GETTY 
 CENTER 
 LIBRARY 
 
From l <w4£y of 
 Frank iii .pson 
 
CATALOGUE 
 
 OF THE 
 
 PICTURES 
 
 BELONGING TO THE 
 
 MARQUIS OF STAFFORD, 
 
 AT 
 
 CLEVELAND HOUSE. 
 
 PRINTED BY JOHN MEESON, 
 
 New Street Square, Fetter Lane, London ; 
 
 FOR M. GUMMOW. 
 18 14, 
 
CATALOGUE 
 
 OF THE 
 
 PICTURES. 
 
 SCARZELINO DA FERRARA. 
 
 The Disciples of Emmaus. 
 From the Orleans Gallery. 
 
 FRANCESCO GESSI. 
 Head of a Madonna. 
 
 BAL. PERUZZI. 
 
 Adoration of the Kings* 
 From the Orleans Gallery. 
 
 GRIMOUX, after MURILLOr 
 
 The good Shepherd* 
 
 B 
 
5» DENIS CALVART. 
 
 The Entombing of Christ. 
 
 6. ANNIBAL CARRACCI. 
 St. Gregory with Angels. 
 
 This Picture, which was formerly in the 
 Church of St. Gregorio at Rome, represents Pope 
 Gregory the Thirteenth at his Devotions, sup- 
 ported by Angels. It is mentioned by Baglione 
 as having been painted for the Cardinal A. M. 
 Saiviati, for the Chapel in that Church. 
 
 7. ANNIBAL CARRACCI. 
 
 Danae. 
 From the Orleans Gallery. 
 
 8. RAFFAELLE SANZIO. 
 
 The Virgin and Child. 
 From the Collection of Sir Joshua Reynolds, 
 
 9. RAFFAELLE SANZIO. 
 
 A Holy Family. 
 From the Orleans Gallery. — Purchased by 
 the Duke of Orleans from the Collection of M. 
 Tamboneau. A specimen of the first manner of 
 the master. 
 
3 
 
 10. RAFFAELLE SANZIO. 
 
 A Holy Family. 
 From the Orleans Gallery.— This Picture (of 
 which there are many copies) was, from its supe- 
 rior excellence, distinguished in France by the 
 appellation of La belle Fierge; it belonged to the 
 Queen of Sweden, and was always accounted a 
 chef d'ceuvre in the best manner of Raphael. 
 
 11. LODOVICO CARRACCI. 
 
 The Descent from the Cross. 
 
 From the Orleans Gallery. — A remarkable 
 specimen of the expression and colouring of L. 
 Carracci. It belonged to the Duke of Modena. 
 
 12. SALVATOR ROSA. 
 
 Jacob tending his Flock. 
 
 13. PIETRO FRANCESCO MOLA. 
 St. John preaching. 
 From the Orleans Gallery. — Formerly be- 
 longed to the Baron de Breteuil. 
 
4 
 
 14. GIULIO ROMANO. 
 
 The Nursing of Hercules, 
 From the Orleans Gallery. 
 
 15. ANNIBAL CARRACCI. 
 
 St. John sleeping. 
 From the Orleans Gallery. 
 
 16. PARMIGIANO. 
 
 Cupid making his Bow. 
 From the Orleans Gallery. — This Picture, 
 which, in the description of the Palais Royal, is 
 falsely attributed to Correggio, was in the Collec- 
 tion of the Queen of Sweden 5 and, according to 
 the account of Vasari, was painted by Parmi- 
 giano for a French Gentleman, called the Che- 
 valier Bayard : from whom it descended to hi? 
 heir, Signior Marcantonio Cavalca. 
 
 17. PARMIGIANO. 
 
 The Virgin and Child, S$e 
 
5 
 
 18. LUCA CAMBIASI. 
 
 The Death of Adonis. 
 From the Orleans Gallery. — It formerly be- 
 longed to the Comte de Melfort. 
 
 19. ANNIBAL CARRACCI. 
 
 A Repose in Egypt. 
 From the Orleans Gallery. — A beautiful 
 specimen of A. Carracci, in his Bolognese man- 
 ner. It belonged to M. Tamboneau. 
 
 20. LODOVICO CARRACCI. 
 St. Jerome, 5Cc. after Correggio. 
 
 From the Orleans Gallery. — A Copy from the 
 famous Picture of Correggio at Parma, and now 
 in the Musaeum at Paris. 
 
 21. PARIS BORDONE. 
 
 A Holy Family. 
 From the Orleans Gallery. 
 
 22. GUERCINO. 
 David and Abigail. 
 
 From the Orleans Gallery. — Belonged to 
 the Cardinal Mazarin. 
 
23. TINTORETTO. 
 
 Descent from the Cross. 
 From the Orleans Gallery. — Came from Madrid. 
 
 24. TITIAN. 
 
 The Three Ages. 
 
 From the Orleans Gallery. — Was purchased 
 from the Collection of the Queen of Sweden, and 
 is called in the Catalogue of the Palais Royal La 
 Vie Humaine, from the representation it contains 
 of Infancy, Manhood, and Old Age. It was 
 painted (according to the account of Vasari) by 
 Titian, after he had studied the works of Gio. 
 Bellini, for the sister-in-law of Gio. di Castel, 
 who resided at Faenza, and afterwards came into 
 the possession of the Cardinal of Augsburgh. 
 
 25. LODOVICO CARRACCI. 
 
 The Dream of St. Catherine. 
 
 From the Orleans Gallery. — From the Col- 
 lection of M. de Nancre'. 
 
7 
 
 26. DOMENICHINO. 
 
 Christ bearing his Cross. 
 From the Orleans Gallery. — Belonged to the 
 Marquis de Siegnelay. 
 
 27. SEBASTIAN DEL PIOMBO. 
 
 The Entombing of Christ. 
 From the Orleans Gallery. — Belonged to 3VL 
 de Bretonvilliers. 
 
 2$. GUIDO. 
 
 Head of a Madonna. 
 From the Orleans Gallery. — Belonged to Mr. Rafle, 
 
 29. ALESSANDRO VERONESE. 
 Joseph and Potiphar's Wife. 
 
 From the Orleans Gallery. — A highly-finished 
 Picture, painted on touchstone. It belonged to 
 the Due de Bourbon. 
 
 30. GUIDO. 
 
 The Infant Jesus sleeping. 
 From the Orleans Gallery, 
 
8 
 
 31. CARLO MARATTI. 
 
 The Virgin learning to read. 
 From the Collection of the Hon. T. H. Brand. 
 
 32. BOURGUIGNON. 
 
 A Landscape. 
 
 33. MICHAEL ANG. DELLE BATTAGLIE. 
 
 An Old-Clothes-Man. 
 From the Collection of Sir George Yonge, 
 
 34. GIO. BAT, MOLA. 
 
 The Baptism of Christ. 
 
 35. GUERCINO. 
 A Landscape. 
 
 From the Collection of the Hon. T. H. Brand, 
 
 36. GIRO FERRI. 
 
 A Madonna and Child. 
 From the Collection of the Hon. T. H. Brand. 
 
9 
 
 37* TITIAN. 
 
 Portrait of Pope Clement the Seventh. 
 
 Giuliano d6 Medici, natural son of Giuliana> 
 brother to Lorenzo de Medici, and cousin of 
 Leo X. to whom he succeeded as Pope after the 
 short pontificate of Adrian VI. in 1523. This 
 Portrait was probably painted at Bologna in 
 1530, with some others of persons who were 
 assembled there during the meeting of the Em* 
 peror Charles V. and Clement VII. 
 
 38. PIETRO DA CORTONA. 
 
 The Offering of the Magi. 
 
 39. CLAUDE LE LORAIN. 
 
 A Landscape* 
 No. 101 in the Liber Veritatis. 
 
 40. 
 
 FRANCOIS MILLED 
 A Landscape. 
 C 
 
10 
 
 41. SALVATOR ROSA. 
 
 A Landscape. 
 From the Collection of the Due de Praslin, 
 where it was known by the name of Les Augures, 
 or the Soothsayers. 
 
 42. FRANCOIS MILLE'. 
 
 A Landscape. 
 
 43. CLAUDE LB LORAIN. 
 
 A Landscape. 
 From the story of the Apulean Shepherd 
 turned into an Oliv e Tree. Ovid's Metamorphosis, 
 Book IV.— Painted for M. de la Garde in 1657.— 
 No. 142 in the Liber Veritatis. 
 
 44. TRANCESCO ALBANO. 
 
 Salmacis and Hermaphroditus. 
 
 From the Orleans Gallery. — Formerly be- 
 longed to the Abbe Des Camps. 
 
 45. GUASPAR POUSSIN. 
 
 A Landscape. 
 A View in the neighbourhood of Rome, 
 
11 
 
 46. RAFFAELLE SANZIO. 
 
 The Virgin and Infant Jesus. 
 
 From the Orleans Gallery. — Purchased by 
 the Duke of Orleans from M. Ronde, a jeweller, 
 to whom it had been transferred by M. de Mon- 
 tarsis, who had it from the Collection of the 
 Marquis de Seignelay. 
 
 47. LIONARDO DA VINCI. 
 
 Head of a young Female. 
 
 From the Orleans Gallery. — An interesting, 
 and singular specimen of L. da Vinci. 
 
 48. FILIPPO LAURI AND MARIO DE FIORI. 
 
 Cupids and Flozeers. 
 
 49. TINTORETTO. 
 
 A Portrait. 
 From the Orleans Gallery, 
 
12 
 
 50. CLAUDE LE LORAIN. 
 
 A Landscape. 
 Moses in the burning Bush. 
 Belonged in 1664 to M. de Bourlemont, af- 
 terwards to Mr. Clarke, and to the Hon. Edward 
 Bouverie, from whom it was purchased by the 
 Duke of Bridgewater. No. 161 of the Liber 
 Veritatis. 
 
 51. FILIPPO LAURI. 
 
 A Repose in Egypt. 
 
 52. L. CARRACCI, after CORREGGIO. 
 
 The Marriage of St. Catherine. 
 Probably copied by L. Carracci when he was 
 studying the works of Correggio. It belonged to 
 the Comtesse de Foix. 
 
 53. GUASPAR POUSSIN. 
 
 A Landscape. 
 
 54. ANNIBAL CARRACCI. 
 
 St. John pointing to the Messiah. 
 From the Orleans Gallery.— Belonged to M 
 Paillot. 
 
13 
 
 55- CORREGGIO. 
 
 A Holy Family. 
 
 From the Orleans Gallery. — Called in the 
 description of the Palais Royal La Vierge an 
 Panier. 
 
 56. GUASPAR POUSSIN. 
 
 A Landscape. 
 Companion of No. 53. 
 
 57. PALMA VECCHIO. 
 
 Portrait of a Doge of Venice. 
 From the Orleans Gallery. 
 
 58. CLAUDE LE LORAIN. 
 
 A Landscape. 
 Companion to No. 50. — Belonged in 1664 to 
 M. de Bourlemont, afterwards to Mr. Clarke and 
 to the Hon. E. Bouverie, from whom it was pur- 
 chased by the Duke of Bridgewater. No. 161 of 
 the Liber Veritatis. 
 
u 
 
 5<>. ANNIBAL CARRACCI. 
 
 A Crucifixion. 
 From the Orleans Gallery. 
 
 60. CARLO CIGNANI. 
 
 Christ in the Garden. 
 From the Orleans Gallery. 
 
 6l • BARTOLOMEO SCHIDONE. 
 
 The Virgin teaching Christ to read. 
 
 From the Orleans Gallery. — Belonged to 
 M. Coypel. 
 
 62. DOMENICHINO. 
 
 A Landscape. 
 From the Orleans Gallery. — Belonged to 
 M. de Hautefeuille. 
 
 63. ALBERT DURER. 
 
 Death of the Virgin. 
 From the Collection of Mr. Purling. 
 
15 
 
 t)4. D0MEN1CHIN0. 
 
 The Vision of St. Francis. 
 
 From the Orleans Gallery. — Formerly be- 
 longed to M. Paillot. 
 
 #5. ANNIBAL CARRACCI. 
 
 Diana and Calisto. 
 
 From the Orleans Gallery. — Ovid's Metamor- 
 phosis, Book II. — Belonged to M. Tamboneau. 
 
 66. ALESSANDRO TIARINI. 
 
 A Holy Family. 
 
 67. ANNIBAL CARRACCI. 
 
 The Vision of St. Francis. 
 
 From the Orleans Gallery. — Belonged to 
 M. de JLaunay, Directeur de la Monnoye des 
 
 Mifidafflcs. 
 
16 
 
 68. NICOLO POUSSIN* 
 
 The Sacrament of Penance. 
 
 From the Orleans Gallery. — This Picture, 
 with six others of the same size, were painted at 
 Rome for M. de Chantelou. The subject of the 
 Sacrament of Penance is taken from St. Luke, 
 chap. vii. ver. 36. 
 
 6,9. Extreme Unction 
 
 JO. Ordination. 
 
 St. Matthew, chap. xv. ver. 19, 
 
 7 1 . Moses striking the Rock. 
 
 From the Orleans Gallery.— Exodus, chap- 
 xvii. ver. 6. — Was painted for M. Gillier at Rome, 
 and afterwards belonged to M. de L'Isle Sour- 
 diere, to the President de Believre, to M. de 
 Dreux, and to the Marquis de Seignelay, 
 
 J2. The Sacrament of Baptism. 
 
 St, Mark, chap. i. ver. 9, 
 
17 
 
 73* Confirmation. 
 
 Acts of the Apostles, chap. viii. ver. 17. 
 
 74. Marriage. 
 
 St. Luke, chap. i. ver. 27. 
 
 75. The Eucharist. 
 St. John, chap. xiii. 
 
 J6. TADDEO ZUCCHERO. 
 
 The Ascension. 
 From the Collection of the Hon. T. H. Brand. 
 
 77- MENGS. 
 
 Portrait of Robert Wood, Esq. 
 Author of " Ruins of Palmyra," &c» 
 
 78. FRANCOIS MILLE'. 
 
 A Landscape. 
 
 79. FILIPPO LAURI. 
 
 Bacchanalian. 
 
 D 
 
18 
 
 80. CASTIGLIONE. 
 
 A Landscape with Figures. 
 From the Collection of the Hon. T. H. Brand. 
 
 81. 
 
 82. DOMENICO FETI. 
 
 The Head of St. John in a Charger. 
 From the Collection of the Hon. T. H. Brand. 
 
 83. PIETRO DEL LA VECCHIA. 
 
 Soldiers in a Wood. 
 From the Collection-of the Hon. T. H. Brand. 
 *^^*->^-^> 
 
 84. TITIAN. 
 
 Diana and Acteon. 
 From the Orleans Gallery. — Mentioned by 
 Vasari to have been (with its companion Diana 
 and Calisto) painted for Philip II. of Spain. 
 
 85. ZUCCARELLI. 
 
 Landscape and Figures. 
 
19 
 
 86. fcEANDRO BASSANO. 
 
 The last Judgment. 
 From the Orleans Gallery, 
 
 87. FRANCESCO ALBANO. 
 
 A Holy Family. 
 
 88. BOLOGNESE. 
 A Landscape. 
 
 From the Collection of the Hon. T. H. Brand, 
 
 89. G. C. d'aRPINO. 
 The Fall of the Angels. 
 
 From the Collection of the Hon. T. H. Brand, 
 
 90. LONDONIO. 
 
 A Landscape and Figures. 
 
 91. DOMENICHINO. 
 
 A Landscape and Figures. 
 
20 
 
 LAN FRANCO 
 
 The Vision of St. Francis. 
 
 9%. POLIDORO DA CARAVAGIO. 
 
 The Passage of the Red Sea. 
 
 94- TITIAN. 
 
 Venus rising from the Sea. 
 
 From the Orleans Gallery. — Called in the 
 description of the Palais Royal Venus ci la Coquille. 
 It belonged to the Queen of Sweden. 
 
 95. GIACOMO BASSANO. 
 
 The Circumcision. 
 From the Orleans Gallery. 
 
 Q6. ANDREA SCHIAVONE. 
 
 Pilate washing his Hands. 
 From the Orleans Gallery. — Belonged to the 
 Queen of Sweden. 
 
21 
 
 #7- SPAGNOLETTO. 
 
 Christ disputing with the Doctors. 
 
 From the Orleans Gallery. — From the Col- 
 lection of the Archdukes Leopold and John of 
 Austria. 
 
 98. PALMA VECCHIO. 
 
 A Holy Family, 
 
 99. PORDENONE. 
 
 The Woman taken in Adultery. 
 From the Collection of Sir George Yonge, 
 
 100. CORREGGIO. 
 
 The Mule. 
 From the Orleans Gallery. — Said by Mengs 
 and others to have been painted and given by 
 Correggio as the payment of a debt,, which he 
 could not otherwise discharge, to the proprietor 
 of an inn on a road where he frequently travelled. 
 It belonged to the Queen of Sweden. 
 
2% 
 
 101. PALM A VECCHIO. 
 
 A Holy Family. 
 
 102. PAUL VERONESE. 
 
 The Supper at Emmaus. 
 
 From the Orleans Gallery. — Belonged to 
 Sig. Muselli at Verona, and to the Marquis de 
 Seignelay and M. Crozat 
 
 103. ANDREA SCHIAVONE. 
 The Marriage of St. Catherine. 
 
 104. TITIAN. 
 
 Diana and Calisto. 
 
 From the Orleans Gallery. — Vide Ovid's Me- 
 tamorphosis, Book II. The companion of No. 84. 
 
 105. 
 
*3 
 
 106. T. W. M. TURNER. 
 
 A Sea View. 
 
 lOJ. RICHARD WILSON. 
 
 A Landscape. 
 
 108. RICHARD WILSON. 
 
 The Story of Niobe. 
 The Figures by Placido Costanza. 
 
 109. VALERIO CASTELLI. 
 
 A Holy Family. 
 From the Collection of the Hon. T. H, Brand, 
 
 110. ANDREA DEL SARTO. 
 
 A Holy Family. 
 From the Collection of the Hon. T. H. Brand. 
 
 111. W. DOBSON. 
 
 Head of Charles the First. 
 
24 
 
 112. TINTORETTO. 
 
 A Portrait. 
 From the Orleans Gallery. — Inscribed anno 1580 
 
 113- 
 
 114. WILLIAM VANDERVELDE. 
 
 A Naval Engagement. 
 The same represented on a larger scale in 
 No. 242. 
 
 115. NICOLAS BERGHEM. 
 
 A Landscape with Cattle. 
 From the Collection of Mr. Purling. 
 
 llC). JOHN HENDRICK ROOS. 
 
 A Landscape with Cattle. 
 
 117. LUDOLPH BACKHUYSEN. 
 
 A Sea View. 
 
25 
 
 118. NICOLAS BERGHEM. 
 
 The Bridge. 
 From the Collection of M. de Calonne, 
 
 119. WILLIAM VANDERVELDE. 
 
 A Sea View. 
 
 120. DAVID TENIERS> JUN. 
 
 Ducks in Water. 
 From the Collection of Sir William Hamilton 
 
 181. MOMPERT. 
 
 A Landscape. 
 Purchased from M. Byres at Rome. 
 
 122. POLEMBERG. 
 
 A Landscape with Figures, 
 
 123. ROTTENHAMER. 
 
 A Groupe of Boys. 
 From the Collection of the Greffier Fagel 
 
124- JOHN ASSEYLIN 5 or CRABBETJE. 
 A Landscape, with a Bridge and Cattle. 
 
 125. GONZALES COaUES. 
 
 Portrait of Elizabeth Princess Palatine, 
 Daughter of James the First, married to Frede- 
 rick Elector Palatine, called King of Bohemia. 
 
 126. CORNELIUS HUYSMAN. 
 A Landscape with Figures. 
 
 127. LE NAIN. 
 
 The Village Musician. 
 From the Collection of the Earl of Besborougli. 
 
 128. FRANCOIS PORBUS. 
 Portrait of Porhus, by himself. 
 
 From the Collection of the Earl of Besborougb. 
 
 129. GILLES SCHAGEN. 
 
 The Interior of a Dutch Cottage. 
 
27 
 
 l^O. JOHN PETER VAN SLINGELANDT. 
 
 The Interior of a Kitchen, 
 
 131. GABRIEL METZU. 
 
 A Lad]/ with a Lap-Dog. 
 
 132. NICOLAS BERGHEM. 
 
 A Landscape zvith Figures. 
 
 133. WILLIAM VANDERVELDE, 
 
 A Sea View with Vessels, fye: 
 
 ;34. REM BRANT. 
 
 Portrait of Rembrant, by himself 
 
 135. HOBBIMA. 
 
 A Landscape with Figures. 
 
 136. WILLIAM VANDERVELDE. 
 
 A Sea View* 
 
28 
 
 137- RUBENS. 
 
 Peace and War. 
 
 An Allegory. — Presented by Rubens to Charles 
 the First. It is mentioned in the Catalogue of 
 the Royal Collection, March 26, 1649, as being 
 placed in the Bear Gallery at Whitehall, by the 
 description of <c Peace and Plenty, with many 
 u figures as big as the life, by Rubens." It is also 
 described in another part of the same Catalogue 
 as an emblem of Peace and War, e< which Sir 
 " Peter Paul Rubens when he was here in Eng- 
 " land did paint, and presented it himself to the 
 ee King, containing some nine figures." 
 
 It was carried to Genoa, where it was known 
 in the Doria Palace by the name of the Family of 
 Rubens, his own Portrait and those of his Wife 
 and Children being introduced in it and was 
 brought from thence by Mr. Irwine and Mr. 
 Buchannan. 
 
 138. REMBRANT. 
 
 Portrait of a Lady. 
 
 HOBBIMA. 
 
 A. Landscape. 
 
29 
 
 140. DAVID TENIERS, JUN. 
 
 The Alchemist. 
 Date of 1639, engaged by Le Bas, 
 
 141. T. WYNANTS. 
 A Landscape. 
 
 142. ALBERT CUYP. 
 
 The Landing of Prince Maurice at Dort. 
 
 143. PHILIP DE CHAMPAGNE. 
 
 Portrait of the Marquis de Seignelay. 
 Purchased at the sale of Mr. Turnbull. 
 
 144. ABRAHAM JANSENS. 
 
 A Woman scouring a Kettle. 
 
 145. A Woman frying Pancakes. 
 
 1 46. A Man reading a Ballad. 
 
 Purchased at the sale of Mr. JBenfield, 
 
30 
 
 147- C. DUSART. 
 
 Men playing at Cards, with the Interior of a 
 Cottage. 
 
 148. FRANCIS MIERIS, 
 
 CALLED THE YOUNG FRANCIS. 
 
 Interior of a Cottage, zvith a Woman 
 and Child, fyc. 
 
 149. WILLIAM MIERIS. 
 
 A Musician. 
 
 150. FRANCIS MIERIS (THE ELDER). 
 
 A Lady at her Toilette. 
 
 151* A Portrait. 
 
 152. DAVID TENIERS, JUN. 
 
 A Winter Scene, 
 
31 
 
 153- WILLIAM VANDERVELDE. 
 
 A Sea View. 
 
 154. LANGHEN JAN. 
 The Assumption. 
 
 155. JOHN VAN HUGHTENBURG, 
 
 A Battle. 
 
 156. JOHN VAN GOYEN. 
 
 A Landscape, with a View of a Convent and 
 Figures. 
 
 157. A. CUYP. 
 
 A Landscape zoith Ruins. 
 
 158. ANTHONY VAN DYCK. 
 
 A Madonna and Infant Christ. 
 
 159. P. WOUVERMANS. 
 
 A Battle. 
 
3^ 
 
 l6o. A. CUYP. 
 
 A Landscape with Figures 
 Belonged to M. de Calonne, 
 
 \6l. A. CUYP. 
 
 An Abbey in liuins, with Figures and Cattle, 
 
 162. RUBENS. 
 
 St. Theresa. 
 
 JACGtUES RUYSDAAL. 
 A Landscape. , 
 
 164. A. CUYP. 
 A Landscape. 
 
 165. ARRY DE VOYS. 
 Portrait of a Student. 
 
33 
 
 1 6*6*. RUBENS. 
 
 Mercury and Psyche. 
 Probably painted by Rubens, when he stu- 
 died at Rome, from the works of Raphael as 
 part of it appears to be copied from the Apo- 
 theosis of Psyche in the part of the Palace called 
 Little Farnese at Rome. 
 
 lSj. GABRIEL METZU. 
 
 A Woman znoith tish and Fruit. 
 
 168. DAVID TENIERSj SEN. 
 
 A Pilgrim, He. 
 
 JOHN VANDER HEYDEN. 
 View of a Town, Draw- Bridge, £fc\ 
 
 170. C. DUSART. 
 
 Boors regaling. 
 
34 
 
 171 • VAN TOLL. 
 
 A sleeping Musician* 
 
 172. ADRIAN OSTADE. 
 
 The Interior of a Cottage, with Boors 
 regaling. 
 
 173. A. OSTADE. 
 
 A Lawyer j with a Peasant bringing him 
 Game. 
 
 W; 
 
 Inscribed A. Ostade, 1671. 
 
 174. CORNELIUS MOLINAER. 
 
 A Dutch Festival. 
 
 175. A. OSTADE. 
 
 Boors playing at Nine-Pins, with a Cottage 
 and Landscape. 
 
35 
 
 lj6. A. OSTADE. 
 
 Men playing at Trictrac. 
 Inscribed A. Ostade, 1664. 
 
 177. TENIERS. 
 
 Boors playing at Cards. 
 
 178. A. OSTADE. 
 
 A Peasant with a Glass in his Hand. 
 From the Collection of the Due de Rohan Chabot, 
 
 1 79. A. OSTADE. 
 
 Dutch Courtship. 
 From the Collection of the Due de Rohan Chabot, 
 
 ISO. MICHAEL MIREVELDT. 
 
 A Portrait. 
 
 l8l. GERIT VAN HARP. 
 
 A Music Party. 
 
36 
 
 \S2. DAVID TENIERS, JUN. 
 
 A Dutch Fair. 
 
 iS^c WILDENS. 
 
 A Landscape. 
 
 184. A. CUYP. 
 
 A Landscape. 
 
 185. SOLOMON KOONINCK. 
 The Interior of a Study ; 
 
 Inscribed S. Kooninck, 1630. 
 
 186. GERARD DOUW. 
 
 The Interior of a Study ; 
 
 In which his own Portrait is introduced. 
 Inscribed G. Dou. 1637. 
 
 187. JAN STEEN. 
 
 A Woman selling Fish. 
 
37 
 
 1 88. GERARD DOUW. 
 
 A Woman selling Herrings and Garden- 
 Stuff. 
 
 189. ANTHONY VAN DYCK. 
 
 Portrait of Thomas Howard Earl of Arundel, 
 One of the first Protectors of the Arts in England. 
 
 190. FRANCIS SNEYDERS. 
 
 Dogs with Fruit. 
 
 191. JAN VAN CAPELLE. 
 
 A Landscape with a River and Boats. 
 
 192. G. METZU. 
 
 A Lady giving Refreshments to a Traveller. 
 Engraved in the Gallery of M. Le Brun. 
 
 193- REMBRANT. 
 
 Samuel and Eli. 
 By some called Samuel and Hannah, 
 
38 
 
 lp4. GASPARD NETSCHER. 
 
 Vertumnus and Pomona. 
 Said to be a Portrait of the Duchesse de 
 Mazarin and M. de St. Evremont. Engraved by 
 Boydell. 
 
 195. VAN TOLL. 
 
 An old Woman and Dog. 
 
 196. REMBRANT. 
 Portrait of a Burgo- Master. 
 
 197. G. VAN HARP. 
 
 Boors regaling. 
 
 198. DAVID TENIERS, JUN. 
 
 A Dutch Festival. 
 
 199. J. T. BLANKOF. 
 
 A Sea View. 
 
39 
 
 200. DAVID TENIERS, JUN. 
 Peasants playing at Nine-Pins. 
 
 201. E. H. VANDERNEER. 
 
 A Dutch Drummer-Boy. 
 
 202. CORNELIUS BEGA. 
 
 Interior of a Cottage, with a Woman 
 nursing a Child. 
 
 From the Collection of the Greffier Fagel. 
 
 203. WATERLOO. 
 
 A Landscape. 
 ^^^^ 
 
 204. VICTOR. 
 Interior of a Cottage. 
 
 205. STOOP. 
 
 A Landscape and Figures. 
 
40 
 
 206. GONZALES COGLUES. h 
 Portrait of Frederick Elector Palatine, 
 
 called King of Bohemia. 
 
 207. C. HUYSMAN. 
 A Landscape. 
 
 208. JOHN BOTH. 
 
 A Landscape. 
 
 209. JOSEPH CRAESBEKE. 
 
 A Peasant dressing a Wound. 
 
 210. WILLIAM KALF. 
 
 Kitchen Utensils. 
 
 211. BRECKELENCAMP. 
 
 An old Woman. 
 
 212. NICOLAS BERGHEM. 
 A Landscape with Figures. 
 
 From the Collection of M. de Calonne. 
 
41 
 
 213- JOHN WYNANTS. 
 
 A Landscape with Figures. 
 
 214. ISAAC OSTADE. 
 
 A Landscape with Figures. 
 
 215. JOHN WYNANTS. 
 
 A Landscape with Figures. 
 
 216. JOHN FYT. 
 
 A Dog chained. 
 This Picture has sometimes been ascribed to 
 Velasquez. 
 
 217. J. WYNANTS. 
 
 A Landscape with a Tower and Figures. 
 
 218. 
 
 ISAAC OSTADE. 
 
 A Landscape with Figures. 
 G 
 
42 
 
 . J. WYNANTS. 
 
 A Landscape. 
 Dated 1659. 
 
 220. JOHN BOTH. 
 
 A Landscape and Figures. 
 The Figures by Polemberg. 
 
 221. J. RUISDAAL. 
 
 A Landscape, 
 
 222. VANDER LEEUW. 
 
 // Landscape and Cattle. 
 
 22$. PAUL POTTER. 
 
 Cattle. 
 
 224- ARNOLD VANDER NEER. 
 
 // flew bit Moonlight. 
 
43 
 
 225- J. RUISDAAL. 
 
 View of the old Gate of Amsterdam. 
 
 226. P. WOUVERMANS. 
 
 A Landscape with Figures hawking. 
 
 227. P. WOUVERMANS. 
 
 A Landscape with Figures, and a Hay-Cart 
 going over a Bridge. 
 
 228. P. WOUVERMANS. 
 
 A Hay- Field, with Persons loading a Cart 
 with Hay. 
 
 22$). H. M. ROKES (called ZORG.) 
 The Interior of an Alehouse. 
 
 ADAM PYNAKER. 
 
 A Landscape. 
 
44 
 
 23 !• A. OSTADE. 
 
 .4 Lawyer writing in his Study. 
 
 The Portrait of the Person represented 
 No. 173 appears to be copied here. 
 
 232. HENRY STEENWYCK. 
 
 The Interior of a Church at Antwerp. 
 
 233. DE VLEIGER. 
 
 A Sea Viezc. 
 
 234. ADRIAN BRAWER. 
 
 Boors singing. 
 
 235. ADRIAN VANDERVELDE. 
 
 A Landscape voith Cattle. 
 
45 
 
 236. VAN HUYSUM. 
 
 A Flower Piece. 
 
 23/. CORNELIUS DE HEEM. 
 
 Fruit and Flowers. 
 
 238. VAN OS. 
 
 Fruit and Flozvers. 
 
 239, W. ROMEYN. 
 
 A Landscape and Cattle. 
 
 ^40. KAREL DU JARDIN. 
 
 Travellers crossing a Stream. 
 
 24 1 • ALEXANDER KIERINGS. 
 
 A Landscape zvith Figures. 
 
46 
 
 242. WILLIAM VANDERVELDE. 
 
 Jl Naval Engagement, 
 
 The Subject of this Picture, which is also 
 represented in No. 114 on a smaller scale, is 
 " the taking of Sir George Ascough, Admiral of 
 u the White, in the Royal Prince, of 92 guns, in 
 ce the Engagement between the English and 
 " Dutch Fleets in June 1666. The English hav- 
 *' ing borne away to join Prince Rupert, Sir G. 
 cc Ascough's ship struck on the Galopper sands, 
 '* and, being left by his own Fleet, he was com- 
 u pelled to strike to the Gouda, of 64 guns, com- 
 u manded by Admiral Sweers, to which ship Ad- 
 u miral Van Tromp had shifted his flag during 
 " the Engagement : a fire-ship is seen bearing 
 " down with the Gouda, and the boat, com- 
 <c manded by Jacques Philips Sweers, Captain, is 
 £i going to take possession of the Royal Prince. 
 " Many of the crew, after they were taken out, 
 " crept in again at the port-holes, till they were 
 <c ordered to be shut. The Royal Prince was af- 
 " terwards got afloat ; but the Dutch, apprehen- 
 " sive she might be re- taken, or prove an embar- 
 u rassment to them in the engagement, which 
 " would be immediately renewed, thought it most 
 " expedient to burn her." 
 
47 
 
 243- JOHN BAPTIST WEENINX 0 
 
 A Portico, zvith Ruins, fyc. 
 £44, NICOLAS BERGHEM. 
 
 A Landscape with Figures, 
 
 245 GILLES TILBURGH. 
 
 A Village Festival. 
 
 246. JOHN LINGLEBACK. 
 
 A Landscape with Figures. 
 
 247. P. VAN LINT. 
 
 A Music Party. 
 
 248. 
 
 J. WYCK. 
 
 A Battle. 
 
48 
 
 249- GERARD TERBERG. 
 
 A Gentleman paving his Addresses to a Lady. 
 
 From the Collection of Mr. Craufurd, of 
 Rotterdam. 
 
 250. GASPARD NETSCHER. 
 
 A Lady washing her Hands. 
 
 251. JAN DE MIEL. 
 
 Monks giving Charity at the Gate of a 
 Convent. 
 
 From the Collection of the Countess of Hol- 
 derness. It formerly belonged to the Due de 
 Choiseul. 
 
 252. PAUL BRIL. 
 
 A Landscape with Figures. 
 
 253. M. HONDEKOETER. 
 
 Birds, 
 
49 
 
 254. GIOVANNI BATTISTA MORONI. 
 
 (Called il morone.) 
 
 Portrait of a Jesuit. 
 
 From the Borghese Palace at Rome, where it 
 was known by the description of Titian's School- 
 master j so called from the tradition that he used 
 particularly to notice that Portrait. He is also 
 reported to have said, on being asked who he 
 then thought the best Painter of Portraits, that 
 in his opinion those of Morone d'Albino were 
 incomparable. 
 
 255. PELEGRINO DA MADONA. 
 
 The Virgin and Child, St. Anthony of 
 Padua, and St. Francis at Rome. 
 From the Collection of Prince Giustmiani 
 at Rome. 
 
 2^6. SIR GEORGE BEAUMONT. 
 
 Entrance of Conway Castle* 
 
 257. 
 
 BIRD. 
 
 Death of Eli. 
 H 
 
50 
 
 258. VANDER NEER* 
 
 Landscape. 
 
 259. SIR PETER LELY. 
 Portrait of a Lady. 
 
 260. TENIERS. 
 
 Boors regaling. 
 
 26 1. SIR PETER LELY. 
 Countess of Middlesex, 
 
 262. TILBORGH. 
 Conversation. 
 
 26 t S. GAINSBOROUGH, 
 Cattle. 
 
51 
 
 2^4. REINAGLE. 
 
 Landscape. 
 
 26 j. King James the First. . 
 
 266. Lord Chancellor Ellesmere. 
 
 26 J. A Ruin. 
 
 268. A Castle and Shipping. 
 
 269* Landscape and Figures. 
 
 270. Landscape and Cattle. 
 
 271. The Wise Men, 
 
52 
 
 272. LORENZO LOTTO. 
 
 Virgin, Child, and Saints. 
 
 273. ECKHOUT. 
 
 Trictrac. 
 
 274. H. SWANEFELD. 
 
 Landscape, Figures, and a Boat. 
 
 275. POELEMBURG. 
 
 Landscape, zvith Figures bathing. 
 
 276. VAN TOLL. 
 
 An old Woman reading. 
 
 277- 
 
 SALVATOR ROSA. 
 
 A Holy Family. 
 
53 
 
 27§. VAN TOLL. 
 
 An old Man reading. 
 
 279. FRANCIS HALS. 
 Portrait of a Lady. 
 
 280. William vandervelde. 
 Sea Piece, with Fishermen* 
 
 28 1. ROTTENHAMER. 
 
 The Nativity. 
 
 282. MOREELZE. 
 
 Age and Infancy. 
 
 283. PAUL VERONESE. 
 
 Death of Adonis, 
 
54 
 
 284. VALENTIN* 
 
 Concert. 
 
 285. POMARANCIO 
 
 Jeptha's Daughter going to the Mount. 
 
 286. TINTORET. 
 
 Presentation in the Temple. 
 Story of Cepha/us and Procris. 
 
 VERNET. 
 Storm. 
 
 VERNET. 
 Calm. 
 
 290. VARGAS. 
 
 Saint John. 
 
 287. 
 288. 
 
 289. 
 
55 
 
 29 1. BOURGIGNONE. 
 
 Battle Piece. 
 
 292. BOURGIGNONE. 
 
 Battle Piece. 
 
 293. PAUL VERONESE. 
 Judgement of Solomon. 
 
 294. Copy from the Picture in Spain, 
 
 after Titian. 
 
 295. ONORIO MARINARI. 
 
 Fir gin. 
 
 296. ONORIO MARINARI, 
 
 Christ. 
 
56 
 
 297- AG. CARRACC1. 
 
 Martyrdom of St. Bartholomew. 
 
 298. WILLIAM VANDERVELDE. 
 
 Sea Piece. 
 
 299. G. P0USS1N. 
 
 A Storm, 
 
 / 
 
 John Meeson, Printer, 
 5, New Street Square, Fetter Lane, London. 
 
L _