DETROIT INSTITUTE 
 OF ARTS 
 
 of the 
 
 CITY OF DETROIT 
 
 CATALOGUE 
 
* 
 
/ 
 
 The 
 
 DETROIT INSTITUTE 
 OF ARTS 
 
 of the 
 
 CITY OF DETROIT 
 
 Catalogue of 
 PAINTINGS, SCULPTURE 
 and 
 
 CONTEMPORARY 
 ARTS and CRAFTS 
 
 DETROIT 
 1920 
 
Copyrighted by 
 The Detroit Institute of Arts 
 1920 
 
THE DETROIT INSTITUTE OF ARTS 
 OF THE CITY OF DETROIT 
 
 ARTS COMMISSION 
 
 RALPH H. BOOTH, President 
 WILLIAM J. GRAY 
 ALBERT KAHN 
 HENRY G. STEVENS 
 
 Commissioners 
 
 CLYDE H. BURROUGHS 
 
 Secretary and Curator 
 
/ 
 
 Contents 
 
 Introduction 7 
 
 Italian Painting IS 
 
 Dutch Painting 44 
 
 German Painting 67 
 
 Flemish Painting 68 
 
 English Painting 79 
 
 French Painting 83 
 
 Spanish Painting 87 
 
 Miscellaneous XIX Century Painting 92 
 
 American Painting 107 
 
 Sculpture 156 
 
 Arts and Crafts (Contemporary) 175 
 
 Index 188 
 
Digitized by the Internet Archive 
 in 2014 
 
 https://archive.org/details/catalogueofpaintOOdetr_0 
 
INTRODUCTION 
 
 The collections of the Detroit Museum of Art were 
 recently conveyed to the Arts Commission of the City 
 of Detroit, and form the nucleus around which the 
 Detroit Institute of Arts will be built. 
 
 These collections had their first great impetus in 1889, 
 when James E. Scripps, one of the founders of the 
 Museum, presented over seventy pictures by Italian, 
 Spanish, Flemish, Dutch, and French artists of the 
 XV to the XVIII Centuries. This gift places the col- 
 lections of the Detroit Institute of Arts in an enviable 
 position among American museums for the breadth 
 and character of its collections, in which may be traced 
 almost every influence of Renaissance art. 
 
 Speaking of his own benefaction at the time it was 
 made, some forty years ago, Mr. Scripps said: 
 
 "As a journalist, it had been my lot, on frequent occasions, 
 to urge upon those who should have accumulated more 
 than the average share of wealth, the duty and wisdom of 
 employing a part at least of their surplus in public bene- 
 factions. As my own circumstances bettered, it was im- 
 possible with consistency to do otherwise than follow my 
 precept by practical example. 
 
 "The most promising field for a public benefaction seemed 
 to be in the establishment of an art institute, which should 
 at once afford elevated amusement to the people, and the 
 means for an education in art for those who would enter 
 upon it as a profession. This field I long since marked out 
 for myself, believing it would prove a useful one, and one 
 that might contribute materially to the aggrandizement of 
 our beautiful city. 
 
 "Such were my aspirations for our good city when, in 
 1885, through the energy and liberality of others, the De- 
 troit Museum of Art came into existence. The grounds 
 
 7 
 
and building being provided for by popular subscription, 
 the opportunity appeared for carrying out my long-cherished 
 plans, and I at once set about forming for it the nucleus 
 of a collection of pictures. My attention was directed to 
 the field of the old masters for the following reasons: ( 1) 
 From having for some years been a collector of the etched and 
 engraved works of the old masters, I possessed some slight 
 acquaintance with the field. (2) It was a field which, in 
 the prevailing rage for modern pictures, would not be likely 
 to be taken up by any other beneficiaries of the Museum. 
 
 ( 3) It was not difficult to see that it was the cities which 
 possessed the choicest collections of the works of the great 
 masters of the past that were the favored resorts of artists 
 and art students. It was largely by the study of these old 
 masters that great modern painters were developed; a col- 
 lection of their works, therefore, seemed almost indispen- 
 sable, if Detroit would become a center of art education. 
 
 (4) No public gallery in this country had as yet made any 
 considerable start in acquiring a collection of old masters. 
 A field for pre-eminence was, therefore, open to the Detroit 
 Museum in that direction, which in the line of modern 
 pictures could only have been attained at the cost of a large 
 fortune. (5) There appeared to me to be an element of 
 permanent value in old masters, which modern pictures 
 might not possess, an opinion which was strengthened by a 
 private letter received in 1885 from Mr. Charles B. Curtis, 
 of New York, in which the following passage occurred: 
 * I am glad to be assured that there are some men in this 
 new country, who are capable of appreciating the works 
 of the old masters, and who buy them in preference to the 
 productions of the modern school. At present the fashion 
 sets towards the style of Diaz and Bouguereau. How long 
 this may last we cannot tell. He would be a bold man 
 who should undertake to prophesy what will be the status 
 of these men a hundred years hence. But Murillo and 
 Claude have lasted two centuries with increasing fame. 
 We may safely trust, therefore, that they will continue to 
 shine far into the future.' (6) Every year old pictures 
 are becoming scarcer in the market, and every year that 
 the beginning of our collection was postponed, made it the 
 more difficult of accomplishment. 
 
 8 
 
"With these convictions I began work on this nucleus 
 for a collection ( for it can really only be considered a begin- 
 ning of what Detroit in a few years may possess), and for 
 the past two years ( 1887 to 1888) have made it almost my 
 sole occupation. I have in that time visited and studied 
 over forty of the principal picture galleries of Europe, have 
 probed the various markets, and have expended between 
 ?75,000 and 380,000 in purchases. 
 
 "This labor and expenditure has been undertaken with 
 the full knowledge that my work will probably not immedi- 
 ately be appreciated, but in the fullest confidence that the 
 future will recognize its wisdom and foresight. 
 
 "In forming this collection the usual collectors' plan 
 has been pursued, of securing first the more readily attain- 
 able works, instead of seeking for masterpieces and rarities. 
 Such will naturally come in time. Meanwhile I have sought 
 mainly for good examples of the works of the masters such 
 as are comparatively plentiful in the market. Of this class 
 are many of the Dutch masters of the XVII Century, pic- 
 tures by whom constitute nearly half of this collection. 
 But these I have happily been able to supplement by a few 
 truly great works." 
 
 The desire of Mr. Scripps to safeguard the Museum 
 from the hasty acceptance of pictures which might 
 later be regarded as unworthy a place in the collection, 
 is seen in the following letter addressed to the acting 
 president of the Museum at that time: 
 
 "Honorable James McMillan, Vice-President, 
 Detroit Museum of Art. 
 
 "Dear Sir: As you are aware, I have spent the principal 
 portion of my time for two years past, and some ^75,000 
 or 380,000 in cash, in forming a collection of pictures by the 
 old masters for presentation to the city of Detroit, as rep- 
 resented by the Museum of Art. The works are now on 
 their way to the city. They number about eighty pieces in 
 all, some very valuable, others of trifling worth. From the 
 whole I think as many as fifty works could be selected, which 
 would be of permanent value to the Museum. 
 
 "I propose that the Trustees give me the use of a gallery 
 
 9 
 
for the exhibition of the collection, during the course of 
 v/hich exhibition the Trustees, through any committee or 
 other agency they may determine upon, shall with care 
 and deliberation proceed to select the best fifty — if they 
 shall find so many that are desirable — when I will make 
 formal conveyance of the same to the Institution. 
 
 "My purpose in limiting the number is to guard against 
 the walls of the Museum being cumbered with anything 
 which later on may become undesirable property, and I 
 am importing the pictures in my own name, in order that 
 the cullings, or those that may be regarded as of little or 
 no value, may be left on my hands, without embarrassment 
 to any one. 
 
 Very truly yours, 
 
 James E. Scripps.'* 
 
 Seventy-two of the pictures were accepted by the 
 Trustees. 
 
 In 1909, after the death of Mr. Scripps, his wife, Mrs. 
 Harriet J. Scripps, tendered as a gift fifteen additional 
 paintings, which happily augment the collection. 
 
 She also presented as a further memorial to her hus- 
 band his large collection of prints and drawings, num- 
 bering about twelve hundred and eighty, which are cata- 
 logued elsewhere, and which she felt could best serve 
 their purpose by being intrusted to the Institution, to 
 the inception of which Mr. Scripps gave so much of 
 his time and thought. 
 
 Mr. Edward Chandler Walker, who was President of 
 the Museum in 1907 and 1908, followed with keen 
 interest the work of the Museum and contributed 
 materially toward its collections. The Museum is 
 chiefly indebted to him for a group of four paintings by 
 Detroit's distinguished artist, Gari Melchers, consisting 
 of "The Fencing Master," "The Wedding," "Portrait 
 of Ik Marvel," and the "Portrait of Mrs. Melchers." 
 His gift also includes fine examples of Isabey, John 
 
 10 
 
Hoppner, Constant Troyon, Mary Cassatt, and others. 
 He also gave substantial support to other museum pro- 
 jects, being one of the largest contributors toward the 
 new Museum site, and at his death left a bequest of 
 twenty-five thousand dollars. 
 
 Mr. Charles Willis Ward, who became a member of 
 the corporation in 1909, presented a group of paintings 
 including examples of Josef Israels, Constant Troyon, 
 William A. Bouguereau, Willard L. Metcalf, Edward 
 W. Redfield, E. Irving Couse, and Robert Hopkin. 
 
 Mr. D. M. Ferry, Jr., who was President of the 
 Museum, 1913 to 1918, and his sister, Mrs. Queene 
 Ferry Coonley, presented jointly a group of nine pic- 
 tures from the D. M. Ferry collection, consisting of 
 examples of Rosa Bonheur, Emile Van Marcke, 
 Eugene Isabey, Alma-Tadema, Josef Israels, Adolph 
 Schreyer, Leon Perrault, Jean Aubert and Narcisse 
 Virgilio Diaz de la Pena. 
 
 The income from the bequests of Mr. William C. 
 Yawkey of five thousand dollars. Miss Octavia W. 
 Bates of seven thousand dollars, Mrs. Lizzie Merrill 
 Palmer of ten thousand dollars, and of Elliott T. Slocum 
 of two thousand dollars has enabled the Museum to 
 acquire some works of art by contemporary painters 
 and sculptors, but most of the collection of modern 
 paintings and some of the sculpture have been pur- 
 chased by popular subscription. 
 
 In 1905 the Museum set out to secure annual con- 
 tributions to a picture fund, and this was continued over 
 a period of years, with the result that the Museum has 
 been enabled to bring together the nucleus of a collec- 
 tion of contemporary art, mostly by American artists. 
 In 1914, through an action of the Board of Trustees, 
 these contributors to the picture fund became annual 
 
 11 
 
and sustaining members of the corporation, the mem- 
 bership fees continuing to be used largely for the same 
 purpose. 
 
 Mr. George G. Booth, elected a member of the 
 Detroit Museum of Art in 1900, has always shown a 
 keen interest in the affairs of the Museum. His gift of 
 a collection of artistic handicraft in 1919, consisting of 
 over one thousand objects, mostly by American crafts- 
 men, is one of the most significant contributions the 
 Museum has received. 
 
 With some modifications, the excellent catalogue of 
 the earlier paintings, compiled by Mr. Scripps at the 
 time of his gift, has been used as a basis of the present 
 catalogue. 
 
 The Arts Commission acknowledges its indebtedness 
 to Bernard Berenson, Dr. A. Bredius, late Director 
 and at present Advisor of the Royal Picture Gallery 
 at The Hague, Dr. J. O. Kronig, late Director of the 
 Frans Hals Museum at Haarlem, and Professor Chand- 
 ler R. Post, of Harvard, for their ascriptions on some 
 of the paintings. 
 
 The present catalogue does not include all of the 
 departments of the Museum. The prints, the Egyp- 
 tian and Oriental collections and other departments 
 will be catalogued separately. 
 
 In the arrangement of the catalogue the names of the 
 artists are listed alphabetically under countries, except 
 that the miscellaneous XIX Century paintings, which 
 are not numerous enough to justify this arrangement, 
 have been put in a chapter by themselves. 
 
 CLYDE H. BURROUGHS, 
 
 Secretary and Curator 
 
 12 
 
No. 9. ANTONIO CANALE 
 View of Venice from St. Mark's Quay 
 
/ 
 
 ITALIAN PAINTING 
 
 AGOSTINI, GIOVANNI PAOLO DE. 
 
 Worked between 1510 and 1520. Milanese School. 
 
 1. Double Portrait of an Italian 
 Nobleman and his Wife. 
 
 Was attributed to Giovanni Bellini when purchased. 
 The above ascription to Giovanni Paolo de Agostini 
 is made by Bernard Berenson, in an article on this 
 picture in the "Rassegna d' Arte" for April, 1916. 
 He deciphers the inscription at the top as "loanis 
 Paulus De Augustinis," the painter's signature. 
 
 Canvas: h. 15 in., w. IXj/i in. From the collec- 
 tion of Henry Wilkinson of Enfield, England. 
 
 Presented by Mr. James E. Scripps, 
 
 AGNOLO, ANDREA D', called ANDREA DEL 
 SARTO. 1487-1531. Florentine School. 
 
 2. The Deposition of Christ. 
 
 Wood: h. 2834' in., w. 24 in. This painting is either 
 a study for the larger one of the same subject, 
 No. 58, in the Pitti Palace gallery at Florence, or 
 is a copy by one of Del Sarto's pupils. A change 
 in the color of the dress of the woman at the 
 Savior's feet leads to the inference that it is not a 
 copy, but really a work of the master's own hand. 
 
 Presented by Mr. James E. Scripps. 
 
 15 
 
ALBANO, FRANCESCO. 
 1578-1660. School of Bologna. 
 
 3. The Immaculate Conception. 
 
 (See remarks on the doctrine of the Immaculate 
 Conception in connection with No. 88, of this 
 catalogue.) 
 
 Canvas: h. 37 in., w. 28)4 in. Formerly in the 
 Duke of Modena's collection. 
 
 Presented by Mr. James E. Scripps. 
 
 ALLEGRI, ANTONIO, called CORREGGIO. 
 1494-1534. School of Parma. 
 
 4. Angel Heads. 
 
 Study for the dome of the cathedral at Parma. The 
 figure at the left looks as if intended for a young 
 John the Baptist. 
 
 Canvas: octagonal, h. 23 in., w. 23 in. From the 
 collection of W. H. Aspinwall, of New York. 
 
 Presented by Mr. James E. Scripps. 
 
 5. The Virgin and Child. 
 
 Panel: h. 12^ in., w. 9^ in. This picture is an 
 exact replica of a similar subject in the National 
 Gallery, London, even to size. It was in the posses- 
 sion of Dr. Hinde, lecturer at the University Col- 
 lege Hospital, London. Sir Charles Eastlake, presi- 
 dent of the Royal Academy, and English editor 
 of Kugler's Handbook of Paintings of the Italian 
 School, who was a frequent visitor at Dr. Hinde's, 
 believed it to be a genuine work of Correggio. 
 
 Presented by Mr. James E. Scripps. 
 
 16 
 
No. 11. CIMA DA CONEGLIANO 
 
 The Mado7ina and Infant Savior 
 
BAGNACAVALLO, see RAMENGHI, 
 BARTOLOMMEO. 
 
 BARBIERI, GIOVANNI FRANCESCO, 
 
 called GUERCINO. 1591-1666. School of Bologna. 
 
 6. The Erythraean Sibyl. 
 
 A long tablet, or book of wax tablets, is inscribed 
 with the title, "JVDICIJ SIGNUM TELLUS 
 SUDORE MADESCET," and at the foot the 
 words ^'Sibij Erithraea," the literal translation being 
 *^The sign of judgment, the earth shall be moistened 
 with sweat," with the name of the Sibyl. 
 
 The Sibyls were prophetesses who foretold the 
 coming of Christ to the Gentiles, as the prophets 
 did to the Jews. They were regarded as holy vir- 
 gins, who lived in caves and grottoes, with power 
 to read the future. Varro, who wrote 100 years 
 before Christ, gives their number as ten, and their 
 names are taken from the location of their habita- 
 tion. The Sibyl Erythraea was the prophetess of 
 Divine vengeance. She predicted the Trojan war, 
 in which character she holds a naked sword. But 
 she also foretold the annunciation and in this 
 representation she has a white rose. 
 
 Canvas: h. 44^4 in., w. 60^ in. Formerly in the 
 Memorial Palace at Pisa; later in the collection 
 of W. H. Aspinwall, of New York. 
 
 Presented by Mr. James E. Scripps. 
 
 19 
 
BIGI, FRANCESCO, called FRANCIABIGIO. 
 1482-1525. Florentine School. 
 
 7. Portrait of a Man. 
 
 Was attributed to Masaccio when purchased. The 
 above ascription to Franciabigio is made by Ber- 
 nard Berenson. 
 
 Wood : h. 15^ in., w. 1 13^^ in. From the collection of 
 the Marchese Caruana of Florence. 
 
 Presented by Mr. James E. Scrtpps, 
 
 BYZANTINE SCHOOL. XIII Century. 
 
 The artists of Constantinople, driven to seek new 
 fields by the opposition to pictures inculcated by 
 the Greek Church, found an asylum in the monas- 
 teries of Italy, where they pursued their art. From 
 this beginning sprang the famous revival of art in 
 Italy which culminated in the XV Century. These 
 Byzantine paintings are always on wood, usually 
 cut to a convex surface, and are always on a gold 
 ground. 
 
 8. St. Mercurius. 
 
 Wood: h. 8^ in., w. 6^8 in. 
 
 Presented by Mr. James E. Scripps. 
 
 CANALE, ANTONIO, called CANALETTO. 
 1697-1768. Venetian School. 
 
 9. View of Venice from St. Mark's Quay. 
 
 To the right, the palace of the Doges; to the left, 
 the church of Santa Maria della Salute. 
 
 Canvas: h. 45 in., w. 46^4^ in. 
 
 Presented by Mr. James E. Scripps, 
 
 20 
 
I 
 
CARRACCI, ANNIBALE. 1560-1609. 
 School of Bologna. 
 
 10. The Triumph of Galatea. 
 
 A replica in oil of one of the Farnesina frescoes. 
 Canvas: h. 29 in., w. S3 in. From the Duke of 
 Lucca's collection, sold in London, 1841. 
 
 Presented by Mr. James E. Scrtpps. 
 
 CIMA DA CONEGLIANO, GIOVANNI 
 BATTISTA. 1460 (?)-lS17. Venetian School. 
 
 11. The Madonna and Infant Savior. 
 
 Bernard B;erenson says this is the earliest painting 
 by Cima which he has come across in America, 
 a very early work — about 1488 — because ^^never 
 again is Cima at once so Antonellesque and Bellin- 
 esque." "The sculptural compactness — , the pyra- 
 midal mass of the two figures, the conical effect 
 of the Virgin alone betray the strong influence of 
 Antonello, while the type and action of the Child 
 and the feeHng of the whole bear witness no less 
 to contact with Bellini." (Berenson: "Venetian 
 Painting in America — the Fifteenth Century.") 
 
 Wood: h. 253/^ in., w. 19 in. Signed at the right, 
 "Joannes Bta. Coneglanesis." From the col- 
 lections successively of M. de Bammeville, Rev. 
 W. Davenport-Bromley, and Mrs. Sloane Stanley 
 of London. 
 
 Presented by Mr. James E. Scrtpps. 
 
 23 
 
CORNETO, MONALDUS DA. Umbrian School. 
 
 12. The Marriage of the Virgin. 
 
 Was attributed to Pinturicchio when purchased. 
 The above ascription to Monaldus da Corneto, 
 of the school of Perugino, is made by Bernard 
 Berenson. 
 
 According to the legend, when Mary was four- 
 teen years old an angel instructed the priest 
 Zacharias to call together all the widowers 
 among the people and require each to bring his 
 rod. The several rods were deposited in the 
 temple over night, and next morning that of 
 Joseph was found to have budded and flowered. 
 He was accordingly assigned as the husband of 
 Mary and all the others broke their rods in 
 despair. 
 
 Canvas: h. 24>^ in., w. 40^ in. 
 
 Presented by Mr, James E. Scripps, 
 
 CORREGGIO, see ALLEGRI, ANTONIO. 
 
 DOLCI, CARLO. 1616-1686. Florentine School. 
 
 13. Head of St. Mary Magdalene. 
 
 Canvas: h. 16^ in., w. 13^ in. From the col- 
 lection of the Marchese Caruana of Florence. 
 
 Presented by Mr. James E. Scripps, 
 
 24 
 
No. 20. THE MASTER OF THE SAN MINIATO ALTARPIECE 
 The Virgin and Child 
 
FIORENTINO, PIER FRANCESCO. 
 
 Worked between 1475 and 1497. Florentine School. 
 
 14. The Virgin Adoring the Infant Savior. 
 
 Was attributed to Alessio Baldovinetti when 
 purchased. The above ascription to Pier Fran- 
 cesco Fiorentino has been made by such critics as 
 Seymour de Ricci and Professor Chandler R. 
 Post. 
 
 Wood: arched, h. 28^ in., w. 16 in. From the 
 collection of the Tassi family, Florence. 
 
 Presented by Mr. James E. Scripps. 
 GAROFALO, see TISI, BENVENUTO. 
 GIAMPIETRINO, see PEDRINI, GIOVANNI. 
 
 GIORDANO, LUCA. 1632-1705. Neapolitan School. 
 
 15. The Nativity. 
 
 Canvas: h. 22^ in., w. 29^4^ in. From the col- 
 lection of Hans Stanley, who was a lord of the 
 British admiralty from 1757 to 1763, and in 1765 
 went as English ambassador extraordinary to the 
 Empress of Russia. 
 
 Presented by Mr. James E. Scripps. 
 
 GUARDI, FRANCESCO. 1712-1793. 
 Venetian School. 
 
 16. View on the Grand Canal, Venice. 
 
 Canvas: h. 14^ in., w. \9}i in. From the col- 
 lection of T. J. Ireland, M. P., of Ousden Hall, 
 Suffolk, England. 
 
 Presented by Mr. James E. Scripps. 
 
 27 
 
GUERCINO, see BARBIERI, GIOVANNI 
 FRANCESCO. 
 
 ITALIAN SCHOOL. XV Century (?). 
 17. The Crucifixion. 
 
 Wood: arched, h. 35 in., w. 21 in. Painted on 
 gesso or a preparation of plaster anciently used 
 as a groundwork for the colors. Probably a 
 small altarpiece of the XV Century or earlier. 
 From the Stowe House Sale, 1848. 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 ITALIAN (NORTH) SCHOOL. About 1700. 
 
 18. The Spiritual Betrothal of St. Catherine 
 OF Alexandria with the Infant Jesus. 
 
 Representing symbolically the mystic union be- 
 tween Christ and the Church. St. Catherine, 
 according to the legend, was an Egyptian prin- 
 cess of great beauty and learning, who lived in 
 the third century. When fourteen years of age, 
 at the death of her father, she became queen. 
 Canvas: h. 36 in., w. 51 in. 
 
 In 1883, when preparations were making for the 
 art loan exhibition of that year, Richard Storrs 
 Willis, through clerical friends, solicited of His 
 Holiness Pope Leo XIII, the contribution of a 
 picture from the Vatican. In response this one 
 was received with the Pope's blessing. The 
 Detroit Museum of Art was the outgrowth of 
 that exhibition and thus came into possession of 
 the picture. 
 
 28 
 
No. 21. ALEGRETTO NUZI 
 A Triptych Altarpiece 
 
MARATTA, CARLO. 1652-1713. Roman School. 
 
 19. The Virgin and Child and St. John. 
 
 Copper: h. 34>^ in., w. IGyi in. Formerly the 
 property of Prince di Gonzaga. 
 
 Presented by Mr. James E. Scripps. 
 
 MASTER OF THE SAN MINIATO 
 ALTARPIECE, THE. XV Century. 
 Florentine School. 
 
 A master whose personality has lately been 
 discovered. A pupil of Fra Filippo Lippi (1405- 
 1469). Two other examples of his work are in 
 this country, one in the Minneapolis Institute 
 of Arts, the other in the Johnston Collection, 
 Philadelphia. 
 
 20. The Virgin and Child. 
 
 Was attributed to Fra Filippo Lippi when pur- 
 chased. The above ascription to The Master of 
 of the San Miniato Altarpiece is made by Bernard 
 Berenson. 
 
 Wood: arched, h. 19^ in., w. 14 in. Purchased 
 of Luigi Pisani of Florence. 
 
 Presented by Mr. James E. Scripps. 
 
 31 
 
NUZI, ALEGRETTO. Worked between 1360 and 
 1385. Florentine School. 
 
 21. A Triptych Altarpiece. 
 
 Central panel: the Virgin and Child enthroned 
 with John the Baptist and St. Catherine. Left 
 wing: the Nativity. Right wing: the Crucifixion. 
 
 Was attributed to Giotto when purchased. The 
 above ascription to Alegretto Nuzi is made by 
 Bernard Berenson in his "Central Italian Painters 
 of the Renaissance." 
 
 "The feminine saint at the left, in the absence of 
 any more definite attributes than the book of 
 pious wisdom, the conventionalized martyr's 
 palm and the princess's crown, we may conjec- 
 ture to be Catherine of Alexandria who was so 
 prominent in the category of virgin saints that 
 it was sometimes not thought necessary to 
 distinguish her by her ordinary symbol, the 
 wheel. A similar figure in the Berlin diptych 
 by Alegretto Nuzi is identified in the catalogue 
 as St. Catherine although she has no more attri- 
 butes" than in this picture. (Professor C. R. 
 Post in "Art in America" for August, 1915.) 
 
 Wood: central panel, h. 18^, w. 8)4 in. From 
 the collection of the Marchese del Turco at 
 Florence. 
 
 Presented by Mr, James E. Scripps, 
 
 32 
 
No. 36. ALBERT CUYP 
 
 Landscape with Cattle 
 
PANINI, GIOVANNI PAOLO. 1691 or 1695-1764. 
 
 22. A Ruined Triumphal Arch. 
 
 Canvas: h. 29 in., w. 24^ in. From the collec- 
 tion of Major Corbett-Winder of Vaynor Park, 
 Berriew, Wales. 
 
 Presented by Mr. James E. Scripps. 
 
 PEDRINI, GIOVANNI, called GIAMPIETRINO. 
 Early XV Century. Milanese School. 
 
 23. Salvator Mundi (The Savior of the World). 
 
 Was attributed to Leonardo da Vinci when 
 purchased. The above ascription to Giampie- 
 trino is made by Bernard Berenson. 
 
 Wood: h. 26 in., w. 19 in. This picture is reputed 
 to have belonged to the Kings of France down to 
 the time of the Revolution of 1789. It was later 
 purchased from a French gentleman by a Mr. 
 Parke, who died in 1821, and in whose family it 
 subsequently long remained. In 1889 it was 
 sold at Christie's in London. 
 
 Presented by Mr, James E. Scripps. 
 
 35 
 
RAMENGHI, BARTOLOMMEO, called 
 BAGNACAVALLO. 1484-1542. School of Bologna. 
 
 24. The Virgin Enthroned with St. Amadio and 
 St. Anthony. 
 
 St. Anthony of Egypt stands at the right of the 
 picture with his traditional emblems, the crutch, 
 the bell, the black pig, the fire and the Greek tau 
 or T on his shoulder — the first letter of the word 
 Theos, God. St. Amadio stands at the left in 
 the robes of a bishop holding the model of a city 
 in his gloved hands, which the Holy Child leans 
 forward to bless. On the pedestal of the Virgin's 
 throne is an inscription in Latin, the literal 
 rendering of which is: '^I, Peter Demeo, from 
 Ceregia, had these figures made for my devotion 
 on the last of November, 1529. Beneo. Ramen- 
 ghi fecit." St. Anthony, surnamed the Great, 
 was born in Egypt in 251 and died in 365. He 
 was rich and educated, but gave all his property 
 to the poor and retired to the desert, where he 
 spent many years in ascetic solitude. He later 
 organized a society of anchorites and thus be- 
 came the founder of the monastic system. The 
 crutch seen in his pictures symbolizes his age and 
 feebleness, the bell his power to exorcise evil 
 spirits; the pig represents the demon of sen- 
 suality which Anthony vanquished; the fire 
 signifies his spiritual aid as patron saint against 
 fire in all shapes, in the next world as well as in 
 this. 
 
 Wood: h. 53 in., w. 44 in. From the collection of 
 Giuseppi Placidi of Rome. 
 
 Presented by Mr. James E. Scripps. 
 
 36 
 
No. 43. AIEINDERT HOBBEMA 
 
 A River Scene 
 
RENI, GUIDO. 1575-1642. School of Bologna. 
 
 25. Head of Christ Crowned with Thorns. 
 
 Wood: h. \9}4 in., w. 16 in. 
 
 Presented by Mr. James E. Scripps. 
 
 RICCI or RIZZI, PIETRO, see PEDRINI, 
 GIOVANNI (GIAMPIETRINO). 
 
 SACCHI, ANDREA. 1594 (.?)- 1661. Roman School. 
 
 26. The Apparition of the Virgin to St. Philip 
 Benozzi. 
 
 St. Philip Beniti or Benozzi, the principal orna- 
 ment and propagator of the religious order of 
 the Servites in Italy, was a member of a noble 
 Florentine family. Once at Mass he heard the 
 words ''Draw near and join thyself to the chariot" 
 read in the epistle of the day. Applying them to 
 himself he considered it an invitation to put him- 
 self under the patronage of the Blessed Virgin 
 in the order of the Servites. The following 
 night he thought he beheld the Virgin seated in 
 a chariot, calling him to this new order. He took 
 the vows in 1233. 
 
 Canvas: h. 53^ in., w. 39 in. From the collec- 
 tion of the late Giuseppi Placidi of Rome. 
 
 Presented by Mr. J ames E. Scripps. 
 
 39 
 
SALVI, GIOVANNI BATTISTA, called 
 SASSOFERRATO. 1605-1685. Roman School. 
 
 27. The Virgin. 
 
 Closely resembles Raphael's Madonna of the 
 Pink in the possession of Count Spada at Lucca. 
 Sassoferrato freely copied Raphael's designs. 
 
 Canvas: h. 29^ in., w. 23^ in. Formerly in the 
 Gillott collection, sold in 1872. 
 
 Presented by Mr. James E. Scripps, 
 
 SANO DI PIETRO. 1406-1481. Sienese School. 
 
 28. The Coronation of the Virgin. 
 
 At the left is St. Peter with book and keys, and 
 next him St. John the Baptist, with cross, scroll 
 - and garment of skins. On the right is St. Paul 
 with sword and scroll, and by him another aged 
 saint with small cross and book. Under the 
 picture is the Latin inscription, ''Veni de Libano 
 .... Coronaberis," a quotation from the Vul- 
 gate, Canticle of Canticles, Chap. IV, ver. 8, 
 translated, "Come from Libanus, thou shalt be 
 crowned." On the predella or base, below the 
 inscription, are Mary Magdalene, Christ rising 
 from a sarcophagus, and the Virgin Mary. 
 
 Wood: arched, h. 34^ in., w. 20>< in. Pur- 
 chased in Siena. 
 
 Presented by Mr. James E. Scripps. 
 
 40 
 
No. 44. PETER DE HOOCH 
 A Dutch Interior 
 
SARTO, ANDREA DEL, see AGNOLO, 
 ANDREA D'. 
 
 SASSOFERRATO, see SALVI, GIOVANNI 
 BATTISTA. 
 
 TISI, BENVENUTO, called GAROFALO. 
 1481-1SS9. School of Ferrara. 
 
 29. The Annunciation. 
 
 Copper: h. 18^ in., w. 13^ in. On the back of 
 the frame is an old inscription reading: "Ben- 
 venuto Garofalo, Anno 1658." 
 
 Presented by Mr. James E. Scripps. 
 
 TIZIANO, VECELLIO, called TITIAN. 
 1477 (.?) -1576. Venetian School. 
 
 30. The Entombment of Christ. 
 
 The Savior enveloped in a winding sheet is 
 carried by Joseph of Arimathea, Nicodemus and 
 St. John. To the left, Mary Magdalene supports 
 the Holy Virgin. 
 
 Canvas: h. 54 in., w. 82}4 in. This picture cor- 
 responds closely to Titian's famous picture of the 
 same subject in the Louvre, Paris. It was 
 formerly the property of Prince Erizzo, and was 
 purchased in Venice in 1838 by Lord Monson, in 
 whose collection at Gatton Park, Surrey, England, 
 it remained till the sale of the collection in May, 
 
 Presented by Mr. James E. Scripps. 
 
 31. Nymph AND Satyr. 
 
 Canvas: h. 39 in., w. 3l3/^ in. Claimed to have 
 belonged to an ancient family at Cadore, the 
 birthplace of Titian. 
 
 Presented by Mr. James E. Scripps. 
 
 43 
 
DUTCH PAINTING 
 
 BERCKHEYDE, GERRIT. 1638-1698. 
 
 32. The Groote Kerk. 
 
 The Cathedral of St. Bavon at Haarlem seen from 
 the corner of the great market square near the 
 town hall, which stands at the left in the picture. 
 
 Canvas: h. 31^ in., w. 16j^ in. From the col- 
 lection of Major Corbett-Winder of Vaynor Park, 
 Berriew, Wales. 
 
 Presented by Mr, James E. Scripps. 
 
 BERCKHEYDE, JOB. 1630 (.?) -1693. 
 
 33. The Farm Well. 
 
 Was attributed to Job Berckheyde when pur- 
 chased, but Dr. J. O. Kronig, late director of the 
 Frans Hals Museum at Haarlem, believes it to 
 be by Emanuel Murant (1622-1700). 
 
 Panel: h. 15>^ in., w. 19 in. From the Louis R. 
 Ehrich collection, sold in New York, January, 
 1895. 
 
 Presented by Mrs, Harriet J, Scripps, 
 
 BOTH, JAN. 1610(?)-1652. 
 
 34. A View IN the Apennines. 
 
 Wood: h. 16j^ in., w. 24 in. From the collection 
 of M. Tence, of Lille, sold in December, 1881. 
 
 Presented by Mr. James E, Scripps, 
 44 
 
No. 52. SOLOMON RUYSDAEL 
 A View of Don, Holland 
 
BREKELENKAM, QUIRENUS. 1620 (?) -1668. 
 
 35. A Vegetable Stall. 
 
 Wood: h. 18^ in., w. 14^ in. From the Corbett- 
 Winder collection. 
 
 Presented by Mr. James E. Scripps. 
 
 CUYP, ALBERT. 1620-1691. 
 
 36. Landscape with Cattle. 
 
 Canvas: h. 39^ in., w. 52^ in. Signed ^'A. 
 Cuyp." Exhibited at the Royal Irish Art Union 
 exhibition of ancient masters in 1847, when it 
 was the property of John La Touche. 
 
 Presented by Mr. James E. Scripps. 
 
 DOU, GERARD. 1613-1675. 
 
 37. The Annunciation. 
 
 Purchased of Charles Sedelmeyer of Paris, 1897, 
 who said of it: ''I think this picture can be as- 
 cribed to Gerard Dow when he worked in the 
 studio of Rembrandt, although it differs from the 
 artist's works of his later period. It is not so 
 highly finished in details and is much more 
 vigorous in effect and richer in tone. It has 
 evidently been executed under Rembrandt's in- 
 fluence, and there are some paintings of Gerard 
 Dow's early period which show the same qualities. 
 The color of the dress of the Virgin is most char- 
 acteristic of Dow. Dr. Bode and Dr. Julius 
 Meyer of Berlin think also that it is possible that 
 
 47 
 
Dow painted this picture. It was in the Reimer 
 collection and afterwards in that of Herr van 
 Kauffman, Berlin." Dr. J. O. Kronig, late di- 
 rector of the Frans Hals Museum at Haarlem, 
 believes it to be by Govaert Flinck (1615-1660). 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 DUJARDIN, KAREL. 1622-1678. 
 
 38. The Return of the FIoly Family from Egypt. 
 
 Canvas: h. 24^ in., w. 20 in. Signed on a stone 
 at the left, "K. Dujardin fe. 1662". Two 
 similar subjects are described in Smith's Cat- 
 alogue Raisonne, but both differ from this in 
 some particulars. From the collection of James 
 Saunders, Esq., of Taplow House, near Maiden- 
 head, England, where it was seen by De Waagen 
 and mentioned in his ^'Treasures of Art in Great 
 Britain." Formerly in the collection of Count 
 Pourtales in Paris. 
 
 Presented by Mr. James E. Scripps, 
 
 DUTCH SCHOOL. XVII Century. 
 
 39. A Fortress, River, and Party Landing Boats. 
 
 Panel: h. 16 in., w. 21^ in. Indistinctly signed 
 and dated 169-, the last figure being unde- 
 cipherable. Resembles the work of Jan Griffer, 
 •a Dutch landscape painter, 1656-1718. Pur- 
 chased in Dresden, 1887. 
 
 Pre s edited hy Mrs. Harriet J. Scripps. 
 
 48 
 
No. 69. FLEMISH SCHOOL 
 The Virgin and Infant Jesus 
 
ENGELBRECHTSEN, CORNELIUS. 1468-1533. 
 
 40. The Last Judgment. 
 
 Was attributed to Jerom Bosche (or Bos) when 
 purchased. The above ascription to Cornelius 
 Engelbrechtsen was made by Dr. J. O. Kronig, 
 late director of the Frans Hals Museum at 
 Haarlem. 
 
 Wood: h. 22^ in., w. 23^ in. This picture was 
 formerly in the collection of Louis Philippe, last 
 King of the French, and more recently in that 
 of John Neuwenhuys, of Brussels, an eminent 
 connoisseur. 
 
 Presented by Mr. James E. Scripps. 
 
 GOYEN, JAN VAN. 1596-1656. 
 
 4L A River Scene. 
 
 Was attributed to Jan van Goyen when purchased, 
 but Dr. J. O. Kronig, late director of the Frans 
 Hals Museum at Haarlem, believes it to be by 
 Wouter Knyff, a XVH Century Dutch painter. 
 Wood: h. lS3/( in., w. 24 in. From the collection 
 of T. J. Ireland, Esq., M. P., of Suffolk, England. 
 
 Presented by Mr. James E. Scripps. 
 
 HEUSCH, WILLIAM DE. 1625 (?) -1692. 
 42. An Italian Landscape. 
 
 Wood: h. 17 in., w. 14^ in. From the Corbett- 
 Winder collection. 
 
 Presented by Mr. James E. Scripps. 
 
 51 
 
HOBBEMA, MEINDERT. 1638-1709. 
 
 43. A River Scene. 
 
 Wood : h. 18^ in., w. 243^ in. Signed in the lower 
 left-hand corner, "M. Hobbema, 1648." The 
 third figure is indistinct. 
 
 Presented by Mr. James E. Scripps, 
 
 HOOCH, PETER DE. 1629-1677( ?). 
 
 44. A Dutch Interior. 
 
 Canvas: h. 31>^ in., w. 23>^ in. Signed 'T. d. 
 Hoogh" on the rocker of the cradle. From the 
 collection of Count Montgermont of Paris. 
 
 Presented by Mr. J antes E. Scripps. 
 
 JARDIN, KAREL DU, see DUJARDIN, KAREL. 
 
 KESSEL, JAN VAN. 1626-1679. 
 
 45. Water. 
 
 Copper: h. 8 in., w. 11^ in. From the Corbett- 
 Winder collection, sold in London in 1889. 
 
 Presented by Mr. James E. Scripps, 
 
 LUNDENS, GERRIT. 1622-1677 ( .^). 
 
 46. Housewife Cleaning Fish. 
 
 The cabbage in this picture greatly resembles 
 one in a picture in the Brussels Museum, by 
 Quiryn Brekelenkam, a Dutch painter who died in 
 1668, while the general character of the work is 
 very much the same. 
 
 Panel: h. 17 in., w. 28 in. From the Ehrich sale, 
 1895. 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 52 
 
No. 71. QUENTIN MASSYS 
 The Virgin and Infant Jesus 
 
NEER, AERT VAN DER. 1603-1677. 
 47. A River Scene. 
 
 Wood: h. llyi in., w. 19^^ in. From the Corbett- 
 Winder collection. Exhibited at the Royal Acad- 
 emy exhibition of the works of the old masters in 
 1888. 
 
 Presented hy Mr. James E. Scrtpps. 
 
 48. Moonlight Scene in Amsterdam. 
 
 Panel: h. 8 in., w. 12 in. From the F. Ricketts 
 collection, London. 
 
 Presented hy Mrs. Harriet J. Scrtpps, 
 
 POEL, EGBERT VAN DER. 1621( ?)-1664. 
 
 49. The Oyster Stall. 
 
 . Panel: h. 10^ in., w. 10}4 in. From the Corbett- 
 Winder collection, sold in London in 1889. Signed 
 in lower left-hand corner. 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 POELEMBURG, CORNELIUS VAN. 1568-1667. 
 
 50. Landscape. 
 
 Wood: h. S}4 in., w. 8^ in. From the Corbett- 
 Winder collection. 
 
 Presented by Mr. James E. Scripps, 
 
 55 
 
ROOS, PHILIP, called ROSA DA TIVOLI. 
 ' 1652-1705. 
 
 51. A Military Encampment. 
 Canvas: h. 50 in., w. 64 in. 
 
 Presented by Mr. James E. Scripps. 
 
 ROSA DA TIVOLI, see ROOS, PHILIP. 
 
 RUYSDAEL, SOLOMON VAN. 1600(.^)-1670. 
 
 52. A View OF DoRT, Holland. 
 
 Canvas: h. 39 in., w. 53^ in. From the Corbett- 
 Winder collection. A picture answering this 
 description was sold in the collection of Robert 
 Strange, the famous engraver, in 1771. Signed 
 and dated on the boat in the foreground, ''S. 
 Ruysdael, 1643." 
 
 Presented by Mr. James E. Scripps. 
 
 RYN, REMBRANDT HARMENSZ VAN, 
 called REMBRANDT. 1606-1669. 
 
 53. The Death OF LucRETiA. 
 
 Was attributed to Rembrandt when purchased, 
 but Dr. J. O. Kronig, late director of the Frans 
 Hals Museum at Haarlem, believes it to be by 
 Gerrit Horst, who worked between 1640 and 1650. 
 
 Canvas: h. 67 in., w. 86>^ in. Formerly in the 
 possession of the Farsetti family at Venice, from 
 whom it was purchased by Woodburn, the 
 
 56 
 
No. 75. PETER PAUL RUBENS 
 Abigail Meeting David with Presents 
 
celebrated dealer and expert, in 1838, for 600 
 guineas. It was sold by him to Lord Monson, 
 who was forming a very valuable collection at 
 Gatton Park, Surrey, England, which collection 
 was dispersed in 1888. Nos. 30 and 74 of this 
 catalogue were acquired from the same important 
 collection. A picture of the death of Lucretia 
 by Rembrandt is mentioned by Vosmaer and 
 Scheltemaas as being in the collection of Abraham 
 Wijs and Sara di Potter in 1658. A Lucretia by 
 Rembrandt was sold in Mr. Zachary's collection 
 in 1826, and was bought by Sir Thomas Lawrence, 
 president of the Royal Academy. 
 
 Presented by Mr. James E. Scripps. 
 
 SAFTLEVEN, HERMAN, the Younger. 1609-1685. 
 
 54. A Winter Scene. 
 
 Wood: h. 10^ in., w. 14 in. From the collection 
 of C. J. Knight, F. S. A., of London. 
 
 Presented by Mr. James E. Scripps. 
 
 STEEN, JAN. 1626 (?) -1679. 
 
 55. Gamblers Quarreling. 
 
 Canvas: h. 27^ in., w. 34^ in. Signed "J. 
 Steen," the J and the S forming a monogram. 
 Described in Smith's Catalogue Raisonne, Vol. 
 IV, p. 25, No. 80. Sold in the collection of M. 
 Van der Pot in 1808 for 500 florins. Later in the 
 Corbett-Winder collection. Exhibited in the 
 Royal Academy exhibition of old masters in 1879. 
 
 Presented by Mr. James E. Scripps. 
 
 59 
 
VELDE, ADRIAN VAN DER. 1635 or 1636-1672. 
 
 56. Landscape with Cattle. ' 
 
 Canvas: h. 15 in., w. 19^ in. From the collection 
 of C. J. Knight, F. S. A., of London. 
 
 Presented by Mr. James E. Scripps. 
 
 VELDE, WILLIAM VAN DER, the Younger. 
 1633-1707. 
 
 57. A Marine View. 
 
 Wood: h. in., w. 7% in. Signed "W. V. V." 
 Sold in the J. E. Fordham collection in 1867 for 
 200 guineas (over ?1,000). 
 
 Presented by Mr. James E. Scripps. 
 
 I 
 
 VERBOOM, ADRIAN. Worked in the third quarter 
 of the XVII Century. 
 
 5*8. A W^ooDY Landscape. 
 
 Was attributed to Jacob van Ruysdael when 
 purchased. The above ascription to Adrian Ver- 
 boom is made by Dr. A. Bredius, late director 
 and at present advisor of the Royal Picture 
 Gallery at The Hague. 
 
 Wood: h. 15^^ in., w. 13^ in. 
 
 Presented by Mr, James E. Scripps. 
 
 60 
 
No. 78. CORNELIUS DE VOS 
 
 Franz Snyders and his Wife 
 
VLIEGER, SIMON DE. 1601-1653. 
 
 59. A Calm on the Banks of the Meuse. 
 
 Wood: h. 18j4> in., w. 26^ in. Signed ''S. de 
 Vlieger, 1642". 
 
 Presented by Mr, James E. Scripps. 
 
 VLIET, HENDRICK VAN. 1612-1675. 
 60. Interior of a Dutch Church. 
 
 Wood: h. 10 in., w. 8^ in. From the Corbett- 
 Winder collection. 
 
 Presented hy Mr. James E, Scripps, 
 
 VOORT, CORNELIUS VAN DER. 1576-1632. 
 
 61. Portrait of Tycho Brahe, the Eminent 
 Astronomer, Decorated with the Cross of 
 the Order of St. Lazarus. 
 
 The above ascription to Cornelius van der V^oort 
 is made by Dr. A. Bredius, late director and at 
 present advisor of the Royal Picture Gallery at 
 The Hague. 
 
 The Order of St. Lazarus was a military and 
 religious order dating from the occupation of 
 Jerusalem by the first crusaders. In time it 
 became a French civil corporation and continued 
 until superseded by the Legion of Honor. 
 
 Canvas: h. 32^ in., w. 26 in. Formerly in the 
 collection of the Earl of Hardwicke, at Wimpole, 
 Cambridgeshire. 
 
 Presented by Mr. James E. Scripps. 
 
 63 
 
WERFF, PETER VAN DER. 1665-1722. 
 
 62. The Magdalene. 
 
 Wood: h. 14^ in., w. 10^ in. From the Cor- 
 bett-Winder collection. 
 
 Presented by Mr. James E. Scripps. 
 
 WITTE, EMANUEL DE. 1617-1692. 
 
 63. Interior of a Protestant Church in Holland. 
 
 * Wood: h. 17 in., w. 13f^ in. From the Corbett- 
 Winder collection. Exhibited at the Royal Acad- 
 emy exhibition of old masters in 1879. 
 
 Presented by Mr. James E. Scripps. 
 
 WOUVERMAN, PHILIP. 1619-1668. 
 64. A Man Mounted on a White Horse. 
 Wood: h. 9ys in., w. 11^ in. 
 
 Presented by Mr. James E. Scripps. 
 
 65. The Repose of the Hawking Party. 
 
 Panel: h. 19 in., w. 25>< in. Signed 'Th. W." 
 From the Ehrich sale, 1895. 
 
 Presented by Mrs. Harriet J. Scripps, 
 
 WYNANTS, JAN. 1625 ( 1) -1684. 
 66. A Landscape with Figures. 
 
 Panel: h. XSyi in., w. 19^ in. Purchased from 
 Charles Sedelmeyer, 1900. 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 64 
 
No. 79. JOHN HOPPNER 
 
 Portrait of Sir Thomas Hardwicke 
 
GERMAN PAINTING 
 
 DIETRICH, or DIETRICY, CHRISTIAN 
 WILHELM ERNST. 1712-1774. 
 
 67. The Expulsion of Hagar. 
 
 Copper: h. 13)4 in., w. 19^ in. Signed and 
 dated 1767. 
 
 Presented by Mr. James E. Scripps. 
 
 67 
 
FLEMISH PAINTING 
 
 BRUEGHEL, JAN, the Elder, called VELVET 
 BRUEGHEL. 1568-1625. 
 
 68. A Village Scene. 
 
 Copper: h. 9% ii^-j w. \2yi in. From the Corbett- 
 Winder collection. 
 
 Presented by Mr. James E. Scripps, 
 
 FLEMISH SCHOOL. XV Century. 
 
 69. The Virgin and Infant Jesus. 
 
 Painter unknown, but the delicately shaded face 
 of the Mother, the peculiarly shaped eyes and 
 the long, slender fingers suggest the style of 
 Roger van derWeyden (1399-1464). 
 
 Wood: h. 20^ in., w. 13>^ in. Purchased in 
 Cologne. 
 
 Presented by Mr. James E. Scripps. 
 
 GOES, HUGO VAN DER. 1440 ( .^) -1482. 
 
 70. The Virgin. 
 
 Wood: h. 27 }4 in., w. 22 in. From the private 
 collection of a former director of the Uffizi 
 Gallery, Florence. 
 
 Presented by Mr. James E. Scripps. 
 
 68 
 
. 80. WILLIAM OWEN 
 
 A Child with a Kitten 
 
MASSYS, QUENTIN. 1466-1530. 
 
 71. The Virgin AND Infant Jesus. 
 
 Wood: h. 21^ in., w. 15^ in. From the private 
 collection of Signor Casa Murata, director of the 
 Pitti Palace Gallery, Florence, under the last 
 Grand Duke of Tuscany. 
 
 Presented by Mr. James E. Scrtpps, 
 
 NEEFS, PETER, the Elder. 1577 or 1578-1660. 
 
 72. Interior of a Gothic Cathedral. 
 
 Panel: h. 10)4 in., w. 14^ in. From the Corbett- 
 Winder collection, sold in London in 1889. 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 PATINIR, JOACHIM (Attributed to). 1480 (?) -1524. 
 
 73. A Small Triptych Altarpiece. 
 
 Central Panel: the Crucifixion, with a city (Jeru- 
 salem) in the distance and the Virgin and St. 
 John standing on either side of the cross. Left 
 wing, St. Jerome, with his attendant lion; right 
 wing, Mary Magdalene. 
 
 Wood: center panel, h. 73^2 ii^-? w. 5 in.; side 
 panels, h. 83^ in., w. 2}/2 in. From the collection 
 of C. J. Knight, F. S^. A., of London. 
 
 Presented by Mr. James E. Scripps. 
 
 71 
 
REYMERSWALE, MARINUS VAN. 
 
 74. The Misers. 
 
 (A replica of the picture in Windsor Castle). 
 
 Was attributed to Quentin Massys when pur- 
 chased. 
 
 Canvas: h. 46^^ in., w. 38 in. From the Gatton 
 Hall collection formed in the early part of the 
 century by Lord Monson and dispersed in 1888. 
 
 Presented by Mr. James E. Scripps. 
 
 RUBENS, PETER PAUL. 1577-1640. 
 
 75. Abigail Meeting David with Presents. 
 
 Max Rooses, the great authority on the works of 
 Rubens, was of the opinion that Rubens was 
 aided in this work by his pupils, but that he 
 himself put the finishing touches to the principal 
 parts, especially the figures and the sky at the 
 right. He observed that the outlines are clear 
 and the tone warm. He judged the picture to 
 have been painted about 1618, which was during 
 Rubens's best period. He traced its history 
 through the Duke of Richelieu, the Duke of 
 Gramont (1715), Jacques Meyer of Rotterdam 
 (1722), the Count of Plettenberg and Wittem 
 (1788), and Paul Methuen (1830). At the sale 
 of Methuen's pictures it brought 1,500 guineas 
 (?7,700). 
 
 Canvas: h. 69 in., w. 98 in. Described in Smith's 
 Catalogue Raisonne, Vol. II, p. 170. It was last 
 sold with M. Secretan's other pictures in Paris, 
 
 72 
 
No. 81. SIR JOSHUA REYNOLDS 
 Portrait of Sir Brooke Boothby 
 
July 2, 1889, when, according to the French 
 paper La Liberte, it was bid for by the French 
 government up to 155,500 francs. It was finally 
 knocked down at 117,000 francs (?23,520). 
 
 Presented by Mr. James E. Scripps. 
 
 STEENWYCK, HENDRICK VAN, the Younger. 
 1580-1649. 
 
 76. Christ in the House of Martha and Mary. 
 
 Copperih. 13>^in., w. 19in. Signed '^H.V. S." A 
 similar picture by the same artist, but on canvas 
 and 25^ inches high by 38 inches wide, is in the 
 gallery of the Louvre at Paris. This also bears 
 the date 1620, but the signature, ''Henri V. 
 Steinwick," is spelled out in full. The Detroit 
 picture was purchased of Martin Colnaghi, Lon- 
 don, one of the best experts in old paintings at 
 the time. 
 
 Presented by Mr. James E. Scripps. 
 
 TENTERS, DAVID, the Younger. 1610-1690. 
 
 77. A Room in an Inn. 
 
 Canvas: h. 13^ w. 164<( in. Signed ''D. T. F. 
 (David Teniers fecit), 1644." Purchased in 
 Leipsic, where its genuineness was attested in 
 writing by Dr. Schreiber, director of the Leipsic 
 gallery, and Professor Anton Springer, well- 
 known writer on art. 
 
 Presented by Mr. James E. Scripps. 
 
 75 
 
VOS, CORNELIUS DE. 1585-1651. 
 
 78. Double Portrait of Franz Snyders, the Great 
 Flemish Animal Painter, and His Wife. 
 
 Snyders was the contemporary and friend of 
 Rubens, who frequently employed him to paint 
 the animals, fruit, etc., in his pictures. He was 
 born in 1579 and died in 1657. The couple in 
 this picture appear to be twenty-eight or thirty 
 years old, which would make the date of the pic- 
 ture about 1608. 
 
 Canvas: h. 47 in., w. 60 in. Formerly in the 
 collection of Henry Nugent Banks, a well-known 
 English connoisseur. 
 
 Presented by Mr, James E. Scripps. 
 
 76 
 
No. 82. RICHARD WILSON 
 A Classical Landscape and Ruins 
 
ENGLISH PAINTING 
 
 HOPPNER, JOHN. R. A. 1758-1810. 
 
 79. Portrait of Sir Thomas Hardwicke, English 
 Architect. 
 
 Canvas: h. 30 in., w. 25 in. 
 
 Presented by Mr. Edward C. Walker^ 1913, 
 
 OWEN, WILLIAM. R. A. 1769-1825. 
 80. Child with a Kitten. 
 
 Canvas: h. 25 in., w. 21^ in. 
 
 Purchased by the Detroit Museum of Art Founders 
 Society and presented to the Institute, 1919. 
 
 REYNOLDS, SIR JOSHUA. P. R. A. 1723-1792. 
 
 81. Portrait of Sir Brooke Boothby, Bart. 
 
 Canvas: h. 29 in., w. 24 in. Engraved by J. R. 
 Smith, 1797. Catalogued in Armstrong's ''Rey- 
 nolds," p. 195. Exhibited in the Derby (Mid- 
 land Counties) Exhibition, 1870. 
 
 Purchased from City Appropriation, 1919. 
 
 79 
 
WILSON, RICHARD. R. A. 1713-1782. 
 
 82. A Classical Landscape and Ruins. 
 
 Canvas: h. 14 in., w. 21 in. Signed. From the 
 collection of Gilbert Craig, Esq., of Edinburgh. 
 Lamoriniere sale, 1899. 
 
 Presented by Mrs, Harriet J. Scripps, 
 
 80 
 
No. 86. CLAUDE LORRAIN 
 A Seaport 
 
FRENCH PAINTING 
 
 BORGOGNONE, see COURTOIS, JACQUES. 
 BOUCHER, FRANCOIS. 1703-1770. 
 
 83. Venus Ordering of Vulcan Arms for Aeneas. 
 
 Canvas: h. 24^ in., w. 20 in. From the col- 
 lection of the late William Henry Hurlbut of 
 New York. This picture is very similar in 
 treatment to a large picture in the Louvre, Paris, 
 in which the figures are life size. The latter is 
 dated 1732, and this work is no doubt of the same 
 period, if not indeed a study for the larger work. 
 
 Presented by Mr, James E. Scripps, 
 
 CLAUDE LORRAIN, see GELLfiE, CLAUDE. 
 
 COURTOIS, JACQUES, called BORGOGNONE. 
 1621-1676. 
 
 84. A Battle Scene. 
 
 Copper: h. 16 in., w. 22^ in. From the collec- 
 tion of the Duke of Hamilton. 
 
 Presented by Mr. James E. Scripps, 
 
 85. A Battle Scene. 
 
 Canvas: h. 13^ in., w. 22 in. From the collec- 
 tion of T. J. Ireland, Esq., M. P. Sold in London, 
 1889. 
 
 Presented by Mrs. Harriet J. Scripps. 
 
 83 
 
GELLfiE, CLAUDE, called CLAUDE LORRAIN. 
 1600-1682. 
 
 86. A Seaport. 
 
 Canvas : h. 39 in., w. S3 in. Referred to in Smith's 
 Catalogue Raisonne, Vol. VIII, p. 194. It is a 
 replica with slight variations of No. 2 of Claude's 
 Liber Veritatis, an illustrated catalogue kept by 
 the artist of his own works. For a long time in 
 the collection at Leigh Court, Somersetshire, Eng- 
 land, at the sale of which, in 1884, it was pur- 
 chased for the Detroit Museum of Art. 
 
 Presented by Mr. James E. Scripps. 
 
 VERNET, CLAUDE JOSEPH. 1714-1789. 
 
 87. The Shipwreck. 
 
 Canvas: h. 27 in., w. 40 in. 
 
 Presented by Mr. Edwin F, Conely, 1896. 
 
 84 
 
No. 88. BARTOLOME ESTEBAN MURILLO 
 The hnmaculate Conception 
 
SPANISH PAINTING 
 
 GRECO, El, see THEOTOCOPULI, DOMENICO. 
 
 MURILLO, BARTOLOMfi ESTEBAN. 
 1617-1682. 
 
 88. The Immaculate Conception. 
 
 Murillo's most famous pictures are his represen- 
 tations of the Immaculate Conception, so called, 
 of which there are known to be twenty-five in 
 existence, no two entirely alike. One of the 
 best of these is in the Louvre, in Paris. In those 
 in which the Virgin is represented with dark 
 hair, the artist is said to have taken his daughter 
 Francisca as a model. 
 
 The doctrine of the Immaculate Conception, or 
 sinless nature of the Virgin Mary, was agitated 
 as early as the V Century. In the XI Century 
 it was proposed to make it an article of belief, 
 but it was postponed through the influence of 
 St. Bernard. In the XIII Century it was advo- 
 cated by the learned Duns Scotus, but was suc- 
 cessfully opposed by the great theologian, St. 
 Thomas Aquinas. In 1615 the teaching of a 
 contrary doctrine was prohibited by papal bull. 
 About the same time Pacheco, a Spanish inquisi- 
 tor and inspector of sacred pictures, laid down 
 rules to be followed in pictorial representations 
 of the dogma. The Virgin was to be portrayed 
 in the bloom of youth, with all the beauty paint- 
 ing could express, her hands to be folded on her 
 bosom or joined in prayer. She was to be sur- 
 rounded by a flood of light with the moon under 
 her feet; her robe to be of spotless white, and the 
 
 87 
 
mantle, or scarf, blue. Around her were to hover 
 cherubs bearing roses, palms and lilies. Murillo 
 did not always adhere rigidly to these rules, but 
 his orthodoxy was never questioned. 
 
 Canvas: h. 78 in., w. S3 in. This picture was 
 taken from the Royal Palace, Madrid, during 
 the Peninsular War, by the French General De- 
 solle, whose daughter sold it to Woodburn, a 
 well-known London dealer. He in turn sold it 
 to the King of Holland. At the sale of the King's 
 pictures, August 12, 1850, it was bid in at about 
 315,480. In 1857 it was sold to W. H. Aspin- 
 wall, of New York, at whose death it was sent to 
 London to be sold, where it was purchased for 
 the Detroit Museum. A wood engraving of it 
 appeared in Harper's Weekly, June 30, 1858. It 
 is No. 84 in Charles B. Curtis's catalogue of the 
 works of Murillo, page 132. 
 
 Presented by Mr. James E. Scripps. 
 
 The Martyrdom of St. Andrew. 
 
 Canvas: h. 51 in., w. 66 in. From the collection 
 of Sir Philip Miles, of Leigh Court, Somerset- 
 shire, England, sold in 1884. It is numbered 238 
 in Curtis's catalogue, page 210. A replica, a little 
 smaller in size, is in the royal gallery of the Prado, 
 in Madrid. 
 
 Presented hy Mr. James E. Scripps. 
 
 88 
 
No. 95. MARIE ROSA BONHEL R 
 
 Deer in Repose 
 
90. St. Francis of Assisi. 
 
 St. Francis was born at Assisi, Italy, in 1182. He 
 founded the famous Franciscan Order about 1210. 
 He visited Palestine as a crusader in 1220 and 
 died in 1226. 
 
 Canvas: h. 11% in., w. 18>^ in. Purchased of 
 Charles Sedelmeyer, Paris, 1897. From the col- 
 lection of H. A. J. Munro, sold in London, 1878. 
 No. 300 in C. B. Curtis's catalogue of the works 
 of Murillo. 
 
 Presented by Mrs. Harriet J. Scrtpps. 
 
 RIBERA, JUSEPE DE, called LO 
 SPAGNOLETTO. 1588-1656. 
 (Also claimed by Neapolitan School). 
 
 91. Head of an Old Man. 
 
 Canvas: h. 21^ in., w. 19 in. Formerly in the 
 collection of Louis Philippe, King of the French. 
 
 Presented by Mr. James E. Scripps. 
 
 THEOTOCOPULI, DOMENICO, called EL 
 GRECO. Between 1545 and 1550-1614. 
 
 92. The Betrayal. 
 
 The above ascription to El Greco is made by Dr. 
 J. O. Kronig, late director of the Frans Hals 
 Museum at Haarlem, who says it is an early 
 w^ork. 
 
 Canvas: h. 31 in., w. 36 in. 
 
 Bequest of Mrs. Elizabeth H. Coots, 1904, in the 
 name of her husband, Honorable Walter H. Coots. 
 
 91 
 
MISCELLANEOUS PAINTINGS: 
 NINETEENTH CENTURY 
 
 ALMA-TADEMA, LAURENZ. 1836-1912. English. 
 
 93. The Exedra Seat. 
 
 Wood Panel: h. I5l4 ii^-> w. 24 in. 
 
 D. M. Ferry Collection^ presented by Mrs. Queene 
 
 Ferry Coonley, 1920. 
 
 AUBERT, ERNEST JEAN. 1824-1906. French. 
 
 94. Love Wins. 
 
 Canvas: h. 39>2 in., w. 29 in. 
 
 D. M. Ferry Collection, presented by Mrs. Queene 
 Ferry Coonley, 1920. 
 
 BONHEUR, MARIE ROSA. 1822-1899. French. 
 
 95. Deer in Repose. 
 Canvas: h. 41 in., w. 33 in. 
 
 D. M. Ferry Collection, presented by Mrs. Queene 
 Ferry Coonley, 1920. 
 
 BOUGUEREAU, WILLIAM ADOLPHE. 
 1825-1905. French. 
 
 96. Sisters on the Shore. 
 Canvas : h. 56 in., w. 36 in. 
 
 Presented by Mr. Charles Willis Ward, 1909. 
 
 CHABAS, MAURICE. 
 
 97. Serenite. 
 
 Canvas: h. 47^ in., w. 633^ in. 
 
 Presented by Mr. Frederick K. Stearns, 1912. 
 
 92 
 
No. 112. JOSEF ISRAELS 
 
 The Young Mother 
 
CHIALIVIA, LUIGI. Swiss. 
 
 98. Pet Lamb. 
 
 Canvas: h. 25 in., w. 40 in. 
 
 Presented by Mr. Charles Willis Ward^ 1912, 
 
 DIAZ DE LA PENA, NARCISSE VIRGILIO. 
 1808-1876. French. 
 
 99. Turkish Women. 
 Canvas: h. 20 in., w. 25^ in. 
 
 D. M. Ferry Collectioriy presented by Mrs, Queene 
 Ferry Coonley^ 1920, 
 
 DUPRE, JULIEN. 1851-1910. French. 
 
 100. In THE Valley. 
 
 Canvas: h. 36 in., w. 43^ in. 
 
 Presented by Mrs, Grace Whitney Hoff^ 1911. 
 
 GINNANESCHI, EMILIA J. Italian. 
 
 101. The Coronation of the Virgin. 
 
 Copy after Fra Angelico's painting in the Uffizi, 
 Florence. 
 
 Panel: 24 in. square. 
 
 Presented by Miss Caroline A. Godfroy, 1906. 
 
 GRAVESANDE, CHARLES STORM VAN'S. 
 1841- . Dutch. 
 
 102. Dordrecht. 
 
 • 103. The Maas OFF Dordrecht. 
 104. Spring. 
 
 95 
 
105. The Red Nosed Boat. 
 
 106. The Meuse at Rotterdam. 
 
 107. Original Water Color Drawing of an 
 Etching. 
 
 108. Original Water Color Drawing of Etching 
 No. 21. 
 
 Water Colors. 
 
 From the Charles L. Freer Collection of Van^s 
 Gravesande^s Etchings, Drawings and Water Colors 
 presented to the Museum, 1905. 
 
 HERRMANN, HANS. Dutch. 
 
 109. A Bit of Amsterdam. 
 
 W^ater Color: h. 20 in., w. 14 in. 
 
 Presented by Mr. Edward C. Walker, 1907. 
 
 ISABEY, EUGENE LOUIS GABRIEL. 1804-1886. 
 French. 
 
 110. The Wreck. 
 
 Canvas: h. 38 in., w. 30 in. 
 
 Presented by Mr. Edward C. Walker, 1907. 
 
 111. Grandfather's Armor. 
 
 Wood Panel: h. 17>^ in., w. 24>^ in. 
 
 D. M. Ferry Collection, presented by Mr. D. M. 
 Ferry^ Jr.^ 1920. 
 
 ISRAELS, JOSEF. 1824-1911. Dutch. 
 
 112. The Young Mother. 
 Canvas: h. 16^ in., w. 26 in. 
 
 Presented by Mr. Charles Willis Ward, 1910. 
 
 96 
 
No. 113. JOSEF ISRAELS 
 Living in the Past 
 
113. Living in the Past. 
 
 Canvas: h. 24 in., w. 30 in. 
 
 £). M. Ferry Collection, presented by Mr, Z). M. 
 Ferry, Jr,, 1920. 
 
 IWILL, M. J. 1850-1910(?). French. 
 
 114. Evening on the Dunes. 
 Canvas: h. 20 in., w. 30 in. 
 
 Presented hy Mr, Charles L, Borgmeyer of New 
 York, 1910, 
 
 LaTOUCHE, GASTON. 1848-1913. French, 
 lis. Hallali. 
 
 Canvas: h. 71 in., w. 79 in. Formerly owned by 
 Madame LaTouche. 
 
 Purchased from the General Membership and Dona- 
 tions Fund, 1917, 
 
 LESSORE, JULES. -1876. French. 
 
 116. New York Harbor. 
 
 Water Color: h. 42 in., w. 39 in. 
 
 Presented by Mr. Edward C. Walker, 1913. 
 
 LIEB, MICHAEL, called MIHALY DE 
 MUNKACSY. 1844-1900. German. 
 
 117. The Last Hours of Mozart. 
 
 Canvas: h. 8 ft. 8 in., w. 12 ft. 5 in. 
 
 Presented by Mrs. Henry D. Sheldon, Mr. Russell 
 A. Alger and Mr. F. M. Alger, 1919, 
 
 99 
 
MANCINI, ANTONIO. 1852- . Italian. 
 
 118. Professor "M" with Halo. 
 
 Water Color and Pastel : h. 24>^ in., w. 18>^ in. 
 From the collection of the late Hugo Reisinger, 
 sold in New York, 1916. 
 
 Purchased from the Kate Minor Fund, 1916, 
 
 MUNKACSY, MIHALY DE, see LIEB, 
 MICHAEL. 
 
 NAKAGAWA, HACHIRO. 1878- . Japanese. 
 
 119. Morning ON THE River. 
 Water Color: h. 19>^ in., w. 26 in. 
 
 Purchased from contributions, 1906, 
 
 120. The Temple of Kasuga. 
 Water Color: h. 20 in., w. 13 in. 
 
 Presented by Mr. W, K, Bradish, 
 
 PERELMA, OSSIP. 1876- . Russian. 
 
 121. Portrait of Mr. Henry W. Booth. 
 
 Canvas: h. 70 in., w. SQ}4 in. 
 
 Presented by Mr. George G. Booth and Mr, Ralph 
 H. Booth, 1918, 
 
 PERRAULT, LfiON BAZILE. French. 
 
 122. Cupid Captured. 
 
 Canvas: h. 58^ in., w. 41^ in. 
 
 D. M. Ferry Collection, presented by Mr. D. M. 
 Ferry, Jr., 1920. 
 
 100 
 
115. GASTON LaTOUCHE 
 Hallali 
 
I 
 
 PUTZ, LEO. 1869- . German. 
 
 123. HOCHSOMMER. 
 
 Canvas : h. 45^ in., w. 49^ in. 
 
 Purchased from the Octavia Bates Fund at the 
 sale of the collection of the late Hugo Reisinger, 
 1916, 
 
 RONNER, HENRIETTA. Dutch. 
 
 124. Kittens. 
 
 Canvas: h. 7 in., w. 8 in. 
 
 Purchased, 1903, 
 
 SCHREYER, ADOLPH. 1828-1899. German. 
 
 125. The Old Hungarian Mail. 
 Canvas: h. 19^ in., w. 33 in. 
 
 D, M, Ferry Collection, presented hy Mr. D. M. 
 Ferry, Jr,, 1920, 
 
 TROYON, CONSTANT. 1810-1865. French. 
 
 126. The Return of the Flock. 
 
 Canvas: h. 29 in., w. 37 in. Purchased from 
 JuHus Oehme of New York. 
 
 Presented by Mr. Edward C. Walker, 1910. 
 
 127. Cattle at the Trough. 
 
 Canvas: h. \6}4 in., w. 22^ in. 
 
 Presented hy Mr. Charles Willis Ward, 1912. 
 
 103 
 
VAN MARCKE, EMILE. 1827-1890. French. 
 
 128. The Rainbow. 
 
 Canvas: h. 20}4 in., w. 28 in. 
 
 D. M. Ferry Collection, presented by Mrs. Queene 
 Ferry Coonley, 1920, 
 
 WEX, WILHELM. German. 
 
 129. KONIGSEE. 
 
 Canvas : h. 47 in., w. 62^ in. 
 
 Presented in memory of Emil S. Heineman by his 
 family, 1915. 
 
 YOSHIDA, HIROSHI. Japanese. 
 
 130. Memories of Japan. 
 
 Water Color: h. 28 in., w. 36 in. 
 
 Purchased by popular subscription and presented 
 to the Museum, 1899. 
 
 104 
 
No. 118. ANTONIO MANCINI 
 Professor "Af " zvitli Halo 
 
AMERICAN PAINTING 
 
 BAKER, ELLEN KENDALL, 
 (Mrs. Harry Thompson). 1839-1913. 
 
 131. The Young Artist. 
 
 Canvas : h. 28 in., w. 23 in. 
 
 Presented by friends of the Museum, 1888, 
 
 BARLOW, MYRON G. 1873- . 
 
 132. A Cup of Tea. 
 
 Canvas : h. 39^ in., w. 39^ in. 
 
 Purchased from the Special Membership and Do- 
 nations Fund contributed by Mr. Philip Gray, Mr, 
 David Gray, Mr, Paul R, Gray, and their sister, 
 Mrs. William R. Kales, 1918, 
 
 BEAL, GIFFORD R. N. A. 
 1879- . 
 
 133. Spring. 
 
 Water Color : h. \4c}4 in., w. 20}4 in. 
 
 Purchased from the Farwell Fund and the income 
 
 of the Yawkey Fund, 1919, 
 
 134. Arabesque. 
 
 Water Color: h. 14 in., w. 20>^ in. 
 
 Purchased from the Farwell Fund and the income 
 
 of the Yawkey Fund, 1919, 
 
 107 
 
135. Windy Day, Hudson River. 
 
 Water Color: h. U}4 in., w. 20}4 in. 
 
 Purchased from the Farwell Fund and the income 
 
 of the Yawkey Fund, 1919. 
 
 136. Summer Landscape. 
 
 Water Color: h. 14>^ in., w. 20>^ in. 
 
 Purchased from the Farwell Fund and the income 
 
 of the Yawkey Fund, 1919, 
 
 137. Central Park. 
 
 Water Color: h. U}4 in., w. lOyi in. 
 
 Purchased from the Farwell Fund and the income 
 
 of the Yawkey Fund, 1919. 
 
 138. New York Freight Yards. 
 
 Water Color: h. U}^ in., w. 20^ in. 
 
 Purchased from the Farwell Fund and the income 
 of the Yawkey Fund, 1919. 
 
 BECKWITH, JAMES CARROLL. N. A. 
 1852-1917. 
 
 139. Self Portrait. 
 
 Mahogany Panel : h. 24 in., w. 19^ in. 
 
 Presented by the artist, 1917. 
 
 108 
 
No. 123. LEO PUTZ 
 
 Hochsommer 
 
BELLOWS, GEORGE WESLEY. N. A. 
 1882- . 
 
 140. ADayin June. 
 
 Canvas: h. 3% feet, w. 4 feet. Awarded the 
 Temple Gold Medal, Pennsylvania Academy of 
 Fine Arts, 1917. 
 
 Purchased from the income of the Lizzie Merrill 
 Palmer Fund, 1917. 
 
 BENSON, FRANK WESTON. N. A. 1862- . 
 
 141. Portrait of My Daughter Elizabeth. 
 Canvas: h. 44 in., w. 37 in. 
 
 Purchased from the Special Membership and Dona- 
 tions Fund contributed by Mr. Philip Gray, Mr. 
 David Gray, Mr. Paul R. Gray, and their sister, 
 Mrs. William R. Kales, 1916. 
 
 BISPHAM, HENRY COLLINS. 1841-1882. 
 
 143. Cattle. 
 
 Canvas: h. 13^ in., w. 22^ in. 
 
 Bequest of Mrs. Henry C. Bispham, 1916. 
 
 BOND, CHARLES A. 
 
 144. Portrait of the Artist. 
 Canvas : h. 17 in., w. 14 in. 
 
 Presented by Mr. H. M. Utley, 1905. 
 
 Ill 
 
BROWN, JOHN GEORGE. N. A. 1831-1903. 
 
 145. Jack in the Box. 
 Canvas: h. 25 in., w. 20 in. 
 
 Purchased^ 1888, 
 
 BUNKER, DENNIS MILLER. 1861-1890. 
 
 146. Portrait Study — ^Head of a Woman. 
 Canvas: h. 22 in., w. 18 in. 
 
 Presented by Mrs. John L. Gardner of Boston, 1917, 
 
 CASSATT, MARY. 1855- . 
 
 147. Femmes et Enfant. 
 
 Pastel: h. 32 in., w. 26 in. Purchased from 
 Durand-Ruel and Sons. 
 
 Presented by Mr, Edward C, Walker, 1908, 
 
 CHASE, WILLIAM MERRITT. N. A. 
 1849-1916. 
 
 148. Self Portrait. 
 
 Canvas: h. 24 in., w. 20 in. 
 
 Presented by the artist, 1916, 
 
 149. Still Life: The Yield of the Waters. 
 Canvas : h. 65 in., w. 48 in. 
 
 Purchased from the American Art Association, 1916, 
 
 CHURCH, FREDERICK EDWIN. N. A. 
 1826-1900. 
 
 150. Syria by the Sea. 
 Canvas: h. 56 in., w. 85 in. 
 
 Presented by Mrs. James F. Joy, 1910, 
 
 112 
 
No. 141. FRANK W. BENSON 
 Portrait of My Daughter Elizabeth 
 
COHEN, FREDERICK E. About 1810-1860. 
 
 151. Self Portrait. 
 
 Canvas: h. 28 in., w. 24 in. 
 
 Presented by Mrs. Robert Hopktn, 1910, 
 
 COLE, J. FOXCROFT. 1837-1892. 
 
 152. Salt Marshes. 
 Canvas : h. 20 in., w. 28 in. 
 
 Presented by Mrs. John L. Gardner of Boston, 1907. 
 
 COLEMAN, CHARLES CARYL. A. N. A. 
 1840 . 
 
 153. Vesuvius from Pompeii. 
 
 Pastel : h. 17 in., w. 24 in. 
 
 Presented by the artist, 1907, 
 
 154. The Garden of the Villa Castello, Capri. 
 
 Canvas: h. 37 in., w. 24 in. 
 
 Presented by friends of the artist, 1911, 
 
 CONELY, WILLIAM B. 1832-1913. 
 
 155. Portrait of Mr. Richard Storrs Willis. 
 
 Canvas : h. 30 in., w. 25 in. 
 
 Presented by the artist, 1906, 
 
 115 
 
COUSE, EANGER IRVING. N. A. 1866- . 
 
 156. San Juan Pottery. 
 
 Canvas: h. 36 in., w. 46 in. Isador Memorial 
 Medal, National Academy of Design, 1912. 
 
 Presented by Mr, Charles Willis Ward, 1912. 
 
 157. Portrait of Chief Shoppenegons. 
 Canvas: h. 78 in., w. 36 in. 
 
 Presented by Mr. Charles Willis Ward, 1911. 
 
 DABO, LEON. 1868- . 
 
 158. The Seashore. 
 Canvas: h. 30 in., w. 34 in. 
 
 Presented by the artist, 1906. 
 
 DABO, THEODORE SCOTT. 1870- . 
 
 159. The River Seine. 
 Canvas : h. 25 in., w. 30 in. 
 
 Presented by the artist, 1906. 
 
 DEARTH, HENRY GOLDEN. N. A. 1864-1918. 
 
 160. In the Gloaming. 
 Canvas : h. 20 in., w. 28 in. 
 
 Presented by Mr. Edward C. Walker, 1909. 
 
 DENNIS, J. M. 
 
 161. Portrait of Hannah Reynolds, one of the anti- 
 slavery Quaker women who was prominently con- 
 nected with the underground railroad in freeing 
 the slaves of the South. 
 
 Presented by Mrs. S. H. Kiskadden, 1910. 
 116 
 
. 147. MARY CASSATT 
 
 Fe mines et Enfant 
 
DEWING, THOMAS WILMER. N. A. 
 1851- . 
 
 162. The Recitation. 
 
 Canvas: h. 30 in., w. 55 in. Purchased from N. 
 E. Montross. 
 
 Purchased by popular subscription^ 1908, 
 
 163. The Musician. 
 
 Pastel :\iA0}4 in., w. 6^ in. 
 
 Purchased at the sale of the collection of Hugo 
 Reisinger, 1916, 
 
 EATON, CHARLES HARRY. 1850-1901. 
 
 164. The Lily Pond. 
 Canvas : h. 40 in., w. 71 in. 
 
 Purchased by popular subscription, 1889, 
 
 FISHER, WILLIAM MARK. R. A. 1841- . 
 
 165. Land and Sea. 
 Canvas: h. 20 in., w. 28 in. 
 
 Presented by Mrs. John L, Gardner of Boston, 
 1907, 
 
 FITZGERALD, HARRINGTON. 1847- . 
 
 166. Smugglers' Cove. 
 
 Canvas: h. 16 in., w. 26 in. 
 
 Presented by the artist, 1913. 
 
 119 
 
FRIESKE, FREDERICK CARL. N. A. 
 1874- . 
 
 167. The Blue Gown. 
 
 Canvas : h. 39 in., w. 60 in. 
 
 Purchased from the Special Membership and 
 Donations Fund contributed by Mr. Philip Gray, 
 Mr. David Gray, Mr. Paul R. Gray, and their 
 sister, Mrs. William R. Kales, 1919. 
 
 GALLISON, HENRY H. 1850-1912. 
 168. A New England Hillside. 
 
 Canvas: h. 34 in., w. 44 in. Bronze Medal, St. 
 Louis World's Fair, 1904. 
 
 Presented by Mrs. Marie Gallison, 1912. 
 
 GAMBLE, ROY. 1887- . 
 
 169. Freckles. 
 
 Canvas: h. 36 in., w. 30 in. Scarab Club Gold 
 Medal, 1919. 
 
 Purchased from City Appropriation, 1919. 
 
 GARBER, DANIEL. N. A. 1880- . 
 
 170. ViNECLAD Trees. 
 
 Canvas : h. 4 feet 3^ in., w. 4 feet 8 in. 
 
 Purchased from the income of the Lizzie Merrill 
 
 Palmer Fund, 1918. 
 
 120 
 
No. 148. WILLIAM M. CHASE 
 Self Portrait 
 
GAY, W. ALLEN. 1821-1887. 
 
 171, 172 and 173. Sketches in Japan. 
 
 Wood Panels : h. 1 1 in., w. 17 in. 
 
 Presented by Mrs. John L. Gardner of Boston, 1907, 
 
 GIES, JOSEPH W. 
 
 174. Lady in Pink. 
 
 Pastel: h. 29 in., w. 22 in. 
 
 Purchased from the artists'' fund, 1899. 
 
 175. Portrait of Robert Hopkin, a Marine 
 Painter of Detroit. 
 
 Canvas: h. 30 in., w. 22 in. 
 
 Presented by Mr, William C, Weber, 1907. 
 
 GROVER, OLIVER DENNETT. A. N. A. 
 1860- . 
 
 176. Venetian Street Scene. 
 Canvas: h. 3 in., w. 9 in. 
 
 Purchased, 1904. 
 
 GRUPPE, CHARLES PAUL. 1860- . 
 
 177. A Dutch Canal. 
 Canvas: h. 11 in., w. 12 in. 
 
 Presented by Mr, and Mrs. John E, King. 
 
 123 
 
HARRISON, BIRGE. N. A. 1854- 
 178. Fifth Avenue at Twilight. 
 Canvas: h. 30 in., w. 23 in. 
 
 Purchased from City Appropriation^ 1910. 
 
 HARTMAN, SIDNEY K. 1863- . 
 
 179. A Bit of Old Paris. 
 
 Water Color: h. 14 in., w. 10 in. 
 
 Presented by Mr. A, H. Griffith, 
 
 HASSAM, CHILDE. N. A. 1859- . 
 
 180. Place Centrale and Fort Cabanas, Havana. 
 Canvas: h. 21^ in., w. 26% in. 
 
 Purchased from City Appropriation, 19 IL 
 
 181. Surf and Rocks. 
 Canvas: h. 20 in., w. 30 in. 
 
 Purchased from the income of the Lizzie Merrill 
 Palmer Fund, 1919. 
 
 HAWEIS, STEPHEN. 
 
 182. Barracuda Leap. 
 
 Water Color: h. 13>^ in., w. 14%^ in. 
 
 Purchased from City Appropriation, 1920. 
 
 124 
 
No. 170. DANIEL GARBER 
 Fineclad Trees 
 
183. Fijian Dance, No. 1. 
 
 Water Color: h. 16]/2 in., w. 29 yi in. 
 
 Purchased from City Appropriation, 1920. 
 
 184. Fijian Dance, No. 2. 
 
 Water Color: h. 14>^ in., w. 25^ in. 
 
 Purchased from City Appropriation, 1920, 
 
 185. The Durgan. 
 
 Water Color: h. 14>^ in., w. 2\}i in. 
 
 Purchased from City Appropriation, 1920. 
 
 186. The Glassy-eyed Snapper. 
 Water Color: h. 12 in., w. 17 in. 
 
 Purchased from City Appropriation, 1920. 
 
 187. Bacchanal. 
 Water Color. 
 
 Purchased from City Appropriation, 1920. 
 
 HAWTHORNE, CHARLES WEBSTER. N. A. 
 1872- . 
 
 188. Refining Oil. 
 
 Canvas : h. 40 in., w. 40 in. 
 
 Presented by Mr. Elliott T. Slocum, 1915. 
 
 HENRI, ROBERT. N. A. 1865- . 
 
 189. The Young Girl. 
 Canvas: h. 41 in., w. 33 in. 
 
 Purchased from City Appropriation, 1919. 
 
 127 
 
190. The Beach Hat. 
 
 Canvas: h. 24 in., w. 20 in. 
 
 Purchased from City Appropriation^ 1919. 
 
 191. Boy with a Plaid Scarf. 
 Canvas: h. 24 in., w. 20 in. 
 
 Purchased from City Appropriation, 1919, 
 
 HILL, THOMAS. 1829-1908. 
 
 192. The Grand Canyon of the Yellowstone. 
 
 Canvas: h. 66 in., w. 96 in. Formerly in the col- 
 lection of Mr. David Hewes. Gold Medal, Chi- 
 cago World's Fair, 1892. 
 
 Presented by Mrs. George 0, Robinson, 1917 , 
 
 HOPKIN, ROBERT. 1832-1908. 
 
 193. Windy Day on the Channel. 
 Canvas: h. 40 in., w. 52 in. 
 
 Bequest of Miss Margaret C. Horn, 1910, 
 
 194. Setting the Range Lights. 
 Canvas: h. 39 in., w. 32 in. 
 
 Presented by Mr, William C, Weber, 1903. 
 
 195. In the White Mountains. 
 Canvas: h. 27 in., w. 34 in. 
 
 Presented by Mrs. Robert Hopkin, 1910. 
 
 128 
 
No. 190. ROBERT HENRI 
 The Beach Hat 
 
196. Graveyard by the Sea. 
 Canvas: h. 45 in., w. 54 in. 
 
 Presented by Mr. Charles Willis Ward, 1909. 
 
 HUNT, WILLIAM MORRIS. 1824-1879. 
 
 197. The Ball Players. 
 Canvas: h. 16 in., w. 24 in. 
 
 Presented by Mrs. John L. Gardner of Boston, 1907, 
 
 ISHAM, SAMUEL. N. A. 1855-1914. 
 
 198. Landscape. 
 
 Canvas: h. 23^ in., w. 28^ in. 
 
 Bequest of the artist, 1914. 
 
 IVES, LEWIS T. 1833-1894. 
 
 199. Portrait of Mr. William H. Brearly. 
 Canvas: h. 28 in., w. 23 in. 
 
 Presented by Mrs. W. H. Brearly, 1909. 
 
 200. Giovanni. 
 
 Canvas: h. 21 in., w. 16 in. 
 
 Presented by Mrs. Emma Ives, 1900. 
 
 KENDALL, WILLIAM SERGEANT. N. A. 
 1869- . 
 
 201. Crosslights. 
 
 Canvas: h. 60 in., w. 30 in. 
 
 Presented by Mr. David Gray, 1915. 
 
 131 
 
KOOPMAN, AUGUSTUS. 1869-1914. 
 
 202. A Katwyk Courtyard. 
 Canvas: h. 19 in., w. 24 in. 
 
 Presented by Mr. A, H, Griffith, 1900. 
 
 KROLL, LEON. 1884- . 
 
 203. In the Country. 
 
 Canvas: h. 3 feet 10 in., w. 4 feet 4 in. 
 
 Purchased from the Special Membership and Dona- 
 tions Fund contributed by Mr. J. J. Crowley, 1919. 
 
 KRYZANOWSKY, ROMAN. 1885- . 
 
 204. Kismet. 
 
 Canvas: h. 48 in., w. 36 in. 
 
 Presented by the City Art and Design Committee of 
 the Twentieth Century Club, 1919. 
 
 LEVER, HAYLEY. 1876- . 
 
 205. The Wharf, Gloucester. 
 Water Color: h. 18 in., w. 20 in. 
 
 Purchased from the income of the Elliott T. Slocum 
 Fund, 1919. 
 
 206. Boats, Gloucester. 
 
 Water Color: h. 17^ in., w. 21^ in. 
 
 Presented by the artist, 1919. 
 
 132 
 
Copyrighted by The Detroit Publishing Co. 
 
 No. 213. GARI MELCHERS 
 
 The Fencing Master 
 
LIE, JONAS. A. N. A. 1880- . 
 
 207. CuLEBRA Cut. 
 
 Canvas: h. 50 in., w. 60 in. 
 
 Purchased from City Appropriation^ 1914. 
 
 MACKNIGHT, DODGE. 1860 . 
 
 208. The Almond Tree. 
 Water Color: 16 in. square. 
 
 Presented by Mrs. John L. Gardner of Boston^ 1907, 
 
 MELCHERS, J. GARI. N. A. 1860- . 
 
 209. The Vespers. 
 
 Canvas : h. 38 in., w. 28 in. 
 
 Presented by the Witenagemote Club, 1889, 
 
 210. The Wedding. 
 Canvas : h. 45 in., w. 34 in. 
 
 Presented by Mr. Edward C. Walker, 1906, 
 
 211. Portrait of Mrs. Melchers. 
 
 Canvas: h. 89 in., w. 52 in. Purchased from the 
 artist. 
 
 Presented by Mr. Edward C. Walker, 1909, 
 
 212. Ik Marvel (Donald G. Mitchell). 
 Canvas: h. 20 in., w. 18 in. 
 
 Presented by Mr. Edward C, Walker, 1909, 
 
 135 
 
213. The Fencing Master. 
 
 Canvas: h. 81)4 in., w. 39}4 in. Purchased from 
 the artist. 
 
 Presented by Mr, Edward C. Walker^ 1913. 
 
 214. A Child with an Orange. 
 
 Canvas: h. 38]/2 in., w. 26)4 ii^- Purchased from 
 the artist. 
 
 Presented by the Detroit Museum of Art Founders 
 Society, 1920. 
 
 METCALF, WILLARD LEROY. 18S8- . 
 
 215. Unfolding Buds. 
 
 Canvas : h. 26 in., w. 29 in. 
 
 Purchased by popular subscription and presented 
 to the Museum, 1910. 
 
 216. The White Veil. 
 
 Canvas : h. 36 in., w. 36 in. 
 
 Presented by Mr. Charles Willis Ward, 1915. 
 
 MILLER, RICHARD E. N. A. 1875- . 
 
 217. Summer Reverie. 
 
 Canvas: h. 36 in., w. 28^ in. 
 
 Purchased from the William C. Yawkey Fund at 
 the sale of the collection of the late Hugo Reisinger, 
 1916. 
 
 136 
 
No. 219. J. FRANCIS A4URPHY 
 Autumn 
 
MILLET, FRANCIS DAVIS. N. A. 
 1846-1912. 
 
 218. Reading the Story of Oenone. 
 Canvas : h. 30 in., w. 48 in. 
 
 Purchased from the proceeds of the Detroit Art 
 Loan and by popular subscription^ and presented 
 to the Museum, 1883, 
 
 MURPHY, JOHN FRANCIS. N. A. 1853- . 
 
 219. Autumn. 
 
 Canvas : h. 24^ in., w. 36^ in. 
 
 Purchased by popular subscription and presented to 
 the Museum, 1912. 
 
 MYLNE, WILLIAM. 
 
 220. Glen Devon, Scotland. 
 Water Color: h. 10 in., w. 14 in. 
 
 Presented by Mr. William C. Weber. 
 
 NEWELL, GEORGE GLENN. A. N. A. 
 1870- . 
 
 221. Twilight. 
 
 Canvas : h. 16 in., w. 20 in. 
 
 Presented by Mr. A. H. Griffith, 1906. 
 
 NOURSE, ELIZABETH. 1860- . 
 
 222. Happy Days. 
 Canvas: 40 in. square. 
 
 Purchased from the Whitney-Hof Museum Pur- 
 chase Fund and presented by the International 
 Art Union of Paris, 1909. 
 
 139 
 
OLINSKY, IVAN GREGOREWITCH. N. A. 
 1878- . 
 
 223. The Old Fashioned Gown. 
 Canvas : h. 5 feet, w. 3 feet. 
 
 Purchased from the William C. Yawkey Fund^ 1916, 
 
 PAULUS, FRANCIS PETRUS. 1862- 
 224. Low Tide. 
 
 Panel: h. 8 in., w. 12 in. 
 
 Presented by Miss Clara A. Dyar, 1903. 
 
 225. Fish Market of Bruges. 
 Canvas: h. 34 in., w. 40 in. 
 
 Presented by Mrs. William R. Kales and Mr. 
 David Gray, 1919. 
 
 PEALE, REMBRANDT. N. A. 1778-1860. 
 Early American School. 
 
 226. The Court of Death. 
 
 Canvas : h. 1 1 feet 6 in., w. 23 feet 5 in. 
 
 Presented by Mr. George H. Scripps, who purchased 
 it from Mr. S. A. Coale of St. Louis, a well- 
 known connoisseur, 1885. 
 
 PICKNELL, G. W. 
 
 227. Stackyards in Winter. 
 Canvas: h. 29 in., w. 39^ in. 
 
 Presented by Mr. E. Murray MacKay, 1913. 
 
 140 
 
No. 251. DWIGHT W. TRYON 
 Before Sunrise, June 
 
 f 
 
PITTS, LENDALL. 
 
 228. The Source of the Romanche. 
 Canvas: h. 22 in., w. 30 in. 
 
 Purchased by friends of the artist and presented to 
 the Museum, 1909, 
 
 REDFIELD, EDWARD WILLIS. 1868- . 
 
 229. Grey Days. 
 
 Canvas: h. 40 in., w. 52 in. 
 
 Purchased from the income of the William C, Yawkey 
 ■Fund, 1909. 
 
 230. Meadow Brook. 
 Canvas: h. 26 in., w. 32 in. 
 
 Presented by Mr. Charles Willis Ward, 1915. 
 
 REHN, FRANK KNOX MORTON. N. A. 
 1848-1914. 
 
 231. The Missing Vessel. 
 Canvas: h. 30 in., w. 51 in. 
 
 Purchased from the proceeds of the Merrill Hall 
 Exhibition, 1886. 
 
 REID, ROBERT. N. A. 1862- . 
 
 232. The Miniature. 
 Canvas: h. 30 in., w. 26 in. 
 
 Purchased from City Appropriation, 1913. 
 
 143 
 
RICHARDS, SAMUEL. 1853-1893. 
 
 233. Evangeline Discovering Her Affianced in 
 THE Hospital. 
 
 Canvas: 69 in., w. 102 in. 
 
 Presented by Mr, Bela Hubbard, 1892. 
 
 ROLSHOVEN, JULIUS. 1858- . 
 
 234. The Refectory of San Damiano, Assisi. 
 Canvas: h. 40 in., w. 50 in. 
 
 Purchased by popular subscription, 1907. 
 
 ROSS, ISABEL. 
 
 235. Girl at Prayer. 
 Canvas: h. 27 in., w. 18 in. 
 
 Bequest of Miss Mary M. Stevens, 1910, 
 
 SEYFFERT, LEOPOLD G. A. N. A. 
 
 236. Self Portrait. 
 
 Canvas: h. 50 in., w. 40 in. 
 
 Purchased from the General Membership and Dona- 
 tions Fund, 1918. 
 
 SHIRLAW, WALTER. N. A. 1838-1909. 
 237. Good Morning. 
 
 Canvas: h. 48 in., w. 29 in. 
 
 Presented by Mrs. Walter Shirlaw, 1913, 
 
 144 
 
256. JULIAN ALDEN WEIR 
 A Follower of Grolier 
 
238. Bacchanal. 
 
 Canvas: h. 29^ in., w. 40>^ in. 
 
 Presented by Mrs, Walter Shirlaw, 1913. 
 
 239. Wheat Field, Vermont. 
 Canvas: h. \S}4 in., w. 30 in. 
 
 Presented by Mrs. Walter Shirlazu, 1913. 
 
 240. A Holland Canal. 
 
 Water Color: h. 10 in., w. 14 in. 
 
 Presented by Mrs. Walter Shirlaw, 1913. 
 
 241. At Cape Ann. 
 
 Water Color: h. 10 in., w. IS in. 
 
 Presented by Mrs. Walter Shirlaw, 1913. 
 
 SMITH, F. HOPKINSON. 1838-1915. 
 
 242. Venice. 
 
 Water Color: h. 13;^^ in., w. 23^ in. 
 
 Presented by Mrs. Gustavus D. Pope^ 1920. 
 
 SONNTAG, WILLIAM LOUIS. N. A. 
 1822-1900. 
 
 243. October Morning in New Hampshire. 
 Canvas: h. 16 in., w. 26 in. 
 
 Bequest of Miss Mary M. Stevens, 1910. 
 
 147 
 
SPENCER, ROBERT. N. A. 1879- . 
 
 244. On the Canal, New Hope. 
 Canvas: h. 30 in., w. 36 in. 
 
 Presented by Miss Julia Peck^ 1916. 
 
 STANLEY, JOHN M. 1816-1872. 
 
 245. The Indian Telegraph. 
 Canvas: h. 20 in., w. 15^ in. 
 
 Presented by Mrs. W , T. Barbour. 
 
 246. Landscape. 
 
 Canvas: h. 18^ in., w. 30 in. 
 
 Presented by Mr. D. M. Ferry, Jr., 1915. 
 
 247. Wild Horses. 
 
 Panel: h. 7>^ in., w. 8>^ in. 
 
 Presented by Mr. D. M. Ferry, Jr., 1915. 
 
 STERNE, MAURICE. 1877- . 
 
 248. Entrance of the Ballet. 
 Canvas: h. 26 in., w. 32^ in. 
 
 Presented by Mr. and Mrs. Ralph H. Booth, 1920, 
 
 SWIFT, IVAN. 1873- . 
 
 249. A Michigan Home. 
 Canvas: h. 30 in., w. 26 in. 
 
 Purchased from City Appropriation, 1919. 
 
 148 
 
No. 290. MARIO KORBEL 
 
 Andante 
 
250. The Portage. 
 
 Canvas: h. 10 in., w. 14 in. 
 
 Presented by the Bohemian Club. 
 
 TRYON, DWIGHT WILLIAM. N. A. 1849- . 
 
 251. Before Sunrise, June. 
 
 Canvas: h. 20 in., w. 30 in. 
 
 Purchased by popular subscription, 1906, 
 
 TWACHTMAN, JOHN HENRY. 1852-1902. 
 
 252. The Pool. 
 
 Canvas: h. 26 in., w. 31 in. 
 
 Presented by Mr. Charles L, Freer, 1908. 
 
 WALTENSPERGER, CHARLES. 
 
 253. Man with the Staff. 
 
 Copy of the original in the Louvre, Paris, by 
 Rembrandt. 
 
 Canvas: h. 31 in., w. 26 in. 
 
 Presented by the artist, 1900. 
 
 254. FfiTE Day in Paris. 
 
 Water Color: h. 18 in., w. 14 in. 
 
 Presented by the artist. 
 
 151 
 
255. A Humble Meal. 
 
 Wood Panel: h. 12 in., w. 9 in. 
 
 Presented by the artist, 1912, 
 
 WEIR, JULIAN ALDEN. N. A. 1852-1919. 
 
 256. A Follower of Grolier. 
 Canvas: h. 39 in., w. 31 in. 
 
 Purchased from the Kate Minor Fund, 1916. 
 
 WEST, BENJAMIN. 1738-1820. 
 Early American School. 
 
 257. Queen Philippa Interceding for the Lives of 
 THE Burghers of Calais. 
 
 At the right, Queen Philippa, wife of Edward III 
 of England, attended by two maidens, pleading 
 with her husband, who appears in full armor, with 
 battle-axe in his left hand; by him stands a boy 
 holding the gauntlet which he has removed from 
 his right hand, and behind him the Black Prince, 
 his son, between two other armed Knights; at the 
 left stand six burghers with ropes around their 
 necks and their hands pinioned behind them, 
 guarded by armed soldiers. Calais had sur- 
 rendered to the English after a long siege, and 
 the keys of the city had been brought to the 
 victorious Edward III by its six most noble 
 burghers. The surrender occurred in 1347. 
 
 Canvas: h. 39>^ in., w. 52^ in. Signed and dated 
 1788. 
 
 Presented by Mr. James E. Scripps. 
 
 152 
 
No. 291. PAUL MANSHIP 
 Centaur and Dryad 
 
258. Belisarius and the Boy. 
 Canvas: h. 26}^ in., w. 18^ in. 
 
 Presented hy A. Leonard Nicholson, Esq., of London, 
 1913. 
 
 WHISTLER, JAMES ABBOTT McNEILL. 
 1834-1903. 
 
 259. Portrait of Robert Barr. 
 Canvas: h. 15j^ in., w. 12^ in. 
 
 Presented by the Witenagemote Club, 1920. 
 
 WICKENDEN, ROBERT J. 1861- . 
 
 260. Portrait of Mr. James E. Scripps. 
 Canvas: h. 58 in., w. 36 in. 
 
 Presented by the Executors of the James E. Scripps 
 Estate. 
 
 WOODBURY, CHARLES HERBERT. N. A. 
 1864- . 
 
 261. Mount Pelee. 
 
 Water Color: h. 22 in., w. 30 in. 
 
 Purchased from City Appropriation, 1920. 
 
 262. Young Porpoise. 
 
 Water Color: h. 21 in., w. 28 in. 
 
 Purchased from City Appropriation, 1920. 
 
 WYANT, ALEXANDER HELWIG. N. A. 
 1836-1892. 
 
 263. View of Whiteface Mountain. 
 Canvas: h. 17: in., w. 14^ in. 
 
 Bequest of Mrs. Almeda H. Pickering, 1917. 
 
 155 
 
SCULPTURE 
 
 BARYE, ANTOINE LOUIS. 1795-1875. French. 
 
 264. Dachshund. 
 
 Bronze: h. 6 in. Base, 1. 9^ in., w. 4 in. 
 
 Purchased from City Appropriation, 1920. 
 
 265. Dachshund. 
 
 Bronze : h. 6 in. Base, I. 9}4 in., w. 4 in. 
 
 Purchased from City Appropriation, 1920. 
 
 266. Camel. 
 
 Bronze : h. 7 in. Base, 1. 7j^ in., w. 4 in. 
 
 Purchased from City Appropriation, 1920. 
 
 BEACH, CHESTER. A. N. A. 1881- . 
 
 267. Bacchus and Faun. 
 
 Bronze: h. 10}4 in. Base, diameter 3 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 BORGLUM, JOHN GUTZON. 1867- . 
 
 268. Nero. 
 
 Bronze: h. 11 in. Base, diameter 6 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 269. RusKiN. 
 
 Bronze: h. 15 in. Base, 1. 11 in., w. S)4 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 156 
 
No. 292. PAUL MANSHIP 
 Dancer and Gazelles 
 
270. The Wonder of Motherhood. 
 
 Bronze : h. 26 in. Base, 1. 13^ in., w. 9^ in. 
 
 Presentedby Mr, George G. Booth, 1919. 
 
 271. The Wooing of the Centaur. 
 Bronze : h. 20 in. Base, diameter 10 in. 
 
 Presentedby Mr. George G. Booth, 1919. 
 
 BORGLUM, SOLON HANNIBAL. A. N. A. 
 1868- . 
 
 272. Blizzard. 
 
 Bronze: h. 5^ in. Base, 1. in., w. 5^ in. 
 
 Presented by Mr. Ralph H. Booth, 1916. 
 
 273. Bucking Broncho. 
 
 Bronze : h. \9% in. Base, 1. 8 in., w. 6^4 in. 
 
 Presented by Mr. Ralph H. Booth, 1916. 
 
 274. Horse Tamed. 
 
 Bronze: h. 5^ in. Base, 1. llf^ in., w. 3^ in. 
 
 Presented by Mr. Ralph H. Booth, 1916. 
 
 nS. Intelligent Broncho. 
 
 Bronze : h. 20^ in. Base, 1. 12 in., w. 7% in. 
 
 Presented by Mr. Ralph H. Booth, 1916. 
 
 276. Lassoing Wild Horses. 
 
 Bronze: h. 30 in. Base, 1. 25 in., w. IS in. 
 
 Presented by Mr. Ralph H. Booth, 1916. 
 
 159 
 
277. Snowdrift. 
 
 Bronze : h. 10^ in. Base, 1. 9^ in., w. 4^ in. 
 
 Presented by Mr. Ralph H. Booth, 1916, 
 
 BOUCHER, JEAN. French. 
 
 278. Fra Angelico. 
 
 Bronze: h. 26 in. Base, 1. 7^ in., w. 6 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 CHAMBERLIN, F. TOLLES. 1873- . 
 
 279. The Cup Bearer. 
 
 Bronze : h. 24^ in. Base, 1. 6^ in., w. 7 in. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 EBERLE, ABASTENIA ST. LEGER. 1878 . 
 
 280. Ragtime. 
 
 Bronze: h. 11^ in. Base, diameter 5 in. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 ERASER, JAMES EARLE. N.A. 1876- . 
 
 281. End of the Trail. 
 
 Bronze: h. 45 in. Base, 1. 30 in., w. 9 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 160 
 
Group Exhibit of American Sculpture and Handicraft 
 
FRY, SHERRY EDMUNDSON. A. N. A. 
 1879- . 
 
 282. The Spartan Mother. 
 
 Bronze: h. 24>^ in. Base, 10 in. square. 
 
 Presented hy Mr. George G. Booth, 1919, 
 
 GIRARDET, BERTHE. 1867- . 
 
 283. *^GivE Us This Day Our Daily Bread. ' ' 
 Marble : h. 70 in. Base, 1. 60 in., w. 45 in. 
 
 Presented by Mrs. Grace Whitney Hoff, 1913. 
 
 HOFFMAN, MALVINA. 1887- . 
 
 284. Pavlowa. 
 
 Bronze: h. 14 in. Base, 1. 5 in., w. 3 in. 
 
 Presented by Mr. George G. Booths 1919. 
 
 285. Russian Dancers. 
 
 Bronze: h. 10 in. Base, 1. 11 in., w. 5>^ in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 HYATT, ANNA VAUGHN. A. N. A. 1876- . 
 
 286. Colt. 
 
 Bronze: h. in. Base, 1. 8^ in., w. 4^ in. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 287. Fighting Goats. 
 
 Bronze: h. 9)4 in. Base, 1. 17 }4 in., w. 6 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 163 
 
288. Napoli. 
 
 Bronze: h. 9^ in. Base, 1. 10}4 in., w. 5^2 in. 
 
 Presented by Mr, George G, Booth, 1919, 
 
 KONTI, ISADORE. N. A. 1862- . 
 
 289. The Genius of Immortality. 
 
 Bronze: h. 25 in. Base, 1. 11 in., w. 7}i in. 
 
 Presented by Mr, George G, Booth, 1919. 
 
 KORBEL, MARIO. 
 
 290. Andante. 
 
 Bronze: h. 29>^ in. Base, 1. 43^ in., w. 8^ in. 
 
 Loaned by Mr. Ralph H. Booth, 1918, 
 
 MANSHIP, PAUL. N. A. 1886- 
 291. Centaur and Dryad. 
 
 Bronze: h. 39^ in. Base, 1. 18^ in., w. ll]4 in. 
 
 Purchased by popular subscription, 1914, 
 
 292. Dancer and Gazelles. 
 
 Bronze : h. 32 in. Base, I. 33 in., w. 10 in. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 293. Little Brother. 
 
 Bronze: h. 12}^ in. Base, 1. 7)4 in., w. 4^ in. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 164 
 
No. 297. CONSTANTIN MEUNIER 
 
 The Hammerman 
 
294. Playfulness. 
 
 Bronze: h. 14 in. Base, 1. 9}4 in., w. 6y^ in. 
 
 Presented by Mr, George G, Booth, 1919. 
 
 295. The Flight of Night. 
 
 Bronze: h. 13 in. Base, 4^ in. square. 
 Presented by Dr. and Mrs. Walter R. Parker, 1916. 
 
 296. The Lute Player. 
 
 Bronze: h. 13 in. Base, 1. 7 in., w. 6 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 MEUNIER, CONSTANTIN. 1831-1905. 
 
 297. The Hammerman. 
 
 Bronze: h. 46 in. Base, 1. 17 in., w. 19^ in. 
 
 Purchased by popular subscription, 1914. 
 
 298. Shrimp Fisher on Horseback. 
 Bronze: h. 17 in. Base, 1. 13^ in., w. 5 in. 
 
 Presented by Mrs. Maurice Black, 1914. 
 
 299. The Old Mine Horse. 
 
 Bronze: h. 14>^ in. Base, 1. 13>^ in., w. 5^2 in. 
 
 Loaned by Mr. D. M. Ferry, Jr. 
 
 NADELMAN, ELIE. 1885- . 
 
 300. Reverie. 
 
 Marble: h. 17>^ in. Base, 1. 11>^ in., w. 8>^ in. 
 
 Purchased from the income of the Yawkey, Bates 
 and Harmon Funds, 1918. 
 
 167 
 
301. Resting Stag. 
 
 Bronze: h. 17^ in. Base, 1. 21>^' in., w. 8}4 in. 
 
 Purchased from City Appropriation^ 1919. 
 
 302. Wounded Stag. 
 
 Bronze: h. 17^ in. Base, 1. 21 in., w. 8^ in. 
 
 Purchased from City Appropriation, 1919. 
 
 POLASEK, ALBIN. 1879- . 
 
 303. Aspiration. 
 
 Bronze: h. 16 in. Base, 1. 13^ in., w. 5^ in. 
 
 Presented by Mr, George G. Booth, 1919. 
 
 304. Maternal Love. 
 
 Bronze: h. 8^ in. Base, 1. 7 in., w. 3 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 ROTH, FREDERICK GEORGE RICHARD. 
 N. A. 1872- . 
 
 305. Polar Bear. 
 
 Marble: h. 19X in. Base, 1. 24 in., w. 14 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 306. Polar Bears. 
 
 Bronze: h. 24 in. Base, diameter 14 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 307. Walking Polar Bear. 
 
 Bronze: h. 8 in. Base, 1. 11 in., w. 4>^ in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 168 
 
No. 300. ELIE NADELMAN 
 Reverie 
 
SAINT-GAUDENS, AUGUSTUS. N. A. 
 1848-1907. 
 
 308. Amor Caritas. 
 
 Bronze Bas-relief: h. 40 in., w. 17 in. 
 
 Purchased by popular subscription^ 1915, 
 
 309. Portrait of Homer Schiff Saint-Gaudens. 
 Bronze Bas-relief: h. 19^ in., w. 10 in. 
 Presented by Mrs. Augustus Saint-Gaudens^ 1915, 
 
 TROUBETZKOY, PAUL. 1866- . 
 
 310. Lamb— ^'How Can You Eat Me." 
 
 Bronze: h. 21^ in. Base, 1. 15K in., w. 9^ in. 
 
 Presented by the artist, 1916. 
 
 311. Lady Constance Richardson. 
 
 Bronze: h. 13^ in. Base, 1. 7yi in., w. 5^ in. 
 
 Purchased from the General Membership and Dona- 
 tions Fund, 1916. 
 
 312. Tolstoy on Horseback. 
 
 Bronze: h. 17^ in. Base, 1. in., w. 43^ in. 
 
 Purchased from the General Membership and Dona- 
 tions Fund, 1916. 
 
 VONNOH, BESSIE POTTER. A. N. A. 1872- . 
 
 313. Motherhood. 
 
 Bronze: h. IS in. Base, 1. 14^ in., w. 8^ in. 
 Presented by Mr. and Mrs. Ralph H. Booth, 1920. 
 
 171 
 
WEINMAN, ADOLPH ALEXANDER. N. A. 
 
 314. Portrait of Julius Theodore Melchers. 
 
 Bronze Bas-relief mounted on marble: h. 55 in., 
 w. 36 in. 
 
 WHITNEY, GERTRUDE VANDERBILT. 
 
 315. Italian Peasant Head. 
 
 Bronze: h. 11 in. Base, 4 in. square. 
 
 Presented hy Mr, George G. Booth, 1919. 
 
 172 
 
No. 306. FREDERICK G. R. ROTH 
 Polar Bears 
 
/ 
 
 ARTS AND CRAFTS 
 
 (CONTEMPORARY) 
 
 CERAMICS. 
 
 316. Group of BINNS POTTERY. 
 
 4 Pieces, American Stoneware or Ores, made by 
 Professor Charles F. Binns, Director of the New 
 York State School of Clayworking and Ceramics 
 at Alfred, New York. Professor Binns began the 
 study of this type of ware about 1903 as a matter 
 of personal interest. Every piece is made and 
 finished throughout by Professor Binns himself, and 
 none is duplicated. The production of stoneware 
 was begun in Flanders in the XVI Century and 
 towards the end of the XIX Century some artist 
 potters in France took up the development of the 
 ware, naming it Gres. The original glazing by 
 salt was not entirely abandoned, but was supple- 
 mented by colored and mat glazes. Stoneware 
 clays are more elemental than those used for por- 
 celain. The raw material is not purified and only 
 ordinary manipulations are employed in mixing. 
 Thus stoneware possesses the masculine character- 
 istics, strength and virility, while porcelain dis- 
 plays those of the feminine, delicacy and grace. 
 Stoneware and porcelain are produced by the same 
 essential processes; the ware is once-fired, that is, 
 both body and glaze are matured at one and the 
 same burning, the temperature ranging from 1350 
 to 1400 degrees Centigrade. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 175 
 
317. Group of DURANT POTTERY. 
 
 7 Pieces made by the Durant Kilns, established in 
 1911 at Bedford Village, New York, by Jeanne 
 Durant Rice and Leon Volkmar. It attempts to 
 recreate the beauty of rare examples of the potter's 
 art that have come down from the best periods. 
 The Persian blue, aubergine and Chinese yellow 
 glazes, in which the Durant Kilns have been 
 especially successful, are represented. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 318. Group of PEWABIC POTTERY. 
 
 17 Pieces developed by Mrs. William B, Stratton 
 (Miss Mary Chase Perry) and Horace James 
 Caulkins in Detroit. The product is the result of 
 a series of progressive experiments since 1903, the 
 aim being to produce glazes of a type comparable 
 to the best period of ceramic art. 
 
 Loaned by the Pewabic Pottery. 
 
 319. PEWABIC POTTERY. (3 Pieces.) 
 
 Presented by Mr. Charles L. Freer. 
 
 176 
 
No. 309. AUGUSTUS SAINT-GAUDENS 
 Homer Schiff Saint-Gaudens 
 
No. 322. Silver and Gilt Baptismal Font 
 Designed by MESSRS. CRAM and FERGUSON, (supervision of FRANK 
 CLEVELAND); silver work executed by JAMES T. WOOLLEY; enamel work 
 by ELIZABETH COPELAND, and models for sculptured 
 portions made by L KIRCHMAYER. 
 
320. Group of ROBINEAU PORCELAINS. 
 
 36 Pieces made by Mrs. Adelaide Aisop Robineau 
 The hard porcelain body thrown on the potter's 
 wheel is of native materials glazed with mat, 
 semi-mat or crystalline glazes and fired at 2400 
 degrees Fahrenheit. Color glazes are applied in 
 successive heavy coats at a high point of firing, and 
 being extremely sensitive to the condition of the 
 kiln atmosphere, the results are often disappoint- 
 ing, and the really fine pieces are rare. A variety 
 of crystalline vases of great beauty and carved and 
 modeled vases with designs incised or modeled 
 in the paste, two phases of her work in which 
 Mrs. Robineau is preeminent, are represented. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 ENAMELING 
 CALDWELL, EDWARD F. 
 
 321. Plaque. 
 
 H. 7% in., w. in. 
 
 Presented by Mr. George G. Booth, 1920, 
 
 HAND WROUGHT SILVER. 
 
 322. Silver and Gilt Baptismal Font. 
 
 Designed by Messrs. Cram and Ferguson, archi- 
 tects of Boston; silver work executed by James T. 
 Woolley, Boston; enamel work by Miss Elizabeth 
 Copeland of Boston; models for sculptured por- 
 tions made by 1. Kirchmayer of Cambridge, and 
 the entire work supervised in every detail by F. E. 
 Cleveland, associate of Cram and Ferguson. 
 
 H. 12 in. Base, diameter Syi in. 
 
 Presented by Mr, George G, Booth, 1920, 
 
 179 
 
COPELAND, ELIZABETH. 
 
 323. ClBORIUM 
 
 H. 9^ in. Base, diameter 5 in. 
 
 Presented by Mr. George G. Booth, 1919, 
 
 324. Box. 
 
 L. 7 in., w. 5 in., d. 3^4 in. 
 
 Presented by Mr, George G. Booth, 19,19. 
 
 DONALDSON, DOUGLAS. 
 
 325. Tea-caddy. 
 
 H. 5^ in. Base, diameter 2}4 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 GERMER, GEORGE. 
 
 326. Alms-basin. 
 Diameter 15 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 327. Chalice. 
 
 H. 8}i in. Base, diameter 5 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 KNIGHT, MARY C. 
 
 328. Pierced Silver Plate. 
 Diameter 12^ in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 180 
 
326. GEORGE GERMER 
 Silver Jims-basin 
 
No. 333. I. KIRCHMAYER 
 Wood Carving 
 
STONE, ARTHUR J. 
 
 329. Vase. 
 
 H. 12 in. Base, diameter l>y^ in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 TIFFANY, LOUIS C. N. A. 1848- . 
 
 330. Ink Stand. 
 
 H. 2^ in., diameter 3^ in. 
 
 Presented by Mr. George G. Booth, 1920. 
 
 JEWELRY. 
 
 331. Carved Ivory Pendant. 
 
 Designed by Hugo Robus and executed in the 
 Horace Potter Studios in Cleveland. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 WOOD CARVINGS. 
 KIRCHMAYER, I. 
 
 332. A Christmas Festival in Heaven. 
 Oak: h. 66 in., w. 24 in., t. 4 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 333. Model for a Bronze Gate. 
 H. 35 in., w. 27 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 183 
 
334. Music. 
 
 Oak: h. 30 in. Base, diameter 7 in. 
 
 Prese7ited by Mr. George G. Booth, 1919. 
 
 335. The Crucifixion. 
 Mahogany: h. 57^ in., w. 17 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 336. The Madonna. 
 
 Oak: h. 60 in., w. 14 in., t. 7 in. 
 
 Presented by Mr, George G. Booth, 1919. 
 
 Wood carvings in which the conventions of archi- 
 tectural Gothic sculpture are given a modern 
 vitality in the lifelike interpretation and individu- 
 ality of the figures. 
 
 WROUGHT IRON. 
 
 337. Wrought Iron Screen. 
 
 Designed by Thomas Hastings, N. A., and exe- 
 cuted by Edward F. Caldwell and Company. 
 
 H. 10 ft. 7 in., w. 12 ft. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 184 
 
No. 337. Wrought Iron Screen 
 Designed by THOMAS HASTINGS and 
 executed by EDWARD F. CALDWELL AND COMPANY 
 
No. 341. SAMUEL YELLIN 
 Wrought Iron Grille 
 
/ 
 
 KORALEWSKY, FRANK L. 
 
 338. Door Hinges, Locks, Latches, Knockers and 
 OTHER Hardware: 19 Pieces. 
 
 Mr. Koralewsky perpetuates in his work the 
 intuitive spirit of the medieval German crafts- 
 man, often given to the fantastic translation in 
 iron of folklore. 
 
 Presented by Mr. George G. Booth, 1919, 
 YELLIN, SAMUEL. 
 
 339. Door Hinges, Locks, Latches and other 
 Hardware: 13 Pieces. 
 
 Mr. Yellin adapts the conventional designs of the 
 ironworker of the Italian and Spanish Renaissance 
 to present-day requirements, always observing the 
 fitness of design to the material. 
 
 Presented hy Mr. George G. Booth, 1919. 
 
 340. Design for a Grating or Screen. 
 
 Designed by H. Van Buren Magonigle and exe- 
 cuted by Mr. Yellin. 
 
 H. 37 in., w. 20 in. 
 
 Presented by Mr. George G. Booth, 1919. 
 
 341. Grille. 
 
 H. SO in., vv^. 29>^ in. 
 
 Presented by Mr. George G. Booth, 1920. 
 
 187 
 
INDEX OF ARTISTS 
 
 Page 
 
 AGOSTINI, Giovanni Paolo de 15 
 
 AGNOLO, Andrea d' 15 
 
 ALBANO, Francesco . 16 
 
 ALLEGRI, Antonio '. . 16 
 
 ALMA-TADEMA, Laurenz 92 
 
 AUBERT, Ernest Jean 92 
 
 (BAGNACAVALLO) 19 
 
 BAKER, Ellen Kendall 107 
 
 BARBIERI, Giovanni Francesco 19 
 
 BARLOW, Myron 107 
 
 BAR YE, Antoine Louis 156 
 
 BEACH, Chester 156 
 
 BEAL, Gilford 107 
 
 BECKWITH, J. Carroll 108 
 
 BELLOWS, George . .111 
 
 BENSON, Frank W Ill 
 
 BERCKHEYDE, Gerrit 44 
 
 BERCKHEYDE, Job 44 
 
 BIGI, Francesco 20 
 
 BINNS POTTERY 175 
 
 BISPHAM, Henry C Ill 
 
 BOND, Charles A Ill 
 
 BONHEUR, Marie Rosa 92 
 
 BORGLUM, Gutzon 156 
 
 BORGLUM, Solon H 159 
 
 (BORGOGNONE) 83 
 
 BOTH, Jan 44 
 
 BOUCHER, Francois 83 
 
 BOUCHER, Jean 160 
 
 BOUGUEREAU, William 92 
 
 188 
 
INDEX— Continued 
 
 Page 
 
 BREKELENKAM, Quirenus 47 
 
 BROWN, John G 112 
 
 BRUEGHEL, Jan, the Elder 68 
 
 BUNKER, Dennis 112 
 
 BYZANTINE SCHOOL, XIH Century 20 
 
 CALDWELL, Edward F 179 
 
 CANALE, Antonio 20 
 
 (CANALETTO) 20 
 
 CARRACCI, Annibale 23 
 
 CASSATT, Mary 112 
 
 CHABAS, Maurice 92 
 
 CHAMBERLIN, F. Tolles 160 
 
 CHASE, William M....". 112 
 
 CHIALIVIA, Liugi 95 
 
 CHURCH, Frederick E 112 
 
 CIMA DA CONEGLIANO, Giovanni Battista .... 23 
 
 (CLAUDE LORRAIN) 83 
 
 COHEN, Frederick E 115 
 
 COLE, J. Foxcroft 115 
 
 COLEMAN, Charles C 115 
 
 CONELY, William B 115 
 
 COPELAND, Elizabeth 179, 180 
 
 CORNETO, Monaldus da 24 
 
 (CORREGGIO) 24 
 
 COURTOIS, Jacques 83 
 
 COUSE, E. Irving 116 
 
 CRAM and FERGUSON, Messrs 179 
 
 CUYP, Albert 47 
 
 DABO, Leon S 116 
 
 DABO, Theodore Scott 116 
 
 189 
 
INDEX— Continued 
 
 Page 
 
 DEARTH, Henry Golden 116 
 
 DENNIS, J. M 116 
 
 DEWING, Thomas W 119 
 
 DIAZ DE LA PENA, Narcisse Virgilio 95 
 
 DIETRICH, Christian Wilhelm 67 
 
 DIETRICY, Christian Wilhelm 67 
 
 DOLCI, Carlo 24 
 
 DONALDSON, Douglas 180 
 
 DOU, Gerard 47 
 
 DUJARDIN, Karel 48 
 
 DUPRfi, Julien 95 
 
 DURANT POTTERY 176 
 
 DUTCH SCHOOL, XVII Century 48 
 
 EATON, Charles H 119 
 
 EBERLE, Abastenia St. Leger 160 
 
 (EL GRECO) 87 
 
 ENGELBRECHTSEN, Cornelius 51 
 
 FIORENTINO, Pier Francesco 27 
 
 FISHER, William Mark 119 
 
 FITZGERALD, Harrington 119 
 
 FLEMISH SCHOOL, XV Century 68 
 
 (FRANCIABIGIO) 20 
 
 ERASER, James Earle 160 
 
 FRIESEKE, Frederick C 120 
 
 FRY, Sherry E 163 
 
 GALLISON, Henry H 120 
 
 GAMBLE, Roy C 120 
 
 GARBER, Daniel 120 
 
 (GAROFALO) 27 
 
 GAY, W. Allan 123 
 
 190 
 
INDEX— Continued 
 
 Page 
 
 GELLfiE, Claude •. 84 
 
 GERMER, George E 180 
 
 (GIAMPIETRINO) 27 
 
 GIES, Joseph W 123 
 
 GINANNESCHI, Emilia J 95 
 
 GIORDANO, Luca 27 
 
 GIRARDET, Berthe 163 
 
 GOES, Hugo van der 68 
 
 GOYEN, Janvan 51 
 
 GRAVESANDE, Charles Storm Van's 95 
 
 GROVER, Oliver Dennett 123 
 
 GRUPPE, Charles P.. 123 
 
 GUARDI, Francesco 27 
 
 (GUERCINO) 28 
 
 HARRISON, Birge 124 
 
 HARTMAN, Sidney K 124 
 
 HASSAM, Childe 124 
 
 HASTINGS, Thomas 184 
 
 HAWEIS, Stephen 124 
 
 HAWTHORNE, Charles '. 127 
 
 HENRI, Robert 127 
 
 HERMANN, Hans 96 
 
 HEUSCH, William de 51 
 
 HILL, Thomas 128 
 
 HOBBEMA, Meindert 52 
 
 HOFFMAN, Malvina 163 
 
 HOOCH, Peter de 52 
 
 HOPKIN, Robert 128 
 
 HOPPNER, John 79 
 
 HUNT, William Morris 131 
 
 191 
 
INDEX— Continued 
 
 Page 
 
 HYATT, Anna Vaughn 163 
 
 ISABEY, Eugene L. G 96 
 
 ISHAM, Samuel 131 
 
 ISRAELS, Josef 96 
 
 ITALIAN SCHOOL 28 
 
 ITALIAN (NORTH) SCHOOL 28 
 
 IVES, Lewis T 131 
 
 IWILL, M. J 99 
 
 JARDIN, Karel du 52 
 
 KENDALL, William Sergeant 131 
 
 KESSEL, Jan van 52 
 
 KIRCHMAYER, 1 179, 183 
 
 KNIGHT, Mary C 180 
 
 KONTI, Isidore 164 
 
 KOOPMAN, Augustus 132 
 
 KORALEWSKY, Frank L 187 
 
 KORBEL, Mario 164 
 
 KROLL, Leon 132 
 
 KRYZANOWSKY, Roman 132 
 
 LaTOUCHE, Gaston 99 
 
 LESSORE, Jules 99 
 
 LEVER, Hayley 132 
 
 LIE, Jonas 135 
 
 LIEB, Michael 99 
 
 (LORRAIN, Claude) 84 
 
 LUNDENS, Gerrit 52 
 
 MACKNIGHT, Dodge 135 
 
 MAGONIGLE, H. Van Buren 187 
 
 MANCINI, Antonio 100 
 
 192 
 
INDEX— Continued 
 
 Page 
 
 MANSHIP, Paul 164 
 
 MARATTA, Carlo 31 
 
 MASSYS, Quentln 71 
 
 MASTER OF THE SAN MINIATO ALTAR- 
 PIECE, The 31 
 
 MELCHERS, Gari 135 
 
 METCALF, Willard L 136 
 
 MEUNIER, Constantin 167 
 
 MILLER, Richard 136 
 
 MILLET, Francis D 139 
 
 (MUNKACSY, Mihaly de) 100 
 
 MURILLO, Bartolom6 Esteban 87 
 
 MURPHY, J. Francis 139 
 
 MYLNE, William 139 
 
 NADELMAN, Elie 167 
 
 NAKAGAWA, Hachiro 100 
 
 NEEFFS, Peter, the Elder 71 
 
 NEER, Aert van der 55 
 
 NEWELL, George G 139 
 
 NOURSE, Elizabeth 139 
 
 NUZI, Alegretto 32 
 
 OLINSKY, Ivan 140 
 
 OWEN, William 79 
 
 PANINI, Giovanni Paolo 35 
 
 PATINIR, Joachim 71 
 
 PAULUS, Francis Petrus 140 
 
 PEALE, Rembrandt 140 
 
 PEDRINI, Giovanni 35 
 
 PERELMA, Ossip 100 
 
 PERRAULT, Leon Bazile 100 
 
 193 
 
INDEX— Continued 
 
 Page 
 
 PEWABIC POTTERY 176 
 
 PICKNELL, G. W 140 
 
 PITTS, Lendall 143 
 
 POEL, Egbert van der 55 
 
 POELEMBURG, Cornelius 55 
 
 POLASEK, Albin 168 
 
 PUTZ, Leo 103 
 
 RAMENGHI, Bartolommeo . 36 
 
 REDFIELD, Edward 143 
 
 REHN, F. K. M 143 
 
 REID, Robert 143 
 
 (REMBRANDT) 56 
 
 RENI, Guide 39 
 
 REYMERSWALE, Marinus van 72 
 
 REYNOLDS, Sir Joshua 79 
 
 RIBERA, Jusepe de 91 
 
 RICCI, Pietro 39 
 
 RICHARDS, Samuel 144 
 
 ROBINEAU PORCELAINS 179 
 
 ROBUS, Hugo 183 
 
 ROLSHOVEN, Julius 144 
 
 RONNER, Henrietta 103 
 
 ROOS, Philip 56 
 
 (ROSA da TIVOLI) 56 
 
 ROSS, Isabel 144 
 
 ROTH, Frederick G. R 168 
 
 RUBENS, Peter Paul 72 
 
 RUYSDAEL, Solomon van 56 
 
 RYN, Rembrandt Harmensz van 56 
 
 SACCHI, Andrea 39 
 
 SAFTLEVEN, Herman, the Younger 59 
 
 194 
 
INDEX— Continued 
 
 Page 
 
 SAINT-GAUDENS, Augustus 171 
 
 SALVI, Giovanni Battista 40 
 
 SANO di PIETRO 40 
 
 (SARTO, Andrea del) 43 
 
 (SASSOFERRATO) 43 
 
 SCHREYER, Adolph 103 
 
 SEYFFERT, Leopold 144 
 
 SHIRLAW, Walter 144 
 
 SMITH, F. Hopkinson 147 
 
 SONNTAG, William L 147 
 
 (SPAGNOLETTO, Lo) 91 
 
 SPENCER, Robert 148 
 
 STANLEY, John M 148 
 
 STEEN, Jan 59 
 
 STEENWYCK, Hendrick van, the Younger 75 
 
 STERNE, Maurice 148 
 
 STONE, Arthur J 183 
 
 SWIFT, Ivan 148 
 
 TENIERS, David, the Younger 75 
 
 THEOTOCOPULI, Domenico 91 
 
 TIFFANY, Louis C 183 
 
 TISI, Benvenuto 43 
 
 (TITIAN) 43 
 
 TIZIANO, Vecellio 43 
 
 TROUBETZKOY, Paul 171 
 
 TROYON, Constant 103 
 
 TRYON, Dwight William 151 
 
 TWACHTMAN, John H 151 
 
 VAN MARCKE, Emile 104 
 
 VELDE, Adrian van der 60 
 
 195 
 
INDEX— Continued 
 
 Page 
 
 VELDE, William van der 60 
 
 VERBOOM, Adrian 60 
 
 VERNET, Claude Josef 84 
 
 VLIEGER, Simon de 63 
 
 VLIET, Hendrick van 63 
 
 VONNOH, Bessie Potter 171 
 
 VOORT, Cornelius van der 63 
 
 VOS, Cornelius de 76 
 
 WALTENSPERGER, Charles 151 
 
 WEINMAN, Adolph A 172 
 
 WEIR, J. Alden 152 
 
 WERFF, Peter van der 64 
 
 WEST, Benjamin 152 
 
 WEX, Wilhelm .104 
 
 WHISTLER, James A. M 155 
 
 WHITNEY, Gertrude V 172 
 
 WICKENDEN, Robert J 155 
 
 WILSON, Richard 80 
 
 WITTE, Emanuel de 64 
 
 WOODBURY, Charles H 155 
 
 WOOLLEY, James T 179 
 
 WOUVERMANN, Philip 64 
 
 WYANT, Alexander 155 
 
 WYNANTS, Jan 64 
 
 YELLIN, Samuel 187 
 
 YOSHIDA, Hiroshi 104 
 
 196 
 
/ 
 
^7 "3 ? 7^ 
 
THE INLAND PRESS 
 DETROIT