CATALOGUE OF A SMALL COLLECTION OF i m UC\A ENGRAVINGS ©f tfo ffiarlg (Emgltslj Srljnol, THE PROPERTY OF A GENTLEMAN, Comprising fine specimens in Colours after Reynolds, Gainsborough, J. R. Smith and others; THE PROPERTY OF A LADY; 9 AND CHOICE ENGRAVINGS in COLOURS, after G. Morland, Sir T. Lawrence, R. Cosway, R.A., &c. &c. * / FROM VARIOUS PRIVATE SOURCES: \ & 1/ A b WHICH ffl&Ull fie 3olb bp auction bp Messrs. CHRISTIE, MANSON & WOODS, AT THECE GEEAT EOQSES, 8 KING STREET, ST. JAMES’S SQUARE, On TUESDAY, MARCH 30, 1897, AT ONE O’CLOCK PRECISELY. May be viewed Saturday and Monday preceding, and Catalogues had, at Messrs. Christie, Hanson and Woods’ Offices, 8 King Street, St. James's Square, S. IF. / CONDITIONS OF SALE. I. THE highest Bidder to he the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to hid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. V. The Lots to he taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. VI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely he paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall he forfeited; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall he made good by the Defaulter at this Sale. CATALOGUE. On TUESDAY, MARCH 30, 1897, AT ONE O’CLOCK PRECISELY. THE PROPERTY OF A LADY. In the Folio. 1 Kubens and his Wife, after Rubens and Snyders; the Same, by C. Hess; &c. 7 2 Ecce Homo, after Vandyck, by R. Cooper —in colours ; the Same — proof ; &c. , 9 3 Tbo Clubbist, after Wilkie, by Raddon ; Shooting a Prisoner, after Webster ; Ac. 9 4 The Storming of Seringapatam, after Porter; The Battle of Agincourt, after Mortimer— coloured; &c. ^ 8 5 My Horse and my Dog, after Chalon ; &c. 13 6 Portrait of a Lady, after Sir T. Lawrence, by G. R. Ward— proof ; and other Portraits, by ditto; &c. 8 7 Isaac Ramsden, after Horne, by J. Jones —printed in colours ; John Hunter, after Reynolds; &c. 3 8 Napoleon I., after Garnery, by Alix —in colours; and four other Portraits of the Same 5 B 2 4 9 The Duke of Wellington, after Lawrence, by G. R. Ward— ‘proof; and Lord Nelson, after Abbott 2 10 King George III. and his Sons, by W. Skelton— a set of nine, proofs 9 11 Angelica Catalani, after C. M. Pope, by A. Cardon— proof ; and Charles Kean, as “ Hamlet ” 2 12 Mr. Kemble, as “ Coriolanus,” after Sir T. Lawrence, by R. W. Meadows; and the Same, after Hamilton, by Barto- lozzi 2 13 Miss O’Neill, as “ Juliet,” after Dawe, by G. Maile 14 Mrs. Siddons, as “ The Tragic Muse,” after Sir J. Reynolds, by F. Haward— printed in colours 15 A Bacchante (Lady Hamilton), after Sir J. Reynolds, by J. R. Smith 16 Historical Subjects, after Westall, by W. Ward ; &c. 8 17 Illustrations to Shakespeare, Milton, &c., after Fuseli and North- cote 16 18 The Times of the Day, after Hogarth 6 19 Nymph Sleeping, .after Cipriani; Cottage Girl Shelling Peas, after Bigg ; &c. 7 20 The Infant Academy, after Sir J. Reynolds, by F. Haward 21 A Contemplative Youth, after ditto, by C. H. Hodges 22 The Fortune-Teller ; and Cymon and Iphigenia, after ditto, by Macklin and F. Haward 2 23 The Dumb Alphabet, after Northcote, by W. T. Annis 24 Tom and his Pigeons ; and The Favourite Rabbit, after Russell —printed in colours 25 Vulture and Lamb ; Vulture and Snake ; and Heron and Spaniel, after J. Northcote, R.A,, by S. W. Reynolds— printed in colours 3 5 26 Rabbits, after G. Morland, by J. R. Smith —printed in colours; &c. 2 27 The School Mistress ; and Blind Beggar of Bethnal Green, after W. Owen, R.A., by W. Ward —printed in colours 2 28 The Attitudes of Lady Hamilton —proofs 4 29 The Same —printed in colours 4 30 The New College Window, after Sir J. Reynolds, by Facius 8 31 Faith and Charity, after ditto, by ditto —printed in colours 2 32 Review of the Light Dragoons, after Sir W. Beechey, by J. Ward 33 The Same— printed in colours 34 The Retreat of the French Army through Russia, by M. Dubourg —in colours 6 35 Coaching Incidents, after J. F. Herring and Cooper Henderson— coloured 5 36 Coursing Incidents, after Wolstenholme, by Reeve— set of four , coloured 4 37 Breaking Cover; and Death of the Fox, after Reinagle, by J. Scott 2 38 Views in Ceylon, after Lyttleton— coloured ; &c. 9 39 Tomb of a Knight Templar, by W. Richardson; and another— water-colour drawings 2 40 A leather portfolio, with lock and key B 3 THE PROPERTY OF A GENTLEMAN. In the Folio. 41 Entretiens Amoureux ; and Les Charmes de la Yie, after Watteau 2 42 Silenus and his Company, after Rubens ; Apollo and Merit, after Sacchi; and Boy with a Hawk and Hog, by Goltzius 3 43 The Justice of the Emperor Trajan ; Drummer and Standard Bearer; and two others— old German prints 4 44 L’Effroi; and L’Hesitation, after Rioult; and The Young Circassian, after Yien 3 45 La Vieilleuse, after Le Clerc; Maria Sophia, by P. Schenck ; &o. 4 Framed. 46 Love, after Peters, by C. White ; and The Origin of Painting, by Bartolozzi 2 47 The Market of Love, by Bartolozzi; and Cupid’s Manufactory, after Albano 2 48 Cupid and Psyche ; Apollo; and Geography, by ditto 3 49 Childhood; and Youth, after Bunbury— a pair, circles 2 50 Psyche going to Bathe ; and Pysche going to Dress, after Cipriani, by Bartolozzi —in brown 2 51 Sculpture, after ditto, by ditto— in colours-, and The Triumph of Galatea, after Huet —ditto 2 52 Mist ; and The Butterfly, after Harper, by G. Maile— printed in colours 2 53 Portrait of a Girl; and The Emblem of Innocence, after Cipriani by R. Earlom— in colours 2 7 54 The Happy Father; and The Distracted Mother, after ditto, by ditto— in colours ; and Children Sporting, after ditto 3 55 Urania, after Cipriani, by ditto ; and The Dream of Telemachus, after Van Assen 2 56 The Fair Alsatian, after A. Kauffman, by Bartolozzi; and Maria, after ditto, by W. Ryland— printed in red 2 57 Infancy, by W. Ryland; and Crowning the Bust of Pope, after Kauffman, by Bartolozzi— in red 2 58 Belisa ; and The Merry Story, by J. R. Smith 2 59 The French and English Firesides, after Ansell, by P. W. Tomkins 2 60 The Moralist, after J. R. Smith; and The Farm Yard, after Singleton, by W. Nutter 2 61 The Moralist, after J. R. Smith— printed in colours 62 Flirtilla— stipple —by J. R. Smith 63 Innocence; and The Little Plunderer, after Hamilton 2 64 Maria, after J. Russell, R.A., by Tomkins ; and The Songstress, after Bunbury 2 65 Expectation ; Acquisition; Attention ; &c., by Taylor— a set of six 6 66 Adoration, after Sir W. Beechey, by C. Watson— printed in colours 67 Signora Storacce, by Bettelini— printed in colours 68 Louisa, by W. Ward— printed in colours 69 Hobbinol and Ganderetta, after ,T. Gainsborough, R.A., by Tomkins— printed in colours 70 The Hon. Miss Bingham, after Sir J. Reynolds, by Bartolozzi— printed in colours 71 Una (Miss Beauclerc), after Sir J. Reynolds, by T. Watson— printed in colours 72 Robinetta; and Musciptila, after ditto, by J. Jones 2 8 73 The Little Domestic, after Westall, by Hollyer —printed in colours 74 Napoleon, after H. Vernet; and The Prince Regent, after de Koster —in colours 2 75 Queen Elizabeth, after Westall ;] and Eleonora and Edward I., after A. Kauffman —printed in colours 76 Vauxhall, after Rowlandson, by R. Pollard— coloured 77 Interior of the Pantheon, after Brandoin, by C. Turner 78 The Months : a set of ten mezzotints— printed for Carington Bowles and B. Sayer, 1767 79 The Seasons, after Rosalba, by Simon : A set of four mezzotints 4 DIFFERENT PROPERTIES. Framed. 80 The Procession ‘ Ad Montem,’ Eton, by Pollard— coloured 81 Coursing, after Reinagle— printed in colours 82 Hunting Scenes, after H. Aiken, by Reeve— set of four , coloured 4 83 The Road to the Derby, after Pollard, by Harris— set of four, coloured 4 In the Folio. 84 Lindo and Cowslip, after Singleton, by E. Scott— proof 85 Lady Hamilton, after Masquerier, by W. Say— proof 86 Mrs. Abington, after Sir J. Reynolds, by E. Judkins 87 The Strawberry Girl, after Sir J. Reynolds, by T. Watson 88 Innocence, after A. Kauffman, by Macuard ; and Maternal Love, after Cipriani, by Bartolozzi— both printed in red 2 89 Affection ami Innocence, after Bartolozzi, by Tomkins —in red ; Erminia, after A. Kauffman, by Sbcrwin —in red ; and Tender¬ ness, after Cipriani 3 90 Robinetta, after Sir J. Reynolds, by J. Jones — printed in colours 91 Boys Skating, after G. Morland, by E. Scott — printed in colours 92 The Sportsman's Retubn, after G. Morland, by W. Ward— printed in colours Framed . 93 St. James’s Bark ; and A Tea Garden, after G. Morland, by F. D. Soiron— proofs before the borders, finely printed in colours 2 91 Miss Farren (Countess of Derby), after Sir T. Lawrence, by Bartolozzi— printed in colours 95 Miss O’Neill, as “Juliet,” after G. Dawe, A.R.A., by G. Mailo —printed in colours 96 George Washington, after Stuart, by W. Nutter— printed in colours 97 Mrs. Mullens, after W. M. Craig, by H. Landseer— printed in colours 98 A Lady, with a young girl, after Cosway, by Minasi— printed in colours 99 Mrs. Merry, after ditto, by A. Cardon— proof 100 Lady Caroline Trice, after Sir J. Reynolds, by J. Jones 101 Lady Pembroke and Son, after Sir J. Reynolds, by J. Dixon— first state 102 The Fruits of Industry ; and The Effects of Extravagance, after Morland, by W. Ward— printed in colours 103 The Marlborough Family, after Sir J. Reynolds, by C. Turner —proof before letters 104 The Due d’Orlcans, 4 Philippe Egalite,’ after Sir J. Reynolds, by J. R. Smith 10 105 The Rustic Hovel, after G. Morland, by E. Bell 10G Milkmaid and Cowherd, after ditto, by J. R. Smith 107 The Ale-House Door; and The Ale-House Kitchen, after ditto, by J. R. Smith 2 108 The Ladies Spencer, after Lady D. Beauclerc, by Bartolozzi 109 Mrs. Abington, as “ Thalia,” after Cosway, by Bartolozzi— in red 110 Lady Grosvenor, after Sir T. Lawrence, by C. Turner— proof ; and Miss Mellon, after Sir W. Beechey, by ditto 2 111 Miss Stephens, by R. Cooper —proof, printed in colours 112 David Garrick, after Hogarth, by S. Ireland— printed in colours 113 Mary, Duchess of Ancaster, after Sir J. Reynolds, by J. Watson 114 Mrs. Mills, after Engleheart, by J. R. Smith— proof 115 The Duchess of Manchester and Son, as “Diana and Cupid,” after Sir J. Reynolds 116 Sir William Staines, after Beechey, by W. Say— printed in colours 117 George, Prince of Wales, after Gainsborough, by J. R. Smith— printed in colours 118 The Youthful Goatherd; and Piping Shepherd— circles , in red$ The Muses ; and Cupids— ovals, in red 4 119 The Hall Door, after Stothard, by J. Ogborno— proof, in brown; and A Long Story, by Bunbury 2 120 Henry the Martyr ; and the Companion, after Hamilton, by Bartolozzi— in colours ; and Macbeth and the Murderer, after Bunbury 3 121 An Ass Race; and A Mad Bull, after G. Morland, by W. Ward and R. Dodd 2 122 The Lucky Sportsman, aftor ditto, by F. D. Soiron 12 > Marriage-a-la-Mode, after Hogarth, by R. Earlom— the set of six 6 J-j 4 Le Soil’; and La Nuit, after Baudouin, by De Ghendt 2 cf'<7S ll 125 La Gaiete Conjugale; aud La Felicite Yillageoise, after Freudeberg, by De Launay 2 126 The Trinity, by Albert Durer— woodcut 127 The Orrery, after Wright, by W. Pether ; and The Lesson, after Murillo, by ditto —proofs 2 128 A Fruit Piece; and A Flower Piece, after Van Huysum, by B. Earlom 129 Julia de Boubigne, after Hoppner, by J. Dean 130 Lady Mulgrave, after Hoppner, by G. Clint 131 Mrs. Parky ns, after ditto, by C. Wilkin— proof 132 Eev. W. Vincent, after W. Owen, E.A., by C. Turner; and Sir Joseph Banks 2 133 Admiral Kempenfelt, after Kettle, by E. Earlom ; and Admiral Watson, after Hudson, by E. Fisher 2 134 Lord Cochrane, after Eamsay, by H. Meyer 135 Portrait of a Lady— printed in colours 136 Children in the Wood, after Sir J. Eeynolds, by J. Caldwell 137 Garrick between Comedy and Tragedy, after ditto, by E. Fisher 138 Mary, Duchess of Ancaster, after ditto, by J. Dixon 139 John, Viscount Ligonier, after ditto, by E. Fisher 140 The Song; and The Dance, after Bunbury, by Bartolozzi— printed in colours 2 141 The Toilette, after Mercier, by J. Faber 142 Head of a Lady, after Hamilton, by Bartolozzi— proof ; &c. 2 143 Attainment, by Page— in colours ; Charlotte at the Tomb of Werther ; &c. 3 144 Girl in a landscape, after Westall— oval; &c. — printed in red 5 145 La Cruche Casse, after Debucourt, by Le Vean; and Psyche, after Lefevre— artist's proof 146 Portrait of the Painter, after Largilliere, by Chercau; and Bishop Huetius, after ditto, by Edelinck 2 JV2 12 147 Franciscus do Mailly, after Van Loo, by Drevet; and Carolus Dus Cameracensia, after Rigaud 2 148 Portrait of a Lord Chancellor— 'proof ; and Sir Hope Grant 2 149 Lord Nelson, after Bowyer, by W. Bromley 150 Rt. Hon. William Pitt, after Gainsborough, by W. Bromley 151 John Philip Kemble, as “ Coriolanus,” after Sir T. Lawrence, by Burgess 152 Macdonell of Glengarry, after Sir H. Raeburn— proof before any letters 158 John Corbet, Esq., and his Foxhounds— printed in colours 154 The Duke of Wellington, after Simpson, by G. H. Phillips 155 Sir E. Macgregor, after G. Watson, by Dawe; and General Mackenzie, after Harlowe, by Say 2 156 Colonel Patrick Duff, after Romney, by C. H. Hodges 157 Boys and Dogs; and Cottage Children, after Gainsborough, by H. Birche— a pair 2 158 The Durham White Ox, after Garrard, by W. Ward; and Feeding Hounds— mezzotint 2 159 Good Doggie, after Sir E. Landseer, by T. Landseer, A.R.A.— proof before any letters 160 A Girl Reading ; and the Companion— ovals, printed in colours 2 161 A Girl carrying a Cupid in a Basket of Flowers, after Mercier— printed in colours 162 Admiral Sir E. Hughes, after Sir J. Reynolds, by J. Jones 163 Cries of London : Primroses; and Turnips and Carrots, after Wheatley— printed in colours 2 FINIS. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross.