°$M4 & Section .H44 HEATHEN MYTHOLOGY, ILLUSTRATED BY EXTRACTS FROM THE MOST CELEBRATED WRITERS, BOTH ANCIENT AND MODERN, ON THE GODS OF GREECE, ROME, INDIA, SCANDINAVIA, ETC. ETC. AM) K.MBKl.tlSHKD WITH NEAR TWO HUNDRED ENGRAVINGS AFTER DKSIGNS BV M. BARON. LONDON: W1LLOUGHBY AND CO., 86, ALDERSGATE STREET. MTtCCCXI.II. London: Printed by R. Willoughby. 86, Aldersgate Street, V- PREFACE. Upon a subject which has occupied the thoughts, and employed the pens of our most profound thinkers, and our ablest writers, it is perhaps difficult to say much that is likely to interest the reader, without the chance of being irksome from its proving a thrice told tale : and yet the subject is in itself so interesting, and so intimately connected with all that is most .fascinating to our remembrances, and so blended with all that reminds us of departed greatness, that it is scarcely possible to pass it coldly by, or to speak in the language of others, those ideas which excite our own imaginations. There was something very pleasing and very poetical, in the thought, that each river had its nymph, and every wood its god : that a visible power watched over even the domestic duties of the people, ready to punish or reward ; and that, too, in a manner so strange and immediate, that it must have greatly affected their minds, in stimulating to good, or deterring from evil. They were, indeed, the days of ''visible poetry ;" the "young hunter," in the pursuit of his favourite sport, might image to his mind the form and figure of Diana, accompanying him in the chase, not perhaps without a holy fear lest she should become visible to him, and the fate of Acteon should prove to be his. REFACE. The lover, as he sought the presence of his mistress, might, in his enamoured idea of her beauty, fancy that his idolatry was a real one, and that he wooed Venus in the form of a mortal ; or, in the tremor which then as now, pervaded the lover's bosom, he might fear that Jove himself would prove a rival, and swan-like, or in some other as picturesque a form, win her he sought for his own : and thus, every class of society, from the patrician to the peasant, must have been imbued with feelings which, while they believed them to be religious, we regard but as poetical. Leigh Hunt, who has said many things upon Mythology, quite as beautiful as his subject, remarks : — "From having a different creed of our own, and always encountering the Heathen Mythology in a poetical and fabulous shape, we are apt to have a false idea of the religious feeling of the ancients. We are in the habit of supposing, that they regarded their fables in the same poetical light as ourselves ; that they could not possibly put faith in Jupiter, Neptune, and Pluto ; in the sacrifice of innocent turtle doves, the libation of wine, and the notions about Tartarus and Ixion. "The greatest pleasure arising to a modern imagination from the ancient Mythology, is in a mingled sense of the old popular belief, and of the philosophical refinements upon it. We take Apollo, and Mercury and Venus, as shapes that existed in popular credulity, as the greater fairies of the ancient world : and we regard them, at the same time, as personifications of all that is beautiful and genial in the forms and tendencies of creation. But the result, coming as it does too through avenues of beautiful poetry, both ancient and modern, is so entirely cheerful, thai we are apt to think it must have wanted gravity to more believing eyes. Every forest, to the mind's eye of a Greek, was haunted with superior intelligences. Every stream had its presiding nymph, who was thanked tor her draught of water. Every house had its protecting gods which had blessed the inmate's ancestors ; and which would bless him I'REFACK. Vll also, if he cultivated the social affections : for the same word which expressed piety towards the Gods, expressed love towards relations and friends. If in all this there was nothing but the worship of a more graceful humanity, there may be worships much worse as well as better. " Imagine the feelings with which an ancient believer must have gone by the oracular oaks of Dodona, or the calm groves of the Eumenides, or the fountain where Proserpine vanished under ground with Pluto; or the laurelhd mountain Parnassus, on the side of which was the temple of Delphi, where Apollo was supposed to be present in person. Imagine Plutarch, a devout and yet a liberal believer, when he went to study theology and philosophy at Delphi : with what feelings must he not have passed along the woody paths of the hill, approaching nearer every instant to the presence of the divinity, and not sure that a glance of light through the trees was not the lustre of the god himself going by. This is mere poetry to us, and very fine it is ; but to him it was poetry, and religion, and beauty, and gravity and hushing awe, and a path as from one world to another." G. Moir Bussey, has also observed, with much elegance and feeling :— "The Mythology of the Ancients is one long romance in itself, full of poetry and passion— a mysterious compound of supernatural wonders and of human thoughts and feelings. It entrances us by its marvels, in child- hood ; and, in manhood, we ponder over it, if not with the same rapturous delight as formerly, yet at least with such a sense of pleasure as that in- spired by the perusal of a magnificent poem-the product of immortal mind-refreshing, invigorating, exalting. Beauty and strength— the might of man, and the majesty and sublimity of the misunderstood in- telligences of the godhead, not only constituted the worship of the Greeks of old, but governed their lives, their actions, their laws, and the very aspirations of their hearts. They aimed at excellence in the highest, in order that their statues might be installed in their national temples as Mil PREFACE. those of demi-gods, and the struggle brought them sufficient knowledge and energy to win deathless renown among men. All that they achieved, all that they meditated, bespeaks the soaring of a race bent upon con- quering every obstacle— natural or artificial — which stood between them and absolute perfection, whether in legislation, in philosophy, in art, in science, in literature, in poetry, in war, or in dominion." The reality of an every day world has now set its seal upon all that delighted the days of our youth, and would even arouse us from our reveries on this most charming of subjects : we will conclude with the words of Barry Cornwall. " Oh ! ye delicious fables, where the wave, And wood, were peopled ; and the air, with things So lovely — why, ah ! why has science grave Scattered afar your secret imaginings ? Why seared the delicate flowers that genius gave, And dash the diamond drops from fancy's wings ? Alas! the spirit languishes, and lies At mercy of life's dull realities. " No more by well, or bubbling fountain clear, The Naiad dries her tresses in the sun, Nor longer may we in the branches hear The Dryad talk, nor see the Oread run Along the mountains, nor the Nereid steer Her way among the waves when day is done, Shadows nor shape remain — " HEATHEN MYTHOLOGY HEATHEN MYTHOLOGY. INTRODUCTION. Tn the earlier part of the history of nations, Mythology has always been found to exist ; imaginary beings have been adored, and a system of worship established, which, though imperfect in itself, was satisfactory to those, who, looking beyond the abstract circumstance of its idolatry, discovered the grand truth, that how- ever rude, and however barbarous the people, there was a principle evidently acknowledged in their actions, of the necessity of a supreme being ; and a feeling, of which they could not dispossess themselves, that a divine being watched over, and was the rewaider of their good, or the punisher of their evil deeds. The priests of Phoenicia and Egypt were the origin of the elements of this profane faith, and through their means, its trans- mission may be traced to the Greeks, who after adopting, purified, or at least assisted in greatly refining it, before its reception by the Romans, who multiplied their Gods in about the same degree that their vices increased ; while their armies, which overran the l * INTRODUCTION. world, doubtless gave to the Scandinavians and the Gauls, their ideas of the faith of Odin ; and the fables of the Hindoos and those of the American people, must be ascribed to the same source. It has been with many an endeavour to trace in the mythologies of various nations, a resemblance to the more holy histories of our own faith ; and they assert, that in many of the fables, with which we are familiar, are to be traced the types or symbols of part of that revelation which is the ground work of our own belief, but this is, at best, so vague and shadowy, that its inculcators get lost in their own inventions, and their followers scarcely comprehend the assertions they are called on implicitly to believe. With this we have nothing to do, the object of the present work being the endeavour to offer a brief and succinct history of those Gods whose adventures have created most interest, and by means of them to give an additional zest to the perusal of the great poets and writers of antiquity, whose works are either founded on these actual adven- tures, or abound with allusions to them, and without the knowledge of which, it may be asserted, that the mind is scarcely able to do justice to them any more than to modern writers, since the works of the latter teem with images drawn from classical subjects. Nor indeed is this to be wondered at, when we consider the various subjects connected with fable; and in this view of our subject we are borne out by a distinguished writer in the following elegant remarks : " Men of a phlegmatic disposition," observes Dr. Turner, " or of a censorious temper, never cease to rail against the delightful fictions with which Homer and Hesiod, and their poetical imitators have enriched and embellished their works; but although these fictions did not contain many useful instructions, and important truths, would there be any reason to attack and destroy a system, which peoples and animates nature, and which makes a solemn temple of the vast universe ? These flowers, whose varied and shining beauty you so much admire, are the tears of Aurora. It is the breath of Zephyrus which gently agitates the leaves. The soft murmu rings of the waters are the sighs of the Naiades. A god impels the wind ; a god pours out the rivers ; grapes are the gift of Bacchus ; Ceres presides over the harvest ; orchards are the care of Pomona. Does a shepherd sound his reed on the summit of a mountain, it is Pan. who with his pastoral pipe returns the amorous lay. INTRODUCTION. na, " When the sportsman's horn rouses the attentive ear, it is Diai armed with her bow and quiver, and more nimble than the stag that she pursues, who takes the diversion of the chase. The sun is a god, who, riding in a car of fire, diffuses his light through the world : the stars are so many divinities, who measure with their golden beams, the regular progress of time ; the moon presides over the silence of night and consoles the world for the absence of her brother. Neptune reigns in the sea, surrounded by the Naiades, who dance to the joyous shells of the Tritons. In the highest heaven is seated Jupiter, master and father of men and gods. Under his feet roll the thunders, in the caverns of Etna, forged by the Cyclops ; his smile rejoices nature ; and his nod shakes the foundation of Olympus. Surrounding the throne of their sovereign, the other divinities quaff nectar, from a cup presented them by the young and beautiful Hebe. In the middle of the great circle shines, with distinguished lustre, the unrivalled beauty of Venus, alone adorned with a splendid girdle in which the Graces for ever play, and in her hand is a smiling boy whose power is universally acknowledged by heaven and earth. Sweet illusions of the fancy ! pleasing errors of the mind ; what objects of pity are those cold and insensible hearts who have never felt your charms ! and what objects of pity and indignation those fierce and savage spirits, who would destroy a world that has so long been the treasury of the arts ! a world, imaginary indeed, but delightful, and whose ideal pleasures are so well fitted to com- pensate for the real troubles and miseries of the world in which we live." If we turn to a still higher authority (and we acknowledge that the subject has been treated of so often and in so masterly a style by men of whom, the world was scarcely worthy, that we are willing rather to present their matured opinions, than to obtrude our own) we shall find that Lord Bacon treats of the subject in a manner which maintains his high character as a profound thinker. " I am not ignorant," he says, " how uncertain fiction is, and how liable to be wrested to this or that sense, nor how prevalent wit and discourse are, so as ingeniously to apply such meanings as were not thought of originally ; but let not the follies and license of a few lessen the esteem due to parables; for that would be profane and bold, since religion delights in such veils and shadows: but, reflecting on human wisdom I ingenuously confess my real opinion is, that INTRODUCTION. mystery and allegory were from the original intended in many fables of the ancient poets, this appears apt and conspicuous to me ; whether ravished with a veneration for antiquity, or because I find such coherence in the similitude with the things signified, in the very texture of the fable, and in the propriety of the names which are given to the persons or actors in the fables ; and no man can positively deny that this was the sense proposed from the beginning, and industriously veiled in this manner. . . No one should be moved, if he sometimes finds any addition for the sake of history, or by way of embellishment; or if chronology should happen to be confounded, or if part of one fable should be transferred to another, and a new allegory introduced : for these were all necessary, and to be expected, seeing they are the inventions of men of different ages, and who writ to different ends ; some with a view to the nature of things and others to civil affairs. We have another sign, and that no small one, of this hidden sense which we have been speaking of, which is, that some of these fables are in the narration so foolish and absurd, that they seem to proclaim a parable at a distance. Such as are probable may be feigned for amusement, and in imitation of history ; but where no such designs appear, but they seem to be what none would imagine or relate, they must be calculated for other uses. What has a great weight with me, is, that many of these fables seem not to be invented by those wdio have related them, Homer, Hesiod, and other writers ; for were they the fictions of that age, and of those who delivered them down to us, nothing great and exalted, according to my opinion, could be expected from such an origin ; but if any one will deliberate on this subject attentively, these will appear to be delivered and related as what were before believed and received, and not as tales then first invented and communicated ; besides, as they are told in different maimers, by authors of almost the same times, they are easily perceived to be common, and derived from old tradition, and are various only from the additional embellishments diverse writers have bestowed on them. . . The wisdom of the ancients was either great or happy, great if these figures were the fruits of their industry; and happy if they looked no further, that they have afforded matter and occasion so worthy of contemplation." BRUCNOT. Sc OLYMPUS. THE DIVINITIES OF FABLE. The stars were the first recipients of the homage of mankind ; and thus Heaven is the most ancient of the (sj|>ds. As the world increased, they deified heroes. The Gods of the ancients were divided into many classes. The principal, or Gods of the first order, amounted to twenty, viz : — Jupiter, Juno, Neptune, Ceres, Mercury, Minerva, Vesta, Apollo, Diana, Venus, Mars, Vulcan, Destiny, Saturn, Genius, Pluto, Bacchus, Love, Cybele, and Proserpine. Besides these more important ones, they had others, such as Chaos ; which did not belong to any particular class, and which were not the object of any faith. " Before the seas, and this terrestrial ball, And Heaven's high canopy, that covers all, One was the face of nature — if a face ; Rather a rude and indigested mass; A lifeless lump, unfashioned and unframed, Of jarring seeds; and justly Chaos named. No sun was lighted up, the world to view ; No moon did yet her blunted horns renew ; Nor yet was earth suspended in the sky ; Nor poised, did on her own foundations lie : Nor seas about their shores the arms had thrown ; But earth, and air, and water were in one. Thus air was void of light, and earth unstable, And waters dark abyss unnavigable. No certain form on any was imprest ; All were confused, and each disturbed the rest. For hot and cold were in one body fix'd ; And soft with hard, and light with heavy mix'd. But God, or Nature, while they thus contend, To these intestine discords put an end : Then earth from air, and seas from earth were driven, And grosser air sunk from ethereal Heaven. The force of fire ascended first on high, And took its dwelling in the vaulted sky : Then air succeeds, in lightness next to fire ; Whose atoms from unactive earth retire. Earth sinks beneath, and draws a numerous throng Of ponderous, thick, unwieldy seeds along. About her coasts unruly waters roar, And, rising on a ridge, insult the shore. Thus when the God, whatever God was he, Had formed the whole, and made the parts agree, That no unequal portions might be found, He moulded earth into a spacious round : Then, with a breath, he gave the winds to blow ; And bade the congregated waters flow : CHAOS. He adds the running springs, and standing lakes: And bounding banks for winding rivers makes. Some part in earth are swallowed up; the most In ample oceans disembogued, are lost: He shades the woods, the valleys he restrains With rocfcjF mountains, and extends the plains. And as five zones the ethereal regions bind, Five, correspondent, are to earth assigned : The sun with rays, directly darting down, Fires all beneath, and fries the middle zone : The two beneath the distant poles, complain Of endless winter, and perpetual rain." Ovid. Chaos is often mentioned in the history of the Gods, but seems only to have had a momentary reign. He is the most ancient of all, for he presided over the elements that composed the universe. He is usually represented at the moment that he assigned to each element its place. To create the light of day, he repelled all the dark and thick clouds, and then formed the zodiac, glittering with stars above his head. The poetic idea of Chaos is found in sacred history, in the creation, as well as in all mythology where we see the names of Bramah, Vishnu and Siva. URANUS, OR HEAVEN. Uranus, or Heaven, was the son of Day. Espousing his sister Titaea ; from their union sprang the Titans, those giants of antiquity who occupy so important a position in the annals of Fable. Of these children of the earth the principal were Titan, Saturn, and Hyperion, of the males ; whilst among the females were comprised Thea, Rhea, Themis, and Mnemosyne. After this Titaea bore the Cyclops, three of whom became servants to Vulcan, forging, under his direction, the thunderbolts of the great Jove ; while the remain- der wandered around the coast, leading the lives of shepherds. " Three sons are sprung from Heaven and Earth's embrace, The Cyclops bold, in heart a haughty race, Brontes and Steropes, and Arges brave, Who to the hands of Jove the thunder gave : They for almighty power did lightning frame, All equal to the gods themselves in fame ; One eye was placed (a large round orb, and bright) Amidst their forehead to receive the light; Hence were they Cyclops called." Hesiod. Uranus, however, as time passed, began to fear lest the offspring, which rose to such gigantic strength, should dethrone him ; and by his power he threw them down an abyss, into which the light of day could never penetrate. This tyranny, however, only ripened the spirit of rebellion which he feared, and their frightful confine- ment but urged them to greater efforts to escape. They all arose against him, but were compelled to yield after a desperate struggle H SATURN, OR TIME. for supremacy ; while rebellion brought its accustomed curse, in heavier chains and more rigorous captivity, to all save Saturn, who, led by ambition and vengeance, and assisted by his mother in his schemes, dethroned his sire, usurped his empire, and delivered his brethren. The defeated monarch fell beneath his son's parricidal hand, and from the blood thus shed sprang the Giants and the Furies, render- ing fruitful also the foam of the sea, of which was born Venus Aphrodite. SATURN. By right of succession the sceptre of Uranus belonged to Titan, the eldest of the sons of the murdered monarch. " Titan, heaven's first born, With his enormous brood, and birthright seized By younger Saturn ; he from mightier Jove His own and Rhea's son like measure found. Or who with Saturn old Fled over Adria to the Hesperian fields, And o'er the Celtic roamed the utmost Isles." Mij.ton. Compelled to renounce his claim in favour of Saturn, who delivered them all from their confinement; but with the condition that whatever BTTfff f fffM SATTJRN, OR TIME. children might be born to him, should be destroyed. Saturn, faithful to his promise, swallowed, at their birth, all the male children brought to him by his wife Cybele. But a mother's yearning for her offspring, appears to have filled even the breast of a goddess ; and when delivered of Jupiter and Juno, she placed a stone instead of the newly-born, in the arms of the god, habited in an infant's dress. " Jealous of the infant's future power, A stone the mother gave him to devour ; Greedy he seized the imaginary child, And swallowed heedless, by the dress beguiled ; Nor thought the w retched god of aught to fear, Nor knew the day of his disgrace was near ; Invincible remains his Jove alive, His throne to shake, and from his kingdom drive The cruel parent ; for to him 'tis given To rule the gods, and mount the throne of heaven." Hesiod. Saturn devoured this, as he had the previous offerings ; and emboldened by her success, Cybele delivered in the same manner Pluto and Neptune, and afterwards, by administering a potion, compelled him to yield up those he had already swallowed. Jupiter, the first whom the Goddess had saved by her artifice, was brought up secretly in the Isle of Crete, by the Cory ban tes, or warrior priests, who, making a deafening noise with their drums and cymbals, prevented for a period the cries of the infant from reaching the ears of Titan : when, however, the latter discovered, as he eventually did, that his hopes had been deceived, and his 2 10 JANUS — THE GOLDEN AGE. agreement broken, he assembled an army, marched against Saturn, (who by this time was made aware of the deception, but refused to destroy his children), took him prisoner, and threw him into Tartarus, from whence he was delivered by Jupiter, and replaced upon his throne. But the fears of Saturn rendered him ungrateful to his deliverer, for Destiny having prophesied that Saturn should be dethroned by his son, the God attacked Jupiter in ambush, and finished, by declaring open war against him. Jupiter, however, again proved conqueror, chasing from heaven his father and his king, who took refuge in that part of Italy known as Latium ; Janus, monarch of this city of refuge, succoured and received him, and Saturn, to recompense his hospitality, granted to him the gift of memory, and of looking into the future. From this cause, Janus is represented with a double face. The time which Saturn passed on earth is known as the age of gold. " Ere Saturn's rebel son usurped the skies ; When beasts were only slain in sacrifice ; While peaceful Crete enjoyed her ancient lord ; Ere sounding hammers forged the inhuman sword ; Ere hollow (hums were beat ; before the breath Of brazen trumpets rung the peals of death, The good old God his hunger did assuage With roots and herbs, and gave the golden age." Virgil. " The Golden age was first; when man yet new, No rule but uncorrupted reason knew, And with a native bent did good pursue ! Unforced by punishment, unawed by fear, His words were simple, and his soul sincere. Needless was written law, when none oppressed, The law of man was written in his breast ; No suppliant crowds before the judge appeared, No court erected yet, nor cause was heard ; But all was safe, for conscience was their guard : The mountain trees in distant prospects please, Ere yet the pine descended to the seas ; Ere sails were spread new oceans to explore, And happy mortals unconcerned for more, Confined their wishes to their native shore : No walls were yet, nor fence, nor moat, nor mound, Nor drum was heard, nor trumpets' angry sound ; • Nor swords were forged, but void of care or crime, The soft creation slept away their time ; The teeming earth, yet guiltless of the plough, And unprovoked did fruitful stores allow ; SATURN, OR TIME. II Content with food, which nature freely bred, On wildings and on strawberries they fed : The flowers unsown in fields and meadows reigned, And western winds immortal spring maintained; In following years the bearded corn ensued, From earth unasked, nor was that earth renewed ; From veins of valleys, milk and nectar broke, And honey sweating thro' the pores of oak." Ovid. From the gaieties and fetes which then took place arose the name of Saturnalia, or fetes of Saturn, which lasted three, four, and five days, and took place in December. All work was stayed, friend interchanged gifts with friend, the preparations for war and the execution of criminals were alike suspended, while masters waited on their slaves at table, in remembrance of the ideas of liberty and equality, which existed in ancient days. Janus was represented supported by a staff, with a key in his hand, as he was believed to be the inventor of doors and of locks. From his name came the month of January. He worshipped at twelve altars, to represent the twelve months ; and wore occasionally four faces, as tokens of the four seasons of the year. At Rome, in which his temple was placed, it was open in the time of war, and shut during that of peace. Saturn, or Time, is represented sometimes on a flying chariot, and sometimes on a throne, under the figure of an old and bearded man, severe in aspect, thin and yet robust, his eyes marked by a stern light ; a veil on his head, and a serpent round his waist ; while in his hand he carries a harp. In later times he is represented with a scythe. " Unfathomable sea ! whose waves are years ; Ocean of Time, wjjose waters of deep woe Are brackish with the salt of human tears ; Thou shoreless flood, which in thy ebb and flow Claspest the limits of mortality! And sick of prey, yet howling on for more, Vomitest wrecks on its inhospitable shore. Treacherous in calm and terrible in storm, Who shall put forth on thee, Unfathomable sea?" Shelley. With his scythe and with his wings, our eyes are familiar, as, to the present day, he is never drawn without these accompaniments. 12 SATURN, OR TIME. ' ; To one that marks the quick and certain round Of year on year, and finds that every day Brings its grey hair, or hears a leaf away From the full glory with which life is crowned, Ere youth "becomes a shade, and fame a sound : Surely to one that feels his foot on sand Unsure, the bright and ever visible hand Of Time, points far above the lowly bound Of pride that perishes : and leads the eye To loftier objects and diviner ends ; A tranquil strength, sublime humility, A knowledge of ourselves, a faith in friends, A sympathy for all things born to die, With cheerful love for those whom truth attends." Laman Blanchard. This fable is easy of explanation. Time is the child of heaven and earth ; he has wings because he flies rapidly, a scythe because he destroys all, an hour-glass to measure his course equally; and the serpent is the symbol of eternity, which has neither a beginning nor an end. He slew his father, because, the world and time once created, he could exist no longer ; he devoured his infants because time destroys all, and he threw them from his stomach because time returns with the years and days ; and this part of the fable is also an image of the operations which nature accomplishes under the influence of time. He did not devour Jupiter, as he represents the celestial regions, nor Juno, she being the prototype of the air: Time, mighty and all-destroying as he is, iiavlinjf no influence over the elements. CYBELE, VEST A. This goddess was the daughter of Uranus, being the sister and wife of Saturn. As soon as she was born, she was exposed on a mountain, but being preserved and suckled by some of the wild beasts of the forest, she received the name of Cybele from the mountain where her life had been preserved. She is called also the ancient Vesta, to distinguish her from her daughter Vesta, who, with her mother, is also called Cybele. But the Deity of whom we now write is the earth, and is easy to distinguish from her daughter. In several temples of the ancients, the statues of Cybele were only a piece of stone, meant to represent the stability of the earth. This great Goddess saw and became enamoured of a shepherd, who repulsed her affection, being in love with a mortal nymph ; and rather than submit to the tyrannical passion of Cybele, he is said to have destroyed himself, and the goddess metamorphosed him into a pine-tree. ■&&**' In the mythology of every country, this Deity is found, though under various names. She is represented with keys in her hand, her head crowned with rising turrets, and sometimes with the Leaves 11 THK VESTALS. of an oak. She is also seen with many breasts, to intimate that the earth gives aliment to all living creatures. To her daughter, who presided over the fiery element, Numa Pompilius consecrated an altar, where virgins, named Vestals, maintained perpetual fire. At Delphi and at Athens the priestesses were not virgins, as at the other temples, but widows who were past the time of marriage. It was the employment of the Vestals to take care that the sacred (ire of Vesta was not extinguished, for if it ever happened, it was deemed the prognostic of great calamities to the state : the offender was punished for negligence, and severely scourged by the high priest. The privileges of the Vestals were great : they had the most honourable seats at the public games and festivals, a lictor preceded them when they walked in public ; they were carried in chariots when they pleased, and had the power of pardoning criminals if they encountered them on the way to execution, and the meeting was declared to be purely accidental. Such of them as forgot their vow, were placed in a large hole under the earth, where a bed was placed, with a little bread, wine, THE VESTALS. 15 oil, arid a lighted lamp : the guilty Vestal was stripped of the habit of her order, and compelled to descend into the subterranean cavity, which was immediately shut, and she was left to die of hunger. Vestal. Spare me ! oh spare ! Priest. Speak not, polluted one. Vestal. Yet spare me ! Priest. Thou pleadst in vain — thy destiny is fixed. Vestal. Mercy — oh ! mercy ; tho' my sin be great, Life is so beautiful I cannot die ; And earth seems smiling with intenser light, And flowers give forth an odour ever new, The stars look brighter still than when of old I watched them fading from the mountain top : Earth, sky and air, are all so beautiful, I cannot, dare not, will not, think of death ! Priest. It is thy doom ! thy living grave is near. Thou hast despoiled the Goddess of her due, The vow thou gavest to her thou hast broken, And thou must pay the awful penalty ! Vestal. The grave — a living grave — thou meanst it not — To ope my eyes in th' ever during dark, To breathe a thick and frightful atmosphere, Drawn from my sighs and dampened with my tears J Priest. The Gods demand their victim ! Vestal. 'Tis blasphemy to think it ; Oh ! if thou ever knew'st a father's love, A mother's sigh, a sister's soft caress, If but one human sympathy be left, Pardon, oh 1 pardon ! Priest. Cling not around me, girl, touch, touch me not ; The power to pardon lieth not in man. Thy hour hath come. Vestal, (clasping him). I will not quit thee ; Thou art a man with human sympathies ; Madness will touch my brain ; I cannot, will not yield. Grant me some other death : poison or steel, Or aught that sends me suddenly from earth ; But to be wrapt in clay, and yet not of it, To feel the earth crumbling around my brow, To scent its foul and noisome atmosphere, Is more than frail mortality can bear. Anon. JUPITER, The nymphs of mount Ida, to whom Cybele had confided her son, educated him with great care ; but his cries being likely to call the attention of Saturn and Titan, the priests invented a dance accompanied with noise, called the Dactyl, in which they inter- changed blows on steel bucklers. His nourishment was received from a goat, who was afterwards placed among the heavenly constellations, having given his skin to form a shield, and one of his horns, which was presented to the nymphs, and named the Horn of Plenty. As Jupiter emerged from infancy, we have seen he had to strive with the Titans, who disputed with him the right to reign in Heaven. The first of their feats was to heap mountain on mountain in order to scale the walls of Heaven ; they then threw fragments of rocks and burning trees against " high Olympus." " But vainly came Typhreus on, And vainly huge Porphyrion, Fierce Rhoetus of the vengeful stroke, And Minias strong as mountain oak, With bold Encelaedas, to heaven who strove To dart the trees, uprooted, from the grove : For weak their might against the shield Which Pallas' matchless arm did wield ; While quick against the giant foes Juno, and ardent Vulcan, rose ; And to the fight the young Apollo sped, Glittering afar with hows and arrows dread, Who bathing in Castalian dew, His tresses loose of golden hue, Rejoicing in his youth is seen Amid the Lycian valleys green, Or in the Delian groves will sport oftwhile Amid the flowers that deck his native isle." Horace. The Gods at first defended themselves with great courage, but at the appearance of the hundred-headed Typhon, all, save Bacchus, sought safety in flight, and hid themselves in Egypt, where they obtained refuge under various forms ■ from the different disguises they then assumed, may be traced the worship rendered by the Egyptians to both animals and vegetables, THE TITANS WAR AGAINST JUPITER. 17 Typhon, who thus, by his mere appearance, seemed to turn the tide of war, is thus described : " Typbon, whose hands Of strength are fitted to tremendous deeds ; And indefatigable are the feet Of the strong God : and from his shoulders rise A hundred snaky heads of dragon growth." IIesiod. Notwithstanding the dire appearance of this monster, Bacchus fought bravely against the foes of Heaven, and took the form of a Lion, while animated by the cries of Jupiter, who shouted " Courage, courage !" his bravery turned the tide of war. " And now the murmur of incitement flies, All ranged in martial order, through the skies ; Here Jove above the rest conspicuous sinned, In valour equal to his strength his mind ; Erect and dauntless see the thunderer stand, The bolts red hissing from his vengeful hand ; He walks majestic round the starry frame; And now the lightnings from Olympus flame. The earth wide blazes with the fires of Jove, Nor the flash spares the verdure of the grove." Husiod. The invaders, at length, were overthrown, and crushed beneath the mountains which they themselves had prepared to execute their vengeance on Jupiter. Many times, though vainly, the Titans sought to avenge their defeat; and Olympus, from this time, was only troubled by internal dissensions. " The bruised Titans mourned Within a den where no insulting light Could glimmer on their tears ; where their own groans They felt, but heard not; hard flint they sat upon, Couches of rugged stone and slaty ridge, Stubborned with iron. Cceus and Gyges and Briareus, With many more, the brawniest in assault, Were pent in regions of laborious breath ; Dungeoned in opague element to keep Their clenched teeth still clenched, and all their limbs Locked up like veins of metal cramped and screwed : Without a motion save of their big hearts, Heaving in pain." Keats' Hyperion. After his victory, Jupiter, who had driven Saturn from Heaven, and was in consequence its undisputed king, espoused Juno his sister. 3 18 JUPITER AMMON PROMETHEUS. The commencement of their union was a happy one, and was called the age of silver, being an era of virtue, less pure, however, than that of the age of gold. " But when good Saturn banished from above Was driven to hell, the world was under Jove. Succeeding times a silver age behold, Excelling brass, but more excelled by gold ; Then summer, autumn, winter did appear, And spring was but a season of the year. The sun his annual course obliquely made, Good days contracted and enlarged the bad. Then air with sultry heat began to glow ; The wings of winds were clogged with ice and snow ; And shivering mortals into houses driven, Sought shelter from the inclemency of heaven. Those houses then were caves or homely sheds, With twining osiers fenced, and moss their beds : Then ploughs for seed the fruitful furrows broke, And oxen laboured first beneath the yoke." Ovid. Nor was crime long in making its appearance. Hyacon, King of Arcadia, violated all the laws of hospitality by the massacre of his o-uests. He had the cruelty to offer up to Jupiter, in one of the high festivals, the members of a slave, as an offering to the God. But his punishment was as swift as his conduct had been atrocious : his palace was reduced to ashes, and his form was changed into that of a wolf. From this Jupiter took the name which denotes him an avenger of the laws of hospitality. Jupiter is also distinguished by the name of Amnion from the following circumstance : Bacchus being in the midst of the sands of Arabia, was seized with a thirst so burning, that he was reduced to long even for a drop of water. Jupiter presented himself to him under the form of a battering-ram, and striking the earth, caused the grateful liquid to spring forth in abundance. Bacchus, to commemorate the deed, erected a temple to his benefactor in the deserts of Lybia, under the name of Jupiter Amnion, i. e. — sandy. By this time mankind had owed their creation to the King of the Gods. Prometheus, grand-son of Uranus, having deceived Jupiter, he was punished by being withheld from the element of fire; and to enrage his sovereign, he formed a being of clay, of workmanship so exquisite, that it scarcely seemed to need life to add to its beauty, and to complete his performance, assisted PUNISHMENT OF PROMETHEUS. 19 by Minerva, he stole fire from the chariot of the sun, wherewith to animate his image. Enraged at this daring, Jupiter had him conveyed to Mount Caucasus, where being chained to the rock, a vulture preyed upon his entrails, which grew as fast as they were devoured, thus subject- ing him to a never dying torture. Awful sufferer To thee unwilling, most unwillingly I come, by the great Father's will driven down, To execute a doom of new revenge. Alas ! I pity thee, and hate myself, That I can do no more : aye from thy sight Returning, for a season, heaven seems hell, So thy worn form pursues me night and day, Smiling reproach. Wise art thou, firm and good, But vainly wouldst stand forth alone in strife Against the Omnipotent : as yon clear lamps, That measure and divide the weary years From which there is no refuge, long have taught And long must teach. Even now the Torturer arms With the strange might of unimagined pains The powers who scheme slow agonies in hell ; And my commission is to lead them here, Or what more subtle, foul, or savage fiends People the abyss, and leave them to their task. Oh that we might be spared : I to inflict, And thou to suffer ! once more answer me : Thou knowest not the period of Jove's power ? Prometheus. I know but this, that it must come. First Fury. Prometheus ! Second Fury. Immortal Titan ! Third Fury. Champion of Heaven's slaves ! Pro. He whom some dreadful voice invokes is here, Prometheus, the chained Titan. Horrible forms, Whence and what are ye ? Never yet there came 20 PROMETHEUS PANDORA. Phantasms so foul thro' monster-teeming hell, From the all miscreative brain of Jove ; Whilst I behold such execrable shapes, Methinks I grow like what I contemplate, And laugh and stare in loathsome sympathy. First Fury. We are ministers of pain, and fear, And disappointment, and mistrust, and hate, And clinging crime ; and, as lean dogs pursue Thro' wood and lake some struck and sobbing fawn, We track all things that weep, and bleed, and live, When the great king betrays them to our will. Pro. Oh ! many fearful natures in one name, I know ye ; and these lakes and echoes know The darkness and the clangour of your wings. But why more hideous than your loathed selves Gather ye up in legions from the deep ! Second Fury. We knew not that : Sisters, rejoice ! rejoice ! Pro. Can aught exult in its deformity ? Second Fury. The beauty of delight makes lovers glad, Gazing on one another : so are we, As from the rose which the pale priestess kneels To gather for a festal crown of flowers, The aerial crimson falls, flushing her cheek. So from our victim's destined agony, The shade which is our form invests us round ; Else we are shapeless as our mother night. Pro. I laugh your power, and his who sent you here, To lowest scorn. Pour forth the cup of pain. First Fury. Thou thinkest we will rend thee bone from bone, And nerve from nerve, working like fire within ! Pro. Pain is my element, as hate is thine ; Ye rend me now ; I care not. Second Fury. Dost imagine We will but laugh into thy lidless eyes ? Pro. I weigh not what ye do, but what ye suffer, Being evil. Cruel is the power which called You, or aught else so wretched into light ! Third Fury. Thou think'st we will live through thee one by one, Like animal life, and though we can obscure not The soul which burns within, that we will dwell Beside it, like a vain, loud multitude, Vexing the self-content of wisest men : That we will be dread thought beneath thy brain, And foul desire round thine astonished heart, And blood within thy labyrinthine veins, Crawling like agony. Pro. Why use me thus now, Yet am I king over my self's rule, The torturing and conflicting throes within, As Jove rules you when hell grows mutinous." Shelley. This provoked the vengeance of Jupiter, and he ordered Vulcan to create a female, whom they called Pandora. All the Gods vied in making presents. Venus gave her beauty, and the art of pleasing ; PANDORA S BOX. ~1 Apollo taught her to sing ; Mercury instructed her in eloquence ; Minerva gave her the most rich and splendid ornaments. From these valuable presents which she received from the Gods, the woman was called Pandora, which intimates that she had received every necessary gift. Jupiter, after this, gave her a beautiful box, which she was ordered to present to the man who married her ; and by the command of the god, Mercury conducted her to Prometheus. The artful mortal was sensible of the deceit; and as he had always distrusted Jupiter, he sent away Pandora without suffering himself to be captivated by her charms. " He spoke, and told to Mulciber his will, And smiling* bade him his command fulfil; To use his greatest art, his nicest care, To frame a creature exquisitely fair; To temper well the clay with water, then To add the vigour and* the voice of men ; To let her first in virgin lustre shine, In form a goddess, with a bloom divine; And next the sire demands Minerva's aid, In all her various skill to train the maid • Bids her the secrets of the loom impart, To cast a curious thread with happy heart ; And golden Venus was to teach the fair The wiles of love, and to improve her air ; And then in awful majesty to shed A thousand graceful charms around her head. Next Hermes, artful god, must form her mind, One day to torture, and the next be kind : With manners all deceitful, and her tongue Fraught with abuse, and with detraction hung; Jove gave the mandate, and the gods obeyed : First Vulcan formed of earth the blushing maid ; Minerva next performed the task assigned, With every female art adorned her mind ; To her the Beauties and the Graces join, Around her person, lo ! the diamonds shine. To deck her brows the fair tressed seasons bring, A garland breathing all the sweets of spring : Each present Pallas gives its proper place, And adds to every ornament a grace ! Next Hermes taught the fair the heart to move With all the false alluring arts of love, Her manners all deceitful, and her tongue With falsehoods fruitful, and detraction hung ; The finished maid the gods Pandora call, Because a tribute she received from all ; And thus 'twas Jove's command the sex began A lovely mischief to the soul of man ! Within her hand the nymph a casket bears, Full of diseases and corroding cares : 22 PANDORA — HOPE. Which opened, they to taint the world begin And Hope alone remained entire within ! Such was the fatal present from above, And such the will of cloud compelling Jove : And now unnumbered woes o'er mortals reign Alike infected is ihe land and main ; O'er human race distempers silent stray, And multiply their strength by night and day ! 'Twas Jove's decree they should in silence rove, For who is able to contend with Jove ? " Hesiod. When the box was opened, there issued from it a multitude of evils and distempers, which dispersed themselves over the world, and which from that fatal moment have never ceased to afflict the human race. Hope alone remained at the bottom, and that only has the power of easing the labours of man, and rendering his troubles less painful. " But thou, oh ! Hope, with eyes so fair, What was thy delighted measure ? Still it whispered promised pleasure, And bade the lovely scenes at distance hail ! Still would her touch the strain prolong, And from the rocks, the woods, the vale, She called on Echo still throughout the song; And where her sweetest theme she chose A soft responsive voice was heard at every close, And Hope, enchanted, smiled and waved her golden hair 1" Collins. " Hope sets the stamp of vanity on all, That men have deemed substantial since the fall, Yet has the wondrous virtue to educe, From emptiness itself, a real use ; And while she takes, as at a father's hand, What health and sober appetite demand, From fading good derives with chemic art That lasting happiness, a thankful heart. Hope with uplifted foot set free from earth Pants for the place of her ethereal birth ; Hope, as an anchor firm and sure, holds fast The Christian vessel, and defies the blast. Hope ! nothing else can nourish and secure His new born virtue, and preserve him pure. Hope! let the wretch once conscious of the joy, Whom now despairing agonies destroy, Speak, for he can, and none so well as he, What treasures centre, what delights in thee. Had he the gems, the spices, and the land That boasts the treasure, all at his command, The fragrant grove, th* inestimable mine, Were light when weighed against one smile of thine." COWPKK AGE OF STEEL — EUROPA. 23 After this commenced the age of steel, when even Jupiter abandoned himself to the fiery passions of love, jealousy, and " Hard steel succeeded then : And stubborn as the metal were the men. Truth, modesty, and shame the woild forsook ; Fraud, avarice, and force, their places took. Then sails were spread to every wind that blew, Raw were the sailors, and the depths were new : Trees, rudely hollowed, did the waves sustain, Ere ships in triumph, ploughed the watery plain. Then landmarks limited to each his right ; For all before was common as the light : Nor was the ground alone required to bear Her annual income to the crooked share, But greedy mortals rummaging her store, Dug from her entrails first the precious ore, Which next to hell the prudent Gods had laid, And that alluring ill to sight displayed. Thus cursed steel, and more accursed gold, Gave mischief birth, and made the mischief bold, And double did wretched man invade, By steel assaulted, and by gold betrayed. Now (brandished weapons glittering in their hands) Mankind is broken loose from moral bands : No right of hospitality remain ; The guest, by him who harboured him, is slain. The son-in-law pursues the father's life, The wife her husband murders, he the wife ; The step-dame poison for the son prepares ; The son inquires into his father's years. Faith flies, and piety in exile mourns ; And justice, here opprest, to heaven returns." Ovid. He was enamoured of Antiope, Alcmena, Danae, Leda, Semele, Europa, Calista, and a crowd of other goddesses and mortals. The principal names given to Jupiter are the Thunderer, the Avenger, the God of Day, the God of the Worlds, and lastly of Olympus, in which he dwelt, and on which poets and painters have exercised their imaginations. The figures of Jupiter have varied according to the circumstances and the times in which they have appeared. He has been repre- sented as a swan, a bull, a shower of gold, and as a cuckoo : but Homer appears to have inspired ideas of the most noble kinds to the sculptors of antiquity. The divine poet represents the King of Gods seated on a golden throne, at the feet of which are two cups, containing the principle of good and evil. His brow laden with 24 JUPITER — OLYMPIAN GAMES. dark clouds; his eyes darting lightning from beneath their lids; and his chin covered with a majestic beard. In one hand the sceptre, in the other a thunderbolt. The virtues are at his side : at his feet the eagle who bears the thunderbolt, One frown from his eyes makes the whole earth tremble. The Olympian games in Greece were instituted in honour of this God, from those celebrated at Olympus. The following, perhaps the finest description we have of Jupiter, while granting the prayer of Achilles, is from Homer's Iliad. " Twelve days were passed, and now the dawning- light, The Gods had summoned to the Olympian height. Jove first ascending from the watery bowers, Leads the long order of ethereal powers. When like the morning mist in early days, Rose from the flood the daughter of the seas; And to the seats divine her flight addressed. There far apart, and high above the rest The Thunderer sat ; where old Olympus shrouds His hundred heads m heaven, and props the clouds. Suppliant the Goddess stood : one hand she placed Beneath his beard, and one his knees embraced : * If e'er, O father of the Gods ! ' she said, My words could please thee, or my actions aid ; Some marks of honour on my son bestow, And pay in glory what in life you owe. Fame is at least by heavenly p'romise due, To life so short, and now dishonoured too. Avenge this wrong, oh ever just and wise; Let Greece be humbled, and the Trojans rise ; Till the proud king, and all the Aehaian race, Shall heap with honours him they now disgrace.' " , IIOMitK. juno. 25 Jupiter is often described by the ancients as visiting the earth in disguise, and distributing to its inhabitants his punishments or rewards. Ovid relates one in connexion with the luxury of Rome, and in which the hospitality of Baucis and Philemon saved them from the fate of their friends. He is represented as the guardian of man, and dispenser of good and evil. " While we to Jove select the holy victim, Whom after shall we sing than Jove himself? The God for ever great, for ever king, Who slew the earth-born race, and measures right To heaven's great habitants. Swift growth and wondrous grace, oh ! heavenly Jove, Waited thy blooming years : inventive wit, And perfect judgment crowned thy youthful act Thou to the lesser gods hast well assigned Their proper shares of power ; thy own, great Jove, Boundless and universal. Each monarch rules His different realm, accountable to thee, Great ruler of the world ; these only have To speak and be obeyed ; tt those are given Assistant days to ripen the design ; To some whole months ; revolving years to some ; Others, ill-fated, are condemned to toil Their tedious life, and mourn their purpose blasted, With fruitless act and impotence of eounsel. Hail ! greatest son of Saturn, wise disposer Of every good ; thy praise what man yet born Has sung ? or who that may be born shall sing ? Again, and often, hail ! indulge our prayer, Great Father ! grant us virtue, grant us wealth, For without virtue, wealth to man avails not, And virtue without wealth exerts less power, And less diffuses good. Then grant us, Gracious, Virtue and wealth, for both are of thy gift ! " Prior. JUNO Juno, who was the daughter of Saturn and Cybele, was also sister and wife to Jupiter. Her pride protected her beauty : for when the God, to seduce her, took the form of a cuckoo, she recognised him in his disguise, and refused to submit to his wishes, unless he would consent to marry her. At their nuptials, invitations were sent to all the Gods, and beings of even a lower order were not forgotten. But one nymph, by the insolence of her refusal, merited 4 26 [O CHANGED TO AN HEIFER. the punishment she received of being changed into a tortoise, and became the symbol of silence. As might be expected, the marriage of Jupiter and Juno, was not productive of much happiness, the jealousy of the latter being a never-failing source of misery ; it was this which caused the cele- brated Trojan war; and this that caused Jupiter to suspend her from Heaven by a golden cord, in the attempt to rescue her from which, Vulcan achieved the wrath of his sire, the Thunderer. The intrigue of Jupiter with Io, is also celebrated in the history of his amours. Juno became jealous as usual, discovered the object of his affections, and surprised him in the company of Io ; a change soon took place in the appearance of the latter, when, through the JUPITER AND EUROIM. 2/ influence of the God, she assumed the form of a white heifer. Juno instantly discovered the fraud, and requested Jupiter to give her possession of an animal she so much admired. The request was too reasonable to be refused, and Io became the property of Juno, who placed her under the control of the hundred- eyed Argus: but Jupiter, anxious for the situation of Io, sent Mercury, who destroyed Argus, and restored her to liberty. " Down from die rock fell the dissevered head, Opening its eyes in death, and falling bled, And marked the passage with a crimson trail ; Thus Argus lies in pieces, cold and pale, And all his hundred eyes with all their light Are closed at once in one perpetual night ; These Juno takes, that they no mure may fail, And spreads them in her peacock's gaudy tail." Ovid. After undergoing the vengeance of Juno, who unrelentingly pursued her, she gave birth to an infant on the banks of the Nile, and was restored by Jupiter to her natural shape. All who seemed to be favoured by, or who favoured Jupiter, she persecuted with the utmost rigour: but when it is remembered what cause Juno had for her jealousy, and that her husband metamorphosed himself into a swan for Leda, into a shepherd for Mnemosyne, into a shower of gold for Danae, and into a bull for Europa, she may easily be pardoned her restless spirit. When Jupiter had assumed the form of a bull, he mingled with the herds belonging to Agenor, father of Europa, while the latter, with her female attendants, was gathering flowers in the surrounding meadows. Europa caressed the beautiful animal, and at last had the courage to sit upon his back. Jupiter took advantage of her situation, and with precipitate steps retired towards the shore, crossed the sea with Europa on him, and arrived safe in Crete. Here he adopted his original shape, and declared his love. The nymph consented, though she had previously taken the vows of perpetual celibacy ; and became the mother of Minos, Sarpedon, and Rhadamanthus. " The ruler of the skies, the thundering God, Who shakes the world's foundation with a nod, Among a herd of lowing heifers ran, Frisked in a bull, and gallopped o'er the plain ; 28 STATUE OF JUNO. His skin was whiter than the snow that lies Unsullied by the breath of southern skies, His every look was peaceful, and expressed The softness of the lover in the beast. Agenor's royal daughter, as she played Among the fields, the milk white bull surveyed, And viewed his spotless body with delight, And at a distance kept him still in sight ; At length she plucked the rising flowers, that fed The gentle beast, and fondly stroked his head. She placed herself upon his back, and rode O'er fields and meadows, seated on the God. He gently marched along, and by degrees, Left the dry meadows and approached the seas, Where now he dips his hoofs and wets his thighs, Now plunges in, and carries off the prize." Ovid. At length Juno, unable to bear the many injuries her love had sustained, left Jupiter, and retired to the Isle of Samos, announcing, at the same time, that she should return no more to the court of the King of Heaven. The latter, not disheartened, dressed a statue as Queen of Olympus, placed it in his chariot, and declared it should be the future wife of the ruler of the Gods. This induced Juno to quit her hiding place ; for, unable to restrain her jealousy, she rushed back with all speed, destroyed the statue, laughingly acknowledged her error, and was reconciled to her husband. The wife of Jupiter is always represented as superbly arrayed, in a chariot drawn by two peacocks, where she sat with a sceptre in her hand, having always a peacock beside her. She was adored above all at Argos, where her feasts were celebrated by the sacrifice of a hundred bulls. At Rome, hers were the Lupercalian feasts. She was believed to preside over the birth-pangs of the Roman women, and the priests, to render the time fruitful, struck these grave matrons with a portion of the skin of a kid, which they asserted had formed one of the vestments of the Goddess. In the spirit of a high mythology, Juno may be considered as representing the sublunary atmosphere ; and, as opposed to Jupiter, the active origin and organizer of all, she is of a passive nature. These ideas are allied with those of Hymen, who is called Juno, the virtuous wife. A statue of Juno recently discovered, is thus described : — " The countenance expresses a stern unquestioned severity of CERES. 21) dominion, with a certain sadness. The lips are beautiful, suscepti- ble of expressing scorn, but not without sweetness. With fine lips a person is never wholly bad, and they never belong to the expression of emotions purely selfish, lips being the seat of imagi- nation. The drapery is finely conceived ; and the manner in which the act of throwing back one leg is expressed in the diverging folds of the drapery of the left breast, fading in bold, yet graduated lines, into a skirt, as it descends from the left shoulder, is admirably imagined." Shelley. CERES. Ceres, daughter of Saturn and Cybele, was goddess of the pro- ductions of the earth. She taught man the art of agriculture, and is represented crowned with wheat, holding a torch in one hand, and in the other an ear of corn ; sometimes she carries a sceptre, and sometimes a sickle, and her chariot is drawn by lions or by serpents. " As tempered suns arise Sweet beamed, and shedding- through the lucid clouds A pleasing calm : while broad and brown, below Extensive harvests hang the heavy head. Rich, silent, deep, they stand : for not a gale Rolls its light billows o'er the bending plain : A calm of plenty ; till the ruffled air Falls from its poise, and gives the breeze to blow. 30 PLUTO AND PROSERPINE. Rent is the fleecy mautle of the sky, And back by fits the shadows sweep along. A gaily chequered, heart-expanding view, Far as the circling eye can shoot around, Unbounded, tossing in a flood of corn." Thomson. Loved by Jupiter, she had by the God a daughter called Proserpine, whom Pluto, God of Hell, seized near the beautiful vale of Enna, in Sicily, and carried with him to his dismal king- dom. Ceres, whose love for her child, almost surpassed even the usual love of mothers, placed on Mount Etna two torches, and sought her "from morn to noon, from noon to dewy eve," through- out the world. At last, when she deemed her search well nigh hopeless, she was informed by the nymph Arethusa of the dwelling place of her child, and of the name of him who had torn her beloved one from her paternal care. Ceres implored Jupiter to interfere, and withdraw her from the infernal regions, which he agreed to do, but found it would be beyond his power, as, by a decree of Destiny, she would not be able to quit her place of concealment, should she have partaken of any nourishment while there ; and it was discovered that though she had refused all ordinary food, she had been tempted while in the gardens of Pluto, to pluck a pomegranate, and to eat a few of its seeds. This was sufficient ; and the utmost Ceres could obtain, was that she should pass six months of the year with her mother and six months with Pluto, when she became his wife. " Near Enna's walls a spacious lake is spread, Famed for the sweetly singing swans it bred ; Pergusa is its name : and never more Were heard, or sweeter sounds than on Cayster's shore. Woods crown the lake, and Phcebus ne'er invades The tufted fences or offends the shades : Fresh fragrant breezes fan the verdant bowers, And the moist ground smiles with enamelled flowers, The cheerful birds their airy carols sing, And the whole year is one eternal spring. Here while young Proserpine, among the maids, Diverts herself in these delicious shades ; While like a child with busy speed and care, She gathers lilies here, and violets there ; While first to fill her little lap she strives, Hell's grizzly monarch at the shades arrives ; Sees her thus sporting on the flowery green, And loves the blooming maid as soon as seen. CERES. 31 The frighted Goddess to her mother cries : But all in vain, for now far off she flies ; His urgent flame impatient of delay, Swift as his thought he seized the beauteous prey, And bore her in his sooty car away. Far she behind her leaves her virgin train ; To them too cries, and cries to them in vain. And while with passion she repeats her call, The violets from her lap and lilies fall : She misses them, poor heart ! and makes new moan : Her lilies, oh ! are lost, her violets gone. O'er hills the ravisher, and valleys speeds, By name encouraging his foamy steeds ; He rattles o'er their necks the rusty reins, And ruffles with the stroke their shaggy manes Throws to his dreadful steeds the slackened rein, And strikes his iron sceptre through the main ; The depths profound thro' yielding waves he cleaves, And to hell's centre a free passage leaves ; Down sinks his chariot, and his realms of night The God soon reaches with a rapid flight." Ovid. The attempts of Ceres to encourage the art of agriculture were not always favourably received : the King of the Scythians, who loved the sword more than the ploughshare, and the spear more than the reaping hook, having attempted to smother the art taught by Ceres in its infancy, was metamorphosed into a lynx. Nor was this the only instance of the vengeance of the Goddess, who was irritable, and prompt to punish. A young child, whose chief crime was having laughed to see her eat with avidity, was changed into a lizard : while a Thessalian, who had desecrated and attempted to destroy a sacred forest, was doomed to an hunger so cruel, that he devoured his own limbs, and died in the midst of fearful torments. D E S T I N Y. We have already seen that the decrees of Destiny, or Fate, were superior even to the will of Jupiter, as the King of the Gods could not restore Proserpine to her mother, Destiny having decreed otherwise. But of this being, as possessing a place among the heroes of mythology, we are left in considerable ignorance. Scarcely knowing even if he were a God, or only the name or symbol whereby to represent an immutable and unchangeable law. In the antique bas-reliefs he is often to be seen, with a bandage over his eyes, and near him an open book which the gods alone might consult : and in which are written those events which must inevitably come to pass, and which all are so anxious to discover. '* Thou power which all men strive to look into ! Thou power which dost elude all human search ! To thee alone is given the right to gaze Into the fate prepared for all who live. Oh ! wilt thou ne'er unlock thine iron bars, Oh ! wilt thou ne'er enable us to lcok Into the volume clasped at thy right hand ? The past is known to us, and doth contain So much of evil and so little good, So much of wrong, and oh ! so little right, So much of suffering, and so little peace, That we would fain turn o'er the leaves which speak Of future things to our sore troubled souls. Yet no ! perchance the burden is too much, And is in mercy hidden from our eyes. Earth is made up of so much care and woe, The past, the present, and the future known, Would sink us into deep and desperate sorrow." A P OLLO. This Deity, whose name still lives with us, as the presiding divinity of the art of song, was the son of Jupiter, by the beautiful Latona, daughter of the Titan, Coeus. Asteria, her sister, disdain- ing the embraces of the God, threw herself into the sea, and was changed into the isle which bears the name of Delos ; where Latona afterwards sought refuge from the fury of Juno, when about to overwhelm her, for her frailty with her husband. The irritated Goddess, to punish Latona for her crime, excited against her the serpent Python, who pursued her wheresoever she went ; until at last, in the Isle of Delos, alone and unfriended, bearing in her bosom the fruit of her weakness, she gave birth to Apollo and Diana. Weary of her confinement, and wishing to return to her father Coeus, she arrived near his dominions, where, fatigued with her journey, she begged a drop of water from the peasants, whose cruel refusal to aid her she punished by changing them into frogs. 5 34 NIOBE. " The Goddess came, and kneeling on the brink, Stooped at the fresh repast, prepared to drink : Then thus, being hindered by the rabble race, In accents mild expostulates the case : * Water I only ask, and sure 'tis hard From Nature's common rights to be debarred : This, as the genial sun, and vital air, Should flow alike to every creature's share ; One draught, as clear as life I should esteem, And water, now I thirst, would nectar seem : Oh ! let my little babes your pity move, And melt your hearts to charitable love : They (as by chance they did) extend to you Their little hands, and my request pursue !' Yet they the goddess's request refuse, And, with rude words, reproachfully abuse. Her thirst by indignation was suppressed; Bent on revenge, the Goddess stood confessed ! ' And may you live,' she passionately cried, * Doomed in that pool for ever to abide ! ' The Goddess has her wish " Ovid. During her residence at her father's court, Niobe, daughter of Tantalus, had the insolence to prefer herself to Latona, who had but two children, while Niobe possessed seven sons and seven daughters. She even ridiculed the worship which was paid to Latona, observing, that she had a better claim to altars and sacrifices than the mother of Apollo. This insolence provoked Latona, and she entreated her children to punish the arrogant Niobe. Her prayers were granted, and immediately all the sons of Niobe expired by the APOLLO — PH02BUS. 35 darts of Apollo, and all the daughters, except one, who was married, were equally destroyed by Diana ; while Niobe, stricken by the greatness of the misfortune which had overwhelmed her, was changed into stone. The bodies of Niobe's children were left unburied in the plains for nine successive days, because Jupiter changed into stones all such as attempted to inter them. On the tenth, they were honoured with a funeral by the Gods. While Apollo resided at the court of Jupiter, he retained the title of the God of Light ; and though many writers consider Phcebus and Apollo to be different deities, there can be no doubt that the worship which is offered to Phcebus, as the sun, is due also to Apollo ; and indeed, under both titles is he addressed by ancients, as well as moderns. " Giver of glowing light ! Though but a God of other days, The kings and sages, Of wiser ages, Still live and gladden in thy genial rays ! " King of the tuneful lyre ! Still poets hymns to thee belong, Though lips are cold, "Whereon of old, Thy beams all turned to worshipping and song ! " Lord of the dreadful bow ! None triumph now for Python's death ■ But thou dost save From hungry grave, The life that hangs upon a summer's breath ! " Father of rosy day ! No more thy clouds of incense rise ; But waking flowers, At morning hours, Give out their sweets to meet thee in the skies " God of the Delphic fane ! No more thou listenest to hymns sublime ; But they will leave, On winds at eve, A solemn echo to the end of time 1" Hood. By the invention of Phcebus, medicine became known to the world, as he granted to iEsculapius the secrets of this miraculous art, who afterwards sought to raise the dead, and while in the act of bringing 36 DAPHNE. to life Hippolitus, son of Theseus, Jupiter enraged with his impiety, smote him with a thunderbolt. Indignant at the punish- ment which had been awarded iEsculapius, Apollo sought the isle of Lemnos, to immolate the Cyclops to his indignation, who had forged the thunderbolt. But so insolent an act could not remain unpunished, and Jupiter exiled him from Heaven. While on earth, he loved the nymph Daphne, and Mercury who had invented the lyre, gave it to him that he might the more effectually give vent to his passion. This lyre, was formed of the shell of a tortoise, and composed of seven cords, while to its harmonious tones were raised the walls of Troy. In vain, however, were the sweet sounds of the lyre tuned, to soften Daphne whose affection rested with another, and was insensible to that of Apollo, though he pursued her with fervour for a year. Daphne, still inexorable, was compelled to yield to the fatigue which oppressed her, when the Gods, at her entreaty, changed her into a laurel. Apollo took a branch and formed it into a crown, and to this day the laurel remains one of the attributes of the God. The leaves of this tree are believed to possess the property of preserving from thunder, and of making dreams an image of reality to those who place it beneath their pillow. " Her feet she found Benumbed with eold, and fastened to the ground, A filmy rind about her body grows, Her hair to leaves, her arms extend to boughs," HELIOTROPE. ,'*/ " The nymph is all into a laurel gone, The smoothness of her skin remains alone ; To whom the God : " Because thou canst not be My mistress, I espouse thee for my tree ; Be thou the prize of honour and renown, The deathless poet and the poem crown ! Thou shalt the Roman festivals adorn, And after poets, be by victors worn ! Thou shalt returning Caesar's triumph grace, When pomp shall in a long procession pass; Wreathed on the posts before his palace wait, And be the sacred guardian of the gate ; Secure from thunder and unharmed by Jove, Unfading as the immortal powers above ; And as the locks of Phoebus are unshorn So shall perpetual green thy boughs adorn." Ovm. However earnest Apollo might have been in his pursuit of Daphne, he did not long remain inconsolable, but formed a tender attachment for Leucothoe, daughter of king Orchamus, and to introduce himself with greater facility, he assumed the shape and features of her mother. Their happiness was complete, when Clytie, her sister, who was enamoured of the God, and was jealous of his amours with Leucothoe, discovered the whole intrigue to her father, who ordered his daughter to be buried alive. Apollo passing by accident over the tomb which contained her, heard her last melancholy cries, but unable to save her from death, he sprinkled nectar and ambrosia over her tomb, which penetrating as far as the body, changed it into the beautiful tree that bears the frankincense ; while the unhappy Clytie, tormented by remorse, and disdained by the God, was changed into a sunflower, the plant which turns itself without ceasing, towards itsjleity, the sun. " On the bare earth she lies, her bosom bare, Loose her attire, dishevelled is her hair ; Nine times the morn unbarred the gates of light, As oft were spread the alternate shades of night, So long no sustenance the mourner knew, Unless she drank her tears, or sucked the dew, She turned about, but rose not from the ground, Turned to the sun still as he rolled his round ; On his bright face hung her desiring eyes, Till fixed to earth, she strove in vain to rise, Her looks their paleness in a Bower retained, But here and there, some purple streaks they gained. Still the loved object the fond leaves pursue, Still move their root, the moving sun to view And in the Heliotrope the nymph is true." Ovid. 3$ HYACINTH. These unhappy endeavours of Apollo, determined him to take refuge in friendship, and he attached himself to the young Hyacinth ; — " Hyacinth, long since a fair youth seen, Whose tuneful voice turned fragrance in his breath, Kissed by sad Zephyr, guilty of his death." Hood. But misfortune appeared to cling to all who were favoured by Apollo, for as they played at quoits with Zephyr, the latter fired by jealousy, blew the quoit of Apollo on the forehead of the unhappy mortal, who fell dead upon the green turf on which they were playing; while his blood sinking into the ground, produced the flower which still bears his name. " Flower ! with a curious eye we scan Thy leaf, and there discover How passion triumphed — pain began — Or in the immortal, or the man, The hero, or the lover. " The disk is hurled :— ah ! fatal flight ! Low droops that beauteous brow : But oh ! the Delian's pang! his light Of joy lies quenched in sorrow's night: The deathless record thou. " Or, do they tell, these mystic signs, The self destroyer's madness ? Phrensy, ensanguined wreaths entwines : The sun of chivalry declines; — The wreck of glory's gladness !" Apollo was so disconsolate at the death of Hyacinth, that, as we have seen, he changed his blood into a flower which bore his name, and placed his body among the constellations. CYPARISSUS. 39 The Spartans established yearly festivals in his honour, which continued for three days ; they did not adorn their hair with gar- lands during their festivals, nor eat bread, but fed only upon sweetmeats. They did not even sing Paeans in honour of Apollo, or observe any of the solemnities usual at other sacrifices. Pitying the sad death Of Hyacinthus when the cruel breath Of Zephyr slew him, Zephyr, penitent, Who now, ere Phoebus mounts the firmament, Fondles the flower amid the sobbing rain." Keats. Saddened by his efforts to form an endearing friendship, Apollo once more sighed for the nymph Perses, daughter of Ocean, and had by her the celebrated Circe, remarkable for her knowledge of magic and venomous herbs. Bolina, another nymph to whom he was attached, wishing to escape from his pursuit, threw herself into the waves, and was received by the nymphs of Amphitrion. " I staid awhile to see her throw Her tresses back, that all beset The fair horizon of her brow, With clouds of jet. " I staid a little while to view Her cheek, that wore in place of red, The bloom of water, tender blue, Daintily spread. " I staid to watch a little space Her parted lips, if she would sing ; The waters closed above her face, With many a ring. ' And still I stayed a little more, — Alas ! she never comes again, I throw my flowers from the shore And watch in vain." Hood. After this, Apollo lost the young Cyparissus, who had replaced Hyacinth in his favour, and guarded his flocks ; this young shepherd having slain by accident a stag of which Apollo was fond, expired of grief, and was changed into the tree which bears his name. Apollo now attached himself to the sybil of Cumes, and granted to her the boon of prolonging her life as many years as there were grains in a handful of sand which she held. But she lived to repent of this frightful gift. Alone in the world, her friends departed, and none to remind 40 THE MUSES. her of the clays of the past, she implored the Gods to release her from the misery which overwhelmed her. Cassandra, daughter of Priam, consented to her prayer, if Apollo would grant to her the &iu -j - power of divination. Apollo agreed, and swore to the truth of his promise by the river Styx. Scarcely had he uttered the oath, than the gods, who could not absolve him from it, rallied him on his folly. Irritated at the ridicule they poured upon him, he added to this gift, the restriction, that she should never believe her own pro- phecies. After this he again yielded to the power of Lve, and sought to please Clymene, who was the mother of Phaeton. To this nymph succeeded the chaste Castalia, whom he pursued to the very foot of Parnassus, where the Gods metamorphosed her into a fountain. As Apollo was lamenting his loss on the bank of that river, he heard an exquisite melody escaping from the depth of the wood. He approached the place from whence the sound seemed to issue, and recognized the nine muses, children of Jupiter and Mnemosyne. "Mnemosyne, in the Pierian grove, The scene of her intrigue with mighty Jove, The empress of Eleuther, fertile earth, Brought to Olympian Jove the Muses forth ; Blessed offsprings, happy maids, whose powerful art Can banish cares, and ease the painful heart. * * * * * Clio begins the lovely tuneful race, Which Melpomene and Euterpe grace ; Terpischore, all joyful in the choir, And Erato, to love whose lays inspire ; To these Thalia and Polymnia join, Urania and Calliope divine." Hesiod. DF.AIH OF MARSYAS. II The taste and feelings of Apollo responded to those of these noble sisters: they received him in their palace, and assembled together with him to converse on the aits and sciences. Among their possessions, the Muses and Apollo had a winged horse, named Pegasus. This courser, born of the blood of Medusa, fixed his residence on Mount Helicon, and, by striking the earth with his foot, caused the spring of Hippocrene to gush from the ground. While the courser was thus occupied, Apollo mounted his back, placed the Muses with him, and Pegasus, lifting his wings, carried them to the court of Bacchus. Envious of the fame of Apollo at this court, Marsyas, the Phrygian, declared that, with his flute, he could surpass the melody of the God's divine lyre, and challenged Apollo to a trial of his skill as a musician ; the God accepted the challenge, and it was mutually agreed, that he who was defeated should be flayed alive. The Muses were appointed umpires. Each exerted his utmost skill, and the victory was adjudged to Apollo. The God, upon tin's, tied his opponent to a tree, and punished him as had been agreed. The G 42 MIDAS. death of Marsyas was universally lamented ; the fauns, satyrs and dryads, wept at his fate, and from their abundant tears flowed a river of Phrygia, well known by the name of Marsyas. Undeterred by this example, Pan, favourite of Midas, King of Lydia, wished al>o to compete with Apollo in the art of which the latter was master. Pan began the struggle, and Midas repeated his songs with enthusiasm, without paying the least attention to his celestial rival. Pan again sang, and Midas repeated ; when, to his surprise, the latter felt, pressing through his hair, a pair of ears, long and shaggy. Alarmed at this phenomenon, Pan took to flight, and the prince, desolate at the loss of his favourite, made one of his attendants, some say his wife, the confidant of his misfortune, begging her not to betray his trust. The secret was too great for the bosom of its holder ; she longed to tell it, but dared not, for fear of punishment ; and as the only way of consoling herself, sought a retired and lonely spot, where she threw herself on the earth, whispering " King Midas has the ears of an ass, King Midas has the ears of an ass." Not long after her visit, some reeds arose in this place ; and as the wind passed through them, they repeated, " King Midas has the ears of an ass." Enraged, no less than terrified, at this extraordinary occurrence, Midas sacrificed to Bacchus, who, to console, granted him the special favour of turning- all that he touched into fine gold. " Midas the king, as in the hook appears, By Ph rebus was endowed with ass's ears, Which under his long locks he well concealed ; As monarch's vices must not he revealed : For fear the people have them in the wind, Who long ago were neither dumb nor Wind : PHAETON. 43 Nor apt to think from heaven their title springs, Since Jove and Mai's left off begetting kings. This Midas knew, and durst communicate, To none but to his wife his ears of state : One must be trusted, and he thought her fit, As passing prudent, and a parlous wit. To this sagacious confessor he went. And told her what a gift the Gods had sent : But told it under matrimonial seal, With strict injunction never to reveal. The secret heard, she plighted him her troth, (And secret sure is every woman's oath,) The royal malady should rest unknown, Both for her husband's honour and her own. But ne'ertheless she pined with discontent, The counsel rumbled till it found a vent. The thing she knew she was obliged to hide : By interest and by oath the wife was tied : But if she told it not the woman died. Loth to betray her husband and a prince, But she must burst or blab, and no pretence Of honour tied her tongue in self defence. The marshy ground commodiously was near, Thither she ran, and held her breath for fear, Lest, if a word she spoke of any thing, That word might be the secret of the king. Thus full of council to the fen she went, Full all the way, and longing for a vent. Arrived, by pure necessity compelled, On her majestic marrow-bones she kneeled, Then to the water's brink she laid her head, And, as a bittern sounds within a reed, ' To thee alone, oh ! lake,' she said, ' I tell, And as thy queen, command thee to conceal, Beneath liis locks, the king my husband wears A goodly, royal pair of ass's ears. Now I have eased my bosom of the pain, Till the next longing fit returns again ! ' " OVID. The story of Phaeton, (son of Apollo under the name of Phoebus) is as follows : Venus becoming enamoured of Phaeton, entrusted him with the care of one of her temples. This distinguished favour of the Goddess rendered him vain and aspiring ; and when told, to check his pride, that he was not the son of Phoebus, Phaeton resolved to know his true origin ; and at the instigation of his mother, he visited the palace of the sun, to beg that Phoebus, if he really were his father, would give him proofs of his paternal tenderness, and convince the world of his legitimacy. Phoebus swore by the Styx that he would grant him whatever he required ; and Phaeton demanded of him to drive his chariot (that of the sun) for one day. In vain Phoebus represented the impropriety of his request, and 44 MEMNON — PYTHON. the dangers to which it would expose him ; the oath must be complied with. When Phaeton received the reins from his father, he immediately betrayed his ignorance and incapacity. The flying horses took advantage of his confusion, and departed from their accustomed track. Phaeton repented too late of his rashness, for heaven and earth seemed threatened with an universal conflagration, when Jupiter struck the rider with a thunderbolt, and hurled him headlong into the river Po. His body, consumed by fire, was found by the nymphs of the place, and honoured with a decent burial. The Heliades, his sisters wept for four months, without ceasing, until the Gods changed them into poplars, and their tears into grains of amber ; while the young king of the Ligurians, a chosen friend of Phaeton, was turned into a swan at the very moment he was yielding to his deep regrets. Aurora is also the daughter of Apollo. She granted the gift of immortality to Tithonus, her husband, son of the king of Troy ; but soon perceiving that the gift was valueless, unless the power of remaining ever young was joined with it, she changed him into a grasshopper. From their union sprang Memnon, who was killed by Achilles at the siege of Troy. The tears of his mother were the origin of the early dew, and the Egyptians formed, in honour of him, the celebrated statue which possessed the wonderful property of uttering a melodious sound every morning at sunrise, as if in welcome of the divine luminary, like that which is heard at the breaking of the string of a harp when it is wound up. This was effected by the rays of the sun when they fell on it. At its setting, the form appeared to mourn the departure of the God, and uttered sounds most musical and melancholy ; this celebrated statue was dismantled by the order of Cambyses, when he conquered Egypt, and its ruins still astonish modern travellers by their grandeur and beauty. " Unto the sacred sun in Memnon's fane, Spontaneous concords quired the matin strain ; Touched by his orient beam, responsive rings The living lyre, and vibrates all its strings ; Accordant aisles the tender tones prolong, And holv echoes swell the adoring song." Darwin. Apollo having slain with his arrows, Python, a monstrous serpent which desolated the beautiful country around Parnassus, his victory was celebrated in all Greece by the young Pythians; where crown*, APOLLO. ^5 formed at first of the branches of oak, but afterwards of laurel, were distributed to the conquerors, and where they contended foe the prize of dancing, music and poetry. It is from his encounter with this serpent, that in the statues which remain of him, our eyes are familiar with the bow placed in his grasp. " The lord of the unerring bow, The god of life, and poesy, and light, The sun in human limbs arrayed, and brow, All radiant from his triumph in the fight : The shaft hath just been shot — the arrow, bright With an immortal's vengeance ; in his eye And nostril, beautiful disdain, and might, And majesty, flash their full lightnings by, Developing in that one glance the Deity. " But in his delicate fonn, a dream of love, Shaped by some solitary nymph, whose breast Longed for a deathless lover from above, And maddened in that vision, are exprest All that ideal beauty ever blest The mind with, in its most unearthly mood, When each conception was a heavenly guest, A ray of immortality, and stood Star'like, around, until they gathered to a God ! " And if it be Prometheus stole from Heaven The fire which we endure, it was repaid By him to whom the energy was given, Which this poetic marble hath arrayed With an eternal glory, which if made By human hands, is not of human thought, And Time himself hath hallowed it, nor laid One ringlet in the dust, nor hath it caught A tinge of years, but breathes the flame with which 'twas wrought." Byron. But the gods grew jealous of the homage shewn to Apollo, and recalling him from earth, replaced him in his seat at Olympus. The fable of Apollo is, perhaps, that which is most spread over the faith of antiquity. Paeans were the hymns chanted in his honour, and this was the war cry he shouted in his onset against the serpent Python. On his altars are immolated a bull or a white lamb — to him is offered the crow, supposed to read the future, the eagle who can gaze on the sun, the cock whose cry welcomes his return, and the grasshopper, who sings during his empire. This God is represented in the figure of a young man without beard, with curling locks of hair, his brow wreathed with laurels, and his head surrounded with beams of light. In his right hand 4G THALES — BIAS. lie holds a bow and arrows ; in the left, a lyre with seven chords, emblem of the seven planets to which he grants his celestial har- mony. Sometimes he carries a buckler, and is accompanied by the three Graces, who are the animating deities of genius and the fine arts, and at his feet is placed a swan. He had temples and statues in every country, particularly in Egypt, Greece, and Italy ; the most famous was that of Delos, where they celebrated the Pythian games, that of Soractes, where the priests worshipped by treading with their naked feet on burning coals, though without feeling pain, and that of Delphi, in which the youth of the place offered to the gods their locks of hair, possibly because this offering was most difficult to the vanity of youth. Apollo made known his oracles through the medium of a sibyl. This was a female, named also a Pythoness, on account of her seat being formed of massive gold resembling the skin of the serpent Python. The history of the tripod will be found to afford much interest. The fishermen who had found it in their nets, sought the oracle to consult its responses. This was to offer it to the wisest man in Greece. They presented it to Thales, who had told them that the most difficult of all human knowledge was the art of knowing ourselves. Thales offered the tripod to Bias. When the enemy was reducing his native city to ashes, he withdrew, leaving behind him his wealth, saving, " I carry all that is worthy within myself." After frequent adventures, and passing into the possession of many, the tripod finally returned to Thales, and was deposited in the temple ; where, as we have seen, it served the sibyl for a seat. THE MUSES. 47 This story shows us at a glance, the principles and the conduct of the greatest philosophers of Greece. These sages who considered philosophy to consist in the science of practising virtue, and living happily, endeavoured to show by the adventures of the tripod that, though the way was sometimes different, the end was the same. The sibyl delivered the answer of the god to such as came to consult the oracle, and while the divine inspiration was on her, her eyes sparkled, her hair stood on end, and a shivering ran through her body. In this convulsive state, she spoke the oracles of the deity, often with loud howlings and cries, and her articulations were taken down by the priest, and set in order. Sometimes the spirit of inspiration was more gentle, and not always violent, yet Plutarch mentions one of the priestesses who was thrown into such excessive fury, that not only those who consulted the oracle, but also the priests who conducted her to the sacred tripod, and attended her during her inspiration, were terrified and forsook the temple ; and so violent was the fit, that she continued for some days in the most agonizing situation, and at last died. It was always required that those who consulted this oracle should make presents to Apollo, and from thence arose the opulence, splendour, and magnificence, of the temple of Delphi. There were other temples of Apollo more celebrated, such as that at Palmyra, which was constructed of the most gigantic pro- portions ; and for which nothing was spared to give it a magnificence hitherto unknown. Augustus, who pretended to be the son of Apollo, built a temple to him on Mount Palatine. Delian feasts were those which the Athenian, and the other Greek states cele- brated every four years at Delos. The history of the Muses is so closely allied to that of Apollo that we shall present some of their adventures in this part of our work. The first is the struggle which the Muses maintained against the nine daughters of Pierus, King of Macedon, who dared to dispute with them the palm of singing : being overcome, they were turned into magpies, and since their transformation, they have preserved the talent so dear to beauty, of being able in many words to express very little. One day when the Muses were distant from their place of abode, a storm surprised them, and they took shelter in the palace oi Pyrenaeus: but scarcely had they entered, when the tyrant shut the 48 PYREN.EU* g<3^?s^* -- gates, and sought to offer them insult. They immediately spread their wings and flew away. The king wishing to fly after them, essayed the daring adventure, and throwing himself from the top of the tower as if he had wings, was killed in the attempt. Notwith- standing the high reputation of the Muses, it is pretended by some, that Rheseus was the s:n of Terpsichore, Linus of Clio, and Orpheus of Calliope. Arion and Pindar were also stated to be the children of the Muses, to whom the Romans built a temple and consecrated a fountain. mm - 7T -<&-&%-?■ DIANA The goddess Diana was daughter of Jupiter and Latona, and twin sister to Apollo. In heaven she bore another name, and conducted the chariot of the Moon, while on earth she presided over the chase, was the peculiar deity of hunters, and called Diana. In Hell she is named Hecate and revered by magicians. " Hecate, loved by Jove, And honour'd by the inhabitants above, Profusely gifted from the almighty hand, With power extensive o'er tbe sea and land ; And great tbe honour, she, by Jove's high leave, Does from tbe starry vault of heaven receive. When to the gods the sacred flames aspire, From human offerings, as the laws require, To Hecate tbe vows are first prefer'd ; Happy of men whose prayers are kindly heard, Success attends his every act below, Honour, wealth, power, to him abundant flow " Hesiod. She was also the Goddess of chastity, and it was in this character that her vengeance fell so heavily on Actacon, who following the chase one day with all the ardour of his profession, unhappily came 50 CALISTA. suddenly on the retired spot, in which the pure Diana, with her nymphs, was enjoying, in the heat of the summer's day, the luxury of bathing. Horrified by this violation, though unintentional, of her privacy, she changed him into a stag, and inspiring with madness the dogs that accompanied him to the chase, they turned upon their metamorphosed master, who, in horrible dread of the fate he had himself so often inflicted, fled rapidly from them. True to their breed, however, the dogs succeeded in running him down and devouring him. Calista, nymph of Diana was seduced by Jupiter, who taking one of the innumerable shapes, which he is described as assuming when his passions were inflamed towards any particular nymph, introduced himself to her in the form of her mistress, and in this shape, what wonder that the nymph lost her virtue, or that the God was success- ful ! Diana herself, however, took a very different view, and though Calista concealed the effects of her divine intrigue from her mistress for a long time, the latter noticed the alteration in her person when bathing in " Such streams as Dian loves, And Naiads of old frequented ; when she tripped Amidst her frolic nymphs, laughing, or when Just risen from the hath, she fled in sport, Round oaks and sparkling 1 fountains, Chased by the wanton Orcades." Barry Cornwall. To evince her detestation of the crime, her divine mistress changed her into a bear. This however was before " The veiled Dian lost her lonely sphere, And her proud name of chaste, for him whose sleep Drank in Elysium on tie Latmos steep." Bulwer. In great horror at this transformation, Calista fled to the forests and brought forth a son, with whom she dwelt, until one day she was induced to enter a temple at Lycaen (where, with her son Areas, she had been brought), and which it was not lawful to enter. The dwellers in the city, among whom was Areas, enraged at the desecration, attacked her, and in all probability, she would have perished by the hands of her son, had not Jupiter snatched both to the sky, and placed them among the constellations, Calista being called " the Great Bear," and Areas, " the Little Bear," ISNDYMION. 01 iEn.eas, king of Calydon, neglecting the worship of Diana, the Goddess revenged it by sending into his kingdom a monstrous wild boar ; and to rid their country of its ravages, he caused the Greek princes to assemble to the chase. Atalanta, daughter of the king of Arcadia, wounded him first, but she would have fallen beneath the fury of its revenge, had it not been for Meleager, son of iE leas, who sleW the boar. A quarrel having arisen for the possession of the head of this monster, Meleager killed his brothers. Indignant at this crime, the wife of iEneas threw into the flames a brand which bore with it the life of Meleager ; a fire immediately spread itself through the vitals of the prince, and he expired in the midst of torments, the most cruel and excruciating, and his mother, stricken with despair at the sight of them, destroyed herself, and the sisters of the unhappy victim were changed into fowls. Diana is usually represented in the costume of a huntress, with a quiver on her shoulder, and a bow in her hand; her dress is lilted, and her dog is always by her side ready for his prey. Her hair is banded over her brow, while sometimes a crescent is painted on her head, of which the points are turned towards Heaven. Some- times she is seen in a chariot trained by stags, and in her hand is a torch which serves to frighten away the wild beasts. The affection of this Goddess for Endymion — Whom she. The moonlit Dian on the Latmian hill, When all the woods, and all the winds were still, Kissed with the kiss of immortality" Barry Cornwall. has been the cause of many an ode, and many a touching story, and is perhaps, one of the most chaste, or at least most chastely told in Mythology: "He was a poet, sure a lover too Who stood on Latmos top, what time there blew Soft breezes from the Myrtle vale below And brought in faintness, solemn, sweet, and slow A hymn from Dian's Temple; while up-swelling The* incense went to her own starry dwelling. But though her face was clear as infant's eyes, Though she stood smiling o'er the sacrifice, The poet wept at her so piteous fate, Wept that such beauty should be desolate : So in fine wrath some golden sounds he won, And gave meek Cynthia her Kndymion." Kb x r , The first fruit of the mechanical skill of Vulcan, was invented as a punishment for Juno, to whom, as it was through her he fell from heaven, he attributed his deformity. This was a throne of go'd, with secret springs, on which the goddess no sooner sate, than jhe MARRIAGE OF VULCAN. /.-> found herself unable to move. In vain the Gods attempted to deliver her ; with Vulcan, only rested the secret and the power to disenthral her ; and as the price of her freedom, Juno promised to procure him a wife from amongst the heavenly conclave. Vulcan fixed his desires on Minerva ; the Goddess of Wisdom, however, laughed his suit to scorn, and Vulcan is represented as having been very violent at his rejection. Juno then pressed the suit of her son on Venus, whose power was already established at the celestial court. The beautiful Goddess rejected him with horror, and Juno overwhelmed her with supplications ; but as these could not subdue the ugliness of the suitor, she implored Jupiter to exercise his power; and with all the determination of a Goddess, poured so many entreaties, accompanied with tears, that the king of heaven must have complied, had it not been for the more touching and feminine attributes of Venus, the soft eyes of whom filled with tears, and whose downy cheek grew pale, at the idea of the union. But Destiny, the irrevocable, interposed, and pronounced the decree by which the most beautiful of the Goddesses, was united to the most unsightly of the Gods. During the festival which followed their union, the altar of Hymen was that which received all the offerings. A marriage thus assorted, however, was not likely to prove a happy one, and ere long it was followed by a discovery which 76 THE CYCLOPS. created an ecstacy among the scandal-mongers of Olympus. This was no less than an improper liason between Mars, God of War, and the charming Venus. Vulcan, suspecting the infidelity of his wife, formed an invisible net around them, and drew upon the lovers the laughter of the remaining divinities. Mars, betwixt rage and confusion, retired for a time to Thrace, and Venus took refuge in the isle of Cyprus, where she gave birth to Cupid. Vulcan, as we have recorded, was celebrated for the ingenious works and automatical figures which he made, and many speak of two golden statues, which not only seemed animated, but which walked by his side, and assisted him in working metals. " Then from the anvil the lame artist rose, Wide with distorted leg, oblique he goes ; And stills the bellows, and in order laid, Locks in their chests his instruments of trade : With his huge sceptre graced, and red attire, Came halting forth the sovereign of the fire : The monarch's steps two female forms uphold, That moved and breathed in animated gold. To whom was voice, and sense, and science given Of works divine, such wonders are in heaven ?" Virgil. The most known of the works of Vulcan, which were presented to mortals, are the arms of Achilles, those of iEneas, and the shield of Hercules described by Hesiod. The chariot of the sun was also by this deity. " A golden axle did the work uphold, Gold was the beam, the wheels were orbed with gold : The spokes in rows of silver pleased the sight, The seat with parti-coloured gems was bright." Ovid. The worship of Vulcan was well established, particularly in Egypt, at Athens, and at Rome. It was customary to burn the whole victim to him and not reserve part of it, as in the immolations to the remainder of the Gods. He was represented as blowing with his nervous arm the fires of his forges. His vast breast hairy, and his forehead blackened with smoke; while his enormous shoulders seemed borrowed from the Cyclops. Some represent him lame and deformed, holding a hammer in his hand, ready to strike ; while with the other, he turns a thunderbolt on his anvil, for which an eagle waits by his side to carry it to Jupiter. THE VULCAN ALIA. / I He appears on some monuments with a long beard, dishevelled hair, half naked, and a small round cap on his head, while he hold* a hammer and pincers in his hand. " The Vulcanean dome, eternal frame, High, eminent, amidst the works divine, Where Heavens far beaming mansions shine, There the lame architect the goddess found Ohscure in smoke, his forges flaming round ; While bathed in sweat, from fire to fire he flew, And puffing loud, the roaring bellows blew." Homer. It is stated that Bacchus made him intoxicated after he had been expelled from Olympus, and then prevailed on him to return, where he was reconciled to his parents. He seems, however, to have been retained there more for ridicule than any other purpose ; and was indeed the great butt of Olympus, even his wife laughing at his deformities, and mimicking his lameness to gain the smiles of her lovers. " Vulcan with awkward grace, his office plies, And unextinguished laughter shakes the skies." Homer. In the month of August, the Vulcanalia took place at Rome, streets were illuminated, fires kindled, and animals thrown into the flames as a sacrifice. Romulus caused a temple to be erected in his honour, and Tarquin presented to him the arms and spoils of the conquered ; and to him also, was dedicated the lion. - -%v^r5~ j; «* CUPID. This Deity, " the boy-god," as poets love to call him, was the offspring of Venus and Mars ; when Venus had given birth to him, Jupiter foresaw the mischief he would create in the world, as well as in his more immediate kingdom ; he therefore banished him from his court, and menaced him with his wrath, should he return. The Goddess conveyed him to the isle of Cyprus, where he was suckled by the wild beasts of the forest. No sooner had strength come with years, than Cupid, forming a bow of the ash tree, and arrows of the cypress, ungratefully turned against the animals who had supported him. " His quiver, sparkling bright with gems and gold, From his fair plumed shoulder graceful hung, And from its top in brilliant chords enrolled, Each little vase resplendently was slung, Still as he flew, around him sportive clung His frolic train of winged Zephyrs light, Wafting the fragrance which his tresses flung : While odours dropped from every ringlet bright, And from his blue eyes beamed ineffable delight." Mrs. Tighe. Experience gave confidence to the youthful deity, and when an opportunity offered, he sent his arrows to the hearts of men, so bold did he even become, that he ventured to dart one, dipped in the subtle poison against his mother. " Love ! oh ! he breathes and rambles round the world An idol and idolator : he flies Touching, with passing beauty, ringlets curled, Ripe lips, and bosoms white, and starry eyes, And wheresoe'er his colours are unfurled, Full many a voung and panting spirit lies." Barry Cornwall. The nymph Perestere felt his vengeance in a different manner. Cupid was wandering with his mother over a meadow, beautifully enamelled with flowers "all fragrance and of various hues," when, in a playful mood, the youthful deity challenged Venus to see which could gather the greatest numberin the least time. Cupid would have been triumphant, had not Perestere, who accompanied them, attempted to win the favour of the goddess, by assisting to fill her basket. In revenge, Cupid changed her into a dove. The beautiful fable of the winged deity's love for Psyche, is the most pleasing of thoso r*1 n tori Q f him. CUPID AND PSYCHE. 79 The nymph Psyche was one of those exquisite beings, so seldom met with in the present degenerate days ; and even then, so rare was her beauty, that the people of earth looked on her almost as a divinity, and in some instances would have worshipped her in the belief that she was Venus, visiting the earth. " In her bower she lay, like a snow-wreath flung - , Mid flowers of brightest hue : Pouting roses about her hung, Violets 'neath her mantle sprung, Shedding their light of blue. " Pillowed on one fair arm she lay, Beneath her silver veil ; Her golden locks in wanton play, As sunbeams through the mist make way, Stole round her bosom pale ! " Falling waters afar were heard, To lull the slumb'ring fair : Yet ever and aye, her soul seemed stirred, In dove-like murmurs, as if the bird Of dreams sat brooding there. " All rude winds were hushed to rest ; Only the enamoured south, Wantoning round her swan-like breast — The silken folds of her azure vest Kissed with its fragrant mouth." Axox. To one so jealous as Venus, this homage paid to Psyche was an enormous crime, and she determined to take vengeance for the offence, by punishing her in the tenderest part of a woman's nature ; for she commanded Cupid to make her fall deeply in love, with the ugliest being he could find. With the intention of fulfilling this commission, Cupid visited Psyche, but so beautiful was the being he came to see, that he found himself compelled to pay the same homage to her which others had done; and finished by becoming deeply enamoured himself, as he saw " Upon her purple couch sweet Psyche laid, Her radiant lips a downy slumber sealed, In light transparent veil alone arrayed, Her bosom's opening charms were half revealed, And scarce the lucid folds her polished limbs concealed. " He half relenting on her beauties gazed, Just then awaking with a sudden start, Her opening eye in humid lustre blazed, Unseen he still remained, enchanted and amazed." Mrs. Tigiie. Fearful, however, of his mother's displeasure, he carried on the y() CUPID AND PSYCHE. affair with great secrecy, and by his divine power, conveyed her to a palace he had formed in a region full of beauty : here, when the shadows of night had visited the earth, Cupid sought the presence of his love. " Who first told how Psyche went On the smooth wind to realms of wonderment ? What Psyche felt, and Love, when their full lips First touched ; * * * * * * * With all their sighs And how they kist each other's tremulous eyes : The silver lamp — the ravishment — the wonder — The darkness — loneliness, and fearful thunder/' Keats. But the happiness which had fallen to the lot of the beautiful Psyche, was too delightful and too pure, not to meet with some- thing which should realize the after thought of the poet, that " the course of true love never did run smooth." The restless nature of the nymph would not allow her to remain quietly in possession of her beautiful lot, or in the enchanted place which the power of the God had raised for her, though few could be so delightful, when, " In broad pinions from the realms above, Descending Cupid seeks the Cyprian grove ; To his wide arms enamoured Psyche springs And clasps her lover with Aurelian wings, A purple sash across his shoulder bends, And fringed with gold the quivered shafts suspends; The bending bow obeys the silken string, And, as he steps, the silver arrows ring. Thin folds of gauze, with dim transparence flow, O'er her fair forehead and her neck of snow ; The winding woof her graceful limbs surrounds Swells in the breeze, and sweeps the velvet grounds; CtTPID AND PSYCHE. 81 As hand in hand along the flowery meads, His blushing bride the quivered hero leads; Charmed round their heads pursuing Zephyrs throng, And scatter roses as they move along ; Bright beams of spring in soft effusion play, And halcyon hours invite them on their way. Delighted Hymen hears their whispered' vows, And binds his chaplets round their polished brows, Guides to his altar, ties the flowery bands, And as they kneel unites their willing hands." Darwin. The love which had fallen upon Psyche, and the affection which dropped in honied words from Cupid's lips, was so endearing, that the nymph longed to communicate the delightful story of her good fortune to her less gifted, but envious sisters. She therefore told them of the glories of her marriage ; though her bridegroom had never made himself visible to her, and though to her he had no name save that fond one of husband, yet still she could talk of the beauties of her magic palace, of the musical voice of her invisible lover, and of the heart-touching and passionate endearments he bestowed on her. But all this was no pleasant intelligence to them, for with the malice of ill-nature, they determined to be revenged on her for a happiness which was no fault. They affected to believe that her husband had wicked designs in his concealment, and that he would desert his Psyche if he became visible to her — or they asserted that they had no doubt though the lips and skin of this mysterious being seemed so soft to their sister, it was by the power of enchantment, and that the light would reveal a monster whose presence would astonish no less than it would frighten: and succeeded in persuading her, by their next meeting, to provide herself with the means of procuring a light, and a dagger to stab him, should he prove the monstrous being they averred. The next night came, and Psyche, when she heard the thrilling tones of her husband's voice, could scarcely keep her secret. Dread- ing the anger of her sisters, however, she waited until Cupid was locked in slumber, and from its hiding place procured the light and the dagger. She softly rose, And seized the lamp — where it obscurely lay, With hand too rashly daring to disclose The sacred veil which hung mysterious o'er her woes." TlGBft. n 82 CUPID AND PSYCHE. For a time the nymph scarcely dared to cast a glance on the being she was so anxious to view ; and stood half shrinking from the desired sight. " In her spiritual divinity, Young Psyche stood the sleeping Eros by, What time she to the couch had, daring, trod ; And, by the glad light, saw her bridegroom God ! O'er him she knelt enamoured, and her sigh Breathed near and nearer to his silent mouth, Rich with the hoarded odours of the south ! " Bulwer. But who can conceive her rapturous delight, when, instead of the fearful being she dreaded, she beheld one whose every limb, and every feature, shone with a radiant and celestial beauty. " All imperceptibly to human touch, His wings display celestial essence light; The clear effulgence of the blaze is such, The brilliant plumage shines so heavenly bright, That mortal eyes turn dazzled from the sight ; A youth he seems in manhood's freshest years ; Round his fair neck, as changing with delight, Each golden curl resplendently appears, Or shades his darker brow, which grace majestic wears." TiGHE. Her eyes were rivetted on his exquisite form, until they forgot all else ; even her love, her kindness, and her passionate endear- ments, all vanished in that long, earnest, and delighted gaze. " Speechless with awe ; in transport strangely lost, Long Psyche stood, with fixed, adoring eye ; Her limbs immoveable, her senses tossed Between amazement, i'ear, and ecstacy, She hangs enamoured o'er the deity." Tighe. In the trembling transport which pervaded her, however, there fell a drop of burning wax from the light which she held, on the marble-like shoulder of Cupid, and he awoke. " From her trembling hand extinguished falls The fatal lamp. He starts — and suddenly Tremendous thunders echo through the halls, While ruins hideous crash bursts o'er the affrighted walls." Tighe. The spell was broken — the palace vanished — the God disappeared, and Psyche, mourning in bitter tears for her foolish curiosity, found herself standing on a desolate rock. psyche's curiosity 83 " Dread honor seizes on her ranking heart, A mortal chillness shudders at her breast, Her soul shrinks, fainting, from death's icy dart, The groan scarce uttered, dies, but half expressed, And down she sinks in deadly swoon oppressed : But when at length, awaking from her trance, The terrors of her fate stood all confessed, In vain she casts around her timid glance, The rudely frowning scenes, her former joys enhance. " No traces of those joys, alas 1 remain ; A desert solitude alone appears. No verdant shade relieves the sandy plain, The wide spread waste, no gentle fountain cheers ; One barren face the dreary prospect wears ; Nought thro' the vast horizon meets her eye To calm the dismal tumult of her fears, No trace of human habitation nigh, A sandy wild beneath, above a threatening sky." Tighe. The abandoned Psyche attempted to drown herself in the neighbouring waters. The stream, fearing the power of the God, returned her to earth upon a bank of flowers. She then went through the world in search of her lost love, persecuted, and subjected to numerous trials by Venus; who, determined on destroying, sent her to Proserpine with a box to request some of her beauty. The mission was accomplished in safety, but Psyche nearly fell a victim to curiosity and avarice ; for she opened the box to look at its contents, and endeavoured to take a portion of it to herself, that she might appear more beautiful in the eyes of her lost husband. On opening it, a deep slumber fell on the unwary mortal, and she lay upon the earth, until Cupid, luckily escaping from the confinement to which his mother had sub- jected him, found his lost love, and reproached her for her curiosity. In addition to this, Venus imposed upon Psyche the most diffi- cult tasks ; she poured upon the nymph torments the most excru- ciating, and took delight in rendering her miserable, who, not content with being taken for the goddess of beauty, had concluded by seducing from her the duty of her son. Jupiter, however, was moved to pity by this relentless rigour, and by the touching nature of the story ; he took her up to heaven, restored Cupid to his place, and making Psyche immortal, gave her in marriage to the God of love, in the presence of the celestial inhabitants. To use the elegant language of Mr. Keightley, 84 PSYCHE. " The hours shed roses through the sky, the Graces sprinkled the halls of heaven with fragrant odours, Apollo plays on his lyre, the Arcadian God on his reeds, the Muses sing in chorus, while Venus dances with grace and elegance, to celebrate the nuptials of her son." " So pure, so soft, with sweet attraction shone Fair Psyche, kneeling at the ethereal throne ; Won with coy smiles the admiring court of Jove, And wanned the bosom of unconquered love. Beneath a moving shade of fruits and flowers, Onward they march to Hymen's sacred bowers ; With lifted torch he lights the festive strain, Sublime, and leads them in his golden chain ; Joins the fond pair, indulgent to their vows, And hides with mystic veil their blushing brows. Round their fair forms their mingling arms they fling, Meet with warm lip, and clasp with nestling wing. Hence plastic nature, as oblivion whelms Her fading forms, repeoples all her realms ; Soft joys disport on purple plumes unfurled, And love and beauty rule the willing world." Darwin. Thus Cupid was at length re-united to his beloved Psyche, and their loves were speedily crowned by the birth of a child, whom his parents named Pleasure. PSYCHE. «* Oh ! Goddess, hear these tuneless numbers, wrung By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung, Even into thine own soft-couched ear : Surely I dreamt to day, or did I see The winged Psyche with awakened eyes ? I wandered in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side, In deepest grass, beneath the whispering roof Of leaves and trembled blossoms, where there ran A brooklet, scarce espied : 'Mid hushed, cool rooted flowers, fragrant-eyed, Blue, silver white, and budded Tyrian, They lay calm breathing on the bedded grass ; Their arms embraced, and their pinions too ; Their lips touched not, but had not bade adieu, As if disjoined by soft handed slumber, And ready still, past kisses to outnumber, At tender eye-dawn of aurorean love : The winged boy I knew ; But who wast thou, O happy, happy dove? His Psyche true! cupid. 85 " O latest born and loveliest vision far Of all Olympus' faded hierarchy ! Fairer than Phoebus sapphire-regioned star Or Vesper, amorous glow-worm of the sky ; Fairer than these, tho' temple thou hast none, Nor altar heaped with flowers ; Nor virgin-choir to make delicious moan Upon the midnight hours; No voice, no lute, no pipe, no incense sweet, From chain swung censer teeming ; No shrine, no grove, no oracle, no heat Of pale-mouthed prophet dreaming. O brightest ! though too late for antique vows Too, too late for the fond, believing lyre When holy were the haunted forest boughs, Holy the air, the water and the fire." Keats. Of this deity, poets have written until the God, heeonie identified with the passion, which is addressed by many as immortal. " They sin who tell us Love can die ; With life all other passions fly, All others are but vanity ; In heaven ambition cannot dwell Nor avarice in the vaults of hell : Earthly these passions of the earth They perish where they have their birth ; But Love is indestructible : Its holy flame for ever burnetii, From heaven it came, to heaven returned). Too oft on earth a troubled guest, At times deceived, at times opprest, It here is tried and purified, Then hath in heaven its perfect rest : It soweth here with toil and care, But the harvest time of Love is there." Southey. Cupid is usually represented as a winged infant, naked, armed with a bow and quiver full of arrows. On gems and all other pieces of antiquity, he is represented as amusing himself with childish diversions. Sometimes, like a conqueror, lie marches triumphantly with a helmet on his head, a spear on his shoulder, and a buckler on his arm, intimating that even Mars himself owns the superiority of love. " To Love, the soft and blooming child, I touch the harp in descant wild ; To Love, the babe of Cyprian bowers, The boy who breathes and blushes flowers, To Love, for heaven and earth adore him, And gods and mortals bow before him !" Anacreon. Among the ancients, he was worshipped with the same solemnity 86 L'AMORE DOM1NATORE. as his mother Venus ; and as his influence was extended over the heavens, the sea and the earth, and even the empire of the dead, his divinity was universally acknowledged, and vows, prayers and sacrifices, were daily offered to him. Bright-winged child ! Who has another care when thou hast smiled ? Unfortunates on earth, we see at last All death-shadows, and glooms that overcast Our spirits, fanned away by thy light pinions. O sweetest essence ! sweetest of all minions ! God of warm pulses, and dishevelled hair ; Dear unseen light in darkness ! eclipser Of light in light ! delicious poisoner ! Thy venomed goblet will we quaff, until We fill— we till ! " Keats. One of the most beautiful of his temples was built within a myrtle grove, the God being extended in the attitude of a sleeping child, under the title of L'Amore Dominatore. "They built a temple for the God, 'Twas in a. myrtle grove, Where the sweet bee and butterfly, Vied for each blossom's love. " I looked upon the altar, — there The pictured semblance lay, Of him the temple's lord, it shone More beautiful than day. " It was a sleeping child, as fair As the first-born of spring : Like Indian gold waved the bright curls, In many a sunny ring. " I heard them hymn his name, his power, I heard them, and I smiled : How could they say the earth was ruled, By but a sleeping child ? " I went then forth into the world, To see what might be there ; And there I heard a voice of woe, Of weeping, and despair. " I saw a youthful warrior stand In his first light of fame, His native city, filled the air With her deliverer's name : " I saw him hurry from the crowd, And fling his laurel crown, In weariness, in hopelessness, In utter misery down. " And what the sorrow, then I asked, Can thus the warrior move, To scorn his meed of victory ? They told me it was Love ! CUPID. y~ " I sought the Forum, there was one. With dark and haughty hrow, His voice was as the trumpet's tone, Mine ear rings with it now. " They quailed before his flashing eye, They watched his lightest word : When suddenly that eye was dim, That voice no longer heard. " I looked upon his lonely hour, The weary solitude : When over dark, and bitter thoughts, The sick hearts' left to brood. " I marked the haughty spirit's strife, To rend its bonds in vain : Again I heard the cause of ill, And heard loves name again. " I saw an Urn, and round it hung, An April diadem Of flowers, telling they mourned one, Faded and fair like them. " I turned to tales of other days, They spoke of breath and bloom : And proud hearts that were bowed by love, Into an early tomb. " I heard of every suffering, That on this earth can be : How can they call a sleeping child, A likeness, love, of thee ? " They cannot paint thee, let them dream A dark and nameless thing : Why give the likeness of the dove, Where is the serpent's sting ? L. E. L. We cannot better conclude our account of this important Deity than by the following epigram, written under one of his statues. "Whoe'er thou art, thy master see, Who was, or is, — or is to be." Voltaire. MINERVA, Minerva, the Goddess of wisdom, war, and all the liberal arts, came forth, armed and grown up, from her father's brain, and was imme- diately admitted into the association of the Gods, becoming one of the most faithful counsellors of her father. She was indeed the only one of all the divinities whose authority, and consequence, were equal to those of Jupiter. " From Jove's awful head sprung: forth to light, In golden panoply superbly dight ; And while the glittering- spear thy hands essayed, Olympus trembled at the martial maid. Affrighted earth sounds from her deepest caves, And swell of Ocean tides the sable waves ; The turgid billows sink ; in heaven's high plains His steeds the son of Hyperion reins, Till Pallas lays her arms divine aside, While Jove his daughter views with conscious pride." Horace. The strife of this Goddess with Neptune is worthy attention : each of them claimed the right of giving a name to the capital of Cecropia, and the assembly of the Gods decided the dispute by promising preference to whichever could produce the most useful and necessary present to the inhabitants of the earth. Neptune, upon hearing this, struck the ground with his trident, and immediately a horse issued therefrom. Minerva produced the olive, and obtained the victory by the unanimous voice of the gods, who considered the olive, as the emblem of peace, to be far pre- ferable to the horse, the symbol of war and bloodshed. The victorious deity called the capital Athenoe, and became the tutelar divinity of the place. The sandals of celestial mould, Fledged with ambrosial plumes and rich with cold Surround her feet : with these sublime she sails Th' aerial space, and mounts the winged gales; O'er earth and ocean wide, prepared to soar, Her dreaded arm a beaming javelin bore, Ponderous and vast : which, when her fury burns, Proud tyrants humbles, and whole hosts o'erturns." HoMt.l. Arachne, a woman of Colophon, having acquired great perfection in working with her needle, became impressed with a belief that her powers were superior to those of Minerva, goddess of the art. MINERVA AND ARACHNE. 89 This wounded Minerva's jealous pride, which was increased by Arachnes challenging her to a trial of skill. " From famed Pactolus' golden stream, Drawn by her art the curious Naiads came Nor would the work, when finished, please so much As, while she wrought, to view each graceful touch : Whether the shapeless wool in balls she wound, Or with quick motion turned the spindle round, Or with her pencil drew ihe neat design, Pallas, her mistress, shone in every line. This the proud maid, with scornful air denies, And e'en the goddess at her work defies, Disowns her heavenly mistress every hour, Nor asks her aid, nor deprecates her power." Ovid. Beautiful as the production of Arachne was, which recorded the intrigues of Jove, yet it could not compete with that of Minerva, who by her divine skill, surpassed all her rival's efforts. " Pallas in figures wrought the heavenly powers, And Mars's skill among the Athenean bowers, Each god, by proper features was exprest ; Jove with majestic mien, excelled the rest, His nine forked mace the dewy sea-god shook, And, looking sternly, smote the ragged rock ; When, from the stone, leaped forth the sprightly steed And Neptune claims the city for the deed. Herself she blazons with a glittering spear, And crested helm that veiled her braided hair, With shield, and scaly breast-plate, implements of war. Struck with her pointed lance, the teeming earth Seemed to produce a new surprising birth, When from the glebe, the pledge of conquest sprung, A tree, pale green with fairest olives hung." Ovid. Although her work was perfect and masterly, the Goddess was so vexed at the subjects Arachne had chosen, that she struck her two or three times on the forehead. "The bright goddess, passionately moved, With envy saw, yet inwardly approved, The scene of heavenly guilt, with haste she tore, Nor longer the affront with patience bore ; A boxen shuttle in her hand she took, And more than once, Arachne's forehead struck." The high spirited mortal, indignant at the blows, and in despair at her defeat, hung herself, and was changed into a spider by Minen a. She sprinkled her with juice, Which leaves of baleful aconite produce. Touched with the poisonous drug, her flowing hair Fell to the ground, and left her temples bare. 12 90 MINERVA AND MEDUSA. Her usual features vanished from (heir place, Her body lessened — but the most, her face, Her slender fingers, hanging on each side, With many joints the use of legs supplied, A spider's bag, the rest, from which she gives A thread, and still, by constant spinning lives." Ovid. Minerva when amusing herself by playing upon her favourite flute before Juno and Venus, was ridiculed by the goddesses for the distortion of her face while blowing the instrument ; Minerva convinced of the truth of their remarks, by looking at herself in a fountain near Mount Ida, threw the flute away, and denounced a melancholy death to him who should find it. Marsyas was the unfortunate being, and in the history of Apollo may be found the fate he experienced through the veracity of her decree. Minerva was called Athena Pallas, either from her killing the giant Pallas, or because the spear which she seems to brandish in her hands is called " pallein." According to the different characters in which she nas appeared, has the goddess been represented. Usually with a helmet on her head, and a large plume nodding in the air. In one hand she holds a spear, and in the other, a shield, with the dying head of Medusa upon it. " With bright wreaths of serpent tresses crowned, Severe in beauty, young Medusa frowned ; Erewhile subdued, round Wisdom's Mgh rolled, Hissed the dread snakes, and flamed in burnished gold Flashed on her brandished arm the immortal shield, And terror lightened o'er the dazzled field." Darwin. Sometimes the Gorgon's head was on her breast-plate, with living serpents writhing round it, as well as on her shield and helmet. It was in one of her temples that the following occurrence took place, from which she adopted this device. Medusa -was the only one of the Gorgons who was subject to mortality, and was celebrated for her personal charms ; particularly for the beauty of her hair. Neptune became enamoured of her Medusa once had charms, to gain her love A rival crowd of envious lovers strove. They who have seen her, own they ne'er did trace, More moving features, in a sweeter face : Yet above all, her length of hair they own, In golden ringlets waved, and graceful shone. MINERVA AND MEDUSA. 91 Her, Neptune saw : and with such beauties tired, Resolved to compass what his soul desired. The bashful goddess turned her eyes away, Nor durst such bold impurity survey." This violation of the sanctity of her temple provoked Minerva, iiul she changed the beautiful locks of Medusa, which had inspired the love of Neptune, into ghastly and living serpents, as a punish- ment for the desecration of that sanctuary, where only worship and incense should have been offered. 11 It lieth, gazing on the midnight sky, Upon the cloudy mountain peak supine ; Below, the far lands are seen tremblingly : Its horror and its beauty are divine. Upon its lips and eyelids seems to lie, Loveliness like a shadow, from which shine, Fiery and lurid, struggling underneath, The agonies of anguish and of death. " Yet it is less the horror than the grace, Which turns the gazer's spirit into stone : Whereon the lineaments of that dead face Are graven, till the characters be grown Into itself, and thought no more can trace; 'Tis the melodious hue of beauty thrown Athwart the darkness and the glare of pain, Which humanize and harmonize the strain. " And from its head as from one body grow, As grass out of a watery rock, Hairs which are vipers, and they curl and flow, And their long tangles in each other lock : And with unending involutions show. Their mailed radiance as it were to mock, The torture and the death within, and saw The solid air with many a ragged jaw. 92 STATUE OF MINERVA. " 'Tis the tempestuous loveliness of terror ; For from the serpents gleam a brazen glare, Kindled by that inextricable error, Which makes a thrilling vapour of the air Become a strange, and ever shifting mirror Of all the beauty, and the terror there — A woman's countenance, with serpent locks, Gazing in death on heaven, from those evil rocks." Shelley. Some of the statues of Minerva represented her helmet with a sphinx in the middle, supported on either side by griffins. In some medals, a chariot drawn by four horses, appears at the top of her helmet. But it was at the Panathenaea, instituted in her behalf, that she received the greatest honour. On the evening of the first day, there was a race with torches, in which men on foot, and afterwards on horseback, contended. To celebrate these festivals, also, the maidens divided into troops, and armed with sticks and stones, attacked each other with fury. Those who were overcome in this combat, were devoted to infamy, while they who conquered, and had received no wounds, were honoured with triumphant rejoicings. These fetes, established in Lybia, were transferred to Athens, the city to which Minerva had granted the olive tree, and which she had taken under her protection. She was adored at Troy by the title of Pallas, and her statue guarded the city under the name of Palladium. Some authors maintain that this was made with the bones of Pelops — while Apollodorus asserts, it was no more than a piece of clock-work which moved of itself. To its possession, was attached the safety of the city ; and during the Trojan war, Ulysses and Diomedes were commissioned to steal it away. DESCRIPTION OF MINERVA IN THE FLORENCE GALLERY. " The head is of the highest beauty. It has a close helmet from which the hair, delicately parted on the forehead, half escapes. The attitude gives entire effect to the perfect form of the neck, and to that full and beautiful moulding of the lower part of the face and mouth, which is in living beings the seat of the expression of a simplicity and integrity of nature. Her face, upraised to heaven, is animated with a profound; sweet, and impassioned melancholy, with an earnest, and fervid and disinterested pleading against some vast and inevitable wrong. It is the joy and poetry of sorrow making JUDGMENT OF PARIS. 93 grief beautiful, and giving it that nameless feeling, which, from the imperfection of language, we call pain, but which is not all pain, though a feeling which makes not only its possessor, but the spectator of it, prefer it to what is called pleasure, in which all is not pleasure. It is difficult to think that this head, though of the highest ideal beauty is the head of Minerva, although the attributes and attitude of the lower part of the statue certainly suggest that idea. " The Greeks rarely in their representations ol the characters ol their Gods — unless we call the poetic enthusiasm of Apollo a mortal passion— expressed the disturbance of human feeling ; and here is deep and impassioned grief animating a divine countenance. It is indeed divine. The drapery of the statue, the gentle beauty of the feet, and the grace of the attitude, are what may be seen in many other statues belonging to that astonishing era which produced it : such a countenance is seen in few." Shelley. We have already seen that Minerva, not satisfied with being goddess of Wisdom, claimed also pre-eminence in beauty, although Paris by his judgment, gave the palm of loveliness to Venus. -> T" MARS. Mars, the God of War, was the son of Juno, who jealous of the birth of Minerva, consulted Flora, and on the plains near Olenus, was shown by her a flower, through the very touch of which she might become a mother. The goddess tried, and from her touch sprang Mars. His education was entrusted by Juno to the god Priapus, who instructed him in dancing, and in every manly exercise. His trial before the celebrated court of Areopagus, for the murder of Hallirhotius, who insulted a daughter of Mars because she slighted his addresses, forms an important epoch in his history. The fiery blood of Mars, which would submit to no insult, was immediately in arms at so tender a point, and he slew the insulter. Neptune, father of the slain, cited Mars to appear before the tribunal of justice, to answer for the murder of his son. The cause was tried at Athens, in a place which has been called from thence Areopagus, and Mars was acquitted. " Mars ! God of Armies ! mid the ranks of war, Known by thy golden helm, and rushing car, Before whose lance, with sound terrific, fall The massy fortress and embattled wall. " Father of victory ! whose mighty powers, And brazen spears, protect Olympus' towers; By whom the brave to high renown are led, Whom justice honours, and whom tyrants dread. Hail ! friend to man ! whose cares to youth, impart The arm unwearied, and the undaunted heart !" Horace. During the Trojan war, Mars interested himself on the side of the Trojans; but while he defended these favourites of Venus with o-reat activity, he was wounded by Diomedes, and hastily retreated to Heaven, complaining to Jupiter that Minerva had directed the unerring weapon of his antagonist. " Wild with his pain, he sought the bright abodes, There, sullen, sate beneath the sire of gods, Shewed the celestial blood, and with a groan, Thus poured his plaints before the immortal throne. Can Jove, supine, flagitious acts survey And brook the furies of the daring day ? Tor mortal men, celestial powers engage, Anil gods on gods exert eternal rage. From thee, O father! all these ills we bear, And thy fell daughter with the shield and spear. MAUS. 95 " Thou gavest that fury to the realms of light, Pernicious, wild, regardless of the right ; All Heaven besides, reveres thy sovereign sway, Thy voice we hear, and thy behests obey : 'Tis hers to offend, and e'en offending, share Thy breast, thy counsels, thy distinguished care : So "boundless she, and thou so partial grown, Well may we deem, the wondrous birth thine own ; Now frantic Diomed, at her command, Against the immortals lifts his raging hand ; The heavenly Venus first his fury found : Me next encountering, me he dared to wound : Vanquished I fled; e'en I, the god of fight, From mortal madness, scarce was saved by flight, Else hadst thou seen me sink on yonder plain, Heaped round, and heaving under loads of slain, Or pierced with Grecian darts, for ages lie Condemned to pain, though fated not to die.' " Homer. The Thunderer treated with disregard the complaint of Mars against his favourite daughter, and thus upbraided him : " ' To me, perfidious ! this lamenting strain, Of lawless force, shall lawless Mars complain ? Of all the gods who tread the spangled skies, Thou most unjust, most odious in our eyes ! Inhuman discord is thy dire delight, The waste of slaughter, and the rage of fight. No bound, no law, thy fiery temper quells, And all thy mother in thy soul rebels. In vain our threats, in vain our power, we use, She gives the example, and her son pursues. Yet long the inflicted pangs thou shalt not mourn, Sprung since thou art from Jove, and heavenly born : Else singed with lightning, hadst thou hence been thrown, Where, chained on burning rocks, the Titans groan.' " Homer. Under the direction of Jupiter, the God of War soon recoveied. "Thus he, who shakes Olympus with his nod, Then gave to Pceon's care the bleeding god. With gentle hard, the balm he poured around, And healed th' immortal flesh, and closed the wound. Cleansed from the dust and gore, lair Hebe dressed His mighty limbs in an immortal vest, Glorious he sat, in majesty restored, Fast by the throne of Heaven's superior lord." Homkr. The worship of Mars, was not very universal among the ancients, nor were his temples very numerous in Greece, but among the warlike Romans he received great homage, as they were proud of sacrificing to a deity, whom they considered the patron of their city, and the father of the first of their monarch* ; a faith to which Qg THE WORSHIP OF MARS. they loved to give credit. Among this people, it was customary for the consul, before he went on an expedition, to visit the temple of Mars, where he offered his prayers, and shook in a solemn manner, the spear which was in the hand of the statue of the God, exclaim- ing "Mars vigila ! God of War, watch over the safety of this city." "The influence of Cupid, as God of love, was felt even by Mars, who was compelled to acknowledge his power, and the sharpness of his arrows. " As in the Lemnian caves of fire, The mate of her who nursed desire, Moulded the glowing steel, to form Arrows for Cupid, melting, warm ; Once to this Lemnian cave of flame, The crested lord of battles came ; 'Twas from the ranks of war he rushed, His spear with many a life-drop blushed ; He saw the mystic darts, and smiled Derision on the archer child. 1 And dost thou smile ?' said little Love ; ' Take this dart, and thou mayest prove That tho' they pass the breeze's flight, My bolts are not so feathery light.' He took the shaft — and oh ! thy look, Sweet Venus ! when the shaft he took, He sighed, and felt the urchin's art, He sighed in agony of heart ; ' It is not light, I die with pain ! Take, take thine arrow back again.' 1 No,' said the child ' it must not be, That little dart was made for thee.' " Moore. The result of his amour with Venus has been related in another part of this work. He is usually represented in a chariot of steel, conducted by Bellona, goddess of War: on his cuirass are painted several monsters ; the figures of Fury and Anger ornament his helmet, while Renown precedes him. His priests, named Salii, carried small bucklers, supposed to be sacred, and to have fallen from the skies. To him was consecrated the cock, because it was vigilant and courageous, but they preferred offering the wolf; they sacrificed however, to him, all kinds of animals, and even human victims. The statues and portraits of Mars, as the God of War, and con- sequently the winner of victory, have been very numerous. MA US. 97 His most celebrated temple at Rome, was built by Augustus, after the battle of Phillippi, and was dedicated to "Mars the avenger," " Rivers. And this is he, the fabled God of War. Evadne. Aye, Mars the conqueror, see how he stands ; The lordly port, the eye of fierce command, The threatening brow, and look that seems to dare A thousand foes to battle. — It was a beautiful faith that gave these gods A name and office ! Is he not glorious ? Rivers. To my poor thought, there's that within his glance So fierce, I scarce dare meet it. Evadne. It is your studious nature, yet methinks To gaze upon that proud and haughty form, To think upon the glorious deeds of war, The pomp and pride and circumstance of battle. The neighing of the steed, the clash of arms, The banner waving in the glowing breeze. The trumpet sound, the shout. Oh ! there is nought so beautiful as this. Rivers. Aye, but to see the living and the dead, Lying in mortal agony, side by side, Their bright hair dabbled in unrighteous blood, Their vestures tinctured with its gory red, The quivering limb, the eye that's glazed in death, The groan — Evadne. 'Tis lost boy, in the drum and trumpet's voiee, 'Tis lost in shouts of glorious victory, 'Tis lost in high, triumphal tones of gladness. 13 98 MARS. Rivers. But then to tliink upon the hearts that grieve, For those who peril thus their lives in war, The misery that sweeps along- the brain, The widows' moan, the orphans' tears of woe, The love that watcheth at the midnight hour, And hopeth on, but hopeth on in vain. Eradne. And that is lost too in their country's shouts The voice of gratitude for those that fell, Drowns every thought in those who live to mourn ; The hand of charity for those who are left Fills every heart and dries up every fear ; The record of a nation's loud applause, Writes on their tombs in characters of brass, And graves within our very souls, the words, ' Here lies his country's saviour.' Rivers. But these can never pay the wrung in heart : Pride is a poor exchange for those adored : And even a nation with its giant strength, Cannot supply the vacant place of love ! Eradne. Shame on such craven thoughts. The image of the God frowns on your words — All glorious Mars ! be thou my god and guide, Be thou the image to fill up my heart, Be thou the spirit leading me to glory, And be my latest hour still cheered by thee, While round me dwells the shout of victory !" Fletcher. Mars was the presider over gladiators, and was the god of all exercises, which have in them a manly or spirited character. N E P T U N E, -" The God whose potent hand Shakes the tumultuous sea, and solid land: The Ocean Lord, o'er Helicon who reigns, O'er spacious iEgae's wide extended plains; To whom the gods, with equal skill concede, To guide the bark and tame the ikry steed," Horace. was the son of Saturn, and brother to Jupiter, Pluto, and Juno; being restored to life by the draught administered to Saturn, the portion of the kingdom allotted to him was that of the sea. This, however, did not seem equivalent to the empire of heaven and earth, which Jupiter had claimed ; he therefore conspired with the other gods to dethrone his brother. The conspiracy was discovered, and Jupiter condemned Neptune to assist in building the walls of Troy, and to be subservient to his sceptre for a year. When the work was completed, Laomedon refused to reward the labours of the god, and in retribution, his territories were soon afterwards laid waste by the god of the sea, and his subjects visited with a pestilence sent by Apollo. Besides the dispute this deity had with Minerva, related in her h story, he claimed the isthmus of Corinth from Apollo ; and Briareus, the Cyclops, who was mutually chosen umpire, gave the isthmus to Neptune, and the promontory to Apollo. Neptune, as god of the sea, was entitled to more power than any of the other deities, except Jupiter. Not only the oceans, rivers, and fountains, were subjected to him, but he could also cause earthquakes at pleasure, and raise islands from the sea by a blow of his trident. King of the stormy sea ! Brother of Jove, and co-inheritor Of elements Eternally before Thee, the waves awful bow. Fast, stuhhom rock ; At thy feared trident, shrinking, doth unlock Its deep foundations, hissing into foam. All mountain-rivers, lost, in the wide home Of thy capacious bosom, ever flow. Thou frownrst, and old iEolus, thy foe, Skulks to his cavern, raid the gruff complaint Of all his rebel tempests. Dark clouds faint When, from thy diadem, a silver gleam Slants over blue dominion. Thy bright team Gulfs in the morning light, and studs along To bring thee nearer to that golden song 100 NEPTUNE AND AMPH1TR1TE. " Apollo singeth, while his chariot Waits at the door of heaven. Thou art not For scenes like this; an empire stern hast thou ; And it hath furrowed that large front : yet now, As newly come of heaven, dost thou sit, To blend and inter-knit Sudued majesty with this glad time. O shell born king sublime ! We lay our hearts before thee evermore — We sing and we adore !" Keats. He obtained Amphitrite, daughter of Ocean, in marriage, through the skill of a dolphin, although she had made to herself ^ a vow of perpetual celibacy ; and had by him, Triton, one of the sea deities. To the story of Neptune, may be attached the beau- tiful fable of Arion, the illustrious rival of Amphion and Orpheus. This famous lyric poet and musician, having gone into Italy, with Periander, tyrant of Corinth, he obtained immense treasures through his profession. On his return to his native country with his riches, the sailors of the vessel in which he had embarked, resolved to murder him, that they might obtain possession of his wealth ; when the poet discovered their intention, he endeavoured to outwit them. NEPTUNE AND ARION. 101 " Allow me," said Arion, with all the earnestness of an enthu- siast. " Ere I leave this world, oh ! allow me to touch once more, and for the last time, the strings of the lyre which has so often cheered me : let the last moments of my life, be soothed by its gentle influence." The boon was granted, and the divine strains of the master, issued in solemn beauty over the deep. At the sound, the traitors were struck silent, and hesitated in their course, but they had gone too far : it was too late to recede, and the poet was thrown into the deep. When lo! the dolphins, attracted by the sweut tones which they had heard, gathered round him; and Arion, mounted on the back of one, and accompanied by the remainder, arrived safely at the end of his voyage. It is added, as an instance of the ingratitude of mortals, that the dolphin, having proceeded too far upon the sand, was unable to get back to the water, and the ungrateful Arion allowed his liberator to perish. The worship of Neptune was established in almost every part of the earth, and the Libyans in particular, venerated him above all other Gods. -" Great Neptune ! I would be Advanced to the freedom of the main, And stand before youi vast creation's plain, And roam your watery kingdom thro' and thn 102 NEPTUNE. '•And see your branching woods and palace blue, Spar-built and domed with crystal: aye and view The bedded wonders of the lonely deep ; And see on coral banks, the sea-maids sleep, Children of ancient Nereus, and behold Their streaming dance about their father old, Beneath the blue Egean ; where he sate, Wedded to prophecy, and full of fate ! Or rather, as Arion harped, indeed, Would I go floating on my billow-steed, Over the billows, and triumphing there, Call the white syren from her cave to share My joy, and kiss her willing forehead fair." Keats. To him was consecrated the horse, and in his honour were cele- brated the Isthmian games. His throne was a chariot drawn by four fiery steeds ; his stature is grand, and his appearance imposing ; he wears the look of an old man, his long beard and hair, wet with the vapour of the water. In his hand he holds the trident, which bids the waves of ocean to rise, and causes the thunder of its tempests. With this trident also, he shakes the world, and bids the earth to tremble. During the Consualia of the Romans, horses were led through the streets, finely equipped, and crowned with garlands, as the God in whose honour the festivals were instituted, had produced the horse, an animal so beneficial for the use of mankind. As monarch of the sea, he is supposed to have had possession of the deep, and all the treasures which the stormy winds sent to his domain. " What hid'st thou in thy treasure-caves and cells ? Thou hollow-sounding, and mysterious main ! Pale glistening pearls, and rainbow-coloured shells, Bright things which gleam unrecked of, and in vain ; Keep, keep thy riches, melancholy sea . We ask not such from thee ! *" Vet more, the depths have more ! what wealth untold, Far down, and shining thro' their stillness lies ; Thou hast the starry gems, the burning gold, Won from ten thousand royal argosies; Sweep o'er thy spoils, thou wild and wrathful main ; Earth claims not these again ! "Yet more, the depths have more! thy waves have rolled, Above the cities ol a world gone by ! Sand hath filled up the palaces of old, Sea-wee d o'er-grown the halls of revelry. Dash o'er them, ocean ! in thy scornful play ! Man yields them to decay NEPTUNE. 103 Yet more! the billows and the depths have more ! High hearts and brave are gathered to thy breast ! They hear not now the booming waters roar, The battle thunders will not break their rest ; Keep thy red gold and gems, thou stormy grave, Give back the true and brave 1 " Give back the lost and lovely ! those for whom The place was kept at board and hearth so long ; The prayer went up thro' midnight's breathless gloom, And the vain yearning woke midst festal song ! Hold fast thy buried isles, thy towers o'erthrown, But all is not thine own ' " To thee the love of woman hath gone down, Dark flow thy tides o'er manhood's noble head, O'er youth's bright locks, and beauty's flowery crown. Yet must thou hear a voice — restore the dead ! Earth shall reclaim her precious things from thee ! Restore the dead thou sea !" Hemans. PLUTO. The name of Pluto, as god of the kingdom of hell, and whatever is under the earth, where ** Cerberus, the cruel worm of death, Keeps watchful guard, and with his iron throat, Affrights the spirits in their pale sojourn," Thuri.ow. is as well known to the readers of Mythology as that of his brother Jupiter. The place of his residence being gloomy, and consequently unbearable to those goddesses whose hand he sought in marriage, and who looked for a gayer life than he could offer them, they all refused to become the sharer of his possessions. Pluto, however, was by no means willing to sit quietly down in single blessedness, thinking, perhaps, that the very reason which they assigned for their refusal, was an additional one in his favour for wishing a soother of his lot. It was in his visit to the island of Sicily, that the God saw and became enamoured of Proserpine, as she gathered flowers in the plains of Enna. 104 PLUTO AND PROSERPINE. He comes to us From the depths of Tartarus. For what of evil doth he roam From his red and gloomy home, In the centre of the world Where the sinful dead are hurled? Mark him as he moves along, Drawn by horses black and strong, Such as may belong to night, Ere she takes her morning flight, Now the chariot stops : the God On our grassy world hath trod, Like a Titan steppeth he, Yet full of his divinity. On his mighty shoulders lie Raven locks, and in his eye A cruel beauty, such as none Of us may wisely look upon." Barry Cornwall, In vain she called upon her attendants for help, the God bore her off to his dominions, and she became his bride. u So in Sicilia's ever blooming shade, The playful Proserpine from Ceres strayed. Led with unwary step her virgin trains O'er Etna's steeps, and Enua's golden plains ; Plucked with fair hand the silver blossomed bower, And purpled mead, — herself a fairer flower ; PLUTO ORPHEUS. 10f> " Sudden, unseen amid the twilight glade, Rushed gloomy Dis, and seized the trembling maid. Her startling - damsels sprung from mossy seats, Dropped from their gauzy laps the gathered sweets, Clung round the struggling nymph, with piercing cries Pursued the chariot, and invoked the skies ; — Pleased as he grasps her in his iron arms, Frights with soft sighs, with tender words alarms ; The wheels descending, rolled in smoky rings, Infernal Cupids flapped their demon wings ; Earth with deep yawn received the fair amazed, And far in night, celestial beauty blazed." Darwin. At the entrance of the place of torments was an enormous vestibule, tenanted by black Anxieties, Regrets, Groans, Remorse, pale Malady, Decay, Fright, Hunger, Poverty, Death, Sleep, fierce Joy, Rage, and the Eumenides, or Furies, who were seated on a couch of iron, and crowned with blood-stained serpents. A deep and dark cavern led towards Tartarus, which was surrounded by the river Acheron ; Charon conducted over this water the souls of those sent to him by Death, while any to whom the rites of sepulchre had not been granted, were for a hundred years allowed to solicit their passage in vain. If any living person presented himself to cross the lake, he could not be admitted before he showed Charon a golden bough ; and Charon was once imprisoned for a year, because he had ferried Hercules over without this passport. Cerberus, a dog with three heads, watched at the entrance to Tartarus. " A horrid dog and grim, couched on the floor, Guards, with malicious art, the sounding door; On each, who in the entrance first appears, He fawning wags his tail, and cocks his ears : If any strive to measure back the way, Their steps he watches, and devours his prey." Hesiod. Surrounded by an outer wall of iron, this terrible place was enclosed within a wall of adamant. Pluto is generally represented as holding a trident with three prongs, and has a key in his hand, to intimate that whoever enters can never return. He is considered as a hard-hearted and inexorable deity, with a grim and dismal countenance, for which reason, temples were not raised to his honour, as to the remainder of the gods ; though the story of Orpheus shews that he could be occasion- ally less severe. 14 106 PLUTO — CYANE. " When ill-fated Orpheus tuned to woe His potent lyre, and sought the realms below; Charmed into life unreal forms respired, And list'ning shades the dulcet note admired. Love led the sage through Death's tremendous porch, Cheered with his smile, and lighted with his torch ; Hell's triple dog his playful jaws expands, Fawns round the god, and licks his baby hands ; In wondering groups the shadowy nations throng, And sigh or simper, as he steps along ; Sad swains, and nymphs forlorn, on Lethe's brink, Hug their past sorrows, and refuse to drink; Night's dazzled empress feels the golden flame Play round her breast, and melt her frozen frame ; Charms with soft words, and sooths with amorous wiles, Her iron-hearted lord, and Pluto smiles. His trembling bride the bard triumphant led From the pale mansions of the astonished dead ; Gave the fair phantom to admiring light, Ah ! soon again to tread irrevocable night !" Darwin. Black victims, and particularly the bull, were the only sacrifices which were offered to him, and their blood was not sprinkled on the altars, but permitted to run down into the earth to penetrate the realms of the God. The Syracusans paid yearly homage to him near the fountain of Cyane, into which one of the attendant maidens of Proserpine had been metamorphosed, and where he had, according to the received traditions, disappeared with the goddess. On the ground, She sinks without a single sound, And all her garments float around ; Again, again she rises light, Her head is like a fountain bright, And her glossy ringlets fall With a murmur musical, O'er her shoulders, like a river That rushes and escapes for ever. Is the fair Cyane gone ? Is this fountain left alone For a sad remembrance, where We may in after times repair, With heavy heart and weeping eye, To sing songs to her memory ?" Barry Cornwall. From the functions, and the place he inhabited, he received different names, and became the god of the infernal regions, of death, and of funerals. That he might govern with order and regularity, the spirits who PLUTO — TANTALUS. 107 were inhabitants of his vast dominions, he committed part of his power to three judges of the infernal regions, of whom Minos and m ■ Rhadamanthus were the most important. He sate in the middle, holding a sceptre in his hand. The dead pleaded their different causes before him, and the impartial judge shakes the fatal urn which is filled with the destinies of mankind. Rhadamanthus was employed in compelling the dead to confess their crimes, and in them for their offences. punis hing " Awful Rhadamanthus rules the state. He hears and judges each committed crime, Inquires into the manner, place, and time : The conscious wretch must all his acts reveal, Loth to confess, unable to conceal, From the first moment of his vital breath, To his last year of unrepenting death." Amongst the most notorious criminals plunged in Tartarus, were the Titans ; Sisyphus, a celebrated robber, condemned to roll an enormous stone to the summit of a high mountain, from which it fell again without ceasing, that he might be eternally fin ployed in this punishment ; Ixion who had dared to offer impure vows to .) uno, and was affixed to a wheel which went constantly round, rendering his punishment also eternal ; with Tantalus, condemned to a burning thirst, and surrounded by the grateful liquid which always vanished before his touch. 108 PLUTO — ULYSSES. " Tantalus condemned to hear The precious stream still purling in his ear ; Lip-deep in what he longs for, and yet curst With prohibition and perpetual thirst." COWPER. The Danaides, daughters of Danaus, king of Argos, were also there, who, in obedience to the cruel advice of their parent, had caused their husbands to perish ; with Tityus, who having had the audacity to attempt the honour of Latona, was doomed to feel a vulture constantly gnawing his entrails. Ulysses sought the realm of Pluto, among his many adventures. " When lo ! appeared along the dusky coasts, Thin, airy shoals of visionary ghosts : Fair, pensive youths, and young enamoured maids ; And withered elders, pale and wrinkled shades ; Ghastly with wounds the forms of warriors slain, Stalked with majestic port, a martial train ; These and a thousand more, swarmed o'er the ground, And all the dire assembly shrieked around. Astonished at the sight, aghast I stood, And a cold fear ran shivering through my blood." While here he saw the ghosts of all those famed in story, who had descdeden to the infernal regions for punishment. " High on a throne, tremendous, to behold, Stern Minos waves a mace of burnished, gold ; Around, ten thousand, thousand spectres stand. Thro' the wide dome of Dis, a trembling band. Still as they plead, the fatal lot he rolls, Absolves the just, and dooms the guilty souls. t There huge Orion, of portentous size, Swift thro' the gloom, a giant hunter flies ; A ponderous mace of brass with direful sway Aloft he whirls to crush the savage prey ! Stern beasts in trains that by his truncheon fell, Now grisly forms, shoot o'er the lawns of hell. There Tityus, large and long, in fetters bound, O'erspreads nine acres of infernal ground ; PROSERPINE. 109 Two ravenous vultures, furious for their food, Scream o'er the fiend, and riot in his blood, Incessant gore the liver in his breast, Th* immortal liver grows, and gives the immortal feast. There Tantalus along the Stygian bounds Pours out deep groans (with groans all hell resounds) ; Ev'n in the circling floods refreshment craves, And pines with thirst amidst a sea of waves ; When to the water he his lip applies, Back from his lip the treacherous water flies, Above, beneath, around his hapless head, Trees of all kinds delicious fruitage spread ; There figs sky-dy'd, a purple hue disclose, Green looks the olive, the pomegranate grows, There dangling pears exalting scents unfold, And yellow apples ripen into gold : The fruit he strives to seize, but blasts arise, Toss it on high, and whirl it to the skies. I turned my eye, and, as I turned, surveyed A mournful vision ! the Sisyphian shade ; With many a weary step, and many a groan, Up the high hill he heaves a huge round stone ; The huge round stone, resulting with a bound, Thunders impetuous down and smokes along the ground, Again the restless orb his toil renews, Dust mounts in clouds, and sweat descends in dews." MERCURY. Though according to Cicero, there were no less than five gods of this name; yet to the son of Jupiter and Maia, the actions of all the others have been probably attributed, as he is the most famous and the best known. Mercury was the messenger of the gods and the patron of travellers and shepherds ; he conducted the souls of the dead into the infernal regions, and not only presided over orators and merchants, but was also the god of thieves, pickpockets, and all dishonest persons. " A babe, all babes excelling, A schemer subtle beyond all belief, A shepherd of thin dreams, a cow stealing, A night watching and door waylaying thief." Shelley. The day following his birth he offered an early proof of his dishonest propensities, by stealing away the oxen of Admetus which Apollo tended. " The babe was born at the first peep of day, He began playing on the lyre at noon, And the same evening did he steal away Apollo's herds." Shelley. He gave another proof of this propensity, by throwing himself ripon the timid Cupid, and wrestling from him his quivers ; and increased his notoriety by robbing Venus of her girdle, Mars of his sword, Jupiter of his sceptre, and Vulcan of his mechanical instruments. " Hermes with gods and men, even from that day Mingled and wrought the latter much annoy, And little profit, going far astray, Through the dun night." Shelley. MERCURY. Ill As the messenger of Jupiter, he was entrusted with all his secrets and permitted to make himself invisible whenever he pleased, cr to assume any shape he chose. The invention of the lyre and seven strings is ascribed to him, which he gave to Apollo, and received in exchange the celebrated caduceus, with which the God of poetry used to drive the flocks of King Admetus. This celebrated instrument was a rod entwined at one end by two serpents. " Come lake The lyre— be mine the glory of giving' it — Strike the sweet chords, and sing aloud and wake The joyous pleasure out of many a fit Of tranced sound — and with fleet fingers make Thy liquid voiced comrade talk with thee ; It can talk measured music eloquently. Then bear it boldly to the revel loud, Love wakening dance, or feast of solemn state, A joy by night or day, for those endowed With art and wisdom, who interrogate ! It teaches, bubbling in delightful mood All things which make the spirit most elate, Soothing the mind with sweet familiar play, Chasing the heavy shadows of dismay." Shelley. " Hermes, thou who couldst of yore Amphion's bosom warm, And breathe into his strains the power, The rugged rocks to charm ; Breathe, breathe into my lyre's soft string, And bid its music sweet notes fling, For what O lyre, can thee withstand ? Touched by an Orpheus' magic hand, Thou calm'st the tiger's wrath : The listening woods thou draw'st along, The rivers stay to hear thy song, And listen still as death. Tityos with pleasure heard thy strain, And Ixion smiled amid his pain." Horace. Numerous were the modes of sacrifice to Mercury, and the places in which they were offered; among others, the Roman merchants yearly celebrated a festival in his honour. After the votaries had sprinkled themselves with water, they offered prayers to the divinity, and entreated him to be favourable to them, and to forgive any artful measures, perjuries, or falsehoods they had used in the pursuit of gain ; and this may be considered to have been particularly necessary when it is remembered that the merchants, who had promised him all the incense in the world to obtain Ilia 112 SALMAEIS. protection, proved that they had profited by his principles, by offering him only a hundredth part, when they had secured his good offices. Jupiter soon missed the services of his intelligent messenger, and recalled him to Olympus. Here, Mercury rendering some kindness to Venus, the goddess fell in love with him, and bore to him Hermaphrodite, a child which united the talents of his father with the graces of his mother ; at the age of fifteen, he began to travel, and bathing one day in a fountain in Cana, excited the passion of Salmaeis, the nymph who presided over it. " From both the illustrious authors of his race The child was named ; nor was it hard to trace Both the bright parents through the infant's face. When fifteen years, in Ida's cool retreat, The boy had told, he left his native seat, And sought fresh fountains in a foreign soil : The pleasure lessened the attending toil. With eager steps the Lycian fields he crossed, And fields that border on the Lycian coast; A river here he viewed so lovely bright, It showed the bottom in a fairer light, Nor kept a sand concealed from human sight. The fruitful banks with cheerful verdure crowned, And kept the spring eternal on the ground. A nymph presides, nor practised in the chase, Nor skilful at the bow, nor at the race ; Of all the blue-eyed daughters of the main, The only stranger to Diana's train ; Her sisters often, as 'tis said, would cry ' Fye, Salmaeis, what always idle ! fye ; Or take the quiver, or the arrows seize And mix the toils of hunting with thy ease.' Nor quivers she, nor arrows e'er would seize, Nor mix the toils of hunting with her ease ; But oft would bathe her in the crystal tide, Oft with a comb her dewy locks divide ; Now in the limped streams she views her face, And dressed her image in the floating glass : On beds of leaves she now reposed her limbs, Now gathered flowers that grew about her streams, And there by chance was gathering as she stood To view the boy — " Ovid. Hermaphroditus continued deaf to all entreaties and offers ; and Salmaeis, throwing her arms around him, entreated the Gods to render her inseparable from him whom she adored. The Gods heard her prayer, and formed of the two, a being of perfect beauty, preserving the characteristics of both sexes. MERCURY. 113 Offerings were made to him of milk and honey, because he was the God of eloquence, whose powers were sweet and persuasive. Sometimes his statues represent him without arms, because the power of speech can prevail over everything. The Greeks and Romans celebrated his festivals, principally in the month of May. They frequently placed on his back the statue of Minerva, and offered to him the tongues of the victims whom they immolated to the goddess. " Who beareth the world on his shoulders so broad ; Hear me, thou power, who, of yore, by thy words Couldst soften the hearts of the barbarous hordes, And by the Palaestia taught him of the wild To be gentle, and graceful, and meek as a child. Thou messenger fleet of the cloud-throned sire, 'Twas thou who inventedst the golden- stringed lyre; I hail thee the patron of craft and of guile, To laugh while you grieve, to deceive while you smile, When you chafed into wrath bright Apollo of old, His dun-coloured steers having stol'n from the fold, He laughed ; for, while talking all fiercely he found That his quiver, alack ! from his back was unbound. 'Twas thou, who old Priam didst guide on his way, When he passed unperceived thro' the hostile array, Of the proud sons of Atreus, who sought to destroy The towers of high Ilion, the city of Troy. O Hermes, 'tis thou who conductest the blest To the seats where their souls shall for ever exist, Who governest their shades by the power of thy spell, The favourite of Heaven, the favourite of Hell." Horace. li NEREIDS. These divinities were children of Nereus and Dorus. As the Dryads and Hamadryads presided over forests — as the Naiads watched over fountains and the sources of rivers — as the Oreads were the peculiar guardians of the hills, so the Nereids guided and com- manded the waves of the ocean, and were implored as its deities. They had altars chiefly on the coast of the sea, where the piety of mankind made offerings of milk, oil, and honey, and often of the flesh of goats. When they were on the sea shore, they generally resided in grottos and caves, adorned with shells. There were fifty of them, all children of Nereus, who is represented as an old man with a long flowing beard, and hair of an azure colour. The chief place of his residence was in the Egean wwm^milWw Sea, where he was attended by his daughters, who often danced in chorus round him. He had the gift of prophecy, and informed those who consulted him, of the fate which awaited them, though such was the god's aversion to his task, that he often evaded the importunities of the inquirers, by assuming different shapes, and totally escaping from their grasp. DIVINITIES OF THE SECOND CLASS. The gods of the first order, were endowed by the writers of antiquity, with natures partly real, and partly imaginary. By their power, the government of the universe was carried on ; but mortals in attributing to these gods their own passions and weaknesses, began to blend with them divinities of a secondary class, to preside over those less important affairs, which might be supposed unworthy the notice of the superior intelligences. For the most part, therefore, these Immortals have no origin in history ; but, as allusions are constantly made to them in the eloquent language of the orator, or in the beautiful metaphor of the poet, it is necessary to introduce those who are considered to be the most celebrated. And for the future, the poetry offered will principally be that which relates rather to the attributes they were supposed to possess, than to the gods themselves. Thus, with such deities as iEolus and Mors, we shall introduce poems addressed to the Wind and Death, over which they presided, as suited to the modern character of our Mythology, and more generally appreciated by the readers of the nineteenth century. DIVINITIES OF THE EARTH. PAN. Pan was the god of shepherds, and of all inhabitants of the country ; he was the son of Mercury by Driope, and is usually described as possessing two small horns on his head, his complexion ruddy, his nose flat, and his legs, thighs, tail and feet hairy, like those of a goat. When he was brought into the world, the nurse, terrified at sight of him, ran away in horror, and his father wrapping him up in the skins of beasts, carried him to Heaven, where Jupiter and the other Gods, entertained themselves with the oddity of his appearance; Bacchus was delighted with him, and gave him the name of Pan. " Sprung the rude God lo light ; Of dreadful form, and horrible to sight ; Goat-footed, horned, yet full of sport and joy, The nurse, astonished, fled the wondrous boy: 116 PAN AND SYRINX. His shaggy limbs, the trembling matron feared, His face distorted, and his rugged beard : But Hermes from her hands received the child, And on the infant god auspicious smiled. In the thick fur wrapped of a mountain hare, His arms the boy to steep Olympus bear ; Proudly he shows him to imperial Jove, High seated 'mid the immortal powers above. With friendly joy and love, the race divine, But chiefly Bacchus, god of mirth and wine, Received the dauntless god, whom Pan they call, Pan, for his song delights the breast of all." Horace. This god of the shepherds chiefly resided in Arcadia, where the woods and the mountains were his habitation. His mighty palace roof doth hang From jagged trunks, and overshadoweth Eternal whispers, glooms, the birth, life, death, Of unseen flowers in heavy peacefulness. Who loves to see the hamadryads dress Their ruffled locks, where meeting hazels darken, And through whole solemn hours, dost sit and barken The dreary melody of bedded reeds." Keats. The flute was invented by Pan, and formed of seven reeds, which he called Syrinx, in honour of a beautiful nymph of the same name, who, refusing his addresses, was changed into a reed. -" A nymph of late there was, Whose heavenly form her fellows did surpass, The pride and joy of fair Arcadia's plains, Beloved by deities, adored by swains. Like Phoebe clad, e'en Phoebe's self she seems, So tall, so straight, such well proportioned limbs, The nicest eye did no distinction know But that the goddess bore a golden bow, Descending from Lycaeus, Pan admires The matchless nymph, and burns with new desires. A crown of pine upon his head he wore, And then began her pity to implore. But ere he thus began, she took her flight, So swift she was already out of sight, Nor staid to hear the courtship of the god : But bent her course to Ladon's gentle flood : There by the river stopped, and tired before Relief from water-nymphs her prayers implore, Now while the rural god with speedy pace, Just thought to strain her in his strict embrace, He filled his arms with reeds, new rising in the place: And while he sighs his ill success to find, The tender canes were shaken by the wind, And breathed a mournful air unheard before, That much surprizing Pan, yet pleased him more, PAN AND OMPHALE. 11/ Admiring this new music, ' Thou' he said, ' Who cans't not be the partner of my bed, At least shall be the consort of my mind, And often, often to my lips be joined.' He formed the reeds, proportioned as they are, Unequal in their length and waxed with care, They still retain the name of his ungrateful fair." Ovid. He was continually employed in deceiving the neighbouring nymphs, and often with success, Though deformed in shape and features, he had the good fortune to captivate Diana in the appear- ance of a beautiful white goat. His adventure with Omphale is amusing; while the latter was travelling with Hercules, a sacrifice which was to take place on the following day, caused Omphale and the hero to seek separate apart- ments. In the night, Pan introduced himself, ami went to the bed 118 PAN AND ECHO. of the queen; but there seeing the lion's skin of Hercules, he fancied he had made a mistake, and repaired to that of the hero ; where the female dress which the latter had adopted, deceived the rural God, and he laid himself down by his side. The hero awoke, and kicked the intruder into the middle of the room. The noise aroused Omphale, and Pan was discovered lying on the ground, greatly discomfited and ashamed. The worship of Pan was well established, particularly in Arcadia, and his statue was usually placed under the shadow of a pine-tree. Upon his altars were laid both honey and milk, fit offerings for a rural divinity. " With cloven feet and horned front who roves With choirs of nymphs, amid the echoing groves ; He joins in active dance the virgin throng, To Pan, the pastoral god, they raise the song. " To Pan, with tangled locks, whose footsteps tread Each snow-crowned hill, and mountain's lofty head ; Or wander careless through the lowly brake, Or by the borders of the lucid lake." Horace. He loved the nymph Echo, but in this instance was unsuccessful in his passion, for the latter adored the beautiful Narcissus, and NARCISSUS. ]19 wandered over hill and dale in search of the youth on whom she had lavished all her affections, but who unfortunately returned them not. To whom is not the tale of the self-slain Narcissus known, though perhaps the exquisite story of Echo's love for him may be less familiar to the mind. After Echo had been dismissed by Jupiter, for her loquacity in proclaiming his numerous amours, she fell in love with the beautiful Narcissus. " And at the sight of the fair youth she glows, And follows silently where'er he goes." Unable, however, to address him first, she waited the sound of his beloved voice. " Now several ways his young companions gone, And for some time Narcissus left alone, 1 Where are you all ?' at last she hears him call, And she straight answers him, ' where are you all '' " ' Speak yet again,' he cries, ' is any nigh ?' Again the mournful Echo answers, ' /,' • Why come not you,' he said, • appear in view,' She hastily returns, ' why come not you ?' " ' Then let us join,' at last Narcissus said, ■ Then let us join,' replied the ravished maid." In vain had the wondering youth up to this moment looked for the frolic companions, whom he imagined had hid themselves in play. But Echo, charmed with his last exclamation, hastily appeared, and threw herself on the bosom of the astonished youth, who, far from submitting with pleasure to the intrusion, " With all his strength unlocks her fold, And breaks unkindly from her feeble hold ; Then proudly cries, 'life shall this breast forsake, Ere you, loose nymph, on me your pleasure take ;' 1 On me your pleasure take,' the nymph replies While from her the disdainful hunter flies." As the youth wandered on, anxious only to escape from the society of Echo, he suddenly came upon a fountain, in which, as he reclined on the ground, he fancied he saw the figure of a beautiful nymph. "Deep through the spring, his eye-balls dart their beams, Like midnight stars that twinkle in the streams, His ivory neck the crystal mirror show-. His waving hair, above the surface flows, His own perfections all his passions moved, He loves himself, who for himself was loved." 120 NARCISSUS. Half maddened by the appearance of a beauty, of which hitherto he had been unconscious, he made every possible effort to grasp what appeared to be the guardian spirit of the water. " Oft with his down-thrust arms he thought to fold, About that neck that still deludes his hold, He gets no kisses from those cozening lips, His arms grasp nothing, from himself he slips ; He knows not what he views, and yet pursues His desperate love, and burns for what he views." Nothing could win the self-enamoured boy from his devoted passion ; but bending over the lucid spring, he fed his eyes with the delusive shade which seemed to gaze on him from the depths. At last " Streaming tears from his full eye-lids fell, And drop by drop, raised circles in the well, The several rings larger and larger spread, And by degrees dispersed the fleeting shade." Narcissus fancied that the nymph upon whom he supposed he had been gazing, was deserting him, and unable to bear the misery which the thought occasioned, he wounded himself in his agony, deeming that life without her would be insupportable. Echo, however resentful she had felt for the scorn with which he had treated her, hovered near his footsteps and witnessed this last infatuation with redoubled sorrow. ECHO AND NARCISSUS. 121 " Now hanging o'er the spring his drooping head. With a sad sigh these dying words he said, ' Ah ! boy beloved in vain,' thro' all the plain Echo resounds, * Ah ! boy beloved in rain !' * Farewell,' he cries, and with that word he died, ' Farewell,' the miserable nymph replied. Now pale and breathless on the grass he lies, For death had shut his miserable eyes." The Gods, however, taking pity upon his melancholy fate, changed him into the flower Narcissus. Many morals have been attempted to be deduced from tin's beautiful fable, but in none of them have their authors been wry successful, unless we may gather a warning of the fatal effects of self-love. " What first inspired a bard of old to sing Narcissus pining o'er the mountain spring? In some delicious ramble, he had found A little space, with boughs all woven round, And in the midst of all a clearer pool Than ere reflected in its pleasant cool The blue sky, here and there divinely peeping Through tendril wreaths, fantastically creeping; And on the bank a lonely flower he spied, A meek and forlorn flower with nought of pride, Drooping its beauty o'er the watery clearness To woo its own sweet image unto nearness; Deaf to light Zephyrus, it would not move, But still would seem to droop, to pine, to love ; So while the poet stood in this sweet spot ; Some fainted dreamings o'er his fancy shot ; Nor was it long ere he had told the tale Of young Narcissus, and sad Echo's vale." Keats. Poor Pan, undeterred by the zealous passion of Eclio for Nar- cissus, still continued to love her, and pleased himself by wandering in the woods and deserts, there calling upon her, for the ph asure of hearing her voice in reply. " In thy cavern-hall, Echo ! art thou sleeping ? By the fountain's fall Dreamy silence keeping:' Yet one soft note borne From the shepherd's horn. Wakes thee, Echo ! into music leaping. Strange sweet Echo ! into music leaping. " Then the woods rejoice, Then glad sounds are swelling, From each sister voic< Round thy rocky dwelling; And their sweetness fills All the hollow hills, 16 122 PAN. Witli a thousand notes of one life telling I Softly mingled notes, of one life telling. " Echo ! in my heart Thus deep thoughts are lying, Silent and apart, Buried, yet undying, Till some gentle tone Wakening haply one, Calls a thousand forth, like thee replying ! Strange sweet Echo, even like thee replying." Hemans, This god, so adored and loved in the country, had the power of spreading terror and confusion when he pleased. The Gauls, who under Brennus, invaded Greece, when on the point of pillaging the Temple at Delphi, were seized with a sudden panic and took to flight. This terror was attributed to Pan, and they believed all panics, the cause of which was unknown, were produced by him. It was by the counsel of Pan, that the Gods at the moment of the assault of Typhon, took the figures of various animals, changing himself into a goat, the skin of which was transported to Heaven, and formed the sign of Capricorn. " From the forests and highlands, We come, we come ! From the river-girt islands, Where the loud waves are dumb, Listening to my sweet pipings. The wind in the reeds and the rushes, The bees in the bells of the lime, The birds in the myrtle bushes, The cicale above in the thyme, And the lizard below in the grass, Were as silent as ever old Tmolus was, Listening to my sweet pipings. Liquid Peneus was flowing, And all dark Tempe lay In Pelion's shadow, outgrowing The light of the dying day, Speeded by my sweet pipings. The Sileni, and Sylvans, and Fauns, And the nymphs of woods, and waves, To the edge of the moist river lawns, And the brink of the dewy caves, And all that did there attendant follow, Were silent with love, as you now, Apollo, With envy of my sweet pipings. " I sang of the dancing stars, I sang of the daedal earth, And of heaven, and giant wars, And love, and death, and birth, — And then I changed my pipings. FAUNS, SYLVANS AND SATYRS. 123 Singing how down the vale of Menalus, I pursued a maiden and clasped a reed ; Gods and men were all deluded thus, It breaks in our bosom and then we bleed :. All wept, as I think both ye now would, If envy or age had not frozen your blood, At the sorrow of my sweet pipings." FAUNS, SYLVANS, AND SATYRS. The Fauns were descended from Faunus, son of Picus King of Italy, who was changed by Circe into a woodpecker. " Faunus who lov'st, thro' woodland glade, To pursue the Sylvan maid, Pass propitious now, I pray, Where my tender lambkins stray : Let each field and mountain high, Own thy genial presence nigh. Since with each returning year, In thy presence, I appear, With the victim's votive blood, Mighty monarch of the wood, And upon thy sacred shrine, Place the love inspiring wine, And, o'er all that hallowed ground, Make the incense breathe around, Hear O Faunus, hear my prayer, My lands to bless, my flocks to spare. When December's nones return Labour's yoke no more is borne, Sport the cattle in the meads, The blylhesome dance the peasant leads, Even, 'mid that time of peace, Beasts of prey their fury cease, The lambkin roams all free and bold, Tho' feeds the wolf beside the fold, Knowing well thy potent arm Then protects from every harm. Lo, to hail the Sylvan king, Woods their leafy honours bring, Strewing in profusion gay, Verdant foliage all the way. Freed from toil, the labourer blvthe Flings aside the spade and scythe, Glad to trip in nimble jig, The earth which he dislikes to dig." Horace. They were the divinities of the woods and fields, and were represented as having the legs, feet, and cars of goats; the remainder of the body being human; the lamb and kid were ottered to them by the peasants with great solemnity. 124 MIDAS. The Sylvans were the children of the foster father of God Bacchus, who accompanied the latter in all his travels. Bacchus having been well received and entertained at the court of Midas, King of Phrygia, he obtained from him the choice of whatever recompense he should name. Midas demanded the power of turning all that he touched into gold. " ' Give me/ says he, (nor thought he asked too much,) ' That with my body whatsoe'er I touch, Changed from the nature which it held of old, May be converted into yellow gold :' He had his wish : but yet the god repined, To think the fool no better wish could find. But the brave king departed from the place, With smiles of gladness, sparkling in his face : Nor could contain, but, as he took his way, Impatient longs to make the first essay ; Down from a lowly branch a twig he drew, The twig strait glittered with a sparkling hue : He takes a stone, the stone was turned to gold, A clod he touches, and the crumbling mould Acknowledged soon the great transforming power, In weight and substance like a mass of ore. He plucked the com, and straight his grasp appears, Filled with a bending tuft of golden ears. An apple next he takes, and seems to hold The bright, Hesperian, vegetable gold. His hand he careless on a pillar lays, With shining gold, the fluted pillars blaze. And while he wishes, as the servants pour, His touch converts the stream to Danae's shower." Ovid. He was quickly brought however to repent his avarice, when the very meat which he attempted to eat, turned to gold in his mouth, and the wine to the same metal, as it passed down his throat. He was now as anxious to be delivered from this fatal gift, as he was before to receive it, and implored the god to revoke a present so fatal to the recipient/ "The ready slaves prepare a sumptuous board, Spread with rich dainties for their happy lord, Whose powerful hands the bread no sooner hold. But its whole substance is transformed to gold : Up to his mouth he lifts the savoury meat, Which turns to gold as he attempts to eat : 1 1 is patron's noble juice, of purple hue, Touched by his lips a gilded cordial grew : I" ii lit for drink, and wondrous to behold, It trickles from his jaws a fluid gold. The rich, poor fool confounded with surprize, Staring on all his various plenty lies : FAUNS AND SATYRS. 125 Sick of iiis wish, he now detests the power For which lie asked so earnestly before : Amidst his gold with pinching famine curst, And justly tortured with an equal thirst. At last his shining arms to heaven he real's And, in distress, for refuge flies to prayers. 4 O father Bacchus, I have sinned,' he cried, 'And foolishly thy gracious gift applied, Thy pity now, repenting, I implore ; Oh ! may I feel the golden plague no more !'" Ovid. He was told to wash himself in the river Pactolus; he performed the necessary ablution, and the very sands were turned into gold by the touch of Midas. Divine honours were given to Silenus in Arcadia, and from him the Fauns and Satyrs are often called Sileni. The Satyrs, also gods of the Country, were considered as mis- chievous, and inspired by their appearance, great fright in the shepherds — although they bore with them a flute or tambourine, to make the nymphs dance, when they inflamed their senses by the burning nature of their harmony, and the rapid measure with which they trod to the music of these demi-gods. To them were offered the first fruits of everything, and they attended chiefly upon Bacchus, rendering themselves conspicuous in his orgies, by their riot and lasciviousness, It is said, thai a Satyr was brought to Sylla, as thai general returned from Thessaly; the monster had been surprised asleep in a cave; his voice was inarticulate, when brought into the presence of the Roman 126 TERMINUS. general, and Sylla was so disgusted with the sight, that he ordered it instantly to be removed. The creature is said to have answered the description which poets and painters have given of the Satyrs. Priapus was the most celebrated among them, as the the son of Venus, who meeting Bacchus on his return from his Indian expe- dition, was enamoured of him, and with the assistance of Juno, became the mother of Priapus. Juno having vowed vengeance against the goddess of beauty, took that opportunity to deform her son in all his limbs; notwithstanding which, as he grew up, his inclinations and habits became so vicious, that he was known as the god of lewd- ness. His festivals took place principally at Lampsacus, where they consecrated the ass to him ; and the people naturally indolent, gave themselves up to every impurity during the celebration. When however his worship was introduced into Rome, he became more the God of Orchards and Gardens, than the patron of licentiousness. He was there crowned with the leaves of the vine, and sometimes with laurel or rocket, the last of these plants, which is said to raise the passions and excite love, being sacred to him. The Sylvans, were, like the Fauns and Satyrs, the guardian deities of the woods and wild places of the earth. Terminus was a somewhat curious divinity, presiding over bounds and limits, and punishing all usurpation. His worship was first introduced by Numa Pompilius, who persuaded his subjects that the limits of their lands and states, were under the immediate inspection of heaven. His temple was on the Tarpeian rock, and he was represented with a human head, though without feet or arms, to intimate that he never moved, wherever he might be placed. The people of the country assembled once a year with their families, and crowned with garlands and flowers, the stones which divided their different possessions. It is said that when Tarquin the proud, wished to build a temple on the Tarpeian rock to Jupiter, the God Terminus refused to give place, though the other gods resigned theirs with cheerfulness, and the oracles declared from this, that the extent of the Empire should never be lessened. HEBE was the daughter of Jupiter and Juno ; though by many she is said to be the daughter of Juno only, who conceived her after eating lettuces. Being fair, and always possessed of the bloom Of beauty and youth, she was termed the Goddess of youth, and made by her mother the cup-bearer to all the Gods. She was dismissed from her office by Jupiter, however, because she fell down as she was pouring nectar to the Gods, at a grand festival, and Ganymedes, a favourite of Jupiter, succeeded to her office. " 'Twas on a day When the immortals at their banquet lay, The bowl Sparkled with starry dew, The weeping of those myriad urns of light, Within whose orbs, the almighty Power At nature's dawning hour Stored the rich fluid of ethereal soul. * * * * But oh ! Bright Hebe, what a tear, And what a blush were thine, When, as the breath of every Grace Wafted thy feet along the studded sphere With a bright cup, for Jove himself to drink, Some star, that shone beneath thy tread, Raising its amorous head To kiss those matchless feet. And all heaven's host of eyes. Checked thy career so fleet : Entranced, but fearful all, Saw thee, sweet Hebe, prostrate fall. * * * # But the bright cup ? the nectared draught Which Jove himself was to have quaffed ! Alas, alas, upturned it lay By the fallen Hebe's side ; While in slow lingering drops, th' ethereal tide, As conscious of its own rich essence, ebbed away," Moore. Her mother employed her to prepare her chariot, and to harness her peacocks, when required. To her was granted the power of restoring to age the vigour of youth; and after Hercules wis elevated to the rank of a God, he became reconciled to Juno by marrying her daughter Hebe. THE CENTAURS. After the creation of the Fauns and Sylvans by the poets, the imagination of the latter invented the Centaur, a monster, of which the superior part was that of a man, and the remainder that of the horse. Lycus, a mortal, being detained by Circe in her magical dominion, was beloved by a water-nymph who desired to render him immortal ; she had recourse to the sorceress, and Circe gave her an incantation to pronounce. As Lycus walked sorrowfully in the enchanted place, astonished at the many wondrous things which met his eye, he beheld " The realized nymph of the stream, Rising up from the wave, with the bend and the gleam Of a fountain, and o'er her white arms she kept throwing Bright torrents of hair, that went flowing and flowing In falls to her feet, and the blue waters rolled Down her limbs like a garment, in many a fold." Hood. Struck with each other's charms they loved, but unhappily the nymph, in her anxiety for her lover's immortality, and while calling upon her mistress to assist her, saw " The Witch Queen of that place, Even Circe the Cruel, that came like a death Which I feared, and yet fled not, for want of my breath, There was thought in her face, and her eyes were not raised From the grass at her foot, but I saw, as I gazed Her hate—" THE CENTAURS. 1 2 ( J This hate Lycus soon experienced ; as the spell desired by the nymph, was in the act of being pronounced, I felt with a start, The life blood rush back in one throb to my heart, And saw the pale lips where the rest of that spell Had perished in terror, and heard the farewell Of that voice that was drowned in the dash of the stream ! How fain had I followed, and plunged with that scream Into death, but my being indignantly lagged Thro' the brutalized flesh that I painfully dragged Behind me — " Hood. From this time his existence become a torture to him. Though there were none of his former beings to consort with, yet still he loved to haunt the places of his humanity, and with a beating heart and bursting frame, behold the various occupations and pleasures in which he had formerly joined. " I once had a haunt near a cot. where a mother Daily sat in the shade with her child, and would smother Its eye-lids in kisses, and then in its sleep Sang dreams in its ears, of its manhood, while deep In a thicket of willows I gazed o'er the brooks That murmured between us, and kissed them with looks ; But the willows unbosomed their secret, and never I returned to a spot I had startled for ever ; Tho' I oft longed to know , but could ask it of none, Was the mother still fair, and how big was her son ?" Hood. Time brought no remedy, for still he was troubled by the absent of sympathy, and the repression of that human feeling which yet clung like a curse to him. " For the haunters of fields, they all shunned me by flight, The 7 men in their horror, the women in fright : None ever remained, save a child once that sported Among the wild blue bells, and playfully courted The breeze ; and beside him a speckled snake lay Tight strangled, because it had hissed him away From the flower at his finger; he rose and drew near Like a son of immortals, one born to no fear, But with strength of black locks, and with eye azure bright, To grow to large manhood of merciful might, He came, with his face of bold wonder, to feel The hair of my side and to lift up my heel, And questioned his face with wide eyes; but when under My lids he saw tears, — for I wept at his wonder, He stroked me, and uttered such kindliness then, That the once love of women, the friendship of men In past sorrow, no kindness, e'er came like a kiss On my heart in its desolate day, such as this 17 130 THE CENTAURS, And I yearned at his cheeks in my love, and down bent And lifted him up in my arms with intent To kiss him— but he cruel — kindly alas! Held out to my lips a plucked handful of grass ! Then I dropped him in horror, but felt as I fled, The stone he indignantly hurled at my head, That dissevered my ear, but I felt not, whose fate, Was to meet more distress in his love his hate !" Hood. The only mitigation of his sorrow, was that when in Thessaly " He met with the same as himself," and obtained with them, if not sympathy, at least companionship. Chiron was the wisest of the Centaurs. Music, divination, astronomy, and medicine, were equally familiar to him, and his name is blended with those of the principal sages of Greece, whom he instructed in the use of plants and medicinal herbs. The battle of the Centaurs with the Lapithae at the bridal of Perithous is famous in history, and was the cause of their destruction. The Centaurs inflamed with wine, behaved with rudeness and even offered violence to the bride, and to the women that were present. " Now brave Perithous, bold Ixion's son, The love of fair Hippodame had won. The cloud begotten race, half men, half beast, Invited came to grace the nuptial feast : In a cool cave's recess the treat was made, Whose entrance, trees, with spreading boughs o'ershade, They sat ; and summoned by the bridegroom, came, To mix with those, the Lapythsean name : The roofs with joy resound, And Hymen, 16 Hymen, rung around. Raised altars shone with holy fires : the bride Lovely herself, (and lovely by her side A bevy of bright nymphs, with sober grace,) Came glittering like a star, and took her place. Her heavenly form beheld, all wished her joy ; And little wanted, but in vain their wishes all employ. For one, most brutal of the brutal brood, Or whether wine or beauty fired his blood, Or both at once, beheld with lustful eyes The bride : at once resolved to make his prize. Down went the board, and fastening on her hair, He seized with sudden force the frighted fair. 'Twas Eurytus began; his bestial kind His crime pursued, and each as pleased his mind On her, whom chance presented, took. The feast An image of a taken town expressed." Ovid. FLORA, POMONA, VERTUMNUS, THE SEASONS. Flora was unknown among the Greeks, having her birth with the Romans. She was the Goddess of Flowers, " which unveil Their breasts of beauty, and each delicate bud O' the Season, comes in turn to bloom and perish. But first of all the Violet, with an eye Blue as the midnight heavens, the frail snow-drop, Born of the breath of winter, and on his brow, Fixed like a pale and solitary star, The languid hyacinth, and wild primrose, And daisy, trodden down like modesty, The fox-glove, in whose drooping bells the bee Makes her sweet music : the Narcissus, named From him who died for love, the tangled woodbine Lilacs and flowering limes, and scented thorns, And some from whom the voluptuous winds of June Catch their perfumery." Barry Cornwall. She married Zephyrus, and received from him the privilege of presiding over flowers, and enjoying perpetual youth. Pomona was the Goddess of Fruits and Fruit Trees, and sup- posed to be the Deity of Gardens. " Her name Pomona, bom hei woodland race, In garden culture none conld her excel, Or form the pliant souls <.f plants so well ; Or to the fruit more generous flavours lend. Or teach the trees with, nobler loads to bend." 132 VERTUMNUS AND POMONA. Pleased with her office, and unwilling to take upon herself the troubles of marriage, she vowed perpetual celibacy. Numerous were the suitors who attempted to win her from her rash determi- nation, but to all of them the answer was alike in the negative : tho' Vertumnus, one of the most zealous, pursued her with unchanging ardour. " Long had she laboured to continue free From chains of love and nuptial tyranny; And in her orchard's small extent immured, Her vovv'd virginity she still secured. Oft would loose Pan, and all the lustful train Of satyrs, tempt her innocence in vain. Vertumnus too pursued the maid no less, But with his rivals, shared a like success." Ovid. Miserable, but not cast down, by the many refusals he met with, Vertumnus took a thousand shapes to influence the success of his suit. " To gain access, a thousand ways he tries Oft in the hind, the lover would disguise, The heedless lout comes shambling on, and seems Just sweating from the labour of his teams. Then from the harvest, oft the mimic swain Seems bending with a load of bearded grain. Sometimes a dresser of the vine he feigns, And lawless tendrils to their boughs restrains. Sometimes his sword a soldier shews; his rod An angler ; still so various is the God. Now, in a forehead cloth some crone he seems, A staff supplying the defect of limbs : Admittance thus he gains ; admires the store Of fairest fruit ; the fair possessor more ; Then greets her with a kiss ; th' unpractised dame Admired, a grandame kissed with such a flame. Now seated by her, he beholds a vine, Around an elm in amorous foldings twine, " If that fair elm," he cried, " alone should stand, No grapes would glow with gold, and tempt the hand ; Or if that vine without her elm should grow, 'Twould creep a poor neglected shrub below. Be then, fair nymph, by these examples led, Nor shun for fancied fears, the nuptial bed." Ovid. In this disguise, Vertumnus recommended himself and his virtues to Pomona. " On my assurance well you may repose, Vertumnus scarce Vertumnus better knows. True to his choice all looser flames he flies, Nor for new faces fashionably dies. The charms of youth, and every smiling grace, Bloom in his features, and the god confess" Ovin. SPRING. 133 The pertinacious wooing of the metamorphosed deity, had, at last its effect, in preparing Pomona for Vertumnus, when he should assume his natural shape. " The story oft Vertumnus urged in vain, But then assumed his heavenly form again ; Such looks and lustre the bright youth adorn, As when with rays glad Phoebus paints the mom. The sight so warms the fair admiring maid, Like snow she melts, so soon can youth persuade ; Consent on eager wings succeeds desire, And both the lovers glow with mutual fire." Ovid. Pomona had a temple at Rome, and a regular priest, who offered sacrifices to her divinity for the preservation of fruit : she is gene- rally represented sitting on a basket, full of flowers and fruit, holding a bough in one hand, and apples in the other. Vertumnus is represented under the figure of a young man, crowned with various plants, bearing in his left hand fruits, and in his right a horn of abundance. The Goddess Pomona is often confounded with Autumn, Ceres with Summer, and Flora with Spring. The four seasons have also been described with great distinctness, by poets, both ancient and modern, all of whom were delighted to pour forth tributes of praise in their honour; Spring is usually drawn as a nymph, with her head crowned by a wreath of flowers ; and many are the strains attributed to her. " I come, I come ! ye hare called me long, I come o'er the mountains with light and song ! Ye may trace my step o'er the wakening earth, By the winds which tell of the violet's birth, By the primrose stars in the shadowy grass, By the green leaves opening as I pass. I have breathed in the south, and the chesnut flowers, By thousands have burst from the forest bowers, And the ancient graves, and the fallen fanes, Are veiled with wreaths on Italian plains: But it is not for me in my hour of bloom, To speak of the ruin or the tomb. I have looked o'er the hills of the stormy north, And the larch has hung all his tassels forth, The fisher is out in the stormy sea, And the rein-deer bounds o'er the pastures free. And the fence has a fringe of softer green, And the moss looks bright where my foot hath been. I have sent thro' the wood-paths a glowing sigh, And called out oaeh voice of the deep blue sky; From the night bird's lay thro' the starry time, 134 SPRING. In the groves of the soft Hesperian clime, To the swan's wild note by the Iceland lakes, When the dark fir-branch into verdure breaks. From the streams and founts I have loosed the chain, They are sweeping on to the silvery main, They are flashing down from the mountain brows, They are flinging spray o'er the forest boughs, They are bursting fresh from their sparry caves, And the earth resounds with the joy of waves ! Come forth, O ye children of gladness, come ! Where the violets lie may be now your home. Ye of the rose-lip and dew -bright eye, And the bounding footstep to meet me fly ! With the lyre, and the wreath, and the joyous lay, Come forth to the sunshine, I may not stay. Away from the dwellings of care-worn men, The waters are sparkling in grove and glen ! Away from the chamber and sullen hearth, The young leaves are dancing in breezy mirth ! Their light stems thrill to the wild wood strains. And youth is abroad in my green domains. But ye ! ye are changed since ye met me last ! There is something bright from your features past ! There is something come over brow and eye, Which speaks of a world where the flowers must die ! Ye smile ! — but your smile hath a dimness yet — Oh ! what have ye looked on since last we met ? Ye are changed, ye are changed ! and I see not here All whom I saw in the vanished year ! There were graceful heads with their ringlets bright, Which tossed in the breeze with a play of light, There were eyes, in whose glistening laughter lay No faint remembrance of dull decay ! There were steps that flew o'er the cowslip's head, As if for a banquet all earth were spread ; There were voices that rung thro' the sapphire sky, And had not a sound of mortality ! Are they gone? is their mirth from the mountains passed? Ye have looked on death since ye met me last ! I know whence the shadow comes o'er you now, Ye have strewn the dust on the sunny brow ! Ye have given the lovely to earth's embrace,' She hath taken the fairest of beauty's race, With their laughing eyes and their festal crown, They are gone from amongst you in silence down ! The Summer is coming, on soft winds borne, Ye may press the grape, ye may bind the corn ! For me I depart to a brighter shore, Ye are marked by care, ye are mine no more, I go where the loved, who have left you, dwell, And the flowers are not death's — farewell, farewell !" Hemans. SUMMER. 135 Summer is drawn naked, bearing an ear of corn, just arriving at its fulness, to denote the harvest yielded by its light and heat ; with a scythe in her hand, to intimate that it is the season of harvest. A welcome to the summer's pleasant song, A welcome to the summer's golden hour, A welcome to the myriad joys that throng, With a deep loveliness, o'er tree and flower , The earth is glad with beauty, the sky Smiles in calm grandeur over vale and hill, And the breeze murmurs forth a gentle sigh, And the fish leap from out the smiling rill. The town's pale denizens come forth to breathe, The free, fresh air, and lave their fevered brows ; And beauty loves young fairy flowers to wreathe Beneath some stately forest's antique boughs. Oh ! art hath nought like this, the very air Breatheth of beauty, banishing despair." Francis. At other times, she is represented surrounded by the flowers which blossom latest, mingled with the delicious fruits which are the offspring of the summer season. " Come away ! the sunny hours Woo thee far to founts and bowers ! O'er the very waters now, In their play, Flowers are shedding beauty's glow — Come away ! Where the lily's tender gleam Quivers on the glancing stream — - Come away ! All the air is filled with sound, Soft, and sultry, and profound ; Murmurs through the shadowy grass Lightly stray ; Faint winds whisper as they pass— Come away ; Where the bee's deep music swells From the trembling fox-glove bells — Come away ! In the skies the sapphire blue Now hath won its richest hue ; In the woods the breath of song Night and