Science and Art Department 
 Council on Education, 
 
 CLASSIFIED LIST OF PHOTOGRAPFIS 
 
 TAKEN FOR THE DEPARTMENT OF 
 SCIENCE AND ART. 
 
 Precious Metals and Enamels. 
 
 Carvings in Ivory and U^ood. 
 
 With the Sanction of the 
 of the Cormnlttee of 
 
 Specimens of the Photographs enumerated in this Catalogue may 
 be seen in the Arundel Society’s Sale-rooms at the South Kensington 
 Museum, and at the Office of the Arundel Society, 24, Old 
 Bond Street. 
 
 A complete collection may be consulted in the National Art 
 Library, South Kensington Museum. 
 
 ' » 
 
 LONDON : PUBLISHED BY THE ARUNDEL SOCIETY FOR 
 PROMOTING THE KNOWLEDGE OF ART, 
 
 24, OLD BOND STREET, 
 
 Price Sixpence, 
 
Extracted from Min utes passed by the Right Honourable the Lords of 
 the Committee o f Her Majesty's most Honourable Privy Council on 
 Education; dated Dec. I860, and Feb. 1866 . 
 
 “ In reference to the Distribution of iVrt Examples \ after taking into con- 
 sideration the several S3’’stems which had been adopted, either of direct sale by 
 the Department to Art Schools, &c., or by sale through Agents in the ordinary 
 channels of trade, their Lordships were led to beheve that a system might be 
 adopted by which a public Societjr, not looking to large profits, might be found 
 willing to undertake the responsibility of all commercial transactions connected 
 with the purchase and sale of Examples ; whilst the Department of Science and 
 Art might ])romote the success of the undertaking by affording sufficient space 
 in the South Kensington Museum for exhibiting the Examples to the public, 
 and by advertising the works for sale. 
 
 “ In reference to a communication on the same subject subsequently received 
 from the ‘Arundel Society for promoting the Knowledge of Art,’ 
 their Lordships considered that Society a peculiarly eligible channel for assist- 
 ing the action of the Department, and directed that arrangements for the publi- 
 cation and sale of Photographs and other Art Examples produced by the Science 
 and Art Department should forthwith be entered into with the Arundel Society.” 
 
 THE FOLLOWING 
 
 Classified Lists of Photographs, 
 
 TAKEN FOR THE DEPARTMENT OF SCIENCE AND ART, 
 HAVE BEEN PREPARED. 
 
 I. Drau'hig.s, Paintings and Sculpture ; Etchings, 
 
 II. Precious Metals and Enamels. Ivory .Carvings. 
 in. Pottery and Porcelain, and Glass. Embroidery, 8^c. 
 
 Price Sixpence Each, 
 
 Application by letter should be made to F. W. Maynard, Esq., 
 Secretary of the Arundel Society, 24 , Old Bond Street; or to Mr, 
 Joseph Cundall, Agent for the Arundel Society at the South Ken- 
 sington Museum, PV. 
 
 Orders must be accompanied by a remittance. 
 
CLASSIFIED LIST OE PHOTOGRAPHS. 
 
 WORKS OF DECOMTIYE ART 
 
 IN 
 
 PRECIOUS METALS AND ENAMELS. 
 
 Specimens of the Photographs enumerated in this Catalogue may he seen in the 
 Arundel Society’s Sale Kooms at the South Kensington Museum and at the Oflice 
 of the Arundel Society, 24, Old Bond Street. 
 
 A complete collection may he consulted in the National Art Library, South 
 Kensington Museum. 
 
 PUBLISHED BY THE ARUNDEL SOCIETY FOR PROMOTING THE 
 KNOWLEDGE OF ART, 24, OLD BOND STREET. 
 
 15929.— 2. 
 
 A 
 
CONTENTS. 
 
 Page 
 
 METAL WORK : 
 
 Ecclesiastical Utensils - - - - - 7 
 
 Decorative Plate - - - - - 15 
 
 Bronzes - - - - . - 31 
 
 Clocks, Watches, &c. - - - - - 45 
 
 Jewelry - - - - - - -49 
 
 Iron-work - - - - - - -54 
 
 ENAMELS ON METALS : 56 
 
 Many of the Photographs included in this Catalogue 
 may he had on application. Those which are not in 
 stock will be delivered {except under special circumstances') 
 in fourteen days. All must he paid for previous to de- 
 livery. 
 
 Orders by post should be addressed to Mr, F, TV. 
 Maynard, Secretary of the Arundel Society , 24, Old Bond 
 Street ; or to Mr. Cundall, Agent to the Arundel Society, 
 South Kensington Museum. 
 
PREFACE. 
 
 ECCLESIASTICAL UTENSILS. 
 
 The work of the goldsmith has in all ages been held in high estima- 
 tion ; the writings of ancient authors tell us to what perfection it was 
 carried in their day, and the numerous specimens of this beautiful art 
 which have been discovered among ruins and in ancient monuments 
 furnish abundant proof of the truth of their statements. 
 
 At a very early period of the Christian Church the ecclesiastical 
 utensils, whether of copper, bronze, gold, or silver, were often enriched 
 by the goldsmith with enamels and precious stones. Of this description 
 of art-work of the 11th and 12th centuries, examples still exist in national 
 museumsj^church treasuries, and private collections, although those of the 
 earlier date are very rare. These objects are of a bold and severe style ; 
 the Chalices are wide-spreading in form, supported on circular feet, 
 the diameter of which sometimes exceeds that of the cup ; the Crosses^ 
 in ivory, gold, gilt metal, and bronze enamelled, are enriched with 
 ornaments in high relief, and frequently terminate in a large leaf ; the 
 Chasses are in the form of a sarcophagus ; the Censers of spheroidal form 
 are surmounted with edifices and figures ; the sacred vases are mostly 
 ornamented with precious stones alternating with cloisonne enamels. 
 
 The ecclesiastical ornaments produced for the sovereigns, bishops, and 
 rich monasteries of France and Germany during the 13th century sur- 
 passed in magnificence any works of the kind previously achieved. The 
 treasury of the cathedral of Aix-la-Chapelle contains some specimens of 
 this brilliant period, the finest of which is the Chasse of Notre Dame, 
 which was commenced by order of Frederick II. previous to A.D. 1220, 
 and not completed until about A.D. 1237. The long period employed 
 on its manufacture, and the edict of Frederick II., which enjoined that 
 all the offerings of the pilgrims should be expended on the church until 
 such time as the work should be completed, may account for its being 
 one of the finest specimens of the ecclesiastical art of the goldsmith. 
 Among other specimens of the German work of this period, should be 
 named the fine Chasse of the Kings in the cathedral of Cologne and the 
 Monstrance in the convent of Notre Dame at Namur. 
 
 a2 
 
4 Preface. 
 
 Nor was France at this period behindhand with Germany in gold- 
 smiths’ work, as the chasse of St. Taurin d’Evreux still evidences. This 
 remarkable work, which is in the form of a miniature church, made of 
 gold and silver, was executed in 1225. There is also a very fine 
 Chasse of the same period at Rouen. The specimens of the work of the 
 14th century which are still preserved, show a change in the form of 
 the Chalice, the cup of which is semi-ovoid and the stem much taller. 
 Tlie Chasscs are mostly of architectural form for the cathedrals, and 
 form statuettes and busts in gold or silver, holding the reliquary, when 
 intended for the chapels and oratories, and this fashion enabled the 
 goldsmith to display his talent in sculpture. Grotesque statuettes were 
 also used as reliquaries. Many specimens of this period are preserved 
 in the ^Museum of tlie Louvre at Paris, and in other public and private 
 collections in France, Germany, and England. 
 
 The Gothic style of ornamenting sacred vessels, which was practised 
 in the 13th and 14th centuries, continued in vogue during the whole of 
 the loth and the early part of the 16th centuries. It was not until the 
 end of the first quarter of the 16th century that the Italian style of 
 decorating goldsmiths’ work was adopted either in France or Germany. 
 Italy had been long famous for its goldsmiths’ work, and when it is 
 I'cmcmbered that Donatello, Filippo Brunelleschi, who constructed the 
 cupola of the cathedral of Florence, and Ghiberti, the author of the 
 gates of the Ba])tistcry, had all goldsmiths for their first masters, and 
 worked at the craft with their own hands, it is easy to imagine what 
 beautiful works must have been produced in that country. But these 
 noble works have nearly all perished; their artistic merit could not save 
 them fi’om the cupidity, want, fear of pillage, and the love of change of 
 subsequent times. Benvenuto Cellini informs us, in his memoirs, that 
 A\ hile Pope Clement VII. was besieged in the castle of Saint-Angelo 
 he i-eceived orders to take out all the precious stones from the tiaras, 
 the sacred vases, and the jewelry belonging to the sovereign pontiff, and 
 to fus<; all the gold contained in them, which produced 200 lbs. weight 
 of the precious metal. ITow many artistic treasures must then have 
 pei ishc(l in the crucible of Cellini ! The two most important examples of 
 the Italian ecclesiastical goldsmiths’ work still existing are the altar of 
 St. dames of Pistoia and the altar of the Baptistery of St. John at Flo- 
 rence. ( )u these two monuments the most celebrated goldsmiths of Italy 
 worked more than 150 years, and on them may be traced the history of 
 the art tluring the 14th and 15th centuries. 
 
 In the 16th century the popular taste for mythological subjects and 
 the poetry of the ancient Greeks liad a great influence on the art of the 
 goldsmitli. The style which grew up under this influence was well 
 
Preface. 5 
 
 adapted to jewelry and decorative plate, which then attained a rare 
 elegance ; but it worked to the detriment of the ecclesiastical art, which 
 lost that stamp of gravity for which it was so celebrated in the middle 
 ages. 
 
 The specimens of ancient English and Irish ecclesiastical metal work 
 still preserved are not numerous, but they are sufficient to prove that 
 the goldsmiths of our own country had, at an early date, attained to a 
 very high standard of excellence. 
 
 The photographs enumerated in this portion of the catalogue have 
 been taken from objects in the Museum of the Louvre at Paris and in 
 the' South Kensington Museum, and from specimens lent by the uni- 
 versities, corporate bodies, and private collectors for exhibition at the 
 “ Special Loan Exhibition” at the South Kensington Museum in 1862. 
 
 Among the more important works may be specially mentioned the 
 Shrine of the Gospels of St. Molasch, belonging to the Royal Irish 
 Academy (No. 1) ; two vieAvs of the Shrine of St. Manchen or St. 
 Monaghan, exhibited by the Right Rev. Bishop Kilduff (Nos. 8 and 9) ; 
 Reliquary in form of a sandalled foot, the property of Mr. Hollingworth 
 Magniac (No. 17) ; the Monstrance belonging to H.R.H. the Due 
 d’Aumale (No. 32); the Chasse or Reliquary from the Soltykoff collection 
 (No. 78); and the famous “Gloucester” Candlestick from the Soltykoff 
 collection, now in the South Kensington Museum (No. 92). 
 
 DECORATIVE PLATE. . 
 
 The history of the goldsmith’s art as applied to the decoration of plate 
 generally is in most respects the same as that of the ornamentation of eccle- 
 siastical vessels ; the processes of gilding, parcel-gilding, and ornamenting 
 with niellos, repousse work, and enamelling, were alike used. Up to the 
 beginning of the 14th century the goldsmiths were, with few exceptions, 
 monks ; but early in that century the art emerged from the cloister and 
 took a wider range ; it was no longer employed exclusively in the ser- 
 vice of the church. Rich and noble individuals became its patrons, and 
 in Italy it followed step by step the progress of sculpture, with which it 
 was identified, until the close of the 15th century. The forms became 
 pure and correct, and the style was improved by the study of ancient 
 examples. The 16th century is marked by a decided taste for classical 
 and mythological subjects, of which the goldsmith’s art largely partook. 
 The photographs in this portion of the catalogue are mostly taken from 
 objects of that period, some of the most important of which are the 
 
G 
 
 Preface. 
 
 Ewer and Plateau, in silver-gilt, (Savoyard work,) date about 1500 
 (Nos. 123 and 124), lent for exhibition by the Marquis d’Azeglio ; the 
 Koscwatcr Ewer and Salver, in silver-gilt, 16th century work (Nos. 193 
 and 194), in the possession of Captain Leyland ; the plate lent for exhi- 
 bition by the Universities of Oxford and Cambridge ; several beautiful 
 objects in the collections of Baron Lionel de Eothschildand Mr. Moffatt ; 
 and numerous specimens belonging to the South Kensington Museum. 
 
METAL WORK. 
 
 ECCLESIASTICAL UTENSILS. 
 
 1. SHRINE OF THE GOSPELS OF ST. MOLASCH, bronze, 
 
 bound with silver, overlaid with openwork. Loan Catalogue, 
 No. 900. Lent by the Royal Irish Academy. Is. 6d. 
 
 2. SHRINE OF THE PSALTER OF ST. COLUMBA. Wood, 
 
 mounted in silver and bronze, with bronze rings and chains for 
 suspension. Irish. 13th or 14th century work. Loan Cat., No. 901. 
 Lent by the College of St. Columba^ County Dublin. 2s. 3d. 
 
 3. CHASSE, or SHRINE RELIQUARY, in silver. German work of 
 
 the 15th century. Lent by Mr. Hollingworth Magniac. U. 10c?. 
 
 4. RELIQUARY, silver gilt, containing a piece of wood said to be a 
 
 portion of the true cross. 15th century work. Loan Catalogue, 
 No. 1,019. Lent by the Hon. Robt. Curzon, jun. \s. Qd. 
 
 5. PENDENT RELIQUARY, formed of a portion of an arm bone, 
 
 mounted in a framework of three hoops of gold, set with gems 
 and enriched with translucent enamel. Probably Italian work 
 of the early part of the 16th century. Loan Catalogue, No. 
 7,773. Le?it by Mrs. Gordon Canning. U. Qd. 
 
 6. PENDENT RELIQUARY, same as No. 5, showing the reverse 
 
 side. Lent by 3Irs. Gordon Canning. U. 6c?. 
 
 7. ENDS OF A LARGE COFFER RELIQUARY or CHASSE. 
 
 Rhenish Byzantine work. 12th century. Lent by Mr. Holling- 
 worth Magniac. 4^. Qd. 
 
 8. SHRINE OF ST. MONAGHAN. Irish. 12th century work. 
 
 I^ent by the Right Rev. the Bishop Kilduff. 35. 4c?. 
 
 9. SHRINE OF ST. MONAGHAN (end view). Lent by the Right 
 
 Rev. the Bishop Kilduff. 3s. 4c?. 
 
 10. RELIQUARY, silver gilt. Spanish or Portuguese work of the 
 
 end of the 15th or beginning of the 16th century. Loan Cata- 
 logue, No. 989. Lent by Mr. Henry T. Hope. I 5 . \0d. 
 
 11. RELIQUARY, silver gilt. French work. ' Date about 1370. Loan 
 
 Cat., No. 1,018. Lent by the Hon. Robt. Curzonffun. I 5 , 10c?. 
 
 12. RELIQUARY, in gilt bronze, in the form of a basilica. 13th 
 
 century work, (Bernal coll.) I 71 the South Kensington 
 Museum. 
 
 RELIQUARY, in copper gilt, resembling a tower with pyramidal 
 roof, the sides pierced with arcades, supported on a stem. 13th 
 century. (Bernal coll.) In the South Kensington Museum. I 5 . 6c(. 
 
8 
 
 Metal Work. 
 
 13. CIIASSE or EELIQUARY, iu gilt metal, in the form of a church, 
 
 French Gothic. Date about 1290. Loan Catalogue, No. 1,028. 
 Lent hij the Hon. R. Curzon, jun. 25. 3c?. 
 
 14. EELIQUARY OF ST. LACHTEEN, in form of a hand and fore- 
 
 arm. Irish work. Probably of the 12th century. Loan Cata- 
 logue, No. 898. Lent hy Mr. A. Fountaine. 2s. 3d, 
 
 Id. EELIQUARY or MONSTRANCE, the upper part formed by a 
 horizontal glass cylinder supported by Gothic buttresses in gilt 
 bronze ; the stand beneath has a shield of arms in champleve 
 enamel. 14th century. (Bernal coll.) H the South Kensing- 
 ton Museum. 
 
 IVIONSTRANCE, in silver, the upper part enriched with pinnacles 
 and other media3A'al ornaments, the stem apparently of more 
 recent date. (Bernal coll.) the South Kensington Museum. 
 
 Is. 6d. 
 
 16. PYX or RELIQUARY, octagonal spire-shaped, in silver-gilt. 
 
 Flemish work. Date about 1480. Lent hy Mr. Hollingworth 
 Magniac. 
 
 iMONSTRANCE or PYX, spire-shaped, in silver-gilt. Flemish, 
 or German work of the early part of the Idth century. Lent 
 hy Mr. Hollingworth Magniac. 2s. 8c?. 
 
 17. RELIQUARY, in the form of a sandalled foot, in silver-gilt, set 
 
 with jewels, &c. Swiss work. Dated 1470. Lent hy Mr, 
 Hollingworth Magniac. A' ^5. 3d. 
 
 1 8. HEAD OF A STAFF of the Ruler of the Choir, or of a Crozier, in 
 
 gilt l)ronze, with a knop or ball of rock crystal. Limoges work. 
 Date about 1280. Lent hy Mr. Hollingieorth Magniac. 2s. 8c?. 
 
 19. HEAD OF A CROZIER, in gilt metal. French or Flemish 
 
 work of the 15th century. L^eiit hy Mr. Hollingworth Magniac. 
 
 2s. 8c?. 
 
 20. HEAD OF A PASTORAL STAFF, in gilt metal and silver. 
 
 J^h'cnch work of the latter part of the 15th century. Loan Cat., 
 No. 1,030. Lent hy Mr. A. J. B. Beresford Hope. Is. 10c?. 
 
 21. THE “IJMERICK CROZIER,” a siver-gilt pastoral staff. 
 
 Work of tliC early part of the 15th century. Loan Catalogue, 
 No. 7,825. Lent hy the Right Rev. Bishop Butler. 2s. 8d. 
 
 22. 4'HE LIMERICK MITRE. Loan Catalogue, No. 7,826. Lent 
 
 hy the Right Rev. Bishop Butler. 2s. 3d. 
 
 23. I’ASTORAL STAFF OF WILLIAM OF WYKEHAM, Bi- 
 
 shop of Winchester. Work of the 14th century. Loan Cata- 
 logue, No. 3,212. y^ent hy New College^ Oxford, 2s. 8c?. 
 
 24. P.\.S'r()RAE STAFF, called that of St. Melis. Yew, overlaid 
 
 with bronze. J.ent hy the Right Rev. Bishop Kilduff. 
 
 THE ('LONMACNOISE CROZIER. Wood, overlaid with 
 bronze, ornanK'iitcd with niellos. Irish. 12th century work. 
 I.,eni hy the Royal Irish Academy. 
 
Ecclesiastical Utensils. 
 
 9 
 
 PASTORAL STAFF OF THE BISHOP OF LISMORE. 
 Wood, overlaid Avith bronze. Irish. 12th century work. Loan 
 Cat., Nos. 895, 896, and 897. Lent hy the Duke of Devonshire. 
 
 2s. 8d. 
 
 25. PASTORAL STAFF OF BISHOP FOX, silver-gilt ; the head 
 
 richly decorated in enamel. Probably English work of the 17th 
 century. Loan Catalogue, No. 3,208. Le?it hy Corpus Christi 
 College^ Oxford. 2s. 8d. 
 
 26. CRUCIFIX, in gilt copper, the crosslets and the centre ornamented 
 
 on both sides Avith plates of engra\'ed silver, originally coA^red 
 Avith translucent enamel. Italian Avork of the 14tli century. In 
 the South Kensington Museum. H. 6</. 
 
 27. PROCESSIONAL CROSS, in bronze gilt and stamped metal. 
 
 loth century. In the South Kensington Museum. H. Cd. 
 
 28. CROSS, incrustation of thin silver plates on Avood, enriched with 
 
 filigree ornaments and set Avith imitation gems. 13th or 14th 
 cent. (Bernal coll.) In the South Kensingto7i Museum. H. Cd. 
 
 29. CRUCIFIX, in bronze gilt, decorated Avith bands of champleve 
 
 enamel. On the ends of the cross are a pelican in her piety, and 
 three half-length figures of saints ; in the centre is a figure of 
 our Saviour. Brought from Avellino, in the kingdom of Naples. 
 Italian Avork. Date about 1400. hi the South Kensington 
 Museum. H. Cd. 
 
 30. PROCESSIONAL CRUCIFIX, in stamped and chiselled brass, 
 
 Avith a half-length figure of the Almighty in the upper crosslet, 
 and a female saint in each of the others. Italian. 16th century. 
 In the South Kensington Museum. I5. 
 
 31. PROCESSIONAL CROSS, in silver-gilt. Lent hy lI.RJL the 
 
 Due d'Anmale. 3^. 8d. 
 
 32. MONSTRANCE, in silver-gilt. Probably Portuguese Avork of 
 
 the early part of the 16th century. Loan Catalogue, No. 990. 
 Lent hy lI.R.II. the Due dAumede. 2s. 8d. 
 
 33. CHRISMATORY, or vessel for the conservation of the conse- 
 
 crated oils. Gilt metal. Date, second half of the 13th century. 
 Loan Cat., No. 1,009. Lent hy the Rev. Walter Sneyd. \s. 10^;?. 
 
 34. PAX, in its original gilt metal mounting. In the centre a bronze 
 
 relievo, attributed to Sandro Botticelli ; on the plinth are three 
 niello plaques. The mounting in chiselled bronze is enriched 
 Avith silver filigree Avork. Italian. Date about 1490. In the 
 
 South Kensington Museum. Is. 6d. 
 
 35. TRIANGULAR CRUET (chrismatory), in silver-parcel gilt ; 
 
 decorated with figures of saints under Gothic canopies. German. 
 Date about 1490. In the South Kensington Museum. 
 
 FRAGMENT OF A SHRINE or MONSTRANCE, in bronze 
 gilt. 15th cent. AVork. In the South Kensington Museum. H. Cd. 
 
10 
 
 Metal Work. 
 
 3(5. PYX, or CIBOIilUM, iu gilt metal, ornamented witli plaques of 
 niello 'svork and enamelled glass pastes. Italian work of the 
 13tli or 14th century. Loan Catalogue, No. 1,020. Lent hy the 
 Jfon. B. Ciu'zon, jun. I5. \0d, 
 
 37. .MONSTRANCE, or CIBORIUM, in copper gilt, of Gothic 
 
 architectural design; the foot and stem enriched with champleve 
 enamels. Italian. Date about 1350. In the South Kensington 
 Museum. }s. 6d. 
 
 38. MONSTRANCE, in gilt metal ; an architectural shrine, decorated 
 
 with strap and cartouche work, columns, arcades, &c. Spanish 
 work. Dated 1537. D. 6d. 
 
 39. TWO “ CTBORIA,” or covered bowls, in copper-gilt and 
 
 enamel. Probably German work of the 12th century. The one 
 ill Loan Catalogue, No. 1,101, lent hy the Rev. G. W. Braihen- 
 ridge; the other. No. 1,101*, lent hy Mr. R. Bruce, of 
 
 Kcnnct. 2s. Sd. 
 
 40. PAX, silver-gilt, with relievo of the deposition of the Cross, in 
 
 frame of renaissance style, supported by female terminal sta- 
 tuettes. Italian. 16th century. In the South Kensington 
 Museum. 
 
 TRIPTY'CII, in gilt bronze. 11th or 12th century (?). In the 
 
 South Kensington Museum. l^r. 6df. 
 
 41. MONSTRANCE, in gilt copper. 15th century. In the South 
 Kensington Museum. I5. 6<i. 
 
 12. MONSTRANCE, iu gilt metal, decorated with translucent 
 
 cnaincls. Italian. 15th century. (Soltykoffcoll.) In the South 
 Kensington ISluseum. 1^. 6a. 
 
 13. PAX, in niello woik, in frame of silver-gilt. Subject, the 
 
 NuiIn ity. In the South Kensington Museum. I5. 6c?. 
 
 11. OriAGONAL PYX-BOX or CIBORIUM, in silver-gilt. 
 Oerinan ( lolliic ai‘t of the middle of the 15th century. Cata- 
 loguo, No. 993. lent hy the Hon. Robert Curzon,jun. U. 2c?. 
 
 15. ( 1 1 AI>I('I0, in silver gilt, the knop enriched with six projecting 
 lozenge-sbaped bosses, with I’aised rosettes. French or German 
 w<n k. 15th century. In the South Kensington Museum. 
 
 ( HALJCIC, in gilt metal, the bowl in silver. Round the knopare 
 six circular medallions in blue champleve enamel, containing 
 half figures of saints. On tbe base is an inscription in Gothic 
 letters, and Ibe date 1429. Italian. In the South Kensington 
 M usunn. 
 
 CH A LICIC, in silver gilt, the knop decorated with enamelled 
 rosettes in relief, the bowl engraved later with 16th century 
 floriated ornaments. Tbe chalice is of the 15th century. (Bernal 
 coll.) In the South Kensington Museum. D. 6c?. 
 
Ecclesiastical Utensils. 
 
 11 
 
 46. CHALICE, the stem in bronze gilt, ornamented with chiselled 
 arabesques and niello work medallions, silver bowl. Italian. 
 Date about 1500. In the South Kensington Museum, 
 CHALICE, in silver gilt, the hexagonal foot ornamented with a 
 crucifix in relief and seven shields of arms. 15th century. 
 (Bernal coU.) In the South Kensington Museum. 
 
 CHALICE, the bowl in silver, the stem in gilt bronze, enriched 
 with enamels. Italian. 14th century work. In the South 
 Kensington Museum. H. 6c?. 
 
 48. CHALICE, in bronze gilt, chased and engraved, the stem enriched 
 
 Avith gadrooned ornamentation. Under the foot is an inscrip- 
 tion and the date 1547. Italian. In the S. Kensington Museum. 
 
 CHALICE, in silver gilt, the base ornamented with four medallions 
 of Scripture subjects, the figures in repousse Avork. French. 
 14th century work. In the South Kensington Museum. 
 
 CHALICE, bronze gilt, with silver bowl, the foot engraved with 
 medallions of the fbur doctors of the church, the resurrection 
 and the entombment. German Avork. Date about 1520. 
 Paten to the aboA^e. In the South Kensington Museum. Is. 6d. 
 
 49. CHALICE, in silver parcel gilt, the knop and foot ornamented 
 
 Avith translucent enamel figures of saints. 15th century. In- 
 scribed, “ Andreas Arditi de Florentia me fecit.” Lent hy Mr. 
 G. H. Morland. 
 
 CIBORIUM AND COVER, in gilt metal, the body inlaid Avith 
 plaques of nielloed silver of Scriptural subjects. 14th century. 
 Lent hy Mr. G. H. Morland. 
 
 CHALICE, in gilt metal, the loAA'er part of the bowl, boss, and 
 foot ornamented with translucent enamels of saints, hexagonal 
 foot. 15th century. Lent hy Mr. G. H. Morland. D. \0d. 
 
 50. CHALICE, in silver gilt; the loAver part of the bowl surrounded 
 
 Avith an inscription. 15th century. In the South Kensington 
 Museum. 
 
 CHALICE AND PATEN, in silver-gilt, enriched Avith enamels. 
 German. The knop surrounded with inscriptions in enamel. 
 Date about 1300. In the South Kensington Museum. H. Qd. 
 
 51. CHALICE, in silver-gilt, AAdth enamel plaques. 16th century 
 
 work. Lent hy Mr. J. Field. \s. 10^/. 
 
 52. NAVICULA, in copper ; Avinged serpents for handles. In the 
 
 South Kensington Museum. 
 
 CUSTODE, or CHALICE-SHAPED VASE and COVER, in 
 gilt metal, surmounted by a pelican in her piety. Italian. 
 Date about 1540. In the South Kensington Museum. D. 2o?. 
 
 53. INCENSE-BURNER, in bronze. Italian. 16th century AVork. In 
 
 the South Kensington Museum. 
 
 NAVICULA, in engraved copper. German. 14th century. In 
 the South Kensington Museum. D. 6</. 
 
12 
 
 Metal Work. 
 
 ^A. INC'EXSE-BURXER, in silver-gilt. French work. Date about 
 1630. Lc?if hy ihe Earl of Chesterfield. 2s. 6d. 
 
 oo. TIUPTYC'II, in gilt-metal, ornamented with enamel. German 
 work of the 12th century. (SoltykotF coll.) Loan Catalogue, No, 
 1,089. Lent hy Mr. G. H. Morland. 2s. 3d. 
 
 o6. BURETTES,” or SACRAMENTAL EWERS, in silver-gilt 
 and amber. Flemish. 15th century work. In the South 
 Kensington Museum. I 5 . \0d. 
 
 57. IMORSE, or BROOCH, for a cope, translucent enamel appliques 
 
 on silver, in setting or framework of gilt bronze. Florentine or 
 Sienese work. Date about 1420. Lent by Mr. Hollmgworth 
 Magniac. D. \0d. 
 
 58. iUORSE, or BROOCH, for a cope. Italian work of the first half 
 
 of tlie 15th centuiy. Lent hy Mr. Hollingworth Magniac. I 5 . 6c?. 
 
 59. LECTERN, in bronze, formerly in the Cathedral of Louvain. 
 
 Flemisli. Date about 1500. Lent hy Oscott College. 2s. 3d. 
 
 60. PORTABLE ALTAR. 12th century. In the Museum of the 
 
 Louvre, Paris. 2s. 3d. 
 
 61. PORTABLE ALTAR, in silver-gilt, enriched with enamels, 
 
 12(h century. In the Museum of the Louvre, Paris. \s. 10c?. 
 
 62. CENSER, in champleve enamel, ornamented with leaves and 
 
 scrolls, amPpicrced bosses formed by animals. 13th century. Loan 
 Catalogue, *No. 1,100. Lent hy Mr. G. H. Morland. \s. 10c?. 
 
 63. CIIASSE, in champleve enamel ; gilt figures of saints, their 
 
 heads in relief on blue ground ; in the centre the Crucifixion. 
 1 2th century. Lent hy Mr. G. H. Morland. 
 
 BOWL AND COVER, in crystal, mounted in or-moulu, pierced ; 
 the stands set with stones. Lent hy Mr. G. H. Morland. D. 10c?. 
 (A. PYX, in champleve enamel, ornamented with stars and rosettes. 
 Early 12th century. Lent hy Mr. G. H. Morland. 
 
 PYX, in champleve enamel, ornamented with scrolls and leaves. 
 12ili century. I.ent hy Mr. G. II. Morland. 
 
 CIIIXliSE BRONZE of a bird lying down, holding one wing in 
 
 its beak, damascened with gold and turquoises. Lent hy Mr. 
 
 G. //. Morland. \s. \^d. 
 
 65. CRUCIFIX, in champleve enamel, with saints beneath; mounted 
 on woo<l. 12th century. Lent hy Mr. G. II. Morland. \s. 10c/. 
 
 6.6. CIIASSE, or RELIQUARY’', in Limoges champleve enamel. 
 13th century. In the Museum of the I^ouvre, Paris. I 5 . 10c/. 
 
 67. I AX, in enamel. Italian. 15th century. In the Museum of 
 the Inmvre, Paris. 2s. 3d. 
 
 6W. C IIASSE, or RELIQUARY", in enamel. 14th century. In the 
 j\Ius( um (f the lAtuvrc, Pai'is. D. 6c?. 
 
 69. CniORIUM, in Limoges enamel. 13th century. In the Museum 
 of the Louvre, Paris. D. 10c/. 
 
Ecclesiastical Utensils. 
 
 13 
 
 70. PASTORAL STAFF, copper-gilt and enamelled. Date, the end 
 
 of 13th century. I7i the Museum of the Louvre^ Paris. 2s. 3d. 
 
 71. CHASSE or RELIQUARY, Limoges champleve enamel. 13th 
 
 century. I?i the Museum of the Louvre^ Paris. Is. \0d. 
 
 72. CHASSE, Limoges enamel. Date, the end of the 12th century. 
 
 Loan Cat., No. 1,070. Lent by the Hon. B. Cui'zon,jun. D. 10c?. 
 
 73. CHASSE, Limoges enamel. Date, the end of the 12th century. 
 
 Loan Cat., No. 1,072. I^enthy Mr. T.Gamhier Parry. D. 6d. 
 
 74. PECTORAL CROSS, gold, encrusted with cloisonne enamel. 
 
 Constantinople work of the 10th or 11th century. Loan Cat., 
 No. 1,069. Lent by Mr. A. J. B. Beresford Hope. U. 6c?. 
 
 75. PYX, or CIBORIUM, in form of a dove, copper-gilt and enamelled, 
 
 Limoges 13th century work. Lejit by Mr.\H. Magniac. 2s. 3d, 
 
 76. PASTORAL STAFF, in Limoges champleve enamel. T.ent by 
 
 Mr. Ilollingworth Magniac. 2s. 8d, 
 
 77. THE DUNVEGAN CUP, a “ Mother” of yew, covered with silver 
 
 mounts, gilt and nielloed, with inscription. Irish work. Lent 
 by Macleod of Macleod. D. 10c?. 
 
 78. CHASSE, or RELIQUARY, in gilt copper, decorated with 
 
 champleve enamel and carved ivory. The figures consist of 
 16 Prophets and the 12 Apostles. The relievos illustrate the 
 Death and Resurrection of Christ. Rhenish-Byzantine work. 
 Date about 1150. Purchased at the sale of the Soltykoff col- 
 lection. Ill the South Kensington Museum. D. 10c?. 
 
 79. PORTABLE ALTAR, of jasper stone, in maple frame, ornamented 
 
 with eight enamels under glass. Italian. Date, 15th century. 
 In the South Kensington Museum. U. 6c?. 
 
 80. RELIQUARY, in rock crystal and gilt copper, decorated with 
 
 chasing and niello work. Date, 14th century. In the South 
 Kensington Museum. D. 6c?. 
 
 81. PAX, silver parcel-gilt, containing a relievo plaque of the Resur- 
 
 rection within an architectural frame, in the pediment of which 
 is a head of the Almighty. North Italian (?). Date about 1540. 
 In the South Kensington Museum, U. 2c?. 
 
 82. RELIQUARY, consisting of a cylinder in rock crystal, supported 
 
 on four columns in silver-gilt, the ends decorated with pinnacles 
 and canopy work, and four figures of saints and angels chiselled 
 in low relief. Italian. Date about 1350. In the South Ken- 
 sing ton Museum. D. 2c?. 
 
 83. PECTORAL CROSS, of cloisonne enamel on gold, of the 10th or 
 
 11th century, representing the Crucifixion and Saints. Byzan- 
 tine work. Loan Catalogue, No. 1,069. Lent by Mr, A. J. B. 
 Beresford Hope. \s. 6c?. 
 
 84. TWO CHALICES, of gilt metal with enamelled bosses ; escaloped 
 
 feet. Date, 15th century. Lent by Mr, A, J, B, Beresford 
 Hope, \s. 10c?. 
 
14 
 
 Metal Work. 
 
 s.">. CHALICE AND PATEN, gilt metal, engraved with the Cruci- 
 lixiou ; enamelled boss, escaloped foot. Date, 15th century. 
 Lent by Mr. A. J. B. Beresford Hope. I 5 . 6<i. 
 
 N6. PROCESSIONAL CRUCIFIX, in copper gilt, with emblems of 
 the Evangelists at the extremities of the cross. Date, 15th cent. 
 (Bernal coll.) In the South Kensington, Museum., \s. 2d. 
 
 CTIASSE or RELIQUARY, in carved and gilded wood. ^ Brought 
 from a convent at Constance, and said to have formerly contained 
 the relics of St. Boniface. Date about 1490. In the South 
 Kensington Museum. I 5 . 2d. 
 
 sJs. PASTORAL STAFF HEAD, in gilt metal, enamelled and gemmed;; 
 on the knop are figures of the Virgin and the three kings and 
 saints. Swiss-German, Dated 1351. 
 
 PASTORAL STAFF HEAD, in carved ivory and gilt metal ; in 
 tlic volute is the Crucifixion and the Virgin and angels. French. 
 Date, 14th century. In the South Kensington Museum. Is. 6d. 
 
 S9. ALTAR CROSS, copper gilt, with figures of the archangels 
 ISlichael, Raphael, and Gabriel on the base. German. 12th 
 century. I?i the South Kensington Museum. I 5 . ^d. 
 
 90. CUP, silver. Ancient Persian or Byzantine work. PECTORAL 
 
 CRUCIFIX, silver gilt. 15th century work. And SILVER- 
 GILT CHASED MEDALLION; obverse, a profile bust of 
 Virgil between the letters “P. O.” with ‘‘Virgilius, 1139’’ 
 IjcMieath ; reverse, a skull, with thighbone between the jaws. 
 (Bernal coll.) In the South Kensington Museum. I 5 . 
 
 91. CRUCIFIX, silver, partly gilt, with saints and emblems in relief; 
 
 agate stem. 16th century. And CROSS, silver, chased with 
 Scriptural subjects. 18th century. Lent by Mr. A. J. B, 
 Beresford Hope. I 5 . 6c?. 
 
 92. PASC'IIAL CANDLESTICK, in bronze gilt, known as the 
 
 ‘‘ (Jloucester ” Candlestick. On the base and stem are grotesque 
 monsters. Round the margin of the cup and running spirally 
 down the stem are Latin inscriptions, and another inscription in 
 tli(i interior of the bowl. Made by order of Peter, abbot of the 
 monastery of St. Peter, Gloucester, about 1140. Probably Eng- 
 lish work. In the South Kensington Museum. \s. 6d, 
 
 9.'',. ( IIALIC’E, gilt metal, enamelled boss ; maker’s name on the stem ; 
 esealo])c<l foot. 15th century. And the HEAD AND BOSS 
 OF A CROZIER, of silver gilt, with silver figures of saints ; a 
 <lragon and leaves round the volute, in the centre of which is 
 the Virgin and Child. 15th cent. Loan Catalogue, No. 1,030. 
 Lrnf by Mr. A. J. B. Beresford Hope. H. 10c?. 
 
 91. ( IIASSE or RELIQUARY, in copper, set with crystals; on the 
 covor is a group representing the Deposition from the Cross, 
 (iorman. 12th cent. In the South Kensington Museum. I 5 . 6c?. 
 
Decorative Plate. 
 
 15 
 
 DECORATIVE PLATE. 
 
 100. CUP AND CO VER, silver-gilt, serpent handles ; a young Bacchus 
 
 seated on the top of cover. Loan Catalogue, No. 5,860. Lent 
 by Her Majesty the Queeri. Is. lOd. 
 
 101. VASE or WINE COOLER, in silver-gilt, ornamented with 
 
 repousse work, in low relief. Designed by Elaxman. Hall mark, 
 1812. Loan Cat., No. 6,001. Lent by Her Majesty. D. 10c?. 
 
 102. TEA-CANISTER, oviform, in silver, with cover, fluted. Date 
 
 about 1700 ; and SILVER CHALICE and cover or Paten, with 
 the Tudor rose engraved upon it. English work. Date about 
 1560. In the South Kensington Museum. \s. Qd. 
 
 103. SALT-CELLAR, triangular, silver-gilt, mounted on sphinxes, 
 
 the upper part surmounted with a raised gallery or border of 
 perforated work. German. Date about 1600. (Bernal coll.) 
 Li the South Kensington Museum. 
 
 SALT-CELLAR, silver-gilt, with three sunk pools, ornamented 
 with scroll work engraved. German. Date about 1600. In 
 the South Kensington Museum. 
 
 SALT-CELLAR, triangular, silver-gilt, supported on cherubs’ 
 heads, decorated with cupids, masks and coats of arms in high 
 relief. 16th century. (Bernal coll.) In the South Kensington 
 Museum. \s. 6d. 
 
 104. CUP AND COVER, silver-gilt, engraved with alternate bands 
 
 of subjects relating to the chase, and foliated scroll work in 
 relief. Old English work. In the South Kensington Museum. 
 
 Is. 6d. 
 
 105. BEAKER AND COVER, silver-gilt, foliated ornament in 
 
 repousse and chased work. Augsburg. Date about 1700. 
 I?i the South Kensington Museum. 
 
 HANAP or GOBLET AND COVER, in silver-gilt, on raised 
 stem. Date about 1490. (Bernal coll.) In the South Kensington 
 Museum. 
 
 HANAP or BEAKER AND COVER, in silver-gilt, the cover 
 surmounted by an opened lily, on which is standing a small 
 statuette of a satyr or savage man. German. Date about 1480. 
 (Bernal coll.) In the South Kensington Museum. Is. 6d. 
 
 106. CASKET, in silver, supported on four sphinx feet, with orna- 
 
 ment in cloisonne or filigree work filled in with enamels. Ger- 
 man work. 17th century. In the South Kensington Museum. 
 
 BOWL, enamel on copper, blue ground with gilt scroll-work. 
 Venetian. Early 16th century work. In the South Kensington 
 Museum. H. Q>d. 
 
16 
 
 Metal WorTi. 
 
 107. COCOA-NUT with cover, carved with eight Scripture subjects, 
 
 mounted in silver, signed C. H., 1576. In the South Ken- 
 sington Museum. 
 
 COCOA-NUT, mounted in silver-gilt, enriched with elaborate 
 arabesque Avork, and set with malachites ; ou the rim are the 
 initials G. B., and date 1585. (Bernal coll.) In the South Ken- 
 sington Museum. Is, 6d, 
 
 108. THIRTEEN STATUETTES, in silver-gilt, representing our 
 
 Saviour and the Twelve Apostles. The names inscribed on the 
 pedestals. In the South Kensington Museum. 1^. Qd, 
 
 109. FRAME, in silver-gilt, chased with arabesque ornaments and 
 
 Gothic tracery, arms of the Medici family in translucent enamel 
 in circular medallions in the corners. Italian. 14th century 
 Avork. In the South Kensington Museum. 1^. 6<f. 
 
 110. DRINKING-CUP, siUer parcel-gilt, enriched with gadrooned 
 
 ornamentation, and engraved Avith scroll-Avork round the top, 
 standing on three pomegranates. In the South Kensington 
 Museum. 
 
 SUGAR-POT AND COVER, silver-gilt, with foliage and rococo 
 scroll-Avork. German or French. Date about 1720. In the 
 South Kensington Museum. 
 
 BEAKER, in silver parcel-gilt. Date 1710. In the South Ken- 
 sington Museum. D. 6<f. 
 
 111. SALT-CELLAR, circular, silver-gilt, the border embossed and 
 
 chased Avith strap-AVork ornament, masks, &c. (Bernal coll.) 
 In the South Kensington Museum. 
 
 SAI/f-CELIvAR, circular, silver-gilt, supported on cherubs’ 
 lieads, decorated Avitli cupids, masks, and coats of arms in relief. 
 Ititli century. (Bernal coll.) In the South Kensington Mu- 
 seum. 
 
 SALT-CELLAR, triangular, silver-gilt. German. Date about 
 1580. In the South Kensington Museum. 
 
 SAI/I'-CELLAR, triangular, silver-gilt, on ball feet, with three 
 circular pf)ols or cavities, ornamented Avith arabesques on each 
 side. 16th century. (Bernal coll.) In the South Kensington 
 Museum. 
 
 SALT-C'ELLAR, silver-gilt, triangular shape, chased with birds 
 and fruit, on three ball feet. 1600. (Bernal coll.) In the 
 South Kensington Museum. D. 6c/, 
 
 112. ('UP AND CGVER, hexagonal, gadrooned, silver-gilt; top 
 
 surmounted Avith silver ornament of floAvers and tAvisted scroll. 
 Jn tJte. South Kensington Museum. 
 
 CHALICE, or CUP AND COVER, silver-gilt. 16th century 
 Avork. I?i the South Kensington Museum. D-. 6c/. 
 
Decorative Plate. 
 
 17 
 
 113. BOWL, silver-gilt, embossed with grotesque figures ; a medallion 
 
 in the centre, engraved with the Annunciation, and originally 
 enamelled. Flemish or German. Latter part of the 14th cen- 
 tury. In the South Kensington Museum. 
 
 SALT-CELLAR, square, silver-gilt, richly ornamented at the 
 sides with classical dancing figures in high relief ; two shields 
 of arms attached. Italian. 16th century. (Bernal coll.) In 
 the South Kensington Museum. l5. Qd. 
 
 114. PLATEAU, oval, in silver embossed work, a figure subject in the 
 
 centre ; scroll foliage border, with medallions containing emble- 
 matical figures. Dutch work. Date about 1690. In the South 
 Kensington Museum. D. 6</. 
 
 115. TWO-HANDLED CUP, silver, the lower part fluted or ga- 
 
 drooned ; on one side is a medallion or cartouche, with mantling, 
 within which is inscribed, “ The Company of Porters.” English, 
 Date about 1700. In the South Kensington Museum. ls.6d. 
 
 116. VASE formed of nautilus shells, mounted in silver-gilt. Dutch 
 
 or Flemish work. 17th century. In the South Kensington 
 Museum. 
 
 HANAP, silver-gilt, with embossed bulb and scroll ornamentation, 
 the stem formed by a statuette of a soldier holding a halberd, in 
 costume of 16th or 17th century. 1600. (Bernal coll.) In the 
 
 South Kensington Museum. 1^. Qd. 
 
 117. CUP AND COVER, in silver parcel-gilt, decorated witli scroll 
 
 foliage, and birds in chased and perforated “ applique ” work. 
 English. Date about 1670. In the South Kensington Museum. 
 
 \s. 6d. 
 
 118. END OF A STRAP or sword belt in gilt metal, richly chased 
 
 with tracery and arabesque scroll-work. Italian. Cinque-cento 
 period. (Bernal coll.) In the South Kensington Museum. 
 
 \s. 6d. 
 
 119. PLATEAU, oval, silver-gilt, with four compartments of eques- 
 
 trian figures repousse, and central engraved shield of arms. 
 English, hall mark, 1671. I?i the South Kensington Museum. 
 
 \s. 6d. 
 
 120. COLLAR OF OFFICE, terminated by a hawk with outspread 
 
 wings, and a pendent death’s head in crystal. In silver. Ger- 
 man, beginning of I7th century. In the South Kensington 
 Museum. 6 A 
 
 121. PLATEAU, oval, in silver repousse work, perforated and 
 
 parcel-gilt. Dutch or German. Date about 1700. In the South 
 Kensington Museum. Is. 6d. 
 
 122. DISH, silver repousse, with the subject of Androcles and the Lion. 
 
 German. Date, early 18th century. I?i the South Kensington 
 Museum. \s. lOA 
 
 15929— 2. 
 
 B 
 
18 
 
 Metal Work. 
 
 123. EWER, silver-gilt. Savoyard work. Date, about 1500. Loan 
 
 Catalogue, No. 1,129. Lent by H, E. the Marquis (LAzeglio, 
 
 Is. lOL 
 
 124. PLATEAU, silver-gilt. Savoyard work. Date, about 1500. 
 
 Loan Catalogue, No. 1,130. Le?it by IL E. the Marquis 
 cVAzeglio. 4^. 6t?. 
 
 125. ROSE-WATER DISH ; circular, silver, parcel-gilt. The gift 
 
 of William Ofley, dated 1590. Loan Catalogue, No. 5,465. 
 J.cnt by the Merchant Taylors' Company. 2s. Sd. 
 
 126. CUP AND COYER, silver. The ‘‘Pepys Cup,” date 1677. 
 
 Loan Catalogue, No. 5,410. I^ent by the Cloth Workers' Com- 
 pany. 2s. Sd. 
 
 127. EWER, silver-gilt. Hall mark, 1595. Loan Catalogue, No. 
 
 5,651. Lent by the Corporation of Bristol. 2s. 3d. 
 
 128. CUP AND COVER, oviform, silver-gilt, on bell-shaped foot, 
 
 baluster stem with three ^^I’tyecting brackets ; inscription dated 
 1597. Loan Catalogue, No. 8,170. Lent by the Corporation of 
 Bristol. l5. lOd. 
 
 129. CUP, silver-gilt, with inscription in Gothic characters. Loan 
 
 Cat., No. 3,241. Lent by Pembroke College, Cambridge. Is. 6d. 
 
 130. SALT-CELLARS, two, hour-glass shaped, silver-gilt. English 
 
 work. Second half of the 15th century. Loan Catalogue, 
 Nos. 3,224 and 3,225. Lent by Christ's College, Cambridge. 
 
 2s. 3d. 
 
 131. CUP AND COVER, silver-gilt, ornamented in repousse work. 
 
 English. Date 1540. Loan Catalogue, No. 3,219. Lent by 
 Christ's College, Cambridge. U. Sd. 
 
 132. CUP AND COVER, silver-gilt, on baluster stem, with six bracket- 
 
 shaped projections composed of grotesque animals. Hall mark, 
 
 1 5 1 5-6. Loan Catalogue, No. 3,244. I^ent by St. John's College, 
 Catnbridge. D. 10c?. 
 
 133. TANKARD, silver-gilt. English hall mark, 1574. Loan Catalogue, 
 
 No. 5,738. by the Ashmolcan Museum. U. 10c?. 
 
 13 1. r n* AND (‘OVER, ill gold. Probably English work of the l7th 
 century. Presented to Exeter College by George tlall. Bishop 
 f)f Chester. Loan Catalogue, No. 3,209. Lent by Exeter Col- 
 lege, Oxford. 1^. Sd. 
 
 135. OS'riHC’I I EGG, mounted in silver-gilt as a standing cup and 
 
 rover, ti ijiod stem formed of three ostrich legs in silver-gilt. 
 Probably English work of the early i^art of the l7th century. 
 Loan Catalogue, No. 3,210. Lent by Exeter College, Oxford. 
 
 ‘ 2s. 3d. 
 
 136. CUR AND COVER, silver-gilt. English work. Date about 
 
 1480. Loan Catalogue, No. 3,211. Lent by New College, Ox- 
 ford. 10c?. 
 
Decorative Plate. 
 
 19 
 
 137. FIGURE OF A HUNTSMAN, in silver-gilt and enamelled, 
 
 supporting a rock-crystal cup with cover for salt. Early 15th 
 century work. Loan Catalogue, No. 3,201. Lent hy All Souls 
 College, Oxford, 2s. 3d. 
 
 138. COCOA-NUT CUP, mounted in silver-gilt. English work. 
 
 Date about 1450. Loan Catalogue, No. 3,213. Lent hy New 
 College, Oxford. Is. lOd. 
 
 139. COCOA-NUT CUP, mounted in silver parcel-gilt. Early 15th 
 
 century work. Loan Catalogue, No. 3,214. Lent hy New 
 College, Oxford. U. ^d. 
 
 140. MAZER” BOWL, mounted in silver-gilt. Loan Catalogue, No. 
 
 3,217. Lent hy Oriel College, Oxford. Is.Qd. 
 
 141. COCOA-NUT CUP, mounted in silver-gilt. English work. 
 
 Second half of 15th century. Loan Catalogue, No. 3,218. Lent 
 hy Oriel College, Oxford. U. lOd. 
 
 142. CUP AND COVER, silver-gilt. English. Second half of 
 
 15th century. Loan Catalogue, No. 3,219. Lent hy Oriel 
 College, Oxford. H. 6d. 
 
 143. EWER, silver-gilt and enamelled. French or Italian cinque-cento 
 
 work. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 144. EWER AND SALVER, silver-gilt, a dragon’s head on the cover. 
 
 Augsburg. Early part of I7th century. Loan Catalogue, Nos. 
 6,249-50. Lent hy the Duke of Manchester. \s. 10c?. 
 
 145. CUP, silver-gilt, with the Royal shield of King William III. 
 
 English. Hall mark, 1697. Loan Catalogue, No. 5,818. Lent 
 hy the Duke of Manchester. 
 
 EWER AND SALVER, silver-gilt, a griffin on the cover. 
 Augsburg. Beginning of I7th century. Loan Catalogue, Nos. 
 6,251-52. Lent hy the Duke of Manchester. 1^. 10c?. 
 
 146. ROSEWATER EWER, silver-gilt, with very high handle in 
 
 form of a hydra or monster with three heads. Italian work. 
 Date about 1560-70. Loan Catalogue, No. 6,103. Lent hy the 
 Earl Cowper. H. 10c/. 
 
 147. CUP AND COVER, silver-gilt, with three winged mermaids 
 
 and a figure of Minerva on the cover. German. Date about 
 1600. Loan Catalogue, No. 6,161. Lent hy Baron L. tie 
 Bothschild, M.P. 
 
 CUP, silver-gilt, with terminal figures and arabesques in repousse. 
 Nuremberg, dated 1658. Loan Catalogue, No. 6,150. Lent hy 
 Baron L. de Rothschild, M.P. H. Qd. 
 
 148. CUP, silver-gilt, in the form of a bear playing on the bagpipes. 
 
 Augsburg. 17th century. Loan Catalogue, No. 6,164. Lent 
 hy Baron L. de Rothschild, M.P. 
 
 CUP, silver, in the form of a camel. Augsburg, 17th century. 
 Loan Catalogue, No. 6,169. Lent hy Baron L. de Rothschild, 
 M.P. 
 
 'b 2 
 
20 
 
 Metal Work 
 
 cur, silver, ill the form of a bear playing on the bagpipes. Ger 
 man. Date about, 1600. Loan Catalogue, No. 6,162. Lent by 
 Baron L. de Rothschild, BLP. D. Qd, 
 
 149. STATUETTE of a man, with a matchlock gun, rest, and rapier, 
 
 forming a flask or bottle, silver-gilt. Augsburg, end of 16tli 
 century. Loan Catalogue, No. 6,165. Lent by Baron L. de 
 Rothschild, M.P. 
 
 C'UP, in form of the celestial sphere, surmounted by an eagle and 
 supported by a kneeling Hercules. Nuremberg. Date about 
 1650. Loan Catalogue, No. 6,167. Lent by Baron L. de 
 Rothschild, M.P. 
 
 STATUETTE of a woman, forming a drinking cup, silver-gilt. 
 Nuremberg, 17 th century. Loan Catalogue, No. 6,160. Lent 
 by Baron L. de Rothschild, 31. P. \s. lOd. 
 
 150. NAUTILUS SHELL, mounted in silver-gilt. German. Date 
 
 about 1620. Loan Catalogue, No. 6,126. L^ent by Baron L. 
 de Rothschild, 31. P. 
 
 GROUP IN IVORY of a Centaur and Lapitha. Flemish, iTtli 
 century. Loan Catalogue, No. 258. Lent by Baron L. de 
 Rothschild, M.P. D. lOd. 
 
 151. BAS-RELIEF PORTRAIT, silver parcel -gilt : Charles V., 
 
 Emperor of Germany. Loan Catalogue, No. 8,118. Lent by 
 Baron L. de Rothschild, 3I.P. 
 
 BAS-RELIEF PORTRAIT, silver parcel-gilt : Elizabeth, the 
 Emj)ress, Queen of Spain. Loan Catalogue, No. 8,119. Lent 
 by Baron />. de Rothschild, 3I.P. l5. 6d. 
 
 152. KNEELING FIGURE of a soldier. Swiss or German. Date 
 
 about 1500-20. Loan Catalogue, No. 6, 154. Lent by Baron 
 L. dc Rothschild, 3LP. 
 
 KNEELING FIGURE of a soldier, silver. Swiss or German. 
 Dale about 1500-20. Loan Catalogue, No. 6,153. L-^ent by 
 Baron L. dc Rothschild, M.P. D. Gd. 
 
 153. DIANA IMOUNTED ON A STAG, silver parcel-gilt. German. 
 
 ITih cenlurv. liOan Catalogue, No. 6,185. L^ent by Baron L. 
 dr Rothschild, 3I.P. 
 
 S'r. GEORGE AND THE DRAGON, silver ornamented with 
 li’.Mn'lucent enamels. Augsburg. 17th century. Loan Catalogue, 
 No. 6,173. J.ent by Baron L. de Rothschild, M.P. Is. 6d. 
 151. CUR, in (he hn-m of a cock, silver parcel-gilt. German. 16th 
 centui’v. Loan Catalogue, No. 6,118. Lc?it by Baron L. de 
 Rothschild, M.P. 
 
 C'UP, in the form of a fish, silver-gilt. Dutch or Flemish. I7th 
 eenlury. Loan Catalogue, No. 6,132. L^ent by Baron L. de 
 Rothschild, 31. P. Is. lOd. 
 
 155. CLP, in the foj-m of a partridge, of mother of pearl, mounted in 
 silver-gilt and ornamented with garnets. German. Date about 
 1600. Loan Catalnguo, No. 6,148. I^ent by Baron L. de 
 Rothschild, 31. 1\ 
 
Decorative Plate. 
 
 21 
 
 STANDING CUP, silver-gilt, chased with arabesque ornament ; 
 a figure of Mars on the cover. Augsburg. Date about 1600. 
 Loan Catalogue, No. 6,159. JLent by Baron L, de Rothschild, 
 
 M.P. 
 
 MODEL, in gold, of a sitting lion holding an enamelled shield, 
 and bearing a crown and collar set with precious stones. Ger- 
 
 man. I7th century. Loan Catalogue, No. 6,155. Lent by 
 Baron L. de Rothschild, 3I.P. " 2s. 3d. 
 
 156. DISH, silver-gilt, in the centre Amphitrite on a car. Augsburg. 
 17th century. Loan Catalogue, No. 6,134. Lent by Baron L. 
 de Rothschild, M.P. 2s. 3d. 
 
 158. BEAKERS, silver-gilt, chased with hunting subjects. German. 
 
 Date about 1560. Loan Catalogue, Nos. 6,137-42. I^cnt by 
 Baron L. de Rothschild, M.P. I 5 . lOt?. 
 
 159. BEAKERS, silver-gilt, chased with hunting subjects. German. 
 
 Date about 1560. Loan Catalogue, Nos. 6,137-42. Lent by 
 Baron L. de Rothschild, M.P. I 5 . \0d. 
 
 160. CUP, silver, in the form of a bear, with shield and halbert. 
 
 German. 16th century. Loan Catalogue, No. 6,168. I.^ent by 
 Baron L. de Rothschild, M.P. 
 
 EUROPA AND THE BULL, on a pedestal, silver, parcel-gilt. 
 Dutch or Flemish. Loan Catalogue, No. 6,124. I^ent by Baron 
 L. de Rothschild, 31. P. 
 
 CUP, in the form of an owl, silver-gilt, with enamelled eyes. 
 German. 16th century. Loan Catalogue, No. 6,175. Lent by 
 Baron L. de Rotlischild, 31. P. 2s. 3d. 
 
 161. PAIR OF STANDING CUPS, silver-gilt, pomegranate pattern. 
 
 German. Date about 1570. Loan Catalogue, Nos. 6,127-8. 
 Lent by Baron L. de Rothschild, 31. P. 
 
 PAIR OF STANDING CUPS, silver-gilt, pine-apple pattern. 
 German. Dated 1762. Loan Catalogue, Nos. 6,145-46. Lent 
 by Baron L. de Rothschild, 31. P. I 5 . 10^;?. 
 
 BEAKER, silver-gilt, ornamented with a chequered pattern of 
 punched work. Augsburg. Date about 1690. Lent by Baron 
 L. de Rothschild, 31. P. 
 
 162. SALVER, silver-gilt, in the centre Moses striking the rock. 
 
 German or Flemish. 17th century. Loan Catalogue, No. 6,158.. 
 I^ent by Baron L. de Rothschild, 31. P. U. lOd^. 
 
 163. TAZZA, silver-gilt, the stem formed by a statuette of Queen 
 
 Thomyris with the head of Cyrus. Nuremberg. Second half of 
 17th century. Loan Catalogue, No. 6,135. Lent by Baron L. 
 de Rothschild, 31. P. ls.6d. 
 
 164. ROSEWATER DISH, silver parcel-gilt, repousse in high relief, 
 
 with a lion-hunt ; on the border are six medallions of the Caesars. 
 Dutch work. Date about 1680. Lent by Baron L. de Roths 
 child, 3I.P. 
 
■22 
 
 Metal Work. 
 
 1()5. PLATEAU, in silver, repousse in high relief, with Venus in a 
 car drawn by dolphins, border of scrolls and tritons. Loan Cat., 
 No. 6,143. Lent by Baron L. de Rothschild, M.P. 2s. 3d. 
 
 166. NAUTILUS SHELL, mounted in silver-gilt and coral. Augsburg. 
 
 Date about 1640. Loan Catalogue, No. 6,181. Lent by Baron 
 L. de Rothschild, M.P. 2s. 3d. 
 
 167. SALVER, silver-gilt, the double rose under a crown in the centre. 
 
 English. 1662. Loan Catalogue, No. 5,794. Lent by Baron 
 L. de Rothschild, M.P. 
 
 TANIUiVRD, with cover in the form of a helmet, silver. English. 
 1690. Loan Catalogue, No. 5,813. Lent by Baron L. de 
 Rothschild, M.P. 2s. 3d. 
 
 168. STANDING CUP AND COVER, the drum repousse, the stem 
 
 chased. Italian. 16tli century. Loan Catalogue, No. 6,186. 
 Lent by Baron L. de Rothschild, M.P. 
 
 STANDING CUP AND COVER, chased with strap-work and 
 medallions. Nuremberg. Date about 1560-70. Loan Cat., No. 
 6,149. T^ent by Baron L. de Rothschild, M.P. I 5 . 10c?. 
 
 169. CUP, silver, in form of an unicorn. Augsburg. I7th century. 
 
 Loan Cat., No. 6,172. Lent by Baron L. de Rothschild, M.P. 
 CUP, silver-gilt, in form of a lion rampant. Augsburg. 17th 
 century. Loan Catalogue, No. 6,174. Lent by Baron L. de 
 Rothschild, M.P. 
 
 MODEL OF A STAG, silver-gilt. Augsburg. I7th cen- 
 tury. Loan Catalogue, No. 6,176. Lent by Baron L. de 
 Rothschild, M.P. 2s. 3d. 
 
 170. SALVER, silver-gilt, repousse. Dutch. Dated 1642. Loan 
 
 Cat., No. 6,182. Lent by Baron L. de Rothschild, M.P. 2s. 3d. 
 
 171. TANKARD, rock crystal and silver filigree. German. Date 
 
 about 1560. Loan Catalogue, No. 6,121. Lent by Baron L. de 
 Rothschild, M.P. 
 
 EWER, silver parcel-gilt, repousse with Scriptural medalions. 
 Augsburg. 17th century. Loan Catalogue, No. 6,151. Lent 
 by Baron L. de Rothschild, M.P. 
 
 'rANKARD, silver-gilt, repousse. English. Hall mark, 1578. 
 Loan Cat., No. 5,742. J..ent by Baron L. de Rothschild, M.P. 
 
 2s. 3d. 
 
 172. CUP, silver, in form of the celestial sphere, surmounted by an 
 
 eagle, supported by a kneeling Hercules. Nuremberg. Date 
 about 1650. Loan Catalogue, No. 6,167. Lent by Baron A. 
 dc Rothschild, M.P. 
 
 NEF, or SHIP, supported by a merman blowing a conch, silver- 
 gilt. Dated 1661. Loan Catalogue, No. 6,136. Lentby Baron 
 L. de Rothschild, M.P. 
 
 STATUETTE OF HERCULES supporting the terrestrial globe 
 on his back, silver-gilt. 16th century. Loan Catalogue, No, 
 6,180. Lent by Baron L. de Rothschild, M.P. 2s. 3d. 
 
Decorative Plate. 
 
 23 
 
 173. TWO GROUPS, silver-gilt, Love leading captive wild animals. 
 
 Augsburg. 17th century. Loan Catalogue, Nos. 6,170-71. 
 Lent hy Baron L, de Rothschild^ M,P» 
 
 CUP, silver-gilt and painted in the form of a water-carrier. 
 German. 15th century. Loan Catalogue, No. 6,179. Lent hy 
 Baron L. de Rothschild^ M.P, U. 10^. 
 
 174. PAIR OF BEAKERS, silver-gilt, with repousse ornament. 
 
 German. 1 7th century. Loan Catalogue, Nos. 6,130-1. Lent 
 by Baron L, de Rothschild^ M.P, 
 
 WAGER CUP, with repousse hunting scenes. German. 17th 
 century. Loan Catalogue, No. 6,129. Lent by Baron L. de 
 Rothschild, M.P, U. \0d, 
 
 175. ROSEWATER EWER, oviform, silver-gilt, with high handle, 
 
 formed of a lion standing erect. Loan Catalogue, No. 6,107. 
 Lent by Baron James de Rothschild, U. %d, 
 
 176. ROSEWATER SALYER, silver-gilt. Augsburg work. Loan 
 
 Catalogue, No. 6,108. Lent by Baron James de Rothschild, 
 
 2s. 8d, 
 
 177. DISH, in silver-gilt, with raised centre bearing an enamelled coat 
 
 of arms. Hall mark, 1 599. Loan Catalogue, No. 5,760. Lent 
 by Lord Delamere, 2s, 8d, 
 
 178. SALVER, circular, in silver-gilt, with shield of arms in the 
 
 centre. Loan Catalogue, No. 6,356. Lent hy the Hon, R, 
 Curzon, jun, 2s, 8d, 
 
 179. EWER AND COVER, parcel-gilt, of hemispherical form, re- 
 
 pousse with Scriptural subjects. Loan Catalogue, No. 6,406. 
 Lent by Lord Clifford, 2s, 3d. 
 
 180. SALVER, parcel-gilt, ornamented in high-relief, with a border of 
 
 angels bearing baskets of fruits. Loan Catalogue, No. 6,407. 
 Lent by Lord Clifford, 2s. 8d. 
 
 181. “CUP HOLDER,” silver-gilt, in form of the bossed stem of a 
 
 cup, of baluster pattern, ornamented with repousse work, Ger- 
 man. 16th century. Loan Catalogue, No. 6,194. Lent by 
 Lady Sophia des Vceux, U. 8d. 
 
 182. GIRDLE CLASP, openwork, with silver foliated ornament on 
 
 silver-gilt ground. German. 17th century. Lent by Mr, C. 
 D. E. Fortnum. 
 
 KNIFE HANDLE, chased silver, terminating in a figure of a 
 horseman accompanied by dogs. Dutch. 17th century. Lmt 
 by Mr. C. D. E. Fortnum, 
 
 BAS-RELIEF, bronze, of the Virgin of the Immaculate Concep- 
 tion. South Italian. 16th century. Lent by Mr. C. D, E, 
 Fortnum. 
 
24 
 
 Metal Vt^orlc. 
 
 C'ASE, ill tortoisesliell, with filigree-silver necking, containing a 
 knife and fork with silver-gilt handles in the form of sirens. 
 German. 16th or 17th century. Lent hy Mi\ C. D, E, Fort- 
 niun. \s. 
 
 1S3. APOSTLE SPOON, silver, with gilt bowl, the stem twisted, 
 with a figure of St. James the greater. Dutch, early 18th cen- 
 tury. Lent by Mr. C. D. E. Fortnum. 
 
 APOSTLE SPOON, silver, stem twisted, with a figure of the 
 Virgin and Child. Dutch, early 18th century. Lent hy 
 Mr. C. D. E. Fortnum! 
 
 SPOONS AND FORK, silver-gilt, the stems ending in terminal 
 busts of satyrs. Italian. 16th century.^ Lent hy Mr. C. D. E. 
 Fort man. D. \Qd, 
 
 ISI. TANKARD, silver-gilt, of the 16th century, with repousse ara- 
 besques and three medallions of the horse, camel, and stag, in 
 landscapes, tlie cover surmounted by a lion. Lent hy Mr. G. H. 
 Morland. 
 
 TANKARD, silver-gilt, with eight figures of heathen deities ap- 
 ])liquc^ cherubs’ heads repousse, surmounted by a dragon hold- 
 ing a shield. Dated lo7o. Lent hy Mr. G. H. Morland. 
 
 Is. lOd. 
 
 JSd. DOUBLE CUP, of bulbed pine-apple form, with applique stalks 
 and leaves. Nuremberg manufacture of the beginning of tl:ie 
 16th century. Loan Catalogue, No. 1,060. Lent hy Mr. G. H. 
 ]\Iorland. 
 
 FIGURE OF A WOiMAN carrying a vessel on her head, in gilt- 
 
 metal. Lent hy Mr. G. II. Morland. I 5 . 10c?. 
 
 lANKARD, silver-gilt, Avith repousse gadroons and foliage. 
 
 Clcrinnii, 18tli century. Tall silver parcel-gilt Goblet, with 
 rc})ousse ornament. German, 18th century. Silver Tazza on 
 chased stem. Italian (?). 17th century. Lent hy Mr. J. W. 
 Brett. D. 10c?. 
 
 l'^7. SAI/I-CELLAR, triangular, silver, surmounted by a small 
 gilded statuette. J.oan Catalogue, No. 6,188. LenthyMr.J. 
 liniucy. \s. 10c?. 
 
 1^^^. PAIR OF STANDING ,CUPS, silver-gilt, fitting into each 
 oilier at tlic mouth. German work. Date about 1530-40. Loan 
 Cat.'ilogue, Nos. 6,192 and 6,193. Lent hy Mr. Charles Mills. 
 
 \s. lOd. 
 
 D9. EWER, oviform, silver-gilt, ornamented in repousse work. Hall 
 mark, 1603. Loan Catalogue, No. 5,772. Lent hy the Lady 
 U'llloughhy dc Ereshy. 2s. 3d. 
 
 190. SALT-CICLLAR, hexagonal, silver, Avith Corinthian columns 
 at the angles. German. 16th century AA^ork. Loan Catalogue, 
 No. 6,187. Lent hy Lord Willoughby de Ereshy. l5. 6c?. 
 
Decorative Plate. 
 
 25 
 
 191. SALVER, circular, silver-gilt, ornamented in repousse work. 
 
 Date, 1603. Loan Catalogue, No. 5,772. Lent hy the Lady 
 Willoughby de Ereshy. 2s. 8d. 
 
 192. TAZZA, on a foot (the bowl only), silver. Hall mark, 1683. Loan 
 
 Catalogue, No. 5,808. Le??.t by Sir W. C. Trevelyan.^ Bart. 
 
 2s. Zd. 
 
 193. TAZZA, on a foot, repousse with figures of Jupiter, Diana, and 
 
 two other deities, silver. English Hall mark for the year 1683. 
 Loan Catalogue, No. 5,808. Lent by Sir W. C. Trevelyan, 
 Bart. 2s. 3d. 
 
 194. ROSEWATER EWER, silver-gilt, with high handle in form of 
 
 a half figure of Pan. Augsburg. 16th century w'ork. Loan 
 Catalogue, No. 6,105. Lent by Capt. T^eyland. 2s. 3d. 
 
 195. ROSEWATER SALVER, silver-gilt. Augsburg. 16th century. 
 
 Loan Catalogue, No. 6,106. Lent by Capt. I.eyland. 2s. 8d. 
 
 196. TEA-POT, SUGAR-BASIN, AND MILK-POT, melon-shaped, 
 
 chased with scrolls and medallions of Cupids, silver-gilt. Loan 
 Catalogue, No. 5,977. Lent by Mr, Isaac Falche. H. lOc/. 
 
 197. SALT-CELLAR , in the form of a square temple of four Corinthian 
 
 columns, silver-gilt. Hall mark, 1,606. Loan Catalogue, No. 
 5,777. Lent by Mr. R. Neville Grenville. H. IQd. 
 
 198. PAIR OF SNUFFERS, with engraved inscription, “ Edwarde 
 
 with all his noble Council, God save the Kynge,” silver-gilt. 
 Lent by Mr. Alfred Seymour, M.P. U. 10<f. 
 
 199. HELMET IN STEEL, repousse work of the 16th century. 
 
 Catalogue No. 4,688. Lent by Mr. J. W. Baily. 2s. 3d. 
 
 200. PAIR OF STIRRUPS, iron plated with silver and parcel-gilt, 
 
 ornamented with translucent enamel and niello work. Italian 
 work of the early part of the 16th century. Loan Catalogue, 
 No. 4,697. Lent by Mr. W. H. Forman. 2s. 3d. 
 
 201. BEAKER or CUP, silver ; enamelled in Grisaille, slightly 
 
 widening at the top, the base trifoliated. Late 15th century 
 work. Loan Catalogue, No. 4,803. Le?it hy Lord Arundell of 
 War dour. H. Ocl. 
 
 202. VASE, on pedestal in oxydized silver (known as the Alexandra 
 
 Vase). Presented to H.R.H. the Princess of Wales by the 
 Danes resident in England, executed by J. Barkentein, London, 
 Lent by Mr. J. Barkentein. 2s. 3d. 
 
 203. HUNTING HORN, the mouth ornamented with masks in relief; 
 
 the tube engraved with an equestrian figure, silver j>arcel-gilt. 
 16th century. Le?it by Mr. A. Barker. Is. lOd. 
 
 204. PLAQUE, in silver repousse work. Probably Italian. Date about 
 
 1500. Loan Catalogue, No. 1,037. Lent by II. U.H. the Due 
 cTAumale. 2s. 3d 
 
26 
 
 Metal Worh. 
 
 2(X3. ^lODEL OF A STAG, in silver-gilt, on pedestal set with 
 facet‘Cut jewels. Lent hy Mr. Hollingworth Magniac. 
 
 2s. Sd. 
 
 207. PEN AND INK CASE, gilt metal with niello work, from Con- 
 
 stantinople. Lent by Mr. Henry Vaughan, 1^. 10c?, 
 
 208. ROSEWATER EWER, silver-gilt, Italian, 16th century. Lent 
 
 by the Earl Coivper. 2s. 6d. 
 
 209. ROSEWATER SALYER, silver-gilt. Italian. 16th century. 
 
 Lent by the Earl Coivper. 3s. 8d, 
 
 210. ROSEWATER EWER, silver-gilt. English, dated 1579. Lent 
 
 by the Duke of Rutland. 2s. 10c?. 
 
 211. ROSEWATER SALYER, silver-gilt. English, dated 1581. 
 
 J.ent by the Duke of Rutland. 3s. Sd. 
 
 212. CUP AND COYER, silver-gilt. English, dated 1507. Lent 
 
 by Christ’s College, Cambridge. 2s. 6c?. 
 
 213. THE ‘‘FOUNDRESS’ CUP,” silver-gilt. English. 15th 
 
 century plate. Lent by Christ’s College, Cambridge. 2s. 6d. 
 
 214. THE “LEIGH CUP,” silver-gilt. English plate. Dated 1499- 
 
 1500. L.ent by the Mercers’ Company of the City of London. 
 
 2s. lOd. 
 
 215. STANDING CUP, in the form of a “ Pelican in her Piety,” silver- 
 
 gilt. English, dated 1579. Lent by Sir Stephen Glynne, Bart. 
 
 2s.l0d. 
 
 216. PAIR OF FLAGONS, silver-gilt. English, dated 1658. Lent 
 
 by the Corporation of Bristol. 3s. 3d. 
 
 217. SALYER, designed by Stothard, 1814, silver-gilt. Lent by Her 
 
 Majesty the Queen. 3^. 8c?, 
 
 218. THE “ ROYAL OAK CUP.” English plate, dated 1676. Lent 
 
 by the Barber- Surgeons’ Company of the City of London. 3^. 3d. 
 
 219. SALT-CELLAR, silver-gilt. English, date about 1500. Lent 
 
 by Corpus Christi College, Oirford. 2s. 6d, 
 
 220. CUP AND COYER, silver-gilt. German, dated 1580. Lent by 
 
 the Duhv. of Hamilton. 2s. 6d. 
 
 221. THE “ FALCON CUP,” silver-gilt. Date about 1550. Lent by 
 
 Clare College, Cambridge. 2s. 6d, 
 
 222. SALT-CEIiLAR, in silver-gilt and Limoges enamel. French, 
 
 dated 1540. Lent by Mr. Paul Butler. 2s. 6d. 
 
 223. SALT-CELLAR, silver-gilt. Old English work, 1493. Lent hy 
 
 New College, Oxford, 2s, 6d, 
 
 224. TANKARD, silver-gilt on niello ground, ornamented with flowers 
 and foliage enclosing medallions of Samson and Delilah, the 
 teni]»tation of Joseph, and Judith and Holofernes. On the lid is 
 the Judgment of Solomon. Russian (Caucasian) work. 18th cent. 
 
Decorative Plate. 
 
 27 
 
 GOBLET, silver-gilt, with repousse ornament of strap-work, 
 masks, and medallions of Spring, Summer, and Autumn. Russian. 
 18tli century. In the South Kensington Museum, Is. 2d. 
 
 225. CANDLESTICK, in chased silver. French (?). 18th century. 
 
 Lent hy Mr, George Moffatt, 31. P. 
 
 STATUETTE OF A PEASANT carrying a water vessel. 
 German. 18th cent. Lenthy Mr. George Moffatty 31. P, Is. Gd. 
 
 226. STANDING CUP, or “Widerkom,” set with jewels. German. 
 
 Dated 1683. Le^it by Mr. George 3Ioffatty M.P. 2s. 2td. 
 
 227. CANDLESTICK, with twisted stem, silver repousse work. Lent 
 
 hy 31r. George 31offatt, M.P, 
 
 CANDLESTICK, with stem in the form of a fluted column and 
 engraved foot, silver. Lent by 3lr. George 3Ioffatty M.P, Is. 10c?. 
 
 228. TANKARD, in silver, ornamented with battle subject in repousse 
 
 work. Dated 1649. Lent by 3Ir. George Moffatt, M.P, 
 
 SUGAR BASIN, a globe, surmounted by a dove ; in silver. 
 German work. Lent by Mr. George Moffatty M.P, Is. \0d. 
 
 229. CUP AND COVER, in silver. English work. Dated 1571. 
 
 Lent by 3Ir. George 31offatty 31. P. 
 
 TANKARD, silver-gilt, ornamented with Neptune in a car drawn 
 by sea-horses ; repousse work. Italian. 17th century. Leiit 
 by Mr. George Moffatt, M.P, 
 
 SALT-CELLAR, in silver, a dolphin supporting a shell on its 
 tail. Lent hy Mr, George Moffatty M.P. 2s. Sd. 
 
 230. TANKARD, in silver, with hexagonal drum, ornamented with 
 
 engraving and repousse work ; the cover surmounted by an 
 amorino holding a shield. Hungarian work. Lent by 3Ir. 
 George Moffatty M.P, 
 
 GOBLET, ornamented with repousse work. (Dug up in Essex.) 
 Old English. Lent by 3Ir. George Moffatty 31. P, is. 10c?, 
 
 231. JAGER RIFLE PRIZE CUP, bearing an inscription. German 
 
 work. Lent by 3Ir. George Moffatty M.P. 
 
 CUP AND COVER, silver-gilt ; a statuette in the state costume 
 of the miners of Saxony supporting a vase, the cover of which 
 is surmounted by a small armed flgure with flag and shield. 
 Augsburg. Dated 1703. Lent by Mr. George Moffatty M.P. 
 
 CUP AND COVER, in silver-gilt, ornamented in repousse work ; 
 the cover surmounted by an ape. Augsburg. Le^it by Mr. 
 George Moffatty 3I.P, 
 
 CUP AND COVER, silver, the foot circular, ornamented in 
 repousse work; the stem baluster shaped and the cover surmounted 
 by the flgure of an armed warrior. Lent by 3Ir. Georae 
 3Ioffatty 31.P, 2.. 3^. 
 
28 
 
 Metal IVork. 
 
 232. EVrKlt, in silver. Italian 'work. An Oval Dish, ornamented 
 
 ■with raised foliage and fio-wers in repousse ■work. Spanish. 
 And an Oval Dish ornamented -with a boar hunt. Portuguese 
 ■work. Lent hy Mr. George Moff'att, 31. F. 2s. 3tf. 
 
 233. SALT-CELLAE, ornamented ■with chimera masks. Italian 
 
 ■work. Lent hy 3Ir. George 3IoJfatt, 3I.P, 
 
 BOX, or JEWEL CASE, in gold filigree' ■work; taken at the 
 siege of Delhi. Indian. Lent by 3Ir. George Moffatt, 3I.P. 
 
 IXKSTAXD, silver ; the kneeling figure of a knight in je-welled 
 armour supporting a cup on his helmet. Lent by Mr. George 
 Moffatt, M.P. 2s. 3d 
 
 234. DISH, oval, with raised ornament of fruit and flo'wers in repousse 
 
 ■work. Spanish. Lent by 3Ir. George 3Ioffait, 31. P. 
 
 TAZZ A, with border of floral ornament in repousse work. English. 
 Dated 1759. I.ent by 3Ir. George 31offatt, 31. P. 2s. 2>d. 
 
 235. TAXKARD, silver parcel-gilt, with triumph of Venus, in repousse 
 
 work. Lent by 31r. George 3Ioffatt, 3I.P. 
 
 DISH, oblong, in embossed silver. Granada, Lent by Mr. George 
 3Ioffatt, 3I.P. 
 
 ROSEWATER DISH, circular, repousse work, in silver. 
 Portuguese. Lent by 3Ir. George 3Ioffatf, 3I.P. 2s. 3d 
 
 236. TUREEN, oblong, in silver, with cover and stand. Lent by 
 
 31 r. George 3Ioffatt, 31. P. 
 
 DONATIVE TANKARD, from Clare Hall, Cambridge, in plain 
 silver, with engraved shield. Dated 1681. Lenthy 31r. George 
 3Jofl'aif, 3I.P. 2s. 3d 
 
 237. OSTRICH CUPS, a pair; Ostrich eggs mounted in silver in 
 
 the form of the bird. German work of the 16th century. T^ent 
 by 3lr. George 3IoJfatt, 31. P. D. lOd 
 
 23^. LAMP, a stork on a column holding the pendent lamp in its 
 beak ; beneath is a seated ape shouldering a musket. From 
 Saragossa. J.,ent by 3Lr. George Moffatt^ 31. P. H. lOd 
 
 231'. DISH, silvei’-gilt, ornamented in repousse work, with military 
 emblems. Sj)aiiish work. Lent by Mr. George 3Ioffatt, 3I.P. 
 
 'i'ANKARD, silver-gilt, from the collection of theDukeof Sussex. 
 Eiiglisli. Dated 1792. Lent by 31r. George 31offatt, 3I.P. D. lOd 
 
 210. CUP AND COVER, silver parcel-gilt. German work of the 
 IGth century. Lent by 31r. George 31offott, M.P. 
 
 MEMORIAL GOBLET. Swis.s-German. Dated 1633. I.ent 
 by Mr. George 31off 'a(f, 31. P. 
 
 CUP AND COVER, ornamented with the signs of the Zodiac in 
 repousse work. German. 1 7th century. Lent hy 3Ir, George 
 3Igftatf, 31. P. 
 
 CUP AND COVER, silver-gilt. English work. Dated 1701. 
 Lent by 31r. George 31offatt^ 31. P. 2s, 3d 
 
Jbeeorative Plate. 
 
 29 
 
 241. SNUFF-BOX, silver-gilt, with mother-of-pearl top, inlaid with 
 
 gold figures and animals, partly enamelled ; TOBACCO-BOX 
 in brass ; on the top is represented the attack of Martinique in 
 1762 ; on the bottom, the monogram of King Frederick ol 
 Prussia ; and an OVAL OPvIENTAL SNUFF-BOX, mounted 
 in gold. Lent by Mr. A. J. B. Beresford Hope. Is. lOd. 
 
 242. VASE, globular, in white metal engraved and parcel-gilt. Modern 
 
 Indian work manufactured at Hyderabad. (Exhibition of 1851) ; 
 and BOWL of a HOOKAH PIPE, decorated with inlaid silver 
 damascene work on black metal. Indian. (Exhibition, 1851.) 
 In the Soiith Kensington Museum. U. 6c/, 
 
 243. DISH, silver-gilt, with repousse scrolls, and a figure of Ceres 
 
 reclining under an umbrella. 18th century. Lent by Mr. A. J. 
 B. Beresford Hope. U. lOc/. 
 
 244. CUP AND COVEP, silver-gilt, with coins of Brandenburg 
 
 inserted. I7th century. And silver-gilt CUP AND COVER, on 
 three ball feet, with medallions of Orpheus charming the animals. 
 17th century. Lent by Mr, A. J. B. Beresford Hope. U. f>d. 
 
 245. JUG in polished German serpentine, with Cover, and mounted in 
 
 gilt metal ; the initials T. S. inscribed on cover. Date about 
 1600. SILVER PARCEL-GILT TANKARD, engraved with a 
 band of arabesque ornaments. German. Dated 1567. And 
 BELL-SFIAPED BEAKER, in silver parcel-gilt, surrounded by 
 two bands of engraved foliage ; the foot standing on three small 
 hawk’s bells. Date about 1530. In the South Kensington 
 Museum. D. 6c/. 
 
 246. BOX, silver, chased with festoons, dragons, and arms. Presented 
 
 by the Portuguese army to Lord Beresford. Lent by Mr. A. J. 
 B, Beresford Hope. D. 10c/. 
 
 247. CREAM-JUG, silver-gilt, in form of a cow. 18th centuiy. And 
 
 BRONZE CENSER, the lower portion, with animals in relief. 
 12th century. Le?it by Mr. A. J. B. Beresford Hope. U. \0d. 
 
 248. TANKARD, pewter, on the lid is a lion holding the armorial 
 
 shield of the shoemaker’s guild. German. Dated 1704. CUP 
 or tIANAP AND COVER, in pewter, the cover surmounted 
 by a statuette of a cavalier. German. 17th century. And 
 FLAGON, in pewter, surrounded with two bands of allegorical 
 figures in relief. German work. Date about 1550. Li the 
 
 South Kensington Museum. D. 2c/. 
 
 249. INCENSE BURNER, or “ Scaldino,” in copper, with repousse 
 
 ornament. Italian. 16th century. In the South Kensington 
 Museum. I5. 2d. 
 
 250. TAZZA, silver, on stem and foot, repousse with an allegorical 
 
 subject of figures before a fountain of Venus, &c. ; on the stem, 
 three open scrolls and fruit ; on the foot, recumbent figures. 
 Date about 1580. Loan Catalogue, No. 6316. Lent by Mr. 
 A. J. B. Beresford Hope. U. 6c/. 
 
30 
 
 Metal Worh. 
 
 2ol. TOYS, ill silver (tliirty-six). Dutch work of the 1 7th and 1 8th 
 centuries. Loan Catalogue, No. 6,281. Lent hy Mr. A. J. B. 
 Beresford Hope. Is. lOd. 
 
 2d2. SHELL, polished, mounted in silver-gilt, supported by a male 
 ligure, on dome- shaped foot. 17th century. Lent by Mr. A. J. 
 B. Beresford Hope. Is. 6d. 
 
 253. BOWL on raised stem, with twisted handles. The ground of deep 
 
 blue translucent enamel, covered both inside and out, with a 
 minute scroll diaper pattern in copper-coloured lustre. Italian. 
 16th century. (Soulages coll.) In the South Kensington 
 Museum. \s. 2d. 
 
 254. PLATE, or BOWL, silver parcel-gilt, with a beaten work design 
 
 of trefoils in plain silver and vine leaves and foliage on a 
 roughened ground. In the centre is a medallion of a dragon in 
 translucent enamel. French. Date about 1330. And PLATE, 
 or BOA^ L, silver, with a pattern of trefoils and fohage in beaten 
 Avork ; in the centre a medallion of a female leading a chained 
 bear out of a city, in translucent enamel. French. Date about 
 1330. In the South Kensington Museum. Is. 2d. 
 
 255. SCENT-BOTTLE, silver-gilt, set all over with turquoises and 
 
 garnets, surmounted by a flower. And ENAMELLED STA- 
 TUETTE OF A HARLEQUIN, set with gems, the body formed 
 of a pearl baroque. Lent hy Mr. A. J. B. Beresford Hope. 
 
 Is. lOd. 
 
 256. CC)FFEE POT, silver, Avith ivory handle ornamented Avith gad- 
 
 roons, escutcheons, and foliage, repousse. English Hall mark 
 1759-60. And WATER JUG-, silver, ornamented with broad 
 band of vine leaACS and grapes, repousse and chased. English 
 Hall mark 1805-6. I?i the South Kensington Museum. I 5 . 2d. 
 
 257. SPOONS, si h er, Iaa'o A\dth hexagonal knops and two acorn 
 
 topped. French. Date about 1330. In the South Kensington 
 Museum. Is. 6d. 
 
 25'^. S'riRRUP, in gilt bronze. Italian cinque-cento. In the South 
 Kt usingtou Museum. U. 4A 
 
Bronzes. 
 
 31 
 
 BRONZES. 
 
 The art of casting in bronze is of great antiquity ; it is stated to have 
 been practised by the eastern nations long prior to its introduction into 
 Europe. The Chinese historians say that Yu, who was associated on 
 the throne with Chun, 2,200 years before the Christian era, caused nine 
 brass vases to be cast, upon each of which he had engraved the map and 
 description of the nine provinces of the empire. That the art was much 
 practised by the ancient Greeks and Romans, and that they attained to 
 the greatest perfection in it, is well proved by the celebrated monuments 
 of their work which remain. The finest collection of ancient bronzes is 
 at Naples ; among the specimens there, are some showing the very 
 curious manner in which the ringlets of hair, worked separately, were 
 fastened on ; many of them are the size of life. Bronze casting in 
 Greece seems to have reached its perfection about the time of Alexander 
 the Great (330 b.c.). The accounts given of the works executed about 
 that time almost exceed belief. After Lysippus, the favourite sculptor 
 of Alexander, — who executed, according to Pliny, above 600 works, — 
 the art began to decline in that country. The taste of the ancients was 
 still preserved in Italy in the fourth and fifth centuries, and many im- 
 portant works in bronze casting are recorded as having been achieved 
 by them at that early period. In France, Germany, and England objects 
 cast in bronze have also been discovered in the tombs of the fifth, sixth, 
 and seventh centuries. During the three following centuries this art 
 seems to have declined and been little practised in the western countries, 
 for we read of no great works being produced by it until the beginning 
 of the 11th century, when it was revived in Germany under St. Ber- 
 nard, Bishop of Hildersheim, who had the gates of his church cast in 
 bronze, and who erected in the year 1022 on the S2^ace in front of it 
 a bronze column about 15 feet high, ornamented with bas-reliefs as- 
 cending spirally from the base, dejiicting the life of Christ, in twenty- 
 eight groups. 
 
 In France the revival of this art was of a still later period, the earliest 
 evidence of it being the gates of the church of St. Denis, which were 
 cast in bronze under the direction of the Abbot Suger in 1140, and were 
 enriched with bas-reliefs illustrating Christ’s Passion and Resurrection. 
 
Metal Worlz. 
 
 Italy furnishes no important evidences of the revival of bronze casting 
 prior to the end of the 12th century, when Bonano produced the bronze 
 gates of the cathedral of Pisa, and soon after those of St. Martin of 
 Lucca ; the large gates of the cathedral of Monreale were also executed 
 by him and bear his name inscribed on them. 
 
 ^lany of the objects used in religious services in Germany, France, 
 and Italy were made in bronze during the 12th century, such as candle- 
 sticks, candelabra, baptismal fonts, and some of the vessels for the altar. 
 Important specimens of the work of this period are still to be seen in 
 the ditferent churches. 
 
 The iSIediosval and Eenaissance periods also produced for 'the same 
 purposes numerous specimens of bronze casting ; but as these pieces 
 were always more or less enriched with precious materials, they belong 
 more especially to the goldsmith’s art. 
 
 Italy possessed in the 16th century a great number of celebrated artists, 
 who designed and executed with incredible rapidity statues, groups, inonu- 
 ments, and fountains in marble and in bronze. There were many also who 
 reproduced in bronze, miniature bas-reliefs and statuettes, either from the 
 antique or from the works of eontemporary masters. Florence was most 
 renowned for these works. The puiiils of John of Bologna reproduced, 
 in bronze, statuettes of the numerous works of their master. Many of 
 these beautiful statuettes and fine bas-reliefs are found in the collections 
 of the present day, and are much sought for by amateurs. These artists 
 did not disdain to employ their talents on the improvement and decora- 
 tion of objects of ordinary domestic use ; in the museums and private 
 colled ions of the present day there are many beautiful specimens of 
 their work, such as candlesticks, fire-dogs, knockers and handles for 
 doors, inkstands, &c., which are justly valued as objects of art. 
 
 The photograi)hs named in the catalogue are mostly from works of 
 the fifteenth and sixteenth centuries, selected from the collection in the 
 S<aith Kensington Museum and from specimens lent for exhibition by 
 ]>iivate collectors. 
 
Bronzes, 
 
 33 
 
 BRONZES. 
 
 275. GROUP, bronze ; the Rape of the Sabines, by Giovanni da Bo- 
 
 logna. Loan Catalogue, No. 484. Lent by the Natio7ial Gallery 
 of Scotland. 2s. 3d. 
 
 276. BUST, bronze, of a youth crowned with vine leaves and grapes, 
 
 apparently a reduced model of the Braschi Antinous. Italian. 
 16th century. Lent by Mr. C. D. E. Fortnum. 
 
 BUST, bronze, of a nymph crowned with ivy. Italian. 16th 
 centmy. Leiit by Mr. C. D. E. Foi'tnum. 
 
 INKSTAND, bronze ; the body supported by three female 
 sphinxes ; statuettes of Pan, Venus, and Cupid on the cover. 
 Italian. 16th century. Lent by Mr. C. D. E. Fortnum. D. \0d. 
 
 211. GROUP in low relief, bronze, of Ariadne in a car dra’wn by 
 panthers and preceded by satyrs. Italian, ascribed to Desiderio 
 da Settignano. Lent by Mr, C. D. E. Foidnum. Is. 6d. 
 
 278. GROUP, bronze, of the Virgin and the Dead Christ ; a reduced 
 
 model of the “ Pieta ” of Michel Angelo, in St. Peter’s, Rome. 
 Italian. 16th century. Lent by Mr. C. D. E. Fortnum. 
 
 INKSTAND, bronze, triangular, supported by thi*ee lions, and 
 having a statuette of Cupid on the lid. Italian. 16th century. 
 Leiit by Mr. C. D. E. Fortnum. \s. \Qid. 
 
 279. GROUP in low relief, circular bronze, of a kneeling figure (pro- 
 
 bably Elijah) in a fiery chariot. North Italian. Date about 
 1490-1500. Leiit by Mr. C. D. E. Fortnum. D. lOd. 
 
 280. STATUETTE, bronze ; St. John the Baptist. Italian. 15th 
 
 centuiy. Lent by Mr. C. D. E. Fortnum. 
 
 BUST OF MINERVA, bronze, upon octagonal pedestal. Italian. 
 16th century. Lent by Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, of Venus, in the attitude of a Venus 
 Victrix. Italian. Late 15th or early 16th century, in the style 
 of Francia. Lent by Mr. C. D. E. Fortnum. 2s. 3d. 
 
 281. GROUP OF NESSUS AND DEJANIRA, bronze, on marble 
 
 pedestal. Florentine. 16th century. Lent by Mr. G. II. Mor* 
 land. 
 
 CASKET, iron ; damascened with gold and silver arabesques ; 
 ch’cular top. 16th century. Lentby Mr.G. II. Morland. D. 10</. 
 
 282. HALF-FIGURE OF A FEMALE- bronze, naked to the waist, 
 
 looking upwards, her hands tied behind her. Lent by Mr. G. H. 
 Morland. 
 
 BENITIER, fragment of lower portion, in bronze, with cupids in 
 relief, and festoons between. Lent by Mr, G. II. Morland. 
 
 \s. lOd. 
 
 15929 .- 2 . 
 
 C 
 
34 
 
 3Ietal Wm'k. 
 
 283. GKOUP ill bronze ; Samson slaying a Philistine, by Adrian Fries. 
 
 Lent by the JVational Gallery of Scotland. 35. 3c?. 
 
 284. BAS-PELIEF in bronze ; a ‘‘ pieta,” ascribed to Donatello. Loan 
 
 Catalogue, No. 6,711. Lent by Mr. Armand Baschet. 25. 3<?. 
 
 28d. RELIEVO in bronze, of antique Greek origin. Loan Catalogue, 
 No. 6,712. T^ent by Mr. Heywood Hawkins. I 5 . 10c?. 
 
 286. STATUE OF DAVID, bronze ; reduced from the original by 
 
 M. Angelo. 16th century. Loan Catalogue, No. 490. Lent by 
 Mr. Isaac Falcke. 
 
 GROUP in terra-cotta, of a female trampling upon a slave ; from 
 a marble statue at Florence. Loan Catalogue, No. 27. Leiit by 
 Mr. Isaac Falcke. l5. \0d. 
 
 287. CIRCULAR RELIEVO, bronze ; Neptune in his car, accompanied 
 
 by a triton and a sea nymph. Italian. 16th century. Loan 
 Catalogue, No. 488. Lent by Mr. G. II. Morland. 2s. 3d. 
 
 288. STATUETTE in bronze ; female figure reclining on a dolphin. 
 
 Florentine. 16th century. Lent by Mr. G. II. Morland. I 5 . 10c?, 
 
 289. BUST OF CHRIST, bronze, on circular pedestal. Florentine. 
 
 I^ent by Mr. A. Barker. I 5 . 10c?. 
 
 290. TRIANGULAR INKSTAND, bronze, on three feet, with masks 
 
 in relief. Lent by Mr. A. Barker. 
 
 GROUP OF PAN seated on a tortoise, bronze. Lent by Mr. A. 
 Barker. \s. 6c?. 
 
 291. CUPID, FLYING, bronze, on circular wood pedestal. Lent by 
 
 Mr. A. Barker. I 5 , 6c?. 
 
 292. BL^ST OF THE VIRGIN, gilt bronze. I7th century. Lent by 
 
 Mr. A. Barker. I 5 . 6c?. 
 
 293. FIGURE OF A MADONNA holding the Holy child to her 
 
 bi'casl, with a Latin inscription ; bronze. Leyitby Mr. A, Barker. 
 
 I 5 . M. 
 
 294. STATUETId^: OF A ROMAN EMPEROR, gilt brass. Lent 
 
 by Mr. A. Barker. I 5 . 6c?. 
 
 29d. STA'rUI/ri'E OF HERCULES, with his club under his arm; 
 lironzc, on dome-shaped stand. Lent by Mr. A. Barker. I 5 . 6c?. 
 
 296. S4A4’L'F/ri'lC, in gilt bronze, of the Virgin and Child. Italian. 
 
 I 61 I 1 centiny. Lent by Mr. A. Barker. I 5 . 6c?. 
 
 297. INKSIAND, Ijronze, licld by a siren with helmeted head. 
 
 Italian. 16th ccntuiy. Lent by Mr. C. D. E. Fortnum. 
 
 BlbS4\ bronze, of an old man clothed in a deer’s hide ; the eyes 
 originally i'orjjicd of glass or precious stones. Ancient Roman. 
 Lent by Mr. C. I). E. Fortnum. 
 
 STATU EI'I'E, bronze, of a recumbent figure nursing two children, 
 ])Ossibly Latona with Apollo and Diana. Italian. 16th cent.; 
 ascribed to Gio\ . della Porta. Lent by Mr. C. D. E. Fortnum. 
 
 l5. 10c?. 
 
. Bronzes. 
 
 35 
 
 298. INKSTAND, bronze, formed by a warrior, probably Orlando, 
 
 seated on a sea-monster, from the poem by Ariosto. Florentine. 
 Date about 1580. Lent hy Mr, C. D. E. Fortnum. 
 
 STATUETTE, bronze, of a seated mendicant, on wooden stand. 
 Chinese. Lent hy Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, of a cliild holding a cornucopia ; probably 
 an inkstand. Italian. Early 16th century. Lent hy Mr. C. 
 D. E. Fortnum. D. lOcl. 
 
 299. STATUETTE, bronze, a nude male figure on black marble pedestal. 
 
 Italian. 16th century. Lent hy Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, a nude male figure on triangular bronze 
 pedestal ornamented with Bacchic bas-reliefs. Italian. 16th 
 century. Lent hy Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, of a young warrior drawing his sword. 
 Italian. 16th century. Lent hy Mr. C. D. E. Fortnum, U. \0d. 
 
 300. STATUETTE, bronze, of a negi'o’s head on a square column, 
 
 called a “ Hermes ” statue. Ancient GTseco-Roman. Le^it hy 
 Mr. C. D. E. Fortnum. 
 
 STATUETTE, a nude female figm’e di-ying her feet. Italian. 
 16th century. Lent hy Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, of an ancient warrior in a mantle. Italian. 
 16th century. Lent hy Mr. C. D. E, Fortnum. 
 
 STATUETTE, bronze ; St. John the Evangelist, part of a group of 
 the Crucifixion. Italian. 16th century. Lent hy Mr. C. D. E. 
 Fortnum. D. \0d. 
 
 301. SALT-CELLAB, gilt-metal, composed of tlu'ee sea-horses supporting 
 
 shells in silver. Italian. 16th century. Lent hy Mr. C. D. E. 
 Fortnum. 
 
 STATUETTE, bronze, of the youthful Apollo (Apollino) in the 
 Museum at Florence ; the work of Giovanni Zoftbli. Second half 
 of 19th centmy. Lent hy Mr. C. D. E, Fortnum. U. ^d. 
 
 302. STATUETTE, bronze, of an aged male captive, on black marble 
 
 pedestal. Italian. 16th century. Lent hy Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, the Vu'gin in sorrow, part of a group of 
 the Crucifixion. Italian. 16th cent. L^entby Mr. C. D. E. Fortnum. 
 
 STATUETTE, bronze, of an aged female captive, on black marble 
 pedestal. Italian. 16th cent. Lent hy Mr. C.D.E. Fortnum. U. 10c?. 
 
 303. INKSTAND, bronze, formed by a gi'otesque human figure embracing 
 
 a liorse’s head. Italian. 16th centuiy. Lent hy Mr. C. D. E. 
 Fortnum. 
 
 STATUETTE, gilt-bronze, of a Cupid blindfold shooting from a 
 dolphin’s back; furniture decoration. Italian. 16th century. 
 Lent hj Mr. C. D. E. Fortnum. 
 
 STATUETTE, gilt-bronze, of a figm’e playing the bagpipe ; 
 funiitm’e decoration. Italian. 16th centmy. Lent hy Mr. 
 C. D. E. Fortnum. U. 6c?, 
 
 c 2 
 
30 
 
 Metal Worli. 
 
 304. STATUETTE, bron.'?:e, of a youth extracting a thorn from his foot ; 
 
 by liis side a helmet, intended to serve as an inkstand. Italian. 
 16th century. Lent hy Mr. C. D. E. Fortnum, 
 
 STATUETTE, bronze, of a seated faun, playing on Pan’s pipes 
 and holding a globular vase ; probably an inkstand. Italian. 
 l>ratc loth or early 16th centuiy. Ascribed to Ancfrea Eicci. 
 Lent hy 3Ir. C. D. E. Fortnum. I 5 . \0d. 
 
 305. vSTATUETTE, bronze, a reduced model of the colossal Flora at 
 
 Nnjdes, called the Farnese Flora. The work of Giovanni Zoffoli 
 of Florence. Second half of the 18th century. Lent hy Mr, 
 C. D. E. Fortnum. 
 
 STATUETTE, bronze, a reduced model of the Antinous. The 
 work of Giovanni Zoffoli of Florence. Second half of 18th 
 century. Lent hy Mr. C. D. E. Fortnum. Is, 6d. 
 
 306. STATUETTE, bronze, of a centam* with a Cupid (in silver) on 
 
 his back ; on a pedestal of coloured marbles ornamented with gilt 
 metal and cornelians. Italian. 16th century. The centaur by 
 Giovanni da Bologna. Lent hy Mr. C. D. E. Fortnum^ I 5 . Qd, 
 
 307. STATUETTE, bronze, of a horse, on a pedestal, Italian. 16th 
 
 century. L^ent hy Mr. C. D. E. Fortnum. I 5 . \0d. 
 
 303. STATUETTE, bronze, the Farnese Flora. Loan Catalogue, 
 No. 481. Lenthy Mr. C. D. E. Fortnum. 2s, 3d, 
 
 309. INIEDAL of Philippus Maria Visconti, Duke of Milan. 15th 
 
 century. In the South Kensmgton Museum, Is. 2d, 
 
 310. INIEDAL, in bronze. Pope Adrian VI. German work In the 
 
 South Kensington Museum. Is. 6c?. 
 
 311. PLAQUE (in gilt copper), with a Shield of Arms; the arms 
 
 blazoned with champleve enamel, with the motto “ Espoir en 
 Dicu.” Underneath is written, “The armys of the ryght 
 worshii)ful macster Tonge, otherwyse callyd maister Clarencius, 
 and luistcris Susan hys wyfe, 1554.” English work. In the 
 South Kensington Museum. 
 
 PAIR OK CANDLESTICKS, brass, decorated with a 
 floriated pattern, grounded in blue and white champleve enamel. 
 Old ICnglish (?) work, period of Charles I. Presented by the 
 Duke of Hamilton. In the South Kensington Museum. Is. 6c?. 
 
 312. NAITONAL ART COMPETITION MEDALLION, in bronze. 
 
 By A. Vechte. In the South Kensington Museum. Is. 6c?. 
 
 313. d'WO PLA()UES, in gilt-bronze. Probably English work. 
 
 Date about 1320. Loan Catalogue, Nos. 1,010 and 1,011. Lent 
 hy the Rev. If'cdter Sneyd. 2s, 3d, 
 
 314. lT>A(^UI'i, bronze, in high relief, of Neptune in a barque, a man 
 
 bolding a .sea-horse, and another figure. Italian. 16th cen- 
 tury. J.C7it hy J/r. G. II. Morland, Is. 10c?. 
 
Bronzes. 
 
 37 
 
 31 o. PLAQUE, bronze ; with the entombed Saviour supported by 
 saints. Italian. 16th century. Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze, with Hercules and Antaeus. Italian. 16th 
 century. Lerit by Mr. C. D. E. Fortnum, 
 
 PLAQUE, bronze ; with the Crucifixion. Italian. 16th century. 
 Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with the Flagellation. Italian. 16th century. 
 Lent by Mr. C. D. E. Fortnum. U. 6c?. 
 
 316. PLAQUE, bronze, with bust portrait of Tito Strozzi ; probably 
 
 the work of Vittore Pisano. Date about 1460. T^cnt by Mr. 
 
 C. D. E. Fortnum. 
 
 MEDALLION PLAQUE, bronze ; the Holy Family, with 
 legend. Italian. Early 16th century. Lent by Mr. C. D. E. 
 Fortnum. 
 
 MEDALLION, bronze ; obv., bust of the Emperor Augustus ; 
 rev., allegoric figures of Commerce and Plenty. Italian. 16th 
 century. Lent by Mr. C. D. E. Fortnum. 
 
 MEDALLION, bronze ; obv., bust of Louis XII. of France, with 
 legend ; rev., Anne of Brittany, his Queen, with legend. Dated 
 1499. Lent by Mr. C. D. E. Fortnum. 
 
 MEDALLION, bronze gilt : obv., the head of Christ, with Latin 
 legend ; rev., a Latin inscription within a wreath. Italian, 
 loth century. Lent by Mr. C. D. E, Fortnum. U. \0d. 
 
 317. MEDALLION, bronze : obv., bust of Michael Angelo Buonarroti ; 
 
 rev., a blind pilgrim led by a dog, with legend. Italian. Early 
 16th century. I.^ent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; subject, a female looking at a mirror 
 supported by Cupid. Italian, 16th century. Lent by Mr. C. 
 
 D. E. Fortnum. 
 
 MEDALLION PLAQUE, bronze, with head of Pompeius Magnus 
 in high relief, on green enamel ground, Italian. 16th century. 
 Lent hy Mr. C. D. E. Fortnum. 
 
 MEDALLION, silver, with figures in high relief, silver-gilt; 
 Obv., the baptism of our Lord, with German legend ; rev., the 
 Crucifixion, with Latin legend; German. 16th century: L^ent 
 
 by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze, with figures of Apollo and Marsyas. Italian. 
 16th century. L^ent by Mr. C. D. E. Fortnum. U. 6c?. 
 
 318. PLAQUE, bronze ; subject, the martyrdom of St. Sebastian. 
 
 Italian. 16th century. Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; subject, the Entombment. Italian. 16th 
 centuiy. Lent by Mr. C. JD. E. Fortnum. 
 
 PLAQUE, bronze, with foliage ornament on top ; subject, the dead 
 Saviour supported by an angel and Saint Joseph of Arimathea, 
 in frame. Italian. 16th century. T^ent by Mr. C. D. E, 
 Fortnum, U, 10c?, 
 
Metal Work. 
 
 .38 
 
 ;>19. PLAQUE, bronze, with the Deposition from the Cross, after 
 Daniele da Volterra. Italian, 16th century. Lent hy Mr. C. 
 D. E. Fortnum. I 5 . \0d. 
 
 320. PLAQL'E, bronze ; with a sleeping Cupid. Italian. 16th century. 
 
 Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with the Betrayal of our Saviour ; the work 
 of Valerio Vicentino. Date about 1500-20. Lent hy Mr. C. 
 D. E. Fortnum. 
 
 ISIEDALLION PLAQUE, bronze, with male bust. Italian. 15th 
 ceiiturv. Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQUE, gilt In’onze ; with the Virgin and Child. Italian. 
 16th centuiy. Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze, of four bearded heads connected by scrolls, 
 with central medallion bearing a bust of Christ and legend. 
 Italian. 16th century. Lent hy Mr. C.D. E. Fortnum. \s. \^d. 
 
 321. PLAQL’E, bronze ; with the repentant Magdalen. Italian. 16th 
 
 century. Lent hy Mr. C. D. E. Fortnuyn. 
 
 PLAQUE, bronze, with youthful male bust. Italian. 16th century. 
 Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze, with youthful female bust. Italian. 16th 
 century. Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQL^E, circular bronze ; with ^sop’s fable of the Bundle 
 of Sticks. German (? ). 16th century. Lent hy Mr. C. D. E. 
 Fortnum. 
 
 ALLION PLAQUE, bronze, with female figure in a car. 
 Italian. 16th century. Lent hy Mr. C.D. E. Fortnum. 
 
 PLAQUIi. gilt bronze ; with youths offering tokens of victory 
 to a seated female. Italian (?). 16th century. Lent hy Mr. C. 
 D. E. Fortnum. D. Qd. 
 
 322. PLAQL^E, bronze ; with Saint Jerome in penitence. Italian. 
 
 16tli centuiy. Lent hy Mr. C. D. E. Fortnum. 
 
 I’LAQrfi, b]-onze, i-epresenting the Saviour in the sepulchre. 
 Italian. I6lh century. Lent hy Mr. C. D. E. Fortnum. 
 
 PLAQtUE, bronze ; with the head of our Saviour, with the sun 
 and moon above. Italian. 15th century. Lent hy Mr. C. D.E. 
 Fortn um. 
 
 PLAt^UE, bronze ; with the Virgin and Child beneath a canopy 
 supported by angels. Italian. 16th century. Lent hy Mr. C. 
 />. F. Fortn um. 
 
 PLAtB bi'onzc ; with a classical group, apparently the Sibyl 
 predieting to Augustus the birth of Christ. Italian. 16th century. 
 Lmt hy Mr. ('. I). E. Fortnum. 
 
 J’LAtB'ki, bronze; with Hercules and the Nemean lion. Italian. 
 16tli century. Lent hy Mr. C. D. E. Fortnum, D. 8a?. 
 
Bronzes. 
 
 39 
 
 323. OENAMENT in perforated brass, a furniture decoration ; two 
 
 Cupids issuing from a vase, with festoon above. Italian. 16th 
 century. Lent by Mr, C. D, E, Fortnum. 
 
 PLAQUE, bronze, with perforated field on which is a represen- 
 tation of the San eta Veronica, SS. Peter and Paul, and Latin 
 legend. Italian. 14th century. Lent by Mr. C. D. E. Fortnum, 
 
 PLAQUE, bronze, with a classic subject, apparently by Valerio 
 Vicentino. Italian. Date, early 16th century. Lent by Mr. 
 C. D. E. Fortnum. 
 
 CROSS of eight points, in perforated bronze ; on one side a 
 crucifix with emblems of the passion, on the other a Virgin 
 and Child with the holy dove.] Spanish (?). 15th century. 
 Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze, with half length figure of the goddess Nature ; 
 a reproduction from the Martelli mirror by Donatello in the 
 South Kensington Museum. Date about 1430-50. Lent by Mr. 
 C. D. E. Fortnum, 
 
 PLAQUE, bronze, with half length figure of a Faun ; a reproduc- 
 tion from the Martelli mirror by Donatello in the South Ken- 
 sington Museum. Date about 1430-50. L.^ent by Mr, C. D. E. 
 Fortnum. U. \0d. 
 
 324. PLAQUE, bronze ; with the Presentation in the Temple. Italian. 
 
 Early 16th century. Le7it by Mr. C. D. E. Fortnum. 
 
 MEDALLION PLAQUE, bronze, with bust portrait of Erasmus, 
 and legend in Greek and Latin. Dated 1519, and ascribed to 
 Quentin Matsys. Le7it by Mr. C. D. E. Fort7ium. 
 
 PLAQUE, bronze ; with the Adoration of the Magi. Italian. 
 16th century. Le7it by Mr. C. D. E. Fo7't7ium. D. lOt/. 
 
 325. PLAQUE, bronze ; with an equestrian figure of the Emperor 
 
 Constantine, with Latin legend. German. 1 5th century. Leiit 
 by Mr. C. D. E. Fo7't7iu7n. 
 
 MEDALLION PLAQUE, bronze; with classic subject, apparently 
 Arion. Italian. 16th century. Lent by Mr.C. D. E. Fortnum, 
 
 PLAQUE, bronze ; with Ganymede borne off by the eagle. 
 Italian. 16th century. Lent by Mr. C. D. E. Fort7ium. 
 
 MEDALLION, bronze : obv., bust of Francesco Redi of Arezzo; 
 rev., a Bacchic gi’oup, allusive to Redi’s poem. Italian. 16th 
 century. Lent by Mr, C. D. E. Fortnum. 
 
 MEDALLION, bronze : obv.. Pope Paul II. holding a consistory; 
 rev., the Almighty in glory. Italian. 15th century. Lent bi/ 
 Mr. C. D. E. fortnum, 
 
 PLAQLTE, bronze ; with a general releasing a female captive. 
 Italian. 16th century. Lent by Mr. C. D. E. Fo7'tnu77i. U. lOd. 
 
 326. PLAQUE, bronze ; with the Judgment of Paris. Italian. 16th 
 
 century. Lent by Mr. C. D, E. Fortnum. 
 
40 
 
 Metal Work. 
 
 PLAQUE, bronze ; with a Bacchic dance around a seated female 
 figure. Italian. 16th centuiy. Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with a sleeping nymph aroused by a satyr 
 blowing a horn. Italian. 16th century. Lent by Mr. C. D, E. 
 Fortnum. 
 
 MEDALLION PLAQUE, bronze ; with Cupid on a globe,, 
 between two seated l3oys. Italian. 16th century. Lent by 
 
 Mr. C. J). E. Fortnum. 
 
 PLAQUE, bronze, with pedimental top ; with half length figure 
 of the Vii'gin and Child with saints and angels, in frame. In 
 the pediment is a figure of the Almighty. Italian. 16th 
 century. Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with the Adoration of the Magi. Italian. 
 16ih century. J^ent by Mr. C. D. E. Fortnum. I 5 . 10^^. 
 
 327. PLAf^UE, bronze ; with an angel sounding a horn, German (?). 
 
 16th century. I^ent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with allegoric figures of Commerce and 
 Plenty. Italian. 16th century. Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with a youthful figui’e bound to a tree, and 
 a man seated in front of him. Italian. 16th centmy. Lent by 
 Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze; with a man seizing two fighting buUs, by 
 (). iUoderno. Italian. 16th centuiy. Lent by Mr, C. D. A. 
 Fortnum. 
 
 PLAQUE, lu’onzc; with Hercules and Antseus. Lent by Mr. 
 JI. Danhy Scymoiir, M.P. 
 
 I’J.AQUE, bj’onze ; with half-length figure of the Virgin and 
 Cliild, Avitli festoon hanging above. Italian. 16th centmy. 
 Lent by Mr. C. 1). E. Fortnum. I 5 . Q>d. 
 
 328. PLAQUE, l)rf)nzo ; Avith the Nativity. Italian. 16th centmy. 
 
 Lent by Mr. C. D. E. Fortnum. 
 
 MICDALLIOX PLAQUE, bronze ; Avith a Medusa’s head and two 
 infiints. Italian. 16tli century. Lent by 3ir. C. D. E. Fortnum. 
 
 J ’LA Q>r IC, bronze ; Avith the Judgment of Soloimon, Avith Latm 
 Legend, (ieiwnan. loth century. Lent by Mr. C. D. E. Fortnum. 
 
 M lU )A LLK )X, ]»ronzc; (obv. only) with busts of Charles V. 
 and Ferdinand I. German. Dated 1535. Lent by Mr. C. D, E. 
 Fort/i um. 
 
 I*LAQ)UE, bronze; Avith Cacus stealing the oxen of Hercules, 
 by O. Moderno. Italian. 16th century. Lent by Mr. C.D.E, 
 J ortnum. 
 
 MIA )ALL10X, bi’onzc : olw., bust of Lconello Torriano of Cre- 
 mona ; i*ev., a female figure bearing a vase, from Avhich flow 
 streams of Avatc-r. Italian. Latter lialf of 15th centmy. Lent 
 by Mr. ('. I). E. Fortnum, H. Qd. 
 
Bronzes, 
 
 41 
 
 329. PLAQUE, bronze ; with a soldier bearing olF his spoils, accom- 
 
 panied by the genius of Victory. Italian. 16th century. Lent 
 by Mr. C. D. E. Fortmim. 
 
 PLAQUE, bronze; with a half-length group of the Virgin and 
 Child in an ornamental frame. Italian. 16th centuiy. Lent by 
 Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze, representing Neptune in triumph and a warrior 
 in a car on the waters. Italian. 16th centmy. Le7it by Mi\ 
 C. D. E. Foi'tnum. 
 
 PLAQUE, bronze ; with subject of the Resurrection. Italian. 16th 
 centmy. l.ent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze; with Europa and the Bull. Italian. 16th 
 centmy. Lent by Mr. C. D. E. Fortnum. 
 
 PLAQUE, bronze ; with David after the death of Goliath. Italian. 
 16th centmy. Lent by Mr. C. D. E. Fortnum. \s, \0d. 
 
 330. INKSTAND, bronze, surmounted by a Cupid resting on three 
 
 winged satyi's. Italian. 16th centmy. Loan Catalogue, Na.. 
 8,02o. Lent by Mr. S. Addington. 
 
 INKSTAND, bronze; statue of a Warrior on pierced square 
 stand. Italian. 16th centuiy. Loan Catalogue, No. 497. 
 Le7it by Mr. S. Addington. 
 
 LAIMP, bronze; in form of a sphinx. Italian. 16th centmy. 
 Loan Catalogue, No. 522. Lent by Mr. S. Addington. U. 6</. 
 
 331. VASE, bronze, with medallions of busts and festoons, and a shield 
 
 of arms on each side. Italian. 16th century. I^eiit by Mr, G. 
 H. Morland. 
 
 ORIENTAL VASE, bronze, on square plinth, inlaid with silver 
 and gold; two handles. Lent by Mr, G. H. Morland. U. lOd. 
 
 332. EWER AND SALVER, brass. Venetian. 16th century. Lent 
 
 by Mr. A. Barker. 2s. 3d. 
 
 333. BASIN AND COVER, Persian, of bronze ornamented with 
 
 minute scroll-work. Lent by Mr. A, Barker. 
 
 FRAGMENTS in bronze, of urns, Avith masks and festoons, 
 flames at top. I7th century. I.e^it by Mr. A. Barker. \s. \0d. 
 
 334. PLATE ALT, brass, engi-aved with interlaced scrolls. 17th centmy. 
 
 Lent by Mr. A. Barker. U. 10c/. 
 
 335. PAIL, brass, Avith handle OA^er, chased Avith interlaced scrolls. 
 
 17th centmy. Lent by Mr. A. Barker. U. 6c/, 
 
 336. CANDLESTICK bronze, ornamented Avith leaves and scrolls, 
 
 17th centmy. T^ent by Mr. A. Barker 
 
 CANDLESTICK, bronze, Avith leaves and masks in relief. 16th 
 century. I^ent by Mr. A. Barker. U. lOc/, 
 
 337. PAIR OF CANDLESTICKS, bronze, ornamented AAutli leaA^es 
 
 and scrolls. 17th centuiy. Lent by Mr, A. Barker, U. lOc/, 
 
42 
 
 Metal WorTt. 
 
 338. PAIR OF CANDLESTICKS, brass, chased with interlaced 
 
 scrolls. 17th centmy. Lent by Mr. A. Barber, I 5 . 10c?. 
 
 339. PAIR OF CANDLESTICKS, bronze, the stand ornamented with 
 
 pierced brackets on six feet. Lent by Mr. A. Barker. I 5 . 10c?. 
 
 340. PAIR OF CANDLESTICKS, bronze, formed by a female Cary- 
 
 atis with a sciiient twined around the legs, on a gadrooned base. 
 Italian. I7th centmy. Lent by Mr. C. D. E. Fortnum. I 5 . 10c?. 
 
 341. CANDLESTICK, bronze, supported by three kneeling youths, 
 
 between whom are large festoons of flowers. Italian. 16th 
 century. Lent by Mr. C. D. E. Fortnum. 
 
 ST AT CETTE, bronze, of the youthful Hercules, upon a marble 
 pedestal, in front of which is a bronze bull’s head. Ancient 
 Grteco-Roman. Lent by Mr. C. D. E. Fortnum. 
 CANDLESTICK, bronze, supported by three kneeling youths, 
 between whom are large festoons of flowers. Italian. 16th 
 century. Lent by Mr. C. D. E. Fortnum. ' \s. 10c?. 
 
 342. PAIR OF CANDLESTICKS, bronze ; an eagle’s claw sustaining 
 
 a siren with double tail, each branch supporting a nozzle. An 
 armorial shield of Chiaramonti is below the figure. Italian. 16th 
 century. J^ent by Mr. C. D. E. Fortnum. Is. 10c?. 
 
 343. PAIR OF CANDLESTICKS, brass, with arabesque engraving 
 
 in the renaissance style. Venetian. 16th century. Lent by 
 Mr. C. D. E. Fortnum. D. \0d. 
 
 344. PAIR OF CANDLESTICKS, bronze, chased with terminal 
 
 figures, lions’ heads, &c. Italian. 16th century. Lent by Mr. 
 (r. If. JSIorhind. D. 10^4 
 
 313. PRICKET CANDLESTICK, enamel, of the 12th century, with 
 jigurcs of Charles d’ Anjou, king of Sicily ; Peter III., king of 
 Arragon ; Arthur, duke of Bretagne ; and Robert, duke of Bur- 
 gundy. J.ent by Mr. G. If. Morland. 
 
 OKIENTAL BOWL, white metal, engraved with female full- 
 length figures and busts. J^ent by Mr. G. H. Morland. H. 10c?. 
 
 •>13. VASI*', bronze, reduced from an antique in the Villa Borghese. 
 Signed by Zoffoli. Loan Catalogue, No. 511. Lent by the 
 Xntionnl Gallery of Scotland. 2s. 3c?. 
 
 • )!7. I’AIK OF FIRE-DOGS, in brass or latten. Flemish transi- 
 tional Gothic work of the early part of the 16th century. Lent 
 In/ Mr. Ilollinyworth Magniac. H. 10c?. 
 
 'Os. KNOCKEB, bronze, formed by a horned mask supported by two 
 Iminan-lieadcd monsters. Italian. 16th century. Lent by Mr. 
 ('. 1). E. Fortnum. 
 
 M I HHOR FR AME, bronze parcel-gilt, with two angels supporting 
 a hhi'FI, o]i wliicli is an eagle and serpent. Italian. 16th 
 c-nturv. Lent by Mr. C. D. E. Fortnum. Is. 10c?. 
 
 349. KNOCK ICR, bronze. Italian. Date aljout 1560. Loan Cata- 
 logue, No. 461. Lent by Mr. Robert S. Jlolford, M.P, 2s. 3d. 
 
Bronzes. 
 
 43 
 
 3oO. SALYER, in bronze-gilt, cngi’aveci with a bird’s-eye view of a 
 sea-port. Venetian work. Date about 1540. Loan Catalogue, 
 No. 6,596. Lent by the Hon. R. Curzon, jun. 2s. 8d. 
 
 351. PAIR OF CANDLESTICKS, bronze, with leaves and masks in 
 
 relief. 16th century. Lent by Mr. A. Barker. D. 10c?. 
 
 352. TRIPOD, or stand of a candelabrum, with perforated work of 
 
 grotesque animals and figures. 13th century. Lent by Mr. A. 
 Barker. 
 
 FLASK AND COVER, bronze, pear-shaped, with flowers in 
 relief, and handle over the top. Lent by Mr. A. Barker. D. 10c?. 
 
 353. CANDLESTICK, bronze, with masks, festoons, and other orna- 
 
 ments in relief. 17th century. Lent by Mr. G. H. Morland. 
 
 CANDLESTICK, bronze, with leaves and scrolls in relief. Be- 
 ginning of the 19th centuiy. Lent by Mr. G. H. Morland. D. \0d. 
 
 354. EWER, bronze. Italian. 16th century. Lent by the Duke of 
 
 Buccleuck. 2s. 10^. 
 
 355. FIRE-PAN, in copper, perforated work. Italian. I7th centuiy. 
 
 In the South Kensington Museum. I 5 . 2d. 
 
 356. BRONZE DAMASCENED CANDLESTICK; base surrounded 
 
 with an Arabic inscription. Arabic or Saracenic mediaeval work. 
 And WATER-BOTTLE, globular, with elongated neck. Indian 
 bronze, damascened on neck. (Exhibition, 1851.) In the South 
 Kensingt07i Museum, I 5 . 2c?. 
 
 357. POLYPTYCH, of four tablets, in brass, with Scriptural subjects in 
 
 low relief ; blue enamel ground. Russo-Greek Avork. 17th 
 century. Lent by Mr. A. J. B. Beresford Hope. I 5 . 10c?. 
 
 358. PURSE FRAME, iron, chiselled with foliage. Italian. Early 
 
 16th century. (Pourtales coll.) And PLAQUE, oblong, gilt 
 bronze ; Apollo and Marsyas. Italian. 16th century. In the 
 South Kensington Museum. I 5 . 2d. 
 
 359. BOWL, with hinged lid. Ancient Saracenic damascene Avork. 
 
 And CIRCULAR BOWL. Ancient Arabic or Saracenic dama- 
 scene work. In the South Kensington Museum. \s. 6c?. 
 
 360. BOWL. Ancient Ai-abic or Saracenic damascene work. Li the 
 
 South Kensington Museum. \s. 2d. 
 
 361. BOWL AND COVER, in brass, richly engraved Avith moresque 
 
 ornament, originally damascened. (Bernal coll.) In the South 
 Kensington Museum. I 5 . 2c?. 
 
 362. BOWL. Ancient Arabic or Saracenic damascene Avork. And 
 
 SPHERICAL ENGRAVED VASE. Indian. In the South 
 Kensington Museum. D. 2c?. 
 
 363. BOWLS OF HOOKAH PIPES, decorated with inlaid siUer 
 
 damascene work on black metal. Indian. (Exhibition, 1851.) 
 In the South Kensington Museum. I 5 . 2d. 
 
 364. BOWLS OF HOOKAH PIPES, decorated with inlaid silver 
 
 damascene Avork on black metal. Lidian. (Exhibition, 1851.) 
 In the South Kensington Museum. I 5 . 2c?. 
 
44 
 
 Metal Worlc. 
 
 3Go. CANDLESTICK, in bronze ; a centaur with floriated tail. 13tli 
 century. PKICKET CANDLESTICK, in bronze. Byzantine. 
 12tli century work. And a CANDLESTICK, in brass; an 
 elephant and castle. loth or 14th century. In the South 
 Kensington Museum. I 5 . 2d, 
 
 366. RELIEVO, in bronze ; Vulcan repairing the wings of Cupid, and 
 
 Cupid instructed by Mercury. Minerva, Mars, and other gods 
 are introduced. Italian. 15th century. (Pourtales coll.) In 
 the South Kensington Museum. I 5 . 2d. 
 
 367. BOWL, in brass, the under side embossed with a diaper of a species 
 
 of fleur-de-lj^s ornaments in relief, the rest of the surface richly 
 engraved and damascened with moresque ornaments and inscrip- 
 tions. 15th century. In the South Kensington Museum. Is.Qd. 
 
 36^'. WAinilNG PAN, with PERFORATED COVER. Arabesque 
 woi-k, willi Venus and Cupid in centre, and Dutch inscription 
 round margin. Brass. Dated 1602. And WARMING PAN, 
 copper, the bowl gadrooned, the lid opemvork strap and foliage 
 pattern, with an armorial shield in the centre. Italian. 16th 
 century. In the South Kensington Museum. I 5 . 2d. 
 
 369. KNOCKER, bronze, formed by two half figures of youths, termi- 
 
 nating in foliage surmounted by a mask. Italian. Early 16th 
 century. (Pourtales coll.) In the S, Kensington Museum. Is. 2d. 
 
 370. STATUETTE, in bronze. Very ancient Hindoo or Burmese 
 
 work. Buddha standing on a pedestal under a shrine or arcade. 
 In the South Kensington Museum. Is. 2d. 
 
 371. FIRE-PAN or ‘‘ BRACIERA,” in copper, standing on four lions’ 
 
 paws, repousse ; the body ornamented with repousse shields and 
 foliage. Italian. 16th cent. In the S. Kensington Mttseum. \s.Qd. 
 
 372. BOWIv, Arabic or Saracenic damascened bronze, elaborately 
 
 engraved both on exterior and interior with medallions con- 
 taining figures of animals and zones of Arabic inscriptions. In 
 the South Kensington Museum. 
 
 373. BO^VL Avith COVER ; interlaced arabesque pattern. Saracenic 
 
 damascene work. In the South Kensington Museum. I 5 . Qd. 
 
 371. BOB’L, Arabic or Saracenic damascened bronze, ornamented both 
 oul.'ridc and inside will) zones of Arabic inscriptions and circular 
 me<l;illions of aquatic birds. In the S. Kensington Museum. 1,9. 2d. 
 
 375. KNOCKER, bronze, formed by two dolphins encircling a SAvan ; 
 
 beloAv is a sculloj) shell. Italian. 16th century. In the South 
 Kensington Museum. l5. Qd. 
 
 376. BRONZE BOWL, of Arabic or Persian A\mrk. “Made for Mah- 
 
 “ mud Shall. A. II. 916.” In the S. Kensington Museum. Is. 2d, 
 
 377. ^’AS1^, in brmize. Italian cinque-cento Avork. In the South 
 
 K( nsington Museum. I 5 . 
 
Clocks and Watches, 
 
 45 
 
 CLOCKS AND WATCHES. 
 
 Theee is much uncertainty as to the date and the inventor of 
 clocks. Gerber t, a monk, who afterwards became Pope under the 
 name of Sylvester II. and died in 1003, has the credit of the invention 
 with all the French writers on the subject ; while some others ascribe it 
 to Pacificus, Archdeacon of Verona, who lived in the ninth century, who 
 seems, however, to have only invented an improvement on the “ clep- 
 sydra ” by the application of wheels to the working of it. The first 
 clock of the construction of which any actual description is preserved 
 was made by Henry de Wick for Charles V. in 1379. 
 
 A great improvement in the art of clockmaking was introduced in the 
 early part of the reign of Louis XI. of France, namely, the spiral 
 spring, which allowed of the construction of portable clocks of very 
 small dimensions. This invention is attributed to Carovage or Carovagius, 
 who lived in 1480. 
 
 The form given to the portable clocks in the 15th and early part of 
 the 16th centuries was most elegant ; they were ornamented with niello 
 work, engraving, damascening, and the various other modes of decora- 
 tion then applied to goldsmiths’ work ; and many of them, in addition to 
 indicating the hours of the day and night, show the year, month, day of 
 the month, day of the week, the festivals of the church, the phases of 
 the moon, and the path of the sun and of the planets through the con- 
 stellations. 
 
 A great many of the clocks of this period are preserved in various 
 museums. The Imperial Museum of Vienna, the Chamber of Arts at 
 Berlin, the Green Vaults at Dresden, all contain specimens. The 
 three first photographs (Nos. 400, 401, 402) in this portion of the 
 catalogue are from clocks made at Augsburg about this period, and now 
 in the South Kensington Museum. 
 
 The exact time of the invention of watches is uncertain, it is 
 generally considered to have been at the end of the 15th or beginning 
 of the 16th century ; one of the first maker’s names on record is Peter 
 Hele of Nuremberg, wdio made pocket watches in the form of an egg, 
 which were for a long time called Nuremberg eggs. The first watches 
 made in France were of a cylindrical form, with thick metal cases 
 decorated with arabesques, chasings, and pierced work. They were 
 
46 
 
 Metal Woi’h 
 
 afterwards made iu various forms, and enclosed in silver and rock crystal 
 cases, enriched with nielli and engraving, until the time of Louis XIII., 
 when the circular form was generally adopted. Enamel painting 
 enriched with precious stones was frequently used to decorate the cases 
 at a later period. The photograph No. 409 is from watches of this 
 description, lent for exhibition by Mr. S. Addington. 
 
 CLOCKS AND WATCHES. 
 
 400. CLOCK, in metal gilt, square pavilion-shaped case ; dome, top, 
 
 and cover surmounted by a statuette of Hercules and the lion; 
 dial on both sides. Augsburg. 16th century. (Bernal coll.) 
 In the South Kensington Museum. I 5 . 6c?. 
 
 401. CLOCK, in metal gilt, pavilion-shaped case, with two dials; at 
 
 the summit is a female allegorical statuette standing on a globe; 
 the angles of the case decorated with sea horses. Augsburg. 
 16th cent. (Bernal coll.) In the South Kensington Museum. H. %d. 
 
 402. CLOCK, upheld by a figure of Atlas on richly engraved and per- 
 
 forated vase ; the upper part surmounted by a smaller disc-shaped 
 case and small female statuette. Augsburg. In the South 
 Kensington Museum. \s. 6c?. 
 
 403. TABLE CLOCK, gilt metal, 17th cent., with three dials on the top 
 
 enamelled, resting on four knobs. Lent hy Mr. A. Barker. 
 
 SUN-DIAL AND COMPASS, silver dial, pierced floriated 
 border. Bordeaux. 17th cent. Lent hy Mr. A. Barker. D. 6c?. 
 
 404. TABLE CLOCK, gilt metal, resting on four knobs. I7th century. 
 
 Lent hy Mr. A. Barker. D. 6c?. 
 
 40d. CLOCK, gilt metal, square, with columns at the angles, dome-shaped 
 to]), ])crfbrated. Augsburg. 16th century. Lent hy Mr. A. 
 Barker. D. 10c?. 
 
 4(K). CLOCK, gilt metal, with pilasters at the angles ; cupola top, en- 
 graved with scrolls. Augsburg. Lent hy Mr. A. Barker. 
 
 S'l'AXI), hexagonal, Ijronze, with arabesques, in relief, of dragons 
 and birds. Kith century. Lent hy Mr. A. Barker. D. 10c?. 
 
 407. WATCH, gold, with jdaques of blue and white figures. Old 
 We<lgwood ware. Loan Catalogue, No. 3,787. Lent hy Mr. Isaac 
 Fair he. 
 
 WATCH, gold, with plaque of three white figures on blue ground. 
 ( )ld Wedgwood ware. Loan Catalogue, No. 3,786. Lent hy Mr. 
 I sane Falrkc. 
 
 SNU FF-BOX, gold, with plaques of Cupids and scroll borders. 
 Old Wedgwood ware. Loan Catalogue, No. 3,796. Leiit hy Mr. 
 Isaac Fa! eke. H. 10c?. 
 
Clocks and Watches. 
 
 47 
 
 408. CLOCK, arranged as a crucifix ; ebony, silver and gilt, and ena- 
 
 nielled bronze. French or Flemish. 17th century. In the 
 South Kensington Museum. 1^. 6d. 
 
 409. WATCH, painted enamel case of Venus and Adonis, and an outer 
 
 case of leather, pique with gold. Loan Catalogue, No. 7,o26. 
 WATCH, with enamel painting of the Rape of Europa, made by 
 Stieler of Berlin. Loan Catalogue, No. 7,527. WATCH, metal, 
 painted enamel back of Mars and Venus. Loan Catalogue, No, 
 7,528. WATCH, enamelled, with equestrian portrait of Wil- 
 liam III. ; on the dial St. George and the Dragon. Loan Cata- 
 logue, No. 7,529. Lent hy Mr. S. Addington. D. 10c?. 
 
 410. CLOCK. European work, brought from the Summer Palace at 
 
 Pekin. Lent hy the Earl of Elgin and Kincardine. Is. lOd. 
 
 411. CLOCK, on hexagonal pedestal, silver-gilt. French work. Date 
 
 about 1520. Loan Catalogue, No. 7,448. Lent hy Mr. W. B. 
 Stopford. . 2s. 2td. 
 
 412. CLOCK, sillver-gilt, damascene, and enamelled. French Avork. 
 
 Date about 1550. Lent hy the Earl of Home. 2s. 10c?. 
 
 413. TABLE CLOCK, in hexagonal gilt bronze case, Avith cartouche 
 
 ornaments and masks in silver. Augsburg work. (Bernal coll.) 
 
 CLOCK, in gilt bronze, dome-shaped co\mr, perforated and en- 
 graved Avith rich scroll work ; the sides engraved Avith the story 
 of the “ Good Samaritan.” (Bernal coll.) Augsburg. \s.2d. 
 
 41 4. TABLE CLOCK, hexagonal, gilt metal, with glass panels, resting 
 
 on six terminal figures. 17th century. And SILVER CAS- 
 KET, chased and pierced Avith floAvers, on claAV and ball feet. 
 Lent hy Mr, A. J. B. Beresford Hope. D. 10c?. 
 
 415. REPEATER WATCH, gold, chased outer case ; Jupiter and 
 
 Juno. 18th century. Herrman, maker. Neuberg. SILVER 
 REPEATER WATCH, white enamel dial. Boursault, maker. 
 18th century. And GOLD WATCH, with complicated move- 
 ments ; dials on the back and front. 18th century. Lent hy 
 Mr. A. J. B. Beresford Hope, \s. 2d, 
 
 416. MEDALLION CLOCK, rock-crystal case, supported on baluster- 
 
 shaped crystal stem. Dated 1609. (Bernal coll.) And CLOCK, 
 in gilt bronze, Avith perforated case ; supported on a baluster- 
 shaped stem Avith chiselled cartouche ornaments ; summit sur- 
 mounted by a palm tree in gilt bronze. Italian Avork. Date 
 about 1570. In the South Kensington Museum. D. 2d. 
 
 417. CLOCK or TRAVELLING WATCH, in gilt metal, Avith red 
 
 leather case. And INSTRUMENT, in gilt bronze, formed by an 
 upright stand, on AA'hich are engraved various scales, calendars, 
 &c. At the summit is a compass, and in the centre part is 
 affixed a pendulum, the loAver part of which is formed by a head 
 of Christ. 16th century. (Bernal coll.) In the South Ken- 
 sington Museum. 1^. 6c?. 
 
48 
 
 Metal Work. 
 
 418. TIMEPIECE, in ormolu and enamel, the upper part formed by a 
 
 globe enamelled in blue ; round the base are statuettes of the 
 ►Seasons in ormolu. Manufactured by Levy, Frm’es, & Cie., 
 Paris. (Paris Exhibition, 1855.) hi the South Kensington 
 Museum. 1^. 2d. 
 
 419. CLOCK, gilt metal, in form of a lion with dial on its breast, move- 
 
 able eyes and mouth, on large oval stand. 1 6th century. Lent 
 by Mr. A. J. B. Beresford Hope. I 5 . 10c?. 
 
 419a. clock, bouse and ormolu case. Period of Louis XIV. The 
 dial inscribed “Thuret, a Paris,” In the South Kensington 
 Museum. I 5 . 2c?. 
 
 419b. clock, gilt metal, with columns and pinnacles at the angles, 
 engraved dial, square repousse stand. Made at Strasbourg. 
 1614. Lent by Mr. A. J, B. Beresford Hope. I 5 . lOd. 
 
Jeioelry, 
 
 49 
 
 JEWELRY. 
 
 The smallness of the objects made in the precious metals for personal 
 adornment and the fineness of the work necessarily used in their orna- 
 mentation, render them, with some exceptions, unfit subjects for photo- 
 graphy ; those, however, given under the heading of ‘‘Jewelry” in the 
 catalogue consist of the larger kind of personal ornaments of the 16th 
 century, such as Nos. 437 and 438, lent for exhibition by the Hon. W. 
 E. Gladstone, and other objects made in precious materials ; among 
 which may be noticed the cups (Nos. 443 and 444) belonging to the 
 Baron Lionel de Rothschild. 
 
 427. RING, gold, set Avith an antique intaglio, inscription round in Gothic 
 characters. EARRINGS, Greek, gold, in form of amphorre. 
 RING, 16th century, gold and enamel, set Avith a ruby. RING, 
 16th century, gold and enamel, set Avith a ruby. IvING, 16th 
 century, gold, set Avith an emerald. RING, Avith miniature 
 portrait of Napoleon Bonaparte. RING, Avith onyx cameo of the 
 Minotaur seated holding a club. NECKLACE, of glass and 
 gold beads, and three pendants of lions’ heads. Greek. Loan 
 Catalogue, No. 7,375. SEAL, onyx, in form of a head and 
 bust, engraA'ed AAnth a helmeted bust. Loan Catalogue, No. 4,134. 
 RING, antique gold, Avith a metal signet of a sphinx pursuing 
 a demon. PAIR OF EARRINGS, Roman variegated glass 
 bead. Loan Catalogue, No. 7,380. GREEK ORNAMENT, 
 gold, in form of a griffin’s head. Loan Catalogue, No. 7,377. 
 RING, gold, pierced shank, and stone inscribed “Avite Adam.” 
 EARRING, gold, inform of a sphinx. Loan Catalogue, No. 
 7,376. RING, Saxon, gold, the raised part set Avith a circle 
 of garnets. EARRING, Greek, gold, filigree top, ruby pendant 
 in form of a Amse, and tAvo chains. Loan Catalogue, No. 7,374. 
 Lc7it by Mr. S. Addinytoti. H. 10c/. 
 
 429. SMELLING BOTTLE, gilt, pierced, and enamelled fioAAmrs and 
 birds. Loan Catalogue, No. 4,130. SCENT-BOTTLE, Chel- 
 sea porcelain, pink ground Avith Watteau subjects, mounted in 
 gold. Loan Catalogue, No. 3,597. KNIFE AND FORK, horn 
 handles, inlaid Avith silver. Loan Catalogue, No. 7,941. 
 SNUFF-BOX, siKer-gilt, in form of a snail, originally en- 
 amelled. Loan Catalogue, No. 4,135. SCENT-CASE, iAmry, 
 
 15929.— 2. D 
 
50 
 
 Metal Woi'h. 
 
 inlaid -with gold ; on the cover two dogs and Cupids. Italian. 
 17th century. Loan Catalogue, No. 4,136. Lent by Mr. S. 
 Addington. Is. 10c?. 
 
 430. SNUFF-BOX, root of amethyst, with pietra-dura basket of flowers 
 
 and birds. Loan Catalogue, No. 4,125. SNUFF-BOX, of 
 Capo-di-Monte porcelain, in the form of a group of shells. Loan 
 Catalogue, No. 4,101. SNUFF-BOX, in Wedgwood ware, with 
 Pegasus in the centre, in white relief on blue ground. Loan 
 Catalogue, No. 4,105. Lent by Mr. S. Addington. Is. 10c?» 
 
 431. CIIAIMBERLAIN’S KEY, gilt-metal, temp. Geo. I. Loan Cata- 
 
 logue, No. 6,616. ETUI CASE, ivory, coloured and mounted 
 in gold, in form of a lady with rich brocaded dress. Loan Cata- 
 logue, No. 4,131. SEAL," Chinese white porcelain, the handle 
 in form of a seated monkey. Loan Catalogue, No. 4,137. 
 ITLL-BOX, Japanese buck’s-horn, with lacquered female head, 
 fan, &c. Loan Catalogue, No. 4,133. BOTTLE, covered with 
 leather and gold pique, with star, garter, crown, and royal 
 initials. Loan Catalogue, No. 4,128. CLASPS, in gilt-metal, 
 with figures in Gothic niches. 15th century. Lent by Mr. S. 
 Addington. Is. 10c?. 
 
 432. SNUFF-BOX, in gold, shuttle-shaped, with ajDplique coloured 
 
 gold designs and medallions of painted enamel of Teniers’ subjects. 
 Loan Catalogue, No. 4,120. SNUFF-BOX, in “ vernis martin,” 
 gold ground, painted with Watteau subjects. Loan Catalogue, 
 No. 4,102. BOX, engine-turned gold, with bright coloured 
 enamel groups of shepherds and trees. Loan Catalogue, No. 
 4,121. BOX, in lac-japan, with gilt flowers and leaves. Lent 
 by Mr. S. Addington. Is. 10c?. 
 
 433. SNFFF-BOX, engine-turned gold, enamelled border, on the top 
 
 a medallion of a girl giving alms to an old man, after Greuze. 
 Loan Catalogue, No. 4,1 15. SNUFF-BOX, in Dresden china, 
 ])aintcd with landscapes and figures. Loan Catalogue, No. 4,108. 
 iJOX, in enamel, painted with subjects after Teniers, mounted in 
 gold. Loan Catalogue, No. 4,113. BOX, gold, minutely painted 
 with dancing Ijcar and hunting scenes. Loan Catalogue, No. 
 4,123. BOX, gold, with paintings of seaport and figures by 
 IllarenbcM-glie. Loan Catalogue, No. 4,117. Lent by Mr. S. 
 Addington. Is. 10c?, 
 
 IM. 1>()X, gold, inlaid with plaques of tortoisesliell and gold, pique, 
 windmill and landscapes. Loan Catalogue, No. 4,104. SNUFF- 
 BOX, tortoiseshell, with j)aiutings on enamel, subjects after 
 Teniers. J^oan Catalogue, No. 4,112. BOX, tortoiseshell, with 
 cMiaincl miniature of the Marquis de Louvois, minister of 
 Louis X1\L, by Petitot. Loan Catalogue, No. 8,056. BOX, 
 engine-turned gold, gj’cen and white enamel borders, painted in 
 the rout re 'with subject after Greuze. Loan Catalogne, No. 
 
 4.1 15. IU)X, gold, with marine views in translucent enamel ; 
 on the cover, a fisherman and sea view. Loan Catalogue, No: 
 
 4.116. Lent by J/r. 8. Addington. Is. 10c?. 
 
Jewelry. 
 
 51 
 
 43o. BASKET, oriental enamel, with overlaid plaques of yellow and 
 black enamel. Loan Catalogue, No, 4,132. WATCH, in rock 
 crystal, of octahedral form, said to have belonged to Louis XIV. 
 Loan Catalogue, No. 7,525. FRAME, silver-gilt, with statuettes 
 of Christ and the woman of Samaria at a crystal well. Loan 
 Catalogue, No. 7,369. WATCH, silver-gilt, on swivel frame 
 of dolphins and masks, ornamented with blue and white enamel, 
 and set with rose diamonds. Loan Catalogue, No. 7,530. Lent 
 hy Mr, S. Addington. Is. 6d. 
 
 436. TEA' CADDY, tortoiseshell, mounted in silver, containing two 
 
 silver canisters, with chased open-work figures of celebrated 
 actors of the latter part of the 18th century. Loan Catalogue, 
 No. 5,993. Lent hy Mr. S. Addington. Is. lOd. 
 
 437. NECKLACE, of pearls, rubies, and diamonds, set in gold filigree 
 
 and enamel. Italian. 16th century. Lent hy the Rt. Hon. W. 
 E. Gladstone, M.P. 
 
 PENDENT ORNAMENT, in pearls, rubies, diamonds, and 
 emeralds; in centre a St. George and the Dragon in enamel. 
 Italian. 16th century. Lent hy the Rt. Hon. W. E. Gladstone, 
 M.P. \s. 6d. 
 
 438. PENDENT JEWEL; a female figure Avith two children in white 
 
 enamel standing in front of an arch of dark blue and other 
 enamels set with diamonds, turquoises, and pendent pearls. 
 Italian. 16th century. Lent hy the Rt. Hon. W. E. Gladstone, 
 M.P. 
 
 GROUP, enamel, in high relief, of Neptune in his car, in front a 
 sea-nymph riding on a dolphin ; on concave base of lapis-lazuli, 
 Italian. 16th centmw. Lent hy the Rt. Hon. W. E. Gladstone, 
 M.P. \s. 6d. 
 
 439. JEWEL ; a case of gold elaborately enamelled and set with 
 
 precious stones ; in the interior are four cavities containing 
 enamel groups from the history of the Fall of Man. Italian. 
 16th cent. Lent hy the Rt. Hon. W. E. Gladstone, M.P. \s. Qd. 
 
 440. KNIFE, FORK, AND SPOON, in a case, Avith crystal handles, 
 
 and a siNer-gilt salt-cellar and etui case. 17th century. Le7it hy 
 Mr. A. Barker. H. Qd. 
 
 441. CASKET, tortoiseshell, Avith silver mounts, and inscription pur- 
 
 porting it to belong to the Rovere family. L^ent hy Mr. A. 
 Barker. H. 10c?. 
 
 443. CUP, of Hungarian topaz, mounted in gold and enamel ; from 
 
 the Fonthill collection. Italian. 16th century. Loan Cata- 
 logue, No. 7,697. Lent hy Baron L. de Rothschild, M.P. Is. 6d. 
 
 444. CL'P, of Hungarian topaz, mounted in enamelled gold, set with 
 
 precious stones. 16th century AAmrk. Loan Catalogue, No. 
 7,697. Lew? hy Baron L. de Rothschild, M.P. L<?. 6c?. 
 
 D 2 
 
52 
 
 Metal Work. 
 
 446. NECKLACE, of onyx, enamelled, 8cc. Lent hij Baron L. de 
 Rothschild, 31. P. I 5 . lOd. 
 
 446. ]\I ED ALLION, in hone-stone, carved with an arabesque of a 
 
 sat}T, and scrolls. Lent by Sir W. C. Trevelyan, Bart. 
 
 Ch\]\1EO, green jasper, with white chalcedony. Bacchante and 
 Faun dancing. 17th century. Loan Catalogue, No. 6,670. 
 Lent by Sir JV. C. Trevelyan, Bart. 
 
 CbVMEO, arched top, on a hard stone of blue and white ; upper 
 stratum carved with Hercules slaying Cacus. Lent by Sir W. 
 C. Trevelyan, Bart. 
 
 IMEDAL, silver gilt, chased with the Crucifixion, and Adam and 
 Eve. German work. 17th century. J^ent by Sir W. C. Tre- 
 velyan, Bart. I 5 . Qd, 
 
 447. ABBOT’S RING; broad gold hoop, with incised engravings of 
 
 the wounds of Our Saviour, and appropriate inscriptions. English 
 (found at Coventry). 15th or early 16th century. MINIA- 
 TURE STILETTO, with gold suspending ring, sheath, and 
 handle in form of a statuette. Italian. 17th centmy. BROOCH 
 or PIN, with cameo head of Alexander, in gold enamelled setting. 
 Italian. 16th century. RING, gold ; the bezel formed of a 
 masked female head, in enamel set with gems. Italian. 16th 
 century. RING, gold, with asterias ruby. English. 18th cen- 
 tury. Gold ring, with cat’s eye. English. 18th century. Gold 
 ring, chased with inscription. English. 18th century. Lent by 
 3lr. T. Dyer Edwardes. H. Vdd. 
 
 448. BOX, fortoiscshell, with silver applique ornaments ; inside the lid 
 
 a ])ainting of the head of St. John the Baptist. Lent by the 
 Marquis of Salisbury, K.G. H. Qd. 
 
 EWER, in sardonyx; enamelled and jewelled. Italian. 16th 
 century. Lent by 3Ir. H. J. B. Beresford Hope. 2s. lOd. 
 
 4 »D. VASIC, encrusted with mothcr-o’-pearl, precious stones, seed 
 jiearls, and beads or gi’ains of enamel and glass. Probably 
 Cliinese work. Loan Catalogue, No. 7,876. I^ent by Mr. E. A. 
 Sanford. 2s. 8d. 
 
 460. MEDALLION, in silver, engraved with subjects from the history 
 of Esilicr ; in silver gilt frame, set with carnelians. Flemish 
 work. Dated 1626, Lent by 3Ir. Ilollingivorth 3'Iagniac. 
 
 Is. 2d. 
 
 '161. MEDATJJON, in silver; same as No. 450, showing the reverse. 
 Lent by Mr. J lolling worth Magniac. \s. 2d. 
 
 462. JEWEL OF TIIIC GARTER, belonging to the Old Pretender 
 { James IH .), with confirmatory letter, framed. Lent by Sir 
 P. dc 3laJ]>as Grey Egerton. I 5 . lOi/. 
 
Jewelry. 
 
 53 
 
 4o3. TWO ARlMILLiE, twisted gold. Celtic work. Lent by Sir P, 
 de Malpas Grey Egerton. I 5 . \0d, 
 
 454. “ TARA BROOCH.” Irish work of the 12th century. Loan 
 
 Catalogue, No. 874. Le7it by Messrs. Waterhouse^ Dublin. \s. \Qd. 
 
 455. PAIR OF LINK-BUTTONS, amber, set in silver. SMALL 
 
 ALMANACK, with chased gold cover, and lapis lazuli slabs. 
 SQUARE GREEN ENAMELLED WATCH, painted dial, 
 piaker, Debaufer, London). ENAMELLED VINAIGRETTE, 
 in form of a book, set round with pearls, and chain for suspen- 
 sion. GOLD SCENT-BOTTLE, blue enamel ground, set with 
 diamonds. And TWO SMALL RUSSO-GREEK METAL 
 DIPTYCHS, enamelled ground. Lent by Mr. A. J. B. Bercs^ 
 ford Hope. U. Qd. 
 
 456. SNUFF-BOX, encrusted with mother-of-pearl and turquoise glass 
 
 pastes in geometric pattern, the lining of silver gilt. French, 
 18th century. And SNUFF-BOX, the exterior of ivory painted 
 to imitate branching sea-weeds, and enclosing six portrait 
 miniatures ; the mountings of gold and translucent enamels ; the 
 interior lined with gold. French. Date about 1760. In the 
 South Kensington Museum. \s. 2d. 
 
 457 . PLAQUE, in rock-crystal, carved with the landing of an army, 
 
 mounted in gilt metal ; on the stem a sard intaglio, surmounted 
 by a silver Harpocrates. Loan Catalogue, No. 7,624. Lent by 
 Mr. A. J. B. Beresford Hope. U. 2d. 
 
 458. COLLAR OF OFFICE, in silver-gilt, probably of an archery 
 
 society, composed of circular medallions containing shields of 
 arms, figures, and emblems relating to archery, masks, &c. ; 
 suspended from it is a crowned Inrd. German. Dated 1554. 
 (Bernal coll.) In the South Kensington Museum. U. 2d. 
 
 459. SNUFF-BOX, Dresden porcelain, painted with Europa and the 
 
 Bull, cupids, &c. And SPA SNUFF-BOX, ornamented with 
 inlaid hard stones in buildings and figures, mounted in gold. 
 Lent by Mr. A. J. B. Beresford Hope. I 5 . Qd. 
 
 460. SNUFF-BOX, composed of very fine slabs of lumachelli, mounted 
 
 in gold. CHASED GOLD BOX, enamelled with the City arms, 
 presented with the freedom, in 1811, to Lieut-Gen. Sir W. C. 
 Beresford. And SQUARE SNUFF-BOX, composed of fine 
 specimens of lumachelli, mounted in gold. Lent by Mr. A. J. B. 
 Beresford Hope. D. 10c?. 
 
 461. THE “HUNSDEN ONYX;” a sardonyx engraved in cameo 
 
 set in enamelled gold frame. 16th century work. Loan Cat., 
 No. 7,768. Lent by the Lord Fitzhardmge. Is. 2d. 
 
54 
 
 Decorative Iron Work. 
 
 DECORATIVE IRON WORK. 
 
 'Fiie smith’s art, 'which iu the 12th and 13th centuries had been 
 de\ oted almost exclusively either to the fashioning of arms and armonr 
 or to the decoration of architecture 'with hinges, locks, bolts, nails, &c., 
 was in the loth and 16th centuries extensively applied to the manufac- 
 ture of screens in churches, crosses, reliquaries, doors of tabernacles, 
 desks, caskets, fire-dogs, and to the formation and decoration of furniture 
 of almost every description. The smiths of Italy, France, Germany, and 
 ICngland seem to have rivalled each other in the beauty of design, and 
 the skill in the finish of the works then produced. 
 
 Cnlortunately, the writers of biographies have never considered these 
 art -workers in iron worthy of notice, and although we have here and 
 there a name handed down to us, by its being engraved or impressed 
 on their works, we have no record to tell us by what means they 
 attained to such excellence, and what were their other achievements. 
 'I'lie case of Quentin Matsys is an exception, he gained this distinction 
 by being also a painter; but the authenticity of the very meagre account 
 w liich is given of his life is questionable. 
 
 One of the gi’eatest attractions in the Special Loan Exhibition held at 
 the South Kensington Museum in 1862, was the ‘‘ Chair of State, in 
 “ wrought and chiselled iron, presented by the city of Augsburg to the 
 “ Emperor Rudolph II.,” the property of Viscount Folkestone, of which 
 there is a i)liotograph (No. 490). The chair bears the maker’s name 
 ami the date engraved on it, “Thomas Ruker,” “Fecit anno 1574.” 
 A full desei'iption of its form and decoration is given in the catalogue of 
 the Sj)ccial Loan Exhibition (No. 7,840). 
 
 I'V»r otlier beautiful specimens of wrought iron we refer our readers to 
 tl.c screens from Hampton Court, now in the North Court of the South 
 Kcn-inglon Museum, the work of Huntington Shaw, of Nottingham 
 ( I )atc, 1 695), and to tlie collection of “ grilles,” balconies, fire-dogs, hinges 
 and knockers, Avhich arc exhibited in the Cloisters under the Schools of 
 Art. 
 
 DECORATIVE IRON WORK. 
 
 ISO. LOCK, in wrought ii'on. French flamboyant Gothic work. Date 
 about 1490. In the South Kensington Museum, L^. \0d. 
 
Decorative Iron Work. 
 
 55 
 
 482. BREASTPLATE, in embossed steel, the work of the Milanese 
 
 armourer Paul de Negroli. Date about 1540. Lent by Mr, 
 Hollingworth Magniac, 2s, 8d. 
 
 483. “CHAUFRON” or ARMOUR PLATE for a horse’s head. 
 
 Milanese work in steel of the middle of the 16th century. Lent 
 by Mr, Hollingworth Magniac, 2s. Sd. 
 
 484. HELMET AND GORGET, in embossed steel. Milanese work. 
 
 And suit of embossed steel Armour. Milanese or French work. 
 Date of both, about the middle of the 16th century. Lent by 
 Mr. Hollingworth Magniac. 2s. 8d. 
 
 485. HELMET, in embossed steel. Milanese work. Date about the 
 
 middle of the 16th century. Le7it by Mr. Hollingworth 
 Magniac. 2s. 3d. 
 
 486. HOLSTER PISTOLS, mounted in chiselled steel. Italian work. 
 
 17th century. Lent by Mr. Hollmgworth Magyiiac. 2s. 8d, 
 
 487. SPATULA KNIFE, with hilt in massive gilt copper, inlaid with 
 
 mosaic of ivory and dark-coloured wood. German work, of the 
 16th century. Lent by Mr. Hollingworth Magniac. 2s. 8d, 
 
 488. SWORD, the hilt encrusted with gold, used by Tippoo Sahib. 
 
 Indian work. Loan Catalogue, No. 4,704. Lent by the Marquis 
 of Salisbury^ K.G. U. \0d. 
 
 489. SWORD, with hilt and scabbard in carved tortoise-shell. Ceylon. 
 
 Presented by Sir J. Emerson Tennent, In the South Kensing- 
 ton Museum, If, 
 
 490. CHAIR OF STATE, in wrought and chiselled iron, made by 
 
 Thomas Ruker of Augsburg, 1574, Lent by Viscount Folke- 
 stone, 35. 3d. 
 
56 
 
 Enamels on Metals. 
 
 ENAMELS ON METALS. 
 
 The term “ enamelling,” in its widest signification, is applied to the art 
 of ornamenting any substance with a vitreous material, which is made 
 to adhere to its surface by heat; so that not only metal, but also stone, 
 cart lien ware, and even glass itself, may be said to be enamelled. 
 
 It i.<, however, more usual to restrict the term of “ an enamel ” ta 
 metal work ornamented in this manner ; the one requisite being that 
 the vitreous material shall have been fixed in its place by fusion. 
 
 'riicrc are several ways of using the enamel. It may be sunk into 
 cavities, as in the encrusted processes ; it may be floated over an 
 engraved bas-relief, the details of which are revealed through its trans- 
 piircnt body, a mode of decoration peculiarly suitable to silver, and 
 which has been termed iranslucid on relief, or by the French, emaux 
 de hnsse taille; or it may entirely conceal the metal surface, as in 
 painted enamels. Moreover, in encrusted enamels, the cavities to 
 receive the enamel may be either hollowed out in the metal, consti- 
 tuting what is termed m champleve, ov a taille d’epargne ; or 
 
 they may be cells composed of a kind of filigree of naiTow bands of 
 metal, which keep the colours separate, and with their edges form the 
 outlines of the designs. This latter process is known as cloiso7ine 
 enamel, and peculiarly suitable to gold, though occasionally applied to 
 eoppei'. The Greeks iimpicstionably employed enamel to enrich their 
 beautiful jewelry, though to a very limited extent, and the same process 
 seems to have been carried on in Nubia about the Christian era. 
 
 It is not till the reign of Severus that we find any direct mention of 
 enamelling in any classical author. An oft-quoted passage in Philo- 
 - tratu: informs us that the barbarians who live cither in or near the 
 oc-' an, had a way of ornamenting horse-trappings by means of vitrified 
 colours. Such horse-trappings have been found in Britain, and the same 
 colours ami peculiar patterns may be discerned in Irish works of a later 
 <laie. 
 
 ruder the Koman dominion the art of enamelling seems to have been 
 practi.scd both in Gaul and Britain. The ornaments often show a decided 
 influence <»f Celtic taste ; and from the comparative rarity of such 
 enamels in Italy it is j)robablo that the manufactures were carried on 
 only in the colonies. These enamels are all executed by the champleve 
 process on copper. 
 
E'oamels on Metals. 
 
 57 
 
 Under the Byzantine emperors the working in cloisonne enamel 
 seems to have been much practised. The principal monument of this 
 kind of work is the himons Pala (Toro at Venice, which is supposed to 
 have been made at Constantinople, brought to Venice in 1105, and 
 added to and enlarged in 1209 and 1345. Cloisonne enamels are rare, 
 and seldom to be met with out of church treasuries. 
 
 In the 12th century two important centres of working in enamel 
 seem to have been in existence, one at Limoges in the west of France, 
 the other in the neighbourhood of the Rhine. Both employed the 
 champleve process in copper. 
 
 The German enamels may be distinguished from the French by the 
 greater variety of colours employed, by the tints being brought into 
 stronger contrast, and by the greater erudition displayed in the subjects 
 and inscriptions. They are constantly covered with inscriptions de- 
 scribing the subjects, and have often borders with small cloisonne 
 patterns. A portable altar in the treasury at Hanover bears the in- 
 scription Eilbertus Coloniensis me fecit. In the same treasury is 
 preserved a cruciform reliquary, with a dome resembling in size and 
 form the shrine from the Soltykoff collection in the South Kensington 
 Museum, though less rich in decoration. These two reliquaries are 
 among the most undoubted and characteristic specimens of the German 
 school. 
 
 The earliest enamel which can with any probability be referred to 
 the Limoges school is the sepulchral memorial of Geoffrey Plantagenet, 
 who died in 1151; it was formerly in the cathedral of Le Mans, and is 
 now preserved in the museum of that city. 
 
 The great repute of Limoges enamels seems to have been in the 13th 
 century ; at that time the opus Lemoviticum, or work of Limoges, must 
 have been well known in all parts of Europe, and it occurs frequently 
 in the inventories of the period. 
 
 The goldsmiths of Florence and Sienna seem to have made use of 
 champleve enamel during the 14th and 15th centuries, though to a 
 limited extent. A few of the monumental brasses in England are 
 specimens of champleve enamelling, being in reality made of copper, 
 gilt and enamelled, though the generality of them are brass inlaid with 
 mastic. 
 
 The process which the Italian enameller carried to the greatest per- 
 fection was that of translucid enamel on relief, of which the principal 
 monument is the great shrine at Orvieto, made in 1338. In France 
 
58 
 
 Enamels on Metals. 
 
 similar enamels were produced^ at quite as early a period, and it is not 
 improbable that the art was practised by goldsmiths all over Europe. 
 
 The champleve process which had been so extensively practised at 
 Limoges in the 12th and 13th centuries seems to have died out in the 
 14th century, and it was not till the latter part of the 15th century 
 that a new school of enamellers arose, destined to throw still greater 
 lustre on the city of Limoges. These artists, though still working on 
 copper, employed a different mode of applying the enamel, to which 
 they may have been led by the recent extension of enamel painting on 
 glass; at any rate some of the earliest of the enamellers were themselves 
 glass painters. 
 
 The painted enamels of Limoges may be conveniently divided into 
 four classes. 1. The early or Gothic style, from about 1475 to 1530 ; 
 2. The fine style, from 1530 to 1580 ; 3. The minute style, to about 
 1G30 ; 4. The decadence, to the termination of the manufacture in the 
 18th century. 
 
 1. The Early or Gothic Style . — The enamels of this period were 
 generally on stout plates of copper, nearly flat; the back was coated 
 with a thick and opaque layer of enamel to prevent the metal from 
 warping in passing through the furnace. The front or surface to be 
 painted was covered with brown enamel, and the details of all kinds 
 jiaintcd on it in opaque wLite. Such portions as were to appear coloured 
 were then glazed over with transparent enamels, and the lights and 
 <letails were picked out with gold. To increase the rich effect of the 
 painting small raised discs of foil, called paillettes, were attached to 
 the enamel and covered with colour so as to have the appearance of 
 gems. 
 
 'riie ])i'ineipal enamellers of this period were Nardon or Leonard 
 Tenicaud and dean Penicaud. One of the most important specimens 
 which h.'us been lU’cserved to us is the triptych of Louis XII. and Anne 
 of Lrittany (Photograph Xo. 664), belonging to Mr. Danby Seymour. 
 
 2. The Vine Style . — Many of the most successful enamels of this 
 period are merely painted in chiaroscuro, with light flesh tints, and 
 occasionally a cool tone in the foreground. The use of the paillettes 
 was abandoned, the j)lates were made thinner and consequently more 
 convex, and the enamel at the back nearly transparent. The family of 
 Penicaud still continued their labours, and photographs of some of their 
 finest works arc enumerated in this catalogue. The greatest, however, 
 of the artists of this, the finest period, was unquestionably Leonard 
 
Enamels on Metals. 
 
 59 
 
 Limosili, whether we look to the variety or the artistic merit of his works. 
 Pierre Raimond commenced enamelling nearly as early as Leonard 
 Limosin. Then we find Jean Court, dit Vigier, and three members of 
 the Courtois family, shining chiefly in the production of enamelled 
 services for the table. This catalogue enumerates many specimens of the 
 works of these masters taken from the originals in the Museum of the 
 Louvre, the South Kensington Museum, and those exhibited in the 
 Special Loan Exhibition in 1862. 
 
 3. The Minute Style , — Jean Court, by the profuse use of foil and 
 the over-richness of his colouring, prepared the way for several 
 enamellers, possibly his pupils, who appeared towards the close of the 
 16th century, and are all distinguished by a very finical execution. 
 The principal of these is Susanne Court, who made several fine ewers 
 and dishes. There were also four members of the Limosin family, viz., 
 Jean, Joseph, Francois, and Leonard. Their works are usually small, 
 and their designs are frequently borrowed from the engravings of Etienne 
 de Laulne. 
 
 4. The Decadenee . — After 1620 the fashion for Limoges enamels 
 seems to have gone by. We rarely find on the works subsequent to 
 that period the devices of royal or noble personages. The enamellers of 
 this later period are numerous, but chiefly of the families Laudin and 
 Nouailher. Of these Jacques Laudin produced some grisaille paintings 
 of merit, rendered attractive by the fine glossy black ground which he 
 employed. The later productions, especially those of the Nouailher 
 family, are more like paintings on earthenware than enamels. 
 
GO 
 
 Enaimls on Metals. 
 
 ENxVilELS ON METALS. 
 
 ooO. TKirTYCH, left ‘‘volet,” in Grisaille enamel of Limoges, by 
 I’ierre Kaimoiid. 1543. In the South Kensington Museum. 
 
 \s. lOd 
 
 551. TKIPTYCH, centre, in Grisaille enamel of Limoges, by Pierre 
 
 Paiiuoiid. 1543. In the South Kensington Museum. I 5 . lOd. 
 
 552. TKIPTYCIT, right “ volet,” in Grisaille enamel of Limoges, by 
 
 Pierre Paimond. 1543. In the South Kensington Museum. I 5 . 6c/. 
 
 553. POUTALLE ALTAE, top. German cliampleve enamel. 13tli 
 
 centuiy. In the South Kensington Museum. \s. %d. 
 
 551. PORTABLE ALTAR, side. German. 13tb century. Champleve 
 enamel. In the South Kensington Museum. I 5 . \0d. 
 
 555. ALTAR CROSS, the surface encrusted with champleve enamels. 
 
 In front is a figure of the Saviour in gilt metal, full relief, 
 and at the extremities of the cross are Scriptural subjects in 
 enamel. Rhenish Byzantine. 12th (?) century. In the South 
 Kensington Museum. \s. 6<f. 
 
 556. TRIPTYCH, in Limoges enamel, painted in grisaille, by Pierre 
 
 Raimond. Dated 1543. In the South Kensington Museum. D. Qd. 
 
 557. TRIPTYCH, in translucent champleve enamel on silver; in the 
 
 ccnli’c compartment is the Virgin seated with the Infant Saviour 
 in licr arms, an angel standing on each side, and in the “ volets” 
 full-length figures of the Twelve Apostles. French or German. 
 Date about 1360. In the South Kensington Museum. 
 
 d'RIPTYCH, in silver-gilt, decorated with three plaques of trans- 
 lucent ch!imj)lcve enamel. Date, second half of 14th century. 
 Frencli or (ierman. In the South Kensington Museum. Is. 6d. 
 
 558. PLAt^CE, c]iam])]cve enamel on copper gilt ; an angel holding a 
 
 liook in llic left hand. 13th century. In the South Kensington 
 Museum. 
 
 BtlSS, with design of a man subduing a grotesque winged ani- 
 mal ; ])iei’ced in open work, encircled with blue and gi’een 
 champleve enamel. German. 12th or 13th century work. In 
 the South Kensington Museum. 
 
 J'LAC^rii, cliampleve enamel on copper gilt; triangular with 
 semicircular to[) ; an angel blessing. 13th century. In the 
 South Kensington Museum. H. 6<f. 
 
 550. PLAt^l H, enamel on copper ; Christ nailed to the cross ; trans- 
 lucent blue ground, painting in white enamel and gold. Italian. 
 14ih century worlc. hi the South Kensington Museum. 
 
Enamels on Metals. 
 
 61 
 
 BADGE or MEDALLION PLAQUE, with loop for suspension, 
 originally gilt and filled in with charapleve enamel. A male 
 figure with a hawk on his thumb and a lady standing opposite 
 him. Date about 1400. Jn the South Kensington Museum. 
 
 PLAQUE, Limoges enamel ; the Death of Anchises. 16th cen- 
 tury. (Bernal coll.) In the South Kensington Museum. \s.^d. 
 
 660. EWER or CRUET, Venetian enamel. Date about 1491. In the 
 Museum of the Louvre, Paris. U. 10^/. 
 
 561. ANNE DE MONTMORENCY, portrait in Limoges enamel, by 
 
 Leonard Limosin. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 562. PLAQUE, Limoges enamel, by Pierre Penicaud. I?i the Museum 
 
 of the Louvre, Paris. 2s. 3d. 
 
 563. EWER, Limoges enamel, by Jean Courtois. In the Museum of 
 
 the Louvre, Paris. U. 6d. 
 
 564. PLATE, Limoges enamel, by Pierre Penicaud. Li the Museum 
 
 of the Louvre, Paris. 2s. 3d. 
 
 665. PLATE, Limoges enamel, by Pierre Raimond. In the Museum 
 of the Louvre, Paris. 2s. 3d. 
 
 566. DISH, Limoges enamel, by Pierre Raimond. I?i the Museum of 
 
 the Louvre, Paris. 2s. 3d. 
 
 567. DISH, Limoges enamel, showing reverse, by Pierre Raimond. In 
 
 the Museum of the Louvre, Paris. U. \0d. 
 
 568. PLATE, Limoges enamel, showing reverse, by Pierre Raimond. 
 
 In the Museum of the Louvre, Paris. 2s. 3d. 
 
 569. CANDLESTICKS, Limoges enamel, by Pierre Raimond. In 
 
 the Museum of the Louvre, Paris. 2s. 3d. 
 
 570. COFFER, Limoges champleve enamel. 14th century. In the 
 
 Museum of the Louvre, Paris. \s. 10<f. 
 
 571. VOTIVE PICTURE, by Leonard Limosin. In the Museum of 
 
 the Louvre, Paris. 2s. 3d. 
 
 572. VOTIVE PICTURE, portion of, Limoges enamel, by Leonard 
 
 Limosin. Li the Museum of the Louvre, Paris. 2s. 3d. 
 
 573. VOTIVE PICTURE, portion of, Limoges enamel, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 574. VOTIVE PICTURE, portion of, Limoges enamel, l)y Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 575. VOTIVE PICTURE, portion of, Limoges enamel, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 576. FRANCIvS I. Portion of a Votive Pictui'e, Limoges enamel, by 
 
 Leonard Limosin. Li the Museum of the Louvre, Pai'is. 2s. 3d. 
 
 577. ELEANOR OF AUSTRIA. Portion of a Votive Picture, Li- 
 
 moges enamel, by Leonard Limosin. In the Museum of the 
 Louvre, Paris. 2s. 3d. 
 
62 
 
 Enamels on Metals. 
 
 578. '\'OTIVE PICTURE, portion, Limoges enamel, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 2s. Sd. 
 
 579. VOTIVE PICTURE, portion, Limoges enamel, by Leonard 
 
 Limosin. I?i the Museum of the Louvre, Paris. 2s. 3d. 
 
 5S0. VOTIVE PICTURE, portion, Limoges enamel, by Leonard 
 Limosin. In the Museum of the Louvre, Paris. 2s. 3d.^ 
 
 581. VOTIVE PICTURE, portion, Limoges enamel, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 582. A^OTIVE PICTURE, centre, Limoges enamel, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 4^. Qd^ 
 
 583. PLATE, Limoges enamel. Murder of the Innocents. In the 
 
 Museum of the Louvre, Paris. 2s. 3d. 
 
 584. PLAQUE, the Virgin Mary and Infant Jesus, Limoges enamel, 
 
 by Jean Penicaud the third. In the Museum of the Louvre, 
 J*aris. l5. \0d. 
 
 585. HENRY THE SECOND OF FRANCE, Limoges enamel por- 
 
 trait, by Leonard Limosin. In the Museum of the Louvre, 
 Paris. 2s. 3d. 
 
 586. EWER, Limoges enamel, by Jean Penicaud the third. In the 
 
 Museum of the Louvre, Paris. I 5 . Qd. 
 
 587. EWER, enamel, by Pierre Courtois. In the Museum of the 
 
 Louvre, Paris. Is. Qd. 
 
 588. ITvAQUE, enamel, Neptune and Amphitrite. In the Museuyn of 
 
 the Louvre, Paris. \s. %d. 
 
 589. CrP, interior of cover, enamel, by Leonard Limosin. In the 
 
 Museum of the Louvre, Paris. Is. 6d. 
 
 590 . Cr I’, interior, enamel, by Leonard Limosin. In the Museum of 
 
 the Louvre, Paris. Is. Q>d. 
 
 591. CrP, or d'AZZA, Limoges enamel, by Leonard Limosin. In the 
 
 Museum (f the Louvre, Paris. Is. Qd. 
 
 592. PLAQr 10, the Toilet of Psyche, after Raphael, Limoges enamel, 
 
 l»y Leonard Limosin. In the Museum of the Louvre. Is. lOc?. 
 
 593. PLAQl'lO, the Virgin Mary, Limoges enamel, by Martin Didiers. 
 
 In the Museum of the Louvre, Paris. Is. Qd. 
 
 5'M. RLAt^lCE, Francis the First as St. Thom.as, Limoges enamel, by 
 Leonard Limosin. In the Museum of the Louvre. 2s. Qd. 
 
 595 . PLAt^)UE, the Death of the Virgin, Limoges enamel, 13th 
 
 er nfury. In the Museum of the Louvre, Paris. Is. Qd. 
 
 596. lOWlOR in Limoges enamel. In the Museum of Louvre, Paris. 
 
 Is. 10«^. 
 
 597. CASKLT, Limoges enamel. The Repast of Psyche, after 
 
 Rajdiael. In the Museum of the Louvre, Paris. Is. lOd. 
 
 598. C'ALVIN, Limoges enamel ])ortrait, by Leonard Limosin. In the 
 
 Museum of the Louvre, Paris. Qd. 
 
Enarmls on Metals. 
 
 63 
 
 599. PORTRAIT unknown, Limoges enamel, by Leonard Limosin. 
 
 In the Museum of the Louvre, Paris. I 5 . 2d. 
 
 600. DIANA OF POICTIERS, Limoges enamel portrait, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. 2s. 3d. 
 
 601. FRANCIS OF LORRAINE, Duke of Guise, called ‘‘ Le 
 
 Balafre,” Limoges enamel portrait, by Leonard Limosin. In the 
 Museum of the Louvre, Paris. \s. 10c?. 
 
 602. PLAQUE, Limoges enamel, by Jean Court. In the Museum of 
 
 the Louvre, Paris. 2s. 3d. 
 
 603. COFFER, Limoges enamel. In the Museum of the Louvre, 
 
 Paris. I 5 . 10c?. 
 
 604. FRANCIS THE SECOND, Limoges enamel portrait, by Leonard 
 
 Limosin. In the Museum of the Louvre, Paris. D. 10c?. 
 
 605. HENRY THE SECOND OF FRANCE, Limoges enamel por- 
 
 trait, by Leonard Limosin. In the Museum of the Louvre, 
 Paris. \s. 6c?. 
 
 606. PORTRAIT, unknown, Limoges enamel, by Leonard Limosin. 
 
 In the Museum of the Louvre, Paris. \s. 6d. 
 
 607. PLATE, Limoges enamel, same as No. 630, showing the reverse. 
 
 Le?it by Mr. Hollingworth Magniac. 2s. 3d. 
 
 608. HUNTING HORN, in Limoges enamel, by Leonard Limosin. 
 
 Date about 1540. Lent by Mr. Hollingworth Magniac. 2s. 8c?. 
 
 609. HUNTING HORN, in Limoges enamel, the same as No. 608, 
 
 showing the reverse. Lent by Mr. Hollingivorth Magniac. 
 
 2s. 8c?. 
 
 610. PLAQUE, Limoges enamel, by Leonard Limosin. Lent by Mr. 
 
 Hollingworth Magniac. 4^. 6c?. 
 
 611. CARDINAL OF GUISE, portrait in Limoges painted enamel, 
 
 by Leonard Limosin, in ornamental frame set with enamels. 
 Date about 1556. Lent by Mr. Hollingworth Magniac. 4^. 6c?. 
 
 612. ANNE D’ESTE FERRARA, Duchess of Guise, portrait in 
 
 Limoges painted enamel, by Leonard Limosin, in ornamental 
 frame set with enamels. Date about 1556. Lent by Mr. 
 Hollingivorth Magniac. 4^. 6c?. 
 
 613. TAZZA or CUP, Limoges enamel, painted in grisaille by Pierre 
 
 Raimond. Date about 1550. Lent by Mr. Hollingworth 
 Magniac. 2s. 8c?. 
 
 614. TAZZA or CUP AND COYER, in Limoges enamel, painted 
 
 in grisaille by Pierre Raimond. Date 1555. Lent by Mr. 
 Hollingworth Magniac. 2s. 3d. 
 
 615. TAZZA AND COVER, same as No. 614, showing the interior 
 
 of the tazza and the exterior of the cover. Lent by Mr. 
 Hollingworth Magniac. ' 2s. 3d. 
 
64 
 
 Enamels on Metals. 
 
 61(). CANDLESTICK, Limoges enamel, painted in colours, by Jean 
 Courtois. Date about 1560. Lent hy Mr. Hollingwortli Mag- 
 nkic. 2s. Zd. 
 
 617. CANDLESTICK, in Limoges painted enamel, by Jean Cour- 
 
 tois. Date about 1570. Lent hy Mr. Hollingworth Magniac. 
 
 \s. lOd. 
 
 618. DISH, Limoges enamel in brilliant colours, by Martial Courtois. 
 
 Date about 1580. Le?it hy Mr. LLollingworth Magniac. 2s. 8d. 
 
 619. DISH, same as No. 618, showing the reverse. Lent hy Mr. 
 
 1 foil big worth Magniac. 2s. 8d. 
 
 620. I^OKTlxAIT OF A GENTLEMAN, square plaque in Limoges 
 
 ])aintcd enamel, ascribed to Leonard Limosin. Lent hy Mr. 
 Hollingworth Magniac. \s. \0d. 
 
 621. CHARLES IX., KING OF FRANCE, portrait in Limoges 
 
 ])aintcd enamel on concave plaque, by Leonard Limosin. Dated 
 1573. L^ent hy Mr. Hollingworth Magniac. 2s. 8d. 
 
 622. ELIZABETH OF AUSTRIA, Queen of Charles IX., portrait 
 
 in Limoges painted enamel on concave plaque, by Leonard 
 Limosin. Dated 1573. Lent hy Mr. H. Magniac. 2s. 8d. 
 
 623. COFFER, in Limoges enamel. Work of the early part of the 
 
 16tli century. T^ent hy Mr. Hollingworth Magniac. D. \0d. 
 
 t)2I. CASKET, in Limoges enamel, painted in grisaille. Date about 
 1540. L^cnt hy Mr. Hollmgworth Magniac. D. 10c?. 
 
 625. TRIPTYCH, in Limoges enamel, painted in colours. Date about 
 1 540. J.,cnt hy Mr. Hollingworth Magniac. 2s. 8d. 
 
 ()2C). PLAQLE, painted enamel on copper; the Crucifixion; formerly 
 ilic centre compartment of a tri2)tych. North Italian work, of 
 l!ic eai ly j)art of the 16th century. Lent hy Mr. Hollingworth 
 Magniac. 2s. Zd. 
 
 t>27. CASKJ7I, Limoges enamel, painted with battle subjects, mounted 
 in silver-gilt. Date about 1540. L^ent hy Mr. Hollingivorth 
 31 a g Iliac. D. Qd. 
 
 ^12*^. PI.A(^)rE, Limoges enamel ; an emblematical device, with the 
 arms of the ('aivlinal do Grjimontc, by one of the Peuicaud 
 family. Date about 1530. Lent hy 31r. II. Magniac. \s. 10c?. 
 
 029. lAVIiP, ei’isaille decoration on blue ground picked out in gold, by 
 .lean Ponicaud. Date about 1550. Lent hy Mr. Hollingworth 
 Magniac. D. 10c?. 
 
 t)30. PI. AI'E, Limoges painted enamel. Date about 1530. Lent hy 
 Mr. IJuUingworlh Magniac. D. 10<^. 
 
 ti31. C A NDLES'riCIC, ehamplove enamel on copper. Rhenish By- 
 zantine work of the 12th century. Lent hy 3Ir. Hollingworth 
 Magn'ac. 2s. Zd. 
 
Enamels on Metals. 
 
 65 
 
 632. COFFER, RELIQUARY, or CHASSE, decorated with champ- 
 
 leve enamel, Limoges work. Date about 1280, Lent by Mr. 
 Hollingworth Magniac. 2s. Sd. 
 
 633. PORTRAIT OF A LADY, in Limoges painted enamel, by 
 
 Leonard Limosin. Date about 1550. Lent by Mr. Hollingworth 
 Magniac. Is. lOd. 
 
 634. HENRI D’ALBRET, King of Navarre, portrait in Limoges 
 
 painted enamel, by Leonard Limosin. Date about 1556. Lent 
 by Mr. Hollingworth Magniac. 1^. 6d. 
 
 635. ANTOINE DE BOURBON, King of Navarre, portrait on cir- 
 
 cular plaque in Limoges painted enamel, by Leonard Limosin. 
 Lent by Mr. Hollingworth Magiiiac. U. 6d. 
 
 636. ANTOINE DE BOURBON, King of Navarre, portrait on 
 
 square plaque in Limoges painted enamel, by Leonard Limosin. 
 Lent by Mr. Hollingworth Magniac. U. 6d. 
 
 637. EWER, Limoges enamel, painted in colours. Date about 1570. 
 
 Lent by Mr. Hollingworth Magniac. 2s. 3d. 
 
 638. PLATES, Limoges enamel, grisaille on black ground, by Pierre 
 
 Raimond. Dated 1559. Loan Catalogue, Nos. 1,762-73. L.ent 
 by Baron L. de Rothschild^ M.P. 2s. 3d. 
 
 639. PLATES, Limoges enamel, grisaille on black ground, by Pierre 
 
 Raimond. Dated 1559. Loan Catalogue, Nos. 1,762-73. Le??t 
 by Baron L. de Rothschild, 31. P. 2s. 3d. 
 
 640. PLATES, Limoges enamel, grisaille on black ground, by Pierre 
 
 Raimond. Dated 1559. Loan Catalogue, Nos. 1,762-73. Lent 
 by Baron L. de Rothschild, 31. P. 2s. 3d. 
 
 641. PLATES, Limoges enamel, grisaille on black ground, by Pierre 
 
 Raimond. Dated 1559. Loan Catalogue, Nos. 1,762-73. Lent 
 by Baron L. de Rothschild, M.P. 2s. 3d. 
 
 642. PLATES, Limoges enamel, grisaille on black ground, by Pierre 
 
 Raimond. Dated 1559. Loan Catalogue, Nos. 1,762-73. Lent 
 by Baron L. de Rothschild, M.P. 2s. 3d. 
 
 643. PLATES, Limoges enamel, grisaille on black ground, by Pierre 
 
 Raimond. Dated 1559. Loan Catalogue, Nos. 1,762-73. T^ent 
 by Baron L. de Rothschild, 31. P. 2s. 3d. 
 
 644. PLATES, Limoges enamel, painted in colours with foil ; subjects 
 
 from the life of Joseph ; by Jean Courtois. Date 1540-70. Loan 
 Catalogue, Nos. 1,822-28. Lent by Baron L. de Rothschild, 
 3I.P. 2s. 8d. 
 
 645. PLATES, Limoges enamel, painted in colours with foil ; subjects 
 
 from the life of Joseph ; by Jean Courtois. Date 1540-70. Loan 
 Catalogue, Nos. 1,822-28. Lent by Baron L. de Rothschild, 
 31.P. 2s. 3d. 
 
 646. PLATES, Limoges enamel, painted in colours with foil ; subjects 
 
 from the life of Joseph ; by Jean Courtois. Date 1540-70. Loan 
 Catalogue, Nos. 1,822-28. T^cnt by Baron A. de Rothschild, 
 M.P. ^ 2s. 3d. 
 
 1 5929 .- 2 . 
 
 E 
 
60 
 
 E'lmmels <m Metals. 
 
 (>47. PLATE, Limoges cimmel, painted in colours with foil ; subjects 
 from the life of Joseph ; by Jean Courtois. Date 1540-70. Loan 
 Catalogue, Nos. 1,822-28. Lent by Baron L. de Rothschild, 
 M,P. Is. 6d 
 
 648. TAZZA, Limoges enamel, painted in colours with foil ; the 
 Israelites fighting against Amalek ; by Jean Courtois. Date 
 1540-70. Loan Catalogue, No. 1,829. Lent by Baron L, de 
 Rothschild, M.P» 
 
 'TA7.7.K, Limoges enamel, grisaille on black ground, with flesh 
 tints ; Moses judging the people ; by Jean Courtois. Loan Cata- 
 logue, No. 1,813. Lent by Baron L. de Rothschild, M.P, 
 
 TAZZA, Limoges enamel, painted in colours with foil ; Melchi- 
 sedek bringing gifts to Abraham, by Jean Courtois. Date 
 1540-70. Loan Catalogue, No. 1,830. Lent by Baron L. de 
 Rothschild, M.P. 2s. Sd. 
 
 619. EWER AND SALVER, Limoges enamel, grisaille on black 
 ground, by Pierre Raimond. Dated 1559. Loan Catalogue, Nos. 
 
 I, 761-1,780. Lent by Baron L. de Rothschild, M.P. 2s. 3d. 
 
 650. PLAQUES, Venetian enamel, painted with gold scrolls and orna- 
 
 ments on blue ground. 16th century. Loan Catalogue, No. 
 4812. Lent by Mr. A. W. Franks. Is. 106?. 
 
 651. MEDALLION of Limoges enamel, painted on one side with a 
 
 male bust in armour, on the other a bust of Francis I. ; by 
 Leonard Limosin. Special Loan Catalogue, No. 1,694. Lent by 
 Mr. A. W. Franks. 
 
 M EDALLIONS of silver, with translucent enamel portraits of 
 Camilla, (luecn of the Volsci, and Hypsipyle, queen of Lemnos. 
 Italian. 15th century. Special Loan Catalogue, No. 4,805. 
 Lc7it by Mr. A. W. Franks. Is. 6d. 
 
 652. PT.AQTTE, Limoges enamel, grisaille on black ground ; the Re- 
 
 surrection ; perhaps ])y Pierre Penicaud. Special Loan Catalogue, 
 No. 1,744. Lent by Sir C. Wentworth Dilke, Bart. Is. 6d. 
 
 ti53. PINl)lN(i of ancient Manuscript, in Limoges enamel and gilt 
 metal. Loan Catalogue, No. 1,113. Lent by H.R. II. the Due 
 fCAumaJc. 2s. 3d. 
 
 t)5 1. Jl'.AN DE BOURBON, Due d’Enghien, painted in Limoges 
 enamel. (SoltykcJf coll.) Loan Catalogue, No. 1,697. Lent by 
 
 II. R.H. the Due d'Aumalc. Is. 106?. 
 
 655. AN rOINE DE BOURBON, King of Navarre, painted in Li- 
 moges enamel. (Soltykofi* coll.) Loan Catalogue, No. 1,700. 
 T.ent by Il.R.H. the Due d Amnale. Is. 66?. 
 
 65t). JEANNE D’ALBRET, Queen of Navarre, painted in Limoges 
 enamel. Loan CuUitogue, No. 1,703. Lent by H.R. II. the Due 
 (V Au male. 2s. 3d. 
 
Enamels on Metals. 
 
 67 
 
 657. LOUIS DE BOURBON, Due de Montpensicr, painted in Li- 
 
 moges enamel ; on the baek inseribed L. L. 1650. (SoltykofF 
 eoU.) Loan Catalogue, No. 1,704. Lent hy the Due 
 
 (VAumale. Is. 6d. 
 
 658. CATHARINE DE MEDICI, painted in Limoges enamel. Loan 
 
 Cat., No. 1,705. Lent hy Mr. II. Danby Seymour, M.P. 4^. 6d. 
 
 659. PORTRAIT of a Young Lady, painted in Limoges enamel. Loan 
 
 Cat., No. 1,706. Lent by Mr. H. Danby Seymour, M.P. 4^. 6r/. 
 
 660. PORTRAIT of a Lady, painted in Limoges enamel. Loan Cat., 
 
 No. 1,707. Lent by Mr. H. Danby Seymour, M.P. 4^. Qd. 
 
 661. PORTRAIT of an Eeclesiastie, painted in Limoges enamel. Loan 
 
 Cat., No. 1,708. Lent by Mr. H. Danby Seymour, M.P. As. 6d. 
 
 662. CHARLES DE LORRAINE, Cardinal de Lorraine, painted in 
 
 Limoges enamel. Loan Catalogue, No. 1,709. Lent by Mr. II. 
 Danby Seymour, M.P. As. 6d. 
 
 663. PLAQUE, Limoges enamel, painted in grisaille. Loan Catalogue, 
 
 No. 1,731. Lent by Mr. H. Danby Seymour, 31. P. 2s. 3d. 
 
 664. TRIPTYCH, Limoges enamel, signed by Nardon Penicaud. Dated 
 
 1503. Loan Catalogue, No. 1,654. Lent by Mr. H. Danby 
 Seymour, M.P. As. 6d. 
 
 665. PLAQUE or PICTURE, in Limoges enamel, by one of the Peni- 
 
 caud family. Date about 1540. Lent by Mr. T. Gambler 
 Parry. 2s. \0d. 
 
 666. PLAQUE, Limoges enamel, by Leonard Limosin. Lent by Mr. 
 
 Henry T. Hope. 3s. 3d. 
 
 667. PLAQUE, in Limoges enamel, painted in grisaille, inscribed L. L. 
 
 Loan Cat., No. 1,713. Lent by 3Ir. H. T. Hope. 2s. 3d. 
 
 668. TRIPTYCH, in Limoges enamel. Loan Catalogue, No. 1,726. 
 
 Lent by Captain Leyland. 2s. 8d. 
 
 669. PORTRAIT of a Young Man in profile, painted in Limoges ena- 
 
 mel ; on the back is the signature of the artist, P. Corteys 
 Maf.” Dated 1559. Loan Catalogue, No. 1,795. Le?it by the 
 Duhe of Hamilton. D. 6d. 
 
 670. CASKET, in Limoges enamel, with gilt metal mounts, probably 
 
 the work of Pierre Raimond. Loan Catalogue, No. 1,663. Lent 
 by the Earl of Home. D. 10c?. 
 
 671. CASKET, Limoges enamel, with silver-gilt mounts. Lenthy Mr. 
 
 Martin T. Smith, M.P. 3s. 
 
 672. PLAQUE, Limoges enamel ; “ The Entombment.” Date about 
 
 1520. Lent by Mr. Matthew Uzielli. D. 10c?. 
 
 673. EWER, Limoges enamel. Date about 1550. In the South Ken- 
 
 sington Museum. D. 10c?. 
 
 674. SALT-CELLAR, of hexagonal form, Limoges enamel, painted in 
 
 colours with love scenes ; in the bowl, at the top and bottom, 
 
 Juno and Jupiter. Loan Catalogue, No. 1,724. I^ent hy Mr. 
 
 S. Addington. 
 
ill 
 
 Enamds on Metals. 
 
 SALT-CELLAR, of hexagonal form, Limoges enamel, painted 
 “ en grisaille,” with the labours of Hercules. Loan Catalogue, 
 No. l,7o3. Lent by Mr. S. Addington. 
 
 SALT-CELLAR, of hexagonal form, Limoges enamel, painted 
 “ cn grisaille,” with the labours of Hercules. Loan Catalogue, 
 No. 1754. Lent by Mr. S. Addington. 
 
 SALT-CELLAR, of hexagonal form, Limoges enamel, painted 
 “ cn grisaille,” with Adam, Solomon, Aristotle, Virgil, Sisera 
 and Jael, Samson and Delilah. Loan Catalogue, No. 1,671. 
 Lent by Mr. ,S. Addington. \s. 10c/. 
 
 675. TAZZA, Limoges enamel, painted in colours with the departure 
 
 of JEiicas from Carthage ; by Jean Courtois. Loan Catalogue, 
 No. 1,832. I^ent by Mr. S. Addington. 
 
 TAZZA, Limoges enamel, painted in colours on dark blue 
 ground ; within the bowl, the battle between Amalek and the 
 children of Israel. Loan Catalogue, No. 1,831. Lent by Mr. 
 S. Addington. I 5 . 10c/. 
 
 676. TABLET, of quadrangular form, Limoges enamel, “en grisaille,” 
 
 the Presentation in the Temple. Loan Catalogue, No. 1,684. 
 T^ent by Mr. S. Addington. H. Od. 
 
 677. PLAQUE, an oval, Limoges enamel, painted in colours ; the 
 
 Vii-gin and Child seated in clouds. Loan Catalogue, No. 1,855. 
 J^ent by Mr. S. Addington. H. 6d. 
 
 678. BOX, oval, salmon-coloured enamel, with portrait of Marie 
 
 Antoinette. Loan Catalogue, No. 4,119. Lent by Mr. S. 
 Addington. 
 
 SNUFF-BOX, l)lue enamel, semeo with stars; on the cover an 
 enamel of Maria Theresa, wife of Louis XIV. ; by Petitot. Loan 
 Catidogiie, No. 8,055. Lent by Mr. S. Addington. 
 
 SNUFF-BOX, oval, enamel, green and lavender colour ; on the 
 lid, a ])ortrait of Nell Gwyn. Loan Catalogue, No. 4,122. 
 i^ent by Mr. N. Addington. I 5 . 10c/. 
 
 679. DISH, Limoges enamel, painted in brilliant colours with Moses 
 
 striking the rock ; l>y Martial Courtois. Loan Catalogue, No. 
 1,850. i.ent by Mr. S. Addington. I 5 . 10c/. 
 
 6s{). PLAt^UE, of quadi-angular form, Limoges enamel, painted in 
 colours witli the Vii'gin and Child on clouds, above, two angels 
 bolding a ci'own ; by Pierre Raimond. Loan Catalogue, No. 1,752. 
 Lent by Mr. S. Addington. D. 10c/. 
 
 6SI. PA I R OF CANDLESTICKS, Limoges enamel, black and gold; 
 I be leel bossecl and painted in colours with the labours of Her- 
 rub's and Olympic Deities. Loan Catalogue, No. 1,846. T^eiit 
 by Mr. A. Addington. H. 10c/. 
 
 '.^2. MIRROR, mounted in champlcve enamel. Chinese. J.enthy 
 Mr. S. Addington. 1.9. 10c/. 
 
Enmmls on Metals. 
 
 69 
 
 683. DISH, Limoges enamel, painted in colours ; “The Scarlet Woman 
 
 riding on the seven-headed beast by Martial Courtois. Loan 
 Catalogue, No. i,8o2. Lent by Sir Edmund Leckmere, Bt. 
 
 \s. 6d. 
 
 684. TWO PLAQUES, Limoges enamel, “ en grisaille,” illustrating the 
 
 Lord's Prayer, with descriptive escutcheons in old French. 16th 
 century. In pierced and gilt-metal frames. Lent by Mr. G. H. 
 Morland. \s. 10c/. 
 
 685. PAIR OF PLAQUES, Limoges coloured enamels, of 16th century; 
 
 Christ teaching in the Temple, and the Sermon on the Mount, 
 ill a black frame. T-^ent by Mr. G. H. Morland. U. 10c/. 
 
 686. TWO PLAQUES, Limoges enamel, “ en grisaille,” illustrating the 
 
 Lord’s Prayer, with descriptive escutcheons in old French. 16th 
 century. In pierced and gilt-metal frames. \s. lOr/. 
 
 687. PAIR OF PLAQUES, Limoges coloured enamels, (of 16th century; 
 
 Christ teaching in the Temple, and the Sermon on the Mount; 
 in a black frame. U. 10c/, 
 
 688. CUP AND COVER, silver, richly ornamented with translucent 
 
 enamel, in red, blue, and green. Persian work. Loan Catalogue, 
 No. 4,835. J.ent by Mr. Isaac Falcke. 
 
 FIGURE of a man playing the bagpipes. Palissy ware. Lent 
 by Mr. Isaac Falcke. 
 
 MIRROR CASE, oval, of Limoges enamel, painted in colours on 
 silver by Leonard Limosin ; Tityus and Latona. Loan Cat. 
 No. 1,868. f^e7it by Mr. Isaac Falcke. D. 10c/. 
 
 689. EWER, Limoges enamel. 16th century. Painted “ en grisaille,” 
 
 with figures hunting stag and lion, &c. Loan Catalogue, No. 
 1,757. T^ent by Mr. G. H. Morland. 
 
 EWER, Limoges enamel, painted “ en grisaille ” round the body 
 with Moses and the brazen serpent, and on the upper part a 
 river-god and satyr. I^ent by Mr. G. H. Morland. D. 10c/. 
 
 690. PLAQUE, Limoges enamel, of 16th century, by Leonard Limo- 
 
 sin ; in the centre a man drawing a bow, with monks in the 
 foreground. Lent by Mr. G. H. Morland. \s. 10c/. 
 
 691. PAIR OF PLAQUES, Limoges enamel, painted in colours, “a 
 
 paillettes,” with the Nativity and Circumcision. Date, end of the 
 16th century. Lent by Mr. G. H. Morland. D. 10c/, 
 
 692. TAZZA AND COVER, Limoges enamel, painted “ en grisaille ” 
 
 with flesh tints ; on the cover the story of Adam and Eve, ara- 
 besques, &c.; by Jean Courtois. 16th century, and TAZZA, 
 painted on the cover with the “ Gathering of the Manna.” I^ent 
 by Mr. G. H. Morland. D. 10c/. 
 
 693. TRIPTYCH, Limoges enamel, painted in colours ; in the centre 
 
 the Crucifixion, and on the wings the Annunciation; by Leonard 
 Limosin. 1556. Lent by Mr. G. H. Morland. 2s. 3d. 
 
 694. PLAQUE, Limoges enamel, of the 16th century, painted “ en 
 
 grisaille ” with Neptune in a shell in the centre ; Juno and Venus 
 on the border. Lent by Mr. G. H. Morland. U. 4c/. 
 
70 
 
 Enamels on Metals. 
 
 693. PLAQUE, Limoges enamel, painted “ en grisaille,” with figures 
 seated at table ; in ormolu frame. 1 6th century. Lent by Mr. 
 G. //. Morland. 
 
 PLAQUE, Limoges enamel, painted “ en grisaille,” with three 
 horsemen and four dogs. 16th century. Lent by Mr. G. H. 
 Morland. U. 10c?. 
 
 696. FOL^ 11 PLAQUES, Limoges enamel, painted “ en grisaille,” with 
 
 horseman combating centaurs, and wild men and animals ; by 
 Martin Didiers. 16th century. In a frame. Lent by Mr. G. 
 If. Morland. Is. lOd. 
 
 697. TPIPTYCH, painted Limoges enamel; in the centre the Mocking 
 
 of Christ, on the wings the Flagellation and Betrayal. 16th cen- 
 tury. Loan Cat., No. 1,657. Lent by Mr. G. H. Morland. 2s. 3c?. 
 
 698. PLAQUE, Limoges enamel, painted en grisaille,” with horsemen 
 
 engaged in combat; by Pierre Raimond; in black frame. Lent 
 by Mr. G. H. Morland. I5. 6c?. 
 
 699. PLAQUE, Limoges enamel ; the Annunciation. 16th century. 
 
 In a frame. Lent by Mr. G. H. Morland. 
 
 PLAQUE, Limoges enamel. 16th century. Painted “ en gris- 
 aille,” with Joseph being lowered into the well by his brethren. 
 Lent by Mr. G. H. Morland. U. 10c?. 
 
 700. PLAQUE, Limoges enamel, representing the Crucifixion, with 
 
 numerous figures. 16th century. Lent by Mr. G. H. Morland. 
 
 Is. 10c?. 
 
 701. TRIPTYCH, Limoges enamel. Loan Catalogue, No. 1,657. Lent 
 
 by Mr. G. JT. Morland. 2s. 3c?. 
 
 702. I*LATK, Limoges enamel, painted “en grisaille” on blue ground, 
 
 witli Venus in a car. Loan Catalogue, No. 1,735. Lent by Rev. 
 '/'. Rerney. 
 
 PLA(^UE, Limoges enamel, painted “ en grisaille,” with Venus 
 in a car drawn l)y doves. Special Loan Catalogue, No. 1,756. 
 l^enl by Rev. T. Berney. 
 
 TAZZA, Limoges enamel, painted “en grisaille;” within the 
 bowl is llie fliidgment of Paris. Loan Catalogue, No. 1,732. 
 Lent, by Rev. T. Berney. \s. 10c?. 
 
 70.3. CDVTCR for a missal, in perforated gold enamel, with enamelled 
 inediillions oC Scrij)ture subjects. Flemish. Second half of I7th 
 (•(•iiliiry. Loan Catalogue^ No. 8,182. Lent by Sir P. de Mai- 
 pas Grey Kyerfony Bart. U. 6c?. 
 
 701. SALVER, Limoges enamel, with figure of S. Bruno. 15th cem 
 Inry. J.ent by Sir de Malpas Grey Egerton, Bart. 
 
 lAVICR. Limoges cmimcl, with armorial shield supported by Cupids. 
 15fh conf. Lent by Sir P. de Malpas Grey Egertoti, Bt. \s. 10c?. 
 
 705. “CIIASSK,” or RELIQUARY, Rhenish enamel. 13th century, 
 and d’WO ARM I LAI in twisted gold. Celtic work. J^ent by Sir 
 B. de Mfdpas Grey Egerlon^ Bart. I5. 10c?. 
 
Enamels on Metals. 
 
 71 
 
 706. TRIPTYCH, Russo-Greek work ; brass, with blue and Avhite 
 
 cliampleve enamel ; subject, three half-length figures, Christ, 
 the Virgin and a Saint. I 5 . 2d. 
 
 707 . PORTABLE ALTAR, in cliampleve enamel. On the summit is 
 
 a representation of the Crucifixion, and on the sides half figures 
 of the Apostles. German work. Date about 1200. And 
 COFFRET, in enamelled copper, ornamented with allegorical 
 figures. Rhenish. 13th century. 1^. 2d. 
 
 708. BEAKER, enamelled silver, turquoise ground with pink and green 
 
 enamel, and silver figures in relief ; on the bottom, “ C. F. 
 Laurentz fecit.” 17th century. Loan Catalogue, No. 4,829. 
 And PAIR OF LIMOGES ENAMEL SQUARE PLAQUES, 
 painted in gold “ camaieu ” on black ground, with the Last 
 Supper and the Betrayal. Loan Catalogue, No. 1,679. Lent hy 
 Mr. A. J. B. Beresford Hope. U. 6^. 
 
 709. PLAQUE, pointed oval, of cliampleve enamel, representing the 
 
 Almighty seated; gilt background. 13th century. Loan Cata- 
 logue, No. 1,087. Lent hy Mr. A. J.B. Beresford Hope. I 5 . 6r/. 
 
 710 . CLASP, champleve enamel, with St. Mark and St. Luke. German, 
 
 12th century. And champleve enamel PRICKET CANDLE- 
 STICK, on tripod stand, with medallions of angels. 12th cen- 
 tury. T^ent hy Mr. A.J. B. Beresford Hope. U. 6d. 
 
 711. CASKET, champleve blue enamel, mounted in gilt metal, pro- 
 
 tected by a border of bosses ; on the top, the Almighty, and 
 emblems of the Evangelists, and four crystals ; round the sides, 
 the Crucifixion and Entombment, saints, &c. German, 12th 
 century. Lent hy Mr. A. J. B. Beresford Hope. U. ^d. 
 
 712. CHASSE, champleve enamel, with figures of saints in relief on the 
 
 top and sides. 13th century. Loan Catalogue, No. 1,080. Lent 
 hy Mr. A. J. B. Beresford Hope. U. lOd. 
 
 713. PLAQUE. Rhenish (?) champleve enamel. The Prophet Jonas. 
 
 Arched top. 12th or 13th century. And PLAQUE of cham- 
 pleve enamel, on copper gilt. Subject, the Nativity. German 
 work. 12th or 13th century. In the South Kensington 
 Museum. 1 s. Qd. 
 
 714. TRIPTYCH, Scriptural subjects in relief on enamel ground. 
 
 Russo-Greek. 17th century. Lent hy Mr. A. J. B. Beresford 
 Hope. U. lOd. 
 
 715. EWER with COVER; Venetian enamel on copper, the ground 
 
 semi-translucent blue and green, ornamented with a diaper of 
 fleurs-de-lys, &c., in gold. Venetian. Date about 1500. And 
 EMBOSSED PLATEAU, ancient Venetian enamel on copper ; 
 ornamented with oblique radiating gadroons, with minute enricli- 
 ments in gold. In theSouth Kensingto?i Museum. Is. 2d. 
 
LONDON : 
 
 1^’intcd hy George Edward Eyre and William Spottiswoode, 
 Printers to the Queen’s most Excellent Majesty, 
 h^or Her Majesty’s Stationery Office. 
 
 [ 12671 .— 5000 .— 1 / 67 .] 
 
CLASSIFIED LIST OF PHOTOGEAPHS. 
 
 ¥0RKS OF DECOEATITE AET 
 
 IN 
 
 CARVED IVORY AND WOOD. 
 
CARVINGS IN IVORY. 
 
 From tlie earliest periods ivory has been a favourite vehicle for 
 sculpture, and a very complete and connected view of the history of 
 art is to be found in monuments of that material. Ancient Egyptian 
 works in ivory are by no means uncommon. Of the Assyrian period, 
 many ivory carvings have been recently discovered. In ancient Greek 
 art it was a highly valued substance for the embodiment of the sublime 
 conceptions of the most famous sculptors. The ivory portions of the 
 chryselephantine statues of Phidias were colossal works made up of a 
 number of small pieces carefully joined. The ancients are said to have 
 been able to soften and unroll the ivory tusk into wider plates. During 
 the Roman period it was in universal use. Many remains still exist of 
 the classical epochs, chiefly in fragments of caskets, small statuettes, 
 tesserae or carved counters, combs, handles of weapons and utensils, 
 and the dipft/chs-; these latter consist of two carved tablets or plaques 
 of ivory, hinged together so as to close like a book; they appear to 
 have been of most frequent occurrence in the later Roman period. In 
 their origin they were writing tablets covered on their inner surfaces 
 witli wax, on which the writing was traced with a stylus or hard point. 
 Tliesc tablets, bound round with a thread and sealed, were sent as 
 letters. Tliey were, however, afterwards employed in a manner which 
 had special reference to art. In the time of the Emperors, diptychs 
 of large proportions (now termed “ consular diptychs”) were sent by 
 consuls and other magistrates, on their elevation to office, as presents 
 to public cor])orations and to tlieir private friends. These di^^tychs 
 (.-re No. 21H9) are generally elaborately carved with a portrait of the 
 consul ill liis robes of olfice, and with various representations and 
 allogoi’ical <le vices, iuscrijitions, &c. After the establishment of Chris- 
 tianity they were Ircquenlly presented to the churches, or to ecclesias- 
 tical dignitaries, by wliom likewise they appear to have been sometimes 
 issued. The Greek artists of the Byzantine empire made still more 
 fi-equciit use of ivory. Dating from tlie 9tli century, it was particularly 
 emjiloycd in ecclesiastical utensils and appliances. Diptychs similar in 
 f)nii to those in use in Pagan epochs were still made, being, however, 
 -eulidured with Scrijilural subjects; likewise book-covers, pastoral staffs, 
 cofl'ers, or reliqutiries, i^^c. 
 
 Ivory carving was soon citually affected in the rest of Europe, parti- 
 cularly in France and Germany. Throughout the mediaeval epoch we 
 
Ivory Carvings. 
 
 75 
 
 have innumerable tablets, diptychs, triptyclis, &c., of a devotional 
 character, shrines, coffers for relics, statuettes of the Virgin, Saints, 
 ’and Apostles ; and for secular use, circular cases or covers for portable 
 mirrors. Many of the photographs enumerated in the catalogue are 
 from specimens of this period. In the 16th and 17th centuries, after 
 the Eenaissance, secular oljjects predominate ; statuettes and groups, 
 bas-reliefs of classical subjects, hilts of knives and forks, tankards, cups, 
 (Nos. 2239-69-71-97, 2316-26), snuffboxes, pommels of canes, &c. 
 
 In the *17th century the most renowned ivory sculptors were Flemings 
 or Germans, who had either studied in Italy or had formed their style 
 on Italian models. Ivory carving became a distinct and separate branch 
 of the sculptor’s art. Fiamingo (b. 1594, d. 1643) is esteemed the chief 
 of this well-known school. See Nos. 2269, 2279, and many others in 
 the catalogue. 
 
 2150. CASKET, in ivory ; with gilt metal lock and clamps, enriched 
 
 with glass pastes or imitation gems. 14th century. In the 
 South Kensington Museum. I 5 . 2d. 
 
 2151. CASKET, in carved bone; with gilt copper mountings. 13th 
 
 century. Li the South Kensington Museum. I 5 . 2d. 
 
 2154. PENDENT ORNAMENT, perfume case (?); in carved and 
 
 perforated ivory, with silk cord and tassel attached. Modern 
 Chinese. In the South Kensington Museum. 
 
 STATUETTE, in carved ivory; St. George and the Dragon, 
 15th century work. Flemish (?). In the South Kensington 
 Museum. 
 
 STATUETTE of the Virgin and Child, in carved ivory. French. 
 14th cent. In the South Kensington Museum. U. Qd. 
 
 2155. STATUETTE, in carved ivory; the Virgin seated with the 
 
 Infant Saviour in her arms. French work(?). 14th cen- 
 tury. In the South Kensington Museum. Is. 2d. 
 
 2156. BOX AND COVER, in turned ivory ; with fluted or scalloped 
 
 and interlaced patterns. German. 17th century. In the 
 South Kensington Museum. 
 
 DICE-BOX, in incised bone. German. Date about 1600. 
 (Bernal Coll.) In the South Kensington Museum. 
 
 F 2 
 
76 
 
 Ivory Carvings. 
 
 CUP or GOBLET, in carved ivory; ornamented with cupids or 
 amorini pla}'ing amidst scroll foliage. Flemish. 17th cen- 
 tury. In the South Kensington Museum. Is. 2d. 
 
 2157. SHRINfl or POLYPTYCH, in carved ivory; in the centre a 
 
 statuette of the Virgin and Child. French work (?). Date 
 about 1320. l?i the South Kensington Museum. l5. 2d. 
 
 2158. LID or CO VER of a CIRCULAR MIRROR CASE, in carved 
 
 ivory; with an allegorical representation of “the Assault of 
 rlic Castle of Love.” Early part of 14th century. In the 
 South Kensington Museum. 
 
 DIPTYCH, in carved ivory; divided into four compartments, 
 with Scriptural subjects. Date about 1320. In the South 
 Kensington Museum. I 5 . Od. 
 
 2159. DIPTYCH, in carved ivory; with ten subjects from the Passion 
 
 of Clirist. French (?). Date about 1340. (Soulages coll.) 
 In the South Kensington Museum. I 5 . 2d. 
 
 2160. TRIPTYCH, serving as a reliquary, in carved ivory; background 
 
 and “volets” diapered with fieurs-de-lis. French. Date 
 about 1480. In the South Kensington Museum. I 5 . 6c?. 
 
 2161. COFFRET, covered with plaques of ivory; ornamented with 
 
 various arabesque designs of birds and grotesque animals. 
 Byzantine work. 12th or 13th century. In the South Ken- 
 sington Museum. D. Od. 
 
 2162. COFFRET, covered with plaques of ivory; ornamented with 
 
 various arabesque designs of birds and grotesque animals. 
 Byzantine v/ork. 12tli or 13th century. In the South Ken- 
 sington Museum. I 5 . Qd. 
 
 2163. COMB, in carved ivory. German. Da^te about 1520. (Bernal 
 
 col!.) In the South Kensington Museum. 
 
 COMB, in carved ivory. Geinian work. Date 1500-30. (Bernal 
 roll.) In the South Kensington Museum. 
 
 CT).MB. in carved ivory; ornamented with scroll ornaments in 
 minute silver ])ique work. I7th or first half of 18th century. 
 (Soulages coll.) In the South Kensington Museum. \s. Od. 
 
 2164. CO.MB, in born ; with perforated arabesque pattern border. 
 
 Nuremberg. 16tb or 17tb century work. In the South 
 Kensington Mn.seum. 
 
 COMB, in carved ivory; decorated with figures. Date about 1550. 
 ibesented by Sir James Hudson, K.C.B. In the South Ken- 
 sington ^[uscu^n. Is. Qd. 
 
 COMB, in carved ivory; with bas-relief of numerous figures on 
 cacb side. Jb cjicb oi' Italian work. (Soulages coll.) In the 
 Sftuth Kensington Museum. Is. Qd. 
 
Ivory Carvings. 
 
 77 
 
 2165. CASKETS, in carved ivory. Date about 1320. In the Museum 
 
 of the Louvre, Paris. 2s. 3d. 
 
 2166. CASKETS, in carved ivory. Date about 1320. In the Museum 
 
 of the Louvre, Paris. 2s. 3d. 
 
 2167. CASKET, in carved ivory. 14tli century. In the Museum of 
 
 the Louvre, Paris. D. 10^. 
 
 2168. CASKET, in carved ivory. 14th century. In the Museum of 
 
 the Louvre, Paris. D. Qd. 
 
 2169. CASKETS, in carved ivory. In the Museum of the Louvre, 
 
 Paris. D. \0d. 
 
 2170. CASKET, in carved ivory. 11th century. In the Museum of 
 
 the Louvre, Paris. 2s. 3d. 
 
 2171. STATUETTE, in carved ivory. 14th century. In the Museum 
 
 of the Louvre, Paris. I 5 . 10c?. 
 
 2172. STATUETTE OF ST. JEROME, in carved ivory. 16th or 17th 
 
 century. In the Museum of the Louvre, Paris. D. 10c?. 
 
 2173. STATUETTE, in carved ivory. 14th century. In the Museum 
 
 of the Louvre, Paris. \s. 10c?. 
 
 2174. TRIPTYCH, in carved ivory, “ Yierge ouverte date about 
 
 1280. In the Museum of the Louvre, Paris. I 5 . 10^/. 
 
 2175. TRIPTYCH, in carved ivory. 16th century. In the Museum of 
 
 the Louvre, Paris. 2s. 3d. 
 
 2176. BOOK-COYER, in carved ivory. 14th century. In the Museum 
 
 of the Louvre, Paris. D. 10c?. 
 
 2177 . TOP OF lYORY COFFER. Date about 1330. In the Boulogne 
 
 Museum. \s. ^d. 
 
 2178. OLIFAKT, or HUNTmO-HORN, in carved ivory. Lent hy 
 
 Mr. HoUingworth Magniac. 2s. 8d. 
 
 2179. SHRINE, or POLYPTYCH, in carved ivory. Date about 1320. 
 
 Lent hy Mr. HoUingworth Magniac. D. lOt/, 
 
 2180. CASKET ; covered with plaques or panels of carved ivory. 
 
 Lent hy Mr. HoUingworth Magniac. D. Qd. 
 
 2181. ALTO-RELIEYO, in carved ivory ; St. George and the Dragon. 
 
 Lent hy Mr. HoUingworth Magniac. 
 
 STATUETTE OF ST. GEORGE, transfixing the dragon, in 
 carved ivory. Lent hy Mr. HoUingworth Magniac. D. 10:?. 
 
 2182. LID OF A COFFRET, carved ivory ; mounted in silver-gilt. 
 
 14th century work. Lent hy Mr. II. Magniac. D. 10c?. 
 
 2183. GROUP OF THE YIRGIN, seated, and Child ; at her feet a 
 
 dragon ; carved ivory. 14th century. Loan Catalogue, No. 
 99. Lent hy Mr. John Wehh. 
 
 GROUP OF THE YIRGIN suckling the Child ; carved ivory. 
 14th century. Loan Catalogue, No. 104. Lent by Mr. John 
 Wehh. * I 5 . 6c?. 
 
78 
 
 Ivory Carwags. 
 
 2184. 13A8-RI{iLlEF, in ivory, pierced ; in the centre, a lozenge en- 
 
 closing a figure of the Creator ; in the angles, emhlems of the 
 Evangelists. 14th century. Loan Catalogue, No. 90. Lent 
 hy Mr. John Wehh. 
 
 PAX, in ivory ; carved with the Entombment; inscribed, 
 ‘‘ Ilumilitas vincit.” 15th century. Loan Catalogue, No. 
 119. Lent hy Mr. John Wehh. 
 
 TRIPTYCH, centre of ivory ; carved with the Nativity, Ador- 
 ation, and Crucifixion; in the triangular top, the Last Judg- 
 ment. 13th century. Loan Catalogue, No. 71. Lent hy Mr. 
 John Wehh. 1^. 6df. 
 
 2185. PANELS, in carved ivory (twelve); with scenes from the life of 
 
 Christ, mounted in two frames. 12th century. Loan Cata- 
 logue, No. 60. Lent hy Mr. John Wehh. - ... As. 6d. 
 
 2186. STATUETTE OF ST. PETER holding a key ; carved ivory. 
 
 16th century. Loan Catalogue, No. 110. Lent hy Mr. John. 
 Wehh. 
 
 STATUETTE OF ST. PAUL holding a sword; carved dvory.- 
 16th century. Loan Catalogue, No. 111. Lent hy Mr. John 
 Wehh. 
 
 FIGURE OF CHRIST, a fragment from a crucifix ; carved 
 ivory. 14th century. Loan Catalogue, No. 107. Lent hy 
 Mr. John Wehh. \s. 6d. 
 
 2187. HANDLE OF A SWORD, composed of four grotesque figures, 
 
 and mask in the centre ; carved ivory. 14th century. Loan 
 Catalogue, No. 151. Lent hy Mr. John Wehh. 
 
 IMEMENTO MORI, of a skull, and male and female heads; 
 carved ivoiy. 16th century. Loan Catalogue, No. 122. Lent 
 hy Mr. John Wehh. \S, 6c?. 
 
 2188. TABLET, in ivory ; two lovers riding on horseback. 14th 
 
 century. Loan Catalogue, No. 154. Lent hy Mr. John Wehh. 
 
 BAS-RELIEF OF CHRIST seated; carved ivory. 13th century. 
 Loan Catalogue, No. 67. I^ent hy Mr. John Wehh. D. 6<?. 
 
 2189. (’ONSld^AR DIPTY'CH, of two tablets, each representi ng the 
 
 Consul seated, and accessories. Inscribed, “ RYF . CENN, 
 BROB . OHLSTIS . VC . ETINI . CONS . O^.” Carved 
 ivory. 6th century. Loan Catalogue, No. 38. Lent hy Mr. 
 John Wehh. ' \s. 10<?. 
 
 2190. PAX, convex front, with St. Michael and the Dragon; carved 
 
 ivory. 15th century. Loan Catalogue, No. 120. Lent hy 
 Mr. John Wehh. 
 
 PAN'IOL, in carved ivory ; a Bishop and two kneeling figures. 
 14th century. Loan Catalogue, No. 69. Lent hy Mr. John 
 Wehh. \s. 6d. 
 
 2191. BOX, ivory ; carved in liigh relief with Scriptural subjects. 12th 
 
 century. Loan Catalogue, No. 118. J^ent hy Mr. John 
 Wehh. 
 
79 
 
 Ivory Carvingsi. 
 
 GROUP OF THREE APOSTLES, seated ; ciii ved ivory. 15t]i 
 century. Loan Catalogue, No. 108. Lent hy Mr. John 
 Webb. 
 
 CHESSMAN ; in carved ivory, a king seated, holding a sword. 
 Loan Catalogue, No. 155. Lent by Mr. John Webb. 1^. 6</. 
 
 2192. COMB, in ivory ; carved with love scenes, a man kneeling before 
 
 a woman, and other figures. 14th century. Loan Catalogue, 
 No. 146. I^ent by Mr. John Webb. 
 
 COMB, in ivory ; carved with single figures, trees between. 
 14th century. Loan Catalogue, No. 145. I^ent by Mr. John 
 Webb. 1^. 6c?. 
 
 2193. PANEL, in ivory ; carved and pierced, Christ, St. Peter, 
 
 and St. Paul, beneath rich* Gothic tracery. 15th century. 
 Loan Catalogue, No. 93. Lent by Mr. J. Webb. ds. 6c?. 
 
 2194. DIPTYCH, in ivory ; carved with the Crucifixion and Virgin 
 
 and Child. • 14th century. Loan Catalogue, No. 78. Lent 
 by Mr. John Webb. D. 10c?. 
 
 2195. DIPTYCH, carved ivory, in high relief, of the Crucifixion and 
 
 Virgin and Child ; angels in the spandrils. 14th century. 
 Loan Catalogue, No. 77. I^e7tt by Mr. John Webb. D. 10c?. 
 
 2196. CASKET, in carved ivory ; with saints under canopies on the 
 
 cover ; round the sides, the legend of St. Margaret. 14th 
 century. Loan Catalogue, No. 130. I.ent by Mr. John 
 Webb. 
 
 CASKET, in ivory ; carved with love scenes, musicians, &c. ; 
 mountings of gilt metal set with green pastes. ' 14th century. 
 Loan Catalogue, No. 129. Lent by Mr. John Webb. D. 6c?. 
 
 2197. TABLETS, in ivory ; with the Evangelists seated writing their 
 
 gospels. 12th century. Loan Catalogue, No. 58. Lent by 
 Mr. John Webb. D. 6d. 
 
 2198. CPOZIER-HEAD, in ivory ; in the volute, the Virgin and 
 
 Chrld standing between two angels. 14th century. Loan 
 Catalogue. No. 115. Lent by 3Ir. John Webb. 
 
 CPOZIER-HEAD, in carved ivory ; in the volute, on one 
 * side, the A^irgin and Child, and two angels ; on the other, the 
 
 Crucifixion. 14th century. Loan Catalogue, No. 116. Lent 
 by 3Ir. John Webb. 2s. 3c?. 
 
 2199. DIPTATCH, in carved ivory, divided into three compartments; 
 
 pinnacles and canopies at top ; painted and partly gilt, with 
 subjects from the Passion of Christ. 14th century. Loan 
 Catalogue, No. 72. Lent by Mr. John Webb. 2s. 3d. 
 
 2200. DAGGER AND SHEATH, in ivory ; carved with figures and 
 
 monsters ; on the pommel, a lion couchant. 14th century. 
 Loan .Catalogue, No. 150. Lent by 3lr. John Webb. D. 6d. 
 
 2201. COMB, in ivory ; with pierced^arabesque ornaments of the 16th 
 
 century. Loan Catalogue, No. 149. I^ent by Mr, John Webb, 
 
80 
 
 Ivory Carvings. 
 
 COMB, in ivory ; carved on each side with love scenes. 14th 
 century. Loan Catalogue, No. 144. Lent hy Mr, John 
 Webb, l5. \0d, 
 
 2202. TABLET, ivory, in two compartments; the Entry into Jerusa- 
 
 lem, and the Last Supper. 11th century. Loan Catalogue, 
 No. 47. Lent by Mr. John Webb. 
 
 TABLET, in ivory ; carved with the Crucifixion and numerous 
 allegorical subjects. 10th century. Loan Catalogue, No. 43. 
 T.ent by Mr. John Webb. I 5 . ^d. 
 
 2203. DIPTYCH, of three compartments ; each carved in high relief, 
 
 Avith subjects from the life of Christ. Ivory. 14th century. 
 J.ent by Mr. John Webb. I 5 . lOi/. 
 
 2204. BAS-RELIEF OF ST. SEBASTIAN, ivory; on black-wood 
 
 l>ackground, marqueterie border. I5ih century. Loan Cata- 
 logue, No. 9o. I^ent by Mr. John Webb. I 5 . lO^/. 
 
 2205. DIPTYCH, ivory, of tAVO divisions; each representing se\'en 
 
 scenes from the life of Christ. Carved ivory. 14th century. 
 Loan Catalogue, No. 75. Lent by Mr. John Webb. I 5 . 6c?. 
 
 2206. COMB, ivory ; the Fountain of Youth, partly painted and gilt. 
 
 15th century. Loan Catalogue, No. 147. Lent hy Mr. John 
 Webb. 
 
 COMB, in ivory ; carved in low relief with morris-dancers. 15th 
 century. Loan Catalogue, No. 148. Le?it by Mr. John 
 Webb. \s. lOd. 
 
 2207. CHAPLET, in ivory, of ten small beads, each carved with three 
 
 heads of various orders of men ; tAA’^o large beads, AAdth busts 
 of a ]iope and kings ; and a “ memento mori.” 16th century. 
 J^oan Catalogue, No. 121. I^entby Mr. John Webb. H. 6<f. 
 
 2208. FOLDING-TABLET, carved iA’ory, in four divisions, of the 
 
 Childliood of Christ, partly painted and gilt. 14th century. 
 Loan Catalogue, No. 83. Lent by Mr. John Webb. D. \^d. 
 
 2209. PANEIiS, in carved iA'ory ; Avith subjects from the life of Christ. 
 
 1 1th century. Loan Catalogue, No. 126. Lent by Mr. John 
 Webb. \s. 6d. 
 
 2210. GROri'OFTHE VIRGIN AND CHILD, the latter holding 
 
 a bird ; the foi iner has a gilt metal crown. Carved ivory. 
 14th century. Loan Catalogue, No. 103. Lenthy Mr. John 
 fi 'ebb. 
 
 GHOUP OF THE VIRGIN, seated, holding the Child, who is 
 playing Avith a bird. Carved ivory. 14th century. Loan 
 Catalogue, No. 101. Le?it by Mr. John Webb, Is. lOd. 
 
 2211. PLAQT’E, in ivory ; carved in high relief with the subject of the 
 
 Resurrection. 13th cent. Lent hy Mr, John Webb, 10c?. 
 
Ivory Carvings. 
 
 81 
 
 2212. MIRROR-CASE, iii ivory ; two lovers riding out coursing. 
 
 14th century. Loan Catalogue, No. 136. Lent hy Mr. John 
 Webb. 
 
 MIRROR-CASE, with two ranges of figures ; love scenes ; 
 carved ivory. 14th century. Loan Catalogue, No. 133. Lent 
 by Mr. John Webb, Is. 10 d. 
 
 2213. BOOK-COVER, in five compartments, with gilt-metal bands. 
 
 In the centre, the Virgin and Child ; on each side, Isaiah and 
 Melchisedec ; below, is the Nativity ; and above, a medallion 
 cf Christ, supported by two angels. Carved ivory. 8th 
 cent. Loan Cat., No. 39. Lent by Mr. John Webb. I 5 . lOd. 
 
 2214. PANEL, in carved ivory, of St. Paul ; with inscribed border. 
 
 12th century. Loan Catalogue, No. 61. Lent by Mr. John 
 Webb. 
 
 TABLET, representing the Visit of the Marys to the Tomb ; 
 carved ivory. 10th century. Loan Catalogue, No. 44. Lent 
 by Mr. John Webb. 
 
 TABLET, in ivory ; carved with the Annunciation and Nativity. 
 10th century. Loan Catalogue, No. 50. Lent by Mr. John 
 Webb. \s. 10^/. 
 
 2215. TABLET, in ivory ; representing the Crucifixion. 11th century. 
 
 Loan Catalogue, No. 52. Lent by Mr. John Webb. 
 
 TABLET, in ivory, of St. Peter and St. Paul seated, between 
 them an angel. 9th century. Loan Catalogue, No. 64. I^ent 
 by Mr. John Webb. I 5 . 10c?. 
 
 2216. DIPTYCH, of four subjects, of the life of Christ, in quatrefoils. 
 
 In carved ivory. 14th century. Loan Catalogue, No. 81. 
 I^ent by Mr. John Webb. Is. 6d. 
 
 2217 . TABLET, in three divisions; scenes from the life of Christ. 
 
 Carved ivory. 12th century. Loan Catalogue, No. 66. Le 7 it 
 by Mr. John Webb. 
 
 TRIPTYCH, centre of ivory, in three compartments, of the 
 Death of the Virgin; eight saints. 12th century. Loan Cata- 
 logue, No. 65. Leiit by Mr. John Webb. Is. lOd. 
 
 2218. MIRROR-CASE, in ivory; two lovers at the foot of a tree, in 
 
 which Cupid is seated. 14th centmy. Loan Catalogue, No. 
 137. Lent hy Mr. John Webb. 
 
 MIRROR-CASE, carved -with thePieta, in ivory. 16th century. 
 Loan Catalogue, No. 143. Lejit by Mr. John Webb. 
 
 MIRROR-CASE, in ivory; a gentleman kneeling, crowned by a 
 lady, and a groom holding their horses. 14th century. Loan 
 Catalogue, No. 138. Lent by Mr. John Webb. 2s. 3d. 
 
 2219. CROZIER-HEAD, in ivory ; the volute supported by an angel 
 
 enclosing the Cnicifixion, and Virgin and Child. 14th cen- 
 tury, Loan Catalogue, No, 117. Lent by Mr. John Webb. 
 
82 
 
 Ivory Carvings. 
 
 C'KOZIEK-HEAD, in ivory ; carved all over with various figures 
 I’epresenting the Nativity. 12th century. Loan Catalogue, 
 No. 114. Lent hy Mr. John Wehh. \s. 10c/. 
 
 2220. PAIR OF TABLETS, each in two compartments; the Trans- 
 
 figuration, and Healing the Sick. Carved ivory. 10th century. 
 Loan Catalogue, No. 46. Lent hy Mr. John Wehh. 
 
 2221. PANEL OF PIERCED WORK, in three compartments, of ladies 
 
 and gentlemen seated under canopies. Carved ivory. 14th 
 century. Loan Catalogue, No. 131. Lent hy Mr. John 
 Wehh. \s. lOd 
 
 2222. DIPTYCH, of the Adoration of the Magi, and Crucifixion. In 
 
 carved ivory. 14th century. Lent hy Mr. John Wehh. 
 
 \s. 6d. 
 
 2223. DIPTYCH, leaf of, ivory, with female holding an acerra be- 
 
 fore an altar, at which is a child holding a bowl and cantharus, 
 inscribed “ Symmachorum.” 6th century. Loan Catalogue, 
 No. 37. Le)it hy Mr. John Wehh. > 1^. 10c/. 
 
 2224. TABLET, in ivory, pyramidal, carved Avith the Adoration of the 
 
 Magi ; border of AAuld animals at bottom. 11th century. Loan 
 Catalogue, No. 54. I^ent hy Mr. John Wehh. D. 10c/. 
 
 2225. POLYPTYCH, in ivory; composed of a temple of two stages, with 
 
 the Crucifixion and Virgin and Child ; enclosed by four shutters 
 carved Avith subjects from the life of Christ. 14th century. 
 Loan Catalogue, No. 73. Lent hy Mr. John Wehh. \s. 6c/. 
 
 2226. TABLET, in ivory; representing an enclosure of a wall and eight 
 
 toAvers, Avitliin Avhich is the Nativity; shepherds outside. 12th 
 cent. Loan Cat., No. 55. Lent hy Mr. John Wehh. D. 10c/. 
 
 2227. BAS-RELIEFS of three full-length robed figures holding a 
 
 basket, vase, &c.; egg-and-tongue border. Roman ivory. 3rd 
 century. Loan Catalogue, No. 36. Lent hy Mr. John 
 Wehh. 
 
 TABLET, in ivory ; carved in liigh relief Avith the Ascension ; 
 beloAV is tlie ])roj)lict Jlabakkiik. 10th century. Loan Cata- 
 logue, No. 57. Lent hy Mr. John Wehh. \s, 6c/ 
 
 2228. MIRROR-CASE, in caiumd ivory ; a gentleman and lady seated, 
 
 training a IiaAvk and a dog. 15th century. Loan Catalogue, 
 No. 142. Lc7it hy Mr. John Wehh. 
 
 MIRROR-CASE, in carved ivory ; Avith a lady and gentleman 
 playing at chess. 14th century. Loan Catalogue, No. 140. 
 J.ent hy Mr. John Wehh. 
 
 MIRROR-CASE, in carved ivory; a lover and his mistress 
 riding out hawking. 14th century. Loan Catalogue, No. 
 135. Lent hy Mr. John Wehh. 
 
Ivory (Jarvings. 
 
 83 
 
 MIRROR-CASE, in carved ivory ; a tournament under the 
 Avails of a castle, on Avhich are ladies holding roses. 14th 
 century. Loan Catalogue, No. 141. Lent by Mr. John 
 IVehh. . 1 s. 6d. 
 
 2229. TABLET, fragment of, representing Christ treading on the Lion 
 
 and Dragon. Carved ivory. 12th century. Loan Catalogue, 
 No. 53. Lent by Mr. John Webb. 
 
 CARVING in ivory, pja’amidal, of an Apostle standing. 10th 
 cent. Loan Cat., No. 40. Lent by Mr. John Webb. Is. 2d. 
 
 2230. BAS-RELIEF of St. Paul and five other Apostles. Carved 
 
 ivory. 16th century. Loan Catalogue, No. 96. Lent by 
 Mr. John Webb. 
 
 PANEL, in carved ivory, with the Eagle of St. John in a eircle; 
 coloured background. 11th century. Loan Catalogue, No. 
 63. Le7it by Mr. John Webb. ^ D. lOtf, 
 
 2231. TABLET, in tAvo eompartments, pointed top; the Crucifixion, 
 
 and Virgin and Child. Carved ivory. 14th eentury. Loan 
 Catalogue, No. 87. Lent by Mr. John Webb. 
 
 TABLET, in ivory, carved Avith the Crucifixion and emblema- 
 tical figures. 10th century. Loan Catalogue, No. 42. Lent 
 by Mr. John Webb. 2s. 3d. 
 
 2232. DIPTYCH, in ivory, earved Avith the Crucifixion and Virgin 
 
 and Child; angels in the spandrils. 14th century. Loan 
 Catalogue, No. 79. Le?it by Mr. John Webb. \s. 6d. 
 
 2233. TRIPTYCH, in caiwed ivory; in the centre, the Virgin and 
 
 Child; on the Avings, the Annunciation, Nativity, Adoration, 
 &c.: the top AAmnting. loth eentury. Lent by Mr. John 
 Webb. Is. 6d. 
 
 2234. GROUP OF THE VIRGIN AND CHILD ; both have origi- 
 
 nally had metal croAvns. Carved ivory. 15th century. Loan 
 Catalogue, No. 106. Lent by Mr. Jolin Webb. 
 
 STATUETTE OF THE VIRGIN, standing, holding the 
 Child ; a metal eroAvn on her head. Carved ivory. 14th 
 century. Loan Catalogue, No. 105. Lent by Mr. John 
 
 Webb. \s. \0d. 
 
 2235. POINTER, in iAmry, for reading manuscripts, the knob carved 
 
 with two lions. 13th eentury. Loan Catalogue, No, 152. 
 Lent by Mr. John Webb. 
 
 POINTER, in ivory, used for reading manuscripts, the knob 
 carved with Alexander’s mistress and Aristotle. 14th century. 
 Loan Catalogue, No. 153. J^entby Mr. John Webb. 
 
 PLAQUE, in ivory, carved with tAVO seated figures receiving 
 presents from soldiers. 11th century. Loan Catalogue, No. 
 124. Lent by Mr, John Webb, H. lOc^. 
 
84 
 
 Itonj Carvings. 
 
 L'2G6. TABLET, in ivory, representing tlie Adoration of the Magi, 
 under canopies. 12th century. Loan Catalogue, No. 56. 
 Lent hy Air. John Wehh. \s. 6d. 
 
 2237. CASKET, in ivory ; carved panels of mythological subjects 
 surrounded by borders of rosettes ; on the top. Centaurs and 
 Lapitha?, Europa on the Bull, &c.; Byzantine. 10th cent. 
 Loan Catalogue, No. 123. Lent by Air. John Webb. is. Sd. 
 
 223S. TAU-STAFF, head, formed of two snakes set with jewels ; 
 
 in the centre, a figure under a canopy. Carved ivory. 12th 
 century. Loan Catalogue, No. 113. Le?if by Air. John Webb. 
 
 STAFF (Tau-shaped), fragment, carved with the signs of the 
 Zodiac in lozenge-shaped compartments ; in walrus tusk. 
 12th century. Loan Catalogue, No. 112. Lent by Mr. John 
 Webb. is. 6d. 
 
 2239. CUP, in ivoiy, carved with allegorical figures of the seven car- 
 
 dinal virtues, under canopies, mounted in brass. 16th century. 
 Lent by Air. John Webb. 
 
 PYX, in ivory, with carved and pierced work, of eagles, quatre- 
 foils, &c. ; round the cover are Arabic inscriptions. 10th 
 century. Loan Catalogue, No 127. Lent by Mr. John 
 Webb. is. 6d. 
 
 2240. IMIRBOR-CASE, with two rows of figures, under Gothic cano- 
 
 ])ies; love-scenes; carved ivory. 14th century. Loan Cata- 
 logue, No. 154. Lent by Mr. John Webb. 
 
 IVIIRROR-CASE, in ivory ; a lady and gentleman playing at 
 chess in a tent. 14th century. Loan Catalogue, No. 139. 
 Lent by Air. John Webb. I 5 . iOd. 
 
 2241. DIPTYCH, in ivory, carved with the Crucifixion and Virgin 
 
 an<l Cliild. 14th century. Loan Catalogue, No. 80. Lent hy 
 Air. John Webb. 
 
 GROUP OF THE VIRGIN seated, and Child holding an 
 apple; carved ivory. 14th century. Loan Catalogue, No. 98, 
 IauI by Air. John Webb. is. 6d. 
 
 2242. PENDANT OF A GIRDLE, in ivory, carved with the Adora- 
 
 tion of the Magi, undei- a canoi)y. 15th century. Loan 
 Catalogue, No. 157. Lent by Mr. John Webb. 
 
 I’ANEL, in ivory ; the Virgin and Child seated under a canopy. 
 14th century. Loan Catalogue, No. 70. Lent by Air. John 
 Webb. 
 
 PENDANT OF A GIRDLE, in ivory, carved in high relief 
 with the Annunciation. 15th century. Loan Catalogue, No. 
 156. Lent by Air. John Webb. is. 6d. 
 
 2243. TABLIiT, in two compartments ; the Adoration of the Magi, 
 
 and Ih’csentation in the Temple ; carved ivory. 10th century. 
 Loan Catalogue, No. 48. Lent by Mr. John Webb. 
 
Ivory Carvings. 
 
 85 
 
 PANEL, in ivory, carved in three compartments, with scenes 
 from the Passion of Christ. 14th century. Loan Catalogue, 
 No. 86. Lent hy Mr. Jolm Webb. Is. 6d. 
 
 224:4. LEAF OF A DIPTYCH, in ivory ; pointed top ; the Nativity. 
 
 14th century. Loan Catalogue, No. 85. Lent by Mr. John 
 Webb. 
 
 TRIPTYCH, ill ivory ; in the centre, the Virgin and Child ; 
 angels on the wings. 14th century. Loan Catalogue, No. 84. 
 Lent by Mr. John Webb. 
 
 TABLET, in ivory, with arched top ; the Virgin and Child 
 between St. John and St. Catherine. 14th century. Loan 
 Catalogue, No. 91. Lent by Mr. John Webb. D, 6J. 
 
 2245. PANEL, in ivory ; a man holding a spear supported by a woman. 
 
 15th century. Loan Catalogue, No. 125. Lent by Mr. John 
 Webb. 
 
 PLAQUES of the Evangelists seated, writing their Gospels ; 
 carved ivory.- 12th century. Loan Catalogue, No. 59. Le?it 
 by Mr. John Webb. 
 
 BAS-RELIEF, in ivory, of a female kneeling before the Virgin 
 and Child, a bishop and a saint standing by her side. 15th 
 century. Loan Catalogue, No. 92. Lent by Mr. John Webb. 
 CARVING, in ivory, in form of a crescent ; the Virgin and 
 Child between St. John and St. Catherine. Loan Catalogue, 
 No. 94. Lent hy Mr. John Webb. 
 
 BAS-RELIEF, in ivory ; Christ seated, holding a book. 13th 
 cent. Loan Cat., No. 68. Lent by Mr. John Webb. 1$. 6d. 
 
 2246. TABLET, ivory, carved in low relief, the Presentation in the 
 
 Temple. 11th or 12th century. Loan Catalogue, No. 49. 
 Lent by Mr. John Webb. 
 
 TABLET, in ivory, carved with the Crucifixion. 11th century. 
 Lent by Mr. John Webb. \s. \0d. 
 
 2247. DIPTYCH, of three divisions each, containing twelve scenes 
 
 from the history of the Passion; carved ivorj^ 14th century. 
 Loan Catalogue, No. 76. I^ent by Mr. Jolm Webb. Is. lOA 
 
 2248. POLYPTYCH in ivory, in the centre. of which is a Virgin and 
 
 Child in high relief, on the sides are incidents from the life of 
 the Virgin. 14th cent. Lent by Mr. John Webb. D. 10c/. 
 
 2249. DIPTYCH, leaf, in ivory, carved with a seated consular 
 
 figure, beneath which is a comic bas-relief. Roman. 6tli 
 century. Le?it by Mr. John Webb. 1^. lOd. 
 
 2250. CHESSMAN, disk shaped, with carving in high relief of a man 
 
 hawking, mounted on a griffin. I.e?tt by Mr. John Webb. 
 
 CHESSMAN, disk shaped, with carving in high relief of an 
 armed man combating with a serpent. 13th century. Lent 
 by Mr. John Webb, 
 
86 
 
 Ivory Carvings, 
 
 CHESSMAN, disk shaped, with carving in high relief of an 
 abnormal quadruped. Lent hy Mr. John Wehb. 
 
 CHESSMAN, disk shaped, with carving in high relief of a 
 group, two figures of which are playing chess; 13th century. 
 Lent by Mr. John Webb. 
 
 PASTORAL STAFF HANDLE, in ivory, carved in compart- 
 ments with figures of animals, real and imaginary i Byzantine. 
 12th century (?). Leiit by Mr. John We^. I 5 . 10c?. 
 
 2251. BOOK, with carved ivory plaque in the centre of the cover. 
 
 Lent by Mr. John Webb. I 5 . 6c?. 
 
 2252. CASKET in ivory with gilt metal mountings, with coloured 
 
 heraldic sliields, and figures of the Virgin and St. Felix. 
 Italian. 13th century. Lent by Mr. John Webb. 1.9. iOc?. 
 
 2253. BOOK-COVERS, in ivory ; the Transfiguration and Ascension. 
 
 10th century. Loan Catalogue, No. 45. Lent by Mr. John 
 Webb. \s. 6d. 
 
 2254. TAU, or Handle of a Staff, in carved ivory, with figures of the 
 
 Saviour, an angel, and a martyr. 12th century. Lent by 
 Mr. John Webt 
 
 TAU, or Staff Handle, in carved ivory, with figures of monsters 
 among foliage. 12th cent. Lent by Mr. John Webb. ■ D. Od. 
 
 2255. TABLET, in ivory, representing the Crucifixion, surrounded by 
 
 emblematical devices. It has been originally studded with 
 golden nails. 10th century. Loan Catalogue, No. 41. Lent 
 by Mr. John Webb. D. 2d. 
 
 2256. STATU ETd'E OF A MALE SAINT, the hands wanting; 
 
 carved ivoiy. 15tli century. Loan Catalogue, No. 109. 
 T.eiil by Mr. John Webb. 
 
 GROUP OF THE VIRGIN seated, holding the infant Saviour ; 
 carved ivory. 14tli century. Loan Catalogue, No. 97. Lent 
 by Mr. .John JVchb. Is. 6d. 
 
 2257. DEVOd'IONAL TABLET; the Annunciation, the Salutation, 
 
 tin* Cj-ucilixioii, and llic Resurrection; carved ivory. French, 
 l ltli cciilmy. rent by Mr. John Webb. Is. 6d. 
 
 225 '. PANF1>, in two compartments; a king riding, and a king in 
 bed ; carved ivory. 12tli century. Loan Catalogue, No. 62. 
 Lc7// by Jlr. .Tohii ll'ebb. U. 2c?. 
 
 225f). 'rRIF'rVCII, in ivory ; in tlic centre, the coronation of the 
 
 Virgin ; on eacli wing tlircc panels of saints, coloured ground, 
 gilt borders. Venetian. 15th century. Loan Catalogue. 
 No. SO. Lc77/ by 3[r. John Webb. D. 6d. 
 
 226t). CASKF/r in ivory, carved with the Siege of the Castle of Love 
 on llic to]i, ami round the sides subjects from early romances. 
 14fli century. Loan Catalogue, No. 128, Lent by 3Ir. John 
 Webb. \s. 10c?. 
 
■Ivory Carvings. 
 
 87 
 
 2261. PANELS, in ivory, in four compartments, in which, under an 
 
 arcade, are represented love scenes. 14th century. Loan 
 Catalogue, No. 132. Lent by Mr. John Webb. Is. 6c?. 
 
 2262. GROUP OF -THE VIRGIN, seated sideways, holding the 
 
 Child, who has a bird and fruit ; carved ivory. 14th century. 
 Loan Catalogue, No. 102. Lent by Mr. John Webb. 
 
 GROUP OF THE VIRGIN AND CHILD, seated on a throne ; 
 carved ivory. 14th century. Loan Catalogue, No. 100. 
 Lent by Mr, John Webb. Is. 6d. 
 
 2263. STATUETTE, carved ivory ; a female figure with a sea-shell. 
 
 Italian. 17th century. Lent by Mr. R. Goff. 
 
 STATUETTE of the youthful Bacchus, carved ivery. Italian. 
 16th century. Lent by Mr. R. 
 
 STATUETTE, carved ivory ; Venus Anadyomene. Italian. 
 17th century. Lent by Mr. R. Goff. Is. 10c/. 
 
 2264. GROUP, carved ivory ; Venus and Adonis. Italian. I7th 
 
 century. Lent by Mr. R. Goff. 
 
 GROUP, carved ivory ; the Virgin and Child, with St. J olm. 
 Italian. 17th century. Leiit by Mr. R. Goff 
 
 STATUETTE, carved ivory ; a sylvan figure blowing a horn. 
 Italian. 17th century. L^ent by Mr. R. Goff. Is. 10c/. 
 
 2265. BAS-RELIEF, Adam and Eve ; carved ivory in ebony frame. 
 
 Flemish. 17th century. Lent by Mr. R. Goff. Is. 6c/. 
 
 2266. INKSTAND, ebony, Avitli ivory figures of Our Saviour and the 
 
 Avoman of Samaria. Italian. 17th century. Lent by Lady 
 Stuart de Rothesay. Is. 6c/. 
 
 2267. STATUETTE, carved ivory; the Saviour, or ‘‘Ecce Homo.” 
 
 Italian. 16th century. Lent by Mr. R. Goff. 
 
 GROUP, the carrying off of a Sabine Avoman ; carA'^ed iA^ory. 
 Italian. 16th century. Loan Catalogue, No. 251. Lent 
 by Mr. R. Goff. 
 
 STATUETTE, carved iAmry ; the Venus de Medicis. Italian. 
 16th century. Lent by Mr. R. Goff. Is. 6<7. 
 
 2268. PLAQUES, carved ivory, perforated, representing the Rulers of 
 
 the Elements, surrounded with rococo scrolls. Italian. 17th 
 century. Lent by Mr. R. Goff. 2s. 3c/. 
 
 2269. CUP, decorated with Bacchanalian subjects ; caiwed ivoi'v. 
 
 Italian. 17th century. Lent by Mr. R. Goff, 
 
 CUP AND COVER, carved ivory. Flemish. I7th century. 
 (Bernal collection.) Loan Catalogue, No. 271. Lent by 3Ir. 
 R. Goff. 
 
 CUP AND COVER, carved ivory ; by Fiammingo. Italian. 
 17th century. Lew/ by Mr. R. Goff. Is. 10c/. 
 
 2270. STATIt^ETTES OF TWO BOYS, ivory. Italian. 17th cen- 
 
 tury. Lent by Mr. R, Goff. 
 
88 
 
 Ivory Carvings. 
 
 STATUETTES of male and female peasants ; ivory. German. 
 17tli century. Lent hy Mr, R, Goff. 1^. lOiZ. 
 
 2271. TANKAED BODY or DRUM, Bacchanalian subject; carved 
 
 ivory on ebony stem, by Antonio Leoni. Italian. I7th century. 
 Lent by Mr. R. Goff 1^. 10c?. 
 
 2272. FRAGMENT of a group in alto-relievo, and groups of two 
 
 amorini in alto-relievo ; carved ivory. Flemish. 17th cen- 
 tury. Lent hy Mr. R. Goff. I 5 . 10c?. 
 
 2273. PLAQUE, carved ivory, representing the Day of Judgment, 
 
 after the Sistine fresco of Michael Angelo. Italian. 16th cen- 
 tury. Lent by Mr. R. Goff. U. 6c?. 
 
 2274. PLAQUES, carved ivory, the Nativity and the Annunciation. 
 
 Italian. I7th century. Lent by Mr. R. Goff. 1.9. 10c?. 
 
 221 o. PLAQUES, carved ivory, representing the Brazen Serpent in 
 the Wilderness, and Moses descending with the two tables of 
 the commandments. Italian. 17th century. Lent by Mr. 
 R. Goff. \s. Qd. 
 
 2276. GROUP, carved ivory; Venus and Cupid. Italian. I7th cen- 
 
 tury. /.ent by Mr. R. Goff. 
 
 GROUP, carved ivory ; a young mother and child. Italian. 
 17th century. Lent by Mr. R. Goff. 
 
 GROUP, carved ivory ; a female figure, with two children, 
 Italian. I7th century. Lent by Mr. R. Goff. I 5 . 10c?. 
 
 2277. TANKARD AND COVER, the four seasons; carved ivory. 
 
 mounted in gilt metal. Flemish. 17th century. Lent by Mr. 
 
 R. Goff. 
 
 TANKARD AND COVER, “the Bauerkreig,” or peasants’ 
 war ; cai’ved ivory, with gilt bronze mountings. German, 
 Early 18th century. Lent by Mr. R. Goff. I 5 . 10c?. 
 
 2278. PLAQUES, ivory ; Ilagar and the Angel. Italian. I7th cen- 
 to ly. Lent by Mr. R. Goff. 
 
 I’LAQUE, ivory; Lot and his Daughters. Italian. I7th cen- 
 tury. Lent by Mr. R. Goff. I 5 . 10c?. 
 
 2276. PLAQUE, Bacchanalian subject; style of II Fiammingo. Lent 
 by Mr. R. Goff. Is. 10c?. 
 
 2280, STATUETTE, carved ivory ; a soldier in plate armour. Ger- 
 man. 17th century. Lent by Mr. R. Goff. 
 
 STATUETTE, carved ivory; the Virgin of the Immaculate 
 Conception. Spanish. 17th century. LentbyMr.R. Goff. 
 
 STATUETTE, carved ivory; a huntsman. German. I7th 
 century. Lent by Mr. R. Goff. I 5 . 10c?. 
 
 22H1. PLAQUE, ivory; Joseph and Potiphar’s Wife. Italian. I7th 
 century. Lent by Mr. R. Goff. 
 
 BAS-RELJEF, in pierced ivory; Christ before Pilate. Gernnin. 
 16th century. Lent by Mr. R. Goff. 
 
Ivory Carvings. 
 
 89 
 
 PLAQUE, ivory; with bas-relief of Joseph relating his dream, 
 Italian. 17th century. Lent hy Mr. R. Goff. U. \0J, 
 
 2282. PLAQUES, ivory ; the Temptation and the Expulsion. Italian. 
 
 17th century. Lent by Mr. R. Goff. U. lOd. 
 
 2283. PLAQUE, ivory. Nymph with two children nursed by Cupids. 
 
 Flemish. 17th century. Lent hy Mr. R. Goff. U. lOd. 
 
 2284. PLAQUE, ivory. The Judgment of Paris. German. 16th 
 
 century. Lent hy Mr. R. Goff. 
 
 PLAQUE, in ivory ; the Judgment of Paris, with Mercury. 
 Italian. 17th century. Lent hy Mr. II. Goff. U. lOd. 
 
 2285. PLAQUE, ivory; the Judgment of Paris. German. 16th cen- 
 
 tury. Lent hy Mr. R. Goff. 
 
 PLAQUE, ivoiy, with bas-relief of the Martyrdom of St. 
 Lawrence. German. I7thcent. I^ent hy Mr. R. Goff. \s. 10(<?. 
 
 2286. PLAQUES, ivory, in ebony frames, with bas-reliefs of Diana 
 
 and Endymion, and of Venus and Adonis. Italian. 17th 
 century. Lent hy Mr. R. Goff. \s. 10<7. 
 
 2287. CASKET, in carved ivory (showing the back). Lent hy Mr, 
 
 R. Goff Is. lOd. 
 
 2288. CASKET, in carved ivory (showing side). Lent hy Mr. R. 
 
 Goff. \s. lOd. 
 
 2289. CASKET, in carved ivory (showing front). Le?it hy Mr. R. 
 
 Goff. 2s. M. 
 
 2290. TABERNACLE, tortoise-shell, with silver mouldings ; in the 
 
 centre an ivory plaque, in high relief, of the Crucifixion. 
 Venetian. 17th century. Lent hy Mr. R. Goff. 2s. 2>d, 
 
 2291. NUTMEG-GRATER, with grotesque bas-relief in ivory, at the 
 
 back, a peasant drunk and dancing. German. 17th cen- 
 tury. Lent hy 31r. R. Goff. 
 
 FIGURE, recumbent, in ivory ; Venus sleeping, a sheet rolled 
 up under the left arm. French. 17tli century. Lent hy 3Ir. 
 R. Goff. Is. 2d. 
 
 2292. BOWL AND COVER, in lapis-lazuli, spirally fluted and carved 
 
 with leaves ; mounted in silver-gilt. Lent hy Lady Stuart de 
 Rothesay. 
 
 TANKARD, in ivory, carved with the Rape of the Sabine 
 Women; mounted in silver-gilt. Flemish. I7th century. 
 Lent hy Lady Stuart de Rothesay. U. \0d. 
 
 2293. TENURE HORN, carved ivory, mounted in silver. Byzantine. 
 
 9th or 10th centuiy. Lent by Mr. II. Blackhurn. 2s. Zd. 
 
 2294. STATUETTE OF VENUS, with Cupid ; carved ivory. 
 
 Italian. 17th century. Loan Catalogue, No. 264. Lent hy 
 Baron L. de Rothschild^ M.P. 
 
 STATUETTE OF PARIS holding the apple, carved ivory. 
 Italian. 17th century. Loan Catalogue, No. 26o. Lent hy 
 Baron L. de Rothschild^ 31. P. 2s. 3d. 
 
 15929 .— 2 . Q 
 
90 
 
 Icory Carvings. 
 
 2295. STATUpyrXES of tlie Seasons; ivory figures under enamelled 
 
 nnd jewelled canopies. 16th century. Lent hy Laron L. de 
 Jiot/isc/iild, M.P. l 5 . \0d. 
 
 2296. STATUETTES of the Seasons; ivory figures under enamelled 
 
 and jewelled canopies. I^cnt by Baron L. de Rothschild, 
 -/V.P. Is. lOd. 
 
 2297. TANKARD, carved ivory, mounted in silver-gilt. I7th cen- 
 
 tiiiy. Loan Catalogue, No. 277. Le?it hy Baron L. de Roths- 
 child, M.P. 
 
 TANKARD, carved ivory, mounted in silver-gilt. Italo-Flemish 
 carving. 1 7th century. Loan Catalogue, No. 275. Lent hy 
 Baron L, de Rothschild, M.P. 2s. M. 
 
 2298. CUP AND COVER, in rhinoceros horn ; subject of Meleager 
 
 and Atalanta. Flemish. 17th century. Loan Catalogue, 
 No. 8,005. L^ent hy Baron L. de Rothschild, M.P. D. 6d. 
 
 2299. EV ER, of a flattened oval form ; carved ivory. Flemish. Date 
 
 about 1660. Loan Catalogue, No. 270. Leiit hy Baron L. 
 de Rothschild, M.P. 2s. Sd. 
 
 2300. COi\rP>, in ivory, carved with arabesques, and pierced. Lent hy 
 
 Mr. A. Barker. 
 
 STATUETTE OF THE VIRGIN, in ivory, the stand inlaid 
 witli mother-of-pearl. L^ent hy Mr. A. Barker. \s. lOdf. 
 
 2301. SlbVTUETTE, in ivory, of St. Catharine of Siena. Italian. 
 
 15lh century. Lent hy Mr. A. Barker. 
 
 PLAQUE, in ivory, representing a prince of the Visconti family, 
 ])i'obably Giangaleazzo. Italian. End of 14th century. JL,ent 
 hy Mr. A. Barker. D. 10c?. 
 
 2302. FIGURE OF APOLLO, in ivory, by Scheemakers. 1732. Lent 
 
 hy Mr. G. Tl. Morland. 
 
 STATUETTE of a female figure holding a wreath; ivory; 
 by Scheemakers. 1732. J.ent hy Mr. G. LI. Morland. \s. 6d. 
 
 2303. TGCLIEVO of a Dutch lady, in ivory. Date about 1660. Loan 
 
 No. 309. T.ent hy Sir C. Wentworth Dilke, Bt. D. 10c?. 
 
 2301. TIMl’TYCII, in ivory; in the centre, nine compartments of the 
 Crucifixion, and other Scriptural subjects, and six in each of 
 Oie wings. 15th cent. J^ent hy Mr. G. LI. Morland. U. 10c?. 
 
 2305. DAGGER-CASE, in ivory, carved with inscriptions and busts 
 
 of the Dukes of Urbino ; coloured. L.ent hy Mr. A. Barker. 
 
 DAGGER-CASE, in ivory; the handle in form of a female bust. 
 1 Itli cent. L.ent hy Mr. A. Barker. \s. 10c?. 
 
 2306. DAGGER-SIIEATIT, in ivory, carved and pierced; terminal 
 
 figures at the sides. L^ent hy Mr. A. Barker. 
 
 DAGGER-CASE, in ivory, carved with arms, busts, and inscrip- 
 tions referring to the Dukes of Urbino. L^ent hy Mr. A. 
 Barker. 2s. 3d. 
 
Ivory Carvings. 
 
 91 
 
 2307. TRIPTYCH, in ivory, carved and coloured with the Crucifixion 
 
 and saints. Lent hij Mr. A. Barker. \s. lOt/. 
 
 2308. POLIPTYCH, in ivory, partly gilt and coloured, in form of a 
 
 canopy, containing a statuette of the Virgin and Child ; the 
 back and four wings semee with fleurs-de-lis ; the outside 
 chequered black and white. 15th century. Lent by Mr. A. 
 Barker. \s. lOd. 
 
 2309. HUNTIiSG-HORN, in ivory, carved with hunting scenes, cro- 
 
 codiles, and angels supporting a shield of arms. Oriental 
 Avork. Lent by Mr. A. Barker. 
 
 HORN, in carved ivory, Avith animals, hunters, and reptiles, in 
 relief, with inscriptions. Lent by Mr. A. Barker. H. \0d. 
 
 2310. POWDER-FLASK, in ivory, Avith the monogram “I. S.” in the 
 
 centre. Lent by Mr. A. Barker. 
 
 PESTLE AND MORTAR, in ivory, Avith monogram “I.S.” 
 Lent by Mr. A. Barker. Is. 6d. 
 
 2311. STATUETTE, in ivory ; Virgin and Child. 14th century work. 
 
 Lent by Mr. A. Barker. I 5 . 10c?. 
 
 2312. STATUETTE, in ivory. Lent by Mr. A. Barker. 2s. 3d. 
 
 2313. SITULA, or tAvo handled pail for holy water, in carved ivory, 
 
 encircled by tAvo bands of figures. Supposed to be 10th cen- 
 tury A\mrk. Loan Catalogue, No. 8,018. Lent by Mr. G. 
 Attenborough. D. 6c?. 
 
 2314. WASSAIL HORN, mounted and lined throughout Avith silver 
 
 gilt. English Avork. 14th centuiy. Loan Catalogue, No. 
 3,220. Lent by Queen's College, Oxford. 2s. 3d. 
 
 2315. HORN, in carved ivory. German Avork. Date about 1520. 
 
 Lent by Mr. A. Fountaine. 2s. 3d. 
 
 2316. TANKARD, in carved ivory. Flemish Avork. I7th century. 
 
 Lent by Mr. Robert Napier. 3s. 
 
 2317. TRIPTYCH, in cai'ved ivory. 13th or 14th century work. Lent 
 
 by Mr. G. II. Morlayid. 3s. 
 
 2318. VASE, opeuAVork, in ivory and or-molu. French AVork. Time 
 
 of Louis Seize. Lent by Mr. George Field. 3s. 
 
 2319. CROZIER-HEAD, in cai-A^ed ivory. English work, 14th cen- 
 
 tury. I^ent by Mr. Philip II. Howard. 3^. 
 
 2320. GRACE CUP OF THOMAS A BUCKET, in ivory, mounted 
 
 in siKer-gilt. Lent by Mr. Philip II. Howard. 3.y. 
 
 2321. TABLET, in carved ivory; “The Ascension.” 9th century 
 
 Avork. Loan Cat., No. 172. Lent by Mr. G. II. Bohn. Is. 6d. 
 
 2322. TRIPTWCH, in carved ivoiy. Early 14th century AVork. Loan 
 
 Catalogue, No. 177. Lent by Mr. E. Waterton. I 5 . 6c?. 
 
 2323. STATUETTE OF THE VIRGIN AND CHILD, in carved 
 
 ivory. English work of the end of the 13th cent. Loan Cat., 
 No. 204. Lent by Mr. J. Hope Scott. H. 10c?. 
 
92 
 
 Ivory Carvings. 
 
 2324. BOX, in carved ivory. 14tli century Tvork, Loan Catalogue, 
 Xo. 210. Lent by Lord Clifford. I5. 6c?. 
 
 232o. THE “ CLEPIIAXE HOBX,” in carved ivory. 9th century 
 ■work. Loan Catalogue, Xo. 212. Lent by the Marquis oj 
 Korthamjiton. 2s. 8d. 
 
 2326. TAXKAlxD, in carved ivory, mounted in silver-gilt, set ■with 
 
 ])laques of translucent enamel. Flemish. I7th cent. -work. Loan 
 Cat., Xo. 278. Lent by the Viseou?it Strang ford. 2s. 3d. 
 
 2327. THE BRUCE HORN, tenure horn of Severnake Forest; carved 
 
 ivorv. 14th century. Lent by the Marcquis of Ailes bury. 
 
 3s. 4d. 
 
 2328. CASKET, in carved ivory (sho'wing the front). Date about 1350. 
 
 In the South Kensington Museum. I5. 6c?. 
 
 2329. CASKET, in carved ivory (sho-sving the back). Date about 1350. 
 
 In the South Kensington Museum. Is. 10c?. 
 
 2330. ALVSE, in ivory and ormolu. French. Temp. Louis X"VT[. D. 10c?. 
 
 2331. CARVIXG, in ivory. Byzantine. \s, 10c?. 
 
 2332. TABLETS, three fitting together ; carved ivory. Chinese. Lent 
 
 by the Earl of Elgin and Kincardine. I5. 6c?. 
 
 2333. ClIESSMEX, red and -white ivory. Lent by the Earl of Elgin 
 
 and Kincardine. D. \0d. 
 
 2334. CRUCIFIX ; carved ivory figure on black wood cross. Lent 
 
 by Mr. A. J. B. Deresford Hope. I5. 2d. 
 
 2335. FAIR OF TABLETS, ivory, carved in high relief with Christ 
 
 Ijearing the cross and crowned with thorns, in black frame. 
 16tli century. I.ent by Mr. A. J. B. Beresford Hope. I5. 2d. 
 
 2336. FLAf^UE, carved ivory, in tliree divisions; Washing the Saviour’s 
 
 k'eet, Agony in the Garden, and Crucifixion. 14th century. 
 Lent by Mr. /i. J. B. Beresford Hope. \s. 2d. 
 
 2337. CAR\"1XG, in bone, of Cupid and kneeling figures; marqueterie 
 
 frame, ))ointed tojn Venetian. 16th century. Lent by Mr. 
 A. ,/. B. Beresford Hope. D. 2d. 
 
 2338. FLA (^>rE, ivory, carved in liigli relief Avith the Mart^n-dom of 
 
 St. LaAvi-ence ; numerous figures. I7th century. Lent by 
 Mr. yt. J. B. Beresford Hope. I5. 2c?. 
 
 2339. I'AVER, in stag liorn. Augsburg. Date about 1670. Lent by 
 
 Mr. y[. J. B. Beresford Hope. D. 6c?. 
 
 2340. 4'ABLET, carved ivory ; the Crucifixion, in rosewood frame. 
 
 15tli century. Lent by Mr. A. J. B. Beresford Hope. D. 6c?. 
 
 2341. DIFdA'CII, ivory, carved Avith the Crucifixion and another 
 
 Srrij.lural subject, in Avliite metal frame. CROSS, lapis-lazuli, 
 Avitli gold enamelled figure of Christ; black pedestal, with 
 small enamelled floAvers. And ETUI CASE, ivory, in form 
 of a richly-dressed lady, partly inlaid Avith gold. 15th century. 
 J^ent by Mr. A, J, B. Beresford Hope. I5. 60?. 
 
Ivory Carvings. 
 
 93 
 
 2342. TRIPTYCH, Venetian carved bone, with the Crucifixion and 
 
 figures of saints ; marqueterie frame. 15th century. Lent by 
 Mr. A. J. B. Beresford Hope. Is. lOd. 
 
 2343. SALVER, ivory, carved with hunting scenes ; in the centre are 
 
 Diana and Actgeon. Augsburg. Dated 1673. Lent by 
 Mr. A. J. B. Beresford Hope. 2s. 3d. 
 
 2344. TANKARD, carved ivory, with cupids, vines, and animals ; on 
 
 the cover a medallion ^of the offerings of the Magi. 16th 
 century. Le?it by Mr. A. J. B. Beresford Hope. D. 6d. 
 
 2345. TABLET, ivory ; the Virgin and Child between two angels under 
 
 a triple canojiy. 15th century. And TABLET, ivory, in 
 four divisions of Scriptural subjects, under canopies and Gothic 
 tracery ; the Crucifixion, &c. 15th century. Lcwif by Mr. A. 
 J. B. Beresford Hoj)e. I 5 . 6d. 
 
 2346. CROZIER, of ivory ; plain ivory stem ; the head carved with 
 
 the coronation of the Virgin. Loan Catalogue, No. 207. Lent 
 by Mr. A. J. B. Beresford Hope. Is. lOd. 
 
 2347. THREE COMBS, in carved ivory. Modern Hindoo work. In the 
 
 South Kensington Museum. I 5 . 2d. 
 
 2348. COFFER, with arched top ; marqueterie of wood, bone, and 
 
 ivory, with engraved ivory plaques in front ; the lock plate 
 and handles of gilt metal. South Italian. 15th century. In 
 the South Keyisington Museum. I 5 . 2d. 
 
 2349. DRAFTBOARD, in ebony and ivory, enclosing a set of chessmen 
 
 of silver and gilt. 17th century. Lent by Mr. A. J. B. 
 Beresford Hope, D. 10c?. 
 
 2350. CASKET, octagonal, with plaques of carved bone and marqueterie 
 
 of coloured woods. Italian. Quattro-cento work. In the South 
 Kensington Museum. D. 2d. 
 
 2351. TRIPTYCH, in carved ivory, stained ; in the centre is the 
 
 coronation of the Virgin, on the shutters figures of angels 
 and subjects from the life of our Saviour. Italian. The work 
 of A. Orcagna. Date about 1350. (Gigli-Campana coll.) 
 In the South Ke^isington Museum. D. 6^/, 
 
 2352. OLIPFIANT, or IVORY HORN, carved with interlaced orna- 
 
 ment containing animals. Byzantine. 11th century. In the 
 South Kensington Museum. I 5 . 
 
 2353. TWO COMBS, in carved ivory. Modern Hindoo work. In the 
 
 South Kensington Museum. \s. 2d. 
 
 2354. CASKET, in marqueterie of tortoiseshell and ivory. 17th cen- 
 
 tury. In the South Kensington Museum. D. 2d. 
 
 2355. CUP AND COVER, ivory, turned in eccentric curved mould- 
 
 ings ; the stem supported by a nude youthful figure, also 
 worked by the turning lathe. Executed and signed by a Ger- 
 man artist in Tuscany, A.D. 1581. And CUP AND CG\TER, 
 ivory, of pentagonal shape with eccentric turned mouldings ; 
 the stem is an open spiral coil. Italian. Dated 1581. (Pour- 
 tales coll.) In the South Kensington Museiim. D. 2d. 
 
94 
 
 Ivory Carvings. 
 
 2356. CARVING, iu ivory, representing a castle with warriors on the 
 
 battlements, probably a chessman. 14th century. BOX, in 
 turned ivory, with lock, clamps, &c., in gilt brass. German or 
 French. 13th century. Intended as a “ custode ” or box for 
 the altar wafers. COFFRET, in wood, with iron clamps 
 and hinges, terminating in raised acorns. German. 14th or 
 loth century work. In the South Kensington Museum. 1«. 2c/. 
 
 2357. PLAQUE, in carved ivory, in three compartments ; with figui’es 
 
 of the Virgin and Child and of St. Joseph ; one of the wings 
 of a small polyptych. Date about 1330. PEARL OYSTER 
 SHELL, sculptured with the Crucifixion in low relief. French 
 or German. Date about 1500. MEDALLION or PENDANT 
 ORNAMENT ; relievo of St. George and Dragon in stag’s horn, 
 mounted in silver gilt. French, loth century work. ME- 
 DALLION, in carved ivory ; the Assumption of the Virgin ; 
 picked out in colours and gold. 14th century work. In the 
 South Kensington Museum, D. 2d. 
 
 2358. POWDER FLAvSK, ivory, flattened oval, carved in bas-relief 
 
 with groups of Mars and Venus, and of Bellona cro^vned by 
 Victory. French. Date about 1550. (Pourtales coll.; 
 CYLINDER, ivory, probably the di’um of a tankard, or a 
 pedestal, with the Destruction of Niobe’s children carved in 
 high relief. Italian. 17th century. In the South Kensington 
 Museum. D. 2c?. 
 
 2359. PREDELLA, in bone, divided into nine compartments by figures 
 
 of saints and angels under Gothic niches; the subjects repre- 
 sent incidents in the history of our Saviour. The work of 
 Andrea Pisano. Date about 1300-20. (Gigli-Campana coll.) 
 In the South Kensington Museum, D. 2d. 
 
 2360. (JLIPIIANT, or IVORY HORN, carved with foliage and hunting 
 
 subjects, mounted in silver. German, loth century. (Solty- 
 koff coll.) In the South Kensington Museum. H. 2d. 
 
 2361. COFFREd", in cai ved bone and wood marquetry. Italian, loth 
 
 centui y work. The sculptures represent the history of Jason. 
 In the South Kensington Museum. Is. 2d. 
 
 2362. THREE BUS'rS; Roman j)oets and orators. Dated 1733. Carved 
 
 ivory, on black pedestals. Lent bg Mr. A. J. B. Beresford 
 Hope. H. Qd. 
 
 2362. CTTh in ivory, carved with an equestrian figure of an emperor 
 
 piercing an enemy ; on the back the arms of Holland ; the 
 cover surmounted by a helmet. 17th century. Lent by Mr. 
 A. J. JI Beresford Hope. H. 6d. 
 
 2363. COFFRE'J', overlaid with pieces of ivory carved with figures, 
 
 leaf work, &c. ; tlic base and cover inlaid with tarsia work of 
 liorn, wood, and ivory. Italian. Quattro-centro work. In 
 the South Kensington Museum. 6c?. 
 
Ivory Carvings. 
 
 95 
 
 2364. STATUETTE, in ivory ; a skeleton or emaciated corpse-like 
 
 figure beating a drum ; a Dance of Death ” subject. German 
 or Flemish work. First half of I7th century. In the South 
 Kensingtoii Museum. D. 6c?. 
 
 2365. BAMBINO, or infant in swaddling-clothes, opening as a casket 
 
 or box ; carved ivory, mounted in or-molu. Lent hy Mr. 
 A. J. B. Beresford Hope. D. 10c?. 
 
 2366. CPIE8SMEN, set of, turned ivory, painted and gilded (31 pieces). 
 
 Burmese. In the South Kensington Museum. D. 6c?. 
 
 2367. CASKET, or OBLONG BOX, in carved ivory, divided into 
 
 panels ornamented with classical subjects. Probably By- 
 zantine work of the 9th or 10th century. Obtained from the 
 Treasury of the Cathedral of Veroli, near Borne. In the 
 South Kensington Museum. 35. 
 
 2368. CASKET, or OBLONG BOX, No. 2367, showing one end. 
 
 Is. 6d. 
 
 2369. CASKET, or OBLONG BOX, No. 2367, showing one end. 
 
 l5. 6d. 
 
 2370. CASKET, or OBLONG BOX, No. 2367, showing one side. 35. 
 
 2371. CASKET, or OBLONG BOX, No. 2367, showing the back. 35. 
 
 2372. MAEEIAGE CASKET, octagonal; the frame of ivory and wood 
 
 marquetry, with carved bone mouldings and medallions of 
 figures on the sides. Venetian. 16th century. Lent hy Mr. 
 A. Barker. I 5 . 6c?. 
 
CARVINGS IN WOOD. 
 
 2460. “ CASSONE,” or Marriage Coffer. Italian. Date about 1550. 
 
 In the South Kensington Museum. 2s. 3d. 
 
 2461. “ CASSONE,” or Marriage Coffer. Italian. Date about 1550. 
 
 In the South Kensington Museum. 2s. 3d. 
 
 2462. CARVING in box- wood. I?i the South Kensington Museum. 
 
 \s. lOd. 
 
 2463. BOX, in wood, inlaid with ivory. Marqueterie. German. 
 
 Dated 1556. (Bernal coll.) In the South Kensington Mu- 
 seum. l5. 6c?. 
 
 2464. vSTATUETTE of the Infant St. John, in painted wood. Spanish, 
 
 17th century. In the South Kensington Museum. D. 6c?. 
 
 2465. HARP of Marie Antoinette. In the Museum of the Louvre, 
 
 Paris. 2s. 3d. 
 
 2466. HARP of Marie Antoinette. In the Museum of the Louvre, 
 
 Paris. 2s. 3d. 
 
 2467. HARP of Marie Antoinette. In the Museum of the Louvre, 
 
 Paris. 2s. 3d, 
 
 2468. liE BLOWS, in carved chestnut-wood, picked out with gilding. 
 
 Italian work. Date about 1560. Lent bij Mr. Hollingioorth 
 JSIagniac. 2s. 8d. 
 
 2469. BELLOWS, in carved chestnut-wood. Same as No. 1968, 
 
 si lowing tlie reverse. Le?it by Mr. Ilolling worth Magniac, 
 
 2s. 8d. 
 
 2470. (,'liAlH, in carved oak. French renaissance work. Date about 
 
 1520. Lent by Mr. Ilollingworth Magniac. 2s. 8d, 
 
 2471. COFEEK*, in carved box-wood, Avith lock and mounts in silver- 
 
 gill. German oi- Swiss work of the early part of the 15th 
 cc-ntnry. Lent by Mr. Ilollingworth Magniac. 
 
 COf'f'ER, in carved box-wood, Avith silver lock and hinges. 
 German or SAviss Avork of the 15th century. Lent by Mr. 
 Jlollingicorth Magniac. 2s. 3d. 
 
 2472. in bas-relief, cai*Amd in pear-AAmod. German. Dated 
 
 1500. Loan Catalogue, No. 6,736. Lent by Baron L. de 
 Pothschild, M.P. Is. 10c?. 
 
 247.3. CABINET, in gilt AAmod, Avith lapis lazuli columns, faced Avith 
 ])lafiues of Ihe same stone and pieces of agate, on a stand. 
 
 Lc/it by Lady Stuart de Rothesay. l6f. 10c?. 
 
 2474. THRONE, or Chair of State, in carved Avood, with terminal 
 figures. Loan Catalogue, No. 801, Lent by Mr. R. 
 
 Vaughan, 1^. 10c?, 
 
Carvings in Wood. 
 
 97 
 
 2475. CROSS, carved in wood, with minute Scriptural subjects, 
 
 mounted in gilt metal. Russian work. Le7it by Mr. A. 
 Barker. 
 
 CROSS, carved in wood, with the Crucifixion and other Scrip- 
 tural subjects. Russian. Lent by Mr. A. Barker. I 5 . 6c/. 
 
 2476. ALTAR-PIECE, early painted, with circular top, gold ground, 
 
 divided into six compartments, of the Virgin and Child and 
 Saints. Lent by Mr. A. Barker. Is. 10c/. 
 
 2477. TRIPTYCH, in painted wood ; in the centre, the Virgin and 
 
 Child ; saints and angels on the wings, on gold ground, by 
 Taddeo Gaddi. I^ejit by Mr. A. Barker. 2s. 3d. 
 
 2478. CASKET OF BLACK WOOD, with applique gilt ornaments 
 
 and scrolls. Lent by Mr. A. Barker. 2s. 3d. 
 
 2479. TABLET, in wood, containing four convex statuettes of em- 
 
 perors and attendants under canopies, carved in ivory. Le?it 
 by Mr. A. Barker. Is. 10c/. 
 
 2480. CUP, in carved wood, mounted in or-molu, in form of a dolphin. 
 
 I7th century. Le?it by Mr. A. Barker. D. 10c/. 
 
 2481. MEDALLION, wood carved in open work on one side, with 
 
 figure of the Saviour surrounded by busts of saints, on the 
 other Avith the Virgin and Child, similarly surrounded. Russo- 
 Greek. 18th century. Lent by Mr. A. Barker. 
 
 TRIPTYCH, in carA^ed Avood, Avith saints, &c., in a sib’er case.. 
 Russian Avork. Lent by Mr. A. Barker. D. 6c/. 
 
 2482. STATUETTE, Virgin and Child ; boxAvood ; German, I7th 
 
 century. Bronze Venus, on AAdiite marble pedestal ; Italian, 
 17th century. BoxAVood statuette, Cupid bending his boAV ; 
 Italian, 18th century. Lent by Mr. A. Barker. D. 10c/. 
 
 2483. CHEST, in carved oak. French Gothic Avork. Date about 1480. 
 
 I^ent by Mr. H. Godwin Austen. 10c/. 
 
 2484. CHEST, in carved oak (front). French Gothic Avork. Date 
 
 about 1480. Lent by Mr. H. Godwin Austen. 2s. 3d. 
 
 2485. TRIPTYCH, or miniature Altar-piece, carved in box-Avood. 
 
 Flemish Avork. Date about 1490. Leiit by Lord Edward 
 Fitzalan Howard. 3^. 
 
 2486. TRIPTYCH, in carved box-Avood. English Gothic Avork. Date 
 
 about 1330. Lent by I^ord De V Isle and Dudley. 2s. 8c/, 
 
 2487. STATUETTE, in carved box-Avood ; ascribed to Albert Durer. 
 
 Lent by the liev. Halter Sneyd. 3s. 
 
 2488. CABINET, in Marqueterie, mounted in ormolu. French Avork, 
 
 temp. Louis Seize. Le?it by the Duke of Haniilto^i. 3^. 
 
 2489. CABINET, or KNEE-HOLE TABLE, “Boule.” French. 
 
 Date about 1700. Lent by Cayt. Seglam. D. 10c/, 
 
 2490. CABINET, in Ebony ; ornamented Avitli statuettes of the 
 
 Cardinal Virtues in chestnut wood, and with six Limoges 
 enamel plaques of Scriptural subjects ; colour heightened Avith 
 gold. Italian. 16th cent. Lent by G, II. Morland. U. 10c/. 
 15929.— 2. H 
 
98 
 
 Carvings in Wood. 
 
 2491. ‘‘GUERIDON” or “TORCHERE,” the upper part only 
 
 carved in wood with Amorini, strap- work ornament, &c. ; 
 partly gilded, and the Amorini painted in flesh tints. Italian 
 (Venetian) work. Date about 1560. (Soulages coll.) I72 
 the South Kensington Museum, I 5 . 2d. 
 
 2492. COFFER, in carved wood, partly gilt. Venetian work. Date 
 
 about 1550. (Soulages coll.) In the South Kensington 
 Museum, 1.9. 2d. 
 
 2493. COFFER, in carved wood, ornamented with scroll work in low 
 
 relief ; partly gilt. Venetian work. Date about 1530-40. 
 (Soulages coll.) In the South Kensington Museum, I 5 . 2d, 
 
 2494. BOX, in bamboo, to hold lime for beetul chewing. From 
 
 Sumatra. (Presented by the Crystal Palace Company.) In 
 the South Kensington Museum.. 
 
 BOX, in bamboo. From Sumatra. (Presented by the Crystal 
 Palace Company.) In the South Kensington Museum, H. 2d, 
 
 2495. COFFER CABINET of marquetry. Spanish ? 17th century 
 
 work. In the South Kensington Museum, I 5 . 2d. 
 
 2496. JEWEL COFFER, in polished wood ; mounted with brass 
 
 escutcheon corner plates and floriated hinges. In the South 
 Kensington Museum, I 5 . 2d. 
 
 2497. PICTURE-FRAME, oval, in carved wood, with garland of 
 
 flowers and fruit in very high relief, gilt. French. End of 
 
 17th century. Purchased from Mr. John Webb. In the 
 
 South Kensington Museum. \s. 2d. 
 
 2498. KNIFE CASE, in carved wood, painted or lacquered; con- 
 
 taining six knives with engraved and gilded steel hafts. 
 Italian, 1564. (Bernal coll.) In the South Kensington 
 Museum. D. 2c?. 
 
 2499. STATUETTE OF ST. FRANCIS XAVIER, in painted wood. 
 
 Spanish. I7th or early 18th century. In the South Ken- 
 sing ton Museum. I 9 . 6c?. 
 
 2500. SQUARE BOX, incrusted with marquetry of bone, coloured 
 
 woods, 3cc. German. Date about 1540. In the South Ken- 
 sington Museum. U. 6c?. 
 
 2501. PANEL, in walnut-wood, carved in low relief, with an allegoric 
 
 reju’csentation of the seven cardinal virtues. French. Date 
 about 1570. (Pourtales coll.) In the South Kensington 
 Museum. Is. 2d. 
 
 2502. BOX, or SMALL CABINET, in ebony, decorated with mounts 
 
 in gilt bronze (in the form of a sarcophagus). Florentine. 
 Date about 1600. In the South Kensingto7i Museum. \s. 2d. 
 
 2503. BAS-RELIEF, in wood, of the Virgin, the youthful Saviour 
 
 and St. John, after Raphael, in carved w^ooden frame, parcel 
 gilt. Italian. 16th century. In the South Kensington 
 Museum. I 5 . 2c?. 
 
Carvings in Wood. 
 
 99 
 
 2504. BOX, or COFFER, in waluut-woocl, carved all over in Gothic 
 
 tracery. French or German. Date about 1460. In the 
 South Kensington Museum. D. 6<i. 
 
 2505. BOX, in carved oak. English. 17th century work. In the 
 South Kensington Museum. 1^. 6c?. 
 
 2506. GROUP OF ST. CHRISTOPHER carrying the infant Christ, 
 
 on a scroll pedestal, carved in box-wood. And SPANISH 
 CARVED WOOD FIGURE OF A FEMALE, with ears 
 of corn in her hat ; ivory face, hands, and feet. Lent by 
 Mr. A. J. B. Beresford Hope. H. 6c?, 
 
 2507. CHAPLET of 54 beads, in ebony, with a jet figure of St. James 
 
 of Compostella, mounted in a silver frame. 16th century. 
 Lent by Mr. A. J. B. Beresford Hope. 1^. 10c?. 
 
 2508. STATUETTE OF OUR SAVIOUR BEARING THE 
 
 CROSS, in painted wood. The work of Carnicer, of Sala- 
 manca. Date about 1730-50. In the South Kensington 
 Museum. Is. 2d. 
 
 2509. CABINET, in carved ebony and ivory marquetry. Date about 
 
 1630. In the South Kensington Museum. \s. 6c?. 
 
 2510. COFFER CABINET. Marquetry of coloured woods. Spanish? 
 
 16th century. In the South Kensington Museum. H. 2c?. 
 
 2511. TRIPTYCH, in carved box- wood, with case in silver gilt, 
 
 enriched with filigree cloisonne enamels in dark blue and 
 turquoise eolours. Russo-Greek. 1 7th century work. (Bernal 
 coll.) In the South Kensington Museum. H. 
 
 2512. COFFER overlaid with tortoiseshell and brass foliated and 
 
 floriated scroll ornament. French red “ Boule ” work. In 
 the South Kensington Museum. H. 6c?. 
 
 2513. WORK BOX, in carved sandal-wood. Modern Indian work. 
 
 In the South Kensington Museum. H. 2d. 
 
 2514. CASKET, in walnut-wood, carved with strap and guilloche 
 
 ornamentation. Florentine. Cinque-cento period. In the 
 
 South Kensington Museum. 1^. 6c?. 
 
 2515. CASKET in carved and polished Indian walnut-wood. Floren- 
 
 tine. 17th century work. In the South Kensington 
 Museum. \s, 2d. 
 
 2516. CRUCIFIX, box- wood, with applique ivory figures; on the back 
 
 emblems of the Passion; opening for relics. 17th century. 
 Lent by Mr. A. J. B. Beresford Hope. H. 6c?. 
 
 2517. BOX, with shield of arms on the top, containing eleven roundel 
 
 cards, decorated with various devices and scriptural and other 
 mottoes in old English characters. Date, first half of the 16th 
 centmy. In the South Kensington Museum. Is. 6d. 
 
LONDON ; 
 
 Printed hy George E. Eyre and William Spottiswoode, 
 Printers to the Queen’s most Excellent Majesty. 
 
 For Her Majesty’s Stationery Office. 
 
ARUNDEL SOCIETY FOR PROMOTING THE 
 KNOWLEDGE OF ART. 
 
 LIST OF 
 
 CHROMOLITHOGRAPHS 
 
 PUBLISHED BY THE SOOIETY. 
 
 EXTRACT FROM THE RULES. 
 
 [All publications and other objects sold by the Society shall be paid for previous 
 to delivery. Packing and cost of transit shall be paid by the purchaser, when 
 sent beyond three miles of the office.] 
 
 TRICE TO 
 
 MASOLINO, MASACCIO, AlYD FILIPPINO 
 LIPPI. — Subjects from frescoes in the 
 Brancacci Chapel, Florence: — 
 
 Three large subjects from the life of 
 
 MEMBERS. 
 ■pj s, d. 
 
 STRANGERS. 
 £ s. d. 
 
 S. Peter {each) 
 
 Four medium size subjects from ditto, 
 
 0 
 
 15 
 
 0 
 
 1 
 
 0 
 
 0 
 
 mounted in pairs (^each pair) . 
 
 0 
 
 12 
 
 0 
 
 0 
 
 16 
 
 0 
 
 Two small subjects from ditto (the pair) . 
 
 0 
 
 7 
 
 6 
 
 0 
 
 10 
 
 0 
 
 Two ditto, “ Fall and Expulsion” (the pair) 
 Two full size Heads from one of the above 
 
 0 
 
 7 
 
 6 
 
 0 
 
 10 
 
 0 
 
 subjects 
 
 Four ditto, selected from different subjects 
 
 0 
 
 7 
 
 6 
 
 0 
 
 10 
 
 0 
 
 (each) 
 
 FRA ANGELICO. — “The Annunciation,” from 
 
 0 
 
 5 
 
 0 
 
 0 
 
 7 
 
 6 
 
 S. Mark’s Convent, Florence . 
 DITTO. — “ The Coronation of the Virgin,” from 
 
 0 
 
 10 
 
 0 
 
 0 
 
 12 
 
 6 
 
 the same place 
 
 GOZZOLI. — “ S. Augustine lecturing,” from 
 
 0 
 
 15 
 
 0 
 
 1 
 
 0 
 
 0 
 
 S. Gimignano, 
 
 MANTEGNA. — “ The Conversion of Hermo- 
 genes,” from the Eremitani Church, 
 Padua .... 
 
 DITTO. — “ S. James before Herod,” from the 
 
 1 
 
 4 
 
 0 
 
 1 
 
 10 
 
 0 
 
 0 
 
 15 
 
 0 
 
 1 
 
 X 
 
 0 
 
 0 
 
 same place .... 
 
 GHIRLANDAIO. — “ The Last Supper,” from 
 
 0 
 
 15 
 
 0 
 
 1 
 
 0 
 
 0 
 
 the Church of the Ognissanti, Florence 
 DITTO. — “ The death of S. Francis,” from the 
 
 1 
 
 1 
 
 0 
 
 1 
 
 7 
 
 6 
 
 SS. Trinita Church, Florence 
 
 0 
 
 16 
 
 0 
 
 1 
 
 1 
 
 0 
 
 DITTO. — Two full size Heads, from ditto 
 G. SANZIO. — “ Madonna and Saints, with the 
 
 0 
 
 7 
 
 6 
 
 0 
 
 10 
 
 6 
 
 Resurrection of our Lord,” from Cagli. 
 
 0 
 
 15 
 
 0 
 
 1 
 
 0 
 
 0 
 
PUBLICATIONS OF THE ARUNDEL SOCIETY, 
 
 Chromolithographs — continued. 
 
 PRICE TO 
 
 MEMBERS. STRANGERS. 
 
 £ s. d. £ s. d. 
 
 PERUGTNO. — ‘‘The Martyrdom of S. Se- 
 bastian, ” from Panicale . . 0 10 0 0 15 0 
 
 F. FR ANCIA. — “ The Marriage of S. Cecilia,” 
 
 from S. Cecilia’s Chapel, Bologna . 0 16 0 1 16 
 
 DITTO. — “ The Burial of S. Cecilia,” from the 
 
 same place . . . . 0 16 0 110 
 
 FRA BARTOLOMEO. — “ The Annunciation,” 
 from the Villa of the Frati di S. Marco, 
 
 near Florence . . ,012 0 0150 
 
 L. DA VINCI. — “ The Virgin and Child,” from 
 
 S. Onofrio’s Monastery, Rome . 0 10 0 0 12 6 
 
 LT'INI. — “ The Marriage of the Virgin,” from 
 
 Saronno . . . .110 160 
 
 DITTO. — “ The Adoration of the Magi,” from 
 
 the same place . . .110 17 6 
 
 DITTO. — “The Presentation in the Temple,” 
 
 ditto . . . . 0 16 0 110 
 
 DITTO. — Full size Head from ditto . .0 5 0 0 7 6 
 
 DITTO. — “ Christ among the Doctors,” ditto - 1 1 0 16 0 
 
 A. DEL SARTO. — “The Nativity of the . 
 
 Virgin,” from the Annunziata Cloister, 
 
 Florence . . . .110 ,16 0 
 
 DITTO. — “ Madonna del Sacco,” from the same 
 
 place . . . . . 0 12 0 0 15 0 
 
 RAFFAELLE. — “ The Four Sibyls,” from S. 
 
 Maria della Pace at Rome . .15 0 1 11 6 
 
 DI'J'TO. — “ S. Peter delivered from Prison,” 
 
 from the Stanze of the Vatican .10 0 15 0 
 
 HANS MEMLINO. — Five subjects from the 
 Tri])tych iii the Hospital of S. John 
 
 at Bruges . . . .2 2 0 2 12 6 
 
 ILLUMINATED CAPITAL LETTERS, from 
 Choral Books at Florence and Siena : — 
 
 Letters C and D . . . (each) 0 10 0 0 12 6 
 
 Letters F and L . . . {each) 0 7 6 0 10 0 
 
 Applirntion hy letter sJ onld he made to F. W. Maynard, Esq., 
 Secretary (tf the Arundel Society, 24, Old Bond Street, London. 
 
GETTY RESEARCH INSTITUTE 
 
 3 3125 01498 1589