<« < «€ 
 
 
 
From the Library ol 
 
 Frank Simpson 
 
CATALOGUE 
 
 OF THE 
 
 EJM©F?.AVIJsl©S, 
 
 ETCHINGS AND SCULPTURE, 
 
 I^OOM HILL, 
 
 KENT. 
 
 JUNE, 1881. 
 
 (Cbe ||rojrrrig of Sir gab’tfr r §. Salomons, Dart.) 
 
 
 PRINTED BY A. K. BALDWIN, TUNBRIDGE WELLS. 
 

 
 
 
 
 
GENERAL REMARKS 
 
 The Pictures numbered : — 
 
 Catalogue I. — i to 52, 54 to 58, 60, 62 to 72, 
 74 to 94, 96 to 11 6 , 1 18 to 134, 136 to 138, 
 143 to 145, 147 to 153, 155, 157 to 159. 
 
 Catalogue II. — A to G. 
 
 Catalogue III.— I. to VI. IX. XIX. XX. to 
 XXII. 
 
 Catalogue IV. — 19, 21 to 27, 33, 36. 
 
 Catalogue V. — 1 to 12. 
 
 Catalogue VI. — 1 to 13. 
 
 came from the Collection of Sir David Salomons 
 (first Baronet). 
 
 In bequeathing the pictures to his Nephew, he 
 expressed the hope that he would not part w'ith the 
 possession of them. 
 
The Pictures numbered :• 
 
 n. 
 
 Catalogue I.— 53. 59. 61, 73. 95, H 7 » T 35. 
 
 139 to 142, 146, 154, 156. 
 
 Catalogue III. — VII. VIII. X. to XVIII. 
 
 XXIII. 
 
 Catalogue IV. — 11. 
 
 came from the collection of Phillip Salomons, Esq. 
 eldest brother of Sir David Salomons (first Baronet). 
 
 Sir David Salomons, Bart., died July 18, 1873. 
 
 Phillip Salomons, Esq., died January 28, 1867. 
 
 The remainder of the pictures, &c., have been 
 added since 1873. 
 
 Besides the Pictures, &c., at Broomhill, there are 
 many Testimonials to Sir David Salomons, Bart., 
 M.P. Aid., and Phillip SALOMONS, Esq. The 
 Testimonial given by the Merchants, Bankers, and 
 Traders, of London, to the former, was especially 
 valued by him, and in bequeathing his Testimonials 
 to his Nephew, he charged him to carefully preserve 
 this one in particular This Testimonial has an ivory 
 label with a suitable inscription to identify it. 
 
 There is also at Broomhill, a piece of Stone 
 from one of the largest stones in the West Wall of 
 the Temple at Jerusalem, taken by David Roberts, 
 R.A., and given to Phillip Salomons, Esq., in 1846. 
 In obtaining this Stone the Artist ran a great risk. 
 
NOTA BENE. 
 
 ♦ 
 
 The size of the Pictures have been taken from 
 the sight lines, thus : — 
 
 Height in inches, x Width in inches. 
 
 The date indicates when the Picture was painted, 
 and in most cases, the date of Exhibition at the Royal 
 Academy. Occasionally the Exhibition took place a 
 year or more later. 
 
Digitized by the Internet Archive 
 in 2015 
 
 https://archive.org/details/catalogueofcolle00unse_6 
 
CATALOGUE I. 
 
 OIL fAIJ'ITI.NGS. 
 
 1 . J. Sant. R.A. i860 — 70. 
 
 “At early dawn the youth his journey took, 
 
 And many a mountain passed and valley wild.” 
 
 Beattie s Minstrel . 
 
 Canvass, 30^ in. x 25^ in. 
 
 2 . E. Gill. 1869. 
 
 Rapids on the River Clyde. 
 
 Canvass, 27J in. x 35 in. 
 
 3 . B. S. Marks. 1869. 
 
 Before the Bench, in the State School of 
 Compulsory Education. 
 
 Canvass, top corners rounded, 10 in. x 13I in. 
 
6 
 
 4. S. A. Hart. R.A. 1836. 
 
 “Sir Thomas More never commenced business 
 in the Court of Chancery without first stepping 
 into the Court of King’s Bench, and there 
 kneeling down, received the blessing of his 
 Father, the Judge.” 
 
 “Whenever he passed through Westminster Hall to 
 his place in the Chancery, by the Court of 
 King’s Bench, if his father (one of the puisne 
 judges thereof) had been seated, or he came, he 
 would go into the same court, and there, 
 reverently kneeling down in the sight of them 
 all, duly ask his fathers blessing .” — See Roper's 
 Life of Sir Thomas More. 
 
 The time chosen for the subject is the first day of 
 term. Immediately under Sir Thomas are 
 seen the judges’ clerks and those of the court ; 
 and to the left of the picture the counsellors ; 
 in the foreground, on the same side, is Margaret 
 Roper, Sir Thomas’ most devoted and amiable 
 daughter, with her son, accompanied by a 
 young lady, who is directing the boy’s attention 
 to the incident ; next to them, engaged in con- 
 versation, are the celebrated Erasmus of 
 Rotterdam, and Fisher, Bishop of Rochester, 
 both the intimate friends of Sir Thomas More ; 
 the usher of the court, and spectators on the 
 right next the witness-box, complete the fore- 
 ground ; in advance of the Chancellor, the 
 mace and purse, containing the Great Seal of 
 England, are borne, preceded by yeomen of the 
 guard ; in the distance, the jury-box is occupied 
 by visitors, before whom are the Sheriffs of 
 London and Middlesex. A portion of West- 
 minster Hall forms the background. 
 
 Canvass, 6g| in. X 86 in. 
 
7 
 
 5 . R. Buckner. 1842. 
 
 An Italian peasant boy. 
 
 (A Roman Piferaro.) 
 
 Canvass, 32 in. x 26 in. 
 
 6. J. C. Naish. 1864. 
 
 The last tack Home. 
 
 Canvass, 24 in. X 36 in. 
 
 7 . J. Finnie. i860. 
 
 Studying for the Concert. 
 
 Pannel, top corners rounded, 8| in. x 12 in. 
 
 8. E. Opie. i860. 
 
 A peasant girl. 
 
 Canvass, 30 in. X 25! in. 
 
 9 . A. J. Herbert. 1856. 
 
 Philip IV. of Spain, Knighting Velasquez. 
 
 “ When Velasquez had finished his picture, called 
 ‘ Les Meninas/ in which he had introduced 
 himself painting the Infanta, the King came to 
 see it ; and in reply to Velasquez’s inquiry of 
 his approval of it, said that one thing was 
 wanting, and, taking a brush, he painted on 
 the portrait of the artist the red cross of the 
 order of Santiago.’’ 
 
 ( See Redgrave J 
 Canvass, 36J in. X 25^ in. 
 
8 
 
 10 . E. W. Cooke. R.A. 1852. 
 
 The Dogano, from the Pallazzo Morosini, on the 
 Grand Canal, Venice. 
 
 “ * * * Whose dear spires 
 
 Rising at distance o’er the blue lagoon, 
 
 It was reward enough for me to view 
 Once more.” 
 
 Canvass, 27 in. X 43 in. 
 
 11. Vicat Cole. A. R.A. 1866. 
 
 Summer’s Golden Crown. 
 
 “ Late you tilled the faithful soil, 
 see where harvest crowns your toil.” 
 
 R osina. 
 
 Canvass, 29J in. x 47I in. 
 
 12 . T. S. Cooper. R.A. 1852. 
 
 An interior, Boughton Hill, East Kent. 
 Canvass, 30 in. X 42^ in. 
 
 13 . C. Stanfield. R.A. 1862. 
 
 Nieuwe Diep and the Helder Light, from Texel 
 Island. Disabled ships going into Dock. 
 Canvass, 25 in. x 4.1! in. 
 
 14 . H. J. Boddington. S.B.A. 1858. 
 
 (H. J. Williams). 
 
 The close of an Autumnal day. 
 
 The haunt of the Moor-hen. 
 
 Canvass, 29! in. x 49! in. 
 
15. David Roberts. R.A. 
 
 1850. 
 
 Basilica of San Lorenzo, Rome. 
 
 “ Founded by the Empress Galla Placidia, in the 
 fifth century, was partly rebuilt by Pelagius II. 
 in 578. On the tribune, or absis (as in most 
 of the Basilicas), stands the high altar with 
 its baldacchino, and immediately over, the 
 confessional, where are said to be interred the 
 bodies of the martyrs — St. Lawrence and 
 St. Stephen. The galleries on each side over- 
 looking the tribune are supported by twelve 
 elegantly fluted columns of pavouazzetto 
 marble, which, together with their capitals and 
 entablatures, are evidently taken from more 
 ancient buildings, and were until 1833, buried 
 half-way up their shafts, which descend far 
 below the present pavement ; the earth being 
 removed, they were shown in their full propor- 
 tions to the pedestals on which they rest. 
 The Church, in its present form, was completed 
 by Pope Alexander VII., in 1657.” 
 
 Canvass, top dome, 41 in. x 50 in. 
 
 16. C. Landseer. R.A. 
 
 1850. 
 
 Girl in Hop Garden. 
 Canvass, 47^ in. x 27 f in. 
 
 17. E. W. Cooke. R.A. 
 
 1852. 
 
 Scheveling Beach, low water, tide making in. 
 Canvass, 21 J in. X 36^ in. 
 
10 
 
 18. J. W. Bottomley. 1859. 
 
 Breadlebane Cattle. — Scene in the Highlands. 
 Canvass, 24! in. x 39J in. 
 
 19. T. Creswick. R.A. 1849. 
 
 Passing Showers. 
 
 Canvass, 39J in. X 49! in. 
 
 20 . William West. 1847. 
 
 A Mountain Stream — Romsdal, Norway. 
 Canvass, 35 in. x z~\ in. 
 
 21. E. Opie. 1862. 
 
 Brought before his betters. 
 
 “ Now Sir, what have you to say for yourself ? ” 
 “An old man found a rude boy upon one of his 
 trees stealing apples.” ( Vide Universal Spelling 
 Book.) 
 
 Canvass, 36 in. x 285 in. 
 
 22. F Dillon. 1855. 
 
 The Egyptian Ivory Merchant. 
 
 Canvass, 29^ in. x 47! in. 
 
 23. F. R. Lee. R.A. 1852. 
 
 The Road over the Common. — Returning from Market. 
 Canvass, 4if in. X 5 9 J in. 
 
11 
 
 24. J. J. Wilson. i860. 
 
 Mount Orgueil, Jersey. 
 
 Canvass, 28^ in. x 47^ in. 
 
 25. F. R. Lee. R.A. 1853. 
 
 The Poacher. — Scene on a Highland River. 
 Canvass, 39! in. X 53^ in. 
 
 26. A. Cooper. R.A. 1846. 
 
 An Arab Chief Halting. 
 
 Canvass, 28 in. X 35^ in. 
 
 27. J. B. Burgess. A.RA. 1865. 
 
 “ Bravo Toro.” Scene at a Bull-fight. 
 
 Canvass, 43I in. x 33^ in. 
 
 28. A. Rankley. i S57. 
 
 The tell-tale Bird. 
 
 The dame’s absence — 
 
 “ Forewarn’d, if little bird their pranks behold, 
 
 I will whisper in her ear, and all the scene unfold.” 
 
 Canvass, 28 in. x 37 in. 
 
12 
 
 29 . H. B. Willis. 1857. 
 
 Sunny Pastures, in Sussex. 
 
 Canvass, 38! in. X 70^ in. 
 
 30 . W. F. WlTHERINGTON. 1 85 1. 
 
 Midsummer. 
 
 “ Ye verdant trees and underwood, 
 
 Where the poetick birds rejoice, 
 
 And for their nests and plenteous food 
 Pay with their grateful voice.” 
 
 Canvass, 27! in, X 35! in. 
 
 31 . S. A. Hart. R.A. 1864. 
 
 Meditating on the book of Ecclesiastes. 
 
 Pannel, 18 in. X 13! in. 
 
 32 . S. A. Hart. R.A. 1858. 
 
 Reminiscences of Ravenna. 
 
 The Sister of Mercy at Prayer. 
 
 Pannel, 17! in. x 13! in. 
 
 33 . H. S. Marks. R.A. 1868. 
 
 Experimental Gunnery in the Middle Ages. 
 Canvass, 29 in. x 25! in. 
 
13 
 
 34. P. Levin. 1857. 
 
 The Sister of Charity. 
 
 Heaven. 
 
 “ Aye, thou hast donned thine armour, lovely maid. 
 Go forth and conquer ! In Earth’s fiercest strife 
 Grapple with sin, and penury, and pain ; 
 
 Go ! in the might of thy pure virgin heart, 
 
 And trust thy Maker for a high reward.” 
 
 A. R. S. 
 
 Pannel, 18 in. x 14! in. 
 
 35. 
 
 S. A. Hart. R.A. 
 
 1864. 
 
 A Monk Meditating on the works of Thomas 
 
 a Kempis 
 
 
 Pannel, 17I in. X 13! in. 
 
 
 36. 
 
 H. J. PlDDING. 
 
 1836. 
 
 
 Tasting the “ home-brewed.” 
 
 
 
 Canvass, 25^ in. x 19J in. 
 
 
 37. 
 
 J. Hollins. A. R.A. 
 
 1852. 
 
 A Scene on Deal Beach.— Pilots on the “ 
 
 look-out.” 
 
 The North Foreland in the distance. 
 Canvass, 39^ in. x 49! in. 
 
14 
 
 38 . W. J. Grant. 1854. 
 
 The Requiem. 
 
 “ The last hours of Mozart were devoted unceasingly 
 to his composition, all the efforts of his wife 
 being unavailing to turn his attention from the 
 work he loved so fervently.” Life of Mozart. 
 
 Pannel, 27J in. X 33^ in. 
 
 39 . S. Solomon. 1858. 
 
 Abraham on the road to sacrifice his Son Isaac. 
 
 “And the Lord said, take now thy Son, thine only 
 Son Isaac, and offer him there for a Burnt 
 Offering upon one of the mountains I will tell 
 thee of.” 
 
 Canvass, top corners rounded, 31! in. x i8| in. 
 
 40 . J. H. Mann. 
 
 1865—70. 
 
 An Orange Girl. 
 Canvass, oval, 19 in. x 16 in. 
 
 41 . W. Macduff. 1862. 
 
 Shaftesbury. — Lost and Found. 
 
 (Grave’s) Print shop window. Pointing to the Patron, 
 Canvass, i8^in, X 15 in. 
 
 42 . Sir C. L. Eastlake. P.R.A. i 853. 
 
 Violante. 
 
 Canvass, 35! in. X 27I in. 
 
15 
 
 43. A. Cooper. R.A. 1863. 
 
 My own grey. — The old Favourite. 
 
 Millboard, 8 in. X 10 in. 
 
 44. F. D. Hardy. 1864. 
 
 The young Coalheavers. 
 
 Millboard, 9 in. X 7 in. 
 
 45. 
 
 F. D. Hardy. 
 
 A Christmas Party. 
 Pannel, 9! in. x 13I in. 
 
 18 57- 
 
 46. 
 
 C. Lweis. 
 
 1859. 
 
 
 The Little Drummer. 
 
 
 
 Millboard, top corners rounded, 7 \ in. x 
 
 si in - 
 
 47. 
 
 Jos. Bouvier. 
 
 1862. 
 
 
 Aixa la Morisca. 
 
 
 
 Canvass, oval, 7 \ in. X 5! in. 
 
 
 48. 
 
 G. Armfield. 
 
 1855. 
 
 Waiting for the Meal. 
 Canvass, 7 in. X 10 in. 
 
16 
 
 49. E. Davis. 1856. 
 
 Learning by Heart. 
 
 Millboard, 8 in. x 5! in. 
 
 50. F. D. Hardy. 1854 
 
 Blind Granny. 
 
 Pannel, 9 in. X 13 in. 
 
 51. W. H. Knight. 1854. 
 
 The Sleeper. 
 
 “ Tired nature’s sweet restorer, balmy sleep.” 
 Millboard, 7! in. x 6 in. 
 
 52. W. Weir. 1862. 
 
 Taking it easy. 
 
 Pannel, 6| in. x 5J in. 
 
 53. A. F. T. Vermuelen. 1852. 
 
 An old woman Spinning. 
 
 Pannel, i6f in. x 13 in. 
 
 54. C. R. Lessie. R.A. 1851. 
 
 A Study. — The Miniature. 
 Canvass, oval, 19 in. X 16 in. 
 
17 
 
 Born 1726. 
 Died 1805. 
 
 55. Jean Baptist Greuze. 
 
 Head of a Girl. 
 
 Canvass, 15^ in. x 12^ in. 
 
 56 . Balthazar Denner. Born 1685. 
 
 Died 1747. 
 
 Head of an old Man. 
 
 Canvass, 15^ in. X 12 in. 
 
 57. Sir Fred. Leighton. P.R.A. 1867. 
 
 The knuckle-bone Player. 
 
 Canvass, 34^ in. x 20 in. 
 
 58. Miss Jessy Macleod. 
 
 The death of Meg Merriles 
 Canvass, 33^ in. x 44^ in. 
 
 59 . J. F. Herring, Sen. S.B.A. 1852. 
 
 Study of Ducks. 
 
 Millboard, 9-| in. X ii^in. 
 
 60 . W. H. Knight. 1850. 
 
 A Christmas party preparing for “ Blind-man’s buff.” 
 Canvass, 33^ in. X 43! in. 
 
 1857. 
 
18 
 
 61. J. F. Herring, Sen. S.B.A. 1851. 
 
 Study of Ducks. 
 
 Millboard, in. x 1 in. 
 
 62. T. Rennell. Born 1718. 
 
 Died 1788. 
 
 Winter. — Devonshire. 
 
 Pannel, iof in. X 13! in. 
 
 68. A. W. Hunt. 
 
 i8 55- 
 
 The stream from Llyn Idwal, Carnarvonshire. 
 Canvass, 17 in. X 23^ in. 
 
 64. H. L. Rolfe. 1865. 
 
 Still Life — Trout. 
 
 Millboard, top corners rounded, 7^ in. X ii-| in. 
 
 65, R. Redgrave. R.A, 1839. 
 
 Incident in the life of Quentin Matsys, the Blacksmith 
 of Antwerp. 
 
 “ Quentin Matsys fell in love with the daughter of 
 a painter, but her father refused to give her to 
 any but an artist. Quentin set himself to learn 
 the art ; he painted the well-known picture of 
 the ‘ Misers/ and won the maiden.” 
 
 Vide Lives of the Painters. 
 
 Canvass, 39^ in. x 48I in. 
 
19 
 
 66. T. Rennell. Born 1718. 
 
 Died 1788. 
 
 Summer. — Devonshire. 
 
 Pannel, iof in. X 13! in. 
 
 67 . 
 
 H. Garland. 
 
 1871. 
 
 
 The game of “ Four Corners.” 
 Canvass, 13^ in. x 22 in. 
 
 
 68. 
 
 Alfred CoorER. 
 
 1856. 
 
 A Study of Birds. — Teal, Water-hen, Golden 
 and Jack-snipe. 
 
 Millboard, 9 in. x uf in. 
 
 Plover 
 
 69 . 
 
 W. J. Grant. 
 
 ■855- 
 
 
 Melancholy. 
 
 Pannel, oval, 17 in. x 14 in. 
 
 
 70 . 
 
 J. B. Burgess. A.R.A. 
 
 1862. 
 
 Waiting. 
 
 “ And I only kept him waiting for a very little 
 Pannel, 1 if in. X 8| in. 
 
 while.” 
 
 71 . 
 
 W. J. Grant. 
 
 I 855 - 
 
 The Red Rose. 
 
 Pannel, oval, isf in. x i2| in. 
 
20 
 
 72 . W. Weir. i860. 
 
 Home Practice. — Early Efforts. 
 
 Canvass, top corners rounded, iz\ in. X ioi in. 
 
 73 . J. F. Herring, Sen S.B.A. 1848. 
 
 Study of Horses Heads. 
 
 Canvass, round, 3 i ^ in. diam. 
 
 74 . G. A. Williams. 1869. 
 
 On the Bowlders, Hastings. 
 
 Canvass, iif in. x 23I in. 
 
 75 . Robt. Me Innes. 1858. 
 
 Shrine of Santa Fina, (celebrated for its cures,) 
 in the Duomo of San Geminiano, Tuscany. 
 
 Canvass, 45 J in. x 60 in. 
 
 76 . Andrew Morton. 1843. 
 
 ( From the Redleaf Collection .) 
 
 “ The Evening of Life.” 
 
 The Greenwich Pensioner. 
 
 “ Sinks to the grave with unperceived decay, 
 While resignation gently stops the way.” 
 
 Pannel, 17J in. x 13^ in. 
 
21 
 
 77 . William Gray. 1855 — 65. 
 
 The Cottage, South Wingfield. 
 
 Manor House, Derbyshire. 
 
 Canvass, i2f in. x i8| in. 
 
 78 W. H. Knight. 
 
 Early Piety. 
 
 Pannel, oval, 10 in. x 7! in. 
 
 1859. 
 
 79 . D. W. Deane. 1854. 
 
 Anne Hathaway’s Room, Stratford-on-Avon. 
 Millboard, 16 in. x 13I in. 
 
 80 . S. A. Hart. R.A. 1850. 
 
 Interior of part of the kitchen in Sir Thomas 
 Gresham’s Palace, at Mayfield, Sussex. 
 
 Canvass, 19! in. x 14 in. 
 
 81 . W. J. Grant. 1857. 
 
 The Accusation of Haman. 
 
 “ And the king said unto Esther. * * What is 
 
 thy petition queen Esther ? * * Then 
 
 Esther answered and said, * * Let my 
 
 life be given me at my petition, and my people 
 at my request ; for we are sold, I and my 
 people, to be destroyed, to be slain, and to 
 perish. * * * Then the king Ahasuerus 
 
 answered and said, who is he ? and where is 
 he, that durst presume in his heart to do so ? 
 And Esther said, the adversary and enemy is 
 this wicked Haman.” 
 
 Book of Esther vii. 2-6. 
 
 Canvass, 48^ in. x 67I in. 
 
22 
 
 82 . R. Beavis. 1862. 
 
 An outdoor Study. 
 
 Mountain Rill North Wales. 
 
 Canvass, 17J in. x 23^ in. 
 
 83 . E. Crawford. 1871. 
 
 A Capricious Customer. 
 
 Canvass, i<pf in. x 23I in. 
 
 84 . C. S. Liddersdale. 1863. 
 
 A Wood Carrier. 
 
 Pannel, 15! in. X njin. 
 
 85 . P. F. Poole. R.A. 1836. 
 
 A Musician of Calabria. 
 
 Pannel, 17^ in. x 12 in. 
 
 86. E. Prentis. 1836. 
 
 Village Piety. 
 
 Canvass, 23I in. x 19J in. 
 
 87 . E. W. Cooke. R.A. 1 855. 
 
 On the Lagunes, Venice. 
 Millboard, i2f in. x i6f in. 
 
23 
 
 88. P. F. Poole. R.A. 1836. 
 
 An Old Shepherd. 
 
 Pannel, 17 £ in. x 13! in. 
 
 89. G. Stanfield. 1850. 
 
 The Old Bridge, at Frankfort. 
 
 Canvass, 23I in. x 35! in. 
 
 90 . Wolfgang Bohm. 1856. 
 
 Henry VIII. attended on by Ann Boleyn, 
 sitting for his portrait to Hans Holbein. 
 
 Canvass, 13 in. X 15! in. 
 
 91. J. A. Puller. 1843. 
 
 Peppering the Enemy. 
 
 Winter. 
 
 Canvass, 7 1 in. X 1 0 ] in. 
 
 92. J. Tennant. S.B.A. 1837. 
 
 Towing-path on the River Wye. 
 
 Canvass, 26J in. x 37I in. 
 
 93 . A. Corbould. 1868. 
 
 Cattle waiting for the Ferry. — A scene in the 
 Highlands. 
 
 Canvass, top corners rounded, nf in. x 23I in. 
 
24 
 
 94. C. J. Lewis. 1863. 
 
 Friends. 
 
 Pannel, top corners rounded, in. x 5^ in. 
 
 95. G. Armfield. 1849. 
 
 Terriers Rat-hunting. 
 
 Canvass, 9J in. x 11^ in. 
 
 96 . G. Sant. i860 — 70. 
 
 The path through the Forest. 
 
 Canvass, 17! in. X 13! in. 
 
 97. T. S. Cooper. K.A. 1837. 
 
 Cattle. 
 
 (See Thompson). 
 
 Canvass 49 \ in. X 39^ in. 
 
 98 . W. Gill. 1856. 
 
 “ Cup and Ball.” 
 
 Pannel, 13! in. X uf in. 
 
 99. W. S. Henderson. i860 — 70. 
 
 The Rustic Belle. 
 
 Pannel, 13^ in. x 1 1 ^ in. 
 
25 
 
 100. E. W. Cooke. R.A. 1853. 
 
 The Pier and Bay of St. Ives, Cornwall. 
 
 Canvass, 35 in. X 50 in. 
 
 101. Miss M. D. Mutrie. i 857. 
 
 Still Life.— Azalea, Passiflora-quadrangularis and 
 Geranium. 
 
 Pannel, top corners rounded, 13! in. x iof in. 
 
 102. L. Smythe i860 — 70. 
 
 The Fisherman's Son. Just arrived. 
 
 Canvass, i2^in. X 8 in. 
 
 103. A. Solomon. 1856. 
 
 Doubtful Fortune. 
 
 “ We know we are cheated, yet would feign believe.” 
 
 Scene : — Drawing room at Broomhill with Rusthall 
 Church in the distant view. 
 
 Canvass, top corners rounded, 43! in. x 33^ in. 
 
 104. A. G. Simms. i860. 
 
 The Culprit. 
 
 Canvass, ij| in. x 1317 in. 
 
 105. G. Sant. 1860—70. 
 
 Forest Scenery. 
 
 Canvass, 22^ in. x 13! in. 
 
26 
 
 106. F. E. Lee. E.A. 1837. 
 
 Morning. — The Coast of East Lothian, Scotland. 
 Canvass, 39 in. X 49 in. 
 
 107. Edward Kennedy. 
 
 La Tireuse des Cartes. 
 
 “ Good now, some excellent fortune.” 
 
 1864. 
 
 Anthony & Cleopatra, Act 1. Sc. 2 
 Canvass, top corners rounded, ig% in. x 25I in. 
 
 108 . W. H. Knight. 
 
 Boys playing at Draughts. 
 ( See Redgrave.) 
 
 Canvass, 1 6 in. x 21 in. 
 
 1846. 
 
 109 . F. Pickering. 
 
 Study of Hasman, an Arab of Mocha. 
 Canvass, 20 J in x i6j in. 
 
 i8 57 - 
 
 110 . T. Earl. 
 
 Terrier’s Head. 
 Canvass, oval, i8f in. x 15! in. 
 
 i860. 
 
27 
 
 111. Miss Rebecca Solomon. 
 
 1866. 
 
 Maria of Moulines. 
 
 Vide Stern’s “ Sentimental Journey.” 
 
 Canvass, 18^ in. X 15 in. 
 
 112. J. Clark. 
 
 1868. 
 
 “ Good night, Father.” 
 
 Canvass, 19! in. X 15! in. 
 
 113. A. Miles. 
 
 1858. 
 
 Trying his first composition. 
 
 The young Flute Player. 
 
 Canvass, lop corners rounded, iif in. x 13I- in. 
 
 (. From the Saltmarsh Collection ). 
 
 The Archangel Michael vanquishing Satan. 
 Canvass, 86 in. X 50 I in. 
 
 Benvenuto Cellini instructing his assistant Ber- 
 nardino Manellini, of Mugello, to prepare, from 
 his sketch, the large model, from which the 
 bronze group of his Perseus, which still exists 
 in the Piazza del Gran Duca, at Florence, was 
 cast. 
 
 114 Carlo Maratti. 
 
 Born 1625. 
 Died 1 71 3. 
 
 115. S. A. Hart E.A. 
 
 Canvass, 39^ in. X 29J in. 
 
28 
 
 116 . W. Haybll. 
 
 A Saw-pit, Devon. 
 Canvass, 2\\ in. x 295- in. 
 
 1847. 
 
 117 . J . F. Herring, Sen. S.B.A. 
 
 Study of Animals. 
 
 1851. 
 
 Canvass, round, 15 in. diam. 
 
 118. J. Ward. R.A. 
 
 Sympathy. 
 
 The Sick Lamb. 
 Pannel, 20 in. X 14 in. 
 
 i 837 - 
 
 119. Rebecca Solomon. 
 
 i 855 - 
 
 The story of Balaklava. 
 
 “ Wherein he spoke of most disastrous chances.” 
 
 Shakespeare . 
 
 Canvass, top corners rounded, z\\ in. x 31^ in. 
 
 ] 20 . R. Redgrave. R.A. 
 
 Ancestral Woods. 
 Canvass, 1 R in. x 29! in. 
 
 1868. 
 
29 
 
 121 . E. Crowe. A.R.A. i860. 
 
 Dean Swift at St. James’ Coffee House, 1710. 
 
 “ I got M. D.’s fourth letter to-day at the Coffee 
 House. God Almighty bless poor Stella and 
 her eyes and head.” 
 
 Vide Journal to Stella, 1715. 
 
 (See Reed’s Catalogue). 
 
 Pannel, 29^ in. x 24^ in. 
 
 122 . S. A. Hart. R.A. 1852. 
 
 Hop Picking at Burr’s Wood, Kent. 
 
 Canvass, 24^ in. x 29! in. 
 
 123 . F. D. Hardy. i 857. 
 
 The Thieves Detected. 
 
 Pannel, 14 in. X 13! in. 
 
 124 . J. COLLINSON. 1847. 
 
 The Charity School Boys Debut. 
 
 Pannel, 22^ in. x 29! in. 
 
 125 . E. Davis. 1858. 
 
 The Evening Lesson. 
 Pannel, 13! in. X 17 \ in. 
 
30 
 
 126. 
 
 C. T. Dodd. 
 
 Woodlands, Broomhill, Kent. 
 Canvass, 13! in. x 2o| in. 
 
 i860. 
 
 127. 
 
 A. Solomon. 
 
 A Study. 
 Meditation. 
 
 Millboard, 15 J in. x 13^ in. 
 
 1855-62. 
 
 128. 
 
 T. Clater. 
 
 The Early Lesson. 
 Canvass, 17 \ in. X 13! in. 
 
 1833. 
 
 129. 
 
 J. Noble. 
 
 Secret correspondence. 
 The Love Letter. 
 
 Canvass, 17J in. X 13! in. 
 
 1836 
 
 130. 
 
 Charles Stuart. 
 
 Grapes and Convolvuli. 
 Canvass, oval, 13I in. X 17J in. 
 
 1859 
 
 131. 
 
 A. Gilbert. 
 
 1868. 
 
 Looking from the cliffs at night. 
 Canvass, nf in. x 13I in. 
 
31 
 
 132. T. S. Cooper. R.A. i 837 . 
 
 Group of Scotch mutton. 
 
 Pannel, iof in. x 8-| in. 
 
 133. R. Collinson. 1868. 
 
 A corner of Nature. 
 
 Canvass, 10J in. X 14I in. 
 
 134. J. Bizo. 
 
 Lessons. 
 
 Millboard, ii^in. x in. 
 
 1855- 
 
 135. N. Baur. 
 
 1840-50. 
 
 Fishing off the Coast. 
 
 
 Pannel, i 3^ in. X 17J in. 
 
 
 136. Wilson Foster. 
 
 1868. 
 
 Study of a Head. 
 
 
 Canvass. 2o| in. x 15 in. 
 
 
 137. Miss Rebecca Solomon. 1865. 
 
 Imogene. 
 
 “ Best draw my sword, and if my enemy 
 
 But fear the sword like me, he’ll scarce look on it.” 
 
 Canvass, 17^ in. x 13! in. 
 
32 
 
 188 . J. Wilson. 
 
 A Country Churchyard. 
 Canvass, n|in. x 19! in. 
 
 1855-65- 
 
 139 . Henry Pothor. 
 
 A Norman Castle. 
 Canvass, 23I in. x 35! in. 
 
 1840-50. 
 
 140 . E. C. Williams. 
 
 Early Morning on the Coast. 
 Canvass, jo|in. X 17^ in. 
 
 1850. 
 
 141 . S. D. COLKETT. 
 
 Scene on the Coast. 
 Canvass, round, 9 in. diam. 
 
 1852. 
 
 142 . S. D. COLKETT. 
 
 Scene on the Coast. 
 Canvass, round, 9 in. diam. 
 
 1852. 
 
 143 . Miss Francis Redgrave. 
 
 1870. 
 
 In Wooton Glebe. 
 Canvass, 19I in. X 33I in. 
 
33 
 
 144. 
 
 E. W. Russell. 
 
 Knitting. 
 
 Canvass, 1 1 1 in. x 9! in. 
 
 1860-70. 
 
 145. 
 
 C. Leslie. 
 
 A Showery Day. 
 Canvass, 5f in. X 9J in. 
 
 1862. 
 
 146. 
 
 W. Muller. 
 
 The Recruit. 
 Pannel, 2z| in. X 28^ in. 
 
 1854. 
 
 147. 
 
 C. N. Hemy. 
 
 1868. 
 
 
 Tete de Flandre, near Antwerp. 
 Canvass, 19J in x 29J in. 
 
 148. 
 
 Ibbetson. 
 
 Born 1759. 
 Died 1817. 
 
 Sandbank. 
 
 Canvass, 17I in. X 23^ in. 
 
 149. J. Caudron. 
 
 1850-60. 
 
 La Cuisin&ire. 
 Pannel, 8j in. X 5^ in. 
 
34 
 
 150. Fred. Smallfield. 
 
 1852. 
 
 A Knitter. 
 
 Canvass, round, lof in. diam. 
 
 151. A. M. Madot. 
 
 i860. 
 
 Juliet. 
 
 “ But soft ! what light through yonder window breaks ? 
 
 It is the East as Juliet is the sun 
 
 * * * 
 
 See how she leans her cheek upon her hand.” 
 
 Pannel, 1 3^ in. X u^in. 
 
 152. E. Crowe. A.R.A. 
 
 1872, 
 
 Tiff. 
 
 Pannel, 8f in. x 12 in. 
 
 153. C. W. Cope. R A. 
 
 1863. 
 
 The Music Lesson. 
 
 Canvass, 24 in. X 28 f in. 
 
 154. W. H. Crome. 
 
 1840 — 50. 
 
 North Shore Mill, Liverpool. 
 Canvass, 15 ^ in. x 23 I in. 
 
35 
 
 155. J. F. Herring, Sen. S.B.A. 1850. 
 
 Interior of a Highland Cottage. 
 
 Canvass, 2 if in. x 29! in. 
 
 156. Robert Le Fevre. 1819. 
 
 Napoleon I. 
 
 Canvass, oval, 6 in. X 4! in. 
 
 157. J. Hollins. A.R.A. 1853. 
 
 Black Game. 
 
 Blackcock and Grouse. 
 
 Canvass, 195- in. x 22! in. 
 
 158. Mrs. E. C. Stannard. 1859. 
 
 Still Life. — Group of Fruit. 
 
 Canvass, top corners rounded, x6| in. X 14! in. 
 
 159. C. W. Cope. R. A. 1862. 
 
 Morning Lessons. 
 
 Canvass, 21 in. X 28f in. 
 
 160. C. H. Hemy. 1881. 
 
 The Trawler’s Net. 
 Canvass, 19! in. x 29! in. 
 
36 
 
 161 . Henry Le Jeune. A.R.A. 1865. 
 
 Forget-me-nots. 
 
 Canvass, 2 of in. x i6f in. 
 
 162 . Bellei Gaetano. 1882. 
 
 Cara Nonna. 
 
 Canvass, 18^ in. x igf in. 
 
 163 . 
 
 164 . 
 
 165 . 
 
 166 . 
 
37 
 
 167 . 
 
 168 . 
 
 169 . 
 
 170 . 
 
 171 . 
 
 172 . 
 
38 
 
 173 . 
 
 174 . 
 
 175 . 
 
 176 . 
 
 177 . 
 
 178 . 
 
39 
 
 CATALOGUE XX. 
 
 + 
 
 *W AT£F( £oLOUR£. 
 
 & 
 
 (A.) T. W. Atkinson. Born 1799. 
 
 Died 1861. 
 
 Waterfall on the Tchim-Boulac, in the Alatou, 
 Chinese Tartary. 
 
 39l in - x 5 6 l in. 
 
 (B ) C. S. Liddersdale. 1872. 
 
 “ Please let me in.” 
 
 Oval, 1 in. x 14 in. 
 
 (C.) John Sherrin. 1871. 
 
 A branch of Plums, 
 iof in. X 13I in. 
 
40 
 
 (D.) C. Armytage. 1872. 
 
 * 
 
 Etretat. 
 
 Farmyard. 
 
 9 in. X 13 in. 
 
 (E.) William Fisher, Junr. 1871. 
 
 Study of Cows, 
 in. X 9| in. 
 
 (F.) J. O. Feray. 1820. 
 
 Essonne Powder Mill a few days before the 
 explosion of Oct. 16th, 1820. 
 
 6in. X 8^in. 
 
 (G.j J. O. Feray. 1818. 
 
 Chateau de Lacken, near Brussels. 
 
 (Sepia and pencil.) 
 
 6J in. X 9 in. 
 
 <H.) Hahnisch. 1850. 
 
 Phillip Salomons, Esq. 
 
 Top corners rounded, lojin. x 8|in. 
 
 (I-) Hahnisch. 1850. 
 
 Mrs. Phillip Salomons. 
 
 Top corners rounded, iojin. x 8 Jin. 
 
4L 
 
 (J-) 
 
 (K.) A. MacCullam. 1867. 
 
 Scotch Scene. 
 
 14 in. x 20 in. 
 
 (L.) Miss E. Berry. 1882. 
 
 Thought. 
 
 (Crayon Drawing.) 
 
 i 6 | in. x 1 2§ in. 
 
 (M.) 
 
 (N.) 
 
 (O.) 
 
42 
 
 (P.) 
 
 <Q.) 
 
 < R .) 
 
 <S.) 
 
 (T.) 
 
 (U.) 
 
43 
 
 CATALOGUE III. 
 
 OIL & WATER COLOUR PAINTINGS. 
 
 Hiriurts bg gjlists Doubtful orUulnofira. 
 
 I. Landscape. 
 
 (Dutch School). 
 Panne], 13 in. x 17 in. 
 
 II. Interior of an Alehouse. 
 
 (Dutch School). 
 Pannel, 12^ in. X 14 in. 
 
 III. 
 
 Interior of an Alehouse. 
 
 (Dutch School). 
 Pannel, 12 J in. x 14 in. 
 
44 
 
 IV. Infant — St. John. 
 
 (After Murillo). 
 Canvass, 64 in. x 44 in. 
 
 V. 
 
 Infant — St. John. 
 (After Raphael). 
 Canvass, 43!; in. X 33! in. 
 
 VI. 
 
 A Martyred Saint. 
 
 
 (After Guido). 
 
 
 Canvass, oval, 44 in. x 36^ in. 
 
 VII. 
 
 The Holy Family. 
 
 
 (After Raphael). 
 
 
 Canvass, round, 28 in. diameter. 
 
 VIII. Interior of a Stable. 1840-1850. 
 
 (Attributed to J. F. Herring). 
 
 Canvass, 29J in. X 39 in. 
 
45 
 
 IX. The Colosseum at Rome. 1840-1860. 
 
 (Englisn School.) 
 
 Canvass, iijin. X i7fn. 
 
 X. Girl’s Head. 
 
 (French School). 
 
 Canvass, oval, 17! in. X 14! in. 
 
 XI. Girl’s Head. 
 
 (French School). 
 Canvass, oval, 17^ in. X 14J in. 
 
 XII. Scene in France. 
 
 (French School). 
 
 Pannel, 14 in. X 19 in. 
 
 XIII. A Dutch Town. 
 
 (Dutch School). 
 
 Pannel, 16 in. x i8jin. 
 
46 
 
 XIV. 
 
 A Market Girl. 1840-1850. 
 
 (French School). 
 
 Canvass, 19! in. x 23I in. 
 
 XV. 
 
 Study of Ducks. 1 840- 18 50. 
 
 (Attributed to J. F. Herring). 
 
 Canvass, round, 2i|in. diameter. 
 
 XVI. 
 
 Chinese Picture. 1840-1850. 
 
 Canvass, 17 in. X 2 if in. 
 
 XVII. The Deliverence of St. Peter from Prison, 
 (attributed to Rembrant.) 
 
 
 Born 1608. 
 Died 1669. 
 
 Pannel, 15 Jin. x 2oJin. 
 
 XVIII. 
 
 Little Red Riding Hood. 
 Pannel, isfin. X 13! in. 
 
 XIX. 
 
 A view on a Dutch River. 
 
 (Dutch School). 
 Pannel, 17! in. x 23! in. 
 
47 
 
 XX. Broomhill Stables and Dog Sailor. 1840. 
 
 
 Canvass, 17 in. X 19 in. 
 
 XXI. 
 
 Broomhill, West Side. 1840 
 
 Canvass, 17 in. X 19 m. 
 
 XXII. 
 
 Burrswood, Kent, 1835. 
 
 (Water colour.) 
 
 19 in. x 30J in. 
 
 XXIII. 
 
 Dog and Cat. 1840 — 1850. 
 
 (Attributed to Bateman). 
 
 Canvass, top corners rounded, 2 in. X 19^ in. 
 
 XXIV. 
 
 Queen Victoria. 1840. 
 
 (On China.) 
 
 Oval 7m. x s^in. 
 
 XXV. 
 
48 
 
 XXVI. 
 
 XXVII. 
 
 XXVIII. 
 
 XXIX. 
 
 XXX 
 
 XXXI. 
 
49 
 
 XXXII. 
 
 XXXIII. 
 
 
 XXXIV. 
 
 
 XXXV. 
 
 
 XXXVI. 
 
 
 XXXVII. 
 
50 
 
 INDEX OF ARTISTS. 
 
 (The numbers refer to the Pictures in Catalogue I. II. & III.) 
 
 Atkinson, T. W., (A.) 
 
 Armfield, Gr., 48, 95. 
 
 Armytage, C., (D.) 
 
 A 
 
 A 
 
 A 
 
 A 
 
 A 
 
 Batemam, XXIII. 
 
 Baur, N., 135. 
 
 Beavis, R., 82. 
 
 Bizo, J., 134. 
 
 Boddington, H. J., (H. J. Williams), 14. 
 Bohm, W., 90. 
 
 Bottomley, J. W., 18. 
 
 Bouvier, J., 47. 
 
 Buckner, R., 5. 
 
 Burgess, J. B., 27, 70. 
 
 Berry, E. (X) 
 
 B 
 
 B 
 
 B 
 
 B 
 
51 
 
 Carlomaratti, 114. 
 
 Caudron, J., 149. 
 
 Clark, J., 112. 
 
 Clater, T., 128. 
 
 Cole, V., 11. 
 
 Colkett, S. D., 141, 142. 
 Collinson, J., 124. 
 
 Collinson, R., 133. 
 
 Cooke, E. W., 10, 17, 87, 100. 
 Cooper, Abr., 26, 43. 
 
 Cooper, Alfred, 68. 
 
 Cooper, T. S., 12, 97, 132. 
 
 Cope, C. W., 153, 159. 
 Corbould, A., 93. 
 
 Crawford, E., 83. 
 
 Creswick, T., 19. 
 
 Crome, W. H., 154. 
 
 Crowe, E., 121, 152. 
 
 C 
 
 C 
 
 C 
 
 c 
 
 c 
 
 Davis, E., 49, 125. 
 
 Deane, D. W., 79. 
 
 Denner, B., 56. 
 
 Dillon, F., 22. 
 
 Dodd, T. C., 126. 
 
 D 
 
 D 
 
 D 
 
 D 
 
 D 
 
52 
 
 Earl, T., 110. 
 
 Eastlake, C. L., 42. 
 
 E 
 
 E 
 
 E 
 
 E 
 
 E 
 
 Feray, J. 0., (F,) (G.) 
 
 Fevre, R. Le, 156. 
 
 Einnie, J., 7. 
 
 Fisher, ~W., Junr., (E.) 
 
 Foster, W., 136. 
 
 F 
 
 F 
 
 F 
 
 F 
 
 F 
 
 Garland, H., 67. 
 
 Gilbert, A., 131. 
 
 Gill, E., 2. 
 
 Gill, W., 98. 
 
 Grant, W. J., 38, 69, 71, 81. 
 
 Gray, W., 77. 
 
 Greuze, J. B., 55. 
 
 Gaetano, B., 162. 
 
 G 
 
 G 
 
 G 
 
 G 
 
 Hardy, F. D., 44, 45, 50, 123. 
 
 Hart, S. A., 4, 31, 32, 35, 80, 115, 122. 
 Havell, W., 116. 
 
 Hemy, C. K, 147, 161. 
 
53 
 
 Henderson, W. S. P., 99. 
 
 Herbert, A. J., 9. 
 
 Herring, J. F., 59, 61, 73, 117, VIII., XV. 
 Hollins, J., 37, 157. 
 
 Hunt, A. W., 63. 
 
 Hahnisch, (H,) (I.) 
 
 H 
 
 H 
 
 H 
 
 H 
 
 Ibbetson, 148. 
 
 I 
 
 I 
 
 I 
 
 I 
 
 I 
 
 Kennedy, E., 107. 
 
 Knight, W. H., 51, 60, 78, 108. 
 
 K 
 
 K 
 
 K 
 
 K 
 
 K 
 
 Landseer, C., 16. 
 
 Lee, F. R,, 23, 25, 106. 
 
 Leighton, F., 57. 
 
 Le Jeune, H., 161. 
 
 Leslie, C., 145. 
 
 Leslie, 0. R., 54. 
 
 Levin, P., 34. 
 
 Lewis, 0. J., 46, 94. 
 
54 
 
 Liddersdale, C. S., 84, (B.) 
 
 L 
 
 L 
 
 L 
 
 L 
 
 L 
 
 Macduff, W., 41. 
 
 Me Innes, R., 75. 
 
 Macleod, J., 58. 
 
 Madot, A. M., 151. 
 
 Mann, J. H., 40. 
 
 Marks, B. S., 3. 
 
 Marks, H. S., 33. 
 
 Miles, A., 113. 
 
 Morton, A., 76. 
 
 Muller, W., 146. 
 
 Mutrie, 101. 
 
 Mac Cullam, A. (J) 
 
 M 
 
 M 
 
 M 
 
 M 
 
 Naish, J. C., 6. 
 
 Noble, J., 129. 
 
 N 
 
 N 
 
 N 
 
 N 
 
 N 
 
 Opie, E., 8, 21. 
 
 0 
 
 O 
 
55 
 
 O 
 
 0 
 
 0 
 
 Pickering, F., 109. 
 
 Pidding, H. J., 36. 
 
 Poole, P. F., 85, 88. 
 
 Pothor, H., 139, 
 
 Prentis, E., 86. 
 
 Puller, J. A., 91. 
 
 P 
 
 P 
 
 P 
 
 P 
 
 P 
 
 Rankley, A., 28. 
 
 Redgrave, F., 143. 
 
 Redgrave, R., 65, 120. 
 Rennel, T., 62, 66. 
 Rembrandt, XVIII. 
 
 Roberts, I)., 15. 
 
 Rolfe, H. L., 64. 
 
 Russell, E. W., 144. 
 
 R 
 
 R 
 
 R 
 
 R 
 
 R 
 
 Sant, Gr., 96, 105. 
 
 Sant, J., 1. 
 
 Sberrin, J., (C.) 
 
 Simms, A. GK, 104. 
 
 Smallfield, F., 150. 
 
 Smythe, L., 102. 
 
56 
 
 Solomon, A., 103, 127. 
 Solomon, R., Ill, 119, 137. 
 Solomon, S., 39. 
 
 Stanfield, C., 13. 
 
 Stanfield, G., 89. 
 
 Stannard, E. 0., 158. 
 
 Stuart, C., 130. 
 
 S 
 
 S 
 
 s 
 
 s 
 
 s 
 
 Tennant, J., 92. 
 
 T 
 
 T 
 
 T 
 
 T 
 
 T 
 
 Yermuelen, A. F. T., 53. 
 
 Y 
 
 Y 
 
 Y 
 
 Y 
 
 Y 
 
 Ward, J., 118. 
 
 Weir, W., 52, 72. 
 
 West, W., 20. 
 
 Williams, E. C., 140. 
 Williams, G. A., 74. 
 
 Willis, H. B., 29. 
 
 Wilson, J. J., 24. 
 
^ ^ ^ ^ ^ 
 
 57 
 
 Wilson, J., 138. 
 Witherington, W. F., 30. 
 
 
 

 CATALOGUE IV. 
 
N O T A BENE. 
 
 The Date indicates date of Publication. 
 
 The left hand name is that of the Artist, 
 right hand name is that of the Engraver. 
 
 A.P. — Artist’s Proof. (Signed.) 
 
 Pf. — Proof. 
 
 The 
 
 L.P. — Lettered Proof. 
 
CATALOGUE IY. 
 
 + 
 
 N Q Fj A V I J\| Q S 
 
 ♦ 
 
 1. “Yes or No.” 
 
 1873. A.P. 
 
 John Everett Millais. 
 
 Sami. Cousins. 
 
 2. “No." 
 
 1877. A.P. 
 
 John Everett Millais. 
 
 Sami. Cousins. 
 
 3. “ The Old Monarch." 
 
 1881. A.P. 
 
 Rosa Bonheur. W. H. Simmons. 
 
 4. Mrs. Elizabeth Fry’s first visit to 
 
 Newgate, 1818. 
 
 1879. A.P. 
 
 Henrietta Ward. 
 
 T. L. Atkinson. 
 
61 
 
 5. Experimental Gunnery in the 
 
 Middle Ages. 1880. A.P. 
 
 H. S. Marks. W. Greatbach. 
 
 6. 
 
 A Highland Breakfast. 
 
 1878. A.P. 
 
 
 John Philip. Thos. Oldham Barlow. 
 
 7 - 
 
 Ninnette. 
 
 1880. A.P. 
 
 
 ( Companion to No. S.) 
 
 
 Greuze. 
 
 Sami. Cousins. 
 
 8. 
 
 The Dauphin. 
 
 1877. A.P. 
 
 
 Greuze. 
 
 Sami. Cousins. 
 
 9 - 
 
 Effie Deans. 
 
 1879. A.P. 
 
 
 John Everett Millais. 
 
 Sami. Cousins. 
 
 IO. 
 
 Biondina. 
 
 1881. A.P. 
 
 Fred. Leighton. 
 
 Sami, Cousins. 
 
62 
 
 ii. Queen Victoria. 
 Geo. Hay ter. 
 
 i8 39 . pf. 
 Henry Cousins. 
 
 12. Sunshine & Shadow. 1879. A.P. 
 
 Marcus Stone. G. H. Every. 
 
 13. Dream of Pilate’s Wife. 1879. A.P. 
 Gustave Dore. Alphonse Francois. 
 
 14. Christ leaving the Praetorium. 18 77. A.P. 
 Gustave Dore. Herbert Bourne. 
 
 15. The Triumph of Christianity 
 
 over Paganism. 1871. A.P. 
 
 ( See Key ). 
 
 Gustave Dore. Herbert Bourne. 
 
 16. The night of the Crucifixion. 1880. A.P. 
 
 Gustave Dore. 
 
 Herbert Bourne. 
 
\y. The Christian Martyrs. 
 
 1875. A.P 
 
 Gustave Dore. 
 
 Herbert Bourne. 
 
 18. The Shadow of Death, 
 
 1878. A.P. 
 
 W. Holman Hunt. 
 
 F. Stacpoole. 
 
 19. Louis Sieze. 
 
 20. The Grandfather's Pet. 
 
 1880. A.P. 
 
 (Part Etching) 
 
 
 Hubert Herkomer. 
 
 Hubert Herkomer. 
 
 21. Napoleon I. 1813 
 
 1819 Pf. 
 
 Rob. le Fevre. 
 
 T. Lupton. 
 
 22. Queen Victoria in Council. 1846. Pf 
 
 ( See Key.) 
 Sir David Wilkie. 
 
 C. Fox. 
 
64 
 
 23. Coronation of Queen Victoria. 1842. Pf. 
 
 (See Key) 
 
 E. T. Parris. C. E. Wagstafif. 
 
 24. 
 
 Queen Victoria, Prince Consort, 
 
 
 and Royal Family. 
 
 1850. L P. 
 
 
 F. Winterhalter. 
 
 Sami. Cousins. 
 
 25 - 
 
 David Salomons. 
 
 1837. pf 
 
 
 ( Aldermanic Robes ). 
 
 
 Mrs. C. Pearson. 
 
 C. Turner. 
 
 26. 
 
 Prince of Wales. 1847. 
 
 1848. L.P. 
 
 
 F. Winterhalter. 
 
 Sami. Cousins. 
 
 27. 
 
 Prince Alfred & Princess 
 
 
 
 Helena. 1 849 
 
 1851. L.P. 
 
 
 F. Winterhalter. 
 
 H. T. Ryall. 
 
 28. Motherless ; or, In the Hayloft. 
 
 1881. A.P. 
 
 Mrs. H, Allingham 
 
 G. J .Stodart 
 
65 
 
 29. The little Customers. 
 
 1880. A P. 
 
 Mrs. H. Allingham. 
 
 G. J. Stodart. 
 
 30. Anita. 
 
 1879. A.P. 
 
 Fred. Leighton. 
 
 T. L. Atkinson. 
 
 31. Doubtful Fortune. 
 
 1856. Pf. 
 
 A. Solomon. 
 
 F. Bacon. 
 
 32. Pointing to the Patron 
 
 1 864. Pf. 
 
 or 
 
 Shaftesbury — “ Lost& Found.” 
 
 W. Macduff. J. Scott. 
 
 33. Village Piet)'. 
 
 1837. Pf. 
 
 E. Prentis. 
 
 J. C. Bromley. 
 
 34. The House of Caiaphas. 
 
 1881. A.P. 
 
 Gustave Dore. 
 
 Louis Godfrey. 
 
66 
 
 35. Cherry Ripe. 
 
 John Everett Millais. 
 
 1881. A.P. 
 Sami. Cousins. 
 
 36. David Salomons. 1847. 
 H. L. Smith. 
 
 1851. L.P. 
 
 Jos. Skelton. 
 
 37- Soldiers of the Cross 
 
 1881. AP 
 
 Gustave Dore. 
 
 Herbert Bourne. 
 
 38. Battle of Ascalon 
 
 1881. A.P. 
 
 Gustave Dore. 
 
 C. W. Sharpe. 
 
 39- A Golden Pippin. 
 
 1882. A.P. 
 
 Greuze. 
 
 Sami. Cousins. 
 
 40. A Piper and Pair Nutcrackers. 1865. A.P. 
 
 Sir Edwin Landseer. 
 
 Sami. Cousins. 
 
67 
 
 4i- Christ's Entry into Jerusalem. 1882. A.P. 
 
 
 Gustave Dore, 
 
 Alph. Francois. 
 
 42 . 
 
 Ought and Carry One. 
 
 1875. A.P 
 
 
 A. Havers. 
 
 F Stacpoole. 
 
 43- 
 
 The Egyptian Feast. 
 
 1879 A.P 
 
 
 Edwin Long. 
 
 E. Girardet. 
 
 44 . 
 
 Pomona. 
 
 1882. A.P. 
 
 
 John Everett Millais. 
 
 Sami. Cousins. 
 
 45- 
 
 Massacre of the Innocents 
 
 1884. A.P. 
 
 Gustave Dore . 
 
 Louis Godfrey. 
 
68 
 
 47 - 
 
 4 8 . 
 
 49 - 
 
 50 - 
 
69 
 
 INDEX TO ENGRAVINGS. 
 
 ARTIST. 
 
 Allingham, H., 28, 29. 
 
 A 
 
 A 
 
 A 
 
 A 
 
 Bonheur, R., 3. 
 
 B 
 
 B 
 
 B 
 
 B 
 
 C 
 
 c 
 
 c 
 
 c 
 
 Dore, G., 13, 14, 15, 16, 17. 
 
 34.37, 38, 41, 45 
 D 
 D 
 D 
 D 
 
 E 
 
 E 
 
 E 
 
 E 
 
 ENGRAVER. 
 
 Atkinson, T. L., 4, 30. 
 
 A 
 
 A 
 
 A 
 
 A 
 
 Bacon, F., 31. 
 
 Barlow, T. 0., 6. 
 
 Bourne, H., 14, 15, 16, 
 17.37 
 
 Bromley, J. C., 33. 
 
 B 
 
 B 
 
 B 
 
 B 
 
 Cousins, S., 1, 2, 7, 8, 9, 
 10, 24, 26, 35.39, 10, 44. 
 Cousins, H., 11. 
 
 C 
 
 c 
 
 c 
 
 c 
 
 D 
 
 D 
 
 D 
 
 D 
 
70 
 
 ARTIST. 
 
 Fevre,It. le, 21. 
 
 F 
 
 F 
 
 F 
 
 F 
 
 Greuze, ?, 8.39 
 
 G 
 
 G 
 
 G 
 
 G 
 
 Hayter, G., 11. 
 
 Herkomer, EL, 20. 
 
 Hunt, W. H., 18. 
 
 H 
 
 H 
 
 H 
 
 H 
 
 I 
 
 I 
 
 I 
 
 I 
 
 J 
 
 J 
 
 J 
 
 J 
 
 ENGRAVER. 
 
 Every, G. H., 12. 
 
 E 
 
 E 
 
 E 
 
 E 
 
 Fox, C., 22. 
 Fran90i.se, A., 13.41 
 F 
 F 
 
 Greatbach, W., 5. 
 Godfrey, L. 34.45 
 Girardet, E., 43 
 
 G 
 
 G 
 
 Herkomer, H., 20. 
 
 Havers, A., 42 
 
 H 
 
 H 
 
 H 
 
 I 
 
 I 
 
 I 
 
 I 
 
 J 
 
 J 
 
 J 
 
 J 
 
 K 
 
 K 
 
 K 
 
 K 
 
71 
 
 ARTIST. 
 
 ENGRAVER. 
 
 Leighton, F., 10, 30. 
 Landseer, E., 40 
 Long, E., 43 
 
 L 
 
 K 
 
 K 
 
 K 
 
 K 
 
 L 
 
 Macduff, W., 32. 
 
 Marks, H. S., 5. 
 
 Millais, J. E., 1, 2, 9, 3544 
 M 
 
 Lupton, T., 21. 
 
 L 
 
 L 
 
 L 
 
 L 
 
 M 
 
 M 
 
 M 
 
 M 
 
 M 
 
 M 
 
 M 
 
 N 
 
 N 
 
 N 
 
 N 
 
 N 
 
 N 
 
 N 
 
 N 
 
 0 
 
 0 
 
 0 
 
 0 
 
 0 
 
 0 
 
 0 
 
 0 
 
 Parris, E. T., 23. 
 Pearson, 25. 
 Prentis, E., 33. 
 
 p 
 
 p 
 
 p 
 
 p 
 
 Philip, J., 6. 
 
 P 
 
 P 
 
 P 
 
 P 
 
 Ryall, H. T., 27. 
 
 R 
 
 R 
 
 R 
 
 R 
 
72 
 
 ARTIST. 
 
 R 
 
 R 
 
 R 
 
 R 
 
 Smith, H. L., 36. 
 
 Solomon, A., 31. 
 
 Stone, M., 12. 
 
 S 
 
 s 
 
 s 
 
 s 
 
 T 
 
 T 
 
 T 
 
 T 
 
 Y 
 
 Y 
 
 Y 
 
 Y 
 
 Ward, H., 4. 
 
 Wilkie, D., 22. 
 Winterhalter, F., 24, 26, 
 
 27. 
 
 W 
 
 W 
 
 w 
 
 w 
 
 Y 
 
 Y 
 
 Y 
 
 Y 
 
 ENGRAVER. 
 
 Scott, J., 32. 
 
 Simmons, W. XL, 3. 
 Skelton, J., 36. 
 Stacpoole, F., 18.42 
 Stodart, G. J., 28, 29. 
 
 Sharpe, C. W., 38 
 S 
 S 
 S 
 
 Turner, C., 25. 
 
 T 
 
 T 
 
 T 
 
 T 
 
 Y 
 
 Y 
 
 Y 
 
 Y 
 
 Wagstaff, C. E., 23. 
 
 W 
 
 W 
 
 w 
 
 w 
 
 Y 
 
 Y 
 
 Y 
 
 Y 
 

 CATALOGUE V. 
 
NOTA BENE. 
 
 The Date indicates date of Publication. 
 
 The left hand name is that of the Artist, the right 
 hand name is that of the Etcher. 
 
 A. P. — Artist’s Proof (signed). 
 
 Pf. — Proof. 
 
 R.P. — Remarked Proof. 
 
 L.P. — Lettered Proof. 
 
CATALOGUE Y. 
 
 
 % t c h i q 3 . 
 
 i. The Southwark end of Old 
 
 London Bridge. 1832. Pf. 
 
 E. W. Cooke. E. W. Cooke. 
 
 2. Arch of Old London Bridge 
 
 called Long- Entry- Lock. 1832. Pf. 
 
 E. W. Cooke. E. W, Cooke. 
 
 3. Demolition of Old London Bridge. 
 
 1832. Pf. 
 
 E. W. Cooke. E. W. Cooke. 
 
 4. Crypt Old London Bridge. 1832. Pf. 
 E. W. Cooke. E. W. Cooke. 
 
76 
 
 1833. P£ 
 
 E. W. Cooke. 
 
 5. Old London Bridge. 
 E. W. Cooke. 
 
 6. Old & New London Bridges. 1832. Pf. 
 E. W. Cooke. E. W. Cooke. 
 
 7. New London Bridge. 1833- Pf. 
 
 E. W. Cooke. E. W. Cooke. 
 
 8. Dilapidation of the Long- Entry- Lock, 
 
 Old London Bridge. 1833. Pf. 
 
 E. W. Cooke. E. W. Cooke. 
 
 9. Demolition of the Chapel Pier, 
 
 Old London Bridge. 1832. Pf. 
 
 E. W. Cooke. E. W. Cooke. 
 
 10. Part of Old London Bridge, St. Magnus 
 
 and the Monument. 1832. Pf. 
 
 E. W. Cooke. 
 
 E. W. Cooke. 
 
77 
 
 ii. London Bridge. 1833. Pf. 
 
 E. W. Cooke. E. W. Cooke. 
 
 12. 
 
 Steps New London Bridge, St. Magnus 
 
 
 and the Monument. 
 
 1832. Pf. 
 
 
 E. W. Cooke. 
 
 E. W. Cooke. 
 
 13 - 
 
 The Halt. 
 
 1876. R.P. 
 
 
 E. Meissonier. 
 
 A. Lalause. 
 
 14. 
 
 Sons of the Brave. 
 
 1880. R.P. 
 
 
 P - R. Morris. 
 
 C. 0. Murray. 
 
 15 - 
 
 Return of the Fish women. 
 
 1881. R.P. 
 
 
 Fayen-Perrin. 
 
 R. Martial. 
 
 16. Saved. 1880. R.P. 
 
 C, N. Hemy, 
 
 Chas. O. Murray. 
 
78 
 
 1 7 * Fishwoman Bathing her Children, 
 
 1 88 1. R.P. 
 
 V. Demont-Breton, L. Flameng. 
 
 1 8. Jedburgh Abbey, 
 
 1879, R.P. 
 
 A. H. Haig. 
 
 A. H. Haig. 
 
 l 9 ‘ Chill October. 
 
 1883. R.P. 
 
 J. E. Millais. 
 
 Brunet-Debain. 
 
 20. Thames Rambles. 1881. R.P. 
 
 ( A Series of p Etchings only 100 Copies existing). 
 i. London Stone, Staines. 2. Kingston-on-Thames. 3. Coal 
 Wharf, Kingston. 4. Kingston Bridge. 5. Isleworth, 
 From St. Margaret’s. 6. Syon House. 7. At Brentford. 
 8. At Kew Bridge. 9. Strand on the Green. 
 
 Arthur Evershed. Arthur Evershed. 
 
 21 . 
 
79 
 
 23- 
 
 24 - 
 
 25 - 
 
 26. 
 
 27 . 
 
 28. 
 
80 
 
 INDEX TO ETCHINGS. 
 
 ARTIST. ETCHER. 
 
 A 
 
 A 
 
 A 
 
 A 
 A 
 
 A 
 
 B 
 B 
 B 
 
 Cooke, E. W., 1 to 12. 
 
 C 
 
 C 
 
 c 
 
 •D emont, Breton V., 17. 
 
 D 
 
 D 
 
 E vershed, Arthur, 20. 
 
 E 
 
 E 
 
 F 
 
 F 
 
 F 
 
 G 
 
 G 
 
 G 
 
 H aig, A. H., 18 . 
 
 H emy, C. N., 16. 
 
 H 
 
 B 
 
 B 
 
 B 
 
 Cooke, E. W., 1 to 12. 
 C 
 C 
 C 
 
 Debain, Brunet, 19. 
 
 D 
 
 D 
 
 E vershed, Arthur, 20. 
 
 E 
 
 E 
 
 F lameng, L., 17. 
 
 F ayen-Perrin, 15. 
 
 F 
 
 G 
 
 G 
 
 G 
 
 Haig, A. H., 18. 
 
 H 
 
 H 
 
81 
 
 ARTIST. 
 
 I 
 
 I 
 
 I 
 
 J 
 
 J 
 
 J 
 
 K 
 
 K 
 
 K 
 
 L 
 
 L 
 
 L 
 
 Meissonier, E., 13. 
 Morris, P. R., 14. 
 
 Millais, T. E., 19. 
 
 M 
 
 M 
 
 N 
 
 N 
 
 N 
 
 O 
 
 0 
 
 0 
 
 p 
 
 p 
 
 p 
 
 R 
 
 R 
 
 R 
 
 ETCHER. 
 
 I 
 
 I 
 
 I 
 
 J 
 
 J 
 
 J 
 
 K 
 
 K 
 
 K 
 
 Lalause, A., 13. 
 
 L 
 
 L 
 
 L 
 
 Murray, C. 0., 14. 16. 
 
 Martial, R., 15. 
 
 M 
 
 M 
 
 N 
 
 N 
 
 N 
 
 0 
 
 0 
 
 0 
 
 p 
 
 p 
 
 p 
 
 R 
 
 R 
 
 R 
 
GO GO GO 
 
 ARTIST. 
 
 T 
 
 T 
 
 T 
 
 y 
 
 v 
 
 y 
 
 w 
 
 w 
 
 w 
 
 Y 
 
 Y 
 
 Y 
 
 S 
 
 s 
 
 s 
 
 T 
 
 T 
 
 T 
 
 y 
 
 y 
 
 y 
 
 w 
 
 w 
 
 w 
 
 Y 
 
 Y 
 
 Y 
 
 ETCHER. 
 

 CATALOGUE VL 
 
NOTA BENE. 
 
 Date implies when the work was executed. 
 
CATALOGUE YL 
 
 (Sculpture. 
 
 
 i. Dick Whittington. 
 
 I. E. Carew. 
 
 1862. 
 
 2. Clotho (The Spinning Fate.) 1857. 
 
 Giuseppe Engel F. Roma. 
 
 3. Boy & Swan. 1861. 
 
 Conti di. Brazza, Patrizio Romano. 
 
 4. Cupid 1855—65. 
 
 Van den Kerckhove. 
 
 5 Gardian Angel. 
 
 1862. 
 
86 
 
 6. Sir David Salomons, M.P. 
 
 Behne, Sc. 
 
 18 57 - 
 
 7. Sir David Salomons. M.P. 
 
 Giuseppe Engel F. Roma. 
 
 LO 
 
 00 
 
 8. Homer. 
 
 1840 — 50. 
 
 9. Pity. 
 
 (Boy with Bird's nest.) 
 
 1855 — 65. 
 
 10. Tender Care. 
 
 1855 — 65. 
 
 (Girl feeding bird.) 
 
 
 11. Triumph. 
 
 1850— 55 - 
 
 12. Modesty. 
 
 1850—55. 
 
 13. Grief (A Girl with cup.) 
 
 Carusi di Carrara. 
 
 1855—60. 
 
 14 
 
87 
 
 i5- 
 
 i6. 
 
 17 - 
 
 1 8 . 
 
 19. 
 
 20. 
 
 21. 
 
88 
 
 INDEX TO SCULPTURES. 
 
 A 
 
 A 
 
 A 
 
 Behne, 6. 
 
 Brazza, Conti di. Patrizio Romano, 3. 
 B 
 B 
 B 
 
 Carew, I. E., 1. 
 
 Carusi di Carrara, 13. 
 
 C 
 
 C 
 
 c 
 
 D 
 
 D 
 
 D 
 
 Engel, Giuseppe F. Roma, 2, 7. 
 
 E 
 
 E 
 
 E 
 
 F 
 
 F 
 
 F 
 
 G 
 
 G 
 
 G 
 
89 
 
 H 
 
 H 
 
 H 
 
 I 
 
 I 
 
 I 
 
 J 
 
 J 
 
 J 
 
 Kerkhove, Van den, 4 
 K 
 K 
 K 
 
 L 
 
 L 
 
 L 
 
 M 
 
 M 
 
 M 
 
 N 
 
 N 
 
 N 
 
 O 
 
 0 
 
 o 
 
 p 
 
 p 
 
 p 
 
 p 
 
 R 
 
 R 
 
3 
 
 8 
 
 S 
 
 90 
 
 T 
 
 T 
 
 T 
 
 y 
 
 y 
 
 v 
 
 w 
 
 w 
 
 w 
 
 Y 
 
 Y 
 
 Y 
 
NOTES. 
 
NOTES. 
 
 V 
 

 GETTY RESEARCH INSTITUTE 
 
 3 3125 01047 6832 
 
v r v ' V 
 
 jW V 
 
 HP™?*