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A 
 
 CATALOGUE 
 
 op THE 
 
 WELL-KNOWN AND TRULY VALUABLE 
 
 COLLECTION OF DRAWINGS,; 
 
 THE PROPERTY OF 
 
 JOHN WOODHOUSE, Esq, 
 
 COMPRISING 
 
 SPECIMENS OF THE FOLLOWING MUCH ESTEEMED MASTERS s 
 
 ANDERSON, 
 
 COZENS, 
 
 MARLOW, ’ 
 
 WESTALL, 
 
 ANGELICA, 
 
 GAINSBOROUGH, 
 
 MORLAND, 
 
 ZUCCARELLI, 
 
 BARTOLOZZI, 
 
 HAMILTON, 
 
 SANDBY, 
 
 ZUCCHI, 
 
 CIPRIANI, 
 
 HEARNE, 
 
 SERRES, 
 
 &c. &c. 
 
 CLERISSEAU; 
 
 IBBETSON, 
 
 SMYTH, 
 
 
 WHICH WILL BE SOLD BY AUCTION, 
 
 By Mr. CHRISTIE, 
 
 AT HIS GREAT ROOM, PAI-L-MALL, . . 
 
 Oa FRIDAY, the zyth tf FEBRUARY, i8ci, ' - 
 
 AND FOLLOWING DAY, AT ONE O’CLOCK, 
 
 y Ts, 
 
 To be viewed Two Days preceding the Sale, ^ 
 
 When Catalogues, (Price One Shilling,) may be had at the ROOMS. 
 
 LONDON: 
 
 Printed by H. p. s T EEL, No. 51, Lothbury, 
 
 M.DCCCI, 
 
CONDITIONS OF SALE. 
 
 J^TT HE higheft Bidder to be the Buyer; but, ftiould anj 
 Difpufcearife between two or more Bidders, the Lotfo difputec 
 fliall be put up again and re-fold. 
 
 II. No Perfon to advance lefs than is. Above Five Pounds 
 2S. 6d. and fo in Proportion. 
 
 III. The Purchafers to give in their Names and Places of ; 
 Abode, and to pay down 2 pl per Cent, in Part of the Purchafe- 
 Money ; in Default of which, the Lot or Lots fo purchafed 
 to be immediadely put up again, and re-fold. 
 
 IV. The Lots to be taken away, at the Expenfe of thq 
 Purchafers, within One Day after the Sale. 
 
 V. To prevent Inconveniencles that frequently attend 
 long and open Accounts, the Remainder of the Purchafe- 
 Money to be abfolutely paid on or before the Delivery. 
 
 VI. Upon Failure of cornplying with the above Conditions, 
 the Money depolited in Part of Payment fhall be forfeited ; and 
 all Lots uncleared within the Time fpecified, (hall be re-fold, 
 by public or private Sale ; and the Deficiency (if any) attending 
 fuch Re-'fale, fhall be made good by the Defaulters at the pre^ 
 fent Sale. 
 
[ 
 
 
1 
 
i 
 
 A 
 
 CATALOGUE^ ^c: 
 
 Firft Day’s Salg. 
 
 LOOSE drawing^ 
 iAt 
 
 I (jRIMM — Two: — Views in Sufie?^ . - ^ — 
 
 2 — Dxtto — T wo — Ditto — — — — 
 
 3 — C H A T E u A I N — T WO — Landfcapes, in htjier 
 
 4 — P I L L E M E N T — Two — Ditto, in black chaik — 
 
 5 — WoRLiDGE — Four — =Ditto, in pencil 
 
 6 — Ditto — S ix~Ditto, ditto — 
 
 7 — Zu c e A RE L L I — One — Ditto, beautiful 
 
 ! 8 — P. S A N D B Y — T wo — Ditto, in colours ^ - 
 
 I 9— Z u c c H 1 — T wo — Ruins, in bijier _ 
 
 ; JO — Marlow — Two — Views in Italy, fine - 
 
 ill — B arralet — T wo — Ditto, ditto 
 
 1 12 — Ditto — Two— -Ditto, ditto 
 
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LOOSE DRAWINGS. 
 
 
 / 
 
 C • /z- 0 
 
 3 -S-o 
 3 ■ .^-a 
 3- $-6 
 
 ill Day. 
 
 LOT . 
 
 1 3 — Rook E r — Two — Views near Windfor and Thames-Ditton, 
 highly finijhed 
 
 14 — Ditto — Two — Ditto, Mr. Morant’s, in Hamplhire, and 
 another 
 
 15 — Ibbetson — Two — Landfcapes, with Cattle 
 
 16— Morl A N D-— One— Of Pigs, in water colours, fpirited 
 
 1 7 — Di T T 0— One — Of Horfes, in coloured chalks, ditto 
 
 3 • ^ 0 ' 0 \% — D.Serres — -T wo— Calm and Brilk-Gale 
 
 N, Whited Drawings of this Mafer are wery rare. 
 
 
 /• 
 
 ^JoHN Smyth — One— The Infide of the Colefeo at Rome, 
 capital 
 
 ^ 'd 20 — How ITT — One — A Forefl: Scene, with Deer. 7 he attitudes of 
 the animals, breadth and fnijhing of the Landfcape, render this 
 Drawing truly pidurefque 
 
 3 ' PP 2j— P. Sandby — One — A Landfcupe, in water zolours, highly 
 
 ftiijhed 
 
 3 ‘ y • d ) JJ2 — Ditto — One — Ditto, its Companion, ditto 
 
 23 — Rebecca — Five — Hillorical Subjeds, 
 
 . 0 
 
 1 • id • O 
 
 24 — Cipriani — His Sketch-Book, containing 56 leaves 
 
 25 — Ditto— Three — Sketches, in pen and ink 
 
 26 — Ditto — Three— Academical Female Figures, in red and black 
 chalk 
 
 ^7— Ditto — Two— Studies, in pen and ink, remarkably fne 
 28 — Ditto — Three — Ditto, of the Holy Family, ditto 
 
 3, ^ Z ed 
 
 29— Ditto — Three — Ditto, of Angels, in India ink 
 
 ^ 'i c — D I T T 0 — T wo — Ditto, tinted 
 
 3 1 — Ditto —Two — Venus attiring, and a Nymph with a Dove 
 
 32 — Ditto— Two— Studies, in pen and ink, tinted, wry fine 
 
 ^ '<d 32 — Ditto — Two— Virtue direfting Genius to the Temple of 
 
 Fame, and Mercury crowning Apollo. Beautiful 
 3 ' 0,(1 34— Ditto— Two — Science oblerving Nature, and Beanty purfu- 
 ing Love, a mofi exquifite Jketch 
 
I 
 
LOOSE DRAWINGS. 
 
 
 1^0 -/f 
 
 A /‘^ 
 /• Z^O 
 /‘O 
 
 ift Day. 
 
 LOT 
 
 35 Cipriani — One — Semelc waiting the embraces of Jupiter, 
 
 finely compcfedt and elaborately finijhed 
 36 — Ditto — Two — Hilloiy and Poetry, in biller 
 
 3^ Ditto — Two — Acis and Galatea, and Diana and Endy^io^» 
 
 in --water colour Sj heautifnlly finijhed 
 
 38 Ditto— One — ADefign fora Mafquerade Ticket 
 
 3^ — Ditto — Three — Sketches, in pen and ink 
 
 — Ditto— One — The fird Defign for the Diploma, ^eryffirlted 
 
 Ditto — Two — One, a Frontifpiece to Dr. Priellley, on 
 
 MATTER AND SPIRIT; and Britannia receiving the Fine Arts 
 
 ^he firjl Defign for the Medallion of the Diploma 
 
 / * / ' O 42 — Ditto — Two — Angels adoring, and the Fall of the Giants, 
 <very fpirited 
 
 /'/&-() 43 — Ditto — O ne — Cephalus and Procris, full of character 
 
 ; ■ and , EXPRESSION ' 
 
 / • /C? • d 44 — Ditto — One — Hercules and Deianira, ditto 
 Zy ' 0 • O 45 — Ditto— Two — Defigns for Molini’s Edition of Ariollo, 
 highly finijhed 
 
 /•6 0 46 — Ditto — Two--Studies, for Ariollo, d:tto 
 / ' Cf • 0 47 — Ditto — Two — Ditto, ditto 
 Z - 0 ' O 48— Ditto — One — Nymphs and Satyrs, ditto 
 ^ 4g — Ditto — Three — Sketches, ditto 
 
 3 50 — Ditto — One — Venumnus and Pomona. The original Dr a^wing 
 
 from '-which the Ticket <was cngra'ved 
 
 / ' J 3 -d 3 I — Di T to — 0 |ie — Cupid leaning on his Bow. The original Draw' 
 ing for the S^anjoir Fi'-ure Mafquerade 
 
 / ^ O - 0 52 — Ditto — One — Infant Mercury likening. The original Draw- 
 ^ l^g J°^ P rof ejficntd Concert, Hano c er-fau re 
 
 /•//'6 53 — Ditto — One— Boys with Mafks. The original Drawing for 
 
 the MaJquerade’T icket at Hano'ver-Jqyiare 
 \ ’/ff'd 54 — Ditto — Venus rifing from the Sea. The original Drawing 
 for the Mafqwrade ticket at Ranelagh 
 Z ‘0 ' 0 55 — Ditto — One— Mercury and Fame fupporting a Sheild,.. in 
 which were in fated the A.tnsgf Sir F. Cun life, Btl 
 
 - / 
 
ift Day. 
 
 L()bsE drawings. 
 
 LOT 
 
 3 -y ’0 56 — Cipriani— One — An Allegorical Subjedl ; the ArchlteBurat 
 fart hy Mr. Thomas Sandhy. A Dejtgn for Frte-Mafons* Hall 
 — Ditto — Hercules and Minerva. A moji capital Dr aveing^ in 
 hijler 
 
 DRAWINGS— FRAMED AND GLAZED. 
 
 2 *A-^ 58 — ^Two — Nuremberg Drawings 
 
 59 G A I N s B o Rou G H — Oiic — Cattle anif Figures. A fpirited fetch ^ 
 black chalk 
 
 Ditto— O ne — -Ditto, its Companion. A Cottage Scene d equally 
 fpirited 
 
 //•0‘^lii — Ditto — One— A Study of Cattle, in du at er colours s in effedl 
 equal to an Oil Figure 
 
 b '/3 •(( 62 — Barrett — Two — A Weeping Willow, and ah Entrance into a 
 Wood— -its^ Companion 
 
 — Ditto — Two — A Water-Mill, and a Scene in Mr. Lock’s 
 Park, very fpirited 
 
 — We ST all — One — The Reception of Cardinal Wolfey at 
 Leiceher-Abbey ; a mof fpirited fetch 
 
 — Ditto — Two-^The Departure of Mary Qheen of Scots, anti 
 Companion ; exquiftely finifed 
 
 — A. Kaufem AN — Onc-^Rural Sports. A mof? beautiful Drazv^ 
 ing 
 
 /*/5 '^ 67 — Hamilton — O ne — Children at Play 
 
 — Clerisseau — Two — Of Ruins, in vuafer colours. 7heft 
 Dravjings have a funny, and mof beautiful efed 
 
 CIPRIANI. 
 
 /•/Xd) — Two — Hercules, &c. and a Dancing Nymph 
 
 /‘/^’O'po — Two — One, a Defign for a Monument ; and* 
 
 A Nymph carelTing a Bird 
 /.//// 7 I — Three — One, a Lady careffing a Bird 
 
 Venus attiring, and a Befign for a Key-ftone, for Semerfet- 
 Flace 
 

 
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xft Day. FRAMED DRAWINGS. 
 
 LOT 
 
 /O -0 72— Two— -A Study, in pen and ink', and Venus and 
 Minerva 
 
 i ' ^ 73 — Three — Two Fancy Heads, and Apollo crowned by Mercui^^; 
 
 a <very Jpirited Jketch 
 
 3 ' ^ 74 — One — Mercury and Battus. A delicate Dranjjingy in lijier 
 
 Z ■'/y- 6 ' '75 — One~From Homer’s Iliad j a mofi fpirited Jketch 
 76 — One~Adam and Eve, in bister, ditto ^ 
 
 Z '/j 77 — Two — Priam begging the Body of Heftor ; and a Study, the 
 
 ^ Fall of the Giants. Very fpirited 
 
 /' 0 ’O 78 — One — A Monumental Defign, finely compo/ed 
 ^ 79 — One — An Allegorical Subjeft, of Fortune ; inbijicr, a mpjl 
 
 Jpirited compojition, — and in fentiment not inferiour to Guido* — See 
 the engra^jing hy Sir Robert Strange^ after that Mafer ^ 
 
 — One— -Orpheus charming Cerberus. Spirited 
 — One — An emblematical figure representing 
 Genius, Love, and Chastity, in red and black chalks, 
 Fin’Jhed by Bartolozzi 
 
 2 t ■ (7 • o g2— -One — The triumph of Neptune and Amphitrite. 
 
 f[he Figures are Jeafed in a Marine Car, dranjun hy Dolphins, con-^- 
 du 5 ied by Hymen, and attended hy Cupid and Tlephyrus 
 J'-r-a 83— One — Ve Nus, Cupid, and Satyr. Finijhed by 
 Bartolo'zsci 
 
 /V'O’O 84 — One. — Hebe attending Jupiter. Finijhed by B a rtolo%%i 
 ^ * Id ' (} g^— One — Venus and Cupid— Ca^zW is Jerioufy engaged in trying 
 the temper of his darts, and Venus is adjufting her trejjes*-^ 
 Fhis little fpecimen, in dr anting and fnijhing, evinces the hand 
 of a great mafer 
 
 One— Paris taki NG LEAVE OF HeLEN.— lO'VB and 
 anxiety of Helen is apt ily exprejfed, and the dranving beautifully 
 fnjhed nx>ith the highef tafte 
 
 3 87— ;-One— A Grecian Lady — The air of this head is eafy and 
 
 elegant, and^ the ^vhcl.e is coloured nxith great tafe 
 
 L' 
 
 b 
 
/ 
 
 FRAMED DRAWINGS. 
 
 I ft Day. 
 
 ' ^ LOT 
 
 — One — A Circassian Lady w ED iT-ATiNG,~Lftr 
 fio^s 7tegHg(ntly o<ver her Jhouldcrs ; the colouring is HuartHt ani 
 tin fffedl harmonious 
 
 — Two— Prosperity and Fortune. — Lonely as the figure of 
 fi Profperity appear s, it -is ecUpfid hy that of ^Fortune-, de-i 
 f3'/2'd' f^i^i^^d pour big out her fores on an attendant aiotary^ ^ho is 
 
 i fecurely Jleeping on her lapj nfihich, in point of compofition and de^ 
 iicacy cf finijhingi equals the chafe produ^ions of Guido 
 90 — Two — Hercules and Omphaie, and Bacchus and 
 Ariadne. — The youth -of Bacchus is as nvell contraficd nviih the 
 beauty of Ariadnet as the firength of Hercules is nsjith the de-^ 
 Iicacy of Omphaie 
 
 [ — Two — A Frieze — Neptune and Am phi trite 
 
 // 
 
 S-s-tf 
 
 ir/o.k 
 
 f Ditto — A sacrifice to Jupiter, companion to Ditto 
 ' Thef fuIjeBs are dranjon n.vith great precifion of outline ; the coni~ 
 
 I pofition is in the ftyle of the antique ; inoft mafierly performances 
 92 — Two — Love.’ — Defiriked by a boy carejjing a dtrve. The land- 
 i fcape is eminently beautijid \ -and , 
 
 Innocence, companion to Ditto, reprefented by a mft heau^ 
 iiful girl, hanjing a hajket of rofes, interfperfed ^joith grain, 
 
 ( itke-vsife in a Ian df cape. > 
 
 Both thefe dra<wings are tnft exquifiicly finijhed, and may he re- 
 garded as --very choice fpecimens of the mafter 
 93 — Two — Omphale inciting Cupid to enamour Her- 
 
 ( cules ; and 
 
 Erichthoni us, KING OF Athens, ^ho <voas Jhut Up in a 
 bajket by Minernja, and committed to the care of the daughters tf 
 Cecrops, Aglaura, Herfe, and Pandora, nvith a charge not to open 
 When he gre^ up he hadfuch ill-Jhaped legs, that he indented 
 the car to hide the defedi 
 
 94 — One— P an DORA . ^he is reprefented nsoith the box that Jupitet 
 ^ f 3 • id I fent to Prometheus : a moft captivating dr anting 
 
 9'fi 
 
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 \ 
 

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 r ill Da)V FRAMED DRAWINGS* 
 
 LOT y 7 
 
 1 95 — One — The Triumph of Hymen. Hymen in his car^ feated « r 
 in confcidus dignity, dra-wn hy Cupids, and attended hy Zephyrus I 
 and Flora, he is follonjoed hy tnvo juvenile votaries, one of vjhcm ) 
 
 I eagerly intreats the other to facrifce at his all fafnaiing Jhrine / 
 
 1 96 — Two — The Power of Beauty — The principal fgure is here 
 arrayed in all the lovelinefs of Nalure ; Jhe is reclining on a couch, 
 carejing the favoured ohjedl, vohil/i a Cupid is buf ed in deco- 
 rating her vjith rofes - — ^ 
 
 Power of Love. — The female figure, vjhich is 
 
 b€ ■ 3 - c 
 
 And the 
 
 mofl beautifully defcribed, is attended by Hymen, nvho is pointing / 
 to doves expreffive of mutual attachment ; jhe appears infenfible j 
 of his attentions, vohile Cupid, earnejily regarding the emotion of 1 
 her countenance, holding her hand, feems dejirous of prying into J 
 
 her very inmofi thoughts — ^ ' - 
 
 97 — One — N ymphs bathing. — The play fulnefs of the attitudes of y 
 the diferent figures is moji happily delineated, and in grace not V 
 
 inferior to Parmegiano ^ ^ 
 
 98 — One — Faith, .finiiliM by Bartolozzi. — A female figure^ 
 embracing the crofs, attended by an angel, vehofe benign j 
 countenance explains mofi pathetically that invjard devotion of \ * id • (y 
 
 mhid, vjbich due regard to religious duties naturally infpires : | 
 a moJi fublime and iharaBeriJlic performance ' ' ' / 
 
 99 — One — The parting of Hector a n d An d r oma c h e. A 
 fcene of great grandeur. — The energetic and manly char ail er of 
 the gallant Heilor, the' anxiety of Androniciche, the beauty of C ^ ^ ^ 
 
 Aflyanx, the happinefs of compofition, and correiinefs of outline, 
 render this dravjing voorthy of particular attention 
 ICO — Two— A silenGEjA-nd an infant sleeping, attended") * 
 
 - - S ■ 0 
 
 \\ 
 
 
 BY ANGELS J vCry beautiful — — 
 
 101 — One — Venus and CupTd' -- — — -• 
 
 102 — One*— A Bacchante, holding a cup in one hand, and a thyrfis 
 
 in the other » A moji agreeable countenance ; the char ait er is 
 delicately dravsn ; and the landfcape is Jingularly beaut ful J 
 
 103 — ^One — E arl Mansfield. — dhe portrait of this venerable \ 
 
 nobleman, from the piilure by Sir'JoJhua Reynolds. This fpirited I Q •/ Q - ^ 
 performance is the identical dravuing from vjhich Mr. Bartoloszzi L J A 
 engraved the plate ' 
 
 FND OF FIRST DAY^s SALE, 
 df 0 f fi ' 
 
 i>L J- 4 
 6 
 
 
 tf6 
 
 
Second Day’s Sale 
 
 LOOSE DRAWINGS. 
 
 LOT 
 
 ZZ a 
 
 .B 
 
 ' ARRALET — Two—Landfcapes 
 / ’ J '' 2 — Ditto — Two— Ditto 
 /* /’J 3 — Chat EL A IN — Two— Ditto 
 
 4 — PiLLEMENT — Two — DiTTO, highly JiniJhed, From tht 
 Collet} 1071 of Lord F. Ca 7 nphcll 
 O' 5— Anderson — Two — Shipping, extra fine 
 
 ^'^'^6— Ma RLow — Two— Views in Italy, ditto 
 7—Sandby — Two — Views in Wales, ditto 
 — Ibeetson— Two — Landfcapes, Cattle and Figures, ditto 
 //' 'fi 9— JOH N Smyth — Two — Views in Italy, ditto 
 O - y -c} 10— He ARNE — Two — Ditto in Scotland, ditto 
 /'fiO-i) II— Sir Jos. R EYNOLDs — Three — Hiftorical, extra rare 
 ^ ' d 12 — Z u G c A R E L L 1 — 1 WO — Landfcapcs, Cattle and Figures, fine 
 
 X/ ' ///* C 13 — Ditto — T wo — Ditto, ditto 
 (y - (F • Q i^— Sandby^ — Two — Ditto, ditto 
 
 15 — Cozens — Two — Ditto, Views in Italy, ditto 
 •' '* 3 -/^ — Clerisseau — One — Ruins and Figures, ditto 
 
 / * // ' J — Sandby — Two — Landfcapes, ditto 
 
 18— Hearne — O ne — A View of Richmond-Caltle, Yorkdiire. 
 ^he efifeLl is equal to Claude Lorraine 
 
 ;•/ 
 
 ^ '0 19 — Zuccarelli — One — Landfcape, Cattle and Figures, 
 
 UCC A R1 
 
 col urs, ext reittcly uncommon , and nsery fine 
 
 ^ ‘^*0 20— Sandby — One — Ditto, its Companion, ditto 
 
 21 — Hamilton — Two — Ruins, ditto 
 
 22 — FIearne — O ne — A View in Bath. One of the mofi capital 
 performances of this Mafttr 
 
 /F ' // • iF 23 — Sandby— Two — Landfcapes, with Cattle and Figures, wn 
 fine 
 
 Z f 24 — Cleris SEAu — One — The Infide of the Colefeo. Efieemed ont 
 
 of the hefi Drac.oings of this much admired M fltr 
 ANi — Three — 1 he Judgement of Faris 
 ‘7 he fir fit Sketch for the Front if piece to tie Duke of MarlloccugFs 
 Cems I and ottefor Mr, Rogerses Booh of Litiitations ^ 
 

 ( 
 
id Day. FRAMED DRAWINGS. 
 
 LOT , . 
 
 26— Cipriani— Four — Sketches 
 
 27_-Ditto— F our — Sketches, M. D’Aguilar’s Ticket, and three 
 
 / 
 
 v'Jf 
 
 
 J 
 
 DRAWINGS— FRAMED AND GLAZED. 
 
 2g-,GA I NS BOROUGH — Two— Landfcapcs, in ^jater colours, 
 
 highly JiniJhed, and very uncommon " - - r- 
 
 29— Clerisseau — One— Ruins, with Figures, beautiful 
 
 CIPRIANI. 
 
 30'~One — Diana preparing for the chaCe. A moji elegant ^ 
 
 cotnpojitiony and highly Jinijhed^ T'he Frontijplece to Mr, Beck^ C A 
 
 ford^s Ej/ay on Hunting ' — — ry •“ - 1 
 
 — One — J UPITER and Juno. Jupiter appears to he lifiening to ^ 
 
 the remonjirance of Juno ,* the fevere majefy of Jupiter is mf ^ ^ ' 'b 
 
 admirably exprejfed - — ■' — ^ ' — 
 
 52 — F 1 D E L I T Y . Finijhed by Bartolozzi, A Monumental Defgn •' a'% 
 
 Female leaning on an Urn, in a meditating attitude', her Jymp a- ^ 
 thctic countenance is diredied to a Dog, the emblem of Fidelity, i v ‘ I ^ • Q 
 F^he vehole compoftion is happily, analogous to the fubyedl 
 33 — One — Bacchanalian eoys. A beautiful Juhjedl, in vohich 
 juvenile playfulnejs is mof happily charadlerifed 
 
 '{I 
 
 •hi 
 
 ch I 
 
 ^ ■ 
 
 34 — Two — T he judgement of Paris, and Venus attired ^ 
 
 BY THE GRACES, in vuater colours 
 
 
 D 
 
 
 ■A'-J 
 
 35“~Two — A FRIEZE OF BOYS. In this fubjedl are emblematically | 
 
 Sculpture, Painting, Architecture ^ 'S 
 
 One — Ditto — Poetry, history, and music ) 
 
 56 — Two— Ditto, geometry and astronomy — 
 
 One— Ditto, a sacrifice, fhe Fine Arts are here repre-- 
 fented by tv: 0 figures on the right, vuho are preceded by aftend- 
 a?2ts vjith their oferings, thereby intimating that the Palm is 
 more congenial to them than the Oak s as the Lyre of Apollo is 
 preferable to the Fhunder of Mars 
 
 N. B. The out-lines only by Cipriani. 
 
 37— One— Love injpiring Sappho to n.vrite an Ode to Mufic _ 
 
 38— One— Mercury fringing the lyre, attended by Cupid 
 
 39 One — B&auty attiring, attended by Love and Hymen 
 
 ^0 One Adam and Eve. The landfcape by Hearne i and th^ 
 
 fgures by Cipriani, Youthful beauty, and elegant fmplicity are ^ /f • //C f 
 
 j„i J • .7 ; _ ^ i A ^ / iJ ' (j 
 
 -r /Q c 
 
 t, ■ /fO 
 
 admirably del enated in tie charriBirs 0/ our fir jf -parents, 
 
 4 *" Venvs in the bath. In this beautiful defign the nsjater } 
 
 aj pears tranfiparent, and becontts a mirror to the fair fiortn & ^ ^ ' ' 
 
 enchanting geddefs 
 
 /4-3-<r 
 
 /4 
 

 ad Day. loose drawings. 
 
 / ^ - /3 - 0 — Nymphs sleeping. A mojl jpirited performance: the 
 
 dijiribution of the lights, and the forejhortening of the principal 
 figure, render this Jketch equal to any of the Venetian School 
 f \ • A^-/^43— Three-iNFANT Bacchanals, and Cupid sleeping. — 
 In the t'xvo uprights are exprejfed the quarrel and recenciliation j 
 and in the circle Cupid' is reprfented fieeping mar him are at^ 
 tendanl angels •waiting to crown him with a wreath of rofes 
 ' Cf • ^ 44 — One — Nymphs dreaming. A mofi fpirited and graceful 
 ^ Jketch, highly honourable to the talents of this mafier 
 
 / d-dr ^45 — T wo — T HE mirror of love . — Cupid fieeping on the lap of 
 Venus, whg, reclining on a couch, is wewiug her beautiful 
 form in a mirror, which is fupporled by a hoovering Cupid 
 And Cupid’s instruction, conhpanion to ditto. Cupid 
 under the influence of Hymen, is delineating beauty, who appears 
 delighted with the perfortnance 
 
 ^ 46— Two — T ragedy is reprefented under the figure of a young 
 •virgin with a ferious countenance, magnificently arefied with 
 hujkins on her legs, a fceptre and crown atfer feet, and a dagger 
 in her right hand, The comp ofit ion is happily exprefied j the boys 
 on the right are highly charaderifiic, and may be truly deemed a 
 Chef cV ceu<vre of art 
 
 And ComedY;, its companion. She is here reprefented er owned 
 with injy, holding a mojk in her band, with bujkins on her feet, f he 
 attitudes of the figures are highly exprefshve of th fir hilarity , which 
 is heightened by the mufic of' fan 
 
 47— Two — M aternal Affection — -The copipofition of this fubjedl 
 is truly afi'ediiunate i the tendernefs of the mother, and the cha- 
 radters of the children, are moji beautifully exprefied 
 And Filial Affection. The firuggle of thefe little com- 
 petitors for the firfi attention is fweetly defigned ; and the glowing 
 colours of this and the preceding drawing, giyve them the efi'edl of 
 oil pidlurej 
 
 48— Twx — Nymphs bathing, and companion. The elegant 
 tafie objer'vable, and the delicacy with which the fiibjedls are 
 t reared, Jirongly characterize the mind of the artiji 
 
 9 ' f " 4^ -T WO' — Cupid with a chaplet of roses 
 
 And Ditto, off his guard, its companion 
 // ^ 0 — Two — Prudence endeavouring to detain Beauty from 
 
 following the perfuafions of Love. On the left, near the figure 
 ^Prudence funds an attendant with a glafs ; the emblem of 
 reflection to which beauty is invited to turn, but being led by 
 }Jymen rejeCts every remonjlraucc 
 
 //■C 
 
 9 
 
 1/ '/j 
 
 
 
 ty lJ CcdfdTyt, 
 
 
I 
 
 I 
 
 I 
 
 i 
 
 I 
 
 > 
 
 ] 
 
 r 
 
 1 
 
 1 
 
framed drawings- 
 
 
 -X- ad Day. 
 
 sZL JLOT 
 
 j^nd Ge N I us defcribing Beauty, whim Hymen isdiftating to 
 him. Beauty, attended hy Lo^ve, nuho is -jjithdransjing^ her 
 snantle, and Gs.ni us, under the injluence of Hymen, earneftly 
 employed in delineating her angelic form 
 
 I.J/Sf 51 — EMBLEMATICAL FIGURE OF PAINTING. In the 
 
 ^ * ' drapery of this beautiful figure, the artift has been particularly 
 
 happy in his gradation of colours, the red being imperceptibly 
 blended into the blue and yello-w 
 
 And Venus attiring. Cupid is holding a mirror to Venus, 
 ^jjho is gracefully adjufting her hair 
 ^2 — Two— rPoETRY INSPIRED byLove. This f afcinating com- 
 pcfition is replete n.iith grace and tafte 
 
 Mother and Child. The companion to the preceding, and 
 finijhed <with great f^eetnefs 
 — One — 2'\GRipPiNA njjeeping onser the ajhes of her hujhand Cer- 
 ma 7 iicus> The forron.v expreffed hi her countenance, is that of heart- 
 felt --woe, and mrft happily ckaradlerixes the elegancies of her mind 
 • (t -0 54 — One — Dian a and Act eon. This elaborate and highly finijhed 
 dra^jjing, '~jjas copied from the original Jketch by Titian, for that 
 moft capital piclure in the coUedlion of his Grace the Duke of 
 Bridgewater. The compofition is exquifitely grouped, the gradation 
 of colouring admirably attended to, and the contraft between the 
 chajle Diana and her Moorijh attendant delicately obfirnsid 
 •One — The indulgent mother caressing her darling 
 BOY, exquifitely finijhed 
 
 allegorical subject, in blder. — Britannia, 
 Father Thames, Commerce, and Plenty, are direding the candi- 
 dates to the flandard, where Venus, attended hy a tnofi loruely 
 group of nymphs and water gods, is diflrihuting her firfi prize 
 to the nsiSior s the unfuccefsfid competitor in the boat to the right, 
 evinces his difaj point ment by undif embled furrow 
 T'ds was the firfi defign for the P.egqtta Ball Ticket at Ranelagh, 
 and highly appro’Vi.d of', lut owing to the number of figures, the 
 time being too Jhort, it was not engraved 
 ^ 57 — One — A sea nymph, ^he is defer ibed floating on the waves, 
 is priceded by ci dolphin, and attended hy Cupids. The iafie and 
 elegance dijplaycd in this cempofition exemplifies in a Juperior degree 
 the verj'atile power of the artift 
 
 r'S — Two — Hebe, in coloured chalks. Elegance and beauty is mofi 
 ^ chaftly ex prcjjed. The knowledge which Mr. Cipriani had of the 
 
 antiqns was never more difplayed than in this mfi exquijfte 
 prcdncTion 
 
 7 
 
 (j-fityr 
 
 
 
FRAMED DRAWINGS, 
 
 
 2<? Day. 
 
 JLOT 
 
 And a Lady feeding a dove, Th-j- pojj'ejjes much fvjeetn''/st 
 and is mcfi heautifullj jinijhed. 7 hefs drawings nvere bit ended to 
 rej^refent ancient and 7nodern beauty 
 
 -Two — F aith is 7'eprefented by a female fupporting the crofs,^jcf:o 
 ’<iJoith uplif ted- countenance is conteniplatingthe divinity, expreffed by 
 the rays of light nvhich Jhine upoti her and the attendant angels 
 '^hq bear the emblem of the pafsion 
 'And Hope, companion to ditto, is charaBerized by a female 
 fgui'e croHJoned ^aeith laurel ; (he is holding an anchor in her right 
 hand^ and npirfng a child t njjho is feated on her lap ; her atten- 
 tion is engaged by ai} infant Zephyrps, fporting nxiith a birdfjing 
 in the air, and is enihlemaiical of the uncertainty of attaining the 
 y ohjebi of human %mfioes 
 
 6o— Two — Juno borrowing the Cestus — Venus having 
 ! left htr car, drawn by Doves, in charge of tvjo Cupids, voho are 
 decorating it with fiowcrs, is here reprefented attiring Juno with 
 the magic girdle. Hv m k n is introduced with a torch and darts, 
 by which is infrred, that kindred difpojh ions are rflntial to connu- 
 bial e^joy mints 
 
 And Jupiter an d Juno — J u no having obtain, d the C fus, 
 IS rece.ved by Jupihr, who is enamoured by her lovely appe -.ranee .. 
 Delicacy of outl.ne, and contr fi of colouring, are he: e happily 
 de 'bleated 
 
 -'Two — Adonis. Youthful character, and enchanting beauty, are. 
 ere mol: happily hlena^d ; the J'lniJhing of the whole, particularly 
 he eyes, renders this fpeebnen inejHmable 
 /A FEMALE HEAD. 2'he fiowbig locks hang tnojl grace- 
 ‘^^ully on her JhouJders ; the lightnefs of touch denotes the fuperior 
 \talent of the art if j and this drawing pojfefsing all the qualifies 
 [of the preceding, may be dejcrvedly clajjed in the fame rank 
 6z — Two — The first interview of Zephyr us and 
 Flora. — The modeft diffidence of Flora, and the inftnuating de~ 
 <if Zephyrus, are mrf happily conceived y the beauty of 
 '/ the landfcape, the richncjs of the colouring, and delicacy in fnijhing, 
 produce a tnoft forcible and brilliant effiedi 
 
 And Cupid and Pysche, its companion. 7his is a night - 
 feene ; the lamp which Pjyche holds in her hand moft beautifully 
 illuminates the whole apartment. This fubjcdl unites all the qua- 
 lities of the preceding, and may be mo^t defervedly ranked with 
 the choiceft vicrks of art 
 
 6i 
 
 lh/-0, 
 
 Cl t 
 
2d Day. tramed dkawings. 
 
 {J 63 Two— Hill orlcal, from the Hillory of England — T h f. H j k f.s 
 
 OF Northumberland and Suffolx intr eating 
 Lady Jane Grey to accept the crown . — Tbeje jnvo 
 
 - Noblemen, from interejud mctl-jes, facrficed the dofnejtic happi- 
 ne/s of their children, -c^ho foon fell njidlhns to this ill-placcd am- 
 ambliion. ’The dran.mng is fnely grouped, richly coloured, and 
 the light and jliade happily conceinoed ; and 
 
 The Queen of Edward the fourth taking leave 
 of Richard, Duke of York. — The point of time hen 
 chofen, is <vjhen the young Prince is departing from his truly af~ 
 dieted mother, nvho has fled to the Sandtuary for the preiernsaiion 
 of herfelf and family. He is reprefented (leppingfrosn the throne 
 of the affectionate Tlyieen., nvho, by her anxiety, forlodes the rnife- 
 ries that amoait her darling of spring. In cosnpofition, out-line, 
 colouring., and fnijhing, demerit of this performance .is fuch, as 
 njjould of itfelf enritle the Artijt to a ‘very exalted ftuatkn in the 
 Temple of Fame 
 
 — Two— The triumph of beauty. — Beauty , tented ia a car, 
 dra^vor. by doves, is attended by Cupid and Hymen. The fgures are 
 grasefuUy draven, the colouring harmonious, and the whole a?n- 
 pfition replete nxith elegance 
 
 A sacrifice to Hymen. — Hymen, who dands on a pedfal ^ 
 rejis againft a globe ; on the right is Chaftity making an offering, 
 and behind her are a t enamoured pa' r approaching the Altar / on 
 the left is Flora prefenting rofes, &c. 
 
 ^ t / 2 . 65— T wo — P aRENTAL affection. The mother is placing her infant 
 
 bale on the pillow of repofe, and ‘views, with anxious care, 
 the fee ping innocent 
 
 Filial affection, companion to ditto. Here the engaging 
 infant fondles his tender mother in the dawn of love, and ffe 
 receives his careffes with the mop} heartfelt delight. 
 
 [Mr. Bartolozzi has engraved pi tes from the above Drawing 
 which have never been publiihed, and which are to be dif- 
 pofed of.] 
 
 N. B. The Purchufer of the Drawings will have th? preference of the Plates. 
 
 66— One — Boreas and Ovut n't a, exqujftely fni/Jjed. Thefudden 
 impnlfe which is felt by inf antansous firP) ije, 7 ia‘ur ally agitates 
 the whole frame. The involuntary ftuaticoi of Orith Y.a is mopl 
 happily defer ibed ; and the con vidf ve motion of her body pou? trays 
 the inwuid periurbal'icn cf Inr mind, — ‘ivhdf Bore. as, in the 
 midf rf his jarring elements, fccur-c of his p ize, fcidfaftly vews 
 her Jclf-created fears witHpafiofi — but ‘ivahout rernir^e 
 
 r ,3 - 0 
 
framed draw ITT 
 
 2d Day. 
 
 LOT 
 
 67 — One— Z ephyrus and Flora, eohured chalks, and thoftex- 
 quifitely fnijhed. Voluntary aaidn, the refult of fynipathetic af- 
 fiHion, dijflays human nature in all the elegance of form that 
 Jhe is capable of attaining. In this Juhjcel , tie Companion to the' 
 precedirg, mutual inclination is rnoft agreeably, and mofi delicately 
 depifted — the lovelinefs <^Flora is fir<venily felt hy Zephyrus, 
 njoho fe:ms to fan the air nxcith extacy arid delight 
 
 68 — One — A lady and child. — A Repo fe, nvhere infant 
 beauty reclines on the bofom of its mother, nxhrfe fympathetic at- 
 tention is direaed to her darling pledge. Grace and feniiment, 
 delicacy of finif An g, and beauty of cclourlngi are mojt eminently 
 ccnfpicuous in this compofition, nvhieh nvould alone immortalize any 
 Artift 
 
 69— Two — V enus AfiD Cupid sleeping.— Venus A 
 
 on a jillo^a:, at her right hand is Cupid alfo a-feep, nrAih his 
 quiier and bonv unftrung ; on her left are three attending Genii, 
 AmbafTadors of Morpheus, debating in <wbat mariner they 
 
 Jhould txeeute their comm' fjitri 
 
 Diana and her nymphs i^\TiiinG.‘-^They are mft deli^ 
 cately deferibed, enjoying, undifturbed, the cool refrejhnient of the 
 limpid-dream. Ihe noarious attitudes in this moft beautiful com* 
 poftion, difplay the tafie and taints of the Art: A 
 
 ^0 — One — T he power c f l 0 v e .— unfjerfal infuence of this 
 all ponverful DEITY, is allegorically reprefnted by the fubdued 
 Jpirit of the Lion, the fro-gell and mojl terrfic of animals, on 
 •rvhofe b'ack the playful tribe fecuirely induige in their undifturbed 
 
 71 — One — Cupid' and infai^t satyrs. — ^Cupid,' <ruAth his 
 attenda ts , ha-ving Jurprijed a hord cf fatyrs, are buftly employed 
 in mak 'ing them pri/rnirs, ^tihick, in port, they ha^ve ejjeacd : one is 
 put into a cage, and Jufpendea To a tr e?,' another ;s placed in a crnjkcty 
 *whiif} the main body is nearly covered 'txith a Jheet. Thr various 
 attitudes of the jigures happily exprfs the playfulnefs of the feene^- 
 •vubich is in ale utijid land f cape. The v hole is agreeably compofed„' 
 and has a imjt cbar.ning efed.- 
 
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