tm:e best o-ooids.— the x.atr-C3-est stock. ILLUSTRATED CATALOGUE OF STEREOPTICONS, MAGIC LANTERNS, DISSOLVING VIEW APPARATUS, AND OP EVERY VARIETY OF THE BEST LANTERN VIEWS iuiiiiiiuiMuiiiiiirrHniiMiiiiniiMiniiiiMiiiiniijiiiiiiiiiiiiniiiinniiMuiuiiniiMMi(niiiiiiiiiMni(iMMiiiiMliliilllliiimiiniiiiniiuMiuMiinuMli^ iiiiiiiiiiiiMMiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiMiniiiiiiiiiiiiiiiiiiiiiiiiniiiiiuiiiniiiiiiiiiiiiiuiii(ii» Sole Agent in Philadelphia for the Sale of the above Goods Manufactured by T. H. McAllister, (Op the late firm op McAllister & Bro., Philadelphl/i. Established 1783.) OF NEW YORK. DEC, 1888. 0 0 M a. 0 0 r/3 7} ti) Ph m : < ^ Q I H C3 a I 0 03 f I'd 0 0 0 < a ^ ^ «o _S O :S - * « c O ,-2; CO ^ O o o ,4 43 00 pq 4» Co = 00 < a 5: -ft 5 «fl •> a « 5 o 1 o O H o a o ition, u O o. s S eel o t»> d B a c a> M o Eh d ^ "2 d S u 3 o n O ■s 0 i5 :2 • ■= © -A © «> >, © c -p !» (1> o 0 (1) b u 9 Po ^; as g ^ I? 2 2a GEO. H. PIERCE, Sole Agent in Philadelphia for the sale of goods manufactured by T. H. McAllister, New York. 136 South Eleventh Street, Philadelphia. BTJLLBSTllT No. 13. December, 1888. On account of the impossibility of givini? proper notice m our Catalogues of the many additions our stock is constantly receiving, both in new forms of apparatus and in the assortment of attractive Lantern Slides, we have decided to issue a " BuUetin with each edition of our Catalogue, in which will be noted all Novel- ties received since the preceding issue; as well as more extended lists of manv classes of views than the limits of the Catalogue admit of being fully noted therein. ^ Pi^EASED TO MAIL THE BULLETIN and also our COM. FLETE CATALOGUE op Steheopticons, Magic Lanterns and Views to any of our correspondents who desire it. NEW VIEWS. estiX and popu'llV'^"*"""" *° ^^"^ ^^^^^ '° Bulletin, all of them being inter- ALASKA, NEW DISSOLVING SETS, SWISS MFE, GYMNAST CHROMATROPE, FRANCO-PRUSSIAN WAR, JERUSALEM ON THE DAY OF THE CRUCIFIXION, NEW SODES OF ATTRACTIVE SUBJECTS, THE MOON AS SEEN BY THE GRE KT MCK TELESCOPE, etc., etc., etc. VIEWS OF GERMANY AND ATTSTRIA. The detailed list of Views of Germany and Austria in this number of the BuUetin will be found very uiteresting, as it embraces illustrations of the principal cities, and of the finest Austria "'^"^''^ various countries grouped under the general title of "Germany and We would especially call attention to the ample line of views of the River Rhine bv which a very exhaustive tour can be fully illustrated, and the beauties of the River from Coioene to Constance can be attractively presented to an audience. These are all direct Photographs, each on glass, mbyA inches, with protecting cover glass. PRICES : In style of our handsomely " Colored Sceneries," $1.80 each; $21.00 per dozen uncoiorea 50 cents each; $45.00 per lOo! See also our ''Lecture Set,'' illustrating the River Rhine, 60 Views, page 108 of Catalogue PRESSURE GAUGE, For ascertaining the cubic feet of Condensed Oas in a Cylinder, S6.0O. The Pressure Gauge consists of a Brass Case about 2^ inches diameter, having screw flttine to attach It to a cylinder; on one sideisadial graduated from "0"to '250" and an index point To ascertain the cubic feet of condensed gas in a cyhnder, attach the Pressure Gauge and turn on the gas 'full head." When a cylinder is charged to its full capacity the index will M ' consumed the index will show that the pressure is reduced and a Table, which is supplied with each Pressure Guage when sold, will enable an operator to know exactly the cubic feet of condensed gas remaining in the cylinder. Geo. H. Pierce, PHrLADELPiiiA, Pa. Places of Interest— Germany and Austria. 50c. each ; $45.00 per hundred.. Germany and Austria. Aix-la-CAapelle. Panorama. Cathedral. Hotel de Ville. " Emperor's Hall. Place Frederick William. " of the Emperor. Polytechnic School. Marschier Thor. Pont Thor. Porte de France. Synagogue. Prison. Barracks. R. R. Station. Hospital Maria Hilf. Church of the Virgin. Chapelle de Salvator. War Monument. Elisen Brunnen. Kaiserhad. Kosenbad. Railway Viaduct. BurtBchied suburb. Lousberg. " The Belvidere. Baden. Panorama. The Trinkhalle. The Kursaal. Conversation Hall. The Promenade. Palace of the Grand Duchess. Gardens of " " Ruins of the Old Castle. " Abbey. Monument of Prince Furstem- berg. The New Castle. Prince Salma's Castle. Rock of Felsen Brucke. Cascade Geroldsau. " aller Heiligen. The Railroad. The River. Lichtenthal. Bamberg. Panorama. Cathedral. Berlin. Panorama. Royal Palace, Exterior. " Throne Room. The White Hall. " The Swiss Hall. " Picture Gallery. " BanquetingRoom " The New Chapel. " The Ball Room. " King's Cabinet. " Ante- chamber. Statuary, St. George and the Dragon. Palace of the Prince Royal. " Ball Room. " Blue Room. " Red Room. Library. National Museum, Bronze, The Amazon. " Bronze, Lion Combat. " Renaissance Hall. E|y^j>tian " Hall of An- tiquities. " Egina Mar- bles. " Venus of the Capitol. C h i 1 d a t Prayer. Cathedral. French Church. Brandenburg Gate. Under the Lindens. Statue of Frederick the Great. " Frederick William ni. " the Elector Frederick. National Monument. Synagogue, Interior. View on the Spree. Panorama. Botzen. Brand. Panorama. Bremen. Hotel de Ville. BHxen. Panorama. Cathedral. Buda-Pesth. Panorama. Koenigsberg and Castle. Bridge over the Danube. View on the Danube. CharMtenburg. Palace Front. Mausoleum of Frederick III. and Queen Louise. cmy. Panorama. Cochem on the Moselle. Panorama. Winneburg Castle. Danube Biver. Various Views. Dresden. Panorama. Z winger Palace, Pavilion. " Entrance. " Garden Front. " Court. " Cascade. " Statue FreQer- ick Augustus. Court Church. Frauen Kirche. Russian Church. Museum, Entrance. Japanese Palace. Imperial Opera House. Theatre. Place du Theatre. Palace and Court Church. Bridge over the Elbe. R. R. Bridge. View on the Elbe. Eisenach. Birthplace of Bach. Elbe River. Various Views.' Eppstein. Panorama. Erfurt. Portal of the Cathedral. Frankfort. Panorama. The River Main. Old Bridge. Suspsnsioii Bridge. The Jews' Street. Synagogue. Cathedral. " Interior. Church of St. Nicholas. The Roemer. " Hall of the Empeir- ■ ors. The Roemer Berg. The Rosemarkt. The Zeil Street. Street of the Emperor. Ancient Houses. Goethe House. Luther House. ITie Rent Tower. Eschenheim Tower. The Saalhof . Grand Opera House. Grand Hotel. The Bourse. Fine Art Institute. Statue, Goethe. " Schiller. " Gutenberg, Faust, arudl [ Schoelier. Palm Garden, Entrance. " Pavilion. " Swiss Chalet. " Fish Pond. " Conservatory. Zoological Garden. Sachsenhausen Church. Feldsen. Thor Rock Arch. Goslar. Hotel Kaiserworth. Market Place. Ancient Houses. Backer House. Street View. Arsenal. Royal Theatre. Lyric Theatre. National Museum, Exterior. The above Views In style of our superior Gvlored Sceneries," $1.80 each, $21.00 per dozem.. a. Panorama. Cathedral. Gran. Gratz. Panorama. Hamburg. Panorama. Harbor. Canal. Post Office. Bazaar. Arcades. Geo. H. Pierce, Philadelphia, Pa. Places of Interest— Germany and Austria. 50c. eacb ; $45.00 per Imndred. Hotel St. Petersburg. Mill. Heidelberg. Panorama. Castle, General View. " The Neekar Front. " Entrance Gateway. " Entrance Tower. " Clock Tower. " Fa(;ade of the Frederick Palace. " Fd9ade of the Otto Henry " Portal of the Otto Henry Palace. " Galerie Robert. " Ruined Towei-. " The Castle Church. " Gallery of Antiquities. " Courtyard. Bridge Over the Neckar. " Entrance Towers. View on the Neckar. Neckar Steinach. Schwetzingen Park. HUdeshelm. Hotel de Villa. Guild House of the Butchers. Ancient Houses. Hombvrg. Panorama. Kursaal. The Lake. Innsbruck. Panorama. The River Inn. Triumphal Arch. Das goldenes dach. Theresien Strasse. Viaduct. JCoenigstein. Nassau. View on the Elbe. Kre-uznach. Panorama. Bridge over the Nahe. Castle of Ebernburg. Laibaeh. Panorama. Cathedral. Limburg. and Castle, Lindau. Panorama. View on Lake Constance. Linz, on the Danube. Panorama. Engelhardzell. Grein. Sarblingstein. Lubeck. Burgthor Gateway. Street View. Marburg. Panorama. Metz. Bridge Over the Moselle. Esplanade. Fort St. Quentin. Statue of Marshal Ney. " " Fabert. Battle Monument at Mars la Tour. Gravelotte and Gorse. View at Gorse. Ruins of Roman Aqueduct. Munich. Panorama. Colossal Statue, Bavaria. Ruhmes Halle. Museum of Paintings. Museum of Sculpture. Royal Palace. Wittelsbacher Palace. Theatre. Court Church. Church of the Theatins. Triumphal Arch. Ancient Gateway (Isar Thor). Railway Station. Statue, Maximilian I. " Louis I. Greek Propylsea. Column Marianische-Saiile. Campo Santo. Park of Nymphenbourg. Munster. Ancient Houses. Nuremberg. Panorama. Ancient Houses. House of Albert Durer. The Nassau House. Street, Adler Strasse. " Ludvvig Strasse. " Burg Strasse. " Caroline Strasse. Durer Platz. Panier Platz. Maximilian Platz. Joseph's Platz. Henkersteg Bridge. The Stammhof. Thiergarten Gate. ChurcTi of St. Laurent. " of the Virgin, of St. Sehald. St. Sebalds, Churchyard. Rectory. The Castle. Tower of the Castle. Fountain of the Virgin. " Man ana Goose. " Schoene Brunnen. Statue, Albert Durer. " Melanchthon. The Pegnitz River. Oetzthal. Glacier of Langthal. " Gaisberg. " Rothmoos. " Gurgh. Cascade of An. " Brunan. " Gurgh. " Voluereau. Gorge at Ambach. " Gurgh. " Kaiser. '• Soelden. " Zwieselstein. General View of Valley. General View of Upper Valley. Au. Valley of the Ache. View of Rothmoos. CbermuM. View on the Danube. Passau. Panorama. Pilnifz. Panorama. Royal Chateau. Polenzthal. Panorama. Potsdam. Old Palace, General View. " South Pavilion. " North Pavilion. " Colonnade, Entrance. " " & Church. New Palace, General View. Marble Hall. Hall of Shells. " Apartments of Frederick the Great. Sans Souci, General View. " Gardens. " Orangery. " Picture Gallery. Church of St. Nicholas. The Old Windmill. Prague. Panorama. The Ancient Bridge. Hradchin Palace. Hotel de Ville. Grand Place. Church of St. Nicholas. Statue, Charles IV. Monument, Emperor Francis. " Radetzki. River Moldau. Presburg. Panorama. The Citadel. View on the Danube. Eatisbm. Panorama. The Walhalla. Cathedral Portal. , DonauBtauf. View on the Danube. Bathen. Panorama; Povej'edo. Panorama. Salzburg. Panorama. Castle. The Capucinberg. Cloister of St. Peter. " St. Sebastian. Cathedral Platz. Statue of Mozart. Faubourg Mlilln. Valley of the Salzach. The above Views in style of our superior " Colored Sceneries," $1.S0 each, $21.00 per dozen. Geo. H. Piebce. Philadelphia, Pa. NEW SETS OF DISSOLVING VIEWS. Supplementary to those in Catalogue. Finely Colored, 3 inches in diameter, in sets of 2 Slides each, $3.00 per set. " The Perils of the Horse Trade." 1. Before the Trade. — The Seller warrants him " sound and kind." 2. After the Trade. — A Runaway and Smash Up. "The owner has no further use for him." "Early to Bed and Early to Rise." Direct Photographs from Life. ' 1. " A Torchlight Procession" of five little children in their night-dresses, each carrying a lighted candle. 2. "All Aboard for Dreamland" — the five children comfortably tucked in bed. ILLUSTRATIONS OF THE FRANCO-PRUSSIAN WAR. $2.00 each. Finely Colored Photographs, on Glass, 3i x 4 inches. |1.50 " " " " on Glass, 3 inches diameter. 50c. " Uncolored Crayon Photographs, on Glass, x 4 inches. Arrival of tl>e Kaiser Wilhelm at Saarbilrck, August 2, 1870. First Meeting of Bismarck and Louis Napoleon. After the Surrender at Sedan, September 2, 1870— Interview between Bismarck and Louis Napoleon, Discussing the Capitulation, February, 1871. The Ultimatum— Bismarck Dictating Terms to Thiers, February, 1871. Von Moltke in the Palace of Versailles. Louis Napoleon on the way to meet the Kaiser Wilhelm. NEW SLIDES OF ATTRACTIVE SUBJECTS, $2.00 each. ¥ine colored, square, 3i inches. $1.50 " " " circular, 3 inches. 60c. " Uncolored Cr-yon, 3J inches. The Empty Saddle. The Ferry Man. The Peace Maker. The Skedaddle. The Shipwreck — " Women and Children first." THE GYMNAST CHROMATROPE. $3.75. This consists of a brilliantly colored Kaleidoscopic Chromatrope, having a centre piece representing a Stage of a Theatre with a figure of a Gymnast sus pended from a trapeze, which appears to execute very life-like motions as the Chromatrope revolves. A RECENT VIEW OF THE MOON. From a Photograph obtained by tJie great 36-inch Telescope of the Lick Obsermtory, (Jalifornia; taken under the most favorable conditions, and pi'esenting the finest Lantern Slide Illustration of the Moon. Uncolored Crayon Photograph, on Glass, 3^x4 inches; with protecting cover glass, 60c. Geo. H. Pierce, Philadelphia, Pa. YIEWS OF ALASKA. Uncolored Photographs, on glass, 3i x 4 inches, with Protecting Cover Glass, 60 cents each, $45.00 per 100. Beach at Icy Bay. Behring's Bay. Chatham Straits. Christian Indian Burial Place, near Naha Bay. Delta of Jones River. Horn Cliffs, Frederick Sound. Howkan, Sool-Kahs Totem. Karta Bay. Lake Castain. Mt. Elias. Port Mulford. Pyramid Harbor. " " Beach and Mountains. Tongas Village. " " Totems. Wood Bay, Land Slides. •' " a Wind Swept Point. Yakutat "Village. " interior of a Chief's House. A Steamer in the Ice. , Map of Alaska. Fort Wrangell. Landing Place. Main Street. Chief Shustach's Grave. Totem Poles. Wolf Totem. Glaciers. Agassiz Glacier. Baird " and Wood Bay' " Front. " •' Near. Guyot . " Le'Conte " Muir " Front. " " Near. " Top. Juneau. Panorama. Early Morning. Treadwairs Gold Mine, exfr. " " " int'r. Sitka. Panorama. Indian Part. Street in Sitka. Harbor. Baranof Castle. Greek Church, exterior. " " interior. Home Mission . Old Russian Block House. Interior of Indian House. Mt. Vestovia, Sitka Bay. Wood Point, near Indian River. Prince of Wales Island. Salmon Packing Establish- ment. Eudora Mountain. Kasa-an Indian Village. " " Totem Poles. " " Burial Posts. Chief Skowl's Body Lying in State. Deserted Indian Village. Characters and Customs. Chief of the Yakutat Indians. Second Chief " Crown Princess " Indian Boy " Indian Woman " Medicine Man " " " and Bear. Family Group. Natives Loading Salmon Cans. Indians at Juneau. Natives at Pyramid Harbor. Women and Babies of Karta Bay. Indian Doctor Healing the Sick Group in Full Costume. Stone Implements. Masks. War Canoe. CYCLORAMA OF JERUSALEM ON THE DAI OF THE CRUCIFIXION, Uncolored Crayon Photographs, on glass, 3^x4 inches, with Protecting Cover Glass, $4.00 per Set of 8 Views, %oith Destriptive Reading. Panoramic View of the City, from the North, showing the Temple, Judgment Hall, etc. ; Golgotha forming the fore- ground, and the Mount of Olives being in the distance. The City from the North West; The Moun- tains of Moab in the distance, and close to the observer are the Tents of some who have come to the Holy City to keep the Pas.sover Feast. Still further Westward ; The Palaces of An- nas and of Caiaphas; Hill of Evil Coun- sel ; etc. Mount Zion; Palace of Herod; Tower of David ; etc. Ruins of an Old Caravansary; Clump of Olive Trees bordering on the Pool of Siloam; etc. The Road to Damascus; The Historic Peak of Mizpah far away in the distance ; a Roman Guard-House in the foreground, etc. The Hill on which Rested the Hamlet of Emmaus; The Cave of Jeremiah in the foreground ; An Excited Multitude Pro- ceeding to Calvary ; etc . Calvary; The Crucifixion: Roman Sol- diers; Mary; John, the Beloved Disciple; etc. SWISS LIFE. Uncolored Photographs, on glass, Six 4 inches, with Protecting Cover Glass, 50 cents each. Group of Tyrolese Peasants. " " " Children. Tyrolese Women. " Girls on the Way to Church. A Tyrolese Truck (Woman with Basket on her Back). A Swiss Locomotive. A Swiss Omnibus. Geo. H. Pierce^ Philadelphia, Pa. A NEW SERIES OF ANATOMICAL ILLUSTRATIONS. Uncolored Crayon Photographs, on glass 3i x 4 inches, with protecting cover glass, 60 cents each. The entire series, 100 views, $45.00. By special permission of tTie piiblishers of " Graphs Anatomy," we are enabled to offer the following series of 100 Views of Anatomy, carefully selected, from the admir- able designs in that standard' work. These afford fine illustrations of tJie structure of the human body, are very distinct, and can be relied on for accuracy; they are especially adapted for Educational Institutions, Popular Lectures, etc. 10, 1. Transverse Section of the Diaphysis of the Humerus. 2. Section of the Femur. 3. Longitudinal Section of Bone. 4. Nerve- Vesicles from Hu- man Brain. 5. Transverse Section througn a Microscopic Nerve. 6. Sectional View of Skin. 7. Microscopic Section of Skin. 8. First Cervical Vertebra. Second Cervical Vertebra. Peculiar Dorsal Vertebra. 11. Sacrum, Anterior Surface. 12. Lateral View of the Spine. 13. Occipital Bone, Outer Sur- face. 14. Left Parietal Bone,Extemal Surface. 15. Frontal Bone, outer sur- face. 16. Skull at Birth, showing Anterior, Posterior, and Lateral Fontanelles. 17. Left Superior Maxillary Bone, outer surface. IS. Palate and Alveolar Arch. 19. Inferior Maxillary Bone, inner surface, side view. 20. Base of the Skull, external surface. 21. Side View of Skull. 22. Anterior Region of the Skull. 23. Bones of the Left Hand, palmar surface. 24. Plan of the Development of the Hand. 25. Bones of the Right Foot, dorsal surface. 26. Right Femur, anterior sur- face. 27. Bones of the Right Leg, anterior surface. 28. Left Humerus, anterior view. 29. Bones of the Left Fore- arm, anterior surface. 30. Muscles of the Head, Face and Neck. 31. Muscles of the Right Orbit. 32. Pterygoid Muscles. 3!?. Muscles of the Tongue, left side. 34. Muscles of the Back. 35. External Oblique Muscle. 36. Muscles of Chest and front of the Arm. 37. Muscles of Chest and front of the Arm, with the boundaries of the AxiUa. 38. Posterior Surface of the Fore -arm, superficial muscles 39. Muscles of the Left Hand, palmar surface. 40. Muscles of the front of the Leg. 41. Muscles of the Sole of the Foot, first layer. 42. Arch of the Aorta and the Branches. 43 Surgical Anatomy of the Arteries of the Neck, right side. 44. Arteries of Face and Scalp. 45. Surgical Anatomy of the Radial and Ulnar Arte- ries. 46. Abdominal Aorta and its Branches. 47. Coeliac Axis and its Branches. 48. Superior Mesenteric Artery and its Branches. 49. Inferior Mesenteric and its Branches. 50. Surgical Anatomy of the Femoral Artery. 51. Popliteal, Posterior Tibial, and Peroneal Arteries. Surgical anatomy of the Anterior Tibial and Dor- sal is Pedis Arteries. 52. Veins of Head and Neck. 53. Superficial Veins of the upper extremity. 91. Vense Cavae and Azygos Veins, and formative Branches. 55. Internal or Long Saphen- ous Vein and its branches. 56. Portal Vein and its branches 57. Thoracic and Right Lym- phatic Duct. 58. Deep Lymphatics and Glands of Neck [and Thorax. 59. Transverse Section of the Spinal Cord and its Mem- branes. 60. Spinal Cord, side view. 61. Columns of the Medulla Oblongata. 62. Upper Surface of the Brain. 63. Base of the Brain. 64. Section of the Encephalon. 65. Upper Surface of the Cere- Dellum. 66. Nerves of the Orbit and Ophthalmic Ganglion. 67. Second and Third Divisions of the Fifth Nerve and Submaxillary Ganglion. 68. Spheno- palatine Ganglion and its Branches. 69. Course and Distribution of the Eighth Pair of Nerves. 70. Nerves of the Left Upper Extremity. 71. Nerves of the Lower Ex- tremity. 72. The Sympathetic Nerve. 73. Upper Surface of the . Tongue. 74. Cartilages of the Nose. 75. Nerves of Septum of Nose. 76. Horizontal Section through the Left Eyeball. 77. Choroid and Iris. 78. Veins of the Choroid. 79. Arteries of the Choroid and Iris. 80. Layers of the Retina. 81. Front View of Organs of Hearing. 82. Osseous Labyrinth, laid open. 83. The Cochlea, laid open. 84. Sectional View of the Nose, Mouth. Pharynx, etc. 85. The Permanent Teeth. 86. Denture of a Child about seven years old. 87. SaUvary Glands. 88. Mucous Membrane of the Stomach and Duodenum. 89. Muscular Coat of the Stomach. 90. Peptic Gastric Gland, and Phyloric Glands of Stomach. 91. Relations of the Duodenum. 92. Large Intestine and Kid- ney, rear. 93. Viscera and Large Vessels of the Abdomen, rear. 94. Minute Structure of Large Intestine. 95. Liver, under surface. 96. Pancrea.s and its Relations. 97. Right Auricle andVentricle. 98. Plan of the Foetal Circula- tion. 99. Front View of Heart and Lungs. 100. Vertical Section of Kidney. ADDITIONAL ANATOMICAL ILLUSTRATIONS. We would also call attention to our "Additional Anatomical Tllxjstbations," which answer admirably to supplement ihe mews from "Oray's Anatomy," when it is desired to enter more fuUy into the details of the subject. These "Additional Ana- tomical lUustrationa" form a series of about 350 slides. GEO. H. PIERCE, Sole Agent in Philadelphia for goods manufactured by T. H. McAllister, New York. ise So-Lxijli- 11 till. S-bx»eet5, PHILADELPHIA. DETAILED CATALOGUES OF FOREIGN VIEWS. Uneokyred Photographs, on glass 8)4. inches wide, with protecting cover glass— 50c. each, $45.00 ^er 100. We endeavor to keep constantly on hand a full line of all the desirable views made by the prin- cipal foreign makei-s, but as the asBortment is so great, it is impossible to print a complete list within the limits of onr Catalogue. We therefore keep for sale the catalogues of each maker, in ordering from which it will be merely necessary to give the Catalogue Numbers and Page of the views desired. Price of each Catalogue, 1 0 cents. Levy & Co. of Paris; about 10,000 views of France, Switzerland, Prussia, the Rhine, Aus- tria, Italj% Spain, Portugal, Belgium, Holland, Denmark, Sweden, Norway, Russia, Athens, Con- stantinople, Algeria, Egypt and Nubia, Holy Land, China, Japan, I-achenal & Co., of Paris ; about COOO views of France, Switzerland, Prussia, the Rhine, Austria, Italy, Spain, Portugal, Belgium, Holland, Russia, Athens, Constantinople, Algeria, Egypt and Nubia, Cape of Good Hope, Holy Land, China, Japan, Hmdostan, and Islands of St. Helena, Madagascar, Mauritius, and Reunion. G. W. Wilson & Co., of Aberdeen, Scotland; about 6000 views of England and Scotland, embracing celebrated cathedrals, abbeys, castles, ruins, landscapes, historic buildings, etc., etc., among them many views adapted for illustrating the works of Shakspeare, Scott, Wordsworth, Bums, etc. Valentine & Sons, of Dundee, Scotland; about 6000 views of same general line as those made by G. W. Wilson & Co., but each maker publishes many views not made by the other. York, of London; about 5000 views of London, Oxford, Lake District, Wales, Norway, Mediterranean, India, etc. ; also large line of scientific slides illustrating astronomy, electricity, heat, human phjrsiology, hydrostatics, light, magnetism, mechanics, mining, pneumatics, sound, specti'um analysis, etc. Iiawrence, of Dublin; about 500 views in every county in Ireland. 'TZy 0< Containing descriptions of nearly ,S0O0 different views of world-re- iV nowned places of interest, from which explanatory Lectures can easily be compiled. Invaluable to Lecturers, on account of the great saving of time and research. Wilson's Lantern Journeys, Vol. I S2.00 Contains descriptions of about 1000 views in Austria, Bavaria, Belgium, Denmark, Egypt, Eng- land, France, Greece, Holland, Holy Land, India, Italy, Norway, JRussia, Saxony, Scotland, Spain, Sweden, Switzerland, Turkey, United States. Wilson's Lantern Journeys, Vol. II $2.00 Contains descriptions of about 1000 views in Austria, Belgium, Egypt, England, France, Ger- many, Greece, Holy Land, India, Ireland, Italy, Portugal, Russia, Scotland, Spain, Switzerland, Turkey, United States. Wilson's Lantern Journeys, Vol. Ill S3. 00 Contains descriptions of about 800 places personally visited by Mr. Wilson recently, the view^ being made from negatives taken by him ; embracing views in Europe, Egypt, Holy Land, Mounr Sinai, Rock City of Petra, etc., etc. The Lectures accompanying any of our " Lecture Sets,"/(jr sale separately, — 25 cents each. SMALL LOTS OF LANTERN SLIDES BY MAIL. MAGIC LANTERN SLIDES in small quantities can be sent by mail at rate of One Cent per ounce, when properly packed in Metal or Wood Cases, so as to guard against injury in transporta- tion. Rates as follows :— For package containing five slides or less— Uncolored Photographic Slides 30 cents postage. Colored do. do . 30 do. Comic Movable Slides 35 do. If sent Registered, an additional charge of 10 cents on each package. THE LECTURER'S TELEGRAPHIC SIGNAL. $10,00. Where the Lecturer does not operate the instrument, it frequently occurs that during the progress of an exhibition, he may have occasion to communicate with his assistant operating the apparatus at the opposite end of the Hall. As it is, of course, impracticable to "talk" over the heads of the audience, some other method of communication must be adopted, and if the message can be transmitted unknown to the audience, it will be the more effective, _ The I^ecturer's Telegraphic Signal does this with ease and certainty ; with it a Lectvrer can be continually communicating with his assistant without any of the audience being aware of it. It consists of a Dry Battery with a Telegraphic Sounder, enclosed in a neat case, 8 inches long, 5'^ wide, 7 inches deep. This is placed in any convenient position near the assistant, and connection is made with the Lecturer by an insulated vnre having a button at the extreme end. (This wire can be conducted from one end of the hall to the other without any disturbance of the seats or furniture). "When the Lecturer wishes to com- municate with the assistant, he merely presses the button, and each push of the button causes the sounder to respond with sufficient force to be dis- tinctly heard by the assistant, but not by those in his immediate vicinity. A code of signals can easily be arranged by which any necessary in- structions may be forwarded. Thus, one tap may signify "The next pic- ture:" two taps may signify " Focus that picture sharper !" and so on. The Battery being a Dry Battery, there is no acid to spill, no chemical to give oflF offensive fumes, and no glass jar to break. It is compact, light, and serviceable. The Battery when exhausted can be recharged at the small cost of 50 cents. Price of the Lecturer's Telegraphic Sig'nal, complete as above, including 100 feet of insulated wire $10.00 . 1*1 e M A o « fl H ti d ^ S 3 ^ St ■g as W « s a a Ti 3 - Hi THE LECTURER'S READING STAND AND LIGHT. A very convenient, compact, and useful accessory, obviat- ing the necessity of a platform or desk on which to place the iecture, and specially recommended in connection with " The Iiccturer's Telegraphic Signal." It consists of a telescopic, japanned iron rod, in three lengths, carrying at the upper end an inclined rack to hold the Lecture, with a " Reading Light" aoove it. At the lower end is a screw which can be screwed into the floor in an instant, supporting the stand firmly. When fully extended the total height is between four and five feet, yet it is extremely port- able, occupying a space, when packed, of only 2oi4 inches long, 4^3 inches wide, 2^ inches deep I'rice, $7.50 THE LECTURER'S READIITG LIGHT. $5.00. Useful, Simple, Portable, Durable, Cheap. H So This is designed to throw sufficient light on the « *; r- book or lecture to enable one to read distinctly, and at W e s g the same time will not illuminate the hall so as to inter- im H si = fere with the brilliancy of the views on the screen. It is supplied with a CaU Bell, and also a Red Signal Liqht, either of which can be used for communi- cating with the operator. It is made entirely of metal, very simple in its construction and management, and very port- able, all being packed within a box 3 x 3x914 inches. An extra large candle is used, fitted in a mounting with spring beneath, by which the flame is always kept at a uniform height. This candle gives a satisfactory illumination. One candle will burn A to 5 hours. ADDITIONAL CANDLES, 75 CENTS ?ER DOZEN. A match case is conveniently placed in the base, so that no time need be lost in running about for a match. PRICE, $5.00. A NEW DEPARTURE m THE COJSrSTKUCTION OF Magic Lanterns and Stereopticons ; mmm portability, efficiehgy and durability. The expense and trouble attendant upon the transportation of bulky apparatus, having in. duced a demand for greater compactness in the form of Magic Lanterns and Stereopticons than the usual styles permit, we have elaborated several new patterns, in the construction of which we have introduced many novel details, and have discarded all unnecessary material. As a result, we are enabled to offer instruments in which compactness has been reduced to a minimum without sacrificing; either efficiency or durability, and witn little, if any, increase of cost over the familiar less condensed forms of apparatus, which, however, are well adapted for use as stationary appli- ances in Educational Institutions, Insane Asylums, etc. To protect ourselves from unscrupulous imitations, and to guarantee our customers cer- tainty in their purchase, various of the important parts of construction are covered by Patents. The assortment of this New Departure Apparatus is as follows: The New York Model Magric Liantem. The New York Model Dissolvingr View Apparatus. The Metropolitan Oxy-Hydrogren Stereopticon. The International Oxy-Hydrogen Stereopticon. Each of the above possesses peculiar merits of its own, yet all contain the same valuable points of difference from the forms heretofore considered necessary, all of which are fully speci- fied in the accompanying printed descriptions. It will merely be observed here that each has the collapsible bellows front, and with that exception the remaining portions are of metal, the brass work being nickel-plated, handsomely finished, and always retaining a fine appearance. The New York Model Mag'ic !Lantern was only made possible by our Patent Bi- unial Lamp^ which being made entirely of metal obviates tne necessity of any case or body to confine the light, and thus a great saving in bulk is obtained by dispensing with the usual metal or wooden body. This Bi-unial Lamp has fully sustained its reputation, and has proved to give by far the most brilliant illumination for Magic Lantern purposes that can possibly be obtained from oil. The New York Model Dissolving* View Apparatus is composed of two of the New York Model Magic Lanterns, with the addition of a novel " Dissolver," designed especially for it. It occupies far less bulk, and can be operated on a smaller platform than any other Dis- solving View Apparatus. Hie above are confidently recommended as being the most desirable forms of Oil Idffht Apparatus, and have given universal satisfaction,' but as it frequently happens that a customer wishes to add a more powerful illumination withotit incurring unnecessary expose, we would call attention to our " Oasy- Hydrogen Attachments " for the Neiv York JHodel Magic JLantern, and the New York Model Dissolving View Apparatus, which can be added at any time without change in- the original apparatus. The Metropolitan Oxy-Hydroffen Stereopticon is composed of two lanterns, the bodies of which are of brass, handsomely finished and nickel-plated, with bellows front extension, beintf placed one above the other, for convenience in operating. The Oxy-Hydrogen Jets are eacn enclosed by neat Sheet Iron Hoods, which prevent any light from being scattered, are abundantly ventilatedj and are no larger than absolutely requisite. The Achromatic Object Glasses are of fint quality, giving a great variety of powers, and rendering "The Metropolitan" serviceable in halls of any size. The International Oxy-Hydrogen Stereopticon is a unique instrument, being a Triple Stereopticon composed of three distinct Lanterns, which, however, can be used separately if required • or two of them can be combined when the triple form is not required ; tne third Lantern is, however, very desirable for the production of some beautiful " effects" in Dissolvinf» Views which cannot be obtained otherwise. The " International " is far more condensed in foriu than any Triple Apparatus heretofore made ; the various parts are detachable and pack in a very small compass, yet are readilv put together in a few minutes, and the instrument is then as rigid and firm as the heaviest apparatus that could be built. S^'To exhibit at a glance the desirability o/ these various ''''New Departure" styles as regards ease of transportation, we append the weight and bulk of each instrument (not including, of course, gas apparatus^ views, or other accessories), WEIGHT. BULK. New York Model Magric Lantern 8><^ lbs. 5'/^x 9x13 inches. New York Model Diss. View Apparatus 17!4 " 9 x 13x13 " Metropolitan Stereopticon 25^" S'^x 14x14 " Interziational Triple Stereopticon 40 " 7 x 10x23 " International Single Lantern 13 " 6 x 7x10 " Geo. H. P ierce, PHXLAPELPniA, Pa, » Mc ALLISTEE^'S T XI "NEWYORK MODEL" MAGIC LANTERN. TJie neatest, lightest, and most compact Magic Lan- tern adapted for Oil-Light Illumination. PRICE, $50.00. (Heady /or use.) (In packing-case. ) Our "NEW YORK MODEL'' has been designed to meet the oft-repeated demands of our customers for a Magic Lantern of compact pattern, packing in a small compass, and consequently transportable with less trouble and expense than the more bulky Magic Lanterns. It meets all tJiese requirements, and in addi- tion is a neat and handsomely -finished apparatus. The ** N. Y. MODEJIj " weighs but 8}i pounds, and i8 enclosed for transportation in a neat Japanned Packing-case, 13 x 9 x by^ inches, with handle by which it can be conveniently carried. Tlie CONDENSING LENSES are of our finest quality, plano-convex, 'i% inches diameter, being of largest size we use in any of our instruments, and difthsing the light evenlvover the entire area of the square photographic views of standard size, which cannot be as well done with con- densing lenses of smaller diameter. The OBJECT GLASSES are Acliromatlc, yielding two magnifying powers, enlarging the views distinctly of any desired size from 3 feet to 10 feet in diameter ; rack adjustment for focussing. The Object Glasses are firmly attached to a neatly-made Bellows Front, which is extended when the Lantern is in use, but folds within itself for packing, and thus far more convenient and compact than the ordinary rigid front heretofore generally used.. Our PATENT BI-UNIAIi LAMP supplies the illumination, and fits into a socket at the proper distance from the Condensing Lenses. All the important working parts of the "N. Y. MODEL" MAGIC LANTERN are of Brass, Nickel-plated. Price complete, in Japanned Pacliing-case, $50.00. Among the many advantages of the " N. Y. MODEL" MAGIC LANTERN are the following : 1. Absence of Excessive Heat.— In all the so-called portable Magic Lanterns heretofore made the Lamp has been enclosed in a " ease " or " hood," the air within which soon became very much heated, producing irregularity in the illumination, and making the surrounding air so hot ae to be a serious inconvenience to the operator. In tlie " N. Y. MODEL " tliere is no case or hood surrounding tlie Lamp ; the heat therefore is immediately dissipated, without aflfect- ing the steadiness of the flame and without inconveniencing the operator. 2. No Loss of Liglit.— All the light from the Lamp is transmitted to the screen, the fittings being so tight as to prevent any light from passing out into the room, and thus detracting from the brilliancy of the picture on the screen. 3. Facility of Introducing Slides.— The slides can be introduced either from the side, or from above, diflferent sets of springs being supplied to hold the slide in position in either case ; these springs are removable in an instant, so that the change from introducing the slides horizon- tally or vertically can be made without interrupting the exhibition. 4. Capability as an Enlarging Lantern.— In addition to its special use as a Magic Lantern, the " N. Y. MODEL " forms an admirable Enlarging Lantern for PhotoCTaphers, the neg- ative taking the position of the Magic Lantern Slide, while the intense light afforded by the Bi- unial Lamp has proved most satisfactory for the purpose. 6. A Handsome Apparatus The neat and ornamental pattern, and the exact workman- ship of the" N.Y. MODEL" render it particularly suitable for Drawing-room entertainments; and being finished in nickel-plate the Mountings will not become tarnished after long and constant use. 6. Compactness and Portability.— The entire apparatus weighing only 8^4 pounds, and ■when packed in its Japanned Case, occupying a bulk of only 13 x 9 x 6^ mch«a. OXY-HYDROGEN ATTACHMENTS won THE New York Model Magic Lantern Which can be added at any time without any change in the original construction of the Lantern, thus converting it into an Oxy-Hydrogen Magic Lantern, and rendering it capable of enlarging the views brilliantly to an area of 25 X 25 feet. Tlie above engraving shows a Netv Yorlc Mudel Magic Zantern, in which thS JBii-Unial lAinip has been replaced by an, Oxy-Hydrogen Jet. Oxy-Hydrogen Attachment for using the gases from hags $100.00 CONSISTING OF One Special Model Oxy-Hydrogen Jet, with hood to enclose the light. Safety Bottle for each gas. Oxygen Apparatus as follows : Large Copper Retort, best quality, Retort Stand, Spirit Lamp, Purifier, First Quality canvas-lined Gas Bag, 30 x 40 inches area, 20-inch gusset, 55 gallons capacity. Hydrogen Apparatus as follows : Copper Generator, best quality, Purifier, first Quality extra large canvas-lined Gas Bag, 30 x 40 inches area, 30-inch gusset, 85 gallons capacity. Rubber Tubing for Connections. One Dozen Prepared Limes. One Charge Chemicals for making Oxygen. Oxy-Hydrogen Attachment for using the Condensed Gases from Metal Cylinders $20.00 CONSISTING OF One Special Model Oxy-Hydrogen Jet, with Hood to enclose the light. Rubber Tubing for connections. One Dozen Prepared Limes. UEW YORK MODEL DISSOLYI M-TIEff AP PABATDS. $100.00. Our **Ifew York Model Magic liantern,'* which is an entirely new departure in the form of Magic Lanterns, having met with the unanimous approval of all who have used it, has induced a demand for a DISSOLVING-VIEW APPARATUS possessing the same valuable qualities. We have therefore constructed the **New York Model Dissolving-- View Apparatus,'* consisting essentially of two of the New York Model Magic Lanterns, with the addition of a Novel and Convenient Dissolver of our special design, the whole forming a more compact, portable, and efficient Dissolving-View Apparatus, with Oil-Light illumination, than was possible with former patterns of Magic Lanterns. Each Lantern is enclosed for transportation in its japanned case, and the entire apparatus is packed in a substantial dove-tailed box with lock and handles, the lid being detachable to serve as a platform on which the apparatus rests during exhibition. The bulk and weight being only about one-half that of the ordinary styles, renders this a very desirable Dissolving-View Apparatus. For all the details of Construction, Lenses, Lamp, etc., our customers are referred to the description of The New YorU Model Magic Lantern, OXY-HYDROGEN ATTACHMENTS VOJR THE NEW YORK MODEL DISSOLVING-VIEW APPARATUS Which can be added at any time, without any change in the original construction of the Dissolving-View Apparatus, thus converting it into an Oxy-Hydrogen Stereopticon, and rendering it capable of enlarging the views brilliantly to an area of 25 x 25 feet. Oxy-Hydrogen Attachment for using the gases from bags $125tOO CONSISTING OF Two Special Model Oxy-Hydrogen Jets, with Hoods to enclose the light. Safety Bottle for each Gas. Oxygen Apparatus as follows : Large Copper Retort, best quality. Retort Stand, Spirit Lamp, Purifier, First Quality canvas-lined Gas Bag, 30 x 40 inches area, 20-inch gusset, 55 gallons capacity. Hydrogen Apparatus as follows : Copper Generator, best quality, Purifier, First Quality extra large canvas-lined Gas Bag, 30 x 40 inches area, 30-inch gusset, 85 gallons capacity. Compound Low Pressure Dissolving Key. Rubber Tubing for Connections. One Dozen Prepared Limes. One Charge Chemicals for making Oxygen. Oxy-Hydrogen Attachment for using the Condensed Gases from Metal Cylinders $70.00 CONSISTING OF Two Special Model Oxy-Hydrogen Jets, with Hoods to enclose the light. T. H. McAllister's Patent High Pressure Dissolving Key, the only Perfect Dissolver with Condensed Gases. Rubber Tubing for Connections. One Dozen Prepared Limes. Geo. H. Pierce, Philadelphia, Pa. McAllister's "Metropolitan" Stereopticon. The above engraving represents the METROPOLITAN STEREOPTICON, resting cm. Us packing case, as it appears'whm set up for operation with High Pressure Dissolving Key ; and also shows the High Pressure Key attached to Cylinders of Condensed Gases. The "METROPOLITAN" STEREOPTICON is a handsomely finished, com- pact, and serviceable apparatus, fuUy equal to any demand of the most critical expert. It consists of two Lanterns, in which the usual " cases " or " bodies " have been entirely dis- pensed with ; this being one of the peculiarities, and especial advantages of all the styles of our "New Departure Apparatus." The Lanterns are mounted one above the other, with a free current of air between them ; they are hinged together at the rear standards, allowing the necessary elevation or depression requisite to "register" the views on the screen, and with set screws at the front standards by which they can then be locked firmly together. All the metal work (except the hoods enclosing the jets) is of Brass, handsomely finished :ei?,s. 3 inches diameter, in frame 4 by 7 inches. A new Mechanical Slide, in which humorous figures are engaged in the childish sport of "Jumping the Rope." The movement of the Rope, and the jumping of the figure beiag well illustrated— 6 different styles. S1.75 each. COLORED $1.80 Each. SCENERIES. $31.00 Per Dozen. These " Colored Sceneries " are all choice views, photograpTied directly from nature, and delicately, yet brilliantly colored, by experienced artists; each on square glass, S}4^nche8 wide, with protecting cover glass, and being uniform in size with our Uhcolored Views of "\Places of Interest,'''' can be advantageously interspersed with them during an exhibition. Experience has shown that an entertainment formed exclusively of uncolored views some- times proves monotonous, while handsomely colored views introduced at intervals during the progress of the illustrations serve to give a pleasant variety, keeping the audience "wide awake," and always on the lookout for a brilliant picture." This has induced a demand for our choice "Colored Sceneries," to meet which we keep a large assortment constantly on hand, embracing all the subjects named in our extensive lists of "Places of Interest," and in addition a very large number of new views in the United States, Great Britain, Continental Europe, Asia, Africa, South America, Marine Views, etc., etc. yiEWS COLORED TO ORDER. Some of our customers, doubtless, have Uncolored Photographic Views of Places of Interest, which would be vastly improved by the addition of color, as referred to above. By sending them to us we can have tnem colored to order in our Superior Style, at a cost of $1.25 each, — and not quite so handsomely, yet still producing a fine effect, at $1.00 each, — and in a cheaper style at 75 cents each. When colored in our Superior Style they are guaranteed to be equal to the finest imported, and are preferred by our customers. ★Tlie"STAR'lssoriefllofyi8fs.* PRICE, $50.00. To meet the wishes of numerous customers, we have arranged the following assortment of views well adapted to interest all classes in every community, and which can be used with any of the apparatus in pur catalogue. The assortment consists of our New Lecture Set, " Around the World in 80 Minutes,^' which, as can be seen by list in Catalogue, embraces illus- trations of the grand scenery and prominent buildings in the United States and in fo'reign lands, accompanied by an original descriptive lecture by Rev. C. R. Treat, of New York ; with addition of a selection of Fine Colored Photographic Views, Choice Statuary, etc., to give a pleasing variety to an entertainment— in all 86 views, which we oifer at the low price oi $50.00. List of VIEWS in tlie "ST&R" Assortment, Price, $50.00. 6i "Around the World in 80 Minutes,"* 6 Comic Views, Life-like Motion. with Lecture. 6 Silhouettes, of pleasing and 6 Fine Colored Photographic Views. amusing designs. I Good Night Chromatrope. i Cloud effect. 6 Choice Statuary. 2 Tinters. * Customers have the option of substituting any other 61 Uncolored or Crayon Photographic Views for the set of " Around the World in 80 Minutes," if they prefer to do so. The Star Assortment of Views, with a good Apparatus, makes an excellent outfit for a lecturer " on the road," as it will be new and interesting to each audience he may appear before on his reute, and contains as great a number „. views as can be conveniently shown at one entertainment. ^^To assist our customers in making choice of a suitable apparatus, ive append the cost of the Star Assortment in combination with the various most reliable styles of apparatus of ecu h class. OXY-HYDROGEN. With the Universal $4i5-00 International, Triple $5i5-00 430.00 Double 385-00 310.00 « '< Single 260.00 165.00 Metropolitan 375-00 300.00 With No. 600 500.00 602 275-00 612 190-00 6i2>^ 195.00 OXY-CALCIUM. With No 626 205.QO 635 145.00 BI-UNIAL. With the New York Model Dissolving View Apparatus 150.00 " New York Model Magic Lantern 100.00 With No. 650 90 00 653 70.00 CABINET. With No. 670 60.00 " 671 72.00 Geo. H. Pierce, Philadelphia, Pa. PRICE LIST OF FOSTERS & FROGRAfflMES FOR EXHIBITIONS. Size, 29 by 42 inches. On White Paper $21.50 per lOOa On Colored Paper 28 00 " Printed in Blue Ink 24 00 " Printed in Two Colors 35 00 " Size, 14^ by 42 inches. On White Paper $10.00 per 1000 On Colored Paper 11.00 " Printed in Blue Ink ., 12.00 " Printed in Two Colors 18.00 Size, 21 by 28 inches. On White Paper $10.00 per 1000 On Colored Paper 11 .00 Printed in Blue Ink , 12.00 " Printed in Two Colors 17.00 Size, 101 by 29 inches. On "White Paper $ 7.50 per 1000 On Colored Paper 8.00 " Printed in Blue Ink 9.00 " Printed in Two Colors 12.00 " Size, 7i by 29 inches. On White Paper $ 5.50 per 1000 On Colored Paper 6.00 " Printed in Blue Ink 7.00 Printed in Two Colors 10 . 00 Size, 6 by 10 inches. On White Paper $ 3.00 per 1000 On Colored Paper 3 . 50 " Printed in Blue Ink 4.00 Printed in Two Colors 6 . 00 " 10r° We have a large variety of attractive cuts, which can be printed with above If desired, without increase of price. Admission Tickets, on Colored Cards $1.00 per 100 Cannot print Posters in quantities less than lOOO, *' «• Tickets " *« »' *< 100. A Guide in the Selection of a Stereopticon or Maggie Lantern. The satisfactory enlargement of the picture projected by a Stereopticon or Magic Lantern depends greatly upon the condensing lenses employed, which vary in several particulars, according to the price of the instrument. In the cheaper styles, such as the Cabinet Magic Lanterns, Nos. 670, 671, the price compels the emplo)mient of a single condensing lens. But in all the first-class instruments described in this Catalogue, there are two condensing lenses in each Lantern, which afford a better illumination than is ob- tained by a single condensing lens. These are double convex in some instru- ments, and piano convex in others ; the latter being superior, yielding more light and diffusing the illumination more uniformly over the entire area. To illuminate the glass picture, the condenser must, of course, be larger than the picture, and the larger it is (within certain limits), the better will be the illu- mination. Experience has shown that condensers of 4% inches diameter supply every requisite, and our principal sales are of the instruments having piano con- vex condensers of that diameter. The Catalogue gives full particulars concerning the object glasses. It may be added, however, that the Cabinet Magic Lanterns having only one object glass have but one magnifying power ; whereas all the higher-priced instruments fitted either with achromatic, or with concavo-convex object glasses, yield more than one power, as explained in the "Tables of Powers " on page 6. The mode of adjusting the focus of the object glasses is either by a "Sliding Tube " or a " Brass Hack," the latter being much more convenient and accurate. To exhibit at a glance the special points referred to above, we give below a list of the various instruments of each grade, classified according to the style of the condensers, and the focal adjustment for the object glasses. First.— Having in each Lantern two JPlano Convex Condensers, 4% inches diameter; RACK adjustment for focus. Oxy-Hydrogen. The International, The Metropolitan, The Universal, Nos. 600, 601, 602, 60334, 6041^, 6051^, 610, 611, 6i2i^, 614. Oxy-Calcium, Nos. 620, 625, 626, 630, 635. T. H. McAllister's Patent Bi-unial Light. The New York Model Dis- solving View Apparatus, The New York Model Magic Lantern, Nos. 640, 650. Second.— Having in each Lantern two Piano Convex Condensers, 4% inches diameter; MACK adjustment for focus. Oxy-Hydrogen, Nos. 603, 604, 605, 612, 613. Oxy-Calcium, Nos. 621, 622, 627, 628, 631, 632, 636, 637. T. H. McAllister's Patent Bi-unial Light, Nos. 641, 651. Argand Gas, Nos. 660, 661. TJiird.— Having in each Lantern two Double Convex Condensers, 4% inches diameter; SLIDING TUBE adjustment for focus. Oxy-Calcium, Nos. 623, 624, 633, 634, 638, 639. T. H. McAllister's Patent Bi-unial Light, Nos, 643, 652. Fourth.— Having in each Lantern two Double Convex Con^ densers, 3% inches diameter ; SLIDING TUBE adjustment for focus. T. H. McAllister's Patent Bi-unial Light, Nos. 644, 653. Argand Gas, No. 662. Fifth. — Having in each Lantern one Condenser ; SLIDING TUBE adjustment for focus. N Cabinet Magic Lanterns, Nos. 670, 671. tt! ♦ A good Magic Lantern or Stereopticon Exhibition is always attractive to a*! elasses of the community, In every locality there is an opening for a man to do an excellent busices» with a Magic Lantern or Stereopticon and en assortment of interesting Views, \n giving exhibitions to Sunday Schools, Academies, Lyceums, Public Audiences, Families, etc., etc Only make an intelligent pubHo aware of the fact that you are prepared to givt such entertainments, and you will have little difficulty in procuring engagements. The first cost of an outfit is small when compared with the business that can be done, hence offering great inducements to a person with moderate capital There is no difficulty in learning the working of the apparatus ; any one of ordinary intelligence, by following the printed directions in our Catalogue cannot fail to produce the desired results. No heavy labor is demanded, so that persons in delicate health have often succeeded in carrying on thebusines* satisfactorily. The running expenses are very slight and the profit remunerative, as from $ I 0.00 to $50.00 per night is often received by those who use propeT means to bring the entertainments before the public. 136 South nth Street PHILADELPHIA, PA. CATALOGUE DISSOLVING-VIEW APPARATUS LIST OF SEVERAL THOUSAND AMTWTICALL Y-FIWISMJEJD VIBWS FOR THE ILLUSTRATION OF ALL SUBJECTS OF POPULAR INTEREST. FIRST yVL E D A L S AWARDED BY AM. INSTITUTE. MANUFACTURED BX Of the late firm of McAllister & Bro., Philadelphia, ESTABLISHED 1783. MANUFACTURING OPTICIAN, New York. GEORGE H. PIERCE, SOLE AGENT, 136 South nth Street, PHILADELPHIA . This Catalogue is for G-ratuitous IDistribution, ancl is Sent by Mail, on application, IPi-ee of Charge. DECEMBER, 1888. Geo. H. Pierce, Philadelphia, Pa. t'HE Stereopticons and Magic Lanterns enumerated in this Catalogue, are all manufiictu red under our persoual supervision, are warranted peifect , in every particular, and combine numerous improvements suggested by an i experience of many years. Making a specialty of tuese goods, we have always on hand the largest assortment In the United States, of all grades of price, bo as to meet the wants of all classes of customers. In the manufacture of the various Magic Lanterns, Stereopticons, and accessory apparatus, durability and simplicity have been especially studied. Nothing is com- plicated, and the irinted directions give all the information required to enable any one, anywhere, to set up and operate any of the instruments. ' Instruments of our manufacture are in successful operation in every State and Territory in the Union, and in various foreign countries ; and have received diplomas and medals from the American Institute of the City of New York, the Brooklyn Industrial Institute, and the U. S. Centennial Exhibition. An exhibition of a Stereopticon or Magic Lantern will be given without charge, during business hours, to parties desirous of purchasing. The principal points of superiority in our instruments are generally specified in the description of each apparatus ; we would, however, call attention to the following as especially deserving the notice of customers : Ist, OUR SLIDE SPRING AND STOP. This arrangement was invented by ua several years since, has been fully tested, is highly approved by all who have used it AND IS ONLY FOUND IN THE APPARATUS OF ouK MAKE. It holds the View firmly in the central line of the Lenstes, at the same time levelling it ; and the View can be placed in the Lantern with one hand instead of requiring both hands, as is necessary with the Magic Lanterns of other manufacture. In producing the Dissolving Views, it is invaluable, causing the Pictures to "register" properly upon the Screen. It often happens that two succeeding scenes in a set of Dissolving Views differ very slightly from each other. In such a case, it is very important that they should register " one with another ; that is, occupy the same place on the Screen, and our Slide Spring and Stop is the easiest and best mode of attaining this object, and heightens greatly the mystery which, to the uninitiated, is always inseparable from an exhibition of Dissolving Views. 2nd. OUR GAS BAGS. The Gas Bags supplied with our Oxy-Hydrogeu and Oxy-Calcium instruments are of very superior quality, and will outlast three or tour of tbe ordinary Rubber Bags. , w v -tu They are made exprei^sly to our order, of the best quality India Rubber ; Imed with heavy canvas duck on both the outer and inner surfaces, which serves as a protection from injury, and also prevents the surfaces from sticking together in warm climates. 'I'he Bags are of wedge shape, the cock being at the large end, which is much more convenient than when at the small end, as in the common Bags. These Bags have frequently been tested with a pressure of 1.000 pounds. 3d. OUR COMBINATION CARRIERS. (See illustrations Nos. 711, 712, of Catalogue. ) Nothing has tended so much to popularize the uncolored Crayon Pho- tographs on square glass as the Combination Carriers. The expense of framing each of the above Views separately is obviated, and the Carriers carry and- centre the square Views of either French, English or American make OUR ASSORTMENT OF VIEWS is the largest in the country, embracing a greit many Views not named in the Catalogue ; and constant additions of novelties are being made to the stock, so that we can supply an outfit illustrating any subject of popular interest. In addition to our own, we can furnish Views from any list of other makers, American or foreign. , , • In ordering Views our customers would consult their interests by leaving the selection of them somewhat to us; as our long experience will frequently enable us to make a better selection than would be possible with a person entirely unacquainted with the character of the Views. Special Views made to order at short notice. Views can be safely sent by mail. OUR GOODS ARE ALL NEW. WE HAVE NO eiuD STOCK. 2 Geo. H. Pierce, Philadelphia, Pa. INTRODUCTORY. _ The origin of the Magic Lantern, like that of so mamy other inventions is involved in considerable doubt ; from obscure passages in some old authors it has been claimed that the instrument was known to the ancients, and that the priests of the H^gyptians employed it to heighten the mysteries of their religion The first authentic account of it, however, goes back about 300 years, and though it was then a very rude and primitive affair, its revelations appeared marvelous to the uneducated ^?^iT^^?^°/A*x?m®x.*iTT^^' bestowed on the wonderful instrument the fitting name oi MAGIC LANTERN. " '♦No OTHEB OPTICAL INSTRUMENT HAS EVEB CAUSED SO MUCH WONDEBMENT AND DELIGHT. I or centuries it was regarded as a mere toy for the amusement of children but in time, its capabilities as a means of education and intelligent entertainment were recognized, and men of science interested themselves in improving the character of the apparatus and the necessary views; and as a result, the Magic Lantern has been raised to the position of a scientific instrument, of vast service in the instruction youth, and the entertainment of the family circle, or as a'beautiful and refining recr» ative exhibition to an intelligent audience. When two Magic Lanterns, illuminated with the Oxy-Hydrogen or the Oxy-Cal cmm light are combined, the instrument is called THE STEEEOPTICON and i» used principally for enlarging Photographic views of Nntural Scenery. These view* being ''Sun Pictures, " are correct in every detail of light, shade and perspective and when brilliantly illuminated and properly magnified, stand out on the screen with an almost Stereoscopic effect. The use of the Steropticon is not confined to thia class of views, as any other of the views enumerated in this catalogue can be admir- ably shown with it. • """^ The perfected Magic Lantern or Stereopticon is, in the principle of its construc- tion identical with the Magic Lantern of our childhood, but so improved and elabo- rated, as to be adapted to the production of the most beautiful effects of light and shade, form and color. By its aid the most delicately painted picture of the artist can be projected upon the canvass, in all its original glow of beauty, with often the added effect of realty of life and motion. Besides, the most fairy-hke transformations can be produced, so that the beholder may easily imagine himself in the palace of the The instrument administers not only to the pleasures of the eye and the imagin- ation, but is a valuable adjunct in populariz.ng science, and increasing our knowledee of the world. IN THE EDUCATION OP YOUTH the value of pictorial illustrl- tions is accepted as the most efficient mode of fixing ideas in the mind particularly when attained by the medium of the Magic Lantern, as, all surrounding objects being excluded, the attentio-.i of the student can be concentrated on the one point illustrated by the picture on the screen. The large assortment of views now attainable will enable a skillful instructor to illustrate before a class many subjects which have heretofore been impossible to explain, except orally ; and thus, to convey many lessons of vital importance in a most forcible manner, while the fascinating character ot the exhibition will give a charm to what would otiierwise be considered a "dry lecture. The value of the Magic Lantern for the above purposes is acknowledged by all who have tested it. A gentleman at the head of one of the largest institutions in the country, in which a Stereopticon of our make is constantly used, writesthus : «'AjTEa THE StEBEOPTICON, THE B^ACKBOABD SEEMS ALMOST GCOD FOB NOTHING. I WONDS3 HOW WE HAVE MANAGED SO LONG WITHOUT IT, mT,T?;^m,5^.'5iS Lantern has proved very serviceable in INSTITUTIONS FOR THB TREATMENT OF THE INSANE, as by its means the patients are amused and interested, and their minds turned ii to new channels of thought. Dr. Kirkbride of the Pennsylvania Hospital for Insanv), says : "No Institution can well affobd'to BS WITHOUX A LaNTEEN AND GOOD ASSOBTMENX Oa- Sl-IDi«a " 8 Geo. H. Pierce,. Philadelphia, Pa. MASO-SriC AND OTHER LODGES, and various secret societies have adopted it aslhe most efficient, attractive and economical means of illustrating their rituals T^Sargue contains lists of views for the demonstration of the work of several orsanizations. and other desired views can readily be made to order, organization^ anu j,j^^j,jg^^ij^j^ENT for tue amusement of private families nothing excels the Magic Lantern. "Who does not eecall the mute wonbeb S?LIGHT win WHiSh. IN COMPANY WITH OTHEB JD^ENILES, HE WITNESSED POB TH^ TORST TIME THE MYSTEKIES OF THE MaGIC LaNTEKN. ; WERTISING STEREOPTICONS have proved very popular and lucrative when .operly managed. One of our first-class Oxy-Hydrogen Stereopticons was Tom to%?ErYe Railw'ay Co. for this purpose, and was for ^ long time msu^^^^^^^^^^^^ oneration nightly, in the open air, at the corner of Broadway and Iwenty-third bt., ooSTsite the Filth Avenue Hotel Business cards of the advertisers, Prepared as mSc Lantern Slides, being thrown upon the canvas, highly magnified and brilliant y ELated Sterspersed with local views, artistic and comic pictures, cannot fail to aUra(^t the gLze of the cro^ nightly promenading the streets of any city or town. E^cf advertisement being shown 'separately makes a much more lasting impression *^%tL^fno1ormS pS^uTa^B ENTEE^^^^ that pays so well on the amoLt S^Lted aTdfhe'running expenses of which are as slgt ; judicio^^^^ conducted it is a remunerative and pleasant business, and offers great inducements ^L\ra nf art There are no subiects, however intricate, that may not thus oe reaaiiy ZSated as wiU be seerby examining the detailed lists of v ews enumerated in this SSu1-1n wScKri^^^^^^^^ of the choicest works of art, travels and voyages, hfstorl and sdence, Scriptural scenes, portraits of prominent persons, etc.. etc.. ^^iSTheXSfof^tllS^^^ has thus improved and has driven out convenience and ease to the operator. A Magic Lantern consists essentially ot -1st, a source of Ught ; 2d, a case to enclose Con^endng Lenses ;«!., O^^^^^rand satisf^^^^^^^ nsed in J|aS™rn is th^ ptf KTf^b\ unWe,.^trot P?nnsyW^^ |roduced by the iBn.t.orj of E if r'cf4onn^Tan>e Jf oxygen ^^^^ dfrections furnished. (See apparatus Nos. 600 to 614, a'ld Jets Nos. 705 attempts have been made to substitute some other ^q^/^y ^^f/Jf^^^^^^^ the mok economical manner of obtaining it now employed requires the aid ot a pow ^'^^r^^To^^^tc^u is a modification of the Oxy-Hydrogen light, yieWjn? a fine ^ra'°aitie:s»rnh'i^:isf^ Alcohol, the stream of Oxygen being passed through it. ihe Uxy oaicium g 4 Geo. H. Pierce, Philadelphia, Pa. magpify 'vAe views handsomely of any desired size up to fifteen feet diameter, and is admirably adapted for use in medium-sized Halls and Churches. (See Apparatus Nos. 620 to 639.) In many cases, however, a sufficiently powerful illumination can be obtained with Kerosene Oil, in a properly constructed Lamp. As none of the ordinary forms of Lamps yielded the necessary intensity of illumination, we have, after a long- series of experiments, devised our New Bi-unial Lamp, which has proved superior to any other form of Oil Lamp for Magic Lantern use, and has given universal satisfaction to our customers, magnifying the views to eight feet in diameter. Our aim has been to combine intensity of illumination with simplicity of construction, and durability ; and we can conpidentlt recommend the Bl-XTNIAL as being SUPERIOR IN ALL THESE IMPORTANT PARTICULARS TO ANY Oil Lamp heretofore used pgr Magic Lantern Illumination. (The Bi- unial is supplied with our various styles of Apparatus from Nos. 640 to 653.) An Aegand Gas Burner, connected with a gas fixture by a piece of rubber tub. ing, is sometimes used in a Magic Lantern.but does not afford a light equal to that of the Bi-unial Lamp. (See Apparatus Nos. 660 to 662.) 2d. THE CASE. A case is required to enclose the Jet or Lamp, to prevent the light from spreading over the Hall, and thereby detracting from the brilliancy of the picture on the screen. In our finest forms of apparatus the cases are of well-seasoned mahogany ; of substantial japanned tin in the other styles. In every instance the oases are made with large, well- ventilated air chambers, so as not to become unduly and uncomfortably heated, which is sure to happen when Lanterns are made to9 small, as all exhibitors can testify who have "broiled " over a so-called "Compact " Lantern, in which, in addition to the discomfort to the operator, there is a risk of breaking the Condensing Lenses by the confined heat. In all apparatus of our man- ufacture the air chamber is utilized in transportation, as the Jet, or Lamp, Chimney, Lantern front. Object Glasses, etc., are packed within it. Each case is made with a large door at side and back, so as to afford every facility for adjusting the light, etc. 3d. THE CONDENSING LENSES serve to condense the rays of light upon the transparent picture, whica is placed close to them ; and at the same time converges the rays so as to cause them to pass through the Object Glasses to the screen. To illuminate properly, the Condensing Lenses must of course be larger than the transparent picture. In former days, when all Magic Lantern pictures were painted by hand, and were often necessarily of large size, the Condensers were sometimep obliged to be eight, ten, or even twelve inches diameter. Photography, however, has done away with the necessity of making the slides so large, and consequently the Condensing Lenses need not be made of the dimensions formerly employed, fhe standard size now adopted for Photographic Lantern slides is three inches diameter, and experience has shown that Condensing Lenses of four and five-eighth inches diameter at the farthest supply every demand. The finest instruments described in this Catalogue are furnished with double condensers of that diameter, while in some of the other grades of instruments. Condensers of smaller diameter are employed. A combination of two Plano-Convex Condensing Lenses has been found to yield the best results. The Catalogue gives also a line of Lanterns fitted with Double Convex Condensing Lenses, two in each Lantern, and in the cheapest form of Exhibition Lanterns (Nos. 670, 671), there is but one Condensing Lens. Triple Condensers have been proposed, but have been found to yield no advantages commensurate with their increased cost. In all the instruments noted in this Catalogue, especial care- has oeen bestowed to have the Condensing Lenses made of the clearest glass, free from any imperfections, accurately ground and polished, and properly mounted. 4th. THE OBJECT GLASSES. The Object Glasses of a Magic Lantern are mounted in front of the transparent glass picture, which being illuminated by the aid of the Condensing Lenses, is magnified and projected upon the Screen by the Object Glasses. However brill antly the transparency may be illuminated, it will not be truly transmitted to the screen if the Object Glasses are not correct in material, form and focus. If the glass of which they are made is not clear, the image on the screen will be obscure ; if the curves of the lenses are not accurately ground, and the sur- faces are not highly polished, the magnified picture will be presented with indefinite- ness and distortion ; and if the lenses are not of proper focus, the vi«w will not b* magnified to the desired dimensions. Geo. H. Pierce, Philadelphia, Pa. In the finest instruments specified in tliis Catalogue, tlie Object Glasses are Achromatic ; each Glass being a combination of a Convex Lens of Crown, with a ^^^^^^ Concave Lens of Flint, as shown in the annexed diagram. An ^^^M^^^^. "Achromatic" Object Glass presents the picture on the screen clear and sharply defined, free from any blurred outline of ^^^^HBHM||| prismatic colors. The great advantage of Achromatic Object Glasses is especially noticed with the Uncolored Views of Statuary, Architecture, Natural Scenery, etc., while they lend an additional charm to the finely Colored Photographic Views. ^ In the Stereopticons and Phantasmagoria Magic Lanterns not fitted with Achromatic Lenses, the Object Glasses are a combination of Concavo Convex Lenses made of the best Crown glass, accurately ground and polished, and giving results approaching as nearly as possible to those produced by the Achromatic Object Glasses. fMAGNiPYiNG Powers. The dimensions of the magnified picture produced by any Object Glass will depend upon the distance between the apparatus and the screen — the greater the distance, the larger the picture ; and as the position of the apparatus will vary according to the size and proportions of a building, it is some- times necessary to place the apparatus near the screen, and at other times further off ; for instance at the extreme end of a Hall, Theatre, or Church, in the rear of the audience. An Object Glass which will make a picture of proper size at short range, will make entirely too large a picture at long range. It is therefore very desirable to have an apparatus with different magnifying powers, one or the other of which can be used as the occasion may demand. The advantage of an apparatus thus arranged will be appreciated by any one who has used a Magic Lantern furnished with only one Magnifying Power of Short Range, with which it is necessary to be always near the screen to produce the picture of proper size, thus frequently obstructing the view of the audience, and detracting very much from the beauty of the exhibition. All the Stereopticons and Phantasmagoria Magic Lanterns specified in this Ca,tn- logue, are supplied with Object Glasses giving various powers, the results of which are given approximately on the annexed "Tables op Powers." Achromatic Object Glasses. Distance of Screen from Apparatus. Size of Picture with High Power. Size of Picture with Low Power. 10 Feet 5 Feet. 3 Feet. 20 " 10 •' 6 " 30 " 15 •' 9 " 40 '• 20 " 12 " 50 " 25 " 15 " 60 " 30 " 18 " ***Our "UNIVERSAL," «« METKOPOUTAN " and "INTERNATIONAL" Stereopticons, and Nos. 600, 601, 610, 611, 625 have also two additional powers lower than the above, and thereiore allowing the instruments to be used at a longer range. Concavo- Convex Object Glasses, Distance of Screen from Apparatus. Size of Picture with High Power. Size of Picture with Medium Power. Size of Picture with Low Power. 10 Feei, 6 Feet 5 Feet. 3 Feet. 20 " 12 " 10 " 6 " 30 " 18 " 15 " 9 " 40 " 24 " 20 " 12 " 50 " 30 " 25 " 15 " In our cheapest form of Exhibition Lantern, see Nos. 670, 671, the low price compels the em- ployment of a single Object Glass, which is a double Convex Lens of the best Crown glass, accu- rately ground and polished; making a picture of 5 feet diameter, « hen the apparatus is about 10 feet from the screen. ('ADJUSTMENT OF FOCUS. To make the details of the Picture on the Screen sharp and well defined, the Object Glasses must be moved in or out very gradually, or "focussed," until the desired result is obtained. In the cheaper instruments, this is accomplished by moving the Tubes by hand ; but all the liner Instruments are provided with a Rack work controlled by large milled Head, which is far more accurate and convenient than the Sliding-Tube Adjustment 6 Geo. H. Pierce, Philadelphia, Pa. VIEWS. This Catalogue contains an extensive list of Views, to which additions are being constantly made ; giving aa assortmeat illustrating all subjects of popular interest, and graded in price a -cording to the style of finish. Tue Views are of a uniform size, and can be shown in any Magic Lantern haviuj^ Condensing Lenses over 3 inches diameter. THE FINELY COLOKED PHOTOGRAPHIC VIEWS, leave nothing to htt desired us regards Artistic Finish.* These are carefully photographed on glass from fine engravings or original draw- ings, and delicately colored by experienced artists with the most appropriate tints. The coloring is by a peculiar process, which gives extreme brilliancy and perfect transparency, withimt any mark of the artist's brush, or any thick body of varnish so often seen in the old style of hand painted views. The pictures seem as it were tc be incorporated in the glass, and can be magnified to any extent with all the original brilliancy and transparency ; they are not affected by extremes of heat or cold, and can even be immersed in water for any length of time without injury. This style of View is especially adapted fur the illustration of Historical, Scriptural, Artistic, and Scientific subjects ; also for the production of "Sets of Dissolving Views, " a large list of which will be lound in this Catalogue. These Dissolving Views cannot be used in a Single Magic Lantern, requiring a " Dissolving View Apparatus," or a Stereopticon to yiel I the desired results, and always constitute a most attractive exhi- bition. The novel effect of " dissolving " one city into another — New York into London, London into Paris, Paris into Eome, etc., the exterior of a building into the interior of the same building, changing a smiling summer landscape to a snowy winter scene, etc., etc., and all in so gradual a manner as always to leave a picture before the audi- ence—produces a magical effect that never fails to please. THE DNCOLOEED PHOTOGEAPHIC VIEWS of world renowned places of interest, are valuable as being truthful representations, cf well known buildings, monuments, or natural scenery. Great additions have recently been made to the assortment, from which views can be readily selected calculated to give an audience a perfect idea of the scenery, architecture, etc., of any portion of our own country om of foreign lands. An exhibition of this class of views, by the aid of an Oxy-Hydrogen Apparatus* accompanied by appropriate explanatory remarks, is always attractive. Tue neces- sary descriptions need not be lengthy, and can be drawn up by consulting the proper "Guide Books" and " Gazetteers." "Wilson's Lantern Journeys," in three volumes, price $3.00 per volume, contain entertaining and authentic accounts of over 1,900 views ; the volumes are sold separately or together, and are invaluable, having been compiled expressly for the use of exhibitors. To relieve a lecturer from the labor of preparing the necessary descriptions for a colleciion of views, we furnish a series of carefully selected sets with a printed lec- ture accompanying each set. Attention is especially called to the List op THESE " Lectdbe Sets." Illustrations of Statuary stand out from the canvas with the solidity and purity of the marble, and when shown on a delicately colored back ground supplied by a "Tinter," produce a charming effect. Any of the "Colored Photographic Views" can also be furnished in the style of Uncolored or "Crayon" Photos, besides which we have always on hand a large line of miscellaneous subjects, comic, etc., in the Crayon style. These Uncolored or "Crayon" Photographic Views are each on, square glass three and one-quarter inches wide, and can be usedconveniently in any Stereopticon or Magic Lantern, by the medium of the Combination Carriers, Nos' 711, 712, of this Catalogue. VIEWS WITH MECHANICAL MOVEMENTS are supplied in great variety, embracing Scientific subjects, Comic, etc., and are always interesting, especially to the younger portion of an audience. A set of Astronomical SUdes, in which the movements of the Heavenly bodies are imitated by rack work, is an excellent addition to a popular Lecture on Astronomy, and the Transformation Comic Slides, Dioramip Slides, ^ Eevolving Slides^ Chromatropes, etc., tend very much to enliven ' -exhibition. 7 Geo. H. Piekce, Philadelphia, Pa. HINTS TO INTENDING PUROHASEES. With a good outfit, properly brought to the attention of the puUic^ an intelligent, active man can conduct a profitable business. In the selection of an Outfit, the assortment of Views, and the style of apparatus, will be governed by the intentioa and means of the purchaser. To constitute a good assortment of Views for an evening's exhibition will require not less than fifty Views ; if desired for a public entertainment, such Views must be selected as will be calculated to demand the attention of the people, attract them to the performance, and MAKE IT PAY. The assortment of Views will depend, to a considerable extent, upon the section of country designed to be operated in, and the character of the audience particularly desired to be drawn together. t •Thus, many Views which will be very attractive to an Eastern audience, will not prove so interesting to an audience in the Western or Southern States. For a SUN- DAY SCHOOL, the majority of the Views should illustrate the events of Bible His- tory which the scholars have been studying, or with which they may be familiar. For an ACADEMY or LYCEUM, Scientific Views should form the greater part of the programme. For a general PUBLIC AUDIENCE, or for a PAKLOK ENTERTAIN- MENT, an assortment of well selected miscellaneous Views, gems of Modern and Ancient Art, Statuary, Stereographs of Natural Scenery, etc. The beautiful sets of Views well called " Dissolving Views," yielding eJBfects which appear incomprehensible and almost magical to the uninitiated, are always popular, on account of their possess- ing that element of mystekv in which mankind always delights. The gradual change of a scene from summer to winter — the falling of snow upon the scene — the introduc- tion of figures into a landscape — ,a vision, where an instant before there was a clear sky, etc., etc. ; all have a mysterious character when seen by those unacquainted with the working of the apparatus. There is no form of Popular Entertainment, which com- bines so much that is attractive to a refined audience— being at the same time intel- lectual, pleasing and instructive— as a "Dissolving View Abt Enteetainment. " The Views principally chosen for such an exhibition are the choice uncolored Photo- graphic Views of renowned scenery, or Buildings of Historic, or other interest, Statuary, etc. The audience can in imas;iniition be carried to distant scenes, and behold the art treasures of the world, the buildings or localities which have become famous either on account of their intrinsic beauty, or of important historical events with which they may be associated. London, Paris, Rome, Egypt, The Holy Land, etc., may thus be visited, and a better idea of the scenes conveyed to the mind than could be obtained by reading many books of travel. This Catalogue contains an extended list of suitable views ; and our "LECTURE SETS" are admirably adapted for the purpose, as the accompanying printed Lectures supply the description of each view ready at hand. The Finely Colored Photographic Views, Transformation Comic Slides, etc., can be judiciously interspersed to make a more varied programme ; and some fine allegorical or patriotic pieces such aa " The Rock of Ages," or "Washington Crossing the Delaware," etc., etc., would make a fitting close for the entertaioment. In large cities, an entertainment will often prove popular if the views are con- fined to the illustration of some one department of Art, Science, History or Travels ; but for a traveling exhibition, it has been found better to form the programme by a judicious mingling of different styles of views, having a combination ranging from " grave to gay ;" so that all classes of the community can come, with a certainty of seeing something adapted to the comprehension of every one in the hall. And to give variety and life to , any exhibition, there must be a choice selection of the comic Views, pai-ticularly those with mechanical effects, and one or more of the beautiful Chromatropes or artificial fireworks, will serve to close the performance brilliantly, and to leave a pleasing impression upon the memory of the audience. The explanatory remarks should be brief and to the point ; - the views generally require little explanation— and people usually come to these exhibitions to be in- htructed and an used by what they see, and not by what they hear ; a good anecdote, however, brought in at the right moment, will always be appreciated, and will keep the audience in good spirits, induce them to come again and bring their friends, ard thu« MAKE IT PAY. 8 Geo. H. Pierce, Philadelphia, Pa. To give strictly first-class entertaiaments in cities and large towns, one of our OXY-HYDROGEN STEREOPTICONS will be found to he the most complete apparatus for the purpose — being well made in every respect, convenient in ar- rangement, and free from complication ; fitted with the best Lenses and the most powerful light, capable of enlarging the Views up to twenty-five to thirty-five feet diameter. (See Apparatus Nos. 600 to 614.) *** For $25.00 extra, either of the Oxy-Hydrogen Stereopticons can be supplied with two Oxy-Calcium Jets No. 703, and two Bi-unial Oil Lamps and DissoVer. Thus allow- ing the apparatus to be converted at will into an Oxy-Hydrogen Stereopticon, an Oxy- Calcium Stereopticou, or a Bi-unial Dissolving View Apparatus. *** For $13.00 extra, either of the Oxy-Hydrogen Magic Lanterns can be supplied with an Oxy-Calcium Jet No. 703, and Bi-unial Oil Lamp ; thus allowing the apparatus to be converted at will into an Oxy-Hydrogen Magic Lantern, an Oxy-Calcium Magic Lantern, or a Phantasmagoria Magic Lantern. The OXY-CALCIUM LIGHT is the next in intensity, and the Catalogue presents various styles of apparatus in which that light is employed, capable of enlarging the Views to fifteen feet diameter. The Oxy Calcium, particularly •that with the " House Gas Attachment," is admirably adapted for exhibitions in Halls and Churches of medium capacity, Drawing-Room Entertainments, Lodge Kooms, etc. (See Apparatus Nos. 620 to 639.) *#* For $12.00 extra, either of the Oxy-Calcium Stereopticons can be supplied with two Bi-unial Oil Lamps, and Dissolver : thus allowing the apparatus to be converted at will into an Oxy-Calcium Stereopticon. or a Bi-unial Dissolving View Apparatus. *«* For $5.00 extra, either of the 0.xy-Calcium Magic Lanterns can be supplied with a Bi-unial Oil Lamp ; thus allowing the apparatus to be converted at will into an Oxy- Calcium Magic Lantern, or a Phantasmagoria Magic Lantern. THE DISSOLVING VIEW APPARATUS AND PHANTASMAGORIA MAGIC LANTERNS WITH BI-UNIAL LAMP, will make a highly satisfactory picture up to eight feet diameter, and will be found suitable for use in small halls, Sunday school rooms, societies, family amusements, etc. (See Apparatus Nos. 640 to 653.) THE PARLOR MAGIC LANTERNS are designed especially for use in resi- dences where a counection can bo made with a gas burner, and an exhibition for the younger members of the family got up at a moment's notice • secret societies have also found them very serviceable. (Si e Nos. 660 to 662.) THE CABINET MAGIC LANTERN is the cheapest form of Exhibition Lantern in the market, and has been very popular with those who wish an economical outfit. The -'$50.00 Outfits" and the " $-25.00 OuTfiTs" described in this Catalogue, have met the demand for a good cheap outfit, and have given excellent satisfaction. (See Nos. 670, 671.) ^ The "Dissolving Views" require for their production a pair of "Dissolving View Lanterns" or a "Stereopticon ," but many pretty eftects can also be produced by a Single Magic Lantern with great simplic ty and ease ; for instance, by holding a piece of delicately tinted glass in front of the object glasses of a Magic Lantern, an entire change is produced upon the picture on the screen, giving it a color corres- ponding with the tint of the glass ; and by the exercise of a little taste in selection of the colors employed, a variety of delicate transformations may thus be produced— a blue glass will give the eflfect of moonlight, a light red glass will cast a sunset glow over the picture, and bo on. Statuary, also, can be colored by the use of these "tinters." in exhibitor must be careful to have the apparatus always in perfect conditio' and the views arranged in the order in which they are to be shown ; ko, that in t dark, the hand can be immediately placed upon the required slider. He must ne\ be in a hurry, and the audience must not be allowed to come too close to the appu ratus, for some inquisitive intermeddler will be sure to make confusion by di» arranging the views, and thus mar the beauty of the exhibition. 9 Geo. H. Pierce, Philadelphia, Pa, OXY-HYDEOGEN STEREOPTICONS, No. 600. Tmi ftmiim Mj-Mjingm St@i@@|i@@i. Consisting of two Lanterns of finely-finished and well-seasoned kiln-dried ma- hogany with double metal tops; each fifteen inches long, eleven inches wide, eleven inches high; hinged Door at back aud also at side of each Lantern; the front, of each Lantern removable at pleasure to accommodate accessory apparatus for chemical or scientific experiments; mounted on elevated mahogany Platform, with lateral and vertical Movements for each Lantern; T. H. McAllister's Slide Spring and Stop; Indicator for pointing out to the audience any particular part of the view; first-quality plano-convex Condensiug-Lenses, 4^ inches diameter, mounted in brass; Extra-quality large-size Achromatic Object Glasses, giving four differ- ent magnifying powers, free from chromatic or spherical aberration; Kack-work. Adjustment for focussing; first-quality Oxy-hydrogen Jets, tipped with platina, to burn the mixed gases, with elevating and clamping Screws to each Jet, and also for the Lime Cyhnders; Safety Bottle for each gas; improved Dissolving Key; copper Oxygen Eetort, with Stand, Argand Spirit Lamp, Purifier and india-rubber Tubings copper Hydrogen Generator, with Purifier and india-rubber Tubing; extra-large (30x40x30 inches area, 85 gallons capacity) canvas-Uned india-rubber Gas-Bag for Oxygen; extra-large (30x40x30 inches area, 85 Gallons capacity) canvas-lined india-rubber Gas-Bag for Hydrogen: blue and red glass Tmters; one-dozen pre- pared Lime Cyhnders; one charge Chemicals for making oxygen. All the metal work of this Stereopticon is finished with heavy nickel plate, and therefore, not tarnished by use or exposure, and always presenting a handsome appearance. This instrument is made throughout in the very best manner; is adapted for use in the largest halls, and will magnify the Views of any desired size up to thirty-five feet square (1,225 square feet of surface), with fine definition and powerful illu- mination. Securely packed in two strong packing cases with hinged lids, locks an^ handles $450.00 The annexed engraving will illna- trate the construction of No. 600, the side of one Lantern being cut away to show the interior. A— Condensing Lenses. B— Object Glasses. C— Dissolving Key to transfer the gases from one Lantern to the other. D— Elevating Screw to elevate Back of each Lantern. E— Elevating Screw to elevate Front of each Lantern. F— Safety Bottle for Hydrogen^ G— " " for Oxygen. H Air Chamber for ventilation. 11 GeoH. Pierce, Philadelphia, Pa. leAIIIitei'g St©f©0|lig@a, The "UNIVEKSAL" is a new pattern, of most improved construction, giving many advantages over any other form of Oxy -Hydrogen Stereopticon for general exhibition purposes, as well as for Colleges, Public institutions, etc. The above engraving represents the "UNIVEESAL" when set up with the Lanterns side by side, showing the general form of the apparatus, separable platform with the safety bottles, packing case, etc. The only Oxy-Hydrogen Stereopticon in which the Lanterns can be placed either side by side, or one above the other, or can be separated and used singly. The only "2-Story" Stereopticon which can be operated at will from either the Right Hand, or the Left Hand side. The only " 2- Story " Stereopticon in which there is a free current of air between the Lanterns, so as to prevent the upper Lantern from becoming unduly heated. In this "2-Story" Stereopticon the entike upper Lantern can be depressed or elevated ;— (in other makes, generally' the Front only, carrying the Object Glasses, can be depressed or elevated, the light from the Jet consequently being thrown out of line). In addition to the above points of excellence, the "UNIVERSAL" combines various other advantages, among which may be mentioned the following : THE BELLOWS EXTENSION FRONT, allowing Object Glasses of any range of Focus to be used, without dispersing the light over the Hall. ^REMOVABLE FRONT. The Bellows Extension Front can be removed in a moment, so as to admit Vertical Attachment No. 680, Microscopic Attachment No. €81, or any other piece of apparatus for Scientific experiments. The Lantern bodies are extremely compact, but being thoroughly ventilated, do aiot become so warm as to be uncomfortable to the operator. 12 IllfuilUymil-riSui'r! ' The above engravinpj represents the "UNIVERSAL" when set np. aa • *S.Story " Stereopticon, showing the Bellows Front, Ventilating Apertures, etc. The above engraving represents one of the Lanterns detached to use as a Single Lantern-showing the mode of detaching the Front from the Body of the Lantern, for use of Vertical Attachment No. 680, or any other accessory for Scientific experiments. . McAllister's UNIVERSAL Stereopticon consists of 2 Lantern Bodies of Ma- hogany, 1% inches long, 1% inches wide, 1%% inches high, outside measure ; each body lined with Metal on inside, with double Metal top thoroughly perforated for ventilation ; Bellows front with extension admitting of Object Glasses of any length of focus, the front removable for accommodation of accessory apparatus for Scientifac experiments : mounted on elevated mahogany platform as shown in engraving ; bhde Spring and Stop ; Indicator for directing the attention of the audience to the details of the View : first quality Plano Convex Condensing Lenses, 4^ inches diameter^ mounted in Brass ; extra quality Achromatic Object Glasses, giving four yarities of magnifying power, with Rack work adjustment for focus ; first quality Oxy-Hydrogen Jets, piatina tipped, with elevating and clamping Screws for Jets and also tor Lime Cylinders: SatW Bottle for each Gas ; compound Dissolving Key ; Copper Oxygen Retort with Stand, Spirit Lamp and Purifier ; Oxygen Gas Bag, extra large size (85 gallons capacity), of first quality India Rubber, canvas hned ; Copper Hydrogen Generator with Purifier ; Hydrogen Gas Bag, extra large size (85 gallons capacity), of first quality India Rubber, canvas lined ; Blue and Red Glass Tmters ; one dozen prepared Lime Cylinders ; one charge Chemicals for making Oxygen, ^ecurely packed in two strong packing cases with hinged lids, locks and handles, - ^6^i* 0« For the convenience of parties already possessing the necessary Gas Apparatus, and also for those residing in large cities where the Gases can be purchased con- densed in Metal Cylinders, we sell the UNIVERSAL STEREOPTICON with OMISSION OF Elevated Platform, Oxygen and Hydrogen Apparatus and Gas Bags, and with our Patent High Pressure Dissolving Key in place of the Compound Key,* for 7 S270 00. ♦ The Compound Key is especially designed for use with bags, while our Patent High Pressure Key (see description on colored sheet), is the only Key by which the perfection of Dissolving Effects can be obtained with the gases condensed', in cylinders. Gjco. II. Pierce, Philadelphia, Pa. No. 601. ^Consisting of two Japanned Lanterns, extra heavy material, each 10 by 8 inches square, 16 inches high ; hinged door at side, and sliding door at back of «ach Xiantem; mounted on mahogany iPlatform, with elevating screw for each Lantern; first quality Plano- The Gas will now begin to pass over , and can be seen bubbling up through the Water m the Purifier, and the process will continue until the Bag is full, or until the materials m the Generator are exhausted. After having made the Gas, shut oflf the Cock at the Bag and detach the Purifier. Remove the inner copper Drum and wash it and the Zinc with clean Water, Empty the Acid from the copper Tank. If it is fresh, pour it into a bottle for future use; but if it is not fresh, it is better to throw it away than to run the risk of a failure from poor Acid. Wash the Tank with clean Water. _ It is recommended to make the Hydrogen in the open air, to avoid damage to clothing ^ or f urniture from the spilling of the Acid, which is almost unavoidable. The Gas furnished by the public gas works answers equally as well as pure Hy- drogen Gas. Therefore, in cities and towns where there are Gas Works, the manT> facture of Hydrogen can be dispensed with, and the Hydrogen Gas Bag can be filled by making connection between the Bag and gas burner, with a piece of the india- rubber Tubing. To Operate the Oxy-Hyd^ogen Stereopticons. The apparatus must be at a proper distance from the Screen to produce the view* of the desired dimensions (see table on page 6, having the lenses, as nearly aa possible, on a level with the centre of the Screen. The Condensing Lenses and Object Glasses must be carefully cleaned, previous to each exhibition. Place the Lanterns on the Platform, each on its own Pivot. Set the Safety Bottles in their Sockets, having proper quantity of water in each. Place the Oxy-Hydrogen Jets in the Lanterns with a cylinder of good, hard Lime in the Lime Carrier of each. On the floor in front of the apparatus, place the Gas Bags, each under its Pressure Board. On the Oxygen Bag thei should be about two hundred and fifty pounds weight, and the same on the Hydrogen if House Gas is used ; if, however, pure Bydrogen (made from Zinc and Sulphuric Acid) is used, there should be from one hundred and fifty to two hundred hundred pounds weight on. the Hydrogen. Tl*e 19 Geo. H. Pierce, Philadelphia. Pa. beet way to provide the weights for a traveling exhibition is to procure good stout bags, such as are used for gram or salt, and carry these along with the apparatus, and fill them with dirt or samd, which can be thrown out at the close of the performance, and the bags packed u^j with the apparatus. With the long, flexible Tube marked HYD, connect the Hydrogen Bag with the top opening of the Hydrogen Safety Bottle, then connect the side opening of the Bame with the Dissol-ving Key, and that again with the Cock of each Jet marked H. (The Hydrogen is always the outside Stop Cock of each Jet; the Oxygen is always the inside Stop C Jk of each Jet. All the flexible Tubes which form the Hydrogen connections are distinctly marked HYD, at each end). With the long, flexible Tube marked OXY, connect the Oxygen Bag with the top opening of the Oxygen Safety Bottle, then connect the side opening of the same with the Dissolving Key, and that again with the Cock of each Jet marked O (All th^ flexible Tubes which form the Oxygen connections are distinctly marked OXY at each end). Turn the Cock at each Bag, and also the Cocks at the Jets full head oa, and set the Lever of the Dissolving Key so as to send the Gases equally to each Jet. If the Pipes are all clear and unobstructed, and the weights on the Bags are correctly adjusted, the the Gases will be seen bubbling up, with equal force, through the Water in each of the Safety Bottles. Move the Lever of the Dissolving Key from side to side, and notice if the bubbles in each of the Safety Bottles continue to come up without interruption.^ 'if there is any interruption, the Tubes must be detached and ex- amined, as well as the Jets, to ascertain where the obstruction is, and to remove the cause. Allow the Grases to pass through in this way for half or about one minute, so as to expel all the atmospheric air from the Tubes Then stop the Gases at each Jet, and turn on a little Hydrogen to each Jet, by the Cocks marked H, and light it with a match as it issues from the Jet. Allow the Hydrogen to bum thus for about two minutes, that the Lime Cylinders may be gradually heated up. (The Lime Cylinders generally require to be about one-eighth of an inch from the Jet, but this will vary with difierent samples of Lime. The Lime Carriers, therefore, are mounted on a Sliding Bar with Clamping and Elevating Screws for ease of adjust- ment). Move the Lever of the Dissolving Key to the right until it is stopped by the Pin. This will send almost all the flow of each Gas to the Jet in the right-hand Lantern, thus reducing the flame in the left-hand Lantern to a small size — merely enough to keep up the flow. Next, turn on very gradually the Oxygen to the Jet in the right-hand Lantern, by the Cock attached thereto marked 0^ and then increase the flow of each gas very gradually until the light is brilliant and dazzling. To obtain this, requires the Gases to be very delicately proportioned to each other — too much either of Oxygen or of Hydrogen will reduce the intensity of the light and • waste Gaa When the light is perfect, there will be scarcely any flame visible, but the front surface of the Lime Cylinder will be of Such a dazzling brightness that that the eye cannot look directly at it without injury. Never look, therefore, at the lime itself, but observe its reflection in the Condensing Lens and its condition can be seen exactly. Always follow this rule. Then move the Lever of the Dissolving Key to the extreme left, and adjust the Jet in the left-hand Lantern, in the same way as directed above. Place a View in the left-hand Lantern and adjust the Focus. Move the Jet back and forth from the Condensing Lenses, and slide it up and down on the Rod until the Picture on the Screen is evenly illuminated, then secure it by the Clamping Screw. Move the Lever of the Dissolving Key, and transfer the Gases to the Jet in the right-hand Lantern, Place a View in the right-hand Lan- tern, and adust the Focus, and adjust the Jet as directed above. Turn the Lever of the Dissolving Key half way, and each Picture will be seen on the Screen. Move the Lanterns on the Pivots in front, so as to bring both Pictures on the same space, or make them ' ' register. " Then, by moving the Lever of the Dissolving Key from one side to the other, thereby transferring the Gases from one Jet to the other, the Pictures will beautifully dissolve one into the other — one will fade away and the other replace it on the Screen in a manner which never fails to astonish and delight the audience. While a picture in one Lantern is before the audience, and the explanatioa of it is being made, quietly withdraw the View from the other Lantern, and replace it by another, and dissolve by moving the Lever of the Dissolving Key. To show Statu- ary upon a colored ground, place a colored Tinter in one Lantern, which will S reduce a colored Screen, then place a statuary Slide in the other Lantern, move le Lever of the Dissolving Key half way, and the Statuary will appear on the col- 20 Geo. H. Pierce, PniLADELPiiiA, Pa. ore"^ background, and can be slowly dissolved out in the same way. The Lime Cyimuei- must be turned occasionally during the exhibition, to present a new sur- face, and the pioportions of tbe Gases will require adjusting every now and then. At the close of the exhibition, (or if it should be necessary, during the exhibi- tion, to make any change in the position of the Gas Bags, or of the Weights), turn off both Gases at the Bags— the Oxygen first, and then the Hydrogen. Force out any Gas that may remain in the Bags; and, if the Apparatus is not to be used im- mediately, the Bags will be better preserved by hanging them up in a dry, cool Toom, where there will be a free circulation of air. Directions for Making Pressure Boards. The Pressure Boards should be made of first- quality lumber, free from knots or imperfections — planed smooth on both sides, tongued and groov- •ed. Make them 32 inches wide, 42 inches long. Battens 6 incnes wide at each end of the lower board. The upper batten of the top board net 6 in- ohes back from the end, to make a rest for the weights. The battens screwed on, not nailed, •care being taken that the ends of the screws do not project through and thus injure the bag. The two boards hinged together by wrought iron strap hinges, "bent over, and screwed to outside of the battens. Leave about half an inch space Taetween the boards to allow for thickness of bag. (The strap hinges can be fur- aiished at 50 cents a pair). Some operators prefe; to make a double pres- sure board, placing the bags one over the other, as shown in this diagram, and thus make the same weights answer for both SI Geo. H. Pierce, Philadelphia, Pa. OXY-CALCIUM STEREOPTICONS. The Oxy-Calcium Light is inferior io the oxy-hydrogen, though far more intense than the most brilliant oil lamp, its illuminating power being equal to the light of one hundred candles. It differs from the oxy-hydro- gen in using but one gas, oxygen; the flame of an alcohol lamp replacing the hydrogen. The Oxy-Calcium Apparatus is more compact and portable than the oxy-hydrogen, more simple, and more easy to manage. It will illuminate the views brilliantly when magnified to an area of fifteenfeet,^ {two hund- red and twenty-five square feet). 22 Geo. H. Pierce, Philadelphia. Pa. OXY-CALCIUM STEREOPTICONS. No. 620. ^ — Ai Tonsistine of Two Japanned Lanterns, each ten by eight inches square, sixteen iT,f.hp<4 hieh hinged Door at side and Sliding Door at back of each Lantern ; first quality pllno-convex Condensing-Lenses, 4^ inches diameter; first-quality Achro- ^ nhippt ClasseSi eiving High and Low-power Combinations; brass work AdLtment for focussing; T. H. McAllister's Slide Spring and Stop; T H McAllister's improved adjustable Oxy-Calcium Jets, with clam'pmg and ele- crating Screws, for Lime Cylinders; Dissolving Key; copper Oxygen Retort, with Stand Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas-hned Gas-Bag, 30x40x20 inches, 55 gallons capacity; o^ie dozen prepared Lime Cylmders; one charge Chemicals for Oxygen. Securely packed m ^iibBtant^ial dove-te^ed pack- ing case with hinged lid, lock and handles; the lid is made with shp hinges, so that ircaTbe removedTn aA instant. This lid serves as a platform for the Ap^ratus^ the Dissolving Key being permanently attached to the inner side !tfl4:&.VU Consisting of Two Japanned Lanterns, each ten by eight inches square sixteen inches high; hinged Door at side, and Sliding Door at back of each Lantern; first quality plano-convex Condensing-Lenses, 4| inches in diameter; first quality uiBo^ixo, ^ J, rkK!a/«* niaccpc P-ivinff Hio'h and Low-power Combinations; 'M^Xo2X^.?2tT!^ SsfingT*. H. McAllister's Slide Spring and S T H McAluiter's improved adjustable Oxy-Calcium Jets, with clamping aSfelevating Screws, for Lime Cylinders; Dissolving Key; copper Oxygen Ret«rt, ^th Stlnd Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas- iTned ^-Bag, 35x40x20 inches, 55 gallons capacity; one dozen prepared Lime Cyl- inders^ne charge Chemicals for Oxygen. Securely packed m subst^tial dove- tSed packinrcase, with hinged lid. lock and handles; the lid is made with «lip hTnges Cthat it can be removed in an instant. This lid serves as a platform for fie Apparatus, the Dissolving Key being permanently attached to the ^-^jr^g^e.^ No. 622. Same dimensions, accessories and magnifying power as No. 621; with concavo- convex Object Glasses ' *^^d.c/w No. 623. > Consisting of Two Japanned Lanterns, each ten by eight inches sqnare, fifteeo inches hig?rSnged Door at side, and Sliding Door at back of each Lantern ; double convex CondensiDg-Lenses. 4^ inches diameter; first quality Achromatic Ob- convex ^^uu ¥ . jjj ^nd Low-power Combinations; brass Slip-tub« ^A^nlSients for focusing; McAlhster's Slide Spring and Stop; T. H. McAl- lI'ex^sTmproved S Oxy-Calcium Jets, with clamping and elevating Screws L^T^c7inderirDissolvi/g Key; copper Oxygen ^i^^ |^"^^ot4r20 Spirit Lamp Purifier and india-rubber Tubing, and canvas-hned Gas Bag, 30x4Ux<» Ks sTIallons^^^^^^^ one dozen prepared Lime Cylinders; one charge Chem- i??s for olygen Securely packed in substantial dove-tailed packing case witt Mnged lidrf^^^^^^^ lid is made with slip hinges, ^^^^^^ moved in an instant. This lid serves as a platform for the Apparatus, tte -Dissohj ing Key being permanently attached to the inner side qn^v.vv No. 624. Same dimensions, accessories and magnifying powers as No. 623. ^i^h Conca^ convex Object Glasses »^uu,uv 23 Geo. H. Pierce, Philadelphia, Pa. OXY-CALCIUM STEREOPTICONS, WITH HOUSE GAS ATTACHMENT. As almost every village and town is nuuj supjjueu aiiiri, public gas works, furnishing carbureted hydrogen gas, I have contrived a new pattern of Oxy-Calcium Stereopticon, with an attachment to connect with any gas burner, and thus burn house gas in place of the alcohol. The light is more intense than when alcohol is used, is more uniform, is more easily managed, and, at the same time, more economical. In places where there are no gas works, alcohol can be used {as in Nos. 620-624) without any alteration of the Apparatus. This form of instrument has proved very popular, and is, perhaps, for general purposes the most desirable style. It is admirably adapted for parlor entertain- ments, Sunday-school exhibitions, etc.> 24 Geo. H. Pierce, Philadelphia, Pa. No. 625. WITH HOUSE GAS ATTACHMENT. Consisting of Two Lanterns of finely-finished and well-seasoned mahogany, with metal tops; each fifteen inches long, eleven inches wide, eleven inches high; hinged door at back and also at side of each Lantern; the front of each Lantern removable at pleasure to accommodate accessory apparatus for chemical and scientific experi- ments; mounted on elevated mahogany Platform, with lateral and vertical Move- ments for each Lantern; T. H. McAllister's Slide Spring and Stop; first quality plano- convex Condensing Lensp«, 4^ inches diameter, mounted in brass; extra quality large-size Achromatic Object Glasses, giving four different masrnifying pow. ers, free from chromatic or spherical aberration; Eack-work Adjustment for focussing; first-quality Oxy-Calcium Jets, with House-Gas Attachment, with ele- vating and clamping Screws to each Jet, and also for the Lime Cylinders; improved Dissolving Key; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier, and india-rubber Tubing; extra-large canvas-lined india-rubber Gas Bag for Oxygen (82 Gallons capacity); blue and red glass Diaphragms, for statuary; one dozen pre- pared Lime Cylinders; one charge Chemicals for Oxygen. All the metal work of this Stereopticon is finished with heavy nicki-1 plate. Securely packed in two strong packing cases, with hinged lids, locks and handles , , , ,$375,00 No. 626. WITH HOUSE GAS ATTACHMENT. Consisting of Two Japanned Lanterns, each ten by eight inches square, sixteen inches high, hinged door at side and sliding door at back of each Lantern ; first- quality plano-convex Condensing-Lenses 4^ inches diameter; first quality achro- matic Object Glasses J giving High and Low-power Combinations; brass Eackwork Adjustment for focussing; T. H. McAllister's ShdeSpring and Stop; T. H. McAllister's improved adjustable Oxy-Calcium Jets, adapted to burn either House Gras or alcohol, with clamping Screws for Lime Cylinders; compound Dissolving Key; copper Oxygen Eetort, with Stand, Argand Spirit Lamp, Purifier, and india- rubber Tubing, and canvas-lined Gas-Bag, 30x40x20 inches, 55 Gallons capacity; one dozen prepared Lime Cylinders; one charge Chemicals for Oxygen. Securely packed in substantial packing case with hinged lid, lock and handles; the lid is made with slip hinges, so that it can be removed in an instant. This lid serves as a Platform for the Apparatus, the Dissolving Key being permanently attached to the inner side , . „ , . $155.00 No. 627. WITH HOUSE GAS ATTACHMENT. Consisting of Two Japanned Lanterns, each ten by eight inches square, sixteen inches high, hinged Door at side, and Sliding Door at back of each Lantern; first- quality plano-convex Condensing-Lenses, 43^ inches diameter; first quality achro- matic Object GlasseSf giving High and Low-power Combinations ; brass Eack- work Adjubtmeut for focussing; T. H. McAllister's Slide Spring and Stop; T. H. McAllister's improved adjustable Oxy-Calcium Jets, adapted to burn either House Gas or Alcohol, with clamping and elevating Screws for Lime Cylinders; compound Dissolving Key; copper Oxygen Eetort, with Staud, Argand Spirit Lamp, Purifier, india-rubber tubing, and canvas- lined Gas-Bag, 30x40x20 inches, 55 Gallons capacity; one dozen prepared Lime Cylinders; one charge Chemicals for Oxygen. Securely packed in neatly-finished dove-tailed packing case, with hinged lid, lock and handles; the lid is made with slip hinges, so that it can be removed in an instant. This lid serves as a Platform for the Apparatus, the Dissolving Key being perma- nently attached to the inner side $145.00 No. 628. Same dimensions, accessories and magnifying powers as No. 627, with Concavo* •onvex Object Oiassee $125.00 25 Geo. H. Pierce , Phii.adei.phia, Pa. OXY-CALCIUM MAGIC LANTERNS. WIU> SIAeNIir THB VDSWS HAOTSOMKLT, OP ANT DESIKED SIZE UP TO FIFTEEN FEET DIAMXTBB. Nos. 630 to 634. Noe. 635 to 639. No. 630. 02i|"6iklim lagi© liiitifi. Consisting of Japanned Lantern, ten by eight inches square, sixteen inches high, hinged Door at side, and Sliding Door at back, first quality plano-convex CJondens- ing-Lenses, 4^ inches in diameter, first quality Achromatic Object Classes^ giving High and Low-power Combinations; brass Rack-work Adjustment for focussing; T. H. McAllister's Slide Spring and Stop; T. H. McAllister's improved adjustable Oxy -Calcium Jet, with clamping and elevating Screws for Lime Cylinders; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas-lined Gas-Bag, 30x40x20 inches, 55 gallons capacity; one dozen prepared Lime Cylinders; one charge Chemicals for Oxygen $90,00 No. 631. Consisting of Japanned Lantern, ten by eight inches square, sixteen inches high hinged Door at side, and Sliding Door at back, first quality plano convex Condensing. Lenses, 4>^ inches diameter; Achromatic Object Glasses, giving High aiid Low-power Combinations; brass Rack- work Adjustment for focussing; T. H. Mc- Allister's Slide Spring and Stop ; T. H. McAUister's improved adjustable Oxy- Calcium Jet, with clamping and elevating Screws for Lime Cylinders ; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas-lined Gas-Bag, 30x40x20 inches, 55 gallons capacity; one «>8. 620 to 624. See Directions for Oxygen, Gas, and Pressure Boards on Page 18 it XI The Apparatus must be at a proper distance from the Screen, to produce the Views of tlie desired dimensions (see table, page 6, ) and, if possible, elevated so that the Lenses shall be on a level with tne centre of the Screen. The Condensing Lenses and Object Glasses must be carefully cleaned previous to each exhibition. Place the Lanterns on the Platform, each on its own Pivot. On the floor in front of the Apparatus place the Gas Bag, under its Pressure Board, and with about one hundred and fifty pounds weight on it. Connect the Gas Bag with the Diissolving Key by the loug rubber tube, and the Di8^olving Key with each Jet by the short rubber Tubes. Fill the Eeservoir ol each Jet with the purest Alcohol, aud have a good Cotton Wick in the tube, projecting about half an inch, aud trimmed even. The alcohol should always be of at least ninety per cent, purity. A percentage Hydrometer is furnished with each Apparatus, with instructions for use, by which the purity of the Alcohol can be tested when purchasing. A Cylinder of hard, un- slacked Lime is next to be pLiC!' 1 in t e liiiue ( U-iier i... mediately in the rear of the Wick, the Jets placed in the Lanterns, and the Alcohol flame ignited.* Allow the Alcohol flame to burn for a minute or two, that the Lime Cylinder maybe gradually heated up; then turn on the Oxygen, and adjust the proportion of Oxygen by the Cock attached to each Jet, the condition of the Wick, and the position of the Lime Cylinder, uutil the front of the Lime Cylinder shows a dazzling disc, of about half an inch diameter, of intense white light. If the Gas makes a hissing noise, it will be caused by some small fibres of the wick obstructing its passage, which must be removed, >The alooLol flame should be large, and the Wick slightly divided in the middle to allow free passage of the Gas, but do not allow the Wick to be separated too much, and have the bulk of it toward the Jet. The Lime Cylinder generally requires to be about half an inch from the Jet, but this will vary with different samples of Lime, and the Lime Carriers are therefore mounted on a Sliding Bar, with Clamping and elevating Screws for ease of adjustment. Move the Lever of the Dis- solving Key to the extreme right, this will send all the flow of Oxygen to the Jet in the right-hand Lantern. Insert a View, upside down, selecting one which has a clear, open outline; adjust the Focus and move the Jet very gradually backward and forward, and from side to side, and elevate or depress it until the Picture on on the Screen is evenly illuminated over its entire surface. Then secure the Jet by the Elevating and Cantering Screws, and it will not require to be moved during the exhibition. Then move the Lever of the Dissolving Key to the extreme left, and adjust the Jet, Focus, etc., of the left hand Lantern. Turn the Lever of the Dis- solving Key half way, and each picture will be seen on the Screen. Move the Lanterns on the Pivots in front, so as to bring both Pictures on the same space, or make them "register." Then; by moving the Lever of the Dissolving Key from one side to the other, thereby transferring the Oxygen from one Jet to the other, the Pictures will beautifully dissolve, one into the other — one will fade away, and the other replace it on the Screen, in a manner which never fails to astonish and delight an audience. While a Picture in one Lantern is before the audience, and the explanation of it is being made, quietly withdraw the View from the other Lantern, replace it by another, and dissolve, by moving the Lever of the Dissolving Key. The Lime Cylin- der must be turned occasionally during the exhibition, to present a new surface, and the proportion of the Oxygen will sometimes require adjusting. Instructions for the Oxy-Oalcium Stereopticons, WITH HOUSK GAS ATTACHMENT.— Nos. 625 to 628, Prepare the Oxygen Gras and proceed as directed for the Stereopticons, Noa. 620 to 624, with the following exceptions : Eemove the Wick from the Tube, pour out any Alcohol from the Reservoirs, and attach the long rubber Tubes marked "House- Gas " to a gas burner, and the short rubber Tubes marked "House Gas," to the cock on top of the Eeservoir. Turn on the House Gas, allow it to pass for a minute or two, to expel all atmospheric air, and then ignite it as It issues from the Tube. Make the connections with the Oxygen Bag, adjust the proportions of the Gases, and the position of the Lime, etc., and proceed with the exhibition. *Wlien Alcohol la used in Jet No. 708 leave tbe boase gas itop-cock (n>en. 29 Geo. n. Pierce. Philadelphia, Pa. DISSOLVING-VIEW APPARATUS. With T. H. McAllister's Bi-unial Oil Lamps. :3iUSnXa CIiBAKLT-I>EFINED VIEWS OP ANT DESIBED SIZE UP TO ^IISHT rBBT BIAMBTBB. An exhibition of the Dissolving Views is one of the most pleasing effects that the Magic Lantern is capable of producing, and, to the uninitiated, appears truly magical. The term '• dissolving" well repiesents the process; for, while the audience ,.s viewing a painting, it is made almost imperceptibly to melt into quite a dissimilar picture — the one picture fading out, and the nezv picture, occupying the same place, growing perfectly dis- tinct on the screen. The necessary mechanism was formerly quite complicated, but is ^ow so simplified and compact, that it is easier to give an exhibitioti with a Dissolving View Apparatus, than with a sitigle Magic Lantern. JPull Directions will be found on. Page 39, No. 640. Consisting of two Japanned Lanterns, each ten by eight inches square, sixteen inches high; hinged door at side, and sliding-door at back of each Lantern; first- quality-plano-convex Condensing Lenses, 4^ inches diameter; Achromatic Object Classes, giving High and Low-power Combinations; brass Kack-work Adjust- ment for focussing; T. H. McAllister s Slide Spring and Stop; T. H. McAllister's New Bi-UNiAL Lamps for using Kerosene, and nickel-plated Reflectors; Metal ©issolver. Securely packed in neatly-finished dovetailed packing-case, with hinged lid, lock and handles. The lid is made with slip hinges, so that it can be removed in an instant, and serves as a Platform for the Apparatus $100.00 No. 641. Consisting of two Japanned Lauterns, each ten by eight inches square, sixteen inches high, hinged door at side, and sliding door at back of each Lantern; first- quality plano-convex Condensing-Lenses, 4g inches diameter; concavo-convex Object GlasseSi High, Medium and Low-power Combinations; bra^s Kack-work Adjustment for focussing; T. H. McAllister's Slide Spring and Stop; T. H McAllis- ter's New Bi-UNiAL, Lamps for using Kerosene, and nickel-plated Reflectors ; Metal Dissolver. Securely packed in neatly -finished dovetailed packing-case, with hinged lid, lock and handles. The lid is made with slip hinges, so that it can be jTomoved in an instant, and serves for a Platform for the Apparatus $75,00 80 &EO. H. PiEKCB, Philadelphia, Pa. No. 643. Il§i©lfiig.f !@w Ipfiiiitifi. Consisting of two Japanned Lanterns, each ten by eight inches square, fifteen inches high, hinged door at side, and sliding door at back of each Lantern; double- convex Condensing-Lenses, inches diameter; concavo-convex Object (glasses, High, Medium and Low-power Combinations ; brass slip-tube Adjustment, for focussing; T. H. McAllister's New Bi-tjnial Lamps for using Kerosene, and nickel-plated Reflectors ; Metal' Dissolver. Securely packed in neatly-finished dovetailed packing-case, with hinged lid, lock and handles. The lid is made with slip hinges, so that it can be removed in an instant, and serves as a Platform for the Apparatus $55.00 No. 644. Consisting of two Japanned Lanterns, each ten by six inches square, fou rteen inches high, hinged door at side and sliding door at back of each Lantern; d()uble convex Condensing Lenses, 3f inches diameter; concavo-convex Object Glasses, High, Medium and Low-power Combinations ; brass slip-tube Adjustment, for focussing; T. H. McAllister's Slide Spring and Stop; T. H. McAllister's New Bi-UNiAL Lajips for using Kerosene, and nickel-plated Reflectors; Metal Dis- solver. Securely packed m neatly-flnished dovetailed packing-case, with hinged lid, lock and handles. The lid is made with slip hinges, so that it can be removed in an instant, and serves as a Platform for the Apparatus $45.00 No. 707. Oxy-Hydrogen Attacliment, TO THE DISSOLVING VIEW APPARATUS, Nos. 640 to 644. Consisting of two first quality Oxy-Hydrogen Jets, tipped with platina, to burn the mixed gases, with elevating and clamping Screws to each Jet, and also for the Lime Cylinders; Safety Bottle for each gas; improved Dissolving Key; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas-lined Oxygen Gas-Bag, 30x40x30 inches area, 55 Gallons ca- pacity: copper Hydrogen Generator, with Purifier and india-rubber Tubing, and canvas-lined Hydrogen Gas-Bag, 30x40x30 inches area, 85 Gallons capacity; and Rubber Tubing for connections $125.00 *** The addition of this will enable either of the Dissolving- View Apparatus, Nos. 640 to 644 to be converted at any time into an Oxy-Hydrogen Stereopticon. ' No. 708. Oxy-Oaloium Attacliment, TO THE DISSOLVING- VIEW APPARATUS, Nos. 640 to 644. Consisting of two improved adjustable Oxy-Calcium Jets, with clamping and elevating Screws for Lime Cylinders; Dissolving Key; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas- lined Gas-Bag, 30x40x20 inches, 55 Gallons capacity; and Rubber Tubing for connections $50.00 *** The addition of this will enable either of the Dissolving- View Apparatus, Nos. 640 to 644 to be converted at any time into an Oxy-Calcium Stereopticon. ' No. 709. Oxy-Galcmm House Gas Attaoliment, TO THE DISSOLVING- VIEW APPARATUS, Nos. 640 to 644. Consisting of two improved adjustable Oxy-Calcium Jets, adapted to burn either House Gas or Alcohol, with clamping and elevating Screws for Lime Cylin- ders ; compound Dissolving Key ; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier, india-rubber Tubing, and canvas-lined Gas-Bag, 30x40x20 inches, 55 Gallons capacity; and Rubber Tubing for connections $60.00 *** The addition of this will enable either of the Dissolving- View Apparatus, Noe. 640 to 644, ♦o be converted at any time into an Oxy-Calcium House Gas Stereopticon. ^ 31 Geo. H. Pierce, Philadelphia, Pa." INSTRUCTIONS FOR OPEEATINa THE DISSOLVING VIEW APPARATUS. Nos. 640 to 644. DISSOLVER. Place the Apparatus, and arrange the Lenses and Lamps, as described on Page 33 The Lanterns being mounted on the Platform lid of the packing-case, each fixed on its pivot in front, incline both Lanterns apart at the rear to such an angle that the circle of light from each shall fall precisely upon the same space on the Screen. There is in front of the pair of Lanterns a Metal Dissolver— which is indicated by the dotted line in the engraving on pagp 30 *nd is more distinctly shown by the illustration on this page. This Dissolver slides in a groove, and is so proportioned that when the wide part of the diamond-shaped opening is in front of the Tube of one Lantern, the pointed end will not quite reach to the front of the Tube of the other Lantern. Having placed a View or Slider, in each Lantern, slide the Dissolver along the groove by the hand, alternately from right to left, and left to .right; and it follows, that as soon as the Dissolver begins to cover the image proceeding from one Lantern, a corresponding portion of the image proceeding from the other Lantern is thrown upon the Screen. The movement should be slow and regular, and the Pictures will imperceptibly and beautifully dissolve, the one into the other, the Screen never being vacant from the beginning to the close of the exhibition. To insure success in the illusion, it is necessary that the Sliders are placed precisely in the central line of the Lenses, which important result is most easily accomplished by T. H. McAllister's Slide Spring and Stop, attached only to the Magic Lanterns sold by me. 'As the distance between the Lanterns is slight (see engraving on Page 80) sliders mu-t not be more than seven inches in length. The sets of Dissolving-View Sliders, a list of which is given in this catalogue, are colored with express reference to the production of fine effects; though any two Views of the same size will answer for dissolving, care being taken that there is a general likeness of light and shade. For instance, a Picture having a very light object in the centre will not dissolve handsomely into one having a dark object in the centre. Striking and amusing effects, however, are often produced by dissolving with Views of entirely different character, and the unexpected changes will excite and keep up the interest of an audience— thus a landscape may be dissolved into a chro- matrope or a portrait; or on© of the comic slides, with mechanical movement, may, by the dissolving arrangement, be introduced into a landscape, etc. ' When the unmounted square views, such as the " Crayon Photographs," " Views of World renowned fdaces of Merest," etc., are used, a Pair of the Dissolving View Combination Carriers will be required— Price $1.50— Sec Page 45. 32 Geo. H. Piekce, Philadelphia, Pa. PHANTASMAGORIA MAGIC LANTERNS, Nos. 650 to 653. The Apparatus must be at a proper distance from the Screen to produce the Views of the desired dimensions (see table of magnifying powers on page 6,) and sufficiently elevated from the floor to bring the Lenses on a level with the center of the Screen. The Condensing Lenses and Object Glasses must be thoroughly cleaned previous to each exhibition. In cold or damp weather, moisture will sometimes form on the inner surface of the Condensing Lenses, and to guard against this, it is well, just previous to an exhibition to separate the Condensers, and hold them in the hand before a stove or lamp for a few minutes. The Lamp having been placed in the Magic Lantern, (see directions bel^W,) mo7'e it slowly backward and forward until the circle of the light on the Screen is evenly illuminated ; the Lamp is then known to be in its proper position. The View or Slider is placed upside down in the opening in front of the Condens- ing Lenses, where it will be held firmly by the Slide Spring and Stop; and the Focus is adjusted, as described on page 6. The best effects are obtained when the Apparatus is on the same side of the Screen as the spectators; but sometimes it is more convenient to place it on the other side of the Screen, which may be rendered smoother and more transparent if dipped in water immediately before hanging it up. TO PRODUCE THE PHANTASMAGORIA EFFECT, The operator should be on one side of the Screen, and the spectators on-the other. Taking the Magic Lantern under his left arm, he should go up pretty close to the Screen and adjust the Focus with his right hand. The image, of course will be very small ; he must then walk slowly backward, at the same time adjusting the Focus. As the image increases in size, it will appear to the spectators to be coming towards them ; and then again let him walk up towards the Screen, thus diminishing the image, and it will appear to them as if receding. The Screen not being seen, the image appears to be suspended in the air, and the deception is complete, even to those accustomed to the exhibition. Slides producing the best phantasmagoria effect are those containing but one or two figures, and all the rest of the glass painted black; such for instance, as some of the " Movable Comic." DIRECTIOISrS ir^OR T. H. MCALLISTER'S NEW BI-DNIAL LAMP. PATENT APPLIED FOR. See Illustration and Description on Third Page of Cover. The NEW BI-UNIAL LAMP is the result of a long series of expenments, and by aid of the following directions never fails to produce a more satisfactory picture than any other form of oil illumination. 1. Use only the best Kerosene Oil. (A small quantity of Gum Camphor, in coarse powder, thoroughly and uniformly dissolved m the Kerosene will increase the intensity of the light.) 2. Pour sufficient oil into the Reservoir, to come within quarter of an inch of the top, leaving that space for the expansion of the oil. 3. Trim the wicks evenly with a sharp pair of Scissors. (See Lamp Scissors page 46.) 4. Light the Lamp a few minutes before commencing the exhibition, and allow it to burn rather low, that the oil may become gradually warmed and thereby rendered more fluid. 5. When commencing to operate, turn the wicks up slowly, until an intense flame is obtained, free from smoke. The exact condition of the wicks can be readily seen at any moment by slightly opening the door of the Lantern and observing the reflection of the flame on the surface of the Condensing Lens. Geo. H. Pierce. Philadelphia, Pa. PHANTASMAGORIA MAGIC LANTERNS. aiAKING CLBARLV DEFINED VIEWS OF ANY DESIRED SIZE UP TO EIGHT FEET IN DIAMETER. In the Magic Lantern as originally constructed, the condensing lens was formea of a single ''buWs-eye" lens, and the object glass of a single double-convex lens. The cheap toy Lanterns imported from Europe, are still generally made in that manner ; but all first-class instruments are now made with two condensing lenses and two object-glasses, and, to distinguish them, are called'' Phantasmagoria " Lanterns. The wordphantas- magoiia is of Greek de?ivation^nd means " I meet a spectre;" and was at first applied to the exhibition of pictures of ghosts and hobgoblins, which appear to recede from or approach to the audience, by the Lanterns being brought gradually nearer to, or farther from, the Screen. See instructions on page 33 No. 650. Phantasmagoria Magic Lantern, Japanned case, ten by eight inches square, sixteen inches high, hinged door at side and sliding door at back ; first quality plano-convex Condensing Lenses, 4f inches diameter; concaYO-COnvex Ohject (jlasses, High, Medium and Low-power Combinations; brass Rackwork Adjustment for focussing; T. H. McAllister s Shde Spring- and Stop; T. H. McAllister's New Bi-unial Lamp for using I^^rosene, and nickeUplated Reflector ?4U.U0 No. 651. Phantasmagoria Magic Lantern. Japanned case, ten by eight inches square, sixteen inches high, hinged door at side and sliding door at back ; first quality plano-convex Condensing Lenses, 4i inches diameter ; coiicavo-conyex Object Glasses, High, Medium and Low-power Combinations; brass Rackwork Adjustment for focussing; T. H. McAllister s blide Spring and Stop ; T. H. McAllister's New Bi-unial Lamp for using Kerosene, and nickel-plated Reflector ?dd.UU 34 Geo. H. Pierce, Philadelphia, Pa. No. 652. Phantasmagoria Magic Lantern. Japanned case, ten by eight inches square, fifteen inches high, hinged door at I side, and sliding door at back ; double convex Condensing Lenses 4i inches diame- ter; concavo-convex Object ^iHasses, High, Medium and Low-power Combi- nations ; brass sliding-tube Adjustment for focussing ; T. H. McAllister's Slide Spring and Stop ; T. H. McAllister's New Bi-tjnla.l Lamp for using Kerosene, and nickel-plated Reflector $25.00 No. 653. Phantasmagoria Magic Lantern. Japanned case, ten by six inches square, fourteen inches high, hinged door at side and sliding door at back; double convex Condensing Lenses, 3| inches diame- ter; concavo-convex Object Glasses, High, Medium and Low-power Combi- nations; brass sliding-tube Adjustment for focussing ; T. H. McAllister's Slide Spring and Stop ; T. H. McAllister's New Bi-xraiAL Lamp for using Kerosene, and nickel-plated Reflector $20.00 Achromatic Object Glasses, Can be substituted for the Concavo-Convex Object Glasses in the Phantasma- goria Magic Lanterns, Nos. 650, 651, 652, 653, for an additional charge of $10.00 No. 666. Oxy-Hydrogen Attachment, Consisting of first quality Oxy-hydrogen Jet, platina tipped, to burn the mixed fases, with elevating and clamping Screws for Jet, and also for the Lime Cylinder; afety Bottle for each gas ; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier and india-rubber Tubing, and canvas-lined india-rubber Gas Bag, 30x40x20 inches area, 55 gallons capacity, for Oxygen ; copper Hydrogen Gene- rator, with Purifier and india-rubber Tubing, and canvas-lined india-rubber Gas Bag, 30x40x30 inches area, 85 gallons capacity, for Hydrogen, $100.00 *** Either of the pjreceding Phantasmagoria Magic Lanterns can at any time be converted into an Oxy-Hydrogen Magic Lantern by the addition of No. 666, without any alteration of the arrange- ment of the Japanned Caee or Lenses. See pages 16 to 21 No. 667. Oxy-Oalcium Attachment, Consisting of T. H. McAllister's improved adjustable Oxy-Calcium Jet, with clamping and elevating Screws for Lime Cylinder ; copper Oxygen Retort, with Stand, Argand Spirit Lamp, Purifier, and india-rubber Tubing, and canvas-lined Gas Bag, 30x40x20 inches area, 55 gallons capacity $43.00 *** Either of the preceding Phantasmagoria Magic Lanterns can at any time be converted into an Oxy-Calcium Magic Lantern by the addition of No. 667, without any alteration of the Japanned Case or Lenses. See pages 26 to 29 No. 668. Oxy-Calcium House Gas Attachment, Consisting of T. H. McAllister's improved adjustable Oxy-Calcium Jet, adapted to burn either House Gas or Alcohol, with clamping and elevating Screws for Lime Cylinders ; copper Oxygen Retort with Stand, Argand Spirit Lamp, Purifier and mdia-rubber Tubing, and canvas-lined Gas Bag, 30x40x20 inches area, 65 gallons capacity $48.00 - »** Either of the preceding Phantasmagoria Magic Lanterns can at any time be converted into an ^5xy-Calcium House Gas Magic Lantern by the addition of No. 668, without any alteration of tlwi Jap^ned Case or Lenses. See cages 26 to 29 35 Geo. H. Pierce, Philadelphia, Pa. FARLOE MAGIC LANTERNS, WITH ARGAND GAS BURNER, SAECre CLEARLY DEFINED VIEWS OP ANT DESIRED SIZE UP TO BIGHT FEET UlAMZfiaBs I^^A very convethient form for JParlor EKtertaAnmoKte, Japanned case, ten by eight inches square, sixteen inches high; hinged door at side and sliding door at back; first-quality plano-convex Condensing-Lenses, 4g mches diameter; concavo-convex Object Glasses, High, Medium and Low-power Combinations; brass Rack-work Adjustment for focussing; T. H. McAllister's Slide Spring and Stop; Argand Gas Burner, nickel-plated Reflector, and eight f^t india- rubber tubing to make connection with Gas Fixture .$36,00 No. 661. Pifkt Bliiilf lig"f iw 4||iittig« Consisting of Two of the above Magic Lanterns (No. 660), with the necessary attachments to produce the dissolving effect. In neatly finished, dovetailed pack- ing-case, hinged lid, lock and handles; the lid serving as a Platform tojiold the ap- paiatus WheB in tise . , » t $77,00 No- 662. fill®! Magi© Liikm. Japanned case, ten by six inches square, fourteen inches high ; hinged door at side and sliding door at back; double-convex Condensing Lenses, i% inches diam- eter- concavo'Convex Object Glasses, High, Medium, and Low-power Combina- tions- brass Sliding-tube Adjustment for focussing; T. H. McAlUster's Slide Spring and Stop; Argand Gas Burner, nickel-plated Reflector, and eight feet india-nsfeber tabinato'make connection with Gas Fixture $21,00 36 _ Geo. H. Pierce, Philadelphia , Pa. No. 665. WONDER CAMERA ATTACHMENT TO THE MAGIC LANTERN, 9*r projecting on the Screen enlarged Images of Card PbotograplML Cbromos. Engravings and opaque objects In general. IE=»i-io©- S3. SO. This attachment can only be used In connection with the magic lianterns and Stereoptl- eons of our make, specified on the preceding pages. The above engraving represents a newly constructed piece of apparatus, which cah be readily apphed to any of the M,igic Lanterns or Stereopticonson the preced- mg pages, and makes a very excellent accessory, particularlv for Paklok Enteetaik- MENTs; enabling a family to form a gallery of life-size portraits from the card photo- graphs of their albums, thus affording an inexhaustible source of enioyment- watch movements, jewelry, coins, medals, flowers, etc., can also be made available with good results. As the image on the screen is solely illuminated by the light rejlected fromthe object it does not equal in brilliancy that of a transparent Glass Magic Lan. tern View; but the low price of the WONDER CAMERA ATTACHMENT, and the facility it affords for putting to a novel use the thousand and one photos, engravings, and ornaments in the possession of every intelligent and cultivated household, has opened a new source of enjoyment and instruction for the home circle. Artists have availed themselves of it, for enlarging photographs to life-size, for crayon drawing and portrait painting ; Architects, Draughtsmen and Civil Engineers, for obtaining working drawings of increased size, and Teachers, for interesting their classes by presenting magnified views of the illustrations in the Text Books ^.J^^r^P'^^^^r-^'^'^^^ ATTACHMENT is especially recommended for Parlor Entertain- Half for XJrn!?i?,^l°'„^^*^^ "''""if designed for a satisfactory public exhibition in a large V>(?,iJ^4?T^^oP°^T?, * far mo-e costly instrument will be requirod. , " J Lantern at a proper distance from the wall or screen tomak* A(-fi)i^!^t PR . V ""^T^^l^^ ^^^^ Lantern Front [A] ; in its place affix the Wonder Camera Attachment [B]; transfer the Object Glasses from A to B. and ad.iust the illumination and focus. At the back of the Wonder Camera Attachment" is a sliding door with a grooved opening in '^'"'ir the usual card photos. For larger sizephotos, engravings, illustrations l»^rA^fi*'i-;JhTh?i''^^ lt''?^'^,°^r*'^*^«'y5 ^^^'^ for watch movements, jewelry etc., which S» „f ^ttt.^w'^ V'^^'Al'*^ '^^^'^ of objects, it is advisable to throw a dark cloth over the top of the attachment and the arm, to prevent the light from being thrown around the room. 37 Geo. 11. Pierce, Philadelphia^Pa. No. 670. T. H. JVrougLTiTiIStT'EJEl.'S $ I o.oo T'/^^ Cabinet Magic Lantern is intended to meet the demand for a Magic Lan» tern, simple in construction, easy to operate, of sufficiently good quality to give a satis- factory exhibition in a Parlor, Sunday School, Lodge Room or School House, yet sold at such a moderate price, as to insure its general introduction j and has proved well adapted for those who wish to commence on an economical scale. In the first part of this Catalogue will be found a list of %2S.oo Outfits," and cf "$50 00 Outfits," affording a customer an opportunity of obtaining a good out- fit for a limited amount. Each Outfit is different in the character of i/ie Views embraced in it. The Cabinet Magic Lantern is substantially and compactly made ; Japanned Case, 6 by 8 inches square, and 10 inches high, mounted on a neat Walnut Base, 7 by 14 inches, with an improved Lamp to burn Kerosene Oil. The Condensing Lens is 4 inches diameter, admitting any of the Views named in this Catalogue. The Object Glass is well ground and polished, and will enlarge the Views to five feet diameter. DIRECTIONS POR THE CABINET MAGIC LANTERN. The Cabinet Magic Lantern has two Lenses; the larger one called the Condensing- Lens, is firmly mounted in the large tube attached to the front of the Magic Lantern— the smaller Lens, called the Object Glass, is mounted at the outer end of the adjustable front tube which slides within that in which the Condensing Lens is mounted. Both these Lenses must be cleaned perfectly before each occasion of using the Magic Lantern. Use the best Kerosene Oil in the Lamp, have the wick evenly trimmed, and the Glass Chimney bright and clear. The room, of course, must be as dark as possible. Hang the screen over an open doorway, or else three or four feet in front of the wall, for if hung with the wall close behind it, the picture will not appear as distinct. Place the Cabinet Magic Lantern on a table about ten feet from the screen, sufficiently elevated from the floor, to bring the Lenses about on a line with the centre of the screen. Put the view upside down in the groove in front of the Lantern, then "Focus" by sliding the Adjustable Front Tube, carrying the Object Olass, gradually in or out, as may be necessary, until the picture on the screen is distinct as possible. IST'See last pages of this Catalogue for Magic Lanterns designed more especially for the amusement of children. 38 Geo. H. Pierce, Philadelphia, Pa. No. 671. THE "CABINET" DISSOLVING- VIEW APPARATUS, CONSISTING OF TWO CABINET MAGIC LANTERNS, On Walnut Platform, and Dissolver. $22.00 An economical form of Dissolving- View Apparatus, particularly designed for Home and School Entertainments in moderate sized Eooms. The beautiful Dis- solving Effects and Transformations can be well shown with this cheap Apparatus though of course not with the brilliancy and perfection of the higher priced pat- terns of Dissolving- View Apparatus. If desired at any time, the Lanterns can be detached from the Platform, ana used separately, as is the case with all the styles of Dissolving View Apparatus and Stereopticons in this Catalogue. Any of the Views enumerated in the following pages can be used in the Cabinet Dissolving -View Apparatus ; fine effects can be obtained with some of the *' Sets OP DissotviNO Views," specified on pages 60 to 64. 39 Gko. 11. PiEKCB, Philadelphia, Pa. ATTACHMENTS, FOE USE WITH STEHEOPTICONS AND MAGIC LANTERNS. No. 680. Can be used advantageously with any first-class Appa- ratus, for projecting on the screen objects in fluids, move- ments of a horizontal magnetic needle, etc., etc. It con- sists of a Mirror inclined at an angle of 45^, one of the Condensing Lenses of the Lantern being placed horizon- ally above it, the other Condenser remaining in the Lan- tern, and the Attachment brought close to it : over the horizontal Condenser, is a Stage, on which the slide or object, glass tank containing fluids, etc., isplacei — above this the Object Glass, surmounted by a second Mirror, on axis, by which the image is reflected horizontally to the screen. Price $40. 00 No. 6d I . FOB USE WITH OXY-HYDROGEN OR OXY-CALCIUM APPARATUS. With this apparatus, mounted Microscopical preparations or liv- ing animalculse can be shown upon the screen enlarged from 100 to ] 000 times the diameter. Tha mounting for the Object- ives is ma,de wiih the "London Society Screw, " which has been adopted by the makers of all First Class Microscopic Objectives— thus admitting the use of those Objectives on this Attachment. Price of the Attachmeiit alone, without Objectives $20.00 Price with two Magnifying Powers, Crown Glass Objectives $30 00 do do do Achromatic Objectives 50 00 do do do do do with Secondary Condenser to improve illumination 75 00 ^f~A liiat of prepared Objects, suitable for Illastratlon with tbe Itli* croscope JLttacItment furnlslied on anvlicatton. 40 Geo. H. Pierce , Phil adelphia. Pa. No. 682. The " Holman Siphon Slide" consists of a slip of thick Plate Glass, three inches long by one inch wide, havino; a cavity of sufficient size to contain a small tadpole, lizard, portion of a plant, etc., etc,; to each end of the cavity small rubber tubes are at- tached, one of which connects with a bottle or other reservoir of water, the other serving as an outlet for the water after it has passed through the cavity; thus keeping up a constant current of fresh water, and ftUowing the enclosed living animal, etc., to be kept in position, without injury or inconvenience for any length of time. For use with the Microscopic Attachment to the Magic Lantern m projecting images of living objects upon the screen, it is invaluable $4.00 It is not necessary to have any special form of bottle for Keservoirs— any vessels capable of holding water, will answer. No. 683. FOR THE MICROSCOPIC ATTACHMENT. Consisting of two Prisms of Ic<-1 md Spar, properly mounted, one of which is placed between the object and the Condensers, and the other between the object and the Screen. No Microscopic Objects excel in brilliancy, the appearance of crystals, etc. , seen by Polarized light, especially when magnified, upon the Screen— the pro- cess of crystallization.is beautifully shown $25.00, $50.00, $75.00 No. 684. TO USE \S CONNECTION WITH VERTICAL ATTACHMENT, NO. 680, $1.50 to $5.00 No. 685. Can be used in any of the Stereopticans and Magic Lanterns enumerated on the preceding pages of this Catalogue, for exhibiting living fish, insects, etc. No. 685 A— Glass Tank, Mounted in Brass Frame, 4 by 7 inches, % inch thick V, $3.00 No. 685 B— Glass Tank, Mounted in Mahogany 'Frame, 4 by 7 inches^ inch thick $2.0U 41 Geo. H. Pierce, Philadelphia, Pa. ACCESSORIES. Gas-Bag. No. 700. Purifier. Retort. Consisting of heavy Copper Retort with Stand and Argand Spirit Lamp ; Glass Purifier, india-rubber connections; Canvas-lined Gas-Bag, 30x40x20 inches, 55 gal- lons capacity, with Brass Stop Cock $35.00 Gas-Bag. No. 701. Purifier. Generator. Consisting of heavy Copper Generator ; Glass Purifier, india-rubber connec- tions; Canvas-lined Gas-Bag, 30x40x30 inches, 85 gallons capacity, with Brass Stop Cock $45. OO No. 702. top®? MJiitibk Oiy-Caldim J©i This Jet is very simple in construction, and far superior to the complicated Oxy- Calcium Jets formerly used. It is mounted on walnut Base four inches wide, twelve inches long ; Stop Cock, to control the flow of Oxygen ; clamping and centering Screw to Jet ; clamping and elevating Screw for Lime Cylinder. Can be readily at- tached to any Lantern it7,00 42 Geo. II. PiEHCE, Philadelphia, Pa. No. 703. T. EC. M:c^1L.IjISTE!R'S WITH HOUSE-GAS ATTACHMENT. Mounted on walnut Ba.se four inches wide, twelve inches long ; Stop Cocks to control the flow of Oxygen and House Gas ; clamprng and centering Screw to Jet; clamping and elevating Screw for Lime Cylinder. Can be readily attached to any Lauuern $S. 0(^' No. 704. (This concentric Jet is now little used, the light being so much inferior to Nos. 705 706 The Oxy-Calcium Jet with House-Gas Attachment, No. 703, is preferable to it.) •■ $12.00 No. 705. T. H. MCALLISTER'S This Jet is constructed to burn the mixed gases, yielding the maximum inteix- sity of illumination with absolute safety. It is mounted on a brass Base'four inches diameter, with clamping and elevating Screw for Jet, and also for Lime Cylinder, the Jet tipped with platina; Safety Bottle for each Gas; Stop Cock, to control the flow q£ jeach Gas. Can be readily attached to any Lantern $25.00 No. 706.— The Jet alone, without Safety Bottles 43 $15.00 Geo. H. Pierce, Philadelphia, Pa. No. 707. Consisting of the Oxygen Apparatus, No. 700; the Hydrogen Apparatus, No. 701; two of the Oxy-Hydrogen Jets, No. 705, with Safety Bottle for each Gas; compound Dissolving-Key, and rubber-tube connections $il25.00 By attaching No. 707 to a pair of the usual Dissolving- View Lanterns, they will be converted into an Oxy-Hydrogen Stereopticon. No. 708. Consisting of the Oxygen Apparatus, No. 700 ; two of the Oxy-Calcium Jets, No. 702; Dissolving Key and rubber-tube connections $50,00 By attaching No. 708 to a pair of the usual Dissolving- View Lanterns, they will be converted into an Oxy-Calcium Stereopticon. No. 709. Consisting of the Oxygen Apparatus, No. 700 ; two of the Oxy-Calcium Jets, House-Gas Attachment, No. 703 ; compound Dissolving-Key, and rubber-tube con- iiections $60.00 By attaching No. 709 to a pair of the usual Dissolving- View Lanterns, they will be converted Into an Oxy-Calcium House-Gas Attachment Stereopticon. No. 710. Afgiai Sii Dliiil?iag-¥l©w Appmtii, Consisting of two Argand Gas Burners, with nickel-plated Eeflectors ; Dissolv- ing-Key ; 12 feet india-rubber tubing, to make the necessary connections with Gas Fixture and Dissolving-Key. $10.00 By attaching No. 710 to a pair of the usual D'issohing-View Lanterns, they will be converted Into a Parlor Dissolving- View Apparatus. See No. 661. Those using the unmounted Square Glass Views, have been heretofore subject- ed to much inconvenience for the want of some suitable contrivance to support th« Views in the proper position in front of the Condensing Lenses, and cause them to succeed each other without any interruption; besides the great risk of breaking the Views. T. H. McAllister's Combination Carrier eflfectually overcomes all these difficul- ties, and enables the unmounted views to be uBed with facility and safety. The Carrier is designed to hold and center either of the Standard sizes of square views. 8top No. 1, will center those of the usual English pattern, (3iX3i inches). Stop No. 2, is adapted for those of the French pattern. f3^V4 inches"), and Stor> Nfi- 3 is adjusted for views on glass S^X^i inches ►••.50c 44 Geo. H. Pierce, Philadelphia, Pa. For holding the square glass views in a Dissolving-View Apparatus or Stereop- ticon, causing the views to "register" accurately upon the screen, and thus addii^ greatly to the beauty of an exhibition. Price per pair $1,50 aAS-EAGS. Edra quality. Canvas-lined on both inner and outer surfaces, and very durable. WiU stand any climate. Made expressly to my order, and are furnished vnth aU the vanettea of Oxy-Hydrogen and Oxy- Calcium Apparatus enumerated in this Catalogue. No. 713. Canvas-lined Gas-Bag 30 inches wide, 40 inches long, 20 inches Ions capacity ; with Stop Cock at large end. 55 gal- $20.00 No. 714. Canvas-lined Gas-Bag, 30 inches wide, 40 inches long, 30 inches gusset, 85 gal- lons capacity ; with Stop Cock at large end fpdO.OO • The following Gas-Bags are the ordinary commercial article— are not lined with Canvas, and by no means as durable as those specified above. No. 715. Gas-Bag, 30 inches wide, 40 inches long, 10 inch gusset, with Stop Cock ^jmaU end of Bag * No. 716. Gas-Bag, 24 inches wide, 30 inches long, 6 inch gusset, with Stop Cock at small •ndof Bag it>1^.01F 45 Geo. H. Pierce, Philadelphia, Pa. SCREENS. Made of best quality material, with Loops around the four sides of the Screen. By these Loops the Screen can be attached to a wooden Frame ; though the most con- venient plan is to dispense with a Frame, and to screw two small screw rings into the wall (or window frame), one on each side of the hall, near the ceiling ; then pass a stout cord or rope through the Loops on the upper edge of the Screen, and through these rings, bringing the ends of the cords down and securing them. By the Loops on the sides and lower edge, the Screen can be held firmly in position by cords attached to screw rings in the floor. 15 feet square $10 0^ 18 feet square 12 00 24 feet square 18 00 feet square $2 50 9 feet square 4 00 12 feet square 7 00 Screens f second quality material, and made without loops. feet square $2 00 1 15 feet square ^? 9 feet square 3 75 | 18 feet square y.- H 50 The Screens best adapted for the several styles of Apparatus, are the following : For Oxy-Hydrogen (Nos. 600 to 614) • .Screen 24 feet For Oxy-Calcium (Nos. 620 to 639) Screen 18 feet, or 15 feet For Dissolving Apparatus (Nos. 640 to 644) Screen 12 feet, or 9 feet For Phantasmagoria .(Nos. 650 to 653) Screen 12 feet, or 9 feet For Cabinet (Nos. 670, 671) Screen 1% feet Sets of four Screw Rings for attaching screen, as described above 25 cents MISCELLANEOUS. "Lime Cylinders, for Oxy-Hydrogen and Oxy-Calcium Jets, carefully prepared from selected limestone, in screw-cap tin canisters, containing twelve cylinders P^*" canister $1 25 Chemicals ready mixed, for making Oxygen. . .per package 50 cents; per dozen 5 00 •Chlorate of Potash at market rates Black Oxide of Manganese at market rates Sulphuric Acid at market rates 2inc market rates T. H. McAllister's New Bi-unial Lamp and Reflector (see third page of Cover) 5 00 Wicks for Bi-unial Lamp per dozen 25 Lamp Scissors for trimming Wick 75 Argand Gas Burner and Reflector 3 00 Copper Hydrogen Generator and Pipe 13 00 Copper Oxygen Retort and Pipe; first quality 12 00 Copper Oxygen Retort and Pipe; smaller; second quality 6 00 Iron Retort Stand 50 Spirit Lamp, to heat Retort 1 ,00 Glass Purifying Bottle and Pipe ,5 00 India-Rubber Tubing per foot 15 T. H. McAllister's Patent High-Pressure Dissolving-Key, the only Key giving perfect dissolving effects with cylinders of condensed gases 35 00 Compound Low-Pressure Dissolving-Key 10 00 Oxy-Calcium Dissolving-Key • 4 00 Plates for Views; of selected Glass, 3^ X 4 inches per dozen 4« Black Paper Mats, for Mounting Views; 33^ X 4 inches per dozen 2a Black Binding Papers for Mounting Views per 100 25 Tanks of Glass for holding Water, Fish, Insects, etc. — Mounted in Frame 4X7 inches 3 00 Neat Wooden Frames, 4X7 inches, with opening %M inches wide, for per- manently mounting all the square views. 20 Cents each, $15 00 per 100 Brass Cock, for Gas Bag 1 50 46 Geo. H. Pierce, Philadelphia, Pa. Vl E W S, Xllustrating Svery S-abject of POPULAR INTEREST. I§ipecial !9Fotice. The Stereopticons and Magic Lanterns specified in the preceding pages, a/re priced vdthout any reference to accompanying views. That is, the prices are for the Ste- reopticons and Magic Lanterns as described, but without including any views; classi- fied lists of which will be found on t?ie following pages. The Fine Colored Photographic Tiews are each upon plate glass, 3 inches di- ameter, with a protecting cover glass, and cannot be injured by extremes of heat or cold, or even by immersion in water. Each view is mormted separately in a neat wooden frame or slider, 4 inches wide, 7 inches long, 3-8 inch thick. These fine Col- ored Photographic Views, are all made expressly for our own sales by artists specially trained, whose long experience andskillrender each view a beautiful work of art, brilliant and durable. Price, (except those having mechanical movements) $1.50 each, f The Comic Movable Tiews are each moimted separately, on a slide 4 by 7 inches. These are painted in brilliant colors, the main portion being on one glass. The part designed to represent motion is painted on another glass mounted close to the former, -vnd also serving as a cover to protect the painting from injury— the end of this cover jlaes is cut off at an angle as shown in the engraving on page 68, f orming a handle Sy which to impart the appearance of movement to the figure. !Price, 65 cts. each ; ^7.50 per dozen. The Statuary ViCTf S, see list on page 73, are each upon square glass, Si by 4 inches, at 75 cents each, $9.00 per dozen. The Lever Movable Slides are 3 inches diameter, each in frame or slider, 4 uy 7 inches. Price, $1.75 each. The Bioramic Slides are mounted in frame 4 inches wide, 13 inches long. Price, $3.00 each. The Chromatropes are 3 inches diameter, in frame, 4 inches wide, 12 inches long. Price, $3.00, $3.75 each. All the TJncolored Photo^aphic Tiews, embracing "Views of Places of In- terest," "Crayon Photographs," etc.. are each upon glass plate, 3^ by 4 inches square— not framed. Price, 50 cents each, $6.00 per dozen, $45.00 per 100. The Colored Sceneries are each upon glass plate, 8i oy 4 mches square, not framed. Price, $1.80 each, $31. On per dozen. The Silhouette Tiews are each upon glass plate, 3|^ by 4 inches square, not framed. Price, 30 cents each, $3.00 per dozen. The Sets of Nursery Tales are on glass slides, each 3^ inches wide, 12 inches long, not framed. Price, $4.00 per set of 13 slides. Combination Carriers for holding all unframed Square Views. See Nos. 711 and 712 of this Catalogue. All the above varrimis styles of Views, can be used in any 'of ths Stereoptieons and Magic Lanterns enumerated on the preceding pages of this Catalogue, or in any in- gt/rument hawing Condensing Lenses over 3 inches in diameter. {See Appendix for •Biews »mJtable for smaller Magic Lanterns.^ VIEWS MADE TO ORDER. A.lthough the list of \iews in this Catalogue affords such a large and well assorted Belection, a Lecturer will sometimes require views made especially to order, to illus- trate some particular subject ; these can be made at any time from auy engravings or sketches that may be furnished. Price of such special views, if finished in style oi Finely Colored Photographic Views, 2.50 each, Uncolored, m style of Crayon Photographic Views, fl.OO each. 47 Geo. n. Pierce, Philadelphia, Pa. Fine Colored Photographs, $1.50 each, $1S.00 per Dozen. {Three indies in diameter; each view mounted in slider 4x7 inches.) Bible History. Old Testament. The Earth without form, and void. Creation of Light. Creation of Dry Land. Creation of the Grass and Trees. Creation of the Sun, Moon and Stars. Creation of Fowls and Fishes. Creation of Creeping Things and Beasts. Creation of Adam. Creation of Eve. Adam and Eve in Paradise. Temptation of Eve. Adam and Eve hide their Paces. The Expulsion from Eden. The first Human Family. Cain's Sacrifice rejected. Cain kills liis Brother Abel. Cain a Fugitive. Cain builds the first City. Jabal, Tubal and Tubal-Cain. The Wickedness of Man be- fore the Flood. Noah building the Ark. The Flood destroying Man and Beast. Interior of the Ark. Return of the Dove with the Olive Branch. Noah's Sacrifice and the Rain- bow. Tower of Babel— Scattering of the Tribes. Abraham and the Three An- gels. Destruction of Sodom and Go- morrah. Lot's Flight from Sodom. Abraham sends Hag:ar away. Hagar and Is h ma el in the Wil- derness. Abraham offering Isaac. Rebecca at the Well. Eleazar at the House of Ba- thael. Arrival of Rebecca. Isaac blesses Jacob. Jacob's Dream. ■Jacob waters the Flock of Rachel. Jacob wrestling with the An- gel. Joseph tends his Father's Flocks. The Dreams of Joseph. Joseph thrown into a Well. Joseph sold by his Brethren. Joseph's bloody Coat shown to his Father. Joseph interprets the Dreams of the Butler and the Baker. Joseph interprets Phargjh's Dream. Joseph raised to honor by Pha- raoh. The Cup found in Benjamin's Sack. Joseph orders Simeon to be detained. Joseph makes himself known to his Brethren. Joseph meeting Jacob his Father. Jacob blesses his Twelve Sons. Moses in the Bulrushes. Moses assisting the Daughters of Jethro. Moses and the Angel in the flaming Bush. Pharaoh's Host drowned in the Red Sea. Moses and the Ten Command- ments. Israelites worshipping the Golden Calf. Moses strikes the Rock in Ho- reb. Israelites plagued by fiery Ser- pents. Destruction of Jericho. Song of Deborah. Jepnthah's Daughter meeting her Father. Samson kills the Lion. Samson slays the Philistines. Samson betrayed by Delilah. Samson grinding Corn in Prison. Samson palling down the Tem- ple. Ruth in the Fields of Boaz. David kills Goliath. David returns Conqueror of Goliath. David bringeth the Ark from Kirjath. David in Saul's Camp. David before Saul. Saul casting his Javelin at David. Saul visits the Witch of Endor. Death of Saul. Absalom entangled in the Oak. Rizpah protecting the Bodies of her Children. The Judgment of Solomon. The Queen of Sheba visits Solomon. Elijah ascending to Heaven in a Chariot of Fire. Building of the New Temple at Jerusalem. Esther espoused by Ahasuerus. Esther implores Ahasuerus. Esther confounds Haaman. Jeremiah weeping over Jeru- salem. Three Children in the Fiery Furnace. Job and his three Friends. Belshazzar's Feast. Daniel in the Lion's Den. Jonah and the Whale. New Testament. Annunciation to Mary. Naming of John the Baptist. The Angel appearing to the Shepherds. Star of Bethlehem. Nativity. Adoration of the M^i. Presentation in the Temple. The above Views in styles of Crayon JPhotographs, 50 cents each, $45.00 per m Slaughter of the Innocents. Flight into Egypt. The Repose in Egypt. Shadow of the Cross. Jesus in the Workshop of Joseph. Jesus among the learned Men. The return to Nazareth. John the Baptist preaching in Wilderness. John baptizes Jesus. Temptation of Christ. The Wedding at Cana. The calling of Matthew. Christ clearing the Temple. Christ and the Woman of Samaria. The Sermon on the Mount. Christ healing the Sick. Resurrection of the Daughter of Jairus. Christ stilling the Storm. Christ walking on the Sea. Maiy anointing the Feet of Christ. Christ preaching on the Sea of Galilee. Parable of the Lilies. Parable of the Sower. Parable of the Virgins. Parable of the Good Samari- tan. Parable of the Prodigal Son— The Carousal. Parable of the Prodigal Son— The Swineherd. Parable of the Prodigal Son— The Return. Christ blessing little Children. Christ and the rich young Man. Who is greatest in the King- dom of Heaven. Jesus in the House of Mary and Martha. The Tribute Money. The Widow's Mite. The Miracle of the Loaves. Miraculous Draught of Fishes. The Transfiguration. The Pharisee and the Publican. Raising of Lazaims. Christ entering Jerusalem. Washing the Feet of the Apostles. Christ weeping over Jerusa- lem. The last Sujjper. Christ blessing the Bread. Christ in the Garden of Gteth- semaue. Christ commending his Flock to Peter. The Judas Kiss. Christ before Pilate. Christ scourged. Christ crowned with Thorns. Christ the Outcast of the People. Peter denies Christ. Christ bearing the Cross Christ arriving at Calvary. The Crucifixion. Golgotha. First Easter dawn. The Descent from the Cross. The Burial of Christ. The Resurrection. 48 Geo. H. Pierce, Philadelpttta, Pa Fine Colored Photographs, $1.50 eacJi, $18.00 per Dozen, (Three inches diameter ; each vieio mounted in slider 4x7 inches.) Christ appearing: to Thomas. The three Marys at the se- pulchre. Mary Magdalen at the empty tomb. E^8te^ morning. The Journey to Bmmaua. The ascension. The pentecost. Christ, the comforter. Christ, the rewarder. Christ, the good shepherd. Eoco homo. Mater dolorosa. Peter healing the lame man. Martyrdom of Stephen. Co aversion of Saul. Angels releasing Ihe apos- tles in prison. Death on the pale horse. The angel shows Jerusalem to John Dore's Illustrations of the Bible. (A collection of 230 views, a detaUeil list of which wiU be sent on applicntion 'I hose moot s litable for exhibition purpo»e.'< are included in the preceding list.) The Tabernacle in the Wil- derness. 1. The Tdbernacle and Camp. 2. Hoiy Place and Most Holy. 3. nigh Priest in linen robes. 4. High Priest in "garments of heauty and glory." 5. Brazen Altar and cover- ing. 6. Candlestick and covering. 7. Art and covering. 8. Altar of Incense and cov- ering. 9. Brazen leaver. 10. Table of Shew Bread. The Ten Commandments. 1. Thou shalt have no other gods before me. 2. Thou shaltnot make unto theeany graven image 3. Thou shalt not take the name of the L6rd thy Ood in vain. 4. Remember the Sabbath day. 5. Honor thy father and thy mother. 6. Thou Shalt not kill. 7. Thou shalt not commit adultery. 8. Thou shalt not steal. 9. Thou shalt not bear false witness. 10. Thou shalt not covet. 11. Moses receiving the ta- bles of the law. 18. Mo8'=R dnlivering the ta- bles. The Lord's Prayer. 1. "Our father who art in heaven." 2. "Thy will be done." 3. "Give us this day our daily bread." 4. ' Forgive us our debts." 5. "Lead us not into temp- tation." 6. "Deliver us from evil." 7. "Thine is the kingdom." Life of St. Paul. 1 . Martyrdom of Stephen . 2. Conversion of Paul. 3. Paul at Athens. 4. Paul at Ephesus. 5. Paul at Malta. 6. Map of Paul's Travels. Seven Churches of Asia. 1. Epbesus. 2. Smyrna. 3. Pergamofl. 4. Thyatira. 5. Sardis. 6. Philadelphia. 7. Laodicea. The Prodigal Son. (With descriptive reading.) From the brilliant and weP- known paintings by jjuhn fe-. the celebrated French artist. 1. The ^arousal. — Riotous Living. 2. The Swine Herd.—" I perish with Hunger." 3. The Return, "i'ather, I have sinned Againft Heaven, and belore thee." Bunyan's Pilgrim's Progress. (With descriptive leading.) 1. Pilgrim and his Burden. 2. The Shining Litrht. 3. The Slough of D spend. 4. Pilgriin at t^e Gate. 5. Christian and the Three Shining Ones. 6. Pilgrim and The Lions. 7. Christian Armed. 8. Fight with Apollyon. 9. Vanity Pair. 10. The Pilgrims Found Sleeping. 11. Pilgrims and The Shep- herds. 13. Passing through The Wa- ters. Christiana and her Children. (Sequel to Pilgrim's Progress, with descriptive reading.) 1. The Lotter. 2. Christiana and her chil dren leaving City of Dpstructlon. .s. IViercy at the Gate. The above Views, in styles of Crayon JPhotoffrapha^ 50 4. The Shepherd Boy in the Valley of Humiliation. 5. The Valley of the Shad- ow of Death. 6. The Pilgrims at the house of Gains. 7. The Cave of the Giant. 8. Death of Giant Despair. 9. Despondency and Daugh- ter released Jrom the Doubting Castle. 10. The Land of Beulah. 11. Christiana about to cross the River. 12. Christiana borne to heav- en by angels. Life's Eventful Voyage. (From Langenheim'.s Designs.) In this beautiful AUeQ«rical Series, the Voyage of Life is repres'nted under tfit sir ii- itude of a Boat, over which a Ounrdian Angel constant- ly novers. 1. CHiLDHOOD-Theboatls crowded with joyous little occupants. 2. YOCTTH— The number has diminished, but every face is radiant with jo?. 3. Manhood— is lull of vig- or— the boat rushes on the rocks, but is saved from destruction by the strong arm of the v^yRger. 4. Old AGE -("last scene of all that ends this btrange eventful histo- ry,") shows the boat almost motionless, drifting towdida the unknown, its sole oc- cupant overcome by the infirmity of age, the Guardian Angel pointing upwards to the heaven bevond where the weary are at rest. Cole's Voyage cf Life. Fromthe celebrated paintings by Thomas Cole, tne diMin- guished American Artist. 1. Childhood. "Fair childhood starts, illumed with light. And pleasing visions trance the sight." 2. Youth. "Then youth arrives. How fair the view I How radiant upward shin<^s the blue !" 3. Manhood. " What now 0 God, thro' this stern s rife Can keep the voyager, save his life ?" 4. Old Age, " While o'er (ne darK re- ceding storm, Bright breaks the light of enolesg luorn." cents each, 945.00 per 100. 49 Geo, H. Pierce, Philadelphia, Pa. t'ine Colored Photographs^ $150 each, 18.00 per dozen {Three inches diameter ; each view mounted in slider 4x7 inches.) Shakespeare's Seven Ages 1. The Infant, 2. The School Boy. 3. The Lover. 4. The Soldier. 5. T»ieJu8iice. 6. The Lean and Slippered Pantaloon. 7. The Last Scene. The Gambler's Career. (With descriptive reading.) 1. The first seed of the pas- sion planted in the young mind. 2. The development of the passion with higher stakes. 5. Finding himself always the loser, he resorts to false play. 4. He Is detected, and roughly handled by his friends. B, Having lost his al', he leaves the gambling hous i in despair and madness. 6. He ends his life in a mad- house, still occupied with bis ruling passion. The Drunkard's Career. (With descriptive reading.) 1. Domestic happiness- the greatest of earthly happiness. 2. The temptation. " Lead me not into tempta- tion." 3. Introduction of sorrow. A loving heart made sad. 4. The rum-hole a substi- tute for home. 5. Rum Instead of reason. 6. Degraded humanity. 7. The cold shoulder by old friends. 8. Bumseller's gratitude- rejection instead of in- jection. 9. Pcverty and want. 10. Robbery and murder the rpsults of drunkenness. 11. Maniaa potu, the horror of horrors. 13. The death that precedes eternal dea h. Ten Nights in a Bar Room. (With descriptive reading.'* 1. The arrival at the "Sickle and Sheaf." Z. Joe Mo gan's Little Mary begs him to come home. 8. Slade throws a glass at Joe Morgan and hits Mary. 4. Joe Morgan suffering the horrors of Delirium Tremens. 6. Death of Joe Morgan's Little Mary. 6. Frank Slafle and Tom Wilkins riding off on a spree. 7. Willie Hammond is in- duced by Harvey Green to gamble. * 8. Harvey Green stabs Wil lie Hammoad to death. 9. Quarrel between Slade and his son Frank. 10. Frank Slade kills his Father with a bottle. 11. Meeting of the Citizens in the Bar-room.! 12. The departure from the "Sickle an i Sheaf." The Bottle. (With descriptive reading.) (From Cruilisharks Celebrated Des gns.) 1. The bottle is brought out for the first time. The husband induces his wife "just to take a drop.'' 3. He is discharged from his tmployment for drun k- hness. "They pawn their clrthes to supply the bottle." 3. An execution sweeps off the greater part of their furniture. "They com- fort themselves with the bottle." 4. Unable to obtain employ- ment, they are driven by poverty Into the streets to beg, and by this means still supply the bottle. 5. Cold, misery and want de- stroy their youngest child. "They console themselves with the bottle." 6. Fearful quarrels and bru- tal violence are the natural consequences of the frequent use of the bottlo. 7. The husband in a state of furious drunkenness kills his wife with the instrument of all their misery. 8. The bottle has done its work— It has destroyed the infant and the mo- ther; it has brought the son and daughter to vice and to the streets, and has left the father a hopeless maniac. The History of Johnny Short. {From Original designs hy Beard ; with an Amusing Descriptive Poem.) 1. Introduces Johnny Short —an unsophisticated young man from the country. 3. Jemima, the tavern- keeper's pretty daugh- ter, of whom Johnny Is enamored. 3. The flashy gambler who captivated Jemima. 4. Johuny is rejected— fuels bad, and takes a drink. 5. Continues drinking, and become-" a drunkard. 6. Makes his bed In the gut- ter. ". Woere he is disturbed by an old porker. 8. Is rescued by a Temper- ance man. 9. Signs the Pledge, and goes to work. 10. And becomes a reformed man. 11. Family disarrangements of Jemima and her hus- band. 13. Johnny happily married. The Stomach of the Drunkard. (With descriptive reading.) 1. Stomach of a Temper- ance Man. 3. Stomach of the Moderate Drinker. 3. Stomacb of the Drunk- ard. 4. Stomach after a De- bauch. 5. Stomach of a hard Drink- er. 6. Stomach of a h abitual Drunkard. 7. Stomach of a Drunkard on the verge of the grave. 8. Stomach during Delirium Tremens. William Jackson's Treat. (With Poem.) 1. More Champagne! re- marked Wm. Jackson. Foreign stuff, with a genuine tax on. 3. Bourbon again— and oh, I say, I'm Will Jackson. Hang it up till Satur- day. 3. Don't you go to thinkin' I'm bust. I'm Bill Jackson, Guv, can't you trust? 4. Bill goes out, and the next you hear Of his last treat, off the the end of a pier. The Drunkard's Daughter. With Descriptive Reading. 1. Her mother dying, she is left alone in the world. 3. She endeavors to support herself by sewing shirts. 3. Payment for her work is Tpf used for alleged im- perfections. •Phe above Views in styles of Crayon Photog^r^ph; 60 cents each, 945.00 per 100. 50 Geo. H. Piekce, Philadelphia, Pa. Fine Colored Photographs, $1.30 each, $18.00 per Dozen. (Three inches in diameter ; each view mounted in slider 4x7 inches ) Dore's "Paradise Lost.' 4. Unable to pay the rent, she i8 turned into the street. 6. In a moment of despair she plun.nres into eter- nity. 6. Take her up tenderly, lift her with care." The Two Paths of Virtue and Vice. 1. Childhood. 2. Youth. 3. Manhood. 4. Oldagre. The Life of a Country Boy. 1. Leaving Home. 2. Temptation and Fall, a Farther on— Gambling. 4. At last— The Forged Check. The l-Fated Ship. leaving the 1, The Ship Wharf. 3. The Ship sailing with a Fair Wind. 3. The Commencement of Storm. 4. Heijfntof the Storm. 5. The Ship on Firk I 6. The Kaft.- SavedI The Life of a Ship. 1. Ship leaving Port. 2 Shipamonif Icebergs 3. Ship on Fire. 4. Ship lost— crew saved in boats. Tam O'Shanter. (Rob't Burns.) 1. Tarn's wife " nursing her wrath." 2. Tam carousing with Sou- ter Johany. 3. Tam mounts "gray mare Meg." 4. Thd witches dance at AUoway Kirk. 6. " Out the heLish legion sallied." 6. Tarn's gray mare Meg loses her tail. Cotter's Saturday Night. (Rob't Burns.) L "The toil-worn cotter" returning from his labor. 2. His little children meet him with noise and glee. 3. "Their eldest hope, their Jenny, woman grown." 4. Jenny's lover— "a strap- ping youth." 6. Youih's te. der tale of love. 6. Family worship. The big Hall Bible. Uncle Tom's Cabin. with descriptive re ading.) (1. George Harris taking Ifidve of his wife. 2. An Evening in Uncle Tom's Cabin. 3. Escape of Eliza and Child on the Ice. 4. Uncle Tom Sold and leav- ing his iamily. 5. Eva makes a friend of Uncle Tom. 6. Uncle Tom saves Eva from drowning, 7. George Harris resists the Slave Hunters. 8. Eva and Topsy. 9. Eva reading to Uncle Tom. 10 Eva's Dying Farewpll. IL Ltgree's cruelty to Uncle Tom . 12. Death of Uncle Tom. A Visit From Santa Ciaus. (With Poem.) 1. " The Children were nes- tled all snug in their beds." 3. " A miniature sleigh and eight tiny reindeer." 3. "And he looked like a peddler just opening his pack." 4. " Merry Christmas to all, and to all a good night. ' ' "How Persimmons Took Cah ob Der Baby. (With P. em.) ). Persimmons and der bab 2. Persimmons' Granny. 3. Per?immous with the baby on the raft. 4. The mother finds he- baby. Jrving's Rip Van Winlde. (With descriptive reading.) 1. Rip PI lying wi h the Chil- dren. 2. Rip a the Village Inn. 3. IIis Scolding Wife. 4. Rip on the Mountains. 5. Rip returns home after a nap of twenty years. 6. Rip relating bis story. The New Tale of a Tub. (With Poem.) 1. Opening— the Bengal Ti ger. 2. Bengal Ease. 3. The Artful D^dge. 4. Look before you Leap. 5. Undercover. 6. The Climax of the Tail ! The above Views in styles of Crajion ehotog-raphay •>» cents each, $45.00 per 100. (The entire series consists o] 50 inewf, a list of which will be sent if wished. The fol- lowing 13 views camprisz th» most desirable.) 1. The infernal Serpent and h'8 host of rebel Angels. 2. The arch fiend chained on the Burning Lake. 3. Satan at gates of Hell. 4. Saran viewing Paradise. Finds i t a happy rural seat of various views. 5. Adam and Eve refreshing themselves at the fountain 6. Raphael's interview with Adam and Eve. 7. First fight of Michael and Gabriel against Satan and his Angels. 8. God creates fishes and fowls. 9. Satan re-enters Paradi'^e at night involved in a mist. 10. Sata I finds the Serpent asleep. 11. The Serpent has beguiled Eve to eat of the forbidden fruit and slinks bacii to the thicket. 12. Sin and Death going on their mission to destroy. Dore's "Dante's Inferno." (76 views.) $114 00 per SPt— Finelv Col- ored Photographic Slides. $38.00 per set— Uneolored Crayon Photographic Slides. Dore's "Ancient Mariner." (38 views.) $57.00per set— Finely Colored Photographic Slides. $19.00 per set— Uneolored Crayon Photographic Slides. A Leap for Life. (With Poem.) New and very Dramatic. 1. "There stood the boy with dizzy brain, Between the sea and sky. 2. " A rifle grasped And aimed it at his son. 3. "That only chance your life can save ; Jump, jump, boy ? " 4. He sank— he rose- he lived— he moved — And for the ship struck out. The Road to Ruin, 1. College Card Party. 2. Betting at the Races. 3. The Arrest for Forgery. 4. A Struggle for Existence. 5. The End at Hand. 51 Geo. H. Pierce, Philadelphia, Pa. Fine Colored J*hotoyraphs, $1.50 each, (Three inches in diameter ; each view mounted ASTRONOMY. I, The fiun, with all the Planets and their Satel- lites. t. Comparative sizes of the Sun and Planets. 8. True and Mean place of a Planet in itswrbit. 4. Law ot Kefract on, as ap- plied to Astronomical observations. 6. Parallels, Meridians, and Zones of the Earth and other Planets. ft. Inclination of the Axis of the Planets Venus, the Barth, Mars, Jupi- ter and >aturn. T. Phases and apparent Di- mensions ot Venus at its extreme nnd mean distance from the Earth. 8. Earth's Annual Motion around the Sun— show- ing the twelve Constel- lations and tho sign of the Zodiac. 9. Eclipses. 10. Tides. II. Inclination of the Moon's Orbit. 12. Causes of the Moon s Phases. 13. Telescopic view of the Full Moon. 14. Telescopic view of the Moon past the last quarter. 15. Telescopic view or the Moun tains of the Moon; very highly magnified. 18. Telescopic view ot Mars. 17. Telescopic view of Jupi- 18. Telescopic view of Sat urn. 19. Telescopic view of the Comet of 1811. 20 Telescopic view of a por tion of the Milky Way, showing Star Clupters, or Resolvable Nebulas The above Set of 20 Views, ■with descriptive Lecture, $25 GO. Additional Astronomical Il- lustrations. *l. System of P*^olemy. 22. System of Tycho Brahe. 23. Egyptian Zodiac. 24. The Sun complied from several dates. 25. Sun ppots and faculSB. 26. Sun spots, 1872. 27. Sun spots, 1873. 28. Sim spots {Naysmith). 29. Solar prominences 1872. 80. Solar prominences 1873. 81. Total Kclipse of Sun, J8fi9. 82. Total Eclipse of Sun, 1870 33. Total Eclipse of Sun, (See Li Hue). 34. Solar cyclone (Secchi), 1857. 35. WjI low leaf appearance, (Naysrmth). 36. Spectra of Sun, Chromo- sphere, Prominences and Corona. 37. Spectroscopic indications of Rapid Motion of Prominences. 38. Apparent size of the Sun, seen from the principal planets. , Map of the Moon. 40. Comparative size of the Eirth and Moon's orbit. 41. The Barth as seen from tbe Moon. 43. M on's Craters, 1872. Tor- ricelli, etc. 43. Moon's Craters, 1872. Aga- tharchide?, etc. 44. Moon's Craters, 1872. Cas- sini, etc. 45. Moon's Craters, 1873. Lin- ne, etc. 46. Moon's Craters, Caper- nicus (Naysmith). 47. Moon's Craters, Environs of Tycho. 48. Moon's Nodes, Eclipses, etc. 49. Moon's first quarter. 50. Mars and Jupiter and As- teroids. 51. Eclipses and passages of the satel ites of Jupiter seen from the earth. 62. Saturn, bird's eye view, ring system. 53. Satiim, potition of rings, 54 Saturn, luminous points visible near the period of the disappearance of rings. 55 Saturn, and Earth ; com- parative size, .'ie. Uranus and Neptune. 57. Direct and retrograde motion ot Mercury aud Venus. 58. Comet; Dor ati's, 185S. 59. Comet; Donati's, 3859. 60. Comc^^; Donati's, Head. 61. Comet; Coggia's, 1874. 62. North circum polar stars, extending about 60 de- grees from the Pole. 63. Orion and adjacent con- stellations. 64. Nebulae; in Orion, 1859- 1863. 65. Nebulae; In Orion, 1874, central part. 66. Nebulae; in Andromeda, 1874. 67. Nebulae; in Lyra, 1874, ring. 68. Nebulas; In Leo, dumb bell. . , 69. Nebulas; in Leo, elliptical annular. 70. Nebulae; in Virgo, spiral. 71. Nebulte: in Canes Vena- tici, spiral $18.00 per Dozen^ in slider 4x7 inches.) 72. Nebulae; trifld, 1874. 73. Clusters in Hercules, 1874. 74. Seafons, length of days, etc. 75. The Earth and Seasons. 76. Parallax. 77. Refraction, parallax, light and heat. 78. Ecliptic Chart. 79. Discovery of ^'anet. 80. Visible Heavens, Jan. 21 to April 17. 81. Visible Heavens, April 18to July 21. 82. Visible H*"avens, July 22 to Oct. 31. 83. Visible Heavens, Nov. 1 to Jan. 20. 84. Celestial Hemisphere, Northern. 85. Celestial Hemisphere, Southern. 86. Construction of Reflect- ing Telescopes. 87. Lord Rosse's Telescope. 88. Sir William Herschel's Telescope. 89. Interior of Astronomical Observatory. (See "Additional Scientific.") Rev olving Astronomical Dia> grams, with Rack Work Movements. (With descriptive reading.) $40.00 Per Fet of lO blldes in Hex. (These fVdes are only fur- ni-ihed O'lored.) 1. The Solar System, show- ing th3 Revolution of all the Planets, with their Satellites, round the Hun. 2. The ttarth's Annual Mo- tion round tbe Sun, showing the Parallel- ism ot its axis, thus producing the Seasons. 3. The cause of Spring and Neap 'lides, and the Moon's Phases, during its revolution. 4. The Apparent Direct and Retrograde Motion ot Venus or Mercury, ar d 1 also its Stationary Ap- pearance. 5. The Earth's Rotundity, proved by a ship sail- ing r und the Globe, and a line drawn from the eye of an observer placed on an emin- ence. 6. The Eccentric Revolu- tion ot a Comet round the Sun, and the ap- pearance of its Tail at different points of its Orbit. 7. The Diurnal Motion of the Earth, showing the Rising and Setting of above Views, in stvle of Crayon Photogrrapht^ 50 cents each, •45,00 per 100. 52 Geo. II. PiEKCE, Philadelphia, Pa. Fine Colored Photographs, $1.50 each, (Three incMs diameter ; each view mounted in OPTICS. the Sun, illustrating the Causes of Day and Night, by the Earth's Rotation upon its Axis. 8. The Annual Motion of the Earth round the Sun, with the Monthly Luna- tions of the Moon. 9. The Various Eclipses of the Sun with the Transit of Venus ; the Sun ap- pears as seen thro' a Telescope. 10. The Various Eclipses of the Moon ; the Moon appears as seen thro' a Telescope. The above Revolving As- tronomical Diagrams for sale separately, at following prices : No. 1— $6.50 3— 5.00 3— 3.50 4— 4.00 5— 4.00 No. 6 7 $7.00 ■ 3.50 8— 7.00 9— 3.50 10— 3.50 SpectrumAnalysis 1. Decomposition of Light by prism. 2. Comparative intensity of heating, luminous and chemically active Rays. 3. Fraunhofer's Map of Solar Spectrum. 4. The Spectroscope. 5. Spectra of the Sun, Beta Cygui and Hydrogen. 6. Spectra of Potassium, Ru- bidium, Sodium, and Lithium. 7. Spectra of Carbon, Comet II. (1868), Spark and Nebulae. 8. Spectra of Aldebaran and Alpha Orionis. 9. Kirchoff's Map (from 194 to 320) and Rutherford's Photograph of same. 10. Spectra of Chlorophyll, Chloride of Uranium, Magenta and Blood. 11. Gassiot's Spectroscope. 13. Huggin's Map of Metallic Lines, from 320 to 3790. 1.3. Huggin's Map of Metallic Lines, from 3790 to 5350. 14. Huggin's Star Spectros- cope. 15. Map of Solar Spectrum, from 38 to 163. 16. Map of Solar Spectrum, from 162 to 387. 17. Map of Solar Spectrum, from 383 to 406. 18. Coincidence of Spectrum of Iron with 65 of the Fraunhofer Lines. 19. Spectra of the Sun, Chro- mosphere, Prominence and Corona. 20. The Atmospheric Lines. ^See also " Additional Scientific." 1. Reflection of Light. 2. Formation of Image by Plait! Mirror. 3. Formation of Image by Convex Mirror. 4. Formation of Image by C'oncave Mirror. 5. Foci of Concave Mirrors. 6. Refraction of Light. 7. Laws of Refraction and total Reflection. 8. Refraction in Body with Parallel Sides. 9. Forms of Lenses. 10. Formation of Image by Double Convex. 11. Formation of Image by Plano-convex. 12. Formation of Image by Concave Lens. 13. Spherical Aberration. 14. Action of Prism — Chroma- tic Dispersion. 15. Chromatic Aberration — Achromatic Prism and Lens. 16. Diagram to explain Wave Lengths. 17. Double Refraction— Iceland spar— Nichol Prism. 18. Polariscope, etc. 19. Colored Rings in uniaxial Crystals with polarized Light. 20. Colored Rings in unan- nealed glass Cube. {Diagram with movements showing Wave Motion in its application to the Laws of '■'■Light;' $5.00.) (See also "Additional Scientific." GEOLOGY. 1. The Geological Record. 2. Ideal Section of the Earth's Crust. 3. Thickness of the Earth's Crust. 4. Section of a Volcano in Action. 5. Fingal's Cave. 6. Grotto of Antiparos. 7. Glacier, Mount Rose, Switzerland. 8. Glacier Tables. 9. Coral Island. 10. Corals 11. Rain Drop Marks. 13. Trilobites. 13. Ammonites. 14. Pterichthys, Coccostes, Cephalaspis. 15. Fossil Fern, Impression of. 16. Forest of the Coal Period. 17. Ichthyosaurus, Plesiosau- rus and Pterodactyle. 18. Megatherium Skeleton. 19. Fossil Footmarks. 20. The Mammoth Restored. The abme Set of 20 Views, $25 00. $18.00 per Dozen, slider 4x7 inches.) Additional Geological Illustrations. Skeleton of Plesiosauras. Sigilari. Lepidodendron. Tracks (The Stone Books). Bone Cavern (Wirksworth, Eng.). Skeleton of Mastodon. Pentacrimites Briareus. Apiocrinites and Actino- crinites. Pterodactyle. Lava Arch, Iceland. Foraminifera (from Atlan- tic Soundings). Dinornis Mantelii. Section of the Cavern of Gailenreuth (Hartz). Sandstone Columns in Sax- cmy. Skull of Mosasanrus. Temple of Serapis (Puzzii- olo). The Dodo (an extinct bird). Convoluted strata. Skeleton of Ichthyosau- rus. Diplacanthus striatos. Ideal Geological Land< scapes. 1. Silurian Period. 2. Devonian Period. 3. Transition Period. 4. Carboniferous Period. 5. Forest of Coal Period. 6. Permian Period. 7. Triassic Period. 8. Conchylian Sub-Period. 9. Saliferous Period. 10. Lower Oolite Period. 11. Lower Cretaceous Period. 12. Cretaceous Period. 13. Eocene Period. 14. Miocene Period. 15. Drift Period. 16. Recent Period. Extinct Animals. (With descriptive reading.) 1. Plesiosaurus, Teleosaurus, Ichthyosaurus, Penta- crinites. Ammonites, Gryphsea. 3. Megalosaurus, Pterodac- tyle. 3. Iguanadon, Hylseosaurus. 4. Anoplotherium Commune, Anoplotherium Gracile, Pelijeotherium. 5. Megatherium, Glyptodon. 6. Elephas Primigeneous, Hy- aena Spelsea, Hippotamus Major, Ursus Spelseus, Machairodus Latidens. The above Views in styles of Crayon Photoffraphs, 50 cents each, $45.00 per 100. 53 Geo. H. Pierce, Philadelphia, Pa. Fine Colored Photographs^ $1.50 each, {Three inches diameter ; each mew mounted in Anatomy and Physiology. 1. Human Skeleton. 2. Human Skull. 3. Section of the Spine, etc. 4. Teeth, structure, etc. 5. Muscles, front view. 6. Muscles, back view. 7. Muscles of the head, neck and face. 8. The Digestive Orgaus. 9. Intestines. 10. Stomach, Liver, Pancreas. 11. The Thoracic Duct. 12. Heart and Lungs. 13. Diagram of Circulation. 14. Skin, structure of. 15. Brain and Spinal Chord. 16. Nervous System. 17. Fifth pair of ISTerves. 18. Facial Nerves. 19. Diagram of the Eye. 20. Anatomy of the Bar. The above 20 Views with De- scriptive Lecture, $25.00. (See Lecture Set, " Human Physiology," 52 views ; also 335 views of Anatomy among the " Additional Scientific.") ZOOLOGY. Albatross. Alligator. Armadillo. Barnacles. Basilisk. Bat. Bear, Grizzly. " Polar. Beaver. Bedbug. Beetle. Bird of Paradise. Boa Constrictor. Buflfalo. Butterfly. Camel. Chameleon. Chamois. Cobra. Cockatoo. Condor. Crab. Crocodile. Deer. Dog. Dolphin. Eagle. Elephant. Falcon. Flamingo. Flea. Flying Pish. Pox. Gall Ply. Giraffe. Gopher. Gorilla. Hedgehog. Hippopotamus . Humming Bird. Hyena. Ibis. Itch Insect. Jaguar. Jelly Fish Kangaroo. Kingfisher. Leopard. Lion. Lizard. Lobster. Louse. Monkey. Musk Ox. Nautilus. Opossum. Ostrich. Owl. Parrot. Pelican. Penguin. Plant Louse. Porcupine. Porpoise. Prairie Dog. Raccoon. Rabbit. Rattle Snake, Raven. Reindeer. Rhinoceros. Saw Fish. Saw Fly. Scorpion. Seal. Sea Horse. Sea Lion. Shark. Sheep. Silk Worm. Skeleton of Man and Monkey. Skunk. Spider. Squirrel. Star Fish. Stork. Sword Fish. Tiger. Torpedo. Turtle. Walrus. Whale. Whippoorwill. Wolf. Zebra. (See Lecture Set, " Walk in the Zoo," 48 Views.) $18.00 per Dozen, slider 4x7 inches) Additional Batany. Almond, Flower and Fruit. Banyan Tree. Blackberry, Flower and Fruit. Black Pepper. Cactus. Camelia. Chrysanthemum. Cinnamon. Clove. Cocoa. Cofl'ee. Couvallaria. Dahlia. Dicentia. Figs and Olives. Puschia. Geranium. Holly. Hyacinth. Ilex. Lily, Japanese. " John son i. " of the Valley. " Pond. Magnolia and Passion Flower. Nasturtium. Nutmeg. Oleander. Pelargonium. Peony. Peruvian Bark. Pine Apple. Pitcher Plani. Pomegranate. Poppy. Sarracenia. Stanhopea. Stock Gilliflower. Strawberry, Flowers and Fruit Tea. Tulip. Vanilla. Venus Fly-trap. Viburnum. Violets. BOTANY. 1. Parts of a Plant. 2. Germination. 3. Roots. 4. Buds and Leaves. 5. Flowers and Inflorescence. 6. Stamens and Pistils. 7. Exogenous Structure. 8. Crowfoot Family— Colum- 9. Pink Family. [bine, etc. 10. Tobacco. 11. Clover. 12. Apple. 13. Rose. 14. Melon. 15. Composite Family — Chic- ory and Caliopsis. 16. Oak. 17. Fir and Hemlock Spruce. 18. Endogenous Structure. 19. Date Palm. 20. White Garden Lily. The above Set ofW Views, $25, Natural Phenom- ena. (With descriptive reading.) 1. Rainbow. 2. Aurora Borealis. 3. Will o' the Wisp. 4. Water Spouts. 5. Sand Storm. 6. Geysers. 7. Falls of Niagara. 8. Coral Reefs. 9. Glacier, Sea of Ice. 10. Icebergs. 11. Volcano. 12. Prairie on Fire. Crystallography. 1. Primary Forms. 2. Regular System. 3. Quadratic System. 4. Hexagonal System. 5. Rhombic System. 6. Monoclinic System. 7. Triclinic System. 8. Ice Flowers (Tyndall). 9. Snow Crystals. 10. Ice Crystals. The above Views in style of Crayon J^hotographs, 50 cents each, $45. no per 100. 54 Geo. H. Pierce. Philadelphia. Pa. Fine Colored I^hofofjrajjhs, $1.50 each, $18.00 per Dozen. {Three inches diameter ; each view mounted in slider 4x7 inches.) Mneveh and Babylon {From Layard's Woi'k.) 1. Palace of Seiiuacherib. 2. Entrance to a Temple. 3. do do 4. do do 5. Process of Removing the Sculptured Slabs. 6. Sennacherib on Throne. 7. Pul or Tiglath Pileser in his Chariot. 8. Jewish Captives. 9. Warriors Driving over their Enemies. 10. Flaying a Prisoner alive. 11. Besieging a city. 12. Removal of scalpture of a colossal Bull. 13. Tools and workmen for moving do. 14. Scales, etc. — Illustrating system of weights. 15. Bottles of Glass and Earthenware. 16. Pitcher of Soapstone. 17. Terra-Cotta Tablet of In- dian Dog. 18. Engraved Cylinder and Seal. 19. Coffins of glazed earthen- ware. 20. Cuneiform characters of the inscriptions ; with parallel columns, show- ing the same names in Hebrew and English. by Assyrian Antiquities. 1. Nisroch. 2. The Great King. 3. Nimroud. 4. Expulsion of Evil Good Spirit. 5. Plan of Babylon. 6. King putting out Eyes of Captive. 7. Sardanapalus and Altar. 8. Statue of Cyrus. 9. King on Throne with At- tendants. 10. Sennacherib. U. Ruins of Babylon. 12. Ruins of Sue. 13. Mount Ararat. 14. Birs Nimroud. 15. Source of Tigris. 16. Urfah. 17. Hamadan and Ruins of Castle Darius. 18. Ruins of Persepolis. 19. Interior of Caravanserai. JO. Great Mosque of Urfah. Egyptian Antiquities. 1. Wine Press. 3. Royal Boat. 3. Armor. 4. Cooking Utensils. 5. A Harper. 6. Chair from Tomb of Rameses. 7. Golden Ewer and Basin from ditto, £ Brick Making. 9. ^ Mummied Bull Apis. 10. Typical Heads Greek, Assyrian, and Egyptian. 11. Necklace and Earrings of Menes, the first Pharaoh, 2750 B. 0. 12. Judgment of the Dead. 13. Mtimmy Cases. 14. Couch. 15. Granary. 16. Mourners. 17. Signet Rings. 18. Cliariots. 19. Workers in Metal. 20. Great Rock Temple. at Grecian Antiquities. 1. Plan of Athens. 2. Ancient Athens Restored 3. Ruins of Athens. 4. The Pyraeus. 5. Mars Hill. 6. Philosopher's Garden. 7. Ruins of the Parthenon. 8. The Parthenon restored. 9. Temple of Jupiter Olympia. 10. Oracle at Delphi. 11. Sacrifice to Neptune. 12. Sarifice to Mars. 13. Statue of Pallas Athenaa. 14. Olympian Games. 15. Grecian Warriors. 16. Grecian Chariot. 17. Grecian Dwelling. 18. Grecian Ceremony before Marriage. 19. The Areopagus. 20. The Assembly of Gods. Tlie Old Roman World. (With Descriptive Reading.) 1. Liberality of the Roman Women. 2. Cornelia and her Jewels. 3. A Roman Chariot Race. 4. The Vintage Festival. 5. Death of Csesar. 6. Roman Prisoners Passing under the Yoke. 7. A Roman Feast. 8. Antony and Cleopatra. 9. Gladiators Going to the Circus. 10. The Victorious Gladiator's Appeal. 11. Destruction of Pompeii. 12. The Wild Beasts and their Victims in the Coliseum. The Catacombs Rome. of {From Bishop Kip's Work.) 1. Ground Plan. 2. A Gallery. 3. Tomb of Valeria. 4. Tomb of Gemella. 5. Tomb of Lannus, Christian Martyr. 6. Tomb of Victoria, Chris- tian Martyr. 7. Tomb of Veneria, the wool carder, showing the im- plements of his trade. 8. Antique Lamp fculptured on a Tomb, with symbol of Fish, and Constant- inian monogram. 9. Signet Ring, with symbol of ship, fish, dove. 10. Sketch of Painting found in the Catacombs— " Christ the Good Shep- herd." Chinese Habits and Customs. 1. Street in Canton. 2. Temple of Buddha. 3. Great Temple at Honan. 4. Porcelain Tower, Nanking. 5* Apartment in a Mandarin s House. 6. Mandarin paying a visit of ceremony. 7. Marriage Procession. 8. Feeding silk worms. 9. Itinerant Barber. 10. Opium Smoker. 11. Kite Flying. . 12. Chinese Cemetery. MAPS. Map of United States. " British Isles. " Europe. " Asia. " Palestine. " London. " Paris. " Rome Ancient. " Rome Modern. " Jerusalem. " Pisa. Venice. " The River Nile. " Northern Italy. " Florence. " The Walls of Rome. Plan of the Vatican. Ground Plan of St. Peters. Plan of Waterloo. " Additional Scientiflc." {A Detailed Catalogue of which wUl be sent on receipt of 10 ctn.) Anatomy, 335 views. Astronomyj 300 views. Heat, 260 views. Hydrostatics and Hydrody- namics, 60 views. Light and Optics, 300 views. Magnetism and Electrici ty, 493 views. Mechanics, 100 views. Pneumatics, 90 views. Sound, 177 views. Spectrum Analysis, 100 views. The above Views in style of Crayon Photographs, 60 cents each, $45.00 per 100. 55 Geo. H. Pierce, Philadelphia, Pa. Fine Colored Photographs, $1.50 each, $18.00 per Dozen, {Three inches in diameter; each view mounted in slider 4x7 inches.) UNITED STATES HISTORY. Landing of Columbus, 1492. Mexico conquered by Cortez, 1521. De Soto discovering tlie Mis- sissippi, 1541. Landing at Jamestown, 1607. Smitli rescued by Pocahontas, 1607. Landing of Hendrick Hudson, 1609. Marriage of Pocahontas, 1613. Embarkation of the Pilgrims, 1620. Landing of the Pilgrims, 1620. March of Miles Standish, 1620. Landing of Roger Williams, 16S6. Gov. Stuy vesant destroying the Summons to surrender, 1664. Penn's Treaty with the hi- dians, 1682. Braddock's Defeat, 1755. Washington at FortDuquesne, 1758. Death of Wolfe, 1759. Patrick Henry's Address, 1765. Boston Massacre, 1770. Boston Tea Party, 1773. Washington going to the First Congress, 1774. First Prayer in Congress, 1774. Battle of King's Mountain, 1779. Gen. Marion and the British Officer, 1780. Treason of Arnold, 1780. Capture of Andre, 1780. Eeading the Death-warrant of Andre, 1780. Battle of the Cowpens, 1781. Lee's Cavalry at Guilford C. H., 1781. Battle of Eutaw Springs, 1781. Surrender of Cornwallis, 178ft Evacuation of New York, 1783. American Army entering New York, 1783. Washington resigning his Commission, 1783. Battle of Lexington, 1775. Struggle on Concord Bridge, Retreat of the British from Concord, 1775. Putnam leaving the Plough. Putnam's Escape. Capture of Ticonderoea, 1775. Washington taking Command of the Army, 1775. Battle of Bunker Hill, 1775. Death of Montgomery, 1775. Evacuation of Boston, 1776. Battle of Fort Moultrie, 1776. Drafting the Declaration of Lidepen deuce, 1776. Signing the Declaration of In- dependence, 1776. Signatures to the Declaration. Battle of Long Island, 1776. Washington crossing the Dela- ware, 1776. Battle of Trenton, 1776. Battle of Princeton, 1777. Battle of Bennington, 1777. Battle of Germantown, 1777. Battle of Saratoga, 1777. Surrender of Burgoyne, 1777. Washington and Congress at Valley Forge, 1777. The Prayer at Valley Forge, 1777. Battle of Monmouth, 1778. Moll Pitcher at Monmouth, 1778. Massacre of Wyoming, 1778. Capture of Stony Point, 1779. Action between the Serapis and Bon Homme Richard, 1779. The above Views in style of Fac-simile of Washington's Letter, 1785. Constitutional Convention, 1787. Inauguration of Washington, 1789. The First Cabinet, 1789. Gen. Wayne defeats the Miami Indians, 1794. First Congressional Fracas (from an antique Caricature), 1798. Death-bed of Washington, 1799. Hamilton and Burr, 1804. Decatur's Conflict at Tripoli, 1804. Arrest of Burr, 1806. Battle of Tippecanoe, 1811. Constitution and Guerriere, 1812. United States and Macedonian, 1812. Death of Capt. Lawrence, 1813. Capture of Ft. George, 1813. Massacre at Ft. Mims, 1813. Com. Perry at Lake Erie, 1813. Death of Tecumseh, 1813. Gen. Jackson and Weather- ford, the Indian Chief, 1814. Battle of Chippewa, 1814. McDonough's Victory on Lake Champlain, 1814. Battle of Plattsburg Bay, 1814. Battle of New Orleans, 1815. Battle with the Seminoles,1835. Battle of Resaca de la Palma, 1846. Battle of Buena Vista, 1847. Battle of Contreras, 1847. Storming of Chapultepec, 1847. Scott entering Mexico, 1848. Fort Sumter in Peace, 1861. Bombardment of Ft. Sumter, 1861. Mass. Regiment passing thro' Baltimore, 1861. Assassination of Ellsworth, 1861. Ellsworth Revenged, 1861. Crayon I'ltotograpJis, 50 cents each, SA'^.OO per 100, Battle of Rich Mountain, 1861. Battle of Bull Run, 1861. Plan of Bull Run. Battle of Wilson's Creek, 1861. Battle of Ball's Bluff, 1861. Bombardment of Port Royal, 1861. Battle of Mill Creek, 1862. Battle of Roanoke Island, 1862. Capture of Ft. Donelson, 1862. Battle of Pea Ridge, 1862. The Monitor and Merrimac, 1862. Bird's-eye View of Fortress Monroe. Battle of Newbem, 1862. Battle of Kelly's Ford, 1862. Bombardment of Island No. 10, 1862. Battle of Shiloh, 1862. Bombardment of Ft. Pulaski. 1862. Capture of New Orleans, 1862. Battle of Williamsburg, 1862. Battle of Fair Oaks, 1862. Attack of Gunboats on Mem- phis, 1862. Battle of Malvern Hill, 1862. Battle of Chantilly, 1862. Battle of Antietam, 1862. Battle of Fredericksburg, 1862. " " —Dead around Flag of 8th Ohio. Battle of Murfreesboro, 1862. Siege of Vicksburg, 1863. Battle of Gettysburg, 1863. Siege of Port Hudson, 1863. Battle of Chickamauga, 1863. Battle of Lookout Mt. 1863. Assault on Fort Wagner, 1863. Battle of Knoxville, 1863. Battle of the Wilderness, 1864. Siege of Petersburg, 1864. Kearsage and Alabama, 1864. Battle of Mobile Bay, 1864. Bombardment of Ft. Morgan, 1864. Capture of Atlanta, 1861. ' Sherman's March, 1864. Capture of Savannah, 1864. Capture of Ft. Fisher, 1864. Surrender of Lee, 1865. Assassination of Lincoln, 1865. Capture of Jeff. Davis, 1865. Army Scenes and Inci- dents. Picket Line. Return from Picket Duty. In Line for Soup. Soldier on Duty. Soldier's Home. Woman's Mission. Home from the War. American Flag. Eagle on Shield. Liberty and Banner. Tramp, tramp, the Boys are Marching— Set of two slides ; 1. Interior of Confed. Prison; 2. Union Army to the Res- cue. 56 Geo. H. Pierce, Philadelfkia, Pa. Fine Colored Fhotoffvaphs, $1.50 each, {Three inches diameter ; each mew mounted in Life of Garfield. ENGLISH HISTORY. Battle of Shrewsbury, 1403. Murder of the Princes in the Tower, 1483. Marriage ot Henry VIII. and Anne Boleyn, 1533. Last moments of Mary, Queen of Scots, 1587. Charles I. parting with his Children, 1649. Cromwell dissolving the Par- liament, 1654. Cromwell refusing the Crown, 1656. Defoe in the Pillory, 1702. Battle of Trafalgar, 1805. Quatre Bras, 1815. Relief of Luckuow, 1857. Charles I. Duke of Wellington. Lady Jane Grey. Lord Nelson. Prince of Wales. Queen Anne. Queen Anne Bolcyn. Queen Elizabeth. Queen Mary {''Bloody Mary"). Queen Mary of Scots. Queen Victoria. Young Garfield on the Tow- path. Garfleld at Battle of Chicka- mauga. Garfield taking Oath at In- auguration. The Shooting of Garfield. Mrs. Smith supporting (Jar- field. Garfield in Bed at White House. Arrest of Assassin. Guiteau in Prison Cell. Garfield in Car going to Long Branch. The Cottage at Long Branch. Garfield and Wife at Cottage Window. Death-bed of Garfield. After Death. A Brave Strug- gle ended. The Catafalque of Garfield, Cleveland. Catafalque and Funeral Car. Garfield's Mother praying be- side Catafalque. People viewing Body of Gar- field. „ Lawnfield— Garfield's Homo, near Mentor. Garfield's Letter to his Mother. Garfield's Favorite Hymn. Portrait of Garfield. Portrait of Mrs. Garfield. Portrait of Garfield's Mother. Portrait of Guiteau. Garfield Family Group. Guiteau on the Scaflbld. Drake's Ode to the American Flag. (With Poem.) i " When Freedom from her Mountain Height "—The Banner in the Sky. 2. "Majestic Monarch of the Cloud "—American Eagle. 3 "Flag of the Brave, thy Folae shall fly"— Battle of Princeton. 4. " And, when the Cannon- mouthings loud" — Battle of Chippewa. 5 ' ' Flag of the Seas 1 on Ocean Wave."— Battle of Plattsburg Bay. 6 "Flag of the Free Heart's Hope and Home "—The Star-spangled Banner. Life of Washington. 1. The Cherry Tree Incident. 2. Young Washington as a Peacemaker. 3. Courtship of Washington. 4. Washington Crossing the Delaware. 5. The Prayer at Valley Forge. 6. The Inaugural Address of Washington. 7. Lafayette at Mt. Vernon. 8. Last Moments of Washing- ton, $18.00 per Dozen, slider 4x7 inches.) ! Madame Roland. Marat. Marie Antoinette. Marshal Ney. Mirabeau. Napoleon I. Napoleon HI. Pompadour. Robespierre. St. Just. Aiilitioial Hisiorical SnDjects. United States History. Puritans' First Sabbath in America. John Brown on his way to Execution. Destruction of Gosport Navy Yard. Struggle on the Bridge at Man- assas. Battle of Cedar Mountain. " " ChancellorsvUle. Farragut at Mobile Bay. Deathbed of Lincoln. Barbara Freitchie. IRISH HISTORY. St. Patrick going to Tara, A. D. 432. Battle of Clontarf, 1014. Death of Brian Boru. 1014. Marriage of Strongbow and Eva, 1169. Siege of Limerick, 1651. John Philpot Curran. Robert Emmet. Lord Edw. Fitzgerald. Henry Grattan. Daniel 0'Com)ell. Chas. S. Parnell. Sarsfleld, Earl of Lucan. Wolf Tone. FRENCH HISTORY. Storming of the Bastille, 1789. Louis XVI. and the Mob in Tuileries, 1792. Napoleon Crossing the Alps, 1796. Battle of Austerlitz, 1805. Napoleon at Sommo Sierra. Battle of Wagram, 1809. Battle of Waterloo, 1815. Napoleon parting with the Old Guard, 1815. Napoleon parting with his Son, 1815. • Napoleon at St. Helena, 1815. Death of Napoleon, 1821. Napoleon's Clemency to the Sentinel. Napoleon visiting the Ambu- lance. Barnave, Deputy, 1793. Camille Desmoulins. Charlotte Corday. Dan ton. Empress Eugenie. Joan of Arc. Louis XVI. Louis XVII. Madame Elizabeth. ENGLISH HISTORY. Parting of Sons of Edward IV. The Princes in the Tower. Mary Stuart and Rizzio. Mary Stuart mourning over Douglass. Deathbed of Q.ueen Elizabeth. Meeting of Wellington and Blucher. Nelson on the San Josef. Death of Nelson. Princess Elizabeth. Earl of Essex. Sir Walter Raleigh. Henry VIII. frenchTistory. Roll Call— Reign of Terror. Death of Marat. Charlotte Corday at Prison Window. Marie Antoinette at Trianon. Louis XVI. and Family in Prison. Family of Louis XVI. awaiting Death. Marie Antoinette in Prison. Marie Antoinette before the Tribunal. Marie Antoinette on her way to Execution. apoleon at the Pyramids. Napoleon on board the Belle- rophon. Empress Josephine. Marie Louise. The above Views in styles of Crayon JPhotographa, 50 THE CRUSADES. From Designs by Dore. (99 VIEWS.) $148.50 per set— Finely Colored Photographic Slides. $49.50 per set— Uncolored Cray- on Photographic Slides. A detailed list of the above 99 Views sent on application. cents each, $45.00 per 100. 57 Geo. H. Pierce, Philadelphia, Pa. Fine Colored Photogrciphs, $1.50 each, $1S.00 per Dozen. {Three inches diameter ; each view mounted in slider 4x7 inches.) ARTISTIC GEMS. {Photographed from Choice Engravings of the Masterpieces of prominent Artists.) Absorbed in Robinson Crusoe. Accepted. After the Storm. Age and Infancy. Marshall. Age of Gallantry. Boughton. Age of Gold. Agnus Dei. Alarm, The. DetaiUe. Alexander and Diogenes. Land- seer. All that was left of the Home- ward Bound. Riviere. Almee, Dancing Girl. Oerome. Alone at last. Tofans. Always speak the truth. Nicol. Amateur Quartette. American Eagle on National Shield. American Flag. American Railway Station. Amour Sharpening his Darts. Ancient Custom. Oeionie. Ancient Greek Costume. Angel Choir. Reynolds. Angel of Light. Angel of Peace. Kaulbach. Angle of Purity. Appian Way, Rome. Boulanger Apple Dumplings. Neslie. Apple Gathering. Thompson. Aquarium. Brochart. Arabian Advance Post. Schreyer Arab Outpost. Schreyer. Arab SheiK Travelling. Schreyer Aurora. Hamon. Autumn. Babes in the Wood. Chant. Baby's Better. Staples. Baptism of the Covenanters. Barber, The. Fitzgerald. Barber Shop of Licinius, Rome Barcarolle by Moonlight. Gleyre Bargaining for a Horse. Mount. Basket of Croquemitaine. Bassanio and Portia. Beatrice Cenci. Berager. Beatrice Cenci. Reni. Been to Town. Believer's Vision. Bell Rock Lighthouse. Turner. Blacksmith. Blessings of the House and Field. Becker. Blindman's Buff. Blindman's Buff. Th Schor. Blue Bird. L^eune. Bolton Abbey. Landseer. Both Puzzled. Nicol. Boy with many Friends. Bridal Party, Bay of Naples. Brown Study. Huggins. Buffalo Hunt. Bulldozing. Burgomaster's Fete, The. Burial of the Bird. Burns and Highland Mary. Burns Plowing. Butterfly. Butterfly Chase. By the Sea Side. Brochart. Call to Prayer. Oerome. Can't you talk 1 Holmes. Catching the Crawfish. Cattle at Watering. Bonheur. Cavalry Charge. Dubaste. Challenge. Landseer. Cherry Ripe. MiUais. Cherubs. Raphael. Chicken's Life Boat. Charodeau Children making Wreaths. Von Bremen. Children's Friend. Chimney Sweep. Hardy. Chorister Boys. Christmas Evening — Happy Home. Christmas Evening — Homeless Christmas Presents. Lobrichon. Christmas Tree. Dieffenbach. Cinderella. Lejeune. ' Circe. Riviere. City of Ancient Greece Clear the Track. Schuessele. Cleopatra's Galley. Picon. Cocker and Woodcock. Coming through the Rye. Connoisseurs. Gruetzner. Conversion of Emp. Constantine Cornel ia and her Jewels . Scho- pin. Couriers of the Pasha. Qerome. Critics, The. Crossing the Tay. Crown, The. Cupid a Captive. Cupid Asleep. Perrault. Cupid Disarmed. Dance of the Veil. Richter. Dauphin, The. Death of Coesar. Death of the Wild Boar. Death Struggle. Deer-stalker's Return. Land- seer. Defiance. Coomans. Departure of the Battalion. Be NeuviUe. Deserter, The. Be Neuvitte. Devotedness, Dog saving Child. Discovery, Father buried by an Avalanche: Distinguished Member of a Benevolent Society. Bateman. Distinguished Member of the Humane Society. Donkeyster Sweepstakes. Dream of Hope. Brooks. Driving a Pair. O'^Neill. Dying Toreador. Giraud. Early Dawn. Early Morn. Eddystone Lighthouse. EflBe Deans. MiUdis. Egyptian Feast. Long. Egyptian Threshinsr Machine. English Channel Steamer. English Railway Station. Enthusiast, The. Entrance of Chas. V. into Ant- werp. Markart. Era of the Reformation. Kaul- bach. Eruption of Mt. Vesuvius. Evangeline. Evangeline. Berager. Evening. Evening Prayer. Evening Star. Expectation. Explanation of the Bible. Fairy Grotto. Falls of Terni. Fallstaft' Mustering his cruits. Schroedter. Family Cares. Barnes. Family Happiness, Farewell. Faust and Marguerite. Feather in her Cap. Fetching the Doctor. Fete at Court of Cleopatra. Fight for the Flag. First give me a Kiss. First Snowdrop. Fisherman's Beacon Light. Linton. ! Flaw in the Title. Beard. Re- Flight from Pompeii. Flight of a Soul. Bougereau. Florentine Painter. Flower of Dunblane. Flower of Heaven. Forester's Family. Landseer. Forgotten, Nol)le. Foundling Girls. Fountain of Love. Fox at Bay. Fresh Flowers. Friend in Suspense. Landseer. Friends or Foes. From an Unknown Shore. From Shore to Shore. Dobdl. Gamekeeper's Return. Cooper. Game of Lite. . Gardner's Daughter. Graves. Getting in Hay. Gipsey Fortune Teller. Glacier, The. Brochart. Gladiators going to Circus. God's Acre. Going to Church. Ka&mmerer. Good Friends. Brochart. Good-Night, Girl with Candle. Good-Night, Words in Moon- light Sky. Good-Night, Words in Wreath of Flowers. Grandma's Sleep at Noon. Grandmother's Favorite. Great Expectations. Lejemu. Greedy Calves. Weber. Greek Maiden. Gretchen and her Pet Lamb. Guttenburg reading the First Proof. Half Afraid. Hammock, The. Brochart. Happy as a King. WUkie. Happy Childhood. Harem Favorite. Harvest Wagon. Hen that Hatched Ducks. Hercules and Omphale. Rudeux. Here they Come. Hero. He won't hurt you. MiUais. Hide and Seek. Meyerheim. His only Pair. Faed. Hold on. Sissy. Holy Family. Knaus. Honor thy Father and Mother. Horse Fair. Bonheur. Hound, The. Bonheur. The above Views in style of Crayon Photographs, SO cents each, $45.00 per 100. 58 Geo. H. Pierce, Philadelphia. Pa. Mne Colored Photographs, $1.50 each, $18.00 per Dozen. {Three indies diameter; each mew mounted in slider 4x7 inches.) Household Industry. Detmeis. Huguenot Lovers. MiUais. Image of Mamma. ScMesinger. Immaculate Conception, Mutter. " MuriUo. Industry. Infant Samuel. In Luck. Innocents Abroad. Interesting Family. Carter. Interview between Anthony and Cleopatra. In the Highlands. Hofner. Inundation. Landseer. Inundation of the Plants. Italian Shepherd Boy. Jack at Church. Jack in Office. Landseer. Jealousy. Hall. Jersey. Douglass. Journeying in the Desert. Jungfrau, Switzerland. Kabyle Scout. Kittens, The. Kittens in Basket. Larribert. Knitting Lesson. Meyerheim. Ladies' Apanment,Rome. Lady in Waiting. Barnes. Lake. The. Brochart. Last Days of Pompeii. Last Moments of Caesar. Piloty. Last Moments of Maximillian. Last Offspring. BeyerscMag. Last Prayer. Last Request. Last Token. Leisure Hours. Lesson in Geography. Calix. Liberality of the Roman Wo- man. Comnans. Liberty. Life Boat. Brooks. Life in Death. Lily of Ghent. Absdon. Lion at Home. Bonheur. Lion Hunt. Lion's Bride. Little Family. MuUer. Little Freeholders. Carter. Little Harvesters. Be Metz. Little Nellie. Little Bed Riding-hood. Little Swansdowu. Lobster Sauce. Bateman. Long Rocks at Fontainbleau. Bonheur. Looking for a Safe Investment. Love at First Sight. Hunt. Love Athirst. Hamon. Love or Gold. Lovers on the Lake. Ramherg. Love's Labor. Love's Seal. Love Step. Lucretia and her Maidens. Luncheon, The. Brochart. Lurcher and Babbit. Luther's Thesis nailed to the Church. Luther burning the Pope's Bull. Madonna of Cypriana. Madonna of the Candlestick. Raphael. Madonna of the Chair. Raph- ael. Madonna St. Sixtus. Raphael. Magdalen. Correggw. Magnanimity of Scipo Africanue Margueritte. Marriage Offer. Ma's Birthday. Bdbson. Meditation. Cot. Merchant of Habits, Cairo. Mexican News. Woodville. Midday. Marak. Midnight Challenge. Milkmaid. Mill and the Still. Minnette. Mitherless Bain. Faed. Momentous Question. Setchel. Monarch of the Glen. Landseer Monkeys' Duel. Landseer. Moorish Lady at Bath. Gerome Morning. Marak. Morning Call. Morning in the Highlands. Bonheur. Morning Kiss. Frere. Mother's Blessing. Brooks. Mother's Dream. Brooks. Mother's Joy. Amber g. Mother's Nurse. Mother's Shadow. Sant. Mountebank. Knaus. Mud Pies. O'NeiU. My Dog and I. Symons. My Horse. My Neighbor. Edwards. Nature's Mirror. Naughty Boy forced back to School. Girardd. Nearing Home. Near the Falls. Brochart. New Baby. New Whip. Barber. New York Harbor. Davidson. Night. Night. Douzette. Night Session at the U. S. Capi- tol. Night Watch. Riviere. No fear of Hounds. Barber. Nothing Venture, Nothing Have. Bateman. Ocean Steamer at Sea. Ocean Steamer leaving Dock. Ocean Steamer, Moonlight. Ocean Steamer on Fire. Ocean Steamer on a lee Shore. Off Portland, England. Oh I Fitzgerald. Oh 1 Astonished Rustics. Madon Only a Penny. Open Bible. Othello relating his Story. Paradise of M ahomet. Hchovin. Parting of Hector and Andro- mache. Maignan. Past and Future. Past and Present. Meyerheim. Peek-a Boo. Perilous Passage. Coomans. Persuasion. Craig. Pet of the Common. Horsley. Pet White Fawn. Pharaoh's Horses. Herring. Picture Gallei-y, Rome. Piper and Nutcrackers. Land- seer. Pirates Playing Dice. Planing the Route. Playing Doctors. Hardy. Playing Grandma. Pleasures of Childhood. Lasch. Pointer and Partridge. Poor Love. Poultry Yard. Chialira. Prairie Travelers on Plains At- tacked by Indians. Lander. Precept and Example. Pretty Kettle of Fish. Bateman.. Pride and Humility. Cole. Pride of Kildare. Princes in the Tower. Princess Elizabeth. Princess Louise of Bavaria. Priscilla. Prize for Laziness. Meyerheim. Promenade of the Harem. Ge- rome. Promised Land. Schopin. Promising Litter, A. Barber, Proposal, The. Protection. Landseer. Puss in Boots. Rabbit Seller, Reading a Will. Wilkie. Reading Election Returns. Remembered. Noble. Remember the Sabbath Day. Rent Day. Wilkie. Retriever and Pheasant. Return of the Swallows. Return to the Convent. Zama- cois. Reunion at House of Aspasia. Roman Courtship. Roman Feast. Roman Prisoners Passing under the Yoke. Roman Vintage Festival. Tadema. Romeo and Juliet. Rose of Destiny. Pott. Ruined Abbey by Moonlight. Ruins of Persopolis. Riviere. Sabbath Day. Sailor's Return. St. Bernard Dogs. Landseer. Sanctuary. Landseer. Sappho. Saved. Landseer. Scene at a Fire. Scene at a Tournament. Schoolmaster in Love. School Revisited. Leslie. Science trimming the Lamp of Life. Sculpture Gallery, Rome. Tadema. Sea Gull Rock. Courant. Sea Sprite. See-Saw. Webster. Serenade, Flora. Serenade. Papa. Setter and Grouse. Shakespeare and his Friends. Sheepfold. Chialira. Sheep in Pasture. Bonheur. Shepherd's Bible. Landseer. Shetland Ponies. Bonheur. Ship striking a Rock. Brooks. Shipwreck Crew saved on a Raft Shores of Old England. Hicks. Siesta, The. Winterhalttr. Sisters, The. Sisters at the Holy Well. Slave Market, Cairo. Slave Market, Constantinople. Sleigh Ride. Slide, The. Snowballing. Socrates instructing Alcibiades. The above Views in style of Crayon Photographs, 50 cents each, $45.00 per 100. 59 Geo. H. Pierce, Philadelphia, Pa. Fine Colored Photographs, $1.50 each, $18.00 per Dozen. {Three inches diameter; each 'mew mounted in slider 4x7 inches.) Song of the Nightingale. Calix. Spaniel and Wild Duck. Spanish Ladies at Bath. Spare the Weeds. O'Nein. Speaking Well, The. Vdy. Stag at Bay. De Penne. Steady Johnny. NlckoU. Stream of Life. Bouvier. Street in Cairo. Storm, The Summer. Summer Afternoon, Sunday Afternoon. WaldmiUer Sunrise in the Alps. Sunset at Sea. Turner. Sunshine and Shadow. Stone. Sweet Margery. Swing, The. Coomam. Swiss Lake — Moonlight. Sword Dance, Cairo. Sympathy. Jtiviere. Tambourine Girl. Thoroughhred. Thread of Love. Antigna. Three Memhers of a Temper- ance Society. Hernng. Tight Cork. Koniger. Toilet of the Favorite. TolUng the Bell. O'NeUl. To the Kescue. Landseer. Trapper's Last Shot. Wranney Traveled Monkey's Return. Traveling in Russia. Trial of Patience. Hardy. Tug of War. Morgan. Twa Dogs. Landseer. Twins. Landseer. Uncle Toby and the Widow. Under the Leaves. Victorious Gladiator's Appeal. Geroine. Vigilance —Dog protecting Child Village Church. Village Pastor. Frith. Village Recruit. WUkie. Village School in an Uproar. Rlehter. Wait for Me Waning of the Honey Moon. Washing Day. Hardy. Water Lilies. Bouvier. Wayside Inn. Wedding Day. Wedding Ring. WUlems. Which do you like ? Holmes. Whitewashing the Negro. Widow's Comfort. Arnberg. Wife's Prayer. Brooks. Wild flower. Winning Chariot. Wagner. Winter. Winter Evening. Winter Morning in New Eng- land. Winter's Tale. Witness my Name and Deed. Wizard's Glen. Woodland Mother. Carter. Woodland Vows. Beyschlag. Wood-nymph. Yacht, The. Yes. MUlais. Young Companions. Young Huntsman. Youthful Darwin expounding Ms Theory. The above Views in style Dickens' Characters. Alfred Jingle. Bill Sikes. Little Dorrit. Mr. Pickwick. Mrs. Gamp. Sydney Carton. Gems of American Scenery. (Direct Photos, from Nature.) U. S. Capitol, Washington. White House, Exterior. " East Room. " Red Room. " Blue Room. " Green Room. Mansion House, Mt. Venion. Independence Hall, Phila. City Hall, New York. East River View, New York. Brooklyn Bridge, New York. Hudson River, New York. Washington's Head-quarters, Newburgh, N. Y. Libby Prison, Richmond, Va. Niagara Falls. St. Louis Levee. Natural Bridge, Virginia. Mormon Tabernacle, Salt Lake. Garden of the Gods, Colorado. Old Faithful, Yellowstone. Yellowstone Palls. Mammoth Hot Springs, Yel- lowstone. Yosemlte Falls, Yosemite Val. Mirror Lake, " " San Francisco Harbor. San Francisco, Chinese Joss House, State Capitol, Sacramento. Gen. Phil. Kearney. Gen. Robt. E. Lee. Abraham Lincoln. Gen. G. B. McClellan. Gen. McDowell. Admiral David Porter. Gen. Rosecrans. Gen. Scott. Gen. Phil. Sheridan. Gen. W. T. Sherman. Gen. Franz Sigel. Gen. G. H. Thomas. President Cleveland. Emp. Charlemagne. Peter the Great. Queen Victoria. Prince of Wales. Emp. William of Germany. Crown Prince of Germany. Bismarck. King of Belgium. King of Sweden. Emp. of Austria. King of Denmark. Czar of Russia. Queen of Greece. King of Portugal. Pope Leo XUI. Hon. Wm. E. Gladstone. Lord Salisbury. John Bright. Jos. Chamberlain. Jos. Arch. Portraits. Maj. Andre. Benedict Arnold. Benj. Franklin. Thos. Jefferson. Gen. Wayne. Gen. Gates. Lord Cornwallis. Lafayette. Washington. (Stuart.) Martha Washington. Washington Irving. Stephen Girard. Peter Cooper. Wm. H. Vanderbilt. Jay Gould. Brigham Young. Gen. Robt. Anderson. Gen. P. T. Beauregard. Gen. A. B. Burnside. Gen. B. F. Butler. Gen. Custer. Jeff. Davis. Col. E. E. Ellsworth. Commodore Farragut. Commodore Foote. Gen. U. S. Gi£tot. Maj. Gen. Hancock. Gen. Joe Hooker. Gen. Stonewall Jackson. Gen. J. E. Johnston. of Crayon Photographs, 50 cents each, $45.00 per 100. Darwin. Huxley. Tyndall. Rev. C. H. Spurgeon. Tennyson. Sir \V alter Scott. Shakespeare. Robt. Burns. Chas. Dickens. Michael Angelo. Rosa Bonheur. John Singleton Copley. Dante. Dore. Albert Durer. Gerome. Hogarth. Holbein. Millais. Murillo. Poussin. Raphael. Rembrandt. Sii- Joshua Reynolds. Rubens. Gilbert Stuart. Thorwaldsen. Titian. Vandyke. 60 Geo. H. Piekce, Philadelphia, Pa. Fine Colored Photographs, $1.50 each, $18.00 iter Dozen. {Three inches diameter; each view mounted in slider 4x7 inches.) SECRET SOCIETY VIEWS. ThP most convenient impressive and economical mode of illustrating the ceremonies of SecTe^'s^cfekrTrKrg 'lilts give the vie.;s generally in ^^^^^^^^^Ij^^^^^J^^^^ can be made to order from any engravings or designs that may be tumisnea. i^nice oj iucn. special views, finely colored, $2.50 each.) Masonic. First Degree. 1. Holy Bible, Square, Com- pass and Warrant. 2. Ancient Lodge in "Valley. 3. Form of .Lodge. 4. Jacob's Ladder. 5. Furniture of Lodge. 6. Ornaments of Lodge. 7. Lights of Lodge. 8. Jewels of Lodge. 9. Tabernacle in Wilderness. 10. St. John the Baptist, and St. John the Evangelist. 11. Masonic Tenets. 12. Points of Entrance. Second Degree. 13. Three Orders of Archi- tecture. Third Degree. Marble Monument. Ancient Three Grand Masters. Three Steps. Pot of Incense. Bee Hive. Book of Constitutions Guarded by Tyler's Sword. Sword Pointing to Naked Heart, and All-Seeing Eye. Anchor and Ark. Forty-seventh Problem. Hour Glass and Scythe. Emblems of Mortality. 20. Odd-Fellows. Boyal Arch Chapter. The Burning Bush. Commandery. Angel at Sepulchre. Three Mai-ys at Tomb. Ascension of Christ (with lever ascension move- ment to the figure, $3.50). Prelate. Valley of Dry Bones. The Crucifixion. Body of Christ in Tomb. Resurrection of Christ. The Cross. The Pilgrim. The Knight. The Penitent. Christ on the Cross. Death on the Pale Horse. Human Skull. John at Patmos. Faith at the Cross. Cross and Crown of Glory with motto, "Crown of Life." Initiatory Degree. 1. All-seeing Eye. 2. Three Links. 3. Skull and Cross Bones. 4. The Scythe. First Degree. 5. Bow and Arrow. 6. The Quiver. 7. Bundle of Sticks. Second Degree. 8. The Axe. 9. Heart and Hand. 10. The Globe. 11. The Ark. 12. The Serpent. Third Degree. 13. Scales and Sword. 14. The Bible. 15. The Hour Glass. 16. The Coffin. Encampment Emblems. 17. The Three Pillars. 18. The Tent. 19. The Hlgrim's Scrip, San- dals and Staff. 20. The Altar of Sacrifice. 21. The Tables of Stone, Cres- cent and Cross. 22. Altar of Incense. Degree of Bebecca. 23. Moon and Seven Stars. 24. Bee Hive. 25. Dove with Outspread Wings. 26. Bebecca at the Well. 27. Ruth and Naomi. 28. Miriam. Grand Sons of America. 1. Landing of the Pilgrims. 2. Battle of Bunker Hill. 3. Washington Crossing the Delaware. 4. Battle of Stony Point. 5. Surrender of Cornwallis. 6. Battle of New Orleans. 7. Scott entering Mexico. 8 Bombardment Sumter. 9. Battle Pittsburg Landing. 10. Battle of Antietam 11. Surrender of Gen. Lee. 12. Washington Praying at Valley Forge. 13. Rallyat Washington, 1861. 14. School House. 15. Son of America in Regalia. Army Republic. of the 1. Artillery Duel. 2. Naval Battle. 3. Soldier on Guard in Snow Storm. 4. G. A. R. Member and Citizen clasping hands. 5. Lone Sentinel on a Rock. 6. Muster in of a Recruit into G. A. R. 7. One-armed Soldier and One-legged Sailor. 8. Cemetery on Decoration Day. 9. Widow and Orphan solicit- ing Charity. 10. Hospital. 11. Battlefield after the Bat- tle. 12. Height of the Battle. 13. Eagle on Shield (Loyalty). 14. Bombardment of B'ort Sum- ter. 15. Battle Scene. 16. Rallying round the Flag. 17. American Flag. 18. Surrender of Lee. 19. Shooting a Traitor. 20. Grand Army Badge. American Mechanics. 1. Washington. 2. Punishment. 3. The Forge. 4. The Settlement. 5. The Increase. 6. Family Happiness. 7. Temptation. 8. Perdition. 9. Age and Infancy. Temple of Honor. 1. Five-pointed Star. 2 Six-pointed Star. 3. Triangle and Six-pointed Star. 4. Temple of Honor. 5. Rainbow. , 6. Open Grave. 7. Closed Grave. 8. Flash of Lightning. The above Views in style of Crayon Photographs, 50 cents each, $45.00 per 100. 61 Geo. H. Pierce, Philadelphia, Pa. SETS OF DISSOLVING VIEWS. Ficeiy colored, each on glass plate three inches diameter, mounted in slider 4x7 inches. Note. — The following Views have been selected and executed with great ■care, so as to produce the best dissolving effects; they can be used separately in a single Magic Lantern, but the beautiful Dumlmng effect can only be produced by a Pair of Dissolving View Lanterns or Stereopticons. See remarks on patres 7, 8. ■20, 29, 32. In Sets of two Slides, $3.00 per Set. Abduction and Vengeance. — 1. A Knight, clad in armor, elopes withttie lady of the castle. 2. Deadly combat with his rival. Abou ben Adhem's Vit-ion {with Poem). — 1. " The angel wrote the name of those who love the Lord." 2. "'And lo, Ben Adhem's name led all tue rest ." Advent of a Soul.— 1. A beautiful moonlight scene. 2. A group of cherubs and angels bringing to earth' the spirit of a new- born child. American Soldier's Dream. — 1. A Sol- dier asleep by the camp-fire. 2. Vision of his home and family. Angel of Peace. — 1. A city by night — the crescent moon shining down upon it. 2, An angel appears in the sky, bearing a child to the land of everlasting peace. Aspiring to Heaven. — 1. A femaletigure lightly clad floats heavenward. 2. Her down- ward gaze proves that earth is not forgotten. Attaclc of the Monsters {comic). — 1. The morning walk stopped by the wicked flea. 2. The sleep of the weary made miserable by the boarding-house bed-bug. Bachelor's Reverie. — 1. An old bache- lor taking his after-dinner nap in his lonely chamber. 2. Vision of his youthful loved- one. !Bath in the Fields. — 1. Roguish boy washing his face in a brook. 2. Mischievous girl dipping a cat in the pond. Believer's Vision. — 1. A fair young girl aslqep, with the open Bible by lier side. 2. A vision of angels appear to her. Beethoven's Dream. — 1. The great mu- sician has been soothed to slumber by his own harmony. 2. The genius of Music hovers over him. Birth of Venus. — 1. Morning on the surging sea. 2. The foaming waves break and the figure of Venus appears, surrounded by cherubs. Blackberries and Black Brudders {very comic).— 1. A bunch of l ipe blackberries. 2. Each berry replaced by a smiling ebony coun- tenance. Burning of Sardanapalus — Destruction of Pompeii.— 1. The Assyrian Monarch who ruled in Ninev^ h about 800 B. C, raiht-r than fall into the hands of his enemies, immolates himself and household on a funeral pile. 2. The inhabitsnis of Pompeii fleeing from the overwhelming torrent of fire and lava cast upon the city by Vesuvius, A.D. 78. ■^Cain and Abel Sacrificing.— 1. The offering oi j» Iwl's aliar accepted. 2. The ©flering on Cain's altar rejected. Castle of Chillon. Lake Geneva. — 1. A btautiful Summer view of this historic build- ing. 2. Changes to a Winter view, the Lake frozen over, etc (Snow effect dider, $1.50 extra., producing an excellent representation of Falling Snow, can he advantageously used in combination with this Set. or with any other of the Dissolxing Sets in which there mnj be a Winter scene.) Castle of Drachenfels, on the Rhine. — 1. ''The castled crag of Drachenfels" in verdure clad 2. Winter view of the ruined tower— roadside inn illuminated. Castle of Ehreftfels, on the Rhine. — 1. A smiling Summer View. 2 Winter asserts its sway. Chariot Race in tlie Roman Colosseum. —1. Departure of the chariots. 2. Triumph of the successful charioteer. ^ Chinese Question Settled {comic). — 1. Ah Wing at his laundry door, blandly smiling on his rival Bridget. 2. Bridget puts another expression on his face. Christmas Eve in Camp and at Home. — 1. The soldier by ihe can p-flre, thinking of home 2. His w fe, by the bedside of their child, praying for his safe return. For fi.OQ extt a a MechanicaZ Slide can be added, shaming flarnes and smoke ascending from the camp f re. Christus Consolator, Christus Remune- rator; from tne celebrated pictures by Ar/ Scheffer. — 1. Christ comforting those that mourn. 2. Christ rewarding the faithful. Colosseum's Martyrs. — 1. The Roman Colosseum, with a thrilling scene of the Christian Martyrs thrown to the wild beasts. 2. A night view, showing a group of angels hovering over the prostrate forms of the dead martyrs. Conway Castle. England— Built 1284.— 1. Summer view of the old castle and the new suspension bridge. 2. Changes to view of the same on a frosiy Winter ni.^ht, a full moon illuminating the scene. Death-Bed Scenes.— 1. The deathbed of one who loved himself. 2. The death-bed of one who loved his fellow men. Dream of Immortality. — 1. Upon a couch is re lining one whose earthly pilgrim- age is fast drawing to a close. 2. Vision of an /els, extending a welcome to the land of eternal rest. Ecce Homo, Mater Dolorosa, a beautiful pair of companion jnctures. 1. The celebrated " Christ crowne I with Thorns," by Guido, 2. The equally renowned "Madonna," by the same artist. Emancipation Proclamation.-l. Before the Proclamation is represented by a slaw 62 Geo. H. Pierce, Philadelphia, "Pa. with a sad, mournful countenance. 2. After the Proclamation (-hows the same face with a broad grin, displaying a fine set of ivories; very amusing. English IIomei?tead and Farmyard. — 1. Oneof th • Happy Homes of Merry England. 2. The Farmyard with iis usual accompani- ments. English Landscape. — 1. A quiet rural scene, Village Church in the distance, rain- storm. 2. Jdtorm clears away, and a rainbow appears. Evening Prayer and Morning Greeting. 1. A little child reciting the bedtime prayer. 2. The mother's happy morning kiss. Fairy Tale- and Holy Psalm.— 1. A beautiful (hild, absorbed in a Fairy Tale. 2. Two children of older growth reading the Psalms of the Sweet Singer of Israel. Faust and Marguerite.— 1. Faust in his laboratory temiJted by Mephistopheles. 2. Vision of Marguerite appears. Fire in New York — 1. Distant view of a burning building. Steam Pire Engine drawn by horses at full gallop. 2. ^ear view of the conflagration, engines playing on the Are. First Christmas Morning.— 1 . Shepherds on the plain of Bethlehem. 2. Vision of the heavenly host. Flight into Egypt.— 1. A Boat on the Nile, with Mary. Joseph, and the child Jesus. 2. Angels appear guiding the boat. Fligiit of Aurora.— 1. Clouds with the rosy tints of early mom. 2. Aurora with her attendant train, scattering flowers before the Chariot of the Sun— a beautiful cojjy of Guido's great masterjnece. Fondly Gazing— Empty Cradle.— 1. A young mother, admiring her infant calmly sleeping in the cradle, ** Fondly gazing on that young face With anxious thoughts of future years; The mother watched each budding grace, And m ted on ; 11 her h' pes and fears !" 2. Death has removed the darling, and the mother mourns by the empty cradle. •* Gone i from a world of pain and v/oe t Gone 1 from death— from sin's alloy. Gone ! from temptation's wiles ai d. Oh 1 Gone 1 Gone I from grief to endless joy !" The set of " Angel of Peace" forms ait admir- able sequel to t'izs set. Fops, Past and Present.— 1. The Pre- Historic Fop "according to Darwin" repre- sented by a Monkey. 2. Evolution of a mod- ern Fop "according to the 15th amendment." Fountain f Love; Cu()id Captive.— 1. A Maiden of Ancient Greece, drinking from a fountain over which an image of Cupid pre- sides. 2. The scene changes, and she has made a capture of the little God of Love. French Wedding Procession,— French Baptism party. Two scenes of fashionable French Life in the last century, showing ihe costumes of the "old Regime." Going against the Stream, and with the stream. — 1. Lovers in a boat have quarrelled and find it difficult to progress against the stream. 2. Reconciled, their boat floats calmiy on the swelling tide. Going to the Club and returning from the Club (comic).— I. A Fine Old English Gentleman Jtaving home in good condition, at 5.10 P.M. t. Returning at4.15A.M., rather Overcome bj the club dinner. Golden Age, and the Modern Age. — 1. In the Golden Age, the lAon and the Lamb repose peacefully side by side. 2. In the Modern Age ' f Monopoly, t' e Lamb has dis- appeared, having been devoured by ihe Lion. Good Morning. — 1. A window with the shutters tightly closea. 2. These open and the cheering face of the mi'^tress of ihe house is seen, wishing all a " Good Morning." Grand Canal, Venice. — 1. Day View, showing Palaces, Gondolas, etc. 2. Same by Moonlight. Handwriting on the Wall.— 1. King Belshazzar in his festal hall. 2. The fatal words, " Mene, Mene, TekJ Upharsin,''' are made visible on the wall. Haunted Abbey. — 1. Midnight view of an old abbey with sculptured tcmb. 2. A ghost appears above the tomb. Highlander's Departure and Ketui^. — 1 . SiOtch Highlander bidding farewell m his wife. 2. Returned from the war, and gladly welcomed home. Highlander's Dream. — 1. Asleep by the fitful light of the Bivouac fire, he dreams of home. 2. Vision of his dream. High Life versus Low Life. From Eaintin^s by Landseer. 1. The dainty grey- ound man abode of luxury. 2. The sturdy bull dog in the market-place. Hovering Angels. — 1 Childhood's peaceful slumber. 2. C/oup of cherubs ap- pear hovering over the 'iinocent sleeper. " How happy couk\ I be with either," e:c. (Figures in d-d English cosivme ) 1. Woodland scene— the gallant seated between two ladies. 2. One lady going out of his sight, he makes love to the other. Isola Belle — Italy. — 1. A beautiful view of this earthly paradise by day. 2. Change* to the same view by moonlight. Israelites Cro.'-sing the Red Sea. — 1. The children of Israel passing safely through the sea. 2. Pharaoh and his host drowned. Jerusalem; in her Grandeur and in her 'Pa.W.—Froni the celebrated paintings by the French artist, Selot/s. 1. The Holy C'iiy as seen in the time of Christ, with temple crown- ing Mt. Moriah. 2. As seen at the present day with the Mosque of Omar on the site of Solo« mon's Temple. Jig and Melody. — 1. An Irish fifer play- ing "St. Patrick's Day in the Morning." 2. Followed by the "Angel's Whisper." Joy and Sorrow. — 1. A little German girl joyfully playing with a Punchinello pup- pet. 2. Accidents will happen, and her fai.e is sorrowful. Lite near the North Pole. — 1. Arctic scene Esquimaux huts, dog-sled, reindeer, etc. 2. Combat with polar bear. (i^^For $3.00 extra a mechanical slide can be added, pi oducing Ihe effect of the A.urora Boiealis.) Light in the 'W'mdiOyf {Very attractive). ■ \. The snow clad window of a cottag" 2. A beautiful girl appears at the window Little Coquette and Little Gourmand. — 1. A littlti girl before a mirror powdering her f ac e. 2. Then investigating a jar of preserved Ljttle Foxes' Retreat. — 1. A trunk oft tree having at the foot a dark hole constitn* • I ing the Retreat of the Litile Foxes. % Out 63 Geo. H. Piekce, Philadelphia, Pa. •which appear the cunning heads of three young foxes. Look not upon the Wine. — 1. A beauti- ful woman with cup of wine in her extended hand. 2. As we gaze upon her, she becomes transformed into a ghastly skeleton, and ser- pent appears in the cup, illustrating the words of Solomon. Prov. xxiii, 31. Magic Bouquet. — (11^°° Very beautiful and atiracHve.) ]. A vase containing a bou- quet of buds. 2. The buds gradually expand until all are in full bloom. Martyred Christian. — 1. The lifeless figure of a Woman, the victim of heathen per- secution, floating upon the water. 2. Her spirit borne to heaven by angels. Melrose Abbey, Scotland. — 1. A charm- ing view of Fair Melrose by day. 2. Then by the pale moonlight. For $1.50 ex/ra a mechanical slide can be added, showing the moon slou'fii rising. Mercy's Dream. — L Mercy represented by a female figure reclining beneath a tree. 2. An angel apLcars placing a crown of glory on her head. Mosque of Omar, Jerusalem. — 1. The Mosque by day, showing the area of the an- cient Temple of Solomon. 2. Moonlight view, the Mosque illuminated. Mother's Grave. — 1. Children decorat- ing the grave with flowers. 2. Spirit of the mother hovers over them. My First Sermon, and my Second Ser- mon. — 1. A little j;irl's first appearance at church, all attention, 2. The novelty has de- parted and she is sound asleep. Napoleon, Powerful and Powerless. — 1. Powerful, at the head of his grand army. 2. Powerless, a prisoner on the distant Isle of St. Helena. Noah Building the Ark and Sacrificing. — 1. Noah receives advice from al ove for the construction of the ark. 2. The ark hat landed on Mt. Arrarat and Noah offers his sacrifice. OncoDvaniance of Single Life and Con- vaniance of Matrimony (Comic). — 1. Hibernian bachelor clumsily attempting to mend his clothes. 2. Bridget does it so " naiely and convaniantly." Orphan's Dream. — 1. The slumbering orphan. 2. The spirit of the mother looking down. Outward Bound and Homeward Bound. — (Cotnic.) — 3. The .emigrant leaving the old country as st'^erage passenger. 2. Returning home as cabin passenger. Pet of the Fancies ana Pet of the La- dies. — (Comic Dog Pictures.)—!. The prize fighter (bull dog). 2. The dude (King Charles spaniel). Protecting Scout. — 1. The trapper and his lamily surprised by Indians. 2. The scout appears and protects them. Rescue from Fire {an incident in the Life of John Wesley). — 1. House on fire at night. 2. A sleeping child rescueu from the flames. St. Peter's and the Castle of St. Angelo, Rome.— 1. Day view of these noted buildings, with the River Tiber. 2. Night view, illumi- iTiation of the Dome of St. Peter's. fW" For 12.00 extra a mechanical slide can be added, sliowing display of fireworks from t.e Castle of St. Angelo. Salisbury Cathedral, England, erected A. T>. 1220. — 1. Day view of this handsome specimen of Gothic architecture. 2. Moon- light view of same. Saul and tlie Witch of Endor.— 1. Saul in the house of the Witch of Endor. 2. Ap- Xjariiion of bamuel. Scho(»lboy's First Cigar {very funny). — 1. At the first puff he feels 1 ke a man. 2. After a brief interval he does not feel quite so manly. Settlement in the Backwoods. — 1. The rude beginning; a log cabin in the clearing. 2. The development; comfortable farm-house, railroad, happy family, &c. Shade of Washington — 1. Washing- ton's Tomb, Mt. Vernon. 2. Spirit of Wash- ington, in Continental uniform, appeai-s within the tomb, then fades away. Shipwrfcvjked Mariner's Hope. — 1. Cast upon the rocks are seen the two survivors of a sliipwreck; the firbt gl mmer of dawn re- vtals a ship in the distance. 2. Morniiig breaks and the ship now approaches them. Simply to Thy Cross 1 Cliug.— 1. A dark and stormy sea; waves dashing against a Btonc cross; a wreck in the distance. 2. The wreck fades away and the figure of a womaa app.ars clinging to the cross (Vtry effective). Star of Bethlehem. — Shepherds are seen seated upon the ground, and in the distance a bright shining light appears, from which comcc forth the figure of the Son of Man. Storm in i c Rocky Mountains. — 1. A midnight storm in the wilds; the moon ob- scured. S. Lightning rends the rocks. Study— Prayer. — 1. A child mastering a hard lesson. 2 Another child in ihe attitude of devotion. Summit of Happiness and Depth of Despair (Comic). 1. Sambo serenades Dinah rn a high key. 2. Appearance of her lather, ind Sauibo's sudden tall to the lowest base. Temperance and Intemperance, — Forc- ible illustrations of the benefits of temperance contrasted with the degradation caused by drink. ( Temptation and Perdition. — 1. Tempta^ /io«, a young nitin's first drink. 2. Perdition, the demon of drink has destroyed him ia mind, body and estate. War and Peace; by Gustave Dore. — 1. Peace re resented by a chwrming view of a prosperous village. 2. Wak, stiowing the same village in ruins; the pale moon illumin- ating the scene. War and Peace; by Sir Edwin Land- seer.— i. Peace, a quiet pastoral scene. 2. War, ti e nigtit after the battle. Washington's Uream. — 1. Overcome by the duties of his camp life, Washington is seen asleep in his tent. 2 The vision of Columbia, wi h Justice and Plenty on either side, ap- pears in clouds above him. Westminster Abbey, London.— 1. The noble pile by day. 2. Then by the crystal moonlight. White and Red Roses.— 1. A White Rose, typifying purity. 2. A Red Roee, with Cupid, emblematic of Love. Windsor Castle, the Residence of Eng- land's Sovereign. — 1. A hummer view of this abode of royalty, with the flag of Old England 64 Geo. H. Pierce, Philadelphia, Pa. floating from the tower. 2. Moonlight Winter view ; the Castle illuminated. Wood-Nymph. — 1. A moonlight view of a 8. ill lake in the deep recesses of the pri- meval forest. 2. The Wood- Nymph floats upon a couch of lilies, typifying the purity of this ideal Goddess of Nature. In Sets of tivo Slides, one of which has Movement. Caudle Lecture. — 1. Mrs. Caudle and Mr. Caudle by midnight alone. 2 As the lecture progresses their features change. $5 10 Donkey Race. — 1. The village green. 2. Donkeys and riders running past .... $5 00 Fountain. — 1. A beautiful design of a sculptured fountain. 2. Water in motion— realistic imitation i 85 75 Fox Chase. — 1. Rural Scene. 3. The fox rushes past, followed by the pack of hounds, hunters, &c $5 00 Haunted Chamber, Berlin.- 1. Throne- room of the Royal Palace. 2. A spectral figure with uplifted arm glides across the floor, halting in front of the throne $1.75 John Gilpin's Famous Ride. — 1. The tavern at Islington; his wife at the window. 2. Gilpin gallops past, his wig in the air, &c $5 00 Mount Hecla, Iceland. — 1. A Moon- light View of the Volcano. 2. Fire and Smoke rising from the Crater. $5 00 Naiad Queen. — 1. A Lake, the moon glistening on the water, a castle in the dis- tance. 2. The Naiad Queen appears sailing in a pearl-shell boat, playing on a harp (music can be used very effectively with this view . $3.50 Ocean Steamer. — 1. View of a Harbor. 2. Steamer putting out to Sea $-3.50 Race Course. — 1. The Grand Stand. 2. Horses rushing along the course. ... $5 00 Rialto at Venice, built 1588.— 1. Day View of the Ancient Bridge. 2. By Night, Gondolas moving in the Grand Canal . . $4 50 Serenade. — 1. Moonlit Lake, on the borders of which is seen a brilliantly illumi- nated castle. 2. The Serenader appears sail- ing in a Gondola and playing a Guitar. A lady appears on the balcony of the castle (music can be used with effect) $4 00 Skeleton Dance. — 1. The Ruins of Al- loway Kirk, the moonlight casting its weird light on the tombstones in the foreground. 2. A skeleton appears dancing ^.50 Stocks Down. — 1. Men in the Stocks. 2. A Succession of different faces $5 00 Train of Cars.— 1. A Railroad Bridge by moonlight. 2. Atr dn of cars dashes by. the headlight and sparks from the engine making a very brilliant effect $3.50 Water Mill in the Alps. — I. In Sum- mer, the wheel revolving, 2. In Winter, the wheel stopped by the ice $4-50 In Sets of two Slides, each ^ide having Movement. Bear Hunt.— 1. A Bear moves slowly across the scene. 2. Is lired at by a hunter and falls $3 75 Lion Hunt. — In same style as the Bear Hunt %3 75 Stag Hunt. — In same style as the Bear Hunt $3 75 Lakes of Killarney.— 1. View of the Lakes, rippling of the water. 2. The Rising Moon $4 00 Magician's Cave.-l. Interior of a gloomy cave, maj,ician standing by a smoking caldron, waving a magic wand. 2. As he waves the wand, witchef, hobgoblins. He, arise from the caldron and vanish in tne air $6 00 In Sets of tJiree Slides, $4.50 per Set. Bay of Naples and Vesuvius. — 1. By Day. 2. By Moonlight. 3. Eruptions of Vesnvius. For $2.00 extra a Mechanical Movement Slide can b* added to the above Set. which will give the efect of showing fire and smoke arising from tJie crater. Courtship of Second Wife.— 1. The Widower popping the question. 2. Ghost of the first wife appears. 3. And creates the utmost consternation. Fort Sumter. 1. Day View of the Fort before the War. 2. Moonlight View of the Bombardment. 3. The Fort on fire. i^'For $2.00 extra a Mechanical Movement Slide can be added to the above Set, which will give the effect of showing fire and smoke arising frnm ike burning fori. Ghost Adventure. — 1. A Moonlight Reverie. * 2. A Ghostly Problem. 3.7 The Problem Solved. Joan of Arc. — 1. She makes a vow lo devote her life to God and her country. 2. Scatters the enemies of France from be 'ore the gates of Orleans. 3. After rendering the most signal service to her Prince and People is suffered to die a Martyr in their cause. Life's Day. — 1. Morning. 3. Noon 3. Night. Love and Marriage.— 1. The Lovers' First Meeting. 2. Five Minutes after. Decla- ration of Love, 3. Five Years afterward, tho Happy Home. Niagara Falls.— 1. Day View in Sum- mer. 2. Winter View. 3. The Falls by Moon- light. Steamboat Race on the Mississippi. — 1. Wooding up. 2. The Start, the rival Steamer. 3. Too much Steam, Explosion. 65 GkO, H. PrERCE, PniTADELPHTA, Pa. The following are in Sets of three Slides, Special Subjects, Pho- tographed from, Nature, $5^0 per Set, Castle of Chillon.— 1. Exterior by Day. 2. Exterior by Night. 3. Interior, Dungeon of Bonnivard. Milan Cathedral.— 1. By Day. 2. By Moonliglit. 3. Illumination of the Cathedral. Paris, Panorama. — 1. By Day, 2. By Night. 3. Illumination of Buildings. Rome, the Castle of St. Angelo. — 1. By Day. 2. By Night. 3. Illumination. Westminster Abbey. London. — 1. By Day. 2. By Night. 3. Illumination. In sets of three Slides, one of which has Movement. Antiquary's Dream. — 1. An Antiquary falls asleep by day within the walls of a ruined abbey, a. He dreams of olden time, and sees the abbey restored to its original beauty, with a procession of monks passing along the aisle. 3. He wakes, after a long slumber, to find him- self the sole tenant of the now moonlit ruins $6.oo Venice, Panorama.— 1. The City by Day. 2. By Moonlisrht. 3. Illumination of the Palace, Moonlight ripples on the water. ..$6 00 In Sets of four Slides, $6.00 per Set. Cinderella. — 1. Her Sisters Preparing for the Ball. 2. Fairy appears to Cinderella In the kitchen. 3. Cinderella enters the ball- room. 4. The glass slipper fits her foot, envy of her sisters. Pour Elements, Earth, Air, Fire,"Water. -—Pour views showing the deities which, ac- cording to the Grecian Mythology, governed each element. Pour Seasons, Spring, Summer, Au- tumn, Winter.— Represented by four views of children engaged in sports or pleasures appro- priate to each season. How Jones Became a Mason. — 1. Jones Btarting for the Lodge. 2. The Oath of Se- crecy. 3. Kiding the Goat. 4. Jones has be- come a Mason. Magic Pictures in Artist's Studio. — 1. The interior of an artist's studio. An easel holding a picture frame, in which appears suc- cessively portraits of: 2. Washington. 3. Lincoln. 4. Grant, No Cross, no Crown.— 1. A female fig- ure reclining. 2. The vision of the cross ap- pears in the distance. 3. Thefigure of Christ, nailed to the cross, is made visible 4, Lastly, an angel hovers over her, in whose extended hand is the crown, the reward of her faith. Very impressive. Rock of Ages.— 1. The Rock, washed by the angry waves of the sea. 2. On the top of which yrows a cross. 3. A female figure is seen clinging to the cross (emblamatical of her faith). 4. Borne to the ihrone on high. One of ike best dosing pieces. Spiritual Manifestations fCoraic).— 1. Paterfamilias makes the Parlor table dance. 2. The chairs follow him around the room. 3. And into the street, where a policeman arrest^" him. 4. And locks him up as a disturber of the public peace. Way of Salvation.— 1. The repentant sinner searching the Scr.ptures. 2. Knocking at the gate, convinced < f error. 3. Led by Je?us through tue aark v illey. 4. Welcomed to the shores of the Beautiful River. In Sets of four Slides, one of which has Movement. Eddystone Lighthouse.— 1. By Day. 2. Moonlight on the Water. 3. A Raging Storm. 4. Flashes of lightning $6.'>0 House on Fire.— 1. A city street by aay . 2. street by moonlight, alarm of fire. 3. Fire at its height, arrival of the engines. 4. fcimoke and fire arising from the burning build- ing p. 00 In Sets of fio^ Slides. Sculptor's Dream.— 1. A marble pedes- tal surrounded by brilliant drapery is first seen. Beautiful pieces of statuary successively occu- py the pedestal. 2. Mercury. 3. Apolio. 4. Flora. 6. Terpsichore $6.00 Summer Storm {one slide movable)., — 1. A landscape at Noonday, 2. The Sky ob- scured by clouds. 3. Rainstorm. 4. Appear- ance of liainbow. 5. Tha Moon Rising.. §7.50 Swiss Water Mill {four of the slides movable; very effective).—!. In Summer: wheel revolving. 2. A swan is seen swimming in the water. 3. Moonlight view; the mifi illummated. 4. Winter has stopped the mi 1. 5 A snowstorm ; snow falling on the "I'll $11.00 many of the above Sets, especially those with Mechanical* EflTecta. are from original designs, and can only be obtained from us. €6 Geo. II. PiEHCE, PniLADELPniA, Pa. O S. 8 Ss 5. B B "« 1 s S ^ CHROMATROPEa OK ARTIFICIAL FIKE-WOEKS. -8 ^ 1 ^ 3 00 r ' These Slides are singularly curious, the effect being very similar to that of the Kaleidoscope. The pictures are produced by brilliant designs being painted upon t» o circular glasses, and the glasses being made to rotate in opposite directions. An endless variety of changes in the pattern are caused by turning the wheel — sometimes slowly — then quickly— backward and forward. ••'The Garfield" Chro- matrope ; a finely- executed portrait of President Garfield, surrounded by a beau- tiful kaleidoscopic display 3 75 ■"The Landscape " Chro- matrope, introducing, 111 the midst of an ap- propriate combina- ti )n of colors, a charmingr little paint- ing of natural scenery 3 75 "The National Flag" Chromatrope, from designs expressly made to introduce the colors of our glorious National Flag. Five MCALLISTER'S INTERCHANGEABLE CHROMATROPE. A new style of Chromatrope, with 13 highly colored Revolving Chrona- trope Discs, and a Rackwork Frame in which any two of the Discs can be placed; thus affording an endless variety of Chromatic effects at a very low price. The Interchangeable Chromatrope, with 13 highly colored Discs, $13.00. different patterns of this Chromatrope 'The Geometrical" Chromatrope— a var- iety of entirely new and original patterns of superior Chromatic and Geometrical ef- fects. Twenty-five different styles of this Chromatrope 3 00 'The Washington " Chromatrope— a new and beautiful desisrn, with a photographic lifeeness of Washing- ton in the c -ntre (copied from Stuart's celebrated painting in the Boston Athe- neum). and the Na- tionalColorsrevolvmg around it in glorious array 3 78 The Lincoln " Chro- matrope— a correct likeness of our la- mented President in the eentre of a revolv- ing display of brilliant colors 3 78 The Good Night" Chromatrope. The words " Good Night " in a handsome de-ign displayed in the centre of a Revel ving Chroma- trope ; very aopropriaie as a closing piece of an exhibition 3 75 MEC Agaarinm $3.50 Ascension of Christ... . 3.50 HANICAL SLIDES ARsassination coin Bee Hive of Lin- 3.50 3.50 Bombardment of Fort Sumter — the Ironsides throwing shell 3.00 Curtain Slide .3.00 Dancing Sailor 4.00 Dancing Skeleton....... 4.00 Fountain— a vpry beau- tiful and realistic imi- tation of the motion of water 3.25 Fountain, arranged for dissolving, islid-^ 8.... 5.75 Good Night, in wreath 2.00 Gymnspt 4 m Hollarc' Wind Mill..'.! 3 00 I^ightning Effect 3.25 Moon Effect, lev^.... 1.50 Moon Effect, perpen dlcular j 50 Mount "Vesuvius. 3 OO Moving Waters 2 00 Newton's Disc s'.50 Rainbow Effect 1 75 Ratcatcher 3 35 Rotation of Earth on Its Axis 4 00 Skipping Sprite— a har- lequi'i figure dancing and jumping the rope 6 25 Snow Slider; can be used in a dissolving- view apparatus, or stereopticon, in com- bination with any winter view, pro uc- ing an excellent re- presentation of fall- ing snow 1 50 67 The Narrows, New York Harbor. Vessels In full sail, with sail- boats in motion and birds flying above The Solar System, show- ing the revolution of all the planets, with their satellites, round the sun 6 60 View of Old Buins, which, by being re- volved, changes to portrait of an old wo- man 3.00 View of Rocks and Shrubbery, which, by being revolved, changes to portrait 01 a satyr 3.00 Water Mill in the Alps ; wheel revolvlnr 3. 00 Geo. II. PleBce, Philadelphia, Pa. ON SLIDES, 4 by 7 INCHES. IIGHLY COLORED, WITH FANTASTIC, LIFE-LIKE AND UNEXPECTED MOTIONS TO THE FIGURES. (The above illustrations show slide No. 93 in each appearance.) The movement is produced by a portion of the figure being painted on, a glass plate, which is quickly dra/wn to one side, giving the above effect. PRICE 65 CENTS EACH. $7.50 PER DOZEN. 1 Chinese Pyramid. 2 Acrobat Jumping Board. 5 Lady with Expanding Dress and Bonnet. 4 Dentist Drawing Teeth. 6 Expanding Crinoline. 7 Boy Smoking. 8 Dog Jumpingthrough Hoop. 9 Barber Shaving. 10 Scotchman Dancing. 11 Bull Tossing Dog. 12 Juggler with Head Off. 13 Woman Beating Boy. 14 Patent Bedstead. 15 Tub Orator. 17 Family Jars. 18 Punch with Growing Nose. 19 Mischievous Monkey. 20 Combat (Scotch). 21 Pink (Expanding). 22 Boy and Gunpowder Barrel. 23 Cook and Calf's Head. 24 Boy and Schoolmaster. 25 Parson Driving Pig. 26 Boy Stealing Jam. 27 Turk's Head (Moving Eyes). 28 Scrapings in a Tub. 29 Dog in Kennel. 80 Hoop Petticoat. 81 Windy Day. 82 Shoeblack. 83 Dutch Dentist. 85 Black Draught. 86 Clown and GlDbe. 87 Punch and Bowl. 88 Parson Carving Pig. 39 Tailor Working. 42 Jim Crow Dancing. 44 Scotchman Taking Snuff. 45 British Tar. 46 Pair of Spectacles. 47 Naval Engagement. 48 A Vegetarian. 49 A Somnambulist. 60 Topsy (Moving Byes). 61 Cat Playing with a Mouse. 62 Opening Kose and Cupid. 63 Performance on Two Chairs 64 Woman Smoking. ys Clown Palling in Pieces. m <:r<4>uier at Work. 57 Girl Skipping. 59 Tailor and Goose. 60 Vesuvius in Eruption. 61 Harlequin Falling in Pieces. 63 A Pigeon Pie. 64 Clown and Beer Cask. 65 Sailor Dancmg. 66 A Woodman. 68 Man with Growing Nose 69 Harlequin in Bottle. 70 Hush ! (Child's Pace). 71 Serenader. 72 Blacksmith at Work. 73 Resurrectionist. 74 Sambo Lecturing. 75 Cat, and Fish in Globe. 76 Treading in Father's Shoes. 77 Lamp Black. 78 Gooseberry Pool and Clown. 79 Opening Rose. 80 Joey Grim. 81 Mexican Ratcatcher— Man Sleeping with his mouth open, and rats running down his throat. 82 Bottled Porter. 83 Jugged Hare. 84 Adieu, in Wreath of Flow- ers. 84a Good-night, in Wreath of Flowers. 85 Boy Catching Butterfly. 86 Butterfly, Grub and Chry- 88 Pair of Snuffers. 89 Tax Collector. 91 Bleeding Nun. 92 Punch— Good-night. 93 Boy Riding Pig— is thrown off. 95 Irishman Driving Pig. 97 Tightrope Dancer. 98 Acrobat Balancing Ball. 99 Woman with Cat's Head. 100 Lion and Horse. 101 Lion— Moving Eyes and Jaw. 102 Peacock. 104 Good-night— Herald. ' 105 Good-night— Pickwick. 106 Ghost— Donkey in Church- yard. 107 Woman Beating Man. 108 Rappee. 109 Boy Robbing Till. 110 Sailor Dancing on Horse. 112 Policeman and Cook. 113 Bluebeard. 116 A Life-like Portrait (Don- key's Head). 117 Lover at Tower. 119 Christmas Pare. 123 A Pear (Pair). 124 Fisherman Tossed by Bull. 125 Clown (Moving Eyes). 126 Boy Jumping Posts. 127 Clown Tumbling. 129 Monkey Dipping Cat. 131 Tailor and Cabbage. 132 Countryman and Dog Changmg Heads. 133 A Turnstile and Crinoline. 136 Magic Rose Plant. 141 Taking Off Boots. 143 Pine and Face. 144 Irishman Dancing. 145 Dead Soldier and Horse. 146 Rowing. Ii7 Woman with Growing Nose. 150 Magician and Ghost. 151 Clown Headless. 152 Miser and Burglar. 154 Boy Bird's-nesting. 156 Jack In the Box. 157 Conjuror Tossing Balls. 159 Clown on Kicking Donkey. 160 Greenwich Pensioner. 161 Combat with Smuggler. 165 Sailor's Pigtail. 166 Farmer Carrying Pig. 167 Picnic and Serpent. 168 Beggar. 169 Lovers in Boat. 170 Passion Flower. 171 Cauliflower and Woman's Head. 172 London Porter. 173 Clown and Policeman. 174 Patent Trousers. 68 Geo. H. Pieece, Philadelphia, Pa. ITS LightKotherdays(a watch- man). ITO Turk's Cap Flower. 180 Cook, Pudding and Wo- man's Heaa. 182 Tiger'.s Head (Moving Eyes. 183 Cottage with Bridge and Boats. 184 Woman with Growing Nose and Chin. 185 Discovering the (Omnibus) Pole. 186 Birth of Cupid. 187 Pegtop Trousers. 188 Artist and Brigand. 189 Drinking Fountain, 192 Time. 195 Clown andFlyingBottle. 196 Pepper. 197 A Chameleon. 199 Sailor Smoking. 200 Ginger Pop. 201 A Guy. 205 Clown and Cannon. 206 Cook and Chimney Sweep. 207 Clown and Sausages. 808 Parrot Pulling off Man's wig 210 Jew Pedler. 211 Lamplighter. 214 Choice Spirits. 215 Lecture on Tobacco. 216 Chimney-pot and Sweep. 221 Man Dancing with Flags. 222 Tlie Young Companipns. 223 Diver and Shark. 224 Two heads are better than one. 225 Storm and Calm. 227 Nightmare. 228 Tulips. 229 Female Ti^ht-rope Dancer. 230 Harlequin in Box. 231 Spoon Bonnet. 233 Hold out your hand. 234 Hamper and Goose. 237 Chinese Punishment. 238 Pig and Farmer's Nose. 239 Merry Andrew. 240 The Young Artist. 241 Tumbler on Ladders. 242 Man on Stilts. 214 Postboy caught on Tree. 245 Man Shaving, and Cat. 248 Organ-man and Monkey. 251 Punch and Policeman. 262 Sawyers. 258 Fisherman and Cat. 254 Man Putting out Tongue. 255 Female Circus Klder. 257 Repealer and Policeman. 258 Tiger and Crocodile. 259 Man and Lions. 260 Blue Devils. 262 Boy and Sugar Cask. 265 Bluebeard and Fatima. 266 A Ballet GlrL 268 Skating. 270 Doable-Breasted. 373 The Botanist. 274 Catsmeat-man. 375 French Puppy. 277 Guy Fawkes. 278 Coastguard. 279 Bathing Machine. 380 Britannia. 881 Looking-glass and Nose. 382 Woman Shaving Man. 283 Boy with Magic Lantern. 384 Boy Spinning Top. a8& Coal Black Rose. 286 Clown Hanging. 287 Cats on Tiles. 2^8 Frog Pie. 289 Rose and Fairy. 290 Lodging House Bedstead. 291 Lion Jumping through Hoop. 292 Lighthouse in Storm. 293 A Witch. 2;)4 Serpent Charmer. 295 British Port. 296 Balloon Ascent. 297 Domestic Shower Bath. 298 Capers. 299 Clown Jumping Horse. 300 Trespasser and Bull. 301 Napoleon's Gr»ve. 302 Performing Elephant. 303 Smuggler's Cave. 304 Cricketer Stumpte 1 out. 305 Big Drummer. 306 Old Tom. 307 Cutting Corns. 308 Pegtop and Pegtops. 309 Chip of the Old Block. 310 Turtle Soup. 311 A Flying Beard. 312 statue and servant. 313 Fairy Chariot. 314 Figured Frontispiece. S15 Cook and Flying Goose. 316 French cook cooked. 317 Summer and Winter. 318 Excursionists and Diver. 319 Cat and candle. 320 Plum Pudding, and Chang- ing Heads. 321 Rustic and crow, 322 Soldiers Drilling (Heads Shot Off). 323 Hot Codlings. 324 Crossing Sweeper. 325 Fairy Star. 326 Photographic Portrait. 327 Performing Acrobats. 328 Spanish Dancer. 329 Brother Smut. 330 Professor of Magic. 331 Costermonger and Donkey. 332 Peace Makers. 333 Shoeing Horses. 334 St. George and the Dragon. 335 Man and Donkey's Tails. 336 Elephant Tossing Keeper. 337 Poll and My Partner Joe. 388 Father and Child. 339 Beware of the Gorilla. 340 Robbing the Eagle's Nest. 341 Lady on Kicking Donkey. 842 Rabbits O ! 343 Butcher and Kicking Pig. 344 Cutting it Short. 345 Clown Grinning throu^ Horse Collar. 346 Death on the Pale Horse. 347 Dutchman Moving Eyes and Jaw. 348 Stocks. 349 My own Blue Bell (e). 350 Punch (Welcome). 351 Ditto (Silence). 352 Acrobat Tumbling on Horse. 353 " Don't you wish you may get it 7" 354 Boy letting off Cannon. 365 Skeleton Taking oflf Head. 356 The Harvest Queen. 357 A Bottle Imp. 358 A Real Native. 369 TaKe a Light. 360 "Obadiah ."' 361 Swans Swimming. 362 Joey's Sea Trip. 363 Boy's Playing at Leap-frog. 364 The Last New Fashion (Chignons). 365 Hair Brushing by Machin- ery. 366 Sailor Fishing, and Sea Monster. 367 Moving Water and Swan. 368 Monkey and Pudding. 369 Pull Speed (Gent on Horse- back). 370 Flying Trapeze Perfor- mance. 371 Hearts of Oak. 372 Clown and Boxes. 373 Moving Pace (Derision). 374 Man throwing Stick in w». ter and Dog Swimming. 375 A Stout Denial. 376 Eastern Travelling. 377 A Family Umbrella. 378 Highland Fling. 379 Oyster Bolting. 380 " Who's that Knocking at the door ?" 381 Aggravation (Monkey hold- ing Mouse to Cat in Stocks). 882 Meeting a Settler. 383 Cockney Sportsman. 384 Peace (Piece) and Plenty. 385 Spider and the Fly. 336 Stock in Hand. 387 Division of Labor (tw« Shoeblacks). 388 A Pall in China. 389 The Artist Alarmed. 390 Skeleton Falling to Pieoea. 391 Masquerading. 392 Good-morning. 393 Monkey Smoking. 394 Pulling Bon-bons (Explo. sion). 395 Pure Milk from the • 396 Result of Carelessness. 397 A Faithful Spouse. 398 •' When shall we three meet again ?" 399 Nearing Shore (Dog wltll Child in Water). 400 Taking it Cool. 401 Real Scotch. 402 Wombell's Menagerie. 403 A Pair of Ducks. 404 An Unexpected Visit. 405 A Base Attempt. 406 Napoleon Crossing Ch^ Alps. 407 Pantomime Stars. 408 The Midnight Surprise. 409 Mangling Things. 410 Snow-balling. 411 Paul Pry. 412 Dog Pulling Monkey's TalL 413 Pianoforte Playing (extr*. ordinary). 414 Dancing Lesson. 415 Ghost Stories. 416 Much above that sort of thing. 417 Gipsy Nuisance. 418 German Musician. 419 Boy and Beehive. 420 Clown and Fishmonger. 421 A China Mug. 422 First Cattle Prize. 423 Caudle Lecture. 424 Hottentot Hotel, 425 Gone to Tea. 69 Geo. H. Pierce, Piiiladelpiiia, Pa. 426 Will-o'-the-Wisp. 427 Officious Policeman. 428 Dancing ShaKer. 429 Chinaman and Ball. 430 Acrobat Performing with Knives. 431 Magic Bonquets. 432 Girl Tossing Ball. 433 Clown and Phantom Police- men. 434 Clown and Plum-pudding. 435 Magic Umbrella. 436 Punch's Railway Carriage. 437 The Magic Portrait. 438 French Baker. 439 bcottish Chief. 440 Clown Nursing Baby. 441 Pantaloon and Cracker. 442 Theatrical Dancing Perfor- mance. 443 Water Lilies. 444 Canary and Cannon. 445 A very High Wind, 446 Fighting Cocks. 447 Topsy Dancing. 448 Getting him up to the Stan- dard. 449 Dancing Sprite 450 Dancing Dragon. 451 Launoe's Lecture. 452 Longing for a Drink. 453 Scotch Piper. 454 Silencel (Schoolmaster with Cane). 455 Hi ! Hi I Bus I ! 456 A Eeal Native. 457 A Ghost. 458 Boy and Demon's Head. 459 A Weighty Performance. 460 Magician and Demon. 461 Professional Fencer. 462 King Koffee. 463 The Birdnester Caught. 464 The Pipe of Peace. 465 The Surprised Birdcatcher. 466 A Granny-dear. 467 Gala Balloon. 468 Move on 1 Move on I 469 A Telescopic View. 470 Have you seen the " Shah?" 471 Looking In and Looking Out. 472 Act I. Scene I Tableaux ! 473 Dr. Bolus. 474 Horse Exercise. 475 Valentine and Orson. 476 Beware of the Cat. 477 Girl Skipping and Police- man. 478 Election Time. 479 Children and Bath. 480 Lake by Day and Night. 481 Raw Recruit and Polishod Soldier. 482 Monkey Teasing Cat. 483 A Good Hard Scrub. 484 Exalted Artist. 485 Boy and Squib blown lip. 486 Explosive Beer Barrel. 487 A Repulsive Reflection. 488 Cupid (Moving Eyes). 489 Serenader and Water-butt. 490 French Clown Dancing. 491 The Perplexed Huntsman. 492 Caught in the Act. 493 Just Hatched. 494 Magic Hair Restorer. 495 Wolf (Moving Eyes). 496 The Magic Cap. 497 Rat caught in Trap. 498 The Morning Bath. 499 Feeding Baby. 600 Walking Extraordinary. 501 Fiddler and Crocodile. 502 Cold versus Heat. 503 A Grand Bawl. 504 A Stout Lad wanted. 505 Sentinel in Snowstorm. 506 A Bear Adventure. 507 A Brigand. 508 Boy chasing Birds. 509 Bull Dog and Rats. 510 Feeding the Elephant. 511 Tumbler and Children. 512 Elephant's Cush Box. 513 Hindoo Worship. 514 Grandmother's Chair 515 Profuse Angling. 516 Indian Corn, 517 Dancing Savoyard. 518 Swan and Dog. 619 Skating Rink Adventure. 520 A wind instrument. 521 A Hogs-head. 522 Tumbler and Ball. 523 White-washer. 524 Shutting-up. 525 Sand- witch' . 626 Train and Tunnel 627 A Rude Boy. 528 Dancing Imp. 529 Donkey Cart Mishap. 530 Giant and Imp. 531 Amateur William Tell. 632 Old and New Year. 633 Not Afraia but Humane. 534 Shell Out. 535 Unkind Donkey. 536 Boy, Bull and Bull Dog. 637 Boy and Washing Tub. 538 Baked Dinner; Anxious Moments. 539 Both Sides of Umbrella. 540 Eccentric Dancer. 541 Monkey and Man Shaving. 542 An Old Crab. 643 Spelling Bee. 644 A Smoking Carriage. 645 Clown s Cannonade. 646 Babes in the Wood. 547 Negro Meeting House and Parrot. 548 Sea Serpent ahead 549 Flute Player. 650 Irish Girl Dancing. 651 Bat, by Day and Night. 652 Performing Dogs. 653 A China Dish. 554 Going and Returning to Bird's Ball. 555 Red Riding Hood and Wolf. 566 Old Mother Goose. 557 Punch's Showman. 558 Winter Sports. 659 All Hot I 560 Spring Showers and May Flowers. 661 The Lively Flea. 562 Last Train for London. 563 Before and After Marriage. 664 Rival Channel Swimmers. 565 Caution to Young Smokers. 566 Spec-taters. 567 Aquarium Visitors. 568 The waits. 569 The wrestlers. 570 Excited Orator. 571 Performing Bear. 572 Fiddler. 573 Before and After the Battle- 574 The Four Donkeys. 575 Jack Ashore. 576 Best Shag. 577 A Cheap warm. 578 Irish Stew. 579 An Electric Shock. 580 Boy and water plug. 581 Polite Old Gent. 582 I'm so chilly. 583 Indian Servant. 584 Cat and Bird Drinking. 585 Ship, sails furled and fall sail. 686 Negro Minstrels. 587 There's Many a Slip, Ac. 588 Feeding the Ducks. 589 The Maid waa in the Gar- den, &c., 590 Disputed Rights. 591 Out of Work. 592 On the Look-out. 593 First of April. 594 A Heavy Load. 595 Indian and Ball. 596 Performing Monkey. 597 Blind Man's BufT. 598 A Summer Delicacy. 599 Music hath charms. 600 Mind Your Eye. 601 After the Canter. 602 Before and After the attaclfc. 603 Three Chairs (cheers). 604 Who said Rats ? 605 Wet Paint. 606 Between two Stools. 607 Heavy Fall of Sn w. 608 Carving the Turkey. 609 Cheap Mourning. 610 A Foul c:himney. 611 In Memoriam. 612 Oh 1 Snakes 1 613 On Duty. 614 Tumbler and Barrel. 615 A Christening. 616 Nigger Melody. 617 Mr. Pongo. 618 A Dancing Wonder. 619 Puss in Boots. 626 Jack and Jill. 621 Bill Sticker. 622 A Heavy Weight. 623 The Two Obadiahs. 624 A Street Arab. 625 A Good Bite. 'J26 Clown's TranaformatlOB. 627 Horsemanship. 628 Boy with Squirt. 629 See saw. 630 Dog Cart and Children. 631 A Swing. 632 Whale Fishery. 633 Local Steamer. 634 Diogenes and Tub. 635 A View on Both Sides. 636 Hitting the Bull's Bye. 637 Disputed possession. 638 Mop Combat. 639 A Couple of Dancers. 640 Gallanty Show. 641 A Pair of Seals. 642 Dog and Kettle. 643 Blowing Bubbles. 644 The Biter Bit. 645 Athletics. 646 Our Sunflower. 647 Roundabout. 648 Pitted to a T. 649 Caught at Last. 650 Spirit and Water. 651 After Dark. 652 Hamlet's Soliloquy. 653 Ride a Cock Horse. 654 Kissing. ; 70 Geo. H. Pierce, PiiiLADELPniA, Pa. HUMOROUS TRANSFORMATIONS. On Slides 4 by 7 inches. $1.00 Each. TJiese are operated on the same principle as our " Movable Comic," hut of finer execution, photographed from artistic designs, brilliantly colored ; admirably adapted to fill tlie demands of our customers for a fine grade of humorous movable pictures. 70i_Slie never told her love. (Drink behind the door.) 703— Backing out of §oing to market. (Pigs jumping out of the cart.) 703— Lunar Caustic. (The cres- cent moon enclosing an angry face.) 704 — Oh my prophetic soul — My Uncle. (Pawnbroker.) 705— A Bill Sticker. (Ostrich sticking his bill in a boy.) 706— For China Direct. (Bull attaclung a china store.) 707— Spring and Fall. (Boy falls in jumping a fence.) 708— Two Garden Rollers. (An iron roller, and a pig roll- ing on the flowers.) 709— All s well that ends well. (Mermaid.) 710— A go-as-you-please race. (Men pursued by a bull.) 711— Oh listen unto ray tale of woe. (Dog with can to tail) 712.— Q Bridge. Bridge at the village of Kew.) 713— Your money or your life 1 What you say? (High- wayman, and a deaf man.) 714— How happy could 1 be with either. (Mouse between a cat and a dog.) 715— A Piece of Fancy Work. (The worsted prize fighter) 716 — ^An Unnecessary Remedy. (Man with wooden legs needs no " Corn Cure.") 717— A Real Friend, and a Friend in Need. (A needy fellow picking a Quaker's pocket.) 718 — Clearing the Letter Box. (A bov jumping over it.) 719— A Spoilt Child. (Old nurse sitting down on the baby.) 720— Gk)od-byetothe01d [Ylear (Boy hollowing good-bye to his deaf gi-andfather.) 721 — The Complete Angler. (Fisherman pulled under 722— A Stitch in Time. (Old Father Time mending his garments.) 723— 1 Come to Bury Cassar. (Burial of the old dog, Csesar.) t^— Elbow Grease. (Woman slapping child.) 725.— Mend jour Habits. (Tailor repairing a coat.) 726— A Skipper. (Girl skipping rope.) 727— Two Hares. (Hair pie, and hair on landlord's head.) 728— A Donkey Stir Race. (Boys attempt to ride a donkey.) 729 — Stolen Sweets. (Boy ap- propriating the sugar.) 730 — You must move on. (As- sault and battery.) 731— Green Monster. (A dragon.) 733— Will o' the Wisp. (Fantas- tic dancing figure.) 733.— Mr. Chairman. (Legerde- main chair feat.) 734^Hold up your head; (Arab tosses his head in the air.) 735.— The Fair Equestrienne. (Circus rider.) 736— The fair Danseuse. 737— Old Uncle Ned. (Negro dancing.) 738— Three Friends. (Two don- keys in the pound ; when shall we meet again ?) 739— At the Top. (Boy at play.) 740— We Part. (Good night.) 741— A Hard Drive. (Driving a pig to market.) 743— The End of the Line. (Clown hanging.) 743— A Silent Moment. (School- master orders silence.) 744— Battledore and Shuttle- cock. (Girl at play.) 745— ChUd Chasing Butterfly. (Catches it with a net.) 746— A Pinch of Scotch SnufE. (Highlander taking snuff. ) 747— The Stubborn Donkey. (Man beating him.) 748— Pet of the Family. (Child kissing its father.) 749— Irish Scenery. (Paddy and the pig.) 750— A Boyish Adventure. (At- tempts to ride a pig, and falls off.) 751— Human Skeleton. (Orderly and disorderly.) 752— Human Rat Trap. (Moral: Don't sleep with your mouth open.) 753— Public Characters. (Organ- grinder and monkey.) 754— A Cat-astrophe. (Cat and mouse.) 755— Extraction of Roots. (Tooth-pulling.) 756— A Balled Head. (Cricketer catches the ball in his face) 757— The. Net Result. (Lady catches a man with a net.) 758— A Bowl of Punch. (Mr. Punch in a bowl.) 759— What's in a Name ? (Old Tom Gin, and Old Tom Cat) 760— Oriental Music. (Arab beat- ing a drum.) 761— Long Drawn Out. (Man with extension tongue.) 762— Punch and Judy Show. (Punch strikes policeman) 763— Old Bachelor Shaving. (His pet cat looking on.) 764— Elephantine sport. (Baby elephant dancing.) 765— Pie-ous Frogs. (Frogs jumping out of a pie.) 76(5 — Circus Crackers. (Clown with fire-crackers.) 767— Circus Chairs. (Acrobat on chairs.) 768— Circus Feat. (Acrobat toss- ing globe with his feet.) 769— Darwinian Hydropath. (Monkey administering Hydropathy to a cat.) 770— Ball Performance. (Acro- bat tossing balls.) 771— Sword Combat. (Duel be- tween sailor and pirate.) 772— Sailor's Hornpipe. (Jack Tar dancing.) 773— The ViUage Blacksmith. (Making a horse shoe.) 774 — Where Are You Going ? (Boy chasing a butterfly, falls in a pond.) 775— 1 Can a Tale Unfold. (Pea- cock spreads his tail.) 776 — Christmas is Coming. (Butcher and goose J 777— C i r c u 8 Dog. (Jumps through ring.) 778— Cow with the Crumpled Horn. (That tossed the dog that worried the cat.) 779.— Punch and his Dog Toby. (Dog sits on end of Punch's nose.) 780— Stern Chase. (Sailor at- tacked by an alligator.) 781— J u V e n i 1 e Artillerists. (Fourth of July morning.) 782— Circus Ballet. (Lady on tight rope.) 783— Something for a Rainy Day. ( An umbrella pro- tecting the whole family.) 784— Old Woman and her Pet Monkey. (Monkey pulls her cap off.) 785— Wizard. (A goblin appears at his command.) 786— John Chinaman. (Keeps the ball a-rolling.) 787— The Horse Marine. (Jack Tar taking a ride.) 788— The Uneasy Rider. (Lady on a kicking mule.) 789.— A Tale of a Monkey. (Dog J mils off a monkey's tail.) rand Trunk Line. (Ele- phant lifts his attendant with his trunk.) 791— Ph otographic Arrange- ments. (Photographer ar- ranging his sitter.) 792 — The Separation. (Man and donkey— donkey goes over a precipice.) 793— Heads Off I (Soldiers obey) 794— A Penny, Your Honor? (London street-sweeper.) 795 — Plum Sauce. (Look out for the cook.) 796— Pussy's Tormentor. (Mon- key has the mouse.) 797— Boy Teasing a Dog. (The dog's turn now.) 798— A Pretty Pear. (A pair of lovers ) 799— Child Standing on Two Stools. (Falls to the ground.) 800— The End of the Tale. (Dogs hunting a rabbit, catch its tail.) 7t; t Geo. II. Pierce, Philadelphia, Pa. ^ Lever Slides. A very pleasing mechanical effect. The scene is painted on one glass, and that part ^fthe figure intended to appear as in motion, on another glass movable by Lever. ( Thus In the above illustration, the head and neck of the horse are on the glass -worked by the Lever, 1 Lady Riding. 2 Stag. 3 Woodman. 4 Moving Chm. 5 Cobbler at Work. 6 Bill-sticker. 7 Man's Face. 8 Horse drinking. 9 Sambo Lecturmg. 10 Stone-breaker. 1 1 Large Ship by Night. 12 Small Ship and Lighthouse. 13 Boy on Donkey. 14 Swan Drinking. 15 Stag Drinking. 16 Cow Drinking. 17 Beggar. 18 See-saw. 19 Boy Stealing Apples. 20 Gout. 21 Digger. 22 Monk Praying. 23 Boy Cleaning Boots. 24 Reaper. 25 Fractious Child. 26 Monkey Dipping Cat. 27 Lady Playing Pianoforte. 28 Gent in Pegtops taking off Hat. $1.75 Each. 29 Horse Eating. 30 Children in Boat. 31 Grooming Horse. 32 Donkey riding Extraordinary. 33 Sam Weller Cleaning Boots, 34 Woman Beating Boy. 35 Lady Praying. 36 Ship in Gale. 37 Girl Feeding Goat. 38 Fiddler. 39 Volunteer. 40 Monkey and Fish. 41 Doctor and Patient. 42 Dying Camel. 43 Bathing. 44 Dog o£ St. Bernard. 45 Native Nursing. 46 Pleasure Boat in Rough Weather. 47 Steam Boat Pleasure Trip. 48 Goat Feeding. 49 Natives. 50 Look Before You Leap. 51 Robinson Crusoe on his Raft. 52 Looking out for Papa. 53 Signals of Distress. 54 Farmer and Pig. 55 Lioness and Cub. 56 Monkey Beating Cat. 57 Boy Shooting Cat. 58 Scrubbing Boy in Bath. 59 Rocking the Baby. 60 Eagle and Lamb. 61 Monkey Roasting Cat. 62 Rustic Serenader. 63 Dead Soldier and Horse. 64 Monkey and Birdcage. 65 Enraged Cook. 66 Cavalier Carousing. 67 Shoeing Horse. 68 Negro Vanity. 69 Brother Neddy. 70 A Mendicant. 71 Feeding the Calf. 72 The Wayside Nap. 73 Negro and Crocodile. 74 Fording the River. 75 Feeding the Donkey. 76 Alligator on the Scent. 77 Crossing the Desert. 78 Bear Climbing Pole. 79 " It Wasn't Me, Mr. Police- man ! " 80 " Who Shot the Gardener ? " 81 Elephant and Keeper. 82 Caught, and No Mistake. 83 Drawing teeth extraordinary. 84 A Broken-down Fisherman DiORAMic Paintings. WITH MOVING FIGURES. Off Siides from 12 to 14 inches long, with 2 Glasses, on one of which the scene is painted, and on the other the Figures. The Glass containing the Figures is moved in a grove and the Figures, Vessels, etc., appear to cross the Scene. $3.00 Each. Holyrood ChapeL Newstead Abbey. Arctic Regions. Dover Castle. Pyramids of Egypt. Train of Cars. Barnard Castle. Warwick Castle. Alpine Travelers. Virginia Water. Thames Tunnel. Dowton Castle. Conway Castle. Menagerie. _ Bell Rock Lighthouse, Lambeth Palace. Israelites Crossing the Red Sea. Street in Jerusalem. Sidon. Noah Entering the Ark. Sphinx — Egypt. Smuggler's Cave. Arctic Whaling. Niagara Falls. 7*. Geo. H. Pierce, Philadelphia, Pa. CHOICE STATUARY, Eacli on Square Glass, 3J4 by 4 inches, wltU protecting cover glass. Photographed from the finest originals in the various galleries and art museums of London, Paris, Borne, Florence, Naples etc.; emlracing examples of the best Sculp- ture, Anxiient and Modern, and forming attractive illustrations foi- Lectures on Art, History, Poetry, Religion, and Foreign Travel. The backgrounds Black, thus making the figures more distinct, and bringing them out on the Canvas in bolder relief 75 Cents Each. {See Combination Carriers No. 711, 71'^, for the best means of holding the views in the apparatus.) Achilles. Achilles and Briseus. Acia and Galatea. Adonis. Adonis Dying. Africa (Albert Memorial). After the Bath. Amalthea. Amazon Combat. Amazon going to Battle. America (Albert Memorial). Angel and Child. Angel's Love. Antonia. Antoninus. Apollo, Belvidere. Ajwllo, Citharede. Apollo, Pythian. Apollo, Sam-octan. Praxiteles. Apollo and Daphne. Ariadne and the Tiger. Ariadne Sleeping. Ariadne. Clesinger. Annida. Asia (Albert Memorial). Athlete. Atlas. Augustus, Emperor. Baby. Bacchante. Bacchante Drinking. Bacchante and Tiger. Bacchus. Bacchus, Infant. Bacchus and Ampelo. Bacchus and Silenus. Balbus. Bashful Child. Bather. Bathers Surprised. Bernadotte, King of Sweden. Birth of Cupid. Blind Boy and Dumb Girl. Blind Man's Buff. Boy after the Bath. Boy and Dead Dog. Boy and Sea ShelK Boy and Top. Bruce, King of Scotland. Burd Family Monument, Phila. Cain. Caius Caligula. Camille. Cassandra and Pallas. Centaur and Nereid. Centaur ruled by Love. Charles IV., of .\u8tria. Chastity. Chicago Incendiary (Cow). Child and Bee. Child and Bird. Child and Dove. Child and Goose. Child at Play. Child at Prayer. Childish Curiosity. Choctas. Christ. Christ and the Apostles. Christ and His Disciples. Christ and Mary. Christ Blessing Children. Christ in Gethsemane. Christmas Morning. Cincinnatus. Claudius. Cleopatra. Clio. Clytie. Compulsory Prayer. Countess de Bellay. Courtship. Crispina. Croquet Player. Cupid. Cupid Reclining. Cupid with the Bow. Cupid and Psyche. Dancer. David. Michael Angela. David hurling the Stone. Demosthenes. Diana the Huntress. Diana and the Stag. Diana at the Bath. Diana Beholding End5Tnion. Discobolus. Durer, Albert ; Nuremberg. Edward, the Black Prince. Egeria. Emancipation. Emily and the White Dove. Epaminondas. Esculapius. Europe (Albert Memorial). Eva St. Clair. Eve. Eve. Carrier. Eva at the Fountain. Exile. Fairy Story. Faith. Faith at the Cross. Family Pets. Farnese Bull. Faun, Villa Borgbese, Rome. Faun, Dancing. Faun, Drunken. Faun and Infant Bacchus. Faun and Nymph. Faust and Marguerite Fireman Rescuing Child. First Grief. First Impressions of Cold Water Fisher Boy. Fisherman's Daughter. Flight Into Egypt. Flora. Flower Girl. Flying Time. Forced Prayer. Fox, English Statesman. Foxhounds. Galatea. Genius of Death. Canova. Genius of the Vatican. GermanicuB. Giotto. Girl Embroidering. Girl Knitting. Girl Reading. Girl Spinning. Girl Writing. Girl with Doll. Girl with Parasol. Girl with Parrot. Girl with Pet Fawn, Girl with Pet Rabbit. Gladiator, Dying. Gladiator, Fighting. Gladiator, Wounded. Good Morning. Good Night. Greek Slave. Gretchen. Grief. Guardian Angel. Guttenberg Monument,Mayence Hagar and Ishmael. Hebe and Ganymede. Henry IV. Monument, Paris. Hercules. Hercules, Farnese. Hercules and Omphale. Hercules and Silvanns. ^ Hercules as a Woman. Holy Family. Horse Attacked by Anaconda. Impudence. In a Fix. Inconsolable Widow. Industry. Infantile Amusement. Innocence. Innocent Sleep. Irish Peasantry. Italian Peasants. Jacob Wrestling with Angel. James I., King of England. Jason. Joan of Arc. Joseph II. of Austria. Joyous Child. Juno. Kiss of Love. Kittens at Play. Koutozoff Monument, St. Pe- tersburg. Krickhoff Monument, St. Pe- tersburg. Lady Godiva. Laocoon. Leopold I. Little Beggar Boy. Little Flower Girl. 73. Geo. n. Pierce, Philadelphia, Pa. Little Grape Gatherer. Lot's Wife. Louis XIV. Louis XVII. Love Among the Eoees. Love Blindfolded. Love Bound. Love Letter. Love's Messenger. Love's Mirror. Love's Net. Lucius Verus. Magdalen. Maidenhood. Marguerite in Prisou. Masquerader. Mausolus. Meditation. Meleager. Memling Monument, Bruges. ' Memorial Statue, Cawnpore. Mercury, Belvidere. Mercury, Flying. Messalina. Micliael Angelo. Milo of Crotona. Minerva. Minerva Medica. Mithras, Chaldean Sun- God. Monforio. Morning. Morning of Life. Morning of the Resurrection. Moses. Michael Angelo. Moses Found by Pharaoh's Daughter. Moses in his Youth. Mother and Child. Motherless Children. Murat. Muse of History. Muse of Painting. Music. Naiad. Napoleon I., in Youth. Napoleon I., Dying. Narcissus. Neapolitan Fisher Boy. Neapolitan Gipsey Dance. Nereid. Nero. News Boys of Paris. Night. Niobe. Nora Creina. Nydia, the Blind GirL Olympia. Omphale. Ophelia. Orpheus Descending to Hell. Orpheus with the Lyre. Pandora. Parting of the Lovers. Paul and Virginia. Paul I., of Russia. Peace--Sleepine Child. Peace — Arc de rEtoile. Peel, Sir Robert. Perseus. Canova. Perseus and Andromeda. Pharaoh's Daughter. Phoebus. Phorbas the Shepherd. Pitt, English Statesman. Poetry. Polymnia, Muse of Harmony. Polymnius. Polyxena. Pope Pius IX. Prayer. Prince of Wales. '^e Statuary — 75 cents Princess of Wales. Prisoner of Love. Prodigal Son. Psyche. Canova. Psyche. Pradier. Pugilist. Canova. Puzzled Gamekeeper. Quarrelsome Blacksmith. Queen Mary. Queen Victoria. Queen of Sheba visits Solomon. Rebecca. Red Riding Hood. Rejected Lover. Religious Liberty. Remorse. Return from the Vintage. River Nile. River Tiber. Roma. Roman Emperor. Roman Minstrel. Roman Orator. Romans Carrying off the Sabine Women. Romeo and Juliet. Romulus and Remus. Rose of Sharon. Rubens. Ruth. Saint Agnes. Saint Martin and the Beggar. St. Sebastian. Salvatoriello. Sappho. Shakspeare. Shepherd. Silvio and Aminta. Simply to Thy Cross. Slave. Michael Angelo. Sleeping Boy. Soldiers' Orphans. Somnolence. Spartacus. Storm. Sunshine. Susannah at the Bath. [burg. Suvaroff Monument, St. Peters- Tam O'Shanter. Tasso. Tasso in Youth. Temptation of St. Anthony. Theseus. Three Graces, Antique. Three Graces. Canova. Three Graces. Pikm. Three Graces. Pradier. Three Graces. Thorwaldsen. Tiberius. Tired Out. Toilet of Atalanta. Toilet of Venus. Tomb, Frederick III. and Queen. Tomb, Marshal Saxe. Tomb, Julian de Medicis. Tomb, Lorenzo de Medicis. Tomb, Campo Santo, Pisa. Tomb of the Stuarts, St. Peters. Canma. Torso Belvidere. Three Marys. Tragedy. Trajan. Treasure Trove. Triton Carrying off Nereid. Ulysses and His Dog. Una and the Lion. Uncle Toby and Widow Wad- man. Vanity. Veiled Model. each. Venue, Accroupie. Venus, Anadyomene. Venus, Callipyge. Venus de Medicis. Venus de Milo. Venus Genitrix. Venus Leaving the Bath. Venus Marine. Venus Pudica. Venus of Victory. Venus of Aries. Venus of Florence. Canova. Venus of Vienna. Venus of VillaBorghese. Canova Venus at the Bath. Venus. Praxiteles. Victim of the Deluge. Victory of Samothrace. Virgin and Child. Virgin Crowned, at Lourdes. Virtue Crushing Vice. Vision of the Red Cross Knight. Widow at the Tomb. Wrestlers. Young Chimney Sweeper. Young Fawn. Young Girl of Megara. Young Satyr. Young Shepherd. THORWALDSEN STATUARY. The following are all by the cel- ebrated Banish Sculptor, Thor- waldsen, and are fine specimens of his pure and simple style. Morning. ( Night. f Spring. 1 Summer. I Autumn. • Winter. J Wisdom. "I Strength. ( Justice, I Health. J Earth. " Air. Fire. Water. . Matthew. " Mark. I Luke. John. Christ. The Apostles. Holy Family. Christ Blessing Children. St. John Preaching. Shepherd. Shepherdess. Harvest. Boys Gathering Fruit. Cupid with the Dog. Cupid with the Net. Cupid and Bacchus. Cupid and Psyche. Hebe. Ganymede. Venus. Three Graces. Lord BjTon. Copernicus and Schiller. Monument Pope Pius Vn. 74' Geo. H. Pierce, Philadelphia, Pa. Choice Statuary- cents each. ROGERS' GROUPS; By the celebrated American Sculptor, John Rogers, whose productions have attained the highest popularity in all parts of the Union. Many of them refer to the stirring incidents of the Civil War, and can be made very available and attractive illustra- tions in Lectures on that sub- ject ; while others are admira- ble realizations of the familiar scenes of American Home Life, The Drama, etc. Balcony. Bushwhacker. Challenging the Union Vote. Charity Patient. Checker Players. Checkers at the Farm. Coming to the Parson. Council of War. Country Postofilce. Courtship in Sleepy Hollow. Fairy's Whisper. Favored Scholar. Fetching the Doctor. Foundling. Fugitive's Story. Going for the Cows. Home Guard. It is so Nominated in the Bond. Mail Day. Mock Trial. One More Shot. Othello. Parting Proroise. Peddler at the Fair. Photographer. Picket Guard. Playing Doctor. Polo. Private Theatricals. Referee. Returned Volunteer. Rip Van Winkle at Home. Rip Van Winkle on the Moun- tain. Rip Van Winkle Returned. School Days. School Examinations. Sharpshooters. Shaughraun and Tatters. Taking the Oath. Tap at the Window. Town Pump. Traveling Magician. Uncle Ned's School. Union Refugees. Village School-Master. Wasliington. Weighing the Baby. Wounded Scout. In addition to our large assortment of Statuary, we would call attention to the annexed se- lection of "Busts" and "Bas Reliefs," which embraces many very desirable examples of An- cient and Modem Sculpture, and which often prone to be more ap- preciated by an Audience than fvUrlength pieces of Statuary. BUSTS. Antinous. Bashfulness. Charlotte C'orday. Clytie. Coquetry. Dante Desdemona. Dryden. Elaine. Francis of Austria. Giovaninna. Girl with Lizard. Happy Memories. Hope. Hop Queen. Italian Girl. Lincoln. Livingstone, African Traveller. Madonna. Maiden's Prayer. Milanese Lady. Modesty. Morning. Mother and ChUd. Nanella. Nelson. Odalisque. Orphan. Pharaoh's Daughter. Pompeian Belle. Prayer. Prince of Wales. Queen of the Sea. Rameses. Religion. Roma. Sailor Boy. Scott Siddons. Seward. Shakspeare. Sunshine. Sunshine and Shower. Sweetness. Thetis. Thotmes HI. Whisper of Love. Winter. Young .Augustus (Roman Em- peror). BAS RELIEFS. Agony in the Garden. Angel Reapers. Ariel. Choristers. Lucca delta Bobbia. Consolation. Pastoral Reed. Puck. Simplicity. Water Babies. Morning. Night. Spring. Summer. Autumn. Winter. Sunrise. Repose. Blossom. Tired Gleaner. Mother's Joy. Genius of War. Victory Crowning Napo- leon. Resistance to Invasion. Return of Peace. 1^' TINTERS. These are plates of coloi-ed glass, 3M by 4 inches, and are very useful in connection with Statuary. We have them of va- rious colors, Blue and Crimson being the most preferred. First Quality, 25 Cents Each, Second Quality, 10 Cents Each. In a Dissolving View appara- tus, or Stereopticon, the "Tint- er" is first placed in one lan- tern, projecting a delicately colored field on the screen ; the Statuary Slide is then placed in the other Lantern, and by the dissolving arrangement, is grad- ually developed, showing a pure white statue upon a richly col- ored background, and then slowly dissolved out, thus producing a very beautiful and novel ett'ect. In a single Magic Lantern, a Tinter can also be advant ageous- ly used to give a tone of color to a landscape, etc. ; thus a Blue Tinter passed slowly before the front lens will give a landscape the appearance of being seen as b.v moonlight; an orange Tinter will produce sunrise efliect, etc. ICE, SNOW, WATER AND CLOUD EFFECTS. Uach on glass plate 3U by 4 inches, with protecting cover 50 Cents Each. A variety of very beautiful photographs of above, taken from nature, which are very at- tractive, and produce handsome effects in dissolving, either in combination with Views of Scenery, or as a background for Statuary. The various hues of Sunshine, Moonlight, etc., can be imparted to the Views by holding a Tinter of proper color in front of the tube of the in- strument. Tinted Clouds - 75 Cents Each. MOTTOES, $1.00 Each. Upon colored glass,three inches in diameter, with protecting cover glass ; each motto is mounted separately in a neat, wooden frame, seven inches long by four inches wide. Good Night. Silence Welcome. A Merry Christmas. A Happy New Year. Adieu. Buenas Noches. Adios. Geo. H. Pierce, Philadelphia, Pa, CRAYON TRANSPARENCIES. 50 cents each ; $45.00 per hundred. These are uncolcyred Pliotograiihs on Glass, reproductions of Fine Engravings, Original Crayon Drawings, etc., adapted lor exhibition, with Oxy-Hydrogen, or any other form of Illumination. The assortment embraces a large variety of subjects besides those named below, and is being in- creased from time to time by novelties to meet the current demand. Great care having been ex- ercised in the selection of originals, and in the Photographic preparation, they present when magnified on the Screen the appearance of finely finished Crayon Drawings. These " Crayon Transparencies " are each on square glass plate, 3 J inch wide, with a covering glass to protect from injury, and are most conveniently used in the Combination Carriers, Nos. 711 and 712, see pages 44 and 45. Comic. ./Esthetic Monkey. Angel Voices sweetly calling. Attacii on Watermelon — No. 1. No. 2. Babies on our Block. Bare Chance. Between Two Fires. Boss of the Road. Bride, and One Year after. Bull-dozing. Capital Joke. Come into the Garden, Maud. Come where my Love lies dreaming. Coming thro' the Rye. Coolness between Friends. Darktown Fire Brigade —To the Rescue. Darktown Fire Brigade — Saved. Darlini(, I am growing old. Deacon Jones' Experience — No. 1. Deacon Jones' Revenge— No. 2. De Breed am small — ^No. 1. No small Breed dis yer— No. 2. Division of Labor. Don't you forget it. Dot Little German Band. Every Dog has his day. Excuse haste and a bad Pen. Fatherless. Finding of Moses, by Titian. " '•• by Mark Twain. Five Degrees of Intemperance. ■Game Dbg. ,l Place. Cotton Mather's Grave, Culp's Hill. Gen. Gage's Headquarters, 1775. Paul Revere's House. Old Bridge. Charlestown River. Charlestown Common. Street View of Charlestown. Bunker Hill, Charlestown. Bunker Hill Monument. Cambridge. Longfellow's House. Washington Elm. Harvard GoUege. Gore Hall. The Old Building. Soldiers' Monument. Gymnasium Building. Tablets in Memorial Hall. Statue of John Harvard. Dormitory. Memorial Hall— exterior. Severn Hall. Holden Chapel and Moss Hall. Hollis Hall, Thayer Hall and University Hall. Moss Hall and Mathews Hall. Concord. Battle Monument, Concord Brg. Minute Men Monument, " Wright Tavern, British Head- q'r8,House where Revolution- ary Stores were concealed. Hawthorne's Old Manse. Emerson's Residence. Home of Louisa M. Alcolt. Plymouth. Mass. Forefathers' Rock. Sea View from Burial Hill. Bradford Monument, Burial Hill. Court Street, Plymouth. Pilgrims Hall, the Forefathers' Church. Forefathers' Monument. East Avenue. Faith Monument. Minnesota. Steamer at St. Paul. Panorama of St. Paul. Street- at St. Paul. Suspension Bridge at St. Paul. Falls of Minnehaha, Summer. " " Winter. Falls of St. Anthony. Rapids " " Bridge near St. Anthony's Falls. Sandstone Cave near St. Paul. Bridge and Tower, above St. P. Fort Snelling. Distant View of Fort Snelling. Eroded Rock Formation. On the Shores of Lake Pepin. Bluff on the Banks of the Miss. Vermilion Falls Trampleau Bluffs. Upper Miss. View from Trampleau Bluffs. Steamboat Landing on Lake Pepin. A Snowy Lane, Minneapolis. Cutting Ice on the Upper Miss. An Ice Plow on the Mississippi. Suspension Bridge, Minneapolis 80 Geo. H. Pierce, Philadelphia, Pa. Places of Interest — America. 50 cents each ; $45.00 per hundred. A Mississippi Steamer loading. Interior of a Mississippi Steamer Rapids, Falls of Minnehaha. Mississippi River near St. An- thony's Palls. Alississippi. Beauvoir, Home of Jefferson Davis. Old Slave Bell. Eiver Steamers. Vicksburg. Vicksburg, from the River. Spot where Generals Grant and Pemberton arranged for the surrender. Port HUl. Pearl River, house in swamp. A Cane Brake on Pearl River. In the Swamp. The Monarch of the Swamp, the largest Cypress on the Pearl River. Missouri. St. Louis. Panorama, N. E. S. E. The Levee. Mississippi Steamers. Saloon on Mississippi Steamer. Fourth Street. Washington Sguare. Suspension Bridge. Snag Boat. City Hall. Post Office. Jail, Interior. Court House. Masonic Temple. Southern Hotel. Lindel House. Pickwick Theatre. Schnaeder's Theatre. Lafayette Park. Oldest House. Kansas City. Panorama. Main Street. Delaware Street. Union Depot. Coates' House. Court House. Nebraska. Omaha. Panorama. Bridge. U. P. Depot. Pamam Street. Withnell's House. Lincoln. Panorama. Post Office. B. & M. R. R. Depot. Commercial House. Arlington House. Ziemer's Ticket Office. State Prison. Lancaster Jail. Sod House. Big Tree, Chief of the Forest, Milford. Kew Hampshire. Plymouth. Concord. Law Olflce of Franklin Pierce. The Home " " The Grave " " White Mountaim. Lake Winnipiseogee. Diana's Bath. Artist Falls. Crystal Falls. Glen Ellis Falls. Frankenstein Trestle. Deep Cut, P. & O. R. R. Ammonoosuc Palls. Twin Mt. House. Fabyan House. Crawford Notch. " House. Glen House. Mt. Webster. Willey House. Echo Lake. Old Man of the Mt. Profile House. Profile Lake. Maplewood Hotel. Flume. Flume House. Pool. Basin. Moat Mt. Cathedral Ledge. Emerald Pool Elephant's Head. Gibbs Falls. First Beecher's Cascada Second " " Third " " Kearsarge House. Mt. Kearsarge. Ripley Falls. Purple Lake. Casco Lake. Mt. Willard. Pulpit Rock. Lake Chocorou. Hartz's and White Horse Ledge. Ellis River. " Falls. Squam Lake. On the Saco. On the Androscoggin. Mt. Pleasant House. Sunset Hill House. Goodnow House. Jefferson Hill House. Waumelek House. Wentworth House. Intervale House. Mt. Washington. Railway. Workmen descending. Railway Train. Lizzie Bourne's Monument. Summit House. Tip Top " Tower. Jacob's Ladder. Mt. Washington in Winter. Weather Bureau Station. New Jersey. Looking to Sea from Highland Lights. Brick Church, Orange. Car Elevator, Hoboken. Marl Beds near Monmoath. View of Trenton. Trenton Falls. Passaic Falls. Princeton. Stony Creek Battlefield. Quaker Meeting House on the Battlefield. Tree under which Gen. Mercer was shot. Mercer or Clark House, where Gen. Mercer died. Grave of Jonathan Edwards. Graves of Aaron Burr and Jonathan Edwards. Com. Stockton's House and Grounds. / Seminary and Theological Bldg. West College and Quadrangle. East '• " " Nassau Hall. Witherspoon Hall. Scientific Hall. Library and Dickens' Hall. The Observatory. Philadelphian Society Building Atlantic City. Instantaneous Bathing Scene, Crowded Beach. The Pier from the Board Walk. The Beach South from Pier. The Beach North from Pier, showing Light House. Watching the Yachts. A Crowded Beach and Board Walk. Racing in the Inlet. Instantaneous Marine. Board Walk, crowded, from tfj*- Pier. PnU view of New Iron Pier. View from Iron Pier, North. " " South. Cape May from New Iron Pier. On the Beach. Pier and Steamer. The Stockton House. Long Branch. The Beach. Ocean Avenue. Cottages. Grant's Cottage. U. S. Hotel. West End Hotel. Iron Pier. New niexico. Embudo-Comanche Cafion. Old Mill, Chamita. Passengers Crossing the River on Indians. Stage for Santa Pe. Panorama. Main Street. 81 Geo. H. Pierce, Philadelphia, Pa. Places of Interest— i Old Mexican House. Placita in Mexican House. Cathedral. Santiago Street. Plaza " Isleta. Panorama. Indian Girls. , The Estufa. Family Group. View of Plaza. Indian Group. Mud Roofs. Indian Home. Old Church. San Juan. Panorama. Old Church. " " interior. North Plaza. Husking Com. Indian Boys on Burros. A Caretta. Sania Cruz. Panorama. Old Church. Santa Panorama. Palace. Mexican Houses. The Plaza. Military Headquarters. Santa Guadaloujje Chapel. Burros loaded with wood. San Francisco Street. Shelby Street. Chapel and Convent of Loretto. Oldest House. Church of Miguel. Church and Brothers' College. New Yorlt City. Panoramic Views. City and Bay. " East River Bridge. " North River. " Governor's Island. " East River Front. Siver and Harbor Views. East River. Governor's Island Landing. " " OfQcers' quarters Iron Steamboat Pier. South Ferry. Ocean Steamer, in bay. " at dock. " " deck. Ferry Boat. Shipping. East River Bridge, Tower. " " Span. " " Approach. " " Qen'l View. " " Brooklyn Approach. " " Stairwav, where the accident May 30th, 1883, occurred. Oyster Market. West Street. Dust Barge. merica. oO cents each Canal Barges. Harlem Railroad Bridge. Harlem Bridge. High Bridge. Steamer Osseo. Steamer Providence. Steamer Pilgrim. " '• interior. Steamer Narragansett. Grain Elevator. JProminerit Buildings. Castle Garden. Barge Office, Battery Park. Custom House. Post-Office, front. " rear. Treasury, Wall St. City Hall, Court House. Tombs Prison. Jefferson Market Court House. Five Points House of Industry. Blackwell's Island. N. y. Herald Office. " Tribune Staats Zeitung " Bible House. Y. M. C. Association. Western Union Telegraph. Equitable Life Ins. Co. Stock Exchange, exterior. " " interior. New Produce Exchange. Mills Building. Domestic S. M. Co. A. T. Stewart, Store. A. T. Stewart, Mansion. Vanderbilt Mansion. Historical Society. Astor Library. Lenox Library. Seventh Regiment Armory, Union League Club. Florence Flat. Masonic Temple. Grand Opera House. Academy of Music. Academyof Design. Clinton Hall. Tammany Hall. Cooper Institute. Normal College. N. Y. College. Columbia College. United Bank Building. Union Dime Bank. Park Bank. Grand Central Depot, exterior. *' *' interior. Hospitals. Bellevue. Mt. Sinai. St. Luke's. Homcepathic. Womens'. GhurcTies. Calvary Baptist. Catholic Cathedral, exterior. " " interior. Tabernacle, Congregational. Collegiate, Dutch Reformed. Trinity Episcopal. " ■' interior. St. Paul, " $45.00 per hundred. Grace, Episcopal. Holy Trinity, Episcopal. Heavenly Rest. The Little Church around the Corner, Episcopal. Madison Avenue Synagogue, Jewish. 5th Ave. Synagogue, Jewish. First Methodist. Dr. Hall's Presbyterian. Messiah, Unitarian. 5th Avenue Univerealist. Hotels. Metropolitan. Buckingham. Astor House. 5th Avenue. Gilsey House. Hotel Victoria. Windsor. Street Views. Broadway, near Post Office. " looking down. " looking up. Wall Street. Madison Avenue. 5th Avenue, looking down. up Union Square. Madison Square. Steam Fire Engine. Statues, etc. Washington. Seward. Lincoln. Farragut. Franklin. Worth Monument. Elevated R. B. New Bowery. Chatham Square. West Broadway. 23d Street Station. 33d Street Station. 100th Street, noth " Curve. Central Park. 59th Street Entrance. 5th Avenue Lake. Fountain and Terrace. Mall. Rustic Bridge and Path. Lake and Boat House. Boat House. Bow Bridge. Marble Bridge. The Loch. The Loch Bridge. Statue Morse. " Webster. " Seventh Regiment. " Indian Hunter. " Lion and Cubs. " Shakespeare. " Auld Lang Syne. The Belvidere. The Obelisk. Metropolitan Maaeom. Arsenal. 82 Geo. H. Pierce, Philadelphia, Pa. Places of Interest— America. 50 cents each ; $45.00 per hundred. Brooklyn, Panorama. Fulton Ferry. €ity Hall. Court House. Municipal Building. Plymouth Church, exterior. " " interior. Talmage's Church. Lincoln Statue. Deck of Man of War, Navy Yard Prospect Park. Rustic Bridge. Dairy Farm House. Goat Team. Lake. Greenwood Cemetery. Entrance. Lake. Canda Monument. Jas. G. Bennett's Monument. Soldiers' " Morse " Garrison's " Coney Island. Panorama. Tower. Iron Pier. Brighton Beach Hotel. Manhattan Beach Hotel. Oriental Hotel. Amphitheatre Manhattan Beach Bathing Scene. The Beach. The Sea. New Yorlt State. Little Falls. Canal Boat entering Lock. Mohawk River. ■Oneida Community Buildings. R. R. Depot, Rome. Genesee Falls. Grave of John Brown, North Elba. House of Edgar Allan Poe, Long Island. House of Garibaldi, Staten Is. Hudson River. Locomotive. Palace Car. Spuyten DuyvU Junction. " Cre'ek. " Station. Palisades. Mt. St. Vincent. Forrest's Castle. Yonkers, Landing. Morris Manor House, Yonkers. ! Livingston Mansion, Dobbs Ferry. Van Courtland Manor House, Croton. Storm King, Cornwall. The Crows' Nest. Cold Spring. Treason HUl, Haverstraw. Dunderberg. Sunny Side, Home of Irving. GajTisons. Sing Sing Prison. Vassar College. '• Laboratory. " Observatory. " Museum. Poughkeepsie R. R. Depot. Livingston Manor House, Poughkeepsie. Washington's Headquarters, Newburg. Highlands. New Hamburg Cut. Peekskill. " Station. River at Peekskill. Verplank Manor House, Fish- kfll. House Referred to in Cooper's "Spy." Constitution Island. Cozzen's Hotel. Highland Falls. Hudson River, below Garrisons. Anthony's Nose. Wappinger Falls. Garner's Mills. High Rock, above Hyde Park. Falls above " Bridge and Falls above " Rhinebeck Station. Hudson. Hudson R. R. Depot. River from Park View, Hudson. Mt. Mereno. Tappan, Andr6 Monument. " where Andre was con- fined. Rockland Lake. Hook Mountain. Break-neck Mountain. R. R. Bicycle. Stony Pomt. Tarrytown. R. R. Train. Old Church. Old Mill. Andre Monument. Drive. Grave of Washington Irving. Sleepy Hollow. " Bridge. West Point. Headquarters. Library. Drive and Academy. Riding Academy. Custer Monument. Trophy Park. Revolutionary Chain. Summer Camp. Looking up the Narrows. Water Battery. Light House. From River. Parade Grounds. Campus. Old Fort Clinton. The Cemetery. Ruins of Fort Putnam. West Point Hotel. Col. Thayer's Statue. CatsUa. Boat Landing. Mountain House. Hotel Kaaterskill. Laurel House. Kaaterskill Falls. View from Sunset Rock. Bastion Falls. Haines Falls. High Peak and Round Top. Land Slide. Profile Rocks. Fawn's Leap. Above Fawn's Leap. Kaaterskill Clove. Clove Bridge and Falls. Palenville. Emma Falls. Palenville Hotel. Stony Clove. Rip Van Winkle House. Saratoga. Broadway. Congress Hall. Grand Union Hotel. " Dining Room. " Office. " Ball Room. " Drawing Room. " Hallway. U. S. Hotel. " Court. " " Drawing Room. Clarendon Hotel. Congress Park. Columbian Spring. Congress '* " interior. High Rock " Geyser " Pavilion " Empire " Washington " Star United States Spring. Saratoga Lake. Moon's Hotel, Saratoga Lake, R. R. Station. Glen's Fails. Falls and Mills. Lumber District. DevO's Punch Bowl. Fountain Square. Soldiers' Monument. Rockwell House. Lake Georgo, • The Lake. Lake House. " Landing, Ft. Wm. Henry Hotel Ft. George. Ruins. Crosby House. Half-wav House. 100 Island " Mohegan " Sagmore " Kattskill " Bolton. Caldwell. Hulett's Landing. Pearl Point. The Narrows. French Point. The Stage Coach. Trout Pavilion. Tea Island. Roger's Slid*. Porch. 88 Geo. H. Pierce, Philadelphia, Pa. Places of Interest— America. 50 cents each ; $45.00 per hundred. Black Mt. Mt. Defiance. Ft. Ticonderoga. Ft. Ticonderoga Hotel. R. R. connection at Ft. Ticon- deroga. Ticonderoga, Lower Fall. Watkins Glen. Amphitheatre. Stillwater Gorge. Minnehaha Fall. Cavern Cascade. Glen Mt. House. Sylvan Goree. Cathedral Bridge. Pluto Falls. Central Falls. Rainbow Falls. Buttermilk Falls. Artist's Dream. Narrow Pass. Staircase. Elfin Gorge. Fairy Pool. \ Adirondacka. Blue Mt. Lake. Raquette Lake. Phelps Falls. Prospect House. Paul Smith's. Cascade House. Elizabethtown. Schroon Lake. " Hotel. All-Sable CfiMsm. General View. Cathedral Rocks. Hell Gate. " Bridge. The Basin. Split Rock. Bermingham Falls. Au-Sable Ponds. Albany. Panorama. R. R. Depot. R. R. Bridge. Boat Landing. Albany Basin. State Street. Delavan House. Post Office. The Capitol. " Staircase. " Court of Appeals. " Hallway. " Golden Corridor. " Assembly Chamber. " Fire Place. State Library. North Pearl Street. City Hall. Van Rensselaer Home. Schuyler Mansion. Troy. City Hall. Music Hall. Schenectady. Erie Canal. Union College. Memorial Hall. Utica. R. R. Station. Genesee Street. John " Residence of Roscoe Conkling. Erie Canal. Syracuse. Canal. Court House. Panorama. Buffalo. City Hall. Jail. Park. Breakwater. Lake Erie. Ithaca. Taghkanic Falls. " Ravine. Enfield Falls. " Ravine. Steeple Rock. " Falls. Cathedral Gorge. Cayuga Lake. Bridal Veil Fall. Indian Grist Mill. Pottage. Genesee River. Glen Iris. Old Bridge. New " Niagara. General View. American Falls from Goat I. Horse Shoe Falls. Sunset at Niagara. View from Prospect, Niagara. Profile Rock. Horse Shoe Falls from below. American Falls from Canada. Horse Shoe Falls from Canada Falls above Canada Side. American Falls from Luna I. The Old Terrapin Tower. Terrapin Tower in Winter. Bridge to 3 Sisters in Winter. Rapids above American Falls. Ice Mound below. American Fall from below. Cave of the Winds from below. Rapids below the Falls. Sister Islands from Gtoat I. R. R. Suspension Bridge. " " " interior View of New Suspension Bridge. New Suspension Bridge, front. Tower of the New Bridge. Ice Bridge. " by Moonlight. Ice Mounds in Horse Shoe Falls Horse Shoe Falls in Winter. American Falls in Winter. Cave of the Winds in Winter. Frost Work on Luna Island. Ferry Landing, Winter. Luna Island Bridge, Winter. Dog Island. Bridal Veil. New Cantilever Bridge. Three Sisters' Island. Little Brother Island. Lake Ghamplain. Steamer Landing at Port Kent. Essex. Bel«w Westport. Below Essex. North Carolina. Round Knob Hotel. Railroad Bridge on Mill Creek. Viaduct Bridge, Round Knob. High Trestle, W. N. C. E. R. Old Round Knob HoteL Deep Cut, near Round Knob. Big Fill Trestle, W. N. C. R. R. Cascades on Mill Creek. Big Pill Trestle— Looking up— "165 feet High." Series of Tunnels from Lick Log to Mcllroy. Entrance to Swannanoa TunneL Blue Ridge at Royal Gorge. Mt. MitcheU Hotel. Swannanoa Valley. Black Mt. Station. French Broad Valley. Main Street, Asheville. Swannanoa Hotel, Asheville. Village Market Cart. Bumcombe Co. Court House. French Broad River. Beaucatcher Mountain. Iron Bridge over the French. Broad River. An Asheville " Cider Cart." Group of Villagers. Village Jubilee— Asheville. Hotel at Alexanders. Major Blackwell's Hotel. Turnpike House. Chalybeate Spring. Turnpike House and R. R. WaynesviUe and Vicinity. HajTvood White Sulphur Spring Wayneeville, East. National House, "WaynesviUe" WaynesviUe, West. Group of Cherokee Indians. Main Street, ''WaynesviUe." Balsam Mountain. Sulphur Spring. Old Mill—" Story Run." Balsam Hotel. Cascades of Scotch Creek. A Tobacco Farm & Fox Hunters Cowee Tunnel. On the Tuckaseegee. Cascade of the Tuckaseegee River. View of the Tennessee River. Bridge over the Tennessee River. Marble Cut. A Mountain Home. A Rock House, Nantahala R. Com- Cracker or Native Grist Mill. Cat Stairs —Terminus of theW. N. C. R. R. A Mountain Farm. Nantahala River. Nantahala Val. Fish Dam. The Moonshiners' Camp. A Mountain Still. Cascades of Nantahala River. Cloud Effect on the Mountaiiu Valley of Noon-day Sun. 84 # Geo. H. Pierce, Philadelphia, Pa. Places of Interest — America. 50 cents eacli ; $45.00 per hundred. The Chain Gang. North Carolina Grist Mill. Log Cabin— Family Group. Valley of Valley River. Ploughing in W. N. C. On the Mountain Trail. Nelson's Knob. Bird's Eye View of Murphy. Cherokee Co. Court House. The Hiawassee River. Macon Co. Court House. Pranklin House. The " Hoss " Trader. Corundum Mine near Franklin. " " interior. Whiteside Mountain. Satulah Falls. Ohio. ' Cindnnati. Suspension Bridge. Tyler Davidson Fountain. Pacific Railroad. Exterior of a Pullman Pal. Car. Interior of a Sleeping Car. All aboard ! Em. Tr. going W. Echo Caflon. Hanging Rock, Echo. Pulpit Rock, " Valley of the Weber. Weber River. Devil's Gate. Trestle Work. Reed's Rock. 1,000 Mile Tree. Devil's Slide. Donner Lake. Exterior of the Snow Sheds. Interior " " Hydraulic Gold Mining. Mirror View on Mary's Lake. Witches' Rocks. Building Snow Sheds on Cen- tral Pacific R. R. Pennsylvania. fiaverford College. Panorama of Alleghany City. " " Pittsburg. Ohio River " Western Penitentiary, Pittsburg Washington's Headquarters, Valley Forge. Panorama of Pottsville Atkins Furnaces, Pottsville. Cedarcroft, Bayard Taylor's -Home. Birthplace of Bayard Taylor. Lodge at Cedarcroft. Chestnut trees at Cedarcroft. Library " " Birmingham Meetinghouse, Bat- tlefield of Brandywine. Old St. David's Church, Radnor Old St. Peter's '■ " Wheatland, House of Buchanan Grave of President Buchanan. Grave of Thaddeus Stevens. Panorama of Ebensburg. Maple wood Hotel, Ebensburg. Cherry Valley. Spouting Oil Well. Massacre Monument, Wyoming Valley. Philadelphia. Panorama of Philadelphia. Independence Hall, front. " interior. Old Independence Bell. Hancock Chair. Washington Statue. Carpenter's Hall. Custom House. U. S. Mint. Girard College. Masonic Temple, Continental Hotel. Christ Church. Fairmount Park. " Water Works. Lincoln's Monument, F. P. Girard Avenue Bridge. Callowhill Street Bridge. Schuylkill River R. R. Bridge. Schuylkill River. On the Wissihickon. New City Hall. Post-Office. Union League Club. University of Pennsylvania. Academy of Music. Academy of Fine Arts. Horticultural Hall. Memorial Hall. Pennsylvania R. R. Depot. Statue, Dying Lioness. St. George's Hall. The Cathedral. Wanamaker's. Hotel Bellevue. Hotel Lafayette. Merchants' Exchange. St. George's Hotel. McCauH's Theatre. Chestnut St. Opera House. Penna. R. R. Grain Elevator. Y. M. C. A. Building. Eastern Penitentiary. Old Swedes Church. Old Market St. Bridge. Reynolds' Statue. Broad Street. Old Mifflin Mansion. Penn Mansion. Revolutionary House. Bethlehem. Moravian Mill. Street and Moravian Church. Old Moravian Sun Inn. Moravian Burial Ground. Moravian Dead House. Moravian Sisters' Convent. Moravian Church. View of the Town. Packer Hall, Lehigh University. Library and Gymnasium, " Laboratory, " Cresson Springs. The Mountain House. Lower Spring House. Alum Spring. Cottage Row, Mountain House Grounds. Summit of the AUeghanies.' The Old Portage Road. Big Trees near Cresson Springs, Pjillen Tree near Big Trees. Wildwood Hotel near Cresson. Bell's Gap, Bell's Gap R, R, toward Stony Point. Rhododendron Park. Delaware Water Gap. Mts. Minsi and Tammany, Marshall's Falls. Bridal Veil Falls. Raymondskill Falls. High Falls. FuTmer Falls. Freedom Falls. Sawkill Falls. Eureka Glen. G. W. Child's Arbor. The Soap Trough. Water Gap House, Kittatinny Hotel. Bushkill Falls. The Gap. Point of Rocks. Dingman's Falls, Rebecca Cascade. Gettysburg. Main Street, The Battlefield. Devil's Den. Monterey Gap, Big and Little Round Top. Cemetery Hill. Culp's Hill. National Cemetery, Maharwy City. Mahanoy Tunnel. Fogt's Colliery. A Miner's Home. Reading Colliery. Panorama of Mahanoy City. The Mahanoy Plane. Coal Regions. Mauch Chunk. Mt, Pisgah. Bear Mountain. General View. View on the Lehigh. General View of the Lehigh Valley, View from Summit of Mt,Pisgah Mt, Jefferson Plane, 2070 ft, long Burning Mine Summit, Coal Breaker, Scenes around a Coal Breaker. Slate Pickers in a Coal Breaker. Mining Bosses at Powder Housa Entrance to a Coal Mine, A Train coming out of a Coal Mine, Old Bastile, Burning Mines. Broadway. Coal Chutes, Loading Boats. Glen Onoko. Rliode Island. Newj^t. The Harbor. The Beach. Purgatory, Cliflls, Old Stone Mill. Cottages. Perry Statue. Ida Lewis Lighthouse. 83 Geo. H. Pierce, Philadelphia, Pa. Places of Interest — America. 50 cents each ; $45.00 per hundred. Old Wind Mill. The CaBino, Exterior. " Garden. Lovers' Lane. Nigger Head Kock. Narragansett Pier. Bathing Scene. Indian Rock. Hotels. Watch HUl. Hotels. Atlantic House. The Beach. Providence. Arcade. Roger Williams' Monument. Soutli Carolina. Charleston. South Battery Street. Shipping. Steamer. Port Sumter. Magnolia Cemetery. Charleston Hotel. Washington Square. Marion Square. City Hall. Battery Park. Custom House. Huguenot Church. Meeting Street. Beauregard's Headquarters Dur- ing the War. VtaU. Sphinx Boulder. Ogden. \^^atch. Wasatch Mountains. Corinne. Mt. Nebo from West West view of Gunnison, San Pitch and Sevier River. San Pitch Mts. Looking down Volcanic Peak, Wasatch. A Ranch in Southern Utah. Rio Virgin Cafion. Salt Lake City. Panorama of City and Wasatch Mountain. Brigham Street. B'righam Young's House. " Grave. The Temple, unfinished. Post Office. The Tabernacle, exterior. Great Organ in Tabernacle. View of City, with Tabernacle and Temple. Deseret Store. Court House. Theatre. Main Street. Brigham Young's Bee Hive. Vermont. Breakwater, Burlington. St. Albans. Winooski Falls. Virginia. Natural Bridge. Fortress Monroe. Harpers Ferry. Down the Potomac. Looking up the Shenandoah. John Brown's Fort. BvU Run. The Henry House. Soldiers' Monument. The Battlefield. The Battlefield where Gen. Bee fell. The Bridge at Bull Run. The Old Stone House. The Ford at Sudley Springs. The Old Mill near Sudley Ford. ChanceHorsvUle. The Marie House. Gen. Lee's headquarters. The Old Red Church. General view of Battlefield. Chancellor's House. Ely's Ford Road. Stone, marking spot where Stonewall Jackson fell. Scene of Charge of 8th Penn'a Cavalry. Dowdall's Tavern. Old Wilderness Church and Melzie, Chancellor House. Fredericksburg. Fredericksburg from the Lacy House. The Lacy House. Burnside's headquarters. Group in front of Scott House. Slave quarter, Scott House. Gen. Sumner's headquarters. Sumner's Crossing. Tomb of Washington's mother. Marie's Heights. The National Cemetery. Confederate Monument and Cemetery. Ruins of the Bernard Mansion. View on the Rappahannock from Bernard Mansion. Franklin's Crossing, Rappahan- nock. Mount Vernon. Steamboat Landing. Washington's Home. Butler's House. Entrance to Washington's Tomb The Sarcophagus, Washington's Tomb. The Tomb of Washington. The First Tomb of Washington Porter's Lodge. Walk on the Potomac. View from Window of Wash- ington's chamber. Old Pohick Church. Washington's Bam. Petersburg. Fort Rice. Port Mahone. Fort Stedman. The Mine. The Crater. Blanford Church. Richmond. Panorama. Docks. Libby Prison. Confederate Capitol. Statue of Washington, in Capi- tol. Statue of Henry, in Capitol. Confederate Whit* House. Washington Monument. Jackson " Soldiers' " Richmond College. St. John's Church, where Patrick Henry made his famous speech Washington's Headquarters, the oldest house in Richmond. Terrace on Burk HUI. Main Street. Franklin Street. Old Southern Residence. Old Virginian ox-team. House in which Stonewall Jack- son died, Guinea Station, Room in which Stonewall Jack- son died, Guinea Station. The Old Court House, Bowling Green. The National Cemetery. The National Cemetery, showing the Post Flag. Confederate Monument, Oak- wood Cemetery. Confederate Cemetery, Oakwood Monument to Gen. J. E.B.Stuart, Hollywood Cemetery. President Monroe's Tomb, Hollywood. Belle Isle. Rapids of the James River. Williamsburg. The Old Court House. The Old Powder House. Main Street. The Old Churchyard. M'Uliam and Mary College. The Ravine, Williamsburg. Fort Magrader, interior. Fort Magruder, earthworks. Camp meeting shouters, negro. The Old Episcopal Church, in- terior. Western. Elko Station, Nevada. Indian Life. Yosemite Indians Fishing. Traders' Cabin, Indians and Mud Lodge. Iron Bear Chief. Scene in a Digger Indian Camp. Indian Burying Ground. Trout Spearing on Donner Lake Ute Chiefs. Ute Squaws. Ute Village. Indian Lodges. Red Cloud Agency. Spotted Tail Agency. Little Big Man's Teepees. No Flesh Teepees. Sioux Village. Sioux Camp. Sioux Wigwam., Indian Graves. 8(5 Geo. H. Pierce, Philadelphia, Pa. Places of Interestr-America. 50 cents each ; $45.00 per hundred. Graves near Fort Laramie. Grave of Crazy Horse. Sioux CouncU. Bed Dog. , . „ Young Man Afraid of his Horse Little Big Man. American Horse, with his war shirt trimmed with Scalps. American Horse and Squaw. American Horse Lodge and Family. Iron Crow. Rocky Bear and Squaw. Red Cloud. Black Bear. Spotted Tail. Little Wolf. Big Bear. Sioux Kate. Portrait of 24 Indian Chiefs, with the names under each. Crow Village. Iron Bull's Camp. Jimmie Cammeron, the oldest Scout and Guide. Winnebago Chief. " Squaws. " Squaw carry'g wood Group of Omaha Indians. Wisconsin. Booming Timber over a dam, Kinnikinik Falls. Upper Kinnikinik Falls. Dalies of the St. Croix. Winter view on St. Croix River. The Devil's Chair, Dalles of St. Croix. St. Croix River and Town. The Ink Pot, St. Croix River. Curious Rock Formation on St. Croix River. Sentinel Rock, St. Croix River. A Picturesque Waterfall. A Log Jam, Upper Wisconsin. Breaking of Log Jam, Upper Wisconsin. Falls at Summit Mill. KUboum BaUes. Stand Rock. Luncheon Hall. Hornets' Nest. • Witches' Gulch. Head of the Dalles. Steamboat Rock. Rock Glen. Gates Glen. Up the Dalles. The Elbow. Rafting on the Dalles. Tower Rock. Pine Bluff. Lone Rock. Sugar Bowl. Ink Stand Rock. DevWs Lake. Minne-Wauken. East Cliff. Tomahawk Rock. Pine Cliff. Split Rock. Kirkland. Devil's Doorway. Old Shady. Echo Cliff's Rock. Echo Cliff. Wonder Notch. North from Echo Point. South from Echo Point. Thunder Cliff. Turk's Head. Grove at Kirkland. Cleopatra's Needle. The Tower. Paffrey's Glen. Pewitt'8 Nest. Old Mill at Pewitt'8 Nest. Wyoming. Bad Lands. Sandstone Bluff. Castellated Rock. Green River. McDaniel's Theatre. Cheyenne. Guard House, Ft. Robinson, Cheyenne. Petticoat Rock. High Trestle near Cape Horn. Yellowstone Kati»»»»al Park. Map of the Park. Old Faithful Geyser, Crater. " " in Eruption. " " Pools. Lion Geyser, Crater. Giantess Geyser, Crater. Monarch Geyser. Fountain Geyser. Castle Geyser, Crater. " " near " " in Eruption. Bee Hive Geyser, Crater. " " " in Eruption. Grand Geyser, Crater. " " in Eruption. Black Sand Geyser, Crater. Grotto Geyser, Crater. Comet Geyser, Crater. Saw Mill Geyser, Crater. Minute Geyser. White Dome Geyser. Fan Geyser, in Eruption. Soda Geyser, in Eruption. Crater of Mud Volcano. Tourists at Giant Geyser. Giantess Group of Geysers. Group of Grand Geysers. Mammoth Hot Springs, Central Basins. Mammoth Hot Springs, Cove Springs. Mammoth Hot Springs, Giant Springs. Mammoth Hot Springs, Coating Terraces. Mammoth Hot Springs, Pulpit Basin. Mammoth Hot Springs, Diana's Bath. Mammoth Hot Springs, Coral Pools. Mammoth Hot Springs, Coral Springs. Mammoth Hot Springs, Snow Drift Springs. Mammoth Hot Springs, Upper Basin. Mammoth Hot Springs, Midway Basins. Mammoth Hot Springs, Giants' Bath. Mammoth Hot Springs, Mirror Pools. Mammoth Hot Springs, East Slope. Mammoth Hot Springs, Natural Troughs. Mammoth Hot Springs, Pearl Pools. Mammoth Hot Springs, Grotto in Glen. Mammoth Hot Springs, Build- ings at Spring. Crystal Forest, Trees coated with calcareous deposit. Liberty Cup, 4? feet high. Periodical Lake — Formation on bottom. Periodical Lake— Pedestal on bottom. Gardiner River Falls, 140 feet. Gardiner River Cascades, East Fork. Gardiner River Cascades, West Fork. Petrified Tree. Profile Rock. Tower Falls, 220 feet. Looking over Tower Falls. Tower Rocks, Tower Creek Cafion. Yellowstone Falls. Yellowstone Falls, from Red Butte. Yellowstone Falls from Inspira- tion Point. Yellowstone Falls, Upper Falls. Yellowstone Falls, looking over the Great Falls. Yellowstone Falls,Rapids above Falls. Yellowstone Lake, Boiling Pool. Grand Cafion, from Lovers' Leap. Grand Cafion, from the Big Boulder. Grand Cafion, looking down the Cafion. Grand Cafion, Dismal View. Yellowstone Cafion, Eagle Cliff. Cathedral Bock. Crystal Cascades. Upper Terrace Pools. Devil's Well. Fire Hole Falls. Fairies' Well, Upper Geyser Basin. Fairies' Isle, Fire Hole River. Fairies' Fall, Specimen Creek. Soda Creek and Sheep Mountain Hermit Mountain. Mount Huston. Crown Butte. Rocky Mountain View. Fishing— 300 pounds Trout in 2 hours. Successful Hunter. Sherman's Camp. Monument Rocks. Silver Cascade, Steven's Creek. Natural Paint Pots. Heart Lake and Mount Sheridan Camel Cliff, Hoodoo Basin. Conglomerate, Hoodoo Basin GUIDE BOOK TO THE YELLOWSTONE NATIONAL, PARK, Giving Descriptions of the above Views, Price, $1.00. 87 Geo, H. Pierce. Philadelphia, Pa. Places of Interest — 1 Hoodoo Sentinel. Devil's Gate to Fire Hole Basin. Devil's Slide and Cinnabar Mountain. Castle Rock and Pyramid Mountain. Roman Sentinel. Finger Rock. Hunter's Camp. Bridger Caflon. Bear Rock. Debri HiU. Debri Hill, Stairway. View on Fire Hole River. Grotto Pool. Grotto Bridge. Boulder Fall, Tower Creek. Crater Hill. Natural Bridge, ajonument Park. Canada. Panorama of Port Arthur. " " Winnipeg. Main St. " Panorama of Hamilton. The Market " Montreal. Panorama. River Front. James Street. Notre DameBell, (34,780 lbs.) New Cathedral. English Cathedral. Hotel Dieu Hospital. McGill College. Montreal CoUege. Post Office. City Hall. Custom House. Montreal Bank. Windsor Hotel. Victoria Bridge. Monument at Victoria Bridge. Soldiers' and Sailors' Monument Bonsecours Market. Grand Trunk R. R. Depot. Ottawa. Parliament Buildings. Victoria Monument. Post Office. Governor's House. Catholic Cathedral. Battery. Rideau Canal. Chaudier Falls. Panorama. Quebec. Harbor. Point Levi. Dullerin Terrace. Old Parliament Buildings. New Parliament Buildings. Kent Gate. St. John's Gate. St. Louis Gate. Citadel. Martello Tower. French Cathedral. Y. M. C. A. Building. Montgomery House. Montcalm Market. New Jail. merica. 50 cents eacli ; Skating Rink. Grand Battery. Wolf Monument. Montcalm Monument. Where Montgomery fell. Natural Steps. Monimorenci Falls. Toronto. Lieut.-Governor's House. Post Office. Normal College. University College. Tfwmand Islands. Alexandria Bay. Thousand Island House. Bonnie Castle. Mt. Beulah. Arcadia. Observatory. Landing, Westminster Park. Ina Island. Little Ina Island. Warner's " Ft. Carleton Ruins. Peel's Dock. Lister's Lighthouse. Old Wind-mUl. Crossmon House. Fisher's Landing. Anthony's Point. Isle of Pines. Camping Out. Summerland. Sailing Yacht. Mexico. Organ Cactus. Woman Making Tortillas. The Woman in White. Pyramid of Cholula. Pulque Gatherer. Silver Hacienda of Regla. Castle of Chapultepec, Exterior. " " A Corridor. " " The Grove. Mexican Moss. Tree of Cortez. Chapel above Guadaloupe. Hill where Maximilian was shot. Cathedral of Guadaloupe. Interior of Church of Our Lady of Guadaloupe. Popocatapetl. Summit. " Climbing up. Aqueduct, on Mex. Nat. R'way. Pachuca. Panorama of Vera Cruz. Harbor of Vera Cruz. Cascade of Atoyac. Mount Orizaba. Orizaba and Milinehie. Ave. of San Pablo, Atlazalpam. Cathedral and Plaza, at Puebla. Hand Dug Canal. Stieet in Oxtacalco. Street to Calvary of Ayotla. Ford on Montezuma River. Sentry Palm. Palms of Atoyac. Open Rocks. Basaltic Cliffs. Iron Bridge, Built by Natives. Curved Iron Bridge, Vera Cruz Railway. $45.00 per hundred. Horseshoe Bridge at Cordova. Tunnel, Vera Cruz Railway. Native Hut. Native Refreshment Stand. Traveling Merchant. Market women on Canal. Canal at Ixtapalapa. Native Horse Cart. A Happy Family. Donkeys. Donkeys Loaded with Pulque. The Indian Cook of Maximilian. Mexican Bride. Aqueduct of San Cosine. Cathedral of Merida. Coach at Merida. Market Place, Monterey. Cathedral, Monterey. La Mitra, Monterey. La SUla, Monterey. Cathedral at Chihuahua. City of Mexico. Panorama. Throne Room, Palace of Maxi- milian. Street View. Aqueduct. Gates for Collecting Customs. San Domingo and the Spanish Inquisition. Aztec Monument. Aztec Sacrificial Stone. Aztec Calendar. Aztec God of War. Group of Aztec Gods. National Library. Cathedral. Church of the Holy Well. Statue of Columbus. Zocalo Gardens. Old Palace of Emp. Iturbide. Episcopal Church. Statue of Charles IV. of Spain. Coach of Empress Charlotte. Street Market. Celebration of 16th of Sept. Site of Cortez Defeat. Canal entering Mexico. Tomb of Juarez. Las Casas, Painting in Sam Carlos Academy. SQUtli America. Panorama of Pernambuco. Harbor of " Eio Janeiro. Harbor. Brazilian Packet— Vessel enter- ing the Harbor. Palms in the Botanical Gardens. Botanical Garden, entrance. Corcovado (Broken Back). Tropical Shrubbery. Picturesque View of Rio Janeino. Bahia. Plaza del Customs. Rue de Commerce. Church of Bomflm. Ocean Tramps. View toward San Antonia) Light House. Harbor View. Bay of All Saints. 88 Geo. H. Pierce, Philadelphia, Pa. Places of Interest— Foreign. 60 cents each -, $45.00 per hundred. Liondon. Map of London. Panorama ot the City. Trafalgar Square. Buckingham Palace. 'lampion Court Palace. Kensington Palace. Somerset House. Lambeth Palace. Lord Mayor's Mansion House. St. James Palace. Windsor Castle, Front. " Round Tower. " St. Geo's Chap " State entrance " Statuary. House of Parliament, Clock Tower. House of Parliament, Full View. Statue of Coeur de Lion. House of Parliament, the Cloisters. Interior of Cloisters' House of Parliament. Peer's Entrance House of Lords. Interior of the House of Peers. The Throne, House of Peers. Interior of the House of Com- mons. Temple Bar. Horse Guards, The Treasury. Custom House. New Foreign Office. Bank of England. Royal Exchange. The National Gallery. Chapel Royal, Whitehall. Landseer's Lion, Trafalgar Sq. Pall Mai) on Drawing-Room Day. St. James Street, Drawing- Room Day. Duke of York's Statue. Statue of Charles I., Charing Cross. The Peabody Statue. Statue of James II., White- hall. Lord Clyde's Statue. Duke of Wellington Statue. Kew Gardens. Kensington Gardens. Zoological Gardens. Hyde Park, Marble Arch. " Park Lane. Hall of Arts and Sciences. British Museum. Progmore House. Strawberry Hill, Walpole's Residence. The Charter House. Bunyan's Tomb, Bunhill Field Cemetery. Dr. Watt's Tomb, Bunhill Field Cemetery. Defoe's Tomb, Bunhill Field Cemetery. Greenwich Hospital. Entrance to Regent's Park. The Serpentine. Albert Hall. Cremorne Gardens. Alhambra. Newgate Prison. Thames Embankment. London Docks. St. Paul's Cathedral. " " West Front. " Interior, the Nave. " The Aisle. " The Transept. " The Choir. " Monument to Corn- wallis. St. Paul's Monument to Nelson Harrow Church. Spurgeon's Tabernacle. Dalchet Church. Albert Memorial — Monument. " Europe. " Asia. " Africa. " America. " Commerce. " Engineering. " Agricultural. " Manufactures. Charing Cross Hotel. Eleanor Cross. Westminster Palace Hotel. Langham Hotel. Morley's Hotel, Traf alga Square Great Western Hotel. Tower of London, Gen. View. " " Middle T'wr " " By ward " " " Traitors " " " Bloody " " " White " " " Bell " " " Jewel " " " Salt " " Beauchamp Tower. Tower of London, Devereux Tower. Tower of London, Bowyer T'wr " " Traitors' G'te. " " St. John's Chapel. Tower of London, St. Peter's Church. Tower of London, the Gov- ernor's House. Tower of London, Horse Ar- mory. Tower of London, Queen Eliz- abeth's Armory. Tower of London, Effigy of Queen Elizabeth. Tower of London, Efflgy of Henry VIII. Tower of London, Crown Jewe's. London Bridge. Southwark Bridge. Blackf riars' Bridge. Waterloo " Westminster " Lambeth " Middle Railway Depot, Inte- rior. Charing Cross Railway Station Albert Hall. Carlton Club, Pall Mall. Atheneum Club, Pall Mall." Army and Navy Club, St. James Square. Haymarket Theatre. Her Majesty's Theatre. Rotton Row. A Hansom Cab. A Four-Wheeled Cab, Crystal Palace, Sydenham. Smitbfield Market. For further lists of Foreign Views see " Detailed Tomb of Tom Hood, Kensal Green. Westminster Abbey. Exterior, North Side. " from Dean's Yard. " West Towers. " North Porch. " Henry VII.'s Chapel. " Jerusalem Chamb'rs " Flying Buttresses. " of Chapter House. The Old Refectory. Interior— Nave. " Choir from the West. " " " East. " Transept from the South. Reredos, Perspective. Reredos, Front View. North Aisle. Choir Screen. The Pulpit. Chapel of St. Erasmus. ' ' Edward the Conf essY The Shrine of Edward the " The Cloisters, East and West. " North and South Tomb of Dr. Livingstone. The Coronation Chair. The Nightingale Tomb. Wilberforce Monument. Tomb of Major Andre. " Charles James Fox. " Admiral Holmes. " Sir Eyre Coote. " Earl Chatham. " Boyne,Blair and Man- ners. Dicken's Grave, Poets' Corner. Poets Corner, Shakespeare's Monument. Poets Corner, Campbell, Southey and Thomson. Poets Corner, Milton, Ben. Johnson and Spencer. Lord Palmerston's Monument. Henry VIL's Chapel and Stalls. Henry VII.'s Tomb, End View. " " Side " Tomb of Queen Elizabeth. " Mary Queen of Scots. Monument to Sir Robert Peel. " " Francis Vere Monument to Infant Princess of James I. Tomb of Henry III. Chapel of St. John. Crusader's Tombs. Tomb of King Edward III. Poets' Corner. Monument of James Watt. John Wesley's Monument. Dr. Watt's Monument. England. Panorama of Oxford. Christ Church College, Oxford The Martyrs' Monument. Royal College, Cambridge. St. John's College, Cambridge. Cheltenham, Queens' Hotel. " The Promenade. Cornwall— The Cheese- Wring. " Lands End. " Logan Stone. , Durham— Castle. " The University. Doncaster— St. Geo.'s Churoli, Catalogues," 89 Gp:o. H, Pierce, Philadelphia, Pa. Places of Interest— Foreign. 50 cents each ; $45*00 per hundred. Kenilworth Castle. " from the B'dge " East side. Borrowdale-The Bowder Stone " The Castle Craig. Derwentwater, from Friar's Crag. Derwentwater— Falls of Lodore Distant View of Kydal Hall. Stratford-on-Avon— Shakes- peare's House. Stratford-on-Avon— Parish Church. Warwick Castle. Guy's Cliff, from the Meadow. Bridge on the Avon. Ann Hathaway's Cottage. Cheddar Cliffs, Somerset. Hannah Mere's Grave, Som'set Ireland. An Irish Jaunting Chair. Sackville Street, Dublin. Post Office, Dublin. Grafton Street, Dublin. Bank of Ireland, Dublin. Trinity College, Dublin. St. Patrick's Cathedral, Dublin The Four Courts, Dublin. Custom House, Dublin. Bray and Bray Head, Co. Wic'w The Scalp, Co. Wlcklow. Cottage in the Dargle. The Dargle, Co. Wicklow. Powerscourt Waterfall, Co Wicklow. The Vale of Clary, Co. Wlck'w. The Vale of Avoca, " Lion Arch, Castle Howard. Kilkenny, Birdseye View. Jerpoint Abbey, Co. Kilkenny. Lismore Castle, Co. Waterf'd. Bnins on the Kock of Cashel. Co. Tipperary. Holycross Abbey, Co. Tipper'y, Patrick Street. Cork. Patrick's-bridge, Father Mat- thew's Statue. St. Pinn-Barr's Cathedral, Cork Shandon Steeple. Cork. Queenstown Harbor. Sir Walter Raleigh's House. Blarney Castle. Co. Cork. Cromwell's Bridge, Glengariff, Lakes of Killarney. The Upper Lake, Killarney. The Eagle's Nest Mountain, Killarney. The Old weir Bridge, Killarn'y The Middle Lake, Killarney. The Collen Bawn Cave, Kill'y. Muckross Abbey, Killarney. Interior of Muckross Abbey. O'SuUivan's Cascade, Killarn'y The Meeting of the Waters, Killarney. EoBs Castle, Killarney. The Gap of Dunloe, Killarney Ancient Cross, Co. Louth. Donegal Place, Belfast. The Albert Memorial, Belfast. Shane's Castle Antrim. The Great Causeway, Giant's Causeway. The Honeycomb, Giant's Ca'y The Wishing Chair, Giant's Causeway. General ViCT*' of the Giant's Causeway. The Cathedral, Londonderry. Horn Head, Donegal. Holy Well of Tubernaltha. Rosserk Abbey, Co. Mayo. Cong Abbey, Co. Galway. The Cliffs of Moher, Co. Clare. Askeaton Abbey, Co. Limerick. The Treaty Stone, Limerick. Scotland. Aberdeen— Panorama. " The Harbor. " Castle Street. " The Queen's Statue " Albert Memorial. " King's College. " Marischal College. View in Glenlyon. Tam O'Shanter's Inn, High Street, Ayr. The Twa Brigs o' Ayr. Burns' Monument, Ayr. Tam O'Shanter and Souter Johny, Ayr. Alloway Kirk, Ayr. Burns' Cottage, Ayr. Jolly Beggars' InnjMauchline. Abbotsford, South Front. " Exterior. " Interior— The Li- brary. Abbotsford — The Drawlng- Room. Abbotsford— Bust of Sir Wal- ter Scott. Melrose Abbey, Exterior Ruins " Interior. Dryburgh Abbey— Ruins. " Tomb of Sir Wal- ter Scott, Dryburgh Abbey— St. Cather- ine's Window. Jedburgh Abbey— Ruins. Kelso " Killicrankie — The Queen's View. Balmoral Castle— Exterior. " Interior Ball- room. Abergeldie Castle. Burns' Mausoleum— Dumfries. " House " Dunkeld Cathedral. Panorama of Edinburgh. Dugal Stewart's Monument. Edinburgh— Old Town. Sir Walter Scott's Monument, Edinburgh. Burn's Monument— Edinburgh Nelson " " Holyrood Palace, Exterior. " and Chapel. John Knox's House Edinburgh " Monument, Glas- gow. Glasgow— Queens Street. " Cathedral. Higljland Mary's Grave, Green- ock. Bothwell Castle, Haddington. Inverness. Upper Falls of Foyers. Ben Nevis' Mountain. Roslin Chapel, Exterior. " Prentice Pillar, Hawthornden. Kilt Rock— Loch Staffln. Sterling Castle, Exterior. " Interior. The Bruce Monument. Ben Ledi-Mountain. Rob Roy's Grave, Balquhidder. Trossachs' Hotel. Loch Katrine and Trossachs. Rob Roy's Cave. Inversnaid Falls^och Lomond lona Cathedral, Exterior. " Ruins. Maclean's Cross. Fingal's Cave, Staffa. " Interior. Ancient Abbeys and Cathe- drals of Great Britain. "Every fine Old Cathedral or Abbey Is a supreme work of imagination— a poem in stone. It possesses grandeur and beauty for the eye, and it stirs the heart by the historical as- sociations it suggests— Memo- ries of bright virtue and manly fortitude, of regal renown and knightly valor. Great events have distinguished them all, and the ashes of famous states- men and heroes lie interred within their walls." CathMrala. Beverley Minster— The Choir Interior. Beverley Minster— The Nave Interior. Beverley Minister — Percy Shrine. Beverley Minster — Transept and Towers. Canterbury— Exterior. " West Towers. " From the East. " The Baptistry. " The Cloisters. " The Nave. " The Choir. " Transept of Mar- tyrdom. Canterbury- Chapel of Thomas A. Becket. Canterbury — The Warriors Chapel. Camerbury— Tomb of Henry Canterbury— Tomb of the Bl'ck Prince. Carlisle— Exterior. " The Choir, Interior. Durham— Exterior. " The Choir, Interior. " " Nave. " " Cloisters. " " Library. Ely— Exterior. " The Transept, Interior. " " Nave. " " Choir. " " Reredos. Exeter— Exterior. " West Front. " The Choir, Interior. " " Reredos. " Pulpit in the Choir. " The Lady Chapel. Gloucester— Distant View. " West Front and Deanery. Gloucester— Cloisters and Pal- ace. "For further lists of Foreign Views see "Detailed Catalogues," do Geo. it. Pierce, Philadelphia, Pa. Places of Interest— Foreign. 60 cents each ; $45.00 per hundred. Sloacester— The Choir. " " Keredos. " Roof of Choir. " The Nare. " " Lady Chapel. '« King Edward's Shrine. Gloucester— The Sedilia. " Flying Arches in Transept. Hereford— Exterior. " The Nave, Exterior " " Screen. " " Reredos. " Lady Chapel. " The Transept. Lichfield— Exterior. " The Choir, exterior " " Nave. " " Transept. •« " Baptismal Eont Lincoln— Exterior. " Interior. St. Pauls— See List of London Views. Peterborough— Exterior. " The Nave, In. " " Choir. " " Aisle. '« Lady Chapel. Ripon— Exterior. Rochester " '* Interior. Salisbury— Exterior, " Chapter House. " The Choir, interior. " " Reredos. " Lady Chapel. Wells— Exterior. " West Front. " Chapel House. " Gateway and Tower. The Choir, Interior. «« " Nave. " Lady Chapel. «< The Cloisters. " South Aisle. Winchester — Exterior, West Front. Winchester— The Nave, In. " " Choir. " North Aisle. Worcester— Exterior. " Tower and Clois- SVorcester— The Nave, interior " " Choir. " " Reredos. " Lady Chapel. " Arthurs' Chapel. " Stone Pulpit. " The Crypt. Yorkminster — Exterior, West Front. Yorkminster— The Nave, In. " " Choir. " '« Stone Scr'n. " '• Chap. H'se. " " Five Sisters lonBr— Ruins. Glasgow— Exterior and In. Dunblane — Exterior, West Front. Dunblane— The Choir, interior St. Andrews— Exterior, West Front. St. Andrews— St. RegulasT'wT lElgln— Exterior. " Transept & WestTw'rs Elgin— The Choir, Interior. " St. Mary's Aisle. Boston— Exterior. " The Choir, Interior. Byland— Remains of the Tran- sept. Calder— Remains of the Chap- ter House. Calder— Transept. Dryburgh— Exterior. " St, Catherine's Win- dow. Dryburgh— Tomb of Sir Walter Scott. "Fenchale — West Front. " South Transept. " Window in Chancel Aisle. Fountains-From Robin Hood's Well. Fountains— Lady Chapel. " The Nave. " " Transept. " " Chapter H'se, Furness— Exterior. " The Transept. " Sedilia. " The Chapter House. Westminster— See List of Lon- don Views. Tintern— Exterior West Front. " The Refectory. " " The Nave, In. II II Transept. " Arches in Nave. " " Choir. Melrose— See List of Scotch Views. Llncluden— West Door & Chan- cel. Lincluden— Interior, " Arches in Nave. Jedburgh— From the Church- yard. Jedburgh— West Front. ' < The Nave, Interior. " Arches in the Nave Muckross— Exterior, " Remains of Refec- tory. Muckross— East Window. Stoneleigh— Exterior, Kelso " " « fromN.E. Ri evaux— Remains of Transept " The Choir. Kirkstall— General View. Paris. Map of Paris. Panorama of Paris, North. " South. " " East. " " West. " " showing Bridg's on the Line. Palace, 1 aileries, " " Interior. " " Gardens. Louvre " " Interior. " Luxenbourg " " Throne R. «' " Chapel. " " Gardens, " Legislate. Palace, St. Clonde. " Royal, " " Gardens. " of Justice. Cathedral, Notre Dame, Ex. " " In. " St. Denis, Exterior. " Interior. ' ' Tomb of Dagobert " " Louis XII. Church of Madelane, Exterior. " " Interior, " of ^he Pantheon, Fx, II II " of St. Etienne d« Mont, Exterior, Church of St. Etienne du Mont, Interior, Church of Trinite du Mont, ex. II II II " of St. Germain, I'AuX' errois. Exterior. Church of St, Germain I'Aux- errois. Interior. Church of St. Vincent de Paul. " " Augustine, " " Laurent, " " Sulpice, " " Eustache, Triumphal Arch, de I'Etoile. Sculpture on Arch de I'Etoile— The Departure. Sculpture on Archde I'Etoile— Glory Sculpture on Arch de I'Etoile— War. Sculpture on Arch de I'Etoile— Peace. Triumphal Arch, du Carrousel " St. Denis. '< • " Martin. Column in the Place Vendome. " " " in Ruins. " in the Place de la Bas- tille, Obelisk from Luxor, Place de la Concorde, Place de la Concorde, " des Victories. Champs Elysees. Rue Rivoli. " Royale Boulevard des Italiens, " de Strasbourg, " Sebastopol. Grand Opera House, Facade, Hotel des Invalides. " Chapel. " High Altar, " Tomb of Napoleon I. Hotel de Ville (City Hall.) Swimming Baths, on the Seine The Flower Market. Equestrian Statue, Louis XIV, " " Henry IV, The Bourse (Stock Exchange. The Mint, Fountain in Plaulpit. 8. The Choir Screen. 9. The Choir, looking East. 10. The Reredos. 11. The Choir, looking West. 12. The North Transept. 13. North Transept, West Side. 14. " East Side. 15. Wilberforce Monument. 16. Tomb of Henry VII. 17. Henry VII.'s Chapel, The Knights' Stalls. 18. Tomb of Queen Elizabeth. 19. Tomb of Mary Queen of Scots. 20. Chapel of St. John. 21. The Nightingale Mon'ment. 22. Monument of James Watt, the Inventor. Chapel of Edward the Con- fessor. The Coronation Chair. Tomb of Edward III. Tomb of Henry III. Chapel of St. Edmund. Poets' Corner. Grave of Charles Dickens. Monument to Shakspeare. Monument to Milton. " to Dryden. " to Major Andre, Livingstone's Grave. The Cloisters. 10? Geo. H. Pierce, Philadelphia, Pa. 30 1. The Tower, from Tower mil. 2. Ground Plan of the Tower. 3. The Tower, from the Thames. 4. Middle Tower, from West, j 5. " from East. 6. By ward Tower. 7. Bell Tower. 8. Beauchamp Tower, Inscrip- tions. The Tower of London. Views, with Lecture. $15.00. 9. Beauchamp Tower, Inscrip- tions. 10. Devereux Tower. 11. Bowyer Tower. 12. Jewel, or Martin's Tower. 13. The Salt Tower. 14. St. Thomas' Tower. 15. The Traitor's Gate. 16. The Bloody Tower. 17. The Governor's House. 18. Group of Warders. 19. St. Peter's Chapel. 20. " Interior. 21. The White Tower. 22. St. John's Chapel. 23. Trophies of Guns. 24. Effigy of Queen Elizabeth. 25. " of Henry Vm. 26. Queen Elizabeth's Armory. 27. The Horse Armory. 28. The Crown Jewels. 29. The New Barracks. 30. Locking up the Tower. 50 1. British Museum, exterior. 2. Southern Egyptian Room. 3. Northern Egyptian Room. 4. Black Granite Statue of Pasht. 5. Head of Rameses H. 6. Head of Thothmes IH. 7. Basalt Sarcophagus. 8. First Egyptian Room. 9. Case of Mummies. 10. Slade Collection of Glass. 11. Kouyunjik Gallery. 12. Assyrian Bas-Reliefs— Cap- ture of a City. 13. Assyrian Bas-Reliefs— Lion Hunt. 14. Obelisk from Nimroud. 15. Winged human - headed Lion. The British Museum, London. Views, with Lecture. $25 16. Winged human - headed Bull. 17. Elgin Room. 18. Hellenic Room, South Side. 19. " North Side. 20. Mausoleum Room. 21. Lycian Room. 22. Grseco- Roman Room. 23. Venue Aphrodite. 24. Discobolus. 25. Towneley Venus. 26. Clytie. 27. Muse Thalia. 28. Apotheosis of Homer. 29. Mithraic Group. 30. Head of Julius Caesar. 31. Roman Gallery, gen'l view. 32. Southern Zoological Gal- lery. .00. 33. Mammalia Saloon. 34. Eastern Zoological Gallery. 35. " Zoological Gallery. 36. North'n Zoological Gallery. 37. " Zoologieal Gallery. 38. " Zoological Gallery. 39. Shark. 40. Geological. Coal Speci- mens, etc^ 41. " Pishes, etc.' 42. " Saurians, etc. 43. " Saurians, etc. 44. " Irish Deer, etc. 45. " Megatherium. 46. " Mastodon. 47. Italian Majolica. 48. Arctic Collection. 49. Royal Library. 50. Reading Room. The Zoological Gardens, London. 1. Plan of the Gardens. 2. American Black Bear. 3. The Syrian Bear. 4. The Polar Bear. 5. Dromedary. 6. Bactrian. 7. Babylonian Lion. 8. African Lioness. 9 The Royal Tiger. 10. Chimpanzee. 11. Smoking Monkey. 12. Gibbon. 13. The Marabout Stork. 14. The Cassabara. 15. Wild Boar. 16. The Wart Hog. 48 Views, with Lecture. $24.00. West African River Hog. Collared Peccary. Sea Bear. Leucoryx. The Roba, or Sing Sing. Burchell's Zebra. Quagga. Wila Ass of Abyssinia. Syrian Wild Ass. Rhea, or American Ostrich. Emeu. Wapiti Deer. Gayal. Indian BuflFalo. Cape Buffalo. Zebu. 33. Brahmin Bull. 34. Wolves. 35. White, or Common Pelican. 36. Llama. 37. Boa Constrictor. 38. Great Kangaroo. 39. The Markhoor. 40. Indian Elephant. 41. African Elephant. 42. Indian Rhinoceros. 43. Sumatran Rhinoceros. 44. Hippopotamus. 45. Giraffe. 46. The Eland, or Camea. 47. TheApteryx. 48. Whit-Monday atthe "Zoo." Windsor Castle. 30 Views, witli Lecture. $15.00. 1. Portrait of Queen Victoria. 2. The Castle, Irom the Home Park. 3. Gateway of Henry VIII. 4. The Lower Ward. 5. The Horseshoe Cloisters. 6. St. George's Chapel. 7. " " The Nave. 8. Monument to Princess Charlotte. 9. " to Duke of Kent. 19. The Choir, St. George's Chapel. 11. TheRoyal Pew, St. George's Chapel. 12. The Round Tower. 13. Statue of Charles II. 14. South Front of the Castle. 15. The Victoria Tower. 16. The East Terrace. 17. The Castle Gnns. 18. Path in the Home Park. 19. Frogmore House. 20. The Queen's Breakfast Cottage. 21. Mausoleum of the Duchess of Kent. 22. Mausoleum of Prince Al- bert. 23. The Grotto at Frogmore. 24. Equestrian Statue of George III. 25. The Mammoth Grape-vine. 26. Virginia Water— the Cas- cade. 27. " " the Ruins. 28. " " the Ruins. 29. The Castle, from the Long Walk. 30. " from the Meadows. 104 Geo. H. Pierce, Philadelphia, Pa. Liverpool. 42 Views, with L.ecture. $21.00. Liverpool inthe nthCent'y. St. George's Hall. Statues of Prince Albert, the Queen, Wellington's Monument, etc. The Free Library and Mu- seum. The Picton Reading Room. The Walker Art Gallery. Church Street and Comp- ton Hotel . The Sailors' Home. The Custom House. The Town Hall. The Exchange. The Tomb oi Huskisson. St. Nicholas' Church and the Watch Tower. Approach to the Landing- Stage. 15. Birkenhead Boat and Ocean Steamer. 16. Coasting Steamer at the Landmg-Stage. 17. Steam-tugs Waiting for the Tide. 18. View of the Mersey. 19. The Life-boat at Rest. 20. Emigrants Embarking for New York. 21. Group of Emigrants. 22. Man of War. Embarking Troops. 23. Dock, and Grain Ware- houses. 24. Entrance to the Dock. 25. Steamer Waiting to Enter Dock. 26. Steamship in the Graving Dock. 27. The Liverpool College. 28. The Original Everton Tafl^i^ House. 29 The Y. M. C. Association. 30. The Masonic Hall. 31. A Grotto in Sefton Park. 32. The Rathbone Monument. 33. Birkenhead Landing-Stage. 34. Steamer in the Birkenhead X)ocks m. The One-o'clock Gun. 36. Birkenhead Park, entrance. 37. " The Lake. 38. •' Bridge over Lake. 39. Steamships at Anchor. 40. New Brigliton, Pier. 41. " The Sands & Bat'y. 42. " The Rock Light- house. English Cathedrals. 50 Views, witH Liectiire. $25.00. 1. Canterbury Cathedral, Ext. 9. Interior. 3. Rochester Cathedral, Ext'r. 4. Chichester Cathedral, Spire and Market Cross. 5. Winchester Cathedral, Ext. 6. " Interior. 7. Salisbury Cathedral, Ext'r. 8. Exeter Cathedral, Exterior. 9. " Interior. 10. Truro Cathedral, Exterior. 11. Bath Cathedral, Exterior. 12. Wells Cathedral, Exterior. 13. " Interior. 14. Bristol Cathedral, Exterior. 15. " Interior. 16. Gloucester Cathedral, Ext. 17. " Reredos. 18. Worcester Cathedral, Ext. 19. " Choir. 20. Hereford Cathedral, Ext'r. 21. " Nave. 22. Llandair Cathedral, Ext'r. 23. " Nave. , 24. St. David's Cathedral, Ext. 25. St. Asaph's Cathedral, Ext. 26. Chester Cathedral, Ext'r. 27. Bangor Cathedral, Interior. 28. Manchester Cathedral, Ext. 29. " Choir. 30. Carlisle Cathedral, Exter'r. 31. Durham Cathedral. 32. ■' The Galilee. 33. Ripon Cathedral, Exterior. 34. " Nave. 35. York Minster, Exterior. 36. York Min8ter,Doorway. 37. Lincoln Cathedral, Ext'r. 38. " Interior. 39. Litchfield Cathedral, Ext'r. 40. " Choir. 41. Peterborough Cathedral, Exterior. 42. Peterborough Cathedral, Nave. 43. Norwich Cathedral, Ext'r. 44. " Nave. 45. Ely Cathedral, Exterior. 46. " Choir. 47. St. Alban's Abbey. 48. Christ Church, Oxford. 49. St. Paul's Cathedral, Ext'r. 50. " Nave. The Highlands of Scotland. 52 Views, witli Lecture. $26.00. Introduction. Glasgow Cathedral. " George Square. " University. " Broomielaw. Clyde— Henry Bell's Monu- ment. " Dumbarton Castle. " Greenock. " Rothesay. Inverary Castle. Oban. Staffa— Fingal's Cave, lona Cathedral. Glencoe. Falls of Foyers. Inverness. Kirkwall Cathedral. Stacks of Duncansby. Dunrobin Castle. 20. Elgin Cathedral. 21. Aberdeen, Irom below Sus- pension Bridge. 22. " Castle Street. 2;3. " King's College. 24. " Old Machar Ca- thedral. 25. " Old Brig o' Bal- gownie. 26. Balmoral. 27. Lochnagar. 28. Dunottar Castle. 29. Arbroath Abbey. 30. Perth. 31. Dunkeld Cathedral. 32. " Hermitage & Bridge. 33. Pass of Killiecrankie. 34. Blair Athole. 35. Falls of Moness, Taymonth Caetle. Pass of Leny. Callander and Ben Ledi. Pass of the Trossachs and Ben Venue. Loch Katrine, Silver Str'nd. Inversnaid Falls. Loch Lomond, looking up. " looking down. Dunblane Cathedral. Abbey Craig and Wallace Monument. Cambuskenneth Abhey. Stirling Castle. Dollar— Castle Campbell. . " " The Devil's MiU." Loch Leven Castle. St. Andrews. Dunfermline Abbey. ' 105 Geo. H. Pierce, Philadelphia, Pa. The Lowlands of Scotland. 50 Introduction, Edinburgh,froni CaltonHilL Edinburgh— Holyrood Pal- ace. Edinburgh— Scott Monu- ment. Edinburgh — Castle from Grassmarket. Edinburgh— Old Town from Princes Street. Eoslin Glen and Castle. Roslin Chapel. Eoslin Chape' — Interior — 'Prentice Pillar. Craigmiller Castle. Tantallon Castle and Bass Bock. North Berwick Law. Direlton Castle. Norham Castle. Views, with Lecture. $25 15. Twisel Castle. 16. Jedburgh Abbey. 17. The Capon Tree, Jedburgh. 18. Kelso Abbey. 19. Floors Castle. 20. Banksome Tower. 21. Dryburgh Abbey— Sir Wal- ter Scott's Tomb. 22. Melrose Abbey, from S.W. 23. " East Win- dow. 24. Abbotef ord, from Elver. 25. " The Study. 26. St. Eonan's Well. 27. Peebles. 28. Neidpath Castle. 29. Newark Castle. 30. Hogg's Monument and St. Mary's Loch. 31. The " Grey Mare's Tale." 32. Beld Craig Linn, Moffat. 33. Caerlaverock Castle. 34. Dundrennan Abbey. 36. Dumfries — Burns Mauso- leum. 36. Lincluden Abb^^. 37. On the Nith at Drumlanrig. 38. Ayr— The Twa Brigs. 39. " Bums' Cottage. 40. " Burns' Monunierit. 41. " Alloway Kirk. 43. Bonnie Doon. 43. Stair House. 44. Catrine Lee. 45. Ballochmyle House. 46. Bothwell Castle. 47. Falls of Clyde, Bonninuton, 48. " Cora Linn. 49. " Stonebyres. 50. Linlithgow Palace, Ireland, the North and West 50 Views, witli licctni-e. $25.00. The Boyne Viaduct. The Ancient Cross, Eound Tower, and Euins of Monasterboice. Warren Point. Eostrevor Quay. Carlingford Lough or Bay. Armagn. Donegal Place, Belfast. High Street, Belfast. The Queen's College. Shane's Castle. Garron Tower. The Rope Bridge, Carrick- a-Eede. General View of the Giant's Causeway. Lord Antrim's Parlor. The Honeycomb. The Wishing Chair. 34 The Ladies' Fan. The Causeway Gate. The Giant's Well. Dunluce Castle. Londonderry. The Cathedral,Londonderry Walker's Monument. Bishop's Gate,Londonderry Horn Head, Donegal. Errigal Mountain, Donegal, Euins on Devenish Island, Lough Erne . Holy Well of Tubbernaltha. Glencar Waterfall, near Sligo. Boyle Abbey. Kylemore Castle. " Lake. Ballinahinch and Lake. The Killeries Bay. 35. Dugort, Achill, and Slieve- more Mountains. Sunset on Achill Sound. Eosserk Abbey, Co. Mayo. Cong Abbey, Doorway, Co. Galway. The Fish Market, Galway. The Cliflfs of Moher. The Spa Well,Lisdoonvarna The Spectacle Bridge, Co. Clare. Kilkee. The Natural Bridge of Ross. Killaloe on the Shannon. Eapids of the Shannon at Castleconnell. Askeaton Abbey. George's Street, Limerick, King John's Castle. The Treaty Stone. Ireland, the South. 60 Views, witli LectHre. $30.00. 1. Introduction — Kingstown Harbor. 2. An Irish Jaunting Car. 3. Sackville Street. 4. The General Post-oflSce. 5. The Lower End of Grat on Street. 6. The Bank of Ireland. 7. Trinity College. 8. St. Patrick's Cathedral. 9. Interior of St. Patrick's Cathedral. 10. Christ Church Cathedral. 11. The Four Courts. 12. The Custom House. 13. Glasnevin, or Prospect Cemetery. 14. The Viceregal Lodge. 15. KiUiney and Vale of Shan- ganab. 16. Bray and Bray Head. 17. The Scalp. 18. A Cottage in the Dargle, Summer. 19. A Cottage in the Dargle, Winter. The Dargle. Enniskerry. Powerscourt Waterfall. Powerscourt House. The Vale of Clara. Valley of Glendalough and Euins of Seven Churches. The Vale of Avoca. The Lion Arch. Johnstown Castle. Bird's-eye View of Kil- kenny City. Kilkenny Castle. Jerpoint Abbey. Lismore Castle. A Portion of the Euins on the Eock of Cashel. Holycross Abbey. Patrick Street, Cork. Patrick's Bridge, Cork. St. Finn-Barre's Cathedral. Shandon Steeple. The Mardyke Walk. Quee»stown Harbor. Sir Walter Raleigh's House, Blarney Castle. Glengarifl Harbor, Bantry Bay. Cromwell's Bridge. Glengariff Waterfall. A General View of the Lakes of Killarney. The Upper Lake. Eagle's Nest Mountain. The Old Weir Bridge. The Middle Lake. The Colleen Bawn Rock and Cave. MuckroBS Abbey. Interior of Muckross Abbey Glena Bay. O'Sullivan's Cascade. Brickeen Bridge. The Meeting of the Waters, Killarney. Eoss Castle. Derrycnnnihy WaterJall and Cottage. Gap of Dunloe. 106 Geo. H. Pierce, Philadelphia, Pa, ■ Paris. 50 Views, with liccture. $25 Northern Eailway Station. Church of St. Vincent De Paul. Trinity Church (Eglise de la Trinite). Grand Opera House. Church of the Madeleine. Interior of the Madeleine. Place de la Concorde. The Obelisk of Luxor. Gardens of the Tuileries. Tuileries— Kuins of the Palace. Column Vendome. Arc de Triomphe du Car- rousel. Louvre. " Pavilion Eichelieu. - " Gallery of Apollo. " Salles des Caria- tides. " Salle des Saisons. Grand Hotel and Magasins du Louvre. Church of St. Germain TAuxerrois. Tower of St. Jacques. Church of St. Eiistache. Porte St. Denis. Column of July. Buttes Chaumont and Pare. Notre Dame. " " Interior. Panorama from Notre Dame. Saiute Chapelle. Luxembourg Palace. Pantheon. Church of St. Etienne du Mont. Palace of Corps Legislatif . Hotel des Invalides. Dome of the Invalides and Tomb of Napoleon. Trocadero. Arc de Triomphe de I'Etoile . Palace d'Industrie. Belgium. 50 Views, witli Uectiire. Ypres, Hotel de Ville. Courtray, Bridge and Tow- ers. Courtray, Hotel de Ville and Belfry of St. Martin. Tournay, the Belfry. " the Cathedral. " Cathedral, the Nave. Namur, Interior of the Church of St. Loup. Dinant, General View. " the Roche a Bayard . " Anseremme. Huy, the Citadel. Liege, Grand Marche. " Palais de Justice. " Palais de Justice. " th. Cathedral. " Cathedral, Interior, the Church of St. Jacques, Interior. Louvain, Hotel de Ville. " the Church of St. Brussels, the Hotel de Ville. " Cathedral. " Colonne du Con- Brussels, the Bourse. Waterloo, Lion Mount. " Hogoumont, South Front of the Farm. Waterloo,La Belle Alliance. " La Haye Saint. Oudenarde, Hotel de Ville. Malines Cathedral, Exterior " " Interior. Antwerp, Hotel de Ville. " Cathedral, Exte- rior. Antwerp Cathedral, the Nave. Antwerp, Place Verte. .00. 38. Caf6 des Ambassadeurs. .39. Palace of Versailies. 40. Palace of Versailles— Gale- rie des Batailles. 41. Palace of Versailles— Gale- rie des Glaces. 42. Palace of Versailles— View of Gardens, Lake and Fountains. 43. Palace of Versailles— Bed- chamber of Louis Xrv. 44. Palace of Versailles— Inte- rior of the Chapel. 45. Palace of the Trianon — Dairy. 46. St. Cloud— Ruins of the Palace or Chateau. 47. St. Cloud— The Cascade. 48. " The Bridge. 49. St. Denis— The Cathedral. 50. " The Cathedral- Monument to Louis XII.. and his Queen. .00. 35. Antwerp, Church of St. Jacques, Nave. 36. Antwerp, Church of St. Paul. 37. Antwerp, Calvary. 38. " Church of the Jesuits. 39. Ghent, Church of St. Nich- olas. 40. Ghent Cathedral, Interior. 41. " " the Choir. 42. " Old Houses. 43. Bruges, Hotel de Ville. 44. '° Palais de Justice, Council Chamber. 45. Bruges, the Cathedral, In- terior. 46. Bruges, Notre Dame. 47. " Quai du Rosaire. 48. " the Belfry. 49. Ostend, the Harbor. 50. " the Lighthouse. Norway. 40 Views, wltU liecture. $20.00 1. Nordfjord, Oldendal, Bly- nestad Seeter. View down Old- endal. Bricksdal Glacier. Children and Kids. View up the Loen- Vand. Icefall, Kjendals- brae. 7. " on the Loen-Vand. 8. Gelranger Fjord, the Knivs- laafosse. " " "Waterfall. " " looking up. SOndmore, near Fibelstad- Hougen. " Fibelstad-Hougen. " Pass to Oie, and the Oienibba. " Oie and Norangsdal. " on Pass, Orstenvik toStandal. 16. SOndmore, Standal and the Hjorendfjord. 17. Molde and MoldeQord, from the Rjeknseshaug. 18. " from one of the is- lands. 19. " and Moldefjord, from the Varde. 20. Romsdal, Hotel Aak and the Romsdalshom. 21. " the Trolltinder. 22. " from Top of Mid- dags-Hougen. 23. " View on the Rauma. 24. " near Horgheim. 25. " the Verm of OS. 26. Jotunheim, the Semmeltind 27. " Gjendebod and Svartdalspig. 28. " Group at Gjen- debod. 29. " Gjendebod from Svartdal. „J. Jotunheim, Eidsbugaden. 31. " from the Skin- egg, looking W. 32. SogneQord, the Vettisfos,. from Below. 33. " the Afdalfos,, near Vetti. 34. " the Gjellef08„ near Vetti. 35. " from the Hotel Door, Gudvangen. 36. Hardangerfjord, Odde and Sor Fjord. 37. Hardangerfjord, Married Women, in Peasant Cos- tume. 38. Hardangerfjord, Unmarried VT^omen, in Peasant Cos- tume. 39. Hardangerfjord, Skjsegge- dalsfos. 40. Hardangerfjord, Skjsegg© dalsfos. 107 Geo. H. Piekce, Philadelphia, Pa. The River Rhine, from Cologne to Constance. 60 Cologne— Cathedral fr. S.E. " fr.S. " " fr.St.Mar- tin's. " " fr. N.W. " " Interior " The South Portal. " " Central Portal. " and Bridge of Boats. " St. Martin's Church. Bonn, with the Ferry. Dracheufels, with Seven Mountains, Remagen. Apollinaris- kirche. Andernach. Coblenz — from the Rhine. " Ehrenbreitstein, B'dge of Boats. " Ehrenbreitstein, from above Thai. " Thai and Coblenz. Castle of Stolzenfels. Oberlahnetein and Stolzen- fels Castle. Views, with. Iiecture. $30 20. Ems. 21. Marksburg Castle. 22. Boppard. 23. St. Goar. 24. " Rhelnfels & St. Goar. 25. " Rheinfels Castle. 26. Lurlei Rock. 27. Oberwesel. 28. " SchOnburg Castle. 29. Caub. 30. Bacharach. 31. Sooneck Castle. 32. Rheinstein Castle. 33. Bingen. 34. Wiesbaden. 35. " Greek Church. 36. Mayence. 37. " The Cathedral. 38. Worms— The Cathedral. 39. " Luther's Monument. 40. " Luther's Tree. 41. Heidelberg— The Castle f m near Molkenkur. 48. " View from Geistburg. 43. '* View from Heiligen- burg. 00. 44. Heidelberg — The Castle Frederick's Build'g 45. " The Castle. Otto Henry's Building. 46. " Entrance to Otto Henry's Building. 47. " from Elizabeth's Ter- race. 48. Baden-Baden — View from Prince Solm's <;aBtle. 49. " View from Leopolds- hShe. 50. Freiburg— The Cathedral. 51. Strasburg— The Cathedral. 58. " Cathedral. The Cen- 53. Bale— The Upper Bridge. 54. " The Cathedral. 55. " St. Paul's Gate. 56. Neuhausen — Rhine Falls. 57. " The Rhine from above the Falls. 58. Schaffhausen — From the High Rock. 59. Constance— Rhine Bridge. 60. " from the Cathedral. Switzerland. {The Northern Lakes and Bernese Oberland.) 50 Views, witU Lecture. $25.00. Can also be Furnished, Finely Colored, $62.50 per Set. Basle— Old Bridge, etc. " Upper Bridge. " The Minster. " " West Door. " " St. Paul's Gate. The Rhine at Neuhasen. Falls of the Rhine. Schaflfhausen. Constance — Panorama. " Rhine Bridge. Zurich, from Cathedral. " from the Heights. Lucerne and the Rigi. " and Pilatus. " The Cathedral. " The Lion Monum'nt. View from the Rigi. Lake Lucerne, Tell's Chap'l " The Axenstrasse. 20. Lake Lucerne— Brunen. 21. Lake Sarnen. 22. Handeck— Swiss Chalet. 23. " Falls of the Aar. 24. Grimsel Lake and Hospice. 85. Rosenlaui — Reichenbach Falls, No. 1. 26. " Reichenbacb Fall8,No.2 27. ' ' Wetterhom' & Wellborn 28. Interlaken. 89. " Hotel Beau Rivage. 30. " Giessbach FaUs. 31. Staubbach Falls. 32. Mlirren. 33. Wengern Alp— Little Schei- 34. Grindelwald— The Wetter- horn. 35. Grindelwald- 36. " •The Eiger. The Upper Glacier. 37. " Sea of Ice. 38. Spietz— Lake Thun. 89. Kandersteg — Gemmi Pass. 40. Gastein Thai— The Schild- horn. 41. The Bllimlis Alp. 42. Thun, from the Pavilion. 43. " from the Churchyard. 44. " from the Aar. 45. Pribourg— The Fountain. 46. " Suspension Bridge. 47. " Cathedral. 48. Berne, Itom Rosengarten. 49. " from Schaenzli. 50. " The Clock Tower. Switzerland. {Geneva^ 21ont Blanc, St. Oothard, etc.) 50 Views, with Lecture. $25.00. 1^ Can also be Furnished, Finely Colored, $62. 50 per Set. Gfeneva Chamounix. " T§te Noire Pass, app, to Mont Blanc. " Sal van Route. " from Rochepercee. " Hotel Royale. Mont Blanc— Mer de Glace 9. 10. 11. 12. 13. 14. 15. 16. Zermatt. 17. 18. " Glacier des Bossons. " from the Glaciers. " Mer de Glace. Vernayaz — The Cascade. " Goroje du Trient. The Riflfelhaus. The Matterhom. 19. The Matterhom, from the Metteihorn. 20. . " from the Gomergeat. 21. The Lyskamm Glacier. 22. Monte Rosa. 23. Brieg and Mont Leone. 24. " and Bel Alp. 25. Pass St. Gothard. 26. " 27. " Devil's Bridge. 28. " Hospenthal. 29. " Amsteg. 30. " Maderaner Thai. 31. " Breithorn&HMhom. 32. " Stauberbach Caseade. 33. " Amsteg. 34. Viesch Glacier and Finster Aarhora. 35. Aletsch Glacier & Jungfrau. 36. " and Lake. 37. Lake of the Dead— Furka Pass. 38. Rhone Glacier, and Hotel. 39. " and Crevasse. 40. Grindelwald — Ice Cavern. 41. Gemmi Pass, Oeschinen Lake. 43. " Loche les Bains. 43. " The Ladders. 44. Sion— Rhone Valley. 45. Vevay, on Lake Geneva. 46. Castle of Chillon, '• 47. " " 48. Ouchy, " 49. Lausanne, " 50. " Cathedral, etc., " 108 Geo. H. Pierce, Philadelphia, Pa. Rome: its Modern Glories and Ancient Ruins. 50 View from the French Academy. St. Peter's, from the Garden of the Vatican. St.Peter's,from the Exter'r. Facade and Dome of St. Peter'ts. Interior of St. Peter's. The Vatican. The Chiaramonti Corridor. The Ariadne in the Vatican. Rains on the Palatine Hill. Temple of Vesta. Temple of Castor and Pol- lux. San Lorenzo, outside the Walls. Temple of Faustina, from the Palatine Hill. Kome.f rom thePalatineHill Temple of Saturn. Arch of Constantiue. Arch of Titus. Views, witli. L.ecture. $25 18. Arch of Titus— Bas-relief (7 candlesticks). 19. Arch of Titus— Bas-relief (the chariots). 20. Porta San Maggiore. 21. Porta San Lorenzo. 22. Porta San Paolo. 23. Porta San Giovanni. 24. Tomb of Cecilia Metella. 25. Basilica of Constantine and Ruins of the Temple of Peace. 26. Basilica of Constantine (near View). 27. The Tiber Island. 28. The Palazzo Quirinale. 29. The Palazzo Laterano. 30. The Villa Medicis. 31. The Castle of St. Angelo. 32. Fontana Paolina. 33. Fontana di Trevi. 34. The Coliseum. 35. The Interior of theColiseum .00. 36. Piazza Morona. 37. Piazza Colonna. 38. Steps of the Piazza di Spagna and Church of the Trinita di Monti. 39. Piazza del Popolo. 40. Piazza del Popolo and Church of Santa Maria del Popolo. 41. Column of the Immaculate Conception. 42. The Pincio Gardens. 43. The Fountain of Moses in the Pincio Gardens. 44. The Pantheon. 45. Interior of the Church of San Paolo. 46. Forum Romanum. 47. Forum of Trajan. 48. Column of Phocas. 49. The Capitol. 60. Basilica of Santa Maria Maggiore. 61 Views, with Map of Italy. G}enoa, Monument, Colum- bus. Monaco. Milan, Cathedral. Milan, Cathedral, Interior. Lake Maggiore. Lake Lugano. Lake Como. Verona. Venice, Harbor Front. " Church, St. Mark. " Ducal Palace. " Bridge of Sighs. " Rialto. Florence, Panorama. " Palazzo Vecchio. " Gates of Ghiberti, " Cloister St. Mark. " Santa Croce. Sculpture by Luca della Robbia. Italy and Rome. Liecture l>y Rev. C 21. Florence, Niobe. 22. " Boboli Gardens. 23. Pisa, Baptistery, Cathedral 24. '• Leaning Tower. 25. " Campo Santo. 26. Siena, Cathedral. 27. Terui, Cascade. 28. Rome, Panorama, Fountain of Trevi. Forum of Trajan. Capitol. Dying Gladiator. Forum. Arch of Titus. Arch of Constantine and Coliseum. Interior of Coliseum. Gladiator's Appeal. Pantheon. Temple of Vesta. Bridge and Castle of St. Angelo. R. TREAT. $30.00. 41. Rome, St. Peter's. 42. " Interior of St. Peter's, 43. " Vatican. 44. " Torso, Belvidere. 45. " Apollo Belvidere. 46. " LaocOon. 47. " Beatrice Cenci. 48. " St. John Lateran. 49. " Church St. Paul, be. yond the Walls. 50. Michael Angelo's Moses. 51. Rome, Appian Way. 52. Tivoli, Gorge of the Sybil. 53. " Vintage Festival. 54. Naples, Bay and Vesuvius. 55. " Famese Bull. 56. Vesuvius. 57. Pompeii, Gate to the Sea. 58. " Amphitheatre. 59. " Street of the Tomb& 60. " House of the Faun. 61. " Roman Feast. Picturesque Italy: Past and Present. 50 Views, witli Lecture. $25.00. 1. Turin, Palazzo Carignano. 2. " Church of Gran Ma- dre di Dio. 3. " Capuchin Monastery. 4. Milan Cathedral. 5. OrtA. 6. Lake Maggiore, Baveno. 7. Lake of Como, Varenna. 8. Venice, St. Mark's Facade. 9. " Porphyry Knights by the Palace of the Doges. 10. " Palace of the Doges. 11. " Fountain in Court- yard of the Palace of the Doges. 12. " Bridge of Sighs. 13. " The Grand Canal. 14. " Ponte Rialto Bridge, or Rialto Bridge. 15. " Ca d'Oro, or Golden House. 16. Bologna, Church of S. Gia- como Maggiore. 17. Florence. 18. " Cathedral and.Cam- panile. 19. " Palazzo Vecchio. 20. " Ufflzi and Palazzo Vecchio. 21. " Loggia del Lanzi. 22. " Church of Santa Croce and Dante's Monument. 23. " Triumphal Arch at Porta St. Gallo. 24. Arezzo. 25. Naples, Ageneral view from St. Elmo. 26. " the Harbor. 27. " Strada del Molo and St. Elmo. 28. " Santa Lucia and Cas- tel dell' Ovo. 29. " Piazza del Plebiscito 30. " Palazzo Reale. 31. " Palazzo Reale (the Scala). 32. Naples, San Francesco di Paolo. 33. " Villa Nazionale. 34. " Colonna dei Martiri. 35. Pompeii, General View. 36. " the Forum. 37. " the Basilica. 38. " Temple of Venus. 39. " Pantheon, or Tem- ple of Augustus. 40. " House of the Small Fountain. 41. " House of the Faun. 42. " Amphitheatre. 43. " Streetof the Tombs 44. Palermo Cathedral. 45. Pisa, Baptistery. Cathedral, and Campanile. 46. Pisa, Leaning Tower. 47. Lucca Cathedral. 48. Genoa, View above the Railway Station. 49. Genoa, Palazzo Ducale. 50. " Statue Columbus. 109 Geo. H. Pierce, Philadelphia, Pa, Venice. 40 Views, with Lecture. $20.00. St. Mark's Tower — The Campanile. Venice, from St. Mark's Tower. The Clock Tower, Grand Piazza. St. Mark's Cathedral, from the Piazza. St. Mark's Cathedral, N.W. Corner. The Bronze Horses of St. Mark's. Interior of St. Mark's Cathe- dral. The Rood Screen, St Mark's. St. Mark's Cathedral, from the Ducal Palace. Bronze Wells, Ducal Palace. Ducal Palace, the Inner Facade. Tame Pigeons of St. Mark's. The Giant Stairs, Ducal Palace. the on St. 14. Ducal Palace, the Canal Front. 15. The Bridae of Sighs. 16. The Vine Angle of Ducal Palace. 17. The Granite Columns the Piazetta. 18. The Winged Lion of Mark's. 19. The Riva degli Schiavoni. 30. A Venetian Street, and leaning Campanile. 21. St. Zaccaria Church. 22. The Arsenal — Entrance. 23. The Public Gardens, Venice. 34. St. Georgio, from the (Pia- zetta. 35. Venice, from St. Georgio Campanile. 26. Eastern Venice, from St. Georgio. 27. The Cavalli Palace, Grand Canal. 28. The Grand Canal, from the Iron Bridge. 29. Church of S. Maria della Salute. 30. Quay and Canal, from della Salute Church. 31. Group of Women at a Well. 32. The Foscari Palaces, Grand 83. The Pon'te Rialto. 34. Grand Canal, from Ponte Rialto. 35. Grand Canal, south of the Rialto. 36. The Market, from Ponte Rialto. 37. Grand Canal,from the Turk- ish Palace. 38. Church of Gli Scalzi, inte'r. 39. A Paved Street, " Calle del Sturion." 40. Via Alia Posta, Street at the Post-ofllce. Cities and Places of Interest in the Mediterranean. Gibraltar. " from Europa Point. " Town and Bay. Barcelona— The Harbor. Marseilles, f 'm Notre Dame. " Cathedral. " Fort Napoleon. " The Harbor. " Museum Foun- tain. Cannes, from La Calif omie. * ' fr om Moun t Che va- lier. " Mount Chevalier. " Cathedral Tower. Antibes. ^ Nice, from Villa Franche Road. " Jardin Anglais. Corsica. 60 Views, witlx Lecture. $25.00. 35. Capri. 36. Amalfl. 37. Messina, from the Hill. 38. Malta— Grand Harbor. Nice— The Bay. " Promenade. " View in the Harbor. " Les Quais. Monaco — Monte Carlo. " Monte Carlo Gar- dens. " Monte Carlo Gar- dens. Men tone— Old Town. " Promenade. Genoa. " Statue of Christopher Columbus. Naples, from San Elmo. " Bay and Vesuvius. " Marina and San Elmo. Sorrento, f m Capodimonte. Capri— The Marina. 39. " 40. " 41. " 42. " 43. " 44. Algiers- 45. ^' of Marsa Muscat Valetta. " Church St. John. Grand Harbor. Troop-ships. —General View. with Boulevards. from Marengo Gar- dens. Palms in Jardin. (( (i Interior of Ara- besque House. Gorge of Scheflto. Central Africa. 51 Views, with Lecture. $25.00. 12, Introductory Slide. Africa — Map to show the Routes of Modem Ex- plorers. Portraits of Cameron and other Modern Explorers. African Scenery — Victoria Falls of the Zam- besi River. " Bird's-eye View-of the Victoria Falls " Views on Lake Tanganyika. Views on Lake Tanganyika. " The Kebrahasa Rapids. " The Screw Palm & Climbing Plants. " View in Mvolo. African Fauna— Lions and '^ Buffalo. " The Hun ted Elephant 13. African Fauna — The Hippo- potamus. 14. " A Native Deer- Hunt. 15. " Zebras, Deer, etc. 16. " Antelopes. 17. " The Striped Eland. 18. " Domestic Cattle. 19. African People— A Native King and Minstrel. 20. " Mrua Medicine Man. 21. " Interviewing an Idol. 22. " Heads of the People. 33. " Interviewing a Na- tive King. 24. King Kasongo's Levee. 25. Wedding Dance at Kibaiyeli 36. Dance at Pigazi at Kiwaka- songo. 27. King Munza and his Wives. 28. Dance of Zulus. 29. Market of Kawle. 30. Lake Dwelling, Moheya. 31. Niam-Niam Hamlet. 32. Bongo Village. 33. Dinka Village. 34. ;Hottentot8 Hunting, e«», 35. Zulu War Exercises. 36. Music of the Marimba, etc. 37. Fishing on the Rovuma. 38. Slavery— The Hunters. 39. " The Captives. 40. Crossing the Lovoi. 41. A Lame Day. 42. The Grass-Barrier. 43. Crossing Rivers. 44. An Unexpect'dlnterruption 45. A Narrow Escape. 46. The Makata Swamp. 47. Compiling the Journal. 48. An Old Explorer Discovered 49. The Despatches in Danger. 50. The Bringing Home of Liv- ingstone. 51. The Coming Home of Cam- eron. 110 Qko. H. Pierce, Philadelphia, Pa. Egypt 60 Views, witli L.ecture by Rev. J. COMPER Introductory. Alexandria— We Land. " Pompey's Pillar. " Cleopatra's Needle. Cairo, Koad to the Citadel. " Lattice Windows. " View from the Citadel. " Tomb of the Mame- " Tomb of the Caliphs. " Mosque of Moham- med All. " Fountain in the Mosque. " Heliopolis. " Suez Canal. " Prince of Wales' Palace. " Pyramids, Crossing the Nile. ' ' View of Pyramids and Sphinx. " Section of Pyramid. " Ascent of the Pyramid. Map of Egypt. Nile, theDahabeah,Exter'r. " the Dahabeha, Inte'r. 22. Nile, a Cargo Boat. 23. " Pyramids of Sakara. 24. Beni Hassan. 25. " Sculptures. 26. Siout. 27. Nile, Water Raising. 28. Abydos. 29. Sculptures. 30. Dendera, General View. 31. " Porch of the Temple. 32. Thebes, Plan of the Ruins. 37. 40. 41. Plan of a Temple, Memnonium, East Gate. Colossi. Medinet Abou, from Northwest. Medinet Abou, Hall of Columns. Medinet Abou, Chris- tian Church. Luxor. Approach to Karnac. Karnac, Central Ave- nue. Karnac, Hall of Columns. GRAY. $30.00. , Thebes, South Wall of 60. Court of Sheshonk. " Cartouch of Reho- boam. Esneh. Edfou. Koum Ombou. Assouan, Isle of Elephan- tine. Philse, Pharaoh's Bed. " Great Propylon and Outer Court. " Colonnade of Temple of Isis. " View of foot of Cata- ract. " View of, from Biggeh. " Biggeh and Nubians. " View of, looking North Nubia, Palm and Nubians. "• Arab at Prayer. " Rock Temple at Kalabsee. " Ipsamboul, Small Temple. " Ipsamboul, Great Temple. 50 Views, with 1. Moslem Cemetery near the Great Pyramid. 2. Cairo, Mosque of Moham- med Ali. Tomb of Mariette Pasha. Boulak Museum. Mummy of King Pino- tem, Boalak. Statue of King Pha- raoh, Boulak. Osiris, Hathor, and Isis, Boulak. Saloon of the Ancient Empire, Boulak. An Egyptian Banker. 10. The Site of Ancient Mem- phis. 11. Tombs of Tih. 12. Step Pyramid at Sakkarah. 13. Group of Pyramids near Sakkarah. Egypt, Old and New. Lecture by E. 1.. WILSOIV, 3. 9. 14. The Great Pyramid of Cheops. 15. Pyramid of Chephren. 16. The Sphinx. ' 17. Beni Hassan. 18 " Interior of Tomb. 19. Karnak, Portal of the Tem- ple. 20. " Photographing un- der Difflculties. 21. " Grand Hall of Columns. 22. Arab Water Carriers. 23. Thebes, Temple of Hataaon 24. " Tourists at Lunch. 25. The Scarabeus, or Sacred Beetle. 26. Temple of Medinet Abou. 27. Thebes, the Southern Co- lossus. 28. " the Colossi, rear view. 29. Assouan. 30. The Bazaars of Alexandria. Esq. $25.00. A Brace of Merchants. Assiout, the Camel Market. A Nubian Girl. Arab Driver and Watchmaa The Prize . A Funeral Procession. The Mahmoudieh Canal. The Nile Saklyeh. An Irrigating Well. Island of Biggeh. Through the Ruins to Philae A Classic Group of Ruins. South Colonnade and Pha- raoh's Bed, Philaa. Syene, the Unfinished Obe- lisk. Nile Pilots. Korosko. A Caravan Village. Wady Haifa, near Abou Simbel. Farewell to the Orient. Modern Egypt and Its People 50 Views, with liccture by Rev. F. W. TREMLETT. 1. Introductory— Egypt. 3. Alexandria. . 3. Plan of Ancient Alexandria 4. Pompey's Pillar. 5. The Grand Square. 6. Present Site of Pompey's Pillar. 7. Mahmudiyeh Canal. 8. Port Said. 9. Lesseps' Place. 10. Portrait of Count Lesseps. 11. Kantara. 12. Ismailia. 13. Shit) in Suez Canal. 14. Suez Entrance of Canal. 15. Cairo, General View. 16. The Market Place. 17. Street Scene, Donkey Boys. 18. Fanatic Preaching to the People. 19. Professional Beggar. 20. Water Carriers, Group. 21. Camels. 22. Camel Drivers, Group. 23. The Fellahin (Peas'ts), Gr'p 24. Wool Spinners, Group. 25. Egyptian Mechanics, Group 26. Egypt'n Woman and Child. 27. Bedouin Sheik. 28. Bedouin Women. 29. Arab Mission School. 30. Medical Mission. 31. Dervishes, Group. 32. Dervishes Dancing, Group, as. Arab Cafe, Group. 34. Arab Shop. $25.00. 35. Bridal Procession, Group. 36. A 12-year-old Bridegroom, from Life. 37. Boy, Mother, and Nurse. 38. Khedive's Palace. 39. Old Cairo. 40. Pyramids. 41. Lybian Desert and Camels. 42. Nile Scenery. 43. Rock Tombs. 44. Road to the Tombs of the Kings, Thebes. 45. Mummies. 46. Irrigation of Land. 47. Arab Villages. 48. Nubians, Group. 49. First Cataract. 50. Diabeah, Nile Boat. Ill Geo. H. Pierce, Philadelphia, Pa. 60 Introdnctory Slide. 1. Map of Sinai. 2. Mounted Travelers. 3. The Waidy Feiran. 4. Mount Sinai. 5. The Convent at Sinai. 6. Map of Palestine. 7. Hebron. 8. Plan of the Mosque. 9. Bethlehem. 10. Woman of Bethlehem. 11. Women Grinding Corn. 12. Rachel's Tomb. 13. Fountain of Jericho. 14. Bethany. 15. Panorama of Jerusalem. 16. Extemporized Coffee Shop. 17. Jerusalem, from Olivet. 18. Map of Jerusalem. 19. Mt. Olivet and Gethsemane. 20. Old Olive Tree. Holy Land. Views, with Lecture. $3 21. St. Stephen's Gate. 32. Gethsemane. 23. Virgin's Tomb. 24. The Golden Gate. 25. Valley of Jehoshaphat. 26. Pool of SUoam. 27. David's Tomb. 28. Tower of Hippicns. 29. Pool of Hezekiah. 30. Old Street in Jerusalem. 31. View from a Roof. 32. Church of Holy Sepulchre. 33. Plan of Church of Sepul- chre. 34. Interior of Church of Sepul- chre. 35. Via Dolorosa. 36. Arch of Ecce Homo. 37. The Rich Man's House. 38. Pool of Bethesda. 39. Mosque of Omar. 1.00. 40. Jews' Wailing Place. 41. A Jew of Jerusalem. 42. Jerusalem, from Scopus. 43. Jacob's Well. 44. Town of Shechem. 45. The Old Pentateuch BY of tlie GEM MAGIC LANTERN is convenient in form— is sabstantially made of ^trong tin, neatly japanned, and will last for years. 2. — The JLENSES of the GEM MAGIC LANTERN are of excellent quality, accurately ground and polished, and define the Views clearly upon the Screen. 8.— The ZI&HT of the GEM MAGIC LANTERN is obtained by the use of an improved Candle in a patented carrier which keeps the flame constantly in the central line of the Lenses, and yields a good illumination. As there is no oil or fluid of any kind, cleanliness is the result, and a child can safely operate The Gem Magic Lantern without difficulty. 4.— Tlie MAGNIFYING POWEIt of the GEM MAGIC LANTERN is abundant, and the Views can be distinctly enlarged to 3 feet in diameter, or larger. 6.— The SLIDES of the GEM MAGIC LANTERN are neatly finished and highly colored : illustrating Fairy Tales, Caricatures, Comic Subjects, Popular Nursery Tales, Bible History, etc. (See lAst of Oem Slides, on preceding page,) 6.— The PRICE of the GEM MAGIC LANTERN is lower than that of any other Magic Lantern in the market, of equal size and capacity. The GEM MAGIC LANTERN is of cylindrical shape ; 6 inches diameter, 9 Inches high, on firm base, with hinged door. The Condensing Lens 2^ inches diameter. The GEM MAGIC LANTERN, HOLIDAY OUTFIT. Consisting of the Gem Magic Lantern, with 24 Gem Slides, 3^ inches wide, 9 inches long, having 4 or 5 figures on each Slide : Screen, 6 feet square, with loops by which to suspend it ; 12 Gem Candles ; all packed in neat Walnut Case, with lock and key $10.00 The GEM MAGIC LANTERN, with 24 Gem Slides, 2^ inches wide, 9 inches long, having 4 or 5 figures on each Slide . . 8.00 The GEM MAGIC LANTERN, with 12 Gem Slides, 2J inches wide, 9 inches long, having 4 or 5 figures on each Slide . . 7.00 The GEM MAGIC LANTERN, mthout Slides . . 5.00 GEM SLIDES, Fairy Tales, Nursery Tales, Caricatures, etc., on Slides inches wide, 9 inches long. Per Set of 12 Slides . . 2. DO GEM COMIC SLIDES, with movable effect . . each .35 » GEM CANDLES, per dozen .75 See GEM MAGIC LANTERN SLIDES, on preceding page. * ^* The Gem Magic Lantern can be supplied with a Kerosene Lamp in place of the Candle, if desired. 122 Geo. H. Pierce, Philadelphia, Pa. T. H. MCALLISTER'S ILLUSTRATORS' MICROSCOPE. A PROFITABLE ATTRACTION For Street Exhibition, Dime Huseums, Side Shows, Fairs, etc., etc. (patent applied fob.) The wonders of nature, as revealed by the Microscope, are a sealed book to the general public which the Illustra- tors' Microscope is designed to open ; and the construction of the instrument is so simple that a child can attend to it as well as the most learned Professor. The Illustrators' Microscope is handsomely and sub- stantially made, is furnished with lenses of fine quality, and will prove a great attraction in any Museum, Fair, etc., and also for out door exhibition, either by day or night. The Microscope is mounted on a substantial metal base, 7 inches in diameter, from which a central pillar arises, which carries a revolving stage, 10 inches in diameter, on which twelve objects are placed and firmly held in position ; beneath the stage is a concave mirror to give illumination to trans- parent objects while being examined. At the top of the pillar is an arm supporting the body of the Micros- cope, with conrenient adjustment for focussing the lenses on the object. Total height of the Illustra- tors' Microscope is about 18 inches. The instrument can be taken apart for packing, and put together again in a moment, and is very portable. The objects furnished with the Mici a variety of interesting specimens of Natural History, giving a rare insiglit into the details of insect and vegetable life, and with the accompanying print f ed description there will be no diffi- culty in giving to each observer much valuable information concerning the objects. These objects are mounted each on a glass slide, 3x1 inch, with a glass cover cemented over the object to protect it from injury. DIRECTIONS. Having the objects arranged in order on the remlmng stage, and the focus and illumination adjusted, it merely remains to apply the eye to tJie eye-piece, and revolve the stage by the hand, when tlie objects tciU be brought in succession beneath the eye of tlie observer. The Illustrators' Microscope, complete as shown above, with twelve interesting objects of Natural History, and accompanying printed description of each object, also, a glass slide with concave cell for Microscopic examination of fluids, etc.: $:i3.00, in Brass Finish. $37.50, in Nickel Plate. Additional objects in great variety, all mounted in uniform size on glass slide 3x1 inch, $5,00 per dozen. A collection of 48 interesting objects, second quality, mounted on smaller slides, $5.00 for the set of 48 objects. Walnut Case, lock and key, with handle, $5,00. Brass Lamp, nickel plated, for evening exhibitions, $3.00, ^^'The Illustrator's Microscope can be profitably employed by lecturers traveling with a Magic Lantern or Stereopticon to work up their idsure hours through the day, and also as an additional attraction for their evening entertainmenta ; • muiU fee being charged to each observer, 123 Geo. H. Pierce, Philadelphia, Pa. Profitable Exhibitions for Day or Night, The cases of the Revolving Stereo- scopes are made of Walnut, handsomely polished, with folding doors at top, having fi llllii^^ reflectors on their inner surfaces to throw ill lilB^ ^Bb^ '^S^t upon the pictures, which are arranged liiillliilMI|| Ib^^^^H back to back upon arms extending from an endless chain within the instrument. On opposite sides of the Revolving Stereo- scope are pairs of Lenses by means of which two persons can be viewing the pictures at ■ IKMi' ii^Ml^ilSSI^ same time, which are brought successively into position before their eyes, by turning a handle at one side of the instrument. The "Stereoscopic Pictures "are mounted on cards about 4 by 7 inches, and are double photographs of renowned scenery in our own and foreign lands, celebrated palaces, cathedrals, and other prominent buildings, statuary, portraits of eminent persons, life groups, etc., etc. When these are viewed through the Lenses of the Stereoscope, the double pictures are blended Into one picture with all the perspective and solidity of the original, and with a truth and beauty which never fail to please. Prices of the Revolving Stereoscopes without Views. To hold 50 Views, $10 00 " " 300 " 45.00 St'"reoscopic Vi'ws can be furnished according to quality, at 75 cents. $1.50, $3.00, 14.00, 15.00, and $6.00 per dozen. s h j-. I or public exhibition, the higher priced views are of course the more attrac- tive, particularly those in which the character of the views is improved by brilliant coloring. It will thus be seen, that an instrument filled with 50 Views, will cost from about $13.00 to $35.00, according to the quality of Views selected, and in the same proportion for those holding a larger number of pictures. For construction of Cosmoramas in Museums, etc. 5 inch diameter $1.00 each. 4 " " 1.25 " 6 " " 2 50 " 7 " " 3.00 " *** Of above, those oj 6 inch diameter are generally prefe>rfed, sufficiently large to allow the observer to use both eyes, which cannot as conveniently be done with those oj smaller diameter. The Cosmorama Lens is mounted in one side of a box, the picture to be viewed is placed about 2 feet distant, with a good illumination, and when seen through the Lens will appear highly magnified, and with its details clearly defined. When more than one is needed, the Cosmorama Lenses are generally mounted in a wooden partition. 2 or 3 feet apart, and at sutflcient height from the floor to enable a person standing to look through them with comfort. A large variety of colored prints can be furnished at following prices : — 131^ by 173^ inches — Miscellaneous Subjects $0.20 each. ^ "33 " Fine Finish, Hunting Scenes, etc 3.00 " 28 "40 " " " Panoramas of Principal Cities U. S. 4.00 " *^ A complete price list of (Josmorama Pictures forwarded on receipt of postage. 124 Geo. H. Pierce, Philadelphia, Pa. The Musical Ca sket. A New OTuslcal Invention, Easily Operated, Ready for Use at any Mo« ment, and aflTording tlie Clieapest manner of supplying Music, to give variety to Magic Lantern Entertainments In Small Halls. EXCELLENT IJ^ TO^E. PEBFECT IN EXECUTION. A CHILD CAN PERFORM ON IT. ONLY $8.00. Including either of tlie Rolls of Music named below. Dimensions— 12)^ inches Long, inches Wide, 10 inches High. Weight, 10 Pounds. The Casket is a reed musical instrument constructed somewhat on the principle of a Cabinet Organ, and adapted lO be automatically operated by simple sheets or rolls of paper (about 8 inches wide) having perforations corresponding to the musical notes. The sheet is placed upon the keys, and passes between the rollers; by turning the crank at the side, the bellows concealed in the body of the instrument are set in motion, and by the same movement of the crank the perforated sheet is drawn over the keys, and the musicai notes are produced with entire accuracy and good volume of sound. There is no limit to the variety or style of music, as will be seen from the accompanying list of tunes, that can be furnished. The Casket, with its Automatic Music Sheets, represents both Organ and Organist— Music and Musician ; so that ii is admirably adapted for the purpose, and is not only the Intcst Musical Won- der, but, the price considered, a most Marvellous Mechanical Musical Instrument. MUSIC FOR THE MUSICAL CASKET, IN ROLLS OF AN AVERAGE LENGTH OF 25 FEET, PRICE $1.25 PER ROLL. POPUIiAR AIRS. Roll. No. 1.— Bonnie Doon; Blue Bells of Scotland; Killarney; Fritz Lullaby. No. 2. —Isle of Beauty ; When the Swallows; How Cfin I Leave Thee; Fresh and Strong. No. .3-— Flower from Mother's Grave; Nellie Gray; Old Cabin Home; Old Oaken Bucket. No. 4.— Robin Adair; Old Folks at Home; Sweet Belle Mahone; Little German Home. No. 5. -Sweet Bye and Bye; Wait till the Clouds Roll By; Peek-a-Boo. No. 6.— Home, Sweet Home; Auld Lang Syne; Cradle's Empty; My Pretty Red Rose. No. 7.— Coming Thro' the Rye; Jessie the Flower of Dumblane; Wi hin a Mile of Edinboro'; Scotch Lassie Jean. * SACRED MUSIC. ^ No. 101.— Nearer My God to Thee: I Need Thee Every Hour; Only an Armour Bearer; Halle- lujah, 'Tis Done; The Home Over There. No. 102.— Rock of Ages; Hold the Fori ; What a Friend we Have; Shall we Meet Beyond the River; Ring the Bells of Heaven. No. 103. — Let the Lower Lights be Burning; Watchman tell us of the Night; The Morn- ROLL. ing Light is Breaking; What shall the Har- vest Be; All the way my Siiviour Leads. No. 104.— Sun of my Soul ; Abide with Me ; Coronation; Greenville; America. OPERATIC. No. 151.— Prithee Pretty Maiden; When I First put this Uniform on; A Japanese Young Man. No. 152.— Solo from " Martha;" Air from " Tro- vatore;" Then you'll Remember Me. DANCE MUSIC. No. 201.— 3 Waltzes— Blue Danube; Com Flow- er; Little Beauty. No. 202.— 3 Waltzes— Wine, Women and Song; Evangeline; Home. No. 203.— 3 PolKas -Bon-Bon; Bric-a-Brac ; Le- gend of the Bells. No. 204.-4 Polkas— Jenny Lind; Kutschke; King Pippin; Hattie. No. 205 — 4 Hornpipes— Fisher's ; Speed the Plough; Hull's Victory; Chorus Jig. • No. 200.-4 Jigs -Girl I Left Behind Me; Sol- diei's Joy; Devil's Dream; Arkansas 'fraV' eller. 125 Geo. H. Pierce, Philadelphia, Pa. T. H. MCALLISTER'S IiODCE FHAXTT^SMAGOBiIA. A frequent objection to the introduction of a Magic Lantern in "Lodge work," has been the apparent difficulty of operating it by one not acquainted with its management ; and thus, in the absence of a member who may usually take charge of it, it has some- times been abandoned as being impracticable. T. H. MCALLISTER'S LODGE PHANTASMAGORIA overcomes all this trouble, and will not fail even in inexperienced hands, — all that is necessary being to follow the few plain directions appended, and place the Laatern in position, when the view will be immediately projected to the screen, no focussing or other adjustment of lenses or light being required. The Lodge Phantasmagoria consists of a substantial and handsomely finished Japanned Case, fitted with first quality Condensing Lenses, 4^-inch diameter, mounted in Brass, and Concavo convex Object Glasses, also mounted in Brass ; and is illuminated by our Patent Bi-Unial Lamp, which yields the greatest intensity of light for Magic Lantern illumination that is possible to be obtained from oil. The Lodge Phantasmagoria is packed in substantial hinged Walrut Box, 18 X 12x8 inches ; and is accompanied with a first quality Screen, 9 feet square, with rings for suspending it in Hall. Price, complete as above, - - - - $30.00 126 Geo. H. Piekce, Philadelphia, Pa. Introductory Remarks ... pages 2-7 | Hints to Purchasers pages 8,9 PAGE. Oxy-Hydrogen Stereopticons, and Magic Lanterns 10-21 Oxy-Calcium Stereopticons and Magic Lanterns. 22-29 Dissolving View Apparatus with Bi-unial Light 30-32 Phantasmagoria Magic Lanterns. 33-35 Parlor Magic Lanterns 36 Cabinet Magic Lanterns 38 Cabinet Dissolving Apparatus. ... 39 Gem Magic Lantern, for Children .122 Instructions for Oxy-Hyd. Appar. 18-21 Instructions for Oxy-Calcium Ap- paratus 29 Directions for making Pressure Boards 21 Instructions for Dissolving View Apparatus 32 Instructions for Phantasmagoria Lanterns 33 Instructions for Cabinet Magic Lantern 38 Wonder Camera Attachment 37 Vertical Attachment 40 Microscope Attachment 40 Siphon Slide for Micro. Attachment 41 Polariscope for Micro. Attachment 41 Glass Tanks 41 Apparatus for Oxygen Gas 42 Apparatus for Hydrogen Gas 42 Oxy-Calcium Jets 42,43 Oxy-Hydrogen Jets 43 Oxy-Hydrogen Attachment 28, 31. 35, 44 Oxy-Calcium Attachment. . .31, 35,44 House-Gas Dissolving Apparatus . 44 Combination Carriers 44, 45 Gas Bags 45 Screens 46 Miscellaneous Accessories 46 Illustrators' Microscope 123 Abbeys of Great Britain 90, 91 Africa 94, 110 America 77 to 88, 102 American Flag 57 American Mechanics 61 Anatomy 54, 118 Ancient Mariner 51 Animal Sagacity 118 Antiquities, Grecian 55 Antiquities, Egyptian 55 Antiquities, Assyrian 55 Antiquities, Nineveh and Babylon 55 Arctic Regions 114 Army Scenes and Incidents 56 Around the World in 80 Minutes. 101 Artistic Gems 58.60 Astronomy 52, 53, 116 Athens 94 Baltimore 80 Beautiful Snow 118 Belgium 93,107 Bible History 48, 49,115 Bible Manners and Customs 118 Boston 80 Botany 54 Bottle 50 British Museum 104 California 77 Canada 88 Catacombs of Rome 55 Cathedrals 90, 91, 105 Chicago 79 Children's Lantern Slides 121 Chimes, by Charles Dickens 117 China 55, 114 Chinese Habits, etc 55 Christiana 49 Christie's Old Organ 119 Chromatropes 67 Cincinnati 85 Cloud effects 74 1 WS. Colorado 77-78 Colored Sceneries Comic Movable Views 68-69-70-71 Constantinople 94 Cotter's Saturday Night 51 Crayon Transparencies 76 Crystallography, 54 Dantes' Inferno 51 Denmark 94 Dickens Characters 60, 117 Dioramic Slides 72 Dissolving Views 62-66 Drunkard's Career 50 Drunkard's Daughter 50 Egypt 94. 97, 111 England 57, 89 English History 57 Extinct Animals 53 Flowers and Plants 54 Foreign Views — Colored 75 France 57, 92 French History 57 Friendless Bob 119 Gabriel Grub, by Charles Dickens 117 Gambler's Career 50 Gems American Scenery 60 Gem Magic Lantern Slides 121 Geological Ideal Landscapes 53 Geology ; 53 Germany 92 Gibraltar to Delhi 112 Grand Army of the Republic. ... 61 Holland 98 Holy Land 97. 98, 112 How Persimmons took care of the Baby 51 Hudson River 83 Hymns Ill Fated Ship 51 India 98, 99, 100,112, 113 Ireland 57, 75, 90, 106 27 Geo. H, Pierce, PniLADELPinA, Pa. Irish History 57 Italy 93, 109 Jackdaw of Rheims 119 Jackson's Treat 50 Jane Conquest 119 Japan loO, 114 Jerusalem 97, 112 Johnny Short ' 50 Lady Jane Grey 130 Lake George 83 Leap for Life 51 Lecture Sets 101 to 120 Lever Slides 72 Life Boat H8 Life's Eventful Voyage 49 Life of a Country Boy 5I Life of Garfield 57 Life of St. Paul 49 Life of a Ship 5I Life of Washington 57 Liverpool 105 London 89, 103, 104 Lord's Prayer 49 Maps 55 Mariposa Grove 77 Marley s Ghost, by Chas. Dickens 117 Mary, Queen of Scots 120 Masonic Views 61 Mechanical Slides 65 to 72 Mediterranean 110 Mexico 88 Microscopic Gems HQ Microscopic Revelations 116 Mottoes 74 Natural Phenomena 54 New Orleans 79 New Testament 48, 113 New York and Brooklyn 82, 83, 102 New York State 82. 83, 84 Niagara 84 Norway 94, 107 Odd Fellows 61 Old CuriosityShop, by C.Dickens 117 Old Roman World 55 Old Testament 48, 49, 115 Optics 53 Pacific R. R 85 Paradise Lost 51 Paris 91, 107 Philadelphia 85 Photographic Girdle of the Globe 101 Physiology 54, 118 Photographic Outfits 126 Pilgrim's Progress 49,115 Places of Interest 76 to 120 Portraits 60 Portugal 94 Prodigal Son 49 Prussia 92 Rambles 120 Rhine 92, 108 Rip Van Winkle 51 Road to Ruin 51 Rome 93, 109 Russia 94 St. Louis 81 Scientific .52 to 55 Scotland 90, 105, 106 Seven Churches of Asia 49 Shakespeare's Seven Ages 50 Sons of America 61 Solar System n6 Spain 94 Spectrum Analysis 53 Statuary 73, 74, 75 Stomach of a Drunkard 50 Sweden 94 Switzerland 92, 108 Tabernacle ' 49 Tale of a Tub ! 51 Tam O'Shanter 51 Temple of Honor 61 Ten Commandments 49 Ten Nights in a Barroom 50 Tinters 74 Tower of London 89, 104 Trap to Catch a Sun Beam ' 119 Two Paths — Virtue and Vice 51 Uncle Tom's Cabin 51 U. S. History 56, 102 U. S. Views 76 to 88, 102 Venice 93, 110 Versailles 92 Views made to order 47 Visit of Santa Claus 51 Voyage of Life, Cole's 49 Washington City 80 Westminster Abbey 89, 103 White Mountains ' 81 Windsor Castle 89, 104 Yellowstone National Park ' 87 Yosemite Valley 77 Zoological Gardens, London 104 Zoology 54 ^NOTICE OUR NEW DEPARTURE APPARATUS. "Star" Assor't of Views. Stereoscopes and Cosmo- rama Lenses. Shipping Directions, Terms, etc. Picturesque Mottoes. Jumpers. Popular Stories and Nur- sery Tales. $50.00 Outfits. 125.00 Outfits. Silhouettes. Lecturer's Reading Light. Books of Reference. Bi-unial Lamp. Mailing Rates. Guide in Selection of Magic Lanterns. A Profitable Business. Musical Casket and Music 128 Posters and Programmes. Gelatine Plates. Colored Sceneries. Detailed Catalogues of Foreign Views. High Pressure Dissolving Key. Views of Life of Gen. Grant. Gko. H. Pikrce, Philadelphia, Pa. T. H. MCALLISTER'S NEW BI-UNIAL LAMP. PATENTED APRIL 6th, 1886. 0 0 0 H H Q ■ 0 0 Fig. 1. Fig. 3. T. H. McAllister's NEW BI-UNIAL LAMP gives the most intense light for Magic Lantern Illumination that can be obtained from oil. It is the result of a long series of experiments, and combines the following important advantages over any other form of oil Light for use in Magic Lanterns. 1. Brilliancy— resulting from the perfect combustion, the diagonal arrangement of the Wicks, and the Nickel-Plated Reflector which gathers and concentrates light otherwise diffused and lost. 2. Uniformity of Illumination— The Light is distributed evenly over the Screen, making one portion of the magnified picture as bright as another, and obviat- ina anv sJiadow of the flame which is visible with improperly constructed lamps. „ , >f Metal with exception of a heavy plate of glass \>l : ass chimney to break, no mica chimney to be MfitTTYCENltH LIBRARY Qfement: all that is necessary being to follow the 83 rate the construction of the New Bi-unial Lamp, when ready for operation, arts of which it is composed. to corresponding parts.) A. — The Reservoir if Glass in front, and a Nickel-Plated Reflector leet Iron Chimney, fitting above the Dome. is supplied with our various Apparatus from OR SALE BT H. PIERCE, set, PHILADELPHIA.