OF THE EXTENSIVE COLLECTION of PRINTS COMPRISING A very rich Assemblage of the Works OF REMBRANDT, MARC ANTONIO, JULIO BONASONE, ALBERT DURER, LUCAS VAN LEYDEN, And by most of the leading Masters of every School, both is etcimxQtf $ enffrattttp ; A large Assemblage of Drawings, But more particularly of ANIMALS and LANDSCAPES, by SCHWEICKARDT, &C. Alfo feveral ot the OLD SCHOOL, comprifmg a Number of free Aca¬ demical and other Studiea ; A Quantity of English Topographical Vieras, AND PORTRAITS OF EMINENT CHARACTERS, But more particularly of Artifts ; A Variety of BOOKS and BOOKS of PRINTS Portfolios, Cabinets, and other mifcellaneous Articles 5 A Profusion of Casts in Plaster of Paris, Moulds, Models, &c. WITH THE CAPITAL BUST OF HOGARTH, inimitably modelled by Roubiliac, ot which no Caft was ever taken . )t dKHlioIe forming tf»e Collection of MR. JVaTHviJWIElL SMITH ' PrTntseller is Sculptor, '- Late of MAlt 's BUILDINGS, Deceased. WHICH WILL BE SOLD BY AUCTION BY Mr. DODD, At his Room, No. 101, St. Marlin s Lane, On WEDNESDAY, April 26., 1809, And Seven following Evenings (Sunday excepted,) At Six o’Clock. To be Viewed on the Days of Sale, and Catalogues may be had, at is. each. CONDITIONS of SALE. First .. THE higheft Bidder to be the Buyer; and if any Difpute arifes between two or more Bid¬ ders, the Lot fo difputed fliall be immediately put up again, and re-fold. Second . No Perfon to advance lefs than 6d—above One Pound is -above Five Pounds zs. 6d.—and fo in Proportion. Third . The Purchafers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, in Part of Payment of the Purchafe- Money; in Default of which, the Lot or Lots fo purchafed to be immediately put up again and refold Fourth The Lots to be taken away^Vvith all Faults and Errors of Defcription, within two Days after the Sale, and the Remainder of the Purchafe Money to be abfolutely paid on or before the Delivery. Fifth ..Upon Failure of complying with the above Conditions, the Money depofned in Part of Payment fliall be forfeited; and all Lots un¬ cleared within the Time aforefaid fliall be re¬ fold by public or private Sale, atid the Defi¬ ciency (if any attehding fuch Re-fale) fhall be made good by the Defaulters at this Sale. Gentlemen, who cannot attend the Sale, may have their Commiilions faithfully executed, by their humble Servant, THOMAS DODD. Firft Evening’s Sale WEDNESDAY, the 26 th Day of APRIL, 1309. LOT A 1 Quantity of designs of vases, urns, jars. See. 2 A ditto 3 Twenty-four ditto, tastefully etched by Watelet, See. 4 Fifty-three ditto, by Alberti and Aneo Vico 5 Forty ditto, by ditto, fine impressions 6 Nineteen of ornaments, red chalk, and a quan¬ tity of designs for fans 7 A quantity of academical designs of heads, hands and feet 8 Twenty-seven ditto, by Demarteau 9 Sixty-three studies of heads 10 Forty ditto of figures 11 Twenty-two ditto of capital studies, by Demar¬ teau 12 Le Brun’s Passions and Carracci’s principles of drawing 13 Sixty-five studies of the human figure 14 Thirty-three ditto, by Pitteri, &e. 15 Fifty-three, by Demarteau, &c. 16 Twenty-eight productions in mezzotinto, by Lens, &c. 17 Twenty, by Faber, Houston, &c. 18 Twenty scriptural, by John Smith and B. Lens 19 Twenty heads, humorous 20 Twenty historical, by Burke, Sec. 21 Twenty ditto, by Vaillant and Simon 22 Eigiiteen, by Earlom, Sec. some fine 23 Fourteen, by J. R. Smith 24 Twelve, History of Pamela, by Truchy 25 Six, after A. Kauffman, by Ryland, proofs 4 26 Five, by ditto and Bartolozzi 27 Five, by ditto and Ward 28 One, the Angels appearing to the Shepherds after Stodharl, proof 29 Thirty-nine, by and from Hogarth 30 Twenty-three, by ditto and Collett 31 Nine, the Rake’s Progress, &c. and one of the Election prints 32 Seven, Parts of the Marriage Alamode and Harlot’s Progress S3 Three, the Inn Yard with no old baby, the Foundling Hospital, &c. rare 34 Four, the Times of the Day, fine 35 Six, the Flarlot’s Progress 36 Twenty, Mac Swiney’s Monuments 37 Twelve etchings of landscapes, by Swaneveldt and Waterloo 38 Twelve ditto, after Van Goyen, by Visscher 39 Sixty-five etchings, by P. Sandby 40 Twelve ditto, by Everdingen, very fine 41 Twelve ditto, by Wierotter, ditto 42 Eight ditto, by Claude Lorraine 43 Nine landscapes, by Goltzius, Hondius ?ind De Brpyn, fine 44 Fifteen, Marco Ricci 45 Fifteen, ditto and Gainsborough 46 Twenty-two, by Bloemart and Vivares 47 Twenty-eight, by Wierotter, Morin and Vischer 48 Thirteen, by Both and Ruysdael 49 Twenty-four, by Cock, Sadeler, &c. 50 Thirty-seven, by Stephanus de Laulne 51 Forty-six of saints, &c. by early masters 52 Forty-two, by Hans Sebald Beham, See. 53 Forty-one, the Fountains at Versailles 54 Thirty historical, by Goltzius, B^c. 55 Twenty-four ditto, by Folkema and Tanje 56 Twenty-eight, Stag Hunts, &c. by T. de Brie 57 Eighteen, by Wandalaer and Punt 58 Twenty, from Rottenhamer, See. 5 ■&Af- 59 Seven, after Troost, humorous 60 Twenty-six of saints, &c. after Bloemart, fine 61 Twenty-four wood cuts, by A. Durer, &c. 62 Thirty-five ditto, by Burgmair, &c. 63 Fourteen, the Apostles, by Businck 64 Thirty-five, Life of Christ, &c. by A. Durer 65 Twenty, by Marc Antonio, after Durer 66 Fifteen engravings, by A. Durer 67 Eight, the Crucifixion, &c. by ditto, fine 68 One, the Prodigal Son, extra fine 69 Eighteen, by G. Penz 70 Twenty-four, by Aldegrever 71 Twenty-three, by Hopfer and Aldegrever, curious 72 Nine, the Muses, by Goltzius 73 Seven, the Kiln, by Vischer, &c. 74 Ten, the Bohemian Woman, the Moor, See. by ditto 75 Seven, the Work of Count Goudt, after El- sheimer 76 Four, huntings, from Rubens, by Soutman 77 Three, the Assumption of the Virgin, Rubens 78 Six, after Rembrant, by Earlom and Houston, fine 79 Seven historical, N. Poussin 80 Six ditto, by Stella 81 Eight ditto, ditto 82 Eight ditto 83 Eight ditto 84 Eight ditto 85 Sixteen, from Mortimer and Sir J. Thornhill 86 Sixteen ditto 87 Sixteen ditto 8S Sixteen ditto 89 Ninety-one etchings, Salvator Rosa 90 Twenty landscapes, Canaietti, &c. 91 Twenty ditto, Van Goyen and Gainsborough 92 Twenty, by ditto and Cuyp 03 Twenty rural landscapes, by J. T. Smith 91 Goltzius’s Ovid, 54 prints and drawings 95 Forty topographical sketches of churches round London 6 96 Ten drawings of rural scenery 97 Ten ditto 98 Eight, ditto in Indian ink 99 Seven ditto of landscapes 100 Seven ditto 101 Ten ditto 102 Six interior views and parties in conversation 103 Five views on the Uxbridge Canal 104 Six drawings, views in Middlesex 105 Six ditto, Langley, Tooting and Clapham Churches 106 Six ditto, Hillingdon and Feltham Churches, t 8tc* 107 Six ditto, Beddington & Harlington Churches, &c. 108 Six ditto, Chiselhurst and Harmondham Churches, &c. 109 Four of cattle, by Schweickhardt, very fine 110 Four ditto, by ditto, capital 111 Three oPffonimals, by ditto, ditto 112 Three of cattle grazing, by ditto 113 Four ditto, ditto, fine 114 Twelve ditto, by Spilsbury, See. 1 Id Nineteen, the original drawings of skeletons of trees, by Cozens 116 Two of landscapes with cattle. La Cave PORTRAITS. 117 One hundred foreign 118 One hundred ditto 119 One hundred ditto 120 Five, Kings of Poland, Empresses of Russia, by Bartolozzi, &c. 121 Seven, Kings of France, Sec. by J. Audfan 122 Eight fine heads, by Nantucil and Masson 123 Six ditto, by Gunst and Sadeler 124 One, Samuel Barnard by P. Drevet, very fine 7 125 Forty-two, Emperors of Germany, &c. by Gaspar ab Avibus 126 Three, Philip 1st and 2d of Spain, and Queen Mary, by ditto, curious and rare 127 Eight, his present Majesty and Queen, Duke of Cumberland, &c. fine 128 Six ditto, by Hyland, Ravenet, &c. 129 Five, George the 2d and his three Daughters by Simon 130 Twelve, the Hampton Court Beauties, by Faber 131 Twelve ditto, whole lengths, by Beckett and Faber 132 Six, the Windsor Beauties, after Lely,fine 133 One, the present Royal Family, after Zoffany, by Earlom, fine 134 Thr.ee, Children of his present Majesty, by Watson, &c. 135 Nine of ladies, by Houston, Watson and Fry 136 Six, the Earl of Buckinghamshire, by Faber, &c. fine 137 Six, Sir John Fielding, &c. after Sir J. Rey¬ nolds 138 Ten, Lord Clive, &c. after ditto 139 Seven, Sir Robert Walpole, Mr. Prude, &c. 140 Thirteen of ladies, whole length, after Ivnel- ler, &c. 141 Two of Charles 7th of Spain, mezzotinto, size of life, and 1 other 142 A quantity of slips of paper 143 A portfolio containing a quantit3 7 of paper 144 Four sketch books with sketches 145 Three portfolios 146 Four drtto 147 A ditto with blue leaves 148 A ditto, bound in calf, white leaves 149 A ditto, bound in parchment, ditto 150 A ditto, large size End of the First Evening's Sale. M 8 Second Evening’s Sale, THURSDAY, the 27th Day of APRIL, 1809. sot Q 151 OUNDRY prints of flowers, &c\ 152 Ditto 153 Ditto 154 Fifty foreign topography 155 Fifty etchings of landscapes 156 Fifty ditto, by Perelie 157 Forty ditto 158 Sundry prints of birds and beasts 159 Ditto views in England, &c. 160 A quantity of jewellers ornaments, by Babel ]6l A ditto, by J. Bourguet and L. Collett, curious 162 Twenty, Me. Swiney’s Monuments 163 Forty-two, vases &c. by Le Potre 164 Forty various, by ditto, some scriptural 165 Fifty-eight ditto 166 Fifty-five ditto 167 A quantity of drawings of figures, &c. 168 A ditto of heads, hands, &c. 169 A ditto of architectural and other ornaments 170 Seventy-five landscapes, various 171 Fifty-six ditto, by LeClerc, Vivares, &c. ]72 Forty-five English topography 173 Twenty views in Oxford, &e. 174 Sixty-one from the antique 175 Sixteen historical, by Carracci, &c, 176 Sixteen ditto, by Mola, P. Testa 9 177 Twenty etchings, Spanolet, &c. 178 Forty-five, by various artists 179 Eleven, after N. Poussin and Mortimer 180 Eleven ditto 181 Eleven ditto 182 Eleven ditto 188 Eleven ditto 184 Eleven ditto 185 Thirteen, the Passion of Christ, N. Poussin 186 Twenty-four of customs, dresses, &c. after Greuze 187 Fifty-four, Customs of the Americans 188 One hundred and sixteen dresses of different nations 189 Sixty-eight ditto 190 Fifty theatrical 191 Sixty-six, Cries of London, &c. 192 Fifty-seven China and Turkish Habits 193 Twenty-six Grecian and Turkish Dresses, by N. de ISicolay, 1567 194 Thirty-eight of French Soldiers exercising 195 Eighty-five English dresses 196 Zompini’s Cries of Venice, GO prints 197 Boitard’s Cries of London, 72 prints 198 Twenty-four landscapes, Van Goyen and Ca- naletti 199 Twenty ditto, ditto 200 Twenty ditto, ditto 201 Twenty ditto, ditto 202 Twenty, by ditto and Ferg 203 Twenty ditto 204 Twenty-six historical, from Mortimer and Thornhill 205 Thirty-one ditto, by Goltzius, &c. 206 Thirty-two ditto, by Bolsvvert, Count Goudt, &c. 207 Thirty-two ditto, by Saenredam, &c. 208 Twenty-three, by Sadeler, Bloemart, Sec. 209 Seven, the Planets, by Saenredam B O'-<0r«0Tj»»0C0r^90O5Q'-*c ; »C0-'3 (, 0c0r^C0CG O ^ W oj o-j cm cg cg. cg gg cg cg cg gg gg cg tp ■*? ^ el CN C* CJ Crt <5} Cl Ct Cl Cl d Cl cl Cl Cl Cl Cl Cl at Cl Ol Cl Cl 01 Cl Cl Q! Cl Cl d Cl Cl Cl 10 Seven, the Gods nnd Goddesses, by Goltzius Ten, Adam and Eve, &c. by Saenredam Twenty-three, after Raphael, &c. Ten ditto, by Marc Antonio Eight etchings, Guido, Parmegiano, &c .fine Sixteen ditto Twelve ditto, Parmegiano, &e. Twenty-three, Tempesta, Cochin, &c. Eleven, Carlo Marat, Raphael Twelve etchings, Teniers, some scarce Fourteen ditto, by A. Both, Bega, See. Eight ditto, by Little Moses and Rubens Twenty-two, Children at Play, Kobeli Sixty-five landscapes Eighteen ditto, after Wilson and Tull Seventeen ditto, after Hobbima and Ferg Nineteen ditto, by Vander Cabell, Sic. Eleven ditto, by Kobeli, &c. Eight of cattle, by Sweickbardt, fine Ten etchings of landscapes, by Van Diest and Neyts Twenty-four, after Van Goyen, and the Months, by Parelle Thirty-eight, by Sadeler, &c. Twenty-three etchings, by Grimm and II. Mil- bourne Six ditto, by Marlow, scarce. Sixteen ditto, by Claude and Waterloo. Five ditto, Waterloo and Swaneveldt, fine Fourteen ditto, by Both and Ferg Twenty-eight ditto, by Della Bella and Le Cferc Thirty-seven ditto, by Smith of Chichester, Sanclby, &c. Nineteen ditto, by Wierotter and Le Prince Thirty-five ditto, by 1. Vande Velde, &c. Thirty-two, byPerelle Sixteen, Smith’s rural scenery and Cozen’s booly-bf trees 11 *243 Eighteen drawings, by Grimm, and tracings from Cuyp 244 Eight sketches of landscapes 245 Fivo drawings of ditto, India ink 246 Six ditto of cottage scenery 247 Four ditto, capital 248 Four of cattle, by Schweickart, fine 249 Four ditto of cows, by ditto, ditto 250 Four ditto of goats and asses, by ditto, ditto 251 Four ditto of cows, by ditto , black and red chalk 252 Five ditto, goats and cows, by ditto 253 Twelve etchings, by Waterloo 254 Twenty ditto 255 Twenty ditto 256 Four ditto. History of Tobit, scarce 257 Thirty-nine, Vertue’s Kings of England, fine 258 Fifty-nine ditto, by Elstrake and Vanderbanc 259 Three, Henry IV. Charles V. by de Leu, §Cc. 260 Sixteen portraits from scarce prints 261 Four, Charles I. and Henrietta Maria, by Barron 262 Ten, Genl. Barrel, &c. by Faber, 263 Twelve, Sir Rd. Steel, See. by ditto 264 Eleven of Ladies, Grace Tosier, &c. 265 Fourteen, Ambrose Godfrey, Sec. by Vertue 266 Fourteen, Shakespeare, &c. by ditto 267 Four, Ladies Iver, Knatchbull, &c. 268 Fifteen of Shakespear and Sir Rd. Steel 269 Fourteen, the Earl of Exeter, Sic. by Smith 270 Thirty-six, various 271 Fifty-five ditto English and foreign 272 Forty-ditto various 273 Sixteen, by Sherwin, Vertue and Worlidge 274 Twenty, Worlidge, Vertue, &c. 275 Sixteen, Sir F. Brake, See. with the globe 276 Sixteen ditto 277 Forty-four Nos. of Richardson’s portraits,!, p. 278 Picart’s innocent impostures 12 279 Hogarth’s Analysis of Beauty 280 The Old Testament, by Tempesta 281 A volume of curious antiquities 282 A portfolio, containing 63 etchings, by Ostade, some variations 283 The Exploits of Samson, after Verdier, by Audran 284 A volume, containing 76 etchings, by Waterloo 285 Karel du Jardin’s etchings, 52 pieces, in a port¬ folio 286 Smith’s Antiquities of London and Westmin¬ ster, 12 Nos. complete 287 One hundred, De Gheyn’s Military Exercises 288 Bloemart’s Drawing Book 289 A volume of ornaments, by Della Bella 290 A portfolio, containing a quantity of drawings of Carriages 291 Vignola’s Architecture, and views of Versailles, in a folio 292 Chippendale’s Designs for Furniture 293 A volume of English maps 294 Three portfolios 295 Three ditto 296 Three ditto 297 Two ditto with leaves 298 One ditto 299 One ditto 300 One ditto End of the Second Evening's Sale . 13 Third Evening’s Sale, FRIDAY, the 28th Day of APRIL, 1809 Quantity of architectural decorations 302 Ditto 303 A ditto trophies and festoons 304 A ditto furniture, &c. 305 A ditto various S06 A ditto chimney pieces, cielings, &c. 307 A ditto carriages, &c. 308 A ditto shields and trophies 309 A ditto ditto 310 A ditto ditto 311 A ditto ditto 312 Eight books of ornaments 313 A quantity of pieces of paintings 314 A ditto, in a portfolio 315 A large parcel, by old German artists 316 A ditto, various 317 A ditto, by Le Potre, &c. 318 Thirty-five historical, by old masters 319 Twenty-one scriptural, from Bassan 320 Seventeen, after C. Marat 321 Eleven, after Raphael and Titian 322 Eighteen, after Poussin and Rubens 323 Twenty-eight, after Hogarth 324 Twenty, Mortimer and Thornhill 325 Twenty, ditto 326 Twenty, ditto 327 Twenty, ditto 328 Twenty ditto, N. Poussin and Worlidge 329 Twenty, ditto, ditto 330 Twenty, ditto, ditto 331 Stella’s boys, 50 prints complete 14 332 Thirty-one, after Goltzius, Sadeler, Sic. 333 Forty-nine, after Italian masters 334 Twenty-two, after Raphael, by Bonasoni, See. 335 Twenty-three, after Rubens and Vandyke 336 Thirty-four, after Coypel, &c. 337 Two, Cythere embarking, after Watteau, print and proof etching 338 Twenty-two, ancient masks, by Honnorugt, carious 339 Twenty-two various, by Hollar 340 Seventeen, landscapes and animals, by ditto 341 Forty-one various, by ditto 342 Eight, the Seasons, &c. by ditto 343 Ten portraits, by ditto 344 Thirteen large views, Tryal of Warreq Hast¬ ing’s, &c. 345 Fifteen Plans of London, different 346 Thirty-two views in London 347 Fifty ditto , 348 Fifty ditto, chiefly in Westminster 349 Fifty-one ditto 350 Eleven Nos. of Smith’s Antiquities of London 351 Fifteen views, various 352 Smith’s Cottage Scenery 353 Twenty-one, Hamilton’s etchings of ancient armour 354 Thirty pieces, Cupid and Psyche, by Bona¬ soni 355 Twenty-five ditto, ditto 356 Six, tlje Last Judgment, by M. Rota, Wierix, Sec. 357 Five, after Raphael, by M. Antonio 358 Three, ditto, Martyrdom of St. Felicita, See. 359 Two, the Judgment of Paris, See. by ditto, fine 360 Two, the Virgin and Child, different, by ditto, very fine 361 Forty landscapes, M. Ricci, See. 62 Thirty-eight, after Anibal Carracci 3t>3 Thirteen, Holy Families, &c. after Del Sarto 364 The Cupola at Rome, on 8 sheets 36^ Ten, grand historical compositions, from Carlo Marratl 366 Seven, ditto 367 Nine, ditto, by J. Frey 368 Eight, ditto , fine 30*9 Twelve, after ditto and Guido 370 Nineteen, by G. Ghisi, and other old Italian artists 371 Four, after Bandinelli, by Beatrici 372 Five, the Fall of the Giants, by C. Bus 373 Nine, after Luca Penni 374 Thirteen, by various masters 375 Twenty-one etchings, Swanevelt, &e. 376 Twenty-five drawings of academy figures 377 Twenty-five ditto 378 Twenty-five ditto 379 Forty-nine drawings for the History of England, by Wale 380 Forty-four small sketches, by various artists 381 Thirty-five ditto 382 Twenty of beads, by Worlidge, V. Dyke, &c. 3S3 Forty-six studies of figures, by Worlidge, &e. 384 Twenty-two heads, by Highmore, &c. 385 Four, Dr. Wilson, Earls of Derby, Pomfret, &c. by Vertue, on vellum 386 Two, Queen Catherine and Major General Skippoti 387 Twenty-five drawings, by Sir J. Thornhill, &c. 388 Eight, the original sketches for the Dome of St. Pauls, by ditto 3S9 Seven of figures, by Vandyke, Cipriani, &c. 390 Three studies of figures, horses, &c. by Rem¬ brandt 391 Two, sketch for the Last Supper, Rubens, and Adam and Eve, by Fia.letti 392 One, a Female, by Raphael, very fine 393 Fourteen of Landscapes, by Eveidingen, Sec, 16 394 Four of cattle grazing, b} r Schweickart 395 Four ditto 396 Four ditto 397 Four ditto 3Q8 Four ditto 399 Three views in Holland, by Schounian 400 Eleven ditto of Ancient Buildings abdut Westminster 401 Two fine drawings of Somerset House and Camden House, Kensington 402 Five portraits, Sir Crisp. Gascoyne, by Mac Ardel, fine 403 Five of ladies, whole lengths, after Sir J. Rey¬ nolds 404 Seven, Lord Romney, &c. after ditto 405 Four, Mr. Grose and Forrest, as Friars 406 Four, Monument of Henry VI. and Henry VIII. granting the Charter to the Barbers 407 Five, Sir John Percival, Dr. Meade, See, 408 Five, Charles, Earl of Peterborough, by Gunst, &c. 409 Thirteen, Mr. Gulston, Mr. Grose, &c. 410 Two, Lady Mary Coke, &c. Cipriani, &c. 411 Fourteen, Sir F. Drake, Shakespeare, 8cc. by Vert ue 412 Fourteen, ditto, by Venue, Sherwin and Wor- lidge 413 Fourteen, ditto 414 Fourteen, the Earl of Chatham, &c. by Sher-' win 415 Fourteen, Thomas Pennant, &c. 416 Fourteen, Sir W. Parsons, by Paul, &c. 417 Fourteen various, by Sherwin, Vertue and W orlidge 418 Fourteen ditto 419 Fourteen ditto 420 Fourteen, Bishop Louth, &c. by Sherwin 421 Fourteen, Lord Chatham, &c, 422 Fourteen, ditto 428 Fourteen, Win. Wollett, &c. 17 424 Fourteen, Sir F. Drake, with the globe 425 Sixteen of remarkable characters, copied from scarce prints 426 Ten, Sir Benjamin Rudyerd, bv Payne, &c. 427 Ten, Whittington with his Cat, &c. by £1- stiaoke 42S Ten, Lancelot Andrews, by Pass, See. 429 Ten, Lady Digby, Sec . by Hollar, 430 Ten, Dr. Harvey, &c. by Faithorne 43f Ten, Prince Hem v, Sec. by Pass 432 Fifty views round London, after Chatelaine 433 Le Cierc’s Passion of Christ, a small book of shipping, by Ozanne, and S of cattle, by Schweichardt 434 Forty-four etchings of landscapes and animals, by Schweichardt, Smith and Vivares 43.5 Smith’s Cottage Scenery 436 Fifty-five, Smith’s Antiquities of London 437 Fifty-nine, ditto 438 Eight Nos. of Smith’s Antiquities of London, in a folio 439 Richardson’s Architecture and Speed’s Maps 440 A portfolio, containing a quantity of prints of ancient seals, Sic. 441 A portfolio, containing sundry English views and maps 441 A portfolio, containing a quantity of maps 442 Three portfolios 444 Three ditto 445 Two ditto with leaves 440' One ditto 447 One ditto, containing a quantity of letter press to Birch’s Lives, 1. p. 448 One ditto, containing cartridge paper 449 A portfolio, containing a quantity of slips qf paper 450 A ditto End of the Third Evening's Sale. C Fourth Evenings Sale, SATURDAY, the 29th Day of APRIL, 1809. LOT A 451 jljL Large parcel of prints old drawings 452 A quantity of prints of birds 453 Twelve, the complete set of Fletcher’s birds 454 A quantity of fish and insects, by Collaeit,/7/te 455 A ditto of animals, b} 1, various artists 450 A ditto 457 A ditto of horses 458 Twenty-six ditto, by Wierix and Coilaert, &c. 459 A quantity of Esop’s Fables, etched by R, Stoop, ditto 400 Sundry drawings , of heads and figures, by Worlidge, 8cc. 401 A ditto, by Dayman 402 Twenty-five of academy figures, by ditto 403 Twenty-seven ditto, by Carpione, &c. 404 Twenty-five ditto 405 Twenty-five ditto 400 Twenty-five ditto, by Rymsdyck, See, 407 Twenty-five ditto, by various artists 408 Fifteen of dresses of ladies, 3 of them Persian 409 A quantity of drawings of architectural deco¬ rations 470 Twenty ditto of English arms, monuments, &c. curious 471 Seven compositions, by Gandold, 8c c .fine 472 Ten of heads, by P. Lely, Sir G. Kneller, 8cc, ditto 473 Thirty-six drawings of portraits, by Jonathan Richardson 474 A quantity of sketches of views in England 475 A ditto 476 A ditto of landscapes, by various artists 477 A ditto 478 A ditto 479 Fifteen ditto of cottages and churches 480 Twelve ditto 481 Eight ditto 482 Fourteen ditto, by ancient and modern artists 483 Two ditto of Shipping, Pocock, fine 484 Nine studies, by Gainsborough 485 Twenty, by Mortimer, &c." 486 Twenty, ditto and Worlidge 487 Twenty, ditto and Ryland 488 Twenty, ditto and Thornhill 489 Twenty, ditto and Sir J. Reynolds 490 Twenty, after Mortimer 491 Twenty, after ditto and Sir J. Thornhill 492 Eleven, the Battles of Alexander, by Audran 493 Sixteen, after Albano, &c. 494 Six, the Angles, Dominiehino '495 Nine, after Poussin, &c. 496 Eight ditto, Poussin and Titian 4§7 Fifteen, after ditto and P. Veronese 498 Thirteen, after ditto, Caracci, &c. 499 Sixteen ditto 500 Five grand compositions, after Raphael and Rubens 501 Six ditto 502 Thirteen free subjects, by Caracci 503 Eleven, after Julio Romano and Dominiehino 504 Fourteen, after Titian, &c. 505 Fifteen, by Julio Bonasoni, &c. 506 Four, after Romano, by ditto, Jim 507 Twenty, by and after Parmegiano 508 Thirty ditto 20 509 Fifteen, the Apostles, by ditto 510 Twenty-eight wood cuts, alter ditto 51 1 Twenty-six, after ditto 512 Eight, Vulcan and Venus, &c. after ditto 513 Fourteen, after ditto and Zuc.clie.ro 514 Thirtv-one, Cupid and Pysche, by Bonasoni 515 Seventeen, animals and landscapes, alter Ferg, &c. 516 Ten etchings, by Both 517 Smith’s Cottage Scenery 518 Fifty, Chatelaine's views round London 519 Fifty, ditto 520 Forty-six views of Guernsey 7 , Jersey, &e. 521 Thirty-eight views of Cilies in England 522 Forty-five views in London, &c. 523 Forty ditto 524 Thirty-six views of Tangier, by Hollar 525 Fifty views in London and its Environs 526 Forty ditto 527 A quantitv of views in a portfolio 528 Smith’s Antiquities of London, 1 l Nos. 529 Miller’s views of London, 2 A os. Thane’s Account of Arundel House, and plates to Strutt’s Regal Antiquities *530 A large parcel of animals and landscapes 531 Twenty-six landscapes, after Marco Ricci, &c. 532 Twenty, after Gainsborough, &c. and Co/en’s. Book of'Trees 533 Fifteen, after Berghem and Van Goyen 534 Twenty of animals, Ridinger 535 Eleven, by Marieschi and N. de Bruy r n 536 Ten etchings of landscapes, by Both 537 Twelve of animals, by Schweickardt and Bloo- teling 538 Twelve, the set of horses, by Stoop 539 Eight, the Bull book, by Paul Potter 540 Twelve of Cattle, by A. Vande Velde, f ine 541 Fourteen etchings, by Fyt, Claude, Flondius, &c. 21 542 Ten ditto of landscapes, by Both 543 Eleven ditto, by Berghem, Cuyp and Ruysdael 544 Twelve, two sets'of goats and sheep, by Ber- ghem 545 Sixteen, two different sets, by ditto 546 Fourteen of cattle, by Van Os and Sehweickardt 547 Thirty-two ditto, by Marc de Bye and Schwieck- ardt 548 Thirty-two ditto 54Q A large parcel of portraits 550 Thirty theatrical 551 Twenty-four portraits, modern and remarkable characters, some proofs 55 2 Sixteen, chiefly after Sir J. Reynolds 553 Fifteen ditto, Lord John Cavendish, &c. 554 Sixteen ditto. Miss Campbell, &c. 555 Thirty, P. Pindar, Dr. Wharton, &c. 556 Twentv-two, Edmund Halley, &c. 55 7 Five of Clergy, Win. Beveridge, by Sherwin, &c. scarce 558 Nineteen, Erasmus, Calvin, Sic. 559 Ninety, English and foreign 560 One hundred portraits, E?tglish 561 One hundred ditto 562 Fifty, English Poets, Prelates, &c. 563 Forty-three ditto, in mezzotinto 564 Forty ditto 565 Twenty-eight ditto, Shakespeare, Milton, Pope, &c. 566 Forty, Prior, Locke, &c. 567 Sixty, Ambrose Godfrey, &e. by Vertue 568 Forty-two, Milton, Locke, Chaucer, &c. 5G9 Thirty,. Mr. Pennant,, by Sherwin, 8lc. 570 Thirty, Shakspeare, by Trotter, &c. 571 Thirty of Clergy, by Pass, Hollar and Faith- orne 572 Ten, Sir. B. Rudyard, by Payne, Sic. 573 Ten Carolus Patin, by Mason, &c. 22 29t 574 Seven of Persons of remarkable Age, some scarce 575 Seven, Sir Francis Drake, 8cc. with the globe 576 Seven, Sir J. Fortescue, by Faithorne,y?Me 577 Ten, Lancelot, Andrews, &e. by Passe 578 Seventeen, Charles I. and Loyalists, by Vertue 579 One, the Duke of Norfolk, by Vorsterman, fine and scarce 580 Six, Sir P. Sidney, Fletcher, 5cc. by Marshall 581 Fourteen, Shakspeare and Handel 582 Two, George Walker, by Vanderbank and J. Gardiner, Bishop of Lincoln, by White 583 Ten, Lady Digby, by Hollar 584 Fourteen, Dr. Monro, by Basire 585 Thirty-four of Clergy 586 Thirty-six ditto 587 Forty ditto 583 Twenty-eight ditto 589 Twenty-seven, Kings and Queens of England 590 Twenty-five ditto, by Elstrack, &c. 591 Sixteen of remarkable Persons, from scarce prints 592 A quantity of cartridge paper, in a portfolio 593 A parcel, various, in a portfolio 594 A quantity of prints and drawings, in a port¬ folio 595 A portfolio with leaves, containing a quantity of prints 596 Three portfolios 597 Three ditto 598 One ditto with leaves 599 One ditto 600 One ditto End of the Fourth Evening's Sale. Filth Evening’s Sale, MOND AY, the 1st Day of M AY, 1809. roT A <301 Xa Large parcel views in Holland, JEsop’s Fables, See. 602 A ditto of architectural ornaments 603 A large parcel, by old masters, in a portfolio 604 Three books on Anatomy, Fencing and Japan- ning, in a ditto 60 o A quantity of drawings of ornaments 606 A ditto ornaments of Carlton House 607 Thirty-seven, academical studies 608 Twenty-five drawings ©f academy figures 609 Sixteen ditto, finely performed 610 Fourteen ditto 611 Twenty-four of heads, some fine 6 12 A large parcel, various 613 A ditto of Shipping 614 A ditto of landscapes, by Sandby, Gains- borough, &e. 6 lo A ditto, Berghem and Wouvermans 6 16 A ditto, various 617 Thirty-eight, Richlieu’s monument, &c. 618 Thirty-four historical, from Guido, &c. 619 A quantity of tracings, from Mortimer’s de¬ signs 6'20 Twenty, after Mortimer and Thornhill 621 Twenty ditto and Worlidge 622 Twenty ditto 623 Twenty ditto 624 Twenty-five ditto 626 A quantity of drawings of monuments 626 A ditto' 627 Fifteen ditto, by Roubilliac 628 Twenty-seven ditto 629 Thirty-three humorous, after Collet, &c. 630 Forty ditto, after Bunbury, See. 24 631 Thirty ditto 632 Forty ditto 633 Forty, after Mortimer, &c. 634 Eight, St. James and St. Giles’s Beauties, See. by Bartolozzi, proofs 635 Thirty-one, from Mortimer, &c. 636 Thirty ditto 637 Sixty vignettes, from Gravelot 638 Six-three ditto, by Le Clerc, &c. 639 Thirty-six ditto, by ditto and Parrocel 640 Eighty of figures, by Le Clerc, &c. 641 One hundred, by Callot 642 Thirteen, the Great and Little Fair, &c. by ditto 643 Thirty-four, by Jeaurat, Duflos, &c. 644 Thirty-two of figures, by Le Prince 645 Twenty-nine Landscapes, by ditto and J. T. Smith 646 Thirty-three, by various masters 647 Fifty etchings, by Edwards &c. 648 Smith’s Cottage Scenery 649 Forty topographical views in England 600 Thirty-five ditto 651 Thirty-five ditto, in various Counties 652 Thirty-five views and antiquities 633 Forty ditto 654 Fifty ditto, some curious 655 Fifty ditto 656 Fifty ditto in and about London 657 A quantity of Strutt’s Dresses and prints to the Regal Antiquities 658 Buck’s view of London on 5 sheets 659 Thirtv-three of Buck’s large views of Cities 660 Smith’s Antiquities of London, 12 nos. com¬ plete 66 1 Fourteen etchings of Animals, by du Jardin and Schweichardt 662 Twelve etchings, by Both and Bachnyseo •663 Thirty-seven, chiefly alter Paul Potter 664 Twenty-seven, by Schweickardt, Loudonio, See. 66.5 Twenty-four, by ditto and P. Potter 666 Thirteen etchings of landscapes, by Both and Ruysdael 667 Five landscapes, after J. Ostade, proofs 668 One, St. John preaching in the Wilderness, by Brown, proof etching 669 Twenty views from Anson’s Voyages 670 Five, Reduction of the Havannah, by Canot 671 Seven, Grand Naval Exploits and Victories 672 Twenty-one marine views, &c, 673 Twenty-eight drawings of Birds, &c. 674 Four ditto of Cattle, by Schweickardt, fine 615 Four ditto, by ditto 676 Four ditto 677 Three ditto of Pigs and Sheep, capital 678 Four of Cows Grazing, very fine 67y Five of Horses and Cows, by ditto 680 Four heads of Cows, by ditto, capital 681 Three of Cattle, ditto 682 Nine historical, by De Wilde, Sec. 683 Ten landscapes and Animals, by various ar¬ tists 684 Seven, Herne’s oak, Hadley monument, &c. 685 Five elegant Persian drawings of Amorous Intrigues 686 Five drawings and prints of Covent Garden and Church 687 Twelve portraits Henry VIII. by Delaram, Sic. 688 Twenty of Kings and Queens, by ditto, Pass and Elstrack 689 Thirty, Wm. Harvey, by Faithorne, &c. 690 Thirty ditto, Earl of Castlemaine, &c. 691 Twenty, Charles I. Sic. 692 Twenty, Lady Digby, &c. bj - Hollar 693 Thirty, Mr. Granger and Others, Clergy 694 Ten, Milton by Faithorne, #c. $95 Thirty, Justus Lipsius, by Gaywood, 8tc. 26 696 Sixteen, Edward VI. &c. by Simon Pass, &c. 697 Twent}’, Ralph Taylor, by Vertue, &c. t>98 Seventeen, Layton Smith, by Faber, &c. 699 Twenty-six of Clergy, G. Abbot, by S. Pass, &c. 700 Twenty, Hugh Broughton, by Payne 701 Twenty, Lancelot Andrews, by Pass, &c. 702 Twenty, Dr. F. White, by Gerard Mountain, &c. 703 Twenty, Dr. Butler, by Simon Pass, Sec. 704 Twenty, Dr. John King, &c. by ditto 705 Twenty, Robt. Abbot, by Delaram, &c. 706 Twenty, Lambroch Thomas, by Cross, See. 707 Twenty, Tillotson, by White, &c. 708 Twenty, Mr. Granger, by Ryland, 8cc. 709 Twenty, J. Barrow, by Loggan, Sec. 710 Twenty, Rich. Bentley, by Vertue, &c. 711 Thirty of Clergy 712 Thirty ditto 713 Thirty, Archbishop Laud, See. by White 714 Thirty, Cardinal Wolsey, &e. 715 A parcel of impressions from prints, after Rem¬ brandt . 716 A parcel of impressions from various plates, by Blyth, Ryland, &e. 717 Portrait of Sir J. Astley, by Worlidge, several impressions 718 A large parcel of impressions of a Merry Ma¬ king, by Ryland 719 A quantity of impressions of the Dutch Fish¬ ermen, from Van Goven, by Vivares 720 A very large parcel of impressions from 4 plates, after Ferg, by Major ENGRAVED COPPER PLATES. 721 Ten plates of ornaments 722 Five, Vi vare’s list of prices of his prints, 2 plates and 3 pieces of plain copper 723 Three portraits of Ravenet, D. Causeway, &c, 724 Four plates, by Woriidge, his own portrait, George IT. the Hussar and Beggars, with impressions 725 Ten small landscapes, by Vivares 726 Three plates, by De Wilde and Blyth, with impressions 727 Pair, Thoughts on Matrimony, by Ward, with impressions 728 Three, the large Barn, Six’s Bridge and view of Amsterdam, alter Rembrandt, by Vivares with a quantity of impressions 729 The Happy Peasant fromBerghem, by Vivares, with impressions 730 Four, the Seasons, after Ferg, by Major, with a quantity of impressions, in a portfolio 731 Four from Zuccarelli, by Vivares, with im¬ pressions 732 Two landscapes byVivares, after Gainsborough, with several impressions 733 Smith’s Antiquities of London, 12 Nos. com plete 734 Fifty views in and about London 735 Fifty ditto chiefly in Westminster 738 Fifty ditto in different Counties 737 Fifty ditto 738 Chatelain’s views near London 739 Smith’s Cottage Scenery 740 A volume of designs from Parmegiano, by Zanetti 741 A quantity of designs for monument+i, by Car- lini, &c. 742 A portfolio containing Ovid’s Metamorphosis 743 Three portfolios 744 Three ditto 745 Three ditto 746 Two ditto large 747 Two ditto 748 Two ditto with leaves 749 Two ditto 750 One ditto End of the Fifth Evening’s Sale. Sixth Evening’s Sale, TUESDAY, the 2d Day of M A Y, I 8 O 9 , LOT A - 751 UiL Large parcel of the Constant Couple 752 Sixty, Taylor of Brighton with song 753 Seventy-seven, the Engineer, &c. 754 A quantity of frontispieces to books 755 A large parcel various 7 56 A parcel o*' drawings various 757 A ditto of ornaments, by Dorigny, &c. 758 A quantity of drawings of hands and arms 759 A ditto o feet and legs. 780 A ditto of heads 761 A ditto- of figures 782 A ditto of beasts, birds and ornaments 763 A ditto of beads, by Nathaniel Smith 764 A ditto, by Gravelot, Cipriani, &c. fine 785 Sixteen, by Natoire, DeTroy, 8 cc. ditto 766 Forty, by old masters . 7f3? Forty-eight, Picart’s Impostures, &c. 768 One hundred etcliings, after old masters 769 Thirty, by ok! masters 770 Twenty-five, after Carracci and Poussin' 771 Twenty-two, after Rubens, &c. 772 Thirty, after Carracci, Sic. 773 Thirty-four, after ditto and Tetnpesta 774 Thirty, after Dominichibo, &c. 775 Thirty-thfee heads, by Castiglione 776 Thirty-nine, after Stradanus, &c. 777 Thirty etchings of Banditties, by S. Rosa 778 Sixty-eight ditto 779 Twenty-eight, by various, artists 780 Twenty-one, the Acts of Mercy, &e. by. Passe and Pamieels 781 Twelve, the Elements, the Creation, &c. by Goltzius 782 Fifty-five various, by Della Bella 29 783 Fifty, by Le Clerc and Callot 784 Fifty-two, Beggars, &c. by Callot 785 Two, the large Fair, by ditto 786 One ditto, very fine 787 Six, after Eishimer, by Count Goudt 788 Mine, by Bega, Teniers and Ostade 789 Three, the Rat-Catcher, the Moor, &c. by Vise her » 790 Two, the Pan-cake Woman and Berghem’s Ball, by ditto 791 Ten, after Brower, F. Hals, &c. 792 Thirteen etchings, by Ostade and Livens 793 Six very large wood cuts, the Passion of Christ, bv Burgmair 794 One, the Wise Men’s Offering, after Rubens, by Guile, brilliant and rare 795 Forty-seven etchings, by C. Schut and S. Savery 790 Sixty-seven, Ovid’s Metamorphoses, by Briot, See. 797 Twenty-seven historical, from Coypel, See. 798 Thirty, by S. Bourdon, Zuccarelli, &c. 799 Twenty-eight historical, by Probst, &c. 800 Nineteen etchings, Guido and Spagnoletta 801 Eight ditto, Guido and Baroeeio , ft/e S02 Fourteen, after Poussin, Holbein and Melan 803 Nine, the Loves of the Gods, alter Titian, by Gunst 804 Nine ditto, by Smith 805 Five, the Decapitation of Saints Peter and Paul, by Jacobus Parmensis 806 Four, Moses, No. after Pat megiano,y?//e 807 Seven, the Holy Family, See. by Marc Antonio 808 Eight, after Raphael, by Enea Vico, Sec. fne 809 Four, the List Supper, Christ, preaching. Sec. by M. Antonio •S10 Six, the Rape of IDjanira, Sec. bv ditto 3J 1 Poor, the Assembly >f the Deities, the Graces, &cc. by ditto ttad Ravenna 30 812 Four ditto, Alexander depositing the Iliad, &c. by ditto 813 Three, the School of Athens, &c. by Georgio Ghisi, very Jine 814 Ten, Nymphs and Satyrs, &c. after Raphael, by M. Antonio , 815 Setfen, Mars and Venus, Herculus and Anteous, &c. by ditto 816 Ten, Joseph and his Brethen, the Sorcerer struck Blind, &c. 817 Six, St. Luke painting the Virgin, &c. after Raphael, fine 818 Four, the Nativity, &e. after ditto, ditto 819 Ten, the Prophets, &c. after Michael Angelo, fine 820 Ten various, after ditto, with his portrait, 821 Six, the Crucifixion, the Dead Christ, &c. after ditto, very fine 822 Six, the Last Judgment, the Archers, &e ditto. 823 Six, Christ and the Woman of Samaria, the Archers, &c. ditto 824 Three, Meleager, and Atalante, the Bathers, &c. capital 825 Four, Ganymede, a Sacrifice, & c. extra fine 826 Five, the Fall of Phaeton, after Michael An¬ gelo, by Beatrici, &c. ditto 827 Six, the Last Judgment, &c, after ditto 828 Six, the set of Angles, after ditto, by Ghisi 829 Ten drawings and tracings from scarce prints of English Jesuits, 830 Twenty portraits of clerg} r , by White, Perry, See. 831 Twent} r ditto, John Gilbert, by Vertue, 8c c, 832 Twenty ditto, Richard Hooker, by Hollar, &c. 833 Twenty, George Abbot, py Pass, &c. 834 Twenty, Thomas Birch, by Faber, &c. 835 Twenty, Dr. F. White, by G. Mountain, &c. 836 Twenty, Ambrose Godfrey, by Vertue, &c. 837 Sixteen of remarkable persons from scarce prints, and 12 of Americans / 31 838 Two, Empress of Russia, by Bartolozzi, and King of Prussia, by Wille 839 Five, Guillaume de Vintimille, by Drevet, &c. 840 Twelve, the Roman Emperors, after Titian, by Sadeler, very fine 841 Six, Popes of Rome, by Van Schuppen, &c. 842 Thirty of foreigners, 843 Thirty ditte, by Van Schuppen, &c. 844 Fifteen ditto, by Edelinck, &c. 845 Twenty-nine ditto, by Van Dalen, &c. 846 Twenty-one of eminent French authors, &c. 847 Three, the Grey-headed Man, by Masson 84S Sixteen, by Nantueil, & c. 849 Thirty-four, by Daulle, &c. 850 Fifty, by lloubraken, &c. 851 Thirty, Edward the Black Prince, by Elstrack, See. 852 Thirty, Edward VI. by Simon Pass, See. 853 Thirty, Win. Harvey, by Faithorne, &c. 854 Thirty, Layton Smith, by Faber, &c. S55 Thirty, John Cranch, b}' I. T. Smith, &c. 856 Thirty, from the Kit Cat Club, &c. 857 Thirty, Snelling, by Hall, &c. 858 Thirty, Kersey, by Faithorne, &c. 859 Thirty, George I. by Vertue, &c. 8fk> Thirty, John, Earl of Stair, by Faber, 8c c. 861 Thirty, Theodore Beza, &c. by ditto 862 Thirty, Sir Benjamin Rudyerd, by Payne, &c. 863 Thirty, Pennant, by Sherwin, &c. 864 Thirty, Bishop Lowth, &c. by ditto 865 Thirty, Henry the VIII. by Delaram, See. 866 Thirty, Mrs. Gerrard, by Hollar, &c. 867 Fourteen, Charles I. by Faithorne, &c. 868 Thirteen, Sir Francis Bacon, by Hollar, &c. 869 Five, Mary and Biby Lake, by White, &c. scarce 870 Five, Mary Queen of Scots, by Couvay, &c. ditto 32 ■241 87! Ten, Sir Benjamin Rudy err!, lyy Payne, & c, 872 'lee, £an of Castlemaine, bv Faithorne, &c. 873 Ten, Ambrose Godfrey, by Vertue, &c. 874 Ten, Edward VI. bv Pass, &c. 875 Eleven, Henry VIII, by Delaram, &c. 87^ Nineteen, Sir Jacob Astiev, &c. by Worlidge 877 A quantity of impressions, of Freake, Godfrey, Sec. 878 A ditto, of the Earl of Castlemaine, Snelling, Sec. 879 Tag, Rag and Bobtail, 2 copies 880 Two ditto 881 A quantity of political prints, relative to the Middlesex Election, and sundry pamphlets. Exhibition catalogues, &c. 8S2 Smith’s Cottage Scenery 883 Speed’s History of Great Britain 884 Camden’s Britannia, 2 vol. 885 Stow’s Survey of London and Westminster, * 2 vol. 8Sf> Salmon’s Universal Traveller, 2 vol. 887 Maitland’s History of London, 2 vol. with ad¬ ditional vol. of continuation 888 Echard’s History of England 889 Rapin’s ditto, 2 vol.' 830 A roll of oil paintings, portraits 891 A large bundle of Catalogues 892 A portfolio with a quantity of cartridge paper 893 A capital portfolio, bound with russia leather 8Q$ Two small folios with leaves 895 Four portfolios •896 Two stout portfolios, bound with russia lea her 897 Sundry folios and 2 heads in crayons 898 Four portfolios 899 Four ditto 900 A large portfolio, containing sundry paintings of portraits End of the Sixth Evening’s Safe. Seventh Evening’s Sale, WEDNESDAY, the 3d Day of MAY, 1809. LOT A 901 XJL Parcel, of views in Holland 902 A ditto views, by Silvestre, &c. 903 A quantity of sketches, by Carlini 904 A ditto views of Palaces and architectural or¬ naments 905 A ditto monuments, obelisks, ceilings, &c. 903 Radcliffe’s library, Keppel’s freedom box and sundry prints of antiquities 907 Sixteen views, by Piranesi, &c. with Cardinal Richlieu’s monument 90S C-orregio’s cieling at Parma, in 12 pieces 909 Eighteen, after Corregio, by D. Bonaveri 910 Thirty-five, after ditto and L. da Vinci 91 1 A quantity of impressions of Grecian dresses, 3 sorts aaatfcg of Kembrattot, arranged by daulby’s catalogue. Portraits of Rembrandt. 912 Portrait of Retpbrandt, by Gole, proof, and 11 other portraits of him by various engravers 913 Bust of Rembrandt, No. 2, two impressions ditto, No. 3, and copies and tracings of Nos. 4, 5, 6 and 11 34 * 914 Bust of Rembrandt when a youth. No. 13, v ery rare —ditto. No. 14, scarce and copies of No. 12, 15 and 16 915 Busts of Rembrandt, No. 17, 18, 20, very fine, No. 21 and 22 916 Portraits of Rembrandt, No. 22, ditto with the Sabre, No. 23 and.ditto v?ith his Wife, No. 24, fine 917 Portraits of Rembrandt, No. 24, 25 and 27, fine 918 Ditto two of No. 25 and No. 27 very fine Old Testament. 919 Adam and Eve, No. 29, extra fine, with copy of ditto, and Abraham entertaining the An- . gels, 30, two impressions, one brilliant 920 Adam and Eve, No* 29, copy —Abraham enter¬ taining the Angels, No. 30—Abraham sending away Hagar, No. 31, and Abraham preparing to offer up his Son Isaac, No. 32 and So,fine 921 Jacob lamenting the supposed Death of Joseph, No. 35, two impressions, one extra fine —Jo¬ seph with Potiphar’s Wife, No. 36, two im¬ pressions, and Joseph telling his Dream to his Brethren, No. 37, two impressions 922 Gideon’s Sacrifice, No. 38, impression before the fiUet on the head of the Angel, rare 923 David Praying, No. 40—Tobit, No. 41-—the Angel ascending from Tobit, No. 42, four impressions, and Joseph relating his Dream, No. 37 New Testament. 924 The Angel appearing to the Shepherds, No. 43—the Nativity, No. 44, and the same sub- ect, No. 4 5,fine 35 925 The Angel appearing to the Shepherds, No. 43—the Nativity, No. 45, and the Circum¬ cision, No. 46 Q26 The Circumcision, No. 47, original and copy —ditto No. 48, two impressions, one very fine, and the Presentation of Jesus in the vaulted Temple, No. 49 927 The Presentation with the Angel, No. 51—the Flight into Egypt, No. 52 and 2 copies o. ditto 928 The Flight into Egypt, No. 52, original and 3 copies—ditto No. 53 and the Holy Family crossing a rill. No. 55, two impressions 929 The Repose in Egypt by Night, No. 57, three impressions, one very fine —ditto, No. 58, two impressions, aud the Man with a pen, fine and scarce 930 The Rest in Egypt, No. 59, a sketch of —the Virgin in the Clouds, No. 60—the Holv Family, No. 6l—Ditto, No. 62—Jesus disputing with the Doctors, No. 63, and Ditto, No. 64, two impressions , 931 The Floly Family, No. 62, and Jesus disput¬ ing, Nos. 63, 64 and 65 932 The Tribute to Caesar, No. 67—Christ driving out the Money-changers, No. 69, in its original state, extra fine, and the Return qf' the Prodigal, No. 70 933 Christ driving out the Money-changers, No. 69 ttco impressions, variations, very fine, and Jesus conversing with the Samaritan Wo- man, No. 71, two impressions 934 The Return of the Prodigal, No. 70—Jesus with the Samaritan Woman, No. 71, two impressions, one with the Bur, and the same subject, No. 72, two impressions 36 935 Jesus conversing with the Samaritan Woman, No. 71, two impressions and the same subject. No. 72, two impressions, one most brilliant 939 The Samaritan JVoman and Jesus conversing) No. 72, two impressions, one very fine, and the Resurrection of Lazarus, No. 73, three impressions, one extraJine 937 The larger Resurrection of Lazarus, No. 74, fine, and the Hundred Guilder piece. No. 75, byWorlidge 938 The Hundred Guilder, in its original state. No. 75 939 Tne same print, No. 75, very fine 940 Jesus Christ Healing the Sick, No. 76, Jine and scarce —the Good Samaritan, No. 77, original and copy, and Christ in the Garden of Olives, No. 78. 941 Tiie Three Crosses, No. 80, two different impressions and copy of ditto, by Bickham 942 The Crucifixion, oval, No. 81, two impressions —Ditto, No. 82, two impressions—the Ecce Homo, No. 83, the Descent from the Cross, No. 84, and two copies 943 The Ecce Homo, No. S3, and the Descent from the Cross, No. 84 » 944 The Descent from the Cross, No. 86, three impressions—the Funeral of Jesus, original and copy—the Virgin Mourning the Death of Jesus, No. 89, a sketch of, and Christ and the Disciples at Etnaus, No. 90 945 Christ at Etnaus, No. 90—the same subject. No. 91 — the Decollation of St. John, No. 92, and the same subject, differently treated, No. 93, all fine and rare 946 Peter and John at the Gate of the Temple, No. 94, two impressions—Philip baptising the Eunuch, No. R5, and three sketches of Nos. 94 and 96 947 Peter and John at the Gate of the Temple, No. y4, two impressions, one ninth fore ground, lightly shadowed and with the bur most bril¬ liant, and the Baptism of the Eunuch, No. 95, tine 948 The Death of the Virgin, No. 97, and the Stoning of St. Stephen, No. 97, two impres¬ sions, fine Pious Subjects. 949 St. Jerome sitting before the Trunk of an old Tree, No. 102, extra fine 950 St. Jerome, No. 103, &c. nine pieces 951 Youth surprised by Death, Mo. 109—a Man meditating. No. 110, three different impres¬ sions Fancy Pieces. 952 The allegorical piece. No. 111, a sketch of, the Star of the Kings, No. 112, a reverse, and three other diff erent impressions 953 The Attack of the Lyon, the third piece of Mo. 113, two impressions, one very fine —the Oriental Figures, No. 114, three impressions, and the Blind Bagpiper, No. 115, extra fine 954 The Spanish Gypsy, Mo. 116, copy—the Bat catcher, No. 117, two copies, and the Gold¬ smith, No. 119, very fine, with the copy 955 The Pancake Woman, No. 120—the Sport of Kolef, Mo. 121, two impressions, one very fine —a Jews Synagogue, No. 122, two im¬ pressions, and the Schoolmaster, No. 126, two impressions 956 The Schoolmaster, No. 126, two impressions —the Draughtsman, No. 128, three impres¬ sions— Peasants travelling. No. 129, two impressions, fine, and drawings of Nos. 127 and 130 38 957 The Jew with the High Cap, No. 181, two impressions, one very fine —an old Man with his Grandson, No. 132—the Card Plaver, No. 135, and drawings of Nos. 133, 134 and 136 958 A Polander, No. 140, original and copy— an old Man, No. 141, two impressions—- an old Man with a bushy Beard, No. 144— the Persian, No 145, two impressions, one very fine, with copy of ditto—the Hog, No. 152, and copies of No. 146, 147 and 154 Beggars. 959 A Beggar, No. 155—Ditto, No. 156, two impressions and a copy of ditto—two Beg¬ gars, No. 157—Ditto, No. 158, very fine, and drawings of Nos. 160, 162 and 163 960 A Woman begging. No. 164—the Ragged Mariner, No. 166, original and copy—a Beggar warming his Hands, No. 167—a Beggar seated on a Hillock, No. 168, origi¬ nal and copy, and a tracing of No. 169 961 Beggars at the Door of a House, No. 170, two impressions, one extra fine —a Beggar and Companion, No. 171, very fine, and a Beg¬ gar with a Wooden leg, No. 172 962 Beggar and Companion, No. 171, two impres¬ sions and drawings of No. 173, 175 and 177 Free Subjects. 963 A drawing of . the Ledikant or French Bed, No. 178—Friar in. the Straw, No. 179, copy —a Man making Water, No. 182, two im¬ pressions, one extra fine, copy of ditto and two drawings of No. 183 39 Academical Subjects. 964 A Painter studying from a Statue, No. 184, tv. o impressions, one very fine —the Prodigal Son, No. 185, brilliant, with a copy and a drawing of ditto 965 The Go-cart, No. 1S6—the Bathers, No. 187, 2 impressions, and a Man seated on the Ground, No. 188 966 A Woman sitting before a Dutch stove. No. 189, fine, and a drawing of ditto in its first state 967 A naked Woman, No. 190—a Woman prepa¬ ring to dress, No. 191, a drawing—a Woman >■ with her Feet in the Water, No. 193, two impressions, one fine—a drawing of No. 194 —a Female asleep, No. 196, and a Woman seen from behind. No. 197, extra fine Landscapes. 968 View of Omval near Amsterdam, No. 201, fine, and copies and sketches of, 199, 200 and 202 969 The Three Trees, No. 204 ,fine, and the copy of the same 970 The Farm House, No. 211, fine, and copies of Nos. 212, 216 and 217 971 A landscape with cattle. No. 216, and a ditto with an obelisk, No. 218, both very fine 972' A Village with a Canal, No. 219—a landscape with a Cow drinking, No. 228, with copy of ditto 973 Copies, tracings and sketches of Nos. 202, 205, 207, 213, 214, 221, 225, 229, 232, 234, 236 and several others X v 40 Portraits of Men. 974 The Man in the arbour. No. 237—an old Man, No. 239—bust of an old Man, No. 240, very fine, and two drawings cf No. 238 975 Bust of an old Man, No. 240—the Man with the Crucifix, No. 241, two impressions, one exrra fine, and an old Man with a large white Beard, No. 242 976 The old Man with the white beard, No. 242, two impressions, one very fine , No. 243, and A. Vander Linden, No. 244 ffine 977 A Man with a short beard. No. 243, A. Van¬ der Linden, No. 244—an old Man in a fur cap, 245, and Janus Si'ivius, No. 246, all very fine 97S A young Man musing. No. 248, two impres¬ sions, one extra fine —-Menassah Ben Israel, No. 249, two impressions, ditto, and a draw¬ ing of No. 248 979 Dr. Faustus, No. 250, very fine—Renier Han- slo. No. 251, copy, and Clement de Jonghe, No. 9.52, fine 980 Clement de Jonghe, No. 252, before the arch at top, extra fine 981 Abraham France, No. 253, fine, and Young Floating, ,No. 255, two impressions in its ori¬ ginal and altered state 982 John Lutma, No. 256, two impressions, one fine —John Asselyn, No. 257, and Ephraim Bonus, No. 258, copy 983 Wtenbogardus, No. 259, two impressions, one brilliant 984 The Gold Weigher, No, 261 , copy by Captain Baillie, two impressions, one a proof ■ 985 The Great Coppeuol, No. 263, in its reduced state—copy of ditto—Van Tol, No. 264, copy, and one of the Oriental heads in No* 266 , fine 41 986 The three oriental heads. No. 266 , brilliant , and one of ditto, by Lievens 987 A young Man in a mezetin cap, No. 267—an old Man with a large beard, No 268, two impressions and bust of an old old Man, No. 269 , very fine 988 An old Man, No. 268, and two profiles of bald-headed Men, No. 274, fine and a draw¬ ing of one of them 989 A bald-headed Man, profile the small print, No. 270—a bust of an old Man, in an oval. No. 272, two impressions—a small bust of an old Man, No. 273 and a tracing of ditto 990 Old Man’s head, in an oval No. 273—an old Man with a bald head. No. 274—an old Man in a high fur cap. No. 276, and bust of a Man with a beard. No. 277, all fine and scarce 991 The Slave with the great cap. No. 278—-a drawing of No. 279—bust of a Man, front view, No. 280—bust of a Man with curling hair. No. 28J, and bust of a»Man in a fur cap, stooping, No. 283, all fine 992 Bust of a Man with curling hair. No. 281—a - -Man in a fur cap stooping. No. 283, most brilliant, and profile of a Man with his head bald. No. 286, rare 993 Bust of a Man with a singular moutll, No, 285, copy—an old Man with a large white beard, No. 286, original and copy—a young Man, No. 287 and a Man with a broad brimmed hat. No. 288 ,fine 99^ Bust of an old Man, No. 289—a Ditto, No. 292 —bust of a man resembling Rembrandt, No. 293 —Ditto, No. 294—Ditto No. 297 —Ditto No. 298, and sketches of No, 292 and 295 F 42 895 Bust of a Man, No. 298—Ditto sitting. No. 299, four impressions, originals and copies— bust of a M^n sleeping, No, 304, extra fine, with the copy and sketches of Nos. 301 and 302 996 Bust of an old Man, No. 304—a grotesque head, in a high fur cap, No. 305, fine and scarce, with the copy—a ditto, No. 306-~ portrait of an Officer, No. 309, very fine, and sketch of No, 310 Portraits of Women. 997 The Great Jewess Bride, No. 311, very fine 998 An elderly Lady sitting. No. 313, extra fine, and 3 copies 999 Rembrandt’s Wife, No. 316, with the copy, by Holiar—an old Woman, No. 317, two impressions—Rembrant’s Mother, No. 318, very fine, and ditto. No. 321 1000 A Woman with a basket, No. 323, very fine —a Morisco Woman, No. 324, two impres¬ sions—busts of Women, Nof 325, 326, and 6 other pieces, sketches and copies Studies. 1001 Head of Rembrandt and other studies, No. 329—heads of Women, No. 333, most bril- , liant. and ditto of No. 334, three impres¬ sions 100.2 Sketch of a Tree and other subjects, No. 339, fine and rare, and a tracing of ditto 1003 Twenty-one tracings and copies from scarce pieces with others, by Lievens 1004 Forty-seven copies from Rembrandt’s Works 1005 Nine, the Lord of the Vineyard, &c. after ditto 100 6 A small folio, containing sundry scriptural and other subjects, byTempesta •: £fJ 43 JVorks of Hollar , §c. 3007 Thirteen of vases, after Holbein, fine 1008 Six of muffs, Sec. fine and scarce 1009 Thirteen various by ditto, Solomon’s Temple, Sec. 1010 Seven English views by ditto, fine 1011 Twenty-four, by Lucas Van Leyden )012 Twelve, by ditto. History of Joseph, Sec. 1013 Twenty-eight, by old German masters 1014 Twenty of Apostles, by L. Van Leyden 1013 Fourteen, the Passion of Christ, by ditto 1016 Seven, the Cardinal Virtues, by ditto, vert/ fine 1017 Fourteen of Saints, 8cc. by ditto, fine 1018 Thirteen ditto, very fine 1019 Seven ditto, with his portrait, fine 1020 Two, Adam and Eve, and the Triumph of Mordecai, very fine 1021 Twenty-three, by Aldegrever, Beham, See. 1022 Six curious pieces, byF.de Babylone, &c. 1023 The Ceremony of shooting the Dead King, and , St. Christopher, both by Martin Zagel, very fine and rare 1024 Six of Madonas, Sec. by Albert Durer, fine 1025 Five, the small Crucifixion, by ditto, fine and scarce 1026 Five, the Sorceresses, St. George, a Madona, See. extra fine 1027 Two, the Prodigal Son and Nymph and Satyr 1028 Two, the Prodigal Son and the Melancholy 1029 One, Adam and Eve, very fine 1030 One, St. Hubert, brilliant Portraits of Artists. 1031 Forty-five various 1032 Forty-five, ditto 1033 Forty ditto 1034 Thirty ditto, A. Van Hacken, See. m 44 1035 Thirty ditto, S. and N. Buck, &c. 103G Thirty ditto. Sir G. Kneller, Holbein 1037 Twenty-five, Albert Durer, Hyacinth, Rb gaud, &c. 1038 Twenty, Isaac Oliver, Flatman, Van Goyen, &c. 1039 Twenty, Hans Holbein, A. Durer, L. Cra¬ nach, &c. 1040 Twenty, Greenwood, B. Picart, Le Seure, &c. 1041 Fifeteen, after Vandyke, some very fine, 1042 Fifteen, Godfrey Schalken and others, mez- zotinto 1043 Twelve, by Hollar, and others, some curious 1044 Seven, Wouvermans, Watteau, Verdier, &c. fine 1045 Three, drawings of Verrio, P. Sandby and M. Dahl 1046 Twenty-five, Titian, Tintoret, Otho Venius, &c. 1047 Nineteen, Berghem, Coypel, Highmore, W. Vandevelde, &c. 1048 Five, Peter Simon, Israel Silvestre, John Bol, &c. , 1049 Five, Vanderbanc, Ridenger, &c. scarce 1050 Two, Ravenet and Vivares, f ind and scarce 1051 Four of Michael Angelo, distinct prints, fine and rare 1052 Five of Albert Durer, ditto 1053 Four Sir P. Lely, Sir G. Kneller, A. Hon- dius. Sec. 1054 One, John Torreutius, fine and.scarce 1055 Tw r o, Jeremiah Meyer and F. Vivares, fine and rare 1056 Two, F. Vivares, by himself, and Sir J. Rey¬ nolds, by Sherwiu 1052 Two, S. F. Ravenet, and F. Vivares, both fine 1058 Qi e, F. Vivares, a fine proof, before any letters End of Seventh Evening’s Sale. f. •£■£'/-- 45 Eighth Evening’s Sale, THURSDAY, the 4th Day of MAY, 1809. BOOKS —OCTAVO ET INFRA, LOT 1 JC IVE Nos. of the Beauties of Great Britain, and sundry pamphlets 2 Milton against Charles II. and 6 others 3 A bundle of printsellers and print catalogues, some priced 4 Daulby’s Catalogue of the Works of Rembrandt 5 Helle and Glomy’s Catalogue of ditto 6 Catalogue of Mr. 'Gulston’s Sale of Prints, ditto of Mr. Tig'ne’s, and ditto of Mr. Bar¬ nard’s, some priced * 7 Catalogue of Mr. Rogers’s Sale—Ditto of Mr. Barnard’s, and 4 others 8 Catalogue of Mr. Gulston’s Sale, priced 9 Catalogue of Sir Wiiiiam Musgrave’s Sale— Shropshire’s Catalogue, arid Thane’s ditto 10 Bosse on Perspective, and the Excellency of the Pen and Pencil J1 Evelyn’s Sculptura, 1755—Art of Engraving, and Chronological History of Engravers 12 Life of Benvenuto Cellini, 2 vol. 13 Gilpin’s Essay on Prints, and his Essay on the Picturesque 14 Leonardo da Vinci’s Treatise on Painting, and Dufresnoy’s Art of Pain dag 15 Halfpenny’s Perspective—History of Engraving, and the Excellency of the Pen and Pencil 46 •V