I . Digitized by the Internet Archive in 2017 with funding from Getty Research Institute https://archive.org/details/descriptionofvie00burf_5 'EXP.LAN AT 1 o N of a VI IK W-«f- the CIT ¥ of MAM Ml D, oxliOutijig i» Cable San Thomas 7 Tglesia San .Miguel y San dhsla I-l. Alan \ ana res 2 !Halt a/\//ic lfairs 3/glesia de San Isidro cl real ' t? Ctwiino de Segovia, • 15 tglesia de Santiago Illy lex fa dc .fan .Ha/On ■l Cable de Toledo 9 Aytifamlezito y I'll red de Vida 16 Peso real ,.f 23 Convcnfa dc las . Won/as del Firm a/ 3 tglesia dc i\ iteslra Senora de gratia* lOAr/ncria delFalacio IJPalacio uaera 22 Qua rid de fa/a/diax ( oz/is with the line o/‘Puddings terming one side' 11 Convcnlo de Franciscan de Constanli/iofilcii 1,1 PI Esenrial 25 Sierras tie Onadai/nmcv >; of the plazucla, de la Cehada 12 Tglesia San Salvador y S .. 1 idiofas lUTglesia de Sant Felipe 26 'Tglesia dc Sanliayo 27 Campo Santo Arriba 2 tt Casa riel C Wr Ugnati. 13Tg/r.via del Carmen. Calyado ■23tglesia d, San, Felipe el real 31 Cable tie los Espateros 3'lTgiesia tie .fanZuis.it, the Cable tie la 33 Conrento Salesas reales DESCRIPTION OF A VIEW OF THE CITY OF MADRID, AND SURROUNDING COUNTRY, NOW EXHIBITING IN THE PANORAMA, LEICESTER-SQUARE. Donde esta Madrid, calle el Mundo. Where Madrid is, let the World be silent. Span. Prov. PAINTED BY THE PROPRIETORS, J. AND R. BURFORD, FROM DRAWINGS TAKEN IN THE YEAR 1825, BY JR. BURFORD. LONDON: PRINTED BY J. AND C. ADLARD, BARTHOLOMEW CLOSE. 1827 . Price Sixpence. ciihciAm ho vi&rr n . i «■>! -hmynv.j-w- Ml ; i . ■ VUl fHiS' s: ».>« t «StX 5 Rfci«^i^ WOlo sbiV 1 NW* f I 5fa;‘ - «i' *1>9?#diw.h3 Jbw of. ?i nljsssos i;?'i d: - ; :•• -OKI fnO ,1'tvh i»df 'ix.r -fjiufid sAf :.\i ■ " ‘ vv■ 3 (H mrik vj ■ . .. .L. ■5 ' f lo ktiqsD vlT!9IfJW SO!)ig(M| c iW v ...£ A i'M. I ?| lotftHib /sorn ■ He J»rft no daam'i :iol.fcegooH fe> q Hill moil i> tOf3^\ aiuo ib m acft ui ‘ \ : :\ xll at tyV {basic ■• ■ * 5(1 T'1#W of 1 ■ 1 =»■; OM ; '■• - ! if Wfj , • • ■: . ■ - ' • ' • •;• % .: - ‘ - > - ' ■’ - -■ h . : ^- ft t. >*;I'// ptuoE .(!'! • • *' JH .}{ 1 > ri9? f- Y«.f -iYiY t!?; vn s iAt r w/w.m io i»A yd Jl>> i i* U ii. , VI- :t>J ■ s*di gflitBD ,’^Uli - ■ .V •• ; . !• Y dv# ]jfUB f 3iltiq>dl1&9 ; yd ?>./! i babsuenq : f V.> H- *; 1 bfciC)o isl« W b'lli Y .:•. ii»i \Y Vrrxi > : m- gsw t .I I qiliiH r tf fins Jabqiia Jasbfts sdl , ■ - V l ■■■■■ £ t- 3 V£g Vtb shT * • - v ; :■■.■•<>.■ i«d f TOTiiq«,»o -iff '. : (f duOl bsibqinoa . yof^oght.-.-vjaftpsdl rJ?;$ *•; •.. r.-V.W£ fjw : Y?^«»8oq.oll ilgiioritlfi :-J biumfe sid nO '•■ •• l&twisg ; B baa 4>-A f v ;•. ■:/ < H:1 'f ■ •' • ^ 5 ,-y iiS ■ •T-: »t i> done l£ | ■ ■ ! b- ■ * V' J - .-•■ >".• i ; .g: srii jblbrtB ;Yj» ? . - i.<9lffi9 Amv s fll * 4'»w ,«boov- - ■l>«« npiisui^ viKojij?-.ibri?' *(VV ,H r> squares, 133 churches, convents, colleges, &c., 15 gates, and 17 public fountains; the 15 parishes are divided into 8 districts, each district into 8 wards, to each of which there is an alcalde : the population is nearly 200,000; the streets, many of which are long, broad, aud straight, are well paved, with a very hard sharp pebble, and have narrow footways, flagged on each side; the houses are well built of stone and brick, of two or three stories in height; and, without displaying much magnificence or luxury of architecture, have, from their being painted of various colours, and ornamented with crosses, images, &c. a very agreeable appearance ; the small grated windows of the lower apartments strongly recall the an¬ cient tales of love and jealousy, for which Spain is proverbial. The en¬ trances are not very seducing in their appearance: on one side are fre¬ quently seen the hoots and shoes of some cobbler, or the wares of some itinerant dealer, who establishes, during the day, his shop in the passage; on the other, a mass of filth is accumulated from all the apartments; at the end is the staircase, dark and uneven. Very few houses have porters, the doors stand open, and the names of persons occupying the different stories are painted on the side. In the most ancient quarter, towards the Manzanares, the houses are principally of wood, and are profusely ornamented with paintings of bull-fights, dancing, &c. in the old costume. The houses of the rich and noble are only to be distinguished by their great extent; many of them are elegantly and magnificently furnished, and contain chefs-d’ceuvres of the fine arts; others make a splendid appearance by having various articles of costly furniture painted on the walls. Madrid enjoys a clear and almost cloudless sky, and a dry and pure atmosphere, yet the wind, when it blows, is so keen and penetrating, that it resists even the burning heat of summer: in this painful experience has originated the common saying that the air of Madrid kills a man, where it does not extinguish a candle: the heat, especially during the dog-days, is extreme ; it is like breathing liquid fire; yet, even at this time, the Spaniards have the art of keeping their houses cool: the rooms are built lofty and long, with few windows and many doors, corresponding with each other ; the floors, which are tiled, are kept constantly watered ; the balconies have cloth coverings, and the windows are fitted with Venetian blinds, curtains, or shutters; those who have large houses have different apartments for the various seasons, many even for different hours of the day. The greater the heat of the summer, the more intense the cold of the following winter, against which they are but badly provided : the long and lofty apartments, where not a door or window shuts close ; the tiled floors, on which the esteras, or mats, retain but little warmth; and the want of stoves or fire-places, for which the braseros are but bad substi¬ tutes; all serve to increase the cold and humid north winds which con¬ stantly blow at this season. The various fountains in the city are supplied with water from the neighbourhood of the Guadarrama, and from them carried to the houses by the Gallagos, (or Gallecians,) who form a numerous guild, and divide the city amongst themselves: it is a very laborious, but, at the same time, a very profitable occupation, the quantity of water used being prodigious. 7 No, 1. Car cel de Corte. This edifice, which was erected during the reign of Philip IV., is so handsome, that even its grated windows scarcely suggest the idea of its being a state-prison. It is only of one story, having a tower at eacli end a little more < ievated. The centre is adorned with the arms of Spain, and several well-executed figures. A great portion of this edifice was destroyed by fire in 1791, but lias been completely re¬ paired. No. 3. Iglesia de St. Isidro. This church presents a noble front of three half columns of the Composite order, and two pilasters, supporting a cornice, surmounted by a balustrade, with a tower at each extremity. In the centre are three doors, above which is the statue of St. Isidro. The church is large; the nave beautiful and well proportioned, adorned with pilasters of the Composite order, between which are statues of saints. Above the transept, is a magnificent dome. The chancel is decorated with pilasters and a Corinthian entablature, with an arched roof. This church was built by Philip IV., and is said to have cost four millions of ducats. It contains several fine paintings, as do most of the churches in Madrid; but neither these, the relics, nor the plate, are so numerous as before the arrival of the French. When the convent of the Jesuits, to which this church was attached, was suppressed by Charles III., a chap¬ ter of canons was established, who professed the doctrines of the Jansenists, and the convent was converted into one of the best-regulated academies in Madrid, having sixteen professors, who taught in the various branches. On the return of Ferdinand, the Jesuits were re-established, and installed with great solemnity in this church. On taking possession of the Academy, they suppressed the professorships of Physic and Philosophy, as inconsistent with Catholic doctrines. Such professorships as tended to diffuse information and liberal taste were also dispensed with ; not any of the Jpsuits, who came from Italy, being able to superintend these branches of education. No. 5. Iglesia de Nueslra Sehora de Gracia, and Flazuela de la Cebeda. The Place of Cebeda is an irregular open space, surrounded by ill-built houses. It is the principal market-place, and is attended by an immense number of persons from the provinces, diversely clothed: Castilians with long cloaks, which they wear with a Roman dignity; drovers from La Mancha, clad in keltsof hide, and carrying long goads; Andalusians wearing a short brown vest, chequered with blue and red, and their hair bound in long silken fillets, &c. Long strings of mules, laden with skins of wine and oil; droves of asses, led by a single man, who talks to them inces¬ santly ; carriages, drawn by eight or ten mules, ornamented with bells, and driven witli surprising address by one man, without reins, by bis voice only, using the wildest cries; the vociferations of the muleteers, the tinkling of bells, and the noisy altercations of buyers and sellers, form altogether one of the most busy abd animated scenes to be met with in Madrid. The public executions (which, from the severity of the laws, are very frequent,) also take place in this square. After passing the night in prayer, the criminal is brought to the place of execution on the back of an ass, (the first animal of that kind which appears at the Gate of Toledo being pressed for that purpose,) accompanied by the holy brothers, whose office it is to attend on these occasions, bearing a crucifix and tapers of green wax. In the evening, the procession returns to remove the body, which they convey, attended by a great number of torches, to the neighbouring church, where prayers are said over it until the interment. The expences are defrayed by alms collected at an early hour by persons in black vestments, who ring a bell through ihe streets. No. 9. Ayuhtamiento y Carctl de Villa. The Town-house and Prison is a large rectangular building, having towers at two of its angles. The principal court is adorned with pilasters, and the grand staircase is very handsome. The Chapel, which is extremely rich in carvings and figures, con¬ tains some good paintings and a splendid tabernacle of silver, in which the sacrament is carried in holy processions. One of the towers is said to have been the prison of Francis I. until his removal to the royal palace. No. 10. Armeria del Palacio. The Royal Armoury is considerable in its extent, but is remarkable for simplicity and exemption from ornament. It contains a most magnificent and interesting col¬ lection of armour: amongst other suits, that worn by Isabella during the siege of Grenada; that of Chico, the last Moorish monarch ; that worn by Charles Y. in his expedition against Tunis ; and the coat of mail received by Philip from his grand- 8 father Louis XIV, The swords of Pelargis, the Cid, Bernard del Carpio, Rolando, the Duke of Weimar, and the celebrated Garcias of Paredes. The sword of Francis I», which had lain here since the victory obtained over him by Pescara in 1525, was, at the instance of Murat, presented to the Emperor Napoleon : on the 31st ofMarcb, 1808, it was conveyed in a carriage and six, with numerous attendants and guards, to Murat’s quarters; the sword itself was carried in a silver basin, covered with a silken cloth, laced and fringed with gold. The Armeria also contains a fine collection of shields, small arms, aud implements of war from Mexico, Peru, &c. No. 11 . Convento de Franciscas de Constantinople. An edifice much more remarkable for its size and solidity, than for its elegance. The Church, in the form of a rotunda, ornamented with pilasters, is very striking. No. 12 . Iglesia San Salvador y San Nicolas . This church is remarkable for an altar of the most admirable architecture: it con¬ sists of four columns of green marble, of the Composite order, between which is a beautiful bas-relief, representing St. Frauds floating on clouds sustained by angels. No. 13. Plaza Mayor. The great square of Madrid is 373 feet by 287; the houses are high, and well built. The square is surrounded by a piazza, on pillars of freestone. It is the centre of retail trade, and one of the most frequented parts of the city. The vendors of Bulces, or sweetmeats and dried fruits, establish themselves against the columns of the piazza. Towards Christmas, the whole square becomes one vast magazine of tambourines; it being customary for all persons to provide themselves with one, which they beat in a most extravagant manner, in the streets, houses, and even churches, on the eve of that festival. Public rejoicings were formerly celebrated in this square, by f6tes, illuminations, processions, bull-fights, &c., which were viewed by the royal family from the Casa Real de la Panaderia. The Auto de F6es were also celebrated in this square: the last, which took place in presence of the royal family, was in honour of the marriage of Charles II. with a Princess of the Bourbon race, on the 30th of June, 1680. The highest nobility of Spain assisted as familiars of the Inquisition : twenty Grandees of the first class, and forty Counts and Mar- quisses, “ immortalised themselves on this occasion.” The ceremonies commenced as early as three o’clock in the morning, and continued during the whole day and fol¬ lowing night. The number of victims was 120; of whom, twenty-one were burned alive; thirty-four burned in effigy; eleven penitents who abjured the Jewish faith, and fifty-four reconciled Israelites: nearly one-third of the number who were burned, flogged, and degraded, were females. No. 14. Rio de Manzanares. This river, which in summer is a stream of but small importance, at times nearly dry, is in winter, when swoln by the torrents from the Guadarrama, of magnificent breadth. It forms a junction with the Henarez about eight miles below the city, and with it falls into the Tagus. It is crossed by two noble bridges: that of Segovia, near the palace, built in 1584, after the design of the famous John de Herrara, of nine arches, 695 feet in length, and thirty-two broad ; and that of Toledo, at the end of the Calle de Toledo, built in 1718, 385 feet in length, by thirty-six broad. The ad¬ vantage of supplying the capital with the produce of the provinces by w'ater, long since suggested the expediency of rendering the Manzanares the channel of commu¬ nication: in the reign of John II. the work was first proposed, and was commenced by Philip II. but at his death suspended; Charles II. resumed the work, and his successor completed it. A canal was formed from the bridge of Toledo to the Xarama, a distance of four leagues; seven sluices and four mills were erected, and the navigation opened in great form; when the work was suddenly abandoned, and has never since been resumed. No. 1 7. Palacio Nueva . The present palace (the ancient one having been destroyed by fire in 1734,) was built in the reigns of Philip V. and Ferdinand VI. by Sig. Sacchetti, an Italian. It forms a square of four equal sides, upwards of four hundred feet in breadth and eighty-six in height to the cornice; to which a wing has been added by Charles III. There are projecting pavilions at the angles, and one in the centre, in which is the Chapel. On the balustrade was formerly a series of statues of the Kings of Spain, from Atholpiio to Ferdinand VI. The architecture nearly approaches the Doric, but, strictly speaking, is not of any order. The principal front has five entrances ; that to the north, one; the others, not any. The court in the centre, which is about 120 feet each way, is surrounded by a large and noble piazza, over which is a gallery, 9 embellished with Ionic columns. The whole building is of the most solid character: the foundations are immense; the walls of extraordinary thickness ; and the apart¬ ments are all vaulted. The principal entrance leads to a spacious vestibule, and from thence, under a large piazza, to a magnificent staircase ; on the first landing of which are two immense lions of white marble. On Bonaparte entering this palace, in 1808, he placed his hand on one of the lions, and stood to admire the majestic ap¬ pearance of the place, exclaiming, ‘‘Voila I’Espagne je l’ai retrouv6e dans les palais des ses rois! Aliens, mon frere, vous serez mieux loge que moi.” This staircase leads to the hall, where the royal guards are in constant attendance, and from thence to the state apartments, where every species of grandeur and luxury are profusely lavished: the finest marbles are employed, with great taste, in the cornices and socles; the ceilings are painted in allegorical subjects, by Giacuinto, Mengs, Tiepolo, Bayens, Langlois, Corrado, De Castro, and the Velasquez; and the walls covered with a splendid collection of paintiDgs bv the first masters, formed, at an immense expence, during the reigns of the four Philips. The chamber of audience, or “El Salon de los Reynos,” is of great extent; the ceiling, by Tiepolo, represents the Triumph of Spain, in which is introduced the various costumes of the Spanish mo¬ narchy, and its dependencies in South America. The walls are hung with crimson velvet, decorated with twelve extraordinary large glasses from St. Idelfonso, and many fine paintings; and on twelve rich marble tables, and in other parts, are ar¬ ranged statues, busts, vases, &c. The Chapel, which is in the form of a Maltese cross, is ornamented with columns of black and white marble; all the architectural parts above the cornice are covered with a profusion of carving, gilding, and statues. The chancel and chapels contain paiutings. No. 18 . El Escurial. About seven leagues from Madrid, midway on the ascent of the Guadarrama mountains, and a little above the village of the same name, stands this most stupend¬ ous and magnificent building, which is both a palace and a monastery of Jeronomites. It was commenced in 1557, by Philip II., in consequence of a promise made to his father Charles V. that he would raise a monument to the Empress Isabella, and a vow made on the day of the battle of St. Quentin; which battle having been fought on St. Lawrence’s Day, the monastery is dedicated to that saint; and, in illustration of the manner of his death, gridirons of every size and shape are to be seen, of stone, iron, and wood, in the courts, galleries, and windows: even the building itself is in the form of that instrument,—the several courts forming the bars, the towers the feet, and the royal apartments the handle. The architect was J. B. Munegro, of Toledo, and, after his death, J. H. Burtamento, his pupil. It is built of a grey stone resem¬ bling granite, f;om the neighbouring quarries, in the Doric order. The principal front, towards the west, is 637 feet in breadth, and fifty-one in height to the cornice, each end being flanked by a tower 180 feet in height. In the centre, under a portico of massive Doric columns, are two doors of noble dimensions, leading to a square court, at the end of which is the Church. These doors are never thrown open, even to the princes of the blood, excepting on two occasions—the first visit after their birth, and when their remains are carried to the royal vault. On this side there are thirty-five windows in breadth; on the outside the building there are lllOwindows; the whole number is said to be 4000, and 8000 doors. The east front is of the same dimensions as the west; the north and south measure 494 feet. The great cloister is a double piazza, one over the other, ninety-three feet in length on each of the four sides; the lower of the Doric, the upper of the Ionic order: both are filled with paintings. In the centre is a small octagonal temple, fifty-two feet high, the interior of which is jasper. The royal apartments are not distinguished by any particular magnificence. The principal gallery, or Battle Hall, is painted in fresco by Granello and Fabricius, and represents the battles of Higuerela and St. Quentin, and two maritime pieces. The Hall of the Infanta is filled with the finest productions of the best masters, as is also almost every apartment in the building. The ascent to the church is by a staircase, 156 feet in breadth, leading to a piazza with a tower at each extremity : the interior is in the form of a Greek cross, 313 feet by 198, with a lofty dome in imitation of St. Peter’s; it contains forty-eight altars, enriched by paintings. The chancel contains two mausoleums, in gilt bronze, by Pompey Leoni: one presents statues of Charles V., his consort, the Empress Mary, and the Queens of France and Hungary; the other, the statues of Philip II. and his three consorts. The grand altar is enriched w ith many paintings and statues. The sacristy contains paintings, and is the depository of much wealth, in relics, shrines, &c. Beneath the church is the Pantheon, or royal vaults, remarkable for their grandeur, elegance, and the costly materials of which they are composed. The first division contains the 10 remains of forty-three Infantas and Infantos ; the second, which is thirty-one feet in diameter, and thirty-two in height, is of an octagonal form, and contains twenty-four tombs, in fifteen of which repose as many Kings of Spain. The Monastery has a very extensive and valuable library, including several thousand ancient manuscripts in Greek, Hebrew, &c. to which free access is allowed. No. 21. The Hall of the, Cortes , Formerly a church, and fitted up for the reception of the Cortes, on their removal from Cadiz in 1814. The front is surmounted by a cross, at the base of which was a group, consisting of a figure of Hope, supported by Christianity, pointing to Spain, (represented by a female figure,) at whose feet lay a torch; beneath was a lion, grappling a globe; in the centre of the facade, on a marble slab, in gilt letters, was “ The power of enacting Laws is vested in the Cortes, with the King a niche on each side contained statues of Patriotism and Liberty. The hall is 150 feet long by sixty in breadth, oval, with spacious galleries; and was ornamented with many statues, bas-reliefs,-and slabs, containing names celebrated in the cause of Freedom. After a he flight of the Cortes with the King in 1823, the populace destroyed the statues, defaced the inscriptions, and burned every thing that was combustible. In the adjacent building, to the left, is the Royal Library, founded in 1712, and augmented by various purchases, including the library of Cardinal Arquinto, brought from Rome. It now contains about 180,000 printed books and 2000 manuscripts, and a fine collection of medals and coins, including the Abb6 Rothelin’s, from Orleans, and the Samaritan coins discovered by Bayer and Tychen. No. 22 . Iglesia de San Martin, This church contains a tabernacle of silver, above 1100 ounces in weight, most admirably chased, and ornamented with various representations of Scripture history, and a statue of St. Martin on horseback. No. 24. Quartel de Guardias de Corps. The Quarters of the Life-Guards is one of the finest buildings in Madrid. The principal front, which faces the west, and has a tower at each end, is much disfigured by injudicious ornament. The intetior, which consists of three large courts, contains stabling for above 600 horses, and accommodation for 640 men, each having a separate apartment. No. 27* Campo santo de Arriba. The Cemeteries of Madrid are ail bey ond the gates, and are ornamented at their entrance with a large cross of wood. The present consists of four large paved courts, each stone having a number and an iron ring, by which it may he elevated for the purpose of depositing a member of the family to which it belongs. In one of |he courts is a large deep pit tor the poor. The walls, winch are high and thick, have niches left in them, one above another, where the remains of those who pay for such a place are deposited ; the opening being then bricked up, and an inscription placed thereon. No. 23. Convento Sale&as Reales , Erected by Ferdinand VI. and Queen Barbara. The front of the Church presents pilasters of the Composite order, with many decorations in bas-relief: it is approach¬ ed by a court with a piazza. The interior is adorned with Ccrinthian pilasters, and the dome painted inf resco. The principal altar is formed of six columns of green Grenada marble, each a single block, fourteen feet seven inches in height, with Corinthian capitals of bronze, surmounted by an attic, presenting a medallion of St. Francis Sales, between two allegorical figures of Faith and Charity. In the chancel is the fine monument of Ferdinand, and in the choir that of Barbara. This church lias been the subject of unqualified censure and of unlimited praise: by some it has been esteemed a model of perfection, whilst the ridicule of others gave rise to the po¬ pular quibble of “ Barbara reyno, Barbara obra, Barbara gasto;”—a barbarous queen, a barbarous work, a barbarous taste. No. 34. La Aduana. The Custom-House, in the street of Alcala, was erected in 1769 : the height of the front greatly exceeds the breadth ; the lowest compartment has three large and two small entrances: the three large support balconies, with stone balustrades, raised on modillions, terminated by heads of satyrs. Above are four rows of windows, sur¬ mounted by attics : over the c entral window is suspended the royal arms, supported by figures of Fame in white marble. In the adjacent large building are the Royal Academies of Fine Arts and Natural History. The former contains a fine library and a good collection of paintings and 11 antiques; and the museum of the latter, which was formed by Charles III., is en¬ riched with curious productions from each quarter of the globe, particularly from South America. No. 35. Puerta del Sol. The Puerta del Sol was the site of one of the ancient gates of the city : it is now a large open space, formed by the junction of five principal streets, with a handsome marble fountain in the centre. In this square all the idlers in Madrid lounge away their mornings, reading the papers, and discussing the news of the day. The Royal Printing-Office is adjacent, as are also the shops of the principal booksellers. The blind, from universal custom, are the only persons who cry the newspapers. The Post-Office, a handsome square structure, stands on one side of this place. No. 40. Plaza de los Toros . At the head of the national amusements of Spain stands the Bull-fight, which may be said to belong almost exclusively to that nation. The Spaniards have for them an unbounded attachment; persons of all ranks and ages alike flock to see them : a bull¬ fight, cruel and disgusting as it is, is an irresistable attraction even to the softer sex, old and young, of the most delicate nerves. They generally take place during the summer and autumn. The arena of the amphitheatre, which is very extensive, is sur¬ rounded by a strong fence, about five feet in height, in which are four gates,—one for tire entrance of the bulls, another for their egress; one for the performers, and one for the removal of the dead bulls and horses. The first gallery is five feet from the boundary, exposed to the open air, and is filled by the lower classes; the second, which is higher, is defended from the sqn and rain by a tier of boxes. The exhibition is opened by a procession of guards, alguazils, piccadores, cholus, &c. to the sound of music. When the promenade is over, one of the alguazils, with great form, de¬ mands from the governor, whose duty it is to be present, the key of the bull’s house, which, having obtained, he carries to the gate-keeper. The circus being then cleared of all but the Piccadores and Cholus, a bull is admitted. The piccadores are always mounted ; they wear rich laced waistcoats, light-coloured hats with low crowns and enormous brims, and breeches, with gaiters to the knee, of white leather, which are padded to an enormous size, to protect them from the hull. The horses are but of little value, ten or twelve beiug frequently killed in a day’s sport. The cholus are on foot, and trust entirely to their activity: their dress is silk, richly ornamented, and bieeches and stockings of while silk, and their hair in a net: some disguise them¬ selves in a basket-work, resembling birds or animals. Their arms are banderillas, a small dart ornamented with coloured paper, and they carry a large cloth of a bright colour. When the bull refuses to attack the piccadore, he provokes him by pricking him in the face with his lance, or throwing his huge hat at him : when the bull ad ¬ vances furiously, he receives him on the point of his lance in the neck, and dexterously wheels his horse to avoid his horns. Should the piccadore be overthrow n during the attack, the cholus come to his assistance, and attract the bull by trailing or whisking their cloth in his face, and throwing bandarillas at him : when he pursues them to the boundary, they leap over, leaving their cloth to his fury. There have been instances of the bull’s also following over the enclosure. When the bulls are cowardly or nearly exhausted, the bandarillas are charged with fire-works, which, by their explosions, render him almost mad. When the bull is so exhausted as to be unable to continue the combat, the Matador comes forward with a red flag, which he holds before the eyes of the bull, and terminates his sufferings by one thrust of his straight sword be¬ tween the shoulders. The circus is then cleared, and the meat given to the hospitals. —Some years back a negro, from Buenos Ayres, exhibited in an extraordinary manner at these fights : having, by means of a lasso, caught and confined one of the fiercest bulls, he fixed a saddle on his back, which having mounted, the bull was restored to liberty ; when, in spite of all the animal’s efforts, he kept his seat, and from this un¬ common steed attacked, in the manner of a piccadore, the other bulls. No. 41. Puerta de Alcala. The Gate of Alcala, which is one of the most modern, and by far the most beauti¬ ful, in Madrid, was built to commemorate the arrival of Charles III. It consists of five entrances. Externally, it is adorned with six Ionic columns, w ith capitals similar to those designed by Michael Angelo for the Capitol at Rome ; internally, it has four Ionic pilasters. In the centre is an attic, and above the arms of Spain, supported by a figure of Fame, and bordered by triumphal trophies. The whole is of free-stone, sixty feet four inches in height, exclusive of the arms. When the French invested Madrid, their artillery defaced the columns, and destroyed many of the ornaments. The view from this gate, down the Calle de Alcala, is very fine, and gives a most favourable impression of the magnificence of the city. The street is very wide and 12 gently declines: on the left are several grand palaces, sufficiently detached to shew to advantage; amongst others, that of the Prince of Peace, (used by the French as a store-house,) and that of the Duke de Medina Sidonia, (which was occupied by M. Denio, commissary-general of the French army,) with the rich foliage of the elms in the Gardens of the Retiro, and the trees of the Prada, which it crosses. Several fountains, of inimitable execution, add a pleasing appearance, and spread a refreshing coolness. No. 42. Passeo del Prado. This public walk of Madrid has long been celebrated in the novels and dramatic compositions of Spain: its renown was, however, cheaply bought, for it was a place of but small importance in itself. Its proximity to the palace, unevenness of ground, and shady retreats, rendered it propitious for perilous encounters and midnight in¬ trigues, and it has been the scene of many extraordinary events. Charles III. levelled, planted, and embellished it with fountains, statues, &c.; the Count d’Aranda had the management of the work. The soil presented the greatest obstacles to the plantations: these were, however, overcome by artificial means, effected at a great expence. Small canals, of a foot in breadth, are cut between, the trees, which are every day supplied with water; round each tree is a circular fosse, in which the water is retained until it mounts high enough to run to the next: thus, the trees, which are mostly elms and chestnuts, being constantly supplied with moisture, pre¬ serve their verdure. The Prado consists of a broad road, called the Salon, for carri¬ ages, and an alley on each side for pedestrians: it commences at the Convent of Atocha, and passes the end of the Calle de Alcala; is upwards of half a league in length. The number of persons who frequent this place is immense. Ladies of the higher class, w ho keep to their carriages, dress much in ihe French style ; those who walk wear the basquina, or fringed petticoat of dark-coloured silk, and the mantilla, or veil of black or white, adorned with embroidery or trimming: these veils are at¬ tached to the head by a pad fastened by a comb, and, being accustomed to them from their earliest infancy, the Spanish ladies wear them w'itli a grace truly fascinating. No. 43. Buen Retiro. Erected by Philip IV. at the solicitation of the Count Duke d’Olivarez, was the favourite residence of the Kings of Spain of the Austrian dynasty. Philip V. con¬ ceived an extraordinary partiality for it, and made it his chief residence after the destruction of the palace of Madrid. It was the only residence of Ferdinand VI., and Charles III. passed a great part of his time in it. The palace was the depository of works of first-rate artists, and w'as surrounded by large and beautiful gardens, containing groves, fish-ponds, temples, grottoes, statues, &c. The palace, command¬ ing a part of Madrid, was strongly fortified, and was used as a prison by the French; during which period the gardens w^ere made a desert, and the fountains, statues, &c. broken and destroyed. A splendid statue of Philip II. escaped this almost general ruin. This statue was executed by Sig. Tacca, of Florence, from a picture by Velasquez: the most eminent artists of Florence agreed that the wmrk was impossi¬ ble, but Tacca, assisted by Galileo, succeeded, and shortly after died of grief, from the treatment he received from the Grand Duke’s minister concerning it, and it was put up by his son Ferdinand. The execution is remarkably fine, particularly the horse, who is represented in the act of galloping; consequently, the whole weight (18,000 lbs.) is sustained by the two hind legs. On Ferdinand’s return, he ordered Ihe palace to be restored, in which little progress has been made: the gardens have been cleared, the menagerie rebuilt, and some boat and pleasure houses erected on the borders of the great Lake. No. 52. Convento de Atocha , A large convent of the Dominican order. On one side of the church is a chapel, lighted night and day by above 100 lamps, in honour of a miraculous image of the Virgin, here deposited. The King attends at least once in each week, generally on the Sunday afternoon, to hear mass in this church in public. A rojal grant has been made to the Prior of this convent for creating a certain number of Counts and Mar¬ quises, which titles, being sold at a high price, have been a source of great profit to the establishment. No. 55. Jglesia de San Tomas. When the convent to which this church belonged was suppressed, the municipal government assigned the refectory, (the large building on the left of the church,) a hall capable of holding 4000 persons, to the use of the Landaburians, a popular debat¬ ing society, named after Lieut. Landabura, an officerof the Royal Guard, who w'as shot, by his own men in the palace, for refusing to join in the mutiny of the 7th July. J. and C. Adlard, Printers, Bartholomew Close. ' . ■ - * ■ - .