iHi 
 
 ::^x:\:■Am®:z,n;••\vA 
 
 
 PORTRAIT OF GEORGE ELIOT. 
 
THE 
 
 COMPLETE POETICAL WORKS 
 
 GEORGE ELIOT 
 
 FAMILY EDITION 
 
 Fully Illustrated with New Wood-engravings. L 
 With Border by J. D. Woodward. y 
 
 ^ 
 
 J 
 
THE LEGEND OF JUBAL, 
 
 
 PAGE 
 
 7 
 
 AGATHA, .... 
 
 
 35 
 
 ARMGART, 
 
 
 51 
 
 HOW LISA LOVED THE KING, 
 
 
 95 
 
 A MINOR PROPHET, 
 
 
 117 
 
 BROTHER AND SISTER, 
 
 
 129 
 
 STRADIVARIUS, 
 
 
 139 
 
 A COLLEGE BREAKFAST-PARTY, 
 
 
 147 
 
 TWO LOVERS, 
 
 
 175 
 
 SELF AND LIFE, . 
 
 
 179 
 
 ^ 
 
IV CONTENTS. 
 
 "SWEET EVENINGS COME AND GO, LOVE," 185 
 
 THE DEATH OF MOSES, . . . l8g 
 
 ARION, 196 
 
 " O MAY I TOIN THE CHOIR INVISIBLE," 20I 
 THE SPANISH GYPSY. 
 
THE LEGEND OF JUBAL. 
 
 When Cain was driven from Jehovah's land 
 
 He wandered eastward, seeking some far strand 
 
 Ruled by kind gods who asked no offerings 
 
 Save pure field-fruits, as aromatic things, 
 
 To feed the subtler sense of frames divine 
 
 That lived on fragprance for their food and wine : 
 
 Wild joyous gods, who winked at faults and folly. 
 
 And could be pitiful and melancholy. 
 
 He never had a doubt that such gods were ; 
 
 He looked within, and saw them mirrored there. 
 
 Some think he came at last to Tartary, 
 
 And some to Ind ; but, howsoe'er it be, 
 
 His staff he planted where sweet waters ran, 
 
 And in that home of Cain the Arts began. 
 
 Man's life was spacious in the early world : 
 It paused, like some slow ship with sail unfurled 
 Waiting in seas by scarce a wavelet curled ; 
 Beheld the slow star-paces of the skies, 
 And grew from strength to strength through cen- 
 turies ; 
 Saw infant trees fill out their giant limbs. 
 And heard a thousand times the sweet birds' mar- 
 riage hymns. 
 
 In Cain's young city none had heard of Death 
 Save him, the founder ; and it was his faith 
 That here, away from harsh Jehovah's law, 
 Man was immortal, since no halt or flaw 
 In Cain's own frame betrayed six hundred years, 
 But dark as pines that autumn never sears 
 
THE LEGEND OF JUBAL. 
 
 His locks thronged backward as he ran, his frame 
 Rose like the orbed sun each morn the same, 
 Lake-mirrored to his gaze ; and that red brand, 
 The scorching impress of Jehovah's hand, 
 Was still clear-edged to his unwearied eye. 
 Its secret firm in time-fraught memory. 
 He said, " My happy offspring shall not know 
 That the red life from out a man may flow 
 When smitten by his brother." True, his race 
 Bore each one stamped upon his new-born face 
 A copy of the brand no whit less clear ; 
 But every mother held that little copy dear. 
 
 Thus generations in glad idlesse throve. 
 Nor hunted prey, nor with each other strove ; 
 For clearest springs were plenteous in the land, 
 And gourds for cups ; the ripe fruits sought the 
 
 hand, 
 Bending the laden boughs with fragrant gold ; 
 And for their roofs and garments wealth untold 
 Lay everywhere in grasses and broad leaves : 
 They labored gently, as a maid who weaves 
 Her hair in mimic mats, and pauses oft 
 And strokes across her palm the tresses soft, 
 Then peeps to watch the poised butterfly. 
 Or little burthened ants that homeward hie. 
 Time was but leisure to their lingering thought, 
 There was no need for haste to finish aught ; 
 But sweet beginnings were repeated still 
 Like infant babblings that no task fulfil ; 
 For love, that loved not change, constrained the 
 
 simple will. 
 
 Till, hurling stones in mere athletic joy, 
 Strong Lamech struck and killed his fairest boy, 
 And tried to wake him with the tenderest cries, 
 And fetched and held before the glazed eyes 
 
 W 
 
^^^. 
 
 .jC-:- 
 
 \ 
 
 THE LEGEND OF JUBAL. 
 
 The things they best had loved to look upon ; 
 But never glance or smile or sigh he won. 
 The generations stood around those twain 
 Helplessly gazing, till their father Cain 
 Parted the press, and said, "He will not wake : 
 This is the endless sleep, and we must make 
 A bed deep down for him beneath the sod ; 
 For know, my sons, there is a mighty God 
 Angry wit!i all man's race, but most with me. 
 I fled from out His land in vain ! — 'tis He 
 Who came and slew the lad, for He has foiTnd 
 This home of ours, and we shall all be bound 
 By the harsh bands of His most cruel will. 
 Which any moment may some dear one kill. 
 Nay, though we live for countless moons, at last 
 We and all ours shall die like summers past. 
 This is Jehovah's will, and He is strong ; 
 I thought the way I travelled was too long 
 For Him to follow me : my thought was vain ! 
 He walks unseen, but leaves a track of pain, 
 Pale Death His footprint is, and He will come 
 again 
 
 And a new spirit from that hour came o'er 
 The race of Cain : soft idlesse was no more. 
 But even the sunshine had a heart of care, 
 Smiling with hidden dread — a mother fair 
 Who folding to her breast a dying child 
 Beams with feigned joy that but makes sadness 
 
 mild. 
 Death was now lord of Life, and at his word 
 Time, vague as air before, new terrors stirred, 
 With measured wing now audibly arose 
 Throbbing through all things to some unknown 
 
 close. 
 Now glad Content by clutching Haste was torn. 
 And Work grew eager, and Device was born. 
 
lO 
 
 THE LEGEND OF JUBAL. 
 
 It seemed the light was never loved before, 
 Now each man said "'Twill go and come no 
 
 more." 
 No budding branch, no pebble from the brook, 
 No form, no shadow, but new dearness took 
 From the one thought that life must have an end ; 
 And the last parting now began to send 
 Diffusive dread through love and wedded bliss, 
 Thrilling them into finer tenderness. 
 Then Memory disclosed her face divine. 
 That like the calm nocturnal lights doth shine 
 Within the soul, and shows the sacred graves, 
 And shows the presence that no sunlight craves. 
 No space, no warmth, but moves among them all ; 
 Gone and yet here, and coming at each call. 
 With ready voice and eyes that understand, 
 And lips that ask a kiss, and dear responsive hand. 
 
 Thus to Cain's race death was tear-watered seed 
 Of various life and action-shaping need. 
 But chief the sons of Lamech felt the stings 
 Of new ambition, and the force that springs 
 In passion beating on the shores of fate. 
 They said, " There comes a night when all too 
 
 late 
 The mind shall long to prompt the achieving hand, 
 The eager thought behind closed portals stand, 
 And the last wishes to the mute lips press 
 Buried ere death in silent -helplessness. 
 Then while the soul its way with sound can cleave, 
 A-nd while the arm is strong to strike and heave, 
 Let soul and arm give shape that will abide 
 And rule above our graves, and power divide 
 With that great god of day, whose rays must bend 
 As we shall make the moving shadows tend. 
 Come, let us fashion acts that are to be, 
 When we shall lie in darkness silently, 
 
 - ,^^ 
 
As our young brother doth, whom yet we see 
 Fallen and slain, but reigning in our will 
 By that one image of him pale and still." 
 
 For Lamech's sons were heroes of their race : 
 
 Jabal, the eldest, bore upon his face 
 
 The look of that calm river-god, the Nile, 
 
 Mildly secure in power that needs not guile. 
 
 But Tubal-Cain was restless as the fire 
 
 That glows and spreads and leaps from high to 
 
 higher 
 Where'er is aught to seize or to subdue ; 
 Strong as a storm he lifted or o'erthrew, 
 His urgent limbs like rounded granite grew, 
 Such granite as the plunging torrent wears 
 And roaring rolls around through countless years. 
 But strength that still on movement must be fed, 
 Inspiring thought of change, devices bred. 
 And urged his mind through earth and air to rove 
 For force that he could conquer if he strove. 
 For lurking forms that might new tasks fulfil 
 And yield unwilling to his stronger will. 
 Such Tubal-Cain. But Jubal had a frame 
 Fashioned to finer senses, which became 
 A yearning for some hidden soul of things, 
 Some outward touch complete on inner springs 
 That vaguely moving bred a lonely pain, 
 A want that did but stronger grow with gain 
 Of all good else, as spirits might be sad 
 For lack of speech to tell us they are glad. 
 
 Now Jabal learned to tame the lowing kine, 
 And from their udders drew the snow-white wMie 
 That stirs the innocent joy, and makes the 
 
 stream 
 Of elemental life with fulness teem ; [hand. 
 
 The star-browed calves he nursed with feeding 
 
 BH"piP"5l|f«fpT!p 
 
 ^^^ 
 
THE LEGEND OF JUBAL. 
 
 And sheltered them, till all the little band 
 Stood mustered gazing at the sunset way 
 Whence he would come with store at close of day. 
 He soothed the silly sheep with friendly tone 
 And reared their staggering lambs that, older 
 
 grown, 
 Followed his steps with sense-taught memory ; 
 Till he, their shepherd, could their leader be 
 And guide them through the pastures as he 
 
 would, 
 With sway that grew from ministry of good. 
 He spread his tents upon the grassy plain 
 Which, eastward widening like the open main, 
 Showed the first whiteness 'neath the morning 
 
 star ; 
 Near him his sister, deft, as women are. 
 Plied her quick skill in sequence to his thought 
 Till the hid treasures of the milk she caught 
 Revealed like pollen 'mid the petals white, 
 The golden pollen, virgin to the light. 
 Even the she-wolf with young, on rapine bent, 
 He caught and tethered in his mat-walled tent, 
 And cherished all her little sharp-nosed young 
 Till the small race with hope and terror clung 
 About his footsteps, till each new-reared brood. 
 Remoter from the memories of the wood, 
 More glad discerned their common home 
 
 man. 
 This was the work of Jabal : he began 
 The pastoral life, and, sire of joys to be. 
 Spread the sweet ties that bind the family 
 O'er dear dumb souls that thrilled at ma 
 
 caress. 
 And shared his pains with patient helpfulness. 
 
 But Tubal-Cain had caught and yoked the fire, 
 Yoked it with stones that bent the flaming spire 
 
 with 
 
 ^^ 
 
' 
 
V~T 
 
 THE LEGEND OF JUBAL. 
 
 13 
 
 And made it roar in prisoned servitude 
 
 Within the furnace, till with force subdued 
 
 It changed all forms he willed to work upon, 
 
 Till hard from soft, and soft from hard, he won. 
 
 The pliant clay he moulded as he wouid. 
 
 And laughed with joy when 'mid the heat it 
 
 stood 
 Shaped as his hand had chosen, while the mass 
 That from his hold, dark, obstinate, would pass. 
 He drew all glowing from the busy heat. 
 All breathing as with life that he could beat 
 With thundering hammer, making it obey 
 His will creative, like the pale soft clay. 
 Each day he wrought and better than he planned, 
 Shape breeding shape beneath his restless hand. 
 (The soul without still helps the soul within. 
 And its deft magic ends what we begin.) 
 Nay, in his dreams his hammer he would wield 
 And seem to see a myriad types revealed, 
 Then spring with wondering triumphant cry. 
 And, lest the inspiring vision should go by, 
 Would rush to labor with that plastic zeal 
 Which all the passion of our life can steal 
 For force to work with. Each day saw the 
 
 birth 
 Of various forms which, flung upon the earth. 
 Seemed harmless toys to cheat the exacting hour, 
 But were as seeds instinct with hidden power. 
 The axe, the club, the spiked wheel, the chain. 
 Held silently the shrieks and moans of pain ; 
 And near them latent lay in share and spade. 
 In the strong bar, the saw, and deep-curved 
 
 blade. 
 Glad voices of the hearth and harvest-home, 
 The social good, and all earth's joy to come. 
 Thus to mixed ends wrought Tubal ; and they 
 
 say, 
 
 ^K 
 
,v'* 1 twar iT/fjU^iiiik 
 
 14 
 
 THE LEGEND OF JUBAL. 
 
 Some things he made have lasted to this day ; 
 As, thirty silver pieces that were found 
 By Noah's children buried in the ground. 
 He made them from mere hunger of device, 
 Those small white discs ; but they became the 
 
 price 
 The traitor Judas sold his Master for ; 
 And men still handling them in peace and war 
 Catch foul disease, that comes as appetite, 
 And lurks and clings as withering, damning 
 
 blight. 
 But Tubal-Cain wot not of treachery, 
 Nor greedy lust, nor any ill to be. 
 Save the one ill of sinking into nought. 
 Banished from action and act-shaping thought. 
 He was the sire of swift-transforming skill, 
 Which arms for conquest man's ambitious will ; 
 And round him gladly, as his hammer rung, 
 Gathered the elders and the growing young : 
 These handled vaguely and those plied the tools, 
 Till, happy chance begetting conscious rules, 
 The home of Cain with industry was rife. 
 And glimpses of a strong persistent life. 
 Panting through generations as one breath, 
 And filling with its soul the blank of death. 
 
 Jubal, too, watched the hammer, till his eyes, 
 
 No longer following its fall or, rise, 
 
 Seemed glad with something that they could not 
 
 see. 
 But only listened to — some melody, 
 Wherein dumb longings inward speech had 
 
 found, 
 Won from the common store of struggling sound 
 Then, as the metal shapes more various grew. 
 And, hurled upon each other, resonance drew, 
 Each gave new tones, the revelations dim 
 
THE LEGEND OF JUBAL. 1 5 
 
 Of some external soul that spoke for him : 
 The hollow vessel's clang, the clash, the boom, 
 Like light that makes wide spiritual room 
 And skyey spaces in the spaceless thought. 
 To Jubal such enlarged passion brought 
 That love, hope, rage, and all experience, 
 Were fused in vaster being, fetching thence 
 Concords and discords, cadences and cries 
 That seemed from some world-shrouded soul to 
 
 Some rapture more intense, some mightier rage. 
 Some living sea that burst the bounds of man's 
 brief age. 
 
 Then tvith such blissful trouble and glad care 
 For growth within unborn as mothers bear, 
 To the far woods he wandered, listening. 
 And heard the birds their little stories sing 
 In notes whose rise and fall seemed melted 
 
 speech — 
 Melted with tears, smiles, glances— that can 
 
 reach 
 More quickly through our frame's deep-winding 
 
 night, 
 And without thought raise thought's best fruit, 
 
 delight. 
 Pondering, he sought his home again and heard 
 The fluctuant changes of the spoken word : 
 The deep remonstrance and the argued want. 
 Insistent first in close monotonous chant. 
 Next leaping upward to defiant stand 
 Or downward beating like the resolute hand ; 
 The mother's call, the children's answering cry. 
 The laugh's light cataract tumbling from on high ; 
 The suasive repetitions Jabal taught. 
 That timid browsing cattle homeward brought ; 
 The clear-winged fugue of echoes vanishing ; 
 
 ■ ii 
 
 Mi 
 
 "«^ 
 
 ^ 
 
THE LEGEND OF JUBAL. 
 
 And through them all the hammer's rhythmic 
 
 ring. 
 Jubal sat lonely, all around was dim, 
 Yet his face glowed with light revealed to him : 
 For as the delicate stream of odor wakes 
 The thought- wed sentience and some image makes 
 From out the mingled fragments of the past, 
 Finely compact in wholeness that will last, 
 So streamed as from the body of each sound 
 Subtler pulsations, swift as warmth, which found 
 All prisoned germs and all their powers unbound, 
 Till thought self-lummous flamed from memory, 
 And in creative vision wandered free. 
 Then Jubal, standing, rapturous arms upraised. 
 And on the dark with eager eyes he gazed, 
 As had some manifested god been there. 
 It was his thought he saw : the presence fair 
 Of unachieved achievement, the high task. 
 The struggling unborn spirit that doth ask 
 With irresistible cry for blood and breath, 
 Till feeding its great life we sink in death. 
 
 He said, "Were now those mighty tones and 
 
 cries 
 That from the giant soul of earth arise, 
 Those groans of some great travail heard from far, 
 Some power at wrestle with the things that are, 
 Those sounds which vary with the varying form 
 Of clay and metal, and in sightless swarm 
 Fill the wide space with tremors : were these wed 
 To human voices with such passion fed 
 As does put glimmer in our common speech, 
 But might flame out in tones whose changing 
 
 reach. 
 Surpassing meagre need, informs the sense 
 With fuller union, finer difference — 
 Were this great vision, now obscurely bright 
 
 J 
 
THE LEGEND OF JUBAL. 
 
 As morning hills that melt in new-poured light. 
 Wrought into solid form and living sound, 
 Moving with ordered throb and sure rebound. 
 Then — Nay, I Jubal will that work begin ! 
 The generations of our race shall win 
 New life, that grows from out the heart of this. 
 As spring from winter, or as lovers' bliss 
 From out the dull unknown of unwaked energies." 
 
 Thus he resolved, and in the soul-fed light 
 Of coming ages waited through the night, 
 Watching for that near dawn whose chiller ray 
 Showed but the unchanged world of yesterday : 
 Where all the order of his dream divine 
 Lay like Olympian forms within the mine ; 
 Where fervor that could fill the earthly round 
 With thronged joys of form-begotten sound 
 Must shrink intense within the patient power 
 That lonely labors through the niggard hour. 
 Such patience have the heroes who begin, 
 Sailing the first to lands which others win. 
 Jubal must dare as great beginners dare. 
 Strike form's first way in matter rude and bare. 
 And, yearning vaguely toward the plenteous quire 
 Of the world's harvest, make one poor small lyre. 
 He made it, and from out its measured frame 
 Drew the harmonic soul, whose answers came 
 With guidance sweet and lessons of delight 
 Teaching to ear and hand the blissful Right, 
 Where strictest law is gladness to the sense 
 And all desire bends toward obedience. 
 
 Then Jubal poured his triumph in a song — 
 The rapturous word that rapturous notes prolong 
 As radiance streams from smallest things that 
 
 burn. 
 Or thought of loving into love doth turn. 
 
And still his lyre gave companionship 
 
 In sense-taught concert as of Hp with lip. 
 
 Alone amid the hills at first he tried 
 
 His winged song ; then with adoring pride 
 
 And bridegroom's joy at leading forth his bride, 
 
 He said, " This wonder which my soul hath 
 
 found, 
 This heart of music in the might of sound. 
 Shall forthwith be the share of all our race 
 And like the morning gladden common space : 
 The song shall spread and swell as rivers do, 
 And I will teach our youth with skill to woo 
 This living lyre, to know its secret will, 
 Its fine division of the good and ill. 
 So shall men call me sire of harmony. 
 And where great Song is, there my life shall be." 
 
 Thus glorying as a god beneficent. 
 
 Forth from his solitary joy he went 
 
 To bless mankind. It was at evening, 
 
 When shadows lengthen from each westward 
 
 thing. 
 When imminence of change makes sense more 
 
 fine 
 And light seems holier in its grand decline. 
 The fruit-trees wore their studded coronal 
 Earth and her children were at festival. 
 Glowing as with one heart and one consent — 
 Thought, love, trees, rocks, in sweet warm radi- 
 ance blent. 
 
 The tribe of Cain was resting on the ground. 
 The various ages wreathed in one broad round. 
 Here lay, while children peeped o'er his huge 
 
 thighs. 
 The sineAAry man embrowned by centuries ; 
 Here the broad-bosomed mother of the strong 
 
r 
 
 THE LEGEND OF JUBAL. 
 
 19 
 
 Looked, like Demeter, placid o'er the throng 
 Of young lithe forms whose rest was movement 
 
 too— 
 Tricks, prattle, nods, and laughs that lightly flew. 
 And swayings as of flower-beds where Love blew.. 
 For all had feasted well upon the flesh 
 Of juicy fruits, on nuts, and honey fresh. 
 And now their wine was health-bred merriment, 
 "Which through the generations circling went. 
 Leaving none sad, for even father Cain 
 Smiled as a Titan might, despising pain. 
 Jabal sat climbed on by a playful ring 
 Of children, lambs, and whelps, whose gambol- 
 ling, 
 With tiny hoofs, paws, hands, and dimpled feet. 
 Made barks, bleats, laughs, in pretty hubbub 
 
 meet. 
 But Tubal's hammer rang from far away, 
 Tubal alone would keep no holiday. 
 His furnace must not slack for any feast. 
 For of all hardship work he counted least ; 
 He scorned all rest but sleep, where every dream 
 Made his repose more potent action seem. 
 
 Yet with health's nectar some strange thirst was 
 
 blent. 
 The fateful growth, the unnamed discontent, 
 The inward shaping toward some unborn power. 
 Some deeper-breathing act. the being's flower. 
 After all gestures, words, and speech of eyes. 
 The soul had more to tell, and broke in sighs. 
 Then from the east, with glory on his head 
 Such as low-slanting beams on corn-waves spread. 
 Came Jubal with his lyre : there 'mid the throng, 
 Where the blank space was, poured a solemn 
 
 song. 
 Touching his lyre to full harmonic throb 
 
j^ti^ 
 
 «fi 
 
 \ 
 
 20 
 
 T//£ LEGEND OF JUBAL. 
 
 And measured pulse, with cadences that sob, 
 Exult and cry, and search the inmost deep 
 "Where the dark sources of new passion sleep. 
 Joy took the air, and took each breathing soul. 
 Embracing them in one entranced whole. 
 Yet thrilled each varying frame to various ends. 
 As Spring new-waking through the creature sends 
 Or rage or tenderness ; more plenteous life 
 Here breeding dread, and there a fiercer strife. 
 He who had lived through twice three centuries, 
 Whose months monotonous, like trees on trees. 
 In hoary forests, stretched a backward maze. 
 Dreamed himself dimly through the travelled days 
 Till in clear light he paused, and felt the sun 
 That warmed him when he was a httle one ; 
 Felt that true heaven, the recovered past. 
 The dear small Known amid the Unknown vast, 
 And in that heaven wept. But younger limbs 
 Thrilled toward the future, that bright land which 
 
 swims 
 In western glor)% isles and streams and bays, 
 Where hidden pleasures float in golden haze. 
 And in all these the rhythmic influence. 
 Sweetly o'ercharging the delighted sense. 
 Flowed out in movements, little waves that spread 
 Enlarging, till in tidal union led 
 The youths and maidens both alike long-tressed. 
 By grace-inspiring melody possessed. 
 Rose in slow dance, with beauteous floating 
 
 swerve 
 Of limbs and hair, and many a melting curve 
 Of ringed feet swayed by each close-linked palm : 
 Then Jubal poured more rapture in his psalm, 
 The dance fired music, music fired the dance. 
 The glow diffusive lit each countenance. 
 Till all the gazing elders rose and stood 
 With glad yet awful shock of that mysterious good 
 
 ar 
 
 .W-^kJ. 
 
 :■: ^ 
 
THE LEGEND OF JUBAL. 
 
 21 
 
 Even Tubal caught the sound, and wondering 
 
 came, 
 Urging his sooty bulk like smoke-wrapt flame 
 Till he could see his brother with the lyre, 
 The work for which he lent his furnace-fire 
 And diligent hammer, witting nought of this — 
 This power in metal shape which made strange 
 
 bliss, 
 Entering within him like a dream full -fraught 
 With new creations finished in a thought. 
 
 The sun had sunk, but music still was there. 
 And when this ceased, still triumph filled the air: 
 It seemed the stars were shining with delight 
 And that no night was ever like this night. 
 All clung with praise to Jubal : some besought 
 That he would teach them his new skill ; some 
 
 caught, 
 Swiftly as smiles are caught in looks that meet, 
 The tone's melodic change and rhythmic beat : 
 'Twas easy following where invention trod — 
 All eyes can see when light flows out from God. 
 
 And thus did Jubal to his race reveal 
 Music their larger soul, where woe and weal 
 Filling the resonant chords, the song, the dance. 
 Moved with a wider- winged utterance. 
 Now many a lyre was fashioned, many a song 
 Raised echoes new, old echoes to prolong, 
 Till things of Jubal's making were so rife, 
 *' Hearing myself," he said, " hems in my life. 
 And I will get me to some far-off land, 
 Where higher mountains under heaven stand 
 And touch the blue at rising of the stars, 
 Whose song they hear where no rough mingling 
 
 mars 
 The great clear voices. Such lands there must be. 
 
 W> 
 
'/:* 
 
 / 
 
 '^^^^-^^^ 
 
 THE LEGEND OF JUBAL. 
 
 Where varying forms make varying symphony— 
 "Where other thunders roll amid the hills, 
 Some mightier wind a mightier forest fills 
 With other strains through other-shapen boughs ; 
 Where bees and birds and beasts that hunt or 
 
 browse 
 Will teach me songs I know not. Listening there, 
 My life shall grow like trees both tall and fair 
 That rise and spread and bloom toward fuller 
 
 fruit each year." 
 
 He took a raft, and travelled with the stream 
 Southward for many a league, till he might deem 
 He saw at last the pillars of the sky, 
 Beholding mountains whose white majesty 
 Rushed through him as new awe, and made new 
 
 song 
 That swept with fuller wave the chords along. 
 Weighting his voice with deep religious chime. 
 The iteration of slow chant sublime. 
 It was the region long inhabited 
 By all the race of Seth ; and Jubal said : 
 "Here have I found my thirsty soul's desire. 
 Eastward the hills touch heaven, and evening's fire 
 Flames through deep waters ; I will take my rest. 
 And feed anew from my great mother's breast, 
 The sky-clasped Earth, whose voices nurture me 
 As the flowers' sweetness doth the honey-bee." 
 He lingered wandering for many an age, 
 And, sowing music, made high heritage 
 For generations far beyond the Flood — 
 For the poor late-begotten human brood 
 Born to life's weary brevity and perilous good. 
 
 And ever as he travelled he would climb 
 
 The farthest mountain, yet the heavenly chime, 
 
 The mighty tolling of the far-off spheres 
 
 W 
 
.i«!!?/-$* 
 
 ^Mm,': 
 
 THE LEGEND OF JUBAL. 
 
 -3 
 
 '? 
 
 Beating their pathway, never touched his ears. 
 But wheresoe'er he rose the heavens rose, 
 And the far-gazing mountain could disclose 
 Nought but a wider earth ; until one height 
 Showed him the ocean stretched in liquid light. 
 And he could hear its multitudinous roar, 
 Its plunge and hiss upon the pebbled shore : 
 Then Jubal silent sat, and touched his lyre no 
 more. 
 
 He thought, " The world is great, but I am weak, 
 And where the sky bends is no solid peak 
 To give me footing, but instead, this main — 
 Myriads of maddened horses thundering o'er the 
 plain. 
 
 " New voices come to me where'er I roam, 
 My heart too widens with its widening home : 
 But song grows weaker, and the heart must break 
 For lack of voice, or fingers that can wake 
 The lyre's full answer ; nay, its chords were all 
 Too few to meet the growing spirit's call. 
 The former songs seem little, yet no more 
 Can soul, hand, voice, with interchanging lore 
 Tell what the earth is saying unto me : 
 The secret is too great, I hear confusedly. 
 
 " No farther will I travel : once again 
 My brethren I will see, and that fair plain 
 Where I and vSong were born. There fresh- 
 voiced youth 
 Will pour my strains with all the early truth 
 Which now abides not in my voice and hands, 
 But only in the soul, the will that stands 
 Helpless to move. My tribe remembering 
 Will cry ' Tis he ! ' and run to greet me, welcom- 
 ing." 
 
 I- 
 
 ^ 
 
^ 
 
 'r x 
 
 «4 THE LEGEND OF JUBAL. 
 
 The way was weary. Many a date-palm grew, 
 And shook out clustered gold against the blue, 
 While Jubal, guided by the steadfast spheres, 
 Sought the dear home of those first eager years, 
 When, with fresh vision fed, the fuller will 
 Took living outward shape in pliant skill ; 
 For still he hoped to find the former things. 
 And the warm gladness recognition brings. 
 His footsteps erred among the mazy woods 
 And long illusive sameness of the floods. 
 Winding and wandering. Through far regions, 
 
 strange 
 With Gentile homes and faces, did he range, 
 And left his music in their memory, 
 And left at last, when nought besides would free 
 His homeward steps from clinging hands and 
 
 cries. 
 The ancient lyre. And now in ignorant eyes 
 No sign remained of Jubal, Lamech's son. 
 That mortal frame wherein was first begun 
 The immortal life of song. His withered brow 
 Pressed over eyes that held no lightning now. 
 His locks streamed whiteness on the hurrying air, 
 The unresting soul had worn itself quite bare 
 Of beauteous token, as the outworn might 
 Of oaks slow dying, gaunt in summer's light. 
 His full deep voice toward thinnest treble ran : 
 He was the rune- writ story of a man. 
 
 And so at last he neared the well-known land, 
 Could see the hills in ancient order stand 
 W^ith friendly faces whose familiar gaze 
 Looked through the sunshine of his childish days ; 
 Knew the deep-shadowed folds of hanging woods. 
 And seemed to see the self-same insect broods 
 Whirling and quivering o'er the flowers — to hear 
 The self-same cuckoo making distance near. 
 
ir^' 
 
 THE LEGEND OF- JUBAL. 25 
 
 Yea, the dear Earth, with mother's constancy, 
 Met and embraced him, and said, " Thou art he \ 
 This was thy cradle, here my breast was thine. 
 Where feeding, thou didst all thy life entwine 
 With my sky-wedded life in heritage divine." 
 
 But wending ever through the watered plain. 
 
 Firm not to rest save in the home of Cain, 
 
 He saw dread Change, with dubious face and cold 
 
 That never kept a welcome for the old. 
 
 Like some strange heir upon the hearth, arise 
 
 Saying "This home is mine." He thought hi§ 
 
 eyes 
 Mocked all deep memories, as things new made, 
 Usurping sense, make old things shrink and fade 
 And seem ashamed to meet the staring day. 
 His memory saw a small foot-trodden way. 
 His eyes a broad far-stretching paven road 
 Bordered with many a tomb and fair abode ; 
 The little city that once nestled low 
 As buzzing groups about some central glow, 
 Spread like a murmuring crowd o'er plain and 
 
 steep. 
 Or monster huge in heavy-breathing sleep. 
 His heart grew faint, and tremblingly he sank 
 Close by the wayside on a weed-grown bank. 
 Not far from where a new-raised temple stood, 
 Sky-roofed, and fragrant with wrought cedar 
 
 wood. 
 The morning sun was high ; his rays fell hot 
 On this hap-chosen, dusty, common spot. 
 On the dry-withered grass and withered man : 
 That wondrous frame where melody began 
 Lay as a tomb defaced that no eye cared to scan. 
 
 Bnt while he sank far music reached his ear. 
 He listened until wonder silenced fear 
 
 'l\ 
 
THE LEGEND OF JUBAL. 
 
 And gladness wonder ; for the broadening stream 
 Of sound advancing was his early dream, 
 Brought like fulfilment of forgotten prayer ; 
 As if his soul, breathed out upon the air, 
 Had held the invisible seeds of harmony 
 Quick with the various strains of life to be. 
 He listened : the sweet mingled difference 
 With charm alternate took the meeting sense ; 
 Then bursting like some shield-broadlily red, 
 Sudden and near the trumpet's notes out-spread, 
 And soon his eyes could see the metal flower, 
 Shining upturned, out on the morning pour 
 Its incense audible ; could see a train 
 From out the street slow-winding on the plain 
 With lyres and cymbals, flutes and psalteries, 
 While men, youths, maids, in concert sang to 
 
 these 
 With various throat, or in succession poured, 
 Or in full volume mingled. But one word 
 Ruled each recurrent rise and answering fall, 
 As when the multitudes adoring call 
 On some great name divine, their common soul, 
 The common need, love, joy, that knits them in 
 
 one whole. 
 
 The word was ' ' Jubal ' 
 
 " Jubal " filled the 
 
 And seemed to ride aloft, a spirit there, 
 Creator of the quire, the full-fraught strain 
 That grateful rolled itself to him again. 
 The aged man adust upon the bank — 
 Whom no eye saw — at first with rapture drank 
 The bliss of music, then, with swelling heart, 
 Felt, this was his own being's greater part. 
 The universal joy once born in him. 
 But when the train, with living face and limb 
 iVnd vocal breath, came nearer and more near. 
 
 ^ 
 
liL^:!^^. 
 
 THE LEGEND OF JUBAL, 2 7 
 
 The longing grew that they should hold him 
 
 dear ; 
 Him, Lamech'sson, whom all their fathers knew, 
 The breathing Jubal — him, to whom their love was 
 
 due. 
 All was forgotten but the burning need 
 To claim his fuller self, to claim the deed 
 That lived away from him, and grew apart. 
 While he as from a tomb, with lonely heart. 
 Warmed by no meeting glance, no hand that 
 
 pressed, 
 Lay chill amid the life his life had blessed. 
 What though his song should spread from man's 
 
 small race 
 Out through the myriad worlds that people space, 
 And make the heavens one joy-diffusing quire? — 
 Still 'mid that vast would throb the keen desire 
 Of this poor aged flesh, this eventide. 
 This twilight soon in darkness to subside. 
 This little pulse of self that, having glowed 
 Through thrice three centuries, and divinely 
 
 strowed 
 The light of music through the vague of sound. 
 Ached with its smallness still in good that had no 
 
 bound. 
 
 For no eye saw him, while with loving pride 
 Each voice with each in praise of Jubal vied. 
 Must he in conscious trance, dumb, helpless lie 
 While all that ardent kindred passed him by ? 
 His flesh cried out to live with living men 
 And join that soul which to the inward ken 
 Of all the hymning train was present there. 
 Strong passion's daring sees not aught to dare . 
 The frost-locked starkness of his frame low-bent 
 His voice's penury of tones long spent, 
 He felt not ; all his being leaped in flame 
 
28 
 
 THE LEGEND OF JUBAL. 
 
 To meet his kindred as they onward came 
 Slackening and wheeling toward the temple's 
 
 face : 
 He rushed before them to the glittering space, 
 And, with a strength that was but strong desire, 
 Cried, " I am Jubal^ I ! ... I made the 
 
 lyre ! " 
 
 The tones amid a lake of silence fell 
 
 Broken and strained, as if a feeble bell 
 
 Had tuneless pealed the triumph of a land 
 
 To listening crowds in expectation spanned. 
 
 Sudden came showers of laughter on that lake ; 
 
 They spread along the train from front to wake 
 
 In one great storm of merriment, while he 
 
 Shrank doubting w^hether he could Jubal be. 
 
 And not a dream of Jubal, whose rich vein 
 
 Of passionate music came with that dream-pain 
 
 Wherein the sense slips off from each loved thing 
 
 And all appearance is mere vanishing. 
 
 But ere the laughter died from out the rear. 
 
 Anger in front saw profanation near ; 
 
 Jubal was but a name in each man's faith 
 
 For glorious power untouched by that slow death 
 
 Which creeps with creeping time ; this too, the 
 
 spot, 
 And this the day, it must be crime to blot. 
 Even with scoffing at a madman's lie : 
 Jubal was not a name towed with mockery. 
 
 Two rushed upon him : two, the most devout 
 
 In honor of great Jubal, thrust him out, 
 
 And beat him with their flutes. 'Twas little 
 
 need ; 
 He strove not, cried not, but with tottering speed. 
 As if the scorn and howls were driving wind 
 That urged his body, serving so the mind 
 
 i 
 
4i*:iK>.^v»^. 
 
 Y^-^V 
 
 THE LEGEND OF JUBAL. 
 
 29 
 
 W3i 
 
 Which could but shrink and yearn, he sought the 
 
 screen 
 Of thorny thickets, and there fell unseen. 
 The immortal name of Jubal filled the sky, 
 While Jubal lonely laid him down to die. 
 He said within his soul, " This is the end : 
 O'er all the earth to where the heavens bend 
 And hem men's travel, I have breathed my soul : 
 I lie here now the remnant of that whole, 
 The embers of a life, a lonely pain ; 
 As far-off rivers to my thirst were vain, 
 So of my mighty years nought comes to me 
 
 again. 
 
 " Is the day sinking? Softest coolness springs 
 From something round me : dewy shadowy wings 
 Inclose me all around — no, not above — 
 Is moonlight there ? I see a face of love, 
 Fair as sweet music when my heart was strong : 
 Yea — art thou come again to me, great Song ? " 
 
 The face bent over him like silver night 
 In long-remembered summers ; that calm light 
 Of days which shine in firmaments of thought, 
 That past unchangeable, from change still 
 
 wrought. 
 And gentlest tones were with the vision blent : 
 He knew not if that gaze the music sent. 
 Or music that calm gaze : to hear, to see, 
 Was but one undivided ecstasy : 
 The raptured senses melted into one. 
 And parting life a moment's freedom won 
 From in and outer, as a little child 
 Sits on a bank and sees blue heavens mild 
 Down in the water, and forgets its limbs, 
 And knoweth nought save the blue heaven that 
 
 swims. 
 
3° 
 
 THE LEGEND OF JUBAL. 
 
 " Jubal," the face said, " I am thy loved Past, 
 
 The soul that makes thee one from first to last. 
 
 I am the angel of thy life and death, 
 
 Thy outbreathed being drawing its last breath. 
 
 Am I not thine alone, a dear dead bride 
 
 Who blest thy lot above all men's beside ? 
 
 Thy bride whom thou wouldst never change, nor 
 
 take 
 Any bride living, for that dead one's sake ? 
 Was I not all thy yearning and delight. 
 Thy chosen search, thy senses' beauteous Right, 
 Which still had been the hunger of thy frame 
 In central heaven, hadst thou been still the same? 
 Wouldst thou have asked aught else from any 
 
 god— 
 Whether with gleaming feet on earth he trod 
 Or thundered through the skies — aught else for 
 
 share 
 Of mortal good, than in thy soul to bear 
 The growth of song, and feel the sweet unrest 
 Of the world's spring-tide in thy conscious breast I 
 No, thou hadst grasped thy lot with all its pain. 
 Nor loosed it any painless lot to gain 
 Where music's voice was silent ; for thy fate 
 W^as human music's self incorporate : 
 Thy senses' keenness and thy passionate strife 
 W'ere flesh of her flesh and her womb of life. 
 And greatly hast thou lived, for not alone 
 With hidden raptures were her secrets shown. 
 Buried within thee, as the purple light 
 Of gems may sleep in solitary night ; 
 But thy expanding joy was still to give, 
 And with the generous air in song to live, 
 Feeding the wave of ever-widening bliss 
 Vrhere fellowship means equal perfectness. 
 And on the mountains in thy wandering 
 Thy feet were beautiful as blossomed spring, 
 
 1 
 
 Iff 
 
That turns the leafless wood to love's glad home. 
 
 For with thy coming Melody was come. 
 
 This was thy lot, to feel, create, bestow, 
 
 And that immeasurable life to know 
 
 From which the fleshly self falls shrivelled, dead. 
 
 A seed primeval that has forests bred. 
 
 It is the glory of the heritage 
 
 Thy life has left, that makes thy outcast age : 
 
 Thy limbs shall lie dark, tombless on this sod. 
 
 Because thou shinest in man's soul, a god. 
 
 Who found and gave new passion and new joy 
 
 That nought but Earth's destruction can destroy' 
 
 Thy gifts to give was thine of men alone : 
 
 *Twas but in giving that thou couldst atone 
 
 For too much wealth amid their poverty." — 
 
 The words seemed melting into symphony, 
 The wings upbore him, and the gazing song 
 Was floating him the heavenly space along, 
 Where mighty harmonies all gently fell 
 Through veiling vastness, like the far-off bell 
 Till, ever onward through the choral blue. 
 He heard more faintly and more faintly knew 
 Quitting mortality, a quenched sun-wave, 
 The All-creating Presence for his grave. 
 
\ 
 
 AGATHA. 
 
 Come with me to the mountain, not where rocks 
 Soar harsh above the troops of hurrying pines, 
 But where the earth spreads soft and rounded 
 
 breasts 
 To feed her children ; where the generous hills 
 Lift a green isle betwixt the sky and plain 
 To keep some Old World things aloof from 
 
 change. 
 Here too 'tis hill and hollow : new-born streams 
 With sweet enforcement, joyously compelled 
 Like laughing children, hurry down the steeps. 
 And make a dimpled chase athwart the stones ; 
 Pine woods are black upon the heights, the «3lopes 
 Are green with pasture, and the bearded com 
 Fringes the blue above the sudden ridge : 
 P. little world whose round horizon cuts 
 This isle of hills with heaven for a sea, 
 Save in clear moments when southwestward 
 
 gleams 
 France by the Riiine, melting anon to haze. 
 The monies of old chose here their still retreat, 
 And called it by the Blessed Virgin's name, 
 Sancta Maria, which the peasant's tongue, 
 Speaking from out the parent's heart that turns 
 All loved things into little things, has made 
 SaJict Margen — Holy little Mary, dear 
 A:i all the sweet home things she smiles upon, 
 The children and the cows, the apple-trees, i 
 
 The cart, the plough, all named with that caress 
 Which feigns them little, easy to be held. 
 Familiar to the eyes and hand and heart. 
 
 m 
 
 ^:l/| 
 
What though a Queen ? She puts her crown 
 
 away 
 And with her Httle Boy wears common clothes, 
 Caring for common wants, remembering 
 That day when good Saint Joseph left his work 
 To marry her with humble trust sublime. 
 The monks are gone, their shadows fall no more 
 Tall-f rocked and cowled athwart the evening fields 
 At milking-time ; their silent corridors 
 Are turned to homes of bare-armed, aproned men, 
 Who toil for wife and children. But the bells. 
 Pealing on high from two quaint convent towers, 
 Still ring the Catholic signals, summoning 
 To grave remembrance of the larger life 
 That bears our own, like perishable fruit 
 Upon its heaven-wide branches. At their sound 
 The shepherd boy far off upon the hill. 
 The workers with the saw and at the forge, 
 The triple generation round the hearth — 
 Grandames and mothers and the flute-voiced 
 
 girls — 
 Fall on their knees and send forth prayerful cries 
 To the kind Mother with the little Boy," 
 Who pleads for helpless men against the storm, 
 Lightning and plagues and all terrific shapes 
 Of power supreme. 
 
 Within the prettiest hollow of these hills, 
 Just as you enter it, upon the slope 
 Stands a low cottage neighbored cheerily 
 By running water, which, at farthest end 
 Of the same hollow, turns a heavy mill. 
 And feeds the pasture for the miller's cows, 
 Blanchi and Nageli, Veilchen and the rest, 
 Matrons with faces as Griselda mild. 
 Coming at call. And on the farthest height 
 A little tower looks out above the pines 
 Where mounting you will find a sanctuary 
 
 '^^-- 
 
 J. 3 
 
Open and still ; without, the silent crowd 
 Of heaven-planted, incense-mingling flowers ; 
 Within, the altar where the Mother sits 
 'Mid votive tablets hung from far-off years 
 By peasants succored in the peril of fire, 
 Fever, or flood, who thought that Mary's love. 
 Willing but not omnipotent, had stood 
 Between their lives and that dread power which 
 
 slew 
 Their neighbor at their side. The chapel bell 
 Will melt to gentlest music ere it reach 
 That cottage on the slope, whose garden gate 
 Has caught the rose-tree boughs and stands ajar ; 
 So does the door, to let the sunbeams in ; 
 For in the slanting sunbeams angels come 
 And visit Agatha who dwells within — 
 Old Agatha, whose cousins Kate and Nell 
 Are housed by her in Love and Duty's name. 
 They being feeble, with small withered wits, 
 And she believing that the higher gift 
 Was given to be shared. So Agatha 
 Shares her one room, all neat on afternoons. 
 As if some memory were sacred there 
 And everything within the four low walls 
 An honored relic. 
 
 One long summer's day 
 An angel entered at the rose-hung gate, 
 With skirts pale blue, a brow to quench the pearl. 
 Hair soft and blonde as infants', plenteous 
 As hers w^ho made the wavy lengths once speak 
 The grateful worship of a rescued soul. 
 The angel paused before the open door 
 To give good day. " Come in," said Agatha. 
 I followed close, and watched and listened there 
 The angel was a lady, noble, young, 
 Taught in all seemliness that fits a court. 
 
 ^ 
 
38 
 
 AGATHA. 
 
 All lore that shapes the mind to delicate use, 
 Yet quiet, lowly, as a meek white dove 
 That with its presence teaches gentleness. 
 Men called her Countess Linda ; little girls 
 In Freiburg town, orphans whom she caressed, 
 Said Mamma Linda : yet her years were few, 
 Her outward beauties all in budding time. 
 Her virtues the aroma of the plant 
 That dwells in all its being, root, stem, leaf. 
 And waits not ripeness. 
 
 "Sit, "said Agatha. 
 Her cousins were at work in neighboring homes 
 But yet she was not lonely ; all things round 
 Seemed filled with noiseless yet responsive life, 
 As of a child at breast that gently clings : 
 Not sunlight only or the breathing flowers 
 Or the swift shadows of the birds and bees. 
 But all the household goods, which, polished fair 
 By hands that cherished them for service done, 
 Shone as with glad content. The wooden beams 
 Dark and yet friendly, easy to be reached, 
 Bore three white crosses for a speaking sign ; 
 The walls had little pictures hung a-row, 
 Telling the stories of Saint Ursula, 
 And Saint Elizabeth, the lowly queen ; 
 And on the bench that served for table too, 
 Skirting the wall to save the narrow space, 
 There lay the Catholic books, inherited 
 From those old times when printing still was 
 
 young 
 With stout-limbed promise, like a sturdy boy. 
 And in the farthest corner stood the bed 
 Where o'er the pillow hung two pictures 
 
 wreathed 
 With fresh-plucked ivy : one the "Virgin's death, 
 And one her flowering tomb, while high above 
 
'}V^ quiet ^ lo7vly as a meek n'hiie doTe^ 
 That with its pres.'nce teaches gentleness." — V;\^c 38. 
 
AGATHA. 
 
 39 
 
 She smiling bends and lets her girdle down 
 For ladder to the soul that cannot trust 
 In life which outlasts burial. Agatha 
 Sat at her knitting, aged, upright, slim, 
 And spoke her welcome with mild dignity. 
 She kept the company of kings and queens 
 And mitred saints who sat below the feet 
 Of Francis with the ragged frock and wounds ; 
 And Rank for her meant Duty, various. 
 Yet equal in its worth, done worthily. 
 Command was service ; humblest service done 
 By willing and discerning souls was glory. 
 
 Fair Countess Linda sat upon the bench, 
 Close fronting the old knitter, and they talked 
 With sweet antiphony of young and old. 
 
 Agatha. 
 You like our valley, lady? I am glad 
 You thought it well to come again. But rest — 
 The walk is long from Master Michael's inn. 
 
 Countess Linda. 
 Yes, but no walk is prettier. 
 
 Agatha. 
 
 It is true : 
 There lacks no blessing here, the waters all 
 Have virtues like the garments of the Lord, 
 And heal much sickness; then, the crops and cows 
 Flourish past speaking, and the garden flowers, 
 Pink, blue, and purple, 'tis a joy to see 
 How they yield honey for the singing bees. 
 I would the whole world were as good a home. 
 
 Countess Linda. 
 
 And you are well off, Agatha 
 
 friends 
 
 is it not so ? 
 
 Tf 
 
40 
 
 AGATHA. 
 
 Agatha. 
 
 Not so at all, dear lady. I had nought, 
 
 Was a poor orphan ; but I came to tend 
 
 Here in this house, an old afflicted pair, 
 
 Who wore out slowly ; and the last who died, 
 
 Full thirty years ago, left me this roof 
 
 And all the household stuff. It was great wealth ; 
 
 And so I had a home for Kate and Nell. 
 
 Countess Linda. 
 
 But how, then, have you earned your daily bread 
 These thirty years ? 
 
 Agatha. 
 
 O, that is easy earning. 
 We help the neighbors, and our bit and sup 
 Is never failing : they have work for us 
 In house and field, all sorts of odds and ends. 
 Patching and mending, turning o'er the hay. 
 Holding sick children — there is always work ; 
 And they are very good — the neighbors are : 
 Weigh not our bits of work with weight and scale, 
 But glad themselves with giving us good shares 
 Of meat and drink ; and in the big farm-house 
 When cloth comes home from weaving, the good 
 
 wife 
 Cuts me a piece — this very gown— and says : 
 " Here, Agatha, you old maid, you have time 
 To pray for Hans who is gone soldiering : 
 The saints might help him, and they have much 
 
 to do, 
 'Twere well they were besought to think of him." 
 She spoke half jesting, but I pray, I pray 
 For poor young Hans. I take it much to heart 
 That other people are worse off than I — 
 I ease my soul with praying for them all. 
 
 .^»i 
 U' 
 
/^>/2i 
 
 
 Countess Linda. 
 That is your way of singing, Agatha ; 
 Just as the nightingales pour forth sad songs, 
 And when they reach men's ears they make men's 
 
 hearts 
 Feel the more kindly. 
 
 Agatha. 
 
 Nay, I cannot sing : 
 My voice is hoarse, and oft I think my prayers 
 Are foolish, feeble things ; for Christ is good 
 Whether I pray or not — the Virgin's heart 
 Is kinder far than mine ; and then I stop 
 And feel I can do nought toward helping men. 
 Till out it comes, like tears that will not hold, 
 And I must pray again for all the world. 
 'Tis good to me — I mean the neighbors are : 
 To Kate and Nell too. I have money saved 
 To go on pilgrimage the second time. 
 
 Countess Linda. 
 And do you mean to go on pilgrimage 
 With all your years to carry, Agatha ? 
 
 Agatha. 
 The years are light, dear lady : 'tis my sins 
 Are heavier than I would. And I shall go 
 All the way to Einsiedeln with that load : 
 I need to work it off. 
 
 Countess Linda. 
 
 What sort of sins, 
 Dear Agatha? I think they must be small. 
 
 Agatha. 
 Nay, but they may be greater than I know ; 
 'Tis but dim light I see by. So I try 
 
 # 
 
 ir^:> 
 
 -■J^ 
 
All ways I know of to be cleansed and pure. 
 
 I would not sink where evil spirits are. 
 
 There's perfect goodness somewhere : so I strive 
 
 Countess Linda. 
 Vou were the better for that pilgrimage 
 You made before ? The shrine is beautiful ; 
 And then you saw fresh country all the way. 
 
 Agatha. 
 Yes, that is true. And ever since that time 
 The world seems greater, and the Holy Church 
 More wonderful. The blessed pictures all, 
 The heavenly images with books and wings, 
 Are company to me through the day and night. 
 The time ! the time ! It never seemed far back, 
 Only to father's father and his kin 
 That lived before him. But the time stretched 
 
 out 
 After that pilgrimage : I seemed to see 
 Far back, and yet I knew time lay behind, 
 As there are countries lying still behind 
 The highest mountains, there in Switzerland. 
 O, it is great to go on pilgrimage ! 
 
 Countess Linda. 
 Perhaps some neighbors will be pilgrims too, 
 And you can start together in a band 
 
 Agatha. 
 Not from these hills : people are busy here, 
 The beasts want tendance. One who is not 
 
 missed 
 Can go and pray for others who must work. 
 I owe it to all neighbors, young and old ; 
 For they are good past thinking — lads and girls 
 Given to mischief, merry naughtiness, 
 
 ^ 
 
^^^i2^ 
 
 AGATHA. 
 
 43 
 
 Quiet it, as the hedgehogs smooth their spines, 
 For fear of hurting poor old Agatha. 
 'Tis pretty : why, the cherubs in the sky 
 Look young and merry, and the angels play 
 On citherns, lutes, and all sweet instruments. 
 I would have young things merry. See the 
 
 Lord ! 
 A little baby playing with the birds ; 
 And how the Blessed Mother smiles at him. 
 
 Countess Linda. 
 
 I think you are too happy, Agatha, 
 
 To care for heaven. Earth contents you well, 
 
 Agatha. 
 
 Nay, nay, I shall be called, and I shall go 
 Right willingly. I shall get helpless, blind, 
 Be like an old stalk to be plucked away : 
 The garden must be cleared for young spring 
 
 plants, 
 'Tis home beyond the grave, the most are there, 
 All those we pray to, all the Church's lights — 
 And poor old souls are welcome in their rags : 
 One sees it by the pictures. Good Saint Ann, 
 The Virgin's mother, she is very old. 
 And had her troubles with her husband too. 
 Poor Kate and Nell are younger far than I, 
 But they will have this roof to cover them. 
 I shall go willingly ; and willingness 
 Makes the yoke easy and the burden light. 
 
 Countess Linda. 
 
 When you go southward in your pilgrimage, 
 
 Come to see me in Freiburg, Agatha. 
 
 Where you have friends you should not go to inns. 
 
 ^.^ 
 
I, 
 
 AGATHA. 
 
 Agatha. 
 
 Yes, I will gladly come to see you, lady. 
 And you will give me sweet hay for a bed, 
 And in the morning I shall wake betimes 
 And start when all the birds begin to sing. 
 
 Countess Linda. 
 You wear your smart clothes on the pilgrimage 
 Such pretty clothes as all the women here 
 Keep by them for their best : a velvet cap 
 And collar golden-broidered ? They look well 
 On old and young alike. 
 
 Agatha. 
 
 Nay, I have none— 
 Never had better clothes than these you see. 
 Good clothes are pretty, but one sees them best 
 When others wear them, and I somehow thought 
 'Twas not worth while. I had so many things 
 More than some neighbors, I was partly shy 
 Of wearing better clothes than they, and now 
 I am so old and custom is so strong 
 'Twould hurt me sore to put on finery. 
 
 Countess Linda. 
 Your gray hair is a crown, dear Agatha, 
 Shake hands ; good-by. The sun is going down. 
 And I must see the glory from the hill. 
 
 I stayed among those hills ; and oft heard more 
 Of Agatha. I liked to hear her name, 
 As that of one half grandame and half saint, 
 Uttered with reverent playfulness. The lads 
 And younger men all called her mother, aunt, 
 Or granny, with their pet diminutives. 
 And bade their lasses and their brides behave 
 Right well to one who surely made a link 
 Twixt faulty folk and God by loving both : 
 
 mmmmmT: 
 
 im 
 
AGATHA 
 
 Not one but counted service done by her, 
 
 Asking no pay save just her daily bread. 
 
 At feasts and weddings, when they passed in 
 
 groups 
 Along the vale, and the good country wine, 
 Being vocal in them, made them quire along 
 In quaintly mingled mirth and piety, 
 They fain must jest and play some friendly trick 
 On three old maids \ but when the moment came 
 Always they bated breath and made their sport 
 Gentle as feather-stroke, that Agatha 
 Might like the waking for the love it showed. 
 Their song made happy music 'mid the hills. 
 For nature tuned their race to harmony. 
 And poet Hans, the tailor, wrote them songs 
 That grew from out their life, as crocuses 
 From out the meadow's moistness. 'Twas his 
 
 song 
 They oft sang, wending homeward from a feast — 
 The song I give you. It brings in, you see. 
 Their gentle jesting with the three old maids. 
 
 Midnight by the chapel bell ! 
 
 Homeward, homeward all, farewell ! 
 
 I with you, and you with me. 
 
 Miles are short with company. 
 Heart of Mary, bless the way. 
 Keep us all by night and day ! 
 
 Moon and stars at feast with night 
 Now have drunk their fill of light. 
 Home they hurry, making time 
 Trot apace, like merry rhyme. 
 
 Heart of Mary, mystic rose. 
 
 Send us all a sweet repose I 
 
 Swiftly through the wood down hill, 
 Run till you can hear the mill. 
 
AGATHA 
 
 I 
 
 Toni's ghost is wandering now, 
 Shaped just like a snow-white cow. 
 Heart of Mary, morning star. 
 Ward off danger, near or far ! 
 
 Toni's wagon with its load 
 Fell and crushed him in the road 
 'Twixt these pine-trees. Never fear ! 
 Give a neighbor's ghost good cheer. 
 Holy Babe, our God and Brother^ 
 Bind us fast to one another ! 
 
 Hark ! the mill is at its work, 
 Now we pass beyond the murk 
 To the hollow, where the moon 
 Makes her silvery afternoon. 
 
 Good Saint Joseph, faithful spouse 
 Help us all to keep our vows I 
 
 Here the three old maidens dwell, 
 Agatha and Kate and Nell ; 
 See, the moon shines on the thatch, 
 We will go and shake the latch. 
 Heart of Mary, cup of joy. 
 Give us mirth without alloy ! 
 
 Hush, 'tis here, no noise, sing low, 
 Rap with gentle knuckles— so ! 
 Like the little tapping birds, 
 On the door ; then sing good words. 
 Meek Saint Anna, old and fair. 
 Hallow all the snow-white hair ! 
 
\^r-~- 
 
 AGATHA. 
 
 Mothers ye, who help us all, 
 
 Quick at hand, if ill befall. 
 Holy Gabriel, lily -laden, 
 Bless the aged juother-niaiden ! 
 
 Forward, mount the broad hillside 
 Swift as soldiers when they ride. 
 See the two towers how they peep, 
 Round-capped giants, o'er the steep. 
 Heart of Mary, by thy sorrow. 
 Keep us upright through the morrow i 
 
 Now they rise quite suddenly 
 
 Like a man from bended knee. 
 
 Now Saint Margen is in sight. 
 
 Here the roads branch off — good-night 
 Heart of Alary, by thy grace. 
 Give us ivith the saints a tlact I 
 
 47 
 
/ ///ViMM'r'X^ 
 
 r 
 
 ii 
 
 u\\xm«^^^^M. 
 
/ i 
 
 ARMGART. 
 
 SCENE I. 
 
 ^ Salon lit with lamps and ornamented with green- 
 plants. An open piano, with many scattered 
 sheets of lyiusic. Bronze busts of Beethoven and 
 Gluck on pillars opposite each other. A small 
 table spread with supper. To Fraulein Wal- 
 PURGA, who advances with a slight lameness of 
 gait from an adjoining room, enters Graf Dorn- 
 BERG at the opposite cloor in a travelling dress. 
 
 Graf. 
 Good-morning, FrSulein ! 
 
 Walpurga. 
 
 What, so soon returned? 
 I feared your mission kept you still at Prague. 
 
 Graf. 
 But now arrived ! You see my travelling dress. 
 I hurried from the panting, roaring steam 
 Like any courier of embassy 
 Who hides the fiends of war within his bag. 
 
 Walpurga. 
 You know that Armgart sings to-night ? 
 Graf. 
 
 Has sung ! 
 'Tis close on half-past nine. The Otpheus 
 Lasts not so long. Her spirits — were they high ? 
 Was Leo confident ? 
 
Walpurga. 
 He only feared 
 Some tameness at beginning. Let the house 
 Once ring, he said, with plaudits, she is safe. 
 
 Graf 
 
 And Armgart 
 
 Walpurga. 
 
 She was stiller than her wontc 
 But once, at some such trivial word of mine. 
 As that the highest prize might yet be won 
 By her who took the second — she was roused. 
 *' For me," she said, " I triumph or I fail. 
 I never strove for any second prize." 
 
 Graf. 
 
 Poor human-hearted singing-bird ! She bears 
 
 Csesar's ambition in her delicate breast. 
 
 And nought to still it with but quivering song ! 
 
 Walpurga. 
 I had not for the world been there to-night : 
 Unreasonable dread oft chills me more 
 Than any reasonable hope can warm. 
 
 Graf. 
 You have a rare affection for your cousin ; 
 
 Walpurga. 
 
 Nay, I fear 
 My love is little more than what I felt 
 For happy stories when I was a child. 
 She fills my life that would be empty else, 
 And lifts my nought to value by her side. 
 
 ^ 
 
ARMGART. 
 
 53 
 
 Graf. 
 She is reason good enough, or seems to be, 
 Why all were born Avhose being ministers 
 To her completeness. Is it most her voice 
 Subdues us ? or her instinct exquisite, 
 Informing each old strain with some new grace 
 Which takes our sense like any natural good ? 
 Or most her spiritual energy 
 That sweeps us in the current of her song ? 
 
 Walpurga. 
 I know not. Losing either, we should lose 
 That whole we call our Armgart. For herself, 
 She often wonders what her life had been 
 Without that voice for channel to her soul. 
 She says, it must have leaped through all her 
 
 limbs — 
 Made her a Mtenad — made her snatch a brand 
 And fire some forest, that her rage might mount 
 In crashing roaring flames through half a land, 
 Leaving her still and patient for awhile. 
 " Poor wretch ! " she says, of any murderess — 
 " The world was cruel, and she could not 
 
 I carry my revenges in my throat ; 
 
 I love in singing, and am loved again." 
 
 Graf. 
 Mere mood ! I cannot yet believe it more. 
 Too much ambition has unwomaned her ; 
 But only for a while. Her nature hides 
 One half its treasures by its very wealth, 
 Taxing the hours to show it. 
 
 Hark ! she comes. 
 
 if 
 
 jf 
 
I I, 
 
 [l i 
 
 !, 
 
 Y^i^jt. 
 
 54 
 
 ARM G ART. 
 
 Enter Leo with a wreath in his hand, holding th£ 
 door open for Armgart, who wears a furred 
 mantle and hood. She is followed by her maid, 
 carrying an armful of bouquets. 
 
 Leo. 
 
 Place for the queen of song ! 
 
 Graf {advancing toward Armgart, tuho throws 
 off her hood and mantle, and shows a star of 
 brilliants in her hair). 
 
 A triumph, then. 
 You will not be a nigg-ard of your joy 
 And chide the eagerness that came to share it. 
 
 Armgart, 
 
 kind ! you hastened your return for me, 
 
 1 would you had been there to hear me sing ! 
 Walpurga, kiss me : never tremble more 
 Lest Armgart's wing should fail her. She has 
 
 found 
 This night the region where her rapture breathes — 
 Pouring her passion on the air made live 
 With human heart-throbs. Tell them, Leo, tell 
 
 them 
 How I outsang your hope and made you cry 
 Because Gluck could not hear me. That was 
 
 folly ! 
 He sang, not listened : every linked note 
 Was his immortal pulse that stirred in mine, 
 And all my gladness is but part of him. 
 Give me the wreath, 
 
 \^She crowns the bust <3/Gluck. 
 
 II' 
 
The house 7vas held 
 As if a storm were listening with delight 
 And husked its thunder."— Page 55. 
 
mi 
 
 ARMGART. 
 
 Leo {sardonically). 
 
 Ay, ay, but mark you this : 
 It was not part of him — that trill you made 
 In spite of me and reason ! 
 
 Armgart. 
 
 You were wrong — • 
 Dear Leo, you were wrong ; the house was held 
 As if a storm were listening with delight 
 And hushed its thunder. 
 
 Leo. 
 
 Will you ask the house 
 To teach you singing ? Quit your Orpheus then. 
 And sing in farces grown to operas, 
 Where all the prurience of the full-fed mob 
 Is tickled with melodic impudence : 
 Jerk forth burlesque bravuras. square your arms 
 Akimbo with a tavern wench's grace, 
 And set the splendid compass of your voice 
 To lyric jigs. Go to ! I thought you meant 
 To be an artist — lift your audience 
 To see your vision, not trick forth a show 
 To please the grossest taste of grossest numbers. 
 
 Armgart {taking up Leo's hand, and kissing it). 
 
 Pardon, good Leo, I am penitent. 
 
 I will do penance ; sing a hundred trills 
 
 Into a deep-dug grave, then burying them 
 
 As one did Midas' secret, rid myself 
 
 Of naughty exultation. O I trilled 
 
 At nature's prompting, like the nightingales. 
 
 Go scold them, dearest Leo. 
 
 Leo. 
 
 I stop my ears. 
 Nature in Gluck inspiring Orpheus, 
 Has done with nightingales. Are bird-beaks lips \ 
 
 ^X 
 
56 
 
 ARMGART. 
 
 Graf. 
 Tell 
 
 us — who were not 
 
 Truce to rebukes 
 
 there — 
 The double drama : how the expectant house 
 Took the first notes. 
 
 Walpurga {turning f 7-0711 her occupation of deck- 
 ing the 7V077i with the flowei's). 
 
 Yes, tell us all, dear Armgart. 
 Did you feel tremors ? Leo, how did she look ' 
 Was there a cheer to greet her ? 
 
 Leo. 
 
 Not a sound. 
 She walked like Orpheus in his solitude. 
 And seemed to see nought but what no man saw. 
 'Twas famous. Not the Schroeder-Devrient 
 Had done it better. But your blessed public 
 Had never any judgment in cold blood — ^ 
 Thinks all perhaps were better otherwise, 
 Till rapture brings a reason. 
 
 Armgart {scornfully). 
 
 I knew that ! 
 The women whispered, " Not a pretty face ! " 
 The men, "Well, well, a goodly length of limb : 
 She bears the chiton." — It were all the same 
 Were I the Virgin Mother and my stage 
 The opening heavens at the Judgment-day ; 
 Gossips would peep, jog elbows, rate the price 
 Of such a woman in the social mart. 
 W^hat were the drama of the world to them, 
 Unless they felt the hell-prong ? 
 
 Leo. 
 
 Peace, now, peace ! 
 I hate my phrases to be smothered o'er 
 
 ^ 
 T 
 
ARMGART. 
 
 57 
 
 With sauce of paraphrase, my sober tune 
 Made bass to rambling trebles, showering down 
 In endless demi-semi-quavers. 
 
 Armgart {taking a bon-bon frem the table, uplift- 
 ing it before putting it into he?- mouth , and twn- 
 ing away). 
 
 Mum ! 
 
 Graf. 
 
 Yes, tell us all the glory, leave the blame. 
 
 Walpurga. 
 
 You first, dear I.eo — what you saw and heard ; 
 Then Armgart — she must tell us what she felt. 
 
 Leo. 
 Well ' The first notes came clearly, firmly forth. 
 And I was easy, for behind those rills 
 I knew there was a fountain. 1 could see 
 The house was breathing gently, heads were 
 
 still ; 
 Parrot opinion was struck meekly mute. 
 And human hearts were swelling. Armgart 
 
 stood 
 As if she had been new-created there 
 And found her voice which found a melody. 
 The min.x I Gluck had not written, nor I taught : 
 Orpheus was Armgart, Armgart Orpheus. 
 Well, well, all through the scena I could feel 
 The silence tremble now. now poise itself 
 With added weight of feeling, till at last 
 Delight o'er-toppled it. The final note 
 If ad happy drowning in the unloosed roar 
 That surged and ebbed and ever surged again. 
 Till expectation kept it pent awhile 
 Ere Orpheus returned. Pfui I He was changed : 
 
 ^^ 
 
As nuns are at their spousals 
 
 Ay, my lady, 
 That moment will not come again : applause 
 May come and plenty ; but the first, first draught 
 {Snaps his fingers.") 
 
 Music has sounds for it — I know no words. 
 I felt it once myself when they performed 
 My overture to Sintram. Well ! 'tis strange, 
 We know not pain from pleasure in such joy. 
 
 Armgart {turning quickly). 
 
 Oh, pleasure has cramped dwelling in our souls, 
 And when full Being comes must call on pain 
 To lend it liberal space. 
 
 Walpurga. 
 
 I hope the house 
 Kept a reserve of plaudits : I am jealous 
 Lest they had dulled themselves for coming good 
 That should have seemed the better and the best. 
 
 Leo. 
 
 No, 'twas a revel where they had but quaffed 
 Their opening cup. I thank the artist's star, 
 
 ft 
 
 g? 
 
m 
 
 ^^Mi 
 
 ARMGART. 
 
 His audience keeps not sober : once afire, 
 They flame toward climax though his merit hold 
 But fairly even. 
 
 Armgart {her hand on Leo's anii). 
 
 Now, now, confess the truth : 
 I sang still better to the very end — 
 All save the trill ; I give that up to you, 
 To bite and growl at. Why, you said yourself. 
 Each time I sang, it seemed new doors were oped 
 That you might hear heaven clearer. 
 
 Leo {shaking his finger). 
 
 I 
 Armgart. 
 
 was ravmg. 
 
 I am not glad with that mean vanity 
 Which knows no good beyond its appetite 
 Full feasting upon praise I I am only glad. 
 Being praised for what I know is worth the 
 
 praise ; 
 Glad of the proof that I myself have part 
 In what I worship ! At the last applause — 
 Seeming a roar of tropic winds that tossed 
 The handkerchiefs and many-colored flowers, 
 FaUing like shattered rainbows all around — 
 Think you I felt myself 2i prima donna? 
 No, but a happy spiritual star 
 Such as old Dante saw, wrought in a rose 
 Of light in Paradise, whose only self 
 Was consciousness of glory wide-diffused. 
 Music, life, power — I moving in the midst 
 With a sublime necessity of good. - 
 
 Leo {with a shrug.) 
 
 I thought it was 2i prima donna came 
 
 Within the side-scenes ; ay, and she was proud 
 
ARM G ART. 
 
 To find the bouquet from the royal box 
 Inclosed a jewel-case, and proud to wear 
 A star of brilliants, quite an earthly star. 
 Valued by thalers. Come, my lady, own 
 Ambition has five senses, and a self 
 That gives it good warm lodging when it sinks 
 Plump down from ecstasy. 
 
 Armgart. 
 
 Own it ? why not \ 
 Am I a sage whose words must fall Hke seed 
 Silently buried toward a far-off spring ? 
 I sing to living men and my effect 
 Is like the summer's sun, that ripens corn 
 Or now or never. If the world brings me gifts. 
 Gold, incense, myrrh — 'twill be the needful sign 
 That I have stirred it as the high year stirs 
 Before I sink to winter. 
 
 Graf. 
 
 Ecstasies 
 Are short — most happily ! \Ve should but lose 
 Were Armgart borne too commonly and long 
 Out of the self that charms us. Could I choose. 
 She were less apt to soar beyond the reach 
 Of woman's foibles, innocent vanities. 
 Fondness for trifles like that pretty star 
 Twinkling beside her cloud of ebon hair. 
 
 Armgart {taking- out the gem and looking at it). 
 
 This little star ! I would it were the seed 
 
 Of a whole Milky Way, if such bright shimmer 
 
 Were the sole speech men told their rapture with 
 
 At Armgart's music. Shall I turn aside 
 
 From splendors which flash out the glow I make, 
 
 And live to make, in all the chosen breasts 
 
 Of half a Continent ? No, mav it come. 
 
X. 
 
 T"— \ 
 
 ARM G ART. 
 
 T*T 
 
 6i 
 
 That splendor ! May the day be near when men 
 Think much to let my horses draw me home, 
 And new lands welcome me upon their beach. 
 Loving me for my fame. That is the truth 
 Of what I wish, nay, yearn for. Shall I lie ? 
 Pretend to seek obscurity — to sing 
 In hope of disregard ?' A vile pretence ! 
 And blasphemy besides. For what is fame 
 But the benignant strength of One, transformed 
 To joy of Many? Tributes, plaudits come 
 As necessary breathing of such joy ; 
 And may they come to me ! 
 
 Graf. 
 
 The auguries 
 Point clearly that way. Is it no offence 
 To wish the eagle's wing may find repose, 
 As feebler wings do, in a quiet nest ? 
 Or has the taste of fame already turned 
 The Woman to a Muse . . . 
 
 Leo {goiftg- to the table). 
 
 Who needs no supper. 
 I am her priest, ready to eat her share 
 Of good Walpurga's offerings. 
 
 Walpurga. 
 
 Armgart, come. 
 Graf, will you come ? 
 
 Graf. 
 
 Thanks, I play truant here. 
 And must retrieve my self-indulged delay. 
 But will the Muse receive a votary 
 At any hour to-morrow ? 
 
 Armgart. 
 
 Any hour 
 After rehearsal, after twelve at noon. 
 
SCENE II. 
 
 The same Salon, morning. Armgart seated, in 
 her bonnet and walkifig dress. The Graf stand- 
 ing near her against the piano. 
 
 Graf. 
 Armgart, to many minds the first success 
 Is reason for desisting. I have known 
 A man so versatile, he tried all arts. 
 But when in each by turns he had achieved 
 Just so much mastery as made men say, 
 " He could be king here if he would," he threw 
 The lauded skill aside. He hates, said one. 
 The level of achieved pre-eminence, 
 He must be conquering still ; but others said — 
 
 Armgart. 
 The truth, I hope : he had a meagre soul. 
 Holding no depth where love could root itself. 
 "Could if he would?" True greatness ever 
 
 wills — 
 It lives in wholeness if it live at all. 
 And all its strength is knit with constancy. 
 
 Graf. 
 He used to say himself he was too sane 
 To give his life away- for excellence 
 Which yet must stand, an ivor)^ statuette 
 Wrought to perfection through long lonely years. 
 Huddled in the mart of mediocrities. 
 He said, the very finest doing wins 
 The admiring only ; but to leave undone. 
 Promise and not fulfil, like buried youth. 
 Wins all the envious, makes them sigh your name 
 As that fair Absent, blameless Possible, 
 
 -.^■^^^m 
 
 ^ 
 

 ARMGART. 
 
 Which could alone impassion them ; and thus, 
 
 Serene negation has free gift of all, 
 
 Panting achievement struggles, is denied, 
 
 Or wins to lose again. What say you, Armgart ? 
 
 Truth has rough flavors if we bite it through ; 
 
 I think this sarcasm came from out its core 
 
 Of bitter irony, 
 
 Armgart. 
 
 It is the truth 
 Mean souls select to feed upon. What then ? 
 Their meanness is a truth, which I will spurn. 
 The praise I seek lives not in envious breath 
 Using my name to blight another's deed. 
 I sing for love of song and that renown 
 Which is the spreading act, the world-wide share, 
 Of good that I was born with. Had I failed — 
 Well, that had been a truth most pitiable 
 I cannot bear to think what life would be 
 With high hope shrunk to endurance, stunted 
 
 aims 
 Like broken lances ground to eating-knives. 
 A self sunk down to look with level eyes 
 At low achievement, doomed from day to day 
 To distate of its consciousness. But I — 
 
 Graf. 
 Have won, not lost, in your decisive throw. 
 And I too glory in this issue ; yet, 
 The public verdict has no potency 
 To sway my judgment of what Armgart is : 
 My pure delight in her would be but sullied. 
 If it o'erflowed with mixture of men's praise. 
 And had she failed, I should have said, "The 
 
 pearl 
 Remains a pearl for me, reflects the light 
 With the same fitness that first charmed my gaze — 
 Is worth as fine a setting now as then." 
 
 -^ 
 
l^^hw 
 
 ARMGART. 
 
 Armgart {rising). 
 
 Oh, you are good ! But why will you rehearse 
 The talk of cynics, who with insect eyes 
 Explore the secrets of the rubbish-heap ? 
 1 hate your epigrams and pointed saws 
 Whose narrow truth is but broad falsity. 
 Confess your friend was shallow. 
 
 Graf. 
 
 I confess 
 Life is not rounded in an epigram, 
 And saying aught, we leave a world unsaid. 
 I quoted, merely to shape forth my thought 
 That high success has terrors when achieved — 
 Tike preternatural spouses whose dire love 
 If angs perilous on slight observances : 
 Whence it were possible that Armgart crowned 
 Might turn and listen to a pleading voice. 
 Though Armgart striving in the race was deaf. 
 You said you dared not think what life had been 
 Without the stamp of eminence ; have you thought 
 How you will bear the poise of eminence 
 With dread of sliding ? Paint the future out 
 As an unchecked and glorious career, 
 'Twill grow more strenuous by the very love 
 You bear to excellence, the very fate 
 Of human powers, which tread at every step 
 On possible verges. 
 
 Armgart. 
 
 I accept the peril, 
 I choose to walk high with sublimer dread 
 Rather than crawl in safety. And, besides. 
 I am an artist as you are a noble : 
 I ought to bear the burthen of my rank. 
 
ARMGART. 
 
 Graf. 
 Such parallels, dear Armgart, are but snares 
 To catch the mind with seeming- argument — 
 Small baits of likeness 'mid disparity. 
 Men rise the higher as their task is high, 
 The task being well achieved. A woman's rank 
 Lies in the fulness of her womanhood : 
 Therein alone she is royal. 
 
 Armgart. 
 
 Yes, I know 
 The oft-taught Gospel : " Woman, thy desire 
 Shall be that all superlatives on earth 
 Belong to men, save the one highest kind — 
 To be a mother. Thou shalt not desire 
 To do aught best save pure subservience : 
 Nature has willed it so !" O blessed Nature ! 
 Let her be arbitress ; she gave me voice 
 Such as she only gives a woman child. 
 Best of its kind, gave me ambition too. 
 That sense transcendent which can taste the joy 
 Of swaying multitudes, of being adored 
 For such achievement, needed excellence. 
 As man's best art must wait for, or be dumb. 
 Men did not say, when I had sung last night, 
 " 'Twas good, nay, wonderful, considering 
 She is a woman " — and then turn to add, 
 " Tenor or baritone had sung her songs 
 Better, of course : she's but a woman spoiled." 
 I beg your pardon, Graf, you said it. 
 
 Graf. 
 
 No! 
 How should I say it, Armgart ? I who own 
 The magic of your nature-given art 
 As sweetest effluence of your womanhood 
 Which, being to my choice the best, must find 
 
The best of utterance. But this I say : 
 Your fervid youth beguiles you ; you mistake 
 A strain of lyric passion for a life 
 Which in the spending is a chronicle 
 With ugly pages. Trust me, Armgart, trust me , 
 Ambition exquisite as yours which soars 
 Toward something quintessential you call fame, 
 Is not robust enough for this gross world 
 Whose fame is dense with false and foolish 
 
 breath. 
 Ardor, a-twin with nice refining thought, 
 Prepares a double pain. Pain had been saved, 
 Nay, purer glory reached, had you been throned 
 As woman only, holding all your art 
 As attribute to that dear sovereignty — 
 Concentring your power in home delights 
 Which penetrate and purify the world. 
 
 Armgart. 
 What ! leave the opera with my part ill-sung 
 While I was warbling in a drawing-room ? 
 Sing in the chimney-corner to inspire 
 My husband reading news ? Let the world hear 
 My music only in his morning speech 
 Less stammering than most honorable men's ? 
 No ! tell me that my song is poor, my art 
 The piteous feat of weakness aping strength — 
 That were fit proem to your argument. 
 Till then, I am an artist by my birth — 
 By the same warrant that I am a woman : 
 Nay, in the added rarer gift I see 
 Supreme vocation : if a conflict comes, 
 Perish — no, not the woman, but the joys 
 Which men make narrow by their narrowness. 
 Oh, I am happy ! The great masters write 
 For women's voices, and great Music wants me ! 
 I need not crush mvself within a mould 
 
 l^^M 
 
 ■J' 
 
ARMGART. 
 
 Of theory called Nature : I have room 
 To breathe and grow unstunted. 
 
 Graf. 
 
 Armgart, hear me. 
 I meant not that our talk should hurry on 
 To such collision. Foresight of the ills 
 Thick shadowing your path, drew on my speech 
 Beyond intention. True, I came to ask 
 A great renunciation, but not this 
 Toward which my words at first perversely 
 
 strayed. 
 As if in memory of their earlier suit. 
 
 Forgetful 
 
 Armgart, do you remember too ? the suit 
 Had but postponement, was not quite disdained — 
 Was told to wait and learn — what it has learned — 
 A more submissive speech. 
 
 Armgart {with some agitation). 
 
 Then it forgot 
 Its lesson cruelly. As I remember, 
 'Twas not to speak save to the artist crowned, 
 Nor speak to her of casting off her crown. 
 
 Graf. 
 
 ^e 
 
 M 
 
 Nor will it, Armgart. I come not to seek 
 
 Any renunciation save the wife's. 
 
 Which turns away from other possible love 
 
 Future and worthier, to take his love 
 
 Who asks the name of husband. He who sought 
 
 Armgart obscure, and heard her answer, 
 
 "Wait"— 
 May come without suspicion now to seek 
 Armgart applauded. 
 
''A 
 
 68 ARMGART. 
 
 Armgart {turning toward him). 
 
 Yes, without suspicion 
 Of aught save what consists with faithfulness 
 In all expressed intent. Forgive me, Graf — 
 I am ungrateful to no soul that loves me — 
 To you most grateful. Yet the best intent 
 Grasps but a living present which may grow 
 Like any unfledged bird. You are a noble. 
 And have a high career ; just now you said 
 'Twas higher far than aught a woman seeks 
 Beyond mere womanhood. You claim to be 
 More than a husband, but could not rejoice 
 That I were more than wife. What follows, 
 
 then ? 
 You choosing me with such persistency 
 As is but stretched-out rashness, soon must find 
 Our marriage asks concessions, asks resolve 
 To share renunciation or demand it. 
 Either we both renounce a mutual ease, 
 As in a nation's need both man and wife 
 Do public services, or one of us 
 Must yield that something else for which each 
 
 lives 
 Besides the other. Men are reasoners : 
 That premiss of superior claims perforce 
 Urges conclusion — " Armgart, it is you." 
 
 Graf. 
 
 But if I say I have considered this 
 With strict prevision, counted all the cost 
 Which that great good of loving you demands — 
 Questioned by stores of patience, half resolved 
 To live resigned without a bliss whose threat 
 Touched you as well as me — and finally, 
 With impetus of undivided will 
 Returned to say, " You shall be free as now ; 
 
;y,:ii,iisrjjr,-i^ 
 
 ARMGART. 69 
 
 Only accept the refuge, shelter, guard, 
 
 My love will give your freedom " — then your 
 
 words 
 Are hard accusal. 
 
 Armgart. 
 
 Well, I accuse myself. 
 My love would be accomplice of your will. 
 
 Graf, 
 Again — my will ? 
 
 Armgart, 
 
 Oh, your unspoken will. 
 Your silent tolerance would torture me, 
 And on that rack I should deny the good 
 I yet believed in, 
 
 Graf, 
 
 Then I am the man 
 Whom you would love ? 
 
 Armgart. 
 
 Whom I refuse to love 
 No ; I will live alone and pour my pain 
 With passion into music, where it turns 
 To what is best within my better self. 
 I will not take for husband one who deems 
 The thing my soul acknowledges as good — 
 The thing I hold worth striving, suffering for. 
 To be a thing dispensed with easily 
 Or else the idol of a mind infirm. 
 
 Armgart, you are ungenerous ; you strain 
 My thought beyond its mark. Our difference 
 Lies not so deep as love- 
 Through a mysterious fitness that transcends 
 Formal agreement. 
 
r 
 
 70 
 
 ARM G ART. 
 
 Armgart. 
 
 It lies deep enough 
 To chafe the union. If many a man 
 Refrains, degraded, from the utmost right, 
 Because the pleadings of his wife's small fears 
 Are little serpents biting at his heel — 
 How shall a woman keep her steadfastness 
 Beneath a frost within her husband's eyes 
 Where coldness scorches ? Graf, it is your sorrow 
 That you love Armgart. Nay, it is her sorrow 
 That she may not love you. 
 
 Graf. 
 
 Woman, it seems. 
 Has enviable power to love or not 
 According to her will. 
 
 Armgart. 
 
 She has the will— > 
 I have — who am one woman — not to take 
 Disloyal pledges that divide her will. 
 The man who marries me must wed my Art — 
 Honor and cherish it, not tolerate. 
 
 Graf. 
 The man is yet to come whose theory 
 Will weigh as nought with you against his love. 
 
 Armgart. 
 Whose theory will plead beside his love. 
 
 Graf. 
 Himself a singer, then ? who knows no life 
 Out of the opera books, where tenor parts 
 Are found to suit him ? 
 
 f> 
 
m 
 
 ^r^ 
 
 i^SBi 
 
 / 
 
 
 ARMGARl; 7I 
 
 Armgart. 
 
 You are bitter, Graf. 
 Forgive me ; seek the woman you deserve, 
 All grace, all goodness, who has not yet found 
 A meaning in her life, nor any end 
 Beyond fulfilling yours. The type abounds. 
 
 Graf. 
 And happily, for the world. 
 
 Armgart. 
 
 Yes, happily 
 Let it excuse me that my kind is rare : 
 Commonness is its own security, 
 
 Graf. 
 Armgart, I would with all my soul I knew 
 The man so rare that he could make your life 
 As woman sweet to you, as artist safe. 
 
 Armgart. 
 Oh, I can live unmated, but not live 
 Without the bliss of singing to the world, 
 And feeling all my world respond to me. 
 
 Graf. 
 May it be lasting. Then, we two must part ? 
 
 Armgart. 
 I thank you from my heart for all. Farewell ! 
 
 ^i^A 
 
 Am 
 
 tfP 
 
IT 
 
 :m 
 
 t^V^^^P^ 
 
 ^^^f 
 
 ARMGART. 
 
 SCENE III. 
 
 A Year Late.r. 
 
 The same Salon. Walpurga is standing looking 
 toward the window with an air of uneasiness. 
 Doctor Grahn. 
 
 Doctor. 
 Where is my patient, Fraulein ? 
 
 Walpurga. 
 
 Fted ! escaped ! 
 Gone to rehearsal. Is it dangerous ? 
 
 Doctor. 
 No, no ; her throat is cured. I only came 
 To hear her try her voice. Had she yet sung ? 
 
 Walpurga. 
 No ; she had meant to wait for you. She said, 
 *' The Doctor has a right to my first song." 
 Her gratitude was full of little plans, 
 But all were swept away like gathered flowers 
 By sudden storm. She saw this opera bill — 
 It was a wasp to sting her : she turned pale. 
 Snatched up her hat and mufflers, said in haste, 
 *' I go to Leo — to rehearsal — none 
 Shall sing Fidelio to-night but me !" 
 Then rushed down -stairs. 
 
 Doctor {looking at his watch). 
 
 And this, not long ago ? 
 
 Walpurga. 
 Barely an hour. 
 
iai^^^ 
 
 ARMGART. 
 
 73 
 
 Doctor. 
 I will come again, 
 Returning from Charlottenburg at one. 
 
 Walpurga. 
 Doctor, I feel a strange presentiment. 
 Are you quite easy ? 
 
 Doctor. 
 
 She can take no harm. 
 'Twas time for her to sing : her throat is well, 
 It was a fierce attack, and dangerous ; 
 I had to use strong remedies, but — well I 
 At one, dear Fraulein, we shall meet again. 
 
 SCENE IV. 
 
 Two Hours Later. 
 
 Walpurga starts up, looking toward the door. 
 Armgart enters, followed by Leo. She thrown 
 herself on a chair which stands with its back 
 toward the door, speechless, not seeming to see 
 anything. WALPURGA casts a questioning ter- 
 rified look at Leo. He shrugs his shoulders , 
 and lifts up his hands behind Armgart, who 
 sits like a helpless image, while WALPURGA takes 
 off her hat and mantle. 
 
 Walpurga. 
 Armgart, dear Armgart {kneeling and taking her 
 
 hands), only speak to me. 
 Your poor Walpurga. Oh, your hands are cold. 
 Clasp mine, and warm them ! I will kiss them 
 
 warm. 
 
 f: 
 
 
(ArmgaRT looks at her an instant, then draws 
 away her hands , and, turning aside, buries her 
 face against the back of the chair, Walpurga 
 fising and standing near.) 
 
 (Doctor Grahn enters. / 
 
 Doctor. 
 News ! stirring news to-day !wonders come thick. 
 
 ArmgART {starting up at the first sound of his 
 voice, and speaking vehemently'). 
 
 and you have murdered 
 poisoned the soul in me, 
 
 Yes, thick, thick, thick 
 
 it ! 
 Murdered my voice- 
 And kept me living. 
 You never told me that your cruel cures 
 Were clogging films — a mouldy, dead'ning 
 
 blight— 
 A lava-mud to crust and bury me, 
 Yet hold me living in a deep, deep tomb. 
 Crying unheard for ever ! Oh, your cures 
 Are devil's triumphs : you can rob, maim, slay. 
 And keep a hell on the other side your cure 
 Where you can see your victim quivering 
 Between the teeth of torture — see a soul 
 Made keen by loss — all anguish with a good 
 Once known and gone ! ( Turns and sinks back 
 
 on her chair.) 
 
 O misery, misery ! 
 You might have killed me, might have let me 
 
 sleep 
 After my happy day and wake — not here ! 
 In some new unremembered world — not here. 
 Where all is faded, flat — a feast broke off — 
 Banners all meaningless — exulting words 
 Dull, dull — a drum that lingers in the air 
 
r 
 
 Beating to melody which no man hears. 
 
 Doctor {after a moment's silence.) 
 A sudden check has shaken you, poor child ! 
 All things seem livid, tottering to your sense, 
 From inward tumult. Stricken by a threat 
 You see your terrors only. Tell me, Leo : 
 'Tis not such utter loss. 
 
 (Leo, with a shrugs goes quietly out.) 
 
 The freshest bloom 
 Merely, has left the fruit ; the fruit itself . . . 
 
 Armgart. 
 Is ruined, withered, is a thing to hide 
 Away from scorn or pity. Oh, you stand 
 And look compassionate now, but when Death 
 
 came 
 With mercy in his hands, you hindered him. 
 I did not choose to live and have your pity. 
 You never told me, never gave me choice 
 To die a singer, lightning-struck, unmaimed. 
 Or live what you would make me with your cures — 
 A self accursed with consciousness of change, 
 A mind that lives in nought but members lopped, 
 A power turned to pain — as meaningless 
 As letters fallen asunder that once made 
 A hymn of rapture. Oh, I had meaning once 
 Like day and sweetest air. What am I now? 
 The millionth woman in superfluous herds. 
 Why should I be, do, think ? 'Tis thistle-seed. 
 That grows and grows to feed the rubbish-heap. 
 Leave me alone ! 
 
 Doctor. 
 
 Well, I will come again ; 
 Send for me when you will, though but to rate me- 
 That is medicinal — a letting blood. 
 
 1^ 
 
 ^^ 
 
.^^ 
 
 iisc&.<aagafe. 
 
 ARMGART. 
 
 Armgart. 
 
 Oh, there is one physician, only one, 
 
 Who cures and never spoils. Him I shall send 
 
 for; 
 He comes readily. 
 
 Doctor {to Walpurga). 
 
 One word, dear Fraulein. 
 
 SCENE V. 
 
 Armgart, Walpurga. 
 
 Armgart. 
 Walpurga, have you walked this morning ? 
 
 Walpurga. 
 
 Armgart. 
 Go, then, and walk ; I wish to be alone. 
 
 Walpurga. 
 I will not leave you; 
 
 Armgart. 
 
 Will not, at my wish ? 
 
 Walpurga. 
 
 Will not, because you wish it. Say no more, 
 But take this draught. 
 
 No. 
 
ARMGART. 
 
 Armgart. 
 
 The Doctor gave it you ? 
 It is an anodyne. Put it away. 
 He cured me of my voice, and now he wants 
 To cure me of my vision and resolve — 
 Drug me to sleep that I may wake again 
 Without a purpose, abject as the rest 
 To bear the yoke of life. He shall not cheat me 
 Of that fresh strength which anguish gives the 
 
 soul, 
 The inspiration of revolt, ere rage 
 Slackens to faltering. Now I see the truth. 
 
 Walpurga {setting down the glass). 
 
 Then you must see a future in your reach. 
 With happiness enough to make a dower 
 For two of modest claims. 
 
 Armgart. 
 
 Oh, you intone 
 That chant of consolation wherewith ease 
 Makes itself easier in the sight of pain. 
 
 Walpurga. 
 No ; I would not console you, but rebuke. 
 
 Armgart. 
 That is more bearable. Forgive me, dear. 
 Say what you will. But now I want to write. 
 
 {She rises and moves toward a table.) 
 
 Walpurga. 
 I say then, you are simply fevered, mad ; 
 You cry aloud at horrors that would vanish 
 If you would change the light, throw into shade 
 The loss you aggrandize, and let day fall 
 
78 
 
 ARMGART. 
 
 On good remaining, nay on good refused 
 "Which may be gain now. Did you not reject 
 A woman's lot more brilUant, as some held, 
 Than any singer's ? It may still be yours. 
 Graf Dornberg loved you well. 
 
 Armgart. 
 
 Not me, not me. 
 He loved one well who was like me in all 
 Save in a voice which made that All unlike 
 As diamond is to charcoal. Oh, a man's love ! 
 Think you he loves a woman's inner self 
 Aching with loss of loveliness ? — as mothers 
 Cleave to the palpitating pain that dwells 
 Within their misformed offspring ? 
 
 Walpurga, 
 
 But the Graf 
 Chose you as simple Armgart — had preferred 
 That you should never seek for any fame 
 But such as matrons have who rear great sons. 
 And therefore you rejected him ; but now — 
 
 Armgart. 
 
 Ay, now — now he would see me as I am, 
 
 (^She takes up a hand-mirror^ 
 
 Russet and songless as a missel-thrush. 
 
 An ordinary girl — a plain brown girl, 
 
 Who, if some meaning flash from out her words, 
 
 Shocks as a disproportioned thing — a Will 
 
 That, like an arm astretch and broken off, 
 
 Has nought to hurl — the torso of a soul. 
 
 I sang him into love of me : my song 
 
 Was consecration, lifted me apart 
 
 From the crowd chiselled like me. sister forms. 
 
ARMGART. 79 
 
 But empty of divineness. Nay, my charm 
 Was half that I could win fame yet renounce . 
 A wife with glory possible absorbed 
 Into her husband's actual. 
 
 \ 
 
 Walpurga, 
 
 For shame I 
 Armgart, you slander him. What would you say 
 If now he came to you and asked again 
 That you would be his wife ? 
 
 / 
 
 Armgart. 
 
 No, and thrice no \ 
 It would be pitymg constancy, not love. 
 That brought him to me now. I will not be 
 A pensioner in marriage. Sacraments 
 Are not to feed the paupers of the world. 
 If he were generous — I am generous too, 
 
 Walpurga. 
 Proud, Armgart, but not generous. 
 
 Armgart. 
 
 He will not know until — 
 
 Walpurga. 
 
 Say no more. 
 
 He knows already. 
 
 Armgart {quickly). 
 Is he come back? 
 
 Walpurga. 
 
 Yes, and will soon be here. 
 The Doctor had twice seen him and would go 
 From hence again to see him. 
 
So 
 
 ARM G ART. 
 
 Armgart. 
 
 Well, he knows, 
 It is all one. 
 
 Walpurga. 
 What if he were outside ? 
 I hear a footstep in the ante-room. 
 
 Armgart {raising herself and assuming calmness). 
 
 Why let him come, of course, I shall behave 
 Like what I am, a common personage 
 Who looks for nothing- but civility. 
 I shall not play the fallen heroine, 
 Assume a tragic part and throw out cues 
 For a beseeching lover. 
 
 Walpurga. 
 
 Some one raps. 
 
 {Goes to the door.) 
 A letter — from the Graf. 
 
 Armgart. 
 
 Then open it. 
 (Walpurga still offers it.) 
 Nay, my head swims. Read it. I cannot see. 
 
 (Walpurga opens it, reads and pauses. ) 
 Read it. Have done ! No matter what it is. 
 Walpurga {reads in a low, hesitating voice ). 
 
 '* I am deeply moved — my heart is rent, to hear 
 of your illness and its cruel result, just now com- 
 municated to me by Dr. Grahn. But surely it is 
 possible that this result may not be permanent. 
 For youth such as yours, Time may hold in store 
 something more than resignation : who shall say 
 that it does not hold renewal ? I have not dared 
 
1 
 
 ARMGART. 
 
 81 
 
 to ask admission to you in the hours of a recent 
 shock, but I cannot depart on a long mission 
 without tendering my sympathy and my farewell. 
 I start this evening for the Caucasus, and thence 
 I proceed to India, where I am intrusted by the 
 Government with business which may be of long 
 duration." 
 
 (Walpurga sits down dejectedly.^ 
 
 Armgart {after a slight shudder, bitterly). 
 
 The Graf has much discretion. I am glad. 
 He spares us both a pain, not seeing me. 
 What I like least is that consoling hope — 
 That empty cup, so neatly ciphered " Time," 
 Handed me as a cordial for despair. 
 {Slowly and dreamily) Time — what a word to fling 
 
 as charity ! 
 Bland neutral word for slow, dull-beating pain — 
 Days, months, and years ! — If I would wait for 
 
 them 
 
 {She takes up her hat and puts it on. then 
 wraps her mantle round her. Wai.purga 
 leaves the room.) 
 
 "Why, this is but beginning. (Walp. re-enters.) 
 
 Kiss me, dear. 
 I am going now — alone — out— for a walk. 
 Say you will never wound me any more 
 With such cajolery as nurses use 
 To patients amorous of a crippled life. 
 Flatter the blind : I see. 
 
 Well, T was wrong. 
 In haste to soothe, I snatched at flickers merely 
 Believe me, I will flatter you no more. 
 
/■ 
 
 ARMGART. 
 
 Armgart. 
 Bear witness, I am calm. I read my lot 
 As soberly as if it were a tale 
 "Writ by a creeping feuilletonist and called 
 *'The Woman's Lot : a Tale of Everyday :" 
 A middling woman's, to impress the world 
 With high superfluousness ; her thoughts a crop 
 Of chick-weed errors or of pot-herb facts, 
 Smiled at like some child's drawing on a slate. 
 *' Genteel ?" " O yes, gives lessons ; not so good 
 As any man's would be, but cheaper far." 
 " Pretty ?" " No : yet she makes a figure fit 
 For good society. Poor thing, she sews 
 Both late and early, turns and alters all 
 To suit the changing mode. Some widower 
 Might do well, marrying her ; but in these 
 
 days ! . . . 
 Well, she can somewhat eke her narrow gains 
 By writing, just to furnish her with gloves 
 And droschkies in the rain. They print hei 
 
 things 
 Often for charity."— Oh, a dog's life ! 
 A harnessed dog's, that draws a little cart 
 Voted a nuisance ! I am going now. 
 
 Walpurga. 
 Not now, the door is locked. 
 
 Armgart. 
 
 Give me the key ! 
 
 Walpurga. 
 Locked on the outside. Gretchen has the key : 
 She is gone on errands. 
 
 Armgart. 
 
 What, you dare to keep me 
 Your prisoner ? 
 
^ 
 
 atf-'iMw 
 
 83 
 
 Walpurga. 
 
 And have I not been yours ? 
 Your wish has been a bolt to keep me in. 
 Perhaps that middling woman whom you paint 
 With far-off scorn 
 
 Armgart. 
 
 I paint what I must be ! 
 What is my soul to me without the voice 
 That gave it freedom ? — gave it one grand touch 
 And made it nobly human ? — Prisoned now, 
 Prisoned in all the petty mimicries 
 Called woman's knowledge, that will fit the world 
 As doll -clothes fit a man. I can do nought 
 Better than what a million women do — 
 Must drudge among the crowd and feel my life 
 Beating upon the world without response. 
 Beating with passion through an insect's horn 
 That moves a millet-seed laboriously. 
 If I would do it 
 
 Walpurga {coldly). 
 
 And why should you not ? 
 
 Armgart {tiirning quickly). 
 Because Heaven made me royal — wrought me 
 
 With subtle finish toward pre-eminence. 
 Made every channel of my soul converge 
 To one high function, and then flung me down. 
 That breaking I might turn to subtlest pain. 
 An inborn passion gives a rebel's right : 
 I would rebel and die in twenty worlds 
 Sooner than bear the yoke of thv/arted life. 
 Each keenest sense turned into keen distaste, 
 Hunger not satisfied but kept alive 
 
 ■J UI^IWU 
 
.>w-^^. 
 
 84 
 
 ARMGART. 
 
 Breathing in langiior half a centur}^ 
 
 All the world now is but a rack of threads 
 
 To twist and dwarf me into pettiness 
 
 And basely feigned content, the placid mask 
 
 Of women's misery. 
 
 Walpurga {indigfiantly). 
 Ay, such a mask 
 As the few born like you to easy joy. 
 Cradled in privilege, take for natural 
 On all the lowly faces that must look 
 Upward to you ! \Vhat revelation now 
 Shows you the mask or gives presentiment 
 Of sadness hidden ? You who every day 
 These five years saw me limp to wait on you. 
 And thought the order perfect which gave ??ie. 
 The girl without pretension to be aught, 
 A splendid cousin for my happiness : 
 To watch the night through when her brain was 
 
 fired 
 With too much gladness — listen, always listen 
 To what she felt, Avho having power had right 
 To feel exorbitantly, and submerge 
 The souls around her with the poured-out flood 
 Of what must be ere she were satisfied ! 
 That was feigned patience, was it ? Why not love, 
 Love nurtured even with that strength of self 
 Which found no room save in another's life ? 
 Oh, such as I know joy by negatives, 
 And all their deepest passion is a pang 
 Till they accept their pauper's heritage. 
 And meekly live from out the general store 
 Of joy they were born stripped of. I accept — 
 Nay, now would sooner choose it than the wealth 
 Of natures you call royal, who can live 
 In mere mock knowledge of their fellows' woe. 
 Thinking their smiles may heal it. 
 
\ V , 
 
 ARMGART. 
 
 8s 
 
 Armgart {tremulously). 
 
 Nay, Walpurga, 
 I did not make a palace of my joy 
 To shut the world's truth from me. All my good 
 Was that I touched the world and made a part 
 In the world's dower of beauty, strength, and bliss; 
 It was the glimpse of consciousness divine 
 Which pours out day and sees the day is good. 
 Now I am fallen dark ; I sit in gloom. 
 Remembering bitterly. Yet you speak truth ; 
 I wearied you, it seems ; took all your help 
 As cushioned nobles use a weary serf. 
 Not looking at his face, 
 
 Walpurga. 
 
 Oh. I but stand 
 As a small symbol for the mighty sum 
 Of claims unpaid to needy myriads ; 
 I think you never set your loss beside 
 That mighty deficit. Is your work gone — 
 The prouder queenly work that paid itself 
 And yet was overpaid with men's applause ? 
 Are you no longer chartered, privileged, 
 But sunk to simple woman's penury. 
 To ruthless Nature's chary average — 
 Where is the rebel's right for you alone ? 
 Noble rebellion lifts a common load ; 
 But what is he who flings his own load off 
 And leaves his fellows toiling ? Rebel's right : 
 Say rather, the deserter's. Oh. you smiled 
 From your clear height on all the million lots 
 Which yet you brand as abject. 
 
 Armgart. 
 
 I was blind 
 With too much happiness : true vision comes 
 Only, it seems, with sorrow. Were there one 
 
 -# 
 
 ■•■p 
 
ARMGART. 
 
 This moment near me, suffering what I feel, 
 And needing me for comfort in her pang — 
 Then it were worth the while to live ; not else. 
 
 Walpurga. 
 One— near you— why, they throng ! you hardly 
 
 stir 
 But your act touches them. We touch afar. 
 For did not swarthy slaves of yesterday 
 Leap in their bondage at the Hebrews' flight. 
 Which touched them through the thrice millennial 
 
 dark ? 
 But you can find the sufferer you need 
 With touch less subtle. 
 
 Arm G ART. 
 
 Who has need of me ? 
 
 Walpurga. 
 Love finds the need it fills. But you are hard. 
 
 Armgart. 
 Is it not you, Walpurga, who are hard? 
 You humored all my wishes till to-day, 
 When fate has blighted me. 
 
 Walpurga. 
 
 You would not hear 
 The " chant of consolation :" words of hope 
 Only embittered you. Then hear the truth— 
 A lame girl's truth, whom no one ever praised 
 For being cheerful. •' It is well," they said : 
 "Were she cross-grained she could not be en- 
 dured." 
 A word of truth from her had startled you ; 
 But you — you claimed the universe ; nought less 
 Than all existence working in sure tracks 
 
 ^ 
 
ARMGART. 
 
 Toward your supremacy. The wheels might 
 
 scathe 
 
 A myriad destinies — nay, must perforce ; 
 Bui yours they must keep clear of ; just for you 
 The seething atoms through the firmament 
 Must bear a human heart — which you had not ! 
 For what is it to you that women, men, 
 Plod, faint, are weary, and espouse despair 
 Of aught but fellowship ? Save that you spurn 
 To be among them? Now, then, you are lame — 
 Maimed, as you said, and levelled with the crowd : 
 Call it new birth — birth from that monstrous Self 
 Which, smiling down upon a race oppressed, 
 Says, " All is good, for I am throned at ease." 
 Dear Armgart — nay, you tremble — I am cruel. 
 
 Armgart. 
 O no ! hark ! Some one knocks. Come in ! — 
 
 come m 
 
 Leo. 
 
 {Enter Leo.) 
 
 See, Gretchen let me in. I could not rest 
 Longer away from you. 
 
 Armgart, 
 
 Sit down, dear Leo. 
 Walpurga, I would speak with him alone. 
 
 (WALPURGAi'-<?^.f 6'«/.) 
 
 Leo {hesitatingly). 
 You mean to walk ? 
 
 Armgart. 
 
 No, I shall stay within. 
 
 'g y^ i t^^ i'A'f 
 
 * 
 
/' 
 
 3^ 
 
 ARMGART. 
 
 {She takes off her hat and mantle, and sits down 
 immediately. After a pause, speaking in a 
 subdued tone to Leo.) 
 
 How old are you ? 
 
 Leo, 
 
 Threescore and five. 
 
 Armgart. 
 
 That's old. 
 I never thought till now how you have lived. 
 They hardly ever play your music ? 
 
 Leo {raising his eyebrows and throwing out his 
 lip). 
 
 No' 
 Schubert too wrote for silence : half his work 
 Lay like a frozen Rhine till summers came 
 That warmed the grays above him. Even so ! 
 His music lives now v/ith a mighty youth. 
 
 Armgart. 
 Do you think yours will live when you are dead ? 
 
 Leo. 
 Pfui ! The time was, I drank that home-brewed 
 
 wine 
 And found it heady, while my blood was young : 
 Now it scarce warms me. Tipple it as I may, 
 I am sober still, and say : " My old friend Leo, 
 Much grain is wasted in the world and rots , 
 Why not thy handful ? " 
 
 Armgart. 
 Strange ! since I have know^n you 
 Till now I never wondered how you lived. 
 When I sang well — that was your jubilee. 
 But vou were old already. 
 
"t^T 
 
 ^^-^'—'i 
 
 ARMGART. 
 
 89 
 
 Leo. 
 
 Yes, child, yes : 
 Youth thinks itself the goal of each old life ; 
 Age has but travelled from a far-off time 
 Just to be ready for youth's service. Well ! 
 It was my chief delight to perfect you. 
 
 Armgart. 
 Good Leo ! You have lived on little joys. 
 But your delight in me is crushed for ever. 
 Your pains, where are they now ? They shaped 
 
 intent. 
 Which action frustrates ; shaped an inward sense 
 Which is but keen despair, the agony 
 Of highest vision in the lowest pit, 
 
 Leo. 
 Nay, nay, I have a thought : keep to the stage, 
 To drama without song ; for you can act — 
 Who knows how well, when all the soul is poured 
 Into that sluice alone ? 
 
 Armgart. 
 
 I know, and you : 
 The second or third best in tragedies 
 That cease to touch the fibre of the time. 
 No ; song is gone, but nature's other gift. 
 Self-judgment, is not gone. Song was my 
 
 speech. 
 And with its impulse only, action came ; 
 Song was the battle's onset, when cool purpose 
 Glows into rage, becomes a warring god 
 And moves the limbs with miracle. But now — 
 Oh, I should stand hemmed in with thoughts and 
 
 rules — 
 Say " This way passion acts," yet never feel 
 The might of passion. How should I declaim? 
 
 \if 
 
I 
 
 ,1 
 
m^ 
 
 ARM G ART. 
 
 91 
 
 Armgart. 
 Walpurga was born there, 
 And loves the place. She quitted it for me 
 These five years past. Now I will take hei 
 
 there. 
 Dear Leo, I will bury my dead joy. 
 
 Leo. 
 Mothers do so, bereaved ; then learn to love 
 Another's living child. 
 
 Armgart. 
 
 Oh, it is hard 
 To take the little corpse, and lay it low, 
 And say, " None misses it but me." 
 She sings . 
 
 I mean Paulina sings Fidelio, 
 And they will welcome her to-night. 
 
 Leo. 
 
 Well, well 
 'Tis better that our griefs should not spread far. 
 
 1870. 
 
 -? 
 
-^^^ 
 
 
HOW LISA LOVED THE KING. 
 
 Six hundred years ago, in Dante's time, 
 Before his cheek was furrowed by deep rhyme — • 
 When Europe, fed afresh from Eastern story, 
 Was Hke a garden tangled with the glory 
 Of flowers hand-planted and of flowers air-sown, 
 Climbing and trailing, budding and full-blown, 
 Where purple bells are tossed amid pink stars. 
 And springing blades, green troops in innocent 
 
 wars. 
 Crowd every shady spot of teeming earth, 
 Making invisible motion visible birth — 
 Six hundred years ago, Palermo town 
 Kept holiday. A deed of great renown, 
 A high revenge, had freed it from the yoke 
 Of hated Frenchmen, and from Calpe's rock 
 To where the Bosporus caught the earlier sun, 
 'Twas told that Pedro, King of Aragon, 
 Was welcomed master of all Sicily, 
 A royal knight, supreme as kings should be 
 In strength and gentleness that make high 
 
 chivalry. 
 
 Spain was the favorite home of knightly grace, 
 Where generous men rode steeds of generous 
 
 race ; 
 Both Spanish, yet half Arab, both inspired 
 By mutual spirit, that each motion fired 
 With beauteous response, like minstrelsy 
 Afresh fulfilling fresh expectancy. 
 So when Palermo made high festival, 
 The joy of matrons and of maidens all 
 
''' 
 
 "Was the mock terror ot the tournament, 
 Where safety, with the glimpse of danger blent, 
 Took exaltation as from epic song, 
 Which greatly tells the pains that to great life 
 
 belong. 
 And in all eyes King Pedro was the king 
 Of cavaliers : as in a full-gemmed ring 
 The largest ruby, or as that bright star 
 Whose shining shows us where the Hyads are. 
 His the best jennet, and he sat it best ; 
 His weapon, whether tilting or in rest. 
 Was worthiest watching, and his face once seen 
 Gave to the promise of his royal mien 
 Such rich fulfilment as the opened eyes 
 Of a loved sleeper, or the long-watched rise 
 Of vernal day, whose joy o'er stream and meadow 
 
 flies. 
 
 But of the maiden forms that thick enwreathed 
 The broad piazza and sweet witchery breathed^ 
 W^ith innocent faces budding all arow 
 From balconies and windows high and low, 
 Who was it felt the deep mysterious glow, 
 The impregnation with supernal fire 
 Of young ideal love — transformed desire. 
 Whose passion is but worship of that Best 
 Taught by the many-mingled creed of each young 
 
 Dreast ? 
 'Twas gentle Lisa, of no noble line. 
 Child of Bernardo, a rich Florentine, 
 Who from his merchant-city hither came 
 To trade in drugs ; yet kept an honest fame. 
 And had the virtue not to try and sell 
 Drugs that had none. He loved his riches well, 
 But loved them chiefly for his Lisa's sake, 
 Whom with a father's care he sought to make 
 The bride of some true honorable man : 
 
 :^ 
 
NO IV LISA LOVED THE KING. 
 
 Of Perdicone (so the rumor ran), 
 Whose birth was higher than his fortunes were ; 
 For still your trader likes a mixture fair 
 Of blood that hurries to some higher strain 
 Than reckoning money's loss and money's gain. 
 And of such mixture good may surely come : 
 Lords' scions so may learn to cast a sum, 
 A trader's grandson bear a well-set head. 
 And have loss conscious manners, better bred ; 
 Nor, when he tries to be polite, be rude instead. 
 
 'Twas Perdicone's friends made overtures 
 To good Bernardo : so one dame assures 
 Her neighbor dame who notices the youth 
 Fixing his eyes on Lisa ; and in truth 
 Eyes that could see her on this summer day 
 Might find it hard to turn another way. 
 She had a pensive beauty, yet not sad ; 
 Rather, like minor cadences that glad 
 The hearts of little birds amid spring boughs ; 
 And oft the trumpet or the joust would rouse 
 Pulses that gave her cheek a finer glow, 
 Parting her lips that seemed a mimic bow 
 By chiselling Love for play in coral wrought, 
 Then quickened by him with the passionate 
 
 thought, 
 The soul that trembled in the lustrous night 
 Of slow long eyes. Her body was so slight, 
 It seemed she could have floated in the sky. 
 And with the angelic choir made symphony ; 
 But in her cheek's rich tinge, and in the daik 
 Of darkest hair and eyes, she bore a mark 
 Of kinship to her generous mother earth, 
 The fervid land that gives the plumy palm-trees 
 
 birth. 
 
 She saw not Perdicone ; her young mind 
 Dreamed not that any man had ever pined 
 
 «^ 
 
 1*: 
 
HOW LISA LOVED THE KING. 
 
 For such a little simple maid as she : 
 She had but dreamed how heavenly it would be 
 To love some hero noble, beauteous, great, 
 Who would live stories worthy to narrate. 
 Like Roland, or the warriors of Troy, 
 The Cid, or Amadis, or that fair boy 
 Who conquered everything beneath the sun, 
 And somehow, some time, died at Babylon 
 Fighting the Moors. For heroes all were good 
 And fair as that archangel who withstood 
 The Evil One, the author of all wrong — 
 That Evil One who made the French so strong ; 
 And now the flower of heroes must be he 
 Who drove those tyrants from dear Sicily, 
 So that her maids might walk to vespers tran- 
 quilly. 
 
 Young Lisa saw this hero in the king, 
 
 And as wood-lilies that sweet odors bring 
 
 Might dream the light that opes their modest eyne 
 
 Was lily-odored — and as rites divine, 
 
 Round turf-laid altars, or 'neath roofs of stone. 
 
 Draw sanctity from out the heart alone 
 
 That loves and worships, so the miniature 
 
 Perplexed of her soul's world, all virgin pure, 
 
 Filled with heroic virtues that bright form, 
 
 Raona's royalty, the finished norm 
 
 Of horsemanship — the half of chivalry : 
 
 For how could generous men avengers be. 
 
 Save as God's messengers on coursers fleet? — 
 
 These, scouring earth, made Spain with Syria 
 
 meet 
 In one self world where the same right had sway, 
 And good must grow as grew the blessed day. 
 No more ; great Love his essence had endued 
 With Pedro's form, and entering subdued •• 
 The soul of Lisa, fervid and intense, 
 
HOW LISA LOVED THE KING. 
 
 Proud in its choice of proud obedience 
 To hardship glorified by perfect reverence. 
 
 99 
 
 Sweet Lisa homeward carried that dire guest, 
 And in her chamber through the hours of rest 
 The darkness was alight for her with sheen • 
 Of arms, and plumed helm, and bright between 
 Their commoner gloss, like the pure living spring 
 'Twixt porphyry lips, or living bird's bright wing 
 'Twixt golden wires, the glances of the king 
 Flashed on her soul, and waked vibrations there 
 Of known delights love-mixed to new and rare : 
 The impalpable dream was turned to breathing 
 
 flesh, 
 Chill thought of summer to the warm close mesh 
 Of sunbeams held between the citron-leaves. 
 Clothing her life of life. Oh, she believes 
 That she could be content if he but knew 
 (Her poor small self could claim no other due) 
 How Lisa's lowly love had highest reach 
 Of winged passion, whereto winged speech 
 Would be scorched remnants left by mountain 
 
 flame. 
 Though, had she such lame message, were it 
 
 blame 
 To tell what greatness dwelt in her, what rank 
 She held in loving ? Modest maidens shrank 
 From telling love that fed on selfish hope ; 
 But love, as hopeless as the shattering song 
 Wailed for loved beings who have joined the 
 
 throng 
 Of mighty dead ones. . . . Nay, but she was 
 
 weak — 
 Knew only prayers and ballads — could not speak 
 With eloquence save what dumb creatures have. 
 That with small cries and touches small boons 
 
 crave. 
 
/ 
 
 lOO HOW LISA LOVED TRE KING. 
 
 She watched all day that she might see him pass 
 With knights and ladies ; but she said, " Alas ! 
 Though he should see me, it were all as one 
 He saw a pigeon sitting on the stone 
 Of wall or balcony : some colored spot 
 His eye just sees, his mind regardeth not. 
 I have no music-touch that could bring nigh 
 My love to his soul's hearing. I shall die. 
 And he will never know who Lisa was — 
 The trader's child, whose soaring spirit rose 
 As hedge-born aloe-flowers that rarest years dis- 
 close . 
 
 ** For were I now a fair deep-breasted queen 
 A-horseback, with blonde hair, and tunic green 
 Gold-bordered, like Costanza, I should need 
 No change within to make me queenly there ; 
 For they the royal-hearted women are 
 Who nobly love the noblest, yet have grace 
 For needy suffering lives in low'liest place, 
 Carrying a choicer sunlight in their smile, 
 The heavenliest ray that pitieth the vile. 
 My love is such, it cannot choose but soar 
 Up to the highest ; yet for evermore, 
 Though I were happy, throned beside the king, 
 I should be tender to each little thing 
 With hurt warm breast, that had no speech to tell 
 Its inward pang, and I would soothe it well 
 With tender touch and with a low soft moan 
 For company : my dumb love-pang is lone, 
 Prisoned as topaz-beam within a rough-garbed 
 stone." 
 
 So, inward-wailing, Lisa passed her days. 
 Each night the August moon with changing 
 
 phase 
 Looked broader, harder on her unchanged pain ' 
 
 J 
 
Shrank like the snow that watchers in the vale 
 See narrowed on the height each summer morn ; 
 While her dark glance burnt larger, more forlorn, 
 As if the soul within her all on fire 
 Made of her being one swift funeral pyre. 
 Father and mother saw with sad dismay 
 The meaning of their riches melt away : 
 P'or without Lisa what would sequins buy ? 
 What wish were left if Lisa were to die ? 
 Through her they cared for summers still to come. 
 Else they would be as ghosts without a home 
 In any flesh that could feel glad desire. 
 They pay the best physicians, never tire 
 Of seeking w^hat will soothe her, promising 
 That aught she longed for, though it were a thing 
 Hard to be come at as the Indian snow. 
 Or roses that on alpine summits blow — 
 It should be hers. She answers with low voice, 
 She longs for death alone — death is her choice ; 
 Death is the King who never did think scorn. 
 But rescues every meanest soul to sorrow born. 
 
 Yet one day, as they bent above her bed 
 
 And watched her in brief sleep, her drooping head 
 
 Turned gently, as the thirsty flowers that feel 
 
 Some moist revival through their petals steal. 
 
 And little flutterings of her lids and lips 
 
 Told of such dreamy joy as sometimes dips 
 
 A skyey shadow in the mind's poor pool. 
 
 She oped her eyes, and turned their dark gems full 
 
 Upon her father, as in utterance dumb 
 
 Of some new prayer that in her sleep had come. 
 
 " What is it, Lisa?" " Father, I would see 
 
 Minuccio, the great singer ; bring him me." 
 
 For always, night and day, her unstilled thought, 
 
 ^^ 
 
I02 HOW LISA LOVED THE KING. 
 
 Wandering all o'er its little world, had sought 
 How she could reach, by some soft pleading 
 
 touch, 
 King Pedro's soul, that she who loved so much 
 Dying, might have a place within his mind — 
 A little grave which he would sometimes find 
 And plant some flower on it — some thought, some 
 
 memory kind, 
 Till in her dream she saw Minuccio 
 Touching his viola, and chanting low 
 A strain that, falling on her brokenly, 
 Seemed blossoms lightly blown from off a tree. 
 Each burthened with a word that was a scent — 
 Raona, Lisa, love, death, tournament ; 
 Then in her dream she said, " He sings of me — 
 Might be my messenger ; ah, now I see 
 The king is listening — " Then she awoke. 
 And, missing her dear dream, that new-born 
 
 longing spoke. 
 
 She longed for music : that was natural ; 
 
 Physicians said it was medicinal ; 
 
 The humors might be schooled by true consent 
 
 Of a fine tenor and fine instrument ; 
 
 In brief, good music, mixed with doctor's stuff, 
 
 Apollo with Asklepios — enough ! 
 
 Minuccio, entreated, gladly came. 
 
 (He was a singer of most gentle fame — 
 
 A noble, kindly spirit, not elate 
 
 That he was famous, but the song was great — 
 
 Would sing as finely to this suffering child 
 
 As at the court where princes on him smiled.) 
 
 Gently he entered and sat down by her. 
 
 Asking what sort of strain she would prefer — 
 
 The voice alone, or voice with viol wed ; 
 
 Then, when she chose the last, he preluded 
 
 With magic hand, that summoned from the strings 
 
 iiai 
 
 '^ip?^ 
 
 '1 
 
' Would sing as Jinely to this suffering chiid. 
 As ni the court where princes on him snti/ed." 
 
 Page 1 02. 
 
HO W LISA LO VED THE KING. 
 
 103 
 
 Aerial spirits, rare yet vibrant wings 
 
 That fanned the pulses of his listener. 
 
 And waked each sleeping sense with blissful stir. 
 
 Her cheek already showed a slow faint blush, 
 
 But soon the voice, in pure full liquid rush, 
 
 Made all the passion, that till now she felt, 
 
 Seem but cool waters that in warmer melt. 
 
 Finished the song, she prayed to be alone 
 
 With kind Minuccio ; for her faith had grown 
 
 To trust him as if missioned like a priest 
 
 With some high grace, that when his singing 
 
 ceased 
 Still made him wiser, more magnanimous 
 Than common men who had no genius. 
 
 So laying her small hand within his palm. 
 She told him how that secret glorious harm 
 Of loftiest loving had befallen her ; 
 That death, her only hope, most bitter were, 
 If when she died her love must perish too 
 As songs unsung and thoughts unspoken do, 
 Which else might live within another breast. 
 She said, " Minuccio, the grave were rest. 
 If I were sure, that lying cold and lone. 
 My love, my best of life, had safely flown 
 And nestled in the bosom of the king ; 
 See, 'tis a small weak bird, with unfledged wing. 
 But you will carry it for me secretly. 
 And bear it to the king, then come to me 
 And tell me it is safe, and I shall go 
 Content, knowing that he I love my love doth 
 know." 
 
 /W 
 
 Then she wept silently, but each large tear 
 Made pleading music to the inward ear 
 Of good Minuccio. " Lisa, trust in me," 
 He said, and kissed her fingers loyally ; 
 
 l" ' lnl;'a,Jil^ 
 

 104 HO IV LISA LOVED THE KING. 
 
 " It is sweet law to me to do your will, 
 And ere the sun his round shall thrice fulfil, 
 I hope to bring you news of such rare skill 
 As amulets have, that aches in trusting bosoms 
 
 still." 
 He needed not to pause and first devise 
 How he should tell the king ; for in nowise 
 Were such love-message worthily bested 
 Save in fine verse by music rendered. 
 He sought a poet-friend, a Siennese, 
 And " Mico, mine," he said, " full oft to please 
 Thy whim of sadness I have sung thee strains 
 To make thee weep in verse : now pay my pains, 
 And write me a canzon divinely sad, 
 Sinlessly passionate and meekly mad 
 With young despair, speaking a maiden's heart 
 Of fifteen summers, who would fain depart 
 From ripening life's new-urgent mystery — 
 Love-choice of one too high her love to be — 
 But cannot yield her breath till she has poured 
 Her strength away in this hot-bleeding word 
 Telling the secret of her soul to her soul's lord/' 
 
 Said Mico, " Nay, that thought is poesy, 
 I need but listen as it sings to me. 
 Come thou again to-morrow." The third day, 
 When linked notes had perfected the lay, 
 Minuccio had his summons to the court 
 To make, as he w;as wont, the moments short 
 Of ceremonious dinner to the king. 
 This was the time when he had meant to bring 
 Melodious message of young Lisa's love : 
 He waited till the air had ceased to move 
 To ringing silver, till Falernian wine 
 Made quickened sense with quietude combine, 
 And then with passionate descant made each ear 
 incline. 
 
HO IV LISA LO VED THE KING. 
 
 ^05 
 
 '^ 
 
 Love, thou didst see me, light as morning s breath. 
 Roaming a garden in a joyous error. 
 Laughing at chases vain, a happy child. 
 Till of thy countenance the alluring terror 
 In majesty from out the blossoms sviiled. 
 From out their life seeming a beauteous Death. 
 
 Love, who so didst choose me for thine own. 
 
 Taking this little isle to thy great sway, 
 
 See now, it is the honor of thy throne 
 
 That zuhat thou gavest perish not aivay. 
 
 Nor leave some sweet remembrance to atone 
 
 By life that will be for the brief life gone : 
 
 Hear, ere the shroud der these frail limbs be 
 
 thrown — 
 Since every king is vassal unto thee. 
 My heart's lord needs must listen loyally — 
 O tell him I am waiting for my Death I 
 
 Tell him, for that he hath such royal power 
 ' Twere hard for him to think how small a thing. 
 How slight a sign, would make a wealthy dower 
 For one like me, the bride of that pale king 
 Whose bed is mine at some swift-nearing hour. 
 Go to my lord, and to his memory bring 
 That happy birthday of my sorrowing 
 When his large glance made meaner gazers glad. 
 Entering the bannered lists : 'twas then I had 
 The wound that laid me in the arms of Death. 
 
 Tell him, O Love, I am a lowly maid. 
 No more than any little knot of thyme 
 That he with careless foot may often tread ; 
 Yet lowest fragi-ance oft will mount sitblime 
 And cleave to things most high and halloxu^l. 
 As doth the fragrance of my life's springtime. 
 My lowly love, that soaring seeks to climb 
 
 \k 
 
 ^ 
 
/ 
 
 lo6 HOW LISA LOVED THE KING. 
 
 Within his thought, mid make a gentle bliss. 
 More blissful than if mine, in being his : 
 So shall I live in him and rest in Death. 
 
 The strain was new. It seemed a pleading cry, 
 And yet a rounded perfect melody, 
 Making grief beauteous as the tear-filled eyes 
 Of little child at little miseries. 
 Trembling at first, then swelling as it rose. 
 Like rising light that broad and broader grows. 
 It filled the hall, and so possessed the air 
 That not one breathing soul was present there, 
 Though dullest, slowest, but was quivering 
 In music's grasp, and forced to hear her sing. 
 But most such sweet compulsion took the mood 
 Of Pedro (tired of doing what he would). 
 Whether the words which that strange meaning 
 
 bore 
 Were but the poet's feigning or aught more. 
 Was bounden question, since their aim must be 
 At some imagined or true royalty. 
 He called Minuccio and bade him tell 
 What poet of the day had writ so well ; 
 For though they came behind all former rhymes, 
 The verses were not bad for these poor times. 
 " Monsignor, they are only three days old," 
 Minuccio said ; " but it must not be told 
 How this song grew, save to your royal ear." 
 Eager, the king withdrew where none was near 
 And gave close audience to Minuccio, 
 W^ho meetly told that love-tale meet to know. 
 The king had features pliant to confess 
 The presence of a manly tenderness — 
 Son, father, brother, lover, blent in one, 
 In fine harmonic exaltation — 
 The spirit of religious chivalry. 
 He listened, and Minuccio could see 
 
HOW LISA LOVED THE KING. 
 
 107 
 
 The tender, generous admiration spread 
 O'er all his face, and glorify his head 
 With royalty that would have kept its rank 
 Though his brocaded robes to tatters shrank. 
 He answered without pause, " So sweet a maid, 
 In nature's own insignia arrayed. 
 Though she were come of unmixed trading blood 
 That sold and bartered ever since the Flood, 
 Would have the self-contained and single worth 
 Of radiant jewels born in darksome earth. 
 Raona were a shame to Sicily, 
 Letting such love and tears unhonored be : 
 Hasten, Minuccio, tell her that the king 
 "To-day will surely visit her when vespers ring." 
 
 Joyful, Minuccio, bore the joyous word, 
 And told at full, while none but Lisa heard. 
 How each thing had befallen, sang the song, 
 And like a patient nurse who would prolong 
 All means of soothing, dwelt upon each tone, 
 Each look, with which the mighty Aragon 
 Marked the high worth his royal heart assigned 
 To that dear place he held in Lisa's mind. 
 She listened till the draughts of pure content 
 Through all her limbs like some new being 
 
 went — 
 Life, not recovered, but untried before. 
 From out the growing world's unmeasured store 
 Of fuller, better, more divinely mixed. 
 'Twas glad reverse : she had so firmly fixed 
 To die, already seemed to fall a veil 
 Shrouding the inner glow from light of senses 
 
 pale. 
 Her parents wondering see her half arise — 
 Wondering, rejoicing, see her long dark eyes 
 Brimful with clearness, not of 'scaping tears. 
 But of some light ethereal that enspheres 
 
I08 HOW LISA LOVED THE KLWG. 
 
 4'i^'A 
 
 Their orbs with calm, some vision newly learnt 
 
 Where strangest fires erewhile had blindly burnt. 
 
 She asked to have her soft white robe and band 
 
 And coral ornaments, and with her hand 
 
 She gave her locks' dark length a backward fall. 
 
 Then looked intently in a mirror small, 
 
 And feared her face might perhaps displease the 
 
 king ; 
 '* In truth," she said, " I am a tiny thing ; 
 I was too bold to tell what could such visit bring." 
 Meanwhile the king, revolving in his thought 
 That virgin passion, was more deeply wrought 
 To chivalrous pity ; and at vesper bell. 
 With careless mien which hid his purpose well. 
 Went forth on horseback, and as if by chance 
 Passing Bernardo's house, he paused to glance 
 At the fine garden of this wealthy man, 
 This Tuscan trader turned Palermitan : 
 But, presently dismounting, chose to walk 
 Amid the trellises, in gracious talk 
 With the same trader, deigning even to ask 
 If he had yet fulfilled the father's task 
 Of marrying that daughter whose young charms 
 Himself, betwixt the passages of arms, 
 Noted admiringly. ' ' Monsignor, no. 
 She is not married ; that were little woe, 
 Since she has counted barely fifteen years ; 
 But all such hopes of late have turned to fears ; 
 She droops and fades ; though for a space quite 
 
 brief — 
 Scarce three hours past — she finds some strange 
 
 relief." 
 The king avised : " 'Twere dole to all of us. 
 The world should lose a maid so beauteous ; 
 Let me now see her ; since I am her liege lord. 
 Her spirits must wage war with death at my strong 
 
 word." 
 
 II- 
 
 ^'^ 
 
 
:,^»^*t. 
 
 ./ 
 
 HO W LISA L O VED THE KING. I O 9 
 
 In such half-serious playfulness, he wends, 
 With Lisa's father and two chosen friends, 
 Up to the chamber where she pillowed sits 
 Watching the open door, that now admits 
 A presence as much better than her dreams. 
 As happiness than any longing seems. 
 The king advanced, and, with a reverent kiss 
 Upon her hand, said, " Lady, what is this ? 
 You, whose sweet youth should others' solace be, 
 Pierce all our hearts, languishing piteously. 
 We pray you, for the love of us, be cheered, 
 Nor be too reckless of that life, endeared 
 To us who know your passing worthiness. 
 And count your blooming life as part of our life's 
 
 bliss." 
 Those words, that touch upon her hand from him 
 Whom her soul worshipped, as far seraphim 
 Worship the distant glory, brought some shame 
 Quivering upon her cheek, yet thrilled her frame 
 With such deep joy she seemed in paradise. 
 In wondering gladness, and in dumb surprise 
 That bliss could be so blissful : then she spoke — 
 " Signor, I was too weak to bear the yoke. 
 The golden yoke of thoughts too great for me ; 
 That was the ground of my infirmity. 
 But now, I pray your grace to have belief 
 That I shall soon be well, nor any more cause 
 
 grief." 
 
 The king alone perceived the covert sense 
 Of all her words, which made one evidence 
 With her pure voice and candid loveliness, 
 That he had lost much honor, honoring less 
 That message of her passionate distress. 
 He stayed beside her for a little while 
 With gentle looks and speech, until a smile 
 As placid as a ray of early morn 
 
Wassea 
 
 1 1 HOiV LISA LO VED THE KING, 
 
 On opening flower-cups o'er her lips was borne. 
 When he had left her, and the tidings spread 
 Through all the town how he had visited 
 The Tuscan trader's daughter, who was sick, 
 Men said, it was a royal deed and catholic. 
 
 And Lisa ? she no longer wished for death ; 
 
 But as a poet, who sweet verses saith 
 
 Within his soul, and joys in music there. 
 
 Nor seeks another heaven, nor can bear 
 
 Disturbing pleasures, so was she content, 
 
 Breathing the life of grateful sentiment. 
 
 She thought no maid betrothed could be more 
 
 blest ; 
 For treasure must be valued by the test 
 Of highest excellence and rarity. 
 And her dear joy was best as best could be ; 
 There seemed no other crown to her delight 
 Now the high loved one saw her love aright. 
 Thus her soul thriving on that exquisite mood, 
 Spread like the May-time all its beauteous good 
 O'er the soft bloom of neck, and arms, and cheek. 
 And strengthened the sweet body, once so weak. 
 Until she rose and walked, and, like a bird 
 With sweetly rippling throat, she made her spring 
 
 joys heard. 
 The king, when he the happy change had seen. 
 Trusted the ear of Constance, his fair queen, 
 With Lisa's innocent secret, and conferred 
 How they should jointly, by their deed and word. 
 Honor this maiden's love, which like the prayer 
 Of loyal hermits, never thought to share 
 In what it gave. The queen had that chief grace 
 Of womanhood, a heart that can embrace 
 All goodness in another woman's form , 
 And that same day, ere the sun lay too warm 
 On southern terraces, a messenger 
 
 ^ 
 
no W LISA LO VED THE KING. 1 1 1 
 
 Informed Bernardo that the royal pair 
 Would straightway visit him and celebrate 
 Their gladness at his daughter's happier state, 
 Which they were fain to see. Soon came the king 
 On horseback, with his barons, heralding 
 The advent of the queen in courtly state ; 
 And all, descending at the garden gate, 
 Streamed with their feathers, velvet, and brocade. 
 Through the pleached alleys, till they, pausing, 
 
 made 
 A lake of splendor 'mid the aloes gray — 
 When, meekly facing all their proud array. 
 The white-robed Lisa with her parents stood. 
 As some white dove before the gorgeous brood 
 Of dapple-breasted birds born by the Colchian 
 
 flood. 
 
 \ 
 
 The king and queen, by gracious looks and speech. 
 
 Encourage her, and thus their courtiers teach 
 
 How this fair morning they may courtliest be 
 
 By making Lisa pass it happily. 
 
 And soon the ladies and the barons all 
 
 Draw her by turns, as at a festival 
 
 Made for her sake, to easy, gay discourse, 
 
 And compliment with looks and smiles enforce ; 
 
 A joyous hum is heard the gardens round ; 
 
 Soon there is Spanish dancing and the sound 
 
 Of minstrel's song, and autumn fruits are pluckt ; 
 
 Till mindfully the king and queen conduct 
 
 Lisa apart tc where a trellised shade 
 
 Made pleasant resting. Then King Pedro said — 
 
 " Excellent maiden, that rich gift of love 
 
 Your heart hath made us, hath a worth above 
 
 All royal treasures, nor is fitly met 
 
 Save when the grateful memory of deep debt 
 
 Lies still behind the outward honors done : 
 
 And as a sign that no oblivion 
 
 k 
 
,1"' 
 
 ^" 
 
 112 HOW LISA LO VED THE KING. 
 
 Shall overflood that faithful memory, 
 We while we live your cavalier will be, 
 Nor will we ever arm ourselves for fight, 
 "Whether for struggle dire or brief delight 
 Of warlike feigning, but we first will take 
 The colors you ordain, and for your sake 
 Charge the more bravely where your emblem is ; 
 Nor will we ever claim an added bliss 
 To our sweet thoughts of you save one sole kiss. 
 But there still rests the outward honor meet 
 To mark your worthiness, and we entreat 
 That you will turn your ear to proffered vows 
 Of one who loves you, and would be your spouse. 
 We must not wrong yourself and Sicily 
 By letting all your blooming years pass by 
 Unmated : you wnll give the world its due 
 From beauteous maiden and become a matron 
 true." 
 
 Then Lisa, wrapt in virgin wonderment 
 
 At her ambitious love's complete content. 
 
 Which left no further good for her to seek 
 
 Than love's obedience, said with accent meek — 
 
 " Monsignor, I know well that were it known 
 
 To all the world how high my love had flown. 
 
 There would be few who would not deem me mad, 
 
 Or say my mind the falsest image had 
 
 Of my condition and your lofty place. 
 
 But heaven has seen that for no moment's space 
 
 Have I forgotten you to be the king, 
 
 Or me myself to be a lowly thing — 
 
 A little lark, enamoured of the sky. 
 
 That soared to sing, to break its breast, and die. 
 
 But, as you better know than I, the heart 
 
 In choosing chooseth not its own desert. 
 
 But that great merit which attracteth it ; 
 
 'Tis law, I struggled, but I must submit. 
 
 !JMWM| | H,! 
 
 m> 
 
HO W LISA LO VED THE KING. 1 1 3 
 
 And having seen a worth all worth above, 
 I loved you, love you. and shall always love. 
 But that doth mean, my will is ever yours, 
 Not only when your will my good insures. 
 But if it wrought me what the world calls harm — 
 Fire, wounds, would wear from your dear will a 
 
 charm. 
 That you will be my knight is full content, 
 And for that kiss — I pray, first for the queen's 
 
 consent." 
 
 Her answer, given with such firm gentleness. 
 Pleased the queen well, and made her hold no 
 
 less 
 Of Lisa's merit than the king had held. 
 And so, all cloudy threats of grief dispelled. 
 There was betrothal made that very morn 
 'Twixt Perdicone, youthful, brave, well-born, 
 And Lisa, whom he loved ; she loving well 
 The lot that from obedience befell. 
 The queen a rare betrothal ring on each 
 Bestowed, and other gems, with gracious speech. 
 And that no joy might lack, the king, who knew 
 The youth was poor, gave him rich Ceffalu 
 And Cataletta, large and fruitful lands — 
 Adding much promise when he joined their hands. 
 At last he said to Lisa, with an air 
 Gallant yet noble . "Now we claim our share 
 From your sweet love, a share which is not small: 
 For in the sacrament one crumb is all." 
 Then taking her small face his hands between, 
 He kissed her on the brow with kiss serene. 
 Fit seal to that pure vision her young soul had 
 
 seen. 
 
 Sicilians witnessed that King Pedro kept 
 His royal promise : Perdicone stept 
 
 r„ 
 
 ■^ 
 
HOW LISA LOVED THE KING. 
 
 Ji^^:*m^ 
 
 To many honors honorably won, 
 
 Living with Lisa in true union. 
 
 Throughout his life the king still took delight 
 
 To call himself fair Lisa's faithful knight ; 
 
 And never wore in field or tournament 
 
 A scarf or emblem save by Lisa sent. 
 
 Such deeds made subjects loyal in that land : 
 They joyed that one so worthy to command, 
 So chivalrous and gentle, had become 
 The king of Sicily, and filled the room 
 Of Frenchmen, who abused the Church's trust, 
 Till, in a righteous vengeance on their lust, 
 Messina rose, with God, and with the dagger' 
 thrust. 
 
 L'envoi. 
 
 Reader, this story pleased me long ago 
 
 In the bright pages of Boccaccio, 
 
 And zuhere the author of a good we know. 
 
 Let us not fail to pay the grateful thanks we owe. 
 
 1869. 
 
>>iiy!l 
 
 ^ 
 
 A MINOR PROPHET. 
 
 I HAVE a friend, a vegetarian seer, 
 
 By name Elias Baptist Butterworth, 
 
 A harmless, bland, disinterested man, 
 
 Whose ancestors in Cromwell's day believed 
 
 The Second Advent certain in five years. 
 
 But when King Charles the Second came instead, 
 
 Revised their date and sought another world : 
 
 I mean — not heaven but — America. 
 
 A fervid stock, whose generous hope embraced 
 
 The fortunes of mankind, not stopping short 
 
 At rise of leather, or the fall of gold, 
 
 Nor listening to the voices of the time 
 
 As housewives listen to a cackling hen, 
 
 With wonder whether she has laid her tgg 
 
 On their own nest-egg. Still they did insist 
 
 vSomewhat too wearisomely on the joys 
 
 Of their Millennium, when coats and hats 
 
 Would all be of one pattern, books and song. 
 
 All fit for Sundays, and the casual talk 
 
 As good as sermons preached extempore. 
 
 And in Elias the ancestral zeal 
 
 Breathes strong as ever, only modified 
 
 By Transatlantic air and modern thought. 
 
 You could not pass him in the street and fail 
 
 To note his shoulders' long declivity, 
 
 Beard to the waist, swan-neck, and large pale 
 
 eyes ; 
 Or, when he lifts his hat, to mark his hair 
 Brushed back to show his great capacity — 
 A full grain's length at the angle of the brow 
 
Proving him witty, while the shallower men 
 Only seem witty in their repartees. 
 Not that he's vain, but that his doctrine needs 
 The testimony of his frontal lobe. 
 
 On all points he adopts the latest views ; 
 
 Takes for the key of universal Mind 
 
 The " levitation " of stout gentlemen ; 
 
 Believes the Rappings are not spirits' work, 
 
 But the Thought-atmosphere's, a stream of brains 
 
 In correlated force of raps, as proved 
 
 By motion, heat, and science generally : 
 
 The spectrum, for example, which has shown 
 
 The self-same metals in the sun as here ; 
 
 So the Thought-atmosphere is everywhere : 
 
 High truths that glimmered under other namer 
 
 To ancient sages, whence good scholarship 
 
 Applied to Eleusinian mysteries — 
 
 The Vedas — Tripitaka — \'endidad — 
 
 Might furnish weaker proof for weaker minds 
 
 That Thought was rapping in the hoary past. 
 
 And might have editied the Greeks by raps 
 
 At the greater Dionysia, if their ears 
 
 Had not been filled with vSophoclean verse. 
 
 And when all Earth is vegetarian — 
 
 When, lacking butchers, quadrupeds die out. 
 
 And less Thought-atmosphere is reabsorbed 
 
 By nerves of insects parasitical. 
 
 Those higher truths, seized now by higher mine 
 
 But not expressed (the insects hindering) 
 
 Will either flash out into eloquence. 
 
 Or better still, be comprehensible 
 
 By rappings simply, without need of roots. 
 
 'Tis on this theme — the vegetarian world — 
 That good Elias willingly expands : 
 He loves to tell in mildly nasal tones 
 
 HI 
 
 "f 
 
A 
 
 A MINOR PROPHET. 
 
 119 
 
 And vowels stretched to suit the widest views, 
 
 The future fortunes of our infant Earth — 
 
 "When it will be too full of human kind 
 
 To have the room for wilder animals. 
 
 Saith he, Sahara will be populous 
 
 With families of gentlemen retired 
 
 From commerce in more Central Africa, 
 
 Who order coolness as we order coal. 
 
 And have a lobe anterior strong enough 
 
 To think away the sand-storms. Science thus 
 
 Will leave no spot on this terraqueous globe 
 
 Unfit to be inhabited by man, 
 
 The chief of animals : all meaner brut«6 
 
 Will have been smoked and elbowed out of life 
 
 No lions then shall lap Caflfrarian pools, 
 
 Or shake the Atlas with their midnight roar : 
 
 Even the slow, slime-loving crocodile, 
 
 The last of animals to take a hint. 
 
 Will then retire for ever from a scene 
 
 Where public feeling strongly sets against him 
 
 Fishes may lead carnivorous lives obscure. 
 
 But must not dream of culinary rank 
 
 Or being dished in good society. 
 
 Imagination in that distant age, 
 
 Aiming at fiction called historical, 
 
 Will vainly try to reconstruct the times 
 
 When it was men's preposterous delight 
 
 To sit astride live horses, which consumed 
 
 Materials for incalculable cakes ; 
 
 When there were milkmaids who drew milk fron^ 
 
 With udders kept abnormal for that end 
 
 Since the rude mythopreic period 
 
 Of Aryan dairymen, who did not blush 
 
 To call their milkmaid and their daughter one ^ 
 
 Helplessly gazing at the Milky Way, 
 
 Nor dreaming of the astral cocoa-nuts 
 
 R f 
 
A MINOR PROPHE\ 
 
 Quite at the service of posterity. 
 'Tis to be feared, though, that the duller boy 
 Much given to anachronisms and nuts, 
 (Elias has confessed boys will be boys) 
 May write a jockey for a centaur, think 
 Europa's suitor was an Irish bull, 
 ^sop a journalist who wrote up Fox, 
 And Bruin a chief swindler upon 'Change. 
 Boys will be boys, but dogs will all be moral, 
 With longer alimentary canals 
 Suited to diet vegetarian. 
 The uglier breeds will fade from memory, 
 Or, being paloeontological. 
 Live but as portraits in large learned books. 
 Distasteful to the feelings of an age 
 Nourished on purest beauty. Earth will hold 
 No stupid brutes, no cheerful queernesses, 
 No naive cunning, grave absurdity. 
 Wart-pigs with tender and parental grunts. 
 Wombats much flattened as to their contour, 
 Perhaps from too much crushing in the ark, 
 But taking meekly that fatality ; 
 The serious cranes, unstung by ridicule ; 
 Long-headed, short-legged, solemn-looking curs, 
 (Wise, silent critics of a flippant age) ; 
 The silly straddling foals, the weak-brained geese 
 Hissing fallaciously at sound of wheels- 
 All these rude products Avill have disappeared 
 Along with every faulty human type. 
 By dint of diet vegetarian 
 All will be harmony of hue and line. 
 Bodies and minds all perfect, limbs well-turned. 
 And talk quite free from aught erroneous. 
 
 Thus far Elias in his seer's mantle : 
 
 But at this climax in his pro'phecy 
 
 My sinking spirits, fearing to be swamped. 
 
 T& 
 
■flif^' 
 
 A MINOR PROPHET. 
 
 121 
 
 Urge me to speak. " High prospects these, my 
 
 friend, 
 Setting the weak carnivorous brain astretch ; 
 We will resume the thread another day." 
 " To-morrow," cries Elias, "at this hour?" 
 " No, not to-morrow— I shall have a cold — 
 At least I feel some soreness — this endemic — 
 Good-by," 
 
 No tears are sadder than the smile 
 With which I quit Elias. Bitterly 
 I feel that every change upon this earth 
 Is bought with sacrifice. My yearnings fail 
 To reach that high apocalyptic mount 
 Which shows in bird's-eye view a perfect wcrld, 
 Or enter warmly into other joys 
 Than those of faulty, struggling human kind. 
 That strain upon my soul's too feeble wing 
 Ends in ignoble floundering : I fall 
 Into short-sighted pity for the men 
 Who living in those perfect future times 
 Will not know half the dear imperfect things 
 That move my smiles and tears — will never know 
 The fine old incongruities that raise 
 My friendly laugh ; the innocent conceits 
 That like a needless eyeglass or black patch 
 Give those who wear them harmless happiness ; 
 The twists and cracks in our poor earthenware. 
 That touch me to more conscious fellowship 
 (T am not myself the finest Parian) 
 With my coevals. So poor Colin Clout, 
 To whom raw onion gives prospective zest, 
 Consoling hours of dampest wintry work, 
 Could hardly fancy any regal joys 
 Quite unimpregnate with the onion's scent : 
 Perhaps his highest hopes are not all clear 
 Of waftings from that energetic bulb : 
 
'>K'',: 
 
 r 
 
 122 
 
 A MINOR PROPHET. 
 
 'Tis well that onion is not heresy. 
 
 Speaking in parable, I am Colin Clout. 
 
 A clinging flavor penetrates my life — 
 
 My onion is imperfectness : I cleave 
 
 To nature's blunders, evanescent types 
 
 Which sages banish from Utopia. 
 
 " Not worship beauty?" say you. Patience, 
 
 friend ' 
 I worship in the temple with the rest ; 
 But by my hearth I keep a sacred nook 
 For gnomes and dwarfs, duck-footed waddling 
 
 elves 
 Who stitched and hammered for the weary man 
 In days of old. And in that piety 
 I clothe ungainly forms inherited 
 From toiling generations, daily bent 
 At desk, or plough, or loom, or in the mine. 
 In pioneering labors for the world. 
 Nay,. I am apt when floundering confused 
 From too rash flight, to grasp at paradox, 
 And pity future men who will not know 
 A keen experience with pity blent. 
 The pathos exquisite of lovely minds 
 Hid in harsh forms — not penetrating them 
 Like fire divine within a common bush 
 Which glows transfigured by the heavenly guest, 
 So that men put their shoes off ; but encaged 
 Like a sweet child within some thick-walled cell, 
 W^ho leaps and fails to hold the window-bars, 
 But having shown a little dimpled hand 
 Is visited thenceforth by tender hearts 
 W^hose eyes keep watch about the prison walls. 
 A foolish, nay, a wicked paradox ! 
 For purest pity is the eye of love 
 Melting at sight of sorrow ; and to grieve 
 Because it sees no sorrow, shows a love 
 Warped from its truer nature, turned to love 
 
 ''// 
 
 u/^ 
 
/ 
 
 J^lf 
 
 MINOR PROPHET. 
 
 123 
 
 Of merest habit, like the miser's greed. 
 But I am Colin still : my prejudice 
 Is for the flavor of my daily food. 
 Not that I doubt the world is growing still 
 As once it grew from Chaos and from Night ; 
 Or have a soul too shrunken for the hope 
 Which dawned in human breasts, a double morn. 
 With earliest watchings of the rising light 
 Chasing the darkness ; and through many an age 
 Has raised the vision of a future time 
 That stands an Angel with a face all mild 
 Spearing the demon. I too rest in faith 
 That man's perfection is the crowning flower. 
 Toward which the urgent sap in life's great tree 
 Is pressing — seen in puny blossoms now, 
 But in the world's great morrows to expand 
 With broadest petal and with deepest glow. 
 
 Yet, see the patched and plodding citizen 
 
 Waiting upon the pavement with the throng 
 
 While some victorious world-hero makes 
 
 Triumphal entry, and the peal of shouts 
 
 And flash of faces 'neath uplifted hats 
 
 Run like a storm of joy along the streets ! 
 
 He says, " God bless him ! " almost with a sob. 
 
 As the great hero passes ; he is glad 
 
 The world holds mighty men and mighty deeds ; 
 
 The music stirs his pulses like strong wine, 
 
 The moving splendor touches him with awe — 
 
 'Tis glory shed around the common weal, 
 
 And he will pay his tribute willingly. 
 
 Though with the pennies earned by sordid toil. 
 
 Perhaps the hero's deeds have helped to bring 
 
 A time when every honest citizen 
 
 Shall wear a coat unpatched. And yet he feels 
 
 More easy fellowship with neighbors there 
 
 Who look on too ; and he will soon relapse 
 
 M 
 
( ^ 
 
 3 
 
 124 
 
 A MINOR PROPHET. 
 
 From noticing the banners and the steeds 
 To think with pleasure there is just one bun 
 Left in his pocket, that may serve to tempt 
 The wide-eyed lad, whose weight is all too much 
 For that young mother's arms ; and then he fails 
 To dreamy picturing of sunny days 
 When he himself was a small big-cheeked lad 
 In some far village where no heroes came. 
 And stood a listener 'twixt his father's legs 
 In the warm fire-light, while the old folk talked 
 And shook their heads and looked upon the floor ; 
 And he was puzzled, thinking life was fine — 
 The bread and cheese so nice all through the 
 
 year 
 And Christmas sure to come. Oh that good time ! 
 He, could he choose, would have those days again 
 And see the dear old-fashioned things once more. 
 But soon the wheels and drums have all passed by 
 And tramping feet are heard like sudden rain : 
 The quiet startles our good citizen ; 
 He feels the child upon his arms, and knows 
 He is with the people making holiday 
 Because of hopes for better days to come. 
 But Hope to him was like the brilliant west 
 Telling of sunrise in a world unknown, 
 And from that dazzling curtain of bright hues 
 He turned to the familiar face of fields 
 Lying all clear in the calm morning land. 
 Maybe 'tis wiser not to fix a lens 
 Too scrutinizing on the glorious times 
 When Barbarossa shall arise and shake 
 His mountain, good King Arthur come again. 
 And all the heroes of such giant soul 
 That, living once to cheer mankind with hope. 
 They had to sleep until the time was ripe 
 For greater deeds to match their greater thought= 
 Yet no ! the earth yields nothing more Divine 
 
 -3^ 
 
 I 
 
 4 
 
A MINOR PROPHET. 
 
 Than high prophetic vision — than the Seer 
 "Who fasting from man's meaner joy beholds 
 The paths of beauteous order, and constructs 
 A fairer type, to shame our low content. 
 But prophecy is like potential sound 
 Which turned to music seems a voice sublime 
 From out the soul of light ; but turns to noise 
 In scrannel pipes, and makes all ears averse. 
 
 The faith that life on earth is being shaped 
 To glorious ends, that order, justice, love 
 Mean man's completeness, mean effect as sure 
 As roundness in the dew-drop — that great faith 
 Is but the rushing and expanding stream 
 Of thought, of feeling, fed by all the past. 
 Our finest hope is finest memory, 
 As they who love in age think youth is blest 
 Because it has a life to fill with love. 
 Full souls are double mirrors, making still 
 An endless vista of fair things before 
 Repeating things behind ; so faith is strong 
 Only when we are strong, shrinks when we shrink 
 It comes when music stirs us, and the chords 
 Moving on some grand climax shake our souls 
 With influx new that makes new energies. 
 It comes in swellings of the heart and tears 
 That rise at noble and at gentle deeds — 
 At labors of the master-artist's hand 
 Which, trembling, touches to a finer end, 
 Trembling before an image seen within. 
 It comes in moments of heroic love. 
 Unjealous joy in joy not made for us — 
 In conscious triumph of the good within 
 Making us worship goodness that rebukes. 
 Even our failures are a prophecy, 
 Even our yearnings and our bitter tears 
 After that fair and true we cannot grasp ; 
 
1 
 
 i 
 
 i 
 
■ii^ 
 
 BROTHER AND SISTER. 
 
 I CANNOT choose but think upon the time 
 When our two lives grew like two buds that kiss 
 At lightest thrill from the bee's swinging chime, 
 Because the one so near the other is. 
 
 He was the elder and a little man 
 Of forty inches, bound to show no dread, 
 And I the girl that puppy-like now ran. 
 Now lagged behind my brother's larger tread. 
 
 I held him wise, and when he talked to me 
 
 Of snakes and birds, and which God loved the 
 
 best, 
 I thought his knowledge marked the boundary 
 "Where men grew blind, though angels knew the 
 
 rest. 
 
 If he said " Hush ! " I tried to hold my breath; 
 Wherever he said " Come ! " I stepped in faith. 
 
 Long years have left their writing on my brow, 
 But yet the freshness and the dew-fed beam 
 Of those young mornings are about me now, 
 When we two wandered toward the far-off stream 
 
 With rod and line. Our basket held a store 
 Baked for us only, and I thought with joy 
 
 •?» 
 
r^fw. 
 
 BI^ OTHER AND SISTER. 
 
 That I should have my share, though he had more, 
 Because he was the elder and a boy. 
 
 The firmaments of daisies since to me 
 Have had those mornings in their opening eyes, 
 The bunched cowslip's pale transparency 
 Carries that sunshine of sweet memories, 
 
 And wild-rose branches take their finest scent 
 From those blest hours of infantine content. 
 
 Our mother bade us keep the trodden ways, 
 Stroked down my tippet, set my brother's frill, 
 Then with the benediction of her gaze 
 Clung to us lessening, and pursued us still 
 
 Across the homestead to the rookery elms. 
 Whose tall old trunks had each a grassy mound. 
 So rich for us, wx counted them as realms 
 With varied products : here were earth-nuts found, 
 
 And here the Lady-fingeas in deep shade ; 
 Here sloping toward the Moat the rushes grew, 
 The large to split for pith, the small to braid ; 
 While over all the dark rooks cawing flew, 
 
 And made a happy strange solemnity, 
 
 A deep-toned chant from life unknown to me. 
 
 Our meadow-path had memorable spots : 
 One where it bridged a tiny rivulet, 
 Deep hid by tangled blue Forget-me-nots ; 
 And all along the waving grasses met 
 
 W 
 
^ 
 
BROTHER AND SISTER. 
 
 My- little palm, or nodded to my cheek, 
 When flowers with upturned faces gazing drew 
 My wonder downward, seeming all to speak 
 With eyes of souls that dumbly heard and knew. 
 
 nld things rushed 
 
 Then came the copse, where 
 
 unseen. 
 And black-scathed grass betrayed the past abode 
 Of mystic gypsies, who still lurked between 
 Me and each hidden distance of the road. 
 
 A gypsy once had startled me at play. 
 Blotting with her dark smile my sunny day. 
 
 Thus rambling we were schooled in deepest 
 
 lore. 
 And learned the meanings that give words a 
 
 soul, 
 The fear, the love, the primal passionate store, 
 Whose shaping impulses make manhood whole. 
 
 Those hours were seed to all my after good ; 
 My infant gladness, through eye, ear, and 
 
 touch, 
 Took easily as warmth a various food 
 To nourish the sweet skill of loving much. 
 
 For who in age shall roam the earth and find 
 Reasons for loving that will strike out love 
 With sudden rod from the hard year-pressed 
 
 mind ? 
 Were reasons sown as thick as stars above. 
 
 'Tis love must see them, as the eyes sees light : 
 Day is but Number to the darkened sight. 
 
 ^? 
 
r-^rr^ 
 
/ 
 
 BROTHER AND SISTER 
 
 A fair pavilioned boat for me alone 
 
 Bearing me onward through the vast unknown. 
 
 But sudden came the barge's pitch-black prow, 
 Nearer and angrier came my brother's cry, 
 And all my soul was quivering fear, when lo ! 
 Upon the imperilled line, suspended high, 
 
 A silver perch ! My guilt that won the prey, 
 Now turned to merit, had a guerdon rich 
 Of hugs and praises, and made merry play. 
 Until my triumph reached its highest pitch 
 
 When all at home were told the wondrous feat, 
 And how the little sister had fished well. 
 In secret, though my fortune tasted sweet, 
 I wondered why this happiness befell. 
 
 "The little lass had luck," the gardener said: 
 And so I learned, luck was with glory wed. 
 
 IX. 
 
 We had the self-same world enlarged for each 
 By l6ving difference of girl and boy : 
 The fruit that hung on high beyond my reach 
 He plucked for me, and oft he must employ 
 
 A measuring glance to guide my tiny shoe 
 Where lay firm stepping-stones, or call to mind 
 " This thing I like my sister may not do, 
 For she is little, and I must be kind." 
 
 Thus boyish Will the nobler mastery learned 
 Where inward vision over impulse reigns, 
 
 91'f 
 
 f 
 
J 
 
 Widening its life with separate life discerned, 
 A Like unlike, a Self that self restrains. 
 
 His years with others must the sweeter be 
 For those brief days he spent in loving me. 
 
 His sorrow was my sorrow, and his joy 
 Sent little leaps and laughs through all my frame 
 My doll seemed lifeless and no girlish toy 
 Had any reason when my brother came. 
 
 I knelt with him at marbles, marked his fling 
 Cut the ringed stem and make the apple drop. 
 Or watched him winding close the spiral string 
 That looped the orbits of the humming top. 
 
 Grasped by such fellowship my vagrant thought 
 Ceased with dream-fruit dream-wishes to fulfil ; 
 My aery-picturing fantasy was taught 
 Subjection to the harder, truer skill 
 
 That seeks with deeds to grave a thought- 
 tracked line. 
 And by " What is," " What will be" to define. 
 
 School parted us ; we never found again 
 That childish world where our two spirits mingled 
 Like scents from varying roses that remain 
 One sweetness, nor can evermore be singled. 
 
 Yet the twin habit of that early time 
 Lingered for long about the heart and tongue : 
 We had been natives of one happy clime. 
 And its dear accent to our utterance clung. 
 
 .._.* ' 
 
 \S 
 
BROTHER AND SISTER. 
 
 135 
 
 Till the dire years whose awful name is Change 
 Had grasped our souls still yearning in divorce, 
 And pitiless shaped them in two forms that range> 
 Two elements which sever their life's course. 
 
 But were another childhood-world my share, 
 I would be born a little sister there, 
 
 1869. 
 
 J^' 
 
 # 
 
STRADIVARIUS. 
 
 Your soul was lifted by the wings to-day 
 Hearing the master of the violin : 
 You praised him, praised the great Sebastian too 
 Who made that fine Chaconne ; but did you think 
 Of old Antonio Stradivari ? — him 
 Who a good century and half ago 
 Put his true work in that brown instrument 
 And by the nice adjustment of its frame 
 Gave it responsive life, continuous 
 . With the master's finger-tips and perfected 
 Like them by delicate rectitude of use. 
 Not Bach alone, helped by fine precedent 
 Of genius gone before, nor Joachim 
 Who holds the strain afresh incorporate 
 By inward hearing and notation strict 
 Of nerve and muscle, made our joy to-day : 
 Another soul was living in the air 
 And swaying it to true deliverance 
 Of high invention and responsive skill : 
 That plain white-aproned man who stood at work 
 Patient and accurate full fourscore years, 
 Cherished his sight and touch by temperance. 
 And since keen sense is love of perfectness 
 Made perfect violins, the needed paths 
 For inspiration and high mastery. 
 
 No simpler man than he : he never cried, 
 " Why was I born to this monotonous task 
 Of making violins ?" or flung them down 
 T«i .suit with hurling act a well-hurled curse 
 
 m 
 
 I ; 
 
 9 
 
STRADIVARIUS. 
 
 At labor on such perishable stuff. 
 Hence neighbors in Cremona held him dull, 
 Called him a slave, a mill-horse, a machine, 
 Begged him to tell his motives or to lend 
 A few gold pieces to a loftier mind. 
 Yet he had pithy words full fed by fact ; 
 For Fact, well-trusted, reasons and persuades, 
 Is gnomic, cutting, or ironical, 
 Draws tears, or is a tocsin to arouse — 
 Can hold all figures of the orator 
 In one plain sentence : has her pauses too — 
 Eloquent silence at the chasm abrupt 
 Where knowledge ceases. Thus Antonio 
 Made answers as Fact willed, and made them 
 strong. 
 
 Naldo, a painter of eclectic school. 
 
 Taking his dicers, candlelight and grins 
 
 From Caravaggio, and in holier groups 
 
 Combining Flemish fiesh with martyrdom — 
 
 Knowing all tricks of style at thirty-one, 
 
 And weary of them, while Antonio 
 
 At sixty-nine wrought placidly his best, 
 
 Making the violin you heard to-day — 
 
 Naldo would tease him oft to tell his aims. 
 
 " Perhaps thou hast some pleasant vice to feed — 
 
 The love of louis d'ors in heaps of four, 
 
 Each vioUn a heap — I've nought to blame ; 
 
 My vices waste such heaps. But then, why 
 
 work 
 With painful nicety ? Since fame once earned 
 By luck or merit — oftenest by luck — 
 (Else why do I put Bonifazio's name 
 To work that ' pinxit N'aldo ' would not sell ?) 
 Is welcome index to the wealthy mob 
 Where they should pay their gold, and where they 
 
 pay 
 
 ^ 
 
STRADIVARIUS. 
 
 There they find merit — take your tow for flax, 
 And hold the flax unlabelled with your name, 
 Too coarse for sufferance." 
 
 Antonio then • 
 " I Hke the gold — well, yes — but not for meals. 
 And as my stomach, so my eye and hand, 
 And inward sense that works along with both, 
 Have hunger that can never feed on coin. 
 Who draws a line and satisfies his soul, 
 Making it crooked where it should be straight ? 
 An idiot with an oyster-shell may draw 
 His lines along the sand, all wavering, 
 t ixing no point or pathway to a point ; 
 An idiot one remove may choose his line. 
 Straggle and be content ; but God be praised, 
 Antonio Stradivari has an eye 
 That winces at false work and loves the true, 
 With hand and arm that play upon the tool 
 As willingly as any singing bird 
 Sets him to sing his morning roundelay, 
 Because he likes to sing and likes the song." 
 
 Then Naldo : " 'Tis a petty kind of fame 
 At best, that comes of making violins ; 
 And saves no masses, either. Thou wilt go 
 To purgatory none the less." 
 
 But he : 
 " 'Twere purgatory here to make them ill ; 
 And for my fame — when any master holds 
 'Twixt chin and hand a violin of mine, 
 He will be glad that Stradivari lived. 
 Made violins, and made them of the best. 
 The masters only know whose work is good : 
 They will choose mine, and while (iod gives them 
 
 skill 
 I give them instruments to play upon, 
 God choosing me to help Him." 
 
142 
 
 STRADIVARIUS. 
 
 ' ' What ! were God 
 At fault for violins, thou absent?" 
 
 "Yes; 
 He were at fault for Stradivari's work." 
 
 " Why, many hold Giuseppe's violins 
 As good as thine." 
 
 " May be : they are different. 
 His quality declines : he spoils his hand 
 With over-drinking. But were his the best, 
 He could not work for two. My work is mine, 
 And, heresy or not, if my hand slacked 
 I should rob God — since He is fullest good — 
 Leaving a blank instead of violins. 
 I say, not God Himself can make man's best 
 Without best men to help Him. I am one best 
 Here in Cremona, using sunlight well 
 To fashion finest maple till it serves 
 More cunningly than throats, for harmony. 
 'Tis rare delight : I would not change my skill 
 To be the Emperor with bungling hands. 
 And lose my work, which comes as natural 
 As self at waking." 
 
 " Thou art little more 
 Than a deft potter's wheel, Antonio ; 
 Turning out work by mere necessity 
 And lack of varied function. Higher arts 
 Subsist on freedom — eccentricity — 
 Uncounted inspirations— influence 
 That comes with drinking, gambling, talk turned 
 
 wild. 
 Then moody miser)' and lack of food — 
 With every dithyrambic fine excess : 
 These make at last a storm which flashes out 
 In lightning revelations. Steady work 
 Turns genius to a loom ; the soul must he 
 Like grapes beneath the sun till ripeness comes 
 
iri^i^\Vyr^"'""^- i 
 
 n 
 
A COLLEGE BREAKFAST-PARTY. 
 
 Young Hamlet, not the hesitating Dane, 
 
 But one named after him, who lately strove 
 
 For honors at our English Wittenberg — 
 
 Blond, metaphysical, and sensuous. 
 
 Questioning all things and yet half convinced 
 
 Credulity were better ; held inert 
 
 'Twixt fascinations of all opposites. 
 
 And half suspecting that the mightiest soul 
 
 (Perhaps his own?) was union of extremes. 
 
 Having no choice but choice of everything : 
 
 As, drinking deep to-day for love of wine. 
 
 To-morrow half a Brahmin, scorning life 
 
 As mere illusion, yearning for that True 
 
 Which has no qualities ; another day 
 
 Finding the fount of grace in sacraments, 
 
 And purest reflex of the light divine 
 
 In gem-bossed pyx and broidered chasuble, 
 
 Resolved to wear no stockings and to fast 
 
 With arms extended, waiting ecstasy ; 
 
 But getting cramps instead, and needing 
 
 change, 
 A would-be pagan next : 
 
 Young Hamlet sat 
 A guest with five of somewhat riper age 
 At breakfast with Horatio, a friend 
 With few opinions, but of faithful heart. 
 Quick to detect the fibrous spreading roots 
 Of character that feed men's theories, 
 Yet cloaking weaknesses with charity 
 And ready in all service save rebuke. 
 
 
COLLEGE BREAKFAST-PARTY, 
 
 With ebb of breakfast and the cider-cup 
 Came high debate : the others seated there 
 Were Osric, spinner of fine sentences, 
 A delicate insect creeping over life 
 Feeding on molecules of floral breath. 
 And weaving gossamer to trap the sun ; 
 Laertes ardent, rash, and radical ; 
 Discursive Rosencranz, grave Guildenstern, 
 And he for whom the social meal was made — 
 The polished priest, a tolerant listener, 
 Disposed to give a hearing to the lost. 
 And breakfast with them ere they went below. 
 
 From alpine metaphysic glaciers first 
 
 The talk sprang copious ; the themes were old, 
 
 But so is human breath, so infant eyes, 
 
 The daily nurslings of creative light. 
 
 Small words held mighty meanings : Matter, 
 
 Force, 
 Self, Not-self, Being, Seeming, Space and Time — ■ 
 Plebeian toilers on the dusty road 
 Of daily traffic, turned to Genii 
 And cloudy giants darkening sun and moon. 
 Creation was reversed in human talk : 
 None said, "Let Darkness be," but Darkness 
 
 And in it weltered with Teutonic ease, 
 An argumentative Leviathan, 
 Blowing cascades from out his element. 
 The thunderous Rosencranz, till 
 
 " Truce, I beg '' 
 Said Osric, with nice accent, " I abhor 
 That battling of the ghosts, that strife of terms 
 For utmost lack of color, form, and breath, 
 That tasteless squabbling called Philosophy : 
 As if a blue-winged butterfly afloat 
 For just three days above the Italian fields. 
 
 W 
 
Poising in sunshine, fluttering toward its bride. 
 
 Should fast and speculate, considering 
 
 What were if it were not ? or what now is 
 
 Instead of that which seems to be itself ? 
 
 Its deepest wisdom surely were to be 
 
 A sipping, marrying, blue-winged butterfly ; 
 
 Since utmost speculation on itself 
 
 Were but a three days' living of worse sort — 
 
 A bruising struggle all within the bounds 
 
 Of butterfly existence." 
 
 " I protest," 
 Burst in Laertes, " against arguments 
 That start with calling me a butterfly, 
 A bubble, spark, or other metaphor 
 Which carries your conclusions as a phrase 
 In quibbling law will carry property. 
 Put a thin sucker for my human lips 
 Fed at a mother's breast, who now needs food 
 That I will earn for her ; put bubbles blown 
 From frothy thinking, for the joy, the love, 
 The wants, the pity, and the fellowship 
 (The ocean deeps I might say. were I bent 
 On bandying metaphors) that make a man — 
 Why, rhetoric brings within your easy reach 
 Conclusions worthy of — a butterfly. 
 The universe, I hold, is no charade. 
 No acted pun unriddled by a word, 
 Nor pain a decimal diminishing 
 With hocus-pocus of a dot or nought. 
 For those who know it, pain is solely pain : 
 Not any letters of the alphabet 
 Wrought syllogistically pattern-wise. 
 Nor any cluster of fine images. 
 Nor any missing of their figured dance 
 By blundering molecules. Analysis 
 May show you the right physic for the ill, 
 Teaching the molecules to find their dance, 
 
 my 
 
 t 
 
150 A COLLEGE BREAKFAST-PARTY, 
 
 Instead of sipping at the heart of flowers, 
 But spare me your analogies, that hold 
 Such insight as the figure of a crow 
 And bar of music put to signify 
 A crowbar." 
 
 Said the Priest, " There I agree — 
 Would add that sacramental grace is grace 
 Which to be known must first be felt, with all 
 The strengthening influxes that come by prayer. 
 I note this passingly — would not delay 
 The conversation's tenor, save to hint 
 That taking stand with Rosencranz one sees 
 Final equivalence of all we name 
 Our Good and 111 — their diff'erence meanwhile 
 Being inborn prejudice that plumps you down 
 An Ego, brings a weight into your scale 
 Forcing a standard. That resistless weight 
 Obstinate, irremovable by thought, 
 Persisting through disproof, an ache, a need 
 That spaceless stays where sharp analysis 
 Has shown a plenum filled without it — what 
 If this, to use your phrase, were just that Being 
 Not looking solely, grasping from the dark. 
 Weighing the difference you call Ego ? This 
 Gives you persistence, regulates the flux 
 With strict relation rooted in the All. 
 Who is he of your late philosophers 
 Takes the true name of Being to be Will ? 
 I — nay, the Church objects nought, is content ; 
 Reason has reached its utmost negative, 
 Physic and metaphysic meet in the inane 
 And backward shrink to intense prejudice. 
 Making their absolute and homogene 
 A loaded relative, a choice to be 
 Whatever is — supposed : a What is not. 
 The Church demands no more, has standing room 
 And basis for her doctrine : this (no more) — 
 
 f> 
 
A COLLEGE BREAK FAS T-FARTY. 1 5 I 
 
 That the strong bias which we name the Soul, 
 
 Though fed and clad by dissoluble waves, 
 
 Has antecedent quality, and rules 
 
 By veto or consent the strife of thought, 
 
 Making arbitrament that we call faith." 
 
 Here was brief silence, till young Hamlet spoke. 
 
 " I crave direction. Father, how to know 
 
 The sign of that imperative whose right 
 
 To sway my act in face of thronging doubts 
 
 Were an oracular gem in price beyond 
 
 Urim and Thummim lost to Israel. 
 
 That bias of the soul, that conquering die 
 
 Loaded with golden emphasis of Will — 
 
 How find it where resolve, once made, becomes 
 
 The rash exclusion of an opposite 
 
 Which draws the stronger as I turn aloof." 
 
 " I think I hear a bias in your words," 
 
 The Priest said mildly—" that strong natural bent 
 
 Which we call hunger. What more positive 
 
 Than appetite ? — of spirit or of flesh, 
 
 I care not — ' sense of need ' were truer phrase. 
 
 You hunger for authoritative right. 
 
 And yet discern no difference of tones, 
 
 No weight of rod that marks imperial rule ? 
 
 Laertes granting, I will put your case 
 
 In analogic form : the doctors hold 
 
 Hunger which gives no relish — save caprice 
 
 That tasting venison fancies mellow pears — 
 
 A symptom of disorder, and prescribe 
 
 Strict discipline. Were I physician here 
 
 I would prescribe that exercise of soul 
 
 Which lies in full obedience : you ask. 
 
 Obedience to what ? The answer lies 
 
 Within the word itself ; for how obey 
 
 What has no rule, asserts no absolute claim ? 
 
 Take inclination, taste — why, that: is you, 
 
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 152 A COLLEGE BREAKFAST-PARTY, 
 
 No rule above you. Science, reasoningf 
 On nature's order — they exist and move 
 Solely by disputation, hold no pledge 
 Of final consequence, but push the swing- 
 Where Epicurus and the Stoic sit 
 In endless see-saw. One authority. 
 And only one, says simply this. Obey : 
 Place yourself in that current (test it so !) 
 Of spiritual order where at least 
 Lies promise of a high communion, 
 A Head informing members. Life that breathes 
 With gift of forces over and above 
 "Wi^ plus of arithmetic interchange. 
 ' The Church too has a body,' you object, 
 'Can be dissected, put beneath the lens 
 And shown the merest continuity 
 Of all existence else beneath the sun.' 
 I grant you ; but the lens will not disprove 
 A present which eludes it. Take your wit, 
 Your highest passion, widest-reaching thought : 
 Show their conditions if you will or can 
 But though yoa saw the final atom-dance 
 Making each molecule that stands for sign 
 Of love being present, where is still your love ? 
 How measure that, how certify its weight ? 
 And so I say, the body of the Church 
 Carries a Presence, promises and gifts 
 Never disproved — whose argument is found 
 In lasting failure of the search elsewhere 
 For what it holds to satisfy man's need. 
 But I grow lengthy : my excuse must be 
 Your question, Hamlet, which has probed right 
 
 through 
 To the pith of our belief. And I have robbed 
 Myself of pleasure as a listener. 
 'Tis noon, I see ; and my appointment stands 
 For half-past twelve with Voltimand. Good-by.' 
 
 Iffl 
 
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 A COLLEGE BREAKFAST-PARTY. 1 53 
 
 Brief parting, brief regret — sincere, but quenched 
 In fumes of best Havana, which consoles 
 For lack of other certitude. Then said, 
 Mildly sarcastic, quiet Guildenstern : 
 " I marvel how the Father gave new charm 
 To weak conclusions : I was half convinced 
 The poorest reasoner made the finest man, 
 And held his logic lovelier for its limp." 
 
 " I fain would hear," said Hamlet, "how you 
 
 find 
 A stronger footing than the Father gave. 
 How base your self-resistance save on faith 
 In some invisible Order, higher Right 
 Than changing impulse. What does Reason 
 
 bid? 
 To take a fullest rationality 
 What offers best solution : so the Church. 
 Science, detecting hydrogen aflame 
 Outside our firmament, leaves mystery 
 Whole and untouched beyond ; nay, in our blood 
 And in the potent atoms of each germ 
 The Secret lives — envelops, penetrates 
 Whatever sense perceives or thought divines 
 Science, whose soul is explanation, halts 
 With hostile front at mystery. The Church 
 Takes mystery as her empire, brings its wealth 
 Of possibility to fill the void 
 'Twixt contradictions — warrants so a faith 
 Defying sense and all its ruthless train 
 Of arrogant ' Therefores.' Science with her lens 
 Dissolves the Forms that made the other half 
 Of all our love, which thenceforth widowed lives 
 To gaze with maniac stare at what is not. 
 The Church explains not, governs — feeds resolve 
 By vision fraught with heart-experience 
 And human vearning." 
 
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154 A COLLEGE BREAKFAST-PARTY. 
 
 " Ay," said Guildenstem, 
 With friendly nod, " the Father, I can see, 
 fHas caught you up in his air-chariot. 
 His thought'takes rain bow -bridges, out of reach 
 By solid obstacles, evaporates 
 The coarse and common into subtilties, 
 Insists that what is real in the Church 
 Is something out of evidence, and begs 
 (Just in parenthesis) you'll never mind 
 What stares you in the face and bruises you. 
 Why, by his method I could justify 
 Each superstition and each tyranny 
 That ever rode upon the back of man, 
 Pretending fitness for his sole defence 
 Against life's evil. How can aught subsist 
 That holds no theory of gain or good ? 
 Despots with terror in their red right hand 
 Must argue good to helpers and themselves. 
 Must let submission hold a core of gain 
 To make their slaves choose life. Their theorf 
 Abstracting inconvenience of racks, 
 Whip-lashes, dragonnades and all things coarse 
 Inherent in the fact or concrete mass, 
 Presents the pure idea— utmost good 
 Secured by Order only to be found 
 In strict subordination, hierarchy 
 Of forces where, by nature's law, the strong 
 Has rightful empire, rule of weaker proved 
 Mere dissolution. What can you object -' 
 The Inquisition — if you turn away 
 From narrow notice how the scent of gold 
 Has guided sense of damning heresy — 
 The Inquisition is sublime, is love 
 Hindering the spread of poison in men's souls 
 The flames are nothing only smaller pain 
 To hinder greater, or the pain of one 
 To save the many, such as throbs at heart 
 
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 A COLLEGE BREAKFAST-PARTY. 155 
 
 Of every system born into the world. 
 
 So of the Church as high communion 
 
 Of Head with members, fount of spirit force 
 
 Beyond the calculus, and carrying proof 
 
 In her sole power to satisfy man's need : 
 
 That seems ideal truth as clear as lines 
 
 That, necessary though invisible, trace 
 
 The balance of the planets and the sun — 
 
 Until I find a hitch in that last claim. 
 
 ' To satisfy man's need.' Sir, that depends : 
 
 We settle first the measure of man's need 
 
 Before we grant capacity to fill. 
 
 John, James, or Thomas, you may satisfy : 
 
 But since you choose ideals I demand 
 
 Your Church shall satisfy ideal man. 
 
 His utmost reason and his utmost love. 
 
 And say these rest a-hungered — find no scheme 
 
 Content them both, but hold the world accursed, 
 
 A Calvary where Reason mocks at Love, 
 
 And Love forsaken sends out orphan cries 
 
 Hopeless of answer ; still the soul remains 
 
 Larger, diviner than your half-way Church, 
 
 Which racks your reason into false consent. 
 
 And soothes your Love with sops of selfishness.' 
 
 " There I am with you," cried Laertes. "What 
 To me are any dictates, though they came 
 With thunders from the Mount, if still within 
 I see a higher Right, a higher Good 
 Compelling love and worship ? Though the earth 
 Held force electric to discern and kill 
 Each thinking rebel — what is martyrdom 
 But death-defying utterance of belief. 
 Which being mine remains my truth supreme 
 Though solitary as the throb of pain 
 Lying outside the pulses of the world ? 
 Obedience is good : ay, but to what ? 
 
And for what ends ? For say that I rebel 
 Against your rule as devilish, or as rule 
 Of thunder-guiding powers that deny 
 Man's highest benefit : rebellion then 
 Were strict obedience to another rule 
 Which bids me flout your thunder." 
 
 ' ' Lo you now ! " 
 Said Osric, delicately, " how you come, 
 Laertes mine, with all your warring zeal 
 As Python-slayer of the present age — 
 Cleansing all social swamps by darting rays 
 Of dubious doctrine, hot with energy 
 Of private judgment and disgust for doubt — 
 To state my thesis, which you most abhor 
 When sung in Daphnis-notes beneath the pines 
 To gentle rush of waters. Your belief — 
 In essence what is it but simply Taste ? 
 I urge with you exemption from all claims 
 That come from other than my proper will. 
 An Ultimate within to balance yours, 
 A solid meeting you, excluding you. 
 Till you show fuller force by entering 
 My spiritual space and crushing Me 
 To a subordinate complement of You : 
 Such ultimate must stand alike for all. 
 Preach your crusade, then : all will join who like 
 The hurly-burly of aggressive creeds ; 
 Still your unpleasant Ought, your itch to choose 
 What grates upon the sense, is simply Taste, 
 Differs, I think, from mine (permit the word. 
 Discussion forces it) in being bad," 
 
 The tone was too polite to breed offence, 
 Showing a tolerance of what was * ' bad " 
 Becoming courtiers. Louder Rosencranz 
 Took up the ball with rougher movement, wont 
 To show contempt for doting reasoners 
 
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A COLLEGE BREAKFAST-PARTY, 
 
 Who hugged some reasons with a preference, 
 As warm Laertes did : he gave five puffs 
 Intolerantly sceptical, then said, 
 " Your human good, which you would make 
 
 supreme. 
 How do you know it ? Has it shown its face 
 In adamantine type, with features clear, 
 As this republic, or that monarchy ? 
 As federal grouping, or municipal ? 
 Equality, or finely shaded lines 
 Of social difference ? ecstatic whirl 
 And draught intense of passionate joy and pain. 
 Or sober self-control that starves its youth 
 And lives to wonder what the world calls joy ? 
 Is it in sympathy that shares men's pangs 
 Or in cool brains that can explain them well ? 
 Is it in labor or in laziness ? 
 In training for the tug of rivalry 
 To be admired, or in the admiring soul ? 
 In risk or certitude ? In battling rage 
 And hardy challenges of Protean luck, 
 Or in a sleek and rural apathy 
 Full fed with sameness ? Pray define your Good 
 Beyond rejection by majority ; 
 Next, how it may subsist without the 111 
 Which seems its only outline. Show a world 
 Of pleasure not resisted ; or a world 
 Of pressure equalized, yet various 
 In action formative ; for that will serve 
 As illustration of your human good — 
 Which at its perfecting (your goal of hope) 
 Will not be straight extinct, or fall to sleep 
 In the deep bosom of the Unchangeable. 
 What will you work for, then, and call it good 
 With full and certain vision — good for aught 
 Save partial ends which happen to be yours ? 
 How will you get your stringency to bind 
 
 ■PiWl^P"'^T'"rT^ 
 
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158 A COLLEGE BREAKFAST-PARTY. 
 
 Thought or desire in demonstrated tracks 
 
 Which are but waves within a balanced whole? 
 
 Is ' relative ' the magic word that turns 
 
 Your flux mercurial of good to gold ? 
 
 Why, that analysis at which you rage 
 
 As anti-social force that sweeps you down 
 
 The world in one cascade of molecules, 
 
 Is brother ' relative ' — and grins at you 
 
 Like any convict whom you thought to send 
 
 Outside society, till this enlarged 
 
 And meant New England and Australia too. 
 
 The Absolute is your shadow, and the space 
 
 Which you say might be real were you milled 
 
 To curves pellicular, the thinnest thin, 
 
 Equai^ion of no thickness, is still you." 
 
 '* Abstracting all that makes him clubbable," 
 
 Horatio interposed. But Rosencranz, 
 
 Deaf as the angry turkey-cock whose ears 
 
 Are plugged by swollen tissues when he scolds 
 
 At men's pretensions : " Pooh, your ' Relative' 
 
 Shuts you in, hopeless, with your progeny 
 
 As in a Hunger-tower ; your social good, 
 
 Like other deities by turn supreme, 
 
 Is transient reflex of a prejudice. 
 
 Anthology of causes and effects 
 
 To suit the mood of fanatics who lead 
 
 The mood of tribes or nations. I admit 
 
 If you could show a^word, nay, chance of sword 
 
 Hanging conspicuous to their inward eyes 
 
 With edge so constant threatening as to sway 
 
 All greed and lust by terror ; and a law 
 
 Clear-writ and proven as the law supreme 
 
 Which that dread sword enforces — then your 
 
 Right, 
 Duty, or social Good, were it once brought 
 To common measure with the potent law. 
 
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 A COLLEGE BREAKFAST-PARTY. 1 59 
 
 I / 
 
 Would dip the scale, would put unchanging 
 
 marks 
 Of wisdom or of folly on each deed, 
 And warrant exhortation. Until then, 
 Where is your standard or criterion ? 
 ' What always, everywhere, by all men ' — why. 
 That were but Custom, and your system needs 
 Ideals never yet incorporate. 
 The imminent doom of Custom. Can you find 
 Appeal beyond the sentience in each man ? 
 PVighten the blind with scarecrows ? raise an awe 
 Of things unseen where appetite commands 
 Chambers of imagery in the soul 
 At all its avenues? — You chant your hymns 
 To Evolution, on your altar lay 
 A sacred tgg called Progress : have you proved 
 A Best unique where all is relative. 
 And where each change is loss as well as gain ? 
 The age of healthy Saurians. well supplied 
 With heat and prey, will balance well enough 
 A human age where maladies are strong 
 And pleasures feeble ; wealth a monster gorged 
 Mid hungry populations ; intellect 
 Aproned in laboratories, bent on proof 
 That this is that and both are good for nought 
 Save feeding error through a weary life ; 
 While Art and Poesy struggle like poor ghosts 
 To hinder cock-crow and the dreadful light. 
 Lurking in darkness and the charnel-house. 
 Or like two stalwart graybeards, imbecile 
 With limbs still active, playing at belief 
 That hunt the slipper, foot-ball, hide-and-seek 
 Are sweetly merry, donning pinafores 
 And lisping emulously in their speech. 
 O human race ! Is this then all thy gain ? — 
 Working at disproof, playing at belief. 
 Debate on causes, distaste of effects. 
 
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 TOO A COLLEGE BREAKFAST-PARTY. 
 
 Power to transmute all elements, and lack 
 
 Of any power to sway the fatal skill 
 
 And make thy lot aught else than rigid doom ? 
 
 The Saurians were better. — Guildenstern, 
 
 Pass me the taper. Still the human curse 
 
 Has mitigation in the best cigars." 
 
 Then swift Laertes, not without a glare 
 
 Of leonine wrath, " I thank thee for that word : 
 
 That one confession, were I Socrates, 
 
 Should force you onward till you ran your head 
 
 At your own image — flatly gave the lie 
 
 To all your blasphemy of that human good 
 
 Which bred and nourished you to sit at ease 
 
 And learnedly deny it. Say the world 
 
 Groans ever with the pangs of doubtful births : 
 
 ~?.y, life's a poor donation at the best — 
 
 Wisdom a yearning after nothingness — 
 
 Nature's great vision and the thrill supreme 
 
 Of thought-fed passion but a weary play — 
 
 I argue not against you. Who can prove 
 
 Wit to be witty when with deeper ground 
 
 Dulness intuitive declares wit dull ? 
 
 If life is worthless to you — why, it is. 
 
 You only know how little love you feel 
 
 To give you fellowship, how little force 
 
 Responsive to the quality of things. 
 
 Then end your life, throw off the unsought yoke. 
 
 If not — if you remain to taste cigars. 
 
 Choose racy diction, perorate at large 
 
 With tacit scorn of meaner men who win 
 
 No wreath or tripos — then admit at least 
 
 A possible Better in the seeds of earth ; 
 
 Acknowledge debt to that laborious life 
 
 Which, sifting evermore the mingled seeds, 
 
 Testing the Possible with patient skill, 
 
 And daring ill in presence of a good 
 
 For futures to inherit, made your lot 
 
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COLLEGE BREAKFAST-PARTY. 
 
 One you would choose rather than end it, nay, 
 
 Rather than, say, some twenty million lots 
 
 Of fellow-Britons toiling all to make 
 
 That nation, that community, whereon 
 
 You feed and thrive and talk philosophy. 
 
 I am no optimist whose faith must hang 
 
 On hard pretence that pain is beautiful 
 
 And agony explained for men at ease 
 
 By virtue's exercise in pitying it. 
 
 But this I hold : that he who takes one gift 
 
 Made for him by the hopeful work of man, 
 
 Who tastes sweet bread, walks where he will un< 
 
 armed, 
 His shield and warrant the invisible law. 
 Who owns a hearth and household charities. 
 Who clothes his body and his sentient soul 
 With skill and thoughts of men, and yet denies 
 A human good worth toiling for, is cursed 
 With worse negation than the poet feigned 
 In Mephistopheles. The Devil spins 
 .His wire-drawn argument against all good 
 With sense of brimstone as his private lot. 
 And never drew a solace from the Earth." 
 
 Laertes fuming paused, and Guildenstern 
 Took up with cooler skill the fusillade : 
 " I meet your deadliest challenge, Rosencranz : 
 Where get, you say, a binding law, a rule 
 Enforced by sanction, an Ideal throned 
 With thunder in its hand ? I answer, there 
 Whence every faith and rule has drawn its force 
 Since human consciousness awaking owned 
 An Outward, whose unconquerable sway 
 Resisted first and then subdued desire 
 By pressure of the dire Impossible 
 Urging to possible ends the active soul 
 And shaping so its terror and its love. 
 
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 l62 A COLLEGE BREAKFAST-PARTY. 
 
 ( 
 
 Why, you have said it — threats and promises 
 
 Depend on each man's sentience for their force ; 
 
 All sacred rules, imagined or revealed, 
 
 Can have no form or potency apart 
 
 From the percipient and emotive mind. 
 
 God, duty, love, submission, fellowship. 
 
 Must first be framed in man. as music is. 
 
 Before they live outside him as a law. 
 
 And still they grow and shape themselves anew, 
 
 With fuller concentration in their life 
 
 Of inward and of outward energies 
 
 Blending to make the last result called Man, 
 
 Which means, not this or that philosopher 
 
 Looking through beauty into blankness, not 
 
 The swindler who has sent his fruitful lie 
 
 By the last telegram : it means the tide 
 
 Of needs reciprocal, toil, trust, and love — 
 
 The surging multitude of human claims 
 
 Which make ' ' a presence not to be put by " 
 
 Above the horizon of the general soul. 
 
 Is inward Reason shrunk to subtleties. 
 
 And inward wisdom pining passion-starved ? — 
 
 The outward Reason has the world in store, 
 
 Regenerates passion with the stress of want, 
 
 Regenerates knowledge with discovery. 
 
 Shows sly rapacious Self a blunderer. 
 
 Widens dependence, knits the social whole 
 
 In sensible relation more defined. 
 
 Do Boards and dirty^handed millionnaires 
 
 Govern the planetary system ? — sway 
 
 The pressure of the Universe ? — decide 
 
 That man henceforth shall retrogress to ape, 
 
 Emptied of every sympathetic thrill 
 
 The All has wrought in him ? dam up henceforth 
 
 The flood of human claims as private force 
 
 To turn their wheels and make a private hell 
 
 For fish-pond to their mercantile domain ? 
 
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A COLLEGE BREAKFAST-PARTY. 1 63 
 
 "What are they but a parasitic growth 
 
 On the vast real and ideal world 
 
 Of man and nature blent in one divine ? 
 
 Why, take your closing dirge — say evil grows 
 
 And good is dwindling ; science mere decay, 
 
 Mere dissolution of ideal wholes 
 
 Which through the ages past alone have made 
 
 The earth and firmament of human faith ; 
 
 Say, the small arc of Being we call man 
 
 Is near its mergence, what seems growing life 
 
 Nought but a hurrying change toward lower 
 
 types, 
 The ready rankness of degeneracy. 
 Well, they who mourn for the world's dying good 
 May take their common sorrows for a rock. 
 On it erect religion and a church, 
 A worship, rites, and passionate piety — 
 The worship of the Best though crucified 
 And God-forsaken in its dying pangs ; 
 The sacramental rites of fellowship 
 In common woe , visions that purify 
 Through admiration and despairing love 
 Which keep their spiritual life intact 
 Beneath the murderous clutches of disproof 
 And feed a martyr-strength." 
 
 " Religion high !" 
 (Rosencranz here) " but with communicants 
 Few as the cedars upon Lebanon — 
 A child might count them. What the world de- 
 mands 
 Is faith coercive of the multitude." 
 
 •* Tush, Guildenstern, you granted him 
 
 much," 
 Burst in Laertes ; " I will never grant 
 One inch of law to feeble blasphemies 
 
 ^^- 
 
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 COLLEGE BREAKFAST-PARTY. 
 
 Which hold no higher ratio to Hfe — 
 
 Full vigorous human life that peopled earth 
 
 And wrought and fought and loved and bravely 
 
 died — 
 Than the sick morning glooms of debauchees. 
 Old nations breed old children, wizened babes 
 Whose youth is languid and incredulous, 
 Weary of life without the will to die ; 
 Their passions visionary appetites 
 Of bloodless spectres wailing that the world 
 For lack of substance slips from out their grasp ; 
 Their thoughts the withered husks of all things 
 
 dead, 
 Holding no force of germs instinct with life, 
 Which never hesitates but moves and grows. 
 Yet hear them boast in screams their godlike ill, 
 Excess of knowing ! Fie on you, Rosencranz ! 
 You lend your brains and fine-dividing tongue 
 For bass-notes to this shrivelled crudity, 
 This immature decrepitude that strains 
 To fill our ears and claim the prize of strength 
 For mere unmanliness. Out on them all ! — 
 Wits, puling minstrels, and philosophers, 
 Who living softly prate of suicide. 
 And suck the commonwealth to feed their ease 
 While they vent epigrams and threnodies, 
 Mocking or wailing all the eager work 
 Which makes that public store whereon they feed. 
 Is wisdom flattened sense and mere distaste ? 
 Why, any superstition warm with love. 
 Inspired with purpose, wild with energy 
 That streams resistless through its ready frame, 
 Has more of human truth within its life 
 Than souls that look through color into nought — 
 Whose brain, too unimpassioned for delight, 
 Has feeble ticklings of a vanity 
 Which finds the universe beneath its mark. 
 
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COLLEGE B REAKF AST-PARTY. 1 65 
 
 And scorning the blue heavens as merely blue 
 Can only say, ' What then ? ' — pre-eminent 
 In wondrous want of likeness to their kind, 
 Founding that worship of sterility 
 Whose one supreme is vacillating Will 
 Which makes the Light, then says, ' 'Twere bettef 
 not.' " 
 
 Here rash Laertes brought his Handel-strain 
 As of some angry Polypheme, to pause ; 
 And Osric, shocked at ardors out of taste, 
 Relieved the audience with a tenor voice 
 And delicate delivery. 
 
 " For me, 
 I range myself in line with Rosencranz 
 Against all schemes, religious or profane, 
 That flaunt a Good as pretext for a lash 
 To flog us all who have the better taste. 
 Into conformity, requiring me 
 At peril of the thong and sharp disgrace 
 To care how mere Philistines pass their lives ; 
 Whether the English pauper-total grows 
 From one to two before the noughts ; how far 
 Teuton will outbreed Roman ; if the class 
 Of proletaires will make a federal band 
 To bind all Europe and America, 
 Throw, in their wrestling, every government, 
 Snatch the world's purse and keep the guillotine: 
 Or else (admitting these are casualties) 
 Driving my soul with scientific hail 
 That shuts the landscape out with particles ; 
 Insisting that the Palingenesis 
 Means telegraphs and measure of the rate 
 At which the stars move — nobody knows where. 
 So far, my Rosencranz, we are at one. 
 But not when you blaspheme the life of Art, 
 The sweet perennial youth of Poesy, 
 
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 1 66 A COLLEGE BREAKFAST-PARTY. 
 
 I i 
 
 i I 
 
 Which asks no logic but its sensuous growth, 
 No right but loveliness ; which fearless strolls 
 Betwixt the burning mountain and the sea, 
 Reckless of earthquake and the lava stream. 
 Filling its hour with beauty. It knows nought 
 Of bitter strife, denial, grim resolve. 
 Sour resignation, busy emphasis 
 Of fresh illusions named the new-born True, 
 Old Error's latest child ; but as a lake 
 Images all things, yet within its depths 
 Dreams them all lovelier — thrills with sound 
 And makes a harp of plenteous liquid chords — 
 So Art or Poesy : we its votaries 
 Are the Olympians, fortunately born 
 From the elemental mixture ; 'tis our lot 
 To pass more swiftly than the Delian God, 
 But still the earth breaks into flowers for us. 
 And mortal sorrows when they reach our ears 
 Are dying falls to melody divine. 
 Hatred, war, vice, crime, sin, those human 
 
 storms. 
 Cyclones, floods, what you will — outbursts of 
 
 force — 
 Feed art with contrast, give the grander touch 
 To the master's pencil and the poet's song. 
 Serve as Vesuvian fires or navies tossed 
 On yawning waters, which when viewed afar 
 Deepen the calm sublime of those choice souls 
 Who keep the heights of poesy and turn 
 A fleckless mirror to the various world, 
 Giving its many-named and fitful flux 
 An imaged, harmless, spiritual life, 
 With pure selection, native to art's frame, 
 Of beauty only, save its minor scale 
 Of ill and pain to give the ideal joy 
 A keener edge. This is a mongrel globe ; 
 All finer being wrought from its coarse earth 
 
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 A COLLEGE BREAKFAST-PARTY. 1 67 
 
 Is but accepted privilege : what else 
 
 Your boasted virtue, which proclaims itself 
 
 A good above the average consciousness ? 
 
 Nature exists by partiality 
 
 (Each planet's poise must carry two extremes 
 
 With verging breadths of minor wretchedness) •. 
 
 We are her favorites and accept our wings. 
 
 For your accusal, Rosencranz, that art 
 
 Shai-es in the dread and weakness of the time, 
 
 I hold it null ; since art or poesy pure. 
 
 Being blameless by all standards save her own, 
 
 Takes no account of modern or antique 
 
 In morals, science, or philosophy : 
 
 No dull elenchus makes a yoke for her. 
 
 Whose law and measure are the sweet consent 
 
 Of sensibilities that move apart 
 
 From rise or fall of systems, states or creeds — 
 
 Apart from what Philistines call man's weal." 
 
 " Ay, we all know those votaries of the Muse 
 Ravished with singing till they quite forgot 
 Their manhood, sang, and gaped, and took nc 
 
 food, 
 Then died of emptiness, and for reward 
 Lived on as grasshoppers " — Laertes thus : 
 But then he checked himself as one who feels 
 His muscles dangerous, and Guildenstern 
 Filled up the pause with calmer confidence. 
 
 "You use your wings, my Osric, poise yourself 
 Safely outside all reach of argument, 
 Then dogmatize at will (a method known 
 To ancient women and philosophers, 
 Nay, to Philistines whom you most abhor); 
 Else, could an arrow reach you, I should ask 
 Whence came taste, beauty, sensibilities 
 Refined to preference infallible ? 
 
 i 
 
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COLLEGE BREAKFAST-PARTY. 
 
 Doubtless, ye're gods — these odors ye inhale, 
 A sacrificial scent. But how, I pray, 
 Are odors made, if not by gradual change 
 Of sense or substance ? Is your beautiful 
 A seedless, rootless flower, or has it grown 
 With human growth, which means the rising 
 
 sun 
 Of human struggle, order, knowledge ? — sense 
 Trained to a fuller record, more exact — 
 To truer guidance of each passionate force ? 
 Get me your roseate flesh without the blood ; 
 Get fine aromas without structure wrought 
 From simpler being into manifold : 
 Then and then only flaunt your Beautiful 
 As what can live apart from thought, creeds, 
 
 states. 
 Which mean life's structure. Osric, I beseech — 
 The infallible should be more catholic — 
 Join in a war-dance with the cannibals, 
 Hear Chinese music, love a face tattooed. 
 Give adoration to a pointed skull. 
 And think the Hindu Siva looks divine : 
 'Tis art, 'tis poesy. Say, you object : 
 How came you by that lofty dissidence, 
 If not through changes in the social man 
 Widening his consciousness from Here and Now 
 To larger wholes beyond the reach of sense ; 
 Controlling to a fuller harmony 
 The thrill of passion- and the rule of fact ; 
 And paling false ideals in the light 
 Of full-rayed sensibilities which blend 
 Truth and desire ? Taste, beauty, what are they 
 But the soul's choice toward perfect bias wrought 
 By finer balance of a fuller growth — 
 Sense brought to subtlest metamorphosis 
 Through love, thought, joy — the general human 
 
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 A COLLEGE BREAKFAST-PARTY, 1 69 
 
 Which grows from all life's functions ? As the 
 
 plant 
 Holds its corolla, purple, delicate, 
 Solely as outflush of that energy 
 Which moves transformingly in root and branch." 
 
 Guildenstern paused, and Hamlet quivering 
 Since Osric spoke, in transit imminent 
 From catholic striving into laxity. 
 Ventured his word. " Seems to me, Guilden- 
 stern, 
 Your argument, though shattering Osric's point 
 That sensibilities can move apart 
 From social order, yet has not annulled 
 His thesis that the life of poesy 
 (Admitting it must grow from out the whole) 
 Has separate functions, a transfigured realm 
 Freed from the rigors of the practical. 
 Where what is hidden from the grosser world — 
 Stormed down by roar of engines and the shouts 
 Of eager concourse — rises beauteous 
 As voice of water-drops in sapphire caves ; 
 A realm where finest spirits have free sway 
 In exquisite selection, uncontrolled 
 By hard material necessity 
 
 Of cause and consequence. For you will grant 
 The Ideal has discoveries which ask 
 No test, no faith, save that we joy in them : 
 A new-found continent, with spreading lands 
 Where pleasure charters all, where virtue, rank. 
 Use, right, and truth have but one name. Delight. 
 Thus Art's creations, when etherealized 
 To least admixture of the grosser fact 
 Delight may stamp as highest." 
 
 " Possible !" 
 Said Guildenstern, with touch of weariness, 
 
 W 
 
 ^=&^^^^s? 
 
 ^ 
 
^ 
 
 '■? 
 
M 
 
 The two still sat together there, 
 
 The red light shone about their knees ; 
 But all the heads by slow degrees 
 Had gone and left that lonely pair, 
 O voyage fast ! 
 O vanished past ! 
 
 The red light shone upon the floor 
 
 And made the space between them wide ; 
 They drew their chairs up side by side, 
 Their pale cheeks joined, and said, ' ' Once more ! 
 O memories 
 O past that is 1 
 
 1866. 
 
 ■^ 
 
f^ 
 
 SELF AND LIFE. 
 
 Self. 
 
 Changeful comrade, Life of mine, 
 
 Before we two must part, 
 I will tell thee, thou shalt say. 
 
 What thou hast been and art. 
 Ere I lose my hold of thee 
 Justify thyself to me. 
 
 Life. 
 
 I was thy warmth upon thy mother's knee 
 When light and love within her eyes were one 
 
 We laughed together by the laurel-tree. 
 
 Culling warm daisies 'neath the sloping sun ; 
 
 We heard the chickens' lazy croon. 
 
 Where the trellised woodbines grew, 
 And all the summer afternoon 
 Mystic gladness o'er thee threw. 
 
 Was it person ? Was it thing ? 
 Was it touch or whispering ? 
 It was bliss and it was I : 
 Bliss was what ihou knew'st me by. 
 
 Self. 
 
 Soon I knew thee more by Fear 
 
 And sense of what was not, 
 Haunting all I held most dear ; 
 
 I had a double lot : 
 Ardor, cheated with alloy. 
 Wept the more for dreams of joy. 
 
SELF AND LIFE. 
 
 Life. 
 
 Remember how thy ardor's magic sense 
 
 Made poor things rich to thee and small things 
 great ; 
 
 How hearth and garden, field and bushy fence, 
 Were thy own eager love incorporate ; 
 
 And how the solemn, splendid Past 
 
 O'er thy early widened earth 
 Made grandeur, as on sunset cast 
 Dark elms near take mighty girth. 
 Hands and feet were tiny still 
 When we knew the historic thrill. 
 Breathed deep breath in heroes dead, 
 Tasted the immortals' bread. 
 
 Seeing what I might have been 
 Reproved the thing I was. 
 
 Smoke on heaven's clearest sheen. 
 The speck within the rose. 
 
 By revered ones' frailties stung 
 
 Reverence was with anguish wrung. 
 
 But all thy anguish and thy discontent 
 Was growth of mine, the elemental strife 
 
 Toward feeling manifold with vision blent 
 To wider thought : I was no vulgar life 
 
SELF AND LIFE. 
 
 Half man's truth must hidden He 
 If unlit by Sorrow's eye. 
 I by Sorrow wrought in thee 
 Willing pain of ministry. 
 
 Self. 
 
 Slowly was the lesson taught 
 
 Through passion, error, care ; 
 Insight was the loathing fraught 
 
 And effort with despair. 
 Written on the wall I saw 
 "Bow !" I knew, not loved, the law. 
 
 But then I brought a love that wrote within 
 The law of gratitude, and made thy heart 
 
 Beat to the heavenly tune of seraphin 
 Whose only joy in having is, to impart : 
 
 Till thou, poor Self — despite thy ire, 
 
 Wrestling 'gainst my mingled share. 
 Thy faults, hard falls, and vain desire 
 Still to be what others were — 
 
 Filled, o'erflowed with tenderness 
 Seeming more as thou wert less. 
 Knew me through that anguish past 
 As a fellowship more vast. 
 
 Yea, I embrace thee, changeful Life ! 
 
 Far-sent, unchosen mate ! 
 Self and thou, no more at strife, 
 
 Shall wed in hallowed state. 
 Willing spousals now shall prove 
 Life is justified by love. 
 
 i^ 
 
 X 
 
''SWEET EVENINGS COME 
 GO, LOVE." 
 
 " La noche buena se viene 
 La noche buena se va, 
 
 Y nosotros nos iremos 
 Y no volveremos mas." 
 
 -Old Villancict, 
 
 Sweet evenings come and go, love. 
 They came and went of yore : 
 
 This evening of our life, love, 
 Shall go and come no more. 
 
 When we have passed away, love, 
 AH things will keep their name ; 
 
 But yet no life on earth, love, 
 With ours will be same. 
 
 The daisies will be there, love. 
 The stars in heaven will shine : 
 
 I shall not feel thy wish, love, 
 Nor thou my hand in thine. 
 
 A better time will come, love. 
 And better souls be born : 
 
 I would not be the best, love. 
 To leave thee now forlorn. 
 
 ^ 
 
 r- 
 
 ^ 
 
THE DEATH OF MOSES. 
 
 Moses, who spake with God as with his friend, 
 And ruled his people with the twofold power 
 Of wisdom that can dare and still be meek, 
 "Was writing his last word, the sacred name 
 Unutterable of that Eternal Will 
 "Which was and is and evermore shall be. 
 Yet was his task not finished, for the flock 
 Needed its shepherd and the life-taught sage 
 Leaves no successor ; but to chosen men. 
 The rescuers and guides of Israel, 
 A death was given called the Death of Grace, 
 "Which freed them from the burden of the flesh 
 But left them rulers of the multitude 
 And loved companions of the lonely. This 
 "Was God's last gift to Moses, this the hour 
 "When soul must part from self and be but soul. 
 
 God spake to Gabriel, the messenger 
 
 Of mildest death that draws the parting life 
 
 Gently, as when a little rosy child 
 
 Lifts up its lips from off the bowl of milk 
 
 And so draws forth a curl that dipped its gold 
 
 In the soft white — thus Gabriel draws the soul. 
 
 " Go bring the soul of Moses unto me ! " 
 
 And the awe-stricken angel answered, " Lord, 
 
 How shall I dare to take his life who lives 
 
 Sole of his kind, not to be likened once 
 
 In all the generations of the e*-th ?" 
 
 Then God called Michael, him of pensive brow. 
 Snow-vest and flaming sword, who knows and acts : 
 
 f f^J* " ■ ^ ' 
 
 tP 
 
190 
 
 THE DEA TH OE MOSES. 
 
 " Go bring the spirit of Moses unto me ! '' 
 But Michael with such grief as angels feel, 
 Loving the mortals whom they succour, pled : 
 ' ' Almighty, spare me ; it was I who taught 
 Thy servant Moses ; he is part of me 
 As I of thy deep secrets, knowing them." 
 
 Then God called Zamael, the terrible, 
 The angel of fierce death, of agony 
 That comes in battle and in pestilence 
 Remorseless, sudden or with lingering throes. 
 And Zamael, his raiment and broad wings 
 Blood-tinctured, the dark lustre of his eyes 
 Shrouding the red, fell like the gathering night 
 Before the prophet. But that radiance 
 Won from the heavenly presence in the mount 
 Gleamed on the prophet's brow and dazzling 
 
 pierced 
 Its conscious opposite : the angel turned 
 His murky gaze aloof and inly said : 
 " An angel this, deathless to angel's stroke." 
 
 But Moses felt the subtly nearing dark : [then : 
 " Who art thou? and what wilt thou?" Zamael 
 *' I am God's reaper ;' through the fields of life 
 I gather ripened and unripened souls 
 Both willing and unwilling. And I come 
 Now to reap thee." But Moses cried, 
 Firm as a seer who waits the trusted sign : 
 * ' Reap thou the fruitless plant and common 
 
 herb — 
 Not him who from the womb was sanctified 
 To teach the law of purity and love." 
 And Zamael baffled from his errand fled. 
 
 But Moses, pausing, in the air serene 
 Heard now that mystic whisper, far yet near. 
 
 h?.' 
 
 h 
 
 ^ 
 
 II 
 
Wi 
 
 The all-penetrating Voice, that said to him, 
 *■ Moses, the hour is come and thou must die." 
 *' Lord, I obey ; but thou rememberest 
 How thou, Ineffable, didst take me once 
 Within thy orb of light untouched by death." 
 Then the voice answered, " Be no more afraid : 
 With me shall be thy death and burial." 
 So Moses waited, ready now to die. 
 
 And the Lord came, invisible as a thought, 
 Three angels gleaming on his secret track. 
 Prince Michael, Zagael, Gabriel, charged to 
 
 guard 
 The soul-forsaken body as it fell 
 And bear it to the hidden sepulchre 
 Denied for ever to the search of man. 
 And the Voice said to Moses : " Close thine 
 
 eyes." 
 He closed them. ' ' Lay thine hand upon thine 
 
 heart, 
 And draw thy feet together." He obeyed. 
 And the Lord said, ' ' O spirit I child of mine ! 
 A hundred years and twenty thou hast dwelt 
 Within this tabernacle wrought of clay. 
 This is the end : come forth and flee to heaven." 
 
 But the grieved soul with plaintive pleading 
 
 cried, 
 " I love this body with a clinging love : 
 The courage fails me. Lord, to part from it." 
 
 *' O child, come forth ! for thou shalt dwell with me 
 About the immortal throne where seraphs joy 
 In growing vision and in growing love." 
 
 Yet hesitating, fluttering, like the bird 
 With young wing weak and dubious, the soul 
 
 ^i^ 
 
192 
 
 THE DEA Til OF MOSES. 
 
 Stayed. But behold ! upon the death-dewed lips 
 
 A kiss descended, pure, unspeakable — 
 
 The bodiless Love without embracing Love 
 
 That lingered in the body, drew it forth 
 
 With heavenly strength and carried it to heaven 
 
 But now beneath the sky the watchers all, 
 Angels that keep the homes of Israel 
 Or on high purpose wander o'er the world 
 Leading the Gentiles, felt a dark eclipse : 
 The greatest ruler among men was gone. 
 And from the westward sea was heard a wail, 
 A dirge as from the isles of Javanim, 
 Crying, " Who now is left upon the earth 
 Like him to teach the right and smite the wrong?" 
 And from the East, far o'er the Syrian waste, 
 Came slowlier, sadlier, the answering dirge : 
 " No prophet like him lives or shall arise 
 In Israel or the world for evermore." 
 
 But Israel waited, looking toward the mount, 
 Till with the deepening eve the elders came 
 Saying, "His burial is hid with God. 
 We stood far off and saw the angels lift 
 His corpse aloft until they seemed a star 
 That burnt itself away within the sky." 
 
 The people answered with mute orphaned gaze 
 Looking for what had Vanished evermore. 
 Then through the gloom without them and within 
 The spirit's shaping light, mysterious speech. 
 Invisible Will wrought clear in sculptured sound, 
 The thought-begotten daughter of the voice. 
 Thrilled on their listening sense : " He has no 
 
 tomb. 
 He dwells not with you dead, but lives as Law." 
 
 1|i 
 
ARION. 
 
 (Herod. I. 24.) 
 
 Arion, whose melodic soul 
 Taught the dithyramb to roll 
 
 Like forest fires, and sing 
 
 Olympian suffering, 
 
 Had carried his diviner lore 
 From Corinth to the sister shore 
 
 Where Greece could largeiier bfe. 
 
 Branching o'er Italy. 
 
 Then weighted with his glorious name 
 And bags of gold, aboard he came 
 'Mid harsh seafaring men 
 To Corinth bound again. 
 
 The sailors eyed the bags and thought : 
 " The gold is good, the man is nought^ 
 And who shall track the wave 
 That opens for his grave ?" 
 
 With brawny arms and cruel eyes 
 They press around him where he lies 
 In sleep beside his lyre. 
 Hearing the Muses quire. 
 
 He waked and saw this wolf-faced Death 
 Breaking the dream that filled his breath 
 
 With inspiration strong 
 
 Of yet unchanted song. 
 
 ■r^ 
 
'V- 
 
 THE SPANISH GYPSY. 
 
 BOOK I. 
 
 *Tis the warm South, where Europe spreads her 
 
 lands 
 Like fretted leaflets, breathing on the deep : 
 Broad-breasted Spain, leaning with equal love 
 On the Mid Sea that moans with memories, 
 And on the untravelled Ocean's restless tides. 
 This river, shadowed by the battlements 
 And gleaming silvery toward the northern sky, 
 Feeds the famed stream that waters Andalus 
 And loiters, amorous of the fragrant air. 
 By Cordova and Seville to the bay 
 Fronting Algarva and the wandering flood 
 Of Guadiana. This deep mountain gorge 
 Slopes widening on the olive-plumed plains 
 Of fair Grandda : one far-stretching arm 
 Points to Elvira, one to eastward heights 
 Of Alpujarras where the new-bathed Day 
 With oriflamme uplifted o'er the peaks 
 Saddens the breasts of northward-looking snows 
 That loved the night, and soared with soaring 
 
 stars ; 
 Flashing the signals of his nearing swiftness 
 From Almeria's purple-shadowed bay 
 On to the far-off rocks that gaze and glow — 
 On to Alhambra, strong and ruddy heart 
 
 «^ 
 
Of glorious Morisma, gasping now, 
 
 A maimed giant in his agony. 
 
 This town that dips its feet within the stream, 
 
 And seems to sit a tower-crowned Cybele, 
 
 Spreading her ample robe adown the rocks, 
 
 Is rich Bedmar : 'twas Moorish long ago, 
 
 But now the Cross is sparkling on the Mosque, 
 
 And bells make Catholic the trembling air. 
 
 The fortress gleams in Spanish sunshine now 
 
 ('Tis south a mile before the rays are Moorish) — 
 
 Hereditary jewel, agraffe bright 
 
 On all the many-titled privilege 
 
 Of young Duke Silva. No Castilian knight 
 
 That serves Queen Isabel has higher charge ; 
 
 For near this frontier sits the Moorish king, 
 
 Not Boabdil the waverer, who usurps 
 
 A throne he trembles in, and fawning licks 
 
 The feet of conquerors, but that fierce lion 
 
 Grisly El Zagal, who has made his lair 
 
 In Guadix' fort, and rushing thence with strength, 
 
 Half his own fierceness, half the untainted heart 
 
 Of mountain bands that fight for holiday, 
 
 Wastes the fair lands that lie by Alcala, 
 
 Wreathing his horse's neck with Christian heads. 
 
 To keep the Christian frontier— such high trust 
 Is young Duke Silva's ; and the time is great. 
 (What times are little ? To the sentinel 
 That hour is regal when he mounts on guard.) 
 The fifteenth century since the Man Divine 
 Taught and was hated in Capernaum 
 Is near its end — is falling as a husk 
 Away from all the fruit its years have riped. 
 The Moslem faith, now flickering like a torch 
 In a night struggle on this shore of Spain, 
 Glares, a broad column of advancing flame. 
 Along the Danube and the Illyrian shore 
 
#^ 
 
 THE SPANISH GYPSY, 
 
 Far into Italy, where eager monks, 
 
 Who watch in dreams and dream the while they 
 
 watch, 
 See Christ grow paler in the baleful light, 
 Crying again the cry of the forsaken. 
 But faith, the stronger for extremity. 
 Becomes prophetic, hears the far-ofif tread 
 Of western chivalry, sees downward sweep 
 The archangel Michael with the gleaming sword, 
 And listens for the shriek of hurrying fiends 
 Chased from their revels in God's sanctuary. 
 So trusts the monk, and lifts appealing eyes 
 To the high dome, the Church's firmament, 
 Where the blue light-pierced curtain, rolled away, 
 Reveals the throne and Him who sits thereon. 
 So trust the men whose best hope for the world 
 Is ever that the world is near its end : 
 Impatient of the stars that keep their course 
 And make no pathway for the coming Judge. 
 
 But other futures stir the world's great heart. 
 
 The West now enters on the heritage 
 
 Won from the tombs of mighty ancestors. 
 
 The seeds, the gold, the gems, the silent harps 
 
 That lay deep buried with the memories 
 
 Of old renown. 
 
 No more, as once in sunny Avignon, 
 
 The poet-scholar spreads the Homeric page, 
 
 And gazes sadly, like the deaf at song ; 
 
 For now the old epic voices ring again 
 
 And vibrate with the beat and melody 
 
 Stirred by the warmth of old Ionian days. 
 
 The martyred sage, the Attic orator, 
 
 Immortally incarnate, like the gods. 
 
 In spiritual bodies, winged words 
 
 Holding a universe impalpable. 
 
 Find a new audience. For evermore, 
 
 V^ 
 
8 
 
 THE SPANISH GYPSY. 
 
 With grander resurrection than was feigned 
 Of Attila's fierce Huns, the soul of Greece 
 Conquers the bulk of Persia. The maimed form 
 Of calmly-joyous beauty, marble-limbed, 
 Yet breathing with the thought that shaped its 
 
 lips, 
 Looks mild reproach from out its opened grave 
 At creeds of terror ; and the vine-wreathed god 
 Fronts the pierced Image with the crown of 
 
 thorns. 
 The soul of man is widening toward the past : 
 No longer hanging at the breast of life 
 Feeding in blindness to his parentage — 
 Quenching all wonder with Omnipotence, 
 Praising a name with indolent piety — 
 He spells the record of his long descent. 
 More largely conscious of the life that was. 
 And from the height that shows where morning 
 
 shone 
 On far-off summits pale and gloomy now, 
 The horizon widens round him, and the west 
 Looks vast with untracked waves whereon his 
 
 gaze 
 Follows the flight of the swift-vanished bird 
 That like the sunken sun is mirrored still 
 Upon the yearning soul within the eye. 
 And so in Cordova through patient nights 
 Columbus watches, or he sails in dreams 
 Between the setting stars and finds new day ; 
 Then wakes again to the old weary days, 
 Girds on the cord and frock of pale Saint Fran- 
 cis, 
 And like him zealous pleads with foolish men. 
 * ' I ask but for a million maravedis : 
 Give me three caravels to find a world, 
 New shores, new realms, new soldiers for the 
 Cross- 
 
 w\ 
 
 \\ 
 
 ^Npv 
 
 f. 
 

 her 
 
 THE SPANISH GYPSY, 
 
 Son cosas grandes ! " Thus he pleads in vain ; 
 Yet faints not utterly, but pleads anew. 
 Thinking-, " God means it, and has chosen me. 
 For this man is the pulse of all mankind 
 Feeding an embryo future, offspring- strange 
 Of the fond Present, that with mother-prayers 
 And mother-fancies looks for championship 
 Of all her loved beliefs and old-world ways 
 From that young Time she bears within 
 
 womb. 
 The sacred places shall be purged again. 
 The Turk converted, and the Holy Church, 
 Like the mild Virgin with the outspread robe 
 Shall fold all tongues and nations lovingly. 
 
 But since God works by armies, -who shall be 
 The modern Cyrus? Is it France most Christian, 
 Who with his lilies and brocaded knights, 
 French oaths, French vices, and the newest style 
 Of out-puffed sleeve, shall pass from west to east, 
 A winnowing fan to purify the seed 
 For fair millennial harvests soon to come? 
 Or is not Spain the land of chosen warriors ? — 
 Crusaders consecrated from the womb. 
 Carrying the sword-cross stamped upon 
 
 souls 
 By the long yearnings of a nation's life, 
 Through all the seven patient centuries 
 Since first Pelayo and his resolute band 
 Trusted the God within their Gothic hearts 
 At Covadunga, and defied Mahound ; 
 Beginning so the Holy War of Spain 
 That now is panting with the eagerness 
 Of labor near its end. The silver cross 
 Glitters o'er Malaga and streams dread light 
 On Moslem galleys, turning all their stores 
 From threats to gifts. What Spanish knight is he 
 
 f> 
 
Who, living now, holds it not shame to live 
 Apart from that hereditary battle 
 Which needs his sword ? Castilian gentlemen 
 Choose not their task — they choose to do it well. 
 
 The time is great, and greater no man's trust 
 Than his who keeps the fortress for his king, 
 Wearing great honors as some delicate robe 
 Brocaded o'er with names 'twere sin to tarnish. 
 Born de la Cerda, Calatravan knight. 
 Count of Segura, fourth Duke of Bedmar, 
 Offshoot from that high stock of old Castile 
 Whose topmost branch is proud Medina Cell — . 
 Such titles with their blazonry are his 
 Who keeps this fortress, its sworn governor, 
 Lord of the valley, master of the town, 
 Commanding whom he will, himself commanded 
 By Christ his Lord who sees him from the Cross 
 And from bright heaven where the Mother 
 
 pleads ; — 
 By good Saint James upon the milk-white steed. 
 Who leaves his bliss to fight for chosen Spain ; — 
 By the dead gaze of all his ancestors ; — 
 And by the mystery of his Spanish blood 
 Charged with the awe and glories of the past. 
 
 See now with soldiers in his front and rear 
 He winds at evening through the narrow streets 
 That toward the Castle gate climb devious : 
 His charger, of fine Andalusian stock. 
 An Indian beauty, black but delicate, 
 Is conscious of the herald trumpet note, 
 The gathering glances, and familiar ways 
 That lead fast homeward : she forgets fatigue. 
 And at the light touch of the master' s spur 
 Thrills with the zeal to bear him royally. 
 Arches her neck and clambers up the stones 
 
Night-black the charger^ black the rider s plume."" — Vzi^t ii. 
 
12 
 
 THE SPANISH GYPSY. 
 
 'Tis Christian to drink wine : whoso denies 
 His flesh at bidding save of Holy Church, 
 Let him beware and take to Christian sins 
 Lest he be taxed with Moslem sanctity. 
 
 The souls are five, the talkers only three. 
 
 (No time, most tainted by wrong faith and rule. 
 
 I3ut holds some listeners and dumb animals.) 
 
 Mine Host is one : he with the well-arched nose 
 
 Soft-eyed, fat-handed, loving men for nought 
 
 But his own humor, patting old and young 
 
 Upon the back, and mentioning the cost 
 
 With confidential blandness, as a tax 
 
 That he collected much against his w 
 
 From Spaniards who were all his bosom friends • 
 
 Warranted Christian — else how keep an inn. 
 
 Which calling asks true faith ? though like his 
 
 wine 
 Of cheaper sort, a trifle over-new. 
 His father was a convert, chose the chrism 
 As men choose physic, kept his chimney warm 
 With smokiest wood upon a Saturday, 
 Counted his gains and grudges on a chaplet, 
 And crossed himself asleep for fear of spies ; 
 Trusting the God of Israel would see 
 'Twas Christian tyranny that made him base. 
 Our host his son was born ten years too soon. 
 Had heard his mother call him Ephraim, 
 Knew holy things from common, thought it sin 
 To feast on days when Israel's children mourned. 
 So had to be converted with his sire. 
 To doff the awe he learned as Ephraim, 
 And suit his manners to a Christian name. 
 But infant awe, that unborn moving thing, 
 Dies with what nourished it, can never rise 
 From the dead womb and walk and seek new 
 
 iiHmtm 
 
 W 
 
THE SPANISH GYPSY. 
 
 13 
 
 Thus baptism seemed to him a merry game 
 
 Not tried before, all sacraments a mode 
 
 Of doing homage for one's property, 
 
 And all religions a queer human whim 
 
 Or else a vice, according to degrees : 
 
 As, 'tis a whim to like your chestnuts hot. 
 
 Burn your own mouth and draw your face awry, 
 
 A vice to pelt frogs with them — animals 
 
 Content to take life coolly. And Lorenzo 
 
 Would have all lives made easy, even lives * 
 
 Of spiders and inquisitors, yet still 
 
 Wishing so well to flies and Moors and Jews 
 
 He rather wished the others easy death ; 
 
 For loving all men clearly was deferred 
 
 Till all men loved each other. Such mine Host, 
 
 With chiselled smile caressing Seneca, 
 
 The solemn mastiff leaning on his knee. 
 
 His right-hand guest is solemn as the dog. 
 Square-faced and massive : Blasco is his name, 
 A prosperous silversmith from Aragon ; 
 In speech not silvery, rather tuned as notes 
 From a deep vessel made of plenteous iron. 
 Or some great bell of slow but certain swing 
 That, if you only wait, will tell the hour 
 As well as flippant clocks that strike in haste 
 And set off chiming a superfluous tune — 
 Like Juan there, the spare man with the lute, 
 Who makes you dizzy with his rapid tongue. 
 Whirring athwart your mind with comment swift 
 On speech you would have finished by-and-by, 
 Shooting your bird for you while you are loading 
 Cheapening your wisdom as a pattern known, 
 Woven by any shuttle on demand. 
 Can never sit quite still, too : sees a wasp 
 And kills it with a movement like a flash ; 
 Whistles low notes or seems to thrum his lute 
 
/■- 
 
 '^r- 
 
 As a mere hyphen 'twixt two syllables 
 Of any steadier man ; walks up and down 
 And snufifs the orange flowers and shoots a pea 
 To hit a streak of light let through the awning. 
 Has a queer face : eyes large as plums, a nose 
 Small, round, uneven, like a bit of wax 
 Melted and cooled by chance. Thin-fingered, 
 
 lithe, 
 And as a squirrel noiseless, startling men 
 Only by quickness. In his speech and look 
 A touch of graceful wildness, as of things 
 Not trained or tamed for uses of the world ; 
 Most like the Fauns that roamed in days of old 
 About the listening whispering woods, and 
 
 shared 
 The subtler sense of sylvan ears and eyes 
 UnduUed by scheming thought, yet joined the 
 
 rout 
 Of men and women on the festal days. 
 And played the syrinx too, and knew love's 
 
 pains, 
 Turning their anguish into melody. 
 For Juan was a minstrel still, in times 
 When minstrelsy was held a thing outworn. 
 Spirits seem buried and their epitaph 
 Is writ in Latin by severest pens, 
 Vet still they flit above the trodden grave 
 And find new bodies, animating them 
 In quaint and ghostly way with antique souls. 
 So Juan was a troubadour revived, 
 Freshening life's dusty road with babbling rills 
 Of wit and song, living 'mid harnessed men 
 With limbs ungalled by armor, ready so 
 To soothe them weary, and to cheer them sad. 
 Guest at the board, companion in the camp, 
 A crystal mirror to the life around. 
 Flashing the comment keen of simple fact 
 
THE SPANISH GYPSY, 
 
 15 
 
 Defined in words ; lending brief lyric voice 
 
 To grief and sadness ; hardly taking note 
 
 Of difference betwixt his own and others'; 
 
 But rather singing as a listener 
 
 To the deep moans, the cries, the wild strong joys 
 
 Of universal Nature, old yet young. 
 
 Such Juan, the third talker, shimmering bright 
 
 As butterfly or bird with quickest life. 
 
 The silent Roldan has his brightness too. 
 
 But only in his spangles and rosettes. 
 
 His parti-colored vest and crimson hose 
 
 Are dulled with old Valencian dust, his eyes 
 
 With straining fifty years at gilded balls 
 
 To catch them dancing, or with brazen looks 
 
 At men and women as he made his jests 
 
 Some thousand times and watched to count the 
 
 pence 
 His wife was gathering. His olive face 
 Has an old writing in it, characters 
 Stamped deep by grins that had no merriment. 
 The soul's rude mark proclaiming all its blank ; 
 As on some faces that have long grown old 
 In lifting tapers up to forms obscene 
 On ancient walls and chuckling with false zest 
 To please my lord, who gives the larger fee 
 For that hard industry in apishness. 
 Roldan would gladly never laugh again ; 
 Pensioned, he would be grave as any ox, 
 And having beans and crumbs and oil secured 
 Would borrow no man's jokes for evermore. 
 'Tis harder now because his wife is gone. 
 Who had quick feet, and danced to ravishment 
 Of every ring jewelled with Spanish eyes, 
 But died and left this boy, lame from his birth, 
 And sad and obstinate, though when he will 
 He sings God-taught such marrow-thrilling 
 
 strains 
 
/ 
 
 i6 
 
 THE SPANISH GYPSY. 
 
 r 
 
 As seem the very voice of dying Spring, 
 A flute-like wail that mourns the blossoms gone, 
 And sinks, and is not, like their fragrant breath, 
 With fine transition on the trembling air. 
 He sits as if imprisoned by some fear, 
 Motionless, with wide eyes that seem not made 
 For hungry glancing of a twelve-year'd boy 
 To mark the living thing that he could tease, 
 But for the gaze of some primeval sadness 
 Dark twin with light in the creative ray. 
 This little Pablo has his spangles too. 
 And large rosettes to hide his poor left foot 
 Rounded like any hoof (his mother thought 
 God willed it so to punish all her sins). 
 
 I said the souls were five — besides the dog. 
 
 But there was still a sixth, with wrinkled face, 
 
 Grave and disgusted with all merriment 
 
 Not less than Roldan. It is Annibal, 
 
 The experienced monkey who performs the 
 
 tricks. 
 Jumps through the hoops, and carries round the 
 
 hat. 
 Once full of sallies and impromptu feats. 
 Now cautious not to light on aught that's new, 
 Lest he be whipped to do it o'er again 
 From A to Z, and make the gentry laugh : 
 A misanthropic monkey, gray and grim, 
 Bearing a lot that has no remedy 
 For want of concert in the monkey tribe. 
 
 We see the company, above their heads 
 The braided matting, golden as ripe corn, 
 Stretched in a curving strip close by the grapes, 
 Elsewhere rolled back to greet the cooler sky ;. 
 A fountain near, vase-shapen and broad-lipped 
 Where timorous birds alight with tiny feet. 
 
>«- 
 
 THE SPANISH GYPSY. 
 
 And hesitate and bend wise listening ears, 
 
 And fly away again with undipped beak. 
 
 On the stone floor the juggler's heaped-up goods, 
 
 Carpet and hoops, viol and tambourine, 
 
 Where Annibal sits perched with brows severe, 
 
 A serious ape whom none take seriously, 
 
 Obliged in this fool's world to earn his nuts 
 
 By hard bufl'oonery. We see them all, 
 
 And hear their talk— the talk of Spanish men, 
 
 With southern intonation, vowels turned 
 
 Caressingly between the consonants. 
 
 Persuasive, willing, with such intervals 
 
 As music borrows from the wooing birds. 
 
 That plead with subtly curving, sweet descent — 
 
 And yet can quarrel, as hese Spaniards can. 
 
 Juan {near the doonoay). 
 You hear the trumpet ? There's old Ramon's 
 
 blast. 
 No bray but his can shake the air so well. 
 He takes his trumpeting as solemnly 
 As angel charged to wake the dead ; thinks war 
 Was made for trumpeters, and their great art 
 Made solely for themselves who understand it. 
 His features all have shaped themselves to blow- 
 ing, 
 And when his trumpet's bagged or left at home 
 He seems a chattel in a broker's booth, 
 A spoutless watering-can, a promise to pay 
 No sum particular, O fine old Ramon ! 
 The blasts get louder and the clattering hoofs ; 
 They crack the ear as well as heaven's thunder 
 For owls that listen blinking. There's the 
 banner. 
 
 Host (Joining him : the others folloiv to the door) 
 The Duke has finished reconnoitring, then?" 
 
 1 ' "" ! "l" ! '.^ ' "....: ' ^- 
 
 ■^ 
 
 ^ 
 
i8 
 
 We 
 
 THE SPANISH GYPSY. 
 
 ;ws. They say he means a 
 Zagal's Moors as they push 
 
 shall hear n 
 
 sally — 
 Would strike El 
 
 home 
 
 Like ants with booty heavier than themselves ; 
 Then, joined by other nobles with their bands, 
 Lay siege to Guadix. Juan, you're a bird 
 That nest within the Castle. What say you ? 
 
 Juan. 
 Nought, I say nought, 'Tis but a toilsome game 
 To bet upon that feather Policy, 
 And guess where after twice a hundred puffs 
 'Twill catch another feather crossing it : 
 Guess how the Pope will blow and how the king ; 
 What force my lady's fan has ; how a cough 
 Seizing the Padre's throat may raise a gust, 
 And how the queen may sigh the feather down. 
 Such catching at imaginary threads. 
 Such spinning twisted air, is not for me. 
 If I should want a game, I'll rather bet 
 On racing snails, two large, slow, lingering 
 
 snails — 
 No spurring, equal weights — a chance sublime, 
 Nothing to guess at, pure uncertainty. 
 Here comes the Duke. They give but feeble 
 
 shouts, 
 And some look sour. 
 
 Host. 
 
 That spoils a fair occasion. 
 Civility brings no conclusions with it, 
 And cheerful Vivas make the moments glide 
 Instead of grating like a rusty wheel. 
 
 Juan. 
 O they are dullards, kick because they're stung, 
 And bruise a friend to show they hat» a wasp. 
 
THE SPANISH GYPSY. 
 
 19 
 
 Host. 
 Best treat your wasp with delicate regard ; 
 When the right moment comes say. ' ' By youi 
 
 leave," 
 Use your heel— so ! and make an end of him. 
 That's if we talked of wasps ; but our young 
 
 Duke— 
 Spain holds not a more gallant gentleman. 
 Live, live, Duke Silva ! 'Tis a rare smile he has, 
 But seldom seen. 
 
 Juan. 
 A true hidalgo's smile, 
 That gives much favor, but beseeches none. 
 His smile is sweetened by his gravity : 
 It comes like dawn upon Sierra snows. 
 Seeming more generous for the coldness gone ; 
 Breaks from the calm — a sudden opening flower 
 On dark deep waters : now a chalice shut, 
 A mystic shrine, the next a full-rayed star. 
 Thrilling, pulse-quickening as a living word. 
 I'll make a song of that. 
 
 Host. 
 
 Prithee, not now. 
 You'll fall to staring like a wooden saint. 
 And wag your head as it were set on wires. 
 Here's fresh sherbet. Sit, be good company. 
 {To Blasco) You are a stranger, sir, and cannot 
 
 know 
 How our Duke's nature suits his princely frame. 
 
 Blasco. 
 Nay, but I marked his spurs — chased cunningly ; 
 A duke should know good gold and silver plate ; 
 Then he will know the quality of mine. 
 I've ware for tables and for altars too. 
 Our Lady in all sizes, crosses, bells : 
 
20 
 
 THE SPANISH GYPSY, 
 
 j=^=*»t 
 
 He'll need such weapons full as much as swords 
 
 If he would capture any Moorish town. 
 
 For, let me tell you, when a mosque is cleansed . . , 
 
 Juan. 
 The demons fly so thick from sound of bells 
 And smell of incense, you may see the air 
 Streaked with them as with smoke. Why, they 
 
 are spirits : 
 You may well think how crowded they must be 
 To make a sort of haze. 
 
 Blasco. 
 
 I knew not that. 
 Still they're of smoky nature, demons are ; 
 And since you say so — well, it proves the more 
 The need of bells and censers. Ay, your Duke 
 Sat well : a true hidalgo. I can judge — 
 Of harness specially. I saw the camp, 
 The royal camp at Velez Malaga. 
 'Twas like the court of heaven — such liveries ! 
 And torches carried by the score at night 
 Before the nobles. Sirs, I made a dish 
 To set an emerald in would fit a crown. 
 For Don Alonzo, lord of Aguilar. 
 Your Duke's no whit behind him in his mien 
 Or harness either. But you seem to say 
 The people love him not. 
 
 Host. 
 They've nought against him. 
 But certain winds will make men's temper bad. 
 When the Solano blows hot venomed breath, 
 It acts upon men's knives : steel takes to stab- 
 bing 
 Which else, with cooler winds, were honest steel, 
 Cutting but garlic. There's a wind just now 
 Blows right from Seville — 
 
 ^ 
 
Host. 
 
 With fagots. 
 
 Juan. 
 A wind that suits not with our townsmen's blood. 
 Abram, 'tis said, objected to be scorched, 
 And, as the learned Arabs vouch, he gave 
 The antipathy in full to Ishmael. 
 *Tis true, these patriarchs had their oddities. 
 
 Their oddities ? I'm of their mind, I know. 
 
 Though, as to Abraham and Ishmael, 
 
 I'm an old Christian, and owe nought to them 
 
 Or any Jew among them. But I know 
 
 We made a stir in Saragossa — we : 
 
 The men of Aragon ring hard — true metal. 
 
 Sirs, I'm no friend to heresy, but then 
 
 A Christian's money is not safe. As how ? 
 
 A lapsing Jew or any heretic 
 
 May owe me twenty ounces : suddenly 
 
 He's prisoned, suffers penalties — 'tis well : 
 
 If men will not believe, 'tis good to make them, 
 
 But let the penalties fall on them alone. 
 
 The Jew is stripped, his goods are confiscate ; 
 
 Now, where, I pray you, go my twenty ounces ? 
 
 God knows, and perhaps the King may, but not I. 
 
 And more, my son may lose his young wife's 
 
 dower 
 Because 'twas promised since her father's soul 
 Fell to wrong thinking. How was I to know ? 
 I could but use my sense and cross myself. 
 Christian is Christian — I give in — but still 
 Taxing is taxing, though you call it holy. 
 
 "V 
 
THE SPANISH GYPSY. 
 
 We Saragossans liked not this new tax 
 They call the — nonsense, I'm from Aragon ! 
 I speak too bluntly. But for Holy Church, 
 No rnan believes more. 
 
 Host. 
 
 Nay, sir, never fear. 
 Good Master Roldan here is no delator. 
 
 RoLDAN {starting from a reverie). 
 You speak to me, sirs ? I perform to-night — 
 The Pla5a Santiago. Twenty tricks. 
 All different. I dance, too. And the boy 
 Sings like a bird. I crave your patronage. 
 
 Blasco. 
 Faith, you shall have it, sir. In travelling 
 I take a little freedom, and am gay. 
 You marked not what I said just now ? 
 
 Roldan. 
 
 I? no. 
 I pray your pardon. I've a twinging knee. 
 That makes it hard to listen. You were sayings 
 
 Blasco. 
 Nay, it was nought. {Aside to Host) Is it his 
 deepness ? 
 
 Host. 
 
 No. 
 He's deep in nothing but his poverty. 
 
 Blasco. 
 But 'twas his poverty that made me think . , . 
 Host. 
 
 '^ 
 
 _ 
 
^imm^' 
 
 THE SPANISH GYPSY. 
 
 23 
 
 Blasco. 
 
 Good. 
 I speak my mind about the penalties, 
 But, look you, I'm against assassination. 
 You know my meaning — Master Arbu6s, 
 The grand Inquisitor in Aragon. 
 I knew nought — paid no copper toward the deed. 
 But I was there, at prayers, within the church. 
 How could I help it ? Why, the saints were there, 
 And looked straight on above the altars. I . . . 
 
 Juan. 
 Looked carefully another way. 
 
 Blasco. 
 
 Why, at my beads. 
 'Twas after midnight, and the canons all 
 Were chanting matins. I was not in church 
 To gape and stare. I saw the martyr kneel : 
 I never liked the look of him alive — 
 He was no martyr then. I thought he made 
 An ugly shadow as he crept athwart 
 The bands of light, then passed within the gloom 
 By the broad pillar. 'Twas in our great Seo, 
 At Saragossa. The pillars tower so large 
 You cross yourself to see them, lest white Death 
 Should hide behind their dark. And so it was. 
 I looked away again and told my beads 
 Unthinkingly ; but still a man has ears ; 
 And right across the chanting came a sound 
 As if a tree had crashed above the roar 
 Of some great torrent. So it seemed to me ; 
 For when you listen long and shut your eyes 
 Small sounds get thunderous. He had a shell 
 Like any lobster : a good iron suit 
 From top to toe beneath the innocent serge. 
 That made the tell-tale sound. But then came 
 shrieks. 
 
 '01 
 
^^ 
 
 THE SPANISH GYPSY. 
 
 Black-gleaming, black his coronal of hair 
 Like shredded jasper, he seems less a man 
 With struggling aims, than pure incarnate "Will, 
 Fit to subdue rebellious nations, nay, 
 That human flesh he breathes in, charged with 
 
 passion 
 Which quivers in his nostril and his lip. 
 But disciplined by long in-dwelling will 
 To silent labor in the yoke of law. 
 A truce to thy comparisons, Lorenzo ! 
 Thine is no subtle nose for difference ; 
 *Tis dulled by feigning and civility. 
 
 Host. 
 Pooh, thou'rt a poet, crazed with finding words 
 May stick to things and seem like qualities. 
 No pebble is a pebble in thy hands : 
 *Tis a moon out of work, a barren t^%gy 
 Or twenty things that no man sees but thee. 
 Our Father Isidor's — a living saint. 
 And that is heresy, some townsmen think : 
 Saints should be dead, according to the Church. 
 My mind is this : the Father is so holy 
 *Twere sin to wish his soul detained from blisr,. 
 Easy translation to the realms above. 
 The shortest journey to the seventh heaven. 
 Is what I'd never grudge him. 
 
 Blasco. 
 
 Piously said. 
 Look you, I'm dutiful, obey the Church 
 When there's no help for it : I mean to say, 
 When Pope and Bishop and all customers 
 Order alike. But there be bishops now. 
 And were aforetime, who have held it wrong, 
 This hurry to convert the Jews. As how ? 
 Your Jew pays tribute to the bishop, say. 
 
 ^ 
 
j^iM 
 
 THE SPANISH GYPSY. 
 
 to see the 
 
 % 
 
 M 
 
 That's good, and must please God, 
 
 Church 
 Maintained in ways that ease the Christian's 
 
 purse. 
 Convert the Jew, and where's the tribute, pray? 
 He lapses, too : 'tis slippery work, conversion : 
 And then the holy taxing carries off 
 His money at one sweep. No tribute more ! 
 He's penitent or burnt, and there's an end. 
 Now guess which pleases God . . . 
 
 Juan. 
 
 Whether he likes 
 A well-burnt Jew or well-fed bishop best. 
 
 [While Juan put this problem theologic 
 Entered, with resonant step, another guest — • 
 A soldier : all his keenness in his sword, 
 His eloquence in scars upon his cheek, 
 His virtue in much slaying of the Moor : 
 With brow well-creased in horizontal folds 
 To save the space, as having nought to do : 
 Lips prone to whistle whisperingly — no tunc, 
 But trotting rhythm : meditative eyes, 
 Most often fixed upon his legs and spurs : 
 Styled Captain Lopez.] 
 
 At your service, sirs. 
 Juan. 
 Ha, Lopez ? Why, thou hast a face full-charged 
 As any herald's. What news of the wars ? 
 
 Lopez. 
 Such news as is most bitter on my tongue. 
 
 Juan. 
 Then spit it forth. 
 
 km 
 
 f> 
 
Fresh-filled. 
 
 Sit, Captain : here's a cup 
 
 Lopez 
 
 'Tis bad. We make no sally : 
 We sit still here and wait whate'er the Moor 
 Shall please to do. 
 
 Host. 
 Some townsmen will be glad. 
 Lopez. 
 Glad, will they be ? But I'm not glad, not I, 
 Nor any Spanish soldier of clean blood. 
 But the Duke's wisdom is to wait a siege 
 Instead of laying one. Therefore — meantime — 
 He will be married straightway. 
 
 Host. 
 
 Ha, ha, ha ! 
 Thy speech is like an hourglass ; turn it down 
 The other way, 'twill stand as well, and say 
 The Duke will wed, therefore he waits a siege. 
 But what say Don Diego and the Prior ? 
 The holy uncle and the fiery Don ? 
 
 Lopez. 
 
 O there be sayings running all abroad 
 
 As thick as nuts o'erturned. No man need lack. 
 
 Some say, 'twas letters changed the Duke's in- 
 tent : 
 
 From Malaga, says Bias. From Rome, says 
 Quintin. 
 
 From spies at Guadix, says Sebastian. 
 
 Some say, 'tis all a pretext — say, the Duke 
 
 Is but a lapdog hanging on a skirt, 
 
 Turning his eyeballs upward like a monk • 
 
 '^ 
 
THE SPANISH GYPSY, 
 
 'Twas Don Diego said that— so says Bias ; 
 Last week, he said . . . 
 Juan. 
 
 O do without the "said !" 
 Open thy mouth and pause in lieu of it. 
 I had as lief be pelted with a pea 
 Irregularly in the self-same spot 
 As hear such iteration without rule, 
 Such torture of uncertain certainty. 
 
 Lopez. 
 Santiago ! Juan, thou art hard to please. 
 I speak not for my own delighting, I. 
 I can be silent, I. 
 
 Blasco. 
 
 Nay, sir, speak on ! 
 I like your matter well. I deal in plate. 
 This wedding touches me. 
 
 Lopez. 
 One that some say the Duke' does ill to wed. 
 One that his mother reared — God rest 
 
 soul ! — 
 Duchess Diana— she who died last year. 
 A bird picked up away from any nest. 
 Her name— the Duchess gave it— is Fedalma. 
 No harm in that. But the Duke stoops, they 
 
 say, .11 
 
 In wedding her. And that's the simple truth. 
 
 Juan. 
 Thy simple truth is but a false opinion : 
 The simple truth of asses who beheve 
 Their thistle is the very best of food. 
 Fie, Lopez, thou a Spaniard with a sword 
 Dreamest a Spanish noble ever stoops 
 
 Who is the bride ? 
 
 ir^ 
 
 :3 
 
THE SPANISH GYPSY. 
 
 By doing honor to the maid he loves ! 
 He stoops alone when he dishonors her. 
 
 Lopez. 
 Nay, I said nought against her. 
 Juan. 
 
 Better not. 
 Else I would challenge thee to fight with wits, 
 And spear thee through and through ere thou 
 
 couldst draw 
 The bluntest word. Yes, yes, consult thy spurs : 
 Spurs are a sign of knighthood, and should tell 
 
 thee 
 That knightly love is blent with reverence 
 As heavenly air is blent with heavenly blue. 
 Don Silva's heart beats to a loyal tune : 
 He wills no highest-born Castilian dame, 
 Betrothed to highest noble, should be held 
 More sacred than Fedalma. He enshrines 
 Her virgin image for the general awe 
 And for his own — will guard her from the world, 
 Nay, his profaner self, lest he should lose 
 The place of his religion. He does well. 
 Nought can come closer to the poet's strain. 
 
 Host. 
 Or farther from his practice, Juan, eh ? 
 If thou'rt a sample ? 
 
 Juan. 
 
 Wrong there, my Lorenzo ! 
 Touching Fedalma the poor poet plays 
 A finer part even than the noble Duke. 
 
 Lopez. 
 By making ditties, singing with round mouth 
 Likest a crowing cock ? Thou meanest that ? 
 
\ 
 
 /0- 
 
 r 
 1) 
 
 Juan. 
 Lopez, take physic, thou art getting ill, 
 Growing descriptive ; 'tis unnatural. 
 I mean, Don Silva's love expects reward. 
 Kneels with a heaven to come ; but the poor poet 
 Worships without reward, nor hopes to find 
 A heaven save in his worship. He adores 
 The sweetest woman for her sw^eetness' sake, 
 Joys in the love that was not born for him, 
 Because 'tis lovingness, as beggars joy. 
 Warming their naked limbs on wayside walls, 
 To hear a tale of princes and their glory. 
 There's a poor poet (poor, I mean, in coin) 
 Worships Fedalma with so true a love 
 That if her silken robe were changed for rags, 
 And she were driven out to stony wilds 
 Barefoot, a scorned wanderer, he would kiss 
 Her ragged garment's edge, and only ask 
 For leave to be her slave. Digest that, friend, 
 Or let it lie upon thee as a weight 
 To check light thinking of Fedalma. 
 
 Lopez. 
 
 I? 
 I think no harm of her ; I thank the saints 
 I wear a sword and peddle not in thinking. 
 'Tis Father Marcos says she'll not confess 
 And loves not holy water ; says her blood 
 Is infidel ; says the -Duke's wedding her 
 Is union of light with darkness. 
 
 Juan. 
 
 Tush! 
 
 [Now Juan — who by snatches touched his lute 
 With soft arpeggio, like a whispered dream 
 Of sleeping music, while he spoke of love — 
 In jesting anger at the soldier's talk 
 
 V 
 
/ 
 
 THE SPANISH GYPSY. 
 
 31 
 
 Thrummed loud and fast, then faster and more 
 
 loud, 
 Till, as he answered " Tush ! " he struck a chord 
 Sudden as whip-crack close by Lopez' ear. 
 Mine host and Blasco smiled, the mastiff barked, 
 Roldan looked up and Annibal looked down, 
 Cautiously neutral in so new a case ; 
 The boy raised longing, listening eyes that seemed 
 An exiled spirit's waiting in strained hope 
 Of voices coming from the distant land. 
 But Lopez bore the assault like any rock : 
 That was not what he drew his sword at — he ! 
 He spoke with neck erect.] 
 
 Lopez. 
 
 If that's a hint 
 The company should ask thee for a song. 
 Sing, then ! 
 
 Host. 
 
 Ay, Juan, sing, and jar no more. 
 Something brand new. Thou'rt wont to make 
 
 my ear 
 A test of novelties. Hast thou aught fresh ? 
 
 Juan, 
 
 As fresh as rain-drops. Here's a Cancion 
 
 Springs like a tiny mushroom delicate 
 
 Out of the priest's foul scandal of Fedalma. 
 
 [He preluded with querying intervals, 
 Rising, then falling just a semitone, 
 In minor cadence — sound with poised wing 
 Hovering and quivering toward the needed fall. 
 Then in a voice that shook the willing air 
 With masculine vibration sang this song. 
 
-^ 
 
 C 1 
 
 THE SPANISH GYPSY, 
 
 Should I long that dark were fair? 
 
 Say, song ! 
 
 Lacks my love aught, that I should long? 
 
 Dark the night, with breath all Jlow'rs, 
 And tender broken voice that fills 
 
 With ravishment the listening hours : 
 
 Whisperings, wooings. 
 Liquid ripples and soft ring-dove cooings 
 In lotv-toned rhythm that love's aching stilh 
 Dark the night. 
 
 Yet is she bright. 
 
 For in her dark she brings the mystic star. 
 
 Trembling yet strong, as is the voice of love, 
 Fro7n some unknown afar. 
 
 O radiant Dark ! darkly-fostered ray I 
 
 Thou hast a joy too deep for shallow Day. 
 
 While Juan sang, all round the tavern court 
 
 Gathered a constellation of black eyes. 
 
 Fat Lola leaned upon the balcony 
 
 With arms that might have pillowed Hercules 
 
 (Who built, 'tis known, the mightiest Spanish 
 
 towns) ; 
 Thin Alda's face, sad as a wasted passion, 
 Leaned o'er the nodding baby's ; 'twixt the rails 
 The little Pepe showed his two black beads. 
 His flat-ringed hair and small Semitic nose. 
 Complete and tiny as a new-born minnow ; 
 Patting his head and holding in her arms 
 The baby senior, stood Lorenzo's wife 
 All negligent, her kerchief discomposed 
 By little clutches, woman's coquetry 
 Quite turned to mother's cares and sweet content. 
 These on the balcony, while at the door 
 Gazed the lank boys and lazy-shouldered men. 
 'Tis likely too the rats and insects peeped, 
 
 f> 
 
A 
 
 ^^ 
 
 THE SPANISH GYPSY. 
 
 zz 
 
 Being southern Spanish ready for a lounge. 
 
 The singer smiled, as doubtless Orpheus smiled, 
 
 To see the animals both great and small, 
 
 The mountainous elephant and scampering mouse. 
 
 Held by the ears in decent audience ; 
 
 Then, when mine host desired the strain once 
 
 more, 
 Pie fell to preluding with rhythmic change 
 Of notes recurrent, soft as pattering drops 
 That fall from off the eaves in faery dance 
 When clouds are breaking ; till at measured 
 
 pause 
 He struck with strength, in rare responsive 
 chords.] 
 
 Host. 
 Come, then, a gayer ballad, if thou wilt : 
 I quarrel not with change. What say you. Cap- 
 tain? 
 
 Lopez. 
 All's one to me. I note no change of tune, 
 Not I, save in the ring of horses' hoofs. 
 Or in the drums and trumpets when they call 
 To action or retreat. I ne'er could see 
 The good of singing. 
 
 Blasco. 
 
 Why, it passes time — 
 Saves you from getting over-wise : that's good. 
 For, look you, fools are merry here below, 
 Yet they will go to heaven all the same, 
 Having the sacraments ; and, look you, heaven 
 Is a long holiday, and solid men. 
 Used to much business, might be ill at ease 
 Not liking play. And so, in travelling, 
 I shape myself betimes to idleness 
 And take fools' pleasures . . . 
 
 I 
 
Host, 
 Hark 
 Juan {sings). 
 Maiden, crowned with glossy blackness. 
 
 Lithe as panther forest-roaming, 
 
 Long-armed naiad, when she dances. 
 
 On a stream of ether floating — 
 
 Bright, blight Fedalma I 
 
 Form all curves like softness drifted. 
 Wave-kissed marble roundly dimpling. 
 
 Far-off ??tusic slowly winged. 
 Gently rising, gently sitiking — 
 
 Bri^t, O bright Fedalma I 
 
 Pure as rain-tear on a rose-leaf. 
 
 Cloud high-born in 7ioonday spotless. 
 
 Sudden perfect as the dew-bead. 
 Gem of earth and sky begotten — 
 
 Bright, O bright Fedalma I 
 
 Beauty has no mortal father. 
 Holy light her form engendered 
 
 Out of tremor, yearning, gladness. 
 Presage sweet and joy rei7ie7nbered — 
 Child of Light, Fedalma ! 
 
 Blasco. 
 Faith, a good song, sung to a stirring tune. 
 I like the words returning in a round ; 
 It gives a sort of sense. Another such ! 
 
 RoLDAN {7'ising). 
 Sirs, you will hear my boy. 'Tis very hard 
 When gentles sing for nought to all the town. 
 How can a poor man live ? And now 'tis time 
 I go to the Pla9a — who will give me pence 
 When he can hear hidalgos and give nought ? 
 
Bright, O bright Fedalmar'—V^Z'i 34- 
 
I 
 
THE SPANISH GYPSY. 
 
 Coaxings and trampings, and the small hoars» 
 
 squeak 
 Of Pepe's reed. And our group talked again.] 
 
 Host. 
 I'll get this juggler, if he quits him well, 
 An audience here as choice as can be lured. 
 For me, when a poor devil does his best, 
 'Tis my delight to soothe his soul with praise. 
 What though the best be bad ? remains the good 
 Of throwing food to a lean hungry dog. 
 I'd give up the best jugglery in life 
 To see a miserable juggler pleased. 
 But that's my humor. Crowds are malcontent 
 And cruel as the Holy .... Shall we go? 
 All of us now together ? 
 
 Lopez. 
 
 Well, not I. 
 I may be there anon, but first I go 
 To the lower prison. There is strict command 
 That all our gypsy prisoners shall to-night 
 Be lodged within the fort. They've forged 
 
 enough 
 Of balls and bullets — used up all the metal. 
 At morn to-morrow they must carry stones 
 Up the south tower. 'Tis a fine stalwart band, 
 Fit for the hardest tasks. Some say, the queen 
 Would have the Gypsies banished with the Jews. 
 Some say, 'twere better harness them for work. 
 They'd feed on any filth and save the Spaniard. 
 Some say — but I must go. 'Twill soon be time 
 To head the escort. We shall meet again. 
 
 Blasco. 
 Go, sir, with God i^exit Lopez). A very proper 
 
 man. 
 And soldierlv. But, for this banishment 
 
 i 
 
/ 
 
 THE SPANISH GYPSY. 
 
 37 
 
 Some men are hot on, it ill pleases me. 
 The Jews, now (sirs, if any Christian here 
 Had Jews for ancestors, I blame him not ; 
 We cannot all be Goths of Aragon) — 
 Jews are not fit for heaven, but on earth 
 They are most useful. 'Tis the same with muleSv 
 Horses, or oxen, or with any pig 
 Except Saint Anthony's. They are useful here 
 (The Tews, I mean) though they may go to hell. 
 And, look you, useful sins — why Providence 
 Sends Jews to do 'em. saving Christian souls. 
 The very Gypsies, curbed and harnessed well, 
 "Would make draught cattle, feed on vermin too, 
 Cost less than grazing brutes, and turn bad food 
 To handsome carcasses ; sweat at the forge 
 For little wages, and well drilled and flogged 
 Might work like slaves, some Spaniards looking 
 
 on. 
 I deal in plate, and am no priest to say 
 What God may mean, save when he means plain 
 
 sense ; 
 But when he sent the Gypsies wandering 
 In punishment because they sheltered not 
 Our Lady and Saint Joseph (and no doubt 
 Stole the small ass they fled with into Egypt), 
 Why send them here ? 'Tis plain he saw the use 
 They'd be to Spaniards. Shall we banish them. 
 And tell God we know better ? 'Tis a sin. 
 They talk of vermin ; but, sirs, vermin large 
 Were made to eat the small, or else to eat 
 The noxious rubbish, and picked Gypsy men 
 Might serve in war to climb, be killed, and fall 
 To make an easy ladder. Once I saw 
 A Gypsy sorcerer, at a spring and grasp 
 Kill one who came to seize him : talk of strength ! 
 Nay, swiftness too, for while we crossed ourselves 
 He vanished like — say, like . . . 
 
 -. . A 
 
.fe^ 
 
 58 
 
 THE SPANISH GYPSY. 
 
 f 
 
 Juan. 
 
 A swift black snake. 
 Or like a living arrow fledged with will. 
 
 Blasco. 
 Why, did you see him, pray ? 
 
 Juan. 
 
 Not then, but now, 
 
 As painters see the many in the one. 
 We have a Gypsy in Bedmar whose frame 
 Nature compacted with such fine selection, 
 'Twould yield a dozen types : all Spanish knights, 
 From him who slew Rolando at the pass 
 Up to the mighty Cid ; all deities. 
 Thronging Olympus in fine attitudes ; 
 Or all hell's heroes whom the poet saw 
 Tremble like lions, writhe like demigods. 
 
 Host. 
 Pause not yet, Juan — more hyperbole ! 
 Shoot upward still and flare in meteors 
 Before thou sink to earth in dull brown fact. 
 
 Blasco. 
 Nay, give me fact, high shooting suits not me. 
 I never stare to look for soaring larks. 
 What is this Gypsy ? 
 
 Host. 
 
 Chieftain of a band, 
 The Moor's allies, whom full a month ago 
 Our Duke surprised and brought as captives 
 
 home. 
 He needed smiths, and doubtless the brave Moof 
 Has missed some useful scouts and archers too. 
 Juan's fantastic pleasure is to watch 
 
THE SPANISH GYPSY. 
 
 These Gypsies forging, and to hold discourse 
 With this great chief, whom he transforms at 
 
 will 
 To sage or warrior, and like the sun 
 Plays daily at fallaciouu alchemy, 
 Turns sand to gold and dewy spider-webs 
 To myriad rainbows. Still the sand is sand, 
 And still in sober shade you see the web. 
 'Tis so, I'll wager, with his Gypsy chief — 
 A piece of stalwart cunning, nothing more. 
 
 Juan. 
 No ! My invention had been all too poor 
 To frame this Zarca as I saw him first. 
 'Twas when they stripped him. In his chief- 
 tain's gear. 
 Amidst his men he seemed a royal barb 
 Followed by wild-maned Andalusian colts. 
 He had a necklace of a strange device 
 In finest gold of unknown workmanship, 
 But delicate as Moorish, fit to kiss 
 Fedalma's neck, and play in shadows there. 
 He wore fine mail, a rich- wrought sword and 
 
 belt, 
 And on his surcoat black a broidered torch, 
 A pine-branch flaming, grasped by two dark 
 
 hands. 
 But when they stripped him of his ornaments 
 It was the the baubles lost their grace, not he. 
 His eyes, his mouth, his nostril, all inspired 
 With scorn that mastered utterance of scorn. 
 With power to check all rage until it turned 
 To ordered force, unleashed on chosen prey — 
 It seemed the soul within him made his limbs 
 And made them grand. The baubles were well 
 
 gone. 
 He stood the more a king, when bared to man. 
 
 w 
 
 " 
 
 u- 
 
 I 
 
40 
 
 THE SPANISH GYPSY. 
 
 mmmi 
 
 
 
 Blasco. 
 Maybe. But nakedness is bad for trade, 
 And is not decent. Well-wrought metal, s? ., 
 Is not a bauble. Had you seen the camp, 
 The royal camp at Velez Malaga, 
 Ponce de Leon and the other dukes, 
 The king himself and all his thousand knights 
 For bodyguard, 'twould not have left you breath 
 To praise a Gypsy thus. A man's a man ; 
 But when you see a king, you see the work 
 Of many thousand men. King Ferdinand 
 Bears a fine presence, and hath proper limbs ; 
 But what though he were shrunken as a relic ? 
 You'd see the gold and gems that cased him o'er, 
 And all the pages round him in brocade, 
 And all the lords, themselves "a sort of kings, 
 Doing him reverence. That strikes an awe 
 Into a common man — especially 
 A judge of plate. 
 
 Host. 
 
 Faith, very wisely said. 
 Purge thy speech, Juan. It is over-full 
 Of this same Gypsy. Praise the Catholic King, 
 And come now, let us see the juggler's skill. 
 
 The Pla(^a Santiago. 
 'Tis daylight still, but now the golden cross 
 Uplifted by the angel on the dome 
 Stands rayless in calm color clear-defined ^ 
 Against the northern blue ; from turrets high 
 The flitting splendor sinks with folded wing 
 Dark-hid tiJl morning, and the battlements 
 Wear soft relenting whiteness mellowed o'er 
 By summers generous and winters bland. 
 Now in the east the distance casts its veil 
 And gazes with a deepening earnestness: 
 
 
 wn 
 
THE SPANISH GYPSY, 
 
 The old rain-fretted mountains in their robes 
 Of shadow-broken gray ; the rounded hills 
 Reddened with blood of Titans, whose huge 
 
 limbs, 
 Entombed within, feed full the hardy flesh 
 Of cactus green and blue broad-sworded aloes ; 
 The cypress soaring black above the lines 
 Of white court-walls ; the jointed sugar-canes 
 Pale-golden with their feathers motionless 
 In the warm quiet : — all thought-teaching form 
 Utters itself in firm unshimmering hues. 
 For the great rock has screened the westering 
 
 sun 
 That still on plains beyond streams vaporous 
 
 gold 
 Among the branches ; and within Bedmdr 
 Has come the time of sweet serenity 
 When color glows unglittering, and the soul 
 Of visible things shows silent happiness, 
 As that of lovers trusting though apart. 
 The ripe-cheeked fruits, the crimson-petalled 
 
 flowers ; 
 The winged life that pausing seems a gem 
 Cunningly carven on the dark green leaf; 
 The face of man with hues supremely blent 
 To difference fine as of a voice 'mid sounds : — 
 Each lovely light dipped thing seems to emerge 
 Flushed gravely from baptismal sacrament. 
 All beauteous existence rests, yet wakes. 
 Lies still, yet conscious, with clear open eyes 
 And gentle breath and mild suffused joy. 
 'Tis day, but day that falls like melody 
 Repeated on a string with graver tones — 
 Tones such as linger in a long farewell. 
 
 The Pla9a widens in the passive air — 
 The Pla9a Santiago, where the church, 
 
 P 
 
 I 
 
(. . 
 
 THE SPANISH GYPSY. 
 
 A mosque converted, shows an eyeless face 
 Red-checkered, faded, doing penance still — 
 Bearing with Moorish arch the imaged saint, 
 Apostle, baron, Spanish warrior, 
 Whose charger's hoofs trample the turbaned 
 
 dead. 
 Whose banner with the Cross, the bloody sword 
 Flashes athwart the Moslem's glazing eye, 
 And mocks his trust in Allah who forsakes. 
 Up to the church the Pla9a gently slopes. 
 In shape most like the pious palmer's shell. 
 Girdled with low white houses ; high above 
 Tower the strong fortress and sharp-angled wall 
 And well-flanked castle gate. From o'er the 
 
 roofs. 
 And from the shadowed patios cool, there 
 
 spreads 
 The breath of flowers and aromatic leaves 
 Soothing the sense with bliss indefinite — 
 A baseless hope, a glad presentiment, 
 That curves the lip more softly, fills the eye 
 With more indulgent beam. And so it soothes, 
 So gently sways the pulses of the crowd 
 Who make a zone about the central spot 
 Chosen by Roldan for his theatre. 
 Maids with arched eyebrows, delicate-pencilled, 
 
 dark, 
 Fold their round arms below the kerchief full ; 
 Men shoulder little girls ; and grandames gray, 
 But muscular still, hold babies on their arms ; 
 While mothers keep the stout-legged boys in 
 
 front 
 Against their skirts, as old Greek pictures show 
 The Glorious Mother with the Boy divine. 
 Youths keep the places for themselves, and roll 
 Large lazy eyes, and call recumbent dogs 
 (For reasons deep below the reach of thought). 
 
 - ' ^sa^^ 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 43 
 
 The old men cough with purpose, wish to hint 
 
 Wisdom within that cheapens jugglery, 
 
 Maintain a neutral air, and knit their brows 
 
 In observation. None are quarrelsome, 
 
 Noisy, or very merry ; for their blood 
 
 Moves slowly into fervor — they rejoice 
 
 Like those dark birds that sweep with heavy 
 
 wing, 
 Cheering their mates with melancholy cries. 
 
 But now the gilded balls begin to play 
 In rhythmic numbers, ruled by practice fine 
 Of eye and muscle : all the juggler's form 
 Consents harmonious in swift -gliding change, 
 Easily forward stretched or backward bent 
 With lightest step and movement circular 
 Round a fixed point : 'tis not the old Roldan 
 
 now. 
 The dull, hard, weary, miserable man. 
 The soul all parched to languid appetite 
 And memory of desire : 'tis wondrous force 
 That moves in combination multiform 
 Toward conscious ends : 'tis Roldan glorious, 
 Holding all eyes like any meteor. 
 King of the moment save when Annibal 
 Divides the scene and plays the comic part. 
 Gazing with blinking glances up and down. 
 Dancing and throwing nought and catching it, 
 With mimicry as merry as the tasks 
 Of penance-working shades in Tartarus. 
 
 Pablo stands passive, and a space apart, 
 Holding a viol, waiting for command. 
 Music must not be wasted, but must rise 
 As needed climax ; and the audience 
 Is growing with late comers. Juan now, 
 And the familiar Host, with Blasco broad, 
 
 V? 
 
44 
 
 THE SPANISH GYPSY. 
 
 Find way made gladly to the inmost round 
 Studded with heads. Lorenzo knits the crowd 
 Into one family by showing all 
 Good-will and recognition. Juan casts 
 His large and rapid measuring glance around ; 
 But — with faint quivering, transient as a breath 
 Shaking a flame — his eyes make sudden pause 
 Where by the jutting angle of a street 
 Castle-ward leading, stands a female form, 
 A kerchief pale square- drooping o'er the brow, 
 About her shoulders dim brown serge — in garb 
 Most like a peasant woman from the vale, 
 Who might have lingered after marketing 
 To see the show. What thrill mysterious, 
 Ray-borne from orb to orb of conscious eyes, 
 The swift observing sweep of Juan's glance 
 Arrests an instant, then with prompting fresh 
 Diverts it lastingly ? He turns at once 
 To watch the gilded balls, and nod and smile 
 At little round Peplta, blondest maid 
 In all Bedmar — Pepita, fair yet flecked, 
 Saucy of lip and nose, of hair as red 
 As breasts of robins stepping on the snow - 
 Who stands in front with little tapping feet. 
 And baby-dimpled hands that hide inclosed 
 Those sleeping crickets, the dark castanets. 
 But soon the gilded balls have ceased to play 
 And Annibal is leaping through the hoops, 
 That turn to twelve, meeting him as he flies 
 In the swift circle. Shuddering he leaps. 
 But with each spring flies swift and swifter still 
 To loud and louder shouts, while the great hoops 
 Are changed to smaller. Now the crowd is fired. 
 The motion swift, the living victim urged, 
 The imminent failure and repeated scape 
 Hurry all pulses and intoxicate 
 With subtle wine of passion many-mixt. 
 
 -n^ 
 
 I 
 
1 
 
 TH^ SPANISH GYPSY. 
 
 'Tis all about a monkey leaping- hard 
 
 Till near to gasping ; but it serves as well 
 
 As the great circus or arena dire, 
 
 Where these are lacking. Roldan cautiously 
 
 Slackens the leaps and lays the hoops to rest, 
 
 And Annibal retires with reeling brain 
 
 And backward stagger — pity, he could not smile ! 
 
 Now Roldan spreads his carpet, now he shows 
 
 Strange metamorphoses : the pebble black 
 
 Changes to whitest ^^^ within his hand ; 
 
 A staring rabbit, with retreating ears, 
 
 Is swallowed by the air and vanishes ; 
 
 He tells men's thoughts about the shaken dice, 
 
 Their secret choosings ; makes the white beans 
 
 pass 
 With causeless act sublime from cup to cup 
 Turned empty on the ground — diablerie 
 That pales the girls and puzzles all the boys : 
 These tricks are samples, hinting to the town 
 Roldan's great mastery. He tumbles next, 
 And Annibal is called to mock each feat 
 With arduous comicality and save 
 By rule romantic the great public mind 
 (And Roldan's body) from too serious strain. 
 
 But with the tumbling, lest the feats should fail, 
 And so need veiling in a haze of sound, 
 Pablo awakes the viol and the bow — 
 The masculine bow that draws the woman's 
 
 heart 
 From out the strings and makes them cry, yearn 
 
 plead. 
 Tremble, exult, with mystic union 
 Of joy acute and tender suffering. 
 To play the viol and discreetly mix 
 Alternate with the bow's keen biting tones 
 
 ^ 
 
 i 
 
THE SPANISH GYPSY. 
 
 The throb responsive to the finger's touch, 
 Was rarest skill that Pablo half had caught 
 From an old blind and wandering Catalan ; 
 The other half was rather heritage 
 From treasure stored by generations past 
 In winding chambers of receptive sense. 
 
 The winged sounds exalt the thick-pressed 
 
 crowd 
 With a new pulse in common, blending all 
 The gazing life into one larger soul 
 With dimly widened consciousness : as waves 
 In heightened movement tell of waves far off. 
 And the light changes ; westward stationed 
 
 clouds. 
 The sun's ranged outposts, luminous message 
 
 spread. 
 Rousing quiescent things to doff their shade 
 And show themselves as added audience. 
 Now Pablo, letting fall the eager bow. 
 Solicits softer murmurs from the strings. 
 And now above them pours a wondrous voice 
 (Such as Greek reapers heard in Sicily) 
 With wounding rapture in it, like love's arrows ; 
 And clear upon clear air as colored gems 
 Dropped in a crystal cup of water pure, 
 Fall words of sadness, simple, lyrical : 
 Spring comes hither^ 
 
 Buds the rose ; 
 Roses wither, 
 
 Sjveet spring goes. 
 OJala, would she carry met 
 Summer soars — 
 
 Wide-winged day 
 White light pours, 
 Flies away. 
 Ojala^ would he carry me I 
 
 ^ 
 
 I 
 
T 
 
48 
 
 THE SPANISH GYPSY, 
 
 To soft andante strains pitched plaintively. 
 Vibrations sympathetic stir all limbs : 
 Old men live backward in their dancing prime, 
 And move in memory ; small legs and arms 
 With pleasant agitation purposeless 
 Go up and down like pretty fruits in gales. 
 All long in common for the expressive act 
 Yet wait for it ; as in the olden time 
 Men waited for the bard to tell their thought. 
 " The dance ! the dance ! " is shouted all around. 
 Now Pablo lifts the bow, Pepita now, 
 Ready as bird that sees the sprinkled corn. 
 When Juan nods and smiles, puts forth her foot 
 And Hfts her arm to wake the castanets. 
 Juan advances, too, from out the ring 
 And bends to quit his lute ; for now the scene 
 Is empty ; Roldan weary, gathers pence, 
 Followed by Annibal with purse and stick. 
 The carpet lies a colored isle untrod, 
 Inviting feet : " The dance, the dance," re- 
 sounds. 
 The bow entreats with slow melodic strain, 
 And all the air with expectation yearns. 
 
 Sudden, with gliding motion like a flame 
 
 That through dim vapor makes a path of glory, 
 
 A figure lithe, all white and saffron-robed. 
 
 Flashed right across the circle, and now stood 
 
 With ripened arms uplift and regal head. 
 
 Like some tall flower- whose dark and intense 
 
 heart 
 Lies half within a tulip-tinted cup. 
 
 Juan stood fixed and pale ; Pepita stepped 
 Backward within the ring : the voices fell 
 From shouts insistent to more passive tones 
 Half meaning welcome, half astonishment. 
 " Lady Fedalma ! — will she dance for us? " 
 
 _^_.-__,._._-__j.t^|| 
 
 \-3^ - -^^ 
 
 ■ 
 
THE SPANISH GYPSY. 
 
 But she, sole swayed by impulse passionate, 
 
 Feeling all life was music and all eyes 
 
 The warming quickening light that music makes. 
 
 Moved as, in dance religious, Miriam, 
 
 When on the Red Sea shore she raised her 
 
 voice 
 And led the chorus of the people's joy ; 
 Or as the Trojan maids that reverent sang 
 Watching the sorrow-crowned Hecuba : 
 Moved in slow curves voluminous, gradual. 
 Feeling and action flowing into one. 
 In Eden's natural taintless marriage-bond ; 
 Ardently modest, sensuously pure. 
 With young delight that wonders at itself 
 And throbs as innocent as opening flowers. 
 Knowing not comment— soilless, beautiful. 
 The spirit in her gravely glowing face 
 With sweet community informs her limbs. 
 Filling their fine gradation with the breath 
 Of virgin majesty ; as full vo welled words 
 Are new impregnate with the master's thought. 
 Even the chance-strayed delicate tendrils black. 
 That backward 'scape from out her wreathing 
 
 hair — 
 Even the pliant folds that cling transverse 
 When with obliquely soaring bend altern 
 She seems a goddess quitting earth again — 
 Gather expression — a soft undertone 
 And resonance exquisite from the grand chord 
 Of her harmoniously bodied soul. 
 
 At first a reverential silence guards 
 The eager senses of the gazing crowd : 
 They hold their breath, and live by seeing her. 
 But soon the admiring tension finds relief — 
 Sighs of delight, applausive murmurs low, 
 And stirrings gentle as of ear^d corn 
 
 ?S^ 
 
 ^. 
 
THE SPANISH GYPSY. 
 
 Or seed -bent grasses, when the ocean's breath 
 Spreads landward. Even Juan is impelled 
 By the swift-travelling movement : fear 
 
 doubt 
 
 Give way before the hurrying energy ; 
 He takes his lute and strikes in fellowship, 
 Filling more full the rill of melody 
 Raised ever and anon to clearest flood 
 By Pablo's voice, that dies away too soon, 
 Like the sweet blackbird's fragmentary chant 
 Yet wakes again, with varying rise and fall, 
 In songs that seem emergent memories 
 Prompting brief utterance — little cancions 
 And villancicos, Andalusia-born. 
 
 Pablo (sings). 
 It 7vas in the prime 
 Of the sweet Spring-time. 
 In the linnet's throat 
 Trembled the love -note, 
 And the love-stirred air 
 Thrilled the blossoms thej'e. 
 little shadows danced 
 
 Each a tiny elf, 
 Happy in large light 
 And the thinnest self. 
 
 and 
 
THE SPANISH GYPSY. 
 
 51 
 
 And still the light is changing : high above 
 Float soft pink clouds ; others with deeper flush 
 Stretch like flamingoes bending toward the 
 
 south. 
 Comes a more solemn brilliance o'er the sky, 
 A meaning more intense upon the air — 
 The inspiration of the dying day. 
 And Juan now, when Pablo's notes subside. 
 Soothes the regretful ear, and breaks the pause 
 With masculine voice in deep antiphony. 
 
 Juan {sings). 
 
 Day is dying I Float, O song, 
 
 Down the westward river. 
 Requiem chanting to the Day — 
 
 Day^ the mighty Giver. 
 
 Pierced by shafts of Time he bleeds. 
 
 Melted rubies sending 
 Through the river and the sky. 
 
 Earth and heaven blending ; 
 
 All the long-drawn earthy hanks 
 
 Up to cloud-land lifting : 
 Slow between them drifts the swan^ 
 
 ' Twixt two heavens drifting. 
 
 Wings half open, like a flow r 
 
 Inly deeper flushing. 
 Neck and breast as virgin s pure — 
 Virgin proudly blushing. 
 
 Day is dying ! Float, O swan, 
 
 Down the ruby river ; 
 Follow, song, in requiem 
 
 To the mighty Giver. 
 
52 
 
 THE SPANISH GYPSY. 
 
 The exquisite hour, the ardor of the crowd, 
 
 The strains more plenteous, and the gathering 
 
 might 
 Of action passionate where no effort is, 
 But self's poor gates open to rushing power 
 That blends the inward ebb and outward vast — 
 All gathering influences culminate 
 And urge Fedalma. Earth and heaven seem one, 
 Life a glad trembling on the outer edge 
 Of unknown rapture. Swifter now she moves, 
 Filling the measure with a double beat 
 And widening circle ; now she seems to glow 
 With more declared presence, glorified. 
 Circling, she lightly bends and lifts on high 
 The multitudinous- sounding tambourine, 
 And makes it ring and boom, then lifts it higher, 
 Stretching her left arm beauteous ; now the 
 
 crowd 
 Exultant shouts, forgetting poverty 
 In the rich moment of possessing her. 
 
 But sudden, at one point, the exultant throng 
 Is pushed and hustled, and then thrust apart : 
 Something approaches — something cuts the ring 
 Of jubilant idlers — startling as a streak 
 From alien wounds across the booming flesh 
 Of careless sporting childhood. 'Tis the band 
 Of G\'psy prisoners. Soldiers lead the van 
 And make sparse flanking guard, aloof surveyed 
 By gallant Lopez, stringent in command. 
 The Gypsies chained in couples, all save one, 
 Walk in dark file with grand bare legs and arms 
 And savage melancholy in their eyes 
 That star-like gleam from out black clouds of hair ; 
 Now they are full in sight, and now they stretch 
 Right to the centre of the open space, 
 ^edalma now. with gentle wheeling sweep 
 
 i^^> 
 
Circling, sw lightly In-nds and lifts on kigh 
 
 The muititudiKous-sounding tambourine.'^ — Page 52. 
 
/ 
 
 THE SPANISH GYPSY. 
 
 Returning, like the loveliest of the Hours 
 Strayed from her sisters, truant lingering, 
 Faces again the centre, swings again 
 The uplifted tambourine. . . . 
 
 When lo ! with sound 
 Stupendous throbbing, solemn as a voice 
 Sent by the invisible choir of all the dead. 
 Tolls the great passing bell that calls to prayer 
 For souls departed : at the mighty beat 
 It seems the light sinks awe-struck — 'tis the note 
 Of the sun's burial ; speech and action pause ; 
 Religious silence and the holy sign 
 Of everlasting memories (the sign 
 Of death that turned to more diffusive life) 
 Pass o'er the Plaga. Little children gaze 
 With lips apart, and feel the unknown god ; 
 And the most men and women pray. Not all. 
 The soldiers pray ; the Gypsies stand unmoved 
 As pagan statues with proud level gaze. 
 But he who wears a solitary chain 
 Heading the file, has turned to face Fedalma. 
 She motionless, with arm uplifted, guards 
 The tambourine aloft (lest, sudden-lowered. 
 Its trivial jingle mar the duteous pause). 
 Reveres the general prayer, but prays not, 
 
 stands 
 With level glance meeting that Gypsy's eyes, 
 That seem to her the sadness of the world 
 Rebuking her, the great bell's hidden thought 
 Now first unveiled — the sorrows unredeemed 
 Of races outcast, scorned, and wandering. 
 Why does he look at her ? why she at him ? 
 As if the meeting light between their eyes 
 Made permanent union ? His deep-knit brow. 
 Inflated nostril, scornful lip compressed. 
 Seem a dark hieroglyph of coming fate 
 Written before her. Father Isidor 
 
 W 
 
54 
 
 THE SPANISH GYPSY. 
 
 Had terrible eyes and was her enemy ; 
 She knew it and defied him ; all her soul 
 Rounded and hardened in its separateness 
 When they encountered. But this prisoner — 
 This Gypsy, passing, gazing casually — 
 Was he her enemy too ? She stood all quelled, 
 The impetuous joy that hurried in her veins 
 Seemed backward rushing turned to chillest awe. 
 Uneasy wonder, and a vague self-doubt. 
 The minute brief stretched measureless, dream- 
 filled 
 By a dilated new-fraught consciousness. 
 
 Now it was gone ; the pious murmur ceased, 
 The Gypsies all moved onward at command 
 And careless noises blent confusedly. 
 But the ring closed again, and many ears 
 Waited for Pablo's music, many eyes 
 Turned toward the carpet : it lay bare and dim, 
 Twilight was there — the bright Fedalma gone. 
 
 On a table a 
 
 A handsome room in the Castle, 
 rich jewel-casket. 
 
 Silva had doffed his mail and with it all 
 
 The heavier harness of his warlike cares. 
 
 He had not seen Fedalma ; miser-like 
 
 He hoarded through the hour a costlier joy 
 
 By longing oft-repressed. Now it was earned ; 
 
 And with observance wonted he would send 
 
 To ask admission. Spanish gentlemen 
 
 Who wooed fair dames of noble ancestry 
 
 Did homage with rich tunics and slashed sleeves 
 
 And outward-surging linen's costly snow ; 
 
 With broidered scarf transverse, and rosary 
 
 Handsomely wrought to fit high-blooded prayer ; 
 
 So hinting in how deep respect they held 
 
 ?S> 
 
THE SPANISH GYPSY. 
 
 55 
 
 That self they threw before their lady's feet. 
 
 And Silva — that Fedalma's rate should stand 
 
 No jot below the highest, that her love 
 
 Might seem to all the royal gift it was — 
 
 Turned every trifle in his mien and garb 
 
 To scrupulous language, uttering to the world 
 
 That since she loved him he went carefully, 
 
 Bearing a thing so precious in his hand. 
 
 A man of high-wrought strain, fastidious 
 
 In his acceptance, dreading all delight 
 
 That speedy dies and turns to carrion : 
 
 His senses much exacting, deep instilled 
 
 With keen imagination's airy needs ; — 
 
 Like strong-limbed monsters studded o'er with 
 
 eyes. 
 Their hunger checked by overwhelming vision, 
 Or that fierce Hon in symbolic dream 
 Snatched from the ground by wings and new- 
 endowed 
 With a man's thought-propelled relenting heart. 
 Silva was both the lion and the man ; 
 First hesitating shrank, then fiercely sprang. 
 Or having sprung, turned pallid at his deed 
 And loosed the prize, paying his blood for 
 
 nought. 
 A nature half -transformed, with qualities 
 That oft bewrayed each other, elements 
 Not blent but struggling, breeding strange effects, 
 Passing the reckoning of his friends or foes. 
 Haughty and generous, grave and passionate ; 
 With tidal moments of devoutest awe, 
 Sinking anon to farthest ebb of doubt ; 
 Deliberating ever, till the sting 
 Of a recurrent ardor made him rush 
 Right against reasons that himself had drilled 
 And marshalled painfully. A spirit framed 
 Too proudly special for obedience, 
 
 T 
 
 '*&*■■ 
 
 
56 
 
 THE SPANISH GYPSt'. 
 
 Too subtly pondering for mastery : 
 
 Born of a goddess with a mortal sire, 
 
 Heir of flesh-fettered, weak divinity, 
 
 Doom-gifted with long resonant consciousness 
 
 And perilous heightening of the sentient soul. 
 
 But look less curiously : life itself 
 
 May not express us all, may leave the worst 
 
 And the best too, like tunes in mechanism 
 
 Never awaked. In various catalogues 
 
 Objects stand variously. Silva stands 
 
 As a young Spaniard, handsome, noble, brave, 
 
 With titles many, high in pedigree ; 
 
 Or, as a nature quiveringly poised 
 
 In reach of storms, whose qualities may turn 
 
 To murdered virtues that still walk as ghosts 
 
 Within the shuddering soul and shriek remorse ; 
 
 Or, as a lover .... In the screening time 
 
 Of purple blossoms, when the petals crowd 
 
 And softly crush like cherub cheeks in heaven. 
 
 Who thinks of greenly withered fruit and 
 
 worms ? 
 O the warm southern spring is beauteous ! 
 And in love's spring all good seems possible : 
 No threats, all promise, brooklets ripple full 
 And bathe the rushes, vicious crawling things 
 Are pretty eggs, the sun shines graciously 
 And parches not, the silent rain beats warm 
 As childhood's kisses, days are young and grow, 
 And earth seems in its sweet beginning time 
 Fresh made for two who live in Paradise. 
 Silva is in love's spring, its freshness breathed 
 Within his soul along the dusty ways 
 While marching homeward ; 'tis around him now 
 As in a garden fenced in for delight, — 
 And he may seek delight. Smiling he lifts 
 A whistle from his belt, but lets it fall 
 Ere it has reached his lips, jarred by the sound 
 
 
THE SPANISH GYPSY. 
 
 57 
 
 Of tishers' knocking, and a voice that craves 
 Admission for the Prior of San Domingo. 
 
 Prior {entering). 
 You look perturbed, my son. I thrust myself 
 Between you and some beckoning intent 
 That wears a face more smiling, than my own. 
 
 Don Silva. 
 Father, enough that you are here. I wait, 
 As always, your commands — nay, should have 
 
 sought 
 An early audience. 
 
 Prior. 
 
 To give, I trust, 
 Good reasons for your change of policy ? 
 
 Don Silva. 
 Strong reasons, father. 
 
 Prior. 
 
 Ay, but are they good ? 
 I have known reasons strong, but strongly evil. 
 
 Don Silva. 
 *Tis possible. I but deliver mine 
 To your strict judgment. Late despatches sent 
 With urgence by the Count of Bavien, 
 No hint on my part prompting, with besides 
 The testified concurrence of the king 
 And our Grand Master, have made peremptory 
 The course which else had been but rational. 
 Without the forces furnished by allies 
 The siege of Guadix would be madness. More, 
 El Zagal has his eyes upon Bedmdr : 
 Let him attempt it : in three weeks from hence 
 The Master and the Lord of Aguilar 
 Will bring their forces. We shall catch the Moors 
 
 \ 
 
 Ife. 
 
 ^ 
 
And they sound well. 
 
 adds 
 A pregnant supplement — in substance this : 
 That inclination snatches arguments 
 To make indulgence seem judicious choice ; 
 That you, commanding in God's Holy War, 
 Lift prayers to Satan to retard the fight 
 And give you time for feasting — wait a siege, 
 Call daring enterprise impossible, 
 Because you'd marry ! You, a Spanish duke, 
 Christ's general, would marry like a clown, 
 Who, selling fodder dearer for the war, 
 Is all the merrier ; nay, like the brutes. 
 Who know no awe to check their appetite. 
 Coupling 'mid heaps of slain, while still in front 
 The battle rages. 
 
 Don Silva. 
 
 Rumor on your lips 
 Is eloquent, father. 
 
 Prior. 
 
 Is she true ? 
 
 Don Silva. 
 
 Perhaps. 
 I seek to justify my public acts 
 And not my private joy. Before the world 
 Enough if I am faithful in command, 
 Betray not by my deeds, swerve from no task 
 My knightly vows constrain me to : herein 
 I ask all men to test me. 
 
 Prior. 
 
 Knightly vows ? 
 Is it by their constraint that you must marry ? 
 
 
 W 
 
I 
 
 
 THE SPANISH GYPSY. 
 
 Don Silva. 
 Marriage is not a breach of them. I use 
 A sanctioned liberty .... your pardon, father, 
 I need not teach you what the Church decrees. 
 But facts may weaken texts, and so dry up 
 The fount of eloquence. The Church relaxed 
 Our Order's rule before I took the vows. 
 
 Prior. 
 Ignoble liberty ! you snatch your rule 
 From what God tolerates, not what he loves ? — 
 Inquire what lowest offering may suffice, 
 Cheapen it meanly to an obolus. 
 Buy, and then count the coin left in your purse 
 For your debauch ? — Measure obedience 
 By scantest powers of brethren whose frail flesh 
 Our Holy Church indulges ? — Ask great Law, 
 The rightful Sovereign of the human soul, 
 For what it pardons, not what it commands ? 
 
 fallen knighthood, penitent of high vows, 
 Asking a charter to degrade itself ! 
 
 Such poor apology of rules relaxed 
 Blunts not suspicion of that doubleness 
 Your enemies tax you with. 
 
 Don Silva. 
 
 Oh, for the rest, 
 Conscience is harder than our enemies. 
 Knows more, accuses with more nicety. 
 Nor needs to question Rumor if we fall 
 Below the perfect model of our thought. 
 
 1 fear no outward arbiter. — You smile ? 
 
 Prior. 
 Ay, at the contrast 'twixt your portraiture 
 And the true image of your conscience, shown 
 As now I see it in your acts. I see 
 A drunken sentinel who gives alarm 
 
 iWirt^rTrrriip 
 
 gp 
 
THE SPANISH GYPSY. 
 
 At his own shadow, but when scalers snatch 
 His weapon from his hand smiles idiot-like 
 At games he's dreaming of. 
 
 The 
 
 husk is rough 
 doubtless. 
 
 Prior. 
 
 Don Silva. 
 
 A parable ! 
 holds something bitter, 
 
 Oh, the husk gapes with meaning over-ripe. 
 You boast a conscience that controls your deeds, 
 Watches your knightly armor, guards your rank 
 From stain of treachery — you, helpless slave. 
 Whose will lies nerveless in the clutch of lust — 
 Of blind mad passion — passion itself most help- 
 less. 
 Storm-driven, like the monsters of the sea. 
 O famous conscience ! 
 
 Don Silva. 
 
 Pause there ! Leave unsaid 
 Aught that will match that text. More were too 
 
 much, 
 Even from holy lips. I own no love 
 But such as guards my honor, since it guards 
 Hers whom I love I I suffer no foul words 
 To stain the gift I lay before her feet ; 
 And, being hers, my honor is more safe. 
 
 Prior. 
 Versemakers' talk I fit for a world of rhymes, 
 Where facts are feigned to tickle idle ears, 
 Where good and evil play at tournament 
 And end in amity — a world of lies — 
 A carnival of words where every year 
 Stale falsehoods serve fresh men. Your honor 
 safe? 
 
-^ /-. 
 
 THE SPANISH GYPSY. 
 
 6i 
 
 What honor has a man with double bonds ? 
 Honor is shifting as the shadows are 
 To souls that turn their passions into laws. 
 A Christian knight who weds an infidel .... 
 
 Don Silva {fiercely). 
 An infidel I 
 
 Prior. 
 May one day spurn the Cross, 
 And call that honor ! — one day find his sword 
 Stained with his brother's blood, and call that 
 
 honor ! 
 Apostates' honor ? — harlots' chastity ! 
 Renegades' faithfulness ? — Iscariot's ! 
 
 Don Silva. 
 Strong words and burning ; but they scorch not 
 
 me. 
 Fedalma is a daughter of the Church — 
 Has been baptized and nurtured in the faith. 
 
 Prior. 
 Ay, as a thousand Jewesses, who yet 
 Are brides of Satan in a robe of flames. 
 
 Don Silva, 
 Fedalma is no Jewess, bears no marks 
 That tell of Hebrew blood. 
 
 Prior. 
 
 She bears the marks 
 Of races unbaptized, that never bowed 
 Before the holy signs, were never moved 
 By stirrings of the sacramental gifts. 
 
 Don Silva {scornfully). 
 Holy accusers practise palmistry. 
 And, other witness lacking, read the skin. 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 Prior. 
 
 I read a record deeper than the skin. 
 What ! Shall the trick of nostrils and of lips 
 Descend through generations, and the soul 
 That moves within our frame like God in worlds — 
 Convulsing, urging, melting, withering — 
 Imprint no record, leave no documents. 
 Of her great history ? Shall men bequeath 
 The fancies of their palate to their sons, 
 And shall the shudder of restraining awe, 
 The slow-wept tears of contrite memory. 
 Faith's prayerful labor, and the food divine 
 Of fasts ecstatic — shall these pass away 
 Like wind upon the waters, tracklessly ? 
 Shall the mere curl of eyelashes remain, 
 And god-enshrining symbols leave no trace 
 Of tremors reverent ? — That maiden's blood 
 Is as unchristian as the leopard's. 
 
 Don Silva. 
 
 Say, 
 Unchristian as the Blessed Virgin's blood 
 Before the angel spoke the word, " All hail !" 
 
 Prior {smiling bitterly^. 
 Said I not truly ? See, your passion weaves 
 Already blasphemies ! 
 
 Don Silva. 
 
 'Tis you provoke them. 
 Prior. 
 I strive, as still the Holy Spirit strives. 
 To move the will perverse. But, failing this, 
 God commands other means to save our blood. 
 To save Castilian glory — nay, to save 
 The name of Christ from blot of traitorous 
 deeds. 
 
 -f? 
 
1 
 
 traitorous 
 cowl, 
 Give an ignoble license to your tongue. 
 As for your threats, fulfil them at your peril. 
 'Tis you, not I, will gibbet our great name 
 To rot in infamy. If I am strong 
 In patience now, trust me, I can be strong 
 Then in defiance. 
 
 Prior. 
 
 Miserable man ! 
 Your strength will turn to anguish, like the 
 
 strength 
 Of fallen angels. Can you change your blood ? 
 You are a Christian, with the Christian awe 
 In every vein. A Spanish noble, born 
 To serve your people and your people's faith. 
 Strong, are you ? Turn your back upon the 
 
 Cross — 
 Its shadow is before you. Leave your place : 
 Quit the great ranks of knighthood : you will walk 
 Forever with a tortured double self, 
 A self that will be hungry while you feast, 
 Will blush with shame while you are glorified, 
 Will feel the ache and chill of desolation. 
 Even in the very bosom of your love. 
 Mate yourself with this woman, fit for what ? 
 To make the sport of Moorish palaces, 
 A lewd Herodias .... 
 
 Don Silva. 
 
 Stop ! no other man, 
 Priest though he were, had had his throat left 
 
 free 
 For passage of those words. I would have 
 clutched 
 
THE SPANISH GYPSY. 
 
 His serpent's neck, and flung him out to hell 1 
 
 A monk must needs defile the name of love : 
 
 He knows it but as tempting devils paint it. 
 
 You think to scare my love from its resolve 
 
 With arbitrary consequences, strained 
 
 By rancorous effort from the thinnest motes 
 
 Of possibility ? — cite hideous lists 
 
 Of sins irrelevant, to frighten me 
 
 With bugbears' names, as women fright a child ? 
 
 Poor pallid wisdom, taught by inference 
 
 From blood-drained life, where phantom terrors 
 
 rule, 
 And all achievement is to leave undone ! 
 Paint the day dark, make sunshine cold to me, 
 Abolish the earth's fairness, prove it all 
 A fiction of my eyes — then, after that, 
 Profane Fedalma. 
 
 Prior. 
 
 O there is no need : 
 She has profaned herself. Go, raving man. 
 And see her dancing now. Go, see your bride 
 Flaunting her beauties grossly in the gaze 
 Of vulgar idlers — eking out the show 
 Made in the Placa by a mountebank. 
 I hinder you no farther. 
 
 Don Silva. 
 
 It is false ! 
 
 Prior. 
 Go, prove it false, then. 
 
 [Father Isidor 
 Drew on his cowl and turned away. The face 
 That flashed anathemas, in swift eclipse 
 Seemed Silva's vanished confidence. In haste 
 He rushed unsignalled through the corridor 
 
 
 ^ i^^jni.-^- __--^ 
 
 ? 
 
^^ 
 
 THE SPANISH GYPSY. 
 
 65 
 
 r; 
 
 / -,. 
 
 To where the Duchess once, Fedalma now, 
 Had residence retired from din of arms — 
 Knocked, opened, found all empty — said 
 With muffled voice, " Fedalma !" — called more 
 
 loud, 
 More oft on Inez, the old trusted nurse — 
 Then searched the terrace-garden, calling still. 
 But heard no answering sound, and saw no face 
 Save painted faces staring all unmoved 
 By agitated tones. He hurried back, 
 Giving half-conscious orders as he went 
 To page and usher, that they straight should seek 
 Lady Fedalma ; then with stinging shame 
 Wished himself silent ; reached again the room 
 Where still the Father's menace seemed to hang 
 Thickening the air ; snatched cloak and plumed 
 
 hat. 
 And grasped, not knowing why, his poniard's 
 
 hilt ; 
 Then checked himself and said : — ] 
 
 If he spoke truth ! 
 To know were wound enough — to see the truth 
 Were fire upon the wound. It must be false ! 
 His hatred saw amiss, or snatched mistake 
 In other men's report. I am a fool ! 
 But where can she be gone ? gone secretly ? 
 And in my absence? Oh, she meant no wrong ! 
 I am a fool I — But where can she be gone ? 
 With only liiez ? Oh, she meant no wrong ! 
 I swear she never meant it. There's no wrong 
 But she would make it momentary right 
 By innocence in doing it. . . . 
 
 And yet, 
 What is our certainty ? Why, knowing all 
 That is not secret. Mighty confidence ! 
 One pulse of Time makes the base hollow — sends 
 
 I? 
 
 ^. 
 
66 
 
 THE SPANISH GYPSY. 
 
 7 
 
 The towering certainty we built so high 
 Toppling in fragments meaningless. What is — 
 What will be — must be — pooh ! they wait the key 
 Of that which is not yet ; all other keys 
 Are made of our conjectures, take their sense 
 From humors fooled by hope, or by despair. 
 Know what is good ? O God, we know not yet 
 If bliss itself is not young misery 
 With fangs swift growing. . . . 
 
 But some outward harm 
 May even now be hurting, grieving her. 
 Oh ! I must search — face shame — if shame be 
 
 there. 
 Here, Perez ! hasten to Don Alvar — tell him 
 Lady Fedalma must be sought — is lost — 
 Has met, I fear, some mischance. He must send 
 Toward divers points. I go myself to seek 
 First in the town. . . . 
 
 [As Perez oped the door, 
 Then moved aside for passage of the Duke, 
 Fedalma entered, cast away the cloud 
 Of serge and linen, and outbeaming bright, 
 Advanced a pace toward Silva — but then paused, 
 For he had started and retreated ; she. 
 Quick and responsive as the subtle air 
 To change in him, divined that she must wait 
 Until they were alone : they stood and looked. 
 Within the Duke was. struggling confluence 
 Of feelings manifold — pride, anger, dread, 
 Meeting in stormy rush with sense secure 
 That she was present, with the new-stilled thirst 
 Of gazing love, with trust inevitable 
 As in beneficent virtues of the light 
 And all earth's sweetness, that Fedalma's soul 
 Was free from blemishing purpose. Yet proud 
 wrath 
 
 # 
 
jH^ 
 
 THE SPANISH GYPSY. 
 
 67 
 
 Leaped in dark flood above the purer stream 
 That strove to drown it : Anger seeks its prey — 
 Something to tear with sharp-edged tooth and 
 
 claw, 
 Likes not to go off hungry, leaving Love 
 To feast on milk and honeycomb at will. 
 Silva's heart said, he must be happy soon, 
 She being there ; but to be happy — first 
 He must be angry, having cause. Yet love 
 Shot like a stifled cry of tenderness 
 All through the harshness he would fain have 
 
 given 
 To the dear word,] 
 
 Don Silva. 
 Fedalma ! 
 
 Fedalma. 
 
 O my lord ! 
 You are come back, and I was wandering ! 
 
 Don Silva {coldly but with suppressed agita- 
 tion). 
 You meant I should be ignorant. 
 
 Fedalma. 
 
 Oh no, 
 I should have told you after — not before, 
 Lest you should hinder me. 
 
 Don Silva. 
 
 Then my known wish 
 Can make no hindrance ? 
 
 {archly). 
 
 That depends 
 On what the wish may be. You wished me once 
 Not to uncage the birds. I meant to obey : 
 But in a moment something — something stronger. 
 
 ^ 
 
r 
 
 THE SPANISH GYPSY. 
 
 Lest any mote should mar your purity, 
 Have flung yourself out on the dusty way 
 For common eyes to see your beauty soiled ! 
 You own it true— you danced upon the Plaga ? 
 
 Fed ALMA {proudly). 
 
 Yes, it is true. I was not wrong to dance. 
 The air was filled with music, with a song 
 That seemed the voice of the sweet eventide — 
 The glowing light entering through eye and ear — 
 That seemed our love — mine, yours — they are 
 
 but one — 
 Trembling through all my limbs, as fervent words 
 Tremble within my soul and must be spoken. 
 And all the people felt a common joy 
 And shouted for the dance. A brightness soft 
 As of the angels moving down to see 
 Illumined the broad space. The joy, the life 
 Around, within me, were one heaven : I longed 
 To blend them visibly : 1 longed to dance 
 Before the people — be as mounting flame 
 To all that burned within them ! Nay, I danced ; 
 There was no longing ; I but did the deed 
 Being moved to do it. 
 
 {As Fedalma speaks, she and Don Silva are 
 gradually draxun nearer to each other.) 
 
 Oh ! I seemed new-waked 
 To life in unison with a multitude — 
 Feeling my soul upborne by all their souls. 
 Floating within their gladness ! Soon I lost 
 All sense of separateness : Fedalma died 
 As a star dies, and melts into the light. 
 I was not, but joy was. and love and triumph. 
 Nay, my dear lord, I never could do aught 
 But I must feel you present. And once done, 
 
 ^ 
 
70 
 
 THE SPANISH GYPSY. 
 
 Why. you must love it better than your wish. 
 I pray you, say so — say, it was not wrong ! 
 
 ( While Fed ALMA has been makuig this last ap- 
 peal, they have gradually come close together, 
 aiid at last embrace. ) 
 
 \ 
 
 
 
 Don Silva {holding her hands). 
 Dangerous rebel ! if the world without 
 Were pure as that within . . . but 'tis a book 
 Wherein you only read the poesy 
 And miss all wicked meanings. Hence the need 
 For trust — obedience — call it what you will — 
 Toward him whose life will be your guard— 
 
 toward me 
 Who now am soon to be your husband. 
 
 Fedalma. 
 
 Yes 
 
 That very thing that when I am your wife 
 
 I shall be something different, — shall be 
 
 I know not what, a Duchess with new thoughts — 
 
 For nobles never think like common men, 
 
 Nor wives like maidens (Oh, you wot not yet 
 
 How much I note, with all my ignorance) — 
 
 That very thing has made me more resolve 
 
 To have my will before I am your wife. 
 
 How can the Duchess ever satisfy 
 
 Fedalma's unwed eyes ? and so to-day 
 
 I scolded Inez till she cried and went. 
 
 Don Silva. 
 It was a guilty weakness : she knows well 
 That since you pleaded to be left more free 
 From tedious tendance and control of dames 
 Whose rank matched better with your destiny, 
 Her charge — my trust — was weightier. 
 
^^vv::7 
 
 THE SPANISH GYPSY. 
 
 71 
 
 Fed ALMA. 
 
 Nay, my ^ord, 
 You must not blame her, dear old nurse. She 
 
 cried. 
 Why, you would have consented too, at last 
 I said such things ! I was resolved to go. 
 And see the streets, the shops, the men at work. 
 The women, little children — everything. 
 Just as it is when nobody looks on. 
 And I have done it ! We were out four hours. 
 I feel so wise. 
 
 Don Silva. 
 Had you but seen the town. 
 You innocent naughtiness, not shown yourself— 
 Shown yourself dancing — you bewilder me ! — 
 Frustrate my judgment with strange negatives 
 That seem like poverty, and yet are wealth 
 in precious womanliness, beyond the dower 
 Of other women : wealth in virgin gold, 
 Outweighing all their petty currency. 
 You daring modesty ! You shrink no more 
 From gazing men than from the gazing flowers 
 That, dreaming sunshine, open as you pass. 
 
 Fedalma. 
 
 No. I should like the world to look at me 
 
 With eyes of love that make a second day. 
 
 I think your eyes would keep the life in me 
 
 Though I had nought to feed on else. Their blue 
 
 Is better than the heavens' — holds more love 
 
 For me. Fedalma — is a little heaven 
 
 For this one little world that looks up now. 
 
 O precious little world ! you make the heaven 
 As the earth makes the sky. But, dear, all eyes 
 
 moi- 
 
 t 
 
 L- 
 
72 
 
 THE SPANISH GYPSY. 
 
 mrnvf 
 
 Though looking even on you, have not a glance 
 That cherishes .... 
 
 Fedalma. 
 
 Ah no, I meant to tell you — 
 Tell how my dancing ended with a pang. 
 There came a man, one among many more, 
 But he came first, with iron on his limbs. 
 And when the bell tolled, and the people prayed. 
 And I stood pausing — then he looked at me. 
 O Silva, such a man ' I thought he rose 
 From the dark place of long-imprisoned souls, 
 To say that Christ had never come to them. 
 It was a look to shame a seraph's joy. 
 And make him sad in heaven. It found me there — 
 Seemed to have travelled far to find me thc^ 
 And grasp me — claim this festal life of mine 
 As heritage of sorrow, chill my blood 
 With the cold iron of some unknown bonds. 
 The gladness hurrying full within my veins 
 Was sudden frozen, and I danced no more. 
 But seeing you let loose the stream of joy, 
 Mingling the present with the sweetest past. 
 Yet, Silva, still I see him. Who is he? 
 Who are those prisoners with him ? Are they 
 Moors ? 
 
 Don Silva. 
 No. they are Gypsies, strong and cunning knaves, 
 A double game to us by the Moors' loss . 
 The man you mean — their chief — is an ally 
 The infidel will miss. His look might chase 
 A herd of monks, and make them fly more swift 
 Than from St. Jerome's lion. Such vague fear, 
 Such bird-like tremors when that savage glance 
 Turned full upon you in your height of joy 
 Was natural, was not worth emphasis. 
 Forget it, dear. This hour is worth whole days 
 
 k 
 
n 
 
 When we are sundered. Danger urges us 
 To quick resolve. 
 
 Fedalma. 
 
 What danger ? what resolve ? 
 I never felt chill shadow in my heart 
 Until this sunset. 
 
 Don Silva. 
 
 A dark enmity 
 Plots how to sever us. And our defence 
 Is speedy marriage, secretly achieved. 
 Then publicly declared. Beseech you, dear, 
 Grant me this confidence ; do my will in this, 
 Trusting the reasons why I overset 
 All my own airy building raised so high 
 Of bridal honors, marking when you step 
 From off your maiden throne to come to me 
 And bear the yoke of love. There is great need, 
 I hastened home, carrying this prayer to you 
 Within my heart. The bishop is my friend, 
 Furthers our marriage, holds in enmity — 
 Some whom we love not and who love not us. 
 By this night's moon our priest will be despatched 
 From Jaen. I shall march an escort strong 
 To meet him. Ere a second sun from this 
 Has risen — you consenting — we may wed. 
 
\ 
 
 V \ 
 
 
 THE SPANISH GYPSY. 
 
 . I Viv'^ili-- 
 
 And 
 
 must stain our ancient 
 
 what stains you 
 name ; 
 If any hate you I will take his hate. 
 And wear it as a glove upon my helm ; 
 Nay, God himself will never have the power 
 To strike you solely and leave me unhurt. 
 He having made us one. Now put the seal 
 Of your dear lips on that. 
 
 Fed ALMA. 
 
 A solemn kiss ?-^ 
 Such as I gave you when you came that day 
 From Cordova, when first we said we loved ? 
 When you had left the ladies of the Court 
 For thirst to see me ; and you told me so. 
 And then I seemed to know why I had lived. 
 I never knew before. A kiss like that ? 
 
 yes, you 
 kiss 
 Like any other ? 
 
 Don Silva. 
 face divine ! 
 
 Fedalma. 
 
 When was our 
 
 Nay, I cannot tell 
 What other kisses are. But that one kiss 
 Remains upon my lips. The angels, spirits. 
 Creatures with finer sense, may see it there. 
 And now another kiss that will not die. 
 Saying, To-morrow I shall be your wife 
 
 ( They kiss, and pause a moment, looking 
 earnestly in each other s eyes. Then 
 Fedalma, breaking aivay fi-oju Don 
 Silva, stands at a little distance from 
 him -with a look of roguish delight.) 
 
 Now I am glad I saw the town to-day 
 Befor.', I am a Duchess — glad I gave 
 
ff 
 
 This poor Fedalma all her wish. For once, 
 
 Long years ago, I cried when Inez said, 
 
 " You are no more a little girl ;" I grieved 
 
 To part for ever from that little girl 
 
 And all her happy world so near the ground. 
 
 It must be sad to outlive aught we love. 
 
 So I shall grieve a little for these days 
 
 Of poor unwed Fedalma. Oh, they are sweet. 
 
 And none will come just like them. Perhaps the 
 
 wind 
 Wails so in winter for the summers dead. 
 And all sad sounds are nature's funeral cries 
 For what has been and is not. Are they, 
 
 Silva ? 
 
 {She covies neai-er to hitii again, and lays 
 her hand on his arm, looking up at him 
 with melancholy.) 
 
 Don Silva. 
 Why, dearest, you began in merriment. 
 And end as sadly as a widowed bird. 
 Some touch mysterious has new-tuned your soul 
 To melancholy sequence. You soared high 
 In that wild flight of rapture when you danced, 
 And now you droop. 'Tis arbitrary grief, 
 Surfeit of happiness, that mourns for loss 
 Of unwed love, which does but die like seed 
 For fuller harvest of our tenderness. 
 We in our wedded life shall know no loss. 
 We shall new-date our years. What went before 
 Will be the time of promise, shadows, dreams ; 
 But this, full revelation of great love. 
 For rivers blent take in a broader heaven. 
 And we shall blend our souls. Away with grief ! 
 When this dear head shall wear the double 
 
 ^ 
 

 / '•; 
 
 .;^M^4 
 
 Of wife and Duchess — spiritually crowned 
 With sworn espousal before God and man — 
 Visibly crowned with jewels that bespeak 
 The chosen sharer of my heritage — 
 My love will gather perfectness, as thoughts 
 That nourish us to magnanimity 
 Grow perfect with more perfect utterance, 
 Gathering full-shapen strength. And then these 
 gems, 
 
 (Don Silva d^'aws Fedalma toivard the 
 jewel-casket on the table, and opens it.) 
 
 Helping the utterance of my soul's full choice. 
 Will be the words made richer by just use. 
 And have new meaning in their lustrousness. 
 You know these jewels ; they are precious signs 
 Of long-transmitted honor, heightened still 
 By worthy wearing ; and I give them you — 
 Ask you to take them — place our house's trust 
 In her sure keeping whom my heart has found 
 Worthiest, most beauteous. These rubies — 
 
 see — 
 Were falsely placed if not upon your brow. 
 
 (Fedalma, while Don Silva holds open 
 the casket, heitds over it, looking at the 
 jewels with delight.) 
 
 Fedalma. 
 Ah, I remember them. In childish days 
 I felt as if they were alive and breathed. 
 I used to sit with awe and look at them. 
 And now they will be mine I I'll put them on. 
 Help me, my lord, and you shall see me now 
 Somewhat as I shall look at Court with you. 
 That we may know if I shall bear them well. 
 I have a fear sometimes : I think your love 
 
 gp 
 
" r ii put them on^ 
 Help mey my lord, a?id you shall see me now 
 Somewhat as I shall look at Court with ><<;«."— Tage 76. 
 
m 
 
J^ 
 
 ^^a^ 
 
 THE SPANISH GYPSY. 
 
 11 
 
 Has never paused within your eyes to look, 
 And only passes through them into mine. 
 But when the Court is looking, and the queen, 
 Your eyes will follow theirs. Oh, if you saw 
 That I was other than you wished — 'twere death ! 
 
 Don Silva {taking up a jewel and placing it 
 
 against her ear). 
 Nay, let us try. Take out your ear-ring, sweet. 
 This ruby glows with longing for your ear. 
 
 FedalmA {taking out her ear-rings, and then 
 
 lifting up the ether jewels one by one). 
 Pray, fasten in the rubies. 
 
 (Don Silva begins to put in the ear-ring.) 
 I was right ! 
 These gems have life in them •. their colors 
 
 speak. 
 Say what words fail of. So do many things — 
 The scent of jasmine, and the fountain's plash. 
 The moving shadows on the far-off hills. 
 The slanting moonlight, and our clasping hands. 
 O Silva, there's an ocean round our words 
 That overflows and drowns them. Do you know 
 Sometimes when we sit silent, and the air 
 Breathes gently on us from the orange-trees, 
 It seems that with the whisper of a word 
 Our souls must shrink, get poorer, more apart. 
 Is it not true ? 
 
 Don Silva. 
 
 Yes, dearest, it is true. 
 Speech is but broken light upon the depth 
 Of the unspoken : even your loved words 
 Float in the larger meaning of your voice 
 As something dimmer. 
 
 I 
 
 * 
 
,^ 
 
 THE SPANISH GYPSY. 
 
 {He is still trying in vain to fasten the second 
 ear-ring, ivhile sh£ has stooped again over 
 the casket.) 
 
 Fed ALMA {raising her head). 
 
 Ah I your lordly hands 
 Will never fix that jewel. Let me try. 
 Women's small finger-tips have eyes. 
 
 Don Silva. 
 
 No, no ! 
 
 I like the task, only you must be still. 
 
 {She stands perfectly still, clasping her hands 
 together while he fastens the second ear- 
 ring. Suddenly a clanking noise is heard 
 without. ) 
 
 Fed ALMA {starting with an expression of pain). 
 What is that sound ? — that jarring- cruel sound ? 
 'Tis there — outside. 
 
 {She tries to stai't away toward the windoiu, but 
 Don Silva detains her) 
 
 Don Silva. 
 
 O heed it not, it comes 
 From workmen in the outer gallery. 
 
 Fedalma. 
 It is the sound of fetters ; sound of work 
 Is not so dismal. Hark, they pass along ! 
 I know it is those Gypsy prisoners. 
 I saw them, heard their chains. O horrible, 
 To be in chains ! Why, I with all my bliss 
 Have longed sometimes to fly and be at large ; 
 Have felt imprisoned in my luxury 
 With servants for my jailers. O my lord. 
 Do you not wish the world were diif erent ? 
 
 I 
 
 m 
 
Don Silva. 
 It will be different when this war has ceased. 
 You, wedding me, will make it different. 
 Making one life more perfect. 
 
 Fedalma. 
 
 That is true ! 
 And I shall beg much kindness at your hands 
 For those who are less happy than ourselves. — 
 {^Brightening) Oh I shall rule you I ask for many 
 
 things 
 Before the world, which you will not deny 
 For very pride, lest men should say, " The Duke 
 Holds lightly by his Duchess ; he repents 
 His humble choice." 
 
 {^She breaks away from him and reiu7'ns to the 
 jewels, taking up a Jiecklace, and clasping 
 it on her neck, while he takes a circlet of 
 diamonds and rubies and raises it toward 
 her head as he speaks.) 
 
 Don Silva. 
 
 Doubtless, I shall persist 
 In loving you, to disappoint the world ; 
 Out of pure obstinacy feel myself 
 Happiest of men. Now, take the coronet. 
 
 {He places the circlet on her head.) 
 
 The diamonds want more light. See, from this 
 
 lamp 
 I can set tapers burning. 
 
 Fedalma. 
 
 Tell me, now, 
 When all these cruel wars are at an end, 
 And when we go to Court at C6rdova, 
 
 ^ \ 
 
 £\ 
 
 ■j^ 
 
{He puts the necklace gently out of her hand, 
 then joins both her hands and holds them 
 up between his own.) 
 
 You must not look at jewels any more, 
 But look at me. 
 
 Fed ALMA {looking up at him.) 
 O you dear heaven ! 
 I should see nought if you were gone. 'Tis true 
 My mind is too much given to gauds — to things 
 That fetter thought within this narrow space. 
 That comes of fear. 
 
 Don Silva. 
 What fear ? 
 
 Fed ALMA. 
 
 Fear of myself. 
 For when I walk upon the battlements 
 And see the river travelling toward the plain, 
 The mountains screening all the world beyond, 
 A longing comes that haunts me in my dreams — 
 Dreams where I seem to spring from off the 
 
 walls, 
 And fly far, far away, until at last 
 I find myself alone among the rocks, 
 Remember then that I have left you — try 
 To fly back to you — and my wings are gone ! 
 
 Don Silva. 
 A wicked dream ! If ever I left you. 
 Even in dreams, it was some demon dragged me, 
 And with fierce struggles I awaked myself. 
 
 ^, 
 
THE SPANISH GYPSY. 
 
 Fedalma. 
 It is a hateful dream, and when it comes — 
 I mean, when in my waking hours there comes 
 That longing to be free, I am afraid : 
 I run down to my chamber, plait my hair, 
 Weave colors in it, lay out all my gauds. 
 And in my mind make new ones prettier. 
 You see I have two minds, and both are foolish 
 Sometimes a torrent rushing through my soul 
 Escapes in wild strange wishes ; presently, 
 It dwindles to a little babbling rill 
 And plays among the pebbles and the flowers. 
 Inez will have it I lack broidery, 
 Says nought else gives content to noble maids. 
 But I have never broidered — never will. 
 No, when I am a Duchess and a wife 
 I shall ride forth — may I not ?^by your side. 
 
 Don Silva. 
 Yes, you shall ride upon a palfrey, black 
 To match Bavieca. Not Queen Isabel 
 Will be a sight more gladdening to men's eyes 
 Than my dark queen Fedalma. 
 
 Fedalma. 
 
 Ah, but you. 
 You are my king, and I shall tremble still 
 With some great fear that throbs within my love, 
 Does your love fear ? - 
 
 Don Silva. 
 
 Ah, yes ! all preciousness 
 To mortal hearts is guarded by a fear. 
 All love fears loss, and most that loss supreme, 
 Its own perfection — seeing, feeling change 
 From high to lower, dearer to less dear. 
 Can love be careless ? If we lost our love 
 
THE SPANISH GYPSY. 
 
 What should we find ? — with this sweet Past torn 
 
 off, 
 Our lives deep scarred just where their beauty 
 
 lay? 
 The best we found thenceforth were still a worse : 
 The only better is a Past that lives 
 On through an added Present, stretching- still 
 In hope unchecked by shaming memories 
 To life's last breath. And so I tremble too 
 Before my queen Fedalma. 
 
 Fedalma. 
 
 That is just. 
 *Twere hard of Love to make us women fear 
 And leave you bold. Yet Love is not quite even. 
 For feeble creatures, little birds and fawns, 
 Are shaken more by fear, while large strong 
 
 things 
 Can bear it stoutly. So we women still 
 Are not well dealt with. Yet Fd choose to be 
 Fedalma loving Silva. You, my lord, 
 Hold the worse share, since you must love poor 
 
 me. 
 But is it what we love, or how we love, 
 That makes true good ? 
 
 Don Silva. 
 
 O subtlety ! for me 
 'Tis what I love determines how I love. 
 The goddess with pure rites reveals herself 
 And makes pure worship. 
 
 Fedalma. 
 
 Do you worship me ? 
 Don Silva. 
 Ay, with that best of worship which adores 
 Goodness adorable. 
 
 # 
 
Fedalma {a7'chly). 
 
 Goodness obedient, 
 Doing your will, devoutest worshipper ? 
 
 Don Silva. 
 Yes — listening to this prayer. This very night 
 I shall go forth. And you will rise with day 
 
 And wait for me ? 
 
 Fedalma. 
 Yes. 
 
 Dox Silva. 
 
 I shall surely come. 
 And then we shall be married. Now I go 
 To audience fixed in Abderahman's tow^er. 
 Farewell, love ! 
 
 {They emb7'ace.) 
 Fedalma. 
 Some chill dread possesses me ! 
 
 Don Silva. 
 Oh, confidence has oft been evil augury, 
 So dread may hold a promise. Sweet, farewell ! 
 I shall send tendance as I pass, to bear 
 This casket to your chamber. — One more kiss. 
 
 {Exit.) 
 
 N'edalma {luhen Don Silva is gone, returning to 
 tJie casket^ and looking diramily at the jewels). 
 
 Yes, now that good seems less impossible ! 
 Now it seems true that I shall be his wife. 
 Be ever by his side, and make a part 
 
 In all his purposes 
 
 These rubies greet me Duchess. How they 
 
 glow ! 
 Their prisoned souls are throbbing like my own. 
 
THE SPANISH GYPSY. 
 
 85 
 
 Perchance they loved once, were ambitious, 
 
 proud ; 
 Or do they only dream of wider life, 
 Ache from intenseness, yearn to burst the wall 
 Compact of crystal splendor, and to flood 
 Some wider space with glory ? Poor, poor gems ! 
 We must be patient in our prison-house, 
 And find our space in loving. Pray you, love 
 
 me. 
 Let us be glad together. And you, gold — 
 
 {She takes up the gold necklace. ) 
 
 You wondrous necklace — will you love me too. 
 And be my amulet to keep me safe 
 From eyes that hurt ? 
 
 {^She spreads out the necklace, meaning to 
 clasp it on her neck. Then pauses, 
 startled, holding it before her.) 
 
 Why, it is magical ! 
 He says he never wore it — yet these lines — 
 Nay, if he had, I should remember well 
 'Twas he, no other. And these twisted lines — 
 They seem to speak to me as writing would, 
 To bring a message from the dead, dead past. 
 What is their secret ? Are they characters ? 
 I never learned them ; yet they stir some sense 
 That once I dreamed — I have forgotten what. 
 Or was it life ? Perhaps I lived before 
 In some strange world where first my soul was 
 
 shaped, 
 And all this passionate love, and joy, and pain. 
 That come, I know not whence, and sway my 
 
 deeds, 
 Are old imperious memories, blind yet strong, 
 That this world stirs within me ; as this chain 
 Stirs some strange certainty of visions gone, 
 
&^M^ 
 
 ^ 
 
 THE SPANISH GYPSY. 
 
 And all my mind is as an eye that stares 
 Into the darkness painfully. 
 
 ( While Feu ALMA has been looking at tht necklace, 
 .Juan has entered, and finding himself un- 
 observed by her, says at last,) 
 
 Senora ! 
 
 Fed ALMA starts, and gathering the necklace to- 
 gether, turns round. 
 Oh, Juan, it is you ! 
 
 Juan. 
 
 I met the Duke — 
 Had waited long without, no matter why — 
 And when he ordered one to wait on you 
 And carry forth a burthen you would give, 
 I prayed for leave to be the servitor. 
 Don Silva owes me twenty granted wishes 
 That I have never tendered, lacking aught 
 That I could wish for and a Duke could grant ; 
 But this one wish to serve you weighs as much 
 As twenty other longings. 
 
 Fed alma {smiling). 
 
 That sounds well. 
 You turn your speeches prettily as songs. 
 But I will not forget the many days 
 You have neglected me. Your pupil learns 
 But little from you now. Her studies flag. 
 The Duke says, " That is idle Juan's way : 
 Poets must rove — are honey-sucking birds 
 And know not constancy." Said he quite true ? 
 
 Juan. 
 O lady, constancy has kind and rank. 
 One man's is lordly, plump and bravely clad, 
 Holds its head high, and tells the world its name ; 
 
THE SPANISH GYPSY. 
 
 87 
 
 Another man's is beggared, must go bare, 
 And shiver through the world, the jest of all, 
 But that it puts the motley on, and plays 
 Itself the jester. But I see you hold 
 The Gypsy's necklace : it is quaintly wrought. 
 
 Fedalma. 
 The Gypsy's ? Do you know its history ? 
 
 Juan. 
 No farther back than when I saw it taken 
 From off its wearer's neck — the Gypsy chief's. 
 
 Fedalma {eagerly). 
 "What ! he who paused, at tolling of the bell, 
 Before me in the Plaga? 
 
 Juan. 
 
 Yes, I saw 
 His look fixed on you. 
 
 Fedalma. 
 
 Know you aught of him ? 
 Juan. 
 Something and nothing — as I know the sky, 
 Or some great story of the olden time 
 That hides a secret. I have oft talked with him. 
 He seems to say much, yet is but a wizard 
 Who draws down rain by sprinkling ; throws me 
 
 out 
 Some pregnant text that urges comment ; casts 
 A sharp-hooked question, baited with such ski" 
 It needs must catch the answer. 
 
 Fedalma. 
 
 It is hard 
 That such a man should be a prisoner — 
 Be chained to work. 
 
 
 .^« ■ 
 
THE SPANISH GYPSY. 
 
 Juan. 
 Oh, he is dangerous ! 
 Grandda with this Zarca for a king 
 Might still maim Christendom. He is of those 
 Who steal the keys from snoring Destiny 
 And make the prophets lie. A Gypsy, too. 
 Suckled by hunted beasts, whose mother-milk 
 Has filled his veins with hate. 
 
 Fed ALMA. 
 
 I thought his eyes 
 Spoke not of hatred — seemed to say he bore 
 The pain of those who never could be saved. 
 "What if the Gypsies are but savage beasts 
 And must be hunted ? — let them be set free. 
 Have benefit of chase, or stand at bay 
 And fight for life and offspring. Prisoners ! 
 Oh ! they have made their fires beside 
 
 streams, 
 Their walls have been the rocks, the pillared 
 
 pines, 
 Their roof the living sky that breathes with light : 
 They may well hate a cage, like strong-winged 
 
 birds. 
 Like me, who have no wings, but only wishes. 
 I will beseech the Duke to set them free. 
 
 1^^ 
 
 I 
 
w. 
 
 THE SPANISH GYPSY, 
 
 Our fancies may be truth and make us seers. 
 'Tis a rare "teeming world, so harvest-full, 
 Even guessing ignorance may pluck some fruit. 
 Note what I say no farther than will stead 
 The siege you lay. I would not seem to tell 
 Aught that the Duke may think and yet withhold : 
 It were a trespass in me. 
 
 Fedalma. 
 
 Fear not, Juan. 
 Your words bring daylight with them when you 
 
 speak. 
 I understand your care. But I am brave — 
 Oh ! and so cunning ! — always I prevail. 
 Now, honored Troubadour, if you will be 
 Your pupil's servant, bear this casket hence. 
 Nay, not the necklace : it is hard to place. 
 Pray go before me ; Inez will be there. 
 
 i^Exit Juan with the casket). 
 
 Fedalma {looking again at the necklace). 
 It is his past clings to you, not my own. 
 If we have each our angels, good and bad, 
 Fates, separate from ourselves, who act for us 
 When we are blind, or sleep, then this man's fate. 
 Hovering about the thing he used to wear, 
 Has laid its grasp on mine appealingly. 
 Dangerous, is he? — well, a Spanish knight 
 Would have his enemy strong — defy, not bind 
 
 him. 
 I can dare all things when my soul is m.oved 
 By something hidden that possesses me. 
 If Silva said this man must keep his chains 
 I should find ways to free him — disobey 
 And free him as I did the birds. But no ! 
 As soon as we are wed, I'll put my prayer, 
 
 
 ■^ 
 
Il 
 
 I 
 
I 
 
 THE SPANISH GYPSY. 
 You have no wrinkles. 
 
 Juan. 
 
 Yes, I have — within ; 
 The wrinkles are within, my little bird. 
 Why, I have lived through twice a thousand 
 
 years, 
 And kept the company of men whose bones 
 Crumbled before the blessed Virgin lived. 
 
 Pepita {crossing herself^. 
 
 Nay, God defend us, that is wicked talk ! 
 You say it but to scorn me. ( With a sob) I will 
 go. 
 
 Juan. 
 
 Stay, little pigeon. I am not unkind. 
 Come, sit upon the wall. Nay, never cry. 
 Give me your cheek to kiss. There, cry no more ! 
 
 (Pepita, sitting on the low parapet, puts up her 
 cheek to Juan, wJio kisses it, putting his 
 hand under her chin. She takes his hand 
 and kisses it. ) 
 
 Pepita. 
 I like to kiss your hand. It is so good — 
 So smooth and soft. 
 
 Juan. 
 
 Well, well, I'll sing to you. 
 
 Pepita. 
 A pretty song, loving and merry ? 
 
 Juan. 
 
 Yes. 
 
 'J' 
 
92 
 
 THE SPANISH GYPSY, 
 
 (Juan sings.) 
 Memory, 
 Tell to ??ie 
 What is fair. 
 Past compare. 
 
 In the land of Tubal? 
 
 Is it Spring's 
 Lovely things. 
 Blossoms vjhite. 
 Rosy (light ? 
 
 Then it is PepUa. 
 
 Summer s crest 
 Red-gold tressed, 
 
 Com-fio-iuers peeping under?- 
 Idle -noons. 
 Lingering moons. 
 Sudden cloud. 
 Lightning" s shroud. 
 Sudden rain. 
 Quick again 
 
 Smiles where late was thunder?- 
 Are all t/iese 
 Made to please ? 
 
 So too is Pepita. 
 
 Autumn s prime, 
 Apple-time, 
 Smooth cheek round. 
 Heart all sound? — 
 Is it this 
 You would kiss ? 
 Then it is Pepita, 
 
 You can bring 
 No stveet thing. 
 
THE SPANISH GYPSY. 
 
 But my mind 
 Still shall Jind 
 It is my Peplta. 
 
 Memory 
 Says to me 
 It is she — 
 She is fair 
 Past compare 
 In the land of Tubal. 
 
 Pepita {seizing Juan's hand again). 
 Oh, then, you do love me ? 
 Juan. 
 
 Yes, in the song. 
 Pepita {sadly). 
 Not out of it ? — not love me out of it ? 
 
 Juan. 
 Only a little out of it, my bird. 
 When I was singing I was Andres, say, 
 Or one who loves you better still than he. 
 
 Not yourself 
 
 Pepita. 
 
 Juan. 
 
 No! 
 
 Pepita {throwing his hand down pettishly). 
 Then take it back again 
 I will not have it ! 
 
 Juan. 
 Listen, little one. 
 Juan is not a living man by himself : 
 His life is breathed in him by other men, 
 
 f 
 
94 
 
 THE SPANISH GYPSY. 
 
 And they speak out of him. He is their voice. 
 Juan's own life he gave once quite away. 
 Pepita's lover sang that song — not Juan. 
 We old, old poets, if we kept our hearts. 
 Should hardly know them from another man's. 
 They shrink to make room for the many more 
 We keep within us. There, now — one more 
 
 kiss. 
 And then go home again. 
 
 Pepita {a little frightened, after letting JUAN 
 kiss her). 
 
 You are not wicked ? 
 
 Juan. 
 Ask your confessor — tell him what I said. 
 
 (Pepita goes, ivhile Juan thrums his lute again^ 
 and sings.) 
 
 Came a pretty maid 
 
 By the moon s pure light, 
 I^ved 7ne well, she said. 
 
 Eyes with tears all bright, 
 A pretty maid I 
 
 But too late she strayed. 
 Moonlight pure was there ; 
 
 She was nought but shade 
 Hiding the more fair. 
 The heavenly maid ! 
 
THE SPANISH GYPSY. 
 
 95 
 
 A vaulted room all stone. The light shed from a 
 high lamp. Wooden chairs, a desk, book- 
 shelves. The Prior, in white frock, a black 
 rosary 7vith a crucifix of ebony and ivory at 
 his side, is walking up and down, holding a 
 written paper in his hands, which are clasped 
 behind him. 
 
 What if this witness lies ? he says he heard her 
 Counting her blasphemies on a rosary, 
 And in a bold discourse with Salomo, 
 Say that the Host was nought but ill-mixed flour, 
 That it was mean to pray — she never prayed. 
 I know the man who wrote this for a cur. 
 Who follows Don Diego, sees life's good 
 In scraps my nephew flings to him. What then? 
 Particular lies may speak a general truth. 
 I guess him false, but know her heretic — 
 Know her for Satan's instrument, bedecked 
 With heathenish charms, luring the souls of men 
 To damning trust in good unsanctified. 
 Let her be prisoned— questioned — she will give 
 Witness against herself, that were this false . . . 
 {He looks at the paper again and reads, then 
 again thrusts it behind him.) 
 The matter and the color are not false : 
 The form concerns the witness not the judge ; 
 For proof is gathered by the sifting mind. 
 Not given in crude and formal circumstance. 
 Suspicion is a heaven-sent lamp, and I — 
 I. watchman of the Holy Office, bear 
 That lamp in trust. I will keep faithful watch- 
 The Holy Inquisition's discipline 
 Is mercy, saving her, if penitent — 
 God grant it ! — else — root up the poison-plant, 
 Though 'twere a lily with a golden heart ! 
 
 ^h 
 
 -^ 
 
1 
 
 r 
 
 t 
 
 wm 
 
 96 THE SPANISH GYPSY. 
 
 This spotless maiden with her pagan soul 
 
 Is the arch-enemy's trap : he turns his back 
 
 On all the prostitutes, and watches her 
 
 To see her poison men with false belief 
 
 In rebel virtues. She has poisoned Silva ; 
 
 His shifting mind, dangerous in fitfulness, 
 
 Strong in the contradiction of itself, 
 
 Carries his young ambitions wearily. 
 
 As holy vows regretted. Once he seemed 
 
 The fresh-oped flower of Christian knighthood, 
 
 born 
 For feats of holy daring ; and I said : 
 " That half of life which I. as monk, renounce, 
 Shall be fulfilled in him : Silva will be 
 That saintly noble, that wise warrior. 
 That blameless excellence in worldly gifts 
 I would have been, had I not asked to live 
 The higher life of man impersonal 
 Who reigns o'er all things by refusing all." 
 What is his promise now ? Apostasy 
 From every high intent : — languid, nay. gone, 
 The prompt devoutness of a generous heart, 
 The strong obedience of a reverent will. 
 That breathes the Church's air and sees her light, 
 He peers and strains with feeble questioning. 
 Or else he jests. He thinks I know it not — 
 I who have read the history of his lapse. 
 As clear as it is writ in the angel's book. 
 He will defy me — flings great words at me — 
 Me who have governed all our house's acts, 
 Since I, a stripling, ruled his stripling father. 
 This maiden is the cause, and if they wed. 
 The Holy War may count a captain lost. 
 For better he were dead than keep his place, 
 And fill it imfamously : in God's war 
 Slackness is infamy. Shall I stand by 
 And let the tempter win ? defraud Christ's cause 
 
 \ 
 
 \—^^ — ^ 
 
THE SPANISH GYPSY. 
 
 And blot his banner ? — all for scruples weak 
 Of pity toward their young and frolicsome blood ; 
 Or nice discrimination of the tool 
 By which my hand shall work a sacred rescue ? 
 The fence of rules is for the purblind crowd ; 
 They walk by averaged precepts ; sovereign men, 
 Seeing by God's light, see the general 
 By seeing all the special — own no rule 
 But their full vision of the moment's worth. 
 'Tis so God governs, using wicked men — 
 Nay, scheming fiends, to work his purposes. 
 Evil that good may come ? Measure the good 
 Before you say what's evil. Perjury ? 
 I scorn the perjurer, but I will use him 
 To serve the holy truth. There is no lie 
 Save in his soul, and let his soul be judged. 
 I know the truth, and act upon the truth. 
 
 O God, thou knowest that my will is pure. 
 Thy servant owns nought for himself, his wealth 
 Is but obedience. And I have sinned 
 In keeping small respects of human love — 
 Calling it mercy. Mercy ? Where evil is 
 True mercy holds a sword. Mercy would save. 
 Save whom .' .Save serpents, locusts, wolves ? 
 Or out of pity let the idiots gorge 
 Within a famished town ? Or save the gains 
 Of men who trade in poison lest they starve ? 
 Save all things mean and foul that clog the earth 
 Stifling the better ? Save the fools who cling 
 P'or refuge round their hideous idol's limbs, 
 So leave the idol grinning unconsumed, 
 And save the fools to breed idolaters ? 
 O mercy worthy of the licking hound 
 That knows no future but its feeding-time ! 
 Mercy has eyes that pierce the ages — sees 
 From heights divine of the eternal purpose 
 
 ^ 
 
 tj? 
 
98 
 
 THE SPANISH GYPSY. 
 
 Far-scattered consequence in its vast sum ; _ 
 
 Chooses to save, but with illumined vision 
 
 Sees that to save is greatly to destroy. 
 
 'Tis so the Holy Inquisition sees : its wrath 
 
 Is fed from the strong heart of wisest love. 
 
 For love must needs make hatred. He who loves 
 
 God and his law must hate the foes of God, 
 
 And I have sinned in being merciful : 
 
 Being slack in hate, I have been slack in love. 
 
 i^He takes the crucifix and holds it up before hi7fi.) 
 
 Thou shuddering, bleeding, thirsting, dying God, 
 Thou Man of Sorrows, scourged and bruised and 
 
 torn, 
 Suffering to save — wilt thou not judge the world ? 
 This arm which held the children, this pale hand 
 That gently touched the eyelids of the blind. 
 And opened passive to the cruel nail, 
 Shall one day stretch to leftward of thy throne, 
 Charged with the power that makes the lightning 
 
 strong. 
 And hurl thy foes to everlasting hell. 
 And thou, Immaculate Mother, Virgin mild, 
 Thou sevenfold-pierced, thou pitying, pleading 
 
 Queen, 
 Shalt see and smile, while the black filthy souls 
 Sink with foul weight to their eternal place, 
 Purging the Holy Light. Yea, I have sinned 
 And called it mercy. . But I shrink no more. 
 To-morrow morn this temptress shall be safe 
 Under the Holy Inquisition's key. 
 He thinks to wed her, and defy me then, 
 She being shielded by our house's name. 
 But he shall never wed her. I have said. 
 
 The time is come. Exurge, Do/nine, 
 Judica causa?n tuani. Let thy foes 
 
THE SPANISH GYPSY. 
 
 99 
 
 Be driven as the smoke before the wind, 
 And melt like wax upon the furnace lip ! 
 
 large chamber richly furnished opening on a ter- 
 race-garden^ the trees visible through the ivin- 
 dow in faint moonlight. Flowers hanging 
 about the toindoiv, lit up by the tapers. The 
 casket of jezvels open on a table. The gold 
 necklace lying near. Fedalma, splendidly 
 dressed and adorned tvith pearls aud rubies, 
 IS walking tip and doiun. 
 
 ::^^ 
 
 So soft a nig-ht was never made for sleep, 
 
 But for the waking of the finer sense 
 
 To every murmuring and gentle sound. 
 
 To subtlest odors, pulses, visitings 
 
 That touch our frames with wings too delicate 
 
 To be discerned amid the blare of day. 
 
 ( She pauses near the window to gather sojne 
 jasmine: then walks again.) 
 
 Surely these flowers keep happy watch — their 
 
 breath 
 Is the fond memory of the loving light. 
 I often rue the hours I lose in sleep : 
 It is a bliss too brief, only to see 
 This glorious world, to hear the voice of love, 
 To feel the touch, the breath of tenderness. 
 And then to rest as from a spectacle. 
 1 need the curtained stillness of the night 
 To live through all my happy hours again 
 With more selection — cull them quite away 
 From blemished moments. Then in loneliness 
 The face that bent before me in the day 
 Rises in its own light, more vivid seems 
 
 9? 
 
:.Xa 
 
 ^ 
 
 Ji^i 
 
 THE SPANISH GYPSY. 
 
 Painted upon the dark, and ceaseless glows 
 
 With sweet solemnity of gazing love. 
 
 Till like the heavenly blue it seems to grow 
 
 Nearer, more kindred, and more cherishing, 
 
 Mingling with all my being. Then the words, 
 
 The tender low-toned words come back again, 
 
 With repetition welcome as the chime 
 
 Of softly hurrying brooks — " My only love — 
 
 Mv love while life shall last — my own Fedalma !" 
 
 Oh it is mine — the joy that once has been ! 
 
 Poor eager hope is but a stammerer. 
 
 Must hsten dumbly to great memory, 
 
 Who makes our bliss the sweeter by her telling. 
 
 {She pauses a mofnent musingly.') 
 But that dumb hope is still a sleeping guard 
 Whose quiet rhythmic breath saves me from 
 
 dread 
 In this fair paradise. For if the earth 
 Broke off with flower-fringed edge, visibly sheer. 
 Leaving no footing for my forward step 
 But empty blackness . . . 
 
 Nay, there is no fear — 
 They will renew themselves, day and my joy, 
 And all that past which is securely mine, 
 Will be the hidden root that nourishes 
 Our still unfolding, ever-ripening love ! 
 
 ( While she is uttering the last words, a little bird 
 falls softly on. the floor behind her ; she hears 
 the light sound of its fall, and turns round. ) 
 
 Did something enter ? . . . 
 
 Yes, this little bird . . . 
 {She lifts it.) 
 Dead and yet warm ; 'twas seeking sanctuary, 
 And died, perhaps of fright, at the altar foot. 
 Stay, there is something tied beneath the wing ! 
 
 '^ 
 
 ^s^^ 
 
 
 kl^ 
 
 X 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 lOI 
 
 A strip of linen, streaked with blood — what 
 
 blood? 
 The streaks are written words — are sent to me — 
 
 God, art sent to me ! Dear child, Fedalma, 
 Be brave, give no alarm — your Father conies ! 
 
 {She lets the bird fall again.) 
 My Father . . . comes . . . my Father ... 
 {She turns in quivering expectation toward the 
 window. There is perfect stillness a few 
 moments until Zarca appears at the win- 
 dow. He enters quickly and noiselessly ; 
 then stands still at his full height, and at 
 a distance from Fed alma.) 
 
 Fedalma {in a low, distinct tone of terror). 
 
 It is he ! 
 
 1 said his fat?e had laid its hold on mine. 
 
 Zarca {advancing a step or two). 
 You know, then, who I am ? 
 
THE SPANISH GYPSY. 
 
 'Twas clasped in front by coins — two golden 
 
 coins. 
 The one upon the left was split in two 
 Across the king's head, right from brow to nape, 
 A dent i' the middle nicking in the cheek. 
 You see I know the little gown by heart. 
 
 Fed ALMA {grooving pale?' and more tremulous). 
 Yes. It is true — I have the gown — the clasps — 
 The braid — sore tarnished : — it is long ago ! 
 
 Zarca. 
 But yesterday to me ; for till to-day 
 I saw you always as that little child. 
 And when they took my necklace from me, still 
 Your fingers played about it on my neck. 
 And still those buds of fingers on your feet 
 Caught in its meshes as you seemed to climb 
 Up to my shoulder. You were not stolen all. 
 You had a double life fed from my heart. . . . 
 
 (Fedalma, lettmg fall the necklace^ makes 
 an i??ipulsive movement toward him, with 
 outsti'etched hands.) 
 
 The Gypsy father loves his children well. 
 
 Fedalma {shj-inking, trejnbling, aftd letting fall 
 
 her hands). 
 How came it that you sought me — no — I mean 
 How came it that you knew me — that you lost 
 me? 
 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 103 
 
 I would not have a child who stooped to feign, 
 And aped a sudden love. Better, true hate. 
 
 Fedalma [raising her eyes toward him, with a, 
 Jlash of admiration, and looking at him fixedly). 
 
 Father, how was it that we lost each other? 
 
 Zarca. 
 
 I lost you as a man may lose a gem 
 
 Wherein he has compressed his total wealth. 
 
 Or the right hand whose cunning makes him 
 
 great : 
 I lost you by a trivial accident. 
 Marauding Spaniards, sweeping like a storm 
 Over a spot within the Moorish bounds, 
 Near where our camp lay, doubtless snatched you 
 
 up, 
 When Zind, your nurse, as she confessed, was 
 
 urged 
 By burning thirst to wander toward the stream. 
 And leave you on the sand some paces off 
 Playing with pebbles, while she dog-like lapped. 
 'Twas so I lost you — never saw you more 
 Until to-day I saw you dancing ! Saw 
 The daughter of the Zincalo make sport 
 For those who spit upon her people's name. 
 
 Fedalma {vehemently). 
 
 It was not sport. What if the world looked 
 
 on? — 
 I danced for joy — for love of all the world. 
 But when you looked at me my joy was stabbed — 
 Stabbed with your pain. I wondered . . . now 
 
 I know . . . 
 It was my father's pain. 
 
I04 
 
 THE SPANISH GYPSY. 
 
 i^She pauses a moment with eyes bent down~ 
 ward, during tvhich Zarca examines 
 her face. Then she says quickly,) 
 How were you sure 
 At once I was your child ? 
 
 Zarca. 
 
 I had witness strong 
 As any Cadi needs, before I saw you ! 
 I fitted all my memories with the chat 
 Of one named Juan — one whose rapid talk 
 Showers like the blossoms from a light-twigged 
 
 shrub, 
 If you but cough beside it. I learned all 
 The story of your Spanish nurture — all 
 The promise of your fortune. When at last 
 I fronted you, my little maid full-grown, 
 Belief was turned to vision : then I saw 
 That she whom Spaniards called the bright Fe- 
 
 dalma — 
 The little red-f rocked foundling three years old — 
 Grown to such perfectness the Spanish Duke 
 Had wooed her for his Duchess — was the child, 
 Sole offspring of my flesh, that Lambra bore 
 One hour before the Christian, hunting us. 
 Hurried her on to death. Therefore I sought — 
 Therefore I come to claim you — claim my child. 
 Not from the Spaniard, not from him who robbed, 
 But from herself. 
 
 (Fedalma has gradually approached close to 
 
 Zarca, and xuith a lo%v sob sinks on her 
 
 knees before him. He stoops to kiss her 
 
 brow, and lays his hands on her head.) 
 
 Zarca {with solemn tenderness). 
 
 Then my child owns her father ? 
 
 sV^^M 
 

 u 
 
 THE SPANISH GYPSY, 
 Fedalma. 
 
 105 
 
 Father ! yes. 
 
 I will eat dust before I will deny 
 The flesh I spring from. 
 
 Zarca. 
 
 There my daughter spoke. 
 Away then with these rubies ! 
 
 {He seizes the circlet of rubies and flings it on 
 the ground. Fed ALMA, starting from 
 the ground with strong emotion, shrinks 
 backward. ) 
 
 Such a crown 
 Is infamy around a Zincala's brow. 
 It is her people's blood, decking her shame. 
 
#il 
 
 THE SPANISH GYPSY. 
 
 No dimmest lore of glorious ancestors 
 To make a common hearth for piety. 
 
 Fedalma. 
 A race that lives on prey as foxes do 
 With stealthy, petty rapine : so despised, 
 It is not persecuted, only spurned, 
 Crushed underfoot, warred on by chance like rats, 
 Or swarming flies, or reptiles of the sea 
 Dragged in the net unsought, and flung far off 
 To perish as they may ? 
 
 Zarca, 
 
 You paint us well. 
 So abject are the men whose blood we share : 
 Untutored, unbefriended, unendowed ; 
 No favorites of heaven or of men. 
 Therefore I cling to them I Therefore no lure 
 Shall draw me to disown them, or forsake 
 The meagre wandering herd that lows for help 
 And needs me for its guide, to seek my pasture 
 Among the well-fed beeves that graze at will. 
 Because our race has no great memories, 
 I will so live, it shall remember me 
 For deeds of such divine beneficence 
 As rivers have, that teach men what is good 
 By blessing them. I have been schooled — have 
 
 caught 
 Lore from the Hebrew, deftness from the 
 
 Moor — 
 Know the rich heritage, the milder life. 
 Of nations fathered by a mighty Past ; 
 But were our race accursed (as they who make 
 Good luck a god count all unlucky men) 
 I would espouse their curse sooner than take 
 My gifts from brethren naked of all good, 
 Aad lend them to the rich for usury. 
 
 f 
 
..— / 
 
 THE SPANISH GYPSY. 107 
 
 (Fed ALMA again advances, and putting forth 
 her right hand grasps Zaylca's left. He 
 places his other hand on her shoulder. 
 They stand so, looking at each other.) 
 
 Zarca. 
 And you, my child ? are you of other mind, 
 Choosing forgetfulness, hating the truth 
 That says you are akin to needy men ? — 
 Wishing your father were some Christian Duke, 
 Who would hang Gypsies when their task was 
 
 done, 
 While you, his daughter, were not bound to 
 
 care ? 
 
 Fedalma {in a ti'oubled^ eager voice). 
 No, I should always care — I cared for you — 
 For all, before I dreamed .... 
 
 Zarca. 
 
 Before you dreamed 
 That you were born a Zincala — your flesh 
 Stamped with your people's faith. 
 
 Fedalma {bitterly). 
 
 The Gypsies' faith ? 
 Men say they have none. 
 
 Zarca. 
 
 Oh, it is a faith 
 Taught by no priest, but by their beating hearts ; 
 Faith to each other : the fidelity 
 Of fellow-wanderers in a desert place 
 Who share the same dire thirst, and therefore 
 
 share 
 The scanty water : the fidelity 
 Of men whose pulses leap with kindred fire. 
 
 ^ 
 
 
 "t; 
 
 ^ 
 
/ 
 
 / i 
 
 THE SPANISH GYPSY. 
 
 Who in the flash of eyes, the clasp of hands, 
 
 The speech that even in lying tells the truth 
 
 Of heritage inevitable as birth. 
 
 Nay, in the silent bodily presence feel 
 
 The mystic stirring of a common life 
 
 Which makes the many one : fidelity 
 
 To the consecrating oath our sponsor Fate 
 
 Made through our infant breath when we were 
 
 born 
 The fellow-heirs of that small island. Life, 
 Where we must dig and sow and reap with 
 
 brothers. 
 Fear thou that oath, my daughter — nay, not 
 
 fear. 
 But love it ; for the sanctity of oaths 
 Lies not in lightning that avenges them, 
 But in the injury wrought by broken bonds 
 And in the garnered good of human trust. 
 And you have sworn — even with your infant 
 
 breath 
 You too were pledged .... 
 
 Fedalma {letting go Zarca's hand, and sinking 
 backward on her knees, with bent head, as if 
 before some impending crushing weight). 
 
 To what ? what have I sworn ? 
 
 Zarca. 
 To take the heirship of the Gypsy's child : 
 The child of him who", being chief, will be 
 The savior of his tribe, or if he fail 
 Will choose to fail rather than basely win 
 The prize of renegades. Nay, will not choose — 
 Is there a choice for strong souls to be weak ? 
 For men erect to crawl like hissing snakes ? 
 I choose not — I a7?i Zarca. Let him choose 
 Who halts and wavers, having appetite 
 
ting and w.ivering?'' — 
 
\\ 
 
 *! 
 
I09 
 
 THE SPANISH GYPSY. 
 
 To feed on garbage. You, my child — are you 
 Halting and wavering ? 
 
 Fed ALMA {raising her head). 
 
 Say what is my task. 
 Zarca. 
 To be the angel of a homeless tribe : 
 To help me bless a race taught by no prophet, 
 And make their name, now but a badge of scorn, 
 A glorious banner floating in their midst. 
 Stirring the air they breathe with impulses 
 Of generous pride, exalting fellowship 
 Until it soars to magnanimity. 
 I'll guide my brethren forth to their new land. 
 Where they shall plant and sow and reap their 
 
 own, 
 Serving each other's needs, and so be spurred 
 To skill in all the arts that succor life ; 
 Where we may kindle our first altar-fire 
 From settled hearths, and call our Holy Place 
 The hearth that binds us in one family. 
 That land awaits them : they await their chief — 
 Me who am prisoned. All depends on you. 
 
 Fedalma {rising to her full height, and looking 
 
 sole?nnlyat Zarca). 
 Father, your child is ready ! She will not 
 Forsake her kindred : she will brave all scorn 
 Sooner than scorn herself. Let Spaniards all. 
 Christians, Jews, Moors, shoot out the lip and 
 
 say, 
 " Lo, the first hero in a tribe of thieves." 
 Is it not written so of them ? They, too. 
 Were slaves, lost, wandering, sunk beneath a 
 
 curse, 
 Till Moses, Christ, and Mahomet were born, 
 Till beings lonely in their greatness lived, 
 
 m. 
 
 ^ 
 
M 
 
 no THE SPANISH GYPSY. 
 
 And lived to save their people. Father, listen. 
 The Duke to-morrow weds me secretly ; 
 But straight he will present me as his wife 
 To all his household, cavaliers and dames 
 And noble pages. Then I will declare 
 Before them all, " I am his daughter, his. 
 The Gypsy's, owner of this golden badge.' 
 Then I shall win your freedom ; then the Duke — 
 Why, he will be your son ! — will send you forth 
 With aid and honors. Then, before all eyes 
 I'll clasp this badge on you, and lift my brow 
 For you to kiss it, saying by that sign, 
 " I glory in my father." This, to-morrow. 
 
 Zarca. 
 A woman's dream — who thinks by smiling well 
 To ripen figs in frost. What ! marry first. 
 And then proclaim your birth? Enslave your- 
 self 
 To use your freedom ? Share another's name. 
 Then treat it as you will ? How will that tune 
 Ring in your bridegroom's ears — that sudden 
 
 song 
 Of triumph in your Gypsy father ? 
 
 Fedalma {discouraged). 
 
 I meant not so. We marry hastily- 
 Yet there is time — there will be : — in less space 
 Than he can take to look at me, I'll speak 
 And tell him all. Oh, I am not afraid ! 
 His love for me is stronger than all hate ; 
 Nay, stronger than my love, which cannot sway 
 Demons that haunt me — tempt me to rebel. 
 Were he Fedalma and I Silva, he 
 Could love confession, prayers, and tonsured 
 monks 
 
 ^ ' - ' 1- ' "" _--"Jii ! ba -^^^ 
 
 ^ 
 
> 
 
 / 
 
 THE SPANISH GYPSY. 
 
 If my soul craved them. He will never hate 
 The race that bore him what he loves the most. 
 I shall but do more strongly what I will. 
 Having his will to help me. And to-morrow, 
 Father, as surely as this heart shall beat. 
 You — every Gypsy chained, shall be set free. 
 
 Zarca {c 
 
 nearer to her, and laying his 
 
 hand on her shoulder). 
 Too late, too poor a service that, my child ! 
 Not so the woman who would save her tribe 
 Must help its heroes — not by wordy breath. 
 By easy prayers strong in a lover's ear. 
 By showering wreaths and sweets and wafted 
 
 kisses. 
 And then, when all the smiling work is done, 
 Turning to rest upon her down again, 
 And whisper languid pity for her race 
 Upon the bosom of her alien spouse. 
 Not to such petty mercies as can fall 
 'Twixt stitch and stitch of silken broidery, 
 Such miracles of mitred saints who pause 
 Beneath their gilded canopy to heal 
 A man sun-stricken : not to such trim merit 
 As soils its dainty shoes for charity 
 And simpers meekly at the pious stain. 
 But never trod with naked bleeding feet 
 Where no man praised it, and where no Church 
 
 blessed : 
 Not to such almsdeeds fit for holidays 
 Were you, my daughter, consecrated — bound 
 By laws that, breaking, you will dip your bread 
 In murdered brother's blood and call it sw<?et — 
 When you were born beneath the dark man's 
 
 tent, 
 And lifted up in sight of all your tribe. 
 Who greeted you with shouts of loyal joy, 
 
 ^ 
 
Sole offspring of the chief in whom they trust 
 
 As in the oft-tried never-failing flint 
 
 They strike their fire from. Other work is yours. 
 
 Fedalma. 
 
 What work ? — what is it that you ask of me ? 
 
 Zarca, 
 
 A work as pregnant as the act of men 
 
 Who set their ships aflame and spring to land, 
 
 A fatal deed .... 
 
 Fedalma. 
 
 Stay ! never utter it 1 
 If it can part my lot from his whose love 
 Has chosen me. Talk not of oaths, of birth, 
 Of men as numerous as the dim white stars — ' 
 As cold and distant, too, for my heart's pulse. 
 No ills on earth, though you should count them 
 
 With grains to make a mountain, can outweigh 
 For me, his ill who is my supreme love. 
 All sorrows else are but imagined flames, 
 Making me shudder at an unfelt smart ; 
 But his imagined sorrow is a fire 
 That scorches me. 
 
 Zarca. 
 
 I. know, I know it well — 
 The first young passionate wail of spirits called 
 To some great destiny. In vain, my daughter ! 
 Lay the young eagle in what nest you will. 
 The cry and swoop of eagles overhead 
 Vibrate prophetic in its kindred frame, 
 And make it spread its wings and poise itself 
 For the eagle's flight. Hear what you have 
 to do. 
 
 ^F 
 
 n 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 (Fedalma stands half averted, as if she 
 dreaded the effect of his looks and words.) 
 My comrades even now file off their chains 
 In a low turret by the battlements, 
 Where we were locked with slight and sleepy 
 
 guard — 
 We who had files hid in our shaggy hair, 
 And possible ropes that waited but our will 
 In half our garments. Oh, the Moorish blood 
 Runs thick and warm to us, though thinned by 
 
 chrism. 
 I found a friend among our jailers — one 
 Who loves the Gypsy as the Moor's ally. 
 I know the secrets of this fortress. Listen. 
 Hard by yon terrace is a narrow stair. 
 Cut in the living rock, and at one point 
 In its slow straggling course it branches of! 
 Toward a low wooden door, that art has bossed 
 To such unevenness, it seems one piece 
 With the rough-hewn rock. Open that door, it 
 
 leads 
 Through a broad passage burrowed under- 
 ground. 
 A good half-mile out to the open plain : 
 Made for escape, in dire extremity 
 From siege or burning, of the house's wealth 
 In women or in gold. To find that door 
 Needs one who knows the number of the steps 
 Just to" the turning-point ; to open it. 
 Needs one who knows the secret of the bolt. 
 You have that secret : you will ope that door. 
 And fly with us. 
 
 Fedalma {receding a little, and gathering herself 
 up in an attitude of resolve opposite to Zarca). 
 No. I will never fly ! 
 Never forsake that chief half of my soul 
 
^4 
 
 THE SPANISH GYPSY. 
 
 Where lies my love. I swear to set you free. 
 
 A.sk for no more ; it is not possible. 
 
 Father, my soul is not too base to ring 
 
 At touch of your great thoughts ; nay, in my 
 
 blood 
 There streams the sense unspeakable of kind, : 
 As leopard feels at ease with leopard. But — 
 Look at these hands ! You say when they were 
 
 little 
 They played about the gold upon your neck. 
 I do believe it, for their tiny pulse 
 Made record of it in the inmost coil 
 Of growing memory. But see them now ! 
 Oh, they have made fresh record -, twined them- 
 selves 
 With other throbbing hands whose pulses feed 
 Not memories only but a blended life — 
 Life that will bleed to death if it be severed. 
 Have pity on me, father ! Wait the morning ; 
 Say you will wait the morning. I will win 
 Your freedom openly : you shall go forth 
 With aid and honors. Silva will deny 
 Nought to my asking .... 
 
 Zarca {with contemptuous decision). 
 
 Till you ask him aught 
 Wherein he is powerless. Soldiers even now 
 Murmur against him that he risks the town. 
 And forfeits all the prizes of a foray 
 To get his bridal pleasure with a bride 
 Too low for him. They'll murmur more and 
 
 louder 
 If captives of our pith and sinew, fit 
 For all the work the Spaniard hates, are freed — 
 Now, too, when Spanish hands are scanty. 
 
 What, 
 Turn Gypsies loose instead of hanging them ! 
 
IfSuiiiiiiiiiiJi^^ 
 
 THE SPANISH GYPSY. 
 
 'Tis flat against the edict. Nay, perchance 
 Murmurs aloud may turn to silent threats 
 Of some well-sharpened dagger ; for your Duke 
 Has to his heir a pious cousin, who deems 
 The Cross were better served if he were Duke. 
 Such good you'll work your lover by your 
 prayers. 
 
 Fedalma. 
 
 Then, I will free you now ! You shall be safe, 
 Nor he be blamed, save for his love to me. 
 I will declare what I have done : the deed 
 May put our marriage off ... . 
 
 Zarca. 
 
 Ay, till the time 
 When you shall be a queen in Africa, 
 And he be prince enough to sue for you. 
 You cannot free us and come back to him. 
 
 And why ' 
 
 Fedalma. 
 
 Zarca. 
 I would compel you to go forth 
 
 Fedalma. 
 
 You tell me that ? 
 
 Zarca. 
 
 Yes, for I'd have you choose ; 
 Though, being of the blood you are — my blood — 
 You have no right to choose. 
 
 Fedalma. 
 
 I only owe 
 A daughter's debt ; I was not born a slave. 
 
 ^ 
 
f;^l 
 
 ii6 
 
 THE SPANISH GYPSY. 
 
 Zarca. 
 No, not a slave ; but you were born to reign, 
 'Tis a compulsion of a higher sort, 
 Whose fetters are the net invisible 
 That hold all life together. Royal deeds 
 May make long destinies for multitudes. 
 And you are called to do them. You belong 
 Not to the petty round of circumstance 
 That makes a woman's lot, but to your tribe, 
 Who trust in me and in my blood with trust 
 That men call blind ; but it is only blind 
 As un yeaned reason is, that grows and stirs 
 Within the womb of superstition. 
 
 Fedalma. 
 
 No! 
 I belong to him who loves me — whom I love — 
 Who chose me — whom I chose — to whom I 
 
 pledged 
 A woman's truth. And that is nature too, 
 Issuing a fresher law than laws of birth. 
 
 Zarca. 
 
 Unmake yourself, then, from a Zincala — 
 Unmake yourself from being child of mine ! 
 Take holy water, cross your dark skin white ; 
 Round your proud eyes to foolish kitten looks ; 
 Walk mincingly, and smirk, and twitch youi 
 
 robe : 
 Unmake yourself — doff all the eagle plumes 
 And be a parrot, chained to a ring that slips 
 Upon a Spaniard's thumb, at will of his 
 That you should prattle o'er his words again ! 
 Get a small heart that flutters at the smiles 
 Of that plump penitent, that greedy saint 
 Who breaks all treaties in the name of God, 
 
 '% 
 
THE SPANISH GYPSY. 
 
 117 
 
 .li 
 
 Saves souls by confiscation, sends to heaven 
 The altar-fumes of burning heretics, 
 And chaffers with the Levite for the gold ; 
 Holds Gypsies beasts unfit for sacrifice, 
 So sweeps them out like worms alive or dead. 
 Go, trail your gold and velvet in her court ! — 
 A conscious Zincala, smile at your rare luck, 
 While half your brethren .... 
 
 Fedalma. 
 
 I am not so vile ! 
 It is not to such mockeries that I cling, 
 Not to the flaring tow of gala-lights ; 
 It is to him — my love — the face of day. 
 
 Zarca. 
 What, will you part him from the air he breathes. 
 Never inhale with him although you kiss him ? 
 Will you adopt a soul without its thoughts. 
 Or grasp a life apart from flesh and blood ? 
 Till then you cannot wed a Spanish Duke 
 And not wed shame at mention of your race, 
 And not wed hardness to their miseries — 
 Nay, not wed murder. Would you save my life 
 Yet stab my purpose ? maim my every limb, 
 Put out my eyes, and turn me loose to feed ": 
 Is that salvation ? rather drink my blood. 
 That child of mine who weds my enemy — 
 Adores a God who took no heed of Gypsies — 
 Forsakes her people, leaves their poverty 
 To join the luckier crowd that mocks their woes — 
 That child of mine is doubly murderess, 
 Murdering her father's hope, her people's trust. 
 Such draughts are mingled in your cup of love 1 
 And when you have become a thing so poor, 
 Your life is all a fashion without law 
 Save frail conjecture of a changing wish, 
 
 -A^ 
 
, 
 
 ii8 
 
 THE SPANISH GYPSY. 
 
 Your worshipped sun, your smiling face of day, 
 Will turn to cloudiness, and you will shiver 
 In your thin finery of vain desire. 
 Men call his passion madness ; and he, too. 
 May learn to think it madness : 'tis a thought 
 Of ducal sanity. 
 
 Fedalma. 
 No, he is true ! 
 And if I part from him I part from joy. 
 Oh, it was morning with us — I seemed young. 
 But now I know I am an aged sorrow — 
 My people's sorrow. Father, since I am yours—* 
 Since I must walk an unslain sacrifice. 
 Carrying the knife within me, quivering — 
 Put cords upon me, drag me to the doom 
 My birth has laid upon me. See, I kneel : 
 I cannot will to go. 
 
 Zarca. 
 Will then to stay ! 
 Say you will take your better, painted such 
 By blind desire, and choose the hideous worse 
 For thousands who were happier but for you. 
 My thirty followers are assembled now 
 Without this terrace ; I your father wait 
 That you may lead us forth to liberty — 
 Restore me to my tribe — five hundred men 
 Whom I alone cansave, alone can rule, 
 And plant them as a mighty nation's seed. 
 Why, vagabonds who clustered round one man, 
 Their voice of God, their prophet and their king 
 Twice grew to empire on the teeming shores 
 Of Africa, and sent new royalties 
 To feed afresh the Arab sway in Spain. 
 My vagabonds are a seed more generous, 
 Quick as the serpent, loving as the hound. 
 
%^ 
 
 THE SPANISH GYPSY. 
 
 119 
 
 And beautiful as disinherited gods. 
 They have a promised land beyond the sea : 
 There I may lead them, raise my standard, call 
 The wandering Zincali to that new home, 
 And make a nation — bring light, order, law, 
 Instead of chaos. You, my only heir, 
 Are called to reign for me when I am gone. 
 Now choose your deed : to save or to destroy. 
 You, a born Zincala, you, fortunate 
 Above your fellows— you who hold a curse 
 Or blessing in the hollow of your hand — 
 Say you will loose that hand from fellowship, 
 Let go the rescuing rope, hurl all the tribes, 
 Children and countless beings yet to come, 
 Down from the upward path of light and joy. 
 Back to the dark and marshy wilderness 
 Where life is nought but blind tenacity 
 Of that which is. Say you will curse your race ! 
 
 Fed ALMA {rising and strefckijig out her arfus in 
 
 deprecation). 
 No, no — I will not say it — I will go ! 
 Father, I choose ! I will not take a heaven 
 Haunted by shrieks of far-off misery. 
 This deed and I have ripened with the hours : 
 It is a part of me — a wakened thought 
 That, rising like a giant, masters me. 
 And grows into a doom. O mother life, 
 That seemed to nourish me so tenderly, 
 Even in the womb you vowed me to the fire, 
 Hung on my soul the burden of men's hopes, 
 And pledged me to redeem ! — I'll pay the debt. 
 You gave me strength that I should pour it all 
 Into this anguish. I can never shrink 
 Back into bliss — my heart has grown too big 
 "With things that might be. Father, I will go, 
 I will strip off these gems. Some happier bride 
 
f 
 
 Shall wear them, since Fedalma would be dowered 
 With nought but curses, dowered with misery 
 Of men — of women, who have hearts to bleed 
 As hers is bleeding. 
 
 {S/ie sinks on a seat, and begins to take off 
 her jezvels.) 
 
 Now, good gems, we part. 
 Speak of me always tenderly to Silva. 
 
 {She pauses, turning to ZakcA..) 
 
 O father, will the women of our tribe 
 
 Suffer as I do, in the years to come 
 
 When you have made them great in Africa? 
 
 Redeemed from ignorant ills only to feel 
 
 A conscious woe ? Then — is it worth the pains ? 
 
 Were it not better when we reach that shore 
 
 To raise a funeral-pile and perish all. 
 
 So closing up a myriad avenues 
 
 To misery yet unwrought ? My soul is faint — 
 
 Will these sharp pangs buy any certain good ? 
 
 Zarca. 
 Nay. never falter : no great deed is done 
 By falterers who ask for certainty. 
 No good is certain, but the steadfast mind, 
 The undivided will to seek the good : 
 'Tis that compels the elements, and wrings 
 A human music from the indifferent air. 
 The greatest gift the hero leaves his race 
 Is to have been a hero. Say we fail ! — 
 We feed the high tradition of the world 
 And leave our spirit in our children's breasts. 
 
 Fedalma {unclasping her jewelled belt, and throw- 
 
 ing it down). 
 Yes, say that we shall fail ! I will not count 
 On aught but being faithful. I will take 
 
 1 
 
THE SPANISH GYPSY. 
 
 This yearning self of mine and strangle it. 
 
 I will not be half-hearted : never yet 
 
 Fedalma did aught with a wavering soul. 
 
 Die, my young joy — die. all my hungry hopes — 
 
 The milk you cry for from the breast of life 
 
 Is thick with curses. Oh, all fatness here 
 
 Snatches its meat from leanness — feeds on 
 
 graves. 
 I will seek nothing but to shun base joy. 
 The saints were cowards who stood by to see 
 Christ crucified : they should have flung them- 
 selves 
 Upon the Roman spears, and died in vain — 
 The grandest death, to die in vain— for love 
 Greater than sways the forces of the world ! 
 That death shall be my bridegroom. I will wed 
 The curse that blights my people. Father, come ! 
 
 Zarca. 
 No curse has fallen on us till we cease 
 To help each other. You, if you are false 
 To that first fellowship, lay on the curse. 
 But write now to the Spaniard : briefly say 
 That I, your father, came ; that you obeyed 
 The fate which made you Zincala. as his fate 
 Made him a Spanish duke and Christian knight. 
 He must not think . . . 
 
 Fedalma. 
 
 Yes, I will write, but he — 
 Oh, he would know it — he would never think 
 The chain that dragged me from him could be 
 
 aught 
 But scorching iron entering in my soul. 
 
 {She writes.') 
 Silva, sole love — he came — my father came. 
 I am the daughter of the Gypsy chief 
 
 . i . w u*, ' "y ^g- 
 
 ^ 
 
r 
 
 THE SPANISH GYPSY. 
 
 Who means to be the Saviour of our tribe. 
 He calls on me to live for his great end. 
 To live ? nay, die for it. Fedalma dies 
 Jn leaving Silva : all that lives henceforth 
 Is the poor Zincala. {She rises.) 
 
 Father, now I go 
 To wed my people's lot. 
 
 Zarca. 
 
 To wed a crown. 
 Our people's lowly lot we will make royal — 
 Give it a country, homes, and monuments 
 Held sacred through the lofty memories 
 That we shall leave behind us. Come, 
 Queen ! 
 
 Fedalma. 
 
 Stay, my betrothal ring ! — one kiss — farewell ! 
 O love, you were my crown. No other crown 
 Is aught but thorns on my poor woman's brow. 
 
\ 
 
 \ ^ 
 
 BOOK II. 
 
 SiLVA was marching homeward while the moon 
 Still shed mild brightness like the far-off hope 
 Of those pale virgin lives that wait and pray. 
 The stars thin-scattered made the heavens large, 
 Bending in slow procession ; in the east 
 Emergent from the dark waves of the hills, 
 Seeming a little sister of the moon. 
 Glowed Venus all unquenched. Silva, in haste, 
 Exultant and yet anxious, urged his troop 
 To quick and quicker march : he had delight 
 In forward stretching shadows, in the gleams 
 That travelled on the armor of the van, 
 And in the many-hoofed sound : in all that told 
 Of hurrying movement to o'ertake his thought 
 Already in Bedmar, close to Fedalma, 
 Leading her forth a wedded bride, fast vowed, 
 Defying Father Isidor. His glance 
 Took in with much content the priest who rode 
 Firm in his saddle, stalwart and broad-backed, 
 Crisp-curled, and comfortably secular, 
 Right in the front of him. But by degrees 
 Stealthily faint, disturbing with slow loss 
 That showed not yet full promise of a gain, 
 The light was changing, and the watch intense 
 Of moon and stars seemed weary, shivering ; 
 The sharp white brightness passed from off the 
 
 rocks 
 Carrying the shadows : beauteous Night lay dead 
 Under the pall of twilight, and the love-star 
 
 ^ 
 
,fe 
 
 THE SPANISH GYPSY. 
 
 Sickened and shrank. The troop was winding 
 
 now 
 Upward to where a pass between the peaks 
 Seemed like an opened gate — to Silva seemed 
 An outer-gate of heaven, for through that pass 
 They entered his own valley, near Bedmar. 
 Sudden within the pass a horseman rose, 
 One instant dark upon the banner pale 
 Of rock-cut sky, the next in motion swift 
 With hat and plume high shaken — ominous. 
 Silva had dreamed his future, and the dream 
 Held not this messenger. A minute more — 
 It was his friend Don Alvar whom he saw- 
 Reining his horse up, face to face with him, 
 Sad as the twilight, all his clothes ill-girt — 
 As if he had been roused to see one die. 
 And brought the news to him whom death had 
 
 robbed. 
 Silva believed he saw the worse — the town 
 Stormed by the infidel — or, could it be 
 Fedalma dragged ? — no, there was not yet time. 
 But with a marble face, he only said, 
 " What evil, Alvar ?" 
 
 " What this paper speaks." 
 It was Fedalma's letter folded close 
 And mute as yet for Silva. But his friend 
 Keeping it still sharp-pinched against his breast, 
 " It will smite hard, my lord : a private grief. 
 I would not have you pause to read it here. 
 Let us ride on — we use the moments best, 
 Reaching the town with speed. The smaller ill 
 Is that our Gypsy prisoners have escaped." 
 " No more. Give me the paper — nay, I know — 
 'Twill make no difference. Bid them march on 
 
 faster." 
 Silva pushed forward — held the paper crushed 
 Close in his right. " They have imprisoned her," 
 
 
 »»^^^ 
 
/ / 
 
 f 
 
 THE SPANISH GYPSY. 
 
 He said to Alvar in low, hard-cut tones, 
 Like a dream-speech of slumbering revenge. 
 * ' No — when they came to fetch her she was gone." 
 Swift as the right touch on a spring, that word 
 Made Silva read the letter. She was gone ! 
 But not into locked darkness — only gone 
 Into free air — where he might find her yet. 
 The bitter loss had triumph in it — what ' 
 They would have seized her with their holy claws. 
 The Prior's sweet morsel of despotic hate 
 Was snatched from off his lips. This misery 
 Had yet a taste of joy. 
 
 But she was gone I 
 The sun had risen, and in the castle walls 
 The light grew strong and stronger. Silva 
 
 walked 
 Through the long corridor where dimness yet 
 Cherished a lingering, flickering, dying hope ; 
 Fedalma still was there — he could not see 
 The vacant place that once her presence filled. 
 Can we believe that the dear dead are gone ? 
 Love in sad weeds forgets the funeral day. 
 Opens the chamber door and almost smiles — 
 Then sees the sunbeams pierce athwart the bed 
 Where the pale face is not. So Silva's joy, 
 Like the sweet habit of caressing hands 
 That seek the memory of another hand, 
 Still lived on fitfully in spite of words. 
 And, numbing thought with vague illusion, dulled 
 The slow and steadfast beat of certainty. 
 But in the rooms inexorable light 
 Streamed through the opened window where she 
 
 fled, 
 Streamed on the belt and coronet thrown down — 
 Mute witnesses — sought out the typic ring 
 That sparkled on the crimson, solitary, 
 Wounding him like a word. O hateful light ! 
 
 ■^ 
 
THE SPANISH GYPSY. 
 
 It filled the chambers with her absence, glared 
 On all the motionless things her hand had 
 
 touched, 
 Motionless all— save where old Ifiez lay 
 Sunk on the floor holding her rosary, 
 Making its shadow tremble with her fear. 
 And Silva passed her by because she grieved : 
 It was the lute, the gems, the pictured heads. 
 He longed to crush, because they made no sign 
 But of insistence that she was not there. 
 She who had filled his sight and hidden them. 
 He went forth on the terrace tow'rd the stairs. 
 Saw the rained petals of the cistus flowers 
 Crushed by large feet ; but on one shady spot 
 Far down the steps, where dampness made a 
 
 home, 
 He saw a footprint delicate-slippered, small. 
 So dear to him, he searched for sister-prints, 
 Searched in the rock-hewn passage with a lamp 
 For other trace of her, and found a glove ; 
 But not Fedalma's. It was Juan's glove, 
 Tasselled, perfumed, embroidered with his name, 
 A gift of dames. Then Juan, too, was gone ? 
 Full-mouthed conjecture, hurrying through the 
 
 town. 
 Had spread the tale already : it was he 
 That helped the Gypsies' flight. He talked and 
 
 sang 
 Of nothing but the Gypsies and Fedalma. 
 He drew the threads "together, wove the plan ; 
 Had lingered out by moonlight, had been seen 
 Strolling, as was his wont, within the walls, 
 Humming his ditties. So Don Alvar told, 
 Conveying outside rumor. But the Duke, 
 Making of haughtiness a visor closed. 
 Would show no agitated front in quest 
 Of small disclosures. What her writing bore 
 
/ 
 
 
 
 T//E SPANISH GYPSY, 
 
 Had been enough. He knew that she was gone, 
 Knew why. 
 
 " The Duke," some said, "will send a force. 
 Retake the prisoners, and bring back his bride." 
 But others, winking, " Nay, her wedding dress 
 Would be the san-benito. 'Tis a fight 
 Between the Duke and Prior. Wise bets will 
 
 choose 
 The churchman : he's the iron, and the 
 
 Duke ..." 
 " Is a fine piece of pottery," said mine host, 
 Softening the sarcasm with a bland regret. 
 
 There was the thread that in the new-made knot 
 Of obstinate circumstance seemed hardest drawn. 
 Vexed most the sense of Silva, in these hours 
 Of fresh and angry pain — there, in that fight 
 Against a foe whose sword was magical. 
 His shield invisible terrors— -against a foe 
 Who stood as if upon the smoking mount 
 Ordaining plagues. All else, Fedalma's flight, 
 The father's claim, her Gypsy birth disclosed. 
 Were momentary crosses, hindrances 
 A Spanish noble might despise. This Chief 
 Might still be treated with, would not refuse 
 A proffered ransom, which would better serve 
 Gypsy prosperity, give him more power 
 Over his tribe, than any fatherhood : 
 Nay, all the father in him must plead loud 
 For marriage of his daughter where she loved — 
 Her love being placed so high and lustrously. 
 The Gypsy chieftain had foreseen a price 
 That would be paid him for his daughter's 
 
 dower — 
 Might soon give signs. Oh, all his purpose lay 
 Face upward. Silva here felt strong, and smiled. 
 What could a Spanish noble not command ? 
 
c: 
 
 THE SPANISH GYPSY. 
 
 He only helped the Queen, because he chose ; 
 Could war on Spaniards, and could spare the 
 
 Moor ; 
 Buy justice, or defeat it — if he would : 
 Was loyal, not from weakness but from strength 
 Of high resolve to use his birthright well. 
 For nobles too are gods, like emperors, 
 Accept perforce their own divinity. 
 And wonder at the virtue of their touch. 
 Till obstinate resistance shakes their creed. 
 Shattering that self whose wholeness is not 
 
 rounded 
 Save in the plastic souls of other men. 
 Don Silva had been suckled in that creed 
 (A high-taught speculative noble else). 
 Held it absurd as foolish argument 
 If any failed in deference, was too proud 
 Not to be courteous to so poor a knave 
 As one who knew not necessary truths 
 Of birth and dues of rank ; but cross his will. 
 The miracle-working will, his rage leaped out 
 As by a right divine to rage more fatal 
 Than a mere mortal man's. And now that will 
 Had met a stronger adversary — strong 
 As awful ghosts are whom we cannot touch. 
 While they clutch us, subtly as poisoned air, 
 In deep-laid fibres of inherited fear 
 That lie below all courage. 
 
 Silva said, 
 " She is not lost to me, might still be mine 
 But for the Inquisition — the dire hand 
 That waits to clutch her with a hideous grasp 
 Not passionate, human, living, but a grasp 
 As in the death-throe when the human soul 
 Departs and leaves force unrelenting, locked. 
 Not to be loosened save by slow decay 
 That frets the universe. Father Isidor 
 
 ^ 
 
,/ 
 
 THE SPANISH GYPSY. 
 
 129 
 
 )^^ 
 
 r 
 
 Has willed it so : his phial dropped the oil 
 To catch the air-borne motes of idle slander ; 
 He fed the fascinated gaze that clung 
 Round all her movements, frank as growths of 
 
 spring, 
 With the new hateful interest of suspicion. 
 What barrier is this Gypsy ? a mere gate 
 I'll find the key for. The one barrier, 
 The tightening cord that winds about my limbs, 
 Is this kind uncle, this imperious saint, 
 He who will save me, guard me from myself. 
 And he can work his will : I have no help 
 Save reptile secrecy, and no revenge 
 Save that I will do what he schemes to hinder. 
 Ay, secrecy, and disobedience — these 
 No tyranny can master. Disobey ! 
 You may divide the universe with God, 
 Keeping your will unbent, and hold a world 
 Where He is not supreme. The Prior shall know 
 
 it! 
 His will shall breed resistance : he shall do 
 The thing he would not, further what he hates 
 By hardening my resolve." 
 
 But 'neath this speech — 
 Defiant, hectoring, the more passionate voice 
 Of many-blended consciousness — there breathed 
 Murmurs of doubt, the weakness of a self 
 That is not one ; denies and yet believes ; 
 Protests with passion, " This is natural" — 
 Yet owns the other still were truer, better, 
 Could nature follow it : a self disturbed 
 By budding growths of reason premature 
 That breed disease. With all his outflung rage 
 Silva half shrank before the steadfast man 
 Whose life was one compacted whole, a realm 
 Where the rule changed not, and the law was 
 
 strong. 
 
 .^ 
 
 'V, 
 
 i 
 
Then that reluctant homage stirred new hate, 
 And gave rebellion an intenser will. 
 
 But soon this inward strife the slow-paced hours 
 
 Slackened ; and the soul sank with hunger-pangs, 
 
 Hunger of love. Debate was swept right down 
 
 By certainty of loss intolerable. 
 
 A little loss ! only a dark-tressed maid 
 
 Who had no heritage save her beauteous being ! 
 
 But in the candor of her virgin eyes 
 
 Saying, I love ; and in the mystic charm 
 
 Of her dear presence, Silva found a heaven 
 
 Where faith and hope were drowned as stars in 
 
 day. 
 Fedalma there, each momentary Now 
 Seemed a whole blest existence, a full cup 
 That, flowing over, asked no pouring hand 
 From past to future. All the world was hers. 
 Splendor was but the herald trumpet-note 
 Of her imperial coming : penury 
 Vanished before her as before a gem. 
 The pledge of treasuries. Fedalma there, 
 He thought all loveliness was lovelier. 
 She crowning it : all goodness credible, 
 Because of that great trust her goodness bred. 
 For the strong current of the passionate love 
 Which urged his life tow'rd hers, like urgent floods 
 That hurry through the various-mingled earth, 
 Carried within its stream all qualities 
 Of what it penetrated, and made love 
 Only another name, as Silva was. 
 For the whole man that breathed within his frame. 
 And she was gone. Well, goddesses will go ; 
 But for a noble there were mortals left 
 Shaped just like goddesses — O hateful sweet I 
 O impudent pleasure that should dare to front 
 With vulgar visage memories divine ! 
 
 ^^ 
 
 1^^. 
 
va 
 
 THE SPANISH GYPSY. 
 
 131 
 
 The noble's birthright of miraculous will 
 
 Turning / would to viust be, spurning all 
 
 Ofifered as substitute for what it chose, 
 
 Tightened and fixed in strain irrevocable 
 
 The passionate selection of that love 
 
 Which came not first but as all-conquering last. 
 
 Great Love has many attributes, and shrines 
 
 For varied worship, but his force divine 
 
 Shows most its many-named fulness in the man 
 
 Whose nature multitudinously mixed — 
 
 Each ardent impulse grappling with a thought — 
 
 Resists all easy gladness, all content 
 
 Save mystic rapture, where the questioning soul 
 
 Flooded with consciousness of good that is 
 
 Finds life one bounteous answer. So it was 
 
 In Silva's nature, Love had mastery there, 
 
 Not as a holiday ruler, but as one 
 
 W^ho quells a tumult in a day of dread, 
 
 A welcomed despot. 
 
 O all comforters, 
 All soothing things that bring mild ecstasy, 
 Came with her coming, in her presence lived. 
 vSpring afternoons, when delicate shadows fall 
 Pencilled upon the grass ; high summer morns 
 When white light rains upon the quiet sea 
 And corn-fields flush with ripeness ; odors soft — 
 Dumb vagrant bliss that seems to seek a home 
 And find it deep within, 'mid stirrings vague 
 Of far-off moments when our life was fresh ; 
 All sweetly-tempered music, gentle change 
 Of sound, form, color, as on wild lagoons 
 .\t sunset when from black far-floating prows 
 Comes a clear wafted song ; all exquisite joy 
 Of a subdued desire, like some strong stream 
 Made placid in the fulness of a lake — 
 All came with her sweet presence, for she brought 
 The love supreme which gathers to its realm 
 
 -^ >^ 
 
13^ 
 
 THE SPANISH GYPSY. 
 
 All powers of loving. Subtle nature's hand 
 Waked with a touch the far-linked harmonies 
 In her own manifold work. Fedalma there, 
 Fastidiousness became the prelude fine 
 For full contentment ; and young melancholy, 
 Lost for its origin, seemed but the pain 
 Of waiting for that perfect happiness. 
 The happiness was gone ! 
 
 He sate alone, 
 Hating companionship that was not hers ; 
 Felt bruised with hopeless longing ; drank, as 
 
 wine, 
 Illusions of what had been, would have been ; 
 Weary with anger and a strained resolve. 
 Sought passive happiness in waking dreams. 
 It has been so with rulers, emperors. 
 Nay, sages who held secrets of great Time, 
 Sharing his hoary and beneficent life — 
 Men who sate throned among the multitudes — 
 They have sore sickened at the loss of one. 
 Silva sat lonely in her chamber, leaned 
 Where she had leaned, to feel the evening breath 
 Shed from the orange trees ; when suddenly 
 His grief was echoed in a sad young voice 
 Far and yet near, brought by aerial wings. 
 
 The world is great : the birds all fly from me. 
 The stars are golden fruit upon a tree 
 All out of reach : my- little sister went. 
 And I am lonely. 
 
 The world is great : I ttied to mount the hill 
 Above the pines, where the light lies so still. 
 But it rose higher : little Lisa went. 
 And I am lonely. 
 
 The world is great : the wind comes rushing by, 
 I wonder where it comes from ; sea-birds cry 
 
And hurt my heart : my little sister 7uent, 
 And I am lonely. 
 
 The xvoi-ld is great : the people laugh and talk. 
 And make loud holiday : how fast they xvalk I 
 I'm lame, they push me : little Lisa went. 
 And I am lonely. 
 
 'Twas Pablo, like the wounded spirit of song 
 Pouring- melodious pain to cheat the hour 
 For idle soldiers in the castle court. 
 Dreamily Silva heard and hardly felt 
 The song was outward, rather felt it part 
 Of his own aching, like the lingering day, 
 Or slow and mournful cadence of the bell. 
 But when the voice had ceased he longed for it,. 
 And fretted at the pause, as memory frets 
 When words that made its body fall away 
 And leave it yearning dumbly. Silva then 
 Bethought him whence the voice came, framed 
 
 perforce 
 Some outward image of a life not his 
 That made a sorrowful centre to the world : 
 A boy lame, melancholy-eyed, who bore 
 A viol — yes, that very child he saw 
 This morning eating roots by the gateway — saw 
 As one fresh-ruined sees and spells a name 
 And knows not what he does, yet finds it writ 
 Full in the inner record. Hark, again ! 
 The voice and viol. Silva called his thought 
 To guide his ear and track the travelling sound 
 
 O bird that used to press 
 Thy head against my cheek 
 With touch that seemed to speak 
 
 And ask a tender "^^ yes " — 
 
 Ay de mi, my bird* 
 
 W 
 
134 
 
 THE SPANISH GYPSY. 
 
 tender downy breast 
 
 A nd warmly beating hearty 
 That beating seemed a part 
 
 Of me who gave it rest — 
 
 Ay de mi, my bird I 
 
 The western court ! The singer might be seen 
 From the upper gallery : quick the Duke was 
 
 there 
 Looking upon the court as on a stage. 
 Men eased of armor, stretched upon the ground. 
 Gambling by snatches ; shepherds from the hills 
 Who brought their bleating friends for slaughter ; 
 
 grooms 
 Shouldering loose harness ; leather-aproned 
 
 smiths, 
 Traders with wares, green-suited serving-men, 
 Made a round audience ; and in their midst 
 Stood little Pablo, pouring forth his song, 
 Just as the Duke had pictured. But the song 
 Was strangely companied by Roldan's play 
 With the swift gleaming balls, and now was 
 
 crushed 
 By peals of laughter at grave Annibal, 
 Who carrying stick and purse o'erturned 
 
 pence 
 Making mistake by rule. Silva had thought 
 To melt hard bitter grief by fellowship 
 With the world-sorrow trembling in his ear 
 In Pablo's voice ; had meant to give command 
 For the boy's presence ; but this company, 
 This mountebank and monkey, must be — stay ! 
 Not be excepted — must be ordered too 
 Into his private presence ; they had brought 
 Suggestion of a ready shapen tool 
 To cut a path between his helpless wish 
 And what it imaged. A ready shapen tool ! 
 
 ll 
 

 ^^^^•"^^^ 
 
 T//E SPANISH GYPSY. 
 
 35 
 
 J 
 
 A spy, an envoy whom he might despatch 
 
 In unsuspected secrecy, to find 
 
 The Gypsies' refuge so that none beside 
 
 Might learn it. And this juggler could be 
 
 bribed, 
 Would have no fear of Moors — for who would 
 
 kill 
 Dancers and monkeys ? — could pretend a journey 
 Back to his home, leaving his boy the while 
 To please the Duke with song. Without such 
 
 chance — 
 An envoy cheap and secret as a mole 
 Who could go scatheless, come back for his pay 
 And vanish straight, tied by no neighborhood — 
 Without such chance as this poor juggler brought, 
 Finding Fedalma was betraying her. 
 
 Short interval betwixt the thought and deed. 
 Roldan was called to private audience 
 With Annibal and Pablo. All the world 
 (By which I mean the score or two who heard) 
 Shrugged high their shoulders, and supposed the 
 
 Duke 
 Would fain beguile the evening and replace 
 His lacking happiness, as was the right 
 Of nobles, who could pay for any cure, 
 And wore nought broken, save a broken limb. 
 In truth, at first, the Duke bade Pablo sing. 
 But, while he sang, called Roldan wide apart. 
 And told him of a mission secret, brief — 
 A quest which well performed might earn much 
 
 gold. 
 But, if betrayed, another sort of pay. 
 Roldan was ready ; ' ' wished above all for gold 
 And never wished to speak ; had worked enough 
 At wagging his old tongue and chiming jokes ; 
 Thought it was others' turn to play the fool. 
 
 %^ 
 
136 
 
 THE SPANISH GYPSY. 
 
 
 Give him but pence enough, no rabbit, sirs. 
 Would eat and stare and be more dumb than 
 
 he. 
 Give him his orders." 
 
 They were given straight ; 
 Gold for the journey, and to buy a mule 
 Outside the gates through which he was to pass 
 Afoot and carelessly. The boy would stay 
 Within the castle, at the Duke's command, 
 And must have nought but ignorance to betray 
 For threats or coaxing. Once the quest per- 
 formed, 
 The news delivered with some pledge of truth 
 Safe to the Duke, the juggler should go forth, 
 A fortune in his girdle, take his boy 
 And settle firm as any planted tree 
 In fair Valencia, never more to roam. 
 ' ' Good I good I most worthy of a great hidalgo ! 
 And Roldan was the man ! But Annibal — 
 A monkey like no other, though morose 
 In private character, yet full of tricks — 
 'Twere hard to carry him, yet harder still 
 To leave the boy and him in company 
 And free to slip away. The boy was wild 
 And shy as mountain kid ; once hid himself 
 And tried to run away ; and Annibal, 
 Who always took the lad's side (he was small, 
 And they were nearer of a size, and, sirs, 
 Your monkey has a spite against us men 
 For being bigger) — Annibal went too. 
 Would hardly know himself, were he to lose 
 Both boy and monkey — and 'twas property, 
 The trouble he had put in Annibal. 
 He didn't choose another man should beat 
 His boy and monkey. If they ran away 
 Some man would snap them up, and square 
 himself 
 
 
ill 
 
 
 [.amps burning low make little atmospheres 
 Of light aittid the dimness.'' ~ Page 137. 
 
THE SPANISH GYPSY. 
 
 And say they were his goods — he'd taught them 
 
 — no ! 
 He Roldan had no mind another man 
 Should fatten by his monkey, and the boy 
 Should not be kicked by any pair of sticks 
 Calling himself a juggler." . . . 
 
 But the Duke, 
 Tired of that hammering, signed that it should 
 
 Bade Roldan quit all fears — the boy and ape 
 Should be safe lodged in Abderahman's tower, 
 In keeping of the great physician there, 
 The Duke's most special confidant and friend. 
 One skilled in taming brutes, and always kind. 
 The Duke himself this eve would see them 
 
 lodged. 
 Roldan must go — spend no more words — but go. 
 
 The Astrologer's Study. 
 
 A room high up in Abderahman's tower, 
 A window open to the still warm eve. 
 And the bright disk of royal Jupiter. 
 Lamps burning low make little atmospheres 
 Of light amid the dimness ; here and there 
 Show books and phials, stones and instruments. 
 In carved dark-oaken chair, unpillowed, sleeps 
 Right in the rays of Jupiter a small man. 
 In skull-cap bordered close with crisp gray curls. 
 And loose black gown showing a neck and breast 
 Protected by a dim-green amulet ; 
 Pale-faced, with finest nostril wont to breathe 
 Ethereal passion in a world of thought ; 
 Eyebrows jet-black and firm, yet delicate ; 
 
 •f" 
 
THE SPANISH GYPSY. 
 
 Beard scant and grizzled ; mouth shut finn, with 
 
 curves 
 So subtly turned to meanings exquisite, 
 You seem to read them as you read a word 
 Full-vowelled, long-descended, pregnant — rich 
 With legacies from long, laborious lives. 
 Close by him, like a genius of sleep. 
 Purrs the gray cat, bridling, with snowy breast. 
 A loud knock. " Forward I" in clear vocal ring. 
 Enter the Duke, Pablo, and Annibal. 
 Exit the cat, retreating toward the dark. 
 
 Don Silva. 
 You slept, Sephardo. I am come too soon. 
 
 Sephardo. 
 Nay, my lord, it was I who slept too long. 
 I go to court among the stars to-night, 
 So bathed my soul beforehand in deep sleep. 
 But who are these ? 
 
 Don Silva. 
 Small guests, for whom I ask 
 Your hospitality. Their owner comes 
 Some short time hence to claim them. I am 
 
 pledged 
 To keep them safely ; so I bring them you, 
 Trusting your friendship for small animals. 
 
 Sephardo. 
 Yea, am not I too a small animal ? 
 
 Don Silva. 
 I shall be much beholden to your love 
 If you will be their guardian. I can trust 
 No other man so well as you. The boy 
 Will please you with his singing, touches too 
 The viol wondrously. 
 
 ^ 
 
 \ 
 
„.^- 
 
 Hh 
 
 r 
 
 --=^rw'!iii!ri..' 
 
 T^^Y'^^^'X^t^!^?^'^ 
 
 THE SPANISH GYPSY. 
 
 139 
 
 Sephardo. 
 
 Their names are 
 
 They are welcome both. 
 
 Don SiLVA. 
 
 Pablo, this — this Annibal, 
 And yet, I hope, no warrior. 
 
 Sephardo. 
 
 We'll make peace. 
 Come, Pablo, let us loosen our friend's chain. 
 Deign you, my lord, to sit. Here Pablo, thou — 
 Close to my chair. Now Annibal shall choose. 
 
 [The cautious monkey, in a Moorish dress, 
 
 A tunic white, turban and scimitar. 
 
 Wears these stage garments, nay, his very flesh 
 
 With silent protest ; keeps a neutral air 
 
 As aiming at a metaphysic state 
 
 'Twixt " is" and ** is not ;" lets his chain be 
 
 loosed 
 By sage Sephardo's hands, sits still at first, 
 Then trembles out of his neutrality. 
 Looks up and leaps into Sephardo's lap, 
 And chatters forth his agitated soul. 
 Turning to peep at Pablo on the floor.] 
 
 Sephardo. 
 See, he declares we are at amity ! 
 
 Don Silva. 
 No brother sage had read your nature faster. 
 
 Sephardo. 
 Why, so he is a brother sage. Man thinks 
 Brutes have no wisdom, since they know not his: 
 Can we divine their world ? — the hidden life 
 
 *ir 
 
 IW^ 
 
 
^ 
 
 140 
 
 THE SPANISH GYPSY. 
 
 That mirrors us as hideous shapeless power, 
 
 Cruel supremacy of sharp-edged death, 
 
 Or fate that leaves a bleeding mother robbed ? 
 
 Oh, they have long tradition and swift speech, 
 
 Can tell with touches and sharp darting cries 
 
 Whole histories of timid races taught 
 
 To breathe in terror by red-handed man. 
 
 Don Silva. 
 Ah, you denounce my sport with hawk and 
 
 hound. 
 I would not have the angel Gabriel 
 As hard as you in noting down my sins, 
 
 Sephardo. 
 Nay, they are virtues for you warriors — 
 Hawking and hunting ! You are merciful 
 When you leave killing men to kill the brutes. 
 But, for the point of wisdom, I would choose 
 To know the mind that stirs between the wings 
 Of bees and building wasps, or fills the woods 
 With myriad murmurs of responsive sense 
 And true-aimed impulse, rather than to know 
 The thoughts of warriors. 
 
 Don Silva. 
 
 Yet they are warriors too— 
 Your animals. Your judgment limps, Sephardo . 
 Death is the king of this world ; 'tis his park 
 Where he breeds life to feed him. Cries of pain 
 Are music for his banquet ; and the masque — 
 The last grand masque for his diversion, is 
 The Holy Inquisition. 
 
 Sephardo. 
 Ay, anon 
 I may chime in with you. But not the less 
 
 \ 
 
 ■^ 
 
My judgment has firm feet. Though death were 
 
 king, 
 And cruelty his right-hand minister, 
 Pity insurgent in some human breasts 
 Makes spiritual empire, reigns supreme 
 As persecuted faith in faithful hearts. 
 Your small physician, weighing ninety pounds, 
 A petty morsel for a healthy shark, 
 Will worship mercy throned within his soul, 
 Though all the luminous angels of the stars 
 Burst into cruel chorus on his ear, 
 Singing, " We know no mercy." He would cry 
 " I know it" still, and soothe the frightened bird 
 And feed the child a-hungered, walk abreast 
 Of persecuted men, and keep most hate 
 For rational torturers. There I stand firm. 
 But you are bitter, and my speech rolls on 
 Out of your note. 
 
 Don SiLVA. 
 
 No, no, I follow you. 
 I too have that within which I will worship 
 In spite of . . . Yes, Sephardo, I am bitter. 
 I need your counsel, foresight, all your aid. 
 Lay these small guests to bed, then we will talk, 
 
 Sephardo. 
 See, they are sleeping now. The boy has made 
 My leg his pillow. For my brother sage. 
 He'll never heed us ; he knit long ago 
 A sound ape-system, wherein men are brutes 
 Emitting doubtful noises. Pray, my lord. 
 Unlade what burthens you : my ear and hand 
 Are servants of a heart much bound to you. 
 
 Don Silva. 
 Yes, yours is love that roots in gifts bestowed 
 By you on others, and will thrive the more 
 
 -'f 
 
142 
 
 THE SPANISH GYPSY. 
 
 The more it gives. I have a double want : 
 
 First a confessor — not a Catholic ; 
 
 A heart without a livery — naked manhood. 
 
 Sephardo. 
 My lord, I will be frank ; there's no such thing 
 As naked manhood. If the stars look down 
 On any mortal of our shape, whose strength 
 Is to judge all things without preference, 
 He is a monster, not a faithful man. 
 While my heart beats, it shall wear livery — 
 My people's livery, whose yellow badge 
 Marks them for Christian scorn. I will 
 
 not 
 
 say 
 
 Man is first man to me, then Jew or Gentile : 
 
 That suits the rich marranos ; but to me 
 
 My father is first father and then man. 
 
 So much for frankness' sake. But let that pass. 
 
 'Tis true at least, I am no Catholic 
 
 But Salomo Sephardo, a born Jew, 
 
 Willing to serve Don Silva. 
 
 Don Silva. 
 
 Oft you sing 
 Another strain, and melt distinctions down 
 As no more real than the wall of dark 
 Seen by small fishes' eyes, that pierce a span 
 In the wide ocean. Now you league yourself 
 To hem me, hold me prisoner in bonds 
 Made, say you — how ? — by God or Demiurge, 
 By spirit or flesh — I care not ! Love was made 
 Stronger than bonds, and where they press must 
 
 break them. 
 I came to you that I might breathe at large, 
 And now you stifle me with talk of birth, 
 Of race and livery. Yet you knew Fedalma. 
 She was your friend, Sephardo. And you know 
 
 i 
 
/ 
 
 THE SPANISH GYPSY. 
 
 .143 
 
 She is gone from me — know the hounds are 
 
 loosed 
 To dog me if I seek her. 
 
 Sephardo. 
 
 Yes, I know. 
 Forgive me that I used untimely speech, 
 Pressing a bruise. I loved her well, my lord : 
 A woman mixed of such fine elements 
 That were all virtue and religion dead 
 She'd make them newly, being what she was. 
 
 Don Silva. 
 
 Was ? say not 7uas, Sephardo ! She still lives — 
 
 Is, and is mine ; and I will not renounce 
 
 What heaven, nay, what she gave me, I will 
 
 sin. 
 If sin I must, to win my life again. 
 The fault lie with those powers who have em- 
 broiled 
 The world in hopeless conflict, where all truth 
 Fights manacled with falsehood, and all good 
 Makes but one palpitating life with ill. 
 
 (Don Silva /awj^j. Sephardo is silent.) 
 
 Sephardo, speak ! am I not justified ? 
 
 You taught my mind to use the wing that soars 
 
 Above the petty fences of the herd : 
 
 Now, when I need your doctrine, you are dumb 
 
 Sephardo. 
 
 Patience ! Hidalgos want interpreters 
 Of untold dreams and riddles ; they insist 
 On dateless horoscopes, on formulas 
 To raise a possible spirit, nowhere named. 
 Science must be their wishing-cap ; the stars 
 
 ^ 
 
 -n^ 
 
Speak plainer for high largesse. No, my lord I 
 I cannot counsel you to unknown deeds. 
 This much I can divine : you wish to find 
 Her whom you love — to make a secret search. 
 
 That is begun already : a messenger 
 Unknown to all has been despatched this night 
 But forecast must be used, a plan devised, 
 Ready for service when my scout returns. 
 Bringing the invisible thread to guide my steps 
 Toward that lost self my life is aching with. 
 Sephardo, I will go : and I must go 
 Unseen by all save you ; though, at our need, 
 We may trust Alvar. 
 
 Sephardo. 
 
 A grave task, my lord. 
 Have you a shapen purpose, or mere will 
 That sees the end alone and not the means ? 
 Resolve will melt no rocks. 
 
 Don Silva. 
 
 But it can scale them. 
 This fortress has two private issues : one, 
 "Which served the Gypsies' flight, to me is 
 
 closed : 
 Our bands must watch the outlet, now betrayed 
 To cunning enemies. Remains one other. 
 Known to no man save me : a secret left 
 As heirloom in our house : a secret safe 
 Even from him — from Father Isidor. 
 ' Tis he who forces me to use it — he : 
 All's virtue that cheats bloodhounds. 
 
 Sephardo. 
 Given, my scout returns and brings me news 
 
 Hear, 
 
THE SPANISH GYPSY. 
 
 I can straight act on, I shall want your aid. 
 The issue lies below this tower, your fastness, 
 Where, by my charter, you rule absolute. 
 I shall feign illness ; you with mystic air 
 Must speak of treatment asking vigilance 
 (Nay. I am ill — my life has half ebbed out). 
 I shall be whimsical, devolve command 
 On Don Diego, speak of poisoning. 
 Insist on being lodged within this tower. 
 And rid myself of tendance save from you 
 And perhaps from Alvar. So I shall escape 
 Unseen by spies, shall win the days I need 
 To ransom her and have her safe enshrined. 
 No matter, were my flight disclosed at last ; 
 I shall come back as from a duel fought 
 Which no man can undo. Now you know all. 
 Say, can I count on you ? 
 
 Sephardo. 
 
 For faithfulness 
 In aught that I may promise, yes. my lord. 
 But — for a pledge of faithfulness — this warning. 
 I will betray nought for your personal harm : 
 I love you. But note this— I am a Jew ; 
 And while the Christian persecutes my race, 
 I'll turn at need even the Christian's trust 
 Into a weapon and a shield for Jews. 
 Shall Cruelty crowned — wielding the savage force 
 Of multitudes, and calling savageness God 
 Who gives it victory — upbraid deceit 
 And ask for faithfulness ? I love you well. 
 You are my friend. But yet you are a Christian, 
 Whose birth has bound you to the Catholic kings. 
 There may come moments when to share my joy 
 Would make you traitor, when to share youf 
 
 grief 
 Would make me other than a Jcm' .... 
 
 W 
 
146 
 
 THE SPANISH GYPSY. 
 
 Don Silva, 
 
 What need 
 To urge that now, Sephardo ? I am one 
 Of many Spanish nobles who detest 
 The roaring bigotry of the herd, would fain 
 Dash from the lips of king and queen the cup 
 Filled with besotting venom, half infused 
 By avarice and half by priests. And now — 
 Now when the cruelty you flout me with 
 Pierces me too in the apple of my eye. 
 Now when my kinship scorches me like hate 
 Flashed from a mother's eye, you choose this time 
 To talk of birth as of inherited rage 
 Deep-down, volcanic, fatal, bursting forth 
 From under hard-taught reason ? Wondrous 
 
 friend ! 
 My uncle Isidor's echo, mocking me. 
 From the opposing quarter of the heavens, 
 With iteration of the thing I know, 
 That I'm a Christian knight and Spanish duke ! 
 The consequence ? Why, that I know. It lies 
 In my own hands and not on raven tongues. 
 The knight and noble shall not wear the chain 
 Of false-linked thoughts in brains of other men. 
 What question was there 'twixt us two, of aught 
 That makes division ? When I come to you 
 I come for other doctrine than the Prior's. 
 
 Sephardo. 
 My lord, you are o'erwrought by pain. My words 
 That carried innocent meaning, do but float 
 Like little emptied cups upon the flood 
 Your mind brings with it. I but answered you 
 With regular proviso, such as stands 
 In testaments and charters, to forefend 
 A possible case which none deem likelihood ; 
 Just turned my sleeve, and pointed to the brand 
 
 :Or^?^ 
 
( 
 
 THE SPANISH GYPSY. 
 
 147 
 
 Of brotherhood that limits every pledge. 
 Superfluous nicety— the student's trick, 
 Who will not drink until he can define 
 What water is and is not. But enough. 
 My will to serve you now knows no division 
 Save the alternate beat of love and fear. 
 There's danger in this quest — name, honor, life — 
 My lord, the stake is great, and are you 
 sure . . . 
 
 Don Silva. 
 
 ¥0, I am sure of nought but this, Sephardo, 
 hat I will go. Prudence is but conceit 
 Hoodwinked by ignorance. There's nought 
 
 exists 
 That is not dangerous and holds not death 
 For souls or bodies. Prudence turns its helm 
 To flee the storm and lands 'mid pestilence. 
 Wisdom would end by throwing dice with folly 
 But for dire passion which alone makes choice. 
 And I have chosen as the lion robbed 
 Chooses to turn upon the ravisher. 
 If love were slack, the Prior's imperious will 
 Would move it to outmatch him. But, Sephardo, 
 Were all else mute, all passive as sea-calms. 
 My soul is one great hunger — I must see her. 
 Now you are smiling. Oh, you merciful men 
 Pick up coarse griefs and fling them in the face 
 Of us whom life with long descent has trained 
 To subtler pains, mocking your ready balms. 
 You smile at my soul's hunger. 
 
 Sephardo. 
 
 Science smiles 
 And sways our lips in spite of us, my lord. 
 When thought weds fact — when maiden prophecy 
 Waiting, believing, sees the bridal torch. 
 
« 
 
THE SPANISH GYPSY. 
 
 149 
 
 Sephardo {returning with the parchment and 
 reseating himself). 
 
 True ; our growing thought 
 Makes growing revelation. But demand not 
 Specific augury, as of sure success 
 In meditated projects, or of ends 
 To be foreknown by peeping in God's scroll. 
 I say — nay, Ptolemy said it. but wise books 
 For half the truths they hold are honored tombs- 
 Prediction is contingent, of effects 
 Where causes and concomitants are mixed 
 To seeming wealth of possibilities 
 Beyond our reckoning. Who will pretend 
 To tell the adventures of each single fish 
 Within the Syrian Sea ? Show me a fish, 
 I'll weigh him, tell his kind, what he devoured. 
 What would have devoured him — but for one Bias 
 Who netted him instead ; nay, could I tell 
 That had Bias missed him, he would not have 
 
 died 
 Of poisonous mud, and so made carrion. 
 Swept off at last by some sea-scavenger ? 
 
 Don Silva. 
 Ay, now you talk of fishes, you get hard. 
 I note you merciful men : you can endure 
 Torture of fishes and hidalgos. Follows ? 
 
 Sephardo. 
 By how much, then, the fortunes of a man 
 Are made of elements refined and mixed 
 Beyond a tunny's, what our science tells 
 Of the star's influence hath contingency 
 In special issues. Thus, the loadstone draws, 
 Acts like a will to make the iron submiss ; 
 But garlic rubbing it, that chief effect 
 Lies in suspense ; the iron keeps at large, 
 
 ^ 
 
f 
 
 ^' 
 
 150 
 
 THE SPANISH GYPSY. 
 
 And garlic is controller of the stone. 
 And so, my lord, your horoscope declares 
 Not absolutely of your sequent lot. 
 But, by our lore's authentic rules, sets forth 
 What gifts, what dispositions, likelihoods 
 The aspects of the heavens conspired to fuse 
 "With your incorporate soul. Aught more than this 
 Is vulgar doctrine. For the ambient, 
 Though a cause regnant, is not absolute, 
 But suffers a determining restraint 
 From action of the subject qualities ' 
 In proximate motion. 
 
 Don Silva. 
 
 Yet you smiled just now 
 At some close fitting of my horoscope 
 With present fact — with this resolve of mine 
 To quit the fortress ? 
 
 Sephardo. 
 
 Nay, not so ; I smiled, 
 Observing how the temper of your soul 
 Sealed long tradition of the influence shed 
 By the heavenly spheres. Here is your horo- 
 scope : 
 The aspects of the Moon with Mars conjunct, 
 Of Venus and the Sun with Saturn, lord 
 Of the ascendant, make symbolic speech 
 Whereto j'^our words gave running paraphrase. 
 
 Don Silva {impatiently). 
 What did I say ? 
 
 Sephardo. 
 
 You spoke as oft you did 
 When I was schooling you at Cordova, 
 And lessons on the noun and verb were drowned 
 With sudden stream of general debate 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 151 
 
 On things and actions. Always in that stream 
 I saw the play of babbling currents, saw 
 A nature o'er-endowed with opposites 
 Making a self alternate, where each hour 
 Was critic of the last, each mood too strong 
 For tolerance of its fellow in close yoke. 
 The ardent planets stationed as supreme, 
 Potent in action, suffer light malign 
 From luminaries large and coldly bright 
 Inspiring meditative doubt, which straight 
 Doubts of itself, by interposing act 
 Of Jupiter in the fourth house fortified 
 With power ancestral. So, my lord, I read 
 The changeless in the changing ; so I read 
 The constant action of celes-tial powers 
 Mixed into waywardness of mortal men, 
 Whereof no sage's eye can trace the course 
 And see the close. 
 
 Don Silva. 
 
 Fruitful result, O sage ! 
 Certain uncertainty. 
 
 Sephardo. 
 
 Yea, a result 
 Fruitful as seeded earth, where certainty 
 Would be as barren as a globe of gold. 
 I love you, and would serve you well, my lord. 
 Your rashness vindicates itself too much. 
 Puts harness on of cobweb theory 
 While rushing like a cataract. Be warned. 
 Resolve with you is a fire-breathing steed. 
 But it sees visions, and may feel the air 
 Impassable with thoughts that come too late, 
 Rising from out the grave of murdered honor. 
 Look at your image in your horoscope : 
 
 {Laying the horoscope befo7'e Don SiLVA.j 
 
 I 
 
 '•^^ 
 

 152 
 
 THE SPANISH GYPSY. 
 
 You are so mixed, my lord, that each to-day 
 May seem a maniac to its morrow. 
 
 Don Silva {pushing axvay the horoscope, rising 
 and turning to look out at the open window). 
 
 No! 
 No morrow e'er will say that I am mad 
 Not to renounce her. Risks ! I know them all. 
 I've dogged each lurking, ambushed consequence. 
 I've handled every chance to know its shape 
 As blind men handle bolts. Oh, I'm too sane ! 
 I see the Prior's nets. He does my deed ; 
 For he has narrowed all my life to this — 
 That I must find her by some hidden means. 
 (He turns and stands close in front of Sephardo.) 
 One word, Sephardo— leave that horoscope, 
 Which is but iteration of myself, 
 And give me promise. Shall I count on you 
 To act upon my signal ? Kings of Spain 
 Like me have found their refuge in a Jew, 
 And trusted in his counsel. You will help me ? 
 
 . Sephardo. 
 
 Yes, my lord, I will help you. Israel 
 
 Is to the nations as the body's heart : 
 
 Thus writes our poet Jehuda. I will act 
 
 So that no man may ever say through me 
 
 "Your Israel is nought," and make my deeds 
 
 The mud they fling upon my brethren. 
 
 I will not fail you, save— you know the terms ; 
 
 I am a Jew, and not that infamous life 
 
 That takes on bastardy, will know no father, 
 
 So shrouds itself in the pale abstract, Man. 
 
 You should be sacrificed to Israel 
 
 If Israel needed it. 
 
 
 I 
 
 W 
 
M^^ 
 
 THE SPANISH GYPSY. 
 
 153 
 
 Don Silva. 
 
 I fear not that. 
 I am no friend of fines and banishment, 
 Or flames that, fed on heretics, still gape, 
 And must have heretics made to feed them still. 
 I take your terms, and for the rest, your love 
 Will not forsake me. 
 
 Sephardo. 
 
 'Tis hard Roman love. 
 That looks away and stretches forth the sword 
 Bared for its master's breast to run upon. 
 But you will have it so. Love shall obey. 
 
 (Don Silva turns to the window again, and 
 is silent for a few moments, looking at 
 the sky,) 
 
 Don Silva. 
 See now, Sephardo, you would keep no faith 
 To smooth the path of cruelty. Confess, 
 The deed I would not do, save for the strait 
 Another brings me to (quit my command, 
 Resign it for brief space, 1 mean no more) — 
 Were that deep branded, then the brand should 
 
 fix 
 On him who urged me. 
 
 Sephardo. 
 
 Will it, though, my lord ? 
 
 Don Silva. 
 I speak not of the fact but of the right. 
 
 Sephardo. 
 My lord, you said but now you were resolved. 
 Question not if the world will be unjust 
 Branding your deed. If conscience has two courts 
 
 II 
 
 ^ 
 
With differing verdicts, where shall lie the appeal ? 
 
 Our law must be without us or within. 
 
 The Highest speaks through all our people's 
 
 voice, 
 Custom, tradition, and old sanctities ; 
 Or he reveals himself by new decrees 
 Of inward certitude. 
 
 Don Silva. 
 
 My love for her 
 Makes highest law, must be the voice of God. 
 
 I thought, but now, you seemed to make excuse. 
 And plead as in some court where Spanish 
 
 knights 
 Are tried by other laws than those of love. 
 
 Don Silva. 
 
 'Twas momentary. I shall dare it all. 
 How the great planet glows, and looks at me, 
 And seems to pierce me with his effluence ! 
 Were he a living God, these rays that stir 
 In me the pulse of wonder were in him 
 Fulness of knowledge. Are you certified, 
 Sephardo, that the astral science shrinks 
 To such pale ashes, dead symbolic forms 
 For that congenital mixture of effects 
 Which Hfe declares without the aid of lore ? 
 If there are times propitious or malign 
 To our first framing, then must all events 
 Have favoring periods : you cull your plants 
 By signal of the heavens, then why not trace 
 As others would by astrologic rule 
 Times of good augury for momentous acts, — 
 As secret journeys ? 
 
 W 
 
THE SPANISH GYPSY. 
 
 Sephardo. 
 
 Oh, my lord, the stars 
 Act not as witchcraft or as muttered spells. 
 I said before they are not absolute. 
 And tell no fortunes. I adhere alone 
 To such tradition of their agencies 
 As reason fortifies. 
 
 Don Silva. 
 
 A barren science ! 
 Some argue now 'tis folly. 'Twere as well 
 Be of their mind. If those bright stars had will — 
 But they are fatal fires, and know no love. 
 Of old, I think, the world was happier 
 With many gods, who held a struggling life 
 As mortals do, and helped men in the straits 
 Of forced misdoing. I doubt that horoscope. 
 
 (Don Silva turns from the window and re- 
 seats himself opposite Sephardo.) 
 I am most self-contained, and strong to bear. 
 No man save you has seen my trembling lip 
 Utter her name, since she was lost to me. 
 I'll face the progeny of all my deeds, 
 
 Sephardo, 
 May they be fair ! No horoscope makes slaves. 
 'Tis but a mirror, shows one image forth. 
 And leaves the future dark with endless " ifs." 
 
 Don Silva. 
 I marvel, my Sephardo, you can pinch 
 "With confident selection these few grains, 
 Ahd call them verity, from out the dust 
 Of crumbling error. Surely such thought creeps, 
 With insect exploration of the world. 
 Were I a Hebrew, now, I would be bold. 
 Why should you fear, not being Catholic ? 
 
 ^P 
 
n 
 
 Lo I you yourself, my lord, mix subtleties 
 With gross belief ; by momentary lapse 
 Conceive, with all the vulgar, that we Jews 
 Must hold ourselves God's outlaws, and defy 
 All good with blasphemy, because we hold 
 Your good is evil ; think we must turn pale 
 To see our portraits painted in your hell, 
 And sin the more for knowing we are lost. 
 
 Don Silva. 
 
 Read not my words with malice. I but meant, 
 My temper hates an over-cautious march. 
 
 Sephardo. 
 
 The Unnamable made not the search for truth 
 To suit hidalgos' temper. I abide 
 By that wise spirit of listening reverence 
 Which marks the boldest doctors of our race. 
 For Truth, to us, is like a living child 
 Born of two parents : if the parents part 
 And will divide the child, how shall it live ? 
 Or, I will rather say : Two angels guide 
 The path of men, both aged and yet young, 
 As angels are, ripening through endless years. 
 On one he leans : some call her Memory, 
 And some, Tradition ; and her voice is sweet, 
 With deep mysterious accords : the other, 
 Floating above, holds down a lamp which streams 
 A light divine and searching on the earth. 
 Compelling eyes and footsteps. Memory yields, 
 Yet clings with loving check, and shines anew 
 Reflecting all the rays of that bright lamp 
 Our angel Reason holds. We had not walked 
 But for Tradition ; we walk evermore 
 To higher paths, by brightening Reason's lamp 
 
r,c- 
 
 THE SPANISH GYPSY. 
 
 157 
 
 Still we are purblind, tottering. I hold less 
 
 Than Aben-Ezra, of that aged lore 
 
 Brought by long centuries from Chaldaean plains ; 
 
 The Jew-taught Florentine rejects it all. 
 
 For still the light is measured by the eye, 
 
 And the weak organ fails. I may see ill ; 
 
 But over all belief is faithfulness, 
 
 Which fulfils vision with obedience. 
 
 So, I must grasp my morsels : truth is oft 
 
 Scattered in fragments round a stately pile 
 
 Built half of error ; and the eye's defect 
 
 May breed too much denial. But, my lord, 
 
 I weary your sick soul. Go now with me 
 
 Into the turret. We will watch the spheres, 
 
 And see the constellations bend and plunge 
 
 Into a depth of being where our eyes 
 
 Hold them no more. We'll quit ourselves and be 
 
 The red Aldebaran or bright Sirius, 
 
 And sail as in a solemn voyage, bound 
 
 On some great quest we know not. 
 
 Don Silva. 
 
 Let us go. 
 She may be watching too, and thought of her 
 Sways me, as if she knew, to every act 
 Of pure allegiance. 
 
 Sephardo. 
 
 That is love's perfection — 
 Tuning the soul to all her harmonies 
 So that no chord can jar. Now we will mount. 
 
^' 
 
 THE SPANISH GYPSY. 
 
 A large hall in the Castle^ of Moonsh architecture. 
 On the side where the windows are, an outer 
 gallery. Pages and other young gentlemen at- 
 tached to Don Silva's household, gathered 
 chiejly at one end of the hall. Some are moV' 
 ing about ; others are lounging on the carved 
 benches ; others, half stretched on pieces of 
 matting and carpet, are gajubling. Arias, a 
 stripling of fifteen, sings by snatches in a boy- 
 ish treble, as he walks up and down, and tosses 
 back the nuts which another youth flings 
 toward him. In the middle Don Amador, 
 a gaunt, gray-haired soldier, in a handsojue 
 uniform, sits in a marble red-ctishioned chair, 
 with a large book spread out on his knees, 
 frotn which he is reading aloud, while his 
 voice is half drotvned by the talk that is going 
 on around him, first one voice and then an- 
 other surging above the hum. 
 
 Arias {singing). 
 There was a holy hermit 
 
 Who counted all things loss 
 For Christ his Master s glory : 
 
 He made an ivory cross. 
 And as he knelt befoj-e it 
 
 And wept his murdered Lord, 
 The ivory turned to iron. 
 
 The cross became a sword. 
 
 Jos6 {fro??t the floor). 
 I say, twenty cruzados ! thy Galician wit can 
 never count. 
 
 Hernando {also from the floor). 
 And thy Sevillian wit always counts double. 
 
THE SPANISH GYPSY. 
 
 J^ 
 
 159 
 
 Arias {singing). 
 The tears that fell upon it. 
 
 They turned to red, red rust. 
 The tears that fell from off it 
 
 Made xvriting in the dust. 
 The holy hermit, gazing. 
 
 Saw words upon the ground : 
 " The sword be red forever 
 
 With the blood of false Mahound" 
 
 Don Amador {looking up from his book, and 
 raising his voice). 
 
 "What, gentlemen ! Our Glorious Lady defend 
 us! 
 
 Enriquez {from the benches). 
 
 Serves the infidels right ! They have sold 
 Christians enough to people half the towns in 
 Paradise. If the Queen, now, had divided the 
 pretty damsels of Malaga among the Castilians 
 who have been helping in the holy war, and not 
 sent half of them to Naples . . . 
 
 Arias {singing again). 
 At the battle of Clavijo 
 In the days of King Ramiro, 
 Help us, Allah ! cried the Moslem, 
 Cried the Spaniard, Heaven s chosen, 
 
 God and Santiago 1 
 Fabian. 
 Oh, the very tail of our chance has vanished. 
 The royal army is breaking up — going home for 
 the winter. The Grand Master sticks to his own 
 border. 
 
 Arias {singing.) 
 Straight out-flushing like the rainbow. 
 See him come, celestial Baron, 
 
 ■9 
 
^ 
 
 I Co THE ^PAN-ISH GYPSY. 
 
 Mounted knighty with red-crossed banner, 
 Plunging earthward to the battle. 
 
 Glorious Santiago ! 
 
 HURTADO. 
 
 Yes, yes, through the pass of By-and-by, you 
 go to the valley of Never. We might have done 
 a great feat, if the Marquis of Cadiz . . . 
 
 Arias {sings). 
 As thejlame before the swift wind. 
 See, he fires us, we burn with hi7?i I 
 Flash our swords, dash Pagans backward — 
 Victory he ! pale fear is Allah ! 
 
 God with Santiago I 
 
 Don Amador {raising his voice to a cry). 
 Sangre de Dios, gentlemen ! 
 
 {He shuts the book, and lets it fall with a bang 
 on the fioor. There is instant silence.) 
 
 To what good end is it that I, who studied at 
 Salamanca, and can write verses agreeable to the 
 Glorious Lady with the point of a sword which 
 hath done harder service, am reading aloud in a 
 clerkly manner from a book which hath been culled 
 from the flowers of all books, to instruct you in 
 the knowledge befitting those who would be 
 knights and worthy hidalgos ? I had as lief be 
 reading in a belfry. And gambling too ! As if 
 it were a time when we needed not the help of 
 God and the saints ! Surely for the space of one 
 hour ye might subdue your tongues to your ears, 
 that so your tongues might learn somewhat of 
 civility and modesty. Wherefore am I master of 
 the Duke's retinue, if my voice is to run along 
 like a gutter in a storm ? 
 
 
THE SPANISH GYPSY. 
 
 l6l 
 
 //'. 
 
 mk 
 
 0// 
 
 HuRTADO {lifting up the book, and respectfully 
 presenting it to Don Amador. 
 
 Pardon, Don Amador ! The air is so corn- 
 moved by your voice, that it stirs our tongues in 
 spite of us. 
 
 Don Amador {reopening the book). 
 
 Confess, now, it is a goose-headed trick, that 
 when rational sounds are made for your edifica- 
 tion, you find nought in it but an occasion for 
 purposeless gabble. I will report it to the Duke, 
 and the reading-time shall be doubled, and my 
 office of reader shall be handed over to Fray 
 Domingo. 
 
 ( While Don Amador has been speaking, 
 Don Silva, with Don Alvar, has 
 appeared walking in the outer gallery 
 on which the windows are opened. ) 
 
 No, no, no. 
 
 All {in concert). 
 
 Don Amador. 
 
 Are ye ready, then, to listen, if I finish the 
 wholesome extract from the Seven Parts, wherein 
 the wise King Alfonso hath set down the reason 
 why knights should be of gentle birth ? Will ye 
 now be silent ? 
 
 Yes, silent. 
 
 All. 
 
 Don Amador. 
 
 But when I pause, and look up, I give any 
 leave to speak, if he hath aught pertinent to 
 say. 
 
 T 
 
 
 ^ 
 
.s-m 
 
 162 
 
 THE SPANISH GYPSY. 
 
 {Reads.) 
 
 ' ' And this nobility cometh in three ways : Jirsf, 
 by lineage, secofidly, by science, and thirdly, by 
 valor and worthy behavior. Now, although they 
 who gain nobility through science or good deeds 
 are rightfully called noble and gentle ; neverthe- 
 less, they are with the highest fitness so called who 
 are noble by ancient lineage, and lead a worthy 
 life as by inheritance from afar ; and hence are 
 more bound and constrained to act well, and 
 guard themselves from error and wrong-doing ; 
 for in their case it is more true that by evil-doing 
 they bring injury and shame not only on them- 
 selves, but also on those from whom they are de- 
 rived." 
 
 Don Amador {placing his forefinger for a mark 
 on the page, and looking up, while he keeps 
 his voice raised, as wishing Don Silva to 
 overhear him in the judicious discharge of his 
 function.) 
 
 Hear ye that, young gentlemen ? See ye not 
 that if ye have but bad manners even, they dis- 
 grace you more than gross misdoings disgrace the 
 low-born ? Think you. Arias, it becomes the 
 son of your house irreverently to sing and fling 
 nuts, to the interruption of your elders ? 
 
 Arias {sitting on the floor, and leaning back' 
 ward on his elbows). 
 Nay, Don Amador ; King Alfonso, they say, 
 was a heretic, and I think that is not true writing. 
 For noble birth gives us more leave to do ill if we 
 ]^ke. 
 
 Don Amador {lifting his brows). 
 "What bold and blasphemous talk is this ? 
 
THE SPANISH GYPSY. 
 
 163 
 
 Arias. 
 Why, nobles are only punished now and then, 
 in a grand way, and have their heads cut off, like 
 the Grand Constable. I shouldn't mind that. 
 
 Josf. 
 Nonsense, Arias ! nobles have their heads cut 
 off because their crimes are noble. If they did 
 what was unknightly, they would come to shame. 
 Is not that true, Don Amador ? 
 
 Don Amador. 
 Arias is a contumacious puppy, who will bring 
 dishonor on his parentage. Pray, sirrah, whom 
 did you ever hear speak as you have spoken ? 
 
 Arias. 
 
 Nay, I speak out of my own head, 
 and ask the Duke. 
 
 I shall go 
 
 Hurtado. 
 Now, now ! you are too bold. Arias. 
 
 Arias. 
 Oh, he is never angry with me, — {Dropping his 
 voice) because the Lady Fedalma liked me. She 
 said I was a good boy, and pretty, and that is what 
 you are not, Hurtado. 
 
 Hurtado. 
 Girl-face ! See, now, if you dare ask the Duke. 
 
 (Don Silva is just entering the hall from 
 the gallery, with Don Alvar behind 
 him, intending to pass out at the other 
 end. All rise tvith homage. Don 
 Silva bows coldly and abstractedly. 
 Arias advances from the group, and 
 goes up to Don Silva.) 
 
 =^ 
 
i 
 
THE SPANISH GYPSY. 
 
 Blasco. 
 
 Ay, for we are soon to. part, 
 And I would see you at the hostelry, 
 To take my reckoning. I go forth to-day. 
 
 Lorenzo. 
 
 'Tis grievous parting with good company. 
 I would I had the gold to pay such guests 
 For all my pleasure in their talk. 
 
 Blasco. 
 
 Why, yes ; 
 A solid-headed man of Aragon 
 Has matter in him that you Southerners lack. 
 You like my company — 'tis natural. 
 But, look you, I have done my business well. 
 Have sold and ta'en commissions. I come 
 
 straight 
 From — you know who — I like not naming him. 
 I'm a thick man : you reach not my backbone 
 With any tooth-pick ; but I tell you this : 
 He reached it with his eye, right to the marrow. 
 It gave me heart that I had plate to sell. 
 For, saint or no saint, a good silversmith 
 Is wanted for God's service ; and my plate — 
 He judged it well — bought nobly. 
 
 I % 
 
 And holy ! 
 
 Lorenzo. 
 
 Blasco. 
 
 A great man, 
 
 Yes, I'm glad I leave to-day. 
 For there are stories give a sort of smell — 
 One's nose has fancies. A good trader, sir, 
 Likes not this plague of lapsing in the air, 
 Most caught by men with funds. And they do say 
 
 L 
 
z 
 
 i66 
 
 THE SPANISH GYPSY. 
 
 'M 
 
 r 
 
 
 There's a great terror here in Moors and Jews, 
 I would say, Christians of unhappy blood. 
 'Tis monstrous, sure, that men of substance lapse, 
 And risk their property. I know I'm sound. 
 No heresy was ever bait to me. Whate'er 
 Is the right faith, that I believe — nought else. 
 
 Lorenzo. 
 
 Ay, truly, for the flavor of true faith 
 
 Once known must sure be sweetest to the taste. 
 
 But an uneasy mood is now abroad 
 
 "Within the town ; partly, for that the Duke 
 
 Being sorely sick, has yielded the command 
 
 To Don Diego, a most valiant man, 
 
 More Catholic than the Holy Father's self. 
 
 Half chiding God that He will tolerate 
 
 A Jew or Arab ; though 'tis plain they're made 
 
 For profit of good Christians. And weak heads — 
 
 Panic will knit all disconnected facts — 
 
 Draw hence belief in evil auguries. 
 
 Rumors of accusation and arrest. 
 
 All air-begotten. Sir, you need not go. 
 
 But if it must be so, I'll follow you 
 
 In fifteen minutes — finish marketing, 
 
 Then be at home to speed you on your way. 
 
 * Blasco. 
 
 Do so. I'll back to Saragossa straight. 
 
 The court and nobles are retiring now 
 
 And wending northward. There'll .be fresh 
 
 demand 
 For bells and images against the Spring, 
 "When doubtless our great Catholic sovereigns 
 "Will move to conquest of these eastern parts, 
 And cleanse Granada from the infidel. 
 Stay, sir, with God, until we meet again ' 
 
 1<^. 
 
 
! 
 
 THE SPANISH GYPSY. 
 
 167 
 
 Lorenzo. 
 Go, sir, with God, until I follow you I 
 
 {Exit Blasco. Lorenzo passes on to%vard 
 the market-woman, ivho, as he ap- 
 proaches, raises herself frotn her leaning 
 attitude.) 
 
 Lorenzo. 
 
 Good day, my mistress. How's your merchan- 
 dise ? 
 Fit for a host to buy ? Your apples now, 
 They have fair cheeks ; how are they at the core ? 
 
 Market-Woman. 
 Good, good, sir ! Taste and try. See, here is one 
 Weighs a man's head. The best are bound with 
 
 tow : 
 They're worth the pains, to keep the peel from 
 
 splits. 
 
 {She takes out an apple bound with tow, 
 and, as she puts it into LoRENZo's 
 hand, speaks in a lower tone.) 
 
 'Tis called the Miracle. You open it, 
 And find it full of speech. 
 
 Lorenzo. 
 
 Ay, give it me, 
 I'll take it to the Doctor in the tower. 
 He feeds on fruit, and if he likes the sort 
 I'll buy them for him. Meanwhile, drive your ass 
 Round to my hostelry. I'll straight be there. 
 You'll not refuse some barter ? 
 
 Market-Woman. 
 
 No, not I. 
 
 Feathers and skins. 
 
THE SPANISH GYPSY. 
 
 Lorenzo. 
 
 Good, till we meet again. 
 
 (Lorenzo, after smelling at the apple, puts 
 it into a pouch-like basket which hangs 
 before him, and walks away. The 
 woman drives off the mule.) 
 
 A Letter. 
 
 " Zarca, the chieftain of the Gypsies, greets 
 
 The King El Zagal. Let the force be sent 
 
 With utmost swiftness to the Pass of Luz. 
 
 A good five hundred added to my bands 
 
 Will master all the garrison : the town 
 
 Is half with us, and will not lift an arm 
 
 Save on our side. My scouts have found a way 
 
 Where once we thought the fortress most secure : 
 
 Spying a man upon the height, they traced, 
 
 By keen conjecture piecing broken sight, 
 
 His downward path, and found its issue. Ihere 
 
 A file of us can mount, surprise the fort 
 
 And give the signal to our friends within 
 
 To ope the gates for our confederate bands 
 
 Who will lie eastward ambushed by the rocks. 
 
 Waiting the night. Enough ; give me command, 
 
 Bedmar is yours. Chief Zarca will redeem 
 
 His pledge of highest service to the Moor : 
 
 Let the Moor too be faithful and repay 
 
 The Gypsy with the furtherance he needs 
 
 To lead his people over Bahr el Scham 
 
 And plant them on the shore of Africa. 
 
 So may the King El Zagal live as one 
 
 Who, trusting Allah will be true to him, 
 
 Maketh himself as Allah true to friends." 
 
 E 
 
BOOK III. 
 
 Quit now the town, and with a journeying dream 
 
 Swift as the wings of sound yet seeming slow 
 
 Through multitudinous pulsing of stored sense 
 
 And spiritual space, see walls and towers 
 
 Lie in the silent whiteness of a trance. 
 
 Giving no sign of that warm life within 
 
 That moves and murmurs through their hidden 
 
 heart. 
 Pass o'er the mountain, wind in sombre shade. 
 Then wind into the light and see the town 
 Shrunk to white crust upon the darker rock. 
 Turn east and south, descend, then rise anew 
 'Mid smaller mountains ebbing toward the plain : 
 Scent the fresh breath of the height-loving herbs 
 That, trodden by the pretty parted hoofs 
 Of nimble goats, sigh at the innocent bruise. 
 And with a mingled difference exquisite 
 Pour a sweet burthen on the buoyant air. 
 Pause now and be all ear. Far from the south, 
 Seeking the listening silence of the heights. 
 Comes a slow-dying sound — the Moslems' call 
 To prayer in afternoon. Bright in the sun 
 Like tall white sails on a green shadowy sea 
 Stand Moorish watch-towers : 'neath that eastern 
 
 sky 
 Couches unseen the strength of Moorish Baza ; 
 "Where the meridian bends lies Guadix, hold 
 Of brave El Zagal. This is Moorish land. 
 Where Allah lives unconquered in dark breasts 
 
 ■P 
 
THE SPANISH GYPSY. 
 
 And blesses still the many-nourishing earth 
 With dark-armed industry. See from the steep 
 The scattered olives hurry in gray throngs 
 Down toward the valley, where the little stream 
 Parts a green hollow 'twixt the gentler slopes , 
 And in that hollow, dwellings : not white homes 
 Of building Moors, but little swarthy tents 
 Such as of old perhaps on Asian plains, 
 Or wending westward past the Caucasus, 
 Our fathers raised to rest in. Close they swarm 
 About two taller tents, and viewed afar 
 Might seem a dark-robed crowd in penitence 
 That silent kneel ; but come now in their midst 
 And watch a busy, bright-eyed, sportive life ! 
 Tall maidens been to feed the tethered goat, 
 The ragged kirtle fringing at the knee 
 Above the living curves, the shoulder's smooth- 
 ness 
 Parting the torrent strong of ebon hair. 
 Women with babes, the wild and neutral glance 
 Swayed now to sweet desire of mothers' eyes, 
 Rock their strong cradling arms and chant low 
 
 strains 
 Taught by monotonous and soothing winds 
 That fall at night-time on the dozing ear. 
 The crones plait reeds, or shred the vivid herbs 
 Into the caldron : tiny urchins crawl 
 Or sit and gurgle forth their infant joy. 
 Lads lying sphynx-Iike with uplifted breast 
 Propped on their elbows, their black manes tossed 
 
 back, 
 Fling up the coin and watch its fatal fall, 
 Dispute and scramble, run and wrestle fierce, 
 Then fall to play and fellowship again ; 
 Or in a thieving swarm they rim to plague 
 The grandsires, who return with rabbits slung. 
 And with the mules fruit-laden from the fields. 
 
THE SPANISH GYPSY. 
 
 171 
 
 Some striplings choose the smooth stones from the 
 
 brook 
 To serve the slingers, cut the twigs for snares, 
 Or trim the hazel-wands, or at the bark 
 Of some exploring dog they dart away 
 With swift precision toward a moving speck. 
 These are the brood of Zarca's Gypsy tribe ; 
 Most like an earth-born race bred by the Sun 
 On some rich tropic soil, the father's light 
 Flashing in coal-black eyes, the mother's blood 
 With bounteous elements feeding their young 
 
 limbs. 
 The stalwart men and youths are at the wars 
 Following their chief, all save a trusty band 
 Who keep strict watch along the northern heights. 
 
 But see, upon a pleasant spot removed 
 From the camp's hubbub, where the thicket strong 
 Of huge-eared cactus makes a bordering curve 
 And casts a shadow, lies a sleeping man 
 With Spanish hat screening his upturned face, 
 His doublet loose, his right arm backward flung. 
 His left caressing close the long-necked lute 
 That seems to sleep too, leaning tow'rd its lord. 
 He draws deep breath secure but not unwatched. 
 Moving a-tiptoe, silent as the elves. 
 As mischievous too, trip three bare-footed girls 
 Not opened yet to womanhood — dark flowers 
 In slim long buds : some paces farther off 
 Gathers a little white-teethed shaggy group, 
 A grinning chorus to the merry play. 
 The tripping girls have robbed the sleeping man 
 Of all his ornaments. Hita is decked 
 With an embroidered scarf across her rags ; 
 Tralla, with thorns for pins, sticks two rosettes 
 Upon her threadbare woollen ; Hinda now. 
 Prettiest and boldest, tucks her kirtle up 
 
 V^ 
 
172 
 
 THE SPANISH GYPSY. 
 
 As wallet for the stolen buttons — then 
 Bends with her knife to cut from off the hat 
 The aigrette and long feather ; deftly cuts, 
 Yet wakes the sleeper, who with sudden start 
 Shakes off the masking hat and shows the face 
 Of Juan : Hinda swift as thought leaps back, 
 But carries off the spoil triumphantly,- 
 And leads the chorus of a happy laugh. 
 Running with all the naked-footed imps, 
 Till with safe survey all can face about 
 And watch for signs of stimulating chase, 
 While Hinda ties long grass around her brow 
 To stick the feather in with majesty. 
 Juan still sits contemplative, with looks 
 Alternate at the spoilers and their work. 
 
 Juan. 
 Ah, you marauding kite — my feather gone ! 
 My belt, my scarf, my buttons and rosettes ! 
 This is to be a brother of your tribe ! 
 The fiery-blooded children of the Sun — 
 So says chief Zarca — children of the Sun ! 
 Ay, ay, the black and stinging flies he breeds 
 To plague the decent body of mankind. 
 " Orpheus, professor of the gai saber, 
 Made all the brutes polite by dint of song." 
 Pregnant — but as a guide in daily life 
 Delusive. For if song and music cure 
 The barbarous trick of thieving, 'tis a cure 
 That works as slowly as old Doctor Time 
 In curing folly. Why, the minxes there 
 Have rhythm in their toes, and music rings 
 As readily from them as from little bells 
 Swung by the breeze. Well, I will try the physic. 
 {^He touches his lute.) 
 Hem ! taken rightly, any single thing. 
 The Rabbis say, implies all other things. 
 
 k 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 173 
 
 ^^f 
 
 A knotty task, though, the unravelling 
 Meum and Tuum from a saraband : 
 It needs a subtle logic, nay, perhaps 
 A good large property, to see the thread. 
 
 {He touches the lute again.) 
 There's more of odd than even in this world. 
 Else pretty sinners would not be let off 
 Sooner than ugly ; for if honeycombs 
 Are to be got by stealing, they should go 
 Where life is bitterest on the tongue. And yet — 
 Because this minx has pretty ways I wink 
 At all her tricks, though if a flat-faced lass, 
 With eyes askew, were half as bold as she, 
 I should chastise her with a hazel switch. 
 I'm a plucked peacock — even my voice and wit 
 Without a tail ! — why, any fool detects 
 The absence of your tail, but twenty fools 
 May not detect the presence of your wit. 
 
 {He touches his lute again.) 
 Well, I must coax my tail back cunningly. 
 For to run after these brown lizards — ah ! 
 I think the lizards lift their ears at this. 
 
 {As he thrums his lute the lads and girls 
 gradually approach : he touches it more 
 briskly, and HiNDA, advancing, begijis 
 to tnove aj'ms and legs with an initiatory 
 dancing movement, smiling coaxingly 
 at Juan. He suddenly stops, lays 
 doiun his lute and folds his arms.) 
 
 Juan. 
 What, you expect a tune to dance to, eh ? 
 
 Hinda, Hita, Tralla, and the rest 
 {clapping their hands). 
 Yes, yes, a tune, a tune ' 
 
 U:^ 
 
 ■0^ 
 
THE SPANISH GYPSY. 
 
 Juan. 
 
 But that is what you cannot have, my sweet 
 brothers and sisters. The tunes are all dead — 
 dead as the tunes of the lark when you have 
 plucked his wings off ; dead as the song of the 
 grasshopper when the ass has swallowed him. I 
 can play and sing no more. Hinda has killed 
 my tunes. 
 
 {A II cry out in consternation. H IND A gives 
 a wail and tries to examine the lute.) 
 
 Juan {waving her off). 
 
 Understand, Sefiora Hinda, that the tunes are 
 in me ; they are not in the lute till I put them 
 there. And if you cross my humor, I shall be as 
 tuneless as a bag of wool. If the tunes are to be 
 brought to life again, I must have my feather 
 back. 
 
 (Hinda kisses his hands and feet coax- 
 ingly.) 
 
 No, no ! not a note will come for coaxing. 
 The feather, I say, the feather ! 
 
 (Hinda sorrowfully takes off the feather, 
 and gives it to Juan.) 
 
 Ah, now let us see. Perhaps a tune will come. 
 
 {He plays a measure, and the three girls 
 begin to dance ; then he suddenly stops. ) 
 
 Juan. 
 No, the tune will not come : it wants the 
 aigrette {pointing to it on Hinda s neck). 
 
 (Hinda, with rather less hesitation, but 
 again sorrowfully, takes off the aigrette, 
 and gives it to him.) 
 
 I/I ;■ 
 
 i 
 
THE SPANISH GYPSY. 
 
 Juan. 
 
 175 
 
 Ha ! {He plays again, but, after rather a longer 
 time, again stops.) No, no ; 'tis the buttons are 
 wanting, Hinda, the buttons. This tune feeds 
 chiefly on buttons — a greedy tune. It wants one, 
 two, three, four, five, six. Good ! 
 
 {After Hinda has given up the buttons, and 
 Juan has laid them down one by one, he 
 begins to play again, going oit longer 
 than before, so that the dancers become 
 excited by the 7?iovement. Then he 
 stops. ) 
 
 Juan. 
 
 Ah, Hita, it is the belt, and, Tralla, the rosettes 
 — both are wanting. I see the tune will not go 
 on without them. 
 
 (Hita and Tralla take off the belt and ro- 
 settes, and lay them dotvn quickly, being 
 fired by the dancing, and eager for the 
 music. All the articles lie by Juan's 
 side on the ground. ) 
 
 Juan. 
 
 Good, good, my docile wild-cats ! Now I think 
 the tunes are all alive again. Now you may 
 dance and sing too. Hinda, my little screamer, 
 lead off with the song I taught you, and let us 
 see if the tune will go right on from beginning 
 to end. 
 
 {He plays. The dance begins again , H I N D A 
 singing. All the other boys and girl- 
 join in the chorus, and all at last dance 
 wildly.) 
 
 ^ 
 
/ 
 
 \-T 
 
 176 THE SPANISH GYPSY. 
 
 SONG. 
 
 All things journey : sun and moon, 
 Morning, noon, and afternoon. 
 
 Night and all her stars : 
 ' ' Twixt the east and western bars 
 Round they journey. 
 Come and go ! 
 We go with thetn I 
 For to roam and ever roam 
 Is the Zinc all s loved home. 
 
 Earth is good, the hillside breaks 
 By the ashen roots and makes 
 
 Hungry nostrils glad : 
 Then ive run till we are mad. 
 
 Like the horses. 
 
 And we cry. 
 
 None shall catch us I 
 Swift winds wing us — we are free — 
 Drink the air — we Zincali 1 
 
 Falls the snow : the pine-branch split. 
 Call the fire out, see it flit. 
 
 Through the dry leaves run. 
 Spread and glow, and make a sun 
 
 In the dark tent : 
 
 warm dark I 
 
 Warm as conies ! 
 Strong fire loves us, we are warm I 
 Who the Zincali shall harm ? 
 
 Onward journey : fires are spent ; 
 Sunward, sunward! lift the tent. 
 
 Run before the rain. 
 Through the pass, along the plain. 
 
.^^^^ 
 
 / 
 
 THE SPANISH GYPSY. 
 
 HurrVy hurry. 
 
 Lift us, wind! 
 
 Like the horses. 
 For to roam and ever roam 
 Is the ZincaW s loved home. 
 
 {When the dance is at its height, Hinda 
 breaks away from the rest, and dances 
 round Juan, %vho is now standing. As 
 he turns a little to watch her fnovemeni, 
 some of the boys skip totvard the feather, 
 aigrette, etc. , snatch them up, and run 
 away, swiftly followed by YIyyk, Tral- 
 LA, and the rest. HiNDA, as she turns 
 again, sees them, screavis, and falls in 
 her whirling ; but immediately gets up, 
 and rushes after them, still screaming 
 with rage.) 
 
 Juan. 
 
 Santiago ! these imps get bolder, Haha ! Se- 
 fiora Hinda, this finishes your lesson in ethics. 
 You have seen the advantage of giving up stolen 
 goods. Now you see the ugliness of thieving 
 when practised by others. That fable of mine 
 about the tunes was excellently devised. I feel 
 like an ancient sage instructing our lisping an- 
 cestors. My memory will descend as the Orpheus 
 of Gypsies. But I must prepare a rod for those 
 rascals. I'll bastinado them with prickly pears. 
 It seems to me these needles will have a sound 
 moral teaching in them. 
 
 ( While Juan takes a knife from his belt, 
 and surveys a bush of the prickly pear, 
 HiNDA returns.) 
 
 -■j^ 
 
178 
 
 THE SPANISH GYPSY. 
 
 Juan. 
 Pray, Senora, why do you fume ? Did you 
 want to steal my ornaments again yourself ? 
 
 Hind A {sobbing). 
 No ; I thought you would give them me back 
 again. 
 
 Juan. 
 What, did you want the tunes to die again 
 Do you like finery better than dancing ? 
 
 Hinda. 
 
 Oh, that was a tale ! I shall tell tales too, 
 
 when I want to get anything I can't steal. And 
 
 I know what I will do. I shall tell the boys I've 
 
 found some little foxes, and I will never say 
 
 where they are till they give me back the feather ! 
 
 {She runs off again.) 
 
 Juan. 
 
 Hem ! the disciple seems to seize the mode 
 
 sooner than the matter. Teaching virtue with this 
 
 prickly pear may only teach the youngsters to use 
 
 a new weapon ; as your teaching orthodoxy with 
 
 fagots may only bring up a fashion of roasting. 
 
 Dios ! my remarks grow too pregnant — my wits 
 
 get a plethora by solitary feeding on the produce 
 
 of my own wisdom. 
 
 {As he puts up his knife again, HiNDA 
 covies running back, and crying, " Our 
 Queen ! our Queen ! " Juan adjusts 
 his garments and his lute, while Htnda 
 turns to meet Fedalma, %uho wears a 
 Moorish dress, her dark hair hanging 
 round her in plaits, a white turban on 
 her head, a dagger by her side. She 
 carries a scarf on her left arm, zvhich 
 she holds up as a shade.) 
 
 -23. 
 
Fedalma {patting Hinda's head\ 
 
 How now, wild one ? You are hot and pant- 
 ing. Go to my tent, and help Nouna to plait 
 reeds. 
 
 (HiNDA kisses Fed alma's hand, and runs 
 off. Fedalma advances toward JvA'N, 
 It ho kneels to take up the edge of her cy- 
 mar, and kisses it. ) 
 
 Juan. 
 
 How is it with you, lady? You look sad. 
 
 Fedalma. 
 
 Oh, I am sick at heart. The eye of day. 
 
 The insistent summer sun, seems pitiless. 
 
 Shining in all the barren crevices 
 
 Of weary life, leaving no shade, no dark. 
 
 Where 1 may dream that hidden waters lie ; 
 
 As pitiless as to some shipwrecked man. 
 
 Who gazing from his narrow shoal of sand 
 
 On the wide unspecked round of blue and blue 
 
 Sees that full light is errorless despair. 
 
 The insects' hum that slurs the silent dark 
 
 Startles and seems to cheat me, as the tread 
 
 Of coming footsteps cheats the midnight watcher 
 
 Who holds her heart and waits to hear them 
 
 pause. 
 And hears them never pause, but pass and die. 
 Music sweeps by me as a messenger 
 Carrying a message that is not for me. 
 The very sameness of the hills and sky 
 Is obduracy, and the lingering hours 
 Wait round me dumbly, like superfluous slaves, 
 Of whom I want nought but the secret news 
 They are forbid to tell. And, Juan, you — 
 You, too, are cruel — would be over-wise 
 
--^^ 
 
 ^- 
 
 / 
 
 1 80 
 
 THE SPANISH GYPSY. 
 
 In judging your friend's needs, and choose to 
 
 hide 
 Something I crave to know. 
 
 Juan 
 
 I, lady? 
 
 Fedalma. 
 
 Juan. 
 I never had the virtue to hide aught, 
 Save what a man is whipped for publishing. 
 I'm no more reticent than the voluble air — 
 Dote on disclosure — never could contain 
 The latter half of all my sentences, 
 But for the need to utter the beginning. 
 My lust to tell is so importunate 
 That it abridges every other vice, 
 And makes me temperate for want of time. 
 I dull sensation in the haste to say 
 'Tis this or that, and choke report with surmise. 
 Judge, then, dear lady, if I could be mute 
 When but a glance of yours had bid me speak. 
 
 Fedalma. 
 Nay, sing such falsities I — you mock me worse 
 By speech that gravely seems to ask belief. 
 You are but babbling in a part you play 
 To please my father. Oh, 'tis well meant, say 
 
 you — 
 Pity for woman's weakness. Take my thanks. 
 
 Juan. 
 Thanks angrily bestowed are red-hot coin 
 Burning your servant's palm. 
 
 Fedalma. 
 
 Deny it not, 
 You know how many leagues this camp of ours 
 
THE SPANISH GYPSY. 
 
 Lies from Bedmar — what mountains lie 
 
 tween — 
 Could tell me if you would about the Duke — 
 That he is comforted, sees how he gains 
 Losing the Zincala, finds now how slight 
 The thread Fedalma made in that rich web, 
 A Spanish noble's life. No, that is false ! 
 He never would think lightly of our love. 
 Some evil has befallen him — he's slain — 
 Has sought for danger and has beckoned death 
 Because I made all life seem treachery. 
 Tell me the worst — be merciful — no worst, 
 Against the hideous painting of my fear, 
 Would not show like a better. 
 
 Juan. 
 
 If I speak. 
 For truth 
 
 Will you believe your slave ? 
 
 scant ; 
 And where the appetite is still to hear 
 And not believe, falsehood would stint it less. 
 How say you ? Does your hunger's fancy choose 
 The meagre fact ? 
 
 Fedalma {^seating herself on the ground). 
 
 Yes. yes, the truth, dear Juan, 
 Sit now, and tell me all. 
 
 Juan. 
 
 That all is nought. 
 I can unleash my fancy if you wish 
 And hunt for phantoms : shoot an airy guess 
 And bring down airy likelihood — some lie 
 Masked cunningly to look like royal truth 
 And cheat the shooter, while King Fact goes 
 
 free ; 
 Or else some image of reality 
 That doubt will handle and reject as false. 
 
 f^. 
 
-t^ 
 
 I 
 
 L 
 
 182 
 
 TBE SPANISH GYPSY. 
 
 As for conjecture — I can thread the sky- 
 Like any swallow, but, if you insist 
 On knowledge that would guide a pair of feet 
 Right to Bedmar, across the Moorish bounds, 
 A mule that dreams of stumbling over stones 
 Is better stored. 
 
 Fed ALMA. 
 
 And you have gathered nought 
 About the border wars ? No news, no hint 
 Of any rumors that concern the DuJce — 
 Rumors kept from me by my father ? 
 
 Juan. 
 
 None. 
 Your father trusts no secret to the echoes. 
 Of late his movements have been hid from all 
 Save those few hundred chosen Gypsy breasts 
 He carries with him. Think you he's a man 
 To let his projects slip from out his belt. 
 Then whisper him who haps to find them strayed 
 To be so kind as keep his counsel well ? 
 "Why, if he found me knowing aught too much, 
 He would straight gag or strangle me, and say, 
 ' ' Poor hound ! it was a pity that his bark 
 Could chance to mar my plans : he loved my 
 
 daughter — 
 The idle hound had nought to do but love, 
 So followed to the battle and got crushed." 
 
 Fedalma {holding out her hand, 7ahich JuAN 
 kisses). 
 
 Good Juan, I could have no nobler friend. 
 You'd ope your veins and let your life-blood out 
 To save another's pain, yet hide the deed 
 With jesting — say, 'twas merest accident, 
 A sportive scratch that went by chance too deep^ 
 
 9 
 
k 
 
 THE SPANISH GYPSY. 183 
 
 And die content with men's slight thoughts of 
 
 you, 
 Finding your glory in another's joy, 
 
 Juan. 
 Dub not my likings virtues, lest they get 
 A drug-like taste, and breed a nausea. 
 Honey's not sweet, commended as cathartic. 
 Such names are parchment labels upon gems 
 Hiding their color. What is lovely seen 
 Priced in a tariff ? — lapis lazuli. 
 Such bulk, so many drachmas ; amethysts 
 Quoted at so much ; sapphires higher still. 
 The stone like solid heaven in its blueness 
 Is what I care for, not its nam_e or price. 
 So, if I live or die to serve my friend, 
 'Tis for my love — 'tis for my friend alone. 
 And not for any rate that friendship bears 
 In heaven or on earth. Nay, I romance — 
 I talk of Roland and the ancient peers. 
 In me 'tis hardly friendship, only lack 
 Of a substantial self that holds a weight ; 
 So I kiss larger things and roll with them. 
 
 Fedalma. 
 Oh, you will never hide your soul from me ; 
 I've seen the jewel's flash, and know 'tis there, 
 Mufile it as you will. That foam-like talk 
 Will not wash out a fear which blots the good 
 Your presence brings me. Oft I'm pierced afresh 
 Through all the pressure of my selfish griefs 
 By thought of you. It was a rash resolve 
 Made you disclose yourself when you kept watch 
 About the terrace wall ;- -vour pity leaped. 
 Seeing alone my ills and not your loss. 
 Self-doomed to exile. Juan, you must repent. 
 'Tis not in nature that resolve, which feeds 
 
 \^^ 
 
THE SPANISH GYPSY. 
 
 On strenuous actions, should not pine and die 
 In these long days of empty listlessness. 
 
 Juan. 
 
 Repent? Not I. Repentance is the weight 
 
 Of indigested meals ta'en yesterday. 
 
 'Tis for large animals that gorge on prey, 
 
 Not for a honey-sipping butterfly. 
 
 I am a thing of rhythm and redondillas — 
 
 The momentary rainbow on the spray 
 
 Made by the thundering torrent of men's lives : 
 
 No matter whether I am here or there ; 
 
 I still catch sunbeams. And in Africa, 
 
 Where melons and all fruits, they say, grow large, 
 
 Fables are real, and the apes polite, 
 
 A poet, too, may prosper past belief : 
 
 I shall grow epic, like the Florentine, 
 
 And sing the founding of our infant state, 
 
 Sing the new Gypsy Carthage. 
 
 Fedalma. 
 
 Africa 
 Would we were there ! Under another heaven, 
 In lands where neither love nor memory 
 Can plant a selfish hope — in lands so far 
 I should not seem to see the outstretched arms 
 That seek me, or to hear the voice that calls. 
 I should feel distance only and despair ; 
 So rest forever from the thought of bliss. 
 And wear my weight of life's great chain un- 
 
 struggling. 
 Juan, it I could know he would forget — 
 Nay, not forget, forgive me — be content 
 That I forsook him for no joy, but sorrow. 
 For sorrow chosen rather than a joy 
 That destiny made base ! Then he would taste 
 No bitterness in sweet, sad memory. 
 
Al^ifca^ 
 
 THE SPANISH GYPSY. 
 
 185 
 
 I, 
 
 And I should live unblemished in his thought, 
 Hallowed like her who dies an unwed bride. 
 Our words have wings, but fly not where we would. 
 Could mine but reach him, Juan ! 
 
 JUAN. 
 
 Speak the wish — 
 My feet have wings — I'll be your Mercury. 
 I fear no shadowed perils by the way. 
 No man will wear the sharpness of his sword 
 On me. Nay, I'm a herald of the Muse, 
 Sacred for Moors and Spaniards. I will go — 
 Will fetch you tidings for an amulet. 
 But stretch not hope too strongly toward that 
 
 mark 
 As issue of my wandering. Given, I cross 
 Safely the Moorish border, reach Bedmdr : 
 Fresh counsels may prevail there, and the Duke 
 Being absent in the field, I may be trapped. 
 Men who are sour at missing larger game 
 May wing a chattering sparrow for revenge. 
 It is a chance no further worth the note 
 Than as a warning, lest you feared worse ill 
 If my return were stayed. I might be caged ; 
 They would not harm me else. Untimely death, 
 The red auxiliary of the skeleton. 
 Has too much work on hand to think of me ; 
 Or, if he cares to slay me, I shall fall 
 Choked with a grape-stone for economy. 
 The likelier chance is that I go and come, 
 Bringing you comfort back. 
 
 Fedalma {starts from her seat and walks to a 
 little distance^ standing a few moments with her 
 back to2vard]\]A^, then she turns round quickly, 
 and goes toward him). 
 
 No, Juan, no ! 
 Those yearning words came from a soul infirm 
 
 ^ 
 
1 86 
 
 THE SPANISH GYPSY. 
 
 ^^\^ 
 
 Crying and struggling at the pain of bonds 
 
 Which yet it would not loosen. He knows all^ 
 
 All that he needs to know : I said farewell : 
 
 I stepped across the cracking earth and knew 
 
 'Twould yawn behind me. I must walk right on. 
 
 No, I will not win aught by risking you ; 
 
 That risk would poison my poor hope. Besides, 
 
 'Twere treachery in me ; my father wills 
 
 That we — all here — should rest within this camp. 
 
 If I can never live, like him, on faith 
 
 In glorious morrows, I am resolute. 
 
 While he treads painfully with stillest step 
 
 And beady brow, pressed 'neath the weight of 
 
 arms, 
 Shall I, to ease my fevered restlessness, 
 Raise peevish moans, shattering that fragile 
 
 silence ? 
 No ! On the close-thronged spaces of the earth 
 A battle rages : Fate has carried me 
 'Mid the thick arrows : I will keep my stand — 
 Not shrink and let the shaft pass by my breast 
 To pierce another. Oh, 'tis written large 
 The thing I have to do. But you, dear Juan, 
 Renounce, endure, are brave, unurged by aught 
 Save the sweet overflow of your good will. 
 
 {SAe seats herself again.') 
 Juan. 
 Nay, I endure nought worse than napping sheep 
 When nimble birds uproot a fleecy lock 
 To line their nest with. See ! your bondsman 
 
 Queen, 
 The minstrel of your court, is featherless ; 
 Deforms your presence by a moulting garb ; 
 Shows like a roadside bush culled of its buds. 
 Yet, if your graciousness will not disdain 
 A poor plucked songster — shall he sing to you ? 
 
 »/a I' 
 
 W 
 
fA 
 
 \ 
 
 r 
 
 THE SPANISH GYPSY. 
 
 187 
 
 Then your slave 
 Queen, farewell ! 
 
 Some lay of afternoons — some ballad strain 
 Of those who ached .once but are sleeping now 
 Under the sun-warmed flowers ? 'Twill cheat the 
 time. 
 
 Fedalma. 
 Thanks, Juan — later, when this hour is passed. 
 My soul is clogged with self ; it could not float 
 On with the pleasing sadness of your song. 
 Leave me in this green spot, but come again, — 
 Come with the lengthening shadows. 
 
 Juan. 
 
 Will go to chase the robbers. 
 Fedalma. 
 Best friend, my well-spring in the wilderness ! 
 
 [While Juan sped along the stream, there came 
 From the dark tents a ringing joyous shout 
 That thrilled Fedalma with a summons grave 
 Yet welcome, too. Straightway she rose and 
 
 stood. 
 All languor banished, with a soul suspense, 
 Like one who waits high presence, listening. 
 Was it a message, or her father's self 
 That made the camp so glad ? 
 
 It was himself 1 
 She saw him now advancing, girt with arms 
 That seemed like idle trophies hung for show 
 Beside the weight and fire of living strength 
 That made his frame. He glanced with absent 
 
 triumph, 
 As one who conquers in some field afar 
 And bears off unseen spoil. But nearing her, 
 His terrible eyes intense sent forth new rays — 
 A sudden sunshine where the lightning was 
 'Twixt meeting dark. All tenderly he laid 
 
 ^< 
 
 mi 
 
 X-. 
 
 ^ 
 
His hand upon her shoulder ; tenderly 
 His kiss upon her brow." 
 
 Zarca. 
 
 My royal daughter ! 
 
 Fedalma, 
 Father, I joy to see your safe return. 
 
 Zarca. 
 
 Nay, I but stole the time, as hungry men 
 Steal from the morrow's meal, made a 
 
 march, 
 Left Hassan as my watchdog, all to see 
 My daughter, and to feed her famished hope 
 With news of promise. 
 
 Fedalma. 
 
 Is the task achieved 
 That was to be the herald of our flight ? 
 
 Zarca. 
 Not outwardly, but to my inward vision 
 Things are achieved when they are well begun. 
 The perfect archer calls the deer his own 
 While yet the shaft is whistling. His keen eye 
 Never sees failure, sees the mark alone. 
 You have heard nought, then — had no messenger! 
 
 Fedalma. 
 I, father ? no : each quiet day has fled 
 Like the same moth, returning with slow wing. 
 And pausing in the sunshine. 
 
 Zarca. 
 
 It is well. 
 You shall not long count days in weariness. 
 Ere the full moon has waned again to new, 
 We shall reach Almeria : Berber ships 
 
\ 
 
 y^' 
 
 THE SPANISH GYPSY. 189 
 
 Will take us for their freight, and we shall go 
 With plenteous spoil, not stolen, bravely won 
 By service done on Spaniards. Do you shrink ? 
 Are you aught less than a true Zincala ? 
 
 Fedalma. 
 
 No ; but I am more. The Spaniards fostered 
 me. 
 
 Zarca. 
 
 They stole you first, and reared you for the 
 
 flames. 
 I found you, rescued you, that you might live 
 A Zincala's life ; I saved you from their doom. 
 Your bridal bed had been the rack. 
 
 Fedalma {in a low tone). 
 
 They meant — 
 To seize me ? — ere he came ? 
 
 Zarca. 
 
 Yes, I know all. 
 They found your chamber empty. 
 
 Fedalma {eagerly). 
 
 Then you know — 
 {checking herself.^ 
 Father, my soul would be less laggard, fed 
 With fuller trust. 
 
 Zarca. 
 My daugnter, I must keep 
 The Arab's secret. Arabs are our friends, 
 Grappling for life with Christians who lay waste 
 Granada's valleys, and with devilish hoofs 
 Trample the young green corn, with devilish play 
 Fell blossomed trees, and tear up well-pruned 
 vines : 
 
 % 
 
 \" 
 
 # 
 
 J 
 
/ ^ 
 
 190 
 
 THE SPANISH GYPSY. 
 
 Cruel as tigers to the vanquished brave. 
 
 They wring out gold by oaths they mean to 
 
 break ; 
 Take pay for pity and are pitiless ; 
 Then tinkle bells above the desolate earth 
 And praise their monstrous gods, supposed to 
 
 love 
 The flattery of liars. I will strike 
 The full-gorged dragon. You, my child, must 
 
 watch 
 The battle with a heart, not fluttering 
 But duteous, firm-weighted by resolve, 
 Choosing between two lives, like her who holds 
 A dagger which must pierce one of two breasts, 
 And one of them her father's. You divine — 
 I speak not closely, but in parables ; 
 Put one for many. 
 
 Fed ALMA {collecting herself and looking firmly 
 at Zarca). 
 
 Then it is your will 
 
 That I ask nothing ? 
 
 Zarca. 
 You shall know enough 
 To trace the sequence of the seed and flower. 
 El Zagal trusts me, rates my counsel high ; 
 He, knowing I have won a grant of lands 
 Within the Berber's realm, wills me to be 
 The tongue of his good cause in Africa, 
 So gives us furtherance in our pilgrimage 
 For service hoped, as well as service done 
 In that great feat of which I am the eye, 
 And my five hundred Gypsies the best arm. 
 More, I am charged by other noble Moors 
 With messages of weight to Telemsdn. 
 Ha, your eye flashes. Are you glad ? 
 
 ^ 
 
/ 
 
 ^*^^ 
 
 THE SPANISH GYPSY. 
 
 Fedalma. 
 
 191 
 
 Yes, glad 
 
 That men can greatly trust a Zincalo. 
 
 Zarca. 
 
 Why, fighting for dear life men choose their 
 
 swords 
 For cutting only, not for ornament. 
 What nought but Nature gives, man takes per- 
 force 
 Where she bestows it, though in vilest place. 
 Can he compress invention out of pride. 
 Make heirship do the work of muscle, sail 
 Toward great discoveries with a pedigree ? 
 Sick men ask cures, and Nature serves not hers 
 Daintily as a feast. A blacksmith once 
 Founded a dynasty, and raised on high 
 The leathern apron over armies spread 
 Between the mountains like a lake of steel. 
 
 Fedalma {bitterly). 
 
 To be contemned, then, is fair augury. 
 That pledge of future good at least is ours 
 
 Zarca. 
 
 Let men contemn us : 'tis such blind contempt 
 That leaves the winged broods to thrive in 
 
 warmth 
 Unheeded, till they fill the air like storms 
 So we shall thrive — still darkly shall draw force 
 Into a new and multitudinous life 
 That likeness fashions to community. 
 Mother divine of customs, faith and laws. 
 'Tis ripeness, 'tis fame's zenith that kills hope. 
 Huge oaks are dying, forests yet to come 
 Lie in the twigs and rotten-seeming seeds. 
 
 # 
 
THE SPANISH GYPSY 
 
 Fed ALMA. 
 
 And our wild Zincali ? 'Neath their rough husk 
 Can you discern such seed ? You said our band 
 Was the best arm of some hard enterprise ; 
 They give out sparks of virtue, then, and show 
 There's metal in their earth ? 
 
 Zarca. 
 
 Ay. metal fine 
 In my brave Gypsies. Not the lithest Moor 
 Has lither limbs for scahng, keener eye 
 To mark the meaning of the furthest speck 
 That tells of change ; and they are disciplined 
 By faith in me, to such obedience 
 As needs no spy. My scalers and my scouts 
 Are to the Moorish force they're leagued withal 
 As bow-string to the bow ; while I their chief 
 Command the enterprise and guide the will 
 Of Moorish captains, as the pilot guides 
 With eye-instructed hand the passive helm. 
 For high device is still the highest force. 
 And he who holds the secret of the wheei 
 May make the rivers do what work he would. 
 With thoughts impalpable we clutch men's souls. 
 Weaken the joints of armies, make them fly 
 Like dust and leaves before the viewless wind. 
 Tell me what's mirrored in the tiger's heart, 
 I'll rule that too. 
 
 Fedalma {wrought to a glozv of admiration). 
 O my imperial father ! 
 'Tis where there breathes a mighty soul like yours 
 That men's contempt is of good aug^r}-. 
 
 Zarca {seizing both Fedalma's hands, atid 
 looking at her searchingly). 
 And you, my daughter, what are you — if not 
 The ZIncalo's child ? Say, does not his great hope 
 
 \\ 
 
THE SPANISH GYPSY. 
 
 193 
 
 / 
 
 Thrill in your veins like shouts of victory ? 
 
 'Tis a vile life that like a garden pool 
 
 Lies stagnant in the round of personal loves ; 
 
 That has no ear save for the tickling lute 
 
 Set to small measures — deaf to all the beats 
 
 Of that large music rolling o'er the world : 
 
 A miserable, petty, low-roofed life, 
 
 That knows the mighty orbits of the skies 
 
 Through nought save light or dark in its own 
 
 cabin. 
 The very brutes will feel the force of kind 
 And move together, gathering a new soul — 
 The soul of multitudes. Say now, my child, 
 You will not falter, not look back and long 
 For unfledged ease in some soft alien nest. 
 The crane with outspread wing that heads the file 
 Pauses not, feels no backward impulses : 
 Behind it summer was, and is no more ; 
 Before it lies the summer it will reach 
 Or perish in mid-ocean. You no less 
 Must feel the force sublime of growing life. 
 New thoughts are urgent as the growth of wings ; 
 The widening vision is imperious 
 As higher members bursting the worm's sheath. 
 You cannot grovel in the worm's delights : 
 You must take winged pleasures, winged pains. 
 Are you not steadfast ? Will you live or die 
 For aught below your royal heritage ? 
 To him who holds the flickering brief torch 
 That lights a beacon for the perishing. 
 Aught else is crime. Would you let drop the 
 
 torch ? 
 
 Fedalma. 
 
 Father, my soul is weak, the mist of tears 
 Still rises to my eyes, and hides the goal 
 Which to your undimmed sight is fixed and clear. 
 
 N^^^ 
 
^ 
 
 / 
 
 /-r 
 
 194 
 
 THE SPANISH GYPSY. 
 
 But if I cannot plant resolve on hope, 
 
 It will stand firm on certainty of woe. 
 
 I choose the ill that is most like to end 
 
 With my poor being. Hopes have precarious life. 
 
 They are oft blighted, withered, snapped sheer off 
 
 In vigorous growth and turned to rottenness. 
 
 But faithfulness can feed on suffering, 
 
 And knows no disappointment. Trust in me ! 
 
 If it were needed, this poor trembling hand 
 
 Should grasp the torch — strive not to let it fall 
 
 Though it were burning down close to my flesh. 
 
 No beacon lighted yet : through the damp dark 
 
 I should still hear the cry of gasping swimmers. 
 
 Father, I will be true ! 
 
 Zarca. 
 
 I trust that word. 
 And, for your sadness — you are young — the bruise 
 Will leave no mark. The worst of misery 
 Is when a nature framed for noblest things 
 Condemns itself in youth to petty joys, 
 And, sore athirst for air, breathes scanty life 
 Gasping from out the shallows. You are saved 
 From such poor doubleness. The life we choose 
 Breathes high, and sees a full arched firmament. 
 Our deeds shall speak like rock-hewn messages. 
 Teaching great purpose to the distant time. 
 Now I must hasten back. I shall but speak 
 To Nadar of the order he must keep 
 In setting watch and'victualling. The stars 
 And the young moon must see me at my post. 
 Nay, rest you here. Farewell, my younger self — 
 Strong-hearted daughter ! Shall I live in you 
 When the earth covers me ? 
 
 Fedalma. 
 
 My father, death 
 Should give your will divineness, make it strong 
 
 
 s 
 
 ^^B^m 
 
THE SPANISH GYPSY. 195 
 
 With the beseechings of a mighty soul 
 
 That left its work unfinished. Kiss me now : 
 
 ( They embrace^ and she adds tremulously 
 as they part,) 
 
 And when you see fair hair, be pitiful. 
 
 {Exit Zarca. 
 
 (Fedalma seats herself on the bank, leans 
 her head forzvard, and covers her face 
 with her drapery. While she is seated 
 thus, Yi\^\:>K comes from the bank, with 
 a branch of musk roses in her hand. 
 Seeing Fedalma with head bent and 
 covered, she pauses, and begins to t?iove 
 on tiptoe.) 
 
 HiNDA. 
 
 Our Queen ! Can she be crying ? There she sits 
 As I did every day when my dog Saad 
 Sickened and yelled, and seemed to yell so loud 
 After we buried him, I oped his grave. 
 
 {She comes forward on tiptoe, kneels at ¥¥.- 
 DALMA's feet, and embraces them. 
 Fedalma uncovers her head.) 
 
 Fedalma. 
 Hinda ! what is it ? 
 
 HiNDA. 
 
 Queen, a branch of roses — 
 So sweet, you'll love to smell them. 'Twas the 
 
 last. 
 I climbed the bank to get it before Tralla, 
 And slipped and scratched my arm. But I don't 
 
 mind. 
 You love the roses — so do I. I wish 
 The sky would rain down roses, as they rain 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 From off the shaken bush. Why will it not ? 
 Then all the valley would be pink and white 
 And soft to tread on. They would fall as light 
 As feathers, smelling sweet ; and it would be 
 Like sleeping and yet waking, all at once ! 
 Over the sea. Queen, where we soon shall go, 
 Will it rain roses ? 
 
 Fedalma. 
 
 No, my prattler, no ! 
 It never will rain roses : when we want 
 To have more roses we must plant more trees. 
 But you want nothing, little one — the world 
 Just suits you as it suits the tawny squirrels. 
 Come, you want nothing. 
 
 HiNDA. 
 
 Yes, I want more berries- 
 Red ones — to wind about my neck and arms 
 When I am married— on my ankles too 
 I want to wind red berries, and on my head. 
 
 Fedalma. 
 Who is it you are fond of ? Tell me, now. 
 
 HiNDA. 
 
 O Queen, you know ! It could be no one else 
 
 But Ismael. He catches all the birds. 
 
 Knows where the speckled fish are, scales the 
 
 rocks. 
 And sings and dances with me when I like. 
 How should I marry and not marry him ? 
 
 Fedalma. 
 
 Should you have loved him, had he been a Moor, 
 Or white Castilian ? 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 197 
 
 HiNDA {starting to her feet, then kneeling again). 
 
 Are you angry. Queen ? 
 Say why you will think shame of your poor 
 
 Hinda ? 
 She'd sooner be a rat and hanjj on thorns 
 To parch until the wind had scattered her, 
 Than be an outcast, spit at by her tribe. 
 
 Fedalma, 
 I think no evil — am not angry, child. 
 But would you part from IsmaSl ? leave him now 
 If your chief bade you — said it was for good 
 To all your tribe that you must part from him ? 
 
 Hinda {giving a sharp cry). 
 Ah, will he say so ? 
 
 Fedalma {almost fierce in her earnestness). 
 Nay, child, answer me. 
 Could you leave Ismael ? get into a boat 
 And see the waters widen 'twixt you two 
 Till all was water and you saw him not. 
 And knew that you would never see him more ? 
 If 'twas your chief's command, and if he said 
 Your tribe would all be slaughtered, die of plague, 
 Of famine — madly drink each other's blood . . . 
 
 Hinda {trembling). 
 O Queen, if it is so, tell Ismael. 
 
 *T|i ffl 
 
 Fedalma. 
 You would obey, then ? part from him forever ? 
 
 Hinda. 
 How could we live else ? With our brethren 
 
 lost ?— 
 No marriage feast ? The day would turn to dark. 
 A Zincala cannot live without her tribe. 
 
/ 
 
 o 
 
 J 
 
 198 
 
 THE SPANISH GYPSY. 
 
 I iriust obey ! Poor Ismael — poor Hinda .' 
 But will it ever be so cold and dark ? 
 Oh. I would sit upon the rocks and cry, 
 And cry so long that I could cry no more : 
 Then I should go to sleep. 
 
 Fedalma. 
 
 No, Hinda, no ': 
 Thou never shalt be called to part from him. 
 I will have berries for thee, red and black, 
 And I will be so glad to see thee glad. 
 That earth will seem to hold enough of joy 
 To outweigh all the pangs of those who part. 
 Be comforted, bright eyes. See, I will tie 
 These roses in a crown, for thee to wear. 
 
 Hinda {clapping her hands, luhile Fedalma 
 puts the roses on her head). 
 Oh, I'm as glad as many little foxes — 
 I will find Ismael, and tell him all. 
 
 i^She runs off.) 
 
 Fedalma (a/(?«£'). 
 She has the strength I lack. Within her world 
 The dial has not stirred since first she woke : 
 No changing light has made the shadows die. 
 And taught her trusting soul sad difference. 
 For her, good, right, and law are all summed up 
 In what is possible : .life is one web 
 Where love, joy, kindred, and obedience 
 Lie fast and even, in one warp and woof 
 With thirst and drinking, hunger, food, and 
 
 sleep. 
 She knows no struggles, sees no double path ; 
 Her fate is freedom, for her will is one 
 With her own people's law, the only law 
 She ever knew. For me — I have fire within, 
 But on my will there falls the chilling snow 
 
"/^ Jigitre ca»te /ro»t out the olive trees." — Pape 199. 
 
r 
 
THE SPANISH GYPSY 
 
 199 
 
 Of thoughts that come as subtly as soft flakes, 
 
 Yet press at last with hard and icy weight. 
 
 1 could be firm, could give myself the wrench 
 
 And walk erect, hiding my life-long wound. 
 
 If I but saw the fruit of all my pain 
 
 With that strong vision which commands the 
 
 soul, 
 And makes great awe the monarch of desire. 
 But now I totter, seeing no far goal : 
 I tread the rocky pass, and pause and grasp. 
 Guided by flashes. When my father comes, 
 And breathes into my soul his generous hope — 
 By his own greatness making life seem great. 
 As the clear heavens bring sublimity, 
 And show earth larger, spanned by that blue 
 
 vast — 
 Resolve is strong : I can embrace my sorrow, 
 Nor nicely weigh the fruit ; possessed with need 
 Solely to do the noblest, though it failed — 
 Though lava streamed upon my breathing deed 
 And buried it in night and barrenness. 
 But soon the glow dies out, the trumpet strain 
 That vibrated as strength through all my limbs 
 Is heard no longer ; over the wide scene 
 There's nought but chill gray silence, or the hum 
 And fitful discord of a vulgar world. 
 Then I sink helpless — sink into the arms 
 Of all sweet memories, and dream of bliss : 
 See looks that penetrate like tones ; hear tones 
 That flash looks with them. Even now I feel 
 Soft airs enwrap me, as if yearning rays 
 Of some far presence touched me with their 
 
 warmth 
 And brought a tender murmuring . . . 
 
 [While she mused, 
 A figure cams from out the olive trees 
 
 .1,; 
 
 ^ 
 
200 THE SPANISH GYPSY. 
 
 That bent close-whispering 'twixt the parted hills 
 Beyond the crescent of thick cactus : paused 
 At sight of her ; then slowly forward moved 
 With careful steps, and gently said, '* Fedalma !" 
 Fearing lest fancy had enslaved her sense. 
 She quivered, rose, but turned not. Soon again : 
 " Fedalma, it is Silva ! " Then she turned. 
 He, with bared head and arms entreatmg, 
 
 beamed 
 Like morning on her. Vision held her still 
 One moment, then with gliding motion swift, 
 Inevitable as the melting stream's. 
 She found her rest within his circling arms.] 
 
 Fedalma. 
 O love, you are living, and believe in me ! 
 
 Don Silva. 
 Once more we are together. Wishing dies- 
 Stifled with bliss. 
 
 Fedalma. 
 
 You did not hate me, then- 
 Think me an ingrate— think my love was small 
 That I forsook you ? 
 
 Don Silva. 
 
 Dear, I trusted you 
 As holy men trust God. You could do nought 
 That was not pure and loving— though the deed 
 Might pierce me unto death. You had less 
 
 trust, 
 Since you suspected mine. 'Twas wicked doubt 
 
 Fedalma. 
 Nay, when I saw you hating me, the fault 
 Seemed in my lot— my bitter birthright— hers 
 On whom you lavished all your wealth of love 
 
 :\ 
 
.-4^-:^^- 
 
 THE SPANISH GYPSY. 
 
 20I 
 
 As price of nought but sorrow. Then I said, 
 " 'Tis better so. He will be happier !" 
 But soon that thought, struggling to be a hope, 
 Would end in tears. 
 
 Don Silva. 
 
 It was a cruel thought. 
 Happier ! True misery is not begfun 
 Until I cease to love thee. 
 
 Fedalma. 
 
 Don Silva. 
 
 Silva 
 
 Mine 
 
 ( They stand a moment or two in silence. ) 
 Fedalma. 
 
 I thought I had so much to tell you, love — 
 Long eloquent stories — how it all befell — 
 The solemn message, calling me away 
 To awful spousals, where my own dead joy, 
 A conscious ghost, looked on and saw me wed. 
 
 Don Silva. 
 
 Oh, that grave speech would cumber our quick 
 souls 
 
 Like bells that waste the moments with their loud- 
 ness. 
 
 Fedalma. 
 
 And if it all were said, 'twould end in this. 
 That I still loved you when I fled away. 
 'Tis no more wisdom than the little birds 
 Make known by their soft twitter when they feel 
 Each other's heart beat. 
 
 '^ 
 
 ^ 
 
/ 
 
 202 
 
 THE SPANISH GYPSY. 
 
 Don Silva. 
 
 All the deepest things 
 We now say \\nth our eyes and meeting- pulse : 
 Our voices need but prattle. 
 
 Fedalma. 
 
 I forget 
 All the drear days of thirst in this one draught. 
 
 i^Again they an silent for a few monwnts. \ 
 But tell me how you came ? Where are youi 
 
 guards ? 
 Is there no risk? And now I look at you, 
 This garb is strange . . . 
 
 Dox Silva. 
 
 I came alone. 
 
 Fedalma. 
 
 Alone ? 
 Don Silva. 
 Yes — fled in secret. There was no way else 
 To find you safely. 
 
 Fedalma {letting one hand fall and moving a 
 little from 'him tvith a look of sudden terror^ 
 loJiile he clasps her more firmly by the othrt 
 arm). 
 
 Silva ! 
 
 Don Silva. 
 
 It is nought. 
 Enough that I am here. Now we will cling. 
 What power shall hinder us ? You left me once 
 To set your father free. That task is done, 
 And you are mine again. I have braved all 
 That I might find you, see your father, win 
 His furtherance in bearing you away 
 To some safe refuge. Are we not betrothed ? 
 
^ 
 
 THE SPAXISH GYPSY. 
 
 Fedalma. 
 
 203 
 
 Oh. I am trembling 'neath the rush of thoughts 
 1 hat come like griefs at morning — look at me 
 'vN'ith awful faces, from the vanishing haze 
 1 hat momently had hidden them. 
 
 Don Silva. 
 
 Fedalma. 
 
 What thoughts ? 
 
 Forgotten burials. There lies a grave 
 Between this visionar\' present and the past. 
 Our joy is dead, and only smiles on us 
 A loving shade from out the place of tombs, 
 
 Don Silva, 
 
 Your love is faint, else aught that parted us 
 Would seem but superstition. Love supreme 
 Defies dream-terrors — risks avenging fires. 
 I have risked all things. But your love is faint. 
 
 Fedalma {retreating a little, but keeping his 
 
 hand. 
 Silva, if now between us came a sword. 
 Severed my arm, and left our two hands clasped, 
 This poor maimed arm would feel the clasp till 
 
 death. 
 What parts us is a sword . . . 
 
 (Zarca has been advancing in the back- 
 ground. He has drawn his s7i<ord, 
 and noiu thrusts the naked blade be- 
 tween them. Don Silva lets go Fed al- 
 ma's hand, and grasps his sword. 
 Fedalma, startled at first, stands 
 firmly, as if prepared to interpose 
 between her Father and the Duke.) 
 
 J^^^ 
 
 / 
 
^ 
 
 /M 
 
 204 
 
 THE SPANISH GYPSY. 
 
 Zarca. 
 
 IN'. 
 
 ^- 
 
 Ay, 'tis a sword 
 That parts the Spaniard and the Zincala : 
 A sword that was baptized in Christian blood, 
 When once a band, cloaking with Spanish law 
 Their brutal rapine, would have butchered us. 
 And outraged then our women. 
 
 {Resting the point of his sword on the ground. ) 
 My lord Duke, 
 I was a guest within your fortress once 
 Against my will ; had entertainment too — 
 Much like a galley-slave's. Pray, have you 
 
 sought 
 The Zincalo's camp, to find a fit return 
 For that Castilian courtesy ? or rather 
 To make amends for all our prisoned toil 
 By free bestowal of your presence here ? 
 
 Don Silva, 
 
 Chief, I have brought no scorn to meet your 
 
 scorn. 
 I came because love urged me — that deep love 
 I bear to her whom you call daughter — her 
 Whom I reclaim as my betrothed bride. 
 
 Zarca. 
 
 Doubtless you bring for final argument 
 Your men-at-arms who will escort your bride ? 
 
 Don Silva. 
 
 I came alone. The only force I bring 
 Is tenderness. Nay. I will trust besides 
 In all the pleadings of a father's care 
 To wed his daughter as her nurture bids. 
 And for your tribe — whatever purposed good 
 Your thoughts may cherish, I will make secure 
 

 M^ 
 
 THE SPANISH GYPSY. 205 
 
 With the strong surety of a noble's power : 
 My wealth shall be your treasury. 
 
 Zarca {with irony). 
 
 My thanks I 
 To me you offer liberal price ; for her 
 Your love's beseeching will be force supreme. 
 She will go with you as a willing slave, 
 Will give a word of parting to her father, 
 Wave farewells to her tribe, then turn and say, 
 " Now, my lord, I am nothing but your bride ; 
 I am quite culled, have neither root nor trunk, 
 Now wear me with your plume !" 
 
 Don Silva. 
 
 Yours is the wrong 
 Feigning in me one thought of her below 
 The highest homage. I would make my rank 
 The pedestal of her worth ; a noble s sword, 
 A noble's honor, her defence ; his love 
 The life-long sanctuary of her womanhood. 
 
 Zarca. 
 
 I tell you, were you King of Aragon, 
 
 And won my daughter's hand, your higher rank 
 
 Would blacken her dishonor. 'Twere excuse 
 
 If you were beggared, homeless, spit upon. 
 
 And so made even with her people's lot ; 
 
 For then she would be lured by want, not wealth, 
 
 To be a wife amongst an alien race 
 
 To whom her tribe owes curses. 
 
 Don Silva. 
 
 Such blind hate 
 Is fit for beasts of prey, but not for men. 
 My hostile acts against you, should but count 
 As ignorant strokes against a friend unknown ; 
 And for the wrongs inflicted on your tribe 
 
 \^ 
 
 ^ 
 
>ts^§^ 
 
 f^: 
 
 206 
 
 ^HE SPANISH GYPSY. 
 
 By Spanish edicts or the cruelty 
 Of Spanish vassals, am I criminal ? 
 Love comes to cancel all ancestral hate, 
 Subdues all heritage, proves that in mankind 
 Union is deeper than division. 
 
 Zarca. 
 
 Ay, 
 Such love is common : I have seen it oft — 
 Seen many w^omen rend the sacred ties 
 That bind them in high fellow^ship vi^ith men, 
 Making them mothers of a people's virtue : 
 Seen them so levelled to a handsome steed 
 That yesterday was Moorish property, 
 To-day is Christian — wears new-fashioned gear, 
 Neighs to new feeders, and will prance alike 
 Under all banners, so the banner be 
 A master's who caresses. Such light change 
 You call conversion ; but we Zincali call 
 Conversion infamy. Our people's faith 
 Is faithfulness ; not the rote-learned belief 
 That we are heaven's highest favorites, 
 But the resolve that being most forsaken 
 Among the sons of men, we will be true 
 Each to the other, and our common lot. 
 You Christians burn men for their heresy : 
 Our vilest heretic is that Zincala 
 Who, choosing ease, forsakes her people's woes 
 The dowry of my daughter is to be 
 Chief woman of her tribe, and rescue it. 
 A bride with such a dowry has no match 
 Among the subjects of that Catholic Queen 
 Who would have Gypsies swept into the sea 
 Or else would have them gibbeted. 
 
 Don Silva. 
 
 And you, 
 Fedalma's father — you who claim the dues 
 
 1 
 
.:^ 
 
 THE SPANISH GYPSY. 
 
 207 
 
 Of fatherhood — will offer up her youth 
 
 To mere grim idols of your phantasy ! 
 
 Worse than all Pagans, with no oracle 
 
 To bid you murder, no sure good to win, 
 
 Will sacrifice your daughter — to no god. 
 
 But to a ravenous fire within your soul, 
 
 Mad hopes, blind hate, that like possessing fiends 
 
 Shriek at a name ! This sweetest virgin, reared 
 
 As garden flowers, to give the sordid world 
 
 Glimpses of perfectness, you snatch and thrust 
 
 On dreary wilds ; in visions mad, proclaim 
 
 Semiramis of Gypsy wanderers ; 
 
 Doom, with a broken arrow in her heart, 
 
 To wait for death 'mid squalid savages : 
 
 For what ? You would be saviour of your tribe ; 
 
 So said Fedalma's letter ; rather say. 
 
 You have the will to save by ruling men, 
 
 But first to rule ; and with that flinty will 
 
 You cut your way, though the first cut you give 
 
 Gash your child's bosom. 
 
 ( While Don Silva has been speaking, with 
 growing passion, Feualma has placed 
 herself between him and her father.) 
 
 Zarca {with calm irony). 
 
 You are loud, my lord ! 
 You only are the reasonable man ; 
 You have a heart, I none. Fedalma's good 
 Is what you see, you care for ; while I seek 
 No good, not even my own, urged on by nought 
 But hellish hunger, which must still be fed, 
 Though in the feeding it I suffer throes. 
 Fume at your own opinion as you will : 
 I speak not now to you, but to my daughter. 
 If she still calls it good to mate with you. 
 To be a Spanish duchess, kneel at court. 
 
208 
 
 THE SPANISH GYPSY. 
 
 And hope her beauty is excuse to men 
 
 "When women whisper, " A mere Zincala !" 
 
 If she still calls it good to take a lot 
 
 That measures joy for her as she forgets 
 
 Her kindred and her kindred's misery, 
 
 Nor feels the softness of her downy couch 
 
 Marred by remembrance that she once forsook 
 
 The place that she was born to — let her go I 
 
 If life for her still lies in alien love. 
 
 That forces her to shut her soul from truth 
 
 As men in shameful pleasures shut out day ; 
 
 And death, for her, is to do rarest deeds. 
 
 Which, even failing, leave new faith to men, 
 
 The faith in human hearts — then, let her go i 
 
 She is my only offspring ; in her veins 
 
 She bears the blood her tribe has trusted in ; 
 
 Her heritage is their obedience. 
 
 And if I died, she might still lead them forth 
 
 To plant the race her lover now reviles 
 
 Where they may make a nation, and may rise 
 
 To grander manhood than his race can show ; 
 
 Then live a goddess, sanctifying oaths, 
 
 Enforcing right, and ruling consciences, 
 
 By law deep-graven in exalting deeds. 
 
 Through the long ages of her people's life. 
 
 If she can leave that lot for silken shame, 
 
 For kisses honeyed by oblivion — 
 
 The bliss of drunkards or the blank of fools — 
 
 Then let her go ! You Spanish Catholics, 
 
 When you are cruel, base, and treacherous, 
 
 For ends not pious, tender gifts to God, 
 
 And for men's wounds offer much oil to churches : 
 
 We have no altars for such healing gifts 
 
 As soothe the heavens for outrage done on earth. 
 
 We have no priesthood and no creed to teach 
 
 That she — the Zincala — who might save her race 
 
 And yet abandons it, may cleanse that blot, 
 
 gp 
 
THE SPANISH GYPSY, 
 
 209 
 
 t 
 
 And mend the curse her life has been to men, 
 By saving her own soul. Her one base choice 
 Is v/rong unchangeable, is poison shed 
 Where men mi.st drink, shed by her poisoning 
 
 will. 
 Now choose, Fe'^.^lma ! 
 
 [But her choice was made. 
 Slowly, while yet her father spoke, she moved 
 From where oblique with deprecating arms 
 She stood between the two who swayed her heart : 
 Slowly she moved to choose sublimer pain ; 
 Yearning, yet shrinking ; wrought upon by awe. 
 Her own brief life seeming a little isle 
 Remote through visions of a wider world 
 With fates close-crowded ; firm to slay her joy 
 That cut her heart with smiles beneath the knife. 
 Like a sweet babe foredoomed by prophecy. 
 She stood apart, yet near her father : stood 
 Hand clutching hand, her limbs all tense with 
 
 will 
 That strove 'gainst anguish, eyes that seemed a 
 
 soul 
 Yearning in death toward him she loved and left. 
 He faced her, pale with passion and a will 
 Fierce to resist whatever might seem strong 
 And ask him to submit : he saw one end — 
 He must be conqueror ; monarch of his lot 
 And not its tributary. But she spoke 
 Tenderly, pleadingly.] 
 
 Fedalma. 
 
 My lord, farewell ! 
 'Twas well we met once more ; now we must part 
 I think we had the chief of all love's joys 
 Only in knowing that we loved each other. 
 
 A'.- 
 
 X 
 
M 
 
 2IO 
 
 THE SPANISH GYPSY. 
 
 Don Silva. 
 loved with love that cling^s till 
 
 I thought we 
 
 death, 
 Clings as brute mothers bleeding to their young, 
 Still sheltering, clutching it, though it were dead ; 
 Taking the death-wound sooner than divide. 
 I thought we loved so. 
 
 Fedalma. 
 
 Silva, it is fate. 
 Great Fate has made me heiress of this woe. 
 You must forgive Fedalma all her debt : 
 She is quite beggared : if she gave herself, 
 'Twould be a self corrupt with stifled thoughts 
 Of a forsaken better. It is truth 
 My father speaks : the Spanish noble's wife 
 Were a false Zincala. No ! I will bear 
 The heavy trust of my inheritance. 
 vSee, 'twas my people's life that throbbed in me : 
 An unknown need stirred darkly in my soul, 
 And made me restless even in my bliss. 
 Oh, all my bliss was in our love ; but now 
 I may not taste it : some deep energy 
 Compels me to choose hunger. Dear, farewell ! 
 I must go with my people. 
 
 [She stretched forth 
 Her tender hands, that oft had lain in his. 
 The hands he knew sowell, that sight of them 
 Seemed like their' touch. But he stood still as 
 
 death ; 
 Locked motionless by forces opposite : 
 His frustrate hopes still battled with despair ; 
 His will was prisoner to the double grasp 
 Of rage and hesitancy. All the way 
 Behind him he had trodden confident, 
 Ruling munificently in his thought 
 
 ' ? 
 
ilBiffilWWr'i'^-OJ 
 
 THE SPANISH GYPS: 
 
 211 
 
 This Gypsy father. Now the father stood 
 Present and silent and unchangeable 
 As a celestial portent. Backward lay 
 The traversed road, the town's forsaken wall, 
 The risk, the daring ; all around him now 
 Was obstacle, save where the rising flood 
 Of love close pressed by anguish of denial 
 Was sweeping him resistless ; save where she 
 Gazing stretched forth her tender hands, that hurt 
 Like parting kisses. Then at last he spoke.] 
 
 Don Silva. 
 No, I can never take those hands in mine 
 Then let them go forever ! 
 
 Fedalma. 
 
 It must be. 
 We may not make this world a paradise 
 By walking it together hand in hand. 
 With eyes that meeting feed a double strength. 
 We must be only joined by pains divine 
 Of spirits blent in mutual memories. 
 6ilva, our joy is dead. 
 
 Don Silva. 
 
 But love still lives, 
 And has a safer guard in wretchedness. 
 Fedalma, women know no perfect love : 
 Loving the strong, they can forsake the strong ; 
 Man clings because the being whom he loves 
 Is weak and needs him. I can nev^r turn 
 And leave you to your difficult wandering ; 
 Know that you tread the desert, bear the storm 
 Shed tears, see terrors, faint wjtn weariness, 
 Yet live away from you. I should feel nought 
 But your imagined pains : in my own steps 
 See your feet bleeding, taste your silent tears, 
 
 \> 
 
THE SPANISH GYPSY. 
 
 And feel no presence but your loneliness. 
 No, I will never leave you ! 
 
 Zarca. 
 
 My lord Duke, 
 I have been patient, given room for speech. 
 Bent not to move my daughter by cbmmand. 
 Save that of her own faithfulness. But now, 
 All further words are idle elegies 
 Unfitting times of action. You are here 
 With the safe-conduct of that trust you showed 
 Coming unguarded to the Gypsy's camp. 
 I would fain meet all trust with courtesy 
 As well as honor ; but my utmost power 
 Is to afford you Gypsy guard to-night 
 Within the tents that keep the northward lines. 
 And for the morrow, escort on your way 
 Back to the Moorish bounds. 
 
 Don Silva. 
 
 What if my words 
 Were meant for deeds, decisive as a leap 
 Into the current ? It is not my wont 
 To utter hollow words, and speak resolves 
 Like verses bandied in a madrigal. 
 I spoke in action first : I faced all risks 
 To find Fedalma. Action speaks again 
 When I, a Spanish noble, here declare 
 That I abide with her, adopt her lot, 
 Claiming alone the fulfilment of her vows 
 As my betrothed wife. 
 
 Fedalma {^vresting herself from him, and stand- 
 ing opposite with a look of terror). 
 Nay, Silva, nay ! 
 You could not live so — spring from your high 
 place . . . 
 
THE SPANISH GYPSY, 
 
 Don Silva. 
 
 Yes, I have said it. And you, chief, are bound 
 By her strict vows, no stronger fealty 
 Being left to cancel them. 
 
 Zarca. 
 
 Strong words, my lord ! 
 Sounds fatal as the hammer-strokes that shape 
 The glowing metal : they must shape your life. 
 That you will claim my daughter is lo say 
 That you will leave your Spanish dignities. 
 Your home, your wealth, your people, to become 
 Wholly a Zincalo : share our wanderings, 
 And be a match meet for my daughter's dower 
 By living for her tribe ; take the deep oath 
 That binds you to us ; rest within our camp, 
 Nevermore hold command of Spanish men, 
 And keep my orders. See, my lord, you lock 
 A many-winding chain — a heavy chain. 
 
 Don Silva. 
 
 I have but one resolve : let the rest follow. 
 What is my rank ? To-morrow it will be filled 
 By one who eyes it like a carrion bird, 
 Waiting for death. I shall be no more missed 
 Than waves are missed that leaping on the rock 
 Find there a bed and rest. Life's a vast sea 
 That does its mighty errand without fail, 
 Panting in unchanged strength though waves are 
 
 changing. 
 And I have said it : she shall be my people. 
 And where she gives her life I will give mine. 
 She shall not live alone, nor die alone. 
 I will elect my deeds, and be the liege 
 Not of my birth, but of that good alone 
 I have discerned and chosen. 
 
 %. 
 
'J'M 
 
 L^ 
 
 -^- 
 
 214 
 
 TJ/£ SPANISH GYPSY. 
 
 Zarca. 
 
 Our poor faith 
 Allows not rightful choice, save of the right 
 Our birth has made for us. And you, my lord, 
 Can still defer your choice, for some days' space. 
 I march perforce to-night ; you, if you will. 
 Under a Gypsy guard, can keep the heights 
 With silent Time that slowly opes the scroll 
 Of change inevitable — take no oath 
 Till my accomplished task leave me at large 
 To see you keep your purpose or renounce it. 
 
 Don Silva. 
 
 Chief, do I hear amiss, or does your speech 
 Ring with a doubleness which I had held 
 Most alien to you ? You would put me off, 
 And cloak evasion with allowance ? No ! 
 We will complete our pledges. I will take 
 That oath which binds not me alone, but you. 
 To join my life forever with Fedalma's. 
 
 Zarca. 
 I wrangle not — time presses. But the oath 
 Will leave you that same post upon the heights ; 
 Pledged to remain there while my absence lasts. 
 You are agreed, my lord ? 
 
 Don Silva. 
 
 Agreed to all. 
 Zarca. 
 Then I will give the summons to our camp. 
 We will adopt you as a brother now, 
 After our wonted fashion. 
 
 \Exit Zpcsjzk. 
 
 (Silva takes Fedalma's hands.) 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 215 
 
 i 
 
 Fedalma. 
 
 O my lord I 
 I think the earth is trembling : nought is firm. 
 Some terror chills me with a shadowy grasp. 
 Am I about to wake, or do you breathe 
 flere in this valley ? Did the outer air 
 Vibrate to fatal words, or did they shake 
 Only my dreaming soul ? You — join — our tribe ? 
 
 Don Silva. 
 Is then your love too faint to raise belief 
 Up to that height ? 
 
 Fedalma. 
 
 Silva, had you but said 
 That you would die — that were an easy task 
 For you who oft have fronted death in war. 
 But so to live for me — you, used to rule — 
 You could not breathe the air my father breathes : 
 His presence is subjection. Go, my lord ! 
 Fly, while there yet is time. Wait not to speak. 
 I will declare that I refused your love — 
 Would keep no vows to you . . . 
 
 Don Silva. 
 
 It is too late. 
 You shall not thrust me back to seek a good 
 Apart from you. And what good ? Why, to face 
 Your absence — all the want that drove me forth — 
 To work the will of a more tyrannous friend 
 Than any uncowled father. Life at least 
 Gives choice of ills ; forces me to defy, 
 But shall not force me to a weak defiance. 
 The power that threatened you, to master me, 
 That scorches like a cave-hid dragon's breath. 
 Sure of its victory in spite of hate. 
 Is what I last will bend to — most defy. 
 Your father has a chieftain's ends, befitting 
 
 U ''"' \ 
 
 ^ 
 
A soldier's eye and arm : were he as strong 
 As the Moors' prophet, yet the prophet too 
 Had younger captains of illustrious fame 
 Among the infidels. Let him command, 
 For when your father speaks, I shall hear you. 
 Life were no gain if you were lost to me : 
 I would straight go and seek the Moorish walls. 
 Challenge their bravest, and embrace swift death. 
 The Glorious Mother and her pitying Son 
 Are not Inquisitors, else their heaven were hell. 
 Perhaps they hate their cruel worshippers, 
 And let them feed on lies. I'll rather trust 
 They love you and have sent me to defend you. 
 
 Fedalma. 
 I made my creed so, just to suit my mood 
 And smooth all hardship, till my father came 
 And taught my soul by ruling it. Since then 
 I cannot weave a dreaming happy creed 
 Where our love's happiness is not accursed. 
 My father shook my soul awake. And you — 
 The bonds Fedalma may not break for you, 
 I cannot joy that you should break fcp- her. 
 
 Don Silva. 
 Oh, Spanish men are not a petty band 
 Where one deserter makes a fatal breach. 
 Men, even nobles, are more plenteous 
 Than steeds and armor ; and my weapons left 
 Will find new hands to wield them. Arrogance 
 Makes itself champion of mankind, and holds 
 God's purpose maimed for one hidalgo lost. 
 
 See where your father comes and brings a crowd 
 Of witnesses to hear my oath of love ; 
 The low red sun glows on them like a fire. 
 This seems a valley in some strange new world, 
 Where we have found each other, my Fedalma. 
 
BOOK IV. 
 
 Now twice the day had sunk from off the hilis 
 "While Silva kept his watch there, with the band 
 Of stalwart Gypsies. When the sun was high 
 He slept ; then, waking, strained impatient eyes 
 To catch the promise of some moving form 
 That might be Juan — Juan who went and came 
 To soothe two hearts, and claimed nought for his 
 
 own : 
 Friend more divine than all divinities. 
 Quenching his human thirst in others' joy. 
 All through the lingering nights and pale chill 
 
 dawns 
 Juan had hovered near ; with delicate sense. 
 As of some breath from every changing mood. 
 Had spoken or kept silence ; touched his lute 
 To hint of melody, or poured brief strains 
 That seemed to make all sorrows natural, 
 Hardly worth weeping for, since life was short. 
 And shared by loving souls. Such pity welled 
 Within the minstrel's heart of light-tong-ued Juan 
 For this doomed man, who with dream-shrouded 
 
 eyes 
 Had stepped into a torrent as a brook. 
 Thinking to ford it and return at will. 
 And now waked helpless in the eddying flood. 
 Hemmed by its raging hurry. Once that thought, 
 How easy wandering is, how hard and strict 
 The homeward way, had slipped from reverie 
 Into low-murmured song ; — (brief Spanish song 
 'Scaped him as sighs escape from other men). 
 
 ro !i [i '!i ffl.. ' w^ ^ 
 
 -Wv A.Si 
 
 w 
 
fj::^^' 
 
 THE SPANISH GYPSY. 
 
 Push off the boat. 
 Quit, quit the shore. 
 
 The stars will guide us back : — 
 O gathering cloud, 
 O wide, wide sea, 
 
 O waves that keep no track ! 
 
 On through the pines I 
 The pillared woods. 
 
 Where silence breathes sweet breath . — 
 O labyrinth, 
 
 sunless gloom. 
 
 The other side of death ! 
 
 Such plaintive song had seemed to please the 
 
 Duke- 
 Had seemed to melt all voices of reproach 
 To sympathetic sadness ; but his moods 
 Had grown more fitful with the growing hours, 
 And this soft murmur had the iterant voice 
 Of heartless Echo, whom no pain can move 
 To say aught else than we have said to her. 
 He spoke, impatient : " Juan, cease thy song. 
 Our whimpering poesy and small-paced tunes 
 Have no more utterance than the cricket's chirp 
 For souls that carry heaven and hell within." 
 Then Juan, lightly : " True, my lord, I chirp 
 For lack of soul ; some hungry poets chirp 
 For lack of bread. 'Twere wiser to sit down 
 And count the star-seed, till I fell asleep 
 With the cheap wine of pure stupidity." 
 And Silva, checked by courtesy : " Nay, Juan, 
 Were speech once good, the song were best of 
 
 speech. 
 I meant, all life is but poor mockery : 
 Action, place, power, the visible wide world 
 Are tattered masquerading of this self. 
 
 f. 
 
THE SPANISH GYPSY, 
 
 i 
 
 ^'*^. 
 
 This pulse of conscious mystery : all change, 
 
 Whether to high or low, is change of rags. 
 
 But for her love, I would not take a good 
 
 Save to burn out in battle, in a flame 
 
 Of madness that would feel no mangled limbs. 
 
 And die not knowing death, but passing straight 
 
 — Well, well, to other flames — in purgatory." 
 
 Keen Juan's ear caught the self-discontent 
 
 That vibrated beneath the changing tones 
 
 Of life-contemning scorn. Gently he said : 
 
 " But with her love, my lord, the world deserves 
 
 A higher rate ; were it but masquerade, 
 
 The rags were surely worth the wearing ? " " Yes. 
 
 No misery shall force me to repent 
 
 That I have loved her." 
 
 So with wilful talk. 
 Fencing the wounded soul from beating winds 
 Of truth that came unasked, companionship 
 Made the hours lighter. And the Gypsy guard, 
 Trusting familiar Juan, were content. 
 At friendly hint from him, to still their songs 
 And busy jargon round the nightly fires. 
 Such sounds, the quick-conceiving poet knew 
 Would strike on Silva's agitated soul 
 Like mocking repetition of the oath 
 That bound him in strange clanship with the 
 
 tribe 
 Of human panthers, flame-eyed, lithe-limbed, 
 
 fierce, 
 Unrecking of time-woven subtleties 
 And high tribunals of a phantom-world. 
 
 I„: 
 
 But the third day, though Silva southward gazed 
 Till all the shadows slanted toward him, gazed 
 Till all the shadows died, no Juan came. 
 Now in his stead came loneliness, and Thought 
 Inexorable, fastening with firm chain 
 
 f 
 
4 
 
 THE SPANISH GYPSY. 
 
 What is to what hath been. Now awful Night, 
 The prime ancestral mystery, came down 
 Past all the generations of the stars. 
 And visited his soul with touch more close 
 Than when he kept that younger, briefer watch 
 Under the church's roof beside his arms, 
 And won his knighthood. 
 
 Well, this solitude, 
 This company with the enduring universe, 
 Whose mighty silence carrying all the past 
 Absorbs our history as with a breath, 
 Should give him more assurance, make him 
 
 strong 
 In all contempt of that poor circumstance 
 Called human life — customs and bonds and laws 
 Wherewith men make a better or a worse, 
 Like children playing on a barren mound 
 Feigning a thing to strive for or avoid. 
 Thus Silva argued with his many-voiced self, 
 Whose thwarted needs, like angry multitudes, 
 Lured from the home that nurtured them to 
 
 strength, 
 Made loud insurgence. Thus he called on 
 
 Thought, 
 On dexterous Thought, with its swift alchemy 
 To change all forms, dissolve all prejudice 
 Of man's long heritage, and yield him up 
 A crude fused world to fashion as he would. 
 Thought played him double ; seemed to wear the 
 
 yoke 
 Of sovereign passion in the noon-day height 
 Of passion's prevalence , but served anon 
 As tribune to the larger soul which brought 
 Loud-mingled cries from every human need 
 That ages had instructed into life. 
 He could not grasp Night's black blank mystery 
 And wear it for a spiritual garb 
 
 ^3? 
 
THE SPANISH GYPSY. 
 
 221 
 
 Kf- 
 
 f^' 
 
 Creed-proof : he shuddered at its passionless 
 
 touch. 
 On solitary souls, the universe 
 Looks down inhospitable ; the human heart 
 Finds nowhere shelter but in human kind. 
 lie yearned toward images that had breath in 
 
 them, 
 That sprang warm palpitant with memories 
 From streets and altars, from ancestral homes 
 Banners and trophies and the cherishing rays 
 Of shame and honor in the eyes of man. 
 These made the speech articulate of his soul, 
 That could not move to utterance of scorn 
 Save in words bred by fellowship ; could not feel 
 Resolve of hardest constancy to love 
 The firmer for the sorrows of the loved, 
 Save by concurrent energies high-wrought 
 To sensibilities transcending sense 
 Through close community, and long-shared pains 
 Of far-off generations. All in vain 
 He sought the outlaw's strength, and made a 
 
 right 
 Contemning that hereditary right 
 Which held dim habitations in his frame, 
 Mysterious haunts of echoes old and far, 
 The voice divine of human loyalty. 
 At home, among his people, he had played 
 In sceptic ease with saints and litanies. 
 And thunders of the Church that deadened fell 
 Through screens of priests plethoric. Awe, un. 
 
 scathed 
 By deeper trespass, slept without a dream. 
 But for such trespass as made outcasts, still 
 The ancient Furies lived with faces new 
 And lurked with lighter slumber than of old 
 O'er Catholic Spain, the land of sacred oatlis 
 That might be broken. 
 
 
 Y 
 
 f 
 
L 
 
 Now the former life 
 Of close-linked fellowship, the life that made 
 His full-formed self, as the impregnate sap 
 Of years successive frames the full-branched 
 
 tree- 
 Was present in one whole ; and that great trust 
 His deed had broken turned reproach on him 
 From faces of all witnesses who heard 
 His uttered pledges ; saw him hold high place 
 Centring reliance ; use rich privilege 
 That bound him like a victim-nourished god 
 By tacit covenant to shield and bless ; 
 Assume the Cross and take his knightly oath 
 Mature, deliberate : faces human all, 
 And some divine as well as human : His 
 Who hung supreme, the suffering Man divine 
 Above the altar ; Hers, the Mother pure 
 Whose glance informed his masculine tender- 
 ness 
 With deepest reverence ; the Archangel armed. 
 Trampling man's enemy : all heroic forms 
 That fill the world of faith with voices, hearts. 
 And high companionship, to Silva now 
 Made but one inward and insistent world 
 With faces of his peers, with court and hall 
 And deference, and reverent vassalage, 
 And filial pieties — one current strong. 
 The warmly mingled life-blood of his mind, 
 Sustaining him evenwhen he idly played 
 With rules, beliefs, charges, and ceremonies 
 As arbitrary fooling. Such revenge 
 Is wrought by the long travail of mankind 
 On him who scorns it, and would shape his life 
 Without obedience. 
 
 But his warrior's pride 
 Would take no wounds save on the breast. He 
 faced 
 
 iL 
 
 II 
 
223 
 
 The fatal crowd : "I never shall repent ! 
 
 If I have sinned, my sin was made for me 
 
 By men's perverseness. There's no blameless life 
 
 Save for the passionless, no sanctities 
 
 But have the self-same roof and props with crime, 
 
 Or have their roots close interlaced with wrong. 
 
 If I had loved her less, been more a craven, 
 
 I had kept my place and won the easy praise 
 
 Of a true Spanish noble. But I loved, 
 
 And, loving, dared — not Death the warrior 
 
 But Infamy that binds and strips, and holds 
 
 The brand and lash. I have dared all for her. 
 
 She was my good — what other men call heaven, 
 
 And for the sake of it bear penances ; 
 
 Nay, some of old were baited, tortured, flayed 
 
 To win their heaven. Heaven was their good. 
 
 She, mine. And I have braved for her all tires 
 
 Certain or threatened ; for 1 go away 
 
 Beyond the reach of expiation — far away 
 
 From sacramental blessing. Does God bless 
 
 No outlaw ? Shut his absolution fast 
 
 In human breath ? Is there no God for me 
 
 Save him whose cross I have forsaken ? — Well, 
 
 I am forever exiled — but with her ! 
 
 She is dragged out into the wilderness ; 
 
 J, with my love, will be her providence. 
 
 I have a right to choose my good or ill, 
 
 A right to damn myself ! The ill is mine. 
 
 I never will repent !" . , , 
 
 Thus Silva, inwardly debating, all hi6 ear 
 
 Turned into audience of a twofold mind ; 
 
 For even in tumult full-fraught consciousness 
 
 Had plenteous being for a self aloof 
 
 That gazed and listened, like a soul in dreams 
 
 Weaving the wondrous tale it marvels at. 
 
 But oft the conflict slackened, oft strong Love 
 
 With tidal energy returning laid 
 
 ^ 
 
224 
 
 THE SPANISH GYPSY. 
 
 All other restlessness : Fedalma came, 
 And with her visionary presence brought 
 What seemed a waking in the warm spring morn 
 He still was pacing on the stony earth 
 Under the deepening night ; the fresh-lit fires 
 Were flickering on dark forms and eyes that met 
 His forward and his backward tread ; but she, 
 She was within him, making his whole self 
 Mere correspondence with her image : sense, 
 In all its deep recesses where it keeps 
 The mystic stores of ecstasy, was turned 
 To memory that killed the hour, like wine. 
 Then Silva said, " She, by herself, is life. 
 What was my joy before I loved her — what 
 Shall heaven lure us with, love being lost?" — 
 For he was young. 
 
 But now around the fires 
 The Gypsy band felt freer ; Juan's song 
 Was no more there, nor Juan's friendly ways 
 For links of amity 'twixt their wild mood 
 And this strange brother, this pale Spanish duke^ 
 Who with their Gypsy badge upon his breast 
 Took readier place within their alien hearts 
 As a marked captive, who would fain escape. 
 And Nadar, who commanded them, had known 
 The prison in Bedmar. So now, in talk 
 Foreign to Spanish ears, they said their minds, 
 Discussed their chief's intent, the lot marked out 
 For this new brother. Would he wed theit 
 
 queen ? 
 And some denied, saying their queen would wed 
 Only a Gypsy duke — one who would join 
 Their bands in Telemsan . But others thought 
 Young Hassan was to wed her ; said their chief 
 Would never trust this noble of Castile, 
 Who in his very swearing was forsworn. 
 And then one fell to chanting, in wild notes 
 
Pfisoned fire within the vein, 
 On the tongue and on the lip 
 
 Not a sip 
 From the earth or skies ; 
 Hot the desert lies 
 Pressed into your anguish. 
 Narrowing earth and narrowing sky 
 Into lonely misery. 
 
 Lonely may you languish 
 Through the day and through the nighty 
 Hate the darkness, hate the light. 
 Pray and find no ear. 
 Feel no brother near. 
 Till on death you cry. 
 Death who passes by. 
 And anew you groan. 
 Scaring the vultures all to leave you living lone 
 Curst by soul's and bodys throes 
 If you love the dark men's foes. 
 Cling not fast to all the dark men's woes. 
 Turn false Zincalo I 
 Swear to hate the cruel cross. 
 
 The silver C7vss I 
 Glittering, laughing at the blood 
 Shed below it in a flood 
 When it glitters over Moorish porches ; 
 
 Laughing at the scent of flesh 
 When it glitters where the fagot scorches^ 
 Burning life's ^nysterious mesh : 
 Blood of wandering Israel, 
 Blood of zvandering Ismael, 
 Blood, the drink of Christian scorn. 
 Blood of wanderers, sons of morn 
 Where the life of fnen began : 
 Swear to hate the cross 1 — 
 Sign of all the wanderers' foes. 
 Sign of all the wanderers' woes — 
 
 W 
 
!__/ 
 
 f<? 
 
 -^^^ 
 
 /^ 
 
 THE SPANISH GYPSY. 227 
 
 Else its curse light on you ! 
 Else the curse upon you light 
 Of its sharp red-sworded might. 
 May it lie a blood-red blight 
 On all things within your sight : 
 On the white haze of the morn. 
 On the meadows and the corn. 
 On the sun and on the ?noon, 
 On the clearness of the noon, 
 On the darkness of the night. 
 May it fill your aching sight — 
 Red-cross sword and sword blood-red — 
 Till it press upon your head, 
 Till it lie within your brain. 
 Piercing sharp, a cross of pain. 
 Till it lie upon your heart. 
 
 Burning hot, a cross of fire 
 Till from sense in every part 
 Pains have clustered like a stinging swarm 
 
 In the cross's form. 
 And you see nought but the cross of blood. 
 And you feel nought but the cross of fire : 
 Curst by all the cross's throes 
 If you hate not all our foes. 
 Cling not fast to all our woes. 
 Turn false Zlncalo ! 
 
 A fierce delight was in the Gypsies' chant : 
 They thought no more of Silva, only felt 
 Like those broad-chested rovers of the night 
 Who pour exuberant strength upon the air. 
 To him it seemed as if the hellish rhythm, 
 Revolving in long curves that slackened now, 
 Now hurried, sweeping round again to slackness, 
 Would cease no more. What use to raise his 
 
 voice, 
 Or grasp his weapon ? He was powerless now. 
 
 •^ 
 

THE SPANISH GYPSY. 
 
 229 
 
 The Moorish hall in the castle at Bednidr. . The 
 morning twilight dimly shorvs stains of blood 
 on the white marble floor ; yet there has been 
 a careful restoration of order among the sparse 
 objects of furniture. Stretched on mats lie 
 three corpses, the faces bare, the bodies covered 
 with mantles. A little way off, luith rolled 
 matting for a pillow, lies Zarca, sleepi>ig. 
 His chest and arms are bare ; his weapons, 
 turban, mail-shirt, and other upper ganuents 
 lie on the floor beside him. In the outer gal- 
 lery Zlncali are pacing, at intervals, past the 
 arched openings. 
 
 Zarca {half rising and resting his elbow on the 
 pillo7v while he looks round). 
 
 The morning I I have slept for full three hours ; 
 Slept without dreams, save my daughter's face. 
 Its sadness waked me. Soon she will be here, 
 Soon must outlive the worst of all the pains 
 Bred by false nurture in an alien home — 
 As if a lion in fangless infancy 
 Learned love of creatures that with fatal growth 
 It scents as natural prey, and grasps and tears, 
 Yet with heart-hunger yearns for, missing them. 
 She is a lioness. And they — the race 
 That robbed me of her — reared her to this pain. 
 He will be crushed and torn. There was no help. 
 But she, my child, will bear it. For strong 
 
 souls 
 Live like fire-hearted suns to spend their strength 
 In farthest striving action ; breathe more free 
 In mighty anguish than in trivial ease. 
 Her sad face waked me. I shall meet it soon 
 Waking . . . 
 
 {He rises and stands looking at the corpses.) 
 
 a '% 
 
 ■\-, 
 
 9 
 
230 
 
 THE SPANISH GYPSY. 
 
 As now I look on these pale dead, 
 These blossoming branches crushed beneath the 
 
 fall 
 Of that broad trunk to which I laid my axe 
 With fullest foresight. So will I ever face 
 In thought beforehand to its utmost reach 
 The consequences of my conscious deeds ; 
 So face them after, bring them to my bed, 
 And never drug my soul to sleep with hes. 
 If they are cruel, they shall be arraigned 
 By that true name ; they shall be justified 
 By my high purpose, by the clear-seen good 
 That grew into my vision as I grew, 
 And makes my nature's function, the full pulse 
 Of inbred kingship. Catholics, 
 Arabs, and Hebrews, have their god apiece 
 To fight and conquer for them, or be bruised, 
 Like Allah now, yet keep avenging stores 
 Of patient wrath. The Zincali have no god 
 Who speaks to them and calls them his, unless 
 I, Zarca, carry living in my frame 
 The power divine that chooses them and saves. 
 " Life and more life unto the chosen, death 
 To all things living that would stifle them ! " 
 So speaks each god that makes a nation strong ; 
 Burns trees and brutes and slays all hindering 
 
 men. 
 The Spaniards boast their god the strongest now ; 
 They win most towns by treachery, make most 
 
 slaves, 
 Burn the most vines and men, and rob the most. 
 I fight against that strength, and in my turn 
 Slay these brave young who duteously strove. 
 Cruel ? ay, it is cruel. But, how else ? 
 To save, we kill ; each blow we strike at guilt 
 Hurts innocence with its shock. Men might 
 
 well seek 
 
 -^'^ 
 
THE SPANISH GYPSY. 
 
 For purifying rites ; even pious deeds 
 
 Need washing. But my cleansing waters flow 
 
 Solely from my intent. 
 
 {^He turns away from the bodies to where 
 his garments lie, but does not lift them. ) 
 
 And she must suffer ! 
 But she has seen the unchangeable and bowed 
 Her head beneath the yoke. And she will walk 
 No more in chilling twilight, for to-day 
 Rises our sun. The difficult night is past ; 
 We keep the bridge no more, but cross it ; march 
 Forth to a land where all our wars shall be 
 With greedy obstinate plants that will not yield 
 Fruit for their nurture. All our race shall come 
 From north, west, east, a kindred multitude, 
 And make large fellowship, and raise inspired 
 The shout divine, the unison of resolve. 
 So I, so she, will see our race redeemed. 
 And their keen love of family and tribe 
 Shall no more thrive on cunning, hide and lurk 
 In petty arts of abject hunted life, 
 But grow heroic in the sanctioning light, 
 And feed with ardent blood a nation's heart. 
 That is my work : and it is well begun. 
 On to achievement ! 
 
 {He takes up the mail-shirt, and looks at 
 then throws it down again.) 
 
 No, I'll none of you ! 
 To-day there'll be no fighting. A few hours, 
 And I shall dofT these garments of the Moor : 
 Till then I will walk lightly and breathe high. 
 
 Sephardo {appearing at the archway leading into 
 the outer gallery). 
 
 You bade me wake you . . , 
 
 IB! 
 
 tt: 
 
THE SPANISH GYPSY. 
 
 Zarca. 
 
 Welcome, Doctor 
 With that small task I did but beckon you 
 To graver work. You know these corpses ? 
 
 Sephardo. 
 
 Yes. 
 I would they were not corpses. Storms will lay 
 The fairest trees and leave the withered stumps. 
 This Alvar and the Duke were of one age, 
 And very loving friends. I minded not 
 The sight of Don Diego's corpse, for death 
 Gave him some gentleness, and had he lived 
 I had still hated him. But this young Alvar 
 Was doubly noble, as a gem that holds 
 Rare virtues in its lustre ; and his death 
 Will pierce Don Silva with a poisoned dart. 
 This fair and curly youth was Arias, 
 A son of the Pachecos ; this dark face . . . 
 
 Zarca. 
 
 Enough ! you know their names. I had divined 
 That they were near the Duke, most like had 
 
 served 
 My daughter, were her friends ; so rescued them 
 From being flung upon the heap of slain. 
 Beseech you, Doctor, if you owe me aught 
 As having served your people, take the pains 
 To see these bodies buried decently. 
 And let their names be writ above their graves, 
 As those of brave young Spaniards who died well. 
 I needs must bear this womanhood in my heart — 
 Bearing my daughter there. For once she 
 
 prayed — 
 'Twas at our parting — ** When you see fair hair 
 Be pitiful." And I am forced to look 
 
 ^ 
 
\ 
 
 '^-r^ 
 
 THE SPANISH GYPSY. 233 
 
 On fair heads living and be pitiless. 
 Your service, Doctor, will be done to her. 
 
 Sephard'o. 
 A service doubly dear. For these young dead. 
 And one less happy Spaniard vi^ho still lives, 
 Are offerings which I wrenched from out my 
 
 heart. 
 Constrained by cries of Israel : while my hands 
 Rendered the victims at command, my eyes 
 Closed themselves vainly, as if vision lay 
 Through those poor loopholes only. I will go 
 And see the graves dug by some cypresses. 
 
 Zarca. 
 Meanwhile the bodies shall rest here. Farewell, 
 {Exit Sephardo.) 
 
 Nay, 'tis no mockery. She keeps me so 
 From hardening with the hardness of my acts. 
 This Spaniard shrouded in her love — I would 
 He lay here too that I might pity him. 
 
 \ 
 
 ?■ 
 
THE SPANISH GYPSY. 
 
 Morning. — The Fla( a Santiago in Bedmdr. A 
 crowd of townsmen forming an outer ciixle : 
 within^ Ztncali and Maoris li soldiers dragon up 
 round the central space. On the higher ground 
 in front of the church a stake with fagots heap- 
 ed, and at a little distance a gibbet. Moorish 
 music. Zarca enters, 7vearing his gold neck- 
 lace with the Gypsy badge oftheflaviing torch 
 over the dress of a Moorish Captain, accom- 
 panied by a small band of armed Zincali. who 
 fall aside and range themselves with the other 
 soldiers while he takes his stand in front of 
 the stake and gibbet. The music ceases, and 
 there is expectant silence, 
 
 Zarca. 
 Men of Bedmar, well-wishers, and allies. 
 Whether of Moorish or of Hebrew blood, 
 Who, being galled by the hard Spaniard's yoke. 
 Have welcomed our quick conquest as release, 
 I, Zarca, chief of Spanish Gypsies, hold 
 By delegation of the Moorish King 
 Supreme command within this town and fort. 
 Nor will I, with false show of modesty, 
 Profess myself unworthy of this post, 
 For so I should but tax the giver's choice. 
 And, as ye know, while I was prisoner here. 
 Forging the bullets meant for Moorish hearts. 
 But likely now to reach another mark, 
 I learned the secrets of the town's defence, 
 Caught the loud whispers of your discontent. 
 And so could serve the purpose of the Moor 
 As the edge's keenness serves the weapon's weight. 
 My Zincali, lynx-eyed and lithe of limb, 
 Tracked out the high Sierra's hidden path. 
 Guided the hard ascent, and were the first 
 To scale the walls and brave the showering stones. 
 
 ^ti^m 
 
- /. 
 
 rr 
 
 THE SPANISH GYPSY 
 
 235 
 
 In brief, I reached this rank through service done 
 By thought of mine and valor of my tribe, 
 Yet hold it but in trust, with readiness 
 To lay it down ; for we — the Zincali — 
 Will never pitch our tents again on land 
 The Spaniard grudges us : we seek a home 
 Where we may spread and ripen like the corn 
 By blessing of the sun and spacious earth. 
 Ye wish us well, I think, and are our friends? 
 
 Crowd. 
 Long life to Zarca and his Zincali ! 
 
 Zarca. 
 Now, for the cause of our assembling here. 
 'Twas my command that rescued from your hands 
 That Spanish Prior and Inquisitor 
 W^hom in fierce retribution you had bound 
 And meant to burn, tied to a planted cross. 
 I rescued him with promise that his death 
 Should be more signal in its justice — made 
 Public in fullest sense, and orderly. 
 Here, then, you see the stake — slow death by fire ; 
 And there a gibbet — swift death by the cord. 
 Now hear me. Moors and Hebrews of Bedmar, 
 Our kindred by the warmth of Eastern blood ! 
 Punishing cruel wrong by cruelty 
 W^e copy Christian crime. Vengeance is just : 
 Justly we rid the earth of human fiends 
 Who carry hell for pattern in their souls. 
 But in high vengeance there is noble scorn : 
 It tortures not the torturer, nor gives 
 Iniquitous payment for iniquity. 
 The great avenging angel does not crawl 
 To kill the serpent with a mimic fang ; 
 He stands erect, with sword of keenest edge 
 That slays like lightning. So too we will slay 
 
 « 
 
 mm. 
 
 ^ 
 
M^ 
 
 .^ 
 
 236 
 
 THE SPANISH GYPSY. 
 
 The cruel man ; slay him because he works 
 Woe to mankind. And I have given command 
 To pile these fagots, not to burn quick flesh, 
 But for a sign of that dire wrong to men 
 Which arms our wrath with justice. While, to 
 
 show 
 This Christian worshipper that we obey 
 A better law than his, he shall be led 
 Straight to the gibbet and to swiftest death. 
 For I, the chieftain of the Gypsies, will, 
 My people shed no blood but what is shed 
 In heat of battle or in judgment strict 
 With calm deliberation on the right. 
 Such is my will, and if it please you — well. 
 
 It pleases us. 
 
 Crowd. 
 Long life to Zarca ! 
 
 Zarca. 
 
 Hark 
 
 The bell is striking, and they bring even own 
 The prisoner from the fort. What. Nadar ? 
 
 Nadar \Jias appeared^ cutting the crowd, and ad- 
 vancing toward ZA.KC A. till he is near enough to 
 speak in an undertone). 
 
 Chief, 
 I have obeyed your word, have followed it 
 As water does the furrow in the rock. 
 
 Vour band is here ? 
 
 'Twas so I ordered. 
 
 Za"RCA. 
 
 Nadar. 
 Yes, and the Spaniard too. 
 
 Zarca. 
 
^?:^ 
 
 THE SPANISH GYPSY. 
 
 Nadar. 
 
 237 
 
 Ay, but this sleek hound, 
 Who slipped his collar off to join the wolves. 
 Has still a heart for none but kennelled brutes. 
 He rages at the taking of the town, 
 Says all his friends are butchered : and one corpse 
 He stumbled on — well, I would sooner be 
 A murdered Gypsy's dog, and howl for him. 
 Than be this Spaniard. Rage has made him 
 
 whiter. 
 One townsman taunted him with his escape, 
 And thanked him for so favoring us. . . . 
 
 Zarca, 
 
 Enough. 
 You gave him my command that he should wait 
 Within the castle, till I saw him ? 
 
 Nadar. 
 
 Yes. 
 But he defied me, broke away, ran loose 
 I know not whither ; he may soon be here. 
 I came to warn you, lest he work us harm. 
 
 Zarca. 
 Fear not, I know the road I travel by : 
 Its turns are no surprises. He who rules 
 Must humor full as much as he commands ; 
 Must let men vow impossibilities ; 
 Grant folly's prayers that hinder folly's wish 
 And serve the ends of wisdom. Ah, he comes I 
 
 [Sweeping like some pale herald from the dead, 
 Whose shadow-nurtured eyes, dazed by full light, 
 See nought without, but give reverted sense 
 To the soul's imagery. Silva came, 
 The wondering people parting wide to get 
 
238 
 
 THE SPANISH GYPSY. 
 
 Continuous sight of him as he passed on — 
 This high hidalgo, who through blooming years 
 Had shone on men with planetary calm, 
 Believed-in with all sacred images 
 And saints that must be taken as they were, 
 Though rendering meagre service for men's 
 
 praise : 
 Bareheaded now, carrjdng an unsheathed sword, 
 And on his breast, where late he bore the cross, 
 Wearing the G>'psy badge ; his form aslant, 
 Driven, it seemed, by some invisible chase, 
 Right to the front of Zarca. There he paused.] 
 
 Don Silva. 
 Chief, you are treacherous, cruel, devilish ! — 
 Relentless as a curse that once let loose 
 From lips of wrath, lives bodiless to destroy, 
 And darkly traps a man in nets of guilt 
 Which could not weave themselves in open day 
 Before his eyes. Oh, it was bitter wrong 
 To hold this knowledge locked within your mind. 
 To stand with waking eyes in broadest light. 
 And see me, dreaming, shed my kindred's blood. 
 'Tis horrible that men with hearts and hands 
 Should smile in silence like the firmament 
 And see a fellow-mortal draw a lot 
 On which themselves have written agony ! 
 Such injury has no redress, no healing 
 Save what may lie in stemming further ill. 
 Poor balm for maiming ! Yet I come to claim it. 
 
 Zarca. 
 First prove your wrongs, and I will hear youi 
 
 claim. 
 Mind, you are not commander of Bedmar, 
 Nor duke, nor knight, nor anything for me. 
 Save a sworn Gypsy, subject with my tribe 
 
Over whose deeds my will is absolute. 
 You chose that lot, and would have railed at me 
 Had I refused it you : I warned you first 
 "What oaths you had to take . . . 
 
 Don Silva. 
 
 You never warned me 
 That you had linked yourself with Moorish men 
 To take this town and fortress of Bedmdr — 
 Slay my near kinsman, him who held my place, 
 Our house's heir and guardian — slay my friend, 
 My chosen brother — desecrate the church 
 Where once my mother held me in her arms, 
 Making the holy chrism holier 
 With tears of joy that fell upon my brow ! 
 You never warned . . . 
 
 Zarca. 
 
 I warned you of your oath. 
 You shrank not, were resolved, were sure your 
 
 place 
 Would never miss you, and you had your will. 
 I am no priest, and keep no consciences : 
 I keep my own place and my own command. 
 
 Don Silva. 
 
 I said my place would never miss me — yes ! 
 A thousand Spaniards died on that same day 
 And were not missed ; their garments clothed the 
 
 backs 
 That else were bare. . . . 
 
 Zarca. 
 
 But you were just the one 
 Above the thousand, had you known the die 
 That fate was throwing then. 
 
^; 
 
 240 
 
 THE SPANISH GYPSY 
 
 Don Silva. 
 
 You knew it — you / 
 With fiendish knowledge, smiling- at the end. 
 You knew what snares had made my flying steps 
 Murderous ; you let me lock my soul with oaths 
 Which your acts made a hellish sacrament. 
 I say, you knew this as a fiend would know it. 
 And let me damn myself. 
 
 Zarca. 
 \ The deed was done 
 
 Before you took your oath, or reached our camp.— 
 Done when you slipped in secret from the post 
 'Twas yours to keep, and not to meditate 
 If others might not fill it. For your oath, 
 What man is he who brandishes a sword 
 In darkness, kills his friends, and rages then 
 Against the night that kept him ignorant ? 
 Should I, for one unstable Spaniard, quit 
 My steadfast ends as father and as chief ; 
 Renounce my daughter and my people's hope. 
 Lest a deserter should be made ashamed ? 
 
 Don Silva. 
 Your daughter — O great God ! I vent but mad- 
 ness. 
 The past will never change. I come to stem 
 Harm that may yet be hindered. Chief — this 
 
 stake — 
 Tell me who is to die I Are you not bound 
 Yourself to him you took in fellowship ? 
 The town is yours ; let me but save the blood 
 That still is warm in men who were my . . . 
 
 Zarca. 
 They bring the prisoner. 
 
 \ ' 
 
 Peace 
 
^iM.z.. 
 
 THE SPANISH GYPSY, 
 
 241 
 
 .*'**^-^ 
 
 [Zarca waved his arm 
 With head averse, in peremptory sign 
 That 'twixt them now there should be space and 
 
 silence. 
 Most eyes had turned to where the prisoner 
 Advanced among his guards ; and Silva too 
 Turned eagerly, all other striving quelled 
 By striving with the dread lest he should see 
 His thought outside him. And he saw it there. 
 The prisoner was Father Isidor : 
 The man whom once he fiercely had accused 
 As author of his misdeeds — whose designs 
 Had forced him into fatal secrecy. 
 The imperious and inexorable Will 
 Was yoked, and he who had been pitiless 
 To Silva's love, was led to pitiless death, 
 O hateful victory of blind wishes— prayers 
 Which hell had overheard and swift fulfilled ! 
 The triumph was a torture, turning all 
 The strength of passion into strength of pain. 
 Remorse was born within him, that dire birth 
 Which robs all else of nurture — cancerous, 
 Forcing each pulse to feed its anguish, turning 
 All sweetest residues of healthy life 
 To fibrous clutches of slow misery, 
 Silva had but rebelled — he was not free ; 
 And all the subtle cords that bound his soul 
 Were tightened by the strain of one rash leap 
 Made in defiance. He accused no more, 
 But dumbly shrank before accusing throngs 
 Of thoughts, the impetuous recurrent rush 
 Of all his past-created, unchanged self. 
 The Father came bareheaded, frocked, a rope 
 Around his neck, — but clad with majesty. 
 The strength of resolute undivided souls 
 Who, owning law, obey it. In his hand 
 He bore a crucifix, and praying, gazed 
 
 ^ 
 

 242 
 
 THE SPANISH GYPSY. 
 
 Solely on that white image. But his guards 
 Parted in front, and paused as they approached 
 The centre where the stake was. Isidor 
 Lifted his eyes to look around him — calm, 
 Prepared to speak last words of willingness 
 To meet his death — last words of faith unchanged. 
 That, working for Christ's kingdom, he had 
 
 wrought 
 Righteously. But his glance met Silva's eyes 
 And drew him. Even images of stone 
 Look living with reproach on him who maims, 
 Profanes, defiles them. Silva penitent 
 Moved forward, would have knelt before the man. 
 Who still was one with all the sacred things 
 That came back on him in their sacredness, 
 Kindred, and oaths, and awe, and mystery. 
 But at the sight, the Father thrust the cross 
 With deprecating act before him, and his face 
 Pale-quivering, flashed out horror like white light 
 Flashed from the angel's sword that dooming 
 
 drave 
 The sinner to the wilderness. He spoke.] 
 
 Father Isidor. 
 Back from me, traitorous and accursed man ! 
 Defile not me, who grasp the holiest. 
 With touch or breath ! Thou foulest murderer I 
 Fouler than Cain who struck his brother down 
 In jealous rage, thou for thy base delight 
 Hast oped the gate for wolves to come and tear 
 Uncounted brethren, weak and strong alike, 
 The helpless priest, the warrior all unarmed 
 Against a faithless leader : on thy head 
 Will rest the sacrilege, on thy soul the blood. 
 These blind barbarians, misbelievers, Moors, 
 Are but as Pilate and his soldiery ; 
 Thou, Judas, weighted with that heaviest crime 
 
THE SPANISH GYPSY. 
 
 Which deepens hell ! I warned you of this end. 
 A traitorous leader, false to God and man, 
 A knight apostate, you shall soon behold 
 Above your people's blood the light of flames 
 Kindled by you to burn me — burn the flesh 
 Twin with your father's. O most wretched man ! 
 Whose memory shall be of broken oaths — 
 Broken for lust — I turn away mine eyes 
 Forever from you. See, the stake is ready 
 And I am ready too. 
 
 Don Silva. 
 
 It shall not be ! 
 
 {Raising his sword, he rushes in front of 
 the guards who are advancing, and 
 impedes them?) 
 
 If you are human. Chief, hear my demand ! 
 Stretch not my soul upon the endless rack 
 Of this man's torture 
 
 Zarca. 
 
 Put up your sword. 
 To me, your chief. 
 
 Stand aside, my lord 
 You vowed obedience 
 It was your latest vow. 
 
 Don Silva. 
 No ! hew me from the spot, or fasten me 
 Amid the fagots too, if he must burn. 
 
 Zarca. 
 What should befall that persecuting monk 
 Was fixed before you came : no cruelty. 
 No nicely measured torture, weight for weight 
 Of injury, no luscious-toothed revenge 
 That justifies the injurer by its joy : 
 I seek but rescue and security 
 
244 ^-^-^ SPANISH GYPSY. 
 
 For harmless men, and such security 
 Means death to vipers and inquisitors. 
 These fagots shall but innocently blaze 
 In sign of gladness, when this man is dead, 
 That one more torturer has left the earth, 
 'Tis not for infidels to burn live men 
 And ape the rules of Christian piety. 
 This hard oppressor shall not die by fire : 
 He mounts the gibbet, dies a speedy death, 
 That, like a transfixed dragon, he may cease 
 To vex mankind. Quick, guards, and clear the 
 path ! 
 
 [As well-trained hounds that hold their fleetness 
 
 tense 
 In watchful, loving fixity of dark eyes. 
 And move with movement of their master's will, 
 The Gypsies with a wavelike swiftness met 
 Around the Father, and in wheeling course 
 Passed beyond Silva to the gibbet's foot, 
 Behind their chieftain. Sudden left alone 
 With weapon bare, the multitude aloof, 
 Silva was mazed in doubtful consciousness, 
 As one who slumbering in the day awakes 
 From striving into freedom, and yet feels 
 His sense half captive to intangible things ; 
 Then with a flush of new decision sheathed 
 His futile naked weapon, and strode quick 
 To Zarca, speaking with a voice new-toned. 
 The struggling soul's hoarse, suffocated cry 
 Beneath the grappling anguish of despair.] 
 
 Don Silva. 
 You, Zincalo, devil, blackest infidel ! 
 You cannot hate that man as you hate me 
 Finish your torture — take me — lift me up 
 And let the crowd spit at me — every Moor 
 
/ 
 
 THE SPANISH GYPSY. 
 
 Shoot reeds at me, and kill me with slow death 
 
 Beneath the mid-day fervor of the sun — 
 
 Or crucify me with a thieving hound — 
 
 Slake your hate so, and I will thank it : spare me 
 
 Only this man ! 
 
 Zarca. 
 
 Madman, I hate you not. 
 But if I did, my hate were poorly served 
 By my device, if I should strive to mix 
 A bitterer misery for you than to taste 
 With leisure of a soul in unharmed limbs 
 The flavor of your folly. For my course, 
 It has a goal, and takes no truant path 
 Because of you. I am your chief : to me 
 You're nought more than a Zincalo in revolt. 
 
 Don Silva. 
 
 No, I'm no Zincalo ! I here disown 
 The name I took in madness. Here I tear 
 This badge away. I am a Catholic knight, 
 A Spaniard who will die a Spaniard's death ! 
 
 [Hark ! while he casts the badge upon the ground 
 
 And tramples on it, Silva hears a shout : 
 
 Was it a shout that threatened him ? He looked 
 
 From out the dizzying flames of his own rage 
 
 In hope of adversaries — and he saw above 
 
 The form of Father Isidor upswung 
 
 Convulsed with martyr throes ; and knew the 
 
 shout 
 For wonted exultation of the crowd 
 When malefactors die — or saints, or heroes. 
 And now to him that white-frocked murdered 
 
 form 
 Which hanging judged him as its murderer. 
 
 T 
 
 \ 
 
 •Vv 
 
 V 
 
246 
 
 THE SPANISH GYPSY. 
 
 Turned to a symbol of his guilt, and stirred 
 Tremors till then unwaked. With sudden snatch 
 At something hidden in his breast, he strode 
 Right upon Zarca : at the instant, down 
 Fell the great Chief, and Silva, staggering back, 
 Heard not the Gypsies' shriek, felt not the fangs 
 Of their fierce grasp — heard, felt but Zarca's 
 
 words 
 Which seemed his soul outleaping in a cry 
 And urging men to run like rival waves 
 Whose rivalry is but obedience.] 
 
 Zarca {as he falls). 
 My daughter ! call her ! Call my daughter ! 
 
 Nadar {supporting Zarca and crying to the 
 Gypsies who have clutched Silva). 
 
 Stay! 
 Tear not the Spaniard, tie him to the stake : 
 Hear what the Chief shall bid us — there is time ! 
 
 [Swiftly they tied him, pleasing vengeance so 
 With promise that would leave them free to 
 
 watch 
 Their stricken good, their Chief stretched help- 
 lessly 
 Pillowed upon the strength of loving limbs. 
 He heaved low groans, but would not spend his 
 
 breath 
 In useless words : he waited till she came, 
 Keeping his life within the citadel 
 Of one great hope. And now around him closed 
 (But in wide circle, checked by loving fear) 
 His people all, holding their wails suppressed 
 Lest Death believed-in should be over-bold : 
 All life hung on their Chief — he would not die ; 
 
THE SPANISH GYPSY. 
 
 247 
 
 His image gone, there were no wholeness left 
 To make a world of for the Zincali's thought. 
 Eager they stood, but hushed ; the outer crowd 
 Spoke only in low murmurs, and some climbed 
 And clung with legs and arms on perilous coigns. 
 Striving to see where that colossal life 
 Lay panting — lay a Titan struggling still 
 To hold and give the precious hidden fire 
 Before the stronger grappled him. Above 
 The young bright morning cast athwart white 
 
 walls 
 Her shadows blue, and with their clear-cut line, 
 Mildly relentless as the dial-hand's, 
 Measured the shrinking future of an hour 
 Which held a shrinking hope. And all the while 
 The silent beat of time in each man's soul 
 Made aching pulses. 
 
 But the cry, ' ' She comes I" 
 Parted the crowd like waters : and she came. 
 Swiftly as once before, inspired with joy, 
 She flashed across the space and made new light. 
 Glowing upon the glow of evening, 
 So swiftly now she came, inspired with woe. 
 Strong with the strength of all her father's pain, 
 Thrilling her as with fire of rage divine 
 And battling energy. She knew — saw all : 
 The stake with Silva bound — her father pierced — 
 To this she had been born : a second time 
 Her father called her to the task of life. 
 
 A\ 
 
 She knelt beside him. Then he raised himself, 
 
 And on her face there flashed from his the light 
 
 As of a star that waned, but flames anew 
 
 In mighty dissolution : 'twas the flame 
 
 Of a surviving trust, in agony. 
 
 He spoke the parting prayer that was command, 
 
 Must sway her will, and reign invisibly.] 
 
 /; >\'i\ 
 
 «• 
 

 Zarca. 
 My daughter, you have promised — you will live 
 To save our people. In my garments here 
 I carry written pledges from the Moor : 
 He will keep faith in Spain and Africa. 
 Your weakness may be stronger than my strength. 
 Winning more love. ... I cannot tell the 
 
 end. . . . 
 I held my people's good within my breast. 
 Behold, now I deliver it to you. 
 See, it still breathes unstrangled — if it dies, 
 Let not your failing will be murderer. . . . 
 Rise, tell our people now I wait in pain . . . 
 I cannot die until I hear them say 
 They will obey you. 
 
 [Meek, she pressed her lips 
 With slow solemnity upon his brow. 
 Sealing her pledges. Firmly then she rose, 
 And met her people's eyes with kindred gaze, 
 Dark-flashing, fired by effort strenuous 
 Trampling on pain.] 
 
 Fedalma. 
 
 Ye Zincali all, who hear 1 
 Your Chief is dying : I his daughter live 
 To do his dying will. He asks you now 
 To promise me obedience as your Queen, 
 That we may seek the land he won for us, 
 And live the better life for which he toiled. 
 Speak now, and fill my father's dying ear 
 With promise that you will obey him dead, 
 Obeying me his child. 
 
 [Straightway arose 
 A shout of promise, sharpening into cries 
 That seemed to plead despairingly with death.] 
 
^y^- 
 
 THE SPANISH GYPSY. 
 
 249 
 
 The Zincali. 
 
 We will obey ! Our Chief shall never die! 
 "We will obey him — will obey our Queen! 
 
 [The shout unanimous, the concurrent rush 
 
 Of many voices, quiring shook the air 
 
 "With multitudinous wave : now rose, now fell. 
 
 Then rose again, the echoes following slow. 
 
 As if the scattered brethren of the tribe 
 
 Had caught afar and joined the ready vow. 
 
 Then some could hold no longer, but must rush 
 
 To kiss his dying feet, and some to kiss 
 
 The hem of their Queen's garment. But she 
 
 raised 
 Her hand to hush them. * ' Hark ! your Chief 
 
 may speak 
 Another wish." Quickly she kneeled again, 
 "While they upon the ground kept motionless, 
 With head outstretched. They heard his words ; 
 
 for now, 
 Grasping at Nadar's arm, he spoke more loud. 
 As one who, having fought and conquered, hurls 
 His strength away with hurling off his shield.] 
 
 Zarca. 
 
 Let loose the Spaniard ! give him back his sword ; 
 He cannot move to any vengeance more — 
 His soul is locked 'twixt two opposing crimes. 
 I charge you let him go unharmed and free 
 Now thi'ough your midst. . . . 
 
 [With that he sank again — 
 His breast heaved strongly tow'rd sharp sudden 
 
 falls, 
 And all his life seemed needed for each breath : 
 Yet once he spoke.] 
 
 ^ 
 
THE SPANISH GYPSY. 
 
 J^j^ 
 
 Beneath my head 
 
 on me. 
 I cannot see you more . . 
 Be strong . . . remember 
 
 die. 
 
 My daughter, lay your arm 
 . so . . . bend and breathe 
 
 the Night is come. 
 . . I can only . . 
 
 [His voice went into silence, but his breast 
 Heaved long and moaned : its broad strength 
 
 kept a life 
 That heard nought, saw nought, save what once 
 
 had been. 
 And what might be in days and realms afar — 
 Which now in pale procession faded on 
 Toward the thick darkness. And she bent 
 
 above 
 In sacramental watch to see great Death, 
 Companion of her future, who would wear 
 Forever in her eyes her father's form.] 
 
 And yet she knew that hurrying feet had gone 
 To do the Chief's behest, and in her soul 
 He who was once its lord was being jarred 
 With loosening of cords, that would not loose 
 The tightening torture of his anguish. This — 
 Oh, she knew it ! — knew it as martyrs knew 
 The prongs that tore their flesh, while yet their 
 
 tongues 
 Refused the ease of lies. In moments high 
 Space widens in the soul. And so she knelt, 
 Clinging with piety and awed resolve 
 Beside this altar of her father's life. 
 Seeing long travel under solemn suns 
 Stretching beyond it ; never turned her eyes. 
 Yet felt that Silva passed ; beheld his face 
 Pale, vivid, all alone, imploring her 
 Across black waters fathomless. 
 
,4^*"^- 
 
 m 
 
 THE SPANISH GYPSY. 
 
 251 
 
 And he passed. 
 The Gypsies made wide pathway, shrank aloof 
 As those who fear to touch the thing they hate. 
 Lest hate triumphant, mastering all the limbs. 
 Should tear, bite, crush, in spite of hindering will. 
 Slowly he walked, reluctant to be safe 
 And bear dishonored life which none assailed ; 
 Walked hesitatingly, all his frame instinct 
 With high-born spirit, never used to dread 
 Or crouch for smiles, yet stung, yet quivering 
 With helpless strength, and in his soul convulsed 
 By visions where pale horror held a lamp 
 Over wide-reaching crime. Silence hung round : 
 It seemed the Pla9a hushed itself to hear 
 His footsteps and the Chief's deep dying breath. 
 Eyes quickened in the stillness, and the light 
 Seemed one clear gaze upon his misery. 
 And yet he could not pass her without pause : 
 One instant he must pause and look at her ; 
 But with that glance at her averted head, 
 New-urged by pain he turned away and went. 
 Carrying forever with him what he fled — 
 Her murdered love — her love, a dear wronged 
 
 ghost, 
 Facing him, beauteous, 'mid the throngs of hell. 
 
 O fallen and forsaken I were no hearts 
 Amid that crowd, mindful of what had been? — 
 Hearts such as wait on beggared royalty, 
 Or silent watch by sinners who despair ? 
 
 Silva had vanished. That dismissed revenge 
 Made larger room for sorrow in fierce hearts ; 
 And sorrow filled them. For the Chief was dead 
 The mighty breast subsided slow to calm. 
 Slow from the face the ethereal spirit waned. 
 As wanes the parting glory from the heights, 
 
 ^J^ 
 
/ 
 
 252 
 
 THE SPANISH GYPSY. 
 
 r 
 
 And leaves them in their pallid majesty. 
 
 Fedalma kissed the marble lips, and said, 
 
 *' He breathes no more." And then a long loud 
 
 wail, 
 Poured out upon the morning, made her light 
 Ghastly as smiles on some fair maniac's face 
 Smiling unconscious o'er her bridegroom's corse. 
 The wailing men in eager press closed round, 
 And made a shadowing pall beneath the sun. 
 They lifted reverent the prostrate strength, 
 Sceptred anew by death. Fedalma walked 
 Tearless, erect, following the dead — her cries 
 Deep smothering in her breast, as one who guides 
 Her children through the wilds, and sees and 
 
 knows 
 Of danger more than they, and feels more pangs. 
 Yet shrinks not, groans not, bearing in her heart 
 Their ignorant misery and their trust in her. 
 
 \ 
 
BOOK V. 
 
 The eastward rocks of Almeria's bay- 
 Answer long farewells of the travelling sun 
 With softest glow as from an inward pulse 
 Changing and flushing : all the Moorish ships 
 Seem conscious too, and shoot out sudden 
 
 shadows ; 
 Their black hulls snatch a glory, and their sails 
 Show variegated radiance, gently stirred 
 Like broad wings poised. Two galleys moored 
 
 apart 
 Show decks as busy as a home of ants 
 Storing new forage ; from their sides the boats, 
 Slowly pushed off, anon with flashing oar 
 Make transit to the quay's smooth-quarried edge, 
 "Where thronging Gypsies are in haste to lade 
 Each as it comes with grandames, babes, and 
 
 wives. 
 Or with dust-tinted goods, the company 
 Of wandering years. Nought seems to lie un- 
 moved. 
 For 'mid the throng the lights and shadows play. 
 And make all surface eager, while the boats 
 Sway restless as a horse that heard the shouts 
 And surging hum incessant. Naked limbs 
 With beauteous ease bend, lift, and throw, or raise 
 High signalling hands. The black-haired mother 
 
 steps 
 Athwart the boat's edge, and with opened arms, 
 A wandering Isis outcast from the gods, 
 
'^^ 
 
 254 
 
 THE SPANISH GYPSY. 
 
 Leans toward her lifted little one. The boat 
 Full-laden cuts the waves, and dirge-like cries 
 Rise and then fall within it as it moves 
 From high to lower and from bright to dark. 
 Hither and thither, grave white-turbaned Moors 
 Move helpfully, and some bring welcome gifts, 
 Bright stuffs and cutlery, and bags of seed 
 To make new waving crops in Africa. 
 Others aloof with folded arms slow-eyed 
 Survey man's labor, saying, " God is great ;" 
 Or seek with question deep the Gypsies' root. 
 And whether their false faith, being small, will 
 
 prove 
 Less damning than the copious false creeds 
 Of Jews and Christians : Moslem subtlety 
 Found balanced reasons, warranting suspense 
 As to whose hell was deepest — 'twas enough 
 That there was room for all. Thus the sedate. 
 The younger heads were busy with the tale 
 Of that great Chief whose exploits helped the 
 
 Moor. 
 And, talking still, they shouldered past their 
 
 friends 
 Following some lure which held their distant gaze 
 To eastward of the quay, where yet remained 
 A low black tent close guarded all around 
 By well-armed Gypsies. Fronting it above. 
 Raised by stone steps that sought a jutting strand 
 Fedalma stood and marked with anxious watch 
 Each laden boat the remnant lessening 
 Of cargo on the shore, or traced the course 
 Of Nadar to and fro in hard command 
 Of noisy tumult ; imaging oft anew 
 How much of labor still deferred the hour 
 When they must lift the boat and bear away 
 Her father's coffin, and her feet must quit 
 This shore forever. Motionless she stood, 
 
 nii^H 
 

 jHii^ 
 
 :^^^ 
 
 TJ/£ SPANISH GYPSY 
 
 255 
 
 Black-crowned with wreaths of many-shadowed 
 
 hair ; 
 
 Black-robed, but bearing wide upon her breast 
 Her father's golden necklace and his badge. 
 Her limbs were motionless, but in her eyes 
 And in her breathing lip's soft tremulous curve 
 Was intense motion as of prisoned fire 
 Escaping subtly in outleaping thought. 
 
 She watches anxiously, and yet she dreams : 
 The busy moments now expand, now shrink 
 To narrowing swarms within the refluent space 
 Of changeful consciousness. For in her thought 
 Already she has left the fading shore. 
 Sails with her people, seeks an unknown land, 
 And bears the burning length of weary days 
 That parching fall upon her father's hope, 
 Which she must plant and see it wither only— 
 W^ither and die. She saw the end begun. 
 The Gypsy hearts were not unfaithful : she 
 Was centre to the savage loyalty 
 W^hich vowed obedience to Zarca dead. 
 But soon their natures missed the constant stress 
 Of his command, that, while it fired, restrained 
 By urgency supreme, and left no play 
 To fickle impulse scattering desire. 
 They loved their Queen, trusted in Zarca's child. 
 Would bear her o'er the desert on their arms 
 And think the weight a gladsome victory ; 
 But that great force which knit them into one, 
 The invisible passion of her father's soul. 
 That wrought them visibly into its will, 
 And would have bound their lives with perma- 
 nence, 
 Was gone. Already Hassan and two bands. 
 Drawn by fresh baits of gain, had newly sold 
 Their service to the Moors, despite her call. 
 
 V „ 
 
256 
 
 THE SPANISH GYPSY. 
 
 Known as the echo of her father's will, 
 
 To all the tribe, that they should pass with her 
 
 Straightway to Telemsan. They were not moved 
 
 By worse rebellion than the wilful wish 
 
 To fashion their own service ; they still meant 
 
 To come when it should suit them. But she 
 
 said. 
 This is the cloud no bigger than a hand, 
 Sure -threatening. In a little while, the tribe 
 That was to be the ensign of the race, 
 And draw it into conscious union. 
 Itself would break in small and scattered bands 
 That, living on scant prey, would still disperse 
 And propagate forgetfulness. Brief years, 
 And that great purpose fed with vital fire 
 That might have glowed for half a century, 
 Subduing, quickening, shaping, like a sun — 
 Would be a faint tradition, flickering low 
 In dying memories, fringing with dim light 
 The nearer dark. 
 
 Far, far the future stretched 
 Beyond that busy present on the quay. 
 Far her straight path beyond it. Yet she watched 
 To mark the growing hour, and yet in dream 
 Alternate she beheld another track. 
 And felt herself unseen pursuing it 
 Close to a wanderer, who with haggard gaze 
 Looked out on loneliness. The backward years — 
 Oh, she would not forget them— would not drink 
 Of waters that brought rest, while he far off 
 Remembered. " Father, I renounced the joy; 
 You must forgive the sorrow." 
 
 So she stood. 
 Her struggling life compressed into that hour, 
 Yearning, resolving, conquering ; though she 
 
 seemed 
 Still as a tutelary image sent 
 
/ 
 
 To guard her people and to be the strength 
 Of some rock-citadel. 
 
 Below her sat 
 Slim mischievous Hinda, happy, red-bedecked 
 With rows of berries, grinning, nodding oft, 
 And shaking high her small dark arm and hand 
 Responsive to the black-maned Ismael, 
 "Who held aloft his spoil, and clad in skins 
 Seemed the Boy-prophet of the wilderness 
 Escaped from tasks prophetic. But anon 
 Hinda would backward turn upon her knees, 
 And like a pretty loving hound would bend 
 To fondle her Queen's feet, then lift her head 
 Hoping to feel the gently pressing palm 
 "Which touched the deeper sense. Fedalma 
 
 knew — 
 From out the black robe stretched her speaking 
 
 hand 
 And shared the girl's content. 
 
 So the dire hours 
 Burthened with destiny — the death of hopes 
 Darkening long generations, or the birth 
 Of thoughts undying — such hours sweep along 
 In their aerial ocean measureless 
 Myriads of little joys, that ripen sweet 
 And soothe the sorrowful spirit of the world. 
 Groaning and travailing with the painful birth 
 Of slow redemption. 
 
 But emerging now 
 From eastward fringing lines of idling men 
 Quick Juan lightly sought the upward steps 
 Behind Fedalma, and two paces off, 
 "With head uncovered, said in gentle tones, 
 " Lady Fedalma ! " — (Juan's password now 
 Used by no other), and Fedalma turned. 
 Knowing who sought her. He advanced a 
 
 step, 
 
 .•y 
 

 258 
 
 THE SPANISH GYPSY. 
 
 And meeting straight her large calm questioning 
 
 gaze, 
 Warned her of some grave purport by a face 
 That told of trouble. Lower still he spoke. 
 
 Juan. 
 Look from me, lady, toward a moving form 
 That quits the crowd and seeks the lonelier 
 
 strand — 
 A tall and gray-clad pilgrim. . . . 
 
 [Solemnly 
 His ow tones fell on her, as if she passed 
 Into religious dimness among tombs. 
 Ana trod on names in everlasting rest. 
 Lingeringly she looked, and then with voice 
 Deep and yet soft, like notes from some long 
 
 chord 
 Responsive to thrilled air, said — ] 
 
 Fedalma. 
 
 It is he 
 
 [Juan kept silence for a little space, 
 With reverent caution, lest his lighter grief 
 Might seem a wanton touch upon her pain. 
 But time was urging him with visible flight, 
 Changing the shadows : he must utter all.] 
 
 JuAn. 
 young when 
 
 last I pressed his 
 
 That man was 
 
 hand — 
 
 In that dread moment when'he left Bedmar. 
 He has aged since : the week has made him gray. 
 And yet I knew him — knew the white-streaked 
 
 hair 
 Before I saw his face, as I should know 
 
f .,<^ 
 
 THE SPANISH GYPSY. 
 
 259 
 
 The tear-dimmed writing of a friend. See now — 
 Does he not linger — pause? perhaps expect . . 
 
 [Juan pled timidly : Fedalma's eyes 
 
 Flashed ; and through all her frame there ran the 
 
 shock 
 Of some sharp-wounding joy, like his who haste? 
 And dreads to come too late, and comes in time 
 To press a loved hand dying. She was mute 
 And made no gesture : all her being paused 
 In resolution, as some leonine wave 
 That makes a moment's silence ere it leaps.] 
 
 Juan. 
 He came from Carthagena, in a boat 
 Too slight for safety ; yon small two-oared boat 
 Below the rock ; the fisher-boy within 
 AAvaits his signal. But the pilgrim waits. . . . 
 
 Fed ALMA. 
 Yes, I will go ! — Father, I owe hin. this, 
 For loving me made all his misery. 
 And we will look once more — will say farewell 
 As in a solemn rite to strengthen us 
 For our eternal parting. Juan, stay 
 Here in my place, to warn me, were there need 
 And, Hinda, follow me ! 
 
 [All men who watchet.' 
 Lost her regretfully, then drew content 
 From thought that she must quickly come again. 
 And filled the time with striving to be near. 
 
 She, down the steps, along the sandy brink 
 
 To where he stood, walked firm ; with quickened 
 
 step 
 The moment when each felt the other saw. 
 
c 
 
 THE SPANISH GYPSY, 
 
 He moved at sight of her : their glances met ; 
 It seemed they could no more remain aloof 
 Than nearing waters hurrying into one. 
 Yet their steps slackened and they paused apart, 
 Pressed backward by the force of memories 
 Which reigned supreme as death above desire. 
 Two paces off they stood and silently 
 Looked at each other. Was it well to speak ? 
 Could speech be clearer, stronger, tell them more 
 Than that long gaze of their renouncing love ? 
 They passed from silence hardly knowing how ; 
 It seemed they heard each other's thought before.] 
 
 Don Silva. 
 I go to be absolved, to have my life 
 Washed into fitness for an offering 
 To injured Spain. But I have nought to give 
 For that last injury to her I loved 
 Better than I loved Spain. I am accurst 
 Above all sinners, being made the curse 
 Of her I sinned for. Pardon ? Penitence ? 
 When they have done their utmost, still beyond 
 Out of their reach stands Injury unchanged 
 And changeless. I should see it still in heaven — 
 Out of my reach, forever in my sight : 
 Wearing your grief, 'twould hide the smiling 
 
 seraphs. 
 I bring no puling prayer, Fedalma — ask 
 No balm of pardon that may soothe my soul 
 For others* bleeding wounds : I am not come 
 To say, " Forgive me :" you must not forgive, 
 For you must see me ever as I am — ^ 
 Your father's . . , 
 
 Fedalma. 
 
 Speak it not ! Calamity 
 Comes like a deluge and o'erfloods our crimes, 
 
THE SPANISH GYPSY. 
 
 261 
 
 Till sin is hidden in woe. You — I — we two, 
 Grasping we knew not what, that seemed delight, 
 Opened the sluices of that deep. 
 
 Don Silva. 
 
 We two ? — 
 Fedalma, you were blameless, helpless. 
 
 Fedalma. 
 
 No! 
 
 It shall not be that you did aught alone. 
 For when we loved I willed to reign in you. 
 And I was jealous even of the day 
 If it could gladden you apart from me. 
 And so, it must be that I shared each deed 
 Our love was root of. 
 
 Don Silva. 
 
 Dear ! you share the woe — 
 Nay, the worst dart of vengeance fell on you. 
 
 Fedalma. 
 Vengeance ! She does but sweep us with her 
 
 skirts — 
 She takes large space, and lies a baleful light 
 Revolving with long years- 
 
 prime. 
 
 -sees children's 
 
 Oh. if two 
 
 with 
 
 children, 
 Blights them in their 
 
 lovers leaned 
 To breathe one air and spread a pestilence, 
 They would but lie two livid victims dead 
 Amid the city of the dying. We 
 With our poor petty lives have strangled one 
 That ages watch for vainly. 
 
 Don Silva. 
 
 Deep despair 
 Fills all your tones as with slow agony. 
 
 /f»lll_ 
 
 y 
 
262 
 
 THE SPANISH GYPSY. 
 
 Speak words that narrow anguish to some shape: 
 Tell me what dread is close before you ? 
 
 Fedalma. 
 
 None. 
 No dread, but clear assurance of the end. 
 My father held within his mighty frame 
 A people's life : great futures died with him 
 Never to rise, until the time shall ripe 
 Some other hero with the will to save 
 The outcast Zincali. 
 
 Don Silva. 
 
 And yet their shout — 
 I heard it — sounded as the plenteous rush 
 Of full-fed sources, shaking their wild souls 
 With power that promised sway. 
 
 Fedalma. 
 
 Ah yes, that shout 
 Came from full hearts : they meant obedience. 
 But they are orphaned : their poor childish feet 
 Are vagabond in spite of love, and stray 
 Forgetful after little lures. For me — 
 I am but as the funeral urn that bears 
 The ashes of a leader. 
 
 Don Silva. 
 
 O great God ! 
 What am I but a miserable brand 
 Lit by mysterious wrath ? I lie cast down 
 A blackened branch upon the desolate ground 
 Where once I kindled ruin. I shall drink 
 No cup of purest water but will taste 
 Bitter with thy lone hopelessness, Fedalma. 
 
 I 
 
THE SPANISH GYPSY. 
 
 Fedalma. 
 
 263 
 
 Nay, Silva, think of me as one who sees 
 
 A light serene and strong on one sole path 
 
 Which she will tread till death . . . 
 
 He trusted me, and I will keep his trust : 
 
 My life shall be its temple. I will plant 
 
 His sacred hope within the sanctuary 
 
 And die its priestess — though I die alone, 
 
 A hoary woman on the altar-step. 
 
 Cold 'mid cold ashes. That is my chief good. 
 
 The deepest hunger of a faithful heart 
 
 Is faithfulness. Wish me nought else. And 
 
 you — 
 You too will live. . . . 
 
 Don Silva. 
 
 I go to Rome, to seek 
 The right to use my knightly sword again ; 
 The right to fill my place and live or die 
 So that all Spaniards shall not curse my name. 
 I sate one hour upon the barren rock 
 And longed to kill myself ; but then I said, 
 I will not leave my name in infamy, 
 I will not be perpetual rottenness 
 Upon the Spaniard's air. If I must sink 
 At last to hell, I will not take my stand 
 Among the coward crew who could not bear 
 The harm themselves had done, which others 
 
 bore. 
 My young life yet may fill some fatal breach, 
 And I will take no pardon, not my own. 
 Not God's — no pardon idly on my knees ; 
 But it shall come to me upon my feet 
 And in the thick of action, and each deed 
 That carried shame and wrong shall be the sting 
 That drives me higher up the steep of honor 
 
 
 
/ 
 
 264 
 
 THE SPANISH GYPSY. 
 
 In deeds of duteous service to that Spain 
 Who nourished me on her expectant breast, 
 The heir of highest gifts. I will not fling 
 My earthly being down for carrion 
 To fill the air with loathing : I will be 
 The living prey of some fierce noble death 
 That leaps upon me while I move. Aloud 
 I said, " I will redeem my name," and then — 
 I know not if aloud : I felt the words 
 Drinking up all my senses — " She still lives. 
 I would not quit the dear familiar earth 
 Where both of us behold the self-same sun, 
 Where there can be no strangeness 'twixt our 
 
 thoughts 
 So deep as their communion." Resolute 
 I rose and walked. — Fedalma, think of me 
 As one who will regain the only life 
 Where he is other than apostate — one 
 Who seeks but to renew and keep the vows 
 Of Spanish knight and noble. But the breach 
 Outside those vows — the fatal second breach — 
 Lies a dark gulf where I have nought to cast. 
 Not even expiation — poor pretence. 
 Which changes nought but what survives the 
 
 past, 
 And raises not the dead. That deep dark gulf 
 Divides us. 
 
 Fedalma. 
 
 Yes, forever. We must walk 
 Apart unto the end. Our marriage 
 Is our resolve that we will each be true 
 To high allegiance, higher than our love. 
 Our dear young love — its breath was happiness ! 
 But it had grown upon a larger life 
 Which tore its roots asunder. We rebelled — 
 The larger life subdued us. Yet we are wed ; 
 
 f> 
 
THE SPANISH GYPSY. 
 
 For we shall carry each the pressure deep 
 Of the other's soul. I soon shall leave the shore. 
 The winds to-night will bear me far away 
 My lord, farewell ! 
 
 He did not say " Farewell." 
 But neither knew that he was silent. She, 
 For one long- moment, moved not. They knew 
 
 nought 
 Save that they parted ; for their mutual gaze 
 As with their soul's full speech forbade their 
 
 hands 
 To seek each other — those oft-clasping hands 
 "Which had a memory of their own, and went 
 Widowed of one dear touch for evermore. 
 At last she turned and with swift movement 
 
 passed, 
 Beckoning to Hinda, who was bending low 
 And lingered still to wash her shells, but soon 
 Leaping and scampering followed, while her 
 
 Queen 
 Mounted the steps again and took her place, 
 Which Juan rendered silently. 
 
 And now 
 The press upon the quay was thinned ; the 
 
 ground 
 Was cleared of cumbering heaps, the eager shouts 
 Had sunk, and left a murmur more restrained 
 By common purpose. All the men ashore 
 Were gathering into ordered companies. 
 And with les^ clamor filled the waiting boats. 
 As if the speaking light commanded them 
 To quiet speed : for now the farewell glow 
 Was on the topmost heights, and where far 
 
 ships 
 Were southward tending, tranquil, slow, and 
 
 white 
 
 ^ 
 
/ , 
 
 THE SPANISH GYPSY. 
 
 Upon the luminous meadow toward the verge. 
 The quay was in still shadow, and the boats 
 Went sombrely upon the sombre waves. 
 Fedalma watched again ; but now her gaze 
 Takes in the eastward bay, where that small bark 
 Which held the fisher-boy floats weightier 
 With one more life, that rests upon the oar 
 Watching with her. He would not go away 
 Till she was gone ; he would not turn his face 
 Away from her at parting : but the sea 
 Should widen slowly 'twixt their seeking eyes. 
 
 The time was coming. Nadar had approached. 
 Was the Queen ready ? Would she follow now 
 Her father's body ? For the largest boat 
 Was waiting at the quay, the last strong band 
 Of Zincali had ranged themselves in lines 
 To guard her passage and to follow her. 
 " Yes, I am ready ;" and with action prompt 
 They cast aside the Gypsy's wandering tomb, 
 And fenced the space from curious Moors who 
 
 pressed 
 To see Chief Zarca's cofiin as it lay. 
 They raised it slowly, holding it aloft 
 On shoulders proud to bear the heavy load. 
 Bound on the coffin lay the chieftain's arms, 
 His Gypsy garments and his coat of mail. 
 Fedalma saw the burthen lifted high. 
 And then descending followed. All was still. 
 The Moors aloof could hear the struggling steps 
 Beneath the lowered burthen at the boat — 
 The struggling calls subdued, till safe released 
 It lay within, the space around it filled 
 By black-haired Gypsies. Then Fedalma stepped 
 From off the shore and saw it flee away — 
 The land that bred her helping the resolve 
 Which exiled her forever. 
 
THE SPANISH GYPSY. 
 
 267 
 
 It was night 
 Before the ships weighed anchor and gave sail ; 
 Fresh Night emergent in her clearness, lit 
 By the large crescent moon, with Hesperus, 
 And those great stars that lead the eager host. 
 Fedalma stood and watched the little bark 
 Lying jet-black upon moon-whitened waves. 
 Silva was standing too. He too divined 
 A steadfast form that held him with its thought. 
 And eyes that sought him vanishing : he saw 
 The waters widen slowly, till at last 
 Straining he gazed, and knew not if he gazed 
 On aught but blackness overhung by stars. 
 
 #, 
 
 ' "' ? """ ' ■ ■^^^ : 
 
I 
 
 0^ 
 
 ^ 
 
NOTES. 
 
 P. 41. Cactus. 
 
 The Indian fig {Opuntia), like the other Cacta- 
 cecB, is believed to have been introduced into Eu- 
 rope from South America ; but every one who 
 has been in the south of Spain will understand 
 why the anachronism has been chosen. 
 
 P. 142. Marranos. 
 
 The name given by the Spanish Jews to the 
 multitudes of their race converted to Christianity 
 at the end of the fourteenth century and begin- 
 ning of the fifteenth. The lofty derivation from 
 Maran-atha, the Lord cometh, seems hardly 
 called for, seeing that marrano is Spanish ioxpig. 
 The " old Christians " learned to use the word as 
 a term of contempt for the "new Christians," or 
 converted Jews and their descendants ; but not 
 too monotonously, for they often interchanged it 
 with the fine old crusted opprobrium of the name 
 Jew. Still, many Marranos held the highest 
 secular and ecclesiastical prizes in Spain, and 
 were respected accordingly. 
 
 P. 159. Celestial Baron. 
 
 The Spaniards conceived their patron Santiago 
 (St. James), the great captain of their armies, as 
 a knight and baron : to them, the incongruity 
 
270 
 
 NOTES. 
 
 would have lain in conceiving him simply as a 
 Galilean fisherman. And their legend was 
 adopted with respect by devout mediaeval minds 
 generally. Dante, in an elevated passage of the 
 Paradiso — the memorable opening of Canto xxv. 
 — chooses to introduce the Apostle James as ii 
 barone. 
 
 " Indi si mosse un lume verso noi 
 
 Di quella schiera, ond 'usci la primizia 
 
 Che lascio Cristo de' vicari suoi. 
 
 E la mia Donna plena de letizia 
 
 Mi disse : Mira, mira, ecco '1 barone 
 
 Per cui laggiu si visita Galizia." 
 
 P. i6i. The Seven Paj'ts. 
 
 Las Siete Partidas (The Seven Parts) is the 
 title given to the code of laws compiled under 
 Alfonso the Tenth, who reigned in the latter half 
 of the thirteenth century — 125 2-1 284. The pas- 
 sage in the text is translated ^rom Partida II., 
 Ley II. The whole preamble is worth citing in 
 its old Spanish : — 
 
 " Co mo deben ser escogidos los caballeros." 
 
 '* Antigiiamiente para facer caballeros escogien 
 de los venadores de monte, que son homes que 
 sufren grande laceria, et carpinteros, et ferreros, 
 et pedreros, porque usan raucho a ferir et son 
 fuerte de manos ; et otrosi de los carniceros, por 
 razon que usan matar las cosas vivas et esparcer 
 la sangre dellas : et aun cataban otra cosa en es- 
 cogiendolos que fuesen bien faccionadas de mem- 
 bros para ser recios, et fuertes et ligeros. Et 
 esta manera de escoger usaron los antiguos muy 
 grant tiempo ; mas porque despues vieron muchas 
 vegadas que estos atales non habiendo verguenza 
 
 r:-D 
 
w 
 
 NOTES. 
 
 271 
 
 olvidaban todas estas cosas sobredichas, et en 
 logar de vincer sus enemigos venciense ellos, 
 tovieron por bien los sabidores destas cosas que 
 catasen homes para esto que hobiesen natural- 
 miente en si vergiienza. Et sobresto dixo un 
 sabio que habie nombre Vegecio que fablo de la 
 orden de caballeria, que la vergiienza vieda al 
 caballero que non fuya de la batalla, et por ende 
 ella le face ser vencedor ; ca mucho tovieron que 
 era mejor el homo flaco et sofridor, que el fuerte 
 et ligero para foir. Et por esto sobre todas las 
 otras cosas cataron que fuesen homes porque se 
 guardasen de facer cosa por que podiesen caer en 
 vergiienza : et porque estos fueron escogidos de 
 buenos logares et algo, que quiere tanto decir en 
 lenguage de Espafia como bien, por eso los 11a- 
 maron fijosdalgo, que muestra atanto como fijos 
 de bien. Et en algunos otros logares los llamaron 
 gentiles, et tomaron este nombre de gentileza que 
 muestra atanto como nobleza de bondat, porque 
 los gentiles fueron nobles homes et buenos, et 
 vevieron mas ordenadamente que las otras gentes. 
 Et esta gentileza aviene en tres maneras ; la una 
 por linage, la segunda por saber, et latercerapor 
 bondat de armas et de costumbres et de maneras. 
 Et comoquier que estos que la ganan por su 
 sabidoria 6 por su bondat, son con derecho 
 Ilamados nobles et gentiles, mayormiente lo son 
 aquellos que la han por linage antiguamiente, et 
 facen buena vida porque les viene de luene como 
 por heredat : et por ende son mas encargados de 
 facer bien et guardarse de yerro et de malestanza ; 
 ca non tan solamiente quando lo facen resciben 
 dano et vergiienza ellos mismos, ma aun aquellos 
 onde ellcs vienen." 
 
 ^^i 
 
// 
 
 > 
 
 (( 
 
 FAMILY" POETS. 
 
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 Brother's edition of these volumes are New Illustra- 
 tions, made by good artists especially for this edition ; Beau- 
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 4. Milton's Complete Poetical Works. 
 
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