[Ij^opyright. I892,byl1a»t?ld T^oofb^ THE DEACON AN ORIGINAL COMEDY DRAMA IN FIVE ACTS HORACE C. DALE Author's Edition, With the Cast of the Characters, Synopsis of Incidents, Time of Representation, De- scription OF the Costumes, Scene and Property Plots, Sides of Entrance and Exit, Relative Positions of the Performers, Explanation of the Stage Directions, and all of THE Stage Business. Copyright, 1892, by Horace C. Dale. All rights reserved. NEW YORK HAROLD ROORBACH ' PUBLISHER V: \t Note. — The acting rights of this play are expressly reserved by the author. Threatrical Managers wishing to produce it should apply to the author in care of the publisher. Amateur representation may be made without such application and without charge. THE DEACON. CAST OF CHARACTERS. Grand Opera House, Reading, Pa., Dec. ibtJi hnd ijlh, 1886. {Mrs. Thornton'' s brother-in-law, '\ with a passion for lejnonade \ William "Ward. zvith a stick in it, ) George Graef, Mrs. Thor7iton's nephew, Geo, W. Endy. George Darrah, alias Matt Wheeler, Jas. I. Foos. James Reed, a friend of Darrah'' s, H, C. Lewis. Pedro, an organ grinder, Sam'l Bechtel. Parson Brownlow, W. H. Wilson. Pete, Mrs. Thortiton''s servant, H. W. Button. Billy, the Deacon'' s boy, Sam'l Wolfskell. Mrs. Thornton, Agnes Jameson. Helen, her daughter, Claribel Lewis. Miss Amelia Fawcett, Mrs. Thornton's maiden sister, . Minnie Riffert. Mrs. Darrah, George Darrah's tvife, Ida Radcliffe. Nellie, her child, Lizzie Rivers. Daisy, Mrs. Thornton'' s servant, Annie C, Fisher. Violinist, Policeman, Villagers, etc., by the Company. Time of Representation. — Two Hours and a Half. Time, the present. Locality, Eastville.Va. Note. — Officer, in Act I, Pedro and Parson Brownlow can be doubled and played by Reed. Officer in Act IV, by Violinist. , IDS'2SID'^ THE DEACON. SYNOPSIS OF INCIDENTS. Act I. Scene, Eastville Hotel garden. The Robbeiy. — Pete delivers an invitation. — "By golly, he's mad already." — Meeting of Graef and Wheeler. — " I'm no coward ; I'll either live dow^n the stigma attached to it, or die in the attempt." — A promised reward. — The Deacon's arrival. — " I'm a gentleman, sir," — " Be sure to put a little stick in it." — The Deacon gets hilarious. — Pete imposes upon Billy. — Tlie Deacon is sick, — " Oh, my head, my head! " — Triumph No, i. — Curtain. Act II, Scene, Mrs. Thornton's sitting-room. Pete promotes himself. — " I spruced up to do de honors ob de 'casion," — Miss Amelia is anxious about her dear little pet. — " Ze dog or ze money." — " Horrid men, but dear doggy woggy." — The Deacon's reception. — The Deacon makes a mistake. — " Everything lovely admires me." — " Were you and Bill mar- ried by candle light ? " — " Deacon, you are drunk ! " — Miss Amelia pre- scribes for the Deacon. — Triumph No. 2. — Curtain. Act III. Scene i. A street. Mother and child. — " Mamma, will we never reach papa's house ? " — The meeting of husband and wife. — " What, you here ! " — Accused of many bitter things. — Left in the streets. Scene 2. George Graef 's lodgings. Graef meditates. — The finding of the diamonds. — Meeting of Graef and Mrs. Darrah. — " Minnie, is this you ? " — " Welcome little coz." — The photo. — " Yes, alas, too well ! " Scene j. A street. Pete has a dream and persuades Billy to accom- pany him on an expedition. Scene 4. A wood. The treasure hunters. — " Oh, Lor', I'm dead ! " — ** Let's go home and get the mules." — The treasure is found. — Caught by the spirits. — Tableau. Curtain. Act IV. — Scene, Mrs, Thornton's sitting-room. Daisy shows Pete what she would do. — Miss Amelia's heart is in a flutter. — " I know I'll refuse him." — Pete at his old tricks. — " Then kiss me," — Consternation. — Pete continues his tricks. — " 'Tis he, by Jerusalem ! " — The Deacon taken by surprise. — More consternation. — " I was insulted by a colored woman," — Billy creates some excitement, — " Thank heaven, at last I en- fold thee ! " Curtain. Act V, Scene, Mrs. Thornton's sitting-room. The Deacon in clover. — An interruption. — "Hang the Parson!" — The interrupted marriage ceremony- — " That man has a wife living." — " 'Tis false ! " — An attack. — Pete to the rescue. — " No, it is a forgery." — The villain foiled. — Arrest of George Darrah. — Reinstatement of Graef. — Refusal of a hand. — The Deacon is obstinate. — " I can't help it, Minnie, I mean it." — Mrs. Darrah and Nellie forgiven. — " Oh, Deacon, don't be so silly." — The Deacon made happy. Curtain. COSTUMES. Mrs. Thornton. — Act II, Light tasteful morning dress, with head dress. Act IV, House dress with apron. Act V. Elegant silk dress. Slightly gray-mixed wig. 4 THE DEACON, Helen. — Act II. Street dress, with hat, gloves, etc. Act IV. House dress and apron. Act V. Bridal dress with train, orange blossoms, veil, gloves, etc. Miss Amelia. — Act II. Either a very plain or very flashy dress; eye- glasses dangling from cord ; regulation spinster curls, gray. Act IV. Dress to suit taste. Act V. Elaborate get-up for the occasion. Mrs. Darrah. — Acts III and V. Dark dress, bonnet, gloves, etc. Nellie. — Acts III and V. Dark dress to suit taste, hat, etc. Daisy. — Act I. Tasteful maid's dress and hat. Act II. Same, minus hat. Act IV, 1st entrance, same with dusting cap. 2nd, 3rd and 4th entrances, same, with apron, minus cap. Deacon. — Acts I, II and IV. Old-fashioned-cut pantaloons, dotted vest, old-fashioned easy fitting coat; ditto shirt collar; broad brimmed, light felt hat ; square watch fob dangling from watch pocket ; square glass spectacles ; white bald wig and white throat whiskers. Act V. Old-fashioned dark cloth suit ; rose on lapel of coat. George Graef, — Acts I and III. Dark cutaway suit. Straw hat. Act V. Prince Albert dress coat ; light trousers. Dark dress wig and moustache. Geo. Darrah.— Acts I and III. Dark cutaway suit. Silk hat. Acts II and V. Prince Albert dress coat and pants. Black dress wig and moustache throughout. Billy. — Acts I, II and III. Long white stockings ; light broad plaid pants, cut short below the knees ; pleated shirt waist ; loose fitting linen jacket ; low-crowned, narrow-brimmed light hat. Act IV. Same with night gown thrown over. Act V. Same, minus coat. Light flaxen fright wig. Pete. — Act I. Linen suit, straw hat. Act II. Black pants, white vest, smoking jacket, low-cut patent leather shoes, white shirt, standing collar, white tie and cuffs. Act III. Same as Act I, minus hat. Act IV, ist entrance, same. 2nd entrance, see description; ditto, 3rd entrance; 4th entrance, same as 1st entrance. Curly negro wig throughout. Parson Brownlow.— Ministerial suit, coat buttoned up to chin, long black curly wig, black side whiskers and moustache. Pedro. — Make-up to represent organ-grinder. Villagers. Modern costumes, straw hats. FiDO. — Red flannel jacket, small straw hat with ribbon streamers. Collar with light chain attached. PROPERTY PLOT. Act I. Newspaper. Note for Pete. Green umbrella and pocket-book con- taining check for Deacon. White powder for Wheeler. Pitcher of lemonade, salver, I empty glass and one filled with soda water. Carpet bag. Placard with " Pinch me " on it for Billy. Police star. Violin. THE DEACON. Act II. Books and flowers. Cigar for Pete. Dog dressed to represent monkey. Small hand organ for Pedro. Pin for Pete. Purse and money for Mrs. Thornton. Act III. Bank-note and pocket-book for Wheeler. Books and papers. Candle lighted. Pitcher of water and glasses. Small pasteboard box for Pete. Photo for Mrs, Darrah. Lighted lantern, spade and flask for Pete and Billy. Leaves. Small wooden box containing iron pot, covered with tan bark to represent mound. Iron chains. Gun loaded. Bass drum for thunder. " Flash box " for lightning. 3 sheets for " spooks." Red fire. Act IV. Dust pan and brush, broom and bits of paper. Linen suit, spectacles, wig and whiskers, similar to Deacon's, for Pete. Dress and wig, simi- lar to Amelia's, for Pete. Flour and dough for Daisy. Bandages for Billy. Act V. Large butcher knife for Pete. Prayer-book for Parson. Small pasteboard box. Charm and note for Graef. Handcuffs for Officer. Large piece of molasses cake for Billy. SCENE PLOT. Act I. Scene. — Landscape in 4 g. Wicket fence crossing from R. 3 e. to l. 3 E. with practicable gate c. Set house R. 2 E. with practicable door and steps. Table and two chairs down L. c. Rustic settee up L. Green baize. Lights up. Time, morning. Act II. Scene. — Fancy chamber boxed in 3 c, backed with Landscape in 4 G. Double door c. in flat, open and hung with curtains. Door L. 2 E. Tables down r. and l. c. Sofa up l. Large rocking chair R. near 2 E. Chairs around sides. Medallion carpet. Lights up. Time, morning. THE DEACON. Act III. Scene i. — Street in i g. Practicable door r. c. in flat. Scene 2. — Cottage interior in 3 g. Table R. c, with chair. Chairs around sides. Door l. 2 e. Scene 3. — Street in i g. Scene 4. — Woods in 4 g. Mound l. 3 e. Green baize down through- out Act. Lights low. Time, night. Acts IV and V. Scene.— Same as Act II. STAGE DIRECTIONS. The player is supposed to face the audience. R., means right ; L., left; C, centre; R. C, right of centre ; L. C, left of centre ; D. R. C, in F., door right of centre in flat or back scene ; D. C, door centre ; I K., first entrance ; 2 e., second entrance; r. U. e., right upper entrance ; L. U. E., left upper entrance ; i, 2, 3, or 4 g., first, second, third or fourth grooves ; UP, toward the back of the stage ; down, toward the audi- ence. R. R.C. C. L.C. THE DEACON ACT I. Scene: — Garden. EasiviHe Hotel. Set house R. 2 E., with prac- ticable door and steps. Wicket fence from R. 4 e. to L. 4 e., with practicable gate c. Rustic table and two chairs down L. c. Rustic settees up R. c. and l. c. As curtain rises Matt Wheeler is discovered seated at table l., with neivspa- per in hand, reading. Wheeler, [reading] Last evening a bold and daring robbery was committed at the residence of Mrs. Thornton. While she was serving her guests with refreshments, some one entered her dressing-room and removed from her jewel-case diamonds valued at a fabulous price, leaving in exchange perfect specimens of worthless glass imitations. Suspicion points strongly to George Graef, her nephew, as the guilty party. He was seen to enter Davis's pawn shop late last night, after the guests had left his aunt's residence, and pav/n something. One of the diamonds was recovered this morning from Davis's store, but he professed ignorance as to the name of the man who left it. Young Graef, though he strongly denies committing the theft, was compelled to leave his aunt's residence this morning. He has been very dissipated of late, drinking and gambling to excess, and it is thought that financial embarrassment tempted him to commit the crime, [lays paper on table) Poor fellow ! What an inglorious ending for v/hat might have been a brilliant career. Gilded youth, like the rest of common humanity, when it enters the arena against the sparkling cup, witty companions and fascinating games of chance, must finally succumb. Enter Pete, l. u. e. ; passes through gate. Pete, (bowing) Massa Wheeler, missus sends her best 'spects, an* quests de delight ob yo'r pleasure to dinner, sah. 8 THE DEACON. Wheeler. Requests the pleasure of my cojnpany, I suppose you mean. Pete. Yes, sah, I 'spects dat's what shemeant. [aside) One neb- ber knows what dese wimmin folks mean by what dey says, no- how. Wheeler. At what time do you dine? Pete, [looking at Wheeler a moment) Sah ? Wheeler. At what time do you eat dinner? Pete. When de rest git froo. Wheeler. What time do the rest usually " get through ? " Pete. I dunno. [laughs) Guess when dey gits tired ob eatin'. Wheeler. You impertinent black rascal ! What do you mean by answering me in that manner? Pete, [aside) By golly, he's mad already ! [aloud) Massa Wheeler, yo' knows jest as well as I do dat I was not sassin* yo'. Yo' axes me at what time I eats, an' I tole yo'. Yo' don't s'pose I eats wid de quality folks, does yo' ? Wheeler. I'd not be the least bit surprised if they were to al- low you. You have never been taught your true position, nor how to address a gentleman, Pete. I 'spects I knows how to 'dress dem when I meets 'em. Wheeler, [angrily) What's that ? Pete. Massa Wheeler, it 'pears mighty queer dat yo' an' I can't talk sociably for five minnits widout quarrelin'. I'se agwine to tell missus dat de next time she wants a note sent to you, dat she will hab to seek some oder 'vayance, for I won't take it, suah. Wheeler. So Mrs. Thornton sent me a note, did she? Pete. Ob course she did. Wheeler. Where is it ? Pete. In my pocket. Wheeler. Why did you not give it to me then, instead of at- tempting to deliver her message verbally? Pete. Kase yo' nebber axed me for it. Wheeler. Give it to me this instant, you black imp. (Pete^zV^j fiote ; Wheeler hastily reads it) Pete, [aside) It's mighty plain what kind ob company he 'soci- ates wid. 'Pears to me he's nebber learned how to 'dress gen'- men, eider. {j)ointsto self) Wheeler, [folding note) Give my compliments to Mrs. Thornton and tell her I shall be pleased to accept her kind invitation. Pete, (going) Yes, sah. An' I'll gib her a message or two dat yo' didn't send her. Wheeler, [angrily) What's that ? Off with you ! I shall in- form Mrs, Thornton of your insolence as soon as I see her. THE DEACON, 9 Pete. Don't worry yo'self. I'll see her 'fore yo' will, {laughs and ^^\Xy gate c. Goes l.) Wheeler, [angrily) Confound that piece of ebony ! He's enough to irritate a saint. He's been petted by the whole house- hold until he has become worse than a spoiled child. Just wait — {^Yr£Y. ?'e- appears softly at gateC, and listens) until Helen and I are married, and I'm his master. I'll teach that grinning jackan- apes his true position. {Vy.T'S. shakes his fist at Wheeler, and rims offi^., smiling) Why doesn't Daisy come .-^ I must regain posses- sion of that charm and note, otherwise I may have trouble in ac- counting for their presence wherever they may be. Hang my carelessness ! Enter Graef, r. u. e. ; passes through gate and goes down C. Wheeler. {adva7ices and playfully slaps Graef on left shoulder) Graef, old boy, how are you ? 1 was just thinking about you, and regretting that you had got yourself into trouble. Graef. To what do you refer ? Wheeler, [lightly) To that little affair at your aunt's house last night. Graef. Then you have heard about it? Wheeler. Why, of course. Graef. From whom? Wheeler. I saw a httle account of it in this morning's issue [pointing to paper on table) of the Sun. Graef. [surprised) What ! Has it already appeared in print ? [picks up pciper afid reads to himself while Wheeler is talking) Wheeler. Yes, but you need not mind that. All you have to do is to leave town for a few years. Go to some place where you are unknown, carve out a name and fortune for yourself, return here wealthy, and this trivial offence of yours will be condoned, at least, if you are not made a hero of. Graef. [excitedly , pointing to passage in article) That's not true. I was not "compelled to leave my aunt's residence." I left of my own free will. I could not remain there after I knew she thought I had committed the deed. Wheeler, [soothingly) Of course not ; never mind that article, it's not of much importance. No one believes sensational news- paper reports, anyhow. Graef. But that does me a gross injustice. Wheeler, Oh, pshaw, that's nothing. Let it go, and forget all about it. What do you intend doing wjth yourself now ? Graef. I intend to remain here, turn over a new leaf, make a man of myself, and live down this disgrace. Wheeler, [coolly) Better not. 10 THE DEACON. Graef. Why? Wheeler. Because you will not find it a comfortable existence. Persons who know you well, like myself, would pay no attention to the charge preferred against you, but Graef. Well? Wheeler. There are plenty of others who would, and your daily hfe would be beset by the harrassing knowledge of being sur- rounded by those who doubted your honesty. Graef. Let them doubt me if they will. The peace and tranquil- ity that innocence imparts to me will more than over-balance that. Wheeler. Have it as you will. But if you were to follow the ad- vice of a friend, you would do as I suggested, leave this town and that instantly. Graef. [siispiciously) You appear anxious to have me go. Wheeler. Oh, no ; not anxious in the sense you mean. I only wish to save you and your friends unnecessary pain. If you are short of funds, say so and I will advance you any reasonable sum you may require. Graef. [coldly] Thank you. I did not come here to beg assist- ance. I merely stopped to tell you that under existing circum- stances you will have to select some other groomsman ; I cannot officiate. Wheeler. I'm sorry, but as to selecting another, that's out of the question. It's too late. If you remain in town I presume you will be present at our marriage. Graef. No, that's impossible ! [goijij^] Wheeler. It's too bad, old boy ; but keep up your spirits. You had better think over my suggestion. Graef. [at gale) Once for all, Wheeler, I tell you, I'll never do it, I'm no coward. Here in this town I was born and raised, and here I'll remain and redeem my character. I'll either live down the stigma attached to it, or die in the attempt. Exit gale C. , and goes off R. Whesler. [wilh power) Curse it! Foiled again! But go he must, or I'll ruin him body and soul. I know his weaknesses, and I'll play upon them until he accomplishes my purpose, [bitterly) Oh, to get even with her father and relations has been my prayer for years, [goes to table L., and sits ; picks itp paper and pretends to read, but lays it aside as soon as Daisy coines forward) Enter Daisy l. u. e. ; opens gate c. and comes down, Wheeler. Ah, Daisy, is that you ? Daisy. Yes, sir. Wheeler. I thought you had forgotten the message I sent you. Daisy. No, sir, but I could not come any earlier, and I can only stay a moment now. We are very busy at home preparing for the THE DEACON. II Deacon's arrival. You know Mrs. Thornton expects him to-day. Wheeler. Yes, I was aware of it. How does Mrs. Thornton stand her loss .'' Daisy. Oh, she feels terribly about it, sir. She has forbidden Miss Helen, Pete and all of us ever to mention the subject to her. Just to think that Mr. George should be guilty of such a thing ! But then I don't believe he did do it ! Wheeler, {affecting surprise) Don't you? Well, I wish I could think so, too. You know he has been very wild of late. Daisy. 1 know he has ; but Mr. George would never do a mean thing like that. Wheeler, [doubtijtgly) I don't know. Daisy, [wanniy) Well, I do. But I must be going. What did you wish to see me about, sir ? Wheeler. Did you find a watch charm or note anywhere in your house this morning ? Daisy. No, sir. Wheeler. I lost them somewhere last night, and I'm pretty sure it was in your house. They are of no use to anybody but me. I prize the charm solely because it was a present from my mother, and the note accompanied it. Now if you find them and return them to me as soon as you possibly can, I'll make you a present of a ten-dollar bill. Daisy. Oh, thank you, sir. I'll try my best to find them. Is that all ? I must hurry back home again. Wheeler. Yes, I believe so. Daisy. Be careful when you see Mrs. Thornton and don't say anything to her about her loss or Mr. George. Good morning, sir. Wheeler. All right, I won't. Good morning. (Exit Daisy, .r-v?/^ C. ; goes L. Wheeler walks to door steps i\. 2 e. ; stops and faces audience) If her search proves successful, that will be the easiest ten dollars she ever earned. But suppose it proves fruitless! What then ? I should be placed in a very unpleasant position. [thinks) Ah, well, it's time to worry when trouble overtakes one. I've often been more sorely pressed than I shall be by this little affair, and come out all right ; and I guess I can do it again if the emergency arises, [iitrns quickly and starts to enter house). Enter Read, r. u. e. Read, [at gate outside) Hist, Matt, are you alone? Wheeler. Yes. Read. Then get ready, for the Deacon is coming. Wheeler, [off steps , near gate) Where is he ? Read. Coming up the street, [pointing R.) about a square off. 12 THE DEACON. We missed the early stage, so there was no one to meet him I directed him here for information as to Mrs. Thornton's residence. Wheeler. Did you ride over with him in the stage t Read. Yes, there was no one in the stage with us except the Deacon's boy, Billy. ^ Wheeler, {disappointed) Has he a boy with him? That's bad Read. Yes, a dull, ignorant, country lout. But he'll not inter- fere with your plans, for I sent him around the square, and some ot the boys will be sure to detain him and have some fun with him. Wheeler. Did you have any trouble in getting the Deacon to trv your lemonade ? ^ Read, [laughing] Not a particle. He complained about the heat and the josthng of the stage making him feel sick and giddy ; so I pulled out my flask, told him I was subject to just su?h attacks while travelling, and that 1 always went prepared for such emer- gences, etc. After 1 assured him that the flask contained nothing but weak lemonade and a harmless ingredient togive it its peculiar color, he nearly emptied it for me. l '^tr tiol!!?^^^^'^* ^"^ ^°" ^"^'"^ ^°'"' lemonade according to my direc- ho!frfi; J^h""" m'^ ^'' ^' "°^J°^'y ^^'"^ drunk inside of a half houi. then I don t know my man. His tongue was beginning to Whl r p '5^' ^''^ '^'^' '^'^^ ^- ^- ^- ^' Wheeler speaks) Wheeler. Read, stop a moment. Try and find Walters and send him here mside of an hour will you ? vvaiceis. ana Read. You forget that Walters has not returned from Wheeler. Hush! Confound it, that's true. It takes him an If "% t off "^r^'^ '^^•"^- 1 ^^-'- -^•^^' I'll '-t?e 'd to it my" ^oes d?wn c) I l^H "''"' "^^'""K ^^"^^ ^^^°' ^^ ^^ ^' Wheeler unt iTTart'ln if ^^^^ P^'^^^o^s booty remain in it's hiding place "t r 4 ' he.-^^^^^''^'^'^•"f 'T' ^^^'' I'll t^l^^ 1^ ^l«"g ^vfth me. the Deacon Ho n S'TV' 'iV' '^- '^ '''^^') ^^'''^^ ^ ^'^'^ "^^'^e uie ueacon glonously drunk. Then ascertain if it be true tlnf he sa a doiu.s and, finally, send him to his sister-in-law's in a d.unken condmon. That will be triumph No. i. (.//"r.wj lordTtMs'hotd""''""'' «^-^. ./■.«« /^.../) Are you the land- THE DEACON. 13 Wheeler, [pleasantly') Well, no, not exactly. Deacon, {blandly) Of course not. Excuse me. .1 knevvyou weren't the moment I sot eyes on you. What did I understand you to say you were ? Wheeler. I'm a gentleman, sir. , t , w Deacon. Yes, of course you are. That s just what I thought you were I'm a gentleman, too. You wouldn't believe it, would you^ [laughs a?td clears throat) I'm a ^^/^«/;7 gentleman. I live over in Rockford county. Perhaps you have heard tell of me. I m Deacon Thornton. ,. , . 7,7 t^^, Wheeler, [in joyful surprise) Indeed! [rises and shakes Dea- con's hand warmly) Why, Deacon, I'm delighted to make your acquaintance, sir. Deacon smiles and appears pleased) W^^-xd of you sir? Why, you are known the state over as being the wealthiest and most liberal-hearted gentleman in Rockford county. Is it possible I have the honor of shaking hands with so noted a gentleman as Deacon Thornton ? Deacon, [appears slightly intoxicated) None other I assure you. Excuse me, but may I rest a few moments in that chair? [points to chair l. of table) I'll feel more sociable like. Wheeler Why, certainly, sir. [goes to chair, takes out haftd- kerchief a?id dusts it off. Helps seat the DEACON in it) You seem to be tired, sir. jr ur 7 ^^\ Deacon. Yes. I am, and warm, too. [fans himself with hat) You see, I've come over here to attend my niece's wedding, [ai?- riiMly) Say. do you know where Mrs. Thornton lives? Wheeler. Oh. yes, I'm well acquainted with the family, [takes seat R.) ,11^ Deacon. That's good. I'll get you to show me her house pres- ently. (Wheeler wrt;?z7^5/5 a desire, by half rising, to show him immediately) Not now, sit still. I'm not rested yet. You see. ve never met Mrs. Thornton. She's my sister-m-law. My brother Bill and I had a fall-out when we were young, and never made up afterward. She's Bill's widow. Helen's her daughter, my niece. She's going to be married day after to-morrow, [the Deacon talks rahidlv) Whew, but it's hot ! Wheeler. Yes. it is warm, [rising) Excuse me, but I never thought of it. Perhaps your long ride in the sun has made you thirsfy. too. Let me get you some lemonade. It will refresh ^"^Deacon. Well, yes, you may, if you will. (Wheeler starts for door L. 2 E.) Be sure [with a iviJtk) to put a little stick in it. [riib- bincr hands) It gives it /^;z^, you know , ,.. 7,.^^ Wheeler Ohf yes, I understand. ( IVinking and nodding head Deacon fans himself with hat, smiling aiid seeming well pleased. Wheeler, when he reaches steps, pauses, half turning toward 14 THE DEACON. audience, takes a whiie paper parcel from breast pocket and hold- ing it tip exclaims, aside) And I'll put something else in that will soon make your head swim. Exit through door. Enter Daisy hastily, l. u. e. ; passes through gate and goes down C Daisy. Oh, Mr. Wheeler, I forgot [petxieves Deacon) Oh! Deacon, [rising, appears a little ujisteady. Gazes adiniringly at Daisy. Speaks to audience) Blast, my buttons! Ain't she a daisy ? Daisy, [slightly advancing) Did you speak to me, sir? Deacon, [confused) No — yes, — that is — What's your name, my pretty miss? Daisy. Daisy Dean, sir. Deacon. Are you married? Daisy. No, sir. Deacon. Wouldn't you like to be? Daisy, [demurely) I — don't know, sir. Deacon, [to self ) I'll think the matter over, [aloud, coaxingly^ Won't you come and give me a kiss? Daisy, [looks at the Deacon a moment in amazement, then with emphasis) No, sir, I won't, [turning quickly zvith toss of head, she exits at gate, closes it, looks a mome7it at Deacon, who folloivs her retreating form with open-mouthed astonishment, then quickly exits L. The Deacon gradually faces round to audience, with the look of wonderment still suffusing countenance) Deacon. Well, it's plain she was not particularly smitten with me. [resumes seat) Enter Wheeler, door 2 e. l., with pitcher, one empty glass, and another glass filled zvith soda-water. Goes to table and places pitcher and empty glass upoii it. Wheeler, [filling glass) Here we are, with a drink like the nec- tar the gods used to brew, [handing Deacon glass) I can re- commend it, for I helped to make it. Deacon. You will not object if I take off my coat, will you ! It's so warm, [removing coat. Wheeler takes it and hangs it over back of his chair. 'Deacon empties glass) Wheeler. Certainly not ; make yourself at home. [/Refills Deacon's glass, and continues so to do as fast as the Deacon empties it. Sits and sips soda-water while talking. Invest this scene with as much 7iaturalness arid life as possible) Deacon. As I told you, my brother Bill and I never made up after our first quarrel, but I'm not going to allow that to stand against his widow and daughter. No, sir. [emphatically) I in- THE DEACON, I^ tend to do the handsome thing by Helen. She's going to marry a Mr. Wheeler. Perhaps you know him ? (Wheeler shakes head) No ? I'm sorry, for folks say he's a mighty fine gentleman, and rich, too. {abruptly') Do you know Amelia? ■Wheeler. Mrs. Thornton's sister? Deacon, [eagerly) Yes, do you know her? Wheeler. Oh, yes, very well. Deacon, [rubbing hands) Fine woman, isn't she? Wheeler. Indeed, she is. I don't know a lady whose opinion I respect more. Deacon, [slightly hilarious) Oh, she's bright ! Wheeler. And so amiable ? Deacon, [joyously) Ain't she kind • Wheeler. Yes, I think her the perfect pattern of a saint. Deacon. Oh, she's angelic, my boy, she's angelic. I'll tell you something, if you'll keep it a secret. I'm in love with Amelia. Wheeler. I'm not surprised at that, for I can't see how any- body can help loving her. Deacon. Yes, sir, I'm clean gone ; and I'll marry her, too, see if I don't. Wheeler. I hope that you may, with all my heart. Deacon. Say, I think that you are the nicest fellow I ever met — I do, indeed, — and you have got — to be my — groomsman. Don't say no — for I'll — not — listen — to — it — (head falls on folded arms restijig on table. Maudlin drunk) Wheeler. The drug is taking effect, [takes Deacon's coat fvm chair, searches pockets, finds large pocket-book, takes check from it and exaniines it) Here it is, drawn up and signed, [starts to put it in his oivn pocket) No, I won't, for it will soon be mine at any rate. [Replaces it ajid doubles up coat and lays it on table L. of Deacon) Wheeler, [calls) Deacon, Deacon. (Deacon rouses up zvith a start, brushes coat off l. upon floor with arm) I must leave you now to attend to some business. I will send some one to direct you to Mrs. Thornton's, [goes R. near door, Deacon protesting) Enter POLICEMAN L. u. e.; passes through gate. Wheeler walks down R. motioning Policeman to follow. Stands r. i e. Deacon. No, don't go. Don't. All right — I'll — get ready — [slowly rises, looks for coat. Does not notice Wheeler and Po- liceman) Never had so glorious a time — before — [places hand on head) Oh, — my — head! Where's — my — coat? [sees it on floor. Bis. of attempting to pick it up: finally falls in a heap be- side it. Picks it up and examines it ) Blast it, some — boy — been — fooling — with it — turned it inside out. [turns coat) I've — had l6 THE DEACON. — another — sun — stroke — wish — I — was — home — in — bed — I'm — sick — Wheeler, [to officer. Talks through scene) If you detain that man here for two hours, and then take him to Mrs. Thornton's residence, I will make it well worth your trouble. Will you do it? (Officer boivs head) Very well ; now go and assist him. (Officer goes to Deacon, who has coat turned inside out ajid one sleeve on. Officer tries to take it off, but the Deacon pro- tests and finally has his own way) A pretty plight for one's father-in-law to be in ! Perhaps if he knew me he would recon- sider the opinion he expressed about me a moment ago. [smiles) Enter BiLLY L. u. E, , with large carpet-bag, half cryiftg. Talks as he comes to gate. Pete follows him and beckons L. as though urging others to follow. Billy. Now leave me alone. Dog-gone your ugly pictures ! I didn't do nuffin to amongst you. [leajis on gate. Faces ii. C. Pete sneaks up and pinches him. Billy kicks and yells. Cries. Officer assisting Deacon to feet, sees Pete) Officer. Leave that boy alone, you black rascal, or I'll arrest you. Pete. Well, make him take in his sign, if he don't want de boys to hab any fun wid him. You can't scare me, ole fiddle strings, I knows yo'. {Office.k feints to start for him. Fetk pulls off hat and runs off L. u. E. ) Deacon, {authoritatively) Come here, Billy. [VtWJWi opens gate and goes doivn to Deacon, sniffliiig. Deacon looks steadily at him a moment) Enter three lads and lassies R. u. E., with violinist. Wheeler whistles to them softly as they reach gate and beckons for them to enter. They come in ; violinist goes up l., the rest R. Wheeler goes to them and makes a proposition, then exit door, r. 2 e. Deacon. Billy, you're drunk ! Now don't deny it. Aren't you ashamed of yourself, for disgracing me ? Now go to that seat [pointing up l.) and stay there until I'm ready to leave. (Billy goes to settee up L. and sits. Has large placard on back ivith the words " Pinch me " printed on it) One of the lads goes to the Violinist atid speaks to him, then returns R. Violinist starts playing ••/ Wont Go Home Till Morning.'' Villagers form set and commence dancing. Officer urges Deacon to become his partner. Deacon cojisents. Take position. After a few steps the Deacon evinces great gusto. Commences singing, seizes one of the lassies, shoves her partner THE DEACON. 1 7 into his position. Laddie becotnes angry, shows fight. Strikes the Deacon, who pulls up sleeves and stasis for his assailant. Gen- eral confusion. Officer arrests Laddie and starts toward gate with him. Deacon comes c, singing and dancing. As curtain falls, he suddenly clasps hands to head, exclaimi?ig : Deacon. Oh, my head, my head ! QUICK DROP. ACT 11. Scene. — Mrs. Thornton's sitting-room. Pete is seated on rock- ing-chair R. , with left leg dangling over arm ; has lighted cigar in R. hand and occasionally draws it. Is rocking attd softly singing " Gospel Train,'' as curtain rises. Enter Daisy l. 2 e. Pete springs quickly to feet and hides cigar under coat. Pete. Golly, but you scared me. I thought it was missus. [7'e- swnes former position, singi7ig a?id sjjtoking) Daisy. You can thank your lucky stars that you were mistaken. {amazed at Pete's attire') For goodness sake, what are you doing rigged out in Mr. George's clothes ? Pete. Why, yo' know missus 'spects her brudder-in-law, de Deacon, dis mawnin', an' some oder company fur dinner, an' as I'se de only male pusson in dis house now, I spruced up to do de honors ob de 'casion. Daisy. Honors of the occasion ! Why, what do you mean? Pete. When people hab parties an' 'ceptions don't dey always hab somebody to do de 'ceivin' ? Daisy. Of course they do, but you are not such a great goose as to suppose Mrs. Thornton will call upon a black booby hke you to meet her guests, are you? Pete, [rising hastily and assuming a threatening attitude) Black booby ? Don't yo' say that again ! [contemptuously) Nig- gahs always better than poor white trash. I 'spose yo' think if yo' was a man missus would call upon yo', but she'd nebber do dat while I was around, suah. [resumes seat) Daisy, [soothingly) There, there, Pete, I did not mean to hurt your feelings, but you get on your " high horse " so often and make yourself so ridiculous that one must say something to save you from being thrown and badly injured. 1 8 THE DEACON. Pete. Well, it's none ob yo'r bis'nis if dat hoss breaks my neck. Daisy. Very well, then, Pete, we will drop the subject. Now, I want to ask you something. Pete. It am no use, fo' I'll not answer yo'. Daisy. Yes, you will, for maybe there'll be some money in it for you. Pete, {eagerly) What am it ? Daisy. Did you find a watch charm or a packet of letters any- where in the house this morning? Pete, {sulkily) No, I didn't, and mighty little good would it do yo' if I did. {gently draws at cigar) Daisy. Mr. Wheeler lost a charm and some letters here last night, and he told me this morning that he would give me ten dol- lars if I found and returned them to him. Now, if you have found them I'll give you five dollars for them. Pete, {straightenijig up in chair) Let me see if I 'stand yo' right. Mr, Wheeler lost a charm an' some letters? Daisy. Yes. Pete. An' he offered ten dollars to hab dem returned ? Daisy. Yes. Pete. If I finds dem an' gibs dem to yd I'se to git five dol- lars? Daisy, Yes. Pete. An' if I gibs dem to him I gits ten dollars ! Daisy. Oh, no; he did not say that. He only offered to give itte the ten dollars. I offered you five for helping me find them. Pete, {looks at her a mometit) Oh, yes, I see. I'm sorry I can't help yo*. I'm not such a booby as I look. No, I did not find dem letters, {pauses a moment) But yo' needn't worry yo'self about looking for dem. {settles back in chair and gently draws cigar) Daisy, {angrily) You mean, horrid, black creature ! I believe you have found them and are going to try to get the whole ten dollars. Never mind, I'll tell Mr. Wheeler not to give you a red cent. Pete, {indifferetitly) I don't care if yo' do; yo'llbe none de bet- ter off anyhow. Miss Amelia, {off L.) Pete, Pete, where are you? (Pete springs quickly to feet, and hides cigar tmder coat with left ha7id. Daisy crosses to R. of Pete) Enter Miss Amelia l. 2 e. Miss A. {stops at L. c. ; speaks authoritatively) Pete, where is Fido ? THE DEACON. I9 Pete. I 'clar to goodness, Miss 'Melia, I don't know. Miss A. You do. You have done something to my dear little pet. I know you have, {notices smoke, elevates head, then looks at Pete) Who has been smoking in this room ? {removes her gaze from Pete, and looks around room overhead. Pete catches Daisy by arm with right hand) Pete, [aside) Don't tell on me, an' I'll help yo' to find dem let- ters, [aloud) I don't know. Miss 'Melia, guess it's de 'roma from de gem'men's Herbana's ob last night you smell. I don't notice it, do yo', Daisy? [aside) Say, no, quick, or I'm a gone goslin'. [quickly changes cigar to right hand, placifig left fingers in mouth, and making a wry face. Goes down R.) Miss A. I wish, Daisy, you would have the rooms properly aired after the horrid men leave. Now, Pete, I want you to go and bring Fido to me this instant. Pete, [quickly changing from one foot to the other, shakiiig and blowing his fingers, and keeping up his facial contortions) I tole yo' I didn't know whar he was. 1 ain't seen him since last night. [aside) Blame de cigar. Miss A. That's a falsehood, and you know it. [notices Pete's unrest) Wiiy, what is the matter with you ? Pete. I stuck a pin clar froo my finger. Miss A. You wicked boy, it serves you right for telling stories. Entar Helen, l. 2 e., with Fido. Helen. Oh, Auntie, I found Fido down town in this terrible plight, being dragged around by a nasty organ grinder. (Miss A. spri7tgs forward the instant she sees Fido ; tears the hat, jacket and collar off and throws them on floor : gathers him in her arms) Miss A. Oh, you dear, abused darling ! What a naughty wicked wretch of a man he must have been to treat my poor doggy woggy so shamefully ! Pete, [aside) Horrid man, but dear doggy woggy ! Helen. The horrid wretch at first refused to let me have him, but a policeman soon brought him to terms. Pete, [aside) I hope dat police will break his neck! [occasion- ally shakes and looks at his fingers) Helen. He followed me into^he house and insisted upon having either the dog or the money he paid for him. Pete, [aside, grinning) He needn't tackle dis child fo' de money, fer he done spent it. Miss A. [angrily) Pete, this is some of your work, and Pll see that you are justly punished for it. Pete. Miss' Melia, I 'clar 'fore all de world, I nebber harmed a hair ob dat dog. I 'spects Neff Jones done sold him, fo' I seed 20 THE DEACON, him only day artcr yesterday pintin' to him an' talkin' to some ob de boys, {scuffle heard ^ l. 2 e., and door pitshed violently opeii) Enter Pedro, l. 2 e., followed by Mrs. Thornton. Pedro, [enraged) I'll have ze dog or ze money ! (Miss A., Helen and Daisy scream and retreat up ^., and forjn a cohufin ; Miss A. back, with Fido /;/ her arms, Helen next and Daisy fro7it. Pete looks scared and slowly edges toward R. i E. ) Mrs. Thornton, [sternly] Pete, what is the meaning of this dis- graceful scene ? Pete. I dunno. (Pedro advances angrily toward Pete, who re- treats to extremity of stage) Pedro. Zer ze boy zat sold me ze dog. Pete. Yo' say dat ag'in an' I'll bust yo'r jaw for yo'. Pedro. Ze money — ze two dollars — I gave ze. Pete, [advancing) Lebe dis house at once, or I'll break yo'r head. ( picks up chair) Mrs. T. Put down that chair this instant, Pete. How dare you? Pete, [reluctajitly drops chair) He mustn't tell lies on me, den, or I'll do it, suah. Pedro, Ze money, ze money. Mrs. T. [taking purse from pocket, hands Pedro money) Now, be off with you. (Exit Pedro l. 2 e., muttering to himself indis- tinctly. Pete starts quickly across stage but is halted at C. ) Mrs. T. Where are you going, Pete ? Pete, To show him out. [aside) Wid de toe ob my boot. Mrs. T. Never mind, remain where you are. Some of the other servants can attend to him. Now, I wish you to know that my stock of patience is about exhausted. You have tiied me the past few months beyond endurance. If you don't turn over a new leaf and behave yourself like other people, I shall be obliged to trans- fer you to the care of someone who can manage you. (Helen removes hat and gloves and gives them to Daisy who exits l. 2 E.) Pete. I guess I knows to who yo*s 'ferrin' to, but he can't man- age me. [aside) An' he better not try, neider. Mrs. T. To whom do you think I was referring? Pete. Why, to dat Mr, Wheeler. Helen, Oh, mamma, I met Mr. Wheeler this morning, and he said Pete grossly insulted him in delivering the note you sent him just after breakfast. Pete. Dat's a whopper! [aside) He'll not git dem letters now. Mrs. T. Pete ? Pete. Well, it ain't true, so it ain't. THE DEACON, 21 Mrs. T. What did you say to him ? Pete. I didn't say nuffin'. Mrs. T, What did you do to him, then ? Pete. I didn't do nuffin', neider. I'll tell yo' all about it, mis- sus. Massa Wheeler sassed me in de fust place, called me a black niggah, an' said he' kill me, an' a lot ob bad things. An' den I tole him he was no gemman to talk like dat to a poor orphan cul- lud boy ; den he flared up an' frothed at de mouf, an' shook his fist at me, an' said right dar in public dat when he married Miss Helen, dat he'd teach me my true position. Miss A I How shocking! Mrs. T, [^indignantly) Did he really say that right out in pub- lic ? Pete. He did dat, sartin'. [aside] He's got hisself in a hornet's nest now, fo' suah. Let him blow on me ag'in. Helen. Mamma, I don't believe a word of it. Pete. Yo' don't eh? Yo' jest ax any ob dose fellers what was 'round, an' see if dey don't tell yo' de same thing, an' justify me in keepin' up de 'spectability ob our family. Helen. It's untrue, mamma. Pete made up every word of that story. Mrs. T. Helen, I cannot believe it possible that Mr. Wheeler would be guilty of such indiscretion. Pete. Dat'sde way. Nobody b' lie ves a word I say. I, too, is gittin' tired ob d\\a.\ with carpet-bag, Pete expostulating and trying to take it from him. Daisy statids near door l. 2 e. ; Mrs. T. tip c. ; Wheeler r. 2 E. ; Pete goes down l. with Billy ; appears disgusted. Deacon, {embracing a?id kissing Daisy) My dear, dear sister. I'm rejoiced to meet you. Mrs. T. {advancing quickly) Brother, brother, what are you do- ing ? That is my servant. Deacon, {releasing Daisy) Ah, I made a mistake. My eyesight is bad. Excuse me. {e?nb?'aces Mrs. T.) TilHe, I'm rt'c'hghted, most supremely blest to enfold — {quickly') to have the pleasure of folding — meeting you and caUing you sister. I'm most inexpressi- bly happy ! {releases her) Yet as I compare you two, {looking first at Daisy and then at Mrs. T.) I can't refrain from saying that I think j^«r eye for beauty far superior to my brother's. So she's your servant, is she ? {looking at Daisy admiri?igly) She's a beauty ! [to Daisy who stands smiling) Come, and let me kiss you again. Mrs. T. [expostulating) Brother, brother ! {to Daisy) Daisy, leave the room. (Exit Daisy l. 2 'e. , left hand over jnouth, giggling) Deacon, {in injured tone) Why, what has the poor girl done ? Mrs. T. Brother, my servants are not accustomed to have such liberties taken with them. Permit me to introduce you to Mr. Wheeler, Helen's affianced. Deacon, {shaking hands with Wheeler) I'm <^\. •^\\?iX d^^ note saiddey was — in de hollow ob dat big chestnut tree, [hands box /"(? George) But does yo' t'ink yo' ought to keep dem diamonds here? S'pose de folks finds out yo' is hidin' here, an' gits out a search warrant, an' comes here an' finds dem? Why, yo'd be a goner, suah. THE DEACON. 3 1 Graef. Never fear, Pete, I'll take good care that they won't be discovered. I can never thank you for what you have done for me. Pete. Nebber mind de t'anks, Massa George. When yo'sclared yo' name ob all 'spicion, an' can look honest men in de face hke de honest man yo' is — den dat will be t'anks enough for me. Graef. Did you find out who it was that pawned that diamond at Davis's ? Pete. No, sar, but it 'pears to me dat we don't need dat ev'- dence. We can make out a cl'ar case widout dat. Graef. [imising) Let me see. Helen's marriage takes place day after to-morrow, does it not ? Pete. Yes, sar. Graef. At ten o'clock? Pete. Dat's de time a'pinted — if de groom does not come up wantin*. Graef. Then you come to me here about eight o'clock in the morning. I'll try to have all my plans arranged by that time. Now, you had better leave me, for your absence may be ob- served. Pete. By golly, Massa George, if I didn't done gone an' clar forgot dat I left a lady an' her little gal standin' out dar on de landin'. [points l.) Graef. A lady and child out there ? Why, what do they want at this time of night ? Pete. Shelter an' rest, dat's what dey said. I brought dem. Dey am strangers. I found dem on de street, sick an' kinder faint- like. I wanted dem to go to de hotel, but dey kicked an' said dey didn't want folks starin' at 'em, so I brought 'em here to stay fo' de night. De landlady is out, so I tole dem to wait out dar 'till I axes yo' if dey might come in here an' stay until she comes home. Graef. But, Pete, think of the risk I run. Pete, [quickly) Oh, yo' needn't be 'fraid ob dem blowin*. Dey is quality folks, Graef. [laughing] On your recommendation, Pete, they may be admitted. Pete, [goes to the door and opens it) Come in, mum. Enter Mrs. D. ^;/^/ Nellie. Pete. Dis am Massa George. (George boivs) Mrs. D. Pardon me, sir, for presuming to intrude on your priv- acy, but I am not well and could not stand upon ceremony. . Graef. Apologies are unnecessary, madam, I am only too happy to place my humble room at your disposal. [Places chair c. near 32 THE DEACON. table. Mrs. D. sits. Pete takes Nellie's hand and leads hemp \.. to chair. Pete stajids beside her. Qj^ke^y goes to table, pours glass of water and returns to Mrs. D., offeringit) Peimit me to of- fer you a glass of water, perhaps it will do you good. I am sorry I have nothing more invigorating to offer. Mrs. D. Thank you, sir, you are very kind, [drinks. In return- ing glass looks up into Graef's/^^^, smili7ig faintly) A cup of cold water given in charity's name often becomes Graef. [interrrnpting her, grasps her by shoulder attd anxiously scans herfeatm-es) Minnie, is this you? Mrs. D. [startled) Yes, that is my name. But why do you ask? Graef. [eagerly) Don't you know me? Mrs. D. [coldly, shrinking away from him) No, sir, I think you are mistaken in the person. Graef. Why, I'm George Graef. Mrs. D. [joyously) My cousin — the one who played with me in my girlish days? Graef. None other, [they shake hands) How happy I am to see you. Mrs. D. Strange that I did not recognize you at first. Graef. Stranger it is that I should be so blind ; for you have changed but little since I last saw you — some eight years ago. Pete. By jiminy crickitees ! She's seme relation ob ours. Ps so glad, [rubs hands gleefully) Graef. [crosses to Nellie) And this is your httle daughter? Welcome, little coz. [shakes hands ; then retraces steps to ^iRS. D.'s side) But tell me, Minnie, what are you doing here ? We had beard nothing from you for over three years. (Pete talks silently •with Nellie, introducing any comicalities he deems necessary to amuse her, so that they do not interfere with the dialogue. He com- pletely absorbs Nellie's attention) Mrs. D. I came here in search of my husband. Graef. Your husband ? Mrs. D. Yes. You know father was bitterly opposed to our union, and after George found out that he had disinherited me for marrying against his wishes, he began to gamble and drink heav- ily. Reswore to be revenged upon every member of our family. Oh, what days and nights of torture I was obliged to endure ! Fi- nally one evening over two years ago he left me without a word of warning. Graef. Why did you not inform us of his actions ? We surely could have been of assistance to you. Mrs. D. I preferred bearing my sorrow and disgrace alone ; be- sides I needed no assistance, for the dowry settled upon me by my father when he closed his doors upon me, was ample to support Nellie and myself. THE DEACON. 33 Graef. Still, by our sympathy we might have alleviated your sufferings, which must have been intense. Mrs. D. They were— words fail to describe them. If I had been anything but a loving faithful wife they would not have been so hard to bear, {weeps) Graef. {consolingly) There, never mind. I hope there are brighter days in store for you. Are you aware that your father is in town ? Mrs. D. {alarmed) No. For mercy's sake don't let him see me. It would kill me in my present condition to meet his gaze now, af- ter the fulfilment of his prophecy in regard to George. Graef. I believe he never met your husband, did he? Mrs. D. No, we were married away from home. But he knew him by reputation, and warned me against him. None of my rel- atives ever met him. Wliere is my father.'* Graef, At Auntie Thornton's. He came on to attend Helen's wedding. But have no fear of seeing him, you are safe here. Mrs. D. {looking around room) But, George, what are you doing here ? I thought you made Auntie's house your home. Graef. {confused) Yes — I did once — but — Some other time I'll tell you my story. It would only distress you to hear it now. Tell me more about your husband. Have you never met or heard any- thing about him since he left you ? Mrs, D. Not until this evening. Graef. {surprised) This evening ! Why, what do you mean ? Mrs, D. That I both met him and heard him to-night ! Graef, Where did you meet him .-* Mrs, D, On the street. Graef. Impossible! For I know every creature in this town, Mrs, D. Perhaps you do not know him by his right name. If you know every creature in this town, tell me if you ever {takes photo- graph from pocket and hands it to Graef) met a man who resem- bled that ? He is my husband. Grasf, {takes photo ; starts) What! he your husband .-^ Mrs. D. He is. You know him then 1 Graef. Yes, alas, too well ! Pete. Massa George, yo' sartinly will hab to 'scuse me now, fo* I must be goin'. I hab a 'pintment wid Billy de Deacon's boy, I'se gwine to hab more fun wid him to-night dan a bushel basket would hold, {walks toward the door, but stops when George speaks to him) Graef, Very well ; don't forget 7ny appointment. But wait a moment, {walks across to him and hands him photo.) Do you know who that is? Pet;, {laughs) Yo' jest bet I does. But won't he look different 34 THE DEACON. when he has his head shaved, eh? [with a knowing wink. Exits. Graef crosses over to Mrs. D.'s side) Mrs. D. What did you mean a moment ago when you said you knew my husband " too well? " Graef. I cannot tell you now, the story is too long. How long do you intend to remain with us? Mrs.D. I return home in the morning. Graef. [quickfy) No, no; you must not. You 5//\\a.y throivs earth off l. 3 e.) Dat's good. Now, go at it right, shubble fast. (Billy strikes iron pot) Now, yo' struck it, suah. Work quick, [the second time spade strikes pot, a rattling of chains overhead is heard ) Hurry up, Billy, I'll go an' see if anybody is coming. [Viii.UY i^eaches down for pot. Pete starts toward R. 3 e. As he reaches c. a gun is fired fro? n r. 3 e. and Fete, with a groan, falls zvith head toward l. As gun is fired chains fall to stage off L. 3 E. 13 illy lifts large iron pot from earth as sound of giin is heard. He sees Pete fall and, throwing hat off, he picks up^pot with both haiids kicks spade aside, and, half bent, starts for R. 3 e. on a run. When near entrance, he is met by figure enveloped in a sheet. Screaming with fright lie retraces his steps and is met at l. 3 E. by another figure. Starting up C. a third figure arrests him. Screaming, he stands a moment bewildered. Figures close in arottnd /mn. Rushing to side of Pete, he drops pot and falls to knees, clasps hands, eyes roll, fright wig stands on end, lips work convulsively as itt prayer. Red lights from both sides.) SLOW DROP. THE DEACON. 37 ACT IV. Scene. — Mrs. Thornton's .F/Z/m^-rt^t';;/, same as Act II. As airiain rises Daisy is discovered c. with broom in left hand, poi7iti?i^ with right hand to small pile of bits of paper, dust, etc., on floor. Dust pan on floor. Pete down c. Daisy, Hold the dust pan ! Don't you hear what I say ? Pete, [^indifferently) Ob co'rse, I do. I'se not deaf. Daisy, [stamping foot) Then do what I tell you. (Pete nmkes grimaces at her) Don't you intend to do it ? Pet2. No, do it yo'self. Yo'r not my boss. Daisy, [seizing dust pan and brushijig paper, etc., into it vigor- ously) It's well Vor you I'm not! Pete, [tantalisingly) What does yo' t'ink yo'd do, if yo' were ? Daisy, [djopping dust pan) What would I do? I'll show you 1 [rushes at him with broom tipraised. Drives him around stage, re- peatedly striking him on head zuith broom until he reaches C. again) Now, I hope you ate satisfied. If I had my way I'd give you a sound thrashing and send you to bed to keep poor Billy company. [going) Ain't you ashamed of yourself for playing that horrid joke upon him last night ! You know you hid that iron pot yourself and made him believe that you dreamed there was money buried there. Nevermind, sir. Some day you'll meet your match and get paid back for all of your badness. Exit, door l. Pete, [laughing) I wonder if dat gal thinks she hurt my head. I'd butt ag'in a^tone wall wid it all day for fifty cents. Poor Billy ! He's not feelin' well to-day. He ran against a tree las' night, an' bruised hisself mighty bad. So he stayed abed. But he didn't blow on me. He knowed better. Said he fell from a tree an' hurted hisself. I's takin' his place an' lookin' after de Deacon's interests. De Deacon is takin' a nap. I was to call him at 2 sharp. He had a 'ticular 'pintment wid Miss'Melia. It must be nigh about dat time now. [starts to go) No, I won't call him, eider. I'll let de ole man sleep while he can. [footsteps, L.) Oh, Lor', here comes Miss'Melia now. Exit, c. door Enter Miss Amelia, l. 2 e. ; goes down C Pete re-appears at door c. and listens. Miss A. I declare, my heart's all in a flutter. The Deacon has re- quested a private interview. I know he is going to propose. I feel it; I am sure of it; and, oh, dear, I know I'll refuse him. What shall I do ! (Pete shakes finger at her in a knowing way and disappears) The dear man has eaten scarcely anything since he 38 THE DEACON. entered this house. He sits at the table pretending to eat. but all the while he is looking at me, and wondering if I love him. His eyes literally devour me with their lustrous flame of love • Enter DAISY, L. 2 E. Miss Amelia is startled. Daisy. Miss Amelia, Mrs. Thornton would like to see you a moment in the dining-room. Miss A. Tell her she must excuse me. I'm engaged for the next half hour. Daisy. Yes, ma'am, [going] Miss A. Daisy. Daisy. Ma'am? Miss A. {affectedly) How am I looking to-day ? Daisy. Most charmingly. Miss A. Do you really think so ? Daisy. Indeed I do. To see you now, no one would suppose you were a day over thirty, {aside) Horrid thing ! She's fifty if she's a day. Miss A. I fear your are a flatterer. Now, you don't think I'm too old to marry, do you ? Daisy. Why, no ma'am. Lots of people get married who are much older than you. [aside) And big fools they are, too. Miss A. Tiiat will do, Daisy. You are are a nice, well-behaved girl. So sensible. Daisy. Thank you, ma'am, [goittg) Miss A. Daisy, stop a moment. If you see the Deacon enter this room, please be sure and see that we are not disturbed for the next half hour, and I'll make you a present of that handsome silk dress of mine I saw you admiring yesterday, [goes R.) Daisy. Oh, thank you. [aside) Handsome silk dress! It's as ugly as sin and as old as the hills. I wouldn't be seen in such a delapidated affair. Ugh! (Exit hastily, L. 2 E.) Miss A. I wonder what detains the Deacon, I'm sure it's after 2 o'clock. I do hope he'll come right to the point, for I know I can't stand any long preamble, [fidgety) I do wish he would come. Hark ! I hear his footsteps now. [Goes to sofa, sits R.) I'll pretend I'm offended because he kept me waiting. Oh, dear, I know it's coming ; I feel frightfully nervous. Re-enter Pete backivard, dressed i7i Deacon's suit, ivith spectacles on. Miss A. [glances aroinid as Pete enters) It's he ! [bows head on right arm of sofa and remains in that position; Pete advances slowly, imitating the Deacon's shuffling gait and clearing of throat. Takes seat beside Miss Amelia) THE DEACON. 39 Pete. Amelia, dearest ! ( CougJn ajtd makes wry face. Aside) She's skeered ! [aloud] I guess yo' know fo' what 1 wanted to see yo' ? [patisd) Yo' love me ! Miss A. [^in muffled asionishment) Oh, Deacon, how Pete. Now, don't say yo' don't, fo' I know yo' do. {archly') I've seen yo' castin' eyes at me on de sly. [aside) What shall I say next ! Oh, yes. [clears throat; aloud) Yo' can have me, I's willin'. [aside, disgustedly) She don't know how to lub. [aloud) Does yo' doubt my love fo' yo' ? Go ask the dear little stars if t don't whisper yo'r name to them every mornin' an' at noon. ( pause) Does yo' still doubt me ? Miss A. No — no — only Pete, [aside) She's gittin' up courage, [aloud) Only what, dear- est? [gradually edges to side of Miss A.) Don't be afraid to speak, I'll not hurt yo'. Don't yo' lub me just a little wee bit? Miss A. No — yes — I mean that Pete, [tenderly) Yo' mean that yo' will marry me if I'll wait a little while ! Oh, but you are a darhng ! [places arm around ]s\iss A.'s shoulder and attempts to I'aise her head. M iss A. makes faint resistance) Look up. Birdie, and give me one little kiss to seal the bargain. Just one. Miss A. You are irresistible ! [gently inclines head toward Pete with face averted. Guslmigly) Do you really and truly love me ? Pete. With all my heart ! Miss A. Then kiss me. [turning qiticlcly as in act of kissing, sees Pete, but does not recognize him. Falling in corner of sofa, she screams. Pete jumps tip and quickly exits D. c. ) Help ! help ! murder — help ! Re-enter Daisy, l. 2 e. ; she has commo7i aprvn on, sleeves rolled up, hands covered with dough and arms bearing flour marks ; folloived by Mrs. Thornton and Helen, both wearing common aprons. Daisy. For goodness' sake, what is the matter? Miss A. [in hysterics) Oh — oh — oh — I've been frightened nearly to death. Oh, dear, oh ! Mrs. T. By v/hom ? Miss A. A tall colored man. He sat down on the sofa beside me. Oh, dear, I shall die, I know I shall. (Mrs. T. and Helen approach and try to quiet her. VihlSY goes to D, c. and peers be- hind curtain) Miss A. He was dressed in one of the Deacon's suits. Mrs. T. In my brother's clothes? Impossible ! Miss A. He was, I tell you. He escaped out of the balcony window, [points to D. c.) 40 THE DEACON. Daisy. Oh I [screaming, runs 1o group. All appear frightened^ and scream^ Helen. Did you see him ? Daisy. No — but — I thought I did. Helen. Auntie, I beheve you fell asleep and had a bad dream. Miss A. Asleep ! I've not closed my eyes this blessed day. I saw him as plainly as I see you. The ugly wretch ! Oh, oh ! Mrs. T. Daisy, go and find Pete and send him for a pohceman. This matter must be investigated. Daisy. Yes, ma'am. (Exit, L. 2 E.) Helen, [going to door, L., listening') I think I hear uncle moving about his room. He'll soon be down and will help us search the house. Miss A. Oh, for goodness' sake, help nie to get away before he comes. (Mrs. T. rt«rt^ Helen assist her to rise, and start luith her toward I.. 2 E.) Miss A. No, no, not that way. I might meet him. Take me out along the balcony way. I'd rather meet that horrid colored man again than the Deacon in my present condition. Oh, dear, it was a terrible shock ! Terrible ! (Exeunt, d, c.) Re-enter Pete, l. 2 E., disguised as Miss A. ; wears a similar wig etc. Pete, (c, imitating Miss A.'s manner^ I declar', my heart's flutterin' like all creation. I have a 'pintment wid de Deacon. I knows he's gwine to ax me to marry him. Oh, dear, I shall faint! I knows I shall, but I can't refuse him. [takes seat on sofa) Hark ! I hear footsteps. 'Tis he, by Jerusalem ! I'll 'tend I'm mad wid him for not comin' sooner, [tows head on L. arm of sofa, conceals feet tmder dress, pulls curls over side of face, and hides hands under chin) Enter Deacon, l. 2 e., smiling blandly. Deacon. How lovely she appears. Still waiting for me. While I have been sleeping, she, like the grand noble creature that she is, has been patiently waiting my coming, no doubt considering each moment an hour. What a beautiful picture the sentiment of love in woman presents ! [goes to sofa, sits R.) Have I kept you waiting long, my darling? It" was not my fault. Pete forgot to call me. You'll forgive me, my love, won't you ? [edging nearer) Pete, [in m^iffled tone of voice) I — I — don't know. Deacon. Oh, yes, you will. I know you will. Amelia, — you willlet me call you by your beautiful first name, won't you? — ever since my wife died, I've been looking for anotherangel totake her THE DEACON. 4 1 place. I have at last found her. Can't you guess who it is ? [pause) I mean you. Oh, Amelia, I love you — love you dearly, tenderly, most devotedly. Do you doubt me ? Pete. No — no — only Deacon. Only what, my love ? [draws close to Ve.tk' s side) Don't be afraid to tell me. Hereafter I expect to help^ you bear all your trials and sorrows. What a blissful abode of love our home will be. [tenderly) You surely love me a little, don't you t Pete. No, — yes — I mean that Deacon, [placing arm around Pete) Oh, you precious darling ! You mean that in time you may be able to love and marry me. I'm the happiest man on earth, [tries to pull V^i:y. gently toward him. Pete resists fai^itly) Nothing is now wanting to make my earthly lota foretaste of the bliss of Paradise, but one little kiss from your sweet lips, and the coveted honor of leading you to the altar. You won't refuse me the boon of one kiss, will you, dear? [attempts to raise Ptlte's head) Pete, [yielding) Yo' are puffec'ly irresistible ! [7'ests head upon the Deacon's shoulder ; keeps face well averted) Do yo' really and truly love me ? Deacon, [warmly) As truly as the sun shines. Pete. Then kiss me. [quickly turning, he tlwows both arms around the Deacon's neck arid gives him a loud kiss. Spritigirig to feet, he exits quickly D. C) Dv^acon. [rises bewildered) Ah — oh — what — what's this? The huzzy! [takes handkerchief from breast pocket ami jvipes lips) Ugh ! The infern— [calls loudly) Pete ! Pete ! Daisy ! Pete ! Where in the mischief are they ? Why don't they come ! Pete ! Pete 1 Pete ! [walks excitedly 11. ) Re-snter Mrs. T., Helen, Miss A., aiid Daisy, l. 2 e. Mrs. T. Why, brother, what is the matter? Are you going mad? Deacon, [angrily) No— yes— I am mad. Madam, Avhat do you mean by allowing your colored cook the freedom of this house? Mrs. T. [in amazement) Why, brother, I have no colored cook. Deacon. You have ! Now, don't say again you haven't, for I know better. If she ain't your cook, she fills some position in your house, which is all the same. Helen. Why, uncle, there's not a colored woman in this house. Miss A. Deacon, I fear you have been indulging again, and you promised me so faithfully never to touch another drop. Oh, dear, the depravity of mankind is distresshig ! Deacon. Heaven preserve me ! Hold your tongues, every one 42 THE DEACON. of you. Don't you suppose I know a colored woman when I see one ! I've been most infern — grossly insulted by one. Mrs, T. Where ? Deacon. Why, in this room. Mrs. T. ] Helen, y In this room ? Miss A. ) Deacon. Yes, in this room. Upon that very sofa, {pointing to sofa) Only a moment ago there was a colored woman sitting there arrayed in one of Miss Ameha's dresses. Miss A. In one of my dresses! Deacon. Yes, and she looked just like you. Miss A. [in horror, raises her hands) Like me ! Deacon. Like you, until she turned her face toward me. She escaped out that window, [pointing to D. C.) Miss A. [to Mrs. T. ) Sister, I believe this house is haunted! Mrs. T. There certainly is something going on that I cannot understand, [to Daisy) Did you send Pete for that pohceman? Daisy. No, ma'am, I could not find him. Helen. That's just like him. He's never around when he's wanted. Miss A. Sister, something must be done, or I'll not sleep in this house to-night. Mrs. T. [to Daisy) Go and see if Pete is anywhere around now, and if you find him send him for an officer at once. Daisy. Yes, ma'am. (Exit, L. 2 E.) Mrs. T. Brother, are you sure you saw a colored woman ? Deacon. Didn't I tell you I did? Do you think I'm blind? Con- found it ! [wipes lips with handkerchief) I saw her too plainly for comfort. I wish I had her now. I'd wring her neck off. Blast her buttons ! Miss A. Deacon, I fear you are forgetting yourself. Mrs. T. Brother! Brother! Deacon. That's nothing, 1 feel like saying Miss A. [quickly) Don't ! Please don't. Deacon. Re-enter Pete hurriedly, l. 2 e. ; appears short of breath. Fans himself with hand. Pete. What's de mattah ? [to Deacon) I heard yo* callin'. I was out in de orchard pickin' some apples an' I run myself out of bref. I t' ought de house was a-fire. Deacon. Why didn't you call me when I told you to? Pete. [ did. I called yo' ag'in an' ag'in, an' yo' said, all right. 1 t'ought yo' wus awake. 'Spect yo' must agone to sleep ag'in. (Mrs. T., and Helen cross R.) THE DEACON, 43 Mrs. T. Pete, did you see a colored man or woman pass out of that window this afternoon ? Pete, [in asfo/iis/wient) Why, no, missus. Dar was none passed out, fo' I were jist over dar ^pointing) in de orchard, right opposite de window, an' nobody could pass out widout 'tractin' my 'tention. (Pete goes to D. c. and looks out. The Deacon crosses L. near Miss A. ) Mrs. T. It's very strange. I can't account for your vision, brother, upon any other grounds, than that you were dreaming. Deacon, [afigrity] Then you think 1 didn't see a colored woman at all Miss A. And that my eye-sight failed me, too Deacon. And I'm telling a falsehood Miss A. And that I'm not to be beheved? Oh, sister, sister ! {clasps hands. Noise heard off i.., as of some ofie crying. Pete crosses up i.. C.) Re-enter Daisy, hurriedly, L. C. Daisy, {angrily^ Pete, you horrid wretch, what did you mean by putting that cat in poor Billy's room. You know how mortally afraid he is of them. Pete. I didn't put no cat in his room. Daisy. You did, for he saw you open his door, and he's scared almost out of his wits. The curtains at D. c. are pulled violently aside, and in rushes Billy. Billy, {screaming with fright) Take him away ! Take him away ! [goes down c. Has left eye covered with cloth, left arm in slino, black patch on ri^ht cheek and nose sivollen. Has on night- shirt and loner white stockings. All the ladies scream. Mrs. T. springs to siipport Helen in her arms ; Miss hM^iAK fmits in the Deacon's arms) Mrs. Thornton and Helen r.; Deacon and Miss Amelia l.; Daisy and Pete tip c. Deacon. Thank Heaven ! At last I enfold thee ! SLOW DROP. 44 THE DEACON. ACT V. Scene. — Mrs. Thornton's sitting-room, same as Act IV. Miss Amelia seated on sofa, the Deacon beside her ; Pete looks in upon them from behind curtain ^., grinning. Deacon. In a short time, my love, Helen will be the happy bride of Mr. Wheeler. Oh, that I could persuade you to become my blushing bride at the same time, {places arm aroimd her, and looks at her fondly^ Miss A. {half -playfully) I declare, Deacon, the more one sees of you the more impressive your silliness becomes. The bare idea of a man of your age desiring to marry, is simply ridiculous. Deacon. Perhaps it is, my darhng, but let me enjoy the happi- ness of living over my youth again. I feel fifty years younger this morning than I did last night before I obtained you consent to bless my declining years with your sweet smile. But when we come to consider our age, and the subject of marriage in connec- tion with it, it certainly does appear as though both of us were silly geese. Miss A. {amazed and offended) Sir! Deacon, {confused) I beg your pardon. I did not mean to refer to your age. I — 1 — meant my own. That was what I was think- ing about, {tenderly) As I look at you, you appear as fresh and bright as a lass of sixteen. Miss A. {reassured, gushingly) Oh, Deacon, I can't believe you mean that. Dsacon. I do though. Pete, {at T). c.) Look out, de parson am coming! (Miss A. and Deacon start, then separ-ate. Pete otters and goes R. At same instant Ei-t3r Parson Brownlow, l. 2 e. Deacon, {rises, faces Pete, em^aged) How dare you enter my — our presence unannounced ! What do I care if the parson has come! (Miss A., catching sight of Parson V>.,.iuho stands l. amazed, ivith uplifted hands, tugs at the Deacon's sleeve to attract his attention) If a dozen of them come, are they any better than any body else ? If ever you enter my presence again so abruptly, old as I am, I'll cane you within an inch of your life. Miss A. Deacon, Deacon, do be still. You are disgracing your- self and mortifying me. Just look ! There stands Parson Brown- low listening to every word you say. Deacon. Hang the Parson ! I'll — {sees the parson) I beg your THE DEACON. 45 pardon, sir, I was not aware of your presence. You must excuse my unseemly passion. I have been greatly irritated by that black rascal standing there, [poinfing- to Pete) Parson B. What, Pete in trouble again ! (/^ Pete) What have you been doing qow ? Pete, [in injured hme) I weren't doin' nuffin'. De Deacon dar was a-spoonin', [the Deacon /r^ze;;?5 a7id starts f 07^ Vety., but is detained by Miss A. catching him by the arm. Pete starts to run up R. ) an' cause I warned him of your approach to keep yo' from catchin' ob him, he got mad. Miss A. There, Pete, that's enough, [to Parson B.) It was a little misunderstanding, that is all. (Deacon manifests a desire to reach Pete. To Deacon) Deacon, do be still. I think I hear the bride and groom coming. Enter Mrs. TviO^^TO^is and guests, if any, R. 2 E. They take places. Mrs. T. down 1^., guests tcp l. and k. ; Miss Amelia, Deacon and Parson ctvss r. ; Parson stands 11. of Miss A.; Pete goes tip R. near curtain. Orchestra flays a wedding ?na?'ch. After a few bars enter Helen d. c, arrayed in bridal robes, leaning on the left arm of Wheeler. Take positions directly in front of l. 2 E. door. Pete makes a low salaam as they enter, but shakes fist at Wheeler as he crosses to position. Parson takes book from pocket, steps in front of contracting parties, and proceeds with ceremony as music ceases. Pete peeps out d. c. Parson, [reading from book) We are gathered together here in the presence of this company to join together this man and woman in the holy bonds of matrimony. If any man can show just cause why they may not lawfully be joined together, let him now speak, or else hereafter forever hold his peace— [during- the delivery of this, Pete manifests uneasiness and occasionally glances around at D. c. When Graef enter's he displays joy by rubbitig hands gleefully) Enter Graef d. C. ; goes down C. Speaks as he co?nes fvwat'd. Graef. One moment, Parson. I forbid this marriage. Wheeler. On what grounds? Graef. Aunt — Helen — you are being imposed upon ! Wheeler. [ang7'ily) What is the meaning of this interference, SU" Graef. [to Helen) That man has a wife living. Wheeler. 'Tis false ! As false as he who makes the accusation. [to Helen, ans^rily) You will not allow yourself to be influenced by the base charge of a common thief, will you ? Graef. Helen, I ask no one to beheve my simple word. I have 4.6 THE DEACON. proof amply sufficient to convince you of the truthfulness of my assertion, [to Wheeler) Do you deny my charge? Wheeler. I do, and challenge you to produce your proof. Enter Mrs. Darrah, d. C. Graef. [to Wheeler) It is here. Do you know this lady ? Wheeler, [^surprised ) Minnie ! Graef. You know her then ? Wheeler. You here ? Mrs. T. [to Graef) Who is that woman ? Graef. Uncle's daughter, [the Deacon's back is iiuiied toward Mrs. D.) and your would-be son-in-law's wife. Mrs T. [to Wheeler) Is this true ? Wheeler. I cannot deny it. [bows head. Mrs. T. catches Helen by arm and supports her to sofa as Mrs. D. speaks. Parson B. closes book and crosses to R. of Miss Amelia) Mrs. D. Alas, it is too true ! But I remain such only until the courts sever our relation, [goes to sofa and helps comfvt Helen, after casting a longing glance at the Deacon who still stands with back toward her) Wheeler, [hisses through clenched teeth, to Graef) So I have you to thank for this humiliation, have I ? Graef. Yes, and it is a pleasure I have been anticipating for the past two days, Wheeler. Then you prepared this plan for my exposure? Graef. I did. Wheeler. Have you the effrontery to tell me to my teeth that you deliberately prepared my downfall ? Graef. [coolly) I have. Wheeler. Then, you miserable cur, I'll be revenged, [rushes at Graef who retreats a little. Pete draws huge butcher knife and runs to Graff's side) Pete. Pull on him, Massa George, pull on him, I'se wid yo' ! [holding knife aloft dr-aniatically. At sight of knife MisS Amelia has slight attack of hysterics, throws both arms around the Dea- con's neck and chokes him. The Deacon struggles to release himself Parson B.. stoops behind Miss A. amt tries to make her dress shield him. Wheeler stops suddenly) Enter Officer, l. 2 e.; approaches Wheeler j^t/"/^. Graef. He's not worth the effort, Pete. Officer, arrest that man. Officer, (j-fz^-w^ Wheeler /nw/ behind) George Darrah, I ar- you for the crime of theft. (Wheeler struggles. Graef helps THE DEACON. 47 Officer handcuff him. The Deacon imloosens Miss A.'s ar?ns, when her head falls ypon his right shoulder. The Deacon sup- ports her drooping fojin by placing his right arm around her waist. Mrs. T. rises) Wheeler. What is the meaning of this indignity ? Graef. You will soon know, {^io Mrs. T. ) Aunt, there stands the George Graef who stole your diamonds ! Pete. Say, Massa George, what do yo' think his picture will look like now, arter it's took, eh? (Graef smiles. Pete crosses to Parson B. and makes feint to stab him ivith Jz7iife. Parson sinks almost to knees, manifesting great fear. Aside) He kin teach others how to die bravely, but he skeers when deff comes nigh him. Mrs. T. [to Graef) I don't understand you. Graef. George Darrah, there, known to you as Mr. Wheeler, is the thief you thought was myself, i^to Wheeler) Do you re- quire /r*?^?/" to that effect? Wheeler. Yes, if you possess it. Graef. [taking zvatch charm from pocket) Do you recognize that charm ? Wheeler. No, I never saw it before. Pete. Dat's a whopper ! Graef. [taking paper ^"0771 pocket) Perhaps you will deny also ever having seen this note with your name attached to it. [folds note so that signatuj'c only is seen, and shows it to Wheeler) Is that your signature? Wheeler. No, it's a forgery. Pete. By crickitees ! I'se not a circumstance to dat feller in lyin'. Graef. Aunt, this charm and note were found by Pete just out- side of your dressing-room door the morning after the robbery. He, thinking they might lead to a clue, brought them to me. From the contents of this note I learned who committed the theft and where the diamonds were secreted, Wheeler. Will you let me see that note ? Graef. With pleasure, [tvalks to Wheeler, unfolds ?iote and holds it i(p for him to read, talking as he does so) Pete visited the place where the diamonds were hidden, and brought them to me. I will give them to you in a moment. Are you through ? [to Wheeler. Takes sjnall package from pocket and hajids it to Mrs. T.) There they are. Wheeler. Mrs. Thornton, that note is supposed to be written by me. In it I am made to state the hour I was to commit the rob- bery, and the place where I would hide the diamonds, so that my confederate could find them. Now, do you think if /planned the affair and had an accomplice, I would be likely to write him a 48 THE DEACON, tell-tale note, and allow it to fall into an interested party's bands to be used against me ? Pete. Did yo' eber hear de like ? Mrs. T. Well, hardly, but how do you account for the note ex- plaining where the diamonds were hidden ? Wheeler. That's plain enougii to me. There stands the man [look' ing at Graef) who took the diamonds ; there stands the man who returned 'Oi\t\x\, and //^^;-^ is the man who wrote that note and trumped up this charge to shield himself at my expense. Graef. You infamous scoundrel ! [advances npon Wheeler) Pete, [excitedly] Pin him, Massa George. I'd nebber stand dat, suah ! Mrs. T. [looks reproach/idly at Graef) Can it be possible ! Graef. Aunt, for heaven's sake, believe not that black-hearted villain. In one moment I'll convince you of his guilt beyond question. This morning, Davis the pawnbroker, came to my room of his own free will, and told me that that man [pointing to Wheeler) was the one v.'ho left one of your jewels at his shop, and that he was to pay Davis three hundred dollars to keep that fact a secret. Is that sufficient for you ? Pete, [aside] Ob his own free will, did he ? I guess I skeered ole Davis nigh about to deff. I tole him we knew who gave him dat diamond an' I was on my way to git an officer to 'rest him as a 'complice. Wheeler. The lying scoundrel ! I'll get even with him for that, 2ind \v\\.\\ you [to Graef) and you, [to Mrs. T. ) and with all of you. Mrs. T. Off with you. I no longer doubt your guilt. Officer, remove him instantly from our presence, (exeunt Officer and Wheeler, l. 2 e. Mrs. T. goes to Graef) George, can you ever forgive me for my unjust suspicions? I will do anything in my power to make retribution to you for your sufferings. Graef. Then extend to Minnie, there, your niece, a wel- come worthy of her. (Mrs. T. goes to sofa, grasps Mrs. D.'s hand, takes seat beside her and engages her in conversation. Helen rises and appjvaches Graef) Innocence requires no ret- ribution from those who suspect her. Helen. Cousin, no one can ever be more grateful to you than I am for the life of misery you have saved me from. What could have been that fiend' s motive in trying to bring disgrace upon us all, baffles my comprehension. Graef. His desire to be revenged upon Minnie and all her rela- atives, for the fancied insult he received in uncle's disinheriting her for marrying contrary to his wishes, has been the motive that actuated him. (Parson, Miss Amelia and Deacon cross to Graef) THE DEACON. 49 Parson, {shaking Graef's hand) Bless you, my son, bless you. Miss A. George, you are a son worthy of your mother. I al- ways said you would yet make a man of yourself Graef. {interrupting) There, there ! you are all showering your thanks upon me and forgetting Pete, to whom most of the glory belongs. Pete. Yo' just bet it does. I'se done my share ob keepin' up de 'spectability ob de family. Helen. Yes, Pete, you have, and we are all very grateful to you for it. Pete, [botuing] T'ank yo'. Deacon, {advancing attd extending hand) George, my boy, you will at least let me extend to you my hearty congratulations. You have acted nobly. Graef. {refusing hand) Excuse me uncle, but Deacon. Why! why ! what's the matter? Refuse to shake hands with me ? Why — ah — I can't understand it. Graef. Pardon me, uncle for my plainness of speech. But I'll never shake hands with a fatlier who has disowned his motherless child, until he forgives her and acknowledges her as his own flesh and blood. Pete, {aside) Dat's de noblest t'ing he ever said or done. Minnie, {rising) George ! Graef. I can't help it, Minnie. I mean it. {the Deacon turns back) Pete. Dat's right, Massa George, make him toe de scratch. Enter Nellie, d. c. Nellie. Where's mamma? Oh, there you are! {runs to her) Graef. {approaches Deacon ; /ays hajtd upwn his left shoulder) Uncle, your daughter and child await your forgiveness. Deacon, {doggedly) I have no daughter ! Pete. Miss 'Melia, please come here a minnit. (Miss A. goes to Pete, who is down R.) Yo' tackle de Deacon, he'll refuse yo' nuffin'. Miss A. Go long with you ! {7-eturns to former position) Parson. Brother, the good book says, " Forgive, and we shall be forgiven." (Mrs. D. and Nellie approach Deacon and kneel at his l. side) Mrs. D. Father, I ask your forgiveness, not for myself, but for this innocent child's sake. Pete. Now, go for him. Miss 'Melia, an' yo'll fotch him, suah. Deacon. Rise, my child, for inhuman would be the man who could refuse the pleadings of a kneeling child. You are for- 50 THE DEACON. given, [tenderly kisses the brow of Mrs. D. She and Nellie nse) Miss A. Oh, Deacon, Deacon! Pete, [aside) She's jealous ! Miss A. How noble you are. Pete, [elevating eyebrows and opeiiing mouth) Oh, dat's what she means 1 Graef. [grasping the Deacon's hand) Now, uncle, I'll shake hands with you and thank you, too, for the nobility of character you have shown. Though there will be no marriage bells ringing in this house to-day, yet I'm sure there will not be a happier gath- ering of loved ones to be found in this wide, wide world. Pete. But t'ink ob de good things we'll miss ! Deacon, [gleefully) Who says there will be no marriage-bells sounding in this house to-day ? Parson, step right down, [vwiion- ing doivn C. Enter Billy, d. c, with huge piece of cake in hatid, eating. His disfigurenieiits are slightly less than in Act 4. Stands up c.) Where are you, Amelia, my love? Miss A. Oh, Deacon, don't be so silly ! [holding back. All s?nile) Deacon. Come along, my love. Don't keep the Parson waiting, come along, [take positions down c.) Vwye. runs to Nellie and places her beside MiSS A., rohile he goes to Deacon's side. Mrs. T. and Helen up l. ; Graef and Mrs. D. tip r.; Billy up c, eating) Pete. Let de band play fo' we's all ready fo' de dance. (Par- son opens book and steps in front of Miss A. and the Deacon as the curiai?t falls) CURTAIN. SAVED FROM THE WRECK. A DRAMA IN THREE ACTS, BY THOMAS K. SERRANO. PRICE, 15 CENTS. Eight male, three female characters : Leading comedy, juvenile man, gentfcl villain, rough viliai ', ]i,.'ht comedy, escaped convict, detecdve, utility, juvenile lady, leading comedy lady and old woman. Two interior and one landscape scenes. Modern costumes. Time of playing, two hours and a half. The scene of the action is laid on the New J..rsey coast. The plot is of absorbing interest, the "business" effective, and the ingenious contrasts of comic and serious situations present a con- linuous series of surprises for the spectators, whose interest is increasingly maintained up to the final tableau. SYNOPSIS OF INCIDENTS. Act I. The Home of thh Light-house Kteper. — An autumn afternoon.— The insult. — True to herself. — A fearlc>s he »rt. — The unwelcome guest. — Only a foundling. — An abuse of confidence. — Tiie new partner.— 1 he compact. — The dead brought to life. — Saved from the wreck. — Legal advice. — Married for money.— A golclcn chance.; — The intercepted letter. — A vision of wealth.— The forgery. — Withui an inch of his life. — The rescue. — TABLEAt;. ActIL Sci:ne as before; time, night.— D..rk clouds gathering. — Changing the jackets. — Father and son.^On duty. — A struggle for fortune. — Loved for himself. . — The divi Jed greenbacks. — The agreement.— An unhappy life. — The detective's mis- take. — Arrested. — Mistaken identity. — 'J he likeness again. — On the right track — The accident. — "Will she be saved ? " — Latour's bravery. — A noble sacrifice. — The secret meeting. — Another case of mistaken identity. — The murder. — " Who did it ? " — The torn cuff. — "There stands the murderer!" — " 'Tis false!" — The wrong man mur- dered. — Who was the victim ? — Table.au. Act III. Two Days Later.— Plot and counterplot.— Gentleman and convict.— The price of her life. — Some new documents. — The divided banknotes. — Sunshine through the clouds. — Prepared for a watery grave — Deadly peril. — Fath( rand daugh- ter. — The rising tide. — A life for a signatui-e. — True unto death. — Saved. — The mys- tery solved. — Denouement, — Tableau. BETWEEN TWO FIRES. A COMEDY-DRAMA IN THREE ACTS, BY THOMAS K. SERRANO. PRICE, 15 CENTS. Eight male, three female, and utility characters : Leading juvenile man, first and second walking genileman, two light comedians (lawyer and foreign adventurer), Dutch and Insh character comedians, villain, soldiers ; leading juvenile lady, walk- ing lady and comedienne, 'ihree interior scenes; modern and military costumes. Time of playing, two hours and a half. Apart frcm unusual interest of plot and skill of construction, the play affords an opportunity of representing the progress of a real battle in the distance (though this is not necessary to the action). The comedy business is delicious, if well worked up, and a startling phase of the slavery question is sprung upon the audience in the last act. SYNOrSIS OF INCIDENTS. Act I. At Fort Lee, on the Hudson.— News from the war. — The meeting. — The colonePs strange romance. — Departing for the war. — The intrusted packet. — An honest man. — A last request. — Citt r hatred. — The dawn of love. — A northerner's sympathy for the South. — Is he a traitor ? — Held in trust. — La Creole mine for sale. — Financial agents. — A brother's wrong. — An order to cross the enemy's lines. — For- tune's fool. — Love's penalty. — Man's independence. — Strange disclosures. — A sha- dowed life. — P>eggared in pocket, and bankrupt in love. — His last chance. — The re- fusal. — Turned from home. — Alone, without a name — Off to the war. — Tableau. Act II. On tkk B.'VTTLEfield. — An Irishman's philosophy. — Unconscious of danger. — Spies in the camp. — The insult. — Risen from the ranks. — The colonel's prej- udice. — Letters from home. — The plot to ruin. — A token of love. — True to him. — The plotters at work. — Breaking the seals. — The meetii'g of husband and wife. — A forlorn hope. — Doomed as a spy. — A struggle for lost honor. — A soldier's death. — Tableau. Act III. Before Richmond. — The home of Mr.s. De Mori. — The two docu- ments. — A little mi<.understanding. — A deserted wife. — The truth revealed. — Brought to light. — Mother and child. — Rowena's sacrifice. — The American Eagle spreads his wings. — The spider's web. — True to himself. — The reconciliation. — A long divided home reunited. — The close of the war. — Tableau. ^^' Copies mailed^ ^osipaid., to any address^ on receipt o/ the annexed prices. __ ^i^ UNCLE TOM'S CABIN (NEW version.) A MELODRAMA IN FIVE ACTS, BY CHAS. TOWNSEND. PRICE, 15 CENTS. Seven male, five female characters (some of the characters play two parts). Time of playing, aj^ hours. Tliis i,aiievvaciiug editi;,n of a prim) oM favorite, so .simiiiified in the stage-setting as to bo easily represented by dramatic clubs and travelling 'jomp^nics wiiii limiteii scenery. U.ncle 'i'uM's Cabin is a play that never grows old ; being pure and faultless, it commands the praiiC of the pulpit and sup- port of the pres^, wliile it enlists the favor of nil Chrisliai s and heads of families. It will draw hundreds where other plays draw dozens, and therefore is sure to fill any kal . SvNOPSis OF Incidents: Act I. — Scene T.~'Y\\^ Shelby plantation in Kentucky. — Geor:;: and Eiiza. — The curse of Slavery. — The resolve. — Off for Canada. — "I won't be taken — I'il die first." — Shelby and Ilalev. — Uncle Tom and Harry must be sold. — The poor inotlier.— '' Sell my Ijoy ! " — The faithf\il slave. Scene II. — Gumptioii Cute. — *' By Gum • " — Marks, t' e lawyer. — A mad Yankee. — George in disguise. — A friend in need. — The human bloodhounds. — The escape. — " Hooray fer old Var- mount ! " Acr II. — St. Clare's elegant home. — The fretful wife. — The arrival. — Little Eva. — Aunt Ophelia and Topsy. — " O, Go'Iy ! I'se so wicked!" — Si. Clare's opinion. — " Benighted innocence." — The stolen gloves. — Topsy in her glory. Act III. — The angel child. — Ton and St. Clare. — Top<^y's mischief. — Eva's re- quest. — The promise. — pathetic scene. — Death of Eva. — St. Clare's gritf. — " For thou art gone forever." Act IV.— The lonely house. — Tom and St. Clare. — Topsy's keepsake. — Deacon Perry and Aunt Opheli.i. — Cuto on deck. — h. distant relative. — The hungry visitor. — Chuck full of emptinos." — Cute and the Deaccn. — A row. — A fight. — Topsy to ti.c leicue. — St. Clare wouiidid. — Death cf St. Clare. — "Eva — Eva — 1 am coming " Act V. — Lesree's plan'ati<^n oa the Red River. — Home again. — Uncle Tom's noble heart. — " My soul ain't yours, Mas'r." — Legree'scrucl work. — Legree andCassj-. — The whiteslave. — A frightened brute. — Legrco's fear. — A life of sin. — Marks and Cute. — A n"W scheme. — The f'readful whipping of Uncle Tom.— Legree punished at last. — Death of Uncle Tom. — Eva in Heaven. 1 THE WOVEN WEB, A DRAMA IN FOUR ACTS, BY CIIAS. TOV/NSEND. PRICE, 15 CENTS. Seven male, three female characters, viz. : leading and second juvenile men, so- ciety villain, walking gentleman, ecceniric comedian, old man, low comedian, leading juvenile lady, soubretie and old wom.an. Time of playing, 2^ lioars. The Woven Weu is a flawless drama, pure in thought and action, with excellent characiers, and pre- senting no dilficulties m costumes or scenery. The story is captivating, with a pint of the most intense and unflagging intere.-t, rising to a natural climax of wonderful power. The wit is bright and sparkling, the action terse, sharp and rapid. In touch- ing^ the great ch'-rd of human symp:;ihy, the author has expended that rare skill v/hich has given life to every great play known to tl.e stage. This play has been produced under the author's management with marked success, and will prove au unquestionable attraction w herever presented. Synopsis of Incidents: Act I.— Parkhurst & Manning's law office, New York. — Tim's opinic. — The youn^ lawj'er. — "Majah Billy Toby, sah ! " — Love and law. — Bright prospects. — Bertha's mi fortune. — A false friend. — The will destroyed. — A cunning plot. — Weaving the web. — The unseen witness. — The letter. — Accused. — Dishonored. Act II. — Winter quarters. — Colonel Hastings and Serseant Tim. — Moses. — A message. — Tim on his dignity. — The arrival. — Playing soldier. — The secret. — The promise. — Harry in danger. — Love and duty. — The promise kept.- — "Saved, at the loss of my own honor ! " Act hi. — Drawiiig-room at Falconer's. — Reading the news. — " Apply to Judy ! " — Louise's romancf. — Important news. — Bertha's fears. — Leamington's arrival. — Drawing the web. — 'Jhreatened. — Tloiting. — Harry and liertha. — A fiendish He. — Face to face. — " Do you know him ? " — Denounced. — " Your life shall be the penalty ! " — Startling tableau. Act IV. — At Uncle Toby's. — A wonderful climate. — An impudent rascal. — A bit of history. — Woman's wit. — Toby Indignant. — A quarrel. — Uncle 'J'oby's evidence. — Leamington's last trump.— Good news. — Checkmated. — The telegram.— Breaking the web. — Sunshine at last. %ti" Copies mailed, postpaid^ to any address, 07t 7-ccerpi of the annexed prices. _Jg| LIBRARY OF CONGRESS TOWN._ ^ 015 775 J04 7 • I •'AMATEUR^ THEATRICALS." A Practical Guide Jor Atnaitur Attvrt. PRI CE, 25 CEN TS. This work, without a rival in the field of dramatic literature, covers the entire suh- Ject of amateur acting, and answers the thousand and one questions that arise constaniiy to woiry and perplex both actor and manager. It tells how to select plays and what Elays to select; how to get up a dramatic club— whom to choose and whom to avoid; ow to select characters, showing who should assume particular rdUs : how to rehearse a play properly— including stage business, by-play, voice, gestures, action, etc.; how to represent all the passions and emotions, from Love to Hate (this chapter is worth many times the price of the book, as the sara« information cannot be found in any similar work) ; how to costume modem plays. All is told in such a plain, simple style that the veriest tyro can understand. The details are so complete and th« descriptions so clear that the most inexperienced can follow them readily. The book is full of breexy anecdotes that illustrate different points. But its crowning merit is that it is thoroughly »RACTiCAL— it is the result of the author's long experience as an actor and manager. Every dramatic club in the land should possess a copy of this book, and no actor cao afford to be without it. It contains so much valuable information that even old stagen will consult it with advantage. HELMER'S ACTOR'S MAKE-UP BOOK. T A Practical and Systematic Guide to the Art of Matting up /or the Stagt, PRI CE, 25 CEN TS. Facial make«up has much to do with an actor's success. This manual is a perfect oncyclopedia of a branch of knowledge most essential to all players. It is well written, iystematic, exhaustive, practical, unique. Professional and amateur actors and act- resses alike pronounce it thk best make-up book ever published. It is simply indk ,jpensable to those who cannot command the sei-vices of a perruquier. CONTENTS. Chapter I. Theatrical Wigs.— The Style and Form of Theatrical Wigs and Beards. The Color and Shading of Theatrical Wigs and Beards. Directions for Measuring the Head. To put on a Wig properly. Chapter II. Theatrical Beards.— How to fashion a Beard out of Cr.«pe Hair. How to make Beards of Wool. The growth of Beard simulated. Chapter III. The Make-up.— A successful Character Mask, and how to make it. Perspiration during performance, how removed. Chapter IV. The Make-up Box.— Grease Paints. Grease Paints in Sticks ; Flesh Cream ; Face Powder ; How to use Face Powder as a Liquid Cream ; The various shades of Face Powder. Water Cosra^tique. Nose Putty. Court Plaster. Cocoa Butter. Crfepe Hair and Prepared Wool. Grenadine. Dorin's Rouge. " Old Man's" Rouae. "Juvenile" Rouge. Spirit Gum. Email Noir. Bear's Grease. Eyebrow Pencils. Artist's Stomps. Powder Puffs. Hare's Feet. Camel's-hair Brushes. Chaptw V. The Featvrbs and their Treatment.— The Eyes: Blindness. The Eyelids. The Eyebrows : How to paint out an eyebrow or mustache ; How to paste on eyebrows ; How to reflate bushy eyebrows. The Eyelashes : To alter the appear- ance of the eyes. The Ears. The Nose : A Roman nose ; How to use the nose putty; a pug nose ; an African nose ; a large nose apparently reduced in size. The Mouth and Lips : ajuvenile mouth ; an old mouth ; a sensuous mouth ; a satirical mouth ; a one-sided mouth ; a merry mouth ; a sullen mouth. The Teeth. The Neck, Arms, Hands and Finger-nails : Finger-nails lengthened. Wrinkles : Friendliness and Sullen- ness indicated by wrinkles. Shading. A Starving Character. A Cut in the Face. A Thin Face made Fleshy. Chapter VI. Typical Character Masks.— The Make-up for Youth : Dimpled Checks. Manhood. Middle Age. Making up as a Drunkard : One method j another method. Old Age. Negroes. Moors. Chinese. King Lear. Shylock. Macbeth. Richelieu. Statuary. Clowns. Chapter VII. Special Hints to Ladies.— The Make-up. Theatrical Wigs and Hair Goods. ^^ Copies o/ the above will be mailed^ post-paid^ to any address, on receipt of the annexed prices. ,J^ HAROLD ROORBACH. Publisher, 9 Murray St.. New York. LIBRftRY OF CONGRESS ■n 015 775 604 7 •