\ UCLA AR^LIBRAR^ AT Q \ / No. 1 80 AUCTIONW'ALOG /T 98 \ CATALOGUE OF A COLLECTION OF VINGS AND ENGRAVINGS BY R. COSWAY, R.A. AND J DOWNMAN, A.R.A. AND OF MIITIATTJRES BY CELEBRATED MASTERS OF THE 18th CENTURY WITH A PREFATORY NOTE BY J. LUMSDEN PROPERT EXHIBITED AT THE FINE ART SOCIETY'S 148 NEW BOND STREET LONDON May 1898 MACMIL.LAN & CO.'S BOOKS FOR STUDENTS OF ART. Now Ready. Fifth Edition. Re-arranged, Revised, and Enlarged. A POPULAR HANDBOOK TO THE NATIONAL GALLERY. Including, by special permission. Notes collected from the works of Mr. Ruskin. Compiled by Edward T. Cook. With Preface by John Rusk in, LL.D., D.C.L. Crown 8vo. half-morocco, 14^. PORTFOLIO.— 1 A monumental guide.' Third Edition, Now Ready. PEN DRAWING AND PEN DRAUGHTSMEN : their Work and their Methods. A Study of the Art To-Day, with Technical Suggestions. By Joseph Pennell, Author of ' Modern Illustration,' < The Illustration of Books,' &c. Third Edition. Demy 4to. buckram, \2s. net. 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Owing, in part, to the fact that I have known the collec- tions which are now being exhibited almost from the commencement of their formation, and in part, probably, to the almost affectionate regard in which I hold the works of the Masters in Miniature of the past century, I have been asked to write a few words as a prefatory note to the catalogue of this Exhibition. I do so with pleasure, not only on account of the excellence of the collections, but because they afford the public an unusual opportunity of seeing specimens of a certain branch of 18th century art-work, the genuineness of which is quite undoubted. To those who have not only admired and studied this epoch during long years, but have also felt that the time must come when the cultured appreciation of the graphic art of that time, formerly confined to a few, must spread over an ever-increasing area, it is a source of pleasure and satisfaction to note the position now occupied in the public estimation by the refined portraits executed by John Downman, A.R.A. It seems but comparatively a short time since they could be obtained for a few pounds apiece, but the axioms of political economy have ordained that as the demand has far exceeded the supply, their monetary value has propor- tionately advanced. A 2 Another result which was perhaps inevitable has followed, namely, that the forger, with a quickness of perception worthy of a better cause, has seen his opportunity, and has profited by it. In this particular class of art-work, imitation, up to a certain point, is not difficult, for Downman's method is simplicity itself. Indeed it has been urged that what is termed his " sketchiness " is an objection to his work being considered in the light of serious art ; but those who put forward this plea forget that a sketch, properly so called, embodies within itself some of the highest qualities of graphic art. Rapidity, decision, the power of selection, and the greatest of all artistic attributes, sincerity, can only be the outcome of patient, plodding, and earnest application. A sketch is a concentrated essence, and a few simple lines or washes from the hand of a master suggest instinctively to the beholder the motif of the picture, where the floundering efforts" of the amateur entirely fail, for mere rapidity unguided by the feu sacre of the true and experienced artist can never produce a " sketch." So it is with Downman. The use of the stump in the shadows, drapery, &c, undoubtedly tends to rapidity of production, but where his would-be imitators entirely fail, is in the refined elegance and pure beauty of the simple tints and scanty touches, by which the master's hand can give us the lovely women and handsome men that we owe to the magic of his pencil. It is not easy to guess why he by preference drew the profile. Every human face differs in its points ; and surely all are not seen at their best in a profile view, but we must leave what we cannot explain, and accept these 5 portraits as amongst the most tender and refined that the prolific renaissance of the late 18th century has left to us. In spite, however, of the growing appreciation of these drawings to which I have alluded, one curious inconsistency still attaches to their monetary value. I refer to the fact that almost without exception the reproductions from the originals, of which there are many copies of each, have hitherto fetched a higher price than the originals, of which there can be but one. The reason for this is hard to find ; it is one of the vagaries of fashion ; but it is an inconsis- tency which surely has only to be pointed out to be rectified. Attention may be directed here to the following Downman drawings in the Exhibition, which illustrate him at his best: — No. 51, Miss Sarah Whitmore ; No. 112, Princess Augusta ; No. 114, Portrait of a Lady; No. 120, Queen Charlotte ; and No. 18, Lady Lavinia Gosford. With regard to Richard Cosway, it would seem to be almost superfluous to speak. For he has been the subject of so much literary comment, especially of late, that it is difficult to add anything fresh to a story that has been so thoroughly and frequently told. Of all the leaders of the great school of miniaturists of the 1 8th century, the name of Cosway has ever been the one to conjure with. At a time when the Plimers were almost unknown, the Englehearts but a tradition, and William Wood had never even been heard of, the possessor of any third-rate grandmother, painted " in little," could solemnly assure the listening world that the work in question was by Cosway ! Surely the poor little man would have often turned uneasily in his grave, could he but contemplate the villainous offspring that ignorance attempted to father upon him. All that is altered now, and there should be little difficulty in correctly ascribing any specimen that presents itself. With regard to one branch of his art-work that forms a feature of the present collection, he may almost be said to be its inventor. The full-length figure, drawn with a lead pencil, and, as a rule, only the face worked up in colour to the perfection of a miniature, forms to my mind one of the most attractive varieties of Cosway's art, as it is probably one of the rarest. As instances, I may note No. 13, George, Prince of Wales ; No. 17, A Study ; and Nos. 42 and 48. Passing from the work of these two artists, I cannot but allude to one specimen which deserves a few words to itself. I allude to No. 45, a chalk drawing of a lady in a large hat. When it was first shown to me, and my opinion was asked as to the probable painter, one name seemed at once to rise in my mind, viz., "Gainsborough." I was informed that the drawing was obtained in Paris, from an old French family, who still have in their possession por- traits of their ancestors by Reynolds and Gainsborough. This fact tends to confirm the first supposition as to the probable artist, and it certainly bears characteristic touches of the great master. Be this as it may, one thing is certain : whatever hand traced its lovely lines, it repre- sents a most beautiful example of 1 8th century portraiture in that medium. I have written so much, and so often, concerning the miniatures of the last century, that it is superfluous to say anything as to the collection here shown, a glance at which will convince the visitor to the exhibition of its quality and comprehensiveness. But a word must be said concerning the marvellously delicate works of John Smart, an artist who hitherto has not perhaps been classed in the same category with the first painters in little, although within the past few days a specimen from his brush has commanded a very - high price under the hammer. I would draw attention to the mar- vellous manipulation exhibited in any one of the specimens here shown, notably in Nos. 197 to 199, and ask whether anything approaching it has ever emanated from the brush of a miniaturist in this or any other country, Petitot even not excepted. Lastly must come a word as to the very remarkable A. Plimer, namely, " Lady Ravensworth, Lady Paul, and Miss Simpson," which is only rivalled in importance by the celebrated example of that artist now in Lord Iveagh's possession. J. LUMSDEN PROPERT. CATALOGUE. A3 10 Catalogue. The Copyrights in all the Exhibits are reserved. The prices can be obtained on application; they are in every instance net and Guineas. H y&o > a>> o i~ Summer. F. Wheatley, R.A. - /S~* <* -o 2. The Village Maiden. Adam Buck. 3. Mrs. Tufnell. John Downman, A.R.A. 4. Captain Keppel. John Downman, A.R.A. 5. Portrait of a Woman and Two Amorini. /? 19. Figure of a Woman Surprised by Time Maria Cosway Collection. Richard Cosway, R.A. fa- o. & 20-. Lady Townshend and Cupid. Richard Cosway, R.A, ?x • <=> 9j-t)- & .& 2T -- Mrs. Fitzherbert. Engraved. Richard Cosway, R.A. ~£ •*""• <=>•<> 22. Portrait of a Lady. Half length. 23. Portrait of a Lady seated, in Landscape. H. Edridge, All. * 24. The King of Prussia, Frederick the Great. John Downman, A. R.A. 25. Robert, 4TH Duke of Ancaster. John Downman, A.R.A. 26. Two small Female Heads. F. Bartolozzi, R.A. 27. v Portrait of a Girl seated, playing with a Child. Adam Buck. 28. Portrait of a Boy in Naval Costume, with a Boat. Richard Cosway, R.A. <^V- ^ . <=> 2 9— Portrait of a Lady. Sir Thomas Lawrance. +s- ,o g A4 30. Mrs. Chollett. John Downman, A.R.A. 31. Hon. Mrs. Harcourt. John Downman, A.R.A. *4~~- & & 3 2 — Nude Figure. Richard Cosway, R.A. J- s£~- . 36. Hon. Henry Fitzroy. John Downman, A.R.A. 37. Flight into Egypt. R. Cosway, R.A. /jo • & 38— Autumn. /s^~> & & yjo & o 39^- Mrs. Boyd. (See No. 47.) John Downman, A.R.A. / 8 2 — Terpsichore. Richard Cosway, R.A. J • a <=> 83. Portrait of a Lady standing on a Terrace. H. Edridge, A.R.A. 84. Lord J. Thomas Henry Somerset and his Brother. John Downman, A.R.A. 85. Mr. Ernst Wolffe. John Downman, A.R.A. a 86. Portrait of a Boy with Book. Signed and dated 1780. John Downman, A.R.A. 87. A Family Group. Signed. Henry Singleton, R.A. 4s~-o& 88^ Portrait of a Lady and Child. Richard Cosway, <^./fz& R.A. 89. Portrait of a Lady wearing White Dress, in Land- scape. 90. Portrait of a Lady seated. 91. Mr. Edward Elliot, M.P. John Downman, A.R.A. 92. The Reading Lesson. Ss^- & o 93— Portrait of a Lady with Dove. Richard Cosway, ^ . /t r~o R.A. ~24 o /0 & O 94^ Melpomene. R. Cosway, R.A. J . o o 95. Hon. Peter Robert Burrell. John Downman, A.R.A. 96. Hon. Robert Grosvenor. Signed and dated 1789. John Downman, A, R.A. 97. Mr. Benjamin Way. John Downman, A.R.A. 98. Mrs. Siddons. Sir Thomas Lawrence, P.R.A. 99.- Portrait of a Lady with Dog. James Green. ioo_ Lady and Bird. Coloured Engraving. 101^. Portrait of Lady in a Blue and White Cap. <4 . / * 102. A Mythological Subject. 103. Miss Danby. Pastel. / - / o o o Ji^UJ"' o 104. Portrait of a Lady, blue ribbon in hair. Signed and dated 1784. John Downman, A.R.A. j># & o 105^ Miss Johnstone. Thos. Hudson. y^^o, © 106. Miss Smith. John Downman, A.R.A. 107. Mrs. Trevanion. John Downman, A.R.A. 108. The Princess Royal. Signed and dated 1782. John Downman, A.R.A. j. • O 115— Lady Rivers as Beatrice Cenci. Signed and dated / 4 • / & ■ o 1784. John Downman, A.R.A. 116. Mr. George Poyntz Ricketts. John Downman, A.R.A. 117. Miss Boyd. John Downman, A.R.A. n8_ Portrait of a Gentleman. Signed and dated 1780. / /0 John Downman, A.R.A. 119. Portrait of a Lady, in Landscape. H. Hamilton, R.A. J/JS--&* <=> A*3±- /<■ cv^ * ^ T20. Queen Charlotte. Signed and dated 1787. John Downman, A.R.A. 121. A Miniature Painting of a Child Asleep. On ivory Samuel Shelley. 122. Portrait of a Lady and Child. F. Bartolozzi, R.A. 123. Toilet of Venus. Maria Cosway Collection. Richard Cosway, R.A. 124. Portrait of a Lady. In oils. John Downman, A.R.A. 125. Mrs. Thrale. 126. A Family Group. Signed. Samuel Shelley. 127. Miniature Portrait. Signed. Carrier, 1843. Zj~-'*~o 128^ Two Cupids. F. Bartolozzi, R.A. J. sS~* <^> 129. Rembrandt's Wife. Maria Cosway Collection. Richard Cosway, R.A. 130. Lady Stanhope seated at a Desk. Richard Cosway, R.A. 131. Portrait of a Lady. 132. Joseph and Potiphar. Maria Cosway Collection. Richard Cosway, R.A. MINIATURES. 133. Double Miniature, Lady and Gentleman. In six- teenth century chased gold frame. £j. & . * /•^ o a 4 J & Io «^T~. o . o 134— Portrait du Grande Conde. By S. Cooper. ^ t*i?(}0) 135^ James I. of England. By N. Hilliard. 136. Philip IV. Enamel, signed and dated "Prieur fecit 1658. > J 37-- Queen Anne of Denmark. By N. Hilliard. x 138. Sir Edmondbury Godfrey. By A. Cooper. In small shagreen case. (j3o- o © y 139-- General Monk, wearing crimson scarf and white cravat. Signed J. H. 1658. By J. Hoskins. 140. Charles I. By Bordier. Enamel. /s~<3 •

^- *0 I 5^— - A Gentleman, powdered hair and blue coat. By Richard /0 . Q Cosway, R.A. 157. A Lady, Gentleman, and Child, in Landscape. By S. Shelley. Pearl frame. 158. An Enamel of Charles, Third Earl of Peter- borough. By Zincke. In blue enamel and diamond frame. 159. Lady Porchester. By R. Cosway, R.A. ^ f y.'e 160^- A Lady, wearing white dress and small hat, with neckerchief tied under chin. By Richard Cosway, R.A. +pr . a & 161. Susan Lady Carbury. By Mrs. Mee. Pearl frame. 162. A Lady, wearing blue and white dress. Pearl frame. 163. Gentleman (wearing a red coat) and Three Children. Painted on ivory. Pearl frame. Probably by Charles Sheriff. Illustrated in Williamson's " Portrait Minia- tures." 164. Mrs. Granville, wearing a white dress and red sash, in pearl frame, with initials "V.G." By R. Cosway, R.A. 4>j£rT~- J~f7- 20 165. Lady, wearing white dress, and a white ribbon in hair. By A. Plimer. With initials R.E. on reverse. 166. Lady Augusta Elizabeth Finch. By A. Plimer. Pearl frame. Illustrated in Williamson's " Portrait Miniatures." 167. The Hon. Mrs. Percival, wearing a white dress and holding a letter. Pearl frame. By A. Plimer, 168^- Lady, wearing white dress and ribbon in hair. By A. 1 Plimer. Pearl frame. 169. Lady Ravensworth, Lady Paul and Miss Simpson. By A. Plimer. Pearl frame. Illustrated in Williamson's " Portrait Miniatures." 170. A Lady, with bushy hair and white frilled dress. By A Plimer. Pearl frame. 171. The Hon. Miss Emmeline Grosvenor, wearing a Gains- borough hat, and pearl necklace. By A. Plimer. Pearl frame. 172. Adelaide Plimer. By her father A. Plimer. In pearl frame, with initials A. P. on reverse. 173. A Lady, wearing a white dress with red sash. By A. Plimer. With birdcage on back. Pearl frame. Illus- trated in Williamson's " Portrait Miniatures." /0- o 174.- A Miniature of Sir William Beesley. By Richard Cosway, R.A. Diamond frame, /J • / . a 175. The Countess of Burleigh, wearing blue and white dress, starred frame surmounted by a coronet in pearls and enamel. 176. Lady Eglington. By Richard Cosway, R.A. Enamel frame. /yS~z+o> cT^w f <^r" 177. Mrs. Abington, wearing black dress with red ribbon. By Richard Cosway, R.A. &J-0.&.& 178^ Mrs. Parsons, nee Huff, in large straw hat and white y ^, dress. By Richard Cosway, R.A. Diamond frame. 179. The Duchess of Gordon. By Richard Cosway, R.A. With coronet on reverse. 180. A Lady, in white dress and large hat and feathers. By R. Cosway, R.A. Pearl frame. 181. George IV. when Prince of Wales. By Richard Cosway, R.A. 182. Georgina Duchess of Devonshire. By Richard Cos- way, R.A. 183. A Lady, her hair bound with a white fillet, and wearing a white dress. By Richard Cosway, R.A. 184. A Miniature of Admiral Lord Rodney. By G. Engle- heart. Diamond frame. 185. A Lady, powdered hair, white frilled dress and blue sash. By G. Engleheart. 186. 189. The Misses Berry, the friends of Horace Walpole (two miniatures), with powdered hair and wearing pale blue dresses. By G. Engleheart. Diamond frames. Illustrated in Williamson's " Portrait Miniatures." X^-^-^o 187.— A Lady, wearing a striped dress, seated on couch, with dove. Pearl frame. y 188. Mrs. Groynu, wearing white dress. By G. Engleheart. Pearl frame. 190. Mrs. Elizabeth Young, afterwards Mrs. Pope, wearing a white dress and blue hair band. By G. Engleheart, Pearl frame. y?>^ • #—^0 /J £ <6J4 - " 191. A Lady, wearing a white and yellow dress, with blue sash and powdered hair. By G. Engleheart. Diamond frame. Illustrated in Williamson's " Portrait Minia- tures." 192. Miss Newcombe, wearing white dress. By G. Engleheart. Filigree diamond frame. 193. Mrs. Robinson, wearing a white dress and blue ribbon, with powdered hair. By G. Engleheart. Diamond frame. Illustrated in Williamson's " Portrait Minia- tures." 194. Lady Dorchester. By J. Smart. Signed and dated. 195. Mrs. Robinson (Perdita). Painted by Theophila Palmer. 196. A Lady, wearing red dress, with black neck ribbon. By R. Cosway, R.A. 197. A Lady, with powdered hair and veil, wearing a blue robe trimmed with ermine. Signed J. Smart. Diamond frame. Illustrated in Williamson's " Portrait Minia- tures." 198. A LArfy, wearing a white dress, with ribbon in hair. Painted by J. Smart. Signed and dated 1871. Diamond frame. Illustrated in Williamson's "Portrait Minia- tures." 199— The Second Mrs. St. Aubyn, wearing a blue dress. By J. Smart. Signed and dated 1785. Diamond frame. Illustrated in Williamson's " Portrait Miniatures." 200. A Lady, with powdered hair, wearing a white dress, blue edged. By J. Smart. Diamond frame. Illustrated in Williamson's " Portrait Miniatures." L D/ a - o o 250. Mdme. Recamier. Cardon. After R. Cosway, R.A. c*t*>- o • o 2 5 1 -- Maria Cosway, seated by Trep:. After R. Cosway, R.A. •* 253. Lady Diana Sinclair. M. Bovi. After R. Cosway, R.A. 255. Mrs. Tickell. P. Conde. After R. Cosway, R.A. 256. Duchess of Richmond, After John Downman, A.R.A. / <*- • o . © 258^. Hon. Anne Damar. T. Ryder. After A. Kauffman. / /^^o 259. Mrs. Dickson. Coloured. Conde. After R. Cosway, R.A. /j~~ . & — rX ? 260^ Anne Countess Cowper. F. Bartolozzi, R.A. After W. Hamilton, R.A. -* ' ^ ° J^£ e- <^W" 7 261. Caroline Princess of Wales and Princess Charlotte. F. Bartolozzi, R.A. After R. Cosway, R.A. 262. Lord Fitzgibbon. F. Bartolozzi, R.A. After R. Cosway, R.A. ^^ cs— 263^ Lady Heathcote. +* *> & 264. DUCHESSE DE NlVERNAIS. F. BARTOLOZZI, R.A. 265. Harriet Viscountess Bulkeley. F. Bartolozzi, R.A. After R. Cosway, R.A. t/^ ^— z? 266^. What's that, Mother? Agar and Black. After A. _ /-j— o Buck. "■ 0—^0 267^- Elizabeth Woodville's First Interview with Edward IV. Drawing and Proof Engraving of same by Conde. Richard Cosway, R.A. 268. Le Comte de Lusi. F. Bartolozzi, R.A. 269. John, Earl of Clonmel. Conde. After R. Cosway, R.A. r-. #--0 270— Mr. and Mrs. Cosway. R. Theu. After R. Cosway, ^ j — R.A. //-: * o 27 1_ Mrs. Baldwin in Grecian Costume. F. Bartolozzi, a , R.A. After R. Cosway, R.A. ,/cr- 0>~~rz> 272^ Princess Amelia. F. Bartolozzi, R.A. After Sir y sc?—z> Thomas Lawrence, P.R.A. 273. Portrait of a Gentleman. F. Bartolozzi, R.A. After R. Cosway, R.A. 274. J. L. Dussek. P. Conde. After R. Cosway, R.A. tr?r,**9 fV? 275. Luigi Marchesi. Schiavonetti. After R. Cosway, R.A. 276. Arthur Marquis of Devonshire. Conde. (Two.) After R, Cosway, R.A. 277. George Prince of Wales. W. Sharp. After R. Cosway, R.A. 278. Marquis of Devonshire and Lord Arthur Hill. Conde. After R. Cosway, R.A. 279. Sir John Henry Moore, Bart. Conde. After R. Cosway, R.A. 280. Portrait of a Lady with Cow. T. Agar. After R. Cosway, R.A. 281. Mrs. Crouch. After Romney. /•**- 0- .^> 282-. Marchioness of Townshend. T. Cheeseman. After _ A. Kauffman, R.A. g>. o—rT* 2 %3~ Duke of Clarence. J. Sailliar. After R. Cosway, /. ^ . A R.A. 284. Lady Elizabeth Foster. Caroline Watson. After John Downman, A.R.A. /& . &~:^> 285*- Mrs. Jackson. P. Conde. After R. Cosway, R.A. X-^r-ro 286. Portrait of a Lady (in Red). W. Dickinson. After R. Cosway, R.A. ^ . a r ^ > 287^- John George Count Browne. G. Hadfield. After / ^ R. Cosway, R.A. 288. Mrs. Humphries. Cheeseman. After Adam Buck. /^r^ * &—rv> 7,4, . JL~* *> 289. Mrs. Whiteford and Son. G. Minasi. After R. Cosway, R.A. 290. Mrs. Duff. John Agar. After R. Cosway, R.A. 291. Harriet Viscountess Bukkeley. F. Bartolozzi, R.A. After R. Cosway, R.A. 292. Lady Yarmouth. A. Chardon. After R. Cosway, R.A. 293. Mrs. Siddons. P. H. Tomkins. After John Down- man, A.R.A. 294. Lady Theodosia Cradock. A. Freschi. After R. Cosway, R.A. 295^ Mrs. Fitzherbert. P. Conde. After R. Cosway, R.A. J- j - ° 296. Mrs. Billington. R. Dunkarton. After John Down- man, A, R.A. 297. Hon. Mrs. Bouverie and Child. J. Conde. After R. Cosway, R.A. 298. Son of Mr. Jekyll. A. Cardon. After William Lodder. 299. William Pitt. F. Bartolozzi, R.A. After Copley. (Two states in one frame.) 300. Duchess of Cumberland. J. K. Sherwin. 301.— George Prince of Wales. L. Sailliar. After R. / - /? a Cosway, R.A. 302. Harriet Viscountess Bulkeley. F. Bartolozzi, R.A. After R. Cosway, R.A. 303. Mrs. Elliott as Minerva. J, Saunders, After R. Cosway, R.A, /. J^rv$- 3 ° 304. Lady Catherine Pelham Clinton. J. R. Smith. After Sir Joshua Reynolds. 305. Mrs. Carnac. J. R. Smith. After Sir Joshua Reynolds. 306. George Spencer, Earl of Sunderland, and Lord Charles Spencer. H. W. Barney. After R, Cos- way, R.A. 307. Marquis of Blandford. W. Barney. After R. Cosway, R.A. 308. Mrs. Cosway. W. Green. After Maria Cosway. <^£Zz<4