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 ft 
 
 
CATALOGUE 
 
 Of the Extensive and truly Magnificent 
 
 COLLECTION OF PRINTS, 
 
 FORMING ALTOGETHER 
 
 An unusual Display of the most rare and superior Productions 
 
 OF THE 
 
 FRENCH, FLEMISH, GERMAN AND ENGLISH 
 
 engravers. 
 
 Who stand pre-eminently distinguished for their admirable skill in the 
 different Branches of their Art; consisting chiefly of 
 
 PORTRAITS, 
 
 GWU4ND HISTORIC COMPOSITIONS 
 
 AND RICH LANDSCAPES, 
 
 ABOUNDING WITH CHOICE PROOFS, 
 
 Curious Variations and Impressions of extraordinary Brilliancy; 
 
 ALSO A VERY CHOICE AND RARE 
 
 COLLECTION OF PAINTERS’ ETCHINGS, 
 
 AND UPWARDS OF 
 
 1500 Pieces by the Hand of Wenceslaus Hollar, 
 
 Comprising his English Views and Portraits, 
 
 OF REMARKABLE FINE QUALITY; 
 
 STRUTT’S DICTIONARY OF ENGRAVERS, 
 
 Illustrated by upwards of 4000 Prints, 
 
 B? the WfFmnt Srttets therein mention^, arrangco in chronological ©riser, 
 
 Forming 24 Volumes, Whatman's Imperial Folio Paper; 
 
 AND A CAPITAL AND RICH 
 
 Collection of Portraits, by and after Sir Anthony Vandyke , 
 
 In upwards of 200 Pieces , 
 
 PROOFS AND VANDEN EN DEN IMPRESSIONS; 
 
 TOGETHER WITH SEVERAL BOOKS of PRINTS, 
 
 Excellent Portfolios with Leaves, &c. 
 
 _ MWb bull be Sola bp auction, bp_ 
 
 ——W—IhBUia III IIII mu IB IIIII WTIlinMMHWMtWBgBMBW—WHWHB—BI 
 
 Mb. THO s . DODD 
 
 9 
 
 At his Room, No. 101, St. Martins Lane , 
 
 On TUESDAY, the 6th Day of FEBRUARY, 1810 , 
 
 AND SEVENTEEN FOLLOWING DAYS, 
 
 (Sundays and Mondays exceptedJ 
 At Half past FIVE in the Afternoon of each Day. 
 
 Oof 
 
 The Collection to be Viewed progressively Two Days prior to each Day’s Sale; 
 where descriptive Catalogues may be had. 
 
CONDITIONS OF SALE. 
 
 I. The higheft Bidder to be the Purchafer, and if 
 any Difpute arifes between two or more Bidders, 
 the Lot fo difputed {hall be immediately put up 
 again and re-fold. 
 
 II. No Perfon to advance lefs than 6d.—above One 
 Pound, is.— above Five Pounds, 2s. 6d.—and fo 
 in Proportion. 
 
 III. The Purchafers are to give in their Names and 
 Places of Abode, and pay down 5s. in the Pound, 
 in Part of Payment of the Purchafe Money ; in 
 Default of which, the Lot or Lots fo purchafed 
 to be immediately re-fold. 
 
 IV. The Lots to be taken away within Two Days 
 after the Conclufion of the Sale, and the Remain¬ 
 der of the Purchafe Money to be abfolutely 
 paid on the Delivery. 
 
 V. Upon Failure of complying with the aforefaid 
 Conditions, the Depofit Money {hall be forfeited, 
 and all Lots uncleared within the Time fpecified 
 {hall be re-fold, by public or private Sale, and 
 all Deficiences and Expences attendant thereon, 
 {hall be made good by the Defaulters at this pre¬ 
 fen t Sale. 
 
 Gentlemen, who cannot attend the Sale, may have 
 their Commiffions faithfully executed, by their 
 humble Servant, 
 
 THOMAS DODD. 
 
©rlier of §?>ale. 
 
 First Day, Tuesday, February 6, 1810. 
 
 FRENCH SCHOOL. 
 
 Engravings by Audran, Avril, Balechou, Le Bas, Beauvarlet, 
 Bervic, Boissieux, Bosse, Bouilliard, Boulanger, Brebiette, 
 Callot. 
 
 Second Day, Wednesday, February 7- 
 
 Continuation of the Works of Callot, Chastillon, Chereao, 
 Le Clerc, P. Daret, Daulle, Drevet, Duflos, Edelmck, Frosne, 
 Grignion, Huret, Larmessin, Lasne, Laurent, Lochom, Lom- 
 bart, and Marcenay. 
 
 Third Day, Thursday, February 8. 
 
 Engravings by Masson, Mellan, Moncornet, Morin, Nanteuil, 
 Perelle, Picart, Pitau, Poilly, Rousselet, Surugue, Tardieu, 
 kc. and Portfolios with Leaves. 
 
 Fourth Day, Friday, February 9. 
 
 The Works of the early Gkrman and Flemish Engravers, 
 during the 15th and l6th Centuries, comprising very curious 
 and rare Examples by the following Persons—Aldegraver, Beham, 
 Binck, De Brye, L. Cranach, Albert Durer, David and Jerome 
 Hopfer, Lucas Van Leyden, Israel Van Meckenen, Gregory 
 Penz, and Martin Schoen. 
 
 Fifth Day, Saturday, February 10. 
 
 Virgil Solis, D. Van Staren, Johan Ulric, John, Jerome, and 
 Anthony Wierix, M. Zagel, and Strutt’s Dictionary of En¬ 
 gravers, illustrated by upwards of 4000 examples by the different 
 artists therein mentioned . 
 
©mcr of ©file. 
 
 Sixth Day, Tuesday, February 13. 
 
 Engravings by the most eminent Flemish, Dutch, and Ger¬ 
 man Engravers, during the l?th and 18 th Centuries—namely, 
 H. Bary, J. F. Bause, C. Bloeinart, M. le Blond, A. Blooteling, 
 B. and S. Bolswert, N. de Bruyn, A. and J. Collaert, C. Van 
 Dalen, W. J. Delfft, J. Falck, S. Furck, P. Galle, J. de Gheyn, 
 and H. Goltzius. 
 
 Seventh Day, Wednesday, February 14. 
 
 Continuation of the Works of Goltzius, Count Goudt, E. 
 
 Uainzelman, J. Houbraken, P. de Jode, Lucas Kilian, James 
 
 and Theodore Matham, M. Merian, John Muller, and P. Myri- 
 ginus. 
 
 Eighth Day, Thursday, February 15. 
 
 Fine Examples, by Natalis, Crispin, William and Magdalen 
 Passe, Paul Pontius, C. Van Queboren, Giles, John and Raphael 
 Sadeler, John Saenredam, Jacob Sandrart, and George Frederic 
 Schmidt. 
 
 Ninth Day, Friday, February 16. 
 
 Fine Productions by P. Serwouter, P. Soutman, P. Van 
 Sompel, Jonas Suyderhoef, W. Swanenbourg, Peter Tanje, P. 
 Van Schuppen, and upwards of 200 fine Portraits, by and after 
 Sir A. Vandyke, proofs, variations and Vanden Enden Impres- 
 f'ions. 
 
 Tenth Day, Saturday, February 17. 
 
 Curious Political Prints and Singular Executions by 
 Nicholas John Visscher; also large Proportions of the Works of 
 Cornelius and John Visscher, A. Voet, L. Vorsterman, and John 
 George Wille. 
 
 END OF THE FIRST PART. 
 
ADDRESS. 
 
 1. HE Collection which I have now the honor of submitting to the 
 enlightened Amateur, zvill, 1 flatter myself, for its extent, variety, 
 andfine state of impression, be considered as altogether forming a 
 magnificent Memorial of the Engravers’ Art. It presents a splendid 
 display of several thousand productions by those artists who have 
 distinguished themselves in their profession, both by their infinite 
 skill and extraordinary exertions. 
 
 The Gentleman who formed this Collection, stands conspicuous 
 with respect to the depth of his researches and universal knowledge 
 in works of art. His good taste and judgment instantly enabled 
 him to discriminate the several beauties and imperfections, neces¬ 
 sarily attached to every production; and rarely any article, but 
 such as held a standard of excellence, and at the same time pos¬ 
 sessing purity both of condition and impression, ever entered into 
 his collection. For several years he pursued his daily researches 
 with indefatigable industry; and whatever has been attainable , 
 possessing also the degree of excellence I have just described, 
 has been eagerly bought up by him, to enrich this collection. 
 
 I have, with a view to afford some temporary information to the 
 admirers of prints, subjoined some introductory observations, on 
 the utility of the art of engraving; the general instruction and 
 amusement, afforded by prints; and some remarks with respect to the 
 variety in impressions. I have also attempted, by way of introduc¬ 
 tion to the works of the respective engravers, given a short detail 
 or sketch of the diferent artists, serving to point out their various 
 excellencies, or the leading features of their art and genius. 
 
 THOMAS DODD. 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 ===== 
 
 —— 
 
 
 
 
INTRODUCTORY OBSERVATIONS 
 
 ON THE 
 
 UTILITY OF THE ART OF ENGRAVING *, 
 
 THE GENERAL INSTRUCTION AND ENTERTAINMENT 
 AFFORDED BY PRINTS; 
 
 AND SOME REMARKS ON THE DIFFERENCE AND 
 VARIETY IN IMPRESSIONS. 
 
 The great utility of the Art of Engraving consists in its 
 wonderful assistance to general information, and its inex¬ 
 haustible source of amusement; these, with other qualities, 
 render it the most important invention, (connected with that of 
 Printing) which has ever been produced. It is applicable to the 
 representation of every art and construction, and the works of 
 Engravers, may be said, to be the everlasting memorials of all 
 existing things :—by such aid the representation of every object 
 will be communicated to the end of time; and when every other 
 species of art shall have mouldered into dust, or become extinct 
 by age, prints will live and convey to posterity every pre-exist¬ 
 ing, as well as present idea. Hence it follows, that the curious 
 and inquisitive observer of nature, will at all times be anxious 
 of their preservation; and, although drawings may in some 
 measure be preserved by the same care as prints, yet they neces¬ 
 sarily fade, and these, by age, lose that which constitutes their 
 peculiar beauty. Added to which, being only a single represen¬ 
 tation, consequently they rarely gratify the eye but of the 
 possessor; while engravings, producing a multiplicity of one 
 and the same object, become dispersed into the hands of many in 
 every civilized part of the globe; and with great truth may it 
 be said, that there is not a person, whatever may be his profession 
 or pursuit, but who may reap most essential advantages by the 
 contemplation of prints; and that by them, more useful hints 
 
vui Introductory Observations. 
 
 and general mental improvements may be obtained, than by wa¬ 
 ding on any subject through entire volumes. By the assistance of 
 prints, the memory also becomes so strongly impressed by every 
 object presented, to those persons who are in the practice of fre¬ 
 quently inspecting them, that they seem to possess not only an 
 aquaintance, but even an extensive knowledge of things in 
 general. Exclusive of these advantages, nothing can afford the 
 mind more rational amusement, or a greater diversity of con¬ 
 tinued intellectual pleasure. 
 
 Every day produces to the mind some fresh object of 
 novelty having its charms, so every production, possessing even 
 a share of mediocrity, contains a something to render it interest¬ 
 ing, whether it consists in the object, or the scene; or whether 
 in the manner, or the skill pursued by the artist in his transcrip¬ 
 tion. Every engraver has it in his power to produce, at times, 
 some peculiar trait of his genius, when transcribing’either from 
 a picture or a draw ing ; and whatever may be his method of 
 w T orking, in this branch of the art, the nearer he approaches to 
 the style and manner of the original, so as to give every touch 
 of the artist its true trait, character, and effect, in so much does 
 he exhibit his own abilities in the transcription. 
 
 Thus, whatever may be the method adopted, or generally 
 used, by one or the other of such skilful artists, yet we observe in 
 their productions, that they at least bear an equal competition 
 with their originals; and we not unfrequently discover excellen¬ 
 cies in the transcript, in point of effect, execution, or some 
 special trait, which the painter has not been so successful in 
 representing 
 
 Painters, who have practised etching, or engraving, have 
 generally succeeded in giving the true trait and characteristic 
 of their peculiar talents; for in their etchings we perceive the 
 same freedom of touch with the point on the copper, as we 
 discover in their pencilling on the canvas; yet an untutored 
 observer might consider them as rough or hasty productions, 
 though they possess more sterling beauties than he is capable of 
 conceiving at first sight; but as soon as he becomes acquainted 
 
Introductory Observations. 
 
 ix 
 
 with any leading feature of excellence, he may more readily 
 discover others. 
 
 Thus we find that many eminent painters, more particularly 
 Berghem, Callot, Durer, Dusart, Goltzius, Hogarth, L. Van 
 Leyden, Nanteuil, Naiwinx, Ostade, Rembrandt, Ruysdael, 
 Swanevelt, the Vande Veldes, Visschers, Waterloo, and in¬ 
 numerable others, have preserved that degree of truth, character 
 and expression, which but very few beside themselves have so 
 happily effected. From such examples we therefore find, that, 
 in forming a collection of prints, on the principles of science 
 and sound judgment, it will be necessary to obtain fine speci¬ 
 mens of art by every master of repute, who may have produced 
 examples of skill, or such that possess any peculiar interest in 
 the nature of the subject. 
 
 This pursuit leads us to trace the art to its origin, and 
 nothing affords a greater degree of pleasure than being enabled 
 to obtain examples in their original purity, and of choice impres¬ 
 sion. It is these qualities in prints, which immediately create 
 delight in the observer, and he feels this satisfaction increased, 
 in proportion to the attention which he devotes to them. 
 
 To conceive the amazing difference in impressions, it may 
 be necessary to refer to particular examples, which in several 
 instances are brought forward in the course of this catalogue, 
 where I have opposed an impression of indifferent quality 
 against the same print in its perfect state. This also tends to 
 shew, that after the plate becomes in a certain degree worn, the 
 tender touches are obliterated, and the demi-tints become almost 
 imperceptible. By such imperfections in the impression, the 
 engraver loses that degree of fame, which his labours have en¬ 
 titled him to; his productions no longer attracting that general 
 notice and esteem, which they otherwise would merit, if pre¬ 
 sented to the eye in their pure and genuine state. 
 
 We sometimes meet with impressions that are over-charged, 
 owing to the plate being too much filled with ink, consequently 
 the impression is too strong, or heavy; and others again are printed 
 in the opposite degree, weak, owing to the printer having used bis 
 
X 
 
 Introductory Observations. 
 
 ink too thin. It is to be understood, that there is a degree of art 
 in taking off impressions with critical nicety, and those printers 
 who have been eminent in this branch, usually have had the 
 privilege of annexing their names to the plate, as a mark to 
 denote their ability; and such a document enhances the value, 
 inasmuch as it generally distinguishes the prior impressions from 
 the latter. 
 
 The true criterion of a fine impression, consists in every 
 line and delicate touch being clear and distinct, and an effec¬ 
 tive brilliancy pervading throughout the stronger parts, as much 
 so as the nature of the engraving will admit of. 
 
 THOMAS DODD. 
 
© 
 
 Printed by J. & W. SMITH, King Street, Seven Dials. 
 
 ft 
 
 CATALOGUE, 
 
 8$c. Sjc, 
 
 FIRST DATs SALE , 
 
 TUESDAY, the 6th of FEBRUARY, 1810. 
 
 Works of the most eminent French Engravers. 
 
 A LI A MET, AUDRAN. 
 
 1 TWO Landscapes, after Berghem and Wouvermans, by Jl) 
 
 Aliamet, and Soldiers at play with Cards, proof 
 
 2 The Siege of Calais, after Barthelemy, by J. L. Anselin f 
 
 GIRARD AUDRAN, born at Lyons 1640 —Celebrated as being 
 among the most able artists that ever existed tor engraving grand 
 historical compositions—His works at once proclaim bis super-emi¬ 
 nent skill and extraordinary talents in this branch of the art. 
 
 3 The Martyrdom of St. Stephen, after Le Brun, and the Death y y 
 
 of St. Francis, after Antiibal Caracci, fine 
 
 4 The Judgment of Solomon, after A. Coypel, capital Id) 
 
 5 The Martyrdom of Sc. Agnes, after Domenichino, ditto £ 
 
 6 Jesus Christ conducted to be Crucified, after Mignard, a grand j £ 
 
 composition 
 
 7 Time supporting Truth, after N. Poussin # 10 
 
 8 The Adulterous Woman brought before Christ, after ditto f 10 
 
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[First Dai/. 
 
 AunnAisr, Avutl, Balechou, Le P>as. 
 
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 JEAN AUDRAN, brother of the preceding artist. Lorn at Lyons lGG7. 
 —He received Ifs instructions from liis brother, and became cmi* 
 nentJy great in bis profession, s«> much, that several of his pieces 
 bear au equal rank with those of his tutor. 
 
 »►. 
 
 9 Portraits—N oel Coypel, peintre —Antoine Coyzevox, sculp- 
 teur —Pierre Clement Daffincourt, ingenieur—The twoJirst 
 engravedJ'or his introduction into the academy 
 
 10 The Battles of Alexander, after Le Brun, 6 pieces 
 
 11 Moses presented to Pharoah’s Daughter, A. Coypel, pinx. 
 
 JEAN JACQUES AVRIL, lorn at Paris 1736—Pupil of J. G. 
 Willc, and ranks among the most eminent of his school. 
 
 12 The Double Reward of Merit, and French Patriotism, after 
 
 P. A. Will e t fine proofs 
 
 JEAN JACQUES BALECHOU, Lorn at Arles 1715.—Of high 
 celebrity for his superior skill in his profession. 
 
 13 Portraits. —Don Philippe Infant d’Espaigne,—Ann Charlotte 
 
 Gauthier,—Jean Louis Petit, chirurgien, —Prosper Jolyot de 
 Crebillon 
 
 14 Prosper Jolyat de Crebillon, the larger print, fine 
 
 15 The Bathers, Vernet pinx 
 
 16 The Storm, idem p. a celebrated production , before the lines 
 
 on the inscription 
 
 17 The same print, with less work in the clouds and other parts, 
 
 extra fine , with the address of Balechou 
 
 JACQUES PH1LL1PPE LE BAS, lorn at Paris 1703—An Artist 
 of distinguished talents, who has produced a vast variety of excellent 
 prints, but more especially those which are from the designs of 
 Teniers, and some other Flemish painters: in them he has so far 
 succeeded, as to excel all others that were his cotemporaries. When 
 we inspect the works of Le Bas, we also see the admirable produc¬ 
 tions of such artists transmitted with all their original truth, purity 
 and effect; we discover the same beauties, ideas and talents predomi¬ 
 nant throughout the transcript. 
 
 18 Two landscapes from Berghem, entitled, “ La Fraiche Matinee” 
 
 et “ La Belle apres Dine,”'— with proofs of the same before 
 the titles and dedications, beautiful product ions and very Jine 
 
 19 Courier de Flanders, Both pinx. with three landscapes, and a 
 
 pastoral scene, after F. Boucher, fine. Jive pieces 
 •20 Halts of Cavalry, &c. after Parrocel, four pieces 
 21 A landscape, after Ruysdale, with a proof of the same, before 
 any letters, extra Jine 
 
 ■22 The Acts of Mercy, after Teniers, and a proof etching of the 
 same 
 
 -3 David Teniers playing on a Violinceilo, his Family singing in 
 concert,—two landscapes, river scenery, enriched with 
 groups of Wild Ducks, and two views in Flanders* with 
 Peasants Regaling, all after Teniers, very fine 
 
First Day.'] 
 
 Bf.auvarlet, Bervic, Boissieux, 
 
 3 
 
 24 Village Festivals, two pieces, entitled “ Les Accords Flamande,” 
 
 et “ Le Lendemain des Nopces,” a I'eau forte par Martini/ 
 
 et t ermine par le Bas, charming product ions, after Teniers, i If C 
 
 on India paper 
 
 25 View of Scheveling, and a Winter Scene, numerous figures 
 
 skating, and a proof of the last, both after Vander Neer, ^ ^ 
 very fine 
 
 26 Five large prints of Chinese Battles, proof etchings f Z — 
 
 JACQUES FIRMIN BEAUVAREET, born at Abbeville , 1733.— 
 The following productions display his resplendent talents. 
 
 27 Portrait of Sebastiano Joseph Carvalio, Marquis Pombal, after 
 
 Vanloo and Vernet, a grand production 
 
 28 The Dauphin, afterwards Lewis XVI. with his Sister, playing 
 
 with a Goat, Drouais pinx. very fine 
 
 29 The Infant Children of Count Bethun, and the Infant Children 
 
 of the Prince of Turenne, by Melini 
 
 30 A pair, the Sultana, See. after Vanloo, fine 
 
 31 A pair, Conversation L’Espagnole, ike. after ditto 
 
 32 Three, by Bersenoff, St Jerome and St. John, after Domini- 
 
 chino, and Christ Tempted, after Titian, beautiful produc¬ 
 tions 
 
 /j 
 
 7 ~ 
 a L 
 
 /3 
 
 1 Z — 
 ~ rj 7 
 
 CHART.ES CLEMENT BERVIC, born at Paris 1756.—He was 
 instructed in the art of engraving, by J. G. Wide, and under his 
 direction he became one of the most eminent for his professional 
 skill, in the management and handling of the burin that ever ex¬ 
 isted ; he also possessed a consummate knowledge of his art, by giving 
 to every substance its true appearance, character and effect. 
 
 33 Portrait of Louis XFI. in his Robes of State, a magnificent j / $ f 
 
 production 
 
 34 Charles Xavier, Comte de Vergennes, very fine / f — 
 
 35 Achilles instructed in the use of the Bow, by the Centaur Chiron, g __ 
 
 Regnault pinx 
 
 36 Innocence, peint par Merimee, fine /o 
 
 JEAN JACQUES BOISSIEUX, a celebrated Painter, born at J.yons 
 1725.—He etched a variety of pictuiesque productions, which 
 possess much excellence, and are highly esteemed. 
 
 37 Portrait of himself, presenting to our view an etching of a bust / / — 
 
 of a female—Boys blowing bubbles, both extra fine 
 
 38 Hermits at the mouth of a Cave, and St. Jerome writing, capital J d> 
 
 39 Interior of a Cellar, with Coopers at Work, and a landscape 
 
 with cattle, very fine 
 
 40 A group of Peasants driving two Cows through a Brook, in a 
 
 large landscape, fine 
 
 41 A Forest, with Labourers employed in levelling a Tree, a capi- j 
 
 tal production 
 
4 
 
 Bosse. 
 
 [First Day , 
 
 ABRAHAM BOSSE, torn at Tours about the year 1610.—This artist 
 desigued and engraved a vast variety of prints, which he performed 
 with much excellence, and in a style completely his own. The sub¬ 
 jects of his art are highly entertaining, they consist chiefly of the 
 inodes and habits of life, parties in conversation, to represent the 
 seasons of the year, the times of the day, the senses, the cardinal 
 virtues; also several different trades, and other occupations, which 
 he has enriched with appropriate scenery, to heighten and more fully 
 to express the subject. The following selection of his works, are 
 incomparably fine as to impression, and among them are several 
 choice proofs. 
 
 fCj - 42 The Twelve Caesars in medallion, on 6 plates,—Louis XIII. at 
 Devotion,—Ditto with his Queen presenting their Offerings 
 to the Virgin,—Two other pieces, representing the Queen 
 and Nurse presenting to him the Infant Dauphin,— A 
 Madona, and the Wise Men’s Offering 
 /() — 43 Twelve pieces, being a set of figures of gentlemen in full dress, 
 De St. Igny, inv. 
 
 / 0 b 44 Seven ditto of ladies, and four pieces, being two of gentlemen 
 and two of ladies, to represent the Elements 
 // b 45 Four pieces, a Pierrot, whole length, fine proof \ and three 
 others 
 
 J6~ b 46 Three pieces, representing the Procession, the Creation of the 
 Knights, and the Entertainment given to them, by Louis XIII. 
 on the 14th of May, 1633, fine and rare 
 JO —- 47 Twenty-four small pieces, subjects of Piety, and the Mortal 
 Sins, some proofs 
 
 Jf] _ 48 Sixteen ditto, the Cardinal Virtues, with proofs of the same, 
 
 capital 
 
 2, S'" — 49 Another set, printed on papier grisaille, touched or heightened 
 lightly with gold, and 36 Roman capitals, with historic and 
 other designs 
 
 Oj 50 Two designs for fans, and two elegant plateaus, enriched with 
 designs of the Seasons and the Four Ages 
 J(P 51 A Family reciting Grace at their Meal,—The Christian Soldier 
 conducted by Inspiration and Religion, and two pieces, repre¬ 
 senting a Good Man and a Bad Man, at the point of Death 
 /<£~ 52 David with the Head of Goliah,—The Cardinal Virtues, in one 
 
 piece, and four other pieces, containing several portraits of 
 religious characters, fine proofs 
 
 j _ 53 The interior view of the Hospital of Charity, in Paris, and four 
 pieces of the Acts of Mercy 
 / /<3"— 54 The Prodigal Son, in six pieces, capital 
 d /X — 55 The Wise and Foolish Virgins, in seven pieces, brilliant 
 
 (P 56 The Impiety of Jezabel, in six pieces, and Polexandre, in five 
 pieces, very choice 
 
 (P fa 57 Eight, chiefly of frontispieces, elegant designs 
 J / — ’58 The Seasons, in four pieces,—The Villager’s Wedding,—A 
 Scene in a Pantomime, and the Domineering Wife and Hus¬ 
 band, in two pieces 
 
First Dni/-] Bouilliarb, Boulanger, Brebiette. 
 
 5 
 
 59 
 
 60 
 
 61 
 
 62 
 
 63 
 
 Eight pieces, the School Master and Mistress,—The Bakers and 
 the Milliners Shops,—The Painter,—-Engraver,—Sculptor, 2 
 and Printers Apartments, all extra fine 
 Ladies presenting Presents to a Bride, and four other pieces, re¬ 
 presenting Courtship, Matrimony, &c. 
 
 The Senses, in five pieces, very fine / 
 
 History of the Maid of Orleans, in sixteen pieces, ditto ) 
 
 Designs from the Eneid of Virgil, in ten pieces, brilliant proofs 2 
 
 d 
 
 v3 
 
 6$ Four pieces from the Orleans’ Gallery, by J. Bouilliard, namely 
 Venus, after Palma—Cupid making his Bow, Parmegiano— 
 Philip the Second with his Mistress, Titian, and a Madona, 
 Raphael 
 
 JOHN BOULANGER, born at Troyes about the year 16IS. —He 
 engraved a considerable number of portraits, madonas and holy 
 families, after Caracci, Guido, Raphael, and other painters of emi¬ 
 nence; some of them possess infinite merit and excellence for their 
 fine and superior execution; the naked parts of his figures are worked 
 up in the dotted method with surprising softness and effect; the 
 draperies are finished in a masterly style with the graver, his strokes 
 are clear, delicate, and occasionally managed with great energy and 
 skill. 
 
 65 Portraits of Jean du Verger—Henricus de Castille, Abbas St. 
 
 Martini, &c.—ditto, anonymous, in an o&agon of oaken 
 foilage, and 2 prints of the Virgin, with the Infant and 
 St. John, after Mignard and Vouet 
 
 66 Three pieces, subjects of the Virgin, after Coypel and Guido 
 
 67 The Infant Christ crowning a Saint, Claude le Febure pinx.— 
 
 a Holy Family, proof before any letters, and the Virgin 
 with the Infant, very fine 
 
 68 Jesus Christ contemplating on the Orb, and a proof of the 
 
 same 
 
 69 The Virgin with the Infant, <{ San£ta Maria Auxiliatrix Passa- 
 
 viensis Miraculis Clara,” and the Virgin with Pinks, after 
 Raphael, both very fine 
 
 70 The Virgin presenting Flowers to the Infant, Stella pinx.—the 
 
 Virgin with a bandeau of oaken foilage, and St, Gcnevive, 
 extra fine 
 
 PETER BREBIETTE, Painter and Engraver in aqua-fort is, born 
 about 1596, at Mantes on the Seine. —lie etched in a very spirited 
 and masterly style, a number of bacchanalian scenes, juvenile and 
 other sports, compositions from Ovid, and other subjects from his 
 own designs. 
 
 71 Sixteen friezes, representing Bacchanalian and other Sports 
 
 72 Fifteen ditto t 
 
 73 Fourteen ditto 
 
 74 Twelve ditto 
 
 75 Sixteen designs from Ovid 
 
 6 
 
 fO (d 
 
 / J — 
 
 i - 
 
 /O' -f- 
 
 ' 7 ~ 
 
6 
 
 Callot. 
 
 [First Day. 
 
 JACQUES CALLO T, lorn 159S> at Nancy in Lorraine. —This very 
 celebrated artist conceived the strongest love towards the arts in his 
 youth. At the age of twelve years he secretly left his parents to go 
 into Italy, in order to obtain improvement in a pursuit he felt himself 
 so ardently attached to; he arrived at Florence, and obtained an in¬ 
 troduction to Reinegio Cantagallini, under whose tuition he acquired 
 great facility in drawing and designing. He afterwards went to 
 Rome, where he obtained additional instruction from Guilio Parigi, 
 and a knowledge of the practical part of engraving under Philip 
 Thomassin. He again returned to Florence, where he was patronized 
 and employed by Cosmus the 2nd. At this time he began to practise 
 etching of figures with success; he improved rapidly in this pursuit, 
 and became successively an artist of incomparable merit. His in¬ 
 vention and ideas were amazingly fertile; he designed and etched at 
 once with amazing rapidity. His compositions generally are in 
 small compass, yet they abound with figures, admirably grouped, 
 and finely contrasted in the attitudes. The observer will find ample 
 recompence by a reattentive examination of his works ; otherwise the 
 most minute and beautiful parts are unnoticed by a cursory glance. 
 'The following collection consists of about one thousand pieces, of 
 select quality as to impression, and contain all his productions which 
 are most worthy of admiration, and the greater part of those which 
 are noticed by foreign collectors of his works as being most rare. 
 
 76 Portrait of Callot, by Bosse, and a prior impression of the same 
 
 before the name was engraved round the border, and the 
 age on the pedestal that supports the bust 
 
 77 Portrait of Callot, by Boulonois—2 different of ditto, by 
 
 Michael Lasne—Ditto by Loemans—Ditto by Lubin—Ditto 
 by Vorsterman, and ditto by Pitteri, with a reverse of the 
 same 
 
 78 Portraits of Francis de Medicis, Grand Duke of Tuscany, and 
 
 Cosmus the Second, that of Frauds is noted as being extra 
 rare 
 
 79 Louis de Lorraine in Armour, on a Charger, with a grand 
 
 battle in the back ground, very fine 
 
 80 Claude Drevet, with his infant son, in a military habit, and 
 
 another impression of the same print previous to the words 
 “ A Nancy, 1632,” and some cross hatchings on the shade 
 of the house in the back ground 
 
 81 Giovanni Domenico Peri d’Archidosso Poeta Contadino,” 
 
 called the Poetical Gardener, in an oval surrounded with 
 implements of husbandry, musical instruments, Sec. before 
 the name of Callot, extra rare in this state, and “ Donatus 
 Antellensis Senator Florentinus Annum Agens LXXVIII.” 
 also extra rare 
 
 82 “ Carolus Lormeus Oraculum Solers” within the symbol of 
 
 Eternity, and “ Gabriel Chiabrera, Savonensis Ailtalis Suae 
 Anno XXXXXII.” round the oval, the tablet at bottom blank, 
 Pompeius Cacinius delineavit, Ja Callot sculpcit, most rare 
 this print is not noticed by any author 
 
First Day.~\ 
 
 Callot. 
 
 83 Ten sheets of silver and gold medals and coins of the Danish, 
 German, Austrian and Hungarian Monarchs, and a dupli¬ 
 cate of No. 4, with the center cut out, and the portrait of 
 Callot introduced 
 
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 pieces; 
 
 together 
 
 DESIGNS FROM SCRIPTURE AND PIOUS SUBJECTS. 
 
 84 The Life of the Virgin, in 14 pieces, the last piece “ Attribi^ta 
 
 Beata Maria” is often w anting in the set, very fine 
 
 85 The Life of the Virgin, represented in 27 emblems, with the 
 
 title 
 
 86 The New Testament, or Christ delivering his Parables, in 11 
 
 pieces 
 
 87 Another set of the same, proofs before the sentences and 
 
 numbers, extra fine and rare 
 
 88 The Passion of Jesus Christ and the Life of the Virgin, 21 
 
 pieces, ovals and circles, and an additional plate of the 
 Annunciation, which is extra rare 
 
 89 The same set in 4 pieces, before the subjects were separated , 
 
 scarce 
 
 90 The Passion of Christ, in 12 pieces, proofs 
 
 91 The larger set of the Passion of Christ, in 7 
 
 with an unfinished proof of putting the Thorns on Christ's 
 Head , a copy of Christ bearing the Cross, and the same 
 subject in a small oblong oval, supposed by Gersaint to be 
 engraved on silver, very scarce 
 
 92 Gloriosisimce Virginis Dei Parse Elogium, the set in 9 pieces, 
 
 with duplicate proofs of the Adoration of the Kings, the 
 Assumption, and the Conversion of St. Paul 
 
 93 A Holy Family at Table, called the Benedicite, with a copy 
 
 of ditto—Another Holy Family, after A. del Sarto, and the 
 large Ecce Homo, after Stradanus, with another of the 
 same, before the arms and privilege, rare 
 
 94 Fifteen pieces from pictures in the Cathedral of St. Peter at 
 
 Rome, and a proof of Saints Peter and Paul 
 
 95 “ Jubilatio Triumphi Virginis Dei Pane Sub Urbano VIII. 
 
 P. P. Max.” being a large thesis in honour of the Virgin, 
 dedicated to Charles IV. Duke of Lorraine, very fine, first 
 state, before the name of Silvestre 
 
 96 The Passage of the Red Sea, 2 impressions, 1 with the prior 
 
 Address of Israel, the other with Fagnani excu, and the 
 Slaughter of the Innocents, 2 different plates, and a proof 
 of one of the impressions before the words “ Callot fe. Israel 
 ex. cum. privil Regis.” rare 
 
 97 The Course of Human Life, otherwise Hell or Purgatory, com- 
 
 posed by Bernardino Pocetti, from the idea of Dante, on 4 ^ ' 
 sheets, rare, and curious 
 
 98 The Penitents, in 6 pieces, with the title, also a prior impression __ jj 
 
 of the Magdalen before the address of Israel 
 
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8 
 
 Callot. 
 
 [First Day. 
 
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 100 
 
 
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 101 
 
 
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 102 
 
 
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 103 
 
 
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 104 
 
 
 
 
 105 
 
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 106 
 
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 107 
 
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 109 
 
 t'lie Banquets, 4 small pieces—St. Peter—The Martyrdom of 
 St. Lawrence, a small oval, and St. Roch, rare 
 The Martyrdoms of St. Lawrence and St. Sebastian, 2 pieces, 
 oblong—St. John preaching in the Wilderness—St. John 
 in the Isle of Patmos, and Jesus Christ discoursing with the 
 Corn Measurers, or the Parable of Measuring Grain, fine 
 and scarce 
 
 The Martyrdoms of the Apostles, 16 pieces with the title, 
 before the numbers and the address of Israel, very fine 
 The Apostles, at whole length, with their Martyrdoms in the 
 back ground, 16 pieces with the title, extra fine 
 The Apostles, in 16 pieces, copies of the last set 
 The Exorcism, after Andrea Boscoli—St. Nicholas Preaching 
 in a Wood—St. Mansuetus restoring tolfife a young Prince 
 who was struck dead by a tennis ball, and St. Paul, after 
 Bloemart, 2 impressions, 1 before the address of Mariette 
 The Effigies of St. Francis—Ditto ft in a Tulip—The Tree of 
 St. Francis, and the Martyrdom of the Saints at Japan, very 
 fine 
 
 The Priest carrying a Pix, a small piece, usually worn by 
 Callot, suspended from the button of his habit, rare 
 The Images or Representations cf all the Saints of the Year, 
 and the Moveable Feasts, in 490 pieces, with a duplicate 
 proof of the frontispiece, very fine 
 St. Anthony Tormented by Fiends, a grand production of 
 extraordinary invention, extra fine 
 The Mortal Sins, in 7 pieces—three ovals, called the Sacrifices, 
 and the Catafalque, or the Ceremony at the Grand Funeral 
 of the Emperor Mathias, with a copy of ditto 
 
 STUDIES AND EXERCISES OF THE HUMAN FIGURE, 
 AND WHIMSICAL REPRESENTATIONS OF PANTA¬ 
 LOONS, CLOWNS, AND OTHER CHARACTERS. 
 
 f J 2 ~ 
 
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 110 Thirteen pieces, with the title, representing three figures in 
 
 each performing the Military Exercise, impressions before the 
 numbers 
 
 111 Thirteen pieces (with the title) of figures, entitled <c Les Fan¬ 
 
 tasies, Sec” previous to the numbers 
 
 112 Twelve pieces, comprising six of gentlemen and six of ladies, 
 
 called Habits of the Nobility, with appropriate scenery in 
 the back ground, very fine 
 
 113 Fourteen pieces, including two titles, containing two similar 
 
 figures in each print, one in outline, the other completed, 
 entitled, “ Varie figure de Jacopo Callot,” and two addi¬ 
 tional pieces of Male and Female Peasants, sitting on banks 
 
First Dai/.] 
 
 Callot. 
 
 9 
 
 _/ 114 
 
 7 
 
 ^ 115 
 
 116 
 
 7^ 
 
 117 
 
 t 
 
 1 IS 
 
 119 
 
 Thirteen pieces, of figures in outline, and finished, in different 
 attitudes, and six other pieces of figures differently occupied, 
 namely, Women spinning and reeling, Ladies walking, &c. 
 and a piece containing 3 small figures of Women, one having 
 a pack at her back, the center one with an infant in her arms, 
 and the third with a basket on her arm— not in any of the 
 catalogues, extra rare 
 
 Thirty pieces, entitled, “ Caprici di Varia figure di Jacopo 
 Callot, &c.” dedicated to Prince Don Lorenzo de Medici, / 
 this set comprises a variety of different designs, but according 
 to the catalogues , it should contain fifty pieces 
 
 Twenty two pieces, comprising two titles, entitled, <{ Varie 
 figure Gobbi,” otherwise called the Pigmies, being whimsi¬ 
 cal representations of pantomimical characters, extra fine 
 
 Twenty-four pieces, entitled, “ Balli di Sfessania,” being also 
 highly ludicrous representations of Clowns and other charac¬ 
 ters in Pantomime, brilliant 
 
 Four small pieces, two of them represents two tall Buffoons in 
 each, in singular dancing postures ; the other pieces being 
 also two figures in each, playing on musical intruments, and 
 at the same time capering; a larger piece of two grotesque 
 Buffoons, dancing in the presence of several spectators, and 
 three larger prints of a Pantaloon, a Scaramouch, and a 
 Pierrot, fine and rare 
 
 Twenty-five pieces, entitled, “ Capitano de Boroni, ” being , ^ 
 representations of Beggars, Cripples, &c. very fne 
 
 BATTLES, SIEGES, and NATIONAL EVENTS. 
 
 n - 
 
 
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 7 
 
 120. The Combat of Veillane near Turin, commanded by Monsieur 
 Deffiat, with his portrait at top, in an oval surrounded with 
 military trophies, proof, rare 
 
 121 The Seige of Breda, in six sheets, with 3 sheets of reference, 
 
 pointing out the different Batallions and Commanders, several 
 of which are English 
 
 122 The Seige of Rochelle, in six sheets, and six additional slips 
 
 for top^ and bottom of the same; comprising four leading 
 events during the Siege, and portraits of Louis XIV. and 
 Gaston de Bourbon 
 
 123 The Siege of the Isle of Rhe, in 6 sheets, and 6 additional 
 
 slips as before; also containing other portraits of Louis XIV. / 
 and Gaston de Bourbon 
 
 124? The Landing of Troops on the Isle of Rhe, in a cartouch, a 
 Review of an Army, and the Execution of Criminals, called 
 the Punishments, frst impressions, with view of the Tower, 
 and the Virgin in a niche, fne and rare 
 
 125 The Battles of Medices, after Tempesta, 14 pieces 
 
 126 Eight pieces of Engagements at Sea 
 
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 Callot. 
 
 [First Dai/. 
 
 Cj 6 127 The Miseries of War, in seven pieces, with the title 
 previous to the numbers, and two small pieces of Battles, 
 the figures extremely animated, very fine 
 / /•&' — 128 The Miseries of War, in 18 pieces, a brilliant set 
 fd / — 129 Thirteen pieces of the same set, proofs before the inscriptions, 
 extra rare 
 
 End of the First Day's Sale, 
 
 SECOND DATs SALE, 
 
 WEDNESDAY, 7th of FEBRUARY, 1810. 
 
 JUSTS, TOURNAMENTS, BALLETS and OPERA SCENES, 
 SPORTS, PASTIMES and DIVERSIONS. 
 
 / / % - 
 / a - 
 
 L0T (P 1 
 
 130 '^'OMBAT a la Barrier, twelve pieces with the title, a capital 
 
 set 
 
 131 Three different Justs represented during the Carnival at Florence 
 
 in Honor of the Grand Duke of Tuscany—three Intermedes 
 or Theatrical Interventions, given in Honor of the same 
 Duke, and four Representations of Entries or Ballets, occa¬ 
 sioned by the Entry of Prince Urbin 
 
 132 The Tragedy of Solyman, in six pieces, extra fine 
 
 133 The Grand Tilting Match, in the New Street at Nancy, and 
 
 the Grand Parterre at Nancy, with Persons engaged in 
 various Pastimes, brilliant 
 
 134? A view in Florence, with a number of Spe&ators waiting the 
 Approach of some Grand Spectacle 1 ; a large building nearly 
 in the centre of the print, is richly hung with tapestry on 
 the occasion; this impression is in an unfinished state, very 
 curious and rare , and a piece, called the Fan, entitled 
 “ Battaglia del re tessi e del re tinta festa representata in 
 Firenze nelfiume d'Arno il di XXF. di Juglio, 1619/’ and 
 a copy of the same 
 
 135 The Chace of the Stag, a capital production , and a fine im• 
 pression of the same on pale pink sattin 
 
 i 
 
Second Day .] 
 
 Callot, Chastillon. 
 
 11 
 
 136 
 
 137 
 
 138 
 
 139 
 
 HO 
 
 141 
 
 142 
 
 143 
 
 144 
 
 145 
 
 146 
 
 147 
 
 148 
 
 The Little Village Fair, or Festival, very fine, and a copy of j 
 the same, Ganiere ex. 
 
 The Great Fair, held seven miles from Florence, the second j 
 plate and the copy, by Savery 
 
 The Strollers; or the Gipsies travelling and in different Acts of JZ 
 Diversion, in four pieces, extra fine 
 
 The Gamesters, a large oval,—the Little Arbour, with persons V 
 regaling, and a view of a Farm ^ 
 
 l? 
 
 VIEWS. 
 
 A series of plans and views to illustrate a Journey into the Holy 
 Land, in 34 sheets 
 
 A view in Paris, usually called the Little Galley, also a proof 
 impressioti of the same before the view in the back ground , 
 and a view of the Louvre, in small, curious and rare 
 
 A view of the New Bridge at Paris, with the old Tower of 
 Nesle, and a view of the Louvre, both oblongs, very fine 
 
 Thirteen views in the Environs of Florence, with the title, and 
 a border of the title previous to the view being etched therein, 
 fine 
 
 EMBLEMS and TITLES. 
 
 The Great Rock in the Sea, with a bandeau attached to the top, 
 and eagles flying thprefrom, having coats of arms attached to 
 their breasts, fine and rare 
 
 Pandora; or, the Assembly of Gods, before the thunder-bolt 
 was introduced , extra fne and rare 
 
 FRONTISPIECES. 
 
 “ Statuti dell’ ordini de Caviliere di Santo Stephano,” &c. 
 “ Fiesole Distrutta di Gio Domenica Peri,” otherwise called 
 the Gardener’s Pretty Wife, “ Miracles de Grace,” &c. “ La 
 Saincte Apocatastase,” &c. and “ Mundum Tradidit Dispu- 
 tationi Eorum,” called the Astrologers, all fne and scarce 
 
 A large emblematical Thesis, in honour of Nicolaus Franciscus 
 Son of Francis Duke of Lorraine, capital proof , before any 
 inscription on the entablature 
 
 CLAUDE CHASTILLON, fouris/ied at Paris 1610 . 
 
 A representation of a magnificent Carousal, in the Palace 
 Royal at Paris , on the 5th, 6lhand 7th days of April, 1612, 
 on account of the Alliance of France and Spain, in pre¬ 
 sence of a prof usion of spectators, with succinct description 
 enclosing the print , pointing at all the persons of conse¬ 
 quence in the cavalcade , most curious and extra rare 
 
 6 " 6 
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12 Chastillon, Chereau, Le Clerc, Daret. [Second Day, 
 
 y 10 149 A view of Paris, entitled “ Id Admirable Dessein de la Porte et 
 
 Place de France, avec ses Rues commencee a Construire es 
 Marestx du Temple a Paris, durant la reigne de Henry le 
 Grand, 4me du Nom Roy de France et de Navarre L’An de 
 Grace Mil Six Cens et dix, par Claude Chastillon Chaalon- 
 nois,” with account in four columns beneath, rare 
 J (fi _ 150 View of Paris, surrounded with the portraits of the Kings, and 
 view of the grand gothic spire of St. Stephen’s at Vienna, 
 on two sheets 
 
 FRANCOIS CHEREAU, lorn at Blots 1680. 
 
 /0 151 Portrait of Louis de Boullongne, engraved for his reception 
 
 into the Academy, 1718, and ditto of Andre Hercules de 
 Fleury, two different prints, both after Rigaud, exquisitely 
 engraved 
 
 152 The Holy Family, Albano pinx. Chasteau excudit 
 
 SEBASTIAN LE CLERC, a celebrated Designer and Engraver „ 
 born at Metz 1637* 
 
 /() 153 His Portrait, by Duflos—the Academy of Arts—the Siamese 
 
 Embassadors introduced to Louis XIV. and 6 other pieces, 
 fine 
 
 /6 154 Christ feeding the Multitude, with 13 other pieces, several of 
 
 them proofs 
 
 /(P 6 155 The Passion of Christ, 33 pieces 
 
 /3 — 156 Twenty-two landscapes, some enriched with figures, very fine 
 
 y b 157 Thirty-two pieces. Heathen Deities and other figures 
 
 PIERRE DAUET, born at Paris about. 1G10.—He chiefly employed 
 himself in engraving portraits of the illustrious men of France: the 
 following constitute a small part of his work; the impressions are fine. 
 
 If 15S Sieur De L’Espine, 8cc. with Emblems of Arts and Sciences 
 Franciscus Maynardus, JEtat 64—Chas. de Montchal,— 
 Archevesque de Toloze, &c.—Francis Cardinal de la Ro- 
 chefoucaud, &c.—Gabriel Du Sault, Baron de la Luque,— 
 &c. 
 
 J 4 l) 159 Jacques Nompar dc Caumont Due de la Force, Sec .—Cesar 
 —de Vandosme, Due de Vandosmois, See .—Henry de 
 Lorraine, Due de Mayenne, 8cc.—Chas. de Schomberg,—r 
 Due D’Hallwyn, 8tc.—Francois de Bone, De Crequy, &c. 
 —Armond de Gontaud, Seig. de Biron, 8cc. 
 
 O - 160 Nicholas de L’Hopital, Marquis de Vitry, 8cc.—Henry de 
 la Tour jD’Auvtrgne Viscount Turenne, 8cc.—Gaspar de 
 Coligny, Due de Chastillion, &c.—Louis de Bourbon, 
 Comte de Soissons, 8cc.—Matheiu Mole, Che. Seig. de 
 Lacy, 8cc. 
 
 / df — 161 Henry de Bourbon, Due de Montpensier,—Louys de Marillac, 
 Mareschal de France—Armond de Gontaut de Biron, Mar. 
 de France—Pons de Lanzieres de Cardaillac, Marq. de 
 Themines, he accompanied Henrietta Maria toEngland^lQQo, 
 
Secotid Day.~\ 
 
 Daulle, P. Drevet, C. Brevet: 
 
 13 
 
 Charles de Schomberg, Due de Halwyn, &c.—Francois 
 Anb. D’Estrees, Marquis de Coeuvres, &c.— Henry de 
 Schomberg, Comte de Nanteuil,8cc.—Jean Louis de la Valette, 
 Due D’Espernon, &c. and Philipe de la Mothe Houdancourt, 
 Due de Cardone 
 
 162 Jean Budes, Comte de Guebriant—-Ph. de la Motte Houdan¬ 
 
 court—Antoine Daumont de Rochebaron—Franqois de Los- 
 pital—Franqois de Valois, Due d’Angoulesme—Charles de 
 Lorraine, Due de Mayenne—Charles de Loreine, Due de 
 Guise, and Francis Annibal Destrees, &c. 
 
 ROBERT DAUDET, born at Lyons, 1737. 
 
 163 Three rich landscapes, after Berghem, 2 of them choice proofs 
 
 JEAN DAULLE, born at Abberville, 1703.—An engraver of great 
 talents and of distinguished celebrity. 
 
 164 Louis Dauphin de France—Hyacinthe Rigaud, occupied in 
 
 painting the portrait of his lady—the Two Sons of Sir P. P. 
 Rubens, and Madmoiselle Felissier 
 
 165 Claudius de St. Simon, Episcopus Metensis, proof 
 
 16'6 Carolus Franciscus le Febure de Laubriere, Epis. Suessionensis 
 —Catherine Mignard, and P. Louis Moreau de Maupertius 
 
 167 Six, historical, by Daulle and Desplaces 
 
 168 Four, from the Orleans’ Gallery, by Delignon, Sec. 
 
 169 Five of Battles, near Fribourg, Fumes, Nordlingen, 8cc. the 
 
 last containing the portrait of Louis de Bourbon , Della 
 Bella, delin. 
 
 170 Two of Battles, near Gernsheim and Rocroy, the last on 2 
 
 large sheets, and both containing different portraits of Louis 
 de Bourbon, fyc. idem delin. 
 
 17 J Six views of Towns besieged, accompanied with portraits of 
 Marshals Turenne—de Gassin-—Villeroy—de Guebriant— 
 Prince de Conde, and Louis XIV. 
 
 172 Six ditto, with portraits of Marshals Rantzau—Turenne— 
 
 Prince de Conde—Due d’Halwyn—Comte de Grammont, et 
 de Plessy Praslin 
 
 PIERRE DREVET, born at Lyons, 1664, PIERRE DREVET his 
 Son , born at Paris, 1697, and CLAUDE DREVET, Cousin-German 
 to Peter Drevet the younger, born at Lyons . 1710.—These artists 
 stand pie-eminently distinguished, as being the most able engravers of 
 the time they lived; their style or method of working with the burin 
 was similar, but the uncommon excellence, the vigour and exquisite 
 execution whch predominates throughout their beautiful productions, 
 constitutes them as being among the grandest efforts of art ever pre¬ 
 sented to our view. 
 
 Portraits by Claude Drevet. 
 
 173 Christopher Steigerus, Consul Republica Bernensis—Philip 
 
 Louis, Comes a Sinzendorff, and Charles Gaspard Guillaume 
 de Vintimille 
 
 7 
 
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14 
 
 C. Drevet, P. Drevet, Duflos. \Second Day. 
 
 J — 174 C. G. G. de Vintemille, Archeveque de Paris, and Henry 
 Oswald, Cardinal d’Auvergne, Archeveque de Vienne, both 
 after H. Rigaud, most elaborate, exquisite and wonderful 
 productions, extra fine 
 
 / 
 
 / 
 
 <3 
 
 / 
 
 J 
 
 Works of Peter Drevet, Sen. and Jun. 
 
 JZ 6 l 75 Louis XIV. in his robes of state, capital 
 / ) — 176 Louis Alexander de Bourbon, 2 different prints, and Philip V. 
 King of Spain, extra fine 
 
 / - 177 Samuel Bernard, Comte de Coubert, at whole length, a capital 
 
 production 
 
 ^ 178 Rene Franqois de Beauvau, Archeveque, Due. de Narbonne, 
 See. most beautiful 
 
 Cj — 179 Jacobus Benignus Bossuet, Episcopus, at whole length, an 
 * exquisite performance 
 
 /4 Id 180 Orontius Fine de Brianuille, Abbas—John Paul Bignon, Abbas 
 St. Quintini, &c. and Petrus Nolascus Couvay, eques 
 6~ — 181 Guillaume Cardinal Dubois, Archeveque, Due. de Cambray, 
 Sec. —Andre Hercules, Cardinal de Fleury, &c. 
 
 JZ - 182 Jacobus Nicholus Colbert, Archiepis Rothomagensis, &c.— 
 Leonard us Delamet, Paris Doctor Theol. Sec. —Robert de 
 Cotte, Architecte 
 
 /<3 (j 183 N. Boileau Despreaux—Charles Gaspard Dodun, Marquis 
 d’FIerbault, See. —Joannes Eudes, Presbiter, and Andre 
 Felibien, Historographe du Roy, &c. 
 j~i 184 Joannes Forest, Pictor— with a proof before any inscription 
 /(p 185 The Earl of Halifax, fine proof 
 
 a 6 186 Petrus Gillet,Procuratorum Decanus, Sec. —J.P. a Lillienstedt, 
 super Reg. Tribunalis, &c.—Marie de Laubespine, femme 
 de N. Lambert—Madame Keller, femme de Mons. Keller, 
 proof —Jean Baltazar Keller, fontea de l’Artillerie 
 *f b 187 Marie Duchesse de Nemours—Lud. Ant. de Noailles—S. R. 
 ^ Ecclesia, Cardenalis, &c.—Franciscus de Mailly, S. R.E. 
 
 Cardenalis, &c. 
 
 188 Claudius le Pelletier, Pnesus in Fulatus, Sec. —Antonius Por- 
 tail, illustris Senatis Princeps—Gasto de Rohan, S. R. E. 
 Cardenalis, Sec. —Hyacinthe Rigaud, Pictune Acad. Pro¬ 
 fessor—Maria Serre, Mater H. Rigaud 
 if 189 Isaac Jaques de Verthamon Eveque, &c.—Lud. Phelypeaux, 
 ^ Marchio de la Vrillier, &c. and 2 others 
 
 -190 Abraham’s Servant meeting with Rebecca at the Well, Coypel 
 pin x.fine 
 
 /b 191 Jesus Christ in the Garden of Olives, tout pinx. very fine 
 
 CLAUDE DUFLOS, born at Paris 1678. 
 
 (P _ 192 Portraits of Charles de Gondy—Antoinette d’Orleans—Francoise 
 Margaret de Silly—Sebastan Le Clerc, and J. B. Bosuet, 
 a proof 
 
Second Day.] 
 
 Edelinck. 
 
 15 
 
 193 The Crucifixion, from a piece of sculpture, by Girardon—* 
 
 the Entombing of Christ, after Perugino—Hercules and 
 Omphale, after L. Jordano, and Christ with the Disciples, 
 at Emmaus, after P. Veronese 
 
 GIRARD EDELINCK, born at Antwerp 1627, and established at 
 Paris 1665—He received from Louis XIV. several honors and dis¬ 
 tinguished favors, and a residence in the Gobelins on account of 
 his great abilities—He handled the burin with extraordinary skill 
 and facility, and has produced a number of inestimable productions, 
 as poi traits and historical pieces, which bear universal estimation and 
 are grand examples of the art. 
 
 194 Portraits of Girard Edelinck, by R. Devaux—Ditto by F. J. 
 
 Spcett— These prints are rare, and appear to have been 
 performed by some junior pupils of Edelinck , immediately 
 after his death, as both the prints mention the circumstance 
 and time, April c ld, 1707, aged 67 years—These prints are 
 still more curious as being the only engravings known by 
 these persons 
 
 195 Philippe, Due d’Anjou—Louis, Due de Bourgogne—Charles, 
 
 Due de Berry 
 
 196 Antonius Arnauld, txeo prints —Peter Vincent Bertin, Regia 
 
 Secretis et Consilius, &c.—Martin Vanden Baugart, sculp¬ 
 tor—Joannes Bapt. de Blye, Senatus Tornacensis 
 
 197 Jacques Blanchard, peintre—Philippes Collot, operateur, &c. 
 
 •—Nicholas Coeffeteau, Evesque de Dardanie—Philip de 
 Champaigne, Pictor, &c.—Crispin, a comedian, whole 
 length 
 
 198 John Dryden, after Kneller, fine 
 
 199 Philip Evrard—Senatus Parisiensi, See. —Anne Louise Chris¬ 
 
 tine de Foix de la Vallette d’Espernon—Adrian Le Fort de 
 la Moriniere—Ant. Furetiere Abbe de Chalivoy, See. 
 
 200 Spiritus Flechier, Evesque de Nismes, 2 prints —Ferdinand 
 
 Episcopusl Paderborn, 2 prints —Abraham de Fabert, Ma- 
 reschal de France, and Jean de la Fontaine 
 
 201 Madam Helyot holding a Crucifix, aftei Jac. Galliot, extra fine 
 
 202 Charles d’Hozier, Conselleur de Roi—Jean Jacques Keller, 
 
 Commissaire de Fontes and Gerbrandus Van Leeuwen, Sec. 
 
 203 Remigius du Laury—Eccles. Col. S. Petri, See. —Julius Paulus 
 
 de Lionne—Abbas—^Gideon Berbier du Metz. Consr. du 
 Roy—Petri de Montarsis, de bonis Artibus 
 
 204 Francois Mansart, Architecte du Roy—Pierre Milliard, Pr. 
 
 Peintre du Roy—Pierre de Marca, Archeveque de Paris— 
 Francois Pithou—Pierre II. Roy de Portugal—Paul Pelisson, 
 Maitre de Requestes, See.—Johan Cars. Parent, Eques 
 
 205 Hyacinthe Rigaud, pictor—Jacques Sarrazin, pictor—Daniel 
 
 Schraderi, consul—Pierre Surirey de St. Remy, &c.— 
 Jacobus Savary, Regis Consillarius 
 
 206 Michael le Tellier, chancelier—Paul Tallemant—Eustace Tes- 
 
 sier, Gen. Totius Ordinis S. Trinitatis 
 
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 Edelinck, Frosne, Grignon. 
 
 [Second Pay. 
 
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 207 Abram Teniers, Peintre l’Archeduc Leopol, Sec .—Guillaume 
 
 du Vair, Garde des Sceaux de France—Nicholas Verien, 
 Graveur a Paris—Jean Varin, Tailleur General de Monnoyes 
 de France, and 3 others without names, proofs 
 
 208 Madam de la Valiere, otherwise the Penitent Magdalen, before 
 
 the border was introduced, C. Le Brun, pinx. 
 
 209 The Infant Saviour destroying the Devil, D. Halle p. 
 
 210 St. Martin dividing his Cloak, and the Virgin performing a 
 
 Piece of Needlework, Guido p. most beautiful 
 
 211 The Holy Family, Raphael p, previous to the arms of Colbert 
 
 being introduced, brilliant 
 
 212 The Battle for the Standard, between 4 Horsemen, L. da Vinci 
 
 p. capital 
 
 213 Julius de Medicis, Card, and 2 other heads, after Raphael, 
 
 by N. Edelinck, and a portrait of Jean Andre Comte de 
 Morstin et de Radzimin, Sec. by Jean Edelinck, very fine 
 
 214 The last mentioned print, a proof 
 
 215 Estienne D’Aligre, Chancelier, by J. Edelinck, and Louis XV. 
 
 on horseback, by N. Edelinck 
 
 / dj — 216 Eleven small portraits, by Ficquet, of artists and men of 
 science 
 
 Portraits by Jean Frosne. 
 
 f 217 Alphonse du Plessis de Richelieu, Cardinal—Claude de Mes- 
 mes, Comte D’Avaux—Louis de Lorraine, Due de Joyeuse 
 et D’Angoulesme—Henry de Guene Gaud, Marq. de Plancy 
 —Melchior Mitte de Cheuvriere, 8cc.—Louis de Valois, 
 Comte D’Alais—Marie D’Auvergne, Duchesse de la Tre- 
 mouille, Sec. 
 
 /ST 218 Charles de Schomberg, Due D’Halwyn —Francis Thomas de 
 Savoy, Prince de Carignan—Jean de Gassion, Mares, de 
 France, Sec. —Francis de L’Hospital du Kallier, &c.—Louis 
 de Vandosme, Due de Marcoeur, &c.—Louis de Bourbon, 
 Due D’Anguien, Sec. 
 
 / S b 219 The Last Judgment, after Michael Angelo, and 4 of Saints, by 
 L. Gualtier 
 
 // b 220 The Painted Cieling at Whitehall, in 3 sheets, after Rubens, by 
 S. Gribelin 
 
 Portraits by Jacques Grignon. 
 
 // — 221 F. de Verthamon, Comes de Villemenon, Sec. —Charles VII. 
 
 Roy de France—Gustavus Bonndhe Liber Baro in Lahela 
 —Cesar Due de Venaosme, Sec. 
 
 jZ 222 A pair,Le Gateau des Rois, et La Femme Colere, after Greuze 
 by Flipart and Gaillard 
 223 La Femme Colere, by Gaillard, proof 
 
17 
 
 Second Dai/.'] Huret, Larmessin, Lasne. 
 
 Portraits by Gregoire Huret. 
 
 224 Henry de Bourbon, Pr. de Conde, Due d’Anguien—Jean de 
 
 Sainct Bonnet, Seign. de Toiras—Jacques Boyceau, 3 dif- J Uj — 
 ferent impressions, and a Lady, without her name 
 
 225 Le Mareschal de Guebriant on horseback, a grand battle in the 
 
 back ground, a capital performance , Greg. Huret, inven, ' / 
 et fecit 
 
 226 A Cardinal, no name —Abbe de Richlieu—Henry de Savoye, / jj fa 
 
 Due d’Aumale, Abbe de St. Remy—Francis Xaverius, &c. 
 
 227 Portrait of Gerard Dow playing on the violin, by Ingouf J / 
 
 228 The same print, a beautiful proof / /i) — 
 
 229 Canadians at the Tomb of their Infant, by ditto J// /) 
 
 230 Portraits of Rembrandt and his Wife, by ditto—Nicholas 
 
 Vleughels, pictor, by Jeaurat —Carl Van Loo, piclor , by — 
 
 Ignace Klauber 
 
 NICHOLAS DE LARMESSIN, bom at Paris 1684—He acquired 
 considerable reputation by engraving several fine prints for the Crozat 
 collection 
 
 231 Portraits of Guillaume Coustou, sculpteur—Claude Halle, 
 
 peintre, and Nicholas Vleughels, regius pictor, the 2 first 
 engraved for Ids reception into the academy , fine 
 
 232 Ditto of Frederick Carondelet, after Raphael, with a proof 
 
 of the same—Ditto of Marquis Vignacourt, a proof, and 1 
 other 
 
 233 Ditto of Cardinal Pole, after Raphael, fine and scarce 
 
 234 Four pieces, subjects of Gallantry, after Lancret 
 
 235 Four pieces, the Seasons of the Year, after ditto 
 
 236 The Four Ages of Man, in the nature of pastoral scenes, 4* 
 
 pieces, after ditto 
 
 MICHAEL LASNE, bom at Caen in 1569—He ranks among the 
 earliest engravers in France, who is distinguished for the forcible 
 and skilful manner with which he handled the burin—His larger 
 productions bear some affinity to the style adopted by Delff, while 
 those that are smaller approach to the neat and finished manner of 
 De Leu 
 
 b 
 
 jb b 
 
 /P-r 
 /c 6 
 
 237 Portraits of Gaspard Conte de Colligny, Mareschal de France , 
 
 —Jean de St. Bonnet, Seigneur de Toyras and Princess Ann 
 of Austria, very fine 
 
 238 Nicholas Brulart, Seigneur de Sillery—Charles Sire de Crequy , 
 
 Baltazar Baron, natif de Valence—Jacob Callot, Nobilis 
 Lotharingus Calcographus, and 1 other with initials only 
 
 239 Jean Francis de Gondy—Petrus Cardinal de Berulle—Jean 
 
 Bapt. Gault, Evesque de Marseille—Francois de l’Hospital / / 
 
 du Hallier—Nicholas Renouard—Francois de Bonne Due J 
 des Diguierres—Mons. Scudery—Samuel Durand and 
 others, proof 
 
 D 
 
IS 
 
 Lasne, Lauene, Laurent, Lochom. [Second Day. 
 
 J It — 240 
 2 2- 241 
 
 cP 6 242 
 A3 k 243 
 // _ 244 
 
 /<T ^ 245 
 ^ ^ 24G 
 
 /> Id 247 
 
 AT 
 
 248 
 
 / ^- 249 
 
 /<T- 250 
 
 J d - 251 
 
 / // - 2*52 
 
 / /4 253 
 
 y^ 254 
 
 Cardinal Richlieu, 2 different prints—Mathieu Mole, seigneur 
 de Lacy, with proof of the same—and Bartelemi Tremblet, 
 sculpteur de Roy, very fine 
 
 Bernard Due de la Vallette on horseback, the back ground 
 etched by Callof, representing a view of Metz and sur¬ 
 rounding scenery, a capital production 
 
 STEPHANUS DE LAULNE, born at Orleans 1520, a goldsmith 
 by profession—Me designed and engraved an infinite number of small 
 productions from sacred and prophane history, emblems, also deco¬ 
 rative ornamental goldsmiths’work, and other designs of a singular 
 cast—He possessed great fertility of invention, and his engravings 
 are singularly neat 
 
 Twenty small ovals, representing figures to express the Liberal 
 Arts 
 
 Sixteen designs from Scripture History, and Ovid 
 
 Portrait of Jean Baptist de Troy, peintre, with an unfinished 
 proof of the same , engraved by N. de Launay for his recep¬ 
 tion into the academy, extra fne 
 Four landscapes, after Teniers, by A. Laurent, fine 
 Two sheets, studies of heads of goats and sheep, after Berg- 
 hem, etched by Pierre Laurent 
 The Surrender of Calais, fine proof, after Bounieu, by ditto 
 La Valeur Recorrmensee et La Mort Du Chevalier D’Assas, 
 after Cassanova, by ditto, f ine 
 Le Jardin d’Amour, after Rubens, by Lempereur, very fine 
 Portraits ef Etienne Baudrand—Carolus, Princeps d’Orleans^- 
 Francis du Tillet, Consillarius, et Claude de la Benichere, 
 Abbe de Notre Dame, by John Lenfant, all very fne 
 Ditto of Charles de Lorraine, Due de Guise—Jean Louis de 
 Nogvaret, Due d’Espernon—Jean de St. Bonnet Toyras— 
 Henry de Savoyc, Due de Genevois—Henry de Schornberg, 
 Comte de Nanteuil—Gaslon de Bourbon—Henri de Bourbon, 
 Prince de Condc—Louys de Bourbon, Comte de Soissons— 
 Cesar de Bourbon, Due de Vandomme—Henry d’Orleans, 
 Due de Longueville, et Charles de Lorraine, Due d’Elbeuf, 
 8cc. Michael Van Lochom excudit, all extra f ine , and 
 engraved in the manner of C. Pass 
 Twenty-two of Indies and Courtezans of different countries, 
 in singular dresses, within small ovals and octagons, neatly 
 engraved, with sonnets in French beneath each, ditto excudit 
 Louis XIII. with his Family, 4 pieces to represent the Times of 
 the Day— Morning taking a Promenade in the Garden—- 
 Noon partaking of a Repast— Afternoon enjoying the 
 Diversion of Hunting the Stag —Evening at the Play, rare 
 and curious, a Paris , chez M. Van Lochom, graveur et 
 irnprimeur du roy 
 
 Two pieces, the Virgin with the Infant Christ and St. John* 
 and a Magdalen, both by Alexius Loyr, very capital 
 
Second Day.~\ 
 
 Lombaet, Marcenay de Giiuy. 
 
 19 
 
 PETER LOMBART, born at Paris , about ]602 —It is probable he 
 received his instructions in the school of Claude Mellan: he became 
 an artist of very considerable abilities, for he occasionally produced 
 some specimens of art, chore particularly Portraits, that almost 
 rival some of the best efforts of bis cotemporaries, many of which 
 were eminently great at this period. He worked in a variety of 
 styles, sometimes imitating the excellencies of Nanteuil, which he 
 ably affected; in other instances he appears to have been less careful 
 of his fame, but it might be owing to the price he received for his 
 labours. He resided in England for some length of time, and was 
 much occupied in engraving Subjects from History, to adorn books, 
 and many Portraits of some of our eminent Countrymen. 
 
 255 Portraits of Paul Petavius, Consilarius—Augustinus de Ser- 
 
 vien, Abbas—Gabriel Chassebras, Senator—ancl Caeser de y yj) _ 
 Vendosm Due de Beaufort, all of them beautiful productions 
 and fne 
 
 256 Antoine Due de Grarnmont , after TV. Vaillant , capital and j ^ 
 
 rare 
 
 257 John Ogilvie and Sir Samuel Morland, both fine )f — 
 
 258 Bryan Walton—S. T. D. Cantab. Coll. S. Peter, Sec. ditto j /ft _ 
 
 259 A grand romantic landscape, by Longueil, after, Vernet and a 
 proof impression of the same 
 
 ANTOINE de MARCENAY de GIIUY, native of Burgundy, 
 born about the Year 1723—An Amateur, who practised Etching, 
 which he performed with a fine point, using much freedom and 
 force, by which he produced some beautiful Prints, consisting of 
 Portraits, History and Landscapes, from the designs of several 
 eminent artists, as well as those of His own ; in general his works are 
 highly finished, and the effect of them is admirable. 
 
 260 Portraits of Le Chevalier Bayard—Charles V. of France and 
 
 Field Marshall Saxe, fne 
 
 261 Charles Duke of Brunswick and the Marquis de Mirabeau, j 
 
 both fne 
 
 262 Portrait of Titian, ditto of the Burgomaster, six — three small 
 
 studies of Heads, and Tobit restored to Sight, after Rem- ' 
 brandt 
 
 263 A Combat between some Mounted Troops—Parrocel, pinx. 
 
 and the Testament of Eudamidas, after N. Poussin 
 
 J(P b 
 
 End of the Second Day's Sale. 
 
THIRD DAT's SALE. 
 
 THURSDAY, the 8th of FEBRUARY, 1810. 
 
 LOT 
 
 f) b 264 
 f) L 265 
 
 /<T- 266 
 
 Jd"6 267 
 / / — 268 
 
 /0 i 269 
 
 £ 3-270 
 
 DE MARTEAU, MASSON. 
 
 GILES de MARTEAU, born at Liege, 1722—He distinguished 
 himself by improving and perfecting the art of Engraving in Soft 
 Ground, a method which is admirably adapted for imitating Draw¬ 
 ings in Chalk, Crayons and Black Lead—In this method he per- 
 formed a very considerable number of Prints from the designs 
 and finished drawings of many eminent artists both of ancient and 
 modern date. 
 
 Seven Designs of Venus and Juvenile Recreations, after 
 Boucher, fine 
 
 Four of Pastoral Scenes, Peasants with Cattle to represent the 
 Times of the Day, after Huet, ditto 
 
 ANTHONY MASSON, born at Orleans in 1636—In his youth he 
 arrived at Paris, where he learnt the art of Engraving on Steel; 
 having arrived at maturity in this department of the art, he prac¬ 
 tised Painting and Engraving of Portraits, and successively gained 
 the summit of perfection by the dextrous and able manner with 
 which he handled the burin, and the uncommon force and exquisite 
 execution he introduced in his work, which render many of his pieces 
 among the rich and highly superior productions of the age—Many 
 of the engravers in France, during the Reign of Louis XIV. exerted 
 their utmost abilities to outvie each other, in the astonishing powers 
 of execution they were masters of; at this period some few excelled 
 to a degree almost unparalleled, particularly in the department of 
 Portrait Engraving, and of Masson it may be said/that in some in¬ 
 stances he even surpassed the ablest efforts of Nanteuil, who was con¬ 
 sidered as the most eminent of all the skilful proficients in this depart¬ 
 ment of the art. The following productions by his hand display 
 his resplendent talents. 
 
 Portrait of Anthony Masson, by himself, and an Allegory re¬ 
 presenting Masson presenting a Specimen of his Work to a 
 figure, bearing the symbol of Eternity, whilst Time is occu¬ 
 pied in inspecting the Engraving of Marshal Harcourt, and 
 otherwise protecting the productions of the Artist, engraved 
 by Nicholas Habert, the Son-in-law of Masson, curious 
 and rare 
 
 Louis XIV. size of life, capital, Le Brun pinx. 
 
 Emanuel Theodosius de la tour d’Auvergne; et Henricus de la 
 tour d’Auvergne, Viscount de Turenne, fine and scarce 
 
 Ludovicus Abbelly, Episcopus Ruthenen, the same in an octa¬ 
 gon, and Frederick William, Elector of Brandenbourg 
 
 Guillaume de Brisasier , Secretaire, §c. usually called the 
 Grej-headed Man , extra fne 
 
Masson, Mellan. 
 
 21 
 
 Third Day.'] 
 
 271 Jacobus Nicolaus Colbert, Abbas, and Gaspar Charrier, Eques 
 
 Regi a Cons, &c. and an unfinished proof of the same 
 
 272 Marin Curaeus a Camera, &c.—Petrus Dupius pictor, and Oli- 
 
 varius Le Fevre d’Ormesson, &c. all fine 
 
 273 Henry de Lorraine Comte d’Harcourt, a chef d'ouvre of the 
 
 artist, and very fine 
 
 274 Madame Helyot, habited as a nun, and Andre le Nostre Consr. 
 
 du Roy, Sec. fine 
 
 275 Dionisius Marin, Regi a Secretis, See .—Francois Marie Doge 
 
 de la Serenissime Republique de Genes—et Nicolaus de 
 Nicolai, Regiarum Rationum Senatus Princeps 
 
 276 Guido Patin, Doctor Medicus, &c. and Carolus Patin, ditto 
 
 277 Carolus Patin and Alexandre Du Puy, Marquis de St. Andre, 
 
 &c. both fine 
 
 278 Nicolaus Potier de Norion, Henricus Pussort, and Antonius 
 
 Turgot, rare 
 
 279 Maximilian Emanuel Utrisque Bavaria Dux et Princ. Elec, by 
 
 Magdalena Masson, uxor Nicolai Habert fine and extra rare 
 
 280 Le Serment D’Amour, by J. Mathieu, after Fragonard, fine 
 
 / /O - 
 /S’ Ip 
 
 X /l — 
 
 f6 6 
 cj 6 
 
 W 
 
 / - 
 
 // - 
 
 J2 
 
 C J 
 
 ci 6 
 
 CLAUDE MELLAN, horn at Abbeville in lGO 1—Celebrated for his 
 uncommon freedom and dexterity in handling the burin and for the 
 amazing colour he gave to his prints without the aid of crossing the 
 strokes; he seems to have cut the copper with ars much celerity as an 
 able penman can flourish 
 
 2S1 Portraits of Cardinal Mazarine—Raphael Menicacius—Antonius 
 Despeissius—Cardinal du Retz—Petrus Seguier, Cancella- 
 rius, &c.—Claude de Marolles—Johan Habert, March, de 
 Marigni, and Fiances Habert in a religious habit, fine 
 
 282 Madalena Corvina, Pitrice, 2 impressions, 1 with the address 
 
 of Odieuvre—Marguerite d’Estampes, Minerva instructing 
 the Dauphin Prince—Cardinal du Retz presenting a book to 
 the Virgin, and 1 other, a proof 
 
 283 John Barclay, Gente Caledonius, &c. and James Howell, en¬ 
 
 graved conjointly with A. Bosse, first state before the arms 
 were introduced 
 
 284 Seven pieces, Subjects of Scripture—St. Luke painting the 
 
 Virgin—St. Bernard at Devotion—Christ conducted to be 
 Crucified, &c. 
 
 285 The Handkerchief of St. Veronica, or the Head of Christ, 
 
 performed with a continued spiral stroke, commencing at the 
 tip of the nose , a curiuus production 
 
 286 The Three Graces, supporting the portrait of Balthasar de Vias, 
 
 the same print before the portrait and inscription were intro¬ 
 duced, a small print of Venus, and a Venus at full length, 
 with boys peeping at nature, usually called the Mouse Trap, 
 rare and curious 
 
 7 6 
 6 6 
 
 i> 6 
 
 7 ^ 
 
 & 6 
 
 // - 
 
Mignard, Mon corn ft, Morin. [Third Day. 
 
 £2 
 
 PIERRE MIGNARD, lorn ai Troyes , 1610, a Painter of distin¬ 
 guished abilities—V'ide Pilkington. 
 
 JO — 2S7 Saint Scholastique kneeling before the Virgin, who is present¬ 
 ing the Infant Christ to the Saint, the only etching by 
 the hand of Mignard , fne and rare 
 
 J 
 
 BALTHAZAR MONCORNET, lorn alout 1620 — He engraved 
 and published a profusion of portraits chiefly of illustrious characters 
 of France, of these are the following. 
 
 jo - 289 
 
 JJ b 290 
 )l - 291 
 
 Jean Baron de Weert—Pierre Aldobrandini—Denis Amelot, 
 Visconte de Bisseuil—Cardinal Barberini—Jean Banier, Ge¬ 
 neral—Armand de Bourbon, Prince de Conty —Claude de 
 Buillion—Cardinal Grimaldus—Gabriel de Laubespine—Car¬ 
 dinal Perron—Joannes a Bosco Olivarius—Conchino, Marquis 
 d’Ancre—Cardinal du Tiltre—Sebastian Michaelis — Isaac 
 de Laffernas—Louis de Lorraine, Cardinal de Guise, and 
 Louis de Marillac, Mareschal de France 
 Henry de Bourbon, Prince de Conde —Louis de Bourbon, Comte 
 de Soyssons —Cesar de Bourbon, Due de Vandosme —Ludo- 
 vicus Borbonius, Engniennen Slum Dux —Charles de Lor¬ 
 raine, du Delbeuf —Francois de Bassompierre—Gaspard 
 Comte de Colligny, and 1 other, entitled, Mareschal de la 
 Force, neatly engraved and of uniform size 
 Jean, Comte de Tilly—Theodore de Weerdenbourg—Albert, 
 Duke of Fritland—GustavusHorn—Jean Louis de la Valette, 
 Due d’EsperiioJi —Mons. le Due de la Valette, et Henry de 
 Savoye, Due de Genevois et de Nemours, fine 
 Three equestrian portraits of Henry IV. King of France— 
 Ferdinand Francis, King of Bohemia, and Mons. le Due 
 D’Anjou, all extra fine 
 
 JEAN MORIN, lorn at Paris alout tie year 1610 —-A painter of 
 eminence instructed in the school of P. Cbampaigne; he etched 
 several portraits and other subjects chiefly from the paintings of his 
 tutor j the following are fine productions of the artist 
 
 if i 292 Portraits of Cardinal Boromeus—Jacques Tuboeuf, Cons, de 
 Roy — Jean du Verger d’Auranne, Abbatis — Gregorius 
 Tarrisse, Relig. Cong. S. Mauri—Audomarus Talleus, Sena¬ 
 tor Advocatis Catholicus —and Jean Baptiste de Vignerod, 
 Abbe de Richelieu 
 
 (f b 293 Francois Potie, Marquis de Gesurcs— Nicholas de Neufville, 
 Marquis de Villeroy —Anne of Austria, and Sophia Coun¬ 
 tess of Carnarvon, fne 
 
 Cj ~ 294 Two busts of Christ and the Virgin—an Ecce Homo, and the 
 Crucifixion, fine and scarce 
 
 // 7 295 Seven landscapes, after Fouquire and Polemburg 
 
 /C b 296 Three large ditto, after Fouquiere, fne und scarce 
 
 JJj — 297 Eight ditto, by Matthew Montaigne, from his own designs, 
 very fne 
 
Third Dai/.] 
 
 Nanteuil. 
 
 23 
 
 298 Two fine views near Rome, by Francis Morel 
 
 299 Belisarius, after David, by Alexandre Morel, a grand compo¬ 
 
 sition, finely engraved 
 
 300 Three landscapes, with Hunting Parties, Halts of Cavalry, &c. 
 
 by John Moyreau, after Wouvermans, fine 
 
 ROBER T NANTEUIL, lam at Rheims in the year 1630—His father 
 a merchant of this city, devoted his small means in procuring his son 
 a good education—Gifted with a lively taste for the arts, young 
 Nanteuil, eagerly cultivated them in the hours of relaxation from 
 his other studies—-Having finished his degrees of learning, he entirely 
 devoted himself to his favourite pursuits of painting and engraving, 
 quitted the place of his birth, and came to Paris; at this place he 
 drew with great facility portraits in crayons, bearing a strong re¬ 
 semblance, which procured him much practice—From thenceforth 
 he determined to engrave from his own designs; he soon equalled the 
 ablest engravers from whom he took his models—The portraits which 
 he executed of distinguished personages augmented a reputation, 
 which was still more increased by the fortuitous circumstance of 
 being several times employed both to paint and engrave the portrait 
 of Louis XIV. in which he so well succeeded as to receive from this 
 monarch the appointment (created on purpose) of Engraver and. 
 
 Draughtsman to the Royal Cabinet, to which was attached a pension 
 of one thousand livres—Endowed with a refined and elegant mind, 
 he joined to his talents the art of composing verses, and which he 
 recited with great grace; the charms of his conversation, and the 
 Suavity of his manners, made his society much sought after—In his 
 ■Works we discover a facility of execution, a delicacy of expression, 
 together with an admirable purity and simplicity of style ; he had the 
 rare art of giving to black and white all the variety of hues, which 
 painters express by colour—This great artist, the most celebrated 
 portrait engraver which France has produced, terminated his career 
 at Paris in 1678, at the age of forty-eight. The folio-wing collection , 
 consisting of nearly the whole of his engravings, are exceedingly choice 
 as to impression and condition. 
 
 The annexed Dates refer to the Year when the Print was engraved. 
 
 301 Portrait of Robert Nanteuil, by Edelinck—a proof of the 
 
 same print—Jaques Amelot, Chevalier, Prem. Pres, de la j — 
 
 Cour des Aydes—Simon Arnauld, Dom. de Pomponne, See. 
 
 167 5 
 
 302 Anne d’Austriche, Reine de France, &c. 1660—Anne Infante / - 
 
 d Espagne Reine de France, &c. 1666 
 
 303 Claude Auvry, Episcopus Constantiensis, &c. 1660—Dreux 
 
 d’Aubray, Lieutenant Civil au Chatelet, 1658, &c.—Ludo- 
 vicus de Bailleul, in Senatu Parisiensi, &c. 165S 
 
 30F Anthoine Barberin, Cardinal, Archbishop of Rheims, in an 
 oval of oaken foilage, without arms, no inscription,—a differ¬ 
 ent print, the head within a rich oval of oaken foliage, rest¬ 
 ing on a pedestal, with arms thereon, 1663,—a ditto, within 
 an octagon, with arms, 1664, all extra brilliant 
 
 305 Stephanus Jehannot de Bartillat, Regi ab Omnibus Consil, &c. - 
 
 1666—Francois de Vandosme, Due de Beaufort, &c.—Phili- 
 
24 
 
 Nanteuil. 
 
 Third Dai/.] 
 
 bert Emanuel de Beaumanoir de Lavardin Eveque du Mans, 
 &c. 1651, and a different print of the same person, dated 
 1660 
 
 J 306 Harduinus de Perefixe de Beaumont, Archbishop of Paris, 
 1665—ditto engraved in the style of Mellan, 1662, and a 
 proof of the same—a different print, dated 1663, and a 
 ditto on a large scale, dated 1665 
 
 £ — 307 Pomponius de Bellievre, Senatus Galliarum Princeps—Ditto 
 
 with a tablet bearing two lines in Latin, and an impression 
 of the same print, prior to the tablet, &c. 1653 
 /J p 30S Hugues de Lionne, Marquis de Berni, &c.—Ditto, with the 
 ' inscription erased—Charles de Benoise, Cons, de Grand 
 
 Chambre, 1651, without inscription,*— Francois Blanchart, 
 Abbas St. Genou, &c. 1673 
 
 u - 309 F. Blondeau, President de la Chambre des Comptes, 1653, 
 
 without inscription — David Blondelius, Catalaunensis, de 
 Chalons en Champagne, Ministre et Homme de Lettres , 
 1650—Gilles Boileau, Greflier en Chef du Parlement de 
 Paris, pere de Boileau, Despreaux, 1658, without inscrip¬ 
 tion,—Franciscus Bosquet, Bishop of Montpelier, &c. 
 1671 
 
 w 
 jo - 
 
 /$ i 
 
 7' 
 
 j(> 6 
 
 jx 
 
 310 Petrus Bouchu, Abbis Firmitatis, &c. Able de la Ferte, 1669, 
 
 Leon Bouthellier, Comte de Chavigny, See. without inscrip¬ 
 tion, —Natalis le Boultz, Regi a Sanctio Consilus, &c. 1671 
 
 311 Victor le Bouthillier, Archbishop of Tours, in an oval, sur¬ 
 
 rounded with Episcopal Dignities, 1662, and two other 
 prints of the same person, one within an octagon, 1651, the 
 other an oval, 1659 
 
 312 Antonius Barillond de Morengis Mansy, Marchio de Branges, 
 
 &c. 1661—Henry Augustus de Lomenie de Brienne, Secre¬ 
 tary of State, within a rich circle of oaken foilage, 1660-*— 
 Pierre Seguier, Marquis de St. Brisson, in Armour, 1659 
 
 313 Pierre Cambout de Coislin, Abbe de St. Victor and Almoner 
 
 to the King, 1658—-Ditto, a different print, as Archbp. of 
 Orleans, 1666—Ditto by Lenfant, after Nanteuil, 1661, 
 and Joannis Le Camus, Regi a Consilus, See. 1674 
 
 314 Jacques, Marq. de Castelnau, Mareschal de France, &c. 165$ 
 
 •—Guido Camillard, Regi a Consilis, &c. 1664—Marc Bo- 
 chart de Champigny, Canon—Jean Chapelain, Conseilleur 
 du Roy, See. 1655 
 
 315 Joan de Montpezat de Carbon, Archbp. of Bourges, 1673— 
 
 Jacques de Coigneux, Grand Pres, au Parlement, 1654— 
 Charles Dally, Due de Chaulnes, 8cc. nearly size of life , 
 1676 
 
 if 316 Joannes Bap. Colbert, Regi a Consilis, &q. 1660—Jacobus 
 / Nicolaus Colbert, Abbas Beccensis, &c. 1670 and 1673, 
 
 2 different prints, nearly the size of life 
 
Third Day.] 
 
 N ANTEUIL. 
 
 25 
 
 317 
 
 31S 
 
 319 
 
 Honore Courtin, Conseiller d’etat, before the inscription, 1668 
 —Francois de Bonne, de Crequy, d’Agoult, fils de Charles 
 Sire de Crequy, &c. 1662—Henry Jules de Bourbon, Due 
 d’Anguien, &c. 1661, and Ludovicus Donius d’Attichy, 
 Bishop of Autun, 1665 
 
 Emanuel Theodosius de la Tour d’Auvergne, Dux d’Albret, 
 1668—and another print of the same person, nearly the size 
 of life, 1670 
 
 Frederic Maurice de la Tour d’Auvergne, Due de Bullon et 
 Viscomte de Turenne, &c. 1649—Another print of the 
 same person, 10 lines in French verse, no date, and Godfrey S 
 Maurice de la Tour d’Auvergne, Due de Bouillon, le fils, 
 1657 
 
 / u 
 
 J JO 
 
 320 Caesar Destrees, Bishop of Leon, 1660—Joannes Dorien, Sac 
 
 Consistorii Comes, &c. 1660—Charles d’Orleans, Comte de 
 Dunois, 1660, and Guilielmus Egon, Landgrave a Furstem- 
 berg, Sec. 1671 
 
 321 John Evelyn, Esq. very fne 
 
 322 Hipolytus Feret, Doctor Theo. Pastor, See. 1669—Andreas 
 
 Le Fevre, D. Dormesson D’Anrboile, Sec. 1654—Gaspar de 
 Fieubet, Senatus Tolosani, &c.—Nicolas Foucquet, Viscomte 
 de Melun et de Vaux, &c. 1661, and Basile Foucquet, Abbe 
 de Barbeaux, brother to the last mentioned person, 1661 
 
 323 Joan Fronto, Canon St. Genevieve, See. 1663—Petrus Gas- 
 
 sendus, Prevost of the Church of Dignes in Provence, 1658 
 •—'■Melchior de Gillier, Cons, du Roy, See. 1652—Madame, 
 d’Epouse de M. Gillier, 4 lines in French verse “ Le Vertu 
 qui sous ce Visage, Sec. 
 
 324 Jean Bapt. Budes Comte de Guebriant, Sec. —Henry Duplessis 
 
 de Guenegaud, Marq. de Plancy, &c.— the same print with 
 the addition of a star on the dress , and a variation in the 
 arms —Francois Guenault, antiquior facul. medi. See. 1664, 
 and Francois de Harley de Chanvallon, 1671 
 
 325 Ludovicus Hesselin, Regis a Secretoribus Consiliis, &c.—the 
 
 same print within a grand allegorical relief, with infants 
 sounding with trumpets his fame, See.— a different print of 
 the same person, engraved in single strokes, in imitation of 
 Mellan, 1658, and a proof of the last before the inscrip¬ 
 tion 
 
 326 Pierre Jeannin premier pres, au parlement de Bourgogne, Sec. 
 
 —Petrus Lallemant, prior St. Genovifa, Sec. 1678—Michael 
 Larcher, Cons, du Roy, See. a small print of ditto, and 
 Guillaume de Lamoignon, premier pres, au parlement, 1659 
 
 327 Fran. Antonius Du Lieu Regi a Consilis, &c. 1667—Domi¬ 
 
 nique de Ligny, Abbe de St. Jean D’Amiens, 1654—another 
 of the same person as Bishop of Meaux, 1661, and Julius 
 Paulus de Lionne, Abbas St. Martini, &c. 1667 
 
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 26 Nanteuil. [Third Day.. 
 
 328 Jean Loret, de Carentan en Basse Normandie, 1658—Francois 
 
 Lotin, de Charny, pres, en parlement—Carolus a Lotharingia, 
 Princeps, 1660 
 
 329 Ludovicus XIIII. Dei gratia Francia et Navarre, 1662—a 
 
 different print of the Monarch, 1663, and a Madrigal, by 
 Nanteuil, recited to the king, 1672 
 
 330 Two other tine portraits of Louis XIIII. dated 1664 and 1666 
 
 331 Two ditto on a large scale, dated 1670 and 1676, and Louis 
 
 Dauphin of France on the same grand scale, 1677 
 
 332 Rene de Longueil, Marq. de Maisons, Sec. 1661—a different 
 
 print of the same person, 1653—Francois de Malier, Bishop 
 of Troyes-—Leon Goyon de Matignon, Eveque de Lisieux 
 
 333 Charles II. Duke of Mantua, See.—Marin, Cuneus de la 
 
 Chambre, Medicin, Sec. —Dionesius Marin, Regi Sanctioribqs 
 Consil, Sec. 1661—Michael de Marolles, Abbatis de Vil- 
 leloin, 1657 
 
 334 Michael le Masle, prior des Roches, Sec. 165S—Joannes de 
 
 Maupeou, Bishop and Count of Chalons, 1671—Julius 
 Mazarin, Cardinal, 2 different prints, 1655 and 1656 
 
 335 Julius Mazarin, Cardinal, 3 different, 2 of them dated 1656, 
 
 the other without date 
 
 336 Three of the same person, all different, dated 1656, 1659 and 
 
 1660, beneath the first is represented Louis XIII. in his Bed, 
 sick, nominating the Oueen as Regent, extra fine 
 
 337 Jean Antoine de Mesmes, pres, a Mortier, 1655—Henry de 
 
 Mesmes, Seigneur de Roissy, pres, au parlement, 1650— 
 Jean de Mesgrigny. prem. pres, a Mortier au parlement de 
 Provence, aEgidius Menagius, homme de lettres, 1652 
 
 338 Francois Mole, Abbe de St. Croix de Bordeaux, 1649—Mat- 
 
 thieu Mole, garde des Sceaux et prem. pres, au parlement de 
 Paris—Edoard Mole, Conseil du Roy, &c- and EJenry de 
 Lorraine, Marq. de Mouy 
 
 339 Franciscus Motheus, Regi a Consilis, &c. 1661—Franciscus 
 
 de Nesmond, Bishop of Bayeux, 1663—Francis Theodore 
 de Nesmond, pres, a Mortier, 1653—Ferdinandus de Neuf- 
 ville, Bishop of Chartres, 1657, and a different print of 
 the same person, dated 1664 
 
 340 Nicholas Pothier de Novion, prem. pres. 1654—a proof of the 
 
 same print, and 2 different of the same person, dated 1657 
 and 1664 
 
 341 Anne Marie d’Orlcans Longueville, Duchess de Nemours— 
 
 Louise Marie, Reine de Pologne et de Suede, 1653—Denis 
 de la Barde, Eveque de St. Brieux, 1657—Nicholas Parfaiet, 
 Abbe de Bouzonville, &c. after Nanteuil, by Edelinck 
 
 342 Charles Paris d’Orleans, Comte de St. Paul, Sec. 1660— 
 
 Anthoine le Paultre, Architect et Ingenieur—Pierre Payen, 
 Sieur Deslandes, Senator, Sec. 1659—Ludovicus Phelypeau* 
 de Lauriliiere, Sec. 1662 
 
Third Day .] Nanteuil, Ouvrier, Pautrr. 
 
 27 
 
 343 Petrus Poncet, Regi a Sandtoribus, Consil, &c. 1660—Petrus 
 
 Puteanus, cl. fil. small oval—Ditto, larger, with arms be- .f) 
 neath, and Ditto with Jacob Puteanus, two ovals in one 
 plate 
 
 344 Claude Regnauldin, D. de Bereu, &c. 1658—Armand Jean 
 
 Duplessis, Cardinal de Richlieu, 1657—Isaac Louis le 
 Maistre ds Sacy, after Nanteuil, by Masson, 1685—Jean 
 Francis Sarrasin, Conseiller du Roy, 1656 
 
 345 Charles Emanuel Duke of Savoy, 1668—Marie Jeanne Bap¬ 
 
 tiste, Duchesse of Savoy, 1678, and two different portraits J (ft 
 of Henry de Savoye, ou d’Aumale de Nemours, Archbishop 
 of Rheims, both dated 1652 
 
 346 George de Scudery, Gouverneur du Forte, &c.—Petrus Seguier 
 
 Francia Cancellarius, 1657—another of the same person with f 
 symbols of his dignity and learning, and Francois Servien, 
 
 Bishop of Bayeux, 1656, and a proof of the same 
 
 347 Alex, de Seve, ab Omnibus Regni, &c- 1662—Joan. Bapt. 
 
 Van Steenbergen, Regi Cathol, See. 1668—Ludovicus do J _ 
 Suze, Epis. et Comes Vivariensis, 1656—Christina Queen 
 of Sweden, 1654 
 
 348 Dionisyus Talon, Avocat General au Parlement—another of / 
 
 the same person, on a larger scale, and two different prints • V 
 of Charles Maurice le Tellier, dated 1663 and 1667 
 
 349 Two different prints of Charles Maurice le Tellier, dated 1664 
 
 and 1670, and two different of Michael le Tellier, Chancel- / sft 
 lor of France, 1661 
 
 350 Three different of Michael le Tellier, two of them dated 1659, . jt~ 
 
 the other 1661 ' 
 
 351 Claudius Thevenin, Insig. Ecclesia Paris, Canonicus, 1657—a 
 
 different print of the same person—Francis de Clermont de 
 Tonnerre, Eveque de Noyon—Louis le Merccem', Due de 
 Vendosme, 1649—Marc de Wlson, Chevalier Sieure de la / / Q 
 Colombiere, after Nanteuil, by Regnesson, and one other 
 anonymous, in armour, an English Knight of the Garter 
 
 352 The Ecce Homo and the Virgin, two pieces, dated 1653 and (ft 
 
 1654 
 
 353 Two Female Saints addressing the Virgin, engraved conjointly 
 
 with N. Regnesson, who married Nanteuifs sister—a Holy 
 Family, engraved 1645, in his fifteenth year—-the Four Evan- < 
 gelists writing the Gospels—two Angels supporting the Arms & 
 of France, and a small piece representing Cupid borne in 
 the air by an Eagle, supporting the Crown of France 
 
 354 A pair, l’Ecole Hollandois et l’Ecole Flamande, after Eisen, J<d 
 
 by Ouvrier 
 
 353 Louis XIV. entering the Cathedral at Rheims, and receiving the , 
 
 Sacrament therein, on three large sheets, by John le Pautre ' * 
 fne and rare 
 
28 
 
 Perelle, Petit, Picart. 
 
 [ Third Day. 
 
 <r 6 356 Thirty-four landscapes and views, by Perelle 
 jZ b 357 Seventeen ditto 
 
 fi) f 35S Portraits of Joachim Francois Bernard Potier, Due de Gesures, 
 See. and Armandus Julius, Prineeps de Rohan, Archbishop 
 and Duke of Rheims, both by Petit, fine 
 J — 559 The Grand Cavalcade of Louis XIII. through the Streets of 
 Paris, attended by Count Harcourt and other Nobles on 
 horseback, large sheet, by J 1 . Picart, rare and curious 
 Jb 3GO Portraits of Francois de Moliere and Jean de Beaugrand, by 
 Picquet —Le Baron de Montmorency, by John Picart— 
 Nicholas Chouart de Buzanval, Episcopus, See. and one other, 
 a proof , by Stephen Picart 
 
 BERNARD PICART, Son of Stephen Picart, born at Paris in 1663 
 —He learnt the principles of design and engraving from his father, 
 hot the genius of Bernard was conspicuous in bis talents for drawing, 
 and for his ready invention in forming his designs, which are full and 
 highly instructive, and represent the historical detail of a subject with 
 great happiness and apparent truth; he applied himself assiduously 
 in this branch, and practised engraving with the same degree of suc¬ 
 cess; his productions in this line are exceedingly numerous, and bear 
 some affinity with those of Le Clerc, but rather neater, or more 
 highly finished. 
 
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 Portraits of Bernard Picart—Leon Baptista Alberti, a Floren¬ 
 tine Artist —N. Boileau Despreaux—John Lock—Isaac Ja- 
 quelot—Andrea Palladius, a Sculptor —Roger de Piles, and 
 Nicholas Tindal 
 
 Fifteen portraits and medals of illustrious Monarchs of France, 
 &c. 
 
 Ditto of Louis XIII. and XIV.—James I.—Charles I. and II.— 
 Oliver Cromwell—William III.—Philip III. of Spain—Fred. 
 Henry, Prince of Orange—Cornelius and John De Wit- 
 Cardinals Mazarine and Richlieu—Admirals Tromp, Ruiter 
 and Wassenaer, and the Earl of Athlone 
 Fifty vignettes and designs of fancy 
 Thirty ditto, with proofs and variations 
 Twenty-eight ditto 
 Twenty ditto 
 
 Fourteen large frontispieces, grand designs 
 Ten, historical, after Poussin, C. Marat, Sic. 
 
 The Five Senses—-the Four Seasons, and the Four Quarters of 
 the Globe, fine 
 
 Nine pieces on the construction of raising sculptures, making 
 levels, ascertaining the heights of hills, and other objects, fine 
 Fen pieces of Battles, and other remarkable and disastrous 
 events in Holland 
 
 The History of Meleager and Atalante, in 8 pieces, from the 
 designs of Le Brun, engraved by Picart and his contem¬ 
 poraries, very fine 
 
Third Day .] 
 
 Pitau, Poilly. 
 
 29 
 
 NICHOLAS PITAU, born at Paris 1633.—Of great celebrity in his 
 profession ; he worked in the style of Nanteuil, and closely approached 
 the extraordinary excellencies of that great artist. 
 
 374 Portraits of Nicholas Colbert, Bishop of Lucon—John Peter 
 Bellori—Jacobus Farier du Boulay, &c.—Henry Louis, 
 Habert de Montmor, Comes, &c. and an impression of the 
 same before the tablet and epigram in Latin at the bottom of 
 the print 
 
 37.7 Alexandre Paul Petavius, Senator—Benjamin Priolus, tzvo im¬ 
 pressions, one a proof, and Carolus Gustavus Wrangell, / 
 Governor of Pomerania, 8cc. &c. and a brilliant proof of the 
 same, before the arms and inscription 
 
 376 Louis XIV. in Armour, and Peter Seguier, Chancellor of J 
 
 France, very f ine 
 
 377 The Holy Family, 
 
 to the Infant, a grand production—Ste. Villequin, pinx. / 
 
 FRANCOIS POILLY, born at Abbeville, 1622—An artist of the most 
 distinguished celebrity for his great professional skill; he worked 
 much in the style of the preceding artist, and occasionally displayed 
 his powers in a super-eminent degree. His tutors were Peter Daret 
 and Cornelius Bloemart, the last contributed much towards his per¬ 
 fection. 
 
 378 Portrait of Louis XIV. of France, within an oval, formed of 
 
 branches of palm; the angles of the print occupied with / 
 symbols of his dignity and fame; a beautiful and an exqui¬ 
 site production 
 
 379 The Meeting of Mary and Elizabeth, after Le Brun—the Vir- , 
 
 gin, after Guido—the Virgin with the Infant, after Mignard, ' 
 and St. Jerome writing, a fine proof 
 
 380 A Holy Family attended by Angels, one kneeling and kissing 
 
 the hand of the Infant; altogether forming a beautiful group 
 in the fore ground of a grand landscape, after S. Bourdon 
 SSI A Holy Family, Joseph is presenting a lilly to the Infant, a 
 beautiful production after Stella, and a large print of St. 
 Bruno at Devotion, in the style of Mellan. This print was 
 in the vessel called La Triomphe, which coming from St. 
 Maloes was cast away near Arundel Castle in Sussex, anno 
 1728, and recovered out of the vessel 1730, it having lain 
 seventeen months in the sea. These attestations are written 
 by Lady Ferrars, also by the Countess of Portland, out of 
 whose collection it came 
 
 382 Portraits of Louis Prevost, with variations—Ditto of Giles 
 
 Menagius—Peter La Moyne, &c. one a proof before the 
 name, by F. and N. Poilly 
 
 383 Ditto of Francois de Troy, Peintre —Corneille Van Cleeve, 
 
 Sculpteur, by J. B. Poilly— Ditto of Louis HeCtor Due de 
 Villars—Pierre Corneille—Michael L’Hospital—Jacques Be- 
 nigne Bossuet, and Cardinal Richlieu, by N. Ponce 
 
 Cupid’s wreathing and presenting Flowers 
 
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 GILES ROUSSELET, born at Paris, 1614—Re engraved in a 
 firm and bold style, several meritorious productions, chiefly 
 from tl:e collection of Pictures, in the cabinet of the King of 
 France. 
 
 381- The Four Evangelists, after Valentine 
 Jl) o 385 Four pieces, the Labours and Death of Hercules and the Cen¬ 
 taur, Nessus, bearing away Dejanira, all after Guido 
 JZ o 386 St. Francis in Meditation, after Guido—St. Michael vanquish¬ 
 ing the Devil, after Raphael—St. Anthony of Padua ador¬ 
 ing the Infant in the Arms of the Virgin, after Vandyke, and 
 the Body of Christ borne to the Sepulchre, after Titian 
 // L 387 The Holy Family, after Raphael, capital 
 
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 388 Five pieces, by Louis Surugue —Perseus rescuing Androme¬ 
 
 da, after Coypel—St. Jerome, after Baltazar de Sienna— 
 Louis XIV. as the Protector of the Arts, after Le Brun— 
 the Amusements of Cythere, after Watteau, and an Interior, 
 entitled “ Le Fileuse Fiamand,” after Teniers 
 
 389 Six, various, by Tardieu, after Le Sueur, Lancret, Watteau, 
 
 Le Brun and Titian 
 
 390 Six portraits of Artists—namely, Watteau and Robert Le 
 
 Lorrain, byTARDiEU —Jean Thierry, by Thomassin —Rene. 
 Anthony Houasse, Jean Jouvenet and Peter Simon, by 
 Trouvain 
 
 391 Jupiter and Danae, after Corregio—the Three Graces, after 
 
 Perrin Buonacorsi, both by Philip Triere —Pan and Syrinx, 
 after Martin de Vos—and a landscape, after Breemberg, by 
 C. N. Varin —Christ supporting the Cross, after A. Sac- 
 chi, by Simon Vallee and St. Luke painting the Virgin, 
 after Raphael 
 
 392 Seven, various, portraits of Popes and Cardinals 
 
 393 Two large portraits of Innocent XII. and Clement XI. by 
 
 Blondeau and Jerome Rossi 
 
 394 Seven, various, by Audran, Duchange, &c. 
 
 395 A portfolio with 67 leaves, 19 inches by 27 inches high 
 
 396 Ditto, bound in morocco, with 85 leaves, 14 by 21 
 S97 Ditto, ditto, 88 leaves, same size as last 
 
 398 Ditto, in russia, 70 leaves, Italian paper, 17 by 23 
 
 399 Ditto, ditto, 97 leaves, Italian paper, J 7 by 23 
 
 400 Ditto, ditto, 106 leaves, Italian paper, 17 by 23 
 
 End of the Third Day's Sale. 
 
FOURTH DATs SALE. 
 
 FRIDAY, the 9th of FEBRUARY, 1810, 
 
 The Works of the earh/ German and Flemish Engravers during the 
 1 5th and 1 6th Centuries ; usually denominated the Little Masters , 
 chiejly on account of the small Size of their Productions. 
 
 SUjDtgttbtr, born at Socst in Westphalia , in 1502—He became 
 the scholar of A. Durer, and was one of those who did credit to the^ 
 conspicuous talents which that great man was capable of infusing into 
 the minds of his pupils—Aldegrever became a very eminent painter, 
 and also an engraver, and had the opportunity of improving his taste 
 by travelling into Italy, whereby we discover a chaster correctness 
 and finer proportions in the human figure thap is usually met with in 
 the German productions of the age—The esteem with which his 
 works are universally held, is a proof of their excellence and value. 
 
 LOT T> 
 
 401 JL ORTRAITS of Albert Vonder Helle, Bernard Knipper- 
 
 dolling and Johan Van Leyden, the last a copy by Muller, 
 with the address of Clem, de Jonghe 
 
 402 Five pieces, the history of Thamar and Absalon, and the story 
 
 of Dives and Lazarus, in 4 pieces 
 
 403 The Virtues and Vices, allegorically represented with their 
 
 attributes, 14 pieces 
 
 404 The Four Evangelists, with the monograms of Aldegrever and 
 
 G. Pens, and 5 pieces representing Hercules wrestling with 
 Antaeus, the Nativity, Fortitude, Susanna, &c. 
 
 405 The Procession to a Westphalian Marriage, 12 pieces 
 
 406 The Labours of Hercules, in 12 pieces, a fine set 
 
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 Albert Sltuorfftr, bom us 8. 
 
 407 Two etchings, portrait of Herzog Jorg, and a Repose in 
 Egypt, very fine —The Death of Paris on Mount Ida, a 
 wood cut by the same artist —4 various, by Jodocus Ammon, / ^ 
 and 2 Cavalcades, wood cuts , by J. W. Van Assen , fine 
 and scarce 
 
 408 Fourteen wood cuts, by Baldung, Burgmair, Brosamer, &c. /^ 
 
 409 Victory reclining on a Bed of Military Arms, by Francis de / f) 
 
 Babylone, fine and rare 
 
32 
 
 Beiiam, Binck. 
 
 [Fourth Day. 
 
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 'SstbalO Beljam, born at Nuremberg, Anno 1500—Painter, 
 and engraver with the burin; also in aqua-fortis, and on wood—His 
 early productions are chiefly etchings, and are marked H*P. About 
 the year J530 he returned from Nuremberg to Frankfort; from that 
 period he marked on his engravings H S B. and there appears a mani¬ 
 fest difference in the execution of his works, by which many persons 
 have conceived them to be the works of two distinct artists, owing to 
 the difference both of the mark and of the execution of the prints— 
 But, instead of practising etching as he had previously done, he took 
 to handle the burin in preference, and produced a number of very 
 excellent engravings, on a small scale, from his own designs. He 
 also etched occasionally after he had changed his mark—It is sup¬ 
 posed that he received his early instructions under A. Durer, and 
 afterwards from his brother Bartholomew, who had learnt the art in 
 Italy, in the school of Marc Antonio. 
 
 The following Pieces are of the f rst cast as to impression. 
 
 410 Eleven pieces of Arms, Friezes, Emblems and Studies of Heads 
 
 411 Fifteen, the Cardinal Virtues and the Seven Planets 
 
 412 Seven, the Set of Planets, very curious designs 
 
 413 Nine pieces, Melancholy, the Judgment of Paris—St, Maria— 
 
 Judith—Dido, and Roman Charity 
 
 414 Sixteen ditto of Peasants dancing 
 
 415 The History of the Prodigal Son, in 4 pieces, Patience, and 
 
 the portraits of Beham and his "Wife, by Hollar 
 
 416 Seven, the Set of the Liberal Arts 
 
 417 Seven pieces, compositions of Adam and Eve, &c. curious 
 
 418 Seven ditto, Jupiter and Leda—the Naked Lasses decoying a 
 
 Fool into a Tub, Sic. 
 
 419 Eight pieces of a free cast, singular designs 
 
 420 Eleven ditto, Warriors with Ensigns—St. Sebald, Patron of 
 
 Nuremberg—Mother Goose, with variations—the Egg Sel¬ 
 lers—the Bagpiper, and other compositions, all marked BP 
 
 421 Eight ditto, Medal of the Emperor Maximilian—2 different of 
 
 St. Jerome—an Amorous Couple, seated on a bank—2 of 
 Cups or Chalices, richly decorated, Stc. marked as before 
 
 3!acob Binck, born at Cologne, about, 1504, a contemporary with 
 Beham, copied several of his productions, and worked much in his 
 style; he was first instructed by A. Durer, and Saedrart says that he 
 afterwards, went to Rome, and became one of the scholars of 
 Marc Antonio 
 
 422 Two portraits of himself—ditto of Martin Luther and Melanc-r 
 
 thon, and four other pieces of Military Characters, Sec. 
 
 423 Portrait of Binck, and 8 pieces, the Bagpiper, Lot with his 
 
 Daughters, &.c. 
 
 424 Two of St. Christopher, one a curious proof— Hercules—a 
 
 Roman Emperor—a group of three Sculls, and the portrait of 
 Elizabeth, Queen of Denmark—Archduchess of Austria, 
 See. fine and extra rare 
 
Fourth F)ay.~\ De Bry, Cranach, Durer. S3 
 
 425 Eleven various pieces, Adam and Eve—St. Jerome, See. some 
 
 curious and very fine 
 
 426 Fifteen ditto / 
 
 '2lf)toBcr£ 3D£ “Bry, torn at Leige, 1528—An artist of excellent 
 abilities, and extremely happy in engraving historical designs, caval¬ 
 cades, and other compositions in minature, after the designs of Hans 
 Sebald Behara, and other masters; also several prints of gold¬ 
 smith’s ornaments, enriched with historical compositions, and several 
 whimsical pieces of his own invention, which are very entertaining. 
 He also, conjointly with his sons, engraved a considerable number of 
 portraits of learned and eminent men. 
 
 427 Eleven pieces of rich ornaments and friezes, one a most curious 
 
 grotesque design, emblematical of Folly, all brilliant 
 423 Four pieces, a frieze, or decoration of foliage, with figures—a 
 Procession of Bacchanals—the Fountain of Youth, and the 
 Village Festival, the last two from the designs of Beham, 
 abounding with figures full of mirth and frolic, fine and rare 
 
 429 The Meeting of Isaac and Rebecca—the Triumph of Christia¬ 
 
 nity—the Venetian Ball—five of Military and other Charac¬ 
 ters, supporting escutcheons, encompassed by ornamented 
 borders, and 8 small odd pieces, by A. de Bruyn, &c. 
 
 lttca£ Crattaclj, torn 1472, at Cranach , a Town in the Bishopric of 
 liamterg —He became an eminent painter, and was for his extraordi¬ 
 nary merit favoured and patronized by the Elector of Saxony. He 
 engraved a few prints on metal, but the chief of his productions are 
 wood cuts, which are multifarious, but executed with delicacy and 
 precision, and a manifest spirit and masterly execution pervades them 
 throughout. 
 
 430 Four pieces, the Death of Paris—Marcus Curtius leaping into 
 
 the Gulph—Adam and Eve, &c. 
 
 431 St. Christopher, St. Jerome, and Fiends tormenting St Anthony J 
 
 in the Air, all fine 
 
 432 The Passion of Christ, in 13 pieces, a capital set 
 
 433 The Stag Hunt, a capital production by the master, extra rare j 
 
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34 
 
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 [Fourth Day.. 
 
 SlbC^t IDttrfr, born at Nuremberg , anno 1471—A Painter and En¬ 
 graver of the greatest eminence in all the general methods then in 
 practice. When a child his amusements were almost confined to 
 drawing, and he often drew parts of the human body, and also the 
 compleat figure, with great accuracy* His father, who was a gold¬ 
 smith, compelled him for a considerable time to work at his profes¬ 
 sion, though much against the inclination of Albert; but after long 
 and pressing solicitations to his father, he was induced to give way 
 to his request of allowing him to follow the impulse of his own 
 natural genius. 
 
 Albert then chose Martin Schocn for his tutor, an artist, of his 
 time, of the greatest renown; but very soon after this connexion, 
 the death of Martin Schoen occurred. Albert was then placed with 
 Michael Wolgemut to be farther instructed, and in a short period 
 eclipsed the talents of his master. After three years study as a pupil, 
 he began to travel in order to cultivate aud improve his judgment 
 and taste; be visited different parts of Germany, the City of Venice, 
 and the Netherlands, lie then returned to his native place to exert 
 himself as an artist; from which time his fame began to spread, and 
 Germany prided itself in having given birth to, and possessing so 
 extraordinary a genius. His comprehension embraced with equal 
 energy, and he successfully practised ail the imitative arts. 
 
 The Emperor Maximilian, Charles V. and Ferdinand King of Hun¬ 
 gary, were great admirers of his productions, and from whom he 
 received several honorable distinctions. As an engraver, he pos¬ 
 sessed a wonderful share of talents. He carried the art to such a 
 state of improvement, and displayed his abilities in such a variety of 
 methods, as strike astonishment, and create a most delightful gratifi¬ 
 cation to those who view his works. We discover at times the sweetest 
 and mostdelicate execution, combined with boldand masterly strokes, 
 which infuses an enchanting and brilliant effect throughout. His 
 earliest engraving is dated 1497. It is a copy of the print called the 
 Sorceresses, by Israel Van Mechlen. 11 is etchings made their ap¬ 
 pearance, anno 1512. His wood culs also possess uncommon spirit 
 and masterly execution. Erasmus speaks of Durer, aud gives testi¬ 
 mony of his merit as awiiter. He wrote treatises on Fortification, 
 Propo rtions of the Human Body, Perspective, Geometry, &c. into 
 which he threw much new light. It is evident he was the printer of 
 his own works, for they are taken oft' with uncommon skill. Clear¬ 
 ness and brilliancy is their characteristic, and which should he iu all 
 prints to distinguish them as fine impressions. His plates must have 
 been very much worked after his death, as we meet with impressions 
 occasionally that are little more than shadows. 
 
 Those of his productions which follow, are of the first cast, as to 
 impression, and bespeak the talents of this great artist. The fine 
 condition of them also shews in what universal esteem they have been 
 held, by being so carefully transmitted to our bands. 
 
 /A 434 Four portraits of Durer, by W. Hollar, H. Hondius, L. Kilian, 
 and A. Stock, ulf fine 
 
 / b 435 Five ditto, by Melchior Lorich, J. Wierix, See. all curious and 
 
 rare 
 
 / If —436 Portraits of Erasmus and Albert Cardinal of Mayence 
 
 /d ^ *37 Ditto of Albert Cardinal of Mayence, different front the last— 
 Frederic Duke of Saxony—Philip Malancthon, and Bibald 
 Pirkeymer, brilliant 
 
Fourth Day.~] 
 
 Durer. 
 
 35 
 
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 438 Adam and Eve, a celebrated production / 6 — 
 
 439 The same print , most brilliant / (P 
 
 440 Eight of Madonas, two of them copies on a large scale, by /} C 
 
 unknown artists, line and rare 
 
 441 Four ditto, different, and the Holy Family, dated 1506 
 
 442 Two ditto, holding a Pear to the Infant, &c. with copies, by 
 
 Wierix, extra fine 
 
 443 Nine ditto, different, all fine / 
 
 444 Two ditto, different, and the Nativity, with Joseph drawing 
 
 Water from a Well, capital 
 
 445 The Madona, with a Monkey in the foreground, and a capital 
 
 copy of ditto, most brilliant 
 
 446 The Holy Family Reposing, in a rich landscape, copied from j 
 
 the original print of Israel Van Mecklen, of extraordinary 
 brilliancy 
 
 447 The Passion of Christ , in 1 G pieces, a capital set 3 — i — 
 
 448 The large Crucifixion, an outline only—two different Ecce 
 
 Homo’s, one an etching—two of St. Sebastian, and St. 
 
 Anne conversing with the Virgin 
 
 449 The small Crucifixion, in a circle, from the Pommel of the j ^/ 
 
 Emperor Maximilian’s Sword, and three copies, curious and 
 rare 
 
 450 St. Jerome in the Desert, the large plate, fine —St. Anthony 
 
 seated, occupied in reading, with a view of a large town / / 
 
 in the back ground—Two Angels flying, supporting the Holy ' @ S 
 Handkerchief—a small print of St. Jerome in a room, and a 
 ditto of St. George 
 
 451 Two of St. Christopher, different, and five of the Apostles— 
 
 all that Albert engraved of them 
 
 452 St. Jerome seated, writing in his Chamber, with the copy, by y //) 
 
 Wierix, at the age of 13, fine 
 
 453 St. Hubert, alighted from his Horse, kneeling at Devotion, at 
 
 the sight of a Stag bearing a Crucifix on his Head. The a 
 composition is introduced in the foreground of a rich land- ^ 
 scape or forest, with a town on a hill in the distance ; the 
 saint is accoutred with hunting implements, and near him 
 are his horse and five dogs, brilliant 
 
 454 The Prodigal Son, very fine 
 
 455 Eight pieces, Peasants’ Dancing, die Bagpiper, the Ensign, /o 6 
 
 the Egg Merchant, the Small Fortune, &c. 
 
 456 Nine ditto, the Lady on Horseback, attended by an Halbadier, 
 
 the Turkish Bowman, the Egg Merchant, the Cook, Peasants 
 conversing and dancing, and the Emblem of Justice 
 
 457 The old Man contracting with a Courtezan, the Lovers’ walk¬ 
 
 ing, Death is seen behind a Tree in ambuscade, and Albert 
 Durer’s Vision in a Dream 
 
 7 
 
 / / 
 
 /o 6 
 
 /ft 6 
 
 7 
 
 458 The 
 
 Escutcheon of the vigilant and brave Warrior, an 1 the Es- > 
 tchecn of the Dead Hero, with a copy o; ti e same by ' 
 
 cu 
 Wierix 
 
/ A 
 / /A - 
 2 // - 
 
 /4 6 
 
 ' 7 
 
 / Cj 
 
 > 7 
 
 4 7 
 
 / - 
 
 /cj 6 
 
 / v - 
 
 / /A - 
 
 /J ^ 
 
 / J(P - 
 
 Sf) Durer, Clockenthon, D. J. 8c L. Hopper. [ Fourth Day. 
 
 459 Two pieces, the White Horses, mosi brilliant , and copies of the 
 
 same by Wierix , 
 
 460 The Armed Warrior on Horseback, attended by Death and the 
 
 Devil, a capital production 
 
 461 Pandora, or the Emblem of Temperance, on a Globe, in the 
 
 Air, holding in one hand a Vase, in the other a Bridle— 
 beneath the figure appears the Village of Eytar, in Higher 
 Hungary, the residence of the ancestors of Albert Durer, 
 extra fine 
 
 462 The Nymph detected in Dalliance, with a Satyr, another 
 
 Nymph attempts to beat her with a large stick, which is 
 warded off by a naked Man, but with his head curiously 
 ornamented with a Bandeau of Leaves and a Cock fixed with¬ 
 in it— Ditto , this print is usually called the Great Satyr and 
 Nymph, and the design by some is attributed to Wolgemuth 
 
 463 Melancholy—a Figure seated meditating, with several symbols 
 
 of Science around her; above her is the Magic Square. 
 The back ground is enriched with a radiant Star, a Rainbow, 
 and a Bat flying, with the title Melencolia in full stretch 
 under its wings— This is an extraordinary production , both 
 in point of invention and execution—also a copy by IVierix, 
 both fine 
 
 464 Glaucus bearing away Scylla through the Waters, a capital 
 
 production , most brilliant, and the copy by Wierix 
 
 465 The Sorceresses, dated 1497, his earliest production —A Savage 
 
 maltreating a Woman—The Monstrous Hog, and three orna« 
 mental designs of Censers, &c. 
 
 ETCHINGS. 
 
 466 St. Jerome at Devotion, seated in the Cavity of a Rock, dated 
 
 1512, and a superb impression of the same, zeith the bur, 
 extra brilliant 
 
 46,7 Five pieces, the Cannon Landscape, Christ Praying in the 
 Garden, &c. 
 
 WOOD CUTS. 
 
 468 Fifteen pieces, Designs from the Revelations of St. John 
 
 469 Nine pieces, Saints at Devotion, Holy Families, See. very f ine 
 
 470 Portrait of Albert Durer, the large Ecce Homo, and a Group of 
 
 Saints conversing with the Emperor'Maximilian, all capital 
 
 471 The Magnificent Triumphal Chariot of the Emperor Maximi¬ 
 
 lian, a grand production 
 
 472 The Rhinoceros—a Fort Besieged, said to be his last work, 
 
 dated 1527, and a curious sheet of Subjects from Scripture, 
 published by Rumgund Sergotin 
 
 Albert tfalccfeentljon, flourished, 510. 
 
 473 Six pieces of the Passion of Christ, fine and rare 
 
Fourth Day.'] 
 
 D. «T. AND L. IIopfer. 
 
 37 
 
 HT'atjftJ, 3Ierotne anti Lambert t^opfer, brothers, flourished isso— 
 These persons were Goldsmiths by profession, and they also designed 
 and etched a variety of pieces; many of which are of a curious na¬ 
 ture as to their composition, and in other respects possess a degree of 
 excellence. These artists were probably natives of and flourished at 
 Augsbourg, but most authors say that they were residents of Nurem¬ 
 berg. They marked on their productions the initials of their names 
 intersected by the arms of Augsbourg, which is the cone or nut of a 
 pine tree, placed or fixed on a small pedestal, and as it was generally 
 introduced rather small, it has been mistaken by some for a candlestick 
 while others have conceived it as being the hop plant, in allusion to 
 the name of Hopfer. By these erroneous conjectures, they have 
 been usually called the Masters of the Candlestick, and by others the 
 Masters of the Hop Plant. It is singular that none of the German 
 biographers, or any other writer, that has noticed their works, have 
 previously explained this mark. 
 
 474 Two medallions of Nero and Galba, and portraits of Francis 
 
 and Charles, Emperors, one a variation 
 
 475 Five pieces, Christ betrayed—his Crucifixion—the Madona 
 
 seated on a throne, two impressions, one before the, number , 
 and the Virgin with Elizabeth and the Infant in a room 
 
 476 The Last Judgment, a most singular production , the left side 
 
 of the print is occupied by a numerous assembly of the 
 Blessed, the right side is similarly occupied by the Evil Doers. 
 In this curious group we discover Emperors, Popes, Cardi¬ 
 nals, Bishops, and every class of Clergy, intermixed with a 
 profusion of people of every rank in life—they are considered 
 to be in Hell, by the flames which surround the whole, and 
 Devils are seen tormenting and tantalising different persons 
 in the group—near the top of the print in the centre, is 
 Christ presiding with a host of Cherubs around him ; near 
 him is the Virgin and Joseph, one seated on each side, and 
 beneath are the Apostles in two row3 or divisions, very fine 
 
 477 A Grand Altar, composed of Architecture of the Corinthian 
 
 and other Orders, richly decorated in divisions, with repre¬ 
 sentations of Jesus Christ, the Virgin and Joseph; also 
 Moses, Abraham, and others, mentioned in the Scriptures, 
 extra fine 
 
 47S Another Grand Altar, enriched with compositions from the New 
 Testament, and adorned with figures of Saints, &c. erected 
 by Philip Adler, 1518, whose name is on a tablet in the cen¬ 
 tre of the arch 
 
 / 
 
 ■7 
 
 2 b 
 
 JX 
 
 
 Mr. Strutt has attributed this print to Adler, but he never engraved. 
 He was ted into the error from the print being imperfect, which he 
 described. 
 
 479 A group of five Soldiers, singularly habited, and a Soldier 
 
 walking, accompan ied by a Woman, both fine 
 
 480 Fifteen pieces of Arms, Trophies, Grotesque Ornaments and 
 
 other decorations * 
 
 if Ip 
 Cj L 
 
Kkug, Leyden, Meokenem. 
 
 [Fourth Dai/. 
 
 iP — 481 St. Hubert and St. Jerome, copies from Albert Durer, and the 
 portrait of Solyman, Emperor of the Turks* all by Jerome 
 . Hopfer 
 
 J-d b 482 Portrait of Pope Innocent VIII -—the Cannon Landscape, and 3 
 others of figures dancing, &,c. by ditto 
 4S3 Five pieces, three of them decorated Altars, and two 
 small circles, one a Madona, and the other a Crucifixion, all 
 by D. Hopfer 
 
 4S3*'Five ditto, a frieze of Cherubs dancing—Peasants occupied 
 in Sporting and Dancing—three Old Women drubbing a 
 Devil—-the Emblem of Lasciviousness, and two Candelabras, 
 fine 
 
 '/ 
 
 EttCW Itntcj, flourished at Nuremberg, from 1510 to 1520. 
 
 /Jj [ -i83 # *The Adoration of the Shepherds, and 3 prints of the Ecc.e 
 
 Plomo, &c. each marked with a jug or pitcher between the 
 initials of the artist 
 
 3Lttca£ 3fctot);S 2Jatt Hegocn, born at Leyden 1494—The contemporary 
 and friend of Albert Durer. Like his friend his manifest genius 
 appeared in his very infancy; in short, he performed prodigies of 
 art in painting in his twelfth year, and two years afterwards pro¬ 
 duced some astonishing fine prints, executed in a style peculiar to 
 himself. To judge partially of the quality of his works, it is neces¬ 
 sary to inspect fine impressions, which are rare to a degree; the 
 extreme delicacy and exquisite finishing of his works, would not bear 
 many impressions from the plates, without a visible alteration for the 
 worse. 
 
 AT 
 
 /4 - 
 
 tb b 
 / ^ - 
 
 481? Six pieces, Abraham sending away Hagar—the Return of the 
 Prodigal Son, &c. and two wood cuts of Adam with Eve, 
 and Samson and Dalilah, rare 
 
 485 Six pieces, Lovers courting and conversing—an old Couple 
 
 playing on Musical Instruments—two Boys supporting a 
 Helmet, a Flag, &c. all fine 
 
 486 David playing on the Harp before Saul, and the Flistory of 
 
 Joseph, four pieces, ditto 
 
 487 The Passion of Christ, in fourteen pieces, ditto 
 
 J;Sraf)f( (Itan S^tcbtnctn, usually called Israel Von Mecheln or Me¬ 
 chelen —It is universally allowed that there were two artists of this 
 name, father and son, both goldsmiths, natives of Meckenem, in 
 Westphalia, afterwards established at Bockholt in the Bishoprick of 
 Munster. They may be considered to have flourished from the 
 years 1460 to 1500, and later, as the younger died anno 152.3. 
 
 One cannot discriminate, with any degree of precision, the works 
 of one from the other, as the execution is nearly similar in all their 
 productions; nor is it necessary, as it may be fairly supposed that 
 they assisted each other, or united their talents occasionally. There 
 is notwithstanding a very material difference in the drawing of the 
 human figure, which in some of the pieces are very uncouth, and 
 in others there is a tolerable degree of. dignity and grace, and a more 
 perfect harmony of the parts. The execution of the work of these 
 artists is somewhat similar to that adopted by their contemporary 
 
Fourth Day.] 
 
 Meckenhem, Penz. 
 
 39 
 
 Martin Schoen, but freedom and spirit is far more prevalent in the 
 works of the latter, and the attitudes of his figures are more graceful 
 and elegant. 
 
 488 The Madona, with the Infant Christ, who has a small hammer 
 
 in his hand, with which he is going to strike the bell of a 
 clock; this is the earliest print we meet with that has a clock 
 introduced, curious and rare —The Holy Family reposing, in 
 the foreground of a landscape, with a Galley and other 
 vessels on the Water; this is a fine composition and a most 
 capital production of the master 
 
 489 Two singular productions, representing Infants naked practising 
 
 different Gambols; in one of the pieces are seen two children 
 in a large bathing tub, and a cock or fountain playing into the 
 same, a naked woman is washing one of the infants, curious 
 and rare —A group of three Sculls and a ditto of two, finely 
 characterized within a kind of ornamented facade, being 
 emblems of Death or Mortality 
 
 490 A Group of Four Women, naked, usually called the Sorceresses. 
 
 Satan is seen rising in an aperture on the right, this piece I 
 think may be considered as the emblem of Lasciviousness, 
 as Satan appears to be watchful over their conversation and 
 motions; a small globe is suspended above the figures, on it 
 are the letters G. B. A.—at the bottom of the print is in¬ 
 scribed Israhel V. M. tzu boeckholt. Also a copy of the 
 same print, engraved by Albert Durer, the reverse way on 
 the globe above are the letters O. G. FI. with the date 1497, 
 extra fine 
 
 491 Christ and the Apostles, in twelve pieces, exceedingly fine> 
 
 and uniform in preservation and colour , a precious and a 
 mutchless set 
 
 492 A sheet containing six of different Saints, very curious and 
 
 extra rare 
 
 493 The Passion of Christ in twelve pieces, a capital set — The 
 
 expressions of malice and enmity shewn towards Christ bij 
 the different characters about him , is grotesquely represented, 
 and the costume or habits of the persons are very singular 
 
 €>rtgorj> JtDffl?, horn at Nuremberg, Anno 1500—He learnt th« 
 first principles of his art, under Albert Durer, afterwards went into 
 Italy, and became one of the disciples of Mark Antonio, under 
 whom he became a most excellent proficient as an Artist and Engra¬ 
 ver; his compositions are admirable, and bis figures finely contrasted 
 and characterized; be possessed a full and vigorous command of the 
 instrument, and finished bis works with uncommon ability. 
 
 494 Portrait of John Frederic Duke of Saxony, richly habited 
 
 dated 1543, rare 
 
 495 The Life and Miracles of Jesus Christ, in 24 pieces, ditto 
 
 496 History of Tobit, 6 pieces—-History of Joseph, 4 piec's—and a 
 
 Crucifixion, all fine 
 
 / AT- 
 
 J // 6 
 
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 Z /‘j — 
 6~er — ‘ 
 
 /C h 
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 Jb 6 
 
AT 
 
 Ui t> 
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 / ^ 
 
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 / 
 
 // 
 
 40 Sciioen. [Fo?//Y/j Day. 
 
 497 Twelve pieces, the Good Samaritan, the Guillotine, the Burning 
 
 Shame, &c. all fine 
 
 498 The Mortal Sins, in 7 pieces, very fine 
 
 499 Five pieces, Medea and Jason, Tamiris putting the Head of 
 
 Cyrus into a sack, Sophonisba, Artemesia and Achilles 
 brought before the Centaur Chiron 
 
 500 Six pieces, the Triumph of Fame, Death, Religion, Christian¬ 
 
 ity, Time, and Love, fine and scarce 
 
 fatten born about the Year 1420, at Culnbcch, a Town in 
 
 the Circle of Franconia. —He was bred to the profession of a Gold- 
 smith, also a Designer and Engraver •> the last branch, at this early 
 period, being concomitant or connected with the goldsmiths’ art.— 
 About the year 1460, the method of taking impressions from engrav¬ 
 ings was accidentally discovered by some of the German goldsmiths. 
 The utility of its application, and its manifest important advantages, 
 instigated a few to strike out of the usual path, and among them 
 stood forth this very skilful artist, who may be considered as the head, 
 and most flourishing ornament among the Germans at that period— 
 The amateur cannot but feel a high gratification, when he is viewing 
 the productions of this artist, by observing the spirited execution in 
 the mechanical partj and also his ingenuity in working off the im¬ 
 pressions, which we may suppose he performed without the aid of a 
 rolling-press; for it is considered that it was not at that time invented, 
 or, if it really was in use, it must have been wanting in all the neces¬ 
 sary improvements that it has since obtained. Yet, when we find his 
 works in a perfect state, and possessing their original purity as to im¬ 
 pression, we discover in them uncommon brilliancy and clearness.— 
 Such cannot be too highly appreciated, as they are but rarely to be 
 met with, but in a defaced or disfigured state. His Works are nume¬ 
 rous, and universally from his own designs. The following curious 
 Specimens, consisting of nearly seventy pieces, by his hand, will evince 
 the extraordinary talents and skill of such an enterprising prac¬ 
 titioner. 
 
 501 Two of Elephants, one supporting a Castellet and 2 of Griffins, 
 
 one extra fine 
 
 502 Four pieces, Emblems from Revelations, representing an Eagle, 
 
 a Lion, and 2 of Oxen with Wings bearing Scrolls, and a 
 Man driving an Ass, all fine 
 
 503 A Female Satyr supporting an Escutcheon, two different of St. 
 
 George slaying the Dragon, a Boar and Sow with a Litter of 
 Pigs and a pen drawing of one of the Foolish Virgins 
 
 504 Seven circles of Maidens, a Peasant, and two of Satyrs, sup¬ 
 
 porting Escutcheons, extra fine 
 
 505 The head of a most elaborate and richly executed Crosier, and a 
 
 Censer or Incence Pot of most rich and elegant workmanship, 
 raris 
 
 N.B. It was usual with the goldsmiths at this time, whenever they 
 performed an elaborate piece of art of this nature, to engrave the same 
 for the grot if eat ion of those who might not seethe original, and to 
 transmit a representation of its curious workmanship to posterity. 
 
Fourth Fay.] 
 
 Schoen, Solis, Staren. 
 
 41 
 
 506 A design of Grotesque Ornamental Foliage with Birds, a most 
 
 singular design of the letter 0 — and a beautiful figure of a dt- 
 
 Virgin holding a Cup, all extra fine 
 
 507 A Bishop in his Robes, and St. Anthony, with the copy by , 
 
 Wierix at the age of 14, and Saints John and Agnes, most' f 
 brilliant 
 
 508 Four, Saint Lawrence, St. Christopher, St. Michael over- / /f 
 
 powering the Dragon, and St. John, all fine / 
 
 509 Four pieces, 2 of Female Saints, a Madona in a Gothic Niche, Z 6 
 
 and a Crucifixion, most beautiful 
 
 510 Two, the Nativity and the Wise Men’s Offering, capital / /O 
 
 511 The large print of Christ on the Cross, the Virgin standing on y 
 
 one side and St. John on the other, f ine and rare 
 
 512 Twelve, the Apostles, very uniform and extra fine 3 ~ 
 
 513 Twelve, the Passion of Christ, complete, a matchless set / / E 
 
 514 The Battle of the Saracens, a most curious print and uncom- . 
 
 monly fine I ' t 
 
 End of the Fourth Day's Sale, 
 
 FIFTH DA T’s SALE, 
 
 SATURDAY, tlie 10th of FEBRUARY, 1810. 
 
 (Elirgrt born at Nuremberg, 1514—A celebrated designer 
 
 and engraver, botli on wood and copper. 
 
 lot nn 
 
 515 X WENTY-FOUR curious designs, wood cuts and engra- j/ 
 
 vings of Cups, &c. 
 
 516 Twenty-three ditto, some very curious and fine // 
 
 517 
 
 iDIncl) or 'Eljrotiore (Uanoer ‘St.mn, a native of Holland, born about 
 1500. — [I is productions are much in the style of Altdortfer, partly 
 etched, and finished with the burin in a neat and delicate manner; 
 they are from his own designs, and possess a considerable degree ot 
 merit. His mark is D. .V intersected by a star, and bearing the date 
 of the year and day of the month when he performed them. 
 
 A Pilgrim kneeling before the Virgin, the back ground enriched , 
 with a grand design of Architecture, and 6 other small pieces, 
 all fine 
 
42 
 
 PlLGRIMSTADT. 
 
 f Fifth Dai/. 
 
 2 - 518 St. l.uke painting the Virgin within a room decorated with 
 
 rich Architectural Ornaments—Christ and the Samaritan 
 Woman—Venus sailing on the Sea, and two others, very 
 curious 
 
 / — — 519 Twelve small, by old Germans, with curious marks 
 
 3iOf)amt Sllrlc flourished about 1500. He is con¬ 
 
 sidered to be the inventor or first producer of wood cuts in claire 
 ohsi'isre—His productions are so excellently performed, that they 
 would confer an honor to the most able artist that has worked in this 
 method since his time. The following is a most beautiful specimen 
 of this artist’s abilities. 
 
 3 — ~ 520 An armed Knight, splendidly accoutered, riding on a Charger 
 
 richly caparisoned and attended by an Halbsdier on foot, 
 they are passing by the side of a Wood or Cluster of Trees, 
 apparently to a Tilting Match 
 
 The productions of this master are so extremely rare, that even in the 
 first and most complete collections on the Continent, a single specimen 
 is but seldom seen, therefore highly esteemed and valued. 
 
 • 
 
 3!tvcnt:, anu Sntljong SUHittlJC, brothers, born at Amsterdam 
 •within the Years 1550 to 1555.— These very eminent artists are 
 highly distinguishable for their early attachment and application to 
 the fine arts in general, but more particularly for their remarkable 
 talents and exquisite high finishing, which is prevalent throughout 
 their productions 5 but more especially those that are on a dimunitive 
 scale. At the early age of twelve years they displayed uncommon 
 abilities by engraving some prints, which they copied from the 
 works of Albert Durer; on these they formed a model by assiduously 
 copying Albert’s best productions, till they arrived at the ages of 
 sixteen or seventeen years, when they began to display their genius, 
 by working from their own designs, and from the most eminent 
 painters, then living in Holland and Germany. Their application 
 was incessant, and in a variety of pieces, they have produced such 
 wonderful examples of exquisite execution, that none has or can 
 ever excel.—The following collection, consisting of about six hun¬ 
 dred pieces, forms altogether a splendid display of their works; they 
 are in perfect condition, of the finest quality as to impression, and 
 enriched with variations and several proofs. 
 
 j 
 
 PORTRAITS. 
 
 J(fl 521 Henry III. of France, large folio, by John Wierix 
 
 / // b 522 The same print before the inscription at top and with a prior 
 
 address, very fine and rare 
 
 // - 523 Philip William Prince of Orange, in rich armour, two prints 
 of one size, nearly alike, yet with considerable variations, 
 both by Anthony, small folio 
 
Fifth Dai/.] 
 
 J. J. AND A. WlERlX. 
 
 43 
 
 524 Philip William Prince of Orange, an oval, nearly 3 inches 
 
 wide by 31 high, first impression, previous to its being en¬ 
 graved, nearly at whole length, on the same plate which was 
 of sufficient size ; also the same print in its complete state. / 
 Heleonora his Consort, both by John Wierix, and a very 
 small oval of Philip, without the engraver’s name; thatfirst 
 mentioned is very rare 
 
 525 Philip II. King of Spain, in a high scolloped cap and ermined 
 
 robe, large folio —the same person in a small oval, both by J 
 Jerome, and another in a square, by Anthony Wierix, rare 
 
 526 Henry IV. of France, Mary de Medicis his Oueen, Rodolphus 
 
 II. Emperor of Germany, Isabella of Austria Queen of 
 Philip II. in small squares of an equal size, and Isabella 3 
 Clara Eugenia, in a sumptuous dress and her hat richly 
 adorned, all by Anthony Wierix , exquisite productions , 
 highly brilliant and very rare 
 
 527 Philip III. of Austria and Spain, with a curious proof of the . 
 
 same before any inscription, and Isabella of Austria, Daughter * 
 of Philip II. both by Anthony Wierix 
 
 528 Margaret Oueen of Philip III. and Isabella Clara Eugenia, 
 
 both richly habited , companion prints, finely engraved by 
 John Wierix 
 
 529 Albert Archduke of Austria, Isabella of Austria, Philip III. 
 
 of Austria, William Count Palatine and Philip Emanuel Duke — 
 of Lorraine, &c. Gubernator Britanniae, in small squares 
 of one size, by Anthony Wierix 
 
 530 William Count Palatine and Philip Prince of Orange, Albert 
 
 Archduke of Austria, Rodolph II. Emperor of Germany 9. 
 and Sir Francis Drake, the two last small ovals, very Jine 
 and rare 
 
 531 Philipe Emanuel de Lorrain Due de Mercueur, &c. et Gouver- . 
 
 neur de Britaigne, two prints, the large and small plates, ' 
 very fine and rare 
 
 532 Albert Archduke, within an arch, Andrew Cardinal of Austria, _ 
 
 in a Venetian habit, and the Emperor Charlemaigne 
 
 533 Innocent IX. Pope, portrait of a Jesuit writing, proof before 
 
 the inscription, and St. Augustin, fine 
 
 534 Ignatius Loyola, Everard Mercurianus, Claudius Aquaviva, 
 
 Bernard Realinus, Jacob Laynez, and Francis Boria, Jesuits, / 
 with a beautiful proof of the last 
 
 535 St. Francis Xaverius, four different prints of, capital 
 
 536 Joannes Berchmans, three different prints of, extra fine , and 
 
 three ditto of Alphonsus Rodriguez, one of them by John 
 Valdor, a pupil of Wierix 
 
 537 Lud. Dorleans Regius in Senatu. Paris, Patronus, Peter Can- . 
 
 isius, Carolus Boromeus, Cardinal—John Berchmans, et ' 
 Joannis Goropi Becani, all fine 
 
a b 
 
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 44 J. J. and A. Wierix. [ Fifth Day. 
 
 538 Jan Curtius, Jerome Beck, John cle Vedasti, and one other, a 
 
 proof 
 
 539 Johannes Stradanus, See. Pidtor, surrounded with emblems of 
 
 Art, veryfne , by John Wierix; and Ouintin Mastys, Johan 
 Maio, Jerome Coco, and Wm. Caio, all painters, by Jerome 
 Wierix 
 
 540 D. Alvarus Nonius, and 7 other portraits by John and Jerome 
 
 Wierix 
 
 SAINTS AT DEVOTION. 
 
 541 Ten pieces, St. Cecilia, St. Clara, St. Hubert, &c 
 
 542 Fourteen of Female Saints, some highly beautiful 
 
 543 Eleven, St. Philip, St. John, St. Peter, St. Benignus, Sec. one 
 
 a proof 
 
 544 Eight, St. Lawrence, St. Anthony, St. Ignatius, St. Jodocus, 
 
 and the Bood flowing from the Wounds of Christ into a Cup, 
 a most brilliant proof 
 
 545 Eight, Saint Teresa, Saint Gertude, Scc. some highly beau¬ 
 
 tiful 
 
 546 Eight, Thomas a Kempis, Thomas de Aquino, Sec. ditto 
 
 547 Six different prints of St. Michael overpowering the Devil,— the 
 
 designs are admirably conceived, and the execution of the en- 
 gravingsare so inimitably fine, that no powers of the engraver's 
 art can exceed the exquisite finishing. The impressions are 
 of the most brilliant cast , and one of the pieces is accompanied 
 by another impression of inferior quality, to shew the very 
 great variation there are in the impressions of prints, and the 
 necessity of viewing them in such a state, to conceive the 
 admirable beauties that are lost or effaced in feeble , or worn 
 out impressions. 
 
 548 Four Saints, Michael, &c. after Martin de Vos, with variations, 
 
 folio 
 
 549 Jesus Christ supporting the Cross, and standing on the Devil,— 
 
 Saint Jerome and another Saint at Devotion, after P. Galle, 
 very fine 
 
 550 Twelve pieces. Saint Francis de Paula,—Saint Epiphanius, 
 
 —Beatus,—'Philip Nerius,—Francis Xaverius, &c. very 
 fine 
 
 551 The Life of Saint Ignatius Loyola, 13 pieces with the title, 
 
 extra fine 
 
 552 Four, Saints Gregory, Augustin, Jerome, See. after Martin 
 
 de Vos, folio size 
 
 553 Saint Augustin and Saint Jerome, different from the last, and 
 
 2 prints, containing groups of three Apostles in each 
 
 554 Fourteen pieces, Saint George in Armour, capital ,—Saints 
 
 John, Lawrence, Bridget, See. fine 
 
Fifth Day.] 
 
 J. J. and A. Wierix. 
 
 45 
 
 / 
 
 555 Five drawings, a design for a frontispiece, representing the 
 
 Interior of a Choir, the foreground in the center occupied by 
 a large tablet, supported by the Virgin and a Saint in a ponti¬ 
 fical habit—a Nobleman in conversation with three Jesuits, 
 and other persons—Saint Francis receiving the Stigmatics— 
 a Saint at Devotion, and a Saint at full length, with fleurs de 
 lis on his under garment, and swine near his person, very 
 beautiful 
 
 556 Seventeen various, of Saints, Madcnas, &c. 
 
 557 Ten, chiefly of Madonas, some of them curious compositions , 
 
 and finely engraved 
 
 558 Five pieces, the Virgin appearing to Saint Francisca Romana— 
 
 Saint Roche on his knees before the Virgin—-the Transfigu¬ 
 ration of Christ before Saints Peter and Paul—a Magdalen at 
 Devotion, and the Holy Family in a room— the compositions ' 
 of these pieces are throughout most lovely, the execution 
 inimitably fine, and the impressions are extra brilliant 
 
 559 Nine pieces, the Virgin with the Infant, different designs, with 
 
 three pieces, of Mary supporting the dead Body of Jesus, 
 highly beautiful 
 
 560 Seven pieces, the Angel Gabriel—the Virgin, and the Annun¬ 
 
 ciation of the Virgin—one on a large scale, surrounded with 
 Adam and Eve, and portraits of the Prophets at top and 
 beneath, after John Verheyden, extra fine 
 
 561 Thirteen pieces, Jesus Christ, the Virgin, and the Holy Fa- * 
 
 mily, different designs, some of them of exquisite beauty 
 
 562 A Holy Family, after Dennis Calvaert—the Madona with the 
 
 Infant, and a ditto, sitting in a Garden of Flowers, fine 
 
 563 The Virgin giving the Breast to the Infant Jesus, she is seated 
 
 on a crescent, her head remitting an extensive illuminated J 
 glory, large folio, and a beautiful proof of that part of 
 the print containing the Virgin's head, fic. very curious 
 
 564 The Life of the Virgin, in 8 pieces, with copartments con¬ 
 
 taining or exhibiting the most remarkable events of her life, 
 elegant designs and of extraordinary brilliancy 
 
 565 Twenty-four pieces, the Life of the Virgin, very fine / 
 
 566 Thirteen pieces, representing the Infantile Occupations of Jesus 
 
 Christ, curious designs and very fine * 
 
 567 Thirteen pieces relative to the History of Jesus Christ, with 
 
 a variation, very fine 
 
 568 Fifteen ditto 
 
 569 Twelve ditto of Crucifixions, Sec, 
 
 570 Nine pieces, Emblems of Christ in different Hearts, and 6 pieces, 
 
 the Triumph of Death, &c. 
 
 571 The Shepherd’s Offering, and the Wise Men’s Offering, de¬ 
 
 signed and engraved by Anthony, oblong folio —Christ at 
 Supper and discoursing with the Pharisees, and an emblem 
 of Innocence, encompassed by Allegories, after F, Pourbus 
 
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46 
 
 J. J. AND A. WlERIX. 
 
 [Fifth Day. 
 
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 /6 b 572 Eight pieces, chiefly Crucifixions, very fine 
 /b — 573 Ten ditto, some very curious 
 
 / — 574 Five ditto, highly beautiful 
 
 /7 — 575 Eleven ditto and other compositions from scripture 
 7 *— 576 Twelve ditto, the Martyrdom of Jesus Christ, the set, very fine 
 
 /<$" 511 The large Ecce Homo, very fine , and 9 other pieces of the 
 
 Suffering of Christ 
 
 578 Five pieces of a large size, the Flagellation of Christ in the 
 Presence of a Multitude of Spectators, designed and en¬ 
 graved by A. Wierix—Christ dead, with Mary, St. John, 
 Elizabeth, Sic. weeping over the Body, after John De Ma¬ 
 buse, and 2 pieces of the Entombing of Christ, after Otho 
 Venius, Martin De Vos, &c. 
 
 579 Five pieces, representing the Impression of Christ’s Face on 
 St. Veronica’s Handkerchief, extra fine 
 
 580 Four pieces, chiefly of Magdalens and Female Saints of a large 
 size, capital . 
 
 581 Eight pieces, Christ’s Passion, very small, within curious or¬ 
 namental flourishes formed with sentences of writing 
 
 582 The Passion of Christ, in 18 pieces, fine 
 
 583 The Passion of Christ, in 18 pieces, of a larger size, with 
 borders enriched with a representation of different species 
 of flowers, fruits, birds, animals, fishes, shells, See. from 
 the designs of Martin De Vos, 16 of them engraved by 
 Anthony, l by Jerome, and the other by Crispin Pass, extra 
 fine and rare 
 
 / /Cj - 584 Three impressions of Adam and Eve, copied from Albert 
 Durer’s print, by John Wierix at the age of sixteen, 1 of 
 them by another artist 
 
 / — — 585 Twenty pieces, the Creation, by ditto, extra fine 
 
 /Xl - 5 86 Eight, the Cardinal Virtues, from the designs of Stradanus, by 
 Jerome Wierix, fine 
 
 / / — 587 Eight, the Mortal Sins, from the Designs of Philip Galle, by 
 
 ditto, brilliant 
 
 / / — 588 Nine pieces, Venus, &c. and others humorous 
 
 / (2 589 The Armed Night on Horseback, done by Wierix at the age of 
 
 » fifteen, and 2 impressions of the Melancholy, copied after 
 
 Albert Durer, by John, 1602, extra fine 
 /Cj 590 Nine various pieces, copied from Albert Durer’s works at the 
 * age of twelve years, and from that to his sixteenth year, 
 
 , by Jerome Wierix, fine and curious 
 
 /%, b 591 Six prints of celebrated Horses, from the designs of Stradanus, 
 fine 
 
 PUPILS OF WIEPJX. 
 
 f b 592 Portrait of Isabella Clara Eugenia and Alexander Bertius, both 
 by C. Malleray, rare 
 
 if 593 Fifteen pieces, the Mystery of the Rosary, &c. by ditto 
 
Fifth Day.] 
 
 Zagel. 
 
 47 
 
 594 Portrait of Ferdinand, Archbishop of Cologne—Ditto of 
 
 John Wamesius, and 5 of Female Saints, by John Valdor, 
 scarce 
 
 595 Nine of Magdalens and Female Saints, Michael Snyders excudit, 
 
 brilliant 
 
 // 6 
 // b 
 
 5j9artfn flourished at Munich, Anno 1500 . 
 
 596 Two pieces, St. Christopher fording a River, bearing the Infant , 
 Christ on his Shoulders; and a composition, usually called ^ 
 the Martyrdom of St. Sebastian. 
 
 The subje£t is thus elucidated— 
 
 A dead Monarch is seen bound to a tree, with tzvo dar^s in 
 his breast; zee may suppose, that he had directed by his will , 
 or that it zcas the custom of the nation , that the sons of the 
 deceased monarch , if more than one, do assemble on the 
 occasion, and to evince their skill , aim an arrow at his heart, 
 arid he who strikes it, is proclaimed the successor to the 
 throne—In this piece there is represented three sons, of which 
 the two elder have discharged their darts, and have lodged 
 them in the body , but not in the heart ; the third and youngest 
 son, whose turn it is to take his aim, is represented as having 
 thown down his bow and broke his arrow, and is seen on 
 his knee supplicating the chief officer, or addressing him 
 on the occasion of his refusal: the chief officer, who is at¬ 
 tended by his retinue, is ordering the crown to be conferred 
 on the youngest son, as a rezoard for the filial affection shewn 
 by him towards his parent—fine and rare 
 
 59 7 Herodias with the Head of St.John, and a Madona with the ^ jq 
 Infant, seated near a. fountain, in a rich landscape, fine and 
 very rare 
 
 598 A box portfolio ^ 
 
 599 A ditto / - 
 
48 
 
 [Fifth Day. 
 
 2.6 2 ^ 600 STRUTT’S DICTIONARY OF ENGRAVERS—illustrated 
 
 by upwards of four thousand select Specimens by the dif¬ 
 ferent engravers therein mentioned, arranged in chronolo¬ 
 gical order, forming twenty-four volumes, on Whatman’s 
 imperial folio wove paper. Throughout the work are many 
 choice, rare and curious examples, and it altogether forms a 
 capital cabinet of art, worthy of every addition and improve¬ 
 ment that can be introduced to adorn and embellish it.—The 
 present construction of the book, and the method of arrange¬ 
 ment, admits of its being increased to any extent. Such 
 a work affords to the amateur a comprehensive and a judi¬ 
 cious knowledge of the works of the artists ; and a never Jail¬ 
 ing source of amusement and pleasure to the mind. 
 
 The volumes are numbered on the back, and imply what 
 period each contains ; the work is formed into periods in the 
 following order. 
 
 1st volume contains all the Introductory Chapters, and the period 
 from the commencement of the Art of Engraving down to 
 the year 1500. 
 
 2d vol. contains the Works of those who flourished generally during 
 the years from 1500 to 1520. 
 
 3d ditto, from 1520 to 1540. 
 
 4th ditto, from 1540 to 1560. 
 
 5th ditto, from 1560 to 1580. 
 
 6th ditto, from 1580 to 1600. 
 
 7th and 8th ditto, from 1600 to 1620. 
 
 9th and 10th ditto, from 1620 to 1640. 
 
 11th and 12th ditto, from 1640 to 1660. 
 
 13th and 14th ditto, from 1660 to 1680. 
 
 15th and 16th ditto, from 1680 to 1700. 
 
 17th and 18th ditto, from 1700 to 1720. 
 
 19th and 20th ditto, from 1720 to 1740. 
 
 21st and 22d ditto, from 1740 to 1760. 
 
 23d and 24th ditto, from 1760 to 1780. 
 
 Each of the periods are alphabetically arranged, by which 
 any article can be instantly found. 
 
 
 End of the Fifth Daffs Sale. 
 
SIXTH DATs SALE 9 
 
 TUESDAY, the 13th of FEBRUARY, 1810. 
 
 CONTINUATION OF THE WORKS OF THE MOST 
 EMINENT DUTCH AND GERMAN ENGRAVERS, OF 
 THE SIXTEENTH, SEVENTEENTH, AND EIGHTEENTH 
 CENTURIES. 
 
 HENDRICK BARY, lorn in Holland about the year 1620 —He 
 engraved several fine productions, in a style similar to that adopted 
 by Cornelius Visscher. 
 
 LOT Tp 
 
 601 X* IVE, portraits of Fred. Adriaensz, a Geographer—J. D. 
 
 Brower—Arnold Geesteranus—M. Van Gerwer, &c. very 
 fine 
 
 602 La Duchesse de la Valliere, brilliant 
 
 JOHAN FREDERIC BAUSE, born at Halle, in Saxony, 17SS, and 
 established at Leipstc, 1767—This artist ranks among the engravers 
 of the highest eminence for his professional skill.—He engraved in 
 the manner of Wille, of whom it is possible he might have received 
 some instruction.—He also etched in a spirited style, a variety of 
 productions, some of which are heightened in aquatinta. 
 
 603 Portraits of Gustavius Adolphus, King of Sweden, and Fre¬ 
 
 deric II. King of Prussia 
 
 604 Ditto of Frederic Augustus, Elector of Saxony—Solomon Gess- 
 
 ner, and H. G. Koch 
 
 605 Ditto of I. F. W. Jerusalem—John Thomas Richter—Moses 
 
 Mendelssohn, and John George Sulzer 
 
 606 The Smiling Girl, after Sir J. Reynolds, proof 
 
 CORNELIUS BLOEMART, born at Utrecht , 1603—He was the 
 third son of Abm. Bioemart, and from his father he learnt the ele¬ 
 ments of design and painting, which he afterwards declined, to follow 
 more assidiously the art of engraving.—T his he derived under the 
 tuition of Crispin Pass.—He engraved a considerable number of prints 
 from his father’s designs, and of many other masters. He handled 
 the burin with uncommon ability, and his woiks are highly beautiful, 
 owing to the charming tone of colour, which he by his art could so 
 skilfully express. 
 
 607 Two different prints of Madonas, after A. Bioemart—a Bag¬ 
 
 piper, after ditto, most brilliant , and a Peasant, after G. 
 Honthorst 
 
 608 Three, of Madonas, after Luca Cangiagio—Saint Luke, and 
 
 Ciro Ferri, and a Crucifixion, after Annibal Carracci, fine 
 
 H 
 
50 Blond, Blooteling, B. & S. Bolswert. [Sixth Dai/ 
 
 ji) 6 
 
 4 
 
 6 
 
 6 
 
 
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 MICHAEL LE BLOND, born at Frankfort,about the year] GOO—By 
 profession a goldsmith, and an engraver of arms, grotesque decorations 
 and fanciful designs of goldsmiths work, of which he performed a 
 considerable number in imitation of De Bry.—He came into England 
 in the reign of Charles I. in the quality of embassador from Sweden. 
 —His brother Christopher also appears to have been here, as there 
 are several frontispieces to English books, engraved by his hand. 
 
 609 Portrait of Robert Burton, in the frontispiece to his Anatomy 
 
 of Melancholy, and 10 other productions, by C. Le Blon 
 
 610 Two Plateaus and a variety of ornaments, by M. Le Blon 
 
 611 Twenty-eight, of Arms, frontispieces and ornaments, by ditto 
 
 612 Portraits, of Maria Eleonora, Queen of Sweden, and Cath. de 
 
 Boulainvilliers de Courtenai, &c. Jean Le Blond excudit, 
 very beautiful 
 
 ABRAHAM BLOOTELING, born at Amsterdam, 1634—An artist 
 of universal celebrity.—He etched, engraved, and was also among 
 the earliest practisers in mezzotinto; he produced a vast variety of 
 prints of uncommon excellence in all these branches.—The follow¬ 
 ing specimens exhibit his great talents, and at once proclaim hijn 
 equal in ability to any engraver of his time. 
 
 PORTRAITS. 
 
 613 John Henry Thim—Flinck, the Painter—Gerrard Hulft—Ever- 
 
 hard Borneus—John Visscher, and Cocceius, all very fine, 
 the last a beautiful proof before any letters 
 
 614 T. H. de Fries, and Egbert Meesz Kortenaer, Admirals, two 
 
 capital productions, very fine 
 
 615 Petrus Sellout—J. U. D. Canonicus Utraject, &c. on horse¬ 
 
 back, a beautiful print, extra fine 
 
 616 Six etchings of views in the Environs of Amsterdam, and 2 
 
 views of the Jews Burial Ground, all after Ruysdael 
 
 617 A set of Lions in four pieces, after Rubens, very fine 
 
 BOETIUS ADAMS and SCHELTIUS ADAMS a BOLSWERT, 
 brothers, born at Bolswert in Friseland, about the years 1580 to 1586— 
 Boetiuswas the elder of the two brothers, and was highly eminent for 
 professional talents; but of Scheltius it may be said, that he ranks 
 among the most scientific and able engravers that ever existed, 
 whether in portrait, h story, or landscape, he stands pre-eminently 
 great. Nothing is so adequate to display his powerful genius, more 
 than his very extraordinary productions after Rubens, Jordaens, and 
 Van Dyck; they stand in equal competition with the pictures of those 
 great masters. In them we find the character, expression, animation, 
 touch, effect, and every essential quality reproduced in all their 
 original grandeur. The Jotlowing pieces exhibit some of the most 
 capital of his productions, and are remarkably fine as to impression. 
 
 GiS Portrait of William Lewis, Count Nassau, in armour, by Boetius 
 
 Bolswert 
 
 Gl9 A Holy Family, after A. Bloemart, and the Meeting of Jacob 
 and Esau, after Giles Conixloo, by ditto, very fine 
 
Sixth Dai/.'] 
 
 S. Bolswert. 
 
 51 
 
 PRINTS, after VANDYKE, by S. BOLSWERT 
 620 The Dead Body of Christ oil the Lap of his Mother 
 
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 621 The Holy Family with a group of Cherubs Dancing 
 
 622 A Drunken Silenus, supported by Bacchants, two impressions, 
 
 with the addresses of C. Galle and N. Lauwers 
 
 623 The large Crucifixion, without the dedication andwith the Hand 3 /// 
 
 of Joseph on the Virgin 
 
 624 The same print, before the Hand was introduced and with the 3 — 
 
 dedication, Jirst state, very fine 
 
 625 Jesus Christ on the Cross, after Jordaens, with the address of / /y 
 
 Blootehng ' 
 
 626 Another impression of the same, previous to the address of 2 — 
 
 Blooteling, extra fine 
 
 627 The Family Concert, after Jordaens 
 
 PRINTS after RUBENS. 
 
 628 Portraits of Ignatius Loyola and Saint Franciscus Xaverius at 
 
 Devotion, whole lengths 
 
 629 Nine portraits of different Saints, fine 
 
 630 Seven compositions of the Virgin, very beautiful 
 
 631 Five ditto, ditto 
 
 632 Seven of Female Saints, Mary Magdalen, &c. ditto 
 
 633 Five, the Infant Christ, St. John, &c. ditto 
 
 634 Three pieces, the Annunciation, a Holy Family and Christ ex¬ 
 
 piring on the Cross, G. Ilendric. exc. 
 
 63 5 The Holy Family returning into Egypt, G. Hendrix , ex, and 
 
 Christ appearing to Mary, Vanden Enden, ex. 
 
 636 The Head of Saint John presented to Herod, a reverse , and a 
 
 copy of the same, by Ragot, G. Hendrix, ex. 
 
 637 The Elevation of the Brazen Serpent, capital, Gasper Hubert 
 
 ex. 
 
 638 The Conversion of St Paul, ditto, S. Bolswert ex. 
 
 639 The Trinity, or Christ dead supported by the Deity, on 
 
 satin, extra fine , G. Hendrix, ex. 
 
 6 40 The Destruction of Idolatry, on two sheets, N. Lauwers, exe. I 
 
 641 I'lie Triumph of the Church, on two sheets, ditto exc. O 
 
 642 The Four Evangelists and the Fathers of the Church, two pieces, 
 
 N. Lauwers, exc. extra fne 
 
 643 Nymphs returned from a Chase, with Satyrs carrying Fruit, and 
 
 Twelve of the smaller set of landscapes , fine old impressions, 
 G. Hendrix, exc. 
 
 644 A large landscape with Haymakers and two Figures carrying 
 
 Vegetables and Grass, G. Hendrix, exc. brilliant 
 
 645 The Grand Lion Plunt, f irst impression , S. Bolswert, exc. most 
 
 capital 
 
 646 The Twelve Apostles, after G. Seghers, Vanden Enden y exc a 
 
 choice set 
 
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 647 Portraits of John and Cornelius De Wit, with view of the 
 
 Massacre of ditto, by Gaspar Bouttats—portrait of G. 
 Huymans, by P. Bouttats, jun.—a representation, in divisi¬ 
 ons, of a Man being changed into a Dog, with account be¬ 
 neath, very curious, by F. Bouttats, and the portrait of the 
 Emperor Leopold, by J. Brouwer, fine 
 
 648 Frederic Henry Prince of Orange, in a Triumphal Car, attended 
 
 by the Cardinal Virtues, finely engraved, by Van Bremden, 
 after A. Vandervenne, brilliant 
 
 649 The Elephant, after Jerome Bosche, a grand composition, 
 
 combining several singular Allegories, If. Cock, excu. most 
 curious and rare 
 
 650 A Village Festival, abounding with figures, practising different 
 
 diversions, after P. Breughel, If. Cock, excu. fine and 
 rare 
 
 NICHOLAS DE BRUYN, born at Antwerp in 1570—Designed and 
 engraved a number of prints, which bear some resemblance to the 
 works of Lucas Van Leyden, in point of art, composition and the 
 singular costume with which he has cloathed his figures. He seems 
 to have possessed a very inventive fancy in his designs of dress, flis 
 productions are on a grand scale; Ins designs singular and entertaining, 
 and generally abound with figures. 
 
 Prints from his oral Designs. 
 
 651 The Vision of Ezekiel, of the Resurrection of the Dead, and 
 
 the Ascension of Christ 
 
 652 The Israelites dancing with the Daughters of Moab, and the 
 
 Prediction of St. Paul 
 
 653 The Passion of Christ, in 12 pieces 
 
 654 A set of groups of Birds, in 12 pieces 
 
 655 The Golden Age, after Bloemart~a landscape, after Breughel, 
 
 and the Judgment of Midas, after Coninxloo 
 
 656 St. John Preaching, after Lucas Van Leyden, and a Convivial 
 
 Party, after Martin de Vos 
 
 JACQUES DE BYE, born at Antwerp, 1581. 
 
 657 Twelve portraits of the Family Genealogy of the House of 
 
 Croy, Q of them proofs, with the names and titles in manu¬ 
 script 
 
 * _______ _ 
 
 658 T/ieset of Apostles, in 14 pieces, after Van Dyck,byCAU- 
 
 kercken, extra fine 
 
 659 Portrait of Oliverius Florenti Waterloop, a Jesuit, in a curious 
 
 emblematical frontispiece, by Caukercicen— a proof of the 
 same, and three fine portraits, by Peter Clouwet, namely 
 Michael Boudewyns, a Professor of Anatomy, Francis Godi- 
 nius, a Poet, and a Dutch Admiral, no name 
 
Sixth Day .] Collin, Collaert, Dalen, Delfft. 
 
 33 
 
 RICHARD COLLIN, born at Luxembourg, 1626. 
 
 liGQ Portraits of Eugenius Alexander, Princeps de la Tour et de 
 Tassis, &c. and 2 prints of Nuns, very fine 
 
 66i Twelve various, by Adrian and John Collaert 
 06 2 The Fishes of the Sea, represented in 24 pieces, by ditto / 
 
 663 Groups of different Birds, in 18 pieces, by ditto / 
 
 664 The set of Seasons, encompassed with borders of Fruit, Flow- /Jj — 
 
 ers, Vegetables, 8 cc. extra fine 
 
 665 Eighteen pieces, Passages from Scripture, encompassed with o 
 
 similar borders, beautiful and curious productions, brilliant c 
 
 7 .^ 
 
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 CORNELIUS VAN DALEN, born at Antwerp, about theyear 1626 
 —He received his instructions under Cornelius Visscher, and became 
 «m engraver of distinguished abilities; his powers with the instrument 
 were such, that he would readily imitate any of the leading artists of 
 his time. He occasionally worked in the different styles of Goltzius, 
 
 Bolswert, Blooteling, Visscher, Vosterman, Sec. and has produced 
 prints of extraordinary excellence. 
 
 666 Portraits of Charles I. on horseback, with a view of Edinburgh, y _ 
 
 and two different prints of Prince Maurice 
 
 667 Charles II. in Armour, impression before the crown was intro- j yff __ 
 
 duced on the table , E. R. Vason p .fine and rare 
 
 668 Henry Duke of Gloucester, in Armour, S. Luttichuys, p. extra / /C) - 
 
 fine 
 
 669 Francis Deleboe Sylvius—Anna Maria Schurman, and three 
 
 other portraits of the same Lady 
 
 670 The Fathers of the Church, after Rubens, extra fine 
 
 WILLIAM JAMES DELFFT, born at Delfft , 1580—A celebrated 
 painter, and an engraver of uncommon talents. His productions chiefly 
 consist of portraits from the pictures of Mirevelt his father-in-law, 
 which possess extraordinary excellence and infinite execution. They 
 shew with what admirable skill and dexterity he handled the burin, 
 and the beautiful effect that predominates throughout his works, render 
 them master-pieces of art. The following collection are of the most 
 brilliant cast as to impression. 
 
 /// 6 
 
 671 Amelia Princess of Orange, Mirevelt, p.—Amelia, de Solms, y 
 
 Princess of Orange, idem. p. in rich and elegant habits 
 
 672 Philip William, Prince of Orange—Frederic Henry, Prince of 
 
 Orange, and Maurice, Prince of Orange, all after Mirevelt 
 
 673 Maurice , Prince of Orange, three-quarter length, proof be- ‘ \ 
 
 fore any inscription ' 
 
 674 Frederic Henry, Prince of Orange, companion to the last, ^ 
 
 in the same beautiful state ^ 
 
 675 William Prince of Orange, seated in a chair, Vande Venue, / 
 
 p. very fine 
 
 676 Earnest Casimir, Wm. Lewis, and Maurice, Counts of Nassau 
 
 after Mirevelt 
 
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 677 Wm. Count of Nassau, and a beautiful proof of the same be¬ 
 
 fore any incription, Mireveldt p. 
 
 678 Frederic Henry, and Charles Lewis, Counts Palatine, idem. p. 
 
 679 Wolfgang Wm. Count Palatine, Sophia Duchess of Bruns¬ 
 
 wick, and Catherine Countess of Culemborch, all after Mi¬ 
 reveldt 
 
 680 Gustavus Adolphus, King of Sweden, brilliant 
 
 681 Henry Comes de Bergh, Gaspar Comes de Coligny, ditto 
 
 682 Axelius Oxenstern, Liber Baroni, &c. Henrico Matthseo 
 
 Comiti a Tursi, See. and one other, an unfinished proof 
 
 683 Johannes Battenfeldt, Wm. a Blois, Johan Buyesius, and Ar¬ 
 
 nold Comely 
 
 684 Sir Dudley Carleton, and Antonius de Dominis, both extra fne 
 
 and scarce 
 
 685 Johan Ducherus, Simon Episcopius, Johan Fontanius, Lubert 
 
 Gerritz, and Hugo Grotius, ditto 
 
 686 Festus Hommius, and Constantine Huygens, ditto 
 
 687 Rumoldus Hogerbeets, two prints, Johan Hochedeus, Bonifa- 
 
 cius Junius, and Philip Lansbergius 
 
 688 Henry and Anthony Vander Linden, Cornelius Liens, Abra¬ 
 
 ham Vander Meer, and Peter Moreus 
 
 689 Joseph del Medico Cretensis, &c. Johan Meander, Philoso. 
 
 Anna Monachia, and Maria Strick, the two last beautiful 
 proofs and exquisite productions 
 
 690 Johan ab Odenbarneveldt eqes, Johan Polyander, and Edward 
 
 Poppius, all after Mireveldt, fne 
 
 691 Peter Plancius, two different prints, Hans de Ries, Jeme Ja r 
 
 cobs de Ringh, and Jacobus Roelans, capital 
 
 692 Rippertus Sixtus, eccles.—Felix a Sambix, Johan Stalpard, 
 
 Jacob Trigland, and Herboldus Tombergius, two impressions, 
 one a proof 
 
 693 Johan Wtenbogardus of Utrecht, two different prints, Adol¬ 
 
 phus Visscher, and Michael Waltherus, very fne 
 
 694 The Princes of the Houses of Orange and Nassau , in one ge¬ 
 
 neral group on horseback, Adrian Vande Venne p. a grand 
 production and uncommonly brilliant 
 
 JACOB FALCK, lorn at Dantzic in 1629.—He went to Paris, and 
 received his instructions from F. Chauveau, after which he passed 
 some time in Holland, Sweden and Denmark, and established him¬ 
 self at his native place. He possessed a considerable share of ability 
 in his profession as an engraver, which his productions readily 
 evince, and to approach to comparisons, his works resemble those 
 of our English artist Faithorne, more than any other engraver then 
 extant; there appears a dose similarity in their manner of handling 
 the burin, and a similar effect and execution is equally predominant 
 in their productions. 
 
 695 Four portraits of illustrious men of Poland, Peter Gembicki— 
 
 Bishop of Cracow, &c. after Danckers and D. Schultz 
 
Sixth Day.~\ 
 
 Furck:, Galle, Gheyn. 
 
 55 
 
 696 Three ditto, Constantius Ferberus—Axelio Lillio Baroni in 
 
 Kydes, &c. and Count Hammerslein 
 
 697 St. John preaching in the Wilderness, his most esteemed pro - y 
 
 Auction) A. Bloemart p. very fine 
 
 698 A Shepherd, after Spagnoletto, by Simon Fokke, and the 
 
 figure of Christ, after Bellino, by Jacob Folkema, from 
 the Dresden gallery, fine 
 
 SEBASTIAN FURCK , fiourished at Frankfort, 1640. 
 
 699 Six portraits of celebrated characters at Frankfort 
 
 tOO Axelius Oxenstern—Johan Faulhaber an Architect, and 2 
 impressions of Matthew Merian, an engraver, one an un¬ 
 finished proof 
 
 PHILIP GALLE, born at Haerlem in 1537? afterwards established 
 at Antwerp, where he, in conjunction with his sons Theodore and 
 Cornelius, carried on a considerable commerce in prints—Philip 
 was a designer and engraver of eminence, as was Theodore also; 
 but Cornelius was an artist of very considerable abilities, and 
 Cornelius the son of Cornelius, was equally as distinguished by 
 his professional skill; but their works are not readily subdivided, 
 for want of the distinction of the word jun. being added to the 
 name, and their execution or method of working being very similar, 
 the family altogether form a conspicuous figure in the annals of 
 the art, as their productions are numerous and many of them very 
 excellent. 
 
 701 Eight fine portraits of Jesuits—Ignatius Loyola—F, Xaverius, 
 
 &c. by P. Galle '"f/"''' 
 
 702 The Tables of Cebes, or the Picture of Human Life, a curious 
 
 design, F. Floris pinx. P. Galle scu\p. proof before the in¬ 
 scriptions on the tablets 
 
 703 Twelve emblems, explaining the Occasion of Time, by T. 
 
 Galle, curious 
 
 704 Thirteen various, by Theodore and Cornelius Galle 
 
 705 The Death of Seneca—St. Francis, and the Dead Body of 
 
 Christ on the Lap of the Virgin, all after Rubens, fine 
 
 706 The Infant Christ, and St. John with a Lamb—Philomela 
 
 thrusting the Head of Itylus to Tereus, both after Rubens, 
 fine 
 
 JACQUES DE GHEYN, born at Antwerp , 1565.—He learned 
 the art of engraving in the school of Goltzius, and he distinguished 
 himself highly by his professional talents, he also designed, and 
 was a painter-of eminence both in miniature and on a grand scale. 
 
 707 Portrait of De Gheyn—Ditto of Tycho Brahe, 2 impressions, 
 with and without the address of Marco Sadeler, and 3 
 others, fine 
 
 703 A different head of Tycho Brahe, with cap and feather—Ditto 
 of Ludolf Van Collen—Caroli Clusius—Henry IV. of 
 France, and two others, fine 
 
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Gheyn, Goltzius. 
 
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 36 
 
 709 Philip de Mar nix, Seign. da Mont, and Hugo Grotius when 
 
 a youth, exquisite specimens of art and extra fine 
 
 710 The Tribes of Israel , in 12 pieces, brilliant 
 
 711 Christ feeding the Multitude, A. Bloemart, invt.—the Empire 
 
 of Neptune, a circular design, very curious —Wm. Teirho 
 invt.—a Madona, after Goltzius—a Magdalen—2 small 
 heads in circles, and the Humble Couple, an etching 
 
 712 The Penitents, in 6 pieces, K. Van Mandere invt. 
 
 713 The Assembly of the Gods, C. Van den Broeck p. 
 
 714 The Prodigal, or the Scene of Voluptuousness, K. Van Man¬ 
 
 dere invt. 
 
 715 The Incantation, a capital production, J. De Gheyn invt. 
 
 I1ENRY GOLTZIUS, born 1558, at Mulbrecht in the Duchy of 
 .fullers-— He learnt the elements of painting from his father, and of 
 engraving under Theodore Cuerenhert, a man of universal skill in a 
 variety of the arts and sciences—Under such instruction, and with 
 his own natural genius, Goltzius became an artist of extraordinary 
 abilities—He possessed in the highest degree facility and power in 
 handling the burin, and could introduce the most exquisite delicate 
 execution, whereby some of his pieces are rendered excellent and 
 beautiful almost without example—He could readily imitate the style 
 of all the skilful engravers that had preceded him ; add to these 
 talents, he drew with uncommon freedom, designed, painted, and 
 possessed a general knowledge of anatomy—The following collection 
 consists of the greater part of his best productions, and the generality 
 of them are particularly choice as to impression. 
 
 PORTRAITS. 
 
 716 Three of Henry Goltzius, by Suyderhoef, Boulonois, Sec. agd 
 
 John Bol and T. Cuerenhert, by Goltzius * 
 
 717 Christopher Plantin and Johan. Stradanus, zeith proofs of each 
 
 before any inscription, and two others, small ovals, rare and 
 fine 
 
 718 William Prince of Orange, surrounded zeith emblems —Caroline 
 
 Bourbon, Consort of ditto, in a small oval, very neat, and 
 Darnoiselle Franchoyse Degmont, trvo impressions, one before 
 the name of Goltzius and the address oj the publisher, f ine 
 and rare 
 
 719 N. de la Faille, partly in armour, within an oval, surrounded 
 
 with military trophies, and portrait of hi§ Eady, with proof 
 impressions of each before the inscriptions, beautiful speci¬ 
 mens of art, and very fne 
 
 720 Gerard de Jode, Mathematicus—Johan Gols, Painter —Father 
 
 of Henry Goltzius, and eight other portraits, small ovals 
 
 721 Nine portraits, in small ovals, without inscriptions, mostly 
 
 without names—vide the article Goltzius in Bartsch, Nos. 
 163, 185, 186, 192, 194, 195, 200, 201, &c. 
 
 722 Five, Justus Lipsius—J. Niquet—Pierre Forest—Adrian Van 
 
 Westcappelle, & g. very fine 
 
Sixth T)ay.~\ 
 
 Goltzius. 
 
 57 
 
 723 
 
 724- 
 
 725 
 
 726 
 
 727 
 
 728 
 
 729 
 
 730 
 
 Two of Nicholas de Daventer, Mathematician, different— 
 Abraham Ortelius, a small circle , and two others, extra J ine 
 Three different of Adrian Brederode—two ditto of Johan Bap- 
 tista Houwaert, and Henry Rantzovi, Prince of Denmark, 
 curious and rare 
 
 Catharine Decker, an exquisite production, a reverse of the 
 same, and a Lady, in a small oval, brilliant 
 Julius Caesar Scaliger and Joseph Scaliger, both extra fine 
 Johannes Zurenus, three different impressions , one a brilliant 
 proof, previous to any inscription 
 Six various, chiefly proofs, before the names were introduced, 
 fne and rare 
 
 The Son of Theodore Frizius mounting a Dog of the New¬ 
 foundland breed, usually called the Boy and Dog, very rare 
 and extra fne 
 
 Three fine copies of the same, one by Crispin Pass 
 
 s<s> 6 
 
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 End of the Sixth Day's Sale. 
 
 SEVENTH DATs SALE. 
 
 WEDNESDAY, 14th of FEBRUARY, 1810. 
 
 LOT 
 
 731 
 
 732 
 
 733 
 
 734. 
 
 S 
 
 WORKS OF GOLTZIUS continued. 
 
 IX of Persons in Military Habits, some bearing ensigns 
 Two ditto, one representing Johan Casimir, Count Palatine, 
 and three others whole lengths of Gentlemen holding flowers, 
 fne and rare 
 
 Four etchings of heads, two pieces in clair obscure, and a 
 capital wood cut, by Van Sichem, after Goltzius 
 Four pieces in clair obscure, the Incantation—Pluto—Venus in 
 the Car of Neptune, and a head 
 
 HISTORICAL. 
 
 735 Thirty-five chiefly of Christ’s Passion, Emblems, he. his early 
 performances 
 
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 58 
 
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 [Seventh Day. 
 
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 736 The Shepherds’ Offering—Paul casteth the Viper into the Fire, 
 
 and the Last Supper, a proof 
 
 737 Joseph and Mary shewing the Infant to two Shepherds, with a 
 
 curious proof previous to the. Infant being introduced and 
 the back ground etched in, extra fine and rare 
 
 738 Three different prints of Holy Families, two of them after 
 
 B. Sprangher—a Madona, with the Infant Christ and St. 
 John; and Judith with the Head of Holofernes, all fine 
 
 739 The Dead Bcdy of Christ on the Lap of the Virgin—the Cruci¬ 
 
 fixion, a circle, the subject is merely etched in, except the 
 figure in the foreground, which is partially finished—Two 
 sketches of heads in a square plate, and a whole length figure, 
 apparently one of the Cardinal Virtues, unfinished, with the 
 corners of the plate reangled, very rare 
 
 740 The Passion of Christ in 12 pieces, capital 
 
 741 The Apostles, in 14 pieces, most brilliant 
 
 742 Saints Peter and Paul, at whole length—the Emblem of Vanity— 
 
 the Temptation of St. .Anthony, in the manner of Lucas Van 
 Leyden, and a Man conversing with a Woman, in the manner 
 of John Vande Velde, fine and rare 
 
 743 The Murder of the Innocents, a grand production, but unfinish¬ 
 
 ed, I. C. Vischer, exc. extra fine. 
 
 744 The same print, previous to the address ofVisscher, extra rare 
 
 74 5 Perseus and Andromeda, two different prints of, and 6 others 
 
 746 Sextus committing Violence on Lucretia—the Death of Lucretia 
 
 —the Emblem of Prodigality, or the Chace for Gold—and the 
 Triumph of War, first impression, before the words Currus 
 Belli. Sec. on the top of the plate 
 
 747 Venus and Cupid, within a circle, also a curious proof of the 
 
 same, prior to the inscription, and Venus and Cupid in a smalj 
 oval, extra fine and very rare 
 
 748 Venus on the Bed of Mars—two Allegories of Rome, &c. and 
 
 the back view of Hercules 
 
 749 The large muscular figure of Hercules, most brilliant 
 
 750 The Dragon devouring the Companions of Cadmus, C.Cornelitz 
 
 pinx. fine 
 
 751 Minerva, Venus and Juno, 3 pieces, fine 
 
 752 Diligence, Patience and Science, extra f ine 
 
 753 The Muses, nine pieces, and proofs of Terpsichore and Erato, 
 
 a superb set 
 
 754 Apollo playing on a Violin, before Tmolus and the Muses, to 
 
 convince them of his superior musical powers to Pan, whom 
 Midas had proclaimed more skilful, and for which assertion 
 Apollo has transformed the Ears of Midas into those of an 
 Ass, brilliant 
 
 755 The Grand Venetian Assembly of Persons of State and Ouality, 
 
 after T. Bernhard 
 
Seventh Day.'] Goltzius, Goudt, Hainzleman. 
 
 59 
 
 756 Bacchus, Ceres and Venus, 3 pieces, after C. Cornells / £ 
 
 fine 
 
 757 The Overthrow of Tantalus, Icarus, Phaeton and Ixion, in ^ j ^ 
 
 circles, after ditto, of extraordinary brilliancy 
 
 758 The set of Grecian Deities, in 8 pieces, namely, Jupiter, 
 
 Neptune, Pluto, Vulcan, Apollo, Mercury, Bacchus and 
 Saturn, painted in fresco, at Monte Cavallo, by Polydore 
 Caldara, equally fine 
 
 759 The Gods in Olympus, celebrating the Nuptials of Cupid and 
 
 Psyche, after Sprangher, a grand production, very fine 
 
 760 The Triumph of Galatea, after Raphael, uncommonly fine 
 
 /r 
 
 HENRY GOUDT, Count Palatine , born at Utrecht, Anno 1585- 
 In his youth, being greatly attached to the fine arts, he applied himself 
 diligently in gaining instruction, and to perfect himself, he went 
 to Rome, and there frequented the Academy.— At this place he met 
 with Adam Elsheimer, an artist of exquisite talents, from whom he 
 received some instruction in painting, and from his pieces he formed 
 his model.—He engraved at Rome, seven pieces, from the pictures 
 of Elsheimer; the profits of which he applied to obtain the release 
 of his tutor, who was confined in prison for debt.—These pieces 
 constitute the whole of his productions with the graver—He returned 
 to Utrecht, where his intellects became deranged, in consequence of 
 a lady having given him a love philtre, to engross his affection towards 
 her.—It is said, that he would discourse rationally on the fine arts, 
 though lost in every other topic in conversation. 
 
 761 Ilis works compleat in seven pieces , a 
 trait of Elsheimer , bij Hollar 
 
 prime set, and the por - ^ ^ 
 
 ELIAS HAINZLEMAN, born at Augsburg, 1640. 
 
 762 Seven fine portraits, Egidius Strauch—Marcus Huber—John 
 Daniel Horstius—Samuel Schelguigius—Michael Molines— 
 John Balt. Ritter, and Jean Baptiste Tavernier 
 703 The three Embassadors from Siam to our Court, in the reign of 
 Charles II. very jinc and rare 
 
 // 6 
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 7GI Two views of the Palace of Sir P. P. Rubens, at Antwerp, by 
 Harrewyn, fine 
 
 765 The Grand Procession at the Funeral of Wm. Lewis, Count 
 
 Nassau, by P. Harlingensis, with the names attached to 
 each principal person 
 
 766 Seven portraits, Ferdinand I. Emperor, &c. by Johan Vander 
 
 Heyden, fine 
 
 767 Bernard, Duke of Saxony and Cloves, on Horseback, an Army 
 
 in the back ground, with a view on the Danube, from Passaw/ 
 to Ingolstadt, a capital production by ditto , extra fine 
 70S Portraits of Georgius, Cardinal of Radzivil and Bishop of 
 Cracow, ditto of Frederick IV. Count Palatine, and Joan. 
 Schweichardus, by John Hogenherg, fine and rare 
 
 /// 
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 IIoNDIUS, IIoUBRAKEN. 
 
 [Seventh Day. 
 
 /6 b 769 Gerhardus Comes a Douhorff—Palatinus Pomerania, &c. in 
 two different states, curious , Joannes Carolus Chodkiewiez, 
 and other, Polish Generals—and William of Nassau, all 
 by W. Hondius, extra fine 
 
 /6" 770 Uladislaus IV. King of Poland, on a most beautiful Charger, a 
 
 grand Army in the back ground, by ditto, a magnificent 
 production 
 
 S' — 771 Portraits of John and Cornelius de Wit, with a view of the 
 
 massacre of their persons, and account beneath in French 
 and Dutch, by R. de Hooghe, fine 
 
 JAMES HOUBRAKEN, lorn at Dordecht, 1698—This celebrated 
 engraver possessed a very considerable share of talents. His produc¬ 
 tions in general are finely engraved, but more particularly the faces 
 and the naked parts of his figures, are finished with extraordinary 
 delicacy and softness. His works consist chiefly of a very considera¬ 
 ble quantity of portraits of celebrated personages, Flemish and Eng¬ 
 lish, many of which are highly excellent. Many of the following are 
 choice specimens of his abilities. 
 
 ft 7“2 
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 // L 774 
 '6 b 775 
 
 J - 776 
 
 6 b 777 
 a 778 
 
 
 Eleven portraits of the Orange Family, one a proof 
 Seven, Louis and Ferdinand, Dukes of Brunswick—Frederick 
 III. King of Prussia—Louis XV. King of France—William 
 III. King of England—William VIII. Landgrave of Hesse, 
 and Sophia Dorothea of Brunswick Lunenbergh 
 Portrait of himself and thirteen other portraits of artists 
 Ditto of Jerome Van Alphen—J. Van Arxhouck—J. K. de 
 Brume, Comte de Buffon—J. and F. Burman and 2 others 
 Sir John Comyns—John Couck—F. Van Collen, and 7 others, 
 very fine 
 
 William Van Eenhorn, C. F. Eversdyck, and five others 
 John Gotlieb Heineccius—Barthelemi d’Herbelot, two different 
 of Corn. Houthoff—P. C. Hooft, with proof of ditto, and 4 
 
 others, very fine 
 
 Baron Van Imhoff—Gerard Kulencamp, JanKuiper, and three 
 others, ditto 
 
 Jacobus Krys, a capital production, and a proof of the’same be¬ 
 fore any inscription 
 
 Johan Lulofs—Peter Van Musschenbroek—David Millius—Jan 
 de Munck, and 3 others, capital , 
 
 Two different of Pascal Paoli—Adrian Pauw, brilliant pr$of t 
 and four others 
 
 Peter Scriverius—Herman Schyn, and 5 others 
 Sir John Strange, with a prooj of ditto —John Taylor, and five 
 others, very fine 
 
 Sebastian Vaiilant—John Visscher—Dr. Warburton, and five 
 others, ditto 
 
 Six of different Burgomasters, &c. proofs , and Daniel Barbaro, 
 a Noble Venetian, after P. Veronese, fine 
 
Seventh Day.'] 
 
 JoDE, L. AND W. KlLIAN. 
 
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 787 A Gallant and his Lass, after Troost, with a beautiful proof of 
 
 the same , and the Sacrifice of Manoah, after Rembrandt, 
 fine 
 
 788 The Infant Christ and St. John fondling a Lamb, and two im¬ 
 
 pressions of a Drunken Silenus, one in claire obscure, by 
 Christopher Jegher, after Rubens 
 
 PETER DE JODE the Elder, lorn at Antwerp, 1570, and PETER 
 the Younger, lorn at the same place, l606—The elder received his 
 instructions in the school of Goltzius, as most of his early pieces 
 bear the trait of that master; but he afterwards adopted the various 
 styles of Bolswert, Vosterman, Visscher, and others. Both , father 
 and son became very eminent in their profession, but more especially 
 when they engraved from the pictures of Rubens and Vandyck, some 
 of which bear an almost equal rank with the ablest efforts of their 
 contemporaries. 
 
 789 Eleven portraits, P. Aretino—Carl, de Longueval—Baptista 
 
 Guarinus, &c. 
 
 790 Jesus Christ and Nicodemus conversing, G. Segers, pinx.—St. 
 
 Bonaventura receiving the Sacrament, and the Infant Christ 
 with the Orb, the two last after Vandyck, fine 
 
 791 The Shepherds Offering, after Jordaens, a beautiful production y 
 
 and extra fine 
 
 792 A Man supporting an Owl, a Merry Girl behind him pointing 
 
 to his Visage, in allusion to a comparison, after Jordaens, 
 capital 
 
 793 Rinaldo and Armida, after Vandyck, and Venus on the Sea 
 
 after Rubens, fine 
 
 794 Rinaldo and Armida, and the companion print, by Bailliu, very / 
 
 fine 
 
 LUCAS AND WOLFGANG KlLIAN, brothers, born at Augslourg, 
 Lucas in 1579» and Wolfgang in 1581—They were instructed in the 
 art by Domenico Custos, and eventually became very skilful artists, 
 especially in engraving of portraits, which in general possess an infi¬ 
 nite share of excellence in the execution. The rich habits which 
 adorn the persons, are represented with uncommon ability and 
 effect. Exclusive of their own style, they occasionally worked in 
 imitation of Goltzius and Sadeler. 
 
 The following productions by these artists are of the purest brilliancy 
 as to impression. 
 
 795 Theophanus, Patriarch of Jerusalem, and seven others, Clerical 
 
 Characters, brilliant 
 
 796 Jonas Umbach—David Steudlin, and 3 others, ditto 
 
 797 Jacob Fabricius, and 5 others, capital 
 
 798 Three different of Eustachius Woloweiz, Bishop of Vienna, and 
 
 two others, one a proof , all brilliant 
 
 799 Daniel, Bishop of Brixen, and seven others, ditto 
 
 800 Martin Zobel, Councellor to the Landgrave of Hesse, came 
 
 to England, in \Q 22— See Finet, p. 110— and four others, 
 extra fine 
 
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 Wenceslaus Comes de Wirbna—Frederic Duke of Wirtemberg, 
 and four others, troo of them choice proofs 
 
 George Frederic Comes de Hohenloh, Nich. Gebhartus, Mag¬ 
 dalena Sybilla, Ele<£toress of Saxony, richly liabitedy and 
 two others, beautiful specimens of art 
 
 Agustus Dei Gratia Comes Palatine, and five others, very 
 beautiful 
 
 Gustavus Horn, Nich. Christ. Radzivil, and two others in very 
 rich dresses, capital 
 
 Ferdinand Matthiolus, and five others of Warriors, partly in 
 Armour, extra fine 
 
 Maximilian, Count Palatine, with Elizabeth of Lorraine, two 
 ovals supported by Honor and Virtue, in one plate, and three 
 others o f extraordinary excellence, brilliant proofs 
 
 Ferdinand, Emperor of Germany, Uiadislaus, King of Poland, 
 and two different of Gabriel Bethlen, Prince of Transyl¬ 
 vania, very fine 
 
 Adam Comes in Kerbersdoff, Eques, See. and Joachim Ernest 
 Marchioni Brandeburg, both on horseback, with Armies in 
 the back ground, capital 
 
 Anna Maria Baronissa a Gumppenberg, and five others of 
 Ladies of Rank with their Arms above 
 
 Bonaventura Comes a Buquoy, Ernest Prince of Saxony, and 
 five others, all by W. Kilian 
 
 Balthazar Prince of Falden, Cardinal Bellarmine, Jona Hillier, 
 and two of Henry Webers, one laying in State, very curious 
 and fine 
 
 Johan Wieselius an Optician, Benedi£t Winckler, and three 
 others, by Bartholomew Kilian, very fine 
 
 Sebastian Schroder, and three others by Andrew Khol, ditto 
 
 ADRIAN LOMMELIN, lorn at Amiens, 1636. 
 
 The Triumph of the Virgin, on two sheets after Rubens, a 
 grand production, extra fine 
 
 JEAN LOUYS, born at Antwerp, 1600. 
 
 Portraits of Philip IV. King of Spain, and of Elizabeth his 
 Oueen, fine 
 
 Louis the XIII King of France and Anne his Queen, ditto 
 
Seventh Dai/.'] 
 
 Matham. 
 
 63 
 
 JAMES MATIIAM, born at Harlem 1571, and THEODORE his 
 son, born at the same place, about the year iGOO —The elder received 
 instruction from Goltzius his father-in-law, under whom he made 
 considerable progress—He afterwards went into Italy, where he en¬ 
 graved several productions from the works of eminent painters; he 
 returned to his native place, and pursued his art with success—He 
 worked in different manners, evincing considerable skill and dexterity 
 in the handling of the burin—His Son Theodore learnt the rudi¬ 
 ments of the art under his father, and gained further perfection in the 
 School of Cornelius Bloemart—He distinguished himself by his bold, 
 vigorous, and masterly execution, and by the beautiful harmony 
 which we observe to predominate throughout his works—Both of 
 these persons were also eminent Painters. 
 
 Works of J. Matham. 
 
 817 Portrait of James Matham, painting the Virgin, a capital pro- 
 du£tion, extra fine 
 
 SI8 Portrait of ditto, by John Vande Velde, irvo impressions with 
 singular variations , and ditto of Henry Goltzius 
 
 819 Philip Wingliio, the Friend of Goltzius, Pieter Bor an Histor¬ 
 
 ian, Renier Olivier, and T. Vande Velde, all fine 
 
 820 Adam and Eve, after Goltzius, Samson and Dalilah, after Ru¬ 
 
 bens, and a Magdalen in imitation of etching, after Goltzius 
 
 821 Two pieces, Holy Families, after Titian, the Flight into Egypt, 
 
 after Sprangher, the Burial of Christ, pi oof, and Christ ap¬ 
 pearing to Mary Magdalen in the Garden, after Goltzius 
 
 822 Four of Saints, Gregory, Jerome, Augustin, and Ambrose, 
 
 after Arpinas, and Aaron, after K. Van Mander, very fine 
 S23 The Prodigal Son, in four pieces, after K. Van Mander, curious 
 designs and very fine 
 
 824 Jesus Washing the Feet of the Disciples and the Marriage in 
 Cana, both after Taddeo Zucchero, very fine 
 
 823 Three of Madonas, after A. Bloemart, Goltzius, &c. Corneliz— 
 
 the Nativity and the Shepherds Offering, both after A. Bloe¬ 
 mart, fine 
 
 826 The Cardinal Virtues, in seven pieces, after Goltzius, fine 
 
 827 Christ Praying in the G° 'den of Olives, after Taddeo Zuc¬ 
 
 chero, Christ Raising the Widow’s Son, after F. Zucchero, 
 and the Burial of Christ, after Tintoret, ditto 
 S28 The Crucifixion on a Tree of Thorns, with the Destruction of 
 Jerusalem in the back ground, after Goltzius, and a curious 
 enigmatical design, represented by a Jar of Flowers standing 
 on a Pedestal, an Infant on one side of it, and Death on the 
 other, after K. Van Mander 
 
 829 The Adoration of the Shepherds, a grand composition, after 
 Bloemart, fine 
 
 £30 The Wise Men’s Offering, a grand composition, after F. Zuc¬ 
 chero, and the Ecce Homo, after Goltzius 
 
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 [Seventh Dai/. 
 
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 831 The Marriage at Cana, a capital production on two sheets , 
 
 after Goltzius, extra fine 
 
 832 The Mortal Sins, in seven pieces, figures at whole length, after 
 
 Goltzius 
 
 833 The Seasons, in four pieces, circles, after Goltzius, very fine 
 
 834 Venus and Satyrs, after Rotenhamer, Jupiter and Europa, after 
 
 Goltzius, Danse in the Golden Shower, after A. Bloemart, a 
 Landscape with a subject from Ovid introduced, after S. 
 Vrancx, Cupid Chastising Pan, after Arpinas, and the 
 Owl, inscribed Nosce Teipsum, all fine 
 
 835 The Fountain of Diana, or the Grand Entertainment, with the 
 
 diverting Pranks of the Strolling Tumblers, after S. Vrancx, 
 very fine 
 
 836 Diana and Nymphs Bathing, with the Transformation of Ac- 
 
 teon, after Paul Moreelse, extra fine 
 
 837 Apollo with the Muses on Mount Parnassus, after Raphael, 
 
 capital 
 
 838 Two prints of Whales stranded on the coast of Holland, in 
 
 1598 and 1601, both very fine 
 
 Works of THEODORE MATHAM. 
 
 839 Portraits of Charles Lewis, Count Palatine, and of Philip 
 
 William Count Palatine, very fine 
 
 840 Michael le Blon, Ambassador from Sweden—Jacobus Lawren- 
 
 tius, a Theologician—Gerrard Van Hoogeveen, Curator Urb. 
 Leyden—Julius Aysonius—Joan Leusden, and Gaspar Pfeif¬ 
 fer, fine 
 
 841 Timotheus de Sayer—Jodocus Larenus—Cornelius Hassaeus— 
 
 John Nicholas Visscher, and Cornelius Simon Kluverius, 
 Ministers, all fine 
 
 842 Leonard us Marius Goezanus, two different prints , and John 
 
 Putkamer, extra fine 
 
 843 Andrew Vander Kruyssen—Cornelius Hoflandus, and 3 others, 
 
 ditto 
 
 844 Thomas Maurice , proof before the name in the circle , extra 
 
 fine and rare 
 
 845 Jacob Oleus—Martin Vander Velde—Henry Regius, and 
 
 Claudius Salmasia, fine 
 
 846 Cornelius de Wit, Admiral of Holland, and 4 others, extra 
 
 fine 
 
 847 Jacob, Baron de Wassenaer, and Gilles Valckenier, capital 
 
 848 Jacob Uligeri, Pastor of Amsterdam, and 2 others , proofs pre¬ 
 vious to any inscription, very fine 
 
 849 Winandus ab Heunback—Ducatus Clivensis et Comitatus Mar- 
 cani, &c. and a capital proof of the same, previous to any 
 inscription 
 
Seventh Day .] Merian, Meyssens, Muller. 
 
 65 
 
 850 John Banning Wuytiers, a proof of the same, ancl Mother's, 
 
 extra fine 
 
 MATTHEW MERIAN, born at Basle , 1593—Celebrated, as having 
 drawn, engraved, and published several volumes of views, of the 
 most interesting places throughout Europe, and as having been the 
 tutor of the accomplished artist, Wenceslaus Hollar. 
 
 851 A most curious and highly interesting scene, representing a 
 
 General Rejoicing in the Court, or Front of the magnifi- 
 cient Building, entitled , “ Le Maison de Villede Paris,” 
 on the 1 st of August, 1613. The whole is enriched with a r 
 bonfire, fireworks, firing of artillery, a singular procession ' 
 marching round the fire, several spectators, and a general 
 view of Paris on the other side the river Seyne, with 
 description beneath, in six columns, brilliant and extra rare 
 
 S52 Seven portraits, Ferd. Jos. de Croy, Due D’Havre, &c.—Eu¬ 
 gene de Berghes, Comte de Grimberghe—Octavius, Due de 
 Arembergh—Alexandre, Due et Prince de Bournonville, &c. 
 &c. by Cornelius Meyssens 
 
 JOHN MULLER, born in Holland about the year 1570—One of the 
 disciples of Goltzius. He became a Designer and Engiaver of dis¬ 
 tinguished eminence; his residence was at Antwerp; he handled 
 the but in with amazing vigor and dexterity, and at times bordering to 
 a degree of energetic exertion—Again some of his pieces are finished 
 with a degree of delicateness in the execution. In the whole his 
 works possess an ample share of merit, and some of his pieces may 
 be ranked among the most effective and capital productions of the 
 age. 
 
 853 Portraits of Joannis Neyen—Bartolomeus Sprangher—Everard 
 
 Reidanus, and three others on a smaller scale, neatly engra¬ 
 ved and very fine 
 
 854 Johannes Fontanus, with a beautiful proof of the same previ¬ 
 
 ous to any inscription or back ground, and Joannes Petri 
 Swelingus, a celebrated Musician and Organist at Amster¬ 
 dam, and a proof of the same, extra f ine 
 
 855 Ambrose Spinola, three-quarter length, in armour, a capital 
 
 production— Christian IV. of Denmark, with a proof of the 
 same , and two prints of Albert Archduke of Austria, and 
 Isabella Clara Eugenia, 4to. copied from the larger prints 
 
 856 Albert Archduke of Austria, and Isabella Clara Eugenia, 
 
 sumptuously habited, from the paintings by Rubens, exqui¬ 
 site product ions and very fine 
 
 857 Albert Archduke of Austria, and a proof of the same , parti¬ 
 
 ally finished 
 
 858 Two large heads of the Philosophers Harpocrates and Chilon 
 
 of Spartan 
 
 859 The Days of the Creation, in 7 circles, with the title, from 
 
 the designs of Goltzius, fine 
 
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 860 Cain slaying his Brother Abel, after C. Cornelis, and Lot with 
 
 his Daughters, both extra fine 
 
 861 The Adoration of the Shepherds, a singular and grand Produc¬ 
 
 tion, Sprangher, pinx. brilliant 
 
 862 The Raising of Lazarus, A. Bloemart, pinx. capital 
 
 863 The Adoration of the Wise Men, after Sprangher, an exquisite 
 
 production , extra f ine 
 
 86f Mercury and Minerva, crowning a Figure with Bays, and a 
 proof of the same., unfinished , extra fine 
 
 865 The Rape of the Sabines, in three pieces, after Adrian deVries, 
 
 very fine 
 
 866 The Dolphin bearing Arion the Lyric Poet on Shore—Cornelis, 
 
 pinxit—the Statue of Minerva, proofs and Cleopatra, after 
 Adrian de Vries, fine 
 
 867 Perseus armed by Minerva and Mercury—and Ceres with Bac¬ 
 
 chus, both after Sprangher, fine 
 
 868 Cupid contemplating on the Beauties of Psyche, who is asleep, 
 
 Sprangher, pinx, engraved in his bold style 
 
 869 Bellona the Goddess of War sounding a Charge, a battle in 
 
 the back ground—and the Apothesis of the Arts, two grand 
 productions, after Sprangher, f ine 
 
 870 Portrait of Louis Galloche, Peintre Ordinaire de Roy, by I. G. 
 
 Muller—and ditto of Petrus Zurendonk—Johannes Vander 
 Wayen and Kenrick Casimir, Van Nassau, Statholder and 
 Captain General of Friesland, the 3 last by J. Munnickhuy- 
 sen, very fine 
 
 PETRUS MYRIGINUS, native of Holland, horn about. 1530, and 
 flourished at Antwerp in 1560—The works of this engraver are chiefly 
 from the singular designs of Breughel and Jerome Bosche—These two 
 artists, possessed the most whimsical, strange and extraordinary 
 conceptions, and whatever subject served them for a composition, 
 it was by them illustrated or enriched with all the imaginary powers 
 of witchcraft, or heightened with all the capricious whimsicalities, that 
 the mental faculty is capable of conceiving. These productions of their 
 art and wit, seems to have afforded Myriginus much entertainment, 
 and he has done ample justice to the pictures, by transmitting a 
 faithful trait of these extreme ludicrous compositions— The following 
 curious productions are of great rarity. 
 
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 871 The Transfiguration, or the Ascension of Christ, Breughel, 
 pinxit, the most brilliant impression imaginable 
 
 872 The Cardinal Virtues, in 7 pieces, abounding with figures, 
 
 differently occupied, extraordinary productions^ after Breu¬ 
 ghel, a matchless set 
 
 3 /5~ 873 The Wise and Foolish Virgins, very ciirious —a wonderful 
 
 display of juggling, tumbling, rope dancing; also individuals 
 and monsters performing all sorts of positions and different 
 tricks—and 2 ether humorous pieces, called the Fat arid 
 Lean Kitchens, all after Breughel 
 
67 
 
 Seventh Dai/.] Myriginus, ^Natalis, Passe. 
 
 874 The Four Seasons, Spring and Summer, after Breughel, Au- 9 
 
 tumn and Winter, after Hans Bol, extra fine 
 
 875 The Alchymist, a curious composition, after Breughel, and 9 ^ 
 
 another of the same, to shew the variation, or quality of ~ ^ 
 impressions 
 
 876 The Mountebank, or the Assembly of Cripples and Idiots, a j? /. 
 
 diverting scene of extraordinarij brilliancy / 
 
 End of the Seventh Day's Sale. 
 
 EIGHTH DATs SALE. 
 
 THURSDAY, the 15th of FEBRUARY, 1810. 
 
 MICHAEL NATALIS, torn at Liege, about the year 1590. 
 
 LOT r I ^ 
 
 877 A WO fine portraits, Maximilian Count Palatine-—and the 
 
 Emperor Leopold 
 
 878 Four ditto, Samuel Theodosius de la Tour D’Auvergne, 8tc. 
 
 879 A Holy family reposing, in a rich landscape, a capital pro¬ 
 
 duction, after N. Poussin, very fine 
 
 880 The Meeting of Abraham and Melchizedec, by Peter Neefs, 
 
 a grand composition, on 2 sheets, after Rubens, fine 
 
 CRISPIN PASSE, born at Armuyde in Zealand, about the year 1536 
 —The family of Passe form a conspicuous figure in the annals 
 of the art of engraving—The amateur is well acquainted with the 
 talents of these eminent proficients of their art; they signalized 
 themselves more particularly by engraving in a neat, clear, effective 
 and exquisite style, a number of estimable portraits of eminent 
 and illustrious characters of the different courts of Europe, and 
 also of persons signalized for their learning and other accomplish¬ 
 ments—Crispin with his three sons and daughter, Crispin, William, 
 Simon, and Magdalen, all practised the art, and occasionally resided 
 at Utrecht, Amsterdam, Cologne, Paris and London. The fol¬ 
 lowing selection of their works are very choice as to the quality of the 
 impression. 
 
 881 Portraits of Petrus Henricus Fontium Comes Gubernator— 
 Carolus Borbonius, Comes de Soissons—Adolphus Baro a 
 Schwartzenberg, and a small oval, containing the portraits 
 of Henry IV. of France and Mary his Oueen, the last by 
 Simon Pass 
 
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 Louis XIII. attended by his Nobles, receiving a presentation 
 copy of a book from an author, and a curious print repre¬ 
 senting Jan Van Weli being robbed and murdered by Jan de 
 la Vinge and Jan Van Paris 
 
 Johan Sigismund, Marchio Brandenburg, &c. 2 different prints 
 —Ferdinand II. Archbp. of Cologne, and Frederic IV. 
 Prince Count Palatine, capital 
 
 Frederic, King of Bohemia—Fedinand, Emperor of Germany, 
 and Gabor Betlehem, King of Hungary, 3 ovals on 1 sheet, 
 
 ditto 
 
 Prince John, Count Palatine—Ernest Casimir—Wm. Lewis— 
 John Ernestus—John Lewis and Ludovicus Guntherus, 
 Counts of Nassau, in circles, brilliant 
 
 William—Philip William, and Henry Frederic, Princes of 
 Orange, in circles, ditto 
 
 Five others of the Nassau Family, in circles, namely, Lewis— 
 Philip— John sen. and 2 of the same name, younger branches 
 of the family 
 
 Magdalen Duchess of Juliers and Cleves—Jacobce, Marchioness 
 of Baden, and Florentinorem, Duchess of Lorraine, in rich 
 habits 
 
 Isabella of Austria—Catharine of Bourbon, and Ann Duchess 
 of Cleves, brilliant 
 
 S' — 890 Mathias Archduke of Austria—Charles III. Duke of Lorraine 
 —Sigismund Prince of Transylvania—Mahomet II. Emperor 
 of the Turks, and Anne Archduchess of Austria 
 Cj 891 Clement VIII. Pope—Paschal Ciconia Doge of Venice— 
 * Mahomet It. and Sigismond the Third King of Poland 
 
 /S'L 892 Christopher Columbus—Americus Vesputis—Ferdinand Magel- 
 lianus, and Renatus Laudonnierus 
 
 // ~ 893 Ambrose Spinola—Nicolaus Triboloeus de Perigny—Philip 
 Prince and Count of Aremberg, and Gerard Baron of 
 Schwartzenburg, all capital examples of the artist 
 S~ 894 Jacobus Edelheer—Joannes de Romiet—Petro Broede, and 
 Viglio de Lummen, celebrated Counsellors of Antwerp, &c. 
 very fine 
 
 /0 b 895 Reinier ab Oldenbarnevelt, the Conspirator—Theodore de 
 Zuien—R. D. Menon—Sieur de Charnizay, Escuyer du Roy, 
 &c. and Roger de Bellegarde, Grand Escuier de France, 
 extra fine 
 
 fj 896 Anthony de Pluvenel, Premier Escuyer du Roy, with a beau¬ 
 tiful proof of the same—Wm. de Reide, Eques. Dom. de 
 Woest Wesel Legioni, &c. and one other 
 if 897 Matthew Glandorp—Rumoldus Hogerbeets—Adolphus abWael 
 —John de Ney and F. Adams, Monks or Friars ; and Corne¬ 
 lius Joosten Glimmer, brilliant 
 
 /S' 898 Theodore Beza—Florentius Schoonovius—Arnold Buchelli— 
 Isaac Killario—Hugo Donelli, and three others 
 
Eighth Day.] 
 
 Passe, Pontius. 
 
 69 
 
 899 Otho Heuniius—Jacob Gallus, a Neapolitan—Gasto Griaeus— 
 
 Gerard Hamel and Petrus Guenaut 
 
 900 Andrew Rivet, and two different prints of John Meursius, both 
 
 by Simon Pass, most brilliant 
 
 901 Matoaka, alias Rebecca, daughter to Prince Powhatan, and 
 
 Wife of Mr. John Rolff, by Simon Pass, extra fine and rare 
 
 902 Fourteen small ovals, containing portraits of Ladies in the cha¬ 
 
 racter of Shepherdesses, among them are Mary Princess of 
 Orange—Lucy Countess of Carlisle—Henrietta Maria, and 
 others that may be readily recognised 
 
 903 The Wonders of the World, in seven prints, the last wanting, 
 
 the separate pieces are engraved by Crispin the elder and 
 younger, Simon and Magdalen Pass, after S. de Vos 
 
 904 The Cardinal Virtues, in seven prints, from the designs of 
 
 Crispin Pass, four of them engraved by himself, two by Wm. 
 and one by Crispin, jun. fine and scarce 
 
 905 Bacchus, Ceres, and Venus, in three pieces, by Crispin the 
 
 elder, from his own designs, very fine 
 
 906 Two different prints of Mary Magdalen, at whole length, carry¬ 
 
 ing cups; and three pieces representing Susanna, Elizabeth 
 and Lucretia, all by Crispin the elder, from his own designs, 
 extra fine 
 
 907 Four prints of the Angels, Gabriel, See. and four other pieces, 
 
 representing Diligence and Opulence, Negligence and Misery, 
 all by Crispin the elder, after Martin de Vos 
 
 908 Four pieces, the Flower of Youth, Old Age, &c. by Crispin 
 
 the elder, after Martin de Vos; and eight figures in one 
 piece, in the attitude of commencing to fence, very fine 
 
 910 The Emblems of Gabriel Rollcnhagius, in 86 pieces, with por¬ 
 
 trait of the Author, f ine 
 
 911 The Five Senses, by William Pass, very curious 
 
 912 Latona changing the Peasants into Frogs, and Perseus and 
 
 Andromeda, both by Magdalen Pass, extra f ine and rare 
 
 913 Cephalis and Procris, and Salmacis and Hermaphroditus, by 
 
 Ditto, ditto 
 
 PAUL PONTIUS, born at Antwerp about the year 1596—He learnt 
 the principles of drawing and engraving under Tv. Vosterman, and 
 completed his studies under Sir P. P. Rubens, who perceiving his 
 rising genius, took him under his protection, and held him in the most 
 friendly esteem. Pontius, alike his competitor Bolswert, distinguished 
 himself by the grand, bold, and masterly engravings which lie pro¬ 
 duced from the paintings of Rubens. The talents of these two great 
 artists, stand nearly alike conspicuous, both in point of genius and 
 their superior powers of execution. They both worked under the 
 eye of Rubens, consequently every touch which he perceived that 
 would add perfection to their work was introduced by his direction. 
 
 914 Portraits of Paul Pontius—John de Heem, painter, and 3 dif¬ 
 
 ferent prints of Daniel Segers, all brilliant 
 
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 Carolus d’Houyne, Eques—Joannes Antonius Philipinus— 
 Marius Ambrosius Capellus—Jacob Boonen, Archbp. of 
 Mechlen, and Guilielmus Marcquis, a Medical Doctor of 
 Antwerp, beautiful examples of his art , and extra fne 
 
 Jeremias Pierssene, Consilio Flandria—Muley Hazen, King of 
 Tunis—Adolphus Vorstius, Professor ;of Botany at Leyden, 
 andOtho Venius, a Painter, all of uncommon brilliancy 
 
 Albert de Merode, Marquis de Treslong—Henry Count Nassau 
 —jean Baron de Beck, Seigneur de Beaufort—Guilliaume 
 Baron de Lamboy, Seigneur de Dessener, and two impres¬ 
 sions of Ambrose Count de Hornes et de Bassiny, one a 
 proof 
 
 Jacob Roelans, J. F. Eques Aur. D. in Eyndhout, &c. and 
 N. V. Jacobus Roelans, Consilio Senatori, See. both of them 
 three-quarter lengths, seated in chairs, most capital and extra 
 fne 
 
 Lamoraldus Comes de Tassis Aetatis XXIV. three-quarter 
 length, in armour, and a proof of the same, highly beautiful 
 and extra fine 
 
 Cristoual Marquis de Castle—Manuel di Morva Cortereal M. de 
 Castei, and the Lady of the last person, all proofs, touched 
 on by Rubens to be perfected, extra rare 
 
 Ferdinand, Archduke of Austria, on Horseback, Battle in the 
 back ground, very fine 
 
 Philip IV. of Spain, Elizabeth his Queen, and Isabella Clara 
 Eugenia, in a religious habit, capital 
 
 Gaspar Gusman, Comes Olivariensis, Dux Sanlucariensis de 
 Alpizin, &c. large sheer, a n extraordinary capital produc¬ 
 tion, most brilliant 
 
 The Infant Jesus contemplating on the Orb, after Vandyck—a 
 Holy Family, after Seghers, and the Madona with the Infant 
 Christ, after Rubens 
 
 The Descent of the Holy Ghost upon the Apostles, Rubens, 
 pinx. dated 1627 
 
 The Assumption of the Virgin, Rubens, pinx, arched at top, 
 large sheet, dated 1624, extra fine 
 
 The Virgin seated near an Ornamented Arbour, near her is 
 St. Bonaventure kissing the Hand of the Infant—also St. 
 Jerome, and three female Saints are around the Virgin: be¬ 
 hind them is Rubens, habited in Armour, in the character of 
 St. George, and part of the Dragon, is seen laying beneath 
 him—the original picture adorns the Tomb of Rubens in 
 the Cathedral Church at Antwerp— extra fine 
 
Eighth Day .] Queboeen, Ryckmans, Sadelee. 
 
 71 
 
 CRISPIN VAN QUEBOREN, a native of Holland, born in l60S— 
 
 He resided at the Hague, and apparently was instructed by Henry 
 Hondius in his art, as there is a great affinity to his style. His en¬ 
 gravings are chiefly portraits. 
 
 928 Henrico Matthias, ComgiaTvirri—Johannes Georgius Goethals 
 
 Hornanus—Frederic Henry, Prince of Orange—Maurice 
 Prince of Orange, and Ludovicus, Comes et Dominus Frisiae, 
 See. and one other, a proof, all very fine 
 
 929 Frederic Henry, Prince of Orange, with the other Princes of 
 
 the House of Nassau, on Horseback, after Adrian Van 
 Venne, rare 
 
 NICHOLAS RYCKMANS, born at Antwerp about the year 1620 — 
 Apparently a pupil of Pontius, whose style he adopted. His works 
 are chief!ly after Rubens. 
 
 930 Ulysses at the Court of Lycomedes, exposing Jewels and Arms 
 
 to Sale. Achilles (who resides in the Court, habited in fe- y 
 male attire) chusing the Arms, discovers bis sex; and the 
 Adoration of the Kings, both after Rubens, fine 
 
 GILES SADELER, born at Antwerp in 1570 —His parents perceiving 
 his genius, placed him with his uncles, Raphael and John Sadeler, 
 eminent professors of painting and engraving, under whose tuition 
 he became a more skilful proficient than his tutors—He then travelled 
 into Italy, to gain a more perfect knowledge of his art; from thence 
 he was solicited by the Emperor Rodolph, to make his residence at 
 his Court. This Emperor, and his successors Mathias and Ferdinand, 
 conferred on him several distinguished honours and favours—His 
 works are numerous, but his finest examples of skill are more preva¬ 
 lent among his portraits, many of which are engraved with uncom¬ 
 mon facility, and possessing a high degree of taste and art in the 
 execution. 
 
 931 Portrait of Giles Sadeler, by Edelinck, and a proof of the same 
 
 932 Ditto, by Peter de Jode, and the portrait of Roger Bacon, in a 
 
 curious emblematical frontispiece, very fne and rare 
 
 933 Two fine portraits of Rodolphus II. Emperor of Germany, in 
 
 Armour, and a portrait of the Emperor, drawn with a pen 
 on vellum, in imitation of engraving 
 
 934 Two ditto of the Emperor Mathias and his Consort, each a 
 
 three-quarter length, richly habited, holding the Orb and 
 Sceptre—and an Allegory on the Emperor Mathias and his 
 Empress, with Figures and Cupids represented carving 
 their Busts, a fine proof 
 
 935 Sigismund III. King of Poland—Sigismund Prince of Tran¬ 
 
 sylvania and Carolus de Longueval Comes de Buquoy, 
 with a Battle beneath, capital examples of art, and of ex¬ 
 traordinary brilliancy 
 
 936 Caspar a Warnsdorff—Eques Silesius—with an exquisite proof 
 
 of the same, previous to the ornaments, inscription and the 
 key in his hand 
 
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 937 Adam, Baron of Trautmansdorp in Armour, with armorial 
 
 trophies beneath—a proof of the same, previous to the in¬ 
 scription within the oval border, extra fine 
 
 938 Franciscus de Padoanis—Christopher Guarinonus Fontanus, 
 
 Physician to the Emperor Rodolph —Joannes Mattheus a 
 Wackenfels—Godfrey Steeghius—Christopher Harant—and 
 John Petrus, all fine 
 
 939 Vincent Muschinger, three different impressions with variations, 
 
 and 3 others 
 
 940 John George Godelman, two different prints, and one of his 
 
 Wife, highly beautiful, and three others, very fine 
 
 941 Marquard Freherus, two impressions, one on satin , and three 
 
 others, highly brilliant 
 
 942 Don Balthazar Marradas—Christophorus Popl Baron a Lobco- 
 
 vicz, Consilario, in a rich habit, holding his staff of office — 
 Tobias Scultetus and Georgius Schrote a Schrotenstain, &c. 
 very fine 
 
 943 Casper Kaplero—Elias Hac Schmidgrabmer, two impressions, 
 
 one previous to the lower line of inscription —Johannes 
 Underholtzer—Doctor Bartholomeus Schwalb, and Tasso the 
 Poet, extra fine and rare 
 
 944 Octavius de Strada—Richardi a Schulenburg—Charles King of 
 
 Sweden, and four others, fine 
 
 945 The Persian Embassadors to the Emperor Rodolph, four prints, 
 
 and tw r o portraits of Hungarian Generals, extra brilliant 
 
 946 Otho a Starchedel, arrived in London , 1611 and was killed 
 
 casually, 161 7, vide Sloice —Gulielmus Ancelius, Ambas¬ 
 sador to England, from Henry IV. of France , 159S, and 
 one other , a proof, all extra f ine 
 
 947 The Genealogical Tree of the Kings of Bohemia and Hungary, 
 
 branching from Rodolphus I. surnamed the Victorious , 1273, 
 to Ferdinand II. and his Issue—the branches support the 
 portraits of each succeeding Issue with their titles , on four 
 sheets, a curious and a capital production , extra fine and 
 rare 
 
 948 Seven pieces, chiefly the Virgin with the Infant Christ, after 
 
 Albert Durer, Lucas Van Leyden and Rottenhamer 
 
 949 The Virgin with the Infant and St. John, after Raphael, a 
 
 Holy Family with an Angel, presenting a Lilly to the Infant, 
 after John ab Ach, St. Jerome, after Candidus, and two other 
 pieces, fine 
 
 950 Theatrum Passionis Christi, in eight pieces, with Angels bear¬ 
 
 ing the different Implements of Torture, inflictive on the 
 Body of Christ 
 
 951 Christ bearing the Cross and the Entombing of the Body of 
 
 Christ, both after Albert Durer, very fine 
 
 952 The Old Man’s Head, engraved in 1597, and two other heads, 
 
 after A. Durer, dated 1598 
 
Eighth Day f 
 
 Sadeler, Saenredam. 
 
 73 
 
 655 Hercules with the Three-headed Dog Cerberus—Dives tor¬ 
 mented by Devils, after Palma, and the Rape of the Sabines, 
 after Dionisio Calloert 
 
 954 Diana and Nymphs Bathing, with the Metamorphosis of Acteon, 
 
 Joseph Heintz, pinxit. very fine 
 
 955 The Interior View of the Great Hall at Prague, full of figures 
 
 in groups, occupied in conversation, and otherwise bartering 
 for different commodities, curious and rare 
 
 956 Four pieces, being Holy Families, after Raphael, Rottenhamer, 
 
 and Goltzius, engraved by Raphael Sadeler, fine 
 
 957 Saint Bernard bearing the Emblems of Christ’s Passion, sur¬ 
 
 rounded with Miracles and memorable Events of his Life, in 
 fourteen divisions, and four other pieces of Holy Families, 
 &c. after Rottenhamer, by ditto 
 
 958 Four pieces, allegorical, on Love, Honor, Industry and Melan¬ 
 
 choly, after Martin de Vos, by R, Sadeler, fine 
 
 959 Four pieces, Samson and Dalilah—Solomon amidst his Concu¬ 
 
 bines, & c. after Jodocus aWinghe, by ditto, extra fine 
 
 960 Four pieces, entitled “ Occidens, Oriens, Septentrio and Man- 
 
 dies,” with views of the rivers Nile, Euphrates, &c. 
 and appropriate scenery, after Martin de Vos, engraved by 
 John Sadeler, fine and scarce 
 
 JOHN SAENREDAM, born at ’Leyden about the year 1570—He 
 was instructed in the elements of his art by Henry Goltzius and 
 Jacques de Gheyn.—Deriving the assistance of such able instructors, 
 combined with his own instinctive natural genius, he excelled in a 
 super-eminent degree in giving a charming tone and the sweetest 
 and most natural harmony to his productions. He handled the burin 
 with the most expert facility ; and with uncommon skill introduced 
 the most exquisite and beautiful tooling, for its clearness, softness, 
 and delicacy, that can be conceived. 
 
 The jollozoing collection of his works, consisting of his most select 
 pieces, are matchless for their uncommon brilliancy and choice con¬ 
 dition. 
 
 961 Portrait of John Saenredam at the age of 37, engraved by 
 
 Peter Holsteyn —the bust of Carl Van Mander, two dif¬ 
 ferent prints, one a proof, and Petrus Hogerberts, within 
 an oval supported bv Apollo, &c. after C. Van Manderi 
 
 962 An emblematical representation of the State of Prosperity of 
 
 the Seven United Provinces under the Protection of the 
 Belgic Confederation \ a grand hunting party is in the fore 
 ground, with a horse laden with deer and other game, which 
 a person is presenting to the Infante Isabella, extra fine — 
 and an inf erior impression of the same, shewing the variation 
 of impressions 
 
 063 Adam and Eve, Goltzius inventor—the same subject after C. 
 Corueliz—Judith with the Head of Holoferues, aad two 
 other pieces, after Goltzius 
 
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 964 The Life of Adam and Eve, in six pieces, after A. Bloemart, 
 
 exquisitely fine 
 
 965 David bearing in Triumph the Head of Goliah, after Lucas 
 
 Van Leyden—and the Cave of Plato, wherein he is repre¬ 
 sented delivering a lecture to a number of persons assembled 
 about him, C. Corneliz inv. extra fine and rare 
 
 966 Lot with his Daughters, Goltzius inv. and two small ovals, 
 
 representing Susanna surprized by the Elders, and Ceres 
 and Pomona 
 
 967 Two other different pieces of Susanna surprized by the Elders, 
 
 one after Goltzius, the other after Corneliz 
 
 968 Herodias dancing before Herod, and Paul and Barnabas at 
 
 Lystra, both of the pieces after Carl Van Mander, extra 
 
 969 The Penitents, in six pieces, after Goltzius, highly beautiful 
 
 970 The Wise and Foolish Virgins, in five pieces, from his own 
 
 designs, of extraordinary invention, a capital set , most rare 
 
 971 The Seven Cardinal Virtues, in seven pieces, H. Goltzius inv. 
 
 very fine 
 
 972 Three pieces, Diligence, Patience, and Science, Goltzius inv. 
 
 very fine 
 
 973 The Seasons, in four pieces, represented by the Male and 
 
 Female Youth discoursing on the Bounty of the Creator, 
 Goltzius inv. 
 
 974 Another Set of the Seasons, different designs, after Goltzius, 
 
 in four pieces, capital 
 
 97 5 Four pieces, representing Learning and Dissipation, Industry 
 
 and Inattention, and a different piece representing the Scene 
 of Dissipation, fine 
 
 976 The Planets, in seven pieces, from the designs of Goltzius— 
 
 the conceptions highly curious, and the execution admirable, 
 superb impressions 
 
 977 Bacchus, Ceres, and Venus, in three pieces, from the designs 
 
 of Goltzius, capital 
 
 978 Bacchus, Ceres, and Venus, in one piece—the Painter design¬ 
 
 ing a Nymph, and the Emblem of Folly, two impressions 
 with variations, all after Goltzius 
 
 979 Minerva, Venus and Juno, three pieces, and a copy of Minerva, 
 
 proof\ Goltzius inv. 
 
 980 Paris and Oenone, after Corneliz, and Perseus on his Flight to 
 
 rescue Andromeda, after Goltzius, fine 
 9S1 Venus reclining on a Couch, Goltzius inv. and Venus caressed 
 by Mars, after Peter Isaacs, fine and rare 
 
 982 The Pregnancy of Calisto discovered while bathing with Diana, 
 
 a beautiful impression, and the same print in its retouched 
 state, Goltzius invent. 
 
 983 The same subject from the design of the engraver, capital 
 
 7 
 
Eighth Dai/.'] Saen redam, Salligth, San dr art. 
 
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 984 Camillus, elected Dictator by the Romans, by whom he is 
 
 presented with a Sword to a<T against Brennus, who was J() 
 
 besieging Rome, Polydore Carravagiensis pinx. extra fine 
 
 985 The History of Niobe, a frieze in eight pieces, after Polydore / / / 
 
 Carravagio, ditto 
 
 9S6 The Whale, the small print after Goltzius, and a drawing of 
 ditto, apparently by Esaius Vande Velde 
 987 The large Whale, stranded on the Coast of Scheveling, with 
 
 the representation of Saenredam making the drawing, Ernest 2 2 
 Count Nassau, and a profusion of Spectators are on the spot, 
 a grand production , the impression of extraordinary bril- 
 
 MATTHEUS DE SALLIETH, native of Holland, fourished at 
 Rotterdam 1780. 
 
 988 The Dutch Fleet, under Admiral de Ruyter, destroying some 
 
 English Ships off Chatham, Langendyck pinxit.—an imitation, // 
 and a Plagiarism from West’s picture of the Battle of La ^ / 
 
 Hogue 
 
 989 The same print, a brilliant proof 
 
 JACOB SANDRART, lorn at Franlfort in 1630—The nephew of 
 Joachim Sandrart, an artist of celebiitv, and well known as a man of 
 distinguished literary abilities on the fine arts—Jacob received his in¬ 
 structions under Cornelius Danckerts, and lastly of William Hon- 
 dius—In lGo6 he established himself at Nuremberg, where he was 
 chosen a director of the Academy of Painting, an establishment then 
 recently founded in that city—Mis productions chieHy consist of por¬ 
 traits of men of eminence and learning, at that time living in the 
 circle of Franconia—He combined the use of the point with the 
 burin, thereby blending in his productions, a soft, clear, and harmo¬ 
 nious effect—His style approaches to a near resemblance of that 
 adopted by L. Kiliau. 
 
 The impressions of the. following prints are remarkably fine. 
 
 990 Portraits of Johannes Weinmann, Johannes Bilibaldus Haller, 
 
 Johannes Maius, Johannes Held, and Mattheus Keller 
 
 991 Petrus Portnerus, Consul, Conrad Vitfor Schneider, and two 
 
 impressions of Gaspar Lilius, one a proof 
 
 992 Justus Jacobus Leibniz, Pastor, Lazarus Haller, Michael 
 
 Webber, and Paul Freherus 
 
 993 George Holtzchuer, Sebald Welser, a Neunhof, Tobias 
 
 Tucher a Simmelsdorf, Carolus Erasmus Tezelius, Bernard 
 Engelsschal!, and John Paul Felwinger 
 
 994 Christopher Jacob Muffel, Thomas Ayerman, Petrus Lenzius, 
 
 Johannes Septunas Jorger, Jerome William Schlusselfelder, 
 and Albert Sigismundus, Bishop of Ratisbon 
 
 i 
 
 9 
 
 9 
 
 
76 
 
 Schmidt. 
 
 [Eighth Dai/. 
 
 GEORGE FREDERIC SCHMIDT, born at Berlin in 1712 —He was 
 instructed in the elements of design and engraving, by George Paul 
 Busch—Gifted with a lively genius, and an irresistible desire of be¬ 
 coming a proficient in his art, he went to Paris and there applied 
 himself assiduously under the direction of Larmessin ; who discover¬ 
 ing and admiring his genius, assisted him with every degree of in¬ 
 struction towards his perfection. His works with the burin are much 
 in the style of Iris tutor, but more nearly approaching to the man¬ 
 ner and fine execution of J. G. Wille, who was his contemporary 
 and intimate friend. His etchings or productions with the point, 
 possess an unusual degree of excellence for the fine, free-spirited 
 and animated execution, and for his general knowledge of effect; 
 and his admirable skill in diffusing it throughout his productions— 
 He was a member of the Royal Academies of Berlin, Paris, and 
 St. Petersburg, and Engraver to the King of Pr ussia. 
 
 995 Portrait of Schmidt, etched by Claussin, and portraits of Anne 
 de la Vigne— Antoinette de la Garde — Gabriel Vincent 
 Thevenard—Anthoine Pesne, painter to the King of Prussia, 
 and Louis de la Tour D’Auvergne Comte D’Evreux 
 iP v 996 Peter F. Guyot Desfontaines—Constantinus Scarlati, Prince of 
 Moldavia, and Henry Voguell, Esq. of London, Merchant 
 
 Etchings by Schmidt. 
 
 n 997 His own portrait—ditto of Anna Louisa Durback—-J. deSchou- 
 t walow, Lieut. General and Chamberlain of Russia—a bust 
 
 of a Man, after Rembrandt, and a group of three naked 
 Infants eating Grapes, after Flamand 
 jO b 998 Four busts of Russians—a Priest, a Warrior, flee, very fine 
 ! — - 999 Two heads, a Gentleman and a Lady, in ovals, Flinck pinxit— 
 
 The Virgin with the Infant Christ and St. John, after Van- 
 dyck; and the Jews mocking of Christ, after Rembrandt, 
 fine 
 
 /3 b 1000 The Prince of Gueldres in Prison menacing his Father, and 
 Jacob Cats explaining to the Young Prince of Orange a 
 Passage in Llistory, very fine 
 
 End of the Eighth Day's Sale. 
 
 i* 
 
NINTH DATs SALE, 
 
 FRIDAY, the 16th of FEBRUARY, 1810. 
 
 PETER SERWOU'PER, born at Antwerp about the year 1574—The 
 talents of this artist were chiefly confined to engraving of frontis¬ 
 pieces, vignettes, emblems, portraits, and other subjects to adorn 
 books. Notwithstanding, he was an artist of superior abilities, and 
 was master of much invention, and exhibited proofs of good taste 
 in his designs; his execution of the graver bears an affinity to the 
 neat styles of Nicholas de Bruyn and of Crispin Pass. Fie worked 
 considerably from the compositions of Vinckabooms and Adrian 
 Vatider Venue—he also etched with great freedom much in the style of 
 Nicholas John Visscber, who was his contemporary, and they occa¬ 
 sionally combined their efforts in forming sets of prints. 
 
 LOT T) 
 
 1001 XT ORTRAIT of Abraham Goos, a geographer and engraver 
 
 of maps, and 11 other pieces, consisting of frontispieces, y ? 
 and religious emblems, chiefiij proofs and extra fine 
 
 1002 Thirteen pieces of the same nature, some of them being 
 
 frontispieces to Elzevir’s edition of the Classics, brilliant 7 J 
 impressions 
 
 1003 Eighteen pieces, subjects from Ovid, and emblems, capital 2 Z 
 
 , HENRY SNYERS, born at Antwerp about the year 1612 —A disciple 
 
 of Bolswert-—He was an engraver of distinguished abilities, and 
 worked in the grand style of his tutor. 
 
 1004 The Doctors of the Church in Discourse on the Mystery of , 
 
 Transubstantiation, Rubens pinx. a capital production, extra ^ 
 fine 
 
 PE 1 ER SOU TMAN, born nt Haerlem about the year 1580—He was 
 instructed in the art of painting by Rubens, under whom he became 
 an artist of considerable abilities. He devoted his talents occasionally 
 in etching from the grand compositions of Rubens, and from his 
 own designs. His productions in this branch are performed with 
 much freedom and forcible animation, the characters are finely ex¬ 
 pressed, and his transcripts are pourtrayed in a masterly style. 
 
 1005 The Last Supper, a grand c 
 
 Rubens delin. Clement de 
 fine 
 
 1006 Venus on the Sea, attended by Neptune, Sea Nymph?, and / /. 
 
 other Aquatic Figures, Rubens pinxit. ditto ' " 
 
 1007 Silenus drunk, supported and conducted amongst a 
 
 Satyrs, Rubens pinx. impression before the drapery 
 
 Group of 
 ; fine 
 
 omposition of Leonarda da Vinci, , 
 Joughe excu. on two sheets, extra 7 
 
78 
 
 SOMPEL, SuYDERHOEF. 
 
 [Ninth Day. 
 
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 1008 The Chace of the Boar* a grand production on two sheets, 
 
 Rubens pinx. extra fine 
 
 PETER VAN SOMPEL, born at Antwerp about the year ] 600 — 
 He was the scholar of Peter Soutman, and worked in direct imita¬ 
 tion of his tutor. 
 
 1009 Portraits of John Gaspar Baptist, Duke of Orleans—Marga- 
 
 retta his Duchess, and Mary Queen of Henry IV. of France, 
 Vandyck pinx. 
 
 1010 Ferdinand II. King of Hungary—Eleonora his Oueen, and 
 
 Ferdinand, brother of Philip IV. of Spain, all after Vandyck 
 
 1011 Philip of Nassau, Prince of Orange—Adolphus of Nassau, 
 
 and John Maurice of Nassau, by Peter Soutman, fine 
 
 1012 A series of portraits of the Emperors of Germany and 
 
 Austria, in thirteen pieces, with the title, commencing with 
 Rodolph I. and continuing as follows—-Albert I.—Frederick 
 III.—Albert II.—Frederick IV.—Maximilian I.—Charles V. 
 —Ferdinand I.—Maximilian II.—Rodolph II,—Matthias I. 
 —Ferdinand II.—Ferdinand III. — all uniform and line , from 
 the designs of P. Soutman 
 
 1012 # Aglaurus tempted by Curiosity to open the Basket to inspect 
 the Infant Erichtonius, Rubens pinxt. 
 
 JONAS SUYDERTIOEF, born at Leyden about the year 1600—He 
 was instructed in the principles of his art by Peter Soutman, but 
 his genius and imagination soaring above the powers of his tutor, he 
 eventually surpassed him to a considerable degree. Although he 
 worked in the style adopted by his tutor, yet he introduced such 
 softness, blendid with a force of colour, and united with exquisite 
 art, whereby his productions are harmonized with the happiest 
 effect. His reputation, as an artist of superior skill, is above all 
 commendation. His productions are universally known, and are 
 highly esteemed among the judges of art. 
 
 The following collection , which constitutes a considerable portion of 
 his works, arc highly brilliant in point of impression , and in choice 
 preservation. 
 
 1013 Portraits of Conrad Victor Van Aken—Samuel Ampzingius— 
 
 Joannes Beenius, and Augustin Bloemart, extra fine 
 
 1014 Marcus Zuerius Boxhorn, three impressions, with variations in 
 
 the address, one of them superbly fine, and a small print of 
 the same person 
 
 1015 Julius a Beyma—Joannes de Mey—Jean de la Chambre, a 
 
 celebrated Penman—two different prints, and two ditto of 
 Jacobus Crucius 
 
 1016 Johannes Cocceius—Renatus Descartes—Ludovicus de Dieu, 
 
 and Gilles de Glarges, capital 
 
 1017 Francis Hals, a celebrated Painter, a brilliant proof ectra 
 
 rare 
 
 1018 Adrian Heereboord, two of the same person, smaller, one by 
 
 Bary—Christopher Liber Baro ab Haslang, and Godartus a 
 Reede 
 
 1019 Daniel Heinsius, and Rudolphus Heggerus, very fine 
 
Ninth Day.] 
 
 SuYDRRHORF. 
 
 ~> 
 
 1020 Johannes Hoornbeck—Hendrick de Keyser, and Johan Van ^ 
 
 Roubeig, fine and rare 
 
 1021 Albertus Kuperus—Johannes Koetsius, and Constantinus Lem- 
 
 pereur ab Oppyck, highly beautiful 
 
 1022 Jacobus Maestertius, three impressions, with variations in the 
 
 address, and Franciscus de Moncada, fine 
 
 1023 Franciscus Guilhelmus, Bishop of Osnaburgh—David Nuyts, 
 
 tzco impressions, zoith variations, and two different prints of ' 
 ReinerusNeuhusius, very fine 
 
 1024 Franciscus Plante, and John Polyander, ditto 
 
 1025 Jacobus Revius, and Andreus Rivet, ditto 
 
 1026 Claudius Salmasia, the large and small prints, and a celebrated 
 
 Painter of Leyden, without his name, usually, but errone¬ 
 ously called Lucas Van Leyden 
 
 1027 Johannes Schade, Anna Maria Schurman, Theodore Schre- 
 
 velius, and Casper Sibelius 
 
 1028 Noah Smaltius, and Frederick Spanheim, extra fine / 
 
 1029 Aldus Swalmius, two different portraits, after Rembrandt, 
 
 and Frank Hals, fine 
 
 1030 Martin Tromp, Admiral, after H. Pot, capital / 
 
 1031 Adrianus Beerkerts a Thienen, Maximilian Teelingius, and 
 
 Tegularius, capital / 
 
 1032 Adolphus Visscher, and two impressions of Wickenbergi, 
 
 one of them previous to the names of the artists * 
 
 1033 Gisbert Voetius, Peter Winsemius, and three others, without 
 
 their names 
 
 1034 Jacob Van Weissanaer, Admiral of Holland, a superb im~ j? 
 
 pression 
 
 1035 The Burgomasters of Amsterdam deliberating on the Plan of 
 
 Reception of Mary de Medicis into their City, T. Keyset' / 
 pinx. fine 
 
 1036 Two pieces, interior scenes, one of them representing two 
 
 Dutchmen holding a Topic on their Liquor, the other a 
 Dutchman with a Woman, similarly occupied, both after ff 
 Ostade, two impressions of each, zcith variations, one a proof 
 
 1037 A Group of Three Old Women, drinking, called the Drunken 
 
 Gossips, an oval, Ostade, pinxit, first state , before the an- f 
 gles of the plate were filled, very fine 
 
 1038 A Tipling Party of Three Boors, one playing on a violin, 
 Ostade, pinxit. and a Party quarrelling over their Cards, 2 
 after Terburg, fine 
 
 1039 An Interior, with a party of Peasants, two of them in high 
 
 Wrath threatening each other with knives, Ostade, pinxit, 
 this piece is usually called the Snick a Snee Fighters, fine 
 1039* The same print, a beautiful proof 
 
 1040 A Drunken Silenussupported by a Satyr, and a Man; with two 
 
 Female Bacchanalians, and a Tiger in the group, Rubens 
 pinx. two impressions, one with the address of Clement de 
 Jonghe 
 
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 Swan enbourg, Tanje. 
 
 [ Ninth Dot/. 
 
 fo 6 1041 
 Jj J/ - 1042 
 
 / / - 1043 
 
 2 — 1044 
 
 / (? 2045 
 
 /O b 1046 
 
 Cj b 1047 
 Cj b 10-18 
 
 A group of Cattle with Peasants in a Landscape, Berghem 
 pinx. very Jim 
 
 A group of Horsemen, combating with Lions, a grand pro¬ 
 duction, after Rubens 
 
 WILLIAM SWANENBOURG, born at "Leyden in ?581—He was 
 instructed in his art by Saenredam, and eventually was an engraver 
 of reputation. 
 
 The Penitents, in six pieces, a Magdalen at Devotion, Saul 
 Falling on his Sword, Judas Iscariot, Zaccheus, and Saints 
 Peter and Paul, A. Bloemart pinx. uniform and extra fine 
 
 The Throne of Justice, in fourteen pieces, the subject being 
 chiefly seledted from passages in the Old and New Testa¬ 
 ments, Johan Wtenwael, pinx. a capital set 
 
 PETER TANJE, born at Amsterdam about the year 1700—lie pro¬ 
 bably received his instructions in the school of Bernard Picart, or of 
 James Iloubraken, as his works closely approach the style of the 
 latter, and are finished with all the delicacy and fine execution 
 peculiar to that master. 
 
 Portraits of Maurice—Frederick Henry, and William the 
 Third, Princes of Orange 
 
 Anna, Princess of Brunswick—George II. King of Great 
 Britain—Mary Louisa, Princess of Orange—William Carel 
 Henry Friso, Knight of the Garter—Maria Teresa, Arch¬ 
 duchess of Austria, and the Orange Family, in one piece 
 
 Johannes Esgers—M. Fagel—Lawrence Pleister—Jacob Mau- 
 ricius—Adrian Pauw—George Walchius—~P. Wesseling— 
 John Plevier, and Jerome Smith 
 
 Nine pieces, containing twenty-six portraits of artists 
 
 PORTRAITS BY AND after SIR ANTHONY VANDYCK. 
 
 The following constitute a rich Collection by the hand of Sir Anthony 
 Vandyck, and of those celebrated engravers, who particularly distin¬ 
 guished themselves in working from his pictures during his life ; the 
 whole abounds with pi oofs and variations, and the impressions are of 
 remarkable brilliancy throughout—printed by Vanden Enden. 
 
 / 1049 Six portraits of Vandyck by Bannerman, Blot, Vander Brug- 
 
 gen, Clouwet, M. Vander Gucht, and Lovelace, one a prooj 
 and another on satin 
 
 / O 1050 Vandyck pointing to a Sunflower, by Hollar, extra fine and 
 ' rare 
 
 1051 Ditto, by Houbraken, Susanna Silvestre, Worlidge, and two 
 by Vorsterman, one previous to his name, both of them 
 Vanden Enden impressions 
 
Ninth Dai/.] 
 
 Van dyck. 
 
 81 
 
 1052 
 
 1053 
 
 1054 
 
 1055 
 
 1056 
 
 1057 
 
 1058 
 
 1059 
 
 1060 
 
 10S1 
 
 ETCHINGS, by VANDYCK. 
 
 Bust of Vandyck, upon a pedestal, the head etched by him¬ 
 self, the remainder by Neefs, and a brilliant and perfect £ ^ 
 proof of the same, containing the head only, all that Van¬ 
 dyck performed on the plate, extra rare 
 Johannes Breughel of Antwerp, Painter, three impressions 
 with variations, one a proof, previous to any inscription,/ / ej — - . 
 and a small part of the back ground only worked upon / 
 ditto 
 
 Erasmus Rotterdamus, two impressions, one a proof\ etched , 
 nearly half an inch lower than the usual impressions, and the ' 
 inscription is introduced with a pen 
 Franciscus Franck of Antwerp, Painter, three impressions / n 
 with variations in the address and inscription ' u 
 
 Judocus de Momper, two impressions, one with the address 
 of G. Hendrix, Adam Van Noort, and Paul Pontius, fine / A- —• 
 Maria Ruten, Wife of Vandyck, F. Van Wyngaerde ex. 
 
 Philippe Le Roy, within an oval, fine proof, and John Snel- j y 
 linx Painter, two impressions, one previous to the additional f 
 line of inscription, rare 
 
 Francis Snyders, Painter, the head by Vandyck, the remain¬ 
 der of the print by Neefs, two impressions, and a fine proof £ 
 of the head only by Vandyck, rare 
 Justus Suttermans of Antwerp , Painter, also a prior impres¬ 
 sion, inscribed Jodocus Citermans, and a proof of the same, / / f 
 
 1062 
 
 1063 
 
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 1064 
 
 previous to any inscription, or the border line being intro - 
 duced, rare 
 
 Paul de Vos, Painter, two impressions, one of them previous to 
 its being retouched or strengthened by Bolswert, fine and rare 
 Guilelmus de Vos, two impressions, with arid without the ad¬ 
 dress of Hendrix, Lucas Vorsterman, calcographus , &c. 
 and two impressions of John de IVael , with and zoithout the 
 address of Hendrix 
 
 PORTRAITS after VANDYCK. 
 
 Marquis de Mirabella, two impressions, one a brilliant proof \ 
 by Lilooteling 
 
 By S. BOLSWERT. 
 
 Albert, Prince of Aremberg, &c. John Baptist Rarbe, en¬ 
 graver, two impressions, one a proof before the name of 
 Bolswert, Abraham Brouwer, Painter, tzeo impressions, J 
 one a proof, all of them printed by Vanden Enden, extra 
 fine 
 
 Justus Lipsius, Historiographer, two impressions, one a proof, 
 Margaret Princess of Lorraine, and two impressions of Mar- / [j 
 tyn Pepyn, a Painter, one a proof, all printed by Vanden 
 Enden 
 
 M 
 
82 
 
 Portraits after Vandyke. 
 
 [Ninth Day. 
 
 /iP 1065 Sebastian Vrancx, Painter, three impressions with variations, 
 
 . one a proof, most brilliant 
 
 /S IO 66 Artus IVolfart, Pictor, three impressions, two of them 
 proofs with variations 
 
 By W. J. DELFF. 
 
 J /O 1067 Michael Mirevelt, Painter, two impressions, one of them a 
 brilliant proof, previous to any inscription, raris, and the 
 portrait of William Hondius the Engraver by himself, extra 
 fine , Vanden Enden excu. 
 
 By PETER DE JODE. 
 
 /2 b 1068 Portrait of P. de Jode, J unr., and three different impressions 
 of Francis Franck, Painter, one a proof 
 f/j — 1069 Albert Duke cf Fritland, Paul Halmalius, Senator, two 
 impressions, one a proof and Catharine Floward, Duchess 
 of Lenox by A. de Jode, all of them printed by Vanden, 
 Enden 
 
 1070 Jacob Jordaens, Painter, three impressions with variations, 
 one a proof 
 
 1071 Andreas Colyns de Nole, Sculptor, three impressions zvith 
 variations in the inscription, one a proof 
 
 1072 Erycius Puteanus, Plistoriographus, two impressions , one be¬ 
 fore the name of the engraver, and Cornelius Polenbourch, 
 
 three impressions with variations, one a proof 
 
 1073 John Snellinx, Painter, four different impressions with vari¬ 
 ations in the inscription, one a proof 
 
 1074- Antonius Triest, Episcopus Gandanensis, two impressions, 
 one previous to the name of the engraver, and Johannes Com. 
 de Tserclaes, Dom Tilli, See. all printed by Vanden Enden 
 JO — 1075 Diodorus Tuldenus , two impressions, one previous to the en¬ 
 graver’s name, Genouefa D’Urphe, Vidua Caroli, Alexand. 
 Due Croi, Sic. and Lelio Blancatcio, by N. Lauwers 
 , all Vanden Enden impressions 
 
 /0 u 1076 Johannes Carolus Della Faille, a Jesuit, and Cosmographer 
 of Antwerp, three different impressions, one a proof pre- 
 f vious to any inscription being engraved 
 
 1077 Michael Le Blon, Envoy from Christina Oueen of Sweden 
 to Great Britain, by Theodore Matham, and a proof of the 
 same 
 
 By PAUL PONTIUS. 
 
 /$ /’ 1078 Portrait of Pontius, two impressions, one a proof, and Henry 
 Van Balen, three impressions with variations 
 
 y l079 Thomas Willeboirts Bosschaerts, Pictor, proof, and two 
 different impressions of Jacob de Breuck, extra fine 
 
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Ninth Day.] Portraits after Vandyck. 
 
 83 
 
 1080 Don Alvarez Bazan, March, de Sta. Cruc. See. Don Carolus 
 
 de Columna, &c. and tzco 'proofs of Adam Coster , one oj 
 them previous to the right hand being introduced 
 
 1081 Gaspar de Crayer, Painter, three impressions xoith variations, 
 
 one a proof 
 
 1082 Emanuel Frockas, Comes de Fcria, See. and three impressions 
 
 of Cornelius Vander Geest, one a proof 
 10S3 Gaspar Gevartius, tzco impressions, one a proof, Don Diego 
 Philippus de Gusman, &c. and Gustavus Adolphus, King 
 of Sweden, all of them Vanden Enden impressions 
 1084; Gerard Honthorst, Painter, three impressions with variations, 
 one a proof, and Constantine Huygens, extra fine 
 
 1085 Mary de Medicis, Queen of France, Aubert Miraeus, Dean 
 
 of Antwerp, and three impressions of Daniel Mytens, one 
 a proof 
 
 1086 John Count of Nassau, Scc. Palemedes the Painter, proof, 
 
 Gaspar Ravestyn, and tzco impressions of Theodore Rom- 
 bouts, one a proof 
 
 1087 Philip Le Roy, Dominus de Ravels, See • two impressions, 
 
 one a proof previous to any inscription, and Sir Peter Paul 
 Rubens, extra fine 
 
 10 58 Franciscus Thomas a Sabaudia, Prince Caragnani, See. and 
 
 two impressions of Caesar Alexander Scaglia, Abbas, one 
 previous to the name of the engraver, and the alteration of 
 inscription, fine 
 
 1059 Gerard Segers, Painter, three impressions with variations , 
 
 one a proof 
 
 1090 Adrian Stalbent, Painter, tzco impressions, one a proof, and 
 
 Henry Steenwyck, Painter, two impressions with variations 
 in the inscription 
 
 1091 Theodore Vanloo, Painter, three impressions with variations, 
 
 one a proof 
 
 1092 Simon de Vos, Painter, tzco impressions, one a proof, and 
 
 John Vanden Wouver, tzco impressions, one a singular proof 
 before the arms and inscription, and other variations 
 
 1093 Peter Snayers, Painter, three impresions with variations, one 
 
 a proof previous to any inscription , and Henderukus Du 
 Booys, and Helena Leonora de Sieveri, the two last by 
 Cornelius Visscher, fine 
 
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 By ROBERT VAN VOERST. 
 
 1094- Robert Van Voerst, Christian Duke of Brunswick, proof 
 the inscription wrote in with a pen, and tzco impressions of * 
 Sir Kenelm Digby, with variations 
 1095 Inigo Jones, Architect, three impressions, one a proof pre¬ 
 vious to any inscription, and tzco impressions of Simon 
 Vouet with variations 
 
Portraits after Vandyck. 
 
 [Ninth Dai/. 
 
 84 
 
 By LUCAS VORSTERMAN 
 
 1096 Lucas Vorsterman, Engraver, Jacobus de Catchopin, two 
 impressions, one a proof , and Wenceslaus Coeberger, jirst 
 impression 
 
 9 
 
 /2 6 1097 Antonius Cornelissen, tzoo impressions, one a proof, Deo- 
 
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 datus Del Mont, first state , and two impressions of Hubert 
 Vanden Enden, one a proof 
 
 1098 Gaston de Francia, &c. Theodore Galle, Engraver, two im¬ 
 
 pressions, one a proof , and Horatius Gentileschi, a Painter, 
 proof 
 
 1099 Petrus de Jode Sen. two impressions, one a proof , John Li¬ 
 
 vens, first impressions , and two of Carolus de Mallery, one 
 a proof 
 
 1100 John Van Milder, two impressions, one a proof Jodocus de 
 
 Momper, two impressions, one a proof, and Nicolaus Fabri- 
 cius de Peirese, a fine proof 
 
 1101 Nicolaus Roccoxius, two impressions, one a proof previous to 
 
 any inscription and without the arms, and other singular vari¬ 
 ations from the common impression 
 
 1102 Cornelius Sachtleven, Painter, two impressions, one a proof, 
 
 and Cornelius Schut, Painter, two impressions, one a proof 
 
 1103 Ambrosius Spinola, first state, and Petrus Stevens, Painter, 
 
 two impressions, one a proof 
 
 1104 Cornelius de Vos, Painter, three impressions, one a proof, 
 
 and Lucas Van Uden, Painter, first state 
 
 BY VARIOUS ENGRAVERS. 
 
 — 1105 Adrian Hanneman, Isaac Oliver, Peter Simon, Painters, and 
 
 one other, all proofs previous to any inscription or the en¬ 
 gravers names 
 
 PETER. VAN SCHUPPEN, born at Antwerp in 1623—This very 
 capital and justly celebrated engraver, the contemporary of Edelinck 
 probably learnt the elements of his art in the same school, under 
 C. Galle—early in life he went to Paris, where he met with Nanteuil, 
 who afforded him every facility in point of instruction towards his 
 perfection, and he eventually succeeded in becoming as great a 
 proficient as his tutor; ho also drew many of his portraits from the 
 life, in crayons, as adopted by Nantueil. In his engravings we dis¬ 
 cover the same admirable softness, purity and exquisite execution, 
 which distinguished the admirable talents of that great artist. 
 
 1106 Two portraits of Louis XIV. after Mignard and W. Vaillant, 
 and a medallion of ditto, '2 impressions with variations, j ine 
 and rare 
 
 JO 1107 Alexander VII. Pope—R. P. Natalis Alexander, Pnedicator, 
 and Theodore Bignon, very fine 
 
 /5~ 1108 Antonius Chasse, Prior of the Monastery of St. Vedast—• Zwil¬ 
 
 ling D’ Besson, and a portrait inscribed Burrus, fine 
 
Ninth Day.] 
 
 Van Schuppen, Vermeulen. 
 
 1109 Joan Baptist Christyn, Baro de Meerbeck, et Brabanti Can- 
 
 cellaria, with a fine proof of the same previous to any in¬ 
 scription 
 
 1110 Armand Jean Bouthillier le Ranee—Jean Louis de Fromentier 
 
 —Louis Francois le Fevre—Joseph Foucault, and Henry 
 Godet, very f ine 
 
 1111 Dominique de Ligny, Abbe de St. Jean d’Amiens—the same 
 
 person as Bishop df Meaux and Petrus Mercier, extra fine 
 
 1112 Philibert Marquis de Nerestamg—Gisbert de la Marche, 
 
 Bishop of Leyden—Claude de Lingendes—Petrus de Monchy, 
 Presbyter—Louis de Pontis, and the Duke de Noailles, 
 brilliant 
 
 1113 Franciscus Pinson, Advocate—G. N. de la Reyne, Cons. 
 
 du Roy and Eustace le Sueur, ditto 
 1114- Petrus Seguier, Chancellor of France, and Guido de Seve, 
 extra fine 
 
 1115 Bernard de Foix de la Vallette, Due D’Espernon— Honore 
 
 D’Urfe Chevalier de Malthe—Gaspardius Thaumasius— 
 Johan Veriusius, and 1 other of a youth, without his name 
 
 1116 Francis Villani, Bishop of Tournay ■—Joanni a Wachtendonck, 
 
 Archbp. of Mechlin, and 1 other, a proof 
 
 1117 Margaret de Lorraine and Lady Trevor Warner, both habited 
 
 as nuns, exquisitely fine and rare 
 
 1118 James Francis Edward, Prince of Wales, Largilliere pinxit, 
 
 very fine 
 
 CORNELIUS VERMEULEN, lorn at Antwerp , 1644, a distin¬ 
 guished engraver of portraits. 
 
 1119 Jacob Sirmondus, a jesuit—Reginald Cools, bishop of An¬ 
 
 twerp—Nicholas Vandc-r Borcht, and the figure of a cha¬ 
 racter in pantomime, inscribed Icy de Mezetin, 8tc. 
 
 1120 The Luxembourg Gallery, being a series of prints from the 
 paintings of Rubens, which adorn the Gallery of Luxembourg 
 in 24 large pieces, the 9th wanting, engraved by Vermeulen, 
 Edelinck, Masse, Chastillon, Duchange, Loir, J. and B. 
 Audran, Trouvain, B. Picart and Simoneau 
 
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 End of the Ninth Day's Sale. 
 
TENTH DAT’s SALE. 
 
 SATURDAY, 17th of FEBRUARY, 1810. 
 
 / J 
 
 
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 LOT 
 
 1121 
 
 Ei 
 
 /6 i 
 
 n(> 
 
 IGHT old political prints, touching on the War between 
 the Netherlands and England, containing some portraits of 
 celebrated characters, curious 
 
 1122 The Execution of John Oldenbarnaveldt, 2 different prints, 
 
 and 1 other, representing the singular executions of 
 Giles Vay Ledenberg, Jan de la Vigne, and Jan de Paris, 
 published by Nicholas John Vischer, 1619, very curious 
 
 1123 Two pieces, containing the portraits of the Dutch Conspirators 
 
 and 2 other pieces, containing their portraits and views of 
 their execution, extra fine, published by N. J. Vischer 
 
 1124 Frederic Henry, Prince of Orange, drawn in a triumphal 
 car, and another of Admirals Tromp and De Ruyter, drawn 
 in a triumphal car by Concord and guided by Victory 
 
 1125 Three persons in clerical habits, of different persuasions, 
 arguing on a passage of scripture ; near them is Christ point¬ 
 
 ing to the wound in his side; above them is seated in a row 
 the reigning monarchs of the time, listening to their argu¬ 
 ments ; on each side of the print are three portraits of Fred. 
 Henry Prince of Orange, and other celebrated characters, 
 and one other print, representing leading characters dancing, 
 curious 
 
 1126 The Synod at Dort, a very curious print) with a reference to 
 
 all the portraits therein represented, very fine 
 
 CORNELIUS VISSCHER, horn in Holland, about the year 1010.— 
 He learnt the rudiments of his ait under Peter Soutman, but possess¬ 
 ing a strong capacity and a natural genius, he forsook the style of 
 his tutor, and adopted that which was more congenial to his concep¬ 
 tion, that gave a more striking and natural force of nature; he 
 blended with free execution the use of the point, with the more 
 expressive powers of the burin, which rendered the effect in his 
 productions sweetly harmonious and uncommonly fine; he drew his 
 characters with admirable skill, by casting in the features a degree 
 of faithful animation in the expression, and he paid much attention 
 to the finishing of his heads, which he performed with a dexterity 
 of art peculiar to himself. 
 
 {; l? 1127 His portrait by Audran, Franciscus de Andrada, Antonius de 
 Brun, John Cuyermans, Francis William Bishop of Osna- 
 burg, and Lucas and John Atnbrosius, the two last prints 
 by N. J. Visscher 
 
Tenth Dai/.] 
 
 C. VlSSCHEK. 
 
 87 
 
 112S His portrait habited in a hat and mantle, and a ditto without 
 a hat, both extra fine 
 
 1129 Two different prints of his Mother, and two impressions of 
 
 Jacob Westerbaen Heer Van Brandwyck, one a proof pre¬ 
 vious to any inscription, extra rare 
 
 1130 Amelia de Solms, Consort of Frederick Henry Prince of 
 
 Orange, Henrietta Catharina, Albertina Agnes, and Mary, 
 Daughters of Frederick Henry Prince of Orange, Honthorst 
 pinxit 
 
 1131 Ludovicus Boisatus, Janus Dousa, and Fanciscus Valdesius, y 
 
 Military Commanders, fine 
 
 1132 Alexander VII. Pope, Joannes Boelensz, and Gellus de 
 
 Bourna, fne 
 
 1133 Henderukus de Booys, Helena Leonora da Sievcri, and Coppe- 
 
 nol the celebrated Penman 
 
 1134- Coppenol the Penman, a brilliant proof previous to any in- / 
 scription, rare 
 
 1135 Peter Gassendi, Constantine Huygens, and two different prints 
 of Petrus Isbrandus^'we 
 
 Robert Junius, two impressions of the larger print, with a va¬ 
 riation of address, one extra fne, and ditto within an oval 
 Joannes Merius, Pastor, and Philip Rovenius, Archiepiscopus 
 Philippensis, &c. very fine 
 
 Johannes de Paep, with a View of the Exchange at Amster- / 
 dam, extra fne and rare 
 
 1 139 Adrianus Motmans, a Friar Minor, and David Peter de Vries 
 
 Artillery Master of the States of Holland, extra rare and 
 fine 
 
 1140 Petrus Scriverius, and Cornelius Vosbergius, fne and rare 
 
 1141 Joannes Wachtelaer, Pastor of Utrecht, and Josse Vondel, 
 
 the celebrated Poet, two impressions, one previous to the 
 address of Justus Danckers, brilliant 
 
 A series of portraits at whole length, of Bishops and Martyrs, , 
 some of them English, twenty pieces with the title, very 
 fne 
 
 The Four Evangelists, in four pieces, brilliant 
 
 1144 The Holy Family, with Saint John presenting a Pear to the 
 
 Infant Christ—another Holy Family—the Resurrection, and 
 a bust of a Female richly attired, engraved for the cabinet of 
 De Reynst, fine 
 
 1145 The Virgin and Infant Christ in the Clouds, surrounded with 
 
 a host of cherubs, two of which are supporting a wreath 
 over her head, Rubens, pinxit, two sheets, extra fine 
 
 1146 Ulysses discovered by Achilles at the Court of Lycomedes, 
 
 Rubens, pinxit, capital 
 
 1 147 Saint Francis receiving the Infant Jesus from the hands of the 
 
 Virgin, Rubens, pinxit, two impressions, with and without 
 the address of De Wit 
 
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 1148 A portrait of a Virtuoso, (usually called Baccio Bandinelli) 
 
 seated in his cabinet, amidst several pieces of sculpture, fne 
 
 1149 A Boy in conversation with a Girl who has a Mouse in a Trap, 
 
 and the Cat asleep, with a Rat behind her, both very fine 
 and rare 
 
 1150 Tiie Bohemian Woman and the Rat Catcher, both pieces very 
 
 fine 
 
 1151 The Rat Catcher, a proof, very rare 
 
 1152 The Strolling Musicians, Ostade, pinxit 
 
 1153 The Pancake Woman, C. Visscher, invt. et fecit, fne 
 
 1154 The same print, brilliant 
 
 1155 The Dutch Chirurgeon, dressing a Peasant’s Wounded Foot, 
 
 Brauwer, pinx,—a Tippling Party of two Peasants, with an 
 Old Woman, after Ostade, and the Farriers Shop, after 
 Pater de Laer 
 
 1156 A Party of Five Boors, one playing on a Violin, the other 
 
 Singing, two impressions, one a brilliant proof, Brauwer pinx 
 
 1157 Two Dutch Boors in Amorous Conversation with a Woman, 
 
 and an Interior Scene, with a Party of Boors called the 
 Skaiters 
 
 1158 The Skaiters, a proof previous to any inscription 
 
 1159 The Kiln and the Robbery in a Cave, after Peter de Laer, 
 
 fine 
 
 1160 A group of Cattle, attended by two young Peasants, and land¬ 
 
 scape by Moonlight, with a Robber leading two horses, 
 Peter de Laer, pin x.Jine 
 
 1161 A set of four Landscapes, with Peasants and Cattle, after 
 
 Berghem, Clement de Jonghe, exc. very fne 
 
 1162 The Coronation of Carolus Gustavus, King of Sweden, large 
 
 sheet , fne and rare 
 
 JOHN VISSCHER, brother of the preceding Artist, horn at Amster¬ 
 dam in 1656—His productions are executed in a similar style with that 
 adopted by his brother, and they possess those combination of talents, 
 with the same reputable share of excellencies, which is so conspi¬ 
 cuous in the works of the former artist. His etchings from the 
 designs of Berghem, are particularly worthy of admiration, and 
 evince his superior eminence in this branch of the art. 
 
 1163 Portraits of Cornelius Catzius, a Prelate of Haerlem, and 
 
 Abraham Vander Hulst, Vice Admiral of Holland, fne 
 
 1164 Petrus Proelius and Bernard Somer, Prelates of Amsterdam— 
 
 Sir Peter Paul Rubens, and Verhelsius, very fine 
 
 1165 The Negro, with his Bow and Arrows, drawn from the life, 
 
 by C. Visscher, J. Vander Horst, exc .very Jine 
 
 LANDSCAPES, after BERGHEM, &c. 
 
 1166 A set of four small landscapes, enriched with figures and cat¬ 
 
 tle, N.P, Berchem, \m.fne 
 
Tenth Dai/.} 
 
 C. 3c J. Visscher, Voet. 
 
 89 
 
 1167 Aset in six pieces ditto, -first address. Just Danckers , exc. 
 
 extra Jine 
 
 1168 Another set, in four pieces, very fine 
 
 1169 Another set, in four pieces, upright form, extra fine 
 
 1170 Another set, in four pieces, of the same form as the last, and 
 
 previous to the inscriptions, brilliant 
 
 1171 Another set, in four pieces, oblong form and of larger size, 
 
 N. Visscher , exc very Jine 
 
 1172 A landscape, with cattle and figures, known by the appella¬ 
 
 tion of the Man with his back naked, and another with a 
 Woman milking a Goat, N. Visscher, exc. brilliant 
 
 1173 A pair of Landscapes, the Bagpiper, and a Peasant attending 
 
 Cattle, F. deWit, exc. very Jine 
 
 1174 A pair of large landscapes, Rocky Scenes, enriched with 
 
 Peasants attending cattle, F. de Wit exc. 
 
 1175 The same prints, previous to the address of De Wit, and one 
 
 a proof, prior to the names of the artists 
 
 1176 The Times of the Day, in four pieces, Justus Danckers, exc. 
 
 uncommonly brilliant 
 
 1177 Berghem’s Ball, representing a Party of Peasants dancing and 
 
 otherwise diverting themselves, in the Interior of a Barn or 
 Stable, the impression previous to the introduction oj' the 
 privilege, the effect of this piece is admirable 
 
 1178 The same print, of extraordinary brilliancy 
 
 1179 A set of four landscapes, with Peasants and Cattle, TV. Romeijn 
 
 inventor 
 
 1180 Two landscapes, enriched with Halts of Cavalry, after Wou- 
 
 vermans, Jine 
 
 1181 The Accident that befel Prince Maurice and his Retinue, by 
 
 the Breaking of the Drawbridge, on three sheets, fine and 
 rare 
 
 1182 Four pieces of Boors Tippling and Smoaking, after Brouwer 
 
 Clement de Jonghe, exc. 
 
 1183 Two pieces, Interior Scenes, with Parties of Boors Dancing 
 
 and Tippling, after Ostade, brilliant 
 
 1184 The Golden Age, A. Bloemarr, invent. J. C. Visscher, exc. 
 
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 PRINTS by LAMBERT VISSCHER, Brother of 
 C. and J. Visscher. 
 
 1185 Portraits of Johan de Liefde, Vice Admiral of Holland, 
 
 grand production, extra fine 
 
 1186 John de Wit, Pensionaris Van Holland—Frobenius, and one 
 
 other, a proof 
 
 ALEXANDER. VOET, born at Antwerp in 1013—He was the dis¬ 
 ciple of Pontius, and became successively an engraver of distinguished 
 talents. He woiked in a free bold style, resembling that of his tutor. 
 
 1187 The Martyrdom of St. Andrew, Rubens, pinx. large sheet , 
 
 brilliant 
 
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 Jd l 11 88 St. Augustin, Rubens, pinx. extra fine 
 /q (y 11S9 A Satyr and Nymph, with a basket of fruit, Rubens pnx. 
 capital 
 
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 LUCAS VORSTERMAN, born at. Antwerp, about the year 1580— 
 He was bred (o the profession of painting under Rubens; but his 
 mind being more inclined towards following the profession of engra¬ 
 ving, he prosecuted his endeavours with great assiduity, and event¬ 
 ually succeeded in becoming a great and highly meretorious profi¬ 
 cient in this branch of his art. He handled the burin with great 
 ability, and he possessed the art of infusing into his productions a 
 charming effect, without attending to the mechanical regularity of 
 strokes. He was peculiarly happy in his transcripts from Rubens 
 and Vandyek. 
 
 1190 Portraits of Wolfgang, William, Count Palatine—Leopold, 
 
 William, Archduke of Austria—John, Count of Nassau, 
 and Charles, Duke of Bourbon 
 
 1191 Claudius a Salmasia, and Octavio Piccolomineo de Arragona, 
 Jinc and scarce 
 
 1192 Hieronymus de Bran, and Paul Bernard, Comes de Fontaine, 
 
 very fine 
 
 1193 Charles I King of Great Britain, and Thomas Howard, Duke 
 
 of Norfolk, with the Staves as Earl Marshal, after Holbein 
 1191 The last mentioned print, brilliant 
 
 1195 Lot with his Family quitting Sodom—Job tormented by Devils, 
 
 both after Rubens, and two Saints kneeling before the Vir¬ 
 gin, after Michael Angelo Caravaggio 
 
 1196 Saint Francis receiving the Stigmatics, Rubens pinx, extra 
 
 brilliant 
 
 1197 Six pieces, single figures, a Man drinking—another drawing 
 
 his Sword—one with a Viper in his cap, diverting himself 
 with a squeaking Pig, &c. all nf them fine proofs 
 
 1198 A Party of Boors fighting, within a landscape, Breughel, pinx. 
 
 and the Satyr and Traveller, after Jordaens 
 
 1199 A Party playing at Backgammon, with a Lady playing on the 
 
 Guitar, A. de Coster, pinxit. fine 
 
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 1200 Portraits of Leopold, Emperor of Hungary, by S. Wiellems, 
 
 and six others, by Conrad Waumans, and Elias Wideman— 
 William III. and Dirick Cutrenhert, by Zylv^lt 
 
 1201 Eight fine portraits of the Princes of Orange and Nassau, in 
 
 ovals formed of oiive branches 
 
 1202 The Adoration of the Kings, after Rubens, and Saint Nicho¬ 
 
 las reproving the Emperor Constantine, after C. Schut, botn 
 by Witdoec, capital 
 
 1203 The Ascension oi the Virgin, by ditto, after Rubens, fine, 
 
 and one ether 
 
Tenth Day.] 
 
 Wille. 
 
 91 
 
 JOHN GEORGE WILLE, born in the year 1717, at Konigsberg, 
 in the Circle of the Upper Rhine, in the Principality of Upper Hesse 
 —In his youth he commenced his travels, and bent his course to 
 Strasbourg. In this city he met with Schmidt, whose circumstances 
 were similar with his own, and whose pursuit accorded the same 
 object. They immediately resolved to proceed to Paris, where they 
 arrived in the year 1736. The talents of these two young artists were 
 then in some degree conspicuous: they immediately obtained em¬ 
 ployment under Odieuvre, to engrave a series of portraits of cele¬ 
 brated characters. 
 
 Their emulation was to be great in their profession, and they ex¬ 
 erted their genius and abilities to outvie each other in examples of 
 skill. They both handled the burin with admirable dexterity, but 
 Wille exercised all his art to infuse into his productions the most ex¬ 
 quisite execution in the finishing of his works; and those prints which 
 we observe are from the cabinet pictures of those inimitable painters, 
 Gerard Dow, Mieris, Metzu, Netscher, and others, possess all the 
 fine traits and peculiar excellencies appertaining to such beautiful 
 models: in short, no person was more competent to engrave from 
 such examples of superior finishing. 
 
 The following collection of his works are incomparably fine, and 
 are enriched with a number of select proofs and singular variations, 
 
 1204 Portrait of John George Wille, by himself, and a ditto, by 
 
 Ingouf 
 
 1205 Prosper Cardinalis Columna de Scirra, and a portrait of an¬ 
 
 other Cardinal, proof, without the name 
 
 1206 Louis, Dauphin of France—Maria Theresa, Dauphiness of 
 
 France—Charles Frederic, Margrave of Baden, and one 
 other 
 
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 1207 Frederic II. King of Prussia, two different prints, fine 
 
 1208 Charles Louis Augustus, Foucquet de Belle-isle, fine 
 
 1209 Nicholas Rene Berrier, Minister of State, &c. 
 
 1210 The same print, a brilliant proof, previous to any inscription, 
 
 or names of the artists 
 
 1211 Jean de Boullongne, Controller General des Finances, etc. 
 
 brilliant proof 
 
 1212 Hieronymus Von Erlach—Schultheiss der Stad, und Republik 
 
 Bern, See. very fine 
 
 1213 Tycho Hoffman, Secretary to the Chancellor of the King of 
 
 Denmark, and Member of the Royal Society of London— 
 Claude Nicolas Lecat, Member of the Academies of Paris, 
 London, &c.—Marguerite Elizabeth de Largelliere, and 
 Francois Louis de Neuville — 
 
 1214 Woldemar de Lowendal, Mareschal de France, and Abel 
 
 Francois Poisson, Marquis de Marigny 
 
 1215 Abel Francois Poisson, Marquis de Marigny, a fine proof 
 
 with the arms 
 
 1216 The same print, a brilliant proof, previous to the arms or 
 
 any inscription 
 
 12 17 Jean Baptiste Masse, Painter, and Director of the Royal Aca 
 
 demy of Painting in Paris, extra fine 
 
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 118 Louis Phelvpeaux, Comte do Saint Florentine, &c. and Fran¬ 
 cois Ouesnay sitting in his study, fine 
 1C 19 The last mentioned print, a brilliant proof 
 
 1220 Jean Martin Priesler, an engraver—Joseph Parrocel, a 
 
 painter, and Maurice de Saxe Marechal de France, fine 
 
 1221 Henry Benoist second Son of James Stuart and Charles Stuart 
 
 the Pretender 
 
 J222 Portrait of a Soldier of the Swiss Guards, fine proof 
 
 1223 A Holy Family, entitled “ Repos de la Virge” Dietricy pinxit. 
 
 vi rif fine 
 
 1224 The same print , a fine proof with the title and arms 
 
 1225 The same print, previous to the arms or any inscription, extra 
 
 fine 
 
 1226 ilagar presenting Sarah to Abraham, a brilliant proof, 
 
 previous to the arms or any inscription, an exquisite piec 
 of art , Dietricy pinxit 
 
 1227 Les Soins Maternels et les Delices Maternelles, proofs, peint 
 
 par P. A. Wille 
 
 1228 The same prints, previous to the arms or any inscription, very 
 fine 
 
 1229 Tante de G. Dow—Gerard Dow, pinxit 
 
 1230 The same print, a fine proof 
 
 1231 La Philosophe du Terns Passe—P. A. Wille pinxit—La Tri- 
 
 coteuse Hollandoise, Mieris pinx. et Soeur de la Bonne Fem¬ 
 me de Normandie, P. A. Wille, pinx- fine 
 
 1232 La Bonne Femme de Normandie et le Soeur de Bonne Femme, 
 
 both very fine 
 
 1233 La Liseuse ct La Devideuse, Mere de G. Dow—G. Dow, 
 
 pinx. 
 
 1234 I^a Cuisiniere Hollandoise et La Gazettiere Hollandoise, after 
 
 Metzu, fine 
 
 1235 La Maitresse D’Ecole—P. A. Wide pinx* et Jeune Jouer, 
 
 d’lnstrument, apres Schalken 
 
 1236 A Girl holding a Bird; entitled “ Petite Ecoliere, and a proof 
 
 of the same , Schenau pinx 
 
 3237 A Boy blowing Bubbles, called le Petit Physician, after Nets- 
 cher, proof 
 
 1238 L’Observateur Distrait—Peint, par Mieris, brilliant 
 
 1239 The same print, a choice proof 
 
 1240 Two Peasants Smoaking, entitled Bon Amis, proof 
 
 1241 The same print, a proof before the arms, very fine 
 
 1242 Le Marechal des Logis engaging with two Robbers who 
 
 have bound a Girl to a Tree and have plundered her, fine 
 proof, P. A. Wide pinx. 
 
 124:3 Instruction Paternelle, after Terburg, a beautiful produ£lion 
 124 4 The same print, a fine proof 
 
 1245 Le Concert De Fanhlle, after G. Schalken, capital 
 
 1246 Musicians Ambulans, Dietricy pinx. a capital produ&lon, 
 
 extra fine 
 
Tenth Dai/.] 
 
 93 
 
 WlLLE. 
 
 1247 Les Offres Reciproques, Dietricy pinx. very fine / /a 
 
 1248 The same print, an unique proof, with a piece of Rock and^ ' 
 
 Foliage etched in the lower margin, brilliant 
 
 1249 Six etchings of Banditties and Soldiers, after Parrocel, and / // f 
 
 three etchings of landscapes, fine and scarce 
 
 1250 A capital portfolio bound in russia, containing one hundred „ Y 
 
 leaves, stout Dutch paper, size 22 inches wide by 33 inches c ’ 
 high 
 
 End of the Tenth Day's Sale. 
 
 THE 
 
 SECOND PART OF THIS CATALOGUE, 
 
 Will comprise a select Collection of 
 
 PAINTERS’ ETCHINGS, 
 
 Many of which are of extreme rarity and remarkably fine; 
 ALSO, A CONSIDERABLE 
 
 PROPORTION OF THE PRODUCTIONS OF REMBRANDT, 
 And 1500 Pieces, by Wengeslaus Hollar, 
 
 SDf cljotcwt Ctualitp a# to 3Imprt^ionj 
 
 COMPRISING 
 
 His rare Portraits and English Views, Muffs , Animals, Shells , *Sfc. 
 
 ALSO, AN EXTENSIVE SELECTION, 
 
 Chiefly consisting of the finest Proof Impressions, 
 
 OF THE SUPERIOR 
 
 PRODUCTIONS OF THE FOLLOWING CAPITAL ARTISTS, 
 
 PRINCIPALLY OF THE ENGLISH SCHOOL: 
 
 BARTOLOZZI 
 
 BROWN, 
 
 BYRNE, 
 
 CANOT, 
 
 EARLOM, 
 
 HALL, 
 
 HEATH, 
 
 HOGARTH, 
 
 MORGHEN, 
 
 PORPORATI 
 
 RYLAND, 
 
 SHARP, 
 
 SHERWIN, 
 
 SIR ROBERT STRANGE, 
 VOLPATO, 
 
 WOOLLETT, 
 
 WORLT DGE, 
 
 &C. &C. 
 
 Together with 
 
 Several Books of Prints, Portfolios with Leaves, 8cc. 
 
 XL/ 
 
 cvP 
 
 
 trx r — ^ 
 
 
 c> 
 
Lujth 
 
 MAGNIFICENT COLLECTION OF PRINTS. 
 
 'fconD ipart. 
 
 CATALOGUE 
 
 Of the Extensive and truly Magnificent 
 
 COLLECTION OF PRINTS, 
 
 COMPRISING 
 
 A VERY CHOICE AND RARE SELECTION OF 
 
 ETCHINGS, 
 
 By the most distinguished Painters of the Flemish, 
 Dutch and German Schools ; 
 
 TOGETHER WITH 
 
 die Gllorfss of Lcmbnniat ana Ins Celebrated jDuptls; 
 
 A most rich and valuable Collection of the Works of 
 
 WEJ¥C E&EdLUS HOLLAR, 
 
 IN UPWARDS OF FIFTEEN HUNDRED PIECES; 
 
 And a capital Display of the superior Productions of the most eminent 
 
 Engravers of Great Britain, namely 
 
 SIR R. STRANGE 
 WOOLLETT 
 WORL1DGE. 
 
 With a few grand Examples by Raphael Morghen, fyc. 
 
 The W hole Collection is of the finest Quality, as to Impression, and it abounds with 
 
 RICH PROOFS and CURIOUS VARIATIONS; 
 
 ALSO, 
 
 A few BOOKS of PRINTS, capital POR TFOLIOS with Leaves , Sfc. 
 
 wmi) 'mill be Sola bw auction, bp 
 
 BARTOLOZZI 
 
 HALL 
 
 RYLAND 
 
 BROWN 
 
 HEATH 
 
 SHARP 
 
 EARLOM 
 
 HOGARTH 
 
 SHERWIN 
 
 Mb. 1 1.1 <>\ DODD 
 
 At his Room, No. 101, St, Martin s Lane , 
 
 On TUESDAY, the 20th Day of FEBRUARY, 1810 , 
 
 AND NINE FOLLOWING DAYS, 
 f Sunday and Fast Day excepted) 
 
 At Half past FIVE in the Afternoon of each Day. 
 
 53 V 
 
 The Collection to be Viewed progressively Two Days prior to each Day’s Sale; 
 where descriptive Catalogues may be had. 
 

 
 
 
 
 
 
 
 
 
 •* 
 
 
 
 
 
 
 
ELEVENTH DAT’s SALE, 
 
 TUESDAY, the 20th of FEBRUARY, 1810. 
 
 PAUL REMBRANDT GERRETZ, lorn 1606 , at a Village near 
 Leyden —He was usually called Van Rliyn, an appellation given him 
 from the place where he spent his youthful days, being near the 
 borders of the Rhine. 
 
 At an early age he gave evident tokens of a genius for painting. 
 He received his first instructions from Swanenburg, secondly from 
 P. Eastman, and finally with Jacob Pinas, from whom he acquired 
 that taste for a strong contrast of light and shadow, which he ever 
 after so happily cultivated. In his early practice he painted in the 
 manner of Mieris, his productions being highly finished; but he 
 afterwards adopted a style bold and forcible, to such a degree that none 
 has ever excelled him. Some of his pupils followed his track very 
 closely, but in the end never reached to that summit of excellence 
 that is so conspicuous in his works. He evinced strong proofs of a 
 fertile imagination in his compositions, but his ideas were not classical, 
 nor did his designs possess that degree of grandeur,which the solemnity 
 of the composition demanded; nor had he a notion of copying nature 
 in bet graceful forms; yet he atoned for these deficiences by the 
 wonderful powers he produced in his works—His characters at times 
 are expressed with uncommon animation; his execution was rapid, 
 and his skill in uniting the tints, produced a magic effect, which 
 charms the beholder and creates his astonishment. 
 
 We discover in his etchings, the very counterpart of his pictures; 
 the same fire, animation, effect, and spirited execution, with all his 
 other excellencies or characteristics, pervade nearly throughout the 
 whole of them. 
 
 In the following collection are many of his superior productions, 
 particularly his portraits and landscapes, some of which possess inde- 
 scrible merit and excellence. 
 
 The arrangement is made agreeable to Mr. Daulhfs Catalogue of 
 the works of this master. 
 
 Portraits of Rembrandt and Busts which resemble him. 
 
 ■otIT' 
 
 1 JL OUR small heads. No. 2, No. 3, No. 14, and No. 1 in the 
 
 supplement 
 
 2 Four ditto, Nos. 14, 18, 19, and 20, all fine } 
 
 3 Portrait of Rembrandt, No. 22, ditto holding a Sabre, No. 
 
 23, ditto with his Wife in one piece, No 24 
 
 4 Ditto in the Mezetin Cap and Feather, No. 25, and a small 
 
 bust of ditto 
 
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 Paul Rembrandt Gerrrtz. 
 
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 A fine portrait of Rembrandt, No. 26, an exquisite pro¬ 
 duction, and before the cup tons finished, extra fine and rare 
 Portrait of Rembrandt Drawing, No. 27, two impressions, 
 both veri/fine, one printed clear, the ether with the bur 
 Portrait of Rembrandt in an oval. No. 2S, hue, and an 
 inferior impression 
 
 SUBJECTS FROM SCRIPTURE HISTORY. 
 
 Adam and Eve, No. 29, fine 
 
 Abraham sending Hagar and Ishmael away, No. 31, very fine ' 
 Abraham Entertaining the Angels, No. 30, two impressions, 
 one with the bur, Abraham with his Son Isaac, No. 32, 
 and Abraham in the o£t of commencing the Sacrifice of his 
 Son, No. 33, very fine 
 
 Jacob lamenting the supposed Death of Joseph, No. 35, Jo¬ 
 seph and Potiphar’s Wife, No. 36, and Joseph reciting 
 his Dream to his Brethren, No. 37 
 Joseph reciting his Dream, No. 37, two impressions, one being 
 before the introduction of the additional shadows, rare and 
 fine 
 
 Gideon’s Sacrifice, No. 3S, and the Triumph of Mordecai, 
 No. 39, fine 
 
 The Triumph of Mordecai, No. 39, with the bur, most brilliant 
 Tobit, No. 41, and the Angel ascending from Tobit and his 
 Family, No. 42, both fine 
 The Angel appearing to the Shepherds, No. 43 
 The same print, very fine 
 
 The Nativity, No. 44, the Circumcision, No. 46, and the 
 Circumcision, No. 47, extra fine 
 The Presentation of Jesus in the Vaulted Temple, No. 49, and 
 the Presentation, No. 51, two impressions, one very fine 
 The Presentation in the Vaulted Temple, No. 49, brilliant 
 The Flight into Egypt, No. 52, two different impressions, and 
 the Holy Family Crossing a Rill, No. 55 
 The Return from Egypt, No. 54, extra fine and rare 
 The Flight into Egypt, in the style of Elsheimer, No. 56, fine 
 and scarce 
 
 The Rest in Egypt in a Wood, No. 57, and two pieces of No. 
 58, the Holy Family seated on a Bank and a Man with a 
 Pen 
 
 The Holy Family, No. 62, Jesus Disputing with the DoCtors, 
 No. 63, two different designs of the same subject, being 
 Nos. 64 and 65 
 
 The Little La Tombe, No. 66, and the Tribute to Caesar, No. 
 67, fine 
 
 The Litile La Tombe, No. 66, with the bur> most brilliant 
 
"Eleventh Dai/.] Paul Rembrandt Gerretz. 
 
 103 
 
 28 Jesus Christ Driving the Money Changers out of the Temple, 
 
 first state , No. 69, the Prodigal Son, No. 70, and Jesus / 
 Conversing with the Samaritan Woman, two designs. Nos. 
 
 71 and 72 
 
 29 The Resurrection of Lazarus, No. 74, very fine S 
 
 30 Our Lord Healing the Sick, usually called the Hundred Guilder, y 
 
 No. 75 
 
 31 The same print, a stronger impression J 
 
 32 Jesus Christ Healing the Sick, No. 76, fine and rare 
 
 33 Our Lord in the Garden of Olives, No. 78, two impressions , 
 
 one extra fine with the bar 
 
 34 The Crucifixion of Christ, No. 81, an oval, extra fine, and 
 
 the little Crucifixion, No. 82 
 
 35 The Ecce Homo, No. 83, a grand production / 
 
 36 The Descent from the Cross, No. 84, ditto 3 
 
 37 The Dead Body of Christ being Released from the Cross, No. 
 
 86, two impressions', one with the bur, and the Funeral of 
 Jesus, No. 88 
 
 38 Our Lord and the Disciples at Emaus, No. 90, with the bur, 
 
 capital 
 
 39 Our Lord and the Disciples at Emaus, No. 90, the same sub¬ 
 
 ject differently designed. No. 91, the Decollation of St. 
 John, No. 92, two impressions 
 
 40 Saint Peter and Saint John at the Beautiful Gate of the Temple, 
 
 No. 94, two impressions with variations 
 
 41 The Death of the Virgin, No. 97, Jine 
 
 42 The Baptism of the Eunuch, No. 95, the Death of the Virgin, 
 
 No. 97, and the Martyrdom of Saint Stephen, No. 98, 
 two impressions, one extra fne 
 
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 SAINTS AT DEVOTION, WITH OTHER SUBJECTS OF 
 
 MORALITY. 
 
 43 Saint Jerome sitting at the foot of a Tree, No. 100, capital, 
 
 ditto kneeling at Devotion, No. 101, tieo impressions, one 
 very fine, and the same subjeCl, No. 103 
 
 44 Saint Jerome sitting before the trunk of an old Tree, No. 102, 
 
 very fine 
 
 45 Saint Francis at Devotion, No. 107, Youth surprized by Death, 
 
 No. 109, and a Man Meditating, No. 110 
 
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 VARIOUS SUBJECTS OF FANCY. 
 
 46 The Star of the Kings, No. 112, two pieces of Huntsmen at- t 
 
 tacking Lions, No. 113, the Blind Bagpiper, No. 115, and j 
 the Rat Killer, No. 117 
 
 47 The Goldsmith, No. 119, the Pancake Woman, No. 120, a 
 
 Game or Diversion called the Sport of IColef, No. 121, and 
 the Jews Synagogue, No. 122 
 
104 
 
 Paul IIembrandt Gerhetz. 
 
 [Eleventh Dm/. 
 
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 4-S An Allegory called Fortune, No. 123, and the Marriage of Ja¬ 
 son and Creusa, No 124 
 
 49 The Corn Cutter, No. 125, extra fine and rare 
 
 50 The Mountebank, No. 127, the Draughtsman, No. 128, Pea¬ 
 sants Travelling, No. 129, the Jew with the high Cap, No. 
 131, an Old Man with a Boy, No. 132, and a Man Playing 
 at Cards, No. 135, two impressions with variations 
 
 51 The Man on Horseback, No. 13S, the Polander, No. 139, an 
 Old Man, half length, No. 14-1, an Old Man leaning on a 
 
 Stick, No. 144-, and the Persian, No. 145 
 & 52 The Hog, No. 152, fine 
 
 BEGGARS. 
 
 /# / 53 Nos. 156, 161, 164, 166, 167 and 168 
 
 ^ 54 A Beggar seated on a Bank, No. 168, Beggars at the Door of 
 a House receiving Alms, No. 170, and two different, No. 
 171, very fine 
 
 FREE PIECES. 
 
 /5 (j 55 The Friar in the Straw, No. 179, and the Flute Player, No. 
 ISO, fine 
 
 2 v - 56 A Man making Water, No. 182, and a Woman similarly occu¬ 
 pied, No. 1S3, fine 
 
 ACADEMICAL SUBJECTS. 
 
 z / 
 
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 /6 
 
 5*1 A Painter drawing from a Model, No. 184, a Man naked, No. 
 185, and the Bathers, No. 1S7, two impressions, one very 
 fine 
 
 58 A Woman sitting before a Dutch Stove, No. 189, two impress¬ 
 
 ions with considerable variations 
 
 59 A Woman with her Feet in the Water after Bathing, No. 192 
 
 60 A Woman naked seated on the Bank of a River, No. 193, and 
 
 a back view of a Woman naked, No. 197, both fine 
 Cl Venus with Cupid’s Arrow, No. 194, fine 
 
 LANDSCAPES. 
 
 t / C2 A View of Amsterdam, No. 202 
 
 / /a 63 A Landscape with a Peasant carrying a pair of Milk Pails, No. 
 205, very fine and rare 
 
 / 64 A Village near a High Road, No. 209, first impression , extra 
 
 fine 
 
 /6 Ip 65 A Village with a square Tower, No. 210 
 3 6 66 The same print with the bur, most brilliant 
 
 / / 67 A Farm House and Barn, No. 211, very fine 
 
 2 /S' 68 A Landscape with a Vista, No. 214, extra fine and rare 
 
Eleventh Day.'] Paul Rembrandt Gerretz. 
 
 10.3 
 
 69 A ditto with Cattle, No. 21G, and a ditto with an Obelisk, No. 
 
 218, hath fine 
 
 70 A Village with a Canal, No. 219, very fine 
 
 71 A Village with a Canal, No. 219, and a large Landscape, with 
 
 a Sail of a Mill seen above a Cottage, No. 222, the last is 
 very fine 
 
 72 A Landscape with a Grotto, No. 223, rare 
 
 73 A Cottage partly surrounded with white Pales, No. 224, first 
 
 state, brilliant 
 
 74 The Gold Weigher’s Field, No. 226, fine and scarce 
 
 75 Rembrandt’s Father’s Mill, No. 225, and a Landscape with a 
 
 Cow drinking, No. 228 
 
 PORTRAITS of MEN. 
 
 76 A Man in an Arbour, No. 237—an old Man, No. 240, and a 
 
 Man with a Crucifix, No. 241 
 
 77 The Man with a Crucifix, No. 241, very fine 
 
 78 An old Man with a large white beard, No. 242, a Man with a 
 
 fur cap and his beard short, No. 243, Abraham Vander Lin¬ 
 den, No. 244, and an old Man with his cap divided, No. 245 
 
 79 Janus Silvius, No. 246, most brilliant , with the copy by Savery 
 
 80 A young Man musing, No. 248, Manasseh Ben Israel, No. 249, 
 
 and Doctor Faustus, No. 250 
 
 81 Renier Hansloe, No. 25\,fine 
 
 82 Clement de Jonghe, No. 252, ditto 
 
 S3 The same print, previous to the arch at top and other variations, 
 very fine and rare 
 
 84 Ditto uith less work than the last, brilliant and rare 
 
 85 Abraham France, No. 253, very fine 
 
 86 Young Haring, No. 255, impression before the landscape, extra 
 
 fine, and the same print in its reduced state 
 
 87 John Lutma, No. 256, with a reverse 
 
 88 The same print, before the window and bottle were introduced, a 
 
 superb impression 
 
 89 John Asselyn, No 251,fine 
 
 90 Ephraim Bonus, No. 258, extra fine 
 
 91 Wtenbogardus, No. 259, brilliant 
 
 92 John Cornelius Sylvius, No. 2(i0, rare and fine 
 
 93 Wtenbogardus, the Banker or Gold Weigher, No. 261, in its 
 
 second state , very fine 
 
 94 The same print in its original state , capital 
 
 95 The copy of the same, by Captain Baillie 
 
 96 The Great Coppenol, No. 263, rare 
 
 FANCY HEADS. 
 
 97 Three Oriental Pleads, No 266, a young Man in a mezetin cap, 
 
 No. 267 
 
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 Paul Rembrandt Gerretz. fEleventh Day. 
 
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 98 An old Man with a large beard, No. 268, an old Man bald, No. 
 
 269, and two different of a Man bald-headed. No. 270 
 
 99 An old Man in an oval, No. 272, an old Man with his head 
 
 bald, No. 273, an old Man in a high fur cap, No. 276, a 
 Man with his beard from ear to ear, No. 277, and a Man, No. 
 280, some fine and scarce 
 
 100 Bust of a Man resembling Rembrandt, No. 281, Profile of a 
 
 bald old Man, No. 282, and the Bust of a Man in a fur cap, 
 two impressions, one extra fine 
 
 101 An old Man with a white beard, No. 286, a young Man, No. 
 
 287 and a Man with a broad-brimmed hat, No. 28S, very 
 fine 
 
 102 An old Man, No. 292, a portrait resembling Rembrandt, No. 
 
 293, a ditto laughing, No. 294-, a ditto, No. 297, and the 
 Head with a mutilated cap, No. 298, fine 
 
 103 A Man, his head bald, No. 302, a Man asleep, No. 303, a 
 
 grotesque Head, with his mouth open, No. 306, and a por¬ 
 trait of an Officer, No. 309 
 
 PORTRAITS of WOMEN. 
 
 104 The Jewish Bride, No. 311, very fine 
 
 105 Saint Catherine, No. 312, portrait of an old Lady, No. 313, 
 
 and a young Women reading, No. 314, very fine 
 
 106 Rembrandt’s Wife, No. 316, an old Lady, No, 317, Rem¬ 
 
 brandt’s Mother, No. 318, and two pieces of old Women, 
 etched no lower than the chin, No. 319 and 320, very fine 
 
 107 An old Woman, No. 321, a Woman with a basket, No. 323, a 
 
 Morisco, No. 324, and the Head of Rembrandt, with other 
 Studies, No. 329 
 
 108 A Woman in a large hood, No. 326, and a sheet of sketches, 
 
 Rembrandt’s Wife, and five other Heads, No. 331, rare 
 
 109 Three Heads of Women, two pieces, Nos. 333 and 334, and a 
 
 sketch of a Tree and other subjects, No. 339, all very fine 
 
 110 Twenty tracings and imitations from very rare prints, by Rem¬ 
 
 brandt, chiefly landscapes 
 
 End of the Eleventh Day's Sale, 
 
TWELFTH DATs SALE. 
 
 WEDNESDAY, 21st of FEBRUARY, 1810 
 
 Etchings by the Pupils of Rembrandt. 
 
 lot HP 
 
 1 i 1 JL HE Family in a Room, by Ferdinand Bol, and Esau 
 selling his Birth-right to Jacob, by Verbeco 
 
 JOHN LIEVENS. 
 
 112 Portrait of Vondel the Poet, two impressions, zcitli variations 
 
 in the address, both very fine 
 
 113 Daniel Heinsius—Jacob Gouter and Ephraim Bonus, very fine 
 114- A bust of a Man and 5 smaller ditto of Men and Women, very 
 
 fine 
 
 115 Bust of a Man, front view, with short frizzly Hair and Beard, 
 
 and a Ring in his left Ear, and three other busts of old 
 Men, and an old Woman, extrafine and rare 
 
 116 The Virgin presenting a Pear to the Infant Jesus, and a Man 
 
 kneeling in the attitude of Devotion, pouring a Liquid from 
 a Bottle on the top of an upright Stone or Altar, near the 
 trunk of a Tree, fine and rare 
 
 117 The Raising of Lazarus, a fine composition 
 
 118 The same print, first state, with curious variations from the 
 
 last, fine and rare 
 
 119 St. Jerome, with a Crucifix, sitting within a Cavern, fine and 
 
 rare 
 
 120 A Hermit or Saint with a Cowl on his Head, sitting on a Bank, 
 
 with a Crucifix reared against a Rock, and a larger piece 
 representing the same figure within a dark Grotto, both very 
 rare 
 
 121 Mercury and Argus, and another piece representing Boors 
 
 Quarrelling over their Cards, with Death ending the Dispute, 
 J ine and scarce 
 
 
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 / // 
 
 JOHN GEORGE VAN VLIET. 
 
 122 Eight, a set of Beggars, Pedlars and a Rat-catcher, very five 
 
 123 Two capital busts of Philon the Jew, and a Polander, both 
 
 extra fine. 
 
 121 A bust of an Officer, nearly in profile, with long hair, Cap and 
 Feather and a Philosopher in his Study, reading, before him 
 is a Globe, &c. very fine 
 
 / 7 
 / .2 
 
 JO 
 
108 
 
 Painters Etchings. 
 
 [7 'welfth Day. 
 
 
 125 Nine pieces of the set of Trades, the Carpenter—the Turner—• 
 
 the Baker—the Bricklayer*—the Blacksmith—the Whitesmith 
 — the Hatter—the Weaver, and the Sailmaker, fine 
 
 126 Four pieces, a Man seated on a hamper, conversing with his 
 
 Wife—the Rat Killer—the Barber Surgeon, ^nd a Party 
 Playing at Cards, all fine and rare 
 
 127 Two large pieces representing the Senses of Feeling and Tasting, 
 
 a Barber Surgeon is dressing a Man’s Foot, the other a Wo¬ 
 man frying Pancakes, another Woman eating of them, 
 while a Man is drinking out of a large pitcher, both very fine 
 
 PAINTERS ETCHINGS. 
 
 For a reference to the distinctive excellencies of the following 
 eminent Painters, vide Pilkingtoiis Dictionary of Painters, also 
 Bartsclis Peintre Gravenr, and Manual des Arts, par Huber et 
 Post. 
 
 The following collection forms a choice sample of etchings, chiefly 
 by the most eminent Flemish, Dutch and German artists. Among 
 them are many of the finest and rarest examples of infinite beauty, 
 and of superior impression 
 
 JOHN VAN AKF.N. 
 
 / // 128 Four Views on the Rhine, after Sachtleven, and another Land¬ 
 
 scape from his own design, called by Bartsch “ Les Voya- 
 geurs h Cheval.” 
 
 W. BASSE. 
 
 / /[j 129 Three beautiful Landscapes, enriched with groups of Satyrs 
 and Nymphs dancing, and practising different Gambols, and 
 two smaller pieces by ditto, extra fne and rare 
 
 W. BAUR. 
 
 130 Twelve pieces, representing Men of different Nations, in 
 groups, conversing, and in the attitude of exchanging Acts 
 of Politeness, fne and rare 
 
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 CORNELIUS BEGA 
 
 131 Nine pieces, Dutch Topers and others in Amorous Conversation* 
 
 very fne 
 
 NICHOLAS BERGHEM. 
 
 132 Six pieces of Sheep, usually called the Woman’s Book, with 
 
 the address of Clement de Jonghe, exceedingly choice 
 
 133 Eight pieces of Sheep, forming a different set, also called the 
 
 Woman’s Book, with the address of Clement de Jonghe , 
 extraordinary fne 
 
Twelfth Dai/.'] 
 
 Painters Etchings. 
 
 109 
 
 131* The same set, with the prior address of Theodore Matham, and 
 
 before the numbers, extra rare , and in the purest condition ^ ' 
 
 135 Eight pieces of Goats, forming a set call *d the Man's Book, ^ ^ 
 
 previous to the numbers, extra fine and rare 
 
 136 Four pieces forming a set of Cows, Horses, &c. in groups, yy 
 
 most brilliant / 
 
 Five pi ces, forming a set of groups of Cattle, with Peasants, 
 called the Senses, fine and rare 
 
 Six pieces of Cows, forming a set called the Milk Pails, rare fg 
 and remarkably fine 
 
 139 The Watering Cow, first state, previous to the address of / / 
 
 F. de Wit, extra fine 
 
 140 Peasants attending Cattle near a group of Ruins, Berghems / /fi 
 
 largest etching, extra fine 
 
 111 The same print, in the first state, with Berghem’s name etched y 
 in by himself, of the most brilliant cast , and in the highest / 
 state of purity, extra rare 
 
 13 
 
 138 
 
 CORNELIUS BLEKER. 
 
 142 A Man and Woman conversing near a Fountain, with a group of 
 Sheep near them, and another piece wherein a Woman is 
 Milking a Cow, fine and rare 
 
 CORYN BOEL 
 
 143 Seven pieces of Villagers Recreating and Men Smoaking, all y /y 
 after Teniers, f ine 
 
 JOHN BOTH. 
 
 144* The set of ten Landscapes, zoanting one of the pieces, of re - y / y- 
 mcirkable fine quality, raris 
 
 145 Five pieces, forming a set called the Senses, from the designs of y // 
 
 Anthony Both 
 
 ANTHONY BOTH. 
 
 146 Two different pieces of Hermits at Devotion—the Temptation 
 
 of St. Anthony, and two others pieces of groups of Tippling 
 Parties, extra rare and fine 
 
 BARTHOLOMEW BREEMBERG. 
 
 147 Eight small Landscapes with Ruins of Buildings, fine and rare. 
 
 MARC DE BYE. 
 
 148 Twenty-four pieces cf Groups cf Cows, after Paul Potter 
 
 ADRIEN VANDER CABEL. 
 
 149 Six Landscapes, Romantic Scenes, very fin? 
 
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Painters Etchings. 
 
 [Twelfth Day. 
 
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 AN rONIO CANALETTI. 
 
 150 Nine pleasing Views in Venice, fine 
 
 GIOVANNI BENEDETTO CASTIGLIONE. 
 
 151 Nineteen Studies of Heads and compositions from Scripture 
 
 History, very spirited 
 
 FRANCOIS CHAUVEAU. 
 
 152 Nine etchings of Masks, singular designs 
 
 JACOPO CORTESI, called BORGOGNONE. 
 
 153 Eight pieces, forming a set of Battles, etched with uncommon 
 
 spirit, brilliant, and extra rare 
 
 154 The large set of Battles in four pieces, most capital 
 
 ALBERT CUYP. 
 
 155 Six pieces of Groups of Cows, fine 
 
 DANCKER DANCKERTS 
 
 156 Four, a set of oblong Landscapes with Cattle, after Berghem 
 
 with the address of P. Schenk 
 
 157 A Landscape with a Party Hunting a Stag, and a ditto with a 
 
 Brook and Peasants Watering Cattle, both after Berghem, 
 fine 
 
 158 The Bird Catcher in a Landscape after Berghem, and a View 
 
 near the Sea Coast with Smugglers conveying Goods to a 
 Vessel, after Wouvermans, finely etched by Justus Danckerts 
 
 J. DASSONVILLE. 
 
 159 Fifteen pieces, compositions of Boors Carousing, and Parties 
 
 of Peasants in Conversation, very fine 
 
 LOUIS DE DEYSTER 
 
 160 Three pieces, the Deluge, Noah’s Sacrifice, and St. Jerome, 
 
 neither of these are enumerated by Bartch in his de¬ 
 scription of this master's works, extremely rare 
 
 ADRIAN VAN DIEST 
 
 161 Two fine etchings of Landscapes, very rare 
 
 CHRISTIAN W. ERNEST DIETRICY. 
 
 162 Twenty-one Landscapes, Rustic and Rural Scenery 
 
 163 Seven larger ditto 
 
 164 Ten, the Nativity, Philip Baptising the Eunuch, Si C. 
 
 165 Eight, the Bagpiper and Ballad Singers, &c. 
 
Painters Etchings. 
 
 ill 
 
 Twelfth Day.’] 
 
 JACOB VANDER DOES. 
 
 166 A group of Sheep within a Landscape, the only piece by the 
 hand of the artist. Vide Bartsch, Peintre Graveur, vol. 4, ^ 
 p. 189 
 
 This piece is one of the rarities copied by Bartsch ; but. this impression 
 is an unfinished proof, previous to the finishing the foreground, and 
 before the head of the fifth sheep was introduced, extra rare 
 
 F. P. DUFLOS. 
 
 167 Seven spirited etchings of Landscapes, marked F. P. Duflos, n 
 
 pinx et fecit 7 
 
 GASPAR DUGHET, called GASPAR POUSSIN. 
 
 168 Four Landscapes in circles, rare 2 2 
 
 169 Four ditto, oblong, previous to the address of Mauperche, / 
 
 extra f ine and rare ** 
 
 CORNELIUS DUSART. 
 
 170 The large Tabagie, containing a group of Dutch Boors, one / / 2 
 
 playing on a violin, fine and scarce 
 
 171 The large Village Festival, uncommonly fine and rare 2 — 
 
 Prints in Mezzotinto , by Ditto. 
 
 172 A Party of Boors regaling, one playing on a Violin, while ano- y /J 
 
 ther is singing, f ine and rare 
 
 173 Two Men, one playing on a Hurdy-gurdy, the other on a , 
 
 Guitar, with the etching of the same, extra rare and fine ' 
 
 ALBERT VAN EVERDINGEN. 
 
 174 Twenty-seven etchings of Landscapes, rocky and woody scenes, ff 2) 
 
 fine impressions 
 
 FRANCIS PAUL FERG. 
 
 175 A set of Landscapes, enriched with figures, in nine pieces, J£ 
 
 fine 
 
 ALBERT FLAMEN. 
 
 176 Twelve pieces, representing different Fishes of the Sea, intro- 
 
 duced in appropriate landscapes on the Sea Coast, extra j ine 
 
 177 Twelve similar pieces of Fresh Water Fish, equally f ine 4 t , 
 
 178 Six, a set of views in France, very beautiful 2 fv 
 
 179 Twelve, a set of Views, entitled “ Topographia Augustiniani,” £ £ 
 
 very f ine ' 
 
Paintebs Etchings. 
 
 [Twelfth Day. 
 
 112 
 
 2 Jl L 180 
 
 /l - 181 
 
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 / f> 183 
 /S 184 
 
 /2 L 185 
 
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 J I 187 
 
 1 / 188 
 
 / Jj ~ 189 
 
 / - 190 
 
 / - - 191 
 
 2 3 192 
 
 JOHN FYT. 
 
 Eight small pieces of Cows, Goats, Foxes, &c. extra rare and 
 very f ine 
 
 Eight, the set of Dogs, most brilliant 
 
 JOHN GROENSVELT. 
 
 Six pieces, a set of Landscapes, with Cattle, after Berghem, 
 f ine and scarce 
 
 CAREL DU JARDIN. 
 
 The portrait of Vos and five of his largest Landscapes, f ine 
 
 JOHN VANDER MEERE DE JONGHE. 
 
 A group of three Sheep and two Lambs in a rich Landscape, 
 extra fine and scarce 
 
 JAMES JORDAENS. 
 
 Three Historical, Jupiter and Io, Jupiter suckled by the Goat 
 Amalthea, and a Group of Peasants in a Landscape, one 
 stopping an Ox, extra fine 
 
 CHRISTOPHER W. KOLBE, 
 
 Four Landscapes and Studies of Trees, capital 
 
 PETER DE LAER, called BAMBOCCIO. 
 
 Six, a set of Horses, and three smaller pieces representing a 
 Woman seated on a Bank, a Man on Florseback, and a small 
 Landscape 
 
 Eight pieces, forming a set of different Groups of Cattle, 
 most brilliant and rare 
 
 FRANCIS LONDONIO. 
 
 Twelve pieces, forming a set, Peasants with Groups of Cattle, 
 on blue paper, heightened with white 
 
 HENRY MAUPERCHE. 
 
 Four hne Landscapes with Figures, in the style of Gaspar 
 Poussin, very fine and scarce 
 
 PETER MOLYN. 
 
 Two Landscapes, enriched with Groups of Peasants, and two 
 others, somewhat smaller, rare 
 
 ISAAC MOUCHERON. 
 
 Six Landscapes, after Gaspar Poussin, fine and rare 
 
Twelfth Day.'] 
 
 Painters Etchings. 
 
 113 
 
 CLAES CORNELIUS MOYAERT. 
 
 193 Six Landscapes comprising the History of Jacob, fine and / f 
 
 scarce 
 
 HENRY NAIWINX. 
 
 194 Six Landscapes of the upright set, extra fine and rare 
 
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 J. VANDER NOORT. 
 
 195 A Landscape ornamented with Ruins, after Peter Lastman, 
 
 and a ditto with a Group of Cattle and a Milk Maid near a / / 
 Tree, after P. de Laer, J. V. N. fecit, 1644, extra fine, ' ^ 
 
 N. B. In the common impressions the names of these artists 
 are erazed, and P. Pott, substituted in its place 
 
 J. VANDER NYPOORT. 
 
 196 Three Cabarets with Peasants Smoaking, Tippling, Sec. and j / 
 
 the Dentist or Dutch Alchymist, very fine and extra rare 
 
 P. G. VAN OS. 
 
 197 Six, a set of Landscapes containing Cattle, proofs previous to , , 
 
 the numbers and name of the artist on the title, fine and ' * 
 
 rare 
 
 198 A large Landscape, a young Bull and three Sheep occupying // 
 
 the fore ground, very fine 
 
 ADRIAN OSTADE. 
 
 199 His works infifty pieces with his portrait , and fourteen vari- 
 
 at ions, extra fine ^ 
 
 W. PANNEELS 
 
 1200 Fourteen Historic compositions from Rubens, fine /f? 
 
 PAUL POTTER. 
 
 201 A Landscape with a Man driving Cows, the reduced state of 
 
 the plate, and another Landscape with a Shepherd Piping to / /Cj 
 his Flock, Clement de Jonghe excudit, f ine and rare * 
 
 202 Eight, a set of etchings of Cattle, called the Bull Book, with /n 
 
 the address of Clement de Jonghe, fine and rare J 
 
 203 Eight, another set of Cattle, representing a single Cow or Ox ^ / J f 
 
 in each of the Landscapes, F. de Wit excudit 
 
 204 Five, the set of Horses within Landscapes, extra fine and rare q Z (? 
 
 ABRAHAM RADEMAICER. 
 
 205 Forty-seven Views in Holland, fine impressions 
 
 FRANCIS RECHBERGER. 
 
 206 Four, a set of Landscapes, rural scenery 
 
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114 
 
 Painters Etchings. 
 
 [Twelfth Day, 
 
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 CHARLES REINHART. 
 
 207 Twelve pieces, compositions of Cattle, introduced in Land¬ 
 
 scapes, very fine 
 
 JOHN ELIAS RIDINGER. 
 
 208 Four, a set of Landscapes enriched with Groups of various 
 
 sorts of Birds, extra fine and scarce 
 
 209 Four, the set of Bears, very fine 
 
 210 Ten, the set of Monkeys, capital impressions 
 
 211 Four, the Den of Lions, after Rubens, the Battles between a 
 
 Tiger and a Buffalo, and the Leopard and the Ass, fine 
 
 212 Eight of Forest Scenery, with methods of catching Foxes, Stags, 
 
 &c. very fine 
 
 213 Eight, the set of Lions, capital 
 
 214 Six, the set of Camels and Dromedaries, f ine arid scarce 
 
 215 Five large pieces of Forest Scenery with Deer, Boars, &c. 
 
 216 Twenty-three, a set of different Wild Animals, shewing 
 
 their different Haunts, with impressions of their Feet be¬ 
 neath the Landscape 
 
 217 Thirty pieces of Blunting Scenery, and the Methods of Catchr 
 
 ing various sorts of Wild Animals, a capital set 
 
 218 Seven pieces of Wild Animals, with their Lurking Places, copied 
 
 from Ridinger, by J. S. Muller 
 
 M. RODERMONT. 
 
 /3 b 219 Portrait of Joannes Secundus, fine and rare 
 
 ROELANT ROGHMAN. 
 
 2, f 220 Six, a set of Forest Scenery, jine and scarce 
 
 j '2, 221 Fourteen, a set of oblong Landscapes or Views in Holland, 
 
 very Jine 
 
 GERTRUYDT ROGHMAN. 
 
 222 View of a Castle, entitled “ T. Huys Te Zuylen,” very fine 
 
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 JOHN HENRY ROOS. 
 
 223 Six, a set of groups of Cattle, entitled “ Beest Boekje 2de. 
 
 deel, fine and scarce 
 
 SIR PETER PAUL RUBENS. 
 
 224 St. Catharine, at whole length foreshortened, extra fine and 
 
 rare 
 
 JACOB RUYSDALE. 
 
 225 Three Landscapes, Woody Scenery, with Cottages, very fine 
 , y y 226 Two ditto, a group of Trees on a Bank, and the Corn Field, 
 fine and rare 
 
 End of the Tzvelfth Day's Sale. 
 
THIRTEENTH DATs SALE. 
 
 THURSDAY, FEBRUARY 22, 1810. 
 
 PAINTERS ETCHINGS. 
 
 HERMAN and CORNELIUS SACHTLEVEN. 
 
 LOT it 
 
 227 JL WO Landscapes, by Herman, and five of Animals, by /// 
 
 Cornelius, fine and scarce 
 
 228 The Elephants and other Animals, within a Balustrade, in a 
 
 Garden, fine and rare 
 
 JOHN SAVERY. 
 
 229 Six, a set of Landscapes, Rural Scenery, fine and scarce /& 7 
 
 CORNELIUS SCHUT. 
 
 230 Four of his finest and largest Etchings, representing the ., / 
 
 Adoration of the Virgin, See. and the Martyrdom of St. ^ 
 
 George, by Eynhoudts, after C. Schut 
 
 FI. W. SCHWEICKHARDT. 
 
 231 Eight, a set of Cattle, fine S 
 
 ADRIAN STALBANT. 
 
 232 Two pieces, an Approaching Storm on the Sea Coast, and a » 
 
 View, with a Cathedral or Abbey in Ruins, fine and very ' ^ 
 
 rare 
 
 
 IGNATIUS VANDER STOCK. 
 
 233 Two Landscapes, Woody Scenery, fine and very rare 
 
 THEODORE STOOP. 
 
 234> The set of Horses, Nos. 7 and 8 wanting, very fine 
 
 / 3 
 
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 7 £ 
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 HERMAN SWANEVELT. 
 
 235 Ten Landscapes, various 
 
 236 Five of the larger set of Ruins, first state 
 
 237 Twelve, the set of Landscapes, enriched with Passages from / 
 
 Scripture History, N. Visscher, exc. fine and rare 
 
 238 The Holy Family in a Landscape, Joseph leading the Ass - // i 
 
 towards the River, an unfinished proof^ most rare, 
 
Painters Etchings. [Thirteenth Dai/i 
 
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 MICHAEL SWEERTS. 
 
 1239 His portrait by himself, represented Smoakifig, and twelve 
 smaller pieces forming a set of portraits of his Family, entitled 
 “ Diversa Facies in usum Juvenum et Aliorum Delineata 
 per Michaelem Sweerts , Equit. Piet. etc. Bruxella Anno* 
 1656,” fine and extra rare 
 
 DAVID TENIERS. 
 
 240 The Interior of a Kitchen, presenting a group of Cooking 
 
 Utensils, Vegetables and a Slaughtered Calf therein, two 
 smaller pieces of Cottage Scenery, with Peasants playing at 
 Nine Pins, &c. 
 
 241 The Pilgrims in five pieces, and a Duplicate of one of the 
 
 pieces, unfinished, rare 
 
 242 Four portraits of Dutch Boors at three quarter length with 
 
 Pipes, &c. fine and extra rare 
 
 243 Two portraits of Ladies holding Flowers, one of them is 
 
 Teniers’ Wife, and the Temptation of Saint Anthony, these 
 three pieces are extra rare 
 
 244 A Man holding his Glass of Liquor and in amorous Conversation 
 
 with his Girl, called Dutch Courtship, with an unfinished 
 proof of the same, extra fine and rare 
 
 LOUIS DE VADDER. 
 
 245 The large Landscape, with a Shower of Rain, and 2 smaller 
 
 Landscapes, fine and rare 
 
 LUCAS VAN UDEN. 
 
 246 A Landscape, with the Good Samaritan delivering the Wounded 
 
 Man to the Care of his Hostess, after Titian, two smaller 
 ditto and a View of a Convent 
 
 247 Three Landscapes, enriched with Peasants and Cattle, after 
 
 Rubens, and two smaller ditto from his own designs, J ine 
 and rare 
 
 248 Five small Landscapes, very fine 
 
 249 Six ditto of an equal size, extra f ine 
 
 ADRIAN VANDE VELDE. 
 
 250 Ten pieces, forming a set of Cattle, with the address of Justus 
 
 Danckerts, fine and scarce 
 
 251 The three larger pieces of Cows Grazing, and 2 smaller pieces 
 
 of Sheep, brilliant impressions 
 
 ESAIUS VANDE VELDE. 
 
 252 The Stranded Whale on the Coast of Holland, two impressionsj 
 
 with variations of the address 
 
Thirteenth Day.] Painters Etchings. 
 
 117 
 
 JOHN VANDE VELDE. 
 
 253 Portraits of Petrus Goetthem—Johannes Guihelmi Bogaert— 
 
 Johan Isaac Pontanus and Prince Charles of Silesia, very fine 
 
 254 Carolus Leonardi of Amsterdam—Johan Crucius of Haerlem— 
 
 Tleeftal Vander Velde, and a Man with a long Beard, writ¬ 
 ing, inscribed beneath, “ Myn Gewinis Tekruyst” 
 
 255 Peter Scriverius—Michael Middlehove—William. Teelinck, 
 
 a proof, and one other, extra fine 
 
 256 Eight pieces, forming a set ot Gentleman Promenading and 
 
 Conversing with their Ladies, in curious Habits or Dresses, 
 very fine and rare 
 
 257 The History of Jonah in four pieces, after W. Buytenwech, 
 
 very fine 
 
 258 The History of Tobit in four pieces, after Moses Wtenbroeck, 
 
 extra fine 
 
 259 The Good Samaritan, and the Nocturnal Dancers, after Molyn 
 
 curious and rare 
 
 260 The Mountebank Chirurgeon, a capital piece, after Buytenwech, 
 
 brilliant 
 
 261 A Party of four Persons, two of them Playing at Trie Trac, 
 
 extra fine 
 
 262 The Incantation, a curious piece, extra fine 
 
 263 The Village Festival, tzvo impressions , with variations in the 
 
 address, one of them brilliant 
 
 264 The Months of the Year, in twelve large Landscapes, enriched 
 
 with figures occupied in the Sports and Pastimes of the 
 Season, a capital set 
 
 265 The Seasons of the Year, in four larger Landscapes, enriched 
 
 with groups of Peasants regaling, extra fine 
 
 266 The Pancake Woman, a small Landscape, and the I.andscape 
 
 with Peasants driving a White Cow with other Cattle at 
 dawn of day, brilliant impressions 
 
 267 Three pieces. Morning, Noon and Night, the effect in them is 
 
 veryf ine 
 
 268 The Four Elements, curious designs after Buytenwech, very 
 
 fine 
 
 269 Twelve oblong Landscapes, very fine 
 
 270 Nine pieces, Views in Haerlem, together with the Printing 
 
 Houses of Laurence Coster, the Inventor of Printing, fine 
 and rare 
 
 A. H. VERBOOM. 
 
 271 Two Landscapes, the only etchings by his hand 
 
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 HENRY VERSCHURING. 
 
 272 A Landscape, with a Man riding on his Horse, and a Woman / 
 with her Infant on an Ass, called by Bartsch the Travellers, 
 fine and very rare 
 
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Painters Etchings. 
 
 [Thirteenth Day 
 
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 SIMON DE VLIEGER. 
 
 273 Seven of Animals, uncommonly fine and extra rare 
 274- The Fish Market on the Sea Coast, and a fine Landscape, with 
 a large Ruinous Building opposite a River called the Ferry 
 House, very fine 
 
 JONAS UMBACH. 
 
 275 Seven pieces, Susanna and the Elders, and other compositions 
 
 from Scripture History, fine and scarce 
 
 LUCAS VOSTERMAN, Junr. 
 
 276 Six, a set of Battles, very spirited 
 
 CORNELIUS DE WAEL 
 
 277 The set of Seasons, in four pieces, curious compositions , fine 
 
 and scarce 
 
 ANTHONY WATERLOO. 
 
 278 A Landscape, representing a luxuriant cluster of Trees on the 
 
 bank of a River, and a curious proof of the same, with a 
 singular variation 
 
 279 Six Landscapes, different sizes, some very fine and scarce 
 
 280 A set of six Landscapes, fine impressions 
 
 281 Four ditto, fine and rare 
 
 282 Six, a set of Landscapes, upright form, with the Mill, very 
 
 fine 
 
 283 Three ditto, with subjects from Ovid, extra fine 
 
 284- Five ditto, with subjects from Scripture, extra fine and rare 
 
 FRANCIS EDMOND WEIROTTER. 
 
 285 Twelve Landscapes, Views on the Banks of Rivers 
 
 286 Seventeen smaller ditto 
 
 MOSES WTENBROECIC. 
 
 287 History of Tobit, six pieces and 6 other landscapes, &c. en¬ 
 
 riched with subjects from Ovid 
 
 THOMAS WYCK. 
 
 288 Sixteen different pieces of Landscapes, with other composi¬ 
 
 tions of Peasants regaling, &c. extra fine and rare 
 
 FRANCIS WYNGAERDE. 
 
 289 A Drunken Satyr asleep with four other Bacchanalians, the 
 
 subject is enriched with a grand display of Cups, Glasses, 
 Salvers, Ewers, &c. Rubens, pinxit, very fine 
 
{Thirteenth Bay. Painters Etchings. 
 
 119 
 
 290 A party of Soldiers or Banditti carousing with their Girls, after 
 Rubens, and the Temptation of St. Anthony, after Teniers, 
 fne and scarce 
 
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 REINIER ZEEMAN. 
 
 291 Eight, a set of charming views towards the Sea, enriched with b 
 
 a variety of Vessels 
 
 292 Eight Views at Sea and on the Coast, fine / / 
 
 293 Six, a set of Views of the Ports of Amsterdam / 
 
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 J. ZIARNKO. 
 
 294 A most curious print, representing a Magnificent Carousal and 
 
 a most singular procession, with Fire Works, 8tc. at Paris, on / Q 
 the 5th Day of April, 1612, with the description thereof, ' 
 most rare and extra f ine 
 
 Beautiful Imitations of Drawings , by 
 
 CORNELIUS PLOOS VAN AMSTEL. 
 
 395 His portrait—a Madona within a circle of Roses, after Bloe- 
 
 mart—Boors tippling, after Brauwer—a View at Sea, Back- / 
 huysen—a charming Landscape, enriched with Peasants and 
 Cattle, Berghem, and a View on a River in Holland, after 
 P. Coops 
 
 296 Bust of Van Goyeni after Vandyck—a Lady fingering a Harp¬ 
 sichord— Gerard Douw—a Dutch Boor with a Gong or other / /j 
 instrument, after Dusart—portrait of Flinck the Painter and 
 a portrait of a Lady, after Goltzius, ten/ beautiful 
 
 257 A Lady and Gentleman playing on Guitars, in Concert, after 
 
 K. Van Mander—Interior of a Dutchman’s Cottage—Ostade / /(f 
 and two pieces of Village Fairs or Markets, after Van 
 Goyen 
 
 298 Strolling Musicians, amusing a Dutch Family at the Door of f <J 
 
 their Cottage, after Ostade, most capital 
 
 299 Portrait of Ploos Van Amstel, with symbols of the fine Arts 
 
 attached thereto—a Youth, front view, leaning on the Hatch- / £~~ 
 way of a Cottage, after Rembrandt and a portrait of a Gen¬ 
 tleman, after Visscher 
 
 300 A rich Landscape with Peasant and Cattle, after A. Vande 
 
 Velde—a Man with his Horse laden and other figures, ' /v 
 after Wouvermans, very beautiful 
 
 The whole of these pieces are very rare, being from private plates, 
 and given only by Ploos to his friends 
 
 C. BROUWER. 
 
 300*Six fine Landscapes, after Vander Ulft—Both—C. S. Roos—• / f> 
 A. Vande Velde—Ruysdael and Pynaker 
 
Wenceslaus Hollar. 
 
 [Thirteenth Den/. 
 
 ICO 
 
 WENCESLAUS HOLLAR, horn at. Prague in Bohemia in the year 
 1607- In liis youth he felt an attachment towards the study of the 
 art of Drawing; accordingly, in the year 1623, he was placed under 
 Matthew Merian, a celebrated Draughtsman and Engiaverof Views, 
 under whom he learnt the rudiments of his art. 
 
 His earliest essays of etching appeared in 1Gs>5, blit he did not 
 generally practice in this branch till a much later period, his study 
 and application being more confined towards his improvement and 
 ready acquirement in taking views with a pen, which eventually he 
 performed with uncommon neatness and accuracy. 
 
 He pursued this avocation for a few years, by travelling through 
 different parts of Germany, and at the same time recording, by his 
 art, every object of particular note. In the year 1635, the Earl of 
 Arundel being then on an Embassy at Prague, accidently saw Hollar 
 taking a view of the city—The Earl instantly discovered the talent 
 and merit of the artist, whom he immediately patronized, and 
 placed in Ids retinue. This fortunate occurrence was the foundation 
 of those numerous memorials of the existing antiquities of our own 
 country being transmitted down to us. 
 
 Mr. Grainger says, that he has perpetuated the resemblance of a 
 thousand cuiiosities of art and nature, which gieatiy merit our 
 attention. We, in his works, seem to see buildings rising from their 
 ruins, and many things now in a state of decay or dissolution, appear¬ 
 ing in all their original beauty. He has enriched the “ Monasticon” 
 with a variety of elegant engravings of our ancient Cathedrals and 
 ruins of Abbics. We have the inside and outside of the old church 
 of St. Paul by his hand—w'e seen) to walk in that venerable structure ; 
 and with a pleasing melancholy survey its tombs, and dwell on their 
 inscriptions, and are led to the thoughts of our own mortality. 
 Portraits and Views constitute a very great part of 1 i is productions, 
 the former are admirably performed, with much truth and force of 
 effect; hut of the latter it maybe said, that he possessed a genius 
 talent peculiar to himself, in etching them with clearness andprecision, 
 at the same time introducing a cbearful and chaiacteristic appearance 
 of nature—his representations of muffs and other articles; also dif¬ 
 ferent objects of the animal creation, claim our admiration and high 
 commendation. 
 
 His smaller subjects from scripture history, also sports, pastimes, 
 or rural recreations are equally well executed. The whole of his 
 productions altogether form a most amusing and instructive collec¬ 
 tion, in about “2500 pieces—Yet with all his talent and extraordinary 
 application, together with the multiplicity and uncommon variety of 
 his productions, and the peculiar merit that is discernable in them, 
 he obtained nothing more, as a compensation, than a scanty and 
 mean subsistence. 
 
 He was unFortunate in losing the protection of the Earl soon after 
 lie entered his service, owing to the troubles prevailing in this 
 country; and again on the restoration of Charles the Second, gay 
 dissipation overwhelmed whatever was produced in aid of moral 
 instruction; his merit, ingenuity and industry claimed but little 
 attention from the public eye, and it is of happy importance that he 
 was not immersed in the current, He held no fancy to represent the 
 licentious follies of the age, or of employing his talents to acquiesce 
 in representing the depravities of human nature; we discover nothing 
 of this kind among his productions, lie devoted his talents in aid of 
 illustration, to the great gratification of our present age, and to that 
 of futuie generations ; the more his works are known, the more they 
 
Thirteenth Day.'] Wenceslaus Hollar. 
 
 1*21 
 
 v/ill be appreciated. 11 is conscientious method of working for his 
 employers is too well known to require a repetition. 
 
 To enter so much into detail may be considered a digression, as 
 Vertue has given an ample account of him in the catalogue, which he 
 drew up from a collection of his works, in the possession of the late 
 Duchess of Portland, which now forms a part of the rich collection of 
 Lord Stamford. Although Vertue has obliged us by his catalogue 
 of the works of this artist, yet he was not happy in the digest of the 
 different classes which he has formed of the collection ; or otherwise 
 it was ill ai ranged when he drew up the catalogue—for he has not 
 conformed to that degree of older, to make it at once useful and 
 ready; for the articles which should stand at the head of their 
 respective classes, are more generally at the latter end, or diffused in 
 the center, and sometimes in a class they should not occupy, which 
 often occasions a tedious and troublesome search fora print. 
 
 To obviate this, 1 have digested the present collection upon a 
 different system, with a view to afford a facility of arrangement and 
 better order, thereby leaving to the collector to adopt the method he 
 conceives the most judicious, or the more agreeable to his own 
 fancy. 
 
 SUBJECTS FROM SCRIPTURAL AND RELIGIOUS 
 
 HISTORY. 
 
 301 Six pieces, the Days of the Creation 
 
 302 The Days of the Creation, and 36 compositions from the Book 
 
 of Genesis, in three pieces 
 
 These impressions being previous to the separation of the 
 plates , and in this state are very rare 
 
 303 Sixteen passages from the Book of Genesis in eight plates, not 
 
 in catalogue 
 
 304 The Tower of Babylon,’ with the ground plot of the City of 
 
 Babylon, and the ground plot of the City of Ninevah be¬ 
 neath it, in one plate, the top part is not described by Ver¬ 
 tue, rare —a bird’s eye, ground plot view of Old Jerusalem, 
 very fine 
 
 ’ pro - 
 
 a grand 
 
 305 A large view of Old Jerusalem, on two sheets, 
 
 duction, remarkably jine and rare 
 
 306 Views of Part of Solomon’s Temple, with ground plans of ditto 
 
 —three different views of ditto in one plate—the Jewish Sa¬ 
 crifice in the Temple of Solomon—the Furniture of Solo¬ 
 mon’s Temple, the whole oj them extra fine 
 
 307 Solomon vitited by the Queen of Sheba, Holbein pinx.— Queen 
 
 Esther conducted by Female Attendants before Ahasueris, 
 Paul Verones pinx. 
 
 308 Tight small pieces on a leaf —Juda and Tbama—David Playing 
 
 on the Harp before Saul—David Slaying Goliah—David de¬ 
 livering a Letter to Uriah, these four are after Holbein —the 
 Madona and Infant in a small circle—the Crucifixion—St. 
 Christopher'and St. George, the three last after Durer , the 
 whole of them fine and source 
 
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 S09 The Nativity of Christ, with the Approach of the "Wise Men, 
 a winter scene, the ground covered with snow, A. Brauwer 
 pinxt.—a Holy Family, after Perin del Vago—Saint John 
 sitting on a Rock—the Virgin appearing to Saint Norbet, all 
 fine 
 
 310 Christ holding the Orb, after L. da Vinci—Christ Tempted by 
 
 the Devil, Elsheimer pinx.—Tobit guided by the Angel, ditto 
 pinx.—Saint Catherine, after Raphael—the Magdalen, small 
 oval, after Holbein, all extra fine 
 
 311 The large print of Mary Magdalen at Devotion, near a rock in 
 
 a rich landscape, Cherubs above supporting a cross, Van 
 Avont pinx. very fine 
 
 312 The Virgin with the Infant Jesus, with a view of Cambray 
 
 in the back ground—the Image of the Virgin, or the Lady 
 of Loretto, two impressions—the same subject, smaller size, 
 extra fine and rare 
 
 313 A set in sixteen pieces, designed to satirize the religious of the 
 
 church of Rome, llolbein pinx. a capital set 
 
 314 The Dance of Death, in thirty pieces, with an additional piece, 
 
 and the same subject from Dugdale, in one piece, a proof, all 
 after Holbein 
 
 315 The same set with the borders remarkably fine , and the addi¬ 
 
 tional piece as before, described 
 
 316 Saint Bruno, a Fountain spouting from his Tomb—Saint Bath- 
 
 ilda conversing with three Kings—Saint Erpho, two impres¬ 
 sions with variations—Saint Lawrence and Saint John, after 
 Elsheimer 
 
 317 Saint Francis in a Cavern, after Brauwer, the same composition 
 
 smaller size, extra fine 
 
 FRONTISPIECES, TAILPIECES, AND LETTERS. 
 
 318 Five to the Polyglott Bible and other religious books 
 
 319 Two to Dugdale’s Monasticon, and four others, No. 137, 136, 
 
 143 ana 191, in class one of Vertue’s catalogue 
 
 320 Nine various frontispieces, same class, No. 3, 15, 24, 50, 52, 
 
 and four not in Vertue’s catalogue 
 
 321 Nine ditto, same class. No. 12, 22, 23, 18, 46, 54, 55, 47, an'd 
 
 one not in catalogue 
 
 822 Six capital letters with historic designs, and eleven slips of 
 head and tailpieces 
 
 EMBLEMS AND FABLES. 
 
 S23 A set of Emblems in eleven pieces, with the title, {< Emble- 
 mata Nova, &c.” first stale before the alterations 
 324 Six of Emblems, Life’s Lease—Heaven’s Happiness—Death’s 
 Doom—Hell’s Horror—Right Purgatory, and Death’s Arrest, 
 
Thirteenth Day .] Wenceslaus Hollar. 
 
 123 
 
 not in catalogue —the Cameleon—the Horse and the Lion— 
 the Satyr and Traveller—the Amphisbena, with the Pyri- 
 mids in view, an emblem of Civil Discord, and the Angel 
 leading a Youth 
 
 325 Ten pieces after Elsheimer— Pallas with the Arts about her— 
 
 Juno on her Throne—Venus and Cupids, in a landscape— 
 the Daughters of Aglaura returning from the Fields—Latona 
 —Satyr and Traveller—Nymphs and Satyr in a landscape—- 
 a similar subject—the Metamorphosis of Stellio, by Ceres, 
 and Goats on a Bridge, being an emblem of Humility, after 
 Flogel, all extra fine 
 
 326 Eleven pieces after Van Avont, of the Infant Christ and Saint 
 
 John, and other compositions of groups of Cherubs, remark¬ 
 ably fine 
 
 327 Fifteen pieces after ditto, of Juvenile Bacchanalian Sports and. 
 
 Pastimes, with two portraits of Van Avont 
 
 328 Four pieces after ditto, forming the set of Elements, extra f ine 
 
 329 Ten pieces from the story of the Ephesian Matron, the small 
 
 set not in catalogue , very fine 
 
 330 The fable of the Man and his Ass, four pieces, and a set of 
 
 copies 
 
 331 Fifty-four Esop’s Fables, from Ogilby’s edition, very fine 
 
 332 Seventeen ditto of a larger size 
 
 333 Forty-five from Ogilvie’s Virgil 
 
 334 Sixteen to Stapylton’s Juvenal 
 
 335 Four from Ogilvie’s Homer, very fine, and the Statue of Homer 
 
 336 Two of Nymphs of the Chace, within landscapes, after Van 
 
 Avont, the figures engraved by Pontius—the infant Hercules 
 asleep near the trunk of a tree, after Parmegiano, and a 
 Roman Sacrifice, after A. Mantegna 
 
 337 Six pieces, forming a set from the designs of Julio Romano, 
 
 representing the Infants Romulus and Remus suckling a 
 Wolf, Cupid on a Panther, &c. f usually called the Sphinxes 
 
 338 Seleucus Inflicting the Punishment of his Law against Adultery 
 
 on his Son—Julio Romano pinxit—Roman Soldiers Assault¬ 
 ing a Citadel, and two pieces of Roman Soldiers with Military 
 Ensigns, fine 
 
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 MEDALS, ARMS, ENSIGNS, &c. 
 
 339 Eight sheets, containing fourteen prints from Ashmole’s Order 
 of the Garter, comprising the Medals, the Ancient and 
 Present Habits, Ensigns and Badges of the Order of the 
 Garter, and Passion of Jesus Christ—the Red Book—the b b 3 
 embroidered Purse for the Great Seal and the Wooden Chair 
 in St. George’s Hall, fine 
 
 S-K) Five leaves, containing 475 Coats of Arms of the Knights of 
 
 the Garter—the Royal Arms and another Coat of Arms— 6 
 
 Supporters two Armed Men, Motto “ Arma Pacis Fulcra” 
 
K24 
 
 W enceslaus Hollar. [Thirteenth, Den/. 
 
 NATIONAL EVENTS. 
 
 341 William the Conquerer constituting Robert Marmion Governor 
 
 of Tamworth Castle—Hugh Lupus, Earl of Chester, holding 
 his Parliament—Maximilian, King of the Romans, seated 
 at dinner on the Day of his Investiture, and a similar print 
 of Ferdinand, Prince of Spain at dinner, and an emble¬ 
 matical view of the Civil Wars in England 
 
 342 The Trial of Thomas Earl of Strafford, in the House of Lords, 
 
 and the view of his Execution on Tower Hill, fine and 
 rare 
 
 343 The Cavalcades of Charles II. to his Coronation, on four 
 
 sheets 
 
 344 The Proclamation of Peace, between Spain and the States Ge¬ 
 
 neral, in Front of the Stadthouse at Antwerp, two impres¬ 
 sions , with variations , fine 
 
 345 The Funeral Procession of John Baptist de Tassis Count de la 
 
 Tour, to the Cathedral Church of Cologne, and the Gossip- 
 pers and Slanderers, representing a variety of Women in 
 groups, within a Street or Market-place, differently occupied, 
 some of them Fighting, others within a Chapel, the Devil 
 blowing of Bellows within the ear of one of them who is 
 tattling Mischief to another—other Parties within Rooms, 
 naked, conversing on Lewdness and Feasting, &c. curious 
 and rare , not in Catalogue 
 
 INTERIOR SCENES, CONVERSATION PARTIES, &c. 
 
 346 Three pieces of uniform size of Parties Drinking, Smoaking 
 
 and playing on Musical Instruments, and the Academy of 
 Love, being a numerous Assembly of Gentlemen and Ladies 
 within a Room, Cupid in the centre, presenting a Lady to a 
 Gentleman, fine and rare 
 
 End of the Thirteenth Dan's Sale. 
 
FOURTEENTH DAT’s SALE, 
 
 FRIDAY, FEBRUARY 23, 1810. 
 
 LOT 
 
 347 
 
 PORTRAITS. 
 
 ENCESLAUS HOLLAR holding an etched plate, with 
 
 his tools before him, a brilliant proof, very rare in this state 2 
 
 348 Ditto, within an ornamented oval, his Arms beneath, beautiful . 
 
 proof, extra rare f 
 
 349 The same print, with his name, extra fine—ditto a small bust— 
 
 ditto something larger, smiling countenance—a small circle 
 of him by Vertue and his Monument 
 
 PORTRAITS OF MONARCHS, PRINCES AND OTHERS 
 OF BLOOD ROYAL, OF DIFFERENT EMPIRES. 
 
 350 The Emperor of China in his Chair of State, surrounded by 
 his Guards—The Supreme Monarch of the China Tartarian 
 Empire—P. Adam Schaliger, a German Mandarin of the 
 first Order—an American Chief of Virginia—Rene de 
 Calon, Prince D’Orange, small circle, after Holbein, two 
 impressions, one a proof, and a small print of a Nabob or 
 East Indian Prince 
 
 N. B. The two last prints are doubtful if by the hand of 
 
 Hollar 
 
 351 Philip IV. King of Spain—Ann Maria of Austria his Oueen— 
 
 Maximilian, Duke of Bavaria on his Throne, attended by 
 his Guards, &c. being the frontispiece to Carleton’s Phiioso- 
 phia, &c. 
 
 352 Richard II. King of England, in his youth, at his Devotion, 
 
 near him are his three Patron Saints, John the Baptist, King 
 Edmund and Edward the Confessor; and the companion 
 print, representing the Virgin, surrounded by a group of 
 Angels, rare 
 
 353 Henry VIII. Anglia Rex—Anna Bullen, Henrici VIII. Uxor— 
 
 Johanna Seymour, Regina Henrici VIII.—Mary, Daughter 
 of Henry VIII.—another of a Lady without her name, front 
 view, in a similar dress and nearly resembling the Princess 
 
 NB. These five prints are circles of one size, after Hol¬ 
 bein, fine and scarce 
 
 E 
 
1(26 
 
 Wenceslaus Hollar. [Fourteenth Day. 
 
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 354 Queen Anna Bolen, whole length, in the Character of Faith, 
 
 carrying a Chalice, after Holbein, j me and rare 
 
 355 Anne of Cleves, fourth Wife of Henry VIII. brilliant and 
 
 rare 
 
 35G Edwardus VI. holding a Rattle, scarce 
 
 357 Mary Queen of Scots in small, extra fine and rare, and a re¬ 
 verse of the same 
 
 35S Henrietta Maria, Queen of Charles I. unfinished at bottom, 
 Vandyke pinx. ditto from the set of Circles, and ditto, 
 whole length from the set of Dresses 
 
 359 Prince Charles in an oval, ditto as Charles II. 8vo, both extra 
 
 fine 
 
 360 Charles II. three-quarter length, with a View of Whitehall, 
 
 Vandyke pinxit, brilliant 
 
 361 Ditto at whole length, a curious proof\ previous to the intro- 
 
 du£tion of the head, View of a Park in the back ground 
 with the Chase of a Stag, very fine and extra rare 
 
 362 Frederic Henry, Prince of Orange in Armour, whole length, 
 
 Mary de Medicis, her portrait held by Fame who is tramp¬ 
 ling on Time and Death 
 
 363 William of Nassau, Prince of Orange, in Hat and Feather, 
 
 small oval , extra fine and rare, and Prince Rupert, small 
 oval 
 
 364 Prince Rupert in Armour, the larger plate, an oval, and Charles 
 
 Lewis, Count Palatine, fo. 
 
 to £> 
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 PERSONS OF RANK and TITLE. 
 
 365 Thomas Howard, Earl of Arundel in Armour, Alathea Talbot, 
 
 Countess of Arundel, and a smaller print from the same 
 picture, not in catalogue 
 
 366 The Apotheosis of the Earl of Arundel, uncommonly brilliant 
 S67 Flon. Francis Bacon, Baron of Verulam, See. and his Effigies 
 
 from his Monument, extra fine 
 
 368 Sir John Clench, Sir Randolph Crew, Sir Robert Heath, 
 
 Judges in the Reigns of Elizabeth and James I. extra fine 
 
 369 Robert Devereux, Earl of Essex, in Armour on Horseback, a 
 
 capital impression, but cropt at top, extra rare 
 
 370 Lord Denny, Sir Henry Guldeforde and Lady Guldeford, in 
 
 uniform circles, after Holbien , extra fine 
 
 371 Sir Thomas Fairfax, General, in Armour, brilliant 
 
 372 James Harrington Esq. after Lely, very rare 
 
 373 Lady Elizabeth Harvey, after Vandyck, fine and scarce 
 
 374 Henry Howard, Earl of Surry, extra fine and very rare 
 
 375 The same print, a proof previous to the introduction of the or¬ 
 
 namental Flowers on his Robe, most rare and extra fine 
 
 376 Catharine Howard, Grandchild to Thomas Earl of Arundel, in 
 
 an oval, 8vo. brilliant proof, extra rare 
 
Fourteenth DayJ] Wenceslaus Hollar. 
 
 127 
 
 377 A bust of the same Lady, dated 1648, a ditto profile view, 
 
 same date, a ditto looking to the left, not in catalogue, dated 
 1650, rare , and a ditto three-quarter length, gathering a 
 Sprig of Myrtle, growing in a rich Vase, usually called 
 Lady Gerrard, dated 1652 
 
 378 Lady Elizabeth Howard, Hollar delineat. et fecit, 1648, a 
 
 young Lady with her Hands in a Muff, apparently one of 2 
 the Howard Family, and a small bust of the Duchess of 
 Lenox and Richmond 
 
 379 Another bust, apparently of Catharine Howard in a laced 
 
 Hood, dated 1648, another bust of a Lady, same date, / 
 Countess of Kent, small oval, exquisitely fine and very rare 
 
 380 Elizabeth Villiers, Duchess of Lenox, with Roses in her Hand, 
 
 and Lady Maltravers, small oval, fine and rare 
 
 381 Sir Samuel Morland, an oval, not in Fertue's Catalogue, fine y 
 
 and rare 
 
 3S2 Sir Philip Herbert, Earl of Pembroke, previous to the address , 
 of Peter Stent, brilliant and rare ^ 
 
 383 Hieronymus Weston, Earl of Portland, and Mary Stuart, 
 
 Countess of Portland, very fine 
 
 384 Sir Thomas Wentworth, Earl of Strafford, three-quarter length g 
 
 in Armour, extra fine and rare 
 
 385 The same person, a distindt print frem the last, but exaftly 
 
 corresponding with it. and a reverse of the same, very fine 4 
 
 386 Dorothy, Countess of Suffolk, with a white Feather in her Hair, . 
 
 oval, fine and very rare ' 
 
 3S7 Penelope, Countess of Wilton, oval, f ine and rare , and the , 
 same person from the set of circles * 
 
 388 Four prints of one size, said to be Charles Brandon, Duke of 
 Suffolk, the Earl of Surry, Lady Butts, &c. all after Hol- 
 bien 
 
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 SMALL OVALS OF UNIFORM SIZE OF PERSONS OF 
 
 RANK and TITLE. 
 
 389 Oliver St. John, Earl of Bolingbroke, Lionel Cranfield, Earl of n o 
 
 Middlesex, fine , Edward Lord Herbert, ditto , Henry ^ ^ 
 Hastings, Earl of Huntingdon, ditto 
 
 390 Edward Lord Montague, Mildmay Fane, Earl of Westmor- jj 
 
 land, very fine , and Philip Lord Wharton 
 891 Sir George Crooke, Sir Richard Hatton, and Sir Robert Bark- y // b 
 ley 
 
 392 John Lord Finch, and William Laud, Archbishop of Canterbury, 2 /3 — 
 
 very fine and rare 
 
 393 James Stuart, Duke of Lenox, James Marquis of Hamilton, . ^ g— 
 
 and William Cavendish, Earl of Newcastle, fine and scarce 7 
 
 394 John Pawlett, Marquis of Winchester, Willia.n Seymoar, y y — 
 
 Marquis of Hertford, extra fine and rare 
 
128 
 
 WenCESLA rs Hollar. 
 
 [Fourteenth Day. 
 
 395 Thomas, Earl of Arundel, and Henry, Baron Mowbray, Son 
 
 of the Earl, extra fine 
 
 396 Basil Fielding, Earl ol Denbigh, William Cecil, Earl of Salis¬ 
 
 bury, and William Fines, Viscount Sey and Seale, the whole 
 of them uncommonly fine and rare 
 
 397 Francis, Lord Cottington, and Thomas, Earl of Strafford, Lord 
 
 Lieut, of Ireland 
 
 398 Philip Herbert, Earl of Pembroke, Edward Sackviile, Earl of 
 
 Dorset, and Mountjoy Blunt, Earl of Newport, all of them 
 most brilliant and rare 
 
 $99 Three ditto on a leaf, of Martin Tromp, Admiral of Hol¬ 
 land, Cornelius de Witt, Vice Admiral of Holland, and 
 Henry Gray, Earl of Standford, Lord of Groby, Bonville, 
 and Harrington, extra rare and remarkably j ine 
 
 400 Sir Benjamin Rudyerd—Sir Edward Dering and Sir Wil¬ 
 
 liam Waller, fine 
 
 401 John Pym, Esqr. and Robert, Earl of Essex, dated 1648, not 
 
 in catalogue, appaiently by another hand, very rare and of 
 uncommon brilliancy 
 
 CLERGY. 
 
 402 Richard Bernard—John Diodati—Richard Hooker and Wm. 
 
 Ought red 
 
 403 William Fenner, Rector of Rochford, folio—ditto 8vo. not in 
 
 catalogue , ditto 12nro front view, not in catalogue, two 
 impressions with some variations, ail fine and rare 
 
 404 Arthur Lake and Nicholas Lockyer, in an oval 4to. and a ditto, 
 
 small oval, not good 
 
 405 John Flewit, with his hands uplifted, as preaching, four Latin 
 
 verses beneath, “ Hos oculos hsec ora pias Referebat Heuet- 
 tus,” be. without the name of Hollar , but apparently by 
 him, not in catalogue 
 
 406 William Laud, Archbishop of Canterbury and Martin Luther, 
 
 both very f ine and scarce 
 
 407 Francis de Neville, most brilliant and rare 
 40$ John Rogers, equally fine and rare 
 
 409 Robert Sanderson—John Spottiswoode, Archbishop of St. An¬ 
 
 drews and Richard Sibbs, Master of Katherine Hall in 
 Cambridge, not in catalogue, dated 1655, N.B. It has not 
 Hollar s name to it, but it appears to be by his hand 
 
 410 Peter Smart and Ralph Venning, dated 1674, both of them 
 
 extra f ine 
 
 411 John Malderus, Bishop of Antwerp—Augustin Wichman, 
 
 Canon of the Abbey of Tungerloo, folio, nor in Vertue’s 
 catalogue—the same person, in an oval 12mo.—John de 
 Gavarelle laying in his coffin and the Punishment inflicted on 
 James Nailer, 16*56, without Hollar's name , not in cata¬ 
 logue 
 
Fourteenth Day] Wenceslaus Hollar. 
 
 129 
 
 412 Five, a set on one leaf—Dr. Bastwick—Mr. Henry Burton— 
 Dr. Leighton—Mr. John Lilburn and Mr. William Prynne, 
 with an account of the punishments of each beneath the 
 print, of remarkable brilliancy and extra rare in this state 
 
 4 4 
 
 ARTISTS. 
 
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 413 Albert Durer, Senr. a goldsmith and Albert Durer, Junr. / (f> 
 
 painter and engraver 
 
 414- Sir Anthony Vandyck, pointing to a Sun Flower, extra fine 
 
 415 Anna Francisca De Bruyns, Paintress—Jacob Franquart, her 
 
 tutor and Painter to the Archduke Albert, two impressions, 
 with and without letter press at the back, remarkably fine 
 
 416 Marc Gerrard, Painter to Queen Elizabeth, most brilliant 
 
 417 Hans Holbein, Painter to Henry VIII and Inigo Jones, Archi¬ 
 
 tect to Charles I. first impression, before the plate was re¬ 
 touched 
 
 418 Mr. Morett, Jeweller to Henry VIII. and Sir Peter Paul Ru¬ 
 
 bens, Painter 
 
 419 Ignatius Srock, painter and a beautiful proof of the same 
 
 420 Raphael D. Urbino, painter—Lucas and Cornelius de Wael, 
 
 painters and etchers, in one print, and Francis Wyngaerde, 
 painter and engraver 
 
 421 Hans Von Zurch, goldsmith to Henry VIII. extra f ine 
 
 422 Eight portraits of painters of uniform size, namely, John 
 
 Van Balen—Stefano Della Bella—Henry Vander Borcht the 
 elder—Henry Vander Borcht the younger—Adam Elsheimer 
 —Jacob Van Es—Bonaventura Peelers and Adrian Van Ven- 
 ne, two impressions of the last, with considerable variations, 
 
 • the whole set is uncommonly J ine 
 
 423 Eight portraits of Italian Artists and Men of Letters, nearly 
 
 of uniform size, Bonamico Buffalmace, painter in Venice— 
 the same print with the name of Todescho de Casa Fuchera— 
 
 Bindo Altovitii—the same with the name of Giov. Della Casa 
 —Daniel Barbaro—Arcolano Arnvafodrito fatto de Coregio, 
 
 &c.— Catarina Cornaro, Vittorio Colonna, fatto de Sebasti- 
 ano del Piombo 
 
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 PROFESSIONAL CHARACTERS, AUTHORS, &c. 
 
 424 Elias Allen, Mathematician, fine and rare <3 
 
 425 Peter Aretino, a Poet, front view—ditto, a profile, larger than 
 
 the last—William Burton, Author of tiie Itinerary, and 
 William Dugdale, Antiquarian, all f ine 
 
 426 Mr. Edward Calver of Wilbie in SutFoik, fine and rare 3 
 
 427 Dr. John Chambers, Physician to Henry VIII. fine and rare 
 
 428 Mr. Henry Colthurst, a youth in a military dress and breast/- /— 
 
 plate, near him is his helmet, brilliant and very rare 
 
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130 
 
 Wenceslaus Hollar. [Fourteenth Day. 
 
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 429 John Henry Craenhal s—a Bust in a cartouch, surmounted by 
 
 a crane, and another of the same person, L. Gowydelin Lon - 
 dini, both of them very fine 
 
 430 Thomas Hobbes of Malmsbury first state, previous to the in¬ 
 
 troduction of his Age and Death, remarkably fine and rare 
 
 431 Franciscus Junius, setatis, 49 
 
 432 Casper Kinschotius—ditto a different print and a Landscape 
 
 beneath with the Sun rising, both fine 
 
 433 Margaret Lemon, Mistress to Sir Anthony, Vandyke, extra 
 
 fine 
 
 434 Blaise de Manfre, the Water Spouter, fine and rare 
 
 435 Mr. Nathaniel Nye, a Mathematician, brilliant and rare 
 
 436 Mr. John Price, reading a Book, his Hat on his knee extra 
 
 f ine and rare 
 
 437 The same person, a different print, inscribed Joannes Priceus, 
 
 Anglo Britannus, Joannes de Reede, Embassador in England, 
 both very fine and rare 
 
 438 Five portraits of the Family of Roelans, of uniform size 
 
 439 Jacobus Stanier, Merchant of London, with a view of the 
 
 Sea Coast and a Castle, apparently Ijansdown Castle, extend¬ 
 ing towards Dover and another portrait of a Merchant with 
 the same view introduced from a different point of sight, 
 both fine and rare 
 
 440 John Tradescant, Senr. and John Tradescant, Junr. both re¬ 
 
 markably fine 
 
 441 Major Wildman, within an oval of Palms, the blank margin 
 
 trimmed off all round, otherwise fine and rare 
 
 End of the Fourteenth Day's Sale. 
 
FIFTEENTH DATs 
 
 SEL Ij E, 
 
 SATURDAY, FEBRUARY 24, 1810. 
 
 PERSONS HABITED TO REPRESENT DEGREES OF 
 RANK, RELIGIOUS ORDERS, AND THE DRESSES OF 
 DIFFERENT NATIONS; ALSO BUSTS, OR ANONYMOUS 
 
 PORTRAITS. 
 
 L0T XT 
 
 442 An INE prints of English Nobility in their Robes of State, 
 
 from a Prince to a Judge 
 
 443 Twelve of Monks, Friars, and other Religious Orders from 
 
 Dugdale’s Monasticon, fine 
 
 444 Four of Ladies within o£tagon borders, one of them is Hen¬ 
 
 rietta Maria , extra fine 
 
 445 Four of Ladies in the dresses of the Four Seasons, fine, 4to 
 
 446 Four, another set in folio, different designs, impressions pre¬ 
 
 vious to the plate being numbered, extra fine 
 
 447 Four, another set at whole length, with Views of the Park, 
 
 &c. in the back ground, very f ine and scarce 
 
 448 Thirty-eight of Ladies in English and Dutch habits, and two 
 
 proofs, forming 40 pieces in circles of uniform size and of 
 fine quality throughout 
 
 449 Two leaves containing twenty busts of Women with the title in 
 
 Dutch, chiefly Hollar’s Wife, a small bust of Hollar, a lar¬ 
 ger View of Hollar’s Wife, and five small heads of Women in 
 one plate, fine and rare 
 
 One hundred pieces in small, representing Ladies at full length 
 in the Habits of different Nations, choice impressions 
 Another set, chiefly of Ladies in English Habits, after Van¬ 
 dyke, twenty-seven pieces with the title 
 
 452 A Lady at full length, entitled the Winter Habit of an English 
 
 Gentlewoman, fine and rare 
 
 453 A Gentleman in full dress in the attitude of Bowing, and the 
 
 German Buffoon, scarce 
 
 454 A Lady holding a Sprig of Flowers, a ditto with long flowing 
 
 Hair in the attitude of Devotion, A. Durer pinxit, 1497, 
 and two ditto after Martin Schoen, apparently the same per¬ 
 sons, and whom I conceive to be the Sisters of Durer 
 
 455 Three small busts of young Negroes, very fine and rare 
 
 456 Two ditto, Male and Female, folio size, very rare 
 
 450 
 
 451 
 
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Wenceslaus Hollar. [Fourteenth Day. 
 
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 457 Bust of a Man in a Clerical Habit, ditto of a younger Man, 
 
 M. Zimmerman invt. ditto of a Swiss Magistrate in his 
 Robes of State, gold Chain, See. after Holbien, bust of a 
 Turk, ditto of a Man with black bushy Hair, surmounted 
 by a small white Hat, the whole of them extra f ine 
 
 458 Front View of a Man in a Rich Habit within a circle, bust of 
 
 a Man in a Senatorial Dress, ditto of a Young Man in a 
 Slashed Cap, ditto of a Woman in a Fur Cap, ditto of a 
 Woman at half length, all after Holbien, fine 
 
 459 Six busts of Warriors in rich wrought helmets, after Parme- 
 
 giano, and a copy of one of the same by F. Place, fine and 
 scarce 
 
 460 Bust of a Woman, after L. da Credi, ditto in a flowered habit, 
 
 after Giorgeone, ditto, the same person, reverse view, a 
 different plate from the last, a young Woman with a singular 
 Head-dress, a ditto,her Head adorned with Flowers and Pearls, 
 after Parmegiano, a ditto of a Youth, thick waving Hair, after 
 ditto, all fine 
 
 461 Three of Ladies, their Hair curiously wrought, after Monsignor, 
 
 a young Woman in an ornamented Habit, after Padoana, a 
 ditto in a Cap and Feather, ermined P^obe, after Parmegiano, 
 a young Man in an ancient Bonnet, a young Woman, her 
 H air folded up in a kind of loose Turban, the two last alter 
 L. da Vinci, fine and scaice 
 
 462 Bust of a Youth, G. Sadeler delineat. a young Man courting 
 
 an ugly old Woman, who is presenting Money to him, after 
 L. da Vinci, the King and Oueen of Tunis, in one plate, an 
 old Man ogling a young Woman, after Hulsman, and Bust 
 of a young Woman from the antique 
 
 STUDIES OF THE HUMAN FIGURE and CARICATURES 
 
 IN BUSTO. 
 
 t 
 
 4f?3 Eighteen, chiefly of Old Men, after Leonardi da Vinci 
 
 464 Seventeen of caricatures, some in groups, after Leonardi da 
 
 Vinci, some very scarce 
 
 465 Eight ditto, two figures in each 
 
 466 Ten ditto, after L. da Vinci, three Studies of the Trunk of a 
 
 Human Figure and a Scull 
 
 SWORD HILTS, MUFFS, CUPS, &c. 
 
 7 / 467 Four elaborate and rich designs of Sword-hilts, Scabbards, Stc. 
 
 by Holbein, for Prince Edward, extra fine und scarce 
 y /S' L 468 Eleven ditto of Vases, Cups, Ewers, Sic. from the designs of 
 Holbein, remarkably choice 
 
 2 // — 469 The large Eucharist Cup, from the design of Andrea Mantegna, 
 
 extra fine } and a capital copy of the same 
 
Fifteenth Day .} Wenceslaus Hollar. 
 
 153 
 
 470 Six of the Muffs, very fine // /O •—, 
 
 471 Four, the set of Hunting Implements or Trophies, veri/fine /iT " 
 
 ANIMALS, BIRDS, SHELLS, INSECTS, See. 
 
 472 Five of groups of Dead Game, Dogs, See. fine / 2 b 
 
 473 The suspended Flare, after P.Boel, most brilliant / /fl — 
 
 474 Eleven of Animals, after Barlow, with the title and three reverse^ ^ 
 
 copies, all extra fine 
 
 475 Twelve, forming a set of Animals, Flowers, Fruit, See. four 
 
 of them only by Hollar, one by Dunstall, the others by Log-^ A 
 gan and Williamson, impressioms previous to the Latin 
 names being introduced , most brilliant 
 
 476 A Boar, after Cranach and two of Lions, after Albert Durer, f 
 
 extra fine 
 
 477 Two of Stags, after ditto—an Ass, after Bassan—a Shock Dog, 
 
 after Matham—a Mole, and two of Birds, extra fine 
 
 478 Eighteen, a set of groups of different Birds, after Barlow, most., 
 
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 brilliant 
 
 479 Thirty of the Shells,, most brilliant and extra rare 
 
 480 Thirteen, the set of Insects and Moths, extra t ine 
 
 AT 
 
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 RURAL SPORTS and LANDSCAPES 
 
 431 Twelve, a set of Landscapes to represent the Months of the 
 Year, after Vande Velde, fine and rare 
 
 482 Four, the set of Seasons, with Peasants Tippling, Fighting, 
 
 &c. after ditto, ditto 
 
 483 Four, the oblong set of Seasons, views in Strasburg, with 
 
 numerous figures practising the usual Recreations, J ine and 
 scarce 
 
 484 Six beautiful Landscapes, after Van Artois, remarkable fine 
 483 Six ditto, after ditto and Breughel 
 
 486 Two ditto larger, with numerous figures and views of Canals, one 
 
 receding to a great distance, fine and scarce , after Breughel 
 
 487 Two ditto and one after Paul Brill, very fine 
 
 488 Two, the Villagers Wedding Festival, and a Party of Boors 
 
 Fighting, both after Breughel, fine 
 
 489 Two Landscapes, Rocky Scenes, after Elsheimer, one a cir¬ 
 
 cle, the other large oblong, and the Villagers Dancing, in a 
 Landscape, after Teniers, all f ine 
 
 490 Thirteen, with Ruins, after Sebastian Vranx, very fine 
 
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 MARINE VIEWS. 
 
 491 Twelve, the set of Ships, brilliant, three other different View's 
 
 of Ships of War at Sea, extra fine and rare 
 
 492 Four, the oblong set of Storms at Sea, remarkably fine 
 
 F 
 
 2 3 
 
 / / 
 

 134 
 
 YVenceslaus Hollar. 
 
 [Fifteenth Day 
 
 / 2 L 4-96 
 J i 497 
 49 S 
 
 FOREIGN VIEWS. 
 
 /Z 493 Nine oblong views on the Rhine, with Vessels Sailing, Sec. 
 y t 4-94 Fifteen small views of Strasburg, Augsburg, Nuremberg, See. 
 /0 493 View of the Spaw Well at Suvonere, and eight small Views on 
 
 the Rhine and Danube 
 
 Twelve, a set of views near Prague, Bonn, Mentz, Wurtzburg, 
 Sec. fine 
 
 Two views of Dordrecht, and on the Maese, after Peeters, and 
 six small views near Genoa 
 
 A view of the Stadthouse at Amsterdam, with a multitude of 
 People, differently habited, but represented as Frogs, listen¬ 
 ing to one in a Pulpit, who is Preaching—The Arms of Am¬ 
 sterdam—the Orange Tree, supported by the English and 
 Belgic Lions, and a Triumphal Arch, adorned with 
 Flags, See. in Honor of Leopold, Archduke of Austria 
 The Cathedral Church at Antwerp, first state, with the single 
 line of inscription, extra fine and rare 
 Ditto, with the additional inscription, and the retouched impres¬ 
 sion, with the inscription cut off 
 Two pieces, representing the Cenotaph of Prince Charles, in 
 the Cathedral Church of Antwerp 
 Views of Altorff—Assisi—Bacharach and Bing, the two last on 
 one sheet 
 
 Ditto of Coburg, a long slip—the large and smaller Ground 
 Plot Views of the City of Cologne, and a smaller perspective 
 View of Ditto 
 
 The large birds-eye view of Florence, on two sheets, with the 
 additional views on the sides of some of the principal Streets, 
 therein representing the Sports and Recreations of the Inha¬ 
 bitants, rare 
 
 The large view of Gratz, in the Dutchy of Stiria, on two 
 sheets, extra fine and rare 
 
 Two views of Hatwan, a Town in Hungary, on one sheet, and 
 a view of Heidelberg, in Germany 
 Two view's of the Palace of Frederic V. Elector Palatine, 
 situated on an eminence, near the Town of Heidelberg, 
 commanding an extensive prospect—These views are alike, 
 but one of them is on a large scale on four sheets, fine and 
 rare 
 
 JO 308 A fine prospect of the City of Leige in Germany—ditto of 
 Lucern, in Switzerland, and Lunensium, in Italy, all fine 
 / . 09 The elegant Gothic Spire of St. Rombout, at Mechelen 
 
 A f 510 Marcoduri, otherwise Dueren, in the Duchy of Juliers, two 
 impressions, with a variation in the title—two distinct views 
 of Mentz, taken from opposite points of sight, on one sheet, 
 a birds-eye view of Minden, and a ditto of Munich, all fine 
 
 2 /l L 4-99 
 
 / U 500 
 
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 J 506 
 J5 307 
 
Fifteenth T)ay.~\ Wenceslaus Hollar. 
 
 135 
 
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 511 View of the City of Onoltzback, otherwise Anspach, on two 
 
 large sheets, oblong, f ine and rare 
 
 512 A birds-eye view of the Town of Oldenburg, in the circle of 
 
 Westphalia—a ditto of Osnabruck, also in the circle of 
 Westphalia, and a ditto of the City of Pavia, in Italy, all fine 
 
 513 Two views of Ravensburg and Biberach, in Suabia, on one 
 
 sheet-view of Ratisbou and birds-eye view beneath, and a 
 fine view of Rostoch 
 
 514 The Cathedral at Strasburg, remarkable fine and rare / /• 
 
 515 View of Tabor, a Town in Bohemia, undergoing a Seige— 
 
 ditto of Tokay, a Town of Hungary, and a ditto of the City y yy f 
 of Tripoli, in Barbary, very fine and scarce 
 51G Fifteen Prospects of Tangiers, three of them, large oblongs, y 
 extra fine 
 
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 9 
 
 517 Various maps and prospects in China 
 
 // 
 
 VIEWS OF MONASTERIES, &c. 
 
 518 View of a Monastery or Convent within a Garden, surrounded 
 
 by a Moat, above within a Cloud is the Madona, seared on a 
 Camel; also another impression, wherein a Mule or Ass is 
 substituted for the Camel, the water around the Convent is 
 shadowed, which is not in the prior impression, beneath it 
 in a ccpartrnent is a view of another Religious House, J ine 
 and rare 
 
 519 Two views of Monasteries, dedicated to Peter Parys and A. 
 
 VnnderReest, from drawings by Van Avont, and a view of 
 Montjardin and surrounding Scenery, after Diepenbeck, f ine 
 
 520 The Carthusian Monastery, in France, Anthony de la Halle 
 
 delineavit, on one sheet, rare 
 
 521 The same view, on four sheets, ditto 
 
 522 Two large views of the Monasteries of Tungerloo and Gron- 
 
 endael, capital 
 
 6 
 
 9 
 
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 VIEWS in ENGLAND. 
 
 523 The Quarter Master’s Map of England and the Frontispiece to a f 
 
 Ogilvie’s Britannia or Book of Roads 
 
 524 BERKSHIRE—Windsor Castle with the Map of Berkshire 
 
 beneath, three other prospects of Windsor Castle on one % ' 
 
 sheet, and a ditto of Windsor Castle from the North, all fine 
 
 525 The Choir of St. George’s Chapel, Windsor, a brilliant proof 2 2. 
 
 526 A view of the West End of St. George’s Chapel, ditto of the 
 
 Chancel from the East and West, the Temple of Honour and / Of 
 the Chapel at Eton, very fine 
 
 527 CAMBRIDGE—view of and Ground Plan beneath, with 
 
 the Arms of the Earls and of the difFerenc Colleges—CHES- 2 / / 
 TER, view and Ground Plot beneath with the Arms of the 
 Earls 
 
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 136 Wenceslaus Hollar. f Fifteenth Day. 
 
 528 DEVON—view of Torr Abbey and three views near Ply¬ 
 
 mouth, fine 
 
 529 HANTS—-Hurst Castle—Cowes Castle and Rochester Castle 
 
 in Kent, these are etched by F. Place, but attributed to him 
 and Hollar co jointly, fine and scarce 
 
 530 KENT—Deal Castle and five different of Dover Castle and 
 
 Cliffs, of uniform size, and an oblong View of Dover 
 Castle and Town, very f ine 
 
 531 The oblong View of Greenwich and surrounding Scenery on 
 
 two sheets, rare 
 
 532 The same View with the clouded sky, first state, extra fine 
 
 and rare 
 
 533 CANTERBURY—with the Ground Plot of ditto, two impres¬ 
 
 sions of the Cathedral, with and without the English inscrip¬ 
 tion, Ground Plot of ditto, and the plan of Spalding Abbey 
 in Lincolnshire, fine 
 
 LONDON and MIDDLESEX. 
 
 534 LONDON—previous to the Great Fire in 1666, and the same 
 
 View beneath it in its destroyed state, taken from the top of 
 St. Mary’s Overy’s Church, oblong, on two sheets, fine 
 
 535 A Map of Great Britain, containing, in compartments, the 
 
 Ground Plot View of London and Westminster ; also London 
 in Flames, with an account of the Fire beneath, and small 
 Ground Plot Views of York, Edinburgh, Dublin, Oxford, 
 and Cambridge—another Ground Plot of London and West¬ 
 minster, previous to the Fire, with the Arms of the different 
 Companies about it 
 
 536 The City Arms, the Arms of the Twelve Companies, from 
 
 which the Lord Mayor is chosen, and three slips, containing 
 the Arms of the other Companies of the City of London 
 
 537 Thirteen Views, exterior and interior, of Old St. Paul’s Cathe¬ 
 
 dral, remarkably fine 
 
 53S Twenty-seven sheets, containing the Monuments in Old St. 
 Paul’s, equally fine 
 
 539 The Royal Exchange, as before the Fire of London, with a 
 full Assembly of Merchants, the Likeness of SirT. Gresham, 
 pendant in a medallion, fine and rare, this plate afterwards 
 •underwent some alteration , also in the inscription, to make 
 it correspond with the building in its repaired state 
 510 Two Views of Arundel House, brilliant and extra rare 
 541 Four, a set of Views, the Tower, the Royal Exchange, Covent 
 Garden and St. Mary’s Overy’s Church Southwark, extra 
 j ine 
 
 5 12 Four, a set, rather larger, Whitehall, Westminster Hall and 
 Abbey and Lambeth Palace 
 
 '43 Two, the West Entrance of Westminster Abbey, and the 
 View of the Abbey, and Henry VII th Chapel, from the 
 
Fifteenth Day.] Wenceslaus Hollar. 
 
 137 
 
 North, with Ground Plot of ditto, and Monuments of 
 Frances Countess of Westmorland and Henry Hammond, 
 brilliant impressions 
 
 544* Four, a set of Views of London and Whitehall from the 
 Thames, Tothill Fields and Windsor Castle, very f ine and 
 scarce 
 
 345 Six, a set of Views towards London from Islington, ditto 
 
 1 
 
 546 The Great Hollow Elme Tree of Hampstead, with . 
 an account of its dimensions, named, by Vertue , the V 
 Great Hollow Tree in Langley Park near Windsor 
 
 
 DESCRIPTION OF THE PRINT. 
 
 In the centre of the print stands a large spreading tree, and before 
 the spectator is the entrance door, which is open at the bottom of the 
 trunk of the tree; through the aperture is seen a winding staircase, 
 which rises within to the top of the tree, whereon is fixed an octagon 
 turret, in which are five or six persons, who are viewing the pros- 
 pects from it. At the bottom of the tree is seen a gentleman and a 
 lady, whom he is going to conduct into the turret; the back ground 
 on the left is filled ijp with a local view of the surrounding country, 
 and on the right is seen a large barn which fills the intervening 
 space. 
 
 Near the bottom of the print, on the left, is written, W. Hollar, 
 delin. et. sculp. 1653, and on the margin at the bottom of the print, 
 in three divisions, is this general description of the tree. 
 
 The bottom above ground in compass is 28 foote 
 The breadth of the door is 2 foote 
 
 The compass of the turret on the top is 34 foote 
 The door in height to go in is 6 foote 2 inches 
 
 The height to the turret is 33 foote 
 
 The lights into the tree is 16 
 The steps to go up is 42 
 The seat above the steps 
 Six may sit on, and round about roome for fourteen more. 
 
 All the way you go up (is) within the hollow tree. 
 
 This view is printed nearly in the centre of a large sheet of paper; 
 it is encompassed by several printed verses, which fill four columns, 
 two being beneath the print, the other two filling the sides from top 
 to bottom of the sheet. The space above the print is occupied with 
 the title, &c. thus—- 
 
 1 . 
 
 2 . 
 
 3 . 
 
 4 . 
 8 . 
 
 11 . 
 
 18. 
 
 10 - 
 
 The Dimensions of the Hollow Tree of Hampstead. 
 ALto Deo, hospltl et a MICo. 
 
 For the LorD anD Christian frlenDs. 
 
 ALto DoMIno aChospItl. 
 
 Deo ter OptIMO aC hospltl Laeto. 
 
 The first tier of verses commence as follows. 
 The Welcome —Verses cut on the Door. 
 
 Civill people, you welcome be. 
 
 That come to view this hollow tree. 
 Debaucht Drunkard, Ranting Whore, 
 Come no such within this Dore; 
 
 Wanton Boys and Ranting Rigs, 
 
 Cut no Bowes, break no Sprigs. 
 
138 
 
 Wenceslaus Hollar. 
 
 [Fifteenth Day. 
 
 The Salutation, twelve lines in verse, no signature. 
 
 Of the height and hollowness of the Great Elnie Tree at Hampstead, 
 eighty-four lines in verse, by Robt. Codrington, July 24, 1653. 
 
 Then follow several Epigrams, Couplets, &c. cut on the tree by the 
 following persons, Roger Coleman, Moses Browne, John 
 Lee, Robt. Codrington, T. Tranter, and others without 
 signatures. 
 
 Conclusion. —London, printed by E. Cotes for M. S. at the Blue 
 Bible, in Green Aibour, and are to be given or sold on the Hollow 
 Tree at Hampstead. 
 
 The print being thus distributed, was usually folded up by the persons 
 frequenting■ the spot, and being afterwards worn in their -pocket, 
 usually got destroyed , which accounts for the extreme scarcity of the 
 print. An impression in this state is considered as unique, which 
 has induced me to be thus particular in its description. 
 
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 547 The same print, an unique proof, previous to the account 
 
 being engraved beneath the print, the flock of birds about 
 the tree are not introduced, and there are. only four persons 
 in the turret at top instead of five, as in the finished im¬ 
 pressions 
 
 548 NORTHUMBERLAND—A View of the Harbour of New¬ 
 
 castle from the Ocean below Tinemouth, extending above 
 North and South Shields, with a curious representation of 
 the sunken wrecks of Captains Vicars and Gray, being 
 destroyed by gunpowder, thirty feet under water, together 
 with a printed account of the same, on a distinct sheet, by 
 Edmund Curtis, 1673, the person who cleared the channel 
 of the wrecks, extra f ine and rare 
 
 549 NOTTINGHAMSHIRE—South prospect of the Church at 
 
 Newark upon Trent, and ditto of the House and Church of 
 Holme Pierepont, very fine 
 
 550 West and North Prospects of the Collegiate Church of South¬ 
 
 wells, fine 
 
 551 Two Views of Newark from Lincoln Road and from Hawton 
 
 Way—Pigot’s House at Thrumpton—Bunney House—Clif¬ 
 ton House—Langar House and Church—Ossington House— 
 Plumptrec’s Hospital, and the Gate House at Wareton, all 
 fine 
 
 552 OXFORD—Prospect of, from the East—a bird’s eye View Plot 
 
 of the same beneath it, and the Arms of the Colleges in slips 
 on each side, fine 
 
 553 A ditto, different from the last, the perspective view in the 
 
 left corner of the print at top, and a small map of the 
 County at bottom, prospect of the ruins of Osney Abbey 
 
 554 SALOP—View of Boscobel House and Wood, wherein 
 
 Charles the Second was preserved, and a copy of the same, 
 by John Clark 
 
Fifteenth Day. ] Wenceslaus Hollar. 
 
 139 
 
 560 
 
 5G1 
 
 555 SOMERSET—Glastonbury from the South West, and ditto 
 
 from Compton Hill, with Plan of the Abbey, two impressions 
 of each, with and without the English inscription, f ine 
 
 556 STAFFORDSFIIRE—The Cathedral at Lichfield, the Tomb 
 
 of Andrew Hacket and the Church at Burton, very fine 
 
 557 SURRY and SUSSEX—Richmond Palace, remarkably fine 
 
 and rare 
 
 558 Six, the Set of Views by Albury , highly beautiful and very 
 
 rare 
 
 559 Prospect of Arundel Town and Castle, from the West Side, 
 extra f ine and rare 
 
 A set of Views , London , from the top of Arundel House, 
 Old Shoreham, Hascomb Hill , Weston Place , Ruins of 
 Bramber Castle, and a View in Hampshire, towards Ports¬ 
 mouth, and the Isle of Wight, fine and very rare 
 Six, a set of small Views, Newarke Abbey in Surry, Thetford 
 Abbey, three different of Bramber Castle in Sussex, and 
 Quinboro Castle in the Isle of Sheppy, extra fine and rare 
 
 562 Pemsey Castle in Sussex, Chichester Cathedral, and two maps 
 
 of Hemlingford and Ivnightlow Hundreds in Warwick¬ 
 shire 
 
 563 WARWICKSHIRE—two Prospects of Warwick Town and 
 
 Castle, from the North and South, and the Ground Plot of 
 ditto with reference, extra f ine 
 
 564 Two ditto of Coventry, from North and South, Ground Plot 
 
 beneath and a distinct View of Coventry Cross 
 
 565 Three Views of Kenilworth Castle and a ditto of Guy’s Cliff' 
 
 566 Six, Maxtoke Castle, Aston House, Compton House, Bir¬ 
 
 mingham and two of Tamworth 
 
 567 Fifty Monuments and Monumental Effigies in different 
 
 Churches in Warwickshire 
 
 568 Thirty-eight ditto, and Effigies from painted windows in ditto, 
 
 curious 
 
 569 Ninety-two slips of Fenestral Arms in the Churches throughout 
 
 the County of Warwick 
 
 570 WILTS and WORCESTERSHIRE—the Cathedrals of 
 
 Salisbury and Worcester, very f ine 
 
 571 YORK—two Views of the Cathedrals at York, extra fine and 
 
 rare 
 
 5 72 Kingston upon Hull, with the Ground Plot beneath, and another 
 
 of the Ruins of Gisburn Abbey or Priory 
 
 5 73 Four, View of part of Edinburgh, Map of the Isle of Man, 
 
 with small Views therein, on the sides of the Map, Insulse 
 Purgatorie S. Patricie descriptio, and Lowing in Ireland 
 
 574 JERSEY—Four different Views of Elizabeth Castle, remark¬ 
 
 ably fine and scarce 
 
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 End of the Fifteenth Day's Sale, 
 
SIXTEENTH DATs SALE. 
 
 ' MONDAY, FEBRUARY 26, 1810, 
 
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 Capital Productions in Mezzotinto, by the most eminent 
 Practisers of the Art in this Country . 
 
 JAMES MAC ARDELL. 
 
 LOT TJ) 
 
 575 JL ORTRAIT of M‘Ardell, fine proof and ditto of Fiamin- 
 
 go, the celebrated Carver in Ivory 
 
 576 Rubens with his Wife and Child, fine 'proof 
 
 577 Sir John Trenchard, fine “proof rare 
 
 578 Bernard Stuart, Earl of Lichfield with his Brother, Lord John, 
 
 after Vandyke, proof, rare 
 
 579 St. Francis de Paula, after Murillio and the Ascension of the 
 
 Virgin, both very fine 
 
 579*Mr. Blakes in the Character of Monsieur Le Medicine, first 
 state previous to the additional figure being introduced 
 
 580 The Tribute Money, after Rembrandt 
 
 JOSIAH BOYDELL. 
 
 581 Renier Hanslo conversing with his Wife, Rembrandt, pinx, 
 
 brilliant proof 
 
 THOMAS BURKE. 
 
 532 Telemachus at the Court of Sparta, the large print, after An¬ 
 gelica Kauffman, fine proof, rare 
 
 J. DIXON. 
 
 583 Portrait of the Duke of Buccleugh, after Gainsborough, fine 
 
 proof 
 
 ROBERT DODD. 
 
 584 The Crew of His Majesty’s Ship Guardian endeavouring tp 
 
 Escape in the Boats 
 
 585 The same, a fine proof 
 
 RICHARD EARLOM. 
 
 The admirable productions of this artist stand unrivalled in this 
 branch of the art, either in this or any other country, for the exqui¬ 
 site and inimitable soft execution which prevails throughout his 
 works, by which they possess the pearly tints or hues of the most 
 exquisite finished paintings. The following collection are chiefy proofs 
 of hit first-rate performances. 
 
 586 Three portraits. Admiral Barrington, Bishop Newton and 
 
 Elizabeth B. Gulston, the two last proofs 
 
Sixteenth Dai/.] 
 
 Richard Earlom. 
 
 141 
 
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 587 The Prin:e of Aremberg on Horseback, after Vandyke, proof 
 5£S The Duke of Richmond w ith a Greyhound, after ditto, proof, 
 extra fine 
 
 589 Rubens’Wife and Page, after Rubens, most beautiful proof 
 
 590 A pair of Fruit Pieces, after Michael Angelo Campadoglio, 
 
 fine 
 
 591 A pair, the Exposition of Cyrus and Orpheus, after Castiglione 
 
 u'ith a fine proof of the last 
 
 592 Saint John, after Corregio, also a proof of the same and the 
 
 Madona with the Infant Christ and St. John, a circle , after 
 Carlo Dolci 
 
 593 Jesus Christ Consecrating the Sacrament, after Carlo Dolci, and 
 
 the Lady and Child, after Salsa Ferata, fine proofs 
 
 594 A Concert of Birds, after Mario di Fiori, fine 
 
 595 A capital proof of the same, extra fine / 
 
 59(3 A pair, the Judgment of Paris and the Sleeping Bacchus, after 
 
 Luca Giordano, fine 1 
 
 597 The same, choice proofs ' / 
 
 598 Venus on the Sea, after ditto, proof extra fine / 
 
 599 A pair, Cottage Children, Boys and Dogs, after Gainsborough, 
 
 proofs 
 
 600 Girl and Pigs, after ditto, proof 
 
 601 The Shepherd Boy, after ditto, ditto 
 
 G02 A rich Landscape, with a Mill, after Hobbima, proof, rare- 
 
 603 Six, the set of Marriage A-la-mode, after Ilogarth, fine J2 
 
 604 The set of proof etchings of the same, most capital 
 
 605 The Miser, from Quintin Matsys , fine proof , rare 
 
 606 The Interview of Augustus and Cleopatra, after Raphael Mengs, 
 
 fine proofs 
 
 607 The Lioness and Whelps, after Northcote, choice proof 
 
 608 The proof etching of the same 
 
 ()09 The Presentation in the Temple, and Susannah and the Elders, 
 both after Rembrandt 
 
 610 Susanna and the Elders, proof 
 
 611 The Triumph of Mordecai, proof, very fine 
 
 612 The proof etching of the same, capital 
 
 613 The Fig, a choice proof, after Rubens 
 
 614 The proof etching of the same 
 
 015 Rubens’Son and Nurse, choice proof £ 
 
 615 The Death of Kippolytus, capital proof y ^ 
 
 617 The proof etching of the same, and ditto of the large Boar 
 
 Hunt, after ditto 7 
 
 61S Nymphs of the Chace asleep discovered by Satyrs, after 
 ditto, choice proof ' 
 
 619 The proof etching of the same, very fine 
 
 620 A group of Male and Female Satyrs, alter ditto, proof, extra 
 
 fine 
 
 C21 Mary Magdalen Anointing the Feet of Christ, proof 
 
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 Earlom, Gff.en. 
 
 [Sixteenth Day. 
 
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 622 The Lion attacking a Boar, proof, most brilliant 
 
 623 The Singing Master, after G. Schalcken 
 621 The same print, a brilliant proof 
 
 625 A pair, the Fruit and Fish Markets, after Snyders, capital 
 
 productions , fine proofs 
 
 626 The Fuiit Market, proof etching , very fine 
 
 627 The Game Market, after ditto, proof 
 
 628 The same, proof etching, capital 
 
 629 The School, after Jan Steen, a fine production, choice, proof 
 
 630 A pair, Boors Tippling and Smoaking, after Teniers, fne 
 
 proof 
 
 631 The Witch, after ditto, a grand production, capital proof 
 
 632 The same, a proof etching , remarkably fine 
 
 633 A Nymph, with Cupids Bathing, after Vandyke, capital proof 
 
 634 The Flower and Fruit Pieces, after Van Huysum, inimitable 
 
 productions , brilliant proofs, very rare 
 
 635 The same pieces, the proof etchings most beautiful 
 
 636 The Larder, after Martin de Vos, fne 
 
 637 The proof etching of the same, extra fne 
 
 638 Bathsheba bringing Abishag to David, after Wander WerfF 
 
 639 The same print, a brilliant proof 
 
 640 Angelica and Medora, after West, proof 
 
 641 Una, from Spencer’s Fairy Queen, after ditto, proof 
 
 642 Agrippina Lands at Brundusium with the Ashes of Germanicus, 
 
 after ditto, fne proof 
 
 643 The Farm Yard, after Wheatley, proof, extra fne 
 
 644 The Prize Ox, proof etching, very fine 
 
 645 Meleager and Atalante, after Wilson, proof 
 
 646 The Farriers Shop, after Wright of Derby, proof, extra rare 
 
 VALENTINE GREEN. 
 
 647 Portrait of Richard Cumberland and ditto of Mr. Reddish, in 
 
 the Character of Posthumous, proofs 
 
 648 Mr. Garrick, whole length, after Gainsborough, fine proof 
 
 649 Two portraits of the Queen and ditto of the Royal Infants, 
 
 after West, proofs 
 
 650 Two, the Golden Age and Fidelia and Spiranza, both after 
 
 West, proofs 
 
 6j 1 Daniel Interpreting to Balshazzar the Writing on the Wall, 
 after ditto, ditto 
 
 652 Erasistratus the Physician Discovers the Love of Antiochus for 
 
 Stratonice, ditto 
 
 653 A pair, the Death of the Chevalier Bayard and of Epaminondas, 
 
 choice proofs 
 
 654 Agrippina Weeping over the Ashes of Germanicus, fine pryof 
 
 655 The Cave of Despair, after West, and Miravan breaking open 
 
 the Tomb of his Ancestors, after Wright, both proofs 
 556 The Assumption of the Virgin, and a Nymph going to Bathe, 
 the last a proof 
 
Sixteenth Dai/.] Hodges, Murphy, Pether. 
 
 14S 
 
 657 The Lecture on the Air Pump, after Wright, of Derby, bril- /y 
 
 Hunt proof 
 
 658 The same print with the Lecture on the Orrery, by Pether, 
 
 proofs 
 
 J. G. HAID. 
 
 659 The Musician, after Amoroso, the Young Strolling Musicians, JO 
 
 after Schalcken, and Absolom s Submission, after F* Boll, 
 proofs 
 
 660 Three, a Minister of Justice, Achilles, and a Woman paring y ) /? 
 
 her Nails, all after Rembrandt, proofs 
 
 C. II. IIODGES. 
 
 661 Portraits of John I^ee and James Adair, King’s Serjeant, fne 
 
 proofs 
 
 662 Leonidas, after West, fne proof, and the etching of the same 
 66 3 The Infant Hercules, after Sir J. Reynolds, fne proof 
 
 664 A Drunken Silenus, with Satyrs and Bacchanalian Nymphs, 
 after Rubens, choice proof 
 
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 RICHARD HOUSTON. 
 
 065 Haman’s Condemnation, after Rembrandt, fne proof 
 JOHN JACOBE. 
 
 666 Portrait of Lord George Germaine, after Romney, proof 
 
 JOHN MURPHY. 
 
 667 Christ appearing to Mary in the Garden, after P. da Cortona, 
 
 and Abraham’s Sacrifice, after Rembrandt 
 
 668 Pair, Scriptural, after Caravaggio, proofs 
 
 669 The Tiger, after Northcote, and the Tigress, after Stubbs, 
 
 extra fne 
 
 670 Pair, Jael and Sisera, after Northcote, proofs 
 
 671 Pair, Hyram King of Tyre, sending Presents to Solomon, See 
 
 after Eckhout and Guercino, proofs 
 
 672 Pair, the Good Children, &c. after Singleton, proofs 
 
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 S. PAUL. 
 
 6“3 Pair, Storm and Calm, after Vernet // /> 
 
 WILLIAM PETHER. 
 
 674 Portrait of the Rev. Dr. Samuel Chandler, a proof fy 
 
 675 Portrait of an Officer, after Rembrandt, highly beautiful J — 
 
144 Phillips, Van Rymsdtck, Smith. [Sixteenth Dai/. 
 
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 676 The Continence of the Chevalier Bayard, after E. Penny, and 
 
 the Jew Rabbi, after Rembrandt 
 
 677 The Jew Rabbi, after Rembrandt, brilliant proof 
 
 678 The Tribute Money, after ditto, proof extra fine 
 
 679 The Hermit, after Wright, of Derby, choice proof 
 
 CHARLES PHILLIPS. 
 
 6S0 A Boy with a Pigeon, after F. Mola, Venus and Cupid, after 
 Salviati, and an old Man Meditating, after Rembrandt, all 
 proofs 
 
 631 Isaac Blessing Jacob, after Spagnoletto, and the Madona, after 
 Parmegiano, fine proofs 
 
 J. VAN RYMSDYCK. 
 
 682 Portraits of Frederic Henry, and Amelia Van Seims, after 
 
 Jordaens, fine proof 
 
 JOHN SMITH. 
 
 Portraits chief 7/ after Knellcr. 
 
 683 John Smith, Charles II. James II. William III. and Prince 
 
 George, two different of Queen Anne, Mary Beatrix Queen 
 of James II. and Mary Queen of William III. 
 
 683*Charles I. James I. the Prince of Great Britain, and Frederick 
 William of Prussia 
 
 684 Madam Davenant, Duchess of Bolton, Mrs. Carter, Mrs. 
 
 Chicheley, and two different of Lady Elizabeth Cromwell 
 
 685 Lady Elizabeth Cromwell, Lady Copley, Mrs. Elinor Copley, 
 
 Mrs Cross, Lord Churchill’s Daughters, Countess of Essex, 
 and Duchess of Grafton 
 
 686 Mrs. Conway Hackett, Madame Ivnatcbbull, Madam Loftus, 
 
 and Madam Dorothy Mason 
 
 687 Lady Essex Mostyn, two different of Duchess of Ormond, 
 
 Countess of Ranelagh, and Countess of Rutland 
 
 688 Mrs. Ann Roydhouse, Mrs. Sherrard, Countess of Salisbury, 
 
 and Lady Torrington 
 688*Gilbert Burnet, extra fftie and scarce 
 
 689 Lord Bury, Lord Buckhurst and Sister, Lord Clifford and 
 
 Sister, Corelli the Musician, and Lord Eu^ton 
 
 690 Earl of Exeter, Rev. Edward Fowler, Thomas Gill, M. D. 
 
 Duke of Gloucester, and J. W. Comes Gallas 
 690 # Thomas Herbert Earl of Pembroke, John Duke of Marlborough, 
 Marquis of Ormond, and Joost Earl of Albemarle, veri/fine 
 
 691 Anthony Leigh, Major General Maxwell, Charles Montague, 
 
 and Charles Napier 
 
 692 Sir John Percival, Mr. William Richards, Duke of Sehomberg 
 ^ and Dr. Stukeley 
 
Sixteenth Day.] 
 
 Smith, Tassaert. 
 
 145 
 
 692*Sir William Petty and John Lord Somers, both extra fine f 7T 7 
 
 693 Henry Sacheverell, James Earl of Salisbury, Thomas Spratt, , 
 Archdeacon of Rochester, Lord Viiliers and Sister, and *- 
 Henry Worster 
 
 HISTORICAL and VARIA. 
 
 694 Seven, the Crucifixion, &c. after Vandyke 
 
 €95 Seven, after Schidone, Corregio, Baroccio, C. Marat, &c. 
 
 696 Four, Tarquin and Lucretia, after De Ryck, Venus and Ado¬ 
 
 nis, after N. Poussin, and 2 impressions of Cupid and Psyche, 
 after A. Veronese, with and without the drapery 
 
 697 Ten, the Loves of the Gods, after Titian, fine and scarce 
 
 698 Eight, of Nuns at Confession, &c. after M. Laroon and B. 
 
 Van Lemens 
 
 699 Eight, humorous, after Ilemskerk, Ostade and Teniers 
 
 700 Four of Magdalens, after Schalcken, Smith and Kneller 
 
 701 Nine of Landscapes, &c. after Wyke, Berghem, &c. 
 
 702 The Mastiff in the Larder, after Snyders, the only etching by 
 
 J. Smith, proof, rare 
 
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 End of the Sixteenth Day's Sale. 
 
 
 SEVENTEENTH DATs SALE, 
 
 TUESDAY, FEBRUARY the 27th, 1810. 
 
 JOHN RAPHAEL SMITH. 
 
 703 JN^ASTER Crew in the Character of Henry VIII. and 
 
 Miss Palmer, both after Sir J. Reynolds, proofs 
 
 704 Ditto of Edward Wortley Montague, fine proof 
 
 705 A Lady, Temptation, after Peters, Europe, after Cosway and 
 
 Mercury inventing the Lyre, after Barry, proofs 
 
 P. I. TASSAERT. 
 
 706 Rubens' Family, after Rubens, proof 
 
 707 Nymphs and Satyrs, after N. Poussin, and the Virgin teaching 
 
 the Infant Christ, after Carl Marat, proofs 
 
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 Watson, Baillie, Stadler. [Seventeenth Day. 
 
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 JAMES WARD. 
 
 70S Portrait of Lord Duncan, at whole length, after Hoppner, a 
 fine proof 
 
 JAMES WATSON. 
 
 709 Portraits of James Beattie and Colonel Biddulph, proofs 
 
 710 Ditto of John Hely Hutchinson, after Sir J. Reynolds, proof 
 
 711 Marquis of Tavistock and Miss Bosville, after ditto, fne 
 
 proofs 
 
 712 Sir John Cust, and John Duke of Argyle, proofs 
 
 713 Hector and Andromache, after Angelica Kauffman, brilliant 
 
 proof 
 
 714 Vertumnus and Pomona, after Netscher and the Musical Lady, 
 
 after Metzu, fine proof's 
 
 715 The Water Spaniel, after Barrett, proof 
 
 Etchings and Imitations of Drawings , by 
 
 CAPTAIN WILLIAM BAILLIE. 
 
 716 Portrait of Captain Baillie and ditto of Frank Hals, two im¬ 
 
 pressions, one a proof, very fine 
 
 717 Ditto of Cornelius de Wit, proof \ James Turner, a Beggar, 
 
 who valued his time at one shilling per hour, Francis Mieris, 
 Sofonisba Angusciola, a paintress, Gaspar Gevartius, after 
 Vandyke, and the Piping Boy, after N. Hone 
 
 718 Two, the Siamese Ambassador and Priest, who attended the 
 
 Court of Charles I. after Rubens, fine 
 
 719 William Prince of Orange on Horseback, on India paper, very 
 
 fi" e 
 
 720 Ten various designs after Guido, Corregio, Parmegiano, See. 
 
 721 Nine, after Gerard Dow and Ostade, chiefly proofs, very 
 
 beautiful 
 
 722 Nine, various, after Dusart, S. Rosa, Valentine, See. 
 
 723 Six beautiful Landscapes, after Cuyp, Van Goyen, Vande 
 
 Velde and Molyn 
 
 724 Nine, various, after Rembrandt, some proofs 
 
 725 The Three Trees, after ditto, two impressions, with and with¬ 
 
 out the Lightening 
 
 726 The Gold Weigher, after ditto, fine proof 
 
 727 The Hundred Guilder, and the Center Piece of the same, 
 
 brilliant 
 
 J. C. STADLER 
 
 728 Six Landscapes, after Farrington, proofs 
 
Seventeenth Day.] 
 
 WoRLIDGE. 
 
 147 
 
 THOMAS WORLIDGE. 
 
 729 Two different portraits of himself, with variations of each, 
 
 extra fine 
 
 730 Ninon De Lenclos, three different impressions, choice proofs, rare 
 
 731 Henry Jenkins, who lived to the age of 169, tnost brilliant / 
 
 732 Sir Thomas Wentworth, Sir Jacob Astley, Sir John Evelyn, and 
 
 Lord Fairfax, two impressions , one a proof 
 
 733 Earl of Chesterfield, three different impressions, and the Earl / 
 
 of Pembroke, three ditto, proofs 
 
 734 Sir Anthony Vandyke, four different impressions, extra fine 
 
 735 Rembrant Van Rhyn, three different impressions, two ditto, 
 
 of Sir P. P. Rubens, two ditto of Luca Giordano and 
 Nicholas Poussin 
 
 736 John Cornelius Silvius, after Rembrandt, four different impres¬ 
 
 sions, ertra fne 
 
 737 Sir Edward Astley, in the character of the Burgomaster, three 
 
 different impressions 
 
 738 Admiral Mostyn, six different impressions , curious a?id rare 
 
 739 William Kenrick and Edmund Cave, two impressions of each , 
 
 fne 
 
 740 John Earl of Crawford, Dr. Baker, Andrew Me. Doual, of 
 
 Banckton, one of the Lords of the Court of Session in Scot¬ 
 land, three different impressions, and two sketches of Mr. 
 Garrick and Dr. Addington 
 
 741 Captain Tyrrell and General Fraser, three different of each , 
 
 veip fine 
 
 742 Mr. Garrick, as Tancred, William Taylor, born blind, his 
 
 sight restored at eight years of age, by John Taylor, Occu- 
 list, and Ladies Stanhope and Mexborough, in rich habits, 
 scarce 
 
 743 Mrs. Mary Smith, of Portsmouth, four different impressions , 
 
 very fne 
 
 744 George the Second, Archibald Bowers, two impressions, and 
 
 the Rev. Dr. Nichol, three impressions with variations 
 
 745 Ten, Mahomet and Hamet, Turkish Merchants, Elizabeth Can¬ 
 
 ning, Dr. Friend, Queen Charlotte, Marquis of Granby, 
 Madam Kirk, &c. 
 
 746 Seventeen various busts 
 
 747 Sixteen ditto 
 
 748 Nineteen ditto with curious variations 
 
 749 Twelve various, after Rembrandt, ike. 
 
 750 Our Lord healing the Sick, after ditto, most brilliant 
 
 751 Nine of Landscapes, the Dromedary, &c. with variations 
 
 752 Head of Medusa, with a proof of the same, highly beautiful, 
 
 and extra rare 
 
 753 One hundred and forty-six of the gems, very fine 3 
 
 754 The Theatre at Oxford in full Convocation, extra fine 
 
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148 Alim et, Austin, Basire, Bartolozzi. [Seventeenth Day. 
 
 The following collection exhibits a capital display of the popular 
 and unrivalled productions , bp the most eminent Engravers 
 of the English Nation , during the latter end of the last cen¬ 
 tury ; the chief of them being performed by the combined 
 efforts of the point and burin. 
 
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 FRANCIS ALIAMET. 
 
 The Adoration of the Shepherds, after Annibal Carracci, and 
 the Circumcision, after Guido, proofs 
 
 A Sacrifice to Pan, after A. Sacchi, and the Martyrdom of St. 
 Stephen, after Le Sueur, ditto 
 
 WILLIAM AUSTIN. 
 
 A pair of views of St. Michael’s Mount in Cornwall, the Seat of 
 Sir John St. Aubyn, private plates, fine and scarce 
 
 JAMES BASIRE. 
 
 Pylades and Orestes, after West, and Joseph Interpreting the 
 Dreams of Pharoah’s Butler and Baker, after Spagnoletto, by 
 Bannerman, both proofs 
 
 FRANCISCO BARTOLOZZI. 
 
 Two different portraits of Handel, one on India paper, ditto of 
 Mr. Pitt and Lord Hawke, a proof 
 
 Omai a Prince of Otaheita, fine proof and Frederick II. King 
 of Prussia 
 
 The Statue of Thomas Guy, choice proof , rare 
 
 Britannia, a fine proof, very rare ; Ticket for the Masked Ball, 
 New Club, Soho, very fine and 1 other 
 
 Ticket for the Subscription Masquerade, Ranelagh, two dif¬ 
 ferent for the benefit of Mr. Giardini, and a Scene in Romeo 
 and Juliet, chiefly proofs, rare 
 
 Two other tickets for the Benefit of Mr. Giardini, Ticket for 
 the Concert of Ancient Vocal and Instrumental Music, and 
 the Judgment of Midas, extra fine 
 
 Ticket for the Lady Mayoress’s Ball, 1791, the frontispiece to 
 Borghi’s six Overtures, and four others, two of them proofs 
 
 The Emblem of Christianity, extra fine , and the Interior of 
 Freemasons Hall, proof 
 
 Angelica and Medora, after Cipriani, and the Madona, after 
 Carlo Dolci, fine proofs 
 
 Venus asleep, after Annibal Carracci, an oval, proof\ extra 
 
 f ne . 
 
 Four pieces, the Designs for the Ceiling of the Royal Academy, 
 after A. Kauffman, beautiful proofs 
 
Seventeenth Hay.'] Bartolozzi, Boydell, Brown. 
 
 149 
 
 770 
 
 771 
 
 772 
 
 773 
 
 774 
 
 775 
 
 776 
 
 777 
 
 778 
 
 779 
 
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 780 
 
 781 
 
 782 
 
 783 
 
 784 
 
 785 
 
 7S6 
 
 787 
 
 788 
 
 789 
 
 790 
 
 791 
 
 792 
 
 Four, the set of Madonas, See. after Carlo Dolci, Salsa Fer- 
 rata, Vandyke and Ciprrana, proofs 
 Four, the set of Elements, after Albano, very fine 
 Orlando rescuing Olimpia, after Annibal Carracci, fine 
 The Silence, after ditto, a choice proof, rare 
 Clytie, after ditto, fine 
 The same print, proof 
 
 The Death of Lord Chatham in the House of Lords, 
 
 Copley, fine 
 
 The same print, a proof, fine and rare 
 The proof etching of the same 
 
 The Diploma of the Royal Academy, after Cipriani, most bril- /Z 
 Hunt 
 
 The united talents of these distinguished artists, appear so pre- 
 eminently conspicuous in this most beautiful performance, in 
 point of elegance of design and superior execution, that it may 
 be classed among the unrivalled productions of the age. 
 
 The Death of Dido, after Cipriani, choice proofs / 
 
 Lucretia, after Dominichino, proof, extra fine 
 Venus, Cupid and Satyr, after Luca Giordano 
 The same print, a beautiful proof Z 
 
 The Circumcision, after Guercino, fine 
 
 A pair, the Dead Ass and the Snutf-box, after Loutherbourg, 
 from Sterne, very fine 
 
 Four Scenes in 1'om Jones, after ditto and Barralet, and two 
 of the set proof etchings, engraved conjointly by Barto-' ' 
 lozzi, Woollett, Picot, and Grignion, very fine 
 The Holy Family, after N. Poussin, proof 
 The same subject, after Andrea del Sarto, fine proof 
 The Death of Captain Cook, the large plate after Webber, fine 
 The same print, a proof J 
 
 The Departure of Abraham, after Zuccarelli, fine proof 
 The frontispiece to Adams’s Architecture, after Zucchi, a 
 grand composition ; representing a young student conducted 
 to Minerva, who points to the map of Italy as the country J f — 
 from whence elegance in the arts is derived, proof previous 
 
 TO ANY LETTERS 
 
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 JOHN BOY DELL. 
 
 793 The Exposition of Cyrus, and the Finding of Cyrus, both after 
 
 Castiglione, fine proof 
 
 794 Jason enchanting the Dragon, after Salvator Rosa, a capital 
 
 production , brilliant proof 
 
 JOHN BROWN. 
 
 795 Philip baptising the Enuch, after Both, beautiful proof 7 3 
 
 796 The large landscape, after John and Andrew Both, a grand 2 Z 
 
 production, choice proof I 
 
 II 
 
Burne, Burke, Caton. 
 
 [Seventeenth Dai/. 
 
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 150 
 
 797 A landscape, after Claude Lorraine, and a ditto, after Gaspar 
 Poussin, both proofs 
 
 79S The Watering Place, after Rubens, very fine 
 
 799 The same print, a brilliant proof 
 
 800 The Waggoner, after ditto, fine proof 
 
 801 The large Landscape, with Peasants going to Market, after 
 
 Rubens, fine proof 
 
 802 Apollo and the Sybil, after Salvator Rosa, a capital production, 
 
 choice proof 
 
 803 The proof etching < f the same, very fine 
 
 804 St. John preaching in the Wilderness, after ditto, fine proof 
 
 805 The proof etching of the same, very fine 
 
 806 Ditto, previous to the names of the painter and engraver, 
 
 ditto 
 
 807 A pair of Landscapes, after Swanevelt, choke proofs 
 
 THOMAS BURKE. 
 
 808 The Battle of Agincourt, after Mortimer, fine proof, and the 
 
 etching of the same 
 
 WILLIAM BYRNE. 
 
 809 View of the Fall of the River Niagara, proof 
 
 810 The Children in the Wood, engraved conjointly by Byrne, 
 
 Sharp and Mediand, beautiful proof 
 
 811 A Landscape after Dominichino and Apollo with the Arca¬ 
 
 dian Shepherds after Filippo Lauri, fine proof 
 
 812 A Landscape after Claude Lorraine, proof 
 
 P. C. CANOT 
 
 813 Pair of Sea Pieces after Backhuysen and Vandevelde, fine 
 
 proofs , highly beautiful 
 
 814 Pair, the Farm Yard, and the Inn Yard, both after Peter de 
 
 Laer, proofs 
 
 815 A Landscape enriched with Figures and Cattle, after Berghem, 
 
 and a ditto after Claude Lorraine, beautiful proofs 
 
 816 The Return from Market after Isaac Ostade, and the Tempest 
 
 after Simon de Viieger, fine proofs 
 
 THOMAS CHAMBARS. 
 
 Sl7 Portrait of Rubens’s Wife, and ditto of Raphael’s Mistress, 
 
 proofs 
 
 818 Saint Martin dividing his Cloak after Vandyke, a Holy Family 
 Moriliio, and the Concert after Carravaggio, proofs 
 
Seventeenth 'Day.'] Collyer, Eatilom, Elliott. 
 
 151 
 
 JOSEPH COLLYER. 
 
 $19 The Volunteers of Dublin on College Green, 1779, after 
 Wheatly, extra fine 
 
 RICHARD EARLOM. 
 
 820 Portrait of Lord Heathfield after Sir J. Reynolds, fne proof 
 
 WILLIAM ELLIOTT. 
 
 821 Pair of rich Landscapes after Cuyp, and Rosa da Tivoli, fine 
 
 proofs 
 
 WILLIAM and ELIZABETH ELLIS. 
 
 822 Pair of Landscapes, Summer and Autumn after Hearne, fine 
 
 823 The large Landscape with Peasants Dancing after Berghem, 
 
 f ine proof 
 
 Enel of the Seventeenth Dafs Sale. 
 
 EIGHTEENTH DATs SALE, 
 
 THURSDAY, MARCH 1st, 1810. 
 
 GEORGE SIGISMOND and JOHN GOTLIEB FACIUS. 
 LOT A/T 
 
 821' XVXR. West, and Family, very fne 
 
 825 Pair, the Tribute Money, and the Woman taken in Adultery, 
 
 both after Dietricy, fne proofs 
 
 826 Pair, Achilles discovered, and Elector rebuking Paris, after 
 
 Angelica Kauffman, proofs 
 
 827 Pair, Cupid’s Pastime, ike. after ditto, proofs, previous to any 
 
 letters 
 
 S28 Pair, the Judgment of Midas, and Apollo and the Muses, after 
 Carl Maratti, proofs 
 
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 Facius, Fitler, Hall, Heath. 
 
 [Eighteenth Dai/. 
 
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 829 The Cow Herd, after Paul Potter, fine proof, and the etching 
 
 of the same 
 
 830 The Window of New College, Oxford, in one piece, by Ear- 
 
 lom, and seven detached Pieces of the Cardinal Virtues, by 
 Facius, after Sir J. Reynolds, proofs 
 
 831 The Nativity, the center subject in the same window 
 
 832 Two different prints of Venus, after Titian, proofs 
 
 JAMES FITLER. 
 
 833 Two grand Landscapes, after Claude Lorraine, proofs 
 834? T hree views of the Siege of Gibralter, after Paton, ditto 
 835 Pair of Views of Windsor Castle, after Robertson, proofs 
 830 The Distress of Tigranes before Cyrus, after West, proofs, 
 
 and the etching of the same 
 
 JOHN HALL, 
 
 837 Portrait of Pope Clement IX. after C. Marat, fine proof 
 S8S Timon of Athens, after Nathaniel Dance, proof, and the 
 etching 
 
 839 Pyrrhus when an Infant brought to Glaucus, and Venus and 
 Adonis, both after West, proofs 
 S40 Penn’s Treaty with the Indians, after West, a rich proof 
 
 841 The proof etching of the same 
 
 842 A pair, the Battles of the Boyne and La Hogue, the last by 
 
 Woollett, extra fine 
 
 843 The Battle of the Boyne, proof etching 
 
 844 The Battle off La Hogue, ditto 
 
 S45 A pair, Cromwell dissolving the Parliament, and the Restoration 
 of Charles II. the last by Sharp, fine proofs 
 
 846 Cromwell dissolving the Parliament, the proof etching 
 
 JAMES HEATH. 
 
 847 A pair, Diana and Endymion, after Cipriani, proofs 
 
 848 Adam and Eve in Paradise, after Velvet Breughel, proof 
 
 849 The Death of Major Pearson, after Copley , fine proof 
 
 850 The same print, a proof etching, extra fine 
 
 551 The Riots in Broad Street, after Wheatley, proof, nearh/ 
 finished 
 
Eighteenth Day. ] William Hogarth. 
 
 15 
 
 WILLIAM HOGARTH. 
 
 Great was the power of his inventive mind. 
 
 Possessing wit with truth, and skill combin’d; 
 
 He pencilled life in pointed tints of shade, 
 
 Each character was perfect that he made. 
 
 With matchless art the course of vice he diew, 
 
 Its progress, and its miseries to our view. 
 
 To warn the heedless, and to guard them too. 
 
 John Ireland remarks that 
 
 “ Hogarth may be indisputably regarded as the first Moral Painter 
 “ of this or any other country; for, to his honour be it recorded, the 
 “ almost invariable tendency of his dramatic histories is the promotion 
 “ of virtue, and diffusion of such a spirit as tends to make men 
 “ industrious, humane, and happy. 
 
 “ His matchless works, of fame secure, 
 
 “ Shall live our country’s pride and boast, 
 
 “ As long as Nature shall endure, 
 
 “ And only in her wreck be lost.” 
 
 The following Collection of the works of this eminent artist, comprise 
 nearly the whole of his popular productions, in the first or original 
 state of impression, or otherwise previous to the various alterations 
 which struck his fancy to introduce occasionally. 
 
 552 Four different portraits of Hogarth, by Samuel Ireland, Charles 
 
 Townlev, Benjamin Smith, andby himself, in the act of Paint¬ 
 ing the Figure of Comedy 
 
 553 Portrait of Hogarth, painting the Figure of Comedy, with the 
 
 inscription of Serjeant Painter to his Majesty, first state, 
 
 extra fine and very rare 
 
 854- Portrait of Hogarth with his Dog introduced, se ipse pinxit et 
 sculpsit, very rare , he having afterwards altered the plate into 
 a burlesque on Churchill 
 
 855 The same plate, altered to represent Churchill as a Bear, two 
 
 impressions with curious variations 
 
 856 Portraits of T. Morell, two different of Henry Fielding, the 
 
 Earl of Charlemont and Mr. Gabriel Hunt 
 
 857 Ditto of Martin Folkes, John Wilkes and Simon Lord Lovat 
 
 858 Simon Lord Lovat, previous to the words “ price one shilling 
 
 were inserted, very rare 
 
 859 Dr. Benjamin Hoadley Bishop of Winchester, two impressions, 
 
 one extra fine 
 
 860 Dr. Thomas Herring Archbishop of Canterbury, the large and 
 
 small prints, scarce 
 
 861 Daniel Lock, and Captain Thomas Coram, both by M‘Ardell, 
 
 after Hogarth, fine 
 
 862 Mr. Pine, by M‘Ardell, after ditto, most brilliant and rare 
 
 863 Jacob Gibbs, Justice Welsh, and four different prints of Sarah 
 
 Malcolm, curious 
 
 864 Henry the Eighth with Anna Bui! n, and Mr. Garrick in the 
 
 character of Richard the Third 
 
 865 Mr. Garrick in the character of Richard the Third, uncommon¬ 
 
 ly fine 
 
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 891 
 
 Mr. Garrick, in the Farmer’s Return, proof—Scene in Tom 
 Thumb, by Vandergucht—Scene in Handel’s Opera of Pto- 
 lomeo—Farinelle, Cuzzoni and Senesino, in the Characters 
 of Ptolemy, Cleopatra, and Julius Caesar—Booth, Wilks, 
 and Cibber, contriving a Pantomime, and the Rabbit Breeder, 
 till humorous 
 
 Scene in the Beggars Opera, by William Blake 
 Scene in the Indian Emperor, by Robert Dodd 
 The Politician, the Shrimp Girl, and Sigismunda 
 Pair, the Good Samaritan, and the Pool of Bethesda 
 Pair, ditto, fine proofs 
 
 Moses brought before Pharoah’s Daughter, and two different 
 prints of Paul before Felix 
 
 The small print of Paul before Felix, a burlesque on the com¬ 
 positions of Rembrandt, two impressions, with and without 
 the little devil sawing the leg of the stool whereon Paul 
 stands, and other variations , curious and rare 
 The set of the Industrious and Idle Prentices, in twelve pieces 
 The same set of prints, in the very Jirst state, being much less 
 worked on, and other variations, most curious and extra 
 rare 
 
 The Roman Military Punishments, in twelve small pieces, 
 
 scarce 
 
 The Bench, two impressions with considerable variations, fine 
 and scarce 
 
 The Times, two prints, with an impression of the first , pre¬ 
 vious to the alterations, fine and scarce 
 The Stage Coach, or Inn Yard, two impressions, with varia¬ 
 tions of No Old Baby, &c. on the flag, scarce 
 Pair, France and England, and the Gate of Calais, otherwise 
 Roast Beef 
 
 Pair, France and England, much less worked on than the pre¬ 
 ceding impressions, very rare 
 The Gate of Calais, extra fine 
 
 Southwark Fair, two impressions with considerable alterations 
 Enthusiasm delineated, two impressions with different inscrip¬ 
 tions, engraved by Mills, and two impressions of the origi¬ 
 nal plate, entitled Credulity, Superstition, and Fanaticism, 
 a Medley, one of them very fine 
 Six prints, illustrative of Don Quixote 
 
 The large set of Hudibras, twelve prints in the first state, extra 
 fine and rare 
 
 The Lottery, the Riding Whirligig, and the Cock Pit 
 The March of the Guards to Finchley 
 The same print, very fine 
 
 The same with the word ‘ PRUSIA,” spelled with S single, 
 very fine and rare 
 
 The Strolling Actors in a Barn, highly humorous 
 
Eighteenth Day."] 
 
 William Hogarth. 
 
 155 
 
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 903 
 
 904 
 
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 892 The same print, 'previous to the alterations, very fine and rare 2 
 
 893 Four, the set of Election Entertainments, capital designs / 
 
 894 The Election Entertainments, the first plate with the Lemons, 
 
 fine and rare 
 
 S95 Pair, the Distrest Poet, and the Enraged Musician 
 
 896 The Distrest Poet, with Pope threshing Curl, first state , f ine / 
 
 and rare 
 
 897 The Enraged Musician, with the white horse, first state, rare / 
 
 S98 The Four Stages of Cruelty and Beer Street and Gin Lane 
 
 899 Beer Street, with the Frenchman , and Gin Lane, previous to ? 
 
 the additional shadows, first state, very scarce 
 
 900 Two, Before and After, uncommonly fine 
 
 901 Four, the set of the Times of the Day 
 Another set of the same, first state, previous to the introduction 
 
 of the additional shades, red face, blue hands, 8$c. extra ~ 
 fine and rare 
 
 The set of the Rake’s Progress in 8 prints / 
 
 The same ., previous to any alterations , a most beautiful set 
 and extra rare in this slate 
 
 905 A smaller set, published by Bakewell with the consent of Flogarth 
 
 906 The Harlot’s Progress, in six prints, with the crosses at bottom 
 
 907 Another set of the same, fine old impressions, also with the , 
 
 crosses 
 
 908 The same set, previous to the crosses and a variety of alterations, / 
 uncommonly fine and rare 
 
 Marriage Alamode, in six prints /c) 
 
 The same , a most capital set, in the first state, previous / 
 to any alteration, the lock of hair , introduced with Indian Z ff 
 ink , raris ' 
 
 The Analysis of Beauty, two plates 
 Taste in High Life, the large and small prints 
 Modern Midnight Conversation and the Sleepy Congregation 
 Hogarth’s Cypher, Mrs. Hogarth’s Shop Bill, The Turk’s Head, 
 the Holland Arms, and a pen drawing of Lord Radnor’s 
 Arms, rare 
 
 915 The Lord of the Vineyard and Kent’s Altar Piece, very scarce 
 The Masquerade (small) and five others 
 
 Columbus breaking the Egg, two impressions, with and without 
 the Receipt, rare andfine 
 
 918 The Power of Attorney for the Foundling Hospital, fine and j 
 
 rare 
 
 919 The Orders of Perriwigs, Group of Characters and Caricaturas, 
 
 Company of Undertakers, Laughing Audience, the Oratorio 
 and the Chanters 
 
 920 View at Chiswick, Hymen, Battle of Pictures, Tail Piece and 
 
 4 others 
 
 021 Thirteen curious Burlesques on Hogarth and Lord Bute, mostly / 
 rare ,(///■ 
 
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 910 
 
 911 
 
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 914 
 
 916 
 
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 156 
 
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 /0 l) 937 
 
 J. JONES. 
 
 Muscipula, after Sir J. Reynolds, fine proof 
 J. LANDSEER. 
 
 The West Elevation of York Minster, after J. Malton, very 
 fine 
 
 FRANCIS LEG AT. 
 
 Mary Queen of Scots resigning her Crown, after Gavin 
 Hamilton, and the Continence of Scipio, after N. Poussin, 
 proofs 
 
 WILLIAM LENEY. 
 
 A group of Harriers, after J. P. Hackaert, proof\ and the 
 etching of the same 
 
 D. LERPINIERE. 
 
 A group of Dogs, after Fyt, and a Hunting Party in a Land¬ 
 scape, after Wootton, proofs 
 
 Four celebrated British Naval Actions, after Paton, proofs 
 
 St. George and the Dragon, after Claude Lorrain, choice proof, 
 previous to any letters 
 
 A pair. Views of London from Wandsworth, &c. after 
 Robertson, proofs 
 
 A pair of rich Landscapes with Ruins, after John Taylor, 
 proofs 
 
 A pair. Storm and Calm, after Vernet, fine proofs 
 
 WILSON LOWRY. 
 
 Three grand Landscapes, after Claude Lorraine, and Gaspar 
 Pousin, fine proofs 
 
 JAMES MASON. 
 
 Hobbima’s Villa, choice proof 
 
 View on the Po, after Claude Lorraine, proof and the etching 
 of the same 
 
 J. B. MICHEL. 
 
 Teniers’ Kitchen, fine proof, and the etching of the same 
 
 The Angel, Hagar and Ishmael, after Cartona, proof and 
 Alfred, the third King of Mercia, after West 
 
 S. MIDDIMAN. 
 
 A pair, Scenes in the Tempest, and as You Like it, the figures 
 by Bartolozzi, proofs i extra fine 
 
Eighteenth T)ay.~\ Picart, Ravf.net, Rvdf.r. 
 
 157 
 
 938 An Italian Sea Port, after Salvator Rosa, a grand production, 
 
 fine proof 
 
 939 The Waterfall, after Zuccarelli, choice proof 
 
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 JAMES PARKER. 
 
 9JO A portrait of the Honorable Henry Addington, fine 
 JAMES PEAK. 
 
 941 Two fine Landscapes, after Claude Lorrain, proof's 
 
 CHARLES PICART. 
 
 942 Portrait of the Right Honorable Charles Abbot, Speaker of the 
 
 House of Commons, fine proof 
 
 End of the Eighteenth Day's Sale. 
 
 7 t 
 
 /4 
 
 /o 
 
 NINETEENTH DAT’s SALE, 
 
 FRIDAY, MARCH 2, 1810. 
 
 SIMON FRANCIS RAVENET. 
 
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 943 X HE Return of the Prodigal Son, after Guercino—the 
 Death of Seneca and Sophonisba receiving the .Nuptial 
 Present, after Luca Giordano, proofs 
 94 4 Four historical, after La Sueur, &c .proofs 
 945 The Lord of the Vineyard, after Rembrandt—Phryne tempting 
 Xenocrates, and the Prodigal Son, both after Salvator Rosa, 
 Jine proofs 
 
 THOMAS RYDER. 
 
 94G The Murder of James I. King of Scotland, after Opie, proof 
 and the etching of the same 
 
 947 The Last Supper, after West, fine proof, and the etching of 
 
 the same 
 
 948 The Captive, after Whig* t, of Derby, f ne proo f 
 
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 158 Sharp, Sherwin, Simon, Strange. [Nineteenth 1 fay. 
 
 WILLIAM WYNNE RYLAND. 
 
 949 Antiochus and Stratonice, after P. Cortona, proof 
 
 950 Interview between Edgar and Elfrida, after A. Kauffman, proof 
 
 951 King John ratifying Magna Charta, after Mortimer, ditto 
 
 G. SCORODOOMORFF. 
 
 952 Diana and Acteon, after Carlo Marat, fine proof 
 
 WILLIAM SHARPE. 
 
 953 Alfred dividing his Loaf with the Pilgrim, after West, very fine 
 
 954 The Holy Family, after Sir J. Reynolds, choice proof 
 
 955 The Doctors of the Church, after Guido, brilliant proof 
 
 JOHN ICEYSE SHERWIN. 
 
 956 The Death of Lord Robert Manners, fine proof 
 
 957 A Pair, the Happy and Deserted Villages, beaut if id proofs 
 
 PETER SIMON. 
 
 958 A pair, Tom Jones, after Downman, fine proofs 
 
 959 The Philosopher Square Discovered in Molly Seagrim’s Room, 
 
 proof, previous to any letters 
 
 960 Midsummer’s Nights Dream, after Fuseli, proof , before any 
 
 let ter s^ rare 
 
 961 The Woodman, after Gainsborough, very fine 
 
 962 The same print, fine proof 
 
 963 The Three Holy Children, after Peters, proof and the etching 
 
 of the same , and the Nymph asleep, after Opie, fine proof 
 
 GABRIEL SMITH. 
 
 964 The Boar Hunt, after Snyders, capital proof 
 
 SAMUEL SMITH. 
 
 965 Niobe, after Wilson, proof 
 
 966 A Landscape, after Ruysdael, proof 
 
 967 The Finding of Moses, after Zuccarelli, a capital production, 
 
 chioce proof 
 
 SIR ROBERT STRANGE. 
 
 96S Charles I. with the Marquis of Hamilton in attendance with 
 his Majesty’s Horse, after Vandyck, very fine 
 
 969 Queen Henrietta Maria with her two Infants, the companion, 
 
 after ditto, ditto 
 
 970 The Three Children of Charles I. after ditto, very fine 
 
 971 The Madona with a Magdalen and St. Jerome, after Corregio, 
 
 most Brilliant 
 
 972 Sappho, after Carlo Dclci, extra fine 
 
 / n 
 
Nineteenth Day.] Strange, Taylor, Vertue. 
 
 159 
 
 973 A pair, Cupids asleep, after Vandyke and the Infant St. John, 
 
 after Murillio, very fine 
 
 974 The Death of Dido, after Guercino, most brilliant 
 
 975 The Annunciation of the Virgin, after Guido Reni 
 
 976 Two, Cleopatra and Fortune, after ditto, f ine 
 
 977 Venus Attired by the Graces, after ditto, and the Judgment of 
 
 Hercules, after N. Poussin, very f ine 
 
 978 Portrait of Raphael, most brilliant 
 
 979 St. Cecilia attended by the Magdalen, St. Paul, St. John, St. 
 
 Augustin, &c. after Raphael, capital 
 
 980 Bellisarius, after Salvator Rosa, extra fine 
 
 981 Venus and Adonis, after Titian, ditto 
 
 9S2 A pair, Venus and Danae in the Golden Shower, after ditto, 
 most brilliant 
 
 983 The Apotheosis of Prince Adolphus, after West ,fine and very 
 rare 
 
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 / 
 
 J. SUMMERFIELD. 
 
 9S4 Portraits of Rubens and his Wife, laden with Game and Fruit, 
 
 f ine 
 
 985 The same print, a fine proof 
 
 ISAAC TAYLOR. 
 
 986 The Murder of David Rizzio, after Opie, fine proof /-2 ^ 
 
 987 A pair, the Flemish Entertainments, after Van Harp, proofs , /(f b 
 
 very fine 
 
 J. VENDRAMINI. 
 
 988 The Storming of Seringapatam, after R. Ker Porter, on three '> f 
 
 large sheets, f ine 
 
 tP & 
 
 // Ip 
 
 Portraits by GEORGE VERTUE. 
 
 989 Thirty-eight of the Kings of Great Britain 
 
 990 Henry VII. and VIII. with their Queens, in a Room, after 
 
 Holbein, and the Children of Henry VIII. after Mabuse 
 
 991 Frances Duchess of Suffolk, with Adrian Stokes her Husband, 
 
 and Lady Jane Grey 
 
 992 Mary Oueen of France, with Charles Brandon Duke of Suf¬ 
 
 folk, and Edward VI. granting the Charter to Bridewell 
 Hospital 
 
 993 Charles I. and Queen, and ditto by Baron, after Vand\ck 
 991' George I. and four others of George II. and Queen 
 
 995 Jacob Arminius, John and Peter Barwick, Thomas Bradbury, 
 
 Lancelot Blackburne, and Richard Bently 
 
 996 Flenry Baron Coleraine, Edward Colston, James Craggs, 
 
 William Croft, Abraham Cowley, Sir Laurence Carter and 
 Balthasar Castiglicne 
 
160 Veiitue, Walker, Watson, Wollett. [ Nineteenth Dai/. 
 
 997 Lionel Cranfield Duke of Dorset, Sir William Dawes Archbi¬ 
 
 shop of York, Sir Francis Drake with the Globe, John Dry- 
 den, Alexander Denton and Simon Episcopius 
 
 998 Edwin the Monk, Bishop Fox, Richard Fiddes, John Gilbert, 
 
 Francis Godwin and Humphrey Gower 
 
 999 John Harris, Sir Matthew Hale, Matthew Henry, Arthur 
 
 Johnston, Bishop Juxon, Francis Junius and Peter Lord 
 King 
 
 1000 John Lawrence, Walter Moyle, George Morley, Bishop of 
 
 Winchester, and three different of Milton 
 
 1001 John Owen, Edward Earl of Oxford, James Puckle, the 
 
 Honbl. Robert Price and three different of Matthew Parker 
 
 1002 Rev. Thomas Stackhouse, George Smalridge Bishop of 
 
 Bristol, Mr. Steele the Poet, Sir John Suckling, Henry 
 Spencer, William Shakspeare, John Strype and Sir Henry 
 Slingsby 
 
 1003 Sarah Duchess of Somerset, fine and rare 
 
 1004 Rapin dc Thoyras the Historian, Mr. Toby, Edward Tenison 
 
 Bishop of Norwich, Ralph Taylor and two different of 
 Dr. Daniel Turner 
 
 1005 The Honble William Trumbull, Sir Ralph Winwood, Sir 
 
 John Willes, William Peere Williams, William Warham, 
 Archbishop of Canterbury, Dr. John Usher, and two dif¬ 
 ferent of Isaac Watts 
 
 WILLIAM WALKER. 
 
 1005 Sir. B. Gerbier and family, after Vandyck, and the Country 
 Attorney, after Holbein, proofs 
 
 1007 The Pregnancy of Calisto discovered, after Le Moine, and the 
 
 Triumph of Beauty, after Le Sueur, proofs 
 
 1008 The Sacrifice of Manoah, after Rembandt, and the Lions 
 
 Den, after Rubens 
 
 CAROLINE WATSON. 
 
 1009 Portrait of a Lady, as Contemplation, after Sir J. Reynolds, 
 
 proof 
 
 1010 Catherine II. Empress of Russia, extra fine 
 
 WILLIAM WOOLLETT. 
 
 1011 Portrait of Woollett, by Sherwin, two impressions, with 
 
 and without the shade, ditto by Caroline Watson, and his 
 Monument 
 
 1012 A pair, the Jocund Peasants and Cottagers, after Dusart, 
 
 proofs 
 
 1013 Dido and Eneas, after Jones, brilliant proof 
 1014* Diana and Actcon, after Filippo Lauri, fine proof 
 1015 The Temple of Apollo, after Claude Lorrain, very fmt 
 101G The same print , a choice proof 
 
Nineteenth Day.] Woollet, Wilson, Morciiem. 
 
 lGl 
 
 1017 Roman Edifices in Ruins, after ditto, proof on India paper, n / , f 
 
 runs 
 
 1018 The proof etching of the same 
 
 1019 The Rural Cot, after Smith of Chichester, f ine proof 
 
 1020 The Spanish Pointer, after Stubbs, proof, most brilliant 
 
 1021 One of the Shooting Pieces, after ditto, the figures not quite 
 finished 
 
 1022 A pair, Venus and Adonis, and Diana Deceived, both after 
 
 Swanevelt, unfinished proofs 
 
 1023 The Death of General Wolfe, after West, a superb impres¬ 
 
 sion 
 
 /O — 
 6 & 
 
 / 
 
 3 
 
 7 V 
 
 V 
 
 / 6 
 
 d> /dr 
 
 1024 
 
 1025 
 102G 
 
 1027 
 
 1028 
 
 1029 
 
 1030 
 
 1031 
 
 1032 
 
 1033 
 
 1034 
 
 7 
 
 CAPITAL PRODUCTIONS, after WILSON 
 
 Meleager and Atalailte, brilliant proof 
 Cicero at his Villa, proof, very choice 
 A pair. Celadon and Amelia, and Ceyx and Alcione, yeryfine 
 Celadon and Amelia, a choice proof 
 
 Ceyx and Alcione, ditto £ 
 
 The proof etching of the same y 
 
 Niobe, extra fine o 
 
 The proof etching of the same / 
 
 The same, a proof 
 
 The same, previous to any letters, extra fine and rare <3 
 
 Phceton, the companion print, in the same state, most ca- / 
 pital ^ 
 
 The Fishery, after Wright, proof previous to any letters, extra £ 
 
 9 
 
 1035 
 
 103G Twelve views from Cook’s Voyages, f ine proofs 
 
 fine 
 
 Z 6 
 
 S' — 
 
 /o 
 
 6 
 
 'fz 
 
 /Z 
 
 /o 
 
 /6 6 
 
 /if ~ 
 2 - 
 
 Works of Raphael Morghen, Porporati, Volpato, §c. 
 
 RAPHAEL MORGHEN. 
 
 1037 Portrait of Raphael Morghen, engraved by Anthony Morghen / 
 
 and ditto of Guido Reni, fine 
 
 1038 Domenica Volpato Morghen and Poesy tuning the Lyre / 
 
 1039 William II. Prince of Orange, f inc proof 
 
 1040 George Jonas Mayer, very f ine 
 
 1041 Petrarch the Poet, highly beautiful j2 
 
 1042 Adeodatus Turchi, ditto / 
 
 1043 The Princess Holstein with Count Tolstoy, &c. / 
 
 1044 Marquis of Moncada on ^horseback, after Vandvck, brilliant - 
 
 proof 3 
 
 1045 St. Philip Nerii, very fine 
 
 1046 Two elegant basso relievos, from the Antique, ditto 
 
 1047 La Madonna, Col. Bambino, See. and 1 other / 
 
 1048 Thalia, very fine / 
 
 1049 The Holy Family, after Rubens, ditto / 
 
 3 — 
 
 //P f 
 /3 
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 5“ 
 
 4 
 
 * 2 L 
 
 ft l 
 
 / — 
 
 7 — 
 
Morchen, Volpato, Porporati. [Nineteenth Dai/, 
 
 
 
 162 
 
 / 
 
 /C 1 
 
 1050 
 
 dr 
 
 1051 
 
 j 
 
 3 
 
 1052 
 
 p 
 
 
 1053 
 
 / 
 
 % 
 
 1054- 
 
 7 
 
 /S’ 
 
 1055 
 
 /£ 1056 
 
 / /2 1057 
 
 / /7 1058 
 
 / {P 1059 
 
 X S' 1060 
 
 J 1061 
 
 / /(P 1062 
 
 1063 
 
 9 n 1061 
 
 /(P 1065 
 
 / — 1066 
 
 / S~ 1067 
 
 A pair of circles, after Raphael, fine proofs 
 The Transfiguration, after ditto, beautiful proof 
 The same print, partially finished, raris 
 The Holy Family, After A. del Sarto, very fine 
 The Nativity, after Raphael Mengs, ditto 
 Twelve capital productions, from celebrated pictures at Mad¬ 
 rid, engraved by R. Morgheti, E. M. Carmona, G. Carattoni 
 and F. Muntaner, extra fine 
 
 JOHN VOLPATO. 
 
 Portrait of J. Volpato, engraved by Raphael Morghen 
 The same print, a brilliant proof 
 Apollo and the Muses on Mount Parnassus, proof 
 The Consecration, after Raphael, fine 
 
 A pair of capital Landscapes, after Claude Lorraine, extra 
 fine 
 
 CARLO PORPORATI. 
 
 Abraham sending away Hagar, after P. Van Dyck and the 
 Death of Abel, after Vander WerfF 
 Cupid, after Angelica Kauffman, very fine 
 Tancred and Clorinda, after Vanloo, ditto 
 Leda bathing, after Corregio, extra fine 
 
 FRANCICUS ROSAPINA. 
 
 Abraham Entertaining the Angels, after L. Carracci, fine 
 
 PETRUS FONTANA. 
 
 The Burial of Christ, after Guercino, proof 
 
 GUISEPPE LONGHI. 
 
 The Decapitation of St. John, after Gerrard Douw, fine 
 
 End of the Nineteenth Day's Sale. 
 
TWENTIETH DATs SALE, 
 
 SATURDAY, MARCH 3, 1810. 
 
 BOOKS, AND BOOKS OF PRINTS. 
 
 lotT? 
 
 1 A ALCONF.R’s Shipwreck, by Clark, plates 
 
 2 (Economy of Human Life, ditto 
 
 3 Views in North Britain, illustrative of the Works of R.obert 
 
 Burns 
 
 4 Thomson’s Seasons 
 
 5 Cardonel’s Antiquities of Scotland 
 
 6 Winstead’s Tour in Wales 
 
 7 Kirk’s Vases 
 
 8 Antiquity of the Inns of Courts 
 
 9 Cornelius Schut’s Collections of Etchings 
 
 10 A volume of prints from the antique 
 
 11 Audr in’s Proportions of the Human Body, in MS. and drawings 
 
 12 The Labours of Ulysses, by VanThulden 
 
 13 Barraud’s Cyphers 
 
 14 D.aulby’s Catalogue of Rembrandt’s Etchings 
 
 15 Another copy 
 
 16 Steven’s and Forrester’s Views in Italy 
 
 17 Ireland's Picturesque Views on the Thames, 2 vol. 
 
 1S Another copy 
 
 19 Ireland’s Views on the Avon 
 
 20 Memoirs of Count Grammont, 3 vol . numerous portraits 
 
 21 Falconer’s Shipwreck, with numerous prints, by R. Dodd 
 
 22 Scotia Depicta, beautiful views 
 
 23 Furner’s History of Grantham 
 
 24 Amsinck’s History of Tunbridge Wells, fine views 
 
 25 Lives of Leland, Hearne, and Wood, 2 vol. large paper, ale- 
 
 gant in russia 
 
 26 Knight’s Life of Erasmus, large paper 
 
 27 L’Entree de la Reyne Mere du Roy, dans les Villes des Pays 
 
 Bas, curious plui.es, by A. Pauli 
 
 28 Weever’s Funeral Monuments, a beautiful copy 
 
 29 Spilsbury’s Antique Gems, 50 prints 
 
 30 Hogarth Illustrated, by John Ireland, with the Supplement, 3 
 
 vol. numerous plates 
 
 31 Esop’s Fables, Stockdale’s edition, 2 vol. f ine plates 
 
 32 Beaumont’s View of the Leopontine Alps 
 
 33 Memoirs of Thomas Brand Hollis, 2 vol- fine plates 
 
 6 L 
 
 (P 6 
 
 / 
 
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 /6~ 
 
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 4 /j>~ 
 
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 3 // 
 
Books, and Books of Prints. [ Twentieth Day. 
 
 3 / 
 
 AT 
 
 / 7 
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 '7 
 
 1 /S 
 
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 J AT 
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 2/ b 
 
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 / ,ij 
 
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 3 ~ 
 
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 3 /3 6 
 
 164 
 
 34 Harding’s edition of the Book of Common Prayer 
 
 35 Antiquities of the Inns of Court, large paper 
 
 36 Pilkington’s Dictionary of Painters 
 
 37 Aikin’s History of Manchester, plates 
 
 38 The Hampton Court Beauties, 13 plates, by Faber 
 
 39 The set of Portraits of the Kit Cat Club, 47 plates, by ditto 
 
 40 The set of Oxford Founders, by ditto, 23 plates 
 
 41 The set of British Poets, by Vertue, 12 plates 
 
 42 Gardnor’s Views on the Rhine, 32 plates, imperial folio 
 
 43 Lord Orford’s Works, 5 vol. numerous plates, elegant in russia 
 
 44 Grose’s Military Antiquities, 2 vol. russia 
 
 45 Grose’s Antiquities of Ireland, 2 vol. large paper, with proof 
 
 impressions of the plates 
 
 46 Views in Bath, plates finely coloured 
 
 47 Bains de Titus, fine plates 
 
 48 Smith’s Antiquities of Westminster, subscription copy with the 
 
 stone pi ate , rare 
 
 49 The set of sixty-two additional plates to Smith’s Antiqities of 
 
 Westminster 
 
 50 Lyson’s Britannia, vol. 1, numerous plates 
 
 51 Byrne’s Britannia Depi&a, illustrative of Lyson’s 
 
 52 A volume containing 50 portraits of Painters in the Gallery of 
 
 Florence 
 
 53 A volume of prints, illustrative of the Adventures of Telema- 
 
 chus, finely engraved by Tilliard 
 
 54 Richardson’s Iconology, 2 vol. fine plates 
 
 55 A volume of proof etchings by Earlom from drawings by Claude 
 
 Lorrain in the Devonshire Colle&ion 
 
 56 Sixty fine imitations from drawings by Claude Lorrain, in the 
 
 Collection of R. P. Knight, &c. proofs 
 
 57 A volume of imitations from the beautiful designs of Cipriani 
 
 by Earlom, Heath, Bartolozzi and Ryland 
 
 58 Bloomfield’s History cf Norwich, 2 vol. 
 
 59 Metamorphosis d’Ovide en Rodeaux, the plates by S. Le 
 
 Clerc, scarce , elegant in russia 
 
 60 A curious and rare collection of Burlesques on the South Sea 
 
 Company and Mississippi Affairs 
 
 61 The Works of Geyser, 580 prints, consisting of Portraits, 
 
 Views, Vignettes, &c. in two large folio volumes with 
 leaves 
 
 62 Milton’s Views of Dublin, elegantly bound 
 
 63 Castellum et Prtetoria Nobilium Brabantia, some views bjr 
 
 Hollar 
 
 64 Select Views in the Environs of London, large paper 
 6'5 Home’s Views in the Mysore, elegant in morocco 
 
 66 The Sportsman’s Cabinet, 2 vol. fine plates 
 
 67 Dallaway’s Heraldry 
 
 68 Gough’s British Topography, 2 vol. 
 
Books, and Books of Prints. 
 
 165 
 
 69 The Passion of Jesus Christ, after Holbein, in 14? plates, by^ ^ 
 
 C. Mechel, elegantly bound 
 
 70 Dalton’s collection of 20 Antique Statues, large folio / 
 
 71 The set of portraits of Members of the Kit Cat Club, after .? , 
 
 Kneller ~ 
 
 72 Edwards’s Work of Flowers, on eighty plates, finely coloured [- — 
 
 73 The Paintings, Statues, Bas-reliefs and Cameos in the Palais Pitti 
 
 at Florence, exquisitely engraved, beautiful impressions, IV I*/ 
 bound in russia 
 
 H Botdell’s collection of Prints, after celebrated pic¬ 
 tures, IN THE DIFFERENT CABINETS IN ENGLAND; THE 
 first two volumes proofs, on India paper, extra rare' / 
 in this state 
 
 75 A collection of the Works of Sir Joshua Reynolds, in two large // 
 
 folios with leaves 
 
 76 A capital portfolio with leaves, size 
 
 77 A ditto 
 
 78 A ditto 
 
 79 A ditto 
 
 80 A ditto, Russia leather 
 
 81 A ditto 
 
 82 A ditto 
 
 83 A ditto 
 S4 A ditto 
 
 / /O 
 3 /o — 
 
 d 4 . 
 6 n 
 
 3 3 - 
 
 3 /<* 
 
 J /I - 
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 FINIS. 
 

 
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