LKTLE W^^^B^^ LETTERS FROM THE HOUSE OF ALCOTT JESSIE BOilSTELLE MARIAN DE FOREST G ^ 0" ■% <^^' '^* O. J - V ,',7 > > « , -^^ * 9 1 -\ * \V ^ , „ cv^' \"°^ •^ .^^. .0-' v>V .#^ V. '^ r> ^b. X^^^ 'b. ' 8 * v "to T-tfve a,ti.X li#w +0 oljcy, ILovc reel/ y^««'*' OhC ehc ^wTieiXYf*^ ^^ "'^ yni.-n.aL its Coilln\^,^^^Xn^ ents . It/ ask^ ytru: dJ- wa-yr to BJ.' G^OOl}^ an^ L tja^rs i6 CTTneUy. How XirActl^- Ifc 1>ea,TX vviM*' yf, Xh^ f/ic- /i^tvy I'lrl -wliif iticd to Tn^iL ^nd. Elt\ahet/i , dtxH. dl( the little ^mi-^s at- T^lau.f^tk ffn , X>t>X(s , 71 o OP , Cn. Tden. ,jituf t-rs, II el is, iVbofid SLTtH J^-rta/^r^ aU Ttc 7* See a-Ttii S-HSwe^r ^c vft^Ctr M^id. :PtiUtepi ,fhe e^e i.nd hnnd. fi^ fkcinr iitilc ctm-p-o.'Yvxf'H . ^-ni ^ei aU tr^g^ke ^emn selves nSiypxj m.n^ ^^d-U/^. -y^riikiUir her ; all scou h say- . 3e. Onocl XiH(e JJ^t^i n/Zit^e ai*/4i/ rra/n ik'kli love *9i,'nA. ylif&se ene ^'7\othcy all tj\.e TnoTe ; tcC' xt-M. liHlc J^rienJr AnR Tcer' -p-pest-nli 0.71(1 /y7aijc i^id -y^uk e her Jidifpy ifi-^ay : and ihn htlte note^ 'to» / i^airi fit rth (Ielij y ^ a. m^c r e f n_- ^cach StrPciy t\ the ^^reft^ C iti^ . '7io\Ar yjSLc Q-tc^ S-ir yaurqr liiile Coti^vQ itttAe cou-ni-ry ^Mlta-re &li ts prei-t€j. anc( pleamTii- ,»7^R. you. Tiitue fielcic "fe ■j>lca.<;e. my little C\Crn ^nd. Ueep Jier etfcs, dnd ears, a.n^ TtAnir tln^^ httic /loir fi fro/ji lAho (o\f('i lii^ fifth g'lT? vartf 7nrvich, 'hhi KTttwi t^at sTic 7oue^ yitTH. ^eyu- *^^ the ti^dy-. Jump and Yicii. Pull ae fu^ . Jli iake- _4 ptcee iff CA./cr ¥or tnp saAe- WITH THE CHILDREN her little friends and her presents and plays will make her happy to-day; and this little note too. Last birthday you were in Beach Street, in the great City, now you are at your little cottage in the country where all is pretty and pleasant, and you have fields and woods, and brooks and flowers to please my little Queen, and keep her eyes, and ears, and hands and tongue and feet, all busy. This little note is from FATHER, who loves his little girl very much, and knows that she loves him very dearly. Play, play. All the day. Jump and run Every one. Full of fun, All take [93] LETTERS FROM THE HOUSE OF ALCOTT A piece of cake. For my sake. His wish to encourage the Httle girl in her efforts to be good, kind, gentle, and patient, and his appreciation of her accomplishment, is set forth in this characteristic little note : Concord, Cottage, February 2nd, 1842. My dear Elizabeth, You give me much pleasure by your still, quiet manners, and your desire to do things, without asking impatiently and sel- fishly for others to help you without trying first to help yourself. Trying is doing ; doing is but trying ; try then always and you will do ; and every one loves to help those who try. I will print a little sentence for 1 94] WITH THE CHILDREN' you in large letters and you who have already found it so easy to do things for yourself will, I dare say, remember it, and follow it too — ■ This is it — TRY FIRST : AND THEN ask: and TRY PATIENTLY TILL YOU HAVE TRIED YOUR BEST : AND YOU WILL NOT NEED TO ASK AT ALL. Trying is the only Schoolmaster whose Scholars always Succeed. Your Father. Cottage, Feb. 2nd. [95] LETTERS FROM THE HOUSE OF ALCOTT Little May, the youngest, was the pet, not only of the Alcott household, but of all the Alcott kin. This quaint little dolly letter, written to her by her Uncle Junius, has been framed and hangs to-day in the library of May Alcott's nephew, John : Gift of Junius S. Alcott to Abby. 96] WITH THE CHILDREN A Little Face once smiling woke to greet, the day, with sport and play, Hands) on her Birthday, in shaking (Hands with her sisters, and, her visitors, that, came, to, chime, a, happy, time, with, Lizzy, To, give, you, pleasure, uncle, gives, this, treasure, to you, so, sweet, So, keep, it, neat, and please, my. Brother, & your Mother, by always, finding that, by, minding, you are, the kindest, little girl, that, that, ever stood d, in, (Shoes) (Shoes) [97] CHAPTER VI The Mother's Influence UPON the lives of all four of her daughters the mother's influence rested like a benediction. It is felt in her letters ; it is reflected in the journals of her girls and in the mus- ings of Bronson Alcott, as set down in his voluminous journals. And the mother spirit hovers over Orchard House, where "Little Women" was written and lived. While letters to Anna from her mother are missing, Anna's journal shows how vital was Mrs. Alcott's power in the I98] THE MOTHER S INFLUENCE upbuilding of her noble character. Louisa in "Little Women" has said that the girls gave their hearts into their mother's keeping, their souls into their father's. Anna's letters bear eloquent testimony to the strong, helpful, cheery influence of the mother upon the child. Among the first was this letter, written by Anna when she was five years old and visiting Mr. Alcott's family at Wol- cott : Letter to Mrs. Alcott. Wolcott Aug. 1 2th, 1836. Friday Morning. My dear Mother, I have to go away by myself and cry because I want to see you so much, and little sister Lizy and Louisa. Doctor Fuller [99] LETTERS FROM THE HOUSE OF ALCOTT is coming to cure Grandmother, i shall see you in a few days. You have a splendid husband Anna V years of age — (On this she had drawn her hand.) She was six years old when she wrote this: Dear Mother, I have not had a note from you for a great while. You wanted some wafers yesterday will you accept of them from me There is not many but it is all that I have got. I am very glad my birthday is so near for as I grow older, I hope I shall grow better and more useful to you, I hope soon we shall be settled down in some comfortable little home of our own and then shall be contented [lOO] THE MOTHER S INFLUENCE and happy I hope, I must go to my sums now, so goodbye dearest mother Your loving Anna A letter eloquent of the tender relation between mother and child is this written during the Fruitlands period : For Dearest mother fruitlands. Dear mother. I wish that you would come to the table again. I enjoy my meals much better when you are at the table. Was not **Hera- clitus" that father read about to-day, a dear good man, it seems as though I wanted to hug him up and kiss him. I wish men had understood his thoughts better than they did he would have been happier I think, I [lOl] LETTERS FROM THE HOUSE OF ALCOTT have enjoyed this morning readings and con- versations better than I have before for a good while, I suppose, because I talked and I understood it so well. I do not write to you very often dear mother but I love to dearly when I feel like it, and I love to have letters from you. I have not been as good as I wish I had this week. I send a little bunch of flowers to you they are not very pretty but they are beautifully made and I thought you would like them. I had a beautiful time walking this morning with Louisa. Good bye dearest mother from your loving Anna. Many copies of her mother's letters are found in Louisa's journals, showing the daughter's intense, almost idola- [102] THE mother's influence trous affection. Louisa admired, re- spected, and loved her father, but to her mother her tenderest thought was given. Marmee understood the wa3ward, tempestuous, lovable child as no one else did, not even loyal Anna, or admir- ing Elizabeth. On her birthday the mother writes to Louisa:^ My dear little girl. Will you accept this doll from me on your 7th birthday. She will be a quiet play mate for my active Louisa for seven years more. Be a kind mamma and love her for my sake. Your mother. Beach St., Boston, 1839. Louisa was ten when this birthday letter was sent : [103] LETTERS FROM THE HOUSE OF ALCOTT Cottage in Concord. Dear Daughter, Your loth birthday has arrived, may it be a happy one, & on each returning birth- day may you feel new strength and resohition to be gentle with sisters, obedient to parents, loving to everyone & happy in yourself. I give you the pencil case I promised, for I have observed that you are fond of writing & wish to encourage the habit. Go on trying, dear, & each day it will be easier to be & do good. You must help yourself, for the cause of your little troubles is in yourself, & patience & courage only will make you what mother prays to see you her good and happy girl. During the Fruitlands period, when Louisa was eleven, she found this little 1 104] THE MOTHER S INFLUENCE note tucked carefully away in a spot where only she would find and read it : Fruitlands. My dear, Thank you for your sweet note and sweeter poetry. The second verse is very good. Your love of nature is pure and true. It is a lovely school in which good lessons may be learned. The happy industry of birds, the beautiful hves of flowers, the music of brooks all help — "The little fountain flows So noiseless thro the wood. The wanderer tastes repose. And from the silent flood Learns meekly to do good.'* In the following letter, a pretty little deference to the child's own personality [losl LETTERS FROM THE HOUSE OF ALCOTT is shown by the mother, in that way bringing out in the child respect and deference for others : Dear Daughter, I hope you will not consider me an intruder for stopping a moment in your "poet's corner" to admire the neatness of your desk, the sweetness of your poetry, the beauty of the prospect from your window. Cherish this love of nature, dear, enjoy all it gives you, for God made these helps to charm contemplation, and they strengthen the noble desire to be or to do all that is sent for our training & our good. Heaven be about you my child, is mother's Sunday prayer. Louisa Alcott filled her diary with letters from her mother, occasionally [io6] Abi(;ail May, Mrs. A. Bronson Alcott. From a daguerreotype. Pa^e 1 06. THE MOTHER S INFLUENCE adding in later life annotations of her own. This letter from her mother when Louisa was eleven is an example : (From Louisa Alcott's Diary.) Concord, 1843. Dear Louy, I enclose a picture for you which I always liked very much, for I have imagined that you might be just such an industrious daughter & I such a feeble but loving mother, looking to your labor for my daily bread. Keep it for my sake, & your own, for you and I always like to be grouped together. Mother. Then follows the picture and the lines written by Louisa in her journal : [107] LETTERS FROM THE HOUSE OF ALCOTT To Mother. I hope that soon dear mother, you & I may be In the quiet room my fancy has so often made for thee, The pleasant sunny chamber, the cushioned easy chair. The books laid for your reading, the vase of flowers fair. The desk beside the window where the sun shines warm and bright. And there in ease and quiet, the promised book you write, While I sit close beside you, content at last to see. That you can rest dear mother, & I can cherish thee. Louisa lived to see her hope realized and the dream of many years a beautiful reality. [io8] THE MOTHER S INFLUENCE Like most writers, Louisa was moody, and in her hours of depression and de- spondency she looked upon her work as a failure and herself as a useless drag upon the family. At such times Marmee in- variably came to the rescue and per- suaded her discouraged daughter to use the pen she was ready to lay down. Even in Louisa's childhood, when her only promise of future literary achievement were her tragedies and melodramas of lurid style, little gifts show the mother's faith and pride in her daughter's work. So did her letters, of which this is an example : Dear Louisa : I sometimes stray about the house and take a peep into the journal. Your pages [109] LETTERS FROM THE HOUSE OF ALCOTT lately are blank. I am sure your life has many fine passages well worth recording, and to me they are always precious. Any- thing like intellectual progress in my children seems to compensate for much disappoint- ment & perplexity in my own life. Do write a little each day, dear, if but a line, to show me how bravely you begin the battle, how patiently you wait for the rewards sure to come when the victory is nobly won. Ever yrs. Mother. On her fourteenth birthday the mother accompanies the gift of a pen with this little poem : Oh, may this pen your muse inspire, When wrapt in pure poetic fire, To write some sweet, some thrilling verse ; [no] THE MOTHER S INFLUENCE A song of love or sorrow's lay. Or duty's clear but tedious way In brighter hope rehearse. Oh, let your strain be soft and high, Of crosses here, of crowns beyond the sky ; Truth guide your pen, inspire your theme. And from each note joy's music stream. Louisa Alcott owed much to her mother's example and perhaps even more to her mother's influence. This letter, carefully preserved in the daughter's journal, reveals a wealth of mother- love and of God-given wisdom : 15th Birthday, Hillside. Dearest, Accept this pen from your mother and for her sake use it freely & worthily that [III] LETTERS FROM THE HOUSE OF ALCOTT each day of this your fifteenth year may testify to some good word or thought or work. I know there will be born into your spirit new hopes, new gifts, for God helps the loving, trusting heart that turns to Him. Lift up your soul to meet the highest, for that alone will satisfy your yearning, aspiring nature. Your temperament is a peculiar one, & there are few who can really help you. Set about the formation of character & believe me you are capable of obtaining a noble one. Industry, patience, love, creates, endures, gives all things, for these are the attributes of the Almighty, & they make us mighty in all things. May eternal love sustain you, infinite wisdom guide you, & the peace which passeth understanding reward you, my daughter. Mother. Nov. 29th, 1846. [112] THE MOTHER S INFLUENCE Deeds, not words, characterized Eliza- beth Alcott, as readers of "Little Women" will recall. She was about seven when she sent this letter, one of the very few she wrote, to her mother : May, Friday 29. Dear Mother, I thank you very much for your note. I will try to write better than I have done. I have not always had a good pen. I hope I shall improve in all my studies this summer. I hope I can read German & French very well, and know a great deal about the countries. I must write my journal now so I will bid you good bye. From your loving Elizabeth. I113I LETTERS FROM THE HOUSE OF ALCOTT Birthdays were always celebrated with much rejoicing in the Alcott household, the gift made secondary to the spirit of the day. From the time they were old enough to print, the Alcott children on the mother's birthday made her some little gift, accompanying it with a note. Abba May or May, as she was always called, at nine years old, began in prose but lapsed into poetry : Dear Mother, I wish you a very happy birthday. I hope you will find my present Useful, and when you wear it think of me. I have taken a great-deal of Pleasure in making it for you. Please take this Present mother on your 49 birthday [114] THE mother's influence With the dearest Love and wishes of your little daughter A. With Mrs. Alcott, hardship, poverty, the grief of seeing her husband misunder- stood and often scoffed at, never lessened her love for him, or her contentment in the marriage relation. The year fol- lowing her marriage in a letter to her brother she wrote: *'My father has never married a daughter or son more completely happy than I am. I have cares, and soon they will be arduous ones, but with the mild, constant, and affec- tionate sympathy and aid of my hus- band, with the increasing health and loveliness of my quiet and bright little Anna, with good health, clear head, grateful heart and ready hand, — what [115J LETTERS FROM THE HOUSE OF ALCOTT can I not do when surrounded by influ- ences like this ?" Ideals were never shattered ; illusions, if so they may be called, were nevw lost by Mrs. Alcott through the stormy years that laid between the first happy months of her married life and the sunset days when all her burdens were laid down. To her, the husband who was so long denied material success and intellectual sympathy ever remained the lover and friend. Her admiration for him was unbounded, her faith in him complete. So high she held him in heart and mind, that it was difficult even for those who loved him most to appreciate her es- timate of him as Poet, Philosopher, and Sage. Iii6] THE MOTHER S INFLUENCE Concerning the most famous portrait ever made of Bronson Alcott, done in crayons by Mrs. Richard Hildredth, wife of the historian and aunt of the portrait painter, George Fuller, which, beautiful as it was, did not satisfy the wife's ideal, Mrs. Alcott writes : A tinge of the incomprehensible lies softly around it, a field of atmosphere, as if she had worked with down from an angel's wing rather than with a crayon, — as if the moonlight had cast a shadow on the lights of her picture, and a divinity had touched with a soft shade, the dark portion of the figure. Mrs. Hildredth has changed the costume from a dress suit to a mantle draped about the shoulders. This, I do not Hke. The chaste simpHcity of Mr. (ii7l LETTERS FROM THE HOUSE OF ALCOTT Alcott's dress is more in character and keeping with the severe simpHcity and rectitude of his Hfe. Louisa admirably de- scribes her father's appearance as she met him at the cars. "His dress was neat and poor. He looked cold and thin as an icicle, but serene as God." After such a testimony, from such a daughter, he can afford to dress shabbily. Contentment, whatever her lot, was an attribute of Marmee ; she under- estimated herself always. Unquestion- ably, Louisa inherited her literary gift quite as much from mother as from father, and flashes of the quaint humor so delightful in the daughter*s books are found in the mother's letters. To a friend she writes : *' My gifts are few. I live, [118] THE MOTHER S INFLUENCE love and learn, and find myself more con- tent every day of my life with humble conditions." Louisa Alcott never laid claim to poetic gift, but on a few occasions her verses take to themselves true poetic beauty. One of the most exquisite of these poems was written by her on the death of her mother, and was first pub- lished anonymously in the "Masque of Poets" of 1878: Transfiguration In Memoriam Mysterious death ; who in a single hour Life's gold can so refine, And by thy art divine Change mortal weakness to immortal power : [119I LETTERS FROM THE HOUSE OF ALCOTT Bending beneath the weight of eighty years, Spent with the noble strife Of a victorious life, We watched her fading heavenward, through our tears. But ere the sense of loss our hearts had wrung, A miracle was wrought : And swift as happy thought She lived again — brave, beautiful and young. Age, pain and sorrow dropped the veils they wore. And showed the tender eyes Of angels in disguise. Whose disciphne so patiently she bore. [120] THE mother's influence The past years brought their harvest rich and fair; While memory and love, Together fondly wove A golden garland for the silver hair. 121 ] CHAPTER VII Children's Diaries THE Alcott children were brought up to think for themselves, to reflect, and to give expression to their thoughts. Never laughed at, they were not afraid to speak or write of what was in their minds. Each kept a diary, and no incident that concerned the little girls was too trivial for mention in the record of the day. These inci- dents, collected, give a more compre- hensive view of the Alcotts as a family than do the father's voluminous journals. [122] Anna I^ronson Ai.con. Frum a daguerreotype. Pai-d 122. CHILDREN S DIARIES When Anna was ten, she gravely ex- plains under date of April 13, 1841 : Father was too unwell to come down stairs and mother ironed, Louisa and I helped a little while. I wrote my journal and a journal for Louisa as she thought she could not write well enough. I had no other lessons than that. We watched a little spider and gave it some water to drink. In the afternoon mother read loud the story of the good aunt or part of it while we sewed on the clean clothes I mended up the holes and Louisa and Lizzy sewed on a sheet. In the evening we played mother lets us play in the evening. We went to bed soon. This sewing bee recalls the long even- ings in the March home, described in [123] LETTERS FROM THE HOUSE OF ALCOTT ** Little Women," when the four girls and the mother sewed dutifully on sheets for Aunt March, dividing seams into countries, discussing Europe, Asia, Africa, and America as they stitched. When she was twelve, Anna's literary aspirations sought a vent in attempted poetry. Later she collaborated with Louisa in writing the "Comic Tragedies." Anna's confidante and comrade, Louisa, was frequently the victim of these poetic effusions, her reception of which gives quite a line on her ardent temperament. This entry in Anna's journal for April 23, 1843, is eloquent : This morning I rose pretty early — After breakfast I read and wrote stories. In the [124] CHILDREN S DIARIES afternoon I wrote some letters and the follow- ing one to Louisa : Louisa dear With love sincere Accept this little gift from me It is with pleasure I send this treasure And with it send much love to thee. Sister dear Never fear God will help you if you try. Do not despair But always care To be good and love to try. In the evening I read in a book called 'Stories on the Lord's-prayer. ' I talked with Louisa after I went to bed and she pinched me on my leg. [125] LETTERS FROM THE HOUSE OF ALCOTT Two or three years later Anna writes : Monday. Mother went to Boston and Louisa and I cleaned house all day. I love order above all things and I take great pleasure in seeing all neat about the house. Tuesday. I worked hard till 2 o'clock when we all met to sew while mother read aloud from "Miss Bremers Brothers and Sister's." It is most beautiful such a happy family. I think Miss Bremer would make a lovely mother the mothers in her books are so sweet and she has beautiful idear's about family's. I love to read natural stories. Wednesday 30th. We rose very early and eat breakfast. I think it is a dreadful thing to grow old and [126I CHILDREN S DIARIES not be able to fly about, but then I suppose I shall not care about flying when I grow older, still it is horrid to think about being an old woman all wrinkled and blind. I wish I could keep young forever. I should love to live among all those I love and be with them all the time. Reading was a part of the daily routine in the Alcott household, and Anna's taste for German recalls vividly certain episodes between Meg and John Brooks in "Little Women." Friday i8th. I read one of Krummacher's parables in German. I think they are very beautiful, the language is so elegant. I love to hear beautiful words and these stories are told so simply and are full of such sweet thought. [127] LETTERS FROM THE HOUSE OF ALCOTT I found a great many which have never been translated and I intend to try myself to translate them. I think it is the pleasantest thing I do to read German. It is such a splendid language. I mean Elizabeth shall learn to read it, she will enjoy it so much. Saturday 19th. In the afternoon I sewed and Louisa read me a very silly story called 'The Golden Cup.' I think there is a great deal of nonsense written now a days, the papers are full of silly stories. Sunday 20th. I have been reading lately a very beautiful book given me by my mother. It is " Char- acteristics of Women " by Mrs. Jameson. I like it very much. It is a description of Shakespear's Heroines, Portia is my favorite, she was so noble and I liked the Trial scene [128I CHILDREN S DIARIES better than any of Shakespears that I ever read. I think this part is beautiful. *Let music sound while he doth make his choice ; Then if he love he make a swan like end Fading in music' I think this was a beautiful idea. I passed a pleasant morning in school, translating one of Krummacher's beautiful parables. I find great pleasure in this. I like German better than I do French. I want much to study ItaUan. I have tried myself several times but cannot manage it without help. I think I should be very happy if I could go to school. I think about it most all the time and when I am in bed I imagine myself in Boston going to Miss Peabody's school with other girls and know [129] LETTERS FROM THE HOUSE OF ALCOTT that I am learning something. And I think I lead rather too solitary a Hfe. I love to see people. Mother read in the afternoon from Miss Sedgwick's Letters. It was about the Germans. She says they are a very cheerful people and though poor yet they always have a happy smile and cheerful face. That their manners are beautiful. They are so kind and simple. I know I should love them, for I like everything German, except their food, which I think must be horrid, greasy cabbage and sour bread. That seems bad. I should think they are so fond of beautiful things ; music, poetry and flowers, that they would not like such stuff. September, 1845. Friday ist. I walked before breakfast, the sun was bright and there was a cool wind. The [ 130] CHILDREN S DIARIES lane was full of beautiful flowers and the grass was green and fresh. I had a lovely walk and gathered a bunch of goldenrod, spirian and gerandia. Everything was so beautiful that all my unhappy thoughts of last night flew away. I sometimes have strange feel- ings, a sort of longing after something I don't know what it is. I have a great many wishes. I spent the day in the usual manner, sewing and studying. In the evening Louisa and I walked through the lane and talked about how we should like to live and dress and imagined all kinds of beautiful things. Sunday 3rd. I sewed all day and mother read from "Miss Sedgwick's Letters." I will write a piece of poetry, as I have nothing very pleasant to write about : [131] LETTERS FROM THE HOUSE OF ALCOTT "Oh when thy heart is full of fears And the way is dim to Heaven When the sorrow and the sin of years Peace from thy soul has driven Then through the mist of falling tears Look up and be forgiven. "And then rise up and sin no more And from thy dark ways flee Let Virtue o*er thy appetites Have full and perfect mastery And the kindly ones that hover o'er Will ever strengthen thee. "And though thou art helpless and forlorn Let not thy heart's peace go And though the riches of this world are gone And thy lot is care and woe Faint not, but journey ever on True wealth is not below. [132] I CHILDREN S DIARIES "Oh, falter not but still look up Let Patience be thy guide Bless the rod and take the cup And trustfully abide Let not temptation vanquish thee And the Father will provide." Louisa composed these lines, which I think are beautiful. She is a beautiful girl and writes as good poetry as Lucretia David- son, about whom so much has been written. I think she will write something great one of these days. As for me I am perfect in nothing. I have no genius. I know a httle of music, a little of French, German and Drawing, but none of them well. I have a foolish wish to be something great and I shall probably spend my life in a kitchen and die in the poor-house. I want to be [133I LETTERS FROM THE HOUSE OF ALCOTT Jenny Lind or Mrs. Seguin and I can't and so I cry. Here is another of Louisa's pieces to mother. "God comfort thee dear mother, For sorrow sad and deep Is lying heavy on thy heart And this hath made thee weep. "There is a Father o'er us, mother, Who orders for the best And peace shall come ere long, mother. And dwell within thy breast. "Then let us journey onward, mother. And trustfully abide, The coming forth of good or ill Whatever may betide." Helpfulness w^as encouraged in the Alcott household ; habits of industry [134] CHILDREN S DIARIES were carefully fostered. The Alcott chil- dren worked when they worked, played when they played, but wasted hours were unknown. They were taught to make the most of every day. When Anna was seventeen she wrote in her diary : August, 1848. Thursday 17th. Lizzy and I are making plans for spending our days usefully. Here is mine. Plan. Rise at half past 4, bathe, dress and walk till half past 5. Dress and bathe the children. Breakfast at 7. Work till 9. School till 12. Work till 2. Sew till 4. Practice till 5. [135] LETTERS FROM THE HOUSE OF ALCOTT Hear Lizzy recite German and French till 6. Supper. This will keep me pretty busy, but I find I accomplish so much more when I have a plan and certain times for certain things. I never can do things without order. I like to have something planned for every moment of the day, so that when I get up in the morn- ing I may know what to do. I wish I could be learned. An entry in Louisa's diary during the Fruitlands period gives this insight into one of her average days, w^hen a child of eleven : I rose at five, and after breakfast washed the dishes and then helped mother work. I took care of May in the afternoon. In the evening I made some pretty things for my [136] CHILDREN S DIARIES dolly. Father and Mr. Lane had a talk and father asked us if we saw any reason for us to separate. Mother wanted to, she is so tired. I like it, but not the school part or Mr. L. Note, too, that when it came to a conference concerning family affairs, the father asked the advice of his eleven- year-old daughter, instead of following the more customary method of with- holding from her the family confidence and deferring discussion of plans until the children had gone to bed. "Know Thyself," was ever the aim of Bronson Alcott in the training of his children, and Mr. Lane at Fruitlands followed this same line of mental devel- opment. This is one of his sample [137] LETTERS FROM THE HOUSE OF ALCOTT lessons which Louisa Alcott has copied into her journal : Sample of our Lessons "What virtues do you wish more of," asked Mr. L. I answer : Patience Love Silence Obedience Generosity Perseverance Industry Respect Self-denial "What vices less of ?" Idleness Wilfulness Vanity Impatience Impudence Pride Selfishness Activity Love of cats In this same lesson comes the twelve- year-old Louisa's explanation of the dif- ference between faith and hope : Faith can believe without seeing; hope is not sure, but tries to have faith when it de- sires. [138I CHILDREN S DIARIES Louisa's love of nature, her trained habits of thought, her poetic imagination, and her keen appreciation of beauty are indicated in this entry in her journal, written at Fruitlands in 1843 or 1844, when she was a child of ten or eleven : I wrote in my imagination book, and enjoyed it very much. Life is pleasanter than it used to be, and I don't care about dying any more. Had a splendid run, and got a box of cones to burn. Sat and heard the pines sing a long time. Had good dreams, and woke now and then to think, and watch the moon. I had a pleasant time with my mind, for it was happy. 1 139] CHAPTER VIII Girlhood and Womanhood FAMILIAR to every reader of "Little Women" is the March family's quaint brown house with its many windows, its old-fashioned gar- den, its homely, homelike air, its unfailing hospitality. This home, as described by Louisa M. Alcott, is a picture of the Alcott home at Concord, the scene of the girlhood and young womanhood of the Alcott children. Many of Louisa's books were written there; "Little Women" was lived there. In Concord, [140] GIRLHOOD AND WOMANHOOD Anna met John Pratt, and the first love story in "Little Women" is Anna's life romance. There little Beth passed from the material to the spiritual life, and Amy first developed the artistic talents which later caused her work to be sought for by art museums and private col- lectors. Anna's marriage was a great trial to Louisa, for from early childhood the two girls had been inseparable companions, and after Anna's marriage Louisa learned to look upon John as her brother. Louisa's diary in the April following the passing of Elizabeth touches upon the change of homes in Concord, the absence of May, who was studying art in Boston, of Elizabeth and of Anna : [141] LETTERS FROM THE HOUSE OF ALCOTT April. Came to occupy one wing of Hawthorne's house (once ours) while the new one was being repaired. Father, mother and I kept house together, May being in Boston, Anna at Pratt farm, & for the first time Lizzy absent. I don't miss her as I expected to do, for she seems nearer & dearer than before, & I am glad to know she is safe from pain & age in some world where her innocent soul must be happy. Death iiever seemed terrible to me, & now is beautiful, so I cannot fear it, but find it friendly and wonderful. Amy's artistic efforts and her failures in "Little Women" are taken from May's actual experiences in Concord. Turn- ing the career of the youngest of the [ 142 ] ,\iii; \ May Alcott. From a photograph. Page 142. GIRLHOOD AND WOMANHOOD Alcott girls into a romance earlier in *' Little Women" than it actually occurred in life, doubtless prevented Louisa Alcott from chronicling the artis- tic success of her youngest sister, a suc- cess to which she largely contributed and in which she took great pride. May Alcott's pictures are found to- day in art museums and in leading pri- vate collections in this country and abroad. Her copies of Turner are re- markable. In the Kensington Gallery in London students are given them to study in preference to the originals. Several fine examples are in American museums, and a few are owned by mem- bers of the Alcott family. When the Alcotts moved into Orchard [143I LETTERS FROM THE HOUSE OF ALCOTT House, the girls painted and papered the interior themselves. May filled the nooks and corners with panels, on which she painted birds and flowers. Over the fireplaces she inscribed mottoes in Old English characters. The study in Orchard House was the real center of the household. For the chimney piece Ellery Channing wrote an epigram, which May Alcott painted upon it, and which has been used in the stage reproduction of "Little Women": **The Hills are reared, the Valleys scooped in vain. If Learning's Altars vanish from the Plain." In Orchard House to-day, walls, doors, and window casings are etched with May Alcott's drawings, many preserved under [144] GIRLHOOD AND WOMANHOOD glass, including a miniature portrait of a little girl, naively and modestly in- scribed "The Artist." High thoughts and cheerful minds triumphed over poverty in those Concord days. Shortly after the family's return from Fruitlands, Louisa wrote for Ellen Emerson the fairy stories, "Flower Fables." She was at the time only sixteen. This was her earliest published work, and it was many years before she achieved literary fame, although, as did Jo in "Little Women," she materially helped in the support of the family by writing lurid tales. Literature rather than commerce freed the Alcotts from the burden of debt. Louisa's fame was the result, neither of [145] LETTERS FROM THE HOUSE OF ALCOTT accident, nor of a single achievement, but had for its background the whole generous past of her family. Her "Hos- pital Sketches" were her letters home, when she was serving as hospital nurse during the Civil War. "Little Women'* is a chronicle of her family. Louisa certainly made good use of the vicissi- tudes of the Alcotts. She always saw the funny side and was not afraid to make book material of the home experi- ences, elevating or humiliating. Her books number between twenty-five and thirty. Nearly every one takes its basic idea from some real experience. The books written by the Alcott family, including some eight or ten published by Mr. Alcott, Louisa's output, and one or [146] GIRLHOOD AND WOMANHOOD two written by May, fill two shelves of an alcove devoted to Concord authors in the Alcott town library. Anna's little sons, familiarly known in the Alcott household as Freddie and Johnnie, or Jack, gave to Bronson Alcott in his later days fresh opportunity for his favorite study — childhood. To both boys came frequent messages and gifts from Grandpa, Grandma, and Aunt Louisa. Louisa Alcott sent to Freddie this poem on his third birthday : A song for little Freddie On his third Birthday. Down in the field Where the brook goes, lH7] LETTERS FROM THE HOUSE OF ALCOTT Lives a white lammie With a little black nose. He eats the grass so green, He drinks the "la la" sweet, *'Buttertups" and daisies. Grow all about his feet. The ** birdies" they sing to him. The big sun in the sky, Warms his little "Toe-toes," And peeps into his eye. He's a very gentle lammie. He never makes a fuss, He never "saps his marmar,** He never says "I muss." He hops and he runs, "Wound and wound" all day, [148] GIRLHOOD AND WOMANHOOD And when the night comes, He goes "bye low" on the hay. In a nice Httle barn, Where the "moo-moos" are; Freddie says "Good night," But the lammie he says " Baa !" To be sung by Marmar with appropriate accompaniment of gesture, etc. On the outside of the letter appears : A Httle song for Freddie, On his third birthday. With "lots" of loving kisses. From his Wee-wee far away. On his sixth birthday Grandpa con- tributes : [149] LETTERS FROM THE HOUSE OF ALCOTT Concord, Freddie's 6th Birthday, 1869. Dear Freddy, I give you for your Birth Day Present this new Picture Book. It has plain words for you to pick out and read. The stories are short and about things that you know. Now, my little scholar, look among the leaves every day, and see how many words you can tell, — Very soon you will find you can read whole pages, spell the whole book through, and write the stories, word for word on your slate or in your little writing book. Then you will not be a little Dunce, and when Grandpa comes to see you, you will be glad to show him how well you can read. Grandma gives the top to Johnny. From Grandpa. [ISO] GIRLHOOD AND WOMANHOOD Grandma, not to be outdone, sent this: Dear Freddy, If worms give us the silk thread — can't we find time enough to find out how the Fabric is made which dresses are formed of — minutes and days — ours. Days and Years are passing away — let us be busy — and I guess we will get to the Vienna Exposi- tion — "How doth the little busy Bee" Improve each shining hour — Be a Bee — and your hours will be too few for the Flowers of Science and the Wheels of Use. Grandma will help you with her one dim e3^e and Grandpa will explain a great deal to you with his Shining Light — Mama with your help will make you a true, good man. — [iSi] LETTERS FROM THE HOUSE OF ALCOTT 1873. On his twelfth birthday Aunt Louisa again lapsed into poetry : f . A. P. Who likes to read a fairy tale, Or stories told of sword and sail. Until his little optics fail ? Our boy. Who loves his father's watch to wear And often draw it out with care Upon its round white face to stare ? Our boy. Who rather proud of his small feet When wearing slippers new and neat, And stockings red as any beet ? Our boy. [iS2l GIRLHOOD AND WOMANHOOD Who in his pocket keeps his hands As round the house he "mooning" stands Or reads the paper like the mans ? Our boy. Who Hkes to "boss" it over Jack, And sometimes gives a naughty whack, But gets it heartily paid back ? Our boy. Who likes to have a birthday froHc And eats until he has a colic, That for the time is diaboHc ? Our boy. Who is the dearest little lad, That aunt or mother ever had. To love when gay and cheer when sad ? Our boy. [iS3l LETTERS FROM THE HOUSE OF ALCOTT May angels guard him with their wings, And all brave, good and happy things. Make nobler thou than crowned kings. Our boy. March 28th, 1875. John, the original of Daisy in "Little Women,'* received in his babyhood days from Aunt Louisa, some tiny blue stock- ings with this verse : Two pair of blue hose, For Johnny's white toes, So Jack Frost can't freeze em, Nor darned stockings tease em, So pretty and neat I hope the small feet Will never go wrong. But walk straight and strong. The way father went. [154] GIRLHOOD AND WOMANHOOD We shall all be content, If the dear little son Be a second good John. On his tenth birthday, both Grandpa and Grandma Alcott sent these char- acteristic greetings to their younger grandson : Grandma Alcott to Johnny, loth birthday. June 24th. 1875. Giving song, all day long, Under the elm or willow; With sunshine shed On the Httle head That rests on Grandma's pillow. To and fro, Let it go, While inside piping cheery, [155] LETTERS FROM THE HOUSE OF ALCOTT As he takes his rest In his hang-bird*s nest Lies Grandma's little deary. Grandpa Alcott to Johnny. June 24th. 1875. A fine little sword For gallant Capt. Jack, As he marches down the hill His army at his back. No giants will it kill Since its only made for show. And the best way to fight. Is a kiss for a blow. In these days of private secretaries, labor-saving devices, and specialization, [156] GIRLHOOD AND WOMANHOOD it is difficult to comprehend the obstacles that Louisa Alcott encountered in writ- ing. Her day was filled with other tasks, housework, sewing, teaching, nursing — yet the pen was never idle, the busy brain was never still. Her power of concentration made it possible for her to write under harassing condi- tions. This is her own description of her methods of work : My methods of work are very simple and soon told. My head is my study, and there I keep the various plans of stories for years sometimes, letting them grow as they will till I am ready to put them on paper. Then it is quick work, as chapters go down word for word as they stand in my mind, and need no alteration. I never copy, since I find by hsrl LETTERS FROM THE HOUSE OF ALCOTT experience that the work I spend the least time upon is best liked by critics and speakers. Any paper, any pen, any place that is quiet suit me, and I used to write from morning till night without fatigue when "the steam was up." Now, however, I am paying the penalty of twenty years of over work, and can write but two hours a day, doing about twenty pages, sometimes more, though my right thumb is useless from writer's cramp. While a story is under way I live in it, see the people more plainly than real ones around me, hear them talk, and am much interested, surprised and provoked at their actions, for I seem to have no power to rule them, and can simply record their experiences and performances. Materials for the children's tales I find [IS81 GIRLHOOD AND WOMANHOOD in the lives of the Httle people about me, for no one can invent anything so droll, pretty or pathetic as the sayings and doings of these small actors, poets and martyrs. In the older books, the events are mostly from real life, the strongest the truest, and I yet hope to write a few of the novels which have been simmering in my brain while necessity and unexpected success have confined me to juvenile literature. I gave Mrs. Moulton many facts for her article in " Famous Women," and there are many other sketches which will add more if they are wanted. The first edition of **Jo's Boys" was twenty thousand I beheve, and over fifty thousand were soon gone. Since January I know Httle about the sales. People usually ask "How much have you made?" I am contented with a hundred [159] LETTERS FROM THE HOUSE OF ALCOTT thousand, and find my best success in the comfort my family enjoy ; also a naughty satisfaction in proving that it was better not to *' stick to teaching" as advised, but to write.' With all her love for her father, irrev- erent Louisa delighted in making fun of him. The complacent philosopher, with his voluminous journals, his several books in manuscript, his liking, despite the brilliancy of his conversations, for the written rather than the spoken word, was a wasteful user of paper and a care- less dispenser of ink. That her father enjoyed her good-natured banter is shown by the fact that in his journal he has entered the following poem, written by Louisa at nineteen : f 160I Louisa May Alcott. From a daguerreotype. Page 1 60. GIRLHOOD AND WOMANHOOD From Louisa on my 52nd birthday. Nov. 29th, 1 85 1. To Father. A cloth on the table where dear Plato sits By one of the Graces was spread With the single request that he would not design New patterns with black ink or red. And when he is soaring away in the clouds I beg he'll remember and think Though the "blackbirds" are fair his cloth will be fairer For not being deluged with ink. May plenty of paper of pens and of quiet To my dear pa forever be given Till he has written such piles that when on the top He can walk calmly on into Heaven. [i6i] CHAPTER IX Friendships and Beliefs RARE friendships existed among the great minds of that period, when Transcendentalism in America was first talked and lived, a close bond of sympathy uniting Bronson Alcott, Emer- son, Thoreau, Ellery Channing, Mar- garet Fuller, and Elizabeth Peabody. Such association made its impress upon the Alcott daughters. Anna's diary is filled with references to visits with the Emersons. Louisa's deal less with the family and more with the intellectual life of the great philosopher, whom she fl62l FRIENDSHIPS AND BELIEFS made her idol. Through life he was her stanch and understanding friend. "The Apostles of the Newness" was the scoffing term applied to these liter- ary giants of New England by those who lacked the mental and spiritual insight to recognize greatness in others. This attitude of ridicule was largely responsible for the continued attacks upon the Dial, a quarterly issued by the Transcendentalists, edited from 1840 to 1844 by Emerson, Margaret Fuller, George Ripley, and Thoreau. Between its modest covers were many of the in- tellectual masterpieces of the time : its rare volumes are still treasure-houses of literature which to-day command any price. Mr. Alcott selected its title and [163I LETTERS FROM THE HOUSE OF ALCOTT was to a large extent responsible for its policy. His Orphic Sayings in the Dial, now looked upon as classics, were the butt of the press at the time, and the derision of Boston society. In these Orphic Sayings, he gave this remarkable definition of Reform: "Re- forms are the noblest of facts. Extant in time, they work for eternity : dwelling with men, they are with God." Conversation among these friends was neither trivial nor useless, and in the Alcott circle, which included Emerson, Thoreau, Theodore Parker, William Henry Channing, James Freeman Clarke, Elizabeth Peabody, Mrs. Cheney, and other of the early Transcendentalists, later on augmented by James Russell [164] FRIENDSHIPS AND BELIEFS Lowell and Nathaniel Hawthorne, a series of drawing-room symposiums was estab- lished, with Alcott, whom Emerson called "serious and superior," as a leader. Much of the substance of these conver- sations is found in the Alcott journals, and in the unpublished manuscripts of the poet-philosopher. In Concord, the Alcotts once more enjoyed the literary companionship they craved. Emerson was a near neighbor. Thoreau had his cabin at Walden, where he had established "a community of one." To and from Boston came others of the Transcendental group, and Concord became the center of thought for New England. Thinking, however, was not the only [i6sl LETTERS FROM THE HOUSE OF ALCOTT occupation of Bronson Alcott. Dreamer he was, but he dehghted in toil and ever upheld the dignity of labor, not ashamed nor afraid to work for hire as a laborer in his neighbor's field, while nightly conducting drawing-room conversations with a company of peers and students. When Thoreau built his cabin, Alcott helped him. They cut the trees from Emerson's grove. While Emerson was abroad, they built a summer-house for him on his grounds. It stood for many years, a picturesque temple of friendship. William Henry Channing mentions a morning spent there, reading Margaret Fuller's Italian letters. May Alcott has made drawings of it, which were pub- lished in a volume of "Concord Sketches" [i66] FRIENDSHIPS AND BELIEFS that also contained her drawing of Haw- thorne's house. Mr. Alcott practically rebuilt Orchard House for his own family. Mrs. Child, a friend of Mrs. Alcott, thus describes this home, which is now preserved as a memorial to Louisa M. Alcott and is visited by thousands every year : When they bought the place the house was so very old that it was thrown into the bargain, with the supposition that it was fit for nothing but firewood. But Mr. Alcott had an architectural taste, more intelligible than his Orphic Sayings. He let every old rafter and beam stay in its place, changed old ovens and ash holes into Saxon arched alcoves, and added a washerwoman's old shanty to the rear. The result is a house [167] LETTERS FROM THE HOUSE OF ALCOTT full of queer nooks and corners, with all manner of juttings in and out. It seems as if the spirit of some old architect had dropped it down in Concord. Thoreau, master builder himself, has paid to Bronson Alcott this tribute : One of the last of the philosophers, Con- necticut gave him to the world. He peddled first her wares, afterwards, as he declares, his brains. These he peddles still, bearing for fruit, only his brain, like the nut its ker- nel. His words and attitude always suppose a better state of things than other men are aquainted with, and he will be the last man to be disappointed when the ages revolve. He has no venture in the present. But though comparatively disregarded now, [i68] FRIENDSHIPS AND BELIEFS when his day comes, laws unsuspected by most will take effect, and rulers will come to him for advice. Emerson, who saw the boy mind be- neath the philosopher's dignity, said tenderly of Bronson Alcott : **He is certainly the youngest man of his age we have seen. When I looked at his gray hairs, his conversation sounded pathetic ; but I looked again and they reminded me of the gray dawn." Even his friends, to say nothing of Louisa, occasionally poked fun at him for chronicling so minutely all his thoughts. Ellery Channing called his library, **Encyclopediea de Moi-meme, en cents volumes." Yet these journals and records are now worth more than the [169] LETTERS FROM THE HOUSE OF ALCOTT fine library he collected and in which he delighted. Emerson has thus described the origin of the Fruitlands community : On the invitation of James P. Greaves of London, the friend and fellow-laborer of Pestalozzi in Switzerland, Mr. Alcott went to England in 1842. Mr. Greaves died before his arrival, but Mr. Alcott was re- ceived cordially by his friends, who had given his name to their school, Alcott House, Ham, near London. He spent several months in making acquaintance with various classes of reformers. On his return to America, he brought with him two of his English friends, Chas. Lane and H. C. Wright ; and Mr. Lane having bought a farm which he called Fruitlands, at Harvard, [170] FRIENDSHIPS AND BELIEFS Mass., they all went there to found a new community. The Fruitlands experiment and its failure have been immortalized by Louisa Alcott in her "Transcendental Wild Oats." The detail of it is thus de- scribed by a friend of the Alcott family, who had the story from Bronson Alcott himself: The crop failures necessitated the com- munity living on a barley diet, as anything animal was not allowed, not even milk and eggs. Now and then they gave a thought as to what they should do for shoes when those they had were gone ; for depriving the cow of her skin was a crime not to be tolerated. The barley crop was injured in harvesting, [171I LETTERS FROM THE HOUSE OF ALCOTT and before long want was staring them in the face. The Alcotts remained at Fruit- lands till mid-winter in dire poverty, all the guests having taken their departure as pro- visions vanished. Friends came to the rescue, and, Mr. Alcott concluded with pathos in his voice, "We put our little women on an ox- sled and made our way to Concord ! So faded one of the dreams of my youth. I have given you the facts as they were ; Louisa has given the comic side in 'Trans- cendental Wild Oats' ; but Mrs. Alcott could give you the tragic side." Indeed, it was always Mrs. Alcott who could have given the tragic side, skill- fully as she kept her worries hidden. Her own family, indignant because Bronson Alcott could not better provide the [172] FRIENDSHIPS AND BELIEFS material needs for his family, on more than one occasion besought the faithful wife to leave him. A letter from her brother, urging this step, drew forth from her a defense of Bronson Alcott which the husband enters in his journal as follows : November 1840 Passages of a letter from my wife to one who misapprehends and perverts my life and purposes. "If I do not mistake the spirit as well as letter of your remark you would have us believe that a righteous retribution has Overtaken us, (or my husband, and we are one,) and that the world is justly punishing him for not having conciliated it, by conform- [173] LETTERS FROM THE HOUSE OF ALCOTT ing to its wills and ways. — You say that my husband was told ten years ago, that the world could not understand him. It per- haps fell dead on his ears and ever will. There is no human voice can convince him that the path he has chosen to tread, thorny, bleak, solitary, as it is, is not the right one for him. Just so did that man of Nazareth whom all the world profess to admire and adore, but few to imitate ; and these few are the laughing-stock of the Christian Community. They are branded as vision- aries and fools. But this little band when alone and disencumbered of idle observation, enjoy the recital of their privations ; they have been reviled, but they revile not again ; they know sorrow and are acquainted with grief; and yet there is joy in that group of sinless men, such as angels might desire to [174] FRIENDSHIPS AND BELIEFS partake of. I am not writing poetry, but I have tried to place before your mind, in as brief, but clear a manner as I am able, our real condition, and Mr. Alcott's merit as a man, who, though punished and neglected by a wicked world, has much to console and encourage him in the confidence and co- operation of some of the wisest and best men living. Ten such, were they permitted in their several vocations to act as teachers, preachers, and printers, would save our wicked city from the ruin that awaits it. But they are turned, hke the Nazarene, into solitary places to lament the blindness and folly of mankind, who are following the vain and fleeting shadow for the real and abiding substance. But to return to Mr. Alcott, is he to sell his soul, or what is the same thing, his principles, for the bread that perisheth ? [175] LETTERS FROM THE HOUSE OF ALCOTT No one will employ him in his way ; he can- not work in theirs, if he thereby involve his conscience. He is so resolved in this matter that I believe he will starve and freeze before he will sacrifice principle to comfort. In this, I and my children are necessarily implicated : we make and mean to make all the sacrifices we can to sustain him, but we have less to sustain us in the spirit, and therefore, are more Hable to be overcome of the flesh. He has, for a long time gone without every- thing which he could not produce by labor, from his own place, that no one could in truth reproach him with wantonly eating of the fruits of another's labor. He was sent for by friends in Hingham to talk with them ; which he did two evenings ; his expenses were paid and $23. put into his hands as a slight compensation for the benefit [176] FRIENDSHIPS AND BELIEFS they felt he had conferred upon them by his conversations. I should like to copy the note accompanying it, but you never care to see how his fellow fanatics rave on these holy themes, life, duty, destiny of man. Thus he occasionally finds a market for his thoughts and experiences, which, though inadequate to our support, is richly prized as the honest gains of an innocent and righteous labor. You spoke of his " poetical wardrobe" whether in satire or in a worthier spirit, I cannot tell. However spiritual he may have become, there is still enough of the carnal to feel the chills of winter, and the chiller blasts of satire. His tatters are the rags of righteousness and keep him warmer than they would anyone whose spirit was less cheered and warmed by the fires of eternal love and truth. [177] LETTERS FROM THE HOUSE OF ALCOTT An appreciative account of Mr. Alcott's famous school in the Masonic Temple, Boston, is found in the "Record of a School," edited by Elizabeth Peabody, published in 1835, republished in 1874. The "Conversations with Children on the Gospels," edited by Mr. Alcott in two volumes, appearing in 1 836-1837, caused such a commotion in Boston as to result in the downfall of the Temple School. Reading these conversations to-day, one is impressed with the modern quality of their thought. They were forerunners of that higher criticism, which with the Bible student now sup- plants the old blind acceptance without reflection of even obscure Biblical pas- sages. I178I FRIENDSHIPS AND BELIEFS On philosophy and reUgion Mr. Alcott and Miss Peabody delighted to talk and write. Their discussion of the existence of evil is startlingly modern. "I do not think that evil should be clothed in form by the imagination," writes Miss Peabody to Mr. Alcott ; **I think every effort should be made to strip it of all individuality, all shaping and all coloring. And the reason is, that Evil has in truth no substantial existence, that it acquires all the existence it has from want of faith and soul culti- vation, and that this is sufficient reason why all cultivation should be directed to give positiveness, coloring, shaping^ to all kinds of good — Good only being eternal truth." [179] LETTERS FROM THE HOUSE OF ALCOTT In reply, the philosopher thus com- ments in his diary: "Evil has no posi- tive existence, I agree with Miss Pea- body, but it has usurped a positive place and being in the popular imagination, and by the imagination must it be made to flee away into its negative life. How shall this be done ? By shadowing forth in vivid colors the absolute beauty and phenomena of good, by assuming evil not as positive, but as negative.'* "I shall always love you for loving Alcott," writes Emerson to his school- mate and lifelong friend, the Reverend W. H. Furness. *'He is a great man, the god with the herdsman of Admetus. His conversation is sublime ; yet when I see how he is underestimated by culti- [i8o] FRIENDSHIPS AND BELIEFS vated people, I fancy none but I have heard him talk." In the midst of slander and petty per- secutions, Alcott writes in his diary for April, 1837: I have been striving to apprehend the real in the seeming, to strip ideas of their adventitious phrases and behold them in their order and powers. I have sought to penetrate the showy terrestrial to find the heavenly things. I have tried to translate into ideas the language and images of spirit, and thus to read God in his works. The outward I have seen as the visage and type of the inward. Ever doth this same nature double its design and stand forth — now before the inner, now before the outer sense of man, at once substance and form, image [181] LETTERS FROM THE HOUSE OF ALCOTT and idea, so that God shall never slip wholly from the consciousness of the soul. Emerson, weary of seeing his friend misunderstood, urges him to give up teaching and become an author, pictur- ing as his golden view for Alcott that one day he will leave the impracticable world to wag its own way, sit apart, and write his oracles for its behoof. "Write ! let them hear or let them forbear," he thunders. "The written word abides until, slowly and unex- pectedly, and in widely sundered places, it has created its own church." The unreality of evil, as taught and believed by Alcott nearly a century ago, laughed and scoffed at then, was twenty- five years later practically the founda- [182] FRIENDSHIPS AND BELIEFS tion of a belief which gained its first foothold in New England, and, with headquarters in Boston, has spread, until to-day its followers and churches circle the civilized globe — a new-old religion, based on the literal acceptance of the teachings of Christ. What to-day is called metaphysical teaching was in the Alcott period scoffed at as Transcen- dentalism. Mr. Alcott's strict adherence to a vegetarian diet was also the topic of ridicule from public and press, although the Alcott children seemed to thrive on it, and certainly, as four-year-old Louisa once remarked, "Did pitty well for a wegetable diet." Louisa, in her journal, gives this sample [183] LETTERS FROM THE HOUSE OF ALCOTT of the vegetarian wafers they had at Fruitlands : Pluck your body from the orchard ; do not snatch it from the shamble. Without flesh Vegetable diet and sweet repose. Animal food and night- mare. AppoUo eats no flesh and has no beard ; his voice is melody itself. Bronson Alcott constantly sought self- improvement, and the shortcomings of his early education were more than offset by his untiring study. Realizing at one time his lack of a vocabulary, he com- ments in his journal, that to rectify this [184] diet there could be no blood-shed- ding war. SnufF is no less snufF though accepted from a gold box. FRIENDSHIPS AND BELIEFS he has just bought two books, "A Sym- posium of Melancholy," and "Hunter on the Blood." In their memoirs of Bronson Alcott, F. B. Sanborn and W. T. Harris have thus summed up his character : *'He was the most filial son, the most faithful lover, the most attached friend, the most generous philanthropist of his time. And when he died, he left fewer enemies than any man of equal age can have provoked or encountered in so long a career." In his study of childhood, Mr. Alcott sought first to reach the mind, recogniz- ing that as "the God within us." He encouraged individuality in his children, trying in their earliest years to make [185] LETTERS FROM THE HOUSE OF ALCOTT them think for themselves. All through his teaching runs the boy's friendship with God, and his sense of oneness with his Maker was a part of the divine heri- tage he passed on to his daughters. He records in his diary a conversation with Anna, who was four, and Louisa, who was two, after reading to them the story of Jesus, which he made so vital that, given their choice, they asked for it in preference to a fairy tale. Anna remarked that Jesus did not really die. *'They killed his body, but not his soul.'* Her father asked: "What is the soul, Anna ?" The little four-year-old re- plied : "It's this inside of me that makes me feel and think and love." "And," said the father, "what became of fi861 FRIENDSHIPS AND BELIEFS Jesus' soul?" Anna replied: "It went back to God." Whereat little two-year- old Louisa asked: "Why, isn't Dod inside of me ?" A note in the father's diary at the birth of Elizabeth records "Anna's first interview with her sister" (Elizabeth a few hours old), and a day later comes this record : "Anna and Louisa inter- view their sister." Louisa, two years old, wishes to have the baby sister put in her arms, when four-year-old Anna says warningly : "Treat her very care- fully, Louisa, she comes from God." What a beautiful thought to give a child of the divine mystery of birth ! Instead of asserting what he intended to make of his children, Alcott encour- [187I LETTERS FROM THE HOUSE OF ALCOTT aged the child to make itself, beginning when it was a small baby, treating it as an individual, giving it opportunity to use its mentality, instilling principles of right and wrong by suggestion. Alcott never commanded. "You don't wish to do that," was his way, not exacting blind obedience, but expressing his con- viction that the child wished to do right. To him, God was love. He had no fear of God, for perfect love had cast out fear. This same spirit was manifested in all his children. To them the change called Death was not to be dreaded ; it was a stepping forward and upward. This thought that death is not the end, but the beginning, is expressed in one of Louisa's most beautiful poems : [i88] friendships and beliefs Thoreau's Flute We sighing said, "Our Pan is dead ; His pipe hangs mute beside the river. Around it wistful sunbeams quiver, And Music's airy voice is fled. Spring mourns as for untimely frost ; The bluebird chants a requiem ; The willow-blossom waits for him ; — The Genius of the wood is lost." Then from the flute, untouched by hands, There came a low, harmonious breath ; "For such as he there is no death — His Hfe the eternal Hfe commands ; Above man's aims his nature rose. The wisdom of a just content Made one small spot a continent And tuned to poetry Hfe's prose. [189] LETTERS FROM THE HOUSE OF ALCOTT " Haunting the hills, the stream, the wild, Swallow and aster, lake and pine, To him grew human or divine, — Fit mates for this large-hearted child. Such homage Nature ne'er forgets, And yearly on the coverlid 'Neath which her darling lieth hid Will write his name in violets. "To him no vain regrets belong, Whose soul, that finer instrument, Gave to the world no poor lament. But wood-notes ever sweet and strong. O lonely friend ! he still will be A potent presence, though unseen ; — Steadfast, sagacious and serene; Seek not for him — he is with thee." A visit to Sleepy Hollow^ suggests life, not death. Giant trees stretch their [190] FRIENDSHIPS AND BELIEFS branches over marble and granite monu- ments, as if in benediction. "There is no death, for God is Hfe," they seem to say. For them there is no death. Emer- son Hves to-day, the great philosopher ; so do Thoreau, Hawthorne, Bronson Alcott, and others of that mighty com- pany. And who shall say that Louisa Alcott is dead ? She lives in the hearts of thousands, and will go on living through the love they bear her. Bronson Alcott was a true disciple of Jesus Christ. He lived the example set by his Master not alone in words and thoughts, but in deeds. He lived through and beyond misunderstanding, ridicule, poverty, to see his teachings respected, his name honored, to see the 1 191] LETTERS FROM THE HOUSE OF ALCOTT first glimmer of the new light which was beginning to break over the world, the sunrise at his own sunset. This thought is embodied in the last poem Louisa Alcott ever wrote : To my Father. On his Eighty-Sixth Birthday. Dear Pilgrim, waiting patiently. The long, long journey nearly done, Beside the sacred stream that flows Clear shining in the western sun ; Look backward on the varied road Your steadfast feet have trod, From youth to age, through weal and woe, Climbing forever nearer God. Mountain and valley lie behind ; The slough is crossed, the wicket passed ; 1 192] FRIENDSHIPS AND BELIEFS Doubt and despair, sorrow and sin, Giant and fiend, conquered at last. Neglect is changed to honor now. The heavy cross may be laid down ; The white head wins and wears at length The prophet's, not the martyr's crown. Greatheart and Faithful gone before, Brave Christiana, Mercy sweet, Are shining ones who stand and wait The weary wanderer to greet. Patience and Love his handmaids are, And till time brings release. Christian may rest in that bright room Whose windows open to the east. The staff set by, the sandals off, Still pondering the precious scroll, Serene and strong he waits the call [193I LETTERS FROM THE HOUSE OF ALCOTT That frees and wings a happy soul. Then beautiful as when it lured, The boy's aspiring eyes, Before the pilgrim's longing sight, Shall the Celestial City rise. 1 194 J CHRONOLOGY It has been particularly the aim of the editors to lift these Little Women Letters out of the biographical and into the narrative class. For this reason dates have not been used with any degree of liberality, and chronological facts have been minimized. However, as this is a story of the Alcott family, and seekers for definite data will not be lacking, a chronological summary is herewith furnished : Amos Bronson Alcott . . 1799-1888 married Abby May 1800-1877 Their Children Anna Bronson 1831-1893 Louisa May 1832-1888 I195I LETTERS FROM THE HOUSE OF ALCOTT Elizabeth 183 5-1 858 Abby May 1 840-1 879 Anna Bronson married John Bridge Pratt, i860. Their Children Frederick Alcott .... 1 863-1910 John Sewall 1865 Abby May married Ernst Nieriker, March, 1878. Children Louisa May 1879 Frederick Alcott Pratt married Jessica Cate February, 1888 Their Children Bronson Alcott .... 1889 Elizabeth Sewall .... 1891 [196 J CHRONOLOGY Louisa May 1900 Frederick Woolsey . . . 1902 Elizabeth Sewall married Alfred RedReld June, 191 3 * John Sewall Pratt married Eunie May Hunting January, 1909 Children Elverton Hunting Louisa May Nieriker . . 1878 married Ernst Rasim Children Ernestine * John Sewall Pratt adopted in 1888 by Louisa May Alcott and name changed to John Sewall Pratt Alcott. 1197] A ,1 J * .^^ "OO .^ -n. o^:'--?/-^ .X O 0^ "'oo'^ O ■.s .,\\^^' ^^- ■"■ .x\ « 1 ' « * 'i'^ O •^ ^■ ,X>- '/>.. ^r ^j^imi^'^ '- c 0' t -^ ^\ .■J>