Cambridge Antiquarian Society. Octavo Publications. No. XXIV. JOURNAL OF A TOUR THROUGH PART OF FLANDERS AND FRANCE IN AUGUST, 1773, BY JAMES ESSEX, F.S.A. EDITED BY W. M. FAWCETT, M.A, JESUS COLLEGE. DEIGHTON, BELL & CO. ; MACMILLAN & BOWES. LONDON: G. BELL AND SONS. 1888. Price 6s. JOUKNAL OF A TOUR THROUGH PART OF FLANDERS AND FRANCE IN" AUGUST, 1773. PRINTED BY C. J. CLAY, M.A. AND SONS, AT THE UNIVERSITY PRESS. Digitized by the Internet Archive in 2013 http://archive.org/details/journaloftourthrOOesse JOUKNAL OF A TOUR THROUGH PART OF FLANDERS AND FRANCE IN AUGUST, 1773, BY JAMES ESSEX, F.S.A. EDITED BY W. M. FAWCETT, M.A. JESUS COLLECxE, DEIGHTON, BELL & CO. ; MACMILLAN & BOWES, LONDON: G. BELL AND SONS. 1888. INTRODUCTION. The original manuscript of the journal here printed is in the possession of Miss Marian Hammond, a lady connected by marriage with the writer's family, as will be explained below. It was very kindly lent to me by her a short time ago, with permission to print it or not, as I thought desirable. As all descriptions of buildings on the Continent written before the French Revolution are of special interest, I read some ex- tracts from the MS. to the Society, and, shortly afterwards, the Council asked me to prepare the whole for publication. In order to do this as thoroughly as possible, I made Belgium the scene of one of my holidays, that I might note what changes had been made in the buildings described since the journal was written \ It was not without difficulty that I settled how far to record these changes. I felt that to enter into particulars would not only far exceed my bounds, but, if done at all completely, would turn a document which is of considerable interest in itself into a mere architectural guide- book. I determined therefore to confine my observations within the smallest possible compass, and not to attempt to describe anything which had not been noticed by the author. I also felt some difficulty about the spelling and punc- ^ His friend and fellow-traveller, the Rev. Michael Tyson, Fellow of Corpus Christi College, also kept a journal. Writing to Gough, 21 Octo- ber, 1773, he says : "Essex and myself returned liome delighted with Popery and Popish Churches... you shall, some time or other, peep into my journal." Nichols, Literary Anecdotes^ viii, 607. I regret to say that Mr Tyson's journal cannot now be traced. C. A. S. Octavo Series. XXIV. b vi INTRODUCTION. tuation, but decided that unless the MS. were written over again in modern English, the transcript must be kept close to the original ; and, though it may be felt that if Mr Essex had printed it himself, he would have made certain correc- tions, readers can now settle for themselves what varieties from modern English are due to the date of the MS., and what are due to its being written out as a mere memorandum, without any idea of its being printed. I felt the same difficulty also with regard to the illus- trations. They are merely drawn with the quill pen with which Mr Essex wrote the MS., and not set out accurately as architectural drawings. If one attempted to finish them, and draw them out with care, they would certainly lose the character he put into them; a character which is not without interest, for some of them shew the state of his mind very clearly, and the difficulty he felt in distinguishing between the Romanesque capitals with vertical foliage of which he had seen but few examples in this country, and the Corinthian Order which had been a study of his life. All these illustrations have therefore been inserted as pure facsimiles. To these sketches I have added two other illustrations : one a very good portrait of Essex, which was found among Bowtell's MSS. in Downing College \ and which the Master and Fellows kindly allowed me to reproduce ; the other a silhouette of himself, his wife, and his daughter, the property of Albert Hartshorne. Esq., of Bradbourne Hall, Wirksworth, near Derby, which he kindly placed at my service. For both of these I wish to express my hearty thanks. Mr Hartshorne mentions that the silhouette is a very interesting specimen, as silhouettes are seldom found of so early a date, and this one is drawn in ^ It is stated in Cooper's Annals, iv. 413, that this portrait was drawn by Essex's son-in-law, the Rev. John Hammond. The inscription at the foot of the drawing merely says that it is "from an original mini^tiire in the possession of J. Hammond, M A.'* INTRODUCTION. vii Indian ink on cardboard, and not cut out in paper and pasted on to cardboard as later specimens almost invariably are. I am also indebted to M. Genard, Archivist at Antwerp, who very courteously shewed me several drawings of buildings now destroyed, and gave me much information that I could not have obtained without his help ; and to M. Max Rooses, Keeper of the Plan tin Museum, who kindly looked over my notes and explained several difficulties. My thanks are due also to J. H. Hessels, M.A. for the kind interest which he has taken in my work, and for obtaining M. Max Rooses' assistance for me. I will now give a short biographical account of Mr Essex, for he was a well-known man in the middle of the last century, and was deservedly held in high esteem, both on public and private grounds \ He was the son of a Cambridge builder, or, as he is usually designated, a " joyner," evidently a man of distinction in his trade, for we find him employed on many important works. The father executed the sash-windows and wainscot in the Senate House (1724-25), and apparently designed the latter, for it was ordered, 20 July, 1725, 'that Mr Essex be employ'd for the Wainscot, and that Articles be drawn between the University and him according to the Proposals given in by Mr Essex, and alter'd by Mr Gibbs he ' beautified ' the chapel of Trinity Hall, and rebuilt the hall (1729-42) ; fitted up the Regent House, now the catalogue-room of the University Library, for the reception of Bishop Moore's books (1731-34) ; and transformed the hall of Queens' College, under the direction of Mr Burrough, 1732-34. In the course of the above-mentioned work at the Library he apparently designed the book-cases, which are re- 1 A notice of the architectural career of Essex is given in the Archi- tectural History of the Urdversity of Cambridge, by Professor Willis and Mr J. W. Clark, vol. iii., pp. 540 — 546, and a chronological list of the works executed by himself and his father will be found in the Index. It will therefore be understood that I am quoting from that work unless reference is made to some other authority. Vlll INTRODUCTION. markably beautiful specimens of that class of woodwork; for no other name than his occurs in the University accounts for the years during which the work was proceeding. The following are the entries referring to it : " 1731. For work in the Old Senate House. To Mr Essex towards Flooring and Classing the s'' Room for the reception of the King's Books 200 00 00 1732. I Similar entry] 200 00 00 1733. Mr Essex. P*^ more to him for Joyners' and Car- vers' Work done in the library . . . 100 00 00" He died in February, 1749, and was buried in S. Botolph's churchyard, 17 February. James Essex, the subject of my memoir, was born in Cambridge in August, 1722. He was ''put to Scheie for grammatical Learning," as his friend the Rev. William Cole has recorded, " under Mr Heath, Fellow of King's College, the Master of the College Scheie kept in the new Brick Building at the S. E. end of the ChapeP." Whatever Mr Cole may have understood by the term "grammatical learning," the system there pursued might be thought to have failed in imparting orthography, if we are to judge by the journal before us ; but it should be stated on the other hand that the large series of Essex's note-books preserved in the British Museum does not exhibit the same glaring faults. It has been suggested, with much probability, that the constant sight of King's College Chapel may have determined his taste in favour of Gothic Architecture ^ To this conjecture I would add another : that he may have been admitted, as a boy of promise, to some share in the society of the Fellows, and thus have laid the foundation of tastes and acquirements, hardly to be ex- pected in one who began life as a master-builder, and which 1 MSS. Cole "Athense Cantabrigienses." Add. MSS. Mus. Brit. 5868, p. 72. 2 Remarks on Modern Gothic Architecture, by E. J. Willson, p. xvi. prefixed to Pugin's Specimens, London, 1821. 4to. TNTllODUCTION. IX enabled liim, in after-life, to associate on terms of equality with men of letters. We shall find that he wrote a good English style, both in his reports, and in his papers contri- buted to the Archwologia ; while in the numerous letters addressed to him, or in which he is mentioned, there is no trace of condescension, or any suspicion that his correspondents, while making use of his talents, regarded him as an inferior. On leaving school, "he studied regular architecture, with great attention, under Sir James Burrough^;" but, while studying architecture, the practical business of a builders profession was not neglected, for in September, 1749, about six months after his father's death, we find him building the wooden bridge at Queens' College ; and, from that time, to the end of his life, he was employed almost continuously on more or less important works, both in building and carpentry. These I will briefly enumerate, but, before I do so, another matter must detain us for a few moments. In 1748 Essex became involved in a controversy with the Reverend Robert Masters, Fellow and Bursar of Corpus Christi College, respecting the authorship of a plan for adding a new court to the college. A dispute so petty, and, to one of the parties, so discreditable, would not be worth recording, did it not exhibit the straightforwardness and independent spirit of Essex in a peculiarly favourable light. Most young trades- men, dependent on University custom for their livelihood, would probably have passed over in silence the misdeeds of a man holding the dignified social position that Masters did. Essex, on the contrary, did not hesitate for a moment to assert his rights, and the opinion of competent judges seems to have been wholly on his side. In December, 1747, Mr Masters, then engaged upon the history of his college, the first part of which he published ^ This valuable piece of information occurs in the notes to a paper by the Rev. Michael Tyson, printed in the Archceologia, vol. xvi. p. 306. X INTRODUCTION. in 1753, had employed Essex to measure the ground available for building purposes, and to draw a plan for a new court, which he had had printed, and circulated among his friends as his own. This, we may imagine, came to Essex's ears, for in September, 1748, he published the following advertisement^: "Cambridge, Sept. 20, 1748. Proposals /or Engraving and Printing hy Subscription, A Perspective View and Geometrical Plan of an intended Addition to Corpus Christi College in Cambridge ; According to a Design made in December, 1747, for the Rev. Mr Robert Masters, B.D., Fellow and Bursar of the said College. By James Essex, Jun. of Cambridge. I. The whole will be contained in One Copper Plate, 18 Inches by 12, engraved in the best manner, and printed on the best Paper that can be procured. II. The Price to Subscribers will be Two Shillings and Six Pence, to be paid at the time of subscribing. III. The Draught being already finished, will be put into the Engraver's Hands immediately, and finished as soon as possible. Subscriptions are taken in by Mr Thurlbourn, Bookseller in Cambridge, Mr Craighton, Bookseller in Ipswich, and Mr Gleed, Bookseller in Norwich." Mr Masters replied as follows ; " Cambridge, Oct. 3, 1748. VihevQ^^ James Essex, Jun. of this Place, has lately publish'd Proposals for Engraving and Printing by Subscription at the Price of Two Shillings and Six-pence, a Plan of an intended New Building in Corpus Christi College, without the Consent or Approbation of the Society, and likewise insinuated that it was of his Designing : This is to inform the Publick, that the Original Draught of it by Mr Masters's own Hand, with the several Alterations and Additions which have been since made, may be seen by any one at his Chambers in the said College, and that Essex was no other- wise employ'd therein than copying out his Design. N.B. Mv Masters has already printed a suflacient Number for Presents to his Friends, which was all he first intended, but if Essex should persist in his Scheme, will think himself obhged to print more very soon, which will be sold for One ShiUing each." Mr Masters no doubt expected that this advertisement would silence the audacious youngster who dared to question 1 This and the two following advertisements are printed at the end of the pamphlet described below. INTRODIK^TION. XI his proceedings ; but it had a contrary effect, for on the very next day Essex replied : "Cambridge, Oct. 4, 1748. Whereas Mr Masters of Corpus Christi College^ has hxtely publish'd an Advertisement, wherein he pretends to inform the Publick, That the Original Design of an intended New Building in Corpus Christi College was made by his own Hand ; and that this Design, Avitli the several Additions and Altera- tions which have been since made, may be seen by any one at his Chambers in the said College: and that Essex was no otherwise employ'd therein than in copying out his Design, This is to desire the said Mr Masters to produce the Plan and Elevation of his pretended Design, with the Copy thereof, to publick View, so that they may be compared ; and the said Essex will not only make it api)ear that it is his own Design, but that the said Mr Masters is incapable of making such a one ; and that the Prints he has publish'd are incorrect Copies of the rough Drawings made by the said Essex, which has {sic) been copy'd without his Consent or Approbation. N.B. As the said Essex is determin'd to persist in his Scheme, he pro- poses to publish some Remarks on Mr Masters' s Original Design, wherein he shall find Occasion to observe how little he is acquainted with the Duo- decim Nessaria {sic), which Remarks will be givGw gratis to the Subscribers, if the said Mr Masters persists in his Scheme of selling his Prints for One Shilling each." It is evident, from a passage quoted below, that Masters did publish his plan, and in consequence the following pamphlet appeared early in 1749. It consists of fourteen octavo pages, and is dated "Cambridge Feb. 20, 1748-49." " Mr James Essex's Letter to His Subscribers to the Plan and Elevation of An intended Addition to Corpus Christi College in Cambridge. Good name in Man or Woman, Is the immediate Jewel of our Souls. Who steals my Purse, steals Trash; His something, nothing, ^Twas mine, 'tis his, and has heen Slave to Thousands : But he that filches from me my good Name, Robs me of that which not enriches him And inakes me Poor indeed. Shakes?. Othel. Cambridge: Printed by R. Walker and T. James, 1748-9." In this performance Essex submits his adversary's plan to a detailed examination, and points out, with almost savage exul- Xll INTRODUCTION. tatioii, the blunders which are to be found in nearly every part of it. Mr Masters had apparently failed to fulfil his promise of exhibiting his original plan, for Essex remarks (p. 3) : " As I have been depriv'd (as well as others) of the Happiness of seeing Mr Masters Original Design,...! shall take the Liberty to supply the Want of it, by pubHshing some Remarks on a Print which he has lately publish'd; being the same winch in my Answer to his Advertisement I declar'd to be an incorrect Copy of my rough Drawings : to explain which it will be proper to inform you that I made two different Plans of the Design before he could fix on any Thing particular, and setting aside the Mistakes which he has made for want of understanding it, his Print may be allow'd to be taken from my two Plans." He next points out a number of obvious blunders. In the first place Mr Masters had placed the Old Court too near the street ; an error which, on his own shewing, must have been his own, for he had stated in the advertisement above quoted, that Essex had been "no otherwise employ 'd therein than copying out his Design ". The Hall is too wide ; the Master's Lodge is not only too wide, but the staircase has been left out ; and there is a remarkable gap in the references, which is thus accounted for : " Mr Masters, without Doubt, has some very learned Reasons for leaving the Letter I out of the References, though he could have none extraordinary for leaving the Combination Stairs out of the Plan, which in mine is mark'd with this Letter." Lastly, after pointing out other mistakes, which I have no space to examine in detail, he exclaims (p. 13) : " But the greatest Mistake of all is, that the Plan and Elevation do not agree in their Measures, which could proceed from nothing else but his Ignorance of the Design, or his Ignorance of Geometry, or both." It is extremely difficult, at this distance of time, to form an independent opinion on this curious controversy, even when we have both the plans before us\ On the whole, it appears 1 The plan by Masters is published as a frontispiece to his History ; that by Essex, dated 1748, is extremely scarce, but I have had the good fortune to see one copy of it, in my friend Mr J. W. Clark's collection. It is quite different from the second plan which he published in 1773. INTRODUCTION. Xlll most probable that Essex (whose uprightness and modesty are frequently held up to admiration in after-years by his friends) was in the right ; and it is strong evidence in his favour that Gough in his British Topography (1780), speaking of Masters' History, says: ''He has annexed a plan of a new building, copied by P. Stephens from a larger design by Mr Essex, engraved by Mr West 1739^"; and that Cole, writing to Gough from Milton, 17 December, 1780, remarks: "I under- stand my rough neighbour is much offended at some expres- sions relating to him in your excellent book. . . . The great thing ... which has offended him is reviving the accusation of plagiar- ism. In short, Mr Essex could give other proofs of it ; and more could be produced, if necessary. However, upon the whole, I wish it had been forgotten : though really what you say, I think, may easily be excused^". I will now proceed to give a list of the more important works executed by Essex in Cambridge. The date appended to each denotes the completion of the work. 1750. Builds bridge at Queens' College (Btheridge Architect). 1751. Fits up " Square Room" or " Dome Room " at Library for MSS. 1754. Rebuilds Great Bridge. 1757. Designs and builds Ramsden building at S. Catharine's College. 1758. Repairs and alters Nevile's court at Trinity College. 1760. Designs and builds new range at Queens' College. „ Builds Doctors' Gallery in Great S. Mary's Church (Burrough Architect 1764. Repairs and alters hall at Emmanuel College. 1766. Designs and builds bridge at Trinity College. 1 British Topography, i. 233. Mr Gough makes two mistakes : the date was 1748, and the engraver W. H. Toms, as shewn in the list of Essex's designs given below. Nichols, Lit. Anecd. i. 687. Mr Masters was at that time rector of the neighbouring parish of Landbeach. That he was not unwilling to profit by the labours of others without acknowledgement has been pointed out in the notes to Josselin's Historiola Collegii Corporis Christi (Octavo Publ. No. XVII. p. 54). 3 For this date see Arch. Hist. iii. 538, note. XIV INTKODUCTION. 1768. Completes west end of Senate-House. 1769. Ashlars quadrangle of Christ's College. „ Completes chapel at Clare College after death of Burrough. 1771. Is commissioned to buy site and design buildings for Downing College. 1775. Rebuilds combination-room of Trinity College. „ Designs and builds west front of Emmanuel College. 1776. Designs and sets up altar-piece, etc. at King's College. „ Alters south side of first court of S. John's College. 1778. Provides book-cases for library of Sidney Sussex College. 1782. Designs and builds new chapel of Sidney Sussex College. 1784. Builds Guildhall. In the transformation of older structures which Essex was instructed to carry out, as well as in his original works (except in the altar-piece at King's College), he adopted the debased Italian style then in fashion, which he had no doubt learnt from Burrough ; but, though compelled to follow the taste of the day, he was in reality an enthusiastic admirer of the then despised Gothic style, and has been well characterised as ' the first professional architect whose works displayed a correct taste in imitations of ancient English architecture \' His real pre- dilections are forcibly exhibited in the following passage from his Observations on Lincoln Cathedral, read to the Society of Antiquaries in 1775. After noticing the vexed question of the rival merits of the cathedrals of York and Lincoln, and quoting a letter dated 9 July, 1740, in which Lord Burlington's opinion in favour of Lincoln is stated, he proceeds : " Lord Burlington had a taste for architecture, and was as capable of deciding this question as any person ; but the merit of Gothic architecture was then but little noticed, and the distinctions of style but little known. It was the fashion to apply the name of Gothic to every irregular or dis- proportioned building ; and, strange as it must appear, the noblest of our old cathedrals, and other ingenious works, have been no better esteemed than the productions of a rude people, who were ignorant of all the prin- ciples of designing, and the art of executing. But, under whatever deno- mination the conductors of these noble fabricks may be placed, whether we call them Goths or Free-masons, we must acknowledge that the style ^ Remarks on Modern Gothic Architecture, ut supra, p. xvi. INTllOJ)UCTI()N. of building- which they used was brought to a more perfect system by them, tliau the Greek or Roman has been by modern architects ; and that the principles on which it was founded were unknown to the greatest professors of architecture since the Reformation, is evident from the attempts of Inigo Jones, Sir Christopher Wren, Mr Gibbs, Mr Kent, and many others of inferior abilities since their time, who have endeavoured to imitate it without success. But we are not to conclude, that the con- ductors of these stately fabricks had no principles to direct them, because these great men did not discover them ; for if any one, who is properly qualified, will divest himself of his prejudices in favour of the mode of building which fashion has made agreeable, and impartially examine the merits of those Gothic buildings which are perfect, he must acknowledge, that the ancient Free-masons were equal to our modern architects in taste for designing (agreeable to the mode of their times), and superior to them in abilities to execute ; that they perfectly understood the nature and use of proportions, and knew how to vary them when they wanted to produce a striking effect^." This passage was written, it will be remembered, while Essex was constructing his own altar-piece at King's College ; and it is impossible to resist the inference that it was present to his mind when noticing unsuccessful endeavours to imitate the Gothic style. That altar-piece, however, is a very meritorious work, having regard to the time when it was executed, though its faults justify the remark of Pugin, " that the works of Essex in the Gothic style are deficient in boldness, and spirit of design, and his details too often meagre ^" Much, however, as Essex admired the work he attempted to imitate, he could never quite shake off the effects of his early training, and, so late as 1764, he could give the following strange advice respecting the treatment of Gothic ornamentation : "In repairing the Ornaments about the Church, either of Wood or ytone, some Regard should be had to the Uniformity of the Work : but it is not necessary to restore every Ornament that was broken : for as there is generally a Superfluity of Ornaments in Gothic Architecture, the Uni- formity will often be better preserved by taking away a remaining Part, than by restoring that which was lost : and this may be done sometimes 1 Archceologia, Vol. iv. p. 158. - Remarks, etc., ut supra^ p. xvii. note. XVI INTIIODUCTION. without Offence to the most judicious Eye : and very often it will be an Improvement to the Beauty of the Work, rather than a Defect : so that, by observing this Rule, much Time and Expence may be saved in beautifying the Church. For where the Proportions of the Parts are just, the Ornaments will never be missed ; and where they are not, too great a Profusion of Ornaments will disgust the Admirers of Simplicity and Proportion, without concealing the Want of it^" Moreover, though a devoted archaeologist, and second to none in his reverence for antiquity, he could occasionally advocate the removal of parts of ancient structures, in order to carry out his own ideas of what was beautiful and correct. This course he pursued both at Ely and Lincoln. His works at Ely Cathedral are thus summarized by Bentham : "The upper part of the outward Eastern Front had given way, and hung out of the perpendicular, near two Feet ; but was restored to it's first state under the direction of Mr Essex ; who also gave the Design for the new Roofing over the whole of the Eastern part of the Church, lately finished and contrived with great judgment to strengthen the Stone Walls, which give it support. To the same judicious Architect likewise is owing that strength and security which are seen in the whole Wood-work of the Dome and Lantern ; which through long inattention were brought into a dangerous condition ; the main Supporters being rotted, and the whole threatening ruin by it's own weight. This dangerous work was taken in hand in 1757, and a compleat reparation eff'ected in five yearsl" Further particulars of what Essex did, with extracts from the report^ which he submitted to the Dean and Chapter in July, 1757, will be found in the essay On the Architectural History of Ely Cathedral, by the Rev. D. J. Stewart, who gratefully records that " in executing repairs absolutely essential to the safety of the building, Mr Essex showed great professional skill, and unusual respect for the workmanship of an earlier period. He took all possible pains to save every fragment of the old timber that could be kept in its original place, 1 Report to the Dean and Chapter of Lincoln, August, 1764. Add. MSS. Mus. Brit. 6772. •2 Bentham's Ely (ed. 1812) p. 284. 3 Copied by Cole, MSS. Cole, xli. fol. 170-172. Add. MSS. Mus. Brit. 5842. The original is in the Muniment Room of Ely Cathedral. INTRODUCTION. XVll and can fairly claim the credit of having carried out his work in a purely conservative spirit ^" In strange contradiction to this meritorious conduct he ad- vised the Dean and Chapter to take down the west porch, as "neither ornamental nor useful", and "to apply the materials to the use of other parts of the church^;" and in 1759 advocated the removal of the choir from its original position under the lantern to the east end of the presbytery, with the altar placed against the east wall. This change, though agreed to in 1759, was not carried out till 1770, probably from lack of fundsl But even in this subversion of ancient arrangements his respect for old work was apparent, for he took care to preserve, in the west face of the organ-screen which he constructed, some fragments of an arcade, of delicate workmanship and good design, of earlier date than the stallwork, evidently the remains of some im- portant structure in the church which had been destroyed Essex was sent for to advise the Dean and Chapter of Lincoln in September, 1761, the Cathedral, like that at Ely, being in need of substantial repair. He sent in a very clear and business-like report, pointing out what was necessary to be ^ On the Architectural History of Ely Cathedral. By the Rev. D, J. Stewart (London, 1868. 8vo), pp. 74, 125 — 127. ' Stewart, p. 54. 3 Benthani, p. 285; Stewart, p. 43. A letter to solicit subscriptions, signed The Dean and Chapter^ was issued Nov. 24, 1759, on a large folio sheet. It embodies Essex's chief reasons for the removal, and is sur- mounted by a beautiful ground-plan of the choir in its new position, and an elevation shewing the effect of the stalls, screens, etc., drawn by himself. In his letter to the Dean and Chapter, dated 14 June, 1759, recommending this alteration (MSS. Cole xli. fol. 172 b— 173. Add. MSS. Mus. Brit. 5842) he says: "Having been informed that an eminent Architect has declared it his Opinion that the Removal of the Choir will spoil the Church, I hope if he thinks so, that he will produce his Reasons, and I will endeavour to answer them." It would be interesting to know who this architect was. ^ A7\'h. Hist, of the University and Colleges of Cambridge, iii. 546, note. This fact was communicated to the Editor by the Rev. D. J. Stewart. The arcade is shewn in History and Antiquities of the Cathedral CJiurches of Great Britain, by J. Storer (Lonrl. 1 816. 8vo), " Ely", PI. v. XVlll INTRODUCTION. done ill order to prevent further mischief to the roofs, walls, &c. These works were carried out in subsequent years, as funds would permit. Three years later he addressed to them a second report (dated August, 1764), in which he went over the same ground again, and pointed out the necessity for further repairs of a similar character. These works having been com- pleted, the interior was taken in hand, and in the original works there executed Essex is seen at his best. A few years before he was called in, the w^estern towers had been supported internally by walls of great thickness, pierced with narrow arches and round openings in the most debased classical style. Essex enlarged the opening in the wall which crossed the iiave, and inserted an arch of wide span, copied (it must be admitted) from the nave pier-arches, but of so excellent a design that until it is closely examined, it might easily pass for a piece of original work. He also renewed the paving throughout, repaired the choir-screen, and designed an altar- piece in stone. It consists of a central canopy, flanked by lateral canopies, and Avas probably suggested by the tomb of Bishop William de Luda in Ely Cathedral. It is easy to object that it is deficient in dignity, and meagre in detail ; but, these defects having been granted, it must be felt to have consider- able merit, even when contrasted, as it is perpetually, with the consummate beauty of the Angel Choir. The Bishop's throne, of wood, a wholly satisfactory composition, was also designed by Essex \ Here, as at Ely, he advised the removal of the choir 1 In all these works Essex was much assisted by a skilful local carver, named James Pinke. All the carving about the altar is his work ; and he also restored the stone organ-screen and the arched doorways at the west end of the choir aisles. Mr Pinke died in 1810, aged 75. For this record, and for much kind help respecting the connection of Essex with Lincoln Cathedral I am indebted to the Rev. E. Venables, Canon and Precentor. Those who wish for further information should consult his Architectural History of Lincoln Cathedral in the Archwological Journal, vol. xl. pp. 159—192, 377—418. INTRODUCTION. xix to the extreme east end of the church, but with commendable hesitation, as he admitted that the difficulties would be great and the cost enormous; and further, he suggested the destruction of "parts which it would be better to remove than to repair," in other words, of the screens between the transepts and the chapels on their eastern sides. Essex also designed the beautiful stone cresting which crowns the central tower. This tower had been surmounted by a lofty spire of timber covered with lead, which was blown down in a violent storm, 81 January, 1548. In 1773 the then Dean (James Yorke, afterwards Bishop of St David's, 1774-79), conceived the idea of restoring the spire in stone. He con- sulted Essex, who wrote to him as follows, 14 September, 1774, discountenancing the scheme: " 1 find by my Notes taken when I survey'd the Church some Years ago, that the upper j^art of this Tower was not designed by the Architect who built it to bear a Spire of Stone in the Center, and as no preparation was made for it in the Building it is incapable of supporting one. The old Spire was timber cover'd with Lend, and such might be built; but, when I consider'd the height which such a Spire ought to have in proportion to the Diameter and height of the Tower, I found it would greatly exceed the highest we have in England, and consequently be too high for a situation so expos'd as that at Lincoln. I have therefore sent your Lordsliip a Drawing of a Designe with four Spires and open Battlements, such as I conceive agreable to the other parts of the Tower. I have made an Esti- mate of the Expence of Building these with Lincoln stone, and find... the whole [will cost] £1961" The Dean's reply has not been preserved, but it is evident from Essex's next letter, dated 8 March, 1775, that the idea of restoring the spires had been favourably received, for he gives further reasons for adopting that scheme. The suggestion of painting the spires to imitate stone is a delightful illustration of the state of architectural taste at that period: "As the timber and lead of these Spires are very sound, and may last a great many Years when the Stonework which supports them is properly repair'd, I beg leave to propose for your Lordship's consideration, whether XX INTRODUCTION. by restoring the open battlements, gilding the vanes, (and if thought proper, painting tlie lead Spires of a stone Colour) the Tower will not appear to be properly finished ? If it will, then full halfe the expence may be saved, the tower will appear as finish'd, and when these timber Spires want rebuilding, they may be made of Stone 50 or 60 years hence." The battlement was put up in the same year, and, as Canon Venables remarks, "if not faultless in detail, and somewhat coarse in workmanship, it is an admirable finish to a mag- nificent design, for which, considering its date, we can hardly be too gratefuP." I have already quoted Pugin's criticism on Essex's reredos at Lincoln, but before leaving the subject of his works there, it will be only fair to quote that of his friend and contemporary, the Reverend William Cole, written in 1771 : " In December 1770, Mr Essex of Cambridge lending me his MS Surveys of the Cathedral of Lincoln, on Bp. Thomas and the Dean and Chapter's generously appropriating a Tenth Part of their Income from the Church to the Repairs and Ornaments of it, about 10 years ago, when his Judgment was thought necessary to take a general View and Survey of it, I tliouglit them so curious and judicious, that, with his Leave, I took a Copy of them: the first was made in 1761: the last in 1764. Since which Times he has built them a new Altar Peice, from a Design of his own, which is universally approved of : he knowing more of Gothic Architecture than anyone 1 have heard talk of it ; and by his Works of this Sort, will convince the World, that many People who have wrote on the Subject, are but Dabblers in the Science, and know not what they are about. His Altar Peice for King's College Chapel, now going to be erected within these 2 or 3 months, will satisfy the Curious that what I have advanced is no mistake^." His works at Lincoln gave so much satisfaction to his em- ployers that on their conclusion he was presented with a silver salver, bearing the following inscription : ^ Architectural History of Lincoln, ut supra, p. 410. 2 MSS. Cole, xLi. p. 164. Add. MSS. Mus. Brit. 5842. The original reports are in the Muniment Room of Lincoln Cathedral. INTRODUCTION. xxi Voted In the Year 1784 By the Dean and Chapter of Lincoln To Mr James Essex, Architect, In token of their respect for his Abilities, And in acknowledgement of his assistance, Which he so readily lent. In settling the mode of the new Pavement And other Repairs Op the Cathedral Church of Lincoln. Besides these important works, it may be mentioned that Essex restored the tower of Winchester College Chapel, made considerable alterations to the Hall at Madingley, near Cam- bridge, and built the steeple of the church at Debden in Essex. I am indebted to Mr J. E. Foster for the following inscription, now removed to the vestry. "This Steeple was erected in 1*786, from a design of the ingenious Mr Essex, Architect, late of Cambridge, deceased." His connection with the Cross to com- memorate Catherine of Arragon, Queen of Henry VIII, erected in the park at Ampthill in 1773 by the Earl of Ossory, is shewn by the following correspondence in the British Museum \ which I think is worth reproducing. On June 22, 1771, Horace Walpole wrote to Mr Cole : "At present I will only beg another Favour, and with less Shame, as it is of a Kind you will like to grant. I have lately been at Lord Ossory's at Ampthill. You know Catherine of Arragon lived some Time there. Nothing remains of the Castle, nor any marks of Residence but a very small Bit of her Garden. I proposed to Lord Ossory to erect a Cross to her Memory on the Spot ; and he will. I wish therefore you cou'd from your Collections, or Books, or Memory, pick out an authentic Form of a Cross, of a better Appearance than the common Run. It must be raised on two or three Steps, and if they were Octagon, wou'd it not be handsomer. Her Arms must be hung like an Order, upon it. Here is something of my Idea. The Sheild appendant to a Collar. We will have some Inscription to mark the Cause of Erection. Adieu ! Your most obliged Arlington Street Hor. Walpole. June 22, 1771." 1 MSS. Cole, Vol. XLiv. Add. MSS. Mus. Brit. .584.5, pp. 13—15. C. A. S. Octavo Series. XXIV. C XXll INTRODUCTION. A small sketch of the sort of cross he thought suitable is given in the margin of the letter. Cole replied, without date : " As I knew my own Inability to draw out a proper Cross for this Purpose, I applied to Mr Essex, Architect, who w\as thoroughly skilled in these Affairs, for his Assistance, who sent me, after the Commencement at Cam- bridge was over, the following Letter, with an admirable neat Drawing in Indian Ink which I shall disgrace by my Copy on the opposite page^." The next letter is from Essex himself : " To the Rev'^ Cole at Milton. Cambridge July 3, 1771, Dear Sir I have enclosed the Sketch of a Cross : the Style is suited to the Age of Henry 8, but as near as possible to M' Walpole's Design. I have made it as simple as possible, without making it too mean for the Person it is intended to commemorate. I have made no Scale to the Drawing, not knowing the Height intended to make it : but when a Height is deter- mined, the Person who executes it may make a Scale to the given Height, which will serve to measure all the other Parts. I should recommend the keeping exactly to the Proportions in the Drawing, as they are set out agreeable to the Principals (sic) of Gothic Architecture. I think the whole Height, including the Steps, should not be less than 16 Feet. I beg you will present my Respects to M' Walpole, and Compliments to Miss Cole, and am Sir, your obed' humb. Serv' Jam : Essex." The correspondence concludes with the following letter from Mr Walpole : "Strawberry Hill, Oct. 12. 1771. Dear Sir, Lord Ossory is charmed with Mr Essex's Cross, and wishes much to consult him on the Proportions.... He is determined to erect it at Ampthill, and I have written the following Lines to record the Reason. In Days of old here Ampthill's Towers were seen. The mournful! Refuge of an injur'd Queen. 1 The cross is figured in Cough's Camden, ed. 1789, i. 329, from the original drawing by Essex (Nichols, Illustration.^, vi. 287). INTRODUCTION. XXlll Here flow'd lier pure, but unavailing Tears ; Here blinded Zeal sustain'd her sinking Years. Yet Freedom hence her radiant Banners wav'd And Love aveng'd a Realm by Priests enslav'd. From Cath'rine's Wrongs a Nation's Bliss was spread, And Luther's Light from Henry's lawless Bed. I hope the Satire on Henry 8th will make you excuse the Compliment to Luther, which, like most poetic Compliments, does not come from my Heart. I only like him better than Henry, Calvin, and the Church of Rome, who were bloodthirsty Persecutors. Calvin was an execrable Villain, and the worst of all : for he copied Those whom he pretended to correct. Luther was as jovial as Wilkes, and served the Cause of Liberty without canting. most sincerely. HoR. Walpole." A marginal note records : This Cross cost L"^ Ossory considerably above an 100^ Besides these works Essex is commonly credited with a survey of Canterbury Cathedral. This however is a mistake. He does not appear to have examined it more critically than any other ancient buildino^ that he happened to visit, and in a letter to Gostling he expressly says : " I believe we shall agree in other Particulars relating to that Cathedral ; tho' the short Time I had to view it, did not furnish me with all the Materials necessary to support my Opinion i." In a private account-book extending from 1769 to 1775 several items of interest occur, shewing the amounts that Essex received from time to time for his work. The following are a selection : £ s. d. Apr. S 1769. ReC^ of D' Marriot for Surv^ Sen^ h" ^ . . 70 „ „ ReC^ of D" University bills . . . . 58 18 1 Add. MSS. Mus. Brit. 6771. 2 These abbreviations probably stand for " Senate House". Dr Marriott, Master of Trinity Hall, was Vice-Chancellor 1767-68, when the W. end of the Senate House was finished {Arch. HiM. iii. 711 c2 XXIV INTRODUCTION. In some cases he seems to have advanced money, and in others, as at Clare Hall, to have carried out a portion of the work as agent for the College. £ s. d. May 11. Of Cath Hall 2 y'Mnterest due at Lady . . 80 Sep 1. Clare Hall Chapel acc^ 100 1770 May 7. Rec<> of Clare Hall, all due to me . . . 600 1771 July 5. Rec^ of Cath Hall 2 y" intrest due at Lady day . 80 Oct 12. Rec*^ of Cath Hall the i y"^ intrest of their bond, & y" whole princip' remains due on their ac' ^ '^^mlle) £100, & the interest from Michaelmas . 1772 Feb 11. Rec"^ of Mr Barker of Queens his bill . . . 84 10 Dec 19. Rec"^ one y" intrest on Cath Hall Bond for £700 due at Mich^mass last 28 Dec 29. Rec^ of Mr Knig' ' of Trin Hall for surv*^ Gerards Hostle Bridge 26 13 1773 April]. Rec^ of Mr Pindar Bursar of Kings College . 85 Nov 19. ReC^ of Christs College in full . . . . 94 7 3 Dec' 20. ReC' of Cath Hall intrest of 700 due at Mich'mass 28 1774 Nov 10. Rec** of Cath Hall intrest due Michmass . . 28 Dec' 23. Rec^ for Surveying Triny Coll^ new buildings . 223 4 1775 Jany25. Rec^ of Dr Richardson for Em' Coll . . . 70 Aug 24. Rec' in full of Emman' CoU^^ 80 Dec 1. Rec' of Queens' ColL 40 „ 8. Rec* of Kings Coll 80 Cath Hall intrest 1 Q' and the 700^ principal . 7 It is evident from this account that his practice was of con- siderable extent, and not altogether unremunerative, as in 1779 he schedules his property in his private accounts as follows, and shews himself to be worth upwards of £15,000, while living in a small house of which the annual value was only £14. Os. Od. INTliUDlJCTlON. XXV Acc' of lleiits & interest due to me tliis y' 1779 takeu May 26 £ £. s. d. 1000 on T. Hattons mortgage at 4 p' c' due in feb'' . 40 1000 on Mr Keens mort^" being the remain' of 2000 due in 40 1446 Bank stock due Lady day & Mich' Div° 79 4 2000 Bridge office Westminster due Lady day & Mich" at 41 c' 90 5500 New four p' c'' due Lady day & Mich' 220 700 Old fours due Lady day & Mich' 28 1200 3 p' c'' reduced due Lady day & Mich' 36 1100 on Burnt fen due Mid"^ & at 5 p' c' 55 400 at 4 p"^ c' Edw*^ Mills due June 16 200 9 5000 Cotton & Humfreys bond 4 p'' c' due .... 20 Cogans neat rent due at Lady day .... 55 25 14 727 4 paid to mother . 30 neat income this year 697 4 He gives a careful detail also of his expenses for the same year, which is finally summarised in the following result : £. s. d. End of 4'" Q-^ 48 9 10 3"^Q' 51 6 4 2"^' 66 15 r'Q' 78 17 10| 245 9 01 Expences to, at or from Margate, exclusive of 27 3 Money paid in London for sundries . 8 Ditto in Margate & Deal for Do. 8 13 3 Expence of Chaise & Horses & man while out 12 14 7 Keeping one horse from April to Dec' 17 Expences for Chaise & duty .... 17 6 £336 7 If these two accounts be compared, it will appear that he was laying by more than half his income. XXVI INTRODUCTION. Essex resided in one of the houses which stood between the corner of S. Botolph's Church and the corner of Benet Street before the new court of Corpus Christi College was built. The position of his house may be defined approximately from Cole's usual way of addressing letters to him : " For Mr Essex opposite Catharine Hall." According to the same authority " he married [Elizabeth] a Daughter of Mr Thurlbourne late Bookseller in Cambridge, Sister to Mrs Hales, wife of Mr Hales, Surgeon, also in the same Place They had two children ; James, who died an infant in 1757; and Millicent, the daughter who accompanied him on the tour here printed. She married, 10 May, 1785, the Reverend John Hammond, M.A. sometime Fellow of Queens' College, and died in January, 1787^ without issue. Her husband had been for a short time curate of S. Botolph's Church, and afterwards lecturer at Trinity Church, in this town, where his popularity was so great that in 1784 (on the death of the perpetual curate, Mr Therond) the parishioners did their best to induce the Bishop of Ely to appoint him instead of Mr Simeon. In 1787, after the death of his wife, he resigned the lectureship, and travelled on the Continent for three or four years, part of which were spent in Germany, where he made himself thoroughly acquainted with the language, theology, and University life. On returning to England he did not resume the profession of a clergyman, in consequence of difficulties respecting the doctrine of the Trinity, but passed the rest of his life as a country gentleman at Fenstanton, near Cambridge, where he had previously bought an estate. In politics he was a staunch Whig, and in religious opinions what is termed by his biographer a Unitarian Christian. Soon after settling at Fenstanton he married again, and became 1 Add. MSS. Mus. Brit. 5868, p. 72. The account was written in 1776. The Register of S. Botolph's Church records that James Essex was buried 6 May, 1757 ; and Millicent Hammond 26 January, 1787, aged 30. INTRODUCTION. XXVll the father of several children, from one of whom the lady who lent to me Essex's MS. is descended \ Essex died suddenly, of a paralytic stroke, 14 September, 1784, in the sixty-third year of his age. His mother, Mrs Bridget Essex, had died, aged eighty-four, only four months before her son, 18 May, 1784; his widow survived him six years, dying 23 September, 1790, aged fifty-nine. He was buried in S. Botolph's Churchyard, on the south side of the church, with his father, mother, wife, son, and daughter. The inscription on his tomb runs : This Tomb was erected by M" Martha Hayles in Memory of James Essex Sen' and Bridget his Wife; James Essex Jun' & Eliz. his Wife; and two Children of James, and Eliz. Essex, James, who died an Infant, And their Daughter Millicent Hammond, who are all buried in a Vault Beneath. Eliz. Essex the last Survivor, died Sep. 23, 1790, Aged 59. A marble tablet in the north aisle of the church bears the following inscription : In a Vault, On the South side of this Church, Lie sleeping in a state of death. Until that Time, when Jesus of Nazareth, Whom God hath exalted to be a Prince and a Saviour, And appointed for our final Judge, Shall come again, According to the Scriptures, To raise the dead both small and great, And to reward the righteous With eternal life. James Essex. A.S.S. Eminent for his Skill in Architecture and Antiquities who died Sept. 14, 1784. Aged 63. James, only sou of James and Elizabeth Essex, who died May 3, 1757. Aged 2 Years and 10 Months. Meliscent, only daughter of James and Elizabeth Essex, and wife of the Rev. John Hammond. A.M. who died Jan. 22, 1787. Aged 30. 1 An interesting life of Mr John Hammond will be found in The Monthly Repository for 1830, p. 475. See also Life of Simeon, by Carus, (ed. 1847), pp. 40—65. xxviii INTRODUCTION. The feelings with which his contemporaries deplored his loss, are well summed up in the following passage, written by- Mr Gough : "Those who have made Gothic Architecture their study, as well as those who on a superficial view cannot help being struck with its stu- pendous efforts, will for ever regret the irreparable loss of this great master of that science, whose modesty was equal to his abilities..,. He was preparing further remarks on the rise and progress of his favourite science, in its various parts, which death intercepted^." The principal architectural works which Essex designed or superintended have been already mentioned, but, before I conclude, I must say a few words about his literary and anti- quarian pursuits. He lived, as has been already mentioned incidentally, on terms of intimacy with several well-known antiquaries, among whom were Tyson, Kerrich, Gough ^ Ben- tham, and Cole^, who made him his executor. The house in which Cole resided at Milton, which still exists almost in the state in which he left it, was built for him by Essex, as we learn from the following curious letter'^ : " For Mr Essex opposite Catharine Hall in Cambridge. Milton. Sat. July 24, 1779. Dear Sir, I hope you and the Ladies got safe Home on Thursday, and are well. I wish you a good journey to Margate, and all the good Efibcts of it. I was not well enough yesterday to be a Venison Eater, and thought it best to be quiet at Home. * -x- * If I am underground at your Return (for I expect to go off suddenly and wish for it) as a Friend look at the spot and as you contrived me 1 Nichols, Lit. Anecd. vi. 625. 2 Several letters from Essex to Gough are printed by Nichols, Illus- tration.'^, vi. pp. 284 — 310. ^ Cooper (^w?^«/5,iv. 413) adds to these Sir J. Burrough, Sir J. Cullum, Dr Richardson, Dr Farmer, Dr Lort, Horace Walpole, Mr Nasmith, and Dr Colman. 4 Add. MSS. Mus. Brit. 5842, p. 344. Printed by Nichols, Illustrations, vi. 297, note. \ INTRODUCTION. xxix u neat riaco here for a temporary Dwelling so I beg you to recomuiciid it to my Executor to desire you to ornament my longest home. Adieu. Wm. Cole." Essex was elected Fellow of the Society of Antiquaries, 23 January, 1772, an honour which he accepted with much pleasure, and gratitude to his friend Gough, to whose kind intervention on his behalf he believed it to be due\ This position gave him an opportunity of writing several papers on antiquarian subjects, of which a list is given below. They must be read with reference to the time at which they were written, and, when this is kept steadily in view, I think it will be con- ceded that they have considerable merit. Not only was Essex the first architect who reproduced the so-called Gothic style with success, but he was the first architectural historian. He pursued the method which was subsequently brought to such rare perfection by Professor Willis : in other words, he did his best to collect all the historical references to a building, and then compared the structure with the recorded facts. 1 cannot claim for him any conspicuous success in these in- vestigations ; in his attempt to write the architectural history of the Cathedral of Lincoln, and in his theory respecting the Saxon Cathedral at Ely, he has fallen into grievous errors; but the method he employed was a sound one, and it was his misfortune, rather than his fault, that he did not make better use of it. So early as 1756 he issued 'Proposals"' for engraving views, plans, and sections of King's College Chapel, "being so remarkable a structure as to be admired and held in the highest esteem by all that have seen it;" in other words, he proposed to publish a regular architectural history of the building. The scheme of this work, with several of the plates, is among the MSS. which, after Essex's death, passed into the hands of his friend the Rev. T. Kerrich, Fellow of Magdalene 1 Tyson to Gough, 28 January, 1772. Nichols, Lit. Anecd., viii. 578. - Printed by Gough, British Topography, i. 237. XXX INTRODUCTION. College and Proto-bibliothecarius of the University \ by whom they were bequeathed to the British Museum The plates are so accurate, and so beautifully drawn, and the scheme^ is so excellent, that I subjoin it, in the hope that some one may be induced to complete it : 1, 2. A plan of the Chapel with the vaultings throughout. 3. Elevation and section of a tower above the battlements. 4. Plans of do. to a large scale. 5. Plan and elevation of the basement of a tower with the moldings to a large scale. 6. 7. Section of the east end with the window and intended altar- piece. 8, 9. Section from east to west. 10, II. South side. 12. Section of the whole from north to south, shewing the abutments of the vaulting. 13. The west end within. 14. The west end without. 15. The west gate to a large scale. 16. The south gate. 17. 18. A tabernacle at the east [north ?] gate to a large scale, with the plans of their sofEtes. 19, 20. Do. of the south gate, and soflStes, etc. 21, 22. Sections, etc. of one division of the great vault to a large scale. 23. Sections, etc. of the timber roof, etc. 24. The tracery of one large window described. 25. The tracery of the several sorts of windows. 26. Elevation and proportions of a finial. 27. 28. General plan of the college. 29. The great bell-tower, from the original designe in the Museum^. The " general plan of the college " is laid down according to the directions contained in the Will of King Henry the 1 Mr Kerrich held the office of Proto-bibliothecarius, united in 1845 to that oi Bibliothecarius, from 1797 to his death, 10 May, 1828. 2 Add. MSS. Mus. Brit. 6761—6773, 6776. 3 Ibid. 6772, fol. 6. ^ An accurate copy of this design, on a reduced scale, by Nash, is in Lysons' Cambridgeshire, t^. 116. The date is criticised in the Architec- tural History, ut supra, i. 553. INTRODUCTlOiV. XXXI Sixth, a careful digest of which may be seen in one of Essex's note-books. It is drawn with his usual neatness, and its accu- racy has been specially commended by Professor Willis \ Essex also contemplated a history of Ecclesiastical Archi- tecture, or as he called it "Gothic Architecture," the MS. of which, nearly completed, together with a number of the illus- trations, is in the British Museum He proposed to trace the history of the plan of churches and of their component parts, from the pagan temples, through the earliest known examples, to the latest developments of the Gothic style. The illustra- tions shew single bays of churches in different styles, windows of all periods, etc. Like other writers on this subject, he had his theory on the origin of the pointed arch, and it is curious to notice that he believed, as Dr Whewell did long afterwards^, that it was discovered by experiment, by builders who had to make longitudinal and transverse vaults intersect each other. Moreover, he held that the subdivision of a Gothic cathedral into pier-arches, triforium, and clerestory resulted from a direct imitation of ancient buildings, such, for instance, as the amphi- theatre at Verona, in which we find two or three tiers of arches, one above the other. In this theory, though he expresses it crudely, and without having had the opportunity of examin- ing ancient buildings, he was no doubt in the main correct, as Professor Willis has shewn in his Observations on the Archi- tecture of the Middle Ages, and far in advance of the age in which he lived. His friends set a high value upon his pro- 1 Arch. Hist, ut supra, 1. 368, note. ^ Add. MSS. 6762. The drawings are in the same series, 6766. 3 Architectural Notes on German Churches, ed. 1842, p. 52. Essex's theories are detailed in the notes to Some Observations on the Gothic Buildings abroad, particularly those in Italy, and on Gothic Architecture in general," by T. Kerrich, M.A. Archceologia, xvi. pp. 292 — 325. Tyson, on the other hand, treated his friend's views about the origin of the pointed arch with goodhumoured ridicule : "as to Mr Essex's hypothesis of the cross-ribbed vaulting, it is too refined to bear talking about" (To Gough, 29 March, 1779, Lit. Anecd. viii. 640). xxxii INTRODUCTION. jected history, but were unsuccessful in their attempts to induce him to complete and publish it. Tyson, writing to Gough, 4 December, 1779, says, after mentioning Gothic architecture, " I cry when I think that Essex's materials must be lost to the world in ii few years, and with them all real knowledge of that singular art ; for no one alive understands the technical part but himself. Can't you beg, borrow, or steal them ?" A week later (10 December) the subject is renewed : " Essex is pleased to honour me, by saying : ' Cambridge grows every day more dull and disagreeable to me ; when you left it, I lost the only acquaintance, the only friend with whom I could enjoy a pleasing and im- proving conversation. I have but few acquaintance out of my own family, and not one who has a taste for the same amusements as myself.' On this occasion I strongly recommended it to liim by way of employment, and consequently amusement, to finish his Gothic Architecture, that it may not remain in scattered papers, intelligible only to himself — so far I may have done good, both to poor Mr Essex and to future Antiquaries." To which Gough replied on the next day : "I join my tears with yours, when I think of Gothic Architecture. These tears have been falling ever since you shewed me Walpole's Letter to Cole on the subject. Had my influence availed, the system might have risen into existence ten years ago, and all the concerned have been now sharing the profits. But, alas ! to use the emphatical words of Lord George Gordon, / can't pay the jnper. — Essex is afraid to lie out of his money — the Society had rather give 170/. for the Great Harry ^ — the College don't care two pence about Prints, while they have the original — and, in the mean time, money and credit, like the Nation, grow worse and worse^." I subjoin a list of Essex's works, which includes, I believe, all those which he acknowledged ; but Cole, recording the gift of his Remarks on the Antiquity and different Modes of Brick and Stone Buildings, observes that he had "formerly printed several small Peices without his Name^" 1 A plate engraved in the ArchcGologia, Vol. vi. PI. xxii. It was copied from a drawing in the Pepysian Library by Mr Kerrich (Nichols, Illustra- tions., vi. 813, note). 2 Nichols, Lit. Anecd. viii. 656. Walpole's letter of advice is printed in the same work, iv. 707. 3 Add. MSS. Mus. Brit. 5868, p. 72. INTRODUCTION. XXXIU 1. Proposals for engraving and printing ... a ... plan of an intended addition to Corpus Christi College, Cambridge .... Cambridge, Sept. 20, 1748. 2. Advertisement beginning "Whereas Mr Masters," printed above, p. xi. Cambridge, Oct. 4, 1748. 3. Mr James Essex's Letter to his subscribers to the plan and eleva- tion of an intended addition to Corpus Christi College in Cambridge. 20 February, 1748 49. 4. Proposals for engraving views, plans, and sections of King's College Chapel, dated Cambridge, Oct. 1, 1756. Printed by Gough : British Topography (4to. London, 1780), i. 287. 5. Letter from the late ingenious Mr Essex to Dr Ducarel, containing Observations on Canterbury Cathedral. Cambridge, Feb. 1, 1768. Printed by Nichols, Bibl. Top. Brit, i. p. 470— p. 472. 6. Plan of the original Cathedral Church of Ely, with an Account of the several Additions and Alterations. The Plan drawn by Mr Essex, the Account written by Mr Bentham, and enlarged upon by Mr Essex. Bentham's Elij, 1812, Addenda, p. 1— p. 8. 7. Account of the old Conventual Church [at Ely]. Bentham's Ely., 1812, Addenda, pages 9 and 10. 8. Remarks on the antiquity and the different modes of brick and stone buildings in England. By Mr James Essex, of Cambridge. Read at the Society of Antiquaries, Dec. 8, &c. 1774. London: printed by W. Bowyer and J. Nichols, 1775. [4to. pp. 37, 1 plate.] From Archceologia, iv. 73. 9. Some observations on Lincoln Cathedral. By Mr James Essex, of Cambridge. Read at the Society of Antiquaries, March 16, 1775. London: Printed by W. Bowyer and J. Nichols, 1776. [4to. pp. 13, 1 plate.] From Archwologia, iv. 149. 10. Observations on the origin and antiquity of Round Churches ; and of the Round Church at Cambridge in particular. By Mr James Essex, F.A.S. Read at the Society of Antiquaries, May 24, 1781. London, 1782. [4to. pp. 16, 1 plate.] From Archwologia., vi. 163. xxxiv INTKODUCTION. 11. Observations on Croyland Abbey and Bridge. Bibliotheca Topographica Britannica, No. xxii. London, printed by and for J. Nichols, 1784. [4to. p. 177 — p. 204, 1 plate ; Prefiice, pages xv and xvi, 1 plate. These two pages and plate are to replace the corresponding pages and plate in No. xi.] 12. A description and plan of the ancient Timber Bridge at Rochester, collected from two MSS. published in Lambarde's Perambulation of Kent. By Mr Essex. Read March 17, 1785. [4to. p. 395— p. 400, 1 plate.] From ArchcGologia, vii. 395. 13. A description and plan of Denny Abbey, Cambs. "extracted from Mr Essex's MSS. in the possession of the Rev. T. Kerrich," and printed in Lysons' Magna Britannia (Cambridgeshire), 4to. 1808, p. 272 — p. 274. The name of Essex is also connected with six engraved designs : 1. A large engraving lettered : " This East Prospect of Kings College in Cambridge, as in- tended to be finish'd, is humbly Inscrib'd to the Worshipful Andrew Snape DD. Provost, The Vice Provost, Fellows, and Scholars, of the same, by their most humble Servant, Jam: Essex, Jun'. Jam'. Gibbs, Arch. Jam'. Essex Jun' Delin. 1741. Published according to Act of Parliament. P. Fourdrinier Sculp." 23|x 19|in. A bird's-eye view of the quadrangle, to explain an ambitious scheme for laying out the court and gardens, on the supposition that the three buildings designed by Gibbs were completed. These, together with the chapel, are drawn in perspective, as they would appear to a person looking down upon them from a distance. Essex proposed "to lay out four grass-plots of equal size in the quadrangle, separated by broad gravel walks ; and two similar grass-plots between the new building and the river. The bridge was to be moved to its present position, and the ground beyond to be planted with trees in regular lines, round a rectangular lake or basin communicating with the Cam. A circular temple, with a domical roof, was to be built on a central eminence westward of the lake." Arch. Hist. i. 571. The original drawing from which this plate was engraved is preserved in the Provost's Lodge of King's College. It would be in- teresting to know whether Essex was assisted in any way by Gibbs or Burrough in the preparation of this important design. It seems hardly likely that a young man of nineteen would produce such a work without some extraneous assistance. INTKODUCTION. XXXV 2. "Aulfe S'^*'^ Trinitatis Cantab: ab Occidente. The West Front of Trinity Hall in Cambridge. Jac. Burrougli Arch. 1743. Jac. Essex jim' Delineavit. W. H. Toms Sculp." 24 X 12-1- in. The hall and butteries at Trinity Hall were rebuilt by Burrough in 1743. It was then contemplated to pull down the Master's Lodge and the Library, and to erect a new court, so arranged that the cupola over the entrance from the older court would have been in the exact centre of the east side of the new court {Arch. Hist. i. 229). This design was probably^ circulated with the view of shewing what was intended, and so obtaining subscriptions. 3. " The Plan and Elevation of an intended Addition to Corpus Christi College in Cambridge. Designed by James Essex junior. Jac' Essex jun'. Delineavit 1748. Publish 'd According to Act of Parliament. W™ Hen. Toms. Sculp." 161 X 9 in. This is evidently the plan published by subscription of which an ac- count was given above. 4. ''A Design for the Publick Library at Cambridge, made by the late S"" James Burrough, in the Year, 1752. Jac' Essex delin* 1752. P. Fourdrinier Sculp." Ill X 161 in. An elevation, with plan of the ground-floor and first-floor, of the west front of the Library, proposed by Burrough after the " attachment scheme " of Gibbs had been abandoned. The whole question is fully dis- cussed, and the rival designs described, in the Architectural History, iii. pp. 47 — 69. The date, 1752, can only denote the year in which the design was drawn, for Burrough, who is described as " the late," did not die until 1754. Cole, writing in 1780, says: "Mr Essex has printed within these 4 or 5 years a View of Sir James Burrough's Design" {Arch. Hist. iii. fiS). It may be concluded therefore that the print was published in 1774 or 1775. 5. " Elevation of the New Front design'd for Emanuel Collejre Cambridge. Jac. Essex desig* et del. P. S. Lamborn sculp." 10| X 4| in. The print is not dated, but the audit-book of the College shews that it was printed in February, 1770 {Arch. Hist. ii. 715 note). XXXVl INTKODUCTION. 6. "The West Prospect of Corpus Christi College Cambridge. Jac' Essex desig* et deP 1773. Major sculp*." 16|x8fin. The final scheme by Essex, which contemplated the removal of the whole of the ancient buildings of the College, and the erection in their stead of a single quadrangle open to Trumpington St. measuring 200 feet from north to south, by about 125 feet from east to west {Arch. Hist. \. 300). In conclusion, I have to express my obligations to my friend Mr J. W. Clark, who has been for some time engaged in col- lecting materials for a life of Essex, and has kindly written for me the greater part of this Introduction. W. M. FAWCETT. Journal of a Tour through part of Flanders and France. Made in Aug^. 1773 in Company with THE Rev^. Mr Tyson, Miss Wale, Mill'' Essex and my selfe. We set out from Cambridge in the Fly at 7. o clock in the morning on Monday the 16^^ of Aug* 1773 and got to London about 5 in the evening, nothing material or worthy notice happen'd to us in our journey : Miss W and my daughter lay that night at M^ Lidiard's a Jeweler in Paul's churchyard, and M"" T — n and my selfe at the Queens head in Greys Inn Lane. Aug: 17. Places being taken for us in the Brumpton Fly, we set off this morning for Rochester with 5 passengers and a young child; we took in another passenger on the road and as the day proved very hot we found it very inconvenient Traveling, we found but little entertainment from our fellow travelers, but were much pleased with the fine prospects which the Hills between Dartford & London afforded us, on one side we had the River Thames with the ships sailing some to & others from London, on the other hand fine hills coverd with woods, and large inclosiers filled with hop vines which appeard like groves planted with trees at regular distances from each other. We C. A. S. Octavo Series. XXIV. 1 2 TOUR IN FLANDERS. dined at Dartford which is a neat pleasant Town well paved and appears very lively on account of the number of Carriages pass through it between London and the City of Canterbury, Dover and other Towns in the East of Kent, we reached Rochester between 4 & 5 in the Afternoon and were set down at the Crown, but the house being full we found no accomoda- tion there, we therefore took a post coach which carried us to Sittingbourn, where we lay that night at the Red Lyon, but were much disturbed all night by the chaises and coaches which were going from thence or coming in at all hours. Aug: 18"^ As soon as we had breakfasted this morning we set out for Canterbury in the same Coach we took at Rochester, and came to Canterbury where we stopt at the Red Lyon no longer than we could change our carriage and get fresh horses which carried us to Dover where we arrived about J an hour after 12. and set up our bagge at the City of London Inn, but the day proving very wet and windy we lost all the pleasure of seeing Dover & the Castle and were almost determined to return without pro- ceeding on our intended journey, but having a letter for M"^ Fector an eminent Banker and Master of several vessels which carry the mail & passengers between Dover and Calls, he en- couraged us to proceed and gave us a list of the principal places which we should take into our route, we soon determined to set off next morning if the wind served for Calls. M"" Fector to whose civility we were greatly obliged called upon us the same evening and gave us a recomendatory Letter to some principal Gentlemen at Calls, Dunkirk and all the principal places we intended to visit recommending us to their particular regarde & desiring them to do us any services we might have occasion to ask, and a Letter of Credit to draw upon him for any sum we might have occasion for. CALAIS. 3 Aug: lO^'^ The wind being fair for Calis and the tide being high enough to carry us out of the harbour we set off from Dover about 11 o'clock in the morning but the vessel being too far from the warfe for us to get into it, we were obliged to be rowed cross the harbour in a small boat out of which we were obliged to clime up the side of the vessel which was in constant motion, and it raining all the time made our setting out rather disagre- able, as soon as we came on board we went down into the Cabin in which we found 8 or 10 beds and in them as many people all sick at heart and cascading as if they were discharging their entrails, the sight of them drove us up again and we determined if possible to continue on deck if the weather would permitt us during the rest of the voyage, but unluckily for us the rain increased which made it impossible for us to continue long there without being wet to the skin and run^ the hazzard of getting cold, I therefore prevailed on my daughter to go down and Captain Weller was kind enough to lend her his Cabin on which she lay down and I seated myself by her during the whole voyage but we were both extremely sick all the time, so were all the passengers on board (being about twenty) except M"" T — n. as the wind was pritty brisk and the tide was with us we reach'd the harbour of Calis in four hours & a halfe and providentialy for us, just in time to get over the bar before the tide was too low, by which we escap'd a dreadful! storm which came on just as we came over it, and continued all that night as soon as we landed we were conducted to the Hotel d'Angle- terre, an excelent Inn where we got each of us a bason of hot broth to heal our stomachs, and ordered a Dinner, but we had not been long sit before news was brought of a small smugling vessel with 4 men being drove on shore and all drowned, as we observed this vessel behind us during great part of our voyage we were the more sensible of the danger w^e had been in our- 1—2 4 TOUR IN FLANDERS. selves, and were inwardly thankfull to providence who had delivered us from the danger, and suffered us to get safe on shore, our dinner consisted of two courses & a Desert, after dinner our baggage was brought us from the Custom house where it was carried when we landed, we sent our keys and every thing was returned without being displaced, the storm continuing we had no opportunity of walking out, we therefore continued at the Hotel and consulted what we should do for our future accommodation and agreed to enquire for a valet d' place, & Mon. Desin recommended Jean d' Grave as a proper person, being a sober honest man who could speak y^ English, French and Flemish Languages, we agreed with him for a Guinea a week, and took him into our service the next day. The Captain of the vessel now called upon us to enquire how we did, and to recieve his pay for our passage, we paid him halfe a guinea each, and gave one Guinea among the crew, and as the Captain had behaved with great civility during the voyage, we invited him to sup with us which he did. & I took y® opportunity of writing Home that day, and gave the letter to him, who carried it to Dover next day. We had an excellent good supper and our voyage had created an appetite for that as well as our dinner, we were accommodated with excelent good beds in this House, which is one of the best Hotels in France : the apartments are large and elegantly furnished, and in it there are every convenience for accoiiiodating Travelers, and there are few articles wanted in traveling which they cannot be immediately supplied with, here are forty or fifty carriages always ready if wanted at a minute's warning, here is a fine garden neatly kept up and a handsom Theater where Travelers who lodge in the Hotel may find entertainment while detained by contrary winds, without going out for it. As we intended returning by Calls we did not trouble our- selves about anything we might see in it ; but ordered a car- CALAIS TO DUNKIRK. 5 raige to be ready to carry us the next day to Dunkirk, while we were here we had a visit from one of the mendicant monks who without any cerimonie come into the room where any strangers are soon after they arrive & ask there charity for the Convent, we gave him a small matter and he departed with civility. Aug : 20^^. The morning proved very fine after the proceeding night's storm and we got up prety soon that we might dress and pre- pare for pursuing our journey, and being all ready by halfe an hour after ten we left Calls and took the road towards Dunkirk in a coach with 6 horses, and our valet on horseback, our Coach was a very good one, and had in it every convenience that we could possibly have occasion for ; at the bottom was a box in which we might carry victuals and drink if we wanted it, but our equipage was by no means of a piece with the carriage : we had six horses not of the largest size, which were harnessd with cart ropes hardly strong enough to bear the draft had we gone through deep clay roads, & we had two postilions whose boots were as bigg as butter-churns ; with this equipage we traveld at the rate of near 3 miles & J in an hour and baited our horses every six miles. We were stopt as we were going out of the Gates of Calls by the Customehouse Officers who wanted to search our baggage, but seeing a 12 sou piece in our valets hand, they turned their attention that way & suffered us to pass. We traveled through a sandy road with a prospect of the sea on our left hand on the right a flat Country as well culti- vated as the soil would permitt. On the sea which often appeared between the high banks of sand, we could see ships sailing at a Distance and in several places on the sands we could discover others which were driven on them the night before, their masts & rigging broaken to pieces and the sea driving its waves over their hulks, some of 6 TOUR IN FLANDERS. which were set fast on the sands. After traveling about 9 miles we came to Gravelin a small City situated on the sea coast on the banks of the river d'Aa, it is well fortified having several large ditches filled with water and fine bastions faced with stone. The Town is neat & clean and the streets are well paved. The Church which is dedicated to S*. Willebrord is but a mode- rate building in it there are five large Altars rather gay than rich and it being Fair time the Reliques which had been carried in procession on the Sunday before were then exposed in the Church, we presented a small matter for the benefit of the Souldier who guarded them and departed, though this is not a modern church it is built entirely of Brick, ^ ^ ^ enterd this Church at the west end ^ through a beautifull portal of the „ •-' lonick order all of Marble it is on a Circular plan and well executed. The Screen which seperates the Choir from the Church is likewise of fine marble of the lonick Order, and on each side the entrance is a fine Alter with Good picturs and richly ornamented. The High Altar is of black and white marble with 6 wreathed CoUoms and foliage in marble representing S*^ James in the Habit of a Bishop, there are many fine Chapels rich Altars and beautifull picturs in this Church but the Chapel of the Family of Rubens is worth notice as being the burial place of that Great painter it is placed directly behind the high altar in the midle of the East end and opens into the Aile. this Chapel is intirly covered with Marble and the Altar is likewise of marble in which is a fine picture painted by himselfe — it represents the child Jesus standing on his mother's knees, near them S*^ Jerome & George, the latter his own portrait and on each side of him his two wifes both fine women, above the picture is a fine Image of the Virgin Mary in Marble which Rubens brought from Rome. ^ tShoiild be four arches, as there is a central column behind the altar. ANTWERP. 45 The Beguines have a very good Cliureli' which seems to be antient but has been greatly altered & beautified, the form of the plan is of the most antient figure of a Cross, but the capitals of the pillars have been all alterd, and the arches pointed ; by a date over the Altar of 1682, it is probable the princip^ alterations were then made there are several Good picturs in this Church one of Albert Durer. another by Guido and one very fine at the high Altar by Vandike. this Altar is of Marble very Grand the Crucifix the tabernacle & frontel are all of silver finely wrote, on each side of the Altar are two Good figures in marble by Schee- mackers. The Church of the Dominicans before we went into this Church we were carried into a fine Calvery^ which is built on the outside of it, to this building there is a long avenue lead^ to it with a low wall on each side on which are placed about 20 Statues large as life on the outside of these walls are two Gardens with many other Statues, at the End of the Avenue is representd the inside of a Sepulch"* with y® figure of Christ laying in it on one 1 The present Church is modern and insignificant. - This describes very accurately what now exists. 46 TOUR IN FLANDERS. side is purgatory aboue this three storys in which are placed at least 20 figurs large as life and on the top of all (which rises very near the top of one of the buttresses of the Church) is a Crucifix, the whole is made with rough stone immitating rock work and has a very romantic appearance. The Church is large and has three Ailes, & a Cross Aile, over the screen of the Choir is a Crucifix on a Globe ^ on which are marked the hours, and turning round, Time with a Dart in his hand points to the hours as it moves the Choir is 11 steps above the Church to which they assend between two Gallerys with ballustrades. the High Altar is raised 3 steps higher it is very magnificently built with marble the frontel which is 11^ long & 4^ high & all the other decorations are solid Silver^ All the confessionals are finely carved, and composed of figurs as large as life, and on every pillar through the whole length of the naife is placed a fine statue, There are a great many beautiful picturs in this Church, but two particular by rubens deserves attention one is the scourging of Jesus Christ^ which it is impossible to look at without emotions which cannot be described, the other represents the birth of Christ*. The parish Church of 8^ Walhurge^ is handsom large Church of 3 Ails, the Choir is raised 27 steps above the Naif divided into two flights, between which under the 1^* land^, is a repre- sentation of the Holy sepulcher with a figure of Christ laying in it on each side a fine chest or Shrine of brass Gilt with reliques. there are several fine Altars in this Church, the High Altar particularly is of marble & very grand at which are 3 very fine pictures that in the midle represents the Ele- 1 The screen, crucifix and globe are all gone. 2 Silver has gone. 3 Rubens' picture of the scourging is carefully preserved. ^ There are remains of conventual buildings, but they have been secu- larised and used for stores. ^ Entirely perished. A picture of it is preserved in the vestry at St Paul's. ANTWERP. 47 vation of the Cross, those on each side turn and present other picturs at backs of y'" all painted by Ruben \ The Ahhy of Michael'^, The monks of this Abby are all Cloathed in white we were carried first into the Abbots appart- ments which are very fine and adorned with a great number of fine paintings, we enter'd into a handsom Hall paved with black and white marble, the Cieling finely painted, round the walls hung the portraits of many abbots, from hence we as- sended a handsom Staircase into the little eating room, finely ornamented & hung round with picturs by Rubens, Van Dike, & other masters, next to this was the Great eating room, this room is highly finished with Carving painting & Gilding, and hung round with a collection of the finest picturs, here is likewise a neat oratory, at the Altar a fine picture by Raphael represent^ the Virgin & Child ^. From the Abbots appartments we went into the Refectore. this is a fine room 90 feet long 27 wide, vaulted with Cross ribs & pointed Arches — in it are a great many fine picturs, among them the portraits of David Teniers and his Wife — The Cloisters of this Abby are handsom, with windows of fine Tracery neatly Glaized. The Church is in form of a Cross, and of the same stile as S*^ James's, but the pillars shorter, it has 3 ails which run round the Choir, behind which there are 3 Chapels, in this Church are several fine pictures. soon after our Return to the Hotel several English Gentle- men arived whose names we could not learn, & soon after them a Gentleman and Lady of Distinction both French. 1 Now in the cathedral. Entirely perished. This fine abbey used to be the residence of Royal Princes when at Antwerp. 3 Many of these pictures are in the Museum. One by Rubens is at Grenoble. 48 TOUR IN FLANDERS. Saturday Aug* 28. We were up pritty early this morning, many place re- maining on our list which we had not seen & we hoped by being out early to see all and set out for Bruxelles the next day ; But being informed that on the morrow there would be a grand Procession, and the finest they have in the Year, we determind to stay and see it, and put of our Journey till Monday, we went to the Church of the Jesuits. This is the most Elegant Modern Church I ever see, and within, y® most Correct piece of Architecture, the side ails are double, being 2 arcades one above the other, the lowest is dorick the uper lonick, between the pedestals of the upper ails is a neat Iron railing which serves as a balustrade. the upper Entab^ is break with Consoles over the pilP and from them spring the double Arches in the Vault, which is full centerd. opposite every Arch in the walls of the side Ails below, there are 16 or 18 rich Shrines \ in which are preserved the bodys of several Saints, there are two fine Chapels, one on ^ With the exception of the Shrines this is a fair description of the present Church. The altar pieces by Rubens are now in the Imperial Museum at Vienna. ANTWERP. 49 each side of the Church, that on the right hand is dedi- cated to the Virgin Mary, the other to S* Ignatius, both these are built entirely of rich marbles of various colours and filled with a vast number of fine statues & picturs, many of them by Rubens, who designd the whole church, which was originaly Built entirely of Marble and adorned with fine paintings in the Cieling which were all destroyed by fire in the year 1718, the IS*''' of July. Opposite this Church there is a fine building^ Containing two large rooms one over the other, the upper room is intirely wainscoted and floord with fine marble, in it is a fine Altar and many good picturs. In the Church of the Garmelits called the Grand Carinelits. In this Church ^ is an amazing fine Chapel dedicated to the Virgin Mary, it is built entirely of fine marble, of the lonick order, the pillasters are reveald, and of black marble, the vault is likewise of marble divided into small pannels and in every pannel a flower of brass gilt, the Altar is in a large nich, the head panneld, & all the ornaments of brass Gilt. The floor is black and white marble inlaid with brass, the Altar is likewise of Eich marbles, the Colloms are wreathed of white marble with Composite Capitals and bases of Silver, with vine branches and flowers twisting round the shafts all of silver, and all the ornaments about the Altar are of the same mettal, in the midle of the Altar, is a fine figure of the Virgin 6 feet and a halfe high, standing on a pedestal one foot and a half, all of silver, the windows of this Chapel are all painted Glass & in the pannels between the pillasters are several fine bass relievfs in white marble, the Copes and other ornaments used at this Altar are all of fine needle work most of the windows in this Church are painted Glass and there are in it many fine picturs. from this Church we went to see the ^ Now rather ingeniously altered and used as the Municipal Librnry. Tlie pictures are in the Imperial Museum at Vienna. - Nothing remains. C. A. S. Octavo Series. XXIV. 4 50 TOUR IN FLANDERS. Collections of picturs belonging to two private Gentlemen which were very fine, from thence we went to the Barefooted Carmelites, and Dominican Nuns, and from thence to the Recollets. This is an antient Church^ the pillars are low and round, the Capitals squat, with one tier of ^ leaves only boasted, the Arches are all ( pointed except one, and the vault in \ the Choir is antient with Cross ribbs in this Church are some good picturs. The Collection of paintings, prints and other Curiositys of Van Schorel de Wylryck Burgomaster of Antwarp, aforded us great entertainment, those of a Gentleman & Cannon of the Cathedral, and of another Gentleman who very politly shew us their whole collections gave us great pleasure; from these we went to the parish Church of Andrew, in this, is a monument erected against the S. West pillar of the Cross, to the Memory of Mary Queen of Scotland I The Town house is a large grand building, 240 feet Long, 02 wide, in the midle of the front, is a large projection very rich with pillars and arches, containing the five Orders one above the other, and all the pillars are of marble, the rest of the building consists of two orders of pillasters, with an Attick, the whole raised upon a rustick basement of Arches, in this House there are several fine Rooms adorned with many good picturs. Sunday August 29"\ at half an hour after 6 this morning, about 70 foundling Girls drest in black Gowns & white Tipets, walked through the ^ Now the Museum of Painting. Some of the walls remain, but are not observable without some study. The pictures are in the Museum. ^ Erected by two of her ladies in waiting, Barbary Mowbray and Eliza- beth Curie. ANTWERP. 51 place de Mer, two and two with their Governesses, at eight came 76 Boys in brown coats, preceeded by a Chaplin, and a schoolmaster, soon after they were past, an Altar was erected at the great Cross, and an Avenue made to it with fine Bay Trees in large tubbs and ranged on each side in front of it, the Altar was decorated with vases of copper, standing on pedestals, & urns in which incence was burning during the time of the Cerimony. at 9 o'clock we went to the Church of Notre Dame in the Naife of which was a pedestal about 5^ high, coverd with blue Damask laced with silver, on it was placed the figure of the Virgin Mary, with a Gown of blue and silver brocaded Damask, and an Apron of silver chaced in imitation of lace, in her Arms she had the image of the Child Jesus, and on her head a crown of Gold adornd with precious stones, the whole computed to be worth a million of livers, over her was a Canopy hung from the roof of the Church, the naife being lighted on all sides with wax tapers. As soon as the doors were open, the Church was filled with thousands of people, who came in without the least noise or confusion, and immediately formed a procession round the figure of the Virgin, which continued during the whole time high Mass was celibrating, every one walking a slow and solemn pace three times round it. The High Altar was adorn'd for this occasion with a frontel and sides of silver finely chaced, and the step on which the candle-sticks were set was of the same metal. The Tabernacle was Covered with crimson Velvet laced with Gold, on each side of it stood 3 large silver candle Sticks about 4^ high, and below them four more about 2^ in all large wax tapers, Sz at the bottom on the first step, stood two silver Candle sticks about 4* high, with tapers all of them lighted, and the steps of the Altar were covered with a Cloth of Crimson Velvet. Three of the Cannons dressd in rich Copes em- 4—2 52 TOUR IN FLANDERS. broiderd, with Gold, under which were Surplaces of lawn, laced at the bottom with fine lace 8 or 9 inches deep, cele- brated the Mass, at the Altar, and two more in rich Copes sit at a desk in the midle, to make the responses, the whole was accompanied with a fine band of musick under the rood in a Gallery, (in which we sit during the whole service). It is impossible to describe the grandure and solemnity of these Ceremonies, or to give an adequate Idea of the musick, for, it was grand and solemn beyond description, after the Service was ended, several Orders of monks came into the Choir, bearing crosses with banners on them, on which were painted the figurs of their patron Saints, while these were making their Obeisance at the Altar, four Cannons of the Cathedral took the figure of the Virgin from the pedestal, onto their shoulders, and Carried it out of the Church, where it was recieved by six monks, who carried it in procession through several streets in the order following. first came four men in linen vests with large wax tapers lighted, two on one side, two on the other, next followed 7 priests properly habited, and on each side a footman with wax tapers, then four Gentlemen of the several Gulds two & two with wax tapers, and on each side them, men dressed in Spanish and other habits bearing Ensignes in the Roman manner with the Arms of the different Guilds, on the top of which was fixt a wax light. after these followed the members of the different Guilds in black Gowns and on their Arms Badges wrote in Gold, divided two and two, with wax tapers in their hands, next came a Cross, to which was fixt a rich Banner with the patron of the Minims, borne by a monk of the Order, after which followed the monks in Black 2 & 2 ANTWERP. 53 next came a Cross of the Capuchins with a banner borne by a monk, which was followed by the monks of that order in Brown 2 & 2 next was the Cross & banner of the Augustins — which was followed by the monks of that Order in black 2 & 2 after these came the Cross and banner of the Carmelites — which was folio w'd by the monks of that order in black Cassocks and white Cowles These were followed by twenty Gentlemen of the Guild of the Virgin two & two, with wax tapers. next came the figure of the Virgin born by 6 Carmelites, after this came the Cross and banner of the Reccolets which was followed by the Monks of that order in Brown. next came the Cross and banner of the Dominicans which was followd by the monks of that order in white Cassocks and Black Cowls. after these a Cross with a fine banner of Crimson Damask embroiderd with Gold which was followd by a Schoolmaster and after him a great number of young boys 2 & 2 with wax tapers in their hands. next came a great number of Gentlemen Citizens two & two with wax tapers. after them four masters of the Chapel two & two. next followed the Cannon of S*^ James in a proper habit, and a rich stole embroiderd with Gold. after him a fine Cross & banner of S* James, followed by all the Cannons of that Church Chanting after these came a Cross & banner 54 TOUR IN FLANDERS. of Michael's Abby, which was followed by the Abbot with a silver Croiser in his hand next came a band of musick, followed by 2 men in Surplices with Silver incense pots after which came the Host (carried by a priest richly habited) in a fine pix of Gold or silver Gilt under a rich Canopy supported by four staves of Silver — on each side of which were men carrying wax tapers, these were followed by all the Magistrates of the City in black Cloaks, two & two w^ith wax tapers and after them men with halberts closed the Procession, the whole of which consisted of between four & five thousand persons all bearing lighted tapers, exclusive of those who walked by as spectators who where more in number and accompanied them all the way without the least disorder or confusion. When they came to the Great Altar in the Place de Mer, the priest assending the steps, placed the Host on the front of a little tabernacle, while he said a few short Prayers, after which it was exposed to the people, who in an instant were all on their knees, the benediction being ended, they proceeded in procession back to y^ Cathedral through several streets which were illuminated with wax flambow between every window on both sides, while they passed through them. The procession being ended the figure of the holy Virgin was carried into Her own Chapel in the Cathedral, and placed on a pedestal in the midle of it, where numbers of men women, & children continued w^alking round it until the evening. The procession being over we went to dinner and spent the rest of the day in walking about the City, and ramparts, which are planted all round with fine tall trees which afford a shady walk, from wdiich there are fine prospects of the Country round about it ; in the evening we were entertained with seeing the ANTWERP TO lUlUSSELS. 55 nobility & Gentr}^ of the place, who have a Custom of riding in their Carriages, through several streets in the City dressed as for an entertainment, and paying their respects to one another as they pass, of these there are near two hundred who ride in elegant Coaches with horses decorated with fine trapings Monday August y^ 30"\ We left Antwerp this morning at 7 o'clock, and took the Road to Bruxels, by Mecklin which we reach'd about ten o'clock. The Roads are worth the notice of a Traveler beim^ made through the most delightfull inclosed Country that can be immagined, it is paved in the midle, as well as the best streets in London, and kept in better repair, on the sides of the paved road they are sand or gravel, and through the whole way they are planted with two rows of trees, which forme a beautifuU Avenue, and runing streight farther than the eye can distinguish forme a delightfull arbour, which affords a refreshing shade for Travelers, many miles without interup- tion. The Fields on both sides this road are so well cultivated and afford such prospects of plenty, and good husbandry, that it ould be a good school for an English Farmer to study the art of Agriculture in. The whole Country is inclosed and the lands divided with beautiful headges so planted with fine tall Trees that it appears like one large forest, intermix'd with lawns and corn fields, but what seems most extraordinary, these Grounds are never fallow, for when one Crop is off, another is prepared to succeed it, and we often observed in the same field the corn cut down in one part, in another a crop of some other kind springing up. Though these Lands are divided from each other by headges, there are no gates to prevent people from walking in or out at pleasure, neither between field & field nor towards the high roads from which they often are seperated by low 56 TOUR IN FLANDERS. banks but frequently by a thin headge which is kept very neat, and low euough to afford travelers a prospect over them, and at a distance are seen Farm Houses or Gentlemen's Villas which appear as if they were placed in the midst of a large Garden, These prospects are diversified by the Spires of Con- vents, or parish Churches, which appear intermixt with the trees, and being all kept neat and Clean, forme y^ most agre- able Lanskips. nothing can be more pleasing than riding through the Villages, which lay very near together in this road, the Cot- tages are built with Bricks intermixt with stone, and some are thatched, but the greatest part are Tiled : The Farm Houses are generaly of stone, the doors and window^ frames of blue Marble and the roofs covered with blue slate. The Inhabitants of these dwellings seem to vie wdth each other in the neat and cleanly appearance of themselves & Houses. At those places where we stop'd to baite our Horses which was at every 6 miles, we took the opportunity of looking into their Churches, if they were near us, and could not help observing the Elegance and neatness of them, many being as well fitted up as the best in London, and kept much cleaner, though they are open great part of the day, and in constant use, for The poorest people, think it their duty to pray at some appointed place several times in the day, and for those who have not an opportunity of attending the Churches there are little oratories placed near the sides of the road to which the Labourers in the field and Travelers stop to say their prayers. Mecklin is a large old Town fortified with ramparts^ & ditches the Streets are large and numerous, the Houses in General are built with stone though there are many of them built with timber, the storys projecting forward as they rise 1 Now converted into walks. MECKLIN. 57 and the outsides boarded, many of the stone fronts have been rich in Architecture and carvings in the roman manner and a great many of the richest Gothic of various ages but they are now greatly decayed ; we only dined hpre, (at the Hotel d' Grue) and spent about three hours in visiting some of the principal Churches and other places. The Cathedral of Rombault is a fine large Gothic Building built in form of a Cross, between the Tower and Transept it has six large Arches, beyond the Transept there are three Arches and in the end which is turned with five sides there are five narrow Arches. The pillars in the naif are round the Capitals old form with 3 tier of leaves \ the Arches are pointed, above them is a passage with narrow openings & tracery (as the Church of Noter Dame at Ghent.) above these are fine large windows with variety of tracery. The pillars in the Choir are round but the |L_ Capitals with two rows of flowers. There are 3 Ailes and Chapels on the north side which run round the Choir only. — The Altar is of Black & white marble : in a recess above the table is a fine shrine of silver, in the forme of a Church of Roman Architecture, in it are inclosed the bones of S* Rombault. they say its weight is 4000 oz^ before the Altar there hangs a large Lamp^ of silver suspended from the vault, and on the north side is a Canopy for the Arch-Bishop. The South window of the Transept is stained Glass. To this Church there is a beautiful Tower, more reo^ular & o perfect in the designe than that at Antwerp and had it been finish'd according to the designes as they were engraved by Mt is difficult to understand the difference pointed out between Nave and Choir capitals — both have two sets of foliage. 2 The shrine is still to be seen, but the silver lamp has gone. 58 TOUR IN FLANDERS. Hollar ^ it would have been without an Equal, it is now 348 high, but had it been finished would have been near 470, near the top of the present tower there are four dials, one on each side, they are made of Iron, the letters being within two Circles clear of the stone, and Gilt with Gold are easily distinguished without spoiling the beauty of the stone work, they are near 300* high and upwards of 20* Diameter. The Church of John. This is an old Church modernized. The seats of Oak against the pillars in the Choir ^ are richly Ornamented with bas-reliefs in the pannels with elegant Ter- minations above, on one side is represented the beheading of Jn° the Baptist on the other two angels supporting Christ on the Cross. The Altar is a grand designe well executed in wood & so finely painted like marble that it is impossible to discover the deception without touching it. The Jesuit's Church ^ is of the Composite order with lofty pillars & narrow intercolloms with Arches, the Altar is of Marble all white upon the Table or tomb is a shrine of silver and over it in a tabernacle of marble is a fine Crucifix of Silver at the ends of the Ailes are niches with neat Altars of marble, the portal at the entrance & the Organ Gallery above it are of Marble. The Church of S. Peter is an old Church under repair. The Ch urch helongijig to the monestry of Leliendiel is modern & built without Ailes against the walls there are Jonick reveal'd pilasters with 4 rusticks above the entablature there are Win- dows in the vaults the Altar is all marble, on each side within the railing is a Gallery with a fine iron railing, raised on a basement as high as the basement of the Altar, of fine marble ornamented with pannels finely carved with bas-relievs. the 1 A drawing and an engraving of the proposed tower may be seen in the Museum. ^ Should be Nave : there are no pillars in the Choir. Tlie present Jesuit's Church is modern. M EC KLIN. 59 Nuns Choir is opposite the Altar and raised on a basement in tlie front of which are three pannels of Bass relievo finely executed. Here is a remarkable pulpit^ of oak it represents a large rock, in a Govern below is represented a Horse which has thrown his rider, on the top of the rock is a pulpit which seems like a rough part of a large tree, at the back of which rises another tree being the tree of life, which spreads its branches over the pulpit & makes the sound board, by the tree stand Adam & Eve the latter reaches her hand towards a Serpent which is twisted round the tree, and gives her an Apple on the other side is a Crucifix with S* John & S*^ Mary, upon the sides of the rock there are vines & other plants which seem to grow promiscuously about it. The Church belonging to the Cannons of Hanswyck is a modern built Church with a Dome supported by 10 Dorick CoUums^ there is nothing agreable in the designe, the pulpit is an extraordinary work, the lower part represents the Angel driving Adam & Eve out of paradise over the pulpit the Virgin Mary in the Clouds surrounded with angels. This Church is hung round with the portraits of young Children. The Church of Notre Dame is very fine Gothic Church all the pillars in the naif are round and in the Capitals are 3 rows of flowers & against every pillar is a fine statue — the pillars of the Choir are round with 2 round and 2 octagon small shafts fixt to them. the Choir has 3 ailes with Chapels which run round behind the Altar and all the windows have tracery seemingly of the 1 The pulpit has been removed to St John's. There are no remains of the Monastery. 2 A very good description. The portraits of young children still remain. GO TOUR IN FLANDERS. age of Hen'' 3** here are some good pictures ^ by Rubens & other masters. The Church of the RecoUets^ is an antient Church with round pillars & plane Capitals the Arches plane j\^^^ ^^if/ & pointed, the Choir has no ailes and the ^--^^^^^^ East End is semi-circular, but the vaulting modern — in this Church is a Capital picture painted by Vandike representing the Cruci- fiction at the instant when Christ was expiring. From Heckling we proceeded towards Bruxells the Roads and Country all the way being extreemly fine & pleasant about seven miles from Mecklin we came to a small fortified Town called Vilvorden we stopt at a little House without the gate to baite our Horses, and drank Coffee for which with bread and butter we paid 2 skillings equal to fourteen pence English. — The fortifications of Vilvorden are in a ruinous condition, here is a fine Old Castle of the Antient stile, but the roof is fallen in, in several parts of it, it serves however to make the principal object in an agreable Lanskip, as we rode by it from this place there is a Canal to Bruxels and the road continues by the side of it well paved & planted with trees. On both sides there are agreable prospects of Gentlemen's Country seats, and within a few miles of the City are Gardens of Entertaiments, laid out in the Stile of the Country, with variety of Slopes & Arbours inter- mixt with basons of water, and Jets d'eau. The approach to the Town is planted with trees in double rows, and by the side of the river are fine Shady walks, which were filled with very Genteel Company, who walk there in the evening & enjoy fresh air, while their Coaches are waiting for them at a convenient distance, we reached Bruxells about 6 in the evening and Lodged at the, Hotel Hollande near the wood market. 1 Still remaining. ^ Tlje Church of the Recollets is now used as a cavalry store. BRUSSELS. 61. August SV\ As soon as we were drest this morning, we waited on M'' Vandercloster an eminent Banker of this place to whome we had a letter of recommendation from M"" Fector of Dover, this Gentleman very politely offord to accompany us to every place that could afford us any entertainment, or gratify our Curiosity, and as we had a Coach in waiting he order'd it to the House of M. le Chevalier Verhulst, a gentleman of great fortune and a collector of fine picturs, with which we were greatly enter- tained, the Gentleman himselfe who is an invalide and has never been out of his house for 15 years and is seldom seen but by his intimate friends, was so obliging as to shew us the finest part of his collection himselfe, among which is a fine picture painted by Rubens representing the Virgin & Child in which he has introduced his wifes, this picture cost him £1000 and he has refused £3000 for it. He shew us at the same time two small picturs for which he gave £270. from hence we went to the Church of the Jesuits, in this Church are some Good picturs and at the Altar on the right side of the Choir a fine Group of figars in marble representing Ann and the Virgin, we saw in the Sacristrey the Decora- tions of the high Altar which are very grand, there is a rich silver frontel and a Crucifex on a pedestal all together about 10^ high finely wrote all the Copes &c are finely embroider'd with Gold & pearls, we next visited the Cathedral which is a fine Church built on the side of a hill which is assended by a Grand flight of steps at the west end, enclosed by a Stone ballustrade wdiich runs round the Church. This is a fine Church the East end is Antient but the Naif more modern, the pillars in the Choir are round & all the Capitals of Corin'^ but those in the Naif have three tier of flowers — the Church has 3 large Ailes and Chapels on both sides of the Naif, on each side of the Choir is a fine large 62 TOUR IN FLANDERS, Chapel ' and others run'g round the end which have antient round head*^ windows, and there are some good painted Glass in Flight of Steps West end S. Gudule. this Church, at the west end are two handsom towers and the w^hole front is very fine. This Church is dedicated to S* Gudule and was first built about the year 1047 and it is probable the east end is of that age — in this Church are some few Good picturs — against the pillars in the Naif are fixt the figure of our Saviour, the Virgin Mary and the 12 Apostles. We saw a fine new Bell weig^ 9. 286 lbs. The Great Bell weighs 14. 525 lbs. The parish Church of James (called Caudenberg)^ is a very antient Church founded in the year 830. and is probably the original Church, the Naif has three Ails: on one side are ^ There is only one Chapel beside the two large ones, and it is Renais- sance. 2 The present S. Jaqiies de Candenberg bears no resemblance to this. It was rebuilt 1776—1781. BRUSSELS. 68 three round arches on the other 6. the pillars are round, the Capitals plane, the 6 arches seem to be about 2J diani*". of the pillars in the Clear the windows have round arches are narrow and splayed in- wards very much, the opening into the Chancel is a round Arch and the East end is round with small windows in this Church there is a very fine picture painted by Rubens. near this Church are the remains of an antient pallace which was burnt down in the year 1731. and not very far from it is the pallace belonging to the prince of Nassau — the front of 64 TOUR IN FLANDERS. this pallace & one side of the Court is new built and contains many magnificent appartments richly furnished and all the rooms finely inlaid with wood of various colours, the State bed room is elegantly fitted up memo (on one side of the bed was a mezzitinto print finely Coloured of the two Miss Crews.) there is a room finely wainscoted with Jepand work & fur- nished with a great quantity of China and Chiness toys from the windows of this room is a fine view of the City, at the entrance into the pallace is a large Circular vestibule with a collonade within it and the staircase with up^ vestibule are very grand, in the Court two sides are antient and of Gothic Architecture. Here is a fine Museum contains vast Collections of shells fish birds minerals fossils and various curiosities of art, and a very rich Cabinet of Antique Gems the room is very large and divided into three parts by two screens of coupled Collums. The Town House is a very large building with a Square Court in the midle, on one side of which is a fine light Gothic Tower and open Spire 3G4 feet high, this Building contains many magnificent rooms finely fitted up and richly furnished with tapstry and paintings The Church of the Begaines ^ is a handsom modern building richly adorned, the plate on the principal Altar is computed to be worth 4000£. sterling, their income is 4000£. a year, these Nuns are not confind many live here on their own private fortunes and wear the Habit, among them is a near relation to the Royal family of England who was visited by the late princess Dowager when she pass'd through Bruxells. We drank Tea and Coffee this Afternoon at M'' Vander- closters to whom we were greatly obliged for carrying us to many places which we could not have had an opportunity of seeing without him. and His Lady was not less obliging than he was but she could talk very little English, I had however a very entertaining conversation with her in broaken french & ^ The Church is the only part remaining of the Bcguinage. BRUSSELS. 65 broaken English, with which we were much diverted, here we met M^' Potter, the English Minister to the Court of Sardania who behaved very politely to us. He told us He was at the same Hotel that we were at Antwerp and lodged at the same Hotel in Bruxells, but as he travel'd incog we should not have known who he was. he enquired if we knew the English Gentlemen who came to our Hotel at Antwerp, one of whome (he said was called Stewart and appeared to be a Clergyman) had the misfortune to fall down stairs and was so much hurt that his companions were obliged to leave him behind. After Tea Van"" carried us to the Manufactory of Tapstry weaving where we were much pleased with seeing the method of weaving those beautifull pieces which make the richest fur- niture for the Houses of the Nobility in various Countries. — we went from hence to the play and saw a Dull play and a good commie Opera. The play house is large and lofty there are 5 tier of boxes which run round the end and two sides of it the pit which is not raised like the theatres in London is divided into 3 divisions that next the stage for the musick takes up three rows of seats, and the next division has 4 or 5 seats and behind them the back seats, but how many I could not distinguish. The floors in the boxes are likewise levil and instead of seats they have chairs & sometimes a table to drink tea or Coffee or play at Cards, but these boxes are by no means con- venient for seeing or hearing, the scens are moderate, and the whole House badly illuminated at all times except when the Prince is there. — In the passages under the boxes there is a Coffee room and booksellers shop. Sepf^ the 1^^ M'' V r. Called upon us this morning at our Hotel and breakfasted with us, after which he conducted us to the Ram- parts from whence we had a fine view of the City & Country C. A. S. Octavo Series. XXIV. 5 66 TOUR IN FLANDEKS. beyond it, near this place we were led to an English nunry and introduced to the Lady who is Rev"^ Mother of it, (named Short) with whome we conversed some time and were invited to Drink Tea or Chocolate, but as we intended to sett out from Bruxells that day we took places in the diligence which set out at 12 o'clock for Ghent, being advised to take that Route, we therefore took our leave of the Rev*^ Lady, who gave us her blessing & wished us a safe voyage to England & after thanking M^' V r for the civilities He had shewn us, we took our leave of him & set out for Ghent, we made a short stop at Alost about 15 miles from Bruxells, here is a handsom Church in form of a Cross, but is shorter than it was originaly being at this time a Greek cross, the Altars in this Church are very fine and most of them marble and there are here several exceeding good picturs^ of Rubens and other Masters, we reached Ghent about 7 this evening and took our places in the Diliofence to set out for Lisle the next mornins^. Sept^ 2. We set out this morning at 6 o'clock in the Diligence which goes to Menin we baited our horses at a neat little village called Deinse near the River Lys in this village there is a very antient Church with a Square Tower in the midle with round Arches, but the west end of the Church is rebuilding. We dined at Courtra and had a very Good dinner at a Table D'Hote for 15*^ per head wine excepted. Here is a good Church built about the year 1220 the four arches under the tower are round but the Church is now entirely altered, but not finished, they are now casing all the pillars in the Choir with marble. The principal Altar which is finisht is a beauti- full Designe well executed the bases and Capitals are of Brass Gilt and the Bas-reliefs are of Silver behind the Altar is a very 1 Still existing. LISLE. 67 neat Chapel liued with marble in which is a monument or two very handsom. from Courtra we went to Menin the last Town in the Queens Dominions and is very well fortified but in other respects has nothing remarkable, here we refresh'd ourselves with a Glass of wine and took our places in another Diligence which carried us to Lisle where we arrived about half an hour after 6 in the evening at the Hotel Bourbon in the Great Square. Sept^- 3^-^ It being the time of the greatest fair which they have Here in the Year we went out in the morning after breakfast and walked round the Town House where it is kept, this building is large, and the front next the Great Square richly decorated but in bad taste, there is a square Court within surrounded with a Collonade vaulted with brick and cross ribbs, in this Collonade are various Shops during the Fairtime. This City is very large & very populous being the Capital of French Flanders it is likewise extreemly well fortified, in it there are many grand houses built with stone, but the fronts are covered with a profusion of ornaments in a bad taste, and as badly executed. The Great Square is very large and Handsom, it is well paved and kept very clean, in it there is a stand of coaches, we saw here a large Company of souldiers which were drawn up for relieveing Guard, they were attended by a large band of musick and about 20 Drums playing before them, they were most of them in white uniforme, one Company only being in blue, & they were all extreamly clean & made a fine appearance. The Country round this City is extreemly fine, and well Cultivated, and being rather low and marshey, they cultivate a great quantity of Rape seed, from which they extract Gyle, in making which, they imploy a great number of Windmills, 68 TOUR IN FLANDERS. and within a very little distance of each other, there are not fewer than one hundred, appearing in motion alltogether. Lisle is likewise famous for fine thread, and its manufactory of fine table linnen, & vast quantities of both are seen whiteing in the meadows round about, these meadows being divided for that purpose, by little streams of water, from which they through it on the Cloth, with long scoops made on purpose. Saturday Sept'* 4t^\ We left Lisle this morning at 6 o'clock in a Coach and four, and breakfasted at a little house six miles from the City and got to Bethune about eleven, here we stopt at a small Inn without the Town at the signe of the Bridge kept by Mad™ Tiffin, as we were to bate here about two hours and Dine, we walked into the Town but found nothing remarkable but an old Church dedicated to S*^ Bartholomew, the pillars are short & squat the Arches some round others pointed and some of the pillars are coupled with united Capitals, and bases, but the Capitals are of the plainest Stile though the Collums seem in good proportion. Bethune is an old Town but extreemly well fortified with deep ditches and ramparts faced with Brick and being situated on high ground makes it very Strong. the Duke of Marlborough beseiged it in 1710 and after six weeks the Garrison Capitulated, from Bethuae we passed through Lilliers another town well fortified : and from thence to Aire which appears to be much Stronger than Bethune, here they are repairing the ramparts and new facing them with Brick but they make them very bad through all this part of the Country, this Town was taken by the Duke of Marlborough in 1710, and in the seige the Church was destroyed, this town is about nine miles from S* Omiar's where we arived about 7 o'clock in the evening and took our Lodgings at the Hotel de Ville, the roads from Lisle to S'' Omers are well paved and planted on both sides with two rows of trees, on both sides ST OMERS. 69 of it the Country is well cultivated and in many parts they grow great Quantities of Tobacco. Sunday Sepf 4 The Hotel ^ in which we Lodged has been a handsom building, and was Built for a Town House when S*^ Omars was in a more flourishing state than it appears to be at present, in it there are several good appartments now divided into smaller rooms for Lodging, and only one left for the use of the Corpor^ this is very well fitted up and handsomly furnished in it is the picture of the present King of France and several other portrats and the Arms of the Mayors from the Year — to the Year — . Opposite the Hotel is a small Gothic Chapel with a modern front and staircase the Chapel itselfe is a prity piece of Gothic Architecture within, particularly the door at the entrance. In the Square or market place there are several very antient Gothic Buildings tho' none remarkably regular or handsom. The Abby of S*^ Bertin ^ has a fine large Church very light and regularly built, it is in the form of a Cross with side ailes and Chapels which run round the East End, in all these Chapels there are handsom Altars, and the Great Organ is placed at the End of the naife over the entrance at which end there is a very fine lofty Tower. The Tomb or table of the Altar is of Silver. The Cathedral is a fine large building of the Antient Gothic stile and from the Transept eastwards is very perfect the Choir 1 The Town House was built in 1381 and destroyed in 1832, since which a new one has been erected, which is no longer partly used as a hotel. ^ Only the West Tower and a few arches of the Nave on the North side remain. The Church was sold in 1799 and stripped of its precious materials. It was further dismantled in 1833, and has since been gradually pulled down when stone was required. 70 TOUR IN FLANDERS. begins under the 1^^ Arch of the intersection of the transept in the center of which is the Silver Shrine ^ of S* Omar in form of a Church of the Corinthian Order, ornamented with fine bas- reliefs representing the principal actions of his life it stands on a frame of silver Gilt in forme of a table finely ornamented and on the top of it is a fine Crucifix on each side of which is a magnificent Candlestick of three branch, the whole is raised on a Tomb of a Composition imitating marble within which are contained a shrine, this serves as the high Altar of the Church and the Bishops Throne is placed in the midle of the west end. in another part of the Church they shew us the Head ^ of this S* inclosed in a shrine richly ornamented, it is in form of a large buste of Silver. I made a sketch of the plan and other parts of this Church for a specimen of the Stile, we visited some other Churches in S* Omars and the two Colleges formerly belonging to the Jesuits but found nothing in them remarkable, in one Church only we saw an antient Gothic Altar but it was not handsom tho rich. Sep^ 5. We left S* Omars this morning about seven, but it being a wet morning we saw the Country to a great disadvantage, about 6 miles from Calls we passed a very curious Bridge called the Pont sans pariel it is built over the intersection of two rivers which run under it, and it has four roads over it. this was built in 1752 and is an excelent piece of masonry, we got to Calls about 1 o'clock & should have set out that afternoon in the packet; but it was so full we could not be accomodated, and the wind was so strong that they were obliged to return & set off the next morning, the same packet returnd again in the Afternoon being engaged to Carry over a Gentleman 1 The sih^er shrine no longer exists, nor do the candlesticks. S. Omar has ceased to be a See. 2 The head of the saint no longer exists. RETURN HOME. 71 and his family, who permitted us to go with them, and another Gentleman & Lady named Bostock a Merchant in London, who we found agreable Company, we set out of the Harbour of Calls at 4 o'Clock with a moderate wind which fell to a Calm and the tide being against us, we made but little way, and did not get into the Harbour at Dover before halfe an hour after one. we left Dover the same Day and got to Canterbury to Dinner, and set out for London the next morning there we stayd one day and came to Cambridge on Saturday the 10^^^ of September. CAMBRIDGE : PRINTED BY C. J. CLAY, M.A. AND SONS, AT THE UNIVERSITY PRESS. LIST OF THE PUBLICATIONS OF THE CAMBRIDGE ANTIQUARIAN SOCIETY. REPORTS. Reports I— X (1841—1850). Ten numbers. 1841—1850. 8vo. PUBLICATIONS. QUARTO SERIES. 1. A Catalogue of the original Library of St Catharine's Hall, 1475. Ed. by Professor G. E. Corkie, B.D, 1840. Is. 6d. II. Abbreviata Cronica, 1377—1469. Ed. by J. J. Smith, M.A. 1840. JVith a facsimile. 2s. 6d. III. An account of the Consecration of Abp. Parker. Ed, by J. Goodwin, B.D. 1841. IFith a facsimile. Ss. Qcl. IV. An application of Heraldry to the illustration of University and Collegiate Antiquities. By H. A. Woodham, A.B. Part I. 1841. With illustrations. V. An application of Heraldry, &c. By H. A. AVoodham, M.A. Part II. 1842. With illustrations. Nos. IV and V together, 9^. U. VI. A Catalogue of the MSS. and scarce books in the Library of St John's College. By M. Cowie, M.A. Part I. 1842. VII. A description of the Sextry Barn at Ely, lately demolished. By Professor R. Willis, M.A. 1843. With ^plates. 2>s. VIII. A Catalogue of the MSS. and scarce books in the Library of St John's College. By M. Cowie, M.A. Part II. 1843. Nos. VI and VIII together, 95. IX. Architectural Nomenclature of the Middle Ages. By Professor R. Willis, M.A. 1844. With 3 plates. X. Roman and Romano-British Remains at and near SheflFord. By Sir Henry Dryden, Bart. M.A. And a Catalogue of Coins from the same place. By C. W. King, M.A. 1845. With 4. plates. ^s.M. XI. Specimens of College Plate. By J. J. Smith, M.A. 1845. With 13 plates. \bs. XII. Roman-British Remains. On the materials of two sepulchral vessels found at Warden. By Professor J. S. Henslow, M.A. 1846. With 2 plates. 4^. Nos. I — XII, with a title-page, form Vol. I of the Society's Quarto Publications. XIII. Evangelia Augustini Gregoriana. A description of MSS. 286 and 197 in the Parker Library. By J. Goodwin, B.D. 1847. With 1 1 plates. 20^. XIV. Miscellaneous Communications, Part 1:1. On palimpsest sepulchral brasses. By A. W. Franks. With 1 plate. II. On two British shields found in the Isle of Ely. By C. W. Goodwin, M.A. With 4 plates. HI. A catalogue of the books bequeathed to C. C. College by Tho. Markaunt in 1439. Ed. by J. 0. Halliwell. IV. The genealogical history of the Freville Family. By A. W. Franks. With plates. 1848. 15^. XV. 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History of Swaflfham Bulbeck. By Edward Hailstone, Jun. In the Press. OCCASIONAL PUBLICATIONS. Catalogue of Coins, Roman and English series, in the Museum of the Cam- bridge Antiquarian Society. 1847. Svo. 2^. On the Cover of the Sarcophagus of Rameses III., now in the Fitzwilliam Museum. By Samuel Birch, Esq., LL.D. 1875. 4to. ■^^■^ This paper has also been printed in the Society's Communications, Vol. Ill, No. XXXV. List of the Members of the Society, May 26, 1879. 8vo. List of the Members of the Society, May 24, 1880. 8vo. List of the Members of the Society, May 30, 1881. 8vo. List of the Members of the Society, May 22, 1882. Svo. List of the Members of the Society, May 7, 1883. 8vo. List of the Members of the Society, May 26, 1884. 8vo. List of the Members of the Society, May 18, 1885. 8vo. List of the Members of the Society, May 24, 1886. 8vo. List of the Members of the Society, May 23, 1887. Svo, Note. — The Secretary of the Society is the Rev. S. S. Lewis, Corpus Christi College, Cambridge; to whom all communications relating to the Society may be addressed. CAMBRIDGE : PRINTED BY C. J. CLAY, M.A. AND SONS, AT THE UNIVERSITY PRESS. J. E. Foster, M.A. Nearly ready. GETTY RESEARCH INSTITUTE 3 3125 01360 1956 COUNCIL. May 23, 1887. Alexander Macalister, Esq., M.D., F.R.S., St John's College, Professor of Anatomy. Thomas M^'Kenny Hughes, Esq., M.A., F.S.A., Clare College, Woodwardian Professor of Geology. Charles Cardale Babington, Esq., M.A., F.R.S., St John's College, Professor of Botany. Kev. George Forrest Browne, B.D., St Catharine's College. '^Treasurer. William Milner Fawcett, Esq., M.A., F.S.A., Jesus College. Sbfcretarg anli Htbrarian. Rev. Samuel Savage Lewis, M.A., F.S.A., Corpus Christi College. Ortunary i^embers of OTounciL Rev. Henry Richards Luard, D.D., Trinity College, Registrary. Edwin Charles Clark, Esq., LL.D., F.S.A., St John's College, Regius Professor of Civil Law. John Willis Clark, Esq., M.A., F.S.A., Trinity College, Superin- tendent of the Museum of Zoology and Comparative A^iatomy. Francis John Henry Jenkinson, Esq., M.A., Trinity College. John Ebenezer Foster, Esq., M.A., Trinity College. Rev. Bryan Walker, M.A., LL.D., Corpus Christi College. Rev. Canon Mandell Creighton, M.A., Emmanuel College, Dixie Professor of Ecclesiastical History. George Walter Prothero, Esq., M.A., King's College, University Lecturer in History. Charles Waldstein, Esq., M.A., King's College, Director of the Fitzwilliam Museum and Reader in Classical Archaeology. Rev. Walter William Skeat, M.A., Christ*s College, Elrington and Bosworth Professor of Anglo-Saxon. John Henry Middleton, Esq., M.A., F.S.A., King's College, Slade Professor of Fine Art. Norman Capper Hardcastle, Esq., M.A., LL.M., Downing College. lExcursion=^£mtarg. Norman Capper Hardcastle, Esq., M.A., LL.M. Frederick Charles Wace, Esq., M.A., LL.M., Esquire Bedell. Robert Bowes, Esq.