NORTHWESTERN UNIVERSITY LIBRARY The Gift of £ a J, cl^As (XAJ~ ' UNDER THE SURFACE. BY FRANCES RIDLEY HAVERGAL, AUTHOR OF ' THE MINISTRY OF SONG,' ETC. SEVENTIETH THOUSAND. gorft : E. P. DUTTON AND CO., PUBLISHERS. BOOKSELLERS, AND IMPORTERS, 39 WEST TWENTY-THIRD STREET. 1883. ?2 J. ft l ii i h xt? 3 tbo5 L ib r a ry ♦ £ hyovju / TO MY FELLOW-MEMBERS op THE YOUNG WOMEN'S CHRISTIAN ASSOCIATION, WITH THE PRAYER that our work ' under the surface' may be more and more crowned with our master's blessing. CONTENTS. I. UNDER THE SURFACE. FAGB Under the Surface, Autobiography, 13 Compensation, 19 The Moonlight Sonata, 24 II. OUR GOD. *The Infinity of God 49 The Spirituality of God, 50 The Eternity of God, 51 The Sovereignty of God, 52 The Essential Blessedness of God, ... S3 Thine is the Power, .54 III. OUR SAVIOUR. The One Reality, ...... 61 To Thee 62 •Confidence, 63 *1 could not do without Thee, .... 64 •4 Jesus only,' 66 *Is it for me? 67 Hidden in Light, 68 6 6 Contents. PAGE He is thy Lord, 69 *Our King, 73 •Ascension Song, 74 •Advent Song, ....... 76 IV. OUR WORK. *' Have you not a Word for Jesus V . . . 81 *A Worker's Prayer, 85 •Our Commission, 86 •Singing for Jesus, ,90 A Silence and a Song, ..... 91 The Coming ot the Healer, .... 94 •Another for Christ, 98 ' How Wonderful/ ...... 101 Valiant for the Truth, 102 A Plea for the Little Ones, .... 105 •Tell it out, * 110 Sisters, 113 An Indian Flag, 115 The Lull of Eternity, 117 The Sowers, 123 V. OUR BLESSINGS. •Everlasting Blessings, 143 •Accepted, 144 •Fresh Springs, 145 •Faithful Promises, 147 •The Faithful Comforter, 149 •Under His Shadow, 130 •Covenant Blessings, ...... 152 •The Triune Presence, 153 Contents. 7 VI. NOW AND AFTERWARD. PAGtf •Now and Afterward, 157 * Tempted and Tried,' 158 Not Forsaken, 160 •Listening in Darkness, Speaking in Light, . 161 •Evening Tears and Morning Songs, . . , 162 Peaceable Fruit, 16$ Right 1 165 The Col de Balm, . . . , , ,177 1 Eye hath not seen,' ...... 178 VII. THE CHURCH OF CHRIST. •Chosen in Christ, 185 •Called, 186 •Justified, 1S8 •Sanctified, 189 •Joined to Christ, 190 •Presented Faultless, ...... 192 •Glorified, 193 VIII. LIGHTS AND SHADOWS OF SPRING-TIME. The Message of an iEolian Harp, . • . 197 Baby's Turn, 2to •The Children's Triumph, 212 The First Smile, 214 The Sunday Book, 215 Amy, 216 ' It is well with the Child,' .... 217 At Home To-Night, 218 Two Rings, 221 8 Contents. IX. SONGS. PAGH *' Bells across the Snow,' 229 •Singing at Sunset, 230 Heather Lintie, 232 Sunbeam, and Dewdrop, 234 •Dream-Singing, 235 *She waits for hie, 236 *The Mountain Maidens. A Cantata, . . 241 X. MISCELLANEOUS. A Seeing Heart, 261 July on the Mountains, 264 My Window, 265 Candlemas Day, 267 Now! 269 •Light at Eventide, 275 Vet Speaketh, 277 ' From Glory to Glory,' 280 Finis, 287 For Music to those marked *, see page 293. I. ©fator tlje Surface. 'Man's goings are of the Lord ; how can a man then understand his own way ?'—Prov, xx. 24. 9 UNDER THE SURFACE. UNDER THE SURFACE. I. ON the surface, foam and roar, Restless heave and passionate dash, Shingle rattle along the shore, Gathering boom and thundering crash. Under the surface, soft green light, A hush of peace and an endless calm, Winds and waves from a choral height, Falling sweet as a far-off psalm. On the surface, swell and swirl, Tossing weed and drifting waif, Broken spars that the mad waves whirl, Where wreck-watching rocks they chafe. 11 12 Under the Surface. Under the surface, loveliest forms, Feathery fronds with crimson curl, Treasures too deep for the raid of storms, Delicate coral and hidden pearl. II. On the surface, lilies white, A painted skiff with a singing crew, Skv-reflections soft and bright, Tremulous crimson, gold and blue. Under the surface, life in death, Slimy tangle and oozy moans, Creeping things with watery breath, Blackening roots and whitening bones. On the surface, a shining reach, A crystal couch for the moonbeams' rest, Starry ripples along the beach, Sunset songs from the breezy west Under the surface, glooms and fears, Treacherous currents swift and strong, Deafening rush in the drowning ears,— Have ye rightly read my song ? A utcbiography. 13 A UTOBIOGRAPHY. Autobiography j So you say, So do I not believe 1 For no men or women that live to-day, Be they as good or as bad as they may, Ever would dare to leave In faintest pencil or boldest ink All they truly and really think, What they have said and what they have done, What they have lived and what they have felt, Under the stars or under the sun. At the touch of a pen the dewdrops melt, And the jewels are lost in the grass, Though you count the blades as you pass. At the touch of a pen the lightning is fixed, An innocent streak on a broken cloud ; And the thunder that pealed so fierce and loud, With musical echo is softly mixed. Autobiography? No! It never was written yet, I trow. Grant that they try ! Still they must fail ! Words are too pale For the fervour and glow of the lava-flow. 14 Under the Surface. Can they paint the flash of an eye ? How much less the flash of a heart, Or its delicate ripple and glitter and gleam, Swift and sparkling, suddenly darkling, Crimson and gold tints, exquisite soul-tints, Changing like dawn-flush touching a dream ! Where is the art That shall give the play of blending lights From the porphyry rock on the pool below? Or the bird-shadow traced on the sunlit heights Of golden rose and snow ? You say 'tis a fact that the books exist, Frinted and published in Mudie's list, Some in two volumes, and some in one— 1 Autobiographies plenty. But look 1 I will tell you what is done By the writers, confidentially ! They cut little pieces out of their lives And join them together, Making them up as a readable book, And call it an autobiography, Though little enough of the life survives What if we went in the sweet May weather To a wood that I know which hangs on a hill, And reaches down to a tinkling brook, A u tobiography. 15 That sings the flowers to sleep at night, And calls them again with the earliest light Under the delicate flush of green, Hardly shading the bank below, Pale anemones peep between The mossy stumps where the violets grow ; Wide clouds of bluebells stretch away, And primrose constellations rise,— Turn where we may, Some new loveliness meets our eyes. The first white butterflies flit around, Bees are murmuring close to the ground, The cuckoo's happy shout is heard. Hark again ! Was It echo, or was it bird ? All the air is full of song, A carolling chorus around and above ; From the wood-pigeon's call so soft and long, To merriest twitter and marvellous trill, Every one sings at his own sweet will. True to the key-note of joyous love. Well, it is lovely ! is it not ? But we must not stay on the fairy spot, So we gather a nosegay with care : A primrose here and a bluebell there, And something that we have never seen. i6 Under the Surface. Probably therefore a specimen rare ; Stitchwort, with stem of transparent green, The white-veined woodsorrel, and a spray Of tender-leaved and budding May. We carry home the fragrant load, In a close, warm hand, by a dusty road; The sun grows hotter every hour ; Already the woodsorrel pines for the shade ; We watch it fade, And throw away the fair little flower ; We forgot that it could not last an hour Away from the cool moss where it grows. Then the stitchworts droop and close ; There is nothing to show but a tangle of green, For the white-rayed stars will no more be seen. Then the anemones, can they survive? Even now they are hardly alive. Pla! where is it, our unknown spray ? Dropped on the way ! Perhaps we shall never find one again. At last we come in with tire few that are left, Of freshness and fragrance bereft; A sorry display. Now, do we say, AtUobiography. 17 ' Here is the wood where we rambled to-day? See, we have brought it to you ; Believe us, indeed it is true. This is the wood!' do we say ? So much for the bright and pleasant side. There is another. We did not bring All that was hidden under the wing Of the radiant-plumaged Spring. We never tried To spy, or watch, or away to bear, Much that was just as truly there. What have we seen ? flush, ah, hush ! Curled and withered fern between, And dead leaves under the living green, Thick and damp. A clammy feather, All that remains of a singing thrush Killed by a weasel long ago, In the hungry winter weather. Nettles in unfriendly row, And last year's brambles, sharp and brown, Grimly guarding a hawthorn crown. A pale leaf trying to reach the light By a long weak stem, but smothered down, Dying in darkness, with none to see. The rotting trunk of a willow tree, B 3 8 Under the Surface. Leafless, ready to fall from the bank ; A poisonous fungus, cold and white, And a hemlock growing strong and rank. A tuft of fur and a ruddy stain, Where a wounded hare has escaped the snare, Only perhaps to be caught again. No specimens we bring of these, Lest they should disturb our ease, And spoil the story of the May, And make you think our holiday Was far less pleasant than we say. Ah no ! We write our lives indeed, But in a cipher none can read, Except the author. He may pore The life-accumulating lore For evermore, And find the records strange and true, Bring wisdom old and new. But though he break the seal, No power has he to give the key. No licence to reveaL We wait the all-declaring day, When love shall know as it is known. Til) then, the secrets of our lives are ours and God's alone. Compensation. 19 COM PENS A TION. THE compensating springs ! O the balance-wheels of life, Hidden away in the workings under the seem¬ ing strife I Slowing the fret and the friction, weighting the whirl and the force, Evolving the truest power from each uncon¬ scious source. How shall we gauge the whole, who can only guess a part ? How can we read the life, when we cannot spell the heart ? How shall we measure another, we who can never know From the juttipgs above the surface the depth of the vein below ? Even our present way is known to ourselves alone, Height and abyss and torrent, flower and thorn and stone; But we gaze on another's path as a far-off mountain scene, Scanning the outlined hills, but never the vales between. 20 unaer me ourjacc. How shall we judge their present, we who have never seen That which is past for ever, and that which might have been ? Measuring by ourselves, unwise indeed are we, • Measuring what we know by what we can hardly see. Ah ! if we knew it all, we should surely under¬ stand That the balance of sorrow and joy is held with an even hand, That the scale of success or loss shall never overflow, And that compensation is twined with the lot of high and low. The easy path in the lowland hath little of grand or new, But a toilsome ascent leads on to a wide and glorious view ; Peopled and warm is the valley, lonely and chill the height, But the peak that is nearer the storm-cloud is nearer the stars of light. % Compensation. * 21 Launch on the foaming stream that bears you along like si dart,— There is danger of rapid and rock, there is tension of muscle-and heart; Glide on the easy current, monotonous, calm, and slow, You are spared the quiver and strain in the safe and quiet flow. O the sweetness that dwells in a harp of many strings, While each, all vocal with love, in tuneful harmony rings 1 But O, the wail and the discord, when one and another is rent Tensionless, broken, or lost, from the cherished instrument. For rapture of love is linked with the pain or fear of loss, And the hand that takes the crown must ache with many a cross ; Yet he who hath never a conflict hath never a victor's palm, And only the toilers know the sweetness of rest and calm. 22 Under the Surface. Only between the storms can the Alpine traveller know Transcendent glory of clearness, marvels of gleam and glow ; Had he the brightness unbroken of cloudless summer days, This had been dimmed by the dust and the veil of a brooding haze. Who would dare the choice, neither or both to know, The finest quiver of joy or the agony-thrill of woe? Never the exquisite pain, then never the ex¬ quisite bliss, For the heart that is dull to that can never be strung to this. Great is the peril or toil if the glory or gain b« great; Never an earthly gift without responsible weight; Never a treasure without a following shade of care; Never a power without the lurk of a subtle snare. Compensation. 23 For the swift is not the safe, and the sweet is not the strong; The smooth is not the short, and the keen is not the long ; The much is not the most, and the wide is not the deep, And the flow is never a spring, when the ebb is only neap. Then hush I oh, hush 1 for the Father knows what thou knowest not, The need and the thorn and the shadow linked with the fairest lot; Knows the wisest exemption from many an unseen snare, Knows what will keep thee nearest, knows what thou could'st not bear. Hush ! oh, hush ! for the Father portioneth as He will, To all His beloved children, and shall they not be still ? Is not His will the wisest, is not His choice the best ? And in perfect acquiescence is there not per¬ fect rest ? 24 Under the Surface. I lush ! oh, hush ! for the Father, whose ways are true and just, Knoweth and careth and loveth, and waits for thy perfect trust ; The cup He is slowly filling shall soon be full to the brim, And infinite compensations for ever be found in Him. Hush ! oh, hush ! for the Father hath fulness of joy in store, Treasures of power and wisdom, and pleasures for evermore ; Blessing and honour and glory, endless, infinite bliss ;— Child of His love and His choice, oh, canst thou not wait for this ? THE MOONLIGHT SONATA. Entrotrartion. The ills we see,— The mysteries of sorrow deep and long, The dark enigmas of permitted wrong,— Have all one key : The Moonlight Sonata. 25 This strange, sad world is but our Father's school; All chance and change His love shall grandly overrule. How sweet to know The trials which we cannot comprehend Have each their own divinely-purposed end I He traineth so For higher learning, ever onward reaching For fuller knowledge yet, and His own deeper teaching. He traineth thus That we may teach the lessons we are taught; That younger learners may be further brought, Led on by us : Well may we wait, or toil, or suffer long, For His dear service so to be made fit ana strong. He traineth so That we may shine for Him in this dark world, And bear His standard dauntlessly unfurled s That we may show 26 Under the Surface. His praise, by lives that mirror back His love,— His witnesses on earth, as He is ours above. Nor only here The rich result of all our God doth teach His scholars, slow at best, until we reach A nobler sphere : Then, not till then, our training is complete, And the true life begins for which He made us meet. Are children trained Only that they may reach some higher class? Only for some few school-room years that pass Till growth is gained ? Is it not rather for the years beyond To which the father looks with hopes so fair and fond ? Bold thought, flash on Into the far depths of Eternity ; When Time shall be a faint star-memory, So long, long gone ! Only not lost to our immortal sight, Because it ever bears Redemption's quench¬ less light. The Moonlight Sonata. 27 Flash on, and stand Among thy bright companions,—spirits blest, Inhabiting through ages ot glad rest The Shining Land I Each singing bliss into each other's hearts,— Outpouring mighty joy that God's full hand imparts. If sweet below To minister to those whom God doth love, What will it be to minister above ! His praise to show In some new strain amid the ransomed choir To touch their joy and love with note of living fire t With perfect praise, With interchange of rapturous revelation From Christ Himself, the burning adoration Yet higher to raise, For ever and for ever so to bring More glory and still more, to Him, our gracious King. Look on to this Through all perplexities of grief and strife,— To this, thy true maturity of life, Thy coming bliss ; 28 Under the Surface. That such high gifts thy future dower may be, And for such service high thy God prepareth thee. What though to-day Thou canst not trace at all the hidden reason For His strange dealings through the trial- season,— Trust and obey : And, like the child whose story follows here, In after life and light all shall be plain and clear. Slice's Storg. PART I. The firelight softly glanced upon Dark braids and sunny curls, Where, in a many-windowed room, Yet dim with late November gloom, Were busy groups of girls. Some sat apart to learn alone ; Some studied side by side ; Some gathered round a master's chair In reverent silence ; others there For readiest answer tried. The Moonlight Sonata. 29 For one young name a summons came, And Alice quickly rose : The rapid pen aside is laid ; The call once heard must be obeyed At once,—as well she knows. Yet with no joyous step or smile She hastens now away, A teacher's earnest look to meet, Whose hand is filled with music sweet, As hers shall be one day. Beside her at the instrument A place her teacher takes, With patient eye, yet keenest ear ; And Alice knows that he will hear The slightest fault she makes. Oh, such a music-task as this Was never hers before ! So long and hard, so strange and stern,-" A piece she thinks she cannot leam, Though practised o'er and o'er. It is not beautiful to her,— She cannot grasp the whole : 30 Under the Surface. The Master's thought was great and deep,— A mighty storm, to seize and sweep The wind-harp of the soul. She only plays it note by note, ( With undeveloped heart; She does not glimpse the splendour through Each chord, so difficult and new, 01 veiled and varied art. Unwonted beat and weird repeat She cannot understand ; She stumbles on with clouded brow,- Her cheek is flushed, and aching now The weary little hand. She looked up in her teacher's face ; Tears were not far away : ' Must I go on till it is done ? Oh, let me change it, sir, for one That I can better play. ' I cannot make it beautiful,— It has no tune to sing ; And when I am at home, I fear My friends will never care to hear This long and dreary thing.' The Moonlight Sonata. 31 He said, ' If you might freely choose, My child, what would you learn ?' ' Oh, I would have the " Shower of Pearls," Or " Soldiers March," like other girls, And quick approval earn ; ' Or sweet Italian melodies, With brilliant run and shake t If you would only give me such, I think that I could please you much,— Such progress I should make.' ' Leam this, and it will please me more,' Said he, with kindest voice : ' And though 'tis now so hard to play, Trust me, you will be glad some day That I have ruled your choice.' Tears trembled on the lash, and now His face she could not see ; Once more she pleaded, as they fell, ' But I shall never play it well: It is too hard for me !' 'One thing I grant,' he said : ' that you May fully, freely tell 32 Under the Surface. Your father, who is kind and wise : And, Alice, what he shall advise, Say, will it not be well?' Again she came, and stumblingly The hard sonata played : Another week had passed away, With toilsome practice every day, Yet small the progress made. Her father's writing, bold and clear. Lay on the instrument: 4 Your letter safely came to me, And now shall answer lovingly To my dear child be sent. ' The hardest gained is best retained j You learn not for to-day : I cannot grant your fond request; Your teacher certainly knows best,— So trust him and obey.' The teacher spoke ; she listened well, No word of his to miss : ' Alice, I want to make ot you An artist, noble, high, and true; And no light thing is this. The Moonlight Sonata. 33 ' There's happier, better work in store Than merry tunes to play : You have a mission to fulfil,— You do not know it; but I will Prepare you as I may. ' Will you believe that I know best, And persevere, my child ? ' She answered, with a little sigh, ' Yes : I will trust, and I will try And then her teacher smiled. PART II. Long has the school been left behind, For years have passed away : We find her now where evening light Fades not into the darksome night, But melts into the day. There, in an arched and lofty room, She stands, in fair white dress ; Where grace and colour and sweet sound Combine and cluster all around, And rarest taste express. "Tis Alice still, but woman grown In hand and head and heart: c 34 Under the Surface. And those who now around her throng Are skilled in music and in song, In learning and in art. It was an evening of delight To be remembered long, With many a reach of vivid thought, And many a vision artist-wrought, And—crown of all that friendship brought— The eloquence of song. The North is bright, with lingering light To Northern summers given,— A tender loveliness that stays When twilight falls upon the days, As silence falls in heaven. 'Now, Alice : now the time is come 1 Sweet music you have poured ; But, in this gentle twilight fall, Give now the very best of all That in your heart is stored. ' Give now the Master's masterpiece ; All silent we will be : And you shall stir our inmost souls, While, like a fiery river, rolls Beethoven's harmony. The Moonlight Sonata. 35 An instrument was by her side,— A new and glad possession, Whose perfect answering conveyed Each delicate and subtle shade Of varying expression. She needed no reminding score, For memory was true : And what is learnt in childish year^ Deep graven on the mind appears Our life's whole journey through. And so she only had to let The long-known music flow From happy heart and steady hand, As with a magic flame-command, Enkindling in the listening band A full responsive glow. Through shade more beautiful than light, Through hush of softest word, Through calm and silence, still and deep As angel-love or seraph sleep. The opening notes were heard. 36 Under the Surface. CTjc Sonata. part i.—(adagio.) Soft and slow, Ever a gentle underflow, Soft and slow, Murmuring peacefully on below. A twilight song ; while the shadows sleep Dusk and deep, Over the fountain, under the fern, Solemn and still: Waiting for moonlight over the hill To touch the bend of the lulling burn, And make it show As a diamond bow, Shooting arrows of glancing light In luminous flight To the gloomy head of the waterfall; Again to break, In silvery flake, Under the wild and grim rock-wall. A twilight song, a song of love, Softer than nightingale, sweeter than dove; Loving and longing, loving and yearning, With a hidden flow of electric burning Ever returning; The Moonlight Sonata. 37 Melting again in calm repeat, Slow and sweet, Sweet and slow; While ever the gentle underflow Murmurs lovingly on below, In notes that seem to come from far,— From the setting star In the paling west, Faint and more faint, Like the parting hymn of a dying saint Sinking to rest. A moment of deep hush ; then wakes again With sudden sparkle of delight,—a nevv and joyous strain. PART II. (ALLEGRETTO.) Awake! awake! For life is sweet 1 Awake! awake ! New hopes to greet. The shadows are fleeting. The substance is sure j The joys thou art meeting Shall ever endure. Awake I awake ! For twilight now 3§ Under the Surface. That veiled the lake Where dark woods bow, In moonlight resplendent Is passing away; For brightness ascendant Turns night into day. Oh, listen ! yet listen ! The moonlight song Where still waters glisten Is floating along : A melodious ripple of silver sound In golden rhythm of light-bars bound, Linked with the loveliness all around. A song of hope, That soars beyond The farthest scope Of a vision fond ; While the loneliest silence of solemn night, And the depth of shadow beneath out feet. Only make the song more sweet,— Only make the sacred light Yet more tender, yet more bright ; And song and radiance both entwining In radiant singing and musical shining Float on and on Till the night is gone, The Moonlight Sonata. 39 Ever for rest Far too blest. Then wake, then wake From slumberous leisure 1 Arise and take Thy truest pleasure! A life is before thee which cannot decay; A glimpse and an echo are given to-day Of glory and music not far away. Take the bliss that is offered thee : Hope on, hope ever, and thou shalt be Blest for aye! Once more a pause is made : While deeper still the silence, deeper yet the shade PART III.—(presto agitato.) Now in awful tempest swelling, Fallen hosts anew rebelling, Battle shout and lava torrent Mingle in a strife abhorrent. Fiery cataracts are leaping, Passion-driven stars are sweeping In a labyrinth of courses ; Space is torn with clashing forces : 40 Under the Surface. Tis a fearful new rehearsal Of old chaos universal. Hush ! and hark ! and hear aright, And you shall know It is not so ! Tis the roar of chariot wheels, That nothing hinders, nothing bars, Whose flint-sparkles are the stars Flashing bright; And the mighty thunder-peals Are the trampling of its steeds. On it speeds, Crushing wrongs like river-reeds, By the grandly simple might Of Eternal Right. 'Tis a song—a battle song,— And a shout of victory, Darting through the conflict strong Terror to the enemy. Rising, while the moon is setting That beheld the struggle sore ; Rising still, while not forgetting That the battle is not o'er ; Rising, while the day is breaking O'er the hills, serene and strong ; The Moonlight Sonata. 41 Rising, while the birds are waking With their myriad-throated song ; Rising ! yet with much to do Ere the strife be ended ! For loud confusion And wild delusion Are rampant still, and still are blended With the song of triumph bursting through. It rises to fall again ; Falls, but to rise ; Hushed, but to call again Loud to the skies. Resounding like thunder In conquering march, That reverberates under The resonant arch. Sternly triumphant o'er wrongful might, In whirlwind of battle, in tempest of fight, See the singers before us, In warrior chorus, Never despairing, Never yielding : Ever preparing And faithfully wielding Weapons kept bright, And armour of light; 42 Under the Surface. Shattering barriers that seemed adamantine, Spuming the depth and scaling the height; While over all the turmoil and fray Shines, in the dawn that heralds the day, Star-lit, a crown amaranthine. Yea : a mighty song, Of joy and triumph strong; Magnificent in madness, And glorious in gladness. Every obstacle is hurled To an infinite abyss ; Giant standards are unfurled,— Banners of a far-off world Calling followers from this ; Calling, calling: shall it be To noble failure and heroic death? Lifted with a parting breath, Is the shout of victory Failing fast ? Is the only crown at last Death: death ? No ! 'Tis not so! For light and life End the war and crown the strife. The Moonlight Sonata. 43 Joy to the faithful one full shall be given 1 Rising in splendour that never shall set, The moming of triumph shall dawn on thee yet, When gladness and love for ever have met In heaven. She ended. For a little space The music still seemed swelling ; As it were too sweet and rare Like common sound to leave the air As a deserted dwelling. Then, through the flow of loving thanks And murmuring delight, And marvel at the Master's art, One rich approval reached her heart More than all else that night. One who had also freely brought His own high gift of song, Drew near and spoke : ' For many a year That marvellous work has been most dear,— Known, loved, and studied long. ' I own, like you, allegiance true, And deemed my insight clear ; 44 Under the Surface. But never guessed until to-night The depths of meaning and the might Of what you rendered here. ' The Master has been much to me ; But more than ever now I see That there none is above him. You have been his interpreter : To you it has been given to stir The souls of all who love him.' Then swift up-flashed a memory,— A long-forgotten day ; A memory of tears once shed, Of aching hand and puzzled head. And of the father's word that said, 'Trust and obey.' The lesson leamt in patience then Was lit by love and duty : The toiling time was quickly past, The trusting time had fleeted fast. And Alice understood at last Its mysteries of beauty. O glad, perpetual harvest-time After the sowing days 1 The Moonlight Sonata. 45 For all her life rich joy of sound, And deep delight to loved ones round, And to the Master,—praise ! Conclusion. Ye read her story. Take home the lesson with a spirit-smile : Darkness and mystery a little while, Then—light and glory, And ministry 'mid saint and seraph band, And service of high praise in the Eternal Land J II.