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THE HARVARD ORIENTAL SERIES 
 
 VOLUME FOURTEEN 
 
HARVARD ORIENTAL SERIES 
 
 EDITED 
 
 WITH THE COOPERATION OF VARIOUS SCHOLARS 
 
 BY 
 
 CHARLES ROCKWELL LANMAN 
 
 PROFESSOR AT HARVARD UNIVERSITY; HONORARY MEMBER OF THE ASIATIC SOCIETY OF 
 BENGAL, SOCIETE ASIATIQUE, ROYAL ASIATIC SOCIETY, AND DEUTSCHE MORGEN- 
 LANDISCHE GESELLSCHAFT; ETC.; CORRESPONDING MEMBER OF THE KONIG- 
 LICHE GESELLSCHAFT DER WISSENSCHAFTEN ZU GOTTINGEN, THE 
 IMPERIAL RUSSIAN ACADEMY, AND THE INSTITUTE OF FRANCE 
 
 IDolume ^fourteen 
 
 CAMBRIDGE, MASSACHUSETTS 
 
 Gbe Ibarvarb TUniverstt^ press 
 
f NOV HO 1917 ^ 
 
 THE PANCHATANTRA 
 
 a Collection of ancient Ibinfcu Cales 
 
 IN ITS OLDEST RECENSION, THE KASHMIRIAN, ENTITLED 
 
 TANTRAKHYAYIKA 
 
 THE ORIGINAL SANSKRIT TEXT, EDITIO MINOR, 
 
 REPRINTED FROM THE CRITICAL EDITIO MAJOR WHICH WAS MADE FOR THE 
 KONIGLICHE GESELLSCHAFT DER WISSENSCHAFTEN ZU GOTTINGEN 
 
 BY 
 
 DR. JOHANNES HERTEL 
 
 PROFESSOR AM KONIGLICHEN REALG YMNASIUM, DOBELN, SAXONY 
 
 V 
 
 CAMBRIDGE, MASSACHUSETTS 
 
 Cbe Ibarvarb dniversitip press 
 
 1915 
 
The volumes of this Series may be had, in America, by addressing Messrs. Ginn 
 and Company, at New York or Chicago or San Francisco, or at the home-office, 
 29 Beacon Street, Boston, Mass. ; in England, by addressing Messrs. Ginn and 
 Company, 9 St. Martin’s Street, Leicester Square, London, W.C.; and in Continental 
 Europe, by addressing Mr. Otto Harrassowitz, Leipzig. — For the titles and descriptions 
 and prices, see the List at the end of this volume. 
 
 PRINTED FROM TYPE IN 1913 AT THE 
 ORIENTAL PRINTING OFFICE OF 
 
 G. KREYSING 
 
 LEIPZIG, SAXONY, GERMANY 
 
 First Edition, issued in 1915 
 Twelve Hundred, and Fifty Copies 
 
CONTENTS 
 
 PAGE 
 
 Prefatory and related matter 
 
 Preface : by the Editor of this Series 
 
 The titles Panchatantra and Tantrakhyayika ...... ix 
 
 Importance of the Panchatantra in the history of literature . . ix 
 
 Its place of origin, author, date, and purpose ...... ix 
 
 Earliest and latest time-limits of the work, 300 b.c. and 570 a.d. . . x 
 
 Hertel’s essays and books on the Panchatantra ...... xi 
 
 The missing Introduction and Notes to the present volume . . . xii 
 
 Acknowledgments : to the Printing-house of G. Kreysing of Leipzig . xii 
 To the Royal Society of Sciences at Gottingen ...... xiii 
 
 Typographical devices etc. explained 
 
 Head-lines, page-numbers, line-numbers ....... xiv 
 
 Indication of emboxments by vertical wavy lines ..... xiv 
 
 Vertical straight black-faced lines ........ xv 
 
 Device for citing whole paragraphs of the frame-stories . . . . xv 
 
 Citation of tales and stanzas ... ...... xv 
 
 Sanskrit Text of the Tantrakhyayika or 
 
 The Panchatantra in its oldest extant form, the Kashmirian . . 1 to 143 
 
 Introduction or Kathamukha 
 
 King Amarasakti and his three simple sons ...... 1 
 
 The king entrusts the princes to the wise teacher Vishnusarman . . 1 
 
 The octogenarian master composes for them Five Tantras or Panchatantra 
 
 Book I or first Tantra : The estranging of friends 
 
 Frame-story : The lion (Pingalaka) and the bull (Samjivaka) and 
 
 The two jackals, Karataka and Damanaka ....... 3 
 
 Tale i : Ape and wedge .......... 5 
 
 Frame-story continued ........... 5 
 
 Tale ii : Jackal and drum .......... 11 
 
 Frame-story continued ........... 12 
 
 Tale iii a : Monk and swindler ......... 14 
 
 | Tale iii b : Rams and jackal ...... . 14 
 
 Tale iii a concluded ........... 14 
 
 Tale iii c : Cuckold weaver ......... 14 
 
 Frame-story continued . . . . . . . . . . .17 
 
 v 
 
VI 
 
 Contents 
 
 PAGE 
 
 Tale iv : Crows and serpent ......... 18 
 
 | Tale v : Heron, fishes, and crab ........ 18 
 
 Tale iv concluded ........... 20 
 
 Frame-story continued ........... 20 
 
 Tale vi : Lion and hare .......... 20 
 
 Frame-story continued ........... 22 
 
 Tale vii : Louse and flea .......... 25 
 
 Frame-story continued ........... 26 
 
 Tale viii : Blue jackal .......... 26 
 
 Frame-story continued ........... 27 
 
 Tale ix : Lion’s retainers outwit camel ....... 32 
 
 Frame-story continued ........... 34 
 
 Tale x : Strand-bird and sea ......... 35 
 
 | Tale xi : Two geese and tortoise ........ 36 
 
 Tale x continued ........... 37 
 
 | Tale xii : Three fishes .......... 37 
 
 Tale x concluded ........... 38 
 
 Frame-story continued ........... 39 
 
 Tale xiii : Jackal outwits camel and lion ....... 39 
 
 Frame-story continued ........... 41 
 
 Tale xiv : Ape, glow-worm, and officious bird . . . . . .45 
 
 Frame-story continued ........... 45 
 
 Tale xv : Good-heart and Bad-heart ........ 46 
 
 | Tale xvi : Heron, serpent, and mongoos . . . . . .48 
 
 Tale xv concluded ........... 48 
 
 Frame-story continued ........... 49 
 
 Tale xvii : How mice ate iron ......... 50 
 
 Frame-story continued and concluded ........ 51 
 
 Book II or second Tantra: The winning of friends 
 
 Frame-story : Dove, mouse, crow, tortoise, and deer . . . . . .54 
 
 Tale i : Mouse and two monks ......... 62 
 
 | Tale ii : Hulled grain for hulled grain 63 
 
 Tale iii : Too greedy jackal ........ 64 
 
 ^ Tale ii concluded .......... 65 
 
 Tale i concluded ........... 65 
 
 Frame-story continued ........... 73 
 
 Tale iv : Weaver and Stingy and Bountiful . . . . . .76 
 
 Frame-story continued . . . . . . . • • • .79 
 
 Tale v : Deer’s former captivity ........ 84 
 
 Frame-story continued and concluded ........ 87 
 
Contents 
 
 vii 
 
 PAGE 
 
 Book III or third Tantra : The war of the crows and the owls 
 
 Frame-story : The war of the crows and the owls ...... 90 
 
 Tale i : Ass in panther-skin ......... 96 
 
 Frame-story continued ........... 96 
 
 Tale ii : Birds elect a king ......... 97 
 
 j Tale iii : Elephant and rabbit and moon ...... 98 
 
 Tale ii continued ........... 100 
 
 \ Tale iv : Cat as judge between partridge and hare .... 101 
 
 Tale ii concluded ........... 103 
 
 Frame-story continued ........... 104 
 
 Tale v : Brahman, goat, and three rogues ...... 104 
 
 Frame-story continued ........... 105 
 
 Tale vi : Ogre, thief, and Brahman ........ 107 
 
 Frame-story continued . .......... 108 
 
 Tale vii : King Sivi .......... 108 
 
 Frame-story continued . .......... 110 
 
 Tale viii : Cuckold wheelwright . . . . . . . .110 
 
 Frame-story continued . . . . . . . . . . .111 
 
 Tale ix : Mouse-maiden will wed a mouse . . . . . .111 
 
 Frame-story continued . . . . . . . . . . .113 
 
 Tale x : Frogs ride a serpent ......... 116 
 
 Frame-story continued . . . . . . . . . . .117 
 
 Tale xi : Goose and fowler ......... 121 
 
 Frame-story continued and concluded ........ 123 
 
 Book IV or fourth Tantra : The loss of one’s gettings 
 
 Frame-story : Ape and crocodile ......... 124 
 
 Tale i : Punished onion-thief ......... 127 
 
 Frame-story continued ........... 127 
 
 Tale ii : Ass without heart and ears ....... 128 
 
 Frame-story continued and concluded ........ 130 
 
 Book V or fifth Tantra : The fruits of rashness 
 
 Frame-story : Brahman and faithful mongoos ....... 131 
 
 Tale i : Brahman builds air-castles ........ 131 
 
 Frame-story continued ........... 132 
 
 Tale ii : The barber who killed the monks ...... 133 
 
 Appendixes I and II and III and IV 
 
 Appendix I : To book III ; text, page 103, line 24 
 Tale : Treacherous bawd ..... 
 
 . 135 
 
Contents 
 
 viii 
 
 Appendix II : To book III ; text, page 107, line 10 
 Tale : Old man, young wife, and thief 
 Appendix III : To book III ; text, page 113, line 17 
 Tale : Jackal and wary fox ..... 
 Appendix IV : To book IV ; text, page 130, line 8 
 Tale : Sham warrior ...... 
 
 PAGE 
 
 . 138 
 
 . 140 
 
 . 142 
 
PREFACE BY THE EDITOR OF THIS SERIES 
 
 The titles of this work, and its importance. — This volume contains 
 the Sanskrit text of the Tantrakhyayika or Panchatantra, a collection of 
 ancient Hindu tales in its oldest extant form. Hertel renders tantra as 
 ' case-of-good-sense ’ or ' Klugheitsfall.’ The alternative title Panchatantra, 
 ' The five ( panca ) cases-of-good-sense,’ is the one by which the many forms 
 of the work are commonly known in the Occident, and it alludes to the 
 five books into which the work is divided. Hertel translates the title 
 Tantrakhyayikam as [Manual] ' consisting of tales of cases-of-good-sense,’ 
 or, in German, as ' Aus Erzahlungen von Klugheitsfallen bestehendes ’ 
 [Lehrbuch]. In the preface to his volume entitled Das Pancatantra, 
 page vii, he says : 
 
 This book treats of the history of a work which has made an unparalleled triumphal 
 progress from its native land over all the civilized parts of the globe and which for 
 more than fifteen hundred years has delighted young and old, educated and unedu- 
 cated, rich and poor, high and low, and still delights them. Even the greatest 
 obstacles — whether of language or customs or religion — have not been able to check 
 that triumphal progress. 
 
 The Panchatantra, he adds, is not only the oldest extant work of Hindu 
 artistic fiction, but it is also the one which has exercised a greater influ- 
 ence than any other work of India upon the literature of the world. It 
 was the Panchatantra that formed the basis of the studies of the immortal 
 pioneer in the field of comparative literature, Theodor Benfey. It was his 
 work, entitled Das P an tschat antra, that laid the foundation of the scientific 
 treatment of the history of the fable. From the Panchatantra there came 
 the lost, but famous, Pahlavi translation, among whose effluxes are some 
 of the most notable books of southwestern Asia and of Europe, the Old 
 Syriac Kalilag and Damnag, the Arabic Ivalila and Dimna, John of Capua’s 
 Directorium vitae humanae, the Buch der Beispiele der alten Weisen, in 
 German of great vigor and beauty, — and so on down to that gem of racy 
 Tudor English, the translation 1 of Doni’s La filosophia morale, by Sir 
 Thomas North. 
 
 The Panchatantra : its place of origin, author, date, and purpose. — 
 
 Several of the most important of Hertel’s conclusions, as set forth in his 
 book, Das Pancatantra, may here be given, but without detailed references, 
 
 1 Reprinted by Joseph Jacobs : The earliest English version of the fables of Bidpai 
 [Pilpay]. London. 1888. 
 
 IX 
 
X 
 
 Preface 
 
 since the conclusions are easily found, mostly in the second chapter. — The 
 native land of the Tantrakhyayika was probably Kashmir. Its author was 
 a Vishnuite brahman whose name and date we do not know. It purports 
 to be the work of an octogenarian brahman sage named Vishnusarman. It 
 was written in the language of the educated court-circles of the time, the 
 Sanskrit. Its purpose was to train young princes to discreet behavior 
 (klugem Handehi) in private and political life, and, incidentally and by a 
 faultless model, to teach them the court-language, the Sanskrit. 
 
 Earliest and latest time-limits of this work, 300 b.c. and 570 a.d. 
 
 — A prior time-limit for the Tantrakhyayika may be determined by a ref- 
 erence which it makes to Chanakya. Its author, at stanza 2, pays homage 
 to six authors of hand-books for princes, among them to " Chanakya, the 
 great,” whose Artha-sastra, very recently found and published, was known 
 to the author of our text and used by him. Chanakya, otherwise known 
 as Kautilya or Vishnugupta, was the prime-minister of the first king of 
 the Maury an dynasty, king Chandragupta or 1avSpdicoTTo<; of Patali- 
 putra or TlaXi'ftoOpa, 321-297 B.c., at whose court Megasthenes lived as 
 ambassador of Seleukos Nikator. The earliest time-limit for the Tantra- 
 khyayika would accordingly be about 300 B.c. 
 
 The latest time-limit is set by the date of the famous translation of our 
 text into Pahlavi. The celebrated Persian king of the Sassanian dynasty, 
 Chosrau Anosharwan, 531-579 A.D., commanded his learned physician, 
 Burzuyeh or Burzoe, who knew both the Indian and the Persian tongue, 
 to go to India and get this and other books and translate them into Persian, 
 that is Pahlavi. (See Hertel, page 362.) This command Burzoe executed. 
 The date of the Tantrakhyayika must accordingly be somewhere between 
 about 300 b.c. and about 570 a.d. 
 
 For any precise date, as already intimated, no cogent arguments have as 
 yet been adduced. Certain genuine passages of the Tantrakhyayika do 
 indeed mention dlndra as coins. Winternitz, following Jolly, assumes that 
 the pronunciation of dendria or hpvapLa as Sivapia was not earlier than the 
 second century of our era, and that Sanskrit works which mention dlndra 
 can therefore not be earlier than the second century. Hertel accordingly, 
 with perhaps too great caution, thinks that Winternitz and F. W. Thomas 
 may be right in setting the date of the Tantrakhyayika at about 300 a.d. 
 On the other hand, Keith maintains (JRAS. 1915, page 504) that Indian 
 works with this iotacism need not on that account be later than the begin- 
 ning of our era. The genealogical tree of the forms and versions of the 
 Indian original shows that the Tantrakhyayika must have been an old 
 work even at the time of king Chosrau. And we know that its fame had 
 
By the Editor of this Series 
 
 xi 
 
 already reached to distant Persia. Its style and vocabulary moreover 
 show signs of relatively high antiquity. Hertel is of opinion that the 
 Tantrakhyayika is, as said above, the oldest extant work of Hindu artistic 
 fiction. To this Winternitz (DLZ. 1914, column 2432) demurs. 
 
 Hertel’s essays and books on the Panchatantra. — For the last 
 fifteen years and more, Professor Johannes Hertel has devoted himself 
 with marvellous industry and enthusiasm and success to the study of the 
 narrative literature of India. In particular he has investigated the collec- 
 tion of ancient Hindu tales entitled Panchatantra, — the history of the 
 forms and texts thereof and of them substance. The results of his studies 
 are contained in a multitude of scattered essays and in various independent 
 works, of which works the following should here be mentioned : 
 
 tlber das Tantrakhyayika, die Kasmirische Rezension des Pancatantra. Mit dem Texte 
 der Handschrift Deccan College VIII. 145. Von Johannes Hertel. [= Band XXII, 
 Xo. V, der Abhandlungen der philologisch-historischen Klasse der Konigl. Sachsischen 
 Gesellschaft der Wissenschaften.] Leipzig. B. G. Teubner. 1904. 
 
 Das siidliche Pancatantra. Sanskrittext der Rezension /3 mit den Lesarten der besten 
 Handschriften der Rezension a. Herausgegeben von Johannes Hertel. [= Band XXIV, 
 No. V, of the same.] Leipzig. B. G. Teubner. 1906. 
 
 The Panchatantra. A collection of ancient Hindu tales, in the recension, called 
 Panchakhyanaka, and dated 1199 a.d., of the Jaina monk, Purnabhadra. Critically 
 edited in the original Sanskrit by Dr. Johannes Hertel, Oberlehrer am Koeniglichen 
 Realgymnasium, Doebeln, Saxony. [= Volume XI of the Harvard Oriental Series.] 
 Cambridge, Massachusetts. Published by Harvard University. 1908. 
 
 The Panchatantra-text of Purnabhadra. Critical introduction and list of variants. By 
 the same. [= Volume XII of the same.] The same. 1912. 
 
 The Panchatantra-text of Purnabhadra and its relation to texts of allied recensions as 
 shown in parallel specimens. By the same. [= Volume XIII of the same.] The 
 same. 1912. 
 
 Tantrakhyayika. Die alteste Fassung des Pancatantra. Aus dem Sanskrit iibersetzt 
 mit Einleitung und Anmerkungen von Johannes Hertel. [Two volumes.] Erster Teil. 
 Einleitung. Zweiter Teil. Ubersetzung und Anmerkungen. 1909. Leipzig und Berlin. 
 Druck und Verlag von B. G. Teubner. 
 
 Tantrakhyayika. Die alteste Fassung des Pancatantra. Nach den Handschriften 
 beider Rezensionen zum ersten Male herausgegeben von Johannes Hertel, Oberlehrer 
 am Kgl. Realgymnasium zu Dobeln. Berlin. Weidmannsche Buchhandlung. 1910. 
 [= Abhandlungen der Koniglichen Gesellschaft der Wissenschaften zu Gottingen. 
 Phil.-hist. Klasse. Neue Folge. Band XII. No. 2.] 
 
 Das Pancatantra. Seine Geschichte und seine Verbreitung. Von Johannes Hertel. 
 Gekronte Preisschrift. [Monogram of B.G.T. and the motto " Orient und Occident 
 sind nicht mehr zu trennen.”] Verlag von B. G. Teubner in Leipzig und Berlin. 1914. 
 
Preface 
 
 xii 
 
 The missing Introduction and Notes to the present volume. — The 
 
 printing of the text of the Tantrakhyayika, given on pages 1 to 143 of this 
 volume, volume XIV of the Harvard Oriental Series, was completed 
 September 16, 1913. Professor Ilertel had promised to write a brief 
 introduction giving a summary of the history of the Panchatantra. That 
 summary would of course have been a resume of the volume last cited, 
 Das Pahcatantra, and would everywhere have referred to it for proofs and 
 details. Professor Hertel had promised also to prepare for this volume a 
 body of annotations which should justify the occasional departures of the 
 text here given from the text of the editio major ; should define the words 
 which have not yet been given in the Sanskrit lexicons ; should briefly 
 explain passages that are difficult or that had been wrongly rendered in his 
 own translation ; and should make any needed comment on passages which 
 had already evoked public discussion among the critics. The substance of 
 much of the intended contents of these notes may be found in the numerous 
 articles of Professor Hertel published during the last few years. Especially 
 important in this connection are his articles hi volume 25 of the Wiener 
 Zeitsehrift fur die Ivunde des Morgenlandes, Einzelbemerkungen zu den 
 Texten des Paiicatantra, and in volumes 67 to 69 of the Zeitsehrift der 
 Deutschen Morgenlandischen Gesellschaft, Indologisclie Analekta. 
 
 Hertel’s book, Das Paiicatantra, appeared only a short time before the 
 outbreak of the world-war. The teaching-staff of the Gymnasium at Dobeln 
 was reduced in number and the work of those left at home was correspond- 
 ingly heavier. In December, 1914, Professor Hertel, while on a sick-bed, 
 received his orders to join the colors. His latest letter to me is dated Borna 
 (Saxony), February 9, 1915. It explains the situation as to the promised 
 Introduction and Notes, and says that he daily expects to be ordered to the 
 front. If he returns to his wife and seven children and to the studies in 
 which he has won such great distinction, he may yet prepare the Introduc- 
 tion and Notes so that they may be issued with the translation of the 
 Tantrakhyayika which I have undertaken. 
 
 The only course that lay open to me was to write the indispensable 
 preliminary matter for this volume myself and to issue the volume 1 without 
 the Introduction and Notes. 
 
 Acknowledgments. — To the printing-house of G. Ivreysing of Leipzig 
 a public acknowledgment of thanks is due. Dr. Hertel gave me the 
 
 1 The printed sheets were shipped from Leipzig to Boston via Rotterdam, and by the 
 Holland-America Line, about the middle of February, 1915, the beginning of the great 
 activity of the German submarines. In spite of torpedoes and mines and other dangers 
 of the long list given in the war-insurance policy, the sheets arrived safe in Boston about 
 the first of April. 
 
By the Editor of this Series 
 
 XIII 
 
 welcome assurance that the compositor and proof-reader did their work so 
 well as to save him a great deal of trouble. And the general appearance 
 of the text called forth from him expressions of satisfaction and delight. 
 The larger Sanskrit type of this volume was brand-new when the work 
 was begun, and it certainly yields a clear-cut and beautiful result. Scholars 
 may well be grateful to good master-printers, and I wish for this printing- 
 house, now in the second century of its history, a long continuance of its 
 useful and honorable activity. 
 
 The Royal Society of Sciences at Gottingen deserves the thanks of 
 Indianists for publishing Dr. Hertel’s elaborate critical edition of this text 
 or " editio major.” The Society’s edition is of course the indispensable 
 basis for all further scientific investigation of the Panchatantra. And 
 I make this statement explicitly and in Dr. Hertel’s name, since he prom- 
 ised the Royal Society to do so when he received permission to issue 
 this editio minor. 
 
 The price of the editio major is necessarily too large for the purse of the 
 average student. It seemed, accordingly, that an inexpensive reprint or 
 " editio minor” might prove very useful. For the permission to make this 
 reprint, I here express on behalf of Dr. Hertel and myself our thanks to 
 the Royal Society of Sciences at Gottingen. 
 
 Since the text of the Tantrakhyayika is of great intrinsic importance by 
 reason of its antiquity and its history and its contents and its suitability as 
 a reading-book for students, it is hoped that this " editio minor ” may find 
 a hearty welcome and a wide circulation. 
 
 Charles R. Lanman 
 
 Harvard University 
 August 9, 1915 
 
TYPOGRAPHICAL DEVICES ETC. EXPLAINED 
 
 Head-lines, page-numbers, line-numbers, indication of emboxments. 
 
 — The typographical devices of this volume are substantially the same as 
 those employed in the Panchatantra of Purnabhadra, Harvard Oriental 
 Series, volume XI (see pages xxiv-xxv). The useful head-lines are self- 
 explaining. The wording of the titles of the tales is so chosen as to accord 
 so far as possible with the wording in volume XI. The page-numbers are 
 given on the left-hand corner of each page, no matter whether it be odd or 
 even, and every third line (not fifth) is numbered at the beginning (not 
 the end). This is far more convenient than numbering every fifth line. 
 And a number at the beginning of the line is much more easily caught by 
 the eye than a number at the end, especially if the lines are not of just the 
 same length. As to the indication of emboxments, I may quote my own 
 words, as found at page xxv of volume XI, changing what needs to be 
 changed : 
 
 Emboxments indicated by vertical wavy lines. — It is the Hindu habit to embox 
 one story within another, and a third within the second, and so on. To follow any 
 given story through these interruptions is not always easy for a master, and is most 
 difficult for a beginner who reads slowly. In this edition the frame-story is distin- 
 guished by small type ; emboxments of the first degree by large type ; emboxments of 
 the second degree by large type and one vertical wavy line at the right-hand margin; 
 emboxments of the third degree by large type and two wavy lines. The general 
 structure of the whole work appears also very plainly from the Table of Contents, in 
 which I have tried to make the relation of frame-story to emboxments and of these to 
 one another clear at a glance. 1 
 
 Thus tale i of book II, Mouse and two monks, runs over 11 pages (G2 to 72) with 
 tale ii (Hulled grain for hulled grain) as an interruption, which interruption is itself 
 interrupted by tale iii (Too greedy jackal). The text of tale i is indicated at a glance 
 by the large type and the absence of wavy line. If you wish to read it all and continu- 
 ously, you have only to skip the passages marked with wavy line or lines. The precise 
 limits of tale ii (Hulled grain) are shown at a glance by the single wavy line which 
 runs from G3 15 to G4 3 * and from 65 3 to 65 22 . And the limits of tale iii (Too greedy jackal) 
 are made no less clear by the double wavy line which runs from 64 5 to 65 2 . 
 
 The extreme simplicity and effectiveness of my device for showing the emboxments 
 will, I hope, commend itself to all, and lead to its adoption in other texts of this kind. 
 
 1 Incidentally, these Tables of Contents of volumes XIV and XI show very clearly the 
 
 contrast between the Tantrakhyayika and Purnabhadra’s text in the use of emboxments. 
 
 The ancient text uses them very sparingly (the Too greedy jackal is the only emboxment of 
 
 the third degree), while the modern text employs them with a most objectionable freedom 
 
 and complexity. See page xii of volume XI. 
 
 xiv 
 
Typographical Devices etc. Explained 
 
 xv 
 
 Vertical straight black-faced lines. — These lines, in the right-hand 
 margin, have been employed in cases where, on account of a lacuna in the 
 manuscript a, it was necessary to put the reading of /3 into the text. The 
 beginning or end of such a /3-passage is indicated by an asterisk in case it 
 does not coincide exactly with the beginning or end of a line. Thus on 
 page 99, all of lines 1 to 5 is taken from /3 ; while in lines 19 to 20 only 
 the words ulctarh to iti are taken from /3. So eranda- (10 17 ) to bhidya- 
 inclusive (H 5 ). As page 99 shows, the use of straight line and wavy line 
 together makes no confusion. — A series of asterisks indicates a lacuna. 
 Thus at 61 13 the missing speech of the crow is indicated by eight stars. 
 
 Device for citing whole paragraphs of the frame-stories. — In the 
 
 editio major, Dr. Hertel has divided the frame-stories into paragraphs or 
 Abschnitte (each paragraph being a unit as to substance or contents) and 
 has marked them with letters and figures in the left-hand margin. These 
 markings run in one sequence 1 from A1 to A308. Here A stands for 
 Abschnitt. Those paragraph-divisions and numberings are repeated in this 
 editio minor. Their usefulness is seen in Hertel’s Synoptic Table in the 
 Einleitung to his Ubersetzung, pages 100 to 126. And Schulthess has 
 adopted them in his translation of the Old Syriac version. 
 
 Citation of tales and stanzas. — Whole tales are cited by Roman 
 numerals, a capital for the book or tantra and a lower-case numeral for the 
 tale. Stanzas (or " strophes ”) are cited by an Arabic numeral. Thus 
 I. viii means book I, tale viii, Blue jackal ; while I. 8 means book I, stanza 8 
 (page 6 1 ” 4 ). But A8 means paragraph or Abschnitt 8 of the frame-story 
 (page 4 s " 25 ). This method of citation is followed by Dr. Hertel hi his 
 translation of this text and elsewhere. 
 
 C.R.L. 
 
 1 The passages of frame-story interpolated into /?, and given in Appendix IV, pages 142 
 and 143, are marked by the bracketed numbering [A296] to [A302], And certain ^-passages 
 given in Appendix II, page 138, which follow page 107, line 10, of this text, are marked 
 A225ba and A225bb. 
 

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 A 
 
 21 
 
INTRODUCTION 
 
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4 
 
 Book I. T HE ESTRANGING O F FRIENDS; 
 
 Frame-story: Lion and bull. 
 
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5 
 
 or, THE LION AND THE BULL. Book I. 
 
 Frame-story. 
 
 Tale i: Ape and wedge. 
 
 3 TCT q 
 
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6 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Frame-story: Lion and bull. 
 
 A 12 
 
 A 13 
 
 Ox 
 
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 33 ff II S$ II 
 
or, THE LI ON AND THE BULL . Book I. 
 
 Frame-story: Lion and bull. 
 
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8 
 
 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Fraine-story : Lion and bull. 
 
 A 19 
 
 A 20 
 A 21 
 
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9 
 
 or, THE LI ON AND THE BULL . Book I. 
 
 Frame-story: Lion and bull. 
 
 W 5 T*T: fTf f*TTf rft I 
 
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 15 
 
10 
 
 Book I. THE ESTRA NGING O F FRIENDS; 
 
 Frame-story : Lion and bull. 
 
 A 24 
 
 A 25 
 
 A 26 
 
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 30 
 
11 
 
 or, THE LION AND THE BULL. Book I. 
 
 Frame-story. 
 
 Tale ii: Jackal and drum. 
 
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A 29 
 
 A 30 
 
 A 31 
 
 12 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Tale ii : Jackal and drum. Frame-story. 
 
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 or, THE LION AND THE BULL. Book I. 
 
 Frame-story: Lion and bull. 
 
 32 
 
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14 Book I. T HE ESTRANGING O F FRIENDS; 
 
 Tale iiia: Monk and swindler. Tale iiib: Rams and jackal. Tale iiia. Tale iiic: Cuckold weaver. 
 
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15 
 
 or, THE LI ON AND THE BULL . Book I. 
 
 Tale iiic: Cuckold weaver. 
 
 12 
 
 15 
 
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16 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Tale iiic: Cuckold weaver. 
 
 18 
 
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17 OB, THE LI ON AND THE BULL. Book I. 
 
 Tale iii c : Cuckold weaver. Frame-story. 
 
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 A 41 
 
 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Frame-story. Tale iv: Crows and serpent. Tale v: Heron, fishes, and crab. 
 
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19 
 
 or, THE LION AN D THE BULL . Book I. 
 
 Tale v : Heron, fishes, and crab. 
 
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20 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Tale v: Heron, fishes, and crab. Tale iv : Crows and serpent. Frame-story. Tale vi: Lion and hare. 
 
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21 
 
 OR, THE LION AND THE BULL. Book I. 
 
 Tale vi: Lion and hare. 
 
 12 
 
 15 
 
 21 
 
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22 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Frame-story : Lion and bull. 
 
 A 44 
 
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 Frame-story: Lion and bull. 
 
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24 
 
 Book I. T HE ESTRANGING O F FRIENDS; 
 
 Frame-story: Lion and bull. 
 
 A 54 
 
 A 55 
 
 A 56 
 
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25 
 
 or, THE LION AND THE BULL. Book I. 
 
 Frame-story. 
 
 Tale vii : Louse and flea. 
 
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 A 60 
 
 26 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Tale vii: Louse and flea. 
 
 Frame-story. 
 
 Tale viii: Blue jackal. 
 
 12 
 
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 TH^T ^JT^RT%cf^T<l I RT I ^Wq*RTRRR- 
 
 ■gm ^ !T%^cT^T HW 
 
 q?I I ^Wq^Tqffaqfnqr *TPT 5FJSR I qqjRTW- 
 fxm prsurqftq WRn^rt^T i ^ren^fq wsNr 
 
 ST%T ^qrfq I TT^^fqicMT^TWq^t WT 17^^- 
 ^rflrTT^i^^ir^q: I ^imm<Ui rtoi^TcRRt^- 
 HRqq%w qfTq#qf^7r^ffqT rhrtt- 
 
 f^cTT cymir^cfT q i 
 
 is ^rft if sRftfa I *TT f ^T^if^frl^^rfJTfrT I WW I 
 
 fT^RT f*j fWRTTT *RT: I rTf^T I ^ ^ I 
 
 ami ^(TWI*fT'^T ^«T fTfn^T^nTft^T: I 
 18 *T fffll faff: ffa HTl^tlfTTr *RT II ^ II 
 fq^Ri: I fRffcF I *ft isfafa: I 
 
 ii qrsrr ^ ii 
 
 *. ^sftr +i Ft * y n =ki wraTirnfl sttsj- 
 
 'ti’flttdidl *mr I B «h<IM4lflW^WRj: WBTOT^r 
 
 wra wtffcr#^r: nIRmaJH irRry: i irawT- 
 
27 
 
 or, THE LION AND THE BULL. Book I. 
 
 Tale viii: Blue jackal. 
 
 Frame-story. 
 
 wtTjfn \6 U h wfr *nmro- 
 
 r<^KcTi?u^^: fWcr: to^hhhiwt^: ^Wf^- 
 
 C\ \ 
 
 3 i wro stortct wrm<i i 
 
 wr^ftr a^<y' i <\ q i i *r i TfTHTfwr i ^r- 
 
 wm cT^flt -n^w^ci f^r HJfhcr^irN: 
 
 « *fit wTTOfrr: w t^tt: i ^nrrwro- 
 
 wx i wrw i 
 
 iftcTri ti y i ^TOr"<^l i w *th^w i 
 9 ^rTOTO^^rcrrw^JT: torttowtcT i 
 
 rf^WW fiiT°y 1 yTxHch^l-WTTOXI ^ KiJJ^^TT- 
 PRm: i ^ 
 
 ^Tf : sro THf^rrw^TOr^WTO^TT i t^t ^r f%- 
 TO^TOwftpr^f^ %cTT^t #tw^rf ^tiTcrf v^^nt 
 
 « TO ^cTTOTWW? I 
 
 \j \J \ 
 
 WW %T^TO^T HHTTTff^HT^r: ^gJTft 1 ^%ctt: 
 ST! ' ^tFRTTOTO^TO W ct TT^rftt HlfilcHnri TTcT I 
 
 is ^ufr it snftfa i w^rsfTTT ^TUTgTwufrutirrn ^f?r i 
 
 fw*ra i »r^ 1 ^ i i 
 
 ^RI^THT WTf : ^T^TfnT^TTTr^efrT 1 ^ *ft!T- 
 
 21 f^Tl: H^ftirl^rxrr^^ri: ' rTPTTtu^^^H: 1 ^T^ftT^fafrT I 
 tNfa^rcrarni u^rra: i ri^rrft 
 
 I ^TfHffrT: 1 vr% ' f^rfkfTT I ^T^HR: I efi Tf; W fTT*W*T- 
 24 I WT<L 1 
 
 12 
 
 ’: cf 
 
 VJ Cs 
 
 idft^TW^r ^ TT5PtfWT: II wq II 
 
28 
 
 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Frame-story: Lion and bull. 
 
 A 64 a 
 
 A 64b 
 
 A 65 
 
 ***************|| ETC || 
 
 3 *1 i 
 
 1 *rrt fpsreftaT 
 
 ^ ffot ^fTf^frTTf^ i 
 
 6 *R1TT f^TTTfxr ^tf^rTt IRSTT- 
 <^FT T^r xyt »TTIRf% II II 
 
 ^ I 
 
 9 RTOTW ^ ^V- ^TDI^t ^ *HTT: 
 
 ^ tt^t: eft *tr ttwt fiR: i 
 
 W. 3iT*RT «T TTr^TTnTT^HT: *Trft ttR 
 
 12 TT f^T^T^TTTf^^fTTfT: ^ITfT: II QO 11 
 
 cTcSTiRT I 
 
 W. *TO SfiTf’T fjRTfTTT 5ft ^ W^Rfr I 
 
 is ^r wit ^t ^ t irfwfrfa ii q<* ii 
 
 I^5n5rTf^f%fWTW rRt Sspft<l I 
 
 fSFH: I I H^TRTR^m *Jf<F ' ’SRig ^ *RT <R f^rnRT#^ I 
 
 is ^rr*ft fxi^w^t^fT ^t^rfrt: i tN i i^t *3- 
 
 ^t^T^f^Tf?T%!r rT^FfftfrT I 
 
 rT^^T^ft faiTT^RUct. I I ^Trft^H; 1 rT^ftWR 
 
 2i ^f%RrTTfiTf>r I ¥?TTRTf^Tf^^r: lit *R- 
 
 writ: i *r§ i 
 
 ^^^7U?n 5TR: TIT5iirrTHT^H^^f?T TT^TT I 
 24 ffWTWTft ^ ^^t f»R^5ficpff ^ II II 
 
 1 R ^TfiRR^ I 5fiS ift: I f^fH^TTUfTTri *T^f?T I ^ I 
 WTRmRt wgfv: wrt- 
 27 TTTT^m «tth f^nm i 
 ^sr ^^ 5 : irffT^Tf^fr^t 
 n: it^PTRt fT^rH^ffT II Q3 II 
 
 30 rHH^^ITCTWt R*R: | 
 
 fafarwftt?! f% *r: 
 
 H TOTOPft H^^frT I 
 
 A 66 
 
29 
 
 OR, THE LIO N AND THE BULL . Book I. 
 
 Frame-story: Lion and bull. 
 
 ff t 
 
 II <?8 II 
 
 3 ^T'U I 
 
 ^WTTTWrat 
 
 i*fr f*nrrcrf«raTO i 
 
 6 *T firfrT SWRnTff t^Tftl farftr*H?r 
 
 ^ II <JM II 
 
 ’STOfT I 
 
 12 
 
 *T ff *n*T ^flr^Tt 
 
 * ^Tfxf ^ Tt*ftf*TT: I 
 
 f^TT^’IrT^H'Rl^^r 3RTO5H7T II <?£ II 
 ^ I 
 
 t^^f^TTT*iT3n vm fn^^T: i 
 
 15 V*n* * n ii 
 
 wf ^ i fi WRim ^rrfa^r: fw^^m i ^fr*w. i • fafa- 
 
 f^rffTW^T ttwr: i i i *rna i 
 
 18 ^WT^T^I^TfW firjrfffI5tTTrT^WT9Rt 
 
 i 
 
 ^■RffT: ^rftRTP'ft* f^T^TcTT «T fT 
 
 fjfT II Q c II 
 
 i 
 
 ^TIlifriai^^IrTTHffl 3>fg- 
 ^rziT^T^iifinit: Tftfrm^R*rrf7T i 
 ^TT^mT^TTrT^^^f ^NWTfT^TWt 
 Ihm**: wi’T^ft ^tt»RT»nuaw: ii QQ ii 
 
 21 
 
 24 
 
 2V I 
 
 *nn *nsftoff^r 
 % f^^TW jito ff*rr: i 
 3° ^T^ffr^m^Tr ff ^na: 
 
 ^Erg^rrera ii «ioo ii 
 
30 
 
 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Frame-story : Lion and bull. 
 
 A 69 
 
 A VO 
 
 w ^ wr: wttffanrFiTT tjxr* i 
 
 ilfJR: %?f^r faf^: fipsTURT x? *rwr: 11 °io<\ 11 
 
 f*nrR ^tir: xif<T«rr: it <m ii 
 
 *rrv i 
 
 o mfTTTrW^VH ^ ?THTfW3Ici ^ I 
 
 «TH^ II «|03 || 
 
 *THTRT% ^R ff 7Rx?RWtwf^irT% I 
 
 9 «nft wnrt i^nsm to ^f^TORi! ii <\o$ h 
 
 ^rt 0^(T Hft 
 
 12 ^1% i^R^rfx?7i ^T^Nr: XiW. I 
 ^3^JR«TTf?7fT WflR 
 
 3ktriwx$rh3RT ir: tfarr: \\ qoi< ii 
 
 is ’sttot i 
 
 *pRT 5r%3 ^jWTfa rR ^ ^T^T: I 
 TORTfrR: ^ XRT **^3 ^ 3 ^^T5?rf^^Tf?T II <10$ || 
 is ^siftr ^ i imf^n: ^ut^rt *m^rr firoT^RTg inff: 
 
 %TT I ff I <RT ^ I 
 
 trtran iftra: xr^ij*RT: i 
 
 2i fronts: a? TijRTO^TO; ii ii 
 
 ^nro i ^ Tn^r^-Rft wft hvt: ' xifw* froafTR xfa \ 
 
 fafasm i , xr^tfifi: i ^tfT^T^rorfR; • ^nrr i 
 
 24 l^Tlf^^nftrTT^RR: jftRTfTTTTVR 5 ?!' 
 
 ^RTfafRTTrqT: fxi^RRTH tT^ - - I 
 ^rTf^JR^Rfa 3RRTTO: 
 
 27 ^r Wrot h qoc h 
 
 ^rftr ^ I 
 
 ■=iU^ I q ^TO^T'ifTO^rr^t^iT^ft^Tf^R 
 so ?rfczr ^Tfa ffjcxff%: i 
 
 ^^TfTO*nWR®rf^R ^ *- 
 
 SRTT^TOTOHTOJTRWi^nf^cR, II 90Q II 
 
 Os ^ 
 
or, THE LI ON AND THE BULL . Book I. 
 
 Frame-story: Lion and bull. 
 
 »ft: I ' W I rTOT ^ I 
 
 3 f^-pR: f^i Trf^xfTT I 
 
 <T^nT: W*Tfa «T 
 
 ^T^ft vfTxn^r f^irfTT tst^rrnmfRfT: 11 wo h 
 6 ^ra^RSIpiT RT«f f^fTO 
 TTFffT^H^rr *r*fr^nrnnrTO ^ *rrenfta; i 
 HZ*f’g^T: ssztw^ ^f^rr 
 
 9 ^fr^R: 3<ZR II RRR II 
 
 ^t^rtrr^f^^rT ^TfT ^rffT^RT^t 
 
 12 
 
 15 
 
 18 
 
 *f*T HTFT: wxfa II W II 
 
 3 TWcTT^TSi I 
 
 ^rcrarf«R*i: irrarwf 
 
 *m^**rei wrztm fwf^i: i 
 
 *fr wrerr rg; * ^nm 
 TTT^r%^r *nrr: ^ ii w$ ii 
 
 I 
 
 21 
 
 *rfaz 5T% SW^faWT: 
 
 fqm: irnfr ^tHTsi^f^ ^ ^Nrfwn: i 
 
 •ttwt ^TfT^i ^nsr?T frorr ^fcrf^i 
 
 5 r: ttt^tr h ^wra arar«rf?T ii w& ii 
 
 unSh i 
 
 s* 
 
 f^f^g f^TTsrewfafa: 5 T^3 HT^t: 
 
 27 ^T^f: stf^tftTrenif^: sT^fa u rrm h 
 
 W 3 *TT * Wtt^rT *TT% I Zlfc ^ I 
 
 xrfx^cfT: ^t: TrRfrR^ftf^r: i 
 
 30 ^ T ^T«RT^ft ^T II W§ II 
 
 i ^ tfTcc, i i 
 
32 
 
 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Tale ix: Lion’s retainers outwit camel. 
 
 12 
 
 15 
 
 18 
 
 II 5i5T Q II 
 
 1 4ir**ir u j<^idSi 5ft5ntf 5m ftii: 
 i 5«n5-55<?55: Iimi5ifii5) 5 ( 155155515155 : i 515 
 cNUil^fy: 5T55Tf5f?5ii 5^: i 5 5T5T5tjti«?>M iret- 
 555 f^T f5i: 55515 i hviIh^ 5% M-ctfeHm i 
 
 oht^UlM I 55t S555555T5T 5T55t 4551 1 1 5HWT55T- 
 jflft wrarfir i 555)5 (515555 i 55iftt 
 
 55PfrT51515t 15515: 5T55Tltf55TlllT5: I f5%5 5T51T- 
 5I5Hlrl<55n^i"i 5 1 tI5 I 
 
 55 5 5551% 5i^li%f5tfl 55JMtJ5T<5551!<(5 
 511515% 5f tT: I M?miF(5<llf5* *l5) 5 5iT% 55 55 5 
 5111 '<5 dr5 rir5jl55i5 1 MM 5 1 : I 55t 4555T: 1 55: f5%- 
 5lf5ff5T: I 5Tf555T W 5 55: TJ55^T?Tt 555T55TT- 
 1T555 I % *j551c5T5 4fq dM<«Js)5 555 I % 55Tj?: I 
 55 55 H\55U5)Hlc«4S*l%i%T5 I ftff 1 I 5T^555lf5f5 
 5^5f% 5fli5 55515 I 5fT5^t555f5f%55 I 515 555: 1 
 
 f5if5f5: ' 5^T %5Tfirf%5T: I fai5551 5%551 I 5ll555t 
 
 HI 5)51515(515 I 
 
 >. tf55plT % OT1515 51 5i555i5 55T5T 5f5H: I 51151 
 
 *555i f«5n=(5ll«5T: I 55 5T55 5(11 I 15511551 55- 
 
 5%5 5rrf55T 5mfl% I 515115: I *55 I 5t 4sM%5 1 
 
33 
 
 oe, THE LIO N AND THE BU LL. Book I. 
 
 Tale ix: Lion’s retainers outwit camel. 
 
 12 
 
 18 
 
 24 
 
 wi sfir i t i fipEn^ftprcr: tt- 
 
 wr^ff s^T<r: i *r Wf i tp*w 5 r: fijfTprTftpTO 
 
 rfir trrf^fir i tj^fir 4 *i=n<t i firs?! 
 
 Wl 1 ^mfiTST^firWRT I ?(?p;T fitf H- 
 
 • ftnpr ^TRrff crj i gwrRr: T^r^d-i- 
 
 t^TJTRT I ^ I eft! I ^TTr^ 1 HT ST^T^ig I 
 
 g TX^TfTTt^TT^TT: I Rfig HTRSfiT- 
 
 RT^rI I RTTRT^T T^fTJTTT: RTTcJT^TcJTT RfR ft% 
 
 ots} i tr?: i ^rri i sRRh: i sri^rr ffir i TRf : i 
 i ^wfcr^ i JT^T^m€^rxTT%TH^ ^ 
 
 ^rnr ^ i 
 
 ^ jfm^RT ^ JTfT"R^RT 
 
 ^ ^T^RT f% cRIT 5 RTRRI I 
 
 15 t*J^T +|^lnni*i 
 
 r^tri i^i ^ m ^rri; ii <w ii 
 
 W\ W. I ^rft ^TRffr imp HRT HffRTT I 
 TORT *^[tfc|TM^ » W %RTRR? miflqMKHT: I WR 
 ^tW*l I 
 
 mw^f\ g^Rrref ^rtwsi g^r 7^1 1 
 21 ?TRT MIcHnS rt| 5 q^ II II 
 
 gWTf I *TT RTRft RRI ciimi^g | JRTnitirfw 
 
 ^irc**: 1 ftrf : 1 sjRiRRf i ^trr: i irt ruSt- 
 
 «W*li ? f§T ^W(JTRRT^g^m RRRRRTRT *TrR%cTRT 
 
34 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Tale ix : Lion's retainers outwit camel. 
 
 Frame-story. 
 
 A 75 
 A 76 
 
 i TprJTfHffcprfTT crr?T§ f^rft 
 
 » cr%: tr^cii fSreplwn^ i rafTfara 
 
 i ttw: rti 
 
 ^ tnpg Urt f^raTui^ini i 1 
 
 e hw rrti+iHjT^H'TrrnfcT i i ^rai^iT^t *raT^ i 
 
 sr* wi*hi4i n^f?r i 
 
 rif«jHjiw% jfmT^rftrf^TT^T^; i tpcI- 
 
 9 tjj i femt trRi'Mi^M i fTwfir%r- 
 
 i ’srw?! ^ i ^nwrt *m 
 
 12 3f5j»rat ^Di"rt<i<i i i <n^*i- 
 
 Ul=(lf^ sMlftl I <R ^TT?7 ra^lM=h^MJ|WlN=0<t I 1 
 
 ipifr ?m fsrfTTSHt Tpifai i tmj^m 
 
 15 UildlMd I TJ^ITTH^^ 
 
 ^Nt: hsi: u^^fflUJiitl hR<j^m 
 
 ^Trfr s^ftfa I W^l Nf^tTT: ^T Tfri I 
 is ^D3IT7T Sspfttt, I ^ & 
 
 TT^fT «T faTTRUf^rTT^TH; I ^ ^ I WK ^fcfr TT^T 1 *T 
 
 TT*tt ^nifr^TT: i ^fT^TTTf^ ^t*rr: m^fafirT i ^ s<?r f^mrre 
 
 21 nftfrr I rHUTF^TR Tf^Tt f^RTcT | rT^xR^ftW TT^TT «T 
 
 H^ftT I ^ I 
 
 TT^TT «T I 
 
 24 ^tw- f^R ii <m II 
 
 *ft R WRft f^3TrT: I *TTV I 
 
 A 77 
 
35 
 
 OK, THE LION AND THE BULL. Book I. 
 
 Frame-story. 
 
 Tale x: Strand-bird and sea. 
 
 F^FT FfFFF FTOHTFT- 
 
 FRFfFlfFT ftTUTfa ^IFTfF I 
 3 FFFTF§nTtF*lFJ tT^fn 
 
 fFF FFTfa F<§Tf FTFFTFTH; II 330 II 
 
 78 rfi^F FT* fFWVFT TITF^T^H: I FTFFT f^iF^^FTrl. I FF? F I 
 
 6 ^-UKTgcrf^rF^I FTFTFTFUFFTFF: I 
 FrFFFfrfFFFI FITF* HFfF SITFFT^ II 333 II 
 Frfq f i 
 
 9 FUF^F^FFT F FTtFiT- 
 
 ftfff: FFTf^r i 
 
 F%F fTT’TTZlfclft^I ^T: 
 i2 fwtfffff FtrsiFFr: ii 333 n 
 FWTF FfiVfife 
 fftit Ff“ FfTTFWtFT: I 
 
 15 gt fFflTF FT^ F^TWT 
 
 ftreftT Ft SFFiTF: II 333 II 
 FF: FT^FlfF FT *FF 3JF F*TTfF FT | 
 
 is FFTFfF ff FTTXJTT FITrTFFT F^Wt II 338 II 
 
 79 ^FFF5: I Fg^ ' FFFTF TJF: I FtFfTWJ; I 
 
 UFtTTFi^F^T<FT FTFTTFT* F: I 
 
 2i F FTTFFFTUtfrr FF^ ^F ztfeFTF. II 333 II 
 
 80 FFtFFi: I FTF FFF. I ^FFFi: I 
 
 24 ^|W ' 
 
 27 
 
 II 3TOT qo II 
 
 nlciqnn: 51 i 5TSJ 
 stfswrr Hrrffirfi5: i RiLk<siH5- 
 pstKIdlfl; ' 55T? TO% I I *Md<=l WH 
 
 ^fd<t>Tq i w«Qfa i tHiyqli i HTmipr i 
 
 ■*Mit|J)cT 5^5rat^n^n5tflT55lf55T^t H5T5 I w- 
 
36 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Tale x : Strand-bird and sea. 
 
 Tale xi: Two geese and tortoise. 
 
 i 1 SiTH=t^r c^- 
 
 TH^I I yistdld. I 
 
 fmj«l<.<TT I '33i ^ I 
 
 fitsurran hR^-hIM ## w %frr i 
 iRfireRi f^rapj nih-dit!i«i ii q»S ii 
 
 e 'M I M ^ I 
 
 THTRft f%cRiTJTT^t sft ^TTTH^M I 
 *T T3 f^1%: ^iTST^§t NM^ki II II 
 9 I sjfSj %cT<l I I 
 
 
 12 
 
 15 
 
 18 
 
 21 
 
 ’siftr 1 *rm ^^tr: 
 
 5T i <n?r fr Hifr I%^3#BCTmrfr # i ^ 
 tra% *il<jT!Hmfddl I ddtsl<ri41d«s,rMjll I 
 
 *n;: i ^ irernpr ir^r ^ i tj#^- 
 Ttfim firofipr =h^Rd*iiH«Fi <11=11 i cTUT -mmUh 3T^- 
 rMI wTcIf I «htj)l*«*iwid<u f#nt I #7 <T %ft S% > 
 ttt JTnTwr^awmTTOfij: i ^ttcijh • wrmTcf- 
 
 stf% 1 imrf tr hhh?m i 
 dT^Gi-widui 1 ^ii^ i viH^f^H i ^i : # jiO<)i^ i tTTwrm- 
 f>T%m I <jdiHI^ I tJ#rfT I tpr: HIHdiM HW- 
 ^rrirr i -413 id w^r h^ptih i ^it Mdsymt-rra f# 
 Glddi'ilH. I S# <J • ^dlJu'Yaq I lH*H?i41faT 
 
37 
 
 OR, THE LION AND THE BULL. Book I. 
 
 Tale xi: Two geese and tortoise. Frame-story. Tale xii: Three fishes. 
 
 W^: I cPT *1T- 
 
 3 Tlailfl*l*lH ffT 1 ftift< TWiTT-'TtfiWfl H'i ’fftTT 1 
 
 hwtt: i ttw 
 
 *rfij rfi^iftftdSTrf. i ^sr? «r^t: i jw- 
 
 e tjft I s)<4^d<HH<4\M*ftlHT4|lrMTftr£t HJfl T%Tf- 
 
 C\ 
 
 fpr 1 irmifw ^ <ftwir#: tsi- 
 
 «tsajl T4«iai I 
 
 » if si 41ft I ft "4 1'MJ i ftd=hlHMlftft I TJWTf I 
 ^HUMftyicir ^ tt^Tpwfira *r: i 
 fiMr ft’njiM 11 ^ u 
 
 1! TlfkH: I <=h«ftd<t I sUhhI I 
 
 ii 3W ii 
 
 'Slftl 1 H^I<*iU|lw41 JTr^TT: tfftciyftl 
 
 is 5T I WIT ' HrtlrMdHft4 l ftq%ift I <T4T- 
 
 •lUMfttiMI ^ift-rldH+ffiT JTrt4H-yMI- 
 
 *ift*mdi *r*PT ’jrra: i ais^djil s*i if : i ^ in?R^ 
 
 is I cHJ I -31 q Jtft <1 ^PT- 
 
 wt: i Rff ^ Jj<TM i »<wftfcd£l - 
 
 TOi ff ^TPHTtHtT I dd<!lNI4*l I TT4 
 
 8> H^rMsl+lftriftftcilRdl iH^ft-ri: wfi| HHI^IdH - 
 «tttt: i <i^ftui^wdftd i ^<a-<H+Hi'|rti ft Tir n r ij^t- 
 ?ftq; i 
 
38 
 
 Book I. T HE ESTRANGING O F FRIENDS 
 
 Tale xii: Three fishes. 
 
 Tale x : Strand-bird and sea. 
 
 12 
 
 15 
 
 18 
 
 21 
 
 24 
 
 wiJidRfemrR +w3*K'ri:^T f^r^zr 
 i ^rmrs ^ wt% ctt^t^ *iiQ=m<j s^r- 
 ftrs: i ljn MrfjdidHui^d^M 3 k^i<hm 
 'ilYlcHId I cRfa JJ#T TTfTHt^T ?Rr nR- 
 
 RItiRt wrnm: i ctwfrSRtiT^ w^rn^r jitt: i *nRn*r- 
 
 iVi I II (1 <: ?Rt i 
 
 ^ st snRfir i ^nrnmfwcn %ftr i ^ra =t\<iRirH- 
 ^Rrrqrr etfawt ern^Rt^ra'tn nn'JwT'-fldiM vis4«w: 1 
 crr^g; 1 ^ f^JTTTHfT ?Rt i ^ra flfoft 
 
 C\ 
 
 M<*i*ai*i f^T wnf^ri^TT ihRaii i 33 ; ^ i huh 
 
 -H Nil I 'M I : I WT^rRffsiWf^ TTmT? I HUlfn cfT^ 1 
 
 h% 1 firmt nwsTRrfir i 
 
 ddSl ,J T uRltlflM 3P3T RlRRet f :»sni I 
 
 dVdid i faRdH i -4iwim l i Rb ipr- 
 
 HIH+rail I *TW IpT d<!HI*^d »TWI'd*$**IW: I H 
 ijn #r ^hm^wim i <smtn3 entrant ’Ten: i wnrfn 
 ^nrawirTnftwr^fl’ Ruudi ’r^Tc^rsntnnT ffT 
 rRprsnTm i stir fn^#^rrai^^TimlTFW?rreT 
 *T3T dd4dil!il*niH<t 1 
 
 f^T HdimiRtM^^Tl ^qql<i I ^TT *TT- 
 %^r ttttt ngjnw^PJnTT^i nfRra 3fn i ’graT ^ 
 l)R^ I ^iRlTy’TllTSNM RRhwRt I 
 
 ’3RTOT <d IH f3<l IMHd llMem^NW 4=1 imdU^MM'dHlJdl- 
 
 v *ret: 
 
ob, THE LI ON AND THE BULL . Book I. 
 
 Tale x: Strand-bird and sea. Frame-story. Tale xiii: Jackal outwits camel and lion. 
 
 itttsj: i jtot sup i 
 
 3 Wt sT^fa I UTtTT^WTWfrT I I 
 
 ww 1 w^i i ^*nrai: i Wf: fwnrsRrrf^r- 
 
 fff&l ' crn^TT^ITO^ 1 TTtf tnfrrf^ ^HwTrTfTfH 1 
 XT^^iT 1 ^*T ^TfaffcT: I fam-rfo*! H^RTT I 
 
 i faffr cfr «rre?qwt wrereftOr i fw?i: i 
 9 fH^Tfrl ^iwffrfr 5*^! I 
 
 wr s^hth; ii ii 
 
 hch^^t ^^irraiffft i *n* ^ i 
 
 12 *fr sorter irreraf^tf snw$ hwt^ f*nrro i 
 
 ^T3ltfrTTf% ^ ^POTI^Nra f % ITT#: II ^0 || 
 
 I «T 1 WTct. I 
 
 13 ?T7r*fr *T^I f^¥T ^T faST 3T#^TT^flft I 
 
 * ^ftTrfwW*TTfaf?T TO II ^ II 
 ^HTO I MTfwr ^ftfrnrT^TXTTTH: I 
 
 is t^rera? i^et F?n ^rnrf t^r^Prwr^ i 
 j^i «r ^nN f^T^TwrfT^rm; 11 ii 
 
 VTO 1 f^lcfr HfaxgffT I TT^T tf I 
 
 21 in^r tft^T ^rrf ^t ^twt «r i 
 
 ^TfT?fr TOT^T TOT II R 33 II 
 i ^TOcT<L i ^TTO i 
 
 24 II 5 TOT q$ II 
 
 1 c hi*Hi^<3i*n^lj ^r^n^i^H^TTf^T q^j^rTi ^THT 
 
 ftff : sT^hhm m i ^ m Ti cH ^t 
 
 ^r^RTcT^: ^TT M^rdi^ll^N'ciMif | 
 
40 
 
 Book I. T HE ESTRANGIN G OF FRIENDS; 
 
 Tale xiii: Jackal outwits camel and lion. 
 
 ^refcIT Sftf HW 
 
 * ^ ■ cT^T#r TjipffqRmn’i 
 
 ftrftrir sfirff ctwt^; i Rsjr i wttFV 
 
 ^Tt^T i R R/l ui I q M ^ rl"ri I 
 
 6 «r^f RfiRr^nr: ttrSfr 1 ^ wl^THd i h w? i Rb 
 
 9 
 
 mnftr 1 1 garraRr i ^rf^Tfir % i w- 
 
 Ri*iu+jM<4'JU<iiT*iRt 1 Wj€t istql^ I IJisq 3fn> 
 
 TPl i ^rt % Iiftt 
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 i i C|=i 
 
 T^rftraur Rtf^rant jt??t <mrf i ^rrfir^ 1 *r Rb- 
 
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 T^jpttRfT irflt Rtpr^nflRr i <t«5^i Rrf: 
 
 W^y ’BIT? I ?? fwm I ^TSJ tfRmjS Ji ^<mu; MMId 
 
 . s hjtt 1 ^I'^ai’y ikt: i 
 
 nfi'ycj'^tsi Rr? «gN<ni i 
 
 WWNfVdH ' ■mn^ arajg^rfWwrfiT i ^ 
 » ^ dTHi*yd<=h*d awgwTTf i *nw did<d: Rift^m 1 
 <im<€i ?rr? jrt: i ^1 s?nfR[ i h^Rt^t Rig-rtt ?t- 
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 » Hfdd-d’T <l**llRl I ?T?T w4n y^SISMlRhd^RlRl I 
 i*=iqdi <nwrr hRwbi i 
 
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 24 
 
41 
 
 OR, THE LION AND THE BULL. Book I. 
 
 Tale xiii : Jackal outwits camel and lion. 
 
 Frame-story. 
 
 12 
 
 Wiki'H^: htotwt I 
 
 ^t^S%u^rrgci^d f%- 
 
 $Tj£ *OqT^J ^TTH I fttft STq 
 
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 15 Wt I xn^I ^TT <<TP2T %f?T I ^ ^ I 
 
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 18 Tf* I 
 
 21 
 
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 o^. c 
 
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 24 wf^re: ftrS 
 
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 ’SRI 
 
42 
 
 Book I. T HE ESTRANGING OF FKIENDS ; 
 
 Frame-story: Lion and bull. 
 
 A 91 
 
 A 92 
 
 TOff^ren^ITTOf^rTp: TOITrTO- 
 
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 3 TOT^ffa ^ m i?f^HTOT?!TOfr f^T *TTfa%tf ^TOTOTf I 
 
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 ^** \J C^. 
 
 
 6 jftm HITTOfnT ^fTOTOE 7T I 
 
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 9 cHt • ' 
 
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 12 *ft 5 JT 5 ra^ «TTrHT«T «T wf^TT 1 
 
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 TO ^TO^HTT^t: tj^TOTT*!. h 98° il 
 
 18 TOTUT^: TO t faWXTtrTTO TOTTO I 
 
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 faTTrorTOfaH: 1 
 
 21 frlTOfTOTTOTT ^fnT faWTOt TO II 98^ II 
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48 
 
 OR, THE LI ON AND THE BULL . Book I. 
 
 Frame-story: Lion and bull. 
 
 1 ' f^f5TTrrIWt^TT'- 1 I Ht 
 
 3 RTfatt ^0% i i ^ i 
 
 ^Tfwr faW ^tf^r^TfrT% I 
 
 JT^T R# tit TT «T ^f%rT: || II 
 6 ^ ^ 1 f^rO^tiT^r i fawf^T^T<jR*t i ht>j 
 
 %^*p5R I 
 
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 9 ^rarRTf^T*mTH; 11 °i8^ h 
 
 7T ^ RTf^R Ht ft^T^FRHH. I W% ^ I 
 
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 «rtNT I 
 
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 24 ^ f (TWT^eit I 1R I I 
 
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 27 ^ft ^ ^grfR^nzreT ^:f*u<fr sft • <Rft ^ ht^ ^THir^g 
 ^ftgfaft i 
 
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 30 g% #HRR^nX TT^f TJtTfVTRnR: U <m II 
 
44 
 
 Book I. T HE ESTRANGING OF FRIENDS; 
 
 Frame-story: Lion and bull. 
 
 A 100 
 
 A 101 
 
 A 102 
 
 A 103 
 
 A 104 
 
 A 105 
 
 3 fxreri xj^ur 
 
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 ii ii 
 
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 A 106 
 
oe, THE LION AND THE BULL. Book I. 
 
 Tale xiv: Ape, glow-worm, and officious bird. 
 
 Frame-story. 
 
 II 3RT qg H 
 
 ^H^oiuT i j T i^r^ TOff^^pr: 
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 12 Wt if fftfa I «TT*TP2i fTffff I ’STOfT I 
 
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46 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Frame-story. 
 
 Tale xv: Good-heart and Bad-heart. 
 
 irff rTffs: ^HrtrfrTrT^f: | 
 ff RTR 3^: II II 
 
 3 I 
 
 ^TWrPt wr 1 
 
 rI^^Tf7mTfe(2fTf?^fIT HTfT<R II <^3 II 
 
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 II 3TOT <W II 
 
 12 
 
 15 
 
 18 
 
 21 
 
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 24 
 
47 
 
 or, THE LI ON ANL THE BULL . Book I. 
 
 Tale xv : Good-heart and Bad-heart. 
 
 *T5rra 1 cflw hr i tjtr: 
 
 ^TOT^rrfii i ti4 h^tt tnR^wrsrrrrTT^ffcr 
 
 • *mT§rar ureTfirsiT^ ^rr% i 1 
 
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 12 
 
 21 
 
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 tot ^tctt: ii w 
 
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 24 
 
48 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Tale xvi: Heron, serpent, and mongoos. 
 
 Tale xv : Good-heart and Bad-heart. 
 
 ii ii 
 
 ^rftr 1 Hft^m: i <nr ^ 
 
 FT^rfcT STI 7PT ^ 1 qc^3*l W*TT- 
 
 XTf^TH^W ITcTRTTTT I 
 
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 ft^raFTOft i ct%^: i ttttt * 
 
 ?T CM I I ^^KtM^cra % ^cf 
 
 WCTTTTH^TP^ CT% I OTT^Tl I 
 
 12 
 
A 111 
 
 A 112 
 
 A 113 
 
 A 114 
 
 49 OK, THE LION AN D THE B ULL. Book I. 
 
 Tale xv : Good-heart and Bad-heart. 
 
 Frame-story. 
 
 15 
 
 i ^^rftrffcr ^ i xpnfq fwn 1 
 
 w *wr: i gw’Tfirenfir i swifts i 
 
 TT5TW<*nRr1%^ I Tsfi^k^Hl^ohl^ 
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 q I CTTO3«r§*f^liq fcSTflraq. 1 W*3 fwrefifvni. I 
 21 fqfqg^qqit I 
 
 II <T 00 II 
 
 iWRTOqita qrfTjN I qTOTc£ I 
 
 24 *rr *rr: ftpqqfqqptf to qjfaapi: i 
 f^T^T^rq^wf sfq ^sr#q i$&m: 11 w<* 11 
 qp* tor* qTqTTHqqqqtq i qjqqT otto qq: i 
 
 G 
 
50 
 
 Book I. THE ESTR A NGING OF FRIENDS; 
 
 Frame-story. Tale xvii: How mice ate iron. 
 
 A 115 
 
 A 116 
 
 A 117 
 
 
 3 ff %frt qf%?r: 
 
 ii ii 
 
 nU ^ i 
 
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 TO xnC^rweR ^ 5T TTrPOT II <TQ3 II 
 
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 9 f^T^WTfH^I^fr U^U ^THHTf^STT | 
 
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 12 f^l. I rf^TrT^W ^ ^Tfa^fJTOTJTWT TWTCTfa » TO <TTT^pT*pT: I 
 
 ^TTfl. I 
 
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 I ^HrTrF I TTT^c*: I 
 
 ii ^tot n 
 
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 24 #fF^FF*ff gFt F^^TT F^Tf^W^TrT I ^rTFT^TFFfFrr- 
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 ^wr^Ft F^rfF^TFfT < ^frr i 
 
A 118 
 
 A 119 
 
 51 OR, THE LI ON AND THE B UL L. Book I. 
 
 Tale xvii: How mice ate iron. 
 
 Frame-story. 
 
 12 
 
 15 
 
 TTT<qTf^T^:HTi era wr 3ic[- 
 ^ HiTv5<ra^ i 
 
 3 ^ i enr ^mg^ra ^ w 
 
 g^^HT^^^M^ircdchi^ci tott: wr^ i wr^rfo 
 
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 HT W<=0 <1 
 
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 18 %?T | XTsTT 51% %% T%i f%l? *Tc*T *T*Irt %*T fTT^TH *TfPRf%?%%TJ 
 
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 ^TTTTt SWT q^T! I 
 
52 
 
 Book I. THE ESTRANGING OF FRIENDS; 
 
 Frame-story : Lion and bull. 
 
 A 120 
 
 A 121 
 
 A 122 
 A 123 
 
 A 124 
 
 ^ *nsrr: ii ii 
 
 3 1 WpR ^TffT I & STOTTS ^ I 
 
 fa rT^mf^S^T I ' FP7T *faT*t Sfa «T WT^ I ’SRTOT Sfi^Tfa- 
 
 G <5W7T TJ^q ^f ^T^ntT^t^T^^TIT^q^fi: I 
 
 *J*R jy( it ii 
 
 i 
 
 9 S^rra-RfW. ^TfT^fai faTm^: i 
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 7T- 
 
 z »rfH i 
 
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 3 fa T^n^^TTg qfafa 11 <p=o 11 
 
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 l 
 
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 24 ^fHTfxi HfJT: ?r*wt *r *jbi: 11 ^ 11 
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 27 fiffiT *lfa ^T ^TrTT HRT 7jft S*PTT *Jf I 
 
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 30 tTR^T ^Hfifa: *fR: I 
 
 flxg: nrftxfr sfafR: iRT^t 
 
 3imT *TS W& * %fa II c l c 3 II 
 
53 
 
 or, THE LI ON AND T H E BULL . Book I. 
 
 Frame-story : Lion and bull. 
 
 A 125 
 
 A 126 
 
 TTRi TTrff HTffrTiJ^ItTT I ^ ^ I 
 ^ *T*nzWFfrT^T T.1^ TTSTTfHrJH. I 
 
 3 ^ ff ^Ttt ^tzwrr tT -praifan: ii <F 8 ii 
 
 ^ I 
 
 6 ff^TT ^T^TT I 
 
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 II II 
 
 9 ^fTT ^T irafiwroa: i 
 
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A 127 
 
 A 128 
 
 A 129 
 
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56 
 
 THE WINN ING OF FRIENDS . Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 130 
 A 131 
 
 A 132 
 
 A 133 
 
 A 134 
 A 135 
 
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56 
 
 A 136 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 i 
 
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57 
 
 or, THE DOVE, MOUSE, C ROW, TORTOISE , AND DEER. Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 138 
 
 A 139 
 
 A 140 
 
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 H 
 
58 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Frame-story : Dove, mouse, crow, tortoise, and deer. 
 
 A 141 
 A 142 
 
 A 143 
 
 A 144 
 
 A 145 
 
 A 146 
 
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 I 
 
59 
 
 ok, THE DOVE, MOUSE , CROW, T ORTOISE, AND DEER, Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 3 
 
 9 
 
 araa: 
 
 12 
 
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A 151 
 
 A 152 
 
 A 153 
 
 A 154 
 
 A 155 
 
 A 156 
 
 60 Book II. THE WINNING OF FRIENDS: 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 fT^T I 
 
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61 
 
 OK, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER, Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 157 
 
 A 158 
 A 159 
 
 A 160 
 A 161 
 
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 A 162 
 
62 Book II. THE WINNING OF FRIENDS; 
 
 Tale i: Mouse and two monks. 
 
 12 
 
 18 
 
 II W II 
 
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 21 
 
63 or, THE DOVE, MOUSE , CROW, TOR TOISE, AND DEER. Book II. 
 
 Tale i: Mouse and two monks. Tale ii: Hulled grain for hulled grain. 
 
 T4«I*MI 
 
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64 Book II. THE W I NNING OF FRIENDS; 
 
 Talo ii: Hulled grain for hulled grain. 
 
 Tale iii: Too greedy jackal. 
 
 & wrr ?cr: 11 8 $ 11 
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65 
 
 12 
 
 15 
 
 24 
 
 ok, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Tale ii: Hulled grain for hulled grain. Tale i: Mouse and two monks. 
 
 firs: i 
 
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66 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Tale i : Mouse and two monks. 
 
 12 
 
 15 
 
 18 
 
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67 
 
 or, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Tale i: Mouse and two monks. 
 
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68 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Tale i: Mouse and two monks. 
 
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69 
 
 or, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER, Book II. 
 
 Tale i : Mouse and two monks. 
 
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Book II. 
 
 THE WINNING OF FRIENDS; 
 
 Tale i: Mouso and two monks. 
 
 
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or, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Tale i: Mouse and two monks. 
 
 12 
 
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72 
 
 Book II. THE WI NNING O F FRIENDS; 
 
 Tale i : Mouse and two monks. 
 
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73 or, THE DOVE, MOUSE , CROW, TORTOISE, AND DEER. Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 163 
 
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74 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 1C8 
 
 A 1G9 
 
 A 170 
 
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75 or, THE DOVE, MOUSE, CR OW, TORTOISE, AND DEER, Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 172 
 
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 A 175 
 
76 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Tale iv: Weaver and Stingy and Bountiful. 
 
 W 8 
 
 15 
 
 18 
 
 21 
 
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77 ok, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Tale iv: Weaver and Stingy and Bountiful. 
 
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Book II. THE WINNING OF FRIENDS; 
 
 Tale iv: Weaver and Stingy and Bountiful. 
 
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 12 
 
 15 
 
 18 
 
 or, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER, Book II. 
 
 Tale iv: Weaver and Stingy and Bountiful. Frame-story. 
 
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Book II. THE W INNING OF FRIENDS; 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
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 30 
 
81 OR, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 *ft -put ii 11 
 
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 21 -^ftl ^ I 
 
 HWT^fR 5P5rfiT$f^?fr tfTOTct I 
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 a 179 24 *irTUurrg i *r i ^^rcfRf wt r<j i 
 
 ^RT^ft MW % ^R I 
 
 ^RT ^srfa Ht ^THWWlT^RTfW ^H: II 88° II 
 
 A 180 27 ^R ^R^R. I T3W ^ I 
 
 ^R»T «TRI: 
 
 HrftiURj H^Hf^T fa «TT I 
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 hth> sfar htttohh: ii w ii 
 
 L 
 
82 
 
 Book II. THE WINNING jOF FRIENDS ; 
 
 Frame-story : Dove, mouse, crow, tortoise, and deer. 
 
 A 181 
 
 A 182 
 A 183 
 
 A 184 
 
 A 185 
 
 A 186 
 
 I ^ fa I ffa- 
 
 I faffif I 
 
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 fffa fl^TT I H^fT: I fafrft *lf **fa *T$fa I 
 
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 ^f^TlT: W **tr<tt: I 
 
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 WTHrT: I BfTTT^ HfTfafTqfTHfrftfa I <W1 fafT^fanTOUTT* I 
 
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 21 ffaf *Tfm Hfffafffififa*!! ' €T<tt^3^t%rT%rl^ qfa;^?TT*ft if Hf- 
 fff fa^fTRTf rff ifal I 7TW WT HiSfaHTTfaff f*C. I ^ ' *TT I 
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 24 fffa I *fafT ^ ffrrTfTTTnTTHST^ faq»fc[f^TfTft H^znjfwTRri WR*T: I 
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 m fifTfa^fa rr^rr ferret fafT#r f fiifa fi i tt ’fTWffr fafa- 
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 ffT 1 ffT wnjqfffi W^fX flTf I TfHfafft i^l ffaW: Ufai^ffWfa I 
 rT^q^WfT^rSjtg ^TfTffalcIT faf T^ff TTlTfafa I ffT fTffaf ^faft 
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 f Tspffa I fffaHTHTff I ^T I ' ^T- 
 
 ^t^t: i ^ * 5iT?Tf 1 ^ i*isn 
 
 A 187 
 
83 
 
 or, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 18S 
 
 A 189 
 
 A 190 
 
 A 191 
 
 I ^ I rf^TT I ' 
 
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 ^TgjjjTlTrR^Hlffr I 
 
 WWfT: ^ II 388 II 
 
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 Wt $TO TI^frT TO Wt II 38$ II 
 
 21 HU W I 
 
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 gWT^WT fwfggiTT^g: I Wt I ^TOW^TrTTOW: 
 
 35 wwrc; i i 
 
 30 
 
84 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Tale v : Deer’s former captivity. 
 
 II 3 TOT M II 
 
 3 * 1 ^^* i tt^TcRt: i rf^T xf i ch^T - 
 
 W* Up ^TcTT: I *| *Tcft 
 
 STT^PrT I ^TT 1 %TcT I Up ^ ^ 3 #: HT^T% I TR- 
 
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 T^RTTfiT ' cTT^% *TTcTT 
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 i wr 
 
 18 
 
 I ^T%MI<C'q !Ef gr % JTCIT fg#- 
 
85 oe, THE DOVE, MOUSE, CROW, TO RTOISE, AND DEER. Book II. 
 
 Tale v: Deer’s former captivity. 
 
 I cTcT^ * *rft- 
 
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 fir: ^ i NMci ^ i fr 
 
 9 *H*!H y XH Ml M I <=^101 I IfT I cT^T HTU^TTjftfcf | 
 
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 C»n. C 
 
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 Rptst wrtf h^t ^tct: i sRniN^tMMcf- 
 
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 C\ 
 
 ^t^TT^fHffffTTW: %wq I T3i?T%^ 
 
 24 
 
86 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Tale v : Deer’s former captivity. 
 
 Hcrfrrlrf i ^ niug^cnrr tNi% f%^T- 
 
 fw i ^MHHrjproi mfmtHH i 
 
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 e. 
 
 ^Hlki I T{T^W. I ‘ ^r%^r HTM ^TIIT^W M <Jl - 
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 H^fT ' I W ^TrRT^: I 
 
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 TfRlt ^ I 
 
 cr^^fNR^rii^TTT^- 
 
 II <WM II 
 
 24 
 
oh, THE DOVE, MOUSE, CROW, TORTOISE, AND DEER. Book II. 
 
 Hcff iff : 1 if 1 it 1 it i 
 
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 ^ anffm^rarr: ftw 5 f*ra*PFrr ^ ii <m§ ii 
 
 ^ f^wr: i 
 
 18 XTSZTC’nifrTOT# ^ftf^rT^TnlTT^W II 9 M'S II 
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 fa*TT«Trfft W & T II SM*= II 
 
 2 i rT^ ' ^ ' 
 
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 24 fq^Ty*IT*I^I aHJITf^%«T 
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 tjf ^Tfrm^TWTft: | 5ft ft HHF TT^ft^faffT *T^T ^ft^m- 
 
 ftnT^ I W? ^ I *T \<i ft?n *pi: I 
 
 Tale v: Deer’s former captivity. 
 
 Frame-story. 
 
88 
 
 Book II. THE WINNING OF FRIENDS; 
 
 Frame-story: Dove, mouse, crow, tortoise, and deer. 
 
 A 194 
 
 A 195 
 
 HfaH-Rri I H ^TOnrqnt f^WT- 
 
 xi^rTrT: 1 '3rHTf^7T ^f<7 | TJcRWP$ ^fT^T fUT^TT- 
 
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 15 f*ni «r fH^r 11 ^ 11 
 
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 ^wr^rTfa^jput^ Jnra?i 11 ^ H 
 
89 
 
 or, THE DOVE, MOUSE, CROW, TO RTOI SE, AND DEER. Book II. 
 
 Frame-story : Dove, mouse, crow, tortoise, and deer. 
 
 A 196 
 
 9 
 
 12 
 
 15 
 
 18 
 
 21 
 
 I 
 
 ^ RifTTT 
 
 3 i 
 
 II =l$e II 
 
 ^ ^ II TOO || 
 
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 W*T[ I 
 
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 STT^ *IT^frT I ^TWffTsliT^ ^^TPJft^fWTfa 
 
 RTIT fW^frT I ^WTnfmTT tTfWTSWR U^ffTrlSlH; I 
 
 ir^T^fR^ Sfa HcT^R *|3T f?T *fwf^ Vf*.- 
 
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 M (A VI \l ' 
 
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 M 
 
A 197 
 
 A 198 
 
 A 199 
 
 A 200 
 
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 24 ffiTffrr I faf^f ff TT^fWf^^j’TTTIltlTT^'fT^^’fTTTNlT^ffTfTTTT- 
 
91 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 201 
 
 A 202 
 
 A 203 a 
 
 A 203 b 
 A 204 
 
 A 205 
 
 Frame-story: War of crows and owls. 
 
 ^flnTfa wtfTT’UTwfin' *rf^<rcfa 1 mfa xrtfwhnr i ?n *if;- 
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 24 55mn ^HfRIH RlfM^ I 
 
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 fHfr fgHTTHfa R^fR^RlfalTR ^T^T fa-R^ftfaRRITf I rlTf ' 
 
 A 206 
 
92 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Frame-story: War of crows and owls. 
 
 A 207a 
 
 I ^ ^ ^ ' rT^ «T: I I 
 
 3 fafgai ID7BT TN W^TrfT I 
 
 cTr^T«rJifiTOT*Tf%faT n m ii 
 
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93 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 207 b 
 A 208 
 
 Frame-story: War of crows and owls. 
 
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 94 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Frame-story: War of crows and owls. 
 
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95 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 210 
 
 A 211 
 
 Frame-story: War of crows and owls. 
 
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96 
 
 Book III. THE WAR OF TH E CROWS AND THE OWLS. 
 
 Frame-story. Tale i: Ass in panther-skin. Frame-story. 
 
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97 
 
 THE WAR OF THE CROWS AND TH E OWLS. Book III. 
 
 Tale ii: Birds elect a king. 
 
 II ^ II 
 
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98 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale iii: Elephant and rabbit and moon. 
 
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99 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 Tale iii: Elephant and rabbit and moon. 
 
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100 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale iii: Elephant and rabbit and moon. Tale ii: Birds elect a king. 
 
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101 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 Tale ii: Birds elect a king. Tale iv: Cat as judge between partridge and hare. 
 
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Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale iv: Cat as judge between partridge and hare. 
 
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103 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 Tale ii: Birds elect a king. 
 
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104 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 A 215 
 
 A 216 
 
 A 217 
 
 Tale ii: Birds elect a king. Frame-story. Tale v: Brahman, goat, and three rogues. 
 
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105 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 218 
 
 A 219 
 
 Tale v: Brahman, goat, and three rogues 
 
 Frame-story. 
 
 3 
 
 15 
 
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106 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Frame-story: War of crows and owls. 
 
 A 220 a 
 
 A 220b 
 A 221 
 
 A 222 
 A 223 
 
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 A 224 
 
107 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 225 a 
 
 A 225b 
 A 226 
 
 A 227 
 
 Frame-story. 
 
 Tale vi: Ogre, thief, and Brahman. 
 
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108 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale vi: Ogre, thief, and Brahman. 
 
 Frame-story. 
 
 Tale vii: King Sivi. 
 
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109 
 
 THE WAR OF TH E CROWS AND THE OWLS. Book III. 
 
 Tale vii: King Sivi. 
 
 12 
 
 15 
 
 18 
 
 24 
 
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110 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 A 230 
 A 231 
 A 232 
 
 A 233 
 
 Frame-story. 
 
 Tale viii: Cuckold wheelwright. 
 
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Ill THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 Tale viii: Cuckold wheelwright. Frame-story. Tale ix : Mouse-maiden will wed a mouse. 
 
 A 234 
 
 A 235a 
 A 235b 
 
 A 236 
 
 A 237 
 
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112 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale ix: Mouse-maiden ■will wed a mouse. 
 
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113 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 238 
 
 A 239 
 A 240 
 
 A 241 
 
 A 242 
 A 243 
 
 A 244 
 
 Tale ix: Mouse-maiden will wed a mouse. 
 
 Frame-story. 
 
 
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 30 I 
 
114 
 
 Book III. THE WAR OF THE CROW S AND THE OWLS. 
 
 Frame-story: War of crows and owls. 
 
 A 245 
 
 A 246 
 
 A 247 
 
 A 243 
 
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115 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 Frame-story: War of crows and owls. 
 
 A 249 
 
 A 250 
 
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 A 251 
 
116 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale x : Frogs ride a serpent. 
 
 ii ^rsrr 90 11 
 
 12 
 
 15 
 
 21 
 
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117 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 252 
 
 A 253 
 
 A 254 
 
 Tale x: Frogs ride a serpent. 
 
 Frame-story. 
 
 *rr*wisRwt i uRm d i f tt: i *p- 
 
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 A 255 
 
118 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 A 256 
 
 A 257 
 
 Frame-story: War of crows and owls. 
 
 TO TfatfarTfaTT fa^R I 
 
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 A 258 
 
119 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 259 
 
 A 260 
 
 A 261 
 
 A 262 
 
 A 263 
 
 A 264 
 
 Frame-story: War of crows and owls. 
 
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 3niTf5TT II 335 || 
 
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 A 265 
 
120 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 A 266 
 
 A 267 
 
 Frame-story: War of crows and owls. 
 
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121 
 
 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 A 268 
 
 A 269 
 
 A 270 
 
 Frame-story. Tale xi: Goose and fowler. 
 
 fgg i 
 
 ii it 
 
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 ^ifsr y^vt\Rci^rriii(FtivT|^rii^I) 
 
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 sssfs «RmR ssr MqasRra) Rrasr^ i snrr- 
 
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 Q 
 
122 
 
 Book III. THE WAR OF THE CROWS AND THE OWLS. 
 
 Tale xi: Goose and fowler. 
 
 18 
 
 Rep ttt ■ rr 
 
 tt^tt ^TRl%crnt i wr^rrer I 
 
 ' fT^T^^^MchC 
 
 Hf^r^rfcT i ?frT rcprrqw^ w^^TfrfncTiw 
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 V* ^ C\ C\ 
 
 24 
 
123 THE WAR OF THE CROWS AND THE OWLS. Book III. 
 
 Tale xi: Goose and fowler. Frame-story. 
 
 h<!!«TH: i 1 ^ uTrnwifHTTHa- 
 
 LhiujUT^cI: i ct^ptt *r: w*nt i 
 
 » i *nf ^ *RT#t JTrTRra ?^ra:fiixsT: h^t- 
 
 jtrt: uRctfffc) i Rift i 1 tinr- 
 
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 *TTfni 1 d^i^iid^=i i 
 
 A 271 
 
 ^rft Sf sT^ftfa I fa ^ifNfafa I ^ifa ^ 
 
 9 fa^fa: snfa 
 ^nrt fawn^nre w < ram i 
 
 fwrtjRfrT: ^re^T^fa VTET 
 
 12 fare wrrefa ffar jfa: 11 <^83 11 
 
 ?fa II 
 
 ii xf<\ ^faifarei «rre r^trh; ii 
 
a 272 5tt*t i 
 
 g *ft *ftwwr***7T: | 
 
 3 ?T rTOT ^WT SRTSf: ^iftRT ^T II =1 II 
 
 <A> 
 
 A 273 I 5TT* ^T^TTTT^T: TjfrR*ffrl | 
 
 6 *rfw§^t^!T rRITr^'arTf^W: ^RT ^T^ffT W I 
 
 A 274 ^Tf^ *WWf I fRTff^T HHSHl'RT ^TtfTT I 
 
 ^^rT: ^iffTrT^ I 7R tRrTT *R>fT: 
 
 9 i ^ wr r: nf^refiT ^ i 
 
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 ^RatftfrRTfT^g R^T-jjUl^fa fe^HrRR I ftP3*TTft 
 
 12 SW^ #^Tt%TTl^: I 
 
 A 276 7RI 5JRT ^Wt^^RrTT rrf^fTRfilRFf I WT^t *R ^f*R: I 
 
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 15 I fT^T: *n^»7snftci; I $<T# >R ^T ?N *RT ' ^ 
 
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 A 278 
 

 125 
 
 3 
 
 6 
 
 A 279 
 
 9 
 
 A 280 
 A 281 
 
 21 
 
 A 282 
 A 283 
 
 THE LOSS OF ON E’ S G ETTINGS. Book IV. 
 
 Frame-story: Ape and crocodile. 
 
 WS7TOT ^ iffsrefTT ^ I I TO 
 
 THfaiT f^I f^RTTWRfaT: I HT Tn^n%*T £4<|'Wl41c( > I 
 
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 12 I 
 
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 15 TjcRcff^R res^^facT: HHTTOTfa I 3RTR | 
 
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 18 «nr\H fafTO*I 3T*R3lTfrT*reT W^ *T^Jtlfl?R: | ?R ^T- 
 
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 ^ g *rrcT*nf sr frore^TOww*;: n m ii 
 
 24 ’SRefT H^rl: I 
 
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 30 fR T^f*r4 ^ II *3 II 
 
126 
 A 284 
 
 A 285 
 
 A 28G 
 
 18 
 
 A 287 
 
 24 
 
 A 288 
 
 27 
 
 Book IV. THE LOSS O F ONE'S GETTINGS; 
 
 Frame-story : Ape and crocodile. 
 
 H^fTTfaffrTO; I 3uT: 1 
 
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 qre qfq fipq^Tft qqtq^qqreTf |*************** 
 
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 30 fsp3*ns; wf i ^qqq<i i *fr sqq^q i 
 
 A 289 
 
127 
 
 or, THE APE AND THE CROCODILE. Book IV. 
 
 Tale i : Punished onion-thief. Frame-story. 
 
 II 3TOT 9 II 
 
 i h ^ ttst- 
 
 3 ^ Ttcf: • wtw^: i ■ ^rcrapi 1 
 
 ^irrrrwt 1 iHR^ci ^rr i ^rr it 
 
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 6 h^tth i m^i^^^im h^t^tct • 
 
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 • cTT^nf%: HRTTxT I ^Tl^cTT^nT HTf Y^T ^fiTTci 
 
 ^rftr i cT^t xrf^^T^rftTfiT i t^t ra- 
 
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 290 ^tfr if spftfH I ^-RlWfTT I rT^fHf^: fa rT^T 
 
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 15 \m»r^ ^ ^ farfa *fr sfa^^rfa i 
 
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 291 rfct 1 ^ 1 «TWRT*^ *IS?nfa I WRTf I IT rTf^- 
 
 18 ^ I ^T^rfr isfafa I rlfWTr^T I fawft if^nT^ I ^‘. W\ i^- 
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 TftV I Hi $sfat?t I ' TXrT^T ^TTW WR ' rT^ffa 
 
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 iirarefa^st i ^ • *r=tt: wr: i 
 
 24 sfTfa 1 H?T ' rTf^T ^ft^T *T^HR I H faf^nsfa^ I ' fa uft- 
 
 firefa i 
 
 292 
 
128 
 
 A 293 
 
 A 294 
 
 Frame-story. 
 
 Book IV. THE LOSS OF ONE'S GETTINGS; 
 
 Tale ii: Ass without heart and ears. 
 
 *tt fnt nftnrrai sht i 
 
 THTQi g fi^T ^(jfrTT^TT f^Rtf%T<T: II W II 
 
 3 I I f^T 1 iraTOPTO I 
 
 wt i sspftfi: i i 
 
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 ii r ii 
 
 12 
 
 15 
 
 18 
 
 21 
 
 » 1 fro: hRttoRt hi i rrfMfl hN 
 
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 frofit 1 - 4 MVII *r I ft W=fl«l i h? 1 ^ihhtRt 
 
 TOHRtRt I ddHfdd TOTOfnwttj TOTf I H? ' fTOT% 
 
 in;: i ft w«fl«i i to i htot torti% i vifaffH h 
 ■^ iTTOiTiwf) to! sfRrff i ft ssftd i trow ht- 
 HW I TO HTOT TO TOtRt 1 TO HTOTOTTOfTOT3TO 
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 "srftr s^ro fro^miTOTO: i tottto htoi 
 rttortHti i to tot ht%Rt trfrow: 1 TOftro 
 RrfTRro to: i totttth h towt i « itoRu ^ hhIthrI- 
 tttwptt: Wft i 
 
129 
 
 12 
 
 18 
 
 31 
 
 21 
 
 oh, THE APE AN D THE CR O CODIL E. Book IV. 
 
 Tale ii: Ass without heart and ears. 
 
 cMiyidf+M qqfqrq: faifatd q«41l<di«ifq>^dl tfftq- 
 wi^i: h id h f t<i i qq??tq\q*q^qTqT%q qqrci qq: i 
 s qq ftwr^n fqfr sfqffq: i fq qNi qqqq- 
 *if% 1 fqft sfqqqqqrqqr : 1 # qqr^qr trq i qqnq- 
 sf^qqqqM ' ^qqqvi : 1 q q qq HMRilS'iinH i q Wf i 
 qqiSqi)d^=l I qdWM^iqtqqUi I TO q qMqnrffld I 
 q W? I qwf qqifaq ' qqT f^iq^rqt sfq qqTqT- 
 qq^i-Odl qqT q TOitft fa*fq«iTd i <fq fqfqi 
 qiqil l 
 
 ' d ^ WHtl I fqi <fq I q qi? I 
 
 qfrqqqr % qqrqg qreftq i q qi% > T^tfwqqrri; fa- 
 qft qqr qqluR fqqfqqq; 1 qqTq:TtqqqTqq^qqrqnq[ i 
 q wf i q % fqf^qq. i 
 
 5n%r g gqft €1% RdJmtkqis^diH i 
 w -ssw«dl sfa ff t fqqT y?qqf^ qwiqq: n ii 
 q^q qr? l qqrfq qqn i -iiudln iq ********* 
 ***** ^rqqqtq q^nftfq qYff f qq I Tqq 
 
 qtrf I q? ' qjqfitqiTtqqtq: I ^qTqqTT^ i 
 
 qq: fqfq qiTtfq I qqq#q fqqq)' qqnfirrq ' qrqq? 
 
 d w\ ' 
 
 *;* * * xniTfH dnsliq^ufltd I q% q diqwTlqigfq'd- 
 qiqiq I qiq fqfqr qq ^dilfarlH I Tf djm i di g ^ *pq% > 
 fqqwi% fqqqqr: l %q fq =nqt qqq qx% l qrfqqqqfN 
 qqlqq)j|®1d tppq qfqiqiqHqqiRqqrqi#r l?q q I 
 qqtqqi qqfrqqqqrqwr vqT*sjq: i qiqqq fqf: qq- 
 
Book IV. THE LOSS OF ONE’S GETTINGS. 
 
 Tale iv: Ass without heart and ears. 
 
 Frame-story. 
 
 fiW ^ I Wf M I frra; I 
 
 if tf w *Tf^t I WnTTT I 5t3T irtff 
 
 iT 1 fr si mi wfcra ncf%fif i 
 
 C\ 
 
 ^5Trfr Sf I *TTf Tl^W. 1 c^lT JTsjrmfag T^C I *1^ I 
 
 6 fiT^flOl^: I 
 
 *TOTi 2 R*rftTcT 
 
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 9 II Tfa WTOTfall wT^^TTt «TT*T <T^ II 
 
303 
 
 *tt*t xjgtf rf^ 1 ?rr^: i 
 
 *ft S*IrTTWOmTO ^ itwj ^f?T I 
 s *ft St^TTinS^ f^^TfTW 1 ^ II <=1 II 
 
 304 
 
 TFPI^FgnqT* l 
 
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 i nm^tftr i srcftrofa i wrf 5 ttcI3w*tt- 
 
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 ■^•TT^IfT^rlt f%Rlt *ft ^V- I 
 
 12 * H»ft tJTXST: *ft*nr*ft*IT *TTT II R II 
 
 305 *t sw$i<l I ^rai tflft l *Tf I 
 
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 w ^ ^ w =r?'Tr iRT%^ h ra hisw: hhw: i 
 
 \J c\ 
 
 ii q n 
 
 >5 ^rftr 1 
 
 sfrN 1 ^fcT i era 
 
132 
 
 Book V. T HE FRUITS OF RASHNESS; 
 
 Tale i : Brahman builds air-castles. 
 
 Frame-story. 
 
 12 
 
 15 
 
 18 
 
 ^f^TT^rret TO^T 'iMId'rHi *SllTiH*flimdl-<$TO'ldl 
 s# iTOFift 1 ip* ^ Irommm i irfm 
 
 vri to% 1 t^tht stow tor: i ftnTfwTOrorr 
 ^wwt tor: hRt i TOrot frohr ^rlwr Rnjfro 
 jtrt 'dMiddT^miUi i WTtirg jtoRptoi > ugi^iTOt- 
 TT35 TOTpraw TOP nTdtqiM I ^ ■ TO- 
 
 Xlftr < d ImTT^iT ^<jfl ^tl'TOrtsT ^ W< ( <TOI% I 
 
 to s? TOfroRTfifRr JRt ipr i<n<rfRp 3 iittt i to? ^ jftrp 
 
 TOTORrflfiT d^rMd^i^: torItotto sfiftsnTii i to: 
 
 Tfflfg-d^l HldUlId I TftTO =Ef %TJI Hldil\l- 
 wjtoto diRuiifk i <iyl<iB=)^^i ^ tot ir^rff toto 
 IgNtd put tob ?rald i to! =? ^hrf- 
 
 *jtttoft TOpR ^rRi tottottRt i tot to? xmtWv 
 tototoR fi^T wiTOTOfa tott ^R^rffir i tostR =? 
 ^R% stt?pR TOrfronr i hui^h,^ 
 
 TOfroRfrorolRr tot? m^piff TO%?TfHwr?<^i «pr- 
 %xf rii ^RttoRt I TO$dlTO3dTOill?dl TO 1 TO <rfe- 
 rrR ittortto g nfddBdir^MMd : i to^p?: 
 
 rsttotttot tT^r^TTOiTO: i fafa<fafa TO %«tto to- 
 TO^t -dlMTO: I 
 
 306 
 
 307 
 
 21 
 
 ^tfr if snftfa I ^RT*RTRrft f^nTT ^ I ft ^ fsfi^T I 
 
 *T fafrT fWT fRWTfrT I 
 
 ftp ^ RfcTT sTTf^ft fTWJ; I ^Trt flrfffftcfTt ^ 3 kT- 
 
 RWHlt fTTfi ifN- 
 
 ffff rt ^ fffsret i wrm^ 
 
133 
 
 or, BRAHMAN A ND FAITHFUL MON GOOS. Book V. 
 
 Frame-story. Tale ii: The barber who killed the monks. 
 
 TT^^fl^TT ^T^J^farlT I «ft WT^ I IWWT- 
 
 3 xj^TfH i Tji*nrWt w^nf^ft^ircw *11 
 
 ¥^f>5rf: 1 *nft $*ft snircr: i *rai*fr m- 
 
 f^TT^waiT*frf*i*T ^T^^nwnw^rprTH: i t ^ ??t 
 
 6 3 ft*rew 5 n^Pr *wT<*rar wruf*; HfaRfrTcT: 1 
 
 rt TJITOTnT sTT^W f?T fTjfttJUnrrerfW^- 
 
 •TRI ^rfff^jfi'RT I WraT^^f^fTaiTft ITW^ *T^?T 
 9 f^Tf^nre^ i Hf^cfr wrr hh i ifi *rf^rr <r wr i 
 
 I*tt a 2i*-jnf*re: i ’wrw^i 7 rit^r tjtr; i fl^rarRrramt 
 
 wft TTf^fW • IT left ' faifTTI^lirti *RT SHTfafl mfK* 
 
 12 HrTT^Ii: I WffiT ^ WT^TTrft I rT^^H; I ' sTTITW ' ^ %f<T I 
 
 ^rft STTt I ^TTf ^ I 
 
 ffg WWfrfgTrT f I 
 
 15 Tj^qirr *r anN ilTfl^T W STIH; II 3 II 
 308 ^TsnftTl. I IR %7nt I TT wi I 
 
 II 3TOT R II 
 
 is 1 «hfijjfti*HR H'dUdf ^ftppj^ ^ra^mrrfg- 
 
 C\ C\ VJ 
 
 >rft ^iKjyifkHcr: afUiijj^Ti ^uiTlyUTl '^hhmi- 
 ^n?*r titn tprar3rr *rafij ?r: i h«irh<1m if? ?r w 
 « ^ ftiwr^Rrarat i tou i t? 4TK3J T2r5si«i rar^Ttr t?rrn i 
 <1% ’kett^t Rtj'i+jgm^i h f^r^: i ^iprar 
 
 firsr^far sNfftH W I H?[ ’ tTHTcT?m% ^T- 
 
 s* JH?N ^gi!j|J|lH«llR: I 4|<gil<*l]H • cHT WTlvMT^i- 
 
 C\ V# 
 
 Rmi^^I Rra*r: i r^wrftrr^ ^tht httoh: i *t tt 
 ^ rnt tsw srciSm i if? it ^ NR^sd^d HHtcren# 
 
134 
 
 Book V. THE FRU I TS OF R ASHNESS. 
 
 Tale ii: The barber who killed the monks. 
 
 ^TTTl'JTmrfcT^I^ I ^ ' ^TT PT^T- 
 
 w i I# i 
 
 H^r ^TcT^ 1 ^^TfJTTXT TTIXTcTHT- 
 ^TjfifcT I T\W TTfxTcT ^[7\W. I 
 
 IkTT^T TOPI ^cn^TeTT: I ^ftpFgWT- 
 
 sfprw^ffT i % *nmr: i 
 
 ^ cri%T*^r^r% un5cii*y3w ^ h i ^ iict^ttN' 
 ^ ^thr; i *r g gji 
 
 N^urm i cffit ^r i s^t th- 
 
 
 ^fH vsjwj* ^qjchT 7 [^ ************* 
 
I. 
 
 a 103, 24 (P III. v). 
 
 eror i 
 
 nuniii fwrn^r i 
 s ’Ten ii M8 ii 
 
 irtll^iujl efff{f=< 7| ^ giw ^5: I %T<I I 
 <nl«n) iqq'l'i I 
 
 e ^tftr 1 efiming^ai ntf’ft ’mr nfinrafn 31 1 
 OT ^1*1 i"y q neft tT^%: ^T? •n’T- 
 
 1 n^r ^ hih 41 =hi a'MJnfa: Tnjj^prrenrHffg-ra- 
 » chli^ir <«iftnri 1 «tii«Ki^n 4in€i^riii 
 
 ’Tftnr: « *r n DHert: 1 ^ err rpri 
 
 HT^^nfinrir(hj ’mnsnitai: 1 #ira ’rrarsrg; 1 ^ arg- 
 .» enniej eiiiii f^nrf fffert =tmi?)=i wt%: 
 
 rrfrrrnra; 1 ^ ei^ftn: 'j-eMjl 1 ^f^n wfr 
 
 mn^mn ^ 1 eT|ffn: f f^ng i j^enuJ i i r i 1 
 
 i» '3TCT 3TT%5T €f sfq ^T ererretlff^TTfWt’Tni MIN^<1 1 
 
136 
 
 APPENDIX. 
 
 Tale i : Treacherous bawd. 
 
 12 
 
 TNTtften cTf^rr warn irnj: 
 
 I 3ifWTR JTOMMdRld^cHI TTT Rr- 
 
 *il^d<l<t I ^ tTT^TT 
 
 <|:*qqai i tk'5T ,| i Rq q11q<T <13 1 cR RrafR^R^- 
 
 i ^ra ^Rptit <rt 
 
 Hd<l I ijRf > RfiTfaq; ' 3<diTf3'l M *rRpr f%q,yW 
 frft 1 <*i<!j*mRidi i 
 
 fwM NUdi^i: iifr ^rR mfN% ii mm ii 
 » ?Rr I 1 dMU^IMRd IHM-i I 
 
 wr 'dSj^Tn^nrr^ri ^ir^TOiTfWT i 
 
 <tt: ^ TjT<r<pi% ^ ^ht^wR- 
 
 w(: MiHMl: 3i3R?TrnTO; I %3?TT^t IHMdTH f? 
 
 wtt^: i i 
 
 irfrat^ *Psnf^r trth^: i 
 
 n m$ n 
 
 'sreJwff ff 5Tf%wi: *nfh5t TOicn i 
 Rfi^T: h^t: %htwt w *to ii mo ii 
 
 15 
 
 21 
 
 is ■ ^nr 1 cUOTiirRcf^rn* i v* ^ i *rm *i^rq: 
 fqH^r: Tqq*TTT%c?t c?ITFT^ HTFT^ TJJ^[ ^ 
 fWT ' c^q- H*T I ^JT qft^fq I qq JTTTT W^t- 
 
 q^Tfq STT cf TTcq^l ' ^nUJMI- 
 
 qt^nqrqi i qr^nrr qrerqT ?ftft sq 
 
 ffqi *T I qqT ^ <HNHir^cil %q Tpqrqiqiq^iMiq- 
 
 VJ 
 
 TT'f^ohilfrT I «D if I MT 3WT qi«)3)q I cfft 
 
137 
 
 APPENDIX. 
 
 Tale i: Treacherous bawd. 
 
 15 
 
 TT?* *r^r wrof i rraHTvrawr^ *m 
 
 1 %7P?T fau n qPi : I 
 
 V| w\ 
 
 Tnra ^t > *r#r ir|%rT fiRT 
 
 fifirrixT ' *r iri 1w i d«n^d<Ti: m^Hi i I t 
 
 *T^T *PTft 1 ^ WM 1 T f4*4 H3 m l^TRTTT <Rf f%- 
 wramfg; i ^ro^^nroiTTOT- 
 
 f^rr <wl3fftp ra K)<i i ttfi ff cnMtw^ir ft^T- 
 
 «H=hti^! ^ « dReht|*d Jj tfl <Ud«S'^MH I 1 f^r 
 
 7!%: M^-fadid+WH. I nfr Tt% MlidVI ^trfJTSSI 7T%f^- 
 ^rfirTTO^ f^nns^ <umi sT ^Trcrq. i <ra: 
 
 ^^)i^iuihh5hi« HHK^'diiJl'i <ret «hifii4l OTfanr: 
 PiT j mi i ^lyRid^R din-Hi i'lmyf'i^'jfdiTT 
 *RI TJ^T i 
 
 $f w^frtfl i qr f i~^ t!t HtrrfrfTr i wig; i &e. 104, 1. 
 
A 225 ba 
 
 9 
 
 A 225 bb 
 
 II. 
 
 P after 107, 10 (p III. vi). 
 
 *JT f^T«€T *TT *TT*T3IT^*Tf?T I 
 
 3 ^ ^mTf% IW II II 
 
 I 
 
 f<N ^ *r trcgTfa %% i 
 
 6 ^-^T^f»TWrf?T «T *Tf?t || || 
 
 TTWtT^lTfa ' fa inn 
 
 XTrT^lfrT I ^fa ^ I ^ ' <T^WR[T*J 
 
 »lf^^lfrt %fa I ^jfafa I 
 
 ^TOJT^jT I fafa^T^? 5 * ^T^^f^fRfrT ' iffSTO ' 
 
 Tt^T ^SlrTR; I *ft Ssfafa I 
 
 ■* ’srfcr 1 ^f'a ' fH i ja rr jl ' $cft<mfrf?nrtf ^nmt^Mv 
 wt wkiT^ih^ii i *tt 3 ^Rfwtiiwi f^#>nwr%- 
 
 *sM j i7i=) f^ra^b3T*T 4iq-i ♦i*q*ii'n <n r*ri «-i < 1 1 Tm nTq*tai 
 
 tpr^prsnnrr mkO=hhmi ^fy: i ^ra 
 
 =fn;: Tiftre: i <t =et j%t H^tr^ift- 
 
139 
 
 APPENDIX. 
 
 Tale ii : Old man, young wife, and thief. 
 
 HcTTt MK^ch^cfr I cTOT ^ ^TTTT% 
 
 ftiRr^sr^raHTsd ^ 
 
 JT^T PTTHftn% 7TWT ^fTT’ri i c^ij >yi <>t m ^ I ^sJ<Nr I 
 
 1 m Prarfirft i #?r sftr crtti i ftssj 
 
 % 
 
 e rT^W^T^Tl^ff I &C. 107, 13. 
 
III. 
 
 P 113, 17 (p III. xi). 
 
 ^ sisraf 5cv: \ sis ^ \ 
 
 wr^m *: f ^ 
 
 3 * ifr^% *fr «r i 
 
 5itt wnrrat^TfT: ^t fair 
 faw wrn w i^ffa^ II QO II 
 
 e ^ tttjt: i ^ %n*. i sw^ffa i 
 
 12 
 
 ^srar ^bWW|% Rim^: HRretiR) « i ^ 
 
 TRTT!^ Hfafa^dTi ' Tt^T dRafrsH^R f^WT 
 
 Rpjrr^ 1 ?Rr •airciTci sr i *r n=w?ai nfins 
 
 i Ji^Rf ^rr% Rr- 
 
 fMN: i ?Tftm m^R Rh*) ^nrr 
 ^rrWTH^ff irgnri^UTTw: h<*iw«: i cffnr^rart «ft- 
 
 ^iR)ti<i<i i % ^rarRw wfercrem i 
 
 nWir i <j«iuhmTm 
 
141 
 
 APPENDIX. 
 
 Tale iii: Jackal and wary fox. 
 
 WT f^cTf^Tf^rT^ l TOT HfipTSR 
 
 3 Hf^iTcRirr i ^txrr^t 
 
 ct^^H TTT^ni i 
 
 ^nft I WTJRT ^fT ?;f7f i h^*;p*t &c. 113, 18. 
 
[A 29G) 
 
 [A 297] 
 
 [A 2 9 8J 
 
 [A 299] 
 
 IV. 
 
 [3 after 130, 8 (with [3 IV. iii). 
 
 flT*l %^fl^ I 
 
 ^ Cs 
 
 3 rtT^t flfTRtfactTffl I 
 
 flflffltflt flfltffl 
 
 6 qiflTfltflrT^Tffl Tf^ ^flfnT fltffl ^ I 
 •r rrrffl flit ■fr^^r ^ wi^tT: ii *^Q ii 
 
 f^flflTVt I ^ fl^T^fl^Ttfrl^f H^TflTfllTlftfrt 7TOT TTfrtfflfrt: I 
 
 9 ^fl^flf^t ^ A(?i ^ AflflT ’yflfl; i 
 
 ^flvjflf^rrft fl^fl^ fafrofl ii ro ii 
 
 ^TflT Wf I fl# I ^flT flm^fl fl^T AT i ?I«Pi: 1 ^ I 
 
 12 ^tT#flrSpt *ft irtfTcflM TOf^ I 
 
 fl II ^ II 
 
 ^^rtf^ffl flHt fl W I 
 
 ■5 <+if«ihyiru2K *r^r: i F ^TT^nmTr: ^5 
 
 irftfr: i wtt^ *t?<tt ydctiOT^JT g% stvt?<t: i <ttt: ?t 
 Tvfyrri h^ttr: Hgf<T: 1 ?uT^!rf%f^m 
 
 i i THftpff ^T%iTT«wtii i 
 
APPENDIX. 
 
 Tale iv: Sham-warrior. 
 
 cr: bmsiiTm tt?: w aifcrTTxi: i ?r ^Tfir Yii’fRr: 
 
 H^T WT^T ^33tfl^af<lTPTWt- 
 
 ^TTf^fiTTW^prfT: i tt^jt h? *rsr- 
 
 JfiT^r I rr^ -W «4 <1 M j ^ -i W M I- 
 
 s*TPtw 3raT%^#r «hqiH ^n ^ ?WTHTf<T: i 
 3ffl4m ' 1 H^TT: firT tRlI I ^ 1 
 
 o», qTAi fri i ^iTril+rfftT: i *ani*l <r <i i ffl s*tsit 
 
 afTTHlfiff «i-^i3Ri f#?Rr w i wrftj airf- 
 
 Jja^ wt ^ri%cf<i i h ^ *n^=< i fj^ i- 
 
 ^fhciH. i HtmRrai: i sni aRrfrer srea fl^u i R T i 
 
 *nr: Hdl ^ i”I*u i fWiftrat i 
 
 i >r^ wt *n?raiiRr i 
 
 ’snfr si i *fr i firwT w i ^ 
 
 5RTS: I TR'fT SsRft^ I 
 i5 *r i 
 
 TJ^T ^JlfTRffT^ II 3* II 
 
 f^TTT-fr UWf I 
 
 18 ift# m^TtrofnT ^ tft H'N’ ^fnT g I 
 vYrr: h siiTOTj n ^ 11 
 
 ’sft ^ i 
 
 21 ^T^nr^Tf^^'Rt XTWT I 
 
 f^TT: ^T^f^ftn^TipRT: 11 R8 n 
 xwmi f^fTTHT: ^RTT^T^nTTft. I 
 
 24 ii ^fxr wrcgrrfa^'RiT ^ra^mt ^<r$ h 
 

 
 
 
 
 
 
HARVARD ORIENTAL SERIES 
 
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