is shown closed, color of the quilted satin, confines the ends of while at Figure No, 12 it is seen open, with three strips of ribbon, on either side of the Figure No. 13. — Completed Grape. Figure No. 14. — Showing the Exact Size of Each Grape Section, and Illustrating the Method of Making the Grape. Figure No. 15. — Grape-Sachet. the handkerchiefs properly placed. A quille folding of the case, the ribbons extending to of ribbon borders the case on both sides, the the corners and the center of the front edges, colors matching the materials. The spray where they are gathered under the .quille. of flowers appliqueed on the upper side of Tlush, velvet, Surah, etc., may be used and NeeDLG AND ^i^a^H. 67 the lining may be of plain Surah or satin, and are shown by Figure No. 14, which also amply wadded. Of course, it is understood plainly illustrates how each section should be that it is always well sprinkled with the favor- "run" all around near the edge for gatherino- ite sachet-powder of the possessor. it. The gathering thread is drawn up as f »ssTrt5iS'*ys»avsiv ' sv'»a^«>a3rs^s^^vws%vvvytt» i Baj '1' FiGURK No. 16. — Sachet. Figure No. 17. — Ribbon Sachet. Grape-Sachet, and Method of Making It. Figures Nos. 13, 14 and 15. — These en- gravings illustrate a pretty and artistic nov- elty in sachet cases, and also show how exceedingly simple is the construction of this dainty perfume-holder. The exact shape and size of the sections used in making the grapes tightly as possible, and the little bag thus formed is filled with cotton lightly sprinkled with any favorite sachet-powder. A piece of wire is inserted for the stem, and then the grape is in the complete forn> pictured by Figure No. 13. When a suitable number of grapes have thus been made, they are grace- 68 NeeDLS AND 5i^ti$H. fully clustered on a rubber stem taken from an artificial flower-spray, as pictured at Figure No. 15. The grapes should hang in abun- dance from the stem, and the leaf may be an artificial grape-leaf or may be cut from plush, velvet, felt cloth, etc., and have veins embroi- dered with silk or floss. Deep-prune, dark- claret, wine, black and dark-blue are suitable colors for such cases, and the material may be silk, satin or Surah, as preferred. When proper colors are selected, the case looks like a realistic bunch of this very delicious fruit. Sachet. Figure No. 16. — For the bottom of the bureau drawers this pretty sachet is intended. It is cut the size of the floor of the drawer and may be of silk, satin, Silesia, cambric, cre'tonne, etc., and edged all round with cord. Layers of cotton sprinkled with perfume powder are added, and the upper side is decorated with tufts of embroidery silk. Ribbon Sachet. Figure No. 17. — A very dainty perfume- holder is here illustrated. Two pieces of wide ribbon, baby-blue in color and each about five-eighths of a yard in length, are sewed together to within about five inches of the ends, the seams being drawn slightly so as to produce a little fulness. The parts are also joined between the ends of these seams, the bag thus formed being filled with cotton thoroughly sprinkled with the favorite sachet powder. The ends are carefully frayed out and fall in the full, fluffy cascades pictured in the engraving. Upon one or upon each side of the sachet in the lower right-hand corner, is embroidered a pretty sprny of daisies, golden-rod, etc., and at the top, d>;eclly at the center of the seam, is fastened a very large, full-looped bow of Bordeaux satin ribbon ; the bright yellow of the golden-rod, the gold and white of the daisies, the deep greens of the foliage and the deep rich red of the ribbon contrasting very beautifully with the delicate blue of the article itself. Of course, any combination of colors may be selected, and the design may be hand-painted instead of embroidered, or any other design may be adopted. The exact size of the spray and the method of embroidering it are illustrated and described at Figure No. 18. Spray of Wild Flowers. Figure No. 18. — This handsome spray is used in embroidering the ribbon sachet illus- trated at Figure No. 17. It may, however, be selected to decorate table-scarfs, lambre- quins, book-covers, etc., and is given in about the correct size of the flowers. The petals of the daisies may be formed of white ribbon or of solid embroidery, and the centers of golden floss in knot stitch. The golden-rod should be done in chenille stitch to look natural, and the stems, leaves, and bud in South-Kensing- ton stitch. Only the outline of the design is given, so that the entire effect need only be outlined. Pale blue ribbon is used for corn- flowers. Ribbon Sachet. Figure No. 19. — This dainty perfume- holder is made of two shades of ribbon woven in basket fashion. The foundation of the article may be a piece of cardboard, the ordinary blotting-paper covered, bag-like, with canton flannel or sheet wadding thickly sprinkled with whatever kind of sachet-pow- der is preferred. Fancy stitches are done with embroiderv silks of different colors at the corners of the squares, but usually these sachets are finished without the stitches and are equally pretty when they are omitted. Bows of ribbon are fastened to three corners of the sachet, and a ribbon for suspension is NeeDLG AND BR^SH. 69 fastened al the remaining corner. The addi- features of the affair. Two contrasti Figure No. 18. — Stray ok Wild Flowers. tion of the bows is one of the most ornamental colors are most effective in articles of this 7° NeeDLG AND SH^S"' kind, though sometimes only one color is used. Orange and white, pink and blue, olive with gold or crimson or blue, purple with lavender, green with crimson or gold, and blue with gold, pink or canary, are all effective. The width of ribbon selected is No. 3. Such sachets are often completed above the fringe, with two shades of very narrow picot ribbon bunched in many loops. A row of beads conceals the joining seams, and the filling of cotton is well sprinkled with the favorite powder. Any two colors or shades may be combined in sachets of this kind, personal taste being the arbiter in such matters. Figure No. 19. — Ribbon Sachet. without the fancy stitching, and to some tastes the less elaborate effect is the more refined. Sachet. Figure No. 20. — Four strips of wide ribbon in two contrasting shades are joined to form this pretty sachet. They are deeply fringed at their ends and tied in tightly, just Violet Sachet. Figure No. 21. — This dainty sachet is made of two strips of violet ribbon joined at the long edges and carefully fringed at the ends, the fringe being visible beyond a ruffle of deep lace, which turns toward it over the seaming. The filling may be done with cotton sprinkled with violet orris root, or dried violets may be used and a bunch of artificial NSeDLS AND 5Ha$H. 71 violets be fastened near one corner at the also may be painted. An}- colors of ribbon top. The words '-'Sweet Violets" are embroi- may be used, thougli the violet shades are Figure No 20. — Sachet Figure No. 21. — Violet Sachet. v^ Figure No. 22. — Word Uecuration' for a Violet Sachet. dered in silver thread and are shown in a more suggestive of the fragrant perfume of graceful lettering at Figure No. 22, They which the sachet is redolent, and are, there- may be painted if preferred, and the flowers fore, more in harmony with the ensemble. 72 NeeDLG AND gl^QSH. Sachet Bags. together as illustrated, and their opposite Figure No. 23. — A very unique arrange- corners tacked securely to each other. The ment for holding sachet powder is illustrated floral design is of course painted on each by these two bags which are filled with section of material before it is made up into Figure No. 23.— Sachet Bags. ■0 >.. Figure No. 24. — Sachet Bac. Figure Nu. 25. — Sachet and Pincushio.n. cotton that has been sprinkled with violet bag shape, as is also the Greek key design on powder, and then tied in miller's fashion at the darker one. The ornamentation may be their tops. One bag is of light silk and the embroidered instead of painted, and any other other of dark satin, and the two are laid design admired may be selected. NGeDLG AND BH^S". 73 Sachet Bag. Figure No. 24. — The bag is made of a square of muslin, Silesia, sateen or cambric folded triangularly, sewed up and filled with cotton well sprinkled with the favorite per- fume. The cover is a larger square of silk fringed out at two edges, just enough to leave the unfringed portion the same size as the square forming the bag. The silk section is then similarly folded, with the fringe to fall beyond the edges ; and the corners are tacked under pretty bows of ribbon. Watered, plain, striped or figured silk or satin or wide fancy ribbon may be used, and may be of dainty or bright colors to please the fancy. The sachet may be large or small, as preferred, and may be decorated with hand-painting or embroidery. Sachet and Pincushion. Figure No. 25. — This pretty cushion is made of scarlet satin and finished around the edges with a box-plaiting of Languedoc lace. Just above this, on the upper side, is flatly applied a bordering of lace, looking well on the rich background. In the upper left-hand corner the satin is turned back, showing a corner of yellow satin on which is painted a spray of flowers. Ladies not understanding the use of the brush can carefully, and with as good a result, transfer one of the decalcoma- nie or French Art pictures to the place where it is needed. In order to make this pincushion and sachet-case, it will be necessary to put a layer of cotton, on which some favorite powder has been thickly spread, next to the top. Heliotrope, violet, stephanotis and other faint odors are all desirable in sachet- powders. If preferred, darned lace or any variety preferred may be used instead of the Languedoc. 1 <-^"'i r'„"\ i^",.i-^^;.r^,i 1^^ ■ ^ ' O't^^ ' O'ts^ ' k 74 NeeDLe and gi^tiSM. ^.g^^^^p^c^^^^s^xm "jl gMIED OB ]{ BOX. Perhaps it would be better to call it a flower of a box, as it is partially concealed by blossoms, but we will explain how it is made and then whoever duplicates it can decide upon a name for it. An ordinary white paste- board box forms the foundation, the size being best described by saying that it held a pound of confectionery. A scrap of blue satin covers the under side and another overlies the bottom, inside ; its edges being tacked beneath a piece of thin cardboard, which exactly fits into the box. Satin ribbon of the same shade and the narrow ribbosine used in fancy work are employed for covering the sides, the ribbon on the inside being laid in smoothly and tacked at the angles with a needle threaded with ribbosine, the ends of the latter being daintily bowed. Around the outside a ribbon is drawn smoothly, its ends being joined at one corner. That portion of the cover which slips over the box is now removed and the remaining flat portion is covered on both sides with satin, two tiny bits of the ribbosine being sewed beneath the lining at one edge. The corresponding edges of the ribbon inside and outside the sides of the box are now neatly se.wed together with an over-and-over stitch, except where the remaining ends of these short pieces of ribbosine are to be inserted — this being, however, left almost till the last. The cover is now overlaid with forget-me-not blossoms and their fine foliage, the leaves and flowers being detached from their stems wherever needful to permit of sew- ing them almost flatly. It is not difficult to do this but it takes care and patience to achieve the desired result. Having arranged the floral portion the loose ends of ribbo- sine are slipped into their places between the back of the box and its lining and securely fastened to form hinges. To the cover at the center of its front edge is fastened a piece of narrow ribbon, and to the edge of the box another. These two are tied together to close the cover, and upon each front corner of the box is fastened a pretty bow. What to do with it ? Well, the one we have described constitutes a most attractive ornament for a dressing case where it serves to hold some trifle of use or ornament, and even if it an- swered no practical purpose it is its own suffi- cient excuse for being. The one who devised it laughingly claims as her greatest talent the ability of being able to make pretty things out of scraps. That it is a pleasant one, no- body will deny. ^^^s^^Ij^SS^^ NeeDLs AND BH^s^- 75 Xs is /o /o Xq Xo X O (9 ii) X: CHAPTER IX. Ai'UsHg Designs for PatcFtwerk Qailts and Safa-Pillow. HE making of patch- work quilts, without losing its commend- able attributes of economy and utility, has gained in artis- tic possibilities, and effective designs are much appreciated. Those illustrated in this chapter are sure to be admired, as they Herring-bone Patchwork Quilt, and Diagram for Shaping Sections. Figure No. i, and Diagram A. — The patchwork quilt illustrated at this figure is made of black and orange calico and lined with light-blue. These colors are well calcu- lated to secure the gorgeous appearance admired in quilts of this kind, but any others preferred may be substituted for them. The shape of the sections is pictured at diagram FlC.UKK No. I. are very pretty and not too elaborate. Diagram A. Figure No. i and Diagram A. — Herring- bone Patchwork Quilt, and Diagram for Shaping SEctioNS. A, which also shows the correct size, no 76 NeeDLe and b^^S^. allowance being made for seams. The strips are joined as follows : Two pieces are placed at right angles with eacli other, the end of one being joined to one long side of the other near its end. After a number of parts have been connected in this way, they are joined together so that the angles fit in smoothly. The utmost care must be taken to have all the parts uniform. Figured goods in two colors may be used instead of plain, with good effect. Sometimes the pieces are basted over stiff paper and then top-sewed together ments of the sections pictured are shown at diagram F. For each oblong, ten sections like diagram A, two sections like diagram B, nine sections like diagram C, four sections like diagram D, and four sections like dia- gram E, will be required. The inner lines show where seams are to be made. The parts are to be arranged as shown at diagram F, and when properly placed will look as in diagram G. When the sec- tions are all joined, the rays are put in with lines of floss, which may be of Figure No. 2. — Sun-Burst Patchwork. to insure uniformity, the paper being removed when the parts are joined. Sun-Burst Patchwork, and Diagrams for Shap- ing and Arranging the Sections. Figure No. 2, and Diagrams A, B, C, D, K, F and G. — At Figure No. 2 the quilt is pictured made of black velvet and orange silk — a specially suitable combination. The cor- rect sizes and shapes of the sections are given at diagrams A, B, C, D and E, and half the size of the oblong and the proper arrange- contrasting color as shown at diagram G. When enough oblongs for the quilt are com- pleted they are joined together. Sometimes several colors will be introduced in an oblong, and the arrangement of colors and materials will be different in several sets of oblongs. Sofa-Pillow. Figure No. 3. — This handsome sofa-pillow is made of velvet and plush, applied in uni- formly shaped sections to a square of satin with a variety of pretty stitches in numerous nggDlg and gi^asH. 77 shades of silk tioss. The edges of the pillow the square forming one side of the pillow, and are bordered with heavy cord. The effect of also the diagram for obtaining the exact size 78 NeeDLG AND Bi^asH. and shape of the sections are illustrated at illustrates the Japanese effect in the peculiar Figures Nos. 4 and 5. management of its uniformly shaped pieces, Diagram F. Diagram G. Diagrams A, 15, C, D, E, F and C. — Shapes ano Arrangemknt of Sections for SuN-BiiRST Patch wuRK. Square of Patchwork for Top of Sofa-Pillow. and the mosaic or crazy effect in the brill- FiGURE No. 5. — This square of patchwork iancy of its coloring and the variety of its nggBlg iiND BHas^* 79 stitches. The sections are all shaped exactly or silk, so that the points fit perfectly in the like the diagram shown at Figure No, 4, which angles, and the contrasting background is Figure No. 4. — Diac.ram for Shaping Sections of Patchwork for Sofa-Pillow. is of the correct size. They are then visible in triangles between the sections, arranged upon a square section of bright satin Every variety of known fancy stitch is used in 8o NeeDLG AND BH^SH. applying and embellishing the sections, and ting velvet or plush, it is best to cover the also in decorating the triangular spaces. back with a thin layer of niucilaoe, shellac Velvet and plush for the sections, and satin white of egg, or some other gummy sub- FiGUKE ^.o. 5. — Square of Patchwurk i-ur Top of Sofa-Pillow. for the background, make a handsome combi- stance, and allow it to dry well. This pre- nation. Velvet, plush or silk in contrasting vents the material from fraying and keeps the shades also results beautifully. Before cut- sections in proper shape. ^ [X: St * 5CX ^^ A \. X X XX X X . 40, Sfi NeeDLG AND 5I^tl$H. 8i CHAPTER X. TENNIS-RACKET" (l0¥ER. ^IJ HE construction and decoration iv^w' of tennis-racket covers sup- plies pretty and interesting occupation to ladies who play, or whose friends enjoy the game. That these covers may be made things of beauty as well as use is undebatable, but the shaped ; that found, neatness of execution in putting the parts together and in the decora- tion is all that is needed to achieve perfect success. Linen, felt, cloth, flannel, pongee, plush, crash, etc., are used for the covers, and the initials of the owner are painted or solidly Figure No. i. — Tennis-Racket Cover. first and all important requirement is a suit- worked, or outlined in Kensington stitch on able pattern by which they may be perfectly the front, while a large floral or other decora- 82 NeeDLG AND 5I^tL$Ho tion elaborates the back. This design may be painted, embroidered or en applique. In- stead of flowers the insignia of the club or some original design may be used, if pre- ferred ; and the initials or monogram may be in metal. Dark colors are favored, but any preferred color may be used; and original effects may be achieved in color and decora- tion. The cover pictured shows only one of the many beautiful results that may be achieved, and for those wishing to produce the across the edge of the lap, and the initial let- ters are worked in solid embroidery. The out- lines for the letters are shown at Figure No. 2. The handsome spray decorating the back is also done in solid embroidery in colors im- itating Nature and is very realistic-looking. The correct size of the spray is given at figure No. 3 on the following page. Initial Letters for Racket-Cover. Figure No. 2. — These letters are the proper P^iGUKK No. 2. — Initial Letters fur RACKEr-CovER. same effect the correct sizes of the initial letters used and the floral decoration are re- presented. Tennis-Racket Cover. Figure No. i. — Cloth in one of the new green shades was used in making this racket- cover, wliich is shaped by pattern No. 15 10, price 5d. or 10 cents. It is perfect in shape and is closed at the center of its lap with rib- bon ties. A row of fancy stitching is made size for the racket-cover, and may be outlined or worked solidly, as preferred. They may also be used to decorate other articles. Spray for Decorating Racket-Cover. Figure No, 3. — This beautiful spray of daisies may be done with outline stitch or in solid embroidery, as preferred ; but to be effective the natural colors should be chosen. NeeDL© AND BR^S^- 84 NeeDLe and 51^(15^. Embroidery Designs. Bargarran cotton or with crewels, linen or Figures Nos. 4 and 5. — The balls and silk. The exact outlines are readily repro- rackets illustrated .n these engravings are sim- duced by any one who has a correct eye, and Figure No. 4. ?'1(;l'k1'; X (). 5. pie but eflfective garnitures tor a racket-cover. they may be traced by those who do not care They may be done in outline stitch with to rely upon keeping them in mind. NGSDLG ilND gl^tlSM. S5 P^ffl ^IsM^lMMM CHAPTER XI. j^ FariGY B00k-(Le¥er, and Gases f'Qr Books and Engravings. XQUISITE bindings soon become ruins if they are not protected from the rays of the sun and "^W'^ from the dust. Not all the care in the world will preserve a book exposed to these evils, unless it is covered ; and as the owner is loath to hide the beauty under a muslin or paper cover, so artistic taste comes to her help and devises ual taste may govern the materials emploved or the designs wrought upon them, so that a fine field offers for the woman with ideas. Bible, with Cover. Figure No. i. — This illustration shows the bible in its cover, carefully closed and pre- served. The outside is of royal purple vel- vet, the monogram in old-gold and scarlet, and the ribbons of Ottoman, which is soft and Figure Nu. i. — Biisle, wjtu Cover. just what is needed. The family bible, ties easily. Silk, satin or cloth may be used the photograph album or, indeed, any book for such a cover, and myrtle, bronze, cardinal of value, may be enclosed in a cover like and dark blue would be suitable tints for the one represented, and with a little care other books. Purple, however, seems the a fine effect may be produced. Individ- most proper to use for any book of a religious 86 NeeDLG ilND B^^S"- character, as it is so essentially an ecclesiasti- cal color. Book-Cover Opened. Figure No. 2. — As will be seen by this engraving, the cover is very easily made. It is cut the size desired in one piece, lined with quilted satin of the same shade, and has rib- bon ends which are only employed when the book is closed and the cover fastened. The quilting is done in the familiar "diamond " design and a smgle sheet of wadding is added Monogram, in Full Size. Figure No. 3. — The sacred monogram I. H. S., signifying y^x?^.? Hominum Salvator — i. e., Jesus, Saviour of Mankind — is here rep- resented as suitable for a bible cover. It is worked in the satin stitch, with silk floss of bright gold and cardinal shades, which con- trast well with the royal purple background. On other books, or even on a bible, mono- grams of the owner or giver are in good taste. If the workwoman understands how to handle Figure No. 2.— Book-Cover, Opened. as lining, which tends to keep the book from being scratched. Any more elaborate quilt- ing pattern is admissible ; but, as this style may be bought already quilted at the shops, it is oftenest seen. The lining and outside por- tion are bound together with satin ribbon, which is of the old-gold shade noticeable in the monogram. Care should be taken that a sufificiently wide seam is allowed, or the edges will soon obtrude and present a very ugly appearance ; there being no decorative result coming from poor work. brush and pigment, she may paint instead of embroidering the monogram desired, though it is well to yemember that one may take out a mistake that is embroidered, while one that is painted is irreparable. Embroidered Inscription. Figure No. 4. — The inscription illustrated will doubtless be preferred by some to the monogram, even though it represents a greater amount of labor. For a purple back- ground, it is done in the deep shades of crim- NSeDLS AND SH^S^' 87 son and the light ones of yellow, artistically and will have no trouble in following them, combined. Silk floss or even arrasene may The outlines are embroidered in satin stitch, be used for this purpose, and a rich effect will the close dark spaces in the well-known darn- FiGURE No. 3.— Monogram, in Full Size. be produced. As the letters are shown in ing stitch, and the other spaces by crossed their full size, any one who embroiders even threads of floss or silk held at the crossings just a little, can very easily see the details by knots or beads. 88 NeeDLG ilND BR'^S"- FuiURE No. 4. — EMBROIDliREU. NeeDLG -rkQ 5h^$h. 89 Table Book-Case. P'iGURE No. 5. — This useful bookholder may be easily made at home. The frame is of wood, and may be purchased ready for decoration, if desired. It is covered on one side with silk and on the other with velvet, the bottom or floor portion being usually covered Book Satchel and Diagram for Same. Figures Nos. 6 and 7, — These two en- gravings present a neat satchel for a school- girl, and a diagram showing its shape when open. Canvas, an interlining of pasteboard, a lining of stout muslin, and a pair of handles are necessary in constructing it, with ribbon Figure No. 5 — TAbUi Book-Case. Figures Nos. 6 and 7. — Book Satchel, and Dia(;raiM for Same. alike on both sides. The balls may be of as a finish. The word " Books " may be em- gilt, silver or wood, and are sold ready for broidered on one side, and the name, initials use. The velvet on the upright portions is or monogram of the owner on the opposite decorated with a beautiful embroidery design, side. The lining, interlining and outside are for which applique or painting may be substi- bound together with ribbon, and a handle is tuted, if preferred. fastened at each end at the perforations 9° NeeDLS ANl:) BHtis^. under ribbon bows. Ties of ribbon are also shape the sections are to be cut may be ob- fastened to each side to hold the books in tained by referring to Figure No. 9, which place ; but an end-piece may be used in place shows the case open, with its overlapping side of the ties, if preferred. Any other material edges tied in place by ribbons. The sewing may be used for the outside, from gingham to should be neatly done and the edges accu- kid ; the selection depending on circum- rately cut. At Figure No. 8 a view of the stances. case as it appears when closed may be seen, Figure No. 8. — Case for Engravings, Closed. Case for Engravings. Figures Nos. 8 and 9. — These two en- gravings present views of an article that is as useful as it is decorative, and is a neces- sity wherever cultivated tastes indulge in the collection of engravings or piiotogravures. Plush, kid, velvet, satin, leather or any fabric adapted to such uses may be chosen for the outside, and the lining may be quilted silk or satin, chamois or sateen, A good idea of the the word " Engravings " being worked on one side. Upon a case of ecj-u linen this word might be etched with ]5en and ink, upon leather, satin or plush, it might be painted and the ornamental effect might be en- hanced by entwining it with roses or foliage. Personal taste is sole arbiter in this matter and often suggests ornamen- tation in harmony with the collector's special preferences in the way of pictures. She who NeeDLG -RNB gi^Q^H. 91 admires natural scenery will find an apt quo- presentments of great musicians often in- tation to inscribe upon the case which pro- scribes upon the case a few bars from some ,^, ^^^^L...u2^fe^...:^>^!Js^ Figure No. 9. — Case for Engravings., Upeneu. tects her favorite views, while the musician famous composer's work, or perhaps transfers who delights to gather about her counterfeit thereto her impression of some queen of song. 92 NSeDLG AND BP^aSH. !<>^v.v^xx XX (; g .) XX xx^ xx<:^ | Sliii]gs tl^at are Tl^rowii Jlway. Among them are a variety of baskets vary- ing in size and shape from the clumpy, under- sized strawberry-basket to the more generous one capable of holding two or three dozens of eo-fs. They are all rather frail in construc- tion (that is, those which the marketman leaves his goods in), but they are quite strong enough to answer a variety of purposes. A strawberry-basket held under running water and scrubbed lightly with a brush may be freed from fruit stains, if it have any, but very often a basket free from stain is obtained when the early fruit is purchased. Having received whatever freshening it requires, paint the outside with blue, white or pink enamel or with any of the metallic paints, applying the latter with their own special medium or with French glue or thin white mucilage. Line it with Silesia, sateen, India silk or any similar material and its manifold uses will at once suggest themselves. If it is at all uneven or ragged about the top sew on a puffing of the lining material. Should a handle be essential to its usefulness fasten a splint upright to each side and through the tops of these uprights run a ribbon matching the lining, tying its ends in a bow. A little forethought will enable any one who takes pleasure in adding dainty and useful articles to their surroundings to use advan- tageously many trifies which to the unthinking have no value. Enamel may be bought in pound cans and applied by anybody who can handle a brush. 1)i)a ^^iipi^S^ NeeDLG AND 5I^tl$H. 93 ;•«•£>: CHAPTER XII. DEGGRA^TED EASEL IGURE No. I.— Such easels may be purchased at any furniture ware- house. The one here pictured is of gilt and ebony. The lambrequin can be easily made, and loving fingers are always ready for work that beautifies the home. This lambrequin is of olive cloth and is very elaborately garnitured with artistically arranged sprays of luscious- looking grapes and full, short tassels. The lower edge is cut in alternating deep and short points, from each of which depends a tassel. In each short point is applied an arrow-head of garnet velvet, and the rest of the rich garniture consists of the grape-sprays mentioned. The method of making the sprays is illustrated and described at Figures Nos. 2 and 3. Plush, velvet or any lambre- quin fabric may be selected, and may be of any preferred color ; and the tassels may be as handsome as desired. Spray of Grapes, and Method of Making the Grapes. Figures Nos. 2 and 3. — The bunch of luscious fruit shown at Figure No. 3, with its knotty branch and handsome leaf, is effect- ively used in decorating the lambrequin on the easel pictured at Figure No. i. The leaf and branch are embroidered with arrasene in South-Kensington stitch, but the fruit itself is made as shown by Figme No. 2. Take a piece of silk, satin or Surah, cut out the shape of an English shilling or an American twenty-five-cent piece, and over-stitch the circular portion along the edges as shown by Figure No. 2. Draw the thread together tightly, stuffing the bag thus formed loosely with cotton. This forms a grape. In apply- ing the grapes, they are pressed slightly fiat and slip-stitched on. They should be bunched as nearly as possible like the natural bunches, and may represent any variety of grape. The leaf and stem should, of course, be of natural tints, and it is not impossible to have the similitude extend to the fruit if care be ex- ercised in the choice of colors. Such sprays may be grouped or arranged in vine or other designs, with handsome effect, on all kinds of lambrequins, table scarfs and covers, etc. Hand painting or embroidery may, if pre- ferred, take the place of the decoration de- scribed. 94 KeeDLG AND 5I^tl$H. Easels of this, or any other shape pre- driven in to develop some artistic arrange- ferred made of unfinished wood, may be ment and ihe effect is especially attractive, purchased and covered with plush' or velours, The brass-nail work is easily done by femi- Fu;uRE No. I. — Easel Decorated. the covering being held in place with short, nine hands and is very fascinating. The fancy brass-headed nails. Similar nails are tacks or nails may be purchased by the NSeDLS AND gl^tlSH. 95 dozen, ounce or gross for a moderate sum and judge how much force is necessary to send the shape of the article to be ornamented each nail into the wood with one blow. Fk;ijrk .\( FlGUKK 2SO. Figures Nos. 2 and 3.— Spray of Grapes, and Method of Making the Grapes. usually suggests appropriate designs. A Repeated hammering is apt to decapitate little practice will enable a novice to them. — LrLruiixi' 96 nggbls -kkb bH^S^- C5) (o)m m ^ X ii >i >< ^ ' «®©S9©®^@©1©^ ,X v^ vr v/ -X v./' X- ,v>( .v>i.-)v>(^^S^ ■".j •^ ^\ yx X ^ V X '^'* ^'^ ^^ ^ Ix X > she cannot afford expensive pictures to hang upon them, because .^he knows that in- genuity and good taste some- times produce more effective results than a large outlay of money. Pretty banners and panels which may be hung where they will illuminate a sombre tone or refine a too bril- liant effect in coloring; screens and number- less other fancy articles may be fashioned by any lady who embroiders or paints, sews neatly and once in a while drives a few tacks, and several very attractive specimens are illustrated in this chapter. The plain calendar of some time ago has grown into a beautiful bit of decorative art and may be made to accord with the most elegant surroundings. All sorts of odd con- ceits are seen in it, and the more unique the more are they valued. Individual fancy may be fully indulged in the selection of colors and materials for them. Fancy ribbons very often cover the foundations, and if these ribbons show a decided pattern it may be followed with tinsel thread, which achieves a gorgeous effect. Cord or narrow ribbons may be bunched in profusion upon them, but the disposition should be artistic. As a gift to a friend of either sex the calendar is much favored. Calendar Panel. FiGt'KE No. I. — This beautiful panel is cut out of thick cardboard and snioothh" covered with corded silk. Sprays of blooms and their foliage are painted on it in oils or water colors, and just above the sprays a small cal- endar is invisibly fastened. Near the upper corners bunches of loops and ends of ribbon are tacked, and from them extend tw-o ribbons that are used to suspend the panel. The colors of the ribbon and silk may be chosen to please the fancy, and the two may be alike or different, as preferred. The sprays may be embroidered, painted or applied, with good effect. Sometimes plush, velvet or satin will be used to cover the panel. Banner-Screen. FiciUKE No. 2. — This beautiful screen is made of a handsome piece of Ottoman silk 98 NeeDLs AND gi^a$H. on which are applied with gilt thread the golden buttercup in satin and its pretty green leaves in velvet. The veining is done with green silk. A row of gold cord borders the edges of the banner and is arranged in a trio of short loops at the upper corners and in long loops and ends at the lower corners, the ends being tipped with gold-colored pompons. with silk on the other, and edged all round with silk cord of the same or a contrastino- shade. Through one corner is drawn a loop of cord that serves to suspend the square, and the opposite corner is rolled over so as to deepl)' reverse the lower part of the square, making a compartment for the reception of pencils, pens, etc. At either side of the roll Figure No. i. — Calendar Tanel. Such screens may be developed in any colors, and the decoration may be fiowers and leaves of any variety cut from velvet, silk or satin. If preferred, the design may be done in Ken- sington embroidery. Ornamental Calendar. Figure No. 3. — A unique style of calendar is here illustrated. A square of cardboard forms the foundation, which is covered smoothly with plush or velvet on one side and is fastened a silk cord which is carried for- ward diagonally and tied in a bunch of loops and two ends some distance below, the ends being tipped with tassels. A bunch of loops and two ends of cord are also fastened where each cord starts from, the ends also being- tipped with tassels. Above the roll a grace- ful rose-spray is hand-painted, embroidered or appliqueed. The calendar is fastened under- neath to the bottom of the roll from which it depends. NeeDLS AND snasH. 99 Pocket-Pane:. appliquees. Very artistically made bows of FicURE No 4 -A Japanese screen forms ribbon are fastened to the ends of the cres- the back of this unique wall-pocket, and to cent, and thick silk cord is used to suspend its lower part are fastened two rows of long. the pocket, being passed through rings fast- fluffy tassels, the tassels in the upper row fall- ened at the upper corners of the screen and FuuRE No. 2.— Banner-Screen. i„„ between those in the lower row. The tied very effectively. Ribbons n,ay be used front of the pocket is formed of a crescent- to suspend the pocl