VA6 -^ 'J iTormCL OUR VISUAL EDUCATION PROBLEM Just now, here in California, we are in the midst of a movement vital" to the educational and allied institutions, that of educating through visual aids. An apt illustration of this need we find in "The Survey" of Septem- ber 6. 1913, "A small domestic animal twelve or fifteen inches long and nine inches high — four 'legs ending in sharp claws — body covered with long hair — rounded head— ears near top of head — whiskers — long tail. WORD PICTURE OF A CAT "If you should take a pencil and try to draw the animal which this description puts into your mind, you would be quite likely to get some- thing like the sketch. * * * This is the image which the words conjured up before a member of The Survey staflf. The description was intended for that of a cat, but the artist had not been told this. "CruKle as the description is, it is perhaps no more so than many of the attempts to put conceptions into the minds of children by words alone." Leslie's VVeekly, Sept. 19. 1912. quotes Mr. Thomas Edison, where speaking of the training of a child he says: "Then when it grows old enough to go to school, we teach it twenty-six arbitrary characters and afterwards show it how to group these characters into words. Later on. we attempt to show the more mature child something of nature, literature, arithmetic, art, science, all through an agglomeration of words which, if well remembered, appeal only to the ear and intellect. No wonder the processes of education are slow. "For the sake of argument, let us suppose that the young child just learning to spell cat, dog, had never seen an animal. How could an intelligent concept of a cat or dog be conveyed to that childish mind? Draw a picture of it, you say? Precisely." For years we have recognized the value of visual instruction. It has become the basis for kindergarten work; practically all the text books are illustrated; constantly we use maps, charts, models, specimens, and photographs; not a well equipped school is without photographs, a stereopticon, or an opaque projector; there is no longer an attempt to teach science without a laboratory, or manual arts without a shop. Besides all this, there are the continual excursions for science classes, or those to the factory, harbor or farm; there are the theatre trips to \3 VISUAL EDUCATION see the great dramas, the days in the museums when these are accessible, and so on, without end. And where all this observation accompanies regular class work what a wealth of exactness it lends to the subject! For what almost endless reasoning does this definiteness form a basis! What worlds open up to the imagination! And how much more real does the student's life work loom up before him when he is familiar with its details! Is there any- one who would do away with this rich foundation for the development of our young people? Is there anything to take its place? How many of our ideas or thoughts are possible without an accompanying mental picture? With a combination of stereopticon slides and photographs for opaque projection (material already put at the disposal of its schools by New York State) and the motion picture for living scenes "the only true 'Esperanto' that all of every class and tongue can understand," the efficiency of our schools should increase many fold. Through the motion picture this age gives us the benefit of an agency that can reproduce the minutest detail; that can patiently watch the de- velopment of the plant from the planting of the seed to the opening of a blossom and reproduce it in a few minutes; that with its lightning glance can record the course of a bullet and show it to us on the screen as it slowly winds and twists its way along. Through its agency we can see the greatest plays, can watch the ancients in their daily life, can follow the intricacies of the most complicated machine, can observe movements of planets through the world's greatest telescopes, or can study the movements of the microscopic organism. However, the utility of film and slide is so generally recognized, that it is unnecessary to emphasize it further. Our greatest educators have already endorsed their use and while many schools and practicallj' all the colleges use the stereopticon, hundreds of both are already doing more or less regular work with motion picture machines. Institutions such as Yale, University of Pennsylvania, Harvard Col- lege, Cornell University, University of Minnesota and Syracuse Univer- sity are using the motion picture, although as yet not systematically. In its report on "Motion Pictures as an Aid to Education," June 30, 1913, the Department of the Interior, Bureau of Education, says: "A canvass was made a short while ago by a New York daily newspaper of thousands of schools, colleges, and other institutions of learning throughout the United States. It was found that the institutions were nearly unani- mously in favor of teaching by cinematography; and the prediction was made by most of them that the day was close at hand when they would all consider the cinematograph projector and film as an indispensable part of their equipment." In order to meet this great need, as we said before, practically all well equipped schools, even the smaller ones, have stereopticons, pro- jectors of opaque objects such as photographs, or motion picture machines. These latter have reached a very high standard. No longer is there the injurious flicker that formerly proved so objectionable. While the price of the equipment for a large auditorium is still fairly high, there are several small machines connecting with incandescent light sockets or using acetylene gas. needing no booths, and still giving a satisfactory picture of sufficient size for a room seating from one hundred to one hundred and fifty. Most of these small machines are so arranged that they can be stopped at any time, permitting the picture to be used as a VISUAL EDUCATION still picture in place of a stereopticon. Because of their safety and simplicity, they would not only be invaluable in the class room, but particularly useful in the rural districts. They retail regularly at $75 to $150, and considerable discounts are allowed to educational and religious institutions — especially good rates where there is co-opera- tive buying. The objection that there is danger from fire, has been satisfactorily answered in the Bureau of Education report of the Department of the Interior. "In the 1912 report of the fire marshal for the State of New York 8,165 fires were reported, of which only nine were said to have been caused by moving picture machines. Every reputable machine today « made fireproof. Either the Powers Cameragraph, the Edison KinetL scope, the Motiograph or the Simplex could be used in the midst ot the audience with perfect safety." The Bureau of Education report was written almost two years ago and the fire marshal's report referred to was over two vears ago. Since then there have been a number of im- provements so that now a machine is almost "fool proof." Practically any bright high school junior or senior can easily learn to operate w machine successfully under the supervision of the science teachers or school engineer Every year thousands of dollars are being spent for the purchase of lantern slides and photographs or the rental of films, and of this expendi- ture a great percentage is waste. This point is illustrated in the science department of one of our high schools. It owns two thousand slides rep- resenting a value of over fifteen hundred dollars. This department needs two thousand other slides, but can not get the appropriation yet. Still these slides are used on the average but four times a year and for three days at a time. Out of one hundred and sixty seven actual school days, each slide is in use twelve and lying idle one hundred and fifty-five! What business house could stand such inefficiency? And while these slides are idle, the neighboring school is trying to get its school board to purchase a duplicate set for its science work, while it has, perhaps, two thousand slides in history or commercial work that the first school is still struggling along without. To solve this problem, in New York State, the Department of Educa- tion Division of Visual Instruction has gathered at a central point thou- sands of visual aids, classified and cared for by experts, which are lent to the educational and allied institutions of the State for short periods of time. By careful scheduling, these aids are kept busy a great part of the time, so that with the same expenditure that would otherwise be insufficient, all schools may get really all they need. While before, only the big city schools could afford to use slides, now the rural schools can use them not only for class work but as the basis for rural social center work. Last year the total number of slides shown through this depart- ment reached over 220,000. There is not, as sometimes claimed, a dearth of available material among the regularly produced pictures. It is true that almost any film exchange manager will say that there are practically no educational films to be secured, and the list he produces will include but a few scientific films, one or two industrials, and perhaps a few biological sub- jects. However, his idea of the paucity of material is due largely to the fact that he has not a complete concept