> r Digitized by the Internet Archive in 2014 http://archive.org/details/gothicornamentsiOOhalf Published $y J.Todd & Sons. ) '<»/, . TO THE VERY REVEREND THE DEAN THE RESIDENTIARY AND THE PREBENDARIES OF THE CATHEDRAL CHURCH OF YORK THIS SELECTION OF GOTHIC ORNAMENTS IS HUMBLY DEDICATED BY THEIR MOST OBEDIENT SERVANT JOSEPH HALFPENNY. SUBSCRIBERS. His MAJESTY'S LIBRARY, by Command. His Royal Highnefs PRINCE WILLIAM of GLOUCESTER, Acklom, jonathan Efq; Acklom, Richard, Efq; Agar, Benjamin, Efq; Allan, George, Efq; Allanfon, Mifs Anna Anderfon, John, Efq; Antiquarian Society of London Arnold, George, Efq; Atkinfon, Mr. Thomas, Architect Atkinfon, Mr. James B Buccleugh, His Grace the Duke of, K. G. Barnard, Henry Boldero, Efq; Batt, John Thomas, Efq; Chancellor of the.Diocefe of York Barrett, Thomas, Efq; Belt, Rev. Francis Boys, William, Efq; Bowes, Oldfield, Efq; Brackenbury, Richard, Efq; Browne, Rev. William Bray, William, Efq; Brandling, Mrs. Bree, Rev. William Browne, Rev. Mr. Brooke, Mrs. Langford Burgh, William, Efq; Byfield, George, Efq; Architect Carlifle, The Right Hon. the Earl of, K.G. Clanbraffill, The Right Hon. the Earl of Cavendifh, Lord John, two Sets Cooke, Sir George, Bart. Cartwright, Edmund, Jun. Efq; Carr, John, Efq; Architect Carr, William, Efq; Camidge, Mr.Organift of the York Cathe- dral Cheap, Rev. A. Refidentiary of the Cathe- dral Childers, Walbanke Childers, Efq; Chippendale, Mr. Thomas Chefwell, Richard Trench, Efq; Clarke, Robert, Efq; Clifton, John, Efq; Clough, John William, Efq; Conftable, Edward, Efq; Ccnftable, Marmaduke, Efq; Conftable, Mrs. Cooke, Bryan, Efq; M. P. Cotton, Edward, Efq; Cope, Nicholas Archdall, Efq; Croft, Rev. Robert, Refidentiary of the Ca- thedral Croft, John, Efq; Crafter, Shafto, Efq} Croft, Mifs Harriot Dublin, His Grace the Archbifhop of Durham, The Hon. and Right Rev. the BU (hop of Durham, The very Rev. the Dean and Chap- ter of Danby, William, Efq; two Sets Dalton, Major John Dawfon, George, Efq; Dawfon, John Charlton, Efq; Denifon, Robert, Efq; Dealtry, Rev. Dr. Dinfdale, Richard, Efq; Douglafs, Rev. John Douglafs, Mr. Drummond, Rev. Geo. Prebendary of York Englefield, Sir Henry, Bart. Eden, Robert, Efq; Eden, Mifs D. Egerton, William, Efq; Ellifon, Henry, Efq; Eyre, Rev. John, Refidentiary of the Ca* dral Eyre, Rev. Charles Eyre, A. H. Efq; Eyre, Capt. Fitzwilliam, The Right Hon. Earl, five Set* Fawkes, Walter, Efq; Fawkes, Mrs. Finch, Mrs. Mary Foljambe, Francis Ferrand, Efq; Fountayne, Mifs Fountayne, Mifs J. Ford, Rev. Dr. Melton Mowbray Foord, Rev. Dr. Prebendary of the Cathc* dral Fothergill, Mr. Francis, Rev. C. Freeman Strickland, Efq; Grantham, The Right Hon. Lady Gough, Richard, Efq; Goodricke, Mrs. Grimfton, Thomas, Efq; Grimfton, Henry, Efq; Giles, Daniel, Efq; Gordon, James, Efq; Goftiing, George, Efq; H Hambleton, His Grace the Duke of Hawke, Right Hon. Lord SUBSCRIBERS. Hoare, Sir Richard, Bart. Hildyard, Sir Robert D'Arcy, Bart. Hotham, Sir Charles, Bart. Hall, Sir James, Bart. Harcourr, Hon. Mrs. Hamilton, Rev. Anthony Hafell, Mifs Hall, Rev. William Harrifon, Mr. Architect Harris, M. D. Architect Hatfell, James, Efq; Harrifon, George, Efq; Hardifty, Mr. Hinchliffe, Henry, Efq; Hoare, Charles, Efq; Holland, Richard, Architect, Efq; Holland, Richard, Efq; Hofton, James, Efq; Hunter, A. M. D. two Sets Hunter, Rev. John A. Hunter, William, Efq; Hurit, Mr. John J Johnfon, Peter, Efq; Jackfon, Rev. Wm. Prebendary of the Ca- thedral Jackfon, Rev. Richard, D. D. Prebendary of the Cathedral K Knight, John Gaily, Efq; L Lawfon, Sir John, Bart. Literary and Philofophical Society, Man- chefler Lafcelles, The Hon. Edward, M. P. Langley, Richard, Efq; Langley, Mrs. Ann Laurence, Mrs. . Legh, George John, Efq; Lackington, Allen, and Co. Lumby, William, Efq; M Montague, The Right Hon. Frederic, two Sets Mufgrave, Sir John Chardin, Bart. Milner, Sir William Mordaunt, Bart. M. P. Markharn, Rev. George, Chancellor of the Church or York Markham, Rev. Robert, Archdeacon of York Marris, William, Efq; Maire, Henry, Elq; Meyrick, John, Efq; Meredith, George, Efq; Architect Milnes, John, Elq; Milner, Major, Efq; Michell, Charles, Efq; Morritt, John Bacon Sawrey, Efq; M. P. i Murray, James, Efq; Mufgrave, Jofeph, Efq; N Norfolk, His Grace the Duke of, two Set* Norwich, the Right Rev. the Bifliop of Newdigate, Sir Roger, Bart. Nicol, Mr. George Norris, John, Efq. O Orford, The Right Hon. Earl of Ofmond, Mr. P Parkhurft, J. G. Efq; Parkinfon, Mr. Prellon, Rev. John, Prebendary of the Ca- thedral Prefton, Mrs. Perrott, John, Efq; Pickard, Leonard, Efq; Peirfon, P. Efq; Pierfon, Mr. Pilkington, William, Efq; Architect Pordon, Mr. William, Architect Powell, Mr. Powell, David T. Efq; Pownall, Mrs. Everton-Houfe R Ripon, The very Rev. the Dean of Rochefter, the very Rev. the Dean of RufleJI, Sir John, Bart. RadclifFe, Rev. John, Manchester, for the Library RadclifFe, Jofeph, Efq; Robfon, Mr. Read, William, Efq; Reid, Mrs. Riddall, Thomas, Efq; Repington, Colonel Rufe, , Efq; Ruffell, Mr. Ruflell, George, Efq; S Strickland, Sir George, Bart. Salmond, Mifs Saltmarfh, Philip, Efq; Salvin, William Thomas, Efq; Selby Cherters, Mrs. Serjeantlon, Mrs. J. Stuart, Hon. Capt. Stapylton, Hon. Col. Chetwynd Simpfon, Hon John Skynner, Rev. John, Sub-dean of York Smith, Rev. Nathaniel, Prebendary of York Smyth, John, Efq; Heath, M. P. Smyth, Francis, Efq; Smyth, John, Efq; Holbeck Sotheran, Mr. SUBSCRIBERS. Spencer, Mr. Henry Strickland, William Boynton, Efqj, Strickland, Thomas, Efq; Strickland, Jarrard, Efq; Stafford, Thomas, Efq; Staveley, Mr. John Suite!!, Mr. Swainfton, John, Efq; Sykes, Mark Maflerman, Efq; F.S.A. T Tatton, William, Efq; Tate, Mr. Taylor, Mr. James Teffeyman, Mr. Tighe, Robert Stearne, Efq; Thompfon, Henry, Efq; Thompfon, Mr. William, London Thoroton, Thomas, Efq; Todd, Mr. Thornton, Mr. Trevelyan, John, Efq; Turner, John, Efq; Tweedy, John, Efq; W Wentworth, Godfrey, Efq; Wentworth, Mrs. White, Mr. Whytehead, Rev. Williams Wilfon, Daniel, Efq; Witham, Mrs. Catherine Wilfon, William Wilfon Carus, Efq; Windham, Jofeph, Efq; Williams, Gregory William, Efq; Wilfon and Spence, Meffrs. Wood, Mrs. Wood, Mr. Statuary Wood, Richard, Efq; Hollinclofe Wor/ley, Rev. Ralph Wright, John, Efq; Wroughton George, Efq; Wright, Rev. Thomas William Y York, His Grace The Archbifhop of York, The very Rev. the Dean of York, The Dean and Chapter of, two Sets Yoike, John, Efq; Warde, St. Andrew, Efq; INTRODUCTION. A Careful perufal of Mr. Bentham's Hiftory of the Church of Ely, and Mr. Murphy's In- troduction to the Gothic Architecture of the Church and Royal Monaftery of Batalha, in Portugal, (now publishing in Numbers) will enable any perfon to obtain a competent Know- ledge of the Principles of Gothic Architecture. The arrangement of Mr. Murphy's work is molt excellent, and it would be a noble Undertaking if the fame method was followed in giving the Plans, Elevations, Sections, &c. of the Cathedral Church of York. Of Gothic Architec- ture, Sir William Chambers fpeaks in terms of the higheft refpect. " To thofe ufually called Gothic Architects we are indebted for the firft considerable Im- ** provements in construction ; there is a lightnefs in their works, an art and boldnefs of execu- " tion, to which the antients never arrived, and which the moderns comprehend and imitate " with difficulty. England contains many magnificent examples of this Species of Architecture, " equally admirable for the art with which they are built, the tafte and ingenuity with which *' they are compofed. One cannot refrain from wifhing that the Gothic Structures were more " considered, were better underftood, and in higher eftimation than they hitherto feem to have '« been. Would our Dilettanti, inftead of importing the Gleanings of Greece, or our Antiqua- «' ries, inftead of publishing loofe incoherent prints, encourage perfons duly qualified to under- ** take a correct elegant publication of our Cathedrals, and other Buildings called Gothic, before " they totally fall to ruin, it would be of real Service to the Arts of Defign j preferve the re- «* membrance of an extraordinary Style of Building, now finking faft into Oblivion ; and at the «« fame time publifh to the World the riches of Britain in the Splendor of her Antient Structures." Treatije on the Decorative Parts of Civil Archite£lure t p. 22. With a View to encourage and bring forward an Undertaking fo warmly recommended, I have been induced to exhibit this Selection of Gothic Ornaments, Mattering myfelf that they will be found beautiful in the Defi gn, and mafterly in the Sculpture. And as they are lelected from various parts of the Building, it will be neceflary to remark, that, like the Church itfelf, they muft have been executed at different times. Mr. Drake, in his Eboracum, puts the following dates to the different parts of the Church. 1227. Archbifhop Walter Grey built the South Aile. 1268. John le Romaine built the North Aile. 1 291. His Son, John le Romaine, Archbifhop, laid the foundation of the Nave from the Weft End Eaftward. 1320. William de Melton, Archbifhop, carried on the Building and finifhed the Weft End with the Steeples. 1 36 1. John Thorefby, Archbifhop, laid the firft Stone of the Choir. 1370. Walter Skirlaw, Prebendary of Fenton, by a large Donation, caufed the Old Steeple to be taken down, and erected a new one, which is in the Centre ot the Church. As to the time when the Chapter Houfe was built, nothing can be determined with certainty. Mr. Drake fays, that it is as old as the Church itfelf, but the Style of Architecture ihews that it is of a much later Date. The Patronage that I have already received will ftimulate me in the execution of the prefent Work, and the Public may be afTured that the future Numbers will not be inferior to the one now prefented. JOSEPH HALFPENNY. York, March 2, 1795. N j. n PI A J.TJ PI. J PI h. fx IN 5 hi J J] I 'I If f J'J 10 .! II ■Iff. 77. 2. J. fi' 5 J. IT. >T.H. PI. 10 jrr. P2 X PI. 31 .J.H. PI. 30. 1>1 . 4-0 . ./// J. ft. Pi 43 JH PI ./// /'/ /.,s / H J'l /(> 4 HI £8 jr ■ - n /// / / 66 •///. t /'/. (>-, 77/ / II 'I UNR IJ m>a ' )»,mn;iv)m.i ' unum i u. r JTI 1 PI 83 •/ K, JJB /'/ <)> .///. MO , ./// /y g t ./// •///. ri-iot •/// Pi 10 i 1 PLATE i. TWO CAPITALS in the Chapter-houfe. Thefe are in depth eight inches, and including the fufpended capitals, are in number two hundred and eighty-four, each different in de- fign. They are executed in ftone : The foliage of all has been gilded; and the figures, heads, and animals have been painted in their proper colours. PLATE 2. FOUR BOSSES in the paffage to the Chapter-houfe. Thefe are nine inches in diameter, with a projection of four inches in the centre j they are near ten feet from the floor, and are in number twenty-two, of various defigns ; they are cut in ftone, and have been gilded. PLATE 3. TWO HEADS in the Chapter-houfe. Thefe are in depth about four inches, and are ex- ecuted in (lone; originally they were in number one hundred and eighty-fix. The faces and drapery have been painted in their proper colours, and the ornaments gilded. Several of them are totally deftroyed by time, and many have evidently been replaced by inferior artifts. PLATE 4. TWO CAPITALS in the Choir End of the Church. Thefe are one foot four inches in depth, and twenty-eight feet fix inches from the floor. — The pillars are compofed of twelve cylinders with hollow fpaces : The cylinders are twenty-five feet in length : Four of them are one foot five inches in diameter, four are ten inches in diameter, and the re- maining four are feven inches and three quarters in diameter. The pillars are fixteen in number, with four femi-pillars. From their capitals fpring the Arches to the fide Ailes, PLATE 5. FOUR KNOTS in the ceiling of the Choir End of the Church. Including the Tranfept near the Altar, there are in the Ribs, or Groins, two hundred and ninety-nine knots, from two feet to two feet fix inches in length. Thofe in the centre are ninety-nine feet from the floor and are all cut in oak, except thofe over the crowns of the windows which are in ftone. The foliage of all has originally been gilded, and the figures and heads painted in their proper colours. The principal Groins are in projection one foot one inch, and in breadth ten inches and a half. The fmaller ones project eleven inches, and are feven inches in breadth. In the next number will be given a compleat Stall, which will explain the Situation and Dimenfions of the refpective parts of the Chapter-houfe, exhibited in this Work. PLATE 6. A STALL in the Chapter-houfe, with all its parts compleat. Thefe Stalls are forty-four in number. The Seat is one foot nine inches in height from the floor. The Columns are of Petworth Marble, fix feet long and three inches and a half in diameter. The Plinth and Bafe, fix inches. The Capitals are eight inches in height, and from them to the top of the Stall is four feet eight inches ; the whole meafuring thirteen feet eight inches from the ground. The Stall is three feet feven inches wide, meafuring from the centers of the Columns. Originally there was a ftep to the Stall, but the floor is now raifed and made level with the ftep. The whole of thefe Stalls, except the Columns, have been painted with rich colours, and there are evident marks of much gilding having been beftowed upon them, fo that when the Chapter-houfe was in the height of its deco- ration, its appearance mud have been magnificent in the extreme. PLATE 7. TWO SUSPENDED CAPITALS of a Stall in the Chapter-houfe, the fituation of which is {hewn in Plate 6. They are in depth eight inches. PLATE 8. TWO HEADS belonging to a Stall in the Chapter-houfe, the fituation of which is fhewn in Plate 6. Confult the explanation of Plate 3. PLATE 9. TWO CAPITALS in the Choir end of the Church. They are in depth two feet fix inches, and are fixty-two feet from the ground. They are fixteen in number, and from them ipring the groinings of the middle roof. PLATE 10. FOUR KNOTS in the Choir End of the, Church. Confult the explanation of Plate 5. PLATE 17. A CAPITAL in the north Aile. It is in depth one foot four inches, and is twenty-two feet from the floor. The Pillars in this Aile are compofed of twenty-four cylinders ; four are nine inches in diameter, four are five inches and a half in diameter, eight are five inches in diameter, and eight are fix inches in diameter. Thefe laft are of marble, and brought, as fuppofed, from Petworth, in Suflex. The mouldings of the Capital above the foliage are of the fame marble, and from them fpring the Arches to the fide Ailes* PLATE 18. TWO CAPITALS in the Chapel under the Altar. Confult Plate it. PLATE 19. TWO HEADS over the coats of arms in the Spandrills to the Arches, in the north Tranfept, near the Altar. The fhield is two feet wide at the top. In the Choir end of the Church, including the Tranfept, there are forty-eight of thoie Heads, with a coat of arms under each, and it is probable that they are Portraits. PLATE 20. A CANOPY placed on the Columns at the eaft end of the Church. It is in height two feet two inches, and in width two feet four inches. Thefe C inopies are fix in number, «md are placed eight feet ten inches above the confoles, as fhewn in Plate 14. They are cut out of one folid (tone. PLATE 2t. TWO KNOTS in the Ceiling of the weft end of the Church. They are placed againft the wall, as a Bracket or Corbel, for the fmali Ribs or Groins to fpring from. In the Nave are one hundred and forty-feven Knots of various dimenfions, from three feet three inches to one foot fix inches long. The largeft confift of Hiftorical Subjects, taken from the New Teftament. The others are compofed of foliage and figures. All of them are cut in oak, and originally have been painted and gilded, in the fame manner as the Knots in the Choir end of the Church. Specimens ot the Hiftorical Subjects, and foliage, will be given in the fubfequent Numbers. PLATE 22. TWO CAPITALS in the Nave of the Church. They are in depth one foot two inches, and twenty-lix feet from the floor. The Pillars in the Nave are fourteen in number, with four femi-pillars j twelve of them are compofed of twelve cylinders with flat fpaces, of feven inches, between them. Four of the cylinders are one foot four inches and a half in diameter, four are nine inches in diameter, and four feven inches in diameter. The other two Pillars, at the well end, have each an addition of four cylinders, to give a greater ftrength to fupport the two weft Towers. From thefe Capitals fpring the arches to the fide Ailes. PLATE 23. TWO PINNACLES in the fide Ailes of the Nave. They are in height one foot eleven inches, and from the floor to the top, twelve feet. — The Pilafters on which they are placed are four inches and a half wide below the heads. In the fide Ailes of the weft end of the Church, there are eighty-eight of thofe Pinnacles or Spiracles, and thirty-fix that are femi, each having fome variation in the defign. But from the extreme delicacy and minutenefs of the parts, time has fo preyed upon them that very few are perfect. PLATE 24. TWO HEADS over a Stall in the Chapter-houfe. Confult the explanation of Plate 3. PLATE 25. TWO FINIALS, with the Crockets to the Pediments, in the fide Ailes of the Nave of the Church. The Finials are in height one foot ; and are twelve feet from the floor to the top. In the fide Ailes, and weft end of the Church, there are eighty-eight Pediments, each having fome variation in the ornamental parts, and between them are placed, on a Pilafter, a Pinnacle, as fhewn in Plate 23. PLATE 26. TWO KNOTS in the Ceiling of the Nave, or weft end of the Church. The one which reprefents the Annunciation, is in length three feet, and in breadth two feet fix inches. The letters on the label are nearly defaced, but what remains is given in the Plate. The other, reprefenting the adoration of the Magi, is in length three feet three inches, and in breadth three feet one inch. Confult the explanation of Plate 21. PLATE 2?. A COMPARTMENT, of which there are eighty-eight in the fide Ailes of the Nave and weft end of the Church. They are four feet in width, from the Centre of the Pilafters, and twelve feet in height, from the floor to the top of the Finials. Plates 23. and 25. Ihew the Pinnacles and Finials on a larger fcale. PLATE 28. A CAPITAL in the north Aile. Confult Plate 17. PLATE 29. TWO CAPITALS in the Nave of the Church. Confult Plate 22. PLATE 30. TWO FIGURES in the fouth-eaft: angle of the great Tower, anfwering to the Group in Plate 12. PLATE 31. TWO CONSOLES in the Veftry. They are two feet in length, and ten inches in projection. PLATE 32. FOUR KNOTS in the Ceiling of the Roof of the Nave of the Church. Confulf Plate 21, PLATE 33. A CAPITAL of a Semi-Pillar in the South Aile of the Nave of the Church. It is in depth, one foot two inches, and twenty-fix feet from the floor. The Semi-Pillars in the South and North Ailes of the Nave are fourteen in Number, from which fpring the Ribs, or Groinings, of the Side Ailes of the Nave. Of thefe, twelve are compofed of three Cylin- ders, with a flat fpace between them. The centre Cylinder is nine inches in diameter, the others are fix inches in diameter. The two other Semi-Pillars have each live Cylinders with flat fpaces between them. They correfpond with the great Pillars that fupport the Weft Towers. PLATE 34. ANOTHER CAPITAL of a Semi-Pillar in the South Aile of the Nave of the Church. Confult Plate 33. PLATE 35. THREE NICHES in the Tympan of the Pediment of the Weft Door, with the Weather Mouldings and Crockets. The centre Nich is five feet fix inches in height, and two feet in width. The other two Niches are three feet in height, and one foot one inch in width. PLATE 36. A PEDIMENT to one of the Compartments in the fide of each window in the North Aile of the Nave. It is in height, from the bottom of the Ornaments to the top of the Finial, eight feet three inches; in width, from the centre of the Pilafiers, three feet ten inches; and from the floor to the top, thirty-four feet. In the North and South Ailes of the Nave there are twenty-eight Compartments, and as many Pediments having different Devices. PLATE 37. TWO FINIALS of Pediments in the South Aile of the Nave of the Church, but different from the one reprefented in Plate 36. They are in height one foot eigut inches, and in width, one foot at the greateft projection. PLATE 38. A CAPITAL in the Nave of the Church. It is in depth one foot two inches j the centre cy- linder is one foot five inches in diameter; the other two are feven inches in diameter. They are part of the Pillars which feparate the Nave from the fide Ailes, (lee Plate 22.) but are continued to the height of fixty-two feet, and from their capitals fpnng the Groinings to the roof of the Nave. Thefe Capitals are fourteen in number, and in general are compofed of a double row of leaves. The figures in this Plate are fo artfully grouped, that, when viewed from the ground, they put on the appearance of rich foliage. PLATE 39. A PEDESTAL and CANOPY, placed, on the middle Jamb of the great Door at the Weft End of the Church. The Pedeftal is ten inches in breadth, and in heighi leven feet two inches. From the top of the Pedeftal to the Canopy is three feet three inches, and the Canopy is four feet four inches in height. Having from their fituation been much de- faced, I have, with great circumfpection, added a Finial, with fome lmall parts from the fame part of the Church. PLATE 40. A CAPITAL and HEAD to the Pillars, which feparate the Nave from the fide Ailes. The Heads are thirty-two in number, of which twenty-fix are as large as life. The other fix are much fmaller. PLATE 41. A CROCKET to the Pediment of the great Weft Door, with part of the mouldings of the Arch. This is in length one foot eight inches, and is taken from the lower part of the Pediment, being different from the Upper Crockets. PLATE 42. TWO FINIALS with their Crockets, in the Compartments at the Weft End of the Church, Thofe Compartments will be given in Plate 43. PLATE 43. TWO COMPARTMENTS at the Weft End of the Nave of the Church. They are fix in number, each nineteen feet in height, and, from the centre of the Pilafters, five feet in width. They are placed over Compartments, the fame as the one reprefented in Plate 27. PLATE 44. TWO CAPITALS to the centre Mullions of the Compartments, reprefented in Plate 43. They are feven inches in height, and five inches in diameter. PLATE 45. TWO CONSOLES placed at the bottom of the Compartments, reprefented in Plate 43. They are one foot long and feven inches deep, with a projection of nine inches. PLATE 46. A COMPARTMENT in the fpandrill of the Arch to the Door of the South Aile at the Weft End of the Church. In the fpandrills to the Arches of the Doors, in the two Side Ailes are four of thefe Compartments in Alto Relievo, nearly two feet fquare, reprefenting different contefts. Three of them are much defaced. PLATE 47. A CAPITAL and HEAD to the Pillars which feparate the Nave from the Side Ailes. Confult Plate 40. PLATE 48. FOLIAGE in the Capitals of the Pillars to the Nave. Thofe Capitals have a great variety in the defign ; and no one Capital has the fame Foliage continued around, PLATE 49. A DOOR on the fide of the North Aile of the Nave of the Church. The opening of this Door is eight feet high and four feet feven inches wide. It is evidently an alteration made after the finifhing of that part of the Church, and by the Arms of France, which is Fleurs de Lis feme, muft have been done prior to Henry 5th, as the Arms of France were then changed to three Fleurs de Lis. Over the centre Figure there remains part of a rich Canopy, nearly the fame as the one reprefented in Plate 39, which together with the Figures reprefented in this Plate, bears the favage marks of Fanaticifm. PLATE 50, A CAPITAL in the Nave of the Church, from whence fpring the Groinings of the Roof. Confult Plate 38. PLATE 51. FOLIAGE in the Capitals to the Pillars, that feparate the Nave and the fide Ailes. PLATE 52. TWO HEADS in the Chapter-Houfe. Confult Plate 3. PLATE 53. TWO KNOTS in the Ceiling of the Nave. Confult Plate 21. The Hiftoric fubjecls in the Ceiling of the Nave, are; The Annunciation, The Nativity, The Adoration of the Magi, The Refurre&ion, The Afcenfion, The Defcent of the Holy Ghoft, and the two reprefented in this Plate, viz. The AfTumption, and the Coronation of the Virgin Mary. PLATE 54. THREE STALLS in the Choir. Thefe Stalls are fixty-fix in number. They are twenty-one feet in height, and two feet five inches in width. The feat of each turns up, the under part of which is enriched with fome device cut in Alto Relievo. The centre Stall repre- ients the feat turned up. The whole of thefe Stalls are executed in O ik, but the fufpended Ornaments, or Capitals to the Canopy of the Seat, are all broken off. PLATE 55. A CAPITAL to a Semi Pillar in the Weft Aile of the North Tranfept, from whence fpring the Groins to the Roof. This Capital is in depth one foot three inches, with a projection of eight inches. ■fa* PLATE 56. TWO HEADS on the Pillars in the Nave of the Church. Confult Plate 40* PLATE 57, A BRACKET in the Weft fide Aile of the North Tranfept. It is in depth two feet three inches, and in projection one foot four inches. In this Tranfept, with its fide Ailes, arc ten of thefe Brackets, of different fizes and foliage. PLATE 58. A FINIAL to the end of one of the Seats in the Choir. It is one foot one inch in height, and nine inches in breadth, at the greateft projection. There are fixteen of thefe Finials to the firft Seats before the Stalls, and originally there have been thirty-two, of a fmaller dimenfion, to the Seats below, all of which are executed in Oak. PLATE 59. A part of the SCREEN which feparates the Service-Choir from the Nave of the Church, The Screen is in length fifty-one feet fix inches, and in height twenty-three feet fix inches. Through it is the entrance into the Choir, on the North bide of which are feven Niches, and on the South Side eight Niches, containing the Statues of the Kings of England, from the Conqueft to King Henry 6th, «« in whofe reign (it feems) this work was finilhed." Mr. Torr's M.S. Mr. Drake in his Eboracum, page 521, fays, " The image of this laft Monarch was certainly taken down in compliment to his enemy and fu:ce(Tor Edward 4, by the Archbifhop's orders then in being. The cell remained empty till the reign of King James 1, at whofe firft coming to this City the Dean and Chapter thought fit to fill up the vacancy with his figure." The three Statues reprefented in this Plate, are William the Conqueror, William Ru- fus, and Henry 1. PLATE 60. A CANOPY, more at large, over the Statues reprefented in Plate 59. The Pedeftal to the fame will be given in the next Number. PLATE 61. A CAPITAL to a Semi Pillar in the Eaft Aile of the North Tranfept. Confult Plate 55. PLATE 62. A CAPITAL in the North Aile to the Choir. Confult Plate 4. PLATE 63. FOLIAGE to the CAPITALS in the North Tranfept. Confult Plate 17. PLATE 64. THE ENTRANCE through the Screen into the Service-Choir. This Entrance, from the floor to the top of the finial, is twenty-three feet fix inches, and in width fourteen feet fix inches. Originally it had folding Doors made of Oak, and of good workmanfhip, but they were removed, to place therein the prefent Iron Gates, being the gift of Mrs. Mary Wandesford, in the time of Dean Finch. PLATE 65. THE PEDIMENT of the above Entrance more at large. PLATE 66. A PEDESTAL in the Screen to the Service-Choir. Thefe Pedeftals, on which are placed the Statues of the Kings, are in height fix feet, and in width three feet. The Cap of each is enriched with a variety of Foliage, Animals, and Figures, of a convex form, upon a concave ground. In the pannels of the Pinacles over the Heads, have been fmall whole- length Figures, not above one inch and half high. But it is to be lamented, that from the extreme delicacy of the whole, and being executed in Stone, this part of the Screen has loft the greateft part of its original beauty. PLATE 67. A BRACKET in the North Tranfept, with the bafe of the Cylinders refting upon it. The Bracket is in height two feet, and in the greateft diameter one foot four inches. PLATE UPPER WINDOWS in the South Tranfept, Groinings to the Roof. The Windows are inches. 68. with the Cornice from whence fpring the in height fix feet, and in width one loot ten PLATE 69. TWO SEATS to the Stalls in the Choir. They are in length two feet two inches, and in breadth one foot one inch. Thefe Seats, wich a double row of Sears before them are all cut in Oak, and when turned up exhibit different devices of Figures, Animals, and Foliage. PLATE 70. A WINDOW in the Chapter-Houfe, with the ButtrefTes, taken externally. The Window* from the line of the glafs, is in width feventeen feet. From the fole to the top of the capitals of the mullions, twenty-four feet feven inches ; and from the capitals to the point of the arch, twenty-three feet fix inches. The Chapter-Houfe is an octagon, (one fide of which, to the parapet, is reprefented in this Plate) and has evidently been a detached building from the Church. The connecting paflage having blocked up the window over the entrance into the Chapter-Houfe, is a great difadvantage to the beauty of this elegant Building. PLATE 71. THE CORNICE to the Chapter-Houfe, more at large. It is in depth one foot ten inches, and in projection one foot. Confult Plate 70. PLATE 72. TWO BRACKETS in the North Tranfept. They are in height one foot eight inches 5 in width, at the greateft diameter, one foot four inches, with a projection of one foot four inches. Confult Plates 57 and 67. PLATE 73. A CAPITAL more at large, reprefented in Plate 68. This Capital is in depth one foot three inches, and in projection feven inches. PLATE 74. A COMPARTMENT in the Welt Aile to the North Tranfept, in which is an arched recefs for a Pifcina, an Altar having originally been in this place. Thefe Compartments in the North Tranfept and its fide Ailes, are in number thirty-feven; they are in width from the centre of the Cylinders, four feet ten inches, and in height, from the floor to the mould- ing above, twelve feet. The Cylinders in this Plate are Ihorter than the left of thefe Compartments, from the feat being raifed one foot four inches higher. PLATE 75. AN UPPER WINDOW at the Eaft End of the Church, taken externally. The Window from the line of the glafs, is in width fourteen feet nine inches, and from the fole to the point of the Arch twenty-nine feet. There are fix of thefe Windows, divided by mullions into five lights, and are again divided by mullions, and a tranfom projecting two feet from the glafs, into fix lights. To ftrengthen the mullions of the winnow, four ftays, orna- mented at the ends, reft on the tranfom. There are two other Windows adjoining thefe, of a lefs width but of the fame height. Thefe eight Windows differ from all the others in the Church, by having the projecting mullions on the outlide, which do not conefpond with the mullions of the Window. For the Eaft Window, in order to add ftrength to mullions of fo great a length, has correfponding mullions, with ftays, projecting three feet clear from the glafs, which admit two galleries to crofs the Window, yet when viewed from the body of the Church, they appear to be fingle mullions. PLATE 76. THE CORNICE above the Window, reprefented in Plate 75, more at large. This Cornice is in depth two feet, and in projection one foot three inches. Below is the front and pro- file of the end of a (lay refting on the tranfom in the fame Window. PLATE 77. THE SOUTH DOOR, taken externally. This Folding-Door is in width eight feet three inches, in height fixteen feet fix inches, and in thicknefs fix inches. It appears by the defign to have been executed at a later period than the time of building this part of the Church. The infide of this Door has of late years been renewed, and is evidently Mo- dern Gothic. PLATE 78. ARCHES on the Weft Side of the South Tranfept. From the centres of the outermoft cylin- ders the width is twenty-five feet, and the height between the Ailr gal at top and bottom, twenty-two feet. The outer Arch is a femi-circle, and the opening of the lefler Arches originally {hewed the timber of the roof, but in the prelent repairs of the Church the Dcm and Chapter have removed that unpleafant appearance, by a partition rcctfled, PLATE 79. TWO BOSSES in the fpandrils to the Arches, reprefented in Plate 78. Thefe BcfTes are of different dimenfions, being in diameter from one foot five inches, to one foot, with a projection of five inches. PLATE 80. THE WEST DOOR, taken externally. From the ground to the moulding crofting at top, it is thirty-three feet in height; and from the outfide of the two extreme Pilafters twenty- four feet in width. The opening of each of the Doors is fixteen feet in height, and fix feet one inch in width. In the centre mouldings of the Arch, are fixteen Niches with figures, and a canopy over them, (one of which is reprefented more at large in Plate 81.) and by the figures which now remain, there feems to be an allufion to the Fall of Man, in Adam and Eve. On one fide of the Pediment, in a Niche is the Statue of Robert le Va- vafour, holding in his hands an unhewn ftone, with his Coat of Arms adjoining. On the other fide is the Statue of Robert de Percy, holding in his hand a reprefentation of a piece of wrought wood, with his Coat of Arms adjoining. Hiftory informs us that thefe two Perfons gave the Stone and Timber for the building of the Church. In the centre Niche of the Pediment is part of a figure which, Mr. Drake lays, was the figure of Archbifhop William de Melton, the principal founder of this part of the Church. I have been in- duced to reprefent this elegant ipecimen of Gothic Ornament, as almoft perfect, notwith- ftanding time has greatly preyed upon it ; however, fufficient of the mouldings remains to afcertain the Defign. The Angels over the Coats of Arms, with part of the ornaments in the Tympan of the Pediment being much injured by weather, are reftored from fimilar ones in the infide of the fame entrance. The Doors are modern, having of late years been renewed. PLATE 81. MOULDINGS in the Arch to the Weft Door. Thefe Mouldings, taken with a ftretched line, are in girth one foot fix inches. The figures in the Niche are ten inches in height. PLATE 82. A WINDOW in the fide Ailes of the Choir, at the Eaft End of the Church, taken externally. Thefe Windows, taken from the Glafs line, are twelve feet fix inches in width; from the fole to the top of the capitals, nineteen feet fix inches in height; and from thence to the point of the arch, fourteen feet fix inches. Thefe Windows are fourteen in number, of which two have only two lights. PLATE 83. THE CORNICE over the Window in Plate 82. This Cornice is in depth two feet, and in projection one foot two inches. The upper part is the Fafcia of the Parapet in the fame Plate. PLATE 84. THE PEDIMENT between the two Towers at the Weft End of the Church, with the Pediment to the Weft Window. The former is fifty feet in width at the bale, and from thence to the point of the weather mouldings, twenty feet in height. PLATE 85. A CIRCULAR WINDOW above the South entrance into the Church, taken externally. This Window, taken from the outermoft circle, is in diameter twenty-four feet fix inches, The triangular Window above the fame is to give light into the Roof. PLATE 86. A BRACKET in the South Tranfept. This Bracket is in height three feet feven inches; the diameter at the top is two feet four inches, and at the bottom fix inches, with a projection of one foot four inches. In this Tranfept there are four Brackets of this fize, with feveral of a fmaller dimenfion in the fide Ailes to the fame, but they are all compofed of the fame ornament. PLATE 87. A GROUP of feven Figures on a Buttrefs at the Weft End of the Church. The Figures are fix feet high, and feventy-fix feet fix inches from the ground. There are two of thefe Groups, one on each fide of the Weft Window. PLATE 88. MOULDINGS in the Arch to the Weft Door. Confult Plate 80, PLATE 89. TWO NICHES with PEDESTALS on each fide of the Iron Gates to the fide Ailes of the Choir. The whole is in height ten feet, and in width, from the centres of the Pilafters, one foot eight inches. PLATE 90. TWO SPOUTS to the roof of the north fide Aile of the Nave of the Church. Thefe Spouts are in projection three feet eight inches. There is a great number of thefe Spouts, with fimilar projecting ornaments at the angles of the Buttrefles. Almoft all of them are obliterated by time, yet each feems to have been of a different defign. PLATE 91. A WINDOW in the Nave, or Weft End of the Church, with part of a Window in the fide Aile of the Nave, both taken externally. The upper Window, taken from the line of the glafs, is in width fifteen feet four inches, in height from the fole to the capitals twelve feet four inches, and from thence to the point of the arch fourteen feet. The lower Window, taken in the fame manner, is in width ten feet fix inches, in height from the ible to the capitals twenty-one feet three inches, and from thence to the point of the arch eight feet feven inches, and projects before the upper Window about twenty-two feet. Thefe Windows are in number twenty-eight, there being fourteen of each. PLATE 92. TWO CORNICES. The upper Cornice over the Windows in Plate 91. It is in depth one foot eight inches, with a projection of ten inches. The other Cornice is taken from the North Tranfept, and is nearly of the fame fize as the other. PLATE 93. TWO NICHES on the outfide of the Weft End of the Church. Thefe Niches from the ground to the moulding at the top, are in height feventeen feet, and in width from the centres of the Pilafters, three feet fix inches. They are forty-eight in number. PLATE 94. TWO SPOUTS at the north fide of the Eaft End of the Church. Confult Plate 90. PLATE 95. FOUR COMPARTMENTS in the Ceiling of the Chapter-Houfe. The Compartments, in which there is the reprefentation of a human figure, are in length twenty-three feet, and in width at the top four feet fix inches. The other Compartments, with birds and circular devices, are in length thirteen feet fix inches, and in width at the bottom four feet fix inches. In this Ceiling, formed by the Ribs or Groins, are fixry-four Compartments, of which number thirty-two contain each a human figure twelve feet in height, with a plain border. The others are ornamented with birds and circular devices, 1 hefe are varied, each having a different ornamented border. Three of thefe borders will be coloured, and given on a larger fcale, in Plate 96. As the colouring of thefe Paintings could not be exprefTed in words, I have endeavoured faithfully to colour them from the originals. It muft be remarked, that what I have made Yellow, is Gold in the original. Thefe Paint- ings are on wood, and feem to have been done in alia tempora with a coat of varnifh over it. Hiftory informs us, that the Arts and Sciences were introduced into this Ifi.ind in the feventh century, and that in the tenth century, in the reign of King Edgar, Painting was then held necefTary to the accompliftiment of a refined education: Yet Mr. Horace Walpole, in his Anecdotes of Painting, fays, that the earlieft account on record, he could meet with, is dated 1233, in which King Henry III. orders the Sheriff of Southampton to have the King's Cham- ber at the Caftle of Winchefter painted with the fame Hiftories and Pictures with which it was firft painted. On comparing the Chapter-Houfe with the Cathedra], it will be found that the ftyte of the Windows, Buttrefles, Foliage, Heads, and the lingular introduction of Grorefque Figures on the parapet of the former, are very fimilar to the fame parts in the Nave, or Weft End of rhe Church, founded in 1291, and that fome of thefe peculiarities are not to be found in that part of the Church which was built either prior or lubfequent to the Weft End. It therefore feems reafonable to fix the building of the Chapter-Houfe at or about 1291 ; and if it is admitted that the Paintings in the Ceiling are coeval with the Building, this fpecimen of the Art of Painting may be claffed with the oldeft that we have in the Kingdom. From the fcafFolding erected for the purpofe of repairing the infide of the Chapter-Houfe, I had an opportunity of making a more faithful drawing of the Paintings, than could have been done from the ground, the whole being much impaired by time. However, there were fufficient remains to aicertain the defign of the whole. I am forry to add, that on examination of the Ceiling it was found in fuch a ftate of decay as to make it necefTary to take down the whole; confequently, this ancient and venerable piece of Art is now no more. PLATE 96. THREE BORDERS to the Compartments reprefented in Plate 95, on a larger fcale. Thefe Borders are in breadth feven inches. PLATE 97. THE EAST WINDOW taken externally, a little below the capitals. This Window, taken from the line of the glafs, is in width thirty feet nine inches j in height, from the fole to the capitals, forty-fix feet j and from thence to the point of the arch, thirty feet nine inches. The larger Mullions are one foot in diameter, and project from the glafs eight inches j the lefi'er are fix inches in diameter, and project fix inches. The glafs of this Window, from the fole to the capitals, is divided by iron bars into one hundred and forty-four compartments, the greateft part of which have each a different hilloric lubject, chiefly .that of the Bible, but at prefent very difficult to comprehend. PLATE 98. THE WEST WINDOW taken externally, a little below the capitals. This Window, taken from the line of the glafs, is in width twenty-five feet j in height, from the fole to the capitals, twenty-nine feet j and from thence to the point of the arch, twenty-five feet. The larger Mullions are in diameter eleven inches, and project from the glafs eight inchesj the lefier are in diameter eight inches, and project fix inches. PLATE 99. A CAPITAL in the Weft Aile of the North Tranfept. This Capital is in depth one foot three inches, with a projection of eight inches. PLATE 100. A WINDOW in the North Tranfept, taken externally. This Window, taken from the line of the glafs, is in width four feet two inchesj in height, from the fole to the capitals, fifteen feet feven inchesj and from thence to the point of the arch, four feet two inches. PLATE 101 TWO CAPITALS in the Choir End of the Church. Confult Plate 9. PLATE 102. AN INSIDE VIEW of the Chapter-Houfe. The Plates taken from the Chapter- Houfe and the Paflage to it, are, Two Capitals, Plate 1. Four Bofles, Plate 2. Two Heads, Plate 3. A Stall, Plate 6. Two lufpeided Capitals, Plate 7. Two Heads, Plate 8. Two lufpended Capitals, Plate 16. Two Heads, Plate 26. A Window with the But- trefles, Plate 70. The Cornice, Plate 71. Four Compartments, Plate 95. Three Borders, Plate 96. — On comparing thefe Ornaments with the Ornaments in the Nave or Weft End of the Church, the delign and manner of executing them will be found very much in the fame Style. PLATE 103. A VIEW from the North Tranfept, orAile, of the Church. The Plates taken from the North Tranfept, are, A Capital, Plate 17. A Capital, Plate 28. A Bracket, Plate 57. A Capital, Plate 61. Foliage, Plate 63. A Bracket, Plate 67. Two Brackets, Plate 72. A Compartment, Plate 74. A Cornice, Plate 92. A Capital, Plate 99. A Window, Plate 100. The Plates taken from the South Tranfept, or Aile, are, Upper Windows, Plate 68. A Capital, Plate 73. The South Door, Plate 77. Arches, Plate 78. Two Boffes, Plate 79. A Circular Window, Plate 85. A Bracket, Plate 86. The South Tranfept was built A. D. 1227. In this part of the Church the ornamental parts have very little variety, as the Capitals, Brackets, &c. are formed of the fame kind of fcroll leaf. The mouldings are enriched with Zigzag, and the few attempts to reprefent a human Head are executed in a very mean Style. The Knots in the Ceiling have fomewhat more variety, but are very rude in the defign and execution. The North Tranfept was built A. D. 1268. This Tranfept is, in general parts, much the fame as the South Tranfept, but in the Capi- tals and Brackets, there is a greater variety of Foliage. The Arches to the Compartments are of a different form, as may be feen in the Plates. PLATE 104. A VIEW from the Nave, or Weft End of the Church. The Plates taken from the Nave and Weft End, are, Two Knots, Plate 21. Two Capitals, Plate 22. Two Pinnacles, Plate 23. Two Finials, Plate 25. Two Knots, Plate 26. A Compartment, Plate 27. Two Capitals, Plate 29. Four Knots, Plate 32. A Capital, Plate 33. A Capital, Plate 34. Three Niches, Plate 35. A Pediment, Plate 36. Two Finials, Plate 37. A Capital, Plate 38. A Pedeftal and Canopy, Plate 39. A Capital and Head, Plate 40. A Crocket, Plate 41. Two Finials, Plate 42. Two Compartments, Plate 43. Two Capitals, Plate 44. Two Confoles, Plate 45. A Compartment, Plate 46. A Capital and Head, Plate 47. Foliage, Plate 48. A Door, Plate 49. A Capital, Plate 50. Foliage, Plate 51. Two Knots, Plate 53. Two Heads, Plate 56. The Weft Door, Plate 80. Mouldings, Plate 81. A Window, Plate 82. A Cornice, Plate 83. A Pediment, Plate 84. A Group of Figures, Plate 87. Mouldings, Plate 88. Two Spouts, Plate 90. A Window, Plate 91. A Cornice, Plate 92. Two Niches, Plate 93. The Weft Window, Plate 98. The Nave or Weft End was built A. D. 1291. In this part of the Church, there commences a Style very different from that of the South and North Tranfepts. The Windows are divided by Mullions, which terminate in a variety of Tracery. The Compartments are alio divided by a Mullion terminating in Tracery. The Pediment is introduced over each Compartment and Window, and is orna- mented with Crockets and a Finial, which, with the Capitals to the Pillars, difplay a wonder- ful variety of Foliage, with many Grotefque and Satyrical reprefentations. The Pinnacles are introduced in many places, both internal and external, and are ornamented with Crockets and Finials. The Knots in the Ceiling of the Roof have each a different defign, and are extremely well executed in the Foliage j but the Figures in the Hiftorical Subjects are much inferior. Many of the Heads introduced by the Capitals are, like thofe in the Chapter-Houfe, extremely well executed, with a great deal of Character and Nature. The great number of Figures introduced in various parts, many of which are the fize of nature, are much after the Style of the Antique, in the Attitudes of the Figures and difpofition of the Draperies, fo that it is manifeft the Artifts were acquainted with the celebrated works of Antiquity and per- fectly underftood the effect, of light, and (hade, and intricacy, in the dcfigning of the orna- mental parts. It may be remarked that the Figures and Foliage executed in Stone, are much fuperior to thofe executed in Wood. And that in the number of Artifts employed, of courfe* many parts are executed in a more mafterly manner than others. PLATE 105. A VIEW from the Choir of the Church. The Plates taken from the Choir and Eaft End of the Church, are, Two Capitals, Plate 4. Four Knots, Plate 5. Two Capitals, Plate 9. Four Knots, Plate 10. A Group of Figures, Plate 12. An Arch, Plate 13. Two Con- foles, Plate 14. Four Knots, Plate 15. Two Heads, Plate 19. A Canopy, Plate 20. Two Figures, Plate 30. Two Confoles, Plate 3 t. Three Stalls, Plate 54. A Finial, Plate 58. A Part of the Screen, Plate 59. A Canopy, Plate 60. A Capital, Plate 62. The Entrance, Plate 64. A Pediment, Plate 65. A Pedeftal, Plate 66. Two Seats, Plate 69. An upper Window, Plate 75. A Cornice, Plate 76. A Window, Plate 82. A Cornice, Plate 83. Two Niches, Plate 89. Two Spouts, Plate 94. The Eaft Window, Plate 97. Two Capitals, Plate 101. The Plates 11. and 18. are taken from the Crypt, or Chapel, under the Altar, as fpecimens of the Saxon ftyle of Ornaments. The Choir, or Eaft End, was built A. D. 1361. This part of the Church is executed nearly in the fame Style as the Weft End. The greateft variation is in the Windows. The Tracery of the Weft Windows confifts of curved lines in general, and the Eaft Windows of ftraight lines. — — «-<-<-->->->— — ^PlIIS Selection comprlfes One Hundred and Seventy-five different fpecimens of Gothic Ornaments. To which are added four general Views, taken from the internal parts of the Church and Chapter-Houfe, which, I hope, will explain the fituation that the refpective Ornaments have in the Church, and convey an idea of the different Style of defign at the feveral Periods of Building. I flatter myfelf that it will convey a juft Idea of the Magnificence of the whole. The Hiftory of Gothic Architecture, in this Kingdom, being now undertaken by Gentlemen perfectly qualified for the inveftigation, the Public may hope, before long, to have its Prin- ciples as well underftood as thole of the Grecian. This will reftore Gothic Architecture to that eftimation to which it has fo jufl a title. I flatter myfelf that this Selection of Ornaments, now offered to the Public, may have its uff, by conveying to Pofterity, though by no means fully, the merit of thofe Artifts who lived at a period when the Arts, in this Kingdom, were thought to be extremely low. Should this Work be fo fortunate as to meet the approbation of the Public, it muft be attributed to the liberality of the Subfcribers; for without their Patronage, and the peculiarly kind affiftance of fome Individuals, I mould not have dared to offer to the Public a Work of this kind j neither mould I have had the power to execute it. With the higheft refpect, I therefore beg leave mod humbly to return my grateful acknowledgments to all the Subfcribers, and to affure them that I mall ever remain, with the trueft gratitude, Their much Obliged, and mod Obedient, humble Servant, JOSEPH HALFPENNY*. York, Jpril iqtb, 1800. Geo. Peacock, Printer. York.