m N ^'^\\ o ©C1.D 25975 PLAIH MOLLY A Play in Pour Acts . CAST Robert Teir53le An Artist Richard Clinton --His Friend Roger de Coverly Janitor of the Studio Building, John Korgan —Old and Rich, Regy Plunkles Morgan His Son. Georgie Gubbs An Artist's Model, Amanda Dilpick^Sie — ' A Professional Cha,perone'. Molly-- De Coverly's Poster-daughter. SYNOPSIS Act 1st:- Temple's Studio in the Rubens. Act 2nd:- The same. Act 3rd:- The Basement - De C overly' s apartment. Act 4th:- Molly's HeViT Home. 1-B Act 1st, Robert Temple's Studio. Exterior Backing 2 TE5 — C' D Oo A handsome Interior, 1. French Window \Tith portiers C, Exterior city winter tacking 2. Targe arch upper Ro Interior Backing, 3. Door upper L. Interior "backing. 4. Pire-place with logSj "burning , dmirn L. 5. Upright piano with stool down R« 6. Large round table R» of C, 7. Handsome couch with fancy covering and cushions L. 8. Easel with large ca-nvasSj portrait of lady ahove couch L, 9. Side-hoard up R, of C. well stocked, 10. Round table copper tea-kettle, chafing dish. etc. Paint- ings are thrown around in confusion, Pur rugs, pieces of armor, Indian relics, v/eapons of all kinds. Statuettes - bric-a-brac all the decorative features which can be used to give studio ataosphere. 2-B At rise:- The sound of sloigh-'bells heard ^ Roger De Coverly, a man of ahout forty years discovered standing at side-board at back pouring himself out a drink. He has on seedy hat and over-coat, he finishes drink and turns revealing a, face marked by coat, he finishes drink and turns revealing a face marked by signs of dissipation reddened nose. Chorus of voices in drunken song outside sound of fish horns, and burst of laughter, which dies out ^f7i th the sleigh-bells in the distance. Roger Humph! Another gang of 'souses' off to the great', white way - to welcome in the Glad ijev/ Year, and while they're suckin in the j03rful bubble water - does anyone of then think of me? Ho - I'm a "down and outer". I must accumulate my "ja^" alone! (Business has worked over to table R.C. picks up small picture, which is wrapped up loosely in bro-wn paper, he endeavors to tighten strinjj nervously fumbles v/ith it, stares at it hope- lessly then lays it down) (Honk - Honk - of automobile heard outside) Roger (Vainly trying to tie up picture) I seem to be all thumbs. I'll take another drink to brace me up. (Returns to side- board, pours out drinkj takes it. The door L.U.E. opens, enter Clinton and Regy - They are both in evening dress, with topcoats etc) Clinton Come in Regy, come in - this is Bob's den! You'll see Bohemia nov/ from another view point. Regy [Vlho is of the chappie type) Ah! (Regarding Roger who stands with glass in hand a little v/abbly and staring at them) Is this one of them? Clinton One of what? Reggy One of Mr. Ten^les tribes of Bohemians. He looks aboriginal. Clinton Hardly! (Laughs) Tell him, who you are Roger. Roger Is he a friend of yours, 1^, Clinton? Clinton Oh yes, friend - and portsge-- Roger Friends of yours, friends of mine. Once a gentleman - always a gentleman. (Slaps himself on breast) "Vicey - Versay" ! My name is Roger De Coverly, and I am proud to say of English antecedents . Eh, English! Yes sir. Regy Roger Clinton Oh yes, Roger is English all right. Hegy (Sniffing) But I perceive a distinct ador of Scotch! Clinton He is the janitor of this.. The Ruben's Studio building. Roger Yes sir, I live in the basement, but ray soul aspires to heaven. Regy Why don't you move to the roof? Roger My present menial calling has not always been my vocation. 3-B and (Very loudly) Had I not lost my voice, I could have shown the world that Regy (Holding his ears) Mercy! ?/hat was your voice like before you lost it? Roger My singing voice, young person, I don't really know yet what your damned name is, hut no matter, I was an operatic artist once, Regy Oh I see, an actor Roger (Loudly) ■^'ThatJ Actor - no sir - never - not a mere actor - had I heen a mere actor, I would not now have had to he a janitor, I could have continued. I was a singer, hut as I said hefore - I lost my voice. (Again loudly) Regy Yes, I heard you the first time. (Enter Rohert Eemple L.U.E.) Robert Ah boysJ You found your v/ay all right I see. Hello' De- Coverly, haven't you started yet. Hurry up, there's a good fellow, probably the gentleman is sitting up ^vaiting for you. Roger (Picks up picture) Everybody sits up on New Year's Eve - ahen4 These friends of yoxirs detained me, but no matter - friends, of yours - friends of mine. Gentlemen all - once a gentlemen,, Always a gentleman" Vicey Versay" Hid (Hiccoughs) (Slaps his chest exits L.U.E. taking picture with him) (The young men laugh) Robert Poor old Scout - I hate to send him out this cold night - but I need some money for Langley, and I daubed out a pot-boiler for "Schans" this afternoon, and he is to send me fifty - to- night, make yourselves at home, boys I Clinton And is your young friend - Langely - no better? Robert Fo, I fear he won't last through the winter, Regy And what appears to be the matter? Robert He is one of those unfortunate artists who can do nothing but paint. He lacks the mixing quality with the patrons of the arts. He has the bitter experience that comes to his tem- peramental kind. He has never been taken up, he's fought the good fight alone, and he»G licked that's all - Regy Oh I see, he's had his "Reno" and he won't try to "come back" Uncongenial now - unsocial - pessinistic - and all the rest of it, eh? Robert Not exactly - The sordid struggle on the edge of starvation has not hardened his heart. He viras always sensitive and sympathetic. Hets exliausted now and that's all - and is only patiently waiting for the end, (Sighs) Clinton And you are selling your genius to help him - Robert Don't call it - my genius - Dick, I am realizing on my vogue ~ these trifles such as De Goverly just now bore away with him are but a few hours play with colors, and leave me all the time in the world for my life's work. 4-B ' Clinton (Goes to easel - lifts curtain) Meaning the portrait of the "fair"the chaste - the unexpressire she. Ah - poor Boh! Poor Boh! Roherit Thanks, Dick, I don't need sympathy, Clinton But modern Pygmalion you do. You'll never warm the raarhle lady who inspired this into life - and if you shoijG.d - she would only hand you a lemon - I mean - the mitten. Rohert (An-noyed) Don't he profane - Boh. I^egy May I look at the picture - (Strolling over) HelloJ (To picture) Am I never to escape you - even here? Clinton Ah you recognize the portrait? Regy Why of course - hut I never saw the original look like that. , Rohert (Coldly) Indeed. Hegy ¥hy no - you have idealized - etherealized - celestialized Miss Eveline Livingston - and what is still more extraordinary to me you have ^t the same time - humanized. Clinton Resy? you talk like a "Hell Brinkley" Regy Hov/ can I help it, v/hen I hehold the wonder before me. Ut. Temple has performed the extra, ordinary anatomical feat of supplying a lady with a heart who was never credited with possessing (tine hefore. (Rohert pulls curtain over easel in an irritated manner, ahout to speak angrily to Regy, pulls himself to-gether - crosses down R. ) Clinton (Catches Regy by arm drav/s him over L. aside to him) Don't chatter so. He is madly in love with her. He doesn't realize that she is playing with him. We are treading on dangerous ground. Regy (Sympathetically) Poor devil! Letfs change the subject, (Aloud) I say Mr. Temple. Rohert Yes - (Turning) Regy That f)e Coverly who was here just now was he really ever an opera singer? Rohert Yes - comic opera - for years he was in the chorus. Clinton Chorus? Oh I see. Rohert The position is not as unimportant as you might think. Well - the poor devil lost his voice - drank a little hard I suppose and now like many another man who is obliged to seek another and less profitable vocation - he lives in the last, I give him a chance to make a little extra coin whenever I can - and so do some others in the studio building, and so with his meagre wages he manages to support himself and his daughter-- Clinton Oh he has a daughter^ I never knew that " what is she like? Robert Bo you know - old man - I really can't describe her. SheTs a timid reserred little thing - apparently half child and half ■".voman. I've never seen her except when she has been sweeping the halls with a cloth over her head. She impresses me as a mysterious uncanny little elf ^^'/ho is all eyes. You know the type! Regy Of course he does - Clinton is a connoisseur on eyes. You have aroused his interest already. He ^vill he haunting your rooms more tJian ever now - waiting to get a peek at the little fairy of the studio - and with his Svengalic power he v/ill try to compel a loving glance from her "brooding darkly indeterminate obrs-, Clinton I'm not such an ass. Regy Your unusually handsome 3Ban is always conceited Clinton I am not, Regy (r.aughing) Ahl Clinton (Annoyed) You confounded idiot - what are you making me say? Regy "Who's looney now? ^.Iio's looney now? Clinton Tell me, Eoh have you ever spoken to the girl? Robert "ITeverl (Simply) Her father has not seen fit to introduce me. She is diffident and retiring - and if I accosted her - it might argue a lack of respect - it might wound her - and I wouldn't like that to happen, Regy Don't tell Clinton that - he would be bound to misconstrue your motives. He has his method of attack. He malfks his batteries so to speak - when he tries to over-whelm the "Eternal" feminine of the "infernal" feminine - you can take your choice - he alw^cys cloaks his bold gaze in a gentle deference of speech and manners. Clinton Oh I don't differ from ohter men - we are all alike - all cast ±n the same mould. Regy Yes, but some of us are raoldisr thanothers. Clinton Oh RctI Regy Of course if you prefer it - moiild don't sound so nasty Clinton (Indicating sideboard) Bob, are you going to do the honors - or shall I? Robert Go as far as you like Dick - -pardon me for not mentioning it. Clinton Well, I \vant a high-ball - (Goes up to side-board, brings down bottles and glasses, places them on table) Robert There's a sjrphon on the ice. (Grosses R. ) I'll get it. (Exit R. ) Clinton 3^ever mind the ice - the seltzer will do - what are you going to drink Regy? what is this? (Picks up decanter) Sherry! This will do for me J (Pours out drink, glances toward picture) I can't help 6-E thinking of my prospective stop -mamma pictured with that saintly mug that Temple has given her - It's wonderful " and he's in love with her, eh? (Drinks) ^/hat will he say when he finds himself among the discards? Clinton (Slowly - seriOTosly) It will prohfetly blight his whole career he fairly worships her. (Drinks) I tell you Regy - I fear a tragedy. (Knock on door L.U.E.) Come in! (Enter Georgie Guhlss and Amanda Ditpickle, Georgie is an attractive girl, age twenty two. Amanda stout and ahout forty. Both are over- dressed. Amanda particularly so as regards hat and extraordi- nary hair arrangement) Clinton Why if it isn't the Georgeous Georgie! "Why - Hello Georgie J Georgie Hello Dickeyl "We've just been doing the studios - "Nine " of thorn - and I thought we'd drop in on Mr. Robert - and wish him "Happy NewYear". Aunt Mandy (To Amanda) this gent is Mr. Clinton - Hefs an old college chixm of Mr. Robert and he's fresh - fresh from Amanda (interrupting) Presh is he? "Well - he'd better not get fresh with me - or I'll hand him one. (Glares belligerently at Clinton) Georgie Why don't you let me finish Aunty - he's fresh from the other side - and he's full of "antidotes" about what he saw in Paree, ain't you - Dicky? Clinton (Protesting) How my dear Miss Gubbs - Wdss Dilpickle I am delighted to meet you, Amanda Did you call me "Miss"? Clinton Why of course " Amanda Well - cut it - don't hand me anything like tliat, I ain't no "Miss", I'm a married woman - If Dilpickle was alive - and you called me "Miss" he'd - Well, Dilpickle was an expert in decorating fresh mugs. Clinton But he isn't alive. • Amajjda Ho - he»s hurried along side ofiiry first and second. Clinton I am glad to hear it - but let me present to you - ladies - my young friend - Reginald Plunkles Morgan - Georgie Delighted to meet you - Mr, Morgan - (Extends her hand, Regy takes i t ) Clinton Miss Georgie is Bob's model. Regy Indeed', X Georgie But only for the "figger" and the draperies - he ain't painted my "map" yet. Your "map"? Regy Clinton Georgie always speaks of her face us her map- Regy (Gallantly) If you were my model - your "face" slaould be painted- 7-B Amanda (Offended) What's that? "Tiat's that spindle shanked dude mean? Your face ought to "be painted? Don't he like your face - eh? Georgia "So-vT aunty— - Aiaanda DonH Aunty me, isre ain't here to "be insulted - we don't need no paint an our faces - let's' go home - thatts a slur Oeorgie He only meant It as a compliment Aunty - Do "beha-vel He meant he»d put my face on the cc^nirass, didn't yer IJtr, Horgan? Regy Why of course, (Re-enter Rohert with Syphon) Roljert Ah - good evening - Georgie-'-- Georgie Aunty here ia lUr. Robert ^ Mr„ Robert, This is my aunt - 5£rs . Dilpickle- v/on't you hsive a chair? Amanda, I don't care if S do - so long as no-body altirs me, or mine - Georgie How Aunty - behaYe—- Asaanda How can I help behavingJ Ain't I your chaperone? (Sits in chai r ) Clinton What do you say to a little drinlc, ladies? A-Taaada I d«n?t care if I do— Clinton "Wliat will I help you to Mss Georgie? A high-ball? Georgie Oh dear nt - just giTe me some seltzer. Clinton What! TTo whiskey — Georgie Wo indeed - I must think of my "figger" - "Booze" - would put it on the "friz" - Reltzer if you please - no whiskey ~ (Clinton fills glass from syphon) Clinton ■ And you Mrs » Dilpickle Amanda Whiskey if you please - no seltzer Clinton What - don't you want anything to kill it? Airanda Give me - the bottle - i*ll kill it. (Grabs bottle pours herself out stiff drink,, swallows it) Georgie Oh Auntiel BehaveJ Behave! Amanda (Thickly) How can I help behaving? Ain't I a chaperone? Clinton Forget being a chaperone and enjoy yourself, but Georgia - why a chaperone in this case - we are all good fellows here. You don't need protection. Georgie A girl alone in the world - and making herliving has to Cbserve the properties. Clinton The what? Georgie The "properties" 8-B Ro^bert Georgie means the propjexeties and Georgia is right Clinton I must own- I'm in a fog - Georgie is your model -• comes several times a week unattended. Georgie That^s different - that's a matter of business *- This is a social call that's why my aunt is with me. Amanda (Defiantly) If I ain't welcome here, I loiow what i can do. (Rising) Omnes Sit downl Mrs. DilpicSae. Amanda (indignant) But i donH want no sliirs from no-body, Regy Uone intended - J/Trs. Billdickle - l say lets you and I hare another drink to-gether. (?ours out drink for her) Amanda (Shudders) ¥asty stuff, If I had my way, I»d do away with all intoxicating beTerages. I'd put down the Demon Rum, I wouldl I would! Clinton You seem to be putting do^-zi your share of it. . Amarida (Rises) Wiat'stlat? Georgie Don't mind him - Auntie -> you must make allowances §ot Dickie. He ain't no artist. 1£e«s just a hanger on around the studilis^ He don't knotv nothing atout models. (She puts Amanda "back in seat, Amanda sighs andta&os her drink) Azaanda (Tearfully) I've been a professional chaperone for years. The loop the loop sisterssE al-.7ays has me, and gents as is gents always treat me in a lady~like manner. Clinton Have another drink! Amanda Don't care if i do — Georgie Now Auntie — - Amanda Let rae alone, I ain't no model, I don't have to think of my figure, Georgie But we may have to pay sorae more calls to-night - and - Amanda Don't want to pay no more, I'm doing well enough right here. (Takes another drink) Georgie (Hoping to divert her) Come and see my portrait that Mr. Robert painted of course the face ain't mine - but the figure and the gown is - (Drags Amanda over to easel, Amanda goes, still holding on to battle) Clinton ^?hy are you so quiet - Regy? Regy I ajtt waiting for the explosion, Clinton Explosion? Hegy YesJ That old girl can't hold much more, did you hear them say they had visited nine studios already to-night? "Aunty" will "bust" i.resently before our very eyes. 9-B Clinton HiisJi, if she hears you, she may "start" something, Regy She must have started early in the evening, what I'm dreading ncfw is her "finish" (RcTjert has accoirrpanied Georgie and Amanda over to the easel, and has removed curtain w*iich screens it) {Amanda gazes at canvas stupidly) Georgie Well, 'vThat do you think of it, Axmty? Amanda She ain't such a "muchness". Georgie Tush! Tush] Aunty - Mt4iy shefs one of them swell society dames . Axoandci I don*t care, that don't make her no better looking - so long as he was at it ~ painting your figure and your clothes, why didn't he put your face ia the picture? Not that you are such a many Georgia But don't you understahd, that wotzldn't "be her portrait. Amanda Well you can do as you like, "but I wouldn't lend my figure, and this dress to any. fairy to have her pictiire "took" in - I wouldn't if she had no clothes at all. He paint her ivithout any clothes if she depended on me — Georgie Oh Avintyl Amanda Oh fiddlesticks! (Goes over to table R. ) (Knock on door L.U.E. ) Robert IJoma in! (Putting back curtain over picture) (Kolly enters, she is carrying an envelope. Shehas ared shawl over her head, she is very plainly dressed, and shivering with cold - she catches sight of the people at table and pauses irresolutely as if half vine er tain whether she should beat a retreat. Robert Come in, my child! Come in! You have only fallen among the Philistines - Little Red riding hood, but there ar-e na ^^oives here to devour you, Molly Please- Mr. Hcicftle, Robert Ah - you know me , ' . lHolly Yes sir - Robert But I don^ t know you. Molly I am Molly sir. Robert Molly eh? Molly "what"? I'olly Just plain "Molly" sir. Robert Molly - you can't deceive me, youare Molly of the basement - and your other name is De Cover ly< Molly No it isn't sir, Robert'. Aren't you the little girl - v/ho runs av/ay when you meet m§ in the halls? 10-B Molly I don't run away, I just slide out of sight, sir, Clinton Oh this is the mysterious little Elf who haunts the corridor, eh? Molly we must hare a drini to-gether. Molly (Draws back) Oh - no - sir, Clinton Hiy not? Molly Because -- I never touch it, thank you, (Maudlin) The idea ofhim wantin' to tenpt a p««r chil* to drink Georgie! That man is puffeckly disgustin. Oeorgie Aunty - "behave, Araands. How can I help "beharing - when I'm a chape3*on«? Molly Please - Mr, Tenple, Rober-t Yes, Molly! MQlly This is for you, (Hands him envelope) Robert Oh yes, from Schans the art-dealer - why - this letter ^s been Opened. Molly Yes «ir, and - and part of the money* a gone, and I've come up here to tell you why. but I canH say It - before_'--JDef ore all these people, (Robert patises, puts envelope in his pocket) Robert Georgiet Have you called on rangely to-night? Georgie Not yet - Robert Well - I think you ought to - Dick - you - gO with her and introduce Mr, Morgan. Georgie Come on Aunty! And we* 11 meet Mr. Langley - Ific, Langley is another artist friend of mine. Amanda Thank you, I am comfortable here. Georgie But I'm going. (Tries to take h«r arm) Amanda (Waving her off) Go as far as you like. Georgie But I need you as chap er one. Amanda Tlmtts so - has he anything to drink in his joint? Robert I donH think so - you had better take something with you, Amandc ®h very well. Give them to me. (Grabs a couple of bottles) Regy I'll carry them for you, :Jrs. Squill dickle - You have all that you - yourself can carry now, (Takes bottles) Robert Come back before you are going home. Amanda Sure! (Pins on hat wrong-side foremost, the feathers get in her nose, she blows and slaps them away, comedy business. Georgie arti Clinton exeunt L.U.E, to-gether, Amanda catches Regy*s arm for support, they exeunt L.U.So Amanda ■blowing away feathers) RoToert How Molly, what^s the troulole? Mori.y"~"--- Oh please, Mr. Temple, you won't put Daddy Roger in jail, will yOu? Rohert Daddy Roger? That's an odd way to speak of your father, Molly He ainH my real father, I just adopted him, that^s all. My father and mother died when I was a little tiny thing, so small that I can*t remember, and I was "brought up "by Daddy Roger and Mrs, Daddy Roger, until she passed away too. She was awful good to me, and she asked my promise to look after and take care of Daddy when she went to the angels, and I*ve tried to, I've done the "best I could, and I'm trying to square him now. Rohert And what has Daddy Roger been doing child? Molly (Gravely) He has stoled two dollars of yourn, Rohert What - two whole dollars? Molly Yes sir, two whole dollars of the money paid for the picture. HoToert (Sternly) Why that is willful - perverse, not to say con- structive emTsezzlement. Molly (Puzzled - seriously) Oh Lord, thattg awfia, ain't it? Will they send him up for life? Oh Mr, Teaiple , I':j.l see somehow that the money he tooked is paid hack. ..Deed I will, only wait a little while. Rohert Do you know you are asking me to co]i5)ound a felony. (Suddenly) Molly2 You've a smudge on your cheek, Molly i suppose so, sir. I was c cryin' sir, and I wiped bqt face with the dustin' cloth, Robert Do tears come often to you, Molly? KollY Only "twicet" or three tiioes a day sir, that ain't mmch sir. It's the wives and mothers who cry the most in this 'ere v/Orld. I've noticed that. They don't have the time to think over the beautiful things in life, that we young girls has - sir, Robert And you find many beautiful things in life, Molly? Molly Oh yes, Mr, Temple, in the summgrtime mostest of all. I go int<> the little park near here and see the grass and the flowers. Hundreds and hundreds of reses, real roses, and then the birds and the sun-shine even when the sun sets and goes down like a big golden ball, turning the clouds all col^Ors like on your palette there, and then the night, when the stars are shining like diamonds in the sky and when the moon is at it^s full - the beams creep in through our shutters in the basement and i see them dance upon the wall, and the winter is nice too, only it's so cold. You like iiJiat is beautiful in this life too, don't you, Mr^ Temple? Robert I hope so, Molly, 12-B Molly - I knowed it. I knowed you did,, You hare cTcry thing so nice here. You know I've locen in here "before. Robert You have? Molly Oh yes, when Daddy Roger was piffled and couldn't clean up. for Robert Molly you, PifHed? Soused-— Robert Oh yes, we'll say "indisposed" Molly In-dis-posed - say - they only say that aborut the leading actors, principles, tenors and priiia, - doiiaas and sich they get "Indisposed" - when ycu-re in the chorus or among the ■^supes" and you get leaded ° you're just a plain drunk - Daddy Roger learned me thcto Robsrt So you judge that I am esthetic ■» on acco-unt of my studio Molly I*ve seen that - ^Pointir^ to picture on easel) Anyone who can make an angel like that - must lovs the beautiful - You made her out of your own head, didn't you? Robert Hardly, she's a liring "breathing wosoii, Molly (Firmly) Uo - «h« ain't - you^ve given her something - she hasn't got - something thCwt belongs to Heaven. We women all belong to earth until we ces God "• and He has to nake us all Over again until we are fit to dwell with him, Robert ,¥ell, we will call the lady - my angel at all events. Molly I hope - Mr, Teiiple she will be your good angel, Robert But tell me of Roger again, what did he do with the two dollars? Moily He made a "front" with it, Robert "What is a "front"? Molly He spent it at O'Kalley's on the corner<, You know he was - that is ~ he had a "sort of skate on" when you sent him after the fifty dollars and on his v/ay backj he met some friends in the profesh - who "blev/" him to the drinks and he wanted to hold up his end and he bought - and - and there you are. He - he gets paid on the second of jariuary, i^hen the collector comes after the relets, and I'* 11 see that you are returned the money, and he'll never do it again - never, never, no more. Oh, Mr. Temple, don't "persecute" Daddy Roger, for his com- pounded fellowments" and his "construction Eezzlery". Just give him a chance, won't you? Just one.! (Bursts into tears) Robert There - there little girl. I xvas only teasing you, nothing shall happen to Roger, do n-t cry my child! Don't! Don't! (Takes her to his breast, and kisses her on the fore-head as one miglit kiss a child) (jolm Morgan enters and sees action, Morgan is about sixty y^ars of age, but vigerous and erect, white haired, well groomed, plainly but fashionably attired, quietly assertive and dominant in mam^er) ' Morgan AhemJ When you get througiij young inan, I -want to talk to you/ Ro'bert Eh, (Turns) Indeed - did you knock sir? Morgan No sir, I dida»t - and if! had - you possibly were too busily engaged to have heard me. Robert (Coldly) That does not constitute an apology for your intrusion, sir. Morgan (indignajit) Apology? Robert ¥es, don't you think that one is necessary? This is ^ijr private studio, not an hotel lobby* Morgan (After slight pausie) You are right, sir, pardon me. Robert (liTods coldly) And now, sir, may I inquire your bi;^inesa? Morgan I aia looking for «y son, Robert And yoiu* son is - who? Morgan Reginald Morgan - sir. Reginald Plunkles Morgan. Robert Oh, Regy, Then you are Jolxa Morgan, the banker? Morgan (stiffly) ¥es sir, you are Robert Teiaple, the artist? Robert Yes air, f Indicates Molly) Mr, Morgan, this yoxing lady ig M»lly. the janitor's daughter „ Molly Mr, Morgan. (Morgan surprised, no4s stiffly to Molly, Molly returns nod timidly) Moi^an Hum. Yes. Robert Molly, will you have some lemonade. Molly (Timidly) If younplease. Morgan I was returning home from the university club and saw my son's car waiting outside this rookery, his chauffexir told lue tivp-t he and that incorrigible Roue - Richard Clinton were visiting you, sor, and I sm. here to take him home. You can understand . Mr, Temple, I hare no objection to art in the abstract^ Robert That is very kind of you. (Places lemonade on table) Morgan When I say art, I mean painting, you have musicians, in this building, Robert Alleged musicians yes, Molly have seme cake. (Gets dish of cake from side-board, forces Molly into chair by table, Kolly timidly takes cake munches it, starts at Morgan, siips lemonade) ja the lemonade sweet enough Molly? Molly Oh yes, Mr* Teiqple. Morgan I detest music, I loathe musicians. Robert II am gorry to learn that, Mr= Morgan. Morgan oxAnd actors and actresses - I suppose you have them ;Ln J;he Wi.lda.ng* too- Ro'bert Yes, I "believe we have them also» Morgan I despise them - I object to my son visiting among these degrading sxuT^oiindings - I don't want his better instincts and healthful cOramon sense poisoned by the atmosphere of Bohemia - and that is why 1 am here - to take hiai away. Rober* (Sarcastically) Bohemia will fell the l«s« acutely - sir* Morgan I pipesume so - A young fool with money is not often met with your circles. Ro'bert That's a fact - A young f6ol with money is a rare novelty here. Indeed we hardly count money as one of our assetii - Brains are owe chief a took in trade. Morgaa Brains, eh - well. (Loudlaughteroff L, ) Robert liEr, Morgan - your son I tliink is returning, (Enter Clinton and Georgie L.U.E. ) Clinton tSees Morgan) Why if it isn't Reggy?s governor- Hello - wlhy you old sport! ifhat are you doing so far from home? Horgaa Keep away from ite - don't address me in any way. Clinton Eh! Oh come now, Mr. Morgan that is not "Clubby" Morgan What are you doing with my son, sir? Clinton Oh - we're not doing a thing to him - Aunt Pickles has him in tOw. ^ Morgan Aunt Pickles? Clinton Yes, Dill-pickles J Greorgie Shefs my chaperone - sir. Morgan And who are you? Georgie Mr. Robertas model - sir. Morgan Model? (Xooks at her in disgust) Oh indeed. Georgie But only for the figure aiad draperies - sir - sometimes. He never paints my face sir. • Clinton Uo - Georgie does that herself. Don't you Georgie. (Morgan groans) (Georgie threatens Clinton with syphon bottle) (Enter Regy and Amandf L.U.S, Amanda is clingingto Regy, they come to C, enter Roger de Coverly who crosses behind them over R. ) S AjiR,mda Regy dear. Oh Honey biinch, ain't you going t<3 wd,it for your little girl? Regy {Sees Morgan) Holy Mackerel! The Governor. Morgan So - sirj . - ^®sy (Stammers) yes sir. Morgan Come away from that Monster's side immediately. Begy Yes sir* Bob, hold Aunty, v;OnH you? {Puts her in Robert's arms ) Robert Delighted Old chap, but Clinton is more experienced than I am, (Puts her in Clinton^s anas) Clinton Whenever i get a good thin^, i alxvays pass it along. (Turns Amanda Over tO Roger De C overly) Roger pardon mel (Puts Amanda in chair R, of ta"ble) Iforgaa fTo Regy) Tell me - sir - howis it I fini you in such a place and amont these people. Regy Oh these people are all right, governor. Morgan (Sarcastically) Oh, are they? Regy Oh yes, artists and actors j etc. Morgaxi Is that fat woman an actress? (Pointing to Aaa^ada) AjcB-nda What?s that? jrWhatts that? (Grabbing bottle) What is that Old fossil saying? (Business of all calming Amanda, and (disarming her of bottle) Morgar. You know ay feelings xn regard to the theatre? You must excuse my father - my friends, you Kee he's a banker and - he don't \inderstand. Amanda I wouldn't care if he tended barin Kid McCoy's - he can't slixr me, Roger A Banker, eh, you can inform your respected progenitor that I aa the only one allied to the "profession" here. Morgan What - you call acting a profession? Roger I do sir "Banking - I term a trade, Morgan Oh that's all very •well , but it has been over twenty years since I was in a theatre, Roger Sir, it has been the same length of time Since I was in a — bank. ^TRegy (Aside) Governor, why are you so prejudiced about things and circiomstances you don't understand. You have nursed the hatred of years just because my olde'sjir sister - Morgan Silence, I forbid you to apeak cf her here among these pe»ple* Regy And again I say - You're -.vrong. Governor - why Bob Teirrple here is making a grand reputation. He has a picture on the easel there that you would give any money to possess, Morgan Indeed. (Ironically) Regy Yes - indeed - it's a portrait „ Morgan Portrait of whom? Regy Behold and judge - (Lifts curtain from easel) Morgan (Starts) Eveline- Eveline; "VTiiy - (Long pause) She speaks from the very canvass wonderful J Wonderful? It is she! She J The full sensuous underlip mocking the upper and giving the lie to child? s eyes which are still wide with the wonder of men and things* (Turns to Rohert) I must congratulate you Mr. Temple and must ask v/here you met Miss Livingston. (Morgan's manner of marked respect) Rohert At her home and at the houses of others in her set - Mr. Morgan. Morgan But xvhere did she sit for this - here? Rohert Ifo, I have carried her image always with me, sleeping or waking. Mo rgan You must sell me this portrait - Kr, Temple, Roherl; It is not for sale--- Morgan You can name your ov/n price, Robert i woiild rather sell my soul, sir^ Morgan Strange that so much artistic genius should 'be accompanied vriL th so little practical sense. However, think the matter over, come Reggy. Regy Your pardon - Father, I have promised to give these ladies and Clinton here a lift to their Siomes, my car only holds four he sides the Cg.auffeur., Clinton Oh never mind ahout me. I'll renain with Boh and see the old year out. Regy Then there'll he room for you Governor. Morgan ]fo, tliank you I - A promise is a promise - you must keep your word to the ladies. (G-eorgie helps on Amanda with her wraps , Amanda growling) Amanda I don't know what weire breaking up for now. This is only the shank of the evening. Georgie Now aunty! Amanda Oon't Aunty me, 1 never seen such a lot of cheap skates. Morgan (Crosses L. ) Good night, Mr. Temple'i I will see you again - and will explain to yon and -•j'hy I have a better right than anyone in this i-.rorld to that picture. (Exit L.UoE.) Georgie Come Aunty I Come! /Taking her arm) Amanda ■''There is Regy? Take my other arm Regy - it meems as if my legs don't belong to me, Georgie & Regy Good nifht, IKr. Temple) Happy ITew Year! 17-B Robert Happy l^ew Yeari to all! (Georgie, Amanda and Regy exit L.U.E, ) [Molly goes over, kneels "before portrait, looking up at it) (Robert goes moodily over to ta"ble to Clinton) Did you hear that last remark of our plutocratic friend? Clinton ^ YeSj that diamonds are tr'amps, (Bob starts) Yes, ^Pointedly) Does it not convey a meaning to you? Robert A meaning? What meaning? Clinton Good God, Bob it seems incredible that you could have been sO blind- Robert Blind? What do you mean? Clinton Eveline Livingston wears the finest diamond on her fore finger that Tiffany cOvad furnish - that's all - she has weighed conditions as to whether she would rather be an old manis darling than a young manss slave, and the young man kicks the beam. "Why the engagement is the sole topic of conversation in her set. She is the envied of her sex, and Bob old boy you are the "fall guy" that is all. Robert (With passion)' Clinton if I hadnH known you so long, I*d brain you where you stand. ^ You are slandering one of God^s Angels, could that wonan, ^Pointing to canvas) Be a living lie? Could she pledge her troth to me two nights ago, and with my kisses still warm upon her lips, listen to the love story of another - an old decrepit dotard - Look at her! Could those lips breathe deceit? Clinton That's Just it, Bob, it's a grand portrait of the lady or your dreams, but you have given it soioething that Eveline Livingston doesn't possess, Boul. that sap-head Regy had it right when he said you had idealized - celestialized. It is she, and then again - creation - not the society flirt, Robert (Hoarsely) I warn you to stop " Clinton, Clinton liTOj I must be cruel to be kind. You must be awakened from your fools paradise. This woman has been collecting scalps like a Sioux Squaw, ever since she was bou^t out ~ she may leave you bald-headed, but I'll be damned if i an going to stand by and see you burned at this intake, (Slight pause, Robert walks nervously up R,C.) How take my advice, separate old Morgan fron his coin-sfell - him the picture for all you can get out of him, and give them both the laugh. Robert Go away. Leave me, I am sick of your blaspheny, Clinton All right - Good-night, but you'll find out, I am telling you the truth. (Goes to picture after getting coat and hat) Oh woman] Lovely womanj Angels are paint6d fair to look like thee! Angels instead of devils. Ah! There's the mockery! (Exit L.U.E, long pause) (Robert hasreseated himself moodily at table L. ) Roger Mr. Robert! (Molly rises from picture) Robert Well - Roger I suppose Molly has told you. Robert ■(Pre- Occupied) ves - no - tele me what - 18-B Roger Ahem about the money - I "'borrowed" from you, Robert Oh - forget the matter - Roger - 1 have Roger i*ll pay it back at ten minutes past four - the day after to-morrow. Robert DOnH trouble yourself. Roger Oh I must - You - know "once a gentleman - always a gentleman" "Vice versa" AhemJ There's something else I want to apoligize for, Robett (Wearily) Roger, a man who is good at apologizing is seldom good for anything else. Roger But I want to remain a gentleiran - You know - Once a gentleman always a gentleman - Vice Versal Robert 1^ell, what is it? "What is it? TVhat is it? Roger (Producing letter) This special delivery letter came for you this afternoon while you v/ere out - and I forgot to deliver it, (Hands letter) Robert (Looks at Superscription) From her - in answer to mine. Oh Bless her I Blessherl She is thinking of me, (Opens the letter in feverish excitement) (Skins over letter) lily GodJ It is true, (Molly takes Roger's arm, exit L.U.E.) Robert ISy Dear !4r, Tenrple:- I must beg of you not to write me again in such a foolish strain. How you cotild have mis unders to odour friendship - I am at a loss to fathom - I have always admired your talents and shall be pleased to hear of your success in your chosen career, rast evening - 1 accepted Mr, Morganis proposal of marriage. I must request therefore, you to cease all fxirther correspondence which is time wasted for you and distressing to me. Very truly, E.L. P.S, I v/ill mention to Mr. M, - about my portrait - which I understand has merit - if you approach him right - he xas.y purchase it of you. (Robert gazes at letter as if turned to stone then suddenly arouses himself) (Goes to painting looks at it) Clinton ijras right, the woman 1 worsbipped doesnot exist. Come. Oh Pictured lie - from off the canvas, you shall not furnisSi further proof 4hat I have enshrined a mighty shame in my heart. (Takes his knife, from pocket, cuts picture from frame) (Crimaples it up and throws it in the fire-place) (Looks at clock on mantel)Almos t midnight, time to write to r.angley and then ^dien the old year dies. I will pass away v;ith it. (Goes to side-board, takes out revolver from drawer, -lays it on table, picks up pad of paper, anoL writes) ULy Dear TSLx^ley. I leave everything I am possessed of to you - don't judge me too harshly for my act as - (ICnock at door L.U.E.) Who's there? (Hides revolver under paper) Ifolly (Enter) Only Molly! Robert (Half impatiently) And what do you want now, child? Molly Only to be near you, v.rhen the new year comes in. i want to be the first to wish you a happy one,. But I know it will be happy - for anybody who is as kindas you are to others can't fail to be happy - Sometimes I think that's the "bestest joy" 19-B in all this life to do good to others, and please sir - I've "brought you a little present too. (Takes little floxver-pot with geranium from under shawl) I growed this little flower all by myself. I saved it from the cold - and gave it the sunshine - I hare loved it, please sir - and I want you to have it, (Rohert rises) and when you look at it, you'll remember me. (Rohert takes flov/er pot from her, chimes souad outside) Listen Mr. Robert, the new year, has cone, Hear the hells ringing it in. Oh Hir, may you have all in life you wish for. Hear the hells, ainH they happyl Ain't they happy. (Goes to ^vindow, draws aside, curtains the moon shines in) Robert (Looks at her, then kisses the geraniijm) Molly (Comes down sees the mutilated frame Cf picture) Why - ^'/here's the Angel Lady? Robert The angel lady has gone , IiJolly^ 1^0 lly Did - did you sell her to that old man? Robe:Et Uot exactly. It's 2^ impression - she sold herself - but we vifon't worry about her Molly - I feel the presence ofanother Angel now. Tellme, child, don't you really kno ■ your other najce? Molly No - only Molly] Just Plain Mollyl (The chimes ring out) Listen J-Tt, Robert, Listen! (She pulls him up to window, they look out of it to-gether in the moonlight as the curtain falls) C U R T A I IT 1-B Act 2nd.v (Six months later. The set same as Act lst» Robert Temple.' s Studio) (Time: Afternoon^ sound of key heard in door L,U.E. At rise, Robert enters^ he is dressed in black frock suit, dark gloyes, silk hat, etc.) Robert (As he enters) Come in - DickJ Come in« Clinton (Enters L.U.E. ) Well I^m glad I found you in this time. Where' in thunder have you been ci,nd v/hat are you made up for anyway? You look like a sky-pilot; Robert I am obserTing the conventionalities. Dick, am just bade from Evergreen -where we laid poor old Langley away this afternoon, Clinton (Carelessly) Dead, eh? Oh well, he's better off. Robert (Seriously) Yes, he's at rest now. He h^d a plain modest little funeral - one solitary couch, Daddy Roger, Molly and I were the only occupants. Clinton Oh well, for the love of Hike, don't go into mortuary details You did all you could for him, and he really had no claim on you. Robert All the claim in the world, Dick. He wasaloyal friend, an artist of talent and a gentlenan, Clinton I heard around the studios, that his heart was broken over some wonan. Is that so? Robert I don't really know. Clinton Why didn't he tell you about it? Robert No, he was too much of a man, Clinton But you were in his confidence, Robert Yes, but there are happy some men in this world v/ho hold a woman's secret sacred, and never breathe it to their dearest friends. Clinton Oh, that J s all sentimental rubbishi I'll be hanged, ifany woman even did me an injury if I'd spare her, i*d rap her when ever the chance presented itself, Robert Ah, well you see you are not the kind of chap, poor old Langley was Clinton Oh welllet Langley rest, I've got some news for you. You'll enjoy hearing it. It's about old Iiorgan and his bride, They'^re having blazes - she's the devil and Tom w^alker, shet make his happy home to hot to hold him. He I s b^en sleeping at his club for a week, and they say she is meditating a trip to Reno. She's got Morgan'- understudy on the string - and. Robert (interrupting) Will you excuse me, Dick till I've changed my cOat, I am going to get through a little wcrk this afternoon - while the light lasts. 2-B Clinton Oh come now Bo'bl This air of indifference might deceive some people - hut it don't go -jvith kob.. I cannot forget your infatua- tion for the fair Eveline - and how she threw you over for "Old Money Bags" - and I doubt that in six short months you have forgotten it either. Rohert Dick do you consider it the part of a friend to attenrpt to re- open a woimd - that you infer is not yet healed. Clinton (Half ashamed) But I — Robert 1 have finished that chapter in my book Of life, have closed that particular volume and laid it away on the shelf never to be re-opened. Clinton Bob, you are not naturally ^ilosophical - (Ironically) Your good genius - or perhaps some guardian Angel was '-vatching over you, Robert Perhaps r Clinton But unfortunately I don't believe in guardian angels « Roberit I am scrry for you - I do believe in them, Clinton As the drummer from vans as City said - you've got to show me. [Molly enters, simply attired, but much neater than in Act 1st) Molly Are you ready for me yet? Mr. Robert? Robert In a minute, my child. (Goes off R. ) Clinton Well - haven't you a word for me, Molly? Molly Good afternoon - Ifr. Clinton. Clinton Tut! Tutl That is too formal by half ~ Mr. Clinton - why not. "Dick"! (Clinton looks at herinsolently) By George, Moliy, you are getting better looking every time I see you. (Lauras) It ?5han' t be "Plain Molly" - with you any more, it must be Divine Molly - Adorable Molly - Hasn't Bob ever told you this? Molly No - Mr. Clinton! Nobody ever says those things but you. That? what makes me think - that - Clinton That I love you,. Molly. Molly ' No, that you are not responsible for anything you say. Clinton Oh, come, Molly, don't attempt to be sarcastic — it don't become you - Molly (Thoughtfully) People only love beautiful ladies like Mr, Robert used to paint, but now don't paint no more. Lore only comes to them, to make them happy. Clinton (Bitterly) Happy, oh yes, pcssibly - she is happy - without soul - without pity - without honor - as mindless as any flower that blows in the breeze, but a flower that poisons all who breathe near it^ she is happy because things without conscience or brain cannot suffer. Because Gold nakes the Paradise of such creatures as she. 3-B Molly It ain't right to speak of any human in that vra.y, Clinton Ah, hut she is not htisiaa KOlly Did she ever dO you an injury? Clinton ITo - she educated me. Molly Then you oughtn't to he so jaore on ker, Eddication is the grandest thing in the world- least ■ Clew and Ahehanger and the shoe pups are not on speaking ternB nowj and just because of Georgie. Clinton It certainly will he a terrible thing if GeOrgie is forced to degenerate from her proud position as an artist's model to the aitUDignity of a stage career. Bob certainly should come to the rescue, A2a.ndc, (Goes R. listens at door) They^ra a long time, I think I'll butt in and start s cms t'b.ln.g„ Clinton That will help some, Amanda I'll do it, (Exit R. ) Molly (Alarmed) ^Vhat is that old woms^n going to do, whatts she going to do? Clinton Something idiotic] Poor GeorgieJ Poor Georgiel I can't help feeling sorry for her, though„ ^Shakes his head disapprovingly) jSob isn't behaving right by the girl„ fSighs) However he can't help it though - he has the artistic temperament-- Molly (Plares up) Don't you say anything against Mr. Robert. Don't you dare. Clinton "Why should I? ITobody thinks more of him than I do, I only vf±ah he was less unstable that is all. It is thelast pretty face that attracts him, ^^3^ he has thrown down "Georgie" a half a dozen times, and she wOrJiships him, and always comes 7-B "back. His last infatuation - the ~ society girl Toefore you came into his life, she stole a marcli on him and anticipated his periodical tired feeling - and little woman "believe me, he'll tire of you too. As Tennysons say - "He'll" hold thee, when his passion shall have spent it's novel force" something "better than his dog a little dearer than his horse." Molly I don't care what Sssn^i^s. Tenny's son - or anybody else's sOn says. Anyway they've got no "business to talk about Mr, Ro'bert and me, and he don't own c dog, or a horse neither. I don't know what you people think "but l£r. Robert don't loveme. He just likes to have me around, and I - I like to be where he is, I like to hear his voice. I like to see him at. his work, I like to have him take an interest in me, and teach me all about this great xvorld, and the things of which I knov; so little. Clinton There may be others also who would gladly show the wonderful world Molly - Molly Maybe. ^-- Clinton Surely.' Molly I'd ratherhear everything from Mr. Robert, Clinton WoixLd you - like to help break Georgie' shear t? Molly Why no - but - Clinton "Wouldyou like to find out if Bob - loved yOu? I can help you to find out, if you will do as I ask you, Molly Do - do v/hat? Clinton Accept my invitation and come motoring with me this evening. (Molly looks at him steadfastly) You seeif}-']ae doesn't love you he will be. indifferent - and if he does, love you, he will be very angry - jealous in fact, Molly Angry - with me? Clinton With both of us, Molly But I don't want him to be angry with me and if you'll take the advice of a girl who don't know very much - you'd -better not get him angry with you - because Clinton Because - ¥es. Molly Because - Oh, Mr. Roberts gets very angry - and then there is Daddy Roger] Oh Mr. Clinton! Take care of Daddy v/ith his right handed monkey wrencli, Clinton But Daddy needn't know, you mustn't tell Daddy our secrets. Molly I couldn't help it, I always tell him everything - you see he's a sort of a mother to me, since Mrs. Daddy died. Ajpanda (Outside) (R) Don't talk back to me, it is my business. (Enter talking angrily) Theidea! Thank the Lord, nobody never used me for a door mat. (Re-enter Georgie and Robert) Where's your spirit? Where's your spirit? 8-B GeOrgie Aiinty! Hold your tongue. J Amanda I'll:' talk just as much as I please. iy GeOrgie (Te'arfully) Mr. Robert, T swear I'm not to blame f^r this, (R/^ger and Regy enter L.U.E. stand listening) Robert 1 understand - Georgie. AiD&nda Of course you ain't to blame, It*s himi It's himj Oh I'd like to have him try some of his artistic "candodalalities" on me, I showhim something - GeOrgie - you're only a poor idiot and I'm the wise woman of fOrtj^fifth Street. Go ahead you miserable wretch and try and win me» I defy you! I defy youj GeOrgie Don|;| Please don't speak that way to "Bob" Aaanda (Shri-eks) 3obJ Bobl If you hare any pride you* 11 stop this "bob" business, you'll never "Bob" him again. Never again* Georgie Oh" be quiet and let's go home to our new flat, Amanda. I won't be quiet. I am going to expose hiit for a villiaii all over the building and outside in the street. Roger Old viTOman, if you start any disturbances in this building, I'll ring up the wagon. Amanda Woman? 1 ' 11 have you understand I am a laiy, Roger Anda^ am a gentleman - once a gentleman^ always a gentleman- Vice VersaJ ^ Slaps chest) Amanda indeed.' Well you'd better mind your own business, and attend to your daughter and that man - they'll laear watchin^k Robert (Aroused) We've had enough of this - ^/radam} Leave my rooms, Georgie, you will alwajrs b* weloTime-here, but never on. any account bring that woman -sTith you again. Roger (To Amanda) You heard what he said, get a move on you. Amanda You poodle-faced bonehead - get out of my way. I'll showall Of you something just waitj Just wait! (Swings hand hag, she carries against Roger's neck, and exits L.U.E.) Roger (Angry) It Is the wagon for you, sure now, (Exit after Amanda L.U.E.) Molly (Follows Roger) Oh Daddy Roger, don't be rough, ?leasej Please! (Exit L.U.E.) Georgie Mr, Robert] DOn't blame me for this, Aunty's - got a spasill thatts all, Robert I understand. (Robert and geOrgie exit L.U.E.) Regy Our friend TeiEqple seems to 2ie having the time of his life with the ladies. I wovild never have guessed he was so versatile in his affections, carries on quite a aumber of flirtations at one time doesn't he? He's had my respected step-mother - and 9-B his model - and Molly of the iDasement all on the string toge ther « Clinton Your resepcted step-mother as you term her Regy Did I say respected - I meant "Suspected" I am here to-day on a littlematter connected with her, Clinton Hov/ is that? ^-- Regy She's giving the gOTernor - the devils own dance *- by the way - Have you ever encoiintered her here? Clinton Why, what a question? Regy It does seem odd doesn't it? But through some satanic motive she's given the governor the impression that she and Tensile meet clandestinely. What her idea is, I can't fathom - hut she has driven the old gentleman almost mad with Jealousy, I never saw my father in such a state- I'm afraid the affair will hecome a tragedy, (Robert enters L.U.E, ) (To Robert) Pardon rgr intrusion - Mr, Teoi^jle - hut I wOtild liie a few words with you in private, Robert (SuirpriEed) Mr, Morgan - I (Turns to Clinton) Clinton Oh that's all right, I am going - Oh by the way - Reggy - did you come in yoxor car? Regy Yes, it's below. Clinton Woiild you mi^ lending it to me this evening? Regy (pause) Take it, ITervo the mohkrj Take itl But don't get arrested for "speeding" and send to me to bail you Out. Clinton No danger^ if I thought that might happen I'd borrow the money nov/ from you to pay my fine, (Exit L.U.E. ) , Regy (After slight pause) (To Robert) l\fr. Temple, -mj business with you is of a rather delicate nature and I hardly know where to begin. (Pause) As you are doubtless aware - I am the son ef my father. R-iibert (Gravely) I have always presumed so. Regy Yes, and I take a great interest in the governor, he has latel;^ provided himself with a bride j and myself with a step-mother - - six months younger than myself- you krnaw the lady. ^Robert bows) Yes of course - you painted a portrait of her, Mr. Teinple will you sell that portrait to me? Robert No sir. Regy Ahemi I wouldnot begrudge any price, now let us say Robert It is useless to mention a price, Mr. Morgan. I wouldn't sell the pictiire if I could - and I couldn't if I would, Regy Ah, it isn't in your possession. May i ask if the lady has it in hers? Robert Deci_dedly not. Rolaer-I Hegy AhemJ (Coughs) Mr, Temple, I am going to ask a somewhat personal question - er - it may result in your throwing me out the window "but - (Suddenly) I haye forgotten - hut hov/ high are we up? One story, Regy Oh yes, one storyj I might only "break an arm or a cOuple of ribs^ One story, hut if I landed on ray head, that might he another story, Rflhert Proceed, Mr, Morgan, you are in no danger, Regy Thanks awfiollyl As I said "before - I am my father's son. Robert The family reseiiblance is not striking. Regy But I am not fond of my step-mother, I want to ask if you and she haTe been meeting since her marriage to my father. Robert (Startled) Sir Mr, Morgan - how dare-- Regy (Qxiickly) Pardon the insolence of the question - but I beg youx answer it - Robert No sir, I have not laid eyes on the lady, Regy Sir, will you allow me to take your haud? Robert Why — Regy Because if you are telling the truth, you are taking a g]?eat load off ray mind, and if on the other hand, you are lying to me - — Robert V/hat's that? Regy Ih? (Shrinking) Remeufcer, ymar promise and also the fact that we are rery high up, Robert Oh, stviff! (Turns away) Regy If yOu are lying, you are lying like a gentleman - and as yotxr friend De Coverly who lives in the basement says, once a gentleman, always a gentleman, Robert Kindly bring your interview to a close - Regy I will. Would yOu Icindly disappear for a time, Mr. Temple (Robert faces him in surprise) Get off the earth, go to Philadelphia, or Muscatine Iowa, or any placS? I wHl finance any enterprise you care to undertake, (Molly re-enters L.U,E. ) Robert But why? Regy (SeriOusly) I would have you save your Own. life, I would spare nry father, the coasnisslon of a crime. He is frenzied with jealousy. His wife piqued possibly by your calm indifference to the fact that she jilted you. Has persuaded my father that you and she have kept vip your friendship - more, an intimacy - since her marriage. I regard her as the worst of women, Mr TeBiple , andl want to friistrate her plans - I ) (Seeing Molly) 11-B I -will call again shortly, Mr^ Temple, and trust you will think over what I hav>e said and help me to "beat this she devil at her hellish game, (Exit L.U.E. ) Molly What did that man say about saving yotir life, Mr. Roberts? Are you in danger. Tell me. Tell Molly -wl^r if anything happened to you, I wouldn't live, I couldn't life, Robert Therel There! Child, Ho only spoke carelessly. Remember - dear, "Threatened men live long" I'm in no danger more - none at all. The worst thing he wanted to do was to send me to the end of the earth. Molly The end of the earth? Robert Yes, get ready now, pose for me, won't you? There is light still for a little work, (Molly goes over to L. picks up scarf from couch, arranges it around head and shoulders, poses herself on cOuch, while Robert prepares palette - and brushes, and starts to paint small canvas en easel L,C,) Molly The end of the earth. Say - Mr. Robert - didn't you tell me, the earth was round like a ball. Robert I certainly did. Molly Then how can it have any end? Where is it's end located, Robert Well. (Biting the end of his brush reflectively! The term is generally applied to the "jumping off place" ay visitor mentioned Philadelphia, Muscatine and the South, pole, you can take your choice* Molly And the earth - goea round and round and round does it? Robert Yes, it rotates on it Is asiis, Molly Ehl Say what'e it*B axis? Eober* An imgginary line passing through the center. Molly Did you ever pass through the center? Robert Uo. Molly Why didn't you? Robert It would be impossible, but even if I could reach the center, I couldn't stand the heat,. Molly It is hot? Robert Very! You know Molly, we live on the outside, On the crust of the earth, Molly Live on a crust? Say, that^s mighty poor living, Robert It's forty miles thick, Molly Oil Hully gee! (Awestruck) Robert And all beneath that crust is a molten mass. Molly Red hot? 12-B RolDeril; Yes! Molly (Confidentially) Say that's Hell, isn't it? Rolaerl; (Drops palatte and brioshes) Wlaat- Molly The center of the earfh. Robert (Bewildered) I - I don't loiow. Molly \fhy don't you? Oh that's so, you've never heen there. Oh I suppose - I must tire and shock you, and 1*11 never know nothing and I'll never be no better. Robert Don't say that Molly, you are going to be a bright loving, lovable woB»n. Molly Say - love always carries respect - doesn't it? Robert Always, Mollyl Always! True love always exalts, never de- grades. * Molly I don't know much, but I knowed that - I knowed that - (Roger enters L.U.S,Sn&£s± excited) Roger Excuse" me, Mr« Tergjle - !Joily - go down to the basement and stay there till I come, I've a few words, I want to say to Mr, Temple, Molly Why T«iat*s the matter, daddy Roger? Roger How don't talk Molly but do as I tell you. Molly But! (Hesitating) Roger (More gently) Molly, I've never told you to dO anything wrong, have i? ^ MQlly Of course not» Tioger Well then understand, I'm not telling you to do wrong now. Go Molly] Go! By the way - you can lock up KO, 7 and bring me the key. (She looks wistfully at him and Robert and exits slowly L.U.E.) Some parties were looking at poor Langley»s rooms and I left them imlocked. (Looks steadily at Robert who has confronted him, speaks quietly) Mr. Teniple, I don't want Molly to come here anymore, I was wrong to allow, it in the first place. It*8 not keeping jay promise tO rry dead wife who loved Molly as if she washer own flesh and blood! I believe you to be an honorable gentleman - and as you aay have heard me say - once a gentleman - always a gentleman - but Mr, Tengjle people have started talking, Robert Talking - how - about that child and nryself? HOw dare they? Roger You heard that old blatherakite - "Dilpickie" what she said, that "you and she woiad bear watching" and as for as the "Child" business, can't you see that Molly is XBX now a wojaan? I remember her mother when she was very little older, Molly* s mother was some swell girl, I can tell you - lEr, Temple - came from the four hundred - gave up her rich family, the prospect of a fortune - and all - because she fell in love with the handsome baritone of our company. It was real love - that 13-B match - They were hoth killed in a railroad wreck when KOlly was a "baby - and my wife and I took charge of the little one and she's "been with me ever since. I'm a no account fellow a "booze fighter and all the rest of it, I haven't done hy Molly as I should have done - but pau can take it from me — J/Ir. Teinple - if any harm should come to that girl„ I - I Robert (interrupting) Roger, I would as soon think of harming one of God's angels as to cherish a thought against her purity and ahappiness. Roger Oh I believe that - but you have a visitor here - regxilar visitor - who is not your kind of nan - In fact - he isn't in your class, he never was - Robert Why Dick Clinton - is my only regular visitor. Roger That's the gentleman - or rather - he isn't a gentleman - he's the party I have in mind„ Rcbert ^/hatl Has Clinton Roger Yes - he has - he's doing things that are provoking me to man-slaughter - and I never killed anything but a "performance" in my life. Robert Impossible! Molly (Outside, screams) Let me alone! Let me alone. (Enter hurriedly L,U.E. Clinton appears in door-way) Molly Daddy Roger] Daddy Rogerl (Going to Roger R. ) (Shudders pointing to Clinton) That Manl That laanJ Roger You see - I told you the truth - Mr^ Temple - but I'll teach him a lesson now once and for all„ ^Advances up on CILinton) Robert No - that lesson must come from me. (Is left of door, suddenly seizes Clinton by L. arm throv/s him around L. down the stage, getting between him and Roger) Get your father away - Molly while I talk to this person-- Clinton ''Person"? Oh I say - Bob. Robert (Sharply) Shut upi I'll tc^lk to you later. (To Molly) Go MollyJ Molly Come, Daddy! Cornel Roger (As Molly clinging to him. draws him up to L.U.E, ) I'll get a monkey i/srench and I'll wait for you below, you damned pupl (Exit with Molly L.U»E.) Robert (Turns to Clinton) ("Who has seated himself on sofa) So you take advantage of my hospitality to do a thief's work - eh? Clinton (Rising) See here, Temple, I'm not going to put up with that, line of talk. Robert (Pushes him back on cOuch) Sit down - you'll put up with every- thing I choose to say to you. By God, I've a mind to break you in t\\ro - you infernal libertine - only men don't kill such things as you - althos it's dangerous to spare a snake because 14-B it looks small. ^Pause) V^ellj you can speak nowj go on ■- speak - daigon you - what excuse, v.iiat plea can you make for behaving like a cad. Clinton I'm not accustomed to make pleas for my actions - although I could plead Molly as my best excuse j any^vay - since v:hen have you "become such a moiik - that you should frovm on me - for seeking nry amusenexits \7here I may - Molly is misplaced here, she;s no fool - and ijhen a girl meets a chap half v;ay Robert Stop - don't you dare profane her innocence or breathe another word against her purity. The fear in your heart makes you take refiige in a feeble taunt directed tovra.rds the natural follies of OTir sex. I neither approve no blame a yoxmg man's lawless loves, v/e may pardon error v;here v/arm passion blinds conscience and tempts all the senses ^ but that is n<^t your crime! You - cool - cold and v/ary - not loving only desiring - not seeking a heart to beat echo to yours, but only seeking new prey to first seize - and then throw away - you v^ith all the science of the 3pan of the v/orld - weave deceit upon deceit to trap a child in her ignorance - and you use the home of your ffiend for yoiir detestable schemes - Richard Clinton, you are a traitor 5 you are a thief, you are a liar^ (Pause) IJow get out of my studio - and keep avmy fr(5m this building - for if ever I find you v^ithin it's walla again - I'll Morgan (Outside) I tell you - Reginald - keep away and don't mQddl.e in this affair - (Enter L.U.E. coming down C.) Regy (Enters afterhim) I beg of you - read this wireless message before yoti proceed further- (Holding up telegram) (Roger and Molly entering L.U.E.) Morgan {■Raving him off) I will not - Regy I tell you - it's from her. Morgan (To Robert) You can easily guess - my presence here. Robert No - but I regard it as an txnwarrantable intrusion. Morgan I came after my •'■'dife, I want the truth from you, if she's not here, you know ker whereabouts „ You shall tell me where I can find her, you shall tell me, I say « er - Regy Eather, I tell you, Mrs. Morgan is at sea, (Reads this message) Morgan I don't believe it. You are in the scheme^'vou help inxi your father's dishonor - away from mej I disown you, (Breaks away fr (5m Regy, goes R.) (To Robert) You pauper painter^ you shall a«swer my question, or I'll shoot you like a dog, ^ Draws pistol) (Points it at Robert who is L. ) Molly (Behind him R. suddenly puts key to Morgan's ear) Drop that pistol. Drop it.' I say - or I'll kill you, (Morgan drops gun, which Roger picks up) Roger Why " Molly - What are you doing? Molly Daddy - here's that door key - you sent me after. (Holding it up) C U R T A I U 2nd picture Molly has Robert by both hands, a little L, of C„ Roger is dtm L. looking at "Monkey wrench" 'revolTsr - and key. Clinton in door L.U.E. about to go^ Regy is shovj-ing old Morgan R, the wireless message. C U R T A I IT 1-B ACL- ii-u. , "' Scene:- The Basementc The Janitor's quarters of De Co.Terly> Hj 11^ 3 8, -^ « '^^- .a 1 , j Q« f v_ A very plain apartscsnt. 1, Door in flat L« of Co - 2, Door in R» "boxing. 3, l^Tarrow windows sxipposed to open into area~way<, 4^. A fire-place fir© tffili©i.ted and santaX piece R« of C. 5. Acupboard along side of saaaeo 6. A sewing macliine and cliair "between windows on L. 7. A ta"ble cOYered with red cloth down R. of C, Pictixres cut from papers and magazines on walls „ Scene looks ra^theoOMure , ajid -while'-Tieat sjv^ows- -signs of poverty 4 2'-B Act 3rd. At rise:-Molly is discovered with dishes, she is hetting dishes on table - she carries them fro^i cupboard at hack. Roger enters slowly from door upper L. reaches into his pocket as if in search of something - shakes his head) Roger Molly - I*ve lost my pipe. Molly It's on the mantel j Daddy. Roger Mantel. (Pre-occupied) How in the thunder did it get there? Molly I pit it there - I found it under the couch whereyou put it "before taking your nap. Gay Laddy - I wish we had - say do you know what I wish we had? Roger (Going to nantel gets pipe - fills it with cheap tobacco from the Janitors favorite brand) M'o - I suppose , a million dollars . Molly Oh pshaw] No, what would we do with a million dollars? Roger I know /hat I'd do, I'd buy some better tobacco than this chopped hay. Molly I wish we had a white table cloth? Just for this once seeing as how this is the last time that Mr, Robert's going to take tea with us - for some time. Roger TITell, the napkins are white, and that will help some, . Molly Yes. (Half blubbering) That - will - help -some. They — 'Till will emphasize the redness of the cloth. (Burts into tears) Roger "Why Molly dear, what's getting into you? You never cried before because of the color of our table cloth, and then tooj the language that you're using, "What's that word? "Emphasize" Say, you're certainly getting a fine education* Molly (Shakesher head dolefully) My education is finished now, I won't learn any more when Mr. Robert's isn't around to teach me - and he is going away for six months. Roger PoohJ ^/hat's six months, when you don't have to spend it in jail, and then he's going away to make money - and he's going to Southern Galifornia, that beautiful land of eternal summer. Molly The Land of golden fruit, and fragrant flowers Oh, how I wish we were going along with Mr. Robert. Roger California is angrea"tt place. In my Operatic days, I was stranded three times there. It's great if you have your railroad fare back, Molly You remember it well, don't you? Roger Remember it? Of course I do, I went there with Bobby Gran once - Andy McKay also - and - and - the last time with the Ljrric Opera Company - that was when you lost your father and mother liTolly. Their graves are at santa Barbara Molly (SadJ-y) Yes I know. (Pause) How is it Daddy Roge-r, you never told me - my last name? 3-B Roger We never knew what your father's real name was Ifolly, He worked under a stage name in the Company *- and so many of us do in Uie business^ Your mother always called him "Don" and he called her Effie, ?Tow you'd never suspect my real name, Molly? It is "Adam Sowse" Molly "S«Tvse? Roger Yes "Sowse" (Spelling it) S \7 S E. The combination was too much for me. I liked John Barleycorn too well "Adam Sowse" A Damn Sowse" I had to cut out the boose or cut out the name so 1 cut out--- Molly Yes? Roger Then I looked around for a real swell cognomen. We introduced a dance in one Of the opera - A "Ro^er de C overly" they called it - that hit me just about right j ao Roger de Ooverly I became. It sounded like a gentleman, and as you've heard me propound on several occasions, *once a gentleman (Knock On door L.C.) Come in, (Clinton enters) Wel^. - by thunder, what in Helena Montana, brings you here? Clinton Both business and pleastire, Mr, DeCoverly, The first I will discuss later, the latter i will anticipate by tendering hqt compliftaAts and never flagging devotion to Molly - (Goes to Molly whB deliberately ignores him and exits door R. ) Roger "JTever flaggin" eh. Well, you can take it from me - that it v/ill be "always flagging" w±th her, when you come around. Clinton Oh, we'll be friends shortly^ Roger I doubt it much. Well, come down to cases, what*s your business here? State it, and then chase yourself. Clinton Mr, DeCoverly, you've alv/ays seemed to have a very poor opinion of me, Roger You're right for once anyliow - I have, Clinton Well, I've come here to-day to prove to you that you are wrong. I'm not half ax bad fellow, Roger Oh, have you, well, you want to get busy at once - for you have something of a job before you. Clinton To come to the point I love Molly. Roger Wait a minute - I feel that there js trouble coming. (Crosses to sideboard, gets monkey wrench, puts it on tr.ble) (Sits) How, go ahead, Clinton Andl want to make her my wife. Roger That's kind of you, * Clinton With your consent, of course. Roger Oh, you're getting better and better right along. Clinton Of course I recognize the fact that you brought her up - that you are, in a way, her legal gxiardian. 4"B Roger That's real sweet of you. Clinton - - I*m tired of my present life- want to settle down - cosy littl home - dear little wife - you understand. Roger (Smokes) Hum. Clinton Molly properly dressed - educated, trained "by me, would "be all right. Of coiirse, after the marriage you woxild have to dispose of Roger Oh, would I? Clinton Uaturally, we couldn't have you aroundo But that could he easily arranged all O.K. I woxild "be willing, to pension you off, and |iou could go to some quiet place where whiskey was cheap and drink yourself to death as soon as you pleased. Roger Got it all framedup real pretty, haven* t you? Clinton Yes - I thought it would he ahout the sort of arrangement that would appeal to you, Roger Oh, it does - it does» Clinton And then you have a duty towards Molly - you wouldn't want to stand in the way of heradvancement, Roger ITo, God "bless her. Clinton I thought not - with all your faults^ you have a good heart, Roger My hearts all rfeght - but I have sctrrhosis of the liver. Clinton DonH talk nonsense, ¥ellj what do you say to my proposition? T ^ T Rcger (Rises) ("SlTith mock dignity) I receive it, sir^ as one does a toast to the departed - standingj and in silence. (Clinton irakes impatient gesture) But it>s for Molly to decide^ i think I know what her decision will he, hut--- (Calls) Mollyf Molly! (Enter Molly R. ) Molly^ tliis — person has a proposition to make to you, Molly I have overheard everything Daddy, Roger You listened Molly? Molly Yes - my memory Of his behavior the last time he was in the building, made me fear that you might forget yourself and kick him into the street, and I wanted to stop you doing anything that would make 'anyone think you were not always a gentlemaiu Roger Did you hear that? (Admiringly) Did you notice that speech. Education indeed? "Why she is getting to talk as well as I do Clinton Then Molly - you heard my proposal regards yourself, Molly Yes - I heard the insult. Clinton Iftsult. A proposal of marriage, an insult. 5-B Molly Yes, when it comes from a rjan like you, What right have yau .to think that yt>u can put a price on me. and "buy me. And how dare you judge that there is money enough in this world to make me part v,?ith Daddy Roger here - who is the only parent I have ever knovrn - who has "been father - mother and all to me. Roger (Takes her in his arms he is overcome) Bless you little girl -Bless you - hut you must think of yourself - the golden future - dear. Don't mind me, he wise, he wise. Molly Daddy. All the gold in the world can't huy back your self- resepct once you've thrown it away - and the wealth of this cOxintry \T0uldn't help me to sleep easy if I ever thought - I had been ungrateful to you. Roger Now don't "vorry about me-- Molly But I do - Daddy. Tell t^xis horrible person to ge away. Soger Horrible person. Go away. (Waving his hand at Clinton) Clinton I'll leave you for a little while to talk over natters hetween yourselves - and DeCoverly if you don't show Molly - the advantage to both of you in my proposition " you are even more of a bonehead than I have always judged you Roger Don't argue the matter, but keep on moving please. Clinton Good-day. Roger (Very loudly) Go«d-night. (As Clinton exits L.U.E. Roger turns to Molly) There Molly, he's gone, now smile a little won't you? You know we've got to look jolly and happy a^ this is Mr. Robert's last evening with ub. (Molly looks at him in surprise) Molly How can we be jolly when he's going away — - Roger Well, under the circumstances, the best vvay to be jolly is to jolly yourself into ths belief that you're jolly, (Thought- fully) But there's a good deal of truth in what that fellow said just now Molly What Daddy Roger? About you're being a bone-head? Roger Certainly not--If there is a future for you - you oiight to get it - and not let an old fossil like myself stand in the way, Molly Stop that Daddy. Roger Oh I mean it. I*ve always been one r»f tliose "JIo account fellows" as long as l can remember. When I was a boy they \70TJLLdn't let me go into the pasture-^ith the sheep, for fear some of them wouldbite me^ I could never rise above the chorus when I was in the Opera companies had chance after chance - it was no gd - and to think that for such an old "Never Was" jiOu-- Molly Can you imagine me - narrying one man and caring for another, Roger Molly - I canH imagine you - marrying anybody just yet for a while. Time enough - wait a few years ^ Still - Hum, I think I'll consult Mr. Robert about it and hear what he has to say. Molly (Alarmed) Oh you mustn't daddjj you mustn't you mustn'tX- 6-B Roger Why not - ain^t he the "best friend we've got« Hasn't he your interests in view as much as I have. Molly OonH you see - you would degrade me in his eyes^ if he supposed for an instand I would ever dream Of such a bargain* I - I forhid you to say a v;ord to him. If you dO it, laddy, I'll never forgive you - never. Roger (Hiirt) Why Molly, you never talked to Daddy Roger that way^ — what's come overyou. Molly (Tearfully) Forgive me Daddy - but — Roger But what - dear? Molly I'll tell you some day - not now - but promise me - you won't telZ Robert of that wretch's insult. It's bitter enough - him - him - going away, but he mustn't leaveus with - with any any contempt in his heart. Promise me Daddy, Promise me, (Crying on his breast) Roger Why Of course - dear. Have it your way. Have it yourway, I'm beginiaing to be jealous of Mr, Robert, by "Jimmin;/- Crips" if I ain't. (Knock on door L,U.E. ) Come in? (Robert enters L.U.E) Rob ert How is everybody? How arc you feeling, Roger? Roger Oh - I'm feeling simply mavelous, Robert And you Molly, Moily Oh fine. Robert Well, I've got all my belongings packed up, Roger. (Looks at flower) Except my little flotver, (Extends it to Molly) Molly, I v/ant you to take care of this for me, will you? Molly (Takes flower) Why cJf course, I will, Mr. Robert. Robert I hate to part with it, even for this little while. I v/ouldnt trust it to anyone but you, Molly„ Molly (Affected - but speaks cheerfxilly) Why, Mr, Robert, it!s only a comanon little geranium - you can get lots of them. Robert But they wouldn' t be that one. That common little flower, Molly, is one of my most cherished possessions. Even you, who gave it, cannot \mderstand what it seans to me - what it and you saved me from that ¥ew Years eve (Slight pause, then cheerfxaiy) So guard it well, Molly, for I shall come back to claim it ggain. Molly (Crosses L. with flower, affected) I will, Mr. Robert. (Presses lips to flower, puts it on bench L.) I will watch it day and night. (Half sobs) It will be- Robert (Turns in surprise) Why, Molly, you are crying. MOlly No sir--that is, yes, sir - I didn't mean to sir, but if you'll excuse me I'll go wash the tea - and make rry face - I mean make the tea - and wash ngr face - and will have supper--and - and (Exits half hysterical R. door closing it) 7-B Robert (Ttirns to Roger) What does this mean? What has happened? Wliat have you done to her to nake her cry? (Looks at hin suspiciouily) You haven't heen drinking again? Roger Well, I like that. I'll have you understand that I am only a periodical drunkard, I aim sober at times. Robert (After slight pause, seriously) Roger, I have a favor to ask Of you- Roger (Earnestly) Well, Kr, Robsrtj you know - if I can grant it- — Robert Watch o^er Molly, while I'm gone, (Roger starts) Shets a woman nowj and needs your extra care and protection. (Slight pause) Roger, protect her for my sake. Roger (Surprised) For your sake — ? Robert Yes - for my sake. (Slowly) Do you know why that flower is sO precious to me? Because she gave it to me„ (Slight pause) She was a child then - an innocent, tender hearted child - yet she saTed me from a crime - a crime against myself* (Slowly) It was new Year's eve, Roger, and 1 was up stairs^, waiting fOr the first stroke of the midnight bells to put a biAllet in my heart. Roger (Startled)Good God, Mr. Robert - lEO Robert (Unheeding interruption) She crept back into the room, to give me that flower, her greatest possession-, and to be the first to wish me happiness with the coming year tPause) Since then, she has become part of my life - I haven' t a thought in which she does not hold sJiare in it - I have no hope of happiness in which she is notpresent. Roger (Surprised) Well, j'll be - excuse me, and what does Kolly say to all this? She doesn't know. Eh? Robert Roger Robert I have never spoken to her. You are her guardian, Roger, it was rxy duty to speak to youfirst. Roger (Thoughtfully) Tjum. Yes, I see Robert I am not in a position to marry yet, and I v;^ould not bind an inexperienced girl to an engagement she might regret, Roger (Drily) Hum - I don't know about Kolly regretting, j'm afraid k she likes you too durn well. You saw those tears j didnH you? Hum, I calculate that's cauae Arou're going away, Robert (Eagerly) You think so. . ' Roger Thatlswhat. Robert If this California trip comes up to my expectations, I shall be able to tell herj I have your permission, Roger? Roger (Decidedly) You bet you - you have, Mr. Robert, if I couldsee Molly your wife, and know she was happy, I'd almost be willing 8-B to gO somewhere ^Thiskey w:is cheap and drink Rohert (Surprised) Eh? Roger (Checks hiiaself) HiJa:. I ^as thinking of a little advice that was given fie a while ago, what I intended to say was, wouldn't it he just as well to speak -to Molly "before you go? There xoay he reascrns (Checks himself) Hun, I forgot 1 promised I wouldn't say anything. Rohert Ah Out what? Roger Especially to you. Rohert (Surprised) Ahoftt wdiat? Roger (Mysteriously) Hum, You're not the only one who wants to narry Molly - (Rohert starts) But, I promisedto keep it a secret. Rohert (Puzzled) I don't understand. (Knock on door L.C.) Roger (Calls) Come inl (Enter Regy and Morgan L,U.E. ) Regy Mr. De Coverly - may we ix5)ose upon your hospitality for a montent while my father - (Seeing Rohert) "Why Temple ~ are you here. We were up to your studio just nov/ hut foundit dismanteled, and were told you were leaving to-vn, Rohert I am going West to-night on the Overland Limited., Regy Glad we found you hefore you left Governor, you can say what you have to say to Mr, Temple here. Eoger One moment - let me say something to the old gentleman first. I am disinclined to have any rough-house here in nry domicile— so hefore anything is said on either side I must ask you sir to allow me to "frisk" you for your artillery. Morgan (indignant) Stuff and ITonsense o Roger MOlly isn't here v/ith herdoor key this time- and 1 don't want tvi take any chances. Regy The Goipemor isn't armed DeCoverly you have my word for it^ Roger I have alwajrs found you a gentleman - and ahem *- you have always found me - a - Regy Another - and once a gentleman - always a gentleman Roger Pardon that is my line. Regy Have a cigar. (Roger takes it puts it into pocket) Morgan Mr, Tenple (To Rohert) i have just returned from Eur-ope and I feel it my first duty to seek you out - and ask yOur pard<3n for my unwarranted suspicions - and my violence on the Occasion of our last meeting Rohert Say no more ahout it - to, Morgan^ The incident was trivial — I have ceased to think of it. (Bell sounds) Roger (Moves curtains looks 6ut \7indow L, ) That's the Express man for yourtrunks Mr. Roberts - I'll go and attend to them. 9-B RolDert Ho - Roger - stay here with your guests » I will attend to them myself . (Exits L.U.E.) Morgan (Sharply) Reginaldl I am very sorry novr^ I took your adrlce, Regy Why Governor? Morgaa Didn't you notice the indifference, the Cavalier way, in which that artist fellowreceired my words of regret? Regy Well Governor, if you remeniber you accused him of all sorts Of things, even threatened his life. Roger Yes^ andyou can't rap a man on the "noodle", tell him you're sorry forit, and borrow money from him all at once. At least I never could. By Jimney Crips "but youdid l«ok9 flahergasted when Molly put that door key to your ear- — Ha.' HaJ Ha* (T.au^s) I'll never get over it. It's lucky for you she butted in when she did- I was going to knock out your brains with this. (Lifts monkey wrench from table) Morgan Molly - the young girl - is your dau^ter Mr - Mr — Roger OeCoverly, hqt adopted daughter, Morgan I ought to feel grateful to her - and l do, raay I see her? I shotild like to thank her personally — Roger (With dignity) I will findout if she ',vlll receive you — Molly! (Go«» to kitchen door) Molly, the old gent who had a brain storm whicJl you cxired with a door key is here and begs an interview don't be afraid heis nonnal rq-ct (Morgan shows signs of indigna tion Regy calxas him) (Molly re-enters stands R, ) Morgan (Goes to her) liUss Molly - I came to offer my sincere apologies to Mr. TeB5)4.e for Ti^at occured threemonths ago - in his studio. I can't leave without expressing my gratitude to you for saving me from my act trf aadness. I want to also compliment you on the readiness of resource you. displayed, and what will be probably more appreatciated — er something substahtial in memory of the occasion, (Producing cheque book) Molly (Drawing back) i'drather you wouldn*t sir? Morgan What - you refitse money? Molly Yes sir - Money cheapens you so awfully sir. When you accept it, for doing vftiat your hearts tells you is right. Regy Take care Molly - getting money has been my father's vocation all his life. (Crosses up to fire-place) Morgan Yes - and spending it - has been yours, yovtng man. (Thought- fully) My vocation - yes it has been nry religion Molly Religion? Why sir, have you forgotten you have a sOul, "YOu cannot serve God and Mammon"-- Morgaa HelloJ Hello! The scriptures eh? Why (Turns to Rogers) Didn't you tell me you had been in the »'Show buKiness". Roger "SO sir - i was in the Operatic line ' "-TTf lO-B Morgan Oh it»s all the saiae thing - I am surprised at Kolly that ■- is all. I have always thought that stage people were wholly- destitute of religion Roger Molly and I will pardon your ignorance, since you tout voice the opinion of the thoughtless /orld. But let me tell you, sir, that in no other profession or vjalk in life will you find the charity, the thoughtfulness for others, the hujaanity that is the religion of the 'show business" as you call it* MorgaiS Don't attentpt to defend the stage to me, it robloed me Of what was most dear in life - and all it»s memories are hateful, Molly ^Gently) And to me, it»s memories are blessed. The stage provided employment for n^y father and mother, and when they were taken from me, it gave me Daddy Roger and his wife. (Extends hand to Roger, who takes and pressesit) Who took the helpless opphan as a sacred charge and gave the best of their life to hex guidiance and protection, Morgan {After slight pause) Again, I beg your pardon, in my bitterness, perhaps I spoke thoughtlessly, (Slight pause) But the stage did me an inreparable injury. (Regy who has been standing up by loantel, looking at various articles, there, sees photo- graph, starts, picks it up, gasps, turns photo over, looks at back) Regy (Excites) Good God. (All look at him in surprise) (Ee extends photo towards Roger) (Hoarsely) Where did you get this? Roger (SuFprised) Why, that is— Regy pSxcited) Look, Governor, (Crosses down to Morgan R.C.) It is Effie's picture^ (Puts Photo in front of Morgan's face) Morgan ((jasps) Effie? Regy (Excited) Yes, yes, and Kee (Shows back of photo) Look at the superscription on the back, "Effie to Don, June, 1894. (Morgan starts, grabs photo, looks at it eagerly, then extends it towards RogerT Morgan (Hoarsely) Where did you get this? (Slight pause) Quick, man, speak, how came this in your possession? Roger Don't get so excited, old man. We didn't steal it, we Morgan (Excited) Dam it, man, don't torture me. Speak, Did you knOw this w«nan? Roger Well, I should say i did. Tliat was Molly's mother. Regy (Sasps) Molly's mother? (Morgan sinks int<5 chair R.C, affected) Roger (Surprised) Why, what the (Regy checks him) Regy (indicates Morgan) Hush. (All watch Morgan in silence. Morgau locks at phdto affected) Morgan (Softly) My little Effie- my little foolish, headstrong girl^ (Presses phet6 to lips, Roger and Molly lOok at him in surprise Regy cresses t6 Morgan, puts hand tenderly on shoulder) Regy (Softly) Dear oldGovernor. 11-B Morgan (After slight pause) They told me all had perished in tlie wreck- Tsy Effie, her husband and the child. And all this time (Rises, looks pathetically at Molly, then slowly extends hands t/> her) Molly, my child come to me. (Slight pause, Molly surprised, hesitates) Come, my child, I am your grandfather. (Roger starts, Molly siirprised, crosses slQwly to Morgan, who takes her face "between his hands, looks at her earnestly, sli^t pause) Yes, yes, it is true. lEy Effie^s slul looks at me from your eyes. (Kisses her hair) Oh, God, let me atone for my cruelty to my lost darling by winning the lo-ve and confideliee of her child. Roger (nervously - yet defiantly) (Interposing) You come at a late day Mr. Morgan to separate that girl And me - I doubt even that the law would give her up tc you Morgan (Cheerfully) Who speaks of separation - not I? Roger (Eagerly) May I see her ;7hen I like? (Regy crosses to Molly, shakes hands delighted, talks, pantomines) Morgan (Cheerfully) Whenever you like - the future of both Of you shall be my care - come and live with vs. Roger (Doubtfully) Humph - I^m afraid i*d be out of place ^ You see- I drink - sometiioes. Morgan (Cheerfully) SO do I - we'll drink together. Roger (Delighted) Ehl Say you're not such a bad Old sport after all, (Shaking hands) Say there Is a box of old letters and a locket her mother wore in a box in Molly's room, I kept it for just such a day as this - and, say, there ?s a picture of a man and wOman in it, maybe it?s yours and your misses phizes when you were young. Morgan Yes, yes, yOu are right. (Eagerly) Let me see it. Come MOlly, Come Reginald. (Puts arm abOut Mclly, looks at her proudly) My Effie's littlegirl, (Lciughs half hysterically) I 1 don't deserve this happiness. {They exit R, ) Roger (Reflectively) What a funny old world this is Who would have gues-sed this was going to come off. Well, what is to be will be - whether it happens or not. (Re-enters L.U.E, Robert, he carries traveling bag coat etc) Robert My traps have gone and the old place looked forlorn as I said my last goo-dbye. Don't look gloomy Roger old man, I'll be back in six months, say, don't you think I'd better tell Molly before Jnleave, How much she is to me or (Pause) what do you think? Roger I am ijacapable of thinking. Robert Eh? Roger Ify head feels like a cheese sandwich. Robert What's the natter now? Roger Molly and I have just joined the four hundred. Robert What- — 12-B . Roger Molly has foundher peyle - her Mother's rich relatives - or they'v e found her - her grandfather and I are great friende already. "We've got a date to get loaded together.. .Roh-rt What insanity is this? Roger Hush. (Pointing R, ) They are in there. Her grandfather Old Morgan, and her Uncle Reginald - they're looking at her Mother's picture, Molly is going to be a rich - rich woman she?s coming into her own at last. (Pause) Robert (startled, slight pause) I see - I canaot speak to her now - I would be looked iipon as a fortune hunter - who - (Suddenly) Oh no, no - I'll go at once Roger, Roger "What, without seeing her - without saying a \70rd of congratula- tion. Robert I can't trust myself. How can I rejoice over an event which raises that insurmountable barrier - the barrier of wealth between me and my fondest hope, No - Roger say from me - that Dry prayer is always, that God shall bless her - and eternal happiness be always hers. Good-bye^ Roger, good-bye. (Exits L.U.E.) Roger (Reflectively picks up Jiipe about to laechanically fill it from package of "Jani torts delight" remeiitoers Regy's gift to cigar pulls it out, smells it then thrcws package of tobacco away intJ grate - breaks up cigar fills his pipe and lights it) Morgan (Delighted) (Outside) ]To - I Insist yOu and Mr. De Coverly must come home at once. (Entering Rehy and Molly follows) How Re- ginald attend to everything as I tell you - Send Hilda over here to assist Molly, Hilda is a discreet Swede girl a Pallas University graduate - she shall be your maid, Molly for the present. (Reginald to exit) And Reginald don't forget aboxit Shubert in reference to ]&, De COTerly) Roger I could never do anything with Shubert K and E were more inmy line. Regy "Shubert" he speaks of is a tailor, (Exits L.U.E.) Morgan And Reginald - there is another matter, don't forget too (Exits L.U.E, talking) . Roger Molly, it seems like a drsam doesn't it, just like the fairy tale where the beggar princess cam^e into her inheritance and lived happily ever after Molly The fairy tales always say "they" lived happily ever afterwards Roger They, Oh yes, they well we will be very happy. No more stilting - no more discomfort to you. Everything that money can buy — and i will be happy because I knajrwyGu are.r Molly How surprised Robert ■will be. He went to look after his trunks didn't he? Roger (Hesitating) Y — Y — ves he went to looks after his trxmks. " Molly I wish he would hurry back. Go after and hurry him, Daddy Rogers? 13-B Roger (Pause) The fact is - Molly - he - he - has been "back - and - Molly Yes- — Eoger And- -and he's gone to the train, iJlOlly (Startled - hurt) Gone to the train -without - without - seeing me - without saying goo-d'bye? Roger (With effort) He said - he - he couldn't. You see Molly - I told him about the change in your iBortimes - and - of course he v/as glad of it - but - say if you remeiitoer - he and Mr, Morgan are not on very good terins , buxt probably he'll write me J and if he does, I'll let you know. He's proud, you under- stand, and after all he's only a poor artist - and you are a rich woman now Molly Rich? Daddy, Rich? With l.Ir, Robert out of my life. I never felt as poor as I do now. Roger (After slight pause) (Solemnly) Oh, leaving he prayed to God to bless you - and that Eternal happiness might alv,rays be yOurs . Molly And i pray that God will bless Mr, Roberts, but my happiness--- Oh Daddyl Daddyi There can be no happiness unlessthe one I love - shares it v/ith me. (Molly turns aside affected L. sees flower, picks it up, crosses slowly to table C. presses face to flower, sinks in chair) Molly (Softly) Oh. Robert, Robert. (Buries face in hands on table, sobs softly) (Roger looks at hernervously, starts to gO jro her, stops, hesitates a moment, then crosses softly up L.C, enter Morgan L.C. starts to speak, Roger puts finger on lips, indicates MollY) Roger (softly) Hush, her first great grief. Only God can comfort her now* C U R T AI 21 l-B Act 4th. Fair view. The country home of the Morgans 1. Perspective River drop for "backing. 2. Hedge row with opening R« of C. 3. Handsome house with veranda and steps leading down^ 4. rarge tree with seat surrounding it* ¥&od wings, garden set pieces to dress scenes statues, runs, flower heds, etc. Coil of rope, hag of golf sticks up R, Toy house . 2-B Act 4tli, At rise: Reggy is discovered on seat by tree L.C. reading newspaper and smoking - Enter Morgan L.U.Eo in golfing costttme with driver over his shoulder, he goes tov/ards the house R, Regy ^Looking up from newspaper) HelloJ Waat have you started in On the links so early - Governor? Morgan Eh? (Turning) Oh, it's you, is it? You've got here at last. Regy At last? "Why I told you - I v/as going to take the "ten" train, Morgan T7ell - now that you are here, I have a bone to pick with you - young maul "Why the devil, did you induce me ^o give the care of this house to Clinton? Regy You had to give it's care to some one and "Poor Clinton" was down and out, you have become a philanthropist of late^ I thought, I'd find you a worthy object on which to exercise your hobby. Morgan "Poor" Clinton^ If i had him here this minute, (Flourishing driver) I would commit man-slaughter. Regy Why what hashe done? Morgan He has done the things he ought not to have done, and left undone the things he should hav^ done« A pretty stale of affairs when a man has to burglarize his own house to get into it, and at mid-night too^ Regy Ah Clinton, wasn't here then? Morgan No - he wasn' t« Regy But there were two servants left here, when we went away. Morgan They were not at home either. They tried to get in at day- light this morning. Regy Ah, and you - Morgan I paid them off, and told them to go to the devil, Regy And Clinton - Morgan He tried to get in about two A,M, I told him I'd murder him and he xvent away, Regy Well, you see - all this happens because of you returning a month before you were expected - nowif Clinton and the help had been notified you were coming - they would have been here to give~you the glad hand. Morgan Molly got breakfast for the two of us? Regy Yes , she told me » Morgan Then you knew all about every-thing and let me tell it all over again. 3-B Regy No - Molly never mentioned a thing - except she cooked your breaJcfast and wanted to cook mine, but I wouldn't let her, Morgan Dear Tifolly! She»s an angel. I*d like to see anybody say she isn't. How I have got along without herall these years - (Abruptly) Did she tell you about the bungalorw? Regy What bungalt>w? Morgan The bungalow by the lake - stupid! There isn't but one bunga- low, is there? He's let it Regy \7ho lias let it? Morgan Clinton - of course, and Lord knows to what sort of cattle. There v/as an orgie in progress as we passedlast night - I heard several feminine voices. Regy Ah - This grows interesting. Did you get a "slant" at them? The - the ladies? Morgan Did I get a what at them? Regy - - - A rublber, a view of them? Morgan JTo sir, I did not. The infernal riot they were kicking up, was enough for me. Regy They are probably some of the society leaders of Clinton's set. I will have to look them up, Morgaa And you especially recommend such a man to me. Regy Well - he's an oldfriend of mine - and a friend of Molly's - He knew Molly before I did. Morgan Hum, a friend of Molly's, eh? If I thought Molly liked him, I - I'd forgive him everything. Has she ever said anything about him to you? Regy Never a word. Except to express sympathy when she heard of his forlorn condition. Morgan Forlorn blazes, why don't he get up and do something ft)r him- self J Any man who is any good will. Look at Rogerl See what he is doing, do you know he's returned the money - I advanced to him? Regy I saw him last night as I stopped over in the city, he'll be up to-day, Morgan Did you tell Molly? Regy No - not yet, Morgan Why didn't you? I'll tell her, (Exit grumbling R, into house) (Clinton enters cautiously watches Morgan off comes down to Refey) Clinton Hello! ReggyJ I saw you talking to the old man. I supp3;se he's got it in for me, Wliat am I to do? 4-B Regy Really old chap, I don't know. Clinton I've cooked up several stories, "but they don't seem to "gee" (Dismally!! Regy - it's an awfiil thing when a nan discovers that his powers to tell a plausible lie - hare deserted him. Regy COrily) It is sadi Clinton have you ever tried telling the truth? Clinton STot to anyone - I had any respect for (Pause) I've always told it to you. Regy Thanks - old chap J Whatts this bungalow "business, the governor speaks of? Clinton Oh I let it to seme parties who are in - in the "showS "business - that's where I was this morning when your old man returned so unexpectedly - you see I had the ladies up here in the early part of the evening - and I had told the servants to take a day off-. and there you are. What the devil ever possessed you people to cut short your trip the -Tay - you did? If you had stayed the full time, this never would have happened. ITow whatis to be done? Do you think you can sqiiare it? Regy No - I don't think I can - Molly might - . Clinton Molly! Regy Yes, she's the whole power with the governor now. I don't know about the Bungalow business though - who are these - (Cottghs) Ahem! j.^dies? Clinton Tamale Nan of the Vandervilles - and her aunt - Regy "Tamale" soxmds pretty warm - better get rid of them. Clinton I can't they've paid in advance for a month - and - and - Regy Yes *- (Encouragingly) Clinton I've spent the money - Regy But she won't - I might manage her all right, but her aunt - By jovel That reminds me - you know them? Regy I haven't the honor - don't try to ring in any "Tamale Nans" on me, Clinton She was that cad Teirple's model *» Regy (Quickly - sharply) Hold on! Clinton - don't speak of Temple as a "cad" I won't have it - Temple is a man - every inch of him - who would scorn even - a dishonorable thought, Clinton Your father don't think so - or he wouldn't have gone gunning fOr him when he thought your yOung step-mother - Regy (Warningly) Take care I Clinton - you're treading on delicate ground. My father found out his mistake and made Mr. Temple all the atonement he could. His apology was most humble and 5-B ample - In regard to the lady - my father married - she is ivell provided for and will continue to live abroad. I will take it as personal if you ever refer to the subject again - in which case Clinton (Defiantly) Well - v^aat then? Regy I shall do my best to get you a good touring - Clinton - and drop you from the list of my friends, Molly (Outside) Uncle Regyl Uncle Regy! (Enters from house) OhJ there you are, (Seeing him) Why didn't you tell me about Daddy Roger? Hov/is he - Hov/ does he look? Did he ask about me? When is he coming up here? TJ'/here did you see him - Uncle Regy had he been - was he - (Pauses, seeing Clintonj whispers in Regy's ear) Regy Eh? (Listening) ITo - not a S5KJ5i..-drop. Molly ^Whispers again) Regy (Listen) No ~ As sober as a judged Molly Isn't that glorious! You're the dearest kindest - best "Uncle" in the world. (Kisseshim On cheek) Clinton HOv/delightful it must be to bring "good news" to you, Miss Molly, if you rev/ard all messengers asyou do Reggy - Regy But she don't - Uncles are specially privilkedged. Clinton I suppose - Miss Molly, i may bid you "welcome home". Mclly (Carelessly) Thank you - Mr. Clinton-- Regy Mr. Clinton is in trouble - liLOlly - and I tjhink you are the only one who can squarehim with the governor - I'll leave you to tell your own tale of v/oe - Clinton - you can do it about as w611 as ^canyone I know, (Exit into house) Clinton (Bitterly) That's the way - v/hen a man's down - some people ne^a* miss an opportunity to humiliate him, Molly What is it you v/anted to ask me, Mr» Clinton - Clinton Ah Molly J The possession of money will never make you a snob - will it? Your association with these people can never spoil you. Molly These people I Whom do you mean? Clinton Your grandfather of course - and that sap-head, youruncle - you must read them for what they are. You can't forget the way - they treated your mother, nor their neglect of yOu in your childhood. Molly Mr. Clinton! Uncle Regy nuggestedthat you were in trouble ajjul that I might serve you. Don't you think you had better come to the point, instead of abusing those th^o have been your benefactors - and attempting to discuss with me a personal nattei — which concern me alone. 6-B Clinton (Hypocritically) There no'v? - Molly? I've drawn your anger upon me again *- and I vrould rather die than deserve a reproach, from yOu. If you knew how I have prayed that you would blot Gut the memory of the past - and ascrihe my sins towards you to an intensity of passion which - Molly . Come to the point - Mr, Clinton - please - you are exhausting my time and patience, Clinton Well - Mr. Morgan is angry with me. I without authority leased the "bxmgalsw to an old friend of Robert Temple. Cratches Molly who starts and utters a half suppressed exclamation at the name) You see- he is sketching in the neighborhood now. I let the bungalow to these ladies to oblige himu, Molly (Faintly) Yes. Clinton Yes - there is quite an affair of the heart between him and the younger one. "Tamale Han" as she is known. Molly "Tanale Han" what a name-- Clinton She is known by that name on 'the Vandeville stage* You may reiceMber her as Georgie Cubib - his model - Ten^ple and she are going to be married- although her aunt is opposed to the match - she thinks Georgia can do so much better than to throw herself away on a poor artist. So Temple and she meet by stealth - andl have helped things along on account ofirry old friendship for Bob. (Pause) Now Molly - if you could re- commend that Tamale ITan should not be disturbed for the present it might get me out ff a predicament - and - Molly Tamale Nan shan't be disturbed - so you can rest easy. Clinton I know how prejudiced your grandfather is against any show people - as evidenced by the stern way in which he treated yOUT" ' Molly (interrupting) Tamale 7Tan shan't be disturbed - my grand- • father gave me the bungalow - it is mine - so we will consider the affair as closed, l&c, Clinton. Clinton Ah - Molly - you must like me a little - or you wouldn't be so generous. Molly To be frank - Mr. Clinton - I never liked you so little as I do at this moment - and I'll wish you - good morningi (Exit into house R, ) Clinton Damn Janitors brat - she's asbad as the others, (Chuckles) I got in a slap at Teitrple'spretentions at any rate^ (Stands irresolutely in C, for a moment) (Ama^nda and aeorgie gorgeoTisly attired enter L.U.E, standing behind hedge) Amanda Ah there! Oickyi (Clinton starts) 'Who's your friend? False One. Come on. (Enter with Georgie they come doxvn On each side of him, Amanda R. Georgie L. ) Come ohj "Who is she? Don't try to lie out of it. We seen her, didn't we - Georgie - Georgie Bet yer life - me and you both seen her, and I think I hare seen her before. Clinton Oh - the - the lady is nobody of any importance - I - I have been - surprised as it were - by a party of visitors wholly unexpected - she - she - is one of them, I will escort yOu b-ack to the bungalow if 7-B Amanda You don't ""bungalow" me - i-'m the wise v/oman of forty fifth street - when you trimmed us out of our "hard earned simoleons" You told us we could have the run of this place - and - i*m ready to run it - You can't pin me do^j^n to no shack - ain't Georgie and me just as good as that skirt - yOu was just a talkin* to - well - I guess. Take us in - and "introduce" us Or we'll introduce oior selves. Clinton Georgiel Can'tnyou tell Mrs. Dilpickle to behave - Amanda Yes - she can - hut Jhrtf. Dilpickle always does as she pleases - and that reminds me Mr, Dicky - Don't "pray soon" to call my neice "G&orgie" - She's only "Georgie" to me- to you andto the rest of the "hoohs" - she is "Tamale ?Jan" - as per "ad" in the "Clipper" - Tamale ITan - v/ho has "Eva Tanguay" - out Tanguayed, "Tamale Nan" as was never canned. Georgie Oh stop - Auntie! You make me blush sol When you blow aTsout me like that - I can always feel xay mortification setting in, (Enter Roger at back R.U.E. ) Amanda Well ain't you the greatest ever on the vodeveal cirtfeuits? Georgie Well - I'm only a timid shrinking modest little violey - but I sets up and takes notice - that when the song writer wants to have their new stuff "did" they rings up Tamale Han, Why Auntie and me have only just ran away from_the city to escape a biinch of contracts - from that new promoterof vodeveal - Amanda I knoxved it! I knowediti Georgie What is it - you knowed Aunty? Amanda Look at them people - don't you reckernize them? Honey-bunch? (Enter Regy and Molly from house) Molly Daddy vfOn't be long now, Uncle Regy? Regy NO, he may be here at any moment, now. Amanda The Millionaire Kid, and Molly "Studio Brat". (Morgan enters from house) and by the ghost of Mike Leavitt there. That 616. money octopus himself ♦ Who called me "A i.onster and a fat woman" (Sarcastically) (To Clinton) Nice friends them is of yOTArs, if you expect Tamale Nan and the wise woman of forty fifth Street to remain as tenants of the bungalow - you'll "can" this bunch at once, Clinton Evsh. for Mercy's sake. Molly (Looks L, sees Georgie - starts) (Goes overto oeo^gie) How do you do - Georgiei I hope you will find the bungalovj- pleasant. (Extends hand) Georgie (TaJcing it) Well - I never - and is it really yOu? Molly Yes - Molly - you've met nijr grandfather Jffr. Morgan - Morgan Oh yes - (Grimly) I've met both the ladies - Hum - v/elcome to !FairviewJ Georgie Molly - what are you giving us - he your grandfather? 8-B Ajnanda Old Standard oil - her grandfather? I shall "bust in a minute I know I shall. (To Clinton) And you - you cheap flirt - you told us this place was "yourn". Wretch - you have deceived me. It is not "yourn" - it's "hisn" - (Pointing to Morgan) Morgan But the Bungalow is Mollys - Amanda And the "bungalow "hern" - worse and more of it, Molly But you and Georgie are welcome to use it as long as you like, Morgan Molly - don't you think you hadhetter take ovoc friends into the hoiise? Molly Yes - come GeOrgie - come - Mrs, Dilpickle, Amanda (Being led Off hy Georgie) Just think of this "Hisn" and "Hern" and we've nothing of "Ourn", (Georgie and Amanda exuent into house R. ) Molly (To Morgan) (Aside) What do you intend doing? Morgan Exercise a little justice that's all Molly» Molly {Aside to Morgan) Don't forget to mix a little mercy with it - Grand paj (Exit into house R, ) Morgaa (to Clinton) Well, jpc^ Clinton, I fancy we can settle our little "business affairs without much trou"ble, (Eoger appears L.C.) I have made out a checque which you may use as you see fit. It will help you to embark in an honest career - fi you feel inclined to earn your own living or you can husy a cigarette . with it and go to - t-^i - Eegy ^Interposes) Muscatine - lov/a, Morgan That's not exa<;tly the place I meant hut it»s enough, (Hands checque, Clinton takes cheque , looks at it, pockets it) Clinton I will send for my "baggage. Good-day - thank yfru for the money and the good advice. (Exit L.2.E,) Morgan i(Looks afterhim) As incorrigable rogue - (Sees Roger) Hello y^U old rascal tRoger comes down C. slaps hands) Well, well, I'm glad to seeyou. Roger Same here - just giving that fellow Clinton the sack, waen't you*? (Morgan node) Well, I'ii not sorry — * ' " "' Morgan I'm wily sorry for one thing - Molly was fond of the fellO*, Roger What's that? Kindly repeat thatl (starts) Morgan Molly was fond of him, I saw his selfish dishones-t nature though. - and 1 feared if she married him - Roger Marry him? (Laughs) Ha! Ila! Hal Don't make me laugh - my face is kinder stiff from the toothache and it might crack. Molly fond of him? Why Molly loathed, dispised him. Why, durn his hide, he insulted her once and Morgan Why she never mentioned it. 9-B Rogeir Ho - her heart is asbig as the world but there isn't rooxa enough in it to hold the memory of a wrong - no - Molly has loved but one - can never love but one man - and will carry that love vd.th her to the grave. Morgan Ah - and theman: Roger He idolizes her - Morgan Has he ever told his love to her? Roger isro. Morgan Wliy not, Roger There were obstacles, Morgan What' obstacle? Roger Yoxi and your money, Morgan Money - an obstacle - idhat^s the matter with the fellow? Havon't I money enough? Roger He thinks you have toe much. Morgan Damn his nerve. Does he know *hat Molly cares for him. Roger Yes ♦ I told hi« so - Morgan ^iWien? Roger Five minutes ago. Morgan Pive minutes - then he is here - Roger He is sketching in this neighborhood. Morgan What's his nam.e? Roger Robert TeJi|3lel Morgan (Stajrts) (Pavise) Yeii5)le, you are - sure - Molly and he love each otlaerl Roger As sure as I am sober. Morgan Then by the "great Horn Spoon" they shall have each other. Roger I'd like to know how you are i^oing to manage it. Morgan I'm going to bring him here to see I^^oiiy. He shall propose to her or I'll break every bone in his body. Oick up golf stick) (Enter Regy from house, sees Roger, starts toward him) , , J^egy (Pleased) Hello, Roger old man. (Shakes hands) Glad to see yOxi. (Looks Roger over, laioghs) Swell get-up, that, (Swings Roger arotind) Roger Yes, I fancy it's just about the right thing. Regy CLaughs) Well, I should say. (Slaps Roger On back) Feel as good as you look? lO-B Roger Feel great. If I felt any "better it would be me fOr a cot in the hospital. {Regy laughs, turns R, sees Morgan, who is walking up and down R, malcing vicious swing in airw^^dlth golf stick) Regy Hello J governor, what's the grouch for? Morgan (Savagely, half to himself) Hum. My money is an obstacle, eh? I'll teach him. (Savings stick viciously) My little girl is going to be miserable because this fellow's got some crazy idea in his head, is she? (Swings stick) Well, 1*11 knock the idea out of his head, (To Roger) You stay here until I come back - I want you to lead me to this young idiot, (Crosses to door of house, turns) Anything Molly wants she Is going to have remember that. (Growls loudly, exits in house.) Regy ^ooks after him, surprised) "VThat on earth has got into the Governor? Roger Oh, I told him that Molly and Mr. Temple were in love with each other, a - that Molly's money was keeping them apart* Regy (Whistles) Oh - ho. And the Governor favors the match? Roger (Drily) Well you saw the song and dance movements he just went through. Regy tl,aughs) Good oldGovernor - isn't he changedfor the better, eh? IfHefis mad# up his mind to bring Temple to terms, he*ll do it. JiVLt, seriously, Roger, I*m glad to hear it - Bob Templets one of the best fellows in the world. Roger You've said it. Rffgy Does MOlly knov/ you're here? Roger No. Regy Then she wani>s to know right away. Why, she?s been counting the minutoe. (Crosses R. ) Roger Blessher, Regy (At door of house, calls) Oh Molly. Here heis. (Enter Molly eagerly from hOuse, sees ROger, who extends hands to her. Molly runs to him L . C . ) Molly (Delighted) Oh Daddy, Daddy. ROgei* (Tenderly) My little girl - my little girl. (Embraces her, then holdfiheroff , laughs delighted, embraces her again. Regy exits into houee.) My, my, my, what a big, yoiing lady you have become, (raughs) Where' - plain Molly of the "basem&nt now? (Holds her off) (Looks at har closely, speaks seriously) 3?ut you* re the same, Molly, just the same? Ycur old Dad is just the same tO you. Molly (Earnestly, embraceshim) Always, Daddy, always. Roger (Laughs delisted) Come, come, let us sit down and have a little chat. (They cross to tree seat L.C. Roger sits, Molly sits on ground by his side, rests arm on his knee) 11-B There, there, this is just as we used. tO sit in the Old 'base- ment, v/hen youK were a tiny tot, and you used to tell me all your little troubles and the secrets, eh? (Molly nods) (After slight pause) Are you happy, Molly? Molly Very happy, Daddy. Roger (After pause) "Mothing you long for? (Pause) Therets nothing in the vjorld would make you happier? (Slight pause) No? Ah, "^cnsy's a great thing. (Glight pause) Got everything you v/antj eh? -- Molly (Sighs softly) Yes, Daddy. Roger Sure there ain»t nothing - nothing you kinder hanker after, as it were? (pause) Nothing, eh? Molly (Slowly) Yes, Daddy - there »s one thing Roger Oh, is there? Molly (Softly) I shall neverhe really happy - truly happy - until - (pause) (Half emharrassed) You know Roger (Softly, after slight pause) Mr. Robert? Molly (Softly) Yes, Daddy. Roger (Pats her head tenderly) Oh, he'llcome hack, Molly ^ he'll come -haclt all right. — -_ Molly (Shakes head-~sadly) No, Daddy. (Slight pause) J*m afraid he has forgotten me. — Roger (Cheerfully) Not he. Don't you worry about that. You trust to your old Daddy. (Slight pause, then half mysteriously) in fact, I shouldn't be greatly surprised if you shovQd feee him before long. Molly (Half rises, eagerly) He is here - he is coming. Daddy - Is Robert coming? Roger (Slowly) Well - I didn't aean to say that exactly - (Molly drops into old position, disappointed,) Molly (Sighs softly) Oh. Roger What I meant was - therenever ain't no telling what may happen, (Enter Morgan from house, he still carries folf stick) Morgan (Decidedly) Now, then, sir, I'm ready - lead me to this fellow - I'll (Notices Molly, who rises, Morgan checks himself) Hum. Molly, yoiir refined friends in there, (Indicate house) are asking for you - they xvant to make their adieus. Molly (Crossing R. ) I'll go to them, grandfather. (Exit houee) Morgan (Watches her off, then txrrns to Roger) Now, sir, let us go, (Crosses up C.) You'd better pick up one of these clubs as you go along, vie may need them tc convince our man. (Regy appears in door of house) Roger (Protesting) No-no - Mr. Morgan, that method -'On't do. Mc rgaxf, (Growls) The deTil i^ wonM;? You say money won't influence the young rascal — - Roger ITc. Morgan (Decidedly) Then we must try something else* There are only two methods of practical use in this world - money and - force. Regy (Crossing R.C.) No, GoTernor- therefs another way« Morgan Eh? Regy Diplomacy. Morgan Diplomacy he Regy (interrupting) Roger is positive that Temple lores Molly, but is reluctant to tell her sc because she is your heiress, Morgan (Growls) Hum- Daamedyoung fool. Regy Uow, I've got an idea-- Morpan (Looks at him douhtf ullj ) Hum, Regy Yes, Remarkable thing perhaps, but I've just the same, and I think it Is the very one you want. J/Iorgaa (impatiently) Well, well, are you going to beat about the bush all day? Regy I propose that Roger should go and find Teicple - Clinton - told me that he was in the neighborhood - and On seme pretext - a pretty view, or the chance of a comj:iission - anything >vill do that will get him herej tliat is 3 anything except speaking of Molly. Morgan (Thoughtfully) Hum. Regy Arrange to have them meet, and leave the rest to Proi?idence -* and Molly, Roger A capital idea, eh, Mr'. Morgan? Morgan (Slowly scarcely convinced) Hum - it might work* (Slight pause) "Well, try your way. (Grimly) If it don't xvOrk - (sv:ings stick viciously) Well, I still have my ov.'-n plan, Roger (Crossing up C . ) I'll go and look for him at once^ (Crosses L.C.) I think I know about where to locate him. (Rxit L.) (Morgan and Regy retire up R.C. talk a moment in pantimine, then slowly exit R.U.E, during the fclloiving) (Enter Amanda, Georgie and Molly from house, Amanda crosses C.)- Molly (R. ) I'm sorry that you won't stay to dinaer. Amanda IMmjust love to but I'm so worried about them diamonds of Our'n. You see, v/e left them in the bungalow, and w© left the bungalow unlocked Georgie (R.C.) But, we'll come back, Molly. (Grosses C. turns, speaks earnestly) Bay, Molly, it's real sv/ell Of yoti to to treat us like this. Itshows you're the goods all right. Molly ITow, Georgie, please Georgie I used, to think that anyone could he a lady that had a few swell rags and a couple of sparks, hut i guess there's some- thing else needed *cept them things. Amanda (lirrpatiently) (Crossing up L.C,,) Oh, come on, Georgie, Georgie I'm coming, ain't I? I wish you wouldn't he so figgity. (Crosses up C. Amanda exits L. ) Good-hye Molly, Molly Good-hye, Georgie, and thank you for v/hat you told me ahout Mr. Temple. Georgie Oh, you're xvelcome, and itJs on the level. (Giggles) I suppose I was rather "mushed" on him, hut he^ he never had no use for nothing like me. Amanda (Off L. calls loudly) Geo— i — ee — Georgie (Loudly) Oh, I'm com - ing, (To Molly) Can you heat her? I'm a nerrous nrreck, I'll catch Saint Vitisus' Dance if I don^t hreak away from her soon.. (Exit L, waving hand to Molly) (Molly waves hand in return. Turns slowly H.C.) Molly (After slight pause) Why, where have Daddy and the rest gone? (Looks arOund, then slowly enters house, pause, then enter Hoger and ROhert L.U.E, crosses C, Rohert carries sketcMng materials and small camp stool on arm) Rohert (Looks around) Is this the place, Roger? Roger The identical spot, as i used to say in "La Travatara," Rcherl; (Smiles) You were right in your description - it is a sweetly pretty place. If the proprietor gives me the commission, I shall he delighted to paint it. Roger Oh, he will, I guess. Come in, Mr. Rohert, put your things On the hench there. (Indicates tree seat) Sit down. Sit down. (Rohert crosses down L,C, puts articles on seat) j^H look up the cuss and tell him you'rehere. Rohert Thank you, Roger. (Sits on seat) (Roger crosses up R.G. stops, turns, hesitates.) Roger Ah, um, Mr. Rohert, I don't suppose you've heard anything from Molly - since you came "back, have you? Robert (starts, .shakes head sadly) TTo, Roger, not a thing. -^ R&ger (Hesitates, then hlurts out) Hum,, Ain't that kinder funrny? Robert (Looks at him in surprise) P-uramy? Roger Yes. (Slight pause) If I recollect rightly, and I We an idea I do, You kinder let on to me once upon a time that you - well- I rather thought that you thought a heap of her. Rohert I did say sOj Roger, and I spoke the truth., Roger (Gaining courage) "Well, I may he inrrong, mayhe I am, hut it seems to me that if I thought a heap of a girl, I'd— well, I'd look her up and kinder hint the fact to her. Robert vi[Slowly) Underother conditions, Roger, I shoiild have done the same. But when Molly was claimed Toy her grandfather, she entered into a new life, one in v;hich I had no place. (Slight -pause) I was of the old life - the old life of poverty and privatiOiU (Sadly) She has prohab^cy forgotten me as she has the conditions of which I was a part, Roger (impatiently) Well, I'll he - (Controls hinBelf) You*r8 wrong, Mr. Ro"bext, you* re dead wrong ROher* (Eagerly) You mean that Molly Roger You*ve done Molly a great injustice. (Rohert protests) Oh, I believe that you thought you were acting for the best, but in this case, the best was darned bad. Robert (Eagerly) You - you think that Molly loved me, Roger, you think that she loves me still? Roger (Drily) I reckon I've said about enough, I ain* t no Cupid - don't even look the part, but if I had a tip like that when 1 was young, I'd- — Robert (Rises, grabs Riger's hand) Roger, if what you infer is ±8KK true, you have raade me the happiaaix man in the world. I will find MOlly and tell her at once. I'll find her if I havo t« go to the end of the earth< Roger (Drily) You won't have to go quite that far, I guess, Robert Molly, Molly, little sweetheart, is it alone toy blind folly that has kept us apart, Molly (Appears in door of house, sees Robert gasps) Robert (Robert turns) Oh Robert. Robert (Eagerly) Molly, Molly, is it really you? (Both start towards C. meet C, ) Molly (Extends hands to him) Oh, Robert, have you really come at last? Robert (Takes hand) Yes, Molly yes. I have sCme back, dear, to tell you - (Molly looks at him eagerly) that T love you - l«v© you better than my life. Molly Robert, dear, (Embrace) (Roger has retired up R,C. enter Morgan and Regy R.U.E. Morgan starts to speak, ROger checks him, indicates Robert and Molly Morgan starts to cross dOwn to them, Roger prevents him, Morgan protests, Roger whispers in his ear, Morgan starts, chuekles, all exit R.U.E.) Molly (Softly) Oh, Robert, i have been so unhappjis - I have missed you so, Robert And I, sweetheart, I have missdd you too. Molly Robert, the ^.ittle flower is dead. Robert Poor little blossom. 15-B Molly '^ "When yOu didn't come back as you said you would, I was stfra^id that your lOTe for me had died with it, Rohert (Arms about her) No-no - dear, because y^u gave it, I sliall not miss it now, given me a far more precious gift wy Molly, I loved the little flower ., foryou have - yourself. My sweetheart C U R T A I U 2nd:- Morgan , Regy and Roger on. Morgan shakes hands with Robert, then hands golf stick to Roger L.C,) Moi-gan You may put that away, Roger, I shan't need it new. DEC b m\ One copy del. to Cat. Div. DtC 8 l»f 7 LIBRflRY OF CONGRESS 015 908 955 1® 1 HolUnger Corp. pH8.5