Prinfed by W. SMITH, No. 40, Ki?ig Slrecf, Seven Dio/f. A CATALOGUE, Sfc. THURSDAY, the 24th Day of MAY, 1804, Commencing at Half-pall Twelve o’Clock. Modena Collection of Pictures. LOT Tempesta 1 rs. Battle piece Carpioni 2 Selinus with bacchanalians Luca D’Olanda •••• 3 The Melancholy, mentioned in the life of the painters as the last of his works Bourgogne 4 A Battle piece Titian 5 Bacchanalian, subject after 6 Passage of the Red Sea P. Veronese 7 The portrait of his lady CiGNANi 8 A Cupid 4 Titian 9 Fortune followed by a Lyon Goltzius 10 Hercules, a high finished picture Nicolo Abate 11 A subject from Gerusalemme Liberata a singular picture of this scarce master P. Brill - • • 12 A pair of small landscapes Tempesta 13 A Land Storm Franceschini 14 A Nativity Adrea Del Sarto • 15 The Virgin, St. Joseph, St, John, and the Infant Christ . , CoRREGio 16 Ahead, (fine) S. Rosa 17 A landscape Poussin 18 Orpheus attacked by Baccanti Cav. D’Arpino 19 Roman Charity Rottenhammer & Breughel 20 St. John in the Wilderness G, Mazzola 21 Virgin, Child, and St. Joseph SoLEMiNi '..... 22 Rinaldo and Armida An, Da Messina 23 Two heads, very animated and fine Poussin •••••• 24 Death of Darius S. Rosa 25 A landscape, representing a Halt of Soldiers and Peasants; in the grandest style of this admired master Titian 26 Venus in the Bath Porbus 27 Portrait of a Young Lady in Armour Aleano 28 Galatea Valesquez 29 The Deluge, a spirited picture Guercino 30 Portrait of the Principe Gozaga, m whose House this Artist long lived Bernardino Gatti • • 31 Flight into Egypt Dom. Feti- 32 Mary Magdalen Anointing the Feet of Our Saviour Francesco Albano •• 33 Subject taken from Raphael Giovanni BelFini •• 34 Holy Family Albano 35 The Bath of Dianna Dominiciiino 36 The Plague of Alarseilles Guido 37 Andromeda with Nymphs Titian 38 The Virgin and Child Albano • • • • ........ 39 Fortune borne by a Dolphin, (al- legorical Sophonisba Anguiscola- • 40 Her own portrait B. Da G arofolo 41 The Virgin, St. Joseph, St. John, and the Infant Christ Titian 42 A Reposo Pietro Perugino • • • • 43 Holy Family SCHIDONI 44 A Virgin Teaching Jesus to read, and St. John Francesco Trivisani 45 Dead Christ, Three Mary’s, and Elizabeth Raffaelle 46 A Reposo with Angels, in his early style S. Rosa 47 The Finding of Moses 6 CORREGIO J. Romano Carloni (from Raphael) Parmigiano- • • • CoRREGIO Titian 48 Jove pleading before the Assembly of the Gods 49 Jupiter and Semele. A highly finished capital cabinet pidture of this master 50 God separating the Elements. A grand ’ composition, painted all incausto 51 The Madona with Bambino in a cradle; St. Joseph in the back ground — a beautiful cabinet picture 52 The Passion of Our Saviour. The rarity of the works of this great Master; render them more desireable objects, even to grace the Palaces of Princes. On the Back of this Picture are, a Letter explaining the Manner in which it was purchased from the Duke of Salviati, and the Seal of the Academy of Parma 53 A grand and spirited sketch, representing the Holy Family, St. Christopher, Sebastian, and other Saints. The origi- nal Study for the large Picture of the same Subject which was Sold by Fran- cesia Duke of Modina, to the Gallery of Dresden 7 54 Clirlst ^V'asliing the i^postles Feet; for sublimity of characters, composition aiul design, equal to tlie best Works of this celebrated IMaslcr 55 The Virgin, Infant Christ, St. John, and St. Joseph. A grand comj)osition, painted with great sweetness of expres- sion ; ever considered as a Treasure in the Cabinet atNovellera, and has been generally ascribed to Corregio by the most distinguished Connoisseurs in Italy 56 The Flight into Egypt ; St. Joseph in the front ground drawing water fiom a pool, and the Virgin and Child accom- panied by Angels moving through the woody scene behind. This exquisite landscape is a brilliant and wonderful display of the powers of the master in Chiaroscuro. It was conveyed to the Cabinet at Novellera by the Prince Ercole at a short time previous to the Treaty being concluded for the removal of the Medina Gallery at Dresden FINIS. ■f . ’ • ■‘*‘*' ■ " ' ■,■'■- : . ' ' •' ' . V > r- : y: -■: l':r,' ‘J:i- ' ' , „; v', ■: •'. -V' ’ \; :/. . )■ ;.;V m. I,- ■' C 'ih- 'i-jiV'J . j . ,-^ ' ijl'i, ' ; , ■• , . ;.i; .1 •’sH'? ' •K>^, i v. .f< . , ' . ‘i^’ •' 'V i- ■ - ■ - ■: -\(.:iyeu> ' . ■,/ ■, ' irV:i"s ■■'' '^, ' ■' ■ Liii ^ .W;: ■ -'■» '•■; ■■ .yy- {■ ; ., -it; I )ii';i',„- I ..w7r ;-i:’fiV idrEfsiT j.T .r , ; •;i;t f!; ;^.;4.’irfr' ;^r . / ^j;T 5.\ «<] ‘?,->;r:, ' :’■ :))ini;py; ,.i:C y-hmy^f ‘ Iis>j')';.h> o .j;;,-/: . t .:,| ;„ : i'> »f,p. . .;;,a’;;{ ■ ' j-i -i^Liyy :yh -io. iy-yuvii ‘r d-ry yj .,i\U ■ ■■ '.,, v:w‘ a ; ' ;■■ .-y h.'::':' .;'V 0 } l>a-.p,yr-i o 7/ :l I .OT.iatH'iisiif' ^ ^ 4 .^ y-n 'l .7ii)' vd nyliyfi Vi -j.-j ■r7ai ;i;',> ail; o) difoi / < : j ■ J t J:'. ■'■ . >r:;ir 'j;!,' i y yryntl xaooyiih^! ■{JyofV rri'jT^MM H; 1 iaPT 1 ; iiaii-'cM y.i; lo '-V piJify V $