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\ 
 

 
 

 fa 4r 
 
 7 
 
 B 
 
 UYVETTEF^’ 
 
 COLLECTION 
 
 S 
 
 EMINENT ARTISTS 
 
 OF THE 
 
 French, Belgian, Dusselderf and American Schools, 
 
 NOW ON VIEW A.'X' THE 
 
 TO BE SOLD BY 
 
 George Barker, Auctioneer, 
 
 ox 
 
 Wednesday and Thursday, Mar. 23 & 24,1870, 
 
 AT HALF-PAST SEVEN P. M. 
 
 Terms Casb.—i3a.3ijis.a'k>le Mioiioy. 
 
LIBRARY 
 
 M.KNOEDLER&CO. 
 556-8 Fifth Ave. 
 New York 
 
 
RTISTS 
 
 REPRESENTED IN THIS COLLECTION. 
 
 F. Pauwels, 
 
 Martin La Porte, 
 
 E. Yerboeckhoven. 
 Reyntjens, 
 
 Vanden Wyngaert, 
 
 H. Von Seben, 
 
 E. Fischer, 
 
 Portielje, 
 
 Collin, 
 
 L. Schaefels, 
 Kuwasseg Fils, 
 
 W. Angus, 
 
 C. Widmayer, 
 
 Neuhuis, 
 
 L. De Beul, 
 
 J. B. Bristol, 
 
 J. C. Taggart, 
 
 L. Toussaint, 
 
 Eastman Johnson, 
 
 H. Hosier, 
 
 J. Pope, 
 
 Haeberlin, 
 
 Clle. Cabaillot Lassalle, 
 Sadec, 
 
 R. Mignot, 
 
 and others of 
 
 J. O. Eaton, 
 
 H. F. Schaefels, 
 
 J. Van Leri us, 
 Backalowicz, 
 
 D. Col, 
 
 Geerts, 
 
 V. Van Hove, 
 
 Th. Gerard, 
 
 Nittis, 
 
 J. Bte. Huysmans, 
 C. M. Webb, 
 
 C. Van Leemputten, 
 R. Maes, 
 
 J. F. Kensett, 
 
 E. Linnig, 
 
 H. De Beul, 
 
 J. Williamson, 
 
 E. Gay, 
 
 Wm. Hart, 
 
 Miss Jul. Beers, 
 Jerome Thompson 
 P. Peters, 
 
 L. Lassalle, 
 Carabain, 
 
 A. H. Wyants 
 high reputation. 
 
NOTICE. 
 
 The subscriber, in offering this valuable collection of works of art, 
 begs to remind the public of his sale, which took place in November 
 last, at the Gallery of Art, which was pronounced by the art critics of 
 the press and connoisseurs to have been the finest collection that had 
 been offered in many years. In point of artistic merit he feels no hesi¬ 
 tancy in recommending the present gallery as being superior to those 
 mentioned, and as it is his intention of having regular semi-annual sales, 
 he will endeavor to present the choicest works of the various modem 
 European schools, always guaranteeing the originality of the pictures 
 under the same conditions as those of his last sale, viz: 
 
 Every Painting in this collection is guaranteed original as represented 
 under a forfeiture of 10 per cent, upon the purchase money of all Paint¬ 
 ings selling for over $100. 
 
 The originality in all cases to be determined by the artist or dealer 
 from whom purchased, to prove Avhich two months from day of sale 
 will be allowed. 
 
 Purchasers will please mention at time of payment if they desire to 
 prove the originality, and, if so, the purchase money will be deposited in 
 the United States Trust Company, subject to their order and that of the 
 auctioneer, and upon a certificate from the artist or dealer being pro¬ 
 duced, denying the originality, the purchase money, with interest, and 
 ten per cent, additional, will be refunded. The expenses of obtaining 
 such certificate to be borne by me if not as represented, and by pur¬ 
 chaser if as represented. 
 
 A. D'HUYVETTER. 
 
 
Catalogue. 
 
 1 
 
 PALMER —New York. 
 Thunder-storm on the Tappan Zee. 
 
 2 > 
 
 VAN SEV ERDONCK, P.— Brussels. 
 The Cavaliers. 
 
 3 
 
 v BUSH, N. —New York. 
 
 Scene on the Chagres River. Isthmus of Panama 
 
 4 
 
 Mrs. VAN NORMAN — New York. 
 Forest Scene. 
 
 5 
 
 HOLBERTON, WAKEMAN —New York. 
 Chickens. 
 
 6 
 
 HOLBERlOiN, WAKEMAN —New York . 
 
 Quail. 
 
 / 
 
 DONAGrHY, J.— New York. 
 Still Life. 
 
6 
 
 8 
 
 VAN DIEGHEM— 
 Landscape and 
 
 9 
 
 WILLIAMSON, J .—New 
 Effect after Nature—Lamoille Valley 
 
 10 
 
 BLACKMAN, W .—New York . 
 Artist’s Brook, Gormay. 
 
 / ® 
 
 11 
 
 
 MARIO, A .—New York. 
 Fruit. 
 
 12 
 
 / 
 
 A 
 
 V, 
 
 VON SE8EN, H.— Brussels. 
 Fisherman’s Wife in Holland. 
 
 18 
 
 Ur 
 
 ATJFRAY— Paris. 
 Dolly’s Flowers. 
 
 14 
 
 MERTZ— Brussels. 
 Interior—Lady. 
 
 15 
 
 MAES, R.— Ghent. 
 Landscape and Sheep. 
 
 16 
 
 EVERSEN, A.—Amsterdam, 
 Winter—Street Scene in Liege. 
 
 17 
 
 COLLIN— Paris. 
 The Bird’s Nest. 
 
 i 
 
 
 
Oo 
 
 7 
 
 18 
 
 MAES, H.— Ghent. 
 
 Balancing Her Accounts. 
 
 19 
 
 GUILLAUME, JEW.— 
 
 Road through the W ood. 
 
 20 
 
 HULK, J. J.— Amsterdam. 
 
 View in Dordrecht. 
 
 21 
 
 VON SEBEN, H.— Brussels. 
 Feeding the Chickens. 
 
 22 
 
 FUECHSEL, H. —New York. 
 Landscape—Lake View. 
 
 23 
 
 * LINNIG, E.— Antwerp. 
 
 (Best Pupil of Baron Leys.) 
 
 The Pleasure Party. 
 
 24 
 
 JOHNSON, EASTMAN. —New York. 
 The Two Sisters. 
 
 25 
 
 COENE & ROB BE. —Amsterdam and Brussel. 
 Landscape and Cattle. 
 
 1 
 
 26 
 
 PETERS, P.— Paris. 
 Children and pet Bird 
 
 27 
 
 BUETLER. J OS.— Dusseldorf. 
 Swiss Scenery. 
 
8 
 
 > i if) 
 V J 
 
 (A 
 
 o 
 
 28 
 
 BERLIN. — Mechelin. 
 Canal Scene in Rotterdam. 
 
 29 
 
 ROPE, J— New York. 
 
 The Stag. 
 
 30 
 
 EATON, J. O.—New York. 
 Hudson River. 
 
 31 
 
 ! VON SEBEN, H.— Brussels. 
 The Tame Bird. 
 
 32 
 
 ANGUS, YV.— Antwerp. 
 
 (Pupil of Baron Leys.) 
 
 Sunday.—Reading the Bible. 
 
 33 
 
 DOLPH, J. H.— New York. 
 Landscape and Cattle. 
 
 34 
 
 TOIJSSAINT, L. — Dusseldorf. 
 The Young Artist. 
 
 35 
 
 
 VAN LEEMPUTTEN, C .—Brussels. 
 Landscape and Sheep. 
 
 36 
 
 TV ILLXOT, P.— Antwerp. 
 
 A inter Scene in Belgium. 
 
 37 
 
 SADEC— Paris. 
 
 Sunday Morning. 
 
 
 J I' 
 
9 
 
 
 38 
 
 YAN LEEMPUTTEN, C.— Brussels. 
 Chickens and Ducks. 
 
 39 
 
 E\ ERSEN, A.— Amsterdam . 
 Street Scene in Utrecht. 
 
 40 
 
 E\ ERSEN, A.— Amsterdam.. 
 Street Scene in Ghent.—Companion. 
 
 41 
 
 REA NTJENS, H. E .— Brussels. 
 Discussing the latest Literary Work. 
 
 42 
 
 * ^ KREUTZER, E.— Dusseldorf. 
 
 / Harbor view by Moonlight. I 
 
 f 0 
 
 43 
 
 KEN SETT, J. F.— New York, 
 Landscape. 
 
 /ePrj 
 
 f 44 
 
 _ LEICKERT, CHAS.— Amsterdam. 
 inter Scene in Holland. 
 
 
 
 40 
 
 LAS SALLE. L.— Paris. 
 Feeding their Little Pets. 
 
 46 
 
 DERICKX & YAN SEVERDONCK, F.— Antwerp. 
 
 and Brussels. 
 
 Landscape and Sheep. 
 
 47 
 
 WIDMAYER TH.— Dusseldorf. 
 
 The Indolent Scholar. 
 
10 
 
 O 04 
 
 / 
 
 J 
 
 48 
 
 WALRAVEN, J.— Brussels. 
 The First Pipe. 
 
 49 
 
 HART, WM .—New Yorky^ 
 Sunset on Grand Mannan. 
 
 * l~ v 
 
 ‘ It 4 
 
 50 
 
 l ^ yl/ LA PORTE, MARTIN— Paris. 
 
 (Received the Gold Medal by this Picture, at the Exhibition o 
 department of Aveyron, France.) 
 
 The Italian Mendicants. 
 
 >L. 
 
 dea 
 
 f /A 
 
 ■s 
 
 51 
 
 VESTER, W.— Amsterdam. 
 Winter Scene in Holland. 
 
 52 
 
 BRIDGMAN, F. A.—Paris. 
 The Cavalcade. 
 
 58 
 
 DOLPH, J. H.— New York. 
 Landscape and Cattle. 
 
 54 
 
 
 GEERTZ, JULIUS —Dusseldorf. 
 The Morning Prayer. 
 
 55 
 
 SCHAEFELS, L.— Antwerp. 
 
 (Professor at the Academy.) 
 
 Fruit, Lobster, Game, etc. 
 
 56 
 
 KOEK KOEK, M. A. & E. VERBOECKHOVEN. 
 
 Amsterdam and Brussels. 
 
 \J 
 
 Landscape and Cattle. 
 
11 
 
 
 \ 
 
 57 
 
 /7 , 
 A / 
 
 cJ 
 
 'A 
 
 m- 
 
 KA 
 
 GEERTS— Antwerp. 
 
 Spanish Soldier in a Tavern. 
 
 58 
 
 Y AN I) LEG HEM— Brussels. 
 
 Landscape and Sheep. 
 
 A- 
 
 59 
 
 V AN” DIEGHEM— Brussels. 
 
 Companion. 
 
 60 
 
 CLLE. CABILLOT LASSALLE,— Paris. 
 Lady Feeding Parrot. 
 
 61 
 
 HUYSMANS, J. Bte.— Antwerp. 
 
 rv 
 
 ) , 
 
 (Chevalier of the Holy Sepulcher; Artist by Title of the Patriarch ol 
 Jerusalem.) ( 1 
 
 Albanian Pilgrims at the Tomb of St. James, the Mi¬ 
 nor, in the Armenian Church, of Jerusalem. 
 
 (sS 
 
 62 
 
 DE LANGUE— Paris. 
 Mozart at Study. 
 
 63 
 
 WYDERVELD— New York. 
 Lilacs. 
 
 64 
 
 NEUHUIS, J. A.— Antwerp. 
 In the Boudoir. 
 
 65 
 
 MOORMANS, F.— Paris. 
 Lady arranging Flowers. 
 
 65a 
 
 MAES, R.— Brussels. 
 Chickens. 
 
12 
 
 66 
 
 BOUREL, A.— Antwerp. 
 Stable, Horses. 
 
 67 
 
 BACKALOWICZ— Paris. 
 
 (Best Pupil of Messonnier.) 
 
 The Warrior’s Story. 
 
 68 
 
 SPOHLER, J. J. C.— Amsterdam. 
 Winter.—Scene near Leyde. 
 
 69 
 
 BROWN, J. G-.— New York. 
 
 In the W oods. 
 
 70 
 
 WAGNER, J.— Antwerp. 
 Mother and Child. 
 
 71 
 
 VAN OS, G. F.— Amsterdam. 
 
 (Teacher of W. Verschuur.) 
 
 Going Home. 
 
 X 
 
 72 
 
 SCHAEFERS, HENDRICK F. Antwerp. 
 Received the honorary title of Academician of Merit, 
 of the City of Rotterdam, in 1869. 
 
 The great Lisbon fleet followed in the wake of the Biscayans, with 
 much inferior success. Totally ignorant of the revolution which had 
 occurred in the Isle of Walcheron, it obeyed the summons of the rebel 
 fort to come to anchor, and with the exception of three or four, the ves¬ 
 sels were all taken. It was the richest booty which the insurgents had 
 yet acquired by sea and land. The fleet was laden with spices, money, 
 jewelry, and the richest merchandise. Five hundred thousand crowns 
 of gold were taken, and it was calculated that, the plunder, altogether, 
 would suffice to maintain the Avar for two years, at least. One thousand 
 Spanish soldiers and a good amount of ammunition were also captured. 
 
 The Rise of the Dutch Republic, by John Lothrop 
 Motley, volume II, chapter VII, page 375. 
 
 82 
 
 VAN SEVENDONCK, F.— Brussels. 
 
 Landscape and Sheep. 
 
 81 
 
 DE LANGUL— Paris. 
 
 La dy, writing. 
 
 < 
 

 73 
 
 POPE, J. — New York. 
 
 The Old Mill. 
 
 74 
 
 YON SEBEN, H.— Brussels. 
 Teaching the Bird. 
 
 75 
 
 YCbjJNG^JdL ^-—-New York. 
 Mount ISliasta, California. 
 
 I S ' 76 • 
 
 BROWN, W. M.— New York. 
 Raspberries. 
 
 77 
 
 BROWN, W. M.— New York. 
 Peaches. Companion. 
 
 78 
 
 TAGGART, J. C. —New York. 
 Aglae, (after Cabane!,) 
 
 79 
 
 CARTER, I). M.— New York. 
 The W r ise and Foolish Virgins. 
 
 80 
 
 WILLIAMSON, J .— New York. 
 After the Storm. 
 
 83 
 
 GAY, E.— New York. 
 Summer. 
 
 84 
 
 PERCY, L. —New York. 
 
 Vie w in Northumberland. 
 
 85 
 
 PERCY, L.— New York. 
 View in Cumberland. 
 
 
^Second ^yening’s ^Sale. 
 
 9 . 
 
 86 
 
 BONAGHY, J .—New York. 
 River View. 
 
 
 BROWN, W xjwJ—New York. 
 Cherries. 
 
 88 
 
 •BUSH, N .—New York. 
 Scene near Old Panama. 
 
 89 
 
 He la MAR— Paris, j 
 At the^Pnmp. 
 
 90 
 
 He la MAR— Paris. 
 Feeding the Chickens. 
 
 
 91 
 
 TAYLOR, CHAS. J.—JYew York. 
 Hainties. 
 
15 
 
 92 
 
 DOLPH, J. H.— New York. 
 Sunset, near White Plains. 
 
 - 
 
 V 
 
 L 
 
 93 
 
 EYERSEN, A.— Amsterdam. 
 Canal Scene in Mechelin. 
 
 94 
 
 FORN— Munich. 
 
 / f ^ 
 
 Feeding Pigeons. 
 
 95 
 
 POPE, J.— New York. 
 Landscape and Cattle. 
 
 96 
 
 WILLIAMSON, J.— New York. 
 Afternoon on the Androscoggin. 
 
 97 
 
 YON SEBEN, H.— Brussels. 
 Returning Home. 
 
 98 <— 
 
 C ARAB AIN— Brussels. 
 Harbor of Scheveningen. 
 
 99 
 
 YOUNG, H. O.— New York. 
 
 Scene on Baker’s Bay, Columbia River Oregon. 
 
 \J 
 
 A » 
 
 
 100 
 
 YOUNG, H. O.— New York. 
 Scene on Clear Lake, California. 
 
 101 
 
 BERLIN — Mechelin. 
 Market Scene in Bruges. 
 
 Tt 
 
 / 
 
16 
 
 102 
 
 BERLIN— Mechelin. 
 
 Canal Scene in Glent.—Companion. 
 
 103 
 
 WASHINGTON, W. D .—New York. 
 Winter Landscape. 
 
 
 16 
 
 ! 
 
 104 
 
 MARIO, A .—New York. 
 Strawberries. 
 
 105 
 
 YON SEBEN, H.— Brussels. 
 W oodgatherers. 
 
 106 
 
 MIGN OT— England. 
 
 Chateau Mount Orgueil.—Isle of Jersey. 
 
 107 
 
 WILLIAMS, VIRGIL— Boston. 
 Italian Girl at a Fountain. 
 
 108 
 
 THOMPSON, JEROME —New York. 
 The Indian Maid’s Toilet. 
 
 109 
 
 ANNELLI, F .—New York. 
 Innocence. 
 
 110 
 
 SOUN1ER— Paris . 
 Sketch—N ormandy. 
 
 Ill 
 
 De BEUL, LAURENT — Brussels , 
 Winter—The Shepherd. 
 
 

 17 
 
 112 
 
 POPE, |J.— New York 
 Landscape. 
 
 118 
 
 PORN— Munich. 
 Kitchenpnterior. 
 
 114 
 
 GEERTS— Antwerp. 
 At the Window. 
 
 115 
 
 GEERTS— Antwerp. 
 Companion. 
 
 116 
 
 BROWN, Wm .—New York. 
 Peaches. 
 
 117 
 
 NEUHUIS, J. A.— Antwerp . 
 “ Will he ever come ?” 
 
 118 
 
 BRISTOL, J. B.— New York. 
 Scene in New Hampshire. 
 
 119 
 
 VAN HOVE, V.— Brussels 
 Going to Church. 
 
 120 
 
 VAN LEEMPUTTEN, C.—Brussels. 
 Chickens. 
 
 121 
 
 VON SEBEN, H.'— Brussels. 
 Skirmishing. 
 
18 
 
 122 
 
 NEHLIG, V .—New York. 
 Public Park, 17th Century. 
 
 123 
 
 NEHLIG, V.— New York. 
 Private Park, Castle, 17th Century. 
 
 124 
 
 VAN LERIUS, J.— Antwerp. 
 
 Professor of Painting, at the Academy. 
 
 Esmeralda and Djali. 
 
 The subject of this Picture is taken from Victor Hugo’s work, “ The 
 Hunchback of Notre Dame.” 
 
 The author says that Esmeralda was, when young, stolen by the Gip¬ 
 sies, and adopted by them. Her beauty, both of form and feature, never 
 failed to attract the admiration of the public before whom she was accus¬ 
 tomed to perform with her trained goat Djali. 
 
 She had fallen in love with an officer, Captain Phoebus deChateaupers, 
 who had, on one occasion, rescued her from the hands of the Hunchback 
 of Notre Dame. 
 
 The scene selected by the Artist for the Picture is that of Esmeralda 
 teaching her goat, by means of block letters, to spell her lover’s name. 
 Vide the “ Hunchback of Notre Dame,” book first, second part, chapter 
 two: 
 
 “ It was a pleasing beast, gentle, intelligent, a learned goat. Nothing 
 was more common in the Middle Ages than such knowing animals get¬ 
 ting too wonderful, and leading their instructors to the stake. Yet the 
 sorceries of the gilded-hoofed goat were quite innocent. All that was 
 needed, in the majority of cases, was to present the tamborine to the 
 goat in such or such a way, to obtain from it the trick required. 
 
 “ She had been taught by the gipsy, who had so great a talent that 
 way, that in two months only she had taught the goat to form, with 
 the movable letters the word ‘ Phoebus’.” 
 
 125 
 
 FISHER, G.— Stuttgart. 
 Palestrina. 
 
 126 
 
 & VAN SEVERDONCK, F.— 
 Landscape and Sheep. 
 
 Brussels 
 
 127 
 
 BRISTOL, J. B .—New York. 
 Landscape.—Lake George. 
 
19 
 
 128 
 
 TOUSSAINT, L. —Dusseldorf. 
 The Village Fail’. 
 
 129 
 
 TV ALRAVEN, J.— Brussels. 
 Helping Mother. 
 
 130 
 
 LASSALLE L.— Paris. 
 
 The pet Kittens. 
 
 131 
 
 GAY, E .—-New York. 
 Autumn. 
 
 132 
 
 EATON, J. O .—New York. 
 The Deserted Home. 
 
 133 
 
 V AN D1EGHEM— Brussels. 
 Landscape and Sheep. 
 
 134 
 
 VAN DIEGHEM— Brussels. 
 Exterior— Compa nion. 
 
 135 
 
 MOSLER, H. —Cine innati. 
 Saturday. 
 
 136 
 
 ACCARD, E.— Paris. 
 Reading the Manuscript. 
 
 137 
 
 VON SEBEN, H.— Brussels. 
 The Snow-Man. 
 
 “2 
 
20 
 
 ^ l> t> 
 
 'AOS 
 
 138 
 
 WYANT, A.UH .—New York. 
 Scene on the Upper Potomac, West Va. 
 
 139 
 
 FRIEDRIDNEN, E.— Dusseldorf. 
 The Engagement Ring. 
 
 140 
 
 PE BEUL, H.— Brussels. 
 
 The Laun Dress. 
 
 141 
 
 VON SEBEN, H.— Brussels. 
 Hark ! I hear Somebody. 
 
 142 
 
 NITTIS— Paris. 
 
 The Rendezvous. 
 
 143 
 
 GERARD, Tit. — Brussels. 
 Tired Out. 
 
 144 
 
 DOLPH, J. H .—New York. 
 Landscape—Harv esting. 
 
 145 
 
 CROPSEY, J. F .—New York. 
 Niagara Falls. 
 
 146 
 
 COL. DAVID— Antwerp. 
 
 That is the best. 
 
 147 
 
 SPOHLER, J. J. C.—. Amsterdam. 
 Winter Scene near Amsterdam. 
 
 
 w 
 
148 J 
 POPE, J .—New York. . J 
 
 Landscape. 
 
 149 
 
 CABAILLOT LASSALLE, Clle.— Paris. 
 Ladies at the Piano. 
 
 150 
 
 VAN DEN WYNGAERD, C.— Antwerp. 
 
 (Pupil of David Col.) 
 
 The Scolding. 
 
 151 
 
 VAN LEEMPUTTEN, C .—Brussels. 
 Interior—Sheep. 
 
 152 
 
 ROFFIAEN, F.— Brussels. 
 View near Zurich. 
 
 153 
 
 DE BEUL, H.— Brussels. 
 Feeding the Bird. 
 
 154 
 
 SAVRY, H — Haarlem. 
 Landscape and Cattle. 
 
 155 
 
 WAGNER, J.— Antwerp. 
 Preparing Dinner. 
 
 156 
 
 CROPSEY —New York. 
 Landscape. 
 
 157 
 
 PORTIELJE— Antwerp. 
 Will you ! please ! Maman \ 
 
22 
 
 158 
 
 DE DEKEN, ALF.— Brussels. 
 
 To the Rescue. 
 
 159 
 
 VAN LEEMPFTTEN, C.— Brussels. 
 Barnyard—Cliickens. 
 
 160 
 
 WEBB, 0. M.— Dusseldorf. 
 
 A Politician. 
 
 161 
 
 SCHAEFELS, L .—Antwerp. 
 
 (Professor at the Academy.) 
 
 Still Life. 
 
 132 
 
 SEBES, P. G.— Amsterdam. 
 
 Candle-light effect—The Game. 
 
 163 
 
 SEBES, P. G.— Amsterdam. 
 
 The Lesson—Companion. 
 
 164 
 
 KUWASSEG, FILS.— Paris. 
 
 View of Palermo, Italy. 
 
 165 
 
 PAU WELS, FER]) IN AND— Antwerp . 
 
 Professor of Painting in the Royal Academy of Weimar, and Honorary 
 Member ot the Royal Academies of Munich and Rotterdam. First prize 
 at the Royal Academy of Antwerp in 1851 ; first prize of Rome, 1852 
 which entitled him to spend four yeai-s of study in that city at the ex- 
 pense of the Belgian Government. Gold Medal at the Brussels Exhibi- 
 tion iSo, ; was made Knight of the order of Leopold I, of Belgium, 
 1861 ; and m 1858, Knight of the Order of the White Hawk, of Saxe 
 Weimar. Gold Medal at the Exhibition of Berlin in 1868. Was made 
 Officer of the Order of Leopold II, 1869. 
 
 Boccacio at the Court of Jane the First, of Naples. 
 
 j c 
 
23 
 
 / 
 
 166 
 
 WALR AVEN, J.— Brussels. 
 Italian Female. 
 
 y VON 
 
 
 167 
 
 SEBEN, ELISA— Brussels. 
 Tlie Bird’s Nest. 
 
 168 
 
 TAGGART, J. G .—New Tori'. 
 Lady, reading. 
 
 169 
 
 WILLIAMSON, J. —New Tori:. 
 Haymaking. 
 
 170 
 
 MISS BURT —New Tori'. 
 Flowers. (Water color.) 
 
 171 
 
 STOVER, A .—New Tork. 
 Scene in Massachusetts. 
 
 172 
 
 IIAEBERLIN— Munich. 
 An Ambassador. 
 
 173 
 
 Mrs. .T. TI. BEERS —New Torlc. 
 Lake Geora-e. 
 
 174 
 
 ARNOUX, M.— Paris. 
 Warming Dolly’s Feet- 
 
 175 
 
 POPE, J .—New Tork. 
 Landscape and Castle. 
 
 / 
 
24 
 
 176 
 
 NOTERM AN, Z.— Paris. 
 The Attack. 
 
 177 
 
 ROY— Brussels , 
 Shepherd and Flock. 
 
 178 
 
 W ATERMORTEN S— Brussels. 
 Dog and Cart. 
 
 179 
 
 MIGNOT —New York. 
 Sketch. 
 
 Shipwrecked Sailor. 
 
15 
 
 r 
 
 >165. 
 
 Leeds Art Galleries, 
 
 817 Sc 819 Broadway. 
 
 Henry H, Leeds & liner 
 
 AUCTIONEERS, 
 
 Salesrooms, 95 Chambers and * 
 77 Reade Streets 
 
 
 
 OP 
 
 AN IMPORTANT SALE OF 
 
 PAGINAL pIFyST pLASS 
 
 BEING THE ENTIRE COLLECTION OF 
 
 Mr. A. D’HTJTYETTER, 
 
 OF ANTWERP, 
 
 \ ' ' 
 
 <3 ’wJ'iwt 1 h Ve A«?? recently imported and never before exhibited ; purchased and ordered bv 
 
 ^aviri^rROTO^AW5l Ine *? ne ® Xan, >i le@ of the best and most 5 
 
 ta\ onte El ROPEAN MASTERS. Also, a number of fine Pictures by our 
 
 well-known AMERICAN ARTISTS. J 
 
 TS BE SO:LB AT A3BCTIOK, 
 
 
 i nr m it 
 
 9 
 
 POSITIVELY WITHOUT RESERVE, BY 
 
 Y II. ISBIS 4k *» 
 
 AT THE 
 
 LEEDS ART GALLERIES. Nos. 817 AND 818 BROADWAY. 
 
 * 
 
 S. W. Corner of 12th St. 
 
 . Thursday & Friday Evenings, June 2d & 3d. 
 
 — • • • — 
 
 nm ci EzmmrTmm free:. 
 
 TERMS CASH—CURRENT FUNDS 
 
 ■gsss&s'j.'ssa: irrffiTthf. 1 itr"**"' * i ,L ' ^ °< “» *«■* 
 
 All claim* for reclamations must be made on or before P2 o'clock A. M. of the day after the sale. 
 
 4 
 

 
 CL. 
 
 
 
 LIBRARY 
 
 NO. 
 
 M.KNOEDLER & CO. 
 
 . 1 5 
 
 556-8 Fifth Ave. 
 
 ACC. 
 
 New York 
 
 1 
 
 I 
 
 
 
 
 
NOTICE. 
 
 We wish to assure purchasers that these Pictures 
 belonging to Mr. D’Huyvetter, of Antwerp, are guar¬ 
 anteed by him original in every instance , many of them 
 having been painted to his order during this year and 
 the year past, the great majority of his invoice 
 having only been received by us from the Custom 
 House within the past two weeks. We have his or¬ 
 ders to sell without reserve. 
 
 HENRY H. LEEDS & MINER. 
 

 CATALOGUE. 
 
 2 
 
 3 
 
 4 
 
 5 
 
 6 
 
 7 
 
 8 
 
 C. LENORE. 
 
 Innocence. 
 
 O. CONNOR. 
 Landscape. 
 
 UNKNOWN. 
 
 i 
 
 Landscape. 
 
 GEO. L. BROWN. 
 
 Landscape. 
 
 HOGARTH. 
 
 Kitty Fisher. 
 
 S. CORRENE. 
 Reverie. 
 
 W. MORRISON. 
 Miniature on Ivory. 
 
 UNKNOWN. 
 
 Landscape. 
 
4 
 
 9 
 
 io 
 
 1 i 
 
 12 
 
 13 
 
 H 
 
 15 
 
 16 
 
 '7 
 
 18 
 
 1 9 
 
 UNKNOWN. 
 
 The Coquette. 
 
 R. JONES. 
 Nahant. 
 
 UNKNOWN. 
 The Invalid. 
 
 E. SAYCOAL. 
 Landscape and Figs. 
 
 A. BIERSTADT. 
 Moonlight. 
 
 UNKNOWN. 
 
 A Lady, Florentine. 
 
 BLACKMAN. 
 
 Landscape. 
 
 UNKNOWN. 
 
 Grecian Coquette. 
 
 F. C. S. MELBYE (deceased). 
 Marine Coast Scene. 
 
 UNKNOWN. 
 
 Fish. \ 
 
 v Companions. 
 Game. ) 
 
20 
 
 J. WAGNER (Antwerp). 
 Female Head. 
 
 
 GRIGGS. 
 
 21 Vase and Fruit. 
 
 CARLO DOLCI. 
 
 22 Poesy (Copy). 
 
 R. CRABEELS (Paris). 
 
 23 French Scenery. 
 
 SILVIA. 
 
 24 “ On the Beach at Long Branch.” \ 
 
 25 A Misty Morning on the Mass. Coast. ) 
 
 Comp. 
 
 H. O. YOUNG. 
 
 26 On the Parsumpsic River, Vt. 
 
 27 Scene on Echo Lake, White Mts. 
 
 t 
 
 PAIJE CRAYON. 
 
 28 Lake in the Adirondacks. 
 
 N. BUSH. 
 
 29 San Juan River, Nicarauga. 
 
 J. C. MERTZ (Paris). 
 30 The Letter. 
 
 Companions. 
 
6 
 
 F. KRUSEMAN (Brussels). 
 
 31 Winter Scene—Ruins. 
 
 GEO. INNESS. 
 
 32 Landscape. 
 
 EMILE WATTIER (Paris). 
 
 33 Interior Grand Opera. 
 
 34 
 
 \5 
 
 3 6 
 
 L. PLAS (Amsterdam). 
 Scenery near the Hague. 
 
 W. ANGUS (Antwerp). 
 The Lovers. 
 
 F. C. S MELBYE (deceased). 
 Marine -On the Coast. 
 
 J. H. DOLPH. 
 
 r 
 
 37 Hook Mountain on the Hudson 
 
 38 
 
 39 
 
 R. MAES (Brussels)-. 
 
 Barnyard and Chickens j 
 
 - Companions. 
 
 do j 
 
 P. VANDERVIN (Brussels). 
 40 Interior Stable, with Horses. 
 
42 
 
 43 
 
 44 
 
 45 
 
 4 6 
 
 47 
 
 48 
 
 49 
 
 5 ° 
 
 5 1 
 
 7 
 
 F. C. S. MELBYE (deceased.) 
 Marine View. 
 
 T 
 
 A. D. SHATTUCK (N. A.) 
 Landscape. 
 
 A. WUST (N. Y. and Antwerp). 
 Norwegian Waterfall by Moonlight. 
 
 DINGLE. 
 
 Scene in Wales, The Old Mill. 
 
 L. SMETS (deceased). 
 
 Winter, j 
 
 >- Companions. 
 Winter. ) 
 
 B. F. TRYON (Boston). 
 Autumn Landscape. 
 
 A. D. HILLEVELD, Jr. 
 On the Coast of Holland. 
 
 J. D. BARROW. 
 
 Among the Thousand Is 
 River. 
 
 R. KUMMER. 
 
 Sunset. 
 
 Lawrence 
 
L. JULLIARD. 
 
 52 Allesonia Mills, Tenn. 
 
 JNO. ANGUS (Brussels). 
 
 £3 The Fortune Teller. 
 
 T. A. RUST (Amsterdam). Ja) 
 
 54 River Scene in Holland. 
 
 G. VAN MELLAERT (Antwerp)./ 
 
 55' A Fox Preparing for Christmas. \*/ 
 
 KUWASSEG FILS (Brussels). Q / 
 
 56 Harbor of Nantes. ) , / 
 
 7 Companions. ’ 
 
 57 Harbor of Tecamp. ) 
 
 J. H. DOLPH. 
 
 58 Still Life—Pineapples, &c. 
 
 J. HARVEY YOUNG (Boston). 
 
 59 The Masquerade. 
 
 H. SCHAEP. 
 
 4 
 
 60 A Stiff Breeze. 
 
 GEERTS (Antwerp). 
 
 61 Spanish Soldiers XVIth Century. 
 
 62 Companion. 
 
9 
 
 C. DIEBOLD (deceased, Paris). 
 
 Fine in color; vigorous and artistic in treatment. 
 
 F. DE BACKER (deceased). 
 
 65 The Shepherd’s Story. 
 
 DE VOS (Courtrai). 
 
 66 Dog’s Head. 
 
 T H. B. KOEK KOEK (Amsterdam). 
 
 67 Harbor of Scheveningen. 
 
 F. VAN LEEMPUTTEN. 
 
 68 Interior—Chickens. 
 
 P. WILLIOT (Ghent). 
 
 69 The Wreck. 
 
 P. G. VERTIN (The Hague). 
 
 70 Street Scene, i 
 
 Companions. 
 
 do 
 
 THOS. GAYLOR. 
 
 7 2 
 
 The Butcher. 
 
10 
 
 L. ROBBE (Brussels). 
 
 73 Interior—Stable, Goat and Sheep. 
 
 Painted in his very best manner; pictures ot this date (1847) are 
 seldom offered at auction, and in Europe they are highly valued. Fully 
 as tine as any Verboeckhoven ever imported into this country. 
 
 J. H. DOLPH. 
 
 74 View in Ulster Co., N. Y. 
 
 PORTIELJE (Antwerp). 
 75 Interior—The Library. 
 
 Most thoroughly and delicately executed. A painting of actual 
 life of the highest order of merit. The two figures are deliciously and 
 firmly painted. 
 
 GEO. H. BOUGHTON (N. Y.and London). 
 76 On the Hudson, Sunset. 
 
 A very realistic picture by this celebrated artist. 
 
 DE LA HOESE (Antwerp). 
 
 77 Boys at Play. 
 
 BERLIN (Mechlin.) 
 
 78 Canal Scene in Ghent. 
 
 THEO. DeHEUVEL (Brussels.) 
 
 79 Feeding the Ducks. 
 
 ALBERT NEUHUYS (Antwerp). 
 
 80 The Consultation. 
 
 i 
 
 
11 
 
 VAN DIEGHEM (Brussels). 
 
 81 Interior of a Stable, Sheep. j 
 
 r Companions. 
 
 82 Exterior “ “ ^ 
 
 H. HERZOG (Dusseldorf). 
 
 83 Marine—Coast Scene. 
 
 L. SCHAEFELS (Antwerp), Professor of the 
 Academy of Antwerp. 
 
 84 Still Life. 
 
 CHAS. LIECKERT (Amsterdam). 
 
 85 Winter Scene—Skating in Holland. 
 
 R. MAES (Brussels). 
 
 86 Interior—Chickens. 
 
 A. ZELIS (Antwerp), pupil of David Col. 
 
 87 The Playful Kitten. 
 
 P. G. SEBES ( Antwerp). 
 
 88 Sunshine. 
 
 C. VAN LEEMPUTTEN (Brussels). 
 
 89 Exterior—Sheep and Chickens. 
 
 J. GYSELINCKX (Brussels). 
 
 90 The Happy Mother 
 
12 
 
 H. VAARBERG (Amsterdam). 
 91 Rather too Hot ) 
 
 Companions. 
 
 92 Feeding the Bird ) 
 
 RIEGEN (Amsterdam). 
 
 93 River Scene in Holland. 
 
 A. EVERSEN (Amsterdam). 
 
 94 Winter Street Scene. ) 
 
 Companions. 
 
 do 
 
 95 
 
 MAROHN (Paris). 
 
 96 Charity. 
 
 FL. CRABEELS (Antwerp). 
 
 97 Sunday Morning—Going to Church. 
 
 J. H. DOLPH. 
 
 98 Sheep Feeding—Winter Twilight 
 
 WYAN. 
 
 99 Landscape. 
 
 GUISEPPE GHERARDI (FI orence). 
 
 100 View of Florence. 
 
 C. G. THOMPSON. 
 
 101 Portrait Wm. Cullen Bryant. 
 
 Painted when the Poet was a young man, and is considered very 
 
 truthful. 
 
102 
 
 i°3 
 
 104 
 
 ,0 5 
 
 106 
 
 107 
 
 108 
 
 109 
 
 110 
 
 in 
 
 112 
 
 13 
 
 MELBYE (deceased). 
 
 Marine.) 
 
 V Companions, 
 do ) 
 
 M. GARCIA. 
 
 Sampson and Delilah. 
 
 E. D. LEWIS (Phila.) 
 NewEngland Scenery. 
 
 M. KOEK KOEK (Amsterdam). 
 Winter Scene. 
 
 JNO. RUYTEN (Antwerp). 
 Street Scene in Antwerp. 
 
 UNKNOWN. 
 
 Landscape. 
 
 J. KUMMER. 
 
 Evening. 
 
 CHAMPNEY. 
 
 Artist Guy Sketching. 
 
 GOODALL. 
 
 The Priest’s Visit. 
 
 /o^ 
 
 PAUL CRAYON. 
 Twilight. 
 
14 
 
 G. GRAHN. 
 
 113 Beggar Girl. 1 
 
 - Companions. 
 
 114 The Snow Shoveler. ) 
 
 W. CARLTON ( Boston). 
 
 115 Some Pumpkins. Illustrates Whittier’s Poem. 
 
 PAUL CRAYON. 
 
 116 Hunters’Camp. 
 
 UNKNOWN. 
 
 117 At the Bath. 
 
 E. HOPLEY. 
 
 118 Wood Nymph listening to the Nightingale. 
 
 JNO. S COPLEY, R. A. 
 
 119 Portait Miss Barry. 
 
 MARCIO CIGOLI. 
 
 120 Music. 
 
 BODDINGTON. 
 
 121 Coast Scene—Shipwreck. 
 
 CHAS. J. WRIGHT. 
 
 122 Baker’s Falls, on the Hudson. 
 
15 
 
 After TITIAN. 
 123 Venus. 
 
 An excellent copy. 
 
 R. MAES (Brussels). 
 
 124 Interior—Chickens. 
 
 JNO. RUYTEN (Antwerp). 
 
 125 In the Park. 
 
 A. FRANCONI (deceased). 
 126 The Mother’s Prayer. 
 
 12 7 
 
 128 
 
 MELBYE. 
 Marine—Sunset. 
 
 J. W. HAWKSETT. 
 Monarch Mills, Scotland. 
 
 E. D. LEWIS (Philadelphia). 
 
 129 Scene in the Green Mountains—Old Mills. 
 
 J. WAGNER (Antwerp). 
 
 130 Kitchen—Interior. 
 
 J. C. MERTZ (Paris). 
 
 131 Why Don’t he Come. 
 
 Z 
 
 F. KREUTZER (Dusseldorf). 
 132 Early Morning—Antwerp 
 
L 33 
 
 m 
 
 *3 5 
 
 136 
 
 l 37 
 
 138 
 
 i39 
 
 140 
 
 H 1 
 
 14 2 
 
 H3 
 
 16 
 
 J. SORIEUL (Paris). 
 Battle Scene. 
 
 A. STOVER. 
 
 Morning in Massachusetts. 
 
 SEYFERT. 
 
 Landscape and Waterfall. 
 
 E. D. LEWIS (Philadelphia 
 Sunset on the Juniata River. 
 
 Morning on the Susquehanna. 
 
 | Companions. 
 
 L. SMETS (deceased), j 
 Winter Scene. 
 
 UNKNOWN. 
 
 Judgment of Paris. (On porcelain). 
 
 J. H. DOLPH. 00 
 
 Distant View of the Catskills. 
 
 FL. CRABEELS (Antwerp). 
 Return from the Christening. 
 
 BENTIFFE. 
 
 Composition of Flowers. 
 
 C. LENORE. 
 
 Girl with Flowers, / 
 
17 
 
 MARCELLUS OTTO. 
 
 144 Flower Piece—Poppies. 
 
 This very elaborate canvass was one of the works most specially 
 prized by the celebrated connoisseur Michael Paff. It is grandly 
 painted. 
 
 A. LION (Antwerp). 
 145 The Lace Worker. 
 
 L. PLAS (Brussels). 
 146 Landscape and Cattle. 
 
 H7 
 
 do 
 
 j- Companions 
 
 J. WALRAVEN (Brussels). 
 
 148 The Watering Place. 
 
 R. MAES. 
 
 149 Going to rviarket—Winter. 
 
 J. H. DOLPH. 
 
 150 The Watering Trough. 
 
 F. GEERTS. 
 151 Interior Soldiers. 
 
 152 
 
 do 
 
 do j 
 
 Companions 
 
 > 
 
 L. DE BEUL (Brussels). 
 
 f 
 
 / 
 
 153 Winter, with Sheep. Approaching Storm. 
 
IS 
 
 C. & F. VAN LEEMPUTTEN (Brussels). 
 
 Interior—Chickens. ) 
 
 - Companions. 
 
 Exterior—Fowls ) 
 
 H. VON SEBEN (Brussels). 
 
 Skating. * j 
 
 > Companions. 
 Coming from School. ) 
 
 COENE & ROBBE (Brussels). 
 
 Landscape and Cattle. 
 
 G. VAN MELLAERT. 
 
 The Refusal. 
 
 AUGUST COOMANS. 
 
 (After Joseph Coomans, his brother.) 
 
 The Reprimand. 
 
 H. HOLLANDER (Amsterdam). 
 
 The Sisters. 
 
 n 
 
 P. WILLIOT (Ghent). 
 
 Marine—Glimpse of Hope. 
 
 HERBERT McCORD. 
 
 Sunset on the Tappanzee. 
 
 J. H. C. SPOHLER (Amsterdam.) 
 
 Winter Scene—The Windmill. 
 
19 
 
 n> 
 
 A. DeBRACKELEER. 
 
 165 Interior and Figures. n 
 
 EUGENE VERBOECKHOVEN. ~ 
 
 166 A Study. Head of a Sheep. 
 
 J. RUYTEN (Antwerp). \ 
 167 School Out. 
 
 MELLAERT. 
 
 168 The Chess Players. 
 
 R. MAES (Brussels). 
 
 169 Barnyard Fowls. 
 
 GUISEPPE GHERARDI (Florence), Knight 
 Commander and Chevalier, etc., etc. 
 
 170 The Isle of Elba, Napoleon’s place of Banish 
 ment. 
 
 The works of this artist are extremely scarce, and few are seen in this 
 country, but are to be found in the Royal Galleries on the Continent. 
 Cost 10,000 francs. 
 
 C. VAN LEEMPUTTEN (Brussels). 
 
 171 Herdsman and Flock, in Belgium. 
 
 A very line canvass, by an Artist whose larger pictures have rarely 
 been seen in America. Its greys are exquisitely felt, and its detail alike 
 vigorous and graceful. 
 
 DAVID DE NOTER. 
 172 Anticipating the Guests. 
 
20 
 
 F. ATHANASE (Paris). 
 173 Napoleon at Beaumont. 
 
 A. WUST (N. Y. and Antwer 
 174 Fall in Norway. 
 
 Broadly and vigorously painted. 
 
 WILMS. 
 
 175 Fruit. 
 
 GRELLET (Paris). 
 
 176 Saint Dominique. 
 
 C. VAN MELLAERT (Antwerp)^ ^ ' 
 
 177 Landscape and Cattle. 
 
 
 A. DILLENS. 
 
 178 At the Toilet. 
 
 GYSELINCKX. 
 
 179 Fowls. 
 
 180 
 
 WM. HART. 
 
 Ruins of an Old Castle. 
 
 B. C. KOEK KOEK (deceased) 
 
 181 Landscape. 
 
 Genuinely and honestly painted—a very fine picture—by an artist 
 whose works are considered invaluable in Europe, and have always com¬ 
 manded large prices in this country. 
 
21 
 
 G. HEEREBAART. 
 
 182 Landscape and Figures. 
 
 Very luminous, and exquisitely finished. 
 
 A. EVERSEN (Amsterdam). 
 
 183 Village Scene. 
 
 R. MAES (Brussels). 
 Interior—Stable, Sheep. 
 
 J. H. DOLPH. 
 
 Old Dutch House in Jersey. 
 
 A. EVERSEN (Amsterdam). 
 
 186 Street Scene—Winter. 
 
 E. F. BEAULIEU. 
 
 187 Landscape. 
 
 AUGUST COOMANS. 
 
 (After his brother Joseph). 
 
 188 Pompeian Woman. ) 
 
 >• Companions. 
 
 189 At the Fountain. ) 
 
 L. LAMPE (Brussels). 
 
 190 In the Park—“ I am Engaged.” 
 
 DE VOS (Courtray). 
 
 191 Dog and Duck. ) 
 
 Companions. 
 
 192 Dog and Rabbit. ) 
 
22 
 
 M. A. KOEK KOEK AND EUGENE VER- 
 BOECKHOVEN. 
 
 193 Landscape, with Sheep and Figures. 
 
 The landscape and foliage superbly painted. 
 
 GEERTS. 
 
 At the Window. | 
 
 Companion. ^ 
 
 EUGENE VERBOECKHOVEN. 
 Cabinet Landscape, with Cattle and Sheep. 
 
 198 
 
 199 
 
 200 
 
 R. MAES. 
 Fowls. 
 
 N. CALYO. 
 
 Italian Peasant Girl. 
 
 ROOSDORP (Amsterdam). 
 Street Scene. 
 
 L. DeBEUL (Brussels). 
 Landscape, with Sheep, &c. 
 
 ' / 
 
 R. A. BLAKELOCK. 
 
 Landscape. 
 
 KREMER (Antwerp). 
 
 John Van Huysum in his Studio. 
 
23 
 
 J. SPOHLER. 
 
 203 Winter Sports in Holland. 
 
 PORTIELJE. 
 204 Children Playing. 
 
 t_ 
 
 7i 
 
 W. H. WHEELWRIG 
 
 205 The Return. 
 
 GUTHRIE. 
 
 206 Mischief. 
 
 E. LANE. 
 
 207 Autumn in Vermont. 
 
 
 RIEGER (Munich). 
 
 208 Madonna. (On porcelain). 
 
 / 
 
 METZIE (Dusseldorf). 
 
 209 Interior. 
 
 F. MU SIN (Brussels). 
 
 210 Near Stelin. 
 
 MELOS. /pr 
 
 211 A Peasant Girl. 
 
 UNKNOWN. 
 212 Swiss Landscape. 
 
 S' 
 
 j 
 
 ondon) 
 
24 
 
 213 
 
 214 
 
 *'S 
 216 
 
 iLJLu 
 
 J h' v \' y k/V 
 
 21 ? 
 
 218 
 
 rft 
 
 ) ^ 
 
 219 
 
 ) 220 
 
 221 
 
 } 1 
 
 JUJ, 
 
 222 
 
 22 Y 
 
 2 2 4 
 
 RIEGER (Munich). 
 Madonna. (On porcelain). 
 
 J. O. B. INMAN. 
 
 Grapes. 
 
 L. SMETS (deceased). 
 Winter Scene. 1 
 
 - Companion, 
 do ) 
 
 R. A. WARD. 
 
 Saint Sebastian. 
 
 H. HOLLANDER. 
 The Family Pet. 
 
 CRABEELS. 
 
 The Reception. 
 
 MELBYE (deceased). 
 Moonlight. 
 
 LACROIX. 
 
 Fruit. \ 
 
 [ Companions. 
 Fruit. ) 
 
 JNO. RUYTEN (Antwerp). 
 
 The Spanish Gondola. 1 
 
 Companions. 
 
 Winter Scene. \ 
 
25 
 
 225 
 
 226 
 
 J 
 
 A. EVERSEN. 
 
 Street Scene. 
 
 VAN DER BLYK (deceased). 
 Marine—On the Coast. 
 
 R. L. PYNE. 
 
 227 Evening. 
 
 A fine landscape, full of color. 
 
 228 
 
 VERSCHUUR, Jr. 
 The Blacksmith’s Shop. 
 
 Very charmingly treated, with great breadth and delicacy. 
 
 229 
 
 ✓ 
 
 230 
 
 A. JONNES. 
 
 The Lesson. 
 
 H. SCHAEP (deceased). 
 Marine. 
 
 231 
 
 C. VAN LEEMPUTTEN. 
 Fowls. 
 
 L. SMETS (deceased). 
 232 Winter near Amsterdam. 
 
 GEO. H. McCORD. 'jp 
 The Blacksmith Shop. 
 
 H. VAARBERG. 
 
 234 The Ancient Velocipede. 
 
26 
 
 BREUGNER. 
 
 2 35 
 
 2 3 6 
 
 Landscape and Figures, 
 do do 
 
 v Companions. 
 
 2 37 
 
 H. VON SEBEN ( Brussels). 
 Going to Market. 
 
 S. CARABAIN. 
 
 Interior—The Visitor. 
 
 H. DE BEUL. 
 
 Feeding the Bird. 
 
 H. VAARBERG. 
 
 240 The Messenger. 
 
 P. VERREYDT. 
 
 241 Thos. More receiving his Death Warrant. 
 
 A. DeBRACKELEER. 
 
 242 The Conversation. 
 
 The effect of this small canvass by the Master is admirable, and the 
 finish all that could be desired—a genuinely fine cabinet painting. 
 
 LEROY. 
 
 243 The Pet Doves. 
 
 Admirably painted, and in tone exquisite. 
 
 J. WAGNER. 
 
 244 Domestic Happiness. 
 
A. DeLEEUW (Brussels). 
 
 245 The Poachers. 
 
 I 
 
 P. WILLIOT. 
 
 246 Winter near Rotterdam. 
 
 C. VOLKMAN. 
 
 247 In the Forest of Fontainbleau. 
 
 248 
 
 249 
 
 250 
 
 291 
 
 252 
 
 2 53 
 
 2 54 
 
 2 5 > 
 
 A. LION. 
 
 The Doctor’s Visit. 
 
 L. SMETS. 
 
 W inter in Belgium. ^ 
 
 do 
 
 do 
 
 C. VOLKMAN. 
 On the River Seine. 
 
 anions 
 
 J. H. DOLPH. 
 
 On the Hudson, near Piermont. 
 
 C. PECRUS (Paris). 
 
 Conversation. 
 
 CHIEFLARDT. 
 
 Leda and the Swan. / 
 
 f Companions. 
 The March of Silenus. ' 
 
 Two very excellent cabinet pictures. The March of Silenus is singu¬ 
 larly fine in color. 
 

 Uml/vJ / 
 
 28 
 
 GEERTS. 
 
 256 The Inn. j 
 
 257 The Dice Players. \ 
 
 Companions. 
 
 R. MAES (Brussels). 
 
 258 Barnyard—Fowls 1 
 
 V Companions. 
 
 259 do do ) 
 
 Two fine cabinet pictures, exquisitely finished. 
 
 SPELTDEORN (Pupil of Gerard). 
 
 260 The Lunch. 
 
 Fresh and charming in color. 
 
 P. WILLIOT. 
 
 261 Coast Scene. 1 
 
 - Companions. 
 
 262 Marine View. ’ 
 
 C. PETIT (Pupil of Gerard). 
 
 263 The Young Aspirant. 
 
 W. VESTER. 
 
 264 Winter. 
 
 VERSCHUUR, Jr. 
 
 265 Horses on the Beach. 
 
 DAMSCHROEDER. 
 
 
 266 The Critics. 
 

 s(q 
 
 29 
 
 ^ / / f '■ 
 
 i VAN SEVERDON 
 
 267 Interior—Stable, Sheep. j 
 
 268 
 
 do 
 
 do 
 
 Companions. 
 
 SCHNEIDER (Paris). 
 
 269 The Empress Eugenie Visiting the Hospital 
 during the Cholera. 
 
 H. SCHAEP. 
 
 270 Marine. 
 
 LESSENGER. 
 
 271 Maternal Affection. 
 
 LeBRET. 
 
 272 Landscape, with Sheep, Fowls, &c. 
 
 ‘ 'i 
 
 (£6 
 
 C/CA* 
 
 PORTIELJE. 
 
 273 Mamma’s Jewels. 
 
 A very charming painting of the modern Belgian School, executed 
 w ith thorough honesty, and designed with a pure feeling and tone. 
 
 A. MAUVE & DAVID COL. 
 
 274 Landscape, with Cattle and Figures. 
 
 C. J. ROSENBERG. 
 
 275 Niagara. (Entrance to the Cave of the Winds, 
 
 from the Foot of Goat Island). 
 
 The Canadian branch of the stream is concealed by the dense cloud 
 which is sweeping over it. It is a remarkably vigorous transcript of a 
 section of the American Fall, taken from a new point of view. _ 
 
 C-'-uU.' Q 
 
 On 
 
 
30 
 
 KUWASSEG FILS (Paris) 
 
 f 
 
 276 Souvenir of Palermo. | 
 
 277 Harbor of Brittany. ^ 
 
 Two very choice specimens by this favorite artist. 
 
 AUGUST COOMANS. 
 
 .. 
 
 278 Love’s Melancholy. 
 
 Companions. 
 
 / 
 
 " I / 
 
 J / 
 
 C. F. DE VOGEL, F. LE BRET and 
 F. VAN SEVERDONCK. 
 
 279 Forest Scene, with Cattle, Sheep, &c. 
 
 A combined painting by the above well known Artists. The 
 foliage is very ably painted, and the cattle and figure finely finished. 
 
 TOUSSAINT (Dusseldorf). 
 280 Pins Down. 
 
 <) 
 
 
 H. DE BEUL (Brussels). 
 281 The Shepherdess 
 
 A. DE KEYSER (Antwerp). * / 
 
 'eachinp - the Doer / 
 
 282 Teaching the Dog 
 
 A brilliant Flemish painting, singularly fine in force and delicacy 
 of color. 
 
 _ Ji 
 
 LACROIX. 
 
 283 Fruit and Still Life. 
 
 RENE MENARD. 
 
 284 Landscape and Cattle. 
 
 *} *) 
 0 ^ 
 
31 
 
 
 C. PECRUS. 
 
 285 Lady Embroidering. 
 
 F. ROFFIAEN and EUGENE VERBOECK- 
 HOVEN. 
 
 286 Swiss Cottage in the Mountains, with Sheep 
 
 and Figures. 
 
 A delicious cabinet specimen by the above eminent artists, and a 
 valuable acquisition to any collection. 
 
 F. VAN LEEMPUTTEN. 
 
 287 Interior, with Fowls. 1 
 
 > Companions. 
 
 288 Exterior, with Fowls. ) 
 
 A. BIERSTADT. 
 
 289 Harbor and City of Boston—Evening. 
 
 Remarkably vigorous and true in handling, and a very fine example 
 by this talented artist. ^ OX JLj 
 
 H. VON SEBEN (Brussels). 
 290 The Alarm—Faggot Gatherers. 
 
 An excellent specimen by this pleasing artist. 
 
 
 / * 
 
 J. B. HUYSMANS (Antwerp), Chevalier 
 of the Holy Sepulchre, Artist by Title of 
 the Patriarch of Jerusalem. 
 
 291 Albanian Pilgrims at the Tomb of St. Jame' 
 the Minor, in the Armenian Church of Jeru¬ 
 salem. 
 
 A remarkably fine example of modern pre-Raphaelism, very carefully 
 and thoroughly painted, with far more richness of color than is usual 
 with paintings of this school. The figures are specially fine. 
 
 0 
 
 
32 
 
 
 
 F. LeBRET (Antwerp). 
 292 Landscape and Cattle. 
 
 J\ 
 
 JACOB JACOBS, Professor and Member o 
 the Council of the Royal Academy o 
 ' Antwerp, and Chevalier of the Order 01 
 Leopold of Belgium, &c., &c. 
 
 293 Waterfall on the River Glommen, Norway. 
 
 Broadly and magnificently treated, with a splendid sweep and vigor of 
 brush, showing the hand of a master. 
 
 A. NEETESON (pupil of the above). 
 
 294 On the Scheldt. 
 
 V. DeGRONCKEL. 
 
 295 Italian Mother Paying Adoration to the Madonna. 
 
 WM. HART. 
 
 296 Lake George, near Hague. Z -70 
 
 One of this celebrated artist’s latest works. ' 
 
 A. F. TAIT. 
 
 297 Ducks and Young. 
 
 T. CERIEZ. 
 
 298 The Bon Vivant. 
 
 C. VAN LEEMPUTTEN. 
 
 299 Sheep, Rabbits and Fowls. 
 
 A capital'cabinet gem. 
 
33 
 
 
 H. MAES (Ghent). 
 300 The Reckoning. 
 
 A. EVERSEN (Amsterdam). 
 301 Street Scene. 
 
 J. H. DOLPH. 
 
 xo 2 The- Hudson Irom Piermc 
 
 M^jKOEKKOEK. 
 
 303 Landscape and Cattle. 
 
 a 
 
 VERMEULEN. 
 
 304 Winter Sports—Evening in Hollai 
 
 / 
 
 G. G. HAANEN (deceased). 
 405 Interior of a Cathedral. 
 
 R. MAES. 
 
 7,06 Eowls. 
 
 J 
 
 H. F. SCHAEFELS (Antwerp), elected 
 H onorary Academician of the City of 
 Rotterdam in 1869. 
 
 307 Rattle of Walcheron. 
 
 Very splendidly composed, and painted in a most masterly manner. 
 The following quotation from J. Lothrop Motley’s “ Rise of the Dutch 
 Republic ” gives the incident rendered by the painter: “ The great Lisbon 
 tleet followed in the wake of the Biscayans. Totally ignorant of the rev- 
 
 tr-iJ A t 
 
olution whieh liad occurred in the Isle of Walcberon, it obeyed the sum¬ 
 mons of the rebel fort to come to anchor, and with the exception of three 
 or four, the vessels were all taken. It was the richest booty which the 
 insurgents had yet acquired. The fleet was laden with spices, money, 
 jewelry, and the richest merchandise. Five hundred thousand crowns 
 of gold were taken. One thousand Spanish soldiers and a good amount 
 of ammunition were also captured.” 
 
 FUNCK (Amsterdam). 
 
 308 Marine—A Calm. 
 
 A. NEETESON (Pupil of Jacob Jacobs). 
 3°9 R iver View. 
 
 KLUYVER. 
 
 310 Winter—Gathering Wood. 
 
 VAN OS. 
 
 311 Harvest Time. 
 
 POUOUEROLLE. 
 
 312 Currants. 
 
 A EVERSEN ( Amsterdam). 
 
 313 Street Scene—Winter. 
 
 VERMEULEN. 
 
 314 Market Scene at the Hague-Candlelight. 
 
35 
 
 \ 
 
 W. J. BOOGAERD. 
 
 31 £ Feeding the Horse. 
 
 A. DeBRAECKELEER (Antwerp). 
 
 316 Helping the Poor 
 
 F. VAN LEEMPUTTEN. 
 
 317 Fowls. ) 
 
 - Companions. 
 
 318 do ) 
 
 CHAS. LE1CKERT (Amsterdam). 
 
 319 Canal Scene. 
 
 A. DeBRAECEKLEER (Antwerp''. 
 
 320 The Armorer’s Shop. 
 
 J. W. BOOGAERD (Amsterdam). 
 
 321 At the Well. 
 
 SCHEERS. 
 
 322 Interior—The Armorers. 
 
 GEO. WASHINGTON. 
 
 323 An autograph Letter dated Valley Forge, March 
 
 16th, 1778, addressed to General McDougal, 
 nicely mounted and Leather Case. 
 
 ( 
 
R H. PARK. 
 
 324 Marble Bust—“ Little Nell.'’ 
 
 J. T. HARTELE. 
 
 325 Marble Bust—Morning. 
 
 LEEDS ART GALLERIES, 
 
 Nos. 817 & 819 Broadway. 
 
 / 
 
 H enry H. Leeds & Miner, Auctioneers, 
 
 Salesrooms, 95 Chambers & 77 Reade Sts. 
 

 
 
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