- Ctbravjp of Che Cheolo^ical ^emmarjp PRINCETON * NEW JERSEY PRESENTED BY The Estate of the Rev. John B. Wleainger BR 85 .S39 Shannon, Frederick F. 1877- 1947 . A moneyless magnate t I A MONEYLESS MAGNATE FREDERICK F. SHANNON Digitized by the Internet Archive in 2019 with funding from Princeton Theological Seminary Library \ https://archive.org/details/rnoneylessmagnate00shan_0 A MONEYLESS MAGNATpTmS^;- and Other Essays 4 A MAY 25 1848 BY ^OSICAL ^ 0 " FREDERICK F/SHANNON MINISTER OF CENTRAL CHURCH, CHICAGO Author of “Sermons for Days We Observe“The Soul's Atlas,” “The New Personality,” “The Country Faith,” etc. NEW YORK GEORGE H. DORAN COMPANY COPYRIGHT, 1923, BY GEORGE H. DORAN COMPANY A MONEYLESS MAGNATE. I PRINTED IN THE UNITED STATES OF AMERICA TO MR. and MRS. EDWARD B. BUTLER LOVERS OF THE BEAUTIFUL, DISCIPLES OF THE TRUE, FRIENDS OF HUMANITY, SUPPORTERS OF CENTRAL CHURCH. I CONTENTS CHAPTER PAGE I A Moneyless Magnate . n II Beethoven in the Back Yard .... 31 III Morning Tourist, Ltd! . 52 IV An Artist in Living . . . . . . 71 V Bryanism . 89 VI A Letter to <( Main Street” . . . . 107 VII Henry Ward Beecher . 127 VIII Phillips Brooks . . ... . . . . . 157 \ A MONEYLESS MAGNATE I A Moneyless Magnate M Y boyhood memories are redolent of an eve¬ ning with H. T. Stanton, the Kentucky poet. Unlike many of his poetic brethren, he had the art of reading his own productions in a voice and manner full of charm. Among the selections he read that evening was ‘‘The Moneyless Man,” probably the best known of all his poems. I thought, as I sat under the rise and fall of his melodious voice, that he made a strong case for the man with an empty purse; and, within certain limitations, I still think so. He took our empty-handed friend into banquet halls of light, hung with velvet and trimmings of gold, and flashing with mirrors of silver; he led him up the aisle of a fashionable church, wherein his rags and patches seemed ill at home amid such pomp and pride; he gave him a look in the banks, bulging with “piles of the glittering ore;” he presented him to the Judge, robed “in his dark, flowing gown,” who smiled on the strong and frowned on the weak. Al¬ ways, no matter where he introduced his dollar-poor ii 12 A Moneyless Magnate pilgrim, there was no smile, no pew, no credit, no justice—nothing whatever for “the moneyless man.” At last, however, when life’s fitful dream was over, and blithely, almost gayly, oblivious of ethical con¬ siderations— “There’s welcome above for— a moneyless man” Now no sane person, surely, manifests any dispo¬ sition to depreciate the value of money. For money is not only absolutely necessary, but in some true and noble sense a part of the “good things” offered at the feast of life. However, one’s quarrel is emphatically with the philosophy of life which dominates the poem, because, if for no other reason, it is one of those subtle, taking half-truths which verge on the abyss of falsehood. Schiller’s familiar saying that the artist is known by what he omits, belongs to the same questionable mental progeny. As a matter of fact, no genuine artist is known by what he leaves out, but by what he puts in. To omit is, at best, noth¬ ing more than negation; to put in is creation. For example: Is Raphael known for what he left out of his “Sistine Madonna”? To ask the question ought to evoke a sensible answer; certainly a glimpse at those two cherubs lifts it beyond the realm of dis¬ pute.. No: the merest dauber can leave out; only an artist can put in the ideas worthy of genius. A Moneyless Magnate 13 Yet, whether in the matter of money or painting or morals, the soul of man, as Montaigne long ago affirmed, “discharges her passions upon false objects, where the true are wanting.’’ Now the only way to dislodge the false is to install the true; but the false¬ ness of things, like the poor, is ever with us, and it has such an insatiable appetite that it sometimes threatens to devour the true altogether, leaving not a wrack of the permanent values in the wake of its greedy and materialistic triumph. This paper, there¬ fore, is the crass confession of “A Moneyless Mag¬ nate.” If either the moneyed or moneyless man de¬ nies its major postulate, calling it a paradox and such like, he is thoroughly within his verbal rights. Only, I would gently remind my pragmatic and easily overheated friends, that one of the definitions of a paradox reads as follows: “That which in appearance or terms is absurd, but yet may be true in fact.” 1 To begin with, and speaking as becomes a modest man, I own huge blocks of real estate. All of that downtown section in New York, between the Brook¬ lyn Bridge and Battery Park, is in a special sense my own property. The view of it from my study window is simply enchanting. There is probably no such skyline on earth, no such pile of concrete, stone and steel on the planet. Looking out from the south 14 A Moneyless Magnate side of the East River, I find my sky-scrapers in¬ variably punctual (except on a foggy day), cordial, majestic, awe-inspiring. Had Pericles seen them, he would have said that they were built by the gods, not by men. They do not savor at all of architectural monotony. Each is a law unto itself; many colors urge their claims; many shapes assert their popular¬ ity. Perhaps the most distinguishing feature in the matter of similarity, if similarity there be, is this: Each one seems struggling to be a little higher than all the others. For example, when the Municipal Building attained a height of 560 feet and 1 inch, the Singer Building crawled up to a distance of 612 feet and 1 inch. You see, my tall buildings are so jealous of their height, that they even claim all the inches due them! Of course these cloudy aspirations stirred the Wool worth Building into a towering, climbing rage, whose wrath never cooled until it reached the dizzy height of 750 feet! I am not revealing these family secrets in a fault-finding spirit; for I don’t mind the ambitions of my lofty steel and stone neighbors. They might perhaps achieve more of architectural harmony if their heads were all about the same height. Still I take satisfaction in their variety, even in their rough raggedness and stony jaggedness. Nor is their attraction one whit less by night. For then my skyscrapers are transformed into illuminated cliffs, brilliantly twinkling canyons casting their lumi- A Moneyless Magnate 15 nous loveliness across the shadow-hung river. Then also, though a modern, I am suddenly changed into a cliff-dweller, living with my ancestors of the dim and antique past. Now, on analyzing the terms of my ownership in these colossal buildings, I affirm them to be most sat¬ isfactory. Indeed, after much reflection, I am con¬ vinced that my terms are very much better than the terms imposed upon their legal owners. For in¬ stance : I was not put to the trouble and expense of building them. Most obligingly have others planned and invested and toiled for me. Furthermore, hav¬ ing built them, my generous friends promptly pay the taxes on them, keep them in repair, and graciously assume all the responsibilities connected with their maintenance. So, I am satisfied with my terms of ownership; and thus far I have heard no protest from those who hold title deeds to the buildings. But there is one other item in which I claim to have a distinct advantage. The owners, certainly most of them, lack my opportunity of appraising the beauty of their real estate. Their realty may yield them much gold, but if it fails to yield them the dividends of beauty as well, of what permanent value is all their yield in gold? And 196 Columbia Heights, fourth floor, back room, offers the best outlook on earth. If you don’t believe it, come in and see for yourself! 16 A Moneyless Magnate ii Another fraction of my material capital is in the great steamship lines. Shipbuilding has a long and interesting history. While traveling through Colo¬ rado, it was my good fortune to fall in with a capti¬ vating young man. Learning that I once lived in Pennsylvania, he said that he was reminded of this story: A man who went through the Johnstown flood, talked about that terrible disaster as long as he lived. After dying and entering the New Jerusalem, he continued to recite some of the thrilling episodes in the tragedy of Johnstown. However, he discov¬ ered that among his listeners there was always a ven¬ erable, long-bearded gentleman who, after patiently hearing the recital, religiously shook his hoary head and remarked: “No flood at all.” Naturally, the * former citizen of Johnstown was considerably piqued by this chilling and ever-ready comment of the ancient one. So one day he ventured to ask: “Will somebody be good enough to tell me the name of the man who, every time I recite my story of Johnstown, shakes his head and says: ‘No flood at all’ ?” “Why,” answered a voice from the crowd, “that’s old Father Noah.” And Noah was the pioneer ship¬ builder, a first-hand authority on floods. We must go back beyond the Egyptians, the Chaldeans, even the Phoenicians themselves, and pay tribute to the A Moneyless Magnate 17 man who built the ark. It is a long journey from the twentieth century queen of the seas back to the dug- out, the raft, and the log, from the Delaware and the Clyde to water-courses whose shore-lines have either changed or quite vanished from the earth. In this, as in other realms of life and progress, evolution is slow but steady and forward-looking. Therefore, as I look out and behold my gigantic and graceful vessels coming and going, why should I not rejoice in my spiritual investments in these stately, floating palaces of the deep? They visit every land and peo¬ ple; they return laden with commerce, food, gold, and gems from the ends of the earth. Why, the sail¬ ing of any one of them is enough to shake one to the roots of his being, setting the looms of imagination to weaving thought-tapestries from invisible threads that bind the peoples into one! And mark you: It costs me nothing to enjoy this drifting, movable feast of beauty. Somebody, of course, has gone to vast expense to make it possible. Generations of high and brave and courageous souls lie behind it all. What a mean, stingy nature one must have not to rise up and say: “Thank you, brothers, whoever you are and wherever you be, for lending me your brains, your hands, your years. Having given me much, let me not make it necessary for you to forgive the sin of ingratitude and unappreciation.” Assessing steamship lines at their supreme values, 18 A Moneyless Magnate I naturally claim a large share in the Bay—a vast dimple of silver set in a vaster cheek of beauty. Henry Ward Beecher used to say, watching the white flocks of gulls breasting the blue: “There go my gulls.” I have decided to yield him his claim on the gulls and to keep the Bay for myself. Yes; yonder go the immortal preacher’s snowy gulls, and yonder, too, goes my Bay—always flowing, always going, but never gone! Above the Bay, and higher, much higher, than the gulls, human birdmen ride in their throbbing machines. Sometimes they perform gyro¬ scopic feats, drop from great heights and make straight for the Brooklyn Bridge, threatening me with heart failure in their apparent aim to smash into one of its arches. But I have learned that there is no use worrying—crossing the bridge before we reach it—for with graceful, swanlike motion the birdman flyingly dives under the bridge. Thus is my apoplectic attack postponed until the daredevil comes back again! But with all the many-toned life and kaleidoscopic scenes along river, bay, and harbor, I mourn the ab¬ sence of one of my noblest ships. Above all other vessels that have sailed the seven oceans, her blood¬ stains are the deepest, the reddest, the most unpar¬ donable. Her innocent blood will crimson the seas until Time drinks them dry. As Joyce Kilmer, that white and brave and lamented soldier-poet, sang, she A Moneyless Magnate 19 did not go forth to battle; she carried friendly men; children played about her decks and women sang. In this unsuspecting mood, the Lusitania was waylaid by inhuman monsters, and sent to her ensanguined grave in the deep. Never again shall I see her come, as of old, stately, magnificent, triumphant, into this hospitable port. But above the unforgetting years, above roaring billows and howling tempests, I shall hear the accusing voice of this murdered queen of the seas: “My wrong cries out for vengeance; The blow that sent me here Was aimed in Hell. My dying scream Has reached Jehovah’s ear. Not all the seven oceans Shall wash away the stain; Upon a brow that wears a crown I am the brand of Cain. When God’s great voice assembles The fleet on Judgment day, The ghosts of ruined ships will rise In sea and strait and bay. Though they have lain for ages Beneath the changeless flood, They shall be white as silver, But one—shall be like blood.” hi You may begin to think that my riches are so fabulous as to be embarrassing. But let me reassure 20 A Moneyless Magnate you on that score; for the more I try to measure my wealth the more I revel in it. Consequently, I am not satisfied with the sea only, and the many kinds of vessels that traverse its fluent paths. I claim to be, in my way, a heavy investor in the railroads of the United States. To say nothing of the tremendous capital invested, it costs billions every year to operate American railways. They represent 230,000 miles of steel strung over cities, towns, plains, hills, and val¬ leys. Think of it—enough steel to engirdle the earth more than thirteen times! I have a friend liv¬ ing in New York who invited his father to come on from Ohio to visit him. He told his father, who was as transparent as noonday and as candid as sunlight, that he must make the journey from Ohio on one of the best trains. The old gentleman accordingly boarded the fast express and was directed to hand¬ some quarters by the porter. Soon the conductor came in, punched his ticket, and informed him that, in case he wished to occupy his present seat, he would have to pay something extra. “How much extra ?” retorted the passenger. “Eighteen dollars,” replied the conductor. Now I have already said that the old man was frankness personified, the dispenser of a Lincolnlike simplicity that smites one blind by its splendor. Thus, recovering from his surprise, the venerable passenger exclaimed: “Eighteen dollars for a little cubby hole like this to spend the night in! A Moneyless Magnate 21 Why, man, I get only ten dollars a month for an eight-room house back in the town where I live. No, sir, I’ll have none of your fancy cubby holes at eighteen dollars per night.” Yet there are many who are glad enough to pay the extra fare on these luxurious hotels on wheels, palaces that roll and whizz through space at a be¬ wildering speed. But before many years, passenger trains will be comparatively out of date. We shall think no more of traveling through the air than we now do of traveling by automobile. Utopian? Why, the ox-cart and canoe were once utopian, while the steamship, the locomotive, the submarine, and wire¬ less waves were perplexingly so. Man has only be¬ gun to extract the multiplied secrets hidden away in the cosmic storehouse. If nations will come together in a federation of brotherhood and mutual coopera¬ tion, thus averting the disaster of race extermination by war, there is hardly a limit to man’s possible mastery of the physical forces. Meantime, I am a sharer in these marvelous railroad systems—one of the most stupendous engineering and commercial achievements in the history of mankind. For a few dollars, an investment of billions is offered for my use, day and night, year in and year out. And what shall I say of our street railways and subways? I once rode in a subway train with the president of the system. If I am not mistaken, he bought a ticket, 22 A Moneyless Magnate just as I did, walked in and sat down. He may have occupied a little more space than I required; but as far as I was able to judge, I traveled as fast as he did, felt much happier than he looked, and paid only five cents into the bargain! Why, I felt like a culprit. There I was, utterly free from public criticism, un¬ terrified by lockouts and strikes, gliding along forty miles an hour, and all for five copper cents, while the man who bore the burden of it all had to pay his own fare and also sit alongside of me! Having nothing, yet am I beginning to think, with Paul, that I possess all things. IV Nor must I overlook my possessions in our beauti¬ ful parks. I love them all, but I love Prospect Park supremely. I have set out and grown enough ser- monic plants in the Vale of Cashmere, the Great Meadow, and the Old Fashioned Flower Garden to put several and sundry congregations permanently to sleep! Planners and builders of our cities knew that the great majority of us could not have either large or strikingly attractive gardens and yards. There is simply not enough space on this particular part of the earth’s surface. There is plenty of room up in the atmosphere, if you can manage to live at great altitudes; there is plenty of room, also, on the heav¬ ing breast of the Atlantic, if you are fond of leading A Moneyless Magnate 23 an aquatic life; but here on the ground there is so much blasting, digging, running, tooting, driving, yelling, crunching, grinding, jostling, and crowding, that yards are almost lost in the chaotic mix-up. Therefore, we have these splendid breathing spaces, perfumed gardens and timbered tracts, undulating swards and lilied ponds, animal haunts and flower houses, in our parks. Now I do not own a great yard; but I possess what is far grander than any yard owned by any millionaire on these two islands; I own one of the most beautiful parks on earth. The Bor¬ ough of Brooklyn, in the city of New York, says to me: “Mr. Shannon, all these roads, walks, lakes, trees, birds, and flowers are yours. You will oblige us very much by coming in and enjoying them.” “But,” some croaker protests, “there is a string to that invitation.” “What is it?” I ask. “They don’t permit you to take anything away,” he replies. Don’t they, indeed? Not being a vandal, I have no inclination to haul away the trees, or lead away the lions and tigers, or steal the lily pond, or kidnap the lakes. Yet I defy the Mayor, the Board of Aider- men, the Borough President, and the entire Police Department to prevent me from carrying out of Prospect Park the very best things in it! Would you like to know what some of those things are? First of all, studies in human nature. Old and young, rich and poor, good and bad, happy and sad—all are met 24 A Moneyless Magnate together in this fragrant out-of-doors. Second: Memories of birds singing at evensong—birds that have long since returned to the Summerlands of the Unreturning! Years ago I listened to a robin sing¬ ing his vesper song to the silvery patter of the falling rain. Recalling it now, it seems as vivid and fresh as if it were only yesterday. Sitting there on the edge of the night in his tree-loft of green, that little min¬ strel of God sang into my soul the sense of calm breathing out of the Supreme Dawn, brought me little winds of peace blowing gently down from the tranquil Hills of Morning. And then I bring away something else, too. I gather up heartfuls, armfuls of loveliness and carry them home with me. No park policeman has ever yet objected to that! But this is an essential part of that sublime and moneyless barter in which we may all profitably engage, improving the timely admonition of Sara Teasdale: “Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children’s faces looking up. Holding wonder like a cup. Life has loveliness to sell, Music like a curve of gold, Scent of pine-trees in the rain, Eyes that love you, arms that hold. And for your spirit’s still delight, Holy thoughts that star the night. A Moneyless Magnate 25 Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be.” v Moreover, I count myself especially rich in my lur¬ ing libraries—public repositories of the learning and wisdom of countless ages. If matter is dead mind, books are the souls of the dead dressed up in living garments of glory. Books are the embodied voices of the past crying aloud in the teeming present, in¬ struments through which minds, ejected from brain- houses fallen to dust, still inspiringly function. Books are helpful servants, but autocratic masters, and no freeman has the right to be ruled by an auto¬ crat. Doctor Hillis told me some years ago that he had stopped reading books. I replied: “I am not sur¬ prised at that. Does not a man stop eating, after he has eaten everything up ?” However, I think that my dear and noble friend is still able to read a book now and then! While I have not stopped reading, I do not buy as many books as I once did. One reason is this: Either I or my books must move out! There is no longer room for all of us. Rather than dispossess old friends, it seems easier to invite new ones in for a short visit. And this is quite practicable through 26 A Moneyless Magnate my ownership in several libraries. Think of that great building on Fifth Avenue, with its more than thirteen hundred thousand volumes and pamphlets— a library and art gallery under one roof. Do you not think old Plato would like to have broken into those green literary pastures and ravenously eaten his way out? Not for Platos only, but food is there in satisfying abundance for ordinary people in pursuit of extraordinary aims and ideals, angels that guide us out of the humdrum into the divinely enchanting. Formerly there was scarcely a limit to the number of volumes that a student could take out; at present, however, patrons are limited to a definite number. Even dearer and nearer are the libraries here at home. I have been in the Montague Branch so often that I fear my shadow will disfigure the walls. Besides the books, there are the weekly, monthly, and quarterly reviews from America and foreign coun¬ tries. What an absorbing exercise to sit down and enjoy (or perhaps quarrel with) the Spectator, the Athenaeum, the Edinburgh Review, the Hibbert Journal, and numerous other publications. Finally, if you are afflicted by a kind of disease—the biblio¬ maniac will readily understand!—for rare manu¬ scripts and odd volumes, the libraries will also help to assuage, if not entirely cure, your malady. At any rate, cured or uncured, you will want to repeat “The Bibliomaniac’s Prayer,” by Eugene Field. Once, A Moneyless Magnate 27 when Doctor Gunsaulus was undergoing an acute at¬ tack of “bibliomania,” the special symptoms of which assumed a contagious craving for certain copper¬ plates, (one never can tell what extravagant and glowing forms the treacherous disease will take!) Field wrote this prayer and dedicated it to his beloved friend and sorely afflicted victim. The original manuscript of the prayer is now the property of the University of Chicago Library, having been pre¬ sented to it by Doctor Gunsaulus, the text of which follows: “Keep me, I pray, in wisdom’s way That I may truths eternal seek; I need protecting care today— My purse is light, my flesh is weak. So banish from my erring heart All baleful appetites and hints Of Satan’s fascinating arts, Of first editions, and of prints. Direct me in some godly walk Which leads away from bookish strife, That I with pious deed and talk May extra-illustrate my life. But if, O Lord, it pleaseth Thee To keep me in temptation’s way, I humbly crave that I may be Most notably beset today. Let my temptation be a book Which I shall purchase, hold, and keep, Whereon when other men shall look, They’ll wail to know I got it cheap. 28 A Moneyless Magnate Oh, let it such a volume be As in rare copperplates abounds— Large paper, tall, and fair to see, Uncut, unique, unknown to Lowndes.” VI Henley speaks of Romney’s work as “something which is only almost done.” Still, I must not finish this bare outline of my material capital without men¬ tioning the “little towns” I own. Country born and bred, I love the cities. There is soul-shaking power in their terrific energy, their splendor and squalor, their righteousness and wickedness, their wealth and poverty, their pathos and tragedy. But between the cities—the inspirers of the cities, the saviors of the cities—are the little towns, villages, and hamlets that dot the land from ocean to ocean. Sometimes they sit back from the great highways, as a vine-covered cottage sits back from the roadside; sometimes they lie hidden among the mountains, like precious gems waiting to share their beauty with every practiced eye; sometimes they nestle along the plains, sweet as the golden wheatfields billowing away to the horizon; sometimes they kneel upon the banks of a mountain river, most of the citizens never having a glimpse of their rustic river’s wide and hospitable sea; some¬ times they bow in quiet, nun-like valleys, faithfully guarded by high hills, over whose peace-crowned A Moneyless Magnate 29 heights discordant voices never sound. But oh! my little towns—wherever you be, north, south, east, or west—the very thought of you brings me the bread of beauty, the wine of hope, the apples of Eden. Long ago Emerson suggested that it is embarrassing to wake up some morning and discover that some¬ body else has expressed your own thought, even though it is expressed better than you yourself could express it. Nevertheless, I am quite willing to par¬ don Hilda Morris for visiting me with such an em¬ barrassment in the form of her poem called “The Little Towns”: “Oh, little town in Arkansas and little town in Maine, And little sheltered valley town and hamlet on the plain, Salem, Jackson, Waukesha, and Brookville, and Peru, San Mateo, and Irontown, and Lake, and Waterloo, Little town we smiled upon and loved for simple ways, Quiet streets and garden beds and friendly sunlit days, Out of you the soldiers came, Little town of homely name. Young and strong and brave with laughter, They saw truth and followed after. Little town, the birth of them Makes you kin to Bethlehem! Little town where Jimmy Brown ran the grocery store, 30 A Moneyless Magnate Little town where Manuel fished along the shore, Where Russian Steve was carpenter, and Sandy Pat McQuade Worked all day in overalls at his mechanic’s trade. Where Allen Perkins practiced law, and John, Judge Harper’s son, Planned a little house for two that never shall be done— Little town, you gave them all, Rich and poor and great and small, Bred them clean and straight and strong, Sent them forth to right the wrong. Little town, their glorious death Makes you kin to Nazareth!” II Beethoven in the Back Yard W HILE passing a certain house, my eyes rested upon a statue of Beethoven in the rear of it. At first I was keenly aware of the disharmony of the thing. Here was one of the immortal names in music; and here, also, at the back of the house, and in a yard distinguished for nothing save the com¬ poser’s head done in stone, was the silent, stony, majestic face of one whose very name is synonymous for moving melodies. As already intimated, my first impression was a kind of mental discord, a feeling that the sense of fitness had been violated. But I hold that opinion no longer. Many times since have I gone by that house; each passing has tended to do away with the feeling of inappropriateness. Now, remembering the de¬ light of seeing Beethoven in his back yard, I go out of my way for the pleasurable sensation of resting my eyes upon that materialized symphony in stone. There he sits, calmly looking out on his surround¬ ings. He seems quietly determined to turn them all —the ugly and the beautiful, the chords and the dis¬ cords—into rolling rhythms of harmony. 3i 32 A Moneyless Magnate It may be that my inward change was wrought by the words of a quiet man to whom I unbosomed my original repulsion. “Discord!” he exclaimed, with scarcely any sign of exclamation in his convincing tones. “There’s no discord at all. Beethoven needs the back yard; the back yard needs Beethoven; and we need both.” Unable to forget the man’s words, I have decided to set down some random reflections upon Master Beethoven in the back yard. i “Beethoven needs the back yard.” Well, at any rate the master was acquainted with the back yard of things long before anybody dreamed of chiseling him in stone. His father was a drunkard; his mother was the daughter of a cook—which is re¬ called, in this connection, just to remind ourselves what glorious things proceed from the kitchen; he was deaf before middle life; he endured the stupidity of a churlish brother. What a delicious story is that of his brother calling upon the composer and leaving his card worded thus : JOHANN VAN BEETHOVEN, LAND PROPRIETOR. On returning home the musician found the card, wrote the following words on the opposite side, and sent it back to his pompously stupid kinsman : Beethoven in the Back Yard 33 LUDWIG VAN BEETHOVEN, BRAIN PROPRIETOR. One might indefinitely extend the list of ugly back yards through which the mighty genius was doomed to pass in his pilgrimage across the years. There were jealous teachers; there were designing women; there was that scapegrace of a nephew; there were kinglets and princelets and—well, so many glorious and inglorious obstacles in his way that it is simply enchanting to stand at a meaningful historic dis¬ tance and see him overleap them. On the whole, therefore, I think, with my deep- seeing friend, that Beethoven needed the back yard. How much did life’s back yard have to do in lending the deathless note to his compositions? Having asked that question, we are thrust headlong into the mystery of human life. Not, if you please, human life in its celebrated expressions—not the Beethovens, nor the Shakespeares, nor the Lincolns only; but worthful, red-souled, clean-motived, high-minded human life in its common, everyday, universal might and majesty. Once I went to minister to a sick woman. There were miles and miles of gray stone to travel, remind¬ ing one of Thomson’s “City of Dreadful Night.” The house was not much, but it was artistically tidy, immaculate in its cleanliness. Occupied by two 34 A Moneyless Magnate maiden sisters, they had fought with poverty, hard¬ ship, and menacing environment the long years through. And now one of them was desperately ill. But the well one—the one who was still struggling to keep the vanishing remainders of their home-life together—was not content to have a doctor and her own watchful love at her sister’s beck and call, day and night. A trained nurse must also draw upon her scanty savings. Reminded that perhaps this was an unnecessary expense and that there were “rainy days” ahead for her, she said: “What are a few dol¬ lars to me, after my sister is gone?” With the going of her sister, a part of herself was being passed on also—a something which neither few dollars nor many could alter in the least. Within that toiling woman’s face there was a power of immortal reserve—a splendor, a radiance, a Godlikeness—that one could well go far to see, and be handsomely overpaid at the end of his journey. What, for example, is “the light of setting suns” to the light of love that beamed in her patient eye? What is the fragrance of heliotropes to the aroma of self-forgetfulness distilled from her heart? What is the grandeur of mountain summits to the moral height of her unfaltering will? Unacquainted with the luxury of self-dispraise, as Wordsworth might say, she was so unconsciously and yet so nobly planned, that any soul having an appetite for what Beethoven in the Back Yard 35 is finely beautiful could not possibly have missed it here in this bloomingly spiritual back yard. “But there was nothing unusual in her unselfish¬ ness,’’ the cynic may interpose. “Such cases are very common.” And is not the cynic half right? At the same time does not all half-rightness disclose the in¬ exhaustible wonder of the wholly and holy right ? It is even so here. For the unusualness of unselfishness could only be truly seen by its absence. Just let the world jog along a single day without these common¬ place and usual tokens of goodwill and at nightfall our planet would be conspicuous by reason of the enlarged areas of hell upon it. Therefore, the deadly and deadening power of the familiar is to be shunned like a plague. The fact is, we have learned to call that something genius in people who can paint a halo around the brow of the ordinary. Is not this in itself sufficient proof that, beyond all cavil, there is really no ordinary; everything is extraordinary, as every perceptive and receptive nature thrillingly knows. It is just our ordinary, hum-drum, no-vision of things that makes it possible for us to snub the back yard with its commanding Beethoven. The reaches of our Lord and Master into this prolific realm are, of course, unparalleled. Christ’s awareness of the living universe is immense. Any¬ where and anytime He throws a window open toward the Infinite. It is all the more impressive by the very 36 A Moneyless Magnate economy of the words He employs in reporting His world-consciousness. Adjectives are not popular in the Master’s vocabulary. He is so perfectly alive that He seems fearful lest He should waste a breath of His being through a meaningless word. Reality pressed so strongly upon the centers of His soul that nouns, uncolored and unqualified, are the verbal sluiceways through which He pours the tides of eternal life. Yet, according to accepted standards, did not Jesus spend His earthly career in the back yards of the world? This fact, commonplace as a matter of history, becomes positively acute with wonder and awe for every thoughtful person who tries to grasp it. Born in a manger, toiling with His hands, teaching by lakeside and in market-place, surrounded by a company of unlettered peasants, frowned upon by the important and misunderstood by the ignorant, forsaken at last by His own and crucified by His enemies, the story, in view of its deepening, transforming hold on the human heart, is almost incredible as it is entirely unimaginable. John Stuart Mill is right—only the fact of Jesus can account for the story of Jesus. The human mind, said Mill, was incapable of inventing it. One might as well talk of inventing stars or oceans or mountains as of inventing the character, words, and deeds of the God-Man! And not the least invigorating and uplifting Beethoven in the Back Yard 37 thing about it all is this: He needed the back yard; which is just another way of saying that God Him¬ self, for any truly humanizing revelation of His Godhead, could not avoid the back yard. Personally, I have scant sympathy with that theological doggerel which pictures God as out in the universe looking for Himself, not yet arrived at the point of self-con¬ sciousness, a kind of hectic, emaciated ghostly be¬ coming, without having fully arrived! That sort of thinking advertises the quality of mental milk-and- water mushiness some of us are capable of stirring up. Of a different grain, however, are those New Testament strata of thought upon which the Incarna¬ tion immovably rests. “Though He was a Son”— yes, the Son, the only Begotten Son—“yet learned obedience by the things which He suffered.” And what were the things He suffered? Some of them, unquestionably, were these: Human dullness, mean¬ ness, slander, hatred, jealousy, lying, misunderstand¬ ing, misinterpretation. He suffered them all, and some of them in the Bethany household. “For even His brethren did not believe on Him.” When He died on Calvary, His brothers, James and Jude, in common with every other mortal, thought that an end had been made of Him. More than once, His mother undertook to revise His plans, being naturally and motheringly proud of such a Son. Verily, the New Testament is full of the things He suffered. 38 A Moneyless Magnate Whatever the un fathomed immensities contained in the unique and solitary death on Calvary, that was not all He suffered. But—in all and through all the things He suffered—He learned; and He learned, though He was a Son—the Son of God! So I infer that there was more than the mere human need—awful and profound as that is—of our Infinite Beethoven in the back yards of time. If God underwent a new experience in the Incarnation, as Christian philosophy and revelation lead us to believe, then the back yard, and all that it signifies, has taken unto itself a value that the human generations can¬ not exhaust. What if the back yard has already be¬ come a suburb of the New Jerusalem, and we know it not ? The final greatness, argues a philosopher, is not with the man who alters matter but with the man who alters mind. And does not the true altering of mind rest with Christ, and Christ alone? It is a gigantic task. It will require other ages and other worlds than ours for its complete realization. But both the ages and the worlds belong to Him. Con¬ sidering our own world, it is not always easy to dis¬ cern how and where He is altering its mind for the best. But He is, just the same. Not without loss— great and immeasurable, perhaps irretrievable loss; but none the less with gain—deep, golden, and im¬ perishable. There are more things, truly, in the back yard Beethoven in the Back Yard 39 than the casual observer sees. Oh, yes, the wash is there, to be sure! And the rubbish! And the croaker! But the clothes are in process of cleansing; underneath the rubbish there is the unspeakable mys¬ tery of life; at the feet of the croaker blooms the crocus, and he sees it not. So I am glad, after all, that Beethoven needs the back yard. For one thing, his deaf ears may hear better there. Anyway, the stars look down upon him by night; the sun lights up his forward-looking gaze by day; April rains wash his massive cheeks, as if tenderly striving to mingle their drops with tears not yet all unwept; playful winds whirl about his dead ears, and he looks as if he might be listening to harmonies that would “create a soul under the ribs of death.” I am grateful that he beckons me to come and visit with him betimes. Standing in his mute presence, his lips of stone seem to be saying: “Who has more obedience than I mas¬ ters me, though he should not raise his finger. Round him I must revolve by the gravitation of spirits.” And then— “All suddenly the wind comes soft, And Spring is here again; And the hawthorn quickens with buds of green, And my heart with buds of pain.” Yet is there not something poignantly creative in these “buds of pain” ? Does not one look with other, 40 A Moneyless Magnate deeper eyes upon the groaning, travailing universe? Even groaning within ourselves, do we not already have the “first-fruits of the Spirit” ? If so, then the crimson buds of pain are unrolling into spiritual buds of green! Wherefore, we shall make no terms with Giant Despair and his obstreperous myrmidons. Rather, we shall go on our way in quietness and hope, reinterpreting the pilgrim-rune of David Gray¬ son : “I am living deep again” ii “The back yard needs Beethoven.” That was the second idea flashed out by my unassuming monitor. Just what he meant by it, or all that he meant, I do not pretend to understand. But it is one of those cryptic sayings which lend themselves to various interpretations. Did he mean that there is a kind of drab, monot¬ onous variety in the life of the back yard that needs to be awakened to something higher by the breath of the artistic? If he did, my answer was ready. “What!” I should have exclaimed. “Do you mean to say that here, close to the heart of things, there is any need whatever of art? Look at Mother Nature waking her children up! Is it not a sight for gods and men to see then scrambling out of their wintry sleep? There is that dandelion this moment thrust¬ ing its saffron bonnet through the soil; there is that Beethoven in the Back Yard 4 1 dream-haunted hedge, alive with a million buds, fair¬ ly opening their green eyes upon the April-colored world; here is this emerald-streaked carpet of grass, daily unrolling its velvety splendor in patterns of soothing, nutritious greenness; there is that lazy worm, capable of losing both its head and tail and then uncomplainingly growing each again, as if worm-surgery were foreordained to keep human surgery on the brink of despair. And then—look! quick! There goes the first bluebird, like a winged flower dipped in vats of heavenly blue! What is art, if you please, to all this?” From the harvest of his quiet eye, my friend seemed to say: “Nature can only come to its deeper self through the aid of the human. Apart from Beethoven, how long would it take your flowers and worms and bluebirds to arrange themselves into a Ninth Symphony?” He was getting me into the deep waters of thought, beyond all question; so deep, indeed, that I had no mind to follow him just then. Like a bare¬ foot boy with his first Maytide vision of the old swimming hole, I, too, was whooping things up in the quivering out-of-doors. For who dares to say that there is no excitement in watching the brown, wintry earth turn green before our very eyes ? Who is willing to confess that there is no emotion whatever in considering the marvel of unfolding buds? And < 42 A Moneyless Magnate who, verily, could behold that feathered miracle named the first bluebird in Spring and not fanatically believe in God and angels and saints and fairies and everything else that is lovely and of good report? Still, I am willing to concede, notwithstanding my unbridled fanaticism toward prophetic bluebirds and evangelical shrubbery, that this matter of 'the back yard’s need of Beethoven cannot be ignored. For are not the back yards of the world pathetically in need of an interpreter? One can scarcely restrict the application of this thought; it is so wide-winged, so class-defying, so vastly human in its appeal. Plainly, the need of an interpreting, harmony- haunted Beethoven is universal. Take my two friends of “the cloth”—well-worn cloth, too, very black, very long, and very shiny! I saw them for the last time as they rounded a curve on the hill-road in that long-vanished West Virginia morning. I was on my way to my first circuit, a callow youth, with all the extra meanings attendant upon callow¬ ness. The saving grace of it all is, in the mellow light of memory, I was so eager to make the venture that I spent a well-nigh sleepless night. Long before the morning broke its heart of silver over the Ken¬ tucky hills, I was fording the mountain river that separates West Virginia and Kentucky. My wagon was not hitched to a star, but to an old bay mare, driven by a faithful, half-witted servant who lived Beethoven in the Back Yard 43 in the home of my beloved Grandmother Sullivan. Within a few hours I reached the railroad station and the train that bore me on my way rejoicing. It was on this first lap of the journey that, quite suddenly, these two veteran scouts, who had already guarded the lone outposts of Zion for three or four decades, came driving around a bend in the road. Their greetings and godspeeds were memorably cor¬ dial ; their “God bless you, brother!” and “May you follow in the footsteps of your noble Grandfather!” —these are still soft and vivid notes in the music of memory. Now, those two noblemen of God probably worked their lives away at a yearly average compen¬ sation of less than five hundred dollars. One of my own appointments having paid me twenty-five cents —a shining, silver quarter of a dollar for the year!— I rate myself an authority in estimating such bud¬ gets ! But inasmuch as the problem of keeping soul and body together has grown more acute, even for ministers, in these latter days, I am setting the stipend of those two circuit-riders a trifle high. Yet, it is not of their pitiable salary that I am thinking, chiefly, at a distance of twenty years. I am think¬ ing, rather, of this : They had stuff—genuine, clean- through, human Godlike stuff—in them. They were big, burly, oaklike, hickory souls that knew how to wrestle with the spiritual storms that swept through 44 A Moneyless Magnate those lonely, whispering hills. Up the hollows and down the creeks and over the mountain spurs and into the schoolhouses and log cabins they carried the Good News of God. Fleet-footed couriers were they sent straight from the News Bureau of the Heavens. They reported what they had seen and heard in first editions direct from heart-presses mightily moved by the Spirit of God. There was considerable crudeness, to be sure; but the down¬ right, challenging, smiting, eloquent reality of the thing—that is what stabs the human soul wide awake! But oh! the pathetic incompleteness of their lives. There were hungry depths within them forever un¬ fed. There were suppressed longings but brokenly realized. There were high thoughts, stammeringly spoken at best, yet refreshingly original withal. Was it because the ears of the speakers lay closer to the nature of things than is customary in a more driving and mechanical age? “To believe your own thought, to believe that what is true for you in your private heart, is true for all men—that is genius.” That, also, is one of the shining memory-nuggets I picked up during those hill-days. Yet do not the men and the saying prove the necessity of an interpreting Beethoven in our back yards of the world? Nature leaves so many things unsaid; life begins and ends with a host of problems unexplained. Look where Beethoven in the Back Yard 45 we will, the interpreter is much in request. We do well not to forget the ‘‘sky-born music”; we do ill if we fail to remember the music that comes from behind the sky. Yet my friends, who long ago laid their tired bodies down within the bosom of those wooded hills, are not the only ones requiring an interpreter. In¬ deed, these suppressed lives do not argue so insist¬ ently, after all, for a clew to the tangled skein of human mysteries, as the unfolded, ripened men and women of the ages. If Paul could make such apos¬ tolic gestures in less than threescore years and ten, what might he not accomplish in threescore and a million? If Shakespeare could drag into the open such ordinarily concealed and yet such extraordi¬ narily great thoughts, within less than threescore years, what may he not report as he becomes seonianly familiar with the Archives of Eternity? If Frederick Robertson could think and preach so gloriously in less than twoscore years, shall we be¬ come foolhardy enough to set any limits to the ser¬ mons and expositions he may make after spending ten thousand years in the presence of the Original Text? If Raphael could paint a Transfiguration while yet scarcely removed from the swaddling bands of his earthly youth, what may he not achieve in a universe whose solar sunsets are relatively blurred canvases, knowing that in the spaces there are flam- 46 A Moneyless Magnate ing blue suns as well as flaming red suns—worlds so unimaginably colored that our seven prismatic colors do not begin to tell the beauty of them? Anyway, Beethoven himself needs an interpreter even more than the spinner of jazz melodies. And was he not grandly sure of finding Him? Equal to any music Beethoven ever composed, I think, are those last and dying words of his, spoken as he was mysteriously moving out of his house with its dead ears into his house not made with hands: “I shall hear in Heaven “Eye hath not seen, nor ear heard, neither have entered into the heart of man, the things which God hath prepared for them that love Him. But God hath revealed them unto us by His Spirit.” I am more than half inclined to wonder if there are not blended prophetic and apostolic deeps hidden away in these words which can never be entirely sounded by the psychologist and the psychoanalyst? If the back yard really needs Beethoven, the back yard verily has Him! “The sun,” says Bacon, “though it passes through dirty places, yet remains as pure as before.” I wonder if music, though it passes through dull, human ears, remains not only as musical as it was before, but obeying what the great German was fond of calling the law of spirit¬ ual increase in the universe, becomes even more mu¬ sical ? Well, anyway, the Infinite Beethoven knows. Beethoven in the Back Yard 47 hi “The world needs both.” Without too large a generalization as to what is implied by “the world,” I prefer to confine the meaning to the speaker and to myself. Strikingly minute editions of the world as we are, this method offers the advantage of being concrete. Human life, being what it is, and in the process of an immeasurable becoming, I do not hesitate to affirm that all of us need both—Beetho¬ ven, who speaks for the ideal, and the back yard, which hardly needs to speak for the practical, being in itself so loud-toned that we can with difficulty miss its meaning. Are not most of us inclined to be somewhat impa¬ tient with the ideal, with the larger significance inev¬ itably attaching to life and things? Particularly is this true in a time such as ours, when the planet is in a sort of human upheaval, when there is so much brawny work to be done, and rather brusquely crowd¬ ing us on every side. But does not the very fact that there is so much to be done make it all the more imperative that we keep perfectly clear the reason why so much should be done ? That world-deep why hurls us immediately beyond the boundaries of the so-called practical. We are at once in the presence of Beethoven—of music, of art, of prayer, of faith, of hope, of love, of soul, of God. Why, then, 48 A Moneyless Magnate should the millions moil and toil? To build faster railways, more efficient banks, larger machine shops, taller, sun-hiding skyscrapers, more sanitary cities, more convenient houses ? That we may do all these and not do enough, is a commonplace of progress, ethics, and religion; but that while doing all these we may also become dead souls is the spiritual revenge which the universe invariably takes upon us. “How shall we escape, if we neglect so great a salvation?” The question is not simply evangelical; it is cosmic, scientific, historic, profoundly human. And the answer comes, from a thousand voices, that there is no possible escape—not as long as the universe bears the semblance of order. Every day I meet cultured, successful men who have no more of a spiritual roof over their heads than the veriest hobo, who boasts not a single physical shingle for his. As I view it, the latter is replete with physical and human pathos; but the former is black with terrible spiritual tragedy. For the physical tramp is sordidly, repulsively dead; the spiritual tramp is smoothly, subtly, gayly, icily, splendidly, hopelessly dead, though unburied. Frequently he is a cynic; under¬ neath his fine exterior there is dourness and sourness; and I modestly submit that a pickled cynic, though preserved in a strong brine of gold, can never acquire a delicious taste on any planet in the known universe. Truly, my friend, we need Beethoven; our human Beethoven in the Back Yard 49 nature must have superhuman nature within, around, and underneath it. “It is the province of a great poet,” Wordsworth once said to Klopstock, “to raise people up to his own level, not to descend to theirs.” It were not less truly said of the statesman, the Christian preacher and reformer, or indeed of any Christian whatsoever. But to lift people at all— aye, there’s the rub! If there is so much sheer dead weight in any other realm known to avoirdupois, average people like ourselves, people whom we meet in the stress and press of everyday, seem to be com¬ placently unaware of it. And yet there is a Lifter! He carries the worlds on His shoulders and His sin-smitten, death-wounded children in His heart. If the old Greek geometrician discovered the principle of the lever, declaring, “Give me where to stand, and I will move the world,” our Uplifted Beethoven reveals the moral center of God and Man, takes His stand upon it, saying: “And I, if I be lifted up from the earth, will draw all men unto Myself.” Thus, while I can see the dead weight in the average man, especially as it does not require much visualizing power to do that, He senses, even from his riven, shuddering hill of red rain, the pos¬ sibility of all men being lifted to heights beyond which heights there are none—Himself! So, I think, we need both—the ideal and the real. The problem of life is to keep the two in proper 50 A Moneyless Magnate focus. Our capacity for spilling over on the wrong side of each is ever with us in exasperating dimen¬ sions. Some want to be hermits and others never want to be out of human haunts; some are shriveled- up book-worms and others carry brains alive with the worms of ignorance; some are riotously social¬ istic and others are egocentrically individualistic; some want to pray all the time and others want to work all the time. And so we go—mis-seeing, mis¬ doing, mis-living. Yet the unwithering secret of life is the legitimate marriage of these two facts, which are deeply one at heart. I once saw a librarian have a child expelled from the reading-room of a library while the librarian himself kept right on talk¬ ing louder than a half dozen children. Thus the abyss between theory and practice must be continu¬ ously bridged over. But the Bridge-builder has come; He has never gone away; He has wisely van¬ ished behind the horizons of sense that He may more perfectly, universally, and transfiguringly home within. That myth of the sibyl and Tarquin the Proud is instructive here. Having nine books, she offered to sell them to the king. As he refused to buy them, she went away and burned three. Then she came a second time, demanding as much for the six as for the nine. Still the king refused to pur¬ chase. The sibyl went away and burned three more., Returning with three, she asked as much for them Beethoven in the Back Yard 51 as for the nine. At last the king’s curiosity was excited, and he bought the remaining three. And well that he did! They contained the destinies of the Roman Empire. Without a single touch of myth, but with the very soul of reality, the destinies of humanity are revealed in words as simple as they are sublime, as heartening as they are unexplorable, as modern as they are more than sixty generations old. They were spoken to Thomas, a severely practical man—a man prone to linger overmuch in the back yard of being. “Jesus saith unto him, I am the way, and the truth, and the life: no one cometh unto the Father but by Me.” Thomas did not readily understand; but after the Light of the World had gone through the apostle’s endungeoned parts, the Sun, to recall Bacon’s figure, was just as pure as before, while Thomas was in¬ finitely cleaner. At least one thinks so, when, eight days later, the man of doubt had his gaze lifted from the muck and mire and accepted, whole-heartedly, the Lordship of that eternity-tuned Beethoven, Who was dead and is alive forevermore. Ill Morning Tourist, Ltd! W ELL, what did you see this morning?” The question was asked by the wife of the Morning Tourist. “Ask me something easy,” he answered. “I have seen so much that my mind is all in a har¬ monious whirl.” And yet the Tourist was limited in more ways than one. He was limited for time, a most impor¬ tant element in all true sight-seeing. He was lim¬ ited, also, in respect to territory. For it was only a nook in the blooming, melodious out-of-doors that he had been able to visit. Most of all, as the sequel proves, he was limited in the matter of eyes. If he had owned a thousand eyes instead of two, he knows that something would have managed to escape them. So, fully recognizing the handicaps he suf¬ fered, here is an attempt to set down a few of the Morning Tourist’s observations. i The first item has to do with what the wise ones call the inorganic. Whether they understand all 52 Morning Tourist, Ltd! 53 that might be said about this mysterious realm, I shall not tarry to debate. It was the belief of Plato that poets utter great and mysterious things which they themselves do not understand; it may be even so of the savants and the inorganic. But, like the poor, the inorganic is ever with us. And with us in surpassing wonder, too. For is it not a miracle too great to be told to watch this world of soil and roots change before our very eyes? Snow covered the ground a few weeks ago; the earth was stiff with ribs of ice; the razor-like winds shaved one’s face with keen edges. Yet behold! The only snow visi¬ ble anywhere today is in the white blossoms waving in the domes of swaying, wind-rocked trees; there is not a sign of frozen stuff in the ground, this busy merchantman having bartered away his icy wares for tender grasses and flowering shrubs; the wind no longer smites—it is soft, wooing, and priestly, bear¬ ing a million seeds upon its invisible wings to nuptial bowers hidden away in every part of the wedded and wedding Springtime. Do I believe in miracles? With all my heart! As long as snowbanks are lifted into bowers of green; as long as icicles are changed into fragrant twigs; as long as the wild tunes of March melt into the building songs of May, I shall remain an incur¬ able believer in miracles. I refuse to be mentally and spiritually brow-beaten by polysyllabic terminol- 54 A Moneyless Magnate ogy about inviolable laws and cosmic forces. While some people use the big words only, I am highly resolved to enjoy the Big Fact also! Still keeping close to the inorganic, here is a sight worth inscribing upon the tablets of memory. Let me illustrate what I mean by something familiar in our human world. Some friends came in to see the new baby—not mine, I am sorry to say, but somebody’s dimpled, wonderful baby! But the little creature was asleep. Having slept long enough, it was high time the darling was now wide awake and engaged in the enchanting business of cooing—busi¬ ness, by the way, no honest bachelor can understand except through an interpreter. Still the baby slept on. Then did I see the Mother bend over that cradle and gently call her child back from the Sleeplands of Babyhood into our noises. Likewise, have I not seen Mother Nature brooding above her ten thousand cradles? Putting on her robes of mothering glory, she goes mysteriously forth and says : “Get up, Dan¬ delion ! Rouse yourself, Tulip! Come out and greet the sun, Heliotrope! Wake up, Hyacinth, and sprinkle the air with your fragrance!” And do not all the floral children know their Mother’s voice? Yes; down to the last syllable and tone. A still better answer is in the whole wide-verdured world named gardens, fields, valleys, and mountains. For in Maytime the earth is one vast, many-colored vase Morning Tourist, Ltd! 55 wafting its blended odors up to the Throne of God. Yet I dare not pass from the inorganic without asking a question which fairly haunts me every springtime. It is this: Where does the tulip begin to get its red or white or yellow ? Is the color concealed in the soil, the root, the stamen, the pistil, or where ? And when does the color begin to steal into the rose, the violet, or the orchid? I asked a gardener this question as he spaded up the soil about the roots of the rose-bushes. Truly, the look upon his face was a study in human botany! But never mind! I am slyly resolved on putting the same question—at the psychological moment, of course!—to my botanical friend, justly renowned for his knowledge of the plant world. Only, I am going to couple with my question concerning the birth of color in flowers, a second one which troubles me not a little. It runs somewhat as follows: At what point does the fra¬ grance get spilled into the jar of a hyacinth? There is, no doubt, a scientific answer to these questions; but even after they have been answered in the latest word of botanical technique, I somehow feel that I shall go right on from Spring to Spring, asking my foolish questions concerning the origin of color and fragrance in flowers. For, as someone has said, it is exactly where biology leaves off that all religion begins. Yet why not have all—botany, biology, and 56 A Moneyless Magnate religion? That is the question the Morning Tourist was asked by the blossoming inorganic world. But if so many awe-provoking sights are visible in the inorganic, what is one going to do when he invades the organic realms? Intellectually stam¬ peded and emotionally overwhelmed, certainly, if he does not watch his step! If roots and petals are baffling, are not wings and warblings gloriously bewildering? If colors on trees and bushes are exquisite, colors on wings—singing flowers in feath¬ ers, floating through the air and winging from tree to tree—are lovelier by far than the most fragrant- sounding words can picture them. For, while fields and gardens are unfolding their panoramas of color, have not birds also been dipped in glowing vats of beauty and marked with every imaginable tint and tone ? In a single tree I have seen a goldfinch and a bluebird holding forth at the same time. It was a momentary study in unconscious beauty; for no man or woman could possibly have flaunted so much finery on Fifth Avenue without the happy, accusing consciousness that everybody in the universe was looking straight at them! Yet was not that a holy trinity of color that I saw? The green of the tree, the blue of the bluebird, and the gold of the gold¬ finch ! One of the most royally marked creatures that travel on wings is the flicker. He is drawing worms Morning Tourist, Ltd! 57 out of the earth by the yard, some distance away, as I sit here writing. His large body only helps to display his rich colorings. Still, neither that flaming red spot above the head, nor that black scarf across the breast, nor that whiff of white on the tail, nor the shining, russet-colored suit worn by the large body—these do not disclose the unforgettable beauty of the flicker. It is when he springs from the ground and unfolds his ample wings in rhythmic motion, that his unrivaled beauty breaks upon the eye. His underwings are of gleaming gold, and the gold is visible only in flight.' Often, as I have watched him careering through the air and revealing his golden parts, I have two monotonously familiar thoughts. Foremost, that he deserves a more euphonious name; some mortal has inflicted a verbal wound upon this glorious bird by naming him the flicker. Why not call him a licker or a kicker, a whacker or a cracker, and be done with it! A rose may smell as sweet by another name; nevertheless, I would not take advan¬ tage of the rose’s unprotesting, innocent sweetness by fastening a harsh, unmelodious name upon it. Why, if the flicker were dependent upon its name as a guarantee of its position in the scale of creation, it would most assuredly flicker out! The other thought this golden-underwinged bird flashes into me is this: How like a human he is at his best! As the bird discloses his gold only in flight, so man dis- 58 A Moneyless Magnate closes his true qualities as he makes for the Infinite. Knee-deep in its muck and mire, human nature has no beauty that either God or man should desire it; but when human nature, with unfolded wings of aspiration and endeavor, makes for the highlands of destiny, it flashes forth from its hidden depths splen¬ dors of divinity and arguments of immortal worth. Yet more than rainbowed colors make overtures from sod and wings. There is correspondence of the most irresistible and intelligent kind. I had to take off my hat one Sunday morning to Valiant Mr. Woodpecker. I was out in the open getting tuned up for my sermon in Central Church, but lo! this gentleman in feathers was already in tune and preaching furiously from his tree pulpit. There he was, walking up and down, over and around the body of the tree. I soon found that the tree served him for his breakfast table, and he was swallowing in¬ sects as gormandizingly as John Barleycorn swallows “hooch.” Ever and anon he paused at his feast and sang; as he sang, he listened; and while he listened, he got his answer. For, a considerable distance away, Mrs. Woodpecker was also serving herself at an oak-tree cafeteria. Each time my nearby friend sent his vocal wireless, she answered promptly in the clear, spontaneous woodpecker code. Did they under¬ stand? Now, don’t be foolish, friend! The consti¬ tution of the universe would violate itself if it failed Morning Tourist, Ltd! 59 to keep faith with a pair of woodpeckers on a May morning. So, there is hope for you, provided you do not insist on being the living prototype of the gentleman whose brief but significant biography was written millenniums ago: “The fool hath said in his heart, There is no God.” And does not the fool always go wrong, first, in his heart? Becoming a moral cripple, he begins to pull down the blinds in the house of life. Then, in that morally smothering, spiritually vermin-infested atmosphere he exists rather than lives. And therein, with no window open toward the Infinite, he inwardly rots. The foul contagion of his foolishness, creeping from his heart to his head, produces gradual death. At last he blatantly screams that there is no God. In a living universe he alone seems to have been neglected by the undertaker, being thoroughly dead, but un¬ buried. And the combined paradox, satire, sarcasm, irony, and idiocy of it all is: If a man says, There is no gravitation, we reply, Shut up, you fool, or you’ll get yourself shut up in an asylum for the insane! But let some materialist or atheist proclaim from the cellars of life, There is no God, and there are many good-natured, easy-going, foolish folk who say, He is a smart man; he says there is no God; therefore, God is not! As for myself, I prefer to accept the conclusions 60 A Moneyless Magnate of Mr. Woodpecker and his faith-keeping mate. Without being able to read Tyndall on the science of sound, they instinctively assume that sound was made to answer sound. Thus, in our human world, wise men assume God; they act as if He were; they invariably find that He is. But fools never do. In¬ tellectual smartness is too clumsy to survive in a universe which, as Job suggests, hangs on nothing. Just outside my study window I sometimes see a big, prosperous-looking spider hanging on nothing also—nothing save a thin, filmy stuff without which modern astronomy would be seriously handicapped in its study of the interstellar worlds. Strange as it may seem, does not the fool become a wise man when he learns that the soul, as well as the universe, ultimately hangs upon the mighty but invisible threads of faith, hope, and love? “The path of science and letters is not the way into nature,” says the seer. “The idiot, the Indian, the child, and the unschooled farmer’s boy stand nearer to the light by which nature is to be read, than the dissection of the antiquary.” Consequently, when I go out in the splendor of the dawn, I invariably leave my electric flashlamp at home. Then it is easier, some¬ how, to find God, the True Master of the Inn, Who takes “a man who doesn’t want to live and makes him fall in love with life.” Morning Tourist, Ltd! 6l ii The Morning Tourist, limited as he was, could not confine himself to nature only, however interesting and appealing. There were examples of human nature abroad clamorously refusing to be ignored. As our own is the age in which the factor of human life upon the earth is much in evidence, it is perhaps appropriate to consider this phase now. But not from the viewpoint of the specialist! That smacks too much of the authoritative—and the Morning Tourist is not an authority. Long ago the biologist, the sociologist, and the psychologist in him were summarily killed by the humanitarian and the latitudinarian, aided and abetted by the vegetarian. It was all caused by the aforesaid conspirators rising up to destroy the joy and fun of the human in him. Little by little they were getting the better of the fight; but one day an unexpected ally suddenly leaped up out of his subconscious pool and smote those ugly enemies hip and thigh—if not with the jawbone of an ass, then probably with an infinitesimal but highly effective sword wrought from the by-products of a gram of radium! Ever since, those conspirators have been serenely quiescent, if not entirely null and void. If they are still in existence, they have cer¬ tainly changed their forms, obeying the natural behest of things that change but never die. 62 A Moneyless Magnate Moreover, it may be that he has been encouraged in this matter by some words of Richard Grant White. “Newton saw no better,” avers the Shake¬ spearean scholar, “rejoiced no more in the beauty of color, than other people because he analyzed the sun¬ beam.” Add to these words that saying of O. Henry about prosperity, and you, too, gentle reader, will be disposed to seriously weigh my altered viewpoint: “When a man’s income becomes so large that the butcher actually sends him the kind of steak he orders, he begins to think about his soul’s salvation.” Now, if two such diversified minds as Doctor White and O. Henry, functioning in such widely differing realms as spectroscopy and beefsteak, arrive at prac¬ tically the same conclusion as my own, do you won¬ der that I am inclined to be a bit puffed up, even vainglorious, because I have foresworn the devious ways of the specialist and adhere strictly to the paths of the untutored human ? At any rate, I hasten to exhibit a few of my human specimens, assembled from my out-of-doors laboratory. I had almost said library, remembering that old but ever new story of Wordsworth and his morning caller. “Is Mr. Wordsworth in his library?” asked the visitor. Pointing to the hills of Rydal Mount, over which the poet was walking, the servant said: “Mr. Wordsworth’s library is all out- of-doors.” As the Morning Tourist can scarcely Morning Tourist, Ltd! 63 lay claim to either laboratory or library, suppose we agree on naming his quiet nook just a Lovable Loaf¬ ing Land. I venture to name my first exhibit specimen A. He is a boy on the verge of fifteen. In one hand he carries a fishing-pole; in the other a can containing worms. Assuming myself to be a member of what the mystic called the Lord’s Happy Boys, I forthwith undertook to be facetious. “Well, boy,” quoth I, “the fish are already so frightened by your coming that they have sought refuge on land.” “You don’t say!” snarled back this digger of slimy worms. “Gee! That’s fine! The land is always a good place to catch suckers!” From the emphasis he threw into that last word, I divined that he meant me. So we parted at once, worsted as I unquestionably was in the verbal skir¬ mish. Later on, however, I encountered him again. Now he was standing by the side of the lagoon, bare¬ footed, his pants rolled up above his knees, and in the act of wading out into the cold water. “Don’t do that, boy! Please don’t!” I shouted. “You will be dead of pneumonia within two weeks.” This time I won. For the boy, discreetly recon¬ sidering his venture, withdrew from the water’s edge. And yet my victory was short-lived. A voice out of the Land of Nowhere—much sharper and 64 A Moneyless Magnate more accusing than the lad’s sharp thrust about suckers on land—asked: “Why did you yourself strip stark naked and go swimming in the Big Sandy River in the month of February?” I did not answer. The question was most embar¬ rassing. The boy’s obedience to my earnest plea was in itself somewhat accusing. Like the man in the Master’s parable of the wedding feast, I, too, was speechless. Very different is my second specimen. He is a thoroughgoing man, successful to the ends of his finger-tips. We often meet in our morning strolls and talk things over. “I should rate you a very happy man, Mr. Ferguson,” said I, in the course of a discussion hinging upon the subject of success. “You came to this city from the country a poor boy. By dint of hard work and ability, you now stand in the forefront of your line of business. It must be very satisfying to have succeeded as you have.” Not in the least given to excitement or unmeas¬ ured words, he replied: “It depends altogether on what you mean by success. That is an elastic term, which contracts as well as stretches. True, I have played the game. It was furious, and not entirely devoid of fun, I confess. But now that I have more leisure, I think less of the fun and more of the fruit.” Morning Tourist, Ltd! 65 There was an undercurrent of deep meaning flow¬ ing through his quiet speech. Just then a brown thrush—much to my surprise—flew threateningly down and drove away a robin, which was dining at the Early Worm Restaurant. The worm was doubt¬ less a necessity for the music-making of the thrush. Yet there was something so impolite and ill-mannered in the way the thrush helped himself to the meal of his winged brother, that Ferguson’s eye did not miss its suggestiveness. “Yes,” he continued, “there is a certain satisfac¬ tion in what we men call success. To come into a town like this, ignorant, poor, unknown, and by pluck to wrest a living and then a fortune from the arena of things—that requires industry, courage, and manhood. But there comes a time, as modern industry is organized, when rolling up a fortune is somewhat after the method practiced by that thrush on the robin. The robin found his worm, pulled him out of the soil, was in the act of enjoying him, when that bandit thrush appeared, helped himself to another’s earnings, and flew away. Naturally, the robin, if he could reason, would ask the why and wherefore of such a system.” Meantime, I was wondering what the worm might have to say! “Now what I am driving at,” he continued, “is this: Industry is a cooperative affair. We are learn- 66 A Moneyless Magnate ing that society is dependent on all its parts, not just a few; that heads, hearts, and hands are not neces¬ sarily exclusive, but economically and humanly inclusive. The same is true of nations. The evolu¬ tion of society makes it utterly impossible for modern nations to get along without each other; therefore, they must get along with each other, or perish through their selfishly competitive and destructive antagonisms.” Pretty tall talk that! And all from a self-educated man, successful to the core of him, but not altogether pleased with his success. “You’re a preacher,” he went on. “Would to God that I myself were an ordained minister of the Gospel! Night and day, in village and city, on farm and in factory, in school and governmental houses, I would proclaim the way of Jesus—not simply as the only way out of our educational, industrial, and political tangles, but”- here he paused for an instant, as if weighing every word he spoke—“but the way of Jesus is the only way in to success that does not leave regretful memories.” What a revelation was this man! Had I come in contact with a new angle of the modem mind ? Is there an unchurched, creedless section of our human¬ ity, prosperous but disappointed with its prosperity, seriously aware that the law of Christ, which is the Spirit of Love, is not merely the only way out of our Morning Tourist, Ltd! 67 international desert, but the only way in to the paradise of human satisfaction and achievement? Anyway, this modern mind has compelled me to read, with new eyes, some words from a little book which I have carried in my pocket for many years. “The atmosphere of moral sentiment”—so the words run —“is a region of grandeur which reduces all ma¬ terial magnificence to toys, yet opens to every wretch that has reason the doors of the universe.” And to these words of Emerson I cannot resist adding the words of David Swing: “The human soul must have freedom. By a gateway of wonder man came upon this earth; by the same gateway he passes out. The supernaturalism in Jesus is the best wisdom of our life in this world and in the world to come. He is the place where the earth blends with heaven—the line where sea and sky meet. He is the only miracle we need, but our need of Him is infinite.” There are still other specimens—so many, indeed, that there is not room to label them all in this imper¬ fectly constructed verbal cabinet. There is the little girl whose mother was feeding the blackbirds, which followed the peanut-bag around with all the cringing brazenness of professional beggars. While the lus¬ trous black tramps followed the bag, the child fol¬ lowed the birds, vainly striving to pick one up. Al¬ ways barely missing the elusive citizens on wings, the child grew angrier by the minute, finally stamping her 68 A Moneyless Magnate foot with indignation. As the mother and the maid laughed, I joined in. Yet, could one, in justice, limit such childish outbursts of indignation to my unknown little friend? There is too much of this in grown-ups for one to be unduly severe on the child. I have seen the temper of politicians, scien¬ tists, philosophers, physicians, preachers, editors, and millionaires fired up by kindred trivialities. The astute blackbirds of desire failed to play into their hands, and mercy! what an explosion! If somebody had just roared with laughter at the proper moment, the peeved child of larger growth may have been shocked into a wholesome reaction to common sense, and laughed also. Is there not entirely too much bad temper in the world, and among people, too, of whom we have the right to require better manners? “Bad temper/' observes a thinker, “is the vice of the virtu¬ ous.” Bad temper is not confined to the virtuous, by any means; but the virtuous have no right to succumb to such a vice. “Anger,” said Plutarch, “turns the mind out of doors, and bolts the door.” There is, of course, a righteous anger—not mere personal resentment nor undisciplined human explo¬ siveness—that burns deep and strong. Its seat is in the bosom of God and in the soul of every genuine apostle of justice. Therefore, in all ultimate think¬ ing, the wrath of the Lamb is to be dreaded more than the roar of the lion. Morning Tourist, Ltd! 69 To sum it all up in a sentence, the Morning Tour¬ ist saw just as many editions of human nature as there were human beings. Each of us brings his own map of the universe with him. There is resem¬ blance everywhere, but always difference, too. As Carlyle said, Newton and his dog Diamond looked out upon a different pair of universes. But it is not true of dogs and philosophers only; it is equally true of philosophers and hod-carriers. The whole seems to have been symbolized by that versatile musician in the top of a lilac bush. My favorite soloist of the trees is the mocking bird. A Caruso on wings, he is so glad to sing that he gives you, free of charge, a ticket calling for a front seat in his embowered opera house. As is well known, he is a master imi¬ tator, singing the songs of other birds as well as his own. I thought I had never heard him sing so deliriously and with such versatility. For repertoire, he was a combined Mozart, Wagner, and Beethoven in feathers. He seemed, as he proceeded with his many-sided program, a kind of feathery vocal expres¬ sion of the universe; for he displays marvelous variety in harmoniously concentrated unity. So, is not the world itself one vast mocking bird, wherein each soul may hear its own song, and as much of the music of every other soul as he is capable of hearing? Stars differ in glory, said Paul; and so do humans; they exhibit as many trillions of 70 A Moneyless Magnate differences as there have been human individuals in the sweep of the ages. Yet the universe is one throughout its million-toned variations, because, within the dazzling splendor of His infinite various¬ ness, God is one; and the heart of His oneness is Love. But here we are entering a field which reminds the Morning Tourist that he is limited indeed! If may be well, therefore, to close with the song of “The Never-Old” : “They who can smile when others hate, Nor bind the heart with frosts of fate. Their feet will go with laughter bold The green roads of the Never-Old. They who can let the spirit shine And keep the heart a lighted shrine, Their feet will glide with fire-of-gold The green roads of the Never-Old. They who can put the self aside And in Love’s saddle leap and ride. Their eyes will see the gates unfold The green roads of the Never-Old.” An Artist in Living P ERHAPS you think the phrase should read, “An Artist of Life.” That sounds excellent; it also reads well, capturing the eye. Moreover, it smacks of the classic; and most of us are partial to classicalism, even when we have to take a second glance to definitely distinguish between Alpha and Omega. We are like the erstwhile laundress who married a rich man. Both were determined, despite the handicap of illiteracy, to shine in the realms of culture. They bought cartloads of books—classics, history, science, poetry, philosophy, best sellers, and everything. One day a guest was admiring a new edition of Homer, with its accusing, uncut pages. Still, the hostess, feeling that some comment was im¬ perative, glibly remarked: “Bill and me sure do love this Homer guy. He pulls off more fights than John L. Sullivan and Jake Kilrain ever heard of.” An artist of life, however, suggests the painter only, while I have in mind something altogether superior to the artistic dealer in colors. He is a greatly successful human being; he is a radiantly white soul in a dark-skinned body; he has, for more 72 A Moneyless Magnate than a score of years, tended the wash-room and shoe-shining chair of a large New York store; he is now almost threescore years and ten, and “going west” with good hope and a morning face. “I am not going to make any suggestions As I entered, he was talking to a friend, who had been asking him certain questions. “My employer has always been good to me, and I can and will trust him now/’ On inquiry, I found that he had just been placed upon the firm’s pension list. “How long have you been here, Uncle?” I asked. “Twenty-three years, sir. If I do say it myself, I’m a little bit proud this morning. They have j ust told me that I have the best record of anybody in the establishment, white or black. I tell you”—he re¬ peated it almost tearfully—“I’m awfully proud of myself.” After telling me where he attended church and the name of his pastor, he went on: “You know I don’t have to be here today. My pension began last week, and the rules do not require me to come down now at all. But I’m just coming down for a few days anyway— doing a few extra things that need to be done.” But there were no italics in the tones of his voice. It was all said in simplicity, piquancy, beauty. An Artist in Living 73 i Certain things stand out in the old man’s character. I think they are of quite permanent worth. They write him down in the catalogue of distinguished souls. They place him, it seems to me, high up in the class of artists in living. The first thing is his fine sense of appreciation. Asked if he had any demands to make of the busi¬ ness which he had faithfully helped, and which had helped him as well, he was perfectly content to leave the matter in the hands of his employer. “Cer¬ tainly,” the cynic may rejoin. “Why not ? Does not the old negro know that he will get a better deal thereby?” An unintended tribute to the employer, yet the remark is thoroughly unjust to the colored man. While it is not wise to “bank” absolutely upon human nature, I am sure that the old shine- man’s decision represents a habit of mind, an attitude toward life, the invaluable temperament of appreciation. Are not half the uglinesses of life born out of the womb of ingratitude, out of our obstinate blind¬ ness to the beauty and goodness calling upon us day after day ? How else, for example, are we to account for our stinginess toward Nature? Generation after generation the old Mother stands with outstretched hands patiently begging her children—for what? 74 A Moneyless Magnate Just a few pennies from our toy banks of apprecia¬ tion, that she may give us undreamed wealth in return. “Nature is the only book,” said Goethe, “that has a great lesson on every page.” And is it not because both Goethe and Wordsworth saw and read Nature’s great lessons, that we hold them for¬ ever in our hearts? As for the latter, he suggests reality—Wordsworth’s chief contribution to the world, as indeed high-toned reality is any soul’s supreme offering to God and men. Stripping away the veneer and frescoes with which artificial rime- sters had overlaid the poetry of the time, Words¬ worth said: “Come, now. Be genuine. Look into Nature’s soul and she will smite you through with strokes of her own majesty and loveliness.” And it was so. A new school of singers, quite able to forsake the dusty nests of custom and fly abroad in the pure, bracing skies of truth, came to birth. Appreciation is therefore the foundation of the artist in living. He is no longer deceived by the camouflage that mars certain huge ships of culture sailing artificial seas. Admitting the greatness of art, he knows that all true art is fathered by life and mothered by character. False teachers say that I must first go to the library to discover greatness. But William Shakespeare and Oliver Cromwell, Abraham Lincoln and Robert E. Lee were great long before their names were caught within the four An Artist in Living 75 walls of any library. They say that I must first go to the art gallery to discern beauty. Where do stars and daisies and children’s faces come in? They say that I must first go to the orchestra to hear music? What did God make larks and nightingales for? They say that I must first go to the forum to learn wisdom. A fine proposition truly; it looks well in text-books on rhetoric: but it assumes that God is dumb and that I am deaf. Nay; all of these are second, because life—the warm, budding, bloom¬ ing breath of life—is first, even as God is first and the universe second. Moreover, the arts owe their being to the simple and glorious truth that they embody some phase of life. Both arts and institutions keep the even tenor of their way only by keeping up with life; other¬ wise, they become mere shells cast upon the shores of oblivion, while the sea of life flows calmly on through the channels of infinity. Only life counts; existence is of little worth, or at least far down in the scale of being, as the worm lazily proves. Stu¬ dents know how reading of greatness may degenerate into self-indulgent pastime; but an honest endeavor to be great—great in simplicity, great in helpfulness, great in lovingkindness, great in truthfulness, great in trustfulness, great in mental hospitality, great in humility—this is indeed that industrious idealism which brings from the mines of the Infinite the dia- 76 A Moneyless Magnate monds of character, the glowing rewards of high and faithful living. Such endeavor may be likened unto the grease plate attached to the wonderful machines at the Kimberley diamond mines. All sorts of things tumble over it—emeralds, opals, nails, solid substances; but when a diamond strikes the grease plate it sticks. There is a strange affinity between the grease and the diamond. Similarly, the appre¬ ciative nature picks up spiritual diamonds at every step in life’s journey. And these jewels are always gleaming through the dust of the commonplace, always shining in the fields of the extraordinary. The elder Hallam says that his son Arthur was espe¬ cially deficient in the power of memory. “But,” he adds, “he could remember anything, as a friend observed to the Editor, that was associated with an idea.” Did not my colored friend, all unconsciously but most impressively, thrust one of life’s major ideas fairly at me? Henceforth I shall count him a benefactor. I am resolved to strengthen my own memory on the side of appreciation. ii There is another truth shining through the fea¬ tures of this lustrous man. It is the imprint of soul- satisfaction made by a splendid fidelity. “If I do say it myself, I’m a little proud this morning. They have just told me that I have the best record of any- An Artist in Living 77 body in the house, white or black.” If this be pride, then it is the pride Heaven adores. For I know not what else can yield one such unalloyed satisfaction as an honest, bravely wrought record. It produces a feeling in the soul akin to the loveliness of the sunset’s afterglow. It is spiritually diffusive; it is the shine of character upon the daily deed; it affirms the loyal devotion of precious hours to the matter in hand; it utters the soul’s amen to the joy and necessity of work while it is yet day. Therefore, the night comes quietly, luminously on; it is so full of stars that the darkness can scarcely find room within their mellow interspaces. “We work till the evening,” Doctor George A. Gordon wrote me in the most beautiful of letters, “and then for pay we receive the freedom of the universe!” Yet I am sure that my colored friend, justly proud of his record, is not a disciple of those masters who teach salvation by character or by works. Indeed, I soon discovered the secret of his loyalty. Like Charles Kingsley, he, too, has a Friend. That Friend is the Saviour; that Saviour deals with his sin; consequently, that Saviour makes his salvation vital, deep, personal. And is there not unassailable ground for believing that all the rich character which worthily and permanently avails, in man’s long pH- grimage through an infinite universe, grows out of this always new, impregnable reality? 78 A Moneyless Magnate “A man called Dante, I have heard, Once ranged the country-side; He knew to dawn’s mysterious word What drowsy birds replied. He knew the deep sea’s voice, its gleams And tremulous lights afar. When he lay down at night, in dreams He tramped from star to star.” We are all out on a Dantesque journey. Going away to spend the night, a handbag will do; but going away to spend Eternity, we require large equipment. Tramping from star to star is not a task that can be triumphantly performed by a spirit¬ ual tyro. As this is not just a diversion, a curious byplay in intellectual gymnastics suggested by a lowly human being as human beings are measured by the world’s inadequate yardstick, I wish to recall the words of a g