l/U/96 to U/30/96 ! ‘ 1 • i » . i * t i ! i; i 4 « r .! 1 5 i / / Digitized by the Internet Archive in 2019 with funding from Getty Research Institute https://archive.org/details/catalogueofcolle00chrL14 CATALOGUE ItK FuUv LaCj/y, OF THE COLLECTION OF MODERN DRAWINGS & PICTURES FORMED BY THE LATE MR. DEPUTY LUCAS HOUGHTON: which (by Order of the Executors) SHtll be &oltJ bp Auction bp Messrs. CHRISTIE, MANSON <£ WOODS, AT ©BEAT 8 KING STREET, ST. JAMES’S SQUARE. On FRIDAY, FEBRUARY 21, 1896, AT ONE O’CLOCK PRECISELY. May be viewed Two Days preceding, and Catalogues had, at Messrs. Christie, Manson and Woods’ Offices, 8 King Street , St. James's Square, S . W. CONDITIONS OF SALE. - 0 -- I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5 s .; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited ; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE *> On FRIDAY, FEBRUARY 21, 1896, AT ONE O’CLOCK PRECISELY. o DRAWINGS —In the Folio . i ■ ^ 1 2 U- 3 t- * — 4 J 6 h - 7 j: _ 8 . -9 //♦ 10 4f • - 11 7- ,12 C' —13 $■ ^14 Unknown : Sorrento, Naples ; Venice; &c. Unknown : Academical Studies W. Alexander : Hadley Church, near Barnet; &c. J. Absolon, 1842 : A Coast Scene J. Absolon : Figure Subjects J. W. Allen, 1834 : A Landscape and Ruins S. Austen : A Harbour Scene, boats and figures S. Austen : A Village Scene, with soldiers S. Austen : Coast Scenes, near Ostend G. Balmer : A Coast Scene, boats and figures G. Barret : A Landscape and Sheep ; &c. G. BaAret : A Classical Composition; &c. F. T. Baynes, 1839 : Figure Subjects F. T. Baynes : The Young Angler R 2 19 8 16 3 2 i «.£■ 15 C. Bentley : Near Ulleswater 16 C. Bentley : North Wales 17 0. Branwhite : A River Scene 18 C. Branwhite : A Woodland Scene si /■} 19 H. Bright : Coast Scene and figures 2 20 H. Bright : The Beach at Folkestone 4 ^ « ■ 21 H. Bright : Studies of Landscape and Cottage Scenery —pencil 11 22 H. Bright : Convent Boppart; &c.— pencil 10 23 H. Bright : Studies of Landscapes ; &c.— pencil 10 24 H. Bright : Studies of Coast Scene ; &c.— chalks 6 25 H. Bright : A similar Lot— chalks v< O 26 Berg: A Landscape and Sheep ; and A Portrait of a Lady 2/4' 27 W. Callow : A Sea Piece 28 G. Cattermole : Interior of a Crypt; &c. 2 29 G. Cattermole : Interiors of a Church 2 ' —113 T. M. Richardson: Kerby Mill, near Richmond, Yorkshire; and Another 2 114 G. F. Robson : Durham Cathedral * - 115 G. F. Robson: Lane Scene, peasant driving sheep * „116 G. F. Robson: The Companion 117 T. S. Robins : A Sea Piece 118 R. R. Scanlan, 1837 : The Organ Man ; and Another 2 r ‘ 119 W. Scott : A Lane Scene in Sussex 8 / A. & * ^ » /. A A - * <*» fd *y * f / /&■» f /* #£-S* y, t / 2 ~ /t • A ■? r? «✓ * 6' J > ' «d % /• A ys\ # r * j* r# " 120 C. Stanfield, R.A.; The Burgomaster ; &c. 121 F. P. Stephanoff : An Illustration ; &c. 122 F. P. Stephanoff : Eastern Figures 123 Coke Smythe : St. Mark’s, Venice ; and Another 124 F. Stone, A.E.A.: Meditation 125 F. Stone, A.R.A.: The Locket; &c. 126 J. M. W. Turner, R.A.: Ruins of an Abbey 127 J. M. W. Turner, R.A.: An Italian Landscape 128 J. M. W. Turner, R.A.: A Ruined Castle 129 J. M. W. Turner, R.A.: An Italian Villa 130 J. M. W. Turner, R.A.: Mountainous Landscapes 5 2 ,o WCt . a Iv-a fat* 2 131 J. M. W. Turner, R.A.: A Mill Stream ; and A Forest Scene 132 C. Tomkins : A Coast Scene and Figures 133 F. Tayler : Four Sketches 134 A. G. Vickers: On the Scheldt; and Another 135 A. G. Vickers : Interior of Watergate, York ; &c. 136 J. Varley: Classical Landscapes 137 J. Varley, 1836 : Composition; &c. 138 J. Ward, R.A.: Calves 139 J. M. Wright : Don Quixote 140 J. M. Wright: The Song 141 J. M. Wright: An Illustration to 4 Tom Jones ’ a 4 • 2 3 A 2 ii 142 J. M. Wright: Scene from ‘ Merry Wives of Windsor ’; &c. 2 €'■ a/ tty* / A A o o - ✓ o A * // 143 Sir D. Wilkie, R.A.: Studies of John Knox, preaching; The Chelsea Pensioners; &c. 5 144 Wilks : Figure Subject; &c. 145 E. West: Copies from Old Masters 3 146 After Drawings by Old Masters in the Florence Gallery, by Mulinari— plates, half calf, folio 9 DR A WIN GS— Framed. EARLY ENGLISH. 147 Portrait of a Young Gentleman, said to be a member of the Manners family H. ALKEN. . 148 A Set of Eight Hunting Subjects— Going to Covert Throwing into Covert Breaking Covert Gone Away Forward Forward Full Cry Whoo’ Whoop—The Death S. AUSTEN. 149 A Lane Scene ; and A Coast Scene 2 C. BENTLEY. . 1 , 150 The Wreck W. BIRCH. 451 An Enamel, after Sir. J. Reynolds R. P. BONINGTON. 152 Death of Louis XI.; Interior, by G. Howse: and A Ruined Abbey 3 T. S. BOYS, 1830. 153 River Scene; and A Lake Scone, by Williams 2 10 A. E. CHALON, R.A. 164 Portrait of a Lady ft / ~ r G. CHAMBERS, 1830. 155 Whitby Abbey ; and Tynemouth 2 G. B. CIPRIANI. 156 An Allegorical Subject LUKE CLENNELL. , \ k * 157 A Quay Scene vw* # ■ LUKE CLENNELL. 158 Twelve Illustrations— in one frame 4 4 ^' / LUKE CLENNELL. 159 An Interior and Figures E. W. COOKE, E.A. 160 East Cliff, Hastings € t v' < l / / } > U t J. S. COTMAN. 161 Gunton Park, Norfolk /?/ * D. COX. 162 Children at a Church Porch W. DANIELL, R.A., Etc. 163 Windsor Castle; Venice; and A Sketch —-in one frame P. DE WINT. 164 Devonshire Stream and Cattle— sepia COPLEY FIELDING. 165 Lake Scene— sepia-, Landscape, by L. Clennell; and Another 3 F. O. FINCH. 166 Classical Landscape F. 0. FINCH. 167 A Composition W. FEOST, K.A. 168 The Bathers —on ivory J. D. HAKDING. 169 Kosslyn Castle E. HILDEBKANDT. 170 Continental Village Scene J. HOLLAND, 1844. f J 171 Povero Ospitale, de la Pieta, Venezia J. HOLLAND, 1844. 172 Venice J. HOLLAND. 173 An Interior 174 Santiago J. HOLLAND, 1844. V>3 12 J. HOLLAND, 1841. 175 A Venetian Altar Piece J. HOLLAND, 1841. 176 Ruins op a Cathedral J. HOLLAND. 177 A Street Scene / f j* * t- 178 Hollyhocks J. HOLLAND. J. HOLLAND. 179 A Vase op Flowers J. HOLLAND. 180 Studies of Flowers J. HOLLAND. 181 A Landscape ; and A River View 2 J. HOLLAND. 182 A River Scene ; and A Pair of Venetian Scenes — in pen and ink 183 Tulips MISS HOLLAND. ’ * f • V W. HUNT. 184 Greengages W. HUNT. 185 Cottages at Hastings W. L. LEITCH. 186 A Coast Scene, boats and figures A. MONTAGUE. .187 Windsoe Castle 188 A Sketch W. MULLER. J. NASH, 1833. 189 A Shkine; and Another W. OLIVER. 190 Richmond, Yorkshire; and A Ruined Abbey, by H. Gastineau —two in one frame 2 W. OLIVER. 191 Rivee Scene, Yorkshire W. OLIVER. 192 A Ruined Abbey J. B. PYNE, 1836. 193 A Landscape J. B. PYNE. 194 Hakbouk Scene J. B. PYNE. 195 Coast Scene T. M. RICHARDSON. 196 Landscape G. F. EOBSON. 197 Macbeth and the Witches J. RUYSDAEL. 198 A Landscape, with peasants and horses —sepia 0 /C&-U. u- }, J y r / / // J. KUYSDAEL. 199 A Landscape— sepia G. S. SHEPHERD, 1833. 200 Hampstead Heath F. P. STEPHANOFF. 201 Scene fboh £ The Arabian Nights ’; and Another < ri F. STONE, A.E.A. 202 Contemplation /) / y t . _ '^r / f C P X F. W. TOPHAM. 203 The Cottage Door J. M. W. TURNER, R.A. 204 A Ruined Abbey ; Lake Scene; &c .—three in one frame J. M. W. TURNER, R.A. 205 An Italian Lake Scene J. M. W. TURNER, R.A. 206 A Landscape J. M. W. TURNER, R.A. 207 A Landscape 208 Ruined Abbey J. YARLEY. J. YARLEY, 1800. 209 Landscape, with figures J. VARLEY. 210 Windsor Castle 211 A Landscape J. YARLEY. A. G. YICKERS. 212 A Coast Scene and Mill A. G. VICKERS. 213 Harbour Scene C. D. WEIGALL. 214 Poultry ; Street Scene, by H. Wilson; and Ulm, after Prout 3 16 J. M. WRIGHT. 215 The Vicar of Wakefield J. M. WRIGHT 216 Shakespearian Illustrations J. W. WRIGHT. 217 The Sisters PICTURES. Q o R. P. BONINGTON. 218 Coast Scene and Figures, Brittany SCARLETT DAVIS. 219 Interior of a Cathedral SCARLETT DAVIS. 220 Interior of a Cathedral SCARLETT DAVIS. & 221 The Professor’s Study SCARLETT DAVIS. 222 An Altar Piece W. ETTY, R.A. 223 Cupid and Psyche Painted for the late oioner, and considered by the artist to be one of his best worlcs 17 J. HOLLAND. , -s 224 Coimbra, Portugal; and A Study of Flowers 2 J. HOLLAND. *0 > 225 Two Interiors 226 Poultry W. HUGGINS. REMBRANDT. 227 Study of a Figure f T. STOTHARD, R.A. 228 Figure Subject ; &c. T. UWINS, R.A. 229 View near Naples R. WILSON. 230 Landscapes— a pair > 231 Fiye Portfolios 232 Six Portfolios finis. London: Printed by Wm. Clowes & Sons, Limited, Stamford Street and Charing Cross. C