w h^'-'^^,, .,,.*j- POEMS, ADDRESSES AND BSSAYS BY THE REV. LLEWELYN lOAN EVANS, D.D., LLD. Twenty Nine Years Professor in Lane Seminary. WITH PORTRAIT. New York : THE CHRISTIAN LITERATURE CO. 1893. Copyright, 1893, ^'^ The Christian Literature Co. TO Mrs. Sarah E. Evans, WHOSE NAME, ABOVE EVERY OTHER, THE AUTHOR OF THESE PAPERS WOULD WISH TO HAVE ASSOCIATED WITH HIS OWN, THIS VOLUME IS RESPECTFULLY DEDICATED. The Editor. CONTENTS. POEMS. PAGE. To My Departed Sister i The Loss of Childhood 5 Sorrow 9 Quietly, Quietly 12 A Valentine 14 A Fantasy of Ifs 15 To Laura 16 To Anna 17 The Old Year 18 Anno Domini 21 The Shadows 23 Sonnet 25 Song 26 Parting Song 29 In Memoriam 31 ESSAYS AND ADDRESSES. PAGE. I. Providence in the Greek Drama 33 n. Christian Chivalry 51 in. The Influence of Civilization on Dogmatic Theology.... 60 IV. Fiske on the Destiny of Man 84 V. The Scholar as an Ethical Force 106 VI. Arthur Hugh Clough 131 VII. A Sketch of Greek Poetry 146 VIII. Anthropophagy 177 IX. Apologia pro Vita Sua 193 X. John Milton, the Patriot 204 XI. The Gentleman 261 XII. The Welsh Pulpit 310 XIII. The Scripture Doctrine of the Remnant and of Num- bers 360 XIV. Personal Christianity 375 XV. Farewell Address 397 PREFACE, This selection of Poems, Addresses and Essays, by Dr. LI. I. Evans, is published in accordance with the announcement in the previous volume (Preaching Christ, Christian Literature Company, 1893), and at the request of many friends. The selec- tion is made on the principle of showing the manysidedness of his scholarship, and the variety of his interest in history and hter- ature. The papers bear witness, no less than the sermons already published, to the manner in which he subordinated all his acqui- sitions to the Gospel of Christ, In preparing the papers for the press the editor had a delicate duty to perform. Many of the addresses had been delivered more than once, and in these, frequent alterations and corrections ap- peared. These were in such shape that it could not always be told whether they were made at once, or whether they represented different stages of revision. The only way in which we could be sure that we had a homogeneous work, was in all cases to go back to the earhest manuscript, disregarding the supplementary inser- tions and corrections. The reader (and critic) will therefore kindly bear in mind that the papers are quite certainly not in the form which Dr. Evans would have given them had he lived to see them through the press. There is some compensation for this dis- advantage in the fact that, presented in their original form, they have a certain freshness that might otherwise have been lost. If we are today strangers to the warmth and glow of patriotism which are reflected in the lecture on John Milton (for example) it may be well for us to realize these emotions afresh. Mr. J. J. Loux, a student in Lane Seminary, the Rev. R. F. Souter and the Rev. J. L. Taylor have kindly assisted in the prep- aration of the copy for the press. Mr. Taylor has also kindly read the proof of a considerable part of the volume. Through a misunderstanding of the printer, the portrait in- tended for the other volume was not inserted there, and is there- fore given with this. It is my hope that others may have as much pleasure in read- ing these memorials as I have had in preparing them for the press. H. P. S. Cincinnati, Nov. i, 1893. POEMS. TO MY DEPARTED SISTER.* My Sister ! Summers four have come and gone, Bidding the grass grow green upon thy grave ; And winters four have withered all again, Then lightly spread their sheeted robes of snow To hide the blight which they and Death had made. Spring comes again as erst she came to thee, And, fondly stealing o'er the drooping scene. Whispers the earth and all things into life. The earth is glad. For on her bosom bloom once more the flowers. And man is glad, For birds once more sing gladly in his bowers. But I am sad. For her I loved I can no more behold ; My heart is sad, For one that loved me now in death lies cold. Oh, why should earth renew her living hue of green, But those we loved no more — when life is o'er — be seen? I turn from nature, who restores Life to her dead, but not to thee ; Who open flings her choicest stores Of joy to all,' but not to me — * Written in the Album which had belonged to his sister, dated April 21, 1855, and signed ''Thy Brother, Llewelyn." LLEWELYN lOAN EVANS. I turn to view these pages, where The tokens of thy friendships are Embalmed in words, o'er which thine eye Once wandered, Hngering tearfully, While many a sob broke from thy heart For friends from whom thou hadst to part. Alas ! that I should mourn to be Parted, ah ! not from them, but thee ! That their farewells should mind me most That thou to me art — lost ! I see that name on every leaf — That name that once was wont to thrill My soul with joy, but now with grief! 'Twas music to my heart, until Death spoke it. Ah ! that speaking gave A knelling sadness to its sound. As though 'twere whispered from the grave, Or told me by thy lowly mound. Here thine own hand has swept the page And left the traces of thy soul ; The thoughts that filled thy tender age, The piety that graced the whole Of thy brief life ; the grace that shone Through all thy actions, look and speech ; That purity around them thrown Which the pure heart alone can teach. Companion of my early days ! And is it true that thou art gone ? Must I plod on through life's rough ways Without thy cheering smile' — alone ? Ah, little I thought when, hand in hand, We walked our own sweet native land. POEMS. 3 Climbing its hills and rugged rocks, Whose mountain breeze played in thy locks, Or wandered by the ocean shore, Gathering the choicest shells it bore, That but a few short years more, And far beyond that playful wave That did our careless footsteps lave, Thou there wouldst find — ah, me — a grave. Like flowers in a garden, we Together did begin to bloom, Together drank the heavenly ray, Together mingled love's perfume ; But thee the Heavenly Gardener took To grace his paradise above. While I am left, Of all bereft, To tremble in the blast, and look Upon the loss of all I love. But, unlike me, thou wert too delicate For earth, and for the chilling storms of fate ; Thy soul and passions were too finely strung. In life's rough howling tempests to be hung ; Thy strings ethereal would have broke beneath Their rage, or sighed and sobbed themselves to death. Is there a land where none but spirit-breezes blow. Where breathings of a God through souls aeolian flow ; Where love grows back to love, where souls responsive meet, Where friendship knows no death, but holds communion sweet ; 4 LLEWELYN 10 AN EVANS. Where all the good and beautiful for evermore unite, Where a fairer form than e'er I dreamed seems beckoning to invite ; Where the weary are at rest from suffering and care ? Then, Sister, thou art blest, for thou I know art there. POEMS. THE LOSS OF CHILDHOOD. Oh ! why, when childhood's dawn Fades into hfe's full noon, Do the glories auroral where it is born, Vanish away like the tints of morn, So soon, so soon ? And childhood's rosy dreanis, So beautiful and fair. Like cherubs smiling from the sky Whither, ah, whither do they fly Like air, like air ? Those dreams of Paradise, And blissful scenes above ; Gardens and groves and bowers of light, And angel forms and faces bright With love, with love. And dreams of purity, Purer than the light of day ; Of beauty untainted and divine. Of love that will the brighter shine For aye, for aye. And the gay bright hopes of youth. That with their beckoning calls, Lead us to follow with eager chase. Why do they mock our fond embrace, So false, so false ? LLEWELYN lOAN EVA:NS. And why, when these are fled With vanished days of yore, Does the heart of man in sadness yearn. As though Hke those they would return No more, no more? Is it they are but dreams, Never to come again, Which neither Fancy's wizard spell. Nor Will's strong fiat can compel Here to remain? Oh! what a change has come, When that which charmed me most When I was fresh from the bosom of God, And when beauty sprung wherever I trod. Is lost, is lost ! When the heaven -reflecting purity, The soul-revealing simplicity, The heart-born laugh of innocence. The sun-lit look of confidence. Trusting, enjoying, loving all. Beautifying and brightening all, And the delightful unconsciousness Of life from its very blessedness Are lost, are lost. And when instead of these Comes Apathy's dead mould, Unfeeling, blunt indifference. The torpor of the spirit's sense, The unbelieving mocking jeer, The scorning pride, the frigid sneer. Scoffing, mistrusting, doubting all. Spurning, rejecting, scouting all. POEMS. Feeling by rule, living by art, And living for self, until the heart Is cold, is cold ! Is this to be a man. To be unhappier, worse ? Are these the fruits of his Life-tree, The promised gifts of Destiny ? Apples of Sodom ! Ah ! these be The curse, the curse ! The curse of the faithlessness To the high intents of youth, And of the decay of loyalty To the majesty of truth. The curse of the restlessness Which snatches at the bloom, And misses the eternal fruit For a moment's short perfume. The curse of the waywardness Which bursts from Eden's bounds, And quits its angel-guarded walks For Time's enchanted grounds. The curse of the selfishness Whose inturned Gorgon-eye Freezes the heart into a stone. Hard, barren, dreary. The curse of the sordidness Which crawls like any beast. Feeding on weeds, and husks of swine, • Disdaining Heaven's high feast. LLEWELYN lOAN EVANS. The curse of the unbelief In instinct's heavenly call, Refusing to hear and believe The voice of God in the soul. Oh ! would we see again Our Paradise on earth, We must the hearts of youth renew, We must in lowliness go through The Second Birth. And the guards of Eden's gates, Who watch with flaming swords, Will wave us in, and there we may Among unfading glories stray, And quaff the nectar-drops alway Which in the Fount of Youth do play ; For children and the childlike, they Are Eden's lords. POEMS. SORROW. Oft have I sat and watched the day's last gleam, And seen the brightness fade from out the sky, Seen darksome clouds upon my vision heave Where fire and darkness mingled gloomily : And I have turned myself unto the night Like the sad, light-forsaken Earth and prayed — "Come, Mother! visit thou my spirit's blight And bathe me with thy darkest dewy shade, Come, holy Sorrow ! Hang thy gloomy pall Around my soul, for its bright sun is gone. The light which beautified and haloed all Is vanished — vanished ! why should I look on Those dim gray walls, where late a living glory shone? " And gracious night has come and wrapped me round In her thick shadows where my soul did creep To utter low her wail of mournful sound And o'er her lonely desolation weep. Then have I seen those shadows melt away And Heaven begin t' appear, though high and far, Wherein the glory of my departed day, Shone beautifuller in each happy star : Ay, Night and sorrow ! ye are both divine, Ye both reveal to man the Infinite. Ye teach me that the Infinite is mine With all it doth contain that's pure and bright; For ere ye came, I fluttered in the light Like a vain insect, living its short hour And thinking only of its honeyed flower; But ye beneath, my soul like the deep moaning sea Yearneth the night long to her own eternity. lO LLEWELYN lOAN EVANS. *Tis for Eternity I yearn, for there Is garnered all my beautiness and bliss : All, whereof my full being was a share ; All which my widowed spirit now doth miss ; Those beautiful we loved, did they not come. Singing sweet music through our souls, like some, Stray snatches of a heavenly symphony, Aye swelling out in richer harmony, Until, become too pure for mortal ears. They passed and blended v/ith the music of the spheres. Though they are gone, their tender strains yet sleep Within our heartstrings ; and when memory Like some strong breeze our bosom-chords doth sv/eep They wake again in sweet though sad reply. What then is gone ? 'tis but the outward form ! The spirit — all that we did hold most dear — The melody that did each tone inform — The grace — the loveliness — they still are here. They still are ours, and ours will be ever : For Thou, our heavenly Father ! Thou wouldst never Give man the beautiful and to him say, *'This shall be thine to love and to adore ;" Then snatch it from his grov/ing love away, And leave him mourning it for evermore. The good whom we did love in happier hours Were given to prove that Goodness is our own. The beautiful — they were, are, will be ours ; The fragrance tarries, though the flower be flown. Thou, Father ! gavest them to teach us love ; Thou tookest them that we might love still more Than them, their truth and purity, Their loving soul of piety, That more than them we might love Thee ! And thus their loss, by drawing us above. Will make us holier, heavenlier than before. POEMS. 1 1 Ah ! truest sorrow is not wretchedness ! — To be cut loose from all that is divine — To be denied the lasting blessedness Of saying to the godlike — ''Thou art mine ! " This — this is misery, and blank despair ! But tender longings, tears of sad regret Are pledges sweet that we but parted are, And that our souls and lives shall mingle yet. For pain is but the straining of the tie That doth our hearts to their fond idols bind ; That broken — we were without sense or mind Of love or life to all eternity. But no ! it lives, and by it we do live. And with their spirits hold communion dear And still like drooping flowers our hearts revive Trembling in their own fragrance when they near, And when they think of us we drop a tear. And when they hover round us heave the sigh, Yet dream not 'tis because they are so nigh And that it is their light makes heaven appear More bright, the earth more sweet, and us more pure, Nor that it is their love that doth allure Us to their Father, whence the beautiful doth come, And where the beautiful is gathered to its home. 12 LLEWELYN lOAN EVANS. QUIETLY, QUIETLY. March 28, 1858. Quietly, quietly shines the moon, In the dreamy, dreamy sky, And beautiful is the silent noon Of her midnight reign on high. Shedding her silvery Wonderful witchery Over the scenery Sleeping below, And to the wandering Spirit low whispering Of the yet lingering Long, long ago. Dreamily, dreamily smiles the moon In the silent, silent sky. And beautiful is the quiet noon Of her midnight reign on high. In her soft beams of white Fairy like dreams all bright Floating on streams of light Passing me go ; Fairest and clearest, Hovers me nearest Dream of the dearest Loved long ago. Silently, silent rides the moon, In the quiet, quiet sky. And beautiful is the dreamy noon Of her midnight reign on high. POEMS. 1 3 Chimes of the distant bell As on my ear they swell To my lone spirit tell Murmuring low, Of the last farewell drear Of the last kiss so dear Of the last parting tear Long, long ago. 24 LLEWELYN lOAN EVANS. A VALENTINE. Feb. 12, 1855. Oh ! Why should this wide Universe Through heaven and earth be full Of all that may delight the eye Of all that's beautiful ? Why should the sky and starry heaven With radiant beauty glow ? And why should beauty shine through all This loveliness below — And why should man lay down his heart The Beautiful before — If beauty was not made to love To worship and adore ? And why has nature made thee like Herself so passing fair And decked thee with her beauties all Most charming and most rare ? Why has she ta'en her brightest hues Thy countenance to grace Stolen her heaven itself and placed It beaming in thy face, If not that I should yield myself To worship and adore Thy beauty and thy gracefulness And love thee evermore ? I love, oh yes ! the beauteous earth I love the glorious sky, Then blame me not for loving more Thy still more glorious eye. POEMS. 1 5 My heart with rapture glows whene'er Fair nature's face I see Why blame its rapture when it sees That fairer nature— Thee ? So long as beauty must be loved So long as beauty's thine So long shall I love thee and be Thine own true valentine. A FANTASY OF IFS. If ever I am free to place My heart where love's prelusions trace Fond dreams of what may be — If then thou still art free to say To one who for thy grace will pray " Dear soul, I pity thee ! " — If when that prayer from me shall rise Sweet pity droppeth from thine eyes, What bliss will fall to me ! 1 6 LLEWELYN lOAN EVANS. TO LAURA. Like a golden sunbeam from the sky- Sparkling with living light; Born out of heaven's own purity, Glowing with beauty bright ; Dancing upon the crystal stream Beautifying the flower Making the earth with smiles to beam And joy in beauty's power — Thus, Laura, may thy whole life be A beam of heavenly purity ; Thus, where it shall its radiance bring, May good and beauty ever spring. And as that beam, when comes the night. Is gathered up on high And shines with a diviner light Upon the saddened eye Gleaming in some bright distant star That smiles in heaven above Stealing into the soul from far A messenger of love — Thus, Laura, when the last dark night Has hidden thee from human sight, Mayst thou still shine a radiant gem In heaven a starry diadem. POEMS. 1 7 TO ANNA. Like a dewdrop glistening goldenly In the chalice of the rose, Born of the sapphire-golden sea Whose brightness in it glows, Causing the rose to lift its head In fresher, fairer bloom, Bathing it with a deeper red And sweetening its perfume ; Thus, Anna, may thy whole life be A mirror of heaven's purity ; Thus may its truth and noble worth With goodness' fragrance gladden earth. And as the drop mounts up at dawn Leaving the rose forlorn. Heavenward by the sunbeams drawn On fairy fingers borne. And melts into the halo round The sun's all-glorious brow. Or in still fairer hues is found In heaven's seven-tinted bow. Thus, Anna, when the dawn of day Eternal calls thy soul away. May it into that halo rise Which crowns the Sun of Paradise. 1 8 LLEWELYN lOAN EVANS. THE OLD YEAR. 1867. Old Year ! They tell me thou art dead ; Yestreen was heard thy dying groan In the wailing of the blast, And thy dying shudders passed Through the forest's shivering moan. Thy visage was wan and worn they say, And bent with its burden of toils and tears Thy trembling form, as it passed away At the toll of the midnight bell To the shadowy land where dwell The ghosts of the vanished years. Not so. Old Year! Full well I know Thou art not dead. Thou didst but leave thy throne — and not with slow And tottering footsteps, but v/ith stately tread And kingly part, and mien of conscious strength. With joy that thou hadst done thy work at length, Hadst finished all according to the plan Delivered to thee ere thy course began. Thou didst but yield thy crown — The twelve-gemmed crown the monarch wears. Which from of old hath glided down From head to head of the Royal Line of years. A line of kings ! I see them now. Uncrowned but bright, immortal, strong, An awful, mighty throng, Eternity's dread light upon each brow. Years of thunder and might, Years of silence and night; POEMS. 1^ Years of dreary toil When the seed slept in the soil ; Years of mighty birth When life sprang forth from earth Years of reaping and rest, Called of the nations ''Blest;" Years of vengeance and war; Years of peaceful cheer ; Years when heaven seemed far ; Years when God was near ; — I see them all in glorious array. Ah, no! The years ne'er die, they ne'er grow old; They live with God, they live alway. They have no ''dim plutonian shore" — behold ! They live with us from day to day, They brood above our busy life. Into our cups they crush their wine, Their glittering swords and armor shine As still they mingle in the strife. Lo! here they strike, and one doth fall: Lo ! here they aid, and one doth win : Their potency is felt in all That moves without or stirs within. Noiselessly, swiftly, to and fro, they move, Angels of Justice, ministers of Love. And so. Old Year, I bid thee not farewell, Too soon, too soon it were to part. I learned but little of what thou hadst to tell, Much hast thou yet, I know, to teach my heart, Thy lessons were too many and too deep. And oft, alas ! my soul was sunk in sleep ; Then come again, thy lesson to repeat, And tell it p'er, thy tale so sad and sweet. 20 LLEWELYN lOAN EVANS. Tell of the joy and grief, The doubt and the relief. The fear and the release The tempest and the peace, The song I tried to sing in vain. The cross I could nor bear nor throw, The truth I sought in vain to know. The beauty I dreamed, but could not gain, The loss I could but feel, nor feel aright, The good I could but see, nor see in light. Come, tell it all to me once more. The vanished vision to mine eye restore. The buried good cause from its grave to rise With light immortal in its eyes. With strength celestial in its heart. Or if this can not be. Still be thou at my side to help me see The way of life, to choose the better part, And of the coming years much more to learn. In benedictions let thy prayers return. In wisdom let thy counsels reappear. And in a nobler life thy gifts to me. And so I will not say farewell, Old Year, One hand I give to the coming bright New Year, But the other hand, Old Year, is still for thee. POEMS. 2 1 ANNO DOMINI. Lord of the years, O Christ, art Thou ; Thou art their source, their Hfe, their end Each with Thy message Thou dost send ; Each wears Thy signet on his brow. II. The years upon Thy service came Ere Thou in servant-form wast found ; Each wrought Thy will, although uncrowned As yet with Thine all-hallowing Name. III. Each bore its prophecy of Thee, And sang it to the morning-star ; They saw with gladness, from afar, Thy day, Annorum Domine t IV. The Star shines forth in Bethlehem's sky ; The Song comes back in Peace on Earth And with the day of Jesus' birth Is born the ANNUS DOMINI. V. Henceforth on every year shall shine This lordly diadem, Thy Name: And by this title Thou shalt claim The fulness of the times as Thine. 22 LLEWELYN lOAN EVANS. VI. So shall earth's history for aye Bear witness to the King of Kings, Who by His Incarnation brings The New Creation's endless day. vn. Each time of sorrow, and of joy, The birth, the death, the bridal hour, Each wondrous change, each deed of power, Shall be In Anno Domini. VIII. The truth, which thrills with life divine The growth of ages, is Thy thought ; The love, which miracles hath wrought, Which conquers life and death, is Thine. IX. The Alpha and Omega Thou ! Of all life's mysteries the key : Our years shall find their rest in Thee ; Thou leadest us, we know not how. X. Domine Anni ! Let Thine eye Beam love on this New Year, we pray; Thy holy touch upon it lay. And seal our annus Domini. POEMS. 23 THE SHADOWS. The moon was rising yellow and round And pouring her golden flood ; The shadows lay long and still on the ground, And stretched far into the wood: When the King of the Fairies awoke as he lay On a rose of damask red Where he had been dreaming the livelong day And he peeped from out of his bed ; No breeze was stirring in bush or tree No shadow was moving in sight ; And— ''Surely the shadows are sleeping," quoth he, ''The shadows are sleeping to-night." But a shadow ere long did gently creep Between the rose and the moon ''So-ho," quoth he, '♦ they're not all asleep,'* And another came gliding soon, And quickly the shadows were side by side, And face did lean to face, Till each in the other itself did hide. And they met in one embrace. Amazed was the Fairy-King to see Two shadows in one unite ; And— '' Surely the shadows are meeting," quoth he, ''The shadows are meeting to-night." And from the one Shadow two Voices were heard In close and loving commune ; And the heart of the rose was sweetly stirred And trembled beneath the moon. 24 LLEWELYN lOAN EVANS. The one was deep in its murmurous flow Like waters falling afar, The other was soft and gentle and low Like the cadence of a star : And the magic web of their harmony Held the King in a trance of delight, And — " Surely the shadows are talking," quoth he, **The shadows are talking to-night." But anon the murmur of voices was stilled To a holy secresy, When the heart of the rose was suddenly thrilled With a shock of ecstasy ; It quivered with joy, and at once a gush Of perfume swam in the air. And it burned and glowed with a deeper blush, As THE SHADOW left it there. The Fairy-King clapped his hands in glee, And laughing he took his flight: " Ha-ha! the Shadows are kissing," quoth he, ''The Shadows are kissing to-night." POEMS. 25 SONNET. In yon high heaven there reigns a queenly star, I cannot pluck it hence and make it mine Nor claim the beauteous grace which there doth shine ; I can but gaze and worship from afar, Yet by its beams what thrills magnetic are Within me stirred. The radiance divine Finds in my deepest self a loving shrine For its fair image, which no change can mar. And so the twain — my Star upon her throne, Her image in my heart — their vigils keep, So far apart yet mystically near. Speechless yet ever in communion deep Loyal to all that Duty holds most dear. Nought asking save what Heaven may give and own. 26 LLEWELYN lOAN EVANS. SONG. 1854. "Thy tempting lip and roguish een, By heaven and earth, I love thee." — Burns. Oh ! a tempting lip and a roguish eye Give me, give me ; You need not ask, I can't tell why, Yet give them me. A tempting lip makes my bosom smart, And a roguish eye steals away my heart. Yet give them me — Oh ! give them me. Oh ! a tempting lip on a bright, sweet face Give me, give me ; An eye alive with a roguish grace Give me, give me; A lip like summer's burning glow, An eye like morning's beaming brow, Give me, give me — Oh I give, give me. Two lips through which the soft sigh steals Give me, give me; And merry music-laughter peals, Give me, give me; Two eyes like stars in heaven above, Twin stars that look undying love, Give me, give me — Oh ! give, give me. Lips tempting for the eye to see Give me, give me; POEMS. 27 Rich fruit hanging on the sweet Love-tree Give me, give me; Red and warm with the glowing wine Of passion which through them doth shine, Lips bewitching and tempting mine, Give me, give me — Oh ! give, give me. A roguish Hp and a laughing eye Give me, give me ; A merry, sparkhng, loving eye Give me, give me ; An eye through which the soft soul peeps, An eye in which the blue heaven sleeps, Give me, give me — Oh! give, give me. Says one: '*Two cheeks like roses seen Give me, give me." But a pair of rosy lips between Give me, give me. Give some a pale and saintly brow; But a cunning, wicked eye below. Give me, give me — Oh ! give, give me. Oh ! a roguish eye is brightness* self — Oh ! give it me ; And a tempting lip is sweetness' self — Oh ! give it me. Sweet eyes that shower heavenly blisses. Sweet lips that grow ambrosial kisses. Give me, give me — Oh! give, give me. 28 LLEWELYN lOAN EVANS. Ah ! those full lips so tempting sweet I see, I see ; Those eyes where love and beauty meet I see, I see. Eliza, those sweet eyes are thine; Through them in pity on me shine. Those tempting lips, oh ! join to mine ; Kiss me, kiss me — Oh! kiss, kiss me. POEMS. 29 PARTING SONG. Once again Breathe the strain ! Sisters ! 'tis the Parting Song, On each heart As we part Rests the tender, moving spell. In each soul As they roll Will the echoes linger long. Deeper still, Longer will Love's sweet benedictions dwell. Sweet, sisters, are the ties which in golden union bind us; Sweetly bitter is the pain Of the parting's cruel strain. Dear to memory the scenes which to-day we leave behind us. Tears of grief the eyes bedew As we sob our last adieu. Yet, although the ties be strained, are they not by absence broken : Parting doth affection try, Trial love doth purify ; Pensive thoughts and yearnings all too sacred to be spoken, These are friendship's guarantee Of its immortality. 30 LLEWELYN lOAN EVANS. Wide is the realm of love, yet 'tis one and here forever : God's throne is everywhere ; All are near who meet in prayer. Them who love and toil and pray for each other nought can sever. Love knows no near and far, Prayer knows no inter-bar. Then when the tear doth flow, let the smile-beam make it brighter; And when the parting word From faltering lips is heard. Let the tones of faith and hope sounding in it make it lighter. Life, sisters, is God's school; living well is ever learning, Ever climbing nobler heights, Ever storing new delights ; Finding in each cross a crown, and a heaven in every yearning, Wisdom here, and courage there, And a blessing everywhere. Life is growth by work and rest, gaining wealth by joy and sorrow. 'Tis to lose, and find yet more In God than e'er we had before ; Tis to part to-day, and then to meet yet closer on the morrow. Welcome Duty, rest and strife ; God is calling us to life. POEMS. i I IN MEMORIAM.* Earth needs the strong. This poor weak earth — it needs the arm of might, To hold aloft God's standard in the fight, The shield of faith, the sword of truth to wield, To smite the foe and drive him from the field. It needs the nerve of iron for the wear Of toil and tears ; the back of steel, to bear For many a stumbhng, falling one, his load. And help the pilgrim on his weary road. To do God's work, earth needs the strong. Earth needs the wise. This poor dark world, it needs the soul of light To bring some gleam of heaven into its night. The loving learner — from the Master's feet To bear to erring men His wisdom sweet : To make the crooked straight; the clouded clear; The narrow broad ; to bring the far-off near, To master nature, and to build the mind And for a world gone wrong the best to find. To teach God's thought, earth needs the wise. Earth needs the true. The soul whose loyal purpose is its king, Whose every thought like solid gold doth ring, Whose diamond purity shows not a flaw, Whose liberty exults in serving law, Which knows no yoke of servile hope or fear, In which no sordid greed doth e'er appear, Which is not warped by vanity or pride Which loving God, seeks no reward beside. To show God's mind, earth needs the true. * Read after the' death of a friend, Col. S. S. Fisher. 32 LLEWELYN lOAN EVANS. Earth needs the brave. The soul which pities cowards [danger scorns], Whose crown of glory is the crown of thorns, Which dares to do for Right what seems but vain, Which dares to lose for self that Truth may gain, The chivalry which knows nor high nor low. With equal gladness to each task doth go ; The heart which ever sings in love's employ, The courage which makes life one smile of joy. To bring God's day, earth needs the brave. And such was he The shadow of whose loss doth on us rest, In courage, knowledge, truth and strength, confessed A leader among men. Did not our earth Have need of all that gave his life such worth? That helpful power, that genial grace, that skill Of hand and tongue and brain ; that self-poised will That heart so broad it knew no far or near, Strong as the oak, yet gentle as the tear; Strong, gentle, wise and true — yes, such was he. And such is he. In sphere of wider action, broader scope Of thought and vision, loftier flights of hope. Of fuller-souled endeavor, mightier faith, Of love which has outsoared the chill of death. Heaven, too, needs strength and wisdom, truth and love: Nothing is lost that God doth call above ; No grace or power of soul but there hath birth To larger use and glory than on earth. Yes — ever strong, wise, loving, true, is he Ever more strong, wise, loving, true, shall be. Gloria tibi Doniinel ESSAYS AND ADDRESSES. I. PROVIDENCE IN THE GREEK DRAMA. The most important speculative and practical ques- tion of the day is undoubtedly that which concerns the active relations of God to the world which he has cre- ated. What is it that rules the world ? Is it law ? Is it fate? Is it God? I have thought it might not be without interest or profit to hear what one of the most eloquent voices of the past has to say on this great theme — the voice of the Greek Drama. Nowhere in the absence of Divine Revelation has the mind grappled so successfully with the material prob- lems of existence ; nowhere has it given birth to such sublime thoughts and such marvelous systems of spec- ulation ; nowhere has it invested its conceptions of spir- itual facts and superhuman personalities with such noble and beautiful forms; nowhere has it given such elo- quent and feeling utterance to the profounder experi- ences of humanity yearning after life and truth and God, as in the philosophy, the poetry, the art, the re- ligion of Ancient Greece. And nothing is more char- acteristic of Greece, nothing is more expressive of its best and its highest, than its drama. That we may 'the better understand what the Greek (33) 34 LLEWELYN lOAN EVANS. Drama has to say on the theme before us, let us take a rapid survey of Greek thought concerning it before the drama began to preach. Recent researches have brought to Hght such analogies between the first inhab- itants of Greece and the Aryan nationalities which set- tled on the banks of the Ganges and of the Euphrates, as justify us in assuming their common origin, and the original identity of their religion. The primitive wor- ship of the Pelasgians, the original Hellenic population of Greece was, like that of the early Indians and Per- sians, the simple deification of nature. Zeus is the Greek Indra, the deified sky, armed with the thunder and lightning, dwelling on the mountain top3, driving the clouds, gathering the rain, filling the fountains in the valleys. He is opposed by the Titans, the spirits of darkness, the primitive deities, ''the first-born of all shaped and palpable gods," as Keats calls them, whose rule succeeded that of absolute darkness, and who are ever struggling to regain their ascendency. Apollo, the bright luminous god (^o?/9oc, became after a time the favorite divinity of the Greeks, who were pre-eminently in a physical sense " children of the light." " It is a characteristic of the Greek temper," says Bulwer, ''that the personages of Greek poetry ever bid a last lingering and half reluctant farewell to the sun. There is a mag- nificent fullness in those children of beautiful Hellas ; the sun is to them as a familiar friend. The affliction or the terror of Hades is in the thought that its fields are sunless. " And so we find that when Anaxagoras declared that the sun is a mass of red-hot iron, his doctrine was rejected with horror and he was reprobated as an athe- ist (Mr. Procter would not have found it pleasant lect- uring to the Athenians on the sun). Other personifica- tions of nature worshipped by the Greeks we find in Demeter, representing with her daughter Persephone, PROVIDENCE IN THE GREEK DRAMA. 35 the fructifying power of the earth ; Poseidon, the fertil- izing power of water ; Dionysos, the productive, over- flowing, and intoxicating power of nature ; Hephaestos, the volcanic forces of the earth, and fire as an indus- trial element. And so the process went on until in the end this poetical faith had peopled every kingdom and province and nook of nature with divinities, with " The intelligible forms of ancient poets The fair humanities of old religion The power, the beauty, and the majesty That had their haunts in dale or piney mountain, Or forest, by slow stream or pebbly spring. Spirits or gods that used to share this earth With man as with their friend." It was inevitable, however, that In Greece this sim- ple nature-worship should undergo a development. In the Orient, in India especially with its tropical heat, its overpowering vastn esses, its lazy monotony, its un- changeable uniformity it had become Pantheism — "sometimes monstrous, sometimes grand, but always fatalistic." Not so, however, in Greece. In India nature triumphs over man. Man is crushed into help- lessness before her tremendous energies. In Greece ''men had learned of their fathers;" in the language of Thucydides, "that they must pay the price of labor and effort in order to obtain any advantages ; " and there they became victorious over nature. In the East was seclusion and changelessness. Greece was situated at the confluence of East and West, "a small many- toothed peninsula (as Dr. Schaff describes it), inserted by Providence in the midst of the three divisions of the Old World, to educate and refine them." In the im- mense plains of Asia, vast monarchies sprang up. In which the individual is lost, and there Unity reigned supreme. Greece was filled with states, commercial 36 LLEWELYN lOAN EVANS. communities, republics, and oligarchies, and there we find variety, movement, strife, liberty, individuality. "Even the fabulous world of Grecian divinities," says Schlegel, ' ' has a republican cast, for there everything is in a state of change, of successive renovation and of mutual collision, in the war of nature's elements, in the hostilities of old and new deities, of the superior and inferior gods, of giants and of heroes — presenting, as it does, a sort of poetical anarchy." Hence, as we have seen, in the East, Pantheism; in the West, Humanism ; and in Persia, by the way, in- termediate between the two, Dualism. In India we see Fatalism, the reign of absolute inexorable law, by which man is enslaved. In Persia we see an at- tempt, although finally unsuccessful, to escape from Fatalism by the recognition of two antagonistic prin- ciples. In Greece, as De Pressense says, "man, for the first time in Paganism, arrived at the consciousness of his individuality, of his moral value as a free being." The character of the religious development of Greece accordingly defines itself thus : it was essentially hu- manistic, resulting, on the one hand, in the humanizing of the Deity, and on the other hand in the apotheosis of humanity. The foundations of this humanism were laid in the Heroic Age of Greece, embracing: (i) The period of legendary heroism, when the struggle between the primitive barbarism and the nascent civilization of Greece was carried on, and (2) The period of historical heroism, culminating in the grand triumph of the Western over the Oriental types of civiHzation — "that historical Iliad almost as grand as the other, which, as it has been said, Miltiades and Themistocles inscribed with their swords." The features of this humanism are given us in the poetry of Greece especially in that of Homer, that in- PROVIDENCE IN THE GREEK DRAMA. 37 imitable poet who, as some one has said, ''created in the same breath the poetry and the rehgion of his country." Olympus becomes now an ideal Greece. Zeus is no longer the sun-god but a great king, the father of gods and men. Apollo is the personification of the national spirit and genius, the god of song, music, inspiration, and retribution ; Athena, of state policy ; Hermes, ^of eloquence, commerce, invention ; besides Aphrodite, Poseidon, Ares, Artemis and the rest, on which I need not enlarge. The genuinely anthropomor- phic character of this theology, which it behoves us here to note, may be seen in the family relations of Zeus. His wife Hera, as is well known, made things lively enough for him. Their family jars shook all Olympus, and often embroiled the other gods. Her temper was far from being the sweetest, although to be sure she had cause enough to complain, and the Thun- derer himself did not feel altogether comfortable when her tongue began to go. Sometimes he was brute enough to beat his wife, and one day he went so far as to hang her up in the clouds, her hands chained and two anvils suspended from her feet. Thus it was that, in poetry at least, these old Greeks would conceive of their gods as being altogether such as themselves. The gods of the Homeric pantheon are simply men of larger mould, of mightier energies whether for good or for evil, of intenser passions. Their history is the projec- tion on an earthly background, and in magnified pro- portions, of human history. They are not wanting in divine grandeur, for on the one side man touches God : but they have also much earthly weakness and gross- ness, for on the other side man touches the beast. Besides this Homeric Pantheon, by far the most pop- ular and potent, we find the Hesiodic Pantheon, and the Orphic. We cannot stop to consider them. Hesiod 38 LLEWELYN lOAN EVANS. loved the old nature-gods. He sympathized with the Titans. He mourns that he was born in the hard age of iron. His theogony is a cosmogony, and he is thus the poet of the philosophers, at the same time that he is also the poet of the peasantry ; whereas Homer is the poet of the soldier and politician. His poetry is also to a considerable extent the protest of the moral nature against the immoralities and weaknesses to which the heartier humanism of the Homeric mythology con- ducted. The wife of Zeus is not Hera, but first Metis, or Mind, and then Themis, or Law, by whom he be- comes the father of the Fates. Justice, he says, "al- ways ends in being triumphant in human affairs, and if her way is steep, if the gods have placed sweat and pain in the path of virtue, the road grows easier along the height." In Pindar — with considerable progress of the moral idea — the heroic ideal looms upon us, in his own language, "a divinity that the people should wor- ship." Zeus is with him a just wise God. The misery of human life comes from pride, but **a god," he says, "is in all our joys. " Of the Orphic Theogony, which is to me exceedingly fascinating, I cannot now stop to speak, except to say that it is distinguished from the others of which we have spoken, by a greater infusion of mysticism and of pantheism ; by the more definite recognition of a Divine Creative or rather plastic power; by the reconciliation of the gods ; by a more hopeful view of the future ; and especially by the worship of Dionysos, the benefactor of men, the suffering divinity, the liberator of souls. But I cannot leave it without snatching this exquisite gem of thought from an address to Eros: "Thy tears are the hapless race of men ; by thy laugh thou hast raised up the sacred race of the gods." The gods that we have been thus far considering were PROVIDENCE IN THE GREEK DRAMA. 39 originally personifications of nature. But these per- sonifications, as we have seen, were gradually invested more and more with human attributes, until their orig- inal significance was almost and in some cases entirely lost sight of. The divine was more and more absorbed in the heroic. From this point the transition was easy and unavoidable-to the immediate deification of heroes — which brings us to a third series of gods in Greek my- thology. The first had consisted of personifications of nature : the second of these same personifications hu- manized : the third consisted of deified heroes. Of this class the most distinguished example is Heracles — the ideal of a generous suffering and victorious hero. "The fundamental idea of all heroic mythology " says Miiller (Ancient Dorians) may be pronounced to be a proud consciousness of power innate in man, by which he en- deavors to place himself on a level with the gods, not through the influence of a mild and benign destiny, but by labor, misery and combats. **The highest degree of human suffering and courage is attributed to Heracles; his character is as noble as could be conceived in those rude and early times, but he is by no means represented as free from the blemishes of human nature. On the contrary, he is frequently subject to wild ungovernable passions, when the noble indignation and anger of the suffering hero degenerate into frenzy. Every crime how- ever is atoned for by some new suffering, but nothing breaks his invincible courage, until, purified from earth- ly corruption he ascends Mt. Olympus, and there re- ceives the beauteous Hebe for his bride, while his shade threatens the frightened gods in Hades. As in the fable of Apollo, the godhead descends into human life, so in Heracles, a purely human power is elevated to the gods. He is a deity representing the highest perfection of hu- manity, and therefore the model and aim of human imi- 40 LLEWELYN lOAN EVANS. tation. And the summit of heroic energy was seen where the human passed into the divine nature. Such then is the twofold result of the Greek human- ism : the humanizing of the Deity, the apotheosis of humanity. In the Pantheon of the Iliad and the Odys- sey we recognize the gods brought down to men ; in Heracles, ^sculapius and the later hero-gods we see men raised up to gods. First, the gods come down to Olympus and become human ; then men scale Olympus and become divine. We are now prepared to consider the teachings of the Greek Drama on the subject before us. The complete emancipation of man from the religion of nature in Greece is seen in the development of the drama. Dramatic poetry is possible only where there is the consciousness of freedom, the interaction and counteraction of moral forces and laws, the sense of responsibility and guilt, the apprehension of a moral government, of Providence and will, of conscience, of Law, of Nemesis. It is just what we should expect, therefore, that in Greece, where the triumph of man over nature carried with it such a development of free- dom and individuality, the drama should become a most flourishing and popular institution. To be sure, the consciousness of perfect moral liberty is not at- tained even here. Indeed the fatalism which broods over some of these dramas is painful ; but this is the nearest approach to such a conception that we meet with in heathendom. The pathos of these wonderful poems results from the contrast which they set forth between "the grandeur of man and the wretchedness of his destiny." But that misery is ever the fruit of crime. The Curse which haunts the family or the in- dividual has sprung out of the blood of an injured di- vinity, of violated law. To the Greek the drama was PROVIDENCE IN THE GREEK DRAMA. 4 1 a great preacher of righteousness. The stage was m some sense a pulpit. In Tragedy especially did Greek genius give conscience its grandest voice, and pour forth its loftiest utterances while treating "of fate and chance and change in human life." " Greek Tragedy/' says Professor Tyler, ' ' is essentially didactic, ethical, mythological, religious. It was the express office of the chorus, which held the most prominent place in the ancient drama, to interpret the mysteries of Providence, to justify the ways of God to men, to plead the cause of truth, virtue and piety. Hence it was composed usu- ally of aged men whose wisdom was fitted to instruct in the true and the right, or of young women whose virgin purity would instinctively shrink from falsehood and wrong The characters are heroes and demigods ; monsters, it may be, in crime ; but their punishment is equally prodigious. Sin and suffering always go together. They illustrate by their lips and in their lives the provident and retributive justice of God." It is evident at once that in the very act of putting the gods upon the stage was involved the necessity of investing them with those human passions, sympathies and activities for which the stage was designed ; and that the Greek Drama in this way strongly confirmed the anthropomorphic tendencies of its theology. There is indeed one prominent exception to this dramatic rep- resentation of divinity. Zeus is never put on the stage. He is always the unseen and invisible god. Indeed the myth of Zeus and Semele teaches that no mortal could behold Zeus and live. For as you remember, when Semele, at the instigation of Hera, requested him to appear to her as he did to Hera, and when he so far gratified her wish as to appear to her as the god of thunder, Semele. was instantly consumed by the fire of 42 LLEWELYN lOAN EVANS. the lightning — the jewel of a noble truth in the head of a toad, as is so often the case in these old myths. And so with the dramatists, with ^schylus particu- larly. Zeus is, as Max Miiller says, the only real God in the higher sense of the word. The Chorus in the Suppliants call him "King of kings, most blest of the blest"; and again, "the Supreme, who by hoary law directs fate." Again ^schylus (in Agamemnon) calls him the universal cause — Tzavakcof;. "Woe! woe! 'tis by the will of Jove, cause of all, doer of all ; for what is accomplished among mortals without Zeus? What of these things is not decreed by Heaven?" In the Antigone of Sophocles the Chorus utters this subhme strain: "O Jove! what daring pride of mortals can control this power, which neither the sleep which leads the universe to old age ever seizes, nor the unwearied months of the gods? Through unwasting time en- throned in might, thou dwellest I'n the glittering blaze of heaven ! " Closely connected with this supremacy of Zeus is the doctrine of Providence and a Divine Government. "There is a mighty Jove in heaven who overlooketh and swayeth all things," says the Chorus in Electra. "The tragedies of ^schylus " says K. O. Miiller, "uniformly require faith in a Divine power which with steady eye and firm hand, guides the course of events to the best issue, though the paths through which it leads may be dark and difficult and fraught with distress and suffering. The poetry of yEschylus is full of profound and enthusiastic glorifications of Zeus as this power." The Greek genius indeed is not insensible to the mystery which enwraps the Divine decrees and which broods over their fulfillment. ' * The counsel of Zeus," says the Chorus in the Suppliants," is not easily traced out, yet ni all things it shines forth PROVIDENCE IN THE GREEK DRAMA. 43 even in darkness, with black calamity to articulate- voiced man. But it falls firmly not upon its back (/. e. is not thrown prostrate) if a thing be perfected by the hand of Zeus, for the ways of the divine breast stretch thick and shady, difficult to discover." Scarcely less sublime than the description of Zeus on his throne are the descriptions, in Sophocles especially, of the divine and eternal laws which rule the operations of Providence. Thus in the Oedipus Tyrannus the Chorus says: "■ Oh, may it be my lot to support the all-sainted purity of every word and action, regarding which are propounded laws sublime engendered in the firmament of heaven, whose only father is Olympus; nor did the perishable nature of man give them being ; no, nor shall oblivion ever drown them in sleep. Great is the diversity in 'these, none groweth old." And in Antigone the Chorus speaks of * * the unwritten and immovable laws of the gods. For not now, at least, or of yesterday, but eternally they live, and no one knows from what time they had their being." In a more general way, all things are attributed to the gods. Success is their gift. '' For mortals to succeed is a boon of deity" (Eteocles; Seven against Thebes). They protected him that fears them; *'A dread adversary is he that reveres the gods." Occa- sionally we find something like a recognition of special providence. Thus we find in the Persians, the mes- senger who announced the ruin of the Persian army saying: '*In this night God called up Winter out of his season and congealed the whole stream of sacred Strymon." The Chorus in Agamemnon ex- pressly teaches that the gods care for men, and says of one who denied this — '^not holy was he." In har- mony with this view of the deity, is the view given of prayer, -'The dramas of iEschylus," says Professor 44 LLEWELYN 10 AN EVANS. Tyler, "are in their whole structure and contents a standing witness to a belief in the efficacy of prayer, as a general thing, notwithstanding the fixed decrees of fate or providence. No Calvinist was ever a more strenuous asserter of the ' doctrine of the decrees ' than the Chorus in these dramas. At the same time, no Methodist ever offered more frequent or more fervent prayers." Here is a very remarkable passage from the Chorephori: "That which is foredoomed abides from the olden time, and to those that pray for it, it may come." The most prominent principle of the Divine Govern- ment set forth in the Greek Tragedy is the law of retribution. I cannot stop to describe the various representations given of this law. Suffice it to say that this indissoluble connection between sin and suffering, through crime and punishment, is the grand argument of every tragedy. I wish, however, to call attention here to the personification of moral ideas that we meet with in connection with this law. The Greek mind, as has been remarked, was prone to personification. But the fact that we find so many of these moral personifi- cations in the Greek mythology, especially in that of the drama, is of deep significance. For they prove to my mind conclusively, that in their conceptions, the gods did not sufficiently represent these moral forces, and that there were points at which the gods and these moral powers were more or less at variance. But in themselves these personifications are highly interesting. Let me mention a few. Here we have Order or Law personified under the name Themis ; Justice under the name Dike; the latter being the daughter of the former. With what eloquence does the Chorus again and again appeal to Themis as one of the most venerable divini- ties of heaven ; or describe Dike, now driving the PROVIDENCE IN THE GREEK DRAMA. 45 sword, sharp and bitter, right through the lungs of the evil-doer, now beaming in smoky cottages and honor- ing the holy life (see Agamemnon). Here again we meet with Ate — retribution personified ; and Nemesis, the goddess of distributive justice, also surnamed Adra- stera, the Inevitable, from whom there is no escape ; and, most terrible of all, the Furies, the personification of the curses pronounced on guilty criminals — "hell- hounds," as Orestes calls them, who pursue the wretched man to his doom. In the Prometheus Bound these are joined with the Fates as the pilots of neces- sity, mightier even than Zeus. And this leads us to the darker side of our subject, on which I must dwell a moment before I close. The idea of Fate is sometimes presented in the Greek Tragedy as an impersonal abstraction. ''I needs must bear my doom as easily as may be," says Prometheus, ** knowing, as I do, that the might of necessity can not be resisted." And so the Chorus in Agamemnon: *' Things are as they are and will be brought to the issue doomed." But it is more in accord with the habit of the Greeks to represent Fate or Destiny as a person — Alaa or Mdcpa. Homer usually speaks of only one Moira, who at the birth of man spins out the thread of his future life, follows his steps and directs the consequences of his actions, all according to the counsels of the gods. Hesiod has three Fates, all daughters of Zeus and Night. In Tragedy we have sometimes one and sometimes three. The Homeric Moira is not an inflexible fate ; it is the will of Zeus, or at all events it is subject to his control, and is so far conditional as to be influenced in a measure by man himself In Tragedy, Fate is, generally speaking, the mind of Zeus. "Whatever is fated," says the Chorus in the Suppliants, "that will take place; the great im- 46 Llewelyn ioan evans. mense mind of Zeus is not to be transgressed." But now and then we see emerging that more awful and gloomy view of Fate, which conceives of it as mightier than Zeus himself: "Who, then," asks the Chorus, "is the pilot of necessity? Prom.: The triform Fates and the remembering Furies. Cho.: Is Zeus, then, less powerful than these ? Prom.: Most certainly ; he can not, at any rate, escape his doom." Here we are in the presence of an irresistible power. " Marvelous," says the Chorus in Antigone, "is the power of Fate. Neither tempest nor war, nor tower, nor black sea beaten ships escape its control." What, now, in the presence of this irresistible power, these dread goddesses, daughters of Jove, scarcely, if at all, inferior to their sire, becomes of the liberty of man ? We can not say certainly that it is overlooked or de- nied. Eteocles, in his address to the people of Thebes, anticipates Cromwell's famous order: "Put your trust in God and keep your powder dry." "On!" exclaims Eteocles, "in full panoply throng the breastworks and take your stations on the platforms of the towers ; and making stand at the outlets of the gates, be of good heart. God will give a happy issue." And in the drama of the Persians the ghost of Darius says — "I had expected that the gods would bring these things to their complete fulfillment after a long issue. But when a man is himself speeding onward, God also lends a hand." This last expression embodies, as Professor Tyler remarks, "the prevailing sentiment of the Great Tragedians ; men go to destruction under the impulse of their own folly and madness and an angry deity has only to add the spur. " It would indeed have been the strangest thing in the world, if in Greece, of all lands, free, active, versatile, bright and joyous Greece, we had failed to find any recognition of personal freedom. The i>ROVIDENCE IN THE CREEK DRAMA. 47 wonder to my mind is that there was not everywhere the most distinct and emphatic recognition of the free- dom of man's will, and that it did not err rather on this side than on the other. And yet nothing is more unquestionable than that when the Greek mind con- fronted this question in its most religious moods, when it meditated most profoundly on " fixed fate, free will, foreknowledge absolute," and sought in the devoutest spirit to explain the mysteries of Providence, it dis- played the strongest fatalistic tendencies. And there can be no proof more striking or satisfactory, of the inability of any religion of nature or of humanity, to develop a perfect sense of individual liberty and to free the spirit from the bondage of fatalism, than the failure of the Greek religion to accomplish this result. How terrible the iron bondage of this destiny which drove men even to madness, and crime, we see in almost every drama. When Orestes is about to slay his mother for the murder of his father, her plea is that she was im- pelled by fate ; and Orestes is urged to the deed by his friend because the gods required it. When Ajax com- mits suicide, Tecmessa, his captive concubine, exults in the thought that his suicide was from the gods, so that his enemies could not boast that they had slain him. '* By the gods he died, not by them — No ! " And what does the startling frequency of suicide in the Greek drama show but the desperation of souls oppressed with the painful sense of an inevitable destiny dogging their footsteps, from which there is no escape, but by plung- ing into the darkness of death. The old and ever-present mystery of suffering inno- cence and of prospering wickedness only aggravated the fatalistic gloom. In his endeavors to grope his way out of the perplexing labyrinth of difficulties surround- ing this question, the Greek plunged deeper and deeper 48 LLEWELYN JOAN EVANS. into doubt, error and despair. First he would try ap- parently the theory that prosperity begets adversity. Thus the Chorus in Agamemnon: "The great happi- ness of man at its consummation begets an offspring, nor childless dies ; and from good fortune there sprouts forth for posterity insatiate calamity." Then he would con- ceive of life as an endless round of changes, of alter- nating joy and sorrow, success and failure, rising and falling. "To the Gods alone," says Oedipus, " old age belongs not, nor indeed ever to -die : but everything else does all-powerful time confound. The vigor of the earth indeed decays, and the vigor of the body decays ; faith dies and falsehood springs up ; and the same gale hath never at all blown, neither to friends among men — for to some indeed already and to others in after time, the things that are sweet become bitter, and again friendly. And now if everything is prosperously tran- quil to Thebes with you, infinite time will in his course beget an infinite number of days and nights — then will dissolve with the spear the present harmony." Again the doctrine that God is jealous of his supremacy, his sovereignty, had, in accordance with the degrading ten- dency of Greek anthropomorphism, degenerated into the conception that the gods are selfishly jealous of their prerogatives, and thus become envious of human prosperity. Thus Elcctra mourns that the race of the children of Pelops has perished because that "-envy from heaven has seized it." And the Chorus in Aga- memnon utters the warning that for a man to have an exceedingly high reputation is a sad thing; for the thunderbolt from Zeus is launched against him. It is easy to see how such a view of the Divine treatment must tend on the one hand to rivet the chains of fatal- ism, and on the other to loosen the bands of moral ob- ligation, ^schylus, says President Woolsey, "makes PROVIDENCE IN THE GREEK DRAMA. 49 the Furies, so to speak, personifications of an impulse which wreaks itself upon the violator of natural order, whether he is engaged on the side of justice or not — of a blind force which, Hke the fiery furnace in Scripture, burns as the minister of the highest authority." It is true that these sentiments have a dramatic significance, and allowance should doubtless be made for the charac- ters and the situation from which they proceed, and for the dramatic purpose which they serve. It is none the less true however, that they occur continually in every drama ; that almost every character bears witness to their influence ; and especially that they are in perfect har- mony with the general tone and drift of the entire drama — the great organ of the Greek Religion. This then is the conclusion to which we come. The Greek doctrine of the Divine Government possessed ele- ments of wonderful grandeur. It contains a distinct em- phatic recognition of an overruling Providence. Whether it be Zeus, or the gods, or destiny, there is an irresisti- ble Power impelling and directing all events — a power nevertheless, which can be influenced' by prayer, the agency of which may bring to pass the fulfillment of the decree foreordained from the olden time. The Prov- idence which this Power exercises, is not only general but special. It rules the affairs not only of nations and races, but of families and individuals. It administers the laws not only of the natural but of the moral world. The laws which govern the universe are exalted to the very highest pinnacle of authoritative sublimity. They are instinct with divine energy and life. And yet, when we descend from the ethereal heights where this Divine Providence bears sway, to the sphere of human activity, and especially of human suffering and crime, all is changed. We are surrounded by a chilly gloom. 'We breathe a stifling atmosphere, A 50 LLEWELYN lOAN EVANS. terrible fatality reigns. Man is bound by a chain of iron. He is borne along on the dark current against which it is vain to struggle as it sweeps him toward the abyss. The gods are become his enemies. Envying his prosperity, they laugh at his calamity, and exult over the wreck of his happiness and his hopes. It is a question of profound significance : how should such a theology have arisen, and above all in Greece ? How upon an intellect so keen and resolute as the Greek, should a system so contradictory have forced itself? How could a nature so airy and joyous, so pas- sionately loving the flashing sunlight and the sparkling wave, have evoked so dark and grim a shadow to haunt and to dog its footsteps ? How could a life reveling in all the luxuriant freedom of artistic beauty, and in all the ex- citing whirl of political enthusiasm, have come to be so painfully conscious in its thoughtful moods, of the gall- ing yoke of irreversible Fate, and to hear amid life's very paeans the clanking of the dungeon chains ? The answer to these questions is not far to seek ; and all will do well to heed and ponder it, who are tempted, as Greece was, and as so many of us are, to identify God with Fate, to confound the Divine and the human, to deify man, to make nature all in all. If we had no better teacher than Greece, all that would remain to us would be to exclaim with Tecmessa — "Ah me! to what a yoke of slavery we pass ! What taskmasters are over us ! " II. CHRISTIAN CHIVALRY.* In the days of chivalry, when the candidate for knight- hood had received his training and served his probation, he was led to an altar, where, kneeling, he received from the hand of his king or his feudal lord, or from some fairer hand, representative of beauty rather than of power, the accolade, the sword stroke which devoted him to his vocation. To-day, my brethren, marks a similar investiture in your history. You have reached the end of your spe- cial training for your calling. You are about to pass forth out of the school of preparation into the world of action. To-day you receive from your loving and be- loved mother your accolade, administered, not like that of old, with the sword, but with its milder yet mightier successor. To-day she sends you forth invested with her seal and signature, to join the glorious army of Christian knights, who, here, there, yonder, every- where in the broad world, are fighting grander battles than any in which ever Paladin couched his lance or drew his sword. Or will it be said that this is a vain or fanciful anal- ogy ; that chivalry and' its heroes, its forms and its spirit, have alike passed away ? One singer of our time ■••■ GraduatinfT address to the Class of 1874. (SI) 52 Llewelyn ioan evans. has indeed told us that "earth is grown coward and old." Another has sung that the "earth is all too gray for chivalry." Others would perhaps choose to say that our world is too mature for that caprice of its childhood. 'Tis true "the whole round table is dis- solved;" the occupation of its knights is gone; the dy- ing Arthur has been borne away to the isle of Avalon. But, according to the old legend, " Arthur is come again, he can not die." The soul of true knighthood is still marching on in the world. Yes, believe me, my brethren, that glorious army of Christian knights, which I said just now you are sent to-day to join, is no spec- tral host. It was never more truly a reality than it is to-day. A truer, nobler knighthood has arisen, trans- figured, out of the grave of the old. Whatever was best, purest, divinest in the older order, its unfaltering- loyalty, its disinterested devotion, its chivalric enthusi- asm, its jealous regard for a stainless honor, its heroic championship of a sacred cause, its high ideal of purity, unselfishness, consecration, fidelity unto death, all this finds its glorified expression in the vocation of each one whom God anoints to be a champion of His honor, a defender of His cause. I, for one, believe that this transfigured chivalry is more and more imbreathing itself into every pursuit, beautifying every human call- ing, redeeming it from the taint of mercenariness and sordidness, and inspiring instead a spirit of unselfish consecration to a high ideal. More and more is it felt that the condition both of nobleness of character and of excellence of achievement, is a loving absorption in some worthy end, the ardent, chivalrous, enthusiastic enlistment of the whole man in some glorious vocation worthy to be pursued and to be loved for its own sake. You may remember how, in Daniel Deronda, when the fair heroine, at one crisis in her history, would em- CHRISTIAN CHIVALRY. 53 brace the vocation of an artist, from the stress of cir- cumstances and not from the impulse of love, an earn- est devotee of art dissuading her, says this of the life of an artist: '* It is out of the reach of any but choice or- ganizations, natures framed to love perfection and to labor for it, ready, like all true lovers, to endure, to wait, to say I am not yet worthy, but she, Art, my mistress, is worthy, and I will live to merit her. An honorable life? Yes; but the honor comes from the inward vocation and the hard won achievement. There is no honor in donning the life as a livery." To this ideal of a life devoted to Art, let me add one or two other ideals, which thoughtful minds have pict- ured of some of the noblest and most alluring pursuits which offer themselves to young men of culture to-day. Not long ago a statesman, who bears one of the most honored names in our history, and who has himself been conspicuous for his abiHty and wisdom in places of pub- he trust, thus expressed himself on the opportunities of public life in the immediate future in our own land : ' * I should feel myself to be very much belittling the recommendation I venture to make to my young friends to cultivate a taste for statesm.anship of the widest scope, if I were to associate it in general with the hope of getting into pov/er. * * ^ Never in any preceding record of human history has there been a fairer opening for the full development of the noblest aspirations for good which the Divine Being has been pleased to im- plant in the bosoms of His creatures. Here is ample space and verge enough for the most farseeing states- man, the most persuasive orator, the most profound philosopher, the most exalted philanthropist. Answer me, I pray you, shall it be indeed that this marvelous scene will be occupied by actors worthy of their place, who will strain 'their utmost powers to rise to every 54 LLEWELYN lOAN EVANS. great emergency, and do for their fellow men all that mortal power has been able to effect since the forfeiture of paradise?" (Charles Francis Adams : Discourse be- fore the Phi Beta Kappa, 1873.) Turn to another liberal profession, that of medicine, and what is the ideal of greatness which you find? It is — I am quoting from a late address of an eminent phy- sician before the Medical Society of the State of New York — *' the spectacle of Vesalius, in his first dissection, as illustrating the holy ardor, the nobility, the heroic courage of the profession in his age, and in all ages. In the path of investigation was toil, and dishonor, and death itself; but it was the road of life for all the race of man. He died a martyr to his zeal, but his work survived." Another eminent representative of the pro- fession declares, " the mission of the physician to be a covenant with the Most High, and God will hold us (physicians) responsible for the sacred discharge of duty. The sacred ark of human life is intrusted to us ; we are anointed priests in its service ; our hands must be clean, our hearts pure, and our souls deeply reverent in its ministrations." (Dr. Wood, of Philadelphia; annual address before the Society of Alumni of the Medical Department of the University of Pennsylvania, by Dr. C. C. Comegys, 1875.) While still another has called it **the most godlike function that can be exercised by a human being — a function discharged in its ideal per- fection only by the Son of Man." (Dr. Russell, of the Royal College of Physicians, in London.) So, in regard to the spirit in which the profession of the law should be pursued, the following noble words were spoken, hot long ago, in our own city, by one whom I take pleasure in mentioning as one of our own honored Trustees, and recently advanced to a conspicu- ous place in the councils of the nation : * ' The days of CHRISTIAN CHIVALRY. 55 chivalry are not gone. There are still knights, armed cap-a-pie, who are ready to-day to do battle for justice and for right, who are to-day ready to accept the chal- lenge of any comer in defense of the weak and oppressed and the defenseless. There is nothing mercantile in our profession. It is not a trade, and I make the contrast not at all because I deprecate the character of the merchant and the tradesman. But there is something in the liberal and learned and honorable profession to which you consider yourselves called, which is above the exchange of equivalence, which puts away the idea of bargains and barters, which professes to live for an idea, which looks beyond the mere result of a particu- lar case, and regards every professional effort as a con- tribution to that ideal justice which grows up day by day in the administration of the law in all its depart- ments, and lies recorded in the judgments of the courts, constituting the imperishable form and fabric of profes- sional reputation, which advances day by day with the history of civilization, incorporating everything good and lofty and sublime in human conduct, and will never be satisfied until it brings human justice and divine jus- tice to coincide." (Address of Hon. Stanley Matthews to graduating class of Cincinnati Law School, 1876.) These are noble words, all of them. These are ex- alted ideals of these influential vocations. And you will observe how that in all these ideals, the central, vital thought is consecration, self-renunciation, a chival- rous self-surrender to a lofty and absorbing passion or aim. Was it too much, to say then, just now, that the spirit of true knighthood is not only still Hving in the world, but is more and more possessing, inspiring, transfiguring the various spheres of human endeavor? But if this ideal is thus asserting its queenly sway over these other calHngs, how much more, brethren, should 56 LLEWELYN lOAN EVANS. it govern ours ? If the service of the art which makes Hfe fair must come from the inward vocation, how much more the service of the art which makes hfe holy and godhke ? If the hfe of those who minister at the shrine of beauty must not be donned as a Hvery, how much less the hfe of those who " Not for the meed of praise Or earthly honor, or the chaff of swine, Are as the priests who in the Temple wait And do their service, choosing Wisdom fair In her unearthly beauty ! " If the service of an earthly commonv/ealth invites the unselfish surrender of the noblest energies and the highest attainments, how much more the service of that heavenly commonwealth, whose citizenship is a priestly kingship, crowned with a holy and blessed immortality ? If the beneficent vocation of ministering to the disor- ders of the body be consistent only with complete self- abnegation, if its true spirit be that of a chivalrous alac- rity in responding, at whatever risk or loss to self, to every appeal for relief or deliverance, how much more should the vocation of ministering to souls diseased, vindicate itself as one holy, unfaltering, impassioned, self-forgetting purpose to help, to heal, to rescue, where the plague of sin is spreading wickedness and death ? If he whose calling it is to defend personal or social right to secure the triumph of justice should put av/ay every idea of bargain and barter or equivalence, how much more should you do this whose privilege it is to labor for the most definite and at the same time the most complete fulfillment of the petition, **Thy will be done on earth as in Heaven?" If in any calling whatever the ruling passion should be utter disregard of self, and the most ardent ''enthusiasm of humanity," is not that calHng, my brethren, yours? CHRISTIAN CHIVALRY. 5; Let me beseech you then, to-day, to magnify your caUing. Rejoice in the divineness which crowns it as the chief of all human vocations. Give yourselves up to it wholly. Make full proof of all its capabilities for power, for growth, for blessing. Fight manfully the good fight of faith. Test to the utmost every weapon put in your hands. Let no blot fall on your escutch- eon. Be anxious only to know and to do the will of the Great Commander. I take joy in thinking that more than one-half of your number belong to a band of more than twenty young men whom our church is to-day sending forth out of our theological seminaries beyond the great central river of our continent, to fight the battle of the cross. But whether on the hither or the yonder side of the Father of Waters, you all belong to the same army, you are fighting the same battles, you are following the same Leader. Be inwardly strengthened in Him and in the power of His might. Put on the divine panoply, the inspired description of which it has been your privilege, as a class, to study so lately. Let nothing be lacking, neither sword, nor shield, nor breastplate, nor girdle. You will need them all. It is no easy task that awaits you. Dark days will pass over you ; hours of faintness and weariness will overtake you. "Hast thou the sign God gives His chosen warriors ? As of old, Their joys and sorrows are not as the rest ; Their fleece is wet when all around is dry. The dew of heaven is theirs, to cheer and bless, When others sink upon the arid sand ; Their fleece is dry when all around is wet, They have their sorrows which the world knows not, Their conflicts in the midnight loneliness, That others taste not." 58 LLEWELYN lOAN EVANS. But be of good cheer. Remember the vevcxT^xa, the *' I have overcome " of our Captain. Even to fail with Christ were better than to win with the world. " The solemn shadow of His cross Is better than the sun." That cross still has its knights, who are summoned to the unquenchable ardor of a sublime enthusiam. Christ still has His heroes who are invited to the undying de- votion of an all-enfolding love. And my prayer for you to-day, my brethren, is that you may receive in full measure this sacramental chrism. Let your souls thrill to the holy passion. Let your hearts leap up to your celestial call. Go forth to your work to-day, not with laggard feet, not with backward or drooping look, not with listless heart, but having your feet shod with the eager alacrity of the Gospel of peace, your eyes kin- dling with the joyous radiance of the prize of your high calling, your hearts burning with the sacred and purify- ing fire from the altar of heaven. Go forth not as hire- lings, not as conscripts forced to an unwelcome service, but freely, joyously, as the elect of heaven, each one as the son of a king, from strength to strength, from vic- tory to victory. Do you remember Tennyson's exquisite little poem in which the Christian knight. Sir Galahad, sings the song of his pilgrimage in quest of the Holy Grail, the blessed cup of our Lord's blood ? As he rides on his way he is sustained by divine helps and visions of which grosser natures know nothing. Dark, tempest-swept for- ests become to him as cathedrals filled with the noise of hymns, the gleamings of tapers and silver vessels, and the fragrance of sweet incense. On lonely mount- ain ways he has visions in the dark, of the Holy Grail CHRISTIAN CHIVALRY. 59 borne by angel hands. Winter storms beat on his head. " But o'er the dark a glory spreads, And gilds the driving hail." As he muses in holy aspiration on "joy that will not cease," his mortal armor, stricken by an angel's hand, is ** turned to finest air." And he disappears from our view, marching on to celestial music, and to the sound of angel voices encouraging him with the assurance that the prize he seeks is not far from him. Brethren, as you go forth on your sublime quest, not of the Holy Grail, but of the souls which Christ's blood was shed to save, you may hope that the world will be- come for you, too, a grand cathedral filled with worship and with holy beauty and awe. Heavenly music will at times steal on your souls' hearing with entrancing sweetness. Blessed visions of immortality will approach you, causing your spirit to beat her mortal bars. A glory of earth will overarch every cloud. The lilies of the heav- enly Eden will waft their fragrance over the still hours of contemplation and prayer, and the weight of your arms will no longer be felt. " The clouds are broken in the sky, And thro' the outer walls A rolling organ-harmony Swells up and shakes and falls. Then move the trees, the copses nod, Wings flutter, voices hover clear. O, just and faithful knight of God, Ride on ! the prize is near." III. THE INFLUENCE OF CIVILIZATION ON DOGMATIC THEOLOGY. The influence of Dogmatic Theology on Civilization of which we had last week so able and interesting a discussion, naturally suggests the query whether there may not be a reciprocal influence of Civilization on Dogmatic Theology. The law of action and reaction finds place in the mental as in the physical world. True, in the one the reaction is always equal to the action. Not so in the other. But the fact of reaction remains. That there is an action of Theology on Civilization has been sufficiently demonstrated. If there is a reaction it behooves us to learn what it is, how far it extends, and what we are to do about it. Civilization, it will be granted, owes more to Dogmatic Theology, than Theology to Civilization. It would be unphilosophical and foolish however, for that reason, to disregard the less because it does not equal the more. In its broadest sense Civilization would mean the complex total of social condition and development. It would include the forces represented by the terms science, literature and art. But to define the special influence of these several factors would be impossible within the limits of this paper. I shall therefore con- fine the discussion to the influence of civilization in its more external aspect, as exhibited in social agencies (60) CIVILIZATION AND DOGMATIC THEOLOGY. 6 1 and forms, race and national characteristics, political and legal institutions, and in general the organic life and movement of humanity. By Dogmatic Theology I mean the formulated ex- pression of religious thought as the same has found currency in the Church Universal, or in the represent- ative branches of the Church of Christ. Let me first clear out of the way a few erroneous im- plications in respect to the question. 1. The influence of Civilization on' Dogmatic Theol- ogy does not imply the truth of Comte's view that the human mind in its progress passes through three stages — the theological, the metaphysical and the scientific. Theology is not any more than metaphysics a passing phase of the development of thought. Each is a science as truly as what Positivism calls science. Physics, the science of the material ; Metaphysics, the science of the mental ; Theology, the science of the supernatural — each is destined to share in the advance- ment of scientific method and outlook through all the coming generations of time. " And now there abideth these three; and the greatest of these is Theology," scientia scientiarum. 2. The influence of Civilization on Theology does not imply that Theology is a product of Civilization in any of its constituent forces, as Buckle and other ma- terialists since have held. Christian Theology is no evolution of material, mental or social phenomena. It is throughout of supernatural origin. Its contents are given by divine revelation. Theology comes out of the Bible: the Bible does not come out of nature. 3. The Bible is divine. Theology is human. It is the effort of the scientific intellect to construct the re- vealed facts of the Bible into a system of thought and belief As such 'it is imperfect, fallible, mutable, sus- 62 LLEWELYN lOAN EVANS. ceptible to the modifying influences of its environment, whatever these may be. 4. The modifying influences of Civilization as an environment of Theology are of a mixed character, partaking of the mixed character of civilization itself. In part they are beneficial, in part injurious. Each modification is to be judged independently on its own merits. The fact that it proceeds from Civilization does not require per se either its commendation or its condemnation. Not only so, but the same modification will at times exhibit this mixed character. In some directions its operation may be advantageous, in others disadvantageous. 5. As was hinted above, it is not implied that the in- fluence of civilization on dogmatics is of necessity of the same kind or degree with the influence of theology on civilization. The latter influence is doubtless far the more positive, the more direct, the more vital, the more decisive, the more lasting. It has in it more of the power of inspiration and organization. Largely indeed, the influence of Civilization is the reflex influence of Dogma on itself; as in some instances we see the action of the mind on the body react on the mind itself. Having premised thus much, I now assume the in- fluence of Civilization on Dogmatic Theology as a fact which no intelligent student of history will question. Dr. Shedd has stated the law thus: **The relation be- tween the two sciences of theology and history is not that of mere cause and effect, in which the activity is all on one side, and the passivity all on the other. It is rather an organic relation of action and reaction in which both are causes and both are effects, and both are passive recipients. " (Philos. of Hist. p. 122.) And again: **In some way or another each of the historic sections sustains a relation of action and reac- eiVILl2AtlON AND DOGMATIC! THEOLOGY. 63 tioii ; and in and by this interagency the total process of evolution goes forward." (Ibid, p. 102.) So again in speaking of the influence of one important factor of civilization, to-wit: philosophy on Theology, he says: "In the history of man that which is human precedes, chronologically, that which is divine. 'That was not first which is spiritual, but that which is natural, and afterward that which is spiritual' Men are sinners before they are made saints ; and they are philosophers before they become theologians." And still more broad- ly: ''Christianity comes down from heaven by a su- pernatural revelation, but it finds an existing state of human culture into which it enters and begins to exert its transforming power. Usually it overmasters that culture, but in some instances it is temporarily over- mastered by it." (Hist, of Christian Doctrine I, 29, 30.) It was remarked above that Theology is not the prod- uct of Civilization. It might however be shown, and it would be an interesting and profitable study in Biblical Theology, to show that civilization has largely furnished the moulds of theologic truth as originally presented in the Word of God. Simply by way of illustration I will give two instances, one from the Old Testament, and one from the New. It is well known what an important place the idea of the family fills in the Old Testament. It lies at the basis of the whole doctrine of the Cove- nants. It is an essential element in the conception of the Church and of its sacraments. It is a conspicuous feature of the doctrine of representative responsibility, in the Old Testament representation of these great the- ologic truths. Now the view of the family which un- derlies this whole department of Theology is pre-emi- nently a product of the ancient, and in particular of the patriarchal civilization. Sir H. Maine says : "The unit of ancient society was the Family, of modern socie- 64 LLEWELYN lOAN EVANS. ty the Individual. We must be prepared to find in Ancient Law all the consequences of this difference. . . Above all, . . it takes a view of life wholly unlike any which appears in developed jurisprudence. Corporations never die, and accordingly primitive law considers the entities with which it deals, that is, the patriarchal or family groups, as perpetual and inextinguishable. This view is closely allied to the peculiar aspect under which in very ancient times, moral attributes present them- selves. The moral elevation and moral debasement of the individual appear to be confounded with the merits and offenses of the group to which the individual be- longs. If the community sins, its guilt is much more than the sum of the offenses committed by its members ; the crime is a corporate act, and extends in its conse- quences to many more persons than have shared in its actual perpetration. If on the other hand, the individ- ual is conspicuously guilty, it is his children, his kins- folk, his tribesmen, or his fellow-citizens who suffer with him, and sometimes for him. It thus happens that the ideas of moral responsibility and retribution often seem to be more clearly reahzed at very ancient than at more advanced periods, for as the family group is immortal, amd its liability to punishment indefinite, the primitive mind is not perplexed by the questions which become troublesome as soon as the individual is conceived as altogether separate from the group." (Ancient Law, pp. 121-123.) It may be said accordingly that the whole Old Tes- tament Theology in the direction just now indicated received its mould in the Patriarchal System, in the thoughts, feelings, associations, and customs which in- hered in that system, the Holy Ghost, as I believe, in- spiring the use thus made of that mould. And this, let me add, incidentally furnishes a strong and valid CIVILIZATION AND DOGMATIC THEOLOGY. 65 argument for the antiquity of the Pentateuch as against the theories of Kuenen and his school, which would bring down these books, on which the patriarchal im- press is so vivid, into a period when such an impress would "have been impossible. A more stupendous anach- ronism Kuenenism itself has never imagined. Another instance out of the New Testament. We all know what a significant and precious feature of the Pauline Theology is the doctrine of Adoption. But this con- ception, if so high an authority as the historian Merivale be accepted, must have come to the Apostle out of the Roman Civilization. "Once more," says Merivale, **I would remark the interesting analogy St. Paul suggests in describing our relation as believers to our heavenly Father, as that of sons by adoption. The process of legal adoption, by which the chosen heir became en- titled through the performance of certain stated ce're- monies, the execution of certain formulas, not only to the reversion of the property, but to the civil status, to the burdens as well as the rights of the adopted — be- came, as it were, his other self, one with him, identified with him : — this too is a Roman principle peculiar at this time to the Romans, unknown I believe to the Greeks, unknown to all appearance to the Jews, as it certainly is not found in the legislation of Moses, nor mentioned anywhere as a usage among the children of the elder covenant. We have ourselves but a faint conception of the force with which such an illustration would speak to one familiar with the Roman practice; how it would serve to impress upon him the assurance that the adopted son of God becomes in a peculiar and intimate sense, one with the heavenly Father, one in essence and in spirit, though not in flesh and blood." (See further Merivale, Civilization of the Roman Empire, Lecture iv. pp. 98 seq.) 66 LLEWELYN lOAN EVANS. Here again the Roman Law furnishes the external mould of the spiritual truth revealed to the Apostle by the Holy Ghost. So of Heirship, Tutelage, Re- demption, Testation and other important facts of Revelation ; the formal element in these conceptions was largely furnished by the civilization of the day. But as we pass on to Theology proper as a human development the influence of civilization becomes more definite and decisive. Without attempting anything like an exhaustive classification of the modifications in- troduced by civilization, which would require a volume — let me single out a few of the more significant illustra- tions which have suggested themselves in a somewhat hasty consideration of the subject. On the very threshold of the question, we encounter the fact of Race, so important in producing the varieties of civilization. The influence of Race in the production of various types of Theology is universally recognized. Dr. Shedd, for example, in common with all historians of doctrine, speaks of a Grecian anthropology, and of a Latin anthropology. Milman, in the Introduction of his great work et passim, makes mention of an Oriental Christianity, a Greek Christianity, a Latin Christianity, a Teutonic Christianity. The following are some of the expressions he uses: * ' Christianity was almost from the first a Greek religion. " ** Oriental influences even from the remoter East, worked into its doctrine, and into its system." ''Greek Christianity could not but be affected both in its doc- trinal progress, and in its polity, by its Greek origin." ** Greek Christianity was insatiably inquisitive, spec- ulative. Confident in the inexhaustible copiousness and the fine precision of its language, it endured no limitation to its curious investigations. As each great question was settled or worn out, it was still ready to propose <:IVILIZATI0N AND DOGMATIC THEOLOGY. ^1 new one^.*' *'0n most speculative points this [Latin] Theology had left to the Greek controversialists, to argue out the endless transcendental questions of re- ligion, and contented herself with resolutely embracing the results, which she fixed in her inflexible theory of doctrine. The only controversy which violently dis- turbed the Western Church, was the practical one, on which the East looked almost with indifference, the origin and motive principle of human action, grace and free will. This from Augustine to Luther and Janse- nius, was the interminable, still reviving problem." "The characteristic of Latin Christianity was that of the old Latin world — a firm and even obstinate adhe- rence to legal form, whether of traditionary usage or written statute ; the strong assertion of, and the sworn subordination to, authority. It was the Roman Empire again extended over Europe by an universal code and a provincial government ; by a hierarchy of religious praetors, or proconsuls," etc. ''Latin Christianity maintained its unshaken dominion until what I venture to call Teutonic Christianity, aided by the invention of paper and of printing, asserted its independence, threw off the great mass of traditionary religion, and out of the Bible summoned forth a more simple faith." ** Christianity became a vast influence, working irregu- larly on individual minds, rather than a great social system, etc. Its multiplicity and variety rather than its unity was the manifestation of its life," etc. And in a note he calls attention to the fact on which Macaulay had already animadverted, ''that wherever the Teutonic is the groundwork of the language, the Reformation either is, or has been dominant ; wherever Latin, Latin Christianity has retained its ascendency." (Latin Chris- tianity I., pp. 19 seq.) Professor Kellogg anticipates important modifications 68 LLEWELYN lOAN EVANS, of current theological systems from the Christianized intellect of the Hindus and other Orientals. When we pass on to the influence of Government and Social Organization we find striking illustrations of this. Who can fail to recognize the deep and lasting impres- sion which has been made both on the reason and the imagination of Christendom by the vast colossus of the Roman Empire ? Take, as one trace of it, the Civitas Dei, of Augustine, which Milman describes as ''the first complete Christian Theology," (History of Christi- anity, Book HI., Chap. lo,) and which, in Dr. Shedd's judgment, "merits the study of the modern theologian more than any other single treatise of the Ancient Church." No one can read this "funeral oration of the ancient society, and gratulatory panegyric on the birth of the new" without feeling at once how pro- foundly the vision of the Iron Empire had fascinated the imagination of that extraordinary genius, who, more than any other uninspired thinker, has shaped the theo- logical thought of the centuries. Nor is it on the Cath- olic Theology alone that Rome has left its trace. Ma- theson, in his "Growth of the Spirit of Christianity," describes its influence in another direction. "The child-Hfe of Chistianity," he says, "had looked upon the Roman Empire, and had seen in it a grand ideal of earthly greatness. It beheld, in the Empire of Rome, what the followers of Confucius had beheld in the Em- pire of China — an image of changeless power, incapable of increase, or of diminution, unable to advance with ages, or to adapt itself to the exigencies of men — a power which was weak through its very absoluteness. Hence to the child-life of Christianity, the grandest thing in the world became the thought of changelessness ; of an existence so self-contained and so self-sufficient, that it never desired to pass out of itself. Its conception of CIVILIZATION AND DOGMATIC THEOLOGY. 69 God became the conception of a Roman Emperor in the heavens, exalted above all his followers, as the master is exalted above the servant, and only related to his creatures as he who commands is related to those who obey. The God in whom man lives, and moves, and has his being, passed away from the heart of Christen- dom, and in his room there was enthroned in that heart the image of a God in the air, separate from His works, isolated from His creatures, solitary by His very change- lessness, and changeless by His perpetual solitude. This is the creed which has come down to us by the name of Sabellianism — the worship of a will that is above every will, and of a power that can not bend." (Vol. I., p. 208.) He finds a correspondent trace of the same influence in Arianism. Speaking of the influence ex- erted upon Christianity by the Pagan world, he remarks : "Hitherto that influence had been chiefly ritual, and this, as we have seen, was not of necessity demoraliz- ing ; but it was now extending itself into the sphere of theology. We have said that the creed of Sabellianism was an exaggerated Roman Empire ; it was in strict conformity with this, that the Christ of Arianism should be an exaggerated Roman minister. Such is indeed the thought which lies behind the system, — the idea of a man who is the favorite of his sovereign, and who, through the favor, has been exalted to the similitude of a king ; who has been commissioned to act as his mas- ter's deputy, to issue his laws, to receive his tribute, even to punish and to pardon in his name. The prevalence of such a belief demonstrates how completely the mind of Christendom had been Romanized — how entirely the pagan ideal had taken possession of the heart of Christi- anity." (Ibid, pp. 210, 211, and cf p. 235.) Most decisive of all is the influence of Roman Im- perialism on the Papal development of Christianity. yO LLEWELYN lOAN EVANS. This is seen most conspicuously of course in the orga- nization of the Church. But it has also exerted an im- portant modification on its doctrine. Caesarism disci- plined itself in the Papacy. The Papacy is maintained by the principle of authority. The logical sequel of authority is scholasticism, and the entire structure of Romish Theology. In this connection I may refer to the influence of Law, and in particular of the Roman Jurisprudence on Theology. Merivale says of the ancient Roman Law: ''The law of Rome was already a pedagogue, leading the nations unto Christ, even before Christ Himself had appeared in the world and held up to its admiration the principles of His CathoHc Jurisprudence." (Conversion of the Rom. Empire, Lect. IV. p. 94.) Sir Henry Maine says: "Politics, Moral Philosophy, and even Theology, found in the Roman Law not only a vehicle of expression, but a nidus in which some of their profoundest inquiries were nourished into maturity." " To the cultivated citi- zen of Africa, of Spain, of Gaul, and of Northern Italy, it was jurisprudence and jurisprudence only, which stood in the place of poetry and history, of philosophy and science. So far then from there being anything myste- rious in the palpably legal complexions of the earliest efforts of Western thought, it would rather be astonish- ing if it had assumed any other hue. I can only express my surprise at the scantiness of the attention which has been given to the difference between Western ideas and Eastern caused by the presence of a new ingredient. It is precisely because the influence of jurisprudence be- gins to be powerful, that the foundation of Constanti- nople, and the subsequent separation of the Western Empire from the Eastern are epochs in philosophical history. Anybody who knows what Roman jurispru- dence is as actually practiced by the Romans, and who CIVILIZATION AND DOGMATIC THEOLOGY. /I will observe in what characteristics the earliest Western philosophy and theology differ from the phases of that which preceded them, may be safely left to pronounce what was the new element which had begun to pervade and govern speculation. The part of Roman Law which has had most extensive influence on foreign subjects of inquiry has been the Law of Obligation, or what comes nearly to the same thing, of Contract and Delict." He shows the influence of the Roman Law in this particu- lar on political and moral philosophy, especially in the Catholic Church. Again he says : ' * Few things in the history of spec- ulation are more impressive than the fact that no Greek- speaking people has ever felt itself seriously perplexed by the great question of Free-Will and Necessity. I do not pretend to offer any summary explanation of this, but it does not seem an irrelevant suggestion that nei- ther the Greek, nor any society speaking and thinking in their language ever showed the smallest capacity for producing a philosophy of law. Legal science is a Ro- man creation, and the problem of free-will arises when we contemplate a metaphysical conception under a legal aspect. . . . But the problem of Free-Will was theolog- ical before it became philosophical, and if its terms have been affected by jurisprudence, it will be because jurisprudence has made itself felt in Theology. The great point of inquiry which is here suggested has never been satisfactorily elucidated. What has to be deter- mined is whether jurisprudence has ever served as the medium through which theological principles have been viewed; whether by supplying a peculiar language, a peculiar mode of reasoning, and a peculiar solution of many of the problems of life, it has ever opened new channels in which theological speculation could flow out and expand itself." 72 LLEWELYN lOAN EVANS. I can not now cite in full the answer given to this question. Suffice it to say that in this eminent writer's judgment the interest shown by the Western Church in the doctrines of '^ the nature of Sin and its transmission by inheritance — the debt owed by man to its vicarious satisfaction — the necessity and sufficiency of the Atone- ment — above all the apparent antagonism between Free- Will and the Divine Providence " — is to be "accounted for by the fact that in passing from the East to the West theological speculation had passed from a climate of Greek metaphysics to a climate of Roman law. For some centuries before the controversies rose into over- whelming importance, all the intellectual activity of the Western Romans had been expended on jurisprudence exclusively. It was impossible that they should not se- lect from the questions indicated by the Christian rec- ords those which had some affinity with the order of speculations to which they were accustomed, and that their manner of dealing with them should borrow some- thing from their forensic habits. Almost any body who has knowledge enough of Roman law to appreciate the Roman penal system, the Roman theory of the obliga- tions established by Contract or Delict, the Roman view of Debts, and of the modes of incurring, extinguishing, and transmitting them, the Roman notion of the con- tinuance of individual existence by Universal Succession, may be trusted to say whence arose the frame of mind to which the problems of Western theology proved so congenial, whence came the phraseology in which these problems were stated, and whence the description of reasoning employed in their solution." (Ancient Law, Chap. IX.) Note that here the influence of civilization has been to emphasize, or, as Maine expresses it, to ** select" those elements of theologic truth as set forth in Scripture CIVILIZATION AND DOGMATIC THEOLOGY. 73 in which the conceptions of Justice, Penalty, Law, Gov- ernment are most conspicuous. The same may be said of the views of Hugo Grotius, no less distinguished as a jurist than as a theologian, the influence of whose discussions on modern theology it would be interesting to consider. Feudalism is another important institution of a former civilization, the influence of which on Theology may be traced in various directions. It had much to do for example with consoHdating the Roman hierarchy, confirming the principle of authority by enforcing the vassalage of conscience and will to ecclesiastical lords. Out of this again has grown the tendency, so charac- teristic of a feudalistic Church organization to establish in practice an esoteric theology for the ruling class, and an exoteric theology, largely tinctured with super- stition, for the masses. A different influence of Feudalism works through the complexity of social structure which it introduces, and the consequent necessity of preserving the balance of classes and interests. The most conspicuous example of this tendency is England, which has been called the Herculaneum of Feudalism. The English Constitution is a growth, the result of a series of adjustments in the effort to maintain the social equilibrium. In like man- ner Anglicanism, the typical Anglican Theology, is largely a structure of theological expedients and com- promises. The same causes which have given to the civil consti- tution its agglomerative character have in consequence of the union of Church and State, and of the character- istics and habits of the English people, made the An- glican Theology a dogmatic agglomeration. The hie- rarchism of Laud, the Puritanism of Hooper, the Calvin- ism of Cranmer, the Arminianism of Jackson, the Mod- 74 LLEWELYN lOAN EVANS. eratism of Jewell, the Latitudlnarianlsm of Chilling- worth, the Platonism of Cudworth, the Utilitarianism of Paley — all have deposited their typ^al forms of thought in this great Herculaneum. But leaving the Past, let us come to the considera- tion of theological influences which we may more distinct- ly recognize in the civilization of the Present. And here I shall be constrained to compress the discussion into a mere outline of points. One marked characteristic of civilization, as we know it, is the stimulus which it gives to enterprise. This produces a spirit of hopefulness. Men look forward to the Future, and derive their inspiration largely from it. In times of stagnation Christianity becomes largely a Religion of the Past. The Golden Age has come and gone. The Ideal of Christianity lies in the same tomb wdth the Ages of Faith, Tradition rules the belief of men, prescription stereotypes their worship. Not so when civilization excites to activity and enterprise. The Ideal of Christianity, as of humanity, lies in a glorified future. This necessarily affects Theology. The pres- tige of traditional dogma wanes. The effort is made, consciously, or unconsciously, to bring the faith of the intellect into harmony with the living interests and as- pirations of the present. Again, the commercial activities, the territorial dis- coveries, the international intercourse, and the enlarged acquaintance with various types of religion which civil- ization develops, influence theology in more than one direction. The most marked effect is seen in the in- creased culture of a missionary theology, a theology, to-wit, possessed of these characteristics: i. A heartier and more practical recognition of the universalism of Christianity; and 2. The effort to discover and make prominent those characteristics of Christian Truth CIVILIZATION AND DOGMATIC THEOLOGY. 75 which are needed to supply the vacua, and to meet the aspirations of heathendom. The modern study of Comparative Religion may be referred to as an out- growth of the wider outlook afforded by the extension of international intercourse. Closely associated with this is the enlarged sense of humanity, the intensified conception of the brotherhood of the race. Not long ago Ecce Homo explained the secret of the Christ to be the enthusiasm of humanity. Accepting this — not by any means as the whole truth, but as a valuable frac- tion of it — we may be prepared to find that any revival of the enthusiasm of humanity will lead to a more vivid appreciation of the Divine Humanity of Christ. A notable fraction of the theology of our day has been the greater prominence given to Christology, and the more loving emphasis placed on the mediation of The Man Christ Jesus. It is a striking remark of Matheson's that Art pre- pared the way for the Reformation by ''bringing into prominence that element which had been long neg- lected, the vision of Christ's humanity: it was thus to open from the heart of man a door of direct commun- ion with the life of God." (Spirit of Christianity, Chapter xxxvii.) Herein Art interprets the yearning of a higher civihzation for One who shall realize the perfect Idea of Humanity. Civilization tends still further to increase the material well-being of the race. It introduces prosperity and luxury. It multiplies the means of enjoyment and self-indulgence, and secures a large immunity from the temporal hardships and ills of a less perfect social organization. The effects of such prosperity on char- acter are complex. One effect will be greater refine- ment and delic'acy of sensibility. As Lecky says ; *j6 LLEWELYN lOAN EVANS. "Luxury is the parent of art, the pledge of peace, the creation of those refined tastes and deHcate suscepti- biHties that have done so much to soften the friction of life." This temper will naturally tend to soften also the rigors of those theologies in which the pressure of an iron logic tends to crush out the voices of the heart. No one can doubt that Calvinism grows sweeter and gentler with the years. On the other side luxury or even physical well-being tends to the enervation of manhood, and the relaxation of fibre both of intellect and will. It tends to effemi- nacy, sentimentality, cowardice. As John Stuart Mill says: ''There is in the more opulent classes of modern civilized communities much more of the amiable and humane, and much less of the heroic. . . . There has crept over the refined classes, over the whole class of gentlemen in England a moral effeminacy, an inapti- tude -for every kind of struggle. . . . This torpidity and cowardice, as a general characteristic, is new in the world ; but (modified by the different temperaments of different nations), it is a natural consequence of the progress of civilization." (Dissertations and Discourses I., pp. 206-7.) In Theology this process will natural- ly show itself in an increase of sentimentality, an unman- ly shrinking from the sterner fractions of Divine Truth. Hence, in large measure the prevalence in modern times of that emasculated Theology which flatters itself with the name of Liberalism. Not a few of the characteristic features of modern CiviHzation are due to the growth of democratic in- stitutions, and the prevalence of the spirit of equal- ity and individualism. De Tocqueville has to some extent endeavored to trace the influence of these agencies, as represented in American Democracy, on Religion and Faith. The following are some of his CIVILIZATION AND DOGMATIC THEOLOGY. 'JJ conclusions which I will give as briefly as possible, and substantially in his own words. a. In a democracy the public has a singular power, for it does not persuade to certain opinions, but enforces them by a sort of enormous pressure of the minds of all upon the reason of each. Everybody in the United States adopts great numbers of theories upon public trust; and if we look to it very narrowly, it will be perceived that religion herself holds sway there much less as a doctrine of revelation then as a commonly received opinion. Dem. in Amen ll., il. In other words there is danger in a democracy, lest the tyranny of the majority should surreptitiously substitute itself for the authority of truth. h. At times of general cultivation and equality, the human mind consents only with reluctance to adopt dogmatic opinions, and feels their necessity acutely only in spiritual matters. Ibid. II., p. 25. The influ- ence of democracy then will be to restrict dogmatic Theology strictly to its own sphere, to exclude all ex- traneous elements. c. Democracy favors the idea of the unity of man- kind, and this idea constantly leads men back to the idea of the unity of the Creator, and the oneness of the way to heaven (as opposed to the tracing of a thou- sand private roads to heaven). Ibid,, p. 26. This would seem to imply that in Theology, democracy tends to emphasize the absolute impartiality of the Divine dealings with men, and to assign fundamental signifi- cance to this in its theodicy. d. Nothing is more repugnant to the human mind, in an age of equality, than the idea of subjection to forms. Ibid., p. 28. It follows that so far forth, dem- ocracy will prove favorable to simplicity, that type of 7S LLEWELYN lOAN EVANS. faith and worship which it is the spirit and aim at least of Puritanism to reaHze and conserve. e. De Tocqueville beheves that in democratic times the human mind will feel attracted towards Pantheism. Ibid., 35-36. His reasoning on this head is more subtle, however, than satisfying. /. In proportion as castes disappear, and the classes of society approximate, as new facts arise, as new truths are brought to light, as ancient opinions are dissipated, and others take their place, the image of an ideal but always fugitive perfection presents itself to the human mind. Ibid., p. 37 seq. It follows that that type of Theology will prove most acceptable to democratic communities which most fully recognizes the indefinite perfectibility of man. g. One of the distinguishing characteristics of a dem- ocratic period is the taste which all men then have for easy success and present enjoyment. This occurs in the pursuits of the intellect as well as in all others. They would fain succeed brilliantly and at once, but they would be dispensed from great efforts to obtain success. Ibid., p. 19. On this side the theology of democracies seems liable to be shallow, superficial, brill- iant rather than solid, a pyrotechnic blaze of novelties, rather than a constellation of eternal verities. Again, Civilization as involving the growth of equality and individualism, and the more general dissemination of culture, enlarges the theological influence of the laity. While education was mainly confined to the clergy, laymen were content to accept with docility the The- ological teachings of the priesthood. The clergy were the experts, the professional exponents of Theology. The cobblers of secular life must stick to their last. Now all this is changed. Theology is no longer a monopoly. One man is as good as another, and a CIVILIZATION AND DOGMATIC THEOLOGY. 7^ great deal better. All ways lead to Rome; all ques- tions lead to Theology. Tyndall discourses about the doctrine of Creation Matthew Arnold writes on Literature and Dogma Gladstone discusses the Course of Religious Thought to say nothing of the hosts of lesser luminaries that shed their lucubrations at every cross-roads. The effect of all this will necessarily be two-fold. On the one side Theology will be brought into closer contact wdth the wider thought of the world. It will take cogni- zance of the living issues of the day, the questions which are burning in men's brains and hearts. It will be lifted in a measure out of the ruts, liberated from its conventional presentments, its stereotyped phrase- ologies. Fresh combinations of truth will be effected ; and in particular its practical adaptations will be more fully developed. On the other side we may look for an irruption of crudities and superficialities. The caprices of individ- ualism will set at defiance the solemn consensus of the Church Catholic. The abandonment of forms and con- fessions consecrated by the baptismal fire of a thousand battles for God's truth, and fragrant with the faith and devotion of centuries may occasion a drift into theolog- ical communism and anarchy. Idiosyncrasies and ex- travagancies will command a premium. The Athenian appetite for novelties will enlarge the market for spices from Arabys unblest in place of the Bread of Life. Again — Civilization through its commercial and in- dustrial activities begets a practical habit of mind. Its temper, if not its philosophy, is utilitarian. It judges everything by its values and results. It looks with con- tempt on doctrinaires and theorists. It magnifies utili- ties above principles, practical ethics above speculative dogmatics. ''The industrial character," says Lecky, 80 LLEWELYN lOAN EVANS. "is eminently practical. It leads men to care very lit- tle about principles, and very much about results ; and this habit has at least a tendency to act upon theolog- ical judgments." (Hist, of Rat. II., p. 310.) In its remoter issues the tendency would find expression in the complete secularization of thought and life, which of course would be the death of Theology. But when Theology does not succumb to secularism it is still liable to be affected by it. It is in danger of depreciating its transcendental and supernatural factors. In the effort to be practical it will be in danger of drawing more upon the world of society for its material than on the Word of God. In getting up a Theology for the market place it may overlook the Theology of the closet. In the en- deavor to fill itself with plenty of human nature and the life that now is, it may leave out what is represented by the terms God and Eternity. — ''The American Minis- ters of the Gospel," says De Tocqueville, ''do not at- tempt to draw or to fix all the thoughts of man upon the life to come ; they are willing to surrender a portion of his heart to the cares of the present ; seeming to con- sider the cares of this world as important, though sec- ondary objects." (II. p. 31.) This practical tendency indeed is not necessarily or wholly unfavorable. While Theology has mainly to do with truth in its more general, and what I may call its transcendental relations, it has also a most important bearing on life and character. A Theology which did not make men better would be a lie and a curse. On the contrary the Theology which i7i the long rim pro- duces the highest manhood has every presumption in its favor as the best Theology. It is an advantage therefore to be suitably animated by the practical motive. The Theology which while holding to the transcendental pursues the useful, which realizes its mission as a vital- CIVILIZATION AND DOGMATIC THEOLOGY. 8l izing and energizing power, quickening the conscience, purifying the affections, ennobHng, beautifying and beat- ifying Hfe, will gain proportionately in inward fullness, depth and symmetry. Once more, the spirit of Civilization Is irenlc. Its ten- dency is to harmonize interests, unite activities, concili- ate opposites. It bears fruit in leagues, alliances, fede- rations, congresses, points forward possibly to a " par- liament of man, a federation of the world." It thus be- gets a tolerant temper. Lecky has pointed out that the secular influences of Civilization, pohtlcal combinations and enthusiasms, the enlargement of civil and political rights, national alliances, are adverse to sectarianism and bigotry. (Hist, of Rationalism II, p. 143.) So with commercial intercourse between members of different creeds. **When men have once realized the truth that no single sect possesses a monopoly, either of virtues or abilities — when they have watched the supporters of the most various opinions dogmatizing with the same profound convictions, defending their be- lief with the same energy and irradiating It with the same spotless purity — when they have learned in some degree to assume the standing point of different sects, to perceive the aspect from which what they had once deemed incongruous and absurd, seems harmonious and coherent, and to observe how all the features of the Intellectual landscape take their color from the prejudice of education, and shift and vary according to the point of view from which they are regarded — when, above all, they have begun to revere and love for their moral qualities those from whom they are separated by their creed, their sense, both of the certainty and Importance of their destructive tenets, will usually be Impaired, and their intolerance towards others proportionately diminished." (Lecky, Hist, of Rat. II., 296.) 82 LLEWELYN lOAN EVANS. Under such influences Theology must of necessity become irenic. It will tend towards Catholicism, rather than sectarianism ; it will become cosmopolitan rather than insular. Per contra, there is a liability on this side to indefiniteness. Like a political platform it may be- come so comprehensive as to be meaningless. The great doctrinal discriminations on which so much often de- pends may be obscured ; a hazy, poetic sentimentality may be encouraged; the "vague Theology," which a Chicago pulpit glorifies, may prevail, in whose thin nebulosity Christianity itself may disappear. There are other points which might be noted, but I must stop. I will close with the bare mention of a few inferences. 1. Theology like the world, is moving. It can not stand still. The forces which are ever acting on it make this impossible. As Dr. Shedd says: ''Unceas- ing motion from a given point through several stadia to a final terminus, is a characteristic, belonging as in- separably to the history of Man, or the history of Doctrine, as to that of any physical evolution what- ever." (Hist, of Doctrine I., p. 8.) 2. This onward movement is not one of uniform progress. On the whole the movement is an advance, but in its particular stages we shall find deflection, or even retrogression. The influences of an advancing civilization, as we have seen, are complex, generally favorable to true progress, but not seldom unfavorable. 3. It is the part of Christian Teachers to know the signs of the times, to watch the tendencies which are at work, to counteract such as are injurious, to en- courage those which are beneficial, and in harmony with the normal development of Christian doctrine. 4. It behooves them to cultivate that wise conserva- tism which will protect Doctrine against unauthorized CIVILIZATION AND DOGMATIC THEOLOGY. 83 innovation, together with that wise progressivism which will save it from stagnation. The communism which respects nothing, and the Bourbonism which learns nothing, are alike to be eschewed. 5. It becomes necessary to inquire into the theolog- ical legacies of former civilizations that we may see how truly they represent the Scripture proportion of faith, and how far they are suited to the peculiar re- quirements of the present 6. The only sure criterion of doctrinal Truth amidst the fluctuations of History is the Word of God. The nearer Theology keeps to the Bible as its base line, the more it centers itself in Christ, the personal Logos, the sounder will be its contents, the truer will be its form, the healthier will be its growth, and the better prepared will it be to meet, and to be suitably affected by whatever influences may operate upon it. November 8. 1880. IV. FISKE ON THE DESTINY OF MAN. We do not regard it as the function of this Friday evening Lectureship to pass the universe under review. There will appear however, from time to time, move- ments, facts, utterances, so notable and significant, especially in their bearings on religious and theological thought, that we shall do well to consider them. The other day I chanced to pick up a little book, just out, to which I have concluded to call your attention. The author is John Fiske, a gentleman of some hterary and scientific fame, of whom you have all heard. The title is "The Destiny of Man, viewed in the Light of His Origin." It grew out of an ad- dress, the past summer, before the Concord School of Philosophy. As Christian thinkers, we cannot help being con- cerned with the subject under discussion. For several years past the theory of evolution has been a question of living interest. We have been asking : is there any truth in it? If so, how much? Where does it he? How does it affect our theology? During the past few weeks we have seen the South- ern Presbyterian Church agitated by the question, in connection with the instruction in one of their theolo- gical seminaries. We know not how soon, in one form (84) FISKE ON THE DESTINY OF MAN. 85 or another, the issue may be upon us. The Higher Criticism excitement has pretty well died out. Our ecclesiastical Don Quixotes, who started out so valiantly on their somewhat spavined but fire-breathing Rosinan- tes, have discovered nothing more formidable in that part of the field than one or two windmills, rather long in the arms, perhaps, but comparatively harmless. They may find more exciting game in some Dr. Wood- row, north of Mason and Dixon's line. Indeed, I find that a brother professor in a [certain] seminary, has found it prudent to put the notes of his theological lectures at the service of one of the editorial watch- dogs of orthodoxy. This little book has some special points of interest. The author, without being a great man, or a profound thinker, is an accomplished scholar, and an able writer. He is an ardent admirer of Darwin, and an enthusiastic disciple of Herbert Spencer. He has come to be the recognized exponent of Spencer's philosophy, in our country. And it must be said of him, that he is not a mere echo of his master. While his forte is expo- sition, he is still an independent expositor. Mr. Darwin has complimented him by saying, * * I never in my life read ,so lucid an exposition" (and therefore, so lucid a thinker). The Saturday Review characterizes his work on Cos- mic Philosophy as the most important contribution, made by America, to the evolutionary philosophy. The London Academy goes further, designating it as the most important contribution yet made by America to philosophical literature." The New York Graphic puts him on the same plane of philosophical eminence with Jonathan Edwards. While we may not concur in the very high estimate of him which these com- mendations imply ; we may at least assume that Mr, 86 LLEWELYN lOAN EVANS. Fiske is a competent witness to the positions of Dar- winism and Spencerianism. On evolution, he is an authority. He has made his own contribution to the theory, especially in the de- partment of sociology. His position is in some respects unique and interest- ing. While a radical and thorough-going evolutionist, he refuses to be a materialist. How far he is con- sistent will be seen presently. The fact remains that he rejects the materialistic view of man as to his origin, his nature, and his destiny. His position is also peculiar, in that, while as a Spencerian, he is constrained to be theoretically an Agnostic, yet, he holds steadfastly to the Kantian trilogy : God, Conscience and Immortality. This little book may be viewed, accordingly, as in some respects the last word of the best evolution. It represents the nearest approach which a naturahstic evolution has made as yet to the theistic position. It almost reads like an overture of peace to the party of faith, and the adherents of a spiritualistic philosophy. As such it challenges our scrutiny, and it certainly merits a fair, respectful, discriminating examination. As regards the evolutionary teachings of the book, they are as thorough and radical as the most extreme evolutionists could desire. "As we examine the rec- ords of past life upon our globe," says Mr. Fiske, "and study the mutual relations of the living things that still remain, it appears that the higher forms of life — including man himself — are the modified descend- ants of lower forms. Zoologically speaking, man can no longer be regarded as a creature apart by himself. We cannot erect an order on purpose to contain him, as Cuvier tried to do ; we cannot even make a separate family for him. Man is not only a vertebrate, a mam-* FISKE ON THE DESTINY OF MAN. 87 mal, and a primate, but he belongs, as a genus, to the catarrhine family of apes. And just as lions, leopards, and lynxes — different genera of the cat family — are descended from a common stock of carnivora, back to which we may also trace the pedigrees of dogs, hyenas, bears and seals ; so the various genera of platyrrhine and catarrhine apes, including man, are doubtless de- scended from a common stock of primates, back to which we may also trace the converging pedigrees of monkeys and lemurs, until their ancestry becomes in- distinguishable from that of rabbits and squirrels. Such is the conclusion to which the scientific world has come within a quarter of a century from the pubHcation of Mr. Darwin's 'Origin of Species,' and there is no more reason for supposing that this conclusion will ever be gainsaid than for supposing that the Copernican Astronomy will sometimes be overthrown, and the concentric spheres of Dante's heaven re-instated in the minds of men." (p. 20/".) Again, on the argument from design, he says, (p. 22/), ''Those countless adaptations of means to ends in nature, which since the time of Voltaire and Paley we have been accus- tomed to cite as evidences of creative design, have received at. the hands of Mr. Darwin a very different interpretation. The lobster's powerful claw, the butter- fly's gorgeous tints, the rose's delicious fragrance, the architectural instinct of the bee, the astonishing struc- ture of . the orchid, are no longer explained as the results of contrivance. That simple but wasteful pro- cess of survival of the fittest, through which such mar- vellous things have come into being, has little about it that is analogous to the ingenuity of human art. The infinite and eternal Power which is thus revealed in the physical life of the universe seems in no wise akin to the human soul, ' The idea of beneficent purpose seems 88 LLEWELYN lOAN EVANS. for the moment to be excluded from nature, and a blind process, known as Natural Selection, is the deity that slumbers not nor sleeps. Reckless of good and evil, it brings forth at once the mother's tender love for her infant, and the horrible teeth of the ravenine shark, and to its creative indifference the one is as good as the other. In spite of these appalling arguments, the man of science, urged by the single-hearted pur- pose to ascertain the truth, be the consequences what they may, goes quietly on and finds that the terrible theory must be adopted ; the fact of man's consanguin- ity with dumb beasts must be admitted." It will be noted that in the citation just given, "the creative indifference " of the power of Natural Selec- tion is spoken of. So throughout ' creation ' seems to be with our author another word for * evolution,' the production by secondary causes of new forms or results. The difference between man and other animals, resolves itself ultimately, we are taught, into a difference of degree. His language is: "Not only in the world of organic life, but throughout the known universe, the doctrine of evolution regards differences in kind as due to the gradual accumulation of differences in degree," p. 35. And again, p. 53: "In the direct line of our ancestry it only needed that the period of infancy should be sufficiently prolonged, in order that a crea- ture should at length appear, endowed with the teach- ableness, the individuality, and the capacity for progress which are the peculiar prerogatives of fully-developed man." In the career of the mastodon, hipparion, sabre- toothed lion, dryopithecus, and other phenomena of the Miocene age we find "the germ of all that is pres- ent in humanity." We have, somewhere, half-way between .brute and man, a "half-human man." FISKE ON THE DESTINY OF MAN. 89 One chapter is devoted to physiological and psycho- logical explanations of the dawning of consciousness ; and in one passage (p. 96,) "the universal struggle for exist- ence" is accredited with ''having succeeded in bringing forth that consummate product of creative energy, the Human Soul." Elsewhere (p. 6^) we are told that "rudimentary iuoral sentiments are clearly discernible in the highest members of various Mammalian orders, and in all but the lowest members of our own order." "The genesis of the altruistic emotions " (p. 75) is referred to the processes of "natural selection operating through the lengthening of childhood." So far it might seem that the most uncompromising evolutionist could ask for no stronger or more positive statements of the character- istic features of that philosophy. On the other side, however, we note a number of very significant modifications and concessions. P'or one thing, we have the constant and reverent recog- nition of the existence and agency of God. Again and again, is God referred to as the First Cause — He is recognized as Creator. The question is asked (p. 114) "Are we to regard the Creator's work as like that of a child, who builds houses out of blocks, just for the pleasure of knocking them down?" "The slow and subtle process of evolution" is described as "the way in which God makes things come to pass;" (p. 32.) Man is "the chief among God's creatures " (p. 12). Mr. Fiske em- phatically repudiates atheism and materialism. "Once dethrone humanity," he says (p. 12/), "regard it as a mere local incident in an endless and aimless series of cosmical changes, and you arrive at a doctrine which, under whatever specious name it may be veiled, is at bottom neither more nor less than Atheism, On its go LLEWELYN lOAN EVANS. metaphysical side, Atheism is the denial of anything psychical in the universe outside of human conscious- ness ; and it is almost inseparably associated with the materialistic interpretation of human consciousness as the ephemeral result of a fleeting collocation of par- ticles of matter. Viewed upon this side, it is easy to show that Atheism is very bad metaphysics, while the materialism which goes with it is utterly condemned by modern science. But our feeling toward Atheism goes much deeper than the mere recognition of it as philosoph- ically untrue. The mood in which we condemn it is not at all like the mood in which we reject the cor- puscular theory of light, or Sir G. C. Lewis's vagaries on the subject of Egyptian hieroglyphics. We are wont to look upon Atheism with unspeakable horror and loathing. Our moral sense revolts against it no less than our intelligence." As respects the argument from design, he tells us; (p. 113) ''The Darwinian theory, properly understood, replaces as much theology as it destroys." More than once he draws a deep, de- cided line of demarcation between the soul, the psychic, spiritual life on the one side, and the material universe on the other. He calls the soul * * that last consummate specimen of God's handiwork" (p. 32). ''That divine spark, the Soul" (p. 171). "That consummate product of creative energy, the Human Soul " (p. 96). ' ' Whence came the soul?" (he says, p. 42) " We no more know than we know whence came the universe. The primal origin of consciousness is hidden in the depths of the bygone eternity. That it cannot possibly be the product of any cunning arrangement of material particles, is demonstrated beyond peradventure by what we now know of the correlation of physical forces. The Pla- tonic view of the soul, as a spiritual substance ; an efflu- ence from Godhood, which under certain conditions FISKE ON THE DESTINY OF MAN. 9 1 becomes incarnated in perishable forms of matter, is doubtless the view most consonant with the present state of our knowledge." He is evidently anxious to main- tain that man is " a creature essentially different from all others" (p. 56). *'Itis not too much to say" (he tells us, p. 57) "that the difference between man and all other creatures, in respect of teachableness, progress- iveness, and individuality of character, surpasses all other differences of kind that are known to exist in the universe." He claims still further that in the Darwinian hypothesis (p. 25) ''we rise to a higher view of the workings of God and of the nature of man, than was ever attainable before. So far from degrading Human- ity, or putting it on a level with the animal world in general, the Darwinian theory shows us distinctly for the first time how the creation and the perfecting of man is the goal toward which nature's work has all the while been tending. It enlarges tenfold the significance of human life, places it upon even a loftier eminence than poets or prophets have imagined, and makes it seem more than ever the chief object of that creative activity which is manifested in the physical universe." He claims also that on the Darwinian theory (p. 31) "it is impossible that any creature zoologically distinct from Man and superior to him, should ever at any future time exist upon the earth." According to Darwinism the creation of man is still the goal toward which Nature tended from the begin- ning. Not the production of any higher creature, but the perfecting of humanity is to be the glorious con- summation of Nature's long and tedious work. Thus we suddenly arrive at the conclusion that Man seems now, much more clearly than ever, the chief among God's creatures. He forcibly and eloquently affirms his belief in a per- 92 LLEWELYN lOAN EVANS. sonal immortality. He thinks indeed (p. io8) that *'it is not Hkely that we shall ever succeed in making the immortality of the soul a matter of scientific demonstra- tion, for we lack the requisite data. It must ever re- main an affair of religion rather than of science." "In the domain of cerebral physiology the question might be debated forever without a result. The only thing which cerebral physiology tells us, when studied with the aid of molecular physics, is against the materialist, so far as it goes. It tells us that, during the present life, although thought and feeling are always manifested in connection with a peculiar form of matter, yet by no possibility can thought and feeling be in any sense the products of matter. Nothing can be more grossly un- scientific than the famous remark of Cabanis, that the brain secretes thought as the liver secretes bile. It is not even correct to say that thought goes on in the brain. What goes on in the brain is an amazingly complex series of molecular movements, with which thought and feeling are in some unknown way correlated, not as effects or as causes, but as concomitants. So much is clear, but cerebral physiology says nothing about an- other life. Indeed, why should it ? The last place in the world to which I should go for information about a state of things in which thought and feeling can exist in the absence of a cerebrum would be cerebral physi- ology ! The materialistic assumption that there is no such state of things, and that the life of the soul ac- cordingly ends with the life of the body, is perhaps the most colossal instance of baseless assumption that is known to the history of philosophy." But Mr- Fiske goes further than this, and grounds his belief in the permanence of the spiritual part of man on the " broad grounds of moral probability" (p. m), and indeed ultimately on a postulate of faith. He com- FISKE ON THE DESTINY OF MAN. 93 pares it to ''our irresistible belief that like causes must always be followed by like effects" (p. 115), which he agrees with the authors of the "Unseen Universe" in calling * * a supreme act of faith, the expression of a trust in God, that He will not put us to permanent intellect- ual confusion." '^ Now the more thoroughly we com- prehend (he goes on to say) that process of evolution by which things have come to be what they are, the more we are likely to feel that to deny the everlasting persist- ence of the spiritual element in Man is to rob the whole process of its meaning. It goes far toward putting us to permanent intellectual confusion, and I do not see that anyone has as yet alleged, or is ever likely to al- lege, a sufficient reason for our accepting so dire an al- ternative. For my own part, therefore, I beHeve in the immortality of the soul, not in the sense in which I ac- cept the demonstrable truths of science, but as a su- preme act of faith in the reasonableness of God's work." (A very remarkable declaration surely from an agnostic.) ' * The Materialist holds that wlien you have described the whole universe of phenomena of which we can be- come cognizant under the conditions of the present life, then the whole story is told. It seems to me, on the contrary, that the whole story is not thus told. I feel the omnipresence of mystery in such wise as to make it far easier for me to adopt the view of Euripides, that what we call death may be but the dawning of true knowledge and of true life. The greatest philosopher of modern times, the master and teacher of all who shall study the process of evolution for many a day to come, holds that the conscious soul is not the product of a collocation of material particles, but is in the deep- est sense a divine effluence. According to Mr. Spencer, the divine energy which is manifested throughout the knowable universe is the same energy that wells up in 94 LLEWELYN lOAN EVANS. US as consciousness. Speaking for myself, I can see no insuperable difficulty in the notion that at some period in the evolution of Humanity this divine spark may have acquired sufficient concentration and steadiness to sur- vive the wreck of material forms and endure forever. Such a crowning wonder seems to me no more than the fit climax to a creative work that has been ineffably beautiful and marvellous in all its myriad stages." Towards Christianity our author's attitude is at least reverent. In his opening Chapter he conciliates favor for the Darwinian theory by showing that the Coperni- can astronomy has not shaken the foundations of Chris- tian theology. "The speculative necessity for man's occupying the largest and most central spot in the uni- verse is no longer felt. It is recognized as a primitive and childish notion. With our larger knowledge we see that these vast and fiery suns are after all but the Titan- like servants of the little planets which they bear with them in their flight through the abysses of space. And as when God revealed himself to his ancient prophet, He came not in the earthquake or the tempest, but in a voice that was still and small, so that divine spark, the Soul, as it takes up its brief abode in this realm of fleet- ting phenomena, chooses not the central sun where ele- mental forces forever blaze and clash, but selects an outlying terrestrial nook where seeds may germinate in silence, and where through slow friction the mysterious forms of organic life may come to take shape and thrive. " (p. 16-17.) With Christianity as a Gospel of Peace and Goodwill he is in hearty accord. He takes pleasure in identifying the ethical drift of Darwinian development with the ethical teachings of the Sermon on the Mount. He rev- erently calls Christ *'the Master." The closing words of his httle book give us the vision of a ** future lighted PISKE ON THE DESTINY OF MAN. 95 for US with the radiant colours of hope. Strife and sor- row shall disappear. Peace and love shall reign supreme. The dream of poets, the lesson of priest and prophet, the inspiration of the great musician, is confirmed in the light of modern knowledge ; and as we gird ourselves up for the work of Hfe, we may look forward to the time when in truest sense the kingdoms of this world shall become the kingdom of Christ, and he shall reign for- ever and ever, king of kings and lord of lords." In all this there is much that is highly significant. It indicates that evolution is itself undergoing an evolution for the better. It is in a different strain from that to which we have been accustomed from the evolutionary school. It betrays a secret consciousness on the part of the more thoughtful, candid, and spiritualistic of its re- presentatives that a bald, blind, purposeless evolution based on material, molecular, mechanical conditions, and nothing else, is felt to be unsatisfying and untenable. It indicates that such thinkers are seeking a modus vivcndi with Christianity. It exhibits a decided rappivche7nent of modern science towards faith. It shows a healthy recoil from the stark animalism of the earlier and cruder Darwinian biology. It is a sign that the baseless as- sumptions and one-sided theorizings of the earlier evolu- tionists are beginning to be challenged by their fol- lowers. ***** It suggests a hope that evolution is feeling its way to surer foundations, and that we may yet see a type of the doctrine which will at once satisfy the requirements of science, and command the assent of a Christian theism and theology. For one I welcome these indications. I would gladly encourage the upward movement of which these would seem to be the tokens, and to promote a better adjustment of 'the relations between this powerful 96 LLEWELYN lOAN EVANS. tendency of modern physical science and Christian science. Could I get Mr. Fiske's ear for a short time, I should be pleased to show what remains to be done, in order to perfect such an entente cordiale. I would drop upon him one or two remarks of this sort : * ' I have attended with great interest, Mr. Fiske, to the exposition you have given of your views respecting 'The Destiny of Man, in the light of his origin.' I sincerely congrat- ulate you on the earnestness of your endeavor to relieve your favorite hypothesis of some of the deadening weights with which an atheistic materialism has sought to load it. Believing that further advance in this direc- tion is possible as well as desirable and necessary, allow me respectfully to suggest a few defects, obscuri- ties and contradictions which still remain to be cleared up, before a satisfactory conclusion can be reached. It is gratifying to hear from one of your school so dis- tinct a recognition in terms, of creation and of a Creator. We have been accustomed to more or less evolutionary ridicule of what these terms imply, as antiquated and unscientific superstitions. Let me insist, however, in the interest of clearness, that creation must not be con- founded with evolution. I am sorry to say that there is too much of this confusion in your little book. I would not say that in the broader sense of the word, creation may not include evolution. But evolution certainly is not creation. Christian Theology, the sci- ence of revealed truth, a science, let me remind you, which is nothing if not exact, recognizes the essence of the creative act to be the power of bringing into existence that which had no existence, that which had no antecedent condition of existence, outside of the power and will of the Creator. This absolute origina- tion of existence is the central fundamental thing in FISKE ON THE DESTINY OF MAN. 97 creation. To leave this out of a discussion of the origin of things, as I am afraid you have done, is to leave Hamlet out of the play. It is to formulate a circle without a centre, a process without a beginning, an origin which does not originate. It is most gratify- ing still further to hear from you so emphatic a repu- diation of Atheism, and so unequivocal a recognition of the presence and activity of God. It still remains, however, for you to make of this presence and activity a still more vital and important reality by recognizing its interpositions, at those points where the facts of development absolutely require them. Now let me remind you that science presents to us no unbroken line of evolutionary development. There are several missing links in the chain — links too, of vast importance. There are chasms in the line of march which no evolution can leap, and really it would seem a little strange that your book has not even a passing mention of these chasms. There is the chasm between the inorganic and the organic — between inani- mate matter and life. Science establishes no evolution of an organism out of an inorganic mass. There is no spontaneous generation of life — no evolution of life out of death. There is but one explanation of the origin of life — the direct interposition of the creative energy of God. You find another chasm between the irrational and the rational. It is just as impossible that death should evolve life, as that irrational life should evolve rational life. There is nothing below reason that can develop into reason. Reason, the organ of necessary truth, of ethical relations, of immutable laws, of infi- nite valuations, of absolute being, can come into being and activity only as the direct effluence and influence of God. Another chasn^ no less impassable lies between the 9^ LLEWELYN lOAN EVANS. non-moral and the moral. That which is irrevocably subject to a fixed absolute necessity ; that which in every part and particle of its constitution never was, never is, never will be, never can be anything more than an effect — that which can by no possibility be any- thing but what its environment determines that it must be — that which has absolutely no causal, self-determin- ing power in itself, can by no concei\able possibility evolve itself, or be evolved into a free, responsible, moral agent. The record of science presents no such metamorphosis. Sensation can no more turn into the sense of obligation, than galvanism can turn into life. There is only one power that can make a conscience — that power is God. Another chasm, as wide and deep as either of the others, lies between the self-regarding habits of the animal and the altruistic affections of the man. I do not hesitate to affirm that evolution has as yet utterly failed to account for the altruism of the brute, much less of man. You, Mr. Fiske, have done much for the evolutionary theory just at this point. You have shown what an important influence is exerted by the lengthen- ing of the period of dependence in infancy and child- hood. The suggestion is a valuable one ; but neither you nor any one else has successfully shown how the altruism for the exercise of which a lengthened infancy or childhood furnished the occasion was originally pro- duced. And what is more, I venture to say, that no philosophy the pivot of which is self can provide for the suppression of self. It cannot account for the self-for- getfulness of the mother bird, or mother bear, much less for the self-sacrifice of the martyr, or the devotion of the saint. Now in adjusting your philosophy to the demands of faith, these gaps, these chasms cannot be, ought not to be ignored. Nor will it do to cover them FISKE ON THE DESTINY OF MAN. 9^ Up with the fogs and darkness of primeval antiquity, or to fill them with the accumulated modifications of a long stretch of dim aeonian periods. No number of modifi- cations, no amount of time will bridge those chasms. An infinite and eternal series of modifications in dead matter will never bring forth life. And so of the rest. There is but one bridge over the chasm, and that is God. And this brings me to another weak point of your phi- losophical method. I refer to the confusion of catego- ries. Let me remind you that Theology has had a long training in the matter of categories. It is at home in all the quiddities: essence, mode, substance, quality, form, reality — it has been to school with these terms and the like for centuries. It behooves you to mind your p's and q's here accordingly with the utmost closeness. Now when you say that * * not only in the world of organic life, but throughout the known universe, the doctrine of evolution regards differences in kind as due to the gradual accumulations of differences in degree," let me gently assure you that the doctrine of evolution is attempting the very absurd feat of butting its head against a stone wall. Such a sponging out of one of the fundamental categories of thought, the category of kind as contrasted with the category of degree is simply impossible. Philosophy can only laugh at the absurdity. Your illustrations are altogether at fault. Nebula, sun, planet, moon, differences in kind? Steam, water, ice, differences in kind? A horse's hoof, a cat's paw, different in kind ? Assuredly not. Widely different no doubt in form, different in incidental minor qualities and uses ; but one in kind, who can doubt ? The difference between a corpse and a living body only a difference in degree? The difference between 100 LLEWELYN lOAN EVANS. Moses on the Mount and the stone tables in his hands only a difference in degree? The difference between the lion clutching his prey, and the martyr dying at the stake, only a difference in degree ? Thus to categorize would be to put everything to intellectual confusion. The same may be said of the difference between sub- stance and its modifications. Substance is one thing : modifications, properties, activities are another thing. The conscious ego is one thing : consciousness is another. Do you, Mr. Fiske, not sometimes confound these ? Do you not identify the evolution of consciousness with the evolution of the conscious substance ? In accounting for the dawning of consciousness, for the beginning of mem- ory, emotion, reason and volition, as occasioned by the retention of a surplus of molecular motion in the high- est centres, do you not ignore the subject, the substance which remembers, feels, reasons and wills? The soul you call a mystery — a spiritual substance, an effluence from Godhood, which has become incarnated in per- ishable forms of matter, and which cannot possibly be the product of any cunning arrangement of material particles. Most excellently said. But the activities of the soul ; memory, reason, volition and even conscious- ness itself, you explain as due to the gradual accumula- tion of differences in degree, not of differences in kind. Is this logical ? Is there not here a fearful confusion of categories and ideas? You say that the rudiments of memory, reason, emotion, volition, are discernible in the lives of the lower animals. What is the substance in which these predicates inhere ? Is it soul ? Is it a spirit- ual substance? Is it an effluence of Godhood? If so, what becomes of the ineffable superiority of man ? If not — what are the predicates of soul — what distin- guishes it so fundamentally from matter? The same confusion reigns in the representation of man. Is man FISKE ON THE DESTINY OF MAN. lOI essentially different from the the rest of creation ? You say yes. What is this essential difference? How is it brought about? You answer, by the accumulation of differences in degree. That you say is the answer of evolution. That is to say a difference in essence is brought about by an accumulation of differences in non- essence. Or, again, the accidents condition the essence, and not the essence the accidents. Philosophy can tol- erate no such confusion as this. If man is different in essence, where does the 'one-half human man ' stand — of which you somewhere speak ? Has he only the half of the human essence ? Is it a figurative expression ? It hardly reads so. At all events science should deal spar- ingly in metaphors. The Australian savage, you say, is nearer to the ape than to the highest type of civilized man. Where does the essence of manhood stand in this case? Above the AustraHan, or below him? If the former, the comparison you make is irrelevant. If the latter, the essence is again subordinated to the ac- cidence. You very confidently assure us that * on the earth there will never be a higher creature than man.' On your premises can you justify that confidence? If as you say the accumulation of physical variations in degree has re- sulted in a higher kind of existence, the human, why may not the accumulation of physical variations in de- gree result in a still higher kind of existence than the human ? Indeed do not you yourself say : '* From what has already gone on during the historical period of man's existence, we can safely predict a change that will by and by distinguish him from all other creatures, even more widely and more fundamentally than he is distinguished to-day " ? And, speaking of the accumulation of psychical vari- ations as a factor of evolution, let me ask — have you 102 LLEWELYN lOAN EVANS. seriously weighed the perils to the theory of evolution of the admission of this factor? The accumulation of physical variations is, as you know, already a tremen- dous strain on the theory in the matter of time. Astronomy is already protesting vigorously against your demand for a hundred or more millions of years. But as your own discussion shows, the accumulation of psychical variations — these being infinitely more complex, more subtle and delicate, more rapid and ev- anescent, would require a vastly longer period for the production of a definite permanent result. And is it in any case conceivable that these infinitely varied, deeply rooted, far-reaching, subtilely-working variations which characterize the psychical life — can be accounted for by so crude an agency as the principle of natural selection working on the lines of a low material utility ? You must confess that evolution is sorely put to it to account for the structure of the body on that principle. The eye, the ear, the heart, the lungs, the brain — or- ganized by an aeonian process of natural selection? That is a tremendous strain on our credulity. But when you add to this, the structure of the soul: sensibility, memory, imagination, fancy, wit, humor, analysis, syn- thesis, induction, deduction, intuition, aspiration, grati- tude, sympathy, faith, hope, love — when you under- take to account for the building up of these and kindred powers, by simple natural selection, operating through the struggle for existence — operating almost exclusive- ly thus far, mind you, on the plane of the physical life — you undertake surely what might well appal the world's most transcendent intellect. Let me for a moment call your attention to one diffi- culty, which so far as I know has received very little, if any consideration. We ask you, whence come the pres- ent faculties, aptitudes, instincts, habits, of man and FISKE ON THE DESTINY OF MAN. IO3 Other creatures? You tell us they are the results of a long, long history of efforts and failures, and efforts and successes, in sustaining life. For example, you tell us in your book that "all the visceral actions which keep us alive from moment to moment, the movements of the heart and lungs, the contractions of arteries, the secre- tions of glands, the digestive operations of the stomach and liver, belong to the class of reflex actions." That is to say — actions which have been "completely or- ganized in the nervous system before birth." But how did these actions become "organized " (mark the word) ? To become organized is a process : how was it carried on? They are now automatic; that is, the ac- tion of the brain, through long habit, takes place so rap- idly as to escape consciousness. But how did they be- come automatic ? They were not always such — they could not always have been such. Before they became automatic, according to your own showing, there must have been consciousness : — and, as you say, ' conscious- ness implies perpetual discrimination, or the recognition of likeness and differences.' (p. 45.) Now what was there to be conscious, to discriminate, to recognize likeness and differences ? What was there to build up all these organs and their activities, before their automatic action was established? Was there soul there ? Was there consciousness there? There must have been, according to cerebral physiolo- gy, and yet according to evolution, there could not have been, for soul, consciousness, psychical discriminations and variations, appear only much further on, and much higher up in the line. And so evolution resolves itself into a see-saw process. First consciousness works up an automaton, and then the automaton evolves consciousness. 104 LLEWELYN lOAN EVANS. The conclusion to which we come all along the line is that Darwin's evolution, evolution by natural selec- tion simply, is a totally inadequate solution of the facts. It fills the past with perplexity, the present with confusion, the future with doubt. There is no personal immortality on the line of evolution by natural selec- tion. Darwin felt that, and he knew his own theory if any man did. You yourself, Mr. Fiske, ground your faith in immortality on a postulate of faith, faith in the reasonableness of God's work. That is a reasonable principle, it is a large principle, a principle that will justify faith in very much besides the immortality of the soul. Apply that principle all along the line, and it will introduce a good many other factors into the process of evolution besides Natural Selection. Natural Selection unquestionably has its place in sci- ence. Evolutionary Natural Selection is doubtless a true fact so far as it goes. It is doubtless a useful and fruitful ''working hypo- thesis " in the hands of the physical investigator. But it is far from being exhaustive. It is very far from accounting for all the facts. We need a broader "working hypothesis," and one with diviner factors embodied in it. We need a " working hypothesis " which will account for the origin of life, will account for the origin of soul, will account for the origin of the' spiritual life. We need a ''working hypothesis" which will take into account the Fact of Sin, and which will provide a Remedy. We need that Divine Philosophy which will provide a Teacher who brings life and immortality to light in FISKE ON THE DESTINY OF MAN. 105 the Gospel. With this we are sure of the Soul — we are sure of Duty — we are sure of Life — we are sure of God. * * This is life eternal that they may know Thee, the only true God, and Him whom Thou didst send, even Jesus Christ." V. THE SCHOLAR AS AN ETHICAL FORCE.* Half a century ago, on an occasion similar to the present, R. W. Emerson spoke as follows: ''Neither years, nor books, have yet availed to extirpate a pre- judice then [when a boy in college] rooted in me, that a scholar is the favorite of heaven and earth, the excel- lency of his country, the happiest of men. His duties lead him directly into the holy ground where other men's aspirations only point. His successes are occa- sions of purest joy to all men. Eyes is he to the blind ; feet is he to the lame. His failures, if he is worthy, are inlets to higher advantages. And because the scholar by every thought he thinks, extends his domin- ion into the general mind of men, he is not one, but many. On a like occasion, half a decade ago, George Will- iam Curtis thus expressed himself: ''Take from the country at this moment the educated power which is condemned as romantic and sentimental, and you would take from the army its general, from the ship its com- pass, from the national action its moral main spring. It is not the demagogue and the shouting rabble, it is the people, heeding the word of the thinker and the lesson of experience, which secures the welfare of the American Republic, and enlarges human liberty." * Address at Adelbert College, Cleveland, O., 1883. (106) THE SCHOLAR AS AN ETHICAL FORCE. 10/ " If American scholarship does not carry the election to-day, it determines the policy of to-morrow." *'Calm, patient, confident, heroic in our busy and material life, it perpetually vindicates the truth that the things which are unseen are eternal." **So in the cloudless midsummer sky serenely shines the moon, while the tumultuous ocean rolls and murmurs beneath, the type of illimitable and unbridled power." *' But, resistlessly marshaled by celestial laws, all the wild waters, heaving from pole to pole, rise and recede, obedient to that mild queen of heaven." I have cited these utterances of these two distin- guished American thinkers because of the consentane- ous appreciation which they exhibit, of the moral sig- nificance which attaches to the life and influence of the scholar. According to Emerson, the scholar is the light of his age, the eyes and feet of men, to bring them into the holy ground to which their aspirations point, or as he elsewhere expresses the same idea : "The scholars are the priests of that thought which establishes the foundation of the earth. No matter what is their special work or profession, they stand for the spiritual interest of the world ; and it is a common calamity if they neglect their post in a country where the material interest is so predominant as it is in Amer- ica." According to Curtis, the Scholar is the moral mainspring of his generation, swaying like the moon, the tidal forces which move and uplift the world. With these noble and significant utterances, let me introduce to you the theme of the hour: The Scholar as an Ethical Force. You will understand at once, that in discoursing on this theme, I assume that ethical power is an integral element of all true culture. The training which slights the conscience and' the will, which does not clarify the I08 LLEWEYLYN lOAN EVANS. moral vision, which does not help to self-mastery, which does not put man in intelligent accord with the spiritual legislation of the universe, is radically defective. The moral pigmy, though a giant in intellect, de- serves not the name "Scholar." For the scholar is the well-rounded, symmetrical man, trained to grapple with every question which comes before him. And most assuredly the culture which does not fit a man to grapple with the ethical problems of the day, is superficial, if not spurious. I am not unaware that in to-day's culture there are tendencies which seem unfavorable to the ethical sym- metry of a well-rounded development. There are forces at work in literature, in science, in art, in politics, which tend to the depreciation, if not to the elimination, of the ethical factor in those de- partments. This is true, in a measure, of the growing tendency towards specialties. In an age when the study of a beetle is the occupation of a lifetime, when the philology of a particle is a lien on immortality, symmetry is not likely to be the spontaneous product of the soil. In magnifying the power of your microscope, you contract the scope of your horizon. Nor is the peril alone of intellectual onesidedness. There is danger also of moral narrowness. The specialist runs the risk of losing clearness and fairness of vision, not only in the realm of truth, but also in the realm of duty. The vivisectionist, for ex- ample, may have something to say for himself as an investigator of certain facts, but it is at least a grave question whether the gain to the scientist does not mean some loss to the man. There are other influ- ences in science besides specialism which tend to mini- mize the ethical interest. Take the search after unity, THE SCHOLAR AS AN ETHICAL FORCK 100 which so powerfully dominates scientific thought. Whatever the line of his investigation, the naturalist seeks to discover at the far-off end of it, the primordial unit, the atom, the force, the law, the invisible One, out of which the visible Many have been evolved. But in the press and throng of material phenomena and interests which crowd upon his observation, it is not strange if he is more and more tempted to resolve all into a unit of matter, and so far at least to subordinate the spiritual and ethical to the physical, as to find in the former only a modification of the latter. Thus he is less concerned as to what ought to be, than what must be. Gravitation is to him a larger term than obligation. Afifinity is a more important phenomenon than sym- pathy or love. In the literature of the day again, there are certain drifts noticable which give us pause. Take the drift towards realism, and ask yourself what is its ethical significance? You have heard it said that Hterature is the photography of life. The question which we hear the essayist, the poet, the historian of the day ask is : What about the men and women of real life? * Let us have done with the ideal, the imaginary, the impossible. * Away with the airy nothings of dreamland ! *'Down with the gods and goddesses! *No more Utopias! * No more fooling fancies of a millennial mirage ! ' Give us facts ! ' Give us life— its comedy, its farce, its tragedy ! 'Nay, give us death! give us sin, folly, vice, crime! 'Give us reality, ghastly, hideous, if so be. * Immoral, you say — what of that ? ' Let the picture be true to nature, and let nature be responsible for the effect. tlO LLEWELYN lOAN EVANS. 'Let US have vivisection on a grand scale. 'Let this diseased leper of our common humanity be laid out on the dissecting table, and as its flesh quivers under the scalpel, let us see just what is the matter with it.' Similarly in art. Here, too, we behold "realism" asserting itself, at the expense again of the moral. ' Art, ' we are told, must not preach. *The more the picture or the statue is a sermon, the less is it a work of art. 'Art is the exponent of beauty, not of duty. * It has nothing to do with morality as such. 'In its own nature and language — it is not indeed immoral, but certainly unmoral. 'Let the artist draw or hew the line of beauty as the spirit of grace may guide his hand, and let the straight line of right take care of itself.' To some extent we note a kindred drift in public and political life. The growth of civilization has caused an immense expansion of the material interests of society. The business of civilized communities has assumed a vast complexity of forms and relations. The adjustment of these complex interests §nd claims is one of the most intricate problems of modern statesmanship. The effect of all this has been to give especial prominence to the material side of politics. The successful statesman of to-day is the large-eyed, long-headed, strong-handed man of business. He is financier, commerce-opener, budget-maker, tar- iff-monger. Having to deal with the conditions of ma- terial prosperity and growth, it is not strange if he finds himself driven by the logic of his position to regard all social interests as predominatingly secular. And so the atmosphere of our public life tends to become more and THE SCHOLAR AS AN ETHICAL FORCE. I I I more materialistic and utilitarian. Moral issues are sent to the rear, and kept there until they force themselves to the front. Their first solution is attempted by the rule of Profit and Loss. Whisky — an article of revenue ; The Indian question — a question of land; Monopoly — a matter of percentage ; The Public Service — private spoils and vcb victis ; Political Organization — the party machine ; Principle — policy, and the devil take the hindmost. These tendencies must be arrested, if a healthy social life is to be preserved. And if Mr. Curtis is right in claiming for the educated class, ''the leadership of mod- ern civilization," then surely the scholar has something to do in the correction of these evils. The loud call for ''the Scholar in PoHtics" which from time to time goes forth, shows the conviction which is entertained in some quarters at least, that culture has its special responsibil- ities in the advancement of social improvement. It is but fair to notice however, that there are those who challenge the competency of scholarship for this social leadership. Mr. Frederic Harrison in England and Mr. Wendell Phillips, lately deceased in our own country, have made the charge that Culture is timid, cowardly, ease-loving, time-serving, recreant to its responsibilities. It may be worth our while briefly to examine this charge. The scholar, it is said, is by virtue of his scholarship disquali- fied for some, at least, of the functions of an ethical force. The moral leader, the reformer, is likely to be handicapped by his scholastic accomplishments, or at least by the temper, or the tone of thought, feeling and purpose, which is breathed into him by the schools. Thoreau said of John Brown that he was "less con- cerned to right ^ Greek accent, than to lift up a fallen 112 LLEWELYN lOAN EVANS. man." It may be said — Mr. Phillips was wont to say it — that those who understood the slope of the accent cared but little for the posture of a man, and that John Brown made more thorough work of it, for knowing more about Sharpe's rifle than about an oxytone, or a barytone. Then again we hear it charged that scholarship tends to abstractions, to the neglect of concrete realities. It lingers in the past more than in the present. It culti- vates a taste for fossils, rather than for living organisms. It produces doctrinaires, instead of practical men. It makes men romantic, visionary, the ready dupes of Utopian phantasies, or of patent Millennium-incubators. Or perchance it runs into over-refinement, a squeam- ish aestheticism, an impracticable, fastidious dilettanteism, better suited for a cabinet of bric-a-brac, or the Sultan's garden of spices, or the cloth of gold, than for the dusty arena of competition, or the battle-field of thoughts and passions. Let us frankly admit whatever of truth there may be in all this. Let these charges and insinuations serve at least to indicate some of the liabilities which beset scholarship when it gets out of the school, and against which it must sedulously guard, if it would realize its sublime mission. But the question still remains: Do these besetments set aside that mission ? Is the scholar a failure as an ethical force? By no means. What- ever may be true of particular instances, it is assuredly not true that, as a class, educated men have been found wanting in the assertion of their moral person- ality as leaders both in the world of thought and in the world of action. Mr. Curtis has conclusively shown this, in the address already quoted, by abundant his- torical examples. Not to go over the same ground, THE SCHOLAR AS AN ETHICAL FORCE. II3 let me invite you to the consideration of the subject by a somewhat different hne of approach. Note then at the outset that the very logic of the scholar's discipline arrays him on the side of moral order and progress. I need not remind you that ethics is itself a branch of liberal culture. Ever since the days of Aristotle it has been recognized as a distinct science, and as an essential part of the academic curric- ulum. Its fundamental principles, axioms, definitions, its generalizations and laws, its inductions and deduc- tions are carefully studied and discussed. The scholar's mind is trained to interest itself in ethical questions and considerations, to examine the foundations of conduct, to define the conditions and to formulate rules of right living, to forecast the tendencies of moral opinions and developments. Is it reasonable to expect that all this shall count for nothing? To be sure it is a long cry from theory to practice. But here again the value of scholastic training asserts itself. If liberal culture ac- compHshes anything for a man, it supplies the mental endowment for the conversion of theory into use. The discipline which leaves a man a helpless theorist, is of little value. Moreover, the temper of a genuine culture is calculated to strengthen the moral instinct, in that it fosters the love of the real. The scholar is bound by the highest law of his being to reject all falsehood, affectation, sham, and to render allegiance only to the real, the substantial, the true. The ethical power of this obligation it is easy to see. Then again, the general contents and resources of a wise, liberal culture have distinct ethical affiliations. Mathematics, Physics, History, Logic, Law, all strike hands with Ethics. All combine in the upbuilding of the personaHty, and in the development of moral, no less than mental capacity. A broad true culture is a unit. 114 LLEWELYN lOAN EVANS. All its branches re-enforce each other, and form a vital synthesis in the development, just as the universe to which a large culture correlates the mind, is a unit, and all its laws and kingdoms flow together and enrich each other. The processes of being run on parallel lines, largely indeed on converging lines. There is a unity of movement and purpose discernible in the entire scheme. One law of nature says Amen to the other. The facts and principles of the moral universe have their echoes in the physical. The song of the planet, silently revolving in its orbit around its central sun murmurs itself in the still small voice of conscience. Hence in the line: ''An undevout astronomer is mad," there is true logic no less than poetry ; for whether seen through the telescope or from the shepherd's hilltop, the stars teach worship. No less logical would it be to say — "A lying math- ematician is mad," seeing that nature's figures never lie ; or that — "A dishonest chemist is deranged," seeing that in nature's compositions the law of quid pro quo rules with invariable and infinitesimal exactness. "The principles of right living," says John Fiske, "are really connected with the constitution of the universe." And so in proportion as the scholar realizes his prerogative and gets near the heart of nature, he gathers into his own heart the ethical inspiration of her order, and the strength of her laws. Then, still further, the scholar's discipline puts him en rapp07i: with the loftiest thinkers of the ages, en rap- port first of all, with the men. His scholarship intro- duces him to the confraternity of earth's great ones. Through his association with the choice spirits of the race, he catches somewhat of their tone and temper, he is brought out of his limitations, he is hfted above all personal and provincial narrowness, he acquires the THE SCHOLAR AS AN ETHICAL FORCE. 115 larger way of looking at things. Living on the lofty table- lands where Olympian souls hold high festival, he quaffs the elixir of true greatness : for as has been truly said : " He who keeps company with the great and the good, learns to love what they love and to despise what they despise." Nor is this all. Through the same compan- ionship he becomes habituated not only to the tone and the temper of the great and the good, but also to their perceptions and conclusions : His, the crystalization of the purest processes of thought ; His, the distillation of the clearest ideas ; His, the blossoming and fruitage of the ripest and sweetest juices of the world's growth. On the virgin soil of his mind fall the seed-thoughts of the ages, at the moment of their highest germinative potency. His ear catches the resurrection-trumpet-tones of the centuries — those mighty affirmations of truth and duty, which ever and anon startle the nations out of their slumbers and arouse them to a nobler manhood. And more yet. His the teachings not only of this man and of that man, but of the ages. Revelation is a growth. Truth is communicated by instalments. Each age receives its portion. Each takes up the thread where the last dropped it, and carries on the weaving of the web to greater completeness. There are conclusions which traverse the ages. There are syllogisms, which more than one mind, which more than one generation are required to formulate and conclude. A Plato or an Epictetus furnishes the major premise, a Descartes or a Kant the minor. So there are sorites — logical chains which run on through the centuries. The first century contributes the first link in the chain ; the fourth century contributes the second hnk;- the eleventh century contributes the Il6 LLEWELYN iOAN EVAKS. third link; the sixteenth century contributes the fourth link, and so down. It is the scholar's mission to com- bine the premises, to complete the series, and thus to make the vast amplitude of the past the base of his pyr- amid. So even in morals: although here certainly we are constrained to recognize a large intuitional element. But the processes of the ages do much nevertheless to clarify the intuitions of the individual soul, and to organ- ize moral convictions into social forces. The life of hu- manity is pre-eminently a moral drama. The world's history, says Schiller, is the world's nemesis. It is the justification of the ways of the Supreme Ruler, the vin- dication of His eternal statutes, the Hving development of the Decalogue. The Almighty Finger which wrote the Ten Words of Sinai on tablets of stone, has again and again written them in letters of flame on the destinies of Nations. The story of man is thus the story of a divine law. History is the record of progress under this law. Its represen- tative personalities are the incarnations of eternal prin- ciples. Its revolutions are the protests of what Carlyle has called the Everlasting No. Its advances are the avatars of conscience. "All political revolutions," says John Stuart Mill, **not effected by foreign conquest, originate in moral revolutions. The subversion of established institutions is merely one consequence of the previous subversion of established opinions. The political revolutions of the last three centuries, were but a few outward mani- festations of a moral revolution which dates from the great breaking-loose of human faculties, commonly described as the revival of letters, and of which the main instrument and agent was the invention of print- ing. How much of the course of that moral revolu- tion yet remains to be run, or how many political THE SCHOLAR AS AN ETHICAL FORCE. II7 revolutions it will yet generate before it be exhausted, no one can tell." Who, then, if not the scholar, will interpret for us the unfolding of this wondrous Drama? Who, if not he, will read the Divine hand-writing on the wall, and teach us the lesson of the hour? Let us note at this point one more special endow- ment of the scholar for his ethical vocation, that, to- wit, which lies in the power of expression. One important advantage of complete culture is that it endows man with the gift of discourse. It changes the tongue of iron or lead into the tongue of silver or gold. The scholar is trained to be a Voice, to articulate men's thoughts and convictions, to define for them the truths, the sentiments, the impressions, the persuasions, which they imperfectly apprehend, so that they may become palpable, vocal, vivid realities. This is no mean function. It is one of the highest prerogatives of culture. In the exercise of it the scholar rises to the dignity of the prophet. He is the advocate of the universal conscience. He voices the better self of the race. He pleads with each man for the supremacy of the God-like within him. He who does this has power, for he has God for his ally. This is what made Luther's words *' half-battles." When conscience sends forth its lightnings, the words are thunder. Such being some of the advantages with which the scholar is endowed for his mission as an ethical force, let us now consider — somewhat hastily — the task which lies before him. *'You believe" — says Frederic Denison Maurice, speaking through one of his characters in Eustace Con- way — ''that the university is to prepare youths for a successful career in society : I believe the sole object is to give them that manly character which will enable 115 LLEWELYN lOAN EVANS. them to resist the influences of society." Before a man can do what he ought to do, he must be what he ought to be. In every career in which he may engage, the scholar must be a pattern of every manly virtue and greatness of soul. That ideal scholar, John Milton, thus describes the heroic aspiration with which in early youth he conse- crated himself to his intellectual vocation: "I was confirmed in this opinion, that he who would not be frustrated of his hope to write well hereafter in laudable things, ought himself to be a true poem, . . . not pre- suming to sing high praises of heroic men or famous cities, unless he have in himself the experience and practice of all that is praiseworthy." "Before he can make a poem,'' says Mark Pattison, ''Milton will make himself.'' So in Tennyson's charming In Memoriam portrait of his scholar-friend, Henry Hallam, we can but feel how essential are those traits of ethical excellence which mark the picture; that ''high nature amorous of the good," that "soul on highest mission sent," that "growth" which was " Not alone in power "And knowledge, but by year and hour "Jn reverence and in charity." When Michael Angelo lost by death the support of Cardinal Ippolito, on whom all his best hopes had been placed, he resolved (in his own language) ' ' to confide in himself and to become something of worth and value." To produce a divine result, one must realize the divine in himself " Be noble! and the nobleness that lies " In other men, sleeping, but never dead, "Will rise in majesty to meet thine own," THE SCHOLAR AS AN ETHICAL FORCE. II9 Being himself thus the exemplar of worth, the scholar becomes the commissioned advocate of justice, honor, truth. His scholarship is heaven's retainer, en- gaging his services in. behalf of the celestial order, which should rule on earth as in heaven. It becomes his privilege to vindicate at all times the supreme^ sov- ereignty of conscience, the sweet reasonableness of right living, the sterling worth of honest thinking, of sincere feeling, of straight-forward action — to prove, not that honesty is the best policy, but that where it is a question of honesty, policy is not to be even thought of; and that duty, like the sun, shuts out all light save its own. It becomes his sacred office to win the world's in- tellect to the support of the purest principles, of the noblest standards, of the most heroic enterprises, to bring about a loving concord between the sense of truth, the sense of right, and the sense of beauty, until the soul in all its powers becomes one harmonious com- monwealth, realizing in itself the strength, the order, and the Hberty of the republic of God. Seeing again that the scholar is dowered with the gift of discourse, it becomes a part of his special mis- sion, to vivify the expression of moral and spiritual truths which are current in the world. We are all aware of the strong tendency which pre- vails to conventional modes of thought and speech. Our truths dry up into truisms. Our principles become petrified in propositions. Our moralities shrivel into mummies. The decalogue dwindles into a thing of rote. Our very religion hollows out into cant, and becomxcs as sounding brass, or a clanging cymbal. There is need of the tongue of fire, to ignite these cold and lifeless forms, and to transform them into ** thoughts that breathe and words that burn." I20 LLEWELYN lOAN EVANS. Who, if not the scholar, will rub off the rust? Who will polish the steel so that it will shine ? Who will point it so that it will strike home? Who, if not the scholar, will interpret to the age its own conscience, its own ethical enigmas and aspira- tions ? Who, if not he, will irradiate the law written on the heart, with the light of the present need, and of the present opportunity? Who, if not he, will breathe fresh life into the skel- eton, the abstraction, the generalization of duty, and change it into the living impersonation of godlike power and beauty? We have heard that Webster's statement of his case was an argument. How often is a Webster needed to- day to state the case in the court of conscience ! Again — as we watch the development of society, we observe that it is not one of uniform advance. All up and down our civilization we see survivals of barbarism, lapses into savagery, the re-assertion of brutal instinct, of the sensual thought, of the unregu- lated impulse, of the unreasoning will. We see these barbarisms in our social customs, even in the family sanctities. Note as one alarming indication of it, the growing laxity of our divorce legislation, the spreading impa- tience of all restraint on self-indulgence and self-will. Is not the scholar engaged by all the instincts of a nature made fine by culture, and made strong by self- discipline, and by all the sympathies of his order with whatever is sacred, pure, sweet, and loving in life, to do all in his power to arrest these reactionary move- ments, and to put down these revolts of an insurgent animahsm? Or, if we look at our civilization itself, we find that THE SCHOLAR AS AN ETHICAL FORCE. 121 it is not without its drawbacks. There are losses and evils incidental to the very conditions of our social progress. In his interesting and suggestive little essay on civilization, John Stuart Mill has pointed out some of these incidental disadvantages. One of these is that in a civilized condition ''the importance of the masses becomes constantly greater, that of individuals less." "All combination is com- promise." In the crowd the angles of individuality are rubbed smooth. In a state of organization men become machines. Personal independence is sacrificed. Mob law is too often the despot of the hour. The regulative and corrective value of public opinion, as an ethical in- fluence, is largely weakened. As Mill says : " It is not solely on the private vir- tues that this growing insignificance of the individual in the mass is productive of mischief. It corrupts the very fountain of the improvement of pubHc opinion itself; it corrupts pubHc teaching; it weakens the influ- ence of the more cultivated few over the many." Civilization, again, induces ''the relaxation of indi- vidual energy, or rather the concentration of it within the narrow sphere of the individual's money-getting pursuits." "The consequence is that, compared with former times, there is in the more opulent classes of modern civilized communities much more of the ami- able and humane, and much less of the heroic. There has crept over the refined classes, over the whole class of gentlemen in England, a moral effeminacy, an inap- titude for every kind of struggle. They shrink from all effort, from everything which is troublesome and disagreeable. The same causes which render them sluggish and unenterprising, make them, it is true, for the most part stoical under inevitable evils." " But heroism -is an active, not a passive quaHty, and 122 LLEWELYN lOAN EVANS, when it is necessary not to bear pain but to seek it, little need be expected from the men of the present day. They cannot undergo labor, they cannot brook ridicule, they cannot brave evil tongues." Still further, in the heat and stress of competition which civilization engenders, immoral standards of con- duct slip into use. In the rush of the street men do not pause upon moral niceties. There is no time for reflection. No encouragement is given to delicacy of conscience. The one motto is, success. Men play high to win ; they throw for all or nothing, and so they become reckless. Gambling is a temptation. Decep- tion is easy. Meretricious wares flood the market. Quackery and puffery abound, for the reason that any voice not pitched in an exaggerated key is lost in the hubbub." Insincerities adulterate the social currency. MateriaHstic aims predominate. In the strife for per- sonal advantage men become hard, narrow, and selfish, while charity, considerateness, delicacy, and sympathy go to the wall. Can any one doubt that in supplying these deficien- cies, and in counteracting these evils of civilization a special responsibility falls upon the scholar? To him above all others comes the call, in the language of Maurice, with '' manly cheer to resist the influences of society." His vocation typically represents the excel- lencies of which these evils are the negative. He is the champion of individual worth. He stands for the one, who, with God, makes a majority. In contrast with the amputations and mutilations which the social machine inflicts, he speaks for a symmetrical, full-orbed manhood. He represents, as Emerson says: **The spiritual interests of the world." He is the Elijah of his age, lifting up his voice against its Baals and Mammons. THE SCHOLAR AS AN ETHICAL FORCE. 1 23 In him survives the soul of chivalry, of knighthood, without fear and without reproach, devoting itself to the quest of Ideal Loveliness and Goodness. He is the Sir Galahad of his age, whose * * strength is as the strength of ten, because his soul is pure," and whom angel voices and visions cheer with the call, " O just and faithful knight of God, Ride on, the prize is near." To this knight of God comes the summons to ride forth to do battle for the soul and her rights, to smite down her foes, Giant Greed, Giant Waste, Giant Sham, Giant Flesh, to deliver mind from the thraldom of sense, to rescue conscience from the heels of the mob, to save faith from the clutch of despair. ''There can be no scholar," says Emerson, " without the heroic mind." ''Calm, patient, confident, heroic in our busy and ma- terial life," says Curtis, "it [American Scholaship], vindicates the truth that the things which are unseen are eternal." "Culture," (says Matthew Arnold) "is a study of perfection, and of harmonious perfection, general per- fection, and perfection which consists in becoming some- thing rather than in having something, in an inward condition of mind and spirit, not in an outward set of circumstances." To the scholar comes the call accordingly to labor for the "prevalence of reason and the will of God," for the spiritualization of life and the ennobling of its condi- tions ; for its liberation from the cramp and pinch of a mechanical social organization ; for the rule of earnest conviction, high .aspiration and the sway of unselfish love. In an age of cant, let his every word have the ring of gold. In an age of form, let his every step have the ring of purpose. ' In an age whose ' * vices fester in de- 124 LLEWELYN lOAN EVANS. spairs " let his voice thrill the air with the clarion note of purity and hope. In closing, let me simply indicate a few of the special directions in which our age calls for the exercise on the part of the scholar of a distinct moral energy of pur- pose. I. This is required of him as an intellectual producer. In the various fields of activity in which thought is pro- duced and embodied, let him think and work on God's lines. Let his influence in literature be on the side of purity, elevation, healthy thinking, sane living, noble feeling and striving. Let it be his aim to produce works which shall have in them (as Milton said), **the life- blood of a master spirit," and which *'the world will not wiUingly let die" — books "which will awe men to their knees as if they stood in presence of a king." In Art, while being true to nature, let him be true also to himself, to the higher, truer self in him and in others. Let him paint life as faithfully as he pleases, but let him so paint it that it will breathe life and not death. Let him emulate the painter Giotto, of whom it has been said that he ''renewed art, because he put more goodness into his heads." So in Science: Here most assuredly the scholar is concerned with facts. But he above all others is concerned to demand that hypotheses shall not figure as facts, that assumptions shall not parade them- selves as discoveries. He above all others must insist that a part shall not stand for the whole, that Geology shall not give the He to Astronomy ; that Physiology shall not gag Psychology ; that Physics shall not swal- low up Philosophy ; above all, that matter shall not post- ure as mind, that the facts of sense shall give the law to Conscience, that animal development shall not furnish the logarithm for the arcs and cycles of the soul. The scholar as the representative of the complete orb of the THE SCHOLAR AS AN ETHICAL FORCE. 1 25 sciences and of a symmetrical manhood, must take his stand against all immoral belittling partialities of any onesided specialty, speaking in the name of science. 2. To the scholar of our day comes again the oppor- tunity of exerting definite moral purpose as a social factor, and especially as a solvent of social antagonisms. The scholar, so far as culture has had in him her perfect work, is an emancipated person. He belongs to the race, not to any class or set. The yoke of social bond- age, of class prejudice and factiousness sits lightly on him. As Guizot and Hallam have shown, none have done more than the world's scholars to break down the barriers of an artificial society, to articulate the aspirations of a universal brotherhood, to indicate the claims of manly worth — whether clad in homespun or in purple. And it is the spirit and the mission of a live scholarship to reduce, more and more, the artificial inequalities of society, to reconcile the antagonisms of classes, by leveling up the race and by enlarging the facilities for worth and ability to come to the top. Take the antagonism (so called) of Capital and Labor. The scholar knows that there is no antagonism be- tween these two necessary factors of the social organism. It is impossible for him to take a partizan position in the struggle between them. His natural position is that of a mediator, and to this task of reconciliation he should address himself in earnest — not as a dilettante but as a workman that needetli not to be ashamed ; risking per- sonal ease and popularity in the endeavor to remove mutual misconceptions, to resist arrogant and selfish pretensions on either side, to emphasize the harmony of interests, to inspire fair and generous dealing based on genial sagacity and an intelligent sympathy. Culture, says Matthew Arnold, "has but one great passion, the 126 LLEWELYN lOAN EVANS. passion for sweetness and light. Yes, it has one yet greater, the passion for making them prevail. It is not satisfied till we all come to a perfect man. It knows that the sweetness and light of the few must be imperfect, until the raw and unkindled masses of humanity are touched with sweetness and light. Culture seeks to do away with classes, to make all live in an atmosphere of sweet- ness and light, and use ideas as it uses them itself, free- ly; to be nourished and not bound by them. This is the social idea; and the men of culture are the true apostles of equality. The great men of culture are those who have had the passion for diffusing, for mak- ing prevail, for carrying from one end of society to the other, the best knowledge, the best ideas of their time." 3. In many other ways is the scholar called upon to mediate between extremes, in the solution of social and pubHc problems. Thus we note to-day in one direction a strong tendency towards license and anarchy — in the opposite direction a strong tendency towards centraliza- tion and despotism. It is for the scholar to uphold, on the one side the sanctity of law and social order, on the other the claims of liberty and individual right. Here we see the spirit of bigotry ; there the spirit of latitudi- narian negation. It is for the scholar to maintain at once the supreme value and right of conviction, and the sacred right of denial and protest — to co-ordinate the Everlast- ing Yea with the Everlasting Nay. In public life, in politics there are problems of peculiar perplexity await- ing a satisfactory solution. The question respecting leg- islation on moral interests, respecting the grounds, ex- tent, limitations of such legislation, demands earnest at- tention. The adjustment of legal requirements and per- sonal rights, of statutory restrictions and individual lib- erties, challenges our thoughtful consideration. The THE SCHOLAR AS AN ETHICAL FORCE. 12/ balancing of the relative claims of the Ideal and the Possible, of the Perfect and the Practicable, requires pa- tient and considerate treatment. The determination of the spheres respectively of social authority and of the individual conscience has its practical embarrassments. What are the ethical rights of majorities ? What are the ethical rights of minorities? What place shall be ac- corded to moral instruction in our schools ? What shall be the standard, the text, of such instruction ? These are questions not to be decided hastily. They are to be settled, not on abstract grounds alone, not by impulse, by sentiment, by theory. But, on the other hand, nei- ther are they to be settled capriciously, empirically, without reference to fundamental principles, and to the permanent authority of ethical obligations and interests. And what I would strenuously insist on now, is that in the scholar's personal action on these questions, the eth- ical motive, the ethical interest, should be supreme. He cannot afford, it is true, to be an impracticable idealist, to be a transgressor against personal right, an aggressor on private conviction, a suppressor of free thought, a contemner of social and political equality. He cannot afford to rely on legal proscriptions and physical penal- ties, on mere numerical majorities and verbal pronun- ciamentos, apart from enlightened reasons and quickened consciences. But just as little can he afford to occupy a position of ethical indifference — to be a Gallio caring for none of these things ; to be a Pilate shrugging his shoulders, asking ' what is truth ? ' and sending the Truth to the Cross ; to be an Epicurean fatalistically acquies- cing in the necessary reign of folly ; a dilettante sybarite squeamishly shunning the foul odors of a world gone wrong, with no principle, no ideal, no faith, no chivalry, no mission of help and blessing. The scholar can be a 128 LLEWELYN lOAN EVANS. leader only as he proves himself to be a man of men, a thinker of honest thoughts, a speaker of living words, a doer of needed and earnest deeds. At the helm of state in England to-day, stands one of the first scholars of the century. An admiring Con- temporary Reviewer has said of him : *' We "may cut a scholar able to adorn a university out of Mr. Gladstone, and then carve from him a fine student and reverencer of art ; next mark off a reviewer and general litterateur whom professed authors will respectfully make room for in their ranks ; and not only is there still left, solid and firm, the great Parliamentary minister, but out of the scattered fragments a couple of bishops could easily be made, with, if nothing at all is to be wasted, several preachers for the denominations." For fifty years this multiplex man has been a conspicuous figure in the public life of England. For twenty-five years he has been the greatest power in that life. His name is identified with every important national measure and movement in the leading nation of the globe for the last quarter of a century. His the insight which dis- covers the need of the hour, his the voice which inter- prets it in words of imperishable eloquence, his the wisdom which devises the suitable and practicable rem- edy, his the courage, persistence, energy, magnetism, which conquer success. What is the secret of Glad- stone's greatness ? First, his intellect. Make all due recognition of that. **The world," says some one, "lies at the feet of its first-class men ; " and Gladstone is unquestionably of the first order of mental capacity and power. What next? His scholarship. Make full recognition of that too. A double-first of Oxford, he has brought to the public service the discipline of the university, the grace THE SCHOLAR AS AN ETHICAL FORCE. I2g of the classic page, the inspirations of the genius of antiquity, the lessons of the past, the exactness of math- ematics and logic, the wisdom, completeness, mastery and pose of a wide and varied culture. But genius, talent, eloquence and scholarship com- bined would not give you Gladstone. The crown of his greatness lies in neither of these. It is his moral earnestness, his fidelity to conviction, his enthronement of principle above the makeshifts of the hour, his idea of government as (to use his own words), a ''moral trusteeship." A mole-eyed generation has sneered at these qualities. Jingoism has had its flings at him. Philistinism has had its flings at him. London society has honored him with its silly gibes. But in lofty dis- dain of all the petty shafts of malice he has kept on his course, ever following the commands of duty, until to-day he finds "the stubborn thistle bursting Into glossy purples which outredden All voluptuous garden-roses." A short time ago in advocating the Affirmation Bill in Parliament, while admitting that the Government was probably damaging itself with the community in trying to pass it, he nevertheless took the lofty posi- tion that it was none the less their duty to pass it — thus taking ground, as an eminent journal remarks, "on which few politicians in any age have stood." To-day again we see him undertaking the championship of a political measure which presages a revolution in the parliarnentary government of Great Britain, which is dividing his own party, costing him the support of many of his most distinguished and loyal adherents, and which threatens the loss of his own premiership — simply as an act of justice to a people long ground 150 LLEWELYN lOAN EVANS. down by oppression. All honor to William Ewart Gladstone. Such a man gives us hope for our age, hope for scholarship, hope for humanity. " Victor he must ever be ; For though the Giant Ages heave the hill And break the shore, and evermore Make and break and work their will ; Though worlds on worlds in myriad myriads roll Round us, each with different powers And other forms of life than ours. What know we greater than the soul ? On God and Godlike men we put our trust," VI. ARTHUR HUGH CLOUGH. I HAVE selected for the subject of our interview this evening a poet not very widely known, but I believe I may say best appreciated by those who know him best. I have selected him, rather than some more familiar name for two reasons. First, because in treating of him it will be easier to avoid beaten paths : and next, because in literature, as elsewhere, a new friendship, if a worthy one, is a priceless treasure both for mind and for heart. The time allotted to me is too short for an elaborate critique. Much which I should wish to say, I must leave unsaid. Much on which I should be glad to en- large, I can only touch upon. As to that whereof I may have most to say, I can only give a hint or two where it would be easy to give an essay. I can only speak briefly of the poet, although the man was perhaps even more interesting. Arthur Hugh Clough was born in Liverpool, January i, 1819. His father's business engagements led him to America, and Arthur passed some years of his earlier boyhood in this country, a fact not without its influence on his views and sympathies as a man. He was educated first at Rugby, during the first years of Arnold's headmaster- ship. He proved to be one of the most brilliant of that famous teacher's scholars. Dean Hawley writes of him : (131) 132 LLEWELYN lOAN EVANS. **0f all the scholars at Rugby School in the time when Arnold's influence was at its height, there was none who so completely represented the place in all its phases as Clough." *' Over the career of none of his pupils did Arnold watch with a livelier interest or a more sanguine hope." From Rugby he went to Ox- ford. It was a time when in the language of Thomas Hughes, ''the whole university was in a ferment." The Tractarian controversy was at its height. The ques- tions stirred by it were occupying the most earnest and profound intellects in the university. Clough, as one of these, became deeply absorbed in philosophic and relig- ious inquiries, and in the pursuit of a broader culture than that involved in the university course. The result was that although he came to be recognized as a man of marked personality and power, his Oxford career was less brilliant in its academic successes than had been anticipated. He won a fellowship indeed, but did not retain it long, on account of the growing divergence of his religious convictions from those dominant in the university. In 1848-49, Clough was on the continent, and witnessed some of the revolutionary struggles of those memorable years both in Paris and in Rome. He witnessed the siege of Rome by the French, and the overthrow of the Roman Republic, and has recorded his impressions of the same in his poem, Amours de Voyage.. Upon his return he was appointed to a Pro- fessorship in the London University, but resigned it in 1852, and came to America. He settled in Cambridge, Mass., where he engaged in private instruction. With- in less than two years he returned to England, having been appointed to a place in the Educational Depart- ment of the Privy Council. His arduous labors in office undermined his strength. He again visited the conti- nent for his health, but in vain. In November 1861, ARTHUR HUGH CLOUGH. I 33 he died in Florence, where he was buried in the Prot- estant Cemetery. Looking first at Clough's poetry on its outer side, or the side next to nature, I find it to be characterized by a robust and blithe vitality, a healthy responsiveness of soul to all brieht and tonic influences from without. There is in it a peculiar freshness and crispness of im- pression, a wonderful buoyancy, exhilaration, and glow, as from one of his own early morning plunges into the basin of a mountain stream. His heart beats joyously to the pulse of earth and sky, sun and sea. His pic- tures are full of life and movement. They are per- vaded by a decided, though not excessive realism. He never indeed wearies or bewilders us with a multi- plicity of minute and unimportant details, after the fashion of the pre-Raphaelites. His sketches are broad and massive rather than complex and microscopic. Such details as he gives are those of most subtle sug- gestion. For the rest, his art abides in the most ex- pressive features of the scene he describes, those which embody its Hfe, its soul, its atmosphere. Two or three of his pictures will serve to illustrate these characteristics. The first is of a *' favorite spot," near Venice : *' Where by masses blue And white cloud-folds I follow true, The great Alps rounding grandly o'er. Huge arc, to the Dalmatian shore." The next a sea-scape on the coast of Scotland : "As at return of tide, the total weight of ocean Drawn by moon and sun from Labrador and Greenland, Sets-in amain, the open space betwixt Mull and Scarba Heaving, swelling, spreading the might of the mighty Atlantic ; There into cranny and slit of the rocky cavernous bottom Settles down, and with dimples huge the smooth sea-surface Eddies, coils, and whirls; by dangerous Corryvreckan." 134 LLEWELYN lOAN EVANS. Once more the early morning in a large city : " All the great empty streets are flooded with broadening clearness, Which, withal, by inscrutable simultaneous access Permeates far and pierces to the very cellars lying in Narrow high back-lane, and court, and alley of alleys ; He that goes forth to his walk, while speeding to the suburb Sees sights only peaceful and pure ; as labourers setthng Slowly to work, in their limbs the lingering sweetness of slumbers, Humble market-carts, coming-in, bringing-in, not only Flower, fruit, farm-store, but the sounds and sights of the country Dwelling yet on the sense of the dreaming drivers ; soon after Half-awake servant-maids unfastening drowsy shutters Up at the windows, or down, letting in the air by the door-way ; School-boys, school-girls soon, with slate, portfolio, satchel, Hampered as they haste, those running, these others maidenly tripping ; Early clerk anon turning out to stroll, or it may be Meet his sweet-heart waiting behind the garden-gate there ; Merchant on his grass-plat, haply bare-headed ; and now by this time Little child bringing breakfast to father that sits on the timber There by the scaffolding ; see she waits for the can beside him ; Meantime above purer air untarnished of new-lit fires, So that the whole great wicked artificial civilized fabric — AIL its unfinished houses, lots for sale and railway outworks — Seems reaccepted, resumed to Primal Nature and Beauty." In connection with this last extract I may note in passing that, after the blind Milton, Clough is beyond any modern poet of my acquaintance the priest of Day, of Light. This, I take it, is but one phase of his pas- sion for reality of which still another phase shows itself in his Greek love for definiteness and absoluteness, and his contempt for Gothic vagueness and obscurity. "Come, leave your Gothic worn-out story, San Giorgio and the Redentore : I from no building gay or solemn, Can spare the shapely Grecian column. ARTHUR HUGH CLOUGH. I 35 Maturer optics don't delight In childish dim religious light. In evanescent vague effects That shirk, not face one's intellects ; They love not fancies just betrayed, And artful tricks of light and shade. But pure form nakedly displayed, And all things absolutely made." So in style he exacts above all else clearness. " Writing's golden word what is it But the three syllables — ex-pli-cit ? " Say, if you cannot help it, less. But what you do put, put express. I fear that rule won't meet your feeling ; "You think half showing, half concealing, Is God's own method of revealing." That this decided realism is with him a principle, the outgrowth of strong conviction, that it does not proceed from insensibility to the charms of sentiment, or the fas- cinations of the ideal, is abundantly evident. Indeed his poetry derives a large measure of its significance from the attraction which on the one hand sentiment and ideality exercise over him, and the vigor with which on the other hand he resists or at least controls that at- traction. The ** vague desires," which come and go, which with their fleeting beauty so often woo men and women to their own undoing, he would question them, bid them say whence and what they are ? " A message from the blest Or bodily unrest ; A call to heavenly good, A fever in the blood ; What are ye, vague desires, What are ye?" Can anything be more dreamy, more mystical than the following? 136 LLEWELYN lOAN EVANS. "Is it impossible, say you, these passionate fervent impulsions, These projections of spirit to spirit, these inward embraces, Should in strange ways, in her dreams, should visit her, strengthen her, shield her ? Is it possible rather that these great floods of feeling Setting-in daily from me towards her should, impotent wholly. Bring neither sound nor motion to that sweet shore they heave to ? Efflux here, and there no stir nor pulse of influx ? " But Clough's healthy love of simplicity, his resolute demand for definiteness and reality, leads him to shun all mere sentiments as unsatisfactory, all pure idealism as untrustworthy. For himself at least he will have no illusion. Steadfastly and sternly, as Elijah to Baal, does he refuse to bow the knee to any idol, whether of the cave, or of the market, or of the temple. " I will look straight out, see things, not try to evade them ; Fact shall be fact for me ; and the truth, the truth as ever, Flexible, changeable, vague, and multiform, and doubtful." Even in the blaze of victory he is not blind to the fact, to the base alloy which lies in the residuum. "Victory ! Victory ! Victory ! — Ah, but it is, believe me, Easier, easier far to intone the chant of the martyr. Than to indite any paean of any victory. Death may Sometimes be noble ; but life, at best, will appear an illusion, While the great pain is upon us, it is great ; when it is over Why it is over. The smoke of the sacrifice rises to heaven Of a sweet savor, no doubt, to Somebody ; but on the altar Lo, there is nothing remaining but ashes and dirt and ill odor." In close connection with this realistic simplicity, is his earnest love for naturalness, his strong recoil from all conventionalism. He would lead us away from the *' great wicked, artificial, civilized fabric" of modern society, with its restrictions and repressions, its affecta- tions and shams, its restless fevers and moody paroxysms, its morbid excitements and petrifying apathies, back to *' Primal Nature and Beauty." His poetry is one ARTHUR HUGH CLOUGH. 1 37 continual protest against the dwarfing and warping influences from which man and woman are suffering. Especially does he feel ** the old knightly religion, the chivalry semi-quixotic, stir in his veins," and prompt him to sally forth like another Amadis to release woman from the enchanted castle of convention. With amusing extravagance the radical and utilitarian hero of his Long Vacation Pastoral invokes the Millennium of the Emancipation of Women through their restora- tion to naturalness and trueness of life, abandoning " Boudoir, toilette, carriages, drawing-room, and ball-room. * -jfr * * Bending with blue cotton gown, skirted up over striped linsey- woolsey. Milking the kine in the field like Rachel watering cattle. ¥r ¥r * ^ Or with pail upon head, like Dora beloved of Alexis. •X- * ^ * Home from the river or pump moving stately and calm to the laundry. * -x- * ^ Or if you please with the fork in the garden uprooting potatoes. So feel women, not dolls," And so realize in their life the architectural law of Christian Cathedrals, that ''use be suggestive of beau- ty." But this revolt of our poet against the artificial ex- ternalism of Modern Life, with its conventional lip- moralisms, and its actual heart-immoralities finds a still more earnest, and at times, bitter expression. With what keen satire he expounds the fashionable Law of Duty. " Duty — that's to say, complying With whate'er's expected here; On your unknown cousin's dying, Straight be ready with the tear, 138 LLEWELYN lOAN EVANS. Upon etiquette relying, Unto usage naught denying, Blush not even, never fear. * -x- •}«• * With the form conforming duly. Senseless what it meaneth truly. -;t ^ * * Duty, 'tis to take on trust, What things are good, and right, and just, And whether indeed they be or be not, Try not, test not, feel not, see not. ■X- -x- -Jt * Stout, sturdy limbs that Nature gave, And be drawn in a bath chair along to the grave. 'Tis the stern and prompt suppressing As an obvious deadly sin. All the questioning and the guessing Of the soul's own soul within. ^ -Jf -X- * 'Tis the blind non-recognition. Or of goodness, truth, or beauty. Save by precept and submission ; Moral blank and moral void. Life at very birth destroyed. Atrophy, exinanition ! Duty ! yea, by duty's prime condition, Pure nonentity of duty." With what terrible irony he preaches the conven- tional gospel of submission : " This stern necessity of things On every side our being rings ; Our eagle aims still questioning round. Find exit none from that great bound. When once her law dictates the way, The wise thinks only to obey, Take life as she has ordered it, And come what may of it, submit, Submit, submit. ARTHUR HUGH CLOUGH. 1 39 We must, we must : Howe'er we turn, and pause, and tremble, Howe'er we shrink, deceive, dissemble, Whate'er our doubting, grief, disgust. The hand-is on us and we must ; We must, we must. *Tis common sense and human wit, Can find no better name than it. Submit, submit." These lines suggest another feature of Clough's poetic temperament, which I may be allowed to call its other- sidedness. He is never satisfied with holding up one side only of a question, even although that side be his own. Thus while his predominant habit of thought and expression is^ as we have seen, that of a hearty realism, we stumble occasionally upon an idealism which seems wafted from some old Hindu Purana, or some SibyUine leaf of Emersonian Transcendentalism. In Amours de Voyage he gives expression to the Hamlet-like irresolution of the speculative spirit, its hesitancy to conclude on any definite course of action, lest some fallacy should lurk in the premises, lest some fatal weakness, or as fatal perversity of will should occasion our drifting into some current which might sweep us we know not whither. " I do not like to be moved ; for the will is excited, and action Is a most dangerous thing ; I tremble for something factitious, Some malpractice of heart and illegitimate process ; We are so prone to these things with our terrible notions of duty." Yet when has the clarion-call of duty been more bravely or cheerily sounded than in the following lines: " Go from the east to the west as the sun and the stars direct thee, Go with the girdle of man, go and encompass the earth, Not for the gain of the gold, for the getting, the hoarding, the having. But for the joy of the deed, but for the duty to do ; 140 LLEWELYN lOAN EVANS. Go with the spiritual life, the higher vohtion and action, With the great girdle of God, go and encompass the earth." It must be confessed however, that the predominant mood of the poet is not this mood of resolute ag^grcss- iveness. It is rather one of hesitancy, suspense, longing for action paralyzed by doubt, or by disgust with the conditions of it. When the tutor, the ** grave man Adam" remarks: "There is a great Field-Marshal, my friend, who arrays our bat- talions ; Let us to Providence trust, and abide and work in our stations." The eager, impetuous Philip retorts : "I am sorry to say your Providence puzzles me sadly: Children of Circumstance are we to be ? You answer, On no wise! Where does Circumstance end, and Providence where begins it? What are we to resist, and what are we to be friends with? If there is battle, 'tis battle by night : I stand in the darkness, Here in the melee of men, Ionian and Dorian on both sides, Signal and password known; which is friend and which foeman? Is it a friend ? I doubt, tho' he speak with the voice of a brother. Still you are right, I suppose ; you always are and will be. Tho' I mistrust the Field-Marshal, I bow to the duty of order. Yet is my feeling rather to ask, where is the battle ? Yes, I could find in my heart to cry, notwithstanding my Elspie, O that the armies indeed were arrayed ! O joy of the onset! Sound, then, Trumpet of God, come forth, Great Cause, to array us. King and Leader appear, thy soldiers sorrowing seek thee. Would that the armies indeed were arrayed, O where is the battle ! Neither battle I see nor arraying, nor King in Israel, Only infinite jumble and mess and dislocation. Backed by a solemn appeal, ' For God's sake do not stir there.' " The poem which gives us the deepest insight into Clough's inner intellectual life, with its questings, and struggles, its divided purposes and baffled aims, as well as into the peculiar phases of his personality and experi- ARTHUR HUGH CLOUGH. I4I ence, is the posthumous poem called Dipsychus. It is at the same time one of the most significant exponents of that peculiar result of our Nineteenth Century cul- ture which Clough so well represents; that almost morbid othersideness which induces a sort of indefinite intellectual suspense, which shrinks from making a pos- itive decision between rival creeds or tendencies, or from committing itself to any definite line of sympathy or action. In form the poem is a dialogue carried on indirectly for the most part between a young man named Dipsy- chus and a spirit who speaks from behind the scenes rather than from the stage. As the name suggests, Dipsychus represents that double-mindedness, that quality of thought, inclination and purpose, which the mental and ethical conditions of our age tend to foster. He is haunted by the Ideal, but hemmed in by the Actual. His dreams are ever stranding themselves on the stern and rock-bound coast of Fact. He would fain beheve, but Truth and man seem to be forever playing hide-and-seek with each other, and faith seems little better than a conventional decency. He would fain worship, but the Supreme Power in the heavens, seems either unable or unwilling to mend matters here, and the policy of non-interference between man and Him will probably v/ork as well as any. He would fain act, but action is full of risks, even betraying men into prema- ture folly. There is another quality in the poem represented by Dipsychus and the Spirit. The latter is nameless, but evidently personifies the mocking, lying, debasing Power, which is ever luring man from the path of earnest faith and high endeavor. Rather an interesting Devil, of Goethe's line rather than Milton's. Indeed the poet comes near identifying him v/ith Mephistopheles, but he 1^2 LLEWELYN lOAN EVANS. has some original traits of his own. The English Mephis- topheles does not, like the German, represent the abso- lute negation of truth and goodness. There is more flesh and blood in his composition. He breakfasts on the London Times, and dines on roast beef, and evidently has no taste for sauer-kraut or metaphysics. He is emi- nently respectable — none the less *' devilish" however, as Mrs, Browning would say, for that. He is, to be sure, a high-bred gentleman, believes in the code of honor, hates the May-meetings, and the angel whine, *' That snuffle human, yet divine ;" but then, although *'reHgion may not be his forte," he will have **no infidelity, that's flat." He does not approve the * 'strong Strauss smell" of some of Dipsy- chus' verses, and advises him : "Take larger views, (and quit your Germans ;) From the Analogy and Sermons, I fancied — you must doubtless know — Butler had proved an age ago That in religious, as profane things, 'Twas useless trying to explain things. ^ * * * Like a good subject, and wise man, Believe whatever things you can, Take your religion, as 'twas found you, And say no more of it, confound you." In a word, he is the devil of what Matthew Arnold calls Philistinism, of imperviousness to spiritual grace and power, of a conventional faith-no-faith, sincere only in the service of insincerities, valuing religion only for its material utilities, knowing no higher trinity than the lust of the flesh, the lust of the eyes, and the pride of life. Hear him : What we all love is good touched up with evil, Religion's self must have a touch of devil." ARTHUR HUGH CLOUGH. I43 " This world is very odd, we see. We do not comprehend it, But in one fact we all agree, God won't, and we can't, mend it." " Being common sense it can't be sin, To take it as I find it, The pleasure to take pleasure in, The pain, try not to mind it." Day by day he weaves his withes around Dipsychus, who struggles in the toils, but in vain. The iron enters deeper and deeper into his soul, and he submits: " Therefore, farewell ! a long and last farewell. Ye pious sweet simplicities of life. Good books, good friends, and holy moods and all That lent rough life sweet Sunday-seeming rest, Making earth heaven-like ; welcome, wicked world. The hardening heart, the calculating brain. Narrowing its doors to thought, the lying lips. The calm dissembling eyes, the greedy flesh, The world, the devil. Welcome ! Welcome ! Welcome ! " In religion Clough represents those, and they are not a few in number or importance, who are drawn to Christianity as a Divine supernatural religion by the infinite satisfaction which it ministers to our higher spiritual wants, who realize what an infinite loss would be its disappearance from the universe of moral ideas and forces, who, in a word, recognize in it the Ideal Religion, but who are so far influenced by the Nega- tive Criticism of the age, that they fail to find adequate support for its external reality as a religion of Fact. In the Easter Poem, to which the Spirit in Dipsychus attributes that strong Strauss smell, there is a tone of inexpressible sadness over the lost, unrisen Christ : " Ashes to ashes, dust to dust. As of the unjust also of the just. Yea of that Just One too ! 144 LLEWELYN 10 AN EVANS. This is the one sad Gospel that is true, Christ is not risen ! Eat, drink, and die, for we are souls bereaved ; Of all the creatures under heaven's wide cope, We are most hopeless who had once most hope, And most beliefless that had most beheved." ■3t -Jt * -x- * " Here on our Easter Day, We rise, we come, and lo ! we find him not, Gardener nor other on the sacred spot ; Where they have laid him there is none to say, No sound, nor in, nor out, — no word Of where to seek the dead, or meet the living Lord, There is no glistering of an angel's wing, There is no voice of heavenly clear behest ; Let us go hence and think upon these things. In silence, which is best, Is He not risen ? No ! But lies and moulders low, Christ is not risen ! " And not seldom does Clough give utterance to that sense of orphanage, of homelessness, of a soul adrift, which so many in our day have felt when robbed of their Lord and their faith. V Come home, come home ! and where a home hath he. Whose ship is driving o'er the driving sea ? Through clouds that mutter, and o'er waves that roar. Say shall we find or shall we not. a shore. That is, as is not ship or ocean foam, Indeed, our home ! " In a flippant scepticism or a godless materialism at least Clough's spirit finds no anchorage. " As of old from Sinai's top, God said that God is one, By science strict so speaks He now, To tell us, there is none ! Earth goes by chemic forces ; Heaven's A Mechanique Celeste ! ARTHUR HUGH CLOUGH. I45 And heart and mind of human kind, A watch-work as the rest ! Is this a voice, as was the voice Whose speaking told abroad, When thunder pealed, and mountain reeled, The ancient Truth of God ? Ah, not the voice, 'tis but the cloud, The outer darkness dense, Where image none, nor e'er was seen, Similitude of sense." " It may be true That while we walk the troublous tossing sea, That when we see the o'er-topping waves advance, And when we feel our feet beneath us sink, There are who walk beside us ; and the cry- That rises so spontaneous to the lips, The ' Help us or we perish ' is not nought, An evanescent spectrum of disease ; It may be that in deed, and not in fancy, A hand that is not ours upstays our steps, A voice that is not ours commands the waves, Commands the waves and whispers in our ear, O thou of little faith, why didst thou doubt? " VII. A SKETCH OF GREEK POETRY. In undertaking at your request to deliver a Lecture auxiliary to your study of Classic Literature in this year's course, I have been somewhat troubled with what the French call an embarrassment of riches. After taking several outlooks over the field I have at last con- cluded to give you a hasty sketch of Greek Poetry. Greek Poetry rather than Latin for the reason that beau- tiful as the latter may be and not without originality, the former was its inspiration and its model. Greek Poetry for the reason that the whole domain of Greek Literature is too vast for a single survey, and that Poet- ry rather than History, Oratory, or Philosophy, gives us the truest and fullest expression of the Greek mind in Literature. But Greek Poetry again is a boundless study, which in all its wealth of detail could no more be crowded into a single lecture than the Alps into a cab- inet picture. I can only point out to you a few of the salient peaks in that wonder-land. I have asked myself — wherein does the chief signifi- cance and value of Greek Poetry consist? The answer to this question, I believe to be : — In its function as the expression of the character, the tendencies, the deep- est thought, the inmost spiritual life and development of a people, the most interesting, versatile, exuberant, beauty-loving, symmetrical, and in some respects the (146) SKETCH OF GREEK POETRY. 1 47 most highly cultivated which the world has ever seen. My chief endeavor to-night accordingly will be to give you through Greek song something of an insight into the Greek soul, — that soul which not only in its own records, not only in ancient Roman Literature, but in all the best Modern Literature is still marching on. The literary development of the Greeks has five peri- ods, or stages. The first in Pre-Historic. We are as yet in the morning twilight of legend and myth. The world's rulers are the demi-gods. The literary voice of the period is the Epic, the poetry of heroes and gods. Through the gray gloom the colossal image of Homer looms above the Greek world like the shadow of the Brocken, a vague and wierd mystery. This period reaches down to the first Olympiad, B. C. 'j']^. The second period is transitional. We are in the light of the morning dawn. History is forming, Political changes are taking place. The demi-gods are followed by men, tyrants, oligarchies, democracies. The super- abundant Hfe of a young civihzation shoots out into colonies. The growing order of society crystallizes into the laws of Solon, Lycurgus, and others. Ionian Athens and Doric Sparta are getting ready for their grand duel. Philosophy is syllabling its first thoughts, mainly in hex- ameters. Poetry sings in plaintive elegiacs, stirring lyr- ics, ethical and political apothegms, trumpet-tongued battle-songs. This period runs through 300 years, end- ing with the overthrow of the Persians at Marathon, Thermopylae, Salamis, B. C. 490-480. The third period is climactic, ushered in by Pindar's immortal lyre. 'Tis the golden noon-tide of Greece. Athens is the eye, the brain and soul, the queen of Hellas. Socrates teaches Plato, Greece, the ages, to think. Thucydides shows how History should be writ- ten. Pericles rules the state as the inspired administra- 148 LLEWELYN lOAN EVANS. tor of the goddesses of wisdom and beauty. Art in Phid- ias reahzes a perfection which is still the world's despair. The master-pieces of the drama burst into being as the constellations burst on the eye when the sun goes down. This meridian hour is brief as it is glorious. It covers about four-score years, ending with the departure of the sceptre from Athens to Sparta, about B. C. 404. The fourth period is an age of transition, this time along the downward arc. Greece has passed her zenith, although the noontide glory still irradiates the brows of her Plato, Aristotle, and Demosthenes. Her genius produces less but diffuses itself further. Athens is a slave, but the winged words of her poets and think- ers still bring the world to her feet. A new Greece springs up in Macedonia, heretofore scorned as barba- rian. Alexander the pupil of Aristotle, with Homer for his pillow, goes forth as a new incarnation of Achil- les to conquer and to Hellenize the Old World of his day. Rhetoric is the rage of the schools. Painting is the prevailing mode in Art. In the New Comedy of Menander, Poetry comes down from Olympus, parts company with demi-gods and heroes, to interpret the prose of every-day life. This period ages like the for- mer, lasts about fourscore years, ending with the death of Alexander, B. C. 323. The fifth and last period is the age of decay, reach- ing down through six centuries to the final extinction of Greek civilization, 300 years after Christ. Athens shares her literary supremacy with Alexandria, and a little later Rome and then Byzantium are taken into the co-partnership. Great and splendid names indeed are not wanting in this period — Euclid in geometry, Ptolemy in physical science, Plutarch in biography, Lucian in po- lemics and irony, Epictetus in philosophy, Longinus in criticism ; Neo-Platonists, Plotinus, Porphyry and Proclus, SKETCH OF GREEK POETRY. 149 besides Romans like Lucretius and Marcus Aurelius in whom Greek thought talks Latin. Poetry warbles sweet idyls among the olives of Sicily. But look at the period as a whole. The blight of decay is only too evident. (I am speaking, you will remember, of the Greek Liter- ature now — it was otherwise in the Latin. ) It was the period of poetasters rather than of poets ; of sophists rather than of philosophers ; of rhetoricians rather than orators; of dilettanteism rather than art; of butterflies rather than Titans. The old World in fact was dying. As has been said: ''While Hypatia was lecturing on Homer, the Christians were converting the world." With this preliminary outline of the more general development of Greek Literature, let us retrace our steps to consider more closely the leading developments of Poetry. In the discussion of a subject it is not always easy to know where to begin. Fortunately no such embarrass- ment besets us in the consideration of our present theme. Greek Poetry has its rise in the ocean. That ocean is Homer. Without Homer, Greek Poetry would have been impossible. With such a beginning any other sequel is inconceivable. Since the discovery of the inland seas of equatorial Africa, the Nile has ceased to be a mystery. Postulate Homer, and Greece follows as a necessity, with Athens and Sparta, the Parthenon and the Areopagus, Pindar and ^schylus, Solon and Socrates, Themistocles and Alexander. No doubt, as there were kings before Agamemnon, so there must have been poets before Homer. Such a magnificent Nile of song did not leap out of the barren rock at the touch of any wand, be it of inspiration itself. For even inspiration must have its conditions, its environment, its antecedents. And in Homer there is something besides inspiration, something besides genius ; there is art, high, 150 LLEWELYN lOAN EVANS. consummate art. But art, like Rome, is not built in a day. As regards the personality of Homer, I will assume that your study of the subject has at least put you in possession of the present status of that much-vexed problem of criticism. It may not have been given to you, any more than to others, to learn just how many there were of him, how many times, or in what places he was born. We may probably assume that, like the demon in the gospels, who, when asked his name, answered: ** My name is legion," Homer is a noun both of the singular and the plural number. Criticism of details has established his plurality ; criticism of the whole has no less convincingly proved his singularity. Some of you saw not many days ago the sun with his parhelia in our western sky. The parhelia were many, the sun is one. Homer had his parhelia, how many we know not; but Homer is one. Absorbing into himself the culture and the art of pre-historic Greece, of which we know naught except as it is reflected in his undying lines, the man Homer becomes the school Homer; the man the author (I take it) of the original Iliad, the school the manifold author of our present Iliad, and of the Odyssey, together with certain other Homeric frag- ments, some of which are more or less doubtful. But what of the poetry of Homer? What is its place and function in the history of literature? Here let us turn aside to glance for a moment at that which consti- tutes the material, the substratum of the Homeric, as indeed of nearly all the Greek poetry. I refer to the Greek mythology. We cannot pause now to consider the philosophy either of mythology in general, or of the Greek myth- ology in particular. How did these Greek myths orig- inate? How far did they grow out of the histories SKETCH OF GREEK POETRY. I5I of actual personalities? How far did they represent external facts, e. g. solar or meteorological phenomena ? How far were they the products of imagination and fancy? How far were they beheved? What precise place did they occupy in the creeds and lives of the ancients ? These and like questions have a fascinating interest for the student of history, but their considera- tion would lead us too far from the work before us at this time. Fortunately their significance in Greek poetry is almost wholly independent of the conclusions at which we might arrive in regard to these points. Suffice it here to say that mythology represents what was most vital in the religion of the Greeks, what was deepest and most comprehensive in their philosophy, what was most graceful in their imaginings, most symmet- rical in the portraiture of character, most sublime in the achievements of heroism, most tremendous in the issues of destiny. By way of introduction let us observe that recent ethnographical and philological researches have brought to light such analogies between the first inhabitants of Greece and the Aryan nationalities which settled on the banks of the Ganges and of the Euphrates, as justify us in assuming their common origin and the identity of their primitive beUefs. The worship of the Pelasgians, the original Hellenic population of Greece, was like that of the early Indians and Persians, the simple deifi- cation of nature. Zeus, for example, like the Hindu Indra represents the sky at v/ar with the Titans, the "first-born of all shaped and palpable gods," as Keats calls them, the immediate successors of the primeval Darkness. Apollo represents the sun, Demeter the earth, Poseidon the fertihzing power of water, Hephaes- tus the volcanic forces and then fire as an industrial element, Dionysus (Bacchus) the productive, overflow- 152 LLEWELYN lOAN EVANS. ing, intoxicating power of nature. And so for the rest. But this natural worship was not long in undergoing a transformation, when transplanted from the dreamy banks of the Ganges, or the starry plain of the Euphra- tes, to the sunny isles and coasts of the Mediterranean. To come at once to the Greeks, note to begin with the influence of these physical surroundings. The temper- ature, character of climate, and the susceptibility to cultivation of a soil not excessively fertile, favored an active temperament and industrious habits among the people. **The Greeks," says Thucydides, "have learned from their fathers that they must pay the price of labor and effort in order to obtain any advantage." Note again the geographical position of Greece at the confluence of east and west, near the junction of the great division of the world. ''This small, many-toothed peninsula," says Dr. Schafif, *'was inserted by Provi- dence in the midst of the three divisions of the Old World to educate and refine them. And here the im- portance of the maritime facilities of Greece becomes apparent, bounded as it is by an infinitely undulating line of sea-coast, forming fine natural harbors, separated by the sea from Italy, Africa, (and yet) linked to them by its islands." ''Whilst in the vast monarchies," writes De Pressense, "framed in the image of sur- rounding nature, that sprung up in those immense plains of Asia, which are intersected by lofty mountains, and where none but the king rose above the level, religion never got beyond pantheism, sometimes mons- trous, sometimes grand, but always fatalistic because affirming nature's triumph over man, the latter vindi- cated himself in a less favored land, in one in which being nearly encircled by the sea, man was constantly solicited to movement and action, and brought into the great current of ideas and civilization," SKETCH OF GREEK POETRY. 1 53 Not less important were the social and political influ- ences which moulded the Greek development. It would be difficult," says Schlegel, ** to point out a more strik- ing difference, a more decided opposition in the whole circle of the intellectual and moral character and habits of nations, as far at least as the sphere of known his- tory extends, between the seclusive and monotonous character of Asiatic intellect, the generally unchange- able uniformity of Oriental manners and Oriental society, and thp manifold activity and the varied Hfe of the Greeks in the first flourishing ages of their history. This amazing diversity in the moral and intellectual habits of the Greeks appears not only in their legisla- tion, their forms of government, their manners, occu- pation and usages of life, but in their various and widely dispersed settlements and colonies, in their descent which was composed of so many heterogeneous ele- ments, in the first seeds of their civilization, as well as their distribution into hostile tribes, and great and petty states, and even in their traditions, their history, and the arts and forms of arts to which these gave rise ; finally in a science engaged in incessant strife, and marching from system to system amid the noise and tumult of opposition. In Asia the prevalent feeling was monarchical, proceeding from and returning again to unchangeable unity. On the other hand, science like life itself was thoroughly republican; and if we meet with particular thinkers who leaned toward this Asiatic doctrine of unity, we must regard this as only an exception, a system adopted from a love of change, or out of a spirit of opposition to the vulgar and gen- erally received opinion that all in nature, that the world as well as man, was in a state of perpetual movement, constant change, and freedom of life. Even the fabu- lous world of Grecian divinities, as it has been painted (54 LLEWELYN lOAN EVANS. by their poets, has a repubHcan cast ; for there every- thing is in a state of change, of successive renovation, and of mutual colHsion in the war of natural elements, in the hostility of old and new deities, of the superior and inferior gods, of giants and of heroes, presenting as it does a state of poetical anarchy." The three typical developments of Aryan mythology are found in India, Persia, and Greece.- In the East the predominance of nature and her energies over man and his energies produced Pantheism. In the West the triumph of man over nature resulted in Humanism. Persia, intermediate between the two, where the con- tending forces were nearly balanced, stopped at Dual- ism. In India we see Fatalism, the reign of absolute, inexorable law, by which man is hopelessly enslaved. In Dualism we see an attempt, not very successful, to escape from Fatalism by the recognition of two antag- onistic principles. In Greece accordingly we find the most emphatic recognition given anywhere by the an- cient or the heathen world, of individual freedom, and the superiority of m.an to nature, of mind to matter. **It was in and through the Greeks,'* says Dr. Schaff, *'that the human mind first awoke to a consciousness of itself, bursting away from the dark powers of nature, rising above the misty original broodings, and begin- ning to inquire with clear head and keen eye into the causes, laws, and ends of all existence." The mythology of Greece became in this way essen- tially humanistic, resulting on the one hand in the humanizatlon of the Deity, on the other in the apoth- eosis of humanity. The foundations of this Humanism were laid in the heroic age of Greece, which may be sub-divided into two periods, the pre-historic, or legendary, when the struggle between the primeval barbarism and the nas- SKETCH OF GREEK FOETRY. 1 55 cent civilization of Greece was carried on, and the his- toric, culminating in the triumph of Greece over Per- sia, ''that historical Iliad," as it has been called, ''almost as grand as the other, which Miltiades and Themistocles inscribed with their sword. " " Heroism, " says De Pressense, "laid the foundation of that bold apotheosis of humanity which was so long celebrated on the radiant summits of Olympus. . . . The ancient religion of nature was to be effaced by the worship of deified heroes. . . . There was no longer that sterile bewilderment inspired by the spectacle of the irresist- ible forces of nature. They had caught a glimpse of a higher force, the power of intelligence and freedom which had been so often exhibited in the struggles that attended the formation of the different states. This power concentrated on a narrower field, bore a deeper impress of the individual character than it did in the revolutions of the vast empires of Asia. It matters little that the victories of Hercules and Perseus belong to fable ; the sentiment revealed by these myths is not the less an historical fact, surpassing in importance all others, since it was this sentiment that moulded Greece, its history as well as its religion. The ideal of a hero, that is to say the consciousness of a human ideal, was the landmark dividing the east from the west, the land of light, the enchanting land of Hellas, from that vast empire prostrate under the inflexible law of nature." And here we come upon the immense significance of Homer, in the literature of Greece. He is the first, as he is the greatest voice of this Humanism. He is the high-priest of the new Faith, as well as the builder of the temple in which its "fair humanities" were to be forever enshrined. He interpreted Greece to herself, creating in the same breath, as has been said, her poetry and her religion. His "Olympus is an ideal 156 LLEWELYN lOAN EVANS. Greece, the gods form a council of Hellenic kings." (De Pressense.) The gods of his Pantheon are men of larger mould, of mightier energies, of intenser passions. They are not mere dramatizations of natural powers or processes, bound up with nature and incapable of trans- cending the limits of her operations. They live in an ideal realm of free, independent personality. Homer is the poet of anthromorphism. In profane literature he is the first on the one hand to interpret the Divine through the human, on the other to find in the human the reflection of the Divine. His poetry is the eter- nal protest of art as well as of religion, of the imagi- nation as well as the conscience against the obliteration of a Personal Life and Will out of Nature, and against Fatalism which settles down upon the blank. His tales of the wrath of Achilles and the woes of Ilium, of the wanderings of Ulysses, and the trials of Penelope are the assertion of the mental and spiritual freedom of humanity, and of the affinity of its life to that of God. It will readily be seen what an immense gain to the resources of the poetic art must have accrued from this new departure. Not only is Poetry made the organ of the human heart, the voice of its passions, its loves and its hates, its hopes and fears, but the introduction of gods and demi-gods on the theatre of human activity, their association with mortals in the experiences of life and the bonds of doom, gives a larger outline to char- acter, a vaster scope to action, a wider horizon to life, and withal a profounder meaning to destiny. Of especial significance is the glorification of manhood through the advent of the Homeric hero, the man of god- like lineage, mien and powers. Homer is the world's prophet of Heroism. Granted that the legendary heroism of the pre-Homeric age made ready for Homer, it was Homer nevertheless who enthroned Heroism as SKETCH OF GREEK POETRY. I 57 the Greek ideal, and as a permanent power in history. *' Achilles," says Symonds, "more than any character of fiction reflects the qualities of the Greek race in its heroic age. His vices of passion and ungovernable pride, his virtue of splendid human heroism, his free individuality, asserted in the scorn of fate, are repre- sentative of that Hellas, which afterwards at Marathon and Salamis was destined to inaugurate a new era of spiritual freedom for mankind." This is why the Iliad became, as is been so often called, the Bible of the Greeks. Alexander was a later avatar of Achilles. He "expressed in real life," says Mr. Symonds, "that ideal which in Homer's poetry had been displayed by Achilles. He set himself to imitate Achilles. . . . On all his expeditions he carried v/ith him a copy of the Iliad, calling it a perfect, portable treasure of mili- tary virtue. It was in the spirit of the Homeric age that he went forth to conquer Asia. And when he reached the plain of Troy, it was to the tomb of Achilles that he paid special homage." And all the way through the ages from Alexander down to Carlyle, the nineteenth century Apostle of Hero-Worship, who died the other day lamenting the death of heroes. Homer is the great father of heroic thought and inspiration in the education of the race. For me I doubt very much whether Mr. Huxley's crayfish would prove an adequate substitute for old Homer in this particular. Give us the crayfish, but by all means leave us the Iliad. The next great name in Greek poetry is that of Hesiod. Here again I must pass by for want of time, the critical questions connected with his person and poetry, and limit myself to the question : What is the significance of Hesiod in the development of Greek poetry, and of the thought of which that poetry is the exponent ? -The story which Hesiod tells us of 158 LLEWELYN lOAN EVANS. his own call to the poetic office will help us to answer this question. One night the Muses appeared to him as he was watching his flocks on Mt. Helicon, and be- stowed on him the gift of poetry, having first addressed him in these words: "Ye country shepherds, worthless wretches, slaves of the belly! although we often tell falsehoods and pretend that they are true, yet we can tell the truth when it pleases us." Here, as Ottfried Miiller says, two things are noticeable: *' Poetical ge- nius is represented as a free gift of the Muses, imparted to a rough unlettered man, and awakening him from his brutish condition to a better life. Secondly, this gift of the Muses is to be dedicated to the diffusion of truth, the poet thus indicating the serious character of his po- etry, not without an implied censure of other poems which admitted of an easier and freer play of fancy." Thus we find Hesiod introducing a new element into Literature, the element of reflection, self-observation, meditation on life and destiny, an earnest questioning after realities. Homer represents the idealism of Greece, Hesiod its realism. There is a basis of truth for the remark of the old Spartan king, quoted by Plutarch, that while Homer was the bard of warriors and noblemen, Hesiod was the singer of the Helots. We may, at least, say, that Hesiod was not in sympa- thy with the development represented by Homer. He was a conservative. He believed in the old gods, the Titans, the natural deities, rather than the upstart Olym- pians, glorified Dy Homer. He shrank from the new Homeric anthropomorphism. He loved to commune with the divinities of heaven and air and earth and sea, and to contemplate them in their cosmogonic, rather than their historic relations. " He looked at life with a melancholy eye." History to him was not progress, but degeneration — from the Age of Gold to that of SKETCH OF GREEK POETRY. 1 59 Silver, then to Bronze and then to Iron. "Would that I had not been born in the hard age of iron !" is his lament. He sings the praises of labor (one of his po- ems is named Works, or, as it was called later. Works and Days), of frugality, simplicity and integrity. In Atlas he deifies the virtue of endurance. In Prome- theus and Epimetheus he personifies mental activities, which Mr. Beecher (I believe) anglicizes as Foresight and Hindsight. ''Justice," he sings in noble strains, ''always ends in being triumphant in human affairs; and if her way is steep, if the gods placed sweat and pain in the path of virtue, the road grows easier along the heights." Hesiod has a still further significance as the progeni- tor of the philosophic poetry of Greece. Two charac- teristics of his poetry gave him this position. The one was the theogonic and cosmogonic element. (One of his poems was named "The Theogony. ") This fur- nished the material for those semi-poetic, semi-philo- sophical speculations about the origin of the universe, the history of matter and mind, the relations and ac- tivities of the atoms, elements, forces by which the world has been built up, which constituted the Didactic Epic of Greece. The other characteristics of his po- etry which formed a foundation for the Didactic Epic was its shrewd, homely, practical wisdom. His own poetry is full of a proverbial wisdom, and becomes a re- ceptacle into which a large mass of the gnomic poetry of the Greeks drifted. From the combination of these two elements in Hesiod, the theology and cosmology of his Theogony, and the practical wisdom of his Works (and Days) grew up the philosophic schools of Greek poetry. It will not be necessary to dwell long on this school. For the most part' the poetic form in which its founders l60 LLEWELYN lOAN EVANS. clothed their speculations was an accident. Verse was the literary medium of the day and they adopted it ac- cordingly. It is a fact which is perhaps not generally appreciated that literary Prose marks an advanced stage of culture. The world scribbles its way through poor or mediocre verse into tolerable prose. Philosophy her- self, Metaphysics even, lisps its numbers during her teens. So the earliest school of Greek philosophy, the Eleatic, sought to solve the riddle of existence, and to formulate the abstractions of geometry and the antino- mies of Being and Not-Being in lumbering hexameters. Undoubtedly these philosophic verses showed at times a marked poetic flavor, as in Xenophon's Par- menides, and especially in Empedocles, that strange, romantic figure, who stalked through the streets of Agrigentum, robed with Tyrian purple, crowned with laurel, shod with golden sandals, a self-deluded mystic, who fancied himself to be a god, and imposed his delu- sion on others, staying plagues, working enchantments, and yet who (as has been said) ''made himself a poet among philosophers and a philosopher among poets, without thereby impairing his claims to rank highly, both as a poet and as a thinker among the most distin- guished men of Greece." Symonds finds both in the quality of his imagination and in many of his utter- ances a striking resemblance to Shelley. In view of his accounts of animal organisms he has also been called *'the oldest Greek forerunner of Darwin." His death by leaping into the crater of Etna (celebrated by many poets, among them Matthew Arnold) is probably a legend, although ben trovato, as the Italians say, as a fitting close to his sensational career. The philosophic poetry signalized itself still further by carrying out the hostility of Hesiod to the anthropo- morphic tendencies of the Homeric-heroic develop- SKETCH OF GREEK POETRY. l6l ment of Greek thought and life. The latter develop- ment indeed, was largely in the ascendency, reaching its culmination in the deification of Hercules, but the other tendency as it survived in the later and nobler philosophy of Greece, notably the Socratic and Platonic, was a valuable counterpoise to the onesided humanism of the former. The poetry which we have thus far considered was mainly that of the hexameter (the metre I need scarcely say somewhat imperfectly represented in English by Longfellow's Evangeline). A modification of this metre took place in the elegy, in which the hexameter (line of six feet) alternates with the pentameter (Hne of five feet), which has a feeble, hesitating movement. The elegy probably originated in Asia Minor, and was adopted exclusively by poets of the Ionian race for the expres- sion of emotional and reflective sentiments. The word was first applied to funeral dirges, and then to plaintive laments in general, with a flute accompaniment, and was afterwards enlarged so as to include martial, senti- mental (amatory), and gnomic poetry. In Tyrtaeus martial poetry is a clarion, stirring the Spartan youth to deeds of imperishable renown. It is the lion soul of Leonidas marching in verse. In Mimnermus the sen- timental elegy glorifies youth and love, breathes the languor of unmitigated ennui, and chants the alphabet of an infant epicureanism. The Gnomic poetry is the poetry of the proverb-mongers, of common sense, of prudence, of the state, of the civic virtues, of social ethics, of justice. Some of this class of poets were men "inside of politics," as we sometimes say. Hear how one of them sings: ''The citizens seek to overthrow the state by love of money, by following indulgent and self-seeking demagogues, who neglect religion and per- vert the riches of the temples. Yet justice, silent but l62 LLEWELYN lOAN EVANS. all-seeing, will in time bring vengeance on them for these things. War, want, civil discord, slavery, are at our gates; and all these evils threaten Athens because of her lawlessness. Whereas good laws and government set all the state in order, chain the hands of evildoers, make rough places plain, subdue insolence, and blast the bud- ding flowers of crime, set straight the crooked ways of tortuous law, root out sedition, quell the rage of strife ; under their good influence all things are fair and wise with men." That was Solon, and he actually believed and practiced all that, heathen as he was. It would be curious to see the beliefs and practices of our modern Solons verified by themselves. I fancy that beside that old Greek they would cut rather a sorry figure. In the later Gnomic poets we find along with much that is tender and true a sceptical and pessimistic spirit — a questioning of the equity of Heaven's dealings with men, a gloomy and even despairing view of the future. "One hideous Charybdis," says Simonides, "swallows all things — wealth and mighty virtue." "It is the best of all things," says Thespius, "for the sons of earth not to be born, nor to see the bright rays of the sun, or else after birth to pass as soon as possible the gates of death, and to lie deep down beneath a weight of earth." A sentiment whose echoes we hear again and again in the later poetry of Greece. Symonds truly observes that to modern readers the philosophy of these poets may seem trite, their inspira- tion tame, their style pedestrian. It should be remem- bered however, that to the Greeks, even to the educated among them, to Socrates and his friends, the orators and the tragedians, their authority in morals was absolute, and their maxims which the progress of the centuries has made common-place, were oracles of superhuman wisdom. SKETCH OF GREEK POETRY. 1 63 The poetry thus far considered was based on the heroic metre, the feet of which were dactyls and spon- dees. We now come to a species of poetry based on the iambus and the trochee. Special import attaches to the introduction into poetry of the iambus, as "nearest in cadence to the language of common Hfe," and as being ''the fit vehicle for dialogue, and for all poetry that deals with common and domestic topics." This metre had long been popular among the Greeks at their banquets, and especially at certain festivals for the purpose of raillery. But the first to capture the Iambus (the origin of the name is unknown) for the more serious purposes of poetry was Archilochus, the founder of the school of the Satirists, and a very con- spicuous name among the Greeks, ranking next to Homer himself A genuine Bohemian, as he would be called if living to-day, he had a strange and checkered career. "He seems to have been formed by the facts of his biography," says one critic, "for the creator of satire." "In conciseness, terseness and bitterness," says another, "he may justly be called the Swift of Greek Literature." The most distinguished of his fol- lowers in the school of satire was Simonides of Amor- gos, whose libels on women have furnished the gall for the women-haters ever since. A still more important development of Song is the lyric, or as the German critics prefer calling it, Melic poetry. "This was characterized," says K. O. Miiller, "by the expression of deeper and more impassioned feeling, and a more swelling and impetuous tone than the elegy or iambus; and at the same time the effect was heightened by appropriate vocal and instrumental music, and often by the movements and figures of the dance." More than any other form of poetry among the 164 LLEWELYN lOAN EVANS. Greeks the lyric was intertwined with actual life. "Every town," we are told, **had its professional poets and choruses, just as every church in Europe now has its organist." (Sym. I, 291.) Of the enormous mass of lyric poetry thus produced there remain only a few fragments scattered here and there, mainly in the literature of Pedants and Dry-as-Dusts, fragments of extinguished stars, as one calls them. Of this lyric, or Melic Poetry, there are two principal schools — the ^Eolian and the Dorian. ''The simple song of the ^olic school was sung by one person, and was never compHcated in structure, as it was merely intended to reveal personal and private emotion ; the choral melic poetry of the Greeks was, on the contrary, grand and elaborate .... devoted to state interests and pubHc affairs." The center of the ^Eolian school was Lesbos, **the island of overmastering passions," passions which ere long bore their bitter fruit in a corruption which branded with shame the very name of their home. This devel- opment of lyric poetry in Lesbos was promoted by the social and domestic life of its people, the personal free- dom accorded to the individual, and especially to woman. Nowhere in the ancient world did woman's social position approximate so nearly her place in mod- ern society as in Lesbos. It is not strange accordingly, that the most distinguished of her poets is a woman, Sap- pho — "the woman poet," as Mrs. Browning calls her. In her verse the passion of nature becomes the perfec- tion of art. As Homer was The Poet of the Greeks, so Sappho is The Poetess. Plato calls her the Tenth Muse. Longinus says of one of her Odes that it is *^ not a pas- sion, but a congress of passions." Solon, on hearing one of her poems, prayed that he might not see death till he had learned it. The well-known legend of her SKETCH OF GREEK POETRY. 1 65 fatal leap from the Leucadian cliff is now declared to be a myth ; but the sweetness of her poetry bespeaks the possibility of a despair sufficient for a thousand suicides. But little of it remains, and criticism declares that liter- ature has suffered no greater loss. On the ethical side it must be confessed that her poetry suffers from serious limitations, which should not indeed be exaggerated, belonging as they did largely to her surroundings, but which can not be overlooked. Simply mentioning the name of Alcaeus, the rival and friend of Sappho, we may pause a moment with Anac- reon, who belongs to the ^olian school, though not himself an ^olian. In him we see "the idle singer of an empty day." We no longer find the earnest passion of the Lesbian singers. He is a courtier in verse; his muse delights in trifles and tippHng. His verse, it Is true, is remarkable for its elegance and rich coloring. Horace is largely a copy on the one side of Alcaeus, and on the other of Anacreon. The Anacreonic Odes, so called, with which you are familiar through the grace- ful versions of Tom Moore, are (it should be noted) a literary imposture of the fourth century. So much for the ^olian School. The other develop- ment of Lyric poetry, it will be remembered, was the Dorian. As the ^olian Lyric was personal, the Dorian was choral. The yEolian singer told the story of his own heart, the Dorian chanted the praises of some god, demi-god, or hero. The ^olian accompa- nied his song with the flute or the lyre, the Dorian with a chorus of singers and dancers, among whom the various parts of the ode were distributed, epode answer- ing to epode, strophe to antistrophe, thus developing a most elaborate and complex structure, suitable for the most varied, graceful, stately, eloquent movements of sentiment, metre, voice and person. Madame de Stael 1 66 LLEWELYN lOAN EVANS. called architecture frozen music. The Dorian Ode may- be called a frozen cathedral. The Dorian habits of liv- ing were favorable to this development. More than any other Greeks they lived in common and in public. Their children were educated in companies by the State and for the State. They lived a large civic and social life. Their poetry accordingly became imbued with a grand public spirit, although singularly enough it was written mainly by strangers (i. e., non-Dorians) and mostly for money. The originator of this Choral Ode was named Ale- man. It owed its elaboration, however, to Arion, the hero of the well known legend which tells of his being thrown overboard like Jonah, on a voyage to Corinth, and being carried ashore by a dolphin, which had been enamored of his music. His most important move- ment is the dithyramb, a peculiar choral dance in honor of Dionysus (Bacchus). Other important im- provements were introduced by Stesichorus, in particu- lar, the strophe, antistrophe and epode, called the Triad of Stesichorus. There are two names which stand conspicuous above all others as the masters of what the Germans call the *' Universal Melic." The first of these is Simonides. He was pre-eminent for the sweetness and tenderness of his poetry. In pathos he has never been excelled. "Sadder than the tears of Simonides," says Catullus. Still more significant and brilliant is the name of Pindar, the Theban Eagle. He excelled in all the known varieties of choral poetry ; but the Epinikia, celebrating the victories of his patrons in the sacred games at Olympia, or Pytho, are the poems on which his fame mainly rests. It may strike us as remarkable in a Greek poet that Pindar, although writing in one of the most stirring SKETCH OF GREEK POETRY. 16/ periods of Greek history, shows no political, almost one may say, no patriotic bias. Like Michael Angelo who kept on modeling and chiseling through the sack of Rome, and Goethe who buried himself in his art while Napoleon was thundering around Germany, so Pindar through the stormy days of Salamis and Platea, kept on writing his magnificent Odes. Those wonder- ful compositions — who can describe? "He," says Symonds, "taught posterity what sort of a thing an ode should be. The grand pre-eminence of Pindar as an artist, was due in a great measure to his personality. Frigid, austere, and splendid; not genial Hke that of Simonides, not passionate like that of Sappho, not acrid like that of Archilochus ; hard as adamant, rigid in moral firmness, glittering with the strong, keen light of snow ; haughty, aristocratic, magnificent ; the unique personality of the man Pindar, so irresistible in its influ- ence, so hard to characterize, is felt in every strophe of his odes. . . . The splendor-loving Pindar is his name and title for all time. . . . He who has watched a sunset, a sunset attended by the passing of a thunderstorm in the outskirts of the Alps ; who has seen the distant ranges of the mountains alternately obscured by cloud and blazing with the concentrated brightness of the sinking sun, while drifting scuds of hail and rain, tawny with sunlight, glistening with broken rainbows, clothe peak and precipice and forest in the golden veil of flame-irradiated vapors ; who has heard the thunder bellow in the thwarting folds of hills, and watched the lightning like a snake's tongue flicker at intervals amid gloom and glory — knows in nature's language what Pindar teaches with the voice of art. . . , Pindar as an artist combines the strong flight of the eagle, the irre- sistible force of the torrent, the richness of Greek wine, 1 68 T.LEWELYN lOAN EVANS. the majestic pageantry of nature in one of her sublime moods." Doubtless this splendor of Pindar is open to criticism. His grandeur at times becomes grandiloquence ; his stateliness has a strut ; his Titanesque power of expres- sion becomes a splutter. It is, however, the splutter of a Titan and not of a Bombastes. Pindar, it should be noted further, still preaches the Homeric Faith of the heroic humanism. The heroic ideal he holds up as a *^ divinity that the people should worship." He is in advance of Homer, however, in the lofty moral tone with which he accomplishes the exaltation of his heroes, and the earnestness with which he enforces the standard of moral obligation in the government of the world and in human conduct. He attributes the misery of human life to pride, its fleeting joy to the benevolence of the gods. *'A god," he says, ''is in all our joys." No less important is the advance in Pindar's repre- sentations of the state of man after death. Thus while Homer describes his heroes as living a shadowy life in Hades, pursuing, though without thought or under- standing, the same occupation as on earth, Pindar says that all misdeeds of this world are severely judged in the infernal regions, but that a happy Hfe in eternal sunshine, without care for subsistence, is the portion of the good; " while those who have kept their souls pure from all sin ascend the paths of Zeus to the citadel of Crowns, where the Islands of the Blest are refreshed by the breezes of Ocean, and golden flowers glitter." But passing by other developments of Greek poetry we come to consider, all too briefly, the most interest- ing if not the most important of all, the Greek Drama. The Drama in its origin, like the Lyric, stands in close connection with the worship of Dionysus. First SKETCH OF GREEK POETRY. I 69 came the chorus, chanting the dithyrambic Ode in praise of the god, attired Hke satyrs in goat-skin to represent the woodland comrades of Dionysus. Hence the name Tragedy, or ''goat song." This dithyrambic ode, acquired partly from the character, the life, the adven- tures of the god celebrated, and partly from the enthu- siasm which characterized his worship, a strongly dra- matic character. This led to the addition to the Chorus of an interlocutor, *'who not only recited passages of narrative, but also exchanged speech with the Chorus, and who in course of time came to personate " Diony- sus or whatever other god or hero was celebrated. Then came the improvements in the conduct of the action introduced by Thespis (hence "Thespian," as an epithet,) the introduction of a second actor by ^s- chylus, and of a third by Sophocles. Comedy was in like manner a development, xcofjto^, or revelsong, also a feature of the worship of Bacchus. It should be noted also that the Attic theatre *'was designed" (to use the language of Symonds,) *'as though its architects were prescient that the Attic drama would become the wonder of the world. The specta- tors were seated on semi-circular tiers scooped out of the rock of the Acropolis. Their faces turned toward Hymettus and the sea. The stage fronted the Acrop- olis ; the actors had in view the cliffs upon which stood the Parthenon and the gleaming statue of Pro- tective Pallas. The whole was open to the air." In accordance with its size and situation, '' everything in the Greek theatre had to be colossal, statuesque, almost statuary. The actors were raised on thick-soled, high- heeled boots ; they wore masks and used peculiar mouth-pieces, by means of which their voices were made more resonant. . . . All their movements par- took of the dignity befitting demi-gods and heroes." 170 LLEWELYN lOAN EVANS. But we cannot stop to consider further the external features of the Greek drama. More important is its interior sphere and significance. And here we must satisfy ourselves with a few general considerations. Note then first of all that the Greek Drama became the great religious teacher of the people. The theater was the school in which the philosopher, the artist, the politician, the orator, and the common citizen were alike trained. On the one side it has been appropriately termed the "consummate flower of Greek poetry; the epic and the lyric, the objective and the subjective united in one perfect blossom ; " on the other hand it was ''the open- ing bud of ethical philosophy and theology." "The Greek stage," says Prof. Tyler,'* was more nearly than anything else the Greek pulpit. With a priesthood that sacrificed but did not preach, with few books of any kind, and no Bible, the people were in a great measure dependent on oral instruction for knowl- edge ; and as they learned their rights and duties as citizens from their orators, so they hung on the lips of the lofty, grave tragedians for instruction concerning their origin, duty and destiny as immortal beings. As the Pnyx was their legislative hall, and the Bema the source of their deliberative eloquence, the eloquence of the pulpit proceeded from the stage and resounded through the theater." The Greek Comedy had in no small measure this pre- ceptive moral value. "Comedy," says De Pressense, "is the result of the contrast existing between man as he is in reality and man as he ought to be and might be. It presupposes his liberty ; take away his liberty and there is naught shocking or ridiculous in avarice or cowardice. Nobody mocks the hare, but we all laugh at the coward," SKETCH OF GREEK POETRY. I7I The great representative of Greek Comedy is of course Aristophanes, a genuine poet, a briUiant wit, a master of language, the audacious caricaturist, the unsparing censor of folly, the unrelenting foe of dema- gogues, the champion of the conservative party, and the uncompromising opponent of all innovations in politics, philosophy, poetry, or art : — " Who took The world with mirth and laughter — struck The hollow caves of Thought and woke The infinite echoes hid in each." There is much indeed in Aristophanes with which we cannot sympathize. We are revolted by his grossness. We are pained, by his vulture-like irreverence in the treatment of what the best of the Greeks must have held most sacred. We protest against his abuse of Socrates and of his immortal (Ppovrtazrjptov "or Think- ing-shop," notwithstanding the oddities of the man and of his ways w^hich provoke our smiles. Yet after all we wonder at the exuberance of his genius and power of his imagination, the grace of his fancy, the beauty of his pictures, the delicacy of his touch, and we wander with inextinguishable laughter through his "transcen- dental bardlands," and cloudlands and frog-ponds. We are captivated by his studies of the Athenian life [Symonds says that with Plato and Aristophanes for our guides we can reconstruct the life of Athens.] And through all his reckless wit and laughter we are constrained to recognize a staunch and honest purpose to puncture the shams, absurdities and stupidities of his day, and to aid the triumph of solid worth, honest thinking, and manly living. But it is in the tragedy of Greece that its dramatic genius shone most conspicuously, and poured forth its loftiest utterances, while discoursing of "fate and chance 172 LLEWELYN lOAN EVANS. and change in human life." "Greek Tragedy," says Prof. Tyler, *'is essentially didactic, ethical, mytholog- ical, and religious. It was the express office of the Chorus, which held the most prominent place in the ancient drama, to interpret the mysteries of Providence, to justify the ways of God to men, to plead the cause of truth, virtue and piety. Hence it was composed usually of aged men, whose wisdom was fitted to instruct in the true and the right, or of young women whose virgin purity would instinctively shrink from false- hood and wrong Tragedy in its very nature as conceived by the Greeks transported the hearer out of himself and away from the present. It carried him back towards the origin of our race, up nearer to the providence and presence of the gods, and on toward the retribution of another world. With few exceptions the subjects are mythological. The characters are heroes and demi-gods, monsters it may be in crime, but their punishment is equally prodigious. Sin and suffering always go together. They illustrate by their lives and in their lives the providential and retributive justice of the gods." ^schylus represents the transition from the Epic and Lyric to the Dramatic Age of Poetry. At heart he really belongs to the former. He has been well called " the great lyrist of tragedy." He himself used to say of his tragedies that they were fragments of the great banquet of Homer's table. He "is pre-eminently the theological poet of Greece." Especially may he be called the poet of Destiny, the '*iron power" of which filled his mind. "He was essentially" (says Symonds) "the demiurge of ancient art. The purely creative faculty has never been exhibited upon a greater scale, or applied to material more utterly beyond the range of feebler poets. He possessed in the highest degree the SKETCH OF GREEK POETRY. I 73 power of giving life and form to the vast, the incorporeal, the ideal." **As befits a demiurgic nature, ^schylus conceived and executed upon a tremendous scale. His outlines are huge, his figures colossal ; his style is broad and sweeping, like a river in its fullness and its might. Few dramatists have been able like him to wield the chisel of a Titan, or to knead whole mountains into statues corresponding to the stupendous grandeur of their thought." He is the only dramatist who has left us a complete Trilogy — or three connected dramas, acted together and developing one great theme. These are the Agamem- non, the Choephori and the Eumenides. It is in this Trilogy that the massiveness and energy of his genius especially appears. The Agamemnon is in the judg- ment of Prof. Mahaffy and others the greatest of the Greek tragedies. The parallel between it and Macbeth has often been drawn, and is a most interesting study. The Prometheus Bound was doubtless one drama (the second probably) of a Trilogy. ''No other play of ^schylus," says Mahaffy, ''has produced a greater im- pression, and few remnants of Greek Literature are to be compared with it in its eternal freshness and its eter- nal mystery." Mrs. Browning has given a spirited trans- lation of it. But I must hasten on, simply reminding you that ^schylus was one of the heroes of Marathon, and the best actor of his own plays. Sophocles was a typical Greek in body, mind and character. It has been said of him that "he is perhaps the only distinguished Athenian who lived and died without a single enemy." (Mahaffy.) "We can not but think of him," says Symonds, "as especially cre- ated to represent Greek art in its most refined and ex- quisitely balanced perfection." He represents more 1^4 LLEWELYN lOAN EVANS. completely than ^schylus the Greece of the age of Pericles. The humanistic development attains in him its most adequate expression. His ethical creed is summed up in these two noble passages ; the one from the CEdipus translated by Matthew Arnold : "Oh that my lot may lead me in the path of holy innocence of word and deed, the path which august laws ordain, laws that in the highest empyrean had their birth, of which heaven is the father alone; neither did the race of mortal man beget them, nor shall oblivion ever put them to sleep. The power of God is mighty in them, and groweth not old." The other from the Antigone, versified as follows by Mr. Symonds: (An- tigone is speaking of certain human edicts, relative to the burial of the dead, which she had violated.) " It was no Zeus who thus commanded me, Nor Justice, dread mate of the nether powers — Nor did I fondly dream their proclamation Were so infallible that any mortal Might overleap the sure unwritten laws Of gods. These neither now nor yesterday, Nay, but from everlasting without end Live on, and no man knows whence they were issued." Antigone, the speaker of these words, is probably the finest female character in the whole realm of Greek poetry. The question, which of the seven surviving plays of Sophocles bears the palm, has been much dis- cussed. Almost every play has its champions. The majority of critics have declared for the CEdipus, al- though some of the profoundest prefer the CEdipus Coloneus. The last of the three Greek Tragedians is Euripides. He was naturally a serious character with a bias towards nice and speculative inquiries into the nature of things SKETCH OF GREEK POETRY. 1 75 human and divine. He is in fact a philosopher in bus- kins. That which interests him, that which he takes most pains to elaborate is the psychological element in his characters. There is more of character-painting in his dramas than in either of his two great predecessors. He is the poet pre-eminently of Passion. His Medea is grand, terrible in her passion. As we might expect there is more of the sensational in his poetry than in that of his rivals. He deals more largely in the spec- tacular. In picturesque effects he is unrivalled. He concentrates his power on particular scenes, rather than on the course of the drama. His lyrics are superb. His democratic sympathies, not concealed in his poems, brought down on him the lash of Aristophanes. Some one has said that there could be no surer proof of his real genius than the failure of Aristophanes to laugh him down. Yet after all Euripides is the mouth-piece of the first age of Athenian decay. Prof. Tyler thus compares the three Tragedians, and with this extract I close, ''^schylus, like some an- cient prophet, or oracle-declaring priest, ascended the tripod and in strains of awful sublimity proclaimed the laws of God and the destiny of men, pointed crimi- nals to the everlasting Erinnys that were sure to overtake them, and arraigned heroes and demi-gods before divine justice. Euripides seated himself in the chair of the philosopher, and interspersing his dia- logues with discussions, reasoned, refined, doubted, sometimes almost scoffed, and perpetually mingled the myths of the ancients with the declamations of the sophists and the speculations of the schools. Sophocles walked the stage as if it were emphatically his own, sang in the orchestra as if music and verse were the language of his birth, and represented the 176 LLEWELYN lOAN EVANS. past, the present and the future, the providence and the government of God, and the character and des- tiny of men, not distorted or discolored, just as they were mirrored in the tranquil depths of his own har- monious nature." VIIL ANTHROPOPHAGY. * THE FUTURE DEVELOPMENT OF THE RACE ; OR THE COMING CANNIBAL. The anthropophagic origin of the human race will be admitted at once by the well regulated radical mind. The first man was beyond all reasonable question a cannibal. This to be sure is a paradox; but all the more true for that, and like every other paradox its esoteric significance is luminous to the initiated, so that I need not dwell on it in this enlightened circle. And this paradox, I need not say, is true, whether the first man was one or many. It is more of a paradox perhaps if he was one ; but it is none the less true if he was many. For, as will abundantly appear as we proceed, the an- thropophagic instinct is one of the primal instincts of man's nature ; primal, I say, and therefore congenital, universal, invariable, inalienable, indestructible. It in- hered in the first man (whether singular or plural) as the generic germ of every variety of the genus homo. * A number of essays and poems '* in lighter vein," were selected to form a division by themselves in this volume. On examination it was found that their full enjoyment depended so largely on local allu- sions, or on the circumstances of their production that it would not be best to publish them all. This and the following are given simply as specimens. (177) 178 LLEWELYN lOAN EVANS. From him as seminal center, as primum mobile and punctum salic7is, has radiated in endless undulation, in anaritJinion gelasma, all that is anthropophagous in human history. There was still further an anterior necessity for this characteristic development. Modern science, which, as Prof. Tyndall truly observes, is no longer the servile follower of pure reason, which is just as much, if not even more the product of imagination, has discovered, by lofty imaginative processes, the great law of evolution, in accordance with which man may be traced back through simious and reptilian genealo- gies to the primary molecule in which existence had its beginning. This genealogical line runs, I need not say, through numberless strata of allelophagous races. The ichthyosauri, plesiosauri, megalosauri and ptero- dactyli, after the most approved fashion, devoured one another, or, at any rate, creatures but little, if any, below themselves in organization. Their victims, in accordance with the eternal law of conquest, were, we may suppose, their inferiors in size, but probably in very little else. Subjectively considered, with reference to their controlling instinct, and their practical views on the questions of securing the means of support, they were, to all intents and purposes, cannibals. They lacked, to be sure, the enlarged views, the enlightened processes, the enterprising audacity, the artistic execu- tion which belong to the highest representative of car- nivorism or cannibalism, man ; but we must remember that they lived in a comparatively benighted period. They lived up to the light that was in them. If their cannibalism was imperfect, so was everything at that time. Indeed, if they had been perfect cannibals, what need of man? Their attainments in this line were but ** hints and previsions," which, as Browning tells us : ANTHROPOPHAGY. 1 79 "Are strewn confusedly everywhere about The inferior natures, and all lead up higher ; All shape out dimly the superior race — The heir of hopes too fair to turn out false, And man appears at last. So far the seal Is put on life ; one stage of being complete, One scheme wound up ; and from the grand result A supplementary reflux of light - Illustrates all the inferior grades, explains Each back step in the circle." \_Paracelsus.'] Standing thus at the culminating point of the series, man inherits in their utmost perfection the carnivorous propensities of his entire ancestral hneage, and in him we behold the ideal cannibal, exercising his gastro- nomic faculty on all forms of animal Hfe, from the invisible animalculi which swarm in his ice-water, up through cheese-maggots, frogs, Bolognese dogs, buffa- loes, bears, up to his own race. He thus becomes a cannibal ex vi nattircE. There is an inexorable necessity laid upon him by that long antecedent chain of causa- tion. The forces which have worked their way upward through saurian and silurian developments, and of which he is the consummate product, make it impossi- ble for him to be true to his genesis and to himself, without being a cannibal. The positive indications of the cannibalism of the first man are, I regret to say, fewer than we could desire. Perhaps the strongest proof has already been given in the necessity resulting from his genealogical antecedents, from his position as son and heir of all the carnivorous races of the pre-historic period, as well as the necessity inherent in his position as progenitor of all succeeding cannibals. There is, however, a little more of that *' supplementary reflux of light," of which Browning -speaks, from which we may learn l80 LLEWELYN lOAN EVANS. something. For example, a very suggestive inference may be drawn from matrimonial phenomena. In man's uxorial relations we find two distinct historical tenden- cies, two antithetic ideas asserting themselves. One of these ideas is represented by the term monogamy, the other by the term polygamy. In contemplating the various races, ages, and creeds of the globe, we find some that are monogamous, others which are polyg- amous. This line of division has always existed ; the philosophic mind affirms that it always will. But how is this to be accounted for ? The origin of it is lost in the morning twilight of human history. We are logic- ally constrained, however, to seek the angle from which these great lines of divergence proceed in the first man. If, as we can not doubt, he was the germ of all the tendencies and developments which have sub- sequently appeared in the race, he must have embod- ied in some way in his own life the contradiction of monogamy and polygamy. The only satisfactory solu- tion of this contradiction is to be found in the fact that he was a cannibal. Endowed at the beginning with a plurality of wives, he ate them all up save one. Much as it may be regretted that he did not also eat her, in- scrutable as his conduct may seem in not eating her, we must accept the situation. The past is irrevocable, but the future is ours. The first man, then, cannibal- ized himself out of polygamy into monogamy. And this hypothesis, besides furnishing the angle of diver- gence for the great historical tendences already men- tioned, also furnishes us with one reason why canni- balism is so important a factor in the progress of the race. Had it not been for the cannibalism of the first man, the entire race would have been polygamous, a state the bare possibility of which it is appalling to contemplate, and the existence of which would have ANTHROPOPHAGY. 1 8 I kept humanity down in a state of permanent degrada- dation. Monogamy being thus indispensable to prog- ress, and cannibalism to monogamy, it follows that progress would have been impossible without cannibal- ism. It would have been exceedingly interesting, had the limits of the present discussion allowed, to present in detail the history of anthropophagy in all ages and lands and under every variety of manifestation. We are mainly concerned, however, at this time with anthro- pophagy in \\\Q future development of the race. In the To-Be we find the resumption, under advanced condi- tions, of the Hath- Been. ''Being," says Goethe, "is ever a birth into higher Being." The New is the per- petual metamorphosis of the Old. In advancing along the spiral line of progress, we mount higher and higher, it is true, but the circumference of our course lies within the same Ideal Cylinder ; at every new point we are recurring to the same old position ; the line of our present movement is strictly parallel to the line of a former movement, except that it is on a higher (inclined) plane, or in the profound words of the Koheleth, Mahsh-shehayah, hu shey-yi-he-yeh, umashshen-nasah hu shey-ye-a-seh, veyn kol chadhash tahath hash sha- mesh, to which may be added the well known majesti- cal, liturgical formula, owsper ien en arche esti nun kai estai eis tojis aioivnas town aiowneon. Of nothing can these words be more truly said than of anthropophagy. So vitally incorporated is it with the organic life of humanity that nothing is more certain than that it will continue to perpetuate and reproduce itself Cannibal- ism having inwrought itself into the elemental structure of the subjective consciousness, and having established itself as a dominant force in the objective phenome- nality of appetency, mastication and digestive assimilation, 1 82 LLEWELYN lOAN EVANS. can not fail to assert itself as a permanent factor of human history. It may lie dormant here and there ; it may slumber now and then, for even bo7ius dormitat Hoj/icruSj and according to the sublime teachings of the Vedas, the life of Brahm itself is an alternation of sleep- ing and waking. But when the tongue of the centu- ries strikes the hour of destiny then will the Man-Can- nibal awake out of his sleep, like a giant refreshed, and then will begin one of those eventful aeons which make history. For a considerable period past it may be said that the anthropophagic Brahm has been slumbering — at least, as regards some of his functions. Neither as a profession, nor as a fine art, nor as a system of philos- ophy, nor as a problem of Malthusian political economy, nor as a patriarchal domestic institution, can cannibal- ism be said to have flourished latterly, except in isolated instances and in remote and unpopular localities. With us it is in a dormant, or perhaps, I should say, in a transitional state. It is true that a certain modified imperfect anthropophagism has prevailed in some highly civilized communities. There have been those known as landsharks, vultures, leeches, vampires, and the like, persons whose distinguishing characteris- tic has been their epicurean fondness for certain choice tit-bits of their fellow-men, such as their reputation, their happiness, their virtue, their money. This partial cannibalism is indeed a most hopeful indication of the future possibilities of humanity in this direction. For as we shall see immediately, the coming cannibal will distinguish himself from his naked and tattooed New Zea- land prototype by his success in making a more complete disposition of his brother man, dispatching not only his body, but also his mind and estate ; not only his fat, but also his effects and affections ; not only what he has in ANTHROPOPHAGY. 1 83 common with the porpoise, but his purposes and his purse as well. Herein will he vindicate the great law of progress in himself. Our sleeping Brahm, not alto- gether asleep, seems even now to dream in a confused way of this ideal perfection of cannibalism, as appears from that significant and melodious sonnet of our great poet laureate: "If I were a cassowary, On the shores of Timbuctoo, I would eat a missionary, Flesh and bones and hymn book too." Observe that masterly stroke, not only of rhyme, but also of reason, with which the stanza concludes — ^^ and hymn hook too " — indicating that as a cannibal our poet would make thorough work of his brother, the mission- ary, and of all his effects and appurtenances. But the great and fatal defect of our modern civilized anthro- pophagism, is that it limits itself, so to speak, to the hymn book, lacking either the taste or the courage, or both, to eat up the flesh and bones of its subjects. It is the sublime mission of radicalism to introduce the complete cannibalism of the future, by serving up the entire man in all that he is, and in all that he has, as a dainty dish to set before a king. You have all read Charles Lamb's charming essay on Roast Pig. To the superficial reader it is probably nothing more than an exquisite extravaganza of literary sybaritism, the Puck-like reveling of wit and genius in the aromatic lusciousness and ravishing deliciousness of what is indeed one of the most royal dishes before which an epicure can sit. To the philosophic mind, however, it is above and beyond all this a parable of profound significance. You find in it doubtless, as I do, a subtle suggestion of a banquet worthy of Plato 184 LLEWELYN lOAN EVANS. and his friends, a truly Olympian symposium. It can not be doubted that the roast pig of which the gentle Elia discourses here so dehghtfully, is emblematic of a human being prepared by the most approved culinary processes for alimentary uses. Can we doubt this when we remember that his own name was Lamb, and that the analogy between roast pig and roast lamb is almost perfect ? Does not probability become certainty, when we read in Sir John Lubbock's Prehistoric times (p. 449) that among the Feegeans '* human flesh is known as ^ ptiaka balava,' or 'long pig?'" Only thus, more- over, do we obtain a satisfactory clue to that entertain- ing Oriental fiction with which Lamb introduces his de- scription. I refer, of course, to his account of the dis- covery of the first roast pig among the ruins of a burnt house, and the Chinese custom, thence derived, of burn- ing down a house whenever this dainty is to be pro- duced. Literally understood, this is but a piece of de- lightful absurdity, of clever humorous extravagance. But, philosophically understood, it has a world of sug- gestions in it, pointing as it does most unmistakably to the proper culinary process by which the coming canni- bal's chef d'oeuvre de cuisirie is to be produced. In a word, beneath the mystic symbol of a pig roasted whole in a burned down house, the philosophic Elia teaches us that in order properly to cook a human being he must be roasted or baked whole in a composite bon- fire or furnace constituted of his house, library, clothes, correspondence, papers, and everything belonging to him, all his properties and accidents, relations and cor- relations, collaterals and contemporalities. A holocaust must be made of him and his. The coming cannibal will be satisfied with nothing less. But let us pause for a. moment here to enforce the necessity of making the physical man a part of the ANTHROPOPHAGY. 1 85 holocaust. The error of the South Sea Island cannibal is that he has restricted himself too exclusively to the corporeal element in his dietetics ; the error of the civ- ilized Caucasian is that he has totally abstained from the corporeal element. The savage cannibal is satisfied with the flesh of his human roast or fricassee ; the civ- ilized cannibal devours all but the flesh. The former type of cannibalism is too gross and earthy ; the latter is too refined and volatile. The king of the Cannibal Isl- ands, like Tony Weller with his alleybye, thinks there is nothing like habeas corpus \ the Sachem of Tammany, or the Prince of the Power of Aery, applies to every- thing the process known as abstraction. These two types of cannibalism must be combined, married together into one higher type, forming in the coming cannibal, like Tennyson's Man and Woman, The single pure and perfect animal, The two-celled heart beating with one full stroke, The two-celled stomach, filled with one square meal, A Man! ''The proper study of mankind is man," says a poet, whose very name is the guaranty of his infallibility. A fortiori WLd^y it be said, ''the proper diet of mankind is man; " man, I say, considered as an integer, one and indivisible. It was all very well for our unscientific ancestors to make a distinction between the corporeal and the incorporeal in man, and to make their diet of the one or the other, as fancy or taste might incline. It is all very well for our cousin, the King of Dahomey, to eat up his missionaries, and to think, after swallow- ing all save their boots and buttons, that he has dis- posed of all there was of them, for he is ignorant of the existence and value of ideas. It was all very well for Dr. Watts to say, "The mind's the measure of the 1 86 LLEWELYN lOAN EVANS. man," for Dr. Holmes had not taught him that mind and body are one and the same machine ; and further- more, as Sydney Smith ^aid of another, he had scarcely body enough to cover his soul; his intellect was improp- erly exposed. But we nineteenth century radicals, who liave condescended to favor a benighted world with the discovery of protoplasm, nous avons change tout cela. It behooves us to rise above the partial views alike of an untutored barbarism, and of an imperfect civilization, and to advance intelligently and courageously to the higher synthesis which includes both. The doctrine of protoplasm furnishes us with one "physical basis of life" for the entire man. Huxley's exposition of it is famihar to us all. This profound radical discovery renders obsolescent the old notions of an essential dis- tinction between the material and immaterial constitu- ents of human nature. Matter and spirit are practically at least resolved into one original force. Those who talk of mind and matter, Just a senseless jargon patter. What are we, or you, or he ? Dissolving views, not mind or matter. Even admitting a theoretical or ideal distinction between matter and mind, their concrete synthesis in the individual man results in a single entity. Each man is an eris individuum, possessing one, and that a physical basis of life. Now hear what Mr. Huxley says of the appropriation of his physical basis, or protoplasm, as he calls it. "Mutton," he says, "was once the living protoplasm of a sheep. As I shall eat it, it is the same matter, altered not only by death, but by expo- sure to sundry artificial operations in the process of cooking. But these changes, whatever be their extent, have not rendered it incompetent to resume its old func- ANTHROPOPHAGY. 18/ tions as a matter of life. A singular inward laboratory which I possess will dissolve a certain portion of the modified protoplasm. The solution so formed will pass into my veins, and the subtle influences to which it will then be subjected will convert the dead protoplasm into living protoplasm, and transubstantiate sheep into man." Here is the principle, but how shall we reach its highest application? Obviously by substituting for the sheep the highest organic form in which protoplasm is found. Here e. g. is Mr. Huxley. I wish to possess myself of his vis vivida vitce, to have his protoplastic force trans- fused through my system. How shall it be done? I read his writings, his essay on the Physical Basis of Life, his lay sermons, and the rest ; but how little of the true Mr. Huxley do I get into me by this? But I obtain Mr. Huxley's consent to figure on my bill of fare; I constitute him my principal dish ; I provide for myself and family a few courses of Huxley, Huxley soup, roast Huxley, corned Huxley, Y{.\yx\&y ragout a la mode^ cold Huxley, Huxley pie, Huxley hash; and what is the result? Why, a singular, inward laboratory which I possess will dissolve a certain portion of the modified Huxley-protoplasm ; the solution so formed will pass into my veins, and the subtle influences to which it will then be subjected will convert the dead protoplasm into living protoplasm, and transubstantiate Huxley into Jones. And when it becomes my turn to be served up in the same way, then Huxley in me passes into others, and so on ad infinitum, and so, as Ariel sings, " Nothing of him that doth fade, But doth suffer a sea change, Into something rich and strange." What is true of Mr. Huxley could be true of all great men. By eating them we would assimilate, as we could in no other way, their thought, genius, wit, 1 88 LLEWELYN lOAN EVANS. imagination, knowledge, heroism, all in them that is worth appropriating. A dim apprehension of this ex- alted function of anthropophagy seems to have dawned even on the savage mind. ** The cannibalism of the New Zealander," says Sir John Lubbock, "though often a mere meal, was also sometimes a ceremony ; in these cases the object was something very different from mere sensual gratification ; it must be regarded as a part of his rehgion, as a sort of unholy sacrament. This is proved by the fact that after a battle the bodies which they preferred were not those of plump young men or tender damsels, but of the most celebrated chiefs, however old and dry they might be." In fact, they believed that it was not only the material sub- stance which they thus appropriated, but also the spirit, the ability and glory of him whom they had devoured. The greater the number of corpses they had eaten, the higher they thought would be their position in the world to come. " Under such a creed," adds Sir John, " there is a certain diabolical nobility about the habit, which is at any rate far removed from the groveling sensuality of a Fejee." (Prehistoric Times, p. 457-) But why diabolical ? Who ever heard of cannibaHsm among the devils ? But how singeth the great Poet of Transcendentalism ? " The Past in me doth live again : In me each great and thoughtful brain Hath left some legacy behind ; Of each some living trace I find: Of Plato's soul I find a part, Of Homer's muse, of Sappho's heart." But how much more true would this be were such as Plato, Homer and Sappho, Caesar, Alfred and Shakespeare, to undergo that assimilation and trans- fusion which is the result of a thorough process of ANTHROPOPHAGY. I 89 digestion? Precisely herein is it that anthropophagy is to play so important a part in the future develop- ment of the race. By means of it, the protoplastic essence of all true greatness will communicate and dif- fuse itself through the entire organism of humanity. The feast of reason and the flow of soul will become literal facts of human development. Humanity will dietize itself into greatness. Platonic philosophies will disseminate themselves through the alimentary canal. The genius of the future Shakespeare will mingle with the gastric juice. Progress will be a secretion of the digestive apparatus. The cabalistic motto of our uni- versities, the abracadabra of culture will be, *' Fee, fi, fo, fum ! " The coming cannibal, whether he smells the blood of an Enghshman, or of any other man, will be recognized as the ultimate metamorphosis of the uni- versal protoplasm, of which every sage and hero is the more perfect exponent. Thus it is that protoplasm begins by revolutionizing our philosophy, next revolu- tionizes our cuisine, and achieves its final apotheosis in the grand Vou-dou, or Man-Eater of the future. How simple, and at the same time how beautiful the answer thus furnished to the all-absorbing questions of life and destiny ! Here we have the process by which the human organism is to be refined, elevated, enriched with all the constituents needful for its most perfect nutriment. All nature widens upward evermore : The simpler essence lower lies, More complex is more perfect. Man, as the most complex and refined organism, de- mands the most complex and refined alimentation. The lowest forms of organic life in the vegetable king- dom find their alimentation in inorganic matter. The paw-paw bush is' nourished by the soil ; the animal IgO LLEWELYN lOAN EVANS. kingdom, possessed of a higher organization, finds its ahmentation in some form of organic matter. The lamb eats grass. The noble horse eats and feels his oats. The dog, man's fidiis Achates, has an organism equal to the proper appreciation of a bone. The lion, king of the forest, the eagle, monarch of the air, de- mand for food matter in its highest organic form of fibrine and gelatine. Lamb and roast pig, symbol, as we have seen, of a still higher roast, puts all nature under tribute, eats and assimilates everything. Man, the crown of organic life, must seek and find his ali- mentation in the plane of his own organization. He can be satisfied with nothing below the highest form of organic matter, the highest development possible of fibrine and gelatine, that which is produced by that "singular inward laboratory" of which Mr. Huxley is so justly proud, that which is distilled out of this wonderful alembic of his own vital apparatus. When this principle comes to be universally recognized and applied, may we not expect to see a development of humanity, an advance in refinement, ethereality, and purity of organization which must be seen to be be- lieved in ? There is one application of our subject which should not be passed by, although I can do no more than hint at it here. I refer to anthropophagy as a development of love. In that mysterious complexity of phenomena to which the name love is given, there is nothing which the philosophic observer contemplates with greater in- terest than the uncontrollable propensity which those who are under the influence of the tender passion evince to eat one another up. In one form or another, this propensity finds continual expression. The language of love is full of it. The poetry of love derives very much of its tenderness from it. For the most part ANTHROPOPHAGY. 1 9 1 suggested, it is sometimes explicitly avowed. It is quaintly assumed in the following instructive little legend, from the Siamese, translated by a fair friend, from whose manuscript I am kindly permitted to copy it: A youth was once joined to the girl he loved best, But before a year sped to his friends thus confest : For a very short time of my new married Hfe, My love was so great, I 'most ate up my wife, And — ah me ! I've been sorry I didn't since then ; For alas ! I am now the most wretched of men. The frequent tributes which lovers make to one an- other's sweetness are to be explained on the same prin- ciple. The rose is red, the violet's blue, Sugar is sweet, and so are you. Thus does St. Valentine sing, and his song echoes itself from year to year through all generations. The instinct of absolute possession, so strong in love, points in the same general direction. Its great soul-agonizing question is, Wilt thou be mine ? Its sweet, soul-en- trancing confession is, I am thine. It would possess its object wholly, solely, and absolutely, individually, undividedly, and eternally. You would appropriate, assimilate, make part of yourself, the object of your love. And how can this be perfectly done except by eating the object? Kissing is a still more significant indication. Through leaving out its anthropophagic origin philosophers have utterly failed in their explana- tions of this singular phenomenon. Nothing, indeed, could well be more absurd than the application of one person's lips to the face or hands of another accom- panied by a noise resembling a small explosion, if that were the whole of it. Why the lips? Why not the nose, accompanied, say, by a delicate, finely modulated 192 LLEWELYN lOAN EVANS. sneeze ? The latter demonstration, as all will admit, would be just as convenient, no less graceful, and far more useful than the former. But eating is done not with the nose, but with the mouth, and the law of kissing /a//ozvs tJie law of eating. The whole philosophy of osculation lies in the anthropophagic quality of the tender passion. Cupid in a word is a cannibal, and kissing can be understood only as a modified process of manducation, a suppressed bite. It is the anticipa- tion in typical form of the New Evangel, of which the coming cannibal is to be the apostle. The bearing of this on some of the great social questions of the day, such as divorce, Mormonism, early marriages, old bachelorism and the hke, I leave to your reflection. IX. APOLOGIA PRO VITA SUA; OR A WORD FOR LOAFERS — BY ONE OF THEM. In the department of criticism, this Age is perhaps Hable to the reproach of being the Age of Whitewash. So many characters which the eyes, or at least the im- agination, of our forefathers painted black, now look so much like a board fence newly touched by the hand of Spring, or like Roman candidates for office, as to sug- gest that criticism, historical criticism especially, has come to be an Art of Whitewashing in all colors. The Nero who fiddled while Rome v/as burninp- has become transformed into an amiable amateur violinist, whose ir- repressible enthusiasm for art made him at times a lit- tle absent-minded. Catiline, the wretch who so outra- geously abused the patience of the Roman Senate, and against whom in undergraduate days we thundered our Ciceronian wrath, is painted as the able, patriotic, highly misunderstood prototype of Mazzini or Garibaldi. Henry Vlll, Frederic the Great, the Duke of Alva, and other interesting ** monsters" of a morbid and un- philosophical past, have been made to look as white as the sepulchres of assassinated prophets. Some fine touches have been put on Judas Iscariot; we are be- ginning to ask whether Cain was not afflicted with (193) 194 LLEWELYN lOAN EVANS. "moral insanity;" and one is almost tempted to say that there is hope even for General Butler. It is not my present purpose to justify, nor yet to condemn this particular tendency or our age. It may possibly indicate a deeper love of truth, a sincerer de- sire for justice, a wider knowledge of fact, than obtained under the old, critical regime. Or it may be the sym- tom of a looser ethical code, of a more reckless disre- gard of verity, of a stronger fancy for sensational effect. There is one advantage, however, connected with it. It shows that conventional opinions, and the prejudices which are rooted in them, have a less tenacious hold on men's minds than of old. It is easier to obtain a hearing in behalf of a persecuted being, or a maligned class, than it used to be. We are more ready to hear Themistocles, however it may be about striking him. And so I feel encouraged to say a word or two in be- half of my brethren the Loafers. What's in a name ? Much every way. I am sure that the Loafer has suffered from his name. Not that it lacks altogether in euphony, for it begins and ends with a liquid, and its principal vowel is round and mu- sical. But the Average Man is an indifferent etymolo- gist ; and I am persuaded that nineteen out of twenty of those whose noses curl upward at the mention of the name Loafer, are secretly persuaded that it has some- thing to do with a loaf of bread, and thrill with inward horror at the thought that the First Loafer got his name from stealing a loaf, or begging for one, or being a dis- ciple of loaves and fishes. In point of fact, however, bread is no more a staff of life to the Loafer than to anybody else ; and there is no reason whatever in his pedigree why he should not face a loaf of bread as boldly as any one of his detractors might look a sheep in the face. Loafer is laitfcr, or lofer, from laufen, or APOLOGIA PRO VITA SUA. 1 95 lofen, to run, and means properly runner, racer, courier, post, either of whicli definitions suggests for the Loafer a respectable, if not an honorable parentage. Not im- possibly it was first applied to the swift footed Achilles, in which case the world owes to him its Iliad. At all events it should not be forgotten that a Loafer was the hero, the inspiration, the fmal cause of the greatest of all the world's Epics ; as perchance the father of the family was a noted runner in the Olympian games, whose laurel crown made him at once the pride and the envy of assembled Greece. And as the racer among horses is the purest representative of the thoroughbred, it is not too much to assume that the First Loafer was the most thoroughbred man of his time. Or, perad- venture, he was a swift messenger, a bearer of news, a human Mercury, the precursor of the Able Editor of to-day — a supposition, let me add, which is favored by the fact that Mercury, the runner or loafer of the gods, was their advertising agent and their commercial re- porter. Or not improbably he was the post, the letter- carrier of his day, the first attempt made in the world of running, or loafing, a Post Office. The Loafer ac- cordingly has, as you see, a very fine choice of pedi- grees, and whichever paternity he adopts, whether the hero of the Iliad, or the first thoroughbred man, or the first newspaper, or the first Post Office Department, it must be admitted that he has a species of origin which Darwin himself might envy. These remarks are intended simply to relieve the origin of the Loafer from unworthy suspicion, and are descriptive only of the First of the species. It does not follow that the Loafer of to-day is literally a runner, any more than that the Baker of to-day knows any- thing about making a loaf. If the Loafer had kept on running allthe Way "down the corridor of time," his 196 LLEWELYN lOAN EVANS. fate would doubtless ere this have reminded us of the famous Mynheer von Hamm, with his cork leg, and I should be now reading his L. E. G. But it is an impor- tant point in his favor that the vulgar prejudice against him as being descended from some one who once upon a time was involved in some questionable transaction touching a loaf, can be shown to have no foundation whatever, and we are now prepared to consider what further may be said in his behalf. Disregarding the Dictionary, which on this point, as on others, is simply the organ of popular prejudice, let me begin by defining the Loafer to be the man of infinite leisure, who refuses to recognize the conventional code of activity prescribed by an antiquated system, established not only before he was born, but what is far more, without his consent; who, moreover, having strong absorbent qualities, appropriates to himself what- ever he finds suitable to his need or comfort, of which he becomes the vehicle, conveying it with himself as a part of himself and thus becoming a disseminator of the more subtle and intangible elements of social existence, his social circulation being determined by no material or economical laws, but by an inward spontaneity and in obedience to undefinable attractions, wandering like Wordsworth's river, ' ' at his own sweet will. " This same spontaneity making him a most important solvent of the more rigid, mechanical elements of society through the infusion into our civilization of that freedom, ease, abandon, grace, which it so greatly needs. This defi- nition is, I admit, somewhat long and lingering — but so, to be candid, is the Loafer. In calling the Loafer a man of infinite leisure, I do not mean to insinuate that he never issues a business card, never advertises in the papers, never frequents at mysterious seasons a mythical locality which he meta- APOLOGIA PRO VITA SUA. igy phorically calls his "office." He has the good fortune however, to be practically independent of the drudgery and tyranny of what the common run of men call "busi- ness." He is too considerate of his nose to keep it for any length of time down to the grindstone. On the con- trary he keeps it well up in the air. He looks like one who is consciously monarch of all he surveys, and what he surveys is evidently no pent-up Utica. He com- mands his timiC. The seasons are his own. He is never in a hurry, however much others might wish that he were. There is something approaching the sublime about the glacier-like repose which he maintains amid the rushing avalanches about him. His calm inertia is an invaluable phenomenon in this world of whirl and worry, froth and fret, push and passion. As Mrs. Stowe says of the Yankee variety: " Every New England vil- lage, if you think of it, must have its do-nothing as regularly as its school-house or meeting-house. Work, thrift, industry, are such an incessant steam-power in Yan- kee life, that society would burn itself out with intense friction, were there not interposed here and there the lubricating power of a decided do-nothing, a man who won't be hurried, and won't work, and will take his ease in his own way, in spite of the protest of his whole neighborhood to the contrary." The Loafer is thus your grand social sedative. The very sight of him is, or ought to be, sufficient to call the bulls and bears of the gold-room into the repose of the cradle. His whole life is an echo of Earl Russell's famous motto: "Rest, and be thankful!" No matter what is to be done — be it to declare war, to elect a President, to resume specie payment, to reform the civil service, to put down the Athanasian creed, to annihilate the nebular hypothesis — it is all one — he loafs and still he is happy. Wise man ! Tell the sluggard to go to 198 LLEWELYN lOAN EVANS. the ant — but tell the rest of the world to go to the Loafer, and to believe that, in more senses than one, half a loaf is better than none, and very often is just as good as a whole loaf. The-Dictionary calls the Loafer a "sponge." This is a feeble attempt at satire; in fact, it is a compliment. The Loafer has, I repeat, strong absorbent faculties, and to be a sponge is one of his rarest and most beau- tiful uses. He takes into himself much that is floating and flowing in the air and sea of life about him, which would otherwise be lost. The men in active life are all the time throwing off a vast amount of electric energy which if left loose would run riot, or return back whence it came and where there is too much of it already. This passes over into the Loafers, by whom it is absorbed, and in whom it remains latent until it is wanted. When the time comes for them to discharge, then look out for live thunder ! Not only that, but they carry off considerable else which needs to be disposed of. The Loafer is the waste- pipe of the social machine. A sponge is he? Well, he sponges up a vast deal of other people's nonsense for one thing, which they are well rid of, and which doesn't seem to hurt him. And yet we squeeze him and blame him for the nonsense that comes out of him. Men say much to the Loafer which it is well they should get off their minds, but which they would hardly care to say to any- body else. A business man does not care to show his weak side to another business man, but to the first Loafer that comes along, ten to one he'll show it. And this is one way it comes to pass that he knows so much about everybody. And then he is so good-natured he disarms everybody^ he draws out everybody, takes in everybody, he is the same to everybody, he takes an interest in everybody, and he takes everything from APOLOGIA PRO VITA SUA. 199 everybody. Others vent their humors of all sorts on him ; these drop serenely on him hke rain-drops on a duck's back ; the duck is happy, the sky gets clear and the world wags on. As one happy result of this power of absorption, he is to some extent, at least, a valuable social disinfect- ant. Noxious gases, absorbed by him, pass over into an insensible state, and so become, for the time being, at least, harmless. In revolutionary times, to be sure, he becomes for this reason, a dangerous element, but so are all magazines liable to explosion. They are neces- sary nevertheless. And it is worthy of note that if the agitator, the anarchist, the agrarian, the petroleanist, the communist, is often the metamorphosis of the Loafer, just as often the Man for the Crisis is the Loafer, too. ** Beware of that young trifler!" said the Dictator Sulla of Julius Caesar. The greatest empire which the world has yet seen was founded by a Loafer. Rienzi was a Loafer and a buffoon until his hour came. In our own civil war, which the Loafer had much to do doubtless in bringing on, who, nevertheless, was more successful than he in putting an end to it? One chief value of the Loafer resides in the free spontaneity of his movements. Like Wordsworth's river, he " wanders at his own sweet will." Other men move in grooves and beaten paths. Business necessarily means routine, and routine means ruts. If it were not for the Loafer, life would be one dull routine. The world would run on a straight T rail instead of swinging gracefully and majestically in its ever ad- vancing spiral curves. He breaks up its dead uniform- ities and angularities and monotonies. His path is the waving line of beauty. Because he lives in it, the world no longer looks like a gridiron. He makes its lines picturesque. And by his freedom of movement he 200 LLEWELYN lOAN EVANS. distributes abroad the social elements and forces of which he is the reservoir. He is thus useful as well as ornamental. He is like the cloud, which instead of moving in uniform lines drifts in every direction and thus bears its sweet influences wherever they are wanted. Roaming where he will, he carries and deposits the pol- len necessary for the fertilization of human orchids. This element of grace in the Loafer belongs not sim- ply to his movements, but to the man himself The man of routine can not help being angular and stiff His mechanical life makes a machine of him. He is a pair of tongs, a pump-handle, a walking wax figure. The Loafer on the contrary, being free from this mech- anism, strapped up in no strait-jacket, displays the free- dom and ease of nature in every line. There is a care- less misstudied grace about him which is quite refresh- ing in a world of cast-iron. He is a natural professor of Deportment, a poet laureate of the Picturesque; if not the glass of fashion, he is the mould of form. The Italian lazzarone, for instance, what an embodiment of grace ! The models from whom our artists get their Apollos and Adonises, who are they? Loafers to a man ! There are other noble uses of the Loafer which I can only mention. Besides being a thing of beauty, he is a joy forever. In a world of worry his life is a carol. He is a living piece of sunshine. He relieves the world of its lonesomeness. How many spots now haunted by his Genial Presence, would be bleak and solitary as Juan Fernandez, if he should become extinct. How many sharp corners of which he is the tutelary divinity, would become positively dangerous ! How many rough angles would our knee-pans strike against which are now rounded smooth and harmless by the friction of his benevolent back ! How many hours in Hfe would APOLOGIA PRO VITA SUA. 20I be vacant blanks if he were not thrown in, Hke whisky at a wake ! How many lectures, operas, plays, or even sermons would present a beggarly account of empty boxes, or pews, if he should retire from the world, and take his place among the fossils ! How many im- portant transactions would be born to blush unseen, if he did not always happen to be around in the very nick of time. How dreary and barren would the His- tory of the Witness-box be but for his timely contribu- tions ! What has ever taken place in the world worth seeing or hearing which the Loafer was not there to see or hear? What would have become of the Daily Press, that mighty engine of progress, but for him with his valuable nose for news? And that palladium of our liberties, that bulwark of justice, that climax of civilization, the Jury-box, where, oh ! where would that have been, had the evolution of the heterogeneous out of the homogeneous never produced the Loafer ! Again, how many of the most valuable inventions, especially in the economics of life, have originated with the Loafer? Noah Webster sneers at him as one who seeks his living by expedients. Truly, and why not ? What is life at the best but a series of shifts and expedients, dodging nature's constables, paying off your old debts with new promises to pay, learning by one scrape how to get out of the next, making the best out of a bad bargain, keeping up appearances, making a part equal to the whole, and all that ? The loafer honestly accepts the situation, and beats you at the same,' that is all. My present limits will not allow me to dwell on the varieties of the genus, interesting as many of them are ; such as the Loafer Genteel, the Loafer Out-at-Elbow, the Hotel Loafer, the Church Loafer, the Police Court Loafer, the Loafer of the Corner, the Loafer of the 202 LLEWELYN lOAN EVANS. Pit, the Loafer of the Lobby, the MoonHght Loafer, the Sea-Side Loafer, the Loafer in PoHtics, the PhiHs- tine Loafer, the Dilettante Loafer, the Country-Store Loafer, the Book - Store Loafer, the Philosophical Loafer, and many more too numerous to mention. I regret also being unable to do justice to many of the Loafer's most remarkable accomplishments, espe- cially his mastery of the jack-knife. What the sword is to the hero, what the pen is to the author, that the knife is to the Loafer. It may be true that the pen is mightier than the sword, but I have no hesitation in saying, that the jack-knife is mightier than either, and the Loafer is pre-eminently the Hero of the jack-knife. Who can doubt that the steam-engine, the cotton-gin, the ocean frigate, the organ, and all the inventive tri- umphs of civilization, owe their rudimentary begin- nings and their completed development to the jack- knife? How much we owe to this most modest, and yet most mighty of all weapons, let the Patent Office tell. The world whittles its way to the Millennium. That Good Time Coming would be nowhere without the jack-knife, and the jack - knife, I need not say, would be a failure without the Loafer. Walt Whitman says, that the forte of Americans is confessedly loaf- ing and writing poems. Judging by Walt's poetry we might doubt our poetic calling, but judging by our whittling and inventions, we may say that loafing is our forte. I cannot close without one word of deprecation. I protest against holding the Loafer responsible for all that is objectionable in every member of the class. For instance, because now and then a Loafer is a Bore, it is egregiously unfair to regard every Loafer as a Bore. I venture to say that some of the most delightful fel- lows who have ever lived were Loafers, as, to mention APOLOGIA PRO VITA SUA. 203 no Other one except William Shakespeare. So again, because loafers are sometimes ne'er-do-wells, it is unjust to charge all with being such. Sam Lawson, to be sure, was a do-nothing as well as a Loafer — but as a Loafer his career was brilliant and sans reproche. Mr. Micawber's creditors had a serious time of it, I admit, but Wilkins Micawber is one of earth's immortals never- theless. What we condemn in these men is accidental, what we admire belongs essentially to them as Loafers. But if you would know what a Loafer can be, let me point you to Old Socrates, the Ideal Loafer of the centuries, who, lounging around Athens, barefooted and shirtless (as we should say), wearing the same old coat summer and winter, dropping in here and there and everywhere, dropped questions, and hints, and syllogisms, and parables, which may be almost said to have created philosophy, as it won for him the fame of the one martyrdom which the world will remember out- side of the Christian Church. The next time you see a Loafer, remember Socrates, and take off your hat. JOHN MILTON, THE PATRIOT. "A GRATEFUL recollection of the Divine Goodness is the first of human obligations ; and extraordinary favors demand more solemn and devout acknowledgments: with such acknowledgments I feel it my duty to begin this work. First, because I was born at a time when the virtue of my fellow-citizens, far exceeding that of their progenitors in greatness of soul, and vigor of enter- prise, having invoked heaven to witness the justice of their cause, and been clearly governed by its directions, has succeeded in delivering the commonwealth from most grievous tyranny, and religion from the most ignominious degradation." So begins the famous " Defensio Secunda pro Populo Anglicano, " written by one whose Prose has proved him no less worthy to vindicate the People of England, than his Poetry to undertake the vindication of the ways* of God to man. Believing that we also have the same cause of grati- tude, that we also live in a time, when the virtue of our fellow-citizens, if it does not far exceed that of their progenitors in greatness of soul and vigor of enter- prise, does not fall far short of it, when the great con- test of the Seventeenth Century is under new conditions (204) JOHN MILTON, THE PATRIOT. 205 waged over again, when the essential principles, advo- cated and established by the pen of him whose tongue dictated Paradise Lost, are again struggling for the mastery, when Puritan Demoracy again invokes heaven to witness the justice of its cause, as against a perfidious, arrogant, jure divino tyranny, I invite you to spend a brief hour in communing with the spirit of the great, good, and wise man, whose words you have just Hstened to, the Advocate of Freedom, the Defender of the Commonwealth of England, Joh^sT Milton, the Patriot. The Patriot to-day, rather than the Poet: although in Milton, more than in any other, more even than in Dante, Patriot and Poet are inseparable. While his poetry is absolutely free from every vestige of political passion or prejudice, such as glares in Dante's Inferno, it is controlled throughout by those clearly defined and firmly held principles of Government, Justice, Law, Liberty, which guided his conduct as a citizen. In every book of Paradise Lost, we feel the pulsations of that mighty revolution, wherein he bore so prominent a part. Still more vividly do we discern in his enthu- siasm for all that was chivalrous, in his homage to all that was heroic, in his magnificent rage against tyranny, in his burning pleas for Truth, Right and Liberty, the true God-sent Poet, the Vates of olden time, his lips touched with fire from off the altar of heaven, his heart kindUng with the ardors of Eternity. Goethe has said, that the poet must hold himself aloof from the polemics of his generation. The remark is unquestionably true, when these polemics are nothing more than the personal strife of factions, the conflict of partisan prejudices, the antagonism of ephemeral issues, whose interest is tran- sient, whose results are perishable. But when the controversies of an age are the life-or-death struggles of 206 LLEWELYN lOAM EVANS. Principles of world-wide interest and timelong results, when, as to Milton's poet-vision, the angels and the demons marshal their hosts for strife, then no true Poet, no devout worshipper of the Beautiful, to whom the goddess reveals herself not less in the gleaming flash of Truth's sword, and in the waving plumes of warring Duty, than in the glittering spears of the dawn or the swaying crest of the forest-pines, can hold himself aloof Whether here or there, whether on the red field, where ''principles are rained in blood," or in the senate-hall and council chamber, where wise and brave measures are matured, or on the forum, whence winged words may take their flight to enlighten, to arouse, to calm, to strengthen, or yet in the meditative retreat, where his low-toned lyre sounds the keynote of the clashing and crashing discords of the storm, somewhere he will be found aiding and hastening the victorious result. But whatever his words, and with whatsoever weapon it is done, the poet's chaplet ever crowns his head, the prophetic fire ever burns in his heart. He, with whom we are now about to commune, will stand before us A Poet, confessed and undisguisable. You will see the light of Apollo's kiss on his brow, even when it is knit in beautiful wrath against the wrong. His words will drip with the honey-dews of Helicon, while they come to us winged with the wisdom of the sage. The poet will make himself known, while I seek to show you The Citizen, The Man. In a season of National Trial, like that in the midst of which To-day finds us, it is well that we should give heed to the Voices of the Past, especially to those which come to us out of those stirring, heroic times, when humanity was agitated to its depths, when men's intuitions of truth and duty were quickened into al- most supernatural clearness and power, when the world JOHN MILTON, THE PATRIOT, 20/ throbbed with the pulsations of a grander Hfe, and when marvelous and blessed Results sprang Minerva-like, full- grown and full-armed out of the spiritual throes of the Age. I desire, therefore, on this occasion, to let Mil- ton himself be heard, to be the simple mouth-piece of his wisdom. Much as we may know, wise as no doubt we are, I think that there are yet a few things which this Patriot of the olden time can teach us. To the end, however, that we may understand his words, it will be necessary for us to glance at a few of the more prominent facts of his life and times, such in particular as are related to his public career and patri- otic utterances. John Milton was born in the heart of the city of London, on the 9th of December, 1608. His father, also named John Milton, was a scrivener, or writer of legal documents. The poet was of a stern and sturdy stock, for we are told that John Milton, the elder, on becoming a convert to Protestanism, was disinherited by his father, who was a substantial farmer of Oxford- shire. The sternness of the old Romanist, or bigotry as our age would call it, casting off his own son for embracing what he conceived to be an error, and the inflexible conscientiousness of the son, submitting to the loss of his patrimony, rather than betray his con- victions, are noteworthy antecedents of the resolute character of their descendant. By his diligence and prudence, however, Milton's father had acquired an in- dependent livelihood, and become able to make suit- able provision for the education and comfort of his family. He himself was a man of liberal taste and va- ried accomplishments. His grandson Philip, Milton's nephew, says of him: " He did not so far quit his gen- erous and ingenious inclinations, as to make himself wholly a slave tp the world ;" a trait of character which 208 LLEWELYN lOAN EVANS. some, whom we know, would do well to imitate. He was an especial admirer of music, owned a parlor organ, bass-viol and other musical instruments, and brought up his family in the love and exercise of that Divine Art. With a natural talent for music, aided by such an edu- cation, his son John became a passionate lover of the art, and an earnest advocate of its cultivation. Thus in his Tractate of Education he recommends, with a manifest recollection of his own early home education, that the intervals of rest, which occur in the education of young men, "be taken up in recreating and com- posing their travailed spirits with the solemn and di- vine harmonies of music, heard or learned ; . • . which if wise men and prophets be not extremely out, have a great power over dispositions and manners, to smooth and make them gentle from rustic hardships and distempered passions." But better than all other charms, which rested on the London scrivener's home, were the high moral and religious influences which prevailed there. It was in- deed a genuine Puritan home, not sombre, gloomy, forbidding, as the common idea would make it, but grave, serious, quiet, yet withal cheerful and cozy, abounding in innocent delights, intelligent conversation, pleasant recreations, useful occupations, lofty Christian meditations and pursuits. Milton's mother also deserves particular mention (as the mother of what great man does not?) for he speaks of her as "a most excellent mother, and particularly known for her charities in the neighborhood." With grateful and noble pride does Milton in after life refer to the home of his youth, and to the pure and Christian training which he there re- ceived. We have a portrait of Milton taken at the age 'of ten by Cornelius Jansen, a young Dutch painter of that JOHN MILTON, THE PATRIOT. 2O9 day, regarded as second only to Vandyck, and which is no doubt an exceedingly truthful likeness. You have probably seen in shop-windows and elsewhere, what purports to be a portrait of Milton in his boyhood, in which he is represented as a young cherub, or rather a young something between a cherub and a seraph, with a celestial cast of countenance with features of the most orthodox classical mould, with long golden ringlets clustering around his shoulders, the whole gotten up after the most approved style of the seraphic-cherubi- fication of boys. Why people will persist in painting angels as nice boys, or nice boys as angels, is, I confess, to me a mystery. If you have seen such an angelifica- tion of the young Milton, let me beseech you to dis- miss it from your memory at once. It is no more like Milton than it is Hke a real angel. Jansen's portrait is that of a charming little English boy, in a black-braided tightly-fitting coat, with a wide lace frill around the neck, of a delicate red and white complexion, light auburn hair cropped close, disclosing a massive, prac- tical cast of head, a grave countenance, the predomi- nant expression of which is a mild, loving, and lovable earnestness, less removed, one would think, from tears than smiles, although when it changes into smiles, one sees they must be of rare winningness. Altogether it is the picture of a "sweet little Roundhead," differing from an angel's in this, that you do not tire of it ; but the more you look at it, the more you like it. This serious little Roundhead, who, as his father played the organ at evening, would stand by his side, lost in rapture, and as soon almost as he could reach the keyboard, learned to play himself, who if he did not, Hke Pope, "lisp in numbers," did certainly scrib- ble boyish rhymes, and was in consequence installed poet-laureate of the family, was according to his own 210 LLEWELYN lOAN EVANS. account "destined by his parents and friends from childhood to the service of the Church." It was re- solved accordingly to give him a liberal education. He gives himself the following account of his early youth and studies. ** I was born at London, of an honest family. My father was distinguished by the undeviat- ing integrity of his life, my mother by the esteem in which she was held, and the alms which she bestowed. My father destined me while yet a boy for the study of humane letters, which I seized with such eagerness, that from the twelfth year of my age I scarcely ever went from my lessons to bed before midnight ; which indeed was the first cause of injury to my eyes, to whose natural weakness there were also added frequent headaches. All which not retarding my impetuosity in learning, he caused me to be daily instructed both at grammar school and under other masters at home ; and then when I had acquired various tongues, and also some not insignificant taste for the sweetness of philosophy, he sent me to Cambridge, one of our two national universities." The only teacher of Milton of whom we have any account was Thomas Young, a Scotch Puritan, " who cut his hair short." The gram- mar school of which Milton speaks, was St. Paul's School, taught at this time by Dr. Gill, who was as- sisted by his son, Alexander Gill, and who is described as " a very ingenious person, who notwithstanding had his moods and humors, as particularly his whipping fits," which Milton had occasion to remember. Milton entered Cambridge in the year 1625, when he was a little over sixteen years of age. There he pur- sued his studies with indefatigable assiduity for seven years. Dr. Johnson, in his life of Milton, has given publicity to a silly and ungrounded rumor that Milton was one of the last students in either uni- JOHN MILTON, THE PATRIOT. 2ll versity that suffered the public indignity of corporal correction. The rough old Tory's prejudice against the Republican champion has led him too easily in this as in other matters, to fear something to be true which was not. The only circumstance which can give color to the tradition is, that a quarrel between Milton and his tutor, which may have amounted to a personal scuffle, and in which possibly Milton not being a Heenan, came off second best, led to a brief rustication of the young man at his father's home, the ** oiimn cum di^nitate'' of which ' ' exile ' ' (as he calls it) he seems to have appreciated and enjoyed not less than others after him have done. It is indeed quite possible that he was not as great a favorite with the College authorities as he might have made himself by greater ductility and tractability, by showing less independence and less disdain for the time- sanctioned routine of University discipline. He might also have acquired greater popularity among his fellow- coUegiates had he exhibited less of that proud and sen- sitive reserve, less of that womanly delicacy of soul which shrank from the coarseness, the boisterousness and recklessness of university life. There is, however, sufficient evidence to show that by his attainments, his culture, and the purity and nobleness of his character, he compelled the admiration of his instructors, secured the esteem of his fellows and won the passionate idoli- zation of his friends. We have another portrait of Milton while a student at Cambridge, in which he appears to us as a fresh, fair complexioned, frank looking English youth, of slender but graceful form, with oval face, dark gray eye, long light brown hair falling to his ruff, with the same gen- tle seriousness brooding over the face, which is, how- ever, now lighted up by the pride of conscious power and the cheerfulness of resolution and hope. * ' His de- 212 LLEWELYN lOAN EVANS. portment at this time," says one, "was affable, his gait erect and manly, bespeaking courage and undaunted- ness. " He tells us himself that he practiced daily with his sword, and that "armed with it, as he generally was, he was in the habit of thinking himself quite a match for any one, even were he much more robust, and of being perfectly at ease as to any injury that any one could offer him, man to man." Notwithstanding, so fair and delicate was he in appearance and so serious and pure in manners, that he was known as "The Lady of Christ's College." In one of his College Ora- tions we find him alluding to the matter thus: " Why seem I then too little of a man ? ... Is it because I never was able to quaff huge tankards lustily? or be- cause my hands never grew hard by holding the plough, or because I never, like a seven years' herdsman, laid my- self down and snored at midday ; in fine, perchance, be- cause I never proved my manhood in the same way as these debauched blackguards ? I would they could as easily doff the ass, as I can whatever of the woman is in me." And here is the place perhaps to make a remark which is indispensable to a correct view of Milton's life and character ; to-wit, that having in very early youth formed the conviction that "by labor and intense study, which," he says, "I take to be my portion in this life, joined with the strong propensity of nature, I might perhaps leave something so written to aftertimes, as they should not willingly let it die," he seems to have realized almost as early that in order to accomplish this end he must develop in himself a perfect and he- roic character. "Long it was not after," he tells us, ''when I was confirmed in this opinion, that he who would not be frustrated of his hope to write well here- after in laudable things, ought himself to be a true poeiUy that is, a composition and pattern of the best and JOHN MILTON, THE PATRIOT. 213 honorablest things." Noble words! He who would write a poem must be a true poem ; he who would fitly rep- resent whatever is noble and honorable must be a com- position and pattern of the best and honorablest things ; he who would accomplish a great and Divine work in the world must above all things keep himself pure. Without high moral integrity there can be no real suc- cess. No virtue, no victory. With this fixed princi- ple did Milton begin life, and it was the key of his success. Spurning away from him all Devil's Wild Oats fallacies, and planting himself on God's truth, ''Whatsoever a man soweth, that shall he also reap," — that, and nothing else, he sought from early springtime to make his mind a garden of all which might be fair and fruitful, to implant therein the purest and heavenli- est germs, to weed out all which was rank and nox- ious ; to build therein bowers for heavenly contempla- tion ; to open fountains of divinest joy, to make it, in a word, an Eden, the spiritual counterpart oi that earthly one of which he was sanctioned to sing. And so, at the age of twenty-three, he says: "All is, if I have grace to use it so, As ever in my great Taskmaster's eye." One can easily see how such a youth might be rid- iculed by the gay young wits of Cambridge; look- ing forward through the Centuries and into Eternity, one can also see how well he could afford it. Milton left the University in his 24th year. As has been already remarked, he was educated for the Church. It would seem, however, that while in the University his views underwent a change. He himself tells us that he had been "destined to the service of the Church by the intentions of his parents and friends, and in his own resplutions ; till coming to some matur- 214 LLEWELYN lOAN EVANS. ity of years, and pcrccivlnc^ that tyranny had invaded the Church, that he who would take orders must sub- scribe slave, and take an oath withal which he must either straight perjure or split his faith," he thought it * * better to prefer a blameless silence before the sacred office of speaking, bought and begun with servitude and forswearing." In other words, we are to under- stand that such were the corruptions which had intro- duced themselves into the Church, such the restraints imposed on the freedom which a man like Milton must claim for himself, so offensive the pretensions and as- sumptions of Laudism, then a growing power in the Church, that Milton, with his nice sense of honor, his independence and integrity, as well as his strong Puri- tanic sympathies, could not compromise his manhood and self-respect by such servility as the Prelacy w^ould require of him. "For me," he writes a few years later, ** I have determined to lay up as the best treas- ure and solace of a good old age, if God vouchsafe it me, the honest liberty of free speech from my youth, where I shall think it available in so dear a concern- ment as the Church's good." Let me give you here one or two examples of the "Free speech," which Milton claimed he exercised. "What would ye say now, grave fathers, if you should wake and see un- worthy Bishops, or rather no Bishops, but Egyptian taskmasters of ceremonies thrust purposely upon the groaning Church, to the affliction and vexation of God's people? " "He that will mould a modern Bishop into a primitive, must yield him to be elected by the popu- lar voice, undiocesed, unrevenued, unlorded, and leave him nothing but brotherly equality, matchless temper- ance, frequent fasting, incessant prayer and preaching, continual watchings and labors in his ministry ; which, what a rich booty it would be, what a plump endow- JOHN MILTON, THE PATRIOT. 21$ ment to the many-benefice-gaping mouth of a prel- ate, what a relish it would give to his canary-sucking and swan-eating palate, let old Bishop Mountain judge for me." "They have been in England^ to our souls a sad and doleful succession of illiterate and blind guides , to our purses and goods a wasteful band of robbers, a perpetual havoc and rapine ; to our State a continual hydra of mischief and molestation, a forge of discord and rebellion." A man who would thus think and speak would have made rather a singular figure in the English Church of that day. Such a Bishop or Dean as he would have made, one is rather amused in trying to imagine. With a Charles Stuart at the head of the Nation, and a William Laud at the head of the Church, the situation of a Rev. or Right Rev. John Milton, would have been a peculiar one. On the whole perhaps Milton did wisely to hesitate about taking orders, at least to postpone the matter. Having graduated at the University, and being " Church-outed (as he calls it,) by the prelates," he went home to his father, who had retired from business on an ample competency, and had taken up his abode at Horton, in Buckinghamshire, not quite twenty miles due west from London. To use his own account : " I retired to my father's house, whither I was accompa- nied by the regrets of most of the fellows of the College, who showed me no common marks of friendship and esteem. At my father's country residence, whither he had retired to pass his old age, I, with every advan- tage of leisure, spent a complete holiday in turning over the Greek and Latin writers, not but that some- times I exchanged the country for the town, either for the purpose of buying books, or for that of learning something new in Mathematics, or in Music, in which sciences I then delighted. I then became anxious to 2l6 LLEWELYN lOAN EVANS. visit foreign parts, and particularly Italy." These five years we must hastily pass over with the remark that the masques Comus and Arcades, and several of his minor poems, such as Lycidas, L' Allegro, II Penseroso, were then composed. There is, however, one glimpse of his inner life at this time which I must give you. It is contained in a letter to his friend Diodati. ''You make many anxious inquiries," he writes, ''even as to what I am thinking of Hearken, Theodotus, lest I blush, and allow me for a little to speak big words to you. You ask me what I ^m thinking of? So may the Good Deity help me, of Immortality ! But what am I doing? I am pluming my wings, and meditating flight, but as yet our Pegasus raises himself on very tender pinions. Let us be lowly wise." Out of low- liness, wisdom, and aspiration like that, Diodati may reasonably expect that something would come, as in- deed the world knows that there did come "things un- attempted yet in prose or rhyme." In the month of April, 1638, Milton, being in his 30th year, set out for the continent, which was at that time the theater of the Thirty Years War. It was not, how- ever, an irrepressible curiosity to see a big Battle, such as History informs us, carried distinguished Members of Congress and others to the plains of Manassas, and some of them a little further, in the Year of Grace, 1861, that induced Milton to visit the Continent, for he avoided the seat of war entirely. Neither was it that he might write a Book of Travels. His literary ambition does not seem to have aspired so high. Neither was it for recreation. It was work, serious business, a part of that discipHnary "pluming" process by which he hoped to prepare himself for that flight into Immortality, to which he looked forward. At Paris he visited the renowned Grotius, who ' ' took his visit kindly, and gave him JOHN MILTON, THE PATRIOT. 217 entertainment suitable to his worth and the high commen- dations he had heard of him. At Florence he stopped about two months, where he "contracted an intimacy with many persons of rank and learning, and was a constant attendant on their literary parties." "There it was," he writes, "that I found and visited the famous Galileo, grown old a prisoner to the Inquisition, for thinking in Astronomy otherwise than the Franciscan and Dominican licensers thought." A memorable in- terview that, between the blind old Martyr of Science, and England's coming Poet, now bright with the beau- tiful morn of manhood, but ere he has fairly passed its noon, himself to be, Hke the sage before him, " from the cheerful ways of men Cut off, and for the book of knowledge fair, Presented with a universal blank Of nature's works to him expunged and rased. And wisdom at one entrance quite shut out." At Rome he "spent two months in viewing the antiqui- ties of that renowned city." At Naples he formed the acquaintance of Manso, the friend of the illustrious poet Tasso. "When I was about to return to Rome," he says, "the merchants [at Naples] warned me that they learnt by letters that snares were being laid for me by the English Jesuits, if I should return to Rome, on the ground that I had spoken too freely concerning religion. For I had made this resolution v/ith myself — not indeed of my own accord to introduce in those places conv'er- sation about religion, but if interrogated respecting the faith, then, whatsoever I should suffer, to dissemble nothing. To Rome therefore I did return, notwithstand- ing what I had been told ; what I was, if any one asked, I concealed from no one ; if any one in the very city of the Pope attacked the orthodox religion, I as before, 2l8 LLEWELYN lOAN EVANS. for a second space of nearly two months, defended it most freely.'' A man evidently who knew no fear, who did not dare to lie ; who like most of those old Puri- tans, like poor Prynne, for example, whose ears were sawed off, feared the fire of hell, that is the pain of God's displeasure and of a guilty conscience, more than the Pope, or all the fires of the Inquisition ; a man who, had he lived in our day, would be much safer out of the * * Southern Confederacy, " than in it. ' ' By the favor of God," he continues, "I got safe back to Florence, where I was received with as much affection as if I had returned to my native country." Then a month in sur- veying the curiosities of Venice. ''At Geneva I held daily conferences with John Diodati, the learned Pro- fessor of Theology. Then pursuing my former route through France, I returned to my native country, after an absence of about one year and three months." At the close of his journey he was able to make this proud declaration : * ' I again take God to witness, that in all those places, where so many things are considered lawful, I lived sound and untouched from all profligacy and vice, having this thought perpetually with me, that though I might escape the eyes of men, I certainly could not the eyes of God." A man, we should say, to be trusted, one of an old tribe of whom it has been said that they walked with God, and lived as seeing the Invisible. It might be worth our while to inquire, how much this fact had to do with m.aking those men just what they were, and whether really if we wish *'to make our lives sublime," we had not better begin where they did. Milton's return to England was hastened by a cause which he describes as follows : * * When I was preparing to push over into Sicily and Greece, the melancholy intelligence which I received of the civil commotions in JOHN MILTON, THE PATRIOT. 2I9 England made me alter my purpose ; for I thought it base to be travelling for amusement abroad, while my fellow-citizens were fighting for liberty at home." In the midst of the excitements of travel, the amenities of refined social intercourse, the thousand objects of inter- est which greeted his scholarly tastes, and poetic instincts on the classic soil of Italy, the trumpet of con- flict, sounding from his Northern island home, roused the Hero-spirit of the man, and summoned him to the battle. That great contest, one of the grandest which the world has yet known, merits here a brief consider- ation. The grand Puritanic Revolution, which we are now about to contemplate, was the culmination of a struggle which had been going on in England for more than a century. The conflict between the Old and the New in religion, between formalism and a living faith, between ceremonialism and simplicity in worship, between priestcraft and individual liberty, spiritual tyranny and free inquiry, known as the Protestant Reformation, differed in various important respects in England from the same movement elsewhere. On the continent, the contest was waged distinctly and definitely between the Church of Rome on one hand, panoplied in the tradi- tions, canons, and decretals of Ages, and the Protest- ants on the other, at first a devout and zealous party within the Church, desiring the reformation of its prac- tices, and the purification of its doctrines, but after- wards by the excommunication and voluntary with- drawal of its members consolidated into a new and reformed Church. In England, where the contest assumed at first the same form, the insubordination of Henry VIII. to the Pope, which resulted in detaching the nation at one blow from Rome, made the Church, so far as its foreign relations were concerned, independ- 220 LLEWELYN lOAN EVANS. ent, but left the contending parties, exclusive of those who still adhered to the Pope, nearly on the same foot- ing as before, excepting that each party found itself more or less restricted in the exercise of its liberty, and constrained to abate somewhat of its claims. The conse- quence was that in the very heart of the English Church were two powerful opposite tendencies, the one gravitating toward Rome, the other toward Geneva. The former, having triumphed in the ritual and worship of the Church, sought also to Romanize its doctrines; the latter having triumphed in its articles and homilies, sought also to simplify its forms. The one retained its reverence for an imposing hierarchy, endowed with plenary powers in all ecclesiastical and religious matters; the other, rejecting the rank-distinctions of prelacy as unscrlptural, inclined to a more democratic theory of the constitution of the Church, and of the rights and liber- ties of its members. The prelatical party, having transferred to the English Monarch the allegiance which had formerly been yielded to the Pope, easily glided into the most servile theories of the Divine Right of Kings, and the duty of non-resistant submission; the Presbyterian party, having always resisted the usurpa- tion of ecclesiastical authority by the civil power, were exceedingly jealous of all royal encroachments on their political, as well as religious liberties. Under the Tudors this controversy, although at times it raged vio- lently, was nevertheless working toward a harmonious solution. Henry and Elizabeth were, it is true, inflex- ible, and often arbitrary, in the assertion of the royal prerogative, but they had wisdom also to foresee the point beyond which it might not be safe to wage their claims. The Stuarts were not gifted with the same dis- cretion. James I. insulted his Parliament by remind- ing them that they held their privileges only during his JOHN MILTON, THE PATRIOT. 221 good pleasure, and that they had no more right to examine his prerogatives than those of the Deity. Fortunately however, he possessed neither the courage, nor the ability to maintain his extravagant pretensions against their opposition. His son, Charles!., who suc- ceeded him, had far more strength of will. He was a despot by nature, by education and by conviction. No obligation into which he entered toward his subjects could bind him. He violated without compunction the most solemn pledges given to the nation. Finding Par- liament intractable, he dissolved it once and again, and at last sought to govern the nation without it. He lev- ied by his own authority taxes which were without a shadow of legal right. The Star Chamber and High Commission Courts exercised the most tyrannical inqui- sitional functions, and fined, imprisoned, pilloried and mutilated their victims with malignant ferocity, His political counselor, Wentworth, Earl of Strafford, a man of consummate ability and imperious resolution, sought to convert the monarchy into an absolute despotism, and to make the crown the unchallenged arbiter of the property and liberty of the subject. His religious coun- sellor. Laud, Archbishop of Canterbury, a man of nar- row but decided views, of an irritable but unyielding temper, sought by cruel oppressions and persecutions, to crush out Puritanism, in the Church, and out of it. Many fled for refuge to the wilds of New England, there to lay the foundations of a free Commonwealth. Those who remained were filled with dismal forebodings for the future. But at this juncture the Primate, in the very insanity of bigotry, determined to subjugate Scotland to his Anglo-Romanism : Scotland, the land of Knox, the hotbed of Puritanism, where Rome was hated as the gate of perdition, and where the choice between the Pope and the Devil might not have been 222 LLEWELYN lOAN EVANS. the most flattering to his Holiness. On this country- Laud resolved to impose two abominations, as the Scotch considered them, Bishops and a Liturgy. The country rose in mass against them. In St. Giles* Kirk, Edin- burg, as the Bishop was proceeding to read the Collect of the day, Jenny Geddes, a market-woman, hurled her stool at his head. Some cried out — *'A Pape ! a Pape!" Others,— "Stane him! Stane him!" The riot grew into a general rebellion. The King, unsuc- cessful in his attemps to subdue it, and being without means to carry on the war, was compelled to call Parlia- ment, which had not met for eleven years, the longest interval between two Parliaments ever known in the his- tory of England. That which now met however, made up for it perhaps, by continuing in power thirteen years, whence it is called the ''Long Parliament." These were the ''civil commotions," the "melan- choly intelligence " of which caused Milton to abandon his plan of visiting Greece, and to return immediately to his native land. The decision must have cost him no small struggle. Flushed with the tribute of admi- ration and praise which he everywhere received, revel- ling in the contemplation of scenes crowned with his- toric interest, drinking into his soul the inspirations of the past and the present, storing his mind with rare and glorious images wherewith to adorn the future cre- ations of his genius, and exulting in the prospect of the increase of such delights amid other and still more venerable scenes, it must have required no ordinary resolution to resist such fascinations, or to deny him- self such enjoyments. But Milton was no intellectual voluptuary, no self-pampering virtuoso, to whom the gratification of his own desires, and the culture of his own powers were objects of infinitely higher conse- quence than the rights and interests of his fellow-men. JOHN MILTON, THE PATRIOT. 22^ Like every true man he felt that his hfe and powers were not his own, and that it was, as he said, * ' a base thing to be seeking his own amusement, while his fel- low-citizens were fighting for liberty at home." This was his first great victory ; others and greater ones were soon to follow. *' As soon as I was able," he informs us, ''I hired a spacious house for myself and my books, where I again with rapture renewed my literary pursuits, and where I calmly awaited the issue of the contest, which I trusted to the wise conduct of Providence, and to the courage of the people." This curious statement, which seems at first sight to be at variance with the avowed object of his return, to take an active part in the struggle then going on, is to be explained as follows. He found on his arrival in England, that the commotions which had been reported to him in Italy, and which perhaps, as usual, had been magnified by rumor, had sensibly subsided at the reassembling of Parliament in 1640. He therefore wisely deemed it best to await the issue now being tried between the King and Parliament. *' With raptiwe,'' he tells us, ''he renewed his literary pursuits," an expression which shows us how much it had cost him to give them up. In the ''spacious house " hired by him, he taught a number of boys after a system of education very different from that pursued in all the public institutions of that day, and much more nearly resembling our modern systems. I am probably safe also in saying, incredible as the state- ment may appear to an American, whose first business in life it is to get born, and whose second it is to set up for himself, that Milton, now a bachelor of thirty- two, had never earned a penny in the world, until he began to teach this select school in London. But not long did Milton indulge in the favorite liter- 224 LLEWELYN lOAN EVANS. ary occupations, to which he so rapturously returned. The battle began to be too hot all about him for such as him to remain quiet; but on which side should he fight ? To which of the great parties should he attach himself? On the one side was royalty, surrounded by the romance of "Right Divine," and by the base ac- tualities of perfidy, cruelty, and tyranny : there was Prelacy with its semi-popery of genuflections and sur- plices, its ''piebald frippery, and ostentation of cere- monies;" there, for the most part, was the nobility, priding itself on its pedigrees, its gentle blood, its aris- tocratic privileges ; with a loose crowd of base fellows of the lewder sort ''bringing up the rear." On the other side, led by a few noblemen, of heaven's line as well as of earth's, were the people of England, its stout and sturdy yeomanry ; its middle classes, its farmers, artisans, "greasy mechanics," as in the refined voca- bulary of a modern chivalry they would be called, above all, the Puritanism, of England, that is to say, its faith in God, its zeal for reformation, its yearnings after spiritual progress, its Divine scorn of shams in Church and State, its Hell - Devil- defying earnest- ness, its martyr-spirit, as Milton so gratefully describes it, "with the unresistible might of weakness shaking the powers of darkness, and scorning the fiery rage of the old red dragon." For this is what the Puritanism of the Seventeenth Century meant. It was not the canting, sniffling, drawling, bigoted, morose deformity, which the stage buffoons of that day caricatured, and which godless satirists of later days have travestied. Neither was it exclusively that bundle of rigidities, ex- aggerations, and Hcbrewisms, which Macaulay, with his fondness for brilliant colorings and pointed aphor- isms, has grouped together. Charles Kingsley says truly of the "average Puritan, nobleman, gentleman. JOHN MILTON, THE PATRIOT. 22$ merchant, or farmer," that he was *'a picturesque and poetical man, a man of higher imagination and deeper feehng than the average of Court poets, and a man of sound taste also:" and that ''we, if v/e met such a ruffed and ruffled worthy as used to swagger by hun- dreds up and down Paul's Walk, not knowing how to get a dinner, much less to pay his tailor, should look on him as firstly a fool, and secondly, a swindler: while, if we met an old Puritan, we should consider him a man gracefully and picturesquely dressed, but withal in the most perfect sobriety of good taste ; and when we discovered, (as we probably should,) over and above, that the harlequin cavalier had a box of salve and a pair of dice in one pocket, a pack of cards and a few pawnbroker's duplicates in the other, that his thoughts were altogether of citizen's wives, and their too easy virtue, and that he could not open his mouth without a dozen oaths, we should consider the Puritan, (even though he did quote Scripture somewhat through his nose), as the gentleman, and the courtier as a most offensive specimen of the ' snob triumphant, glorying in his shame.' " It is always well when we can, to give modern illus- trations of ancient facts ; I may, therefore, be allowed to introduce in this connection a short extract from the Special Correspondence of the London Times, a for- eign newspaper. The writer informs the world that the inhabitants of a well known Southern State, whose *' admiration for monarchical institutions, privileged classes and a landed aristocracy is undisguised and apparently genuine," naturally "regard with an aver- sion of which it is impossible to give an idea to one who has not seen its manifestations, the people of New England and the populations of the Northern States, whom they regard as tainted beyond cure by the venom 226 LLEWELYN lOAN EVANS. of 'Puritanism.' Whatever may be the cause, this is the fact and the effect. * The State of South CaroHna was,' I am told, 'founded by gentlemen.' It was not established by witch-burning Puritans, by cruel perse- cuting fanatics, etc. It is absolutely astounding to a stranger who aims at the preservation of a decent neu- trality to mark the violence of these opinions. ' If that confounded ship had sunk with those — Pilgrim Fathers on board,' says one, 'we never should have been driven to these extremities. We could have got on with these fanatics if they had been either Christians or gentlemen,' says another, 'for in the first case they would have acted with common charity and in the sec- ond they would have fought when they insulted us ; but there are neither Christians nor gentlemen among them.' (It is encouraging to see that there is a ghm- mering consciousness of a difference between a Chris- tian and what is known as a gentleman, even in South Carolina.) ' Anything on the earth,' exclaims a third, * any form of government, any tyranny or despotism you will ; but ' — and here is an appeal more terrible than the adjuration of all the gods — nothing on earth shall ever induce us to submit to any union with the brutal, bigoted blackguards of the New England States, who neither comprehend nor regard the feeling of gentlemen! Man, woman and child, we^ll die first.'" The present contest between the Puritan's Democracy of the North and the aristocratic, self-styled ' ' Chiv- alry " of the South, is indeed in many respects the same old Seventeenth Century conflict repeating itself under new forms — with this iinportant exception^ that whereas Puritanism seems to have lost very little in dropping the nasal twang and Old Testament dialect of the Fathers and in working itself out into Free Schools, Free Speech, a Free Press, benevolent institutions and John milton, the patriot. 227 Christian Churches, assimilating to itself all the new elements which it has received from without, and adapting itself to the requirements of progress — Chiv- alry, reduced at first to the fewest possible drops of * gentle blood,' and these for the most part the aristo- cratic dregs of the Old World, diluted in rivers of base plebeian blood, and pampered for nearly two centuries with the vitiating influences of a rotten system of so- ciety, can not be said to have very much improved. While accordingly, I have no doubt at all, that Crom- well, Hampden, Pym and Milton, if raised from the dead, would find very little difficulty in soon making them- selves at home among the Yankees of the North (which indeed would be the less to be wondered at, seeing that some of them came very near being Yankees, and would have been, had not Charles I. put an embargo on their expatriation, a piece of folly of which he afterwards repented with his head) — I do think, on the other hand, that Hamilton, Holland, Newcastle, or any old-fashioned genuine cavalier, would have looked with something more than astonishment if any one of the half-a-million aspirants to the name in Rebeldom had approached him with anything like the familiarity with which a cur might approach its master. So much for our modern illustration. Returning to Milton, you are already prepared to hear that the ques- tion, which side he should take ? did not admit of long hesitation on his part. "Already," says Carlyle, ** either in conscious act, or clear tendency, the far greater part of the serious thought and manhood of England had asserted itself Puritan." Milton is proof of this. He was by birth, education, instinct and choice, a Puritan. He was no compromise, or half-way man, as some have sought to delineate him. No one who reads his works can doubt this for a moment. He 228 LLEWELYN lOAN EVANS. was indeed the Ideal Puritan of his age, of all time ; far more truly than Rupert, or the ' ' wandering Charlie" could be called the Ideal Cavalier, for the simple reason that an Ideal is something toward which there is an upivard tendency. . A class which is ever tending downward can not properly be said to have an Ideal. It is far juster, therefore, to judge the Puri- tans by their representative men than to judge the Chivalry by theirs. For such a man as Milton was, such did each humbler Puritan, each Sword-of the-Lord and-Gideon Heartwell or Smite-them-hip-and-thigh Armsteady strive, in some dumb or stammering fashion, to be. Each one sought in his rough way to make his life a poem, and had more or less success in the same. If not very musical, it was at least a genuine poem. It may be said indeed that Cromwell is the true exponent of Puritanism, and so he is of Puritanism considered as an active, combative, conquering and reg- nant force in History ; but of the Puritan character, re- garded in itself, in its seriousness, purity, conscientious- ness and earnest sympathy with beauty and truth, John Milton is the noblest Model we have. This representative Puritan then, being at that time a humble schoolmaster in London, saw, in looking around him, that the Church, as then managed and ruled, was ''the grand engine of oppression in the hands of the King." When, therefore, the Parliament began ''to humble the pride of the Bishops," all his attention and zeal was awakened. *' I saw," to use his own language, "that a way was opening for the establishment of real liberty ; that the foundation was laying for the deliverance of man from the yoke of slavery and superstition ; that the principles of religion which were the first objects of my care, would exert a salutary influence on the manners and constitution of JOHN MILTON, THE PATRIOT. 229 the Republic ; and as I had from my youth studied the distinctions between religious and civil rights, I per- ceived that if I ever wished to be of use, I ought at least not to be wanting to my country, to the Church and to so many of my fellow-Christians, in a crisis of so much danger. I therefore determined to relinquish the other pursuits in which I was engaged, and to trans- fer the whole force of my talents and my industry to this one important object." To this end Milton wrote and published his first book. It was not, like the first book of many Miltons of our day, a volume of Juvenile Poems, published in deference to the urgent solicitations of numerous friends of the Author, although, as we know, the charming lit- tle Roundhead of ten was even then a poet. Milton's first formal appearance before the public was not in the character of a poet, although anybody could see that he was a poet. Indeed, to an age so prolific in poets and poetesses, whose first volumes antedate by months the period of life when according to our overdiscreet ancestors a young man or a young woman might, in ex- treme cases, legally dispense with the guardianship of their elders, it m.ay well be an astounding fact, that the Author of Paradise Lost, although he had already written some of the finest poetry in the English lan- guage, had not at the age of thirty-two deliberately printed a single volume. A few of his poems had, it is true, crept into print; some, as Lycidas, hiding them- selves modestly in collections of poems by various authors; others, as the Masques Arcades and Comus, printed for the accommodation of the musical public; none, so far as I can discover, of malice aforethought on the part of Milton. Verily times change and poets change with them. But then! the brilliant discovery had not yet been made, that Modesty is scarcely com- 230 LLEWELYN lOAN EVANS. patible with the self-conscious greatness of Genius ; and the spirit of modern enterprise had hardly begun to show itself, which, as it would not shrink from con- tracting to build Rome in a day, would as little hesitate to supply the New York Ledger with one book of the Iliad per week. It is a fact then, not without its les- son to aftertimes, that the greatest poet of his age, and one of the greatest of all time, did not print a book until he saw that the time had come when he might strike a telling blow for the truth. Dr. Johnson has insinuated that Milton's cowardice led him to use the pen instead of the sword. Had Mil- ton been a Tory, the good Doctor would have spurned such a suspicion with scorn. Is a man necessarily a coward, who believes that he can better serve his coun- try otherwise than as a soldier ? There are times when a soldier's calling and a soldier's work seem transfig- ured with rare and radiant glory. Honor, immortal honor, to those who at their country's call gird them- selves for the battle, step into the serried ranks, march to the stirring strains of liberty, follow the good old flag of their nation's honor, gather around it with un- daunted hearts where the battle-storm is loudest, charge on the foe with exultant shout where the sulphur clouds are thickest, disdaining danger, braving death for God and their right. Blessed are they when their Country crowns their triumphant return with the laurel wreaths of victory. Blessed are they when Peace, restored by their stout arms and valorous hearts, sweetens their cup of joy with the proud memories of self-sacrificing de- votion. Thrice blessed are they when their poured out blood is a part of the price by which their country's deliverance is purchased, and when, mourning their loss, she hallows with her tears the sod beneath which moul- der the hearts of her fallen brave. But are there no JOHN MILTON, THE PATRIOT. 23 1 battles except at the cannon's mouth ? Is there no courage but that which can face without quailing the thunder of artillery ? Are there not other sacrifices no less hard, no less costly than that of life ? Was Milton the less a hero because he conquered himself, and gained a victory over the ruling passion, the daring ambition of his soul, than if he had shot down a royal- ist ? Consider a moment what is implied in the modest declaration before quoted : * * I therefore determined to relinquish the other pursuits in which I was engaged and to transfer the whole force of my talents and my in- dustry to this one important object." Remember that for years he had cherished in his inmost soul the de- sign of producing a poem such as that '*aftertimes should not willingly let it die ; " that it was his fond hope, "that what the greatest and choicest wits of Athens, Rome, or modern Italy, and those Hebrews of old did for their country, (I quote his own words,) I, in my proportion, with this over and above of being a Christian, might do for mine ; " that it was the dream of his waking and sleeping hours to write " a work not to be raised from the heat of youth, as the vapors of wine; Hke that which flows at waste from the pen of some vulgar amourist, or the trencher fury of a rhym- ing parasite ; nor to be obtained by the invocation of dame memory and her siren daughters, but by devout prayer to that eternal Spirit, who can enrich with all utterance and knowledge, and sends out his seraphim, with the hallowed fire of his altar, to touch and purify the lips of whom he pleases ; " that to accomplish this work, he had from earliest youth bestowed on all his powers the deepest culture, that he had sought to keep his soul pure from every contamination of vice, that he had traveled abroad, visiting the ruins of antiquity, communing at once with the glories of the Past, and 232 LLEWELYN lOAN EVANS. with the life of the Present, that he had in a word so labored and lived that those who knew him best re- garded him with wondering awe, as a magnificent promise, heralding its own fulfillment. Was it nothing to tear himself from those beloved occupations, to turn his back on that glowing hope, which had been to him the morning star of Immortality ; to resign for years, it might be forever, the possibility of giving birth to those transcendent creations, which even then awaited the fiat of his genius? Was it no sacrifice " to inter- rupt (as he says), the pursuit of no less hopes than these, and leave a calm and pleasing solitariness, fed with cheerful and confident thoughts, to embark in a troubled sea of noises and hoarse disputes, put from beholding the bright countenance of truth in the quiet and still air of delightful studies, to come into the dim reflection of antiquities sold by the seeming bulk, and there be fain to club quotations with jmen whose learn- ing and belief lies in marginal stuffings?" Ah! Dr. Johnson, you too were a hero, I admit, and no common one either, albeit a very surly one ; but I must say that I can find nothing in your life quite as heroic as this one act of Milton's, this resolution to lay aside that lyre of exquisite sound which God had given him, to lock up within him those "thoughts that moved har- monious numbers ;" to bid adieu to those fair ideals of beauty, harmony, and truth, which thronged his path, and beckoned him to their high abodes, and to beat about among the stupidities and inanities of frog-and- mice controversies, to open the *' packsaddles "of pom- pous pedants, and to fight the '* inquisitorious and tyrannical duncery " of the heroes of unsung Dunciads. ** But were it the meanest underservice, if God, by his secretary Conscience enjoin it, it were sad for me if I should draw back." Who but a hero could have said JOHN MILTON, THE PATRIOT, 233 that? But hear his own vindication: "Though I did not participate in the toils or dangers of the war, yet I was at the same time engaged in a service not less hazardous to myself, and more beneficial to my fellow- citizens ; nor in the adverse turns of our affairs did I ever betray any symptoms of pusillanimity and dejec- tion, or show myself more afraid than became me, of malice or of death ; for since from my youth I was de- voted to the pursuits of literature, and my mind had always been stronger than my body, I did not court the labors, of a camp, in which any common person would have been of more service than myself, but re- sorted to that employment in which my exertions were likely to be of most avail. Thus with the better part of my frame, I contributed as much as possible to the good of my country, and to the success of the glorious cause in which we were engaged. . , . Hence, while I applaud those who were victorious in the field, I will not complain of the province which was assigned me ; but rather congratulate myself upon it, and thank the author of all good for having placed me in a station, which may be an object of envy to others, rather than of regret to myself." Milton's first book was entitled, ''Of Reformation in England, and the causes that hitherto have hindered it." Its object is to prove that prelacy is essentially hostile to civil liberty. It is written with vigor, acuteness, and eloquence; it is rich in illustration, ponderous in argu- ment, severe in its satire, and often majestic in style, as well as thought. His picture of modern politics would hardly be suspected of being 220 years old. ''This is the masterpiece of a modern politician; how to qualify and mould the sufferance and subjection of the people to the length of that foot that is to tread on their necks ; how rapine may serve itself with the fair 234 LLEWELYN lOAN EVANS. and honorable pretenses of public good ; how the puny law may be brought under the wardship and control of lust and will, in which attempt if they fall short then must a superficial cola of reputation by all means, direct or indirect, be gotten to wash over the unsightly bruise of honor. . . . To be plainer, sir, how to sodder, how to stop a leak, how to keep up the floating carcass of a crazy and diseased monarchy or state, betwixt wind and water, swimming still upon her own dead lees, that now is the deep design of a politician. Alas, sir ! a commonwealth ought to be but as one hug^ Christian personage, one mighty growth and stature of an honest man, as big and compact in virtue as in body." One of the fashionable cant phrases of Milton's time was, that extremes must be avoided. It would seem that there then existed a class of nice respectable citi- zens, who prided themselves greatly on their modera- tion, and who had an especial horror of everything like ultraism. ** We must not run, " they said, * ' into sudden extremes." Milton boldly challenged this dictum. * * This is a fallacious rule, unless understood only of the actions of virtue about things indifferent ; for if it be found that those two extremes be vice and virtue, false- hood and truth, the greater extremity of virtue and superlative truth we run into, the more virtuous and the more wise we become ; and he that, flying from degenerate and traditional corruption, fears to shoot himself too far into the meeting embraces of a divinely warranted reformation had better not have run at all. . . Certainly we ought to hie us from evil like a torrent, and rid ourselves of corrupt discipline, as we would shake fire out of our bosoms." That same respectable class seems moreover to have been exceedingly hostile to the idea of a " Higher Law." Prelacy, they said, must not be touched because it was JOHN MILTON, THE PATRIOT. 235 now SO "weaved into the common law." ''In God's name" then, says Milton, "let it weave out again; let not human quillets keep back divine authority. It is not the common law, nor the civil, but piety and justice that are our foundresses ; they stoop not, neither change color for aristocracy, democracy, or monarchy, nor yet at all interrupt their just courses, but far above the tak- ing notice of these inferior niceties, with perfect sym- pathy, wherever they meet, kiss each other." The book closes with one of the sublimest prayers ever breathed to heaven ; and so appropriate are its petitions to our present national condition, that I cannot refrain from rehearsing a portion of it, as specimen of an old-time patriotic prayer: "And now we know, O Thou our most certain hope and defense, that thine enemies have been consulting all the sorceries of the great whore, and have joined their plots with that sad intelligencing tyrant that mischiefs the world with his mines of Ophir, and lies thirsting to revenge his naval ruins that have larded our seas; but let them all take counsel together, and let it come to naught; let them decree, and do thou cancel it; let them gather them- selves, and be scattered ; let them embattle themselves, and be broken, for thou art with us. Then amidst the hymns and hallelujahs of saints, some one may perhaps be heard offering at high strains, in new and lofty meas- ures, to sing and celebrate Thy Divine mercies and marvellous judgments in this land throughout all ages; whereby this great and warlike nation, instructed and inured to the fervent and continual practice of truth and righteousness and casting far from her the rays of her old vices, may press on hard to that high and happy emulation, to be found the soberest, wisest and most Christian people at that day, when Thou, the eternal and shortly-expected King, shalt open the clouds to 236 LLEWELYN lOAN EVANS. judge the several kingdoms of the world, and distributing national honors and rewards to religious and just com- monwealths, shalt put an end to all earthly tyrannies, proclaiming thy universal and mild monarchy through heaven and earth; where they undoubtedly, that by their labors, counsels and prayers, have been earnest for the common good of religion and their country, shall receive above the inferior orders of the blessed, the regal additions of principalities, legions and thrones into their glorious titles, and in supereminence of beatific vision, progressing the dateless and irrevoluble circle of eter- nity, shall clasp inseparable hands with joy and bliss, in overmeasure for ever ! " Milton, having thus thrown himself into the conflict, carried it on with invincible earnestness. Pamphlet after pamphlet issued from his hand, abounding in learning, argument, eloquence and wisdom, confirming what Cowper says, that — " A terrible sagacity informs The poet's heart." How beautifully does he discourse of the necessity of discipHne, or, as we may call it, government. ''He that hath read with judgment of nations and common- v/ealths, of cities and camps, of peace and war, sea and land, will readily agree that the flourishing and de- caying of all civil societies, all the moments and turn- ings of human occasions are moved to and fro, as upon the axle of discipline. So that whatsoever power or sway in mortal things, weaker men have attributed to fortune, I durst, with more confidence (the honor of Divine Providence ever saved), ascribe either to the vigor or to the slackness of discipline. Nor is there any social perfection in this life, civil or sacred, that can be above discipline ; but she is that which with her JOHN MILTON, THE PATRIOT. 237 musical cords preserves and holds all the parts thereof together. . . . And certainly discipline is not only the removal of disorder ; but if any visible shape can be given to divine things, the very visible shape and image of virtue, whereby she is not only seen in the regular gestures and motions of her heavenly paces as she walks, but also makes the harmony of her voice audible to mortal ears. Yea, the angels themselves, in whom no disorder is feared, as the apostle that saw them in his rapture describes, are distinguished and quaterni- oned into the celestial princedoms and satrapies, accord- ing as God himself has writ his imperial decrees through the great provinces of heaven. The state also of the blessed in Paradise, though never so perfect, is not therefore left without discipline, whose golden survey- ing reed, marks out and measures every quarter and circuit of New Jerusalem." Under a Republican government no question can be more important than — What should be the qualifications of its rulers ? Hear what Milton says : A ruler must be "such a one as is a true knower of himself, and in whom contemplation and practice, wit, prudence, for- titude and eloquence, must be rarely met, both to com- prehend the hidden causes of things and span in his thoughts all the various effects that passion or complex- ion can work in man's nature; and hereto must his hand be at defiance with gain, and his heart in all vir- tues heroic." In the tract entitled '' An Apology forSmectymnus," he has an eulogy on the Long Parliament, which I think it would be well for some Tract Society to re- publish and to put into the hands of every Member of Congress and Legislator, both as a specimen of splendid English prose, the study of which might greatly im- prove the style, of some of our Honorable Representa- 23B Llewelyn ioan evans, tives, and also as a description of what a legislature ought to be. I can not forbear, however, reproducing one trait which Milton ascribes to that Parliament, which may God grant it to be true of ours. '* Having by a solemn protestation vowed themselves and the kingdom anew to God and his service, and by a prudent foresight above what their fathers dreamed on, prevented the dissolution and frustrating of their designs by an untimely breaking up ; notwithstanding all the treasonous plots against them, all the rumors either of rebellion or of invasion, they have not been yet brought to change their constant resolution, ever to think fearlessly of their own safeties, and hopefully of the commonwealth, which hath gained them such an admiration from all good men, that now they hear it as their ordinary surname, to be saluted the fathers of their country, and sit as gods among daily petitions and public thanks flowing in upon them. . . . The more they seek to humble themselves, the more does God by manifest signs and testimonies visibly honor their proceedings. . . . Wicked men daily conspire their hurt, and it comes to nothing ; rebellion rages in our Irish province, but with miraculous and lossless victories of few against many, is daily discomfited and broken. . . . And whereas at other times we count it ample honor when God vouchsafes to make man the instrument and subordinate worker of his gracious will, such acceptation have their prayers found with him, that to them he hath been pleased to make himself the agent and immediate performer of their desires ; dis- solving their difficulties when they are thought inex- plicable, cutting out ways when no passage could be seen; as who is there so . regardless of Divine Provi- dence that from late occurrences will not confess? . . . Which I leave with them as the greatest praise that JOHN MILTON, THE PATRIOT. 239 can belong to human nature; not that we should think that they are at the end of their glorious progress, but that they will go on to follow his Almighty leading, who seems to have thus covenanted with them ; that if the will and the endeavor shall be theirs, the performance and the perfecting shall be his." It were something, were it not, to have a Congress like that in Washington just now ? Perhaps the most finished, certainly the best known of Milton's prose Treatises is the " Areopagitica ; a Speech for the Hberty of unlicensed Printing." The de- sign of it he himself gives as follows : " Lastly, I wrote my Areopagitica, in order to deliver the press from the restraints with which it was encumbered ; that the power of determining what was true and what was false, what ought to be published and what to be sup- pressed, might no longer be entrusted to a few illiterate and illiberal individuals, who refused their sanction to any work, which contained views or sentiments at all above the level of the vulgar superstition." The question is often asked, what constitutes a Free State? Milton answers as follows: ''This is not the liberty which we can hope, that no grievance ever should arise in the commonwealth; that let no man in this v/orld expect ; but when complaints are freely heard, deeply considered, and speedily reformed, then is the utmost bound of civil liberty attained that wise men look for." The treatise abounds in evidences that Milton would have made a very unfit vassal of Jefferson Davis. How passionately he loved liberty ! Speaking of the cause of ''the flowery crop of knowledge and new light sprung up and yet springing daily" in the land, he says: "It is the liberty, lords and commons, which your own val- orous and happy counsels have purchased us; liberty, 240 LLEWELYN lOAN EVANS. which is the nurse of all great wits; this is that which hath rarified and enlightened our spirits like the influ- ence of heaven ; this is that which hath enfranchised, enlarged, and lifted up our apprehensions degrees above themselves. . . Give me the liberty to know, to utter, and to argue freely according to conscience, above all liberties." How noble the confidence which he puts in the power of Truth! **Let her and falsehood grapple; who ever knew Truth put to the worse in a free and open encoun- ter?" What is secession but cowardice — want of faith in the might of the right, or rather perhaps, the con- sciousness of falsehood and wrong? If the rebel States are in the right, if their cause be just, if it be such as will ultimately triumph, why secede? Why skulk out of the field ? Why decline the gage of battle with the weapons of Truth? "When a man," says Milton, " has been laboring the hardest labor in the deep mines of knowledge, hath furnished out his findings in all their equipage, drawn forth his reasons as it were a battle ranged, scattered and defeated all objections in his way, calls out his adversary into the plain, offers him the advantage of wind and sun if he please, only that he may try the matter by dint of argument ; for his oppo- nents then to skulk, to lay ambushments, though it be valor enough in soldiership, is but weakness and cowar- dice in the wars of Truth. For who knows not that Truth is strong, next to the Almighty?" In view of the evidences of activity, thrift, progress throughout the North, notwithstanding our difficulties, the following sentiments are highly inspiriting. "When the cheerfulness of the people is so sprightly up, as that it has not only wherewith to guard well its own freedom and safety, but to spare, and to bestow upon the solidest and sublimest points of controversy and new JOHN MILTON, THE PATRIOT. 24 1 invention, it betokens us not degenerated, nor droopin