Winter dxhibition, 1901-2. 
 
 DEC. 13th to JAN. 23rd. ;^#0 t ; 
 SfcJ 12 noon to 10 p.m. ^ i/.. 
 
Committee. 
 
 SIR WILLIAM AGNEW, BART. 
 ROBERT W. ALLAN, ESQ., R.WVS. 
 T. AUSTEN BROWN, ESQ., A.R.S.A. 
 THE REV. CANON BARNETT. 
 MRS. BARNETT. 
 A. K. BROWN, ESQ., A.R.S.A. 
 MISS BROWN. 
 R. BROUGH, ESQ. 
 SIR PHILIP BURNE-JONES, BART. 
 J. COUTTS-MICHIE, ESQ., A.R.S.A. 
 HIS GRACE THE DUKE OF FIFE, K.T. 
 
 F. L. EMANUEL, ESQ. 
 JAMES GRIERSON, ESQ. 
 J. GUTHRIE, ESQ., R.S.A. 
 
 G. HENRY, ESQ., A.R.S.A. 
 MARCUS B. HUISH, ESQ. 
 LADY JEKYLL. 
 
 J. LAVERY, ESQ., R.S.A. 
 
 LADY LAWRENCE. r > 
 
 LADY LEWIS. 
 
 J. H. LORIMER, ESQ., R.S.A. 
 
 J. MACLAUCHLAN, ESQ. (Hon. Secretary, 
 
 Victoria Museums, Dundee) . 
 J. MACWHIRTER, ESQ., R.A. 
 J. MARTIN-WHITE, ESQ. 
 MRS. MARTIN- WHITE. 
 W. Q. ORCHARDSON, ESQ., R.A. 
 SIR GEORGE REID, P.R.S.A. 
 J. G. RITCHIE, ESQ. (Hon. Treasurer). 
 A. ROCHE, ESQ., R.S.A. 
 I. SPIELMANN, ESQ., F.S.A. 
 MISS TOWNSEND. " * 
 E. A. WALTON, ESQ., A.R.S.A. 
 DR. WILLIAMSON. 
 J. LAWTON WINGATE, ESQ., R.S.A. 
 
INTRODUCTION. 
 
 An exhibition in London of pictures by Scottish Artists, 
 living and deceased, is an event of such comparatively rare 
 occurrence as to claim, iby way of preface, a few words on the 
 history of the Art of Painting in Scotland. 
 
 The fact that many Scots painters lived their lives and pur- 
 sued their art in London, identifying themselves thus more 
 or less with the ' predominant partner,' has led to the belief 
 that there is little to distinguish between English and Scottish 
 Art ; but a serious study of the work produced by the artists 
 of the more northern portion of the Kingdom, will undoubt- 
 edly show there is sufficient distinction to justify the painters 
 of Scotland in being considered as a separate school. It is 
 true that Scotland has not given birth to any great command- 
 ing figure in Art, but just as Burns and Scott are comparable 
 with the greater Shakespeare, so may the less known names 
 of John Thomson and Horatio MacCulloch be mentioned 
 after Turner, and Raeburn and Reynolds classed together. 
 There is hardly any country that has, in little over a hundred 
 years, produced so much Art of excellent quality as Scotland. 
 Its Art has its faults, but it has also its good points. 
 Deficient in form and not altogether accomplished in style, 
 there is a genuine and strong love of colour, a desire to be true 
 to nature, a vigorous technical grip, and an underlying note 
 of national sentiment in it, that distinguishes it from the Art 
 of other countries, and gives it the right to occupy an honour- 
 able place in the history of the Art of the World. 
 
 It is not until the beginning of the Seventeenth Century 
 that Art in Scotland emerges from a nebulous state. In its 
 early stages Art recorded itself in sculptured stones and 
 crosses, church decoration, and, at a later period, in painted 
 portraits of Kings and Queens. Little is known of the 
 artists who painted the Royal representations, nor, in the 
 majority of cases, can their work be authenticated as having 
 been done from life. It is with George Jamesone, of Aber- 
 deen, that the artist-painter of Scotland first appears in the 
 pages of Art-history. He was the fore-runier of a race of 
 Scottish artists who were to illustrate and place upon canvas 
 the portraiture, and afterwards the poetry, of their native land. 
 Jamesone was born in 1587, and was therefore contemporary 
 with Velasquez and Murillo. He studied under Rubens, 
 alongside of Vandyke, and eventually settled in Edinburgh in 
 1644. His portrait work consists, in general, of small head 
 sizes, and it is notable for its quiet sober colour. 
 
 Portrait painting was the earliest branch of Art to be devel- 
 oped in Scotland. It was for a long period the mainstay of 
 the Scots painter, and it reached a high standard in the genius 
 of Raeburn. Born at Stockbridge, then a buburb of Edin- 
 burgh, Henry Raeburn had almost next to nothing in the 
 way of Art teaching. His maiden efforts were miniature 
 paintings. When 22 he married Ann, Countess Leslie, a 
 lady who was one of his first sitters. He visited London and 
 was advised by Reynolds to go to Rome, advice which he 
 acted upon. He spent two years in Italy. On his return 
 he settled in Edinburgh, was Knighted by George IV., at 
 Hopetown House, in 1822, appointed His Majesty's Limner 
 for Scotland in 1823, and died on the 8th ^uly of the same 
 year, aged 67. Raeburn's work is that of a master. Pure 
 in colour and spontaneous in execution, it has the sim- 
 
piicity characteristic of all good Art. Wilkie Said of him, 
 " In his touch I see the very counterpart of Velasquez." 
 
 George Watson, in point of time, comes after Raeburn, and 
 he had the honour of being elected the first President of the 
 Scottish Academy before it was made * Royal.' A successor 
 in the presidential chair was Sir John Watson Gordon, a 
 distinguished portrait-painter, whose admirable work is not 
 yet fully appreciated. Andrew Geddes had great skill in 
 the use of the etching needle as well as with the paint-brush, 
 and his name, with those of William Nicholson and John 
 Graham Gilbert, is on the roll of successful portrait-painters 
 of the period. 
 
 In the domain of historical and domestic subjects Alexander 
 Runciman and David Allan, who may be said to be the 
 originators, were followed by a much greater painter of the 
 lives of the people, in the person of David Wilkie. He is 
 the most widely-known of all Scottish artists, his work,, by 
 means of reproductions, finding its way into every household 
 in the Kingdom. Wilkie lived the greater part of his life in 
 London. He was made an Associate of the Royal Academy 
 when he was 24, and two years later, in 181 1, he became an 
 Academician. Appointed King's Limner for Scotland — a 
 post, by the way, dating back to 1580, and once held by James 
 Abercromby, described as " Captain of Foot, King's Painter 
 in Scotland, M.P. for Banffshire, and Deputy Governor of 
 Stirling Castle " — he. succeeded Sir Thomas Lawrence as 
 Painter in Ordinary to George IV. m 1830, and was knighted 
 six years later. His last journey undertaken for his failing 
 health was to the Holy Land .and Egypt. From it he never 
 returned. He died on the voyage home, off Gibraltar, and 
 was buried at sea. Wilkie's unfinished picture " John Knox 
 Dispensing the Sacrament," in the Scottish National Gallery, 
 is a most interesting one, showing as it does his method of 
 painting. Wilkie was a vigorous etcher as well as painter. 
 One of his contemporaries was Alexander Fraser, styled the 
 elder Fraser, to distinguish him from the landscape-painter 
 of the same name. 
 
 John Phillip is one of the greatest names in the history of 
 Scottish Art. He was a native of the northern city of Aber- 
 deen, the birth-place of so many Scots painters, from Jamesone 
 to Sir George Reid. After some preliminary study in London, 
 Phillip's health sent him to Spain, and his visit there com- 
 pletely changed the whole current of his Art. He returned 
 to Spain three times, on each occasion finding inspiration for 
 many fresh themes. " La Gloria," the property of the 
 Scottish nation, is a magnificent picture, with its glowing 
 colour and its splendid dash of workmanship. William 
 Dyce, another Aberdonian, was an artist of many styles. So 
 varied, indeed, is 'his work, that it is almost impossible to 
 believe that every ' Dyce ' picture is painted by the same 
 hand. Like his work, he himself was many-sided. Dyce 
 was an etcher, a designer of stained glass ; he obtained a 
 prize for an essay on ' Electro-magnetism ' ; he was an able 
 lecturer and a great organiser, — he re-modelled the London 
 Schools of Design,, — and he possessed an excellent knowledge 
 of music. The fresco paintings he did for the Houses Of 
 Parliament are capital works of art. A painter whose brilliant 
 promise came to an end at the early age of 38, was Thomas 
 Duncan. His paintings are very beautiful in colour, and had 
 he lived he would undoubtedly have been one of the greatest 
 
of Scottish artists. Two brothers, James Eekford Lauder 
 and Robert Scott Lauder, were notable men, Robert especi- 
 ally as an Art teacher. Sir George Harvey, a President of 
 the Royal Scottish Academy, and painter of many popular 
 pictures, among them " The Curlers," " Covenanters' Com- 
 munion," and " The Village School " ; David Scott, an 
 original and poetic artist of the type of Blake ; Robert Gavin 
 and Robert Herdman, a cultured and refined Art worker, were 
 all artists of note. A painter who excelled in portraits, 
 figure subjects, and landscape, and whose untimely death in 
 1878 caused universal sorrow in Scotland, was George Paul 
 Chalmers. Full of subtlety, his work is most admirable in 
 its quiet, yet full range of colour, and its charming feeling of 
 poetical sentiment. Chalmers was a most fastidious painter ; 
 he was never quite satisfied with his work. " Running 
 Water," a large canvas, is one of his best landscape achieve- 
 ments. It was ail painted out-of-doors. 
 
 Landscapes on canvas were few and far between in Scotland 
 before the time of Alexander Nasmyth. He and his son 
 Patrick were the founders of this branch. They were closely 
 followed by the Rev. John Thomson, a painter of grand 
 impressionistic scenes, most effective in their broad massing 
 of light and shade. The Nasmyth work was based on classi- 
 cal lines, and so, in a larger way, was Thomson's ; and it was 
 not until the coming of Horatio MacCulloch that a more 
 naturalistic style of landscape became the fashion. H. G. 
 Williams, called Grecian Williams; the two Wilsons, Andrew 
 and John, the latter of whom was a capable painter of sea and 
 shipping scenes ; Chas. Lees ; J. W. Ewbank, and William 
 Simson, are all of good standing, if not great, on the roll of 
 landscape painters. A later group comprises : J. C. Wintour, 
 Alexander Fraser, E. T. Crawford, J. Milne Donald, Sam 
 Bough, and James Docharty. John Thomson, the minis- 
 
 ter of Duddingston, near Edinburgh, was born at Dailly, in 
 Ayrshire. A son of the Manse, he combined the duty of 
 ministering to his flock with the delight of expressing in paint 
 his fervent love for the beauty of his native land. Turner 
 was his guest at one time, and he, with Thomson and Grecian 
 Williams, sketched at Craigmillar Castle. It is said that 
 Turner sarcastically admitted that " Thomson beat him in 
 the matter of frames." The Duddingston minister's last 
 work was done in 1840. When he was dying he had his bed 
 moved close to the window so that he might see the setting 
 sun. 
 
 David Roberts first saw the light in the ame district of 
 Edinburgh as Raeburn did, but forty years later. Beginning 
 as a decorator, afterwards as a scene painter,, he eventually 
 became famous for his architectural subjects. He was a 
 great traveller, and he laid many countries under contribution 
 in his search of the picturesque. Gothic interiors are Roberts' 
 greatest pictures, and in the finest of these, in beauty of 
 colour and finish, and breadth of effect, he is unequalled. 
 
 MacCulloch was a native of Glasgow, and beyond some 
 lessons in painting from John Knox, a painter of some ability, 
 he was self-educated in Art. In relation to landscape-paint- 
 ing MacCulloch holds the position that Raeburn does in por- 
 traiture and Wilkie in domestic Art. His pictures are large 
 in composition, and intimately ' Scottish ' in their rendering 
 of natural truth. The Highlands of Scotland afforded him 
 ample material for his brush, and he had little love for the 
 
landscape of other countries. MacCulloch was the first 
 Scottish painter to plant his easel out-of-doors and work direct 
 from nature. John Milne Donald was also an open-air 
 painter of a quieter nature than MacCulloch, and less robust 
 if more refined and sweeter in his painting. A pattern- 
 designer originally, from the Vale of Leven, James Docharty 
 was a lover of Highland subjects. Soft in colour, his land- 
 scapes are, while not perhaps great in conception, pre-emi- 
 nently truthful. John Crawford Wintour is a name practically 
 of no account beyond the Tweed, but for its rich full colour- 
 sense his work is greatly admired in Scotland. He was 
 equally good in oil and water-colour. Alexander Fraser, 
 sometimes termed the Scottish Constable, was one of the best 
 of landscape painters belonging to the northern half of the 
 Kingdom. His father, an able amateur artist, gave him his 
 first lessons in Art. Fraser's style is distinct and original, 
 his colouring is pure, and his touch crisp and decisive. Fraser 
 died so recently as 1899, at the age of 71, but almost twenty 
 years previously his Art life came to an end through illness. 
 An artist, English by birth, but identified with Scotland all 
 his life, was Sam Bough. His pictures are better-known in 
 London than those of many more accomplished Scottish pain- 
 ters. He was a rapid and hard worker, and excelled most in 
 water-colour painting. 
 
 No notice, however brief, of the history of Art in Scotland 
 is complete without some mention of the various Associations 
 originated by artists and others interested in Art. The first 
 of these, the Academy of St. Luke, was formed in Edinburgh 
 in 1729. It only existed for three years. An Academy of 
 the Fine Arts, started by the brothers Robert and Andrew 
 Foulis, printers and booksellers in Glasgow, had a longer life 
 and did much to further the cause of Art in Scotland. One 
 of the exhibitions of this Academy was held in the open air in 
 the inner court of Glasgow University. To the Edinburgh 
 Society for the Encouragement of Art, Science, and Manufac- 
 tures, succeeded the Board of Trustees for Manufactures in 
 Scotland, and the Royal Institution of the Fine Arts ; and 
 dissatisfaction amongst the members of these led to the form- 
 ation of the Royal Scottish Academy in 1829. The Royal 
 Glasgow Institute of the Fine Arts, dating from 1861, and a 
 younger Association of Artists, the Glasgow Art Club, have 
 both been important factors in fostering Art and creating 
 artists in Scotland. 
 
 To say anything of the living painters of Scotland would 
 obviously be out of place in this short preface. It may be re- 
 marked, however, that the Edinburgh artists excel in colour 
 and the sentiment of their pictures, while the Glasgow artists 
 pay special attention to technique. The brilliant Edinburgh 
 painters who owed much to Robert Scott Lauder, and 
 numbered among their ranks John Pettie, Thomas Faed, 
 Erskine Nicol and the two Burrs, the smaller West of Scotland 
 band, the ' Glasgow School' group, and the large London 
 colony, must be merely alluded to. Sufficient it is to note 
 that the living exponents of Scottish Art, however diverse 
 their aims and however much they may be influenced by the 
 Art of other countries, yet form a vital, healthy and enthu- 
 siastic school of artists, retaining an individuality that is of 
 their own country and race. An exhibition selected from the 
 best living painters of Scotland would assuredly take a very 
 high place in the great world of Art. 
 
WHITECHAPEL ART GALLERY. 
 
 HIGH STREET, WHITECHAPEL. 
 
 WINTER EXHIBITION, 1901-2. 
 
 CATALOGUE. 
 
 The Upper Gallery is given up entirely to Modern Scottish 
 Artists ; the Small Room, to past Scottish Painters ; the 
 Lower Gallery contains some .pictures, chiefly from the 
 Glasgow International Exhibition, by English Artists. 
 
 NOTE.— The Asterisk (*) in front of the title denotes that the 
 picture is "lent by the Artist." 
 
 1 *A CORN BOAT ON THE NILE 
 
 By W. J. Laidlay. 
 
 2 *THE ROAD TO THE WOODS 
 
 By Ernest Bucknall. 
 
 3 *THE WASSAIL BOWL 
 
 By A. S. Hartrick. 
 
 4 ^NOVEMBER PLOUGHING 
 
 By Mrs. W. E. Horne. 
 
 5 A GREY DAY ON THE THAMES 
 By Vicat Cole, R.A. 
 
 Lent by Sydney Morse, Esq. 
 
 6 *AFTER THE CHARGE — ULUNDI 
 
 By John Charlton. 
 
 7 CATTLE IN THE MEADOWS 
 By T. Sidney Cooper, R.A. 
 
 Lent by the Right Hon. J. A. Campbell, M.P. 
 
6 
 
 8 A MOUNTAIN ROBBER 
 By J. T. Nettleship. 
 
 Lent by the Hon. Mrs. Claude Hamilton. 
 
 A striking example of the artist's great skill in paint- 
 ing wild beasts. The stealthy prowl, the intent, 
 ferocious gaze, the suggestion of an iron strength 
 beneath the soft fur, are wonderfully given. We 
 are reminded of Blake's lines on the tiger : 
 
 " What dread hand and what dread eye, 
 Framed thy fearful symmetry." 
 
 9 THE BROWN BOY 
 By Romney. 
 
 Lent by G. E. Briscoe Eyre, Esq. 
 
 10 *MAN IN ARMOUR 
 
 By Lancelot Crane. 
 
 11 THE FOUNDLING 
 
 By Cayley Robinson, R.B.A. 
 Lent by C. T. Harris, Esq. 
 
 This picture tells its story to all who would read it. 
 The dripping umbrella in the left hand corner tells 
 how the gentle faced woman out in the storm found 
 the girl child. How she brought her in, washed and 
 fed her, bound her bleeding feet, then opened the 
 drawer where the treasured memorials of her own 
 dead husband and child were reverently kept, clothed 
 the little waif in her darling's fine white night gown, 
 and is preparing to lift the child, already half 
 asleep, into the soft warm bed, with its snowy sheets, 
 safe from the storm now and always. 
 
 This is a beautiful example of Pre-Raphaelite paint- 
 ing, every detail finished with minutest and most 
 patient care. 
 
 12 THE NET MENDER 
 By Marianne Stokes. 
 Lent by Mrs. Adrian Stokes. 
 
 13 THE SISTERS 
 
 By Sir J. E. Millais, P.R.A. 
 Lent by Mrs. C. E. Lees. 
 
 Portraits of the painter's three daughters, types of 
 lovely fresh English childhood. This picture belongs 
 to the great artist's later period, and it is interesting to 
 compare it with the portrait of Ruskin next it, which 
 was painted when he was influenced by the ideas of the 
 Pre-Raphaelites. 
 
7 
 
 14 MERRY PARTY IN A BASKET 
 
 By Mdme. Henrietta Ronner. 
 Lent by A. B. Kilpatrick, Esq. 
 
 Madame Ronner made a special study of cats and 
 kittens. She shows their playful grace, their innocence 
 like that of children, to whom the world of hard facts 
 and stern realities is as yet a closed book. 
 
 15 JOHN RUSKIN (1853) 
 By Sir J. E. Millais, P.R.A. 
 
 Lent by Rear-Admiral Sir W. Acland-Dyke, Bart. 
 
 An early friend of Millais's tells us of his vivid 
 recollection of the young artist when he was in the 
 Highlands painting this famous portrait of Ruskin. 
 He and another friend used to come across Millais in 
 the glen "a tall figure laden with brushes and art 
 paraphernalia." 
 
 " He led us to his tent pitched among the boulders 
 of the torrent and labelled in big charcoal letters for a 
 joke: 'Great Pre-Raphaelite Emporium.' Beneath 
 its broad open front stood the easel bearing the most 
 original portrait of our times. Ruskin at that period 
 was busy writing his ''Lectures on Architecture," 
 Millais illustrating them with superb designs ; but he 
 would stroll up the glen and take his stand for the 
 painter as we know him iu the picture, grasping a 
 shred of pine branch, all in the flash of the water and 
 wet rocks." 
 
 16 THE DEPARTURE OF THE CRUSADERS 
 By Sir J. E. Millais, P.R.A. 
 
 Lent by Mrs. C. E. Lees. 
 
 The Crusades, or holy wars, eight centuries ago, 
 inspired all classes and all nations to unite to rescue 
 Jerusalem from the Turks. They roused all the enthu- 
 siasm and all the passions of human nature. Note the 
 fierce indignation of the elder man, the rapt devotion of 
 the woman, the warlike instinct of the youth. The 
 faces are of a modern type. Perhaps the artist tried 
 to show that the passion for self-giving, the devotion 
 to a cause which inspired the crusades, lie dormant in 
 us still. 
 
 17 OLD KEW BRIDGE 
 By Frank Brangwyn. 
 
 Lent by Thos. L. Devitt, Esq. 
 
 18 * ROSALIND AND ORLANDO 
 
 By Harold Speed. 
 
 A scene from Shakespeare's " As you like it." 
 Orlando, a younger brother, kept wrongfully out of 
 his possessions, wrestles victoriously before Rosalind, 
 the proud Duke's niece, and wins her heart by his 
 strength and prowess. The artist has chosen for his 
 
8 
 
 picture the moment when Rosalind tells Orlando that 
 he has overthrown more than his adversary, meaning 
 that he has conquered her heart. 
 Orlando : 
 
 Can I not say, I thank you ? my better parts 
 Are all thrown down ; and that which here stands up 
 Is but a quintain, a mere lifeless block. 
 Rosalind : 
 
 He calls us back ; my pride fell with my fortunes 
 
 19 THE CONJURER 
 
 By Sir J. E. Millais, P.R.A, 
 Lent by Lady Jekyll. 
 
 Painted when the artist was about 18, and never 
 before exhibited. A travelling magician astonishes 
 a group of wide-eyed children by his juggling tricks ; 
 an unseen confederate pulls the strings from the back- 
 ground, and makes the puppet rise as if in obedience 
 to the conjurer's wand. 
 
 20 JOLI CCEUR 
 By D. G. Rossetti. 
 
 Lent by Miss A. E. F. Horniman. 
 
 The crystal heart, the chain and bracelet of flame- 
 coloured coral and gold,, the delicate pearl ornament in 
 the hair, the pure white of the underdress and the soft 
 edges of fur heighten the beauty of the lovely thought- 
 ful face. 
 
 21 SPRINGTIDE 
 
 By Arthur Hughes. 
 
 Lent by Sydney Morse, Esq. 
 
 22 THE FORD 
 By Fred. Taylor. 
 Lent by E. Pullar, Esq. 
 
 23 *JUDITH SHAKESPEARE 
 
 By J. Young Hunter. 
 
 This picture shows us Judith, the second daughter 
 of Shakespeare, going to see her grandmother, Mistress 
 Hathaway, in the fine clothes her father had brought 
 back from London. Inside the cottage is young Tom 
 Quiney, whom Judith finally married. Her grand- 
 mother, in the door of her rose-covered cottage, is 
 pretending to disapprove of her pretty granddaughter's 
 finery. The scene is taken from William Black's 
 novel "Judith Shakespeare." 
 
 24 *A NORMANDY FISH WEIR 
 
 By W. E. Norton. 
 
 The nets are drawn round and over high stakes far 
 below high water mark. In the enclosure thus formed 
 
9 
 
 fish are found imprisoned when the tide goes down. 
 The feeling of the breeze, the smell of the sea, comes 
 to us over the seaweed. Note the depth of the re- 
 flection m the quiet water. 
 
 25 LA GRANDE SGEUR 
 By Josef Israels. 
 
 Lent by E. Pullar, Esq. 
 
 26 DRIVING HOME THE GEESE 
 By Phil Morris. 
 
 Lent by Campbell Blair, Esq. 
 
 27 CHILDREN OF THE MIST 
 By Sir Edwin Landseer, R.A. 
 Lent by Jesse Haworth, Esq. 
 
 29 SONS OF THE BRAVE 
 By Phil Morris, A. R.A. 
 Lent by Robert Glen, Esq. 
 
 The boys are proud of their uniform, happy in their 
 discipline, inspired by the music they make and the 
 notice they excite. The mothers and sisters know 
 better what war and " the army " really mean. The 
 black dresses and sad faces tell their own tale, and the 
 thought must come that some at least of the bright, 
 merry boys we see will be cut down before their young 
 hopefulness has borne fruit, and hearts will be broken 
 for them as for their dead fathers. 
 
 30 *THE AWAKENING 
 
 By T. C. Gotch. 
 
 We may imagine the girl, a novice in her convent 
 cell, doubting and fearing lest she should be choosing a 
 life to which she has not been called. In the quiet 
 night the call comes. The vision of angels, with the 
 light of heaven shining on their wings, rouses her from 
 her bed to obey their summons to the cloistered life 
 of self-renunciation and prayer. 
 
 31 THE OLD GUARD'S CHEER 
 By Prof. H. von Herkomer, R.A. 
 
 Lent by the Directors of the Fine Art Society. 
 
 The grim, stone figures of the Guards' Monument, 
 commemorating the steadfast valour of men who met 
 death without flinching, form a background in strong 
 contrast to the group of excited veterans who shout and 
 cheer to greet their beloved Queen Victoria as she 
 passes in her first Jubilee process'on. These old men, 
 too, have faced death for their Queen and country, and 
 something of the madness of battle is on them now, as 
 
IO 
 
 they lose themselves in the excitement that warms their 
 old blood. The child and the flowers bring youth and 
 hope to contrast with old age and memories of bygone 
 years, while the upward flying doves suggest the 
 spiritual thought which makes the artist's conception 
 complete. 
 
 32 *NAVAL MANOEUVRES 
 
 By Robert W. Macbeth, A.R.A. 
 
 33 A SCOTTISH SACRAMENT 
 By H. J. Dobson, R.S.W. 
 
 Lent by the Corporation of Bradford. 
 
 34 ON THE WAY TO THE CATTLE TRYST 
 By Peter Graham, R.A. 
 
 Lent by W. Jessop. Esq. 
 
 The trysting or meeting place of the cattle is in the 
 heart of the Highlands, where storms have their play- 
 ground, and man learns his littleness. Note the 
 strong movement of the mist over the rocks, the deep 
 recesses of the mountains, the lights and shadows of 
 the foreground. 
 
 35 -THE KELPIE 
 
 By Thomas Millie Dow, R.S.W. 
 
 Northern folk are full of superstitious imaginations, 
 and the Scottish race has peopled the forests and 
 streams with beings half human, half sprite. The 
 gloom of deep pool, the rush of mountain torrents con- 
 ceal the presence of the " Water Kelpie," who, like the 
 Syrens of the Greeks, the Lorelei of the Germans, and 
 the mermaidens of the seas, lure mankind to a watery 
 grave. 
 
 36 YOUNG ISAAC WALTON 
 By John Pettie, R.A. 
 
 Lent by Messrs. A. Tooth & Sons. 
 
 This picture shows us Isaac Walton as a boy. In 
 later life he wrote the " Compleat Angler," containing 
 the following song : — 
 
 " Man's life is but vain, 
 For 'tis subject to pain 
 And sorrows, and short as a bubble ; 
 'Tis a hodge-podge of business, 
 And money, and care, 
 And toil, and money, and trouble. 
 But we'll take no care 
 If the weather prove fair, 
 Nor will we vex aught though it rain ; 
 We will banish all sorrow 
 And sing till to-morrow, 
 And angle and angle agaia. I " 
 
II 
 
 37 WISHART DISPENSING THE SACRA- 
 
 MENT 
 By W. Q. Orchardson, R.A. 
 Lent by J. C. Buist, Esq. 
 
 George Wishart was a celebrated preacher. He 
 returned to Scotland in 1544, and protected by the 
 Scottish Barons who were on the English side, he was 
 implicated in a plot to murder Cardinal Beaton. He 
 was captured, tried for heresy and burnt in 1548. His 
 heroically endured martyrdom roused such popular 
 enthusiasm that a plot was formed the same year and 
 Cardinal Beaton murdered in revenge. 
 
 38 *MIDDAY 
 
 By Leslie Thomson, R.I. 
 
 The day seems to pause in pride of its wealth and 
 strength. It has hung itself in jewels of light and 
 colour. It stops to be enjoyed. 
 
 39 THE VALLEY BY THE SEA 
 By C. E. Johnson. 
 
 Lent by Messrs. A. Tooth & Sons. 
 
 40 -CROSSING THE STREAM 
 
 By John Henderson. 
 
 41 CHARLES SURFACE (from "The School 
 
 for Scandal ") 
 By John Pettie, R.A. 
 Lent by Chas. Winn, Esq. 
 
 Charles Surface, the frivolous but good-hearted hero 
 of Sheridan's " School for Scandal." The artist has 
 painted him at the moment he raises his glass to drink 
 the health of his ancestors, whose portraits he is about 
 to sell in order to raise money for his extravagant mode 
 of life. 
 
 42 HOME SHADOWS 
 By John Burr. 
 
 Lent by Hugh Pollock, Esq. 
 
 A familiar scene where illness casts a shadow of 
 anxiety or dread or despair over young and old. The 
 picture reminds us of the love behind the shadow, that 
 it is love and not death which makes the shadow. 
 
 43 *A HIGHLAND STABLEYARD 
 
 By D. Farquharson, A.R.S.A. 
 
 44 A BORDER BALLAD 
 By W. S. McGeorge. 
 
 Lent by Alex. F. Roberts, Esq. 
 
12 
 
 45 RT. HON. A. J. BALFOUR, M.P. 
 By W. E. Lochart, R.S.A. 
 
 Lent by the Corporation of Glasgow* 
 
 46 THE PRIDE OF SEVILLE 
 By John Phillip, RA. 
 
 Lent by J. Hamilton Houldsworth, Esq. 
 
 The older Scottish painters, Wilkie and Philip, were 
 fascinated by the glowing life and colour of Spain. 
 Philip was the more successful of the two in retaining 
 his own northern character, while appreciating to the 
 full the warmth and grace of Spanish subjects. 
 
 47 *A CAREFUL SELECTION 
 
 By J. Michael Brown. 
 
 48 WAITING AND WATCHING 
 By Robt. Alexander, R.SA. 
 
 Lent by T. J. S. Roberts, Esq. 
 
 49 *REVERIE 
 
 By Miss Stansmore Dean. 
 
 50 *MRS. JOHN SMITH (of Peterhead) 
 
 By Fiddes Watt. 
 
 51 *THE LAST OF AUTUMN 
 
 By T. Corson Morton. 
 
 52 MOONLIGHT 
 
 By R. Macaulay Stevenson. 
 Lent by H. Spielmann, Esq. 
 
 53 GRANNIE'S CARE 
 By Tom McEwan, R.S.W. 
 Lent by R. H. Brechin, Esq. 
 
 54 AUTUMN IN GLEN CLOVA 
 
 By Alex. Fraser, R.S.A. 
 
 In the glens between the stern hills, the trees hide 
 to grow, and the streams flow gently, nourishing the 
 flowers ; but here, as in No. 344, the feeling of the 
 North shows itself a sort of solemn restraint, a stern 
 expectancy of winter. 
 
 55 *THE TULIP STEALER 
 
 By James Dick Peddie. 
 
13 
 
 56 THE CHALLENGE 
 
 By W. Q. Orchardson, R.A. 
 
 Lent by Sir Cut'hibert Quilter, Bart., M.P. 
 
 The challenger is a Cavalier, brave and courtly. The 
 challenged is a Puritan, also brave, but bound by his 
 faith to put duty before honour. In his face and 
 attitude the artist suggests the struggle going on in 
 his mind. The details of the picture unite to help 
 the same suggestion. 
 
 57 ^PORTRAIT OF A BOY 
 
 By W. Q. Orchardson, R.A. 
 
 A sturdy little fellow whose childish manliness defies 
 the degenerating influences of luxury and ' great posses- 
 sions.' The beauty of the picture is not in its sub- 
 ject, so much as in the artistic excellence of its hand- 
 ling, the management of colour and the harmony of 
 the whole. 
 
 58 *SOLWAY SIDE 
 
 By A. K. Brown, A.R.S.A. 
 
 A breath of pure country air comes to us over the 
 heath. This beautiful rendering of open breezy 
 country and its wide expanse of quiet grey sky satisfy 
 the mind with a sense of space and calm. 
 
 59 A KIRKCUDBRIGHT LANE 
 By William Mouncey. 
 
 60 TEESDALE MOOR 
 By T. Hope Maclachlan. 
 Lent by J. Leslie Thompson, Esq. 
 
 61 *THE GOATHERD 
 
 By J. Reid Murray. 
 
 62 *A DEVONSHIRE VILLAGE 
 
 By Patrick Downie. 
 
 63 MARKET IN EGYPT 
 By J. Farquharson, A.R.A. 
 Lent by Messrs. Agnew & Co. 
 
 On the banks of the Nile the Arabs have assembled 
 to hold their market, and strange wares are to be sold 
 to strange customers. The two Bedouin or Desert 
 Arabs are evidently bargaining about the price of the 
 sheep ; the young girl is closely considering the texture 
 of the stuff ; the woman, carrying her babe in the 
 Eastern fashion, is offering to close a bargain ; the 
 water-carrier is giving the child water. The ships, the 
 
14 
 
 camels, the donkeys, the head-burdened women, are all 
 bringing in merchandise, which, after hard bargains, 
 very usually carried on in the best of tempers, will 
 change hands. This picture is worthy of close study, 
 not only because Egyptian dresses, faces and habits are 
 faithfully portrayed, but because it is an extraordinary 
 example of artistic handling of strong sunlight and its 
 deep shadows. 
 
 64 *FISHER GIRLS WAITING FOR THE 
 
 BOATS 
 By Chas. H. Mackie. 
 
 65 SYLVIA 
 
 By John Pettie, R.A. 
 
 Lent by W. Q. Orchardson, Esq., R.A. 
 
 66 ^SATURDAY MORNING 
 
 By J. Telfer Bear. 
 
 67 *THE MEETING OF BURNS AND SCOTT 
 
 By C. Martin Hardie, R.S.A. 
 
 When Scott was a boy Burns visited the house where 
 he was, and happened to quote an old ballad, and 
 asked if any of the boys could tell him where the lines 
 came from. Scott alone could tell him. 
 
 68 LOCH KATRINE 
 By Nasmyth. 
 
 Lent by The Rt. Hon. the Earl of Ancaster. 
 
 69 ALMA: "FORWARD, FORTY-SECOND!" 
 By Robert Gibb, R.S.A. 
 
 Lent by Archibald Ramsden, Esq. 
 
 One of the terrible battles fought by the English and 
 French for Turkey against Russia. The painter takes 
 us into the passion of devotion and makes us feel the 
 glory of riding to meet death ; but memory recalls 
 Lord Salisbury's reflection that the whole war was a 
 mistake. 
 
 70 ^BREAKERS 
 
 By R. C. Robertson. 
 
 Ocean is indeed " a mighty monster." The waters 
 rise, and what can withstand their might? We wonder 
 at the boldness of men who " go down to the sea in 
 ships and occupy their business in great waters." 
 Notice the rush of the great wave, telling of invincible 
 force, cruel in its relentless progress. The picture 
 gives to the onlooker the same sense of movement that 
 the artist had as he stood amid the thundering surf. It 
 should be looked at from a distance. 
 
15 
 
 71 ^DECKING THE MAY QUEEN 
 
 By J. LOCHHEAD. 
 
 72 *THE CLYDE : WINTER 
 
 By Jas. Kay, R.S.W. 
 
 The river Clyde with its ships and ship building is 
 Britain's pride. Winter attacks it with all its force 
 but cannot stop its life, which against frost and snow 
 still bustles on in barge and tug and liner. The artist 
 powerfully gives the sense of this life pulsating in the 
 cold grey form. 
 
 73 *OLD EDINBURGH 
 
 By John Terris, R.S.W. 
 
 74 A RAINY DAY 
 
 By Sam Bough, R.S.A. 
 Lent by Jas. W. Lamb, Esq. 
 
 75 THE SPINNING WHEEL 
 By H. J. Dobson, R.S.W. 
 Lent by William Crosbie, Esq. 
 
 76 *BALLANTRAE, AYRSHIRE 
 
 By J. Morris Henderson. 
 
 77 *PICADORS: BULL RING, MADRID 
 
 By Miss Mary Cameron. 
 
 We are behind the scenes at a bull-fight, looking at 
 the poor dumb victims of the bull, end at his gaudy 
 and arrogant conqueror, the Matador on the horse. 
 The Spanish bull-fight of the present day is as barbarous 
 and cruel as the fights with wild beasts in the amphi- 
 theatres which were watched with delight by the 
 Romans of old. The fierce bull, goaded to madness, 
 kills horse after horse in his fury, while the man's skill, 
 agility and nerve, which are worthy of a better use, 
 enable him generally to avoid injury. The dead horse 
 may be thought fortunate in comparison with the poor 
 wounded, starved animal which is to be forced back 
 into the arena to face the bull again. 
 
 78 ^HIGHLAND PIPER 
 
 By SOMERLED MACDONALD. 
 
 79 *POOR MOTHERLESS BAIRNS 
 
 By Flora M. Reid 
 
i6 
 
 80 THE GRAND CANAL, VENICE 
 By Holland. 
 
 Lent by E. Pullar, Esq. 
 
 81 *A STUDY BY CANDLE-LIGHT 
 
 By R. Little, R.W.S. 
 
 82 -AMONG THE HERRING FISHERS 
 
 By J. Whitelaw Hamilton, R.S.W. 
 
 83 *THE ROUND TABLE 
 
 By Francis H. Newbery. 
 
 84 SEPTEMBER SUNDOWN 
 By Bertram Priestman. 
 
 Lent by J. W. Smith, Esq. 
 
 The fall of the year, the hush of labour done, and the 
 lonely tree standing as a watchman seems to say 
 " The night cometh when no man can work." 
 
 85 THE QUEEN'S MARIES 
 By C. Martin Hardie, R.S.A. 
 Lent by J. Maclauchlan, Esq. 
 
 These little Scottish maidens are playing a game, 
 pretending to be the four faithful Maids of Honour 
 who waited on Mary Queen of Scots. 
 
 £c There was Mary Beaton and Mary Seton 
 And Mary Carmichael and me." 
 
 86 *DUCKS 
 
 By Patrick Downie. 
 
 87 *PUNISHMENT TOWER, ROTHENBURG 
 
 By James Douglas, R.S.W. 
 
 88 * GATHERING POTATOES, ROXBURGH 
 
 By Robert Hope. 
 
 89 "WINTER 
 
 By Mrs. Hartrick (Lily Blatherwick), R.S.W. 
 
 90 SINBAD ENTERING THE CAVERN 
 By A. Goodwin, R.W.S. 
 
 Lent by the Trustees of Maidstone Museum. 
 
 In a sombre landscape, Sinbad, on a little raft,' is 
 seen entering a mysterious cave in search of adventure. 
 On his sixth voyage the ship was drawn to a magnetic 
 island of towering rocks, which had the power of 
 drawing out all the nails and iron from passing ships, 
 and causing the ships to fall in pieces. Sinbad, after 
 the wreck, escaped on a raft, and returned after 
 amazing peril and adventure. 
 
*7 
 
 91 MR. GLADSTONE 
 By Frank Holl, R.A. 
 Lent by Messrs. Agnew & Co. 
 
 The artist shows us what he has discovered in Glad- 
 stone. Looking at the grandeur of his head, at the 
 intensity of his gaze, at his anxious earnestness, at his 
 readiness to be moved to pity or to anger, we may say 
 with John Bright : " Who is there who equals him in 
 knowledge of all political questions? Who equals him 
 in earnestness? Who equals him in eloquence? Who 
 equals him in courage and fidelity to his convictions?" 
 
 92 SCHOOL RE-VISITED 
 By G. D. Leslie, R.A. 
 
 Lent by J. Hamilton Houldsworth, Esq. 
 
 The maiden of eighteen has come back to see her 
 old school, and to tell the news of her betrothal. For 
 her the days of happy, careless girlhood are over, 
 and in the gentle, serious face we see some pre- 
 monitions of the more responsible life into which she 
 will soon enter. Her school friends look with mingled 
 affection and envy at her smart frock, her jewelled 
 finger, her toy dog, and long for the time of their 
 own ' release from " the daily round, the common 
 task." 
 
 93 *THE BAYSWATER OMNIBUS 
 
 By Geo. W. Joy. 
 
 Represents the interior of an omnibus, where all 
 classes of society jostle each other. Here we see the 
 prosperous City man reading his paper ; the smartly 
 dressed girl, laden with flowers ; the Hospital nurse ; 
 and the poor woman gazing anxiously at her baby and 
 clasping her little girl to her knee. The dim interior 
 is contrasted cleverly with the bright summer day out- 
 side, and the whole picture has an air of reality. 
 
 94 THE VILLAGE FUNERAL 
 By Frank Holl, R.A. 
 
 Lent by The Corporation of Leeds. 
 
 95 *THE ESTUARY OF THE NITH 
 
 By James Orrock, R.I. 
 
 96 THE QUEEN'S DIAMOND JUBILEE; 
 
 AT ST. PAUL'S 
 By A. C. Gow, R.A. 
 Lent by The Corporation of London. 
 
 This picture perpetuates a moment which no English 
 man or woman can recall without emotion. We stand 
 at the Sanctuary of the Empire, whither Queen Victoria 
 
i8 
 
 has come to give thanks for sixty years of a great and 
 glorious reign. Through the length and breadth of her 
 vast Empire on this day, and at this hour unnumbered 
 multitudes are praying " God save the Queen." But 
 through the music and the cheers, and the proud pomp 
 and pageantry of this day, we hear the words of 
 Rudyard Kipling's great Recessional Hymn of Inter- 
 cession and Warning: — 
 
 " The tumult and the shouting dies — 
 The captains and the kings depart — 
 Still stands Thine ancient sacrifice, 
 An humble and a contrite heart. 
 Lord God of Hosts, be with us yet. 
 Lest we forget, lest we forget ! " 
 
 97 -BRITANNIA'S VISION 
 
 By Walter Crane. A.R.W.S. 
 
 98 *"OUR LADY SINGS MAGNIFICAT" 
 
 By Chas. F. M. Cleverly. 
 
 * v Our lady sings Magnificat 
 In tones surpassing sweet 
 Her damsels bear her company, 
 Sitting around her feet." 
 The treatment of the picture is frankly fanciful and 
 reminds us of the old Italian pictures. 
 
 99 *THE LAST HOUR OF THE DAY 
 
 By Prof. C. Formilli. 
 
 "The world in solemn stillne ,s lay, to hear the 
 
 Angels sing." 
 " At eventide there was light." 
 
 100 "AND WHEN DID YOU LAST SEE 
 YOUR FATHER?" 
 By W. F. Yeames, R.A. 
 Lent by The Corporation of Liverpool. 
 
 A scene in the days of Cavaliers and Roundheads. 
 A Royalist family have been taken prisoners, and the 
 father has contrived to escape. The stern captors 
 know that it will be useless for them to question the 
 resolute, proud wife in the background, but perhaps 
 they will compel an answer from the unwilling lips of 
 the child. One of the judges has a kind face, in marked 
 contrast to the low cunning of the questioner, and the 
 relentless hardness of the central figure of the trio. In 
 the shadow stands a soldier with one of those devilish 
 instruments of torture, with whose aid they may extract 
 the secret of the fugitive's hiding-place. The boy has 
 the fearlessness of innocence. Is he wise enough to 
 know that his refusal to answer can alone save his 
 father's life? 
 
ig 
 
 101 *THE MOORLAND POOL 
 
 By Algernon Talmage. 
 
 1 02 *MUSICIENNE DU SILENCE 
 
 By Arthur Hacker, A.R.A. 
 
 An Italian garden at sunset. Cypresses pointing to 
 the clear evening sky, and two maidens, types of rich 
 Southern beauty, are beside the sculptured marble well- 
 head which is set amid a profusion of rose-red tulips. 
 We feel the peace and tranquility of the evening hour, 
 across which steals the long-drawn sweetness of the 
 notes of the violin. 
 
 " Music, when soft voices die, 
 Vibrates in the memory." 
 
 103 ROUGH WEATHER 
 By Edwin Hayes, R.I. 
 Lent by Seth Taylor, Esq. 
 
 104 THE NET MENDERS 
 By Josef Israels. 
 
 Lent by E. Pullar, Esq. 
 
 105 FRENCH PASTORAL 
 By Brissot. 
 
 Lent by E. Pullar, Esq. 
 
 106 DUTCH FISHING BOATS 
 By Mesdag. 
 
 Lent by E. Pullar, Esq. 
 
 107 -WILL O' THE WISP 
 
 By Mrs. Stanhope Forbes. 
 
 Will o' the wisp, or the flickering light exhaled by 
 marshy ground, which has often led travellers to des- 
 truction, is represented by the form of a young girl 
 half emerging from a mist. She is framed in by a 
 wood, whose trees are bare, and the desolation of an 
 autumn landscape is admirably expressed. 
 
 j 08 *MELON BEDS ON THE NILE 
 By W. J. Laidlay. 
 
 109 *ST. BARTHOLOMEW 7 -THE-GREAT, 
 SMITHFIELD 
 By J. L. Pickering. 
 
 This depicts a wonderful old churchyard which should 
 be visited by all Londoners who delight in those quiet 
 spots which carry one's thoughts back to the Middle 
 Ages. The church itself is of the greatest interest and 
 beauty. 
 
20 
 
 no CHILDHOOD OF PRINCESS ELIZABETH 
 By Marcus Stone, R.A. 
 Lent by W. Jessop, Esq. 
 
 in EASTWARD HO! 
 By H. O'Neil. 
 
 Lent by J. Hamilton Houldsworth, Esq. 
 
 " But men must work 
 And women must weep." 
 
 The Crimean war of 1850-55 is going on. The regi- 
 ment is ordered abroad ; all the soldiers are aboard, 
 the bell has rung, and the last farewell has been said. 
 " The heart knoweth its own bitterness," and what 
 artist can depict the widow's tears, the son's regret, 
 the wife's last kiss, the strong man's sob, the noisy 
 weeping of some — the silent agony of others ? 
 
 112 PASTORAL 
 
 By Mark Fisker and J. D. Watson. 
 
 Lent by Alexander Simpson, Esq. 
 
 This picture is a loving rendering of a homely scene 
 on a French sheep-farm. That the farmer's daughter 
 is kind to her charges is evident from the confident 
 manner in which they cluster round her. 
 
 113 IN WINDSOR HOME PARK (with portrait 
 
 of H.M. Queen Victoria on horseback) 
 
 By Sir Edwin Landseer, R.A. 
 
 Lent by The Art Committee, Wolverhampton. 
 
 Portrait of Queen Victoria at about the age of 30, by 
 the famous animal painter, Landseer, who designed the 
 lions in Trafalgar Square. The skilful arrangement 
 of the figures is particularly noticeable, and the horse 
 and dogs are sympathetically and powerfully painted. 
 
 114 *THE NORTH SLACK LIGHTHOUSE 
 
 By J. Brett, A.R.A. 
 
 The sea is here seen in one of its happiest moods, 
 when its green depths are undisturbed by storm or 
 wind and have space " to live out their unfathomed 
 thoughts." The subtle, unerring knowledge of sea, 
 cliffs and clouds, which is displayed by the artist in this 
 picture is truly marvellous. The weather combination 
 is an unusual one. The rain-laden clouds, the clear re- 
 flecting sea, the ground swell shown only by the broken 
 wave crests, the illuminating sunshine, the transparent 
 air, are seldom seen all at one time ; and yet the 
 artist has been true to each, and all combined make a. 
 masterpiece of marine painting. 
 
21 
 
 115 LONDON FROM THE TOWER BRIDGE 
 By Colin Hunter, A.R.A. 
 
 Lent by Sir Donald Currie, G.C.M.G. 
 
 Our familiar London, with its smoke, its dirt, its 
 squalid houses, its ugly railway stations, its churches 
 and its chimneys, make a splendid picture in which we 
 feel the struggling, stormy life of the people working 
 out of darkness into light, moving on to the infinite sea. 
 Perhaps, taught by the artist what to see, we may by 
 ourselves find such pictures every day. 
 
 116 *OLD WATCH TOWER, AMSTERDAM 
 
 By Miss Clara Mont alba, R.W.S. 
 
 117 *THE DAWN OF WATEEXOO 
 
 By James P. Beadle. 
 
 118 *THE END OF THE DAY 
 
 By R. Onslow Ford. 
 
 119 *THE HAUNTED HOUSE 
 
 By Philip J. Thornhill. 
 
 120 THE EVENING EXPRESS 
 By Jose Weiss. 
 
 Lent by Messrs. Wm. Marchant & Co. 
 
 121 # LAND SCAPE 
 
 By G. F. Watts, R.A. 
 
 122 -LANDSCAPE 
 
 By G. F. Watts, R.A. 
 
 123 * LANDSCAPE 
 
 By G. F. Watts, R.A. 
 
 124 DEATH ON THE PALE HORSE 
 By G. F. Watts, R.A. 
 
 Lent by John J. Cowan, Esq. 
 
 The rider on the pale horse represents " Death and 
 Hell." He moves heavily amid flames, his work is 
 with the scythe to cut away hindering obstacles ; he 
 looks back, but he moves on, for death and hell pre- 
 pare the way for the meek who shall inherit the king- 
 dom, the power and the glory. 
 
22 
 
 125 THE BOWMAN ON THE WHITE HORSE 
 By G. F. Watts, R.A. 
 
 Lent by John J. Cowan, Esq. 
 
 The horses are types of the spirits which have been 
 sent forth by God to prepare the way for His Kingdom. 
 The rider on the white horse represents " Knowledge " 
 daring to enter the unknown — gorgeous in apparel and 
 ready with his arrow to shoot at truth. 
 
 126 -LOCH RUTHVEN 
 
 By G. F. Watts, R.A. 
 
 127 -DAWN ON THE RED ROCKS 
 
 By L. R. Deuchars. 
 
 128 *LOCH NESS 
 
 By G. F. Watts, R.A. 
 
 129 *HOMES OF THE QUICK AND THE DEAD 
 
 By L. R. Deuchars. 
 
 130 *GLEN ALBYN 
 
 By L. R. Deuchars. 
 
 131 SKETCH FOR THE EVENING HYMN 
 By Geo. Mason, A.R.A. 
 
 Lent by Sydney Morse, Esq. 
 
 The picture for which this sketch was made is the 
 most profound in feeling of all Mason's pictures. 
 Sweet pathos and arcadian peace were his main themes. 
 The girls in his pictures wear the long pinafore, still 
 seen in the Midlands. 
 
 132 ONLY A SHOWER 
 
 By Geo. Mason, A.R.A. 
 
 Lent by Thos. L. Devitt, Esq. 
 
 George Mason, (1 818-1872), was one of the most 
 charming painters England ever produced. He is 
 justified in his somewhat romantic treatment of rustic 
 English life, because what he paints may actually be 
 seen, though only occasionally, and he is superior to 
 his contemporary Frederick Walker, because he treats 
 his figures and landscapes in the same spirit. Walker 
 idealised his figures while treating his landscapes real- 
 istically. Mason tried to do for English country life 
 what Millet had done for the French peasantry. His 
 feeling is less deep and grand than Millet's, but his 
 pictures are full of grace and charm, 
 
23 
 
 This picture shows the artist at his best, the poetic 
 illustrator of the rural Midland life which George Eliot 
 treated so finely in her novels. 
 
 It is twilight, and the tangle of wild waste-land that 
 Mason delights to paint, " Not what people go out into 
 the country to see, but that which they do see, if they 
 have open and untired minds." 
 
 THE DRINKING FOUNTAIN 
 By Geo. Mason, A.R.A. 
 Lent by Thos. L. Devitt, Esq. 
 
 This is a work of Mason's early period, when he was 
 studying in Rome, before he found his own personal 
 manner of rendering nature. 
 
 CONWAY BAY 
 
 By David Cox. 
 
 Lent by Sir Wm. Agnew, Bart 
 
 HAYFIELD 
 By David Cox. 
 
 Lent by W. A. Watson Armstrong, Esq. 
 
 THE PLOUGH 
 
 By G. Clausen, A.R.A. 
 
 Lent by Campbell Blair, Esq. 
 
 *VIEW NEAR INVERNESS 
 By G. F. Watts, R.A. 
 
 *A MEDIAEVAL MIRACLE PLAY 
 By A. B. Donaldson. 
 
 The Early Christians condemned the corrupt Roman 
 plays, and actors were excluded from the sacraments ; 
 but later on the Monks began to act stories from the 
 Bible. The service of the Mass itself is partly dramatic. 
 From the Fifth Century it was common for the church 
 services to be illustrated by £ living pictures ' with songs. 
 Such were the offices of " the Shepherds," " the Inno- 
 cents " and the " Holy Sepulchre." Gradually the 
 Trade Guilds took up the idea, and developed it, per- 
 forming their plays every year in the cities. The plays 
 of Chester, York, and other cities, were famous, and 
 such plays lasted on in Cornwall in the Cymric language 
 as late as the Eighteenth Century. The ' Mummers ' 
 and ' Waits ' at Christmas are a survival of these plays. 
 For the most part they were solemn, and had a serious 
 purpose, but there were interludes which degenerated 
 into farce, and finally led to the suppression of the 
 plays. The Archbishop of York got the book of words 
 by guile, and refused to give it up. 
 
24 
 
 39 JERUSALEM FROM THE MOUNT OF 
 
 OLIVES 
 By David Roberts, R.A. 
 Lent by John Taylor, Esq. 
 
 40 THE MEMNONIUM, THEBES 
 By David Roberts, R.A. 
 
 Lent by John Taylor, Esq. 
 
 41 CHURCH OF ST. HELENA, BETHLE- 
 
 HEM 
 
 By David Roberts, R.A. 
 Lent by John Taylor, Esq. 
 
 42 TIBERIAS 
 
 By David Roberts, R.A. 
 Lent by John Taylor, Esq. 
 
 43 INTERIOR OF CHURCH OF ST. ANN, 
 
 BRUGES 
 Lent by John Taylor, Esq. 
 
 44 CLEOPATRA'S NEEDLE 
 By David Roberts, R.A. 
 Lent by John Taylor, Esq. 
 
 This water-colour shows us the ancient Egyptian 
 Monument in its original place. Erasmus Wilson tried 
 to bring it to England, but it was sunk in a storm in 
 the Bay of Biscay. Not till 1878 did John Dixon 
 succeed in setting it up in its present position on the 
 Thames Embankment. Interesting as it is to see 
 this marvel of early Egyptian Art, it is scarcely in 
 place in our smoky northern city, and our climate is 
 rapidly destroying the stone that had resisted centuries 
 of the dry sunny climate of Egypt. 
 
 45 THE PRINCE OF WALES proceeding to lay 
 
 the Memorial Stone of the Glasgow G.P.O., 
 
 in St. George's Square 
 By W. E. Lockhart. R.S.A. 
 Lent by Hugh Pollock, Esq. 
 
 46 "LANDSCAPE 
 
 By James Douglas, R.S.W. 
 
 17 *ISLAND OF RUM, FROM THE SANDS 
 OF ARISAIG 
 
 By Colin B. Phillip, R.W.S. 
 
25 
 
 148 *0N THE KENNET AT WOOLH AMP- 
 
 TON 
 
 By Alex. McBride, R.I., R.S.W. 
 
 149 *THE KNIGHT ERRANT 
 
 By James Cadenhead, R.S.W. 
 
 150 *MOOR BY THE SEA 
 
 By G. R. Gowans, R.S.W. 
 
 151 THE VILLAGE. POLITICIANS (engraving) 
 By Sir David Wilkie, R.A. 
 
 Lent by S. Hatchard, Esq. 
 
 152 THE RECRUIT 
 
 By Sir David Wilkie, R.A. 
 
 Lent by The Rt. Hon. the Earl of Northbrook, 
 
 An early work by Wilkie. The interior of an inn 
 showing a group of rustics listening to the persuasive 
 words of a recruiting sergeant. This pi&ure is a little 
 dim with age, but the heads are carefully and clearly 
 painted, and the composition and arrangement of the 
 figures are admirable. 
 
 153 VILLAGE POLITICIANS 
 By Sir David Wilkie, R.A. 
 Lent by S. Hatchard, Esq. 
 
 154 DUNDERAWE CASTLE 
 By Alex. Fraser, R.S.A. 
 Lent by Mrs. R. S. Bennett. 
 
 155 GLADE IN CADZOW FOREST 
 By Alex. Fraser, R.S.A. 
 
 Lent by J. Robertson, Esq. 
 
 156 SALMON CRUIVES 
 By Alex. Fraser, R.S.A. 
 Lent by D. Brodie McLeod, Esq. 
 
 157 THE PORT OF LEITH 
 By J. Ewbank, R.S.A. 
 
 158 THE MARGIN OF THE FOREST 
 By Alex. Fraser, R.S.A. 
 
 Lent by Robert Ramsey, Esq. 
 
159 GLENFRUIN 
 
 By J. Milne Donald. 
 
 Lent by Joseph Henderson, Esq. 
 
 1 60 MASTER MACKAY OF INVERLOCHIE 
 By Sir Henry Raeburn, R.A. 
 
 Lent by Jas. Scott, Esq. 
 
 161 HIGHLAND LANDSCAPE 
 By Horatio McCulloch, R.S.A. 
 Lent by Andrew Miles, Esq. 
 
 162 DR. CLEGHORN 
 
 By Sir Henry Raeburn, R.A. 
 Lent by R. M. Mann, Esq. 
 
 163 TYRE 
 
 By David Roberts, R.A. 
 Lent by John Taylor, Esq. 
 
 A beautiful view of the coast of the Levant, with the 
 ruins of the great Phoenician city of Tyre, whence 
 Solomon got the materials for his temple. 
 
 1 64 PORTRAIT OF MISS MARGARET SUTTIE 
 By Sir Henry Raeburn, R.A. 
 
 Lent by Sir Geo. Grant Suttie, Bart. 
 
 165 PORTRAIT OF JAMES WARDROP, ESQ. 
 
 By Sir Henry Raeburn, R.A. 
 
 Lent by J. C. Wardrop, Esq. 
 
 One of the finest portraits the great Scottish painter 
 ever painted. In this portrait Raeburn is the equal 
 of Rembrandt, and more fortunate in his model than 
 was often the case with Rembrandt. 
 
 166 THE ARMOURER 
 
 By James Drummond, R.S.A. 
 Lent by H. McGrady, Esq. 
 
 167 PORTRAIT OF MISS JANET SUTTIE 
 By Sir Henry Raeburn, R.A. 
 
 Lent by Sir Geo. Grant Suttie, Bart. 
 
 168 THE LESLIE BOY 
 
 By Sir Henry Raeburn, R.A. 
 Lent by Sir Chas. Tennant, Bart. 
 
27 
 
 1 69 CURLERS ON DUDDINGSTON LOCH 
 By Chas Lees, R.S.A. 
 
 Lent by Patrick Blair, Esq. 
 
 Curling, the most characteristic national game of 
 Scotland, is at least 300 years old. It was possibly 
 introduced into the country by the Flemish merchants 
 who settled there in the Sixteenth Century. The 
 game consists in throwing round stones at a ' Tee ' 
 marked on the ice. At first ordinary stones were used, 
 but now they are carefully rounded and polished and 
 provided with handles. Only stones coming within 
 seven feet of the 1 Tee ' are counted. Much science is 
 needed, the stones likely to win being skilfully guarded 
 by those of other players. 
 
 " There draw a shot ; there lay a guard ; 
 And here beside him lie, man ; 
 Now let him feel a gamester's hand ; 
 
 Now in this bosom die, man ; 
 There fill the post and block the ice, 
 
 We sit upon the tee 3 man ; 
 Now take this in, ring sharp and neat ; 
 And make this winner flee, man." 
 
 Dr. Henry Duncan. 
 
 170 PORTRAIT OF THE ARTIST 
 By Sir Henry Raeburn, R.A. 
 
 Lent by Sir S. Montagu, Bart. 
 
 171 MOUNTAIN LANDSCAPE— ON THE 
 
 TUMMELL 
 By J. C. Wintour, A.R.S.A. 
 Lent by Alexander Simpson, Esq. 
 
 172 PORTRAIT 
 
 By Sir W. Watson Gordon, P.R.S.A. 
 Lent by H. W. Kerr, Esq., A.R.S.A. 
 
 173 MARY, QUEEN OF SCOTS 
 (Unknown.) 
 
 Lent by the Marquess of Ailsa. 
 
 One among the many varying representations of the 
 famous Scottish Queen. In none of these portraits is 
 the face strictly beautiful. The well-attested charm 
 of the unfortunate Queen must have been in the vivacity 
 and expression which no portrait painter of the time 
 was able to render. 
 
 174 SALMON FISHING 
 By Sam Bough, R.S.A. 
 Lent by Jas. Scott, Esq. 
 
28 
 
 175 THE COVENANTERS' PREACHING 
 By Sir George Harvey, P.R.S.A. 
 
 Lent by the Corporation of Glasgow. 
 
 The brave Scottish Dissenters, forbidden to worship 
 as they liked, took refuge among the mountains and 
 there, protected by the wild isolation of Nature, they 
 were able to obey their conscience in their form of 
 worship. 
 
 176 THE OLD CURIOSITY SHOP, ROME 
 By Sir Wm. Fettes Douglas, P.R.S.A. 
 
 Lent by J. Wordie, Esq. 
 
 This marvellously painted picture shows the curious- 
 ly assorted art treasures to be seen in a Roman curiosity 
 shop. The dealer is holding in his hand a carved ele- 
 phant's tusk of Byzantine workmanship. On the table 
 are more old carved ivories, a coffer, with its top 
 inlaid with mosaic, a jewelled chalice and some fine old 
 volumes bound in leather and pigskin. 
 
 177 GATE OF THE ZANCARRON or Sane- 
 
 tuary of the Koran) IN THE MOSQUE 
 
 AT CORDOVA 
 By David Roberts, R.A. 
 Lent by John Taylor, Esq. 
 
 178 KINFAUNS CASTLE 
 By Rev. John Thomson. 
 Lent by Jas. Mylne, Esq. 
 
 This splendid scene of sea and ciiff is as full of 
 atmosphere as a picture of Turner's, and shows what 
 a native instinct for painting the northern painters 
 had even in the early times of Scottish Art. 
 
 The torrent, strengthened by storm and wind, teais 
 past the wood, and the artist gives us some of the 
 beauty of terror, some of the joy of the rage when wind 
 and water show themselves as masters. 
 
 179 SUNDAY MORNING IN SCOTLAND 
 By Alexander Johnston. 
 
 Lent by John Taylor, Esq. 
 
 180 "WE TWA HAE RIN ABOIP THE 
 
 BRAES" 
 By Sir George Harvey, P.R.S.A. 
 Lent by Jas. Brechin, Esq. 
 
i8r LANDSCAPE 
 
 By J. C. Wintour, A.R.S.A. 
 Lent by J. Kirkhope, Esq. 
 
 182 GRANDMOTHER'S GOWN 
 
 By Sir Wm. Fettes Douglas, P.R.SA. 
 Lent by Mrs. Maclauchlan. 
 
 183 AN OLD WARWICK INN 
 By J. C. Wintour, A.R.S.A 
 Lent by Miss C. P. Ross. 
 
 184 THE SQUIRE'S VISIT 
 By Thomas Faed, R.A. 
 
 Lent by Sir Thomas Glen Coats, Bart. 
 
 185 WILL O' THE WISP 
 By Sir Noel Paton, R.S.A* 
 Lent by R. H. Brechin, Esq. 
 
 186 ASHFORD MILL, DERBYSHIRE 
 By Alex. Fraser, R.S.A. 
 
 Lent by R. H. Brechin, Esq. 
 
 187 VALE OF ATHOLE 
 By J. C. Wintour, A.R.S.A. 
 Lent by las. Brechin, Esq. 
 
 188 A SCOTCH ROSE 
 
 By Robert Herdman, R.S.A. 
 Lent by W. Hyslop, Esq. 
 
 189 THE FLIGHT INTO EGYPT 
 By W. Dyce, R.A. 
 
 Lent by Sir David Stewart, LL.D. 
 
 Dyce was a painter of such varied cCcomplishment 
 that but a small idea of his power can be gained from 
 one small picture. In this exquisite little picture the 
 painter shows himself the fore-runner of the Pre- 
 Raphaelites. It might almost be taken for the work 
 of some Venetian artist, so rich is the glow of the gem- 
 like colour. 
 
3Q 
 
 igo HOMEWARD 
 By John Burr. 
 Lent by Patrick Blair, Esq. 
 
 191 EDINBURGH 
 By Nasmyth. 
 
 Lent by Messrs. Agnew & Co. 
 
 192 *THE CANTERBURY PILGRIMS 
 
 By Wm. Hole, R.S.A. 
 
 In the Middle Ages pilgrimages to celebrated shrines 
 like that of St. Thomas aBecket, at Canterbury, and 
 ' Our Lady of Walsingham, 5 in Norfolk, were a feature 
 of English life. Chaucer, in his " Canterbury Tales," 
 describes one of these pilgrimages, which were made 
 nearly as much for change and health as for devotion. 
 
 193 *THE QUARREL OF THE ROSES 
 
 By Stephen Reid. 
 
 194 WAPPING 
 
 By J. McNeil Whistler. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 195 THE POOL 
 
 By J. McNeil Whistler. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 196 PORTRAIT OF THOMAS CARLYLE 
 By J. McNeil Whistler. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 The original painting is certainly the most pleasing 
 and natural portrait of the Scottish historian and philos- 
 opher that was made. It was purchased by the 
 Glasgow Corporation for its permanent Gallery, and 
 was exhibited in the Guildhall Art Gallery two years 
 ago. 
 
 197 PORTRAIT OF THE ARTIST'S MOTHER 
 By J. McNeil Whistler. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 Mr. Whistler's painting, of which this is an excellent 
 reproduction, was purchased for the Luxembourg 
 Collection in Paris. In it, as in the portrait of 
 Carlyle, there is a quietness of tone, a simplicity in the 
 accessories, which are characteristic of Mr. Whistler's 
 finest wor kin portraiture. And his finest work is 
 worthy of comparison with that of Velasquez. 
 
198 THE LIMEBURNERS 
 By J. McNeil Whistler. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 One of Mr. Whistler's series of Thames Etchings, 
 made forty years ago, and not surpassed by any of his 
 later work on copper. No artist has etched the details 
 of Thames-side buildings with more charm and deli- 
 cacy than Mr. Whistler. 
 
 199 THAMES POLICE 
 By J. McNeil Whistler. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 200 *THE BEAR 
 
 By Carton Moore Park, R.B.A. 
 
 201 *MIKE (dry-point) 
 
 By J. Muirhead Bone. 
 
 202 -OLD GLASGOW AND OLD EDINBURGH 
 
 (pen and ink) 
 By J. Muirhead Bone. 
 
 203 *THE LION 
 
 By Carton Moore Park, R.B.A. 
 
 204 *OLD JAIL, GLASGOW (etching) 
 
 By J. Muirhead Bone. 
 
 205 -"GLASGOW RAG STORE 
 
 By J. Muirhead Bone. 
 
 206 -CLYDE SHIPBUILDERS (etching) 
 
 By J. Muirhead Bone. . 
 
 207 * ANNIE (dry-point) 
 
 By J. Muirhead Bone. 
 
 208 -TONTINE GATES (etching) 
 
 By J. Muirhead Bone. 
 
 209 *THE EAST BREAST, GREENOCK (etching) 
 
 By J. Muirhead Bone. 
 
 210 *DENNY'S OLD WORKSHOP, DUMBAR- 
 
 TON (dry-point) 
 By J. Muirhead Bone. 
 
3 2 
 
 211 *SHIPSMITH'S STOBCROSS (dry-point) 
 
 By J. Muirhead Bone. 
 
 212 *TOYS HILL, KENT 
 
 By Maxwell Balfour. 
 
 213 *AULD BRIG & AYR 
 
 By Susan F. Crawford, A.R.E. 
 
 214 '-ENTRANCE TO CONCERT HALL 
 
 (Glasgow International Exhibition) 
 By Susan F. Crawford, A.R.E. 
 
 215 FEEDING THE CHICKENS (etching) 
 By Wm. Hole, R.S.A. (after J. N. Maris). 
 Lent by J. Wordie, Esq. 
 
 216 FISH STALL (etching) 
 By Wm. Strang, R.E. 
 Lent by J. Wordie, Esq. 
 
 217 THE ADMIRALTY 
 By D. Y. Cameron, R.E. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 218 *BOWLING HARBOUR (dry-point) 
 
 By J. Muirhead Bone. 
 
 219 WATERLOO PLACE 
 By D. Y. Cameron, R.E. 
 
 Lent by J. Hutchison, jun , Esq. 
 
 The Crimean statue is considered by many to be 
 inartistic, and Punch once caricatured it as a woman 
 throwing quoits. Mr. Cameron has made it however 
 a fine centre for his impression of the busy traffic of 
 London. 
 
 220 MR. THOMAS HARDY (etching) 
 By Wm. Strang, R.E. 
 
 Lent by J. Wordie, Esq. 
 
 221 MR. RUDYARD KIPLING (etching) 
 By Wm. Strang, R.E. 
 
 Lent by J. Wordie, Esq. 
 
33 
 
 222 THE CUSTOM HOUSE 
 By D. Y. Cameron, R.E. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 223 *NEWARK CASTLE (dry-point) 
 
 By J. Muirhead Bone. 
 
 224 NEWGATE PRISON 
 By D. Y. Cameron, R.E. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 The etchings shown are from Mr. Cameron's London 
 set — a series of twelve which were published in 1899. 
 Of these, perhaps the most poetical is Newgate, 
 showing the gloomy portal through which the felons, 
 condemned to be hanged, were brought out in former 
 days. There is a striking suggestion in this work of 
 C. Meryon's ' Morgue,' in both the tragedy which may 
 be inseparable from a building is perfectly conveyed. 
 
 225 QUEEN ANNE'S GATE 
 By D. Y. Cameron, R.E. 
 
 Lent by J. Hutchison, jun., Esq. 
 
 Here, in convenient reach of Westminster, many dis- 
 tinguished politicians and writers have lived. The 
 old houses date back to Jacobean times. 
 
 226 THE LAST SUPPER (etching) 
 By Wm. Strang, R.E. 
 
 Lent by J. Wordie, Esq. 
 
 227 TAYPORT HARBOUR 
 By F. Laing. 
 
 Lent by R. Gutekunst, Esq. 
 
 228 COTTAGES IN TIREE 
 By F. Laing. 
 
 Lent by R. Gutekunst, Esq. 
 
 229 THE DAIRY 
 By F. Laing. 
 
 Lent by R. Gutekunst, Esq. 
 
 230 ST. AIGNAN, CHARTRES 
 By F. Laing. 
 
 Lent by R. Gutekunst, Esq. 
 
34 
 
 231 THE ARTISTS PORTRAIT 
 
 By F. Laing. 
 
 Lent by R. Gutekunst, Esq. 
 
 232 *THE JOYS OF SUMMER 
 
 By Hugh Cameron, R.S.A. 
 
 233 ROSES 
 
 By Sir George Reid, P.R.S.A. 
 Lent by J. Forbes White, Esq., LL.D. 
 
 234 THE STAIRCASE, LINKS HOUSE, 
 
 MONTROSE 
 By G. Paul Chalmers, R.S.A. 
 Lent by J. Forbes White, Esq., LL.D. 
 
 235 MIDDAY: HARVEST-TIME 
 By James Riddell 
 
 Lent by Simpson C. Fowler, Esq., M.B., CM. 
 
 236 ST. MARY'S LOCH 
 
 By Sir George Reid, P.R.S.A. 
 Lent by T. J. S. Roberts, Esq. 
 
 What a gloomy scene — bare hills, grey sky and a 
 grave-yard. But somehow we are forced to find a 
 beauty in gloom — its quiet, its strength, and its power 
 to reflect the eternal light behind the hills. 
 
 237 ^FEEDING TIME 
 
 By George Smith. 
 
 238 A PRINCE OF THE CHURCH 
 By John Pettie, R.A. 
 
 Lent by H. McGrady, Esq. 
 
 239 *COOKING IN THE TRENCHES (Second 
 
 Dragoon Guards) 
 By William Kennedy. 
 
 240 BOATING AT LARGS 
 By Hugh Cameron, R.S.A. 
 Lent by Mrs. Dobbie. 
 
 Happy, fearless children, enjoying a game with the 
 se?., the old untiring playfellow of all children in all 
 time. The artist, by the effect of the light on the sea, 
 has suggested the harmony between heaven aad earth ; 
 the response of the tangible to the ethereal. 
 
35 
 
 ROSES 
 
 By Sir George Reid, P.R.S.A. 
 
 Lent by The Rt. Hon. Lord MacLaren. 
 
 VESUVIUS, FROM CAPRI 
 
 By Thomas Scott, A.R.S.A. 
 
 Lent by T. J. S. Roberts, Esq. 
 
 Vesuvius is the burning mountain in Italy. Some- 
 times the fires inside it rage and vomit forth burning 
 lava, working havoc and bringing sorrow. At other 
 times it is only the cloud of white smoke which tells of 
 its inward fire, and then all is fair and quiet and rich 
 coloured, as is shown in this little picture. 
 
 * AUTUMN EVENING, VENICE 
 By Wm. Patrick Whyte. 
 
 *THE LARIAT 
 By George Pirie. 
 
 IN THE SOHO, TANGIER 
 
 By Robt. Alexander, R.S.A. 
 
 Lent by F. R. Ronaldson, Esq., M.D., F.R.C.P. 
 
 *THE FAGGOT GATHERER 
 By Miss M. Brown. 
 
 THE PIED PIPER OF FIAMELIN 
 
 By J. E. Christie. 
 
 Lent by R. H. Brechin, Esq. 
 
 The piper, because the town council would not pay 
 its debts, so piped that all the children followed him to 
 the mountains and were lost. 
 
 " Out came the children running. 
 All the little boys and girls 
 With rosy cheeks and flaxen curls, 
 And sparkling eyes and teeth like pearls, 
 Tripping and skipping ran madly after 
 The wonderful music with shouting and 
 laughter." 
 
 Browning. 
 
 -PEASANTS GOING TO MARKET (Hautes 
 Pyrenees) 
 By J. M. MacGeehan. 
 
 *FIORI DI CAPRI 
 By R. Paton Reid, A.R.S.A. 
 
36 
 
 250 HEAD IN ARMOUR 
 By John Pettie, R.A. 
 Lent by W. Wallace, Esq. 
 
 251 IN A SOMERSET CIDER MILL 
 By Robert W. Macbeth, A.R.A, 
 
 Lent by Sir W. H. Wills, Bart. 
 
 The artist shows how the warm light plays amid the 
 many colours made by apples, presses and figures, how 
 there is beauty m common things 
 
 252 * SALMON FISHERS' SHIELING 
 
 By Christina Ross, R.S.W. 
 
 253 *MURIEL WALLACE 
 
 By J. Coutts Michie, A.R.S.A. 
 
 254 *A TAYSIDE ORCHARD 
 
 By Tom Robertson, R.B.A. 
 
 255 HOLY WELL, BARNCLEUGH 
 By Alex. Fraser, R.SA. 
 
 Lent by Jas. Brechin, Esq. 
 
 256 SUNDOWN 
 
 By J. Lawton Wingate, R.S.A. 
 Lent by W. Ritchie, Esq. 
 
 257 DISBANDED 
 
 By John Pettie, R.A. 
 
 Lent by the Directors of th Albert Institute, Dundee. 
 
 258 ^FOURSCORE AND FIVE 
 
 By Tom MacEwan, R.S.W. 
 
 259 "MY FATHER'S A FARMER" 
 
 By T. Graham, H.R.S.A. 
 
 A happy country lass, modest in her freedom, happy 
 without excitement. She seems a part of the nature 
 which surrounds her, an embodiment of spring life and 
 growth. 
 
 260 SANDS OF IONA 
 By George Houston. 
 
 Lent by J. Murray Smith, Esq. 
 
37 
 
 261 SLEEPY FRIENDS 
 
 By Robt. Alexander, R.S.A 
 Lent by R. Usher, Esq. 
 
 Here we have a typical Scottish interior. The bair- 
 nie fast asleep in the old-fashioned wooden cradle, left 
 to the care of the two trusty servants w T ho are ready at 
 the faintest sound to defend their precious charge. 
 
 262 *UNDER THE CLIFFS 
 
 By J. Whitelaw Hamilton, R.S.W. 
 
 This is a rendering of a very beautiful peep at 
 the sea between jagged cliffs. We can see the 
 sea at work relentlessly undermining the great masses 
 of rock, which dare to project into its domain. 
 
 263 PORTRAIT OF JOHN, 10th EARL OF 
 
 LINDSAY 
 By J. H. Lorimer, R.S.A. 
 Lent by H. T. Campbell, Esq. 
 
 264 ON THE DUTCH COAST 
 By E. T. Crawford, R.S.A. 
 Lent by S. M. Low, Esq. 
 
 265 " I dearly love the glory of an early autumn day, 
 
 When breezes blow and sunbeams play, 
 
 and Nature whispers not a hint of her decay." 
 
 By William MacTaggart, R.S.A. 
 
 Lent by a Lady. 
 
 266 *THE SEA MAIDEN 
 
 By T. B. Blacklock. 
 
 The earth maid on the many-coll oured rock with its 
 shells and its weeds, by the side of the deep green sea, 
 finds her fancies taking shape in forms, and sees 
 maidens whose bodies are the sea and whose hair is the 
 weeds. 
 
 267 WHEN THE BOATS COME IN 
 By William MacTaggart, R.S.A. 
 Lent by Alex. F. Roberts, Esq. 
 
 268 SPRING 
 
 By William MacTaggart, R.S.A. 
 Lent by J. Weinberg, Esq. 
 
 269 *ST. JOHN'S, WARWICK 
 
 By James G. Laing, R.S.W. 
 
38 
 
 270 MASTER BABY 
 
 By W. Q. Orchardson, R.A. 
 Lent by Mrs. Orchardson. 
 
 The subject will appeal to everybody, but the paint- 
 ing, the colouring, the composition, the faultless draw- 
 ing in the attitudes of both mother and child will have 
 to be carefully studied to be appreciated. Note also 
 that the artist has used few colours, making his picture 
 tell his tale in a harmony of black and yellow. 
 
 271 THE END OF A SEPTEMBER DAY 
 By E. S. Calvert, R.S.W. 
 
 Lent by Mrs. E. S. Calvert. 
 
 272 THE WANDERERS 
 
 By J. Lawton Wing ate, R.S.A. 
 Lent by D. Brodie McLeod, Esq. 
 
 There is a natural friendship between the lonely and 
 Nature, so the wanderers sleep quietly in her lap. The 
 protecting care of the elder boy, and the trustful 
 dependence of the younger, help us to imagine that 
 between them they will make brave battle against 
 adversity, and, in time, rise above it. 
 
 273 SUNDOWN, ARRAN 
 
 By J. Lawton Wingate, R.S.A. 
 Lent by J. Kirkhope, Esq. 
 
 274 ^MIDSUMMER 
 
 By Alexander Frew. 
 
 275 LUFFNESS LINKS 
 By W. D. Mackay, R.S.A. 
 Lent by Alex. F. Roberts,, Esq. 
 
 Much of the charm of the fashionable game of golf 
 comes from its being played on £ links,' where the view 
 is fine and wide. The artist shows what golfers find 
 pleasure in. Note the sense of space in the distant 
 hills, the shadows which seem to move in the light, 
 the soft glow of the land and the harmony of the whole 
 picture. 
 
 276 * AUTUMN PASTORAL 
 
 By Chas. H. Mackie. 
 
 277 *A YOUNG HIGHLAND CHIEFTAIN 
 
 By T. Austen Brown, A.R.S.A. 
 
 That is to say the son of a Highland Chief, or head of 
 an old Scotch family, dressed in the tartan of his clan. 
 
39 
 
 The clans or families of renown are recognisable in 
 Scotland as easily by the colours of their tartans as by 
 name. 
 
 278 *LONGRIDGE AND THE PENTLANDS 
 
 By R. Little, R.W.S. 
 
 279 *THE BRIDGE AT GRES 
 
 By John Lavery, R.S.A. 
 
 280 A PASTORAL 
 
 By Jas. Guthrie, R.S.A. 
 Lent by James Gardiner, Esq. 
 
 282 LIGHTSOME LABOURS 
 By J. H. Lorimer, R.S.A. 
 Lent by Miss Holland. 
 
 283 *OLD AGE 
 
 By H. W. Kerr, A.R.S.A. 
 
 This is a picture in which the artist successfully 
 conveys to us a sense of quiet and peace. Harmonious 
 colouring and beauty of line are skilfully combined to 
 this end. 
 
 284 MISS LOO 
 
 By Alex. Roche, R.S.A. 
 Lent by James Gardiner, Esq. 
 
 285 IN MOTHER'S ARMS 
 By Hugh Cameron, R.S.A. 
 Lent by Jas. Brechin, Esq. 
 
 286 GIRL WITH RABBITS 
 By D. Y. Cameron, R.E. 
 
 Lent by Messrs. Wm. Marchant & Co. 
 
 287 THE HIGHLAND FUNERAL 
 By Jas. Guthrie, R.S.A. 
 
 Lent by James Gardiner, Esq. 
 
 The last journey from the cottage-home, no pomp of 
 plumes, no ostentation of mourning,, no moving ritual. 
 But in the serious toil-worn faces of the group of 
 peasant mourners we see reverence for the dead, and 
 strong emotion. The grief on the face of the child, 
 the bewilderment of the collie dog, accentuate the 
 pathos of the scene. But in the west the sky brightens., 
 tke clouds ro\] back, the land is bright. 
 
4 o 
 
 288 HIGHLAND CATTLE 
 
 By Denovan Adam, R.S.A. 
 Lent by Jas. Brechin, Esq. 
 
 289 *" BAIRNIES CUDDLE DOON " 
 
 By R. Gemmell Hutchison, A. R.S.A. 
 " Love makes room." 
 
 The bairnies cuddle doon at nicht, 
 
 Wi' muckle faucht an' din ; 
 O, try and sleep, ye waukrife rogues, 
 
 Your faither's comin' in. 
 They never heed a word I speak, 
 
 I try to gie a froon, 
 But aye I hap them up, an' cry, 
 
 " O, bairnies, cuddle doon." 
 The bairnies cuddle doon at nicht, 
 
 Wi' mirth that's dear to me ; 
 But sune the big warl's cark an' care 
 
 Will quaten doon their glee. 
 Yet, come what will to ilka ane, 
 
 May He who sits aboon, 
 Aye whisper, though their pows be bauld, 
 
 " O, bairnies, cuddle doon." 
 
 — Alex. Anderson. 
 
 290 PORTRAIT OF A GIRL 
 By J. Yule. 
 
 Lent by Captain Yule. 
 
 291 *THE VALLEY OF THE NITH 
 
 By A. K. Brown, A.R.S.A. 
 
 A quiet fold in the hills on the Scottish border-land. 
 The grey trout stream is a good colour contrast to the 
 autumnal russet foliage, a feeling of remote peaceful- 
 ness pervades the scene. 
 
 292 *LOCHABER NO MORE 
 
 By Geo. Aikman, A.R.S.A. 
 Allan Ramsay, author of c The Gentle Shepherd,' 
 
 had leanings toward the Jacobite interest, and his poem 
 
 of ' Lochaber no more ' was the outcome of this feeling. 
 
 c The Highlanders leaving their mountains to follow 
 
 Prince Charlie.' 
 c Farewell to Lochaber, and farewell, my Jean, 
 Where heartsome with thee I've mony day been, 
 For Lochaber no more, Lochaber no more, 
 We'll maybe return to Lochaber no more. 
 These tears that I shed, they are a' for my dear, 
 And no' for the dangers attending on weir ; 
 Though borne on rough seas to a far bloody shore, 
 Maybe tq return to Lochabe- no more- 
 
4i 
 
 293 *L AND SCAPE, GALLOWAY 
 
 By J. Campbell Mitchell. 
 
 294 STUDY OF A HEAD 
 By S. J. Peploe. 
 
 Lent by J. L. Wingate, Esq. 
 
 295 THE YOUNG LAIRD 
 
 By R. Gemmell Hutchison, A.R.S.A. 
 
 Lent by The Art Committee of the Corporation of 
 Oldham. 
 
 296 SPANISH CHILDREN 
 By J. Yule. 
 
 Lent by Captain Yule. 
 
 297 * ENTANGLED 
 
 By Katherine Cameron, R.S.W. 
 
 298 # THE LADY SIBYL 
 
 By Mrs. Laing. 
 
 300 *THRO WIND AND RAIN 
 
 By Joseph Henderson, R.S.W. 
 
 Shows us in a forcible manner the whirl and rush of 
 a sea lashed into fury by the biting blast. " White 
 horses " are racing across the field of waters, to be 
 hidden from time to time behind a grey veil of 
 drenching rain. Vessels are battling their way across 
 the broad expanse of ocean, sturdily making for their 
 appointed ports. 
 
 301 *CATTLE IN A MEADOW 
 
 By Andrew Douglas. 
 
 302 * AUTUMN — WEST LOCK, TARBERT 
 
 By David Fulton, R.S.W. 
 
 303 BORDER BALLAD 
 By Robert Burns. 
 
 Lent by R. W. Philip, Esq., M.D. F.R.C.P. 
 
 304 PORTRAIT OF MR. BURNS 
 By Miss Meg Wright. 
 
 Lent by Thos. Burns, Esq. 
 
42 
 
 305 *OFF TO THE DEEP-SEA FISHING 
 
 By R. W. Allan, R.S.W. 
 
 Here we see some large trawlers being towed out of 
 an East Coast fishing harbour that they may sail to the 
 fishing grounds in search of mackerel or herring for the 
 London market. The tug will leave them at the 
 river's mouth and is of the type which does such valiant 
 work along our stormy coasts in connection with the 
 lifeboats, taking them in tow where it would be im- 
 possible to proceed with oars or sails. 
 
 306 ^CORNERED 
 
 By Duncan Mackellar, R.S.W. 
 
 307 -PORTRAIT OF R. B. CUNNINGHAM 
 
 GRAHAM, ESQ. 
 By John La very, R.S.A. 
 
 308 THE HEADRIG 
 
 By J. Lawton Wingate, R.S.A. 
 Lent by R. Usher, Esq. 
 
 309 THE FAIRY GLEN 
 By P. W. Adam, R.S.A. 
 Lent by T. Warrack, Esq. 
 
 310 *CRAIL, AN OLD SCOTCH SEAPORT 
 
 By Andrew Black, R.S.W. 
 
 This picture will be specially pleasant to Whitechapel 
 eyes as a place where life and labour go on without dis- 
 comfort and noise. The solidity of the earth, the 
 houses, the fields and rocks, (heightens the effect of the 
 liquid transparency of the sea, and of the march of the 
 airy clouds. 
 
 311 *HAYTIME IN THE FENS 
 
 By J. Coutts Michie, A.R.S.A. 
 
 Huntingdon is a flat and much-watered country. 
 Farm work is often done by the aid of boats. The 
 picture shows not only what our eyes would see, but 
 makes us feel a gentle peace pervading everything. 
 
 3 1 1 a *F ANTASIE EN FOLIE 
 
 By Robert Brough. 
 
 312 * SPRINGTIME 
 
 By A. Brownlie Docharty. 
 
 313 PORTRAIT OF DR. GARDINER 
 By Jas. Guthrie, R.S.A. 
 
 Lent by James Gardiner, Esq. 
 
3 H *MARECHAL NEIL ROSES 
 By Louise E. Perman. 
 
 315 FALLS OF TUMMELL 
 
 By J. McWhirter, R.A., R.I., H.R.S.A. 
 
 Lent by the Directors of th Albert Institute, Dundee. 
 
 316 THE AULD MAN'S MARE 'S DEAD 
 By Thomas Hunt, R.S.W. 
 
 Lent by Jas. McMenemy, Esq. 
 
 317 * SCH WEINDRECHT ON THE MAAS 
 
 By J. Campbell Noble, R.S.A. 
 
 318 MOLLY 
 
 By Alex. Roche, R.S.A. 
 
 Lent by The Rt. Hon. Lord MacLaren. 
 
 319 THE BATHERS 
 
 By William MacTaggart, R.S.A. 
 Lent bv R. H. Brechin, Esq. 
 
 320 -THE VILLAGE OF CERES, FIFESHIRE 
 
 By W. M. Fraser. 
 
 321 FACT AND FANCY 
 By Sir Noel Paton, R.S.A. 
 Lent by W. Hyslop, Esq. 
 
 The child with fancy's eyes peoples the glade with 
 fairies who, like herself, have known no sorrow and felt 
 no pain nor fear, but have only the joy of wonder and 
 innocence. Note the exact and exquisite painting of 
 the picture. Each square inch would make a picture 
 in itself ; and though the execution is minute, the feel- 
 ing behind it is neither trivial nor poor. 
 
 322 *PH(EBE 
 
 By David Gauld. 
 
 323 'TWIXT CROFT AND CREEL 
 By David Murray, A.R.A. 
 
 Lent by The Art Committee of the Corporation of 
 Oldham. 
 
 The air of the extreme north is thin and clear. The 
 people have two interests : their crofts or meadows, 
 and their creels or fishing. Here those interests are 
 brought together, flowers and nets, trees and ships, to 
 make a picture which is full of clearness and calmness. 
 
324 *" HARK ! BELLMAN, HARK!" 
 
 By William Walls, A.R.S.A. 
 
 325 MORNING PASTURE 
 
 By T. Austen Brown, A.R.S.A. 
 Lent by Wm. Hunt, Esq. 
 
 326 *KAI SERIN ROSES 
 
 By Louise E. Perman. 
 
 327 AUTUMN SHOWERS 
 
 By William MacTaggart, R.S.A. 
 Lent by Joseph Henderson, Esq. 
 
 328 TROUGH PASTURE 
 
 By James Paterson, A.R.S.A. 
 
 329 *THE SUNDIAL 
 
 By E. A. Walton, A.R.S.A. 
 
 The dial on its iron stand tells of the solemn passing 
 of time amid the flowers and gaieties of youth. 
 Perhaps some thought of this has caught the boy who 
 looks so serious. Note how, having chosen bright 
 colours, the artist gives them also the solemn note. 
 
 330 FLOATING 
 
 By R. Macgregor, R.S.A. 
 Lent by Jas. Wilson, Esq. 
 
 331 WAITING FOR THE TIDE 
 By R. Macgregor, R.S.A. 
 
 Lent by James Wilson, Esq. 
 
 When the tide goes out the Dutch fisher girls take 
 their baskets and seek sand-fish. They have miscal- 
 culated the time of the tide, and are knitting as they 
 wait, 
 
 332 CLOUDS 
 
 By J. Lawton Wingate, R.S.A. 
 
 Lent by R. W. Philip, Esq., M.D. F.R.C.P. 
 
 333 BORDERLAND 
 
 By James Paterson, A.R.S.A. 
 Lent by the Corporation of Glasgow. 
 
 In this grand picture we see a stretch of wooded 
 country, the trees all wind-tossed and weather-worn, 
 the hills a-flicker with grey fleeting shadows and wan 
 patches of sunlight. The artist has chosen one of 
 those stormy days when Nature sends great clouds to 
 do battle in the skies. 
 
45 
 
 334 "LANDSCAPE 
 
 By George Houston. 
 
 335 *A SUMMER'S DAY 
 
 By Robt. Noble, A.R.S.A. 
 
 This picture should be seen from the other side of the 
 room. The beauty of it is in its luminous quality. 
 In, or rather through, the darkest tints, there appears 
 light. The brown dam, the green trees, the brilliant 
 clouds, the peat-stained water, are all enriched by an 
 atmosphere full of the glow of the sun. The spectator, 
 if he is a Nature-lover, receives a refreshing sense of 
 pleasure as he looks. 
 
 336 ^WINTER MORNING 
 
 By Joseph Farquharson, A.R.A. 
 
 337 *OTIUM CUM DIGNITATE 
 
 By J. McWhirter, R.A., R.I., H.R.S.A. 
 
 Our ' Brother Ass ' is here at rest with thistles and 
 foxgloves. 
 
 338 THE SAMASEN PLAYER 
 By E. A. Hornel. 
 
 Lent by Messrs. Wm. Marchant & Co. 
 
 339 *KATWYK-ON-SEA 
 
 By Jas. G. Laing, R.S.W. 
 
 340 BURNTISLAND JETTY 
 By R. T. Ross, R.S.A. 
 
 Lent by Miss C. P. Ress. 
 
 341 THE CIRCUS 
 By J. Crawhall. 
 
 Lent by James Gardiner, Esq. 
 
 342 THE SMITHY 
 By J. Crawhall. 
 
 Lent by James Gardiner, Esq. 
 
 343 GEISHA 
 
 By E. A. Hornel. 
 
 Lent by Messrs. Wm. Marchant & Co. 
 
 344 *THE EBBING TIDE 
 
 By Joanna L. Herbert. 
 
4 6 
 
 345 *AN EVENING CONCERT AT VENICE 
 
 By J. Thorburn Ross, A.R.S.A. 
 
 346 ARAB COURTYARD 
 
 By Arthur Melville, A.R.S.A. 
 Lent by Dr. Ronaldson. 
 
 347 THE CLYDE AT LAMINGTON 
 By A. K. Brown, A.R.S.A. 
 
 Lent by William Crosbie, Esq. 
 
 348 " WHERE THE BURNIE RUNS TO THE 
 
 SEA " 
 
 By William MacTaggart, R.S.A. 
 Lent by Alex. F. Roberts, Esq. 
 
 349 *INSIDE THE CITY, CARCASONNE 
 
 By Hamilton Maxwell, R.S.W. 
 
 350 *MARKET, TANGIERS 
 
 By J. D. Ferguson. 
 
 351 CRESTING IN THE DESERT 
 
 By Edwin Alexander, A.R.W.S. 
 
 352 *OLD HOUSE AT ROUEN (France) 
 
 By J as. Kay, R.S.W. 
 
 Here we have an old street in one of the most 
 picturesque towns on the Continent, but we Londoners 
 must not forget that we have only to use our eyes to 
 see, even in our own dingy city, beautiful subjects for 
 pictures. High Street, Whitechapel, itself, presents 
 a dozen subjects for the painters of such pictures as 
 we are considering. 
 
 353 *ON THE SHORE, HOLLAND 
 
 By R. M. G. Coventry. 
 
 354 *LOW TIDE 
 
 By Jas. Cadenhead. 
 
 355 ^GLASGOW INTERNATIONAL EXHIBI- 
 
 TION, 1 90 1 
 By Jas. Kay, R.S.W. 
 
 The Glasgow artists, with their readiness to find 
 materials for Art in the life round them, seized the 
 chance offered them by their International Exhibition 
 this year. The pure white of the somewhat fantastic 
 Exhibition buildings round the river Kelvin had a fairy- 
 like etfect, especially when seen illuminated at night. 
 
47 
 
 35$ *THE MEDITERRANEAN (near Nice) 
 By John Muirhead. 
 
 357 *A SICILIAN NIGHT 
 
 By J. McWhirter, R.A., R.I., H.R.S.A. 
 
 358 *THE JAPANESE PLAY 
 
 By Carton Moore Park, R.B.A. 
 
 359 *THE JAPANESE PLAY 
 
 By Carton Moore Park, R.B.A. 
 
 360 WORKERS ON THE SHORE 
 By Jas. Guthrie, R.S.A. 
 
 Lent by James Gardiner, Esq. 
 
 361 LANDSCAPE 
 
 By J. Corson Morton. 
 Lent by James Gardiner, Esq. 
 
 362 *A FAIRY TALE 
 
 By Christina Ross, R.S.W 
 
 363 FARMYARD 
 
 By W. D. Mackay, R.S.A. 
 Lent by Wm. Low, Esq. 
 
 364 *MOONLIGHT LANDSCAPE 
 
 By R. B. Nisbet, R.I., A.R.S.A. 
 
 365 *THE GRUB 
 
 By Nellie Harvey. 
 
 366 *THE WAYSIDE POOL 
 
 By W. D. Mackay, R.S.A. 
 
 367 NEAR EDINBURGH 
 By R. T. Ross, R.S.A. 
 Lent by Miss C. P. Ross. 
 
 368 THE DANCING LESSON 
 By R. T. Ross, R.S.A. 
 
 Lent by Miss C. P. Ross. 
 
 369 ^WOODLANDS TINGED WITH GOLD 
 
 By Wellwood Rattray, A.R.S.A., R.S.W. 
 
48 
 
 370 *" AFTER DINNER, REST AWHILE" 
 
 By W. Grant Stevenson, R.S.A. 
 
 371 ^PICK-A-BACK 
 
 By James G. Laing, R.S.W. 
 
 372 DOLBADARN CASTLE, LLANBERIS 
 By C. Houston. 
 
 Lent by W. B. Hex tall, Esq. 
 
 373 CURLING MATCH AT LINLITHGOW 
 By Chas Lees, R.S.A. 
 
 Lent by The Royal Caledonian Curling Club. 
 
 374 ON THE MAAS 
 
 By E. T. Crawford, R.S.A. 
 Lent by Patrick Blair, Esq. 
 
 375 THE ANGLER'S REST 
 By J. C. Wintour, A.R.S.A. 
 Lent by J. Robertson, Esq. 
 
 376 NORTH v. SOUTH CURLING MATCH 
 
 AT CARSBECK 
 By C. Martin Hardie, R.S.A. 
 Lent by Sir James Gibson Craig, Bart. 
 
 377 A FALLEN MONARCH 
 By Sir Edwin Landseer, R.A. 
 Lent by Sir Wm. Agnew, Bart. 
 
 378 GIPSY GIRL AND DONKEY 
 
 By George Manson. 
 
 Lent by Jas. A. Jamieson, Esq., W.S. 
 
 379 DEVOTION 
 
 By George Manson. 
 
 Lent by Jas. A. Jamieson, Esq., W.S. 
 
 380 OTHELLO RELATING HIS ADVEN- 
 
 TURES 
 By C. W. Cope, R.A. 
 Lent by W. Jessop, Esq. 
 
 Penny & Hull, Printers, Leman Street, E. 
 
Some Special Classes and Lectures 
 at TOYNBEE HALL. 
 
 ENGLISH ARCHITECTURE (U.E.S. Course)— 
 
 ARNOLD MITCHELL, M.A. 
 Wednesdays, commencing Jan. 15th, at 8 p.m. 
 
 ' MILTON ' (Tutorial Class)— 0 v' " - 
 
 R. W. CHAMBERS, M.A. 
 Thursdays, commencing Jan. 16th, at 8 p.m. 
 
 GEOLOGY (Tutorial Class)— / V 
 
 A. M. DAVIES, B.Sc. , - . \ 
 
 Wednesdays, commencing Jan. 15th, at 8 p.m. 
 
 BOTANY (Tutorial Class)— 
 J MISS THOMAS. 
 Mondays, commencing Jan. 13th, at £ p.m. 
 
 MEN'S EVENING CLASSES (FREE) — X 
 
 Book-keeping, Shorthand, Drawing, Commercial Arith- 
 metic, Composition, Chemistry, Physiology; 
 
 Mondays, Wednesdays and Thursdays, commencing Jan 6th. 
 
 At ST. STEPHEN'S HALL, POPLAR. 
 
 PHYSIOLOGY (U.E.S. Course)— 
 
 R. HUTCHISON, M.D. 
 Tuesdays, commencing Jan. 14th, at 8 p.m. 
 
 At LIMEHOUSE TOWN HALL. 
 
 FRANCE SINCE THE GREAT REVOLUTION 
 (U.E.S. Course)— » ■ • /%g^^^P^^^^ 
 HILAIRE BELLOC, M.A. . : 
 
 Mondays, commencing Jan. 13th, at 8 p.m. 
 
 Other Classes are held; all information about which may b* 
 obtained from the Registrar, Toynbee Hall. 
 
The Committee hope that every 
 visitor 1 will help them to continue 
 these Exhibitions by giving something 
 towards the expenses. The cost of 
 such Exhibitions is considerable* v - 
 
 Some of the pictures exhibited are 
 for sale. The Director will answer 
 enquiries as to prices* » IfSfl