F\44d ftVOT Z)3 A PAROCHIAL MUSIC CORRECT CONTAINING • Remarks on the Performance of Psalmody in Co u n t t r tS &h u r ! c U j and on the ridiculous and profane Manner of Singing praclifed by the Meihodifts ; Reflections on the bad Performance of P s a l m o d y in London i JVeftminfter y &c. with fome Hints for the Improvement of it in Public Worship ; Obfervations on the Choice and Qualifications of" Parish-Clerks; the Utility of Teaching^ Cbarity-Cbildren Pfalmody and Hymns ; the Ufe of Organs, and the Performance of Organists. By WILLIAM RILEY, Principal Teacher of Psalmody to the Charity-Schools in London , JVeftminJler, and Parts adjacent. To which are added, A Scarce and Valuable Collection of Psalm Tunes by the late Dr Blow, Dr Croft, and Mr Jeremiah Clarke; with a great Number of New Tunes in Three and Four Parta, and of different Meafures, Compofed on Purpofe for this Work, by fome of the Principal Composers and Organists in London. Sing ye Praifes with Underftanding, Psalm XLVII. 7. Let all Things be done decently and in Order, iCor. XIV. 40. LONDON: Printed for the Author, and Sold at his Houfe in Great James -fireet, Bedford-Row, Holborn ; and at moft of the Music Shops. M DCC LXII. TO THE RIGHT WORSHIPFUL Sir ROBERT LADBROKE, Knt. and Aldewnan, < (One of th& Representatives, and Father of the City of LONDON) PRESIDENT-, And to the reft of the Worthy TRUSTEES and SUBSCRIBERS to the feveral Charity-Schools within the B i l l s of Mo r t a l i t y. GENTLE M E N, AS Part of the following EfTay fets forth the Utility of Teaching Charity-Children Pfalmody, I have taken the Liberty to addrefs it to You, by whofe Benevolence thofe Children are not only inftructed in the Principles of the Chriftian Religion, but are alfo, with fome degree of Underflanding, taught to join in this Part of Chriftian Worfhip. By this Practice many Perfons, who before ufed to efteem Paro- chial Singing a trifling Concern, have been induced to bear a Part in this Angelic Exercife. As this Religious Duty is greatly flighted in private Families, and totally neglected in moll public Schools that are not under your Patronage j how much more irregular would the Performance thereof be in Churches, were it not for the Inftruclions the Children of the Poor receive by your kind Liberality ? A 2 Seeing IV DEDICATION. Seeing then, that the decent and orderly Performance of Pfalmody fo greatly depends upon the Children educated in the Charity- Schools, and as it mull be allowed that You are the principal Encouragers thereof ; thefe Motives have emboldened me to claim your Patronage and Protection, hoping that You will receive this well-meant Treatife as aTeftimony of my Zeal and Regard for lb meritorious an Under- taking in which You have long been laudably engaged. Though doubtlefs there are many who ( for Reafons eafily to be difcerned) will ill-naturedly cenfure this Performance, yet I have great Reafon to hope from the repeated Marks of your Approbation I have long experienced, that You will give it a candid Reception, efpecially as there is nothing therein propofed or recommended but with a View to promote the Honour of Almighty God, Decency and Regularity in his Worfhip, and the Edification of his Church. I am y Gentlemen, With all due Refpecl, Tour mojl Obedient^ Great James-ftreet, Mojl DeVOted, Bedford - Row, April, 1762. Humble Servant t WILLIAM RILEY. * * % # * * * * #******#****#** * ****** * * # O F SUBSCRIBERS- A. TH E Reverend George Applebee, M. A. Vicar of Wornall, Bucks. Captain Charles Alexander, Smyth's Hall, EJJex. Mr Allen, Mafter of Coleman-ftreet Ward School, 2 Books. Mr Atfield, Organift of St Catharine Cree. Mr John Arkley, 7 _ . . . _ Mr Atkinfon, ] *"&'#«"> Mames-Jlreet.. Mr Amey, Coleman-ftreet. Mr Abberley, Hatton Garden. Mr Atterbury, junior, Snow-hill. Mr Adams, Clerk of St Gregory near St Paul's. Mr James Afhlett, St Margaret's Church Yard, Weftminfter. The Reverend Cutts Barton, D. D. Rector of St Andrew's, Holhrn y and Chaplain to the Princefs Dowager of Wa les. Richard Wilbraham Bootle, Efq-, Great Ormond-Jlreet. [ a ] Robert vi SUBSCRIBERS NAMES. Robert Barker, Efq; Red Lion-ftreet, Holborn. "William Brough, Efq-, Doclors Commons. ' Mifs Boyd, Bloom/bury. Mr Bercher Baril, Princes-Jlreet, Lothbury. Mr Jonathan Battifhill. Mr Jofeph Baildon, Organift of St Luke's, Old-Jireet, and Fulham. Mr John Bennet, Organift of St Dionis Back-Church. Mr John Bell, Organift of St Leonard, Shoreditch. Mr Jofeph Bryan. Mr Lawrance Bagley. Mr John Bacon, Clerkenzvell. Mr Bafkerfeild, Holborn. Mr Baker, Great Bell Alley, Coleman-ftreet. Mr Brady, Coleman-ftreet. Mr Bum, Oxford Court, Cannon-ftreel. Mr Beavan, Hatton Garden. Mr Bryan Brough ton, junior, of the Pay-Office, Broad-ftreei. Mr Bowlby, London Wall. Mr Nicholas Brandt, Sweetings Alley, Cornhill. Mr Burrough, Old Jewry. Mr Holloway Brecknock, Aldgate. Mr John Boodle, Ongar, EJfex. Mr By field, Organ Builder, Red Lion-ftreet, Holborn. Mr Burt, Church Alley, Bafinghall-Jlreet. Mr Bucklee, Bridgewater Square. Mr John Buckley, Glafs Houfe-ftreet, Piccadilly. Mr John Briggs, 1 r . . Mr Henry Bennett, J Et """"> Km >- Mr Brown, Writing Mafter, &c. Kirby-ftreet, Hatton Garden. Mr Bolton, Mafter of the Charity Schopi of St Andrew's, Holborn. Mr Bufby, Mafter of the Free School, Newington Butts. Mr Bowman, Clerk of St Luke's, Old-fireet. Mr Bernard, Clerk of the Chapel Royal of St John Baptiji in the Savoy. Mr SUBSCRIBERS NAMES. S Mr Baker, Officiating Clerk of St Mary, Newington, Surry. Mr Ball, Parifh Clerk of AJhby Ledges, Northampton/hire. C. The Hon. William Clifton, Efq; Attorney-General of Savanah, Georgia. The Reverend Mr Cookfon, Lecturer of St Matthew, Bethnal Green, and Chaplain to the Ironmongers Alms-Houfes. The Reverend Mr Charles, Lecturer of St Mary, Somerfet, and Curate of St Andrew's, Holborn. The Reverend Mr Richard Clarke. Richard Capel, Efq-, Barnaby-Jtreet, Southwark. Ofmond Cooke, Efq«, Friday-Jlreet. Mr Hugh Cox, one of the Gentlemen of his Majefty's Chapel Royal. Mr Charles Courts, Organift of the Danijh Church in IVell-Clofe Square. Mr Chandler, King/ion upon Thames, 2 Books. M after Percival Chandler, Ditto. Mr Cotterell, Poultry. Mr William Cotterell, Ditto. Mr Creed, Bijhopfgale-Jlreet. Mr Edmund Carter, Ditto. Mr Daniel Capel, Ditto. Mr Crocker, Leadenhall Market. Mr William Cope, Bow-lane. Mr John Crellius, St Thomas Apojiles. Mr Clark, Bunhill Row. Mr Carter, Chancery-lane, Mr Carman, Holborn. Mr Caldwall, Holborn. Mr Coe, Newgate-Jtreet. Mr Pafton Cartwright, Lcmbard-Jlrest. Mr Lark Cuthbertfon, Little Britain. Mr Cotfell, Borough, Southwark. [ a 2 ] Mi gviii SUBSCRIBERS NAMES. Mr John Cullum, Trig- ft airs, Thames-ftreet. Mr James Cowan, Black Friars. Mr Edmund Chapman. Mr George Courtup. Mr John Cheltnam. Mr Cowley, Profeflbr of Geometry in the Royal Academy in Woolwich. Mr John Champion, Writing M after, &c. Eoft-jlreet, Red Lion Square. Mr Henry Colltge, Great James-ftreet, Bedford Row. Mr Wheeler Collings, New Ormond-ftreet. Mr John Cotton, Mafter of Caftle Baynard Ward School. Mr William Cotton, Mafter of the Charity School of 5/ Ann, Black Friars. Mr Crippen, Clerk of Alballows, Barking. Mr Cheney, Clerk of Cbrijl Church, London. Mr Clarke, Clerk of St Michael\ Cornhill. Mr Curtis, Clerk of St Mildred, Poultry. Mr John College, Parifh Clerk of Wefthaddon, Northamptonjhire. D. The Reverend John Doughty, M. A. Minifterof St James's, Clerkenwell. The Reverend Mr Day, Vicar of Roydon, EJfex, and Lecturer of St Michael Royal, College Hill. Mr Henry Duncalf, Organift of St Bartholomew's, Royal Exchange, and St Mary at Hill. Mrs Davie, Ratdiffe Highway. Mr Solomon Da Cofta. Mr James Davidfon, Tower Hill, Mr William Dawfon, Cornhill. Mr Davis, Red Lion-ftreet, Clerkenwell. Mr Thomas Deeble, Sermon-lane, Doclors Commons. Mr William Dene, Eltham, Kent. Mr Thomas Dil worth, Author of the New Guide to the Englijh Tongue. Mr Day, one of the Mailers of the Charity School of St Andrew's, Holborn. Mr SUBSCRIBERS NAMES. ix Mr Devon, Matter of Billinfgate V/ard School. Mr Davis, Clerk of St Dunftan's in the Weft. Mr Darvil, Clerk of St Mary Aldermary. E. Mr Eld, King's Road, Bedford Row, Holborn. Mr EfTex, Theobald's Row, Holborn, Mr Edge, Holborn. Mr William Edes. Mr England, Organ Builder, Wood's Clofe. Mr Efford, Matter of the Charity School of St James's, CUrkenwell. Mr Evans, Clerk of St Magnus. Mr Emmett, Clerk of St Bennet Fink. Mr Edge, Officiating Clerk of St Auguftin and St Faitb, F. Coulfon Fellowes, Efq; Mr Frifquett, Lothbury. Mr Falhion, Cheapjide. Mr Finn, Rood-lane. Mr William Fletcher, Red Licn-ft rest, Holborn* Mr Fletcher, Gutter-lane. Mr Daniel Fenning, junior, Thames-ftreet. Mr John Fleming, Eltham, Kent. Mr Fifher, Matter of Alderfgate Ward School. Mr Fox, Clerk of St Margaret's, Weftminfler. G. Sir Richard Glyn, Bart, and Alderman, "I Sir Francis Gofling, Knt. and Alderman, J of London ' Jofej$ x SUBSCRIBERS NAMES. Jofeph Garth, Efq; Bloom/bury. Mr Edmund Gilding, Organift of St Martin, Ludgate, and St Edmund the King. Mr Griffin, Organ Builder, Fenchurch-Jlreet. Mr James Green, Ditto. Mr John Green, Eltham, Kent. Mr Richard Gravet, Ditto. Mr John Gilbert, Tower Hill. Mr Glendonning. Mr Gardner, Coleman-ftreet. Mr Gray, Ely Court, Holborn. Mr Gray, Red Lxon-ftreet, Holborn, Mr Grape, Gracechurch-fireet. Mr Griefdale, Great Ormond-ftreet. Mr John Gregg, Three Cranes, Thames-ftreet. Mr Gradwell, Matter of Worrell's Free School, in Cherry Tree Alley, Golden-lane. Mr Godfrey, Clerk of St James's, Clerkenwell. Mr Goodvvyn, Clerk of the Temple Church. H. Sir Jofeph Hankey, Km. and Alderman. Dame Elizabeth Hankey. Jofeph Chaplin Hankey, Efq; Mrs Catharine Hankey. The Reverend Harry Hankey, M. A. Mr Jofeph Hankey. The Reverend James Hallifax, D. D. Vicar of Ezvel, Surry, 6 Books. The Reverend Mr Hatfield, Re&or of Lilley, Herts. The Rev. Mr Harrifon, Lecturer of St George the Martyr, Queen Square. Matthew Howard, Efi}; Uctton Garden. ' John Holmden, Efq; Cr ovule, IVorcefterfiire. Mr SUBSCRIBERS NAMES. xL Mr Samuel Howard, Organift of St Bridget's and St Clement Danes. Mr Matthew Huffey, Organift of St Alban's, Wood-ftreet, and to the Company of Parifh Clerks. Mr Henry Heron, Organift of Ewel, Surry. Mr Hut ton, Brook- ft red , Ho', born. Mr Hodgfon, Red Lion-ftreet, Holborn. Mr Hughes, New Onnond-ftreet: Mr David Humphreys, St Martin-le-Grand, z Books. Mr Hollyer, Warwick-lane. Mr Hood, Ludgate-ftreet. Mr Holmes, Bartlet's Buildings, Holborn, Mr Hedges, fenior, Grafs -Inn-lane. Mr Horner, Pancras-lane, Cheapfide. Mr Thomas Hunter, Lombard-fireet. Mr Abraham Harman, 1 Mr William Harman, i Shad Thames. Mr Holt, J Mr John Harrifon, Clerkenwell. Mr Harrifon, Blewit's Buildings, Fetter-lane. Mr Harrifon, Great Rujfel-Jlreet, Bloom/bury. Mrs Mary Hitch. Mr Merris Hughes. Mr Robert Hyde, Mark-lane. Mr James Hewit, Sermon-lane, Doclors Commons. Mr Hill, Broad-Jlreet Buildings. Mr Halliwell, Union Court, Holborn. Mr Hawes, Widegate-jlreet, Bi/hopjgate-ftreet, Mr Hannum, Cloak-lane. Mr Jeptha Harris, Cripplegate. Mr Harris, Mafter of the Charity School of St Ann*s, Soho. Mr Hill, Mafter of the Charity School of St Giles's in the Fields. Mr Harrifon, Mafter of the Charity School of St Clement Danes. Mr Holden, Mafter of the Charity School of St Dunftan's in the W$. Mr xii SUBSCRIBERS NAMES. Mr Hale, Matter of the Charity School of St Thomas's, Southwark. Mr Hughes, Mafter of Bridge, Candlewick and Dowgate Wards School. Mr Holman, Clerk of St Giles's in the Fields. Mr Hall, Clerk of St George the Martyr, Queen Square. Mr Hammond, Clerk of St Mary -le-Str and. Mr Hawkfhaw, Clerk of Chri ft -Church, London. Mr Hayes, Clerk of St Nicholas Coleabby. Mr Hopkins, Clerk of St Botolph, BiJJoopfga'.e. I. Mr Thomas Ifherwood, Alderfgate Bars. J. The Reverend Charles Jenner, D. D. Archdeacon of Huntingdon, and Chaplain in Ordinary to His Majesty. The Reverend James Jones, M. A. Mr Jones, Cheapfide. Mr Jones, Newgate-ftreet. Mr William Jones, Holborn. Mr Wheldon Jones, Horjley Down. Mr John Jackfon, Kings-fir eet, Sohc. Mr William Jackfon, Qrganift of Alhalloivs, Lombard fir eet. Mr Samuel Jarvis, Organift of St Sepulchres, London. Mr Jolley, Red Lion- fir eet, Ho.bon:. Mr William Jeffris, Eltham, Kent. Mr Jenkins, Mafter of Rayne's Charity School, Rat cliff e Highway. K. Jofeph Keeling, Efq; Fmgeringhoe, Effex. Mr Richard Keeling, Clerkenwell. Mr SUBSCRIBERS NAMES. xiii Mr Thomas Kilburn, Organift of St James's, Clerkenwell. Mr Jeremiah Kerfteman, Canewdon, EJfex. Mr William Kent, Wbite-Crofs-Jlreet. Mr Jofeph Keene, London-Wall. Mr Kendall, Writing Mafter, &c. Great Wild-ftreet, Brury-lane. Mr Karfoot, Mafter of the Charity School of St Mary -U~Str and. L. Sir Robert Ladbroke, Knt. and Alderman of London. The Reverend Mr Lloyd, Rector of Hornfey, Middlefex. The Reverend Mr Nowes Lloyd, 2 Books. William Lloyd, Efq; Bedford Row. Thomas Lloyd, Efq; Great James-ftreet. Francis Lavvfon, Efq; Temple. Mr Legg, Charing Croft, 2 Books. Mr Jonathan Legg. Mr Samuel Long, Organift of St Peter-le-Poor, Broad-ftreet. Mr Charles James Frederick Lampe, Organift of dlhaUows Barking. Mr Lewer, Mufical Inftrument Maker, &c. Moorfields, 3 Books. Mr Lee, Minor ies. Mr Love, Holborn. Mr Lefter, St Tbomai's, Southwark. Mr Jofeph Lefter, Newgate -Market. Mr William Lane, Secretary to the Truftees of the Charity-Schools of London, Weftminfter, &c. Mr Thomas Lawrence, Bartlet-ftreet, Clerkenwett. Mr Peter Lawrence, Ironmonger Row, Old-Jlreet, Mr Linfeed, Long-lane, Weft Smithfield. Mr Richard Lloyd, St Mary Ax. [ b ] Mr xiv SUBSCRIBERS NAMES. M. Mr Deputy Mafon, Leadenh all-fir eet. Mr Magnus, fenior, Old Broad-fir eet. Mr Major, Doftors Commons. Mr William Mountaine, F. R. S. Shad Thames. Mr David Morris, Coleman-ftreet. Mr John Morris, Great gueen-ftreet, Lin coin's- Inn Fields. Mr Thomas Morris, Pall Mall. Mr Abraham Milner, Somerfet-fireet, Goodman's Fields. Mr Mafon, Silver-fireet. Mr Moone, Matter of Sir John Cafs's Charity-School, Aldgate. Mr Marftin, Mafter of the Charity School of St Bride's, Fleetfireet. Mr Malcher, Mafter of the Charity School of St Martin's in the Fields. Mr Marfh, Clerk of St Mary the Virgin, Aldermanbury . N. The Reverend Mr Negus, Reffcor of St Mary, Rotherhithc. James Nares, Muf. Doc. Organifl, Compofer, and Mafter of the Children of His Majesty's Chapel Royal. Mr Newland, Horjley Down. Mr John Newman, Giltfpur-ftreet . Mr Norgrove, Mafter of the Charity School of St Giles's, Cripplegate, without. Mr Norris, Clerk of 5"/ John's, Wapping. Mr Newman, Clerk of Kingfion upon Thames, O. Mr George Overy, Eltham, Kent. Mr Ogle, Clerk of St Mary, RotherhUhe. The SUBSCRIBERS NAMES. xv P. The Reverend Dr Pickering, Vicar of St Sepulchres, 8 Books. The Reverend Mr Pearce, Minor Canon of Si Paul's, a Prieft of His Majesty's Chapel Royal, and Vicar of Tillingbam, EJfex. "William Pocklington, Efq; Hatton Garden. Mr Richard Peers, Queenbitbe. Mr Thomas Peirce, Organift of St Peter's, Cornhill. Mr Poultney, fenior, London-Wall. Mr Partington, Holborn. Mr Painter, Ditto. Mr Perry, Leather-lane. Mr Pugh, Crofs-ftreet, Hatton Garden. Mr Pujolas, Bloomjbury. Mr James Porter, Princes-Jlreet, Bedford Row. Mr Thomas Parker, Great James-ftreet, Ditto. Mr Parker, Organ Builder, Graf s-Inn-lane. Mr Puckeridge, Ozier-lane, Weft Smithfield. Mr Samuel Pritchard, Portugal-ftreet, Lincoln' s-Inn-Fields. Mr Pepys, Bijhopfgate-Jlreet. Mr Thomas Peilill, Ditto. Mr Peter Paul. Mr Perry, Steward of Chrift's Hofpital. Mr Alfop Pope, Greenwich, Mr William Prefcott, Eltham, Mr Pattifon, Mafler of Farringdon Ward School. Mr Powell, Matter of the Charity School of St Mary, IJlington. Mr Pollett, Clerk of St Peter-le-Poor, Broad-ftreet .. Mr Pennard, Clerk of the Rolls Chapel. Mr Perry, Officiating Clerk of St Andrew's, Holborn. I b 2 ] The [ Kent. xvi. SUBSCRIBERS NAMES. R. The Reverend William Rider, A.B. Chaplain of 6"/ Paul's School. Benjamin Radcliffe, Efq-, Great Ormond-ftreet. Mr Rollinfon, junior, New Ormond-ftreet. Mr Richards, Ludgate-ftreet. Mr Richardfon, LittU Marlborough-ftreet. Mr Richardfon, at the late Sir William Calvert's. Mr Royle, Borough, Soutbwark. Mr Robins, Barbican. Mr Robert Rowe, Princes-ftreet, Ditto. Mr Robert Romley, Moorfields. Mr Robert Rolfe, Eltbam, Kent. Mr Rayne, Mailer of the Haberdafhers School, Hoxton. Mr Reily, Officiating Clerk of St Swithin's, London-Stone. Mr Renfhaw, Officiating Clerk of St Mary-le-Bone. S. The Reverend Mr Smith, Redlor of Stondon and Allborp, EJfex. The Reverend Mr Sharp, Steward of the Charity Schools in Cambridge* The Reverend Mr Sheeles. Thomas Saville, Efq; John's-ftreet, Bedford Row. Jofeph Stany nought, Efq; Temple. Mr Saffory, Lotbbury. , Mr Steigler, Dowgate-hill. Mr John Smith, Buckler/bury. Mr Stevens, Newgate-Jlreet. Mr Sherborn, Gutter-lane. Mr Saltonftall, Red Lion-ftreet, Holborn. Mr Sawtell, Saffron-hill. Mr Stagg, Cbarterhoufe-ftreet. Mr Simpfon, Aider/gate Bars. Mr SUBSCRIBERS NAMES. xvii Mr George Sedgley, Clerkenwell. Mr Scrivener, 1 ,, Mr William Sharwood, \ Shad Thames ' Mr Thomas Scrafton, Tottenham Court Road. Mr William Smith, Harp-lane. Mr Smith, Mufic Engraver, Middle Row, Holborn, Mr Ifaac Smith. Mr Smith, Dean's Court, St Mdrtin-le-Grand. Mr Smith, Bridge Yard, Southwark. Mr Southam, Buke-Jlreet, Spltalfields. Mr Sleemaker, Skinner-ftreet, 1 Mr Richard Skinner, \ Bijhopfgate-jlreet. Mr Henry Stewart, Eltbam, Kent. Mr John Sharpe, Chichefter. Mr William Stephens, Ludgate-hill. Mr William Selby, Organift of St Sepulchres, and Alh 'allow >s, Br sad-JlreeU Mr John Selby. Mr John Soaper. Mr Thomas Stokes. Mr Slade, Teacher of the Mathematics, Chelfea. Mr Smith, Matter of Broad-ftreet Ward School. Mr Snook, Matter of the Blue Coat School, Weftminjler. Mr Street, Clerk of St Paul's, Shadwell. Mr Stevens, Clerk of St Pe£er ad Vincula in the Tower of London, T. The Reverend Richard Tillard, M. A. 2 Books. Charles Taylor, Efq; Red Lion Square. Mr Tuck, Coleman- ftreet . Mr Twayts, Mitch am, Surry. Mr Edmund Tew, Eltham, Kent. Mr Thomegay, Moorfields. m xvm SUBSCRIBERS NAMES. Mr Samuel Taylor, Bifhopfgate. Mr David Taylor. Mr Taylor, Matter of the Chanty School of Si P^!\ Shtdwdl Mr Thompfon, Mailer of the Free School of St M,n, White-Chapel. Mr Taylor, Clerk of St Mary, IVcolnoth. Mr Thomafon, Clerk of St Michael's, TVood-ftrctt. Mr Towers, Clerk of the Parilh of Hornfey, Middle/ex, V. Mr Vokes, Hatton Garden. Mr Van Kamp, Organ Builder, Red Lien Square. Mr Vaughan, Clerk of St Dunflan's, Stepney. U. sMr Upfold, Bi/Ioopfgate-Jlrcet. W. The Reverend Mr White, Minor Canon of St Paul's, and Chaplain of Bridewell Hofpital. The Reverend Mr Wells, Lecturer of St Mary at Hill. Saunders Welch, Efq; Blcomfuury . Mr Williamfon, Ditto. Mr Walton, Corn hid. Mr William Wright, ComptoH-ftreet, Soho. Mrs Wright, Mddman-flreet, Bedford Row. Mrs Weftern, King's Road, Bedford Row. Mifs Polly Woodcock, Strand. Mifs Sally White, Ozier-lane, V/ef. Smiihfield. Mr Wintle, Lothbury. Mr Wilfon, Mddman-ftreet, Bedford Row. John Worgan, Batchelor of Mufic, Organift of St Bdolph, Aldgate, St Andrew Underjhift, and St John's Chapel, Bedford Row. Mr SUBSCRIBERS NAMES. xix Mr Thomas Wood, Organift of St Giles's in the Fields. Mr Whitchurch, Fleet Market. Mr William Weeden, Eltham, Kent. Mr Wood, Cornhi.l. Mr Henry Williams, one of the Conftables under the Lord Mayors' Jurifdiclion in the Borough of Southwark, 2 Books. Mr Edmund Thomas W T arren. Mr Robert Wall. Mr Walter, Author of The New and Complete Mathematical Biclionary. Mr Webb, Mailer of the Haberdaihers FreeGrammarSchool, Bunhill Row. Mr Weale, Mailer of the Charity School of Saint George the Martyr, Queen Square. Mr White, Mailer of Cordwainers and Bread- Ilreet Wards Charity School. Mr Worrell, Clerk of St John's, Clerkenwell. Y. Mr Yarroway, Holborn. Mr Lake Young, W ailing-fir eel. Mr John Young, Organill of Chrifi-Church and St Matthew, London, Mulic Mailer to Chriffs Hofpital, and one of His Majesty's Band of Mufic. Mr Young, Clerk of St Thomas's, Soulhwark. Mr Yates, Clerk of St Saviour's, Southward Mr William Yates, VauxhalL Z. Mr Zerrer, Great James-Jlreet, Bedford Row. N. B. Jit the Requeft of many of the Subscribers, their Names are not -printed. Parochial MUSIC Corrected. The Performance o/"Psalmody in Country Churches. ^^v^^ H E great Neglect and bad Performance of Pfalmody, have $t /C ever g^ ven me mucn Concern •, and though an Improvement }/ ^ V °^ P arocn i a l Mufic is rather to be wifhed than expected ; yet fytit 1&3 if the following Remarks mould in the leaft contribute to it, ^^^^^-^ they will fully anfwer my utmoft Wifhes. I mail therefore, as I propofed, begin with the manner of finging of Psalms in moft Country Churches, which though they are fometimes performed by Perfons of tolerable Skill, are neverthelefs very improper Tunes for Public Worfhip, being chiefly the Productions of obfcure country Teachers of Pfalmody, whofe Compositions (as a late learned Prelate * juflly obferved) " are as " ridiculous as they are new," and plainly prove, that fuch Compofers are not acquainted with the firft Principles of Harmony, nor even with that Species of Mufic which is proper for Parochial Singing ; as their Tunes moftly confift of what they call Fuges, or (more properly) Imitations, and are, indeed, fit to be fung by thofe only who made them. B The * Bifhop Gibson's Dircflisxs to t hi Clergy of bis Dioce/e, 2 PAROCHIAL MUSIC CORRECTED. The original Pfalm-Tunes were compofed in an eafy Stile, fuitable to the Capacities of thofe for whom they were intended, which are chiefly fuch as fing only by Ear, and are (as the Title-Page of the Old Verfion exprefles it) To be fung of all the People together. That is ; thofe who fing by Ear, fhould follow the Clerk, who mould always fing the Melody ; and thofe who underftand Mufic, mould fing the Contra-Tenor, Tenor, or Bafs, as their Voices will permit : But the Tunes which are ufed in Country Churches are too difficult to be remembred, and if they could, none are permitted to fing, unlefs they join themfelves to thofe who are diftinguifhed by the Ap- pellation of The Singers; who, being placed in a Gallery or Pew, engrofs this Part of the Public Worfhip to themfelves ; which Practice is directly oppofite to the original Defign and Intention of Pfalmody, and deprives many devout Chriftians of the holy Pleafure they would receive in this Aft of Devotion. Doctor Cave, fpeaking of the Performance of Pfalmody, among the Primitive Chriftians, fays thus ; * " In this Duty the whole Congregation «« bore a Part, joining all together in a common Celebration of the Praifes " of God." As it has been therefore thought proper to continue this Practice in all Parochial Churches, till of late Years, it is ftrange that thofe whofe principal Care mould be to guard againft all Innovations, mould fuffer one fo great as this to pafs unnoticed and without Cenfure. I would not be underftood, that thofe who delight to fing by them- felves, in different Parts, fhould be intirely deprived of that Privilege, fince that might be a Means of laying Pfalmody wholly afide in thofe Churches •, but if they have a Mind to fing an Anthem, or Hymn, it fhould be fung in that Part of the Service where the Anthem is appointed, or after Sermon •, but in the Singing- Pf alms, which fhould likewife be conftantly ufed with fuch Tunes as are fung in London, the whole Congregation fhould join •, and then, fuch as are beft qualified would be a Help to thofe who fing only by Ear. * Se« Primitive Cbrifianity, Parti. Chap, IX. Page 177. PAROCHIAL MUSIC CORRECTED. The Methodists profane Manner of Singing. IT may not be improper to make fome Obfervations on the Tunes which are ufed by the Methodifls, efpecially as fome of them are creeping into the Churches, being introduced chiefly at Morning and Evening Lectures, where the Congregations, being moftly of that Caft, not only choofe fuch Lecturers as fuit their own Turn of Mind, but will alfo pay the Clerk and Organift to ftay away, that Two of their own People may fupply their Places ; by which Means they have every Thing performed in their own Way : It is true they have not yet ventured to fing Ballad-Tunes, as at the Tabernacle, Foundery, and elfewhere ; becaufe by fuch a Proceedure they would doubtlefs be forbid the Ufe of the Church, but the Tunes they com- monly ufe are generally too light and airy for Church-Mufic ; and confe- quently have nothing in their Compofure that may excite a true Spirit of Devotion. As to the Methodifls finging of Song-Tunes to their Hymns, I believe none of them will deny, fince Two of their greateft Preachers fo ftrongly re- commend it ; and as a Book, intitled Harmcnia Sacra, has been publifhed by one of their own People, containing a Collection of their Hymn-Tunes, among which are the following Song-Tunes, &c. viz. The Dying Swan. My Bltfs too long my Bride denies, in the Play of The Merchant of Venice. A R no's Vale. Bufy curious thirfty Fly. Sure Jocky was the bonnieji Swain. A Gavot in Humphreys's Seventh Concerto, which if danced to, is an Hornpipe. A March in the Of era of Richard. Come let us agree. A Dialogue between Cupid and Bacchus, fet by the late Mr Purcell. Tell me, lovely Shepherd, where. He comes, becomes, &c. In this Book likewife, is an Hymn, wrote in Defence of fingino- fuch Tunes to facred Words ; intitled, The true Ufe of Music, which if the B 2 Reader 4 PAROCHIAL MUSIC CORRECTED. Reader fhould not have the Opportunity of perufing, I have here tranfcribed the moft remarkable Verfe of it. " Who on the Part of God will rife, " Innocent Sound recover, " Fly on the Prey, and take the Prize> " Plunder the carnal Lover •, '* Strip him of every moving Strain^ " Every melting Meafure; w Mufic in Virtue's Caufe retain, " Refcue the holy Pleafure ? Whoever was the Author of thefe Lines, he feems better acquainted with the amorous Strains of a carnal Lover, than with that Species of Harmony which is contrived to take hold of the fineft Part of our Affections, and to raife us above the low Satisfactions of this mortal Life ; for, it is plain he cannot diftinguilh between facred and profane Harmony, who calls the moft lafcivious Mujic, innocent Sound, and holy Pleafure. But it may be neceffary to inform fuch Perfons, that it is the principal Concern of all good Compofers, to make their Mufic expreffive of the Senfe, or Humour of the Words : If the Subject: be divine, the Mufic mould be grave, folemn and feraphic ; but if gay, light or wanton, the Compofitions are to be the fame, and cannot with any Propriety be afterwards adapted to facred Words •, for the light airy Melodies, ufually adapted to Ballads, have no manner of Connection with Divine Harmony ; and a Compofer would be thought to have loft his Reafon and Senfes, who would fet a Penitential Anthem in the Stile of a Sonnet, in which a Lover is reprefented languilhing at the Feet of his Miftrefs ; or a Thanksgiving- Hymn, in that of a Bacchanalian Song. M. Rameau, in his Principles of Compofition, very judicioufly points out the Bufinefs of a Mufical Compofer, in the following Words. " Design, « l in Mufic, is, in general, the Subject of all that the Compofer propofes j " for PAROCHIAL MUSIC CORRECTED. 5 " for a fkilful Compofer is to propofe to himfelf a Movement, a Key or " Mode, a Melody, and an Harmony, agreeable to the Subject he would " treat. But this Term is to be more particularly adapted to a certain " Melody, which he would have predominant in the Continuance of a « s Piece, either for making it fuitable and agreeable to the Senfe of the " Words, or for Fancy or Tafte * ." There are three different Species of Mufic, viz. for the Church, the Theatre, and the Chamber •, and every Compofer endeavours to preferve them diftinct and intire, otherwife his Skill in the Science may juftly be difputed : For, (as Mr Avifon obferves) f " A well- wrought Allegro, or *' any other quick Movement for the Church, cannot, with Propriety, be " adapted to Theatrical Purpofes -, nor can the Adagio of this latter Kind, " ftri&ly fpeaking, be introduced into the former : I have known feveral " Experiments of this Nature attempted, but never with Succefs. For " the fame Pieces which may juftly enough be thought very folemn in the " Theatre, to an experienced Ear, will be found too light and trivial, " when they are performed in the Church : And this, I may venture to " affert, would be the Cafe, though we had never heard them but in fome " Anthem, or other divine Performance ; and were, therefore, not fubjedl »' to the Prejudice, which their being heard in an Opera might occafion." There is not only a very material Difference in the Nature of the Com- pofitions, but in the Manner of finging them alfb ; for an able Performer always diftinguifhes them by their peculiar Expreffion. Toft informs us, that " § By the Ancients (by which he means thofe who lived about " Seventy Years ago) Airs were fung in three different Manners ; for the " Theatre, the Stile was lively and various •, for the Chamber, delicate " and finifhed ; and for the Church, moving and grave. This Difference, " to very many Moderns, is quite unknown." If then, Compofers, as well as Singers of the greater!: Skill, both ancient and modern, have made fo great a Diftindtion between the Church and the Theatre, * RameauV Principles of Compojit ion, Page 147, •j* EJfay on Mujical Expreffion, Page 1 2 z . § See Tosi en the Florid Song, Page 92. 6 PAROCHIAL MUSIC CORRECTED. Theatre, why will People, who know little or nothing of the Science, pretend to pafs their Judgment on Mufical Compofitions ; and think, that all Ballad-Tunes, and other Melodies that happen to pleafe their Ears, muft needs be proper Subjects for Divine Worfhip ? Church-Mufic ought to be grave, ferious, noble and divine ; to raife the Affections of the Soul, with the proper Paffions of Devotion •, viz. Jov, Reverence and Admiration •, and not the rapturous Strains of unhallowed Love, which pollute the Soul, and fire it with a wanton Paifion. A late Reverend Divine, who was well fkilled in the Science of Mufic, thus exprefies himfelf. " * The Air of Divine Mufic is contrived to charm " the Soul into Sobriety and Gravity, and to fix her with Delight in Me- " ditation upon the moft noble Objects. The other is defigned to banifh " all Thought and Scruple, and tranfport us with the Delight of this " World. The one would transform us into Angels, the other into Brutes. " The one is defigned to improve our Faculties, the other to deftroy them. " The one is defigned to make us ferious, the other to make us merry, or " rather to make us mad. The one will exalt us up to Heaven, and the " other may fink us down to Hell. So that if we prefer not Divine " Mufic, the Fault is not in the Mufic itfelf ; but in our vicious Inclina- " ticns, which corrupt the Tafte of the Soul, -fo that like a fick Palate it "• can relifh nothing that is wholefome, or indeed favory ; but longs for " fuch Things which would deftroy its very Conftitution." I cannot help relating, that one of my mufical Acquaintance, on afking a Mtthodifiy who is looked upon by thofe People as a very great Connoifieur in Mufic, Flow they could act fo inconfiftently, and be fo profane, as to fing Hymns to the Deity in fuch wanton Strains ? received this for Anfwer ; That " All Sounds are in themfelves innocent, unlefs made otherwife by " corrupt or profane Words ; which he looked upon to be the Cafe with " all Ballad-Tunes ; but by applying other Words to them, thofe innocent " Melodies are refcued from the Service of Sin and Satan, and lifted into " the Caufe of God and Religion." From * Reverend Mr Bedford's Great Abufe of Mujic, Part II. Chap X. Page 218. PAROCHIAL MUSIC CORRECTED. 7 From hence we may obferve what miftaken Notions thofe People have imbibed, by relying too much on the Opinions of fuch fuperfkial Judges, and mere Pretenders to the Science •, it may therefore be proper in this Place to prefent the Reader with the Opinion of Mr Avifon, who has treated very learnedly on the Effect which Sounds have on the Paffions. His Words are as follow : " * If we view this Art in its Foundations, we Ihall « find that by the Conftitution of Man, it is of mighty Efficacy in working " both on his Imagination and his Paffions. The Force of Harmony, or " Melody alone, is wonderful on the Imagination. A full Chord ftruck, " or a beautiful Succeffion of fingle Sounds produced, is no lefs raviming « to the Ear, than juft Symmetry or exquifite Colours to the Eye." In another Place, fpeaking of the Sympathy between Sounds and Paffions, he fays thus ; " f The Force of Sound in alarming the Paffions is prodi- " gious. Thus, the Noife of Thunder, the Shouts of War, the Uproar " of an enraged Ocean, ftrike us with Terror : So again, there are certain " Sounds natural to Joy, others to Grief or Defpondency, others to Ten- «< dernefs and Love ; and by hearing thefe, we naturally fympathize with " thofe who either enjoy or fuffer. Thus Mufic, either by imitating thefe " various Sounds in due Subordination to the Laws of Air and Harmony, " or by any other Method of AfTociation, bringing the Objects of our « Paffions before us (efpecially when thofe Objects are determined, and " made as it were vifibly and intimately prefent to the Imagination by the " Help of Words) does naturally raife a Variety of Paffions in the human " Breaft, fimilar to the Sounds which are expreffed : And thus, by the " Mufician's Art, we are often carried into the Fury of a Battle, or a *' Temped;; we are by Turns elated with Joy, or funk in pleafing Sorrow ; " roufed to Courage or quelled by grateful Terrors •, melted into Pity, " Tendernefs and Love ; or tranfported to the Regions of Blifs, in an " Extafy of divine Praife." The late learned Doctor Sherlock, after having proved the great Effect which Sounds have on the Paffions, makes this Inference. " § Now if « there * EJfay on Mufical ExpreJJion, Page 2, j- Ibid. Page 3. $ Sermon on St Cecilia '5 Day, 8 PAROCHIAL MUSIC CORRECTED. " there is a natural Sympathy between Sounds and Pafilons, there is no doubt «' but true devotional Mufic will excite or heighten our devotional Pafiions; " as we daily fee and complain, that wanton and amorous Airs are apt to " kindle wanton Fires. For Nature will act like itfelf, whether we apply «' it to good or bad Purpofes. If there is no Force in Mufic to give a * c good or bad Tincture to the Mind, why do Men complain of wanton " Songs ? If Mufic doth no Hurt, they may blame the Poet, but neither " the Compofer nor the Singer; but if fuch Mufic doth Hurt, we ought " certainly to turn the Stream, and apply the Science to that which is «' Divine, which will have as great an Influence upon a devout Mind to " make it better, as the other hath upon a bad one to make it worfe." I have indeed heard it urged by fome of thofe People who know nothing of Mufic; That, " if they fing with a gcod Heart, it is no Matter what the " Tunes are." To which I anfwer ; that fince it is a Matter of Indifference, they may as well not fing at all, or at leaft they may as well fing the Tunes that are ufed in Churches. But People of weak Minds are fond of Novelty, and this frothy Way of Singing feems to be of a piece with the flighty Method of Preaching adopted by their Teachers. However, it is certain that fuch Tunes, inftead of (lengthening Devotion, will naturally tend to weaken it ; for a ferious Mind is difturbed by airy Compofitions, as they diffipate the Thoughts, and call the Mind off from the folemn Praifes of God, to attend on a Variety of ludicrous Sounds; and the Pafilons they excite generally flow from fuch filly and abfurd Occa- lions, that a Perfon is afhamed to reflect upon them ferioufly. And though a Perfon may happen to be fo unmufical, as, that a Song-Tune may not affect him either one way or the other : yet how muff his Soul be at once difcompofed, and his Devotions fruftrated, if by Chance he (hould call to Mind the Words to which fuch Tune was originally compofed ? The Singing of Ballad-Tunes in Public Worfhip, is not only ridiculous •and profane, but alfo a very great Impropriety ; they being only airy Melodies with thorough BafTes for the Harpfichord, and fometimes Ac- companyments for Violins, or other Inftruments, as the Compofer thinks mod proper, which accompanying Parts, being peculiar to the Inftruments for PAROCHIAL MUSIC CORRECTED. 9 for which they are defigned, are by no Means fuitable to the Voice ; and therefore none of them can be fung, but only the Melody itfelf: which, on Account of the great Variety of Notes into which it is divided, is there- fore rendered very difficult for Practitioners in plain Pfalmody, and confe- quently more fo for thofe who fing only by ear, but efpecially for a large Congregation to fing together. But Pfalm-Tunes are adapted to the meaneft Capacity, and are contrived more for the Sake of Harmony than Melody ; and thofe who by folfaing are capable of learning the Melodies, may by the fame Rule learn the other Parts alfo. And even thofe who have nothing more to direct them than a tolerable Ear, may learn the Melodies by the lead Attention imaginable. It has indeed been objected, that our Plalm -Tunes are Compofitions of too dull and heavy a Nature to anfwer the End propofed-, but this Objection might eafily be removed by llnging them fafter, and making ufe of the Appoggiatura * more frequently, which would greatly enliven them, and make them appear quite another Kind of Performance; an Improvement of this Sort had been much to their Credit, but for their pretended Reformation in finging, I think they cannot be fufficiently cenfured. How this ludicrous Manner of hymning the Deity crept in among thofe People may perhaps with Difficulty be accounted for, unlefs they had the Example from Italy, where, (as Mr Galliard informs us) " The Church- " Mufic, far from keeping the Majefty it ought, is vaftly abufed the other " Way ; and fome Singers have had the Impudence to have other Words " put to favourite Opera- Airs, and fung them in Churches -f\" The ancient Fathers have complained of this Abufe, and General Councils have likewife condemned it ; one of which hath thefe Words : " § We " command, that the Mufical Singing in the Churches be diftinct and " different, moving the Heart to Devotion and Compunction ; and there- « fore thofe Things were not to be heard in Churches, under Pretence of C " Mufical * For a full Explanation of this Word, read To si on The Florid Song, Chap. II. -j- Obfervations on the Florid Song, Page 119. § Concilium Senonenfe, Can. 17. io PAROCHIAL MUSIC CORRECTED. " Mufical Singing, which were wanton and lafcivious." And the Council of Trent likewife decreed, that " * All impure, lafcivious, amorous, and " fecular Mufic, favouring of Levity and Folly, mould be excluded the " Church." The Church of England at the Reformation feems greatly to approve this Canon, by the Joy exprefTed in one of our Homilies +, that fo profane a Practice was laid afide, and alio by the Tunes which were then compofed for the Pfalms in Metre, which, though nothing but plain Counterpoint, are full of Harmony, to which fuch light Ballad-Tur.es mutt always give place. Whatever Improvements then in religious Singing thofe deluded People, called MethodiftS) may pretend to have made ; I am perfuaded that what has been faid to the contrary rnufl have Weight with all judicious and well-meaning People, who doubtlefs will condemn fuch Practices as profane and irreligious, or, as the wild Chimeras of a diftempered Brain. Since Mufic then is capable of being made acceptable and well-pleafin^ to God, and an Help to Devotion, I hope the Eftablifhed Church will never follow the Example of thefe frantic Enthufiafts, mftripping the carnal Lover of his moving Strains and melting Meafures •, efpecially as there is fuch a Variety of Compofitions which are far more fuitable to the all-pure Worfhip of Him, who will not accept of that which is devoted to his Enemy. I fhall conclude this Head with fome Lines wrote by an Organift in the City, ( on hearing the Gloria in Excel/is fung in the Opera Stile ) which, together, with a Pfalm-Tune of his Compofition he fent me, with Leave to print them. Let no unhallowed Airs prefume T' 'approach this awful Place ! (Th' accuflom'd Levities of Rome, Devoid of Senfe and Grace : ) Let folemn Hymns of facred Praife To folemn Notes be joined : They then Devotion's Flame will razfe, And elevate the Mind. The * Condi. Trident, Seff. 22. f Homily of the Time and? lace of Prayer. PAROCHIAL MUSIC CORRECTED. n The bad Performance of Psalmody in London, &c. AS the finging of improper Tunes in Public Worfhip is attended with fuch Confequences, let us confider whether the irregular Performance of our own Psalm-Tunes, has not in a great Meafure been the Occafion of it. The Pfalm-Tunes then, though the moft plain and eafy of all Mufical Compofitions, are neverthelefs, in general, performed in a very mocking Manner, particularly in fmall Congregations, where there is no Organ, an unlkilful Clerk, and no Charity-Children, or perhaps fuch only as are not regularly taught ; here the Melodies are conftantly ufed, without fo much as the Addition of one fingle Part, (unlefs by Accident) with numberlefs difagreeable Tunes and improper Graces, and falling from the Treble to the Bafs, which lad Inftance may be almoft conftantly obferved, particu- larly in Windfor Tune, in the firfb and third Lines of which, inftead of falling a Semitone on the lafl Note, they ufually fall a Fourth, and fing the lalt Line entirely wrong, as likewife the third and fourth Lines of Southwell, and the cxLvin tb almoft throughout; and indeed I cannot re- collect any one of the old Tunes that is fung corredlly. The appointing of Tunes fuitable to the different Subjects of the Pfalms, though very ma- terial, is however very little regarded ; and it is often obferved that Tunes in flat Keys have been fung to Tbankfgiving Pfalms, and thofe in Jharp Keys to 'Penitential Pfalms ; both which are very improper when thus adapted, becaufe thofe Keys operate very differently on our Pafiions, the former pro- duces in us a melancholy Difpofition of IViind, the latter a cheerful one. This Impropriety moftly happens where the Clerk leaves the Choice of the Tunes to the Organift, for which (if he is diffident of his own Judgment) he is to be commended, provided he likewife acquaints him what Plaints he intends to fing, that the one may be fuited to the other ; otherwife if he ihould happen to fet a Thankfgiving Pfalm, and the Organift play a Tune C 2 in 12 PAROCHIAL MUSIC CORRECTED. in a flat Key, fuch a Contradiction mufl appear very abfurd to every judi- cious Perfon -, and though it may not be taken fo much Notice of by others yet it is certain that it cannot have its proper Effect, neither is it poflible it mould contribute to that Decency and Order > fo neceffary to keep up the Dignity of Religious Worfhip. In Churches which have no Organs, or on Days in which they are not played, fome Clerks find a great Difficulty in pitching the Tunes properly, for want of knowing their Compafs of Voice : To fuch I would recom- mend the Ufe of a Concert Pitch-Pipe as a fure Guide, by which, though they do not underftand Mufic, they might be taught, in one Hour, to begin every Tune in its proper Key, that is, fo as not go higher than E, or lower than D, which, indeed, mould be the Compafs of all Pfalm-Tunes. The Method is fo very eafy, as well as ufeful, that I have taught it with great Succefs at feveral Charity-Schools, at which Places, though the Children could fing the Pfalm-Tunes very well, yet they could not pitch them with any Certainty, till at my" Requeft their Trurtees had furniihed them with Pitch-Pipes, and which they now conftantly ufe, when they fing Pfalms in their Schools, at Morning and Evening Prayer. This pre- vents the many Inconveniencies which attend fuch as are not fkilled in Pfalmody, becaufe it gives the very fame Sound that an Organ mould, and which none can miflake that has a tolerable Ear. But when a Tune is pitched at random by an unikilful Perfon, it is a very great Chance if he does not begin above, or below the proper Key, ( for a Miflake of this Kind is fometimes committed even by a Perfon whofe Judgment in every other Refpect might be depended upon, if his Voice be a Contra Tenor, or a Bafs) by which Means the Tune will generally be found to be out of the Compafs of mod Voices ; and the People, rather than fing in Pain, will fometimes leave off in the Middle of a Verfe, and let the Clerk go through the Remainder as well as he can by himfelf, who, being out of Breath, and quite hoarfe with draining, does it with great Difficulty, and is then obliged to begin the next Verfe either higher or lower, as the Cafe requires, and then perhaps is as much out of the Key as before. Now PAROCHIAL MUSIC CORRECTED. 13 Now if thofe who fing in Country Churches, being chiefly tolerable Proficients in Pfalmody, will not attempt to begin either Pfalm, Hymn, or Anthem without fir ft receiving the Pitch from a Pipe : I wonder how a Perfon can prefume to (land up in a Parifh-Church, and exhort the People to fing to the Praife and Glory of God, when he, (whofe Bufmeis it is to lead them) fo far from knowing the Note on which he fliould begin, is often at a lofs for a Tune •, the Confequence of which is, the People are obliged to guefs at his Meaning, fo that three or four Tunes are often fung at one Time. No Perfon, however qualified, can fing till the Clerk has begun fome Tune or other, and many who (though not qualified, but having good Ears) might perform very well, are obliged to remain filent'for want of an intelligible Leader. It may here be objected, that the introducing of any Thing new or un- common, might give many People Offence, and from fuch as were not acquainted with the Intent or Ufe thereof, it might extort a Smile, or be made a Jeft of; but thefe Objections could be made by fuch only, whofe Ears being unmufical, look on the Performance of Pfalmody as a Matter of Indifference, and who perhaps would be better pleafed if there was no finging at all, unlefs to keep up the old Cuftom, for which People are too often greater Advocates than for Things of more Confeouence: And in my Opinion, thofe who lead the People wrong, by the repeated Blunders they commit in this Particular, are more liable to be the Subject of Ridicule, thai* thofe whofe modeft Diffidence obliges them to be governed by the certain Sound of a Pipe. Let it not be fuppofed that a Pitch- Pipe in a Parifh Clerk's Defk, would be a new Thing, becaufe I have known them to be ufed by feveral of my Acquaintance •, and there is one in the Clerk's Defk at St Peter's, Cornbill, to pitch the Tunes by when the Organ is not played, which founds by the Wind it receives from fmall Bellows, both which are out of Sight, and can be heard by few befide the Clerk ; fuch a one as this I would recommend. A Pipe is likewife conftantly ufed in the Chapel of the Asylum, or Houfe of Refuge for Orphan Girls, near Weft minfter -Bridge, at the Inftance of one of the Governors, a Gentleman who looks on Pfalmody H PAROCHIAL MUSIC CORRECTED. Pfalmody as a principal Part of Divine Service, and therefore takes care to have it performed in a regular and decent Manner. The Reading of the Pfalm Line by Line, is a very ancient Practice, and has formerly been recommended by many Reverend Minifters, for the Benefit of the Illiterate ; and it has been as much condemned by others, as a very abfurd Cuftom, becaufe it fometimes occafions the Clerk to lofe not only the Key in which he is finging, but very often the Tune ; for this is certainly the molt difficult Part of a Clerk's Duty, as it requires a very good Voice, and more Judgment than ordinary, two Requilkes rarely to be found in one Perfon. Each Line mould be read diftinctly and audibly, in one continued folemn Tone, after the Manner of chanting the general Confeffion in Cathedrals, but rather more deliberate ; and in reading each Line, the Tone mould be fometimes varied, and that according as the firft Note rifes or falls, and fometimes a Third, Fourth or Fifth above, or below it, as fhall appear moil mufical in the Judgment of the Singer : And though this would contribute much to the Regularity of the Performance, yet, in order to preferve Decency, Senfe and Harmony, it is much to be wiihed, that this irregular Practice was intirely laid afide, and that we might fing like the foreign Proteftants. I acknowledge there might for- merly be a Necefllty for reading every Line before it was fung, by which the Ignorant received both Inftrudlion in their Duty, and Improvement in their Devotion: But in this enlightened Age, there are fo many Charity- Schools, in which the Children of the Poor are taught to Read, &c. that it is now become altogether needlefs •, and if the Illiterate are fo much to be confidered in this Part of Worfhip, I think it mould be performed in every Church alike, efpecially fince it may be more commendably practifed with an Organ than without-, for it is certainly as proper for the Organ to flop while each Line is read, as it is for the People, while theOrganifl is making a long Shake, or breaking the Connection of the Lines by a tedious Interlude, though both are equally bad : And though we have an Inft.uice of Pfalmody being thus performed with an Organ in White-Hall Chapel, yet, I hope it will fpread no farther, fince, (as the late ingenious Dr IValts juftly obfervedj fo " many Inconveniencies mud always attend " this PAROCHIAL MUSIC CORRECTED. 15 " this unhappy Manner of finging." Unhappy indeed, for I know no other Purpofe it now anfwers, than to fpoil the Senfe of the Words and Harmony of the Tune ; to cmbarrafs the Clerk, to protract the Service, and to render the Peoples Books ufelefs, which is indeed unnecefTary, for they are already too apt to neglect the Ufe of them in this Part of Worfhip. There is a Cuftom, which, though a very prevailing one, is certainly very abfurd, as it either occaficns many good Tunes to be very little ufed, or ieveral of the Pfalms to be too often repeated •, and this is by confining feveral Tunes to certain particular Pfalms in common Meafure, fuch as the XVIII th , the LXXXI st , &c. both which Tunes I believe are feldom if ever lung to any other Pfalms, being known only by the Names of the XVIII th and the LXXXI" proper; which fignifies, that they are proper to be fung to thofe Pfalms only ; fo that if a Perfon wants to hear the LXXXI 6t , it being a great Favourite, he afks the Clerk to oblige him with the LXXXl 5t Pfahn, by which Means the fame Pfalm is conftantly fung to that Tune, or elfe, where the Tune is not fo much regarded, that Pfalm is feldom fung, whereas the Tune may be fung to any other Pfalms in common Meafure, provided they confift of Praife and Thankfgiving. In order therefore to render this Tune more univerfal, I have printed it with other Words, and have likewife taken the Liberty to dedicate it to St Paul, that it may no longer be confined to, or known only by the Name of the Pfalm to which it has been hitherto conftantly lung, but diftinguiihed by a general Name, like every other Tune in that Meafure. I cannot help taking notice, that in Qppofition to the Opinion of many good Judges of Mufic, there are feveral Clerks who ftill continue the Ufe of fome Pfalm-Tunes, which are really very bad Compofitions, fuch as London Old, Martyrs, &c. which have nothing more to recommend them than their Antiquity ; and I mull fay, that a Pfalm can be hardly more abufed, than when fung to one of thofe Tunes. There are likewife fome, whofe Singularity in the Performance of Pfalmody in their own Churches, is the Occafion of much Confufion and Diforder, which is, by finging fome Tunes in Triple Time, which were originally ccm- pofed, and have been fung ever fmce till very lately in all Churches within the Bills 16 PAROCHIAL MUSIC CORRECTED. Bills of Mortality, in Common Time, and likewife by making a Repetition of the laft Line in each Verfe of the CIV th Pfalm : Such Innovations, inftead of improving Parochial Singing, will naturally render it very difficult, vinlefs fuch Alterations were made general, becaufe as mod People fing by Ear, it is fcarcely poffible that they mould be capable of finging one Tune two different Ways •, for fuppofe a Man with a very ftrong Voice, who has been ufed to fing thofe Tunes in Triple Time, mould go into a Church where a fmall Congregation are finging one of the fame Tunes in Common Time, he, for want of an Ear capable to diftinguifh the Difference, begins to fing the Way he has been accuftomed to, and fo mifleads one half of the Congregation, and even thofe Congregations (which indeed are not many) who have made fuch Alterations, may often feel the Effects of their Sino-u- larity •, for if only five or fix Perfons from different Paiifhes where they fing fuch Tunes in Common Time, mould come in, while thefe Tunes are finging, which may often be the Cafe, though perhaps they may not have the Strength of Voice fufncient to put a large Congregation entirely out ; yet I am fure fuch Difcords will arife from their unequal Ways of fincrino-, as muft render fuch a Performance extremely difagreeable, and indeed mocking. And therefore it would be more advifeable, where People are fond of Variety of Tunes, to make choice of a Set of new ones, that will (land the Teft of Judges, and perform the old Tunes as they were originally compofed. It may not be amifs here to take notice of the tedious Manner of finging the Pfalms in moft Churches, which is very near as (low again as they were at firft intended ; by which Means, the Air of the Melody being loft, fuch People, whofe Ears are but indifferent, often ftrike into a different Tune. The Clerk, by this idle Practice of drawling out the Tunes, is likewife often put to his Shifts to find proper Portions of Pfalms, of convenient Lengths, being confined, according to the Cufbom of moft Churches, to fing no more than four Verfes for their longeft Pfalm ; whereas, if the Tunes were fung in Alla-Breve Time, as defigned by their Compofers, we might fing feven or eight Verfes in as little Time, and with much more Eafe. Dr PAROCHIAL MUSIC CORRECTED. 17 Dr Watts, in his Preface to his Paraphrafe on the Pfalms, remarks with much Concern the Abfurdity of this Cuftom. His Words are as follow : »« * It were to be wifhed that we might not dwell fo long upon every fingle " Note, and produce the Syllables to fuch a tirefome Extent with a conftant ■* Uniformity of Time; which difgraces the Mufic, and puts the Congre- " gation quite out of Breath in finging five or fix Stanzas : whereas, if the " Method of Singing were but reformed to a greater Speed in Pronunciation, " we might often enjoy the Pleafure of a longer Pfalm with lefs Expence of « Time and Breath-, and our Pfalmody would be more agreeable to that " of the ancient Churches, more intelligible to others, and more delightful ** to ourfelves." Though a general Reformation of this Sort feems rather impracticable, while People act in Oppofition to every Attempt that can be made for the Improvement of Pfalmody : yet, in fome Churches, it may be effected, but this mud be where the Clerks know their Duty, and, in Conjunction with the Organifts, by frequent Repetition, bring the Congregations to it by Degree. ; and where there are Charity- Children, fome previous Inftruc- tions for this Purpofe, being abfolutely necefTary for them, will greatly facilitate this Undertaking. The Cuftom of finging Pfalms in Public Worfhip not being fo frequent as formerly, I fuppofe may be one Reafon why People feem fo indifferent and fo little affected with it, and in general fing fo badly •, for as the conftant Ufe of this Exercife muft naturally tend to make it familiar and eafy •, fo muft every OmiMion of it gradually render it difficult and ftrange, fince it is chiefly performed by Ear. The Title Page of the Old Verfion of Pfalms directs them to be fung " before and after Morning and Evening «' Prayer, alfo before and after Sermon, and moreover in private Houfes « for their godly Solace and Comfort." How far this laft Part of the Direction is complied with, is not my Bufinefs to inquire here; but it is too well known what little Regard is paid to the former, fince (whatever has been formerly practifed) there is now no finging, either before Morning or Evening Prayer, nor any after the Morning Sermon, in molt Churches. D And * See Pre/ace, Page 29. 18 PAROCHIAL MUSIC CORRECTED. And in the Afternoon, the Gloria Patri is often thought fufncient to be fung after Sermon : In fome Churches this Practice is fettled by Cuftom, in others it is only occafional ; but both with a View to fhorten the Service, while at the fame time the Length of the Voluntaries and Interludes are not con- iiderecr, but the Organifl is permitted to play fometimes more than a Quarter of an Hour before the firft Lelfon, and the Giving-out, with the Interludes of two Pfalms, often take up Ten Minutes more, fo that near Half an Hour is too often fpent in amufing our Ears, which ought rather to be employed in Pfalmody, as being recommended to us in holy Scripture as one fpecial Means of Edification. The Ufe of it is likewife much neglected at Daily Prayers, and between the Services on Saints-Days •, which I fuppofe has been chiefly owing to the Indulgence of Minifters to fuch Clerks who have not been capable to fet a Pfalm without an Organ, or the AfMance of Charity -Children. This is a great Pity, fince at fuch Times with a good Clerk the greateft Improvements might be made; for it muft be acknow- ledged, that a fmall Congregation is much eafier to lead than a large one. I cannot but likewife obferve, that though Pfalmody has ever been reckoned a very material Part of Divine Worfhip, both in the Jewifh and Chriftian Church, and particularly in the Church of England: that it is now performed with as little Devotion as Judgment, and even treated with the greateft Contempt by many who affect Politenefs, and who think it beneath the Dignity of a Perfon of Fafliion to join in this heavenly Exercife in Honour to their Creator. Others there are, who though they do afiift in this high Act of Devotion, do it with the utmoft Indifference •, and while they fing the Praiies of their God, or addrefs him in the molt fo- lemn Pialm of Prayer, irreverently fit, as though they fung only for their Amufement, or to pafs away a few idle Minutes while the Minifter afcends the Pulpit. The late Reverend DrIVarren y in his Difcourfe of Reverencing God's SantJuary, writes thus ; " Whenever we read, or fing God's Praifes, " contained in the Pfalms of David and other holy Men, let us not refufe " to ftand ; /landing being the mod proper Pofture for Thanksgivings " and Lauds." To this End we read, Pfalm II. ver. ir. Rejoice unto him PAROCHIAL MUSIC CORRECTED. 19 him with Reverence. And Pfeltn CXXXIV. Praife the Name cfibe Lokd standing in the Courts of the Lord'j Houfe. And in the Second Book of Chronicles, the feventh Chapter and fixth Verfe; All Ifrael stood when the PrieJIs and Levites praifed the Lord. And as in Conformity to thefe Parts of Scripture the Rubrick appoints the Pfalms to be read by the Congregation standing, we may therefore reafonably fuppofe that the fame Decency and Reverence mould be obferved when they zxtfung. In fliort (as a late ingenious Author obferves) " * to " fee this faireit Daughter of Devotion, and darling of Proteftants beyond " Sea, fo flighted am ongft. us, is not much for our Credit; our great «« Decay in Piety, and Growth in Profanenefs, having been imputed by " eminent Divines, in no fmall Meafure, to our Neglect of and bad Pei- " formance in Pfalmody." The Choice and ^ualificatiom o/'Parish-Clerks. HERE it may not be improper to make fome Obfervations on the Choice and Qualifications of Parifh- Clerks, who are intended as Leaders of the Congregations, and on whom the decent and orderly Per- formance of this Part of our Public Devotions chiefly depend ; for which Reafon the Ninety-firft Canon of our Church exprefly enjoins, that they fhall be Perfons not only " of honeft Converfation, but fufficient for their " Reading, Writing, and alfo for their competent Skill in Singing. " Which Canon, (fays the late Bifhop of London -f% in his Directions to * the Clergy of bis Diocefe) " was made on Purpofe to guard againft the Indecencies " that Parifh-Clerks who are not duly qualified always bring into the " Public Worfhip." This is certainly a very juft Obfervation, for an un- fkilful Perfon not only commits many Irregularities, but is alfo the Occafion of fo much Indifference among many People towards the finging of Pfalms, D 2 who * An Ejfny for the promoting of PfalmoJy, Preface, •f See Bifhop G i b son's Dirctliox<, &c. 20 PAROCHIAL MUSIC CORRECTED. who for want of a proper Perfon to lead them, will rather fhut their Books and remain filent, than join a harfli Jargon of inharmonious Sounds; while others, whofe Ears are lefs capable of diftinguifhing, are led into the mod: ridiculous manner of finging, who with the A fli fiance of a Clerk properly qualified, might otherwife have made a tolerable Proficiency in mod of the Tunes that are ufed in Parifh-Churches. That great Prelate aforefaid, being truly fenfible- of this, farther fays, " In Conformity to which Canon it is to be hoped, that as there ihall be " Occafion, Minifters (fetting afide all private Regards and Applications) w will choofe fuch Perfons to be their Clerks, as are known to be of honeft " Converfation, and of Ability to perform the Part that belongs to them u decently and laudably." It were therefore to be wifhed, that both the Canon and his Lordfhip's Directions were more ftrictly obferved, as well by Minifters as by fuch Parilhes as choofe their own Clerks ; and till they are, we muft not expect to have Pfalmody performed fkilfully or even decently; but -efpecially while the Practice of Minifters choofing their Curates into this Office fo commonly prevails, who though fbmetimes are very fufficiently paid by what arifes from the Parifh- Clerk's Salary, Fees and Perquifites, are, notwithftanding, difpleafed with their Title, which fome of them have changed, and affume the Name of Clerks in Orders. It is true, the Parifh-Clerks were anciently of the Clergy, as their Name im- ports, but as this Office has, for Time immemorial, and doubtlefs for crood Reafons, been fupplied by the Laity, (who are called in the Canon, Parijh-Clerks) I cannot fee that the Clergy have now any fort of Right to it •, efpecially fince they are afhamed of the Title. And as the Dignity of their Order exempts them from officiating as fuch, they of Necefiity muft have Deputies, who are often chofen from the menial Servants of the Church, as it is pretended to ferve them, by adding fomething more to their Salary, who, as they are much employed in the Bufinefs of the Parifh, accept fuch Places upon lower Terms than perhaps any other Perfons would ; which, in all Probability, is the chief Thing intended ; while the Qualifications enjoined by the Canon, and fo ftrongly recommended by the Bifhop, are not in the leaft confidered j fo that by this modern Method of PAROCHIAL MUSIC CORRECTED. 21 of deputizing, a Parifh is feldom well ferved in the Office of a Clerk, though it is obliged to pay him his accujlomed Wages, without Fraud or Diminution, (as the Canon enjoins) which in fome Parifhes are very con- fiderable, and might often be a-Means to induce Perfons extremely well qualified (fuch as now adorn the Cathedrals) to become Candidates for fuch Clerkfhips when vacant, provided Merit was to take Place, but this alas very feldom happens ; for when a Parifh has it in their own Power to choofe their Clerk, they commonly bellow it on a decayed Inhabitant, who perhaps feldom frequented the Church in his Profperity ; and as for learning of Pfalmody it had never once entered his Head, fuppofing it to be a Qualification unneceffary for any other than Parifh - Clerics, ^/>.-/..%>7-^/'' t r, f/afin^fii fc f/ie f7/u^ifi/t/dAi7v/d ' iftlim/fifrl, /fcj/iniiu/er d/ia tysir£s/ia f \~/Y'/if. 4 - O Gng unto God with the Voice of Melody. Pf. XLVlI.i. Printed for the Editor, and fold at his Houfe in Great James Street Bedford Row, Holborn . At Whitaker*s Mufic Shop the North Gate of the Royal Exchange. Lewer's in Moarfields. Johnfon's in Cheapfide, and Ibntum's in Exeter Exchange in the Strand . To all Lovers of Parochial - HA RM ONZ I had feveral Reafons for publifhing a Collection of Pfalm Tunes, which are as follow ( nz) That, in oppofi- tion to the opinion of fome modern Enthufiafts, who have adopted certain, ludicrous Melodies for Divine Wo r- fliip; a fet of more proper Times might appear, to inform the World how far tbofcJPeople are miftaken in this parti- cular, and by their being compofed by themoft eminent intient and modern Mailers, they will further fhew how exactly T/?ey agree in the CompofitionoftbiskindofMufic. Secondly, That though there are fome who object to fo great a number of Tunes, and recommend the ufe of five or fix only, yet it is well known that fo few are not fufricient, becaufe that number mult be repeated almoft e- very Sunday for want of greater variety, and a great num- ber ofthePfalins, efpecially the new Verfion, being in par- ticular Me afures, would therefore never be ufed; or elfe , thofe who ufe the new Verfion, muft almoft conftantlyfing the old /oo dth 2c //a^Pfalm Tunes, thegreateftpartofthat Verfion being in thofe Meafures . Thirdly. That though the Supplement to the new Ver- fion of Pfalms has fupplied us'with feveral good Tunes, which are now in common ufe, there were ftill more wan- ting, as will plainly appear upon a due examination of it. This deficiency is here abundantly fupplied,8c feveral Tunes in the Supplement, k other Collections that were incorrectly printed, and in improper Keys, as alfo in but two Parts; are here corrected, and Parts added to them. The*Mclody, or Air of each Tune is put ifly e Treble -^CalJ'd by fome old Authors the Plain Song Cliff, 3 Cliff, agreeable to the defign of theCompofers, which in fact, is agreeable to the Rules of Gompofition; though molt Publilhers of Pfalm Times have put the Air of the Tunes in the Tenor Cliff, and made the Treble a kind of an inner Rirt to fill up the Harmony, but this is entirely wrong, bccaule the Treble Part being the higheft, always claims the Melody as its own Property, and every Scale of Voice has fomething pecu- liarly relative to its Kind; for as yi/.'Y7tf//w?/obferves, "&• 'The Soprano has generally moft Volubility, and becomes it^ 'belt, andalfo equally the Pathetick. The Contr'Alto more ' of the Pathetick than the Volubility; the Tenor lefs of the « Pathetick, but more of the Volubility than the Contr Alto, 4 though not fo much as the Soprano. The Bafs,in general 1 more pompous than any, but fhould not be fo boifteroous 4 as now too often practiced . ■ How ever, it is certain that the Melodies of all the Pfalm Tunes were originally fet in the Treble Cliff, w r ith the other Parts under them, as appears by the firft Publica- tion of them by their feveral Cotnpofers, and the alteration before mentioned, has been made by fome of the grcateft No- vices in the Science, who have publifhed them fo, in oppo- fition to the opinion of the mofl. eminent Matters. Nothing is more common than for FracTionerS in plain Pfalinody not to be taught theufe of the Appoggiatura, wh dl was invented to adorn the Art of Singing, and is a lifrleNbte placed immediately before a great one, for the arri-vingmore gracefully to it; it is therefore hoped that thofe who think proper to introduce any of the following Tunes, will make ufe of the Appoggiaturas where ever they are marked. There are proper Words put to every Tune » but as it is improper to ling any Tune conftantly to one fet of Words, -^ See Notes on Tofis Florid Song Chap/ P. ID CXCCpt except fuch as are in particular Meafiires, it is necefsary to Ting y e Tunes to other Pfalms as often as occafion fhall ferve . INDEX. Jty* Page Apoftle's Tune* - _ _ - 15 S? Giles's new Tune ; _ .23 Angel's Tune _ _ _ . 16 St George's Tune _ . . - 23 Alhallows Tune _ . 30 H S^ Alphege's Tune _ . 33 Hanover Tune _ _ . _ - 22 B j S* Helen's Tune 2T/zeJ u tA rr; ! l^llUJVr llc)ol I I r'g Ll ^eemine Sleep . No lone-er thee de-tain Nor £=^S A wake, arife; let feeming Sleep , No long-er thee de-tai efe U | Q P p=p -&-& m i i ^2 d==cs -q — ici A wake arife let feeming Sleep No long-er thee de -tain Nor » ,,1PP,J 33 i I *2=3= 6' 6V ' I 6 l Jfc 13: "5^ ^"Tf I^ TTTV^tjTtU^ ofoi p B=E= Ozd # « let us, Lord, who Fue to thee. Tor e-ver Fue in vain. ° Pin n i ^ — o-tvctt — rnr— r^E H mm w n. ±± ■f let us, Lord, who Fue to thee, For e-ver fue in vajri. 61^k jFi.A' f? I raig o - f* rWferS £2=0 S J^F^ —' g -&- -5- °- V y^T/ziVr^BURFORD TUNE. Thz Jutiti* nvfAnwwt. m^ aFPS i p— e- 1 «p- i -©- e S3: JLl In Thee I put my fteadFaft Truft De Fend me Lord From Shamey In- n |Q P If »o f^fe pio P ^Fo © — ©— e — ©■ In Thee I put ray FteadFaft Truft De fend me Lord from Shame; In- nn We IT 33: p=p~ 3ZT B ' ° Xi! F^ "3 1 " 6- * pf^niTpip ttt^t j rM>y e=a 33: chne thine Ear and lave my Soul For righteous is thy Name. #o PiPfo Pio Q 1 f* o F*^ £=-©- K cline thine Ear and lave my Soul For righteous is thy Name. Q; O f » I P_|J_^ 3CC 33: 33: 33: 33: y.'* * *r 6* EVANGELISTS TUNE. htAeJa&Sl Blow. Pfa/m 65. +?/ft 4. M Ve/jts/i . Bleft is the Man who near theeplac'd Within thyfacredDwellinglives F=R old » M?n 1 =rp^ ^H^- rf i rz M xx Ble/t is the Man who near thee plac'd Within thy facred Dwelling lives ^■Jirf i rri^toefen ^n^rr i ^£i=i 5=** i p:=P ? 33 *^ Whil/t we at humbler diftance tafte,The vaft Delights thy Temple gives. S i m i n xz d Whiiftwe at humbler diftance talire The vjift Delights thv Temple gives. -#s*-^ 7T TRINITY TUNE./^k Dr Croft. /#*3 ' o ' P I V H g^ s p^wa mp 4 Sing ye with praife unto the Lord> New Songs with Jov and Mirth: Sing i i m i oz ? o"dd i Sing ye with piaife unto the Lord; New Songs _with Jov and Mirth; Sing- unto him with one accord ; All Peo-ple on the Earth . s I || M »- OJF M.^ okj^j P 32: unto him with one accord ; All Peo-ple on the Earth S3 if ei" «;) i/» tf rt% v 56 6 7 fr 4.# [j "Q-nri -rJ-H-*-'- S^ GREGORY'S TUNE, tu tie /a/r.n^roft. 7 ., With chearful Notes let all the Earth To Heav'n the * & -U^ LS? ■A With chearful Notes let all the Earth To Heav'n their Voices raife; §S T^°\<'t$ E£ if Z=$±g=d With chearful Notes let all the Earth To Heav'n their Voices raife," k -w^ Pfuj.av. S!"MAGNUS'sTUNE. /yMCjereini 1 Clark &| B$ ti^gp 1 ;; ^ teB 3ZE ■ m rO -xv O ail ye Nations of the World; Praife ve the Lord always* And O ■■ Q / Q — _ ■ _ O , o . . . . p .. W ^fa^ftfe^ £ •e- O all ye Nations of the World; Praife ve the Lord always • And O O ' I 1 t> ' I -v*^ I WMT - -s-g €==3cr X3I ? 6' pi ^ n~ y fej iiTfirriM n il' ^±d r©- ye People ev'ry where; Sr-t forth his Noble Prai/e sfe 5fe^# S3: W++H 1 ye People ev'ry where; Set forth his Noble Praife ** ~tr* 8 St PATRICK'S TUNE Lt/,c/a/? Mric-r.Clark. «t|Err ±5^ He's bleft whofe Sins have pardon gain'd No more in judgment to appear i\ t ]|o iifi° p[o f flpggl d 1 * ^ -&- Effi He's bleft wjiofe Sins have pardon gain'd No more in judgment to appear i m & sir il w IT 33; I O U F -0- 76' 87 /j.L I -, XT o n p ' -t^ --/J A j 1. _/\ D L*. •PT Whofe Guilt ReraifTion has obtain'd And whofe Repentance is fiucere, O — n O ,,,~ ,.,,1 pi f| lirfff^^rf^ 1 !- 1 .. ITfr Whole Guilt ReraifGon has obtain'd And whofe Repentance is fincere. SS3 rrr i Hri..i i.ii^T v .i ] ciM^iin- 7 6' ff£ t] ^P 6^6 t| 6' 7 it) " S 5 ~^~ 6 1 ff^T ^//tf. Jfes ^fHCINGSTON TUNE . Mr Jer.Clark. i i 43 l f 'O-vil ^O 1 ^I'PII'Fffl m 3=^ Thou art my Lord O God and ftill 111 praife thy ho-ly Name i \,\0 m ip r j : ^=Q i cfc£ = o o 22 33: *&- Thou art my Lord O God and ftill I'll praife thy ho-ly Name fe^ w * - T pip ct^e- 4 1 -r y^ 5 ? 6' fc^ ^^ '66 45 lou on -ly art my God I'll ce— le-brate thy ppn r i" b '11 ce— le-brate thy Fame :©— £ ZE3I f*^ Becau/e thou on-ly art ray God I'll ce — le-brate thy Fame. jri i 'f i v firfri°«i,J|o ji-L o T i ;i Ms* O.V. S* PAUL'S TUNE hj M r Rich j Alii (on .0 ^0^ -Q]O -Pfl€»- ^^H \t is a thing both good and meet To praife the highf ft Lord S3: -©—a infff ^ ^cE^ee ^,, J|J.,||J|» P ^ 4|i_pip|jIT =r: It is a thingboth good and meet To praife the higheft Lord *3£g ^--jH^=fe lad to thy Name O thou mod High To ring with one ac-cord SP ■ )|Jo | |,H.I|jJpi tj pl~CT 1 r^-hd^ -~ — And to thy Name O thou mod High To fing with one ac —cord'. mm -X3—Z XS1 -&■ m ^@ =©=r 5* 6- ' g f? 87 57 JCL ^ o-Jj^ L **=e5 d d dl .o fhew the kindnefs of the Lord, Before the Day he light, yrrr-n g= rfffi £t i p-Pr -P— f» P -W^- wtf: 1 [P o [_p g= o p :rr za==Q 3?L To fhew the kindnefs of the Lord, Before the Day be light, {urn 56' V u B Q=t— A\~.. 87 5 6 5 3 4 5 IO ndto declare his Truth abroad When it doth drawTo Nieht l^^^^g ight fr± And to declare his Truth abroad When it doth draw to Night F© ^= i i i In n , 1-, , Ti m &Prju M 56 ' 56 6~ ~& O- o~<3 t7r~ o I S7 n ^\T -H- /jfioo ^vfz^/rBEDFORD TUNE fy WnVhealllVB. & rr he Lord be plad and lip-ht. Praife him throughout tht ICE In God the Lord be glad and light, Praife him throughout the Earth a-U I " J' I" {*&=? ^O- 0* P -©- pt^~ jjo-1 ^ In God the Lord be glad and light Praife him throughout the Earth a: m :a: * xr ct=^©= JZE 6- 6' 61 5* n? is^ 25: -e>- ^ 3S^3# h*+- Serve him and come before his Sight With finging and with Muth ith Miit Ozzp::X3=32 23: CS=p:zp=?3 ^5: # £ £f HV»h j|J o| o|| plJ^e)||* JJ| o ||f& Serve him and come before his Sight With finging and with Mirth i O Pi 6* 6" :Ol ^ ^33: 5" 87 I ♦ ^ 5/r«7j^-^S* MATTHEW'S TUNE. ^%f^oftt'. " HtffrHfff And under neath his Feet he caft The daik-nefs of the Sky -O-P ig i o- -xv \ \ l \j>\ J f^f ^? .A Pi O r» H-^-iU i^pe?* And uader neath his Feet he caft The dark-nefs of the Sky grf g ggg t± ^ • ipi o f a 1331 X3: aE T 2 ^'/^ 6* ^ 6' | Jl o ,1 [^eJj i .U" II j l^T^ -W- On Cherubs and on Cheru-biras Full roy- al- ly he rode i -o — p £ -©- a^jg « p^p i y^^ -©- i ^=p XI: ^— ' On Cherubs and on Cheru-bims Full roy-al-ly he rode. turn X3: ^S xr 6\ ICE 1 -e»- SSI X3: ## 6 " «-3# * ^~ ^ I :^ And on the Wi f Win ps of miph-ty WindsvCame fly-inp all a -broad to°,iiJ.jji ^ rfrpr P^ t-O- I fch^ And on the Wings of mighty Winds Came fly- ing all a -broad l P~ " _ i , 7 - rg Q i O n~ f l]Lg !>0 KS K43 The Lord himfclf the migh-ty Lo tt £ a r> I p - 1 j " y a- 1 Mares to be my Guide, FFi The Shepherd bv whofe conftaut Care My wants are all fupply'd mm i f p=£ p: -e^ rr & ^ F^ff ^i ^l^ ^ f^^lP : B ^w^ m p I p ppp^ S3: The Shepherd by whofe conltant Care My wants are all fupply'd H ^ii f iiw^ 33; ^=2x1 56" 676^ n * c J¥:/.oy& chad's tune ^7/ Drifjfjiz: s is bleft that hath not lent To P 2=0 £ fc wicked Men his Ear fe^J4^fmi^ *P The Man is bleft that hath not lent To wicked Men his Eii 14 Nor led his Life as Sinners do Nor fat in Scorners Chai > ■ ] J|j . ho i i-fipjjuj.il ^ m *£ o o =hP m B Q a e ||l Jjlull 111 1 f frr^trtt^ Nor led his Life as Sinners do Nor fat in Scorners Chair %- ' • f " * # ^T/^^/^AnEVEKSLEYTUNE iyljrjVslKES. the Lordhowjuft How righteous all ii^ ways I ^P SU W-JM I How ho— ly is the Lordhowjuft How righteous all his ways 7 87 4 3 \fe 54, 6 5 \ 3 /s *7jf//zMKAV0SThES TUNE by J JVORGAI T. M*. That Man is bleft who ftands ia awe Of God arid loves his facred Law g ^^Mr^f-f lf Mfrfl'-T That Man is bleft who (lands in awe OF God and loves n 131 M&tt Bg fe.^jiigr^ ^j 1 ! ii " n^ j 66— 7 6 If ty h % d'«lO 6' 7 ^^--a #^^irJJu Jijj j j eed onEarthfhallbe renown'd And with fuccefs- ive Honours crown'd f^#^3pgi:^ f ^^*M L [f L f#4 : FF ffl= ^f^^-Y^=ffW^0^ f-.d on Earth (hall be renown'd And with fuccefs-ive Honours crown'd tt=& ** P -4—0-"-/ — $ "-V 1 -?— § ^ffih.QV- St JOHN'S TUNE /5p ^ JVOKGAJbT* JVB. I will give Laud snd Honour both, Un-to the Lord al- ways ~Ji o J U ' Iff I l ^rfe* IPi^Si^iSliP ct ^ Mrrimf^gUM^^-J H — |- i-^J^ 11 r 1 M \- Lauci and Honourboth Un-to the Lord al*. ! Laud and Honourboth Un-to the Lord airways xu/'/t 5 6 6 > <7 * * 6 4 I? I, 16 My Mouth al - fo for e-ver more Shall {peak uu - to his Praife O- h" nr-SEc g ^B^ ^- ^ Ts pft* h° i 1 ^ 'S=-o Mv Mouth, al-fo for ever more Shall {peak ua-to his Praife pz:^: XT 33: 0=P XS: EX: 7~t 2 6 ^f /// F/^/TANGELs TUNE Zfe Author notfowm Who Wifdonis facred Prize would wia, Muft with the Fear of God begin » ^ P I O EC a 10 a rr ■o 45 , t S3: £ £ £=:a: £ rr &i Immortal Praife and heavenly Skill Have they who know and do his Will o cfth h P I o a 1 X3: ^^ sz I Immortal Prs m o p I c i pr-| g p E g jBjggl 33:3 "5" 6' : i|e- Immortal Praife andheav'nly Skill Have they who know and do his Will "SB m ti ■"X- l 7 9% ekriaMr.& BARNABAS s TUNE by MF J.Soapei; ! ^^ f 'jp fi ^# m 33: iiES fflp 1 m O come all ye that fear the Lord, Attend with heedful Cart/ did ¥ - J io ^#^ m , O come all ve that fear the Lord, Attend with heedful Care, g» : (i--,llM .fj-f ii | p i' a nrt i i 19- =Q: ¥ # 6' 7 -e>- it ^^^ PF#=P rj— ^ S§ -•-•- Whillt J what God for me has done, With grateful Joy de-clare. -=MJ±e EBd mm e '-O r j 1 cJ J "Cr e-he w Whilft I what God for me has doae, With grateful Joy de-clare fa P=3=; CR^-^M - ■ =<3 ^ s 3^ -X- J^.-.^tf/'SOUTHGATE TUNE ^ MfLSoaper. ^^ ^^ ^^ ^ j^Ls^m Let ail the World O God Give Praile an-l« thy Name And ^-rU^ e^jgEg rfcd X5 H 33 I 5 -^5 — - g- Let all the World O God Give Praife an-to thy Name And W=9 ^ff^jgfp « § 6'-©- 5 5 j=g^^f?=# £tf f i T\ Sfffll'f|'l° l H let the Peo-ple all abroad Ex -tol and laud the fame. -4. _--;-. _4 . . Q Mr rnj7Tfe £gggg s let^ the PffiLple all .broad Ex. tol and laud tie fane P I o 6' 6" 3 £ 6 6 £> 6' * I I ^H V 'Sfrfm MECKLENBURG TUNE^S^ o — H— — ' ^d^- 1 ~ " I ' i^,- i - x_" ' O He that has God his Guardian made Shall under the Almighty's Shade =tt-z ffo-f- o— ^ j-t- p €>^ P^ £ He that has God his Guardian made Shall under the Almiphty's Shade 6T -TT~e t i -o- Secure and un-difluib'd a — bide Thus to my Soul of him I'll fay, p | P , Q f . ft Pfe-C^^O-,. ifp-' ^^-Sfe^ PP^ o & £ -©- ^s- Si ^m X3: X5I Secure and un-difturb'd a — bide Thus to my Soul of him I'll (ay He is myFortrefs and my Stay, My God in whom 1 will confide. I^^^^ PP ty 6 6 76 Pfi4S °- v - S * PETER's TUNE iy.M? Sain- 1 Long - ^ - J-4 1. , I I - llJl I 111 ll ^fl to s ^m 3BE W It: W fi3 Sin g ye un-to the Lord our God A new re-joicing Song And % ^^t^=m -&- jgjgi^ ^^ ^ F p fi g ^ P^^ p^=o= DC Sing ye un-to the Lord our God A new re-joicing Song And ^Wff^^^ 1^^§^ en ^^ J3Z te^#fe#%g^ pj^g- e let the Praife of him be heard His ho - ly Saints a-moiig ^U- & gg^ ^-F^ff^lE ^gr-fl ^zttE £t the Praile^r him be heard rhs ho - ly saints a-moi ^ 6 r 5T > 87 ^;s ** 7/.* /*J l r 2o.0.fr&. MARTI N's TUNE ' ^/MrEdin d Gildina: Oiq^ef^JlarfoiLuttqafc kj'Ejjti^i ^S-Ti^f ^ Aul J- ^^ ff ^^^jf—fh^t Ye Angels that are great in Pow'r Praife ye and bltfs the Lord, r , i . <~ ... , O ,. , mr Prp-H^ 2d ^P £ -£si P I o — © 1= ^3 s -p-Q, a o p ^ ^s@ ■©- s -e»- xz ^^^ Ye Angels that are great in Pow'r Praife ye and blefs the Lord. fr a ! ^ bcx I p I o 1 £,. 4 5 6" 7 £ X3: -&- 1 - i : m ma 2o d 'o £ nrl ' ii- 1 Who to o-bey and do his will, Im-raediate-ly ac— cord P^ f ^l pp g W 1 o o £ ^=c 1 k L" ' o p 1 o P ie^^P i P-k £5. %££ ^P 01 Who to -o-bey and do his -will * Im-mediate-ly ac— cord y mm * - * oift oTP -ev - o r irf.ii° ii'^ S # * 6' 4' ^5^67. /^J^f StEDMUND's TUNE ^MrEdmlGMng 45 4 6" 6 4 ^ ^ # . ^ St LUKE s TU NE J 0j* e fjri u k*jfM**FiiIh*m tySefj rr«L /•_ .1. .+. J _T !._:.. iT* i __. TT.. *L„ T 1 ...■<"«« it .- U, Thofe that do place their confi-dcncc Up-on the Lord our God on- ly ^^r^rrtn^ ggg ■©- P+^ =± piy o ffti V* 'Ho ^r rT ^^^ jng f'io^l i..,ii p"a Thofe that do place their confi-dcnce Up— on the Lord our God on-ly 1 1 ■ h H a J q E ^S^ -©- t F * it ^MJ.iUJt S3: 6\^ P O r j ' O *3=g 33: And flee to him for their Defence, In all their need and mi-fe -r #P 7/ W fr^ ?ijiT Trrr^ ff r^f—O- H e -M- r-n -^It'loi.llo'.ll.l.^ ^g Tv O f } =o C3Z^O~ J -+-»- And flee to him for their Defence, In all their need and mi-fe,- ry rk ? rio j d o ->f 7% | sfrtt ;^r/47^.FULHAMTUNE ^ M^Jof.^Baildon ^ grnr^^ rrT^ R-aifeye the Lord for it is good, Un-to our God to fing, ^ £ (^ £MEp ^ *e m i Praifeyc.theLord fbrit is good, Un-to our God to fine 6 6 6 3f T* ////7Z on I Tor it is pleafant and to praife It is a comely thing m ^i.Hpj'if nf pg gg Is _ p I P p 4-P — P-4-ISt s For it is plea fant and to praife It is a comely thing. PiQ O m—p ICE it is a comeiy unng. r^" 7— r i, ' 3b i» ' a g Pf^KK HANOVER TUNE «lwfe^ SI w-^o- My Soul infpir'd with facred Love God's ho- ly Name for e - ver blefs O- o p tzr-gj «> || f If W^'ztf f^Si toJ | o.)lo I'T fH^M M ^-p^- 33 §»! s My Soul infpir'd v.ith facred Love God's ho -ly Name for e — verblefs Jfl.SjJ/ Tf^yf ■^-TT i ±£3: 6 587 kg s 35 6 V 65 P m a r ISi ¥ i per £±*2 a itegp ^^ ±n Of all his Favours mindful prove. And ftill thy grateful Thanks exprefs . * WHi'p fl°iY^im£M^ p lt r t i 'ri° ^ i ^pvr ii f uJ.i^^M fe avmire mi ndfiil Drove. And ftill thv trrateful Thanks erprefs t Of all his Favours mindful prove, And ftill thy grateful Thanks etprefs <§^gg PT^TT # * 6 b & 7T o 6' 6' 23 # fs* GILES s NEW TUNE 2^41 MK\ ^M?Tho?Wood Omit cfJtfi/u'jinffoffM:, feu^^ia ^^ r oi i -JiJiJ^ii' 1 r ^g -a Happy the Man who fe tender C3re Re lieves the Poor dif- tre/t • fttrg t^-lU^L^T f^i^ Happy the Man whofe tender Care Re lieves the Poor di£ treft f fc: 7'? 7 1 When lroubL s cumpafs ' I When Troubles cumpafs him arou id, lie Lord fhall give him Reft When Troubles cqmpafs him siound, The Lord fnall give Km Reft. ^^ o> * 6 o ;£ T? lLn g r i"i n^ 6" ^ 6 ^^^/^GEORGE'sTUNE /SpM^ Tho?Wood. *fe o p is nothing but tO- 5CS: * Sure wicked Fools muft needs fuppofe, That God is nothingbut a Name ■&— a m o fjl Jlct^ gE Sure wicked Fools muft needs fuppofe. That God is nothingbut a N§ne Et a ^' ; l l 7l"Jl. g 33: o 4 d #o &' 6 6' 6' 6" 6"5 |g^S=ft^^ g °1 O 2jv & ^Co rrupt and lewd the ir Practice grows. No Breaft is warm'd with holy Flame. Corrupt and lewd their- Practice grows, No Breaft is warm'dwith holy Flame- 24 * 2jf $§&&&> CATHARINE'S TUNE ^MVT.Wood. 1 vy come loud linthems 1< m ■-o- ya **£» S et as fing XoudTha- '., to our A!migh-ty King a v^ Lointioua^iiiuiems let as nng *-oua J. na- . to our a.imign-ty rung i O come loud Anthems let us ling LoudT'hanksto our Almigh.ty King 5 4 '5 "■ inpTiv,n T r p ij> ifeteijmijTg^ 1 For we our mm For W e our Voices hichlhoula x... .VI xx$a % -©- Salva- tion Rock wepraife. I m 9 o p Ua tt S3: I For we our Voices high fhould raife,Whe n our 5»Iva- tion Rock wepraife. P*a -& ^s SZE 3f XT. 6 " D5 & TjlT 5 is ^^d^'^ ^=:? O. I It ! 6? 6" h *y jP/y.J\ r .r: S.t THOMAS'S TUNE by M r Thos Wood. ff ^S I ^X2^ P^ 2 n 'a To eel e-brate thy PraifeO Lord I will my Heart pre- pare fe^s^^ss=s To cfiefbrate thy PraifeO Lord, 1 wiil m y Heart pre- pare £* -O- wm £ irj ° p ' o -6' 7 ra r ?nQrf|H| | » Thy wond rou a Works declare . To all the lift'ning World thy Works Thy wond rou a Works declare jl.l.H.I «)l J Jin lUlJJlWjJJI ^ To^ all the lift'ning World thy Works Thy wond'rousWoiks declare Hrnrit^ 6"t75 6 56" qof :m # ane's k. StBrufae&f I r lsetiftreei>. t\ .1 P i'l°l° |'.In .1 AV- The Man is bleft that hath not lent To wicked Men his Ear ^> ^ a , 31 p-f I p f 1 f pi e rpi p ttp q ^z 1 j j j j ^ i 33: POO : ^ The Man is bleft that hath not lent To wicked Men his Ear rr^zr- 57 a J Nor led Ms Li i Life as Sinners d do Nor fat in Scorners Chair S g-fi P=P~ s S3: H^-t3^jtoE q\P P "P-p-i i ^- fefe£ ^:e Nor led his Life as Sinners do Nor fat in Scorners Chair 6 fi.i .i r fi ** i*^ ^ m tr* *p ■^^f/^Jvr^StBRIDGET's TUNE, by M. r Sam!Howard ££ Known long before concelv'd by me "g 7 i -o- £® ^5= E My fecret Thoughts are known to thee, Known long before concerv'd by me. tJf O ^d N ? » [Mo PI 6 4 <&—& 3ZE tv* "#" r ^ f hi M* W.™ Selby ■#/**»*» ^S< SEPULCHRES TUNEj J^f^J^ 111 ^^fe^^ oll j l^ -J The Lord that made us knows our Shape, Our mould and fafhion juft, fUw^r-^ r pjyi ° ii rt^~g 3TT g Li^'l" ^^f jcr S3: p r-r-p 3CE The Lord that made us knows our Shape, Our mould and fafhion juft, l ^- ff tr r £S= :a 6 6 ** ^ g-T^M ^ ^ 6 56, ■O- S2 -O- M^H^U' cilT^ ^ ° ' J t v j IO How weak and frail our Nature is. And that we are but Quft ^^ ^-^ §| it p ' Q~ p i 1&- Q.O p I o cr i— I' l ri'Ti*^ -M-»- H iw weak and frail our Nature is, And that we are but Quft. m azr O P IC E <£>- ^ 6" # d ° i -Q- ife 3 2 ^ V^f/£ /^TVf/rSt BARTHOLOMEW'S TUNE. FIc left the beaateous Realms of Lif'it.WliilftFIcav'nbow'd down its aw ft! J lead X3: 3ZE iEfe "-P^o 1 — -i— J 1_- i- J 1 1 He left the beauteous Realm s of Light,WhilftHeaviibowHdo\vji its awjFUHead £ -e- gSM^i Beneath Jus Feet'rcbffantial Nl£ht Was like a fa""- bSrCa"? ;-T t fj-nad. m& kpM oP X-T 7 1 Beneath his Feet jCX ^^|SI Beneath his Feet fuMtantial Night Was like a fa-ble Caipet fpread. -©- 1 ^Wpa^ jy?/?.dfrst Michael's TUNE^MrMatt*iiufscy \M Jin n lo lip Pr^^ HHH ^bfejjfei The Heav 'ns and Firmament on high, Do wond'rously declare hr/tj. 1 IS t=F*£ HI ^ff^iU^ g ^ -5 €»-** -O- The Heav ns a ud Firmament on high. Do wond'rously declare i ^ !rt±: ?4 S XX 34 God's Glo-ry and Omni- po-tence I His Works and what they are ^^rxS, Gods GTo-ry and Omni'- po-tence His Works and what they are- Si ^3 1v *-* 6 ^ ■ lip |»|p v&*m - 33 fflff /:/. S? ALPHEGE's TUNE._#j/M r Matthew Hufsey ffff^N ^s: e± COS 1= -©- 1 Ye Men on Earth in God rejoice, With Praife ex-tol his Name *3= I I ith Jrraile ex- to ? F=g^ O r Jl^ X3I Ye Men on Earth m God rejoice, Wuh Praife ex-tol hTs Name < ^ feiTrn#?CTnT^ f# o o ff * fEcfe=^ fel o~n P i o # 1 mp ? o 'o fcd 1 1 — ■ 1 Ex_alt his might with Heart and Voice Give Glory to the fame. alt iiTs mreht wn ■©-© m hH-alt JiTs might with Heart and Voice Give Glory* to the fame. pi pp fert^t^tTTT ¥: Pfji.27.r.S\ MILDRED'S TUNE.ity W Riley. gte grr?T[ifflJ i oi i -.)i3 Ji- r |'i°n 1 In Thee I put my ftedfaft Truft, Defend me Lord from fhame jLljJi_J_J|,I . I Jy-^ i o | | 1 1 1 J |, 1 1 J Jj\p-M In Thee I put my ftedfaft Truft, Defend me Lord from fhame l^mmpii a: -©- r» t" ' s»^ 1 Incline thine Ei tr and five my Soul , Fbr righteous is thy Name. If Incline thine Ear and five my Soul, For righteous is thv N«»e_ g^ fefej^s 34 %3)C/$0 VsMK St BENNET's TUNE, by W. m Riley Let all that vi tal Breath enjoy. The Breath he does to them if— ford. % £ m * ■ "> nlo dl g d t J lo to them afr ] -Q — cHr4 Let all that vi tal Breatn*"enioy, The Breath he does to them afr ford, lat vi tai ijreatn enjoy, ine .Breach ne does to tnem ar- rord, r h'ji.i.ojjJr>i^ffMwt y 56 6 b * % ° * *# S 6 «* V rn r fr lo | |cl10 r h> r 1 [l o| ° 11 iin In- juft returns of Praife employ Let ev'ry Creature praife the Lord SI X3: 5 J B prHfe the LVd 1 «, ^ OTO d o | o O O ' * ' " — * ' — >- J l * ' " ' * * r^j * fj ' ' t. In juft returns of Praife employ Let-ev'ry Creature p *} g ?IO P X3: X3: E Olo 4 6 76 O-c '6 & <> 4 6 k 45 ^Jm^Un^ CHRISTOPHERS TUNE. fyW* Riley H 6°4 % At the "Asylum or House of Refuge for Female Or- phans" at Westminster Bridge, the improvement of its music under William Riley took the form of antagonism to the tunes made popular by the Revival. His Parochial Music Corrected (1762) dwelt especially on the light fugu- ing tunes of the "Methodists", which were creeping into the Church through the "Lectureships" in parish churches that gave Evangelicals their opportunity. Nevertheless here as elsewhere the use of Hymns followed musical improve- ment. Riley's Psalms, and Hymns for the Chapel of the Asylum or House of Refuge for Female Orphans (n.d. ; after 1762) included the words of the Hymns. 60