^v . ^^- .a ^^•--^ ^^'"' ■ ^^ ■.15*^^ \'ir. • ..■ /v^.. A. • r^:-^ ^XfT >^, ■ ;■•' J^.'^ -^~%9 >;VJIP ^^V y.:-' .:.*\n-^. • • .• :v^^< ^i • -....-^(fc.?^ -j»V'- • * % • jTi .:^ >'*> \Z-'^ - ■\-^? • ^•\ v-^. i^i -^- s * \ * ^ m 9k y\ d '0,\ m !•' ^ CATALOGUE OF THE ENTIRE AND VEEY CHOICE COLLECTION OF THE PROPERTY OF \jU f^t^ ^^ JULIAN MAESHALL, ESQ. / ^ ^ COMPRISING THE WORKS OF THE MOST EMINENT ENGRAVERS OF THE ^nricnt Hnir ||l0ircrn Srijnak OF ITALY, GERMANY, HOLLAND, FLANDERS, FRANCE AND ENGLAND. ®^[j£ iprhtts mt of lljc ^tc);kst ^ualtlt), BOTH AS TO IMPRESSION AND CONDITION, MANY HAVING FORMED THE CHIEF ORNAMENTS OF THE PRINCIPAL COLLECTIONS THAT HAVE BEEN DISPERSED FOR MANY YEARS PAST, IN THIS COUNTRY AND ON THE CONTINENT. WHICH WH.L BE SOLD BY AUCTION, BY MESSES. SOTHEBY, WILKINSON & HODOE, "auctioneers of ICtterarp ^Qropcrtp $c SKSorfes illustrntibc of ^z JFtnc "^rts, AT THEIR HOUSE, No. 13 (late 3), WELLINGTON STREET, STRAND, W.C. On THURSDAY, 30th of JUNE, 18G4, and Eleven following Days, (Sundays excepted), at One o'Clock precisely. May be Viewed Three Days previous, and Catalogues had. J. Davy and Sons, Printers, 137, Long Acre, London. LIBRARY GETTY CENTER CONDITIONS OF SALE. I. The highest bidder to be the buyer ; and if any dispute arise between bidders, the lot so disputed shall be immediately put up again, provided the seller cannot decide the said dispute. II. No person to advance less than Qd. ; above ten shillings, In ; above five pounds, 2*. Qd. ; and so on. III. The purchasers to give in their names and places of abode, and to pay down 10*. in the pound, if required, in part payment of the purchase-money ; in default of which the lot or lots purchased to be immediately put up again and resold. lY. The lots to be taken away, at the buyer's expense, immediately after the conclusion of the sale ; in default of which Messrs. SoTHEBY, Wilkinson and Hodge will not hold themselves responsible if lost, stolen, damaged, or otherwise destroyed, but they will be left at the sole risk of the purchaser. V. To prevent inaccuracy in the delivery, and inconvenience in the settlement of the purchases, no lot can on any account be removed during the time of sale. VI. Upon failure of complying with the above Conditions, the money required and deposited in part of payment shall be forfeited ; and if' any loss is sustained in the reselling of such lots as are not cleared or paid for, all charges on such re-sale shall be made good hy the defaulters at this sale. VII. The whole to be sold with all faults and errors of description. Gentlemen ivho cannot attend the Sale may have their Commissions faithfully executed hy their humble servants, SOTHEBY, WILKINSON & HODGE, Wellington Street, Strand. CATALOGUES ARE DISTRIBUTED ABROAD AT Amsterdam Buffa et fils. Berlin Amsler and Kuthardt. Brussels Van der Kolk. Cologne J. J. Prick en. Dresden E. Arnold. Frankfort Prestel. Leipsic C G. Boerner. W. Drugulin. R. Weigel. Liege Van Marck. Mannhdm Artaria and Fontaike. Munich L. A. v. ^Iontmorillon. Paris M. Clement. GOUPIL ET C'E- Vienna Artaria et Q^^- A. POSONYI. In consequence of the almost uniform perfection, as to condition and earliness of impression, which distinc4uishes THE Prints comprised in this Collection; the Compiler OF the Catalogue has avoided, as far as possible, the PRACTICE OF applying TERMS OF EXAGGERATED PRAISE TO EACH individual lot. CATALOGUE OF THE CHOICE CO LLECTION OF ENGRAVINGS . THE PROPERTY OF JULIAN MAESHALL, ESQ. FIRST DAY'S SALE. /rhe numbers in parentheses, unless otherwise expressed, refer to Bartsch's Pcintre Graveur.) ALBERTl (Chebubino). LOT 7 Lm c£o>iJ 1 — The Israelites LEATiNa Egypt, after Polidoro da Cara- vaggio (5) first state^ before the arms and dedication, with Iroad margin, very rare 1 2 — Henrt IV OP Erance, in an oval cartouche, ornamented with figures (124) very rare 1 ALDEaE EV EB (Heinbich ). 3 — The Almighty warning Adam and Eve of the danger of par- taking of the Fruit from the Tree of Life (2) ; Adam and Eve hiding from the presence of the Lord (4) 2 4 — Adam standing with the Apple in his right hand (9) ; Adam standing near a Lion (11) ; The Serpent tempting Eve, the companion print (12) 3 5 — The History of Ammon and Thamar (22—28) the set complete, rare 7 B Y A^' /9 /(o ,f — 2 / JO 11^ ^ 6 — The Judgment of Solomon (29) ; The Elders accusing Susannah (31) from tlie Mariette collection 2 ij .7 — Judith with the Head of Holofernes (34) ; Dalila cutting oflF Samson's hair (35) very rare 2 8 — Dalila cutting oflf Samson's hair (36), very rare ; David discovering Bathsheba at the Bath (37) ; The Annun- ciation (38), rare 3 9 — The Parable of the Eich Man and Lazarus, set of five prints (44 — 48), ra7'e 6 ^^ . 10 — The Virgin vrith the Infant Saviour in her arms, standing upon a Crescent (50) very rare 1 11 — The Four Evangelists in the Clouds, -svith their Attributes, from designs by George Pencz (57-60) 4 /^ . 12 — Tarquin and Lucretia (64) ; Mutius Scsevola before Porsenna (69) 2 ^ • 13 — Titus Manlius ordering his Son to be decapitated (72); Mars (76) ; The Infant Hercules in his Cradle strangling the two Serpents (83) 3 /S\ ' 14 — The Laboues of Heecules (83-95) very rare complete ; from the Gaioet collection 13 V , 15 — Thisbe finding Pyramus dead (101) ; Thisbe stabbing herself (102) ; Fortune (106) 3 V , 16 — The Yirtues and the Vices, represented by female figures (117—130) the set complete, rare 14 / "17 — Intemperance (132) ; Death and the Pope (39) ; Death and the Cardinal (40) 3 /A~ . 18 — A pair of the "Wedding Dancers (169) ; A Soldier surprising a Monk and a Nun (178), extremely rare 2 19 — William Due de Julieks (181) frst state before the icords " In imaginem illussfriss" etc., from the Morani Collection, very rare 1 "7^ — I ■& to (^6 07im 2»-' % % — 3 — 20 — Bernard Knipperdolling, Chief of the Anabaptists at l-^f6 ' Munster (183) extremely rare 1 7 21 — Martin Luther (184) very rare 1 4- /<^ - ■^ 22 — Heinrich Aldegrever at the age of Twenty-eight (188) rare 1 /:$ - 23 — Heinrich Aldegrever at the age of Thirty-five (189) very rare 1 ,1 / - n 24 — Dance of Naked Infants (205) rare 1 '9 - 25 — Design for a Dagger Sheath (213) ; Another Design for a Sheath, with a figure of the Whore of Babylon (226) ; and a third of a similar description, with the figures of a Man and Woman nude (248), all of them extremely rare 3 / & 26 — A Branch of Ornamental Foliage, enriched with masks and fishes (236) rare 1 A 6- ^t^ 27 — Design poe the Sheath op a Poignaed (259) d ' - ^\ extremely rare 1 AJ 28 — Panel of Ornamental Foliage springing from the legs of a / U Satyr (279) ; Panel of Grotesque Ornaments, with Male and Female Satyr (282) 2 ALTDOEFEE (Albeecht). 29 — Judith (1) ; Solomon's Idolatry (4) ; Christ driving the Money-changers from the Temple (6) 3 /P • 7 30 — Christ on the Cross (7) ; The Virgin Enthroned (13) ; The /9 , Virgin and Child with St. Anne (14) ; The Virgin, 1507 (15) 4 r- 31 — The Virgin and Child with St. Anne (14) ; The Virgin in a Landscape (17) rare 2 / /o I' 32 — St. Christopher (19) ; St, Jerome in a Cavern (21) 2 r , a^ 33 — St. Jerome and the Lion (22) 1 ^ • en'ti 34 — Hercules and the Muse (28) ; Venus with Cupids (32) ; Venus, copy from Marc-Antonio (33) 3 /^ — 4 // /^ /\/0 //3 / / /¥■ ^ Jd: 7 35 — 36 — 37 — \/(c . I 38 — 39 40 41 — 42 Venus leaving the Bath, co-py from Marc-Antonio (34) ; Judgment of Paris (36) ; The Centaur (37) 3 Mutius Scsevola (40) ; Dido stabbing herself (42) 2 Dido stabbing herself (42) ; The Punishment of the "Woman who insulted Virgil (43) 2 ^ An Allegory of a Knight in Armour (50) ; The Little Ensign | (52) 2 The Violin Player (54); The Architect (55); Martin | Luther (61) 3 Martin Luther, a profile in a circle, ornamented with foliage (61) very rare 1 A Halbeediee standing near two Columns excessively rare, undescribed hy Bartsch and Passavant 1 1 History of the Fall and Eedemption of Man (1 to 40), looodcuts \ ilie set complete, very early impressions, with full margins, whole hound in morocco hy Riviere, rare 40 ANONYMOUS EAELY ITALIAN. 43 44 45 — TWO SHIPS, BOTH SAILING TO THE LEFT; a dog is sitting at the extremity of the prow of that on the right ; the other has a skeleton standing on the forecastle ; there appear to be minute figures in the rigging, and the mast broken, and falling forward engraved most carefully ivith a very fine point ; it has been ascribed to Mocetto, but on no certain grounds — presque unique. Froin the Wellesley Collection 1 GITJOCO DEI TABOCCHI. EeATO XIV ; MeLPOMEXE XTII ; PoSIA XXYII all in the pure early states before the plates were retouched 3 ANONYMOUS, 1524. Dancing Peasants (J5. ix. 148) attributed by Heinecken to Bartholomew Beham 1 — 5 — > 46 — ^.^A.^ 47 - 48 49- /■^^ ! 50 n^a^ 51 — ANONYMOUS. PEINCE FEEDERICK HENRY, "Eldest sonne of the thrice ilhistrious Fredericke King of Bohemia," etc., richly habited, in an oval having an ornamental border. No name of painter or address a beautiful 'print of the greatest raritu, with fine margin ; from the Martin Collection The Gunpovrder Conspirators the original plate, with twelve Latin, thirteen French, and four Dutch lines ; from the Townley and Tunno Collec- tions, tery rare Thomas Percy, the Conspirator oval, with two medallions of his execution AUDEAN (Bekoit) The Eape of Dejanira, after Guido Eeni Zephyrus and Flora, after Antoine Coypel with full margin ATJDEAN (Jean). JoHX Hampden, after Eichardson, " Vindex Libertatis " with fine margin, very scarce 7 yem- 52 — The Finding of Moses, after Coypel rare xindescrihed proof , before any letters r 53 BAKHUIZEN ( Ludolf). The Seeies op Makine Views (1 — 10) a remarkably early set, printed on Dutch paper, bearing the arms of Amsterdam, with full margin, very rare. This set also contains the engraved title and the portrait of JBahhuizen in mezzotint 12 ■tH 54 — ^ /<-, r c '1 /r*>\G> tZ/M<> 55 -- The Series of Marine Views (1 — 10) another fine set, with full margin, on a French paper, rare 12 POKTRAIT OF BaKHUIZEN mezzotint, rare, with a fine specimen of his autograph writing 3 /a /6 — 6 — /^ S ^ U BALDINI (Baccio) . 56 — EL LIBEO IXTITULATO MONTE SANCTO DI DIO, by Antonio Bettini, printed at Florence by Nicolo di Magna, 1477 a fine and perfect copy of this extremely rare book, so inter- esting in its connection with the early history of the art of Engraving. The prints, hy Balclini, are in beautiful con- dition, being impressions taTcenbefore the plates ivere at all worn. The title-page and the initial letters are illuminated by a contemporary limner. " Volume tre3 rare, et recherche parce qu'il est le premier livre connu oii I'on trouve des planches en taille-douce." — Brunet Manuel du Libraire. Ottley, vol. I, p. 374, et seq. gives a full and detailed accoutit of this remarkable book, which is so rare that it has seldom if ever occurred in a public sale. It contains three prints, two of which are nearly the full size of the page, 9| inches high by 7 inches wide. I. The first represents a steep and rocky mountain, on the summit of which is the figure of Christ in Glory, suiTounded by cherubs. From the middle of the print, at bottom, a ladder rises to the top of the mount, which a good friar is represented as beginning to ascend. The steps of the ladder are named after the Christian virtues. On the right is a figure of Christ on the Cross, and on the left is the figure of a young man, richly dressed, looking towards Heaven, and exclaiming, " Levavi Oculos MEf)S I MONTES," &c. II. The second represents a majestic figure of Christ standing in a glory of flames, and surrounded by angels and cherubs, 10^ inches by 7 inches. in. The third is a representation of Hell, and is smaller than the other two, being 6^ inches in width by 4| in height. In the centre is the figure of Lucifer, sun-ounded by the damned, who sufi"er various punishments. the booh is in perfect condition, and bound in old French morocco 57 — The Infernal Eegions, from Andrea Orcagna's picture in the Campo Santo at Pisa a modern impression 1 BALECHOU (Jeak Joseph). 58 — S'™ Genevieve, aftee Yan Loo artist's peooe beeoee ant lettees, laV/i remark, fine ; from the Durand and Saickins Collections 1 7 — £^i^'/ 59- - The Storm, aftee Veenet first state, with the error in spelling the word " compagnie,'^ and hefore the lines over the i^iscription and the completion of loorJc on the arch, very rare 1 / /o 7^ 60 - - The Calm, fiest state, very rare ; and The Stobm, both AETEE VeENET 2 / / ■ 61 - - The Bathees, aftee Veenet first state, fine and rare 1 ^AEBE (Jean Baptiste). /f ' ^•^^ 62 - - The Annunciation. — St. Peter baptising a Female. — Christ on the Cross. — Christ on the Cross with the three Maries. — The Infant St. John. — The Almighty receiving the Body of the Saviour. — ¥rom his own designs, all loith margins,rare 6 /6' "^'^X 63 - - Feak^ois Xayiee, the Jesuit Saint very early impression, with broad margin 1 BAEOCCIO (Fedeeigo). J- 64 - - The Annunciation, from a picture painted for the Church of the Holy Virgin of Loretto (1) 1 S - ' 4 J 65 - - The Viegin in the Clouds, with the Infant Jesus (2), and reverse copy ; both from the Collections of Michard Ford and Dr. Wellesley 2 /3 - 4^c 66 - - Saint Francis receiving the Stigmata, from a picture in the Church of the Capuchins at Urbino (3) 1 9 ' .1^ 67 - - The Yiegin and Que Sayioue appeaeing to St. Feancis (4) ; fr07n the Mariette Collection 1 BAETOLOZZI. / u> 68 - 1 - Madonna della Seggiola, after ^aSdieWe, printed on satin. — Madonna, after Sasso Ferrato ; and various ^roo/s of Book Plates, Tickets, &c. 7 /3 T 69 - — Ariadne, after Cipriani, choice and rare proof before the lines, — with 2 others, in equally choice proof states 3 O .< . ^ 70 — Jupiter Dodoenoeus, Marlborough Gem, choice proof ; and two proofs of Sir Foster Cunliffe's Book Plate, very rare 3 JcTn^^ Co 71 72 — Nymphs Bathing, after Barralet and Cipriani proof hef ore letters 1 — The Flood Landscape, oval, in a square border, after Barralet and Cipriani proof hef ore letters 1 'J /(o 73 — Murder of the Innocents, after Guido artisfs proof, the last and best work of this talented engraver 1 J^ / / 74 — Clytie, after Carracci choice and rare prof, before arms or any letters 1 hc^Ui / BEATEICI (NiccoLo). •'75 i — The Virgin enthboned (29) an early impression, tcith broad margin, rare 1 7-iall. ^ /2 . 76 — Henry II King of France, after Luca Penni (30) very rare 1 JS / / 77 — St. Elizabeth, Queen of Hungary, relieving the distressed, after Muziano (31) frst state, very rare ; from the Esdaile Collection 1 ^? 99 — The Party near the Chimney (23) an early impression, with margin The Party near the Chimney (23) 2 ■ 4 rtj 100 — The Caresses resisted (24) an early impression The two Lovers at a Table (25) 2 // ^^ 101 — The Dance (26) first state, with the .hackgrownd white (26) The Dance (26) second state, with the hacJcyround hlach (26) 2 /a /' 0>i^ 102 — The Singer, a sketch (27) an early impression The Mother (28) an early impression 2 <^ e^. 103 — The Theee Topees (29) an early state, tvith the traces of a different cap on the head of the peasant on the right The same (29) a rather later state, with the cap still there, hut hardly perceptible The same (29) second state ; the cap is taken out 3 G ■ 1 ^^ 104 — The Mother seated near the window with her Husband (30) an early impression The Family seated in a Cabaret (31) a very early impression 2 f^ '^ 105 — The Old Innkeeper (32) an early impression 1 - 7 • Ju^i^ 106 — The Young Innkeeper (33) an early impression before the address 1 ^ — 12 — •"K^ \/o \o \ \ /L 3 ^/O U & 6' /.f a 9 1 107 — 108 — 109 — 110 — 111 — 112 — 113 — 114 — 115 116 117 The same (33) hefore the address ; from the Dumesnil collection, with margin 1 The old Peasant caressing the "Waitress (34) 1 The Interior of a Cabaret (35) an early impression, hefore the address 1 The Interior of a Cabaret (35) hefore the address, and with margin ■ 1 BEHAM (Barthol). Judith seated on the body of Holoferues (3) ; Judith with the head of Holofernes (4) 2 St. Chistopher (10) first state hefore the hackground, very rare 1 Charles V (Emperor) (60) very rare ; from the Archinto Collection 1 Eebdinand I (Emperor) (61) ^rst state hefore the address of J. ah Seyden, very rare 1 118 — BEHAM (Hans See alp). Adam and Eve (1 — 2) Adam and Eve driven from Paradise (7) Judith placing the head of Holofernes in a sack (10) first and second states Judith holding the head of Holofernes (11) Judith with the head of Holofernes (12) two impressions The Virgin and Child with a Pear, (18) The Virgin and Child with a Paroquet (19) very rare 119 — The Man of Sorrows (26) early impression, very rare 120 — Head of Christ, 1520 (29) Tjm^avio«rl#BWvorld (30) "^ first and second states / fP-ii ilfu^yi 0, — 13 — C-A.C y- 121 — The Paeable op the Pbodigal Son (31 — 34) curious set before the retouch, and accompanied hy an early state of each plate, showing very curious variations, very rare 8 122 — St. James the Minor (45) The Four Evangelists (55—58) first states ; from the BecTcford Collection 5 123 — Cimon nourished by his Daughter (74) ; Cimon nourished by his Daughter (75) ; Cleopatra (76) 3 124 — Luceetia stabbing heesele (79) first and second states, rare 2 125 — The Justice of Trajan (82) The Judgment of Paris (89) first and second states 3 126 — The Labotjes oe Heecules (96 — 107) most curious and interesting series of states, showing many variations hitherto quite undescrihed. There being three states of the following prints, 96, 97, 98, 99, 102, 103, 104, and two states of the remainder. This is probably the most perfect set in existence, and possibly unique 31 127 — Six of the Labours of Hercules (100, 101, 104, 105, 106 and 107) duplicate impressions in the early states Jupiter and Leda (112) 7 128 — The Seyen Planets (113—120) perfect set, toith the first title, accompanied by a series of earlier states of five of the pieces, very curious and rare 16 129 — The Seven Liberal Arts (121—127) 7 130 — The Christian Eeligion victorious over Sin (128) first state before the clouds behind the arch in the shy, etc., rare 1 131 — The Knowledge of God and the seven Christian Virtues, represented by full length winged female figures (129 —136) first and second states, very rare 16 y P 4- y? s 9 9 V.5 14 — =2 / /o . /d' / /& /S / d' // 9 7 132 — Patience (138) tliree states of this fine print ; the first being from the Esdaile Collection 3 133 — Good Fortune (140) ; Bad Fortune (141) 2 134 — The Teifmph (143) L'Impossible (145) two states, the first hefore the parallel lines on the rocTc, etc. 3 135 — A young Woman walking, accompanied by Death (149) ; Death seizing a naked Woman (150) 2 136 — The Village Festivals (154—163) ; The Feast, (164), before the plates were retouched, hut No. 161 is wanting 10 137 — The set of Dancing Peasants (166—177) hefore the plates were retouched, hut wanting the first plate (166) 8 1 138 — The Village Bridal Procession (180, 181, and 185) The Peasant with a fork (188) first state The Companion print (189) first state 5 139 — Three Soldiers with a dog (196) The Sentinel over the Powder Casks (197) first and second states , 3 140 — St. Genevieve (215) first and second states The Head of a Horse (218) 3 141 — Study of a Man's Head (219) ; Study of a Woman's Head (220) • 2 142 _ The Infant Buffoon (280) from Beckford's Collection The Mask with scrolls of ornamental foliage (231) both rare 2 143 — Vignette with ornamental scroll (235) ; " Les Deux Genies " (236) 2 144 — A Vase supported by two children (242) ; The Capital and Base of a Column (247) ; The Arms of Sebald Beham (254); "Les Armoiries d'Imagination " (255); A Winged Girl bearing an Escutcheon of Arms (258) 5 — 15 BELLA (Stefano della). 146 — Le Eeposoie ou " Fete Dieu " first state, before Van Westerhaufs address 1 %* " Piece recommandable, et rare a trouver bonne d'epreuve ; elle est regardee a juste titre comme un des plus beaux morceaux de ce maitre." — Jombert, No. 83. 147 — St. Peospee descending from the sky and discomfiting an army on the Plains of Keggio first state, hefore tlie ar?ns, drapery, and Latin inscription commencing " III. Domino J9»o. Co. Francisco Calcanes," with fine margin ; from the Gervaise Collection 1 *#* " Cette estampe est extremement rare, mais elle Test encore plus avant cette inscription latine, etc." — Jomlert, No. 68). 148 — Mount Joie, St. Denis, French King at Arms with margin 1 *i,* "Morceau rare et du bon temps de cet artiste."— JbwJer^, No. 99. 149 — Perspective View of the Pont Neuf, Paris first state, hefore the weather-cocTc on the top of the church of St. Germain, V Auxerrois, very rare 1 BERGHEM (Nicolas) 150 — THE COW DEINKING (1) first state, with the name etched in large characters, and hefore the address of Visscher ; from the Arosarena Col- lection ; very rare 1 151 — The Watering Cow (2) first state, hefore the address of F. de Wit, fine ma/rgin 1 152 — THE THREE COWS (3) proof hefore the name of Berghem, of excessive rarity 1 153 — THE BAG-PIPER, " LE DIAMANT" (4) first state, hefore the name of Berghem, very rare. The last impression sold in this state brought £35. 1 //^ 3 1/^' ^, /3 / d' /o -7- ^!^ ^ / 2 ^ // — 16 — 154 — THE MAN SEATED ON AN ASS (5) I Ji^'st state, pure etching before the additional work, of exces- ' sive rarity 1 155 — The Shepherd playing the flute (6) first state, pure etching, before the dark shadows in ihefore- \ grov/nd, rare 1 156 — Landscape, with a shepherd and woman in conversation (7) I very rare with margin 1 157 — The Shepherd seated on a fountain (8) before the number and before the address of De Wit 1 158 — Halt near a Cabaret (11) before the number and before the address of De Wit 1 159 — Crossing the Stream (12) before the address of P. Goos was effaced, and before the number ; from the BecJcford and Sarford Collections 1 160 — Four oblong subjects of Animals (13-16) first states, with Visscher^s address 4 ^/^^... y^^-^o-c^ y-/ti^Y^ 7 /^ 161 — " Les Vaches a la laitieee " (23-28) second states, with the numbers, but before some additional i ^^crtii) work ; from the Arosarena Collection 6 1 162 — Set of Etchings of Sheep, called the TVomajt's Book (29-34) first states f pure etchings, before the numbers and the inscrip- tion on the title, with margins, presque unique ; from the Debois Collection 6 4^^f./^ /Q,. C -& Cgyynoi END OP THE FIEST DAT's SALE. 17 SECOND DAY'S SALE. ^,.u. YIUXA f BEEVIC, LOT iyuj-' 10 /a / — 18 — ^ /2 Jl / 3 a fC 7 7 170 — The Soldier with hia Mistress (63) The Ensign (64) The Shepherd (76) 3 171 — The Halberdier (68) The Man with a large sword (69) Two others from the same set, hut undescrihed hy BartscTi, Passavant mentions only one of them (124) excessively rare 4 172 — Three Soldiers standing in conversation undescrihed hy BartscTi and Passavant The Soldiers gambling (74) The Soldier with the calebusse (78) 8 173 — PoRTEAiT OF Cheistiax III, King of Denmark (atfrihuted j^^ hy Bartseh to Lautensach — Passavant, No. 137) 1 ! 174 — PoETEAiT OF Chaeles V, profile in a medallion undescrihed hy Bartseh and Passavant ; from the Arosarena Collection ; very scarce 1 BISCAINO (Babtdlommeo). 175 — The Nativity (7) frst state, he/ore Daman'' s address, the chef-d^osuvre of the master, very rare ; from the Collection of Richard Ford Also a Counterproof from a first state from the Collection of Sir M. M. Sylces and Richard Ford 2 176 — The Wise Men's Offering (9) a very early impression, rich in hur The Eepose in Egypt (15) an early impression, with hroad margin 2 177 — The Holy Family, with St. Joseph caressing the Infant Christ (16) •first state, hefore the name of Biscaino ; The Bepose in Egypt, with four angels in the clouds (20) first state, hefore the address of Daman 2 — 19 — I ..J^ 178 St. Anthony and St. Paul (37) first state, before the address of Daman- ; from Richard Ford' s Collection ■ 1 BLOEMAEET (Coenelius) . 179 — St. Petee eaising Tabitha, after Guercino coiisidered the Master's best production, and very rare ; from the Debois Collection 1 180 — The Holt Family and the Infant St. John, after Annibale Carracci proof before the address 1 181 — The Virgin Mary adoring the Infant Jeaus, after Guido Eeni, with margin , 1 182 — The Virgin standing on a crescent, after Abraham Bloemaert ; from the Collection of F. TValker 1 183 — St. Ignatius Loyola, adoring the Saviour, who appears to him bearing the Cross, after Abraham Bloemart before the plate ivas altered 1 / /4 I J ; J. 185 r — The Player on the Bagpipes, after Abraham Bloemaert 1 BLOO TELING (Abba ham) . — " Thomas Belasise, Loed Visct. Eaucenbeeg, Baron of yarome," &c., after Maria Beale proof before the introduction of y instead of i in the word Balasyse, very rare 1 186 — HiEEONiMUS VAN Beveeingk, Embassador from Holland to intercede for the Life of Charles I, after Maas proof before all letters, extra rare 1 187 — H. Cocceius, an eminent Lawyer of Heidelberg, after Palamedes proof before letters, with fine margin ; Erasmus, in mezzotint extremely rare, before the plate ivas retouched, with fine margin 2 y\/z .^ f }oXb 224 — Shepherds and Shepherdesses resting first state, with Vanden JEnden's address 225 — The Eising Moon proof before any letters, with margin 226 — A Forest with a Stag Hunt proof before any letters, toith margin 227 — A Dance of Villagers proof before any letters 228 — A Storm on the Sea Coast first state, with Vanden Enden^s address 229 — A Stream with figures and cattle, woman drawing water proof before any letters 230 — A Tempest, after Andreas Van Artvelt proof, toith the artists' names, very rare 5- u 7 u 6 /o — 24 — // J' // 4 / IP J BQNASONE (Giulio) . 231 — Moses steiking the Kock, after Parmigianino (5) witli hrond margin 232 — Judith and her Servant leaving the tent of Holofernes (9) Jirst state, before the address 233 234 235 Jesus Christ laid in the Tomb, after Titian (44) The Virgin seated in a landscape (54) The Viegin standing before the entrance of the Sepulchre, with the dead body of Christ laid out on a table, after Eaphael (60) inscribed Mariette, 1664, on the front 1 236 — Virgin and Child, with Saints, after Parmigianino from the Sarford and Morant Collections 1 237 — The Virgin and the Infant Jesus in the Clouds, with St. John kneeling at their feet, after Parmigianino (62) 1 238 — The Bieth of St, Johx the Baptist (76) with margin; from the Hawkins Collection 1 239 — Silenus riding on an Ass, supported by Pauns (88) Silenus brought before Midas (89) ivith fine margin 2 240 — The Teiumeh of Loye (106) undescrihed proof before the address " To7n. Barl. exc.^^ very rare 1 241 — The Eape of Europa (109) from the Collections of Sir Peter Lely and Michael Bysbrack 1 242 — The Judgment of Paeis (112) rare 1 243 — Pour proofs of the Loves of the Gods : Bacchus presenting Grapes to two Females (147) ; A God embracing a Goddess in presence of Cupid (155) ; Pluto embracing Proserpine (157) ; and another of the greatest rarity ; from the Collection of Sir Thomas Lawrence — 25 7 244 — Landscape, with a Temple built in the middle of the Sea (176) an early impression, very rare 1 BOT H (Jan). 245 — The "Woman biding on a Mule (1) first state before tlie shading of the figures in the distance, of excessive rarity 1 246 — The "Woman riding on a Mule (1) second state, tvith the shadow over the distant figures, hut before Mathams address, very rare 1 247 — The Woman riding on a Mule (1) third state, with 3Iathanis address, tvhich loas erased in the next state, rare 1 248 — The Waggon drawn by Oxen (2) first state, proof before the names of Both or Matham, of excessive rarity 1 249 — The Waggon drawn by Oxen (2) second state, tvith the names, rare 1 250 — The Great Tree (3) before the address of Matham was efifaced ; from the Morant Collection 1 251 — The Two Mules (4) before the address of Matham ivas effaced ; from the Morant Collection 1 252 — The Stone Beidge (5) first state, pure aqua-fortis, before the ruled shy, and before much extra ivork on the water, and other parts of the plate, of the greatest rarity 1 253 — The Stone Bridge (5) proof before the name of Both, rare 1 254 — The Muleteer (6) proof before the name of Both, rare 1 E /D ^ /i>' /^ /^ /o /o / M / ^ 26 — 4 i ■ /5 * 255 - r256 - - The Ferry Boat (7) proof hefore the name of Both, rare - The Two Cows on the banks of a stream (8) 1 ,«^/; proof hefore the name of Both, rare 1 3 d' •i257- - The Fisherman (9) :^ \ 1 first state hefore the name of Both, rare, and second state loith the name 2 \258 - - The Wooden Bridge (10) proof hefore the name of Both, rare 1 / / . 259 - - The Five Senses (11—15) hefore the address of De Wit BOUT (Petee). 5 cT^Ccx^ - /^ - 260 - - The Fish Maeket (1) rare 1 / F 261 - - The Skatees (2) very rare ; from the Dodd Collection 1 4/a^lr JL 4 /o / \ ' i 262 /a The Spoetsman (4) rare 263 — The Jetty (5) from the Josi and Msdaile Oollections, with broad margin, very rare 1 BRESCIA (Giovanni Antonio da). 264 — A Man seated on a Eock holding a staff in his left hand vert/ rare, not described hy Bartsch ; from the Wellesley Collection 1 BRIOT (Isaac). 265 — LoTJis XIII when young, with the Holy Spirit descending upon him. He stands crowned in front of the throne, dressed in his coronation robes, powdered with fleur-de-lis xjndesceibed 1 27 — BEIZIO (Francesco). tT>^' 266 — Madonna della Scodella, after Correggio (4) most curious unfinish.ed proof, a -portion of the hacJcground leing merely in outline, and hefore all letters, frohahly unique 1 ^EOS AMER (Hans). /6 i' 267 — Delila's Treachery to Samson (1) 1 / /P ' ^ 268 — Christ on the Cross (6) / this impression is considered the finest in existence 1 (h 269 — John II, Abbot of Tulda 1 BROWNE (Alexander). c2 U- • #c*0 270 — Madame Jane Kelleway, after Sir Peter Lely, in mezzotint rare 1 BRUTN (Nicolas de). //> 271 — Elias, large landscape fi/rst state hefore the address, rare 1 BE-Y (Theodore de). * ? ' yU 272 — A design for a Saucer, with a head in the centre, emblematical of Pride and Folly scarce The Triumph of Bacchus 2 ^^ A-iy-flyO 273 — ViT^ ET IcoNES SuLTANORUM TuRCicoRTJM, Francf. ad Moen A° M.D. XCVI. Fifty portraits in medallions, set in richly ornamental frames, accompanied iy lives hy Jan Jacob Boissard full hound red morocco, and richly yilt 1 / /o t 28 — /^" ID /^ '/d' /S Z ^^ CALLOT ( Jaques) . {The numbers and quotations refer to Meaume's " La vie et les outrages de Callot.^') 274 — The Massacbe of the IifNOCE>'Ts, the first plate (5) Jirst state hefore tlie letters, " Eare,'' withjine margin 275 — The Massacre of the Innocents, the second plate (6) Jirst state hefore ilie letters, " Hare," ivith broad margin; from, the Gervaise Collection. Also, second state, with margin ; from the same Collection 2 276 — Saint Nicholas (140) proof before any inscription, but loitli Callot's name to the left loitliin the front line of the foreground, rare 1 277 — The Village Fete, at Grondreville in Lorraine, known by the name of " Le jeu be BorLES," Tres-jolie piece (623) first state, before Callot's name, lohich is written by the artist himself on this impression, in the loicer left-hand corner, of the greatest rarity 1 278 — The set of Mendicants (685—709) first states, with large margin before the Numbers, and the address of Silvestre, very rare, bound in ichole morocco 24 *** This set unfortunately wants Nos. 687, 688, 689, 694, 705, and 70S, but has a duplicate of 701, and four others belonging to another set. 279 — The Stag Hunt (1194) an early impression, tcith fine broad margin 1 CAMPAGJs OLA (DoMEyico) . 280 — The Desce>'t of the Holt Ghost (3) very rare; from the Sykes, Beclcford and Harford Collec- tions 1 281 — THE MAETYEDOM OF A FEMALE SAIIST, in presence of an Emperor (6) excessively rare j / — 29 — CAM PAGNOLA (Giulio ). 282 — St. John the Baptist (3). The Saint is represented standing, holding his garments with his right hand, while with the other he carries a bowl. Copied from Girolamo Mocetto very rare ;from the Esdaile, Boscoe and Maberly Collections 1 283 — The Young Shephekd, seated on a bank and turned to the left, with two pipes in his right hand (6) pure and early state, very rare ; from the Bammeville Gollec- iio7i, ivhere it sold for £17 1 CANT AEIN I (Simon ) . 284 — The Eepose in Egypt (2) first state, pure etching before the name of Guido The Eepose in Egypt (6) early impression, tcith margin St. John the Baptist in the Desert (22) 3 285 — Jupiter, Pluto, and Neptune offering their Crowns in homage to the Arms of Cardinal Borghese ; sometimes called " Le Quos ego " (29) before the arms of the Cardinal ivere effaced, very rare 1 286 — Mercury playing to Argus (31) *^* " Cette estampe est une des principales de I'oeuvre du Pesarese." — J3artsch.) 1 287 — Eortuue (34) first state before the name of Guido, very early proof, with margin. Also the second state 2 CAEA GLIO (Jac opo). 288 — Holt Family, after Eaefaelle (5) first state, with the points on the cradle 1 c^^/0 289 290 The School of the Ancient Philosopher (57), Dionysius the Areopagite with his Master Apollophanes at Heliopolis very rare 1 The Battle oe the Buckler, after Eaffaelle (59) 1 4 ^' ^ /3 r r 30 — CAERACCI (Agostino). 1 3 • 291 — The Virgin supporting the Infant Christ in her anus (31) from the La Salle Collection -^ 1 ^Crll^ ■ 1/. i 292 — The Virgin and Child on a Crescent, after Ligozzi (34;) 1 ocrv %* " Cette estampe est une des plus parfaites d'Aug. | Carrache, tant pour le desseiu que pour la gravure." - J6 ■ 293 — St. FfiAKCis IN Ext AST, after Trancesco Vanni (57) very early impression, ivith margin, rare 1 %^J Ccl - / L 294 — St. Jerome, after Francesco Vanni (74) 1 Th-ouuk a ^4 295 — ST. JEEOME (75) Jirst state, as left at the death of Agostino 1 i^jUau • \* " Cette epreuve est extremement rare." G ' 296 — The same, finished by Francesco Brizio rare 1 ^ - /4 ' 297 — St. Jerome, after Tiatoretto (7G; rare 1 1 i *#* " Cette estampe est une des principales de I'oeuvre de notre artiste." - /3 ' 298 — The Virgin, St. Jerome and the Magdalen, after Correggio (95) rare 1 ^jhtrv-e-o. - /.' 299 — The Maeeiage of St. CATHEEiifE, after Paul Veronese (98) very rare 1 *^* " C'est une des plus belles pieces d'Augustin Carrache." i?7^.^^ - U ' 300 — The Body of Christ supported by the Virgin and an Angel, after Paul Veronese (102) first state hefore the address " Giacomo Franco Forma " 1 ^ s- 301 — The Madonna and two kneeling Votaries, after Paul Veronese (105) 1 Jh — 31 - x^'^v 302 — 7 t cLctj iffXxj-c Pan subdued by Love, " Omnia vincit Amor " (116) very rare 303 — Mercury and the Graces, after Tintoretto (117) Mars rebuked by Minerva (118) rare ; from the ArcTiinto Collection 304 — The Eeciprocation of Love (119) ; The Fruits of Love (120) ; and two companion prints, which are unde- scribed hy Bartsch, the first representing Cupid KINDLING THE FLAME OE LovE, and the secoud Love's Votaries enchained and punished of excessive rarity 305 — Venus chastising Love (135) very rare 9 /3 ya I // 7 ^/^ 307 - Ferdinand de Medici, Grand Duke of Tuscany (145) very rare 1 TITIAN (154) first state, hefore the inscription Titiani Vecellii PiCTOBIS CELEBEBBIMI AC EAMOSISSIMI TEBAEFFIGES; of extraordinary rarity and perfect condition ; from the Archinto Collection, tvhere it teas sold for £25 1 CAEEACCI (Annibale). 308 — The Adobation of the Shephebds (2) undescriled first state hefore the name, excessively rare ; from the Collections of John Barnard and Chambers Sail 1 309 — The Dead Christ of Capbarola (4) first state hefore tJie name of Carracci, or the address of Van Aelst, very rare ; from the Wellesley Collection 1 310 — " La Viebge a l'ecuelle " (9) first state hefore the name of Carracci and the address of Van Aelst, very rare 1 c^ <2 . s y A 32 — V s /o 7 311 — The Holt Pamilt (11) first state hefore the retouch, inscribed loitli Mariette's name on the face as well as the hack 1 312 — The Penitent Magdalen (16) first state hefore the letters P. S. F. ; from the Collection of M. Ryshraech 1 CARKACCI (Ltjdovico). 313 — The Virgin and Child with the Angels (2) inscribed with the name of Mariette 1 314, — Kiposo or the Yibgin, Infant Christ and St. Joseph (4) engraved entirely ivith the hurin^full of hur, excessively rare 1 '^/r-Zf. 6 d? t^i (h 0^ END OF SECOND DAT's SALE. — r33 — THIRD DAY'S SALE. CLAUDE GELLEE DE LOEEAINE. 7 LOT 315 .-/- The Eltght into Egypt (1) Jtrst state, incorrectly described hy S. Dumesnil as the second state, ivith sliglit marginal line, and before No. 44 p. 13," to the right at bottom, with margin, very rare 1 * V2. 9 /p. — 34 Z^' / iO /o r /O A3- IS /O 7 321 — The Shipwreck (7) second state, the number leing erased from the paper, with margin 1 322 — The Cowherd (8) second state, with margin, rare; from the Esdaile Col- lection 1 323 — The Aetist sketching (9) second state, with fine margin 1 324 — The Dance itndee the Teees (10) second state, hefore the angles of the plate were rounded, rare 1 325 — The Sea-poet, with a lighthouse (11) second state, with the number 7, hut before the angles of the plate were rounded, rare 1 326 — The Beigands (12) second state, hefore the number, with margin, very rare; from the Dehois Collection 1 327 — Tke Sea-poet, with a laege towee (13) second state, hefore the angles were rounded, rare 1 328 — The Same (18) in the same state 1 329 — The Wooden Beidge (14) second state, with margin 1 330 — The Sunset (15) third state, hefore the completion of the marginal line, and hefore the date, Sfc., with broad margin, very rare ; from^ the Dumesnil Collection 1 331 — Staeting foe the Meadows (16) second state, hefore the angles of the plate loere rounded, imth margin, rare ; from the Esdaile Collection 1 )(irouy\. 35 7 ^7 332 — Meecuet and Aegus (17) first state, pure etching, with margin, rare 1 333 — THE HEED OF CATTLE IN A STOEM (18) first state, lefore the cross lines in the sky, on the right, with broad margin, extremely rare 1 334 — The Goatheed (19) second state, very rare 1 335 — The Shepheed and Shepheedess conveesing (21) first state, with the tree extending to the top of the print, and the failure in the biting seen to the right on the hind legs of the goat and the trunh of the tree, " extre'mement rare" 1 336 — The same (21) second state, the tree reduced, but with the town in the dis- tance, which was erased in the third state, " tres rare " 1 337 — The Eape of Eueopa (22) first state, before the angles of the plate were rounded, with fine margin, rare ; from the Vanden Zande Collection 1 I .^338 _ VIEW OE THE EOMAN EOEUM (23) first state, pure etching, " extremement rare " 1 339 — View of the Eoman Forum (23) counterproof of the third state; from the Debois Collection 1 /a O ^ /o TT 340 — The Village Dance (24) first state, before the accident which occurred to the plate in the centre of the background, " tris rare " Third state the effects of the accident removed, and some foliage added to the little tree on the left; from the Dwtnesnil Collection 2 341 — The Three Goats (26) first state, with the marks of the needle on the border of the plate, " tres rare ; " from the Dumesnil Collection, ivith broad margin 1 / /a 9 /o /3 fO — 36 — /O /^ ^ 342 — The Pour Goats (27) first state, witJi tlie marks of corrosion ; from the Manini and Dehois Collections 1 343 — The two Landscapes (40) verj/ rare 1 COLLAEET (Adeian) 344 — A set of six Plates, called the Annunciations, after Heindrik Goltzius 6 COLLAEET (Johak) 345 — The Baptism of Christ, after Goltzius COBT (Cornelius) . 346 — The Nativity, after Federigo Zucchero proof, inscribed with Mariette's iiame 347 — St. Jerome in the Desert, after Girolamo Mutiano proof before letters, inscribed with Mariette's name 7 /d' 348 — Tarquin and Lucretia, after Titian first state 349 The Painter's Academy, after Jan Stradan 'proof before any letters, loith the inscription written with the pen. This state is undescribed 1 COTPEL (Antoine). (The numbers refer to Robert Dumesnil, Peintre-Graveur Fran9ais). ^ Ut>M -^M c^je^i. J Jjs •^^rlhr / '/uuuy A/Z^r 350 — Pan vanquished by Cupid (10) first state, before the date " 1692," icith fine margin, very rare 1 — 37 — 351 — Head of Democritus, the Philosopher of Abdera (12) very early undescrihed state, not finished, being between the first and second mentioned hy Dumesnil ; it is touched on ly the artist ; from the Gervaise Collection ; unique 1 %* Dumesnil's first state is pure aquafortis ; unique. 352 — The same (12) second state, before the date, and before the alteration in the second verse, very rare; also two impressions of the third state; from the Gervaise Collection 3 CEAB (Mastee of the) Tuj-cu.^ i 353 — The Annunciation (1) very rare -^ 354 — Saint Geegoet celebeating Mass (21) very rare ; from the Defries and Esdaile Collections O S. f JCEANACH (Ltjoas). 355 — St. Genevieve of Brabant, called by Bartsch the Penitence of ^ St. Chrysostom (1) rare DALEN (CoENELiirs Van). ^ (/ 356 — Chaeles II King of England, half-length, in armour, after j^ S. Luttichuys proof before any letters, and before the alteration which was afterwards made in the face 1 357 — Henet Dtjke or Gloucester, after S. Luttichuys proof before the arms or any letters; presumed to be unique in this state 1 358 — The same proof with the arms, but before any letters, extremely rare 1 S 7 — 38 — 4 y 1. 359 — PiETEO Aeetino, after Titian 'proof hef ore letters Giovjlnna Boccaccio, after Titian proof hef ore letters Giorgio Baebaeelli, called Gioegioite, after Titian proof before letters Sebastiano del Piombo, after Titian proof before letters 4 *#* Perfect set, very rare. The last set sold, in M. Thiers' sale, for £21. 360 — Francis Deleboe Sylvius " C Van Dalen Junior delineavit et sculpsit" 1 361 — Maurice Count of Nassau, after Flinck perfect condition, rare 1 362 — Aiwa Maeia a Schueman, standing with a book in her hand ; an illustrated oval, after Jansen j proof before any letters, " peesque unique." It is rare even in the finished state 1 DAULLE (Jean) 363 — Fean^gis Pebuee de Lembeieee, Eveque de Soissons undescribed first state, before any letters 1 . 364 — Htacinthe Eigaud i engraved for the reception of the artist into the Academy, from the picture in the Dresden Gallery 1 365 — Neptune appeasing the Storm, " Le quos-ego," after Eubens proof before letters 366 — Jacobus de Chapt de Eastignac, Archbishop of Tours 1 DELAEAM (Peancis). 367 — Queen :Maey. " The Migtie Princess Blarie by the Grace of God Queene of England, Prance and Ireland, &c. — Compton Holland excud." first state, with broad margin, excessively rare 1 i\/er6tiyu^c — 39 — nu-a^ ^ T .^t- 7 / 368 — Sir Horace Vere, an illustrated oval from the Baziliologia first state, with fine margin, very rare 1 369 — The Highe & Mightie Pr. Charles Pr. of Wales first state, before the address, very rare 1 370 — William Burton de Falde, Antiquarian, "Anno aetatis suffi 47, 1622 " ra/re 1 DELPH (William James) . 371 — Chaeles I, after Daniel Mytens rare 1 372 — G-eorge Villiers Duke of Buckingham, after M. J. Mirevelt the chef -d^ oeuvre of the master 1 373 — Dudley Carleton Viscount Dorchester, Ambassador at the Hague 1 DES NOYEES (Louis Bofcheb, Babon). 374 — La Belle Jaedinieee, after Eaeeaelle aetist's proof, signed hy the engraver, full margin 1 375 — La Vieege aux Eochees, after Leonaedo da Vinci aetist's peoof, with names only, beilliant, and ex- ceedingly EAEE 1 376 — Napoleon, after Geeaed superh proof on india paper, with full margin 1 DIE (Mastee of the). 377 — The Martyrdom of Saint Sebastian (14) an early impression, with fine margin 1 378 — Cybele in her Car, after Julio Eomano (18) first state, hefore the retouch 1 379 — Apollo ordering Marsyas to be flayed, after EafFaelle (31) hefore the retouch 1 ^9 7 7 '? o6 /O — 40 J . . 380 — The Triumph of Love, a frieze, after Eaffaelle (37) ^rst state, before the letter B on the die 1 /^ l^ . 381 — The Fable op Ctjpid and Psyche, after Eaffaelle (39 — 70), the set of 32 complete with the address of Salamanca, contained in a folio guard look, handsomely hound in old red russia extra, gilt edges ; from the Library of George III, with his crown and initials on the side 32 fo j. The following aee Peooes, befobe the Eetouch, of the same Set, and aee of Exteeme Eaeitt. /^ - 382 — 1. Apuleius listening to the story of Psyche (39) 2. Divine honours paid to Psyche (40) 3. The Sisters of Psyche married to Kings (41) 7. Psyche in the Bath, attended by invisible Nymphs (45) 4 383 — 4. Psyche's Father consulting the Oracle (42), with margin 5. Psyche conducted to the distant Mountain to accomplish the order of the Oracle (43), with margin 2 V/ ' 384 — 6. Zephyr bringing Psyche to Cupid (44), luith margin 7. Psyche in the Bath, attended by invisible Nymphs (45), (the second plate) proof before the verses 2 /«? ' 385 — 8. Genii waiting at Psyche's table (46), with margin 9. Cupid reposing in the arms of Psyche (47) 10. Genii aiding Psyche in her morning toilette (48) 3 y • 386 — 11. Psyche making presents to her Sisters (49), with margin 12. The Jealousy of Psyche's Sisters (50) 13. The too credulous Psyche awaking Love (51) 3 /4i • 387 — 14. The Despair of Psyche at Cupid's flight (52), with margin 15. Psyche recounting her Misfortune to her Sisters (53) with margin 2 /S . 388 — 16. Venus made acquainted with the illness of Cupid (54), tuith margin ; and another cut close 2 fN^f^^^. W^r ^-^^ tSrv e^-u^ ^ Jv jh> j^ — 41 — 7 4'.co^;^391 389 — 17, Venus reprimanding her Son (55), with margin 18. Venus complaining to Jupiter (56) 19. Ceres refusing her assistance to Psyche (57), with margin 3 390 — 20, Juno sending Pysche from her presence (58), with margin 21. Psyche chastised by the order of Venus (59) 2 22. Venus ordering Psyche to separate the grain {QO),witli viargin 1 392 — 23. Psyche ordered to fetch the Golden Pleece (61) 25. Psyche embarking in the bark of Charon (63) 2 393 — 26, Psyche appeasing Cerberus (64) 27, Proserpine intrusting Pysche with the vase (65) 2 394 — 28. Psyche opening the Patal Vase (66) 29. Cupid pleading before Jupiter for Psyche's pardon (67) 30. Cupid and Psyche receiving the judgment of Jupiter and the Gods in Olympus (68) ; and a curious and unde- scrihed reversed copy 4 395 — 31. The Deities celebrating the Nuptials of Cupid and Pysche (69) 32, Cupid and Psyche on their nuptial couch (70), loith margin 2 ^ ^ - v:^ // C> "^ 396 397 Venus ordering Psyche to fetch the water from the fountain guarded by dragons (71) proof before the vases. (The single subject, which ought to he placed between No. 23 and 24) 1 7 ' 398 The Victory of Scipio over Syphax (73) first state, before the inscription The Naval Combat, after Giulio Eomano (78) DIETEICH (Cheistian Wilhelm Eenst), (The numbers refer to Linck's Catalogue of Dietrich's works). '■O-y 7f 399 — The Chaelatan, tn Ostade's mannee (74) first state, ivith large margin G / u. - c\ /\/(^\ - / '/ — 42 — /3 /r /2. ^ V 4 400 — The Knife-grinder, in Ostade's manner (75°) first state, before the feather, full margin, rare 1 401 — The Pedler, in Ostade's manner (76) first and second states, of great rarity 2 402 — The Eoadway over the hill (124) first state The Farmhouse (125) first and second states The Eock by tlie Eoadside (126) first state 4 403 — The Waterfall between the Eocks (130) first state, rare The Wooden Houses by the river side (132) first state, loithfine margin 2 404 — The Heed of Cattle neae the old Gateway, in Berghem's manner (134) first state, pure etching before the plate ivas cleaned, proiablg unique 1 405 — The same first state, pure etching 1 ?Vt:i<3 434 — Francois de Troy, painted by himself first state, before all letters, very rare 1 linu^<^c^ \ 435 — Louis Hectoe Due et Maeechal de Villaes, after Hyacinthe Eigaud undescribed first state, before much ivork on the cuirass, the star, andfu/r of the mantle, very rare 1 'y>jL<:rj- }<} 436 — The same first described state before all letters, and the trophies of arms in the angles at top, etc., rare 1 437 — The same second described state , with the first insc7'iption at bottofn in nine lines 1 438 — The same third described state, with the first inscription erased, and a second one introduced of six lines only 1 DEE VET (PiEEEE Imbeet). 439 — The Peesentation in the Temple, after Boullogne rare 1 440 — Samuel Beknaed, after Hyacinthe Eigaud first state, before the words " Conseiller d'Mat." 1 ^ ^ /2- ^^ z/^- ^ 3 U C P / P 46 — IS /O / /o ^ J /S y- 441 — JACQUES BENIGNE BOSSTJET, eveque de Meaux, after Hyacintlie Eigaud Jirst state, with the loords Trecenses and Constorianus, which were afterwards corrected, with full margin, and in perfect condition 1 *^* This state is known as " I'epreuve au fauteuil blanc," and is excessively rare. The present impression realised 900 fs. in the Sale of the Archinto Collection in Paris. 442 — The same hefore the points 1 443 — Eobert de Cotte, Architect, after Hyacinthe Eigaud second state, hefore the word " architecte " was introduced 1 444 — Charles Gaspard Dodun, Chancelier, after Hyacinthe Eigaud 1 445 — ADEIENKE LECOTJVEETJE, in the character of Cornelia, after Charles Coypel finished proof hefore any letters, excessively rare 1 ^ tjl/>yi-c/t^ 446 — The same with fine margin 447 — Louis Duke of Orleans, after C. Coypel 448 — Louise Adelaide d'Oeleans, Abbess de Chelles, after Gobert very rare 1 449 — M. DE Tbessak, Archbishop of Eouen, in adoration before the Virgin and Child, after Vanloo, in 4to. finished proof hefore any letters, extremely rare 1 450 — The same, engraved in 8vo. for the title of a Breviary finished proof hefore any letters, extremely rare 1 ( I ^ 47 — >i. 451 452 V DUEEE (Albert). — ADAM AND EVE (1) very rare 1 — The Nativity (2) very rare 1 J3 /d ■ ^ 453 — THE PASSION OE CHEIST (3—18) *^* This exquisite set of prints is arranged in a handsome volume, covered with purple velvet, with a richly-chased antique clasp of silver gilt, and broad rims of the same round the edges. The series is complete and uniform, with a margin of |- of an inch to each print. They are in a per- fectly pure state and full of bur. The dirty edges of the plates, as well as their brilliancy, indicate the extreme earli- ness of the impressions. An inferior set realised upwards of £40. in the Thiers Sale, at Paris, in March of the pre- sent year. ^o 454 — Cheist peating in the GtAeden, an etching (19) inscribed with the name of Mariette, rare 1 / '3. Juz^Z^-^ 455 — The Man of Soeeows, with his arms extended (20) very rare ; from the Bijonval Collection 1 3 6~ ■ 'iMUtjLt.^i-' 456 — The Man of Soeeows, with his hands tied together (21) inscribed with Mariette' s name, rare 1 „2 A. fi 457 — THE CEIJCIEIXION, a small circular plate (28) THE OEIGINAL PEINT, wMch is of the greatest rarity, and three copies ; one of them reversed 4 / ■ • ^uxuufS 458 — Cheist expieing on the Ceoss (24) rare 1 ^ \ 4 T 459 — Two Angels holding the Sudaeium (25) 1 s 6- a 460 — An Angel flying and holding the Sudarium (2G) a rare etching 1 / 3 — 1 — 48 — /O a/ J 3 J" // / /b^ /o 461 — The Trinity (27) rare ,462 — THE PEODIGAL SON (28) I very rare 463 — St. Anne and the Virgin (29) ' from Prince de Paar's Collection , 464 — The Yiegin, with a crown of stars and a sceptre (32) 465 — The Yiegiis-, with the Infant in her arms (33) i from the Ferol and Arosarena Collections ^fj^fZJui^-^ (^c (f^^cryi^tytxj t ^^ 1466 — The Yiegin suckling the Infant Jesus (34) 467 — The same (34) 1 468 — The Yiegin seated, embeacing the Intant Jesus (35) 1 469 — The Yiegin seated, and buckling the Infant Jesus (36) from tlie Oaioet Collection 1 i (I * O END OF THE THIED DAT S SALE. — 49 FOUETH DAY'S SALE. DURER (Albert) continued. LOT 470 — The Virgin cbowited by an Angel (37) y 471 — The Viegin, with Infant Christ in swaddling clothes (38) 472 — The Virgin crowned by two Angels (39) rare 473 — The Virgin seated by the wall (40) with Iroad margin 474 — The Virgin with the Pear (41) with hroad margin ; from the Dumesnil Collection 475 — The Virgin with the Pear (41) from the Mariette Collection o/c^_, 476 — The Virgin with the Monkes (42) inscribed toith the name of Mariette, very rare ; from the Malerley Collection 1 fd^JL^tj 477 — The Holy Family, an etching (43) very rare 478 — The Holy Family, with a butterfly (44) from the Collection of I. F. Hinck J' / C ^ ^ s /o & '7 4 ro 50 — /^' ■ /d' 6' /I S 'Vo 9 479 — St. Philip (46) \^irl2tn^i St. Baetholomew (47) St. Thomas (48) St. Simon (49) St. Paul (50) the set complete, loith margins; from the St. Aulyn Collection 5 480 — St. Christopher, with his head turned to the left (51) 1 481 — St. Christopher (52) 1 482 — St. Geoege on foot (53) rare 1 M^r^ *^tme^ 483 — St. Gteoeqe on horseback (54) very rare ; from the Dehois Collection 1 484 — St. Sebastian tied to a tree (55) 1 485 — St. Sebastian tied to a column (56) from the St. Auhyn Collection 486 — ST. EUSTACHIUS KNEELING BEFOEE A STAG (57) with margin, extremely rare; from the Collection of y^j-dLrvLf E. W. Martin 487 — St. Anthony (58) loith margin 488 — ST. JEEOME, an etching (59) an extraordinary impression, full of hur, very rare 489 — ST. JEEOME IN THE CELL (60) rare ; from the Collection of Thomas Emerson Craiohall 1 490 — St. Jerome in the Desert (61) 1 491 — S. Genevieve, or The Penitence of St. Ciiuysostom (63) a very early impression, with large margin 1 ^ / CViTt/^yU (n--\.e^ ^ fuxy^uA T/ fS . """ ^ 1 also ivith margin ^■c>&~ 493 — The Sorceeess (67) / . very rare n^' 494 — Apollo and Diana (68) e~^ ''»,'>' from the Collection of John Barnard _ / '^o<.-n^ 495 — The Satye and his Family (69) ^' - ,e-o 496 — The same (69) c3 ^s C ^ 497 — A Study of naked FiauRES, an etching (70) inscribed with Mariette's name / f2- * T 498 — The Eape of Amymone (71) 1 3 3 - 499 — The same (71) from the Donnadieu and Balmanno Collections ; And an undescribed Copy, by I. H. V. E, 2 " - rst>tvy 500 — Pluto caheying off Peoseepine, an etching (72) S inscribed with the name of Mariette, very rare 1 a 501 — The Effects of Jealousy (73) u s- . from the Archinto Collection 1 502 — MELAJS^CHOLY (74) very rare 1 // /o ^ 503 — GROUP OE EOUJi NAKED WOMEN (75) with margin 1 6'^ ' - • 504 — Idleness (76) 1 v^ ,y 505 — THE LAEGE FOETUNE (77) 1 t^/^ 506 — The Little Foetune (78) 1 / (o r-nM^ 507 — Justice (79) From the Debois Collection 1 S /d' ' 52 — ^ ^ ' 508 — Justice (79) 1 ^pj^iu^. d' ■j- ' 509 — The Little Courier (80) 1 b Ceyyt^-Le^xST /' 7P ' 510 — The Lady on horseback (82) 1 ^ cZ 6- • 511 — A Peasant walking, in conversation with a woman (83) with margin 1 -h^^reUz.^ c? 2. ■ 512 — The Hostess and the Cook (84) 1 ^ Jo • 513 — The Oriental, with a woman and child (85) rare ; from the Debois Collection 1 6 J' s • 514 — The Three Peasants (86) inscribed with the name of Mariette, with margin^ very rare 1 ^iMy c2- /o • 515 — The Ensign (87) rare 1 . ^Kau^ccH // /d~ - 516 — THE ASSEMBLAGE OF WAEEIOES (88) with margin, very rare 1 [' en eryi^U ^ • 517 — The Peasant, with a basket of eggs (89) with margin ' 1 'fJc^tltn-L' / /a - 518 — A Countryman and a "Woman dancing (90) 1 ^ ^ a 519 — The Player on the Bagpipes (91) excessively rare 1 J. • J^ JO 520 — w " Le Violent " (92) rare 1 ^ 7 7 • 521 - - The Offering of Love (93) rare 1 L» OSj'y^^-eyri^ .^j - , 522 - - THE LADY AND GENTLEMAN WALKING (94) i WITH LARGE MARGIN, AND VERY RAKE ; FROM THE Dumesnil Collection 1 — 53 — i^ I 523 — 7 r 524 The Monstbous Hog (95) full of hwr The Little Hoese (96) with hroad margin u 7 T i ^7 525 — The Gbeat Horse (97) 526 — THE KNIGHT OF DEATH (98) very rare 527 — The Cannon (99) rare 528 — The Shield of Aems, with the Cock (100) very rare ; from the Gervaise Collection 529 — THE SHIELD OF AEMS, with the Skull (101) very rare 530 — Albeet, Eleotob of Mayence (102) with margin, from the Debois Collection ; and copy 531 — Albeet, Electoe of Mayence (103) 532 — The same (103) 533 — FEEDEEICK, ELECTOE OF SAXONY (104) 534 — Philip Melanchthon (105) rare ; from the St. Aubyn Collection 535 — Bilibald Piekhbimee (106) 536 — EEASMUS (107) very rare /^ I 7 // / /^ a 7 /x ki Cr 7 ^ //, . 54 — 4 / /o J Z //3 /O /2 3^{o (o DUVET (Jeait.) (The numbers refer to Robert Dumesnil, Peintre-Graveur Fran^ais.) 537 St, John the Evangelist, standing between St. Anthony and St. Eoch (15) ^rom the De Fries Collection 1 ILLUSTEATIONS TO THE APOCALYPSE. All the following are Early Impressions, printed hefore the plates were loorn or retouched, and are extremely rare. 538 — 1. Jean Duvet seated, studying the ApocalyjDse (27) 1 539 — 2. St. John's Vision of the Seven Golden Candlesticks (28) with fine margin 1 540 — 3. The Almighty on His Throne, and St. John mounting to Heaven (29) loith margin 1 it' Ce^'yy^t^ J 541 — 5. The Opening of the Sixth Seal (31) voith margin 542 — 8. The Opening of the Seventh Seal (34) 543 — 9. The Sounding of the Sixth Trumpet (35) 5i4 — 10. The Angel commanding St. John to eat the Book (36) loith hroad margin 545 — 11. The Beast destroying the two Prophets (37) ivith hroad margin f C/ xZl-i^rMA.- i 55 — 546 — 11. The same (37) ivith margin 12. The Dragon standing before the Woman clothed with the Sun (38) from the Esdaile Collection 2 547 — 13. St. Michael and his Angels fighting against the Dragon (39) from the Usdaile Collection 1 M ^ L-yc 548 549 I 'y^A^ ! 551 — '.cc^J 552 — 553 — X. 14. The Beast rising out of the Sea, and the Lamb standing on Mount Sion (40) with hroad margin 1 19. Christ mounted- on a white Horse, followed by the Armies in Heaven (45) 1 20. The Angel standing in the Sun (46) with hroad margin 1 21. The Angel binding Satan (47) with hroad margin 1 22. The Angel showing St. John the Heavenly Jerusalem (48) xoith fine margin \ 23. The Angel showing to St. John the Eiver of the Water of Life (49) with hroad margin 1 P /J // /vo 554 — The Martyrdom of St. John (51) with hroad margin JL // !/ m — 56 DYCK (Sir Anthony). ETCHINGS BY SIE ANTHONY VAN DYCK, UD6 (^Arranged according to Weber's Catalogue.) 555 — Joannes Beeugel Second state, with only a small portion of the background, which is worked in very fine horizontal lines ; — the mar- ginal lines very slight, and before any inscription ; extremely rare ; from the Archinto Collection Third state ; the marginal lines much stronger, with the inscription, Joannes Beeugel, ANTVEBPiiE, etc .and the address, G-. H. ; loith margin, rare Fourth state, with the background finished in horizontal lines, and also with the address, G-. H. ; rare Fifth state, with the G-. H. erased; from the Archinto Collection Peteus Beeugel First state ; before the inscription, and having only a slight marginal line scratched in at bottom ; with mar- gin, extremely rare Fourth state. The word prospectuum erased and actionum inserted, with the address, G. H. ; with margin, rare Fifth state. The G. H. erased ; from the Collection of Sir John St. Aubyn Antonius Conelissen Second state. The plate finished by Vorsterman, with Vanden Enden's address, but before the Engraver's name ; with margin, rare Fourth state, with the inscription, pictoeije aetis AMATOE antveepijE, and the address of G. H., Vanden Enden's being erased ; fine margin, rare Fifth state, with the G. H. erased ; fine margin Antonius Van Dtck First state. Pure etching of the head, with a slight line to mark the collar, with the following inscription written — 57 — m hy a contempory hand, oatalier antonivs van DUCK piCTOR. Antonius van DycTc fecit., with the marks of the pumice-stone very strong ; of the greatest rarity Second state, the plate finished by J. Neeffs, 1645, very rare : from Mr. Ellis's Collection Third state, still with G. H., but without the date, rare; {Archinto Collection) Erasmus Eotterdamus First state, before the inscription, with slight marginal line scratched in at the bottom only, extremely rare ; from the Chambers Hall Collection Fourth state, the G-. H. erased, with small margin, the scratches on the plate, and the dry poiiit line ruled for the inscription are very strong and full of bur. (P. Mariette, 1669) Fbanciscus France Second state, with the engraved background, but before the marginal lines and inscription ; extremely rare Fourth state, vdth the initials G. H., toith large margin, very rare Sixth state, the G. H. erased ; loith large margin ; the mark of the erasure of the G. h. is plainly visible Philippus le Eot First state. Pure etching, before the background, mar- ginal lines, or inscription, with a slight corrosion in the plate over the left shoulder ; of the greatest rarity Also the reversed copy of the First state, either by Van Dyck himself or a contemporary painter ; presqiie unique Fourth state, before the letters, the arms, &c., extremely rare; from Mr. Carpenter's Collection Undescribed state, between the fourth and fifth, before the addition of the helmet, crest, and mantle over the I 58 arms, and with tbc following inscription, Philippus Baro dominus de Ravels et in fano de le Roy et S. R. I. Brouchem Oelegem St. Lamberti. A. van Dyckfaciem delmeavit et fecit aquaforti. Perhaps unique Fifth state, with the addition of helmet, &c. and the cor- rected inscription Philipus Baro dominus de Ravels et in fano Le Roy, et S. R. I. Brouchem Oelegem S'' Lamberti. A. van Dyck faciem delineavit et fecit aqua forti. Bare; from Mr. Carpenter''s Collection JUDOCUS DE MOMPEB First state, without inscription or marginal lines, except one scratched in at bottom ; extremely rare Fourth state, with the address G-. H., very rare Fifth state. The G. H. erased ; loithfine margin JuDOCUs DEB MoMPEB. (The second plate). Second state. The plate finished by Vosterman, with the address of Vanden Enden, but before the engraver's name ; very rare Third state, with the name of the engraver ; very rare Fourth state. The words pictob montivm antvebpiae added to the name, and with the address of G. H. ; rare Fifth state ; the address of G. H. erased Adam Van Ooet Second state, with a pilaster introduced in the back- ground, behind the head ; before any inscription ; extremely rare ; from the Collections of Dr. Peart and Mr. Carpenter Third state, with the marginal linen and inscription, Adamits van Noort, Antvebpiae, etc.; very rare — 59 — Fourth state, with the address G. H., loitJi margin; very rare Fifth state. Gr. H. erased, and the spots on the right side of the figure remaining ; large margin Paulus du Pont Second state, before the inscription, the marginal lines put in, but irregular and slight ; of the greatest rarity Third state, with the inscription paulus dp pont, CALOCGEAPHUS, etc., inscribed P. Mariette, 1677; ex- tremely rare ; from the Collections of John Barnard and H. Dreux Fourth state, undescbibed. The irregularity of the work on the right side of the plate, near the top, is made good with pen and ink only, and the address of Gr. H. is found under the word Antverpise ; with margin, unique Fifth state. That part of the work which was irregular in the last has now been made good with the graver ; the G. H. is removed, and placed in the right hand corner, at bottom, and the bottom of the p in Antver- piae is made to terminate in a flourish for the purpose of covering the place where the Gr. H. stood previously; extremely rare Sixth state ; the Gr. H. erased, with margin JOAKNES SnELLINX First state, without inscription, with only a marginal line scratched in at bottom, extremely rare ; from the Carpenter Collection Fourth state, with the address of Gr. H., and the marginal line strengthened, with large margin Fifth state. The address G. H. erased, with margin; from the Arosarena and Archinto Collections Joannes Snellinx. (Second plate) Second state ; the plate finished by Peter de Jode, with the address of Vauden Enden, but before the name of the engraver, very rare, with margin ; from the Car- penter Collection — 60 — Third state, with the name of the engraver added, very rare TJndescribed state, between the third and fourth, Vanden Enden's address being erased, but with only two lines of inscription ; before the G. H., and also the words in Aulcsis et Tapetibus Fifth state ; the address of Gr. H. erased ; from the Collection of Sir John St. Aubyn Fbanciscus Sntdees First state. Pure aqua-fortis, without any marginal line or inscription. One of the rarest of VandycJc's etchings Second state. No marginal lines, but with the inscrip- tion FEAKCISCUS SNTDEES, VENATIONTJM FEEAEUM, j etc. Third state. Finished by Neefs, and with the address of Gr. H., rare I Fourth state, with the G. H. erased ; from the Archinto Collection Peteus Stevens First state, with the title petevs stevens and Yanden i Enden's address, but before the name of the engraver; j extremely rare, with margin ; from the Seyuire, Sheep- shanks, and Carpenter Collections Second state. The same title, same address, but with Vosterman's name, rare TJndesceibed inteemediate state, having Vanden , Enden's address and two lines of inscription, ivith large margin Third state, with three lines of inscription, Vanden [ Eaden's name erased, and with the address of G. H., icithfine margin, very rare ; from the Collection of S. Dretuc Fourth state, the whole of the address erased, icith full margin 61 Justus Sutteemans First state, before the inscription, and the marginal line merely scratclied in, of the greatest rarity ; from Mr. Carpenter^ s Collection Third state. JuDOCUS Citeemans, with the address G. H., with margin ; very rare Fourth state. The name altered to Justus Sutteemans, fine margin ; rare Fifth state. The address G. H. erased, good margin, with the marhs of the erasure very apparent Antonius Teiest *^* The first state is unknown, except by a counterproof in the Cabinet of the Duke of Devonshire Second state, finished by Peter de Jode, with fine margin ; extremely rare Third state, with the word Topairha corrected to Toparcha, with margin; rare Fourth state, Vanden Enden's address erased, and with the G-. H., ivithfine margin ; very rare Fifth state, with the G. H. erased, with, large margin Lucas Vosteemans First state, before inscription or marginal lines, with margin, of the greatest rarity ; from Lord NorthwicTc's Collection Fourth state, with the address G. H., (P. Mariette, 1699) loith margin ; verg rare Fifth state, the G. H. erased, with margin ; from the Archinto Collection GUILIELMUS DE VOS ' A photograph of the First state, which is presque unique j Second state, still before the letter, but with the back- j groxind, full of hur ; very rare Third state, finished by Bolswert, ivithfine margin Fourth state, the G. H. erased, good margin ; rare 1- 62 Paulus de Vos First state, the head and frill finished, but no indication of the figure, inlaid, of the very greatest rarity ; from the Dehois and Dreucc Collections Second state, the figure etched in by Meyssens Third state, the figure finished by Meyssens, ^«e margin Fourth state, the plate retouched by Bolswert, with the addition of tenationvm antveepiae, and the address Gr. H., rare ; from Mr. Carpenter's Collection Fifth state, the address Gr. H. erased Joannes de Wael First state, before the introduction of the sleeve and hand, and before the inscription, inlaid, extremely rare; from the Collections of Chambers Hall, a/nd Serman Weber Second state, the sleeve and hand introduced ; the name of the person represented, and Van Dyke fecit, written by a contemporary hand in ink, with large margin ; from the Donnadieu Collection Third state, the inscription joannes de wael, antveepi^, &c. loith large margin, extremely rare Fourth state, with the address of Gr. H., large margin, very rare Fifth state, the G. H. erased, (P. Mariette, 1672), with margin Joannes vanden Wouvee A photograph of the first state Third state, finished by Paul Pontius, before the name of the engraver, ^we margin, very rare Undesceibed inteemediate state, with the name of the engraver on the left side under that of the painter, still with the address of Martin vanden Enden, and before the inscription of the fourth state Fourth state, with the Gl. H. and margin, rare Fifth state, the G. II. erased, ivithfull margin — 63 — Cheist Crowned with Thoens Photograph of the unique first state Second state, completely finished, before the address of Bon Enfant, but with the inscription, ecce stat inno- cuus spiNis REDEMiTTjs ACUTis, &c., extremely rare Fourth state, the word invenit in full, to which is added, etfeciat qua for ti, rare Fifth state, the word Begis erased, and with the following address, A Paris chez J. Ph. Le Bus, 1" Graveur du Cabinet du Boi, Bue de la Sarpe TlTIAUr AND HIS MiSTEESS The first and second states are unique, and are only found in the British Museum Third state, finished throughout, with the verses com- mencing Ecco iL Belvedek ! 6 che pelice sobte ! &c., before the address of Bon Enfant, very rare; from Dr. Peart'' s Collection Fifth State, the address of A Bon Enfant erased Holy Family from the Collections of M. BysbraecTc and Mr. Carpenter Maetyedom of St. Baebaea (Le Comte Cabinet, vol. I, p. 163) ; from the Pond, Austin, Seguier, and Carpenter Collections Group of Cupids from Mr. Carpenter'' s Collection *4t* The whole of the etchings by Van Dyck described above are in an old book, handsomely bound in morocco, richly tooled, they form (it is believed) a more complete series than has ever before been ofiered for sale. — 64 ^7 I d P /6=> PORTRAITS AFTER VAN DYCK. Ekgbayed roB the Pu blisbeb, Mabt i n tan den Ekdex . The references as to state, and the arrangement, are according to Weber's Catalogue Raisonne, Bonn, 1852 556 557 ANONTMqiJS._ Bosschaert, Historical Painter with margin ; from tlie Seguier and Carpenter Collections 1 B OLSWEET (Sohelte a). Aremberg (Albert, Count of) first state, extremely rare 1 558 — Barbe (Jean-Baptiste), Engraver first state, rare 1 559 — Brouwer (Adrian), Painter first state, rare ; from the Seguier and Carpenter Collec- tions ; and an impression in the third state 2 560 — Lipsius (Justus), Historian first state, with margin, extremely rare 1 561 — Pepyn (Martin), Historical Painter first state ; from the Seguier and Carpenter Collections 1 562 — Vrancx (Sebastian), Historical Painter first state, ivith margin, rare; from the Seguier and Carpenter Collections ; with an ionpression in the second state, from the Mariette Collection 2 563 — Marguerite de Lorraine, Femme de Gaston de France, Due d' Orleans second state 1 oZ5 ^c-cjrri,c£t ll t Sh 65 ./ .zt Wt-tryXC^ DELFF. 564 — Mierevelt (Michel), Portrait Painter Weber; undescrihed state, hefore any letters, and before extra ivorJc 1 565 — Mierevelt (Michel) Previous to Weber's first state, before any letters, but finished ; from the Archinto Collection 1 GrALLE (CoRKELius). 566 — WoLFAET (Aetus), Historical Painter proof before any letters, and before much extra loork, quite undescribed, and probably unique 1 567 — Wolfart (Artus) first state, loithfull margin, rare ; and an impression in the fourth state, with margin 2 HONDITJS (William) 568 — Franck (Franciseus) Historical Painter first state, with margin ; from the Carpenter and Seguier Collections 1 569 — HoNDius (William) proof before any letters, and before extra loork, of the greatest rarity 1 570 — Houdius (William) first state, loith margin, rare ; from the Seguier and Car- penter Collections ; and an impression in the second state 2 /d' 1/ /i>' 7 /S I J ODE (Abnould de). i^\ 571 — Howard (Lady Catherine), Duchess of Lenox i proof before any letters^ very rare 572 ~ The same and an impression with the letters s 6 J2,\ — 66 — s. 7 12. ^9 s . /s JODE (PlEBBE de) le jetjne. 573 — CosTEB (Adam de), Painter first state, before the right hand was Jinislied ; from the Mariette, SheepshanJcs, and Carpenter Collections ; with an impression in the second state, rare 2 574 — Halmalius (Paul), Senator at Antwerp proof hefore any letters, v/ndescrihed, presque unique 1 575 — Halmalius (Paul) first state, rare; from the Mariette, Seguier, Sheepshanks, and Carpenter Collections 1 576 — Jordaens (Jacobus), Painter first state, very rare ; from the La Salle Collection Nole (Andre Colyns de), Sculptor second state 2 677 — Poelenburg (Corneille), Painter first state ; from the Archinto Collection 1 578 — Puteanus (Erycius), Historian first state, rare 1 579 — Tuldenus (Diodore), Jurist first state ; and an impression in the second state 2 580 — Wallenstein (Albert, Count), frst state TJrphe (Genevieve d'). Widow of the Duke of Croy third state 2 LAUWEES (Nicholas). 581 — Blancatcio (Prere Lelio), Commander of Malta first state, with margin, rare 1 PONTIUS (Paul) . 582 — Balen (Henry Van), Historical Painter, first Master of Van Dyck first state 1 .i~ r — 67 — 583 — Bazan (Don Alvar), General first state, with margin, rare ; from the Mariette Collec- tion 1 584 — 585 — 586 — mji^rC/' ' 587 — Breuck (Jacobus de), Architect first state ; from the Dumesnil and Carpenter Collections 1 Colomna (Don Charles), General first state 1 ^■uyrui <> 588 ^-^^y 589 _ '^^^ 590 — o . 599 — Eombouts (Theodore), Historical Painter first state, rare ; from the Dumesnil and Carpenter Collec- tions ; and an impression in the second state 2 6 ' 600 — EuBENS (Petee Paul), Painter first state, very rare ; from the Carpenter Collection 1 // /a /6 e / / J 601 — SCAGLIA (C^SAE AlEXANDEE) first state, of the greatest rarity ; and an impression in the second state 2 602 — Savoye (Francois Thomas de), Prince de Carignan first state, very rare, with margin ; from the Seguier and Carpenter Collections 1 603 — Seghers (Gerard), Painter first state, rare 1 604 — Stalbent (Adrien van), Landscape Painter first state, very rare 1 605 — Steenwyk (Henry), Painter first state, with margin 1 « 606 — Vanloon (Theodore), Painter first state, from the Seguier and Carpenter Collections ; and an impression in the second state 2 607 — Vos (Simon de) frst state ; from the Dumesnil Collection 1 (} t (I [ — 69 — iLr^ - — 72 — // ^ // ^ I * 636 — Blots (Jeanne de) 'proof hefore any letters, toith margin, very rare ; from the Carpenter Collection 1 LOMMELIN (Adbien). 637 — Faille (Alexandre de la), Senator at Antwerp proof hefore any letters, and hefore extra worh ; and an impression in the first state 2 NEEFS (Jacques). 638 — Eyckaert (Martin), Landscape Painter first state, and an impression in the second state, with margin Tassis (Antonius de) first state 3 /£ /<3 t^C^iy^ty io (/le^kj.' PONTIUS (Paul). 639 — Eockox (Nicolas) third state {of eight), very rare VOESTERMAN (Lucas). 640 — Moncada (Francois de) first state, with margin, rare 641 — Wolfang (Guillaume), Count Palatine first state, loithfull margin, rare 642 — Isabelle Clara Eugenie first state, with full margin, rare BAILLIU (Pieebe). 643 — Bourbon (Antoine de) frst state, with margin Urte (Honore d') first state, with margin ^(c ^ZrV ^JAz^ (U £y>tz/ — 73 J- 641 ^^ ^ I 645 646 r^ GALLE (CoBNELius), le jeune. Ferdinand III, Emperor Jtrst state Maria of Austria, Empress first state Henriette de Lorraine first state, with margin Meyssens (Jean) second state, loith margin Pappenheim (Godefroy Henri) Count General fi,rst state, rare ; from the Carpenter Collection Taie (Engelbert) Deputy for the States of Brabant first state, toith margin JODE (Peter de). 647 HxiLL/i^ 648 — yrtA/i-T^ 649 650 Cusance (Beatrix de), Wife of Charles III of Lorraine first state, with margin Montfort (Jean de) Minister of Finance to the King of Spain first state 2 ]N"EE FS (J acques). Barlemont (Marie Marguerite de) Countess of Egmont proof before any letters, presque unique; and an impression in the first state 2 J>ONTI US (Paul ). Arenberg (Marie Countess of) first state, tvith margin 1 WAUMAN S (CoKRAD.) Croy (Marie-Claire de) first state, toith margin Orange (Frederic Henri Prince d') first state, with margin Orange (Emelie de Solms Princesse d') first state, tvith margin Zuuiga el Davila (Don Antoine de). Marquis de Mirabelle first state, with margin 4 L / 74 - • ANONYMOUS. /4- 651 — Opstal (Anthonius Van), Portrait Painter first state ; from the Seguier Collection 1 CLOUET (Piebee). (^ L£ yy\^y^ i fa 652 — Lamen (Cliristophe Vander), Painter Jirst state Eogiers (Theodore), Silversmith Jirst state, with large margin Sr, Scribanius (Charles de), Jesuit loith large margin 3 / U 653 JODE (Pierre de). — Liberti (Henricus) Jirst state ; from the Mariette Collection :h Simons (Quentin), Historical Painter Jirst state, with margin ; from the Carpenter Collection 2 vi' ^ ^ 654 LOMMELIN (Adrien). — Bisthoven (Jean Baptiste de), Jesuit proof before any letters, undeseribed,verg rare, before mtcch extra work Bisthoven (Jean Baptiste de) proof before any letters, undescribed, more finished, the name below written in ink and signed by the engraver, unique ; and an impression in the frst described state 3 r»JZ» s /o 655 — Faille (Jean Charles de la), Jesuit and Mathematician proof before any letters, undescribed state, with margin ; and an impression in the third state i! Marselaer (Frederic de), Burgomaster of Brussels frst state, with margin 3 MATH AM (Theodore). / . ^> v^|672 — Grayer (Gasper de), by Jacob Neefs I first state ' Berghe (Earl Vanden), by Paul Pontius 673 — Raphael d'Urbino, by Paul Pontius, first state, hefore the address, with full margin, rare Charles Emanuel Duke of 8avoy, by Eucholle first state, with margin Booys (Henricus de), by Cornelius Vischer Hanneman (Adrian), Painter, by Robert van Vorst PROOF hefore any letters, rare 3 ryr^.L^yC^ 675 — Vorsterman (Lucas jun.), se ipse with margin Nassau (Johannes, Count of), by L, Vorsterman jun. first state, before " lUustrissimus " was altered to " Excel- lentissimus," very rare 2 /^ ^y/^P>^^„Q END OF FOURTH DAT's SALE. — 78 — FIFTH DAY'S SALE. H E. JO /P /d Z. c /a /o LOT 676 — The Adoration of the. Shepherds, the infant Jesus lying on the ground, near the entrance of a ruined temple, attended by the Virgin and a number of Shepherds (1) rare EAELOM (Richaed). ' 677 — The Presentation in the Temple, after Eembraudt proof before letters ' 678 — Eubens' Son, and his Nurse, with fruit, after Eubeus artist's pi'oof before any letters I ' 679 — Eubens' Wife with the Page proof before letters ; from the Collection of D. R. Clarice 1 680 — Fruit and Flower Pieces, after Van Hutsum the pair, before the mottoes, brilliant and rare 2 EDELINCK (Gerard). i^c^ih V^rx.a>tio i {ysC-ric (The numbers refer to Robert Dumesnil, Peintre-Graveur Fraucais). 681 — MOSES HOLDING THE TABLES OF THE LAW (2) proof before the names of the artists, and before the dedica- tion, of extreme rarity, tvifh fine margin : from the Debois Collection 1 3k) 79 ( ^ ■y-iJli> 082 — Holt Family. From the picture painted by Raffaelle for Francis I. in 1515 (4) before the arms of Colbert, with fine margin, very rare 1 683 — THE BATTLE OF THE STANDAED. From the cele- brated Cartoon painted by Leonardo da Vinci in com- petition with i\[ichael Angelo's Cartoon at Pisa (44) proof before the words " L. d'la Finse pin. G. Edelinck sc.^^ of the greatest rarity, icith margin 1 684 — Eeke Descaetes, after Frank Hals (181) first state, before the address of Chereau le jeune, loith broad margin, rare 1 685 — Nathaniel Dilgeeus (185) " Morceau rare et recherche,'' with margin; a chef- d'oeuvre of the art 1 ■^-ol^ i 686 — John Dryden, after Kneller (187) 1 „.,^j ' 687 — Anne Louise Christine de Foix de la Valette d'Epernon, after : Le Brun (195) with margin 1 /O ys /^^ / //y <^ ^ 688 CTKj-a^ 689 y)h.io;7 690 c^c.7f G91 A ()r2 GuiDO Ceecentius Fagon, after H. Rigaud (200) first state, with Guido spelt Gvido, with broad margin, very rare Ferdinand, Prince-§veque de Paderborn et Munster (203) first state, before the words " E. Typographia Regia," rare ; also the usual state, loith the additional words Henry Goltzius, the Engraver (216) a finished proof before any letters, most rare The same finished proof Madame Heltot with a ceucifix, after J. Galliot (223) before the ivords in the right hand lower corner ivere erased to make room for " Cum pri regis," ivith fine margin, very rare // 7 /J — 80 •/ /C, / // / ^ 3 Al 693 — Gerbrand Van Leeuwen, after A. Booner (239) Jlrst state, before any letters, xoitlifine margin 694 — Louis XIY. in a cuirass (248) I first state, before any letters, " Tres-rare " , 695 — Louis Moreri, after De Troye (280) second state ; from the Collection of Frangois Lousbergs 696 — Israel Silvestre (319) rare 697 — TiTIANO ViCELLIO (327) first state, before any letters, with margin, very rare XJ C4^-'T--^*>7 & CtO-> S ] enuJ-Z.oi/i^ .V(7C^-^'o „ '^Otyy\J/-C /•2 4- 6- 698 — • Francois de Neuftille, Due de Villeeot et de Beau- preau, after H. Eigaud (337) undescribed state, before the shy was strengthened, par- I ticularly behind the baton, and some delicate work about \ the face and before the wig was diminished in height ; j • excessively rare 1 1 699 — The same (337) first described state, before any letters, with fine margin, very rare 1 ^ M AXJCiyy^ 1 AjJCiy ^L^. 7 3jD ^^ro X EVE BDIIN^ GEN (Albert van) . This is i^robablij the finest Series of these beautiful Etchings ever offered for Sale. 701 — Oval Landscape (4) third state, the plate i^educed to an oval The Four Figures under the Tree (5) second state, with the name, hut before the dry point on the rocks to the right 2 702 — The Man on the wooden Bridge (G) first state, before the shadows in the foreground were rebitten The Swineherd (S) first state, before the marginal line loas strengthened, and before the additional loorh on the sky, at top 2 703 — The two Casks before the Cottage (11) second state, before the forms of the clouds were defined, and before the plate loas cleaned third state, the forms of the clouds made out, and the plate cleaned 2 704 — Marine Landscape (14) first state, before the plate was rebitten and the forms of the clouds defined, and before the strong marginal line 1 705 — The Cottage in Ruins (15) first state, bejore the horizontal lines on the sky^ and before the plate was rebitten in the foreground The Rock (IS) first state, before the sky teas carried to the right hand corner at top 2 706 — The Casks Lauded (20) second state, with the hard outline of the clouds softened down, but before the plate was rebitten The Carpenter's Tressel (21) first state, before the strong marginal line 2 M /a V P r /c — 82 — / / /5 C //4^ // i^ /a 707 — The Broken Fence (27) first state, piire etcTiing, hefore the shy, and hefore the plate tvas cleaned 1 708 — The House with the pointed Tower (29) first state, pure etching, hefore the marginal line was made good 1 709 — The High-rock, a Night Piece (81) first state, hefore the deep colour of the shy was reduced, and hefore much extra worh 1 710 — The Winding Eiver (33) first state, pure etching, hefore the strong worh in the foreground and the marginal line second state, with the additional worh and the tiiarginal line 2 . 711 _ The Cottage in Euins (38) first state, pure etching : hefore the additional shy and the marginal line The Man by the Broken Pence (39) first state, hefore the sky teas entirely icorhed over, and the strong marginal line was added 2 712 — The Eock in the middle of the Eiver (40) second state, hefore the strong marginal line, tlie additional shy, and the re-hiting of the foreground The Herd of Pigs (43) third state 2 713 — The Eiver at the foot of a steep Eock (44) first state, hefore the plate was re-hit fen 1 714 — The Sheltered Bridge (45) first state, pure etching ; hefore the shy ivas carried to the right hand corner, and hefore the water ivas worked over 1 715 — The small Boat on the banks of the Eiver (52) second state, with the distant hill on the extreme left intro- duced, ivhich is wanting in an earlier state The Wooden Bridge (53) first state, hefore the plate received the injury on the roch seen across the ravine 2 fcCtZTsj. (t Nh 'fJa^lj^-uj'- J^ ^^"^ ( ^jjJU^ 716 — The Two Men Sketching (54) 7 second state, loith the addition of the large tree on the left. hefore the re-touch The Inscription on the Eock (55) second state, with the strong worh on the trees behind the rock 2 ^^^ : 717 — The Cart in the Defile (57) / /5- first state, pure etching, hefore the dry point worh on the shy and tlie strong marginal line, the plate uncleaned second state, loith additional worh in the shy. etc., full margin 2 tn/io/^ / 71" — The two Sailing Bouts (58) ■first state, pure etching, hefore the extra loorh on the shy 1 Jt /2> 719 — The two little Boats, empty (60) s first state, pure etching, hefore the extra worh on the shy ' The Pointed Eock by the Eiver side (62) first state, pure etching, hefore the extra loorh on the sky 2 A^^M^ 720 — The Sketchers (63) third state, with the clouds defined; and fourth state 2 - G ■ f 721 — The Watermill (64) first state, pure etching, the plate uncleaned third state, loith the strong marginal line 2 ^ ' h 722 — The Timber and Casks on the banks of the Eiver (65) first state, pure etching, hefore the sky was carried to the top angles of the plate 1 c2 /D ' *h, 723 — The two Men on Horseback (67) second state, hefore the sky was worked over The Peasant on Horseback (69) ^ /3 ' first state, pure etching, printed in red 2 ^AjJAyy,^ 724 — The Three Travellers (70) / Jivst stale, pure etching, hefore the strong marginal line 1 6- * — 84 — \ / 1/ 725 — The Porter (72) Jirst state, pure etching, hefore the failure in the biting on the extrejue right of the foreground was repaired second state, the little spot on the right worked over, hut hefore the strong marginal line 2 t'OL.ii.'kA. ^ ^' 726 — The Woman watching the Boat (75) first state, pure etching, hefore tlie forms of the clouds were properly defined third state, loith the strong marginal lines 2 ^cr£2en 1 \z> /f -dio-^ f-c-<_j- jS ^y/'"^ ^a-L^ ;75 754 755 tru-hoj-f /5G IfCa^^y-LoC^ 757 FONTAINEBLE AU (S chool or). The Deposition. The Virgin is seen in the foreground away from the other mourners, and seated in a pit at the foot of the Cross where the Saviour is just being laid ; in a broad arabesque frame, ornamented with masks not described, a print of the greatest rarity ; from the Richardson,Ityslraec1c, Reynolds, and JEsdaile Collections 1 FONTANA.^ Marriage of Cupid and Psyche, after Cammiani artist's proof before any letters 1 J'OESTEE (Francois). Raffaelle at the- age of 15 artisfs proof on India paper, presentation copy from the engraver 1 FRANCO (Battista)^. Moses striking the Eock (2) first state before the address " Franco Forma,'''' very rare; from the Storck Collection 1 Dagon overthrown by the Ark (6) before the address "Franco Forma ;''' from the De Fries Collection I Animals going to a Stkeam to Drink (76) curious undescribed state, being before any letters, and printed on the same sheet with An Allegory of Religion consoling a Beggar (58), and Two Angels rising in the air with flaming torches (66) a proof tahen before the copper was cut ; from the Dc Fries and Dumesnil Collections 1 FRITZSCH (Christian Friedrich). Abraham de Haen proof before letters, with fine margin 1 '7 U /a fp / ^ ^r ri' 10 3 3 I FYT (Jan). 758 — Etchings of different Animals (1 — 8) early impressions before the name of Fi/t on thejlrst plate, very rare 9 759 — The Set of Dogs (9—16) extraordinary set, with fine margins, some in undescribed states 760 Title, with dedication to Don Carlo Guasco (9) undescribed state, with '■'■Jo. Fyte''^ slightly etched in the place, which toas afterwards burnished out to make a clear space for the name to be inserted in full 1 1 761 — The Sporting Dogs, under the arch in ruins (10) undescribed state,before the marginal lines were strengthened at the top corner to the' right The Pair of Beagles (12) an early impression 2 762 — Two Dogs in a Leash (13) an early impression Two Dogs Coupled (14) an early impression 2 GALLE (CoBNELius). 763 — EccE Ho3io, after Eubens frst state, icith GalWs address, rare ; from the De Fries Collection 1 764 — Seneca in the Bath, after Eubens rare 1 GATJLTIEE (Leonard). 765 — The Last Judgment, after Michelangelo rare 1 766 — Henri d'Orleans, Due de Longueville very rare 1 ^.IL A J. f ^■/cds^ '''Vfe <7''fe^nj>. c/^ 'H'crtljc^ (PLhyy-U — 89 — eL. '7 Jlo-- i%^. 'Y % 'In. 7 ^-e^oij^ GHEYN (J acques de). 767 — Francesco Sforza, Duke of Milan • S proof, loith large margin \ 768 — J. B. Hanwaert . \/P ... proof hef ore any inscription, very rare 769 — Portrait op Hfgo Grotius at the age oe Fourteej^ y two states ; the first unique, being hefore tJie plate was cut, and with a note hy Grolius himself in the margin at bottom, giving an anecdote ofFl: Josephus having loritten a tvorJc at the age ofl4< 2 *^* In the second state the plate is narrower by half an inch. 770 The Guards of the Emperor Eudolru II. very early impressions of the complete set, rare GHISI (Adam). 12 ■f/^oCa^ 771 — The Fisherman and the Monster Fish, after Julio Komano, (106) a very early impression, with large margin 1 *^* The traces of the pumice-stone are vei*y apparent in the sky. /^ GHISI (Diana) . 772 — Christ's Charge to Peter, after Raffiielle (5) an extraordinary impression, full ofhicr; from the Collec- tion of the Count de Fries 1 773 — The Birth of Apollo and Diana in the Isle of Delos, after Julio Eomano (39) first state, hefore the address '^Soratius Pacificus Formis,''' very rare 1 774 — The Charlatan, with snakes, selling his quack medicines (44) first state, hefore the address ^'' Horatius Pacificus Formis," with hroad margin ; from the TVellesley Collection 1 5 ^71 — 90 — 775 Sacrifice of a Bull to Jupiter (4G) first state, before tlie address, rare GHISI (GiOEGio). 776 — The Meeting of Maet and Elizabeth, after F. Salviati unfinished impression, ivith the ivJiite column above the female on the left ; a print of the greatest rarity 1 *:j(,* A similar proof is described by Bartsch as existing iu the Imperial Library at Vienna 777 — The Marriage of St. Catherine, after Francesco Prima- ticcio (12) rare 1 778 _ THE DISPUTE OF THE SACRAMENT, after Eaphael (28) clie-f d' oeuvre of the master, of the greatest rarity 1 AW<^. J^ yv Jv 779 — The Trojans deceived dt Sinon (28) with margin ; from the Collections of M. JRyshraeck and Dr. Wellesley 1 780 — Cupid and Psyche on the Couch, after Julio Eomauo (45) first state, before the draperies I 781 — The Birth of Memnon, from the Palazzo del T., by Julio Eomano (57) 1 782 — The Judgment of Paeis (60) a very early impression, loith margin; from the De Fries Collection 1 783 — The Calumny of Apelles, after Lucas Penni (64) undescribed state, before tlie name and date on tlie side of the throne, and the tablets with the inscri^it ions beneath 1 784 — Eaffaelle's Dee am (67) very rare ; from the Morant Collection cJro (I if y/fc e^rcOyL Jhy Ykryt'^tc. ~ 91 \-e'-Kr-Oi^ 785 • — A Cemetebt. The Skeletons leaving the tombs, taking new . . flesh to appear at the Last Judgment (69) undescribed state, before any letters on tlie scroll, before the name of GJiisi, and before the address, probably unique 1 1* 786 — The same as described by Bartsch, rare 1 GLOCKENTON (Albert). / ^O "1 787 — THE PASSION OF CHRIST THE COMPLETE SET, all early states before the plates ivere retouched ; of extraordinary rarity Christ's Triumphal Entry into Jerusalem (2) The Last Supper (3) Christ Praying on the Mount of Olives (4) Christ taken in the Garden (5) Christ brought before the High Priest (6) The Flagellation (7), with broad margin Christ Crowned with Thorns (8), icith broad margin Christ bearing the Cross (9) The Crucifixion (10) The Burial of Christ (U) The Descent of Christ into Limbus (12) The Resurrection of Christ (13) 12 GOLTZIUS (Heinkich). c; t y^^yy'Tt' 788 — Set oe the Masteb Pieces (15 — 20) The Annunciation, in the style of Raphael C r « The Visitation, in the style of Pabmegiano » The Adoration of the Shepherds, in the style of Bassano The Circumcision, in the style of Albeet Dtjbeb The Magi offering their gifts to the Infant Saviour, in the style of Lucas van Letden The Holy Family, in the style of Baeoccio 6 92 — ^ /5 // / 9 / / 10 / // //» /y^ 789 — The Virgin and St. Joseph, showing the Infant Jesus to the Shepherds (21) first state, before the date o/" 1651, and hefore the unfinished fart of the composition teas etched in outline 1 790 — The Virgin weeping over the Dead Body of Christ (41) engraved in imitation of Albert Durer 1 791 — Christ, the Twelve Apostles, and St. Paul. A set of half- length figures, with Latin inscriptions under each, (43—56) the perfect set, uniform in impressio7i, and inscribed P. Mariette, 1667, tvhole bound in old French calf; from the Walker Collection 1 792 — Portrait of Frederick II, King of Denmark (166) rare 1 793 — Pran9oise d'Egmont, half-length, her right hand on a skull (168) vrith margin, rare ; from the Oawet Collection 1 794 — Pierre Forestus (169) from the Mariette Collection 1 795 — Henry IV, of France (174) first state 1 796 — Nicquet (177) from the De Fries Collection C. Vander Spronk (185), and duplicate, from the Mariette Collection 3 797 — The Boy and Dog, Portrait of the Son of Theodore Frisius, a Dutch Painter (190) 1 very rare 798 _ A Female Head, "In leiden geduldich," &c. (191) Aruaud Beerestein (192) Bust of a Young Man (193) three small ovals ; from the Mariette Collection 3 799 - — Bust of a Young Man, " Bene agere et nil timere," (207) said to be a portrait of Simon Sovins Justus Lipsius, inscribed " Moribus Antiquis " 2 JV 'TXjLtnt^ <- y t %a.>Jl^ e ^^4^1 — 93 — ^ t-/^^ 800 — M. de la Faille, inscribed *' Leges tueri," (212) Madame de la Faille, with a skull (213) GUEECINO (GiOY. Fbak. Bab biebi, petto). :^^ 801 — St. Anthony of Padua (1) I a very early impression ; from the Barnard and Chambers Mall Collections 1 ^,802 803 — The Infant St. John (2) An early impression, with margin, and counter proof also with margin ; from the Wellesley Collection 2 — The Virgin and Child with a Book. She is seen standing behind a table, on which the infant is placed, with his feet on a napkin, and supported by his mother's right arm ; they are both looking intently on the book, which is held by the child. a very beautiful etching, wiknown to Bartsch 1 GUIDO EENI. <2 fa 804 e^ 805 >A<^M^ 1806 t::/y^ 807 — The Yiegin with the Infant Jesus (1) proof, before the address of N. van Aelst *#* " Cette estampe est une des plus belles productions du G-uide, et elle est rare." — Bartsch — Holy Family, in the style of Parmigianino (9) first state, before the painter's name ; from the St. Aubyn Collection Holy Family (10) the same composition as the last, but reversed 2 — The Infant Jesus and St. John the Baptist (13) an early impression, with margin ; from the Gervaise Col- lection St. Christopher crossing the river with the Infant Christ on his shoulder (14) 2 — St. Jerome praying before a Crucifix (15) with a counter proof from a very early state of tlie same ; from M. Bysbraeck's Collection ; and also a copy 3 J' /a /a / - S 7 /2 94- I V^~ u ^^' 808 The Love of Study (16) two impressions, one of them hefore tlie re-touch with the dry point, lohich is seen particularly in the distance ; from the Endris Collection 2 ^voL 809 /i//| . '810 — A Glory of Angels, after Lucas Cambiasi (45) /^ff^Co-^ early proof hefore all letters, undescribed, very rare ; from , the Morant Collection 1 ' The same in the ordinary state ,^ 811 The oeiginal Dbawing of the same, by Cambiasi, called Cangiagio Pen washed with bistre ; from the Morant Collectioti 1 o 812 — Christ laid iu the Tomb, after Parmigianino (46) from the Esdaile and Ford Collections 1 813 — The Virgin suckling the Infant Christ, after Annibale Car- racci (51) first state, before the address ; from the Eiidris Collec- tion 1 i fkan^k V ^ 814 — An early German print of the latter end of the fifteenth cen- tury, representing St. Mathilde standing under a Gothic arch, with tracery of foliage above Bridliot, 1286 ; in beautiful condition loith margin 1 HOGARTH (William). | >4^A 815 — Henry VIII. and Anne Boleyn proof before any letters, ivith margin ; from the Esdaile Collection 1 816 — The Haelot's Peogeess FIRST STATES, before the feet of the old woman were intro- duced in the first plate, and before the word " London " on the letter the parson is reading, etc., with margin ; from the Esdaile Collection 6 y-i>