/ ^ i-/ _ i V 551 REMBBANDT HARMENSZ van RIJN, Descriptive Catalogue of the Works of, and of his Scholars Bol, Livens, and van Vliet, j by Daniel Daulby, compiled from the original Etchings and Catalogues of De Burgy, Gersaint, i Helle and Glomy, Marcus, and Yver, with por- ; trait of Rembrandt j 8vo. hf. calf (scarce) ; with ' a few MS. annotations, £1. 4s Liverpool, 1796 , CATALOGUE ^•v OF THE WHOLE OF THE Cavital^ Genuine^ and Singularly Valuable Collection of Ctcl)tnig:0t BY REMBRANDT, and his SCHOLARS, OF THE LATE DANIEL DAULBY,Es(i, Of LIVERPOOL, DECEASED. WHICH WILL BE SOLD BY AUCTION, By Mr. Christie, At the Great Rooms of MefTrs. Colnaghi, S ala, and Co. PRINT MERCHANTS, N®. 23, Cockfjiur Street^ o/ijiojite to Great Suffolk Street^ on Wednesday, May 14, 1800, and Three following Days, at twelve o’clock. May be Viewed l our Days preceding the Sale, when Catalogues may be had, at One Shilling each, at MeiTrs. Colnaohi's, and in Pall Mall. 1 HE truly CapUaty amd Valuable Collegian of Etchings by Rembrandt y and the celebrated Artijls of his Schoaij which is now fubmitted for Sale, was the Fruit of a long, and ajfduous Refear ch, in the courfe of Thirty Years, by the late DANIEL DAULBY, EsCU ^Liverpool, well known to the Connoljfeurs in general by the hnproved Edition, which he has prefented to. the Public, of the Works of Rembrandt and his School* The fame , correct Judgement which fitted him in fo fuperior a Degree for revifing that valuable Work, is alfo dif played in the choice of Specimens comprifed in this Collehlion, the Whole of which was formed at an unlimited Expence* The Imprejfions are in general fingularly fine, and in perfect Condition; the Variations uncommonly nu- merous; and the AJJemblage of Works by the Difciples, and Imitators of this great Mafier is fo ext er five, that it is prefumed the prefent Colleliion may he jufily confidered as the mofl complete exifiing* Cottlifttons of ^ale as tlKoual* ^ Firft Day’s Sale. WEDNESDAY, MAY the Uth, 1800, SCHOOL OF REMBRANDT^ • Frints after the Pi&ures and Deftgns of Rembrandt by other Engravers,. Six Portraits by Worledge, &c. “ — Ten ditto by Capt. Baillie, &c. Six ditto, Mezzotintos, by Vaillant - - Eight ditto by De Marcenay, &c. Seven ditto by Prenner, &c. — 7, of them proofs Six ditto by Picart, &c.. Ten ditto by Giartes ^ Two Mezzotintos by Houfton — very fine^ f — g Four ditto, various 2 of them proofs^ * 10 Four, John Lutma, the Goldfmith by FilloeuI, man in a broad Hat by Dupius, Junior, another by Danzell ; and another by Houbraken— ^ /4i Four J. Lutma by his fon— Two by FilloeuI, o ‘ portrait of Swalmius, by Suyderhoef ^ ^ 12 One. The Burgomafter, Six, by Bafan— fine ' - on India Paper - . . » One ditto, Mezzotinto— * Two, a piping girl by M’Ardell, fne proof and portrait of a man by Pether, ditto- r [ 4 1 7 - ^ ^ -- ■2, V o - //■ /6 // t5 Two portraits, Mezzotintos, by Pether j6 One, the Jew Rabbi, by Pether, 1778 ^ . 17 One ditto, ditto, 1764, very fine ^ 18 Two portraits, Mezzotintos, by Haid— 19 Two, Prince Rupert, by Val. Green — fine pr^fs^ - and Van Tromp by Graham, ditto / 20 Two. A lady reading, by Earlom, and the School - ^ Miftrefs by Walker ^V' v . 21 Two. Eruditi anonymous Don du Bioiis, fecit; and Philofopher in Contemplation by Phillips— 7?^^ proof ■■ lit - 22 The Burgo-mafters, from the pi 61 ;ure in the Stadt- Houfe, at Amflerdam, by Houfton v 23 Ten various, Hiflorical ^ 24 Six ditto,— I a fine proof i 25 Eight ditto,— 2 of them proofs ^ ^ . - y , 26 Four ditto St. Anaftafius by Balliu. — very finey <^c. 27 Two, the gold weigher by Vander Bruggin; and a Man mending a pen by Houfton,— proof PORTRAITS OF REMBRANDT BY VARIOUS MASTERS. 28 Three, portrait of Rembrandt, by Hefs. Another ditto by Worlidge— pi^oof. Another ditto by Martin, 1765, Mezzotinto ^ ' 29 Two, one ditto byTownley. Another ditto by Gole ^fine proof ^ 30 Three. One ditto by Townley, different from the laft. Another ditto by Seuter ; and another ditto by Van Bleek. • 31 Two, by Earlom, proof and letters — fine c ^ ^ - / t s ] 32 Four. One by Worledge, One ditto, marlced R M. One ditto, Rembrandt and wife, marked V B. G, comma Mari at Femme \ and One, Rem- V ^ . — ^brandt’s friend, by Romani - — 33 One. Rembrandt’s Frame Maker, by Dixon,— 34 Two. One, Rembrandt’s Miftrefs, byHaid; and one, Rembrandt’s Mother, by Ditto 35 Two. One, Rembrandt’^ Wife, by Earlom; and F ^ one Ditto, different, by Houfton — proofs — /V 36 Two. One Rembrandt’s Mother, by Lauw; and one Ditto by M’Ardell— fine proof h ^ ETCHINGS BY REMBRANDT. Portraits of Remhrandty or Heads which refemhle him, N* B, The Number annexed to each Print, refers to the Catalogue of Rembrandt, publijhed by Mr, Daulby, V o 37 Three. Portrait of Rembrandt, by Gole—/«^y>r^7^ (No. i). Buft of a Young Man, refembling Rembrandt, (No. 2]; and a Head much refem- bling Ditto — very fcarce, (No. 3}. 38 The Bird of Prey, Portrait — extremely rare, (No. 4}. 39' Buft of a Young Man, refembli^ Rembrandt— ^ fine and rare — (No. 5}. VC 40 A fmall Head ftooping — fine and rare — (No. 6); and Buft of a Young Man — D/V/a— (No. 7)- 41 Portrait of Rembrandt when Young — extra fine ana rare, (No. 8) ~ 42 Head refembling Rembrandt — ift ImprefTion— very rare, (No. 9); Ditto— 3d ditto, (No.g)fY V [ 6 1 / • « *- / /. 43 Portrait of Rembrandt when Young, (No. 12); and a Buft in which is fome refemblance of Ditt6<-~2d. Impreflion, (No. 14) 44 Ditto, before the Plate was cuty — iji Imprejfton — extra fine and 'rare y (No. 14) T"— T'A 45 Portrait of Rembrandt when Young, half length, •— ’ow India Paper — very fine and extremely rare^ (No. 15) 4 - ^ 46 Bufl of Titus, Son of Rembrandt, — very fine^ and t • a great rarity y (No. 16) 47 A Young Man, Mouth open — veryfcarccy (No. iS); — a, Bull which refembles Rembrandt — dlttoy 19) 48 Bufl: refembling Rembrandt,— -ly? Jmprejfion-^fcarce, . Dmo^finifi)ed Platey (No. 20), and Rembrandt ■ in a Cap like a Turban, (No. 21) 9 \/ 49 Rembrandt with an Epaulette, (No. 22), and Ditto with a Drawn ^Sih'eQ.—fcarce — (No. 23) 'HC 50 Rembrandt and his Wife~'(^^(^z//.y«/, (No. 24) E ci Rembrandt in a Mezetln Cap and Feather — dittoy (No. 25) 52 A fine Portrait of Rembrandt, a half-length— (No. 26) T 53 A Portrait of Rembrandt, Drawing (No 27) and a Ditto— (No. 28) 54 A Portrait of Rembrandt, drawing, before the Land- fcape — extremely fine and rarcy (No. 27) 1 ' SCRIPTURE SUBJECTS FROM THE OLD TESTAMENT. /« 55 Adam and pN^y—very fine (No. 29) . ^ 56 Abraham entertaining the Three Angels, (No. 30} Abraham fending away Agar and Ifhmael, — fpery fine (No. 31) ‘ - ' [ 7 ] I 57 .58 59 T / ^ w C--/71 62 Oj- ^3 64 , 6 s 66 ^ t-i-v 67 ^68 }) ‘ y / Two, Abraham and his fon Ifaac, (No. 32) and copy reverfed Two, Abraham’s Sacrifice,— fine^ with the Bur., iNo. 33) and copy reverfed Five, Jacob’s Ladder 2 d and A^th imp. (No. 34) and the Image which Nebuchadnezzar faw in his Dream, 2d and 3^ imp. (No. 34) and the Vifion of Ezekiel, 2d imp. (No. 34) Four Cuts for a Spanijh Booh, complete, all of them ^ firf imprejffions ; — extra fine and rare, (No. 34) Vd Three. Jacob lamenting Jofeph, (No. 35) Origi- nal and Copy, and reverfe of Original — 2 Jofeph and Potiphar’s Wife,— fine (No. 36] Two. Jofeph telling his Dream,, wajhed zvith In- dian Ink \ and reverfe, (No. 37)''' Two. Ditto, ift and 2d impr. (No. 37) — beautiful J Two. Gideon’s Sacrifice (No. 38] and David on ' his knees, (No. 40) Hainan and Mordecai, iji Imp. (No. 39) — with the Bur, very fine and rare ^ Two. Tobit, (No. 41) ; and the Angel afcending from Tobit and his Family, — extremely finf, (No. 42 ) ^ The Angel appearing to the Shepherds— beau- tiful Imprefifion— -(No, 43) -x ' Two. The Nativity, or Adoration of the Shep- herds, ^No. 44) i and the Circumcifion, ^ (No. 46) 70 Two. The Nativity, a Night Piece— 2^ and bejl Impreffion, and '^d Imp, (No. 48) L' 71 Two. The little Circumcifion, — very fine (No. 47) ; and a Circumcifion, (No. 48) 72 The Prefentation of Jefus in the Vaulted Temple, (No. 49}— 2 d hnp. C 8 ] 73 Ditto, (No. 49)— FIRST Imp. — before the Cap on the Head of the High Frieft. — extremely rare 74 The Prefentation, in Rembrandt’s Dark Manner, ^ (No. 50)— • I/? Imprejfon — very fine and rare TC i ‘ 75 Three. The Prefentation, with the Angel, (No. beautiful Imprejfion ; and the Flight into Egypt, (No. 52) and Copy 76 Two. Flight into Egypt, a Night Piece, (No. 53) —— 4 /,^ and ^th Imp. 77 Twoditto, reverfe of l ft Imp. and Q.d ditto — '(No. 53) _ 78 Three. The Return from Egypt — very fcarccy with the Bur, (No. 54). The Flight into Egypt, Holy Family croffing a Rill — \Ji Imp \ and ano- ther Ditto, fingular, (No. 55) 79 Flight into Egypt in the Style of Elfheimer^ (No. 56)— 3^/ Imp. ^ f f 80 Ditto, (No. 56)— 2 r with a Fragment of the Plate cut 'IfC- y - . 92 Jefus healing the Sick— FIRST Impression, on A \ India Paper, (No. 76) ^ Jet/. ' 93 The good Samaritan— 3^/ Imp* (No. 77) - 94 Ditto— 2d Imp. (No. 77)— EXTREMELY FINE AND ^ ^-“'RARE * 95 The good Samaritan, (No. 77)^ — first Impression, p . 1 * with the white Tail, beautiful ani> VERY RARE C - /] 9 ^ Lord in the Garden of Olives, (No. 7^)““ f /J. " FIRST Impression, uncommonly beautiful y ^ . ■I ^ /- B Second . Day’s Sale. THURSDAY, MAY the I5th, 1800. Prints after the Figures and Dejigns of Rembrandt , by other Engravers^ 'continued. 97 Two. The Mathematicfan, by M’Ardell, and the Nativity, by Ditto — very fine Proof 98 Four, various—i a Proof . 99 Four. The Lord of the Vineyard, by Feffard; and the fame fubje6f, by Martinus, called Le Negotiant D'Amfierdam^ Jofeph and Potiphar’s Wife, by Exfhaw-^^^;/^ Proof, and a Storm, by Ditto ^ 100 Two. The Angel departing from Tobit, by Houbraken, and the fame Subje^l, by Walker < - 101 Three. The Lord of the Vineyard, by Ravenet. Ditto, by Pether — fine Proof, Philemon and j Baucis, by Watfon— 102 Three. Nativity, by Bernard, ift and 2d Imp. and Age, by Greenwood V c. ^ 103 Sufannah and the Elders, by Earlom — Proof . 104 Abraham’s Sacrifice, by Haid— , 105 Another, Ditto, by Murphy— 106 Two. The Prefentation in the Temple, by Earlom, and Elijah raifing the Wjdo^^’s Son, , Ditto ^ t 11 3 107 J ~<~L. Ki ■ixJX^ Two. Our Lord and the Woman of Samaria, by Houfton— and Haman’s Condemna- tion, by Houfton 108 Two. Judah and Tamar, by Dunkarton— ^ Proof, and the Tribute Money, by M‘Ardell— Ditto 109. Two. Pyramus and Thifbe, by Canot, and a / ' Family Piece, by Boydell— Proi/ 110 Two. Triumph of Mordecai, by Tarlom, and — Bellhazzar’s Feaft, by Hudfon ' 111 Sampfon betrayed by Dalila, mezzotinto, by Jacobi 1 1 2, Two. A Landfcape, by Chatelain— and a / Ditto, by Wood — ditto 113 Two, by De Marcenay — Proof and Letters, very i 1 , fine David and Bathfheba, by Moreau— , 115 Two. Tobias recovering his Sight, by De Mar- cenay, and Portrait of a Lady and Gentleman, A Ditto _ V i. ' 116 Four Heads, by Schmidt ^ ’• — - — — Seven Ditto, by Ditto ' Three, Hiflorical, by Ditto— Four, Ditto, by Ditto - -c-^- w Six, from the Dufleldorf Gallery, by KelTe- 1 21 Three. Chrift difputing with the Doctors, and <. -2 Portraits, by Hefle - v-' ^122 Two, by Captain Baillie ^ — 123 A Portfolio containing 78 Imitations of Rem- brandt’s Drawings, by Count Caylus, Pond, Picart, Laurentz, Bertoch, Baillie, and others. Half Bound, Morocco Back lettered “ Rem- brandt’s Works’* 0 - 'v/ C-r ETCHINGS BY REMBRANDT CON- TINUED. 124 Our Lord before Pilate^3d Imp. (No. 79) 125 Ditto, 2d Imp. (No. 79) V 126 Ditto, WITH THE Bur, first Ii^pression, extremely fear ce ' C >■*' 127 Two. The Three CrofTes — 3d Imp.^and a re» verfe, (No. 80) -> 128 Ditto— 2d Imp. very fine, (No. 80) - < 129 Ditto, (No. 80) — FIRST Impression, before' the Natne and Date, very rare ^ ", 130 Two. Our Lord on the Crofs, (No. 8r) — an Oval, and the little Crucifixion, (No. 82) 131 The Ecce Homo, (No. 83) — 2d Imp. very fine , : 132 Ditto, (No. 83) — THE FIRST IMPRESSION, Capt, BaiUie's Collediton, very fine f f / ■ 133 Two. The Defcent from the Crofs, (No. 84)— 2d Imp. and the fame Subjed, a Sketch, (No. 85) 134 The Defcent from the Crofs, (No. 84)— first Impression, before any Addrefs, extremely rare I.: 135 The fame Subject, a Night Piece, (No. 86j iji Imp. VERY FINE A , ^ 136 Four. Jefus entombed, (No. 87)—!/?, 2 d,, 3^/, and ^th Imp. very fine and rare ' •, ''137 Three. The Funeral of Jefus, (No. 88). Our ' Lord and the Difciples at Eir.aus, (No. 90), and the fame SubjeiSl, fmall, (No. 91) . 138 The Decollation of St. John the Baptift,( No. 92^ —first and most beautiful Impressiqn/ very rare 139 Peter and John at the beautiful Gate of the Tern- pie, (No. 94) — 0.(1 Imp. very fine^ on India Paper 140 Two. The Baptifm of the Eunuch, (No. 95)— Imp. fine, and the Martyrdom of St. Stephen, (No. 98 ) — Ditto 141 The Death of the Virgin, (No. 97) — 2^/ Imp . — ^ 142 Three. St. Jerome at the Foot of a Tree, (No. 100 ) — ifi Imp. extremely fine. Ditto, / / i - ■> Kneeling, arched, (No. loi)— ift Imp.— D///^, (No. 103) — ift Imp. Tree, - and Ditto Kneeling, Ditto fY ' ^ 143 Ditto fitting before the Trunk of a (No, 102) — BEAUTIFUL IMPRESSION ' , ^^44 St. Jerome, unfinijhed, (No. io4j — iji Imp. with ^ THE Bur, 145 Two. St. Jerome, in Rembrandt’s dark Manner, (No. 106), and St. Francis praying, (No. 107)^ Scarce 146 Youth furprifed by Death, (No. 109)— very fcarce 147 Two. A Man, Meditating; (No. no) — ijl and 2 d Imp. very fine PIECES OF FANCY. 9 ^ “ 148. An Allegorical Piece, (No. in) — extremely RARE AND FINE 149 The Star of the Kings, (No. 112 ) — very fine - - --r 150 Four Hunting Pieces, (No. 113 ) — very fine an ^ ^ - - rare 151 Two. Three Oriental Figures, (No. 114)— jfwr, and the Blind Bagpiper, (No. 115) — y} Imp^ Ditto 152 Two. The Rat Killer and Copy, (No. 117)^ / - /- [ «4 ] w / /S' . 153 The Goldfmith, (No. 119) — ly? Imp. very fine 154. The Pancake Woman, (No. 120) — Ditto, ditto - 155 Two. The Sport of Kolef, (No. I2i), and a Jew’s Synagogue, (No. 122) ^ ^156 Fortune, an Allegorical Piece, (No. 123) — iji Imp. rare . 157 The Marriage of Jafon and Creufa, (No. 124)— ifi Imp. fine /\ - [ 158 The fame, (No. 124) — first Impression, very fine, and extremely rare / ^ . r.' 159 The Corn Cutter, (No. 125)— first Imp., ex- tremely fcarce and fine ^ V ' i . 160 Four. The Schoolmafter, (No. 126). The Mountebank, (No. 127). The Draughtfman,; (No, 128), and Peafants Travelling, (No. 129) 161 Cupid Repofmg, (No. 130) -—first Imp. vjry rare, and Copy 162 Two. Jew with the High Cap, (No. 131), and Old Man with a Boy, (No. 132) 163 The Onion Wmnan, (No, 133) — 2^ Imp. ex- tremely fcarce / - i. \ .. 164 The Onion Woman, (No. 133) — first Imp. almost Unique, before the Name of Rem- brandt f 165 Two. A Peafant with his Hands behind him, (No. 134) — ifi Imp. fcarce, and a Man play- ing at Cards, (No. 135)—/)///^ 166 A Man with a ihort Beard and a Stick, (No. 136) — first Imp, very fine and rare 167 Three. The Blind Fidler, (No. i37)-~i/? Imp. very fcarce, 2d Ditto and y^d Ditto x68 Two. The Man on Horfeback, (No. 138), and the Polander, (No, 139) ^ ^ y-/ f J //I ') I \ /I i\\^P 169 Two; Another Polander, (No. 140)-!/ Imp. veryfcarce, and Ditto— 170 Two. A Man feen from behind, (No. 141)-^ ^ ^ iji Imp. extremely fcarcey and D\tto^^2d Imp. — Travelling Peafants, (No. 142). .... 1 - The Old Man without a Beard, (No. 143)— ■2.d Imp. very /cam. Ditto and 4th . 172 Two. Old Man with a Bulhy Beard, (No. 144) ^ and the Perfian, (No. 145) -v / •-173 The Aftrologer, (No. 147) by F. Bol ~~ Skater, (No. I5i)~Presque Unique f% J .*^5 (No. 152) extremely fcarce and fine ~ . •t'.l76 The httle Dog fleeping, (No. is^)-2d Imp. rare - ^77 he fame, (No. 153) first Impression, before Plate was reduced, Rajriss f\ 178 The Shell, (No. 154) very fine and extremely rare beggars. A®"gg"^«‘>"ding-/p/nVr^/^r/rW, No.. 155), and a Beggar Profile in 3 Cap. (No. lefil A — Jiir ^ _ O ) 'v,. Ot rRr. A Vt av.ap. (No. 156)^ 180 Three. A Man and Woman Converfing, (No. n^^i' /T7° ®«gg3rs coming from behind d i8r T P ^ • ^ 58 )- 2 of Sketches (No. 330) — extremely rare\ and Three Heads in one Plate — 'Very fmall unde^ cribed 'T~ ^ f 196 The Moor With a Hammer (No. 8, in Supple- ^ ment) Mr, Barnard's Colle£iion — ex- tremely RARE J 197 A grotefque Head, /rc;w the Cabinet of the Bur go-* ^ majier Six — unique 198 Two. Old Man's Head, from the Colledlion of ^ M. Foulkes, Efq. and David on his knees, ^ ^ from Pond’s Colledion 399 Four. Uncertain, Various, i by Houbraken Hne and curious C jL /1r [ iS ] 2too Two, The Little Tomb, (No. 66)^^fine\ and Family in a Room, by F. Bol ' ^ 201 Five. A Philofopher, by F. Bol. The Woman with a Pear, by Ditto, a Man writing, by Van Vliet; and two Old Men’s Head’s, by Konincic 202 Two. Adoration of the Shepherds, by Livens; and an Old Man’s Head, by Ditto , 203 Two. Johannes Secundus, by Rodermont-— ; and a Young Man’s Head, by G. V. D. Eckhout, 1646 y 204 Four. Judah and Tamar, by Laftman — beautiful Imprej[Jion—2.nd 3 others . . 205 Four. A Bufl of Rembrandt, Young, (No. i}. Supplement. An Alchymift in his Laboraty (No. 8), Ditto. An Old Man with an Aqui- line Nofe (No. 25), Ditto, and a Portrait of Klaas Van Rhyn (No. 53) Ditto — all rare 206 Jacob and Efau, (No. 342), by Verbecq i 207 Three. The Teturn of the Prodigal Son, (No. 343). by Verbecq. A Shepherd fitting under a Tree, (No. 344). by Ditto; and Boaz and Ruth, (No. 346) ^.208 Two. The Nativity, (No, 347), extremely i-ariy and the Reft in Egypt, (No. 348), Ditto 209 The Infide of a Proieftant Church, (No. 353)— FIRST Impression, before the Stays that Jupportz the founding Board of the Pulpit RARE AND FINE '210 Four. The Pen Cutter, (No. 361). A Young Man, (No. 362). An Old Man reading, (No. 365); and an Old Man with a Frizzle Beard (No. 366), by F. Bol ^ - I '’9 ] WORKS OF REMBRANDT’S SCHOLARS. LEONARD BRAMER. . 21 1 A Lady at her Toilet; his only etching— - yrr/ rare ^ iX FERDINAND BOL. t ^ 2'f2 Six Heads, in manner of Remhrant, Woman with a Pear, &c . — very fine .213 Two. Abraham offering up I faac ; and St. Je- /rrr . rome in the Cavern » ^ ( JOHN LIVENS ^214 Two. The Refurredlion of Lazarus; and one ^ after Ditto by Louys ^ Two Heads by Ditto; one in Wood, Curious^ ETCHINGS BY REMBRANDT. FREE SUBJECTS EXTREMELY RARE AND FINE ilvo..2i6 Ledikant; or the French Bed, (No. 217 The Friar in the Straw, fNo. 179). 'T^'s - 218 The Flute Player, 3^/. Imp, (No. 180)*— w;///; ^ Copy — j . 219 The fame, 2d, Imp. — (No. 180) **" ^ ^v,22o The fame First Impression, (No^iSo) iri . -\tl22i The Shepherds in a Wood, (No. 181) ' -222 A Man making Water, (No. i82)P-j <7 - ^ Woman crouching under a Tree, (No. 1S3) / [ 20 ] ACADEMICAL SUBJECTS. 224 A Painter drawing after a Model, (No. unfinijhed 225 The Prodigal Son, (No. 185); with the bur^ extremely fine and rare -226 The Go-Cart, (No. 186) . 227 Two. The Bathers, (No. 187); and a Man fit^ ting on the Ground, (No. 188) 228 A Woman fittting before a Dutch Stove (No. 189), 3d. \vn^,^fcarce 229 The fame, (No. 189), with a reyerfe, 2d. Imp. — very Jcarce J / 230 The fame (No. 189), first Impression— fine and rare ^ ^ 231 Three. A Naked Woman, ijl. and 2d. Imp. and '■ a Copy by Hollar ^ 232 A Woman dreffing after Bathing, (No. 191) with THE BUR, on India Paper — extremely rare ay]d fine ^ . 233 A Woman with her Feet in the Water, (No 192] very Jcarce^veiTn the Bur ( ^ 234 A Woman Bathing near the Foot of a Tree, (No. 193) ' C ^ r ^35 The Woman with the Arrow, (No. 194)— wZ/i?? the Bur-^ very rare P' T-C 236 A Woman Sleeping, and a Satyr, (No. i9_5)— . FIRST Impression — very Jcarce 237 The fame Subjed, fmaller, (No. 196) 238 A Woman naked, feen from behind, (No. 197) ^very fine 0 ‘ x / C 21 3 LANDSCAPES. C/ , Six s Bridge (No. ' ioo)—-'Very fcarce ^ ^ 240 View of Omval, near Amfterdam (No.'zoi) V'x_'v, £r,-v. - “ff'" a curious Manner, with ImprcJJions from Three .. other Plates - '>24^ View of Omval (No. 201) — extremely rare ' . .32 View of Amfterdam (No. 202) — beautifu] and ' ' fcarce — . '■V'vv jc».c243 The Sportfman (No. 203) -/ Three Trees (No. 204) extremely fine ^ -K AND RARE . The Peafant carrying the Milk-Pails (No. 205I— ,^..very fcarce , ^ _ . 254 The fame, (No. 215;— the first Impression, ' with the BvR — extremc/y rare ^ _ //a. . 255 An arched Landfcape, with Cattle, (No. 216) [ zz 1 i 256 A large Landfcape, with a Cottage and Dutch Barn (No. 217] with the Copy J t v- 257 An arched Landfcape, with the Obeliik, (No. 218) 258 A Village, with a Canal, (No. 219) J r., ; * 259 An Orchard, with a Barn, (No. 22i)— beau- FUL Impression — extremely rare ,260 A large Landfcape, (No. 222) 1 > ■ 261 A Grotto, with a Brook, (No. 223)— Jcarce:\ 262 A Cottage,^ with white Pales, (No. 224) — 2d Imp, jfearce " . ■ ^ . 263 The fame, (No. 224) first impression — njery rare ^ . •' 264 Rembrandt's Father’s Mill, (No. 22^']’—Jcarce ■ 265 The Gold-weigher’s Field, (No. 226) — very fcarce 266 Two Landfcapes of the fame fize, (No. 227)’ y 267 A Landfcape, with a Cow drinking, (No. 228) 268 A Landfcape, furrounded with White Pales, (No. 234)— 'o;-/ hdia Paper— T -res unique’, 269 A Landfcape, from the Earl of Bute' s ColleSlion— UNIQUE, AND EXTREMELY FINE 270 A Landfcape, not defcribed, from Pond's Colleciion — EXTREMELY RARE J"' 271 A Cottage, from the Earl of Bute's Colledljon^ with ■ THE Bur. — extremely jcarce and fine -/*" ' , v 272 Cottages, UNIQUE PORTRAITS OF MEN. 273 A Man in an Arbour, (No. 237) 274 A young Man fitting in a Chair, (No. , EXTREMELY RARE v 4 \ 275 Three. An old Man with a large Beard, (No. 239 ) — an unfinifijed piece. Bull of an old Man with a long Beard, (No. 240)— 2^2^ lmp.\ and Ditto«*»fine Copy P [ 23 3 // t ► t.>v \ fLJ 276 The fame, (No. 240)— first Impression, hfore pi^fg reduced — extremely rare C 277 Two. The Man with a Crucifix and Chain, ^^~ ^(No. 241) ; and an old Man with large White Beard, (No. 2^2)— very fine Impreffton 278 Portrait of a Man with a fliort Beard, (No. 243) 279 The fame, (No. 243) before the Hand was effaced^ EXTREMELY RARE P 280 Abraham Vander LinJen, (No. 244) first im- pression— fine 281 Two. An old Man in a fur Cap, divided in the Middle, (No. 245); and Janus Silvius, (No. 246) 282 Two. A young Man mufing, (No. 248) ; and //\ Manaffeh Ben Ifrael, (No. 249) 283 Doftor Fauftus, (No. 250) / 1:284 Renier Hanslo, by Xavery Sf^CiL^285 Renier Hanslo, 2y^i) --fine and rare ^ Clement de Jonghe, (No. 252)— 4^^ Imp.fcarce^^ 287 The fame, (No. 252)— 3^ Imp. very fcarce ^ ' 288 The fame, (No., 252)— second impression, /. '/ < ri . extremely RARE, bef ire the A rch f ^ / /( /o Fourth Day’s Sale, SATURDAY, MAY the llth, 1800 . WORKS OF REMBRANDT’S SCHOLARS. JOHN LIVENS. 289 JTwO. St. Jerome in a Cavern; and St. Francis, ditto 290 St. Jerome, ditto, before the Plate was cut-^very rare 291 Two Heads — and rare 292 Mercury and Argus, and 7 Heads, various . ^293 Seven Heads, various 294 Two. Ephraim Bonus, and Julius Vandelius— very fine 295 Four Heads, various 296 Six ditto, James Gouter, &:c. 297 Six ditto .^298 Four ditto ^,299 Anna Maria Schurman, by Suyderhoef — fine 300 Four. Daniel Heinfius. Conllantine Hugenius, by Vollerman. Nicolas Lanier, by Ditto; and / Johannes de Heem, by P. Pontius — fine ^ t =5 ] , 301 Three. Admiral Martin Tromj^, by Dalen* Ditto by Francois; and Admiral Van Galen ^ • JOHN GEORGE FAN FLIET. 302 Ten, a Set of Beggars— fine ^ 303 Twelve, a Set of fingle Figures— and rare 7 K 304 Eighteen, a Set of manual Trades, ditto ^ , ^ ' 3®5 Five, the Senfes, ditto ' ^ 306 Six. An Officer, in Profile, with a Gorget and ' Chain, iji and 2d Imp. Raifing of Lazarus— fine Imp, A Family Piece. The Rat-catcher; and St. Jerome. 307 Lot and his Daughters — beautiful impression ^extremely rare 308 Six Portraits of Men— Set complete-^fcarce 309 An old Woman reading — beautiful impression,^ 310 Ifaac bleffing Jacob — 31 1 Sufannah and the Elders — very fine 312 Four. The Baptifm of the Eunuch, after Rem« ‘ _ brandt. Two, the fame Subje6t, various; and ' St. Jerome in the Cavern ETCHINGS BY REMBRANDT. PORTRAITS CONTINUED* 313 Abraham France (No. 253) tth Imp,- 314 Ditto (No. 253) ^th Imp, ‘f V - 315 Ditto, (No. 253) 4 th Imp,<-~‘Very fcarce . — 316 Ditto, (No. 253) 3^/w/>. Rariss, on India Paperj * J from Lord Bate's ColleSlion^^ ^ CL D " [ 26 ] ■BEAUTI- -T S' - /I /■ 6 " c . 3 - /- /. . ^ ~ '■> 3^7 Haaring, (No. 254) with the Bur • FUL Impression— rare ^318 Young Haaring, (No. 255)— 5^/ Imp, ^319 Ditto, (No. 255) Imp. ^extremely fine and rare 320 John Lutma, (No. 256)— 3^/ Imp. 321 Ditto, (No. 256) before the IVindow^very fine and ' rare 3 .. 322 John Aflelyn orCrabbetjie, (No. 257) — 'id Imp, 323 Ditto, (No. 257) — FIRST Impression, with the Eajel, on India Paper — extremely fine and rare ^ y 324 Ephraim Bonus, (No. 258) — very fine and fcc^vef^ 325 Wtenbogardus, (No. ditto a. i i J . „326 John Cornelius Sylvius, (No. 260)— «;>£^ 327 The Banker, or Gold Weigher, (No. 261)— first finished impression — extremely fine Jp - -328 The little Copenol, (No. 263) — e^th Imp, t 329 Ditto, (No. 263) — 3^ Imp. — very Jcarce yv 330 Ditto, (No. 263)— THE second and rarest Impression, generally ejieemed the Firjl, from the Earl of Bute's ColleHion ]f 331 Two. The great Coppenol, (No. 264) — very fcarce. The Head from the Plate when cut on India paper *^\ . .r ; 332 The Burgo-mafter Six, (No. 265)— « remarkable fine imprejfion, extremely rare ^ 1' P FANCY HEADS OF MEN. ?• 333 Oriental Heads, (No. 266)^fine 3^ Im^ '' prejfionsy extremely rare P 7334 Two. A young Man in a mezetin Cap, (No. 267) . • ^ and Buft of an old Man, with a large Beard, (No. 268) - / [ ^7 3 335 Five. Buft of an old Man, bald Headed, ('No. ^ 269) . Profile of a bald-headed Man, (No. 270) . Same Subjefl fmaller (No. 271) ift Imp. —■very fine and rare. Ditto, 'id Imp. ; and an old Man in an Oval, (No. 272) V Z. - ' 336 Three. An old Man with a bald Head, (No. ^ 2^3) — very jcarce. Bull of an old Man with his Mouth open, (No. 274) \Ji Imp. -very rare \ and Ditto, fNo. 274I id Imp. ' 337 Three. Bull of a Man with a high Fur Cap, (No. 276). Bull of a Man with a Beard from Ear to Ear, (No. 277) ifi Jmpreffton, extremely rare', and Ditto, (No. 277) id Imp. ? , 338 Two. The Slave with a great Cap, (No. 278) ift Imp. very rare Ditto, (No. 27S) 'id ditto ditto _ 339 Two. Buft of a Man feen in Front in a Cap, ^ (No. 280) 3^ Imp. from the ^educed Plate, very fine and rare and Ditto, (No. 'i%o)— Jcarce ^ 340 Ditto, (No. 280)— 2^ Imp. before the Plate was - a//— P resque v^iO^E-^very fine 341 Ditto, (No. 280)— FIRST Impression, before the _ Mark of Rembrandt — extremely fine — UNIQUE 342 Two. Buft of a Man with Curling Hair, (No. 281) and Profile of a bald Old Man, (No. 282) — very fine 343 Two. Buft of a Man in a Fur Cap ftooping, (No. 283), and Profile of a Bald Old Man, (No. 284) — very rare \ A 344 Three. Buft of a Man fingiilarly out-mouthed. No. 285). An Old Man wdth a large wh^e ^ Beard, (No. 284), and a Young Man, half length, (No. 287) I y ^45 Two. A Man with abroad-rimmed Hat and RufT, {'No. 288), and Buft of an Old Man with a large Beard and Fur Cap, (No. 289) — very rare ^ 346 An Old Man in a rich Velvet Cap, (No., ^90) — BEAUTIFUL IMPRESSION, rare 347 Three. Bull of an Old Man with a ,,very large Beard, (No. 292) — iji Imp. very fcarce. Ditto, (No. 292) — 2d Imp. and Portrait refembling Rembrandt in a Mezetin Cap, (No. 293) 348 Two. A full Face Laughing, (No. 294) — and the fame Subjeft, a reverfe — very fine, and undoubtedly the origmal Print 349 Profile of a Man with a fhort thick Beard, (No. 295) — EXTREMELY RARE AND FINE 350 A Philofopher with an Hour Glafs, (No. 296) — FIRST Impression, very fine, of extreme RARITY 351 Th ree. Bufl refembling Rembrandt, No. 297) — \Ji and 2d Imp> and Head with a mutilated Cap, (No. 2 fi^)-~Jcarce ^352 Three. Man with Mouftaches, in a high Cap, fitting, (No. 299) — I ft Imp. very fcarce and fine. Ditto, (No. 299)-— 2^ Imp. and Ditto, (No. 299) — a reverfe 353 ^ Man in a Cap—ow^ of Rembrandt' s firfi Performances, (No. 300J— Imp. very fcarce 354 Ditto, (No. 3 oo)~second Imp. extremely rare— 335 Ditto (No. 300) FIRST Imp. not mentioned by Ger^ /2/«/-*-Presque Unique \ ’ 356 Man’s Head with Cap and Stay, (No. 301}—* ' VERY FINE, AND A GREAT RaRITY ' 357 Two. Buft of a Bald-headed Man, (No. 302}-— \ ft Imp. very fcarce, and Ditto, (No. 302)— 2