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Digitized by the Internet Archive 
 in 2019 with funding from 
 Getty Research Institute 
 
 https://archive.org/details/catalogueofmrlou1870unse 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
CATALOGUE 
 
 OF 
 
 :R. Louis Prang’s 
 
 COLLECTION OF 
 
 IN TINGS 
 
 Comprising most of the Originals after which his 
 K celebrated Chromoswere executed, 
 together with 
 
 Hther Works of Art, 
 
 I AMERICAN AND FOREIGN, 
 
 From several Private Galleries. 
 
 J. G. Brown, 
 
 J. F. Kensett, 
 Thos. Hill, 
 
 }. R. Brevoort, 
 W. M. Brown, 
 
 R. A. Blarelock, 
 J. A. Herring, 
 
 T. Adams, 
 
 T. Lobrichon, 
 
 F. Schlesinger, 
 Van Wyngaert, 
 A. Couder, 
 
 NAMES OF ARTISTS. 
 
 Eastman Johnson, 
 A. F. Tait, 
 
 E. Moran, 
 
 L. M. Spencer, 
 
 V. Granbery, 
 
 E. Forbes, 
 
 A. Mario, 
 
 G. E. Niles, 
 
 J. Coomans, 
 
 J. Morviller, 
 
 De Vos, 
 
 W. Cruicrshanic, 
 
 A. Bobee. 
 
 S. Colman, 
 
 M. F. H. DeHaas, 
 
 G. C. Lambdin, 
 
 F. Rondel, 
 
 T. P. Rossiter, 
 
 F. Peel, 
 
 H. A. Ferguson, 
 
 B. B. G. Stone, 
 
 H. Von Seben, 
 Lemmens, 
 
 Giraud, 
 
 and others of equal celebrity, including some fine Water Colors. 
 
 1870. 
 
 t 
 
 !' „ . / r nn 
 
 /W~y ^ > / 
 
 \ X 
 
1 
 
PREFACE. 
 
 The Paintings contained in this catalogue are truly and justly 
 celebrated, being the originals, at least a part of them, of the well 
 known American Chromos, published by the lithographic firm of 
 L. Prang & Co. of Boston, whose work in this branch of Art stands 
 unexcelled. 
 
 These pictures have borne an important part in the history of Art 
 in the United States. 
 
 •\s long as we have not the art-organizations of the Old World at 
 ■ command here, the Art Unions in every town, or annual migra- 
 y exhibitions of works of art, which serve to bring the people 
 ■ o contact with the newest creations o: the palette and the brush, 
 long must we depend upon other means, and these means the 
 cnromo has supplied. 
 
 Before its introduction here, there was no truly national renown 
 for any artist or for any of his works. He and they might be known 
 to a smaller or larger circle of refined persons, whose leisure permit¬ 
 ted them to seek out the studios and galleries, and whose means 
 allowed them to gratify their tastes, but beyond this circle the artist 
 was unknown, and as far as the large body of his nation was con¬ 
 cerned, he was in fact a nonentity. With the artists represented in 
 this collection it is different. Their works have now a national 
 reputation, they have become known, and have endeared themselves 
 to the people all over our country, and hence it is, that we say there 
 is an historical value attaching to them. They are really the first 
 American Works of Art, of which this can be said. Even outsich 
 of America have they done service to the cause of American Art 
 many of them have become popular in Europe through their 
 ningly wrought counterfeits. 
 
IV 
 
 But aside from these considerations, the collection is also quite 
 remarkable for the many works of artists of great reputation, which 
 it contains. The names of Eastman Johnson, Thomas Hill, John 
 G. Brown, A. F. Tait, J. Morviller, Virginia Granberry, M. F. H. 
 De Haas, Ed. Moran, Geo. C. Lambdin, etc., are a sure guarantee 
 for its excellence. Perhaps the most interesting pictures on the 
 whole list will be found to be Tait’s “ Group of Chicken",” and 
 Eastman Johnson’s “Barefoot Boy,” and certainly no pictures were 
 ever as enthusiastically received before, and none have become as 
 popular as these two. Mr. Tait’s picture first opened the path for 
 chromo lithography in this country, and from its publication, must 
 be dated a new era of art development in America. The “Barefoot 
 Boy” itself, called forth by a poetical effusion, was in its turn the 
 cause of more than one lyric strain, and the press in all parts of the 
 country spoke of it in the most favorable terms with an almost 
 unanimous voice. The thousands of copies which have been sold, 
 attest the value that is put upon it by the people, and yet, if it had 
 not been for the chromo, this painting would now be known to 
 hardly a dozen people. 
 
 The largest piece is Mr. Eastman Johnson’s “ Boyhood of 
 Lincoln.” The chromo of this title was not, however, done from 
 the painting now offered for sale, the artist having made a reduc¬ 
 tion for that purpose. 
 
 Mr. Thos. Hill’s “Yo Semite Valley,” on the contrary, is the 
 reduction, which the artist himself made from his celebrated 6 x 10 
 picture. This large canvass most New Yorkers will recollect as 
 having been on exhibition here about a year ago. It elicited the 
 most favorable criticisms where ever it went, and was finally 'sold to 
 a wealthy Californian while on exhibition in San Francisco. The 
 smaller picture is a very faithful rendering of all the beauties of its 
 large progenitor. 
 
 VVe cannot do more here than just mention some of the other 
 specimens of American Art, such as Mr. De Haas’ “ Sunset on the 
 Coast;” Mr. John G. Brown’s “Queen of the Woods,” “Little 
 Bo-Peep” and “Playing Mother;” the charming fruit pieces by 
 Miss Virg. Granberry; the “Blackberries” by Mrs. Lilly M. 
 
V 
 
 Spencer, as good a painting as this lady has ever painted, and many 
 others we must leave unmentioned. 
 
 Among the specimens of foreign art, there are also some of a 
 class, which rarely, if ever find their way to the Auction room, and 
 then only when the private gallery of some rich connoisseur is 
 broken up from some cause or other. 
 
 Foremost among them all, is the beautiful painting by Jos. Coo- 
 mans “Family Scene in Pompeii,” the chromo after which elicited 
 the remark from the critic of the N. Y. Evening Mail, that “there is 
 no second place for L. Prang & Co.,” and that it “is truly a 
 wonder of lithography.” 
 
 Hardly of less merit are “ The First Lesson in Music,” by T. 
 Lobrichon ; “Spring time” by Van Wyngaerdt,-and several others. 
 
 Of the paintings included in the catalogue, which have not been 
 chromocd, the most interesting to Americans, is decidedly Wil¬ 
 son’s “ Portrait of Abraham Lincoln,” a replica by the artist’s own 
 hands of the large painting from life, made during the last days of 
 the Martyrs earthly existence. 
 
 On the whole, the collection will be found to be one of more than 
 ordinary merit, and is well calculated to increase the reputation for 
 conscientious care and good judgment, which the firm offering them 
 for sale already enjoys to so enviable a degree. 
 

 
 
 
 
 ■ 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 , 
 
 
 
 
CATALOGUE 
 
 1 
 
 -> 
 
 PROOF ENGRAVING. 
 
 Madonna. 
 
 ENGRAVING. 
 
 The Prisoner of Gisors. 
 
 ENGRAVING. 
 
 3 Milton and Cromwell. 
 
 VON BEEST. 
 4 A Drawing, Whalers. 
 
 J> 
 
 UNKNOWN. 
 
 / 
 
 / 
 
 Winter Scene. 
 
8 
 
 UNKNOWN. 
 
 6 Marine View. 
 
 UNKNOWN. 
 
 7 Rustic Scene. 
 
 UNKNOWN. 
 
 8 Marguerite and the Jewels—a Scene from Faus 
 
 WOUWERMANS. 
 
 9 The Halt. 
 
 H 
 
 ■,( 
 
 M 
 
 1 / f 
 
 X J 
 
 v 
 
 UNKNOWN. 
 
 io Mischief Punished. 
 
 ARMFIELD, London. 
 
 ] i Dogs. 
 
 KEARNEY. (P.) 
 
 12 Grapes, in light and shade. 
 
 LORRAINE, (Claude.) Copy. 
 
 13 Italian Port Scene. 
 
 14 do 
 
 do } 
 
 V Companions. 
 
9 
 
 COUTURIER, (P. L.) Paris. 
 
 15 Fowls. 
 
 
 ? 
 
 J 
 
 ROSSITER, (T. P.) N. Y. 
 
 17 Chestnut Trees. 
 
 f 0 - 
 
 
 UNKNOWN. 
 
 18 View near Antwerp. 
 
 DAVIS. (W. M.) 
 
 19 Oranges. 
 
 UNKNOWN. 
 
 20 Mother and Child—on copper. 
 
 BUSH. (N.) 
 
 21 Scene on the Chagres River. 
 
 De CAUWER. 
 22 Dogs in a Hut. 
 
 UNKNOWN. 
 23 Swiss Landscape. 
 
FORSTER. 
 
 
 24 Fruit. 
 
 PECRUS, (C.) Paris. 
 
 25 Interior—The Seamstress. 
 
 VJU 
 
 VERSCHUUR, (W, Jr.) 
 26 Interior—Stable Scene. 
 
 ^ ^ P) - 
 
 POCHIN TESTA 
 
 27 Landscape. 
 
 
 A 
 
 ■ 7 , 
 
 /?/ BATTERY. (Edwin) 
 
 L>i 1 
 
 28 Landscape. 
 
 KEARNEY. (P.) 
 
 29 Fruit in a Niche. / 
 
 UNKNOWN. 
 30 Portrait of Dolci. 
 
 3 
 
 SI J 
 
 DA VIENNA. (M. H.) 
 
 31 Monks. 
 
11 
 
 
 • WYANT. (A. H.) 
 32 Study of the big Beaver. 
 
 UNKNOWN. 
 
 33 Madonna. 
 
 REMBRANDT, (attributed to) 
 
 34 His Portrait. 
 
 OMMEGANCK. 
 
 35 Landscape and Cattle. 
 
 AN ELL I. (F.) N. Y. 
 
 36 The Toilet. 
 
 VERONESE. (Paul) 
 
 37 At the Bath. 
 
 UNKNOWN. 
 
 38 Scene in the White Mountains. 
 
 39 Triumph of Charity. 
 
12 
 
 BUSH. (N.) 
 Castle Peak—Sierra Nevadas 
 
 CHERUBINI. (A.) 
 
 Cat and Kitten. 
 
 UNKNOWN. 
 
 Dutch View. 
 
 SEYBECKE. 
 
 43 Hen and Chickens. 
 
 DOOLITTLE. (C. S.) 
 44 Landscape. 
 
 GEORGIONE. (attributed to) 
 45 Duke of Salerno. 
 
 i 
 
 1 \J/ 
 
 VANDENBURGH. 
 Landscape and Cattle, 
 
 UNKNOWN, 
 
 / 
 
 47 Portrait of Rembrandt. 
 
GAUERMANN. 
 
 48 Watering by the Wayside. 
 
 9 ^ 
 
 BUSH. (N.) 
 49 Cathedral Spires. Yo-Semite 
 
 Valley. 
 
 VAN ELTEN. (Kruseman) 
 
 50 Summer Morning in New Jersey. * 
 
 51 Early Autumn in Connecticut. .) 
 
 - Companions 
 
 
 MOORE, (C. H.) N. Y. 
 53 Up the River. 
 
 u 
 
 fiJ J 
 \ / 
 
 \ 
 
 FORBES, (Edwin) N. Y. 
 54 The Challenge. 
 
 HUNTINGTON, (David) N. Y. 
 
 "N, 
 
 W 
 
 
 55 Richard De Cordillion at the door of the Mon 
 
 KEARNEY. (P.) 
 
 56 Fruit and Vases. 
 
 U / 
 
 
 J 
 
TRYON, (B. F.) N. Y. 
 
 — 
 
 57 October in the Woods. 
 
 FERGUSON, (H. A.) N. Y. 
 
 The Terrace and Lake, . 
 
 Central Park. 
 
 The Lake and Bowbridge, ) 
 
 Two very delicate landscapes by this favorite and 1 rising 
 young artist. 
 
 VERTIN. (P. G.) 
 
 Street View. 
 
 LEfCKERT. (Chas.) 
 
 Winter in Holland. 
 
 NEYER. 
 
 Gateway of Ingalstadt. 
 
 RONDEL, (F.) N. Y. 
 
 Landscape. 
 
 BROWN, (W. M.) N. Y. 
 
 Apples. 
 
 Mr. Brown is one of the best, if not the best, of 
 American Fruit Painters, and this picture deserves par¬ 
 ticular attention. 
 
15 
 
 65 Sheep. 
 
 VANSEVERDONCK. 
 
 VAN ELTEN, (Kruseman.) N. Y. 
 
 66 Summer on the Esopus Creek. 
 
 WILLIAMSON, (Jno.) N. Y. 
 
 67 Trout Stream, Ulster Co., N. Y. 
 
 COUTURIER, (P. L.) Paris. 
 
 68 Fowls. 
 
 RLAUVELT, (Chas. F.) N. Y. 
 69 Helping himselt. 
 
 GRANBERY, (Virginia) N. Y. 
 70 Plums and Gages. 
 
 BLAKELOCK, (R. A.) N. Y. 
 V71 View near Wildcat Mt., Maine. 
 
 DILENS. (M.) 
 
 72 Emperor Charles V and the Poacher. 
 
 j 
 
 W 
 
 % 
 
 <3 
 

 10 
 
 KENSETT, (J. F.) N.-Y. 
 
 73 Landscape 
 
 RONDEL, (L.) N. Y. 
 
 J) 
 
 6 
 
 BROWN, (Wm. M.) N.Y. 
 
 A It* 
 
 75 Landscape. 
 
 v 
 
 MYER. (Louis.) 
 
 76 Marine View. 
 
 7 
 
 WILLIAMSON, (Jno.) N. Y. 
 in the Lamoille Valley. 
 
 BOURLARD. (A.) 
 
 The Shepherdess 
 “ Goatsherd 
 
 I 
 
 Companions. 
 
 RONNER. (H.) 
 The Dog Cart. 
 
BREVOORT, (J, R.) N. Y. 
 8l Landscape. 
 
 
 RONDEL, (F.) N. Y. 
 
 82 Spring i 
 
 83 Sunset 
 
 >■ Companions. 
 
 ) 
 
 . - 
 
 / 
 
 WILLIAMS, (Virgil) Boston. 
 
 84 Gleaner of the Campagna. 
 
 85 Italian Water Carriers. 
 
 Companions. 
 
 Very fine specimens of this artist’s well known Italian 
 pictures, painted after sketches taken from life during his 
 stay in Italy. 
 
 REINTJES. (H. E.) 
 86 Interior with Figures. 
 
 COOMANS* 
 
 87 Landscape. 
 
 BREVOORT, (J. R.) N. Y. 
 
 88 Landscape. 
 
HOWLAND, (A. C.) N. Y 
 
 89 Landscape. 
 
 90 Fruit 
 
 REAM,' (€. P.) 'N. Y f) 
 
 ROSSITER, (T. P.) N. Y. 
 9 1 - A Gleam at Sunset. 
 
 MARSDEN. 
 
 92 Lady Thorne. 
 
 An excellent portrait of this celebrated Trotter, by an 
 artist who is acknowledged to be the best painter of 
 Horses in America. 
 
 COUDER, (Alexandre) Paris. 
 
 Pupil of Gros. Medal in 1806. Legion of Honor, 1853. 
 
 93. Tribute to Washington. 
 
 MARQHN, (J.) Paris. 
 
 94. Counting the Gains, water color 
 
 CARLO DOLCE. 
 
 95. St. Caecilie. 
 
 Copy bv L. Urlass, of Dresden, after the original in 
 the Royal Gallery of that city, acknowledged' 'to be '.the 
 best of that celebrated painting ever seen in America. 
 
19 
 
 GRANBERY, (Virginia) N. Y. 
 
 96 Nasturtions and other Flowers. 
 
 GRANBERY, (H A.) N. Y. 
 
 97 Roses on the Ground. 
 
 TURNER. (J. M. W.) 
 
 98 (four) Illustrations of the Life of Columbus. 
 
 Copies made by Mr. Thos. Farrar, of New York, who 
 went to England about a year ago for the purpose of study¬ 
 ing and making copies of Turner’s pictures. Water 
 colors. 
 
 99 Bay of Monterey. 
 
 BUTMAN, N. Y. 
 
 ROSSITER, (T. P.) N. Y. 
 
 - Companions 
 
 101 Solitary Lake, Conn. 1 
 
 CARY, (W. M.) N. Y. 
 
 102 Children in the woods. 
 
 VAN WILLIS. 
 
 103 A Wood Scene. 
 
20 
 
 UNKNOWN. 
 
 104 Portrait of Teniers. 
 
 ROSSEL. 
 
 ioj Dead Game 
 
 REAM, (C. P.) N. Y. 
 
 106 Fruit. 
 
 UNKNOWN. 
 107 Fruit and Still Life. 
 
 VEDDER. 
 
 108 Landscape and Figures. 
 
 LOTICHIUS. (E.) 
 
 109 Trenton Falls. 
 
 UNKNOWN. 
 
 110 Dutch Interior. 
 
 CRANCH, (C. P.) N. Y. 
 
 111 Night Camp. 
 
n 
 
 SCHULTZ. 
 
 112 Adoration of the Magi 
 
 RONNER. (H.) 
 
 113 Dog and Cat. 
 
 VERTIN. (P. C 1 
 
 114 Street View. 
 
 PALMER, N. Y 
 
 115 Peekskill Bay. 
 
 116 Near Nyack. 
 
 V r\ • 
 
 TELLER. 
 
 117 Mother’s Darling. 
 
 VAN BORSELEN. (J W.) 
 
 118 Landscape. \ 
 
 v Companions. 
 
 119 do ) 
 
STUART. (Gilbert) 
 
 120 Geo. Washington. 
 
 121 Martha do 
 
 Copied from the originals in the Boston Athenaeum, by 
 Fabronius, of Boston. The parts left unfinished in the 
 originals are here supplied. It is well known that the 
 Washington portraits, by Stuart, are the best in existence, 
 and these copies are very faithful. 
 
 122 2 Colored Prints. 
 
 i- 
 
 Companions. 
 
 l 23 Photograph, Raphael Madonna. 
 
 Second Evening’s Sale. 
 
 • i 
 
 COLMAN, (Saml.) N. Y. 
 
 124 Duck Pond. 
 
 A sweet little picture' by a great Artist. The only 
 work of Mr. Colman which has as yet been re-produced 
 in Chromo Lithography. This painting was chromoed 
 under the title “ Near Bethel ” on the Androscoggin, 
 which title turned out to be wrong after it was too late to 
 change it. 
 
 DE HASS, (M. F. H.) 
 
 Of Rotterdam, now of New York, Pupil of Louis Mayer. 
 
12 5 
 
 126 
 
 l2 7 
 
 0 
 
 129 
 
 23 
 
 SunsetTon (the Coast 
 
 • ..I.,.. • ‘ . ... ■&: .. - •; 
 
 A superb picture and a fine specimen of this Artist’s 
 
 - well known Marine Sunsets: .. :. 
 
 MORAN, (Edw.) Phita. 
 
 Launching the Life Boat. 
 
 A smaller copy by the Artist’s own hand, and painted 
 to Mr. Prang’s order, from the large picture which was 
 exhibited some ..years ago, creating, quite a sensation. 
 
 TAIT, (A. F.) N. Y. 
 
 .. ’ f - -A i *, 
 
 Group of Chickens. , : 
 
 If any picture in the U. S. can be said to have a na¬ 
 tional reputation, it is this one, being the first of Mr. 
 Prang’s productions and which proved a great success. 
 The introduction of chromo-lithographv into America 
 must date from its publication. 
 
 Group of Ducklings. 
 
 Companion to the above, by the same artist. 
 
 CORREGGIO, (Antonio) 
 
 The Reading Magdalen. 
 
 After the original in the Royal Gallery at Dresden. 
 
 LEMMENS, (Emile) Deceased. 
 
 Of Lenlis, Pupil of Lasalle. 
 
 / 
 
u 
 
 132 
 
 *33 
 
 ] 34 
 
 T 3? 
 
 * 3 ^ 
 
 *37 
 
 The Poultry Yard. 
 
 The Pictures of Lemmens, who ranked foremost among 
 the Poultry painters of our day, and is noted for the 
 poetical sentiment, which he infused into his works, are 
 rapidly disappearing from the market, and are conse¬ 
 quently becoming more valuable from day to day.. 
 
 BACON, (H ENRY.) 
 
 Boston, Pupil of Ed. Frere. 
 
 The Doctor. 
 
 A good specimen of this fast rising young artist, and the 
 only one of his works so far reproduced. 
 
 : , BRICHER, (A. T.) 
 
 Of Boston, now of New York. 
 
 Early Autumn on Esopus Creek, N. Y. 
 
 Late Autumn in the White Mountains. 
 
 Two very fine examples of Mr. Bricher’s style, and 
 certainly the best known of his works. 
 
 BRIGHTER, (A. T.) 
 
 Spring. 
 
 Summer. 
 
 Autumn. 
 
 Winter. 
 
 
 ^Companion pieces. 
 
25 
 
 BRICHER, (A. T.) 
 
 138 Six American Landscapes. 
 
 Souvenir of Lake George. 
 
 Twilight on Esopus Creek, N. Y. 
 
 Sawyer’s Pond, White Mountains, N. H. 
 Mount Chocoma and Lake, N. H. 
 
 On the Saco River, North Conway, N. H. 
 On the Hudson, near West Point. 
 
 JOHNSON, (Eastman) N. Y. 
 
 Pupil of Ed. Frere.' 
 
 139 The Boyhood of Lincoln. 
 
 140 
 
 This picture formed the main attraction of the 43d 
 -‘'"“'Academy Exhibition, (1868). 
 
 JOHNSON, (Eastman,) N. Y. 
 
 The Barefoot Boy. 
 
 A\ 
 
 “ Blessings on thee, little man. ^ «-■ 
 
 Barefoot Boy, with cheeks of tan.” 
 
 The gem of the collection, and truly a representative 
 American picture. Mr. Whittier calls it “ a charming 
 illustration ” of his little poem, and the cordial reception 
 given to the chromo, proves that poet and painter have 
 touched a cord in the heart of the people. Next to Mr. 
 Tait’s “ Group of Chicken’s,” there is not another picture 
 in the U. S., as well and as favorably known as Mr. E. 
 Johnson’s " Whittier’s Barefoot Boy.” 
 
 / 
 
26 
 
 HILL, (Thomas) 
 
 Of California, now of Boston. Pupil of Meyerheim. 
 
 141 The Birthplace of Whittier, the Poet. 
 
 Mr. Hill, generally known as the California Artist, has 
 painted this picture after a sketch made on the spot, and 
 it has been approved by the poet as an exact transcript of 
 his early home. 
 
 HILL. (Thomas) 
 
 142 The Yosemite Valley. 
 
 A small copy, painted by Mr. Hill himself to Mr. 
 Prang’s order, of his celebrated 6x10 foot picture, which 
 was sold to a wealthy Californian, while on exhibition in 
 San Francisco. 
 
 UNKNOWN. (French School.) 
 
 143 Flower Bouquet. 
 
 VAN WYNGAERDT, (A. J.) Belgium. 
 
 144 Spring Time. 
 
 A charming picture by this excellent Artist. 
 
 MORVILLER, (J.) Dec’d. 
 
 145 Sunlight in Winter. 
 
 A very fine specimen of this Artist, whose works may 
 be said to be out of the market. 
 
27 
 
 SPENCER, (Lilly M.) N. Y. 
 
 146 Blackberries in a Vase. 
 
 One of the best fruit pictures ever painted by ..this 
 talented lady. 
 
 BROWN, (Jno. G.) N. Y. . 
 
 -147 gueen of the Woods. ) 
 
 >- Companions. 
 
 148 Little Bo-Peep. ‘ 
 
 149 Playing Mother. 
 
 Three fine specimens of this favorite Artist, whose 
 happy delineations of American. child . life have earned 
 him the name of “ Children Brown.” 
 
 COOMANS, (Pierre Olivier Joseph.) 
 
 Of Brussels, Pupil of Van Hasselaere De Keyser and Baron 
 Wappersj several Medals. 
 
 150 Family Scene in Pompeii. 
 
 Mr. Coomans’ pictures are highly valued, and seldom 
 to be met with at auction sales. The present specimen is one 
 of the best, if not the best, which have found their way 
 to America, and the chromo being the most remarkable 
 production of the art of lithography ever brought out 
 anywhere, has given it a special additional value. 
 
 GRANBERY, (Virginia) of New York. 
 
 151 Cherries and Basket 
 
 / 
 
28 
 
 15 2 Strawberries and Basket. 
 
 153 Raspberries. 
 
 154 Currants. 
 
 Of the American ladv artists Miss Granbery, is one of 
 the foremost, and especially, as a painter of fruit, she is 
 without a rival among her competitors. 
 
 PEEL, (Florence) of London. 
 
 1 55 Before the Frosts ; Flower piece. 
 
 156 After the Rains ; do 
 
 Brought from England by Mrs. Elizabeth Murray, and 
 declared by that eminent artist the best body color paint¬ 
 ings of flowers she ever had in her possession. 
 
 LAMBDIN, (Geo. C.) of N. Y. 
 
 157 Wild Fruit. 
 
 Published, reduced in size, as a companion to the 
 “ Barefoot Boy.” A most remarkable painting. 
 
 TAIT, (A. F.) of N. Y. 
 158 Group of Quails. 
 
29 
 
 After ADAMS. (T.) 
 l^g Horses in a Storm. 
 
 DIEFFENBACH, (H. Anton.) 
 
 Of Paris. Pupil of L. Knaus. 
 
 160 Jealousy. 
 
 An excellent specimen of this Artist’s peculiar style. 
 
 LOBRICHON, (Timoleon) 
 
 ' - ' * ‘ ’ '*”***“’" w'n. 
 
 Of Cornod. Pupil of Picot. 
 
 161 First Lesson in Music. 
 
 A charming picture, which combines the beautiful ex¬ 
 ecution of the modern French school with a sentiment 
 seldom found in other “tableaux de genre.” 
 
 GIRAUD. 
 
 162 The Two Friends. 
 
 BRAITH, (Anton.) 
 
 Of Munich. 
 
 163 The Kid’s Playground. 
 
30 
 
 SCHLESINGER, (Felix,) 
 
 Of Dusseldorf and Munich. 
 
 164 The Friend in Need. 
 
 Mentioned with praise in “Die Dioskuren,” (Berlin,) 
 of June 17th, i 266 } page 188. 
 
 HARRING VON AMON, (Wilhelm) 
 
 Of Munich, now of Boston. 
 
 165 Our Kitchen Bouquet. 
 
 BIELE. (C.) 
 
 166 Fruit Piece. 
 
 NILES, (G. E.) ot Boston. 
 
 167 Rest by the Roadside. ) 
 
 . r Companions. 
 
 168 Under the Appletree. ) 
 
 169 
 
 170 
 
 De VOS, (L.) of Courtray. 
 Travelling Comedians, 
 do do 
 
 Companions. 
 
 171 Favorite Dogs. 
 
31 
 
 STONE. (B. B. G.) of Catskill, N. Y. 
 
 172 Harvest, near North Conway. 
 
 CRUIKSHANK, (Wm.) of London. 
 
 173 The Dead Linnet. ) 
 
 Companions. 
 
 174 The Dead Bulfinch. 
 
 Very fine specimens of English body-color drawings. 
 
 MOORE, (Mrs. Nina) of Boston. 
 
 175 Wild Roses. 
 
 FULLER, (S.) of Saratoga Springs, N. Y. 
 
 176 Summer Fruit. 
 
 177 Autumn Fruit. 
 
 Two very good specimens of this clever painter of still 
 
 life. 
 
 BOSSETT. (G.) 
 
 178 Dead Game. 
 
 FERGUSON, (H. A.) of N. Y. 
 
 179 Six Views in Central Park, N. Y. 
 
 New York City, seen from the Green. 
 
 The Waterfall. - 
 
 Rustic Summer House and City (Evening.) 
 Ivy Bridge, near the Cave. 
 
 The Lake and Bow Bridge. 
 
 The Terrace and Lake. 
 
32 
 
 WILSON, (Matthew) of Washington, D. C. 
 180 Portrait of Abraham Lincoln. 
 
 I 
 
 1 his portrait of the Martyr-President was painted to 
 the order of Mr. Prang, in April. 1865, just after Mr. 
 Lincoln’s death, and is a reduced copy, by the artists’ own 
 hands, of the large portrait by Mr. Wilson, the well- 
 known portrait painter. The large picture was painted 
 from life for Hon. Gideon Welles, then Secretary of the 
 Navy, in March, 1865. It is one of the few portraits of 
 Mr. Lincoln which were actually taken from life, and the 
 last one painted before his death. Forney’s “ Chronicle,” 
 of June 23d, 1863, says of it: “ Those who knew him 
 
 (Mr. Lincoln) in his genial and gentler moments, when 
 composed and pleased, will find in Mr. ^Vilson’s work a 
 wonderous charm. * * * The eye speaks 
 
 with that mellow melancholy sometimes so noticeable in 
 Mr. Lincoln.” A fine crayon drawing after this head was 
 published by L. Prang & Co. 
 
 Documents proving its authenticity and certifying to its 
 truthfulness as a likeness through persons who were in 
 daily contact with him, can be obtained from Messrs. 
 Prang & Co. 
 
 VON SEBEN, (H.) Brussels. 
 
 181 Children in a Wheat Field. 
 
 L ndoubtedly the finest specimen of this pleasing artist 
 ever brought to this country. 
 
 CARY, (W. M.) N. Y. 
 182 Monument Mountain. 
 
 MILLALO. 
 
 183 Gathering Brush Wood. 
 
33 
 
 HOLBERTON, (W.) N. Y. 
 
 184 Game Piece. 
 
 KALTENMOSER. (C.) 
 
 185 Swiss Courtship. 
 
 WHITNEY. 
 
 186 Spring Flowers. 
 
 BURFORD. 
 
 187 Landscape. 
 
 ROMAKO. (A.) 
 
 188 Girl going to an Easter Feast. 
 
 j ■" • * * ' j • # 
 
 VAN ELTEN. (Kruseman) 
 
 189 Lake Mohonk. 
 
 SCHULTEN. 
 
 190 The Boudoir. 
 
 FORBES. (E.) 
 
 191 Landscape and Cattle, the Watering Place. 
 
 
MIGNOT. (L. R) 
 
 192 Sunset, i 
 
 - Companions. 
 
 193 do > 
 
 GERARD. 
 
 ]94. ! he Vintage. 
 
 NEHLIG. (V.) 
 
 195. Interior Sculptor’s Studio. 
 
 HEKKING. (J. A.) 
 
 196 Autumn, 
 
 WILLIAMSON. (Jno.) 
 
 Landscape. 
 
 HAHN. (F.) 
 
 198 The Young Help. 
 
 ISABEY. 
 
 199 French Coast. 
 
35 
 
 INMAN. (After) 
 
 200 News Boy. 
 
 MORLAND. (Geo.) 
 201 The Laborer’s Repast. 
 
 MARIO. (A.) 
 
 202 Water Melons, Peaches and Grapes. 
 
 One of the best efforts of this talented Artist. 
 
 I ROTH INGHAM. 
 203 Portrait Col. Trumbul. 
 
 ROBBE, (A.) Brussels. 
 204 The Trio. 
 
 TAIT. (A. F.) 
 
 205 The Halt. 
 
 BARDIN I. (S.) 
 
 206 Winter. 
 
36 
 
 PEELE. 
 
 207 Girl at Spring. 
 
 BLAKELOCK, (R. A.) N. Y. 
 
 208 Valley of Agamenticus, Maine. 
 
 A masterly specimen of this favorite and rising young 
 artist. 
 
 VAN ELTEN, (Kruseman) N. Y. 
 
 209 Sunset on the Farmington River. 
 
 HART, (Wm.) N. Y. 
 
 210 Scene in Green Co. 
 
 DESHAYES. (Eugenb) 
 
 211 Landscape. 
 
 HEPPENER. 
 
 212 City View. 
 
 VERMEULEN. (A. F. J.) 
 
 21 3 
 
 214 
 
 Market Scene, candle light, 
 do do 
 
 Companions. 
 
37 
 
 QUAEDVLIAG, (Chas.) Rome 
 215 Interior, with Goats. 
 
 HOSEMAN. (Th.) 
 
 216 Bowling. 
 
 CARTER. (D. M.) 
 217 The Parting. 
 
 UNGER. 
 
 218 Joan of Arc. 
 
 HOGUET. (C.) 
 219 Marine View. 
 
 MAES, (M.) Rome. 
 220 Peasant Family. 
 
 ARM FI ELD, London. 
 
 221 Dogs. 
 
VAN SCHENDEL. (Copy.) 
 
 222 Market Scene. 
 
 GORDIGIANI. 
 
 223 The Troubadour. 
 
 KEEIJN. (L. J.) 
 
 224 Winter Scene. 
 
 ROOSENBOOM. (M. E. J. M.) 
 
 225 Flowers and Fruit, j 
 
 - Companion. 
 
 226 do do j 
 
 REINTJENS. (H. E.) 
 
 227 Interior with Figures. 
 
 BONNER. (H.) 
 
 228 Interior of Stable with Dog;. 
 
 STROEBEL. (J.) 
 
30 
 
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