Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/collectionofoverOOunse 38 ACC LIBRARY M.KNOEDLEB & GO. 556-8 Fifth Ave. New York T E PJA S OF A LI As the Sale of these Pictures is entirely without reserve, purchasers, when strangers, or friends using assumed names, will be required, to give their correct names and address to the Auctioneer before the close of each night’s Sale. Seats will be reserved for bidders until 7^ o’clock each evening when if they are not claimed, they will be forfeited. Tickets for these Reserved Seats can be obtained of the Auctioneer, Robert Somerville, 5th Avenue, corner 14th Street. As the Hall of the Association in which the sales are held may be required for other public purposes during the day, purchasers will be required to pay their bills and remove their pictures early on the day following their purchases. When the buyer, intends to make additional purchases during the Sale, the pictures already purchased and paid for, may be temporarily stored in the Kensett Studio, Room 15, «' > v Y. M. C. A., without charge, but at the entire risk of the owner, until the close of the sale, when they, must be removed by the purchaser before Thursday, April 3. All Pictures not paid for within twenty-four hours of the day of sale, will be resold for account of purchaser at the option of the Auctioneer. If not .otherwise requested, Mr. Thos. Rossell, the well known careful cartman of the N. Academy, will deliver the pictures to their purchasers, at the owner’s risk and expense.. The Frames will not be sold at Auction ; and it is a condition of the sale that purchasers take them at the prices printed on the catalogue. They have been made in the best manner, and the prices are considerably less than those charged at retail. EXECUTORS’ SALE. U TEE COLLECTION OF OVER FIVE HUNDRED « PAINTINGS AND STUDIES, BY THE LATE John F. Kensett, WILL BE SOLD AT AUCTION, ASSOCIATION HALL, Y. M. 0. A., 23d Street, Cor. Fourth Avenue, • ON THE EVENINGS OF Monday, Tuesday, Wednesday, Thursday, Friday & Saturday, March 24th, 25th , 25th, 21th, 28th, 29 th, j v At o’clock, precisely. ROBERT SOMERVILLE, - - Auctioneer. THESE TAHNTHNGS AJID STUDIES WILL REMAIN ON EXHIBITION, (Day and Evening,) FREE, AT THE GALLERIES OF 23d STREET, Cor. 4th Avenue. R. M. OLYPHANT, Executor. V Opinions of Artists and friends of art, of the character and works of the late John F. Kensett. Daniel Huntington, New York. ‘‘As an artist his rank was of the highest. He had that rare assemblage of qualities which combine to make a great painter : an enthusiastic love of beauty a marvelous eye for color, a clear perception of form, a passion for his art*, sus¬ tained by a calm persistent patience in its pursuit, and a hand obedient to his trained eye, a hand which expressed his thought with wondrous spirit and feli¬ city. To this was added sound practical common sense, which held sway among these gifts from God. “Perhaps the faculty which most distinguished him was coloring, which, al¬ ways harmonious and refined, includes the atmosphere and the true sentiment of the hour and the scene as he feelingly rendered them. He delighted in sil¬ very gray, and could send the mists drifting along the hill sides, make the mountain brook sparkle among the mossgrown rocks, or the sea waves roll in on sandy beaches or on rich-toned cliffs, dripping with foam and illumined by golden light, with a magical skill and living force peculiarly his own. The glow of sunset lie often fondly dwelt on ; he loved the solemnity of twi¬ light. His autumnal hues are the full blaze of our October, but so tempered by his harmonizing hand as to delight and satisfy the eye. The arts of our country have a rich inheritance in the treasures his genius has bequeathed, and it is to be hoped that many of them may be secured for our pub¬ lic galleries. Hon. Geo. Wh. Cuetis, New York. “ One of the noblest, purest, gentlest and truest of men is lost to us by the death of John F. Kensett. “ He was a man of great gifts, and of the sw’eetest nature; modest, unassum¬ ing, most generous and most manly. Indeed, he w r as so free from selfishness and personal aggressiveness of every kind that he deprecated praise, w'hile no allusion to others that w r as not pure v'ith charity ever fell from his lips. The charm of his character so suffused his life and his works, that each illustrated the other ; and through the deep serene repose, the soft silvery tranquility of his pictures, the beholder, unsuspecting, looked into a heart of depthless peace and love. ***** “ Infinite peace, infinite serenity of sweetness, is the characteristic of his pictures ; but it is a sweetness without weakness or sentimentality. Indeed his works have a breadth and health and bright freshness which reprove the morbid 4 effort of those who would make the landscape serve them and their small fan¬ cies, instead of themselves serving the landscape. There was nothing morbid or strained, or factitious in his feeling or his handling. His love of nature was as simple as it was deep, and his interpretation was pure and reverend and beautiful. * * He was President of the Artists’ Fund Charitable Society when he died “ When he died ! There are men who seem to take a part of life with them when they go. They are so associated with the happiest hours, with the best hopes and deepest feelings, that life has less to offer when so much friendly sympathy and intimate understanding are withdrawn. Along the gray rocks of the Rhode Island shore, of which he was so fond, and which is nowhere so truthfully shone as by his hand, the moan of the ocean has henceforth a deeper pathos. “ Break, break, break, At the foot of thy crags, O Sea I But the tender grace of a day that is dead Will never come back to me 1” Geo. H. Boughton, London, Eng. “ As an artist, and as a man, he was as near perfection as possible. Others there are left, kind and good and gifted, but he had his particular charm and value, and it died with him, all too soon. —Heaven rest him !” Geo. A. Bakes, Rome, Italy. “ It was here, in old Rome, that I first made the acquaintance of our dear friend, twenty years ago ; and it was here that his native power and talent began to develop itself, and the production of those beautiful works of his commenced, which was continued with such faith and love to the time of his death—works in his art that have given delight to the hearts of all who have any feeling for the great mother nature iu her most serene and lovable mood and aspects, and which have rendered his name immortal. ” Thomas Hicks, New York. “ His noble and beautiful spirit is deeply impressed upon the memories of all who knew him, and most deeply upon the memories of those who knew him best; while from his manifold works this spirit not only speaks to us, but they shall be the living witnesses of his truthful and gentle nature to generations yet unborn. His name has passed quietly into history ; his fame is fixed ; and the dust is already gathered upon the implements of his art. It may truly be said of him “ None knew him but to love him, None named him but to praise." 5 John Gourlie, Esq. Kensett, in the true sense of the word, was a poet. How could it be other¬ wise ? His intercourse with nature, his rambles in the helds and forests, and by streams, “that make the meadows green,” made him one, and when he returned to his studio from his out-door work, he came, not only with the fresh¬ ness of the sun and breeze upon his noble brow, but with a more exhilarating freshness in his heart which only a true lover of nature can feel. It is a pleasing contemplation, that his works, like the songs of the bards, have inspired a love of beauty and of nature in the modest homes of our people as in the gilded galleries of the proud ; and what a benign influence is reflected therefrom ! To touch the heart of a nation is the sublime triumph of genius. And, who can say what pleasant influences these, his labors, may exert upon the mind and taste of the generations that are to follow ours ? Rev. Dr. Bellows, New York. “ So balanced, harmoniotis, quiet, cheerful, and modest was he, that his talents and character presented little to perplex or differ about. Either as to his genius as an artist, or his worth as a man, or his total characteristics in both lights, there was less variety of opinion than in respect to almost any man of equal eminence. His sweetness of disposition, ready sympathy, lively appre ciation of the merits of fellow artists, humility in regard to his own works, delicacy of feeling and prudence of speech, made him a universal favorite among his brother painters, and a person always welcome, and always praised. Rev. Dr. Osgood. “Mr. Kensett belongs in his way to that tendency of the modern mind that has given us Goethe and Burns, Coleridge, Wordsworth, Tennyson, and our own Bryant and Emerson. We need such interpreters of nature to soothe and cheer and elevate us. We • live too much in the crowd, we are too much worried and worn by work and by care. We are vastly helped by closer communion with the woods and waters, the mountains and meadows, the clouds and the stais. The new and remarkable development of landscape art among us is meeting a great want in our intense life, and there have never been such painters of nature as our century'has shown, and our country has done her part to produce.” Speaking of Mr. Kensett’s “ Last Summer’s Work,” he says “ These pictures treat very familiar subjects, scenes very near to his own door, and he handles them with great simplicity, and without any flights of fancy or straining after dramatic effects. Here are God’s common and unbounding gifts—the water, the rocks, the trees, the light, the sky- all rendered with se¬ vere truthfulness, yet with exquisite beauty and delicate and profound expres¬ sion. I make no claim to be a critic of art: I am content to be a lover, who may kneel at the shrine without presuming to minister at the altar ; yet I cer¬ tainly can say that these works seem to have characteristics ol greatness, and that as a colorist he may be named with the masters of his art ; and whilst others may have more boldness of touch, and more sweep of imagination, he 6 has as much truth and purity and delicacy as any of them. These pictures are a cycle of sonnets of nature : a string of precious poems of our common lot, and they help us in that great task of practical wisdom which finds blessings in our daily path, and sees God’s love everywhere. “I have lived for over twenty years within a short distance of Kensett’s summer-house, and I have watched month afier month the effects of earth and sky, and water, which.he treats His rendering of them is satisfactory, sugges¬ tive and imposing. He has perpetuated upon his canvas moods of the sea and the sky that seemed to me to have passed away with the moment that originated them ; and his remarkable studies of cloud and sty under all changing hues and combinations, from sunrise to sunset, seem like the vision of the face of a de¬ parted friend, a restoration of the very countenance, with its light and form, its thought and feeling. Certainly if a man can bequeath light to those who come after him, Kensett has left a legacy of light to us all—of light too that is all instinct with feeling, all alive with love and apparently with a sense of deepening seriousness as the evening shadows drew on. “ Perhaps his most remarkable picture in this series is that which presents the sea under the sunlight, with nothing else to divide the interest—no land or sail, no figure, and not even a noticeable cloud to give peculiar effect, or a rock to provoke the dash of the waves. It is pure light and water, a bridal of the sea and sky. Is it presumption in a poor novice in art like me, to say that this is a great picture ? Next to this in power and suggestiveness seems to me to be his picture of a cliff by the shore, with shrubs and a grove, and figures above, and the whole surmounted by a noble pine tree, that stretches out its limbs towards the sea. It is a charming scene, and combines great carefulness and severe truth with beauty and sentiment. Since the artist sketched it, this tree has died, and if we may hold the poet’s faith that every flower enjoys the air it breathes, we may suppose this forest king to have breaihed his last not without comfort in that his ripe glory had been so vividly perpetuated upon this canvas. Th ; tree has gone, and the painter has gone, but the bloom of their last summer lives in the treasure house of Art which ought not to be far from 'the kingdom of God.” 7 Resolutions or the National Academy of Design. • {? e f 0 * ve ‘*,‘That on the death of J. F. Kensett we, the Academicians, both as artists and mends, have suffered one of the severest wounds yet inflicted on us by the scythe of time which has cut off from our body one of the most earnest and most eminent of its Academicians from the profession, one of its most bril¬ liant ornaments, and from society at large a singularly amiable and accomplished gentleman. Resolved , That we hold in the highest admiration, and will endeavor to emulate the disinterested zeal, stopping at no personal sacrifice, with which he labored for the welfare of the Academy and other art institutions. Resolved , That we shall always remember with the kindest regard his affec¬ tionate and self sacrificing devotion to his brother artists, his gentle and loving heart, his unswerving integrity, and the many virtues of his noble character. Resolved , 1 hat we will wear the usual badge of mourning, and attend in a body the funeral service of our late brother Academician. Resolved , That we deeply condole with the surviving relatives, and that a copy of these resolutions be transmitted to them. Resolutions of the Abuses’ Fund Society. Whereas, It has pleased God in His mysterious providence to take from us our late brother and President, John F. Kensett. we bow with humble sub¬ mission to His will and acknowledge Him as righteous in all His ways. Resolved , That in losing Mr. Kensett the Society has lost a President endowed with remarkable capacities for the office, prompt and judicious in the discharge of its duties, possessing a large experience, and as an artist standing himself in the very front rank and wielding an influence widespread, he bent all his powers to the success of the Society. Himselt one of its founders, and for years its chief officer, we rejoice that he lived long enough to witness the prosperity to which he had so largely and so effectively contributed. Resolved, That while we deeply lament the irreparable loss we have sustained in common with all lovers of Nature and of Art. we reflect with mournful satis¬ faction on the inestimable beauty and value of the works his genius has left to our country, and on the bright example of his pure, faithful, affectionate, and genial character, of which truth, duty, and charity were the leading traits. Resolved, That we tender our heartfelt sympathies to the bereaved familv and friends. By order of the Board of Control, New York, Dec. 16, 1872. A. Lawbie, Secretary. CATALOGUE. MONDAY EVENING’S SALE MARCH 24th.. 1 Scene in Bergen Park, Colorado, 3r 2 Glimpse on Lake George, 3 Lake George, 4 Scene on the Hudson River, by Frank Anderson, 6 Reminiscence of Cole, 8 The Glen, 9 Rydal Waters, 10 Lake Study, 11 Near Central City, Colorado, 12 Rydal Waters, England, 13 Cliffs at North Conway, N. H., 16 Sunset. 17 Morning from the Sunset, near Idaho City, Colorado, 18 Old Oaks in Genessee, -19 Narragansett Shore, 20 Coneses Lake, near Geneseo, 1 7 s Size of Picture. Price Frame. 13 s 5 x 9| 13.00 I8£xl5f 19.50 8 xl3 12 50 30 xl8 12 00 23|xl7| 23.10 3/0 17 x27£ 22.14 7.LS~ », 9gxl3| 11 50 £f$~ 15|xl3| 18.90 res' 13gX 8 12 34 J-3> 9 32 9ixl3i 11.25 1 >0 - 12 x 8 12.50 & 21|xl5i 9 xl7g 21.70 12.60 & O / * 3 22 xl4 20.00 / f 0 11 xl6 12 50 9fxl3f 11.25 v> « n 23|xl5| 20.35 / to ) Cj 0 31 » ^ l i st> j/o a 7 * *N — | firsr . ) 1 ° / 3?0 J Co /**?> % t h /#hr 2-/3' x s~ 36o zrv ' bOQ Fize of Picture. Price Frame. 21 Among the Adirondacks, N. Y, 23|xl4| 21.00 22 Near Newport, 8g*l-7* 17.39 23 The Yale, 1 8yXl5| 21.00 24 Near North Conway. N. H., 19|xl3| 19.00 25 English Oak Study, 19 xl3 15.65 26 On the Hudson, 23fxl4f 21.00 27 Windsor Forest, 19|xll| 19.13 28 Mt. Chicorua, 8 x!3 12.50 29 Black Mountain, Lake George, 23fxl3f 20.50 30 The Bridge over the Glen, 23fxl3§ 21.75 31 Bergen Park, near Georgetown, Colorado, 9*xl8f 13 00 32 October on the Hudson, 1 9 f x 111 19.61 33 Sunrise on Lake George, 34 The Snowy Range, near Georgetown, Colo 18|xl0£ 18.90 l’ado. 9ixl8i 13.00 35 The Pond, near Newport, R. I., 23|xl3f 20.50 36 Coast Scene, 8|x15| 16.75 37 A Painted Ship on a Painted Ocean, By L. K. Mignot. 15 xl2 1800 38 View on the Hudson, near Sing-Sing, 231x14^ 21.00 39 Scotch Cove, Darien, Conn, 24 xl4 24.00 40 A Study, by L. Lang, 7x9 4.47 41 Lake George, 23|xl4| 21.00 42 Adirondacks, 17 x29 22.25 43 Niagara, from the Canadian Side, 19|xl3| 19.00 44 The Glen, near Dobbs’ Ferry, 23|xl4| 21.00 45 Beverly Coast, Mass., G 34x22 By J. F. Kensett. Finished by J. W. Casileab. 38.00 11 46 "Winter on the Campagna, Size of Pic ure. 17 x29 Price Frame. 22 25 / * / 47, The Cliffs, N. H, 18fxl5| 22.75 48 On the Missouri River, 17 x29 22 25 6 * 49 New England Scenery, 2lfxl2£ 20.31 / [r* 50 Lake George, 23|xl3| 21.75 if 51 Morning in the Adirondacks, 21|xl2£ 20.50 Uo o 52 Longneck Point, from Contentment Island, Conn., 15 x24 21 17 3?/ 53 Near Newport, R. I., 23fxl3f 20 50 I sr 54 Cottage in Brunen, Switzerland, 8x6 6 30 s~v 55 A Study, by A. B. Durand, 231x171 23.00 / rp 56 Bolton Landing, Lake George, 8 xl6 14.19 ! l O 57 Scene on the North River, CO CO oi 21.75 / yt o 58 Clear Creek, Golden City, Colorado, 9I*13| 12.00 rj o 59 Study in Kautersville Clove, Catskill Mts , 17|x2i| 21.00 60 Lake Study, 15 x 8 15 24 61 Near Beverly, Mass., 12 x20 $15.75 62 Bridge over the Saco, Friburg, Maine, 19|xl3| 19.00 G o 63 From the Hill south of Amblesidy, 8 x!4 12.50 / US' 64 Autumn Trees, a Study, 2l|xlt| 19.27 / IQ 65 The Cleft Rock, a Study, 19fxl3f 19.00 It o 0 66 The Farm in Autumn, 10 xl8 12.60 /Co 67 Mountain Stream, England, 20?xl4£ 18.00 68 Pleasant Valley, 19|xl3i 22.25 / 69 Cool Retreat, 16|xl9g 21.71 CD 70 Moonrise, Echo Lake, 121 x 16 15.44 7 J 3 ' 71 Study on the Coast, Newport, 17 xlO u.co j 3 o 12 \ (J (rt> rC.C „• t"""' 72 Entrance to the Chigo Villa, Mt. Albans, Italy. Size of Picture. 20|xl4| Price Frame. 21.00 i t>r 73 Indian Brook, 16IX11J 20 00 I b o 74 Newport, R I., 23bx13u 20.36 75 Nahant 11 x8 7 56 * Ft> ' 76 Cumberland Mountains, England, 9 xl3 12 50 77 Chicorua Mt. Mountain, N. H. —Study for a Picture in Century Club, 19|xl3g 20 31 1 b o 6a 78 Lake George. Entrance to the Narrows, 79 Fontainbleau, 221x141 19^x123 21.50 19.61 a? 0 / 80 In the "White Mountains, 17fxl3f 19.50 81 Glen on the Hudson, 23^x15^ 22.41 C 82 Niagara, below the Falls, 12g x H 1650 98 Rocks, near Beverly, Mass., 12 xl9£ 15.75 99 Central New York, 14 xl9| 19.49 Z . « a 100 A Mountain Pool, 23£xl5l 22.41 l o 101 Ckicorua, from near Friburg, Me., 12 xl4 14.65 / / 102 The Adirondacks and Lake Champlain, from Col. Cannon’s, Burlington, Vt., 241x141 20.75 / 5 6 103 Chicorua, White Mountains, 12 xl4 } 2.37 104 Rocks in the White Mountains, 23|xl7| 23 25 U? o 105 Coast, Newport, R. I, 11 xl8 13.00 /‘Go 106 Hudson River, 23fxl3§ 21.75 / i'TJ 107 Mountain Stream, 231x15£ 22.41 //~ o o 109^On the Sound, Darien, Conn., 21 x35 28 14 110 Hillside, near Newport, R. I., 111x191 15.75 f o 110a Hudson River, Dobbs’ Ferry, 26 x47 6.50 l fo 1I0b Wood Scene, Conesus Lake, Geneseo, 18 xl5 21.00 2_ A o 110c Coast Scene, 35 x59 6.50 / X o 14 TUESDAY EVENING’S SALE. MARCH 95th.. Size of Price Picture. Frame. 111 Coast Scene, Narragansett, 22|xl2| 18.90 112 AtRowayton, Conn., XoJ- 23|xl3| 21.75 113 Afternoon in Bergen Park, Colorado,/ 2, $ 9|xl3| 16.75 n> 114 In the Woods—Goat Island, Niagara, I/O 17£x21£ 21.00 115 In the Yale, /3S~ 14 x20 25.00 116 In the Mountains near Idaho, Colorado,// 0 9fxl3f' 16.75 117 Near Newport, R. I, 2- 1/ O 23|xl3| 20.50 118 On the Coast, Newport, /Jo 11 xl7 11.50 119 Study of Autumn Trees, ifOO 21 xl3 23 75 120 Contentment Island, Study, / o a 10 x 7 9.98 121 In the Forest, 7 0 10|xl3| 13.44 122 Niagara, 7 0 9|xl3| 11.00 123 Maple and Birch in October. / y r 8 xlO 1300 124 On the Artists’ Brook, North Conway, J 0 0 10 xl4 11 82 125 On the Hudson, near Newburgh. N. Y.,/ £>6 9gxl6 16.80 126 Wood Scene, // 6 9|xl3| 13.92 127 Niagara, Below the Falls, b sr 9^x13 8 5 10.19 128 Mt. Pelligrin, from Calerons, str 16 xll 10.63 129 Road in the Woods, 2-3 o 23|xl7| 23.25 130 The Path and the Brook, / Q o 10 xl2 14.19 131 Near Sunset, a Study, //r 13|x 8| 15.24 132 Hills in Mist, jSo 111x18 16.89 15 133 Study at Beverly, Mass , J3o 134 Sketch at Valmount, Colorado, fo 135 Lake George. The Narrows. 3/o 136 Lake George, Tongue Mountain. 137 Interior Bay at Newport, R I., 3 oo 138 Adirondacks, 139 Hudson River, looking North from Dobbs’ Ferry, / ^ £ 140 The Mountain Bridge, j A f O 141 The Lake, /O O 142 Newport Rocks at Sunset, vTtf 143 Bald Mt. Elizabeth, Adirondack, 144 Cascade in the White Mountains, yn 145 Hudson River, Dobbs’ Ferry, 146 Niagara Falls, ) 0 147 Narragansett Coast, < 3/o 148 Franconia Scenery, no 149 North West Bay, Lake George, ; 150 Mt. Mansfield, Vermont, / o o 3 51 The Adirondacks, 152 Border of a Brook, Catskill, l*./ 0 153 Niagara, / 0 O 154 Narragansett Coast, vSvT& 155 Cottonwood, Missouri, 156 The Rapids, Niagara, / *£■£> 157 Haynes’ Falls, Kauterskill Cove, Catskill, 158 The River Arno, Italy, / Size of Picture. 12?x 9| 13|x 9§ 22|xl2i 13|x24 12 x21 9fxl3f 13^x24 14 xl7 8 xl7 9x7 23gxl7g 8|x 9J 14 x24 21|xl2g 231x131 12 xl3| 9|xl3| 10 xl7 23|xl4| 23^x17® 9fxl3| 14 x24 15 xll| 23|xl3| 26 x34 19 x24 Price Frame. 12 70 9 66 21.00 22.79 20.00 14.00 18.48 19.76 10.63 5 75 23.10 13.99 23 75 21.00 20.35 14.65 13.97 15.12 21.00 24 00 14.19 20 75 20.00 21.75 38 00 26.00 16 Size of Price 159 Mountain Brook, Picture. Frame. 23 xl7 18 00 160 Niagara, ^ 9 8 5 x13| 1525 161 A General View, Lake George, /6 0 137x24 22 79 162 The Atlantic C(^ast‘at^o^^l-*ranch, J "lO Xl 6g 15.13 163 Shrewsbury Inlet, N. J. 2. o 19|xll| 18.50 164 Pine Woods, Conway, N. H , / 6 & 13gxI5J 15.12 165 English Lake District, £ j 81x111 13 44 166 The Wreck, 1 P'0 23|xl3| 21.71 167 Study of Bocks, 9^x13^ 10.58 168 The Sea at Nahant, S tfQ 14 x24 22 50 169 Near Newport, R. I., / (o 23|xl3| 20 50 170 Point of Rocks, Newport, Z Co 23|xl3| 20.50 171 Rocky Brook Cascade, . 13 xl7 18.75 1 72 The Cliff, a Composition, ■ o / 10 xl2 13.55 173 Portage Falls, ? o y 9 8 x13| 13.95 174 Winooski River, Vt., 1 &£ 23fxl7£ 23 25 175 Cascade in Rocks, near Lake George, / i - 10 xl4 7.00 176 Near Sabbath Day Point, Lake George,' \j 3 0 23|xl3| 21 75 177 Picnic Rocks, Darien, Ct., %ro 147x24 16.47 178 Near Newport, 3 u~ 11 x23 23.00 179 Bluffs at Newport, R. I., . 13 o 19gXll| 19.61 180 Stream in the Woods, ■ / o 13gX 9i 16.00 181 New England Coast, ,) 8x5 6.00 182 Summer Afternoon, a Sketch, * • %,. c** 87x12 11.48 183 In the Woods, / / f 9§xl3| 12.27 184 Trenton Falls, N. Y., 9|xl3f 12.00 185 Study of Trees, 7 r 225 The New Bell, By Mr. Litschaueb. 18 x20 8 00 226 An Ilex Tree on Lake Albano, Italy, 24 xl 7 23.00 r s 227 Niagara Falls, 23|xl5f 20.00 if 0 0 j 228 Sunrise in the Adirondaeks, 9^x15^ 18 38 229 New England Coast, 19|xll| 21.75 // o 230 Trenton Falls, N. Y., 13 x 8 8.25 7 $ 231 On the Winooski, near Burlington, Yt. 10 xl6^ 15.12 ! ST > 232 Keepsake Sketch, 3x3 15.00 s S 233 Study on the Century Plant, 13|x 9| 6.62 234 Coast, Morning, unfinished, 29 x43 6.50 //a 235 Hampstead, June 13th, 1844, 13 x 9 8 30 6 J 236 Towards Hudson River, 9g xl3g 10-19 237 On the Genessee River, 91x13 13.13 238 Sioux Indian Encampment on the Plains, 20 xll£ 19.61 20 -7- w* Ar~ 3»° (To 301 / ; cD 302 303 j J 304 fjQo V a 315 316 E. Benson. Colorado, Sketch near Gloucester, Mass. Valley of the Wyoming, Ullswater, England, In the Kauterskills, Among the Bocks, Windsor Castle, Newport Harbor and Home of Ida Lewis, A Mountain Glimpse, A Bit at Newport, Study of Water and Fog Cloud, Autumn, Morning, View near Burlington, Vt., Grand Canal, Venice, 1847, Near Gloucester, Mass., Lake George at Sunset, Newport, K. I , Ravine, Composition, Size of Picnre. 18|xl3f Price Frame. 21.00 23|xl3| 21 75 ll|xl3£ 15.50 24 x 30 27.30 14 x 15 18 00 23 xi3 20.36 OCH* O 75 GO H 2.60 llfx 9| 2 16 9|xl3i 14 30 15|x 8| 13 00 23|xl6| 23 00 13 x 9 13 00 21ixH| 22.50 17 x23 30.00 11x9 12 75 lSgXlO 1654 16 xl 9 12 60 )8 x 9| 12.60 1^x191 15.75 18 x30 34.00 17|x21| 21.00 15 xlO 12.00 14x19i 15.75 23 x35 29 00 Ilixl9| 15.75 11x8 13 50 23 Size of Price Picture. Frame- 317 Cascade, Study from Nature, 18 x22 28 00 318 Near the Meadows, Cold Spring, 22 x36 35.00 319 Mount Desert, Maine, 18 xll 14.75 320 Ecglish Study, 17 xll 11.50 / / 24 12-tx 0 321 R 822 •a, ' ) 324 j3 ) 325 326 327 328 nr 6 c. 0 331 /• 332 333 • > 334 335 329 330 v 336 337 338 339 uh- ^ /: / 340 J 341 » 342 343 THURSDAY EVENING’S SALE. MARCH 27th. Size of Price Picture. Frame. Autumn in the Mountains, 45 x 56 65.00 Near Beverly, Mass., 12 x20 1575 Evening in Long Island Sound, 22 x36 33.00 Studying iu the Woods, North Conway, N. H., 17|xllg 20.83 Mount Desert, 18 xlO 14.50 A Yista through the Elms, 18 x22 28 00 View on the Hudson. 20 x36 33.00 Entrance to the Harbor, Newport, R 1l|xl9J 15.75 Foreground Study, I7|xl1 \ 18.90 Near Beverly, Mass., 11**19* 15.75 The Sleeping Lake, 15 x23 28.00 Coast of Cape Ann, 23fxl5| 21.75 Venice, Santa Maria della Saluta, 17 xllf 16 00 Venice, 1847, 10 x 7 8.50 The Dell, I8fxl5£ 26.00 Valley of Meysengen, Switzerland, 13 x 9 9 93 Autumnal Sunset, Lake George, 23 xl7 20.00 Near the Fort Road, Newport, R. I., 9ixl3 11.25 Study of a Waterfall, The Beaver Dam on Clear Creek, Lear Golden 17|x21| 21.00 City, Colorado, cJL_ 9|xl3g 11.25 Canci Villa, Villa borghese, Italy, 11 x 9| 7.74 Evening on the Lake, 22 x30 35 50 Lauterbrunnen, \ K ..J ^ 13 x 9 8.30 344 Sketch, Catskill, / /' Size of Picture. 13 x 9 Price. Frame. 8.30 fpo • / 345 A Road in the Wilderness, 18 x22 17.50 346 Cypresses, near Rome, Italy, 13 x 9 9 93 l “2-0 34 7 In the Appennines, 14 xlO 8.75 347a Niagara, 161x23 15.36 IXo 348 The Rapids, Niagara, 23fxl5f 349 A Mountain Road, Italy, 14 xlO 8.75 350 The Autumn Twilight, 17 x2l 25.00 3 351 Valley of Meysengen, 13 x9 8 30 IZ.6 352 Swampscott Beach, Mass., 10|x2l| 20.31 353 Near Newpoi't, R. I., 8|x15J 11.25 m 353ABlack Mountain, Lake George, ^Ihro A 354 Mt Lincoln, from Valmount, Colorado, 9|xl3| 11.50 355 Study of Rocks, 12 xl9 15.00 / / / /.{L V. .£) 356 River Worn Birch, n«xii| 18.00 Lf' Q 0 357 Morning, 26 x33 37.75 358 At Newport, R. I., 18 x30 27.75 Cfjt) f 1/ .359 Study of Rocks, Newport, R. I., 1 l|xl9-| 15.75 ! ~hS ~l). 360 October Afternoon, Newport, R. I, 1 l|x!9| 3 5.75 5 361 Morning, unfinished, 26 x33 37 00 1 / 362 Stony Hills, near Newport, R I, 11 xl9 15.75 363 Windsor Castle, Study for a large picture, 8 xl2 12.25 363A r The Shrine. /5A IS tyLfrO ^to 364 The Thames, near Kingston, 10 x 8 10 24 4 W 365 Brenton’s Cove, Newport, R. I., 111x191 15.75 0~3} 366 Almy Pond, Newport, 14 x24 13.00 31 ) 367 Chicago Lake, Colorado, HjxlU 18 50 /Sb / 'jcrb 368 The Sea at Sunset, Newport, 369 At Newport, R. I., 370 The Granite Shore, / O 371 Trotters Spring, Colorado, ^ 372 Foreground, Study, 373 Sketch in the Woods, JUO 374 October Study, X\ 375 Sketch, f) 376 Beverly Coast, ' J 377 Birches in the Adirondacks, QiQ ^^3 Block Mountain, Lake George, / 379 Brenton Cove, from near -Jones’ Cottage, " h ^ p ° rt ’ r 1 ’ ' 380 Italian Coast, Sunset, . y f 0 381 Twilight on the Seashore, j r \ 382 The Wreck, V 5 , 383 Sunset from the Lawn, Newport, R. I., O: 0 384 October, near Newport, R. I., _ 385 by the Bluffs at Newport, R. I., New ■ . 386 Morning in Bergen Park, Colorado, 387 From Nature, j 0 388 Near Idaho City, Colorado, j 0 j 389 Lake George, ^ \ 390 Near London, June 15th, 1844, V 391 Eagle Rocks, Manchester, Mass., i j 392 Rocky Brook, 3 '' •' 393 Study at Newport, R. I, Size of Price Picture Frame - 30 xl8 32.00 12 x20 27.00 14 x 24 13.00 9|xl3| 16.75 5 x3 3 26 4ix 8f 4 78 10 xl8 16.43 10 x 6 8.50 6.00 /‘I|x21| 21.00 ltfx 9| 10.08 V- 11Jxl9 15.75 30 xl8 29 75 24 x36 3575 10 xl8 21.00 11ixl93 15.75 113x193 15.75 18 x32 28.75 93x133 16.80 21fxl7f 22 41 93x183 18.25 11x8 12.25 8 x 10 7 25 231x133 20.35 10 x 8 13.25 113x193 15.75 27 394 Bash-Bish Falls, Berkshire, Mass. Size of Picture. 18 x22 Price Frame- 28.00 t ] r 395 Coast Scene, Newport, R I., 19 xll 18 50 u~? 0 'llbO 396 Windsor Forest, England, 19|xl11 19 50 397 Landscape, By Gtjde. ■S ' 23 x38 26 00 U .l r 398 Landscape, By George Inness. 26 x36 25.00 ' 3 2-J" 7. 399 Buffalo Pasture on the Missouri, 19|xiIf 18.50 2-3 (2 400 Whirlpool of Niagara, 40 J Autumn Afternoon, 22 xl2i 24 x20 20.75 28.00 7 r 0 3 J o 402 Mountains in N. H.. 171x111 18.90 7 6 0 403 Mount Lafayette, N. H., 19|xll| 18.39 Vq 0 404 In the Adirondacks, ^ 405 The Wood Path, 23|xl4| 31 x37 24 09 49.00 (J Cj 7 y o h 406 Study of an Italian Woman, 20 x24 22.00 10 0 407 Bash-Bish Falls, Mass., i8|xl5i 21.56 1 of 408,The Coming 8torm, 9 xl5 13.00 / 2 or 409 A Lake in Ireland, 28£xl3f 20.35 1 3 o 410 The Flume, Franconia Mountains, XAi* - V.OD N 1 / v/ v 411 Misty Morning in Colorado, • 9x151 17.00 / ~2 \ 16 0 412 Church in the Highlands, 15fxl8| 21.00 / b7> < 413 Old Lady Asleep. (Artist unknown), 3x5 6.50 Vo 414 A Lake in the Woods, 9 xl5 15.00 / / 0 415 Old Cottonwood, near Boulder, Colorado, 9^x131 11.25 / 416 Coast Scene, 7 xl4 9.22 1 0 / ■' ’ 417 — Remain gton Pardons, ^ \ . v , ( 12 xl4 / 0 / 418 Study of Cottonwoods, on Saint Vrain, Col. 9|xl3| 16.7,5 • (j -- 419 Anthony’s Nose on the Hudson, 23fxl5| 22 50 73 0 j 28 Size of Price Picture. Frame. \h 420 The Cruel Arrow, English picture, very old, 14 xl 8 5.00 421 Hillside, 13.00 By Wyant. 422 11 xl7 12.00 By D. M. Carter ffO 423 Yellow Pines, Colorado, 9|xl3* 11 50 • vr 424 Gray Fontainbleau, 9 x23 £T> 425 Italian Scenery, 14£xl0$ 10 25 ) \ l- V3 J Y 426 Narragansett Coast, 23fxl3f 20.50 ?ro 427 Breton’s Point, Newport, R. I., 9 xl2 11.00 428 On Furlough, 14 xl8 1350 By Wm. Morgan. a r 429 Willow, misty morning, 10 xl6 14.65 4 1 H r 430 River Composition 151x10 l IT.75 tjo 0 431 Cliffs at Newport, R. I., 23fxl3£ 20.50 432 Passing Shower, 10 xl7 10.00 433 Evening at Darien, Conn., 8^x15| 11.25 (y'O 434 Hatfield House, Sept. 4, 1844, 14 xi9 7.50 435 Study of Trees on the Beverly Coast, Mass., 231x131 20 35 I') 0 436 Manchester Cbast, 23 x 2 14 50 l / J ~ 438 Maud Muller, 19£xl5£ 14.18 439 Boy Reclining, 11 xl3 9 50 By L. Lang. If 0 440 Lion Couchant, Winoski River, Yt, 10 xl6 15.25 29 FRIDAY EVENING’S SALE. MARCH 28th. •--- 441 Bergen Park, from the Summit, Colorado, 442 October Afternoon, By S. R. Gifferd. 443 Mullet’s Bay, Lake Champlain, 444 Interior, By E. Leutze. 445 Gold Fishes, By Lambdin. 446 Sunset on the Coast after a Storm, 447 Hudson, View near the Highlands, 448 Landscape, a Composition, 449 Clear Creek Canon, Colorado, 450 Foreground, Study, 451 Beeches in Burnham Forest, Eng., 452 Passing Shower, 453 Italian Girl, By C. A. Loop. 454 Aling’s Pond, Newport It I., 455 The Flume, Franconia Mountains, 456 Morning, 457 Oil Study of a Head, Samuel L. Waldo. 458 Ideal Head, By J. E. D. Green. 459 Autumn in Northern New York, 460 May, By G. A. Baker, 461 Study of Rocks, Size of Price Picture. 9fxl3f Frame. 16.75 M o 10 x70 17.00 A / 0 9|xl8i 15 46 /3 25 x32 15.75 z.rt> 11 *x3 4 8.50 & o 9 xl8 11.00 /C o 9|xl3f 13.97 / 1 0 12|xl5| 12.34 / S' o 12 x 8 7.35 & 'i 11 xl 9 17.00 • y (j 17 fxlOf 1 0 11 xl4 12.25 l / 0 23|xl3§ • 21.71 31 O j To 9 xl2 11.00 V~ 14 x20 1.50 ?> x 4 2.50 z T~ 10 xl8 10.00 in 6x7 3.00 /3 o 23 xl7 3 TV I 30 Size of Price Picture. Frame. fit t'"'"' 462 The Seashore, 15 xll 2.00 V By J. La Fabge. /O 0 463 New England Scenery, 9 xl 6 900 464 Clearing off, 23ixl3| 20.35 %! 0 465 West Canada Creek, Trenton Falls. 22 |xl 6 i 22.50 hfo 466 Prairie, Colorado, 8 xl3 10 50 [0 0 467 Rocky Coast, 11 x 7 7.35 y/a 468 Lake Yiew, * 17 x29 22.25 Y/o 469 Leon Couchout, Winoski River, Yt, 10 xl 6 | 15.12 t^O 470 Ehwenger, 9 xl2 7.88 47 i Study of Cottages, 10 xlS 15.75 Y o By Andeeson. 472 “Asleep,” 5x6 50 V c*» By Bossiteb. 473 Dora, 5x6 50 u f By Bossiteb. ( t -"474 Study of a Dog, 7 x 9 5.00 /lo 475 Second Beach, Newport, R. I., I9fxllf 19.61 fto 476 Conesus Lake, Geneseo, 23ixl3 8 5 21.71 0 4,77 Forest Hrook, 14 x24 9.00 LfO 478 The Holy Family, Round. 3.00 3 479 Young Sculptor, 7 xlO 6.(0 I/O 480 XJllswater, 8 xl3 11.00 / / * 481 Foot of the Cliffs, North Conway, N. IT., 23|xl5| 22.50 482 Bridge near Sabacco, Italy, 14|xl0| 17.00 3o 483 Pulpit Rock, Naliant, 9x6 6.50 'fo 484 Winter, 7 x 5 5.25 By Gay. k 4-\ 485 Passing Shower, 9x12 9 32 to 0 486 Kingston Hill, England, 8 | x 7| 6.83 31 Size of Price 487 Trout Brook, Catskills, Picture. 21ixl7J Frame. 33o 488 Newport Harbor, 28£xlSf 21.75 V 0 489 Landscape Composition, 17 xl 2 11.00 /3 0 490 Woman Sewing, 15 xl2 20 00 By Eastman Johnson. 491 Yale of Emid, 8 x 6 6.30 492 Rydal W T aters, England, 0 3„ fjS 04 X o 3 8.93 / 0 0 493 BydaU Falk, England. - v A lufx 7| 9.98 2-3" 494 "Westmoreland and Old Tom, from the hills brck of Ambleside, 12 x 9 7.56 i U 495 In the Adirondacks, 36 x60 60.00 496 Snnset at Sea, 11x7 7 25 «" / c 497 The Rivulet, 8 |x 5^ 7 62 $~o 498 Mt. Jefferson, N. H , 4jx 8 6.86 499 Head of a Boy, 6 x 8 5.00 si By G. H. Bhoughton. / 500 Oaks in the Flats, Genessee, N. Y. 19|xll| 21.75 '/■rv 501 Mountain Scene in Vermont, 12 ix 204 14.18 / $ o / 502 Lake George, N. Y., 14 Miles Island, looking South, 23£x 4f 21.00 JL ^ 7 2 s ~~ 503 Brook at Ramapo, 16 x 9 21.69 504 Rocks Conway, N H , 9£x 7| 8.40 505 Colisaum, 1847, 10 x 9 6 25 27 r 506 Sketch, Catskill, 9x4 4.00 L O 507 The Convalescent, 6x9 2.50 3 0 By T. P. Rossitek. /0 0 508 Conesus Lake, Genessee Valley, 9 xl2 8.00 509 The Mining Region, Colorado, 9-|xl3^ 31.50 510 On the Road to Georgetown, Colorado, 9|xl3| 11.25 32 Size of Price 7 Picture. Frame. \£j O 511 Subject, a Study, 14 fx 9 9.81 / !j 512 Supplication, 15 xll 6.00 / 513 Study at Newport, R. I., 2 l£xl2| 20.31 514 Artists’ Brook, North Conway, N. H , 18|xl5| 21.00 " ' Q 515 Sky Study, 5 xll 9.50 / 0 516 Nakant, 11 x 8 7.56 3 u 511 Study of Burdocks, 9 xl3| 9 98 P'7) 518 In France, 14 x 9 3.50 By H. Pohle. / 0 & 519 Mountain Falls, N. Y., 9ixl3^ 9.56 $ f) 520 Windsor Castle, 25 xl7 10.00 '4,.7 521 Shore Bit, Darien, Conn., 11 x 8 12.25 W . 522 Rock Study, / By F. Anderson. 14 x 8 8.00 : 'f 0 523 The Watchful Dog, 12 xl2 3 00 524 The Rapids, from Goat Island, Niagara, 525 Suydain Fall, Trenton Falls, 23|xlli 24.92 —. 526 Ghildren, J C By G. Lambdin. 8 x6 3.50 521 Morning after the Storm, Lake George, 22 |xl2| 21.00 J.*) . 528 On Lake Champlain, 9ixl3 . 11.25 S 529 Unfinished Sketch of Lake George, 9|xl 3 11 25 530 The Rapids, Niagara Falls, N. Y., 12 x8 5 50 3- ■ 531 Falconer, 9 xl3 5 25 532 Study of ihe Sea after a Storm, 20 xi2 5 00 V f.: > 533 On the Hudson, 14 x 1 13.00 533a Narragansett Rocks, l|x 41 6.00 "j } 534 Sketch, Six 1 4.30 33 Size of Price 535 Black Mountain, Lake George, Picture. 221x131 Frame. 21.71 536 Meadow, 14 x 8 8.00 yo By Wyant. '(>6 i£ 0 537 The Widow, 10 xl3 9.84 By L. Lang. 538 Reminiscence of Ruisdael, 15 x23i 15.25 539 Threshing Floor, Valmount, Colorado, 31x131 11.25 V 540 Valley of the Housatonic, 9 xl7 18.00 £ o 541 Long Island, 16|x 9| 11.89 tv / 542 Newport Harbor, R. I., 111x131 15.75 / 6> <3 543 Naorna, 6x7 4.0@ // 544 Naomi, 5x6 4.00 / o 545 The Lake, 5ix If 7.85 AT" 546 Girl and Kitten, Sawsago 7 xll 7.50 ) 0 547 Looking out to See, 8 ^x121 13.11 / s J 548 The Cove, 9fx23f 12.06 549 Near Newport, R. I, 23|xl3| 20.50 550 Rocky Coast 17 x29 22.21 X 0 0 551 Entrance to an English Park, 211x141 19.75 J JJT 552 Wild Flowers, 14 xll 7.35 /* t ***'■ 6. 4 By F. Bbidges. 553 11 x!8 9.77 / & $ » / 554 After a Storm, near Peacedale, Narragansett 14 x24 23.00 555 Mount Mansfield, Vt. 17 x29 22.21 y-/ o 556 In the Adirondacks 15 x24 13.00 / 6 557 The Picnic Ground, Conesus Lake, near Gene- seo, N. Y., 23fxl5f 22.41 558 Windsor Forest, 20|x 13g 20.31 (0 0. 559 Almy Pond, Newport, 12 x22 | 11.00 / 3 o 34 \ 560 561 562 4 f 563 564 * 565 566 561 568 569 2 6 W> 670 571 572 573 574 515 516 •f MO 517 578 579 580 SATURDAY EVENING’S SALE. MARCH S9th. -*»»►- Sea Coast, In the Valley of the Nerengen, Switzerland, Scene on the Mississippi River, Coast of Darien, Conn—Rotten Point, Picture by E. D Nelson, Chicorua, N. H., at Sunset, Swiss Scene, By Pape, Berlin. jjTyvnC-, Crook in the Catskills, Coast Scene, Indian Council Ground, English Scenery, Meadow, Burnham Beeches, England, Clear Creek, Canon, Colorado, Niagara by Moonlight, Landscape, By Geo. Inness. Coming from Pasture, Lake George, Young Oak, a Study, Torre di Schiavi, Campagna di Rome, Size of Picture. Price Frame. 5 xl2 8.00 13 x 9 8.30 94x13 11 25 231x131 20.35 a Mir 238x17* 23.41 10fxl7f 13.25 0^5 0 13 x!9 7.50 13 x 7 7.00 9|xl3| 13.78 9|xl3| 16.15 17|xl3| 20 89 3C< 6 xl5 8.00 18|xl3| 19.81 9|xl3| 11.25 16|xl2| 20.75 20 x33 5.00 - : 191x111 2 00 23fxl3f 21.75 r°| 0 171x231 16.00 14 xlO 1.60 582 588 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 35 Size of Picture. Price Frame. Sketch, 18 xll 2.25 Wallhorn & Wetterhorn Switzerland, 13 x 9 11.50 White Birch, 13 x 9 8.00 Autumn on the Lake, 15 x 9 9.50 A ^ O Lake George, 24 x 15 23.00 Z^o Keen’s Notch, Elizabethtown, 21 x26 5 25 An English Study, 12 x 8 9.00 English Scenery, 9 x!4 9.93 Killarney Lakes, 8 xl3 11.00 Study at North Conway, Mass., 19 x 13 7.00 By J. A. Suydam. Study at Conway, N. H., I5fxllf 20.00 The Beach, 9|x23f 12.06 Bay of Naples, 14fx 8f 2.25 Westmoreland Hills, back of Ambleside, 8 x!4 75 Saco, Whiteface in the Distance, 174x231 16.00 “ The Chief and the Squaw,” Colorado, 9 xi7| 12.50 i-if- b Falls on the Winooski, Vt., 171x231 16.00 S o-o Bergen Park, Colorado, 10 xl5i 12.00 On the Saint Vrain, Colorado 9ixl3| 16.80 Theme from the Hudson, 18 xl2 20.00 $00 Chicorua, from Friburgli, 181 x161 25.44 O. o o Study from Nature, 19 xi3| 13.25 Study of an Old Chestnut, . 23|xl7| 23.10 l~ 0 o Lake Champlain, 23|x,6g 22.41 o’ J'~ 0 Lake Conesis, 16 xlli 12.60 The Lawn, Jones’ Cottage, Newport, R. I., 8ixl5| 11.25 36 2>l 0 607 608 609 610 611 2>jo 612 *)i ' 613 614 5(^6 615 616 617 618 619 620 621 622 623 624 625 Autumn, Mount Washington of Jefferson, N. H., George Washington, Conesus Lake, near Genniseo, “ The Chief ” Mountain in Colorado, Kauterskill Clove, N. Y., Near Georgetown, Colorado, Lake George, The Brook and Birches, Moonlight, Niagra River, Study of a Head, Study from Nature, Windsor Forest, View near Rome, On the Hudson, Entrance to the Sabine Mountains, Italy, Gorge by Moonlight, Sunnyside, Scene near Fort Hamilton, N. Y., By J. A. Sxjydam. 426 Fort Dumphing, Newport, 627 Mt. Mansfield, Vermont, la 628 On the Missouri River, / > 629 The Flume, N. H., 630 Near Mintown, 631 Black Mountain, 632 Young Oaks, Mountain Side, Size of Picture. 20 xl2 Price Frame. 20.00 2)10 17|x21| 24.97 24 x29 -j 5 15 23|xl3| 20 50 9 xl9 12.87 231x17^ 23 25 ’31c 9|xl3| 11.25 13 x 9 9 00 15 xll 11.50 30 81x131 12.87 17 x2l 15.00 12 xl8 1.00 19 xl2 11.75 ll|xl3| 12 14 111 x211 13 78 20 x29 18.12 5x6 e.oo 21 xl2 13 00 10ixi9i 3.89 ljixl9i 3 33 171x231 4.62 24 xl4 22.00 2 f C 10 xl8 16.50 Hr 14 x 8 9.57 16 x 9 20.00 v3/i 15fxl3f 20.75 37 633 Chicorua, N. H., 634 White Birches in October, 635 Study of Rocks at Conway, N. H., 636 Niagra Falls, 637 Old Birches and Rocks, 638 On Lake Windermere, 639 The Coast at Beverly, Mass., 640 The Cascade, 641 Study of Mt. Washington, 642 Mt. Washington, N. H., in October, 643 Study of a Waterfall, 644 Mt. Mansfield, from Lake Champlain, 645 On the Hudson River, 646 Old Log and Trees, 64 T Afternoon in the Adirondacks, 648 Niagara, from Canada Shore, 649 Ruins of th% Baths of Caracel.fi, Rome, 650 651 West Canada Creek, 652 From Mountain House, Catskill Mountains, 653 Waiting on the Beach, 654 Calm Sea, unfinished, 655 Near Olivens, Italy, 656 Lake Scene, Antumn, 651 Sketch, Niagara, 658 Landscape, Size of Price Picture. ■ Frame. 19ix29| 4.75 11 x!7 12.00 23£xl5§ 22.41 23|xl6f 23.00 9 xl7 11.00 13 x 1 12 50 17 x 9 15.00 16fxl3| 19.61 19ix29| 4 75 i5ox23| 3.96 18fxl5f g 2.21 90 5 31q5 ji5 'S4 10 8 21.75 20|xl6| 21.71 231x111 16.00 24 xl3 15 00 10 xl9 13 x 9 1.50 6|x 6| 1.05 5x7 2.00 6x5 1.05 11 xl 8 10.00 20£x 9£ 21.19 9 x20| 9.50 15 x 9 15.00 13 x 1 1.50 8 xl 1 4.00 l f * 3 dxr- X 6 o 3 X o 3 oJ' L o o 6 ? v A*L I ■ ■, y.Ji,, Qjhd& " 10 xl 2 14.00 688 New England Coast, 12 x 11.00 689 On the Hudson, 13 X 1 10.00 690 Oaks at Genessee, 19|x 1| 18 50 2/ O 691 Coast of Connecticut, 23£xl3§ 23.00 692 Study in the Adirondack Mountains, 23fxl4| 21.00 a 693 The Cove, Manchester, N. IT., 20 xll 21.87 694 Catskill Mountains, N. Y., A 23|xl6| 2.42 694a (j W A \ ' 23ix35| 5.25 r f . / J* XHIBITION P NLY. Mr. Kensett's Last Summer’s Work, and his Private Collection of Pctures by Cotemporaneous Artists. The pictures in this gallery will not be put into ‘ The Sale,” but books of sub scription will be opened to obtain the amount of $20,0:0 to purchase a selection of Mr. Kensett’s works, to be placed with his collection by cotemporaneous artists in the Metropolitan Museum of Art in New York, agreeably to the following resolution : Resolutions adopted at the " Kensett Memorial ” meeting held at the residence of H. G. Marquand, Esq., Thursday Evening, March 6. 18/3. Whereas, Mr. Thomas Kensett, of Baltimore, Md., has consented to present the Collection of Works by Contemporaneous Artists, owned by the late J. F. Kensett, and valued at $14,000, to be placed in the Metropolitan Museum of Art, on condition that the sum of $20,000 be raised to purchase a selection of his brother’s works, the whole to be known as The Kensett Memorial. On motion, it was Resolved , To obtain subscription to the amouut of $20,000 to accomplish the desired object. On motion, the following Committee was appointed to procure the necessary amount. H. G. MARQUAND, Treasurer, No, 120 Broadway, N. Y. Committee appointed to receive Subscriptions for Kensett Collection. J. T. Johnson, D. Huntington, R. M. Olyphant, H. G. Marquand, R. L. Stuart, Thos. Hicks, R. Butler, Vincent Colter, Robert Hoe, W. E. Dodge, Jr., M. K. Jesup, G. M. Spier, R. W. Hubbard. Thos. G. Appleton, Chairman. R. Stuyvesant, F. W. Rhinelander, W. J. Hoppin, Hon. E. D. Morgan, Howard Potter, P. Godwin, Rev. Dr. H. W. Bellows, Rev .Dr. Osgood, Hon. G. Wm. Curtis, D. L. Suydam, J. H. Sherwood, W. Whittredge, S. A. Strang. THOMAS HICKS, Chairman. 43 j^ICTU RES ON ¥ XHIBITION . 695 Venetian Twilight, £By Amides Romen. , ^Lj y 696 Evening in Cedar Grove, 697 Lake George, 1872, 698 Lake George, Free Study, 699 ,00 ^ • By Fabeoni. 701 A Roman Twilight, By S. R. Giffobd. y 702 The Maiden, 703 Interior By Rossiteb. By Leutze. o(y L' TT'T' r7 X 1 / 704 Lake George, N. Y., 705 Study of Beeches. 706 Entrance to Villa Maria, 707 Contadina, Bv ZlEM. / By H. A. Loop. / 708 The Afterglow, Twilight, 709 Lake George, a Reminiscence, 710 Passing off of the Storm, 711 Twilight after a Storm, 712 Shore of Darien, Conn., 713 The Old Pine, Darien, Conn,, T14 Gathering Fruit, By Schlessingeb. Size of Picture. 15 x 9 14 xl8 9£x13 8 5 9|xl 3 6x9 14 xlJ 25 xl7 22 x36 10 xl4 15 xlO 15 x21 14 xl8 11 xl7± 1 ix24A 15 x30 19 xi l 27 x34 9 x! 2 Price Frame. 44 715 Gathering Storm, y u By W. Ambeeg. 716 Moonlight, 717 The Student, \/ By J. D. Shattuck. V By E. Johnson. Jt 718 “Old Mortality,” £ ^ 719 Sunset on the Sea, 720 Twilight on Contentment Island, 721 722 723 724 Landscape, 725 726 727 Terrier, By Lambbinet. By Dubyeya. By Otto Webbee. / By G. Innes. By Wm. Moegan. By Hidgemahn. / y By W. J. Hays. 728 Gathering Storm at L. I. Sound, 729 Twilight on the Sound, Darien, Conn , 730 A Foggy Sky, Size of Picture. 16 xl3 19 x!2 8x9 13 x 8 28 x41 28 x4l 14 x 7 13 xlO 24 xl8 19 xl5 8 xlO 8 xlO 11 x 13 27 x34 111x241 30 x45 731 Evening on Contentment Island, Darien, Conn., 17 x30 «/ 732 After Sunset 733 734 Landscape, 735 Landscape, By Beissot. By J. W. Casileae. By G. Innes. 17 x30 7x5 V J 1018 10 x 8 Price Frame. 45 736 Landscape, 737 “ Venus,” 738 Fruit, By J. W. Casileae, By H. P. Geey. y / Size of Picture. 10 x 7 7 x 6 11 xlO 739 A Study, 740 Waiting Patiently, 741 Among the Andes, 742 By T. Cole. J By E. Benson. ^ By F. E. Chtjech. ./' 743 Near Lake George, 744 Eaton’s Neck, L. L, 745 Twilight, 746 Curiosity, By J. Beeteand. 13 xlO 8 xlO 4x6 10 x20 9§xl3 18 x36 14 xl8 15 t30 747 Arch of Titus, Rome, By T. Cole. / 748 Portrait of Rembrandt, 849 The Morning Walk, By 750 A Sand Spitt, F. Willems. By Gay. G. Lambdin. / l s / 752 Venetian Girl, 753 Falling Leaves, By Julius Ravel. I By G. H. Boughton. 754 Sunset Sky, 755 Salt Meadow in October, 756 Ruffed Grouse Chickens, By A. F. Tait. 1 J / 24 xl4 5x7 10 xl3 7 x 5 6x9 7x9 22 x24 20 x32 18 x30 10 x 7 V Price Frame. 46 767 Still Life, Study, By David Wilkie, R. A. Size of Price Picture. Frame. 7x9 \ 758 Woman Reading, By Wm. Morgan. ,8x9 759 Chickens, By Lemmens. 13 x 9 760 By Rembrandt. 9 xll 761 Landscape, By Rousseau. V 9 xl2 762 Cattle, By Troyen. y/ 9 x!4 763 Study Rocks at Darien, Ct., 15 x30 764 Sunset, 18 x30 765 The Sea, 15 x30 766 October in the Marshes, 18 x30 767 Venice, By S. Coleman. 14 x7 768 Twilight, By Tiem. 10 xl6 769 By N. G. Hennessy. 7 xl3 770 The Novel Reader, By L. Lang. 19 xl5 771 Landscape, By Lambrinet. 25 x!6 772 Cattle, / By Troyon. 12 xl4 773 Bereavement, By G. H. Boughton. 11 x 9 774 Bay of Venice, By Tiem. 15- x 9 775 Twilight in the Cedars at Darien, Conn, 28 x41 776 Kensett’s Island, Sound, from his Studio on L I. 18 x36 771 Study on L. I. Shore at Darien, 778 Docks and Waves, 779 In the Adirondacks, ■ By S. R. Giffoed. V 780 Autumn Day, 781 782 The Nursery, 783 By J. McEntee. By Fabbica. By Lambdin. By W. WHITTEEEDGE.y'' 784 Twilight in the Cedars, 785 After Sunset, unfinished, 786 Sunrise on L. I. Sound, 787 Sunrise on the Sea, 788 Study in Yucatan, By A. W, Wabben. 189 A Study from Nature—Mt. Desert, By Gifford. 790 Convalescent, 791 Landscape, 792 Landscape, 793 794 Cattle, 795 Sunrise in L. I. Sound, 796 L I. Sound from Fish Island, 797 Lake George, By H. P. Geay. *£ By R. W, Htjbbaed. / By E. Lambkinet. ’ By Acheneach. By Teoyon. Size of Prici Picture. Franu 15 x30 14 x24 13 xl6 10 xl 6 14 xl 8 14 xl 8 14 xl 8 14 xl8 8 xl2 11 xl 9 9 xl2 14 xl6 12 xll 10 xl6 12 xl 5 31 x48 12 x20 13 x 9 48 Size of Price Picture. Frame. 798 Sunset in the Woods, 14 xl 8 799 “ About Right!” - By E. Johnson. V 800 Study, By W. H. Fukness. 15 xl 3 10 xl2 801 Newport Rocks, unfinished, 31 x48 L ETTY RESEA CH NS 125 01628 2440 TUTE