anxa 93-B 18928 HOArxI) OF EDUCATION THE “LIBER STUDIORUM OE J. M. W. TURNER, R.A. IN THE VICTORIA AND ALBERT MUSEUM LONDON PRINTED FOR HIS MAJESTY’S STATIONERY OFFICE 1910 Price Threepence -■ » - - * T^ : " V _-WP- ? 1^. • a, ' ' - • * > . * , - No. 19. — Little Devil’s Bridge. The origiiuil druwlng, ))v J. M. AV. Tumev, R.A. BOARD OF EDUCATION THE “LIBER STUDIORUM OF J. M. W. TURNER, R.A. IN THE VICTORIA AND ALBERT MUSEUM LONDON PRINTED FOR HIS MAJESTY’S STATIONERY OFFICE 1910 Price Threepence This Catalogue has been compiled by Mr. E. F. Strange, an Assistant Keeper in the Victoria and Albert Museum. First printed, 1908. Second, edition, 1910. No. 19. — Little Devil’s Bridge. The Etching, by J. M. W. Turner, R.A. INTRODUCTION. THE “LIBER STUDIORUM” OF J. M. W. Turner, R.A. [b. 1775— d. 1851.] The series of engravings to which J. M. W. Turner gave the name, Liber Studiorum^ was intended bj the artist to comprise 100 plates. His scheme was placed before the public in a prospectus, of which no copy is known to exist, although it is fully discussed by John Landseer in “ The Review of Publications of Art” (1808), in the course of a critical notice of a collection of paintings then being exhibited at Turner’s house at Queen Ann Street West. In a footnote (p. 155) Landseer gives the title of this prospectus : — “ Proposals for “ publishing one hundred Landscapes, to be designed and “ etched by J. M. W. Turner, R.A., and engraved in “ Mezzotinto ; ” and also the following extract : — “ It is intended in this publication to attempt a classification of “ the various styles of landscape, viz. the historic, moun- “ tainous, pastoral, marine, and architectural.” The covers*" in which the prints were issued also describe the undertaking in very similar words : — “ Liber Studiorum ; Illustrative of “ Landscape Compositions, viz., Historical, Mountainous, “ Pastoral, Marine, and Architectural.” There is, therefore, little doubt that Turner had in his mind the idea of classifying the subject of landscape composition, and of illustrating fully * Note. — The first cover was issued with the following imprint “ Proof. I No. I. / of / Liber Studiorum ; / illustrative of / Landscape “ Compositions / viz. / Historical, Mountainous, Pastoral, Marine, and “ / Architectural, / by J. M. W. Turner, R.A. / Prints lo.s*. Proofs ll. 5.?. “ to be paid upon delivery. / Subscriptions received at J. M. W. Turner’s, “ 64, Harley Street, and 50, Warren Street. / To be had also of W. Miller, “ Albemarle Street.” The cover was afterwards varied, and the prices raised to Two (and One) guineas per part. e (11)5847. Wt. 10002. 1,000. 11/10. E. & S. a 2 IV the v?.rious categories into which it appeared to him to be divisible. His general inspiration was derived from the Liber Veritatis of Claude^ which had been engraved by Earlom and published in 1777 and 1^3/” Turner was an intense admirer of this artist, and the benefits he had himself received from the study of the Liber Veritatis may have suggested to him that a series of plates, in similar style, but arranged more specifically with reference to their educational value, would be of great service to other artists, and a not unprofitable business enterprise. Plis first drawings for the series were made in October, 1806. Claude’s sketches had been engraved by Earlom in aquatint, and Turner at the outset was, naturally, inclined to use the same medium for his own work. He, therefore, employed F. C. Lewis, then one of the leading practitioners of this method, to complete “ The Bridge and Goats ” (R. 43), for which Turner himself supplied the drawing and preliminary etching. The result was satisfactory to the artist ; but a dispute with Lewis about the price to be paid to the latter terminated the connection (14th December, 1807), and the rest of the work was done almost entirely in mezzotint. Lewis’s aquatint did not appear until 23rd April, 1812 ; and the prints issued as Parti, were all engraved in mezzotint by Charles Turner. These plates are undated ; probably they were not published until the early part of 1808. Part II. is dated February 20, 1808 ; and was sent out with the following notice: — “J. M. W. Turner respectfully “ acquaints the Subscribers to the lAber Studiorum^ that his other Engagements having delayed the completion of “ the Second Number, in future, the Publication and Manage- “ ment of the above Work will be under Mr. C. Turner, I “ 50, Warren Street, Fitzroy Square.” This engraver com- pleted and published the plates comprised in Part II., Part III. (June 10, 1808), and Part IV. (March 29, 1809) ; but a disagreement as to the rate of his payment then put an end to the arrangement ; and the succeeding parts were all pub- v' lished by J. M. W. Turner liimself. They appeared at irregular intervals: — Part V. being dated January 1, 1811, and both Parts VI. and VII., June 1, 1811. Part VIII. is said by writers on the subject to have been “ issued February 1 , 1812”; but two of the plates included in it are dated Feb- ruary 11th, and one, February 14th. Part IX. was published on April 23, 1812, and includes Lewis’s plate referred to above. The Frontispiece was sent out with Part X., May 23, 1812. Part XI. consists of 4 plates dated January 1, 1816 ; and one (No. 53), May 12, 1814 ! The 5 plates constituting Part XIII., also bear the date, January 1, 1816. An interval of three years now occurs before the appearance of the next part (XII.), of which Nos. 62,63, and 66 are dated January 1, 1819 ; and 64 and 65, January 1, 1816. Part XIV., the last published, is dated throughout, January 1, 1819. It is evident, / from the above, that the dates engraved on the plates are not, necessarily, those of actual publication. ^ Turner appears to have done a considerable amount of work towards the fulfilment of his proposal for a set of 100 plates ; for twenty of the thirty remaining plates are known to have been partially etched or engraved ; and drawings are in existence for rather more than the number of subjects required to complete the scheme. It is also certain that a large number of drawings were prepared by the artist, at the outset, in advance ; for there exists (in the Taylor Collection) a draft in his writing of a notice which seems never to have been issued to the public. It reads as follows : — “ Mr. C. “ Turner having the management of the Publication of Liber “ Studiorum (after drawing by J. M. W. T ) respectfully “ informing the Subscribers to the above Work, and the “ Public that the second number containing 5 Plates is ready “ for Delivery at 50 Warn St Fitz Sqr — 50 (?) Drawings “ intenndg (?) to be engraved may be seen on tbe 18 of April “ when Mr. J. M. Turner’s Gallery — in Harley St. will open “ for the Season.” There is no definite record of Liber Studiorum drawings having been included in this exhibition The draft quite certainly belongs to the year 1808. But the VI compiler of this catalogue suggests that Laudseer when he visited the Gallery, saw these drawings and based his criticism thereon (^see above) ; and also that the prospectus which he quotes was merely a written one, shown to him with the drawings, on this occasion. The printed slip, quoted above, sent out with Part II., shows that delay had occurred in the business arrangements ; and the date, February 20, 1808, on the plates of Part II. was probably placed there some time before the actual issue of the part."*^ The technical process involved in the production of the Liber Studiorum may shortly be summarised as follows. In each case. Turner himself seems to have prepared a drawing of the subject. Many of these originals are now at the National Gallery, British Art, Millbank ; and photographs of a number of them can be seen in the Victoria and Albert Museum. He also drew the subject, in strong line, on the copper ; and either etched it himself, or supervised the etching of it by one of the engravers employed by him. From the plate in this state a varying number of proofs were taken, repre- sentative examples of which are also in the collection. The etched plate, very strongly bitten, was then covered with a mezzotint ground, and engraved either by Turner himself, or by one of the engravers, a list of whom is given in the appendix to this catalogue. Aquatint was used instead of mezzotint, by Lewis, in the case already referred to ; and is combined with mezzotint in one or two other instances. Turner made many corrections as the work progressed ; and also re-engraved the plates, freely, as they wore. Hence those published are found in varying “ states ” ; the latter of which are by no means always necessarily inferior in merit to the earlier. As published, the classification of subject suggested by Turner, is indicated by capital letters engraved in the centre * Mr. A. J. Fin berg is of the opinion that many of the original ilrawings now in existence, had once been mounted by Turner himself, and some, very probably, exhibited by him. Vll uf the upper margins. A list of these, with the suhjeets arranged under each, is given at the end of this catalogue. The principal portion of the collection is a set, nearly complete, of first states (together with a number of other impressions) brought together by Dr. Percy, and purchased from him, in 1866, for £525. The Constantine lonides Bequest, received in 1901, also includes one of the sets of late states, made up for and sold at the Turner Sale, 1873. These can be distinguished by the small impressed stamp placed on all the prints sold on Ithat occasion. Finally, in order fully to illustrate the technical processes a certain number of etchings have been bought. Thomas Lupton (who had been employed by Turner on the original series), about the year 1858, began a series of reproductions of selected plates of the Liber Studiorutn. These were, so far as he carried out the project, engraved on steel ; but only 15 plates were actually completed, and 2 more left unfinished. Covers were prepared for the publication, bearing the following title, “ A Selection from the Liber Studiorum of J. M. W. Turner, R.A. Engraved by Thomas Lupton and Dedicated with permission to John Ruskin, M.A. . . . London ; published by Colnaghi & Co., Pall Mall East, and the engraver, Thomas Lupton, 4 Keppel Street, Russell Square, 1858.” From a note on these covers, it appears that the intention was to issue “ about Twelve Numbers,” each containing three plates ; and that these were to be prepared both in “ proof ” and in print ” state. One of the covers in the Museum collection shows, clearly, that the number to which it belonged was actually published, the price being £2 2s, for three proofs. The collection contains the whole of the 15 completed plates, with the preliminary etchings made for them ; as well as several of the needles and gravers used by Lupton on the Avork done by him, for Turner. In 1885-1887, Mr. Frank Short, A.R.A., re-engraved, on copper, 12 of Turner’s completed plates, the selection having been made by John Ruskin. Some years after, he undertook Vlll the completion of those subjects which Turner liad left un- finished, so far as material was available ; and he has now carried this undertaking nearly to a close, following the original methods of work with great care. Both these series of Mr. Short’s work are represented in the Museum, which contains the etchings as well as the engravings of nearly the whole of them : the former having been presented by the engraver. These can be studied in connection with a number of impressions taken from Turner’s unfinished plates, about the time of the sale of his property in 1873, and given to the Museum by Mr. C. Mallord Turner. In the compilation of this catalogue, frequent use has been made of the standard work on the subject, Mr. W. G. liawlinson’s “Turner’s Liber Studiorum ” (2nd ed. 1906). Valuable help has also been given by Mr. C. Mallord Turner, and by Mr. Frank Short, A.R.A., while several of the titles have been revised in accordance with a list in Turner’s own writing, found by Mr. A. J. Finberg, among the sketches at the National Gallery. The inscriptions, as printed, have been carefully compared with the lettering of the originals. The collection can be seen by visitors in the Students’ Room (No. 71) of the Department. It includes photographs of a considerable number of the original drawings. E. F. STRANGE. Department of Engraving, Illustration and Design. \ Sib v> — ^ ►'V' • ^ ••• - \ -* « ,. -• *. ^i». V . -r No. 19. — Little Devil’s Bridge. The mezzotint engraving, by Charles Turner. THE “LIBER STUDIORUM” OF J. jr. W. Tuuner, r.a. R. — Rawlinson (W. G.). Turner’s Liber Studiorum, a description and a catalogue. Second edition, revised throughout. 1906. The Frontispiece. (R.l.) Drawn, Etched & the Centre Engi*aved by I. M. W : Turner Esq^ R.A. P.P. Engraved by I. C. Easling. Published May 23. 1812, by I. M. W. Turner, Queen Ann Street West. In top margin: This Frontispiece to Q.)n plate^ Liber Studiorum (i7i hottom margin^ in script) is most respectfully presented to the Subscribers, by T„ M„ W„ Turner. On a banner on left of frame: Engraved by W"*. Annis G. Clint I. C. Easling R. Dunkarton H. Daw T. Hodgetts S. W. Reynolds W. Say C. Turner J. M. W. Turner. 1»‘. published state. 21259-L 4“*. state. lonides Coll^.^ 50 L The frontispiece was re-engraved by T. Lupton, 1858. The etching. - E. 3029-1908. !•*. published state. In top margin : This Frontispiece to (>. state. lonides Coll**., 523. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Coast of Yorkshire, near Whithy. M. (R. 24.) Drawn & Etched by J. M. W. Turner. R.A. Engraved by W Say Engraver to H.R.H. the Duke of Gloucester. Published Janr. 1. 1811, by Mb Turner, Queen Ann Street West. !•*. published state. 21259-51. 4“*. state. lonides Coll**., 524. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Hind Head Hill. On the Portsmouth Road. M. (R. 25.) Drawn & Etched by J. M. W. Turner. R.A. P.P. Engraved by Dunkarton. Published Janb 1. 1811. by Mb Turner, Queen Ann Street West. Engraver’s proof. The sky above the gibbet and to left of it unfinished. 21259-70. !•*. published state. 21259-69. 5“*. state. lonides Coll**., 525. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. London, from Greenwich. Picture in the possession of Walter Fawkes Esq*" of Farnley. 3 A hy 4 A. (R. 26.) Drawn & Etched by J M W Turner RA PP Engraved by C, Turner. Published Jan? 1 1811 by M*" Turner Queen Ann Street West. The etching. E. 5128-1904. Jjettered In the Possession of Walter Fawkes Esq*" Farnley. 1“. published state. 21259-85. 3''*’ state. lonides Coll*., 526. The drawing, an earlier slight pencil sketch, and the oil picture are in the National Gallery, British Ai't, Millbank. Another drawing, differing considerably, is in the collection of the late Mr. J. E. Taylor. A photograph from the N.G. drawing is in this collection. [Windmill and Lock.] From a picture in the possession of I. M. W. Turner R.A. P. (R. 27.) Drawn & Etched by I. M. W. Turner. Engraved by W. Say Engraver to his H. I. H. the Duke of Glocester. Published June 1. 1811, by I. M. W. Turner, Queen Ann Street West 2"“. state 21259-38. 3'’^. state. Jonides Coll^., 527 The subject was re-engraved by T. Lupton. The etching. E. 3037-1908. 1*‘. published state. Lettered S. P. Wind Mill & Lock. Drawn by J. M. W. Turner, R.A. Engraved by Tho*. Lupton. Proof. E. 3038-1908. The drawing is not known. An oil painting of the subject is in the possession of Sir Frederick Cook, Bart. [Junction of Severn and Wye.] E.P. (R. 28.) Drawn, Etched & Engraved by J. M. W. Turner Esq'. R.A. Published June 1811, by J. M. W. Turner, Queen Ann Street West. 1*‘. published state. 212.59-15. state. lonides ColV^.^ 528. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. The subject was re-engraved by T. Lupton, but not finished. Marine Dabblers. M. (R. 29.) Drawn &; Etched by J. M. W. Turner Esq^ R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester. Published June, 1811, by J. M. W. Turner, Queen Ann Street West. 1®‘. published state. 21259-52. 2“*^. state. lonides ColV*.^ 529. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Near Blair Athol Scotland. M. (R. 30.) Drawn & Etched by J. M. W. Turner Esq^ R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester. Published June, 1 1811, by J. M. W. Turner, Queen Ann Street West. 1“. published state. 21259-48. state. lonides ColV^., 530. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Laufpenbourgh on the, Rhine. A. (R. 31.) Drawn & Etched by J. M. W. Turner. R.A. P.P. Engraved by T. Hodgetts. Published Jany. 1. 1811, by M^ Turner, Queen Ann Street West. 1*‘. published state. 4^. state. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Young Anglers. P. (R. 32.) Drawn & Etched by I. M. W. Turner. Engraved by R. Dunkarton. Published June 1. 1811 by I. M. W. Turner Queen Ann Street West. 1*‘. published state. 21259-40. state. lonides Coll‘d., 532. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. e 5847. B 21259-86. lonides ColP*., 531. 8 St. Catherine’s Hill near Guilford. E.P. (R. 33.) Drawn & Etched by I. M. W. Turner EsqL R.A. Engraved by J. C. Easling. Published June 1811, by I. M. VV. Turner Queen Ann Street West. 1*‘ published state. E. 3059-1908. 2"^. state. Two fine parallel strokes, nearly vertical, under the “ g ” ‘of Easling. 21259-22. 3"*. state. loniden Coll^.^ 533. , , The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Martello Towers near Bexhill, Sussex. M. (R. 34.) Drawn & Etched by I. M. W. Turner Esq"". R.A. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester. Published June 1811, T. M. W. Turner Queen Ann Street West. 2"*J. state. 21250-71. J"'. state. lo Hides 534. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Inverary— Pier. Loch Fyne. Morning. M. (R. 35.) Drawn Etched & Engraved by J. M. W. Turner R.A. Published June 1. 1811, by I. M. W. Turner, Queen Ann Street West. Engraver’s proof (rf). 21259-55. !»• published state. 21259-56. 4“*. state. , ' 21259-54. Another impression of the 4“* state, worn. lonides 535. The sepia drawing is not known. A large drawing of the subject in colour is in the National Gallery, British Art, Millbank. From Spenser’s Fairy Queen. H. R. (36.) Drawn & Etched by I. M. W. Turner EsqL R.A. Engraved by T. Hodgetts. Published June 1811, by I. M. W. Turner, Queen Ann Street West. l*k published state. 21259-9. 3*'^. state. lonides Coll\ 536. The drawing is in the National Gallery, British Art, Millbank. Water Mill. P. (R. 37.) * Drawn & Etched by J. M. W. Turner. Engraved by R. Dunkar- lon. Published Feb^. 1. 1812. by J. M. W. Turner Queen Ann Street West. 1®‘. published state. 21259-37. 3'''*. state. Distant trees to left of building removed. lonides Coll^., 537. The subject was re-engiaved by Frank Short, A.R.A., 1885. The etching. Lettered Frank Short sculp, after J. M. W. Turner, and with the engraver's monogram and date ’85. E. 597-1908. Published state. Lettered Frank Short sculp, after J. M. W. Turner. London, Published 1®‘. Oct. 1885 by Rob‘. Dunthorne at The Rembrandt Head in Vigo Street, and> with the engraver's monogram^ and signature in pencil. E. 602-1908. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. 9 [Temple of Minerva Medica, Rome. Formerly called Scene in • THE Campagna ; Woman at a Tank ; and Hindoo Ablutions.] E. P. (R. 38.) Drawn & Etched by J. !M. W. Turner. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester. Published Feby. 1 1812, by J. M. W. Turner, Queen Ann Street West. 1**. published state. 21259-28 3‘‘‘‘. state. lotiides Coll^., 538 The subject was re-engraved by Fi-ank Short, A.R.A., 188(>. The etching. Lettered Frank Short sculp, after J. M. W. Turner, arid with the enqrater'^ monogram and date ’86. E. 592-1908. 1»‘ published state. Lettered Frank Short sculp, after J. M. W. Turner. London. Published 1®* Nov^ 1886 by Rob‘. Dunthorne at the Rembrandt Head in Vigo Street, ayid icith the engraver's monogram^ and slgimture in pencil. E. 2557-1908. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. The circular temple and other buildings in the centre of this subject should be compared with those to the right of R. 72. “ Apuleia in search of Apuleius,” and also with those to the left of [R. 100], “A Pastoral”. All these may have been suggested by the same original. [Crypt of Kirkstall Abbey.] Original Drawing in the possession of John Soane Esq^. R. A. Professor of Architecture. 23 In^. hy 36 ItP. A. (R. 39.) Drawn Et"*hed & Engi’aved by I. M. W. Turner Esq^ R.A. P.P Published Feby. 11. 1812, by I. M. W. Turner, Queen Ann Street West. 1*^ published state. 21259-75. 2"^. state. 21259-76. 3^‘». state. 21259-74. Another impression of the 3'‘‘h state worn. lonides Coll‘d.. 539. The sepia drawing is in the National Gallery, British Art, Millbank. The large drawing from which it was taken is in the Soane Museum. A photograph from the N.G. drawing is in this collection. The subject was re-engraved for “ Liber Studiorum. ... A selection of fifteen of the best plates,” published by Day & Son. Picture in the Possession of Sir John Mild may Par*. 3 Feet hy 4 Feet. [Usually known as The Mildmay Sea Piece.] M. (R. 40.) V Drawn & Etched by I. M. W. Turner. Engraved by W. Annis and I. C. Easling. Published Feb’'. 11. 1812, by 1. M. W. Turner, Queen Ann Street West. The etching. 2"'’. state. Lettered In the Possession of S'’ John Mildmay Bar‘. E. 102-1904. 1®'. published state. 21259-49. 4^. state lonides ColV'., 540. The subject was re-engraved by Frank Short, A.R.A., 1886. The etching. Lettered Frank Short sculp, after J. M. W. Turner, and with the engraver's monogram, and date ’85. E. 591-1908. Published state. Lettered Frank Short sculp, after J. M. W. Turner. London, Published 1®‘. June, 1886. by Rob*. Dunthorne at The Rembrandt Head, in Vigo Street, and with the engraver's monogram and Signature in pencil. E. 603 1908. The drawing is not known. B 2 10 Procrifi mid Cephalus. H. (R. 41.) Drawn & Etched by I. M. W. Turner. Engraved by G. Clint. Published FebJ. 14. 1812, by 1. M. W. Turner Queen Ann Street West. The etching. E. 103-1904. 1®‘. published state. 21259-8. state. lonide^ Coll^.^ 541. The subject was re-engraved by T. Lupton, 1864. The etching. E. 3039-1908. 1*‘. published state. Lettered, in scri 2 )t Procris and Cephalus J M W Turner. 1864. Proof. Tho* Lupton. E. 3040-1908. The subject has also been re-engraved by Frank Short, A.R.A. Published state. Lettered Frank Short sculp, after J. M. W. Turner. London, Published 1*‘. Aug*. 1885 by Rob*. Dunthorne at The Rembrandt Head, in Vigo Street, and with the engraver's monogram, and signature in pencil. E. 604-1908. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Winchelsea., Sussex. P. (R. 42.) Drawn Etched by I. M. W. Turner. Engraved by I. C. Easling. Published April 23. 1812, by I. M. W. Turner, Queen Ann Street West. !•*. published state. 21259-35. 4*'". state. lonides ColV^., 542. The drawing is in the National Gallery, British Art, Millbank, A photograph from it is in this collection. [The Bridge and Goats.] E.P. (R. 43.) Drawn Etched by I. M. W. Turner R.A. Engraved by F. C. Lewis. Published April 23. 1812, by I. M. W. Turner Queen Ann Street West. 1**. published state. 21259-21. 4*^. state. lonides Coll”^., 543. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Calm. Picture in the possession of I. JSI. W. Turner. 1 F*. 2 by 2 F*. 3. M. (R. 44.) Drawn Etched and Engraved by I. M. W. Turner. Published April 23. 1812, by I. M. W. Turner, Queen Ann Street West. !•*. published state. 21259-46. O***. state. lonides Coll\ 544 The subject was re-engraved by Thomas Lupton. The etching. E. 3041-1908. !•*. published state. Lettered The Calm. Drawn by J. M. W. Turner, R.A. Engraved by Tho*. Lupton. Proof. E. 4735-1907. Another impression. E. 3042-1908. The drawing is not known. ^><>1 11 Peat Bog^ Scotland. M. (R, 45.) Drawn & Etched by I. M. W. Turner Esq^ R.A. Engraved by G. Clint. Published April 23. 1812, by 1. M. W. Tui'ner, Queen Ann Street West. Engraver’s proof (e). Lettered Peat Boy Scot (script'). 21259-65. 1“. published state. 21259-67. 4“‘. state. The mark in the margin has been partly erased. 21259-66. 5“^. state. lonidcs Coll\ 545. The subject was re-engraved by T. Lupton, 1864. The etching. E. 3043-1908. 1*‘. published state. Lettered S.Y, In script. Peat Bog. Scot**. JMWTurner. 1864. Tho* Lupton. Proof. E. 3044-1908. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Rispah. 2^^ Book of Samuel. Chap. 21. H. (R. 46.) Drawn & Etched by I. M. W. Turner Esq'. R.A. Engraved by R. Dunkarton. Published April 23. 1812, by I. M. W. Turner, Queen Ann Street West. 1»‘. published state. 21259-13. 4“>. state with the mark of the Turner Sale. E. 4736-1907. Another impression of the 4*''. state. lonides Coll^.., 546. The subject was re-engi’aved by T. Lupton, 1858. The etching. 3046-1908. 1*‘. published state. lettered Rispah. 2"** Book of Samuel Chap. 21. Drawn by J. M. W. Tirrner. R.A. Engraved by Tho*. Lupton. ProoL London : Pub** Jan? 1858, by P. and D. Colnaghi <:<£. C® 13 &; 14, Pall Mall East & the Engraver, 4, Keppel St. W.C. i E. 3046-1908. The drawing is in the National Gallery, British Art, Millbank. Hedging and Ditching. P. (R. 47.) Drawn & Etched by I. M. W. Turner R.A. Engraved by C. Easling. Published May 23. 1812, by I. M. W. Turner, Queen Ann Street West. !•*. published state. 21259-43. 4“*. state. lonides Coll^.., 547 The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. «- t River Wye. [Originally called Chepstow Castle.'] E.P. (R. 48.) Drawn &; Etched by 1 M W Turner Esq'. R.A. P.P. Engi-aved by W. Annis. Published May 23. 1812, by 1. M. W. Turner, Queen Ann Street West. 1“. published state. 21259-23. 5‘**. state. lonides ColV^.., 548. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. 12 Chain of Alps from Grenoble to Chamheri. M. (R. 49.) Drawn & Etched by I M W Turner Esq^ R.A. P.P. Engraved by W. Say Engraver to the Prince Regent & H.R.H. the Duke of Gloucester. Published May 28. 1812, by I. M. W. Turner Queen Ann Street West. 1*‘. published state. 21259-62. 4***. state. lonides CoLl^.^ 549. The subject was re-engraved by Frank Short, A.R.A., 1887. The etching. Lettered^ Frank Short sculp, after J. M. W. Turner, and with the engraver's monogram. E. 600-1908. P‘. published state. Lettered, Frank Short sculp., after J. M. W. Turner. London. Published Nov^ 1®‘. 1887, by Rob‘. Dunthorne at the Rem- brandt Head in Vigo Street, and with the engraver's monogram, and signature in jwncil. E. 2558-1908. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Mer de Glace — Valley of Chamouni — Savoy. M. (R. 50.) Drawn Etched & Engraved by I. M. W. Turner Esq^ R.A. P.P. Published May 23. 1812 b}’- I. M. W. Turner Queen Ann Street West. 1®‘. published state. 21259-72. 4“’. state, reworked. ' 21259-73. Another impression of the 4‘'‘. state. lonides Coll^., 550. The sepia drawing is not known. A drawing in colours, very similar to this plate, is at Farnley. llicaux Abbey, Yorhshire. A. (R. 51.) Drawn & Etched by 1. M. W. Turner R.A. Engraved by H. Dawe. Published May 23. 1812, by I. M. W. Turner, Queen Ann Street West. 1®‘. published state. 21259-81. 4"*. state. lonides Coll^., 551. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Solway Moss. P. (R. 52.) Drawn & Etched by 1. M. W. Turner R.A. Engraved bj' Tho*. Lupton. Published Jan>’. 1. 1816, by Ml Turner, Queen Ann Street West. 1®‘. published slate. 21259-32. 4**'. state. lonides Coll’*., 552. The subject was re-engraved by T. Lu}>ton, 1858. The etching. E. 3047-1908. 1®*. published state. Lettered S.P. Solway Moss. Drawn by J. M. W. Turner, R.A. Engraved by Tho®. Lupton. Proof. PI. 3. London : Pub^ Jany. 1858, by P. & D. Colnaghi & C°. 13 & 14, Pall Mall East, & the Engraver, 4, Keppel St. W.C. E. 3048-1908. The subject was also re-engraved b}" Frank Short, A.R.A., 1887. The etching. Lettered Frank Short sculp, after J. M. W. Turner, and with the engraver' s monogram. E. 601-1908. 1®*. published state. Lettered Frank Short sculp, after J. M. W. Turner London. Published NovL 1®‘. 1887, by Rob‘. Dunthorne at The Rem- brandt Head in Vigo Street, and icith the engraver's monogram and signature in pencil. E. 674-1910. The drawing is not known. 13 [Solitude. Sometimes calletl The Reading Magdalen.] E.P. (R. 58.) Drawn &; Etched by I. M. W. Turner. Engraved by W. Say Engraver to H.R.H. the Duke of Gloucester. Published May 12, 1814. by I. M. W. Turner, Queen Ann Street West. !•'. published state. 21259-29. 5“'. state. lonldea Coll*., 558. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Mill near the Grand Chartreuse ; — Dauphiny. M. (R. 54.) Drawn by I. M. W. Turner R.A. Engraved by H. Dawe. Pub- lished Jany. 1. 1816, by M^ Turner, Queen Ann Street West. 1»‘. published state. 21259-68. 4*''. state. loiildes Coll*., 554. The subject was re-engraved by Thomas Lupton. The etching. E. 8049-1908. 1“. Published state. Lettered Drawn by J. M. W. Turner, R.A. Pub**, by Tho*. Lupton, 4, Keppel St. Proof. The N«. 8 ” has been erased. Another impression, the plate worn. Another impression. London, Eng‘‘. & N». 8. E. 4787-1907. E. 4787A-1907. E. 8050-1908. The subject was also re-engraved by Frank Short, A.R.A., 1886. The etching. Lettered Frank Short sculp, after J. M. W. Turner, and with the engraver's monogram, and date ’85. E. 596-1908. Published state. Lettered Frank Short sculp, after J. M. W. Turner. London, Published, 1«‘. May, 1886, by Rob‘. Dunthorne at The Rembrandt Head in Vigo Street, and with the engraver's monogram, and signature in 'pencil. E. 605-1908. The drawing is in the National Gallery, British Art, Millbank. A copy of the etching has been made by Sir F. Seymour Haden. Entrance of Calais Harbour. M. (R. 55.) Drawn Etched & Engraved by I. M. W. Turner. R.A. Published Jany. 1. 1816, by M^ Turner, Queen Ann Street West. state. 21259-45. 6***. state. lonides Coll*., 555. ' The drawing is not known. An oil-painting of the subject is in the possession of Archibald Coats, Esq. : Dumblain Abbey, Scotland. A. . (R. 56.) Drawn & Etch’d by I. M. W. Turner Esq. R.A. Engrav’d by • T. Lupton. Publish’d Jany 1, 1816. by 1. M. W. Turner, Queen Ann Street West. ' 1*‘. published state. ' 21259-82. state. lonides Coll*., 556. • The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. 14 Norham Castle on the Tweed, the Drawing in the Possession of the late Lord Lascells. P. (R. 57.) Drawn & Etched by I. M. W. Turner. Engraved by C Turner. Publish’d West. Jan 1, 1816. by I. M. W. Turner, Queen Ann Street Engraver’s Proof, (d.) Before rays of light behind the tower. 1 published state. S'"**, state. the completion of the sky and the 21259-30. 21259-3L lonldes Coll"., 500. The subject was re-engraved by T. Lupton. The etching. E. 3051-1908. D‘. published state. Lettered NoRHAM CASTLE. Drawn by J. M. W. Turner, R.A. Engraved by Tho®. Lupton. Proof. E. 3052-1903. The drawing is in the Xational Gallery, British Art, Millbank. A photograph from it is in this collection. [Raglan Castle.] E.P. (R, 58.) Drawn & Engraved by I M W Turner Esq"" RA. Publish’d Jan. 1. 1816 by I. M. W. Turner Queen Ann Street West. 1*‘. }>ublished state. 21259-14. 3’’'*. state. lonides Coll"., 499. The subject was re-engraved by Thomas Lupton, 1858. The etching. E. 3053-1908. 1*‘. published state. Lettered E. M. Raglan Castle. Drawn by J. M. W. Turner, R.A. Engraved by Tho*. Lupton. PI. 1. Proof. London, Pub^. Janr. 1858, by P. & D. Colnaghi & Co., 13 & 14, Pall Mall East. & the Engraver, 4, Keppel St W.C. E. 3054-1908. Another impression. E. 4738-1907. The subject was also re-engraved by Frank Short, A.R.A., 1885. The etching. Lettered Frank Short, sculp, after J. M. W. Turner, and ivith the engraver's monogram and date ’85. E. 599-1908. Published state. Jyettered Frank Short, sculp, after J. M. W. Turner. London, Published 1*‘. Aug*. 1885, by Rob*. Dunthorne at The Rembrandt Head, in Vigo Street, and with the engraver's monogram, and .signature in pencil. E. 606-1908. The print is usually known as “Raglan Castle,” but Mr. Rawlinson doubts whether this is correct, and thinks that the subject may have been suggested by Berry Pomeroy Castle, near Totnes ; but the title given was accepted by Lupton. The drawing is in the National Gallery, British Art, Millbank. The subject was also re-engraved by Frank Short, A.R.A., 1885. Ville de Thun Switzerland. A. (R. 59.) Drawn & Etched by I. M. W. Turner R.A. Engraved by Tho* Hodgetts. Published JanJ. 1. 1816, by Turner, Queen Ann Street West. The etching. E. 5131-1904. Jjettered Thun. 1*'. published state. 21259-83. 3'**. state. lonides Coll"., 498. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. 15 The Source of the Arveron in the Valley of Chamouni Savoy. M. (R. 60.) Drawn k En.fU'aved by I. M. W. Turner. R.A. Published Jan^. 1. 1816, by M'. Turner, Queen Ann Street West. 1« published state. 21259-53. state. lonides CoU^., 497. The subject was re-engraved by T. Lupton, 1858. The etching. E. 3055-1908. !•'. published state. Lettered The Source op the Arveron in the Valley op Chamouni • Savoy. Drawn by J. M. W. Turner, R.A. En- graved by Tho*. Lupton. Proof. N®. 1. London : Published 1860 by P. k D. Colnaghi & C®., Vd k U Pall Mall East and the Engraver, 4, Keppel St. W.C. E. 3056-1908. The subject was also re-engraved by Frank Short, A.R.A., 1886. The etching. Tjettercd Frank Short sculp, after J. M. W. Turner, and loith the engraver's monogram and date ’86. E. 595-1908. The sepia drawing is in the National Gallery, British Art Millbank. The original drawing in colour is at Farnley. Tenth Plague op Egypt. H. (R. 61.) Drawn k Etched by I. M. W. Turner Esq R A Engravd by W Say Engraver to H R H the Duke of Gloucester. Published Jan 1. 1816 by I M W Turner, Queen Ann Street West. 1“. published state. 21259-11. state. lonides Coll‘d. , 496. The drawing is in the National Gallery, British Art, Millbank A photograph from it is in this collection. Water Cress Gatherers. Rail Head Ferry Bridge Twickenham. P. (R. 62.) Drawn k Etched by I. M. W. Turner, Esq. R.A. P.P. Engraved by Thos. Lupton. Pub. Jan. 1. 1819. by I. M. W. Turner Queen Anne. Street West. 1*‘. published state. 21259-44. J*"**. state. ‘ Rail ’ becomes ‘ Rails.’ lonides Coll’*., 495, The drawing is not known. [The Alcove, Isleworth. Also known as Twickenham, Pope’s Villa and Garrick’s Temple and Hampton Church.] E.P. (R. 63.) Drawn k Etched by I. M. W. Turner R.A. P.P. Engraved by H. Dawe. Pub. Jan. 1. 1819. by I. M. W. Turner Queen Anne Street West. !•*. published state. 21259-24. 3'^. state, with the mark of the Turner Sale. E. 4739-1907. Another impression of the state. (The sky touched with a knife.) lonides Coll’*., 494. The drawing is in the National Gallery, British Art, Millbank. 16 Bonneville, Savoy. M. (R. 64.) Drawn by I. M. W. Turner. Engraveii by H. Dawe. Published Jan. 1. 1816, by J. M. W. Turner Queen Ann Street West. 1*'. published state. 21259-61. 2"**. state. Iimidess 498. * The subject was re-engraved by Frank Short, A.R.A., 1887. • The etching. Lettered Frank Short sculp, after J. M. W. Turner, and with the engraver's monogram. E. 598-1908. The sepia drawing is at the National Gallery, British Art, Mill- bank. The drawing in colour from which it was taken is at Farnley. A photograph from the N.G. drawing is in this collection. Inverary Castle and Town, Scotland. The Drawing in the Possession of the Duke of Argyle. M. (R. 65.) ' Drawn & Etched by I M \V Turner. Engraved by C Turner. Pub Jan 1. 1816. by 1. M. W. Turner Queen Anne Street West. P*. published state. 21259-57. 8''^. state. lonides Coll^., 429. The sepia drawing is in the National Gallerj'^, British Art, Millbank. The large coloured drawing from which it was taken was recently in the possession of the late Mr. F. S. Ellis. A photograph from the N.G. drawing is in this collection. Aesacus and Hesperie. Vide Ovid Mett. Booh XL H. (R. 66.) Drawn Etched. & Engraved by I. M. W. Turner Esq R.A. P.P. Pul). Jan 1. 1819. by I. M. W. Turner Queen Anne Street West. Engraver’s proof {d). Before letter H. 21259-4. 1*‘. published state. 21259-5. 8*^^. state. 21259-8. 5^**. state. 21259-2. Another impression of the 5th state. lonides Coll*., 491. The subject was also re-engraved by Frank Short, A.R.A., 1895. The etching. Lettered Frank Short sculp, after J. M. W. Turner R.A., and, with the engraver's monogram. E. 4197-97. !•*. published state. Lettered, Aesacus and Hesperie (in script') F. Short sculp, after J. M. W. Turner R.A. 1895, and with the engraver's monogram, and signature in pencil. ^ E. 4196-97. 'J’he drawing is not known. East Gate, Winchelsea, Sussex. P. (R. 67.) Drawn & Etched by I. M. W. Turner Esq. R.A. P.P. Engraved by S. W. Reynolds. Pub. Jan. 1. 1819. by I. M. W. Turner. Queen Anne Street West. 1«‘. published state. 21259-86. . 4“*. state. lonides Coll*., 490. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. Isis. Picture in the' Posse.. by I. M. W. Turner Queen Anne Str West. The etching. E. 5129-1904. 1®'. published state. 21259-64. 3^“. state. lon'ides Coll'^., 488. The subject was re-engraved by Frank Short, A.R.A., 1888. The etching. Lettered Frank Short .sculp, after J. M. W. Turner, and with the engraver's monogram. E. 598-1908. Published state. Lettered Frank Short sculp, after J. M. W. Turner. London, Published March 1®‘. 1888, by Rob*. Dunthorne at The Rembrandt Head in Vigo Street, and loith the engraver's monogram and, signature in pencil. E. 607-1908. The drawing is not known. Interior of a Church. A. (R. 70.) Drawn & Engrav’d by I. M. W. Turner Esq". R.A. Publish’d Jany„ 1, 1819. by I. M. W. Turner, Queen Ann Street West. 1**. published state. 21259-77. 4*\ state. lonides Coll'^., 487. The drawing is not known. It was suggested by Thornbury that this Church was Heston. Christ and the Woman of Samaria. H. (R. 71.) Drawn A: Etched by I. M. W. Turner Esq. R.A. P.P. Engraved by S. W. Reynolds. Pub. Jan. 1 1819. by I. M. W. Turner Queen Anne Street West. 1®*. published state. 21259-12. S"**. state. lonides CoW^.^ 486. The drawing is in the National Gallery, British Art, Millbank. A photograph from it is in this collection. PLATES UNPUBLISHED, BY TURNER. Apuleia in search of Apuleius. (Known as the Premium Landscape.) (R. 72.) Etched by J. M. W. Turner, and engraved by W. Say ; but not published. Print on India paper. The plate w'as sold at the Turner Sale, 1878 ; and- this impression was taken soon after. E. 5187-1907. The drawing for this is possibly that known as A Pastoral ” (N®. 466, 1907) in the National Gallery. The circular temple and other buildings to the right of the engraving should be compared with those in the centre of R. 88 ‘‘ Temple of Minerva Medica,” and also with those to the left of [R. 100], “ A Pastoral.” All these may have been suggested by the same subject. Glaucus and Scylla. (R. 78.) Etched by J. M. W. Turner, and engraved by W. Say ; but not published. Print on India paper. The plate was sold at the Turner Sale, 1873 ; and this impression w'as taken soon after. E. 5188-1907. The drawing is in the National Gallery, British Art, Millbank. 18 Sheep-Washing, Windsor. (Also called Windsor Castle from Salt Hill.) (R. 74.) The etching. E. 104-1904. Etched by J. M. W. Turner, and engraved by C. Turner ; but not published. A late print from the engraved plate, E. 4741-1907. Print on India paper ; the plate re-worked in some details. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 5189-1907.. Dumbarton Rock. (R. 75.) Not inthe Coll^. Crowhurst, Sussex. (R. 76.) Etched by J. M. W. Turner, and engraved, probably by H.. Dawe ; but not published. The plate has also been etched and engraved by Frank Short, A.R.A. The etching. With the engraver's monogram^ and date 1902. E. 1495-1907. !•*. published state. Lettered Crowhurst, Sussex. F. Short sculp: after J. M. W. Turner R.A. 1902, and with the engraver s morwgram^ and signature in giencil. E. 1494-1907.. The drawing is in the National Gallery, British Art, Millbank. The Temple of Jupiter in the Island of Aegina. (R. 77.) The etching. E. 105-1904. Etched by J. M. W. Turner and engraved, probably by H. Dawe ; but not published. The cb’awing is in the National Gallery, British Art, Millbank. Swiss Bridge,' Mont St. Gothard. Also known as Via Mala^ (R. 78.) Etched by J. M. W. Turner, and engraved, probably also by him ; but never published. The subject has also been etched and engraved by Frank Short, A.R.A. The etching. Titered Frank Short sculp, after J. M. W. Turner, and with the engraver's monogram. E. 4199-97. 1®^ published state. Lettered ViA Mala. F. Short sculp, after J. M. W. Turner R.A. 1896, and with the engraver's monogram^ and signature in pencil. E. 4198-97. The drawing is in the possession of Mr. J. Irvine Smith. Ploughing, Eton. (R. 79b.) Etched first by J. M. W. Turner. Afterwards etched and engraved on another plate by T. Lupton ; but not published. I’riiit, on India paper, from the second plate. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 6190-1907. The drawing is in the National Gallery, British Art, Millbank. 19 Pan and Syrinx. (R. 80.) Etched only, but apparently not by Turner, and not published. The subject has also been etched and engraved by Frank Short, A.R.A. The etching. Lettered Drawn by J. M. W. Turner R.A. Etched by Frank Short 1896, and laith the engraver' >i monogram. E. 2568-1901. 1“ published state. Lettered Pan and Syrinx. From an Unpublished Drawing for the Liber Studiorum in the British Museum. Drawn by J. M. W. Turner R.A. Etched and Engraved by F. Short 1896, and ivith the engra ver's monogram^ and signature in pencil. E. 4200-97. The drawing is in the British Museum. .Stonehenge at Daybreak. (R. 81.) Engraved, apparently in pure mezzotint, by J. M. W. Turner ; but not published. Print on India paper. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 5191-1907. The subject has also been engraved by Frank Short, A.R.A. 1*‘ published state. Lettered Stonehenge at Daybreak. From an Unpublished Drawing for the Liber Studiorum in the possession of J, .E. Taylor Esq. Drawn by J. M. W. Turner R.A. Engraved by F. Short, 1897, and with the engraver's monogram^ and signature in pencil. E. 4201-97. The drawing is in the collection of the late Mr. J. E. Taylor. The Felucca. (R. 82.) Engraved, apparently in pure mezzotint, probably by H. Dawe, with etched lines added later ; but not published. Printed on India paper. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 5192-1907. The drawing is in the National Gallery, British Art, Millbank. The Stork and Aqueduct. Sometimes called The Heron’s Pool. (R. 83.) Etched by J. M. W, Turner, a*nd engraved, probably by H. Dawe ; but not published. Print on India paper. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 5193-1907. The subject has also been etched and engraved by Frank Short, A.R.A. The etching. Lettered^ faintly^ Frank Short, sculp, after J. M. W. Turner, R.A. ; and with the engraver's monogram. E. 4203-97. 1“. published state. Lettered The Stork and Aqueduct. Drawn & Etched by J. I^L W. Turner, R.A. Etched and Engraved by F. Short 1896, and with the engraver's monogram and signature in pencil. E. 4209-97. The drawing is not known. The Lost Sailor. (Also called Storm over the Lizard.) (R. 84.) Engraved, probably by J. M. W. Turner, A.R.A., but not published. The subject has also been engraved by Frank Short, A.R.A. 1*‘. published state. Lettered F. Short sculp after J. M. W. Turner R.A. 1896, and with the engrave!'' s monogram, and signatare in pencil. E. 4204-97. The drawing is not known. 20 Moonlight at t>EA. The Needles. (R. 85.) Engraved apparently in mezzotint, with etching over it, by J. M. W. Turner ; but not published. The subject has also been engraved by Frank Short, A.R.A. 1*‘. published state. Lettered Moonlight at Sea off the Isle of Wight. From an Unpublished Drawing for the Liber Studiorum in the possession of Henry Vaughan Esq. Drawn by J. M. W. Turner, R.A. Engraved by F. Short 189(1, and with the enfiraver'a monogram^ and aigtiature in pencil. E. 4205-97. The drawing is in the National Gallery, British Art, Millbank. Moonlight on the Medway at Chatham. (R. 86.) Xot in the Coll^. Kingston Bank. (R. 87.) The engraving was commenced by J. M. W. Turner, but not completed or published. Print on India paper. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 5194-1907. The subject has also been etched and engraved by ' Frank Short,. A.R.A. The etching. Lettered Drawn by J. M. W. Turner, R.A. Etched by Frank Short 1896, and ivith the engrarer''a monogram. E. 2559-1901. 1“. published state. Jjettered KINGSTON Bank. From an Unpublished Drawing for the I.iber Studiorum in the possession of Henry Vaughan Escp Drawn by J. M. W. Turner, R.A. Etched & Engraved by F. Short, 1896, and u'ith the engrarer'.i monogram^ and mjnature in pencil. E. 4206-97. The drawing is in the National Gallery, British Art, Millbank. The Deluge. (R. 88.) Engi’aved, apparently in pure mezzotint, probably by J. M. W, Turner ; but not published. Print on India paper. The print was sold at the Turner Sale 1873 ; and this impression was taken soon after. E. 5195-1907. The drawing is in the National Gallery, British Art, Millbank. Flounder Fishing, Battersea. (R. 89.) Engraved, and subsequently etched, by J. M. W. Turner ; but not published. Print on India paper. The plate was sold at the Turner Sale, 1873 ; and this impression was taken soon after. E. 5196-1907.. The drawing is not known. Narcissus and Echo. (R. 90.) Etched only, in soft -ground, by J. M. W. Turner ; but not published. The subject has also been etched (from the etching by Turner) by Frank Short, A.R.A. This plate was not published, and is not catalogued by Mr. Rawlinson. The etching. Lettered. Narcissus and Echo. Drawn & Etched by J. M. W. Turner, R.A. Etched by F. Short, 1896, and with the engrarer'iA monogram. , E. 4214-97. The drawing is not known. The oil painting, from which the subject was taken, is at Petworth. 21 Sand Bank with Gipsies. (R. 1)1.) Not m the, Coll». View op a River from a Terrace (Macon ?) (R. 92.) Not known to have been etched or engraval in Turner’s lifetime. The subject has been etched and engi’aved by Frank Short, A.R.A. The etching. Lettered Drawn by J. M. W. Turner, R.A. Etched by Frank Short 1891, and with the engraver's monogram. E. 2560-1901. !•*. published state. Lettered Macon. From an unpublished Drawing for the Liber Studiorum in the Possession of Henry Vaughan Esq. Drawn by J. M. W. Turner, R.A. Etched &; Engraved by F. Short 1896, and, with the engraver's monogram^ and signature in pencil. E. 4207-97. The drawing is in the National Gallery, British Art, Millbank. Falls op the Rhine, Schaffhausen. (R. 93.) Not known to have been etched or engi*aved in Turner’s lifetime. The subject has been etched and engraved by Frank Short, A.R.A. The etching. Lettered Drawn by J. M. W. Turner. R.A. Etched by Frank Short 1891, and withthe engraver's monogram. E. 2561-1901. !•*. published state. Titered Falls of the Rhine, Schaffhausen From an Un- published Drawing for the Liber Studiorum, in the possession of Henry Vaughan Esq. Drawn b}’- J. 'M. W. Turner R.A. Etched & Engraved by F. Short. 1896, and with the engraver's monogram, and signature in pencil. E. 4208-97. ' The drawing is in the National Gallery, British Art, Millbank. View of a Lake. (Sometimes called Derwentwater.) (R. 94.) Not known to have been etched or engraved in Turner’s lifetime. The subject has been etched and engraved by Frank Short, A.R.A. The etching (soft-ground). Lettered Drawn by J. M. W. Turner R.A. Etched by Frank Short 1891, and with the engraver's monogram. E. 2562-1901. 1*^. published state. Lettered Derwentwater. From an Unpublished Drawing for the Liber Studiorum in the possession of Henry Vaughan Esq. Drawn by J. M. W. Turner, R.A. Etched & Engraved by F. Short, 1896, and with the engraver's momgram, and signature in pencil. E. 4209-97. The drawing is in the National Gallery, British Ai't, Millbank. Sion House, Isleworth. [Drawing only, in the British Museum ; never etched or engi’aved. R. 95.] Huntsmen in a Wood. (R. 96.) Not known to have been etched or engi-aved in Turner’s life- time ; although the transfer of the subject w^as discovered by Mr. Short, on a copper-plate found in Turner’s house. The subject has been etched and engraved by Frank Short, A.R.A. ‘ The etching. Lettered Drawn by J. M. W. Turner R.A. Etched by Frank Short 1891, and with the engraver's monogram. E. 2563-1901. 1**. published state. Lettered Huntsmen. From an Unpublished Drawing for the Liber Studiorum in the British Museum. Drawn by J. M. W. Turner R.A. Etched & Enpaved by F. Short 1896, and with the engraver's monogram, and signature in pencil. E. 4210-97. The drawing is in the British Museum. 22 Moonlight on a River (Lucerne ?) (R. 07.) Not known to have been etched or engraved in Turner s life- time. The subject has been engi-aved by Frank Short, A.R.A. 1“. published state. Lettered Lucerne From an Unpublished Drawing for the Liber Studiorum in the possession of Henry Vaughan Esq. Drawn by J. M. W. Turner, R.A. Engraved by F. Short 1896, and imtk the eiigrater''H monogram^ and signature in jpencil. E. 4211-97. The drawing is in the National Gallery, British Art, Millbank. Shipping at the Entrance of the Medway. (R. 98.) Not known to have been etched or engraved in Turner’s lifetime. The subject has been etched and engraved by Frank Short, A.R.A. The etching (soft-ground). Working proof, touched with pencil by the engraver. E. 5034-1907. Finished state of etching. Lettered Drawn by J. M. W. Turner R.A. Etched by Frank Short, and until the engraver's monogram. E. 2564-1901. 1»‘. published state. Lettered The Entrance of the Medway. From an Unpub- lished Drawing for the Liber Studiorum in the possession of Sir J. C. Robinson. Drawn by J. M. W. Turner R.A. Etched k. Engraved by F. Short 1896, and with the engraver's monogram , and signature in pencil. E. 4212-97. The drawing is in the possession of Gerald Robinson, Esq. The Victory coming up the Channel with the Body of Nelson. [Drawing only, in the National Gallery; never etched or engraved. R. 99.] A Pastoral. (R. pages 168 and 235.) Not known to have been etched or engraved in Turner’s lifetime. The subject has been etched or engraved by Frank Short, A.R.A. The etching. Lettered Drawn by J. M. W. Turner R.A. Etched by Frank Short 1893, and with the engraver's monogram. E. 2565-1901. 1*‘. published state. Lettered Pastoral. From an Unpublished Drawing for the Liber Studiorum in the National Gallery,. British Art, Mill- bank. Drawn by J. M. W. Turner R.A. Etched & Engraved by F. Short 1896, and. with the engraver's monogram^ and, signature in pencil. E. 4213-97. A photograph from the N.G. drawing is in the Library (Photo. Coll“., 38469.) The circular temple and other buildings to the left of this subject should be compared with those in the centre of R. 38, “ Temple of Minerva Medica ”, and also with those to the right of R. 72, “ Apuleia in search of Apuleius.” 23 REPRODUCTIONS. The; Library contains the following published sets of repro- ductions of the “Liber Studiorum.” — Turner’s Liber Studiorum. Photographs from the thirty [fifty one] original drawings by J. M. W. Turner, R,A. in the South Kensington Museum. 2 pp. 51 photogr. (18 x 11) London, 1861. The drawings were temporarily exhibited at S. Kensington. They are now in the National Gallery, British Art, Millbank. — Liber Studiorum : illustrative of landscape compositions. By J. M. W. Turner, R.A. A selection of fifteen of the best plates. 4 pp. [Published by Day and Son.] 5 mezzotints and 10 litkogr, (17 X 12) London, n.d. At the end of the Library copy is inserted an additional lit ho graph — “ Clyde ” — prepared for this volume, but never published. — Fac-similes of thirty-three etchings by Turner for the plates of the Liber Studiorum, reproduced from copies in the possession of Mr. Buskin and of the editor. [With an introduction by Charles Eliot Norton.] 6 pp. 33 litkogr. (17 x 12) Cambridge, Mass., 1879. — The Liber Studiorum of J. M. W. Turner, R.A. edited by, and each plate accompanied with a critical notice by the Rev. Stopford Brooke, M.A. The plates photographed from examples of the best “ states ” in possession of the editor. 3 vols. 72 autotypes. (13 X 16) London, 1882-4. — A selection from the Liber Studiorum of J. M. W. Turner, R.A. for artists, art students, and amateurs. A drawing-book suggested by the writings of Mr. Ruskin. With a historial introduction by Frederick Wedmore, practical notes by Frank Short, and extracts from the writings of the Rev. Stopford A. Brooke, M.A., and others. 4 photo-engr.^ and process Ulus. {31 plates and 52 in the text^ _ e 6847. 0 24 BIBLIOGRAPHY. ARMSTRONG, Sir Walter. — Turner 101 photo-engr. and 2 chromo process Ulus. (15 x 11) London, 1902. BELL, Charles Francis. — A list of the works contributed to public exhibitions by J. M. W. Turner, R.A. 8®. London, 1901. — Liber Studiorum. By J. M. W. Turner. 71 proce.ss Ulus, London, 1904. BOSTON, U.S.A. : Jfuseu)n of Fine Arts. — Exhibition of the Liber Studiorum of J. M. W. Turner and of a few engravings after his drawings. February, 1904. 80 pp. (8 X 5) Boston, 1904. BROOKE, Rei\ Stopford Augustus. — Notes on Turner’s Liber Studiorum. Excerpt, 24 pp. (10 x 7) London, 1882. From “ The Nineteenth Century,” May, 1882. — Notes on the Liber Studiorum of J. M. W. Turner, R.A. 1 mezzotint by Frank Short and 5 2 >hoto-engr. (8 x 5) London, 1885. BURY ; Art Gallery. — The Liber Studiorum of J. M. W. Turner, R.A., in the Bury Art Gallery. By Archibald Sparke. 48 pp. (7 x 4) Bury, 1902. FINBERG, Alexander J. — Turner’s “ Liber Studiorum.” Excerpt. From “ The Saturday Review,” September 8, 1906. — Turner’s Sketches and Drawings. [Chap. VI — the] “Liber Studiorum.”] 100 jyrocess Ulus. (10x7) London, 1910. HAMERTON, Philip Gilbert. — The life of J. M. W. Turner, R.A. 9 etchings. (8 x 5) London, 1879. — Etching and Etchers. 3 ed. [Book IV, Chap II — Turner.] Etchings and helio-engr. (12 x 9) London, 1880. Earlier editions, 1868 and 1876. LANDSEER, John. — The Review of Publications of Art. (“ Mr. Turner’s Gallery ” — vol. I, p. 153) (9 X 5) London, 1808. LONDON : Burlington Fine Arts Club. — Exhibition illustrative of Turner’s Liber Studiorum, containing impressions of the fust states, etchings, touched proofs and engraver’s proofs ; together with the unpublished plates, and a few original drawings for the work. 58 pp. (11 x 8) London, 1872. LONDON : National Gallery. — Descriptive and historical catalogue of the pictures in the National Gallery ... British School. (List of Drawings and Sketches by Turner ... The Liber Studiorum— p. 166.) (8 x 5) London, 1901, .26 LONDON : National Gallery. —^A complete Inventory of the Drawings of the Turner Bequest ; with which are included the 23 drawings bequeathed by Mr. Henry Vaughan. Arranged chronologically by A. J. Finberg. 2 vols. (10 X 6) London, 1910. liONDON : Nenihrandt Gallery (iZ, Dunthorne'). — The Liber Studiorum of J. M. W. Turner, R.A. New' mezzotints by Frank Short, completing the book as arranged by Turner, with an introductory note by W. G. Raw'linson. 16 pp, (9 X 6) London, 1897. MONKHOUSE, William Cosmo. — Turner. 21 wood-engr. (8 X 5) London, 1879. NEW YORK : Grolier Club. — Catalogue of an Exhibition of the Liber Studiorum of J. M. W. Turner, at the rooms of the Grolier Club at No. 64 Madison Avenue, New York, January, 1888. 40 pp. (7 X 4) New York, 1888. NORTON, Charles Eliot. — Catalogue of the plates of Turner’s Liber Studiorum. With an introduction and notes [by C. E. Norton]. 32 pp. 3 phototypes. (14 X 11) Cambridge, Mass., 1874, PYE, John. — Notes and memoranda respecting the Liber Studiorum of J. M. W. Turner, R.A. Written and collected by the late J.P., edited ...by J. L. Roget. 1 process Ulus. 8® London, 1879. RAWLINSON, W. G. — Turner’s Liber Studiorum, a description and a catalogue. Second edition, revised throughout. (9 X 6) London, 1906. ROGET, John Lewis. —The Papers of the late Mr. Pye. (Letter.) 2 pp. See Academy, xv, 146. 1879. RUSKIN, John. — The Elements of Drawing. In three letters to beginners. [Letter 11, on Sketching from Nature, refers specially to Turner’s Liber Studiorum.] 48 wood-eiigr. London, 1857, — Notes on the Turner Gallery at Marlborough House. 5th ed,, revised. (8 x 5) London, 1857. — Notes by Mr. Ruskin on his drawings by the late J. M. W. Turner, R.A., exhibited at the Fine Art Society’s Galleries... March 1878. / Also an appendix containing a list of the engraved works of J. M. W. Turner, exhibited at the same time. London, 1878. Another ed. 35 photo-engi’. and map. 1878. — Catalogue of the drawings and sketches by J. M. W. Turner, R.A. at present exhibited in the National Gallery. Revised, and cast into progressive gi’oups, with explanatory notes. Special edition, 70 pp. (9 X 6) Orpington, 1882. — Modern Painters. [Contains frequent references to Turner’s Liber Studiorum.] Complete ed. (With general index, bibliography and notes.) Plates^and illustrations in the text, 6 vols. (12 x 8) Orpington, 1888. 26 EUSKIN, John. ■ ' ' — Lectures on Landscape, delivered at Oxford in Lent Term, 1871. - '(Edited by W. G. Collingwood.) 2 chromo-lithogr., 19 ijhoto-eiigr. and 1 etching and 2 cuts. (15 x 11) Orpington, 1897. — Turner and Kuskin. An exposition of the work of Turner from the writings of Ruskin, edited, with a biographical note on Turner, by F. Wedmore. 91 gyhoto-engr. (15x11) London, 1900. STRANGE, Edward Fairbrother. — The etched and engraved work of Frank Short, A.R.A., R.E. 8®. London, 1908. STUDIO, The. — Special Winter Number, 1903. The Genius of J. M.’ W. Turner, R.A. Edited by C. Holme. [“ Turner and his Engravers,” by C. F. Bell.] 64 pp. 157 (17 chronid) gjrocess Ulus. London, 1903. THORNBURY, Walter. — The life of J. M. W. Turner, R.A. founded on letters and papers furnished by his friends and fellow Academicians. 1 eiigr. and 6 wood-engr. 2 vols. London, 1862. —2 ed. 1877. WEDMORE, Frederick. — Fine Prints. [Chap. X — Turner prints. 12 process Ulus. (8 x 5) London, 1897. WYLLIE, William Lionel, A.R.A. — J. M. W. Turner. 67 (4 chromo') process Ulus. (8 X 5) London, 1905. CHRISTIE, MANSON and WOODS (Catalogues')-: Turner Sale, 1873. — Catalogue of the first portion of the valuable engravings from the works of the late J. M. W. Turner, R.A. ; comprising the whole of the impressions, etchings, and some engraver’s proofs of the Liber Studiorum ; also, the etchings of some of the unpublished plates and the steel and copper plates of eleven unpublished subjects for the same work, etc.. ..which will be sold by auction, by Messrs. Christie, Manson and Woods... on March 24, 1873, and four following days. 48 pp. (10 X 6) London, 1873. The catalogue is priced. 27 LIST OF PLATES. [According to TuiiNEii’s Classification.] H. (Historical.) Jason. (R. (>.) The 5th Plagae of Egypt. (R. lO.) From Spenser’s Fairy Queen. (R. 3t>.) Procris and Cephalus. (R. 41.) Rispah. (R. 45.) Tenth Plague of Egypt. (R. 61.) Aesacus and Hesperie. (R. 66.) Christ and the Woman of Samaria. (R. 71.) M. (Mountainous.) Mont St. Gothard. (R. 9.) Lake of Thun, Swiss. (R. 15.) Little Devil’s Bridge. (R. 19.) Hind Head Hill. (R. 25.) Near Blair Athol, Scotland. (R. 30.) Inverary Pier. (R. 35.) Peat Bog, Scotland. (R. 45.) Chain of Alps from Grenoble to Charaberi. (R. 49.) Mer de Glace, Valley of Chamouni, Savoy. (R. 50.) Mill near the Grand Chartreuse, Dauphiny. (R. 54.) The Source of the Arveron. (R. 60.) Bonneville, Savoy. (R. 64.) Inverary Castle and Town, Scotland. (R. 65.) Ben Arthur, Scotland. (R. 69.) P. (Pastoral.) The Bridge and Cows. (R. 2.) The Straw- Yard. (R. 7.) Pembuiy Mill, Kent. (R. 12.) The Farmyard with the Cock. (R. 17.) Juvenile Tricks. (R. 22.) Windmill and Lock. (R. 27.) Young Anglers. (R. 32.) Water Mill. (R. 37.) Winchelsea, Sussex. (R. 42.) Hedging and Ditching. (R. 47.) Solway Moss. (R. 52.) Norham Castle on the Tweed. (R. 57.) Water Cress Gatherers. (R. 62.) East Gate, Winchelsea, Sussex. (R. 67.) E. P. (Elegant Pastoral.) The Woman and Tambourine. (R. 3.) The Castle above the IMeadows. (R. 8.) The Bridge in Middle Distance. (R. 13.) Drawing of the Clyde. (R. 18.) The Hindoo Worshipper. (R. 23.) Junction of Severn and Wye. (R. 28.) St. Catherine's Hill near Guilford. (R. 33.) Scene in the Campagna. (R. 38.) The Bridge and Goats. (R. 43.) River Wye. (R. 48.) Solitude. (R. 53.) Raglan Castle. (R. 58.) The Alcove, Isleworth. (R. 63.) Isis. (R. 68.) 28 (M. Marine.) Scene on the French Coast. (R. 4.) Ships in a Breeze. (R. 10.) The Leader Sea-Piece. (R. 20.) Coast of Yorkshire, near Whitby. (R. 24.) Marine Dabblers. (R. 29.) Martello Towers near Bexhill, Sussex. (R. 34.) The Mildmay Sea-Piece. (R. 40.) Calm. (R. 44.) Entrance of Calais Harbour. (R. 55.) A. (Architectural.) Basle. (R. 5.) Holy Island Cathedral. (R. 11.) Dunstanborough Castle. (R. 14.) Morpeth, Northumberland. (R. 21.) London, from Greenwich. (R. 26.) Lauffenbourgh on the Rhine. (R. 31.) Crypt of Kirkstall Abbey. (R. 39.) Rivaux Abbey, Yorkshire. (R. 51.) Dumblain Abbey, Scotland. (R. 56.) Villede Thun, Switzerland. (R. 59.) Interior of a Church. (R. 70.) 29 LIST OF ENGRAVEKS. ANNIS, W. T. (worked 1799-1812). The Mildmay Sea-Piece. (R. 40.) Engraved by W. Annis and J. C. Easling. River Wye. (R. 48.) CLINT, George, A.R.A. (1770-1854). Procris and Cephalus. (R. 41.) Peat Bog, Scotland. (R. 45.) DAWE, Henry (1790-1848). Rivanx Abbey, Yorkshire. (R. 51.) Mill near the Grand Chartreuse, Dauphiny. (R. 54.) The Alcove, Isleworth. (R. 63.) Bonneville, Savoy. (R, 64.) Crowhui-st, Sussex. (R. 76.) Engraved, probably by Dawe ; not published. The Temple of Jupiter in the Island of Aegina. (R. 77.) Engraved, probably by Dawe ; not published. The Felucca. (R. 82.) Engri.ved, probably by Dawe ; not published. The Stork and Aqueduct. (R. 83.) Engraved, probably by Dawe ; not published. Moonlight on the Medway at Chatham. (R. 86.) Engraved, probably by Dawe ;'not published. DUNKARTON, Robert (1744-c. 1811). The Hindoo Worshipper. (R, 23.) Hind Head Hill. (R. 25.) Young Anglers. (R. 32.) Water Mill. (R. 37.) Rispah. (R. 46.) EASLING, James C. (worked 1800-1819). The Frontispiece. (R. 1.) All but the centre engraved by Easling. St. Catherine’s Hill, near Guilford. (R. 33.) The Mildmay Sea-Piece. (R. 40.) Engraved by J. C. Easling and W. Annis. Winchelsea, Sussex. (R. 42.) Hedging and Ditching. (R. 47.) HODGETTS, Thomas (worked c. 1800-1850). Lauffenborough on the Rhine. " (R. 31.) From Spenser’s Fairy Queen. (R. 36.) Ville de Thun, Switzerland. (R. 59.) LEWIS, Frederick Christian (1779-1856), The Bridge and Goats. (R. 43.) 30 LUPTON, Thomas Goff (1791-1873). Frontispiece. (R. 1.) Bridge and Cows. (R. 2.) Woman and Tambourine. (R. 8.) Pembury Mill. (R. 12.) Little Devil’s Bridge. (R. 19.) Windmill and Lock. (R. 27.) Procris and Cephalus. (R. 41.) Calm. (R. 44.) Peat Bog, Scotland. (R. 45.) Rispah. (R. 46.) Solway Moss. (R. 52.) Mill near the Grand Chartreuse. (R, 54.) Dumblain Abbey, Scotland. (R. 56.) Norham Castle. (R. 57.) Raglan Castle. (R. 58.) Source of the Arveron. (R. 60.) Water Cress Gatherers. (R. 62.) Ben Arthur, Scotland. (R. 69.) Dumbarton Rock. (R. 75.) Not published. Ploughing, Eton. (R. 79.) Not published. REYNOLDS, Samuel William (1773-1835 East Gate, Winchelsea, Sussex. (R. 67.) Christ and the Woman of Samaria. (R. 71.) SAY, William (1768-1834) Juvenile Tricks. (R. 22.) Coast of Yorkshire, near Whitby. (R. 24.) Windmill and Lock. (R. 27.) Marine Dabblers. (R. 29.) Near Blair Athol, Scotland. (R. 30.) Martello Towers near Bexhill, Sussex. (R. 34.) Scene in the Campagna. (R. 38.) Chain of Alps from Grenoble to Chamberi. (R. 49.) Solitude. (R. 53.) Tenth Plague of Egypt. (R. 61.) Isis. (R. 68.) Apuleia in search of Apuleius. (R. 72.) Not published. Glaucus and Scylla. (R. 73.) Not published. SHORT, Frank J., A.R.A, Frontispiece. (R. 1.) Little Devil’s Bridge. (R. 19.) Water Mill. (R. 37.) Temple of Minerva Medica. (R. 38.) Mildmay Sea-Piece. (R. 40.) Procris and Cephalus, (R. 41.) Chain of Alps from Grenoble to Chamberi, (R. 49.) Solway Moss. (R. 52.) Mill near the Grand Chartreuse. (R. 54.) Raglan Castle. (R. 58.) Source of the Arveron. (R. (JO.) Bonneville. Savoy. (R. 64.) Aesacus and Hesperie. (R. 66.) Ben Arthur. (R. 69.) 31 Crowhurst, Sussex. (R. 7(j.) Swiss Bridge, Mont St. (lothard. (R. 78.) Pan and Syrinx. (R. 80.) Stonehenge at Daybreak. (R. 81.) The Stork and Aqueduct. (R. 8H.) The Lost Sailor. (R. 84.) Moonlight at Sea. (R. 85.) Kingston Bank. (R. 87.) Narcissus and Echo. (R. 00.) View of a River from a Terrace. (Macon ?) (R. 02.) Falls of the Rhine, Schaff hausen. (R. 08.) View of a Lake. (Derwentwater.) (R. 04.) Huntsmen in a Wootl. (R. 0(5.) ^ * Moonlight on a River. (Lucerne ?) (R. 07.) Shipping at the Entrance of the Medway. (R. 08.) A Pastoral. (R., pages 168 and 235.) TURNER, Charles, A.R.A. (1773-1857). The Bridge and Cows. (R. 2.) The Woman and Tambourine. (R. 3.) Flint Castle — Vessels unloading. (R. 4.) Basle. (R. 5.) Jason. (R. <).) The Straw- Yard. (R. 7.) The Castle above the Meadows. (R. 8.) Mt. St. Gothard. (R. 9.) Ships in a Breeze. (R. 10.) Holv Island Cathech’al. (R. 11.) Pembury Mill, Kent. (R. 12.) The Bridge in Middle Distance. (R. 13.) Dunstanborough Castle. (R. 14.) Lake of Thun, Swiss, (R. 15.) The 5th Plague of Egypt. (R. 16.) 'I’he Farmyard with the Cock. (R. 17.) Drawing of the Clyde. (R. 18.) Little Devil’s Bridge. (R. 10.) The Leader Sea-Piece. (R. 20.) Morpeth, Norths (R. 21.) London, from Greenwich. (R. 26.) Norham Castle on the Tweed. (R. 57.) Inverary Castle and Town. (R. 65.) Sheep-VVashing, Windsor. (R. 74.) Not published. TURNER, Joseph Mallord William, R.A. (1775-1851). The Frontispiece. (R. 1.) The centre engraved by Turner. / Junction of Severn and Wye. (R. 28.) * Inverary Pier. (R. 35.) Crypt of Kirstall Abbey. (R. 30.) Calm. (R. 44.) Mer de Glace, Valley of Chamouni, Savoy. (R. 50.) Entrance of Calais Harbour. (R. 55.) Raglan Castle. (R. 58.) The Source of the Arveron. (R. 60.) Aesacus and Hesperie. (R. 66.) Interior of a Church. (R. 70.) Swiss Bridge, Mont St. Gothard. (R. 78.) Engraved, probably by Turner ; not published, e 5847. D 32 Stonehenge at Daybi’eak. (R. 81.) Not published. The Lost Sailor. (R. 84.) Engraved, probably by Turner ; not imblished. Moonlight at Sea. (R. 85.) Not published. Kingston Bank. (R. 87.) Not published. 'Phe Deluge. (R. 88.) Engraved, probably by Turner ; not ))ublished. Flounder Fishing, Battersea. (R. 89.) Engi’aved, probably by 'Piirner : not ])ublished. 33 INDEX OF SUBJECTS. No. Aegiiia, Temple of Jupiter. 77 Alcove, IslewOrth. Anglers, Toung. 32 Aesacus and Hespcrie. 60 A})uleia in search of Ai)uleius. 72 Aqueduct and Stork. S3 Arveron, Source of. 60 Hasle. “> Battersea, Flounder Fishing. 81) Ben Arthur, Scotland. 61) Bexhill, Martello Towers. 34 Blair Athol, Near. 30 Bonneville, Savoy. 64 Bridge and Cows. 2 Bridge and Goats. 43 Bridge in Middle Distance. 13 Calais Harbour, Entrance of. ~>o Calm. 44 Campagna, Scene in. 38 Castle above the Meadows. 8 Cephalus and Brocris. 41 Chain of Alps fi-om Grenoble to Chamberi. 41) Charaouni, Mer de Glace. 50 Chamouni, Source of the Arveron. 60 Chatham— Moonlight on the Metlway. 86 Chepstow Castle. 48 Christ and the Woman of Samaria. 71 Church, Interior of. 70 (31yde, Drawing of the. 18 Coast of Yorkshire. 24 Crowhurst, Sussex. 76 Crypt of Kirkstall Abbey. 39 Deluge. 88 Derwentwater. 1)4 Devil’s Bridge, Little. 19 Drawing of the Clyde. 18 Dumbarton Kock. 75 Dumblain Abbey. 56 Dunstanborough Castle. 14 East Gate, Winclielsea. 67 Egiemont Sea-piece. 10 Egy[)t, Fifth Tlague of. Ki Egypt, Tenth Plague of. 61 Plntrance of Calais Harbour. 55 Eton — Ploughing. 79b Fairy Queen, Sjjenser's. 36 Falls of the llhine, Schaff- hausen. 93 Farmyard wdth the (Jock. 1 7 No. Felucca. 82 Fifth Plague of Egypt. 1 6 Flint Castle. 4 Flounder Fishing, Battersea. 89 From Spenser’s Fairy Queen. 3(> Frontispiece. 1 Garrick’s Temple and Hamp- ton Church. )>3 Gipsies, Sand Bank with. 1)1 Glaucus and Scylla. 73 Grand Chartreuse, Mill near. 54 Greenwich, London from. 2(J Grenoble to Chamberi, Chain of Alps. 49 Guardship of the Nore. 20 Guilford, St. Catherine’s Hill. 33 Hedging and Ditching. 47 Heron’s Pool. 83 Hind Head Hill. 25 Hindoo Ablutions. 38 Hindoo Devotions. 23 Hindoo Worshipper. 23 Holy Island Cathedral. 11 Huntsmen in a Wood. 1)6 Interior of a Church. 70 Inverary Castle and Town. 65 Inverary Pier. 35 Isis. 68 Isleworth, Sion House. 95 Isle worth, Tlie Alcove. (>3 Jason. 6 Junction of Severn and Wye. 28 Juvenile Tricks. 22 Kingson Bank. 87 Kirkstall Abbey, Crypt. 39 Lake of Thun. 15 Lantfenbourgh. 31 Leader Sea-piece. 20 Little Devil’s Bridge. 19 Loch Fyne, Inveraiy Bier. 35 Imch and Windmill. 27 London from Greenwich. 26 Lost Sailor. 84 Lucerne — Moonlight. 97 Macon. i)2 Magdalen Reading. 53 Marine Dabblers. 29 Martello Towers. 34 Medway, Moonlight on. 8 Bivaux Abbej". 51 Biver Wye. 48 St. Catherine’s Hill. 88 St. Gothard, Mont. 9 Sand Bank with Gipsies. 91 Scene in the Campagna. 88 Scene on the French Coast. 4 Schaff hausen. Falls of the Bhine. 93 Sea-piece, Egremont. 10 Sea- piece. Leader. 20 Sea-piece, Mildmay. 40 No. Severn and Wye, Junction of. 28 Sheep-washing, AVindsor. 74 Shipping at the Entrance of the Medway. ^ 98 Ships in a Breeze. * 10 Sion House. 95 Solitude. 58 Solway Moss. 52 Source of the Arveron. 60 Spenser’s Fairy Queen. 36 Stonehenge. 81 Stork and Aqueduct. 88 Storm over the Lizard. 84 Straw-yard. 7 Sun between Trees. 18 Swiss Bridge. Mt. St. Gothard. 78 Temple of Isis. 68 Temple of Jupiter, Aegina. 77 Temple of Minerva Medica. 38 Tenth Plague of Egypt. 61 Thun, Lake of. 15 Thun, A'iHe de. 59 Twickenham, Pope’s Axilla. 68 Ala Mala. 78 " Victory ” coming up Channel. 99 A"iew of a Lake. 94 A^iew of a Bi^er from a Terrace. 92 A’’ille de Thun, 59 AValton Bridge. 18 AVatercress Gatherers. 62 AVater-AIill. 87 AA'hitby, Coast of Yorkshire near. 24 AVhite Horse. 7 Winchelsea, East Gate. 67 AVinchelsea, Sussex. 42 AVindraill and Lock. 27 AVindsor Castle from Salt Hill. 74 AVindsor, Sheep-washing. 74 AV^'ornan and Tambourine. 8 Woman at a Tank. 38 AVye and Severn, Junction of. 28 AVye, Biver. 48 Anrkshire, Coast of. 24 Young Anglers. 32