A f 4 k * ■ t.T ■ ; • r j CATALOGUE OF PICTURES, Now on Exhibition at the Artijis OLD EXHIBITION-ROOM, No. 68, Great George' j-S treet. Being an elegant, genuine, and capital Coljedlion of Italian, French, Fleniifti, and Du'c'a PICTURES, colledled abroad, many of them out of the celebrated and well-known Ca¬ binets of the late Mr. Brancamp of Amfterdatn, the Sieur Fremaux of Munich in Bavaria, the Bifliop of Tourney, Brother to the late regent Duke of Orleans, and Others, Conftfirtg of the Works of the following great and much efieemed Maflers, viz RAPHAFL, DOMIN1CO FETTJ, MOLL A, GLORGIONI, CARLO MARATT, SCHIDONI, SALVATOR ROSA, ZUCCARELLI, ALBANO, BAROTCHI, RUEENS, JOHN of BRUGES, jvilERES, WEI NIX, Among!! which are the following capital Pictures, Two which Carlo Mara‘t punted for the Prize againft Titian; a mod mafterly Picture of Watt^aUx, the belt and larged he ever printed; a matchlefs Pidlure of dead Game, and another of Still Life, by Weinix ; a capital Picture of Rubens; a Battle by Wouvermans, &c. &c. Any Gentleman that choofes may treat for the whole Cohesion as it {lands, or they will be fold by Auftion, of which due Notice will be given to the Public. To be viewed every Dry except Sunday, from eleven till four in the Afternoon. But to prevent the Room from being crowded with People, who mem nothing more than ro fatisfy their own Curiofity, AdmiHion Tickets to be had at the Door at one Shilling. .Whoever becomes a Purchaser at the Sale {hall be allowed a Shilling out of the Purchufe Money. Was it not for this Regulation, the Proprietor is apprehensive the Rooms would not only be much crowded, but that there would be a great Chance of Piflures being both abufed and loft. ELSHIEMER, BRAWER, WOUVERMANS, PYNACKER, B. PIETERS, QUERINUS, WATTEAUX, LE NA1N, ASL1NG, MORR1LLIOS, VISCHER, VANDYKE, HEVERD1NGEN, MOLTNAER, BORGONION, G REUSE, KUYP, PO ITER, VANDEVELD, FRANK FLORES, TENIERS, OSTADE, VANDERNIER, VANGOYEN, RE1SDALL, P. BR1LLI. A CATALOGUE O F PICTURES. Matters. No. Domenico Fetti — i A Shepherdefs and Children in a mafterly ftile. 2 Jt\ A Capital Landfcape, in high piefervation, aluxu- riant profpeft. Da Lorme,Guido — 3 A capital Piece of Architefture in excellent perfpedtive, pur Saviour and the Centurion in the Garden, the figures undoubtedly by Guido. A. B. f. — — 4 A mod mafterly Flemifh Piece of Still-Life, dead Fi(h, nothing but Nature can be more expreflive, if this Pi&ure is duely attended to in all its Parts, it will be hard to determine its particular Merits, whether in the fpirited touches of the Subje&s in the fore-ground, or the proper tone, gradation, and diftance of thofe in the back ground. Frances Sn eye rs, Scholar -• 6 A capital Lyon Hunt, the different paffions in the animals, of Van Baden the ferocity of the Lyon, and the agony of the Dog, is inimitable. Rubens and Sneyers frequently worked to¬ gether on the fame Piece. Both the king of Spain and the Grand Duke Leopold, have fundry of their joint productions. Kuyp, Scholar of A.Bjlooemart 5 A Landfcape in the mod mafterly Manner of that great Mpn ; this Picture was one of the much efteemed pic¬ tures in Mr. Brancamp’scolle&ion, and coft 130 duckats in Amfterdam. Kuyp ( 4 ) Mailers. No. KtVF A. B. Mo RRI L! OS Hogarth Watte a ux Mollinaer - — Morrilios — — Le Due — — Sir Godfry Thornhill P. Monnamy — — Vandyke - — Hogarth Dobson who was called the Englifh Vandyke Cleavely - — Rubens — Dirck de Roer Vandsvelt R r. M B R A N T — A. Beurstraten 1004 7 Copy of an original high finiDied Pidure by the fame much efteenied Mailer, the original is in the pofieflion of John Latouch, F.fq; coll upwards of 100/. was carefully copied by Mr. William Sadler, of No. 13, Great Ship-ftreet. 8 A mallerly Piece of Still-Life, Filh, and dead Birds, a companion to No. 4. 9 Beggar Boys by Morrilios, this Pidure needs no comment, 10 A party at Tredrill, an undoubted Piece of this much efteemed original Englifh Genius. 11 A Fete Champetre, the Figures in this Pidure are much larger than any thing this great Mailer ufually painted, much higher finilhed than conuuon. This was the lad Pidure he ever finilhed, and was purchafed at Monfieur Boucher, the famous French painter’s fale, where ic coll 90 Louis Dors. 12 A Merry Making, in which the high finiiliing and general keeping is not to be furpalfed. 13 Beggar Boys, companion to No. 9.—Nature is too llrcngly delineated to need any comment. 14 A high finilhed Battle Piece. 16 The Converfion of St. Paul, the oiiginal defign of Sir Gcd- fry Thornhill, which is executed in Alto Relievo over the grand Portico of St. Paul s London. — 15 The Lalhogue Fight between the Dutch and Englifh, confidered a very mallerly Piece in that way. — 17 A Portrait of a famous Comedian, an intimate of Vandyke’s. The Merit of this Portrait are evident to every judge who will attend to the clear colouring and mallerly touches. 18 & 19 Before, and After, two of the lad: (ketches that ever Ho¬ garth did, from which he intended to have done two lniall Plates. 20 A Ladies Portrait, formerly in the pofieflion of Van¬ dyke, who was the firft Man that ever did Jullice to Dobfon’s Merit, by declaring him a great Malter. 21 A Ship coming round the Foreland, efteemed a very maf- terly pleafing Pidure j the Queen has three of this Mailer's pidures at Buckingham Houfe. 22 The Portrait of Sir Peter Paul Rubens, painted by himftif. The Portrait fpeaks for itfelf, the brilliancy of its clear colouring is furprifing. 23 A Branch of the Mais near Eylclmondt, with a View of that Village. 25 A Sea Piece.—The tranfparency of his Water, and corred pofitionof his Veftel, befpeak the mallerly Hand. 24 A Turk’s Head by this great JVlafter. 26 The South Port of Rotterdam This Pidure is in no de- • gree inferior to the Works of De Vlieger, the Craft at the Wharf is equal to any of Vandcvelt’s, and inferior to r.o Flcmifli mailer. Cla ud ( 5 ) Matters. No. Claud — — 2 7 A very capital Landfcape—the whole of this Picture is a real mailer piece in all its parts, the figures inimitably correct, fo as to Hand the neareft examination, the Landfcape pleafihg, the fky clear, and gradation of dittances well preferved, the general tone well kept,— upon the whole, there are few pieces of this fize fo compleatly fini Tied. Carlo Maratt — 28 Dianna and ACteon. This is one of the two prize Pictures which he painted againtt Titian’s of the lame Story, and were judged fupeiior by the Roman Academy.— Thefe two Pictures coft confiderably above 200/. Carlo Maratt —- 61 Dianna and Califta by the lame Matter, painted as a Com¬ panion to it, w’hich laft picture Locatiili copied, is now in the collection of the EleCtor Palatine, was fold for 500 gold duckets. Rubens — — 29 Dido in Tears. To fay any thing of this Picture, would be an infult to the judgment of the curious, it needs nothing But due attention to its merit. F. Seemans — 30 A Man of War under her Coarfes in a Storm, it is not poffible that any thing of that kind can be clearer or higher finiihed. This Picture has three more Compa¬ nions, No 32, 76 and 78, all of equal merit. A. Vanderneir — 31 A Moon Rifing at the Clofe of the Evening, an exquifitc Picture of this Matter, equally careful in every part. Wei nix — — 33 "The mod capital of its fize of that Matter in the world. The Proprietor challenges every collection in this or the three next kingdoms to produce a better.— It was the property of the duke of Orleans, when Re¬ gent, given to his brother the biihop of Tournay, at whofe fale it was purchafed. The EleCtor Palatine had fent an unlimited commilfion to purchafe it, which did not arrive till the day after the fale. Raphael de Urb:no — 34 Theundoubted ciiginal defign for the PiClure which was painted by that great Matter, as large as life, and in the polfettion of the king of France. This fmall one was a prefent with the finegraving done by Eidilink. P. Woverman — 35 A Battle of the Hugenots, by this very pleafing Matter, as perfeft at this day as at the hour he delivered it out of his hands. D. Teniers, fen. — 36 A Phyficianand Patient, the proper attention, andexpref- fion are fufficient vouchers for the abilities of the M liter that painted it, and juftifies the efteem of his Pictures. Wetnarts, after Wover- 37 A pleafing little Picture of the Matter. man -Ditto. — 39 A Ditto, Ditto. Elshiemer - 38 A Little Moon and Fire Light, the Principal SubjeCt Tobit, it requires no fmall judgment and attention to dittin- guifh the merits of this little jewel. Hoet -— 40 Ifis and Gailatea, a pleafing little Picture, the compofition is agreeable and the colouring good. Wilson ( 6 ) Mailers. Wilson, 1635 Wilson, 1675 Salvator Rosa Adrian Brawer No. 4 ‘ 43 42 44 Henry Hondius - 43 Greuse - 46 and 47 Mi eres — Va ndeveld Vandeveld Rubens — Rubens — Almond Vandeveld Brookin Weynants Hemskerk Le Nain De Vlieger 48 49 5 > 50 52 53 54 55 56 57 58 59 John Van Eik, or John of 60 Bruges. Hondius - 62 Simon Vouet 63 Dead Pigeons by Wilfon, he was the bed dill-life painter in his day. Dead Pigeons, companion to No. 41, by the fame Hand. A mod plealing little bitt ot this mader, in his mod finiih- ed and attentive manner. Lord Orford has the com¬ panion of this Pidture at Houton. A True Portrait of that famous though debauched Painter Craalb.eck, painted by his pot-companion Adrian Brawer—If attention is had to the Picture fomething uncommon will be found in the dile of blending the fleihy tints. A parcel of Mufical Indruments mod highly finilhed. Two Whimfical Subjects, with real Drapery done to ex¬ plain the effeCts of Light and Shade to a great per- fonage now alive in France, it was the only poffible ' mode that proved effectual. No. 47, is Greufe’s Wire’s Portrait. As high finilhed and Natural a Picture, as can be painted, fatisfaClion is evident in every feature, this Picture was held in as much edeem as any production of either Hogerwerf, or Gierard Dow, came out of the Collec¬ tion of the Sieur Fremaux. A Sealkip, Boats in a Calm, has much Merit from the Boldnefs of the Stile. A dreadful Storm. Companion to 49. Pan and Sirinx, a delightful little Sketch, very clear Co¬ louring and good Exprelfion. A Satyr by the fame mader very high finilhed. Biedon Cadle, or the hill in Chelhire. A very capital little fea piece, in the highed finilhed manner of this great mader, it is rare to meet with any thing of his in this dile. A Ship on fire a very capital picture in that way. Men loading a Carr from a veffel, in a mod maderly dile. Three Francifcan Friers in their Cell. A mod capital picture of the mader the compofition dile and colouring bears diffident tedimony of its merit, its companion was ptirchafed by lord Carlifle for 85/. he offered 95/. for this. The Port of Dort in the highed finilhed and mod maderly dile of this judly edeemed mader. St. Jerome a very tare picture of the mader, he is faid to be he fird painter that ufed oil with colours. A large Landfcape, painted with much fpirit and good un- derltanding of effect, didance, light and fhade. The Goddeffes throwing the dye on Mount Idas, which fhail obey Mercuries fummons to attend Jupiter for the evening. A. Van- C 7 ) Mailers. No. A. Vandkrnier - 64 A Duch Cuflorn-houfe, painted with a very rnaflerly touch and highly fmifhed, tliere is a ftriking effeCt in a group of figures, which are lighted by the reflection of a fire in the flreet, this is a very capital picture of the mailer. 65 A Mufical Concert, very highly finilhed in the Spanith flile, and well grouped. 66 A Vafe of Flowers, finiilied in a very clear and rnaflerly manner. 67 The port of Monacco in Italy, done in a rnaflerly manner, the variety and pleafing difpofition of matter contained, renders it agreeable, this is the mafter which Cannalett imitated. 68 Some Ruins, with a white horfe and man eroding a ford done in a very rnaflerly and pleafing manner, with good general etfeCt. 69 A very capital River view in Flanders, by which the power of cffeCt in light and fhade is more powerfully expreffed than a volume could explain, every touch befipeaks the found judgment and ready execution of the mafler; pieces fo finilhed and fo clear are rare. Sicberts - 70 Rocks Cattle Figures and Lanfcapes, it is hard to fay which of the parts to admire mod, nature is ftriCUy adhered to in every part, the rude part, and animals are done with rnaflerly attention—This piClure came out of Brancamps collection, where it was much ef- teemed. Otho Metheus - 71 A moft rnaflerly piece of Hill life, the roundnefs briliancy and juft outline of the Nautalus (hell cannot be furpaflld. Morrillios - 72 A Spanifh boy and girl at play, the general and mafterly effeCt of this compolition muff pleafe every judge of hold painting. - -- 73 An excellent Fruit piece, there is a clear tranfparency in many parts of this picture which renders it agreeable. -- 74 The infide of a Flemilh (laughter houfe, a droll picture, if tiie fubjeCt could be tendered agreeable. Elchmeer » -- - 75 A moft high finifhed little landfcape of the rr.affer, repre- fenting the evening, if the figures are ffriCtly obferved, they will be found inferior to none of this much efteem- ed mafter. F. Seemans - 76 A very capital Seapiece, a moon light, this piece fpeaks for itfelf. OldSertorius —■— 77 A Fruit piece by old Sertorius, very tranfpsrent colouring, and highly fir.ifhed. F. Seemans - 78 A very brilliant little Seapiece of a Man ofWar before the wind, with a pilot boat lying too for her, this is a companion to No. 76, and needs no more commenda¬ tion than it. Martin de Voss-179 Chriil and the DoClors, a very high fmifhed bit of this mafter in full prefervation. Palomedas Bakers Storck We YNANTS Va ndeveld Mart in V Mafters. Marten de Voss Marten de Voss Marte n de Voss Me rian — M E R 1 a n — B. Casteels B. Casteels Rubens - Rachel Ruys Salvator Rosa Mom pert “ Rubens Rubens - Paul Potter T e n i e r L0CA.TII.T1 C'UYP ELL < 8 ) No. • 180 Child’s Circumcifion in equal prefervation. It is rare to meet with any thing of this Mafter in fuch preferva¬ tion. — 181 The Annunciation in equal prefervation with the other two. 1S2 The Salutation, in peifedt prefervation. N. B. There is belonging to this let, by the fame Mafter, the Ado¬ ration of the Shepherds, large, and the four Evangelirts in rounds. 183 A very delicate Vafe of Flowers and Ornaments, in wa¬ ter-colours, by this much efteemed Lady. 184 A very elegant high finiflied Vafe of Flowers and Orna¬ ments, by the fame Hand, companions to No. 183.— By the fame Lady. — 185 A View of the Scheld, the mod minute Mafter that ever painted in oil; there are above 200 figures dif- tindt in this little Piece, exclufive of the buildings, veiy rare to be met with fo perfedt. — 186 Another View of the Scheld, equally minute and full of matter ; proportion is preferved in the fmalleft Ob- jedb 80 Several oriental Birds very highly finiflied after Nature; the Cokatoo, the Mina, the Cape Black Bird, and the Afiatic Turtle, the Carolina Nightingale, Courico, and Thrufli. — 81 A Boar Hunt, a very fpirited (ketch of Rubens of a Boar Hunt. This Piece was evidently intended only to de¬ termine the effedt of light and lhade for the finilhed piece large as life. — 82 A Flower Piece in a moft tnaftetly ftile, the Fox Glow and White Rofe are very capital. — 83 The (ketch of a Rocky Landfcape, 84 Afparagus, dead Birds and Flowers. — 85 A very capital View in Switferland, finifhed in a moft mafterly ftile. —• 86 Two Boys, exceeding clear colouring- This Pidture has been twice fcraped in metzftinto, and once engraved. — 87 A (ketch for a large Pidture, the effedt of colouring needs no comment. 85 An Alderney Cow from Nature, as highly finiflied as any thing he ever did, the Landfcape as highly finifhed as it a minature, though the diftances are perfectly preferv- ed, and the whole colouring in harmony. 89 Dutch Boors fmoaking, a very pleafing, clear little Pic¬ ture of the Mafter. 90 A Sacrifice to Priappus in a very pleafing ftile. — 9! Bacchus and Aiiadne, a very pleafing Picture in the French ftile ; the colouring is tranfparent, and the compofition agreeable. Gi R. ( 9 ) Matters, - No. Gir. Segreb — 92 The Portrait of King William in Chearo Obfcuro, with fettoons of floweis, the delicacy and thinnefs of the foliage, and leaves of the flowers is inimitable. Bergem, or Castellion 93 A Farm Yard with Cattle of different kinds. The (tile of painting very plainly announces the ability ol the Matter. Te nie rs, jun. - 94 A very pleafing little Landfcape, fccmingly barren in fubjeCt, but when properly conlidered, pleafing in ttile, the keeping natural and very neatly drawn.— There is a very neat graveing of this Picture. Go-ltsius - 95 Dianna and Calitta. The ttile, manner and outline of this Picture very evidently marks the Gothic Landfcape of former ages, and ftill upon the whole it is a very pleafing cabinet Picture for its antiquity. 96 The Portrait of the Prince of Morocco, in a Mafquerade Drefs, very highly finiHied. T. Biltius — 97 A Dead Pidgeon, Gun, &c—There is a fpirited frank- nefs in the touch of this Matter, with a due attention to Nature, which renders his Works efteemable. P. V. 98 A Sea Piece in an uncommon ttile, the Ship in the Storm is well underftood, and the general dittrefs perfectly made out. T. Biltius — 97 Dead Pidgeons, Birds, &c. in no refpeCt inferior to other Works of this Matter. W. Croose, 1651 — 100 An uncommonly warm and delicate Landfcape, inaftile feldom to be met with ; but it is evident that this Matter’s talent was entirely in Landfcapes, and not Figures. Vandyke — — 101 One of the Bolingbrooke Family. This Portrait too evidently fpeaks the Powers of the great Matter to need any comment, and for clearnefs of colouring it is not inferior to Corregio. Beschey - 102 Abraham and his fon Ifaac in the ft.'le of Rembrand, there are parts of this Picture executed in a very niaf- terly manner. Rubens —- — 103 Vertuannus and Pomona, a Sketch by this great Matter.— It is remarkable that there never was a painter who had fuch a variety of ttile as Rubens in his Landfcapes, the effeCt is good upon the whole. D. Teniers, fen. —— 104 A Blackfmith and his Family.-Too much cannot be faid of the uncommon fpirit which is evident in every part of this little Jewel of Picture; whofe finifhing at a proper diftance is equal to Meires or Netcher ; the group and general relief is equal to every thing that can be expected of a great Matter. De Heme —■ — 105 A Picture of Still-Life, very highly finiflied. C E.Qut- Mafters. E. Quilinus, adifcipleof Rubens Vangoyen Weinix — — Swaneveldt - _ ' DILTIUS - - F. Barotchi, or L.Cara- CHE. T. Vo NCR, 1657 - Cl.EAVEI.Y - No. 106 Judeth and Holloferneus.—There are many parts of this Pidlure that are excellent j the fubjedl though not plea- ftng is well told, the exprelTton of the old Women, the delicate fortitude of Judeth, and the exquifile high finifhing of the armour, renders it a Pidlure admiflible into any good colledlion. 107 This Landfcape has an excellent keeping throughout the whole, the extremity of the perfpedlive is equal to any thing this Mafter ever did. 108 The Infide of a FlemiOi Farm Houfe; the cleamefs and neat finifhing of every little Utenfil with fo evident a mafterly touch, renders this Pidlure deferving of a place by the fide of any Flemilh painter that ever paint¬ ed in that (life. 109 A Fouling-Piece, Pouch and Piilol.—The truth, touch and finifhing of this uncommon Pidlure, leaves no doubt of its being an Original of this Mafter. i to A very pleafing Warm Landfcape, the Figures attenti¬ vely drawn and well coloured, the diftances and fkye have an uncommon effedt; upon the whole, this Piece is as high finifhed as a minature.—This Pidlure has a comptnio-n No. 165, by Moucheron. 11 1 Dead Game, the relief of the Birds_ hanging up is very fine, and the touch of the feathering very delicate, it is a companion to No. 99. 112 The whole-length Portrait of the Duke of Bolton. uj A Modonaand Child-The clearnefsof colouring and. delicate blendicure of the half-tints, renders this Pic¬ ture worthy a place in the choiceft colledlion. Thi* Pidlure was in the colledlion of the Bifliop of Tourney,, by him it was held asaPidtureof Barotchi’s, whilft other connifieurs infifted on its being the work of L. Carache^ •—I take it to be the latter, be that as it will, it is undoubtedly a Pidlure not unworthy the name of either of thefe great Mafters. 116 A fmall Pidlure of Dead Birds-This Pidlure upon minute infpedlion will be- found as highly finifhed as any of the kind ever was, the delicacy of touch is very uncommon, and is fo extremely near Nature, that it is fcarcely conceivable what eye, hand,or pencil, executed the falling feather,-out of the collection of theSieur Freneaux. 115 A fmall Ship Piece, a very neat and clear bitt in an un-' common ftiic ; the drawing of the Ship extremely corredt. 114 A Bittern a very mafterly piece in its way, the fubjedl is vyell relieved. P V f. r d o e r . ( 11 ) Matters. J|Mans 1673 Old Sk rtoriuj C. Vise her. out of Mr. Brancamps J. Deroor W. Vandeveld Reisdale junior Verpeulen Verpeulen Verpeulen Almon d Moll a No. 117 A view of Scheveling, a very brilliant clear cpnedt pic¬ ture as can be met with, equal to any production of the kind, the degrad ttion of diftances, and true warmth of colouiing, with the ftridt adherence to nature, ren¬ ders this little piece highly ettimable. 11.8 A fmall rich landfcape in a very uncommon ftyle of paint¬ ing, which will bear minute infpedtion, and difplays new matter every time—If any thing it is too rich im compofition. 119 A parcel of Herrings as near nature as any thing of the kind can be. 1 zo A-capital picture, is evidently painted by two matters, the landfcape has an uncommon effedt and an agree¬ able clearnefs, notwichftanding the elaborate diftir.dt touch in the foliage, and the figures have a free breadth of pencil with a delicate exprellion which ren¬ ders the picture pleafing, this pidture has been twice copied in this country, once by Vanderheyen, and once by Mr. Pope Stephens. 121 The Gipfey Family, this is one of the much etteemed produdtions of this great matter, it is as highly finittted as any thing that ever Hogarwerf, Dow, or Mieres did : it was graved of the fame fize by Vifcher, which is very much etteemed,, and has been fince engraved by Clement de Jonge. 1.22. A fmall Landlcape, with a Cape Goat, and a Barbary fheep highly finilhed and beautifully relieved is worthy of a place in any colledlion. 123 A filhing boat and filhermen on the ftrand, a veFy neat little bit of this much etteemed matter. 124 A Farmers houfe in’a wood, there cannot be a more , pleafing pidture in this ftyle, harmony is fo general throughout the whole that it is hard to fay what de- ferves 1110ft attention, the landfcape, the rural cotts,. or the inimitable figures, there is a brilliancy of pencil, and an agreeable neatnefs throughout the whole. 125 Smoaking Dutchmen, a very pleafing little pidlure. 126 A Narciffus in a little vial, a neat ftudy for a lady, the bottle is extremely tranfparent. 128 A fin 11 landfcape, ftyle of Pouftin, with the colouring of Brill, uncommon pidtures in their way. 1 30 The companion to do. 129 A circular landfcape with rocks a very pleafing little bit of the matter, the compofition is fpirited tho’ mannered. 131 A (hip and boat, pleafing, tho’ extravagantly coloured. 132 A very mafterly (ketch of a Magdalen, by this much efteemed matter, there are many connoifteurs who prefer this rough ftile to the finilhed pencil of Polem- bury. Moi.l a, t 12 ) Mailers. Cleavly Molla Reisdale and Wou V ERMA NS P. C. f. -f' B. Pieters ■i- B. Pi eters Ramvia H. GOLTZIUS Brugel Borgoynon Heverdingen No. 133 A man of war moored to the wharf at Deptford, fuppoflu going to be rigged. 134. Two lludies of Ruins painted purely for effect, at a pro- 135 per dillance they have an appearance of being as high finilhed as if painted by Ferg,—two very rare pieces. A large hunting piece, the landfcape by Keifdale, father * 3 ° the cattle by Wouvermans, this pidlure was put chafed at the Sieur Fremaux’s, and was much efteemed. 137 The pafiage through the read fea, this pidture has much of the manner of Frank Flores - , there is a great briliancy of colour and breadth of pencil, the whole picture is replete with charadterifticks of a great mafter. As it has a mark I mull fubmit the mailer to the judgment of the virtuoli, it is marked as per margin, which was occafionally uled by Paulo Cayliari, and Petro de Cortone. 138 A view of the Scheld, the Minutia and number of figures is alfonifhing, efpecially as they are in general well underftood and proportioned. This mailer and Calteels were the only two we know that followed this diminutive ftyle for a conftancy, they are efteemed in Cabinets. 139 Another view of the Scheld, by Do. 140 A very bold and fpirited picture the horfes and figures animated the landfcape warm and natural, this picture is a true reprelentation of Ramma the laft place where Chriftians pay tribute to the Turks while on their pilgrimage to the Holy land, this picture was the property of Lord Baltimore who lived many years at Conftantinople. 141 St. Luke. 142 St. Matthew. 143 An undoubted pidlure of the mafter, there is fomething very fpirited in the groupes of figures, waggons and cattle. 144 George the firft a fpirited ar.d good likenefs. 145 A battle piece, no pidlure can improve more on repeated infpedtion than this little pidlure does, it is an un¬ doubted original and befpeaks the mafter. 146 An Italian Seaport, one of the moft pleafing little pictures that can be - met with, it has every perfedtion that can be met with in Cloud, Ferg, or Horafonty.—No cabi¬ net need be aftiamed of it. 147 A farrier flroeing a horfe, executed in the very beft manner of this great mafter equal nay fuperior to Rottenhamer or Polenberg. 148 The white horfe which was left for feven years tyed to a tree while-went in fearch of his miftrefs, it lived by inchantment, on the mafter’s re¬ turn the hor/es main was grown fo long as to reach his heels. Sal. Mailers. Sal. Rosa ( *3 ) V e rpeulen after Wove rmans Esseling Verpuclen A. Bloomart W. Vandeveld POLENBERG POLENBERG Tellemans SCHIDONI A. Bi.oomaert Zoc ARELH CoRREGIO Mo U CHE RON. — Pelecrj-no Parodb S oBfTORIUS —- No. 149 A fketch of Salvator Rofi, he painted a large picture from It* A landfcape, horfes and figures after Wovermans, a pleaf- * 5 ° ing little picture, but mud not be brought near the works of the original mailer. 151 A humorous little picture of a Coblers boy riding on a Goat. 152 Ruins and a market woman riding on an afs—The ex¬ cellencies of this picture need no comment, this was one of the efteemed pictures in the collection of the birtiop ofTournay. 153 A little French floop. 154 A Dutch (hip by the fame hand. 155 A round landfcape, the defign in the (tile of cloud the colouring like Brill. 156 A true bitt of his, he was one of the mod edeemed maf- tersof his time, he lived above one hundred years, was born anno 1 564. 157 A Sea piece with a Dutch Dogger, the tranfparency of the water, the general keeping and maderly execution of the whole renders this piece as deferving of a fird. place in the choiced collection, as any thing this maf- ter ever did. 158 An emblematical Figure of Painting, very delicately touched in Ciaro Obfcuro, from the Sieur Fre- maux’s collection. 159 An emblematical Figure of Contemplation, very deli¬ cately touched in Ciaro Obfcuro, from the Sieur Fre- maux’s ditto. 160 A mod delicate little Battle Piece, much edeemed',- from the Bifhop of Tournay’s collection. 161 One of the Cardinal Virtues—Charity, executed in the bed manner, of this much edeemed Mider, whole Works are preferred to Domenequino The king of Naples fpares no price to get them into his collection ; by which means, there is lcarce ever a Piece of this Mader’s to be met with but in his pofTeflion. 162 A Country Village with an. old Tower to fix a Timepiece: in to ferve as a Clock ; the whim is uncommon, but the Bridge, tranfparent Water, &c. lias ever met with general approbation. 163 Ruins in Italy, pain ed by him in hi-; Italian dile. 164 A Holy Family, a (ketch of Corregio’s very near finidied'. This little PiClure has been much edeemed by the Conocenti. 165 A very warm pleafing Landfcape, the Figures attentively- drawn and well coloured. This Picture is a very good: companion to No. no, by Swaneveld. 166 A Ciaro Ofcuro-the Doctors of the Sorbon- There is fomething very fpirited in the Figures. 167 Fruit by old Soitorius, D Wove rv ( »-4 ) Mailers. WoVf.rmans Cornelius de Ee e Mompert — JoRDAENS - Albano • . Marten de Voss Marten de Voss Marten de Voss Marten deVoss Marten de Voss Titian — Di rck de Roer Cleavely W.Vandeveld Marten de Voss Teniers - — P.P. Rubens Vandyke Molla Georqioni No. 168 A PiChire that has been damaged. 169 An alegorical Picture of the Vanities of this Life, en¬ riched with the emblems of all the Sciences, Trophies, and Badges, but a Death’s Head is brought in to ciofe the feene. 170 A large Landfcape on Part reft, painted while he lived at Tivoli. Pieces of this Mafter are much efteemed for their fpiriced compofitfurr and touch. 171 Saint Francis in the Wildernefs. 172 A Holy Family by this bold Mafter. 173 A Holy Family in the tendereft manner of this great Maf¬ ter This PiClure came out of the Bilhop’s collection. 174 Chrift in the Manger adored by the Shepherds- This is one of the fet which the following four Evangclifts makes complete. 175 St. John in Ciaro Ofcuro. 176 St, Matthew, ditto. 177 St. Luke, ditto. 178 St. Mark, ditto. 188 A Miniature 189 A Miniature. 190 A View of the Texeil. 191 The Portrait of a Philofopher on Pannei, very highLy finiflwd. - ‘ 192 A Dutch Canalf. 193 A Ship going over Beaumotris barr in Wales. 194 A very delicate Sea Piece in the hlgheft finiflied (tile of' this Mafter. 195 A couple of Pointers a fleep, and the original graveing from the Picture. 199 Dutchmen quarrelling at Cards, a very excellent Pic¬ ture of the kind. 197 Chrift’s Head on Panned, a very great curiofity. 198 Sir P. P. Rubens his Portrait, painted by himfelf in his moll mafterly (tile.—This PiClure came out of the col¬ lection of the BLfhop of Tournay’s ; it needs no com¬ ment, for no man can be blind to its merit. 199 The Portrait of the unfortunate Charles the Firft.——- Whoever confiders the features of the face, mud coin- fide with the juft obfervation of the Mafter of the Roman Academy, who feeing a ftriking likenefs of that Prince, declared that if that was a true Portrait, he could read from his Countenance that he was bot h to be an unfortunate nran. 200 Jeremiah in the Wildernefs by the very mafterly Hand of this great Mafter; as no one will deny who knows the works of that great and bold mafter. 201 A very capital Head of a Lyrick Poet. To fay any thing of the merits of this Head, would be a palpable infult to the underftanding of the beholder. Titian ( *5 ) Matters. Titian ,* Baptist Polinherg C. Le Brun Rubens Vanderhagen Be rgeen Sir Peter Lely Vandiest John of Bruges -Smith of Chichester No. — 202 A Philofopher. — 203 A capital flower piece, — 204 Polinberg the painters portrait. — 205 Part of a large pidture of Carlos Le Bruns, — 206 A Magdalen. — 207 St. Catherine. — 208 A landfcape. — 209 A little landfcape. — 210 A dead Duck. — 2i 1 A little Flemilh dodtor. — 212 A drinking Skipper. — 213 A Iketch of an old man’s head. — 214 A vafe of flowers. — 21 5 An infide of a room with people dancing. — 216 Portrait of King Charles. — 217 A Dork Italian pidture. 218 A View of the Texel 219 Strawberries on Copper. 'Z- 220 A large upright Flower Piece. 221 A Landfcape with a white Horfe and Cow. — 222 A Landfcape and Boats. 223 A Madonna and Child. 224 A pleafing Landfcape. 225 A Ditto, its companion. 226 A ftrange Landfcape Stile of Rubens. 227 A Peacock and live Foul. 228 An upright Landfcape. 229 A Flemilh Mars and Venus. 230 A Feftoon of Fruit and Flowers. 231 A Fruit Piece. 232 A Ditto, its companion. 233 A Flower Piece. 234 A Ditto, its companion. 235 A fquare Flower Piece. 236 Still life and Parrot. 237 A Spaniflr Landfcape on the borders of Serna Morrena, 238 A Fettoon of Fruit and Flowers. 239 A Sketch of a Battle. — 240 A landfcape with a Ihepherd by a river fide. — 241 Some Lemmons and Bill life. FINIS. C c« ) \m i 'i’.’iri / . . n «v: -■ -ish: . 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