Sales in this volume are hound in chronologically 
 from Dec. 18, 1802, through Apr. 23, 1807, 
 except Mar. 21, 1806, which is the fourth from 
 the end and June 12, 1806, which is at the end. 
 
 
 
 
 
 
 
 
 
 
 
 
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 9-'9 
 
 /67 
 
 P. Veronese . 
 
 St. Jerome—in his finest time and manner. Cabinet Pictures 
 of this Master, of which this is an undoubted specimen, 
 are very rare, and highly esteemed—from Mr. Strange’s 
 Collection. 
 
 //.. //- 
 
 I 
 
 
 68 Titian....... The Portrait of the celebrated Tuscan Poet and Satyrist, 
 
 Pietro Aretin ; who corresponded with the Princes 
 and Painters of his time, with equal familiarity— Titian 
 has in this Picture displayed his highest skill, and for 
 truth, correctness, and warmth it must stand unrivalled 
 —it has indeed all the force and glow of Giorgione, 
 of whom Titian was the Scholar—most capital. 
 
 69 Novellara ... The adoration of the Kings. This very scarce and excellent 
 - * Painter, who was born in 1,510, and died in 1588 (as men- 
 
 tioned in the Abecedario Pittorico) had received instruc¬ 
 tion from Buonaroti ; and afterwards improved himself 
 as a Scholar of Corregio. Thus he was enabled to 
 treat this divine subject with such astonishing Powers 
 of Art, as combines both the graceful and sublime; and 
 by the emanation of light from the Infant Jesus, which 
 is reflected on the beautiful countenance of the Virgin, 
 forms a perfect illumination; while the latter is grandly 
 contrasted with opposing shadow. This Picture was 
 bought at the Purling Sale, where it was excessively 
 admired. 
 
 
 ../Z - 70 DomenicHino The finished Sketch for the celebrated Picture of the Apo- 
 ^ /f cslfr .. theosis of St. Cecilia in the Dome of the Church of St. 
 
 Luigi, at Home—this interesting and beautiful Perfor¬ 
 mance (though in oil, yet in the stile of Fresco colouring) 
 was purchased at a very considerable price in Italy, by 
 the late Mr. Davenport; and always considered as a 
 truly Cabinet Gem. 
 
 FINIS. 
 
 (j. Smeetun, Printer, 148, St. Martin’s Lane. 
 
THE 
 
 f 1 / 
 
 CATALOGUE 
 
 OF 
 
 A CHOICE AND INTERESTING SELECTION 
 
 OF VERY 
 
 Capital ^Paintings, 
 
 THE PROPERTY OF 
 
 THE LATE 
 
 JAMES MILNES , Esquire, 
 
 OF 
 
 rremont 
 
 •a 
 
 mm 
 
 COMPRISING 
 
 The Works of those Great and Highly Esteemed Masters, 
 
 CLAUDE LE LORAINE, 
 
 SEBASTIAN BOURDON, WILLIAM lMIERIS, 
 
 NICOLO POUSSIN, FRANCIS MIERIS, 
 
 CHEV. VAN DE WERE, 
 
 WILLIAM VAN DE VELDE, 
 
 VERNET, 
 
 ISAAC OSTADE, 
 
 PYNAKER, 
 
 GASPAR POUSSIN, 
 VAN DYCK, 
 REMBRANDT, 
 KARIL DU JARDIN, 
 DAVID TENIERS, 
 
 DE VLIEGER, 
 
 CANALETTI, 
 
 11UYSDAEL, 
 
 WOUVERMANS, 
 
 BACKHUYSEN, 
 
 HOBBIMA, 
 
 MORE, 
 
 WRIGHT OF DERBY, &c. &c. 
 
 Caiiicl! Unll be Sols It auction, 
 
 i • • ■ • BY 
 
 PETER C O X E, 
 
 ON THE PREMISES, 
 
 Cfirmumt blouse, ^tccabtllp, 
 
 o, 
 
 THURSDAY, the 12th of JUNE, 1806, 
 
 AT TWELVE O’CLOCK, 
 
 By Order of the Executors , and without the least Reserve whatever. 
 
 May be Viewed Two Days preceding the Sale, when Catalogues, at 2s. 6d. each, (without 
 which no Person can possibly be admitted) may be had at Egremont House, and of 
 Mr, Peter Coxe, 88 , Pall Mall, and 33, Throgmorton Street. 
 
 ieAP&5-£>s«r3 
 
 JA7 
 
 y 
 
 )&)U 
 Tunc IG 
 
 Lo Co H 
 
 
 
Contortions of g>ale. 
 
 I* -!■ hat the highest Bidder be the Purchaser; but should any Dispute arife 
 between two or more Bidders, the Lot or Lots, to be put up again 
 and refold. 
 
 II. That no Person advance less than Half-a-Crown. Above Five Pounds, Five 
 
 Shillings; Ten Pounds, Half-a-Guinea; Twenty Pounds, One Guinea; 
 and fo on in Proportion. 
 
 III. That the respective Purchasers give in their Names and Places of Abode, 
 
 if required ; and pay down immediately a proportionate Part of the Purchase 
 Money after the Rate of Twenty Pounds per Cent, and pay the Remainder 
 on or before the Delivery of the Lots purchased. 
 
 IV. That the Lots fhall be abfolutely taken away within Three Days after 
 
 the Sale, with all Faults, by whomfoever they were painted, under 
 any and every Defcription, and at the Expence of the Purchafers. 
 
 And Lafily. That upon Failure of complying with these Conditions, the 
 Money deposited in Part of Payment shall be forfeited: all Lots 
 uncleared after the Time limited shall be re-sold by Public or Private 
 Sale; and the Deficiency, if any, attending such Re-sale, together with 
 all incidental Charges, be made good by the Defaulters at the present 
 Sale. 
 

 CATALOGUE, 
 
 $C. 8fC. Sj'C. 
 
 THURSDAY, JUNE the 12th, 180<?. 
 
 J / 
 C 
 
 
 i ,— 3 
 
 /2 ../Z.. 4 
 
 Jan Wils. 
 
 Ditto. 
 
 Both and Bauduin.. 
 De la Rive. 
 
 PICTURES. 
 
 Upright Landscape and Figures 
 Ditto, the Companion 
 A Small Landscape with Figures 
 
 Landscape with Buildings, Cattle and Figures—a very 
 pleasing and interesting performance 
 
 /2 , /2 -r 5 Ditto. The Companion, Landscape and Figures in a Woody 
 
 Scene, with a delightful clear distance—of equal 
 merit with the preceding Lot 
 
 2/ — 6 Jan Both. An Upright Landscape and Figures 
 
 /2 / -■ <^7 Pether. Landscape and Figures 
 
 /2 />< 6 8 Ditto. Ditto, the Companion 
 
[ * ] 
 
 / 
 
 a 
 
 <? 
 
 
 /r~ 
 
 /a. 
 
 9 
 
 De Vlieger. 
 
 
 
 
 
 / 
 
 A/ " 
 
 2 - 
 
 10 
 
 Bartolozzi. 
 
 V- 
 
 /.. 
 
 /ll 
 
 Moucheron. 
 
 /o .. 
 
 /o . 
 
 12 
 
 Ditto. 
 
 A. 
 
 A 
 
 13 
 
 John Van Lis. 
 
 /f. 
 
 /ST 
 
 - 14 
 
 De la Rive ... 
 
 /S ■ 
 
 /r. 
 
 15 
 
 Ditto. 
 
 2L 
 
 ; f 
 
 . 16 
 
 Jacob Ruysdael.... 
 
 A- 
 
 a 
 
 17 
 
 W. Jansen_ 
 
 /A ~ 
 
 . J.. 
 
 <f\8 
 
 Wecnix. 
 
 r. 
 
 AT.. 
 
 
 Hackaert. 
 
 /a 
 
 A 
 
 /20 
 
 Van Goyen. 
 
 2 b „ 
 
 A 
 
 21 
 
 C. de la Fosse. 
 
 2.. 
 
 /2- 
 
 <522 
 
 Pether and Reinagle 
 
 /•• 
 
 9- 
 
 />3 
 
 G. de la Rive_ 
 
 //.. 
 
 /A 
 
 - 24 
 
 Verboom. 
 
 J 
 
 d~ 
 
 • 25 
 
 Vidal. 
 
 /2 . 
 
 ■ /Z 
 
 _ 26 
 
 Schweickart. 
 
 / 
 
 9- 
 
 Ai7 
 
 Omeganck. 
 
 A Sea Port with Vessel careening in the Fore Ground, a 
 Man of War lying at Anchor, and small Vessels 
 in the Offing 
 
 The Death of the late Earl of Chatham, a print, framed 
 and glazed—a fine impression 
 
 An Upright Landscape with Figures by A. Vandevelde 
 The Companion, of equal merit, with Figures by Lingelbaek 
 Females Bathing—painted with a delicacy, equal to 
 Polemberg 
 
 View of the Lake of Geneva—painted with great atten¬ 
 tion and freedom 
 
 View of Mount Jurat, the companion, of equal merit 
 
 A Cottage Scene with Landscape and Figures, with a 
 distant View of the Sea—a beautiful little Picture 
 A Moonlight—a very pleasing performance 
 Landscape with Dogs and Figures reposing after a Chace 
 A Grand Landscape with Nymphs Bathing 
 A Landscape, the View of the Banks of a River, with 
 Boats and Vessels, and Figures Fishing in a 
 Punt in the Fore Ground 
 
 Portrait of a Lady and her Two Daughters 
 Landscape and Figures, View of Mount Edgecumbe 
 A Landscape, a pleasing Performance 
 
 A Mountainous Landscape, Figures by Lingelbaek—an 
 Artist but little known in this Country 
 
 A pair, Flower Pieces—highly finished 
 A delightful little Cabinet Picture, a Winter Piece, in 
 his best stile and manner 
 
 Sheep in a Landscape 
 
[ 5 ] 
 
 6 * 28 De la Rive. 
 
 Landscape and Figures, View in Switzerland 
 
 AT, 29 Ditto.. 
 
 A Landscape, a Land Storm 
 
 /'(?,. /o ~ 30 Polemberg. 
 
 The Savior with the Woman of Samaria, delicately 
 painted, with great Sweetness of Effect and 
 happy Management 
 
 /o c- 31 Wright of Derby... 
 
 . The View of Ponte di Arena, between Rome and Civita 
 Vecchia, with Figures 
 
 /#,, /a ~ 32 De la Rive.. 
 
 . A Landscape, Cattle and Figures, a broken Bank in 
 the Fore Ground 
 
 ,J>2- /A 33 David Teniers- 
 
 Boors regaling at the Outside of a Cabaret, clear and 
 full of Spirit 
 
 S2.. /&. S4 Francis de Lige_ 
 
 . An Interior, Boors playing at Cards, and other Figures 
 conversing 
 
 ^2 I saac Ostade__ 
 
 . The Entrance of a Village with Horses and Figures, 
 a clear bright Performance 
 
 fit. /2- d36 De la Rive. 
 
 . The Tomb of Virgil, with a noble Italian View, 
 enriched by Figures and Cattle in the Fore 
 Ground, a Chef d’CEuvre ©f the Master 
 
 2>/; 37 X). Teniers. 
 
 . An Interior, a Man playing upon his Fiddle in the 
 Fore Ground, and Figures smoking and di¬ 
 verting themselves before the Fire 
 
 *^/..2T''38 Wouvermans. 
 
 . A small Upright, Horse and Figures 
 
 i 39 J. Van IS ecklen ... 
 
 . The Interior of a Church of Saxon Architecture, with 
 
 33 - -; 
 
 Figures, the Perspective delightful, with a fine 
 Effect of Sun-shine pervading the whole 
 
 ^ 40 Ditto. 
 
 . The Companion, of equal effect, and equal excellence 
 
 The Companion, of equal effect, and equal excellence 
 

 [ e ] 
 
 c-/ d 
 
 yj/s « £ . 41 Zuccarell 
 
 A grand Landscape with Figures, this Picture was painted 
 for the late Princess Amelia; and is treated with 
 uncommon Boldness and Effect, and full of Sub¬ 
 ject—capital 
 
 ^ 2j -- 42 Snyders. A Boar Hunt; a spirited Performance, painted with his 
 
 qSCt usual Knowledge and vigorous Expression of 
 
 Management, in the Drawing and Coloring of 
 the different Animals 
 
 p ../ 
 
 43 Adam Pynaker. A beautiful high finished Picture of a Landscape and Cat¬ 
 
 tle, called the Cow in the Thorns 
 
 .. ^ 44 Chev. Van der Werf The Ascension; in which the Artist has shown a happy 
 
 Distribution of Light and Shadow, and given 
 great Animation to the Countenances of the 
 Apostles 
 
 .3/ „ /O , 45 Canaletti. A View in Venice, at the time of a Regatta, full of Subject 
 
 1 a at once lively, interesting and entertaining 
 
 /# „ /f ~ 46 Rembrandt. Portrait of a young Woman, painted in a chaste Tone of 
 
 Coloring 
 
 /2 , A 4? Chev. Van der Werf Sarah introducing Hagar to Abraham; a Performance of 
 
 equal Consequence with Lot 44, delicately 
 colored 
 
 /y "48 Schweiekhart.- A lively interesting Scene, a Winter Piece, with a View 
 
 of a Bridge in the Center of the Picture, 
 Mountains in the Back Ground, and enriched 
 with a variety of Figures, amusing themselves 
 on the Ice by Skaiting and other employments— 
 capital; companion to Lot 58 
 
 49 Francis Mieris. 
 
 d. /d /• 6 5q William Mieris .... 
 
 A Figure asleep, after a drunken Debauch, a small upright, 
 highly finished 
 
 Companion to the preceding Lot, a Lady feeding her 
 Parro 
 
 i 
 
/$/?,. /p - 51 W, Vandevelde...»< 
 
 32 Hobbima 
 
 /y.. /33 Breckelkamp 
 
 2 / I — - 54 More of Rome. 
 
 A Calm,, one of those Subjects for which he stood unri¬ 
 valled ; the Scene a Sea Shore with Boats en¬ 
 deavouring to get under weigh, with a variety 
 of Figures both on the Shore and in the Vessel; 
 and the whole effect of Air, Sky and Water ac¬ 
 complished in the best Stile of his Art, and per¬ 
 fect Representation of Nature 
 
 A Landscape with Buildings, Water, and Figures, un¬ 
 commonly clear, painted in a sweet and harmo¬ 
 nious Tone of coloring throughout 
 
 A Schoolmaster and his Pupil, painted with all the 
 Sweetness and Effect of the Dutch and Flemish 
 Schools 
 
 Landscape and Figures, a View in Italy, with the Effect 
 of the Morning Sun rising over the Mountain, 
 a capital Performance of this favorite English 
 Master 
 
 //'■ /2 <- 55 Caspar Poussin ... 
 
 6 56 Sebastian Bourdon 
 
 ^ 57 Kuril du Jardin... 
 
 A grand Mountainous Scene with Waterfall, Cattle and 
 Figures, a noble Performance 
 
 The Interior of an Artist’s Room, Figures smoking and 
 regaling themselves 
 
 Cows and Bull in a Landscape, a charming Cabinet 
 Performance 
 
 /n. -58 Schweickhart. A Winter Scene in a Mountainous District, with a 
 
 . Variety of Figures cutting Wood for Fuel, a 
 
 capital Performance of this admired Master 
 
 i^/„ /o ^ 59 Polemberg ........ A grand Rocky Scene, with the Legend of the Magdalen 
 
 attended by a Group of Angels, deliciously 
 drawn and coloured, appearing to her in the 
 Clouds 
 
[ 8 ] 
 
 / 
 
 V 
 
 2 > 
 
 $ — Go Wright of Derby... 
 
 ffyf„ /o o- 6l Backhuy sen 
 
 The Destruction of the Gun Boats at the Siege of Gibral¬ 
 tar; a noble description of that celebrated Action, 
 and by the Powers displayed in the Execution 
 of this extraordinary Performance, does equal 
 credit to the Painter and the Subject, and shews 
 at one and the same time the Painter’s great Art 
 and Britain’s matchless Glory. This is a Picture 
 deserving to be deposited in a National Gallery. 
 
 A Squall: a most capital Performance of this great Marine 
 Painter; the two Boats rising upon the Top of 
 the same Wave and almost in Contact; the 
 Danger of their Situation nearing the Buoy; 
 the Agitation of the Waters; the grand Form of 
 the Clouds impelled by the Storm; the Activity 
 of the Figures, are all treated with Spirit and 
 Propriety, in a happy Union of Excellence; and 
 stamp this Picture a first-rate Performance of this 
 celebrated Master 
 
 J/.. AT . G'2 More of Rome ..... The deserved Companion of Lot 54. Landscape and Fi¬ 
 gures, with Trees and Water in the Foreground, 
 a beautiful Eflect, with a Bridge in the Distance; 
 a River flowing through the Valley, and grand 
 Mountainous Scene in the remote View : there is 
 a clearness in the Water and a transparency of 
 Reflection, that is inexpressibly beautiful 
 
 /& /‘Z . 63 Nicolo Poussin. Hagar in Conversation with the Angel, painted with his 
 
 usual classic Taste and chaste Sobriety of Colour 
 
 ; — —64 Vernet. . A Calm, a morning Scene, with the effect of the Sun 
 
 breaking through a Mist. The Figures in the 
 Foreground are happily dispersed, full of proper 
 Action, and delightfully disposed : The effect of 
 
[ 9 ] 
 
 * • ' 
 
 the Mediterranean Sea is happily described ; the 
 Pharos and Mountain Scenery on the Sea Coast, 
 is of noble Effect, and in suitable Ilannony; and 
 at one and the same Time is a convincing Proof of 
 the Painter’s Knowledge of his Art, and thorough 
 Contemplation of Nature—most capital 
 
 //«65 Vandyke. 
 
 —.. The Portrait of the Duke D’Aremberg au Cheval; a noble 
 Performance of this elegant and accomplished 
 Painter, who has added an Interest to the Por¬ 
 trait by placing the Duke on Horseback, thus 
 happily contriving by the fore shortening of the 
 Animal and its Action, to give grace and Motion to 
 the subject, and add Value to the Portrait by 
 these additional and appropriate Accompaniments 
 
 66 Vernet. 
 
 _ A Sea Coast with a Violent Storm and a Ship in danger, 
 
 the effect of strong light in one part of the 
 . Picture in the clearing of the Horizon, in 
 
 opposition to the gloom of the passing hurricane; 
 the powerful agitation of the Waves; the effect 
 of the wind upon the trees; is grandly conceived 
 and nobly executed : The mind contemplating 
 such Subjects dwells with concern and astonish¬ 
 ment at these sudden ebulitions of nature, and 
 admires the ingenuity of man that can impress 
 upon canvas such sublime forms and awful 
 scenes : This is true poetry on painting, and 
 the Performance presents itself as a deserved 
 companion to the mild beauties of the Calm 
 in Lot 64, by the same esteemed Master—most 
 capital * 
 
 15 
 
/ 
 
 
 t 10 ] 
 
 3 67 Gaspar Poussin .... A Landscape and Figures—a beautiful elegant Scene 
 
 painted in his best Time and Manner 
 
 2#/?/■ /S~68 Claudele Loraine... A Sea Shore with Figures in the Fore Ground, Vessels 
 
 v lying at Anchor, and a magnificent Haven, with 
 
 the Waves of the Sea breaking against the 
 Piers, and a mountainous Scene in part of the 
 distance. A grand and noble Performance of 
 this greatly-admired and inestimable Master— 
 capital 
 
 FINIS. 
 
 
 J. Sm*etcn, Printer, 148, St. Martin’s Lane. 
 
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