In MARI VIATUA TT Griffiths 1 1 i-T: T w ^ S j ^ r % ^‘=t k^ tV>-' ,; ♦V* ¥m^. f- Wf t ¥-' f, E ■—'t.t^'V \. ,. I . l- i'(.r. t h I , V»- :■' " t ■! '■> V:.. ' rfli • w? ^ ir>^'»r- , -k ?■ f .- r wm [0>^. ■ -I' * \ ■!>‘ fVr ijS b. ir:: A • • : ‘ ■*;,! M,.- * ■ .. j^‘ 1 ^ .\''> W: P' aiL' K ul-t I f m ii'MI' »■ Digitized by the Internet Archive in 2017 with funding from Getty Research Institute https://archive.org/details/tirynsprehistoriOOschl_0 ACROPOLIS OF PALAMEDES NAUPLIA ARGOLIC GULF FRONTISPIECE VIEW FROM THE EXCAVATED PALACE ON THE ACROPOLIS OF TIRYNS TI RYNS THE PREHISTORIC PALACE OF THE KINGS OF TIRYNS. THE RESULTS OF THE LATEST EXCA VATIONS. By DR. HENRY SCHLIEMANN, HON. D.C.L. OXON., AND HON. FELLOW OF QUEEN’S COLLEGE, OXFORD; . F.S.A.; HON. CORRESP. MEMBER AND GOLD MEDALLIST OF THE ROY. INSTITUTE OF BRIT. ARCHITECTS ; AUTHOR OF “troy AND ITS REMAINS,” “MYCEN.E,” “iLIOS,” “troja,” and “ ORCHOMENOS.” THE PREFACE BY PROFESSOR F. ADLER, AND CONTRIBUTIONS BY DR. WM. DORPFELD. WITH 188 WOODCUTS, 24 PLATES IN CHROMOLITHOGRAPHY, ONE MAP, AND FOUR PLANS. LONDON: JOHN MURRAY, ALBEMARLE STREET. 1886. The right of Translation is reserved. LONDON : PRINTED BY WILLIAM CLOWES AND SONS, STAMFORD STREET AND CHARING CROSS. LIMITED, TO JAMES FERGUSSON, Esq., C.I.E., D.C.L., LL.D., F.R.S., F.R.I.B.A., M.R.A.S., HON. MEM. R.S.L., &c., THE HISTORIAN OF ARCHITECTURE, EMINENT ALIKE FOR HIS KNOWLEDGE OF THE ART, AND FOR THE ORIGINAL GENIUS WHICH HE HAS APPLIED TO THE SOLUTION OF SOME OF ITS MOST INTERESTING PROBLEMS; ^uljis Morli is Qfbicatcb, IN GRATEFUL ACKNOWLEDGMENT OF HIS INTEREST IN MY LABOURS AND THE HELP DERIVED FROM HIS SCHOLARSHIP AND PROFOUND ARCHAEOLOGICAL LEARNING SINCE THE BEGINNING OF THE DISCOVERIES AT TROY. HENRY sc H LI EM ANN. PREFACE. When the Author invited me to write a Preface to his work on Tiryns, I declared my readiness to do so without hesitation ; for he thus afforded me a welcome opportunity of adding my personal thanks — for the substantial advan- tages that had accrued to my own studies in the history of architecture — to the universal tribute offered so justly from every side to the indefatigable explorer of the oldest civilisation of Greece and Asia Minor. I hope to express this feeling most practically by an attempt to gather the results — as regards the technical and artistic aspect of architecture — which follow from Dr. Schliemann’s excavations in Troy, Mycenae, Orcho- menos, and Tiryns, and, as far as this is possible to-day, to shape them into a picture of the oldest art of building in Greece and in Asia Minor. No doubt, there are still great gaps, owing to various causes, and it is certain that our present materials will sooner or later be substantially supplemented. Yet I would justify this essay as a necessary preliminary, which only an architect can supply, to further inquiries as to the develop- ment of art in one of the most attractive, though one of the most obscure, regions of classical antiquity. If I have reached beyond Dr. Schliemann’s personal work, by utilising the architectural harvest of the latest discoveries in Attica and Argolis, I plead my desire to make my sketch as complete as possible. Three kinds of architecture have been materially illus- VI THE CITADELS PERGAMOS AND TIRYNS trated by the successful work of the spade: (i) Fortresses, (2) Palaces, (3) Tombs. The important branch of Temples is still missing from tiie list. True, MM. Schliemann and Dorpfeld had taken two large ruins, lying parallel on the Pergamos (of Priam), to be temples, and supported this view even in Troja (pp. 76-86, which appeared in 1884. But they forthwith aban- doned this view, when analogous but better-preserved architectural remains at Tiryns proved to be parts of a great palace, plainly discernible as such in its main features. As here, so in Troy, these rooms, superior to the rest in proportion, plan, and strength of walls, were certainly the chief halls of the kingly residence. Hence the fact is to be noted, that no trace has hitherto been found, in any of the three citadels, of buildings for the purpose of worship, dating from the ancient period. The very slight archi- tectural fragments, of Doric style, found at Mycenae and Tiryns, which may be the remnants of stone temples, are certainly far more recent than the ancient royal palaces, and hence offer no material for the solution of tliis important problem. As regards Fortresses, the fortifications of Troy, Mycenae, and Tiryns can alone be considered, since the Acropolis of Orchomenos has not yet been subjected to an accurate investigation. All three are built on an almost identical plan, and show a similarity of situation. For the site, there was always chosen a rocky eminence of more or less height. Tiryns (26 m. over the sea) is the lowest ; then comes Troy (40 m.), while Mycenae lies ten times as high as Tiryns : its summit rises to 277 m. The former are strongholds in the plain. The latter is a proud mountain- fastness. The scanty room enclosed by the surrounding walls })roves that, in the first foundation, only the security of the chieftain was the object aimed at— not the protection ol' a town-like settlement, or the erection of a great depot WATCH SEA AND LAND. Vll for war. Even as in the Middle Ages, huts and houses may somewhat later have sprung up round the citadel. When the increase of population, and the growing wealth, necessitated an enlargement of the existing bulwarks, this extended fortification, even when rationally and skilfully laid out, did not always increase the defensive power of the fortress ; nay, it often impaired it. In the case of Mycen*, such a combination of town and fortress is certain from the name, from literary evi- dences, and from architectural remains. The same may be assumed at an early period in the case of Troy, even if we do not regard the evidence of Homer as decisive, because the wells lying to the S.W. were indispensable for a pro- longed defence of the fortress, and must therefore soon have been embraced in the fortifications. The town there- fore lay certainly S. of the Pergamos. From later times we have also evidence of a town-like settlement beside Tiryns ; but its origin is as obscure as the course of its surrounding walls. Probably the town lay not to the west near the sea, but to the east in the plain, protected from pirates by the citadel. This situation seems to be indicated also by a find of coins. Two citadels, Pergamos and Tiryns, were meant to watch both sea and land. The former commanded the most extensive view, and lay, moreover, on a great high- road of the world’s traffic. Mycenas, on the contrary, is a stronghold thrown forward as an outpost into the moun- tains, to dominate important passes ; hence its natural strength is greatest. Then follows Tiryns ; and last of all, Troy. This last only had, at least on its E., W., and S. sides, a dry moat, which was not needed by the others, built, as they were, on steep rocks. The other indispensable conditions for defence are fulfilled by all alike : with economy of circuit, a minimum of gates and posterns ; then, walls of sufficient height and strength, with easily blocked approaches ; and finally, a Vlll ALL HAVE ONLY TWO GATES, suitable utilising of the inner enclosed ground with a view to dominating the lower parts, i.e. a terrace formation of higher and lower citadel. At all times, strongholds have been narrowly girdled, for a small circuit of wall is more quickly built ; it diminishes the cost of construction and maintenance, and permanently facilitates the defence. But sometimes the first narrow girdle of defence did not long suffice for the fast growing requirements of the place. Then, on one or more sides, extensions were undertaken. The still existing remains prove this fact in the case of Troy, to the E. and S., as well as at Mycenae along the S. side. Tiryns, on the other hand, has always preserved the line of its old bounds, and seems certainly a building of uniform plan, though the citadel is not the first, but the second structure on the same site. The second condition — a minimum of gates and pos- terns — is obvious in rationally planned fortifications, seeing that every gate, however small, constitutes a weak point, and that every useless postern diminishes the primary intention of safety by enhancing the danger of treason. Hence Tiryns, in addition to two very small apertures in the walls for the purposes of patrolling and getting infor- mation, always possessed only one main gate and one postern. The same is the case at Mycenae; besides the Lions’ Gate, there is here only, at the N.E,, a postern which, in addition to military purposes, served for getting water from a neighbouring well (Perseia?). So also for the citadel of Troy, two gates sufficed from the beginning — namely, the central gate at the S., and the one leading to the wells, S.W. This number has never been exceeded ; for when the extension of the fort made it necessary to plan a new (third) gate S.E., the old central gate was per- manently walled up, and the traffic between town and citadel again confined to two gates. Besides these fundamental points of agreement in ancient fort-building, there are also points of variance, which must AND THE FLANKING SYSTEM. IX not be overlooked. They concern the arrangement of the walls in ground- plan and in section {tracS and profile). If we turn first to the ground-plan, we find already in the Pergamos that the ancient walls were flanked by salient, massive, tower-like bastions recurring at pretty regular intervals, from which the intervening wall-sections could be watched and laterally swept by the missiles thrown from the beleaguered stronghold. This is specially shown in the old central gate — a colossal, massive structure with a narrow, tunnel-like gate- way, which in the first instance was intended to defend the causeway crossing the moat, but which also served to flank the S. side, and therefore assuredly stood out like a great tower over the walls. From the fact that, in the later extension of the fortress, the flanking position of this tower was almost wholly abandoned, we may be certain that its construction must belong to the time of the second citadel, the method of fortification in the earliest settlement being unknown. At all events, this structure represents, in its conception, a combination of gate-tower and of salient outwork, which is architecturally of great value. The flanking system, the application of which, in the heroic age, was even recently still so strangely denied, is absent neither from Mycenae nor from Tiryns ; but, on account of the varying conditions of the ground, it has in neither of these citadels been so thoroughly carried out as at Troy. In the former two cases it was confined to a few very important points. At Troy, it was most fully developed. To the circuit wall belongs the entrance way into the fort. The final ascent for pedestrians and horsemen was provided for by inclines, which were either simply formed of earth, or paved, and had a moderate incline (20-25°) of varying breadth (5-8 m.). At Tiryns and Mycenae (I speak here of the first foundation of the citadel, before the southern extension was undertaken and X TROJAN WALLS OF SUN-DRIED BRICKS. the Lions’ Gate built) these ramps lay (and still lie) close along the walls, in such a manner that the assailant was forced to expose his unshielded right side to the defenders. In Troy, on the contrary, where a dry moat had to be crossed, the dam-like ramps lead direct to the gates, and are consequently at right angles with the line of the wall. Both the ground-plans and the sections of the circuit walls show marked differences. The variety of the building materials and of the site accounts for that. The walls of the Pergamos show the simplest structure, because lime quarry-stones of middling size have been used for the substructures, while sun-dried bricks were used for the upper part. The limestones are laid horizontally in layers without any sort of cement ; but the wall is escarped from without (the angle of inclination is at first 45°, then 60°), while the inner side rises vertically. The* scarp, or batter, fulfils a twofold object ; it makes the undermining of the wall more difficult, and also diminishes the absolute heights for the upper structure. This latter, built of sun- dried bricks with clay mortar, had an average thickness of 31^-401., and within, a similar height. Its strength was increased by means of inserted beams of wood, which recur at fixed levels and are placed longitudinally in the wall as well as across it— a structure often repeated in stone building. There must have been a rampart way along the top of the wall with a protecting parapet. We can also infer from the existing remains an average elevation of 9-10 m.; and thus the wall was externally secure from escalade. The weakest front was the south side ; it was therefore provided with a dry moat, the width of which can be inferred from the flank measurements of the gateway, and may be fixed at 1 6-1 7 m. Its depth cannot have been less than 3 m. Quite different are the fortifications of Tiryns and Mycenm. The escarped substruction of free-stone was omitted, being rejdaced by the rising rock which could CYCLOPEAN WALLS BONDED WITH CLAY. XI easily, where necessary, be made inaccessible by subsequent chiselling. Then, as good free-stone was to be found quite close by, the use of sun-dried bricks could be con- siderably limited, or entirely dispensed with. The greater part of the walls of Tiryns consists of lime- stone blocks of large, even colossal size, the interstices being filled up with smaller stones. Throughout, a hori- zontal jointing is attempted, as far as possible, with the stones already split in the quarry to obtain an under- surface, and rudely worked with heavy hammers on the other surfaces. There is no trace of ashlar masonry, or real polygonal bonding ; but it is obvious, from mathe- matical considerations, that at the numerous salient and in- verted angles the rude, longish, polyedra must have been wrought into clumsy parallelopipeda to construct these angles. Hence, upon careful examination, there is clearly to be seen in many places an approach to a horizontal jointing, though rising and falling in crooked lines. I conjecture that in the construction of all so-called Cyclopean walls a strong mortar of loam, or potter’s clay, was used as bedding material, which facilitated the laying, joining, and further piling up of the stones, but dried up afterwards, and, by being gradually washed away, finally disappeared. Hence there resulted, in many places, both vertical and horizontal joints sufficiently large to make the scaling of the wall possible to experienced climbers, especially if the wall itself was slightly escarped. As close fitting with oblong or polygonal blocks was not yet usual, this danger was obviated by choosing, for the lowest and middle courses, blocks so large that they could not be surmounted either by upward or oblique climbing. This A'iew is supported, first, by the circumstance that some stones in the interstices lie there loosely now, because they are no longer held together by pressure, and chiefly by the fact, that the largest blocks are only found in the lower and middle courses on the outside. Hence I am disposed to Xll EARLIEST AND LATER SETTLEMENT AT TIRYNS. attribute the use of the colossal quarry-stones at Tiryns at least as much to this practical reason as to the ambition of the founder of the stronghold. He has indeed, in this latter respect, raised for himself a monument of the first rank. I have myself measured in many instances on the upper citadel, blocks of 2 *90-3' 20 m. in length, by i * 10- i’5o in height. Their depth was not measurable, but may be taken at i * 20-1 *50 m. We thus obtain a weight of from 12-13,000 kgs. for a rudely-prepared block, the transport of which, to its exact place on a high and narrow site, was only possible with the aid of many technical devices — inclined planes and scaffolding — and a host of workmen. Even middle-sized stones, easily measurable in their chief dimensions, weigh 3700-4000 kgs. These figures are im- portant, as proving that the citadel we see before us, and whose gigantic blocks even in antiquity excited astonish- ment and admiration, cannot have been built in a hurry, in the sight of the enemy, or as the first stronghold of an invasion based on maritime supremacy. If, indeed, the country was here suddenly invaded from the seaside, the first fortress must have consisted of wood and sun-dried bricks ; for the colossal walls tell every one able to read the language of stones, that their erection can only have been effected in a long period of peace, by a ruler with unusual resources of power, and who had trained workmen under his permanent control. In support of the idea, that we have in Tiryns not the first, but the second structure on that site, many additional reasons may be adduced. In the first place, under the foundations of the palace on the upper citadel, occur undoubted traces of older buildings ; among them, the substructure of a huge gate-tower, over which the outer Propylaeum was afterwards erected. But if the inner part of the citadel was made a good stronghold, the outer must have been so d fortiori. This confirms my second observation, that in the wall of the nether citadel there are. THE WALLS OF MYCENAI. Xlll in many places, vertical joints coming down, sometimes, to the rock, which show clearly that this part was not built at one and the same time, but in several divisions. Probably the older and cheaper defence of wood and sun-dried bricks was retained here till it could be replaced gradually by a more solid stone structure. The section of the wall is not uniform, but is generally massiv^e in the nether citadel. Here the depth varies from 7 to 9 m. ; the outer height, no longer measurable, may have also been 9 m. The broad rampart way along the top of the wall was contracted closely by massive towers in several places, perhaps even blocked, so that it might be defended in sections. There are deep niches in the wall, covered by rude corbelling out of the blocks, not so much to save material as to gain room. In the upper citadel the thickness of the wall increases to 13, 15, even 17 m., but no longer represents a massive block of wall — e.g. in the S.E. corner and along the S. front — but a systematically con- nected cluster of rooms (stairs, galleries, magazines, cisterns, and casemates), which are all built of large blocks, and are all covered on a system of corbelling, so as to be fireproof. The whole, though partially fallen in, is an astonishing specimen of fortification and construction dating back to hoary antiquity. A huge double tower, with cellars, which perhaps contained prisons, flanked the south part of the W. wall. A second, still greater, in the E. wall, com- manded the main entrance. Smaller solid towers were probably here distributed along the wall, as well as in the lower citadel. The walls of Mycenae do not possess the general uni- formity which marks those at Tiryns ; one recognises there various kinds of work, done at periods the succession of which cannot now be determined. The construction of the nucleus is, no doubt, almost everywhere the same : it consists of roughly-shaped limestone blocks piled up one upon the other, and bonded by small stones and clay. XIV OLDEST OUTER WALLS OF MYCEN/E. But there also appear, outside, large stretches of perfectly horizontal ashlar-masonry ; in some spots even the best close-fitting polygonal bonding. It is known from the history of Greek architecture that this last kind of building belongs everywhere to a comparatively late period, and has no connection with the so-called Cyclopean constructions. At Mycenae this best, but most costly, kind of wall seems to have been applied only where damaged places (breaches, slips) had to be subsequently repaired permanently, or completely renewed. Considerably older than this patchwork with polygonal blocks is the ashlar masonry, which first occurs here, and which consists of layers of oblong rectangles, with studied variation in the vertical joints. That this does not belong to the earliest building of the fort, is at once clear from the fact, that the northern wall of the approach to the Lions’ Gate consists of two parts separated vertically ; first, of a thick core of limestone piled up in Cyclopean fashion ; and then, of a relatively thin coating of oblong blocks of breccia, in the lower strata of which no bond-stones are to be found. The southern wall of the same approach shows the same oblong ashlar masonry of breccia, not laid on, however, as a mere coating without binding-stones, but joined thoroughly with the core-structure. From both observa- tions it follows with absolute certainty that the oblong ashlar masonry must be more recent than the old Cyclo- pean limestone building, and is only connected with the extension of the fortress towards the south, and with the erection of the Lions’ Gate. The oldest outer wall of Mycenae is all of the same stamp ; it is built in Cyclopean fashion, like that of Tiryns, but throughout with smaller blocks of stone. It closely surrounded a triangular hill, which is in places very steep, and which could only be terraced with the help of numerous supj)orting walls, and thereby made fit to bear an upper fortress in the middle, and two lower ones ; the ITS LIONS’ GATE. XV latter lying to the east and west respectively. The old ascent with its incline was probably at the S. side, above the well-known pit-graves discovered by Dr. Schliemann ; and the last part of' the ascent went from E. to W., so that the unshielded side of the assailant was here again exposed. From the first there were two gates here. Besides the chief gate — in the middle of the old south front — the position of which cannot be determined without further excavations, there was the above-mentioned water-gate on the N.E., which, like the central gate at Troy, had a tower as a superstructure. The circuit-wall is, generally speaking, much thinner than that of Tiryns ; its average thickness is 5 m. However, in the N. and S.E. there are portions increasing to the thickness of 14 m. The occurrence, in one place in the N. wall, of remains of a gallery leads to the conjecture that, later on, a careful examination of the masses of ruins which have tumbled down, will bring to light similar arrangements of stairs, galleries, store-rooms, and casemates, to those at Tiryns. At a later period the fortress was enlarged southward ; evidently to gam more room for the increased requirements of kingly power. Then, not only was a new gate — the well-known Lions’ Gate — added ; but the whole N.W. corner, in order to give it a grander appearance, was dressed with the above-mentioned thin coat of oblong square blocks of breccia. Better than this strengthening, which was only for show, was the erection of the strong oblong tower of the same material, jutting out at the S. side like a mole, and destined to defend the approach to the new gate, and make the western finish to the new extension wall on the S. It was a very necessary advanced work for the security of the weak gate. Then, also, the old ascent to the fort, which came from the S.W. and swept round, loop-like, towards the VV., was given up; and, as a further consequence, the Castle ramp was carried up from another direction. It now went straight up from the XVI MONUMENTAL SHAPE OF THE GATES. Lions’ Gate, hence in a favourable position for the assailant ; but the builder could afford to make this apparent error, because the ramp lay now no longer outside, but inside the circuit-wall, and was therefore amply protected. The gates show differences not less significant than those of the walls. The oldest kind of construction is exhibited in the S. central gate of the Pergamos of Troy, that primitive and massive solid structure of sun-dried bricks, cut through by the narrow gateway. Its roof was constructed, as in the gallery of a mine, by side posts with close timbering above, and it had an .upper storey with a platform and breast-work. This rude and simple structure shows that the very old Oriental method of vaulting with sun-dried bricks was unknown at Troy, and that they strove to solve the problem before them in a not very monumental fashion. The covering of the S.W. gate leading to the wells was probably similar ; but trustworthy indications are wanting in the excavated remains. When the central gate was abandoned in consequence of the enlargement of the fort, the S.W. gate was rebuilt on another plan, suggested by the S.E. gate — viz. in the form of a sluice-chamber with two portals, and with short vestibules bounded by side-walls. This form of gate is also characteristic of Troy, and deserves all the more atten- tion, as we here have the fundamental idea of the later propngnacuhmi. Tiryns and Mycenae do not, it is true, possess this form of gate ; but in the Propylaea of the palace of Tiryns a similar architectural principle has been applied, and indeed in a more advanced form. If in the gates of Troy we still find wood largely used, the gates of the other two fortresses show, on the contrary, a perfectly monumental shape. The cases neces- sary for the doors consist here of great and hard stones (breccia), and the lintel is relieved of the superincum- bent weight by obliquely corbelled layers of stone, which close above in triangular form. Thin slabs — one or two. THE PORTAL POSTERN AT TIRYNS. xvii according to the depth— fill this triangular opening, in order to prevent climbing over the closed gate. Such a structure with two slabs is still preserved in the little N.E. gate at Mycenae, while the Lions’ Gate probably always possessed but the one with the famous relief. The proximity in situation, as well as the historical connection expressed in the legends, explain the many points of similarity in the two fortresses, not only in structure but in detail — to wit : the identical measurements in the clear, and other tech- nical aids to fortification, such as the construction of the threshold, the arrangement of the bolting-bar for the gate wings, &c. This is also true of the little side gates, posterns with their modest triangular structures of corbelled layers, to which, as there were no framing stones, a closing apparatus could only be applied in a very incomplete manner. The most interesting postern is found in the western semi- circular structure of the wall of Tiryns. It is connected by a flight of sixty-five steps, first, with the middle fortress, but also by a second flight of steps and by a narrow zigzag passage with the interior of the palace, as well as with the upper circuit-wall. Accordingly, messengers might come and go — particularly in the direction of the sea — by this secret way, without using the main entrance ; and during a siege the semicircular structure could at the same time be used to collect troops for a sortie. Moreover, the remains of a chamber, found at a considerable height above it, show that at this important point a look-out was established. Next to the outer shell of walls and gates comes naturally the examination of the core, which was the dwelling-place of the ruler. Unfortunately, there is far less material extant for this second kind of architechire than for the first. The citadel Pergamos gave but few results, because the separation of the strata of building was here very difficult, because in the earlier years of the excavations much had been inadvertently destroyed. Nevertheless, some comparisons are possible. It is even more to be b XVlll THE ROYAL PALACE AT TIRYNS. deplored that the extensive ruins on the acropolis of Mycenae continue to be a book with seven seals, which every scholar must long to have soon opened by systematic researches. For even now a surface of 50-60 m., which fairly corresponds, as the site for a palace, to that at Tiryns, can be recognised on the highest top. From the graduated formation of the ground we may conclude that the acropolis of Mycenas, with its palace, must have made outwardly a far more imposing impression than the princely dwelling at Tiryns, which was half hidden behind its gigantic walls. Under these circumstances, the results which we owe to the closer examination of the fortress at Tiryns, are of all the greater value. This is, so far, the only source from which we can draw a direct and clear idea of the architecture of an ancient Greek royal palace. What first strikes us in examining the ground-plan, is the orientation, towards the S., of the rooms most used. This arrangement seems due to two causes. First, the palace was to be made habitable at all seasons ; for the warmth of the sun was required in winter, the summer heat being kept off by the national method of building with thick walls of sun-dried bricks and roofs of wood, covered with clay. Secondly, it was desirable to keep an eye always on the neighbouring Nauplia and the broad entrance of the gulf An architect’s eye is next attracted by the very skilful distribution of all the portions of the building on the space afforded by nature and much limited by art. If, as was obvious, the principal room of the palace — the Men’s Flail — was to occupy the highest place, and, on account of the outlook on Nauplia, had to be moved as near as possible to the S. side, then these two require- ments could only be satisfied by making the eastern approach start from the N., ascend in a great sweep, and end at a suitable distance from that main room. This was done, and indeed so as to make the first greater section of the way everywhere still capable of defence. It is only with MEN’S AND WOMEN’S HALLS. XIX the great Propylasum that the huge rampart whose only aim and object, at first, was security, makes way for a style of building intended for the purposes of comfortable human occupation. The form and grouping of its rooms had to satisfy the various demands which a princely house- hold has made for itself at all times, both in a real and an ideal sense. Proud seclusion towards without; suitable accommodation for guards and domestics about roomy courts ; dignified approaches up to the reception room ; finally, convenient connection of the dwelling-rooms proper, both one with another and with the outer rooms — and all this well lighted, and yet shady and cool : these are the requirements of a palace in the South. If with this basis to go upon we add the aids given us by Homer in his characteristic descriptions of princely life, we are able, in spite of sundry gaps, to explain correctly the wonderfully well-preserved ground-plan in its main features. There can be no doubt about the central part of the plan. The large Men’s Hall, distinguished by a stately ante-room, and the very much smaller Women’s Hall, each lying contiguous to an inner court surrounded with colonnades, are conspicuous at once ; next, the remarkable bath-room, close to the larger Megaron. Considering the custom of the Heroic Age of giving strangers a bath soon after their arrival, the position of the guest-chambers, as well as of the servants’ rooms, must be sought near the bath-room — that is, at the W. side of the principal court, where now, by the fall of the circuit-wall, there is a great gap. In the same way, we may set down the small inner court, lying close beside the Women’s Court (XXX on Plan II .), as a yard devoted to the domestic economy, and the adjoining rooms to the S. as housewifery rooms ; for it is worthy of remark that this court is not con- creted, and, doubtless, on account of the continual inter- course with the outside, was in direct communication with the first great Propylaeum. Finally we have here, and b 2 XX THE ALTAR OF ZEUS HERKEIOS. here only, two separate conduits within the domestic rooms, which carry off water southward, and point to a large use of water. The rooms in the N.E. corner, closely connected with the women’s apartment, were at once, and I think rightly, designated as the bed-chamber of the married pair, and the armoury and treasure rooms of the ruler. Moreover, this handsomely and practically arranged building was not wanting in an ideal centre-point, where the ruler, surrounded by his people, thankfully offered sacrifices to the gods or sought their will ; and this was the altar of Zeus Herkeios, built under the open sky, in the shape of a circular sacrificial pit. Like a guardian of the threshold, it stands in the main court, close to the inner vestibule ; forming, at the same time, the end of the main axis of the Men’s Hall. It was an admirably chosen spot for setting up a structure the importance of which needed no enhancement from art, which was to remind one of peace, to afford protection, and to hallow the going in and the coming out. But although the plan of the inner palace is intelligible in its main features, it is less easy to tell with certainty the destination of the buildings about the great fore-court. In position and form, it is true, the two pillared vestibules are at once distinguishable. Their object, too, is plain ; they were to separate, practically, the inner and the outer parts, and combine them artistically. In addition, we may also regard the rooms between the two gates as very well suited for guards and servants. But everything else to the W. and S. remains doubtful ; the fall of the western wall, and the erection of the Byzantine Church to the S., have destroyed all useful indications. Yet this loss must not be over-estimated. To the W., not much more than a portico can have stood, as the course of the upper circuit-wall leaves but little room ; and to the S., the almost immediate vicinity of the gigantic fortification, with its stairs, galleries, and magazines, suggests, that with the exception of some THE ORIENTAL INFLUENCES. XXI buildings for outer husbandry uses, the majority of rooms once here situated must also have served for defensive purposes. N, of the palace extends a somewhat lower terrace, with an average breadth of 30 m. — the so-called middle citadel — the excavation of which has scarcely led to any satisfactory results. Neither its connection with the lower citadel, nor its immediate connection with the approach to the Castle, has been established. Yet we may conjecture that here, too, a part of the garrison was posted, because the important way to the W. postern and sally-gate passed through here, and the not less important back-stairs to the palace began here. So momentous a point of the citadel must have been under permanent military guard. Hence it results that the house of the prince was shut in, and carefully guarded on all sides, by gates, walled ap- proaches, watch-posts, and barracks. This main feature in the plan seems to point to Oriental influences. What kind of buildings the lower citadel once enclosed, is as unknown as their order, form, and size, the spade having only felt its way here, instead of excavating ; so that, excepting some graves, nothing important has been as yet discovered. Perhaps the first town settlement stood here. The ground-plan of the palace shows, in my opinion, a distinct uniformity of design, in spite of some later addi- tions and alterations, and gives us a very favourable idea of the talent and experience of its architect. The principal rooms are arranged in clear order about courts admitting full light and air ; they are suitably disposed and easily accessible. They have no want of good and often twofold connection. Particular facility is afforded for the separate home work of serving-men and maids ; and the urgent need of secret exit and intercourse with the outside is not forgotten. We obtain valuable hints also as regards the technical capabilities of the builder. The walls, constructed of sun- XXll ALL PILLARS AND PILASTERS OF WOOD. dried bricks with tie-beams, rest on foundations of free-stone bonded with clay. The thresholds consist partly of wood, mostly of stone ; they show us the dimension, arrangement, and method of fixing of the thick wooden doors. Astonish- ment is created by the monolith floor of the bath-room, weighing 20,000 kg. What mechanical efforts must its transport and placing at this elevation have cost ! Its site, when once chosen, must have been decisive for the arrangement of all the chief rooms, and so we may infer that essential changes of the first plan never took place. Else- where, too, the laying of the floors in most of the rooms and chief courts is carefully considered, and, in connection there- with, the important question of draining systematically treated — a sure proof of an advanced state of culture. The structure shows much variety in the formation of its rooms : large and small courts ; pillared and unpillared vestibules ; even a three-aisled state-room, with ante-room.. Like the roofs, all the supports, pillars, pilasters, and door- posts were of wood. That the visible wooden surfaces were even coated with sheet-metal is not impossible, but scarcely probable, or else some remains of the metal sheets would have been found in the ruins. As to the form of the pillars, nothing certain could be discovered. But the still measurable traces of their standing-places, of various dimensions — together with the heights, which we are taught by experience can be deduced from the thickness of the walls — lead us to the sure inference, that the pillars were of slender proportions : namely, i : 7 or i : 8 ; sometimes even I ; 10. If, for example, we assume for the side-walls of the Men’s Hall, which are i • 32 m. thick, flve times this height — which is rather too little than too much — we obtain a height of 6 • 60 m. up to the lower surface of the two thick girders which carried the roof, and so witli the now measurable lower diameter of the pillars (o‘66m.), a proportion of I : 9’9i. A similar result — viz. i : 9 — is obtained by a com- parison of the corresponding measurements of the great LIGHTING OF THE ROOMS. XXlll Prothyron. These are also the miDimum proportions com- monly employed in wooden structures for supports. • The rotting, dry or wet, of the shafts was obviated by a moderate elevation of the base on flat stone supports. We do not know, however, how the mischief of settlement and splitting of the wooden pillars, caused by their drying, was technically counterbalanced ; yet, this point, so im- portant practically for any southern climate, has been well considered in the construction of the pilasters. Both in Troy, and in Tiryns it was preferred to make the antce, throughout, of a number of thin posts rather than of one beam. As to the construction of the wooden roofs, as well as the form, division, and connection of the roof beams, we are left to conjecture in the absence of certain indications. From the fact that the widest span does not exceed 5 • 64 m., we may indeed infer roofs of great weight ; but we cannot determine whether they were made in the primaeval, simple fashion of a close row of unhewn round beams, such as the Lycian rock-tombs represent, and the Lions’ Gate relief and the facjade of one of the beehive-tombs at Mycenae suggest ; or of hewn beams set at flxed intervals, with a cover of boards and a coating of clay. Probably both methods were used side by side, the first for the subordinate chambers, the latter for the chief rooms. In no case can we assume an artistic formation of overhanging roofs with architectural members of terra-cotta. The lighting of separate rooms was certainly, according to southern habits, through the door ; the majority, how- ever, probably obtained their light by elevated lateral aper- tures. I suppose that the triple-naved Men’s Hall was also lighted only by an uninterrupted row of side windows treated after the manner of a frieze, between the beam-ends close under the roof. Lighting on the clerestory principle, immediately over the hearth, is too objectionable practically, especially for winter weather, to make it, in my opinion. XXIV DESIGNS FROM EGYPTIAN SOURCES. likely. The construction of a wooden central nave on slender and widely-separated pillars is in itself complicated enough, and as regards the weight produced by the widely- projecting roof, not without danger in the case of violent storms. Then, the important discovery of the so-called kyanos- frieze of alabaster is to be taken into account. As this architectural member, so remarkable for its original beauty and decorativ^e splendour, must certainly have been intended to be clearly seen, it required a specially good lateral light- ing, and it is therefore very possible that it was situated over the place where it was found, on the side wall of the vestibule, close under the roof. With this I connect the further conjecture, that the axes of the upper windows of the great Megaron between the beds of the beams, and also the beams themselves in their main measurements, may have agreed with the corresponding architectural members of the kyanos-frieze, so that these latter may afford us an important basis for the graphic reconstruction of the Megaron roof The extraordinary simplicity of the system which results therefrom, both for roofing and lighting, recommends this hypothesis. Lastly, the palace also possessed the important artistic and sympathetic element of coloured decoration— of a decoration which was not confined to the introduction of organic or geometrical ornaments, but even embraced figure-painting. We may expect the complete reproduc- tion and full discussion of this epoch-making find of most archaic wall-painting to form a lasting basis of an important chapter in classical art history. Of great value is, at any rate, the easily recognisable fact that certain decorative designs here painted on the wall, and repeated in chiselled relief on the stone-roof at Orchomenos, undoubtedly come from Egyptian sources. On the citadel of Troy also stood a palace of similar plan and construction to that at Tiryns ; this is now a THE ARCHITECTURE OF THE TOMBS. XXV fact established beyond the possibility of cavil, after the renewed reproduction and discussion of some large struc- tures, formerly regarded as temples. In the walls, unfor- tunately much destroyed, certain chief rooms, and parti- cularly characteristic architectural parts, can be forthwith recognised and determined, as soon as the plan of Tiryns is brought into comparison. I refer to a stately Men’s Hall lying S.E. (larger than that at Tiryns), with a hearth and a vestibule ; close to it, a smaller hall with vestibule and special back-room— perhaps the women’s apartment ; and in front of both, separated by a court, a Prothyron of modest dimensions, no doubt, but closely allied in form and structure to the Propylaea of Tiryns. As regards the construction of walls and antes, there is also so unmistak- able an analogy, that missing architectural members, such as pillars, the vestiges of whose standing-places are gone, can be supplemented with great probability. This point too — the surprising agreement of Tiryns and Troy, both in the artistic and the technical aspects of their style of building — is one of the most important facts for the history of art, which we owe to Dr. Schliemann’s latest researches. A third kind of arcJiitechire, that of tombs, has also received much elucidation. Though the number of such monuments has been but little increased, valuable analogies to older and well-known buildings of this kind have turned up, and new forms of graves were discovered. It was still more important that a methodically conducted inquiry repeatedly came upon still untouched graves, and succeeded in preserving all their contents, with an accurate account of all the facts of the find. Hence we have before us materials as extensive as they are significant ; their thorough scientific treating has only just commenced. I confine myself to the accentuation of some principal points of view as regards their architectural side. How comfortably and securely the ruler dwelt in his XXVI ROCK-TOMBS AND PIT-GRAVES. castle through his life, the architectural remains of Tiryns and Troy have proved to us. How he was laid to rest at his death, and how gracefully, nay monumentally, his last abode was adorned, we learn from the sepulchres of Mycenae and Orchomenos, especially from the beehive- tombs of both places. We are sorry to miss the analo- gous cases which might have been furnished by Tiryns and Troy. The former, apart from some simple earth- graves in the lower citadel, has yielded us no material ; and of Troy almost the same may be said. For, the im- mense barrows which surround Troy at various distances, were unexpectedly found by the excavations to be ceno- taphs. Some of them have indeed a core of stone, circular and parting walls to secure the earth, but no chambers or receptacles for bodies. As, with two exceptions — that of the tumulus of Besika Tepeh in the Plain of Troy, and the so-called tomb of Protesilaus in the Chersonesus, which was excavated, but not architecturally examined — all these barrows seem to be of more recent date than the epoch of the walls, gates, and palaces of the Pergamos, they are beyond the range of our present subject. Of subordinate value, architecturally, are the rock- tombs of Nauplia and Spata. Their ground-plans, con- sisting of an approach and one or more chambers, are very simple ; the proportions are small, and the technical arrangement is confined to what is absolutely necessary. The only ascertained fact of imjiortance is, that these tombs, though temporarily closed, were still used for a long time. Hence the architectural features admit of no inference as to their date ; only the objects found, which are partly very peculiar, point to an epoch not far removed from that of the buildings of Tiryns and Mycenae. A distinct contrast to these grotto-tombs is afforded by the six so-cdiWed pit-graves, in the southern extension of the fortress of Mycenae, which, in the year 1876, yielded THE GRAVE-TERRACE AT MYCENAE. XXvii the fortunate discoverer a splendid museum of precious objects of art. In my opinion the dead were here as else- where buried ; not, however, in quadrangular rock-chambers, but in flat rock-cut graves, which were covered with earth, and marked with unadorned tombstones. It was only after a little necropolis (seventeen persons in six graves) had gradually arisen,* that it was changed into a sepulchral terrace of moderate height at the foot of the precipitous cliff, by means of a semicircular supporting wall, and with sculptured tomb-v/^/^^. The forming of a level tomb-terrace in a place where it would have been quite easy to hollow out the adjoining rock-walls into sepulchral chambers, is a fact of great importance. It proves, I think, that the founder who ordered the building, seeing that he followed a wholly different custom from that of the men who were buried then or a little later at Spata and Nauplia, must have been of different race from them. We may further see in the choice of the place, as well as in the artistic, though very simple, arrangement of the structure with its marking stones, the deliberate object of maintaining the memory of individual members of the family here buried. This object has been attained. Even at the critical time when the citadel had to be extended to the S., this terrace, in spite of pressing architectural needs, was spared with pious care. Nothing proves this plainer than the suddenly and abruptly changed course of the southern circuit-wall, at the S.W. corner, which was made in order to bring the way necessary for communication in its full width along the terrace surrounded by the circular wall. Nay, even more was done. Finally — either immediately after the building of the Lions’ Gate, or even later — the grave-terrace was again raised, surrounded with a boundary of broad stone slabs set upright ; and by means of a gate * See my contrary view, at the end of this Preface. — Henry S cHLIEMANN. XXVlll THE BEEHIVE-TOMBS AT MYCENAE; through this boundary towards the N., a direct and solemn entrance was attained from the Lions’ Gate. Considering all this, and moreover the manifold and extremely rich contents of the pit-graves, there can be no doubt that the remarkable necropolis re-discovered by Dr. Schliemann contains the resting-place of the founder of the Castle and his kin. It was for ever held sacrosanct. Originally lying outside, at the old approach to the fortress, and afterwards included in the circuit of the walls, this family sepulchre was at last made into a sacred enclo- sure with an entrance gate, in order to celebrate solemn rites there. It was therefore no agora, but a temcnos, like the Pelopion or Hippodameion at Olympia, but circular in form, and with far more real contents than those hallowed places. As the legend only recognises one founder of Mycenae — Perseus, — we are entitled to designate these pit-graves as those of the Persidae. It is only with the help of this theory, slowly and care- fully elaborated from repeated and careful examination of the place, as regards the original situation and arrangement of the pit-graves, that we can explain two facts, otherwise very puzzling : first, that, against all rules and principles of fortification, a considerable part of the lower citadel was sacrificed to a cemetery which acted as a most incon- venient bar ; and secondly, that the graves lie not only under an artificial accumulation of earth 7-8 m. deep, but are moreover cut into the adjoining rock. Whilst, therefore, the chief value of the pit-graves — apart from their precious and, in some degree, unique contents — lies for us in the gain for the topography and relative chrono- logy of Mycenae, the beehiv'e-tombs found there afford the most valuable materials for the history of architecture. Beehive-tombs, in the strict sense, have hitherto only been found on Greek soil. Asia Minor as yet gives us none ; and similar buildings in Italy are but late deriva- tions from old Greek models. THEIR TECHNICAL EXECUTION. XXIX Beehive-tombs consist of conically erected round chambers of ashlar stones, which in building were already covered externally with small stones bedded in clay-mortar, and when finished, so completely piled over with earth that they appear, outside, like simple barrow-graves. They are, therefore, artificial subterranean chambers, with a central chamber containing only two boundary surfaces ; namely, the natural floor, and the artificial wall. As the horizontal layers of stone, on a system of corbelling, form the roof, no separation is visible between wall and roof. Both together form a unity. This simple structural formation points to very ancient models, such as round tents, half-subterranean earth huts, &c. ; but it appears here in its monumental and artistic execution, at least in three cases, as a climax which certainly was attained only after many earlier attempts. The technical execution was not easy, as the sepulchral chamber was to be kept dry, and also to be for a long time accessible in dignified manner, in order to allow of other bodies being entombed after the first interment. A door aperture was therefore required, as well as an approach, the former of which was walled up or closed when a beginning was made with the filling up of the approach. The hut- ment, in the construction, was afforded by the thrust of the earth piled on it from without in connection with the adjoining rock, in which, in spite of the troublesome labour of quarrying it out, the whole building was some- times embedded up to a certain height. Twice — at Orchomenos and at Mycenas — the neighbouring rock-wall was even first smoothed down vertically, and then hollowed out, in order to obtain a separate rock-chamber in addition to the beehive-chamber built beside it in the open. The approach (dromos), laid out in the form of a trench, but flanked by strong supporting walls, shows, by the expen- siveness of these constructive accessories, what stress was laid upon easy access to the tomb for a long space of XXX THE BEEHIVE-TOMB OF MENIDI. time. The doors, which for reasons of practical use are remarkably high and correspondingly broad in dimen- sions, required huge lintels ; and these again, to save their being broken, wanted relief from the weight of the wall above. The lintels, therefore, which also acted as tie- beams, were relieved by a triangular aperture, produced by corbelled layers of stone, and in the best examples, at all events, closed within by thin rows of stones ; without, by slabs. This relieving device never served for lighting ; most beehive-graves were permanently covered up, and therefore dark. Only a small minority was kept per- manently open, and received what light was necessary for the beehive-chamber through the door. As to orientation, there was no fixed rule : doors and approaches face in all directions. No doubt, the ground and its roads often determined the site. Equally varied is the quality of the building : it rises from the simplest structure of necessity to that of monumental splendour, but is never without a certain solidity, demanded by the very nature of the construction. The proportions also widely differ : the diameter below in the smallest tomb averages 7*20111.; in the greatest, 14*62 m. The altitudes seem to have been equal to the span in the clear, or at least approached this proportion. Down to the present time we know of eleven beehive- graves in Greece. Six lie before the citadel of Mycenm ; single ones near the Heracon of Argos, at Pharis in Laconia, at Menidi in Attica, at Orchomenos in Boeotia, and at Volo in Thessaly. As to the subterranean circular chamber on the citadel of Pharsalos, it was certainly a cistern. Four only have been accurately examined, besides the largest at Mycenae ; those of the Heracon, of Menidi, and of Orcho- nienos. The second largest Tholos at Mycenae awaits, in spite of the important indications it has afforded, a yet more complete excavation. The tomb of Menidi maintains a certain pre-eminence, because it was found untouched with THE TOMBS WITH FAgADE. XXXI its rich contents, and when excavated was recognised for certain as the common tomb of six persons. Materially as well preserved, but superior in technical and artistic respects, is the largest beehive-tomb of Mycenae, still erro- neously designated as the Treasure-house of Atreus. All the other examples, after the washing away of their cone of earth, have lost their upper part by pulling down, and are filled up with debris as high as the lintel of their portals. According to my investigations, this whole species of graves falls into two classes ; (i) tombs where the approach was blocked up with earth, as soon as interments were over ; (2) tombs where the Dromos remained always open. This distinction is based on the existence of peg-holes in the stone lintels and thresholds of the portals. Peg- holes imply the existence of doors turning upon their hinges ; and so the intention of a permanent access to the beehive-chamber is proved. But if the stately portal was to remain for ever visible, then its framing and crowning, and also the slabs closing the relieving space, as well as the upper parts, must be artistically adorned ; in other words, such tombs were furnished ivith a facade. This was the form and arrangement of the two largest beehive-graves at Mycenae, of that of Orchomenos, probably also of that of Pharis. On the other hand, the excavations at Menidi and the Heraeon have shown, that the portals of all tombs lacking this distinctive feature in their lintels and thresholds, were blocked up with quarry- stones and clay mortar, in order that the approach might be filled up. Besides the two last-named, this also applies to the four smaller tombs at Mycenae, which lie W. and N.W. of the town-hill ; none of them had a faqade. It is well known that these peculiar buildings were long explained in various ways, sometimes as treasure-houses, sometimes as Chthonian shrines, and, according to vulgar analogies, even as well-chambers. They can never have XXXll PAUSANIAS’ VISIT TO MYCENyE. served the first or third of these uses, for never has a well or watercourse been found in them, whilst their number and scattered position about Mycenae excludes all possi- bility of their being treasuries. No prince ever kept his trea- sures outside the circuit-wall of his fortress, and therefore the so-called Treasury of Orchomenos, distant km. from the Acropolis, cannot, in the ordinary sense of the word, have been the treasury of Minyas, though in Pausanias’ days this title was already fixed upon it by tradition. The origin of the name can be guessed, when we compare the splendid architectural results of the excavation of Orcho- menos with the notice of Pausanias (ix. 38, a). Beside the beehive-chamber. Dr. Schliemann found a richly-decorated side-chamber cut into the rock, which could be separately closed. This circumstance, as well as the splendid decora- tions of the side chamber, lead us to regard it as the tomb of the founder of the city (either Minyas or Orchomenos), the more so as Pausanias mentions the tombs of Minyas and Hesiod immediately after the Treasury, the structure of which he characterizes very well. Hence we may regard the beehive-chamber as the Heroon of the founder, which, for the purpose of worship, had always to remain accessible, and which, from its original or later furnishing with costly heirlooms or votive gifts, gave rise to the erroneous legend of a treasury. The same explanation probably applies to the Treasury of Hyrieus, to which clung, in the time of Pausanias, the old Egyptian builder’s legend of its having been plundered by the architects Trophonius and Agamedes. It is only in this century that the false description has been further extended to the largest beehive-tomb at Mycenae, which has been called the Treasury of Atreus. Pausanias is innocent of this ; his account even contradicts it. The traveller comes to the citadel-walls, passes through the Lions’ Gate, and sees under the ruins of the citadel, besides the artificial well called Perseia, the subterranean treasuries of Atreus and his sons (II., 16, 6). It is then DISTRIBUTION OF THE ATRID^ GRAVES. XXXlll only that his way leads him to the graves of the Atridm, six of which he mentions by name ; adding the express remark, that the last tomb— that of Klytmmnestra and ^digisthus — lay some distance from the city wall, as both were thought unworthy of being buried where Agamemnon and those murdered with him were reposing. From this I draw two conclusions. First, that Pausanias considered his description of the citadel completed when he came to examine the graves of the Atridae. Secondly, that five of these graves lay within the city walls, — namely, those of Atreus, Agamemnon, Eurymedon, the children of Kas- sandra, and Elektra. Now, there are still extant, on the slope of the hill adjoining the fortress to the S.W., six tJioloi (vaulted structures), one of which — the north-western one — lies lowest and furthest outside,* while the two grandest were built close to the citadel on the declivity, and adorned with splendid faqades. From this, the obvious conclusion seems to me perfectly justified, that in these six peculiar structures we not only still possess, in their main parts, the tombs of the Atridm period, which Pausanias saw and described as such, but that we may also designate the two beehive-tombs on the E. slope as the graves of Atreus and Agamemnon, owing to their select position beside the old approach to the fortress, as well as on account of their size and costly building. In accordance with the sequence mentioned by Pausanias, the northern tomb would thus have to be fixed as that of Atreus, the southern as that of Agamemnon. Again, of the remaining three, one surpasses the two others in technical execution, in size, in material, and in select position. This is the Tholos, situated only loo m. from the Lions’ Gate on the N.W. slope of the saddle between the town and fortress hills, and which, even * The city wall certainly included the upper well of Charvati, and therefore probably ran along the west side, following the hill curve pretty closely at a height of i66 in. (above the sea) as far as the northern ravine. Cf. Steffen, Karten von Mykenai, Plate 2 . C XXxiv COMPARATIVE MEASUREMENTS OF TOMBS. on account of its favoured site, may be set down as being, in all likelihood, that of Electra. This assumption again corresponds accurately to the enumeration of Pausanias, For the tourist coming out of the citadel, it was the most natural course, by using the old approach to the Castle, to pass first round the eastern, and then round the western slope of the town hill, and so to end with the tomb of Electra near the Lions’ Gate. The tomb of ^gisthus and Klytaemnestra, lying far away outside the city wall, thus naturally fell into the last place of the peregrination. Hence we obtain the following series : at the east slope (i) Atreus, (2) Agamemnon; at the west slope, (3) Eury- medon ; near it, to the west, (4) the children of Kassandra ; (5) Electra ; and 540 m. to the west of that grave, (6) Klytaemnestra and yEgisthus. Now, is it mere accident that of the four tombs on the W. slojie. No. 4 is by far the poorest in workmanship, and the smallest in size? As a proof of this statement, I adduce the only point which, owing to the blocking up of the tombs, we can at present bring forward, beyond the examination of the material and tecJiniq 7 ie, I mean the comparison of the upper width of the portals in ten beehive-tombs. The width in the clear, in them, is as follows : Orchomenos 2 • 47 m. Tomb at the Heraeon I -65 m. Tomb of Atreus . 2 • 46 m. Tomb of Euryniedon I • 60 111. Tomb of Agamemnon . 2 '42 m. Tomb at Menidi (pro- Tomb of Electra 2-33ni. bably) . i- 53 m- Tomb at Pharis . 1-83111. Tomb of the children Tomb of Klytaemnestra 1*71 111. only I -30 ni. We see, from this, the close relation of the measurements of the tombs of Atieus, Agamemnon, and Electra, and what a great contrast, as regards measurement, is offered by the children’s tomb. Its isolated position, also, is surely not without significance. Now, although the questions here raised can only be .An exact statement is wanting. THE BEEHIVE-TOMB OF MENIDI. XXXV finally settled after the excavation of all the tJwloi at Mycenaa, yet so much is already certain, that treasuries are out of the question, since Tiryns has yielded its evidence — that is, since the remarkable structures in its circuit walls (galleries, magazines, cisterns, &c.), described in this book, have been brought to light. What Pausanias saw in the ruins of Mycenae, and admired as the subterranean trea- suries of Atreus and his sons, were not the beehive-graves, but juxta-posited vaulted chambers within the quaintly massive structure of the walls, similar to those at Tiryns. And here I may further support my view by bringing the fact to mind, that the so-called treasure of Priam, as well as the larger finds of precious metal at Troy, were dis- covered in like places, namely, close to, or in, the fortress wall : a striking evidence that people used such fireproof and concealed places either permanently, or temporarily — in times of danger — as treasuries. Hence the record of Pausanias concerning Mycenae rests on a true basis ; but his brevity, and the misleading analogy of the Treasury of Minyas, have led to frequent misunderstanding of him. The substantial distinction between treasuries and beehive- tombs rendered it necessary for me to discuss again this much-commented passage. The beehive-tomb of Menidi has the oldest archi- tectural character, either because it is really the earliest of those known to us up till now, or because, from want of means, it was made in a cheap and rude way of rubble lime- stone. Besides the small dimensions — diameter, 8*35 m. ; width of the approach, 3 m. ; lower width of portal, i ’55 m. — the first theory would be supported by the absence of all chiselling, and by the fact that the tomb is embedded, not in a rocky slope, but in an earth hill ; also, that there is no pavement, and that the requisite external impermea- bilisation has been much neglected. Most significant, moreover, are the different ways in which the relieving of the lintels has been managed : outside by means of several c 2 XXXV 1 SUPERIORITY OF THE HER.EON TOMB. slabs laid one over the other, and separated by empty spaces ; inside by a trapezoid gap, closed with stones. Those outside slabs look like a reminiscence of wooden tie- beams, from an older manner of building, working with different materials. In all these respects the beehive-tomb at the Heracon is superior, although the dromos (approach) is of the same width, and the diameter not much greater. In particular, that tomb produces a better effect by the solid stone work in the dromos walls and the portal. Whilst the supporting walls of the approach are, from the very starting-point, at first made of small, hard, poros-stones with mortar, we come, further in, upon carefully cut, oblong, and cubic blocks, with broadly marked mortar-jointings — ^just as in northern granite buildings. The walls themselves slightly project, from above, towards the interior. The portal, narrowing a little towards the top, is built of clean-cut square blocks, with a double fascia in front, and three lintel stones of breccia, lying one behind the other ; the hinder- most of which attains the considerable weight of 7800 kg. In the entry there is rude rubble masonry, owing to the walling-up of the tomb, which was no doubt intended from the first, and carried out later. But in the circular chamber the work again improves, although the pointing is not so carefully done as that of the dromos. At the same time a thorough outer impermeabilisation is obtained by means of broken stones in clay-mortar, and the floor paved with pebbles. The whole structure, in spite of its modest treatment, has a certain air of distinction, as compared with the coarse, rustic production at Menidi. A still higher stage is represented by the Atreus-tomb at Mycenae, the excavation of which has not been com- pleted. This is all the more regrettable, as probably the decorative members of the faqade are here more fully pre- served, than in the neighbouring tomb of Agamemnon, which was early rifled. Being of almost the same size, and THE ATREUS-TOMB AT MYCENAi. xxxvn similarly furnished with a permanent approach, it yet differs from it by the absence of a side-chamber, and by the use of smaller stones in the tholos. It is, nevertheless, a costly and important monumental structure, in which, for example, are preserved the cleanly cut covering stones on the supporting wall — a proof, if such were still needed, that the approach was never meant to be blocked up, and in itself a valuable help in determining the plane angle of in- flection of the earth hill. The facade is built, in exemplary style, of polished breccia blocks, and simply but artistically arranged. The wall strips, slightly projecting at both sides, joined above by a slab, and crowned by a bipartite epistyle, form the frame all round. There are embedded in it, above, the triangular relieving space ; below, the doubly framed door, which gradually narrows a little. The triangular hollow space was closed outside by thick slabs of red marble, and is still now completely walled up within by rows of flat square slabs, so that, in presence of this fact, all notion of an original lighting by means of windows must be abandoned. The relieving triangle rests on a lintel of leek-green marble ; while, instead of the head- moulding of the door, there appears a projecting slab of blue-grey marble, on which, frieze-like, there is cut, in flat relief, the front side of a beam-roof made of round poles. Right and left, this roof is bordered by widely overhanging abacus-slabs of breccia, which bore some plastic ornament (a very rude lion-head of grey trachyte, which I saw in the Museum at Charvati in 1878, might come from here), and is supported beneath by embedded columns. Parts of them have been found, consisting of dark-grey alabaster, and fluted like Doric work. Unfortunately, the capitals have not yet been recovered, and the bases, which are certainly there, are not yet laid bare. The embedded pillars, as the impressions in the walls show, tapered slightly downw^ard, and were of very slender proportions, reminding us of wooden buildings. The lintel of the door is formed XXXVlll THE TOMB OF AGAMEMNON. of three stones ; in the centre one are the pivot holes for the door-wings, which opened inwards. The inmost block projects far into the wall on both sides, and joins a stone- course of the same height, running right through, and made of thirteen blocks, which, being provided with several skew-notches, form a real tie-beam. The remaining square blocks are very much lower, and, speaking exactly, cut like slabs. Including that larger stone layer, twenty-five courses are visible ; the upper rows have disappeared, and the lower are not yet uncovered. In the upper courses the depth of the blocks is 1*30 m. ; and behind them comes, as protection from rain-water, a coat of clay mortar mixed with fragments of stone. In the interior there are no nail- holes for a metal-coating. In the front, there are plain traces of the enormous pressure to which the head beams have been exposed, on account of the relieving hollow space. The corbelled stone-courses of the relieving trian- gular space have broken the front upper lintel at both ends, and this break has extended down through almost all the courses of the inner fascia. The tomb of Agamemnon represents the highest stage of the tholoi at Mycenae, not only in plan, but also in structure and design of faqade ; for, despite much similarity to, or even agreement with, the Atreus-tomb, the workman- ship here is very much more solid, and the adornment by far more splendid. Here, the constructive power and rich experience of the architect appear quite a match for the resources of the ])rince. One point only surprises us : it is the curious plainness of the roomy rock chamber (6*50 m. square), with a hardly indicated plinth, half-smoothed walls, and similarly treated roof. Was this intended as a contrast, or was the builder hindered by sudden death from finishing the tomb ? Two low oblong plinths, like basement stones in profile, are the last enigmatical remains of the former decoration. The effect of the conical chamber is imposing, in MECHANICAL POWER OF THE ARCHITECT. XXXIX spite of the absence of all architectural divisions. The room makes the impression of a natural vault, simply by its proportions, its disposition, and its texture. Perfect work- manship corresponds to materials of rare excellence ; and at the same time the enormous inner stone of the lintel affords documentary proof of the mechanical power at the architect’s command in those days. A clean-cut block, weighing 122,000 kg., or more than six times as much as the largest block in the citadel of Tiryns, tells the practised eye a great deal, and suggests many questions besides. Where was it quarried ; how dressed on all sides ; by what means was it brought to this height, and at last safely laid on its supports ? A most extraordinary spending of time and strength is contained in this mass, which has been Iving firmly in its place for three thousand years. The thirty-four courses within, including the key-stone, are of various heights, also divided very differently in square blocks ; yet they are perfectly joined, and care has been taken to have neat upright joints everywhere. The chief effect depended on the perfect smoothness of the wall ; but, as special orna- ment, there were two frieze-strips of bronze-sheets (probably gilt), set on the fifth and ninth courses. A complete coating of metal, such as has often been supposed, was not applied. Only the little double door leading from the tlio'os to the rock tomb, had a similar covering ; and thicker bronze plates seem to have covered the greater threshold, and to have made a special frame for the principal door. Clear traces of the same manner of decoration with metal ornament, are also preserved on the outer side of the lintel. We have, unfortunately, not sufficient material for a graphic reconstitution of the stately portal. The front surface, built of polished breccia blocks, was once coated, in its upper part, with slabs of red, green, and white marble ; but the greater portion of this splendid incrustation is gone. According to technical indications, it was only added after the completion of the building, and clamped on, so that it xl DOWNWARD TAPERING PILLARS. could easily be removed. The greed of subsequent genera- tions did so, and partly dragged it off to neighbouring churches. Precious fragments are now in London, Athens, Munich, and Berlin, It remains, therefore, doubtful for the present, whether the same important faqade system, with pilaster-strips, was here architecturally carried out — that is, in full plastic existence — as on the tomb of Atreus, or only indicated by painting on the stone. Double, delicately- grooved fasciae surround the lofty portal ; while here, too, the outer frame was formed by two slender, embedded pillars of dark-grey alabaster, the shafts of which, richly orna- mented with sharp zigzags and spirals, were dowelled into very low, rebated, oblong base stones. That they tapered downwards — a point which has been much disputed — is certain. Equally so we can demonstrate, from the identity of the clamping holes, that the architectural member known to us since the beginning of this century, which consists of a leaf-covered cavetto, and an echinus richly adorned with rhomboid and spiral friezes, together with an abacus, was not the base, but the capital of these embedded pillars. On its polished back side it bears a pattern-like division of clearly-cut, parallel, vertical and horizontal lines, which reminds us of the like practice of Egyptian sculptors. It is obvious — and this is a point of special importance • — that the embedded pillars of both tomb faqades are closely related to the pillar of the heraldic relief on the Lions’ Gate. In both of them we find the shafts dowelled in below, and thickening upwards ; and a form of capital, which is the basis of a distinct variety of the old Doric capital. From a comparison with the Atreus-tomb, with its indicated roof of round poles, we can recognise in the little cylinders (not plates — as appears clearly from looking at them sideways) over the capital of the Lions’ Gate pillar, nothing but a reduced reproduction of that important, shade-giving, architectural member of the princely dwelling. In any case, the close agreement demonstrates that the celebrated Lions’ THE ORCHOMENOS TOMB. xli relief, and consequently the gate and adjoining S. wall, belong to the same epoch as the beehive-graves, and that, therefore, the Atridae were the extenders and adorners of the citadel, whilst the first foundation was due to the Persidte. The last of the tombs which I have to discuss, is that of Orchomenos.'* It is only a little smaller than that of Agamemnon, and resembles it in possessing a side chamber for burial purposes, but is distinguished from it both in material and the peculiar construction of the special grave chamber. The structure is composed of moderately-sized blocks of dark-grey marble brought from Lebadeia, and executed in such a manner that not only the dromos and tholos walls, but also the walls and roof of the moderately large grave chamber are made of it. The founder’s evident and manifestly exhibited intention was, that his tomb, by its chisel work, should receive a stamp as thoroughly uniform as it was to be highly artistic. For this object, a wide shaft had to be sunk from above for the proposed Thalamos in the rocky slope, down to its floor, so as to build up in clay mortar, from within, the surrounding walls which would be able to serve as supports for the marble roof slabs, whilst at the same time they could be them- selves coated with ornamental marbles. The roof, consist- ing of four slabs, was treated as a uniform whole ; namely, in delicate relief, like a spread-out carpet, with centre pattern and very broad outer bands. The main ornament was of spiral maeanders, with fan-flowers in the corners, while the borders of the centre-piece, as well as of the whole carpet, were formed of rich rosettes. Special precautions were required to prevent any collapse of this splendid ceiling by pressure of the earth from above. How this important supplementary construction was managed, is not yet known. But it is a fact, that it served its purpose * Insufficiency of materials prevents my entering upon a discussion of those of Pharis and Laminospito, near Volo. xlii BRONZE PLATES OF ORCHOMENOS TOMB. for more than three thousand years ; the regrettable partial collapse having only taken place a few years ago. The considerable expense of time and trouble demanded by this structure, which for the present must be regarded as a unique one, is doubtless closely connected, in the first place, with the choice of the valuable material, the fine quality of which acted as an inducement for chiselling work. More- over, there cannot be any doubt that the founder thought no sacrifice too great to leave a monument for posterity, which was to perpetuate his name, and to afford a lasting and speaking evidence of his wealth and artistic taste. It is, therefore, very probable that later generations at Orchomenos, justly proud of this monument, granted the honour of a tomb in the old royal Thalamos to Hesiod, the great bard of Boeotia ; for Pausanias speaks of the graves of Minyas and Hesiod immediately after his description of the Thesauros, and several finds in the beehive-chamber seem to be apt to support this supposition. There have been found distinct traces of the splendid adornment of the beehive- chamber with bronze plates. We gather from them that this kind of decoration was used more extensively — and at the same time with a greater variety of pattern — than in the tholos of Agamemnon. That such a splendid structure had a rich faqade like the portal fronts of the Atridas tombs, may be assumed as certain ; but the account of the excavations, so far as it is before us, leaves this important point unexplained. Inside, only the fragments of a small pillar, said to be like the relief pillar on the Lions’ Gate, and also several thin marble slabs with spiral ornaments were found ; both perhaps remains of an incrustation of the faqade. If it follows with certainty from these observations that the architects of that early time had command of great re- sources in the matter of structures, architectural members, and ornaments capable of further development, we are still more struck when finding that some of the motives, members, and decorations, adopted and worked by them REPRODUCTIONS OF THE LIONS’ GATE RELIEF. xliii on a large scale, were also used in the manufacture of objects of luxury and ornaments on a much smaller, even a minute, scale. Such is the design of the Lions’ Gate relief, which reappears repeatedly, with altered position of the lions, on an ivory dagger-handle found at Menidi. So with a design consisting of a kerbed post and two half- rosettes leaning against it, which is the fundamental orna- ment of the so-called kyanos frieze at Tiryns, and which existed in similar size in the palace of Mycenae, as is shown by two fragments from Mycenae. So with a cast plate of glass, which was probably used for the decoration of drapery — like enamel in modern dress — which turns up at Menidi. So, also, the pecvdiar architectural members under the pillar of the Lions’ Gate, which remind us of stone seats, have served as a model in making fine gold ornaments and graceful glass plates, as is shown by specimens from Spata and Menidi. Finally, the downward-tapering embedded pillars of the Atridm tombs, and of the Lions’ Gate, were frequently used as types for furniture and glass ornaments. There are three ivory specimens, in light and in vigorous proportions, from Spata ; another of glass, in the form of a slender pilaster, from Menidi. A further model, in which the embedded pillar appears as the separating member between rows of long-legged sphinxes, is afforded by a curious ivory plate from Menidi. Few as these finds, and the results deducible therefrom, are, they yet deserve careful notice. Never, in the history of the art of building, has a new phase in architectonic development occurred in consequence of new utensils or ornaments having been brought by trade into a country. But inversely, when the greater architectonic evolution was very far advanced, or had completed its course, the worker of small objects of art-industry or house-implements appropriated to himself the “ language of forms ” which had been gradually elaborated in works carried out on a grand scale ; adapting it, in a minor degree, and in somewhat changed manner, to his own ends. However, as we know xiiv AMALGAMATION OF TWO BUILDING SYSTEMS. from experience that a long period of time is required before such a process of gradual adaptation is realised, we may conclude, that the architecture the striking remains of which have come down to us partly in the original, partly in imitations of artistic handicraft, must have gone through a long course of evolution, and that it cannot have been confined to a narrow area. There are but very few places in Greece and Asia Minor, which, on account of their architectural ruins and the discoveries made there, could be touched upon here, rather in a cursory than in an exhaustive way ; and yet they have furnished a rich harvest for the knowledge of the oldest architecture in those lands. With astonishment we see the different epochs opening out, more and more, before our eyes. A real primitive architecture is nowhere to be found ; even in Troy the first steps of development are long passed. Within certain limits, the materials are already under full control, and worked variously, according to the available means and the ends required. A moderate, but yet very fruitful, store of detail forms is already gathered, so as to cover the gradually elaborated shapes of rooms with significant adornments full of meaning. In some peculiarly favoured places, the domain of the higher monu- mental architecture has already been entered upon with decisive success. In the face of such extended and yet closely connected achievements, which form a consistent whole, the attempt to search for the roots from which arose this early bloom of the art of building, is doubly attractive. Among the architectural monuments here discussed, the highest stage is represented by the beehive -graves ; and among them, by those with faqades. In my opinion they are a remarkable, though a too early, attempt to amalgamate two opposed systems of building, viz. that of wooden roofs and that of beehive-roofs. The faqade in relief is, in design, nothing but the schematically reduced type of the pillared, shady vestibule of the Men’s Hall — a type most PHRYGIAN ORIGIN OF ARCHITECTURE IN GREECE, xlv clearly recognisable in the Atreus-tomb, and indicated in closer form — only, sketch-like — by the Lions’ Gate relief. This Prothyron, which certainly was held to be the main part and feature of the Prince’s palace — many allusions in Greek tragedy point to it — was meant to be combined with the beehive-chamber, in order to mark it oiitwardly as a royal tomb. This was the sum and substance of the archi- tectural program at Mycenae and Orchomenos. But still more important is the information we obtain from an analysis of the second system. I think, indeed, I can see in the tkolos and its dromos the last monumental form of a most ancient national mode of architecture— that of Phrygia. Vitruvius reports from Greek sources that the Phrygians dwelling in valleys were wont to construct their habitations artificially underground, in that, over an excavated hill of earth, they set up posts in conical form, which they bound together at the top. They covered these posts with reeds and brushwood, and then put upon the whole the greatest heap of earth it would bear. The entrance was made by cutting in passages from below ; and these dwellings, he said, were very warm in winter and very cool in summer. The main features of this construction are repeated by Xenophon and Diodorus with regard to the Armenians, who were akin, in race, to the Phrygians ; and even to-day we find similar constructions in the same districts. Now, the beehive-tomb is composed of a deeply cut-in approach and a central chamber, afterwards made subter- ranean by heaping earth upon it. So striking an agreement is surely the result, not of accident, but of tradition. As men’s pretensions advanced, the wooden posts were first omitted from the primitively simple, conical hut covered with earth ; for they were always perishable and liable to fire : they were replaced by thick walls of sun-dried bricks, with wooden tie-beams. Still later, the bricks were re- placed by stone walls : first in rude layers of slabs, as at Menidi ; then in polished blocks, as at Orchomenos and xlvi ORIENTAL INFLUENCE IN THE FAgADE SYSTEM. Mycenae — so that every reminiscence disappeared of the old earth-and-wood structure which had been the starting- point. The peculiar form of the primitive dwelling only was maintained as the proper tomb type for distinguished families and illustrious princes. We do not know when and where the important transi- tion took place from wood to brick building. But as it was certainly in a land of bricks, w^e may at once think of the broad valley of the Hermos, possessing inexhaustible layers of clay, whose natural central point, the magnificent residence, Sardis, still consisted, in the opening of the fifth century b.c., of clay-houses covered with reeds, which could be as easily destroyed as they could be rapidly rebuilt. Now, it is from the Hermos valley, from Sipylos, that the rich princely scion, Pelops, came to Greece — as the ancient tale says. His race attained the highest power and celebrity, then and afterwards: the proverbial riches of the Atridae are visible even to-day in the Castle and royal graves of Mycenm. All this, I opine, supports my view, that we have to look upon the beehive- tombs as architectural creations whose fundamental prin- ciple has arisen from the national style of building among the Phrygians, and that the transference of this style to Greek soil is connected with the immigration of distin- guished Phrygian families. The frequently referred-to relief of the Lions’ Gate points to an origin in the same primeval home — now more than ever, since Prof. Ramsay was for- tunate enough to find in great rock-faqades in Phrygia the older and severer prototypes of w^ell-known later derivations from this kind of composition. Whilst the kernel structure of the royal tombs has pre- served, despite all veiling changes, the still easily discernible building methods of an early Greek race, the influence of the Orient appears distinctly in the architectural system of the splendid faqades. It is in particular the pilaster-strips — both in the upper and in the low'er part of the Atreus- tomb — as well as their upper connection and crest-work. THE CYCLOPEAN BUILDERS FROM LYCIA. xlvii which point to such Eastern influence. How important a part is played by the system of vertical wall bands in Oriental architecture, is amply known from Assyrian, Per- sian, and Old-Syrian monuments. All the more surprising is the fact, that its transplanting to Mycenae led to no further developments in Greece. It is still an open ques- tion, so far as I know, what was the original home of this faqade system. The embedded pillars — including that of the Lions’ relief — prove by their slender proportions, and their dowel- ling into the threshold, their origin from the building with wood. The same is true of the ceiling made of round wooden beams, twice indicated in relief. We may conclude therefrom, with some certainty, that such ceilings were used in every palace of that day — not only as being prac- tical, but as having the sanction of ages. In this connec- tion, the local legends of Argos deserve special attention, which record explicitly the close relations between Proitos, the founder of Tiryns, and early civilised Lycia. As an exile, this princely scion from Argos is said to have gained the hand of the Lycian king’s daughter. Returning with an army of his father-in-law, he maintained himself in the land ; and by means of the expert Cyclopes whom he summoned from Lycia, he built the invincibly strong Castle of Tiryns. His nephew Perseus is said then to have employed the same skilled w'orkmen to build Mycen®. In both places, men afterwards knew of, and showed, Cyclo- pean altars, hearths, vestibules, and walls. Now, Lycia is that part of Asia Minor, in the innumerable tombs of which are perpetuated ceilings of round beams, lying close together, and protruding far out in front. Nay, the same, most archaic, feature is still to be seen now in the structure of their huts. To Lycia, also — apart from this kind of ceiling — the undeniable popular legend ascribes the build- ing of walls with immense blocks of stone, which gradually displaced from fortification architecture the old brick build- xlviii DOUBTFUL ORIGIN OF THE EMBEDDED PILLARS. ing, and led to new developments. But if two countries with kindred populations in Asia Minor transferred to Greece their ancient national styles of building as well as newly acquired methods — of course, not all at once, or in passing, but during a considerable period — there is no difficulty in understanding, how from such rich sources, and with the continual stimulus from splendour-loving courts, there arose a brilliant epoch of architecture which reached its perfection at Mycenae, owing to the political power and greatness of the Atridm, but which is also to be presumed as having been in existence at other royal cities — such as Spata, Orchomenos, Hyriae, Larissa in Thessaly, &c. If the origin of round timber ceilings is thus established, we still lack the proof of the origin of the embedded pillars. It is a fact that in no rock-tomb of Lycia have such pillars yet been found as are seen at Mycenae, Spata, and Menidi. Pillars are entirely wanting in the earliest rock-tombs. Only uprights at the corners and on the walls, with some cross-bars, form the constructive design of the tomb, which either stands free, or is constructed in relief. The embedded columns must, therefore, come from another home than Lycia, or be the independent creation of that early epoch. I consider the latter view all the more probable, as the most diligent search among our large stock of monumental materials has led, as yet, to the discovery of no analogy what- ever in other styles of architectonic art, and the connection with the decorative manner of the stelce above the Persidae tombs, and with a great many objects discovered in them, is unmistakable. Their tapering downward remains a mystery, and its explanation is the more difficult, as free pillars of that period have not yet been found, and the embedded pillars may possibly depend on the then accepted laws of relief style. On mechanical grounds there is no objection to a moderate tapering downward of wooden EGYPTIAN INFLUENCES IN DECORATION. xli.K supports ; and, practically speaking, some additional room was even gained thereby for thoroughfare — especially if very broad epistyles were considered necessary for the laying of the roof beams, and hence large diameters were required above. But perhaps neither of these suggestions hits the real solution. Perhaps it was a mere temporary vagary of taste, like that which created, within the stiif hieratic art-rules of Egypt, nay, even during a good artistic epoch, in the temple of Karnak, those curious downward tapering stone pillars, with their flower capitals reversed in the same way.'* There are other points of resemblance to Egypt. The beautifully chiselled ceiling in the grave-chamber at Orcho- menos, treated like a carpet, and adorned with spiral mmanders, besides fan-shaped flowers and stripes of rosettes for borders, is clearly derived from Egyptian prototypes — however, as it appears, not directly, but indirectly. The Palace of Tiryns possessed the same kind of wall-decoration in many places, though applied as a frieze, and worked out in simpler manner in detail — as in rosettes. Hence this palace, or some other similar one, may easily have served as a model for the celling at Orchomenos. Not less important is the decorative border of the kyanos-frieze with blue smalt at Tiryns, because this technique^ of which traces have been found at Mycenae, was familiar in Egypt from the oldest times, and treated with such careful preference, that the materials required for it became precious articles of trade. As the Phoenicians managed their import, it is possible that this whole decorative style came through that nation to Greece. But still, Egypt will always have to be looked upon as the starting- point — and not Babylon, where the Egyptian invention of ornamenting with smalt was early adopted — because the kyanos-frieze at Tiryns is connected with stone work and Cf. Lepsius, Dciikini\kr, L, PI. 31. d CRETAN INFLUENCES. chiselling, not with the special formations of brick archi- tecture. How are such important relations to be explained r We may, first of all, think of the early settlements of Phoenicians at the mouths of the Nile ; then, of the con- tinued wars which Libyan tribes, allied with northern coast and island people, carried on against Egypt since the 14th century before our era. That long-continued peaceful intercourse, as well as these sudden warlike encounters which once brought the invaders even as far as Memphis, surely held out much inducement for becoming acquainted with Egyptian architecture — both in buildings of sun- dried bricks and in buildings of quarried stone. But when, as we know in the case of talented races, the slumbering instincts for culture are once awakened, then valuable booty, such as the daggers and swords, the cups and bowls from the Mycenaean pit-graves — whose Egyptian origin is beyond doubt, owing to their peculiar and highly-developed technique — would permanently foster and spread this artistic tendency. There can, moreover, have been no lack of intermediate localities and people, to bring about such a slow and long continuing transference, lasting for generations — now, according to the favour or disfavour of circum.stances, in an increasing, now in a lessening degree. And this sup- position brings us back to Tiryns and its above-mentioned connection wdtli Lycia, if we remember that, according to all tradition, the oldest culture of that land came from Crete — that is to say, from an island lying at the gates of Egypt and Libya, and therefore destined, before all other islands, to spread throughout the archipelago the elements of civilisation of the highly developed kingdom of the Pharaohs, which Crete had acquired either in war or peace. Hence this island, though an accurate examination and classing of its oldest monuments has not yet taken place, comes within the sphere of our present reflections. Here, COMPARISON WITH ARCHITECTURE IN TROY. 11 in Crete, it was, that by a wise combination of tribes as fit for culture as they were competent at sea, the earliest national power of Greek antiquity was founded. To Crete is attached the rare title of fame of “the loo-citied,” as a speaking proof of the early culture and the flourish- ing wealth of an island state ruled by strong hands. With the venerable name of Minos is connected indis- solubly the name of Dacdalos, the oldest hero of Greek architecture ; and from here, commonwealths were founded, and cults established. A structure belonging to that latter category is, it seems to me, still extant. The remarkable grotto in Delos, at the foot of Kynthos, which I am inclined to regard as a shrine of Eileithyia, is probably a branch foundation from Crete in the heyday of its power ; for the structural system of the very peculiar roof, com- posed in masterly manner of ten great counterfort stones, certainly came from Egypt, whose gigantic buildings, with their enormous superincumbent weight, compelled men at an early time to solve that kind of constructive problem. This roof, which was able to carry a small mountain, proves what men had seen and learned in Egypt. It affords another useful support for the theory, started by others, of a very early influence from Egypt — a theory derived from gems, as well as froiu the discovery of beautiful metal-work, of an ornamented ostrich egg, &c., found in the Perseid graves. Compared with the architecture of Mycenae, Orcho- menos, and Tiryns, that of Troy is distinctly inferior. Still, with all its gaps, it is for this reason very instructive, because the existing remains — looked at as a whole — give us an older phase of architectural development than the yet known monuments on Greek soil. This is true of the walls and gates, as well as of the palace of the ruler. At the same time, however, our judgment must at present rest rather on the technical than the artistic aspects of Trojan architecture. For, as regards the latter, it is much to be d 1 lii OLDEST CITADELS OF TROY AND TIRYNS ALIKE. regretted that neither royal graves, nor architectonic details were found in Troy. On the other hand, at the side of the characteristic system of fortifications (with its dry moat, its escarped wall substructions, its fianking towers, &c.), the antique building method of forming all the walls — in citadel and house — of sun-dried bricks with wooden tie-beams, is of very peculiar importance. First, because all these features prevail in Egypt, both in the Delta and in Upper Egypt; secondly, because the walls of the palace at Tiryns still were of a like or a similar structure. This method, then, was widely used, and long maintained from practical as well as economical grounds. Its application at Tiryns, too, is the more easily explained when we remember the fact above mentioned, that the present citadel at Tiryns certainly followed upon an older and simpler one, which can hardly have been very different from that found at Troy. There was indeed no kind of building so serviceable, as this, for the first provisional securing of any newly occupied point on the coast, as soon as the two materials, clay and wood, could be found in the neighbourhood. Hence we may justify the conjecture, that the numerous, absolutely necessary forts established on the Greek coasts and islands for the protection of Phoenician depots, must have been of an architectural kind not requiring expensive and tedious stone masonry, but that the prompt and cheap building system of sun-dried bricks, with wooden beams, was chosen. P'rom such a foundation, a citadel of a higher class, than that of Troy, might easily be developed. It will hardly be denied that all these briefly discussed structures must be older than the Trojan war ; the most fully developed of them, contemporaneous with it, or very little younger. To go further than this general chronology, the closer determination of which is still in dispute, seems j)remature in the present state of our researches into the monumental records. The paths, on which we must pro- ceed, are marked out clearly enough. We want continued LIMITED PIKEXICIAN INFLUEXX'E. new discovery of materials, and their methodical and critical sifting. Besides the pressing need of excavating the citadel of Mycenae, the oldest architectural monuments of Lycia and Crete, especially, must be surveyed, and brought together for comparison, in order to facilitate the solution of the all-important question, how far the Phoenicians were instructors of the Greeks in monumental architecture. I do not deny this influence, but can only admit it to a limited extent for the oldest period, whose architecture had here to be discussed, because hitherto no buildings can be shown anywhere on the Syro-Phamician coast or the islands, which can compete with the peculiarly severe organism of the beehive-tombs, and the masterly arrangement of the palace at Tiryns. How very far, indeed, does the latter surpass all known ground-plans of Assyrian Royal Palaces in simplicity and clearness ! I see in these early creations of architecture, on the soil of Plellas, the conscious expres- sion of the old Greek mind, and evidences, as genuine as they are indelible, of the primitive national connection of the tribes on both shores of the /Rgean Sea. F. ADLER. Berlin’, T,\st July, 1885. Postscript. It is only since reaching this place, after concluding this Preface, that I see, from Dr. Ddrpfeld’s supplemental accounts, that my conjecture recorded last May, and printed above on p. xi, regarding the use of clay for the bonding of Cyclopean walls, is conflrmed by closer investigation. Had this tact been known to me earlier, I should of course have used a different expression. F. ADLER. Bontresina, \ 6 f/! August, 1885. ( liv ) NOTE. My honoured friend, the learned author of the Preface, having expressed the opinion (p. xxvii) that the little necropolis in the Citadel of Mycenae had gradually arisen, 1 feel it my duty to state that this is an error. I have made the excavations of the royal tombs of Mycente in the presence, and with the continual superintendence, of two distin- guished archaeologists, the Ephoros (the late General Ephoros of Antiquities), Panagiotis Stamatakis, v/ho had been associated with me by the Greek Government to superintend the works, and of Professor Phendiklis, of the University of Athens. The excavations have shown beyond any doubt, that the bodies could not possibly have been buried gradually, but that all of them must necessarily have been buried simul- taneously. I have proved this in my work Mycence by a most minute account of the internal arrangement of the graves. All my statements are fully corroborated by the Ephoros Stamatakis in his diary, which is to be published by the Greek Archaeological Society. Happily, Professor Phendiklis is still living to confirm them on his part. Henry Schliemann. CONTENTS. PAGE PREFACE. — By Professor F. Adler ... ... ... ... v CHAPTER I. — The Excavations ... ... ... ... i ,, II. — Topography and History of Tiryns ... 1 1 ,, III. — The Objects of Terra-cotta, Stone, &c., found in excavating the Layers of Debris of the Oldest Settlement in Tiryns 55 „ IV. — The Objects found in the Debris of the Second Settlement of Tiryns ... ... 84 1. Vase Paintings with Geometrical Pat- terns ... ... ... ... ... go 2. Vases Painted with glossy White Colour 103 3. Vase Paintings, with representations of Birds or Stags ,. . ... ... ... 107 4. Vase Paintings, representing Marine Animals ... ... ... ... 109 5. Vase Paintings, with Spiral Ornamenta- tion ... ... ... ... ... no 6. Pottery of Various Kinds ... ... 115 7. Pottery with Architectural Designs ... 127 8. Vases with Various Ornamentation ... 131 g. Various Objects of Terra-cotta ... 140 10. Idols of Baked Clay ... ... ... 150 11. Objects of Metal ... ... ... 165 12. Objects of Stone ... ... ... 172 13. Objects of Ivory, Wood, and Glass ... 176 „ V. — The Buildings of Tiryns. By Dr. Wilhelm Dorpfeld ... ... ... ... ... 177 A. — The Citadel and its Wall ... ... 177 VI CONTENTS. I'AGE CHAPTER V. — B. — The Palace in the U])per Citidel ... 189 1. The Gate of the Upper Citadel ... 192 2. The Great Propylasum of the Upper Citadel ... ... ... ... 194 3. The Great Front Court ... ... 199 4. The Gate into the Men’s Court ... 201 5. The Court of the Men’s Apartments ... 203 6. The Men’s Apartment ... ... 208 7. The Bath-room and other Apartments AVest of the Megaron ... ... 229 8. The Court of the AVomen’s Apartments 236 9. The AVomen’s Hall and its Vestibule 239 10. The Thalamoi in the North-cast corner of the Palace... ... ... ... 242 11. The Outer Court XXX, with its Ad- joining Rooms ... ... ... 244 12. The Roof and the Upper Storey ... 248 C. — The Architectural Remains of an older Settlement ... ... ... ... 250 D. — Building Material and Construction ... 253 1. The AA^alls ... ... ... ... 253 2. The Parastades (Pilasters) ... ... 263 3. The Pillars ... ... ... ... 269 4. The Roof and Roofing ... ... 272 5. The Floor ... ... ... ... 275 6. The Doors ... ... ... ... 276 E. — Isolated Fragments of Architecture ... 284 1. The Kyanos Frieze ... ... ... 284 2. Sculptured Spiral Band ... ... 292 3. Doric Capital ... ... ... ... 293 4. Archaic Antefi.K ... ... ... 295 P". — The AAnil-paintings ... ... ... 296 G. — Later Remains on the Citadel ... ... 307 ,, VI. — The Excavations of the Year 1885. Bv Dr. AVilhelm Dorpfeld ... ... ... 309 A. — The Citadel AVall ... ... ... 312 1. The Out- AVall of the Palace ... ... 314 2. The Out- AVall of the Fore-court F ... 316 3. The Enclosure-AVall of the Central Citadel (Z) ... ... ... ... 326 4. The Side Ascent to the Upper Citadel 327 5. The Main Ascent to the Castle ... 332 CONTENTS. Ivli PAGE CHAPTER VI. — B. — Technical Remarks ... ... ... 335 C. — Supplements to Chapter V. ... ... 337 1. The Altar in the Courtyard of the Men’s Apartments ... ... .. ... 337 2. The Gate of the Men’s Court ... 340 3. The Megaron of the Men ... ... 340 4. A Drain ... ... ... ... 341 5. The Roof-tiles of Terra-cotta... ... 341 6. Additional Wall-paintings ... ... 341 D. — Separate P'inds in 1885. By Dr. Ernst Fabricius ... ... ... ... 344 E. — The Find of Terra-cotta Objects made at the South-East Corner of the Castle 357 APPENDIX. — Mycenaean Amber imported from the Baltic. By Otto Helm ... ... ... ... 368 INDEX 373 LIST OF ILLUSTRATIONS. NO. PAGE 1. Hand-made Terra-cotta Vase with double pierced e.xcres- cences at the sides ... ... ... ... ... 58 2. Vase of Green Basalt, with double vertically bored excres- cences at the sides ... ... ... ... ... 59 3. Hand-made one-handled Jug ... ... ... ... 65 4. Jug with projections on the sides, and handle ... ... 66 5. Vessel in the form of two Shells laid together, with white lines of decoration ... ... ... ... ... 67 6. Basin of Terra-cotta ... ... ... ... ... ... 67 7. Terra-cotta Vessel with projections right and left ... ... 68 8. Fragment of brim of a large Jar ... ... ... ... 68 9. Fragment of a large Jar ... ... ... ... ... 69 10. Deep Plate of Terra-cotta ... ... ... ... ... 70 11. Fragment of an Idol of Terra-cotta ... ... ... ... 77 12. Object of black Stone ... ... ... ... ... 77 13. Polishing Stone of black Marble, speckled red and white .. . 79 14. Polishing Stone of fine reddish Marble ... ... ... 79 15. Polishing or Grindstone of fine black Granite, with white grains ... ... ... ... ... ... ... 79 16. Embroidering Needle of Bone ... ... ... ... 82 17. Pierced Bead of blue-painted Glass .. . ... ... ... 82 18. Fragment of Vase with Female Figures and Geometrical Patterns ... ... ... ... ... ... ... 95 19. Fragment of a Vase with Cranes and Shells ... ... 96 20. Fragment of a Vase, with a Man, a Horse, and a Fish ... 99 21. Fragment of Vase with concentric Circles and Crosses ... loi 22. Ram’s Head in Clay ... ... ... ... ... 106 23. Fragment of a Vase with a Swan ... ... ... ... 107 24. 25. Vase-Fragments, with representation of the purple shell (Murex) very common in Mycense, and often found in Tiryns ... ... ... ... ... ... ... 109 26. Vessel for baking Cakes ... ... ... ... ... 116 27. Goblet ... ... ... ... ... ... ... 1 17 lx LIST OP' ILLUSTRATIONS. NO. PAGE 28. Large Vase ... ... ... ... ... ... ... 118 29. Jug with spout ... ... ... ... ... ... 119 30. Jug with sieve-hke spout ... ... ... ... ... 120 31- Jug 120 32. Mug ... ... ... ... ... ... ... ... 121 33. Fragment of a Vessel ... ... ... ... ... 122 34. Neck of Vase ... ... ... ... ... ... 122 35. Upper part of a Pitcher ... ... ... ... ... 122 36-47. Fragments of Vases ... ... ... ... 1 24-133 48, 49. Vases 133 . 50, 51. Vessels ... ... ... ... ... ... ... 134 52,53. Vessels with Rosettes ... ... ... ... ... 135 54. Vase-Fragment with Rosette ... ... ... ... 136 55- Jug 137 56. Vessel ... ... ... ... ... ... ... 138 57. Vessel with tube-shaped spout ... ... ... ... 138 58. Torch-holder... ... ... ... ... ... ... 141 59-61. Vase-Lid with perforated handle ... ... ... 142 62. Dish with Balls shaped like dumplings ... ... ... 143 63. Stand with a Dog ... ... ... ... ... ... 143 64. Stopper of Terra-cotta ... ... ... ... ... 144 65. Object of Clay ... ... ... ... ... ... 144 66. Object of Clay ... ... ... ... ... ... 144 67. Ear of Clay... ... ... ... ... ... ... 144 68. Object of Clay in form of a Foot ... ... ... ... 145 69. Object of Clay with nine penetrations ... ... ... 146 70. Object of Clay ... ... ... ... ... ... 146 71. Cylinder with two perforations ... ... ... ... 147 72. Disc of Clay ... ... ... ... ... ... ... 147 73. Wheel-shaped Clay Ring ... ... ... ... ... 148 74. Wheel-shaped Clay Disc ... ... ... ... ... 148 75. Handle of Clay in form of an animal ... ... ... 149 7 6. Bread-making figure ... ... ... ... ... 149 77-84. Idols 150-155 85. Idol with Child on the arm .. . ... ... ... ... 155 86. Upper part of an Idol ... ... ... ... ... 156 87-89. Sitting Idols ... ... ... ... ... 157, 158 90. Lower part of a sitting Idol ... ... ... ... ... 159 91. Sitting Idol ... ... ... ... ... ... ... 159 92. Upper part of an Idol ... ... ... ... ... 159 93. Head of an Idol with Phrygian Caj) ... ... ... 159 94,95. U])per parts of Idols ... ... ... ... ... 160 LIST OF ILLUSTRATIONS. Ixi NO. 96. Idol ... 97. Helmeted Warrior of Bronze 98. Bronze Chisel 99. Tool of unknown use 100. Double-edged Battle-axe of Bronze .. . 101. 102. Little Bronze Saucer ... 1 03. Basin of hard Limestone 104-107, Two-edged Knives of Obsidian ic8-iii. Arrow-heads of Obsidian 1 1 2. Gallery in the Eastern Wall ... 1 1 3. The Men’s Apartment, with antechamber and vestibule ... 114. Western Antae of the Vestibule of the Megaron ... 115. The Central part of the Pergamos of Troy... 1 1 6. Pattern of the Floor in the Megaron 1 1 7. Plan of the Bath-room 1 1 8. Pipe of Terra-cotta ... 1 1 9. Door of the Women’s Apartment ... 120. Bronze Sheath for the Pivot of a door 1 2 1. Side-door in the Vestibule of Women’s Hall 122. Doric Capital. (Front view, section and plan) 123. Archaic Antefix of Terra-cotta. (Front- and side-view) ... 124. The sculptured Ceiling of Orchomenos 125. The Upper Citadel of Tirynp, witli the excavations of 188s 126. Transverse Section of the Southern Wall ... 127. Longitudinal Section of the Southern Wall 128. Ground Plan of the Eastern Wall of I'iryns 129. Ground Plan of the Wall of Byrsa ... 130. Transverse Section of the Semicircular projecting Structure at the Western Wall 1 31. Perspective View from the crown of the Semicircular pro- jecting Structure on the Staircase of the lateral ascent... 132. View into the Gallery of the Eastern Wall ... 1 33. Stone with a Bore-hole 134. Stone with a Bore-hole 13 V Portion of ihe Western Citadel Wall 136. Portion of the Western Citadel Wall 137. Ground Plan of the Altar (sacrificial pit) ... 138. Section of the Sacrificial Pit... 139. Fragment of Painted Wall-Plaster ... 140. Fragment of Painted Wall-Plaster ... 141. Fragment of Painted Wall-Plaster ... I’AGF. 162 166 167 167 168 1 70 172 174 174 184 209 2 I I 225 226 230 234 278 281 2^2 293 295 299 309 319 220 324 3^4 3W 334 336 336 336 338 339 339 342 342 343 Ixii LIST OF ILLUSTRATIONS. NO. PAGE 142. Fragment of Painted Wall-Plaster ... ... ... ... 343 143. Vase-Fragment with brown parallel lines ... ... ... 346 144. Rosettes of different form ... ... ... ... ... 349 145 and A Two fragments of an Ornament ... ... ... 350 146^2: and A Two fragments of an Ornament ... ... ... 351 147. Legs of a Bird ... ... ... ... ... ... 351 148. Fragments of two Birds ... ... ... ... ... 351 149. Body of a Bird ... ... ... ... ... ... 352 150. Fragments of various Animals ... ... ... ... 352 15 1. Fragment of a Horse ... ... ... ... ... 352 152. Fragment of a Chariot ... ... ... ... ... 353 153. Vase-Fragment with a Horse-head and Warrior ... ... 353 154. Vase-Fragment with Horse-feet ... ... ... ... 353 155. Vase-Fragment with a Warrior and a Chariot ... ... 354 156. Idol for suspension ... ... ... ... ... ... 356 157. Terra-cotta Group. Two persons sitting on a couch ... 356 158. Weight of Terra-cotta with a Number ... ... ... 356 159. Archaic Idol ... ... ... ... ... ... ... 359 160. Archaic Idol. (Side view) ... ... ... ... ... 360 161. Sitting Idol of Terra-cotta ... ... ... ... ... 360 162. Terra-cotta Figure. Woman with a Pig ... ... ... 361 163. Terra-cotta Figure. Woman with a Pig ... ... ... 361 164 Upper part of a Woman with a Pig ... ... ... 363 165. Female figure of Terra-cotta ... ... ... ... 363 166. Torso of an Archaic Terra-cotta Figure ... ... ... 363 167. Head with Polos of Terra-cotta ... ... ... ... 364 168. Female Head with Diadem ... ... ... ... ... 364 169. Little Bowl ... ... ... ... ... ... ... 365 170. Cup with two handles ... ... ... ... ... 365 1 7 1. Tripod Kettle ... ... ... ... ... ... 365 172. Little Pan ... ... ... ... ... ... ... 365 173. Small Dish ... ... ... ... ... ... ... 366 174. Basket with openings in the body of Terra-cotta ... ... 366 175. Vessel with three openings in tlie body ... ... ... 366 176. Vessel with two handles ... ... ... ... ... 366 177. Little Vase with two handles ... ... ... ... 367 178. Flat Plate in form of a Flower ... ... ... ... 367 LIST OF PLANS AND PLATES. View of the Southern portion of the Plain of Argos, with the Ruins of the Palace of Tiryns in the foreground. {Frontispiece.') Map of Argolis. {To face page i.) Plate I. The Citadel of Tiryns. After the excavations by Dr. Schlie- mann, 1884. Designed and drawn by Dr. W. Dbrpfeld. Plate II. The Upper Citadel of Tiryns. Surveyed in May, 1884, by Dr. W. Dorpfeld. Plate III. Acropolis of Tiryns. Plate IV. Frieze inlaid with Glass-paste. Sculptured Ornament. Frieze from Mycenae. Glass-paste from Menidi. Plate V. Wall Painting in the Palace of Tiryns. Plate VI. a. Gold Ornament from Myceme ; Ivory Ornament from Menidi ; c, e, Wall Paintings in the Palace of Tiryns. Plate VII. Wall Painting in the Palace of Tiryns. Plate VIII. Wall Paintings in the Palace of Tiryns. Plate IX. Wall Paintings in the Palace of Tiryns. Plate X. Wall Paintings in the Palace of Tiryns. Plate XI. Wail Paintings in the Palace of Tiryns. Plate XII. Wall Painting in the Palace of Tiryns; facsimile of natural size. Plate XIII. Wall Painting in the Palace of Tiryns; representing a Man dancing on a Bull. Plate XIV. Fragment of a large Vase with two Warriors, a Horse, and a Dog. Plate XV. Fragments of two large Vases, on which are represented, a Man in a War-chariot and portions of two other Men. Plate XVI. Fragments of Vases, a represents a Horse and other decorations ; b and c, a Procession of Women with Branches. Plate XVH. Fragments of large Vessels /ao.i llcrirani pr. T- Junonis U'.sni's. kOAU- nX«e«!tf»»-ilvsia‘ 1. / uiraA/ frnri /oiiuepcU*»| j\fc rAiyu'-ta / [jwhajuin ^Cfominyon '^JToff r/ifot/nru.i \ 7 I>- ‘S' jCyul'hi'oac ffe/efm' 6aJ/iea/>t X’hei*stmesus Coufliri'is I. / prom. o'l'lAlinj , rliirteruty S l/.L ^T^fuTruJ V.. Sclacbusal. trspncjyi (.caug’i; Xo/n 4 /i./ ^fjiaJ;a^iajXy> - ^ ^ 1 Adciidfo.'» I. J> Ot/pydt/ \/yerni//a^il . 4 /\ •ma JopAt^ ) 'T^artUAuna- •^^Vvonc.so, .ia/a/lo/^ K'/^ra, I f /Aoriiyya^^ fCAomPjf Thcrmiv^ I )<. OllvO! Alcyonia pal. SXcncsioS nb Apalintltmi ./A\sui<’ ^oi 7 >'n. Ili^rn I- ■ f'/nfia Dmp fouB 'Anavo/uy / ^t^yno, .Slrlitluis' V' 1 Simis’lliyre; (iiorlus Andiaii * f^KTyonUri: '.I/nymnf '^('/ii/oro Jf/j S^xilUaua'^ yP Aappari : ('- St^no ■ ilP fCiojeria , BuccDhtdapr-^j '. PoruAa/i 'C'Jftij-aAi, ciopi lJ)oAo ' r,/<' 3 faA-rt j '^/f' Tnkef. fAVvcula 71 ^ 7 / TririU-rmis^^TruTani P/ 7 >-Ugr,/ usa ^'.i'Ouuv ■■Xoitd y pyTivy, KOI TO) KcpapLiio p.LyvvTOi yfjiiKOTvXiov . Ko'i oi p.kv dwyOova'l piera to diro^icrai, T^ojpi^oi'Tes ryv pyTivyv, ol Sk ttocrt . TraXaiwOei'Tes Se yiyvovToi ySeiaXaXy€is oi toiovtoi koi CTKOTiopiaTiKoi, TreirTiKoi pievToi koi ovpyTiKoi, KOI KaToppoi^opLivois KOI fiya-crovcriv dpp.o^ovTe’i koi koiXiokois, SvcnvTepiKois, vSpu)7riKo?i KOI poiKoi'i ywat|t • TOt? Se iv /SdOei eiXKWjxevoi^ iyKXvcrpia • (ttvttti- Kd)T€po<; p.ivToi TOV XfVKov ((TTiv 6 piiXovi^oiv . — Tliis passagc was pointed out to me by M. Ach. Postolaccas, Director of the National Collection of Coins at Athens. Chap. I.] THE WORK BEGUN. 7 them again. As I desired to provide my people with good drinking-water, I set aside a labourer for the purpose, that he might fetch it in barrels upon a wheelbarrow from the nearest spring. Another workman, with some knowledge of carpentry, I set aside for the repairs of wheelbarrows and tools ; a third served me as groom. Unfortunately, I was debarred the pleasure of employing my old servant Nikolaos Zaphyros Giannakis, who since the beginning of 1870 had served me in all my archaeological campaigns as comptroller of the household and cashier, for, unhappily, he was drowned in August 1883, in the Skamander, on the east of Yeni Shehr, so I had to manage without him. The labourers were mostly Albanians from the neigh- bouring villages of Kophinion, Kutsion, Laluka, and Aria. I had only about fifteen Greeks from the village of Charvati, who had worked with me eight years ago in Mycenae, and who distinguished themselves by their industry above the Albanians, The winter, 1883-84, had been very mild, and on our arrival on the 15th of March the trees were already clothed in the richest green and the fields decked with flowers. We saw flocks of cranes only on the i6th of March. These birds do not nest here, but stay only a few hours, and then continue their northward flight. Storks are never seen in Argolis, though often in the marshy plains of the Phthiotis, where they build. Our first great work was to dig away the rubbish down to the floor made in the manner of mosaic, of lime and small stones, which stretches over the whole higher plateau of the Acropolis, and was covered i-i^ metres deep with debris consisting of fragments of brick, tumbled-down masonry of stones bonded with clay and mostly calcined, and of black earth. It then appeared that the walls found by my excavations of 1876, consisting of large stones without mortar, were only the foundation-structure 8 TOUGHNESS OF THE BURNT WALLS. [Ch.\p. I. of an immense palace, occupying the whole of the upper citadel. Of its walls, the lower portion, built of smaller stones and clay about o’5o-i metre high, had been remark- ably preserved by the close covering of debris over all the building, which came down from the higher walls of the edifice made of unburnt bricks, and from the flat roofs, which consisted probably of clay. This preservation is also due to the conflagration by which the palace was destroyed ; for its heat was such, whenever beams of timber fed the flames, that the stones were calcined, the binding clay turned into real brick, and the whole reduced to so hard a mass, that our strongest men had the greatest difli- culty in breaking it with pickaxes. Many of these walls thus burnt were visible on the surface, and had misled the best archaeologists, as they were assumed to be mediaeval, and it had never been imagined that they could be perhaps 2000 years older, and belong to the palace of the mythical Kings of Tiryns. In all guide-books for Greece, therefore, the opinion is expressed that nothing of interest is to be found at Tiryns. As regards the building of this palace and its extant architectural fragments, I refer the reader to Dr. Ddrpfeld’s full description in the fifth chapter, and his excellent plans at the end of the volume. Owing to these many remains of walls as hard as stone, reaching to the surface, which the peasants could not break, the upper plateau could never be tilled — a circumstance which may have contributed not a little to the preservation of the remains of the palace. But the lower terrace, as well as the lower Acropolis, and the narrow tract of land around the citadel, and enclosed by the roads (cf. Plan I.), were let to a peasant in Kophinion, who had sowed it with caraway, and sued me at law for the damage done by my excavations. By the friendly intervention of M. J. Mav- rikos, in Nauplia, the Director of the Excise, the damage was carefully estimated by experts, and fixed at 275 frs., with which the farmer had to be content. Many other Chap. I.] FOUR STAGES IN THE WORK. 9 services were kindly rendered me by M. Mavrikos and M. G. Tsakonopoulos, of Nauplia, during my stay at Tiryns ; for which I here again tender them my sincerest thanks. Our second great work was the clearing of the mid- terrace (Plan L), where Dr. Ddrpfeld thinks badly-built dwelling-houses must have once stood, which required frequent renewing, for we there found at various successive levels thin walls of broken stones and clay, with no plan now recoverable. The accumulation is there about 6 metres. Our third work was the opening in the lower citadel of two trenches — a wide one along and a smaller across it (cf. Plan I.) — reaching down to the rock, by which it was shown that there also buildings, or at least foundations of buildings, exist. The accumulation of debris here reaches a height of 3 metres, though occasionally the rocks pene- trate to the surface. As our fourth work, I may mention the excavation and clearing of the ascent to the palace on the east side of the citadel. This gave us immense trouble, on account of the enormous quantity of huge blocks which had fallen on to it from the walls, and which had to be cleared away or broken up. Further, we cleared a part of the great gallery to the south-east (cf. Plan I.), of which the upper part forms a pointed arch, and it should be remarked that we found therein a floor formed of concrete. We also cleared one of the niches or window openings of this gallery, and partly excavated three other similar galleries (cf. Plans I. and III.). The trenches which we opened in all directions under the Acropolis, in which we found the same pottery as in the citadel, and much ddbris of burnt bricks, leave no doubt that the lower rown extended round the citadel. Dr. Ddrpfeld and I have carefully cleared, before our departure, all parts of the walls of Tiryns which had been covered up during the excavations, and I can assure the lO DISTINGUISHED VISITORS. [Chap. I. reader that not two stones of the old masonry remain hidden by the d 6 bris shot by me. This can for the rest be easily proved by Hauptmann Steffen’s excellent map,* on which all remnants of the walls of Tiryns are carefully indicated, I have left the dSbris only in those places where the slopes of the Acropolis consist of native rock or of earth covered with sporadic stones, and where, conse- quently, the clearing away of the newly-shot dbbris was to no purpose. My excavations in Tiryns had the high honour, in April 1884, of a visit from his Royal Highness the Crown Prince of Saxe-Meiningen, so distinguished by his love of science and learning ; also from Herr Eduard Brockhaus, senior of the publishing firm of F. A. Brockhaus, in Leipzig, and his son Herr Arnold Brockhaus. Among other learned visitors to my excavations in April and May, I may further mention the American Ambassador to the Greek Court, Mr. Eugene Schuyler, author of the popular work Life of Peter the Greats and Mrs. Schuyler ; the well-known historian. Professor J. P. Mahaffy, of Dublin, accompanied by Dr. Panagiotes Kastromenos, from Athens ; also Gynina- sial-Director Dr. Schultz, of Charlottenburg, and Pro- fessor Puschel, of Berlin, the last of whom unfortunately died of typhus fever at Nauplia. Also Lord and Lady Pembroke; Dr. Ernst Fabricius, from Strassburg, author of a well-known work, De Architechi^'a Graca ; Dr. De- metrius Bikellas, the celebrated author of Lotikis Larras and translator of Homer and Shakespeare ; Dr. Meyer, from Pesth ; Messrs. Hugh and James A. Campbell, from St. Louis ; Dr. Flemming, from Glistrow ; and the archi- tect Karl Siebold, who is conducting the building of the new museum at Olympia. * Hauptmann Steffen und Dr. H. Lolling, Karten vcn Mykcua, Berlin, 1884. ( ) CHAPTER II. Topography and History of Tiryns. The plain of Argos was apparently in early prehistoric times a bay running far inland ; this was gradually filled up by the deposit of the numerous streams descending from the surrounding hills, which, though now bare and barren, were then covered with forests. These mountains are highest and wildest on the west, where Artemision, 1772 m. high, forms the natural boundary between Arkadia and Argolis, and is the centre point from which the not much lower KreVta (comb) chain runs towards the south-east, to which again the still lower Parthenion (now 'PotVw) unites itself in the south-west, and runs north and south. From the central chain branch many parallel ones, reaching eastward, and divided by deep and narrow valleys ; the most northern is the Lyrkeion, from the north-western slopes of which springs the Inachos (now Panitza), and flows round the northern foot of the mountains into the plain. The second mountain chain is the Chaon, with the eastward-stretching Mount Lykone,* which in the days of classical antiquity was clothed with cypress. Close to its eastern foot lies a high, sharp rock (270 m.), on which stood the fortress of Larisa, the Acropolis of Argos. The town itself lies below the hill in the plain. The third parallel mountain chain is that of Pontinos, of which the base, separated only by a narrow strip of strand from the sea, forms the south-western end of the plain. * Paus. II. 24, 6 : ev Se^ia Se (toC “Apyovs) opos ecrrlv y AvKioi'y, Set'Spa KVTrapLcrcrov p-oXioTa e^ovaa. 12 NEIGHBOURING RIVERS AND MARSHES. [Chap. II. To the north side of this plain lie the rough and steep mountains of Treton and Kelossa ; in the north-east corner, to the north and south-east of the Acropolis of Mycenae, are the two highest summits of Mount Euboea,* on the most northern of which (807 m. high, according to Haupt- mann Steffen and Dr. H. Lolling f) stands an open chapel of the Prophet Elias, with a tree visible far off in the plain. On the east side the western spurs of the mountains of Epidaurus slope gently to the plain. In the south, a broad band of marshy lowland borders the plain towards the sea. At the south-west corner, at the foot of Mount Pontinos, numerous springs form the marsh of Lerna, notorious for malaria, with a small lake 60 m. in depth, where, according to fable, Hercules slew the nine-headed Hydra.J The myth gives apparently a symbolic account of an early attempt to drain the marsh and introduce agriculture. In the north-east part of the plain, in the neighbour- hood of the villages of Chonika and Merbaka, there are still extensive swamps, used only for the culture of rice and cotton, but which with careful drainage might be easily laid dry. The most important streams are the above-mentioned Inachos, which runs through the whole length of the plain of Argos, and its tributary the Charadros (now called Rema or Xerias), on whose banks, as Thukydides § tells us, it was the custom of the Argives to assemble their armies when returning from foreign service, and hold upon them a court-martial before they were allowed to enter the city. Both rivers have for the most part of the year no water in their broad beds, filled with pebbles and sand, and this * So called by Pausanias, II. 17, 2. t Hauptmann Steffen und Dr. H. Lolling, Kartcn von Mykcncc, Berlin, 1884. Apollod. II. 5, 2. § Thukydides, V. 60. Chap. II.] THE RIVERS OF THE ARGIVE PLAIN. 13 was so in the time of Pausanias, who says'* that he found the sources of the Inachos on Mount Artemision, but that the flow of water was quite insignificant, and the stream ran but a short distance ; and further, f “ neither the Inachos, or other rivers named (Kephisos and Asterion) have any water, unless after rain ; in summer their beds are dry, ex- cept those in the district of Lerna.” This would point to the fact, that even at that time the East- Arcadian moun- tains were as treeless as now. As, however, the river Inachos plays an important part in the myths of Argolis, where he appears as the husband of Meleia and the father of Phoroneus, the first King of Argos, and of the Moon-goddess lo, the later Hera, there can be little doubt that in prehistoric times the Inachos was an impor- tant river, and this is only credible on the supposition that the Arcadian Mountains were at that time covered with forest. And we possess another proof that during many thousand years the Inachos must have been a considerable river, for, as already mentioned, the whole plain of Argos was formed by the deposit of its rivers and streams, and especially from that of the Inachos. The third river of the plain is the Kephisos (Kr/^tcro?) mentioned by Pausanias, J which seems to be indicated by a narrower river-bed which one passes on the road from Argos to Mycenae. I mention also the spring Kynadra, or the so-called ’EXevOepiov vSojp, and the rivulet Asterion, between which, at the foot of Mount Euboea, was situated the famous Heraeon.*^ The Kynadra afforded the sacred water for the Temple, used in religious ceremonies ; while on the banks of the Asterion grew the Asterion plant (a sort of aster) sacred to Hera, from the leaves of which crowns were woven for the goddess. And the name of the * Paus. II. 25, 3. t II. 15, 5. 3 id. § See Hauptmann Steffen and Dr. H. Lolling, Karten von Mykencs, p. 40, ff. THIRSTY ARGOS/ [Chap. II. 14 hill Eubcea appears to point to a time when it furnished a fair pasture land, whilst now it is bare and sterile as the banks and beds of the Kynadra and the Asterion. In conclusion, I mention the river Erasinos, which has its source at the foot of the mountain chain of Chaon, and is an important stream, turning many mills, and empty- ing itself after a short course into the Gulf of Argos. This Erasinos was throughout antiquity regarded as identical with the Stymphalos, which disappears into two subterra- nean passages beneath Mount Apelauron in Arcadia. Its great fountain-head at the foot of Chaon is now called Ke(f)aXdpL. In ancient days the plain of Argos was famed for its breed of horses, and seven times in the Iliad* does Homer celebrate the most famous pastures of the plain by the epithet I'mrolBoTO'i : so also Horace, Plurimus in Junonis honorem Aptum dicet equis Argos ditesque Mycenas.t On account of the great dryness of the soil, the vine and cotton can only be grown on the fruitful lower plains, and some corn and tobacco are now the only products of the highlands. Even at the beginning of the Greek Revolution (1821) there must have been more moisture, for then the whole plain and even a large part of the highlands were covered with mulberry, orange, and olive trees, which are now only to be seen in the low plains occasionally. The epithet TroXuSti/ztoz/, which Homer gives to the plain of Argos, suits its present condition well, as does also the myth related by Pausanias.J “ Poseidon and Hera quarrelled for possession of the land (the plain of Argos) and Phoro- neus, son of the river Inachos, the Kephisos, the Asterion, and the Inachos were appointed to decide the claim. They allotted the plain to Hera, upon which Poseidon caused the * II. II. 287; III. 75, and 258; VI. 152; IX. 246; XV. 30; XIX. 329. t Carm. I. 7, 8, 9. J Pans. II. 15, 5. Chap. II.] THE NAME TIRYNS. 15 water to disappear. On this account neither the Inachos, nor yet any of the rivers named, has any water unless Zeus sends rain (Zeu? vei). In summer all streams are dry except the Lerna springs.” In the south-eastern corner of the plain of Argos, on the west and lowest and flattest of those rocky heights which here form a group, and rise like islands from the marshy plain, at a distance of 8 stadia, or about 1500 m. from the Gulf of Argos, lay the prehistoric citadel of Tiryns,* now called Palaeocastron. * According to Professor Mahaffy, “The etymology of Tiryns is unknown, as is also the language from which it was borrowed, for the form is not Greek — all such endings losing one of the closing consonants. Thus, in Greek, Tirys would have been the necessary form. All the endings in a? (avros) are a proof of this. The few instances in Cretan dialect of the violation of this phonetic law are hardly in point, much more, however, the sister forms Kdpiv^os, ZaKwOos, Hepiv^os, which show that TipwOo? was a possible form, as we actually find it in two places cited below. There seems even to have been an avoidance of the nominative, as if TtpwOo'i had not been generally accepted, while Tipwg was felt to be barbarous. The dictionaries cite Treipivs and eA/xtvs, as if such words existed in Greek. In neither case do we find any but oblique cases (v-eipivOa, lA/xicrt) in use.” Professor Mahaffy is therefore disposed to refer the form Tipw5 to late grammarians, framing it by analogy from the oblique cases (Tipw^a, &c.) occurring in classical writers. Professor E. Curtius {Peloponnesos, II. 567) thinks it related to the Latin iurris. Professor C. T. Newton considers it the remains of a very ancient form, but refers me to H. L. Ahrens {De dialecto Porica, Gott. 1843, p. 107) who regards Ttpws as the Argive (?) or Cretan form ; also to Paulus Cauer’s Delecttis Jnscr. Gmc., who cites several Cretan words, inserting an v in the nom. and accus., ex. gr. Trdvaav, vTrdpxova-av, KaOia-rdvaa; also to G. Curtius’ Studien (Leipzig, 1871, p. 78, and Leipzig, 1875), where we see that the accusative as comes from a primi- tive avs, Tos from tovs, from xapievs, anima from animans. But all these show precisely the change which Professor Mahaffy postulates. Professor Sayce, of Oxford, thinks also that the probable Ttpvs was a Doric corruption of a prehistoric and pre-Aryan Tipw^, which dates from the days of the older inhabitants of the Peloponnesus, before the Greeks reached it, and he can find neither an Aryan nor a Semitic derivation for it. [The i6 EARLIER NAMES. [Chap. II. It was held in the highest veneration as the birthplace of Herakles, and was famed for its Cyclopean walls, which in ancient days were regarded as a miracle, Pausanias indeed places them side by side with the Pyramids of Egypt, saying, “Now the Hellenes have a mania for admiring that which is foreign much more than that which is in their own land, and thus the most eminent writers have agreed to describe the Pyramids with the greatest minute- The earliest occurrence of the actual form Ttpups is in the fragments of the so-called Skylax, pp. 19, 49 j fJ-eTa Se AaKeSaifjLova ttoAis eo'Tiv’’Apyo5, Kai iv avTrj NavTrXta ttoAis kul XLfjLrjv • ev /iCfroyeia Se KAetovat Kal M.VK^vai Kal Tt/DW9. [After Lacedsemon comes the city of Argos, and at it the city and harbour of Nauplia. In the interior are Cleonae and Mycenae and Tiryns.] The date of the fragment is very uncertain and may be very late. The form Ttpm'^os occurs in Apollod. II. 7, 18, and in Hesiod’s Scutum, 81 : rjXde, XnrwvTipvvOov ivKTLfievov irroXUBpov. Lobeck (Paralip. 167) wishes to read TipvvBa here. The town appears at first to have been called Likymnia, for Strabo (VIII. 373) says that a citadel of this name lay 12 stadia from Nauplia, which agrees exactly with the distance from Nauplia to Tiryns. Strabo does not indeed expressly say that he means Tiryns ; but this appears clearly from a passage in Pindar (01. 7, 47) : Kal yap ’ AXKp.’fp'as Kaalyv-prov v6Bov CKairrip Bivoiv aKXripas iKaias %Krav’ iv Ti- pvvdi AiKvp.i'ioy, iABSvr’ iK 8akdp.ov MiSeas rds Se iroT6 oiKiar^p xoA&ifleh. [For he (Tlepolemus) in anger slew with a club of hard olive in Tiryns the bastard brother of Alcmene, Likymnios, sprung from the chamber of Midea (Tlepolemus being) once the founder of the town (Tiryns).] Apollodorus (II. 8, 2) confirms this, saying, however, that he slew him by mistake : T. ovv, Kreiva^ ov^ €Ku)V AiKvp,viov, rrj ^aKrrjpia yap avrov BepaTrevovTa ttAijctcovtos vTri?>pap,e. [T. slew Likymnios by mistake, who ran under his stick as he was striking a servant.] Eustathius says the first name of Tiryns was Halieis or Haleis, as fishermen first settled on that rock. This is repeated by Stephanus Byzantinus, sub voc. Ttpws : ’EKoAetTO 8c Trporepov 'AAieis 8ia to ttoAAovs 'Ep/xtovea? dXievop.€i'ovs oikuv avTov. (It was first called Halieis, because^many fishermen frcm Her- mione settled there.) E. Curtius, however (Pelop. II. 567), thinks this to be probably a confusion with the later refuge of the Tirynthians in Halike. According to Pausanias II. 25, 7, the town was called after Tiryns, a son of Argos. Chap. II.] PAUSANIAS ON TIRYNS. 17 ness, whilst they bestow not a word on the treasure-house of Minyas or the walls of Tiryns, which nevertheless are fully as deserving of admiration.”^ Even Homer expresses his admiration by the epithet Tet;ytoecrcra, which he bestows on Thebes — “ For those that held Argos and the walled Tirynth.” t Eustathios remarks on this Homeric passage (//.VI. 559) r^v 8e T. TCL-^Loecrcrav Xeyet Sta to ev TeTeL-^icrOai. Pausanias says further of the walls of Tiryns, “The surrounding wall, which is all that remains (of Tiryns) was built by the Cy- clopes. It is formed of unhewn stones, each of which is so large, that a yoke of two mules could not move the smallest from its place ; the interstices are filled with little stones, in order to fix the great stones more firmly in their beds.”| The stones of the surrounding wall are on an average about 2 m. in length and 0*90 m. broad, and to judge from the existing remains the entire height must have been about 15 m. Had the blocks been hewn, they would cer- tainly have disappeared centuries since ; they would have been used in building the neighbouring towns of Argos and Nauplia, but the gigantic size of the blocks and their roughness protected the walls ; for later builders found it easier and more convenient to hew out their own materials from the foot of the rock, than to disturb the walls and break up the colossal stones. The quarry from which the blocks of the wall of Tiryns * Paus. IX. 36, 5 ■ TXA.tji/£s Be d/)a £tcrt SeLvol to. virepopia iv 6 avp.aTL TiOecjOaL p.ei^ovi ^ to. olKelti, ottote ye di'Spacrtv ewK^avea-iv es ervyypaefiijv TTupa/AtSas p.ev rds napa Puyvirrloi^ eTrrjXOev e^rjyrjcraa-Oai Trpds to OLKpi^eaTarov, Orjaavpov Be tov Mii/dou Kal to. Tel'^ ra ev Tipvvdi ovBe ittl fipa^^u ^yayov p.vi'jp.'q';, ovBev ovra eXarrovo^ 6 avp.aTO^. t II. II. 559 : di B' "Apyo? T el)(ov TipvvOa re Tef)(i6e(T(Tav. f Paus. II. 25, 8 : To 8^ TeL)(0<;, o Brj p.6vov tC>v epeiwimv XeiTrerai, KVKXc'miuv pev eocviKL Kavovi Kal rvKOL's 7jpp.o(Tpiiva (TTpeTTro) (TiSypm (rwTpiaivd>a-LXa. IT Euripides, /p/iig. Atil. 152. ** Ibid. 265. ft Ibid. 1 5 00- 1. Chap. II.] CLASSICAL ALLUSIONS TO TIRYNS. 19 (I go to Mykenae ; I will take bars and spades, to destroy with worked iron the threshold of the Cyclopes, which is well joined with rule and hammer of stone.* * * § ) Seneca says of the walls of Mycenae, Again, majus mihi Bellum Mycenis restat, ut cyclopea Eversa manibus saxa nostra concidant. cerno Cyclopum sacras Turres, labores majus humano decus ; And finally: Ulixes ad Ithacae suae saxa sic properat, quem- admodum Agamemnon ad Mycenarum nobiles muros.f We cannot, however, reasonably doubt that walls built of large blocks received the name of Cyclopean walls, zvithoiit any historical ground, from the fabulous Lykian race of the Cyclopes. Tiryns is also called Ku/cXcuTrta Trpodvpa,^ “ Cyclopean court we also find TipwOlav TTpo<; kXltvv “ at the slope of T.,” where Herakles casts Iphitos from the top of the towering plateau (0.77’ aKpa<; TrupywSou? 7rXa/cd?).|| It is specially to be remarked that in Hesychios we hear of Tirynthian brick building {Tipyudiov nXivOevpia), which agrees, as will be seen below, remarkably with the construc- tion of the great palace I excavated there. The great towers of Tiryns, of which one still stands on the east side, may have occasioned the fame of the Tirynthians as the inventors of tower building (cf. Aris- toteles and Theophrastus in Pliny, H. N. VII. 56.) ^ Theophrastus relates that the Tirynthians had an extra- ordinary inclination to laughter, which made them useless * Euripides, Herakles furens, 943-946. t Seneca, Epistul. Mor. Liber VII. Ep. 4 (66). f Pindar, Fragm. 642, ed. Bockh. § Sophocles, Track. 270, 271. || Ibid. 273. IT The first attributes tower-building to the Cyclopes, the second to the Tirynthians. C 2 20 TIRYNTHIAN LAUGHTER. [Chap. II. for all serious work : he adds, “ The Tirynthians desired to overcome their inclination to laughter, and consulted the oracle how they might do so. The god replied that the evil would disappear if they could, without laughing, sacrifice an ox to Poseidon, and cast it into the sea. The Tirynthians, who feared that they should not succeed in obeying the god’s commands, ordered that no children should be present at the sacrifice. One child, however, had heard of the affair, and strayed in among the crowd. The child was being driven away and scolded, when he suddenly cried out, ‘ Are ye then afraid that I should overturn your sacrifice ? ’ Hereupon all burst out laughing, and the Tirynthians were convinced that the god desired to teach them that a long-indulged habit is not easily shaken off.” * Although the legend of the Cyclopes points rather to Asia Minor than to the Phoenicians, as Prof. A. H. Sayce remarked to me, yet I must observe, that according to the Odyssey,! the Cyclop Polyphemus is a son of Poseidon, and as Mr. Gladstone has ingeniously argued,J a con- * Theophrastos apud Athenaeum, VI. 261 : Tipw^tous Se pa(TTo^ fv rw Trepi KioyauStas (^iXoye'Acos dVras, a^uov; Se TrposTa (nrovSaioTepa TU)V irpayp.aT(i>v, KaTacfivyuv eirl to ev AcAc^ots pavrecov aTraXXayrji^ai jSovXo- pevov% Tov TTcldovg, Kal Toy Oeoy dveAetv aurotg, yy (^voyrei t<3 Hoo'eiSaii/i Tavpoy dyeXacrTt TotToy epjSdXwaiy ets ttjv OdXaTTay, TravcredOai . ot §c SeStdrcs py] Sta- pdpTisXTL TOV Xoyiov Tov^ TTaZStts fKtvXvo'ay Trapetyai Trj OvcrLa . pa9u)V ow ets Kat (rvyKaTapi^OeL<;, eTretVrcp e/Somy dyreXavyoyTe^ avToy, tl hrjT ; ecfyr], ^cSoixare pr] TO crffidyiov vpCoy dyaTpeij/iv ; yfXaadvTOiy Se IpaOoy epyo) top ^edp Su^ayTa (I)S dpa TO TToXv^poyioy ydos dpy'j'^ayov to-Aos /col ’Eper/xfus HovTevs Te Tlpwpevs re, &6(iiv 'AvafiT)alvew% re 'Ap. eKarepwv, TroXirat yap koX crvyyei/eis yjcrav, eVotry^?; ravTij p.vrip,a ev KOtvw. Strabo, VIII. 372 : Try p.ev ovv TcpwOc oppL-rjTrjpCio ^prj(Ta(T6ai BoKel IIpotTos Kai Sia EvkAcottcov, ovs errTa p.ev elvai KaXeurHai Be yacrrepo- r^et/ras rpecftop-evov^ eK rey^vry?, -^Keiv 8e p.eTairep.TrTov<; Ik AvKias • koX ictcds TO. anry'iXaia to. Tvepl ryjv NaorrAiav Kai Ta ev avrois epya toutojv eVcivv/io. eiTTiv. t II. VI. 1 5 5-1 94. Anteia’s love for Bellerophon is also mentioned by Apollodorus, II. 3, i, and Tzetzes, Lykophron, 17. X I quote from the prose translation of Messrs. Lang, Leaf, and Myers (Macmillan, 1883). “Then spake she lyingly to King- Proitos : ‘ Die, Proitos, or else slay Bellerophon, that would have converse in love with me against my will.’ So spake she, and anger gat hold upon the King at that he heard. To slay him he forbare, for his soul had shame of that ; but he sent him to Lykia, and gave him tokens of woe, graving in a folded tablet many deadly things, and bade him show these to Anteia’s father, that he might be slain. So hired he to Lykia by the blameless convoy of the gods. Now when he came to Lykia and the stream Xanthos, then did the King of wide Lykia honour him with all Chap. II.] THE DAUGHTERS OF PROITOS. 33 and Antiope, or Stheneboia or Anteia, begat Megapenthes and three daughters, Lysippe, Iphinoe (or Hipponoe), and Iphianassa (or Kyrianassa),* or, as some sayf only two, Elege and Keliine. When these maidens grew up, they were punished with madness, because they had laughed at the statue of Hera, in the temple at Argos.;|; They were afterwards cured by Melampous, who caused them to be bathed in a fountain, or treated them with fumigations of asphalt.|| Upon this, they married him and his brother Bias.^ Their dwellings were below the fortress, towards the coast, and were still existing in the time of Pausanias.'** There now remains, however, no trace of them. On account of the morass, it is impossible that they could have been subterranean. King Proitos is also mentioned by Pindar,'j”j' and it was his heart. Nine days he entertained him, and killed nine oxen. And when on the tenth day rosy-fingered dawn appeared, then he questioned him and asked to see what token he bare from his son-in-law, even Proitos. Now when he received of him Proitos’ evil token, first he bade him slay Chimaira, the unconquerable. Of divine birth was she, and not of men, in front a lion and behind a serpent, and in the midst a goat ; and she breathed dread fierceness of blazing fire. And her he slew, obedient to the signs of heaven. “ Next fought he the famed Solymi ; this, said he, was the mightiest battle of warriors wherein he entered. And thirdly, he slew the Amazons, women peers of men. And as he turned back therefrom, the King devised another cunning wile ; he picked from wide Lykia the bravest men and set an ambush. But these returned nowise home again ; for noble Bellerophon slew them all. So when the King now knew that he was the brave offspring of a god, he kept him there, and plighted him his daughter, and gave him the half of all the honour of his kingdom.” * Serv. I. I. t ^dian, V. H. III. 42. f Apollod. II. 2, 2. § Strabo, VIII. 533; Ovid, Met. XV. 325; cf. Pans. VIII. 18, 3. II Clemens, Srpto/xaTas, VII. 713; Voss on Virgil, Ed. VIII. 82. IT Apollod. II. 2, 2. ** JJ_ 25, 8 : KaxaySdvTO)!^ 8e ws cttI Oakacrcrav ivravOa ol OixXajxni Tuiv Hpotroi; Ovyarepwv flatv. tt Pindar, A^em. X. 77, 78 : ViKa(poplais yap oVais Upolrov t 6S' llTTTOTpoipUV S(7TU ddATpOTeU. L) 34 TIRYNS BECOMES A VASSAL OF ARGOS. [Chap. II. apparently after him that one of the gates in Boeotian Thebes was named Proitean * * * § (IluXat JlpoLTov or IlvXat TTpotriSes), As to the name Proitos, which appears to us distinctly not Greek, Eustathios says {Iliad VI. 157), and he is surely wrong ; 6 8e ITpotros eru/AoXoyta Trpo'LTr}TLKo<; (jiaLperaL' eivaL Kal 6pp.7jTLa<; dvro tov Trpdiivai' Slo Kal Sia Sicjido'yyov ypa^erai. Proitos was succeeded by his son Megapenthes, who exchanged his kingdom for that of Perseus, king of Argos, son of Danae, daughter of Akrisios, and mythical founder of Mycenae.l He was followed by his son Elektryon, the father of Alkmene, mother of Herakles, who, as well as his father, is said to have dwelt at Mycenae.;]: Elektryon resigned the kingdom of Tiryns and Mycenae to Am- phitryon, son of Alkaios, and grandson of Perseus and Andromeda. § Amphitryon married Alkmene, mother of Herakles, but was driven out by his uncle Sthenelos, son of Perseus and Andromeda, j] who now became King of Argos, Tiryns, Mycenae, Mideia, and Heraion.^ Sthenelos and Nikippe, the daughter of Pelops, begat Eurystheus,** who became King of Mycenae, and as the myth relates, laid upon Herakles the twelve labours. The latter con- quered Tiryns, and resided there for a long time, in consequence of which he is commonly called the Tiryn- thian.fl On the return of the Herakleids, which all ancient traditions agree in placing about eighty years after the Trojan war, Tiryns, Mycenae, Hysim, Mideia, and other * ^schyl. 377, 395; Euripides, Phcen, 1109. + Paus. II. 16, 3 ; Apollod. II. 4. X Apollod. II. 4; Paus. II. 22, 8 ; II. 25, 9. § Apollod. II. 4; Hesiod. Saa. Here. 86. II Homer, 11 . XIX. 116. IT Apollod. 1 1 . 4. ** Ovid, Met. IX. 273 ; cf. Her. IX. 25. ft Pindar, 01 . IX. 40 ; Ovid. Alet. VH. 410; Virgil, Ain. VH. 662. DATE OF TIRYNS AND MYCEN^’S DESTRUCTION. 35 towns were obliged to submit to Argos, and lost their independence. Tiryns remained nevertheless in the hands of its Achaian population, and, together with the town of Mycenae, sent 400 men to the battle of Platasa.* Conse- quently the name of the Tirynthians was inscribed, together with those of all the other Greek citizens who took part in this battle, on the bronze pedestal of the golden tripod, which the Spartans offered as a tenth part of their spoil to the Pythian Apollo at Delphi, and which now ornaments the Maidan at Constantinople, opposite the Byzantine Plip- podrome. The fame which Tiryns thus acquired is said to have aroused the jealousy of the Argives, who had taken no part in the Persian War, and who besides began to regard the town as a dangerous neighbour, particularly when it fell into the hands of the revolted slaves (Fujavijcrtot), who for a long time held their own within its Cyclopean walls, and ruled the country around. At last the insurgents were overcome,! but shortly after (Olympiad 78, i, or 468 b.c.), the Argives are said to have destroyed the town, ruined a portion of the surrounding Cyclopean wall, and forced the Tirynthians to settle in Argos.^ According to other accounts they fled to Epidaurus. § But I cannot here resist quoting the learned dissertation of Professor Mahaffy, ‘ On the Destruction of Mycenae by the Argives,’ \\ from which it appears, beyond all doubt, that the destruction of Mycenae and Tiryns by the Argives should be placed at a very much earlier date. “ No one seems to have found any difficulty in the state- ment of Diodoros, which Pausanias repeats, that the town of Mycenae was destroyed by the people of Argos aftei' the Persian Wars, though I fancy most scholars, when they first come to attend to it, are surprised that the ancient * Herodot. IX. 28. t Herodot. VI. 83. X Paus. II. 17, 5; VIII. 27, I. § Strabo, VIII. 373. 11 In the Dublin University Journal, Hcnnathma, V. pp. 60, sqq. D 2 30 DATE OF TIRYNS AND MYCEN/E’S DESTRUCTION. city of Mycenae should have lasted so long in close neigh- bourhood to Argos, and yet have made so little figure in Greek history. I suppose any doubt of this kind is allayed by the recollection that Herodotos mentions eighty Myce- naeans as having joined the Greeks at Thermopylae, and that he also enumerates both Tirynthians and Mycenaeans among the cities or tribes of Greeks which were inscribed on the pedestal of the tripod at Delphi as joining in the repulse of the Persians. The actual pedestal at Constan- tinople confirms him, for we read in the list Mu/cai^e? and TtpypOiOL, and thus the existence of Mycenaeans and Tirynthians up to the year 470 b.c. is beyond all doubt. “ I have, nevertheless, grave suspicions whether either historian has given us a true account of the matter, and therefore propose the following hypothesis, to invite dis- cussion. If 1 have overlooked any decisive evidence, I hope it will be put forth in refutation of my conjecture. I will first quote all Pausanias’ statements on the point, but will group them into two classes, irrespective of their order, for the sake of more convenient discussion : — II. 15, 4. “ But I shall give the cause of the settlement, and why the Argives afterwards expelled the Mycenaeans. 1 6, 5. But the Argives destroyed Mycenae through jealousy ; for when the Argives remained neutral at the invasion of the Medes, the Mycenaeans sent to Thermopylae eighty men, who shared with the Lacedaemonians in their deeds [this is inaccurate]. This ambition brought them destruc- tion, by inciting the Argives.”* “Then follows (Pans. II. 16, 6) the famous passage about the ruins, and about the tombs of Agamemnon and Pausanias, II. 15, 4: alriav re ypdtpw tov oiKtcr/AOi), Kal Si r'jVTLva TTpofjiaaiv Apytioi WvKTjvaiov; vuTtpov dviaTrjcrav. II. 1 6, 5. MuKryms Si Apyiioi KaOelXov vtto ^ijAoTUTrtas ’ r](TV)(a^ovTwv yap tQiv ’ApyetW Kara Tr/v eVicrrpaTeiav roO MtJSou, M.VK7]vaioi Trip-Trovcnv ets ©ep/xoTruAas oySor'jKovTa dvSpas UL Aa/ceSai/xoviots p-erea-^uv Tov Ipyov [inaccurate] • tovto j^veyKi (jt^KTiv oXeOpov TO (jii\oTip7]pa Trapo^vrav ’Apyetous. DATE OF TIRYNS AND MYCENAE’S DESTRUCTION. 37 his party, which Dr. Schliemann has brought into such fresh notoriety. “ Pausanias, V. 23, 2. [In the list of cities inscribed on the monument of the victory over the Persians, which Pausanias saw at Olympia, and which appears not to have been an exact duplicate of that of Delphi.] ‘ But from the Argive country the Tirynthians, and the Plataeans alone of the Boeotians, and of the Argives those who dwelt in Mycenae.’ Pausanias, V. 23, 3 : ‘ Of these cities, the following were in our day abandoned : the Mycenteans and Tirynthians were expelled by the Argives after the Median invasion,’ &c.” * “For in the case of the Mycenaeans their strong fortress could not be taken by storm by the Argives (for it had been fortified in the same way as that of Tiryns [not accu- rate] by the so-called Cyclopes), but the Mycenteans were forced to abandon their city because food failed them. And some of them retired to Cleonae. More than half the people fled to Macedonia to that Alexander, to whom Mardonius, the son of Gobryas, entrusted the message to bring to the Athenians. But the rest of them came to Keryneia, and for the future Keryneia became more powerful through the increase of its inhabitants, and more distin- guished on account of the settlement of the Mycen^ans.'j- “Nothing seems more precise than this. Pausanias was * Pausanias, V. 23, 2 : £k Se riys ’Apyeta? Ttpw^tot, nAaratcis Se iJLovoi HoioiTiov, Kal ’ApyetW ol Mv/cvyms e^ovTfs. Pausanias, V. 23, 3. TOVTOJi' Twv TToAeoJV TOtTaiSe rjcrav iv MvKyvaMV. 38 DATE OF TIRYNS AND MYCENvE’S DESTRUCTION. evidently quite sure of his facts, though one of them — the participation of the Mycenacans in the battle of Thermopylm — was certainly wrong according to Herodotos. They went there, indeed, but retired with the other Greeks, who left the Spartans and Thespians with Leonidas. Apart from this, it seems, then, that the Argives were so jealous of the fame of Mycenae on account of this glorious battle (at which Myce- naeans never fought), that they undertook the siege of the great Cyclopean fort, and having starved out the popula- tion of the place, which they could not storm, they drove them out of the land to Kleonac, Keryneia, and to Macedonia. The same lot befell the Tirynthians for the same reason, though Pausanias adds no details about the siege of their equally wonderful fort, which excited his loudest admiration. “ Herodotos corroborates the participation of Mycen- acans and Tirynthians in the Persian Wars, and says they together furnished four hundred men to the army of the Greeks, which fought at Plataca. He is perfectly silent as to the consequences of this act. “ Let us now examine a very different passage. ‘ But the Arcadians came together into Megalopolis to gain strength, as being aware that the Argives in olden times were almost every day in danger of war with the Lacedae- monians. But when they increased Argos in its popu- lation, abolishing Tiryns and Hysiae, and Orneae, and Mycenae, and Mideia, and whatever other place in Argolis was of no account, their relations towards the Lacedae- monians were more secure, and they gained strength as regards their country dependants {perioeci)' ^ Pausanias, VIII. 27, l J crwrjXOov 8e vnlp lcr)(yos es avTrjV [sc. rrjv MeydAr;]' TrdXti'] ol ’ApKciSes, are Kal Apyetovs iiriaTafievoi rd p,£v eri TraXaiorepa p.ovov ov Kara p-lav r/p-epav eKaaTrjv KivSwevoi'rag vtto AaKcSai- p.ovL(jiV 7rapa(TTrjvai tQ TroAe/xo), cttciS^ Be dv^pojTrajv irXrjOei to ''Apyos eTrrjv^7]crav KaToXvaavres Tipw&a Kal 'Ycrids re Kal ’Opvcds Kal Mwryvas Kal MiSeiay Kal el Si) ri aXXo iroXicrp.a ovk d^ioAoyov ev Trj ApyoAi^Si r)V, rd re UTTO AaKeSaLjaoyi'cDi' dSeearepa tois ’Apyeiots virap^ovra Kal dp.a ts rods TrepioiKovs laxyv yeyofxei'rjv aiTots. DATE OF TIRYNS AND MYCEN/^E’S DESTRUCTION. 39 “ This passage is corroborated by ii. 25, 6 and 8, in which the destruction of Orneas and of Tiryns is mentioned in the same way. Thus, in II. 25, 8, ‘But the Argives dispossessed the Tirynthians, wishing to have them as fellow-settlers, and to increase the power of Argos.’* “ This account appears not only inconsistent with the former, but contradictory to it. There the inhabitants of Mycenas are expelled, and added to the strength of other cities ; here, the special reason of the dispute is to secure more citizens for Argos, and to increase and consolidate its power. Any one who considers the conditions of the ques- tion for one moment will not hesitate to prefer this latter — a sound political view — to the sentimental story about Argive jealousy. The ctwolklo-ixos of the Argive territory was like that of Thebes, of Athens, and of Megalopolis ; and there can be no doubt that the importance of Argos in Greek history was wholly due to its early success in this most difficult and unpopular revolution. “ But is it possible that it took place a/^er the Persian Wars? I think not. In the face of the patriotic conduct of Tiryns and Mycenas, and at the moment of Argos’ greatest national unpopularity, any such attempt to destroy free Greek cities would have brought down the vengeance of all Greece. Moreover, early historians are silent about it. Plerodotos and Thucydides never allude to it. What is still more remarkable, the contemporary ^schylus, though composing plays which ought to have had their scene laid at Mycenae, never once mentions Mycenae, and transfers the palace of Agamemnon to Argos.f If the more * Pausanias, II. 25, 8. avecrTrjcrav Se Ka\ Ttpw^tous ’Apyetot, ctwoikovs TrpoaXal^etv /cat to ’Apyos tTrav^rja-ai OeXr'jaavTes. t “This mistake seems to have been noted by critics of an early date, for both Sophocles and Euripides mention and distinguish the two cities, though they seem to confuse the inhabitants. I was unable, when on the spot, to make out the picture suggested at the opening of Sophocles’ Ekctra, which seems, as it were, drawn on the spot, but is more probably 40 DATE OF TIRYNS AND MYCEN^’S DESTRUCTION. ancient city, whose inhabitants had fought with him in the great Persian struggle, had only lost its independence in his mature age, is such a curious ignorance on his part conceivable ? I think, then, that the (TvvoiKLa-^ 6 <; of the Argive territory must have taken place long before, and that Pausanias was misled by the monuments of the Persian War to transfer it to an impossible period. “ If we look back into earlier history, and consider at what time Argos was daily expecting an attack from Sparta, and found it necessary to strengthen its power, I think the most natural period will be not immediately after the Persian, but immediately after the Messenian Wars, that is, the second Messenian War, which was concluded in Ol. 29, According to our revised chronology, the develop- ment of Pheidon’s power at Argos must be placed close to this time, and it was probably the twenty-eighth Ol. which he celebrated with the Pisatans at Olympia to the exclu- sion of the Eleans. Of course the Spartans were bound to interfere, but the Messenian War must have greatly hampered their vigour. When this war was over, and Sparta had acquired new territory and prestige, the Argives must have expected that they would be the first to suffer. Hence I attribute to Pheidon, and to his policy, the con- solidation of all the smaller towns in Argos, and perhaps this may have been the secret of his greatness. “ But how then is the existence of Tirynthians and Mycenaeans during the Persian War to be explained? I suppose that these towns, though conquered, and their gods transferred to Argos, nevertheless continued to exist as or villages, but inhabited by Argive citizens, and that accordingly the descendants of the old inhabitants, who took the patriotic side, and had not forgotten their history, joined the Hellenic army under these obsolete names, which the nation was glad to sanction as a slight to a fancy sketch. But Mycenae is very prominent in it. Sophocles even wrote a play called MvKrjvaTai.” DATE OF TIRYNS AND MYCEN/E’S DESTRUCTION. 41 the neutral Argives.* The very small number of men they were able to muster (80 from Mycenae at Thermopylae, 400 from Mycenae and Tiryns together at Platasa) strongly corroborates this view ; for in that day the smallest Greek towns had a considerable armed population — Plataea, for example, had 600. It is very likely that the Argives were nettled at this conduct, and determined to efface these places altogether ; and this change, which was very unim- portant, as the real a-vvoLKLcrfio^ had been long accomplished, attracted little notice at the time, but gave rise afterwards to a distortion of history. “ I will quote, in conclusion, what seems to me a parallel case. Pausanias says,f that the Minyae of Orchomenos were expelled by the Thebans a//er the battle of Leactra. We know very well that the power of Orchomenos was gone long before, but the increased strength of Thebes, and some offence on the part of the subject city during the struggle with Sparta, determined its complete extinction by the Thebans. But this was no great siege or subjuga- tion of a free city. That had been done by the Thebans long before. So I believe the capture of the great fort at Mycenae probably occurred long before the Persian Wars. “ The explicit passage in Diodoros,J which seems at * “ Of course they need not have come directly from Tiryns and hlycence, but may have been exiles, who came together under the name of their old city.” ■f Pausanias, IV. 27, 10 : ’Op^o/xevtot 8e ot Mtviiat //.era, Trjv fid^^rjv TijV Iv AevKTpoLS €K7r€crovTe9 {iTTO @r]l3ai(j>v ’Op^ofievov KaTyxOTjcrav. f DiodorOS Siculos, XI. 65 : Mcra Bl ravra 'A6r]vr](TL pikv ijv dp\u>v ©eayevetSry?, Iv 8’ viraroL KaOeLcrTtjKeaav Aeiktos Alp.lKio'; Md/xepKOS Kai AevKio? SiTOvSio^ ’ lovAos, oXv/XTrtds 8’ etiSopLrjKoarTr) Kal oyBorj, KaO' rjv ivLKa a-rdSiov HappLevlBr]’; HocreLBdyvLdTrjs ‘ ctti Be tovtojv ’Apyeiots Kal Mv/cryvatois iveaTJ] TroXe/xos 8ta roiavras atrias. Mv/cr^vaioi Bid to TraXatov d^toj/xa T^9 i8ta9 7raTpi8os ovx vTn'jKovov tol? Apyetots dxnrep at XotTrat TroXets at Kara rrjv Apyetdv, dXXa Kar IBiav Tarropievoi rots Apyetots ov TTpocreixov ‘ rjpi(l>L(7/3y']Tovv Be Kal vepl rwy lepwy t^s '^Hpas, Kal tov dycova tov Nep-eatov yjiiovv eavTOVi' BioiKeiy ' Trpos 86 rodrots drt Twy ’Apyettov i/'j/t^taapteViov p.y avpip-ax^iy fts ©ep/xoTTxXas rots AaKeBaipioyiois, eay px; pepos t^s i 7 yepovtas 42 DATE OF TIRYNS AND MYCEN/E’S DESTRUCTION. first sight a conclusive corroboration of the ordinary view, only strengthens my conviction that it is wrong, Diodoros is precise about the date. He says that in the 78th Ol. (468-4), while the Spartans were in great trouble on account of a destructive earthquake and rising of the Helots and Messenians, the Argives took the opportunity of attacking Mycenae. But they did so because Mycenae alone of the cities in their territory would not submit to them. This distinctly asserts that all the other towns, such as Tiryns and Midea, had been formerly subdued, and con- tradicts Pausanias. Diodoros then enumerates the various claims of Mycenae to old privileges about the Heraeon and the Nemean Games, and adds what Pausanias says about Mycenaeans joining the Greeks at Thermopyl®, alone among the Argive cities. The share taken by Tiryns with Mycen® at Plataea seems unknown to both authors. But after long waiting for an opportunity, the Argives now collected a considerable force from Argos and the allied cities, and made war upon Mycenae — upon Mycenae, which was only able, jointly with Tiryns, to supply 400 men at avTOLS TrapaSwcri, p,6voi tujv T7]v ApyetW KaToiKOvvTwv aw€p.d)^r}(Tav ol MvKyvaToL rots AaKeSat/xovtots ' to Se cvyoXov vTrwTTTevov auroos /J-yTrore Icr^vo-ayTes «7rt TrXeov ry? r;ye/AOVias dfXfjncr^yTycrtDcn rots Apyetois 8id to TTaXaidy (f)p6yyfji.a rys ttoAcws ' 8td 8y rauras rd? alrlas dAAoTptojs 8iaKelpLeyoi vrdXai p,€y €0'7r€v8oy apai ryy ttoXiv, tote Se Kaipoy evderoy ^eiv iyopn^oy, opwyre^ tovs AaKe8aip.oyLOVs TeraTreivco/eeVovs koi fty 8vyap,€yovs Tois MuKT^vaiots /SoyOtiy * d^poib’avres ovy d^LoXoyoy 8vyap.vy (.k t€ ^Apyors koI e/c rmy avp.p.a)(L8wy TroXewy io-TpaTeviray tir avrov?, yiKyaayTes Se tov<; MvKyyai'ovs Kal ctryKAeicravres evTOS TU)(wy iiroXiopKOvy ryv ttoAiv ' ol Se MvKyyaioi xpoyoy p.ey Ttva tovs rroXiopKovyras evToyw; ypivyoyro, p,eTa Se Tuvra XeiTTop-eyoi tw TroAepw /cat Twy AaKeSatpovtW p.y 8vyap,eya)y (ioyOycrai Std ToSs iStovs TToAepov? /cat ryy e/c t<3j/ aetap-Qy yeyopiyyy airots a'vp(^opdy, uXXdjy S’ ovK oyTdiy avpp-d^oyy, ipypLa Twy iTnKovpovyrow Kara Kpdro^ yXo)cray ' ol Se ’Apyetot rows Mv/cr/ratous dv8pa7roStcrdp,eT/ot /cat Se/cctT/^v e’^ avrdiy tw 0«S KaOiepdxrayrei', rd^ Mt)/cA«S KareaKaipay " avry piev ow y TrdAts eoSatpo/v ev Tots dp^aloi^ )(p6yois yeyopiyy Kal peydAoos di/Spas (xpvaa kul Trpd^ei'i u^toAdyoos iTrireXeaapeyy, roiavTyy ecr^^e ryy Karaa-Tpocfiyy, Kal Stepetver doiKyros p^xpi Twy KaO' ypds xf)6ywy. [ 1 his tOO is false, cf. below, p. 47-] DATE OF TIRYNS AND MYCENAL’S DESTRUCTION. 43 Plataea, and which, when unaided, sent 80 men to Ther- mopylae ! The Argives first defeated them in battle, and then besieged the fortress, which, after some time, through lack of defenders (which is indeed credible), they stormed. Here again Pausanias is contradicted. Diodoros con- cludes with stating that they enslaved the Mycenasans, con- secrating a tenth of the spoil, and levelled the town with the ground. “ I think my theory is perfectly consistent with the criti- cal residue which may be extracted from this passage. It is probably true that the Argives chose the opportunity of a Messenian war to make this conquest, but it was the second, not the third, Messenian war. It is probably true — nay, I should say certainly true — that they levelled the houses of Mycenas with the ground in the 78th Ol. ; but this was not their first conquest of it. If they enslaved the then inhabitants, this harsh measure was probably by way of punishment for the impertinence of a subject town in sending an independent contingent to a war in which the sovereign city had determined to maintain a strict neu- trality. That the facts related by Diodoros should have caused no general comment throughout Greece, or that no early echo of it should have reached us, seems to me in- credible. There is a possible corroboration of Diodoros’ statement that Mycenae was the last conquered of the subject cities in the Homeric Catalogue, where Tiryns is mentioned as already subject to Argos, while Mycente is the capital of Agamemnon. But even when that Catalogue was compiled, Argos had conquered all the seaboard of the Argolic peninsula, and Mycenae lies at the extreme south of the territory (chiefly Corinthian and Sicyonic) which is assigned to Agamemnon. Possibly the traditions were still too strong for the poet to make Mycenae subject to Argos, but he plainly denies any hegemony of Mycenae over the Argive plain.” Such is Professor Mahafly’s theory, published before 44 DATE OF TIRYNS AND MYCEN^'S DESTRUCTION. my excavations at MycenaB and Tiryns had brought archaeological evidence to bear upon it. Professor A. H. Sayce draws my attention to a passage in Homer, which, in his opinion, appears to support this hypothesis, and categorically to refute the statements which Pausanias and Diodoros have borrowed from Ephoros.* The latter appears to have fallen into error with regard to the era of Pheidon of Argos, for according to Theopompos, and Diodoros apud Syncellum, ‘ Chroiiicon^ p. 262, he belongs to the beginning of the ninth century before Christ, with which also the Pa.rian Chronicle, Ep. 31, agrees. The tiomeric passage is as follows: — “ Tlien Hera, the ox-eyed queen, made answer to him : of a surety three cities are there that be dearest far to me, Argos and Sparta and Avide-wayed Mycens, these lay thou waste, whene’er they are found hateful to thy heart ; not for them will I stand forth, nor do I grudge thee them. For even if I be jealous, and would forbid tliee to overthrow them, yet will my jealousy not avail, seeing thou art far stronger than I.”t According to Professor Sayce, it appears that Homer in this place implies the destruction of at least one of the three towns named by him, and as Argos and Sparta were not destroyed, the destroyed city could be no other than Mycenae. Sayce concludes from the word StaTrepo-at that the destruction must have been complete. If such is the case, the citation from Homer gives us the highest proof that Mycenae as well as Tiryns must have been destroyed * Professor Sayce, who has carefully examined the fragments w’hich remain of Ephoros, is of opinion that these fragments, as well as other indications, show that Diodoros had copied some portions of his account, word for word, from Ephoros, and in large part had reproduced the writings of that author. t It. IV. 50-56 : Tb;' S’ TjfielPer’ eirena ySocDiris ir6Tvta "Hpr/ ■ ijTOi ifxol Tpetj /xiv ttoSv (p'lXTaTa'i dci TroArjej, "Apyoi re ’S.irdpTf) re Kal evpvdyvta MvKrjvt] ■ rds SiaTrepffai, St’ &v toi dire'xS&Ji'Tai irfpl Krjpt ‘ rdoov otjTOi iyw irpdffd’ 'la'rap.ai, ovSe nfyaipco ‘ eprep yap t€ Kal otiK elw SiaTrt'ptrai, ouK dyvu) (p6oyeov(T’ ' iirdl] iroAi; 'pcprepoi taai. DATE OF TIRYNS AND MYCEN^’S DESTRUCTION. 45 at a very early date, for, as I have already shown, Tiryns had long before Homer’s time lost its independence, and become a vassal of Argos. Now this hypothesis finds remarkable confirmation in the monuments of Mycenae and Tiryns. I would remind the reader of what I have written in my work Mycencc^ on the destruction of the wall of the Acropolis of Mycenae. “ On the west side the Cyclopean wall has been nearly demolished for a distance of 46 feet, and on its interior side a wall of small stones bound with earth has been built to sustain its ruins. It must remain mere guesswork when the Cyclopean wall was destroyed and the small wall built ; but at all events this must have occurred long before the capture of Mycenae by the Argives in 468 b.c., because the small wall was buried deep in the prehistoric debris." PAirther, I would remark that the following inscription found in Mycenae, of whicn we know with certainty that it ToSEI7‘>o^)eM belongs to the sixth century before Christ, is scratched upon a fragment of that lustrous black laccjuered Hellenic pottery which must be at least three centuries later in date than the archaic terra-cottas which are found in Tiryns and Mycenae everywhere, on the surface of the ground, and which must necessarily have been in common use at the time of the destruction of both towns. I further recommend to the particular attention of archaeologists the numerous very ancient idols found by me in Tiryns and Mycenae, either of simple female figures, or in the form of a female with horns starting at both sides of the breast, or in the form of a cow. In Mycenae I found these even in the uppermost archaic strata. In Pp. 1 1 6. 46 DATE OF TIRYNS AND MYCENAE’S DESTRUCTION. Tiryns I found them everywhere in the rooms of the great prehistoric palace occupying the entire upper citadel. It is therefore to be assumed as certain that these idols were still in universal use at the time of the destruction of the palace of Tiryns as well as at the destruction of Mycenm. It appears to us, however, incredible that the tutelary goddess of Tiryns and Mycenae was still in the fifth cen- tury before Christ represented in this most ancient form ; almost equally improbable does it appear to us that at such a comparatively late period the rude knives and arrowheads of obsidian were still in use, which are found in very large quantities of very primitive form in Mycenae as well as in the citadel of Tiryns, inside and outside the palace. There can be no doubt that in the Homeric poems Hera is a woman without any of the characteristic marks of a cow, the only remembrance being preserved in the title )8o&)7n9, hallowed by the use of centuries, which yet in Homer cannot be held to signify more than “large-eyed.” It is to be assumed with certainty that in the time of Homer the habit of representing Juno in cow’s form, or with characteristic cow features, had long passed away ; and therefore a pre-Homeric date must necessarily be ascribed to the catastrophe of the great destruction of Mycenae and Tiryns. In fact, when I consider the char- acter of the monuments discovered by me, and the absence of all coins or inscriptions (save that above) of early date, to which Professor Mahaffy has called particular attention, I have no hesitation in ascribing the destruction of both towns, not to 468 b.c., but to the time of the Doric Migration, and the ruin of Mycenae and Tiryns by the Herakleids would explain to us the remarkable fact that Orestes did not rule in Mycenae, and that tradition only gives us an account of the very ancient kings of both towns, of whose further fate we know nothing. In my excavations at Mycenae I brought the most jjositive proofs to light that the place was re-settled, pro- Chap. II.] THE LATER CITY OF TIRYNS. 47 bably, as the pottery indicates, from about the beginning of the fourth to the beginning of the second century before Christ.* In the Acropolis of Tiryns, on the other hand, we found even on the surface, numerous sherds of painted prehistoric pottery, which during the excavations were brought to light in immense quantities, whilst in spite of most diligent search on the upper and middle terraces we failed to find a single potsherd of Hellenic or Roman time. We found, on the contrary, in the excavations of the gate- way on the east side of the Acropolis many potsherds of this kind, as well as broken pieces of roof-tiles, an iron spearhead, and other articles of iron, from which it appears to me certain that this road was roofed over in Greek or Roman times, and served for habitation. At the same period there may have been some small houses on the lowest terrace of the citadel, for there also we found remnants of roof-tiles, as well as occasional late Greek or Roman potsherds. Though we may assume with certainty that, since the destruction, in far prehistoric days, of the palace of the ancient kings of Tiryns, its site on the upper citadel has never been profaned with human dwellings, it has never- theless once served for the higher purpose of Divine worship, for on the south end we brought to light the foundations of a little Byzantine church surrounded by many graves. (See Plans I. and II.) There was, indeed, in classical times a town of Tiryns which stretched around the citadel on the site of the lower town of the more ancient Tiryns. This is proved by the numerous shafts which I sank round the citadel, in which I found near the surface Hellenic potsherds, and, in the lower deposit, painted and monochrome prehistoric terra-cotta fragments, together with knives and arrowheads Cf. Mycaice, p. 63. 48 CYCLOPEAN BUILDINGS IN THE ENVIRONS OF TIRYNS. of a very primitive form of obsidian. This is also shown by a small treasure of bronze coins discovered some twenty- five years ago on the east side beneath the citadel, which, as the Director of the National Collection of Coins at Athens, M. Achilles Postolaccas maintains, belong mostly to the fifth [?"] century before Christ, and perhaps partly to the Macedonian period, and have on one side a head of Apollo, on the other a palm with the legend Ti, tirvn or TIPYNGinN. * Of the history of this newer Tiryns, we know however, if possible, even less than of that of ancient Tiryns, for it is mentioned by no ancient author, and must, to judge from the Tirynthian coins, of which none is more than a centimetre in diameter, have been a small poor town. To the south-east of Tiryns, at the foot and to the east of a steep rock called Castron, which is 203 m. high and crowned with a chapel dedicated to St. Elias, lies a small church, dedicated to St. Taxiarchis. This stands on the site of a Cyclopean building, of whose huge unhewn blocks, many have been built into the church, but the greater part yet lie without m sitit. Many similar blocks, which one may see south of the church, leave no doubt that many buildings once stood here. And I further think that in the village Spaitziku (cf. the map of Argolis), which is about three miles south-east of Tiryns, one may recognize in the rough-hewn limestone blocks I m. 20 long by i m. 10 broad, the foundations of a prehistoric building, which may date from the days of the glory of Tiryns and Mycenae, for the neighbouring fields are strewn with painted prehistoric potsherds. Of the neighbouring towns, which certainly flourished contemporaneously, and probably also were destroyed at the same time as Tiryns and Mycenae, I must allude to * Cf. A. de Courtois in Ranie monismatique, 1864, p. 178 sqq., and 1866, pp. 153 sqq.-, Weil in Alfred von Sallet’s Zeitschrift fiir Numismatik, I. pp. 217 sqq. Chap. II.] THE PREHISTORIC CITADEL OF ASINE. 49 the citadel of the old town of Asine, which lay about eight kilometres to the south-east of Tiryns on the sea-shore (see the map of Argolis), of which the walls, partly built of neatly fitted polygonal blocks and partly of layers of trape- zoids uneven in level, are still better preserved than those at Tiryns. Colossal towers, projecting about 7 m. and 12 m. broad, give the walls an imposing appearance. The terrace of the fortress, where apparently most of the buildings stood, is 37*50 m., the highest point 50 m., above the sea. On the terrace are still evident the foundation walls of numerous chambers, formed of unhewn Cyclopean stones. In the middle of one of these, which is 5*80 m. long and 3 *30 wide, may be seen a great rough hewn stone 0*62 m. in diameter, in which is a hollow o'24m. long, 0*10 m. broad, and 0*15 m. deep. In many places the rock is skilfully smoothed for building purposes ; there is also a large cistern hollowed out in pear shape, whose opening is i m. in diameter ; there are besides three smaller cisterns. Asine was the old town of the Dryopes, and is mentioned in Homer’s Catalogue.* According to Strabo,! Diodorus^ and Pausanias,§ viz., according to the same authorities who record for us the conquest and destruction of Tiryns and Mycenae by the Argives, Asine was also destroyed by the Argives, who spared only the sanctuary of Apollo Pythaeus, and united the territory of the town to their own. On the Acropolis of Asine are found extra- ordinary masses of potsherds of that painted prehistoric kind peculiar to Mycenae and Tiryns, and which, though * Iliad, II. 559, 560 : O'i 5’ ‘'Apyos t’ eixoy Tlpvydd re reixdecraav, 'Ep/xiSyTiy, ’Afflvriv re, fiaQvv Kara k6k-kou exoixras. X Diodoros, IV. 37. t Strabo, VIII. 373. § Paus. II. 36, 4; IV. 34, 9. E 50 THE CYCLOPEAN WALLS AT NAUPLIA. [Chap. II. exposed to the open air for thousands of years, have lost little or nothing of their freshness, also very many saddle- querns of trachyte, corn-bruisers, &c., rude hammers of diorite or granite, and great masses of knives and arrow- heads of very primitive form, made of obsidian. Together with these is to be found black and red lacquered late Hel- lenic or Roman pottery, which points to a later settlement. In any case, the fortress must have been occupied in the late Middle Ages, for in many places one sees in the walls and towers considerable repairs dating from the Venetian period. Only four kilometres south of Tiryns there lay, and still lies, on a small peninsula stretching westward into the bay, and connected by an isthmus with the mountain chain which encloses the Argive plain, the town of Nauplia, now TO NavTrXLov, with an excellent harbour on the north side. As already mentioned, it was founded, according to legend, by Nauplios, a son of Poseidon, and appears, as we have seen by its origin, to point to a connection with the Phoeni- cians, who may have built the town as an outpost against the inhabitants of the plain. It is very likely that Nauplia flourished at the time when the King of Tiryns still ruled in his palace, for in the walls of the old Acropolis, now called Itsch-Kale, are to be seen important remains of the old Cyclopean sur- rounding wall, which is built of perfectly fitting polygons, and is therefore probably, like the walls of Asine, of a somewhat later date than those of Tiryns. The heaps of dibris which occur in some places in this fortress are not suited for archaeological research, for they were brought here from other places to form batteries in the time of the insurrection of 1862, and contain a mixture of pottery from the Roman period, the Middle Ages and modern times. I could not find in them a single preliistoric potsherd. Chap. II.] CAVES, ETC., OF CYCLOPEAN ARCHITECTURE. 5 i The son of Nauplios, Palamedes, had a sanctuary on the high steep rock.* The fortress upon it bears his name, which, strange to say, the Frankish conquerors found in use as the name of a mountain. This name also, as Curtius thinks,! certainly not invented in the Middle Ages, but kept alive by oral tradition from the days when the Heroon of this mythical hero stood there. The old town, which is mentioned by Herodotos ^ and Skylax,'^ was, according to Euripides and Strabo, || the haven of the Argives, but of no great importance, partly in consequence of the transference of the inhabitants by the Lacedse- monians to Mothone, at the close of the second Messenian War, about the 29th Olympiad.^ In the time of Pausanias it was in ruins and deserted.** Strabo says, “ Hard by Nauplia are caves and the labyrinths constructed in them, which are called the Cyclopean.”!! However in Nauplia, nothing is known of caves, whether with or without labyrinths. Outside the town, in spite of long search, I have not been able to find any trace of them. I imagine therefore they exist in the western slope of the rock of the old Acropolis, and are concealed by the houses of the modern town of Nauplia. And I venture to conjecture that these caves, with the labyrinths of Cyclopean architecture, may contain the graves of the ancient Kings of Tiryns, for in the imme- diate neighbourhood of Tiryns there is nothing to point to their existence. I am the more disposed to believe this, because, on the north-east side of Nauplia, at about the distance of a mile, there have been discovered a number of * Ernst Curtius, Pelopomiesos, II. 390. t Ibid. X Herodotos, VI. 76. § Skylax, p. 19, ed. Huds. II Euripides, Orestes., 54 ; Strabo, VIII 368. IT Pausanias, IV. 24, 4; 27, 8 ; 35, 2. ** Ibid. II. 38, 2. +t Strabo, VIII. 368 : Se rfj NavTrXt^ ra (nrrjXaia Kal ol iv avTots oiKoSofjLrjTol Xa^vpivOoi, KuKXcljTreta 8 ovojjid^ovcnv. E 2 5 ^ PANORAMA SEEN FROM TIRYNS. [Chap. II. small graves of the beehive form, together with a dromos^ whose construction completely corresponds with that of the so-called treasure-houses of Mycenae, and the painted terra-cotta vases and idols found in them are also entirely of the same character as those of Mycenae and Tiryns.* The panorama which stretches on all sides from the top of the citadel of Tiryns is peculiarly splendid. As I gaze northward, southward, eastward, or westward, I ask myself involuntarily whether I have elsewhere seen aught so beautiful, and mentally recall the ascending peaks of the Himalayas, the luxuriance of the tropical world on the Islands of Sunda, and the Antilles ; or, again, I turn to the view from the great Chinese wall, to the glorious valleys of Japan, to the far-famed Yo-Semite Valley in California, or the high peaks of the great Cordilleras, and I confess that the prospect from the citadel of Tiryns far exceeds all of natural beauty which I have elsewhere seen. Indeed the magic of the scene becomes quite overpowering, when in spirit one recalls the mighty deeds of which the theatre was this plain of Argos with its encircling hills. The view given as frontispiece is taken from the north side of the royal palace explored by me, of which the ruins may be seen in the foreground. Of the view in the background. Dr. H. Lolling has kindly furnished me the following description, which also completes the panorama on the other side : — “ Looking from the Citadel of Tiryns southward, you see, as appears in our panoramic view (cf. Frontispiece), straight before you the long Palamidi rock with its three tops, of which the westernmost is crowned with the striking Venetian fort, commanding all the surrounding country. Joined to this by a narrow saddle there projects westward into the Argolic Gulf the precipitous cliff of old Nauplia, * Cf. H. Lolling’s account of excavations at Palamidi in the Mit- ihciliingcn des Dcutschc?i Arcluiologischcn Instifuts, V. 143, sqq. Chap. II.] PANORAMA SEEN FROM TIRYNS. 53 now called Itsch-Kale, and clothed on the south side with the so-called Frankosyki®. In the gulf is the small rocky island of Burzi, on which the Venetian fort is now the residence of the public executioner, who is here watched by a picquet of soldiers day and night. On the west side of the gulf are the bleak chains of mountains, through which the way leads southerly over the Zavitza mountains, an arm of the Parthenion, to the district Thyreatis, so long contested by Sparta and Argos ; to the westward a good carriage-road goes by Hysiee (now Achladokampos) and the Byzantine fort of Muchli into the rich Alpine plain of Tegea. As we look, the top of Zavitza lies right beyond the island fort of Burzi. The mountain chains traced in fainter lines, and appearing to join Palamidi to the south in our panorama, belong to the district of Kynuria ; they are parts of the Parnon chain (now Malewo), reaching down to Cape Malea. The mountain next Zavitza, on the right (north), which also reaches the Argolic Gulf, is Pontinos, from the point of which, at the ‘ mills of Nauplia,’ the great spring of Lerna bursts a full river from the rock.” “ So far our panorama reaches. Let us now, standing on the rock of Tiryns, let our eyes wander northward over the Chaon range, where the already-mentioned great fountain-head of Kephalari rises, to the fine acropolis of Argos, standing out from Lykone into the plain, with its well-preserved mediaeval fort. Above the lower hills stretches the long ridge of Artemision, across which two steep paths, the Prinos way and the Klimax way, lead over to Mantinea. Past the fort of Argos, and beyond the large village of Kutzopodi, the eye reaches to Mount Kelossa, on the north of which was the district of Phlius. The hills which here bound the Argive plain to the north-west meet the Treton ridge at Mycenae. Between them is the principal pass in-land from the plain of Argos, the pass of Dervenaki, which connects the land of Argos with that of Kleonm, and so with Korinth. Connected with Treton 54 PANORAMA SEEN FROM TIRYNS. [Chap. II. are the mountains in the west near Mycenae and the Heraeon, and further south the western outposts of the gigantic Arachnaeon, to the south of which a deep, sheltered valley reaches to the famous shrine of Asklepios in the land of Epidauros. The southern spurs of Arachnaeon approach the Palamidi, and so conclude the great circle of mountains which stand like a protecting wall round the Argive plain.” ( 55 ) CHAPTER III. The Objects of Terra-cotta, Stone, etc,, found in EXCAVATING THE LAYERS OF DEBRIS OF THE OlDEST Settlement in Tiryns. As was before mentioned,* according to Eustathios and Stephanos Byzantinos the first name of Tiryns was Halieis or Haleis, as fishermen first settled on the rock ; and, as a matter of fact, my excavations have discovered on various parts of the hill, especially on the middle terrace (Plan I,), clear traces of a very ancient shabby settlement, which must have anticipated the building of the great Cyclopean walls and the royal palace. We are indeed badly informed about the style of building and plan of these oldest houses of the primitive settlement. Their floors, preserved in many places, were of beaten-down clay, and in this quite different from the floor of the palace, built together with the Cyclopean walls on the upper citadel, for this is always of lime concrete. The most important traces of the oldest settlement we found at the south-west corner of the middle citadel, where we discovered, 3 ‘30 m. under the last step of the communicating staircase (Plan II.), the clay floor, show- ing deep marks of a conflagration, of a room, two of whose walls made of clay and rough stones remained to a height of o‘75m. So also the pottery of the oldest settlement (with the single exception of cups) was in form, workman- ship, and decoration quite distinct from that used by the inhabitants of the palace, from which we collected many whole vessels and a vast heap of fragments. These latter are, with few exceptions, turned on the wheel, painted, and * p. 16. 56 ANALOGOUS PREHISTORIC POTTERY. [Chap. III. in general very like those I found at Mycenae, * and are also analogous to those found in the deepest strata of the Acropolis of Athens, | at the foot of the temple of Demeter at Eleusis, in the bee-hive tomb of Menidi,|: in the tombs of Spata § and Alikij| near Chasani in Attika, of Nauplia,^ of Salamis,** of lalysos at Rhodes,ffin Knossos (Crete). This pottery of the primitive settlers at Tiryns belongs to the stage of the last four prehistoric towns excavated by me at Troy,'^'^ as well as to the stage of the settlers on the site of the tumulus of Protesilaos on the shore of the Thracian Chersonese,|||| and like the very ancient pottery found in the Necropolis of Antiparos. * Cf. Schliemann, Mycence (London, 1878). t This pottery is to be seen in the Museum of the Acropolis. f Das Kiippelgrab bei Menidi, Alittheilungen des DentscJmi Archdolo- gischefi Instituts in A then (1880), p. 5. § Cf. Schliemann, Mycence, XLIII. ; also the 'KOtyaiov (1877), VI. 167-172; Mittheihingcn des Deutschen Archdologischen Instituts iti Athcn, II. 82-84 and 261-276; Bulletin de Correspondance hcllenique, I. 261-264,11. PI. XIII-XIX. pp. 185-228; A. Milchh'diei, die Museen Athens, pp. 102-104. II Dr. H. Lolling informs me, that the excavations at Aliki and the pottery discovered therein, will be discussed in the forthcoming con- tinuation of Ad. Furtwangler and G. Loscheke’s Thongefdsse. H 'A.0l]vaiov (1878), VII. 183-201; (1879) VIII. 517-526; Mitthei- lungeti des Deutschen Archdologischen Instituts in Athen, V. 143-163. ** These tombs were discovered by Capt. A. Miaoules, Director of the Arsenal at Salamis, on the N. of the island, and their contents are in his house near the arsenal. tt Archiiologische Zeitung {i?)"] 2,), pp. 104-105 ; Charles T. Newton, Essays on Art, p. 284, sqq . ; Gazette arch'cologique, V. (1879), PI. XXVL XXVII. p. 202; Frangois Lenormant, Lcs Antiquites de la Troade, II. 34; Albert Dumont et Jules Chaplain, Lcs Ceramiques de la Grece propre, PI. III. pp. 43-46. Albert Dumont et Jules Chaplain, Les Ceramiqties de la Grece propre {VMi?,, 1881), pp. 64, 65. §§ Cf. Schliemann, Ilios (London, 1880) pp. 264-586, and Schlie- mann, Troja (London, 1884), pp. 52-192, III! Schliemann, Troja, pp. 254-262. HIT The excavations of the prehistoric Necropolis on the island of Antiparos were made in the spring of 1884 by Mr. J. Theodore Bent, and the pottery he found is now provisionally in the British Museum. Chap. III.] DIFFERENT POTTERY— DIFFERENT RACES. 57 The wide contrast of the pottery of the two settlements on the rock of Tiryns in form, technique, and decoration are the clearest evidence that they belong to totally different peoples. For, as my friend George Dennis well remarks ; * “ The several styles of art of the same race at different periods are bound to one another like the links of a chain ; and it is impossible for a people, after having wrought out a style of pottery which had acquired among them a sacred and ritual character, to abandon it on a sudden, and adopt another style of a totally different character. A people may modify, develop, perfect, but can never utterly cast aside its own arts and industry, because in such a case it would deny its own individuality. When we find, therefore, between two styles of art so many and such strongly pronounced discrepancies, that it becomes impossible to perceive the most remote analogy between them, it is not enough to attribute such diversities to a difference of age, or stage of culture ; we can only ascribe them to different races.” If therefore we believe the oldest colonizers of Tiryns to have been the first inhabitants of the land, we may with great probability attribute the later settlement, to which the great palace and the gigantic Cyclopean walls belong, to that great Asiatic people, which about the middle of the second millennium before Christ, covered the whole of the mainland of Greece, as well as the islands of the Ionian and AEgean seas, with settlements, and which had already attained a high level of culture. f Passing on now to a closer description of the objects discovered, I begin with those belonging to the earliest Tirynthian settlement, and exhibit in No. i a small hand- * The Cities and Cefneteries of Etruria (2nd ed., London, 1878). This passage is repeated from llios, p. 279. t Compare pp. 22, sqq., what is said of the settlements of Phoe- nicians in Greece. Compare also Max Duncker, History of Greece (London, 1884), Vol. 1 . chap. iv. 58 THE EARLIEST POTTERY. [Chap. III. made shell-shaped vase, covered with reddish-yellow clay, and more baked than is usual.* * * § It has on each side of the body an excrescence with two vertical perforations, and brings, therefore, before us exactly the most common type found in the first town at Troy,f but which is also found in the second, or burnt town. J The holes at the sides, which were repeated in a corre- sponding position in the covers, § served as well for suspen- sion as for closing the vases by means of a string.]] A like arrangement is seen in the vase of green basalt. No. 2, of which the rim is somewhat raised ; the bottom is No. I. — Hand-made terra-cotta vase with double pierced excrescences at the sides. Half size. Depth 4 m. wanting. Vases of bluish-grey stone appear in the beehive tomb at Menidi,^ of black granite in Mycenae,** in Spata,ff * The depth at which this and all other objects illustrated in this work were found, was always noted on them by the inspectors of the excavations, and I only repeat their statements without vouching per- sonally for their accuracy. t Compare Schliemann, Ilios^ pp. 214-5, Nos. 23-5; Troja, p. 32, No. 3. X Ibid. Jlios, p. 363, Nos. 282-3. § Ibid. p. 215, No. 26. II Compare Ilios, pp. 356-7, and No. 252. H Das Kuppelg)-ah bei Metiidi, published by the Deutsches Archaol. Institut at Athens (Athens, 1880), pp. 20, 23, 25, PI. IX. Nos. 5, 6, 7. Cf. Schliemann, Mycence, pp. xlvi-xlvii. ft Ibid. Chap. III.] THE EARLIEST POTTERY. 59 and in the Acropolis at Athens. The specimens found at Mycenae and Spata have holes for suspension at the sides. A further example, with similar arrangement for suspen- sion and closing, is represented in Plate XXIII., under Fig. d. It was found at a depth of 2 m., and is a hand- made spherical vase, of well-cleaned green clay, only 3 mm. thick, covered over with a shining black glaze. In the narrow neck, which is only 4 cm. in height, there is on the right and left side a vertically perforated excrescence for suspension. We found, besides, fragments of hand-made bowls, of No. 2.— -Vase of green basalt, with double vertically bored excrescences at the sides. Half size. Depth 4i to 5 m. grey, coarse and slightly baked clay. They have a broad, horizontally projecting brim, with two vertical perforations on each side, which was made separately and joined on while the clay was yet moist. The vessel was then polished, and before baking was repeatedly dipped in a solution of red clay, by which means it took both on the inner and outer side a brick-coloured tint. Vases with similar vertically bored excrescences on both sides, are rare everywhere, except at Troy, and only a few are found in the most ancient settlements. The National Museum at Athens has but one such vase, which was found in Attica, and is numbered 2185. The small collection in 6o ANALOGOUS EXAMPLES. [Chap. IIL the French School at Athens of pottery from the island of Thera (Santorin), found under three layers of pumice and volcanic ashes, contains three hand-made vases provided with the same arrangement for suspension. We see the same on many fragments of hand-made vases which I found in my excavations in Boeotia.* * * § Several other hand-made vases of the same kind are to be seen in the collection of prehistoric antiquities, provisionally placed in the British Museum, which were dug up by Mr. J. Theodore Bent, from the prehistoric Necropolis on the island of Antiparos.'j' In the royal tombs at Mycenae I found a fragment of a similar vase of terra-cotta, J as well as many perfect examples in gold.§ Fragments of similarly designed terra- cotta vases were found by Dr. Max Ohnefalsch-Richter in his excavations in Cyprus. The Museum of St. Germain- en-Laye contains several fragments of the like hand-made vases, of which one was found in a cave in Andalusia, and three others in dolmens in France; and also the casts ot two other such fragments, of which the originals, preserved in the Museum of Vannes, were found in the dolmen of Kerroh, near Locmariaker. The Royal Museum of Northern Antiquities in Copenhagen contains three hand- made vases, closed with lids, and sixteen separate vase lids ; || the Royal Museum at Stockholm, three vases on the same plan. Fragments of similar vessels were found in the caves at Inzighofen, on the Upper Danube.^ The collection of * Cf. Schliemann, Qrchotne 77 os, Leipzig, i88i, p. 40, No. 2, and p. 41, No. 3. t J. Theodore Bent, Prehistoric Graves at Antiparos, in the Atheticeum of May 3rd, 1884. f Cf. Schliemann, Mycom, p. 158. § Ibid. p. 205, No. 318; p. 206, No. 319 ; p. 207, No. 320-2. II T. T. A. Worsaae, Nordiske Oldsaerer (Kjobenhavn, 18^9), PI. XIX. Nos. 95, 98 ; PI. XX. No. 99. H Ludwig Lindenschmit, Die VatcrldndischcJi Alterthiimer der Hohen- zollerschcn Sammhaigen (Mainz, i860), PI. XXYI. Nos. 7, 8. Chap. III.] ANALOGOUS EXAMPLES. 6 1 Babylonian antiquities in the British Museum contains a portion of a hand-made earthen vessel, and the collection of Assyrian antiquities in the same institution three entire hand-made vases of the same system. This design is also to be seen on a hand-made vessel from Cyprus, in the Louvre, on the fragment of a vase in the collection of Count Bela Szechenyi in Hungary,* as well as on a hand-made vase found in a cone-shaped gravx, called in German Htinen- grab, at Goldenitz in Mecklenburg, which, under the number 1094, is preserved in the Grand-ducal Museum at Schwerin. Further, the Museum at Parma possesses two hand-made vases, found in the Terramare in Emilia, of which one has a single, and the other two, tubular holes on each side ; two similar hand-made vessels of the same origin and construction are in the Museum at Reggio (in Emilia). Two other hand-made vases with this system are in the Museo Preistorico in the Collegio Romano at Rome, of which one was found in the Terramare of Castello, near Bovolone (Province of Verona), and the other in the ancient lake dwellings of the Lake of Garda. A vase, also hand-made and with a similar arrangement, was found in an ancient grave at Corneto (Tarquinii), and may be seen in the museum of that town. The fragment of a similar hand-made vessel found in the Grotto del Fame, near Bologna, is in the prehistoric collection in the Bo- lognese Museum, f A similar hand-made vessel was found in a Terramare near Campeggine (Province of Reggio di Emilia). J There were also found in ancient graves near Bovolone, which are admittedly of the same period as the * Joseph Hampel, Catalogue de F Exposition p 7 -ehistorique des Musees de prointice et des collections particuUercs de la (Budapest, 1876), p. 71, No. 55. t Edoardo Brizio, La Grotta del Fame (Bologna, 1882), p. 20, PI. III. No. 17. X Bulldtino di Faletnologia Italiana, 1877, pp. 8, 9, PI. I. No. 3. 62 ANALOGOUS EXAMPLES [Chap. III. Terramare of Emilia, a pair of hand-made burial-urns, with vertical piercings for suspension at the side.'* A vase with the same arrangement, which was found in Umbria, is in the Prehistoric Museum at Bologna ; another from the cave of Trou du Frontal-Furfooz in Belgium, is in the Museum at Brussels. The Prehistoric Museum at Madrid contains five fragments of hand-made vases, with similar vertically perforated excrescences at the sides ; these were discovered in caves in Andalusia, inhabited during the Stone Age. Another fragment of similar design, also from an Andalusian cave, is in the Museum at Cassel. A hand-made earthen vessel with vertically perforated ex- crescences, found in the Landdrostei of Liineburg, is in the collection of the Historical Society for Niedersachsen in the Museum at Hanover. The splendid private collection of Senator Friedrich Culeman in Hanover likewise contains a hand-made vase of the same kind. A box made in the same way, with vertical perforations on both sides, in the brim and in the lid, was found in the district of Guben, in Prussia.f A hand-made terra-cotta vase, with vertical per- forations in the excrescences on the upper edge, as well as in the rim of the foot, w^as found in Platkow.J Several fragments of hand-made vases with vertically perforated excrescences w^ere collected in the excavations of the prehistoric settlement on the mount called “ Grosser Brucksberg,” near Kdnigsaue.§ Further, in Grone, near Gottingen, a hand-made terra-cotta pitcher, on which at each side are two strong, narrow handles, one above the other, with vertical perforations. || In a megalithic tomb at * Bulldtino di Paletnologia Italiana, (1880), pp. 182-192, and PI. XII. t Zeitschrift fiir Ethnologic, Organ der Berliner Gesellschaft fiir An- thropologic, Ethnologic und Urgeschichte, 1882, pp. 392-396. :}; Verhandlujigen der Berliner Gesellschaft fiir Anthropologic, Ethno logic und Urgeschichte; Sitzung 20 October, 1883, p. 426. § Ibid. Sitzung 19 July, 1884, pp. 360-362. II Ibid. Sitzung 20 October, 1883, p. 429. Chap. III.] FROM THE NEOLITHIC PERIOD. 63 Janischewek in Cujavien,* * * § a hand-made cup-shaped vessel, having on one side two flat excrescences with narrow vertical perforations ; in Faliszewo, the rim-fragment of a hand- made terra-cotta vessel, having a broad, flat, vertically per- forated Ansa lunata affixed ; f in Gussefeld, in the district of Salzwedel, a terra-cotta urn with a vertical and doubly- pierced broad ear. Further, the prehistoric burying- ground near the tile-yard of Tangermunde has yielded a certain number of similar hand-made vessels for suspension with vertically-pierced ears,§ and several hand-made vases of the same class were discovered in prehistoric graves at Wulfen, in the district of Koethen, || as well as in the oldest graves in a tumulus in Anhalt, in the neighbour- hood of Bernburg.^ The antiquities from this burial mound are preserved in the collection of the Historical Society of Bernburg. I would also mention a hand-made urn** found at Dehlitz, near Weissenfels, on the Saale. This specimen has on three sides vertically-bored projec- tions, and indeed on two sides they are double, one above the other, the lowest being close to the bottom ; on the third side there is only one. As in the German graves, which contain pottery of this class, objects of metal are extremely scarce, whilst bone implements and polished stones are characteristic and usual. Professor Rudolf Virchow, with great probability, attri- butes them to the Neolithic Period.|| I may add that the Museum at Breslau, under the direction of Dr. H. Luchs, possesses twelve or fifteen hand-made vessels, with vertically bored excrescences on two sides, which were found * Verhandlungen der Berliner Gesellschaft fiir Anthropologies Ethno- logie und Urgeschichtes Sitzung 20 October, 1883, pp. 430-432, and PI. VII. No. 2. t Ibid. p. 434. f Ibid. p. 437, note. § Ibid. pp. 438-442, and PI. VIII. Nos. 2, 4. II Ibid. p. 444. IT Ibid. pp. 445, 446. Ibid. Sitz. 28 November, 1874, p. 7. ft Ibid. p. 448. 64 EVIDENCE OF EARLY CONNECTION. [Chap. III. together in prehistoric graves in Silesia. And the Museum at Prague, whose director is Herr Vrtiasko Ant. Jaroslav, possesses one vase of the same design found in Bohemia. The Prehistoric Collection in the Museum at Geneva contains some fragments of vases found in France,* which are provided with the same vertical perforations for suspension. Finally, I mention that the Greek Archeological Society has found a great number of very small and very ancient hand-made terra-cotta vases, only 2-4 cm. high, in the excavations made in Eleusis, at the foot of the Temple of Demeter, of which very many have on two sides vertically pierced excrescences for suspension : also one somewhat larger vessel, with the same arrangement, and many still larger which have but a single perforation for suspension at the foot and rim. I particularly draw attention to the fact, that I here refer only to those vessels which have perpcndicidar tubular rings or holes for suspending and for shutting up, not of such as have horizontal perforations, for these are very common, as well in the Swiss lake-dwellings as in Germany, France, England, Denmark, and particularly in the island of Cyprus. Are then these vases with vertically perforated excres- cences, which, as we have seen, occur frequently in the debris of the oldest settlement of Tiryns, commonly in the oldest stratum at Eleusis, by thousands in the prehistoric towns of Troy, often in the neolithic period in Germany, and here and there in settlements of the stone age in Italy, France, Spain, &c., proofs of direct connection ? “ I am not prepared to affirm that these are proofs of a direct connection. That question can only be settled when the countries of the Balkan peninsula shall have been more thoroughly investigated archacologically, a thing which The locus of the find is not stated. Chap. 111 .] HANDLED JUGS. 65 is urgently to be desired. But even if a real connection should appear, the question will still remain open, whether the current of civilization set from Asia Minor to Eastern Europe, or the reverse way ; and since the former is pre- sumably the more probable, little would be gained hence for the chronology of Hissarlik.” * No. 3 represents a hand-made one-handled jug of globular shape, belonging to the first settlement of Tiryns. It is made of rough brick-coloured clay, baked through and through, unpainted, and has an upright neck with No. 3- — Hand-made one-handled jug. Size 1:2. Depth about 3! m. wide projecting spout, cut in a crescent form ; the base is small and flat. Vases with a similar spout are very common in the burnt as well as in the fourth town of Troy.f Another specimen found by Mr. Bent in the prehistoric necropolis on the island of Antiparos, may now be seen in his collection, which has been temporarily placed in the British Museum. No. 4 represents a hand-made jug, slightly baked, of dark * Rudolf Virchow’s Preface to Schliemann’s J/Zm, p. xiii. t Cf. Schliemann, I/ws, p. 384, No. 357 ; p. 387, No. 364; p. 388, No. 365 ; p. 551, Nos. 1161, 1162. F 66 HANDLED JUGS. [Chap. III. brown colour, which before baking was washed over with a solution of finer clay ; it has a handle, the better to secure which there is at the top a knob-shape projection. Besides this, there is a larger excrescence on each side of the body for the purpose of steadying the vessel between two stones No. 4. — Jug with projections on the sides, and handle. Size 1 : 2. Depth 5 m. on the fire. The spout is broken away. Vessels with similar projections on the body are common in Troy.* In No. 5 I exhibit a hand-made, slightly baked vessel, in the shape of two shells laid together. It is formed of very coarse brown clay, which, previous to baking, was washed over with a fine brown clay, and ornamented with white lines stretching irregularly from the neck to the middle of the body. The vessel had a handle on the back, but it has been broken ofi'. So far as I know, there have been in all but six similar vessels found. One by me in Ilium,! the second also by me in Mycenae; a third was discovered on the island of Amorgo. The two last may be Cf. Schliemann, Ilios, p. 388, No. 369. — Schliemann, Troja, p. 183, No. 91. t Schliemann, Troja, p. 216, No. 130. Chap. III.] OTHER HAND-MADE SPECIMENS. 67 seen at Athens, one in the Mycenaean Collection, the other in the National Museum. The three other vessels of this kind were found together with hut-urns, under a stratum No. 5. — Vessel in the form of two shells laid together, with white lines of decoration. Size 1 : 2. Depth 4 m. of peperino at Marino, near Albano, and are in the British Museum. I also exhibit in No. 6, a hand-made basin of coarse grey clay, 7 mm. thick. It is not painted. The outside, No. 6.— Basin of terra-cotta. Size 1:2. 4*50 ni. which was polished before baking, shows the simple brown colour of the clay. All round the edge, which projects slightly, may be observed an unbroken circle of round, concave impressions, which apparently were made with the finger before baking, while the clay was still soft. F 2 68 HAND-MADE JARS. [Chap. III. Fragments of vases with an exactly similar decoration have been found in a prehistoric settlement at Imola.^ No. 7. —Terra-cotta vessel with projections right and left. Size i : 2. Depth 4*50 m. No. 7 shows a hand-made vessel of coarse grey clay, 6 mm. thick, with projections right and left, not perforated. No. 8. — Fragment of brim of a large jar Size 1 : 2. Depth 4*50 in. which may have served both as handles, and to steady the vase between the stones on the fire. In No. 8 is represented the rim fragment of a large Edoardo Brizio, At/i e Memorie della R. Dcputazione di Storia Patria per le provincie di Romagna, III. Serie, Vol. II. fasc. 2 (Modena, 1884), p. 19, Tav. III. Nos. I, 2. Chap. III.] JARS WITH BANDS OF ORNAMENT. 69 hand-made jar with a projecting rim 52 mm. wide; it is made of coarse dark-brown clay, 13 mm. thick. Beneath the rim are two horizontal, parallel clay-bands, which were made separately, and kneaded on when the clay was still damp ; they are moulded in the surface like small coins, overlapping each other. Jars of this form, with similarly moulded borders, still occur in Peloponnesus. The cut No. 9 exhibits the fragment of the body of another large hand-made jar of very coarse grey No. 9. — Fragment of a large jar [niSos). vSize i : 3. Depth 3 m. clay, mixed with small pebbles, badly baked, 14 mm. thick. Two borders, each 35 mm. wide, pass horizontally round the body of the vessel. These are stamped in relief, and represent spirals, between which are ascending and de- scending boughs like twigs of pine. Although this object was found at a depth of only 2 m., yet I attribute it with great probability to the earliest settlement. The first settlers on the rock of Tiryns were, however, acquainted with the potter’s wheel, for the deep plate repre- 70 WHEEL-MADE SPECIMENS. [Chap. III. sented in No. lo, which was found by Dr. Ernst Fabricius at a depth of 5 m. on the cement floor of a small house of the oldest colonization, is decidedly worked on the wheel. This is of half-baked, rough yellow clay, unglazed, and therefore in every respect similar to the vast number of plates found in Troy.* Similar very rough, unpolished, wheel-made plates may be seen in the Assyrian, Egyptian, and Cyprian collections of antiquities in the British Museum, and, as I am informed by Professor Joseph Hampel, are found in the excavations at Magyarad, in Hungary. In Germany, Professor Virchow tells me they only occur polished. I consider it to be in the interest of knowledge that I No. 10.— Deep plate of terra-cotta. Size i : 2. Depth 5 m. should here give a description of the remaining characteristic pottery of the most ancient settlement of Tiryns, which is only represented by fragments. 1. Hand-made vessels, of coarse black clay, 5 mm. thick, the outside of which has been coated before baking with a crust nearly i mm. thick of fine dark-red clay. These vessels were polished both inside and out, before and after the baking, and thus they have a lustrous red outside and a shining black inside. 2. Large hand-made bowls with a turned-over edge of coarse greyish-yellow clay, which before baking were dipped in a solution of black clay, and are therefore black outside * Cf. Schliemann, Ilios, p. 408, Nos. 456-468. Chap. III.] FURTHER HAND-MADE SPECIMENS. 71 and inside. Others have been dipped in a red solution, and consequently are red. The upper surface of the edge in these last is in many cases painted black. The thick- ness of the clay of these bowls varies between 12 and 1 5 mm. 3. Very flat hand-made bowls, in form identical with that of the very numerous black bowls in the first town of Troy.* These are of coarse red clay, and before baking were dipped in a solution of black clay, and well polished on both sides, consequently they have outside a lustrous black, inside a lustrous red colour ; their clay-thickness is from 4 to 6 mm. 4. Small hand-made vessels of well-cleaned grey clay, whose thickness is only ai mm. ; they have been treated like the preceding, and have on the outside a lustrous black colour ; on the inside, which is not polished, the original dull grey of the clay. 5. Of the finer vessels of the earliest settlement I must mention the fragments of hand-made, one- or two-handled vases of fine reddish clay, whose thickness in one and the same vessel may vary between i and 4 mm, ; they are de- corated all round with a band of from 15 to 17 incised parallel lines. Before baking they were dipped in a solution of well-cleaned black clay, and several times polished, so that they have on both sides a shining black colour. 6. I mention besides the well-polished, hand-made vessels of coarse reddish clay, 6 to 8 mm. thick, which on the inside have the dull colour of the clay. But, on the outside, they are decorated above and below v;ith broad stripes of a very common red colour ; while, in the space between, run parallel horizontal brown lines and a cross line of the same colour. * Cf. Schliemann, Ilios, p. 228, No. 62. 72 FURTHER HAND-MADE SPECIMENS. [Chap. III. 7. Further, the fragments of hand-made, well-polished vases of fine clay, 7 mm. thick, outwardly of a rough, crumbling, brown colour ; inside, at the rim, runs a zig- zag line, and beneath it, on a light-yellow ground, a band of three parallel horizontal brown lines, 8. Also the hand-made vessels, of very coarse red clay, about 6 mm. thick, which are badly polished and unpainted. 9. Then the very numerous large fragments of hand- made vases, of very coarse greyish-yellow clay, about 7^ mm. thick, which had been dipped before baking in a light- yellow solution of clay, superficially glazed on the outside, and decorated by means of a very common dull-black or violet colour (apparently a clay-colour), with linear ornaments of the most varied patterns, and sometimes with spirals. The clay is, however, so coarse, and the polishing so imperfect, that many of the small pebbles in the clay project from the surface. 10. Further, the fragments of larger hand-made vessels of very coarse, ill-polished, unpainted red clay, about 7 mm. thick ; they have round the edge a separately made band of clay 30 mm. broad, about 8 mm. thick, which is ornamented with parallel crescent-shaped cuttings. 1 1 . Also the fragments of hand-made vessels of coarse reddish clay, 6 mm. thick, which apparently before baking were filled with a solution of well-cleaned clay ; the outside was not, however, dipped in it, for it retains the dull-red natural clay-colour, while the inside is dark red. 12. Again, other hand-made terra-cotta vessels, of grey clay, 5 mm. thick, the outside only of which was dipped in a solution of fine brown clay ; the inside has the natural grey clay colour. 13. There are also many fragments of vessels, turned on the potter’s wheel, of well-cleaned clay, of which, for examj)le, I may mention the jugs of brownish-yellow clay. Chap. III.] GOBLETS OF TERRA-COTTA. 73 which must have been filled before baking v/ith a solution of fine grey clay, and then placed in another of fine green, for inside they are grey, but outside, by polishing before and after baking, of a lustrous green, and of a beautiful appearance. 14. I wish particularly to draw attention to the hand- made goblets of black clay of similar manufacture, which are little or not at all polished, and therefore have a dull green colour ; fragments of them are frequently found. They have exactly the form of the goblets, which, in a broken condition, are found in vast numbers in the Palace of Tiryns, and of which I represent two in the following pages (cf. No. 27, and PI. XXI. Fig. _/). Strange to say, this is also in Mycenae the only existing form of terra- cotta goblets. In fact, the various examples from Mycenae and Tiryns show a variation only in colour and material. Whilst in the Mycen^an royal tombs, and in the lowest layers of dibris outside of them, as well as in the first settlement at Tiryns, we find these goblets of light-green colour with black spirals, still, however, hand-made ; in the higher strata of dbbris in Mycenae, and in the ruins of the Palace of Tiryns, we see them either of simple lustrous dark-red colour, of bright yellow with numerous stripes of various colours, or with no other colour but that of the light-yellow or white of the clay (No. 27, and MycencB, pp. 70-1, Nos. 83, 84, 88). Fragments of goblets of the latter category are very common in the Palace of Tiryns ; and in Mycenae they occur in such enormous quantities, that I could have collected thousands of their feet or stands. I found also five specimens in gold of this goblet in the Mycenaean royal tombs.* An exactly similar goblet, found in one of the most ancient graves in Nauplia, is in the Mycenaean Museum, and four specimens found in tombs in Attica, are in the National Museum at ■" Schlieniann, Mycaicp, p. 233, No. 343; p. 350, No. 528. 74 GOBLETS OF TERRA-COTTA. [Chap. III. Athens. There are also in the Acropolis Museum four goblets of similar form, and about thirty of the stands, as well as many other fragments of the same kind of goblet, which were found in the most ancient layers of d6bris on the Acropolis at Athens. One, found in a tomb on the island of Salamis by Captain Andreas Miaoules, is in his collection at Salamis. The British Museum possesses fifteen specimens of goblets of this form, of which one was found on the island of Kos, and fourteen (painted) in tombs at lalysos, in the island of Rhodes. The Museum of the Louvre possesses three painted examples from the island of Rhodes, the exact locality is not stated ; the same form of goblet occurs in Knossos in Crete,* as well as in the first town of Troy.| The Prehistoric Museum at Madrid contains four speci- mens of similar goblets, but without handles, which were found in caves inhabited during the Stone Age in Anda- lusia. Of goblets of similar form found elsewhere, I can only mention one from Zaborowo, in the collection of Professor Rudolf Virchow, and one from Pilin yet the handles of both these goblets are longer, and they have not the broad foot which is peculiar to all the other goblets here mentioned. 15. I also mention the fragments of hand-made vessels of very rough, greyish-red, slightly baked clay, 12 mm. thick, mixed with small stones, which before baking were placed in a solution of blackish clay, and there- fore have a dull black colour. They are ornamented with horizontal and vertical white lines from 5 to 10 mm. wide. * As Dr. Ernst Fabricius informs me, many examples of this goblet form have been dug up by Mr. Minos Kalokairinos on the site of Knossos. t Schliemann, //ios, p. 224, No. 51. f Joseph Hampel, Antiquites prehistoriqiies de la Hongrie, PI. XIX. No. 3. Chap. III.] TRIPODS OF TERRA-COTTA. 75 1 6. I must also mention the rudely-made ladles, about 25 cm. long, of coarse reddish clay, which I at first supposed to be the feet of large tripod vases, and only after long deliberation thought to be really ladles. My conjecture was turned into certainty, however, when Dr. Max Ohne- falsch-Richter showed me a photograph of an analogous ladle, found by him at Soli in Cyprus, the handle of which is pierced through near the end. 17. Finally, I must call attention to vase- feet con- stantly recurring in the debris of the most ancient settle- ment of Tiryns, which show that there terra-cotta vessels with three feet were in common use. Such tripods of terra-cotta appear by hundreds in the five prehistoric towns of Troy,* in fact most terra-cotta vessels have three feet. Professor Rudolf Virchow, to whom I sent some pot- sherds from the oldest settlement of Tiryns for examination, writes to me thus : “ The yellow colour of the pottery is only produced by baking. When the clay is black, the baking has had less effect. But all these pieces have been enveloped in smoke and impregnated with charcoal.” The famous chemist. Dr. Theodor Schuchardt of Gdrlitz, to whom I sent four potsherds. Nos. I.-IV., of the oldest settlement, and No. V. a portion of the wall plaster of the palace, also Nos. VI. and VII., two fragments of terra-cotta vessels found in the palace, kindly analysed them and sent me the following information : — I. Potsherd ; red : contains mainly silicic acid, clay, iron, lime, as well as small quantities of magnesia, and the faintest traces of kali. The same ingredients are * Cf. Schliemann, lUos , p. 220, No. 44; p. 227, No. 59; p. 295, No. 163; pp. 354-63, Nos. 251-281; pp. 529-545; Nos. 1018, 1019, 1022, 1025, 1026-1044, 1048, 1049, 1053, 1056, 1069, 1076, 1107, iiio, iiii, 1130, 1131; pp. 578-9, Nos. 1308, 1310; and Schliemann, Troja , p. 131, No. 55; p. 140, Nos. 68, 69; p. 144, Nos. 74, 75. DR. SCHUCHARDT’S ANALYSIS. 76 [Chap. III. contained in VI. and VII., which are labelled “pottery of the palace.” The analysis gave — I. VI. VII. Per cent. Per cent. Per cent. Per cent. Per cent. Per cent. Silicic acid 5 o ‘7 0 0 10 53'8o 53-75 53-3 53-15 Clay 27 • 0 27 • 10 28- 10 28-20 28-2 28-15 Lime . i 9'3 19-25 13-00 12-85 13-1 13-05 Oxide of iron . 2-7 2‘75 2 ‘ 4 S 2.50 2-7 2-75 99 '7 99’7 97-35 97-30 97-3 97-1 II. Potsherd ; black : silicic acid, clay, iron, traces of lime and magnesia. III. Potsherd ; grey with brown stripes ; silicic acid, lime, magnesia, carbonic acid, and traces of iron. IV. Potsherd ; light yellow with black stripes — same as III., but more iron. V. Wall-plaster of palace; silicic acid, lime, carbonic acid, and small quantities of clay. Dr. Schuchardt writes to me on the subject : “ With regard to the analysis, I have to announce to you that I have conducted the qualitative analyses of all the seven specimens personally, with repetition, as is necessary, in important matters. Of three of your specimens, two com- plete analyses give a perfectly satisfactory uniformity of result. Dr. Richter conducted them with the most scru- pulous accuracy. The quantitative analysis of II., III., IV., V., could not, on account of insufficiency of materials, be completed. Some substance containing carbonic acid must be present in considerable quantity ; this is the case with III., IV., and V. It is quite surprising that III. con- tains carbonic acid, whether as limestone pebble containing carbonic acid, or as carbonic magnesia, I do not venture to decide ; at all events the well-cleaned material effervesced strongly on pouring in acids.” Some idols of terra-cotta, of form similar to that repre- Chap. III.] ABSENCE OF IRON. 11 sented on Plate XXV., P'ig d, occur in the debris of the most ancient settlement; and also the object No. ii, which I also regard as a fragment of an idol. It is 6o mm. long, quite flat, and made of badly polished brown clay. The upper part of the body and feet are wanting. I conjecture that, like an idol found by me in Mycen® and preserved in the Mycenaean Museum at Athens, it had no head, but only two erect horn-like excrescences, of which I fancy we see the stumps. If this is so, then the two spirals attached No. II. — Fragment of an idol of terra-cotta. Almost No. 12. — Object of black stone. actual size. Depth 4 m. Actual size. Depth about 3 m. to it on the right and left may represent the breasts, and the central one the vulva. Although no object of metal has been found which I could with certainty attribute to this oldest settlement of Tiryns, yet I have no grounds to suppose that bronze and copper were unknown or unused ; on the contrary, I do not believe that the beautifully polished polishers and other objects of very hard stone, which I am going to describe, could be perfected without bronze tools. We may, however, assume with certainty that iron did not exist, for even in the upper palace of Tiryns I found none, and neither in the prehistoric ruins of Mycenae 78 OBSIDIAN ARROW-HEADS. [Chap. III. nor in those of Orchomenos or Troy have I ever discovered a trace of it. Of silex or chalcedony I found only a couple of knives or saws similar to those which I discovered at Troy on the other hand, there are numerous knives and arrow-heads of obsidian, like those represented under Nos. 104-111. The obsidian knives, of 1-6 cm. long and upwards, almost always two-edged and symmetrically formed, are quite similar to the Trojan knives of the same stone.j The arrow-heads (see Nos. 108-111) however, are rudely made, in fact, as rudely as the arrow-heads of silex found in the cave-dwellings of the age of the mammoth and the reindeer in the Dordogne in France, and to be seen in numbers in the Prehistoric Museum at St. Germain-en- Laye. I found, however, just such roughly finished arrow- heads of obsidian in my excavations in the prehistoric tumulus on the plain of Marathon, which previously had been wrongly regarded as the tomb of the 192 Athenians who fell in the battle of Marathon, 490 b . c .;}; But the most remarkable thing is that obsidian knives and arrow- heads, equally rude in form, are found in enormous quantities under the ruins of the royal palace in the upper citadel of Tiryns, and that obsidian knives of the same kind are found in equally great numbers in Mycenae.§ The many obsidian flakes and the nuclei which one finds in Tiryns and Mycenm, appear to show that these objects were manufactured on the spot. Most probably the obsidian was imported from the Cyclades islands of Milo or Antiparos,l| for, as far as I know, this kind of stone does not occur elsewhere in Greece. * Schliemann, //ios, p. 246, Nos. 94-7. + Hid. p. 445, Nos. 658-63. J Zcitschrift fiir Eihnologie, Organ dcr Berliner Gescllschaft fiir An- thropologie, Ethnologic and Urgeschichte, Jahrg. XVI. (1884), Heft II., pp. 85-88. § Schliemann, Myccnee, p. 158. II J. Theodore Bent, Researches amongst the Cyclades^ in the Journal oj Hellenic Studies, Vol. V. ; April and October, 1884, p. 52 : “ In the Chap. III.] STONE POLISHERS. 79 In the engraving No. 12, I represent an object of black stone, in form much resembling the Trojan idols.* Two different kinds of stone polishers for pottery were found. Of one kind only one specimen was discovered ; it is of very hard, fine, yellow stone, and extremely like the Trojan polishing stones.f The same form of polishing- stone occurs in Mycente, where I found six specimens of it. The other kind, of which I represent two specimens (Nos. 13 and 14), is in the form of a cylinder, with the centre contracted. The former (No. 13) is of black marble, No. 13. — Polishing stone of No. 14. —Polishing stone No. 15. — Polishing or grindstone black marble, speckled red of fine reddish marble. of fine black granite, with and white. Actual size. Depth Size 2:3. Depth white grains. Size 2 ; 3. Depth 4 m. 4J m. 4*50 m. speckled red and white, 37 mm. long, 27 mm. in diameter; the latter (No. 14) is of fine reddish marble, 40 mm. long by 25 in diameter. Four exactly similar polishers, found in the lowest debris of the Acropolis of Athens, are in the Acropolis Museum. richer tombs on Antiparos, knives and flakes of obsidian are very common. In Antiparos the inhabitants had their obsidian close at hand, for a hill about a mile from the south-eastern graveyard is covered with it.” * Scliliemann, Ilios, pp. 334-6, Nos. 204-222. t Ibid. p. 443, Nos. 645, 647. 8o STONE CORN-BRUISERS. [Chap. 111. Polishing and grinding stones of this kind of speckled marble, and black granite with white grains, in the form of a flat cone, or bell shape, were also found. The most remarkable is represented in No. 15 ; this is 75 mm. long, and at the lower end has a thickness of 53 mm. Saddle- querns of trachyte, in the form of a longitudinally divided egg, are occasionally found. These are common at My- cenffi,* * * § and abound in prehistoric Troy.f I found them also in the Tumulus of Protesilaus on the Thracian Chersonesus.J They are also often found in the Terramare of Emilia, and many may be seen in the Museum of Reggio and Parma ; others, found in the “ Caverna delle Arene Candide ” near Genoa, are in the Prehistoric Museum of the Collegio Romano at Rome. The Museum of St. Germain-en-Laye contains six similar hand- mills of sandstone, containing iron ; and the Prehistoric Museum at Geneva, four from the Swiss lake-dwellings. Many similar hand-mills of trachyte have lately been found in the lowest dibris of the Acropolis of Athens. I have already repeatedly shown, § that by pounding corn between the flat sides of two such stones, only a kind of groats, and not flour, could be obtained. With regard to the use of pounded corn, which could not be used for baking bread, I refer the reader to a long exposition in my last work, Troja. || Roughly cut, but sometimes fairly-well polished, almost globular stone tools, which are called corn-bruisers, were found in numbers both in the dbbris of the most ancient settlement and under the ruins of the palace. They con- sist of granite, quartz, porphyry, or diorite. In Mycenae I collected fifty similar tools ; three specimens found in the * Schliemann, MycaicB, p. 77. t Schliemann, I/ios, pp. 234, 447, Nos. 74, 75, 678. f Schliemann, Troja, p. 257. § Schliemann, Ilios, p. 234. II Schliemann, Troja, pp. 44-46. Chap. III.] STONE HAMMERS AND WHORLS. 8i ddbris of the Acropolis at Athens may be seen in the Acropolis Museum. These appear by thousands in the prehistoric towns of Troy,* * * § and are very common in the prehistoric sites of Germany, France, Hungary, and Italy; others found in the most ancient ruins of Chaldea are in the small Chaldean collection in the Museum of the Louvre. There were also found in the earliest settlement about a dozen hammers of primitive rudeness, made of diorite, silicious stone, or granite, the size and weight of which lead us to suppose that they were grasped by the hand, and not fixed in a wooden handle. In Troy such large stone hammers are so numerous, f that I could have collected thousands. Two similar rough stone hammers, found in the lowest dbbris of the Acropolis of Athens, are in the Acropolis Museum ; others of the same kind, collected among the prehistoric remains in Chaldea, are in the Louvre Museum ; such rough stone hammers are also common in the Terra- mare of Emilia, and many specimens of them are shown in the Museums of Parma and Reggio. I must not omit to mention a well-polished axe of very hard red stone, of the same form as the bronze battle-axes found in Troy.J There were also found in the primitive settlement of Tiryns several cone-shaped spinning-whorls, of blue stone or steatite, of which, in my excavations at Mycens, I have collected about 350 specimens. § Similar spinning-whorls of steatite occur in Troy, but are there so rare, that during my excavations there, extending over many years, I pro- bably found no more than seventy ; whilst of cone-shaped spinning whorls of terra-cotta, I was able to collect more than 22,000. * Schliemann, Ilios, pp. 236, 442, Nos. 80, 81, 638, 639, t Ibid., pp. 237, 441, Nos. 83, 634. 'I Ibid., p. 476, Nos. 806-809; p. 486, No. 828. § Schliemann, Mycence, p. 18, No. 15 ; p. 76, No. 126, G 82 NEEDLES AND BEADS. [Chap. III. Of spinning-whorls of blue stone, several were found in the prehistoric graves of Nauplia, and 157 specimens were collected from the lowest ddbris of the Acropolis of Athens ; * * * § similar stone whorls, found in the graves at Kameiros in Rhodes, are in the British Museum. Of bone, only a few bodkins and one embroidering-needle, 65 mm. long, with four encircling furrows at the thick end, were found ; the latter is represented under No. 16. I found a similar needle at Mycenae, f and many hundreds of specimens in Troy ; others of the same kind were found in the lowest dibris of the Acropolis of Athens, and are now in the Acropolis Museum. The above Tirynthian needle (No. 16) No. 16.— Embroidering lay by a human skeleton in the longitudinal needle ofbone. Actual i r i i / t size. Depth 3 m. ttench or the lower terrace (see Plan 1 .). From the same trench were taken three other skeletons, all lying actually on the rock. Beside one of them I found a per- forated bead of blue painted glass, which I represent under No. 17. Exactly similar objects were found in numbers in the graves of Spata.J In the No. 17. — Pierced bead beehive-tomb at Menidi § over a hundred of blue-painted glass. . ,, i a i • r ^ Actual size. Depth specimens were collected. An object ot the same kind, found in a grave at Kameiros in Rhodes, is in the British Museum. The investigations of Professor Xavier Landerer show * The stone spinning-whorls found in the Acropolis are to be seen in the Acropolis Museum. t Schliemann, Myccnce, p. 153, No. 229. :j; Ibid. p. xliv. § Das Kuppdgrah bei Menidi, published by the Deutsches Archaol. Institut in Athen (Athens, 1880), p. 28, PI. III. Nos. 4, 5, 8, 9. Chap. III.] GLASS OBJECTS. 83 that these beads consist of glass, alloyed with much protoxide of lead, which has the property of breaking the rays of light, and which also imparts to these glass objects a kind of silvery mirror-like glimmer. As Landerer re- marks, it is soda-glass, and has the peculiarity of dividing into little leaves or splinters. In Mycenae I found but one similar object, of yellowish glass. Besides this, there was found in the debris of the primitive settlement of Tiryns but one bead of blue cobalt glass. Besides the glass bead there were only some fragments of monochrome pottery of the first settlement found with the skeleton. The second skeleton had no accompaniments ; nor had the third, but it, however, presented this peculiarity, that the head was separated from the trunk, and lay near the feet. In many places in the ddbris of the earliest settlement were found great masses of burnt grains, of which I sent specimens to Professor Virchow in Berlin. This friend submitted them to the examination of Professor Witmack, who declared them to be grape-stones of unusual size. G 2 ( 84 ) CHAPTER IV. The Objects found in the Debris of the Second Settlement of Tiryns. I HAVE already pointed out (pp. 49, 56) the close connec- tion of the pottery collected in the Palace of Tiryns with that found in Mycenae, Asine, Nauplia, the Acropolis of Athens, Eleusis, the beehive tomb of Menidi, the tombs at Spata and Aliki,* the island of Salamis, lalysos in Rhodes, and in Knossos on the island of Crete ; and Dr. Lolling observes to me that I may add to this list the island of yEgina. He has witnessed the discovery there of several tombs, which have yielded pottery similar to that of Tiryns and Mycenae. Professor Rhousopoulos of Athens also assures me that he collected in the Acropolis of Megara fragments of pottery and idols of the Mycenaean type. I may add, that the analogy of the pottery of all these places is made still more obvious by the absence of the varnished Hellenic vases.f In fact, in spite of the most careful * Aliki is situated near Cape Kolias in Attica. Dr. Lolling informs me, that several rows of tombs have been discovered there close to the shore. They consist of a dromos and a circular sepulchral chamber, and have been found to contain terra-cotta vases and other things very similar to those of Tiryns and Mycenje. t In the Acropolis of Athens, where the debris has been more or less mixed, most ancient pottery occurs in company with the black polished Hellenic pottery of a much later period. I must in this respect state, that four terra-cotta vessels, which in form, fabric, and decoration closely resemble those of Mycenae and Tiryns, have been found in a beehive grave near the ancient Ortygia, the Syracuse of to-day, which once had a Phoenician settlement. W. Helbig writes thus in Das Ho7nerische Epos aus den Denkmdlern Chap. IV.] ABSENCE OF LATER POTTERY. 85 search during the whole time of the excavations, neither Dr. Dorpfeld nor I have been able to find in the debris of the palace any trace of such lacquered ware, and yet the fragment of a well-varnished, lustrous black Hellenic terra-cotta, found by me in the upper layer of debris in the citadel of MycencO, on which is an inscription of the 6th century b.c. (cf. p. 45), proves with perfect certainty that this pottery was in common use in the middle of the first millennium before Christ. The above fragment is of crldutert (Leipzig, 1884) pp. 66, 67 : “A most remarkable and quite peculiar occurrence is a tomb discovered at Matrensa, about 6 km. from Syracuse {Annali dell’Instituto, 1877, Tav. d’ agg. E. pp. 56-58). The beehive-shape of the rock-hewn chamber, and of the dromos leading into it (^Annali delV Itistituto, 1877, Tav. d’agg. E. p. 3) remind us of the ancient beehive graves. In the chamber were found two terra-cotta vessels, adorned with brownish ornaments, parallel lines below, and above a design of tendrils, on a polished yellowish ground (Annali delP Instituto, 1877, Tav. d’agg. E. pp. 6, 7). They show in form, in fabric, and in decoration a near relation to the examples founil in the pit graves of Mycenae, and other similar strata (Furtwiingler and Loschcke, Mykenische Thougefdsse, T. III. 9, 1 1 j nearest to the Sicilian specimens comes a terra-cotta vessel found in Crete, at present in the Berlin Museum). Besides these, the burial-chamber contained two vases of black clay {^Annali dell' Institiito, 1877, Tav. d’agg. E. pp. 4, 5), which, as Loschcke informs me, appear to be also closely allied to the Mycenaean pottery. But Syracuse was far from being the oldest of the Greek settlements in the west, and the Greek remains found in other parts of Sicily and Italy belong eviilently to a later time. I therefore do not know whether this grave should be attributed to the Corintliian colonists, or to a more distant pre-Hellenic period. It is known that before the arrival of the Greeks, Phoenicians had settled on some islands on the coast of Sicily and the peninsulae which could be easily defended, in order to traffic with the natives, and to gather the purple murex (Thukyd. VI. 2, 6; Movers, Die Phonikier, 11 . 2, p. 309, sqq. ; Olshausen, in the Rhemisches Museum, VIII. (1853) p. 328; Kiepert, Lehrbuch dcr Alien Gcographie, pp. 464, 465), and distinct traces point to the existence of a Phoenician settlement at Ortygia (Movers, op. cit. 11 . 2, pp. 325-328). The question then arises, whether the grave at Matrensa does not belong to the Phoenicians settled at Ortygia, or to the Siculi who had been influenced by them, and received from them these vases.” 86 EARLY DESTRUCTION OF TIRYNS. [Chap. IV. as good quality as any terra-cotta of the same kind in later times. It is impossible that the art of making such excellent polished black pottery could have been suddenly discovered ; it can only occur in a school of pottery which has by the labour of centuries attained to such perfection in the art. I have therefore without hesitation attributed the tumuli of Achilles, of Patroklos, and of Antilochos, excavated by me in the plain of Troy, to the ninth century b.c., although the monochrome terra-cotta collected therein, which by all archaeological experience must be referred at least to that date, is mixed with fragments of primitive mono- chrome black polished pottery.* But as this last is wholly wanting in the palace of Tiryns, and the terra-cotta found there must necessarily have been in use by the inhabitants to their last hour, we may unhesitatingly place the great catastrophe, by which the building was destroyed by fire, in the eleventh century b.c., especially as we have found nothing to contradict this assumption. On the contrary, the unmixed prehistoric pottery found in the palace, and particularly the numerous idols of most primitive forms, as well as the immense number of knives and arrow-heads of obsidian of the most ancient type, compel us to accept this date, which is, if possible, still more fully confirmed by the absence of any trace of iron. This chronology would also show a remarkable agreement with the tragic end of the old citadel of Mycenae, which, as my excava- tions have shown (cf. p. 46), must also have taken place in a remote pre-Homeric age. We may indeed admit, with the highest probability, that both Tiryns and Mycenae were destroyed at the time of some great revolution, a revolution so destructive in its effect, so terrible in its consequences, that the civilization of Greece was com- pletely overthrown, and upon its ruins arose a new and * Scliliemann, Troja, pp. 248, 249. Chap. IV.] EFFECTS OF THE DORIC INVASION. 87 wholly different culture, in all the branches of human industry. And in fact we possess the most trustworthy historical information concerning this fearful revolution. It was brought about by the Doric invasion, or the so-called Return of the Heracleidae, which the tradition of all antiquity with wonderful agreement places eighty years after the Trojan War, or about the year 1100 b.c. The inhabitants of the land were either massacred or enslaved, or obliged to emigrate in masses, and thus arose the so-called ^Dolic migration to Asia Minor. By this great historical event is explained in the most natural manner the sudden and complete disappearance of the flourishing but quite peculiar civilization of which we have the remains in the antiquities of Tiryns and Mycenae. There can, however, remain no doubt that this great revolu- tion was not limited, as has been supposed, to the Pelopon- nesus. It must have extended to North-eastern Greece, and at least, though possibly in a less degree, to Attica, for those remains of culture which we find in the beehive tomb of Menidi, on the Acropolis of Athens and Megara, in Eleusis, in the graves of Spata and Aliki, as well as in the islands of Salamis and ^gina, and which show such close connection with those of Tiryns and Mycenae, likewise disappear suddenly and leave no trace. There exist, however, in Tiryns, as well as in Mycenae, numerous fragments of pottery with geometrical patterns,* which, in point of manufacture, form, and decoration, are closely allied to those found in Athens in the graves near the Dipylon.f These vases with geometrical patterns, of which many fragments occur in the lowest stratum of ddbris on the Acropolis of Athens, were commonly held to be the most * Schliemann, Mycence, p. 103, Nos. 157, 158. t G. Hirschfeld, Vasi Arcaici Ateniesi. Estmtto dagh Annali dell' Instituto di Correspondenza archcologica (Roma, 1872). 88 THE DIPYLON POTTERY. [Chap. IV. ancient pottery in Greece, until my discoveries in Mycenae came to be known — about the end of the year 1 876. When it was recognized that Mycenaean pottery was of a higher antiquity, it was also found that the Dipylon graves must belong to a later time, and Helbig writes on the subject : * “ It is now universally acknowledged that these graves be- long to a later time, f It is sufficient to recall the fact that in them the later habit of burning the dead pre- vails, J and that in Athens during the seventh, § and even apparently during the sixth century, b.c.|| pottery corre- sponding to that obtained from these graves was in use. As the objects in metal found with them are not sufficiently known, ^ search is principally directed to the painted vases, of which a considerable number has been found. Their painted decoration shows a peculiar employment of geome- trical ornament, an arrangement which from these vases has been distinguished as the Dipylon style. Yet vases of this kind have been found, not in Attica alone, but in many other places of Eastern Greece, as well as in the islands of the .Tigean Sea, particularly in those of Melos and Thera, and, it would appear, also in Asia Minor and Northern Africa. ** From this it is to be supposed that they were not made in Attica, whose industry and trade at the period in which we must place the graves of Dipylon were still unimportant. W. Helbig, Das Homcrische Epos, aiis den Dcnkmdlern erldutert (Leipzig, 1884), p. 54. t Cf. also Fiutwangler, Die Bronzcftinde aus Olympia, p. 10. 1 ; G. Hirschfeld, op. at. § Annali dell' Instituto, 1880, p. 133; Transactions of the German Archseological Institute in Athens, VI. p. 112. II Annali dell' Institiito, 1878, pp. 31 1, 312. In Olympia the habit of decorating bronze articles with engraved patterns of this geometrical character may be observed to the end of the sixth or beginning of the fifth century b.c. Furtwangler, Die Bronzefnnde aiis Olympia, p. 12. ^ Annali dell' Bislitnto, 1872, pp. 136, 154, 155. ** Ihid. 1872, pp. 140, 1 5 1, 174; Y\xx\.\\'i.ng\Qr, Die Bronzefu/ide aus Olympia, p. 19. Chap. IV.] ITS FOREIGN ORIGIN. 89 but rather further east, either among the islands of the iEgean, or in Asia Minor.” That the vases with geometrical designs reach back to the remotest antiquity, and owe their origin to the Phoenicians, was shown beyond doubt, ten years ago, by Helbig.* In fact, we find these geometrical patterns on vases which were brought in the reign of Thuthmes III., king of Egypt {circa 1600 b.c.), as tribute from Rutenu, i.e. Southern Syria, from Kaft, i.e. Phoenicia, and the Isles of the Sea, to Egypt, and of these many show those forms which were usual later in Greece.f Pottery with geometrical orna- ments occurs also at Nineveh, in Cyprus, and in Rhodes.;}; Eduard Meyer supports the idea of an Asiatic, i.e. a Syrian origin, for the geometrical style, and adds, “ In Egypt also, in the New Kingdom, the geometrical style is much used ; all objects on which it occurs declare themselves at the first glance to be imitations of a foreign style, and not the product of native art.” § We may therefore assume, with very great proba- bility, that the vases found at Mycenm and Tiryns with geometrical patterns were imported. For not only are the objects of large size, and their form, their painted orna- mentation, and the whole art of their manufacture different in every way from all else found in Tiryns and Mycenae, but even the kind of clay from which they are made, and the peculiar manner in which they are baked, are found in no other vases. These vases with geometrical patterns must therefore have been imported to the Peloponnesus long before the Doric invasion, and consequently their occurrence in Attica in the later centuries does not come under consideration in our investigations concerning the period of the destruction of Tiryns and Mycenae. * Annali delP Instiiuto, 1875, p. 221, sqq. t Eduard Meyer, Geschichte iks AltcrtJiuins (Stuttgart, 1884), p. 245. i Ibid. § Ibid. 90 GEOMETRICAL PATTERNS. [Chap. IV. I. Vase Paintings with Geometrical Patterns. I now pass on to a more particular account of the terra- cottas found in the palace of Tiryns, and as I have just spoken of vases with geometrical designs, I shall first more closely examine these, and commence with two fragments (found at a depth of only 60-70 cm. under the surface) of the upper rim of a large vessel of red clay, with a wide mouth, of which a representation will be found on Plate XV., Fig. a* On the outside, the painting is in a reddish-brown tint on a light-yellow ground ; its colouring varies in proportion to the thickness with which it is laid on. Above this tint is a decoration in white. On the upper rim is a broad band, and underneath part of a chariot, in which stands a man, who drives the horse attached to it. The move- ment is from the left to the right. The man has a kind of helmet on his head, which, however, for want of room could not be drawn entirely. In one hand he holds the double reins, in the other a staff. The drawing of the horse is very primitive and unskilful ; the mane and ears are, indeed, represented with a childlike naivete. But on the fragment of another vase the mane, neck and ears are represented precisely in the same manner (cf Plate XXL, Fig. b'). On the extreme right, we see traces of the red border which surrounded the handle. With regard to the painting of the horse with little dots and crosses of white on the red and brown ground, I would point to the representation Plate XV., Fig. c, which shows a further fragment of the same or a similar vessel, found at a depth of i m. from the surface. On this may be seen, under the red border, the upper body of a man ; * In the descriptions of the pottery in this chapter, Dr. Ernst Fabricius has been my fellow-worker, and I here renew to him my warmest thanks for the valuable aid he has given me. Chap. IV.] VASES WITH FIGURE PAINTINGS. 91 further to the right the head of another, both in profile to the right ; to the left is a broken-off handle. The colour of this fragment is somewhat more red ; the fabric and decoration are, however, identical with those of the two former fragments. Another fragment, Plate XV., Fig. which was also found I m. below the surface, gives us the hind leg of a horse and the end of his tail ; on the left hand, one sees a part of the chariot. The ground is represented by a streak. Perhaps this fragment belongs to the two on Plate XV., Fig. a. Another fragment, Plate XXL, Fig. «, which comes from the same depth, is a portion of a vase of red clay ; on it is drawn, with red on a light-red ground, a horse, of which the lower part is preserved. The fabric is the same as on Plate XV., Figs, a, b, c ; the execution is somewhat less careful. The ground is represented by two horizontal lines. All the above fragments are coloured on the inside : on Plate XV., Figs, a, b, dark-brown ; Plate XV., Fig. c, red ; Plate XXL, Fig. a, light-red. This last fragment, and Plate XV., Fig. c, appear from fabric and colour to be parts of the same vessel. The ground colour of Plate XV., Fig. b, is more reddish than on Plate XV., Fig. a. I show on Plate XVIL, Fig. b^ a fragment of a similar large vessel found at a depth of i *50 m. ; it was turned on the potter’s wheel and is of light-red clay ; the painting is blackish-brown with white touches. On the upper edge one sees a broad stripe, and below, two men in profile to the right. The man on the left, the upper part of whose body is preserved, has his right hand on his hip, and holds the left extended in a line with his shoulder to the right. The man on the right, of whom only the lower half remains, stood upon the chariot, as we may see from the preserved rim (aurv^) of the chariot, and from the smaller proportions of the figure (cf. the chariot-driver on Plate XV., Fig. a). The outlines of the bodies are filled in with a network 92 TYPES OF FEMALE FIGURES. [Chap. IV. of finely-crossed lines ; on all the black lines of the drawing white dots and lines are laid on. The inner side of the vessel is monochrome black. Further, at Plate XVII., Fig. another fragment found at the depth of i'5om. of a large wheel-made vase of reddish clay, with red painting. The thickness of the clay is 12 mm. A portion of a girth is visible, with conven- tionalized women’s figures, the heads of which are covered with a cloth, and the profile turned to the right. The hands are stretched out from the shoulders on both sides, in such a manner, that the hands of the neighbouring figures touch each other and appear to hold a branch in common. The waists are represented as unnaturally narrow, and raise a suspicion that even at the early date of those vases ladies wore some kind of stays, in order to appear more slender and to cause the breasts to project more. Yet in classical antiquity nothing of the kind seems to have been used, for in no ancient writer do we find reference to the use of stays, and there is no name for them in Greek, for crTr)66B€(TiJLoosition prehistorique des Mtisees de province et des collections particulilres de la Hongrie (Budapest, 1876), p. 130, Fig. 130, and p. 41, Fig. 28; Antiquites p?-ekistoriques de la Hongrie (Gran, S-'iTl), PI. XVIII. Figs. 2, 5, 8, 9, ii, 12; PI. XIX. Fig. II ; PL XX. Figs. 4, 8, 19 ; PI. XXL Fig. 9 ; PI. XXII. Figs. 2, 3. § Schliemann, llios, p. 710, Nos. 1546, 1547 ; p. 715, No. 1560. 1 2 n6 VESSEL FOR BAKING CAKES. [Chap. IV. on two sepulchral stelae of Carthage,* and on a Phoenician vase, -f- At a depth of about i m, from the surface were found several fragments of a large unpainted hand-made vessel, of red clay, lo mm. thick. The accompanying woodcut (No. 26) shows these fragments united. The vessel is of cylindrical form, about 40 cm. in diameter ; the rim of the bottom projects 13 mm., the upper rim 25 mm. The outside is badly polished. On the surface of the bottom, from the edge to the central point, we see con- centric circles of holes, 6-7 mm. deep and 6-10 mm. apart, shaped like inverted cones, which were made while the clay was still soft. None of these holes penetrates the thickness of the clay. On the bottom, outside, we see strong marks of burning. Beyond all doubt, therefore, tne vessel was used as a pan, probably for baking cakes, on which the shape of the holes would then be produced in relief. Of similar but somewhat smaller terra-cotta pans, with holes of the same form, many fragments were found. The same kind of pan is very common in Mycenas, but, as far as I know, it does not occur elsewhere. ■* Georges Perrot et Charles Chlpiez, Histoire de 1 ' Art dans I'anti- quite (Paris, 1884), Vol. III. p. 52, No. 14 ; p. 54, No. 16. t Ibid. Vol. III. p. 74. Chap. IV.] THE COMMON GOBLET. I17 In the following woodcut, No. 27, and Plate XXL, Fig. I give a representation of a form of terra-cotta goblet, very commonly used in Tiryns and Mycenae. Most goblets of this kind are of light-yellow, badly- cleaned clay, made on the wheel, unpolished and unpainted ; in many cases, however, they are well polished and covered wdth a lustrous varnish, generally red, but in a few cases black. Very numerous, too, are those with a lustrous light-yellow ground, painted with brown parallel horizontal bands. As before stated (p. 73), there are found in the No. 27.— Goblet. Size i :2. deepest layers of debris fragments of unpainted and un- polished goblets of greenish clay, which appear to be the oldest. All have one handle, in rare cases two. In the com monest form the foot is flat, in those of better workmanship it is concave. There are often found, too, fragments of such goblets, of finely cleaned yellow clay, well polished, of which the outside is not painted, while on the inside there are parallel bands of red. I have already (pp. 73, 74) given a list of those places where goblets of a similar form have hitherto been found, and refer the reader to it. No. 28 represents a large vase found near the surface. ii8 JUG WITH SPOUT. [Chap. IV. It is wheel-made, of red clay, 9 mm. thick, and has two handles. The height of it is 23 i cm.; the width of the orifice 20 cm. It is painted inside and outside uniformly red, only on the rim, between two white lines, we see two violet parallel lines. This form of vase does not again appear, and has never been found elsewhere. Further, on Plate XXIV., Fig. c, is represented a wheel-made vase, found at a depth of 1*50 m. It has two handles, and a curved rim. It is made of fine, well-polished grey clay, 4 mm. thick. Its height is 9, the width of its No. 28. — Large vase, Size i : 6. Depth circa o'so in. orifice 15 cm. The painting, which is in lustrous yellow varnish, consists of a line on the external rim, a second round the neck, a band of three lines round the body, and a broad line round the foot. The shining yellow colour gives it an appearance as though it were gilded. On Plate XXVI., Fig. I represent the fragment of a wheel-made mug, of finely cleaned grey clay, 6 mm. thick. The painting is brown, on a light-yellow ground. Between two stripes on the edge there is an ornament of crossing lines. The whole of the lower part is uniformly coloured. The inside is of monochrome grey colour. Further, in the accompanying woodcut (No. 29) I show a small wheel-made jug, with a broken handle over the orifice, which is 4i cm. wide. It was found close to Chap. IV.] JUG WITH SIEVE-LIKE SPOUT. 119 the surface. Its height, without the handle, is 10 cm., the thickness of the clay 3 mm. The jug is of fine bluish-grey clay, well polished, and has a spout projecting from the body. The painting is black, and consists of two broad bands round the body and thirteen lines round the neck. Jugs of precisely the same form frequently occur in Mycenae and Troy.* Six similar jugs found in graves at lalysos are in the British Museum ; another specimen, which was found in the lowest layers of No. 29. — Jug with spout. Size r : 2. Depth about 0*50 m. debris in the Acropolis of Athens, is in the Acropolis Museum ; but this latter has the handle on the neck. No. 30 represents a wheel-made jug, found at a depth of I •50 m., of fine greyish-yellow clay, 3 mm. thick, without painting. It has a sieve- like spout; a piece is broken from the neck. Three similar jugs, which come from Thera,f are to be seen in the small collection of the French School at Athens. * Schliemann, lUos, p. 407, No. 446. t Albert Dumont et Jules Chaplain, Les Ccramiqucs de la Grcce propre, pp. 33-4. 120 JUGS OF YELLOW CLAY. [Chap. IV. The British Museum possesses ten similar jugs, having spouts with strainers, of which nine come from tombs at lalysos, and one from a tomb in Kameiros ; eight of the former are tripods. The next woodcut, No. 31, exhibits a small hand- made jug, found I m. deep, of finely cleaned yellow clay, 5 mm. thick, with black painting on a pale under- ground. Round the neck is a horizontal stripe, from which three bands — two of six and one of five vertical lines — run down the sides. The handle is broken off. No. 30.— Jug with sieve-like spout. No. 31.— Jug. Size 2: 3. Depth i m. Size 1 : 2. Depth 1*50 m. Jugs of similar form and decoration are found both in Mycenae * and in the tombs at Nauplia, and may be seen in the Mycenaean Museum at Athens. Jugs of the same form were also found in the lowest layers of dibris on the Acropolis of Athens, and are exhibited in the Acropolis Museum. No. 32 is a small hand-made one-handled mug, with * Schlieniann, Mycaue, p. 66, No. 27. Chap. IV.] POTTERY WITH A CHECKER ORNAMENT. 121 a convex bottom. It was found close to the surface, and consists of fine yellow clay. The painting is black in places, where it is laid on thick, and dark brown, where it is thinner. The rim is decorated with a stripe, which is continued on each side of the handle ; round the neck and body of the vase are three horizontal bands. I would further mention a rim-fragment found at a depth of I •50 m.; it belongs to a wheel-made vase of reddish clay, 3 mm. thick, with brown painting on light- red ground. The straight projecting edge is covered by a No. 32. — Mug. Almost actual size. Depth 0*50 m. band of two parallel lines, the space between them being filled with zigzag lines, which cross each other. The body of the vase as well as the inside seem to have been brown. There was found, besides, another fragment of a similar vase. The accompanying cut. No. 33, shows a fragment, found 2 m. deep, of the hollow brim of a wheel-made vessel of reddish clay, 4 mm. thick, with reddish-brown painting on a light-red ground. On the upper surface there are groups each of eight oblique lines. Outside is a checker ornament. 122 ORNAMENT WITH THE LETTER Z- [Chap. IV. The next woodcut, No. 34, shows the neck of a wheel- made vase, found i*5om. deep, of finely-cleaned reddish clay, 3 mm, thick. The painting is dark red on a light- red ground. The rim is bent out, the mouth is trefoil- No. 33. — Fragment of a vessel. Size i : 2. No. 34.— Neck of vase. 81261:3. Depth 2 mm. Depth about 1*50 m. shaped. To the broad band round the rim succeed four parallel horizontal bands ; and next a broad stripe, in which we see a circle of figures resembling the letter Z. Beneath this come six horizontal parallel lines, and then a band No. 35. — Upper part of a pitcher. Size 1 : 2. Depth 1*50 m. decorated with straight and oblique lines, of which only a small part is preserved. The inside is not painted. The next woodcut, No. 35, represents the upper portion of a wheel-made pitcher, found at a depth of 1*50 m,, of Chap. IV.] HIGHLY DECORATED SPECIMENS. 123 reddish clay, 3 mm. thick. It has a yellow coating and is painted brown. There is a band on the rim and two below the neck, the lowest of which consists of a series of signs like W and N in form. I further mention the fragment, found at a depth of I m., of a wheel-made bowl of red clay, 4 mm. thick, with red painting on light-red ground. The brim is coloured over. Below, we see a band of six lines, of which the upper and lower are strongly marked. In the middle is a band composed of signs resembling the letter N. Rows of exactly similar signs often occur on pottery found by me at Mycen®.* The same signs are seen on fragments of vases from the prehistoric tombs at Nauplia, which are in the Mycenaean Museum, as well as on two fragments found in the lowest layers of ddbris on the Acropolis of Athens, which are in the Acropolis Museum. I show on Plate XXVI., Fig. < 5 , the lower part of a wheel-made vessel of cylindrical form of reddish-yellow clay, 3 mm. thick, found at a depth of 1*50 m. Six bands follow each other on pale-yellow ground. The lowest shows small ascending triangles in red colour ; then follows a band of five fine red lines, and above this a broad violet band ; the fourth band has two rows of dots between two double lines in red. Above, is a second violet band, succeeded by a stripe of red lines. The inside is red-brown. This fragment is remarkable for its fine painting. On Plate XXVII., Fig. <^, I place before the reader the remains, collected from a depth of i *50 m., of a large wheel- made vase of red clay, 6 mm. thick. There are thirty fragments which fit together. The painting is shining red on a yellow ground. The rim of the vessel as well as the handle are covered with colour ; on the broad face of the handle are club-shaped marks. The whole outside is covered with a network of twisted double lines, and the Schliemann, Afycena, PI. IX. No. 38; PI. XIII. No. 62. 124 ORNAMENT LIKE THE GREEK €• [Chap. IV. interstices are filled with a fish-bone ornament. The inside is not painted. This is, beyond doubt, the most beau- tiful of all the vase decorations found by me, whether at Mycenae or Tiryns. There was found, however, in the prehistoric graves of Nauplia another specimen of a similar decoration, which may be seen in the Mycenaean Museum. Dr. Fabricius reminds me that on an ivory disc from Spata, in the Mycenaean Museum, the same double-curved lines occur, twisted together and superposed in a similar manner, and that the same kind of ornament may also be seen on a terra-cotta vessel dug up by Minos Kalokairinos at Knossos in Crete. No. 36. — Fragment of vase. Size 1 : 2. Depth not given. No. 37. — Fragment of vase. Size i : 3. Depth i '50 m. The next woodcut. No. 36, represents a fragment of a very similar wheel-made vase, of red clay, 6 mm. thick, which on a yellow ground has an ornament like the Greek letter €. The subject of the following woodcut. No, 37, also deserves mention ; a fragment of a wheel-made vase, from the depth i’$o m., of yellow clay, 6 mm. thick, with brown painting on yellow ground. One can see on this, above three broad bands, an ornament of arched lines, with stars between. On Plate XXII., Fig. c, I show a fragment from the same depth of a wheel-made vase of red clay, 5 mm. thick, Chap. IV.] VERTICALLY PERFORATED EXCRESCENCE. 125 with dark-brown painting on light-yellow ground. Round the rim is a broad band, to which two bands round the body correspond. The space between is filled with sweep- ing lines and concentric circles. The inside is monochrome black. Of this vase many fragments were found. At Plate XIX., Fig. c, I show the side fragment of a wheel-made vase of reddish clay, 4 mm. thick, which is remarkable for its vertically perforated excrescence in the form of a nipple, on which I lay particular stress. Doubt- less the vase had a similar vertically pierced excrescence on the other side of the body. The painting is brown, on a No. 38. — Fragment of vase. Size i ; 3. Depth i m. light-red ground. Beneath the nipple are two broad bands, edged on each side by bands of small arches, in each of which is a dot. Round the nipple, the point of which was coloured, are three concentric circles of dotted lines. To the left, the commencement of two intersecting zigzag lines with dots. A vase with similarly painted nipples occurred in the fifth grave at Mycenae-* In the next woodcut. No- 38, I represent a border piece of a large wheel-made bowl of reddish clay, finely cleaned, 4 mm. thick. The painting is dark red on light- red ground. The projecting rim is painted. Between * Schliemann, Mycaia, p. 293. 126 FOOTRACE OF WARRIORS. [Chap. IV. a horizontal band just below the rim, and another round the body, consisting of three strongly marked and four finer lines, we see above and below a connected ornament of four concentric semicircles, joined by a vertical line of twelve dots. To the right and left are fish-bone ornaments, to which a decoration, apparently of concentric semicircles, was opposed below. The inside is painted light red. Found I m. deep. On Plate XVII., Fig. c, I represent the border of a wheel-made vase, found near the surface, of greyish-yellow clay, badly cleaned, 9 mm. thick. The more developed decoration of this example is much rubbed ; however, the outlines, which were partly scratched in, are still recog- nizable. On the cylinder-shaped edge there was represented a footrace of armed warriors moving to the left. One figure is completely preserved ; of a second, the back leg and the right hand remain. Of the complete figure the left leg is boldly advanced, while the right is raised in the air behind. On the left arm the warrior carries the great round shield ; on his head, the helmet with a large crest. The right hand is stretched far behind. The whole body seems to have been painted brown. The shield was violet, with a white circle on the edge, and white rays, like the spokes of a wheel. To the right of the running warrior the upper part of a woman’s body remains, unfortunately much injured, yet apparently we can distinguish the face, as turned towards the running warrior. In any case, the woman was clothed. On the shoulder of the vase, beneath the rim, there was a band of fishes. The whole decoration testifies to considerable artistic power. The impetuosity of the race could scarcely be rendered more faithfully to nature, with such simple means. It is, in fact, very re- markable that we find this fragment among very primitive pottery, and it must have been in some way brought here from some other place. M. Achilles Postolaccas calls my attention to the likeness between the heads of Pallas, on Chap. IV.] ARCHITECTURAL DESIGNS. the Athenian tetradrachma) of the pre-Periclean age, and that of the racing warrior. I show further, in the woodcut above. No. 39, the fragment found i’5om. deep, of a large hand-made jug with handle, of light-coloured clay, 5 mm. thick. The shoulder-piece is varnished black, the body is decorated with narrow brown horizontal stripes on a yellowish ground. Between the second and third stripes from above is a horizontal band of wedge-shaped black marks. The ridged handle is ornamented with four bands of horizontal lines. The inside is roughly painted black. No. 39. — Fragment of vase. Size i : 3. Depth 1 *50 m. No. 40. — Fragment of vase. Size i : 3. Depth i*5om. The next woodcut (No. 40) represents a fragment with a handle, from about the same depth, of a wheel-made vase, of light-yellow clay, 4 mm. thick. The outer edge is black ; beneath this we see, on a yellow ground, a horizontal border of squares standing on one of their angles, and filled in with crossed hatchings, and with wedges between. Below are two black bands. The inside is painted black. 7. Pottery with Architectural Designs. We come now to a peculiar group of pottery, which includes only vessels with wide orifices. The decoration 128 ARCHITECTURAL ORNAMENTS. [Chap. IV. of the outside has a peculiar style, which we may call archi- tectural. Round the body of the vases go two horizontal stripes, to which a third on the upper border corresponds. The space between these bands is filled with a system of ornaments, consisting of vertical, that is supporting, and of rounded, that is of filling in members, corresponding to the metopes and triglyphs of the Doric style of architec- ture ; and in like manner may be seen the division of the ornaments on the friezes. Of this kind I found numerous specimens among the pottery of Tiryns. I shall content No. 41. — Fragment of vase. Size 1:2. Found near the surface. No. 42. — Fragment of vase. Size x : 3. Found close to the surface. myself with representing a few. I wish particularly to observe, that also on the Mycenaean vases the division of the zones by a supporting decoration {triglyph) and a filling in decoration {metope), as above mentioned, fre- quently occurs (cf. eg. Myce 7 ice, Plate XL, No. 53 ; Plate XII., No. 59 ; Plate XIV., Nos. 68, 69 ; and page 71, No. 86). The woodcut No. 41 shows a fragment of a large wheel-made vessel, found near the surface, of reddish- yellow clay, 7 mm. thick, with red-brown painting, which, where the colour is laid on thick, looks black. Round Chap. IV.] ARCHITECTURAL ORNAMENTS. 129 the rim is one, round the body, two horizontal bands, between which we see alternate vertical stripes and spiral ornaments. The vertical bands contain two rows each of six lines, bound together by horizontal zigzag-lines. The inside is painted plain black. The next picture. No. 42, shows a piece, found close to the surface, of a large wheel- made vase of finely cleaned, light-yellow clay, 7 mm. thick. The painting is reddish-brown on light-yellow ground. Below the painted rim we see two vertical stripes of seven lines each, and between them a vertical row of squares standing on one of their angles, filled in with crossed lines. Attached to the outside are four concentric semicircles surrounded with a line of dots. I must not omit a fragment found at a depth of 1*50 m. of a wheel-made vase with a handle, of greyish- yellow clay, 5 mm. thick. The painting is black on a light ground; round the rim there is a broad horizontal band, which is connected with the two horizontal bands round the body by vertical stripes of ten lines each, with stripes of small arches on the outside. The inside is plain black. We see a similar decoration on a fragment from the same depth of a wheel-made vase of finely cleaned reddish clay, 5 mm. thick, with brown painting. Round the rim and body are broad horizontal stripes, connected by perpen- dicular bands of six or five lines each, to the outer borders of which zigzag lines are appended. The inside is varnished dark brown. We recognize a similar ornament in the following engraving. No. 43, of a fragment from the same depth, of a wheel-made vase, of light-yellow clay, 6 mm. thick, with dark-brown painting. Round the rim is one, on the body are two, horizontal bands connected by a vertical one. The latter consists of two bands of three lines each ; the space between them is filled with five vertical rows of jiear- shaped marks ; on the outer border of each of the two bands is anpended a sort of grape ornament. In the field K [30 ARCHITECTURAL ORNAMENTS. [Chap. IV. to the left is a rosette. An exactly similar pattern is seen on another fragment, and we see it repeated identically on two vase fragments from the lowest strata of the Acropolis No. 43. — Fragment of Vase. Size about 2 : 3. Depth 1 •50 m. of Athens, which are exhibited in the Acropolis Museum, In the next cut. No. 44, I show a fragment from a depth of I m. under the surface of the ground, of a wheel-made No. 44. — Fragment of vase. Size about 2 : 3. No. 45.— Fragment of vase. Size about 1 : 2. Depth I m. Depth im. vase of fine reddish clay, 4 mm. thick, with dark-brown painting. It has a broad marginal border, from which descend two vertical stripes, each of three lines ; the space ARCHITECTURAL ORNAMENTS. Chap. IV.] '31 between them is filled up by a fish-bone ornament. The inside is painted brown. The engraving, No. 45, represents a fragment of a wheel-made vase of fine clay, 4 mm. thick. The painting is red on a reddish ground. Round the rim is a broad horizontal red stripe. Beneath this, two vertical bands, of which one is formed of two stripes, each of two lines, joined by a zigzag ornament, the other of seven lines. These two vertical stripes are connected by a grape ornament. On the right is represented a pine-branch. The inside is simple red. I also found a fragment of a wheel-made vase, from a depth of I ’50 m., of fine yellow clay, 4 mm. thick. The painting is black on yellow ground. The ornamentation consists of perpendicular bands of two double lines, the internal border of which is decorated with a row of little arches. The outer border is ornamented on each side with a bow-shaped decoration. The inside is varnished black. Further, a fragment of a wheel-made vessel of coarse yellow clay, 4 mm. thick, with black painting on yellow ground, found at the same depth. The ornamentation again consists of two vertical bands, the middle part of which is filled with an ornament of flexuous lines. The external borders of the bands are decorated with rows of little arches. I mention finally a fragment from the same depth of a wheel-made vase of fine red clay with brown painting on light-yellow ground. Here, too, we see two vertical bands, between which the space is filled with hori- zontal rows of arched lines. The outside borders of the bands are again ornamented with rows of little arches. The inside is painted plain black. 8. Vases with Various Ornamentation. The next woodcut. No. 46, shows two pieces from a depth of I •50 m. of a large wheel-made vase with a wide K 2 132 GRAPE DESIGNS. [Chap. IV orifice. The clay is yellow and 8 mm. thick ; the painting reddish-brown on a yellow ground. Below the rim of the vessel we see a horizontal band, and parallel to this, three on the body. The intervening space is filled with alternate upright and depending grape ornaments, each of which has ten rows of berries. The inside is painted yellow. A similar ornamentation we see on two vases, one of which w'as found in Cyprus,* the other in lalysos on Rhodes.f No. 46. — Fragment of vase. Size about 1 : 2. Depth i *50 m. In the following woodcut. No. 47, I show a fragment from the same depth of a small wheel-made vase of pale- yellow clay, 4 mm. thick. The opening is large, the painting reddish-brown on light ground. The brim is decorated with one, the body with two horizontal stripes, between w'hich are upright painted semicircles, with a straight line on the side of their span. The inside is coloured simply browm. * Louis Palma di Cesuola ; Cyprus, London, 1877, p. 247. t Albert Dumont et Jules Chaplain, Lcs Ccramiques de la Grice prop re, PI. III. No. 15. Chap. IV.] VASE WITH THREE HANDLES. 133 In the Fig. No. 48, I show a small perfect wheel-made vase, found at a depth of i m. It has two handles, and is of fine yellow clay, with red painting. The whole vessel is ornamented on the outside with horizontal rings. On the shoulder is a band of eleven lines. The lower border of No. 47.— Fragment of vase. Size about i : Depth i m. No. 48. — Vase. Size about i : 2. Depth I m. this band is lined with a row of little arches, to which corresponds a row of inverted arches on the upper border of the broad band round the body ; the inside is mono- chrome red. The following woodcut. No. 49, represents a vase of No. 49. — Vase. Size about i : 3. Depth i m. very fine reddish clay, which was originally intended for suspension by its three upright shoulder-handles. In the neck there is a small breakage. The decoration is red on light-red ground. The rim is ornamented with four bands of sixteen strokes each. The outside has six horizontal 134 VASE WITH BREAST-LIKE PROJECTION, [Chap. IV, bands. Between the second and third of these bands is a stripe of upright zigzag lines ; between the fourth and fifth, and the fifth and sixth, are two bands, each of six parallel horizontal lines. The foot is comparatively small ; the inside red. The next woodcut. No. 50, shows a wheel-made vessel of fine yellow clay, 4 mm. thick, with red painting. The vessel is broken on one side, and had apparently two handles, of which only one, seen in the picture, remains. Between a broad horizontal stripe round the border and a narrow one round the foot, one sees two horizontal bands, of which the upper one is formed by a thick waved line. No. 50. — Vessel. 81262:3. Depth not stated. No. 51. — Vessel. Size i : 3. Depth i in. the lower one by seven parallel horizontal lines. The handle is j)ainted ; the inside is painted in light red. Further, I show in the annexed woodcut. No. 51, a wheel-made vessel with one handle, of reddish clay, 3 mm. thick, with red painting. The rim, the handle as well as the whole lower part, are red. Round the body we see the horizontal yellow stripe of the clay-solution in which the ^•essel was dipped before being painted. Almost in the middle of the body is a breast-shaped projection, which probably was repeated on the opposite side, which is broken. The inner side is varnished red, only at the bottom there is a circle of a lighter colour. I would also mention another wheel-made vessel, with Chap. IV.] VASES WITH ROSETTES. 135 one handle, found at the same depth. It is of fine yellow clay, 3 mm.-thick, and has a reddish-brown painting on a pale ground. Under the border there is a broad dark stripe, followed by a zigzag line ; and below, round the body, is a band composed of one strong and six fine lines. The foot is also painted ; inside the rim is painted red, and the bottom is decorated with two concentric rings. In the annexed woodcut. No. 52, is a wheel-made broken vase, from the same depth, with only one handle, but which most probably had two. It is of delicate work- manship, and of dull-reddish clay, 3 mm. thick, with black painting on light-red ground. On the rim is a row of dots ; on the handle five spots. On both sides between No. 52. — Vessel with rosette. Size i : 3. No. 53. — Vessel with rosette. Size i : 3. Depth I m. Depth i m. the handles, is a rosette surrounded with dots ; there is no other painting. No. 53 shows a wheel-made vase, found about the same depth. It is of very fine yellow clay, only 3 mm. thick, very delicately made, and decorated with red painting. On the edge of the rim is a circle of dots, and a large spot is on the handle ; on the body, between the handles, there is a small rosette ; the foot is small. This vase has a remarkable similarity to the last mentioned (No. 52), but it is still more delicately and carefully made, and is less baked. The size of the two vases is about the same. Another fragment deserving notice is of the upper portion of a deep wheel-made bowl, of fine reddish clay, 3 mm. thick; it was found at a depth of i‘5om. It is 136 ROSETTE ORNAMENTS. [Chap. IV represented on Plate XXVI., Fig. a. The painting is black on yellow ground. We see a line round the rim, and beneath it a large rosette composed of three concentric circles, of which the outside one consists of dots. The two inner circles are intersected by a cross, with a dot in each right angle. Two other fragments of pottery, with similar rosettes, have been found at Tiryns, of which I show one in the annexed woodcut No. 54. The fragment consists likewise of fine reddish clay, 3 mm. thick, with black painting on yellow ground. The rosette lies here within a spiral, and the field is bordered below by a band of eight almost horizontal parallel lines, and to the left by a band of two upright lines, on the outside of which is affixed a row of No. 54- — Vase fragment with rosette. Size i : 3. Depth not given. little arches. A similar ornament is seen on a vessel found in one of the prehistoric graves in Nauplia, which is preserved in the Mycenaean Museum at Athens. Rosettes are extremely frequent in ancient Oriental art, both Egyptian and Assyrian, and we repeatedly meet them on Trojan * and Mycenaean f pottery and gold-work. The remarkable sculptured ceiling of the Thalamos dis- covered by me in the Minyan treasury at Orchomenos,:]; is adorned with not less than 184 large rosettes. Rosettes '* Schliemann, I/ios, p. 341, No. 230 ; p. 488, No. 835 ; p. 489, Nos. 842, 843, 847 ; p. 495, No. 873. t Schliemann, Mycena, p. 216, No. 327 ; p. 227, No. 336; p. 229, No. 337 ; p. 234, No. 344; PI. XII. Nos. 56, 57 ; PI. XIII. No. 67. f Schliemann, Orciwmenos (Leipzig, 1881), PI. I. Chap. IV.] VASE WITH BOW-SHAPED ORNAMENTS. 137 also appear on the pottery from the graves of lalysos, * and likewise on the bas-reliefs of Thutmes III. (XVIII. Dynasty), in which the Khetas (Hittites) bring to Pharaoh vases decorated with rosettes. Professor Sayce thinks the rosette ornament originated in Babylon, and was thence introduced into the manufac- tures of the Phoenicians, who brought it to the West.f The annexed woodcut, No. 55, is a representation of a globular hand-made jug, with convex bottom ; it is made of fine yellow clay, and was found at a depth of 1*50 m. The neck and handle are broken off. The painting is No. 55. — Jug. Size about 1 : 2. Depth i*5om. brown, partly dark and partly light ; round the neck is a horizontal border, from which depend on each side two perpendicular chains of bow-shaped ornaments. The decoration is completed by two rosettes, one on each side. No. 56 is a picture of a small wheel-made vase of light- red clay, found at the same depth. Instead of the usual handle, there is here only a small straight projection, of which half at least must be wanting. The vase is painted red on a yellow ground, as far as the middle ; below there are brown horizontal lines. * A. H. Sayce, in The Contemporary Revictv, December, 1878. t Jbid. 138 THE MOST FREQUENT FORM OF VASES. [Chap. IV. The terra-cotta vessel, whose form is the most common of all, both in Tiryns and Mycenae, is exhibited in the annexed woodcut. No. 57. It is a spherical jug of yellow No. 56. — Vessel. Size about 2 : 3 Depth 1*50 m. clay, with a small flat foot. Above there is a handle, with a rest in the middle for the convenience of the fingers, and greater solidity. A little below this support is the spout. 57- — Vessel with tube-shaped spout. Size 1 : 3. Found close to the surface. The painting is in yellow and red-brown colours. Above, around the support, are four figures in the form of lambdas ; on the rest itself concentric circles. On the Chap. IV.] THE MOST FREQUENT FORM OF VASES. 1 39 body of the vessel, from top to bottom, there are hori- zontal lines of different colour and width, worked on the potter’s wheel. There must have been a time when this very same form of vase was excessively liked and universally used in all the settlements of the great Asiatic race in the Greek world, for in Mycenae and Tiryns we find thousands of fragments of it, as well as very many fairly complete specimens. In the few graves opened at Spata there were five specimens found, one in those of Nauplia and one in the beehive tomb of Menidi. All these are exhibited in the Mycenaean Museum. The National Museum at Athens also pos- sesses eight specimens of this form of vase found in Attika ; the exact place where they were discovered is not stated. The Acropolis Museum of Athens contains five complete specimens, and fragments of six others, found in the lowest debris strata of the Acropolis. The Director of the Arsenal of Salamis, Captain Andreas Miaoules, possesses in his collection one discovered in a grave at Salamis. The small collection of prehistoric pottery from Thera, in the French School at Athens, contains one specimen.* * * § At Knossos in Crete, five examples were found.f The same form of vase is common in Cyprus,:}; and in Egypt, and the Museum of the Louvre contains six speci- mens, four from the former and two from the latter place.§ The British Museum possesses no less than fifty-one speci- mens of exactly the same form of vase ; five came from Athens, three from Egypt, and forty-three from the graves * Albert Dumont et Jules Chaplain, Lcs Ccramiqucs de la Gr'cce propre, pp. 38, 65. t Ibid. p. 65. I Ibid. p. 44. § Sophus Muller, Urspnoig tmd Entwickclung dtr europdischen Bronzcailtur (1882) ; German translation by Miss J. Mestorf, p. 333 ; Rosellini, / monumenti dell’ Egitto e della Nubia, II., PI. 56, No. 993 Leemanns, Aegyptischc Monumente, II., PI. 66, No. 415. 140 LARGE BATHING-TUB. [Chap. IV. of lalysos in Rhodes, which in a remote antiquity has for hundreds of years been inhabited by Phoenicians. I would also mention that I found in Tiryns the upper part of a similar vessel, which had three holes in each handle for suspension. On Plate XXVII., Fig. < 5 , I give a drawing of a small ha 7 id-made saucer, of which six specimens were found by me in the palace of Tiryns ; they are made of fine yellow clay, not much larger than a spoon, and some of them bored through the edge. On most of these the decoration consists of two bands of four lines each, which cross each other at right angles and are coloured red-brown, or black ; on the smaller specimens there is only one painted line. A small saucer, with two little handles, was also found ; it is painted inside with white colour, on which two inter- secting red lines are drawn. 9. Various Objects of Terra-Cotta. One of the most remarkable objects of terra-cotta found in Tiryns is that represented on Plate XXIV., Figs, d and c. It was found at a depth of 1*50 m., and is part of a large bathing-tub. It is o ‘ 70 m. long, and the rim is 55-60 mm. thick. The thickness of the clay lower down is but 15 mm. It consists of coarse red clay, with many small pebbles, on account of which the polish is defective. On the side is a large handle. The whole vessel is curved like our present bathing-tubs. The painting is in white colour on the reddish ground of the clay. Straight over the broad face of the rim there are stripes. Inside, following the rim, are three broad horizontal lines ; below this are large spirals. On the outside beneath the wide projecting rim, there are only two stripes visible. The handle is decorated with eight vertical stripes. Of jars proper {nidoi) of the Trojan form (cf. Ilios, page 378, No. 344) only fragments were found, one of them Chap. IV.] TORCH-HOLDERS. 141 had numerous vertical perforations in the rim ; two other fragments were pieced together with cramps of lead. We found also many single lead cramps which may have been used in the same way. There were also found in one room of the palace, stand- ing near each other, two jars of cylindrical shape of very coarse dark-brown clay, about 30 mm. thick, unpolished outside and inside; the diameter of one is o' 66 m., of the other O' 54m. Both were broken at the top, and in their No. 58. — Torch-holder. Size 7 ; 24. present condition only o*6o m. high, from which we suppose them to have been i m. high originally. An exactly similar vessel was found in another chamber. Vessels of cylindrical form, but somewhat smaller and better worked, were also found under the ruins of the first and most ancient town of Troy, but are wholly wanting among the hundreds of Pithoi of the usual shape found in the second, third, fourth, and fifth towns of Troy. No. 58 is a remarkable object of dark-red clay, which can be nothing else but a torch-holder. The height of it 142 PIPE-SHAPED VESSEL. [Chap. IV. is 225 mm., the diameter of the tube 48 mm. On the middle of the tube, which expands above, is affixed a kind of saucer, the edges of which are now broken away. Three similar torch-holders of clay and fragments of others, found in the lowest dSbris of the Acropolis at Athens, are preserved in the Acropolis Museum. Professor C. T. Newton, of the British Museum, calls my attention to Plate XLIX., No, 6, in Mionnet, Recucil des Planches, where a very similar torch-holder is represented on a coin of Amphipolis. From this it appears that similar torch-holders were still used in classical times, and yet, so far as I know, the three in the Acropolis at Athens and the one in Tiryns are the only specimens ever yet found. The three woodcuts. Nos. 59, 60, 61, show a remarkable No. SQ. No. 60. No. 61. Vase-Hd, with perforated handle. Depth unknown. vase-lid, as seen from three sides. It is formed of brown, well-polished, but unpainted clay; and has on the top a hori- zontally perforated excrescence, which appears to indicate that the cover belonged to a vase having on both sides a vertically-pierced projection. As I have shown in Ilios, page 357, No. 252, the vases of this kind could be sus- pended, or carried and closed tight by means of a string drawn through the side holes and the hole in the lid. On the lower surface of the lid. No. 61, we see a cross and fifteen points engraved. On Plate XXVII., Fig. c, I show a small hand-made, pipe-shaped vessel of reddish clay, 4 mm. thick, with red decorations ; it was found at a depth of 1*50 m. It is orna- mented with a linear decoration on the body, and with little bows on the back. The handle was broken, and has been Chap. IV.] STAND WITH A DOG. H3 restored in the drawing. The use of this strange vessel is a riddle to us ; it cannot have been a lamp, and besides, I have never found among prehistoric ruins any trace of lamps ; moreover, as I have shown,* lamps of all kinds were quite unknown even to Homer. Two exactly similar vessels were found in the excava- tions in the Acropolis of Athens, and may be seen in the Acropolis Museum. There are two others in a private collection in Athens which came from Mycenm ; j" a third, said to come from Cyprus, is in the Museum at Trieste. The Museum of the Louvre contains six vessels of precisely No. 62. — Dish with balls No. 63. — Stand with a dog. Actual size. Depth i'5om. shaped like dumplings. Actual size. Depth i m. the same form in the Cypriote, and four in the Etruscan collection. A large fragment of a vessel was found at a depth of I m. It is of grey clay, 3-4 mm. thick, which before baking was dipped in a solution of green clay, and retains, therefore, a green colour. Only the outside rim and the inside are painted black. In the above woodcut. No. 62, I show an object, from a depth of i m. of light-yellow clay, in the form of a dish with dumplings. It is 32 mm. across. No. 63 is an oval stand of reddish clay from a depth of 1*50 m. To the left a figure is broken away, of which the traces are still visible; to the right is a roughly made dog, on the * Schliemann, Ilios, pp 620, 621 ; Schliemann, Troja, pp. 145, 146. t Albert Dumont et Jules Chaplain, Lcs Ccramiqucs de la Grece propre, pp. 57, 58, Nos. 34, 35 - 144 CONE-SHAPED STOPPER. [Chap. IV. back of which we see four points. Round the rim of the stand is a black stripe. No. 64. — Stopper of terra-cotta. Size No. 65.— Object of clay. Actual size, about I : 2. Depth i m. Depth unknown. The engraving, No. 64, shows a cone-shaped stopper of coarse red clay. It is 85 mm. long, and has excrescences No. 66.— Object in clay. Actual size. Depth unknown. No. 67. — Ear of clay. Size i : 2. Depth uncertain. on both sides. As far as I know, no similar object has been found elsewhere. At No. 65 I represent a horizontally-perforated object Chap. IV.] FOOT OF TERRA-COTTA. 145 of reddish clay, of which the use is unknown. It is quad- rangular, with somewhat projecting corners. No. 66 is a flat circular object of fine yellow clay, with a small per- forated handle. Its length is 60 mm., its width 44 mm. Use also unknown. No. 67 represents an object of very coarse yellow clay in the form of an ear. It is not polished, and, as the breakage on the right side would seem to show, was fastened to something and broken off. Below, it is pierced by a hole, and in many places we see traces of rough painting. The depth at which it was found is uncertain. Professor MahafFy remarks to me, that this object looks like an ex voto fastened to the wall of a temple. In the annexed woodcut. No. 68, I show a very curious well-polished object, found 2 mm. deep, of slightly-baked black clay. It is in the form of a foot, on which the straps or strings used for securing the sandal seem to be indicated by notching. It is 17 cm. long by 78 mm. broad at the widest part, and 25-31 mm. thick. It is in a curved form, and its front end is provided with a cylindrical stay, which projects obliquely and seems to be intended for fixing it. At the broadest end the rough surface shows that it was broken off, and we are led to the conclusion that we have before us the foot of a primitive statue of clay. In the following woodcut. No. 69, I show an object of well-baked red clay. Its length is 135 mm., its thickness r. DISCS OF TERRA-COTTA. [Chap. IV. 140 25 mm., the breadth is 35 mm. above, and below 70 mm. At the top is a large perforation, and lower down eight small ones. Use unknown. There were also found sixteen objects of coarse-brown clay, very little, or not at all, baked, of which one is given in the woodcut No. 70. Its length is 80 mm., its width, above and below, 72 mm. Towards the centre it is narrowed. Similar objects of unbaked or slightly baked clay are very common in Mycenae, and are frequently found in Troy, both of stone and clay. Apparently they were used as weights for looms. It can hardly be that they were ever No. 69. — Object of clay with nine pene- trations. Size I : 3. Depth 1 m. No. 70. — Object of clay. Size about i : 2. De^th I m. intended for weights to fishing-nets, as the unbaked clay would dissolve in water. There also occur cylinders of unpolished, slightly-baked, brown clay, like that shown in the woodcut No. 71. They are 10 cm. high, 65 cm. across, and have two perforations running lengthwise. Most likely they were also used as loom weights. Similar cylinders with perforations were likewise found in Mycenae, but I believe not elsewhere. There were also found numerous discs, with a hole in the centre, of slightly baked, very coarse yellow clay, of which I show a specimen in the engraving No. 72. The outside is not polished. They are on an average 62 mm. Chap. IV.] WHORLS OF TERRA-COTTA. 147 thick and about 140 mm. wide, the breadth of the hole is 25 mm. They have been found in Mycenae and Orchomenos of the same size. In Troy, however, all discs of this size, or near it, are of stone; the discs of clay, with a hole in the centre, are there but very small. The use of large discs of almost unbaked clay is a great problem to us, for they could not well have been used as quoits for throwing, on account of their fragility. There were also found some small unornamented per- forated whorls of brown clay and conical shape, as well as No. 71. — Cylinder with two perforations. No. 72. — Disc of clay. Size about i : 3. Size I : 2. Depth i m. Depth about i m. others of exactly the form of the stone whorl shown on Plate XXL, Fig. Of terra-cotta whorls of similar form, but usually with notched ornaments, I have collected in Troy more than 22,000 specimens.* In Mycenae likewise were found about fifty unornamented clay-whorls. I also found in the ruins of the palace several perforated cones of black-varnished terra-cotta ; their height and diameter were about 62 mm. ; further, a couple of very large perforated * See references under “ Whorl,” in Index to Ilios, and under “ Spinning Whorl,” in Index to Troja. L 2 148 THREE-LEGGED CHAIR. [Chap. IV. cones of brown, sun-dried clay, 320 mm. high and broad, which were a little broken, but seem to have weighed at least 25 kilogrammes when they were entire. I bring before the reader in the woodcut. No. 73, a wheel-shaped ring with toothed edge, made of yellow clay covered with black varnish. It has an outer diameter of 38 mm. and an inner one of 23 mm. Several per- fectly similar specimens were found, but none of the same form occurred in Mycenae or elsewhere. The annexed woodcut. No. 74, represents an object in the form of a disc of brown clay, on which traces of painting in red varnish can be seen. The diameter is 45 mm. The No. 73- — Wheel-shape day ring. Actual size. Depth not given. No. 74. — Wheel-shaped clay disc. Actual size. Depth not given. edge is jagged all round, and near it is a perforation. A large number of these were found. I am not, however, aware that discs of this kind occurred elsewhere. The picture on Plate XXIII., Fig. c, represents an object of reddish clay, found at the depth of m. ; it has the form of a three-legged chair, with double-back, of which the upper part at the right side is broken off. The painting is red. The outside of the back and feet is ornamented with broad stripes, the inside with concentric semicircles and waved lines. The upper side of the seat is painted in monochrome. The height of the chair is 67 mm., the width 62 mm. Similar miniature chairs of terra-cotta also occur Chap. IV.] HANDLE IN FORM OF AN ANIMAL. 149 in Mycenae, and may be seen in the Mycenaean Museum at Athens. No. 75 represents an animal of peculiar appearance, made of slightly-baked, brown, ill-polished clay, which, as No. 75.— Handle of clay in form of an animal. Actual size. Depth not stated. the broken parts of the back quarters seem to indicate, may have served as a handle to some other object. Of the character of that object, however, we can form no idea. No. 76. — Bread-making figure. Size 7 ; 8. Depth about o*6o m. for the outward bent bow-shape of the back parts of the animal is unlike any vase-form known to us. If the animal was used as a handle, the humps on its back may have been intended as rests for the fingers. The head TERRA-COTTA IDOLS. [Chap. IV. 150 resembles that of a sheep. The eyes are made separately, and stuck on while the clay was still moist. 10. Idols of Baked Clay. The woodcut, No. 76, shows a figure of yellow, un- painted clay, 70 mm. high, found at a depth of 60 cm. It stands in front of a cylindrical pillar, with a dish, in which it makes bread. The head of the figure is missing. No. 77. — Idol. Actual size. Depth about i m. No. 78. — Idol. Actual size. Depth 1*50 in. In the following woodcut. No. 77, I exhibit an ex- tremely rude and unpainted idol of coarse yellow clay, from a depth of about i m. The lower part, as well as the hands, are broken off ; the eyes and mouth are very largely marked ; on the left side and back are remains of braids of hair. The height of the figure is 90 mm. Another very rough idol, 78 mm. high, is shown in No. 78. It is also unpainted, and of light-yellow clay. The face is simply pressed out between the fingers, and Chap. IV.] TERRA-COTTA IDOLS. 151 there are no indications of eyes, mouth, or breasts. Of the right arm a part remains, the left is broken off. A similar unpainted figure of light-yellow clay, is shown in No. 79. It is 78 mm. high, and evidently a female idol. The eyes and breasts are marked ; the mouth wanting ; part of the arms is preserved. The depth of the find is stated to be 2 m. Another equally rude, unpainted idol is seen in the woodcut No. 80. The face and the ears are likewise No. 79.*— Idol* Actual size. Depth 2 mm. No. 80.— Idol. Actual size. Depth i •50 m. squeezed out between the fingers ; the mouth is not shown ; the right arm remains ; the left is broken away. The narrowing of the body beneath the breast seems to show that the primitive artist intended to represent a female idol. Depth stated, i *50 m. These five idols. Nos. 76-80, are extremely rude; so much so, that in the first efforts of the primitive man to represent the human figure, hardly anything more im- perfect could be the result. The fact, however, that they 152 FURTHER RUDE SPECIMENS. [Chap. IV. were found in the chambers of the royal palace at Tiryns, proves beyond any doubt that they were still in common use at the time when the residence was destroyed. As, however, the rudeness of their execution is in strong contrast with the artistic skill which is conspicuous in the pottery and its decoration, as well as in the wall-paintings of the palace, we are forced to conclude, that the ancient Tirynthians adhered with religious zeal to the primitive representation of their divinities, which had become conse- crated by the precedent of ages. But, was this peculiar to Tiryns ? — By no means. In the lowest layers of debris in the Acropolis of Athens, eighty-nine unpainted idols of terra-cotta were found, which are quite similar to the Tirynthian idols Nos. 77-79, and, if possible, exceed them in rudeness of execution. These may be seen in the Acropolis Museum. Similar and equally rude terra-cotta idols were found during the excavations of the Archaeological Society at the base of the No. 8i.-idoi. Temple of Demeter in Eleusis. Strange to lilpthiT. say, however, my excavations at Mycenae, Orchomenos, and Troy produced no idol of even approaching rudeness, and no museum has anything similar to show. On Plate XXV., Fig. k, I exhibit a perfectly flat idol, painted plain black, 1 1 cm. high, the execution of which already shows more artistic skill. On the head is a polos, beneath which, on the neck, projects a twist of hair. The eyes are large ; no mouth is given ; the arms are broken off. Depth of find, i *50 m. No. 81 represents a rude, unpainted female idol, 60 mm. high, whose face is formed in the same way as the previous ones. The eyes and breasts are formed by little lumps attached. No mouth is given. The right Chap. IV.] IDOL WITH A POLOS. 153 arm is broken off; of the left remains a stump. Depth, I m. I mention, further, a rude idol, 48 mm. high, of yellow clay. The lower part is broken off, also the right arm ; of the left a stump remains. The eyes, which are formed of little lumps of clay stuck on, are, from want of skill in the artist, placed below the nose. The mouth is not marked. The lower part of the body up to the arms is painted black. Further, I give in No. 82 the figure of a rude idol of reddish clay, 80 mm. high, with a polos on the head. The large eyes are indicated by lumps stuck on. No mouth is marked. Of both arms only stumps remain. The lower part of the body is red, the upper painted with glossy-white. Depth stated, i‘5om. The British Museum contains three idols of terra-cotta from lalysos and four from Cyprus, which approach nearly 154 THE HOMERIC HORMOS. [Chap. IV. in form and fabric to this and the preceding (Nos. 8i, 82). In the next woodcut, No. 83, I give a drawing of a better-made idol, of finer reddish clay, with a turban-like head-dress, which was attached after the idol was formed. This was also the case with the eyes and the neck orna- ment. No mouth is given. The left arm is stretched out wide ; the right is broken off. The upper part of the body shows traces of painting. Depth of find, 50-600111. The ornament suspended from the neck is the Homeric hormos ; for, as Helbig * very truly remarks ; “ The Jiormos f was not a band clasping the throat, but it was made to fall from the neck over the breast, and to display on the bust. This is abundantly shown in two passages in the Homeric Hymns. In one| is described how the Horae hang golden hornioi on “ the soft neck and silver-white bosom of Aphrodite.” In the other § it is said that the goddess of love wears beautiful golden hornioi on her neck, and “ on her soft bosom, as if shone upon by the moon.” “ And such neckbands hanging down on the bust are * W. Helbig, Das Homerische Epos aus deti Denkindlcrn crliiutcrt, p 182. t Iliad, XVIIL 401 ; Od. XV. 460, XVIII. 295; Hymn. Horn. I. {i?i Apoll. Del.) 103, IV. {in Vcncr.) 88 , VI. ii. X Hymn. Hotn. VI. 10 ; Seipfj 5 ’ airaKfi Kal (TT'pdea'iv apyuploKriv oppLoiffi xpwo'fOKJ’i*' iK6(xp.fOV, olai trep avra'i ‘^n.pai KO(Tfj.€iadi]V § Hynm. Horn. IV. 88 : oppLoi S’ aix(p' aTvaXfi Sdpp nepiKaWees Ka\oi, xpw