PRINCETON, N. J. SM/. Division. X.SSQS Section Number ..'Si. t. 4 V I V ' r \ l.J . V - >: ■ Mount Fuji. Frontispiece to Vol. u. ITS JAPAN: HISTORY, TRADITIONS, AND RELIGIONS. WITH THE NARRATIVE OF A VISIT IN 1879. By Sir Edward J. REED, K.C.B., F.R.S., M.P., VICE-PRESIDENT OF THE INSTITUTION OF NAVAL ARCHITECTS; MEMBER OF THE INSTITUTIONS OF CIVIL ENGINEERS AND MECHANICAL ENGINEERS; KNIGHT OF THE IMPERIAL RUSSIAN ORDER OF ST. STANISLAUS, OF THE AUSTRIAN ORDER OF FRANCIS JOSEPH, AND OF THE TURKISH ORDER OF THE MEDJIDifi, ETC. IN TWO VOLUMES.— VoL. II. WITH ILLUSTRATIONS. LONDON: JOHN MUKKAY, ALBEMARLE STREET. 1880. [The. Eight of Translation is reserred.'] LONDON : PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, STAMFORD STREET AND CHARING CROSS. CONTENTS. {VOL. II.) CHAPTEK I. OUR ARRIVAL IN JAPAN — FIRST IMPRESSIONS. Our first view of Japan — The sacred mountain Fuji-yama — Coast scenery — Yokohama Bay — Our landing — Reception on shore — A small summer palace of the emperor — Railways of Japan — Arrival in Tokio — The residence of Admiral Kawamura — Memoranda by E. Tenn Reed — Jwrihi-shas — Costumes of the people — Japanese shops — Torii — A Shinto temple — Mode of worship — Shinto priests — A movable shop — The police — The children— Shampooers — Outside the town — Country scenery — Rice-fields — An inland town — Tea-drinking — The national beverage, soke — A Buddhist temple — Buddhistic worship — The lotus emblem — Japanese animals — Excursion vans. Pages 1-18 CHAPTEE II. A MONTH IN THE EASTERN CAPITAL. Our courteous reception there — Imperial princes and princesses — Ministers of state — The prime minister Sanjo — The founding of Tokio (Yedo) — The castle — Splendid temples — Wooyeno Park — European buildings — Native shops — The metropolitan temple of Asakusa — The Nio, or giant gate-keepers — The remedial idol, Binzuru — Curious modes of worship — A praying- wheel — Japanese lacquer and bronze — Devoted workmen — Early lacquer- work — Decline and revival of the manufacture — The processes employed — Early and modern bronzes — Modes of pro- duction — Exact reproductions avoided — Art-work — Coloured pictures in metal — Repousse work — An unequalled work of art — The j)aper- mills of Oji — Paper-manufacture — Multiplied uses of paper — The government and administration of Tokio — An official statistical account ......... 19-47 a 2 IV CONTENTS. CHAPTEK III. LANGUAGE AND LITERATURE. Early Japanese an unwritten language — Transmission of records by word of mouth — The Indian Yedas — A colossal system of mnemonics — Ancient language of Japan — The Loo-choo dialect — Japanese a Tn- ranian tongue — Mr. Hyde Clarke’s theory of an ancient Turano- African empire — Intercourse with Korea — Influence of Chinese literature — “ Letters of the god-age ” — The alphabet — Spoken and written language —Difficulties of exploring Japanese literature — Diary of the old court noble — A Japanese classic — Japanese poetry — Poetry of the gods — A verse by the god Susanoo — Chant of the goddess Uzume — A “ No ” — Specimens of native poetry — Eemarkable influence of women upon literature — Interchange of prose and poetry between a Chinaman and a Japanese — Captain Brinkley on the Japanese language — Mr. Hyde Clarke’s Turano- African theory .... Pages 48-79 CHAPTEE IV. DRAWING AND PAINTING. Our opportunities of studying Japanese art — Temple art treasures — Studies in Kioto — Artistic seances — Foreign derivation of the art — Government patronage — Early artists of distinction — Kano and his school — The Tobo school — Okio and the Shiyo Riu — Hokusai, the Japanese Hogarth — The “ schools” of Japan — Professor Anderson upon Jajmnese design, composition, drawing, perspective, chiaroscuro, and colour — The beauty of the human form not duly appreciated in Japan — Sir Rutherford Alcock on Japanese art — Frequent recurrence of pictorial subjects — Legend of the cuckoo and the moon — Anticipated progress of the Japanese in European art styles — Their technical mastery . 80-104 CHAPTER V. PROVERBS AND PHRASES OF THE PEOPLE. Many proverbs and proverbial sayings — Expressions for what is impossible — Injunctions for avoiding the appearance of evil . . 105-112 CHAPTEE VI. THE INLAND SEA AND NAGASAKI. Departure from Yokohama in the Meiji Maru — The lighthouse of Oosima — Precautions against earthquakes — A natural breakwater — Kobe and Hiogo — Waterfalls — Temples and shrines — The club at Kobe — Scenery CONTENTS. V of the Inland Sea — The bay and castle of Mihara — A beautiful dawn — Takahara — The ancient temples of Miyajima — A torii in the sea — Sacred deer and monkeys — The Shinto shrines — Origin of the temple — A homeless goddess — A rebellion and a revenge — Shimonoseki — The straits of that name — The attack of the combined squadrons in 1864 — An indemnity extorted by the aggressors — The town of Shimonoseki — A legend of its temple — A change of weather — Nagasaki harbour — One Pine-tree House — A singular imperial salute — The coal-mines of Takashima — Government establishments — A Church missionary — The fatal isle of Pappenberg — Eeturn trip through the Inland Sea — The ancient city of Osaka — Its historic associations. . Pages 113-136 CHAPTEK VII. THE CITY OF OSAKA. Approach to the city — Well-managed railways — The imperial reception- house — Governor Watanab^ — A nursery garden — Views over the city — Kozu, the temple of deified emperors — Another Shinto temple — An ancient Buddhist temple — Reminiscences of Prince Shotoku-taishi — The temple of the sea-gods — A musical service therein — A prehistoric boat — Divine jewels (magatama) — A Japanese fair — The castle of Osaka — Its modern arsenal — Immense monoliths — A ceiling of arrows — A gilded roof — the castle keep — Inspections of barracks — Studious soldiers — A private Japanese dinner — A public dinner — Japanese music and dances — A speech by the President of the Chamber of Commerce — A pretty comjdiment — Dramatic performances — A purchasing expedition — The power of art — Presents — The imperial mint — The new coinage — Output of the mint ....... 137-154 CHAPTEE VIII. THE SACKED CITY OF NAHA. Interest felt in the city — View of the people — Men of average stature, women small — Picturesque children — Visit to Sakai — Road to Nara — Shadoofs — Burial-places of the Mikados — Tomb of the war-god Ojin— Raised river-beds — Village graveyards — Scenery — River navigation — The ancient temples of Hori-uji — Relic of Buddha — Carvings of Prince Shotoku — First view of Nara — Careful cultivation of the land — Our temple-abode — The great temple of Dai-butsu — The colossal god of bronze and gold — The supporters of the god — Historic relics — Footprint of Buddha — Temples of Kwannon — A fine landscape — A tea-house — More Buddhist and Shinto temples — Courtesy and hospitality of the priests —Temple avenues— Dance of the virgin priestesses — An ancient pine- tree — Curiosity shops — Return start — Site and limits of the ancient city — Group of Shinto temples near Sakai — A Japanese interior — More hospitality — Osaka again ...... 155-178 VI CONTENTS. CHAPTEK IX. KIOTO, OR SAIKIO, THE WESTERN CAPITAL. Changes of name — The “cockpit” of Japan— Arrival at Kioto — Lodgings in a Buddhist temple — Baths of Maruyama — General view of the city — Temples of Higashi-Otani and Chionin — The Mikado’s palace — The emperor-god — The throne-room, study, bed-chamber — The , apartments of the empress — Imperial gardens — Shinto temple at Shimagomo — A summer-seat of the Mikado — The silver-storied temple — Pastimes of the sacred and secular monarchs — Temples of the eight million gods — Other temples — Government industrial establishments and schools — Female normal school — “ Sweet girl-graduates ” — Educa- tion of dancing-girls and geishas — A banquet with Buddhist digni- taries — Illuminations — Arashiyama — Fishing and boating on a moun- tain river — A palace tiffin — Japanese music — The Toji temples — Superfluous gods — Another Buddhist banquet — Ancient Japanese and Chinese temple dances — Presents — The gentle Buddha — An historical exhibition — Literary treasures — Porcelain works — Hideyoshi at “ Clear-water Temple ” — Nishi - Otani — National dances — Silk and other factories — Street strolls — Mount Hiyei . . Pages 179-230 CHAPTEE X. THE SACRED SHRINES OF ISE. Start from Kioto — Otsu — Lake Biwa — The famous temples of Ishiyama- dera — Their legendary origin — An ancient authoress — The extraordi- nary mountain pass of Sudsuga — Jinriki-slia men — Pilgrims to Isd — The road to the shrines — Legend of a pine-tree — Matsuzaka, the birth- place of Motoori — His writings — A wet evening — Visit to a girls’ school — More pilgrims — The Geku shrine — The goddess worshipped there — Offence of the god Susanoo — Origin of the imperial regalia of Japan — The Naiku or inner shrine of the sun-goddess — The sacred mirror — The pilgrims at the end of their pilgrimage — A ceremonial temple dance performed by virgin priestesses — Shinto worship at its most sacred shrine — Solemn woods — The ancient faith — “A. study in blue and gold — The “ Temple of Immortal Splendour ” — The return — Picturesque scenes — Still pilgrims — Their costumes and equipments — The simplicity and purity of Shinto worship . . . 231-261 CHAPTEE XI. NAGOYA AND THE SHRINE OF THE SACRED SWORD, The town of Tsu — An attack of illness in Yokkaichi— Amateur artists— Habits of the Japanese — Mountain scenery — Sail on a river — The town CONTENTS. Vll of Miya' — The Atsiita shrine — The sacred sword “ Cloud Cluster ” — Yamato-Dake — His expedition against the Ainos — The name of the sword changed to “ Grass-mower” — Native history of the sacred sword — Estimation in which swords are held in Japan — Their forms and qualities — Sword-making a profession of honour — Sword inscriptions — Etiquette of the sword — The city of Nagoya — A banquet and an ex- hibition of porcelain — Amateur drawings and writings — Nagoya Castle — Its towers surmounted with golden fishes — An attempt to steal them — History of the castle— Kato Kiyomasa, its designer — Palace of the Shogun ........ Pages 262-276 CHAPTEK XII. TO shidzuoka: the home of the tokugawas. Early departure from Nagoya — The great Tokaido road — Monument to “the Shogun of three days” — Okazaki, the birthplace of lyeyasu — Yoshida — A famous artist — Our picturesque procession — Miraculous appearance of the goddess Kwannon — A colossal statue to the goddess — Fuji-yama again — A shrine of splendour — Beauty of the sea — The gate of Aral — The fishers of Mayezaka — Bridge over the Tenriu, 4000 feet long — A windy day in the hills — Kagos, or mountain chairs — Swiss-like scenery — A scene for artists — A tunnel through a mountain — Shidzuoka — Lacquer, inlaid, and bamboo work — Japanese tea-culti- vation — Large exports of tea — lyeyasu’s love of literature — The last of the Tycoons — A picture painted by him — An eminent litterateur — Legends of the Night-crying Stone, the Sworded Pheasant, and the Wishing Bell 277-292 CHAPTER XIII. FUJI-YAMA AND THE HAKONE MOUNTAINS. Height, solitude, and solemnity of the sacred mountain — A dormant rather than an extinct volcano — Legend of its origin — Cultivation of its slopes — Pilgrimages to its summit — Its splendid appearance — Seikenji, or “ Clear View Temple” — Temple treasures — The Mikado’s gifts of gold cups — Saruga Bay — Fish-drying — Production of salt — Arrival at Mishima — The great Shinto temple — Chief priest Mayada — More treasures — A vase of the god-period — “ God’s food ” — The kago of Mishima’s god — Mountain-A^a^os — Discomfort of the kago to Euro- peans — “ Asleep at the wrong end ” — Splendid scenery of the Hakone mountains — Views of the Idzu hills — The Japanese nightingale — Roadside scenes — Fuji disappears in the mist — Police escorts of the ministers — Dangerous effects of foreign pressure — Hakone lake — Kaempfer’s description — Hakone gate in the old days — Mountain and forest beauty— Asleep in a kago — The Sea of Sagarai — The baths of Yumoto — A native hotel— Mixed bathing — “Honi soitqiii mal y pcnse !” Vlll CONTENTS. — Our final day on the Tokaido — Speed of the jinriki-sha men — Neglected state of the great high-road — Second arrival in Tokio — A hearty welcome ....... Pages 293-310 Appendices : — Treaties and Conventions ...... 311-325 List of Emperors . . . . . . . . 326, 327 List of year-periods ....... 328-330 Comparative table of words in Japanese, West African, and other languages ....... 331-337 Celebrated swords and makers ..... 338-342 Index .......... 343-356 0 LIST OF ILLUSTRATIONS. {VOL. II.) JjuU-lJiige 0ugntbmg0. Mount Fuji Frontispiece. YoSITUNE RIDII^a ON THE TeNGU ; 2. TaIBO, A FaBULOUS Bird ......... Facing The Ascending Dragon ...... „ A Falcon ........ „ The Great Temple of Dai-butsu, at Nara . . „ Origin of the Kake-mono, or Hanging Picture A Dancing Girl ...... Soldiers in Time of Peace .... ^^Uitor ^ngritbing0. Railways of Japan ..... Hair of Labourer ..... Rinto, or Dragon Lantern of Kufukuji A Praying-Wheel ..... Japanese Junks ...... Ancient Burial Place of an Emperor . The Colossal Dai-butsu of Kamakura . Tower of Nagoya Castle .... Gold Fish of Nagoya Castle PAGE 54 104 136 170 218 273 300 5 8 18 28 7i) 112 178 230 201 VOL. II. b JAPAN: ITS HISTORY, TRADITIONS, AND RELIGIONS. CHAPTER I. OUR ARRIVAL IN JAPAN — FIRST IMPRESSIONS. Our first view of Japan — The sacred mountain Fuji-yama — Coast scenery — Yokohama Bay — Our landing — Reception on shore — A small summer palace of the emperor — Railways of Japan — Arrival in Tokio — The residence of Admiral Kawamura — Memoranda by E. Tenn. Reed — Jinriki-shas — Costumes of the people — Jajianese shops — IWH — A Shinto temple — Mode of worship — Shinto priests — A movable shoji — The police — 'The children — Shampooers — Outside the town — Country scenery — Rice- fields — An inland town — Tea-drinking — The national beverage, sake — A Buddhist temple — Buddhistic worship — The lotus emblem — Japanese animals — Excursion vans. It was on a fine breezy morning early in the year (January 10) that we first saw the land of Japan proper. Approach- ing it from Hong Kong, and by the southern route, which passes among the solitary Loo-choo Islands, the lordly and heautiful Fuji-yama rose up before us long before any other land was visible. Like a vast and splendid temple, it stood high above the ocean-plain, white with snow, and glittering in the sun. I shall have many occasions hereafter for speaking in admiration of this wondrous object, and will therefore only remark here that if one’s memories of Japan were destined to fade one by one, I believe the very last to disappear would be that of Fuji-san,* as first seen from the sea, at a distance of nearly one hundred miles. * Fuji-san is more correct than us) of Fuji-yama, hut usage has the more popular designation (among juslified the employment of eitlier VOL. II. B n< 2 JAPAN. [chap. I. With interest ever deepening, through the day we saw the picturesque shores of Japan gradually displayed as we approached, broken as they are, and as artists must exult to see them, into hills and headlands, valleys and sand- beaches, rocks and caves, in indescribable variety. On many an island and promontory stand lighthouses — those beacons of civilisation of which any nation may well be proud.* The days being short at this season of the year, night came on, and the lighthouses blazed forth long before we reached the roadstead of Yokohama, where steam-launches term indifferently in this case. Yama, Taka, and San or Zun are all applied to mountains according to their posi- tion or importance. * “ The first view of the coast of Japan which one obtains after five or six days’ voyage from Hong Kong is a very fair specimen of the coast scenery in general. Hills of peculiarly sharp outline, and which bear un- mistakable signs of volcanic forma- tion, send their rounded sjaurs out seaward in such a way as to form along the entire coast a series of small bays, in some of the more protected of which may be seen little nests of grey huts, with their inevitable accompaniment of single -masted junks lying at anchor close in to the shore. Every now and then a little white sail will be seen skimming along past the shore, the hull of the vessel often being out of sight to passengers on the mail steamers, which naturally give the coast a wide berth. At times the hills will fall away enough to give you a glimpse into the interior of the country, when you see others, range beyond range, of the same varied and picturesque forms, increasing apparently in height in proportion to their distance inland. Wilh the exception of those nearest to the coast, these hills appear pretty thickly wooded, and even the barer parts are overgrown with grass which in the winter is of a deep straw colour, the result of the scorching sun of the preceding summer. This scenery, varying slightly at times of course, repeats itself continually as you pass along towards the Gulf of Yedo. Now and then the shore becomes more rocky, and the surf forms a broken line of white as far as the eye can reach. “ Islands occasionally loom up on the seaward side, the last and finest being that of ‘Vries,’ or ‘ Ooshima,’ an active volcano which continually pours forth smoke and occasionally flame. Soon after passing these islands the Gulf of Yedo is reached and the shores close in, the eastern one keeping very low right up the bay, the western one also being a little less billy and more thickly wooded than before. “ The Gulf of Yedo is extremely well supplied with lighthouses of various kinds, by aid of which mail steamers are able to proceed straight to their moorings in Yokohama Bay, at whatever time they arrive. “E. Tenn Reed.” This note, and some other notes which follow bearing corresponding initials, are from the pen of my son, who accompanied me on my visit to Japan. CHAP. I.] OUR ARRIVAL IN JAPAN. n fj were waiting to take ns to the shore if we had chosen to land. But the hour was late, and we had previously de- termined to remain on board for the night, and therefore sent our compliments and apologies to the friends awaiting us, not doubting that their convenience, like our own, would thus be best secured. Early on the morning of the 11th we went upon deck and saw the pleasant town of Yokohama, with its long line of European -looking buildings extending along the sea-front, and its charming residences high up on “ The Bluff,” on our left. In the roadstead or harbour were ships of all nations, including British, American, and German men-of-war, with the flag of Japan floating proudly from many a war-vessel, one of which, the ironclad frigate Foo-so, I had myself had the privilege to design and have built for his majesty the emperor. After breakfast the steam-launches were again alongside, and several young officers whom we had known in England had come out in them to escort us to the port- admiral’s landing-place, where we were most cordially re- ceived by their excellencies Admiral Kawamura and Mr. Enouye Kawori, the ministers of marine and of public works respectively, both of whom we had had the pleasure of know- ing in England. With them were Admiral Ito and several naval and civil officers, some of whom we already knew, and others whose acquaintance we then made for the first time, as we did also that of Captain Hawes, an English officer who had established and brought to a condition of great excellence a corps of Japanese marines whose disbandment subsequent events had brought about.* Our first entertainment in Japan was at a small but elegant little summer residence situated upon a hill over- looking the bay, which formerly belonged to Mr. Enouye, * 'J’o Capt. Hawes we were in- the preparation of a guidebook to debted for many kindnesses during Japan, which will be of the utmost our stay. I understand that, in con- service to visitors, and doubtless junction with Mr. Ernest Sato w, this help to attract strangers to the accomplished officer is engaged in Flowery Land. B 2 4 JAPAN. [chap. I. but has of late years been employed as a temporary residence for tbe Mikado on the occasions of bis visiting the fleet, or making a sea passage to or from his capital. Although built and provided in European style, the little palace bore throughout its fittings, furniture, and decorations the unmis- takable impress of the Japanese artist and handicraftsman. The walls were hung with Japanese pictures, both ancient and modern ; the curtains were of rich Japanese silk ; the carpets and rugs of native manufacture ; the furniture of woods and designs special to the country, while beautiful specimens of inlaid lacquer-work, Satsuma and Kiyomidzu faience, and screens of Kioto embroidered silk adorned the several apartments. A luncheon of European type empha- sised the welcome which had been given us, and assured us of the cordial hospitality with which we were to he treated. A brief visit to the club, the privileges of which were secured for us by the kindness of Captain Hawes, occupied the only time available before the departure of our train to the eastern capital.* * “An Englishman arriving in Yokohama, looking at the town from a ship in the bay, will have some difficulty at first in discovering any very novel feature in its appearance. To the left on a hill he sees Euro- pean houses in abundance; all along the shore are large stone buildings, hotels, store-houses, and clubs such as may be seen in any seaport town at home ; and with a score or two of steamers of every kind in the fore- ground, it is indeed hard to realise that he is face to face with the land of the Mikados. But this disappoint- ment does not last long. He has but to lift his eyes and look beyond, and there, towering above all the nearer hills, he sees Fuji-yama, the monster snow-capped mountain which forms a background for all the loveliest scenes in Japan. Steamers, hotels, and store-houses are forgotten in a moment, and he becomes for the time a Japanese, or at any rate a worshipper of Fuji. “ But now the boats which are to take him ashore crowd round, and he has to postpone further contemplation to a more suitable opportunity. The boatmen and boats are Japanese at any rate. Tlie men are dressed in a loose sort of robe with hanging sleeves. They row with long sweeps tied to the side of the boat, and worked in a kindofscullingfashionwiththeblades nearly under the stern of the boat. On reaching the shore and having passed through the ordeal of the customs, a stranger finds himself in the midst of a curiously mixed popu- lation. Here he sees in the same minute Englishmen, Americans, Germans, Frenchmen, Chinamen, all of them feeling apparently at home, and seeming as if it was the most natural thing in the world for each of them to be there: the Japanese CHAP. I.] OUR ARRIVAL IN JAPAN. 5 Before proceeding with the narrative of our visit to Tokio it may be well to pause sufficiently long to mention the existing railway accommodation of Japan. There are but three lines of railway yet constructed, viz. that upon which we were about to travel from Yokohama to Tokio, a distance of 18 miles ; a second, from the open port of Kobe to the great commercial city of Osaka, which is 22 miles long; and a third, from Osaka to the western capital of Kioto, which is 26J miles in length. These last-named being con- tinuous, may be considered as one line of 48^ miles, from going their own way quite uncon- cerned. As he moves farther into the town, however, the purely Japanese population appears in all its novelty and picturesqueness ; and from this point all we shall see in Yokohama may be seen in any town throughout the country. “ E. T. R.” (3 JAPAN. [cHAr. I. Kobe to Kioto. Several other lines have been laid out, as shown in the plan on the previous page, of which the parts drawn in a continuous black line have been completely planned and estimated for, the short piece from Kioto to Otsu being already in hand and well advanced ; while the dotted lines indicate a much more extensive system, which can scarcely be said to have advanced much beyond the region of imagination, although the general routes indicated have been more or less examined and determined upon. While speaking of increased communication with the plan before us, it may be well to men- tion that it has been for centuries past the hope of thoughtful Japanese that a canal would be cut from Tsuruga to the northern extremity of Lake Biwa, for the purpose of admit- ting shipping from the ocean into the lake, and thus carry- ing sea-borne produce inland to Otsu, which is within nine or ten miles of the western capital. The whole length of projected railways above indicated is about 600 miles, of which 143 have been completely planned and in part com- menced, the remaining 457 miles being at present but little more than talked of. The line from Yokohama to Tokio was commenced in 1867, and opened for traffic in October 1872. There are large stations at the termini, and smaller stations at several intermediate places. Extensive work- shops exist at Tokio. It is said that the receipts for passenger traffic alone on this line reach nearly £100 per mile per week, and will therefore compare well with those of first-class English railways. English and Scotch engine- men and drivers are still employed upon the railway, but the management of the traffic and the working of the stations are conducted entirely by Japanese. About five in the afternoon of the 11th we reached Tokio, where a crowd awaited our arrival, attracted doubtless by the circumstance that one of the carriages in waiting belonged to the government, and bore among its decorations the imperial crest. A few minutes’ drive, during which we could not but be struck by the characteristic features alike of the city and of the people, brought us to the residence of Admiral Kawamura, where we found ourselves delightfulJy CHAP. I.] OUR ARRIVAL IN JAPAN. 7 located in the midst of a purely Japanese household, hut with an adjoining building of European style, newly erected for the use of foreign visitors, and furnished with the choicest art-furnishings of Japan, as in the case of the little Yokohama palace already adverted to. In place of giving my own general impressions resulting from our first views of this extraordinary country and people, I will take the following from the memoranda jotted down by my son— in whose youth (his age being but nineteen) the friendly reader will find sufficient excuse for any literary crudeness that he may detect : — “ Among the first things we see on entering a Japanese town is a line oi jinrihi-slia men, with their hand-carriages, w^aiting for a job. The shafts of the two-wheeled carriages are resting on the ground, and their proprietors are standing by, or sitting on the now sloping seat. Their dress consists in most cases (in this winter time) of a pale-blue shirt with hanging sleeves tucked in at the waist, and tight-fitting breeches of the same colour, reaching just below the knee. Legs and feet are bare, with the exception of straw sandals fastened on by means of straw cords, one passing round the ankle and another between the toes. They are most of them holding their rough scarlet rugs round their necks and shoulders, but as soon as they get a job the rug will be transferred to the knees of the fare. “ But let us look for a moment at the dresses of the passers-by. Here comes a young man, probably an assistant in a shop. His dress consists of a thick-striped silk robe reaching down to the ankles, or nearly so. The colour of this is a quiet grey, with narrow mauve or black stripes in it. It crosses on his breast, and inside it shows an under-garment crossing in the same way, made of a different shade of grey from the other. The outer dress is fastened at the crossing with a thick cord of cream-coloured silk. He wears white socks, which only reach to the ankle, and which separate between the big toe and the rest of the foot, so as to allow the strap of his clogs to pass between. These clogs consist of a flat sole of wood about half an inch thick, wffiich rests on 8 JAPAN. [chap. I. two broad wooden uprights at toe and heel. A straw cord comes up between the big toe and the next one, and separates into two parts, which join the clog halfway along. As there is no fastening at the back, a continual drag has to be kept on the clog or it would fall off, the result of which is that very shambling gait which is one of the peculiarities noticed in walking through a Japanese town. This young man, like most others now, has allowed his hair to grow all over his head in European fashion. “ But before going further we must notice the arrangement of the hair which is peculiar to the Japanese men. The head HAIR OF LABOURER. is shaved, from the forehead to a little behind the crown. The hair is grown at the sides and back, then a kind of short pigtail is made of the upper part of the back-hair, which is stuck together with cosmetic, doubled, and the point brought partly over the shaved part of the head, as in the engraving above. This practice is fast dying out, though, and even now is almost confined to the working classes. “ Let us now take a glance at a shop or two, and see in what they differ from those we are accustomed to. Here on our right we see a low built wooden house. We go inside the door; the proprietor is sitting on his heels on the floor, which CHAP. I.] OUn ARBIVAL IN JAPAN. 9 is raised about a foot and a half above the ground, and is smoothly covered with clean matting. He has his bronze hibashi, or brazier, before him. One arm is resting on it, while one hand is sj^read over the fire of red-hot ashes. In his other hand is his small silver pipe, with its diminutive bowl. The moment we enter he taps the ashes out of this pipe into the hibashi, and makes his reverence with his forehead on the ground. If we wish to purchase anything, a certain amount of preliminary incredulity and subsequent beating down is often necessary here as in most other places in the East. He asks us to be seated, and pushes some flat cushions to the edge of the floor so as to enable us to keep our feet on the ground, and thus avoid taking off our boots, which would be necessary if we were to mount on to his floor. He calls to some one in the back room of the house, which is shut off' by a paper partition with wooden framework, and in a few minutes a boy appears with tea, which we are invited to take while we look over some of his stock. After making a few purchases and drinking the tea, with which the cups are continually re- plenished, we wish him good-day, and leave him repeating his obeisance, and producing that remarkable sound which is so common in Japan, of sucking in the breath between the teeth and lips, and terminating in a noise made with the throat, which is rather suggestive of asthma. These sounds almost always accompany a bow either on meeting or leaving a person. Passing on, every shop is a picture, even though it be for the sale of casks or wine-bottles. The clean white ribs of the cask held together by rings of green willow ; the masses of common blue and white china sake bottles, shelf above shelf, and layer above layer, are pleasing to the eye, and so help in their way to increase that fascination with the country which every foreigner feels after a short stay in Japan, and which is of course contributed to by every evidence of taste and artistic sense in the Japanese in things however trifling and unimportant. “ But what is that curious structure at the end of the street ? Well, it does look curious at first, but before many days have passed it will seem as familiar as a church-spire at 10 JAPAN. [chap. I. home. It is the sign that you are approaching a Shinto temple, and if you look beyond you will see nestled among the trees the steep thatched roof of the temple itself, which is entered by a flight of steps, at the foot of which may be seen a little group of devotees making their obeisances before the shrine. Even at this distance, if we look carefully into the shadow cast by the overhanging roof, we can see the glimmer of the round mirror which appears to be one of the symbols of the Shinto faith. “ As we draw nearer we find that the archway we have noticed consists of two large upright posts some two and a half feet in diameter, across the tops of which is laid a beam, projecting over them and curving slightly upward. A few inches below this is a second and smaller beam, parallel to it, and which hears a framed board on which is inscribed in Japanese characters the name of the temple. The whole structure is painted a bright red,t and is altogether about fifteen or eighteen feet high. We can now distinctly see the mirror in the centre of the temple, surrounded by those wands with curiously cut tassels of white paper which are called gohei, and which are seen in every Shinto temple. The original idea of them might have been that of a duster, as it is the custom of the priests to make two or three passes with them in the air before praying, apparently for the pur- pose of clearing the atmosphere from any impurities before invoking the god. Here, too, are the worshippers, some kneeling, some standing at the foot of the steps. Let us watch this new-comer for a moment. He walks to the foot of the steps, throws a coin on to them, and stands for some seconds gazing into the temple, then raises his hands and claps them sharply three times. He then places them together and bends his head, muttering a short prayer. After another - prolonged gaze at the sacred mirror and its surroundings, *“ The mirror, we afterwards found, Ernest Satow. *‘E. T. K.” although a sacred Shinto emblem, f “ This painting of the of birds antT flowers, exclusive of many scattered blossom-specklings in the same metal. But it is unnecessary to dwell upon the beauty of the Japanese bronzes, for it has been freely recognised by all who have studied the subject. The method of producing coloured pictures in metals, known as syahfdo, has been justly pronounced by Mr. Audsleyt as perhaps the most characteristic of all the * Tliey were presented to me by of war which I had the honour to the imperial government in token of design and superintend for him. the satisfaction which his majesty f One of the authors of ‘ Keramaic the emperor was pleased to e.xpress Art of Japan/ by Messrs. Audsley & with the three armour-plated vessels Bowes, of Liverpool. 40 JAPAN. [chap. II. metallurgical works of Japan. “ In this,” he says, “ numerous metals and alloys are associated, the designs being produced in colours through the agency of the various coloured metals ; white being represented by silver, yellow by gold, black by platina, all shades of dull red by copper and its alloys, brown by bronze, and blue by steel. Gold, silver, and polished steel, of course, represent them- selves in design as well as abstract colours. A red garment, embroidered with gold and clasped with silver, would be executed in red-coloured copper, inlaid with gold, and furnished with a silver brooch. The sword in the hand of the warrior would be unpolished steel, and, if bloody, would have red copper laid in it. I have seen many beautiful specimens of syahfdo, and can bear witness to their faultless execution.” Of repousse work Sir Eutherford Alcock says it “ is said to be known and practised by them, but I cannot say I have ever seen any clearly marked specimen.” But it is a fact that this class of metal work is produced in Japan, as I can state from observation there. It is sometimes produced by beating the metal into a steel mould, sunk and engraved for the purpose ; at other times it is produced by simply hammering, with or without a mandril. The artists sometimes make a point of putting no ornament that would obliterate the traces of the hammering. This branch of metal work, however, is much less common in Japan than that of casting. Before concluding these remarks on bronzes, I ought to note that by an act of courtesy on the part of the governor of Tokio we were privileged to see, and to study repeatedly and leisurely, what all the Japanese who saw it pronounced the very finest specimen of bronze-casting that had ever been executed in Japan. This splendid specimen of the national art — a man’s figure engaged with a dr-agon — was sent to Admiral Kawamura’s house by the governor soon after our arrival, and was allowed to remain there throughout our visit. I feel quite incapable of putting into words any such description of it as would convey to the reader even an approximate idea, either of its beauty CHAP. II.] A MONTH IN THE EASTERN CAPITAL. 41 as a work of art, or of its wonderfulness as a meclianical production. One exceedingly pleasant and interesting day of our first month was spent in visiting the paper mills of Ogi, a short drive from the city, under the guidance of their excellencies the minister of finance (in whose department part of them are) and the minister of public works. The art of paper-making is one in which the Japanese have long excelled, some of their paper productions surpassing in strength, and others in parchment-like qualities, those of every other country, even down to the present time. My esteemed friend Sir Sydney Waterlow advised me before I went to Japan to note with particular interest this branch of manufacture, observing that there existed in this country demands for some very special classes of paper which could only be supplied from there. In pursuance of this sugges- tion, I lost no opportunity of looking closely into the subject, although I cannot profess to have discovered any secrets relating to it. By the kindness of the government I was able to bring away with me assorted specimens of the productions of Ogi and of other mills, and so beautiful are some of these that I was not surprised to find the Ogi factory executing large orders from the French and Kussian governments, and from several private firms in Europe, the quality most in request being a beautiful fine-surfaced paper of excessive toughness, which is found very valuable as a material for military maps, and for other purposes in which great durability and power of sustaining much wear and tear without injury are objects of first importance. It is impossible to trace the history of the paper-manu- facture in Japan back to its commencement. Specimens produced at the beginning of the eighth century after Christ still exist, and show that the art of paper-making was then highly developed. In the Nihonhi mention is made of the matter in the year 590 a.d., and the words “ Paper is manufactured ” are there recorded ; but this was probably suggested by the introduction of some improvement from Korea rather than by the invention of paper-making, as it is 42 JAPAN. [chap. II. known that books were already in existence. In the year 900 A.D. three descriptions of paper were produced in Japan : 1. Mashi, made from hempen rag pulp ; 2. Hishi, made from such plants as gampi {Wickstroemia canescens) ; 3. KoJcushi, made from hozo (Broussonetia 2 ^<^py^ifsra), which was like the paper now in common use in the country. Excepting paper made from rags, for the production of which large European factories have been erected at Ogi, Japanese paper is produced from a small number of materials, the chief of which have just been named. The first in importance of these is kozo, the plant named last in the preceding paragraph. It is the fourth order of the twenty- first class of the Linnaean system, and is a small shrub reaching to about six feet in height, with branches springing directly from the earth, and grows in nearly all the provinces of Japan. It is a deciduous plant, bearing its new dark- green leaves in springtime. The leaves are “ ovate in form, with a sinuous or serrated margin, and very rough upon the upper surface.” There are two kinds of this shrub, pis- tilliferous and staminiferous.,* They are propagated either by layering (marcottage) or by root-slipping. The mode of treating them for paper-making purposes is as follows : They are cut into 3-feet lengths and steamed in a large boiler containing a little boiling water. The bark is then peeled off, steeped in 'water, and has the dark outer rind or pellicle scraped off with a knife, the scrapings being used for producing inferior paper. The bark thus scraped and cleansed is next carefully washed in running water, and then exposed to the sun until bleached sufficiently white. After this it is boiled in a lye, formed with buckwheat ash, to remove gummy and resinous substances from it. *“The staminiferous blossom iuflorescenceofthepistilliferoiis plant about the middle of May ; the iiiflor- is also supported ou a peduncle, and cscence is axillary, and supported on consists of a number of flowers ar- a peduncle of a little more than an ranged together in a head ; from each inch in length ; the corolla is monope- blossom a long pistil projects ; their talous, divided into four lobes at the colour is dark purple.”— Mr. Saka- limb, and is of a dark purple colour. kibara Yosiuo, in Exhibit on Japan- /Ihesc blossoms are tetrandrous. The cse Education of 1876. CHAP. II.] A MONTH IN THE EASTERN CAPITAL. 43 The fibres are then readily separated. After cutting out knots of excessive hardness, the workman now beats the fibre into a pulp with wooden mallets upon blocks of stone. This pulp is mixed in tubs or vats with the needful quantity of water, to which is added a milky substance prepared with rice flour and a gummy decoction from the bark of the Nori nohi {Hydrangea iMnicuIata) oi from the root of the tororo.* When the steeping in this mixture has proceeded sufficiently long, the pulp is spread out into sheets by means of fine sieves of bamboo and silk. After draining, the sheets are transferred by means of brushes to drying-boards. Similar processes are employed for producing paper from gampi. This plant {Wickstroemia canescens) is the fourth order of the eighth class of Linnaeus, and is a small shrub growing sometimes ten feet in height, with leaves arranged alternately on the stem, the under surface of each leaf being covered with soft hair. Its blossoms, coming about the middle of June, are of a pale yellow colour. The flowers are octandrous, with one pistil. The paper made from this shrub is very fine and supple, and is therefore very suitable for taking transfer copies. It has also the advantage of not becoming worm-eaten. Paper is also made from the mitsu mata plant (Edgworthia papyrifera)^ the first order of the eighth class, a deciduous shrub growing to seven or eight feet in height. At the close of autumn many buds spring on the ends of the branches and arrange themselves in a cluster, “ hanging down like a wild bee’s nest,” and blossom- ing when the spring comes round. The branches are so * “ Tororo Hibiscus. The seventh order of the sixteenth class of Linnaeus, a genus of Malvaceae of De Candolle. This is an herbaceous plant, the seeds of which are sown in spring. It grows to the height of one or two feet, and is of a hairy nature. The leaves are palmate, having five or seven lobes, and are arranged alter- nately on the stem. During the hot season fiowers spring from the ends and axils of the branches. The corolla has five petals, and is more than two inches in diameter ; it is of a pale-yellow colour, with a dark-pur- ple blotch at the bottom of each petal, and is ephemeral. These flowers are monodelphous and polyandrous. The pod is five-celled, each cell containing many seeds. The root is conical, and abounds with viscous juice.” — Mr. Yosino. 44 JAPAN. [chap. II. pliant that they will not break when knotted.* The corolla of the flower is white outside and yellow inside. The leaves appear after the blossom has fallen. The Ogi mills comprise one which belongs to a company, and which is fitted up throughout with English machinery, first for preparing the materials by sorting, cutting, dusting, boiling, washing, bleaching, heating, and colouring ; and secondly for converting the prepared material into finished sheets of paper, by the processes of straining, knotting (the separation of knots, impurities, or of matted fibre which has formed into strings, or is insufficiently ground), making, pressing, drying, glazing, cutting, sorting, polishing, and packing. The machinery was supplied by Messrs. Easton and Anderson, of London and Erith, and is among the best that can he produced, embodying nearly every modern im- provement. This machinery was ordered in August 1873, and was shipped to Japan in June 1874 ; by August 1875 it was at work, having been erected and fitted under a skilled European overseer, hut entirely by the labour of Japanese artisans. The English officer, Mr. Frank Cheeseman, who superintended the work at Ogi, has stated that he was favourably impressed by the intelligence and skill of the Japanese workmen, and by the high character of the native gentlemen who own the mill. The mill is capable of pro- ducing from fifteen to twenty tons of paper per week. The uses to which paper is put in Japan are almost as numerous as those to which bamboo is applied in that and other eastern countries, and those who have travelled in such countries know how very diversified are the uses of that invaluable plant. Besides its application to all the common purposes with which we are familiar at home, paper is employed in Japan in place of glass in the sliding walls of the houses, for pocket-handkerchiefs, napkins, in lieu of string, etc., and I have brought to England with me table- cloths made of paper, and even waistcoats and other such * “ Its stem and branches are tri- four slender petals. . . . The flower chotomous. . . . The flowers are like is eimeandrous, and has one pistil.’* those of the Daphne odora, having — Mr. Yosino. CHAP. II.] A MONTH IN THE EASTEBN CAPITAL. 45 articles of wearing apparel. I am disposed to believe that when the Japanese table-cloths and napkins become well known in this country they will come into very large demand. And the same appears to me to be highly probable with regard to stationery, and more particularly to envelopes, which, although wholly formed of paper, are much superior in strength and toughness to many of the linen-lined envelopes employed by us for business purposes. The leather-like wall-papers of Japan are exceedingly beautiful and very cheap. There has nevertheless sprung up in Japan, since the European invasion, a considerable demand for some descriptions of paper which we use, but which were previously unknown there, and I am informed that there are five fac- tories now in Tokio engaged in manufacturing paper to meet this want. The language and literature, the arts of drawing and painting, the colleges and schools, the public services, the museums and other institutions of the country and of the capital, likewise engaged more or less of our attention during our first month in Japan ; but the results of our observations must be reserved for later chapters, as this is already of unusual length. I will only add the following notes on the ‘‘ Fu ” of Tokio, which a high official was so obliging as to furnish in response to a request which I made to him. The Tokio Fu-Cho is an office of the local government having for its management the protection of the persons and property in Tokio, the capital of the whole empire, and is thus a branch of the central government. The extent of its jurisdiction is 7 ris (17 miles) from east to west, and the same from north to south. (Its limits are New Tone Eiver on the east, Tanashi postal station on the west, Eojugo Eiver on the south, and Ara Eiver on the north ; the first being the boundary between the provinces of Musashi and Shimofusa, and the three last being in the province of Musashi.) Its boundary line is 30 ris long (73'5 miles) ; under its jurisdiction are what are called the seven isles of Idsu, but as they are wholly separated from the land they are now omitted here, and the whole Fu is divided into 15 kus (formerly called Fu Proper) and 6 giins or koris (formerly called Fu Exterior). ‘‘ The 15 kus are the following : Kojimachi, Kanada, Nihonbashi, Kiobnshi, Shiba, Azabu, Akasata, Yotsuya, Ushigome, Kongo, 46 . JAPAN. [chap. II. Koisliikawa, Sbitaya, Asakiisa, Honjo, and Fukagawa. The district included under these names was in the days of the Tokugawa Shogunate called Yedo, and was under the jurisdiction of the north and south yakushos, or offices. After the revolution of 1868 its name was changed into Tokio. “ Not only is it a great metroiDolis, but it is a seat of the imperial palace, of the chief posts of the army and navy, of the various ktinns and shos, the source of all laws and institutions, and place of the foreign legations; where the traders and artisans crowd from all quarters of the empire, where the key of the foreign commerce is kept ; nay, it is the centre of all business, political, civil, commercial, industrial, agricultural, literary, and artistic. It is indeed the greatest city of the whole empire, and must not be considered as equalled by other fits and kens. “As to the 6 guns or they are the following ; Yebara, East Tama, South Tashima, North Tashima, South Adachi, and South Kadzushika. These consist mainly of extensive fields, and are in- habited by farmers, almost all of whom subsist by cultivation, thus separating the gitns from the fifteen kus, or the Fu proper. Every k2i has its kuclio, and every gun its guncho, who are respectively the president of each ku and gun office, and there are kuchos in the mnra into which the guns are divided. “ These officers are all under the superintendence of the Fu Cho, and are ordered to manage the affairs of the local executive govern- ment under their respective jurisdictions. The kuchos and gunchos are appointed by the Fuchiji, or the governor, and the kochos are chosen by the peojffe of the mxira. Besides there are the representa- tives from every ku and gun, who are chosen by the people, and are summoned periodically or occasionally to the Fucho to discuss the local interests and benefits. They compose what is called Fu Kai, or the Fu Parliament. There are also Ku Kais and Cho-Son Kais (or the ku and mura assemblies), consisting of the deputies elected by the people to discuss the economy of their own districts. “ The administration of affairs under Tokio Fu differs in several respects from that of other local governments. For instance, in other local governments the police affairs are under the direction of the governors, but in Tokio they are superintended by Daikeishi, who is the head of Keishi Honsho, wholly separate from Tokio Fu, and established by Keishi Kioku, a department of Naimu Sho in the central government. Thus the execution of all regulations concerning the persons and property must be subject to the approval of Daikeishi before they are carried into effect. “ The situation of the office of Tokio Fu is No. 1 Sichi Saiwai cho Tokio, occupying seven thousand tsuho (5 7 acres). It is divided into many departments, and has under its jurisdiction the fifteen CHAP. II.] A MONTJI IN THE EASTERN CAPITAL. 47 kus and six^^ms before mentioned. Its affairs arc very multitiidinons. The following is a brief summary : — The investigation of the census. “ The education of the people. “ The development of industry, agricultural, manufactural, and commercial. The inspection of the franchised market-place (Tsukiji). “ The gathering of taxes. The management of rivers, dykes, aqueducts, and banks. ‘‘ The construction and repairing of roads and bridges. ‘‘ The supply of water for city use. The drainage and the prevention of plague. The control of sanitary affairs in general. “ The payment of yearly pensions to the decoration- wearers and pension-holders of Kuwazokus, Shizoku, and of Heimin. “ The making of awards to virtuous people, obedient children, and faithful wives and servants. The superintendence of the Shinto and Buddhist priests. “ The helping of the poor widows and widowers, orphans, childless old men, maimed persons, and paupers. “ The establishment of the means of giving medicines to, and curing the diseases of, the poor and helpless. “Besides, it manages the affairs concerning the appeals of the people. But in all cases of importance it needs the direction from the central government, or every slio, concerning the affair. Every sho is subject to the control and guidance of the central government, and has for its management the department of the navy and army, the home and state affairs, the finance and justice, the public works and education. “ A brief account of the landed property and the number of houses and population is as follows. The area of Tokio Fu is estimated at 33 square ris (197’5 sq. miles), and the landed property is more than 100,000,000 imho (82,101'8 acres), of which 7,000,000 tmho (5747T acres) belong to the government, and 93,000,000 tmho (76,354 7 acres) belong to the people. The number of houses is 25,830, and population is 1,000,000 ; the length of public roads is more than 87 ris (212-8 miles) ; the number of rivers is 32, bridges 350, ships 18,000, carriages more than 44,000, temples both Shinto and Buddhist nearly 2000 each, colleges and schools 890, hospitals 30, and banks and other companies more than 100.” 48 JAPAN. [chap. III. CHAPTEE III. LANGUAGE AND LITERATURE. Early Japanese an unwritten language — Transmission of records by word of mouth — The Indian Vedas — A colossal system of mnemonics — Ancient language of Japan — The Loo-choo dialect— Japanese a Turanian tongue — Mr. Hyde Clarke’s theory of an ancient Turano-African empire — Intercourse with Korea — Influence of Chinese literature — “ Letters of the god-age ” — The alphabet — Spoken and written language — Difficulties of exploring Japanese literature — Diary of the old court noble — A Japanese classic — Ja]mnese poetry — Poetry of the gods — A verse by the god Susanod — Chant of the goddess Uzume — A “ Ko” — Specimens of native poetry — Remarkable influence of women upon literature — Interchange of prose and poetry between a Chinaman and a Japanese — Captain Brinkley on the Japanese language — Mr. Hyde Clarke on his Turano-African theory. A MODERN official Japanese treatise says, “In the earliest times the Japanese language had no written characters,” an opinion which is based upon the results of the researches of the most learned men of the country. There are those who hold a contrary opinion, but the authority which I have quoted affirms that the grounds for their belief are the “mere forgeries of literary impostors.” The point is, of course, one of great importance, for a _ nation which com- mences its career with a written language usually carries with it much more direct demonstrations, or at least indica- tions, of its origin than a nation that grows up, on its historic ground, from a condition so little developed as to be devoid of written characters. In the chapter on the God-period I have had occasion to refer to the circumstances under which the sacred book KojiJii assumed its known form by being taken down from 49 CHAP. III.] LANGUAGE AND LITEBATUBE. the dictation of Hiyetano Are, by whom it had been com- mitted to memory ; and although this occurred as late as the year 711 of our period, while we know that Confucian books were introduced into Japan in the third century, still it is an illustration of the fact that there, as in other countries, the transmission of traditions, etc., by word of mouth was a national practice. And but few people know to how great an extent this practice prevailed in some nations, even long after the introduction of written languages. How- ever strange it may seem to say so, it is a fact that the most ancient of all the sacred books in which wm ourselves, as part of the Aryan world, are interested, viz. theKig-Yeda, has been transmitted orally down to our own day, and has had its sacred text first published in a complete form by a scholar who is still alive, and still illuminating his age by his genius. The Eig-Yeda has in some sense been the Bible of millions upon millions of our fellow-creatures for thousands of years, hut it was Mr. Max Muller who brought out “ the first complete edition of that sacred text, together with the most authoritative commentary of Hindu theo- logians.” * There, no doubt, have long existed manuscripts of the Yeda, but Mr. Max Muller himself states that hut few MSS. in India are older than one thousand years after Christ, and there is no evidence that the art of writing was known in India much before the beginning of Buddhism — the last remark being one which may be applied to Japan likewise, hearing in mind that Buddhism only reached Japan a thousand years after the life and death of Buddha — • “ Prince Siddartlia styled on earth— In earth and heavens and hells incomparable.” The sacred traditions were handed down from generation to generation by disciplined and practised memory alone. ‘‘ As far back as we know anything of India, we find that the years which we spend at school and at university were spent by the sons of the three higher classes in learning from the mouth of a teacher their sacred literature. This VOL. II. The Commentary of Sayana Akarya. E 50 JAPAN. [chap. III. was a sacred duty, the neglect of which entailed social de- gradation, and the most minute rules were laid down as to the mnemonic system that had to he followed. Before the invention of writing, there was no other way of preserving literature, whether sacred or profane, and in consequence every precaution was taken against accidents.” * Stranger still is the fact that those Brahmans who may he con- sidered the especial guardians of the sacred traditions of India in our own day do not employ either the written or the printed texts in learning and transmitting their holy lore : “ They learn it, as their ancestors learnt it thousands of years ago, from the mouth of a teacher, so that the Yedic succession should never be broken,” and so well do they perform the duty, and so accurately do they transmit the text, that “ there is hardly a various reading, in the proper sense of the word, or even an uncertain accent, in the whole of the Eig-Yeda,” which consists of more than a thousand hymns averaging ten verses, and contains more than one hundred and fifty thousand words.! These glimpses into the system of transmitting literature by oral teaching and by the training of the memory are valuable, as serving to account for the extreme elaboration which written characters underwent in Japan after their invention and adoption. Educated as we now are, and living as we do, it is difficult to think with toleration of any language, whether spoken or written, which cannot he fairly mastered in a year or two, and it is with impatience that we read of Japan that “ at the lowest estimate a schoolboy was required to learn one thousand different characters ;” that ‘‘ in the government elementary schools of the present time, about three thousand characters are taught ;” and that “ a man laying any claim to scholarship knows eight or ten thousand characters, while those who * Ti.e Ilibbevt T.(ctures, 1878. t In a postscript to his third liib- bert Lecture Mr. INIax IMiiller cites very interesting passages from an ancient work showing in detail liow the oral teaching of the Vedas was carried on at least 500 n.c., and adds statements from the pens of two native scholars to show how it is maintained « at the present day. CHAP. III]. LANGUAGE AND LITERATURE. 51 pass for men of great learning are expected to be acquainted with many tens of thousands.” * While looking into this matter, in Tokio, I requested my friend, Captain F. Brinkley, E.A. (perhaps the greatest master of the Japanese language among foreigners), to favour me with his views upon it, and this he was kind enough to do. The memO' randum with which he accordingly furnished me is so valuable and instructive that I append it without alteration to this chapter. It will be seen from it that some twelve or thirteen thousand characters in all must be “ stored away in the memory, beyond the reach of time and the necessity of revision,” before a young Japanese can fairly start in pursuit of science ! But it is easy to see that this colossal system of mnemonics grew naturally enough out of that far earlier system under which, before the invention of writing, memory was the only library, and the toil of long years the only means there were of storing it. Now that Japan has entered upon the modern period, she must, so far, discard her ancient forms of language as to furnish her sons with readier means of acquiring knowledge. The ancient language of Japan — by which I mean the language spoken before the opening of her communications with Korea and China— appears to have stood alone. It had some degree of affinity with that of Korea, less (according to the highest authorities) in the roots of words than in grammatical form and structure. There is, however, but one language outside of Japan itself which can be considered as having many words in common with Japanese, and that is the language of the Loo-choo Islands. This appears to so far resemble the Japanese that Mr. Satow, who examined a Loo-chooan “vocabulary, says that it differs very little from it ; and adds that some members of the Loo-chooan embassy to Yedo spoke Japanese with perfect correctness. This cor- rectness must, however, be regarded as an accomplishment, and not as a proof of identity between the two languages, * Dr. David Murray, late Superin- teudeiit of Education in Japan, iu the Philadelphia Exhibit on Educa lion. E 2 52 JAPAN. [ciTAr. m. because interpreters are, as a matter of fact, often employed to facilitate communications between natives of the respective countries. It will be correct to assume, with Mr. Aston, that the Loo-chooan tongue is an offshoot from the Japanese — a mere Japanese dialect, in fact. The relation between the languages of Japan and Korea is doubtless a wholly different one, and one of far greater historic significance, but it is quite beyond my power to throw any light upon it. All I can do in the matter is to express surprise that, as far as I know, this early philologic relationship between Japan and the Korean peninsula has been so little studied. It is to the absence of any living or known languages allied to that of Japan and Loo-choo that we must primarily attribute the little progress that has been made by com- parative philologists in their investigations respecting it. It has not yet received even a definite place among the great families of tongues, some writers, at least, placing it, with the Korean, among languages that are of doubtful origin.* Authority on the whole, however, certainly excludes it from the Aryan and Semitic classes, and includes it in the Turanian group of tongues, although it is not to be found in the long genealogical tables of that family of languages which are given by Mr. Max Muller at the end of his ‘ Lectures on the Science of Language.’ Mr. James Fergusson, in his most interesting Ethnological Appendix to his ‘ History of Architecture,’ boldly says : “ In the old world the typical Turanians were the Egyptians ; in the modern the Chinese and Japanese.” Mr. W. G. Aston, who has acquired a masterly acquaintance with Japanese, and has written grammars both of the spoken and of the written language — which differ greatly — says that it possesses all the characteristics of the Turanian family, being agglutinative (i.e. maintaining its “ roots ” in their integrity), without * The author of the article “Philo- the Tibetan, ami 3, the Siamese, logy” in the 1878 edition of ‘ Cham- Anamese, and Barman, adding, bors’ Encyclopaedia,’ for example, who, “ Japanese and the language of Korea under the lieading “Monosyllabic or are doubtful.” Isolating,” places 1, the Chinese, 2, CHAP, III.] LANGUAGE AND LITERATURE. 58 formative prefixes, poor in conjunctions, and copious in tlie use of participles. He adds: “The Japanese language is further an example of the rule common to all languages of this family, that every word which serves to define another word invariably precedes it ; thus the adjective precedes the noun, the adverb the verb, the genitive the word which governs it, the objective case the verb, and the word governed by a prej)osition the preposition.” In a paper read at the Asiatic Society of Japan in 1874, Mr. Aston nevertheless — following up Mr. Edkin’s theory, that the Chinese language had remote relations with the Aryan family — himself points out some resemblances between Japanese and that family, and gives numerous examples of apparent identity between Japanese and Aryan roots. He lays no great stress on the matter, and adduces the difficulty which I have already mentioned, viz. the absence of cognate languages, as the great obstacle to the pursuit of inquiries of this kind. My learned friend Mr. Hyde Clarke, whose ethnological and philological researches are well known, has long had his attention drawn to the Japanese language, and after many labours has discovered relations between that and the lan- guages of Ashantee and western Africa. His expectations of finding a solution of the main problem were discouraged by the vast ethnological differences between the peoples ; but having, on ethnological grounds, “ to distinguish a white race earlier on the field of history than the Aryans,” he has, in accordance with his readings of history, looked for this race in High Africa — “ regions as healthy as those of High Asia, from which the Aryan migrations are held to have proceeded.” Pursuing this line of inquiry, he has arrived at the opinion that it is in an ancient Turano- African empire that the origin of the Japanese should be sought. This view is so novel and so far-reaching that I have appended to this chapter the memorandum upon it with which Mr. Hyde Clarke has been so obliging as to furnish me. It was very early in our era, as will have already been seen, that Japan began to have intercourse with Korea, 54 JAPAN. [chap. hi. and to derive thence aid and instruction which greatly facilitated the progress both of the fine and of the in- dustrial arts ; and few things are more striking even among the many striking things which may now be observed in Japan, than the complete and handsome manner in which her present scholars, historians and officers, recognise this ancient indebtedness to the people of the neighbouring peninsula. The Japanese have plenty of native pride, no doubt, but they appear to be without the false pride which deters some people from acknowledging the advantages which they have derived from others. A recent native writer says that in the earliest times the use of alphabetical characters was unknown in his country, and that it was introduced when intercourse with foreign countries was first opened. Characters are said to have been so introduced by natives of Minama (part of Korea) who visited Japan during the reigns of Kaikua and Sujin (157-30 b.c.). Books were first seen in Japan when the warrior-empress, Jingu Kogo, carried away from Korea as many of them as she’ could lay hands on, with everything else that was at once valuable and portable, after her successful invasion of that country. In the third century (a.d.) the son of the emperor Ojin was, as we have seen, taught to read Chinese works, and from that time forward Chinese language and literature exerted a strong influence upon those of Japan.* Prior to this, there is reason to suppose. * It is reasonable to ascribe to this cause the circumstance that in Japan as in China “ writing ” has always signified so very much more than with ourselves. Our alphabet is little or nothing more than a mechanical system of communication ; but in China there is a divine authority and beauty about their written characters. Some of them came from the scales of the turtle or dragon-horse that Toh-he found in the river bed. These he expanded to the great lines of the universe. The starry curves of the heavens, the undulations of moun- tains, the winding of rivers — in these were the elements of writing, and these elements shared the divinity of creation. Obviously a system of writing thus begun, or thus developed, would greatly favour that fanciful interweaving of meanings which it is impossible, as one so often finds, to render in a language like ours, or indeed in any foreign language what- ever. I may have occasion to make mention again of the difficulty in the chapter on Proverbs and Phrases. 1. YosiTUNfc riding on the Tengu to take his Fencing Lessons at Kurama Yama. 2, Taibo : a fabulous bird : the Japanese “ Eoc.” From Hokusai. Reproduced for this Work by a Japanese Engraver. 7b face page 54, Val. JI. !' I I I ( f i i i i • i ■ 1 . I • ! i i . ? ; I! j ! J : ! I; i i. !■ i i CHAP. III.] LANGUAGE AND LITERATURE. 55 tbe writing of letters was never practised, but epistolary correspondence soon became practicable after tbe intro- duction of Confucian books, and with them the commence- ment of the study of the literary art. Nothing like Chinese composition was, however, practicable in Japan until the sixth century, when the introduction of Buddhism and Buddhist writings gave a strong and lasting impulse to the spread of Chinese literature, and now the number of Chinese words in the Japanese language greatly exceeds the number of native words. They are for the most part easily distinguishable, it is said, although in some cases Japanese words have undergone changes which make it difficult to recognise them. It must not be inferred from this that a knowledge of the Chinese language is absolutely necessary for students of Japanese. “ What is really essential,” says Mr. Aston, is an acquaintance with the meaning and Japanese pronunciation of the Chinese character. A familiarity with Chinese constructions and forms of expression is not without value to the student of the later form of Japanese, but it is quite possible to have a knowledge of the language sufficient for all practical purposes without being able to construe a single sentence of a Chinese book.” He adds that a knowledge of one of the spoken dialects of China is of no use whatever to the student of Japanese. Whence came the earliest written characters ever em- ployed in Japan is a question that has excited much con- troversy, Came they from the gods? Were they the invention of the sages ? Or were they introduced from Korea ? Each of these questions is answered in the affirma- tive by some scholars, and denied by others. They are known as Shinji, “ letters of the god age,” and the priests of the old Shinto faith, with such modern Japanese scholars as Hirata Atsutane, deem them to be the oldest written characters known in Japan, and of purely Japanese origin, dating, in fact, from the divine age. Others, who modestly refrain from asserting the immediate descent of the Japanese from the gods, maintain that these characters 56 JAPAN. [chap. hi. were the invention of those later and lesser gods, the sages, and contend, as stoutly as the others, for their purely Japanese character. The third theory — that they were derived from the Korean Kito system of writing, and were in substance brought over from Korea by the Japanese army of invasion on its return home — is maintained by Buddhist writers, and has many other supporters. Mr. Aston thinks it the correct one, and says that the Shinji have, at any rate, left no traces in the existing alphabets, “ nor have they been the vehicle for transmitting to our day any literary remains of the age to which they belong.” * The differences between the spoken and written dialects of Japan are very remarkable. The grammars of the two are so different that Mr. Aston has published a separate work upon each, so that merchants and others who wish to acquire a knowledge of the colloquial tongue may pro- ceed directly to their object. So broad is the distinction between the two that foreign residents in the country sometimes become familiarly acquainted with the colloquial language, and yet remain incapable of reading a newspaper article, a book, or a letter addressed to them ; while, on the * It is no part of my plan to attempt to give any detailed descrip- tion of the language of Japan, which must be sought in the grammars of Mr. Aston and in the writings of other scholars; but it may he inte- resting to some readers to say that in the Japanese language there are forty-seven syllables, by the combina- tion of which, and of a supplementary character corresponding to n placed at the end of the syllable, all the words of the language may be repre- sented. The equivalents of these syllables, with a few supplementary ones, are given in the table below, ex- pressed in Eonmn characters, and in reading them the English sounds should be given to the consonants and the Italian sounds to the vowels. The table should be read down the verti- cal columns, and from right to left : — wa ra ya ma ha na ta sa ka a wi ri yi mi hi ni tsi shi ki i wu ru yu mu tu nu tsu su ku u we re ye me he ne te se ke e wo ro ye mo ho no to so ko 0 CHAP. III.] LANGUAGE AND LITERATURE. 57 other hand, a foreigner may acquire in his own country a good knowledge of the written language, and have caught the accent of Japanese, and yet be unable on visiting the country to carry on a conversation with a native. There is, of course, a notable distinction between the spoken and written styles in most countries — there certainly is in our own ; but the difference is far greater in the case of Japan than in that of ours or any other well-known language of Europe. Although the literature of Japan is a mine which has scarcely yet been opened, and it is hut natural to expect that it may hereafter he worked with great interest and advan- tage, those who have hitherto sunk their shafts and opened up workings in it seem to have found it less rich than they had hoped. This arises from two causes : first, most of the literature that has come down to us from the period when the language was at its best and purest was composed for the very limited objects which the Mikado and the court had in view in those days; and, secondly, all Japanese writers appear to have hung one narrative or story so much upon another that it is often difficult to select one complete in itself. Other causes are the abundance of verbal artifices, which cannot be translated, and the circumstance that the habits of thought and life of the Japanese people have been so wholly unlike our own that we could not permit ourselves to publish much of that which has been most characteristic and telling among themselves. In the chapter on the Shinto Eeligion I have referred to, and quoted from, the diary of an old court noble who lived a thousand years ago, and I would again advert to it here as a highly interesting example of old Japanese literature, giving many bright glimpses into the life of the country at that period. Mr. Aston, who describes and translates it, calls it an Ancient Japanese Classic. It was entitled by its author Tosa Nikki, or “ Tosa Diary.” This old fellow, named Tsurayuki, who proudly traced his direct descent from one of the Mikados, had been for four years prefect at Tosa, and wrote the diary when on- his way back to the imperial city. 58 JAPAN. • [chap. III. He was a poet of eminence, and author of another work, which has been pronounced the most perfect extant composi- tion of the native style. In mingled jollity and grief — ^jollity from hob-nobbing, including verse-making, with his suc- cessor, and grief for that he left behind him a girl-daughter who had died there — he set sail from Tosa. The new prefect’s brother making his appearance on a neighbouring cape, Tsurayuki landed on the beach, drank, and composed verses with the brother, until the captain summoned him back on board. The sahe was all gone, and the verses had been bad — for, says he, it required the united efforts of two of the party to make one bad verse, and he compares the verse-makers to two fishermen labouring along with a heavy net upon their shoulders — and he was nothing loth to rejoin his vessel. Detained afterwards at Ominato for ten days, many presents were sent to our Lucullus, one of them being a pheasant, which, according to an old Japanese custom, was attached to a blossoming plum- branch. With some of the gifts came verses ; here is a specimen : — “ Louder than the clamour of the white surges on your onward path will be the cry of me, weeping that I am left behind.” “If that were really so, he must have a very loud voice,” says our old friend, who must be excused the scoff on the ground of the impatience which delay would naturally beget. At length they were under weigh again ; and passing a grove of ancient firs growing near the sea, with storks flying about among their tops, he wrote the verse : — “ Casting my glance over the sea ; on each fir-tree top a stork has his dwelling ; they have been comrades for a thousand years ” — a verse not a whit truer or more poetical, that I can see, than that at which he scoffed before. But who that re- members the early passages of literary arms between .a Bulwer and a Tennyson, the ‘ New Timon ’ and ‘ Alcibi- ades,’ who “ Hated each other for a soug, And did their little best to bite'’ CHAP. III.] LANGUAGE AND LITEIIATUBE. 59 shall wonder at these old saZ;e-steeped versifiers on the sea- beach of Japan a thousand years ago saying a smart thing or two at each other’s expense ! In those days, and in very small vessels, impelled mainly by oars, as was this boat of Tsurayuki, the mariners cast their small anchors for the night ; and here (always quoting Mr. Aston’s graceful translation) is our poet’s description of the nightfall : “ Whilst we rowed along gazing on this scene, the mountains and the sea became all dark, the night deepened, and east and west could not he seen, so we entrusted all our thought of the weather to the mind of the master of our ship. Even the men, who were not accustomed to the sea, became very sad, and still more the women, who rested their heads on the bottom of the ship and did nothing but weep. The sailors, however, seemed to think nothing of it, and sang the following boat-song.” He gives a few lines of it, and then proceeds : “ There was a great deal more of this kind of stuft*, but I do not write it down. Listening to the laughter at these verses, our hearts became somewhat calmed, in spite of the raging of the sea. It was quite dark when we at length reached our anchorage for the night.” Three days more brought them to Murotsu (close to the easternmost of the southern peninsula of Shikoku), and there they landed and took a bath. The diarist tells us, in this day’s entry, that no one wore scarlet or other rich colours in the vessel lest they should incur the anger of the gods of the sea. After five days they sailed again, very early in the morning, with the moon shining over a wave- less ocean, which reflected the sky so perfectly that the two could not be distinguished. Then he wrote this stanza : — “ What is this that strikes against my oar as the boat is rowed along over the moon of the sea-depths ? Is it the bush of the man in the moon ? ” At another time, when sailing in company with a large number of other junks, he wrote, to my mind more prettily — “It is spring, hut it seems as if over the sea the leaves of autumn are being scattered.” 60 JAPAN. [chap. III. I pass over mucli of the narrative, pausing to observe that at one place, where there were many beautiful shells upon the beach, Tsurayuki composed these lines in allusion to a shell which the Japanese call the %vasure-gai, or “ shell of forgetfulness ” : — would descend from my ship to gather the shell of forgetfulness of one for whom I am filled with sorrowful longing. Do ye, 0 ye advancing surges, drive it forward to the strand.” He afterwards says, pathetically enough, that the true wish of his heart was not to forget her whom he had lost, but only to give such respite to his sorrow that it might after- wards gain greater strength. Then follows the passage about the propitiation of the sea-god, first with nusa and then with his mirror, which I quoted in a former chapter. After many storms and delays they entered the Osaka river. All the passengers, men, women, and children, were over- joyed at reaching this point of their voyage, and clasped their foreheads with their hands in ecstasies of delight. Landing at Yaniazaki, our old aristocratic friend sent for his bullock-cart from Kioto, as befitted a man of his rank, and on its arrival started for the capital. He noticed the shops as he went along, looking exactly as when he went away, and wondered whether he would find as little change in the hearts of his friends. By his own arrangement, he arrived at his home by night : — “The moon was shining brightly when I reached my house and entered the gate, so that its condition was plainly to be seen. It was decayed and ruined beyond all description — worse even than I had been told. The heart of the man in whose charge I had left it was in an equally dilapidated condition. The fence between the two houses had been broken down, so that both seemed but one, and he appeared to have fulfilled his charge by looking in through the gaps. And yet I had supplied him by every opportunity with the means of keeping it in repair. To-night, however, I would not allow him to be told this in an angry tone, but in spite of ciiAr. til] language AND LITEHATUBE. G1 my vexation offered him an acknowledgment for his trouble. There was in one place something like a pond where water had collected in a hollow, by the side of which grew a fir- tree. It had lost half its branches, and looked as if a thousand years had passed during the five or six years of my absence. Younger trees had grown up round it, and the whole place was in a most neglected condition, so that every one said that it was pitiful to see. Among other sad thoughts that rose spontaneously to my mind was the memory— ah, how sorrowful ! — of one who was born in this house, but who did not return here along with me. My fellow-passengers were chatting merrily with their children in their arms, hut I meanwhile, still unable to contain my grief, privately re- peated these lines to one who knew my heart. ... I cannot write down all my many regrets and memories ; he it for good or evil, here I will fling away my pen.” So endeth the quaint and pleasant narrative of this charm- ing old litterateur. His story is quoted by Mr. Aston as a notable example of the truth of Buffon’s dictum that “ style is everything.” Containing no striking adventures, wise maxims, or novel information, possessing only the merit of describing in simple yet elegant language the ordinary life of a traveller in Japan in his day, its literary qualities have gained it a high rank among the classics of his country, and insured its being handed down to our own day as a most esteemed model for composition in the native Japanese style. Indeed, it established, conjointly with the author’s other writings, a new style of composition, known as Nikki and Kiko (literally, diaries and travels). We have seen that in Tsurayuki’s day people spent much of their spare time in composing poetical stanzas, and this amusement is practised down to our own day. I have brought with me from Japan numerous examples of short compositions of this kind, executed for us by those with whom we had the pleasure to associate in that country. The governor of the ancient (now western) capital of Kioto, for example, Mr. Makimura Masinao, wrote us two upon large sheets of Kioto silk. One was written in connection with G2 JAPAN. [chap. III. a most delightful day spent in the midst of romantic scenery, and, being translated, runs thus : — “ Greeting a good guest with spring wine, mountains and rivers all seem to participate in our delight ; ” which, in English verse, might perhaps thus be rendered : — Greeting a welcome guest in spring with wine, Mountains and rivers share the joy divine.” The other was designed to celebrate the mutual delight and good-fellowship which men might feel though belonging to separate and distant nations, and was thus translated : — “ Let friends not stand upon ceremony among each other, hut have joy, with the nations of the world, sitting as it were together, and breathing the winds of spring.” Poetry, or what is known in Japan as such, has been composed there from the earliest days. It was originally supposed to he delivered with clear intoned cadence, but since the middle ages of Japan there have been two kinds, one to he read and the other to he sung. The former kind underwent great development. Verses were usually either of five or of seven syllables in length, but others, of six and of eight syllables, were sometimes composed. The length of the stanza was not fixed, hut it most frequently con- sisted in later times of thirty-one syllables. Poetry first became a distinct art in Japan about the year 1000 a.d. The various styles of poetry have been classed according to six periods, hut their respective characteristics could not he explained without a greater assignment of space to the subject than I can afford. Sufiice it to say that Jaj>anese poetry does not depend for its merits upon resemblances in sound, nor upon quantity, nor upon rhyme. Its characteristic is metre, and, as already intimated, its lines are alternately of five and seven syllables in length ; all departures from this are irregular, and in singing such departures are eliminated. Specimens of Japanese poetry have been handed down from very early periods indeed. In the ‘ Philadelphia CHAP. III.] LANGUAGE AND LITERATURE. 03 Exhibit ’ (so frequently adverted to by me) is given a brief poem by a personage of the greatest dignity and antiquity — no other than the god Susanoo, the unruly brother of the sun-goddess. He had built a palace in Idzumo for himself and wife to retire into after their marriage, and upon the clouds gathering thickly about it he composed the following lines : it will be observed that they consist of five, seven, five, seven, and seven syllables respectively : — ^ “ Ya kumo ta tsu : Idzumo ya-ye-gaki; Tsuma-gomi ni Ya-ye-gaki tsukum: SoDo ya-ye-gaki wo ! ” Of these lines Mr. Pfoundes gives the following translation: — ‘‘ Countless piling clouds Idzumo’s rocky heights envelop; My spouse there have I placed, A fence around her raised, My strong arm protects her.” This is doubtless a very free translation, especially in the last line. Mr. Aston gives the following, which is probably a much more literal, although a less valorous, one : — “ Many clouds arise : The clouds which come forth are a manifold fence : For the husband and wife to retire within. They have formed a manifold fence: 0 that manifold fence ! ” Whatever degree of faithfulness there may be in either translation, it is satisfactory to find that Susanoo, however badly he may have behaved to his sister, was a domestic personage after all, or he would not have broken out into poetry on finding himself so thoroughly shut in by cloud- fencings with his wife Kushinada-himd. Another very brief and much more curious poem has come down from the divine age. This is the ‘‘ six-syllable song or charm of numbers ” which I have adverted to in the chapter on the God-period as having been sung by the G4 JAPAN. [chap. III. goddess Uzume during the enticement of the sun-goddess from her cave. Printed in Koman letters it runs thus : — ‘‘ Hito futa miyo Itsu muyu nana Ya koko-no tari Momo chi yorodzu.” With a single exception, these words correspond exactly with the Japanese words for the numbers one to ten, one hundred, one thousand, and ten thousand, the exception being tari for ten, instead of toro, the word actually used.* But Mr. Satow points out that the words may he interpreted in quite a different manner, which is probably the correct one, the words employed being subsequently taken to stand for numbers. The first line, interpreted according to its sense, is, “ Men ! look at the lid ! ” which is equivalent for “Gods! look at the cavern door!” the second is equivalent to “ Majesty appears ! hurrah ! ” the third is readable as “ Our hearts are quite satisfied,” and the fourth as “ Behold my bosom and my limbs ! ”f In the chapter before referred to it is said, the reader will remember, that Uzume got so excited with her singing and dancing as to let her robe fall, and it is this incident that is here alluded to. The whole verse, therefore, runs thus : — Gods ! look at the cavern door ! Majesty appears ! hurrah ! Our hearts are fully satisfied. Behold my bosom and limbs ! ” There is extant a collection of Japanese poems, called Manyoshiu, dating from before the tenth century a.d., in which, although Chinese characters are employed, the Ja- panese sounds are rendered, the foreign characters being * Thus;— Hito-tsu . . one Nana tsu . . seven Futa . . . two Ya „ . . eight Mi . . . three Kokono ,, . nine Yo „ . . four Momo-chi . . one hundred Itsu „ . five Chi-dji . one thousand Mu „ . . six Yorodzii ten ,, t Literally “ thighs.” CHAP. III.] LANGUAGE AND LITER ATURE. 65 used phonetically only. Mr Aston gives the following- translation of one of these : — “ By the palace of Futagi, Where our great king And divine lord Holds high rule, Gentle is the rise of the hills, Bearing hundreds of trees, Pleasant is the murmur of the rapids, As downward they rush. So long as in the springtime, (When the nightingale comes and sings) On the rocks Brocade-like flowers blossom. Brightening the mountain foot; So long as in the autumn (When the stag calls to his mate) The red leaves fall hither and thither. Wounded by the showers — The heaven be-clouding. For many thousand years May his life be prolonged To rule over all under heaven In the great palace Destined to remain unchanged For hundreds of ages.” Those who are accustomed to reflect upon the subtle delicacies of language in which much of the charm of true poetry consists will know how impossible it is to convey in a tongue so alien as is ours to the Japanese the qualities that delight the native reader. The thought which a verse or a poem expresses may doubtless be translated, but the subtle sentiment and formless music of the original clings to it, and is not susceptible of separation. This should not be forgotten in reading such translations as I have quoted, or may yet quote. And yet one cannot peruse lines like the following translation by Mr. Aston of a dramatic passage from a Japanese No (short dramatic sketch) without detect- ing something of the charm of the original. The principal personage of the piece having announced that he has been VOL. II. F 66 JAPAN. [cnAP. III. commissioned by the emperor of China to spy out the intelligence of the inhabitants of Japan, the chorus strikes in and thus describes the voyage : — “ Oaring forth his ship, He would visit the land Of the quarter Of the rising sun, Of the rising sun. As she sails. As she sails Far over the wave-path Of the eastern sea. Behind her sets the sun. O’er her is the void of heaven. Where tlie cloud-banners Are still bright with his radiance — And now the moon comes forth ; On the same quarter Mountains are first descried; Ere long Even at the land of Japan He hath arrived. He hath arrived.” It must be acknowledged that this description is vigor- ously and nobly wrought. Having requested Captain Brinkley to be so kind as to favour me with translations of a brief specimen or two of Japanese poetry, with the view of myself transforming them into English verse, he was so obliging as to give me the following seven short pieces. The gallant translator has performed his part so well, and invested the citations with so much grace and beauty, that it would be sinfully presumptuous in me to touch them. I therefore — although without his permission, I regret to say — give them as they came from his pen : — “ Destined at last to become part of the mighty ocean. The valley runlet creeps yet a moment under the drooping leafiets.” “ To him that seeks the path of virtue Avith sincerity. The guardianship of the gods comes unsolicited.” ciiAr. III.] LANGUAGE AND LITEBATURE. 67 “ Eain and rime, snow and hail, distinguish them ever so wisely. Fallen, do they not all become the self-same river of the valley ? ” “ The storm that shreds the blossom tells the story of our lives ; Inexorable towards all steals the season of decay.” “ Fair as the blossom’s softly falling snowflakes Is the quiet decay of a ripe old age.” “ A peerless sage was wine to the sages of old. Clearing from life the clouds of sorrow and dejection. A draught loosed the tongue of converse and merriment, A second wakened thoughts of the days that were no more. And a third stirred the chords of poesy and song. But now with the lust of liquor come dissension. Ignorance, crime, and neglect of all time’s duties. Making of life a dissolute sterility. Blame we then the wine or the heart of the drinker ? ” “Types of our children are the tiny grasses. Tender and fragile in the ample moorland : We know not to what fragrance their infant sprouts may blossom. Nor wist to what sweetness their unborn fruits may ripen. But hoping ever wait till autumn tells their story. Oh! cherished children, may ye never perish, Flowerless, fruitless, in the early s]3ringtime, Nor like this petal trampled by the wayside. Fall in the fuller promise of your prime.” These extracts are ample to show that the native litera- ture of Japan contains much that is poetic in the true sense of the word. Taking together the passages which I have quoted, we have proof that it is notable for the com- bination of manly power with feminine delicacy and beauty. Nor is this surprising, for while literature is in the main the profession of men in Japan, women have in various ages achieved great distinction in it. Indeed, during the long and repeated periods of civil war, when the men of Japan were devoting themselves to mutual slaughter under am- bitious leaders — as men have been too ready to do in other ages and in other countries as well as in Japan — the women of the land, to their enduring glory be it said, not only sustained the literary art, but exalted it to a greater r 2 68 JAPAN. [chap. III. eminence than that to which men had ever raised it. It is considered by some, it will he remembered, that Hiyetano Are, who committed the sacred Kojihi to memory, and handed it down to all time, was a woman, and it was cer- tainly during the reign and under the active patronage of a woman that the work was accomplished. Speaking of the time of Tsurayuki (our old friend the ex-governor of Tosa a thousand years ago). Mr. Aston hears this most remark- able testimony : “ The learned were at this time devoted to the study of Chinese, and rarely composed in any other language, whilst the cultivation of the Japanese language was in a great measure abandoned to women. It is honour- able to the women of Japan that they nobly discharged the task which devolved upon them of maintaining the credit of their native literature. I believe no parallel is to be found in the history of European letters to the remarkable fact that a very large proportion of the best writings of the best age of Japanese literature was the work of women. The Geiiji Monogatari, the acknowledged standard of the language of the period to which it belongs, and the parent of the Japanese novel, was written by a woman, as were also the Ise Monogatari, the Mahnra Zoshi, and much of the poetry of the time.” It is to these facts, probably, that we must look for the origin of that delicacy of sentiment and ex- pression, in a literary sense, which softens and adorns nearly all that flows to us from classic Japanese literature through the channels of translation. Nor are we without testimony to its beauty from those who are familiar with it in the original. “ It would be hard,” said Mr. Chamberlain in a discussion at the Asiatic Society, “ in the mellifluous classical language of Japan, to find one word which is less euphonious than another : in that tongue, so different from the semi-Chinese jargon of the present day, every syllable is a delight to listen to.” The gentleman just quoted, in an able paper read before the society referred to, explained some curious elements in Japanese literature which have been called “ pillow-words.” These he considers to be, after the cadence of the alternat- CHAP. III.] LANGUAGE AND LITERATURE. 69 ing five- and seven-syllable lines, the chief characteristic of the classical poetry of Japan. The pillow-words appear to he words which once had a meaning, but which, having fallen out of significance, are used for the succeeding significative word to “ rest its head ” upon, so to speak. The “ pillow ” for the verb to yearn, for example, is a word signifying ‘‘ in the manner of a weeping infant.’’ The subject is too ab- struse, however, to pursue here, although two native authors record as many as six hundred and sixty-seven pillow- words, and explain their use. Of examples of punning, or playing upon words, which is also a common literary device in Japan, Mr. Chamberlain gives, among others, this — “Matsu ga ne no, Matsu koto totiomi,” etc., which is nearly literally rendered into English, pun and all, by “ Like to the I must stand and pine.''’ Desiring to furnish my readers with a specimen of modern Japanese modes of thought and expression, but dating from before the invasion of our civilisation, I have searched for a suitable example, and liave found it in the records of Com- modore Perry’s expedition. A Chinaman, having embarked from China in the American squadron when about to leave for Japan, kept and afterwards published a journal of his visit. While lying off Yokohama, a learned Japanese, among others, visited the squadron, and inquired respecting the troubles then existing in China. The Chinaman showed him an account of the Chinese insurrection which he had drawn up, and a book on the principles of good government. These the Japanese gentleman borrowed, and afterwards re- turned, together with a letter expressing his own opinion. From that letter I take the following translated extracts, observing that they were written at a time when the country was, and had been for two centuries and a half at least, completely closed to foreigners (excepting the distant port of Nagasaki). The Japanese writes : — “ As I have shut up your volume my feelings have found vent in sighs. . . . The essential evil of such a state as China may be described 70 JAPAN. [chap. III. in a single phrase— it is the desire of gain. Now, the desire of gain is common to all men, and is the pregnant womb of all evil. Confucius seldom spoke of gain, wishing to check the lust of it* in its source. This, also, was the reaseu why my ancestors cut oif all intercourse of foreign nations with Japan, because the desire of gain led astray the ignorant people, and wonderful arts in the investigation of principles deceived the perverse, so that they got striving together, seeking gain and hurrying aftef wdiat was wonderful, till filial duty, modesty, and the sense of shame w^ere all forgotten. To a man who has reached this stage of evil, neither his father nor his sovereign is anytliing.” He goes on : — “ The ^vays of Heaven are great. It nourishes all things in the universe. Even among the dark countries who dw^ell by the icy sea, there is not an individual wdio is not a child of Heaven and Earth — not one who is not made to love his fellows, and be friendly with them. On this account the sages embraced all men with a common benevolence, without distinction of one from another. The principles for mutual intercourse, all over the globe, are the same — propriety, comjilaisance, good faith, and righteousness. By the observance of these a noble liarmony is diffused, and the heart of Heaven and Earth is abundantly displayed. ‘‘ If, on the contrary, commerce is conducted merely with a view to gain, quarrels and litigations will spring from it, and it will prove a curse instead of a blessing. Against such a result my ancestors w^re profoundly anxious. Looking thus at the subject, the one topic of intercourse, it is the means by wiiich the people exchange the com- modities wiiich they have abundantly for those wiiich they have not, and one nation succours the distress of another ; its propriety is ijlainly indicated by Providence, and peace, liarmony, and good feeling are its true result. Yet if gain — gain — be what is sought for by it, it will only develoi3 the lusts and angry passions of men, and there will be a melancholy termination to wiiat may be begun under good auspices. It is but a hair’s-breadth which separates those different results ; for give selfishness the reins, and righteousness is instantly merged in the desire of gain. . . . God, by his spiritual pervasion, however, sees, with a parent’s heart, how his children impose on and strive with one another. Must he not be grieved? Must he not be moved to pity? ” Fine sentiments these ; often heard even in England — in pulpits and on platforms; but what know we of them on ’Change or in the market-place ? Are these the principles of our trade at Hong Kong, at Yokohama ? Let the benighted Japanese dream on to his conclusion : — CHAP. III.] LANGUAGE AND LITERATURE. 71 “ But the world may be compared to a chess-board, and every nation also. There cannot be wanting worthy princes and heroic lords. Who is he that shall go before his fellows, whip in hand, to execute the laws of Heaven ? [How Carlylean a philosopher have we here ! J Now great changes are occurring. It is a time of revolution, when every prince should set his heart to act in obedience to providence, and labour for the good of his people. Y ou now live in a steamship of the United States, and you wander over the seas. Have you seen such a man as I indicate ? If you have not, I pray you, wherever you go, to inculcate the principles I have stated on every sovereign and ruler; so shall the wishes of Confucius and Mencius, so many centuries after their time, be made to shine conspicuously in the whole world.” This man is, it seems to me, a fair specimen of the people whom we insisted upon civilising ! The Chinese passenger who elicited the above statement of principles from the Japanese gentleman tells us in his journal that he was kept very busy in writing verses and sentiments, upon fans chiefly, as souvenirs for his Japanese acquaintances, they in return often presenting him with like mementoes. One ofiicer gave him an ode which he had written on New Year’s morn. It ran thus : — “ The bear begins his course again ; To me the world seems cold and vain. Tsing Hok’s high aim my soul inspires; But not in me are Woo-how’s fires. With poet’s pencil in my hand. And wine-cup near me on the stand, I hear the willow rustling at my eaves. And watch the opening of its eye-like leaves.” The sad and modest contemplativeness of these lines must strike the most prosaic of minds — if any such should venture into this chapter. Another officer presented some lines on spring : — “ Last night among the flowers I walked and sang. This morn again my voice in green woods rang. Beyond men’s ken the way of God above. But this spring greenery well proves his love.” In response to this our Chinese friend felt impelled to 72 JAPAN. [chap. III. produce ‘‘something of the same kind,” and wrote some lines commencing 0 face of spring, that now revisitest The earth, my soul is stirred by thee to song,” and ending as an English poet on the Thames would probably have ended — Where shall I go to taste the inspiring cup ? I’ll row my boat to yonder clump of trees.” One other extract from this Chinese eye-witness of Japan in its pre-civilised days : “ The people are all Buddhists. All about, on the hillsides and by the sea-shore, are images of Buddha, and on most of their tombstones are engraven some words from the ‘ Water-lily ’ classic. At the temple of ‘ Great Kepose ’ I saw people worshipping Buddha, without either incense or lighted candles. When they had finished, they put some money in a box, calling it ‘ let-go-life ’ money, with reference to the Buddhist doctrine which forbids the killing of animals. There -were two priests in the place, who asked me to write some characters for them, on which, struck by the scenery around, I wrote ‘ Encircling peaks, girdling waters.’ They in return described their position in the following lines : — ' Here in our little cells we sit, Eound our inkstones the white clouds meet. Mere dust to us is gold so rare. The future gives us not a care.’ “ While I was sitting with them, there came a woman to the temple to worship. The sight of her beauty greatly stirred me : — “ ‘ Her lips vermilion red, her teeth were white. Her hair in clouds rose o’er her eyebrows bright. In glittering headdress starlike was her sheen. Or like the moon through plum-tree branches seen.’ ” The following is the very important memorandum upon the Japanese language by my friend Captain Brinkley, E.A., of Tokio, which I promised to append to this chapter : — “ It may be roughly said that a Japanese must devote at least ten CHAP. III.] LANGUAGE AND LITERATURE. 73 years’ persistent and earnest study to the acquisition of his own lan- guage if he desires to possess a knowledge of it sufficient for the pur- poses of an educated man. The chief difficulty he has to encounter is the caligraphy. “ There are three Tarieties of character used in writicg : the square (Kaisho), the running (Giyosho), and the free (Sosho). The Kaisho may be called the parent character. It is the same as that used in China, and though perfect familiarity with it will generally render the Giyosho comprehensible, the same cannot be said of the Sosho, which is a form so very rudimentary and incomplete that it requires a separate and even more attentive study than either of its confreres. “ Assuming then five thousand as the number of these perplexing hieroglyphics necessary for reading and waiting, it will be seen that without attaching unjust difficulty to the differences of the three forms, some twelve or thirteen thousand characters in all must be stored away in the memory beyond the reach of time and the necessity ol revision, before a Japanese can take his first untrammelled step in pursuit of science. Formerly in teaching these characters no attempt was ever made to appeal to the pupil’s reason. For years his studies were confined to a sort of " singing at sight ’ process, and it was not until constant repetition and recitation of the notes uttered by his instructor had enabled him to express the sounds of all the hieroglyphics in the ‘ Bible of obedience ’ and certain other Chinese classics that the explanation of what he read began to form a factor in his education. It may easily be imagined how little the reflective, and how largely the mechanical, faculty was developed by this process, and indeed it has been alw^ays found that the Japanese student’s acquisition of western science is not a little impeded by too minute efforts of memory, and such a bigoted worship of formula and rule that originality and self-reliance cease to be serviceable items in his intellectual repertoire. “ The system pursued in the modern schools is in this respect considerably improved. The ^ Kana,’ or Japanese syllabary, is first taught. Of this there are two sorts : the ‘ Katakana,’ consisting of 48 symbols, and used only in conjunction with the square character for explanatory purposes or to express grammatical terminations ; and the ‘ Hiragana,’ also consisting of 48 primary characters, but number- ing nearly 150, if varieties of form be included. The latter is very extensively used. With the addition of some 500 'free’ or 'grass’ characters, it forms the syllabary employed by women, and in novels, children's books, and all publications intended for circulation among the illiterate classes it is used alone when sufficient, or with the square character added where confusion of homonyms has to be 74 JAPAN. [chap. III. avoided. After he has mustered these syllabaries the child is trained to recognise and write such easy and common words as are expressed by single characters, the meaning as well as the sound being taught, and subsequently he is introduced to books compiled on a progressive system. No doubt the student’s difficulties are considerably smoothed by this improvement of method, but still the fact remains that at the age of thirteen or fourteen, when he has completed his curriculum at a preparatory school, he must still devote at least five years to the study of his own language before he can be qualified for any official employment, or before he can aspire to even passable proficiency in writing and composition. It has been suggested that the characters might be more accessible if acquired through the medium of the ‘ radicals,’ of which there are 246, classified according to the number of strokes (from 1 to 17) employed in writing them. Every character is built up with one or more radicals, and it certainly seems a more rational and thorough method to make these the gradient of ascent to the characters than to attack the latter in their unbroken entirety. Europeans have always followed a system based upon this reasoning, but there might be a little presumption in an attempt to substitute the analysis of any novice, however scientific, for the experience of centuries. The possibility of dispensing with the square character altogether, and using only the Japanese syllabary, has often been discussed, and of course there can be no second opinion as to the immense mental relief such a change would afford the nation. But the question is one of considerable difficulty. The ‘Kana’ would be amply sufficient to express the sounds of the various words, but its unaided employment would necessarily entail much confusion of homonyms, of which there are a great number in the language. Cases where the context might suffice to establish distinctions would also be rarer than in a European language, for the character of the written style of Japan, as compared with the spoken, is that in the former grammatical inflections and syntactic particles are for the most part omitted, the result being a sort of skeleton structure scarcely intelligible without the aid of the eye as well as the ear. Thus the abolition of the Chinese symbols would not only produce perplexity in particular instances, but also entail a considerable general change in the construction of the language for literary purposes. Nevertheless the attendant advantages seem completely to outweigh the objections, and it may be confidently predicted that until the burden of these multiform hieroglyphics shall have been completely cast aside, Japan must ever be a laggard in the pursuit of science. Probably she has already recognised this fact herself, though the conviction is not yet strong enough to extinguish her reverential love for those quaint monstrosities, in every one of whose complicated strokes she discovers evidence of cultivated re- CHAP. III.] LANGUAGE AND LITERATURE. 75 finement, and whose perfect forms are in her eyes the most consummate creations of educated art. “ For the rest, the language is by no means deficient in terseness or power of expression. It has in Chinese a source upon which it can always draw for supiilement or addition — a source quite as fertile as the ancient classics are to our own language, and more accessible. Thus it is generally possible by the aid of Chinese roots to construct precise and compact equivalents for the terms employed in western science, and since the restoration ( 1868 ) not only has a very large number of such words been added to the vocabulary, but also the classical tendency of public taste has brought into use a variety of pithy and elegant forms of expression that would not have been obtainable from Japanese proper. The want of a relative pronoun occasionally produces involved and somewhat clumsy constructions, and the liberality of the nation’s moral code is marked by a paucity, or at times complete absence, of terms expressing the subtler dis- tinctions of western metaphysics ; but on the whole, if only the terrible blemish of its complex caligraphy were removed, there is no reason why the language should not rank with the most euphonic and not the least complete of our European tongues.” The following is the memorandum of Mr. Hyde Clarke upon the relations between the Japanese and African tongues : — “One reason why the comparative philology of the Japanese and Loo-choo languages has given so much trouble to investigators is that there are no longer any allied languages in the neighbouring regions. The subject long since attracted my attention, but successive endea- vours to obtain a solution were baffled. At an early period of these researches I was aware of resemblances to the Dravidian languages of India and to the Basque, but they afforded no decided results. The first real step made by me was the discovery of relations between the languages of the Japanese region and the Ashantee and others of Western Africa. Such a connection seemed, however, very unpromis- ing, because the ethnological differences between the Japanese and the Western Africans are so very decided. It was, however, my duty to register the results, awaiting the explanation. Although other in- vestigations have occupied me, so that it has not been possible to work out fully the Jaiianese problem, the area of observation is now deter- mined for the language, the mythology, and even the ethnology. “ These investigations are given in more detail in papers wfflich have been this year given to the Anthropological Institute, the Philological Society, and the Koyal Historical Society, and which are in continua- tion of my books and papers on Prehistoric and Protohistoric Com- parative Philology and Mythology and on Krita-Peruvian. These 76 JAPAN. [chap. III. labours have been directed to the explanation of the position of the races of early culture, the Abkad-Babylonians, the Egyptians, Lydians, Etruscans, the founders of the Chinese and Japanese empires, and also those of the North American mounds and monuments of the civilisa- tion of Mexico and Peru. In carrying out this undertaking it was necessary for me on ethno- logical grounds to distinguish a white race earlier in the field of history than the Aryans. Lately it has seemed most consistent with the course of historical events, and in conformity with all the incidents, to look for the seat of this Turanian white race in High Africa, in regions as healthy as those of High Asia, from which the Aryan migrations are held to have proceeded. The first conquests of these Turano- Africans were evidently made in Central Africa, because the languages of all the leading states and nations, Pulo, Bornu, Mandenga, etc., afi’ord to this day the identical words of the early dead languages, as well as of those living languages that are considered to be allied with them. Thus the Abkad words in the vocabularies of M. Lenormant will be found, and also the Ugro- Altaic illustrations. It was also from the West African regions that migrations were made to North, Central, and South America, in continuation of earlier migrations. So to this standard are brought the languages and mythology of America. If a linguistic map be made down of this Atlantic hemisphere, then the languages of America will be found to converge towards West Africa, and from that point the living and dead languages spread out again. As to the mythology and also language, a monograph will be found in my memoir on Siva and Serpent-worship, founded on the Bribi i and other languages of Central America. “ That the Egyptian language and civilisation had the same origin is evident from the fact that the Egyptian and Coptic words (and also those of the allied language of the Ude of the Caucasus *) are found on the same area. This has been long looked for on the supposition that the Egyptians propagated culture in Africa, whereas the reverse was the case. The researches have not, however, borne full fruit, as they were not rightly directed. Leo Eeinisch,t in attempting to establish a Tibbu or Teda origin, has supplied a mass of matter on the relations between Egyptian and the languages of West, Central, and South Africa. Professor Owen is decidedly of opinion that the early ruling- race in Egypt was of a high type. “The tide of migration and conquest flowed to Babylonia. As * See my ‘ Comparative Philology f ‘ einlieitliclic Urspriing der of Egyptian, Coptic, and Udc’ (Lon- Sprachcn der Altenwelt’ (Wien, don, Triibner). 1873). CHAP. III.] LANGUAGE AND LITERATURE. 77 already stated, the language is of the Turano-African class. The same is to he said for the early occupants of Asia Minor, Syria, Greece, Italy, and Spain. “ With regard to India, the Naga languages now spoken by inferior hill-tribes belong to the class cited, and in sequence to them are the Kolarian languages and the Dra vidian. So close does the Kolarian come to one African type that the Mundala dialect of the Kol has been traced by me word for word with the Houssa of Africa to a great extent. The fall of these Turano-African empires in succession, and over a long epoch, completely altered the condition of mankind. The dawn of history shows us the Semites first, and the Aryans afterwards, engaged in this task. Syria and Babylonia were conquered by the Semites, while the Aryans became masters of Greece, Italy, and Spain at a later period, and then of Asia Minor and Greece, and afterwards of India. The Egyptians, profiting by the w^eakness of their masters, estab- lished their own government. Ethiopia lingered, but the African states must early have fallen into the possession of the black natives, however long white dynasties continued to reign. “ The knowledge of ascertained historical events and of actual facts prepares us to apply this knowledge to the case of the Japanese. The conquerors of the islands were of the same class as the other con- querors, and they found a local population of one or more races. At that distance from their centre, and consisting of bands of seamen and soldiers, gradually recruited, they would have few women of their own kin, and would intermarry with the natives. In time the ruling caste would cease to be separate from the main body of the people. “ What the conquerors and founders of the Japanese language and mythology were will be found from the comi^arative table of words herewith given.* These are far from complete, as the labours imposed by the main inquiry have not allowed me to devote a special attention to the Japanese braneh. “ Whoever will take the trouble to look at these records philoso- phically and statistically will find guiding facts. He cannot fail to discern that there are resemblances and identities in the African column. He will further find that these are not casual, as the same names of African dialects constantly recur. “ With regard to the illustrations from Indian and other languages, they are less striking, and for this reason, that the languages are better and more copiously preserved in Africa than elsewhere. For instance, in Northern India the Aryans have established their lan- guages among the main populations, and driven the non-Aryan- speaking tribes to the hills. * See Appendix. 78 JAPAN. [chap. III. “ The incidence of language like that of mythology is altogether apart from that of race, and we have white, brown, and black men speaking allied languages, just as we find white, brown, and black Christians and Mussulmans. “ With regard to the relationship of the languages, it is to be explained that in the Turano-African class it is very different from the Indo- European. What we call Indo-European languages are very much alike in w’ords and grammar. It is true that some words are not of the same stock, but still any two languages are very much alike. “ This is by no means so in Turano-African. Indeed an example, which belongs to this class, shows it. The Ugro-Altaic languages are placed together by philolog^ists, and their grammatical characters have the strongest resemblance, but the Magyar and the Turk, for instance, have little community of words. When a comparison is made of Abkad with Ugro-Altaic, the words will mostly agree with the Ugrian portion, and not with the others. Nevertheless Abkad is not Ugrian. “ We have to contemplate a class of languages consisting of various groups, say A, B, C, D. If we take a language, say Japanese, and compare it with A, we shall find only a partial resemblance, and so with B, C, and B, but it is equal to A, B, C, D, and so with Abkad or Cojitic. There are similar variations of grammatical forms. Our comparison has to be made with the whole class in order to determine the classification. On being put to this test, Japanese is distinctly Turano-African. “ It consequently belongs to the epoch of early culture, earlier than that which we understand as the Babylonian, and in wdiich language, characters, mythology, astronomy, geology, and it may be said geography, were determined. “ With regard to the ethnology of the Japanese populations, it is more obscure. The language of the Ainos is not indigenous, but is to be traced to the general stock of languages, and its analogies are to be found in Africa. In Africa, more distinctly than anywhere else, is to be found the ethnological characteristic of short races. These short races are in linguistic communion with other short races. The language of the Great Andaman Islanders has been positively identified by me as having African affinities. “ The best explanation that can at present be proposed is that the Japanese islands were occupied by the migrations of the short races. These were subjected by a subsequent migration of the white Turano- Africans, who intermarried with the native women. This would produce a mixed race, differing again from the races of shorter aborigines. Thus the new dominating Japanese race would maintain and propagate their dialect of the language and their sect of the CHAP. III.] LANGUAGE AND LITERATURE. 79 religion, and, being in more favourable conditions, would displace the pure natives. “ When the Pacific route to America was closed by the weakness of the Turano- Africans, and the rising of cannibals and other savages, the Japanese would be isolated on their east. On their west, the Turano-African dynasties in China and Korea fell, and were replaced by natives, the same kind or series of events taking place as in Egypt, and again in Peru and Mexico. Japan was isolated from the other states, and in time various ethnological, mythological, and political conditions were established, making the distinctions successively more marked. The Japanese language, however, appears to have been less affected by these changes than Egyptian or Chinese. “ The tables given in an Appendix show some comparisons of Japanese with African languages, and with others, chiefly of the Indian region.” JAPANESE JENKS. 80 JAPAN. [chap. IV. CHAPTEE IV. DRAWING AND PAINTING. Our opportunities of studying Japanese art — Temple art treasures — Studies in Kioto — Artistic seances — Foreign derivation of the art — Government patronage— Early artists of distinction— Kano and his school — The Toho school — Ohio and the Shiyo Kin— Hokusai, the Japanese Hogarth — The schools” of Japan — Professor Anderson upon Japanese design, composition, drawing, perspective, chiaroscuro, and colour — The beauty of the human form not duly appreciated in Japan — Sir Eutherford Alcock on Japanese art — Frequent recurrence of pictorial subjects — Legend of the cuckoo and the moon — Anticipated progress of the Japanese in European art styles — Their technical mastery. • If the inspection of Japanese drawings and paintings of every age and every description qualified one for writing •upon this subject, or even if adding to this inspection the repeated expositions of those who have studied it, and fre- quent witnessings of the exercise of the art, fitted one to speak with confidence upon it, then might I enter upon this chapter with a very considerable amount of assurance. For in the three months spent in the country we had extraordi- nary and multiplied facilities for examining examples of the works of every age since drawing and painting began to be practised in Japan, and saw many works of eminent artists produced in the capitals and other places. In addition to our visits to the most ancient temples, in some of which the very earliest works are preserved, we had repeated oppor- tunities of leisurely inspecting the old temple treasuries of art, usually kept in the priests’ residences, in which some of the choicest products of thirteen hundred years of art- production are kept with sacred care. On one occasion during our stay in the western capital (Kioto) we were so CHAP. IV.] BRA WING AND PAINTING. 81 fortunate as to be taken to the store-rooms of an art- exhi- bition then in course of formation, and there inspected a collection of drawings and paintings brought together from the principal temples throughout the land. In addition to a large number of most precious Japanese works, we had the advantage on that occasion of seeing many ancient paintings brought from China by the Buddhist clergy of various periods. Besides these choice possessions of the temples, we likewise saw the imperial palaces at Kioto and Nagoya, where are some of the most perfect and charac- teristic paintings ever produced in the country — in addition to carved work, which, I may say incidentally, at Nagoya far surpassed any that I elsewhere came across, and which w^as inferior in no respect, I believe, to the work of Grinling Gibbons, while to a European eye the subjects were often quaint and novel to the last degree. Further, we had oppor- tunities of inspecting valuable private collections; and as the habit of frequently changing the Jccd'emono * prevails in Japan, a large number of the best examples that could be put before us passed under our view. Our host. Admiral Kawamura, was particularly thoughtful and obliging in this way, having the walls not only of his reception rooms, but of our private apartments likewise, hung with a constant succession of works of the highest class, sometimes ancient and sometimes modern. The governor of Kioto was equally kind, having the walls of the temple-residence in which we stayed hung almost daily with a succession of the finest examples of art which that ancient city contains. Nor was this the case as regards kakemono only in Kioto, for the same thing took place with respect to the screens which are so largely used in Japan, and which were continually changed, choice and fresh drawings, paintings, brocades, and embroideries on silk thus passing daily under our eyes. The like attention and complimentary care were shown also by the courteous governor in respect of other works of art. * Hanging pictures mounted on rollers — the almost universal form of wall-pictures in Japan. VOL. II. G 82 JAPAN. [chap. IV. including galcumono* lacquers, bronzes, ivory carvings, cloisonne ware, fans, silks, and other of the best productions of the long-sacred but now busily commercial city. But we had yet another and very valuable opportunity of study- ing both ancient and modern Japanese pictures, one afforded to us by Professor Anderson, the director of the Medical College at Tokio, who has made a close study of this branch of art during his residence in that city. Professor Anderson has collected there a number of highly characteristic draw- ings and paintings, and w^as engaged in preparing a paper — and if I remember rightly a book — upon the subject. Besides showing us his collection, and explaining the various merits and demerits of the pictures, he was good enough to furnish me with some historic and critical notes, of which, with his permission, I propose to avail myself freely in what follows.! The above opportunities, numerous and invaluable as they ■were, were not, however, our only means of studying the art of Japan as now practised. By the kindness of Admiral Kawamura and his friends, we were favoured with repeated seances with eminent living artists, and witnessed the draw- ing and painting of many pictures, not a few of which were subsequently presented to me. These seances occurred both in the capital and in country cities and towns, as we found leisure in travelling through the interior. It would be diffi- cult to exaggerate the interest and pleasure of these occasions, the artists ranging from sketches of the boldest character executed in the most rapid manner, to works of minute and painstaking detail, growing up under the hand of the artist with all the sincerity and much of the beauty of natural objects. Nor did we fail to see a large amount of amateur drawing performed, skill with the brush being no uncommon * Pictures mounted ou rolls to be viewed in detail as they are unrolled by baud. t By the courtesy of Professor Anderson I came into possession of an excellent coi)v of Hokusai’s celebrated sketches in many volumes, from whicli the great bulk of all European illustrations of Japanese drawing has been deiived. This work is now' becoming rare, and difficult to obtain. CRAP. IV.] DB AWING AND PAINTING. 83 accomplishment among both the ladies and gentlemen of this “ nation of artists.” Although the rise of the pictorial arts of Japan is lost in the distance of tradition, and although it is not solely a mere imitation of the art of China or Korea, it is not denied that it was originally derived from foreigners. So long ago as the year 463 a.d. the emperor Yariaku, who did so much in the way of bringing skilled and instructed foreigners into Japan, likewise brought over from Kudara, in Korea, a band of artists among whom was one whose name, Inshiraga, has been preserved. Others followed from time to time ; and although it is not possible to affirm with certainty that any of their works have descended to us, there is great reason to believe that certain portraits, etc., which were shown to us in the ancient temple of Horiuji (between Osaka and Kara) were the productions of the famous Prince Shotoku-taishi, or at least of his age, he being the son of the empress Suiko, who reigned at the end of the sixth and the beginning of the seventh century.* It is recorded that during the reign of this empress, one Doncho, a very learned priest and a painter of great merit, was sent by the state of Koma, in Korea, to promote the interests of the Buddhist faith, then making its conquest of Japan. The art had so far pro- gressed at the opening of the eighth century that the govern- ment had established a painting department, comprising several artists, and as many as sixty secondary artists or sketchers. Early in the ninth century this department was merged in the architectural department, and the work of the artists and their staff was probably purely that of decorating the imperial palace, etc. Keligious art, so ‘to speak, was at this time, however, firmly established, and many pictures were brought over from China by the priest * The native authority says : “ Les oeuvres de cette epoque [fiftli century] ne sont pas parvenues jusqua nouSj et le q)lus uncien tableau que nous possedions represente le prince Shd-toku-taishi. Ce tableau. ex^cuM sous le regne de Vimp^ratrice Suilco, au commencement du vii^' siecle, est precieusement conserve dans le temple de Uoriuji, situe dans la 'province de Yamato.’’' G 2 84 JAPAN. [OHAP. IV. Knkai (Kobodaishi), to whose learning and services I have before referred in the chapter on Buddhism. Kobodaishi is said to have painted many Buddhist pictures, together with a portrait of himself. But the first Japanese artist well worthy of the name was Kose no Kanaoke, a court noble, who flourished during the second half of this century (the ninth). He was a pupil of a Chinese (Gokiyoshi), of whom we know nothing but his name. Kanaoke, whose name is a household word in educated Japan, painted landscapes, animals, portraits, and Buddhist pictures with remarkable skill, and is the subject of many curious legends. Some of his works are still in existence, and are thought to justify the esteem in which he is held ; one, a portrait of the Buddhist deity Fudo,* is to be seen in the temple of Haiyo- ji, Tokio. It is distinguished hy great ease and vigour of outline, and compares favourably with some of the efforts of the early Italian masters. The descendants of Kanaoke maintained his reputation for several generations at the court of Kioto, Toba Sojo, a high- rank priest of the Tendai sect of Bud- dhists, distinguished himself as an original and skilful artist in the eleventh century. Toba was a humourist, and his sketches gave the name to all later caricatures, which are still called Tobaye. The productions of his successors and imitators are too ill-drawn to deserve serious artistic criti- cism, besides which the wit which has inspired them is too Babelaisian to allow their reproduction in the present age. Other names that have lived became distinguished in the next century or two ; among them several members of the otherwise renowned Fujiwara family. There were Fujiwara Mototsune, Fujiwara Nobuzane, and Fujiwara Tsunetaku, the grandson of Fujiwara Takayoshi. Tsunetaku, in addition to * Mr. Pfoundes says that this idol and in the left a coil of rope to tie np is generally seated, and always the guilty. He would therefore have surrounded with flames, holding a been a suitable illustration of the naked sword in the right hand, theology of some so-called Christians with which to punish wicked and not very many years ago. territled humanity into obedience, CHAP. IV.] DBA WINO AND FAINTING. 85 becoming celebrated as a court j>ainter, became vice-governor of the province of Tosa, and his descendants therefore adopted Tosa as the family name. The first to adopt it was Fujiwara Mitsimobu (the fourth in descent from Tsunetaku), who is looked upon as the real founder of w^hat is known as the Tosa School, or Tosa Riu. This branch of art was employed to delineate the nobles of the court in their ceremonial dresses, and other like subjects. It was a less vigorous style than that which went before it, but was not deficient of a certain sort of beauty, and was particularly noted for the fineness of its strokes. The school has lasted for five hundred years ; but in 1662, Hiromochi, one of the descendants of Tosa, changed the family name to Sumiyoshi, and under that name the Tosa family of artists have con- tinued down to our own day. A native writer says : “ During the middle ages, from 1305 to 1349, Kao, Meicho, Josetsu, Shiubun, and others appeared, who studied the style of the Chinese dynasties of So and Gen. This style is noted for its sketchy character, confining itself to making, by means of a few hasty strokes, a mere approximate outline of the object delineated.” Professor Anderson puts the case somewhat differently in his notes. He says : “ In the fourteenth century, a period of art decadence was terminated by a priest named Josetsu, a native of Korea (he is claimed by some authorities, however, as Japanese), who founded a school which boasted among its alumni three of the great names of the art history of Japan, Sesshiu, Shiubun, and Kano Masanobu. Little or nothing is known however of Josetsu himself. Chodensu, a monk, the most distinguished repre- sentative of religious art, was a contemporary of his. Sesshiu completed his education in China,” where, during the Min dynasty, he is said to have attained great fame, “ and on his return painted many remarkable landscapes, chiefly depicting views in the Celestial Land. Some of his most valued works were produced after the age of eighty. Several of his pupils gained great renown.” Kano Masanobu, whose name Professor Anderson mentions 86 JAPAN. [chap. IV. above, and who was of the province of Sagami, bad a son, Kano Motonobu, who achieved great fame as an artist, and holds probably the first place in the estimation of native connoisseurs. He founded the most prolific school of Japanese art, and his descendants, like those of Sumiyoshi, continue to practise the profession at the present day. I have in my possession several pictures painted by a member of the Kano family during my visit to Japan, and presented to me by Admiral Kawamura. No one could fail to discern in them merit of a very high order, or to derive great pleasure from them.* Professor Anderson says of the pictures of Motonobu, the founder of the Kano School : “ Even to the eye of a foreigner the vigour of design and the complete mastery of the brush displayed in his paintings of landscape and figures appear very extraordinary.” Of his descendants the best known are Kano Tanyu (sixteenth century) and Tsune- nobu (seventeenth century). Towards the end of the six- teenth century, Iwasa Matabe took up the Tosa style, and delineated the customs of his age. In the latter part of the seventeenth century a pupil of the Kano family, named Hanabusa Icho, distinguished him- self by displaying much original genius. Casting aside the traditions of his youth and training, he struck out a new line for himself, and took scenes of ordinary street life, and more especially such as were humorous, as the subjects of his art. “ His drawings show little attention to details of form or colour, but are novel in design and forcible in outline ” (Anderson). His most noted follower was Ippo. Between 1688 and 1703, Hishagawa Moronobu, of Yedo,f did much to render the Matabe style popular. Professor Anderson says “ he is considered the inventor of the Ukiijo~ye,'' (or “ social pictures”), “but in reality the credit should be * A native writer said last year (1878) : “ Les families de Kano et de Tosa existent encore aujourd'Tiui, et comptent dans leurs rangs des peintres de merite,” t Mr. Yosino speaks of him as of Yedo ; Professor Andersoii calls him “ a native of Kioto.” While the latter authority speaks of him, as the text shows, as the inventor of the Ukiyo-ye, a native authority speaks of him as the founder of the Utagawa style. CHAP. IV.] DBAWINQ AND PAINTING. 87 shared with Icho.” Mr. Yosino and other native authorities, however, state of Matabe, who was earlier by a century, that his jiroductions are generally known as Z77ayo-ye,’’ say that Hishagawa Moronohu’s distinction is that of rendering popular the style of Matabe, as I have already said. Torii Kiyoinitsu, Okuda Masanobu, and other artists also distinguished themselves in the practice of this style. Early in the eighteenth century (about 1720) a celebrated Chinese painter, named Chin-nam-ping, went to Nagasaki, acquired a great reputation, and taught many pupils. Other countrymen of his followed (Chinumei, Shahuson, and others), and Chinese painting again became the fashion, and spread itself throughout the country. But towards the end of that (the last) century, two contemporary Japanese painters exhibited so much originality and power as to give a fresh start to Japanese art, and upon a direction tending farther than ever from the traditions of the schools. These were Maruyama Okio and Katzushika Hokusai. These great artists indulged in more direct reference to nature than any of their predecessors. Of Okio Professor Anderson says he only partially carried out his principles ; and although the Shiyo Eiu, founded by him,* has had many followers, it has not succeeded in diminishing the influence of the Chinese style and its modifications. Of Hokusai, who did not emerge from obscurity till rather late in life, he says that he was the first lieimin (commoner) of Japan who made for himself a name in art, and this his genius enabled him to do in spite of the neglect and professed contempt of those who con- sidered themselves the best judges ; “ but he alone under- stood the JJhiyo-tje, and the multitude of admirers he found in his own class consoled him, if he needed consolation, for hi's seclusion from the select artistic circles.” Hokusai has * “ His most noted pupil was Grenki. In more recent times, an offshoot of the school, named Hikuchi Yosai, rose into notice, but the art-critics did not know whether or not to atlmiro his free unconventional outlines, which, although expressing admirably the intentions of the artist, were at variance with all the revered examples of past ages. The Zenken-no-jitsu, in twenty volumes, gives the best example of his style.” — Anderson’s MS. notes. 88 JAPAN. [chap. IV. left but few of his drawings behind him, owing to the fact that he devoted himself mainly to sketching on wood for the engraver ; hut his thirty well-filled volumes of engraved sketches are a worthy memorial of his powers. He excelled in drawings illustrative of the life of people in the field and street, giving the comic more often than the tragic, or the neutral, aspect of things ; but he sometimes applied himself with success to historical and religious subjects. His works have been so often copied by strangers that it is chiefly from them that foreigners have derived their ideas of Japanese pictorial art. Hokusai had both rivals and pupils, but none who has eclipsed his name and fame. A hundred other names of note in Japanese art might be given — names more readily recognised by the average Japanese than those of Eeynolds and Hogarth by the average Englishman ; but the above will suffice for my purpose. I have said that it is largely from such sketches as those of Hokusai that foreigners have derived their ideas of Japanese pictorial art, and in this fact I have virtually stated that their ideas of that art are extremely narrow and mistaken. The style copied is no doubt both original and characteristic in a high degree, as was that of John Leech, for example, among ourselves ; but no one would think of judging English art by the works of Leech, and no one should think of judging that of Japan by the works of Hokusai. The historical sketch that I have given above shows that the Uhiyo~ye, or popular art, is comparatively in point of time, and essentially in point of form, modern, and no sort of justice to Japanese art can be done by those who limit their attention to its delineations. For this reason works like that of Sir Eutherford Alcock (‘ Art and Art Industries of Japan ’), in which nearly all the illustrations of pictorial art are derived from the one source, must not for a moment he considered to present a fair general view of the characteristics of Japanese drawing and painting.* * I am told that a similar remark Japan,’ but that ^York I myself have would apply to Mr. Jarves’s Ameri- not seen, can book, ‘ A Glimpse at the Art of CHAP. IV.] DBA WING AND FAINTING. 89 Nor, if that were otherwise, is any sort of justice usually clone in such works by the English engravers to the delicacy and beauty of the Japanese originals which they profess to copy. I have compared many such professed copies wuth Hokusai’s original engravings, and am obliged to say that they can only be considered as coarse and rude reminis- cences of the work that left the hands of the Japanese artists. The meaning of the sketches is also, I am told, often misinterpreted. I have had a few engravings copied by Japanese engravers from Hokusai for this work. The schools or styles of Japanese pictorial art may be summarised as follows : 1. Korai Riu, or Korean School, which was the first introduced into Japan, as we have seen, and which resembles the Chinese School in all essential particulars. 2. Kara Biu, or Chinese School proper, which has been subdivided into periods from the To * (in Chinese, Tang) to the Sei (Tsing) dynasty, and into three styles which may he compared in execution to the square, cursive, and intermediate characters in caligraphy. This Kara Biu is, beyond doubt, the true parent of Japanese pictorial art, the Korean School, although arriving first in the country, being but an offshoot from the Chinese. The Kara Biu was largely taught — chiefly during the Sung and Min dynasties — by Chinese immigrants, and by Japanese who had been to China to study art. “ Until the time of Okio, at the end of the last century, Japanese painters adhered so closely to the rules framed by the Chinese schools, and commonly even to the subjects in vogue with Chinese artists, that Japanese art was entitled only to rank as a branch of the other school ; the only exceptions are found in the works of Icho and Hishigawa Moronohu, and even their productions scarcely merit the name of original art ” (Anderson). Desirous as I am to do justice to the Japanese, I am hound to say that injustice is often done to the Chi- nese in works upon Japanese art by foreign writers. The * To (Tang) is the name of the To has come to be generally used in dynasty which governed China from Japan for China and the Chinese. 618 to 906 of our era; but the word To-jinis a Chinaman. 90 JAPAN. [chap. IV. Japanese themselves, as I have elsewhere remarked, are always ready to hear the fullest testimony to the advantages derived by Japan from China and Korea through many centuries, and in many branches of art and industry. But foreigners who visit Japan appear to fall so completely under the spell of the land and of the people — and fascinating both certainly are — that they fail to see what is original and what is derivative in that which they behold. But in fairness to China it must he acknowledged, and by the Japanese is acknowledged, that much of that “ grace of outline, freedom of stroke, and delicacy of colouring ” which characterise Japanese art, and constitute no small part of its charm, is drawn from the art of China. I have had, as stated earlier in this chapter, rare opportunities for comparing Chinese paintings of the Min period still preserved in Japan with those of various Japanese masters, and I greatly doubt if Sir Eutherford Alcock or Mr. Jarves, or any other writer who may have exhibited a tendency to undervalue the art of China, would he able to separate them with certainty into their respective schools. 3. Kanaoha Riu^ founded in the ninth century by Kose no Kanaoka, as previously stated, and continued by his family for many generations. 4. Talcuina Biu. This was an adaptation in the early part of the thirteenth century of the existing rules of Chinese art to the representation of Japanese court ceremonials, etc., and although exhibiting skill in its way was devoid of any great artistic merits. 5. Toha-ye, originated as already described in this chapter. All roughly drawn caricatures are still known as Toha-ye, hut Toba Sojo does not appear to have been succeeded by artists at all comparable with himself. A later form of caricature, originated by Iw^asa Mitahe, and first sold at the ancient city of Otsu, derived its name from that place, and became known as, 6, Otsu-ye.* Of 7, Josetsu Bill, nothing need be added to what has already been said, hut of the school founded by Josetsu’s pupil Ses- * “No artists of note contributed to present found in Kioto, Osaka, and maintain the reputation made by the other places are scarcely wortliy of founder, and the ‘ Otsu-ye ’ as at notice.” — Anderson. CHAP. IV.] DRAWING AND FAINTING. 91 sliiu, 8. Sesshiu Biu, I must quote a few words : “ Sessliiu, after studying in China, became one of the greatest artists of Japan. His most noted pupils were Shingetsu and Sesson, but many well-known painters belonged to his school. The Sesshiu Kin so closely resembled the Kara Kiu, that it was probably only the celebrity of Sesshiu that gave the school a distinctive title. One of his descendants living in the last century maintained that the Japanese art of his period was as much Kara-ye as that of modern Chinese painters, both being drawn from the same source, and more or less modified by individual artists ” (Anderson). Of 9, Tosa Biu, it is needless to add to what has been said, beyond observing that, while it afforded considerable display for colouring, its merit inclined to decorative rather than to imaginative or truthful art. 10. Kano Biu, the best-known and most influential of all the native schools, and coming down, as we have seen, from the fifteenth century to our own day. 11. IcJio Biu, and 12, Ukiyo ye, already described. The latter name I have rendered as “ social pictures by others it is sometimes rendered ‘‘ worldly pictures.” It literally means, I am told, “ floating world,” and implies that the subjects are taken from actual life, in distinction from the favourite Buddhistic and legendary motives of the older schools. ‘‘ The TJhiyo-ye may be divided into two sections, an order to which belong Hishigawa Moronobu and his followers, and a modern phase of which Hokusai is the presiding genius.” The pictures of Hishigawa Moronobu, not unlike those of the Tosa Kiu in style, represent a less characteristic phase of* Japanese life than those of Hokusai, and are less spirited and truthful. The later IJldyo-ye is best exemplified in the Hokusai Mangua, and the Wciyo Guafu by Keisai Hiroshige. More may be learned of the true nature of the Japanese masses from a study of these marvellous collections of sketches than from a library of the descriptions of the country found in Europe, but it is necessary that every page should be explained by a Japanese, and perhaps by a Japanese heimin, one of the class for whom the work was composed ” (Anderson). 92 JAPAN. [chap. IV. 13. Shnjo Riu. This school was founded, as previously stated, by Ohio, and was characterised by a more direct and loyal resort to nature than his predecessors had allowed themselves ; but the influence of Chinese principles aud methods were too strong even for him, and he was not successful in inspiring his pupils even with the same amount of devotion to nature as animated himself. 14. Butsu-ye, or Buddhist paintings. The first paintings known in Japan were of this kind, and, although the style was imported from Korea, it is probably of Indian rather than of Chinese origin. This branch of art bears close and curious analogies to the early religious art of Europe, both being practised chiefly by monks, and both exhibiting much bright and decorative colouring, with a free use of gold in the display of saintly forms and glorifications. Lastly, Bunyi-re, an unimportant but common style of painting, employed for the illustration of poetry, most frequently by noble amateurs. The practice of painting in Chinese (or “Indian”) ink is exceedingly common in Japan, and this form of art is desig- nated Siunie. Originally this prevailed only among poets and literary persons, and had, says a native writer, “ pour caractm'e distinctif le bon gout.” He goes on to say : “ Les peintres qui ont ensuite imite ce genre de peinture ont quelquefois voulu representer sous une forme legm'e une idee serieuse, et ont suppled ]}arfois aux imperfections de I’esquisse par des strophes de poesie. Les regies relatives a ce genre sont pen nombreuses et vagues ; mais, bien que les traits en soient vigoureux et hardis, on y retrouve pourtant certains petits details. Les sujets favoris des peintres de ce genre sont les sites pittoresques, les montagnes abruptes, les rochers escarpes, etc. ; ils transportent, pour ainsi dire, par I’imagi- nation, le spectateur sur les lieux memes.” One would scarcely have supposed that these last observations were specially applicable to Indian-ink drawings ; but there they are, in an official record, and they must be taken as the expression of the opinion of the native writer. Anticipating that my own opinion of Japanese art would CHAP. IV.] DBA WING AND PAINTING. 93 carry but little weight with it, and nevertheless desiring to include in this work some statement of its characteristics that would he valuable to my readers, I obtained from my friend, upon whose kindness I have already so frequently drawn in this chapter, Professor Anderson, the following summary of his conclusions : — “ Originalitij of design . — Not strongly marked until within the last two hundred years, most of the older pic- tures being variations of Chinese models. Wit of a high form is perceptible even to the foreign eye in many draAvings of the Toba-ye and Ukiyo-ye. Comioosition. — Nearly always good, the grouping of figures and accessories contributing as far as possible to tell the tale and to please the eye. “ Draiving . — Almost invariably conventional. Excellent in birds, flowers, monkeys, fishes, and insect life. Defec- tive as regards anatomy in the human figure and in most animals, but successful in conveying impressions of action, and usually correct in the proportional relations of different parts of a figure. “ Perspective . — False. In a few modern j^ictures more or less successful efforts to realise distance by fixing vanishing and distance points have been made, but in these cases the artist has received education from Europeans. Any paint- ing in which the laws of perspective are observed is not a specimen of Japanese art. Of the false perspective there are two kinds, one in Avhich lines parallel in nature are made to diverge as they recede, another in which they are drawn parallel without any convergence towards a distance point or point of sight. The impression of distance is obtained by an absurd elevation of the horizontal line in the Chinese School and its modifications, and by the inter- position of conventional clouds to separate nearer from more remote objects. “ Chiaroscuro. — Absent. A false chiaroscuro is often practised, and this by Mr. Jarves and Sir K. Alcock has been accepted as the genuine element. Figures in silhou- ette against a moonlit sky are often drawn by the Ukiyo-ye 94 JAPAN. [chap. TV. artist {vide frontispiece in Alcock), but the overstrained imaginative descriptions of such efforts are mere literary- decoration. “ There are no shadows in any true Japanese pictures. “ Colour . — From a decorative point of view the colour is mostly to he highly praised, as the better Japanese painters are masters of harmonies and contrasts ; hut the absence of all the variety of tint produced by shadows, and direct and reflected lights, prevents criticism from higher ground. ‘‘ The older Japanese painting is chiefly caligraphic ; the modern chiefly decorative. Caligraphy and painting were in old times esteemed as equally important branches of the fine arts, and in both China and Japan a single cha- racter written by a noted caligrapher would often command a higher price than the finest specimen of pictorial art. “ The designs for metal work, ivory and wood carvings, and porcelain and lacquer decoration, were almost invari- ably supplied by noted painters of the Chinese, Kano, Tosa, or Popular Schools ; hence all the important quali- ties of Japanese art must be sought in its pictorial manifestations.” It may not be deemed altogether ])resumptuous for me to express concurrence in the above opinions, and to add to them the following remarks : First, as regards design, it appears to me that the absence of novelty and power in the exercise of this branch of pictorial art in the earlier schools was due less to the absence of the necessary faculty than to the rigid traditions and rules under which the life of Japan was conducted for so many centuries. With a religion founded on the worship of ancestors, and all the offices of the state and of the church, so to speak, descending in families, the evil effects of what we have known in our past as patronage must have pressed heavily indeed upon all rising artistic faculty in ancient and mediaeval Japan, for the whole public life of the country was a system of patronage in a highly organised, and therefore in a very oppressive, form. In the sphere of literature, concerning which we have naturally got to know more than of that of painting, evi- CHAr. IV.] DBAWINO AND PAINTING. 95 dences of this restraining influence abound. Even under lyeyasu and the succeeding Shoguns of his family — and under him and them the genius of the country appears first to have begun to expand freely — the labours of the greatest intellects were pursued under more or less burdensome conditions, the military and civil supremacy of the Tokugawas being of course the primary consideration. When greater freedom became possible, fertility of design appeared with it in a remarkable degree, and in this fact, it seems to me, the capability of the Japanese became vindicated. It was said by Opie that but for the Greeks even beauty in nature itself would perhaps have remained undiscovered until now, or so far misunderstood that we might have preferred the artificially crippled form of the Chinese, or the rank and vulgar redundance of a Flemish female, say, to the Yenus of the Trihuna. And if we for a moment restrict the phrase “ beauty in nature ” in the manner to which his illustration points, viz. to beauty of the human form, no opposition to his remark could be drawn from Japanese art, for certainly human beauty has not been at all worthily appreciated or illustrated in Japan. Nor indeed could it be illustrated until quite recently (however much it might be appreciated), for the principles of anatomy were unknown in Japan a century ago.* In point of fact. * 111 a paper on the early study of Dutch in Japan, read at the Asiatic Society there by K. Mitsukuri, a native gentleman, the author gives a very quaint and interesting account of the introduction of anatomical study at Nagasaki. It is derived chiefly from the posthumous work of a physician named Sugita Fusai, who is referred to in the follow- ing extract as the author. Mr. Mitsukuri writes : “ Another friend of the author, Nakagara Kiowan, also a physician, serving under the same Daimio as himself, being inter- ested in the products of different countiies, was a constant visitor at the quarters of the Dutch whenever they appeared in Yedo. It was in 1771, one day, the interpreter showed him two Dutch books on anatomy which were for sale. He took them home, and among those who saw them was our author. Sugita could not, of course, read a word, but was struck by the fact that the illustra- tions of bones and organs represented them to be very different from what he had believed them to be. He wished to buy the books, but was too poor. Fortunately, however, he succeeded in persuading a haro (councillor), who by his influence had the price paid from the public treasury of the Daimio. Ever after this, Sugita longed for the opportu- 96 JAPAN. [chap. IV. the beauty of the human form has not hitherto made any worthy impression on Japanese art. Woman has been kept in an inferior position ; even her face has for the most part been defaced by the shaving of the eyebrows and the black- ening of the teeth ; her gait has been ruined by the clumsy nity to test whicli of the theories was correct. He had not to wait very long. As good luck would have it, he was invited, shortly afterward, to a dissection which was to take place in the execution grounds of Kozukappara. Such a thing was of rare occurrence at that time, and Sugita was not the man to enjoy it by himself. He knew that several of his friends, among others Naka- gawa Kiowan and Mayeda Kiotaku, wonld be very glad to avail them- selves of such an opportunity. He must let them know, by all means ; so he wrote to them, though it was somewhat difficult to do this, and appointed a place to meet next morning. The anxiously expected day came, and all were promptly at the rendezvous. Mayeda had witli him a Dutch book on anatomy, which lie had bought in Nagasaki some time before, and when they came to examine it, it proved to be the same as one of those which Sugita had been fortunate enough to procure lately. They were soon in Kozukap- para, the famous execution grounds near Asakusa. The hour for which they had longed had actually come. They were about to know whether the things they and their fathers had believed in were right or wrong. I can imagine how their hearts must have beat. The dissection was performed by an old executioner, an eia who had had some experience in this line. The result is soon told. They of course found that their theory was entirely mistaken, and the way in which the illustrations in their new book coincided with real objects raised their admiration to a high degree. On their way back, Mayeda, Nakagawa, and Sugita were together. The events which had taken place of late must have seemed to them as if they had been prearranged. How fortunate that Nakagawa should happen to see those books, that Sugita should be able to buy them, that they should have a chance to test their doubts ! And what a coincidence that Mayeda should pos- sess the same book ! A s they walked home they talked earnestly. Shame that they should have lived all their lives as physicians, and not know, till now, the construction of the human body, on which the science of medicine was necessarily founded ! If they could understand the true principle of anatomy from the real objects they had just seen, if they could translate this book which they had obtained so luckily, they would do an immense service to the country, and wonld not have lived in this world in vain. So they went on, and when they separated for the night they had come to the agree- ment that they would try their best to master the strange language, and that as such things were the better the sooner begun, they would com- mence the very next day. They had set before them a hard task, but they were determined to accom- plish it. As they parted, their haarts were perhaps too full to speak, but they must have shaken hands most heartily, if such a thing had been known then.” CHAP. IV.] DRAWING AND PAINTING. 97 clogs she has had to wear, and by the artificial system of turning the toes inward ; and the wonder is that so much grace and charm, and beauty too, have survived so many ages of depression and injury. For that many are beautiful, and very beautiful, cannot he doubted by any one who has seen much of the people. Still, the art of Japan has yet to develop sympathy with that strength and symmetry and beauty of the human form which gave to the arts of Greece their highest and most enduring glory. But when we employ the phrase “ beauty in nature ” in its broader and more lawful sense, we have to say that without the aid of Greece — even in the indirect and dubious way of transit through Indian and Chinese art — Japan has developed a genuine and intense love of natural objects, and in connection with them a power of design both eminent and attractive. Not only in its drawings and paintings, hut in other branches of art, the Japanese have evinced a wonderful power of arranging natural objects in such relations to each other as to give grace and charm to the whole ; and the same thing is true when we pass beyond the design of their works to the com- position, And perhaps of all the divisions of art none fur- nishes a truer or better test of sound artistic feeling than this. No design, no drawing, no colouring, nor any other quality can redeem a work of art if it he badly composed. “ The composition,” as has been said, “ should appear the true efflux of a mind so heated and full of the subject as to lose all regard and attention to everything foreign and although some may suppose that this fulness and fervour of the mind can only he occasioned by striking scenes or circumstances, they really are the provocations of the true artist to the accomplishment of whatever object he sets before himself. The composition of Japanese pictures is usually notable for its pleasing effects. What has been said of design is equally true of draicing, as regards the absence of success in dealing with the human form, and indeed with all the higher animal forms ; and likewise as regards the true and great success with which birds, flowers, and other such natural objects are rendered. VOL. II. II 98 JAPAN. [chap. IV. It is a real pleasure, and not a small one, to find oneself among a group of Japanese artists, and witness the happy mastery which they have acquired over the brush. At the same time it is melancholy to consider within what limits their arts even now move, and we cannot help hoping that Art like Woman will in Japan speedily lay aside its con- ventional aspect and movements, and proudly and joyously display its nobler qualities. But to be more technical : Professor Anderson’s remarks upon Japanese perspective are in the main true, and those who read them, and fancy they have observed indications of a juster knowledge of perspective than seems compatible with them, must bear in mind his admission respecting the effects of European teaching in some cases. To me it seems likely that those writers are correct who fancy they discern the effects of Dutch influence in the Japanese pictures of the last century or two. I agree with Sir Kutherford Alcock in thinking that the curious example of perspective given in Hokusai (and repeated by Sir Kutherford in his ‘ Art and Art Industries of Japan ’) is probably derived from some Dutch source. The following sentences of Sir Kutherford’s are also worthy of careful consideration : “ If they learned nothing from the Dutch, the question arises. Did the Jesuit fathers [who, as we have seen, carried their ideas and practice of Christianity into Japan] teach drawing in their schools, or occupy themselves with the arts, as some of those at the court of Pekin, in the reign of Kanghi, unquestionably did ? The latter introduced, for instance, as we know, the use of vignette medallions on the best China ware, never prior to that adopted in the ornamentation of Chinese porcelain. Then, again, some of the caricatures and illustra- tions of popular customs, in all their grotesqueness and coarseness, powerfully recall the Dutch paintings and engravings of similar subjects in the sixteenth and seven- teenth centuries, in the Hollen, Ostade, and Teniers style. The Japanese themselves do not admit any tuition from either of these sources, whether in perspective or the treatment of subjects for the pencil. But when we reflect on the aptitude CHAP. IV.] DBA WING AND PAINTING. 99 they have shown to adopt foreign ideas, and imitate European arts and customs in the present day, we cannot help seeing the possibility of their having borrowed something in the way of art.” Answers, and clear and conclusive ones, to the questions here raised can doubtless he obtained from a care- ful chronological study of Japanese pictorial works, and it is possible that Professor Anderson’s hook now in preparation may furnish us with them. But whatever may he the truth of this matter, and whether the power be native or derived, it must he acknowledged that although Japanese perspective is usually more or less false, it often comes wonderfully near the truth, especially as regards aerial perspective. The statement that “ there are no shadows in any true Japanese picture ” is a very strong one, even when one throws out of the category of Japanese pictures all those modern productions which are manifestly influenced by European teaching or example. It is nevertheless perfectly true, at least to this extent, that the rules upon which chiaroscuro is produced by European artists are entirely un- known to the artists of Japan. They have known absolutely nothing of such rules ; while, I need hardly say, such developments of chiaroscuro as Leonardo’s principle of central radiance is even farther from the scope of Japanese conception. Still, I cannot hut feel that it would be in- correct to say either of Japanese or of Chinese art proper that light and shade are absolutely unknown to it. This has often been freely alleged, and was generally accepted as true until recent times ; but the late Mr. Wornum, who appears to have seen hut little more of Chinese art than an exhibition at Hyde Park Corner, nevertheless contradicted some of the academy professors on the point, and said the Chinese had made “ considerable progress in light and shade.” As a general rule, however, the chiaroscuro of Europe has no parallel in the art of Japan. As regards colour^ Professor Anderson’s statement of the case seems to me to be perfectly correct. All those changes of tint and tone which result from gradations of light and shade are wanting ; and as a consequence it is chiefly for its H 2 100 JAFAN. [chap. jy . decorative merit that the Japanese employment of colour is valuable and instructive. But it cannot be denied that, subject to the above limitations, Japanese artists are great masters of the art of colouring, and masters after a fashion mostly, if not wholly, their own. Mr. J. Leighton (quoted by Alcock) has borne ample tribute to this great merit of theirs, claiming for the Japanese a subdued and refined style superior to that of the Chinese. “ I do not wish you to understand,” he says, “ that the Japanese artists do not use bright colours, for few men know their value better ; but what I desire to convey is that they use them judiciously, and in comparatively small proportions, cleverly supporting and contrasting them with their secondaries, and other compound colours, which they use in grounds and large masses generally.” Sir Eutherford Alcock, I am pleased to see, does ready justice to the fine Japanese sense of harmony and tone in colours, himself evidently enjoying equally in their way both the splendour and the quieter beauty of their effects. Sir Eutherford, like myself, delights in bright colours, and is not ashamed to own it. “A relative ar- rangement of tints will do much to produce harmony,” he says, “ but will scarcely satisfy a colourist who loves masses of the brightest hues, such as in a sunny clime are a per- petual feast to the eye, and a delight to the sense which revels in profusion. The Eoman scarf, or the handkerchief of the contadina, the bright coloured sash of the Andalusian, and the glowing scarlets and gold of the Indian bazaars, are all living evidences of an innate sense of the beauty of bright and pure colours. We have not in England the sun of these southern and eastern climes, which gives to the skies and mountains, to trees, birds, and fiowers, a glory of such brightness that colour of the most vivid and brilliant hues forms, by daily and hourly association, a needful element in the life of the people.” Some objects are continually recurring in the pictorial as in the other arts of Japan. Among natural objects are the blossoms of the plum, the cherry, the peach, and the apricot ; the pine-tree ; the Pauloumia Imj)erialis, a straight-growing CHAP. IV.] DU AWING AND FAINTING. 101 tree with large leaves (as an emblem of rectitude) ; the flower- ing peony, the bamboo, the willow, the maple, and the chry- santhemum ; also various birds, most frequently the stork, the wild duck, and the eagle ; and, perhaps more commonly than anything else, the glorious and sacred mountain of Fuji-san, or Fuji-yama. Numerous striking historical characters and incidents likewise are often repeated by artists. Some objects frequently recur in association, the following ex- amples of which I take from Mr. Pfoundes’s collection of notes entitled ‘ Fu so Mimi Bukuro.’ The pine-tree and stork ; both are emblems of longevity : this design is very frequently used in the embroidery of robes presented to new-born babes. The peony and Chinese Lion ; the peony is usually sketched on large articles, such as screens at the entrances of temples, on panels, ceilings, etc. The bamboo and sparrow, both being of a mild and gentle nature — a design often seen in embroidery, and on fans and screens. The willow and marten I or swallow) ; the willow waves in the breeze, and the swallow sways to and fro — a favourite design for fans, etc. The cherry and pheasant ; the cherry, cultivated solely for its bloom, is jointly named with the “ gorgeously plumed pheasant.” The plum-tree (in Japan “ the poet’s favourite tree ”) is associated with the Japanese nightingale (the uguisu). This combination is a very common design, the plum-tree having, from a verse written by Wani in honour of the ancient and popular emperor Kintoku, become associated with poetry, and the uguisu being the poet of the woods. “ ‘ Send forth your fragrance upon the eastern winds, 0 flowers of the plum-tree ! and do not forget the spring, because of the absence of the sun,’ cries a native poet. Not unfrequently does one see the plum-tree stand all leafless in the snow, but adorned with white blossoms, like a bride before the altar. It bursts into clouds of fragrance and beauty in February, the leaves appearing later ” (Griffis). Another frequent design is that of a bird flying across the crescent moon. This is “ the moon and the cuckoo,” and springs from a legend of the twelfth century. About 1153 a.i). the Mikado fell sick, being nightly stricken with a horrible 102 JAPAN. [chap. IV. nightmare. • It was discovered that a dark cloud moved from over a grove of trees and rested upon the imperial residence, two fiery orbs shining out from it. The priests failing by their prayers to drive away the brooding demon, one Yorimasa undertook to slay it, and after successive watching at lengths breathed a prayer to the great god Hachiman, and added to his prayer (what the orthodox priests had omitted) a heavy arrow from his well-bent how. The arrow, or the prayer, or both, brought the monster down, and Yorimasa made his work complete by nine plunges of his sword, each time to the hilt. The demon thus slain was formidable enough to account for its brooding dangerously even over the breast of an emperor, for it had an ape-like head, the body and claws of a tiger, and a tail that was itself a huge and venomous serpent. It was called Nuye, from its cry resembling that of a bird of this name. The emperor, wishing to reward Yorimasa, gave him a celebrated sword called SJiishi no 0 (the king of wild hoars). Besides, knowing that he secretly loved Ayame * no Maye, and that the love was returned, he bestowed her on Yorimasa. The noble who was appointed to present the sword to Yorimasa, knowing his reputation as a poet as well as a brave man, bethought him of trying a verse after the Zo-to style, and just at the moment a hototogisu (cuckoo) was heard, giving him the “ key-note ” of his verse, the Icami no Jvii of three lines of five, seven, and five syllables. Eo-to-to-gi-su Na-o mo Tcu-mo i ni 1-gu-ru kana, and immediately Yorimasa answered him with the following sliimo no ku of two lines of seven syllables each — Yumi ha-ri tsu-ki no A-rv, ni ma-ka-se-te * A yarae, the blossom of the CVtZrt- was only used for the daughters of mus aromaticus, or tlowering sweet men of rank. — See Pfoiindes’s ‘Fu flag. Female names were usually so IMimi Bukuro,’ from which, as I derived from flowers. Maye is the have i)reviously said, these ilhistra- ancient affix to female names. Ilime tious are taken. CHA.P. IV.] DB AWING AND PAINTING. 103 — making the complete lionlca of thirty-one syllables. And his readiness and wit increased his reputation as a scholar and a soldier. In this way the moon {tsuld) became associated for ever with the cuckoo. But in order to fully understand the connection, the qualified reader must note the double mean- ing of the verse, which it is impossible to render into English. It reads one way — “ The liototogisu Above the clouds — How does it mount? The waning moon Sets not at will.” But as it alludes to Yorimasa’s elevation to imperial favour, there is the concealed meaning — “Like the cuckoo So high to soar, How is it so? Only my bow I bent, That only sent the shaft.”* Geese and rushes are often coupled together, it being believed that wild geese, on making long flights, carry in their beaks rushes which they drop upon water, and then alight upon them to rest. The chrysanthemum and the fox are drawn together in reference to one of the many fox- myths which abound in Japan. The story goes that a royal prince was bewitched by a fox in the shape of a damsel, who became his mistress. One day she fell asleep in a bed of chrysanthemums, resuming her normal shape, and while thus lying was shot at by her lover, whose arrow smote the creature in the forehead. On afterwards finding his sweet- heart with a wound in the temple, he discovered her true * “ The play on words in the first portion is only alluding to the soar- ing of the bird and comparing it to Yorimasa’s elevation, the real com- parison and readily improvised verse inciting the native admiration. In the second portion, the allusion to the bow-like shape of the waning moon and its setting, the play is on the word tsuld no, moon, or one’s own will — on Yumi liari, to bend a bow — the shape of the waning moon — and Aril, to set (as the moon sets) — or to send a shaft.’’ — Pfoundes. 104 JAPAN. [chap. IV ^ character. The bamboo and the tiger are united, because the tiger fears the elephant, and therefore hides in the bamboo jungle. Peach-trees and oxen are often coupled ; there is a Chinese saying, “ Turn the horse loose on the flower-covered mountain, and the ox into the peach orchard.” A dragon is often shown crossing the summit of Fuji-yama on the clouds, a small snake having become the dragon ; so an abject person sometimes becomes an exalted one, rising to a great height, and easily surmounting the greatest obstacles : the design is therefore an emblem of success in life. I must conclude this chapter by expressing my conviction that under the new order of things now prevailing in Japan, and more especially on account of the great intercourse between their country and Europe, Japanese artists will make extraordinary strides in the mastery of European art, and will combine with it elements of power and beauty peculiar to themselves. Mr. Jarves and Sir Eutherford Alcock concur, apparently, in thinking that at present Japanese artists “ have a technical mastery of other means, not known to genre and landscape painters in Europe, by which they produce effects that place a scene before the eyes in a way to fill the imagination with a vision of things only suggested by the pencil.” I agree with them, for I find no other explanation of the extraordinary pleasure which one experi- ences alike in seeing the Japanese artist dashing his won- drously effective strokes upon his paper or silk, and in turning over the pages of a hook embodying the results of his labour. I have seen the French Tissot, the Neapolitan Martino, the Eussian Aivasovsky, and some of our own artists wielding their cunning pencils with swift and startling effect ; hut no European that I know rivals the native of Japan in artistic legerdemain. From the blending of his traditional and mystic skill with the art familiar to ourselves, we may justly expect to gather rich results hereafter. 1'iiE Ascendikg Dragon. To face page \0 A, Vol.II. ( 105 ) CHAPTER V. PROVEKBS AND PHRASES OP THE PEOPLE. Many proverbs and proverbial sayings — Expressions for what is impossible — Injunctions for avoiding the appearance of evil. The proverbs and phrases current among a people reflect their character and modes of thought, and in so reflecting them tend to increase their permanence. Mr. Pfonndes, in his ‘ Notes,’ Herr Knohloch, in the ‘ Transactions of the German Society of Japan,’ and Mr. Grifiis, have all helped to bring a number of Japanese proverbs and sayings into an accessible form, and from their collections I select the following, observing that in many of them there is in the original a play upon words which cannot be translated, but which sharpens the point of the phrase to the native. Impossibility is a good reason. Open lips make cold teeth. The mouth is the door of mischief. An ugly woman avoids the looking-glass. The fox who borrows strength of the tiger. To water your own field. Life is a light in the wind. To number the years of a dead child ; i.e. probably, to do something that is quite useless. Illnesses come through the mouth. To give a sail to ability ; i.e. to assist talent. Even the monkey falls from the tree. To cut a stick after the fight. 106 JAPAN. [chap. V. Of whom we speak, his is the shadow ; i.e. he of whom we speak throws his shadow upon us. Willow twigs dig no snow. Daughters-in-law become mothers-in-law; i.e. probably, the young and agreeable become old and disagreeable. Prophets know nothing about themselves. Covetous about one mori (a small coin), and neglectful of a hundred. Flowers on a dead tree. The devil’s ‘‘ Help, 0 holy Buddha ! ” i.e. like the devil crying to Buddha for help. To blow away the hair and find a wound. Like trying to seize a tai (a sort of perch) ; i.e. trying to seize an eel. Indolence is a powerful enemy. To give something more to a thief ; i.e. to give your cloak to the stealer of your coat. To adapt the sermon to the hearers. Like going into the fire with an armful of bamboos. To submit is victory. A fallen blossom does not return to the twig. Sufficient dust wdll make a mountain. Even the fool has his art. The magnet can attract iron but not stone. Adapt yourself to the place you are in. Too much courtesy is discourtesy. He who holds a tiger brings trouble on himself. The bat of a village without birds ; as we say, in the company of the blind the one-eyed are kings. The sea-eagle has hatched a falcon. Many captains, and the ship goes on to the rocks. Even two leaves of the spendan give forth perfume. CHAP. V.] POFULAR FROVEEBS AND F1IRA8ES, 107 The heart is the same at sixty as at three. The snakes know the paths of the dsha (a large species of snake). No fish in clear water. One crane’s voice is better than (the chirping of) a thousand sparrows. A drunkard cannot deny (conceal) his real character. Like pushing a stone with an egg. The heart is better than a beautiful face ; i.e. to have a heart is better than to have a beautiful face. Kubbing salt into a wound; i.e. adding insult to injury. Listening to a child you fall over a precipice ; i.e. attend- ing to trifles and neglecting more important matters. Tears even in the devil’s eyes. Poking out the eye with an insignificant twig. Overcome in words, in truth victorious. Pinch yourself and know how others feel. The dog bites the hand that caresses it. To reach the cub you must enter the tiger’s den. • The stomach will not allow itself to change places with the back. Burnt cheeks do not fear the sun. No door can be made for the mouth. Beware of beautiful women as you would of red pepper. The crows laugh at tales that are three years old; i.e. they are foolish enough to be amused with anything. To fall seven times, to stand the eighth. In evil times the hero appears. To buy misfortune at market. A firebrand is easily kindled. The frog in the well knows nothing of the high seas. Too much done is nothing done. 108 JAPAN [chap. V. Like sitting a child alone on a well. To look at the heavens through a cane tube ; i.e. to take a limited view of great things. Like a fox on horseback. No standing in the w’orld without stooping. No art against deceit. He who touches vermilion becomes red. He who breaks through a thicket disturbs the snakes. Poke a cane-brake, and a snake will sli|) out. The absent get farther off every day. Unpolished jewels do not shine. To be thirsty and dig a well ; i.e. huge exertions to satisfy a trifling want. Bearing wood to the flames. The blind man does not fear a snake. Like a wolf in priest’s clothing. To steal a bell with your ears covered; i.e. to affect to dislike something whilst taking it. To give wings to a tiger. On the road a horse would eat a marsh-mallow ; i.e. too hungry to he dainty. Ice comes from water, hut is colder than water. Egg-plants do not grow from melon-seeds. A deserter is terrified even by the tzmzuhe ears (a kind of long grass). To talk to the crows of the white heron (white animals are often held sacred in Japan). For travelling, a companion ; for the world, kindness. Hairs even on a bald head. Poverty cannot outrun industry. Lanterns and hells ; may perhaps he read as meaning two different means to the same end, namely, the warning CHAP. V.] POPULAR PROVERBS AND PHRASES. 109 travellers that a vehicle is approaching. Both articles are employed thus in Japan. No escape from the nets of heaven. To give honey to eat ; to flatter ; or possibly equivalent to “ sending you ruffles when wanting a shirt.” The bird that flies upwards does not ruffle the water. People that are hated strut about the world. Use the stick soon and save a fall. Like seeking for fish on a tree. After three years even an evil becomes a necessity ; i.e. habit is everything. Habit has more weight than instruction. Eagerness is loss ; i.e. most haste worst speed. A novice does not at once become a superior. Poverty leads to theft. Good medicine tastes bitter. Dumplings are better than flowers. Even a new shoe will not make a hat ; i.e. no use to try improper means. Great words little deeds. A friend at hand is better than relatives at a distance. A devil in the heart (an evil conscience) torments the body. The hand goes to the itching spot. A clever falcon hides his talons. When the tiger is dead, spare his skin. Pleasure is the germ of sorrow. To hide the sword with a smile. If dogs go about they must expect the stick. Before argument, proof. Hated children fear not the world. Thankless labour brings fatigue. 110 JAPAN. [cHAr. V. To speak loud, and then purse the lips. (It is useless to shut the mouth after shouting out.) Moral people beget many children ; probably honest bodies get the heaviest loads thrown upon them by the cunning. Money thrown after thieves ; equivalent to throwing good money after bad. Emerald and crystal are known by their sheen. Old people led by their children. For a broken pot a mended lid ; or nothing is so bad that there is not some use for it. Even an unprepossessing woman finds her mate. Lepers envious of those with sores. The first-born comes with most difiiculty. Be careful to be careful. Crying faces wasps sting; or, misfortune seldom comes singly. After pleasure there is grief. If falsehood takes the road, truth hides. Truth cometh out of falsehood ; or, truth comes to the surface. Do you know how to boil potatoes ? Used in addressing stupid or clumsy people when they commit some foolish mistake. After the swallowing the scalding is forgotten ; it might be paraphrased, danger past is laughed at. A demon with a club. Doubly frightful. Cheaply bought, money lost. To wish to send a letter, but not being a writer. When one wishes to excuse oneself on the ground of inability or want of opportunity. Children are a burden on one’s shoulders, past, present, and future. CHAP. V.] POPULAR PROVERBS AND PHRASES. Ill To my own experience lioist the sail, meaning ‘‘ to ride one’s own hobby.” The master’s favourite red cap. (The great man’s will must be humoured.) To hide the head but not hide the tail. Hearing of Paradise and seeing Hades. Carelessness is great danger; literally, oil exhausted, a great danger. Ignorance bliss. Providence is a strange thing ; apparently in the sense of “ Chance brings together queer couples.” The poor have no leisure. Those who know the ropes do most hauling. Kio no ]jume, Osaka no yume — ‘‘ A dream of Kioto a dream of Osaka.” Building castles in the air. Child-bearing is easier than child-tending. If in haste go round. The spawn of frogs will become but frogs. By searching the old, learn the new. More words, less sense. Clever preacher, short sermon. Who steals money is killed, who steals a country is a king. Like learning to swim in a field. The gods sit on the brow of the just. Send abroad (or from you) the child you love most. Making an idol does not give it a soul. Live under your own hat. A (wife’s) tongue, three inches long, can kill a man six feet high. The heron rises from the stream without stirring up the mud. If you curse any one, look out for two graves. “ Curses, like chickens, come home to roost.” 112 JAPAN. [CJIAI*. There is no teacher of Japanese poetry. (Foeta nascitM\ non jit.) Good doctrine needs no miracle. Kegard an old man as thy father. Expressions for what is impossible : — To build a bridge to the clouds. To throw a stone at the sun. To disperse a fog with a fan. To bale the ocean with the hand. Injunctions for avoiding the appearance of evil : — Don’t wipe your shoes in a melon patch. Don’t handle your cap when passing under a pear-tree. Don’t stay long when the husband is not at home. ANCIENT BURIAL-PLACE OF AN EMPEllOR. ( 113 ) CHAPTEK VI. THE INLAND SEA AND NAGASAKI. Departure from Yokohama in the Meiji Maru — The lighthouse of Oosima — Precautions against earthquakes — A natural breakwater — Kohd and Hiogo — Waterfalls — Temples and shrines — The club at Kobe — Scenery of the Inland Sea — The hay and castle of Mihara — A beautiful dawn — Takahara— The ancient temples ofMiyajima— A torii in the sea — Sacred deer and monkeys — The Shinto shrines — Origin of the temple — A homeless goddess — A rebellion and a revenge — Shimonoseki — The straits of that name — The attack of the combined squadrons in 1864 — An indemnity extorted by the aggressors — The town of Shimonoseki — A legend of its temple — A change of weather — Nagasaki harbour — One Pine-tree House — A singular imperial salute — The coal-mines of Takashima — Government establishments — A Church missionary — The fatal isle of Pappenherg — Return trip through the Inland Sea — The ancient city of Osaka — Its historic associations. Having spent, and well and busily spent, nearly a month in tlie capital of Japan, it was next arranged for us to make a trip through the most important parts of the country, and on Wednesday, February 5, soon after midday, we left Tokio for Yokohama, and before three had embarked on board the twin-screw steamship Meiji Maru, belonging to the light- house department of the Japanese government. The de- parture of this commodious and fast government steamer upon lighthouse duty in the Inland Sea and on the west and south coasts, with Mr. McKitchie, the government engineer- in-chief of the department, on board, was a convenient opportunity for facilitating our visit to the interior, and a more satisfactory one to me than the appropriation of a special steamer for the purpose, which had been contem- plated. By taking passage in this vessel, when engaged upon her periodical visit to the lighthouses, I was enabled to VOL. II. ' I 114 JAPAN. [chap. VI. view the coast more minutely, both outside in the Pacific, and in the Inland and Japan Seas ; to visit some of the light- houses and acquaint myself with their construction and working arrangements, in company with the superintending engineer ; and at the same time to visit Kobe, Hiogo, Miramar, Miyajima, Shimonoseki, and Nagasaki without much expenditure of time, owing to the high speed of the Meiji Maru. It was arranged for his excellency Admiral Kawamura also to make this inland journey, as he had public business to transact at several of the ports and other places which lay on our route. His excellency Enouye (then minister of public works), whom the lighthouse department was under, was good enough to see us comfortably berthed on board the Meiji, and after he had taken leave of us, at three o’clock, we steamed down the Bay of Yedo, passing on our way the P. and 0. steamer China, just arriving from Hong Kong, carrying the English and Continental mail into Japan. The Meiji is commanded by an accomplished English officer. Captain Peters, whom I had had the pleasure of knowing a little in England, and who by his intimate acquaintance with the coast, the tides, set of sea, etc., was able to spare us in the first night and throughout our trip with him much of that inconvenience which better sailors than I can pre- tend to be confess to experiencing when their ship is very uncertain how to keep upright, and very violent in its endeavours to do so.* The first lighthouse to be visited was * Owing perhaps to a little per- versity of my own, and also to a trap being laid for me by the unwisdom of a servant (and how much more we all suffer from want of sense in others than from any intended wrongs !), I nevertheless contrived to get an ugly fall during the first night. Having persisted in selecting an upper bunk to sleep in, and vaulted into it with as much agility as was available, a servant heedlessly threw a fur-lined coat over the rail of the bunk below ; consequently, in alighting afterwards from my eleva- tion, my foot slipped over the fur as soon as my weight came upon it, and I fell upon the edge of the upper bunk, and thence to the deck. The fall was apparently a trifling one, and made no mark, but I became very sick and ill for a time, and a rib must have been badly bruised, as I felt so much pain afterwards that I had to take medical advice at Naga- saki, and as I write these lines, seven weeks after the fall, I still feel the effects. CHAP. VI.] THE INLAND SEA AND NAGASAKI. 115 that situated on the eastern point of the island of Oosima, off the peninsula of Kii. The island is spelt Oshima on the map of Mr. Brunton (who preceded Mr. McEitchie in his office), and Oosima in the Nautical Pocket Manual published in Shanghai, the name of the light being given in the latter as Kashinosaki. It is a white catoptric light, of the second order, revolving every half-minute, and is visible for eighteen miles. There is nothing to be said of our passage to Oosima, except that the evening after our departure was fair ; that the sacred Mount Fuji was a splendid and impressive feature in the shifting picture ; that after we had cleared the Bay of Tokio and the Sagami Sea we had nothing but the sea between us and Australia ; and that we reached our anchor- age inside the island we were bound for soon after midday of the 6th. The day' was singularly fine and warm, and we landed, at a very difficult landing-place, upon an isle so pleasant that one began to think of the “ Lotus-eaters ” — “In the afternoon they came unto a land, In which it seemed always afternoon.” It was curious to observe that in anticipation of earth- quakes the lighting machinery of the lighthouse was all supported upon a bed-plate resting on three spheres, partly to allow the upper portion to slide or roll upon the lower, and partly on the same principle as that which induced Sir Joseph Whitworth to support upon three points his “ true planes,” and his own billiard table which he has in his Manchester residence, viz. the mathematical principle that a plane surface can be passed through any three points in space, and therefore when a plane surface rests upon three points only either or all of those points can change its position without distorting the surface. The arrangement as adapted to the English-built lighthouse at Oosima is perfectly sound in principle, but even in Japan earthquakes of sufficient violence to upset lighthouse apparatus are so unfrequent that I strongly suspect the bed would usually be found resting upon the additional supports which are intended for use when men are moving about the light -machinery for I 2 116 JAPAN. [chap. VI. cleaning and other purposes. Still when a violent earth- quake does come, and they do come at these parts of the country as we have seen, it will be well if the light is found poised on its spheres.* I have elsewhere spoken of earthquakes at some length, but this is a suitable place for mentioning what happened twenty-five years ago near this spot — off the peninsula of Idzu, which was passed on the previous evening. On a hay at the end of that peninsula, and inside Kock Island, is the town of Shimoda, which had been opened as a foreign port. A great earthquake came, and with it tidal waves and sub- sidiary waves of such a nature that the Eussian frigate Diana, which was lying there, was spun round forty-three times in thirty minutes, as previously stated, and was thrown high and dry, a useless wreck, at the end of the revolutionary period ! This was in 1854, and we are informed that this same earthquake shook and injured the country for some hundreds of miles along this south-eastern part of Japan. It was in the next year that the great earthquake at Yedo * Since writing the above I have consulted a paper on “the Japan lights ” read at the Institution of Civil Engineers by Mr. Brunton, C.E., by whom many of them were estab- lished, and find that he docs not think altogether favourably of the plan adopted. He finds that while the free motion of the upper over the lower part of a structure may neutral- ise the effects of an earthquake shock, it at other times has incon- venient results. A person stepping on one of the ‘‘ aseismatic ” tables, for the purpose of trimming or cleaning the lamps, causes the upper part to roll to such an extent that the lamps become deranged, and in the case of revolving lights the regular motion of the clock-work is interfered with. To remedy these defects Messrs. Stevenson introduced an arrangement of vertical springs, but it w'as only partially successful. In the paper referred to Mr. Brunton discusses — as he and others had previously done at the Asiatic Society in Japan — the best mode of constructing buildings to resist earthquakes ; and gives a full and most interesting account of the lighthouse system of Japan — one of the best in the world, and continu- ally undergoing extension. An im- portant discussion followed, in which Messrs. Stevenson gave an instance of considerable damage being done by an earthquake to the Sagami (Japan) lights in consequence of their aseis- matic arrangement being put out of working order. The appamtus ap- pears to have been caught by the earthquake in exactly the state in which, as stated in the text, I anticij^atcd on the spot (at Oshima) it would be found. — See Proceedings of the Institution of Civil Engineers, vol. xlvii. Session 1876-77, pt. 1. CHAP. VI.] THE INLAND SEA AND NAGASAKI. 117 (now Tokio) took place ; and in fourteen months of 1854-55 no less than eight hundred and seventeen shocks were experienced. We left Oosima before three, steaming out at the western end of the island, and passing a remarkable series of rocks running a mile out from the shore, and forming an almost continuous natural breakwater. ,We now rounded the southernmost point of the province of Kii, passing the high light of Siwomi-saki, which is a fine fixed light of the first order, and steamed up between Kii and Awa, through the Isumi Strait, past the island of Tomagashima, on the western extremity of which is another fixed white light (third order), extremely well placed. We anchored before midnight in the harbour of Kobe. Kain had come on at sunset, and the night had continued wet, but next morning clear, warm sun- shine streamed over the pretty European-looking town of Kobe (one of the places open to foreign trade), and over the hills beyond. Hiogo, which is a genuine old Japanese town, practically adjoins Kobe, and is continuous with it, the road leading through them having to surmount one of those river beds which are embanked considerably above the level of the adjacent country, and of which we afterwards saw so many. At anchor in Kobe, besides a large number of merchant craft, was the large iron-belted Japanese corvette Hi-yei, which I had the honour to design and see built in England for his majesty the Mikado ; and likewise H.M. surveying ship Stjlvia and gun-vessel Lihj, The captain of the Hi yei came to fetch us, and we proceeded to his ship, which had just returned from Korea, and which was minutely inspected by his excellency the minister of marine. H.M.S. Sylvia is commanded by Captain Aldrich, who so much distinguished himself in the sledging work of our recent North Pole Ex- pedition. I was unable, from want of time, to visit his ship (which I myself had had fitted at Woolwich as a surveying vessel many years ago), but I had the pleasure of calling on Captain and Mrs. Aldrich on shore later in the day. During the forenoon we drove to the famous waterfalls two or three miles out of the town, or rather to the base of the hills down 118 JAPAN. [chap. VI. which they drop, having then a delightful climb through lovely scenery of hill, wood, and stream to the falls them- selves. All the way up are scattered tea-houses, with one more or less pretty girl at least to each. Nor is the place wanting in the conveniences of worship, for there are little temples and gods and shrines sufficient in number for all reasonable people. We stopped at one of these on the way down, where the goddess Kwannon was surrounded by small gilt figures, just as the Virgin is surrounded by angels of music in Fra Angelica’s famous picture in the Uffizi Palace, Kwannon’s angels and the Virgin’s being of about the same size. There were other gods about this building, and we hap- pened to be present at the time when numerous cups of rice were being offered upon the altar by an old woman attendant. There was a box for voluntary subscriptions. I could not quite understand this temple, as no priests were visible, and there was a business-like money-making look about the arrangements which gave the whole thing the appearance of a purely commercial speculation. There were several Japanese gentlemen with us, but none of them seemed to understand any more about it than I did ; one of them suggested, however, that the proprietors were probably priests, and that may have been the true explanation of the matter. At any rate there were the gods and the oppor- tunities for worshipping and subscribing all complete. In the afternoon we visited the great Shinto temple of this place, and took a drive through and about Hiogo, this being the first purely Japanese country town of large size that we had yet visited. In the evening after dinner, by the kind- ness of Mr. McEitchie, we were introduced to the club, where was an abundance of English newspapers, and an excellent billiard-room with several good billiard- tables. At 11 p.m. we re-embarked in the Meiji Maru by means of the Ili-yei’s boats, and at midnight the anchor was weighed and we were under steam again for the Harima Nada, which may be called the second part of the Inland Sea going westward, the first part being the Idzunii Nada, upon which Kobe and CHAP. VI.] THE INLAND SEA AND NAGASAKI. 119 Hiogo are situated. The two are separated by the island of Awaji, north and south of which are connecting straits. By breakfast time next morning we had passed through the Harima Sea, and were well in among the beautiful clusters of islands which lie thickly spread in an east and west direc- tion for nearly two hundred miles. After spending some hours at anchor at the light of Nabeshima (a small pic- turesque island close to the southern extremity of the northern shore) we proceeded again through lovely lakelike scenery, with multitudinous islands, all much less bright and green and flowery at this season than in the summer of course. About noon we reached, and cast anchor in, the small Bay of Mihara or Mirawa, which has been spoken of as a suitable situation for a great protected naval establishment. I need hardly say that the approaches to this place, and its naval and defensive capabilities, were carefully noted, with results that it would he too wearying to the reader to enter upon here. We landed, after luncheon, at the nearest village, and proceeded in jinriki-shas to the old castle of Mihara, where some time was occupied in the inspection of the harbourage, the artificial river hanks, and so forth, and likewise, and not least interestingly, in going over the old palace and outbuildings of the castle proper, with its ancient spears, hows and arrows, matchlocks, pictures, screens, etc. The following day, Sunday, 9th of February, we rose soon after six, to see the ship start, and in order that we might observe the character of the western approaches to Mihara, and enjoy the island scenery we were to pass through. And well was one repaid for rising early, by witnessing the strange fantastic beauty of the dawn. In the north-west was a vast dense zone of snow-cloud, deeply fringed with red at the top, and lowering over a vast dark amphitheatre of glorious hills and mountains. The picture was grand and sombre ; but presently the amphitheatre, being already full of dawnlight, began to fill with daylight, and then again with direct sunlight, until at length it brimmed and ran over with vivid glory, and, says my note-book, “ seemed to invite, not admiration, but festive enjoyment.” 120 JAPAN. [chap. VI. It was what Shakespeare calls “jocund day,” that filled the world. There were official reasons for going up to view the town of Takahara or Takewara, which lies in a pleasant situation in a valley, with the sea coming up to and fiowing past it, through a pretty channel that admits of the passage of boats and junks. We were under way again before eight o’clock, steaming between the beautiful scattered islands, with their sides terraced for cultivation, like the Ehine-side vineyards, broken at intervals with cataracts of green vegeta- tion streaming down to the sea, and relieved by the shining sails of innumerable junks given to the morning winds that wander, literally wander, among the countless islands of these inland waters. At 9.30 we struck northwards, or north- westwards, from the main route to Shimonoseki, in order to visit the ancient and extraordinary temples of Miyajima, which but very few Europeans have seen. These temples are situated upon the island of Itsuku (im- pregnable), ofi* the mainland of the province of Woa, and in view of the large town of Heroshima, lying ten miles to the east. Approaching their site from the south, as visitors do, and on the outside of the island, one comes to a stone lantern standing out of the sea off the corner of the island, as a receptacle for a night-lamp for the guidance of local boats ; and passing this, next appears the unusual sight of a large torii standing in’ and rising out of the sea ; and inside of this again open up as you advance a crowd of temples, and a town at the foot of hills. These hills are high, have obviously once been thickly wooded, and are in many places thickly wooded still. It was on these hillsides that the sacred deer and the sacred monkeys of Miyajima once flourished, and it is at their feet that their few remaining representatives still linger."^ The first thing we did on * “ The mistake,” says Mr. Max Generally, however, there are many. Miiller,“ which is made by most writers Sometimes the souls of the departed on early religions, is that they im- are believed to dwell in certain agine tliere can be but one motive for animals. . . . Monkeys are looked each custom that has to be explained. upon as men slightly damaged at the CHAP. VI.] THE INLAND SEA AND NAGASAKI. 121 landing was to spend a trifle on the food prepared at little stalls for the purpose, and to feed therewith whatever of sacredness still animated the forlorn-looking deer that followed us to obtain it. Emerson somewhere speaks of those divine days in which even the cattle in the fields seem to have great and tranquil thought ; and if these surviving sacred animals have any great thought, or even any thought at all, they probably employ it, like good old-fashioned Tories at home, in deploring the loss of “ the days that are no more.” I am much afraid, however, that their sacred- ness has nearly disappeared from Itsuku ; and as to the monkeys, they seem to have almost all gone away in company with their sacredness, for in all Miyajima I could find hut one. I was assured that there are two in one of the temples, hut although I looked carefully about it I could see only the one, leaping lazily from rafter to rafter overhead, stopping occasionally to let a glance fall upon our party. I am sure that he was a sacred one, however, by the coolness and indifference with which he did this, for even among ourselves we always find that the more we are disposed to treat people with respect and reverence, the more sure they are to treat us with contempt in return. But I have been too anxious, I find, to give attention to these awe-inspiring beings, and have spoken of them too soon. I leave them to that slow-descending hut certain doom which awaits them. Numerous skiffs came off to land us, but we took a boat of the Meiji, and were advised that we could pass under the torii and land at the temple itself. This we attempted, but unsuccessfully, the tide falling fast, and our boat drawing too much water. We therefore landed at the town, and strolled round to the Shinto shrines. The torii which we passed under twice is of wood. A large one in stone to Creation : sometimes also as men thus a reluctance arose to kill them, like punished for their sins. They are in other animals, and from this there some places believed to be able to would be but a small step to ascrib- speak, but to sham dumbness in order ing to them certain sacro-sanctity.” — to escape labour. Hence, it may be, ‘ Hibbert Lectures,’ 1878. 122 JAPAN. [chap. VI, replace it lias been presented by some wealthy personage, and huge granite blocks, already trimmed to size and shape, have been brought to the spot for erection. But for some reason or other— perhaps the whirling of the revolutionary tornado — they have not been erected, and are lying there on the shore, with the sea rising over them each tide. The older parts of these Shinto shrines of Miyajima date from the year 589 a.d., the later parts being about seven hundred years old. Outside there are huge stone and bronze lanterns, some of them of great size and fine workmanship, to say nothing of a pair of large bronze animals, three hundred years old, which some people call lions, but which others might without much offence, I should think, call by any other of a score of names. At high tide the water flows around and under the outer platforms of the temple. The temples are hung with portraits of a hundred poets of all ages, many of them belonging to the imperial family (which is not surprising, seeing the sacred character of the sovereigns, and the leisure enforced upon them and theirs) ; and there are also to be seen a large number of votive writings, drawings, and paintings, some of them such as no one would covet, and some few of them of a very high class of art indeed, and of great value — more, I should think, than their custodians are aware of. There are also here some treasures and curiosities, among them the immense bow of the hero Yaguro, and a sword which belonged to the prince of No to, the scabbard of which I found to measure 7^ feet in length, and the handle feet. There is also, standing about 15 feet in length above ground, and 18 feet round, part of a tree planted by the emperor Takakura (1169-80), and therefore at least seven hundred years old. And now I will detail to my readers a few facts about the origin of this temple, which were communicated to me by the authorities on the spot, and in perfect good faith, so that no one need doubt them unless he pleases. The goddess of this temple is Mihashirano-hime-o-kami, who was the daughter of Susanoo-no-mikoto, whom we know so CHAP. VI.] THE INLAND SEA AND NAGASAKI. 123 much about, from what has gone before. The sun-goddess, Amaterasu, ordered our goddess (as we will for the moment call her of this temple) to come down from heaven and abide here. She came down, hut for a long time no residence was provided for her. In point of fact this goddess must have been wandering, neglected and home- less, for an immense period, for it was only in the reign of the empress Suiko (593-629 a.d.) that she had the temple built for her. Now as she probably came down long before Jimmu-Tenno began to reign, and as his reign commenced 660 B.C., it would seem that thirteen hundred years would he much within the term of her wanderings. However, these came to an end at last, and in the following remark- able way. It appears that a man named Saekino-Kuramoto, living near the island of Itsuku, was out in a boat fishing “ with another old fellow ” (so runs the narrative), and when they had gone as far as Okanoshima they observed coming towards them a boat with a red sail set on her. This boat closed upon them and at length came up to them, and who should they see on board of her hut our goddess, who told Kuramoto to ask the Mikado ( at that time an empress) to build a temple for her in Miyajima (Itsuku- shima), and promised to protect the Mikado’s government for ever. Kuramoto forthwith made his way up to Kioto, and recounted to the government what he had seen, and the instructions he had received. It happened that there was some sort of mischief or trouble on foot at the time in Kioto, and the government, discerning in this a proof of our goddess’s anger at the neglect shown to her, at once gave orders for the building of her abode. Kuramoto came back with his order for the temple — delighted enough, no doubt ! — and applied himself to finding out the best place for it. While engaged in this, down from the top of the mountain flew a bird, and went right ahead of the boat in which Kuramoto was making his exploration. Kuramoto — as we must see by this time — was far too wise ‘‘an old fellow ” to neglect a chance like this ; he followed the bird till it stopped, and it stopped at the site of the present 124 JAPAN. [chap. VI. temple, upon tlie building of which Kuramoto at once set to work, continuing with such energy that he got it completed in November of the same year. I am sorry to say there is another account ; got up, I should conjecture, by some one who grudged Kuramoto his fame and honour : this says that the goddess was placed on the island as long ago as the time of the emperor Sujin-Tenno, who was reigning when Christ was born, and reigned twenty-nine years afterwards. I cannot determine which account is correct, and for a reason which will appear from the following quotation from a written communication made to me in English on the subject.* “ There was a fighting between the one called Minamotono-Hironari, who kept all valuable writing about Miyajima, and Ochi-Yoshitaka ; and the former was totally defeated, and his house was all burnt down; therefore we lost all valuable writings about Miyajima in that time. However, when Haishiyogoku Kiyomori was the prince of Akinokuni, the buildings were made much larger, and it became almost the finest temple in Japan.” There is also at Miyajima, superbly situated on a hill, a Buddhist temple of a thousand ‘‘ mats and likewise a pagoda. The town and vicinity are celebrated for their beauty in the season of blossoms, and have admirable tea- houses and gardens. One such place in particular, which we visited, known, I believe, as the Maple tea-house and garden, must be a charming place in spring and summer. Before turning from this very delightful spot, I must repeat an interesting story about the “ fighting ” that oc- curred here nearly three and a half centuries ago, the record of which Mr. Satow has quite recently published in connec- tion with a history of the Christian church at Yamaguchi, in Suwo, next to Choshiu.* The characters concerned are Yoshitaka, governing prince of the district, Harukata (who was known previously as Takafusa), his most powerful vassal, and Motonari, a neighbouring magnate and general. The first act (if I may so far assume the dramatic style) reveals Trausactions of the Eoyal Asiatic Society of Japan, vol. vii. pt. 2, 1879. CHAP. VI.] THE INLAND SEA AND NAGASAKI. 125 Yoshitaka at a banquet given by himself in his castle of Yamaguchi in honour of envoys from the Shogun and the ruler of the province of Bungo : an alarm is given, Harukata being discovered marching on the town with an armed host. Yoshitaka sends for his uncle and cousin, but they prove disloyal, and do not come ; his ofl&cers propose to send and slay them ; but Yoshitaka refuses, still hoping them loyal ; his more courageous friends offer to march out and meet the enemy, but he hesitates and wavers. At last a traitor induces him to abandon the castle, and he flies with three thousand followers to a neighbouring Buddhist monastery. In the night most of these followers desert him ; in the morning he is surrounded by the enemy, with five times his own numbers. He offers terms ; but all conditions are refused. Night comes on, and he slips away to the sea- shore to cross the Inland Sea to Chikuzen, but the wind is against him, and he cannot pass ; he creeps to another monastery, and is there discovered and again surrounded, and finally commits hara-hiri (disembowels himself) as the last resource, in those days, of a noble (Japanese) mind. This happens September 80, 1551. But before applying the knife, Yoshitaka wrote a letter to Motonari, entrusting to him the task of avenging his death. Motonari wept on reading it, and vowed to punish Harukata’s treason, but prudently resolved to wait for a more favourable opportunity. In 1553 he began to lay his plans for attacking Harukata, obtained from the Imperial court a commission for the punishment of the traitor, and summoned supporters from near and far. In June 1554 Motonari and his sons put their forces into motion, captured several of the enemy’s strong places, and were victorious in a first engagement with a detachment of Harukata’s troops. But Harukata brings together 30,000 men, while Motonari has but 5000, and the latter therefore proceeds to make up by stratagem what he is deficient of in numbers. This brings us to the second act. Motonari begins to fortify this sacred island of Miyajima (Miya-shima), raises fortresses and redoubts on the main- land hard by, and on the little island of Niho (completed 126 JAPAN. [chap. VI. June 1585), and affects to regret having wasted time in fortifying a place still so easily to be taken. Harukata marches into the trap, goes off with 20,000 men to Ihakuni, which is near to the island, ferries them over in junks, captures the island (to the horror, doubtless, of the sacred deer and monkeys), and sends off his defiances to Motonari. This is in October. Now comes the third and last act, premising that in the interval Motonari hastens down to Kusatsu, on the mainland close by Miyajima, thus cutting off Harukata’s retreat ; and that, although most of the samurai of the province thought Motonari’s defeat was certain, and consequently held off, he had 300 fighting vessels placed at his disposal from the province of lyo, in Shikoku, and Providence sent him a fine night-tempest to aid in covering his operations. This enabled him to fall like a storm-god upon his foe. During the tempestuous night (the last of the month), Harukata’s army sleeps ; no sentries are posted, the storm being a sufficient guard, they think ; but the troops of Motonari are more than awake, they are thirsting for slaughter ; they embark ; they stand over to the sacred, or rather say desecrated, island; they silently land. As the day breaks, their battle conches sound the assault ; they rush upon the fortifications ; the too- numerous defenders get in each other’s way ; the Motonari men storm over them ; the defences are carried. In vain Harukata endeavours to rally his men ; they break away from him in terror; they rush to their junks; they drown by thousands in attempting to crowd on board of them. Poor Harukata himself, though a hero, is a stout and there- fore a slow one ; as well as he can he pants and presses and sways his way to the shore ; but boat there is none, and like his lord against whom he turned, he too has only the one road of death along which he can now travel : he com- mits liara-ldri. In such straits the French, they tell us, take their courage in both hands ; but the Japanese of the now bygone time used to take his courage in one hand and his cowardice in the other, and so put an end to himself ; not an altogether admirable ending for anybody at any time. CHAP. VI.] THE INLAND SEA AND NAGASAKI. 127 A delightful run southward of a few hours among the islands brought us in the evening again into the route for Shimonoseki, and at 11 p.m. we sighted the Hesaki light, at the eastern entrance of these remarkably narrow. straits. This light is near the northern extremity of the great island of Kiushiu, which is separated by these straits of Shimono- seki from the mainland of Japan, or, strictly speaking, from the great island of Honshiu, which is by far the largest of the four great islands of which Japan is chiefly composed. Mr. McKitchie and his lighthouse staff, and the Meiji Maru with her captain and crew, were busily at work at an early hour in the morning upon the changing of buoys, the sup- plying of stores, and other duties of their department ; but it was not until a later hour that I found myself on deck, admiring and enjoying the beautiful shore scenery. The place was not without interest to an Englishman, as these are the waters into which steamed, in 1863, the squadron of Christian England (composed of nine war-ships, carrying 100 guns, and leagued with three French, four Dutch, and one American ship, carrying together more than another hundred guns), to blaze away at the lives and batteries of the subjects of the prince of Nagato — Nagato being a small county 60 miles long and about 15 miles broad for the greater part of its length, and 40 miles at its very broadest point. The first crime to be punished was the warning off from forbidden waters (June 25, 1863) of the American steamer Pembroke by a blank discharge, and the attacking of her by two local men-of-war on the following day because she re- fused to move away, but so attacking her that she sustained no injury. An American writer whom I often quote in this work says : ‘‘As a matter of international law, the Ja- panese had a perfect right to close the Straits of Shimono- seki, since the right to use it was not stipulated by treaty, and each nation has a right to a league of marine territory along its shores, and to the straits and water-passages commanded by cannon-shot. . . . The Pembroke had no right * INIr, W. E. Griffis, M.A., in ‘ The Mikado’s Empire.’ 128 JAPAN. [chap. VI. where she was. She disregarded the warning of blank cartridges.” However, America, like ourselves, recognising some other principles as much higher and more commanding than mere “ right ” and “ justice,” her envoy sent down the Wyoming to take retribution, and on the 16th of July she had a sharp engagement with the two Choshiu ships and the shore batteries, blowing up one of the vessels and sinking the other. His own ship was much knocked about also, having five men killed and six wounded. At about the same time some French and Dutch ships were also warned off by blank fire, and therefore some French and Dutch men-of-war went and blazed away at the Shimonoseki batteries with shell-guns. “ Ample vengeance was thus taken,” says Mr. Griffis, “ by Dutch, French, and Americans. No British vessel was injured.” But this was an affair of a sort such as England could not of course he kept out of, and although “ orders from H. M. Government forbidding British participation in the needless and wicked act of war arrived after the squadron had sailed, and Sir E. Alcock was then recalled to explain the situation ” (Griffis), in went the English ships on the 5th of September 1864, and with Americans, French, and Dutchmen bombarded the batteries, landed men to silence them, and removed the guns. In the next month the representatives of the same four powers decided that it would he a good thing to add to this bom- bardment a demand for three million dollars^ as “ indemnities and expenses for the hostile acts of the prince of Nagato,” and they insisted on the money being paid ; and it has been paid, the last instalment having been handed over in 1875. It is the present government of the Mikado, struggling bravely along the path of civilisation and progress which England, France, and America have pressed them to pursue, that has had to provide the money, and that too at a time when its chief difficulty in pursuing the new course has been a financial one. “ 0 wad some power the giftie gie us, To see oursels as ithers see us.” This is the spot where the bombarding fleets lay ; there CHAP. VI.] THE INLAND SEA AND NAGASAKI. 129 were tlie batteries that we overthrew ; and here, at my side, as I look at both, is a Choshiu officer, now of the Japanese navy, who was on shore there doing the best he conld to resist the Christians. He smiles when the words Christian and Shimonoseki get by any chance thrown together, or near each other, in conversation. Mr. Griffis says “ the total ex- penses incurred by the United States in this expedition were less than 25,000 dollars,” and gives 785,000 dollars as the share of the indemnity which it claimed and took. Worthy sons of a noble sire ! In looking at the spot where lie the English dead killed in the engagement referred to I could but regret their loss.* The Straits of Shimonoseki are very narrow, less than half a mile broad at one part, and as they connect the Inland Sea with the Sea of Japan, a strong and swift tide oscillates through them. The town, of 10,000 inhabitants, lies along the northern bank near the eastern end of the strait, and is, I should think, quite two miles in length. We landed at 1 P.M., to look through the town and its temple, while the Meiji Marti proceeded with her work at what is fast becoming known as the Eokuren lighthouse, from some misprinting of the name. It is really situated on the island of Mutsure, and marks the western entrance of the straits. I observe, however, that even the lighthouse department now some- times adopt the erroneous name of Eokuren. Our first visit on landing at Shimonoseki was to the Shinto temple, which is situated at some little height up the hillside, but has its torii standing close to the sea’s edge. There is an interest- ing legend — but why should I call it a legend ? why not a history? — connected with the establishment of this temple. * I have purposely touched but lightly ill this work upon the conduct of ourselves and others in connection with the bombardments and pecu- niary extortions of both the Kago- shima and the Shimonoseki affairs, as it is neither necessary nor desir- able to revive the controversies that grew out of them. I ask my readers VOL. II. to believe, however, that the feeling of aversion with which I regard those acts has not been lightly entertained, but is the result of a careful perusal of despatches and other documents and publications. The Shimonoseki demand was en- tirely unjustifiable, and the money taken ought to be returned. K 180 JAPAN. [chap. VI. I could not obtain full particulars of it ; all I could learn was that the strong current of the straits was so persistent in carrying away the stones which were to form part of its foundation that it became necessary to appease the offended powers by the sacrifice of a life, and some beautiful and devoted woman, offering herself, was lashed to one of the stones before it was lowered into the rushing waters. The offering was accepted, the difficulty was thus got over, and the noble martyr has a shrine, which she well deserves, devoted to her memory. I am sorry that I cannot help to immortalise her, in however small a degree, by recording her name here. Our subsequent stroll through the town was very inter- esting, as we had leisure to look carefully into the shops, and note the articles of trade and manufacture special to a Jap- anese sea-side town, which, down to the meanest and poorest things, were curious and interesting to us strangers. Nor could one forget that Shimonoseki has its historic interest. Hither, nearly seven hundred years ago, the Taira men were driven by the victories of Yoshitsune, and here the two armies prepared for a further struggle, to take place this time upon the water. The Taira men are said to have had five hundred junks, and to have embarked in them not merely their wives and families and aged persons, but court ladies, including the dowager-empress with the dethroned child- Mikado and the sacred ball and sword (the duplicate). The Minamoto men, unincumbered with women and children, manned seven hundred junks. The battle was heroically fought, at first going in favour of the Taira men ; then by acts of personal prowess Yoshitsune turned it in his favour, and in the end utterly overwhelmed his enemies. Warriors, old people, children, ladies, alike perished. The grandmother of the child-Mikado, in presence of the mother, leaped with the child into the sea, and both were drowned with the others.* The sacred emblems were recovered — as they were * For a fuller account of the overthrow of the Tail a at Shimonoseki, see vol. i. p. 150. CHAP. VI.] THE INLAND SEA AND NAGASAKI. 131 quite certain to be. If the history of Japan were as well known in Europe as that of Greece and Eome, the Shimo- noseki waters would perhaps become as celebrated, and for the same cause, as those of Syracuse and Actium. By 3.15 p.M. the Meiji was again at hand to receive us, and we were soon passing along the western branch of the straits, on a lovely afternoon, observing the little shrines and temples which are to be seen in picturesque places along the shore opposite to Shimonoseki ; and beyond, on both shores, and up the wooded hillsides, the beacons which assist in marking the channel, and which carry small lights at night. Villages nestled in every sheltered bay, with their picturesque junks and boats clustered in front of them ; and as we got round on the western side of the land, where the ship-channel curves away northwards, we came upon the broad shining surface of the smooth sea, that doubt- less overspread many a once beautiful landscape, of which only the mountain-tops, in the form of islands, are now visible. But even as we looked over this smooth sea, shining with more than rainbow promise of a calm passage round to Nagasaki, whither we now were bound, a breeze began to stir the dis- tant surface and travel towards us. Scarcely had it reached us before this breeze got broken into gusts, which separately smote the sea, and made it foam wherever they struck it. Meanwhile the atmosphere began to thicken, tha mists to gather into clouds, and the clouds to cluster into stormy masses ; and before we had taken the lighthouse passengers on board at Mutsure (Eokuren) it was obvious that we were in for a roughish night of it. And this, I am told, we had : but I can say nothing of it from personal knowledge, for I went early to my shelf, and only awoke to find our ship at anchor on a fine morning in the lovely harbour of Nagasaki — second to none perhaps in loveliness. On landing, some of us became the guests of a gentleman * well famed for years past in Japan, and whose residence, Iponmats (One Pine-tree House, the one pine-tree growing up through the K 2 * Mr. Glover. 132 JAPAN. [chap. VI. roof of the conservatory into the sunshine), has the finest view obtainable in this neighbourhood of fine views. As the grounds of Iponmats include a lawn-tennis ground, and as Nagasaki has some remarkably pleasant ladies resident in it (the gentlemen are duly complimented, I hope, in that state- ment — at least their good taste is recognised), we found ourselves under fortunate conditions for the four days, all too short, which we remained in it. Our first day in Nagasaki was notable for the firing of an imperial salute at noon, with foreign men-of-war dressed in flags for the occasion, and on inquiry I was informed that this was a celebration in honour of the coronation of the first Mikado, Jimmu-Tenno, and that all the men-of-war of Japan in other ports were at the same time saluting this imperial and divine personage. Now there is a doubt among learned men whether Jimmu-Tenno ever was a veritable man, and perhaps the doubt may have some sort of justification con- sidering that he is reputed to be only fifth in descent from the sun-goddess, that his parents alighted from heaven upon a mountain top, and that he himself is Said to 'have been guided in his invasion of Yamashino by a demigod in the form of a gigantic black crow. Still, he is set down in all the official histories of Japan now published as the first Mikado.. As the date of the commencement of his reign is given (660 b.c.), and as his exploits are recounted at great length and with great particularity, we will not, here at least, he so impolite as to question his historical existence or distinction. But taking these for granted, and neverthe- less remembering that for many ages past he has been deified and worshipped, it certainly was a little startling to find guns thundering at midday in a commercial port in his honour, and foreign war- vessels hoisting joyous colours in sympathy with the celebration. ' Our stay of four days in Nagasaki was made available for visiting the government (Japanese) and some private estab- lishments there, and also for inspecting the island coal-mines of Takashima. In the latter, by the courtesy of the pro- prietor and managers, we had a luxurious luncheon laid out CHAP. VI.] THE INLAND SEA AND NAGASAKI. 133 200 feet below tbe ground — or, possibly, below the sea, for these mines run under the sea in places. Tiffin was spread in a chamber hewn out of two very thick strata of coal, one 10 feet and one 8 feet thick, with but 2 feet of earth between. The chamber was connected with the ventilators, whitewashed of course, and lighted with safety-lamps. After luncheon, in order to verify the nature of the chamber, a man was brought in with tools, and opened up the coal in several places.* While waiting for the steamer, I climbed the hill near the pit, passing among the houses of the pitmen and pitwomen, both of whom work in the mine all but naked, and on my way down I met a man occasionally who seemed to consider that coal-dust alone was a sufficient attire for a philosopher. On the hilltop was a little churchyard, afford- ing scores of proofs that among even these poor miners a few flowers or a bit of green or a little something in a cup or a vase could be found and carried to the hilltop as a tribute to some dear one dead. As what I have to say about the government establishments upon the shores of Nagasaki harbour is somewhat technical, I cheerfully consign it to a footnote. t I ought to notice. * We are indebted to Mr. Glover and Mr. Martin for mueh kindness and courtesy on the occasion of this visit. t The following are a few particu- lars of the government establishments in Nagasaki which are connected with the manufacturing section of the public works department. The engine works, which are situated at Akunoura, in a sheltered position on the west side of the harbour, about a mile and a half from the entrance, were established about twenty-three years ago, and were chiefly con- structed and conducted for some years under the superintendence of Dutch engineers. 'Shese works cover about six acres of ground, and have during tbe last four and a half years been entirely reconstructed. Tlie machine and erecting shop is a building 150 feet long by 80 feet wide, in three bays. The centre bay, being 40 feet wide by 30 feet bigli, will be fitted with a 10-ton travelling crane. The side bays are each 20 feet wide by 14 feet high. The boiler shop is 130 feet long by 70 feet wide, in two bays, one 50 feet wide by 25 feet high, and one 20 feet wide by 14 feet high. In this shop at the time of my visit they were fitting up a hydraulic rivetter and a 16-ton crane, over which the roof is 40 feet high. The livetter and crane will be worked by the same accumulator, and when these are complete they will be able to construct both land and marine boilers of any size up to 13 feet 6 inches diameter, and of jfiates 1 j inch I hick. The foundry is 130 feet long 134 JAFAN. [chap. VI. however, here in the text, the very large stone graving- dock, one of the finest in the world, which the Japanese government are building, and which is now rapidly ap- proaching completion. At Nagasaki I had the pleasure of again meeting the Eev. Mr. Andrews, of the Church of by 46 feet wide by 21 feet high, sup- plied with two cupolas, four brass furnaces, oue 10- and one 5-tou crane. The forge is 1 30 feet long by 50 feet wide by 18 feet high, and contains sixteen blacksmith’s fires, one 5-cwt. and one 2-ton steam hammer, with suitable furnace and cianes. The coppersmith’s shop is 50 feet long by 25 feet wide, with a small galvanising shop attached. The store, whicli is 270 feet long by 25 feet wide, is well stocked with all necessary materials. The office, gate-houses, two landing places, and the sea-walls are also ne\v. On the wharf there is a pair of sheer- legs capable of lifting 40 tons. In front of the wharf there is about 18 feet of water at low tide, and it can easily be increased to 25 feet if ne- cessary. The works employ 475 men at present, not including officers, clerks, etc., or contractors’ men em- ployed on improvements. The prin- cipal work done in the factory up to the present has been repairs to steamers, at an average of about two per month. With regard to new work, during the last four years and a half they have constructed thirty marine and land boilers, one or tw'o pairs of small marine engines, two pairs of hauling engines, with pumps, etc , for mines. They had in February, when I saw the works, orders for tw'o pairs of hauling engines, four special pumps, a pair of simple marine engines of 500 indicated horse-power, and a pair of compound of 1000 indi- cated horse-power, with boilers, etc. In connection with this department the government are constructing at Tatagami the large dry dock men- tioned in the text, under the superin- tendence of Mr. Vincent Florent, who was kind enough to show us over it. The dock was commenced about twelve years ago, but very little was done until Mr. Florent was engaged to complete it six years ago. The dock is 460 feet long by 89 feet wide at the top, with 29 feet of water on the sill. The caisson was sent out from England in pieces, and is being built up in the dock. The pumping machinery, which consists of four 13-inch centrifugal pumps driven by two horizontal engines, was made at Akunoura. I was sorry to see this dock so completely cut oft' from the engineering establishment ; a better site existed close to the lat- ter. Opposite the dock, on the other side of the harbour, at Koski, tliere is a patent hauling-up slip, also belonging to the government, which is capable of taking on vessels of 1600 tons (gross tonnage). It was built about eleven or twelve years ago by Mr. T. B. Glover of Nagasaki, but was afterwards bought over by the government. At the slip they had orders for building two small coast- ing steamers for private owners, and one large steamer for the mining department. These three departments are under the control of one director, INlr. Watanabi, and the head office is at Akunoura. The government appeared to me to have a very valu- able young officer in the person of Mr. F. R. Storie, the superintending engineer. CHAP. VI.] THE INLAND SEA AND NAGASAKI. 135 England Missionary Society, who, with Mrs. Andrews, came out in the same ship as ourselves from Suez. They were good enough to show us the little new church and schools in which they hope to labour for years to come in educating, in more ways than one, such of the resident Japanese adults and children as may be willing to receive their instructions and ministrations. It would he well if missionary authorities could always obtain such services as theirs, which, I feel confident, will be conducted with a wise regard to the excep - tional, and often trying, conditions under which they have to work. Their church buildings and residence are situated on the western side of the old Dutch settlement of Deshima (where I am afraid the Dutch did not always set a very Christian example), commanding a beautiful view down the harbour, between the blooming hills on either side of it. Fortunately Pappenherg, down the steep sides of which the Japanese Christians were hurled into the sea by thousands two hundred and fifty years ago, is not within their home- view, and I ’ hope they will not remember too often that it was at Nagasaki that Christians were before their time crucified. May they and their present work prosper ! We embarked at Nagasaki at midnight on Friday, 14th of February, in the ToMo Mam, one of the fine steamers of the Japanese company known as the Mitsu Bishi Steamshij) Company. The accommodation in these steamers, the largest of which run between Yokohama and Shanghai through the Inland Sea, is excellent, and the speed of the Tohio Mara was most satisfactory. Leaving the harbour at 1 A.M. on the 15th, we were at Shimonoseki by two o’clock the following afternoon, and at Kobe at noon next day, learning, as we passed on to the anchorage, that the pro- jecting land which shelters the bay of Hiogo and Kobe is artificial, having been formed six hundred years ago. We also had a good opportunity, on this bright day of warm sunshine, of observing the fortifications and the lighthouse. Soon after two o’clock we were in a railway train ea route for the ancient and historic castled city of Osaka — great for both its military and its commercial importance. 136 JAPAN. [chap. VI. Osaka is one of the three largest cities of Japan, having a population of over 600,000 persons. By the courtesy of the governor, Mr. Watanahe, I was able to observe the growth of this city from its foundation up to the present time in a series of maps which have been preserved, and lately re- produced. It is said to have been near the site of Osaka that the first and, as many suppose, the mythic Mikado Jimmu-Tenno landed on his progress eastward, and near here also that he was defeated and induced to reconsider his purposes. By means of suitable consultations and cere- monies, he ascertained that the sun-goddess was displeased with his continual advances eastward, instead of moving, like the sun, the other way, and he prudently turned in a different direction. It was here that Nohunaga, towards the close of the sixteenth century, not only besieged his Buddhist enemies in their strongly defended temple, but gave to the sword some thousands of people, of both sexes and all ages, and sent a boatload of their ears and noses as a caution to the remaining defenders, who ultimately gave way to him. Upon the improvement of this city, as upon that of Kioto, the great Taiko (Hideyoshi) afterwards set to work, deepening the river, digging canals, and building the immense castle which has long been so famous, and the strengthening of which is said to have engaged his last thoughts. It was in this castle that lyeyasu, the first of the Tokugawa Shoguns, besieged the Taiko’s son, Hideyori, in the year 1615, burning the citadel, and slaying Hideyori and thousands of his supporters. It was from Osaka, in January 1868, that the last Tycoon, Keiki, started for the great battles near Kioto which determined the fate of the empire and assured to J apan its present form of government, and it was to Osaka Castle that his beaten and shattered army retreated for dear life, only, however, to burn its citadel and to finally flee from it before the victorious forces of the Mikado. ( 137 ) CHAPTER VII. THE CITY OF OSAKA. Approach to the city — AVell-mauaged railways — The imperial reception- house — Governor Watanabe— A nursery garden — Views over the city — Kozu, the temple of deified emperors — Another Shinto temple — An ancient Buddhist temple — Keminiscences of Prince Shotoku-taishi — Tlie temple of the sea-gods — A musical service therein — A prehistoric boat — Divine jewels (magatama ) — A Japanese fair — The castle of Osaka — Its modern arsenal — Immense monoliths — A ceiling of arrows — A gilded roof — The castle keep — Inspections of barracks — Studious soldiers — A private Japanese dinner — A public dinner — Japanese music and dances — A speech by the President of the Chamber of Commerce — A pretty compliment — Dramatic performances — A purchasing expedition — The power of art — Presents — The imperial mint — The new coinage — Output of the mint. On leaving Kobe, and before coming in view of Osaka, the neighbourhood of a great commercial city was made manifest by the presence on the distant bay of from two to three hundred junks of all sizes, including many of obviously sea-going character. The district through which the train bore us was no less significant of agricultural activity, for although much of the land was but poor, consisting indeed of little more than sand washed freely down from the neighbouring hills, yet every foot of it was carefully culti- vated, and the road swarmed with villages. We passed through several tea-plantations on our way, and we were informed that the district is a notable one for the dis- tillation of the best description of sake, the native wine. It was a lovely sunny afternoon as we rolled through this land of industry and peace, and it was with pleasure that we presently saw the high white castle walls of Osaka 138 JAPAN. [chap. VII. shine brightly forth. On this short railway journey, and on our arrival at the Osaka station, we had renewed evidences of the efficient business-like manner in which the Japanese have taken to railway management, and like- wise to the English police system, nothing being wanting to the orderly and rapid despatch of trains and passengers, and the stations being such as would improve the credit of many English towns if transferred to them. Upon the bank of the main river, and at no great distance from the famous castle, are the European buildings of the great government mint, including a handsome residence known as the imperial reception house, which on one or two occasions has accommodated the emperor during his visits,* and is available for the general use of the state. There not being yet a European hotel in Osaka — at least we saw and heard of none — we w^ere courteously received in this official house, a distinction doubtless due to our association with his excellency the minister of marine. Here were our headquarters for more than a week, during which, however, we made our excursion to the ancient capital of Nara, and were besides so hospitably treated by the governor, the military authorities, and the leading merchants of the city, that we seldom found ourselves within the walls of our residence save at night. The day succeeding our arrival was spent in company of the governor, Mr. Watanahe, wffio, like the governors of Kioto and Tokio, holds his appointment from the crown. The kindness of this gentleman to us was equal to the high reputation which he bears, and he is a man who has rendered * “ His imperuil majesty the Tenuo visited Yamato province, to otfer personal worship to Jininm Tei, on the second month of this year, 1877, and on his retm-n from that province his majesty made a short stay at Osaka, and on the fourteenth day of the second month, the Sempu- kuwaii (imperial receptioji house) of the mint was converted into the ‘ Anzaisho ’ (temporarj residence of the Mikado\ On the 15th his majesty condescended to inspect the mint, and before retiring ordered presents to he made to the officials, foreign and Japanese, according to their ranks. On the 16th his majesty the Teuno left the ‘ Anzaisho ’ (Sempukuwau) at 9.10 a.m., and returned to Saikei .Kioto) by train.” — ‘ Mint Eeport.’ CHAP. VII.] THE CITY OF OSAKA 139 signal service to the state. Besides handsome presents, exhibiting the productions of the city in artificial flowers and other specialties, he on one occasion took me into the sword room of his residence, and hade me choose from among at least a score of swords, most of which had associa- tions that gave them special value to him, any one I pre- ferred. As politely as I could I declined the privilege, hut on getting back to Kioto a few weeks afterwards I found awaiting me as a present from him a splendid sword by one of the first makers, Yoshikage of Bizen, valued in the official certificate that accompanied it at one hundred and thirty pieces of gold. I mention this as an illustration of the thoroughness of the generous attentions which were shown to us, even in the provinces, and far from the capital. The first place to which the governor conducted us was a famous nursery garden and tea-house, where we saw to the best advantage possible at the season of the year (February 17) the characteristic plants of Japan — miniature evergreens, blossoming miniature plum shrubs, miniature pine-trees, small sage palms, small red-berry plants, drooping shrubs grown in pots, Chinese and Japanese bamboo-plants, curious grasses and ferns, camellias and camellia creepers, plants curiously grown into circular and serpentine forms, strange cacti, etc. Visiting a small tower, we gained a splendid view over the city — that city, the reader may remember, over which the ancient emperor Nintoku looked when he realised the distress of his people, and the revival of which he regarded as evidence of his own prosperity. Osaka was not then, however, as it now is, a city of nearly one hundred thousand houses and more than three hundred thousand people, neglecting suburbs and the towns that all but adjoin it. At a later period of the day we ascended the spot on which Nintoku stood, upon which a temple now stands, where he is worshipped, and from which the view over the city and plains beyond is superb. Nintoku reigned fifteen centuries and a half ago, and I was shown a plan of the city at that period ; beyond a few temples there was but 140 JAPAN. [chap. VII. little city to speak of. In a map made seven hundred to eight hundred years ago, which also we saw, vessels were shown floating where the centre of the city now is. From the elevation of which I have spoken the Venetian character of the modern city was very visible, but not so manifest as one sees it to be on driving about the streets. It is every- where intersected with rivers and canals, spanned by innu- merable bridges, and alive with countless vessels and boats gliding hither and thither. The first temple visited — that just before referred to — was the Shinto temple of Kozu, where several gods (kami) are worshipped, and thirty six poets are celebrated. The chief kami are the emperors Nintoku, Chuai, Ojin, Jingu (empress), and Kichiu, their worship commencing a thousand years ago, in the reign of Seiwa-Tenno. The next temple visited was likewise of the Shinto type, and known as that of Ikudama (in Higashi nari gori). The gods worshipped here are two in number, viz. 1. Ikukuni dama, and 2. Tarukuni dama. These gods were first adored in the forty-ninth year of Jimmu-Tenno’s reign, and have therefore been worshipped for nearly twenty-five cen- turies. This temple is also very ancient, having been originally founded on what is now the site of the castle, in the third year of the reign of Ojin-Tenno (273 a.d.), and subsequently removed to its present site in the year 1585. At this temple also we were met by the priests, who took great interest in our visit, and explained the uses, or rather services, of the goliei and “ mirror ” to us. We were next conducted to the ancient and celebrated Buddhist temple of Korujo, in Tennoji. This temple was founded in the very early days of Buddhism, at the request of the famous prince Shotoku-taishi, of whom I have written much in former chapters. It was so founded in the year 589 A.D., but was removed to its present site ten years later. It has existed, therefore, for nearly thirteen hundred years, and includes among its treasures, which were obligingly shown to us, several sacred books brought over from Korea in those early days ; an arrow used in the struggle against CHAP. VII.] THE CITY OF OSAKA. 141 Buddhism ; Shotoku-taishi’s sword ; a history of the founda- tion of the temple written hy him, and hearing the impress of his hand ; his image of Buddha ; a ceremonial gown of his ; a manuscript seventeen hundred years old ; an image of Kwannon thirteen hundred years old ; a brass globe one thousand years old ; and several other interesting antiquities. One need hardly say that this temple and its memorials cover almost the entire period of the existence of the religion of Buddha in Japan A curious scholar, learned in Bud- dhistic and Japanese literature, might possibly draw some interesting parallels between the Indian prince Sidarrtha (Buddha) and his ardent Japanese disciple Prince Tiyoto (Shotoku). The last temple visited this day was the most famous among mariners in all Japan — that of Sumiyoshi (in Nishinari Yori Setsu). It is a Shinto temple, and we were met at the entrance by the priests, in mauve dresses with black caps. Four gods are worshipped here. It is a very ancient temple, dating from the eleventh year of the reign of the warrior- empress Jingu Kogo (212 a.d ), to whom it is dedicated as the patron Jcami of all who travel by sea It, therefore, has existed for nearly seventeen centuries. ' The three gods of the temple were first worshipped in the first reign of that empress. They are — 1. Soko-tsutsu, God of the Sea Bottom. 2. Naka-tsutsu, God of the Middle Sea. 3. Uwa-tsutsu, God of the Sea Surface, and Wave Con- troller. As a fourth, the empress Jingu is herself here worshipped under her own name of Oki-naga-Tarashi-hime. The priests could not tell me when she was first worshipped. The name of the temple, Sumiyoshi, signifies Fortunate Eesidence of the Four Incorporated Gods. This is the famous temple referred to in the chapter on the Shinto religion as that of the god whom the old ex-governor of Tosa vainly sought to pro- pitiate a thousand years ago by throwing nusa into the sea, but who was only appeased hy the sacrifice of his excellency’s 142 JAPAN. [chap. vit. mirror. Its present aspect is a very prosperous one, the temple itself having been lately rebuilt apparently, and its precincts adorned with magnificent lanterns in bronze and marble, with a large number of others of inferior magnitude and character, but many of them very fine indeed. The vessels of sake presented to the gods at the shrine were freely served, and certainly it was not the fault of the Japanese or of their priests if the bottom, the middle, and the surface of the sea were not all as peaceful as the soul of the veriest landsman could possibly desire. Not only were the temple and its accessories such as I have described, but to add to the interest and impressiveness of the place, the head priest was so courteous as to have a musical service performed before us by the ministers, the musicians, and the virgin priestesses of the temple. This took place, not in the main building, but in a separate and smaller one, hung with votive pictures. The arrangements and proceed- ings were so much like those which we afterwards witnessed at the still more sacred shrines of Ise that I need not here attempt any description. From the temples we took a stroll to the river-side, over one of the steeply-curved bridges that few but experts can surmount, and thence were taken a long and swift run in OMi jinrihi-shas to the museum of Osaka, a small institution, modelled upon the European type. Among the many in- teresting antiquities there seen was one of a remarkable character. This was a very ancient boat, wrought out of solid timber, and dug up from a depth of 30 feet below, the present level of the soil of the city. The portion of this boat which was recovered was 36 feet long and 5 feet broad, and was formed in two pieces, joined together by a scarph 5 J feet long near the centre of the boat. It was made before metal was known or brought into use, and had no other fastenings but those which resulted from the ingenious scarphing of the parts, from the tie of a longitudinal keelson piece which overran the scarph, and from the manner in which the thwarts were worked. Some sort of mastic was probably employed to help in making the scarph water- CHAP. VII,] THE CITY OF OSAKA. 143 tight. Although formed probably with flint implements, before the iron and bronze ages, it was well built, and now hears distinct traces of what appears to be an ornamental moulding worked upon the outside of the gunwale. It was difficult to determine of what wood it was built, hut it was considered by the Japanese to be either of camphor wood or mulberry-tree. How many things have happened, in Japan as elsewhere, since the hands that wrought her have ceased to ply their trade — possibly the expedition of Jimmu-Tenno to Osaka among other things ! There was also shown us in the museum a small hut very good collection, as I think, of magatama jewels, which are beautifully wrought carved pieces of hard stone, perforated at the end. They are very ancient and rare, coming down, it is supposed, from the Divine Period, being occasionally dug out of the soil, and not otherwise obtainable — except in counterfeit or imitation. After taking tea in a little secluded garden tea-house — tea made of the powdered leaf, by an ac- complished master of the art of mixing it, whose deliberation and ceremony in carrying out each stage of the process was the more amusing as it exhibited what young ladies are taught as a high accomplishment — and after following up the tea with a parting glass of champagne, drunk in an elevated summer-house with the governor, we took our leave of him, and drove in ouv Jinrikis to a sort of fair. There, entering a series of booths in succession, we saw men and women walking over half a dozen yards of burning logs with naked feet, a dwarf, a lady with a face of horrible deformity, a series of very well-made wax figures, a tiger, and, better than all, the common people in crowds amusing themselves with admirable good humour, and behaviour orderly in the extreme. It was now time to return to our home in the mint, which we did at a speed that made jinriki men running tandem more respected and pitied than ever. Our next day was spent in visiting the fine old castle of Osaka, with its large moats, grand gateways, huge monoliths, and ruined palaces and keep ; also, within its outer limits. 144 JAPAN. [chap. VII. the modern arsenal and arms manufactory, which have been established in European fashion, and appear to be working with much efficiency. During the recent rebellion in Satsuma great demands were thrown upon this arsenal, and a large quantity of arms underwent repair and renovation there. Much of work of the same kind was still proceeding, together with the manufacture of ammunition for small arms. The buildings were solid and good, rock foundations being easily obtainable for most buildings near to Osaka Castle ; the machinery was likewise good, and in good condition. I did not observe a single European, officer or man, throughout these works. As it rained heavily during our visit, we were unable to make a close inspection of the large new buildings now constructing as a factory for great guns, but they were obviously of a very substantial kind, and the erection of a. great-gun manufactory in Japan may be noted as a sign of the times. An officer sent by the general commanding the troops in the Osaka district next conducted us over the castle bridge, through the great gateway, up the long flight of broad steps to the level of the old palace and of the existing official buildings. It would be difficult to exaggerate the combined beauty and grandeur of this fine old castle, with its lofty walls of stone, its curved outlines, its picturesque white buildings at the corners, its massive tower, its broad moat, and its huge blocks of granite of unexampled size and weight. The whole or most of the walls are notable for these very large blocks of granite, which vie with the largest of those built into the great pyramid of Cheops, near Cairo, in Egypt ; but as the main entrance to the castle proper is approached, one sees block after block of the most astonishing propor- tions, until at and opposite to the entrance itself are single stones of such immense size that one is almost driven to doubt whether his senses are not deceiving him. It is so difficult to understand how such huge masses can have been quarried, transported, raised to such a height, and there worked into walls. I could not conveniently measure the largest stones, but I feel sure that some of them must be CHAP. VII.] THE CITY OF OSAKA. 145 over twenty feet in height, nearly twice that in length, and several feet thick, and must weigh three hundred to four hundred tons. In reply to questions it was stated by some of the officers quartered at the castle that these stones were probably brought from quarries by the Inland Sea, situated near Mihara, more than one hundred miles from Osaka, but that some thought it probable that they were obtained from the hill on which the castle stands. It was positively asserted that the castle, with its stupendous walls, was built within fifteen months, a statement which appears to me incredible, however great a command of labour the builder may have possessed. Our visit to this historic castle was a very pleasant one, in spite of the weather, which was damp, with occasional showers. We were received by the general and other officers of the garrison, and taken to an elevated tower-room, from which a good view of the castle and city around could he obtained. The history of the castle was briefly stated, and plans of Osaka in very early times and at subsequent periods after the building of the castle were inspected. The general was so obliging as to give me a tracing of the castle and present buildings, with some statistical information of much interest. Another of the officers was good enough to pre- sent us with some very old gold-hound arrows, which had formed part of a ceiling formed of arrows in the old castle of Kanazawa, in the province of Kaga, together with a tile bearing the crest of the Daimio brought from the same castle, and an ancient tile from another castle the roof of which was once covered with gold, the tile in question still bearing traces of gold upon its surface. After taking light refreshments we went to the old castle keep, which, although the upper stories are gone, still stands high above everything else, overlooking the whole city and the country round to the mountain limits. We then returned to the castle gate, there taking leave of the general, and proceeding to visit the infantry barracks, the artillery barracks and stables, and other military places of interest. What most struck me in these barracks, and in other military VOL. II. L 146 JAPAN. [chap. VII. barracks in Japan, was the multiplicity of books and appli- ances for reading and study. Every common soldier appears to furnish himself, or to be furnished, with quite a small library all to himself — a circumstance that may, perhaps, be traced to the pre-revolution period of Japan, when the samurai class were at once the soldiers and the scholars of the country. Perhaps with the pay of British troops steadily increasing as it is, and with so many facilities for study and recreation as they are now furnished with, the time may not be far distant when our own soldiers will occupy, as they well might, a comparatively high position in the social scale, and when the army will attract to it the surplus members of the civil community of all grades that are respectable and well instructed. The evening of this day was devoted to our first dinner, taken after the fashion of the country. In Tokio we had taken lunch in native style occasionally in a tea-house, and had made our first acquaintance (at a meal) with the floor as a table, chopsticks as dining implements, and dancing girls and geishas as our table attendants. But we had not before dined in this fashion, and now at the invitation of Mr. Godai Tomo-Atsu (colloquially Mr. Godai), president of the Osaka chamber of commerce, we were to test the system. I am free to confess that neither on this nor on any future occasion did I flatter myself that so far as I was concerned the experiment was a success. The rigidity of forty years and an octave, with the restraints of European dress, are unfavourable to the commencement of floor gymnastics, and as my chopstick hand happened to be crushed a few years ago, to the destruction of some of the muscles, I found the chopsticks almost as difficult to play as the piano. But the only defects on the occasion were with myself. After a brief sojourn in the “ poetry room ” of my host, and another in the ceremonial tea-room, where Madame Godai presided as some Japanese ladies can — which is very perfectly, let me assure the reader, as Madame Godai will not read this — and after indulging our eyes with wonders of lacquer work, bronze, and painting, we dined, and learnt how Japanese do CHAP. VII.] THE CITY OF OSAKA. 147 dine, when they have a mind. All I will say further on the matter here is that on every possible occasion thereafter I was much more than content to dine Japanese fashion, in spite of all temptations ” of the best European cooks to he found in the country. On Wednesday the 17th of February we started on a visit to the ancient and sacred city of Nara, which was the capital of old Japan in the time of the famous empresses of the seventh and eighth centuries. But the story of that visit I must tell, however hastily and imperfectly, in a separate chapter, and here pass on to our rearrival in Osaka. In the Nara chapter I shall bring the narrative down to the entertainment of which I now proceed to speak, and which took place immediately on our return from Nara. This banquet was a highly characteristic one in many ways. It was, I understood, the first ever given by the merchants of the city of Osaka to any foreign visitor ; it was attended by one of the ministers of state. Admiral Kawamura ; it was given on a scale of great splendour, in a purely Japanese style in every respect ; national music, singing, and dancing of the very highest class were performed during the evening ; and the hosts were the president, vice-presidents, and members of council of the chamber of commerce and the stock exchange of Osaka,* who in conveying their invita- * The following list of our prin- cipal entertainers was handed to me — I give it without alteration : Godai Tomo-Atsu, President of Commercial Chamber, and originator of Stock Exchange, Osaka. Nakano Goichi, Vice-President of Commercial Chamber, Osaka. Hirose Sekei, do. Kato Yo-ichi, Manager of Chamber of Commerce, Osaka. Shibakawa Matakei, do., and Inspector of Bai- shio-kwaishio (where is transacted the business for rice). The above gentlemen are voted and intrusted to their office by the people of Osaka. The Commercial Chamber is constructed by the many thousand very different parties of the merchants of Osaka, and the representatives are voted more or less according to the number of the parties. There are now two hundred and thirty represen- tatives in the Commercial Chamber, and they desired the above gentlemen to receive you as their substitute. Nakayama Nobu-aki, President of Stock Exchange, Osaka. Konoike Zenyemon, originator of Stock Ex- change, Osaka. Mitsai Motonoshe, do. Sumitomo Kichiza-yemon, do. Kasano Kumakichi, do., and owner of Kow-giyo-kwaishio (where is trans- acted the business for exportation). Hirase Kamenoske, originator of L 2 148 JAPAN. [chap. VII. tions adverted to tlieir representative character, acted in the name of their fellow-citizens, and received us with great cordiality. The scene on entering the dining-chamber was singular and beautiful ; excepting a few handsome screens and works of art near the walls, the room had no other furniture than silk cushions to sit upon, hibaehis (small portable square howls containing charcoal fire) for giving warmth, and smaller fire-howls for lighting the small Japanese pipes, cigarettes, or cigars. But although still not far from the middle of February, the evening air was mild, and one side of the room was thrown entirely open to an unusually large garden, with a fine sheet of artificial Avater winding about it. The verandah and the garden and water beyond were illuminated with hundreds of Japanese lanterns, richly coloured, many of which w^ere kept moving throughout the evening. We sat down about twenty in number, and the banquet commenced by a few girls, quietly but prettily attired, coming into the room, advancing and falling upon their knees in front of us, placing handsome lacquer trays with cups of tea and slices of sweet cake before us, and bowing the head to the ground before rising and retiring. This kind of proceeding, I may say shortly, went on for several hours, the lacquered trays bearing in succession soups, meats, fish, game, and all sorts of vegetables daintily prepared, and served in a form that enabled me to deal with them by means of chopsticks only — not, I am bound to say, without the liberal use of the teeth in aid thereof. There were doubtless many articles served to which we in England are strangers, but sea-weed and bamboo- shoots — both very palatable indeed — are all of them that I can now call to mind. The universal strong drink of the country, known as sake* drunk both cold and hot, was served, together with European wines, and English ale and stout as desired. At an early stage of the dinner poured in a stream of Stock Exchange, Ocaka. Yamaguchi, been made and drunk in Japan for Kichirobey, do. Eno-kuchi Shin- sixteen centuries. It is not usually zabro, do. Kumagai Tatstaro, do. what the English would consider very * This sahe, brewed from rice, has strong. CHAP. VII.] TEE CITY OF OSAKA. 149 dancing girls arrayed in Japanese crapes and silks of the brightest and most diversified colouring and pattern, with hair dressed into wonders of an art that reaches its climax perhaps in Osaka, and with faces and necks powdered, eyebrows deepened, eyelids tinted, and lips polished with vermilion enamel. There were at least five-and-twenty of these pretty creations of imperial Osaka who were unquestionably very choice works of art, and I am afraid they cannot be considered at present as very much more. It appeared on this and other occasions to be their function, not merely to dance when called upon, but to sit about among the diners, assist them to anything they might require, and make themselves generally useful ; and as they did this very nicely and successfully, I have perhaps shown in this sentence that I did them some injustice in my last, for which I apologise. In addition to these brilliant little beings, there were numerous singing and music girls, or geishas, and behind the screen some singing men besides. It is difficult — it is indeed impossible for a stranger to fully appreciate such musical performances as theirs, because much of their merit must be due to elaborate cultivation of taste. Still it was impossible to listen to such instrumental and vocal music as was heard on this occasion without observing qualities which must be the result of combined natural endowment and high training. Beyond this, how- ever, it is impossible for me to go, and I can only assert the very eminent merits of the artists upon the authority of my informants. The instruments used were the hoto, the hogu, and the samise7i. I cannot even give the names of the several dances, nor can I presume to describe them ; suffice it to say here (as I have mentioned the Japanese dances elsewhere) that they began with two very young girls performing a dance in masks; that the second was a dance in which the parasol played a considerable part ; that the third was performed by one of the very young girls, who successively made use of a branch of blossoms and of two fans, which were handled with a dexterity that was marvellous in so young a child. 150 JAPAN. [chap. VII. The remainder were more general, most of the dancers joining in them, usually with the accompaniment of hand- clapping. Notwithstanding the extreme monotony of the music, some of these dances were maintained for a long time, and with wonderful spirit, the younger hosts and guests joining more or less in them. In the course of the evening, something very analogous to the drinking of healths set in for a short time, hut happily was not prolonged as it is at home. It will he interesting to quote the following trans- lation of a brief abstract of the speech of the President, Mr. Godai, the president of the chamber of commerce, who was likewise the originator of the Osaka stock exchange. He said : “ When our harbours were hardly opened, foreign civilisation was unknown to us ; but after friendly relations, we were gradually brought to the light, and are now making progress so much that we have succeeded in the formation of this Chamber, and the meeting of the people. Just on the completion, I am happy to say, you gratify us, Mr. Keed, with your visit, leading us to a new idea by gathering ourselves to this meeting to welcome and entertain you, which was never done before to any of our past foreign guests. In showing you our appreciation of your visit, we also give you a sight of our progress, which I am glad and proud of. One thing remains in my mind, and a word I must say : when his Eoyal Highness your Prince [the Duke of Edinburgh] was on his visit to this empire, our people were not at all well informed, and were ignorant of the way how his Eoyal Highness should be welcomed and entertained, and were consequently unable to afford the same attentions as now. Finding ourselves now more quali- fied, and having once started, I am in hope that we will be able to give to all our future foreign guests of rank or distinction an equal reception with that we give to you.” I ought not to forget to mention one of the attentions shown at this dinner, as it was both interesting in itself and indicative of the amount of consideration which these merchants of Osaka were pleased to show to us. Towards the end of the dinner there was brought in and placed in CHAP. VII.] THE CITY OF OSAKA. 151 front of me a stand about 2^ feet broad and feet long, on which was modelled a beautifully coloured representation of a golden pheasant, a pine-tree, some very fine large flowers, with numerous small bouquets of Osaka artificial flowers. This is, I was informed by one of my inter- preters, a compliment only paid at weddings, and on occasions of very pronounced welcome and consideration to guests. The Osaka flowers were distributed among the company, most of them finding their way sooner or later to the vain little heads of the pretty geishas and dancing- girls. A curious feature of the arrangement was, however, the material of the golden pheasant and the larger flowers, which were all cut out of fresh turnips, or of some similar vegetable, and were so beautifully formed and coloured as to present a more natural appearance than many permanent works of art. The party was broken up about eleven o’clock by our departure, the run home in jinrihis being made at an astonishing speed, which was very agreeable to those of us who had already ridden in them during the day some thirty miles or more. It is needless to prolong this account of our visit to Osaka much more, although many a page might readily be filled with the story of it. There are, however, a few facts and incidents which must not be omitted. Among these must be named another banquet, given to us this time by Governor Watanabe. This was served in European style, and was wonderfully well done ; but the principal charms of the occasion, in addition to the perpetual charm of joyous hospitality, were its Japanese features — the mottoes on the wall, each a compliment and a poem ; the illuminated garden ; the writings in silk from the hands of the rebel Saigo and the martyr Okubo ; the many swords of the host, each with its own story told, or that could be told; and above all, the dramatic performances which followed the banquet. For on this occasion the governor had arranged for the performance of a series of dramatic pieces, mostly comedies, and for the first time we became acquainted with a branch of Japanese art which, however ancient in 152 JAPAN. [chap. VII. itself, had not even in rumour reached us. Whether the drama did or did not originate in pantomimic performances, as some suppose, I know not, hut certainly in the Japanese drama such performances still retain a most important and prominent part. I must not, however, enter upon the subject here. Whether, when I come to see more of these dramatic exhibitions, I shall he able to give any intelligible account of them I cannot say ; but on the present occasion I must pass them over all but in silence, full of extraordinary characteristics as they were. The wife of our host, and an interesting child or two of theirs, were present, besides the invited guests, so that one really assisted at a family party as well as at a dramatic display. Another interesting feature of our stay at Osaka was our purchasing expedition. In this we were most fortunate, having for our guide and friend Mr. Ohno Norichika, of the imperial mint, who, in the absence of the senior officer, acted as our host, and performed the duty handsomely. We revelled for hours in curiosities of all descriptions (with buyers’ appetites but imperfectly indulged), but the greatest delight of all was among the pictures — hahemono, gaku- mono, screens, pictures for screens, and volumes upon volumes of artists’ work of every description. What a gift it is, that of an artist ! What a power it is which he possesses ! by a few swift touches of ink or colour to create — or is it not truer to say to revive ? — in us the image of a bird, a flower, a landscape, a sea, a storm ! ’Tis the privilege of Art Thus to play its cheerful part, Man in earth to acclimate. And bend the exile to his fate; And, moulded of one element With the days and firmament. Teach him on these as stairs to climb, And live on even terms with Time; Whilst upper life the slender rill Of human sense doth overfill.” — Emerson. And after purchasing came the still more pleasant task — in some respects, but not in all — of receiving presents. The CHAP. VII.] THE CITY OF 08AKA. 153 governor’s liberality I have already spoken of. Mr. Ohno gave us sets of the old gold and silver coins of rectangular form, which make pretty necklaces for daughters. Mr. Ka- sano Kumakichi, one of the merchant princes, from whom we received many kindnesses, brought a beautiful specimen of the large oval coins of gold, ajso of the olden time. Mr. Godai sent one of my daughters a splendid glove-box of the finest ancient lacquer-work ; and so forth. But I must not conclude this account of Osaka without a word of appreciation of the fine buildings and beautiful machinery of the imperial mint. Most of the machinery was imported, of course, from Europe, and erected and originally worked under European care ; but the number of Europeans now remaining is limited, I believe, to one or two, and the smaller machines now required are manu- factured in the country. The skill with which the various departments are carried on by natives is very remarkable, some of the duties in which special dexterity and quickness of eye are necessary being performed in a manner which could hardly, if at all, be matched by any other people. The trial of the pyx is carried out as with us, and the results checked in some foreign countries. The modern coins are very handsomely designed. The national tradi- tions oppose the stamping of the image of the divinely descended Mikado upon them, and some time will probably yet elapse before this is brought about. His majesty’s imperial and family crests or badges, the hihu and hiri, with wreaths and tassels and bannerets bearing the sun and the moon, adorn one side of the gold coins, which are five in number ; the other side being decorated with a splendid dragon and legend round. The silver coins bear a similar dragon and legend on one side, and the hihu crest with wreaths and tassels, and the coin’s denomination on the other. All but the smallest coins in gold and silver have milled edges. The new silver “ trade dollar ” does not greatly differ in appearance, nor in size and weight, from the “ one yen ” piece, the ^jen being the Japanese dollar. It has lately been notified that the trade dollar, which was 154 JAPAN. [chap. VII. originally coined for the convenience of commerce at the open ports, and was current only at those ports, will hence- forth he made universally current, and may therefore he used in making and receiving payments of taxes and in all other public and private transactions, both internal as well as external. The bronze coins do not differ materially in design from those of silver, hut none of their edges are milled. The following are the coins struck at the mint, viz. : — Gold. Silver. Copper, 20 Yen 1 Yen 2 Sen 10 Yen Trade 1 Sen 5 Yen 50 Sen 2 Sen 2 Yen 20 Sen 1 Kin 1 Yen 10 Sen ’ 5 Sen Up to the middle of last year (1878) there had been coined at the Osaka mint nearly 3,000,000 ounces of gold, 23,000,000 ounces of silver, and 91,000,000 of copper coins, of a total value of about 83,000,000 dollars, or nearly £17,000,000 sterling. The weight and number of gold. silver, and bronze coins struck during last year (ending June 30, 1878) were as follows : — Denomination. Weight. Troy oz. Number. Gold 20 Yen . 32-15 . 30 „ 10 Yen . 19-83 . 37 „ 5 Yen . 19,080-55 . 71,216 „ 2 Yen . 19-20 . 179 „ 1 Yen . 9-12 . 170 Silver Trade Dollar . 382,103-14 . 436,673 „ 50 Sen . 79,927-67 . 184,440 „ 20 Sen . 1,235,448-20 . . 7,127,562 „ 10 Sen , . 1,177,548-05 . . 13,586,479 „ 5 Sen . 622,548-78 . . 14,365,849 Copper 2 Sen . 13,322,015-60 . . 29,080,239 „ 1 Sen . , 5,597,486-60 . . 24,422,948 „ i Sen . . 3,060,440-40 . . 26,709,834 „ Kin 670-80 23,000 ( J55 ) CHAPTER VIII. THE SACRED CITY OF NARA. Interest felt in the city — View of the people — Men of average stature, women small — Picturesque children — Visit to Sakai — Eoad to Nara — Shadoofs — Burial-places of the Mikados — Tomb of the war-god Ojin — Eaised river-beds — Village graveyards — Scenery — Eiver navigation — The ancient temples of Hori-uji — Eelic of Buddha — Carvings of Prince Shotoku — First view of Nara — Careful cultivation of the land — Our tern pie- abode — The great temple of Dai-hutsu — ^The colossal god of bronze and gold — The supporters of the god — Historic relics — Footprint of Buddha — Temples of Kwannon — A fine landscape — A tea-house — More Buddhist and Shinto temples — Courtesy and hospitality of the priests — Temple avenues — Dance of the virgin priestesses — An ancient pine- tree — Curiosity shops — Eeturn start — Site and limits of the ancient city — Group of Shinto temples near Sakai — A Japanese interior — More hospitality — Osaka again. It was in consequence of a strong desire of my own to visit Nara that our trip to that ancient city was undertaken. Knowing that it had been the capital city of Japan more than one thousand years ago, that it still contained the celebrated monster image of the great Buddha, that its temples, shrines, and ecclesiastical treasures were of high antiquity, and that it could he reached in a few hours from Osaka, I suggested that it would he a mistake to pass it hy unobserved. The suggestion was immediately taken up hy my friends, who at once set about the necessary arrange- ments. I should have been quite satisfied to take the chance of such accommodation as might be found there, but the auspices under which I was seeing the country put this out of the question. My first idea was to start very early in the morning, and return the same day, employing relays of jinrihi men ; but this was considered to be, if not im- 156 JAPAN. [chap. VIII. practicable, at least very undesirable, especially as the days were still short and the weather uncertain. It was there- fore resolved to start about ten o’clock on Wednesday, 21st of February, proceeding by the roundabout route through Sakai on account of that being much less hilly than the direct route, and therefore preferable for the draught-men, though of greater length. Sakai was only about seven and a half English miles from our residence in Osaka, but it was arranged for us to visit a carpet-manufactory and to take tiffin at the house of a gentleman there, with the mayor of Sakai, performing the rest of the journey before our evening dinner. It was a lovely morning when we started, with a warm spring sun shining, and even the men who had to drag us the twenty-seven miles to Nara — for they themselves ob- jected to the employment of relays — were merry and glad as we rattled out of the imperial mint compound, a party of about i\NQ\YQjinrihi-slias, some of the younger and smaller men riding double, with three men to each jinrihi^ except where the loads were light and where two sufficed. The greater part of the city of Osaka had to be traversed, and a very large city it proved to be. In crossing the space between its southern boundary and Sakai, including many suburban places, we seemed to be passing through an almost - con- tinuous town, until we reached the boundary bridge of Sakai, where the secretary of the governor of the district, and the head of the district police, met us, and undertook the conduct of the party for the rest of the journey. The whole town of Sakai appeared to have heard of the visit, and to have turned out along the line of route to inspect and, let us hope, to admire us — a circumstance which gave us the great advantage of returning the compliment by observing and admiring them. It was an excellent opportunity, as it proved — this trip to Nara, during which I saw no European face whatever, except my son’s — to see the people of the country as they daily live and move among themselves. We noticed in Sakai, as we had already done in Osaka, that the notion of the Japanese being almost universally a small race CHAP. VIII.] TEE SACRED CITY OF NARA. 157 of men and women is altogether an erroneous one, the majority being of fair average height, and many of them men of a size and height which were much above the average European standard. I think the women were, however, on the whole, smaller in proportion to the size of the men than would he usual among ourselves. The most picturesque and amusing beings, however, in Japan, are not the men nor the women, hut the children, owing to the bright colouring and the infinite variety of pattern of the stuff of which their dresses are made, and the quaint old-fashioned look which the dress gives Them as they toddle about (especially, I presume, in the winter season, when they wear more clothes), with their little shaved heads, chubby faces, and jet-black eyes. These youngsters, during their earliest years, are always, apparently, mounted upon somebody else, either in front or behind, usually slung when very young with hands and face snugly nestled in the open bosoms of their mothers, sometimes similarly but less warmly suspended upon their fathers. A little later on in life they take to the hacks of their fathers and mothers, and more often still to those of their little brothers and sisters, this form of family affection being carried to such an extent that the two brats — the rider and the ridden — are so near of an age that one some- times fancies they must he taking it in turns, and carrying one another. I may say in passing that I have hut one very strong objection to these little life- visitors to the sun- rise-land, and that is that they do not, as a rule, get their little noses attended to nearly often enough, though even in that matter they are, perhaps, “ more sinned against than sinning.” In visiting the carpet-factory, where a consider- able manufacture of carpets and rugs for export is springing up, and taking an excellent mixed tiffin of Japanese and European dishes as the guest of the mayor, Mr. Saisho — a pleasant, meditative gentleman, in whom the spirit of antiquity seemed to live still, and who kindly exhibited to us some exceeding old bronzes and other objects of interest — we took our final departure for Nara at a quarter past one, facing eastward for the hills. Our road lay at first up a 158 JAPAN. [chap. VIII. short hill and over an open plain, which presented a peculiar appearance, from the number of i^hacloofs (levers for raising water from pits and distributing it over the land), which stood up like light masts by hundreds ; the ground here being above the river levels, and therefore requiring special means for its irrigation. As the level of the land crossed became lower, these shadoofs became fewer in number, and before long altogether disappeared. The ranges of hills in front • of us were extremely picturesque ; the landscape between them and us was liberally supplied with trees ; occasionally there stood up out of the plain large artificial mounds, surmounted with clumps of pine-trees, and sur- rounded with moats ; rivers and sheets of water brightened the land ; torii and temple roofs attracted the eye to many a village and shrine ; the people, catching sight of our advancing procession of jinrihi-shas (and perhaps apprised by the local police, who evidently expected us, of the passage of some Europeans- — to them a very unusual sight), swarmed in the village streets, or hurried across the fields from all quarters, to catch sight of us as we passed; and over all the pretty moving scene, a sun, warm as that of our English summer, poured down its refulgence, animating and cheering the hearts of all. The raised mounds which I have mentioned, and of which we saw many on the road to Nara, and in its neighbourhood, are the burial-places of deceased Mikados, and are, as a matter of course, I presume, made the sites of Shinto shrines. One of them, concerning which I happened to inquire particularly, was the tomb of Inkiyo, the twentieth Mikado of the present dynasty, who reigned in the beginning of the fifth century (a.d.), and another, that of the twenty-second of the line, who reigned in the same century. In a wood seen on our right hand was the burial-place of the war-god, Ojin-Tenno, one of the most famous of the still earlier Mikados, the six- teenth of the dynasty. In accordance with Japanese practice, this Mikado, who reigned in the third century, a.d. like the others, became worshipped as a god after his death, but the deification appears to have been founded in his case upon CHAP. VIII.] THE SACRED CITY OF NARA. 159 very- substantial deeds and services. He was, as before stated, the son of the warrior-queen Jingu Kogo, who conquered Korea with such important results to her own country. “ Through this peninsula, and not directly from China,” says Mr. Griffis,* “ flowed the influences whose confluence with the elements of Japanese life produced the civilisa- tion which for twelve centuries has run its course in the island empire. ... To a woman is awarded the glory of the conquest of Korea, whence came letters, religion, and civilisation to Japan. In all Japanese traditions or history there is no greater female character than the empress Jingu (god-like exploit). Her name was Okinaga Tarashihime ; but she is better known by her posthumous title of Jingu Kogo, or Jingu, the wife or spouse of the Mikado. She was equally renowned for her beauty, piety, intelligence, energy, and martial valour. She was not only very obedient to the gods, but they delighted to honour her with their inspira- tion. She feared neither the waves of the sea, the arrows of the battle-field, nor the difficulties that wait on all great enterprises. Great as she was in her own person, she is greater in the Japanese eyes as the mother of the god of war [Ojin Tenno].” A good deal of the miraculous is mixed up in their recorded history of Jingu and her great son Ojin ; they are taken by Japanese scholars, nevertheless, to be undoubtedly historical characters, and are worshipped in many temples in Japan, the empress-mother as “ Kashii dai mio jin,” and the son as the god of war himself. “ Down through the centuries,” continues the author just quoted, “ he has been worshipped by all classes of the people, especially by soldiers, who offer their prayers, pay their vows, and raise their votive offerings to him. Many of the troops, before taking steamer for Formosa, in 1874, implored his protection. In his honour some of the most magnificent temples in Japan have been erected, and almost every town and village, as well as many a rural grove and hill, has its shrine erected to the Japanese Mars. He is usually repre- * In ‘ The Mikado’s Empire.’ 160 JAPAN. [chap. VIII. sented in his images as of a frightful, scowling countenance, holding, with arms akimbo, a broad two-edged sword. One of the favourite subjects of Japanese artists of all periods is the group of figures consisting of the snowy-bearded Take- nouchi, in civil dress, holding the infant of Jingu Kogo in his arms, the mother standing by in martial robes. . . . The Buddhists have canonised him, Ojin, as Hachiman Dai Bosatsu,* or the Incarnation of Buddha of the Eight Banners. Hence, among the devotees of the India faith, this god of war and patron of warriors is called Hachiman. . . . Hachi- man (Iiachi, eight ; man, banners) is the Chinese form of Yawata (ya, eight ; wata, banners).” On this trip to Nara, as on some former occasions, we crossed several rivers the beds of which have in the course of centuries been raised considerably above the level of the adjacent country, the banks being raised, of course, still higher. In some cases the high road now passes under the river bed by a level tunnel. At 2.30 p.M. we passed from the open plain, through orchards of peach-trees and orange-trees, into the hilly district, where the country became more picturesque and beautiful than before. By the roadside, and entirely open to road and field, were little village burial-places, with tomb-stones, usually of low and small square columns of granite, but sometimes of unshaped or roughly-shaped slabs of stone with figures sculptured on one side. On the hill- sides, often embedded in the woods, were small temples and shrines, which certainly lent themselves freely to the pic- turesque and the artistic, whatever may be thought of them as instruments of religion. At 2.45 we stopped at the village of Kokubu, to rest the jinrihi men, and to refresh ourselves with cups of Japanese tea, speedily resuming our journey, our course leading us through as pretty a hill-country as can be desired, with a swift river rushing past the road. On this river were extremely shallow boats (carrying land-produce and other See footnote, vol. i. p. 264. CHAP. VIII.] THE SACRED CITY OF NARA. 161 goods), propelled sometimes by sails aided by pushing-poles, sometimes by the latter alone, and almost as frequently by the still more primitive method of the boatmen walking up the stream and dragging their boat with them. Much of this river traffic was in charcoal, and in wood cut in the neighbouring forests, prepared for conversion into charcoal. Our road afterwards stretched across a beautiful valley, from which one could at intervals catch distant glimpses of what proved afterwards to be Nara, while away on the right, on a lofty mountain summit, a white village gleamed like a group of silver shrines. The road lay through many more villages, the inhabitants of which were inferior to none in the interest they took in our long and rapid and noisy procession, led by our Sakai chief of police, Nara being situated in the Sakai district. At the village of Tatsuta we turned off to visit the famous and ancient Buddhist temples of Horiuji, where we were most courteously received by the two principal priests and other officials, who hospitably entertained us with tea and cakes. This group of temples, with a pagoda, were all twelve hundred years old, and bore the marks of their age both externally and internally.* They possessed some wonderful treasures — after the fashion of many of our Christian temples in Europe — the most precious of all being a piece — an extremely small piece, but still a piece — of the very bone of Buddha himself ! I am not quite sure, but I have some reason to think that this most precious relic, which our unworthy eyes were permitted to behold, is no other than that which was held in the clenched hand of Prince Shoto- ku-taishi when he was born, and was revealed when at the age of two years he turned to the east, invoked Buddha, and displayed this very wonderful proof of heavenly favour. The valuable and wonder-working relic was inclosed in a small crystal globe, within which you could both see and hear it as the globe was shaken, the sacred crystal sphere being supported on a stand of crystal, and surmounted with * For mention of tlie founding of these temples, see vol. i. p. 79. VOL. II. M 162 JAPAN. [chap. VIII. a crystal crown-piece. Every day at twelve o’clock the people were permitted to see and bow before this unquestion- able evidence of the greatest verity of Buddhism, the mission of Buddha himself to the earth ! As shown to us, this treasure was set out upon a splendid silk cloth, thickly embroidered with gold, and adorned with cords and tassels, which may have had a significance too profound for me. Another very valuable treasure, which the priests generously allowed us to examine closely, in the inmost centre of the shrine itself, and with a candle to illuminate it, was an image in wood of the son of the famous Shotoku-taishi, carved by the hand of that great personage himself. There were also numerous w^ooden idols of ancient date, some of them reminding one of the very old Egyptian gods, carved in wood and with painted eyes, etc., with which Mariette Bey has enriched the museum at Boulak, near Cairo. Chief of all was the celebrated image of Buddha, on the back of which is the ancient and unreadable Chinese inscription mentioned in the previous chapter on the God-period.* There were those likewise which Shotoku-taishi is said to have carved and borne upon his head after the army when a youth. In a separate temple, which appeared to have been specially patronised by the grateful classes, and which was probably dedicated (although I was not so informed) to the great god Ojin, whom I just now referred to, were countless swords, bows, mirrors, lanterns, gimlets, or something of that sort, and other articles which faithful Buddhists had thought it well to present and leave behind in this place. It was impossible at the time, and is as impossible now, to do justice to the treasures of these temples, from which we had to hurry away Nara- wards. Our way lay through a beautiful valley, with lofty hills falling behind us, and loftier ranges in front of us, and villages scattered freely throughout its extent. I take from my note-book the following remark, jotted down at this point : “ Along the near side and at the foot of yonder hills are so many towns * See footnote, vol. i. p. 21. CHAP. VIII,] THE SACRED CITY OF NARA. 163 or villages that they seem to be almost continuous for many miles. It must he in this lovely valley — lovely as we advance, lovely as we look hack — that Nara lies, and I do not doubt that one or other of the clusters of buildings that we see is it.” This proved afterwards to be so, Nara being the largest town then visible on the left or north of the landscape, hut still several miles distant. Unlike those of most Japanese villages that I had previously seen, the houses in this part of the country, and chiefly in and near Nara itself, are made white, and are consequently much more visible at long distances, and in certain lights, than they would otherwise he. • All along the route thus far pursued the country had been remarkable for the care and closeness of the cultivation, and we subsequently found that this continued all the way to the old city which we were seeking, and doubtless is a characteristic of Japanese agriculture, at least near the lines of the great high roads. It may be confidently said that the whole of the low ground, and most of the hillside, where not wooded, was cultivated as thoroughly as an English kitchen garden, throughout the journey from Osaka, by Sakai, to Nara. The sun disappeared behind the hills before half past five, and it was already nearly dark when we passed through the large and important town of Koriyama ; but again the good people of 'the place lined the streets for our inspection. The air began to get decidedly cold, and when we were still tv/o or three miles from our destination rain began to fall, and continued to the end of our journey. To cheer their flagging energies the jinrihi-sha men multiplied their re- sponsive noises among themselves, and quickened the pace withal. At length we passed between two large illuminated stone lanterns, which proved to be the beginning of the present town of Nara, the whole length of which had, however, to be travelled, as we were bound to Tonain, the temple- residence of the chief priest of Nara, Tsuzaka Senkai, which is situated within the gate of the great temple of Dai-hutsu. Chilled and hungry, we gladly stepped at last M 2 164 JAPAN. [chap. VIII. from our jmrih'fi, and entered a beautiful residence of pure Japanese type, in one of tbe principal rooms of which we saw framed and hung an inscription written by the hand of the present Mikado, signifying “ residence of the pure,” or something of that kind. It appears that this house had been occupied by his majesty during his visit to Nara some little time ago. All those parts of the house which we saw were very new, and elegantly furnished, and probably owed much of their superiority in these respects to the fact of his majesty having sojourned in it. However that may be, it was an extremely pleasant retreat for our present party, and made the more so by the speedy serving of an excellent dinner. It was not at a very late hour that we made a further retreat to our beds (on the floor, of course), there, in my own case at least, to sleep the sleep of the grateful. A cup of tea at seven o’clock, with a breeze of fresh morning air let in from the hills, were the pleasant be- ginnings of the next day at Nara, which proved so delight- ful that we shall never quite forget it, I hope. The rain had gone, and the sun was shining brightly and warmly as I stepped out upon the verandah and looked abroad. A pretty Japanese garden, with winding water, artistically trained trees and shrubs — the more cherished ones just opening their fragrant blossoms here and there — and gravel paths raked into ornamental patterns, with a background of green and of wooded mountain slopes rising high above all, composed the pleasant picture we looked upon, and from which, refreshed with sleep, one gladly drew further refresh- ment still. We had already decided to devote the whole day to Nara, returning the following day, but nevertheless there was no time to lose ; therefore, breakfast over, we started on our tour of the temples, guided by experienced officers, and attended by a pleasant set of Japanese com- panions and interpreters. Besides a few European coats upon some of our conductors, there was nothing to break in upon the aspect which this part of the old city had worn Jbr more than a thousand years. On leaving the grounds of our temporary residence, we CHAP. VIII.] THE SACRED CITY OF NAB A. 165 stepped at once into the shadow of that huge structure the great gate of the temple of Dai-hutsu — an immense and imposing pile, containing two of the colossal carved gate- keepers or kings previously described, of very forbidding aspect and attitude, but who were less hideous than others of the kind. This great gateway was on our left ; on our right, at a distance of three to four hundred yards, was another gateway to the great temple, the broad road between the two gateways having wide grassy spaces on either side, from which spring many ancient and lofty old trees. The space between the two gates is therefore a broad and beauti- ful promenade for the greater part of the year. Our first visit was to the famous temple of the Great Buddha. As usual in approaches to Japanese temples, there are several shops near to the temple itself. In the centre of the large open space between the lesser gateway and the temple is an immense and very old bronze lantern, large enough for a man to stand in. This lantern was presented to the temple by the renowned hero and statesman Yoritomo, who died in the year 1199, and is seven hundred years old. It is in daily use still. This temple was originally founded and the immense image made by the Mikado Shomu, the forty-sixth of the present line of emperors, and the third of Nara, who died 748 a.d. The temple was destroyed seven hundred years ago, in the terrible civil wars of the twelfth century, and again seriously injured, so that the head of the god had to be recast, in the seventeenth century. The great gateway, how- ever, with most of the other buildings of this great temple, have escaped such injuries, and although constructed of wood have stood as they now stand for more than eleven centuries. The interest of this place centres, of course, in the great god of bronze and gold, who (subject to the mischances just mentioned) has been the wonder of Japan for so many ages past. It has been positively stated by some that a consider- able amount of gold entered into his composition, but those on the spot seem to be uncertain as to whether the gold employed in making him was mixed with the bronze of which he is cast, or applied superficially to him. That much 166 JAPAN. [chap. VIII. lias been applied in the latter way there can be no doubt, and in places in which the gold is visible, and which I closely examined, it seemed to me that it conformed to an external line of ornament in each case, which would indicate that it was superficial only. The dimensions of this god are truly colossal. His height from the base of the sacred lotus-flower on which he sits to the top of his head is 63J feet, and above this rises a halo 14 feet wide, above which again rises for several feet the flame-like glory which arches in the whole figure. The face proper is 16 feet long, its width 9^ feet. The eyes are 3 feet 9 inches long, the eyebrows feet, the ears 8^ feet. The chest is 20 feet in depth. Its middle finger is 5 feet long. Around the head, shoulders, and sides of the god, in front of the halo, are sixteen sitting figures, said to be 8 feet long. The leaves of the immense lotus on which he sits are each 10 feet long and 6 feet wude, and there are fifty-six of them.* The casting must have been wonderfully well executed, although the fineness of the leaf-edges, and other parts which we were able to examine, and the elaborate engraving which can be traced upon the lotus-leaves in the uninjured parts, leave no doubt that the founder’s art was elaborately supplemented by the file and graver. The countenance of the god is less mild and calm * “ This idol was first cast in the year 743. It was twice destroyed during the time of wars in its neigh- bourhood, and the idol which at pre- sent exists was erected about seven hundred years ago. The casting of this idol was tried seven successive times before it was successively accomplished, and about 3000 tons of charcoal were used in the operation. The total weight of metal is about 450 tons, and it consists of the following in- gredients : — Gold . . 500 lbs. avoirdupois. Tin . . 16,827 „ » IMercury . 1,954 „ „ Copper . 986,080 „ „ 1,005,361 lbs. “ It is cast in pieces, and these pieces are joined together by a kind of solder called handaroo, and which answers its purpose very satisfactorily. . . . The various pieces composing the hnage are not fitted together in a very finished manner, but the cement keeps the joints perfectly tight and close. The whole construction is one whieli shows great skill and original genius in the mixture of metals, and in the methods of casting them, and it is further one which will, no doubt, be a source of pride and gratification to the Japanese people for many cen- turies to come.”— E. H. Bruuton Esq., C.E., on ‘ Constructive Art in Japan,’ in ‘Transactions’ of Asiatic Society of J apan. CHAP. VIII.] THE SACRED CITY OF NARA. 167 of expression than is usual in images of Buddha. The right hand is open and raised upwards, the left rests on the lap. The surroundings of this enormous image are interesting, some of them very beautiful. On his right hand is a very large image of Kokuzo, and on his left one of the goddess Kwannon, who here seems to occupy a more pronounced and immediate association with Buddha than usual. In this temple of Dai-butsu, as in many others, there are magnificent bronze vases, some plain and some richly gilded, and many bronze lanterns of equal merit and value. There are also many treasures of antiquity, which we had an excellent opportunity of inspecting as fully as time permitted, as they were arranged in order around the temple in anticipation of an exhibition shortly to be held. Among them were writings of the ancient Mikados defined and preserved by the engrav- ing of the surrounding parts ; some of the weapons used in the invasion of Korea by the empress Jingu Kogo, including a large and powerful bow, said to have been that of the empress herself. There was also the imperial standard of the Mikado Go-Daigo, of the fourteenth century, and the door from the Mikado’s palace on which the famous patriot Nanko, or Kusunoki Masashige, inscribed with the point of an arrow some parting words expressive of his apprehension that he would not return from the war to which he was going, of his devotion to the Mikado, and of his hope that his name would live long in the history of his country. The characters of this inscription are well preserved and perfectly legible. I obtained from the priests what is known to many as a “ rub ” of this inscription. On a later day, going from Osaka to Kioto, the governor of Osaka was good enough to point out to me a pine-tree in the village of Sakurai as the spot on which this warrior, Nanko, took leave of his son before he went “Far down to that great battle in the west,” near to Hiogo, where, his counsels being rejected, he was grievously defeated. He gave to his son, a boy of thirteen, the sword presented to him by the Mikado, desired him to fight for the Mikado as he had done, and was about to do. 168 JAPAN. [chap. Vlll he believed for the last time, and urged him to avenge his death when he was gone. After his defeat he put an end to his life by committing hara-hiri, and a large number of his followers imitated his example, as previously stated. It is said that the son desired to do the same, but being prevented by his mother became a soldier a few years afterwards, and, like his father, fought and died for his sovereign.* But I must hasten over these treasures, some of which were very remarkable indeed. There was, for example (and if I mix up the historic and the fabulous in my summary, the Nara priests must be responsible for the incongruity), — there was a sacred stone with a deep indentation of the very foot of Buddha himself — a very large foot, and that of an extremely weighty personage, judging by the impression made in the granite. There were also no less than four pieces of the bones of Buddha, and some of the eating vessels, incense burners, and other articles employed by him when on earth ; and a few articles likewise that had belonged to his apostles. There was a wooden image of Kwannon, and a bronze shrine of hers, of the date of the thirty-third emperor, who reigned in the sixth century, and therefore before the introduction of Buddhism into Japan. This shrine, thirteen hundred years old, was beautifully adorned with engraved figures, and otherwise. There was an old bell or sounding plate, giving out different sounds when struck in different places, and five metallic mirrors over one thousand years old. There was an ancient tray, upon which had been written, between one thousand and eleven hundred years ago, what is pronounced by specialists to be the most perfect writing in Japan— although what standards the specialists set up I am at a loss to imagine. It is the production of Kobo Daishi, a very eminent scholar and priest, who went to Korea and China to study there the knowledge and religion of that period, and brought back an eminent zeal for the Buddhist faith, afterwards founding in Japan the sect known as that of Shin Gon, as previously related. He was the * See vol. i. chap, viii., on “The Hojo Domination.” CHAP. VIII.] THE SACRED CITY OF NAR A. 1G9 author of a Ja2">anese alphabet, which he introduced very early in the ninth century of our era.* There was also an extremely vigorous contemporary drawing illustrating the rebuilding of this great temple, the principal subject being the transport of an immense log of timber, which was carried upon a four-wheeled truck, and drawn by a large crowd of men. Instead of a whip wherewith to lash the hauling crowd — as in the clever picture, and no less clever imitation, by Mr. Tenniel of ‘ The Israelites in Egypt ’ — the principal character in the picture was armed only with a (johei,^ goheis being, in fact, so far as I could see, the only stimulants brought to bear upon the labourers. There were also some large and magnificent wood carvings, among them being one of the martyred scholar and prime minister Sugawara Michizane, whose banishment was brought about by intrigue in 903 a.d. Here again was a box in which a prince imperial had been put six hundred years ago, and covered with sacred Buddhist writings, and thus smuggled out of the power of his enemies ; here one of a million little turned models of a quasi-pagoda which were distributed twelve hundred years ago at the founding of the neighbouring temple of Horiuji (already spoken of), each containing a passage from the Buddhist scriptures ; here the model of the pagoda of that temple of the same date, made before the pagoda itself was erected, and here boxes of MS. Buddhist scriptures thirteen hundred years old, inscribed in gold on * “ There is another arrangement was contrived for the purpose of of the Japanese syllabary, said to have facilitating the memorising of the been invented by the priest Kobo- syllabary. Being divided into words, daishi, who was one of the most the whole composes the following celebrated Japanese scholars. It celebrated stanza : — ‘ I-ro-ha ni-ho-he-to chi-ri-nu-ru-wo Wa-ga-yo ta-re-so tsu-ne-ra-u Wi-no-o-ku ya-ma ke-fu-ko-ye-te A-sa-ki yu-me mi-shi e-hi-se-su.’ From the first three letters in this — ‘ Outline History of Education in arrangement the syllabary is com- Japan ’ (Philadelphia Exhibit), monly called the I-ro-ha, just as the f A Japanese religious emblem, as English word alphabet has been de- elsewhere explained, rived from the first two Greek letters.” 170 JAPAN. [chap. vm. blue paper. The imperial family, in addition to its dis- tinction as a dynasty lasting through so many centuries, and to its many other claims to notice, has distinguished itself apparently' by producing a wonderful member of the house, who became a hermit, and acquired the remarkable power of eating a certain kind of fish, and then breathing out images of Buddha from his holy lips. An image of this sainted personage is to be seen here. ]\[ore historical pos- sibly are the fragments of clothes worn at Nara when it was the capital of the empire eleven hundred years ago. It struck me as a noteworthy fact that the modern spirit has penetrated Japan so thoroughly that an exhibition of modern works and educational appliances was to be held not only in this odd, out-of-the-world city, in the centre of the country, but in the very temple wdiich for more than one thousand years had been signalised for the colossal character of the idol which there was worshipped. Leaving the great temple of Dai-butsu, we ascended a very long flight of steps, and proceeded to see and hear the large bell, weighing over thirty tons, of the same date as the temple. It was slung too low, owing to an error in the building, and, consequently, was struck below the boss intended to receive the blow, and from this cause possibly, although the sound was mellow and prolonged, it was not pure. We next visited the temples of Nigetsu, dedicated to the goddess Kwannon, who appears under various con- ditions in her temples. The first temple on this spot was the shrine of an image found eleven hundred and twenty-eight years ago, but the building was burnt down and rebuilt one hundred years ago. The approaches to and grounds about this temple were remarkable, even among those of similar shrines in Japan, for^ the extra- ordinary number, variety, and beauty of their toro (fixed lanterns), in stone and bronze. It is not possible to convey readily in words a true idea of the extent to which this system of presenting lanterns to temples is here carried, or a true impression of the beauty of many of them. The Great Temple of Dai-butsu, at Nara. to face page mo, voi. ii. . » CHAP. VIII.] THE SACEED CITY OF NAEA. 171 especially those in bronze. It really would almost appear that the ingenuity of man, moving within certain con- ventional limits of size and form, had exhausted itself in giving variety to them. Even those of stone exhibit great differences of design, and are often beautifully ornamented with carving and engraving. I must observe in passing that the landscape view from the hillsides on which these temples stand is peculiarly tine, and it was refreshing — both at Nara and elsewhere, while visiting a succession of temples, and observing the infinite pains men have taken to get away from the simple elements of religious feeling and worship, and to indulge the rudest and wildest fancies in setting up their own emblems of what is divine — to step occasionally into the open air, in view of some beautiful stretch of scenery, and there, lit with the sun and blown on by the breeze, to he thankful that the power of enjoying the world and works of God is still continued to us. Under such conditions, even the distant temples and pagodas — being distant — seemed scarcely to hurt the beauty and purity of nature. One of this group of Kwannon temples is quite a chamber of the gods. The building is nearly eleven hundred and fifty years old, never having been burnt down, as so many such edifices have been. Of all the gods and goddesses here accommodated I will only mention one, but that shall be a very remarkable one — the Kwannon of a thou- sand hands. In strict truth this sacred lady had not, I believe, so many arms and hands as a thousand : I looked well at her, and although I do not suppose that I saw them all, I could not count many, if any, more than fifty. These were all in use, however, holding cups, lotus-flowers, mirrors, swords, croziers, infant hands, small gods, and many other necessary articles. Another Kwannon goddess here has three eyes. Our next visit was to the Shinto temple of Hachiman of Tamoki, in connection with which is an ancient building used as a safe-house for the temple. It is eleven hundred years old, and is built almost exactly like the log-houses of 172 JAPAN. [chap. VIII. modern Kussian villages, but is raised well above tbe ground. The temple was built in the reign of the empress Kokei, in the middle of the eighth century. We now visited a tea-house a little farther up the hill, from which a very fine view of the valley was obtainable, and where we made the acquaintance of a charming girl, the daughter of the house, who spoke a little English, and who, with her chaperone, completed the tour of the temples with us, adding brightness to the day’s brightness. The view from the house was superb, commanding the whole valley in which Nara lies. The only building in the whole city that reminded one in the least degree of Europe was seen near the great pagoda, a mile away, and this building we found to be one of those normal schools which the present enlightened and progressive government of Japan has established throughout the country. The Shinto temple of Kasuga came next on our route, with its sacred deer wandering about in the grounds, the gods of the temple having brought them there originally from Kashima. Four gods and goddesses have their shrines in this temple, which was built about two hundred years after the temple of Dai-butsu. The four shrines have, however, to be rebuilt every twenty years. It will be worth while to give the names, as they were given to me on the spot, of those to whom these shrines are dedicated, although they will hardly be intelligible to some of my readers. Each shall have a line to itself. 1. Takemikadotchinokami. 2. Futsunushinokami. 3. Amatsukoyanenokami. 4. Himeokami (daughter of the last-named). I believe I shall not be far wrong, however, in identifying these deities as follows. It will be remembered that in the chapter on the Shinto Eeligion I had occasion to mention the gods who descended from heaven to conquer the country for Ninigi-no-Mikoto, and I gave the names as Take-mika-dzuchi, and Futsu-nushi, CHAP. YIII.] THE SACRED CITY OF NAB A. 173 the honorific affix “ no kami ” being omitted in both cases. Now the second of these names is precisely the same as that given me here at Nara, if we omit the same affix ; and the first is so nearly like the other as to leave little or no doubt about their identity likewise. No direct identification of the third god has occurred to me, but I remember that in some accounts it is said that the god who was associated with Take-mika-dzuchi on his mission from heaven to Japan was Ame-no-tori-fune, and that the latter was despatched by the former to summon hack the god Koto-shiro-nushi from hunting and fishing to say if he would surrender the country. It is possible, and even probable, that this may he the third god worshipped here — a supposition which at least has the merit of associating the four gods consistently together ; but whether my conjecture as to the third god be correct or not, only probably Japanese scholars can say. It is, however, beyond doubt that the gods still worshipped in this temple of Nara are those who are supposed to have sur- rendered the country to the present dynasty at the demand of messengers from heaven. At this temple again we found lanterns literally by the thousand — three thousand of them ; no less than six hundred are lighted every night. I hope the priests who were good enough to meet us at this temple and conduct us through it — as, indeed, did the priests of the Buddhist temples already mentioned, usually giving us tea, cakes, and cigarettes wherewithal to refresh ourselves — will forgive me for saying that this very impressive temple derived, in my opinion, most of its nobleness from the truly magnificent old sugi and other trees which everywhere abounded within its precincts, and from the noble avenues by which it was approached. Older or finer trees than many included within the torii of this temple are seldom to be found. The important Shinto shrine of Wakamiya, which we had yet to see before leaving these eastern groups of temples, was made very interesting to us by the circumstance that the priests were good enough to have a religious dance performed for our instruction. The dancers were three 174 JAPAN. [chap. viti. young virgins dressed in red crape, with white robes over, and adorned with two large hunches of artificial flowers standing out like floral horns from their foreheads, balanced by two gilt ornaments projecting backwards from the neck. Three surpliced young men, gifted with a great power of remaining steady for a long time upon one note, led the dance with vocal and instrumental music. Like all Japanese dances, the present one was entirely unlike everything that passes for dancing in Europe, consisting rather of posturing, attitudinising, advancing and retreating, and other such movements, usually conducted very slowly. In the course of the dance the girls each made use of a bunch of bells with silk hands depending from it, as usual in the Shinto dances — in imitation, doubtless, of the goddess Uzume, who, according to tradition, employed in her dancing small hells suspended from a hamhoo cane. The dance was in some respects pretty, as all graceful movements of well-trained young girls are sure to he ; hut I hope it had in it some profounder religious significance than I could discern, for in other respects it was not to he considered inspiriting. They were unfeigned thanks, however, which we tendered to the chief priest for his courtesy in showing me so interesting a spectacle — the first temple-dance we had seen in Japan. We now took omy jmrihis and drove to a hatch of temples, all Buddhist, near the great pagoda of Nara, situated near the centre of the present town, in what has now been its public garden for the last seven years, under the new regime. These temples are all over one thousand years old, and in some of them we find again the Kwannon of one thousand arms, and also one of six arms. It would be tedious here to dwell upon the details of these places of worship, although they were extremely interesting for many reasons. Suffice it to say that in one of them I was presented with a little carved god of wood .as a souvenir, and I am strongly inclined to believe that if he should prove to do me little or no good, he will most assuredly not work me any sort of mischief — which cannot as a rule he confidently said of either gods or men. Before returning to tiffin, we looked at the celebrated CHAP. VITI.] TEE SACREJ) CITY OF NARA. 175 Haneno-Matz, or flowering pine, a tree which, if it be not itself over eleven hundred years old, is at least in the direct succession of a line of pine-trees that have occupied the same spot continuously throughout that period. This in- spection over, we lost no time in seeking our refreshments, after which we gave the afternoon to hunting the old curiosity shops, of which there are a few at Nara which I can strongly recommend to those who desire to possess themselves of some of the remaining antiquities of Japan. It is quite a mistake to suppose that all the old and curious and valuable things have been bought up ; there are many remaining, and to those who care for them the twenty-six miles’ run from Osaka in a jinrihi will he well repaid by a few days spent in this ancient, historic, and most charming city of Nara. Our return trip was a delightful one. Up at seven in the morning, we were soon sunning ourselves in the delicious brightness and warmth, with a pretty and curious garden before us, and old temples, old woods, and old hills all around us, and a sky above us far older than all of them, and yet wrought of material as unsubstantial and evanescent as a dream. The attendant girls, more numerous even than on the previous evening, took leave of us with regards as lingering as if we had known and loved them all our lives, and we were ourselves loth to leave beings so engaging and pleasant as we had found them. But away we went, taking another view of the old home of Dai-butsu among the hills that had sheltered the spot long before he made it sacred — “ Long ere great Buddlia strode Upon his calm, colossal, godlike way O’er the broad rolling rivers of Cathay, By the Korean road. And stepping stormy seas Hither, to mount the golden lotus throne Of Nara, there to rule and muse alone. Through lingering centuries.” Passing once more the grim gatekeepers, away we rolled, merrily through the merry morning, past the old temples and 176 JAPAN. [chap. VIII. pagodas ; among tlie staring people ; between the huge lanterns of the portal, and on to the westward-spreading plain over which eleven hundred years ago the imperial sacred city shone. On our right lay large mounds, the tombs of emperors and empresses, each one of whom has been a god for ages past. Over their tomhs spread clumps of pine-trees, and beneath the pines stand their shrines, to which a people reverent, and with cause, of their ancestral gods resort to breathe forth their simple prayers. About a mile and a half from the present boundary we reached a village, at which the road turned right and left, and it was to this point that the ancient capital extended. Three fourths of a mile on the southern road stands a pagoda, and this, in those old days, marked the southern boundary of the city. The limits are fixed by the names of the roads and villages which indicate the avenues, boulevards, and streets of a city. The temples and pagodas, by the nature of their designations, serve to complete the desired record. The pagoda referred to stands in a village the name of which signifies the Western Temples, and is known to have formed the western limit of the capital, the temples round the Dai-butsu being the Eastern Temples, and forming, as they did then and do now, the eastern limit. The plain over which the city stretched is now cultivated to the last inch of it, but after crossing it, it was easy on looking back, with the aid of a stimulated and sympathetic imagination, to restore the former greatness and glory of the place, the distant parts (those which we had recently left) standing up in the morning light and shining in it precisely as they had done when reality and not imagina- tion made the display. The road-scenes, the village-scenes, the wood-scenes, the mountain-scenes, the river-scenes, of the return journey took their places in the brilliant panorama as we spun along ; and as it was hard to write, even to the extent of jotting down notes, in the leaping and jumping jinriki-sha, I utilised the circumstances (as on similar occasions) by com- posing verses, into which I will hope some of the beauty and the spirit of the time found its way. At a quarter past one we emerged from the gorges of the hills, and at half past CHAP. VIII.] THE SACRED CITY OF NAB A 177 one the white walls of Osaka Castle again glittered in the distance. Before reaching Sakai we turned off to the south, in order to pass through a fine group of Shinto temples and shrines, cover- ing, I should think, thirty to forty acres. Some of the small shrines were so picturesque, both in themselves and in their surroundings, that one was strongly tempted to linger among them, and to sketch, however roughly, the prettiest of them. But this our time did not allow, and we were able only for a moment to witness the sun-goddess lavishing her light upon the shrines and symbols reared in her honour. On entering Sakai, once more the whole population turned out along the line of route, thus politely offering themselves again for inspection. Alighting at the house of a private gentleman of wealth, who was unfortunately too ill to appear, we were received in the kindest manner by the mayor, with whom we were, delighted to see his excellency Minister Kawamura, who had recovered from an indisposition which prevented him from visiting Nara. We found ourselves once more in a purely Japanese residence of a high class, one of its features being a small fish- pond, with very large gold and other fish, embedded in the centre of the house. The house was beautifully built and decorated, and the mayor — who is fond of antiquities, as we saw on our previous visit— had brought for our inspection a fine collection of old Japanese coins, jewels, mirrors, jars, and other articles of very great age. Luncheon was served European fashion for our convenience, but most of the dishes were Japanese, and tea was subsequently made and served by the daughters of the house, in that elaborate and ceremonial style which shows with what care and delicacy even the simplest operations of domestic life may be performed when people can afford the time for studying them. The two richly dressed girls, with their pure Japanese faces, hair curiously cut and contrived after the fashion of the country, kneeling at their tea-service, and attended by kneeling- servants in the background, formed as pretty a picture as you could anywhere find even among the exquisite and varied arts of Japan. But like the pictures of the sun- VOL. IT. N 178 JAPAN. [chap. VIII. goddess which we had just passed, it was one over which -we could not linger, for w-e had arrived late, the hour of four was getting near, we w^ere still from one and a half to two hours’ distance from our residence in Osaka, and we had to dress for a great dinner, with which the day, as we saw" in the last chapter, concluded. THE COLOSSAL DAI-HLTSU OF KAMAKUKA. ( 179 ) CHAPTEE IX. KIOTO, OR SAIKIO, THE WESTERN CAPITAL. Clianges of name — The “ cockpit ” of Japan — Arrival at Kioto — Lodgings in a Buddhist temple — Baths of Maruyama— General view of the city — Temples of Higashi-Otani aud Chionin — The Mikado’s palace — The emperor-god — The throne -room, study, bed-chamber — The apartments of the empress — Imperial gardens — Shinto temple at Shimagomo — A summer- seat of the Mikado — The silver-storied temple — Pastimes of the sacred and secular monarchs — Temples of the eight million gods — Other temples — Government industrial establishments and schools — Female normal school — “Sweet girl-graduates” — Educa- tion of dancing-girls and geishas — A banquet with Buddhist digni- taries — Illuminations — A rashiyama— Fishing and boating on a moun- tain-river — A palace tiffin — Japanese music — The loji temples — Superfluous gods — Another Buddhist banquet — Ancient Japanese and Chinese temple dances — Presents — The gentle Buddha — An historical exhibition — Literary treasures — Porcelain works — Hideyoshi at “ Clear-water Temple ” — Nishi - Otani — National dances — Silk and other factories — Street strolls — Mount Hiyei. On Wednesday the 24th of February we left Osaka for Kioto, the former capital of Japan. When Yedo was made the seat of government, and had its name changed to Tokio, or Eastern Capital, the name of Kioto was officially changed to Saikio, or Western Capital. In the former case Tokio has everywhere superseded Yedo, but except in government documents its old name, Kioto, clings to the western city still. Several of our Osaka friends came to see our party off by the train. Governor Watanabe and Mr. Godai giving us the honour and pleasure of their company on the short railway journey. The route lies through the “ cockpit ” of Japan, where many a hard and prolonged contest has been fought, N 2 180 JAPAN. [chap. IX. tlie last of wliicli was the deadly four days’ struggle between the troops of the Mikado and those of the Shogun, early in 1868, which resulted victoriously for the young Mikado, and gave him that undisputed power which he has since worthily exercised. On reaching the railway station at Kioto, we were met by the carriages of the governor, and driven at once to the Buddhist temple of Kenninji, where quarters had been prepared for us, with careful regard to our European habits, and to the impediments they would meet with in a house adapted only to the habits of Japanese. European tables, chairs, beds, and other similar furniture had been provided, the manufactures of Kioto being richly illustrated by an abundance of beautiful rugs, embroidered silk table covers, cloisonne cigar-boxes, and porcelain services. The walls were hung with kakemonos of rare merit, and in every room were folding-screens of great beauty, some of them displaying the best obtainable specimens of that embossing and embroidering with silk in which the Japanese are excelled by none. The rooms were made still more beauti- ful and interesting by bronzes, porcelain figures, and lacquer work of the best kind. These latter, together with the pictures, were changed daily during our stay in Kioto (as elsewhere mentioned), to increase the attractions of the residence. The house has beautiful gardens, upon one of which our rooms gave, and in sunny hours, of which we had many, was a miniature paradise — without the embarrass- ments of an Eve in this case. After taking some tea, we sauntered forth to the mineral baths at Maruyama, where we climbed a tower and obtained a splendid view of the old historic city, with the crested summit of Mount Atago in front of us westward, and ranges of hills in every other direction. For eleven centuries this city, lying there below us, had been the capital of this extraordinary country, the government of which had always, throughout that long period, been of such a nature as to make the capital the centre of its infiuence. Beyond the city, in the south, lay the ground on which the great and CHAP. IX.] KIOTO, TEE WESTERN CAPITAL. 181 decisive struggles for the dominion of the country had over and over again taken place, the last so recently as 1868, when the troops of the Shogun, who was seeking to obtain possession of the person of the Mikado, were defeated and routed by the loyal troops, whose valour, displayed through three days of fighting, secured for Japan the freedom, the enlightened administration, and the growing constitutional- ism which she now enjoys. After witnessing the beautiful and touching prospect for a time — having each his own thoughts, probably, about the fleeting fates of cities and nations, and the comparative permanence of the old hills and the immeasurably older sun that was then steeping all the scene in warmth and lustre — we strolled to the large and splendid Buddhist temples of Higashi-Otani and Chionin. In a quaint and very brief little guidebook of the city Mr. Yamamoto says of the former : “ Higashi-Otani was constructed about the year 1690 after the Christian era, and its idol was Midabuds, which was thought to be very sacred to the people. For this reason the structure was completed much more grandly than any others. I think it may be called one of the most distin- guished places, for it grants a delightful sight of Kiyoto. It has a comely gate called Karamon, and before you enter the gate you will find .a very nice road with shady trees on both sides.” This is rather meagre information, so I will add that Higashi-Otani is really the cemetery belonging to the great temple of Higashi-Honganji (of which I shall have occasion to speak hereafter), and is under the same control. It is famous as containing the grave of Shinran Shonin, the founder of the great Shinshu sect of Buddhists, as stated in the chapter on Buddhism. There is a noted stone upon the grave, known from its shape as Toraishi (Tiger-stone), which was at the spot where Shinran Shonin died, but was taken in Hideyoshi’s time to the castle ,of Fushimi, and brought thence afterwards to its present place. The buildings are about one hundred and ninety years old. The name Otaiii — which, as wo shall afterwards see, is the family name of the heads of the Shinshu sect — 182 JAPAN. [chap. IX. was derived from tlie ground first appropriated as the grave- place of Sliinran Slionin, upon which now stands the great temple of Chionin, to which we next proceeded. Higashi Otani is famous also for the beauty of its display of blossoms in springtime. Of the other temple, Chionin, Mr. Yamamoto says : “Chionin, where the prior exhibition of last spring [1872] took place, is a large and most magnificent temple in Kiyoto. It was erected by Genkuwu, a successful priest of the Buddhist religion, for the purpose of spreading the religion through this country, about the year 1202 after the Chris- tian era. The present edifice, which is a wonderfully large and splendid building, was built by the illustrious carpenter Hidari Jingoro. There is also a great hell that is 18 feet high from the top to the bottom, and 10 inches thick. It is on the hill to the south-east of the edifice.” On the following morning we commenced our serious survey of the city, and first visited the palace of his majesty the Mikado, entering by the “ Gate of the Sun.” This palace and grounds are of great interest historically, as they exhibit the conditions under which the Mikado existed before the late revolution of 1868, until which time he had been secluded as a sacred personage, whose foot must not touch the ground, and who was to the great hulk of his subjects, and indeed to all, even less approachable than any other of their gods. It was in this palace that the emperor-god dwelt: here he was enthroned, here married, here lived, here died. When he walked in these gardens, mats were laid before him as he stepped, to keep his foot from touching earth, and when he left them, as he rarely did, he was conveyed in a large carriage closed in by screens, and, as he passed along, the people stopped and worshipped. Any eye that saw his sacred form would, the people believed, he blinded by the sight. Here he somehow had to lead his life, with none of the duties of government left to him, and finding it difficult no doubt to wear the hours away, being a monarch and yet a prisoner, a god and yet a slave ! The palace buildings differ externally in no way that an CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 183 untrained eye can discover from the residences of ordinary nobles, or from the ordinary forms of Buddhist temples and temple buildings. It certainly is not superior, or even equal, in construction to many of the temples of Kioto. In the square in front of the throne-room (Shishindeen) were on the one hand a cherry-tree and on the other an orange- tree, which the Mikado Jito planted in the seventh century ; or rather let us say, the present trees had come down in a direct and unbroken line of succession from those planted on the same spots by Jito. The Shishindeen was but little more than a large open room, with a small throne-chamber partitioned off opposite to the central entrance. This chamber contained a chair (in lieu of the throne) and a pair of bronze Korean dogs, whose presence at the foot of the Mikado’s throne was an emblem, I presume, of the conquest of Korea by the empress Jingu Kogo sixteen hundred years ago. On the wall were very good portraits of the present emperor and empress, painted in European style, and lower down representations of thirty-two of the wise men of China. We next went to the ceremonial chamber, outside of which were two bamboo bushes, the object of which was said by my informant to have been to collect birds whose songs and twitterings would wake the Mikado early, at the time when his sleeping-chamber was in this building. After passing through the reception-rooms of the residential part of the palace, we came to a beautiful garden, with winding waters, stepping-stone paths, stone and wooden bridges, and trees trained and distributed after the picturesque fashion of the country. Giving upon this garden was the Mikado’s study, decorated with some of the prettiest and most chaste paintings anywhere to be seen. Passing on through other rooms of residence, looking over, or rather into, other gardens — for seclusion seemed to have been the ruling object with which the gardens had been composed,* — we came to his majesty’s bedroom, an inner room remark- * I say composed, for a Japan- should be regarded as a pictui e, but ese garden is essentially an artistic as a picture with many points of composition, and to be appreciated view. 184 JAPAN. [chap. IX. able chiefly from the circumstance that its walls Tvere through- out adorned with fine and spirited paintings of wild beasts, very evil-looking beasts most of them. I remarked that this seemed a strange class of decoration for a bedchamber, but was told — it is not for me to conjecture with what correctness— that the object was to scare demons from the imperial and divine presence ! Adjoining the bedchamber, with its guard of painted wild beasts, is a small but splendid room, in which his majesty used to keep his valuables, or, as I rather think, the sacred stone or jewel, and the copies of the other sacred symbols of the Shinto religion — the sword and the mirror, of which the originals are at the famous shrines of Ise and Atsuta. Then came a spring room and a summer room, of which the former is adorned with paintings of one hundred animals, while the latter looks upon another exceedingly pretty garden. There were likewise the usual small room for ceremonial tea- taking, a flower- room, and other apartments. The passages of temples and palaces of this kind are usually decorated by paintings upon the natural wood, which often have a very pleasant and effective appearance ; but in this instance I observed that the walls of the long passages connecting the apartments of the emperor and empress are altogether without paintings, and although the empress has very charming quarters, and some of the paintings upon her walls are exceedingly grace- ful and pretty, her rooms are on the whole much inferior to those of the emperor. Near to the quarters of the empress is the wedding-room, in w^hich the imperial couples were married, with a gate close by for the admission of the lady who was to have the distinguished honour of becoming the mother of Mikados. In the gardens were a bridge formed of a single stone, some trees trained into curiously twisted forms, a tea-house, and withal an earthquake-house — not an uncommon provision in this country, which, as w^e found when in Tokio, appears at times to be floated upon earth- quakes. Departing from the palace, we proceeded in our jinrihi- .'ihas to the great Shinto temple of Kamonnoyanoshinsha, CHAP. IX.] KIOTO, THE WESTEKN CAPITAL. 185 at the village of Shimagomo, on the northern side of the city. This is one of the temples the expenses of which are provided by the government. It was built in commemoration of Tamayorihime and Oanamuchino Mikoto, and has two shrines dedicated to them. It is one of the largest temples in or near Kioto, and has been reverenced by the Mikados — so the priests of tlie temple informed me — beyond all others. The date of its foundation is uncertain, but the Kin-sliald states that Kamo was first built in the seventh year of the reign of Sujin-Tenno (and therefore ninety-two years before Christ), and the Kohushi history of Japan says that in the second month of the sixth year of Temmu-Tenno (679 a.d.) Kamo was repaired by the Yamashiro district, in which it stands. My readers will he glad to learn who were the distinguished individuals to whom the two shrines were dedicated, and whose unfamiliar names I have faithfully, and I hope correctly, recorded. I know but little of them, but I am able to state that they stood to each other in the relation of father and daughter, the name beginning with 0 belonging to the father. The daughter, the princess Tama- yori, is said to he the first person who improved the land of Yamashiro, and, if that he true, no right-minded reader will question her claim to a shrine ; while her father Oanamuchi — well, he was the princess’s father, and in Japan the father of every distinguished person is honoured even before the person himself.* But according to one history, he appears to have been personally worthy, for the Nijdiou ShoJci represents that he acted as a guide to the army which Jimmu-Tenno, the first Mikado, sent against the rebellious eastern savages, and enabled it to conquer them | This temple is approached by a long avenue of noble trees. * When a person exhibits par- ticular skill in public, in the wrest- ling ring or elsewhere, the compli- mentary cry of the spectators is equivalent, I am told, to “ Has he not a father?” or “Has be father?” the recognition of the father being the immediate result of individual merit. t I have repeated in the text the information given me on the spot ; but on pages 35, 36 of vol. i. will be found facts which go to show that the deities of this temple are the mother of the first emperor, Jimmu, and her father. 186 JAPAN. [chap. IX. the ground beyond being well wooded. It is, in fact, quite* a delightful open park-like place, resembling in this respect most of the great temples in this country — a beneficent circumstance for the crowded towns in and about which these temples are situated. The buildings and shrines presented the usual appearance of the larger Shinto temples, and, as the movable curiosities and antiquities of the place had been lent to a forthcoming local exhibition, there was but little to see beyond the buildings. The chief priest and his assistants were very pleasant and hospitable, and offered us tea and biscuits in abundance. As we walked back through the long avenue I could not but remember the lines (of Bryant, I believe) beginning — “ The groves were God’s first temples.” I suppose His last will be that “ Temple of immortal splendour ” which holds the worlds ‘‘Within its arching walls of diamond light.” After crossing the bed of one branch of the Kamogawa, which here divides into two, we again committed ourselves to our man-carriages, and started for a hillside summer seat of his majesty the Mikado, called Shugakuin. This we found to be a fine wooded park, containing a large artificial lake with islands, and furnished with numerous tea- and summer-houses, some of which offered delightful views of the Kioto valley and the Atago mountains beyond. Here and there, in selected places, the summer-house tables had been spread with light refreshments, and upon the lake were boats, one of them hung with flags and gala trappings. It was a lovely scene, and one which it was impossible for innocent people not to enjoy ; and we did enjoy it. We boated and strolled and moved our minds over the land- scape, and let the quiet and the beauty of the place have their own way with us — and what a pleasure it is to let the quiet and the beauty of any natural scenery do that in these days of hurrying activity ! I ought to mention, as part of CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 187 the pleasures of the place, that the tables were furnished for the occasion with some of the choicest productions of Kioto manufacture, in the shape of embroidered silk table-covers, porcelain tea-services, cigar-holders and ash-cups of cloissone work, and so forth. Before leaving, we found a substantial tiffin spread in the entrance-house of the park, and this, as well as everything else in this beautiful place, we carefully endeavoured to appreciate. Shugakuin was built about two hundred and fifty years ago by lyemitsu, one of the great Shoguns of the Tokugawa family, whose daughter was married to the Mikado, and who played so signal a part in the history of the country that he has received fuller notice elsewhere. On leaving the imperial grounds we visited, hard by, Mr. Schumako’s large private school, which is well known in the neighbourhood. It is a mixed school of boys and girls, and the opportunity we had of observing the teaching in the various class-rooms convinced me that the instruction there given in elementary knowledge was solid and good. We next proceeded by a pleasant country road, which was very steep and rough in places, and much of it bordered with tea-plantations, to the Buddhist temple of G-inkakuji (Silver- storied Temple), which was built more than four hundred years ago by the Shogun Ashikaga Yoshimasa, who had the best procurable things brought from all parts of Japan for its construction and ornamentation. It was originally his country seat, named Higashiyama-den (Palace of the Eastern Mountains) by Go Tsuchi Mikado Tenno, but now his (Yoshimasa’s) image, carved by a clever contemporary, is one of the principal objects of worship. An image of Amita two feet high, standing in a lotus-flower, which was the object of his own worship, is also still worshipped here. Yoshimasa like many other monarchs and quasi-monarchs has become more famous from a comparatively trivial cir- cumstance than from any of his more serious acts. He was the first person to establish, in a small room (of “ mats ”), into which we went, what is known in Japan as ceremonial tea-taking, to which I have on other occasions adverted. In doing so he acted upon the advice of the 188 JAPAN. [chap. IX. clever friend who, as just stated, carved his image, one Sohami. This Sohami appears to have been a fellow of very various accomplishments, for, besides his carving and his tea-making, he did some very clever painting on a screen, which was shown to us, and he was represented by the priests, who were good enough to take us about the temple, to have been a most learned man besides. We also saw some fine old paintings by the famous artist Kano Masanohu, who, with his son, founded the Kano School of Japanese painters. The tea-room in the Tokindo to which I have referred is further interesting on account of the visits which the em- peror above-named (Go-Tsuchi, who reigned 1465-1501) used to pay to Yoshimasa at this palace, and of the tea-taking that used to he carried on by them on such occasions in this little room. At such times these two — the sacred and the secular monarchs of the country, as they may he roughly called — used further to amuse and interest themselves by the equally harmless processes of burning and smelling in- cense and of composing poetry. Several compositions of the emperor, and articles liked by him, are still preserved in this temple. Yoshimasa died in his fifty-sixth year, leaving instructions that his seat should he converted into a temple of the “ Jen ” sect, which was done, the chief priest, Hosho Shuzai, of Shokokuji, one of the principal Jen temples then in Japan, being appointed to govern the new one. Since then the families of Ashikaga, Konoye, and Nijio, all noble, have furnished the chiefs of the temple, which, until about one hundred years ago, was very flourishing. In front of the temple is a curious winding steep-sided mound of sand, about four feet high, and a frustrum of a cone of the same material somewhat higher, which have been kept up 'ever since Yoshimasa’s time, although they look as if the first shower of rain would go far towards level- ling them. I was told, however, that the hot sun does much more injury to them than rain. There is also a most lovely garden here, hut one with an antique look about it, shrubs, trees, buildings all looking very, very old. There is an old and small separate two-storied CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 189 building likewise, which gives the name of Silver-storied Temple ” to the whole.* It has a parlour or tea-room below, and a shrine of Kwannon above, all looking, to me, neglected, and likely soon to tumble to pieces ; but this may have been a mistaken impression. Within the grounds of this temple there were also some small Shinto shrines, with torii and everything complete. I had often before seen the temple grounds of the two religions, Buddhist and Shinto, running more or less into each other apparently ; nor was this altogether surprising, seeing the efforts made by some of the early Buddhist missionaries and converts to make their own faith include the Shinto — efforts carried by some (Kobo-da.ishi, for instance) to the length of asserting, as previously stated, that the Shinto gods were, in fact, neither more nor less than so many manifestations of Buddha. I had not before observed, however, the presence of the shrines of the one faith entirely within the temple- precincts of the other, as here. Nor could I get any satisfactory explanation of the circumstance. What made the matter still more difficult, perhaps, was the alleged fact that these Shinto shrines dated from the foundation of the place. It was suggested by one of the attendants of the temple that probably they were erected for private worship by the founder, Yoshimasa, before the conversion of the palace into a temple ; but there are difficulties in that explanation of the matter which are obvious. Ginkakuji was visited by the present empress of Japan in January 1877. From Ginkakuji we drove to the famous Shinto temples of Yoshida, which, like the former, are situated upon the open hilly ground on the north-east^ of the city, but are some- what nearer to it. These temples, which were built three hundred and sixty years ago, cover many acres of a beauti- ful wooded hill, with approaches from its opposite sides. They ought to be very sacred temples indeed, for they are * It was the intention of Yoshimysa building with silver leaves; hence to adorn the walls and ceiling of this the name. 190 JAPAN. [chap. IX. dedicated to no less than eight million gods, all of whom are gods of Japan, and all of whom have separate, though slight, consideration shown to them in this place.* There are several shrines at different parts of the temple grounds, hut the eight millions of gods are worshipped in one main temple, with a series of small shrines arranged around in the open air under a tiled canopy. The way the matter is managed is this : the deities are grouped according to districts — returns having been made, I presume, of the number in each district, from all parts of the country — and the name of the district, with the assigned number of deities, is written up in each case. I took a few of the numbers down as they happened to run from one end, and found them to he very variable, viz. 16, 34, 187, 6, fj(), 131, 65, 71, 21, 24, 24, 50, and so forth. It would obviously take an immense number of shrines to make up the eight millions, at this rate, for here we have but an average of less than sixty gods per shrine; but I presume there are some dis- tricts very much more fortunate than others, and that if we could have given sufficient time to the matter we should have found some in which there were deities by thousands and tens of thousands. More interesting to me than this congestion of consecration, if I may so speak, were some of the minor shrines, representing the ancient Japanese archi- tecture. There was one such shrine in which the form of building in vogue two thousand years ago was accurately preserved,! and another of seven hundred years later date showing the same style somewhat elaborated. There were also on this hill of Yoshida the tomb of some of the Mikados, including those of Yozei, who reigned in the ninth century (a.d.), and Nijo, who reignpd in the twelfth century, the former living beyond the age of eighty, and the latter dying at the early age of twenty-three. J Near to Yoshida is the ancient and splendid Buddhist * This is not a very large number, f See illustration on page 136, vol. i. however, when compared with that J These dates and figures are taken of tlie Hindu gods, of which there chiefly from the Philadelphia Educa- are three hundred millions. tion Exhibit. CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 191 temple of Shiuniyodo, which is approached hy a sloping avenue of extremely fine red maple-trees, and is celebrated for its beautiful flowers. This temple was founded about the year 1050 a.d., and was originally the country seat of Sanjo-in, the mother of the Mikado Ichijo, who reigned from 1017-36, dying at the age of twenty-nine. It was once burnt, and rebuilt on the same site. A three-storied pagoda is attached to it. The main shrine is dedicated to the god Amita, of whom it contains a very famous image made hy a priest named Ikakudieshi. The head priest — who, with others, most kindly received and entertained us — was good enough to open the shrine, and permit us to view the god, before whom there happened to he standing at the time what I presume were cups of rice, fourteen in number. This temple contains also a very large and particularly fine specimen of Kioto silk embroidery in a picture (about twelve feet hy fifteen) crowded with detailed figures ex- quisitely worked. It is a pictorial illustration of the description of heaven given in the sacred Buddhist hooks. The adornments of this temple are very rich, the canopy over the chief seat of the officiating priests being a remark- ably fine work. We had still two great temples to inspect before our day’s work was over, the next being the famous Buddhist temple of Kurodani, which is one of the four great temples of the Jodo sect. This is one of those Buddhist sects which came from India through China to Japan, being established there in the thirteenth century. The great Tokugawas belonged to this sect. Kurodani stands in the same quarter (the north- east) of Kioto as the foregoing temples, hut is somewhat nearer the city than they. The other name of it is Shiunzan (Purple Cloud Mountain) Konkai Komiyoji (Temple of Golden Brilliant Light). It covers about eleven acres of ground. The priests of the temple — who, like those of Shiuniyodo, received us well, and entertained us in the temple with tea and cigarettes — gave us a short account of it from a transla- tion of which, hy a J apanese gentleman of Kioto, I take the following passage : — 192 JAPAN. [cflAP. IX. “In tlie fifth year of Shoan, or 1175 a.d., when the founder Yenko-daishi left his lovely dwelling of Kiirodani in Mount Hi-yei [which rises high over Kioto in the north-east] for the j^iirpose of introducing the Jodo sect, he saw on the way to Shiuniyodo, where he used to worship, a wonderful divine exhibition of purple cloud and brilliant light, and on the spot he erected a temple, and from the divine exhibition which he saw he named the mountain Shiun, and the temj)le Konkai Komiyoji.” The temple is, however, known by its founder, who in that age was called by his place of abode rather than by his name. He was known to the people of his day as Kurodani Shonin (a high title for priests), and gradually the temple has come to be known by the name of Kurodani. The temple was burnt down one hundred and four years ago, and after a few years the present structures were built by Jingo Kaurei, the head priest of the forty-fifth generation. The main shrine is that of Yenko-daishi himself; the adjoining buildings are the Amitado, the shrine of Amita ; the Tenrinzo, for the holy books ; the Kwando, the shrine for Kwannon ; the very fine Saumon, or temple gate ; the tomb of the founder ; and the three- storied pagoda. There are also twenty-five dwellings for the priests of the temple. While visiting this fine temple we had the advantage of a con- versation with the priests upon Buddhism, and the sects into which Buddhists are divided. We had still the temple of Nanjenji (a little southward of Kurodani) to visit. This also is a Buddhist temple, but it belongs to a different sect, viz. the great Jen sect, of which it is the principal temple in Japan. Originally it was the pleasure palace of one of the Mikados. I have not any very clear information respecting its conversion into a temple, but an account was furnished to me, and I will give it here for what it is worth, leaving the curious language to stand in connection with the circumstances, which are quite as curious : — “ How the palace came to be a temple is on the following CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 193 accounts : In the beginning of Shoo, as often some wonderful occurrences happened in the palace, so several priests were called from Nara in order to put an end to the occurrences, hut they could not execute their duty. In the fourth year of Shoo, Ninkan Jenshi, the head priest of the third generation of Toki Kuji, was called by the emperor, and he, with twenty priests accompanying him, made prayers in the palace, and then the occurrences ceased for ever, so that the emperor (now retired) became the very deep believer in Jen sect, and came to offer his palace as a temple. In the seventh month of the third year of Shitoku, in the reign of Gokomatsuin-Tenno, Yoshimitsu Shogun gave to the temple, in the name of the emperor, the first rank of the five main temples of Jen sects.” The present main gate of this building is a very large one, and was built by a great general, Todo Takatora, in com- memoration of the many soldiers killed under him in battles at Osaka and elsewhere. It was built in eight months, and is a very imposing structure. Our first hours and our first day in the sacred city having been devoted to sacred residences and temples, we gave our next, in part, to more secular subjects ; and first we visited the silk-factory founded by the local government, the governor of Kioto being good enough to conduct us there and explain its basis and management. And this may be a convenient place for stating that in Kioto, as elsewhere, the government appears to have taken many measures for stimulating and aiding the productions and manufactures as well as the education of the country. Under the city government of Kioto there is an industrial department, the Kuwangiyoba, which was established in 1870 specially for the promotion of the industrial arts, and which has the following branches: 1. An experimental gardening department (Sai- baishi Kenjo), commenced in 1872, for the cultivation of foreign and Japanese fruits and vegetables ; 2. A shoe-manu- factory (Seikuwajo), begun at the same time, for extending VOL. II. o 194 JAPAN. [chap. IX. the manufacture of boots and shoes of European style ; 3. A weaving-factory (Shokkoba), begun in 1873, where silks and other fabrics are woven, principally in foreign looms : this branch sent three workmen to Europe to learn the art of foreign weaving; 4. A physical and chemical branch (Semi- kiyoku), which has a sub-branch at Miyadju, in Tango, 80 miles distant, and which, with the assistance of two foreign workmen, is promoting and teaching the manufacture of chemicals, soap, effervescing and lemon drinks, cloisonne ware, porcelain, etc. ; adjoining it is the Senkojo, for teaching dyeing on foreign methods; 5. The female industrial school, Jokoba, already mentioned ; 6. The Bokujo, or more pro- perly Bokuchikujo, which is an experimental farm, estab- lished in 1871 with the object of improving the breeding of cattle and of teaching agriculture, the foreign cattle and sheep being chiefly purchased in America, and the milk produced being sold in the city ; a branch farm exists at Komo in Tamba, about sixteen miles from Kioto ; 7. A department (Yosanba) for promoting the multiplication of silkworms; 8. A pauper industrial department (Jusansho), established in 1869, with a branch at Dosembo, in the south-eastern part of Kioto county, where agriculture and the manufacture of earthenware are the principal employ- ments of the pauper colony ; 9. A street-sweeping depart- ment (Kuwakaisho), where compost is prepared on the French method; 10. A paper-manufactory, established in 1875. There exist also separate branches for making and teach- ing how to prepare leather, beer, and mineral waters. A museum is in course of formation. As before stated, we visited the Shokkoba, and saw in practice the processes of manufacturing woven fabrics of cotton and of silk, with embroidery. Much of the work pro- duced was strikingly beautiful, more especially in the depart- ments for silk embroidery ; for producing artistic effects in cut pile fabrics (velvets, etc.) by cutting part of the pile only ; and for producing pictorial effects by dyeing velvets. The factory is in a fine building, on the site of a former palace, and a beautiful Japanese garden is connected with CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 195 it, with ornamental water of extreme purity and clearness, abounding with large grey and golden carp. Although I put a few questions respecting the economic results of this and other government manufacturing establishments, I shall not discuss the matter, as everything of the kind here is so new, and all the circumstances of the country and people are at present so entirely exceptional, that no broad and general inferences from the results of their working could yet he drawn. The governor was good enough to take us next to the “ Jiogakko,” or female normal school, established under the auspices of the local government, and in a certain degree under the care of the imperial government. In connection with this school is the “ Jiokoba,” or female industrial establishment, already adverted to. The first-named insti- tution, founded in 1871, is formed with five classes, of which the fifth is the lowest ; but at present only the three lower classes have pupils. The object of this school is stated to be to make girls fit to become good mothers. They must-be thirteen years of age before they can enter, and must pass through a class in six months, undergoing minor examinations monthly, and general examinations in the presence of the governor of Kioto every six months. Some of the students are taught the English language. Boarding in the school is encouraged, the charge for maintenance (food only) being one and a half yen per month (!), the Japanese paper yen being at present about three shillings in value. There is a vacation for the month of August. The subjects taught are those usual in elementary schools, with algebra, geometry, higher arith- metic ; also English grammar and composition in the upper classes. But in addition to the book-learning imparted, the girls receive a very practical education in the duties of daily life. They are taught how to dress, to wait at meals, to receive, salute and entertain guests ; to make tea ceremonial fashion, and to give and take it ; to dispose flowers in vases ; to hang pictures ; to snuff the candles generally employed in all households at present ; to dust rooms ; to eat the larger fruits of the country (melons, etc.) ; to make o 2 . 196 JAPAN. [CHA1>. IX, offerings to the gods, and so forth. In the other school, or industrial establishment for girls, there are six classes, in which the instruction is chiefly in the various kinds of needle-work and weaving. In the lowest class the girls are taught plain needle-work ; in the next, plain weaving of cotton, with advanced needle-work ; in the next, the weaving of cotton with patterns, the rearing of silkworms, and the mode of making the broad girdles which form so striking a part of the female costume in J apan ; in the third class, the weaving of silk with cotton, the making up of the tobacco- pouches (which are in universal use throughout the country), and the making of plain dresses are taught ; in the second, the weaving of silk with patterns, and the making of dolls’ dresses, foreign dresses, and silk coats ; and in the first class the girls are practised in every kind of silk-weaving, and in the making of lace, of dancing dresses, and of cere- monial dresses. The pretty and useful art of composing pictures of silk cut out into suitable designs, and -pasted upon a groundwork of cardboard, is also taught, and taught very successfully, in this class.* There are at present one hundred and nine students in the Jiogakko, and one hundred and ninety-six in the Jiokoba. Our visit to the normal school was very interesting. Outside of it, as we approached, “ the sweet girl-graduates ” were ranged on either side in their pretty costumes, bowing low as the party of visitors passed in, and remaining so till all had entered the building. Two of the pupils played to us on the Ixoto before we proceeded to the class-rooms, in the first of which were twenty -four girls (all Japanese save one), who are instructed in the English language by an American lady, Mrs. Arnold, who was present, and who invited us to hear some of them read. Several read accord- ingly, and all of them with considerable skill, notably Miss Yo Tamatei and Miss M. Omori, both of them quite young girls. In the next class-room were six young ladies com- * Two i)i’etty specimens of this class of art were presented to my son and myself. CHAP. IX.] KIOTO, THE WESTEItN CAPITAL. 197 posing pictures of raised silk, after the manner just adverted to, with exceedingly good effects. We then passed through a room of one hundred girls, all engaged in making dresses, and in needle-work of a similar kind, and I am hound to say that they were an exceedingly pretty set of young ladies, worthy to take very high rank among the beauties of Japan, and fit to compare even with the charming Osaka girls. In the next class-room were six pupils working with sewing- machines, and in the next twenty-five, most of them weaving, the remainder engaged in brocade-work and rug- work. In the succeeding class rooms were thirty girls reading Japanese history aloud in succession, with lifted voices and pronounced emphasis, but with what ‘ amount of merit in other respects I, unhappily, could not judge. (Here, as in all other Japanese schools which I visited, the reading aloud of a passage from a book was immediately followed by explanations from the pupil, in order, I presume, to prove that the text was properly understood and appre- ciated — a very good system if loyally pursued — but it appeared to me, in almost every instance, that the explanations were delivered in precisely the same style and just as fiuently as the text, and were therefore possibly not the spontaneous and immediate products of their own minds.) In the next class-room thirty girls were reading books written in the Chinese character and grammar, but with Japanese meaning ; in the next, twenty girls were doing arithmetic with English- figures ; in the next, twenty-three performing embroidery, and making up pocket-books, tobacco-pouches, etc. ; and finally sixteen were drawing pictures of flowers, trees, etc., in that bold, swift-handed, and dexterous style which is the charm of this branch of Japanese art. I could not help linger- ing in this room among the floral beauties that were springing from the fingers of these pretty Kioto girls, nor could I refrain from begging one of the pictures as a reminiscence of the pleasant scene. The whole sixteen were, however, sent afterwards for my acceptance, and with them two additional drawings on silk of perfect loveliness, as I think them, from the hand of the graceful young lady who was the teacher of 198 JAPAN. [chap. IX. the class, and over whose work, while I was present, I stood with what was probably ill-concealed, or unconcealed, admi- ration. I need not say how I value these treasures derived from this interesting school of three hundred girls in the heart of the once-sacred city of the once-exclusive empire of Japan. But the best treasure brought from it was, perhaps, after all, the knowledge that Japan is now governed by a monarch and ministers who appreciate, and are resolved to extend to boy and girl alike, the supreme blessing of edu- cation. Many a time has this reflection already been forced upon me in this country, but it seems a fitting place here to record it, when one is speaking more especially of what he saw in this female school of the good work being done, and done throughout Japan not for the stronger sex only, but for the weaker likewise. “If she be small, slight-natured, miserable, How shall men grow ? ” The government of Japan seems to have asked itself this question, and the answer it has given to the world may be read in schools scattered all over the country. From the normal school we proceeded to a crape-factory, to see the manufacture of chirimen, a branch of industry I do not remember having seen before, ’and one of considerable interest in this country, where this soft and pretty material is so largely worn. In the course of this afternoon we visited no less than four silk-factories, witnessing, among other things, the production of some exquisitely figured silk velvets, and other goods of that class. These silk-factories in Kioto are on a small scale, but numerous, the choicest and finest manufactures for the Tokio market being produced in some of them. In one we saw under manufacture some exceedingly rich brocaded silk ordered by the household department of his majesty the Mikado, and I am much mistaken if these were not the identical fabrics which were at a later period presented to me by his majesty’s command in the imperial palace at Tokio. Our visits to the silk-factories were suspended at luncheon time, which was usefully and pleasantly spent at Karakuko, CHAP. IX.] KIOTO, TEE WESTERN CAPITAL. 199 a large school for young men and women established in a splendid building which was constructed a few years ago as the palace of a prince who has since gone elsewhere to reside, and which was no doubt obtained at a moderate cost for its present purpose. This school is in some degree assisted by the government, but is mainly a private one, having two hundred and sixty pupils. We passed through the various class-rooms, hearing the pupils read and expound what they read, and testing, so far as in us lay, the quality of the education given. As a rule, we found the metliods of instruction good, and the teachers combining clearness of exposition with that patience and good temper which are indispensable, especially in the instruction of the very young. There was a girls’ branch to this establishment, where we saw a large number of pupils busily engaged, most of them on needle-work at the time of our visit. Some pretty little specimens of the work were handed to us as mementoes. In return I must do the girls of this school the justice to say that, individually and collectively, they were as pretty as their fellow-students of the normal school, which is the highest compliment I can pay to the beauty of schoolgirls in Japan. Another deeply interesting educational establishment which we visited the same day is a female school of industry, where dancing-girls, geishas, and other such young females can receive some elementary instruction, and he taught the domestic arts which are necessary to wives and mothers. Until this kind of institution was started, this class of girls in Japan, and especially in great cities like Kioto, were in a very unfortunate position. Highly educated in the arts of dancing, singing, and waiting at meals on men, their education in other respects was quite neglected, and consequently the ordinary avocations of respectable life, and especially of married life, were closed to them, or open only under the gravest disadvantages. They not unfrequently married well, I am told, hut they were usually very unfit for their new duties in such cases. Under the present regime of Japan, and with the greater 200 JAPAN. [chap. IX. respect which is now becoming felt not only for the women blit for the men also of the trading and poorer classes, the neglect of this large class of young women and mere girls has been so much deplored that schools of industry, ex- pressly designed to fill up their spare time with instruction in matters that wives and mothers should understand, have been established in different parts of the city, and receive the cheerful support and assistance of the government. We found a number of geishas and dancing-girls busily occu- pied, in the interval of their usual occupation, in receiving instruction in elementary knowledge, and especially in the use of the scissors and needle. The interest which is taken in these institutions by the governor, from whom the pro- posal to make the visit proceeded, is a good omen for their permanent success, until superseded, let us hope, by a wholly improved method of employing the maidens of Japan. On the evening of this day we had the honour of dining at the palace of the chief priest of the Eastern Church (Buddhist, Shinshu sect), wdiose invitation, conveyed through his eldest son, had reached us some days previously at Osaka. Those who know the state of things that existed some years ago will alone know how to duly estimate this invitation. The chief priest (or archbishop) was himself at a distant part of his diocese, and the duty of entertaining his excellency the minister of marine and our party devolved upon his sons, who performed it with a cordiality and kindness not to he surpassed. In view of the desire I had shown to visit the temples, it was part of the programme of the afternoon or evening that we should first inspect the temple of our hosts, Higashi Honganji, where we were received by them, and conducted to an apartment in which tea and sweetmeats were served. We were then taken to the shrine-temjile, and went carefully through it. It is not one of any great importance, being hut a temporary edifice erected to take the place for a time of the splendid structure which was burnt down during the fighting between the troops of the Mikado and those of the Tycoon in 18G8. The original temple was built by the chief priest Kionin Shonin, two CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 201 hundred and seventy-six years ago. In one of the shrines is the god Amita, and in another the image of Kionin Shonin, carved by himself. In the year 1876 a.d. the high title of Kenshindaishi was given to Shiriran Shonin, the founder of the Shinshu sect, of which, as I have said, our absent host is the eastern metropolitan. To reach Kikokute, the palace of the archbishop, we made use of our jinriki-shas, and after again refreshing our jaded selves with tea, strolled into a large and beautiful garden, where, gay with bright flags and curtains, lay at the hank of a lake a fine large barge, carpeted and cushioned, and provided with tea, fruit, cakes, cigars, cigarettes, and other comforts suited to our exhausted condition ! Lest we should require something before actually embarking, an elegant lake-house standing out over the water was bountifully provided with similar necessities — such was the forethought and over-abundant hospitality of our entertainers. The warm atmosphere, the coloured light of the evening, the repose of the lake, the beauty of the islands in it and of the banks beyond, the alluring ease which the boat offered, and that desire to get afloat which ever besets the Englishman, all combined towards one end, and we were speedily gliding- over the crystal calm. There were on the island and banks many objects to attract the eye and gently interest the mind. There was, for example, an old stone pagoda-like monument or To ; it was very low down, and partly submerged, but it was to the memory of a great name, no other than that of Kawarano, Sadaijin, a minister who flourished between seven and eight hundred years ago. There were also some very curious old stone lanterns, which, with their quaint sculpturings of sun and moon and other devices, are always pleasing to look at. There were likewise fine old trees-, with their roots half out of the earth, and their shining summits steeped in the coloured sun. All about the place were large bronze cranes, which, although found to be bronze on suffi- cient inspection, at each new appearance seemed to be on their way from somewhere to somewhere else. AVe landed on the island, and stood upon the site of an old tea-house, 202 JAPAN. [chap. IX. now burnt down, but which till then had been notable for its ceiling of spears, brought from the battle of Sedsa- gatake, at which seven of the great Taiko’s troops so much distinguished themselves with spears. Ke-embarking, we remained upon the lake till the sun went down behind the hills and began deepening its colours and preparing for the splendid end. Then we landed, and, having still a few minutes to while away, spent them, boy-like, in racing, leap- ing, and other preparations for dinner. And what a dinner ! Although served on a table, it was (by particular desire) Japanese in its character ; it proved to be Japanese, too, in its profusion. I must admit that on this occasion again I was not happy in the use of my chop-sticks, but resolutely I played them, to the exclusion of the knife and fork, though these were provided. Making every allowance for the superior enjoyment which a travelling Englishman would be sure to experience at the table of a Buddhist archbishop in his own palace, whatever the dinner might be, I must maintain that we dined in a manner more than worthy of the occasion— with all due deference to the minister present, be it said. I could not possibly have dined better at my club in St. James’s (and I am homely enough to prefer my dinner there to any which the cafes of Paris or the trahtirs of Eussia produce), although it is true that one has at home to dis- pense with raw fish and seaweed, and other like luxuries of the East. But a choice and lavish banquet was not the only source of enjoyment provided for us. A series of musical and dramatic performances — very much more than we mean by dances, though called by that name — were per- formed throughout the dinner, by performers of the highest class known to Japan. The strange but obviously masterly singing, instrumental music, and pantomimic action of the various artists, coupled with the splendour and w^onder of their costumes, were to me so interesting that I frequently found myself giving more attention to them than to my own performances with the chop-sticks or the salie cup, a lapse * See vol. i. p. 197. CHAP. IX.] KIOTO, THE WESTEBN CAPITAL. 203 which, I hope, was forgiven me by my hosts, and will be by my readers. The so-called dances presented were the following, which may possibly be familiar to some, viz. — 1. Motchiduki ; 2. Isigami ; 3. Suminuri ; 4. Tsutchigumo ; 5. Wtsubosaru. I confess that these names have not a familiar appearance to my own eye, but others may be more fortunate, and better versed in the drama of Japan. During the dinner another surprise was prepared for us in the form of a brilliant illumination with coloured lanterns of the lake and gardens. A prettier sight of the kind could not well be anywhere produced. After the dinner and the dances came some of the renowned jugglers of Japan, of whom one very old, very stout, very testy, and very clever representative achieved great distinction, and received great applause. I shall only name one or two of his successes. One was the taking of a small glass globe, about four inches in diameter, and putting a little water into it, and then, without any means that we could see or divine, causing this globe first to become full, and then to play like a fountain, which rose and fell at his command, or as he played upon it with his fan. He also caused the water apparently to play upwards from the bowl through his fan, through any part of it as he pleased, and also to assume various inclined direc- tions, and, in a word, to do whatever he desired. Another of his tricks was to produce a number of paper lanterns, complete, with candles and suspension loops, from a bowl of water, and to cause them to become lighted when he pleased after they had passed from his hand and had been hung up at a distance of several feet from him. One of them would not light, being, he said, too wet ; but after a few minutes had elapsed, he commanded it to become lighted, and it instantaneously became so. At this dinner, as at that at Osaka, the great compliment of placing before an honoured guest a large stand of artificial plants and flowers was again paid. On this occasion the principal figures represented figures dressed in old Japanese costumes, and there was also a fine vase, many beautiful flowers, and other ornaments. The whole of these were cut out of the long turnips of the 204 JAPAN. [chap. IX. country, and very cleverly coloured. I find that one may always expect in such picture-models to find the pine, the bamboo, and the plum-tree represented, as they were in this instance. After rising from the table, we devoted our- selves to the examination and enjoyment of the many works of art about us, including rare hooks and scrolls of drawings, some of great age and rarity, and others more modern, hut of marked merit. After taking leave of our liberal and court- eous entertainers, we took our departure amidst a blaze of lanterns and basket-torches, and through a crowd of spec- tators, who were hut ill-rewarded, I fear, for their patient waiting. I heard afterwards that the preparations for this afternoon and evening’s proceedings were much greater than appeared even to a careful observer, including a new floor for the dances, and other works requiring time and arrangement. The whole affair was entirely novel in the palace of a Buddhist archbishop, and must certainly have been due to something lying very much beyond any claims to considera- tion which even generous friends may credit me with, and hut for the post of honour being assigned to myself I should have concluded that Japanese archbishops pay wonderful respect to their ministers of the crown. Our next day at the sacred city (Thursday, -27th of February) was commenced by an exceedingly pleasant little expedition to the beautiful village of Arashiyama, and by an ascent up the still more beautiful river beyond it. The hospitable governor of Kioto had caused all necessary arrangements to be made for carrying out the trip promptly, and at half past nine we started, a train of a dozen jinrild-slias, to the western part of the city, and beyond, through the garden — for it practically is a vast garden — which stretches away to the hills. Our road lay along a small canal, fed by the mountain streams, and floating scores of boats laden with the produce of the upper lands, chiefly consisting of wood, either in its natural state or in the form of charcoal. Owing to a police officer in n jinriJci-sha going a little ahead of the party to clear the road — a necessity where the roads are narrow and without footpaths, and where even jinriki-shas CHAP. IX.] KIOTO, THE WESTEllN CAPITAL. 205 might do much mischief to children and others if no such precautions were taken — the whole population of the city and the villages turned out to view the transit of the tra- vellers, and thus, here as elsewhere, afforded us an excellent opportunity of seeing them, and observing all their differ- ences of physical aspect, costume, relative cleanliness, and so forth. And here I may remark that, from the same cause, no doubt, we had continual opportunities of seeing the people, and as our route usually lay along fresh lines of thoroughfare, we must have had a passing glance of most of the population of the city and suburbs. And very great differences were observable, more particularly on this occa- sion, when the people of some of the villages appeared in several respects so different from those of others as to suggest, if not a difference of race, at least very marked results of some form of exclusive intermarriage, either on a small or a large scale. After a short drive — if one may call that a drive in which there is no driving to be done, the drawing being done by a man, and therefore in some important respects an equal — we passed through the busy forest-fed village of Udzumasa, and soon afterwards reached Arashiyama, on the hanks of the beautiful Oigawa, and alighted at one of its three well-known tea-houses. From the balconies of this house we obtained fine views of the upper river, and of the high and richly wooded hills beyond. The trees are chiefly cherry * and red maple, and when the former are in flower, in April, the mountain-side is said to present, and doubtless does present, such vast masses of fragrant pink blossoms that the people of Kioto are attracted out in large numbers to t?ie place. In front of the village the river spreads out into broad shallows, with contractions of the bed in places, forming small rapids, down which boats and rafts were frequently gliding, and up which the boats were poled or punted with considerable skill. Large light boats (formed of planks 1 J inches thick, placed edge to edge. * The Japanese cherry-tree differs beauty, colour, and odour of its from ours, and is cultivated for the blossoms. 206 JAPAN. [chap. IX. fastened by sunk nails, and caulked like the Japanese j links, witli a fibre that swells in water) were prepared for ns, as usual with tea, cigarettes, and other necessaries of life, and a number of local fishermen laid out their nets around a deep place, to exhibit the system of fishing there pursued. By stretching a net with sinkers across part of the stream, from the surface to the bottom, the ends bein^ carried higher up stream than the middle, and by then stretching from these ends another such, but shorter, net, the boats and fishermen were inclosed, and the fish with them. The water being singularly pure and clear, the fish were then looked for, and when seen had a light hand-net thrown dexterously over them. Men, stripped for the purpose, then dived after the entangled fish, and brought them to the surface. Our boat was soon afterwards taken in tow by three men, each with his own long and very light tow-line separately attached to her, a man at each end with a pole guiding our course, and away we went up the river, which almost imme- diately began to contract, and to pour down against us over a bed of immense rocks and boulders, and through channels so narrow that it seemed scarcely possible for our boat to pass. However, as we drew but about seven inches of water with twelve of us on board, on we went, smoothly gliding along the smoother places, and lifting up our bows and fairly climbing up the steep and rushing waters when the necessity was forced upon us. In some places the boat was but a few inches narrower than the channel, even in the steeper parts, and at others a way for boats had only been obtained by the building of a sort of loose canal wall in the stream at a boat’s width from the shore. The day was fine and warm ; the river pure and full of refreshing sounds ; our tow-ers swift, our steersmen alert ; and nothing was wiinting to the success of the governor's kindly devised excursion. If any other excitement had been needed, it might have been drawn from one of the prettiest pieces of mountain sport that I have ever seen, which occurred before we turned our boat for the descent. High over our heads CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 207 four red deer came bounding from the forest, and hurrying down streamwards as fast as their occasional bewilderment and hesitation would allow them. Presently, still higher above us, appeared the sportsmen, who saw their game hut could not fire without running the risk of bringing down in our boat the first man of their own city, and a few others of less importance (his excellency was not with us), but still valued, doubtless, by some one or another. They therefore generously refrained for the time from what must have been a great temptation, seeing that even in England itself friends far too frequently get so eager after a partridge or a hare as to shoot each other’s eyes out. The deer, however, seemed so little disposed to spoil sport that they made the best of their way toward the guns, and after a third dis- charge one of the herd came rolling down the hillside. It was brought to us for inspection later in the day (with the path of a bullet through its poor little innocent heart), and subsequently passed through the kitchen on its way to our table, and probably now is, more or less, a part of the brain that thinks and the hand that writes this.* The Oigawa Piiver is as unlike the Thames as it could possibly be, but its wooded banks, or rather the wooded hills above them, are in places suggestive of the Thames at Maidenhead, only bcJth sides of the river are equally fine, and the hills are continuous as far up as we went. The governor in- formed me that he frequently has to ascend the Oigawa to a place 8 miles above Arashiyama, and that it can be ascended for 20 miles from that village. On our way we passed several boats and trains of boats, shooting the rapids and sliding swiftly towards the city, and after a while our own boat was turned, and we commenced the descent in like manner. It was a repetition in miniature of the descent of the rapids on the St. Lawrence made six months before, and required as much knowledge and skill on the part of our pilots as is possessed by the old Indian who boards the Montreal boat for a like purpose, and settles * This passage was written, of course, a few days afterwards. 208 JAPAN. [chap. IX. down quietly and proudly to his task though devoid now of his feathers and painted splendours. In many places the thin bottom of the boat was lifted into a series of waves by dragging over the rocks, hut suffered little from it. A little further fishing with lighter nets on a different system on the Arashiyama hank completed our river experiences. A mile and a half’s drive after landing, along the wooded bases of the hills, brought us to the Shinto temple of Mat- suno Jinsha, which is one of the largest of those which the imperial government support pecuniarily. It is a very fine temple and beautifully situated, close to the foot of a wooded hill. It was founded nearly twelve hundred years ago by the order of Mommu-Tenno,who reigned from 697 A.D. to 707, but it has been thoroughly repaired four times : the present buildings are three hundred and thirty-two years old. It has three shrines, but only one god, Oyamaku, and one goddess, with the interesting name of Ichikishima- himeno-mikoto, which being interpreted means, I am told, that she was the princess Ichikishima, and belonged to the imperial family of the Mikado. The temple bore marks of its association with the imperial family in the form of drapery bearing the imperial crest, and of a pair of Korean dogs (or lions, as some people call them, with little fear of being proved wrong) in front of the principal altar. Our drives and our river expedition having occupied some hours, and stimulated us with plenty of fresh air, our thoughts involuntarily began to turn towards our physical refreshment, and I was not surprised to learn that this formed the next part of the programme of our thoughtful hosts. I was surprised, however, and delighted at the arrangements which displayed themselves, when after another drive — during which we passed a large government paper-manu- factory and a macaroni-making establishment, both attracted by the purity of the water — we alighted atKatsuranogobesso,* the country seat of one of the members of the imperial family, where luncheon was spread in an open room, with * This palace was built by the great Taiko for the prince of Hatchijouomiya. CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 209 one of the most beautiful gardens that I have seen lying steeped in sun and silence. The palace floor had been covered with carpets and rugs of Kioto manufacture, and furnished European fashion for the occasion, the table de- corated with beautiful plants and flowers, while a boat hung with flags awaited us on the lake, and in a lake-house screened by trees a band of men-musicians discoursed the sweet strains of Japan, so that all that man and Nature could together do to make things pleasant had been done. Luncheon com- menced, the band struck up ‘ Great Feast,’ followed by ‘ Great Peace,’ ‘ See the Conqueror marching back to his Castle,’ ‘ Long live the Son,’ and other Japanese airs, some of which appeared to me to approach much more nearly to European music than any I had before heard. In ‘ Great Peace ’ I was reminded of quiet passages in the ‘ Pastoral Symphony ’ of Beethoven. During the tiffin, the suscepti- bilities of my son and myself were a little shocked by one of the attentions shown us, which consisted in serving alive a large fish taken in the morning, one side of it being almost entirely carved to pieces ; but the carving so done — this being the proof of skill in the artist — that the fish was still quite alive, and had, it seemed, a reproachful look in its moving eye as it was handed round. I know that it is idle to attempt so to live as Never to blend our pleasure or our pride With sorrow of the meanest thing that feels,” for we are continually inflicting sorrow upon something or somebody, and far too often upon some of the nobler “ things that feel ; ” but let us hope that we avoid this as often as possible. At any rate, I was obliged to excuse myself from sharing in the delicacy so much appreciated by some of the party. In a little conversation which followed, I was re- minded of our own mode of slaughtering calves and other- wise torturing animals, and had recalled to my recollection the fact that until the civilising influences of Europe reached Japan, and up to fifteen years ago, the slaughtering of oxen, either old or young, was forbidden there, and considered to VOL. II. p 210 JAPAN. [chap. IX. be brutal. After lunclieon, the governor did me the honour of giving my health, and we then adjourned to the lovely gardens, where for some time we gave close attention to the music, and the instruments for producing it. A trip on the lake concluded the entertainments of this very delightful place. We now drove to the great Toji temple, which is the chief temple in Japan of the Shingon sect of Buddhists, founded by the illustrious Kobo-daishi. It is sometimes known as Kiyoo Gokokuji, and was first built ten hundred and eighty- two years ago, by order of Kuwammu-Tenno (782-805 a.d.). The principal buildings are as follows : 1 . Sai-in, which was originally the dwelling-house of Kobo, where hangs a likeness of himself. It was last rebuilt five hundred years ago. Here is Bishamon, one of the seven gods of wealth. 2. Jokido, with a Kwannon of a thousand hands, over one thousand years old, attended by four guardians of less age. Over this god- dess there is painted on the ceiling an immense and splendid dragon, in black and white, executed sixty years ago by an artist, who received 200 yen, say £40, for drawing it. The priest who kindly received us and showed us through the temple smiled as he communicated this last piece of informa- tion, but whether at the munificence or insignificance of the sum I know not. In this building, if I remember rightly, there was a large collection of gods and lanterns, and other works of art from other temples, and among them an exceedingly clever group of three monkeys, one closing his eyes, another his ears, and another his mouth, with his hands in each case, possibly suggestive of things which so intelligent an animal thought it well to avoid seeing, hearing, or speaking of. We afterwards found this group to be 'popular and oft- repeated in Japan. It must not be taken as unkind if I remark that the gods do not improve in appearance or dignity on being jumbled together in a crowd as they are here; give one a shrine to himself, cover him with a curtain but seldom opened, keep the people at a little distance from him, set him in a dim religious light if seen at all, endow him with great age, and treat him with a fair amount of reverence CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 211 and ceremony, and he must be a very poor image indeed if he does not answer the only purpose for which, so the priest positively assured me, he is ever intended, ^viz. that of re- minding us of one whom we cannot see in person, and whom it is most necessary to remember. 3. Kodo, where are to be seen five large statues, and also a superb set of four holy guards, the latter produced by the great Kobo-daishi himself. It was not by any means by wood-carving that Koho-daishi made his reputation and became the founder of a great and powerful sect, hut these fine and vigorous works of his hands indicate how great a force there was in the man. 4. Kondo, wherein is another set of much smaller statues, about three feet in height, but twelve in number, also carved by Koho- daishi, and indicating the same wonderful power in the man as an artist. 5. Toba, or the Pagoda, which is 18 feet square, and 180 feet in height. The first pagoda was burnt down two hundred and forty-six years ago, and the present structure rebuilt by the Shogun lyemitsu. At present it possesses hut a poor assortment of images. There are in these Toji temples other more remarkable gods, including two called Bouden, each with three heads and four arms ; but the great charm of Toji to me — and it had a great charm — was the fact of its standing, like so many other Japanese temples, in a fine open wooded park, where the people cannot come without benefit, and which supplies liberally that free breathing-space which our cities and towns at home so often need. I wonder whether the time will ever come again when religious sects in our country will contrive to minister to the minds and souls of the people in temples round which the open air of heaven can freely circulate, and where in the shade of trees, and with the conveniences of life provided, they can be made to feel that religious worship can be asso- ciated with a noble regard for body and soul alike ! At any rate, I feel grateful to the priests and demi-gods and Mikados and Tycoons of this country that they have not made prisons of their temples, but have liberally secured for the crowded people the blessings of air and light, and all the other blessings which attend them. p 2 212 JAPAN. [chap. IX. I must admit, however, that life has not always been, and may not always remain, couleur de rose even at the Toji temples. The storms of war have ravaged them too often, and nine hundred years ago some of them were shaken down by an earthquake, together with other temples, and a few palaces in Kioto, no less than fifty precious priests being crushed into utter inutility in one temple alone. From the Toji temples we drove by appointment to the great Shinshu temple of Nishi-Honganji, at which the archbishop of the Western Church had previously invited our party to share his hospitality. This is a famous and splendid temple, and a cordial invitation from the head of the (western) Shinshu faith to dine there was one which could not be other than welcome to a stranger like myself desirous of seeing the inner life of the country. Our reception and entertainment were in every way worthy of our host, who, with his brother, spared no pains to make us welcome and happy. At the entrance-door of the temple-palace we were received by the brother of the chief priest, who, after conducting and introducing us to his eminence, if I may so call him, and offering refreshments, conducted us through the temples, and then to a garden and a house which was formerly the summer residence of the great Taiko (Hideyoshi), with reminiscences of whom the place abounded. Here the chief priest, a man comparatively young, and of handsome presence — whose office, by-the-by, is hereditary — ^joined us and went with us over the place. The house was perfumed with sweet-smelling incense, and in one of the rooms the art of burning it ceremonially was shown in detail, and with various woods producing different odours, it being explained that one of the modes of amusing the guests of priests when time has to be past is to produce different scents, and set the guests guessing the wood from which it was produced — a pastime obviously requiring, for its suc- cessful pursuit, some experience of temple life and incense- burning. There was no time in the present instance to study this mode of amusement, nor even to see the ceremonial system of burning the incense fully carried out, hut what cirAP. IX.] KIOTO, TEE WESTEBN CAPITAL. 213 we saw sufficed to show how pleasant a pastime the produc- tion of sweet-scented incense may he made. In the same room was shown another and more artistic form of pastime, a very pretty landscape with sea, formed in a tray with coloured sands, a piece of greystone that had belonged to Yoshimasa being employed as a rock or mountain in the model. In a tea-room was a letter written by the Taiko to an ancestor of our host, himself a chief priest of the sect and temple in Taiko’s day. In one of the windows was Taiko’s crest, formed by the mere cutting of the crest through a wood panel, showing the crest in light. We ascended a tower in this building known as Taiko’s Tower, which had served as his private study, and in which he had, with great ability and ingenuity, painted a picture in gold dust, so laid on and placed with regard to the light that it was impossible for even the most privileged visitor to see it without bowing himself almost to the ground, of course in Taiko’s presence. After a long stroll through the buildings and gardens, we proceeded to the temple-palace, and there, in a very large room, sat down to dinner, a dozen of the principal guests at an upper cross table, our subordinate officers and attendants at a separate table at some distance from the others. On this occasion, as on the previous evening’s entertainment, our hosts sat in the lowest seats at the main table, at two short side- wings arranged for the purpose. We dined at a table, sitting in chairs, but in all other respects the sumptuous dinner was served Japanese fashion, as I had desired, and included besides the usual luxuries some special ones, such as choice portions of whale, etc. Our hosts were most kind and considerate, occasionally leaving their seats and coming to make inquiries, or to give information respecting the dances. These were performed by the festival dancers of the temple, and accompanied by the temple band and singers— all men and boys. The dresses worn were those used at the great ceremonials of the church, and were quite wonderfully rich and imposing. The dances were also the ceremonial dances of the church, most of them being derived 214 JAPAN. [chap. IX. from India through China, hut others of them being purely Japanese. Some which had been brought from China had ceased to he performed there, and can only now he seen in this temple. Although in China they were performed with songs, it was found that the songs were not suited to Japan, and consequently have never been used there. The first dance represented the moA^ements of birds in a Buddhist temple in India ; in the second, butterfiies were supposed to he imitated, and this involved a certain amount of stepping and posturing movements which reminded one of European dances more than any previously seen in Japan — more espe- cially of the preliminary movements of our ballet-dancers before the frenzy sets in. The third dance was purely J apanese, introduced seven hundred years ago, and performed in the old military costume of the country, the headdresses of which, with other parts, were the military fashion down to the time of the revolution of 1868. Outside of the banquet- hall, and visible through the far end of it, were large basket- torches blazing, as is usual when the festival dances are proceeding. We had the very great advantage on this occasion of the presence of a highly educated priest, Akamatz, who had been to Europe to study and report on the religions of the West, and who spoke English very well, haAung been two and a half years in England. Ho took great pains to exj)lain in a quiet Avay everything as it proceeded, slipping round from his place at the side-wing of the table for this purpose as often as it appeared to him desirable. It may he interesting to some of my readers to learn that this excellent priest, possessing a knowledge of England and the English, and also the chief priest who was our host on this occasion, find embraced in their section of the Buddhist faith all that they consider good and true in the Christian religion, and are not without hope of seeing England adopt this view, and with it the tenets and practice of their faith, which they consider most excellent.* It will he gratifying, doubtless. See a pivvions notice of INIr. Akamatz, with a paper from bis pen, in the chapter on Buddhism (vol. i. p. S4). CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 215 to the many good people at home who look upon Buddhists as eligible for conversion to their particular views of the Christian religion (whatever they may happen to be in each case), to find their own generous and beneficent intentions so entirely reciprocated. And this may be the proper place to mention the figures given to me in connection with this, the Shinshu sect of Buddhists of Japan. The eastern branch of the Church has 10,000 temples and 4,500,000 believers ; the western branch has 4500 temples, and 2,000,000 believers. What is the exact force of the word “ believers ” in this statement I do not know — any more than I know what is meant when I hear of millions of Christians in England. • For my part I am always charmed to meet even a few people occasionally of whom it may in truth be said that they remotely approximate to one’s idea of what a Christian professes and undertakes to be. But I know not where are to he found the millions of “ the poor in spirit,” the “ meek,” “ they which do hunger and thirst after righteousness,” the “ merciful,” the “ pure in heart,” the “ peacemakers,” and the others upon whom the author of Christianity pronounced his benedictions, and to whom he promised “ the kingdom of heaven.” However, there are perhaps many more likely to receive these rewards than some among us are willing to believe, and that is a great satisfaction. In the course of the evening I ventured to ask the chief priest to favour me with an autograph writing from his hand — a thing very difficult indeed to obtain, as I after- wards learnt. He was good enough to comply, and wrote on ornamental paper a sentiment in favour of religious comprehensiveness. At this banquet, as at former ones, the honour was done us of placing before us, towards the end of the dinner, a large and finely coloured model picture, wrought out of perishable materials — the large turnip, or radish, daihon. In this case also it was decorated additionally with flowers and other ornaments, which it was expected would be carried away by ourselves and other guests. At the conclusion some 216 [chap. IX. JAPAN. time was spent in examining drawings, lacqner-ware, and other works of art of a choice kind. We afterwards took our leave, and drove away through the torches and the lanterns and the crowd waiting outside, and by the time we reached our lodgings we felt — and I hope my readers will admit — that into this day, at least, a fair amount of pleasure, sight- seeing, travelling, and excitement had been compressed. The following day, quite early, our host of the previous evening called at our residence to inquire after our well- being, and to offer as a present — for the smallness of which he made excuses — two specimens of the Kioto silk-manu- facture : so that courtesy and kindness were carried to their full lengths by him in this case. In return he requested cartes de visits^ and a piece of writing of my own composition, and I accordingly wrote out for him a few verses of a poem which I had amused myself by composing in ih.e jinrihi-slia on the previous day — a long drive through a pleasant country in a small carriage in which you necessarily sit alone being very favourable, as already hinted, to literary composition of the compressed kind, which poetry should of course he. The subject of the verses, if I remember rightly, was an attempt to reconcile the omnipotence of a god of love with the manifold injuries done to man by the forces of nature, and with the existence of so many creatures of prey ; for, as Tennyson says in ‘ Maud ’ — “Nature is one with rapine, a harm no preacher can heal; The May-fly is torn by the swallow, the sparrow spear’d by the shrike. And the whole little wood where I sit is a world of plunder and prey.” Nor was the subject other than strictly appropriate to one mixing intimately, as I then was, with the ministers and followers of the gentle Siddartha (Buddha), whose soul was so deeply moved by the same problem : — “Then marked he, too. How lizard fed on ant, and snake on him; And kite on both ; and how the fish-hawk robbed Tlie fish-tiger of that which it had seized; CHAP. IX.J KIOTO, THE WESTERN CAPITAL. 217 The shrike chasing the bulbul, which did chase The jewelled butterflies; till everywhere Each slew a slayer and in turn was slain, Life living upon death. So the fair show Veiled one vast, savage, grim conspiracy Of mutual murder, from the worm to man. Who himself kills his fellow. . . . The Prince Siddartha sighed : ‘ Is this,’ he said, ‘That happy earth they brought me forth to see? How salt with sweat the peasant’s bread ! How hard The oxen’s service! In the brake how tierce The war of weak and strong 1 i’ th’ air what plots ! No refuge e’en in water. Go aside A space, and let me muse on what ye show.’ So saying, the good Lord Buddha seated him Under a jambu-tree, with ankles crossed — As holy statues sit — and tirst began To meditate this deep disease of life. What its far source, and whence its remedy. So vast a pity tilled him, such wide love For living things, such passion to heal pain. That by their stress his princely spirit passed To ecstasy.”* After the departure of his eminence we drove to an exhibition which is in course of formation at Kioto, in a palace formerly occupied by the mother of the Mikado. On our way we drove past and through the grounds of several palaces that had been abandoned by members of his majesty’s family and by nobles since the transfer of the capital to Tokio. In one of these a permanent museum is to he built, and also a permanent exhibition building — illustrations of the great change which has passed and is passing over this land under the new system, of the best features of which the Mikado is the warmest supporter, I am told. There is in the part-formed exhibition at present chiefly articles of historic interest : among them, banners taken from the Koreans by the army of Taiko, dresses that had belonged to Taiko, writings on linen by the learned priest Kobo-daishi (who died ten centuries and a half ago), and articles brought by him from China, very old Japanese brocaded silks and * E. Arnold’s beautiful ‘ Light of Asia,’ pp. 20-22. 218 JAPAN. [chap. IX. embroidery, old Dutch tapestry, a cup from which an attend- ant of Taiko’s son heroically drank a poisoned draught intended for his master,* a fan richly ornamented with pearls presented to Taiko by the king of Korea, two fans eleven hundred years old that had belonged to Shotoku- taishi, and a superb collection of old swords. We next went to inspect in the same neighbourhood the carriage in which his majesty the Mikado used to move about on state occasions. It was a very large and heavy carriage, effectually shut in all round by close screen-work when in use, and drawn by an ox and by men together. Fortunately for the Mikado, he was not often required to avail himself of this mode of travelling, as he was so seldom allowed to leave his palace grounds. There was a similar carriage hard by. Our next visit was to a very long building containing an immense collection of old Chinese and Japanese drawings, and books brought together from the temples of Japan for permanent exhibition, including some portraits of large size brought over nearly eleven centuries ago from China. Among the books were histories and records of the greatest literary value, and the whole place appeared to me to be an immense mine of historic and artistic wealth, in which, doubtless, when it is made public, learned men will delve and toil with all that industry which they are known to bring to such work. From these treasures we proceeded to the local govern- ment college, where the governor met us and accompanied us through the class-rooms. We spent some time in attend- ing to the different lessons in progress, and were, with a single exception, much gratified with the tone and method with which the lessons were given, and with the obviously good relations between the teacher and pupil. This relation has always existed, I believe, in Japan, and is one of the things that one would regret to see changed. “ The jDro- fessors and teachers were held in the greatest reverence, and * This rough old cup was pur- and seut two servants of his owu to chased for live thousaud dollars by permanently guaid it. a prince, who presented it to a temple Origin of the Kake-Mono, or Hanging Picture. From Hokusai. Reproduced for this Work by a Japanese Engraver. To Jace page 218, Vol. II. CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 219 it was deemed the gravest offence for the scholars to show their impatience or their lack of interest by yawning, lounging, or moving their positions. Perhaps to this early severe training, carried on through many generations, are due that wonderful imperturbability of temper and that courtesy of manner which characterise the higher classes of Japan.” * One of the students of the college, in the second class, declaimed from memory a portion of Grattan’s “ Eulogy on William Pitt,” with marked ability, and with hut few departures from the pronunciation and accent with which a well-educated youth in England would have delivered it, while his emphasis was throughout strikingly good.j Our next visit was to the mute and blind asylum for children, through the classes of which we w^ent, not I trust without * ‘ Outline History of Japanese Education,’ prepared for Philadelphia Exhibition by the Japanese Depart- ment of Education. t I requested the young gentle- man to write out and send me the quotation ; and I received from him, a few hours afterwards, a well-written note inclosing a clean and correct copy of the extract. His note ran: “ To the Hon. Mr. Keecl, M.P. Here- with please receive a copy of the extract from Grattan’s Eulogy on William Pitt, Earl of Chatham, which you were so kind as to notice and request after my poor attempt at declaiming the same. I have the honour to subscribe myself, with high respect, yours sincerely, Y. Yoshioka. Kioto Chin Gakko, 28, 2, ’79. P.S. — My age ” (for which I had asked) “ is sixteen years. — Y. Y.” The first part of the piece recited was as fol- lows; I give it for the purpose of showing that in forcibly declaiming such a strain of eloquence the student exhibited a very close acquaintance with both the solid and the rhetorical uses of our language : “ The secretary stood alone. Modern degeneracy had not reached him. Original and unaccommodating, the features of his character had the hardihood of anti- quity; his august mind overawed majesty ; and one of his sovereigns thought royalty so impaired in his presence, that he conspired to remove him in order to be relieved from his superiority. No state chicanery, no narrow systems of vicious politics, no idle contest for ministerial victories, sank him to the vulgar level of the great ; but overbearing, persuasive, and impracticable, his object was England. Without dividing, he de- stroyed party ; without corrupting, he made a venal age unanimous. France sank beneath him ; with one hand he smote the house of Bourbon, and wielded in- the other the demo- cracy of England. Tire sight of his mind was infinite, and his schemes were to aflect, not England, not the present age only, but Europe and posterity. Wonderful were the means by which these schemes were accom- plished, always reasonable, always adequate, the suggestions of an un- derstanding animated by ardour and enlightened by foresight.” 220 JAPAN. [chap. IX. compassion for the many little sufferers whose efforts to reach by painful labours those elements of knowledge and of pleasure which most of us acquired so easily were but too pitiable. So far as I could judge, the systems of instruction j)ursued were like those employed in Europe, many of the materials differing greatly of course from ours, owing to the great difference in the character of the letters and other symbols employed. This visit concluded our morning’s round. In the afternoon we visited some of the small porcelain works of Kioto on the hill at the south-east of the town. The articles produced are much admired, but as no special orders were at the time under execution, there was little to be seen of an exceptional kind. Thence we proceeded on foot to the temple of Kiyomidzu (Clear- water Temple), from the front of which is afforded a fine view of the country south and west of Kioto, showing the great military import- ance of the road stretching away to Osaka, and accounting for the prolonged and bloody struggles that have there taken place between armies contending for the mastery of what then was the Mikado’s capital. It was at this temple, and with this view before him, that the famous Taiko Hideyoshi, whom one has so often to mention, was once sitting, with his brain teeming with plans for the conquest of Korea and China, and his heart sad because of the loss of a child borne to him by his favourite wife. But Mr. Griffis shall tell the romantic story for us : “ One day he went out to a temple, Kiyomidzu, in Kioto, to beguile the sad hours. Lost in thought, in looking over the western sky beyond the mountains, he suddenly exclaimed to his attend- ant, ‘A great man ought to employ his army beyond ten thousand miles, and not give way to sorrow.’ Eeturning to his house, he assembled his generals, and fired their enthu- siasm by recounting their exploits mutually achieved. He then promised to march to Peking, and divide the soil of China in fiefs among them. They unanimously agreed, and departed to the various provinces to prepare troops and materials. Hideyoshi himself went to Kiushiu. On his CHAP. IX.] KIOTO, THE WESTEEN CAPITAL. 221 way some one suggested that scholars versed in Chinese should accompany the expedition. Hideyoshi laughed, and said, ‘ This expedition will make the Chinese use our litera- ture.’ After worshipping at a shrine, he threw up a handful of one hundred cash in front of the shrine, and said, ‘ If I am to conquer China, let the heads show it.’ The Japanese copper and iron zeni, or has, have Chinese characters repre- senting the chronological period of coinage on one side, and waves representing their circulation as money on the reverse. The lettered side is ‘ head,’ the reverse is ‘ tail.’ All the coins which the Taiko flung up came down heads. The soldiers were delighted with the omen. Maps of Korea were distributed among the commanders of the eight divisions, and the plan of the expedition and their co- operation explained.” Hideyoshi’s generals — for he gave up the idea of going himself — were very successful at first in Korea, killing ten thousand men in one battle, and pickling their twenty thousand ears to preserve them as trophies ; but they had eventually to fall hack, and to return home (as previously narrated), so that nothing came in the end of Hideyoshi’s outrage upon the Koreans, and he died soon afterwards. I can hardly understand the state of mind of a man upon whom the beautiful and peaceful view from the front of the temple of Kiyomidzu can have had the effect which it had upon him ; for my part, I felt as little disposed as I ever felt in my life to murder people even individually, much less by tens of thousands, when standing on the same spot, and I am very sorry Hideyoshi did not stop at home and amuse his generals with the invisible picture in his summer-house which I have previously men- tioned, instead of going up there and fretting himself into a day-dream of ambition and conquest. It is not only in front that the temple of Kiyomidzu presents a fine view, for at the hack of it is a grand wooded amphitheatre, with a three-stream waterfall dropping veil- like through it. It has two pagodas, one of them small and one large. There is also a ten-leaved To, or square stone pillar cut into horizontal leaves, and good people, 222 JAPAN. [chap. IX. desiring to become better, or to get something which they want, throw stones and endeavour to make them lodge upon the To, they whose stones lodge getting what they want, or persuading themselves that they will get it, which amounts to nearly the same thing. The temple is reached by a long flight of steps, and the gate is guarded by gatekeepers, as is so frequently the case with Buddhist temples. A descent south-westward, through a bamboo-plantation, and past the houses of some of the very poor people (small tanners, I think they were, and tanners have been held in so little esteem in Japan that in measuring road-distances the length of a town occupied by them has been omitted altogether as not existing"*") brought us to the fine Shinshu temple of Nishi-Otani, which is under the control of the archbishop with whom we had dined the previous evening, and where the friendly priest Akamatz was good enough to receive us. Otani, I may say in passing, is the family name of the archbishop, and this temple contains many memorials of his ancestors. It is approached by a bridge of a peculiar construction, having two arches, each of which is a complete circle, so that it has become known as the “ spectacle bridge.” Nishi-Otani is allowed the privilege of employing the crest of the Mikado, which accordingly appears frequently in the construction and decoration of the temple. Besides the beauty of the temple itself, and its furnishings, there were several objects of interest; among them, some carvings of figures which had ornamented the vessels of the Taiko’s Korean expedition; some very fine drawings of Japanese sea-dragons, and screens painted by Okio. On the evening of this day the governor was so good as to arrange for our after-dinner entertainment a series of national dances, performed by a select but large number (at times) of the pretty dancers of Kioto. Before pro- ceeding to the place of entertainment he presented me with * This is also tlie case sometimes— or used to be — where roads traverse certain battle-fields. CHAP. IX.] KIOTO, THE WESTERN CAPITAL 223 an album of beautiful photographs of the once sacred city and its charming environs — a souvenir which I shall always highly value. I cannot describe, at length, the dances, although they were all more or less dramatic ; but they served to illustrate and make clear many things that would be unintelligible in Japan, and especially in Japanese art, without their aid, more particularly as regards costumes and attitudes, which, while surviving in the various fine arts of the country, are now to be actually seen only in these dances. The principal compliment paid this evening was towards the end of the entertainment, when the professional dancing-girls gave way to a large number of young ladies of the place, whose parents had most kindly allowed them to attend for the purpose, and who danced with such in- dividual and combined skill as to greatly surprise us. The orchestra consisted for the time of a dozen of these young beauties, for such they were, and fully twenty more of them advanced, not from behind the stage as with us, but from the front, along the sides of the hall. They were richly dressed in robes of the usual shape and size, but of black, red, and gold — with marked differences, therefore, from the dresses of the professional girls — and although it in some respects resembled a ballet in Europe, the decorum of the dances appeared to be quite perfect. At the conclusion, they came and ranged themselves, by special desire, in front of us, to give a nearer view of their pretty faces and dresses, and I should be glad if I had the power of pre- venting any part of their loveliness from decaying for many a year to come. The remainder of our spare time in Kioto was chiefly spent in visiting silk- and c7im7ue?^-manufactories, dyeing- houses, shops for the sale of porcelain, bronzes, etc., and in strolling about the streets and witnessing the ways and habits of the people, so far as the weather, which was frequently wet and depressing, would admit. The perfection to which the ornamentation of silk and cut-pile fabrics is carried in Kioto, by embroidering, embossing, painting, and dyeing processes, is very remarkable, as is the low price of 224 JAPAN. [chap. IX. the many beautiful articles so produced. Some of the processes were quite novel, hut they were shown to us readily, and apparently without reserve. The same remarks hold with respect to the beautiful Japanese chirimens and crapes. It is a trying thing even for a man, and it would be sheer torture for a lady, who has resolved not to spend much money to visit these shops and establishments in Kioto. To come away without putting yourself into possession of a good supply of these materials, which are always acceptable presents to ladies, is to develop, no doubt, a pronounced form of self-denial ; hut it is likewise also to subject yourself to reproach whenever afterwards you face your wife or your lady friends ; ladies and their dress- makers are so clever in turning these fabrics of every colour and kind to pretty and picturesque account, and are so glad to have the opportunity of doing so. A Kioto china-shop is also an unpleasant j)lace for John Bull, or any represen- tative of his ; the forms there given to teapots, cups, saucers, and a thousand other things are so pretty and various, and the colouring of them is so elegantly executed. It is proper to say, how^ever, that a part of one of these last days in Kioto was devoted to an inspection of another of those schools for instructing geishas and dancing-girls in needle-work and other useful matters to which I have previously adverted, and his effective support of which does the governor of Kioto so much honour. We also visited a training-school in which the national arts of music, singing, and dancing are taught. The business of this establish- ment seemed to he conducted with great order and system, and it was an interesting sight to pass through the little class-rooms and observe the poor elderly creatures, com- paratively speaking, whose days of grace and fascination had for ever passed awvay from them, and who wnre now, as they fondly supposed, teaching younger ones how to master the mysteries of what was to themselves for evermore a lost art. Alas ! the only instruction which they could possibly give must have been of the most rudimentary and formal kind ; but happily for the young ones, youth, and the CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 225 sagacities and instincts and inspirations of youth, could well he left to teach the rest. Wherever men were employed in teaching the young dancing-girls, they were invariably either old or blind, and generally both, and dreadful-looking into the bargain. If such a conjunction of beauty and horror is a necessity, it is certainly a very sad one. We also visited a school where the art of ceremonial tea- making is taught. It is said that the practice of this art, which I have frequently had occasion to mention before, was originally established for the promotion of friendly relations at a time when society was much torn by factions and by war, and the spinning out of the time must certainly have been part of the scheme. Time is so precious nowadays, however, in Japan as elsewhere, that the ceremony is usually much compressed, and in this modern form it is pleasant enough. It is, however, declining, the peaceful pursuit of manufactures, commerce, and arts furnishing abundant opportunities for bringing people together in a friendly way. There are several places and things of interest in and near Kioto which we had not time to visit. There is, for ex- ample, the great Dai-butsu, which, however, being of wood, and less ancient, is of greatly inferior interest to that of Nara. I am sorry to say that the Dai-hutsu of Kioto is also a somewhat degraded personage as compared with him of Nara, for while both have been subjected to rough treat- ment from the powers of nature, the Kioto one has had to undergo the ill-usage of man likewise. It is sad to read* that “ an earthquake took place on the fifth day fifth month second year Saiko (855), and the head of the famous Dai-butsu at Nara was thrown down but how much sadder to read that not only did the great earthquake of 1596 throw down Kioto’s Dai-butsu, hut that the great Taiko, on seeing it in ruins, became flushed with anger, and saying- scornfully, “ I placed you here at an immense expense, with no other purpose than that you might watch over and help the people, and you cannot even help yourself,” discharged an arrow at the poor broken idol in its hour of impotence and VOL. II. Q 226 JAPAN. [chap. IX. sliame. We had cause enough to he angry with Hideyoshi a few pages ago with reference to the wrongful deterrui- nation which he came to when meditating in front of the temple of Kiyomidzu ; but we hardly thought that a few years after he would be so rash and hot-headed as to fire an arrow at the very god whom he himself set up, and to do so, apparently, only because he had not set him up properly, or with due regard to the fact that Kioto, and indeed all Japan, as Japanese well know, rests upon the hack of an immense catfish, which starts earthquakes every time it moves ! Our strolls through the streets of Kioto were highly amusing, especially when we took a turn along that street in particular which was principally devoted to the amusements of the people, and to the sale of tobacco and photographs. Here were the booths of the story-tellers ; the waxwork heroes and heroines, respectively terrible and beautiful, and wonderful all; the conjurers, the tumblers, the loose-rope walkers ; the working models of the unmentionable had place, with the saws, and the augurs, and the other instru- ments for disintegrating the naughty, all at work by hand machinery ; the curious animals, and the still more curious people that Nature sometimes makes in mistake ; and perhaps more important than all, those long-tailed ancestors of ours who appear to have been made so without any mistake, and who linger superfluous on the stage now that their descendants have become as clever as my readers and I know ourselves to •he. It was curious also to see, as we did here, peepshows of warlike scenes and battles in which were figuring several of the ministers, generals, and admirals whose acquaintance we had had the privilege of making in Tokio, and among them our distinguished host Admiral Kawamura, then in Kioto itself with us, hut employing his time at the moment in a better way than that of peering into something even humbler than the penny peepshow of my native England. It was curious, too, to see in the photograph-shops these same ministers, generals, and admirals aforementioned, hut here appearing, for the most part, not in their present CHAP. IX.] KIOTO, TEE WESTERN CAPITAL. 227 modernised and European attire, but in the quaint and picturesque dresses and headdresses of Old Japan. On one or two occasions I saw in the interior of Japan a photograph of one of my own ships (as we professional men fondly, but most improperly, call the ships we have built or designed for others) ; and, after certain photographic experiences of ours in Tokio, Nagasaki, and Nagoya, it is possible that some of the travelling readers of this work may hereafter be privileged to purchase the portrait of its author in the Sacred Land for a few cents. I caution them, however, against doing so, on the ground that 'Japan is a country in which nature and art combine to produce much more pleasing productions, and their money could therefore be better laid out. Then there is the village of Uji, which, if I may judge by a photograph, is an extremely pretty riverside place. We had arranged to visit it, but the probable condition of the road after heavy rains deterred us. And then there is the sacred mountain, Hiyei-zan, after which is named one of the imperial corvettes which I had built for his majesty. With this mountain are connected many important inci- dents in the history of Japan, and although we did not ascend it, it was so conspicuous an object on our approach to the city and during our stay in it, that I think it well to condense into a small compass, in the following lines, a few observations upon it from the pen of a gentleman who went over it in 1877, notwithstanding the record in previous chapters of the principal facts connected with the famous temples of Enriaku-ji (here spelt Yenriyakuji) : — * Ancient annals record that the first temple erected on it was founded by Shotoku-taishi. In 788 a learned priest, Saicho, by command of Kuwammu, the first Mikado of Kioto, built another temple, called, with its surrounding shrines, Yenriyakuji. Saicho was sent to China to learn the doctrines of the Buddhist sect, subsequently called Tendai, which he introduced into Japan on his return. He brought back * Condensed from ‘ Some Scenes Read before the Asiatic Society of between the Ancient and the Modern Japan, June 1878. Capitals of Japan,’ by W. J. Dixon. Q 2 • 228 JAPAN. [chap. IX, witli him a thousand sacred hooks, and the first tea-plants ever seen in his country. Tradition further says that he transported from Mount Gotai in China the earth on which he built the first Japanese church of the Tendai sect. The new opinions prospered, and the temples on Hiyei-zan, comiirehended under the name Yenriyakuji, increased to a large number, and became remarkable for wealth and magnificence. In the midst of their prosperity, and probably because of it, however, the priests began to take an active part in the feuds that distracted the country. Their temples became from their situation such strong castles that at length they defied the IMikado himself to subdue them. In the war between the emperor Go-Daijo (1319 A.D.) and the rebel Ashikaga, they, however, took the imperial side, and gave refuge to his majesty when Kioto was besieged. Their despotism over the neighbouring provinces at length became so un- bearable that Ota Nobunaga resolved to take summary vengeance upon them, and this he did one dark night, burning the temples to ashes, and killing or taking cai^tive the priests. In the time of the Shogun lyemitsu (1623-49), however, the former splendour of these monas- teries of Hiyei-zan was restored, and the spiritual power of the Tendai sect revived. Notwithstanding an attempt of the Shogun in 1627 to dispossess the priests of Yenriyakuji of their pre-eminence by trans- ferring his favour to the new shrines at Uyeno, Yedo, they continued to flourish until the revolution of 1868, when, with other character- istic features of Old Japan, they fell into the background. After describing his ascent 'to the summit of the moun- tain on a brilliant summer morning, Mr. Dixon says that they obtained from it a panoramic view of the sublimes t description. “ On the north the whole extent of Lake Biwa, ^ with promontory, creek, and bay,’ lay calmly stretched for 50 miles to a dark mountain barrier. In the foreground its waters were overlooked by hills of the most luxuriant dark green, and its blue sheet was broken at intervals by white sails. To the east of these hills a shoulder of the mountain obscured a small portion of the lake, which, when it again appeared, was much narrower, and margined on the further side by a flat fertile shore, behind which the sand-downs traversed by the Tokaido rolled away to the hills in the horizon. Appearing right below us at the southern extremity of the lake were the thickly clustering houses of Otsu ; a little steamer was entering the harbour. Then to the south followed wrinkled hills, until the plain of Kioto came into view, with the city lying at full length, an oblong mass of brown varied with white in a green setting. The two tributaries of the Kamogawa could be followed until they met at the city’s northern extremity and then united into CHAP. IX.] KIOTO, THE WESTERN CAPITAL. 229 one stream, the yellow channel of which formed two well-marked but unequal divisions of the area of houses. Numerous white spots indicated those buildings whose walls were plastered ; one, long and horizontal, being evidently the Shogun’s castle ; and a space of thick wooding near the northern boundary marked what was at one time deemed the most sacred spot in all Japan, the secluded seat of the Son of Heaven. Cloud-shadows were slowly creeping over the plain which grew less and less distinct until it almost merges with the faint surface of the distant sea. To the west, hills beyond hills rolled away to the horizon like an ocean of billows. The summit of Hiyei-zan is marked with a little granite dome of from three to four feet high, and containing a stone image. The ascent from the point where we left our jinrihi-slia took us about two hours, and the descent rather more than one hour. The height of the summit above the plain is 2700 feet, and, the latter being 300 feet above the sea-level, the total height of the mountain is 3000 feet.” Mr. Dixon concludes : “ These notes may fitly close with this panorama of the romantic region in which for so many centuries lay secluded from the world this venerable city of Japan, destined, let us hope, to be encircled in the- minds of men with an even brighter halo than that which, in the days of the nation’s childhood, the presence of the Son of Heaven threw around her. May the pearl become still worthier of its setting, for fair as any dream of elfinland are these sunny hills and shadowy glades.” With this generous outburst of pretty but unsteady eloquence, I, too, will conclude my notes on Kioto. And yet, why should I not add that on Monday the 3rd of March I found myself so unwell, with chills and feverish symptoms alternating, that I resolved to remain indoors, and this I did the more readily as we had to com- mence on the following day our long journey of twelve to fifteen days in jinrihi-shas through the interior of the country by the high road of the Tokaido, over which for so long a period the Daimios of the west and south had to wend their way every three years to Yedo (now Tokio), the capital of the Tycoons. Our friendly English-speaking priest, Akamatsu, of the Nishi-Honganji temple, came early to our residence, to present me with some poetic writing which he had been good enough to prepare at my request, and to again express the compliments and good wishes of 230 JAPAN. [chap. IX. the archbishop and his brother. Soon afterwards our recent host, the brother of the archbishop of the Eastern Church, did us the honour of calling and taking his leave, at the same time presenting me with a fine example of his writing on silk, together with a valuable tea-service of Kioto porce- lain, the work of one of the best makers in the city. Thus I came into possession of friendly mementoes of my visit from the heads of both branches of the great Shinshu body. I also received a visit from a priest of the great temple of Chionin, which we had visited on the day of our arrival in Kioto, and accepted from him a volume setting forth the origin of the temple in the life of its founder. Numerous other memorials of our visit were sent in throughout the day from friendly persons, including photographs, silks, sahe cups, etc. I contrived to spend several hours in writing, hut was driven by illness early to bed. TOWER OF NAGOYA CASTLE. ( 231 ) CHAPTEE X. THE SACRED SHRINES OF ISE. Start from Kioto— Otsu — Lake Biwa — The famous temples of Ishiyama- dera — Their legendary origin — An ancient authoress — The extraordi- nary mountain pass of Sudsuga — Jinrihi-sha men — Pilgrims to Ise — The road to the shrines — Legend of a pine-tree — Matsuzaka, the birth- place of Motoori — His writings — A wet evening — Visit to a girls’ school — More pilgrims — The Geku shrine — The goddess worshipped there — Offence of the god Susanoo— Origin of the imperial regalia of Japan — The Naiku or inner shrine of the sun-goddess — The sacred mirror — The pilgrims at the end of their pilgrimage — A ceremonial temple dance performed by virgin priestesses — Shinto worship at its most sacred shrine — Solemn woods — The ancient faith — “ A study in blue and gold ” — The “ Temple of Immortal Splendour ” — The return — Picturesque scenes — Still pilgrims — Their costumes and equipments — The simplicity and purity of Shinto worship. Eising by six o’clock on the 4th of March, in spite of continued illness, our arrangements for starting were speedily completed, and soon after seven we commenced our lengthened journey to Tokio, intending to make the divergences necessary for visiting the temple of Ishiyama- dera, and for then proceeding to the ancient and sacred shrines of Ise."^ The governor of Kioto was good enough, with some members of his staff, to escort us as far as Otsu, * “ The temples of Ise, called by the Japanese ‘ Kio-dai-jin-gu, or literally the ‘ Two Great Divine Palaces,’ are situated in the depart- ment of Watarai, at a short distance from each other. They rank first among all the Shinto temples in Japan in point of sanctity, though not the most ancient, and have in the eyes of the Japanese the same im- portance as the holy places of Pales- tine in the eyes of Greeks and Armenians, or Mecca in those of the Mahometans. Thousands of pilgrims resort thither annually, chiefly dur- ing the spring months, when the weather is most suited to travelling.” — Mr. Ernest Satoiv. 232 JAPAN. [chap. X. on Lake Biwa, so that, with a further escort of two police officers in front and two behind, our train of jinriki-shas was fully as long as usual. It was a dull hut dry morning when we left, and soon reaching the Sanjo bridge we fairly started upon the Tokaido, which takes its uphill way through the eastern suburb of the city, and becomes a very fine broad macadamised road, winding still upwards between lovely wooded hills, as soon as the city is left behind. After a mile of road, at the highest level, the Tokaido dips down into a large open valley, from all sides of which the clouds, which had been gathering there through the night, were now rising like curtains of silken mists towards the mountain-tops. The levels were studiously cultivated, the hillsides liberally wooded, the road thronged with traffic, and the sun was doing its best to shine on everything, although under somewhat disadvantageous circumstances. At a few minutes past eight we came upon the railway works, which are in course of construction from Kioto to Otsu, and which are afterwards to be carried by the lake-side on to Tsuruga. This will open a direct railway route from Tsuruga to Kioto and Osaka, so that the sea-borne products of the northern part of Japan and of the great colony of Yezo may find ready access to those great cities, and by Osaka and Kobe to the capital, Tokio, instead of having, as now, to make the long round by the straits of Shimonoseki. For many classes of produce this will be a very great improve- ment. Before half past eight the beautiful lake of Biwa opened before us as we descended towards the large .town of Otsu, situated at its southern extremity. Otsu is a town of about forty thousand inhabitants, and has the appearance of great prosperity. It contains several houses of European aspect, several large schools, and an abundance of Shinto temples.* The mayor of the district we were entering was good enough to join us here, and provide us with tea and cake at a lake-side house as pretty as any at Zurich, in * In passing through the main Shinto temples, although there pro- street of Otsu I ohserved none but bably are others in the town. CHAP. X.] TEE SACRED SHRINES OF ISE. 233 so far as scenery is concerned. Indeed the view down the lake is even finer than at Zurich, the hills on the right being more detached, hold, and picturesque. This is one of eight places from which the lake is supposed -to he viewed with great advantage, and we were now about to proceed to another, still more celebrated. I may first mention, however, that Lake Biwa is by far the largest in Japan. It is 50 miles long, and its breadth at its greatest is 20 miles. It is therefore longer than, and more than twice the breadth of, the Lake of Geneva. It is narrowest at the southern end, which alone we saw, and contracts to a breadth of only about a mile at Katata, which is 10 miles off ; hut beyond that, north-eastwards, it rapidly broadens and becomes a splendid sheet of water. The second of the points 'of view before-mentioned is Ishiyama-dera, the site of famous Buddhist temples, whither our friends from Kioto decided on accompanying us. The distance thither was not great, hut we had to diverge from the Tokaido in order to reach the spot, and well were we repaid for doing so. Ishiyama-dera is one of the loveliest spots in Japan, or probably in any country. After ascending a long flight of steps one comes upon a natural platform, out of which stand up masses of sheer and apparently toppling black rocks, around and above which, on other rocky ledges and picturesque sites, is a crowd of temples, shrines, and pagodas, with trees springing everywhere from among them, and steps and terraces scattered about to facilitate the movements of visitors. The place is celebrated, as one can well believe, for its beauty by moonlight, offering on the one hand this picturesque massing of natural and temple scenery, and on the other a magnificent view of the lake with the Tokaido bridge crossing one of its branches. The temple is eleven hundred and fifty years old, having been built in the reign of Shomu-Tenno (724-48 a.d.), and parts of the original buildings, including a room into which we went, dated from its foundation. Ishiyama is particularly fortunate in its idol, for it has a Kwannon that — according to a paper lying at the door — is exceedingly generous in granting to people 234 JAPAN. [chap. X. what they pray for. There is a curious legendary story connected with the founding of this temple, which I cannot profess to give with strict accuracy, hut it runs somewhat in this wise. The Mikado, desiring to build a great image more than 60 feet high, with probably a temple to hold it, felt the need of money, and sent Sojio, a priest, to worship one of the Gongen gods, and inquire where gold could he found. Sojio did so, but was informed by Gongen that he would do better to worship and inquire of Kwannon. Sojio went to Lake Biwa, and consulted an old boatman whom he found fishing on the lake as to a suitable place for worship, and was informed that there was on the hill (where the temple now stands) a lotus-shaped rock very suitable for the purpose, the old fisherman disappearing after giving the information — thus proving himself to be a god. Sojio went to Kioto and obtained from the son of the great Shotoku- taishi a gold image of Kwannon 6 inches long, and conveyed it to the spot pointed out near the lake, there worshipping it, and inquiring where gold could he got. Gold was very soon after discovered in considerable quantities in the north of Japan, hut unfortunately Sojio found that the gold Kwannon could not by any possible means be removed from the lotus- shaped rock, and therefore recommended the construction of a temple over the image."^ The Mikado approved, the temple was built, and there it stands to the present hour ; and although the Kwannon has but two hands in this case, it is, as I have said, liberal in the highest degree. The Mikado, in gratitude for the gold discovery, resolved to build a great temple in Kioto, and that, I was informed at Ishiyama-dera, is how the great Toji temple, already described, came to he built. While digging its foundations a precious hall was discovered, and Sojio made an image 20 feet high to contain * A similar incident is recorded as tank, but to the dismay of all con- the origin of the celebrated and cerned the idol stoutly declined to splendid Vishnu Pagoda, near Tri- be lifted again. A shrine had there- chinopoly, in India. A golden image fore to be built over it, and the shrine of Vishnu was laid upon the ground has grown into a temple, Jfnd the by its bearer, Visbhishana, while temple into a sort of sacred city, its custodian bathed in the sacred CHAP. X.] THE SACRED SHRINES OF ISE. 235 it, and placed it with two others 8 feet high at the side of it. This is how the story was told to me, as a rough translation of a printed paper which, with a portrait of the goddess, was presented to us ; and although I cannot quite make the dates and the Mikados of Toji and Ishiyama run together, I have no doubt that all the substantial truth of the matter is sufficiently embodied in the above version. The ancient apartment already adverted to is celebrated as the chamber in which a well-known Japanese work was partly composed by a well-known Japanese authoress. I am afraid that neither the lady nor the hook is as celebrated in England as in Japan, but as I should he sorry to deprive any large number of my readers of the pleasure of identifying a literary celebrity whom they mmj happen to know of, and as I should be proud to extend her present fame among my countrymen, I will mention that the title of this work is ‘ Genji-monogatari,’ and that the name of the authoress is Murasaki-shikibu."^ This distinguished writer prayed to the goddess Kwannon to aid her in the composition of her work, and spent seven nights in the chamber spoken of in pursuance of her task, and we must all be delighted to know that both her piety and her industry have been rewarded in the wide- spread renown of her work. But the time for lingering on this mount of mystery and beauty is past, and we therefore descend to the level of the common earth again, leaving the rocks and the temples and the shrine of the goddess to another thousand years of beauty and celebrity. Before we re-enter our jinriki-shas, our Kioto friends take leave of us, and we attempt in vain to put in words our thanks for the kindness they have shown to us — more especially the governor, to whose active and personal exertions we owe so many advantageous oppor- tunities of seeing the ancient city of Kioto. We also took leave with thanks of the mayor in whose district we now were, and whose arrangements for our passage through it were excellent and generous. After regaining the Tokaido * See ante, pp. 33 and G8. 236 JAPAN. [chap. X. and crossing the bridge, our course again lay through a very pretty hilly country, picturesquely wooded, and culti- vated in the manner so frequently mentioned. The only remarkable feature of the road was its frequent passage across river-beds raised high above the surrounding country, and carrying the mountain torrents down to the lake. After lunching at the village of Ishibe, where some of the officers and servants of our party had already caused every- thing to be prepared, we pressed on through gloom and mist that thickened into rain, and preserved that form until we stopped for the evening and. night at the village of Tsuchiyama, where in a native inn we found comfortable quarters prepared for us, and ate a dinner that would have satisfied every one but a gourmet. The only incident of the road, save the numberless small incidents of a passage through staring and amused villages, was the discovery on the top of a column by the roadside of the deaf, mute, and blind monkeys whose acquaintance on a smaller scale we had made a few days previously in the lumber chamber of the gods at the temple of Toji. It was in heavy rain that we started next morning (Wednesday the 5th of March) to cross the Sudsuga moun- tain-pass in pursuance of our journey to Ise. The much too careful servants of the house began to stir about in my room at four o’clock, after which I slept no more, and before seven we were moving away in our jinrilci-slias, the number of which had somehow increased to about eighteen. The rain had caused our jinrihi men to don their wet weather apparel, which consisted of either sheets of oil-paper, sup- posed to be waterproof, or strips of matting round loins and shoulders, with straw hats of shapes and sizes so various that no two were probably even approximately alike : some were perfectly flat, others pyramidal, others parts of spheres, frustrums of pyramids, and bits of ellipsoids, while others were formed to nameless curved 'surfaces, or at least to surfaces which my geometry is insufficient to define with accuracy ; some were black and some were of the natural colour of the straw, some were large and some were small. CHAP. X.] THE SAGRED SHRINES OF ISE. 237 most of them were worn till we changed our men, hut others were slung up on the back of the jinriki-shas after the wearer had become impatient of them, and others were pitched to friends by the way as we passed through the villages on our line of procession. As to the oil-papers and the straw mats, they got gradually dispensed with one after another long before the rain left off ; and whenever there was a lull in the boisterous beauty of the scenery through which we passed, one could amuse himself with observing the competition between the soiling power of mud and the cleansing quality of rain upon the naked forms of men from the waist downward, as they toiled up hill and down for hours together in a manner which it is very hard to recon- cile oneself to. Man is such a wonderful being even at his worst, and out of the common crowd of men such marvellous individuals come forth — ay, and what is to me far more im- pressive still, one sees even in the lowest classes of men, who are put to do mere brute work, such a play of industry, loyalty to duty, humour, intelligence, alertness, steadiness, devotion, and many other virtues, that for my part I never treat even the meanest of them with any asperity without fearing lest I might have hurt the susceptibilities of some mute inglorious being, or caused a better intellect than my own to feel in some dumb way that — • “Man, proud man, Drest in a little brief authority. Plays such fantastic tricks before high heaven As make the angels weep.” One is made to feel the force of this continually in these Eastern lands, and nowhere more, I fear, than where we Europeans lord it over the other races. I was never quite happy at Hong Kong when carried (as I admit you must at present be there) upon the shoulders of the Chinese chair- men ; I am never quite happy here, among these poor jinriki-sha men, dragging their fellow-men about in carriages in all weathers, under all circumstances, often with attenuated muscles and wasting lungs and breaking heartstrings. After leaving Tsuchiyama we soon found ourselves among 238 JAPAN. [chap. X. the pilgrims: there is no mistaking them in any country where I have ever seen them, and this day they were numerous, for were we not journeying towards those most sacred, most universally reverenced, of all the shrines of Japan! In every house in Japan it is, or was, the custom to have some simple card or memorial of the gods wor- shipped at Ise, and here, on this occasion, were men, women, and young people from all parts of the country, with every kind of Japanese face, and every variety of Japanese costume, wending their wet and often weary way to and from these sacred spots. After a long climb up what may fairly be called the mountain-sides of Sudsuga to the village of that name, vre stopped a few minutes to change carriages, and then made the swift descent to Seki, at which place we were still on the Tokaido. This descent at Sudsuga is a most remarkable one, the main road being brought down the exceedingly steep side of the mountain by a series of greatly inclined slopes, alternating in opposite directions, the steeper portion being succeeded by a mile or two of ordinary road of unusually large gradient. The town at the foot of the descent is named Seki, and as that is the equivalent of “ gate,” and there was formerly a gate on this side of the steep descent just mentioned, I presume this was the site of the Sudsuga gate of the Tokaido. The scenery through all this part of the journey was not inferior to that between Coire and the Engadine, except in the absence of such very elevated moun- tains, none of this range of Japanese hills rising, so far as we could see, to what are known as Alpine heights. The beauty of the country could not, however, be easily ex- aggerated ; lofty wooded hills of diversified shapes, rushing rivers, and endless changes of aspect all combining to please and interest the eye. We saw most of the scene under very unfavourable conditions, viz. in a heavy driving rain, but he must be but a poor traveller and a weak imaginer who cannot mentally sweep the rain-clouds from such a land- scape, fill the valleys with sunshine, and dash the necessary sparkling lights on trees and streams. Besides, a landscape CHAP. X.] THE SACRED SHRINES OF ISE. 239 seen in rain, and especially a mountain-landscape so seen, has many and peculiar beauties of which the mere sun- worshipper knows nothing; and just as Emerson has felt exhilarated, as he somewhere tells us, in crossing a common through snow puddles, so may we feel and delight in the sombre beauty of rain-swept vales and hills, provided only we are in sympathy with it. Early in the afternoon the weather cleared, as we left behind us the mountain ranges, and ere long the mirrored light of Owari Bay was seen in the distance, and passing through the large town of Tsu, and some of the most squalid and dirty villages that we have seen in Japan, we came at length about three o’clock into the town of Matsuzaka, and found charming apartments prepared for us within the gates of the Jodo (Buddhist) temple Jikiyoji. Having lunched at Kobuta about noon, we had time to spare, and strolled through the town, to the great interest and amusement, apparently, of the inhabitants, and of none more than of the very young children, who in Japan seem at extremely early ages to employ their little bright black eyes in scrutinies worthy of more experienced persons. Indeed, one wonders at what ages these little intelligences begin to be observant, for on one occasion — indeed, on the day now under review — I looked to see what was in a little bundle that a young woman was holding, and found in it a miniature man, who looked steadily at me as if surprised at my impertinence. I was informed that this observant young person was ten days old. In the course of the journey to Matsuzaka we stopped at a wayside shrine which has attached to it a religious legend that has points of interest in it. Eoughly speaking, it is this. Nearly eleven hundred years ago a gentleman called Ononotakamura was banished for some disobedience to the Mikado, and his wife, who was sorry for him, wished to go into exile with him. This, however, was denied her, and she consequently stole out of Kioto to the foot of Mount Hi-yei, where she lived for a time, and then started with a blind man by night for the sacred shrines of Ise. Being unaccustomed to travelling, she got very weary on the way, 240 JAPAN. [chap. X. and on reaching the spot where stands the shrine she inquired of a farming man the distance to the Ise temples. For the fim of the thing he told her that they were twenty days’ journey, which was a great exaggeration, and this so discouraged the poor lady that she resorted to a device which shows that a lady could he as ingenious eleven hundred years ago as now. She decided on giving up the remainder of the journey, and praying to the gods from the spot where she then stood, either ignoring the remaining distance, or asking to have it treated for all practical pur- poses as non-existent. So, hanging some coins upon a young pine-tree hard by, she prayed, and submitted to the god her desires and solicitations. The god must have heard and attended to her, for hy-and-hy the farming man, on attempting to carry off the money that she had hung on the pine-tree, was frightened to see it turn into a fire-spitting two-headed serpent, which he dare not approach. He then inquired more particularly about the lady, and, repenting of his misleading reply to her question, himself “personally conducted” her and her blind friend to the shrines. The pine-tree was designated the “ Hang-the-money-up ” tree, a shrine was built on the spot, and whoever, being ill of any complaint whatever thereafter, ate a little piece of the tree, was pretty sure to get well forthwith. There is a very old- looking piece of a tree within the shrine, with some money hanging on it, hut I am hound to give the Japanese credit for a very strict regard to truth in these matters. They never overdo, or much overdo, a miraculous affair of this sort. Had this occurred in Europe, in any of those churches and monasteries where I have listened to similar accounts, my informants would, I doubt not, have kept the original pine-tree in existence until now, and claimed identity with it for the withered limb or fragment displayed, and the coins likewise would have been the very coins brought by Madame Ononotakamura from Mount Hi-yei. But here, on the contrary, we were distinctly informed that the pine-tree in question died about four hundred years ago — and there- fore lived less than seven hundred years ! — and that it had CHAP. X.] THE SAC BED SHRINES OE JSE. 241 been necessary to plant a successor in order to keep its memory green. I must acknowledge, however, that any one, Japanese or other, would naturally hesitate to propound even an exaggeration on a spot where a two-headed serpent had been known to spit fires in defence of the true and the right. This town of Matsuzaka, where now we were, was the birthplace, in 1730, of a very eminent scholar and critic, named Motoori Norinaga, whom I have had occasion to quote in the first volume (chap, iii.), and who, from his child- hood, was remarkable for his love of learning. His father died when he was but ten years old, and his mother was left poor, so that he had to struggle with adverse circumstances in commencing his career. He was somehow sent to the capital, Kioto, to study language and medicine, and there deepened his interest in the pursuit of learning. He, how- ever, returned to Matsuzaka, and commenced practice for the treatment of children. Another great scholar, Mabuchi, pub- lished about that time a now famous work, of which Motoori obtained the loan ; and he afterwards was fortunate enough to meet Mabuchi himself. At this interview — it appears from Mr. Satow’s writings — Motoori spoke of his own desire to write a commentary on the Kojihi, the most ancient historical record (date 711) of Japan, and Mabuchi replied that he also had wished to explain the sacred writings, but in order to do this it was first necessary to get rid of the effects of the Chinese philosophy, and discover the genuine beliefs of antiquity. He advised Motoori to direct his studies accordingly, which he did with such success that in 1764 he commenced his great work, the Kojihi den, which is an edition of the Kojihi with an elaborate commentary. It took him till 1786 to complete the first volume of the ancient book, but its success was immediate, and one of his biographers states that his fame drew to him nearly five hundred students from all parts of the country — poor fellow ! The second part was finished in 1792. He had a flourishing career, Daimios and princes competing for^ the privilege of pensioning him. In 1801 VOL. II. R 242 JAPAN. [chap. X. he visited Kioto, where he lectured to crowds of admirers, including princes of the blood and court nobles; hut the old King of Terrors ordered him hack in the autumn of that year, and he has since reposed in a tomb previously prepared to his own order, in the monastery of Miorakuji, near this place, Matsuzaka. Our evening at Matsuzaka, being a very wet one, was spent indoors, and by degrees I was successful in bringing the con- versation to hear upon the recent rebellion of General Saigo and his Satsuma men, in repressing which Admiral Kawamura took, as we know, a leading part, hut concerning which he is usually silent. On this occasion his Excellency was good enough to favour me with a general account of the nature and circumstances of that lamentable rebellion, hut I was after- wards told by an officer present at the operations which resulted in the overthrow of Saigo that I should have to learn from some other source how energetically and bravely the admiral himself performed his duty. This I was for- tunate enough afterwards to do. The following morning dawned with such a storm of rain and wind that it was decided to start later in the day than had been contemplated, and breakfast was deferred till nine o’clock, and our departure till after ten. By an oversight the jinriki-slias were later in coming, and the interval was spent in strolling through the town. Within the temple gates, however, was a building appropriated as a school for giving instruction in needle-work to girls, and a couple of dozen or so of the pretty little learners were at the gate indulging with many others their curiosity by viewing “ the Chinese ” ; for the sight of a foreigner is so extremely rare in these parts of Japan that all foreigners pass with the inhabitants as people of the nearest foreign country, viz. China. We thought it unfair to those inhabit- ants to appear indifferent to the interests of Japanese girls, and accordingly turned towards the school to ask a few questions respecting it. But the beauties began “ to back ” at our approach, and retreated to the door, and, finding us still advancing, cast off their clogs, or pattens, or shoes. CHAP. X.] THE SACRED SERINES OF ISE. 243 or whatever they may best he called, and spread through the house giggling and screaming with something that could not have been fear, and probably was not delight, so may perhaps have been amusement. We followed them in, and gently hunted them till we got them together, and then spent a few minutes in learning particulars of the school, which particulars I entirely forget. We soon separated from them for ever, aa we have had to do from so many hundreds, ay thousands, of others, having at least shown them that “ the Chinese ” are not insensible to the attractions of their neighbours. At the end of our stroll through the village, we stopped at the last tea-house to wait for our jinrihi-shas, and there sat enjoying the surrounding light and warmth of the sun — for the day had become clear and fine — sipping tea and smoking cigarettes in the shade of a large Wistaria- tree, trained to serve as a roof to a bower, and in view of a very pretty garden, intended to attract the pilgrims, doubtless, on their way hack from the sacred shrines. At length the jinrild-shas draw up ; in we get, off we go, for eight or nine miles through sun that is hot and wind that is cold, and an atmosphere that is fresh and pure from the long rain- cleansings of the evening, night, and morning. The pilgrims thicken as we go, most of them walking or toddling, some of them riding packed in carts and little vans made gay with colours on the outside even brighter than the cheeks of the many plump and red-faced country-girls inside. The pilgrims are obviously mostly peasants, and, there being but little work for peasants at this season, they judiciously make their religious pilgrimages now. The fact of its being their season for the shrines, so to speak, is perhaps a reason for superior people choosing seasons at other periods. There was a good deal of shopping being done by these peasant- pilgrims, more especially by those returning, the trade done chiefly being in tobacco-pouches and straw hats — hats like those of the jinrihi men mentioned not long ago. These broad hats, of all sorts and shapes, are such very odd adorn- ments —notwithstanding their manifestly great utility as K 2 244 JAPAN. [chap. X. screens from the sun in hot weather — that it was curious to see people examining them and comparing them one with another, and weighing in the delicate scales of their taste their respective merits and beauties. But there they were, holding them this way and that way, and viewing them with nice discrimination, and after fixing upon and purchasing one (I suppose for a very few coppers) carefully slinging it in front, or behind, as Highlanders carry their shoes, to take care of them, and then marching away complacently upon their resumed journey homewards — home being in some cases, probably, hundreds of miles away, beyond the mountains and seas. After crossing the rapid river Mij^agawa in boats, with crowds of villagers gathered picturesquely on botli banks of the river, and lining the streets of all the villages, to see the foreigners and the party generally, and after a further short drive, we alighted in Yamada, at the gate, or rather the torii, of the outer of the ancient shrines of Ise, known as the Geku, or Outer Palace. Dating from many centuries before the introduction of Buddhism into J apan, these are, of course, Shinto shrines, and at the entrance we were met by two Shinto priests who had been deputed to show us the sacred place. Passing under the torii we were at once amidst trees of an age and magni- tude not often to be equalled. This is such a country of extremely tall, large, and ancient trees that no particular notice is taken of even very striking examples, but I was glad to observe that throughout these splendid temple-parks of Yamada and Uji, in which are the most sacred religious shrines of Japan, the finer and older trees were carefully fenced in. Within the temple limits we came first to a small edifice in which w^as the wdiite horse of the deity of the place, which happened to be an artificial horse, the real one having recently died, and another not being forthcoming at present, for a reason Avhich I did not learn. Soon after- wards we came to two living black horses consecrated to the services of the temple, and more particularly for the god of the place, Toyouke-hime-no-kami — ‘‘ the god of food, clothes, and house-living,” as one authority explained it to me, or CHAP. X.] THE SACRED SHRINES OF ISE. 245 “the god of the earth’s produce,” as another put it — to ride upon in the processions of the great temple ceremonials. As I could not get on the spot any clear and unvarying account of the gods worshipped at these Ise temples, I afterwards sought for additional information, hut owing to the fact of their belonging to the mythologic period I could find nothing that was altogether satisfactory, especially as regards the sex of the deity of the Geku. The clearest account that I could get was that given in a translation by Mr. Satow of extracts from a compilation of myths from the most reliable sources by a native writer, Hirata Atsutane, observing that I propose to abridge the narrative for the convenience of this work, and to put it into my own language, so far as I may find desirable. The history of the case runs thus : Amaterasu, the sun- goddess, sent Susanoo to search for a goddess named Uke- mochi-no-kami in the central country of luxuriant reedy moors (Japan), and the messenger found Ukemochi, and soli- cited food from her. This request was responded to by Ukemochi, who produced food from her mouth and nose, and otherwise unpleasantly, thus angering the god Susanoo, who exclaimed, “Foul indeed, despicable indeed! Why feed me with foul things ? ” and, drawing his sword, struck Ukemochi-no-kami dead. On Susanoo reporting the matter in detail to Amaterasu, she was very angry, called Susanoo a wicked god, and remained secluded from him a day and a night. Amaterasu afterwards sent Amekuma-no-ushi to see if Ukemochi was really dead, and the messenger found growing on the body of the goddess, in various parts, a silkworm, a mulberry-tree, rice-seeds. * lu Mr. Griffis’s version of this legend, Susaiiod (or, as he spells the name, Sosanoo) is the moon-goddess, and the punishment she received from the sun-goddess was, that she was degraded from their joint rule, and condemned to appear only at night, wliile the sun-goddess slept. But accordiug to Uirata, the moon appears to be a masculine deity, for in quoting from his ‘ Koshi-Seibun ’ Mr. Satow says that while the sun- goddess was produced from the left eye of Izanagi-no-mikoto, from his right eye was produced Tsukiyomi- no-mikoto, also called Takehaya- Snsanoo-no-mikoto ; and adds, “ this is the moon, a masculine deity.” 246 JAPAN. [chap. X. barley, and a large and small bean, the bead being changed into a cow and a horse. On receiving these things, Amaterasu rejoiced, saying, “ These things are things which the bean- tifiil green-human-herb eating may live,” and she constituted barley, bean-seeds, etc., of the dry fields, and rice-seeds of the watery fields. Also she appointed lords of the villages of heaven, and for the first time made them plant rice-seeds in the narrow fields and the long fields of heaven, so that in the autumn the drooping ears were abundantly luxuriant, and ripened well. Also she planted the mulherry-trees on the fragrant hills of heaven, and reared silkworms, and, chewing the cocoons in her mouth, spun thread — the arts of silkworm-rearing and weaving then commencing. As Ukemochi-no-kami is identical with Toyouke-hime-no-kami, the foregoing legend explains how it has happened that the principal deity of the Geku came to he regarded as the giver of abundant food, etc.* There are secondary deities worshipped there, the chief of whom is the adopted grandson of the sun-goddess and the great-grandfather of the first Mikado, Jimmu-Tenno, who commenced his reign in the Japanese year 1. According to the legend, says Mr. Satow, the goddess wished to send her adopted son, Oshi-ho-mimi-no-mikoto, down upon earth to subdue it, but he put forth his own son instead as leader of the expedition. The goddess then presented Ninigi-no-mikoto with various treasures, amongst which — and here we touch upon the central sacredness alike of the race of Mikados and of the symbols of the Shinto faith — the most important were the mirror, sword, and stone or hall (afterwards the regalia of the Japanese sovereigns), and attached to his person the other two inferior gods of Geku. With reference to the mirror, she said, “ Look upon this mirror as my spirit, keep * “ The principal deity worshipped signifies ‘ abundant - foo 1 - goddess.’ at the Geku is Toyouke-hiinc-no- Z7/ie»ioc/