7 J)SGhi>5 LIBRARY OF CONGRESS. ©fyap ! ©aiajrinjfjt feu Shelf $ UNITED STATES OF AMERICA. "Paradise Flats," A Comedy in Three Acts, HUBBARD TAYLOR-SMITH, Author of The Lottery Ticket;" "New Year's Reception. COPYRIGHT, 1889, — BY — HUBBARD TAYLOR-SMITH. All Bights Reserved. BYRON S. ADAMS, PRINTER. 44 Paradise Flats," A Comedy in Three Acts, HUBBARD TAYLOR-SMITH Author of " The Lottery Ticket;" "New Year's Reception.' COPYRIGHT, 1889, — BY— HUBBARD TAYLOR-SMITH. All Rights Reserved. WASHINGTON, I>. C. 'V I > "\ \bS' BYRON S. ADAMS, PRINTER, ^-^ J ^" J?<-"'1 514 EIGHJ . ■ 'REET. a 2 ' CHARACTERS. Miss JANE MEREDITH, a spinster. FANNIE MEREDITH, Miss Jane's niece. CLARA BOSWELL, \ „ . , , . , SUSIE JONES, '} Fannies friends. Mr. LARRY SINGLETON, an old batchelor. HERBERT SINGLETON, Mr Larry's nephew, in love with Fannie. CHARLIE STACEY, in love with Susie. ROB BENNINGS, in love with Clara. CHINA, presiding angel of Paradise Flats. Scenery. — Hallway and Parlor of Paradise Flats. Time.— The Present, TMP96-0C6757 ©ai^adise Flats. ACT I. Scene. — Parlor and Hallway of Paradise Flats. Curtain rises discovering China setting room to rights. She is singing a plantation melody. China. Deed and deed, dem young geramen is gitting wus- ser and wusser ebery day of deir libes. Young Mister Herbert is not so bad, but Mister Charlie and Mr. Rob, dey is the debbil's own chillum to muss tings up. No matter how nice I fixes dis yar house, dem young men is not in de place five minutes before it looks like it was struck by a cycloone, an' I darsent say a word. But law sukes, I can't stan' here talkin all day. Miss Jane Meredith's comin' hyar with de young ladies dis afternoon, fer to dine, and Mr. Herbert told me if dere was a speck ob dust or dirt about de place as big as a pin point, dere would be blud on de moon, an' it wouldnt be hisn. Lan', Ian', Ian', talk about woman's work a nebber gittin' done. Heres nearly four o'clock, Mister Herbert's white wescott to iron, and Mister Rob's collar to do ober, not enough starch in it, and de up stairs to dust, and lan' knows what, be- sides watchin' de dinner. (Takes an umbrella and a pair of overshoes from top of piano and holds them up.) Now, just look at dat. Some of Mister Rob's doin'. (Carries them out into the hall and puts umbrella in stand and shoes along side the hat rack.) (Enter Rob from street door, overcoat, hat and gloves on.) Rob. For heaven's sake, China, haven't you finished cleaning up. You are slower than the seven year itch. (Throws gloves on sofa.) The fellows will all be in in a minute (puts hat on piano), and we hav'n't any time to spare. (Looks at watch.) Pour fifteen, just an hour and three-quarters in which to dress and get ready for the folks. Did those flowers come? (Throws overcoat on chair.) China. Yaas, sir. Rob. Well, I'm going up to dress. Tell the fellows to shake it up when tliey come. Tempus fugit, and so do I. (Exit thro' hall and up stairs, singing, as he goes.) China. (Pouncing on hat, coat and gloves.) Now just look at that, and den blowin' me up for bein' slow and callin' me a seven year itch. Deed dis nigger's life is a hard one. (Car- ries things out to hat rack and hangs them up, putting gloves in pocket of overcoat.) (Enter Charlie from street; hat, overcoat and gloves on.) Charlie. Holy smoke ! Woman, I left you this morning at 9 o'clock cleaning up and here you are still at it. at half- past four. (Throws overcoat on table in parlor, cane on sofa, and, hat on piano.) You are getting lazy. Any of the fellows in ? China. Mister Rob has just dun come in. Charlie. (Calling.) Ah there! Robbie, me boy? Rob ( Up stairs, calling.) Stay there, Charlie, me che-ile. Charlie. Well, I've got to hustle to get ready for the folks. Tell Mr. Herbert, when he comes in, that he will have to stir his stumps. (Exit through hall and up stairs.) China. (Looks despairingly at coat, hat, and gloves for an instant, and then viciously pounces on them and carries them to hat rack as before.) (Enter Herbert in great hurry, overcoat, hat and gloves on ; looks at wcdch.) Herbert. Groat guns; a quarter to five and the folks coming at six. (Throws hat, ovcrcoi* I you see her kiss him, and the deceitful girl told me only yester- day she fairly loathed him. (They sit on sofa.) Rob. By Jingo, this is rich. The 29th, eh ? Well, we see. I tell you, Clara, we've just got to hustle, and that is all there is about it, or get left in the lurch. It will never do to let them get ahead of us. Fan and Herbert have evidently fixed their wedding for the 30th, and Charlie and Susie we over- heard agree on the 29th for theirs, so now by fixing ours for the 28th we will get ahead of both. What do you say ? Clara. It's awful sudden, but (sighing) I suppose it's got to come some day, and a month or two earlier wont make much difference. Rob. ( War mil/.) Well. (Rises.) You don't seem very enthusiastic over the subject, Miss Boswell ; perhaps you would like to retract your promise altogether. Clara. Oh, you great goose, you can't stand a bit of teasing. Rob. (Eagerly.) Were you only teasing ? Clara. Of course I was, and to prove it, I'll agree to the 28th of this month, willingly. Rob. Clara, you are a brick. Jupiter ! Won't the fellows howl when I spring it on them. Come here, I want to show you something. (Goes up to mantle.) Clara. (Following.) What is it, dear ? Rob. (Putting arm around her.) Why, this. (Kisses her.) Clara. You bad boy. (Uncle Larry and Aunt Jane come down from the dining room.) Miss Jane. (Looking around.) Dear me. Where are the rest of the young people ? 19 Rob. Oh, Herbert and Charlie are showing them over the house. Do you want to follow suit, Clara ? Claea. Yes, indeed. Rob. Come along then. [Then exit into dining room.) Aunt Jane. I am doubtful as to the propriety of my allow- ing all of this, my duties as a chaperone Uncle Larry. Oh, nonsense, Jane ; let the youngsters alone. Remember, we once were young. Aunt Jane. (Sighing.) Yes, many, many years ago. Do you know, Mr. Singleton, that you have changed but little? Uncle Larry. Mr. Singleton. I like that. Drop the Mister, if you please, unless — you prefer I should call you Miss Mere- dith. Miss Jane. Oh, no. I rather prefer the use of the Christian names, because — well, you know — Uncle Larry. Because what, my dear Jane ? Aunt Jane. (Softly.) Because it brings me face to face again with the happy days of our youth. Uncle Larry. Ah, those were happy days, were they not ? (Sighs.) Aunt Jane. Happy, indeed. (A short pause follows, during tchich the two glance slyly at each other.) Aunt Jane. How does it happen that you are still unmar- ried, Mr. Singleton — I — I mean — Larry ? Uncle Larry. I have been too busy since I left Washing- ton — fifteen years ago — to think of such a thing as matrimony. Besides Aunt Jane. Besides what ? Uncle Larry. Why, besides the fact I could never forget my first love. Aunt Jane. (Stiffly.) You couldn't have been very deeply in love, or you would have never gone away without a farewell word and remained silent all these years without even a. sign that you still lived, and all on account of a trivial misunder- standing. Uncle Larry. I didn't go without a farewell word. I 20 found I was in the wrong and wrote a most abject apology, begging forgiveness and promising never to be jealous again. I also said that unless I was forgiven, I'd never return. Aunt Jane. (Rising.) Larry Singleton. Do you mean to say you sent me a letter on the morning after our quarrel ? Uncle Larry. (Rising.) Jane Meredith, do you mean to say you never received my letter ? Aunt Jane. (Earnestly.) Larry, I swear to you that I never received it. Uncle Larry. And I swear to you, Jane, that I sent it the morning after our quarrel. (They stand for a second, facing each other.) Uncle Larry. (Holding out Jiis arms.) Jane. Aunt Jane. (Rushing into them.) Larry. (She sobs on his shoulders while he blows his nose violently to conceal his emotion.) Uncle Larry. (Soothingly.) There, there, dear, don't cry. (Savagely.) Oh what infernal asses we've been — T — I — beg pardon, dear, I mean what an infernal ass I've been. Fifteen of the best years of our lives lost all through my pig-headed- ness. And you never ceased to love me through all that time. Aunt Jane. ( Wiping her eyes.) Never. After 3 ou left me on that unfortunate evening, vowing never to return, I w r ent to my room and cried as though my heart was breaking, and would have given the world to have recalled my hasty words. But you were absurdly jealous, dear, and tried me sorely. Uncle Larry. I was a brute, dear, a heartless brute. But I am wiser now, and nothing is to be gained by grieving over what is done and gone. Now that I have you again, I don't mean to let you go. Listen, dear, I've come back to you, a battered old scarecrow, compared to what I was when I won your heart fifteen years ago. But my heart is still young, and it has never ceased to beat for you and you alone, and to-day, you are, if possible, dearer to me than ever. Fortune has been kind to me, and I am counted a rich man. Will you not let me share it with you ? Perhaps the future holds some happy days in store for us. 21 Aunt Jane. But, Larry, dear, I've grown old, and gray, and — Uncle Larry. Stuff and nonsense. Neither of us will crack under the wings, my dear, and as far as growing gray is concerned, I love every gray hair in your head. Why, your eyes are as bright and your cheeks as pink as in the olden days, when we as boy and girl lovers used to go hand in hand stroll- ing through the woods. But now to arrange matters. We've lost too much time already, and at our stage of life one precious minute is equal to an hour of fifteen years ago. So, my dear, we'll get married without delay and go to house-keeping at once. Come now, sweetheart, what do you say ? Aunt Jane. (Confusedly.) I — I — pray give me time to think. Uncle Larry. Not an hour, not a blessed minute. I have thought for both of us. To-morrow morning, bright and early, I'll get the license. At two in the afternoon I will call for you, ostensibly to take a drive. We'll go at once to the Presbyter- ian Parsonage and have the thing over, without fuss and feathero. Is it a go. Aunt Jane. (Smiling.) The same impetuous Larry of old. Uncle Larry. (Eagerly.) You consent then. Aunt Jane. (Giving him her hand.) If you wish it, yes. Uncle Larry. Hurray. Give me a buss, dear. (Kisses her heartily.) By the great horn spoon, I'm happy. (Sings in a craked voice,) " Jane, Jane, me bunnie Jane." Aunt Jane. For goodness sake Larry, don't. What will the children think ? Uncle Larry. The children be blowed. Excuse me, dear, I can't help it, I must sing or do something or I'll bust. Be- sides they are all in the same boat. (Sings.) " There's noth- ing half so pleasant as Love's young dream." Oh, by the way. An idea strikes me. A splendid idea. You know the boys, Herbert, Charlie and Rob, when they started bachelor house- keeping, agreed that the first one married was to fall heir to the entire outfit, furniture, pictures, piano, everything. 22 Aunt Jane. Yes, so I understand, and a capital plan it was, too. Uncle Larey. Well, don't you see ? Aunt Jane. See what? Uncle Larry. I am a member of the Flats. One of the angels. I purchased a quarter interest in the place this after- noon, agreeing to stand by the rules and regulations and — Aunt Jane. Yes! Uncle Larry. Well, as I am the first to be married, the place comes to me. Aunt Jane. But, Larry, you really wouldn't think of turn- ing those young men out of this cosy little home ? Uncle Larry. Not a bit of it my dear, not a bit of it. But I intend to give them a pretty good scare to-morrow after- noon, when we return from our " wedding tour." We'll call on them on our way home. Aunt Jane. It will be an awfully good joke, but hush — here they come. (Enter Herbert and Fannie, Charlie and Susie, Rob and Clara.) Fannie. Oh, Aunt Jane, you ought to see the lovely flowers in the conservatory. Susie. And the cutest kitchen. Clara. And the dearest little butler's pantry. Aunt Jane. Well ! you seem to have been pretty much all over the premises. , Rob. Come, Clara, and give us some music. Uncle Larry. Yes, do, Miss Clara. It's been a long time since I've heard any. Clara. Well, if Rob will play my accompaniment. Rob. With much pleasure. What shall it be ? Charlie. Sing ****** (here is introduced the latest popular waltz song. At the conclusion of so n