THE J. PAUL GETTY MUSEUM LIBRARY From the library of Frank Slmpson CHARLES TURNER, A.R.A. This edition consists of 500 copies. Fifty Large Paper copies have also been printed on hand- made paper with the plates on Japanese vellum. CHARLES TURNER, A.R.A. FROM A MEZZ03T1NT BY HIMSELF AFTERl LONSDALE NINETEENTH CENTTURY MEZZOTINTERS CHARLES TURNER BY ALFRED WHITMAN OF THE DEPARTMENT OF PRINTS AND DRAWINGS BR^ITISH MUSEUM //V£ LOMDON GEORGE B;ELL & SONS 1907 CHISWICK PRESS : CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON. LIST OF ILLUSTRATIONS DATE OF SUBJECT PAINTER ENGRAVING Charles Turnerj A. R.A. (from a mezzotint by himself) . James Lonsdale Frontispiece I 7q6 Facing page 8 ^Mademoiselle Parisot. . . , J. J. Masquerier I 7QQ 1 K) Bonaparte reviewing the Con- T T A C^TTI?T3 TT7T> l802 » 24 Miss Cholmondeley .... John Hoppner, R.A. 1804 5) 40 iviib. ocoLt- vv dring ana v^niiu- John Russell, R.A. 1804 A 8 40 Mrs. Rosoman Mountain . J. J^ Masquerier 1804 » 50 Marchioness Cholmondeleyand John Hoppner, R.A. 1805 John Hoppner, R.A John Hoppner, R.A. 1805 55 72 Augustus, 3ra Duke or Lrrafton John Hoppner, R.A. 1805 )) 00 jonn KoDison, ]uL,.U, Sir Henry Raeburn, R.A. 1805 )J QQ 00 Thomas Tomkins .... Sir J. Reynolds, P. R.A. 1805 J> 90 Elizabeth, Empress of Russia . A^ONIER 1805 104 J M W Turner R A 1806 » T T J. 1 Z Admiral L,ord Nelson . . . John Hoppner, RA. 1806 » 1 20 Thomas Bennet 1807 1807 I 20 Le Baiser Envoy^ .... J. B. Greuze )) 5) 126 Lady Louisa M.anners John Hoppner, R.A. 1807 » 144 Little Devil's Bridge (from the " JLiber btudiorum ) . . . J. M. W. Turner, R.A. 1809 ?> 152 XXlL^iiUi 1^1 cX \^yjLLaclKZ .... T. Gainsborough, R.A. 1809 )) 160 Sir Walter Scott Sir Henry Raeburn, R.A. I8IO 5J 168 The Water Mill Sir a. W. Callcott, R.A. I8I2 )> 176 Mrs. Stratton Sir T. Lawrence, P.R.A. I8I3 )) 184 I8I3 )> 192 William Manning .... James Lonsdale I8I3 )) 200 Lord Nevv^ton Sir Henry Raeburn, R.A. I8I4 )) 208 Viscount Castlereagh . . , Sir T. Lawrence, P.R.A. I8I4 J5 216 The Marlborough Family . . Sir J. Reynolds, P.R.A. I8I5 » 224 Viscount Maiden and Lady E. Sir J. Reynolds, P.R.A. I8I7 » 232 Lady Georgiana Fane . . . Sir T. Lawrence, P.R.A. 1826 240 William, Lord Stow^ell . . . Thomas Phillips, R.A. 1828 256 The Age of Innocence . . . Sir J. Reynolds, P.R.A. 1836 » 272 VII 6 PREFACE The plan employed in this, the third volume of the series of " Nineteenth Century Mezzotinters," is the same as that adopted for the two former volumes, " Samuel William Reynolds " and " Samuel Cousins." For the biography of the engraver I have succeeded in obtaining material hitherto quite unknown to colle6tors. I have received much authentic information and kind assistance from the three surviving grandchildren of Charles Turner : Miss Savery of Hastings, Mr. W. Savery of Hove, and Mr. S. S. Savery of Clap- ham — to whom I offer most grateful thanks. By fortunate circumstances Charles Turner's working diary for the first six years of his professional career — covering the period of his early plates, his marriage, and changes of residence — came unexpectedly into my hands; and Miss Savery discovered similar diaries for the last seven years of the engraver's life which she kindly placed at my service and afterwards presented to the British Museum, where the early diary is also now preserved. From these interesting documents many new fafts and incidents have been culled. The catalogue fully describes, in their various states, upwards of nine hundred plates; and to render this result possible private colle6lors have unreservedly placed their treasures at my service, a number of public colleftions have been thoroughly examined, and the prints that have appeared for public sale have been care- fully noted. It is, therefore, hoped the catalogue will be found almost complete; but a reminder of any omission will be welcomed as an undescribed plate or state may be expected to come to light from time to time. Through the kind interest and encouragement of many friends, the work, though exacting and requiring the constant labour of several years, has been made pleasant; and I gratefully ix PREFACE acknowledge all the help I have received. Mr. John Charrington, Mr. J. Sim Earle, and Mr. C. Mallord Turner, besides giving every facility for the examination of their colleftions, have been ever on the watch to find prints and render assistance. Sir Charles Jessel, Sir Walter Gilbey, Miss Twining, Dr. J. S. Joule, Mr. Fritz Reiss, Mr. H. P. Home, Mr. H. S. Theobald, K.C., Mr. D. Meinertzhagen, Mr. Lionel B. Mozley, Mr. Wilbraham V. Cooper of Guildford, Mr. C. M. Prior of Adstock Manor, Mr. A. Goldner, Mr. E. Layton of Reigate, Mr. E. E. Leggatt, of Enfield, and Mr. R. D. Thomas of Bicester, permitted me to make a thorough inspection of their colle6lions, while Mr. H. W. Bruton brought his entire colleftion of Turners to London from Gloucester. Mr. Malcolm C. Salaman, Mr. A. W. Pinero, Lt.-Col. Croft Lyons, Mr. E. O. Schneider, Mr. A. J. Finberg, Mr. Martin Hardie of the Victoria and Albert Museum, Mr. A. Dingwall Fordyce of Brucklay Castle, Scotland, Prof. Hans W. Singer of Dresden, and Mr. J. P. Anderson, have all given valuable assistance. Messrs. Colnaghi and Co. allowed the whole of their great store of prints to be examined in detail, as did Mr. F. B. Daniell; and similar aid was kindly given by Mr, Harvey, Mr. F. Sabin, and Messrs. Ellis and Smith. To all these owners of prints and lovers of engravings I feel how greatly I am indebted, for only by their kind co-opera- tion has it been possible for me to bring the catalogue to its present state of completeness. Mr. Fritz Reiss kindly lent for reproduction the " Interior of a Cottage," after Gainsborough; and Mr. E. E. Leggatt, " Le Baiser Envoye," after Greuze. The illustrations are collotypes, and have been prepared by Messrs. Morgan and Kidd of Richmond. September^ i()0'j. X CHARLES TURNER, A.R.A. (Born 1774; Died 1857) To write the biography of an engraver is, as a rule, to tell the story of a stay-at-home, A soldier may go on foreign service and be the hero of deeds of daring; a traveller may penetrate into unknown regions and meet with startling adventures; a painter may journey to centres of art culture and mingle with the great ones of the world, and even in his native country may be a cynosure of social life. But an engraver generally leads a hum- drum existence. He learns his craft in his master's studio, and thereafter practises it from morning till night, almost year in year out, in his own. Few stirring incidents come his way, and his circle is limited to the artists whose work he interprets, his brother craftsmen whose society he enjoys, and the printsellers who profit by his labours. And Charles Turner was no exception to the rule. He never left his native shore, seems never to have been further from London than the town of Woodstock where he was born, and for fifty-four years — from Easter Monday, 1803, till his death in August, 1857 — occupied one house, 50, Warren Street, Fitzroy Square, London, whence he issued plates by the score annually. We are apt to think much of the people who by some master stroke achieve distin6lion, or who by sparkling genius tower high into prominence. And unfortunately we think little, even if we think at all, of the debt that is due to the world's patient plodders, to those who without fuss and noise pursue a course of steady industry, adding their contribution to the world's beneficent out- put for the permanent enjoyment of mankind. The general may become a public idol, but the men of the rank who do the strenuous work run risk of passing by unnoticed. Who can measure the debt that is due to the world's rank and file! I B CHARLES TURNER, A.R.A. Charles Turner's grandparents were born during the early- years of the reign of George I. His father's name was Charles, born at Langley Park, loth November, 1741. His mother was Jane Davies, who had been companion to the Duchess of Marl- borough, and at Woodstock was the home of the young couple. There, in the same house where Edward the Black Prince was born, was also born, on 31st July, 1774, the child who was destined to engrave more plates than any other two mezzotinters this country has produced, put together. Charles the elder was an excise officer, who in the course of his work lost some important official documents, a circumstance so serious that the poor man was ruined, and ultimately brought to his grave. But not before his youthful son had made a drawing of his portrait, which remains an heirloom in the hands of Mr. S. S. Savery, a grandson. This water colour represents the father a well set-up, rather portly man, with calm well-satisfied demeanour, in short wig and blue coat, sitting on a balcony. On the back of the frame is the date ist August, 1793, "when living at Woodstock." The missing documents were found, some years later, being used as butter paper! Upon the exciseman's death, his widow re-entered the service of the Duchess of Marlborough, had charge of the China Gallery, and was given Home Lodge to live in. Here to Blenheim came young Charles, to feast his eyes and mind on the art treasures of the palace, and here he made a drawing of the China Gallery, which Miss Savery, his granddaughter, still cherishes. Upon the mother's death, Charles's sister Fanny received a pension from the Duke, and had a small house two doors from the Bear Inn, rent free. Amid the rural surroundings of Woodstock, and the glories of Blenheim Palace, Charles Turner's early years were passed; and by the tendencies of his nature and the wooings of his environ- ment his mind was led into the ways of art which an inborn gift for drawing helped to encourage and mould. And so, early in the last decade of the eighteenth century, he decided to work and strive for art as a profession, and left his home for London to seek his fortune and study painting and drawing, and to be employed at first by the great print house of Alderman Boydell. 2 MEMOIR Arrived in London, with the proverbial crow^n piece in his pocket, which is now in the possession of his great-grandson, Mr. Harold Savery, we first find the young man a student at the schools of the Royal Academy at Somerset House. At the National Gallery are preserved a number of class registers of attendance for the Antique and the Life Schools, and among the signatures, that of " C. Turner" appears with regularity during the year 1795, and also during the two or three years following. By these registers one can ascertain the fellow students with whom the young artist asso- ciated. In December, 1795, Turner the future famous landscape painter, and Turner the future mezzotinter (who were not related to one another) met and commenced a friendship that was intimate for years, then broken off for years, and then renewed. Here the young man met the budding painters Owen, Chinnery, Phillips, Russell, and Chalon, whose works in after years he would translate by means of the graver, cradle, and scraper. But his intimate friend was evidently George Dawe, a precocious mezzotinter who, though very young, was commencing to engrave plates. The two youths came to the school together, signed their names next to one another, and doubtless talked about the wonderful mezzotints which were then being produced by the great school of English engravers. If Turner had no idea of being a mezzotinter when he set foot in London, Dawe must have persuaded him to follow that captivating craft. Another fellow student was a young painter named Mas- querier, born in London of French parents, who by royal influence had obtained the means to study in Paris. His mother, who ac- companied him, was involved in the Revolution and imprisoned, but the young man escaped arrest, returned to London, and entered the studio of Hoppner. Masquerier and Charles Turner became inti- mate, and before the year 1795 was out, Turner had determined to try his skill as a mezzotinter and translate a portrait Masquerier had painted. By some means Masquerier had become acquainted with John Kirby, the keeper of Newgate, who also followed the gentle art of Isaac Walton, and this man's portrait Masquerier painted and Charles Turner mezzotinted, and the former launched it upon the public market in February, 1796. And a remarkable achieve- ment it was, full of dash and vigour, betraying nothing of the 3 CHARLES TURNER, A.R.A. timidity of a young beginner, an admirable earnest of things to come. A reprodu6lion of the print will be found in these pages. A tradition in the Turner family tells that Charles was ap- prenticed to George Jones, who painted a picture of the battle of St. Vincent, now in Greenwich Hospital. This cannot have been the case, as Jones was so much Turner's junior, and did not enter the Academy Schools until Turner had engraved nearly thirty plates. But the tradition contains a valuable suggestion. George, who was very intimate with Charles Turner, was the son of John Jones the celebrated mezzotinter; and it seems certain Turner came under the influence of this master of mezzotint. An examination of the works of the two men very much supports this view, for the technique has great similarities, each being strong, firm and decisive. John Jones was a proficient stipple engraver as well as mezzotinter, and young Turner from the beginning applied him- self to the two crafts, and after completing his mezzotint of Kirby, at once set about stippling a portrait of no less a personage than the Academy's first President. John Jones lived and worked in Great Portland Street, Oxford Street; and near by, in Castle Street, Oxford Market, is the first address we have for Charles Turner, where he lived and paid twenty-four pounds a year rent. The personal influence Jones might have exerted over young Turner could only have been of brief duration, for Jones died in 1797, leaving behind him a rare colletlion of prints for Turner to ponder over and study, and frame his style upon. Charles Turner remained in close friendship with Mrs. Jones and her son George, and acquired a number of John Jones's mezzotints, which he kept for the rest of his life. In 1800 Mrs. Jones published two of Turner's prints — The Fairing and T^he Savoyards, after Singleton — from the house where her husband had died, 74, Great Portland Street. Taking all these circumstances together, it is evident it was the work of John Jones on which Charles Turner modelled his own. By the year 1798 Turner began to feel the power that was in him, and others to learn of the young man's achievements. It was most fortunate that his diary for the first six years of his pro- fessional life should have been preserved and have come into the writer's hands, for by it Turner's aftivity can be followed day by day until the spring of 1804. At the beginning of 1798 he was 4 MEMOIR at work on a large portrait of Lord Duncan that Daniel Orme had commissioned, and on 3rd May he " went to Mr. Singleton's to order two Pi6tures and to receive one in three weeks." On 14th February occurs the entry: "Began Mr. Orme's Transparency," and it calls for brief remark. These transparencies were the invention of Edward Orme, the publisher and artists' colourman of New Bond Street; and were prints so coloured and varnished that when held before a light they became transparent and showed to very good effect. They were chiefly used to supply the place of painted glass, for window blinds, as fan decorations, and for similar purposes. Charles Turner engraved the first plate ever used for a transparency, and in 1807 Orme issued a sumptuous volume explaining the process and giving instru6tions so that " the transparencies may be executed by any person who understands the least of the art of drawing or colouring." At the end of the book is a long list of transparent prints issued up to the date of publication, and Orme says " I am indebted to the able assistance of Mr. Charles Turner in the engravings." Many allusions to these engravings occur in Turner's diary, and at the end of the present volume will be found a list of the plates of which mention is made both in the diary and in Orme's list. Turner, like most keen engravers, was given to making ex- periments in the technicalities of his craft; and we read in his diary, 8th August, 1798: " Making a Machine to Lay the grounds." 9th August: "Making the Machine all day. In the evening laid a coarse ground on an Aquatint transparency." 30th October, 1800: "No work. Went to Mr. Engleheart's. Had made a Machine for Sharpening Dry Points." One of the plates issued by Turner from his address at 40, Castle Street, in 1799, was the captivating stipple engraving of Mile. Parisot the dancer, of which frequent mention is made in the diary as the work progressed. The print is much in demand by colle6lors at the present day, and a reproduction of it is given. By this time Turner was translating in mezzotint the canvases of such painters as Stothard and Wheatley, and as his reputation and work increased, his need for more space became urgent, and on the 4th and 5th of December he moved into No. 56, Warren Street, Fitzroy Square, as recorded in the diary, and a week before 5 CHARLES TURNER, A.R.A. Christmas had a " Grand House Warming." The annual rental for 56, Warren Street, was thirty-five pounds. At the opening of the year 1800 Turner received a pupil, as set forth in the entry under date 14th January: " Bought James Easling's Indentures ^2 .2.0. Bought Oranges and Lemons and Went to Bow Street. James Easling was bound Apprentice for the Term of 7 Years. R*^. of his Father as Premium £15 . 15.0, and a suit of black clothes Value £^ • 5 • o. Mr. Easling and self went shares in the indentures." Easling senior was evidently a tailor. The plate by which James Easling is best known as an engraver is Gir/ picking up Shells on the Coast ^ after Henry Howard, a subje6l that was also engraved by Samuel Cousins with the title A Message from the Sea. Besides Easling, the diary gives the names of four other engravers from whom Turner received assistance: George Trailing, Mr. Gathard, Mr. Syer, and Mr. Raymond; and here are some of the entries: 3rd January, 1800: " Paid Mr. Fray- ling for 3 days' assistance 12/-." 12th April, 1802: "Paid Mr. Freyling for laying a head-size ground .0.0." 2nd February, 1800: "Paid Mr. Gathard 3 days' work . i . o." ist March, 1800: "Tippoo Sultaun after 3 weeks' work Mr. Gathard." 8th March, 1800: "Paid Mr. Gathard and parted £2.2.0." 2nd May, 1802: " Paid Mr. Syer for a Week's Work . 2 . o." I St September, 1802: "Paid Mr. Raymond for the ground ot Singleton's Hannibal £2 . 12 . 6." In 1800 Turner did his first plate after Hoppner. On 8th September he went on horseback to Clapham — the horse and the turnpikes costing him ten shillings — and there he saw J. Jeffryes, the publisher of Clapham Road, and arranged to engrave Hoppner's portrait of the Duke of Rutland, which was published by Jeffryes in the following year. And in 1800 Turner's work refledled the volunteer movement of the time for the defence of the country against Napoleon, in his large mezzotint from the pifture by his fellow Academy pupil, F. Countz, of the Presentation of Colours to the Kensington Volunteers^ a plate that was published in February, 1801. Napoleon was the name on every English lip, but as yet no one had seen an authentic portrait of the great little man. On 22nd November, 1800, Turner arranged with Masquerier for the 6 MEMOIR painter to go to Paris to make a portrait of Napoleon, and he raised ten pounds from Orme, the publisher, to defray the ex- penses. A further ten pounds was sent over to Paris, and on 28th January, 1801, Masquerier returned from the Continent with the necessary materials. Turner began his plate on 24th February, and on 21st March it was published and eagerly bought up at 22, Piccadilly, where it was sold " for the Proprietors.*' The sale of the portrait was stimulated by the exhibition at the same address of a large painting, stated to be by Masquerier, represent- ing Bonaparte Reviewing the Consular Guards at the Tuileries Palace, which the town flocked to see at a shilling a head, and then paid an extra sixpence for a pamphlet " Description of the Great Historical Picture." An advertisement in the " Morning Post" for loth March tells us, " Mr. Masquerier has the honour respe6lfully to inform the Public, that being in Paris during the months of December and January, he was induced, when there, to solicit permission to Paint a Portrait of the First Consul, Bona- parte at the Grand Review of the Consular Guards; which having obtained, is now for Exhibition, at No. 22, Piccadilly, opposite the Green Park. Mr. Masquerier begs leave to observe, that he is the only English Artist who ever had similar means of accuracy: the Likeness which he has taken has met with the most flattering approbation, and it is the only one in this country Painted from the Life." Upon a copy of the descriptive pamphlet mentioned above, which is preserved in the British Museum Print Room, Charles Turner has made some drastic comments and exposed a cunning fraud. Turner says: "He (Masquerier) never saw Buonaparte or any of the Generals. The large Pidlure was painted in my Room in Warren Street, and I painted all the Bridles (and) Saddles, and Mr. H. B. Chalon the horses. We clear'd a Thousand Pounds by the Pi6lure one 3rd. was my share." These annotations, with ex- tracts from Turner's diary, etc., are given in detail in the cata- logue. No. 794. Towards the end of the year Turner was working hard upon his mezzotint of this subje6t, and it was published on New Year's Day, 1802, from his address, 56, Warren Street, and no doubt obtained much success. The print has been reproduced here, as 7 CHARLES TURNER, A.R.A. the reader may wish to see the subje6l which caused so much stir, and the painting for which was produced under such doubtful circumstances. A small painting of the subje6l (the original was 20 ft. high by 27 ft. wide) is in the possession of Mr. Burdett- Coutts; and it may be the one mentioned in Turner's diary at the end of 1801 : " Sold the Picture of Buonaparte to Mr. Roberts (?) for 50 Guineas — Bank Notes 30. o. o; Drawing by Girtin 20. o. o; f Frame i. 15. o; Paper Writing 15. o; ;£52. 10. o." By the financial success of the picture venture and the pro- sperity of his engraving work, Turner must by this time have felt himself thoroughly established in his profession; and it is not sur- prising his thoughts turned towards matrimony. His marriage took place on 27th February, 1802, and this is the entry in his diary: " I was married to Ann Meria Blake at Chelsea Church. Principal performers Ann Meria and Myself. Bridesmaid Miss Frances Capes of Enfield. Father Mr. Cribb, Holborn." The bride v/as first cousin to Frederick Loakes Slous (or Selous), ancestor of the celebrated explorer, Mr. Frederick Courtenay Selous. Thirty or more years ago there were living at Enfield three very old maiden sisters of the name of Capes, and it is possible one of these was the bridesmaid. Mr. Cribb, of Holborn, who adted as father, was the publisher who issued a number of Charles Turner's mezzotints, and afterwards lived in King Street, Covent Garden. It was Cribb who published the second state of Lady Louisa Manners. The diary of 9th March contains the significant entry of the new order of things: " Finished housekeeping with Hannah." His work still increased, and as he again felt cramped in his home we find him, on 7th November, " Out all day after House." He may have tried for a home at a distance; but finally he decided to remove only a few houses further west in Warren Street. On Christmas Day he " Gave Mr. Murdock (his landlord) warning "; and on Easter Monday, i ith April, 1803, he records: " Moved to No. 50 Warren St.," having sent his wife and infant son, two months old, to Chelsea to be out of the way. On 1 6th April he went " Out. Call'd on Mr. Pinero Attorney," in reference to Sir Henry Trol- lope, a lodger or tenant, and this Mr. Pinero was the grandfather of the celebrated dramatist Mr. Arthur Wing Pinero. From the house, which still stands as it was in Turner's day, a view could be 8 JOHN KIRBY 1796 AFTER MASQUERIER (CHARLES turner's EARLIEST ENGRAVI MEMOIR obtained along the New Road, which was just opening up and came to be called the Euston Road. Many years after Turner entered upon his occupancy, F. P. StephanofF made a water-colour drawing of the Drawing Room (exhibited at the Royal Academy in 1842, and still in Miss Savery's possession), which used to be called the Print Room, as the walls were covered with prints he had engraved. Sitting at a table are Charles Turner and his wife, and close by are their two daughters. Two small engravings, after C. Blake, also exist, entitled The Mirror {morning) and The Mirror {evening) ; the former showing the interior of the same room — the table laid for breakfast, and the two windows giving views of the New Road opposite; the latter, a view looking towards the fire- place. On the walls in both these prints are seen paintings and drawings by Charles Turner still preserved. In 1805 Turner's daughter, Ann Maria, was born; and in 1806, his daughter Jane; while during these years his reputation was widening and his work rapidly increasing, and he had estab- lished himself as publisher of many of his plates. The artists, after whose piftures he had plates constantly in hand, included Chalon, Agasse, Singleton, Abbott, Hoppner,Shee, Russell, Westall, Phillips, Raeburn, Halls, Owen, Romney (died 1802), Lawrence, Walton, Beechey, Howard, and J. M. W. Turner. The mention of these names is sufficient to show the esteem in which Charles Turner was held by his contemporary artists. It is curious to note how frequently the work of an engraver follows the course of current events. On 9th January, 1806, Nel- son's body was slowly borne to its last resting place in St. Paul's Cathedral; and on the same day Messrs. Colnaghi published Charles Turner's well-known portrait of Nelson, from Hoppner's pifture, reproduced in these pages. A month or two later a heavy coach, of large dimensions, was constructed in Long Acre, and in April it conveyed Daniel Lambert, the fat man, from Leicester to London to be exhibited. Upon his arrival in London thousands flocked to see him, Henry Singleton went to paint his portrait, and Turner mezzotinted a large plate from the pidture, which was pub- lished on ist May, or within about a fortnight of Lambert's arrival in the metropolis. A remarkable instance of expeditious work! The year 1806 was, however, chiefly important to Charles 9 c CHARLES TURNER, A.R.A. Turner by the fa6l that then he was working upon his plate of The Shipwreck^ after a painting by his namesake J. M. W. Turner. It was in fa6l the first oil painting by the illustrious artist that was ever engraved. We have already seen the two Turners together as fellow-students at the Royal Academy; here we have them for the first time associated as painter and engraver. The pid:ure, now in the National Gallery, was painted for Sir John Leicester, who paid three hundred guineas for it, and afterwards it was lent to Charles Turner to be engraved. By ist January, 1807, the plate was ready for publication, and the public had the opportunity of seeing the grandest piece of marine mezzotinting that has ever been produced. Fine impressions of this plate must always be eagerly sought for by colledors. The rush and foam of the waves, the desperate efforts of the rescuers, the effe6ls of wind, and the dash of the spray over the sinking vessel, all are rendered with the greatest skill. Lady Leighton Warren possesses a letter from Charles Turner to Sir John Leicester, dated March, 1807, sending two proofs for which he charges six guineas, and " begs leave to observe that the dedication is not under the first 50 impressions." He also " cannot but embrace the opportunity to return his thanks to Sir J. Leicester for the loan of so fine a Pifture." This letter, the proposals for publishing the plate, and the terms of the contra6t between the Turners are given in the catalogue (No. 862). At the National Gallery is a list of the subscribers to The Shipwreck, and it in- cludes such names as Sir W. Beechey, John Varley, and Thomas Stothard, painters; Edward Orme, the publisher; Havell, the aquatinter; and Daniel Lambert, the fat man. J. M. W. Turner reserved to himself the right to colour im- pressions; and on 27th July, 18 10, he sent this peremptory note to the engraver: " Mr. Turner requests Mr. C. Turner to explain through what cause the Print of The Shipwreck now in a shop in Fleet St., late Macklin, happens to be coloured when Mr. C. Turner expressly agreed that none should be coloured but by J. M. W. Turner only. J. M. W. T. likewise expe6ls 2 Proofs of The Ship- wreck as his right." An impression, coloured by J. M. W. Turner, is now in the possession of Mr. S. S. Savery. This has upon it the name of " Sir John Woolmore, Bart., F.R.S." Charles Turner engraved a portrait of Captain John Woolmore in 1833. 10 MEMOIR The history of that most famous series of mezzotints after J. M. W. Turner, the Liber Studiorum," has been so fully and ably written by that distinguished amateur, Mr. W. G. Rawlin- son, that there is no need to recapitulate it here. From a letter written by Clara Wheeler, published by Mr. Rawlinson in his second edition (page xiii) it is established that J. M. W. Turner began the work in 1806; and Charles Turner, having achieved such a pronounced artistic success with 'The Shipwreck^ it was but natural the painter should turn to the same engraver to interpret the " Liber " drawings upon the copper. At this time the painter was thirty-one, and Charles Turner a year older, at the zenith of his powers, producing plates at a rate averaging one a fortnight. Terms were agreed upon between the two men, and it was arranged that the " Liber " should consist of fifty plates, Charles Turner receiving eight guineas a plate. J. M. W. Turner was personally to begin the plate by drawing the subject in outline through the etching ground on to the copper, and Charles was to etch these outlines, and perform the subsequent mezzotinting. And what marvellous examples of masterly, bold, suggestive, preliminary etchings these are! Mr. Rawlinson tells us that: "For grasp of the essential lines of a picture, and for expression of those lines in the simplest and most dire6t way — yet without restraining or interfering with the free- dom and delicacy of the light and shade and tone to be afterwards added — they seem to me unsurpassed." Then came the mezzo- tinting; and Charles Turner carried forward the work upon the plates to a finish in a manner quite worthy of the great painter's beginnings. Working under the eye of the master, Charles Turner seems to have given expression to the painter's subtlest wishes, and by the minds and hands of the two men working in sympathy and harmony, results were achieved that will demand the keenest admiration of colle6lors as long as the prints can be preserved. The prints were to be issued in parts, each part to contain five; and Part I was ready by the end of the year, and published by J. M. W. Turner from his house in Harley Street, 20th January, 1807. When the next part was ready, the painter passed the work of publishing over to Charles Turner, who also supervised the printing, and it was issued from 50, Warren Street, 1 1 CHARLES TURNER, A.R.A. Fitzroy Square, 20th February, 1808. Part III appeared in the following June; and Part IV on 29th March, 1809; and then came a quarrel. Charles Turner felt his remuneration to be in- sufficient, and applied to J. M. W. Turner for his fee to be increased from eight guineas to ten for each plate. This request was surely moderate enough, but the painter refused it, and a rupture ensued. To Messrs. Colnaghi, under date 14th February, 1852, Charles Turner explained: "I only regret I could not have engraved the fifty Drawings which was first agreed on. The Price was so low. I engraved them. Published, attended the printing, and then de- livered the Numbers to the subscribers for only ^^8. 8. o. per Plate; and because I asked him for 2 guineas more, making ^Tio. 10. o. he was so angry, we did not speak for 19 years. The Windsor was the Plate which caused our misunderstanding, and of course the last." Another phase of the quarrel was that J. M. W. Turner had an idea the engraver improperly kept back a number of im- pressions for himself. Charles tried to give a good reason for detaining the prints, but they must have been many and important for Mr. Dominic Colnaghi to pay £Soo for them at the painter's death. In the Print Room of the British Museum is a small drawing by Charles Turner of a portrait of the painter with scowl- ing face, and entitled A Sweet Temper. This drawing may be reminiscent of the long drawn out quarrel. After a lapse of six years Charles Turner engraved and published a subje(5l after J. M. W. Turner, Vesuvius in Eruption^ or The Burning Mountain, 6th November, 18 15. It is a print of great rarity. The next year J. M. W. Turner included two Charles Turner plates — Nor ham Castle, and Inverary Castle — in the part of the " Liber Studiorum" he issued on ist January (doubtless engraved before the friendship was severed) ; and then ensued a further gap of more than seven years, before Charles Turner began work upon J. M. W. Turner's " Rivers of England." He engraved five plates for this series — published by W. B. Cooke of Soho Square — and the first was issued 2nd June, 1823. But we must return to the year 1807, when Charles Turner published two of his most famous plates: Le Baiser Envoy e, after Greuze, on ist May; and the portrait of Lady Louisa Manners, after Hoppner, on 19th 06tober, both of which are reproduced, though 12 MEMOIR the collotypes cannot do justice to the originals. These two plates show Turner at his best, and proclaim him worthy to rank among the chief engravers of the great school. The mezzotints are sin- gularly sympathetic, and have a persuasive and attractive eloquence. There is nothing of rugged forcefulness about them, but, instead, a delicacy of touch, and a subtlety of expression that endow them with irresistible charm. Mezzotints such as these will retain a position equal to the finest of the great period, for they have distindlly the quality of the late eighteenth century. Besides these two plates Turner scraped and published, on ist August, Hoppner's whole- length portrait of Sir Wilfrid Lawson, who had died but a few months previously, and whose colle6tion of prints was dispersed by Messrs. Sotheby only last March. And in 1807 Easling's term of apprenticeship expired. The year 18 10 was Turner's year of greatest ad:ivity, when he issued dated plates to the phenomenal number of forty-five. It seems hardly credible that an engraver could work at such a pace; but doubtless he received much assistance from his pupils and assist- ants, and his diary shows the rapidity with which he could turn out plates. Besides, he was ambidextrous, and it is believed he could work much quicker than his fellows on that account. It has been said that J. M. W. Turner himself was attracted to the practice of mezzotint engraving by seeing his namesake work with such facility and speed. These forty-five plates of the year 1 8 1 o, how- ever, include a number that were quite small, and also a series of birds — as a rule of poor quality. Still, the output included Sir Walter Scott's portrait, after Raeburn, a print of much power, as can be seen by the reproduction, of some rarity and of increasing commercial value. In this year Turner also engraved the whole-length portrait of John Jackson, the champion prize-fighter of England, and in the following year Tom Belcher commissioned Turner to engrave a similar portrait of himself which he pubHshed from his address, "32, Wardour Street, Soho." A hundred years ago prize-fighting was a national sport which included the highest in the land among its patrons. At this time Charles Turner was the most sought after mezzotinter living; and here are twelve of the contemporary painters whose canvases he was translating in the year 18 12: Opie, 13 CHARLES TURNER, A.R.A. Hoppner, Zoffany, Ramsay, Raeburn, Sir T. Lawrence, Northcote, Beechey, Callcott, Cosway, Huet-Villiers, and G. Watson. Could anything be more eloquent of the position Turner held at this date? And with all this remunerative work knocking at his door, we can understand how he declined to submit to the famous landscape painter's exafting terms for his *' Liber " plates. Curiously enough, while in this year he engraved portraits of twenty-three men, there are only two small portraits of women. The year pays its tribute to Turner in yet another way — the way of his publishers. Besides publishing many plates himself, Colnaghi's published seven, and others were commissioned by publishers in Oxford, Cambridge, Edinburgh, Dublin, Norwich, and Cumberland. Surely an ex- ceedingly wide reputation for those days of slow locomotion! An inscription under the portrait of Richard Porson published at Cambridge reads distinctly odd: "Published Odtober ist 1812 by R. Harraden and Son, Cambridge. Publishers of a History of the University and Town of Cambridge, Illustrated with 36 Views of Colleges, Halls, Public Buildings, etc., etc. Price 4. 4. o. also a Fine Print from the Statue of Sir L Newton in Trinity College Chapel, Cambridge." Evidently the publishers thought they must negleft no opportunity of pushing business. On iith May, 1812, Spencer Perceval was assassinated at the House of Commons ; and by I St August Turner had engraved and published his portrait from Joseph's painting. The plate Charles Turner considered his finest was the portrait of Lord Castlereagh, after Lawrence; and it is reproduced here. Turner's opinion is a curious comment on the fashion of the present time, for while certain prints of his can bring their hun- dreds of pounds, this Castlereagh, which he thought gave the finest display of his powers, can still be obtained at a moderate price. But public opinion, it is pleasing to note, is changing, and collectors are more and more realizing that the engravers did not lavish all their skill on the portraits of ladies, and only devote the odds and ends of their talents to those of men. This portrait of Castlereagh is worth an honoured place among mezzotints, and the more it is contemplated the more it is appreciated — which is a true test. The print remained a prime favourite with Turner, who, ten years later, seledted a choice impression which he offered MEMOIR to the Czar of Russia; and on I2th April, 1824, he received a letter from the Russian Ambassador, to tell him the Czar accepted the print. The Ambassador continued : "he has been commanded to convey to Mr. Turner in His Imperial Majesty's name the accompanying mark of His Majesty's approbation." This " mark " was a small brooch, nov^ in the possession of Miss Savery. An amusing curiosity of state occurred in 18 14. The portrait of Edmund Kean was first inscribed " Published . . . G. I. Jen- kins." This did not read like sense; and evidently the manuscript for the lettering engraver had been so carelessly written that he could not read it. Instead of the initial G it should have been the word i>y and the necessary correction was made in the next state. The year 1 8 1 5 was marked by the large plate from Reynolds' well-known picture of the Marlborough Family that had not been previously engraved. It was another plate that gave Turner much satisfad:ion. There was also a portrait of Brunei, who constructed the Thames Tunnel. Wellington's achievements in the Peninsula were being extolled in a series of aquatints, and a portrait of the Waterloo Hero was published three days after the great battle, followed by two others before many months were passed. The Battle of Waterloo has also another reminder in the portrait of Colonel John Cameron, who fell on that great day. In this way one might proceed to trace the leading events of the times, and to find the many plates by which Charles Turner touched history. For example. Napoleon on the "Bellerophon " arrived at Plymouth in August, 1 81 5; and Turner's large mezzotint from Eastlake's picture was published the following June. Again, on ist June, 1 8 1 3, when Sir Philip Vere Broke was commanding the "Shannon," he captured the American frigate "Chesapeake"; and in March, 1 8 16, Charles Turner engraved and published the Captain's por- trait in honour of the event. And yet once more, George III, an aged man, deaf, blind, and imbecile, passed away from mortal ken on 29th January, 1820; and Turner's portrait of the pitiable decrepit monarch appeared less than five weeks later. But it must be taken for granted that the course of events, and the piCtorial output in scene and portrait advanced nearly side by side, and left their abiding mark in the development of the nation. Whatever happened in the outside world had its reflex in piClorial art. This 15 CHARLES TURNER, A.R.A. has been the case for centuries past, and in some modified form it will continue to be so in the future. Two prints published about this time are especially good, and we give reprodu6lions of them : Devotion, after Le Brun, and Lord Newton, after Raeburn. In these two mezzotints Charles Turner is seen in all his power. The technique is bold, the scraping is virile, and the efFedts are produced with strong force and energy. These qualities are very prominent in the Newton portrait. Raeburn's brush is eminently suited for mezzotint translation, and his style would seem to have laid hold of Turner, and impelled him to put forth his strongest tones, and he seems to have answered the call as with a trumpet. In such a gallery of portraits as Charles Turner produced it is curious to notice how chara6ters of differing celebrity rubbed shoulders. There was James Gillray, the famous caricaturist and delineator of the foibles of his age, side by side w^ith James Montgomery, the hymn-writer, who gave the world " For ever with the Lord " and " Go to dark Gethsemane." There was Bishop Howley, who was to crown Queen Victoria, published in the same month as Sir Henry Torrens, the famous general of the Peninsula. Georg Frederic Handel, the composer, was put into the hands of the public ten days before John Jackson, the bruiser. William Mavor, whose famous spelling book was the guide of our youth, first sought the suffrages of colledlors on the self-same day that Henry Phillips, the operatic bass singer, was published. William Mavor was Re6lor of Woodstock at the time Charles Turner was born, and it was Mavor who christened him. And in this way one might go through these many portraits showing curious comparisons, and making startling contrasts ; for the gallery was so large, and the people represented ranged over so many classes of society. Charles Turner's artistic gifts were inherited by his two daughters, and in successive years — 1820-21 — each was awarded a silver palette by the Society of Arts for a drawing in chalk, and a portrait in Indian ink respectively. In 1823 two well known Spencer prints. The Mask and The Fortune-Teller, were engraved, and are worth a note if only for a change in the inscription. The first states bear the words " En- 16 MADEMOISELLE PARISOT 1799 AFTER MASQUERIER MEMOIR graved on steel " ; but in the later states the words " on steel " were suppressed. This change would seem to indicate that the method of engraving on steel, first introduced about 1820, soon waned in popularity, and it was thought prudent to conceal from the public that the subjefts were engraved on the harder metal. The first break in the Turner family came in 1826, when the only son, Charles Bryant, died at his father's home on nth No- vember. He had been trained as a do6tor, and for some time was House Surgeon at Middlesex Hospital; but for the last two years of his life had been resident physician in the family of Lord Cholmondeley. Miss Savery possesses a letter of condolence from the Cholmondeley family showing in what esteem the young do6lor was held. Charles Turner had been exhibiting at the Royal Academy since 18 10, and No. 351 in the 1827 exhibition was a Portrait of the late Charles Bryant Turner Esq. The circumstance was paralleled on the death of the engraver's wife. Mrs. Charles Turner died in 1836, and at the Academy of 1841 (No. 953) was a Posthumous drawing of Mrs. Turner. Charles Turner's talents, and his great contribution to artistic achievement, received their reward from the hands of the Royal Academy in 1828, when, on 4th November, he received a letter from Henry Howard, the secretary, to acquaint him " that in a General Assembly of the Academicians held yesterday evening you were eledled an Associate Engraver of the Royal Academy of Arts." He had since 18 12 been able to describe himself as " Mezzotinto Engraver in Ordinary to his Majesty," now he was crowned with an Academic honour. Before the month was out, "La Gazette de France" had announced the fa6t, adding: " C'est le meme artiste qui dernierment a reproduit avec tant de vigeur d'execution et de finesse de touche le beau portrait de Charles X peint par Lawrence." It is singular that up to the time Turner was elected A.R.A. no engraving by his hand had appeared on the walls of the Academy, his exhibits having been either paintings or drawings; but from this date, beginning with Charles X of France and George Canning in 1829, a number of mezzotints were ex- hibited from year to year. These are all set out in Mr. Algernon Graves's great catalogue of the works exhibited at the Royal Academy, so need not be enumerated here. 17 D CHARLES TURNER, A.R.A. About the years 1831-32, Turner was employing a special paper for the printing of his plates, and several of the plates are inscribed, *' Printed on Dodd's English Paper." The publisher's name is almost always inscribed on engravings, sometimes that of the printer is given, and occasionally the phrase " Printed in colours by . . ." appears; but such an announcement as this is so uncommon that it is worth recording. The inscription appears on the portraits of yohn Westcar and of John Viscount Althorp. In 1834 Turner engraved and published Pickersgill's whole- length portrait of Lord Hill, and the advertisement for it was a small card similar in size and style to those now used by candidates soliciting votes for benefits, orphan asylums, etc. This card sets forth in detail the particulars of the print, and tells how the pidture was " Exhibited in the Royal Academy, Somerset House in 1832." The prices of impressions were: " Proofs, before Letters. . ^4. 4. o.; Proofs, with Letters. . ^3. 3. o.; Prints 2. 2. o." By 1836, the quarrel with J. M. W. Turner, if not quite healed, was almost made up, for the great painter sent this curious letter of condolence to the engraver on the death of his wife, dated 26th February, 1836: " My dear Charley — " I must break through the rules of propriety to ask you, you, to throw myself upon your kindness — only — think what I suffered at Sir Thomas Lawrence's and for so long an illness — that I beg of you to yield to my fears against my will — which believe me Charley is with you in your present misery and do not think a particle of respectful regret is wanting to your (? amiable) loss or in any want of attention to your request by a note yet now arrived from Mr. Chittendon,^ 43 Greek St. Soho — that I do again beg of you to let me feel at home all that true concern ! ! without any alloy of apprehension." ] In April of this year Charles Turner sent a proof impression of his portrait of King William IV (which Colnaghi's had pub- lished on 2nd January), as a present to Louis Philippe, which the ' Chittenden and Sons, Undertakers, 43, Greek Street, Soho. 18 MEMOIR French king was pleased to accept; and the letter acknowledging the gift says, " Sa Majeste desire, Monsieur, vous donner un temoignage particulier de sa satisfa6tion, et Elle m'a charge de vous transmettre, de sa part, la medaille que vous trouverez ci jointe." This gold medal, now in the possession of Mr. S. S. Savery, gives on the obverse a portrait of *' Louis Philippe I Roi des Fran9ais," and is inscribed on the reverse, '* Donne par le Roi des Fran9ais a Mr. Charles Turner de Londres 1836." Mr. Savery also possesses the letter. At the same date (6th April), an impression of the same portrait was sent to the Czar of Russia; but "owing to some delay on the part of the Custom House in this Capital " (St. Peters- burg) Lord Durham was not able to write from St. Petersburg to tell Turner his present had been accepted until 17th January, As a specimen of Turner's work at this time, a reprodu6lion is given of his Age of Innocencey from Reynolds' charming picture. A fa6l that has hitherto escaped notice, either in numismatic or other circles, is Charles Turner's connexion with the coinage issued at the time of Queen Vi6toria's accession. Turner was intimate with William Wyon, the chief engraver at the Royal Mint; and it was he who made the drawing of the young Queen that appeared on the new coinage. For this service Turner re- ceived two sets of the issue, which passed to the engraver's two daughters. In the coronation year, during Turner's visit to Woodstock, he made a large spirited water-colour drawing of the local fair; and this, and other drawings, are preserved by his granddaughter, and show Turner to have been a highly accomplished draughtsman. Another drawing by him, representing a view of Hastings looking towards St. Leonards, in 1 846, was exhibited at the Royal Academy in 1 85 1, and is still at Hastings. From about 1836 Charles Turner executed fewer and fewer plates, and the last to appear at the Academy was the portrait of Sir Francis Chantrey, in 1843; though drawings or paintings were exhibited until the year of his death. So the declining years passed by — some with no plates published, others with half a dozen. 19 CHARLES TURNER, A.R.A. For the beginning of Charles Turner's career, the diary of his first six professional years which has been preserved, has been freely drawn upon; and Miss Savery having recently discovered separate diaries for the last seven years of her grandfather's life, these (since presented by her to the British Museum) have also been utilized. Turner having retired from adlive work with the scraper, the diaries have no story of engraving to tell, but they describe his last years with precision. In the year 1851, besides his visits to the Crystal Palace in Hyde Park, we have his allusions to his friend, J. M. W. Turner. 28th May. "Mr. W. Turner. The last time I ever saw him." 19th December. " Mr. J. M. Wm. Turner died at 10 o/c morning." 30th December. "The funeral of poor Mr. Wm. Turner from Queen Anne St. to Saint Paul's this day. I did not go." Charles Turner being appointed one of his namesake's executors, frequent mention is made of visits to J. M. W. Turner's house to inspeft prints, etc., and of interviews with his co- executors. The following entries in the year 1852 are of interest: Feb. 2. " Sold to Mr. Dom^. Colnaghi all my proofs of the Liber Studiorum in 8 books with 8 proofs of Wreck. 28. 14.6." Mar. 1 5. " Sold Mr. Colnaghi my book of the Touch'd Proofs of Liber Studiorum by Mr. W. Turner for ^(^300 .0.0. Taken away by Mr. John Scott. Proofs and Etchings of Liber before . 528 .14.0 Touch'd Proofs in Book . . . 300 . £828. 14.0" March 23. " Went to see Mr. Turner's House Chelsea where he went by the name of Admiral Booth being so much attached to the water and taking his Landlady's name." Sept. 6. " Went to see Mrs. Booth, the female Mr. Turner resided with. Exa6lly like a Fat Cook; and not a well educated woman. Muster Turner instead of Mr. Turner, when speaking to me. Everyone to their Taste!!! What a pity so great a man in talent should not have made a more ladylike choice. He could not have introduced her to his friends^ 20 MEMOIR Sept. II." Mr. J. M. Wm. Turner*s Will was prov'd at the Commons for One Hundred and Forty Thousand Pounds not including the pictures, drawings, etc., etc., etc." Nov. 25. " Soleing Lame Boot and the other 3^. 6d'' Among later diary entries are: March 12, 1853. "William went and shewd the Pidure of. Mr. J. M. W. Turner to Hannah Danby who thought it extremely like. It was exadtly himself and a most successful likeness." [Mr. C. Mallord Turner now owns this painting.] Mar. 28. " Sold Mr. John Haywood Hawkins my First Proof ever taken from my plate of the Shipwreck £20." July 27. " All the Cabs off from Work. Not one in London." Aug. 29, 1854. " My worthy friend Brockedon [the artist] died 5 ock. in the morng. Aged 66 years. Have known him 41 years." Sept. 9. " Call'd on Mrs. Danby, WilUam Street No. 29 enquire where Mr. Turner was born. Said Hand Court, Maiden Lane. Sold me for ^3 .3.0. 17 cards of his Drawings and 2 small oil sketches." Nov. 13. "Bought of Mrs. Danby, Two Drawings of Mr. William Turner which she has had many years — nearly 50 — for which I gave her one sovereign for Both. She was delighted." Mar. 10, 1855. " Masquerier died at Brighton, ag. 77." July 7. " Lord Mayor gave Dinner Party to Artists. I went, it was very gay. Gave servant one guinea instead of one shilling." Nov. 22. " Sent to the French Ambassador my painting of Buonaparte Reviewing the Guards." Feb. II, 1856. "Rent of this House [50 Warren Street] to Michaelmas last ^30 . o . o." [rent for six months]. May 29, 1857. "James [a servant] took to Messrs. Christie & Manson 17 small Drawings by W™ Turner for 10 Guineas each." [?the drawings referred to on Sept. 9, 1854.] As the spring of 1857 approached, Charles Turner's strength declined, and his letters to his family tell their own story of the approaching end. On 9th April he wrote: " Excuse blunders, my 21 CHARLES TURNER, A.R.A. memory is so very bad." On i8th May: "I am weaker every day." The next month he said: " I am so very weak. If I bend I am likely to fall." On loth July his letter was in much the same strain, and concluded with "Love to all around you." On the 1 8th he recorded in his diary: Bad fall in Drawing Room." This was the last entry he made; for a fortnight later he died in his old home at 50, Warren Street. He was buried close to the entrance in Highgate Cemetery, where the obelisk bears the inscription: "Sacred to the Memory of Charles Turner Esqre., A.R.A. Died August I St. 1857. Aged 83." Turner was very precise in the keeping of his accounts; and in 1857 he had ^17,050 4.S. invested in the Three per Cents.; nine shares in the Thames and Severn Canal, value £2^0; and two houses (one at Chelsea, and the other No. 3, Mornington Place), worth £700 each. These make a total of nearly 19,000, which was about the sum he left at his death. Turner, who was club-footed (as seen by the above entry in his diary) is remembered by his grandchildren as a nervous, irascible man, whose custom it was to work in his dressing-gown daily until one o'clock. And J. M. W. Turner had a habit that was a sore trial to the engraver's temper. The famous painter would arrive carrying a large umbrella, and saying he could not stay a couple of minutes, would hold the engraver in conversation at the sitting- room door for a couple of hours. But we are more concerned with Charles Turner's work than with his personal disposition. As the catalogue will show, the volume of his work was enor- mous ; and though many plates are of small artistic interest and come under the ban of pot-boilers, there remain a large number to testify to his great abilities, abilities that demand a high and honourable position for him in the front rank of engravers. His range of work was surprisingly wide. He engraved portraits, land- scapes, marine views, animals, birds, horse races, prize fights, genre subje6ts, ships in dock and on the sea, battle pieces, and subjects from literature. To engrave these he was fully equipped and highly skilled, and efficient in the crafts of mezzotint, stipple, etching and aquatint, wrought on copper, steel and brass. Stipple attradted him more in his earlier years, and the re- production given of M//e. Parisot is sufficient to indicate his power 22 MEMOIR and mastery in that method of engraving. His aquatint plates are fairly numerous and of good quality. Recent investigation by such craftsmen as Mr. Frank Short, A.R.A., has shown that the mezzo- tinters of the great period employed aquatint to finish off their mezzotint plates. After the engravings had been completed by the scraper, the mezzotinters submitted the plates to the aquatint process, which knitted the work together and greatly improved the final result. And Turner probably followed this rule. In " The Mechanics' Gallery of Science and Art," by C. F. Partington, 1825 (p. 104), is this curious allusion: " Mezzotinto is performed by covering the plate with a strong dark ground, or deep shade, by means of a toothed tool, and corroding the dots with aqua fortis." Charles Turner employed etched outlines as a foundation for his mezzotint plates, and he also practised etching as an inde- pendent art; but it is as a mezzotinter that his reputation has been made, and by his plates in this method his fame will continue to increase and widen. Charles Turner at his best was a remarkable engraver, and his plates bear unmistakable indications of the influence of John Jones. But there is this difference. Jones's plates had these dominant chara6leristics — strong handling and sharp definition of tone ; but Turner, while over and over again casting his plates in this strong Jonesian mould, was able to change and vary the type immensely when he felt the occasions required it. And it is this change of style that makes Charles Turner's works so attra6live. In the Henry Harrington, after T. Beach, we have a characteristic Jones type — the grounding rather heavy, a decisive touch, the face delineated with strong charadler and much dignity. In the por- trait of Nicolaas Bercham sketching, these qualities are intensified, and Rembrandt is translated with all his ruggedness of deep shadows and effective lights. And with the Lord Newton, after Raeburn, this characteristic is carried further still, with a sur- prising breadth of treatment. Here the head has the effeCt of the bold chisellings of a master-sculptor. The darks stand out with a strength that proclaim a hand of exceptional power; none but a master would have left the eyes solid black. Then, turning to the Lord Castlereagh, and the Marquess Wellesley, both after Lawrence, we see the style is quite changed. 23 CHARLES TURNER, A.R.A. Here we have stately portraits that do not attradl by a bold utter- ance, but that demand homage by their sober sterling qualities of perfe6l technique. And the character of sweetness is even more pronounced in the portrait of William Mannings the father of the Cardinal, though the reprodu6lion may fail to show it. Turning to the women portraits and subje6ts, we can in a similar way mount the scale to delicacy and refinement, or descend to depth of tone. Le Baiser Envoye^ and the portrait of Elizabeth^ Empress of Russia^ give us a lightly rocked ground, with scraping full of fine feeling, and a touch tuned in sympathy with the sub- jects. The flesh is most delicate, and the drapery would seem to rustle with the slightest breeze. We move into another atmosphere when we come to Lady Louisa Manners — Greuze is changed to Hoppner. With this portrait we have flesh well modelled, and the air pervading the whole is one of quiet dignity. We might almost be in the presence of a Valentine Green, but a Green without that unfavourable quality which has been described as " sugary." And then when we come to his subject piece. Devotion, we have a woman-subjedl at its full strength. The light streaming down upon the face throws up the subjeft in strong lights and shades, and gives Turner an opportunity which he seizes and turns to full account. The composition is handled with a freedom of touch which makes it vigorous to a degree. Place these prints side by side and the range of Turner's capacity will be seen and enjoyed. And yet another phase of his work has to be included. Landscapes in mezzotint are rare, and the chief one of the eighteenth century was executed by Charles Turner's exemplar John Jones, the View from Richmond Hill, after Sir Joshua Reynolds. Following in his master's steps, and after several years of constant work under the valuable guidance of J. M. W. Turner on the " Liber Studiorum " plates, Charles Turner, in 1812, shortly after the regrettable rupture, brought his experi- ence and skill to bear upon T'he Water Mill, after Sir A. W. Callcott. This print is reproduced, and the collector will acknow- ledge it an excellent mezzotint, rich in tone, full of the engraver's best qualities, a most pleasing pifturesque landscape. Then in his two children subjedls. Miss Cholmondeley, after Hoppner, and Lady Georgiana Fane, after Lawrence, we have 24 m Q < O Pi < :d O u X H o CO Iz; Pi; ~ a: > w H < \. Engraved on steel. Before any inscription. C. I. In fine upright upper and lower lettering: " Painted by T. Phillips, Esq. R.A. Engraved by C. Turner, A.R.A." In fine upper and lower italics: "London, Published June 14, 183 1 by M'' Turner, 50, Warren Street, Fitzroy Square, & Mess'' Colnaghi, Son & C° Pall Mall East." B.M. II. A second line of publication added, in fine upper and lower italics: " R. Ackermann Jun'" 191, Regent Street and by M'' Birdsall, Bookseller, Northampton" Sale at Sotheby^s, May 20, 1905. III. Title added in light open upright capitals: "John Charles Viscount Althorp." C; Mr. H. W. Bruton. 11. ALTHORP, JOHN CHARLES SPENCER, VISCOUNT. After C. Turner. Nearly to knees, standing, dir. towards f,, facing towards 1.; white neckerchief, plain dark dress; thumb of 1. hand placed within breast of coat, r. arm by his side; pillar and rope with tassel to 1., table with papers upon it to r. 1 3|- by 9|-. Engraved on steel. 1 In fine upright upper and lower lettering under centre of subjeft: " Drawn and Engraved by C. Turner, A.R.A." In fine upper and lower italics: "London: Published Dec'' 17, 1832, by M"" Turner, 50, Warren Street, Fitzroy Square: Colnaghi, Sen'' Dominic Colnaghi & C° Printsellers to their Majesties, Pall Mall East, & all other Printsellers." To r., in facsimile of autograph: "Althorp" To 1., in fine upper and lower italics: "Printed on Dodds, English Paper" C. II. With additional inscription. In light open upright capitals: "John Charles Viscount Althorp." To 1. in fine upper and lower italics: " Proof" B.M. C.Turner sale catalogue mentions "artist's proofs", " proofs with autograph", "proofs with open letters", and "prints." 12. AMHERST, WILLIAM PITT, EARL. After Sir T. Lawrence. Born 1773, died 1857. Created Earl Amherst Dec"^ 2, 1 826. Ambassador Extraordinary to China 181 6-17; Governor-General of Bengal 1822-28. At the time the print was published he was 2nd Baron Amherst of Montreal. W.L., standing, dir. towards f, looking slightly r. ; robes, r. arm by his side, hand holding cocked hat, 1. hand on paper on pedestal to r., on which lies a book," Embassy to China"; water in distance to 1., with buildings and Chinese junks. 24^^ by 15. Before any inscription. B.M. I. In fine upright upper and lower lettering: " Painted by Sir Tho' Lawrence, Principal Painter in Ordinary to His Majesty P. R.A. &c. &c. &c. Engraved by Cha* Turner, Mezzo- tinto Engraver in Ordinary to His Majesty." In fine script: "The Right Honorable William Pitt " In light open upright capitals: "Lord Amherst," In fine script: "Gov- 36 CATALOGUE OF PORTRAITS ernor General of India. From a Pifture by Sir Thomas Lawrence painted for the British Faftory at Canton, upon his Lordship's return from his Embassy to China " In fine upper and lower italics: "London Pub'' May 24. 1824, by Mess" Colnaghi & C° Cockspur S* Haymarket " C. II. The words Lor^ Amherst made thick and thin, and a line added along the centre of each letter. The line of publication erased, instead, in fine upper and lower italics: "London, Pub" Dec' i'* 1826 by Colnaghi Son & Co Printsellers to the King Pall Mall East " V. and A. 13. ANDREWS, REV. CHARLES. After Charles Jenour. Fully to waist, sitting, dir. f., facing very slightly 1,; white neckcloth, plain dark coat fastened by three buttons; arms resting on arms of chair; curtain in background. lof by 8f. In fine upper and lower italic lettering: " Painted by Charles Jenour Engraved by C. Turner." In light open upright capitals: "The Rev'' Charles Andrews." In fine upper and lower italics: "London, Published Off i, 1823, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 14. ANGLESEY, HENRY WM. PAGET, MARQUESS OF. After Sir T. Lawrence. Born 1768, died 1854. Succeeded as 4th Earl of Uxbridge March 13, 181 2; com- manded the cavalry and horse artillery at Waterloo, where he lost a leg; created Marquess of Anglesey, July 4, 181 5; Lord-Lieutenant of Ireland 1828-29 1830-33; Field-Marshal, Nov. 9, 1846. W.L., standing, dir. and facing f.j hussar uniform, orders; r. arm by his side, 1. hand holding busby. 24^ by 14^. Before any inscription. B.M. I. In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence, Principal Painter in Ordinary to His Majesty, P.R.A. &c. &c. &c. Engraved by Charles Turner, Mezzotinto Engraver in Ordinary to His Majesty, &c. &c." In small upper and lower italics at foot of plate: "London, Published Oftober 8, 1828, by M'' Turner, 50 Warren Street, Fitzroy Square." Sale at Christie's, March 28, 1905. II. For Engraved by Charles Turner, read " Engraved by Charles Turner A.R. A." With additional inscription. In fine script: "To His Most Gracious Majesty," In open up- right upper and lower: "This print of" In light open upright capitals: "His Ex- cellency General The Marquis of Anglesey," In fine script: "Lord Lieutenant of Ireland, K.G. G.C.B. K.ST. G.C.H. &c. &cc. Is by His Majesty's most gracious per- mission, dedicated by His Majesty's very humble subjeft & Servant, C. Turner." To r.: " Printed by J. Lahee." C; V. and A. III. Printed by J Lahee erased. B.M. 15. ANGOULEME, LOUIS ANTOINE D'ARTOIS, DUG D'. After F. Huet-Villiers. Born at Versailles, 1775; eldest son of Charles X of France; died in exile at Goritz, 1844. To waist, dir. r., looking f. ; white neckerchief, plain dark buttoned coat, two stars. The subjecSl is surrounded by a frame engraved in line. Arms in centre of inscription space. 8i by 6f . Before any inscription, and before the arms. Mr. H. W. Bruton. 37 CHARLES TURNER, A.R.A. In fine upper and lower italic lettering: " Painted by Huet Villiers. Engraved by Charles Turner" In light open upright capitals: "Louis Antoine D'Artois," In light open gothic: "Due d'Angouleme," In fine script: " Ne a Versailles le 6 Aout 1775." In fine upper and lower italics: "London: Pub^ Jan^ i. 181 2, by Mes''^ Colnaghi, Print- seller, [j^zV] Cockspur Str*^ Haymarket." B.M.; C. 16. ANGOULEME, MARIE THERi:SE, DUCHESSE D'. Jfter F. Huet -Villiers. Born at Versailles, 1778; daughter of Louis XVI, and wife of the preceding; died 1851. Nearly to knees, standing, dir. towards and looking f. ; white dress with lace frill round neck, cloak loosely around her; column and curtain in background 1., balustrade r. The subjedt is surrounded by a frame engraved in line. Arms in centre of inscrip- tion space. 9 by 6|-. In upper and lower italics: "Painted by Huet Villiers Engraved by Charles Turner" In open upright thick and thin capitals: "Marie, Therese, Charlotte, de France," In thick and thin gothic, with flourishes: "Madame, Duchesse d'Angouleme," In slightly thick and thin script: "Nee a Versailles, le 19 Decembre, 1778." In upper and lower italics: "London: Pub** Jan'' i. 1812, by Mess" Colnaghi, Printseller, [sic'] Cockspur St* Haymarket." B.M.; C. 17. ANNESLEY, RICHARD ANNESLEY, 2nd EARL. J/ter W. Cuming. Born 1745, died 1824. Nearly w.l., sitting, dir. towards r,, looking f. ; plain dark coat, breeches and stockings ; r. elbow on arm of chair, 1. hand on paper on table r. whereon are papers, books, writing materials, watch and chain ; books and papers on stool 1., curtain, wall and archway in background. Arms in centre of inscription space, motto: "Virtutis Amore." 17! by 13I-. I. Inscription as in State II, but before artists' names. Mr. S. S. Savery. II. In fine upper and lower italics: "W, Cuming pinx'^ " C. Turner sculp'" In light open upright capitals: "R* Hon''^'' Richard Earl Annesley," In fine script: " One of His Majesty's most Hon*'^® Privy Council, And a Commissioner of the Revenue of Ireland." In fine upper and lower italics: "Dublin, Published July i^*^ 1806, by M"" Cuming, 34, Anglena Street." B.M. 18. ANSON, THOMAS WILLIAM, 2nd VISCOUNT. After T. Phillips. Born 1795, died 1854; M.P. for Yarmouth 1818; succeeded as 2nd Viscount Anson 1818; created Earl of Lichfield, 1831; Postmaster-General 1835-41. To knees, sitting in an armchair, dir. towards r., looking towards f.; neckerchief, dark double-breasted buttoned coat showing light vest beneath; arms resting on arms of chair, both hands holding plan before him ; portfolio in 1. corner on which is scraped : "T. P. 1819"; books and writing materials on table r. ; book shelves, bust, pillars, etc., in background. by 13. Engraved on copper. Before any inscription. The Earl of Harrow by. I. The neckerchief at r. cheek ^ in. deep at the narrowest part. In fine upright upper and lower lettering: " Painted by T. Phillips Esq'' R.A. Engraved by C. Turner, Member of the American Academy of Fine Arts." In fine script: "Thomas Viscount Anson." In fine upper and lower italics: "London, Published April 24. 1823, by M'' Turner, 50 Warren Street, Fitzroy Square." B.M. {a touched impression). 38 CATALOGUE OF PORTRAITS II. The plate slightly retouched on the face, the neckerchief at r. cheek made nearly ■| in. deep at the narrowest part. C. 19. (?) ARCHER, JAMES, D.D. J/ter James Ramsay. Catholic preacher; chaplain to the Bavarian minister 1791; created D.D. by Pope Pius VII; published a number of sermons between 1793 and 18 16. To waist, sitting, dir. towards f., facing towards r. ; own hair, frill, plain dark coat and waistcoat, coat fastened by top button; curtain in background. lof by 8-|. Before any inscription. C. In fine upright upper and lower lettering: "Painted by James Ramsey Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: "The Rev'' D"" Archer." In fine upper and lower italics: " London, Published June 19, 1826, for the Proprietor N° 20, Charles Street, Middlesex Hospital & M'' Mol- teno's. Pall Mall." B.M.; C. 20. ASGILL, SIR CHARLES, BART. Jfter T. Phillips. Born 1762, died 1823; served in America under Marquess Cornwallis; taken prisoner at the siege of York Town, 1781; sentenced to death but released; commander of Dublin 1800; general 18 14. To knees, standing, dir. f., facing slightly r.; bare-headed, uniform, sash, star; r. arm by his side, 1. hand on hip and touching hilt of sword. i6|^ by I2f. In fine upright upper and lower lettering: " Painted by T. Phillips Esq"" R.A. Engraved by C. Turner." In fine script: " General Sir Charles Asgill Bar^ G.C.G.O. &c. &c. &c." In fine upper and lower italics: "London, Published April 26*^ 1822, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M. C. Turner sale catalogue mentions "Artist's proofs," and "Proofs with light letters." 21. ATTWOOD, THOMAS. Jfter G. Sharpies. Born 1783, died 1856; in 1830 founded the Birmingham Political Union for Pro- tection of Public Rights; M.P. for Birmingham 1832; presented the National Petition of the Chartists to the House of Commons. To knees, sitting, dir. towards 1., looking f.; white neckcloth, plain dark dress, arms folded, inkstand on table r. 10 by 8^. Engraved on copper. I. In fine upright upper and lower lettering: "Painted by G. Sharpies. Published in London, July 10, 1832, by M' Turner, 50, Warren Street, Fitzroy Square, M'' Cribb, King Street, Covent Garden, M"" Moon, City, M'' Drake, Birmingham, & all other Print- sellers. Engraved by C. Turner." In light open upright capitals: "Thomas Attwood," In light open gothic: "Founder of Political Unions." To r. in fine upper and lower italics: "Proof" B.M.; Mr. H. W. Bruton. II. With additional inscription. In fine script: Remember, my friends, our weapons are Peace, Law, Order, Loyalty and Union. Let us hold fast to these weapons, and I tell you, that the day is not distant, when the Liberty and the prosperity of our Country will be restored."' In fine upright upper and lower: "Speech at New Hall Hill, May 7, 1832." C; V. and A. 22. AUDUBON, JOHN J. After F. Cruickshank. Born 1780, died 1851 ; celebrated American ornithologist; of French origin; author of "Birds of America," 1827-38; " Ornithological Biography," 1831-39; "Quadru- peds of North America," 1854; etc. 39 CHARLES TURNER, A.R.A. To waist, dir. slightly r., looking f.; long curls, wide linen collar, cloak with fur tippet. 6f by 5^. I. In fine upright upper and lower lettering: "Painted by F. Cruickshank, Esq''^ En- graved by C.Turner, A.R.A." In fine upper and lower italics: "London, Published Jan'' 12, 1835, for the Proprietor, by Robert Havell, Printseller, 77, Oxford Street." B.M. II. Facsimile of autograph added: "John, J, Audubon" B.M.; C. 23. BAILLIE, MATHEW, M.D. Jfter J. Hoppner. Born 1 761, died 1823; physician to St. George's Hospital 1787-99; physician-extra- ordinary to George III; author of "The Morbid Anatomy of Some of the Most Important Parts of the Human Body," 1793, which went to five editions. To waist, sitting, dir. and facing slightly 1. j frill, plain dark coat buttoned up to throat; elbows on arms of chair, hands joined at waist; curtain in background. iif by 10. Engraved on copper. I. In fine script: "Painted by J. Hoppner, Esq'' RA Engraved by C. Turner" In fine upper and lower italics at foot of plate: "London Published Dec"" 25, 1809, for the Pro- prietor by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; C. II. The script lettering erased. In fine upright capitals: "Painted by J. Hoppner, Esq: R.A. Engraved by C. Turner." In fine script: " Mathew Baillie, M.D." B.M.; C; V. and A.; Mr. H. W. Bruton. BANKS, SIR JOSEPH. See DILETTANTI SOCIETY, No. 159. 24. BARNARD, ANDREW. After Sir T. Lawrence Resided at Wimbledon; died at the Cape of Good Hope, 1807. To waist, sitting, dir. and facing 1.; plain dark coat; r. hand on 1. hand on table before him to 1.; curtain in background to r. 13 by 10. An aquatint ground covers a part of the inscription space. Before any inscription, and before the aquatint ground on inscription space. C. I. A number of changes made in the details of the subjeft; e.g. the 1. wristband of shirt is made smaller; a small portion of the r. wristband seen in the proof is now covered over; the r. thumb which in the proof is held flat on 1. wrist is now held sideways. The aqua- tint ground added to inscription space. In fine upper and lower italic lettering: " Painted by T.Lawrence Esq' R.A. Principle {sic) Painter in Ordinary to His Majesty Engraved by Charles Turner." In light open upright capitals: "Andrew Barnard Esq''" In fine upper and lower italics: "London Published Jan^ 2 1809 for the Proprietor by C.Turner N° 50 Warren Street Fitzroy Square." B.M. II. The aquatinted space beneath subjedl rocked over with a mezzotint tool. Mr. H. W. Bruton. 25. BARRINGTON, HON. SHUTE. After Sir T. Lawrence. Born at Beckett, Berkshire, 1734, died 1826; chaplain to George III; Bishop of LlandafF 1769, of Salisbury 1782, and of Durham 1791; trustee of the British Museum ; published a number of books. Nearly w.l., sitting, dir. towards f., facing sHghtly r.; short wig, bands, ecclesiastical robes; 1. arm on arm of chair, r. arm leaning on large book, lettered: "Biblior Comp. P. I."; curtain in background. lyf ^7 ^4- Engraved on copper. 40 MISS CHOLMONDELEY 1804 AFTER HOPPNER CATALOGUE OF PORTRAITS In fine upright upper and lower lettering: " Painted by S"" Thomas Lawrence R.A. Painter in Ordinary to His Majesty. Engraved by Charles Turner, Warren S' Fitzroy Square." In fine script: "The Hon^'^ & Right Reverend Shute Barrington L.L.D. Lord Bishop of Durham, In the Eightieth Year of his Age." In fine upper and lower italics: "London Pub** March 28. 1817, by C.Turner, 50, Warren S' Fitzroy Square." B.M.; C. 26. BASTARD, EDMUND POLLEXFEN. After W. Brockedon. Born 1784, died 1838. W.L., standing, dir. and facing towards f.; plain dark dress, overcoat, seals hanging; from fob; high hat and walking stick in 1. hand, r. hand on " Petition from the County of Devon against the Roman Catholic Claim " on cloth-covered table to 1. on which lie inkstand and pen; curtain and pillars in background, landscape with water in distance to r. Arms in centre of inscription space, motto : " Pax Potior Bello." 22f by 14. Engraved on copper. I. Before motto in arms. The inscription as in State II, but all in fine and light lettering. Sale at Christie^ s, Feb. 19, 1907. II. In fine upright upper and lower lettering: "Painted by W™ Brockedon. Engraved by C. Turner." In open upright thick and thin capitals: "Edmund Pollexfen Bastard of Kitley Esq'' M.P. for Devonshire." In slightly thick and thin script: "Painted by per- mission & respeftfully dedicated to the independant {sic) Freeholders of the County of Devon, by their obedient Servant, W" Brockedon." In fine upper and lower italics: "London, Published July 14. 1819 by W"" Brockedon, 6 Poland Street, Oxford S' & Colnaghi & C° Cockspur Street." To 1., in fine upper and lower italics: "Proof" B.M.; C. 27. BATHURST, HENRY, D.D. Jfter Sir M. A. Shee. Born at Brackley, Northamptonshire, 1744, died 1837; Canon of Christ Church, Oxford, 1775; Bishop of Norwich 1805; buried at Great Malvern, Nearly w.l, sitting, dir. and facing towards r., looking f ; short wig, bands, eccle- siastical robes; 1. hand holding college cap on knee, r. hand on letter on table to 1. on which lie several books; curtain in background 1., church window r. I7f by 13I-. Before any inscription. C. I. In fine upright upper and lower lettering: " M. A. Shee Esq'' R.A. Pinx* C. Turner Sculp*" In fine script: " The Right Rev** Henry L** Bishop of Norwich dedicated to Thomas William Coke Esq"" Member of Parliament for the County of Norfolk." In fine upper and lower italics: " Published Jan^ 17. 1820 by Mess" Freeman & Son, London Lane, Norwich; M"" J. D. Herbert, Dublin; & M"" T. Hookham, 15 Old Bond S' London." Sale at Sothebfs, April 18, 1905. II. The script lettering strengthened and made slightly thick and thin. B.M.; C. 28. BAXENDALE, JOSEPH. After H. W. Pickersgill. To knees, standing, dir. slightly r., looking f. ; white neckerchief, plain dark dress; 1. hand on hip, r. hand on letters on table I., the top one showing: "London [? W] 1847 Dear Sir J. Baxendale"; pillar behind table, chair to r. I5-|- by 12-5-. Before any inscription, and before any wording on the letter. EM. Wording on letter, as described. Beneath subjeft, in fine upright capitals : " Painted by H. W" Pickersgill, Esq. R.A. Engraved by C. Turner, A.R.A." Facsimile of autograph: "Jos Baxendale" In fine upright capitals: "London, Published Jan^ 15'** 1848 (for the Proprietors) by M' Turner, N° 50, Warren St. Fitzroy Square." C. 41 G CHARLES TURNER, A.R.A. 29. BEAUFORT, HENRY CHARLES SOMERSET, 6th DUKE OF. After T. Phillips. Born 1766, died 1835. M.P. for Monmouth, Bristol, and Gloucester, 1 788-1803; succeeded to the dukedom Oft. 11, 1803; K.G. 1805; bearer of the Queen's crown at the Coronation of William IV. Nearly to knees, standing, dir. and facing slightly 1., looking f.; robes of the Garter, collar and George; 1. hand to hip; fingers of r. hand touching table to 1. on which lies a plumed hat; fluted pillar and tassels to r. 15 by 12^. Before any inscription. B.M.; C. I. In fine upright upper and lower lettering : " Painted by Thomas Phillips, Esq" {sic) R.A. Engraved by Charles Turner, Mezzotinto Engraver in Ordinary to His Majesty," In fine upper and lower italics at foot of plate: "London, Published June 18, 1828, by Mess™ Colnaghi Son & C° Printsellers to His Majesty, Pall Mall East." C; Mr. L. B. Mozley. II. With additional inscription. In fine script : "To Her Grace the Duchess of Beaufort, This Portrait of" In light open upright capitals: "Henry Charles 6*^ Duke of Beaufort, K.G." In fine script: "Lord Lieutenant of the Counties of" In light open upright capitals: "Gloucester, Monmouth, and Brecknock, &c. &c. &c." In fine script: "Is by permission most humbly Dedicated By Her Graces Obedient and Obliged Servants Colnaghi Son & C° " The date of publication altered from June 18, 1828 to "July 7, 1828." To 1., in fine italic capitals: "Proof" EM.; C. HI. The inscription strengthened and made slightly thick and thin. The word Proof erased. Mr. F. B. Dante II. 30. BECKETT, SIR JOHN. ' Jfter C. H. Schwanfelder. Born 1775, died 1847. To waist, dir. very slightly 1., facing slightly r.; black neckcloth, frill, light waistcoat, dark buttoned coat; r. hand holding roll of paper; curtain and fluted pillar in back- ground. 1 1 by 8|^. In fine upright upper and lower lettering: "Painted by C. H. Schwanfelder, Esq. En- graved by C. Turner, A.R.A." In light open upright capitals: "The Right Hon''^'^ Sir John Beckett, Bar* M.P." In fine upper and lower italics: "Leeds, Published Aug* 17, 1835, by C. H. Schwanfelder, 15, East Parade," B.M.; C; Mr. H. W. Bruton. C. Turner sale catalogue mentions "artist's proofs" and "proofs with open letters," 31. BECK WITH, JOHN CHRISTMAS. After I. Clover. Born 1750, died 1809. Mus. Doc. of Oxford 1803; organist of Norwich Cathedral 1808-9. Buried at St. Peter's Mancroft, Norwich. Nearly w.l., sitting, dir. towards f., facing towards 1. ; frill, light vest, dark coat and breeches ; 1. knee crossed over r., r. hand holding pen, 1. arm on table r. on which lie paper and inkstand, paper in 1. hand. 10^ by 8f. In light open upright upper and lower lettering: "I. Clover Pinx* C. Turner sculp." In light open upright capitals: "John Beckwith, Mus. Doc. Oxon." In fine script: "Or- ganist of the Cathedral & S' Peters Mancroft, Norwich:" In fine upper and lower italics: " Dec"" 25, 1812, Publishd by I. & W. Freeman, London Lane, Norwich." To r., scratched: "Proof" B.M.; C. 32. BEDFORD, JOHN 6th DUKE OF. Jfter Sir G. Hayter. Born 1766, died 1839. M.P. for Tavistock; succeeded as 6th Duke of Bedford 1802; Lord Lieutenant of Ireland 1806-7; K.G. 1830. The whole length portrait of his 42 CATALOGUE OF PORTRAITS second wife, Georgiana, was engraved by S. W, Reynolds after the painting by Hoppner. W.L., standing, dir. f., facing towards 1.; robes of the Garter, collar and George; plumed hat in r. hand, 1. hand on hip ; roll of paper on table 1., interior of building in background. 23! by 1 51. I. In fine upright capitals: "Painted by Geo. Hayter, Esq: M.A.S.L. Her Majesty's Painter of History & Portrait. Engraved by C. Turner, A.R.A. London, Published August 8, 1839, at N° 14, Pall Mall East, by Paul & Dominic Colnaghi & C° Print- Publishers & Print-Sellers, to Her Majesty." B.M.; C. II. With additional inscription. In light open upright capitals: " His Grace The Duke of Bedford, K.G. F.S.A. F.L.S." In light open italic capitals: "&c. &c. &c. To The Most Noble. The Marquess of Tavistock," In fine script: "This plate is, by Permission most respeftfully dedicated, by his Lordships obedient humble Servants," In light open italic capitals: "Paul & Dominic Colnaghi & Co." B.M. III. The additional inscription of State II strengthened and made thick and thin. A line added along the centre of each letter of the title. B.M. 33. BELCHER, THOMAS. Jfter D. Guest. Born 1783, died 1854; prize fighter. After winning many fights, he was defeated by Samuel Elias (Dutch Sam). Kept the Castle Tavern, Holborn, where he earned a competence. W.L., standing in a fighting attitude in a prize ring, dir. and facing towards r.; light breeches and stockings, shoes; landscape in distance. 2i| by 18. I. In light open upright capitals: "Thomas Belcher," In fine script: " Painted by M'' Douglas Guest, & Engraved by C. Turner, from an original Pifture, in the possession of lohn Harrison Esq""" In fine upper and lower italics: " T. B. has fought 12 Prize Battles. London Pub" Nov"" 19. 181 1, by M'' T. Belcher, N" 32, Wardour Street, Soho." To r.: "Proof." BM. II. The inscription strengthened and made thick and thin. The letters of title filled in. The line of publication almost illegible. Sale at Sotheby^s, April 18, 1905. 34. BELCHER, THOMAS. After G. Sharpies. Fully to waist, standing, dir. f., facing towards 1. ; neckerchief, frill, dark coat, under which light waistcoat is just seen ; arms folded. 9I by 8. In fine upper and lower italic lettering: "Painted by G. Sharpies. Engraved by C. Turner." In upright filled-in capitals: "Thomas Belcher" In thick and thin script: "Fought 12 Prize Battles in England & One in Ireland." In fine upper and lower italics: "London Published Dec"" 24. 1814, by T. Belcher, N° 25, High Holborn." To r.: "Proof" B.M. 35. BELL, ANDREW. After William Owen. Born 1753, died 1832; pioneer of education, and founder of the Madras system of education by mutual instru£tion. Published several works on his system. Held a number of scholastic and clerical appointments. Buried in Westminster Abbey. Nearly W.I., sitting, dir. slightly 1., looking f.; spe6lacles, bands, black gown; r. arm on table 1, on which is a large book, hands holding a paper in lap ; curtain in background I. I7i by 13I. Masked proof. Truman Sale, April 27. 1906. Before any inscription. C. 43 CHARLES TURNER, A.R.A. In light open upright upper and lower lettering: "Painted by W. Owen Esq' R.A. Por- trait Painter to H.R.H. the Prince Regent. Engraved by C. Turner, Warren Street, Fitzroy Square." In fine script: "The Rev'' Andrew Bell, D.D. L.L.D. F.A.S.S. F.R.S. Ed. Master of Sherburn Hospital, Durham. Taken from a Portrait in possession of the National Society for education of the Poor in the principles of the Church of England, on the Madras System, and engraved at the request of the original Pupils of the Egmore Asylum." In fine upper and lower italics: "London, Publish'd for the Proprietors, Jan'' 29, 1 81 3, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C; ^. and J. 36. BELLAMY, JOHN. ^fierj. R. Smith. Founder of the Whig Club. W.L., sitting, dir. slightly r., looking f. ; dark dress, light waistcoat; arms on arms of chair, spectacles in 1. hand, r. hand holding newspaper; table to I. on which are books and a letter addressed : " To John Bellamy Esq'' House of Commons." In a niche in upper 1. corner, a bust inscribed: " Hon'' C. J. Fox." Distant landscape seen through opening to r. 25^ by i8f . Unfinished proof before the books on table, and before any inscription except name and address on letter. B.M. {touched). The books added on table. In slightly thick and thin script lettering: " Painted by I. R. Smith 1808 Engraved by C. Turner 18 14" In upper and lower italics: " Pub^ July 14 1 8 14 by Harris [& Peajrse Conduit Street London." BM.; Mr. J. Charrington. 37. BERCHEM, NICOLAAS. After Rembrandt. Born 1620, died 1683. Painter and etcher of landscape and cattle ; worked at Haarlem, in Italy, and at Amsterdam. Notwithstanding the engraved title in the lettered state of the following print, it is considered doubtful whether the engraving is a portrait of Berchem. The mezzotint is from a picture formerly in the coUeftion of the Earl of Carlisle, now the property of Mr. H. Frick, of Pittsburg, U.S.A. To waist, dir. 1., facing more towards and looking to f.; hat with broad brim, long hair, dark coat; both hands holding sketchbook, a porte-crayon between thumb and forefinger of r. hand. lyf by i5f. Engraver's proof ; rough edge at bottom. C. Before any inscription. B.M.; Mr. H. P. Home. In fine upright capitals: "Painted by Rembrandt Engraved by Charles Turner." In light open upright capitals: "Nicholas Berghem." In fine upright capitals: "London: Published by W. Tegg, Pancras Lane." To r., in fine upper and lower italics: "Printed by T. Brooker." Mr. L. B. Mozley. 38. BERESFORD, LORD JOHN GEORGE DE LA POER. After Sir T. Lawrence. Born 1773, died 1862. Successively Bishop of Cork 1805; Raphoe 1807; and of Clogher 1819. Archbishop of Dublin 1820; of Armagh 1822. Nearly w.l., sitting, dir. towards r., facing more towards f. ; bishop's robes, order sus- pended by broad ribbon from neck, arms resting on arms of chair, r. hand holding college cap; fluted pillars in background r. and 1. 17I- by 141. Engraver's proof not quite finished. Before any inscription. B.M. I. The subjeft finished. In fine upright upper and lower lettering: "Painted by Sir Tho* Lawrence. Engraved by C. Turner A.R.A." In slightly thick and thin script: "John George Lord Archbishop of Armagh &c. &c. &c." In fine upright upper and lower: 44 CATALOGUE OF PORTRAITS "London, Published March 24*^ 1841, by Turner N° 50, Warren S* Fitzroy Square." To 1.: "Proof" B.M. II. To r,, added in fine small script: "Printed by Brooker & Harrison." C. 39. BERESFORD, WILLIAM CARR BERESFORD, VISCOUNT. After Sir W. Beechey. Born 1768, died 1854. Major-General 1808; Lieutenant-General, in Portugal, 1809J gained the battle of Albuera; created Viscount Beresford 1823. To waist, dir. f., facing towards 1.; uniform, sash, two stars on 1. breast; ornamental chain round neck with Maltese cross attached ; on the chain are the names: " Piranese," « Salamanca ", " Vittoria ", « Niva." i if by 9I-. In fine upper and lower italic lettering: "Painted by Sir W™ Beechey, Painter to Her Majesty. Engraved by C. Turner Warren Street, Fitzroy Square " In light open up- right capitals: "Lieut. General Lord Beresford, K.B." In fine script, with flourishes: "Marshal & Commander of the Portuguese Army." In fine upper and lower italics: "London, Published Sept"" 21^' 1814, for the proprietor, N" 50 Warren Street, Fitzroy Square." BM.; C; V. and A. C. Turner sale catalogue mentions "artist's proofs" and " proofs with open letters." 40. BEXLEY, NICHOLAS VANSITTART, BARON. After J. Rand. Born 1766, died 1851. M.P. for Hastings, Old Sarum, and Harwich; Chancellor of the Exchequer 1812-23; created Baron Bexley 1823; a£lively associated with a number of religious societies ; for many years president of the British and Foreign Bible Society. Nearly w.l., sitting in a large armchair, dir. r., facing more towards f. ; white necker- chief, frill, plain dark clothes; 1. hand on knee, r. arm on arm of chair; curtain to r. I5i by 11^. Before any inscription. B.M.; C. I. In fine upright upper and lower lettering: " Painted by J. Rand, Esq' Engraved by C. Turner." In fine upper and lower italics at foot of plate: "London, Published Dec'' 2^^ 1836 for the Proprietor, by James Nisbet & C° 21, Berners Street." C. II. With additional inscription in fine script: "The Right Hon''''^ Nicholas Lord Bexley, President of the British & Foreign Bible Society." To 1.: "Proof" B.M. 41. BIDLAKE, JOHN, D.D. After Sir C. L. Eastlake. Born 1755, died 18 14; poet and theological writer. Chaplain to the Prince Regent and the Duke of Clarence. Became blind, and died at Plymouth, Feb. 17, 18 14. To waist, dir. f., facing and looking slightly r. ; bands, dark gown, neither hand seen ; part of column in background r. 12 by 9I-. In light open upright upper and lower lettering: "Painted by C. L. Eastlake. Engraved by C. Turner." In light open upright capitals: "The Rev*^ John Bidlake, D.D." In fine upper and lower italics: "Plymouth, Publish'd Oft' ll*"" 1 81 3 by M"" Eastlake." C. 42. BISSET, WILLIAM. After Sir T. Lawrence. Born 1758, died 1834. Successively prebendary of Armagh 1791 ; Archdeacon of Ross 1804; Chancellor of Armagh 1817; and Bishop of Raphoe 1822. Died at Lissendrum, Aberdeen. 45 CHARLES TURNER, A.R.A. To waist, sitting, dir. towards r., looking f. ; bishop's robes, r. hand on college cap; curtain in upper 1. corner. 1 1|- by 9f . In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence. Engraved by C. Turner, A.R.A. Engraver in Ordinary to His Majesty." In light open upright capitals: "William Bissett, D.D." In fine script: "Bishop of Raphoe, &c. &c. &c." In fine upper and lower italics: "London, Published May 26, 1830, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. C. Turner sale catalogue mentions "artist's proofs" and "proofs with open letters." 43. BLACKWOOD, HON. SIR HENRY. Jfter J. Hoppner. Born 1770, died 1832; admiral. Commanded squadron at Trafalgar, took a part at Nelson's funeral; made a baronet 18 14; Commander in Chief at the Nore 1827-30. To waist, dir. towards 1., looking f. ; rough hair, black neckerchief, frill, uniform, epaulette. lof by 8f. Engraved on copper. Before any inscription. B.M. {on impression is written in pencil: " Painted by J. Hoppner Esq^. London Pub'^ Sept'' 16. 1833 by M'' 'Turner 50 Warren Street Fitzroy Square. En- graved by C. Turner. J.R.J.); Mr. H. W. Bruton. C. Turner sale catalogue mentions " artist's proofs " and "prints." BLAKE, ROBERT. See PORTRAITS OE ILLUSTRIOUS CHAR- ACTERS. No. 442. 44. BLIGHT, JOHN. After R. Williams. To waist, sitting, dir. slightly r., looking f. ; scant white hair, plain dark dress; r. hand placed within breast of waistcoat. iif by 9I-. In light open upright upper and lower lettering: "Painted by R. Williams. Engraved by C. Turner." In fine script: "Mr. John Blight." In fine upper and lower italics: "Publish'd May 20. 181 2, by W. Collan Harvy, S* Day, Cumberland." B.M. 45. BLOOMFIELD. BENJAMIN BLOOMFIELD, ist BARON. After Sir T. Lawrence. Born 1768, died 1846; general. Knighted 18 15; created a peer of Ireland 1825. To waist, dir. f., facing towards r.; white neckerchief, uniform, hat on 1. arm; pillar and curtain in background r. lOf by 9. In light open upright upper and lower lettering: " From a Copy by H. Howard Esq' R.A. of the Whole Length Portrait by Sir Thomas Lawrence, P. R.A. &c. &c. &c. Engraved by C. Turner Esq'' A.R.A. Engraver in Ordinary to His Majesty." In fine upright upper and lower: "London Published June 4'*^ 1829, by M'' Shaw 72 George Street Euston Square." B.M. 46. BLOOMFIELD, BENJAMIN BLOOMFIELD, ist BARON. After Thompson. W.L., standing, dir. f., facing towards 1.; court dress; 1. hand touching hilt of sword, plumed hat in r. hand; pillars and curtain r., balustrade in background, tops of trees and building in distance. 23f by 14I-. Separate inscription plate 2 by I4-|. Engraved on copper. 46 CATALOGUE OF PORTRAITS On separate plate, in fine upright upper and lower lettering: " Engraved by C. Turner." In fine script: "The R* Hon*'"' Sir B. Bloomfield, K.C.H. From a Pifture in the Posses- sion of Thomas Wallace Esq' Dublin." In fine upper and lower italics: "Published June 4. 1 8 19, by C. Turner 50 Warren Street, Fitzroy Square." B.M. 47. BLUCHER, GEBHARD LEBRECHT VON. Jfter C. Back. Born 1742, died 1819. Co-operated with Wellington at the Battle of Waterloo. W.L.J on prancing horse, turned to 1., facing slightly to r.j uniform, sash, orders; 1. hand holding reins, r. hand holding sword pointing to 1. ; in distance a cavalry fight. 2ii by 19. Preliminary etching. Mr. S. S. Savery. Trial proof, head portion only. Mr. S. S. Savery. In light open upright capitals: "His Highness Prince Blucher [the two last words in fancy capitals] of Wahlstadt." In light open gothic: "General Field Marshal of the Prussian Armies," In fine script: " Viftor of Lutzen, Bautzen, Hainan, Katzbach, Mockern, Leipsic, [the last word in open italic capitals] Wartburg, Brienne, Loan, Montmartre, Ligny," In light open gothic: " and Co-Viftor of Waterloo, and Paris." In light open upright upper and lower lettering: "Engrav'd by C. Turner from the pifture painted by C. Back of Breslaw, for Her Highness Princess Blucher. Published London 1'' August 181 5, by R Ackermann, loi Strand" B.M.; Sir JValter Gilbey. 48. BLUCHER, GEBHARD LEBRECHT VON. A sculptured bust, turned to f., facing very slightly towards r.; military coat with epaulettes, orders. 12^ by 10. Masked proof. B.M. BOHEMIA, FREDERICK V., KING OF. See PORTRAITS OF ROYAL PERSONAGES. No. 471. 49. BOLIVAR, SIMON. After Gil. Born 1783, died 1830; general and statesman. Founder and first president of the republic of Columbia 1819 ; founder of Bolivia 1824. Styled the Washington of South America. W.L., standing, dir. slightly r., looking f.; uniform, high boots, spur; 1. hand holding sword, r. hand in breast of coat; wall behind, two soldiers in tropical landscape in distance r. 20J by 13. I. In fine upper and lower italic lettering: "Painted by En Lima: Por Gil. Engraved by C. Turner, Mezzotinto Engraver, in Ordinary, to His Majesty." In fine script: "Juzgais que aspiro a degeadame, Desde este dia la libertad sera, indestrudlible en America, siendo los bellos trofeos de nuestras vidlorias, los derechos del Pueblo, y la soberamia delaLeyes." In light open upright capitals: "Simon Bolivar." In fine upright capitals : "Libertador De Colombia Y Del Peru; Y Fundador De Bolivia," In fine upper and lower italics: " Senor General Sir Robert Wilson," Retrato mio hecho en Lima con la mas grande exaftitud y semejanza." In fine upright upper and lower: "London, Published May, i, 1 827, by M'' Turner, 50, Warren Street, Fitzroy Square." To r., in facsimile of autograph: "Bolivar" B.M. II. The inscription strengthened and, as a rule, made thick and thin. Quotation marks added before "Juzgais and after Leyes. C. C. Turner sale catalogue mentions " artist's proofs" " proofs with autograph " and " prints." 47 CHARLES TURNER, A.R.A. 50. BOOTH, THOMAS. After Thomas Ellerby. Cattle breeder, at Killerby and Warlaby ; raised a special breed of shorthorns ; died 1835. Fully to waist, sitting, dir. very slightly r., looking f. ; double breasted waistcoat, plain open coat J arms resting on arms of chair, snufF-box in 1. hand; curtain background. I If by 9i-. In fine upright upper and lower lettering: " Painted by Tho^ Ellerby, Esq''® Engraved by C. Turner, A.R.A." In light open upright capitals: "Thomas Booth, Esq™." In light open gothic: "Warlaby." In fine script: "From a Painting taken by desire of the Members of the Northallerton Market Club." In fine upper and lower italics: "London, PubHshedJune 18, 1833, by M'" Turner, 50, Warren Street, Fitzroy Square." B.M.; C. C. Turner sale catalogue mentions " artist's proofs " and "proofs with open letters." 51. BOSANQUET, SAMUEL. After G. Romney. Born 1744, died 1806. Lieutenant of Waltham Forest j high sheriff of Essex ; governor of the Bank of England. Nearly w.l., sitting sideways on a chair, with his r. arm leaning on its back, dir. towards 1., looking f . ; hair powdered, coat fastened by three buttons, light waistcoat, breeches; 1. hand on hip, r. hand holding roll of paper; curtain in background r., tops of trees seen through window to 1. Arms in centre of inscription space. lyf by 14. In fine upper and lower italics: " G. Romney Esq'' pinx* C. Turner sculp* " In light open italic capitals: "Samuel Bosanquet Esq"" " In fine script: " of Forest House in the County of Essex" In fine upper and lower italics: "London Published, Dec'' 2"** 1806, for the Proprietor, by Mess""^ Colnaghi & C° Cockspur Street, Hay Market." B, M.; C. 52. BOWLES, MISS. After Sir J. Reynolds. Jane Bowles, whose parents were friends of Sir George Beaumont, afterwards became Mrs. Palmer, and died in 181 2. The original pi6lure, painted by Reynolds in 1775, is now in the Wallace Collection. An interesting story of the painting of this piilure is related in Tom Taylor & Leslie's "Life of Reynolds," vol. ii., pp. 134-5. W.L., a child, sitting on the ground, facing and looking f.; light frock, short sleeves, arms thrown around neck of dog; trees in background. A dotted bordering line round subjea. I of by 8f. PreHminary etching, before the bordering line, inscribed in fine scratched lettering: " Etch'd by R Woodman " B.M. I. The plate finished. In fine upright upper and lower lettering: "Painted by Sir Joshua Reynolds. Engraved by C. Turner." In fine upper and lower italics: "London Published Sept'" 8. 1 8 17, by C. Turner, 50, Warren Street, Fitzroy Square." BM.; Mr. E.E. Leg- gatt; Mr. E. Lay ton. II. Line of publication erased; instead, in fine upper and lower italics: "London Pub** July 14* 1825, by Z. Sweet, 38, Chancery Lane." Mr. Fritz Reiss. C. Turner sale catalogue mentions "artist's proofs " and " proofs before letters " 53. BOWLES, MISS. After Sir J. Reynolds. Similar to preceding, smaller. 6^ by 4f . In fine upper and lower italics: " Painted by Sir Joshua Reynolds, &c. &c. &c. On Steel Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: "Miss Bowles." In fine script: "From an Original Pifture in the 48 MRS. SCOTT-WARING AND CHILDREN 1804 AFTER RUSSELL CATALOGUE OF PORTRAITS possession of Capt° Bowles. Presented to the Society for the Encouragement of Arts Manufadures and Commerce, by R. H. Solly, Esq'" F.R.S. & F.S.A." In fine upper and lower italics: "London, PubUshed May 29, 1824, for the Proprietor N° 50, Warren St. Fitzroy Square." B.M. C. Turner sale catalogue mentions "artist's proofs", "proofs before letters," and "prints." 54. BRAIDWOOD, WILLIAM (Senr.). After George Watson. To waist, in a square frame, dir. and facing slightly 1.; rough hair, white neckerchief, plain dark buttoned coat. Including frame, 13^ by io|. In fine upper and lower italics: " Painted by Geo. Watson Esq"" Engraved by C. Turner." In light open upright capitals: " M'' William Braidwood Sen'' " In fine upper and lower italics: " Edinburgh Published Jan^ 2. 1809, by John Steell N° 2, Low Terrace." B.M. 55. BRANDLING, CHARLES JOHN. After H. P. Parker. Of Gosforth House, Northumberland; M.P. for Newcastle and Northumberland; died 1826. To knees, sitting, dir. towards r., facing towards f. ; short curly hair, white neckerchief, plain dark dress; arms resting on arms of chair. A narrow frame, engraved in line, surrounds the portrait. Arms in centre of inscription space, motto : " Fide et Virtute." I2l by 9f. In slightly thick and thin upright upper and lower lettering: "Painted by H P. Parker. Engraved by C. Turner." In open upright thick and thin capitals: " Charles John Brand- ling Esq'' M.P." In upper and lower italics: "Newcastle, Published 0£t 20, 1820, by H P. Parker, Pilgrim Street." To r. scratched: "Proof" B.M.; C. 56. BRAYBROOKE, RICHARD ALDWORTH NEVILLE, 2nd BARON. After y. Hoppner. Born 1750, died 1825. M.P. for Grampound 1774; for Reading 1782; succeeded to the peerage 1 797. Provost Marshal of Jamaica; high steward of Wokingham, Berkshire. To waist, dir. f, facing towards r. ; frill, robe over dark coat. I2 by 9!^. In fine upper and lower italics: "Painted by J. Hoppner. Esq. R.A. Engraved by C. Turner." In light open upright capitals: " The R* Hon"'' Richard, Lord Braybrooke," In fine script: "Baron of Braybrooke, in the County of Northampton, Lord Lieut"' and Custos, Rotolorum (sic), & Vice Admiral of the County of Essex, &c. &c. &c." In fine upper and lower italics: "London, Published Sept'' 10. 1810. by C. Turner. N° 50 Warren Street, Fitzroy Square." B.M.; C. 57-66. BRENTON'S NAVAL HISTORY. Ten plates to "The Naval History of Great Britain," by Edward Pelham Brenton. London, 1823-25. 5 volumes. 8vo. They are placed in the order they appear in the book. 57. ST. VINCENT, JOHN JERVIS, EARL. After Carbonnier. Born 1735, died 1823. Nearly to the waist, an old man, sitting, dir. and facing slightly 1.; hat, plain double- breasted coat buttoned up to the throat, star. In centre of inscription space a coronet with sword and baton crossed in front of it, engraved in line. 5i by 5. Frontispiece to Vol. I. 49 H CHARLES TURNER, A.R.A. In fine upright upper and lower lettering: "Painted by Carbonnier. Engraved on Steel by Charles Turner." In light open upright capitals: "The Earl of Vincent," In fine upright upper and lower: "An Admiral of the Fleet, G.C.B. & General of Marines." In small fine script: "From an Original Pifture in the Possession of Cap*"^ Brenton." In fine upright capitals: "For Cap*'' Brenton's Naval History." In small fine italics: "London, Published Dec'' 6, 1822, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M. 58. NELSON, HORATIO NELSON, VISCOUNT. After R. Bowyer. Born 1758, died 1805. To waist, dir. f., facing slightly r.; head uncovered, naval uniform, sash, decorations, empty r. sleeve attached to coat. 5 ^7 4" Frontispiece to Vol. II. In light open upright capitals: "Admiral Lord Nelson," In fine upright upper and lower: "Engraved by Turner, from a Drawing by R. Bowyer, Esq''" In fine italic capitals: "For Cap* Brenton's Naval History." In fine upper and lower italics: "London, Pub- lished Feb^ I. 1823, by C. Turner, 50, Warren Street, Fitzroy Square," B.M. 59. COLLINGWOOD, CUTHBERT COLLINGWOOD, BARON. Born 1748, died 18 10. To waist, dir. and facing slightly r., looking f.; head uncovered, naval uniform, medal suspended from neck, two medals on 1. breast, rigging and sail in background. 41 by 4. Frontispiece to Vol. III. In fine upright upper and lower lettering: " Engraved by C. Turner." In light open upright capitals: "Admiral Lord CoUingwood," In fine upright capitals: "For Capt° Brenton's Naval History." In fine upper and lower italics: "London, Published May I. 1823, by M' Turner, 50, Warren St* Fitzroy Square." B.M. 60. POLE, SIR CHARLES MORICE, BART. After Sir TV. Beechey. Born 1757, died 1830. To waist, dir. f, facing towards r.; bald head, frill, uniform, epaulettes, sash, star. 4f by 4. Volume III, page 173. In light open upright capitals: "Admiral Sir Charles M Pole Bar* K.G.C.B." In fine upright upper and lower: "Engraved by Turner from a Pidlure by Sir Will"" Beechey, R.A." In fine italic capitals: "For Cap* Brentons Naval History." In fine upper and lower italics: " London, Pubhshed Nov'' i. 1823, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 61. DUCKWORTH, SIR JOHN THOMAS, K.B. After Sir W. Beechey. Born 1748, died 181 7. To waist, dir. towards f., facing and looking towards 1.; powdered hair, black neck- cloth, frill, uniform, decorations, sash. 5 by 4. Volume III, page 519. In light open upright capitals: "Admiral Sir John Thomas Duckworth," In fine script: "Engraved by Turner, from a Pifture by Sir W" Beechey, R.A." In fine upright capitals: "For Cap*'' Brenton's Naval History." In fine upper and lower italics: "Lon- don, Published April i. 1823, by M"" Turner, 50, Warren Street, Fitzroy Square." B.M. 50 CATALOGUE OF PORTRAITS 62. DE SAUMAREZ, JAMES SAUMAREZ, ist BARON. After C. Carbonnter . Born 1757, died 1836. Nearly to waist, dir. towards r., looking f.; uniform, frill, sash, star. 5i by 5. Frontispiece to Vol. IV. In light open upright capitals: "Admiral Sir James Saumarez, B* G.C.B." In fine upright upper and lower lettering: "Vice Admiral of Great Britain" In fine upper and lower italics: "from an original Piflure by Carbonier in the possession of Captain Brenton." In fine upright upper and lower: "Engraved by C. Turner, for Cap' Brenton's Naval History." In fine upper and lower italics: "London, Published Nov'" i. 1823, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 63. EXMOUTH, EDWARD PELLEW, ist VISCOUNT. * After Sir W. Beechey. Born 1757, died 1833. To waist, dir. f., facing slightly upwards to r.; uniform, sash, epaulettes, orders. 5 by 4- Frontispiece to Vol. V. In light open upright capitals: "Admiral Lord Viscount Exmouth," In fine upright upper and lower: "Engraved by Turner from a Pidlure by Sir Will" Beechey, R.A." In fine italic capitals: " For Cap' Brentons Naval History." In fine upper and lower italics: "London, Published March l. 1823. by C. Turner, 50, Warren Str' Fitzroy Squ^" B.M. 64. COCKBURN, SIR GEORGE, G.C.B. After C. Turner. Born 1772, died 1853. To waist, dir. f., facing and looking slightly r.; black neckerchief, dark double-breasted coat with epaulettes and large buttons. 5f by 4^-. Volume V, page 163. In light open upright capitals: "Sir George Cockburn. G.C.B." In light open italic capitals: "Major Gen' of Marines." In fine upright upper and lower: "Drawn & Engraved by Charles Turner" In fine italic capitals: "For Cap' Brentons Naval His- tory." In fine upper and lower italics: "London Published Feb^ i. 1825. by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 65. COCHRANE, SIR ALEXANDER FORRESTER INGLIS. After Sir W. Beechey. Born 1758, died 1832. To waist, dir. and facing towards r., looking f.j white hair, black neckerchief, uniform, frill, sash, epaulette, star; 1. hand to waist. 51 by 4. Volume V, page 188. In light open upright capitals: "Admiral The Hon"'' Sir Alex' Inglis Cochrane, G.C.B." In fine upper and lower italics: "From an Original Pifture by Sir W" Beechey R.A." In fine upright upper and lower: "Engraved by C. Turner for Capt'' Brentons Naval Hist^ " In fine upper and lower italics: "London, Published Aug^ 9 1824, by C. Turner, 50, Warren Str* Fitzroy Squ'^ " B.M. 51 CHARLES TURNER, A.R.A. 66. RAINIER, PETER. Born ? 1 741, died 1808. To waist, dir. and facing slightly r.; white hair, speftacles with heavy frames, black band round neck, lace frill, uniform with light waistcoat. 5 by 4. Volume V, page 325. I. In light open upright capitals: "Peter Rainier Esq"" " In fine upright upper and lower: "Admiral of the Blue." In fine upper and lower italics: "from an original Pifture in the possession of the Hon''''^ Basil Cochrane. London, Published August l'* 1824, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. II. A line of inscription added above the publication line, in fine upright upper and lower: "Engraved by C. Turner, for Cap* Brentons Naval History." As issued in the volume. 67. BRERETON, JOHN, D.C.L. After S, Lane. Born 1782, died 1862. Nearly w.l, sitting, dir. slightly 1., facing towards r.; high shirt collar, bands, black gown over plain dark coat; 1. arm hanging over arm of chair, r. elbow on arm of chair, scroll in r. hand; book lettered " Homeri IHas" on his chair beside him, shelves of books and curtain in background. I5f by I2f. In fine upright upper and lower lettering: "Painted by S. Lane, Esq. Engraved by C. Turner, A.R.A." In light open upright capitals: "The Reverend John Brereton, D. C.L. F.A.S." In fine script: "Head Master of the Grammar School, Bedford En- graved at the expense of his pupils." In fine upper and lower italics : " London, Published May I, 1835, by W. Cribb, 34, King Street, Covent Garden." To 1. in fine italics: "Proof" B.M.; C. C. Turner sale catalogue mentions "artist's proofs" and "proof prints." 68. BRITTON, JAMES. J/ter E. Hastings. To waist, dir. r., facing towards and looking f ; bands, black gown; plain background. 12 by 9|. I. In light open upright upper and lower lettering: "Painted by E. Hastings Engraved by C. Turner." In fine script: "To the Gentlemen Educated by the Rev'' Ja* Britton, A.M. [from Rev'^ to A.M. in light open italic capitals] This Portrait is humbly dedicated by thier {sic) obed* & faithful Serv* E. Hastings." In fine upper and lower italics: "London, Publish'd March i. 181 2. by M' Hastings, N° 9, Alfred Place, Bedford Square." Mr. F. B. Daniell. II. The date altered from March i. 18 12. to "Dec' I. 18 12." B.M.; C; Mr. H. W. Bruton. 69. BROCKEDON, WILLIAM After C. Turner. Born 1787, died 1854. Painter; frequent exhibitor at the Royal Academy and British Institution; illustrated a number of books of views. Nearly to knees, standing, dir. slightly r., facing slightly 1.; dark neckerchief, plain dress, seals hanging from fob; r. hand holding porte-crayon, 1. hand supporting book on bank to r.; hills in distance. lof by 8f. Engraved on steel. I. Inscription in fine upright upper and lower lettering. Immediately under centre of subjed: "Drawn & Engraved by C. Turner A.R.A." Near foot of plate: "London, 52 CATALOGUE OF PORTRAITS Published Jan^ 23, 1835. by C. Turner 50 Warren Street Fitzroy Square. Mess" Col- naghi Son & C° Pall Mall East, and S. Rodwell Bond Street." B.M.; C. II. The word " Proof" added to 1., in fine italic capitals. B.M. III. With additional inscription. In light open upright capitals: "William Brockedon Esq''® F.R.S." In fine script: "Member of the Florentine and Roman Academies of the Fine Arts. Author of the Passes of the Alps &c." f^. and A. 70. BRODIE, SIR BENJAMIN COLLINS, BART. After J. J. Halls. Born 1783, died 1862; surgeon to George IV, William IV, and Queen Victoria; created a baronet in 1834; President of the Royal Society, and of the Royal College of Surgeons ; published a number of works connefted with his profession. To waist, sitting, dir. slightly 1., looking f.; white neckcloth and frill, dark buttoned coat; elbows on arms of chair, 1. wrist crossed over r., 1. hand holding open book. 10^ by 9. Before any inscription. F. and A. In fine upright upper and lower lettering: "Painted by I. J. Halls Esq'' Engraved by C.Turner." In fine script: " B. C. Brodie Esq'' F.R.S. &c. &c. &c." In fine upper and lower italics: "London, Published Sept"^ i. 1821, by C. Turner, 50 Warren S* Fitzroy Square." BM. 71. BRODRICK, HON. CHARLES, D.D. After H. Hamilton. Born 1761, died 1822; Archbishop of Cashel from 1801. To waist, sitting, dir. towards 1., looking f.; short wig, plain dark coat with high collar. The subjeft is surrounded by a square border composed of parallel lines. 9|- by 8. In fine upright upper and lower lettering: " Painted by H. Hamilton Esq'^ Engraved by C. Turner, Member of the American Academy of Fine Arts." In fine script: " Hon"^ Charles Brodrick, D.D. Archbishop of Cashel." In fine upper and lower italics: "London, Published Feb'' 20, 1823, by M"" Turner, 50 Warren Street, Fitzroy Square." BM. C. Turner sale catalogue mentions " artist's proofs " and " proof prints." 72. BROKE, SIR PHILIP BOWES VERE, BART. After S. Lane. Born 1776, died 1841; admiral. Commanded the Shannon, and on June i, 1813, captured the American frigate Chesapeake. W.L., standing on ship's deck, dir. towards f., facing towards r.; naval uniform, epaulettes, shoes; r. hand holding ornamented sword point downwards, 1. hand pointing downwards towards r. ; large flag to 1., cannon to r., rigging in upper r. corner. 24 by I4f. Engraved on copper. In fine upright upper and lower lettering: " Painted by S. Lane. Engraved by C. Turner." In fine script: "To Captains W. P. Wallis, C. L. Falkiner, & the rest of the Officers and Ships Company of the Shannon, This Portrait of Captain Sir Philip Bowes Vere Broke Bar* \Captain to Bar* in light open italic capitals] &c. &c. is with Permission Dedi- cated by their ob' & hum"*^ Serv' C. Turner." In fine upper and lower italics : " London, Pub'^ March 25. 1816, by C. Turner, 50, Warren S' Fitzroy Sq-^ " BM.; V. and A. 73. BROOKE, JOHN KENWARD SHAW. After J. Hayes. Born 1758, died 1840. Vicar of Eltham, Kent; and Re6tor of Hurstpierpoint. Nearly to knees, sitting, dir. very slightly 1., looking f.; bands, black gown; r. arm on 53 CHARLES TURNER, A.R.A. arm of chair, 1. hand holding closed book upright on knee, forefinger between leaves; curtain in background, trees just seen in distance to 1. iif by 9. Before any inscription. C. In fine upright upper and lower lettering: "Painted by J. Hayes, Esq'" Engraved by C. Turner, A.R.A." In fine upper and lower italics: "London, Published Feh^ 4, 1834, the Proprietor, by M'' Turner, 50, Warren Street, Fitzroy Square." B.M.; C. 74. BROOKS, JONATHAN. After James Lonsdale. Reftor and Archdeacon of Liverpool. Died at Liverpool, where he had worked for more than fifty years, October, 1855. Nearly W.I., sitting, dir. towards f., facing 1.; bands, black gown; elbows resting on arms of chair, r. thumb placed within waistband of gown, 1. hand holding small book, forefinger between leaves; two fluted pilasters in background. 15!^ by 12^. Before any inscription. Note by Mr. Charrington. In fine upright upper and lower lettering: " Painted by James Lonsdale, Esq"" Engraved by C. Turner, A.R.A." In light open upright capitals: "Jonathan Brooks, M.A." In fine script: " Redlor of Liverpool, 1829," In fine upper and lower italics: "London, Pub- lished July 20, 1830, by M'" Lonsdale, N° 8, Berner's Street." B.M.; C. 75. BROUGHAM AND VAUX, HENRY BROUGHAM, BARON. Jfter J. Lonsdale Born 1778, died 1868; Lord Chancellor. Defended Queen Caroline at her trial in 1820. To knees, standing, dir. f, facing towards 1.; white neckerchief, plain dark dress; holding in 1. hand and pointing to it with r.: "A Bill For preventing Abuses of Charities." Cloak across back of chair to 1., beside which is a table with a bundle of papers and a book upon it. Curtain to r., pilaster to 1. 1 7I- by 14^. In fine upright upper and lower lettering: "Engraved by Charles Turner." In open up- right capitals with a line along the centre of each letter: "Henry Brougham, Esq'' M.P. & F.R.S." In fine script: "From an original Painting by Lonsdale at Brougham Hall presented to his Family by the Independant {sic) Freeholders of Westmoreland in 1821 " In fine upper and lower italics: "London, Pub'* Jan^2i, 1822 [the final figure altered from a i] by C. Turner, 50, Warren Street, Fitzroy Square." Tor., in upper and lower italics: "Proof" B.M.; C. C. Turner sale catalogue mentions "artist's proof," and "proof prints." BROUGHTON, LORD. See HOBHOUSE. 76. BRUCE, SIR EDWARD, K.C.B. J/ter J. Northcote. Evans's "Catalogue of Portraits," No. 13045, says: "Born 1773, died 1843. Vice Admiral; Commander at the Nore; died at Sheerness; buried at Farnham, Hants." To waist, dir. f., facing towards r.; rough hair, side whiskers, black neckcloth, uniform with epaulettes. lof by 9. Engraved on copper. Before any inscription. Truman Sale, April 27, 1906. In fine upright upper and lower lettering: " Painted by J. Northcote Esq"" R.A. Engraved by C. Turner." In fine script: "Edward Bruce, C.B. & K. of 3"^ C. of R. M. O. of W. N. Captain of His Majesty's Ship Impregnable at the memorable Victory of Algiers, on the 27*^ of August 18 16." In fine upper and lower italics: "London, Published Oft"" 54 CATALOGUE OF PORTRAITS 20. 1 8 17, by C. Turner, 50, Warren Street, Fitzroy Square." B. M.; C; Mr. H. W. Bruton; Dr. J. S. Joule. 77. BRUNEL, SIR MARK ISAMBARD. After J. Northcote. Born 1769, died 1849; eminent engineer. Construdled the Thames Tunnel 1825- 1843; knighted 1841. Nearly w.l, sitting, dir. towards f., looking slightly 1,; dark dress, coat edged with fur; leaning towards r., with hands on mechanical drawings on table, on which also lie books and model of engine. 17^ by 13I-. Engraved on copper. Masked proof. F. and A. I. In fine upper and lower italics: "Painted by James Northcote Esq"^ R.A. Engraved by C. Turner." In light open upright capitals: "Mark Isambard Brunei Esq' F.R.S." In fine script: "Author of the Block Machinery in His Majesty's Dock Yard at Ports- mouth, and of other eminent works belonging to the British Government, &c. &c. Dedicated by permission, to the R* Hon''''' Lord Viscount Melville, First Lord of the Ad- miralty, &c. &c. &c. by his Lordship's most ob* & hum'"'*' S* Cha^ Turner." In fine upper and lower italics: "London, Pub" March 30. 181 5, by C. Turner, 50, Warren S*, Fitzroy Square." II. With couplet added above dedication, in fine script: "Whose public works will best attest his fame Whilst private worth adds value to his name." B.M. III. The lettering of title line made thick and thin, and a line added along the centre of each letter. The couplet "Whose public . . . his name" erased. C. 78. BUCHAN, DAVID STEUART ERSKINE, iith EARL OF. After G. Watson. Born 1742, died at Dryburgh Abbey 1829. Founder of the Society of Antiquaries of Scotland 1780; biographical and scientific writer. To waist, dir. slightly r., facing f. ; rough hair, plain dark coat fastened by one button; neither hand seen. 13I- by io|-. In fine upper and lower italic lettering: " Painted by G. Watson Esq"" Published March 14.. 1807, by John Steell Carver Gilder & Printseller, N" 2, Terrace Edingbro. Engraved by C. Turner." In fine script: "This Print of the Right Hon"" The Earl of Buchan [from Right to Buchan in light open italic capitals] &c &c. is humbly inscribed to the Right Hon"^ the Lord Chancellor of England, and the Right Hon''''' the Lord Advocate of Scotland by their Lordship's most ob' Serv* John Steell." B.M. BUCKINGHAM, GEORGE VILLIERS, ist DUKE OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS, No. 443. 79. BUCKNER, JOHN, D.D. After L. F. Abbott. jBorn 1734, died 1824. Reftor of St. Giles's in the Fields; Bishop of Chichester 1797. To knees, sitting, dir. towards r., looking f. ; short wig, bands, ecclesiastical robes; r. arm on arm of chair, 1. hand holding college cap on knee; curtain in background, church steeple in distance to r. Arms in centre of inscription space. i']^ by 14^. Before any inscription and before the arms. C. I. Arms added. In light open upright upper and lower lettering: "Painted by L. F. 55 CHARLES TURNER, A.R.A. Abbott Esq'' Engraved by Charles Turner" In fine script: "The Right Rev*^ John Buckner L. L. D," In light open italic capitals: "Lord Bishop of Chichester." In fine upper and lower italics: "London Published by R. Cribb. 288. Holborn zS^^'Oft'" 1804." B.M. II. The inscription strengthened and made thick and thin. The open italic capitals filled in with a pattern. C. BUD OF PROMISE. See FANE, No. 192. 80. BUDDICOM, ROBERT PEDDER. After James Lonsdale. Born 1780, died 1846. Principal of St. Bee's College. Theological writer. To knees, standing, dir. and facing towards 1., 1. eye looking to f ; bands, black gown; 1. arm by his side, ring on little finger; r. hand on large open book supported on three other books on table 1.; pillar on pedestal, and curtain, in background to r. 1 61 by I2f . In fine upright upper and lower lettering: " Painted by James Lonsdale, Esq'" Engraved by C. Turner, A.R.A." In light open upright capitals: "Robert Pedder Buddicom, M.A. F.A.S." In fine script: "Minister of S* Georges, Everton. 1833." In fine upper and lower italics: "London, Published Nov'' 6, 1833, by M'' Turner, 50, Warren Street, Fitzroy Square." Tol.: "Proof" B.M.; C. C. Turner sale catalogue mentions "artist's proofs" and "proof prints." 81. BUNBURY, SIR THOMAS CHARLES. After Samuel Lane. Born 1740, died 1821. Succeeded to the baronetcy 1764; M.P. for Suffolk; married Lady Sarah Lennox 1762; divorced 1776. To waist, sitting, dir. and facing towards r. ; white neckerchief, coat with square patterned buttons, fastened by one button, light waistcoat; 1. hand placed within waist- coat; curtain background. ii|- by 9|-. Touched engraver's proof, not quite finished. C. Masked proof. Truman Sale, April 27, 1906. Before any inscription. C I. In fine upright upper and lower lettering: "Painted by Sam^ Lane. Engraved by C. Turner." In fine script lettering: "Sir Thomas Charles Bunbury Bar*" In fine italic upper and lower lettering: "London Pub" May 10"' 1819 by C. Stocking, & Sold by Hurst & C 90 Cheapside ; Colnaghi & C° Charing Cross, & Tho"* Clay Ludgate Hill." B.M.; Mr. J. S. Earle; C; Mr. H. W. Bruton. II. The line of title "Sir Bar*" strengthened and made thick and thin. C. 82. BURDETT, SIR FRANCIS. After C. Renrut {Turner spelled backwards']. Born 1770, died 1844. Married Sophia Coutts 1793; M.P. for Boroughbridge ; Middlesex (which eleftion was disputed and involved heavy expenses); and West- minster; imprisoned politically 1810 and 1820; at the time of his death M.P. for North Wilts. A few months before the print was published Sir F. Burdett had been unseated for Middlesex; and at the ele(ftion which ensued, he lost the seat by five votes. To waist, in an oval, dir. f,, facing r. ; high shirt collar, white neckerchief, coat open. 15 by I If Engraved on copper. 56 MRS. ROSOMAN MOUNTAIN 1804 AFTER MASQUERIER CATALOGUE OF PORTRAITS I. In light open upright upper and lower lettering: "C Renrut pinx* C Turner sculp''" In fine scratched upper and lower italics under centre of subjeft: "London Pub'^'' for the proprietor Jan'' iz^^ 1805 N° 50 Warren S* Fitzroy Sq'" In large light open scratched script: "Sir Francis Burdett Bar*" C. II. The title line erased, and re-inserted in large thick and thin engraved script. B.M.; Mr. H. W. Bruton; Mr. Burdett-Coutts. 83. BURLAND, , D.D. After J. Graham. Nearly w.l., sitting, dir. and facing towards r., looking f. ; bands, black gown ; r. hand holding thin folded book on knee, 1. arm on table to r. on which are ink-bottle and book ; curtain in background. 1 5f by 1 2\. Engraved on steel. In light open upright upper and lower lettering: " Painted by J. Graham, Esq. Engraved by C. Turner, A.R.A." In fine upper and lower italics: "Liverpool, Published March 4, 1839, by Burland, N° i, Church Street." B.M. BURNEY, FANNY. See D'ARBLAY. 84. BUSBY, WILLIAM BEAUMONT, D.D. Jfter H. Edridge. Born 1760, died 1820. Nearly w.l., sitting, dir. towards 1., looking f.; dark buttoned coat, apron ; r. knee crossed over 1.; hands supporting large open book on knee, shelves of books in back- ground to 1,, curtain to r. io|- by Sf. Before any inscription. Note by Mr. J. Charrington. In fine upright upper and lower lettering: " Painted by H. Edridge Esq"" A R A. Engraved by C. Turner." In light open upright capitals: " The Rev"* Will" Beaumont Busby, D.D," In fine script: "Dean of Rochester." In fine upper and lower italics: "London, Pub- lished March 1'' 1821, by C. Turner, 50, Warren Str* Fitzroy Square." To r.: "Proof." B.M.; C; Mr. H. W. Bruton. 85. BYRON, GEORGE GORDON BYRON, 6th BARON. After Lady Caroline Lamb, Born 1788, died 1824; poet. Head and shoulders, dir. slightly 1., facing almost in profile 1.; head uncovered, Vandyck collar, slashed sleeve. 2f by 2\. I. In small upright upper and lower: " Engraved by C. Turner, Mezzotinto Engraver in Ord^ to His Majesty." Beneath, in faintly scratched script: " Etched by David Lucas 1821 " Mr. E. E. Leggatt. It. The scratched lettering erased. With additional inscription in slightly thick and thin lettering. In open upright capitals: " The Right Hon*''® Lord Byron " In script: "From a Miniature Painted by the" In upright capitals: " Hon"*^ Lady Caroline Lamb." In small upper and lower italics: "London Published 0£l"^ 20. 1825, by Lupton Relfe Book- seller, Cornhill." B.M. 86. BYRON, GEORGE GORDON BYRON, 6th BARON. After W. E. West. To waist, dir. 1., facing towards f.; head uncovered, open collar, cloak thrown around shoulders and held in front of him by r. hand. A line border around the portrait. loi by ^. S7 I CHARLES TURNER, A.R.A. Before any inscription, and before the border. Sale at Christie's, Feb. 19, 1907. I. In fine italic upper and lower lettering under centre of line engraved border: "London Published Nov^ S^'' 1826 by Paul Colnaghi and Son Pall Mall, East." B.M.; C. II. The date altered to: "Jan^ i^* 1826" {sic). "With additional lettering. To 1,, in fine upright upper and lower lettering: "Painted by W. E. West, Esq"" at Pisa in 1822." To r. in the same lettering: "Engraved by C Turner Mezzotinto Engraver in Ordinary to His Majesty & Member of the American Academy of Fine Arts, from the Original Pidlure," Facsimile of autograph: " Noel Byron " In script lettering, slightly thick and thin: "To lohn C. Hobhouse, Esq'' M.P. F.R.S. This Portrait of Lord Byron [these two last words in upright square letters, filled in with horizontal lines] is most respeftfully dedicated By His Obliged & humble Servants Colnaghi, Son & C" " To 1. in fine upper and lower italics: "Proof". HI. The word Proof erased, B.M. 87. BYRON, GEORGE GORDON BYRON, 6th BARON. After R. Westall. To waist, sitting, dir. and facing 1. ; head uncovered, collar of shirt fastened by brooch, plain dark dress; 1. hand on knee, r. elbow leaning on rock to 1., hand to chin; rock in background. i It by 8f . I. In fine small upper and lower italic lettering: "Painted by R. Westall Esq'' R.A. Engraved by C. Turner" In fine script: "The Right Hon""' Lord Byron" In fine small upper and lower italics: "London: Pub** May 20. 1 8 14, by the proprietor, Char- lotte Street, Fitzroy Square." B.M.; Mr. H. W. Bruton. II. The inscription slightly strengthened; the script lettering made slightly thick and thin. B.M. III. The script lettering still further strengthened. The line of publication erased; instead, in upright upper and lower thick and thin lettering: "London, Published July i 5, 1 81 5, by A. Molteno, 29, Pall Mall." C. 88. CALCRAFT, JOHN. After James Lonsdale. Born 1766, died 1831. Of Rempston Hall, Dorsetshire; M.P. for Wareham, Rochester, and Dorset; Paymaster-General 1828-30. To knees, standing, dir. f., facing towards 1,; black neckcloth, plain dark buttoned coat, cloak around shoulders and held up by r. arm; 1. arm by his side, high hat in hand; tree beside him on 1., trees in distance to r. i6f by I2f. Engraved on copper. Before any inscription. C. I. In fine upright upper and lower lettering: " Painted by James Lonsdale, Esq' Engraved by C. Turner, Mezzotinto Engraver in Ord'' to His Majesty," In light upright open capitals: "John Calcraft, Esq'' M,P." In fine upper and lower italics: "London, Pub"* May 22""* 1826, by Mess''' Paul Colnaghi Son & C° Pall Mall, East." II, The light open upright capitals made thick and thin. B.M.; C. 89. CALEDON, DU PRE ALEXANDER, 2nd EARL OF. After R. Rothwell. Born 1777, died 1839; succeeded 1802. Was the first governor of the Cape of Good Hope when it was ceded to Great Britain. To waist, dir. and facing towards f.; high linen collar, black neckerchief, large cloak with broad collar. The subje£t is arched at top. lof by 8^. 58 CATALOGUE OF PORTRAITS In light open upright capitals: " Painted by R. Rothwell, Esq' Engraved by C Turner, A.R.A. Dupre Earl of Caledon, K.P. &c. &c. &c." In fine upper and lower italics: *' London Published March 24*" 1 840, for the Proprietor, by M'^ Turner, N° 50, Warren Fitzroy Square." B.M. 90. CAMERON, COLL jqhN. Born 1 77 1, died 1815. Fell at Waterloo. To waist, in a square frame engraved in line, turned in profile to 1.; Highland uniform, medals and bars ; battle in distance. Arms in centre of inscription space rising into frame, mottoes: " Arriverete ", "Pro Rege Et Patria", "Maya". Inside frame, io|- by S§. In light open upright capitals: " Colonel John Cameron " In fine script: "of the gz^ Highland Regiment, K.T.S. who fell in the memorable Battle of Waterloo, as described in the following Dispatch. Extraft [this vv^ord in fine italic capitals]. ' Orville, June zg^^ 181 5. "Your Lordships will see in the inclosed Lists the names of some most valuable Officers lost to His Majesty's [the two last words in fine italic capitals] Service. Among them I cannot avoid to mention Colonel Cameron of the 92*^ Reg"^ and Colonel Sir H. Ellis of the 23"* Reg' to whose Conduft I have frequently called your Lorships [//V] attention, and who at last fell distinguishing themselves at the head of their brave Troops which they commanded. Notwithstanding the glory of the occasion, it is impossible not to lament such men, both on account of the Public & as friends. Wellington." ' In fine upper and lower italics: "London, Published Dec"" 28. 1815, by C. Turner, 50 Warren Street, Fitzroy Square." B.M.; C. 91. CAMPBELL, COLL H. J/ter Benjamin Marshall. Aide-de-camp to George IH. To waist, in a square mezzotinted border, dir. and facing 1.; wearing black beaver hat, and plain dark coat. 11^ by 9^. Engraved on brass. Early proof; before any inscription, and with the bottom edge of border left rough. B.M. The plate finished. In open upright, thick and thin, upper and lower lettering: " Benj" Marshall pinx* C. Turner sculp* " In upright filled-in capitals: " Col' H. Campbell." In thick and thin script: "Aid (sic) de camp to His Majesty." In small upper and lower italics: "London, Published March 25. 1806. by C. Turner, N<> 50, Warren Street, Fitzroy Square." B.M. 92. CAMPBELL, SIR ILAY, BART. After John Partridge. Born 1734, died 1823. Solicitor-General for Scotland 1783; Lord President of the Court of Session 1799-1808; created baronet 1808; styled Lord Succoth. Nearly w.l., sitting, dir. and facing f.; short wig, ruffs, plain black dress, coat fastened by two buttons, seal hanging from fob; r. knee crossed over 1., arms on arms of chair, spedlacles in 1. hand, r. hand on knee and holding paper; mace, inkstand, pen and paper on table 1., cloak on r. ; curtain and pillar in background. 17^ by 14. In fine upper and lower italics: "Painted by John Partridge. Engraved by Charles Turner." In fine script: "Sir Hay Campbell Bar* Late Lord President of the College of Justice in Scotland." In fine upper and lower italics: "London, Published Jan^ 21, 1822, by M'' Partridge, N° 9 Mount Street, White Chapel Road, M' Colnaghi, Cockspur Street, & M"" Finley, Glasgow." To r., in fine italics: "Proof" B.M. C. Turner sale catalogue mentions "artist's proofs," "proof prints," and "prints." 59 CHARLES TURNER, A.R.A. 93. CAMPBELL, LT GEN^ SIR JAMES, BART. After H. Thompson. Born 1763, died 18 19. Served in India, Ireland, and Sicily; Governor of the Ionian Islands, 1 814-16. Made a baronet the year before his death. To w^aist, dir. f., facing towards r.; black neckcloth, frill, uniform, 1. thumb w^ithin scarf w^hich passes round waistj cannon firing in distance to 1. The subje6t is sur- rounded by a frame of lines. Within frame, 13^ by lof . Engraved on copper. In fine upright upper and lower lettering: "Painted by H. Thompson Esq"" R.A. En- graved by C. Turner." In light open upright capitals: "L* General James Campbell " In fine script: "of Inverneil in Argyllshire, Governor & Commander in Chief of the Ionian Islands &c. &c. &c." In fine upper and lower italics: "London, Pub^ Sept'' 8. 18 1 5, by C. Turner, 50, Warren Fitzroy Square." B.M.,- C. 94. CAMPBELL, JOHN. After David Martin. Died 1 80 1. To waist, sitting, dir. r., facing more towards f.; wig, lace cravat with long ends, judge's robes. The surface of the plate, beyond the subjedt, is covered with a tint of horizontal lines. I2f by 9f. In light open upright capitals: "Painted by David Martin. Engraved by C.Turner. John Campbell Esq'" of Stonefield." In fine script: "Lord of Justiciary, and one of the Senators of the College of Justice, &c. &c. &c." In fine upper and lower italics: "London, Published Dec' i. 1811. by C. Turner, Warren S* Fitzroy Square." B.M. 95. CANNING, GEORGE. After Sir T. Lawrence. Born 1770, died 1827; statesman. Prime Minister, April, 1827. Friend of Sir Walter Scott. W.L., standing, dir. and facing f.; plain dark dress, arms folded; unoccupied benches behind him with, on the lowest, his hat, coat, and despatch box. 23 by 14!-. I. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence, P.R.A. Principal Painter in Ordinary to His Majesty, &c. &c. &c. Engraved by Charles Turner, A.R.A. Mczzotinto Engraver in Ordinary to His Majesty, &c. &c." In fine upper and lower italics at foot of plate: "Pall Mall East, London, Published April 9, 1829, by Mess" Colnaghi Son & C" Printsellers to the King, &c. &c." Dr. J. S. Joule. II. Printer's name added to r. in fine italics: "Printed by J. Lahee." B.M. III. With additional inscription. In fine script: "To the Viscountess Canning" In light open gothic: "This Portrait of" In light open upright capitals: "The Right Hon''''' George Canning, M. P. &c, &c. &c." In fine script: " is most respedlfully dedicated by Her Ladyship's very humble & obliged Serv' Colnaghi Son & Co " To 1. in fine itahcs: "Proof" To r., for Printed by J. Lahee. read "Printed by W. Chatfield " Sale at Sothebfs^ April 10, 1905. IV. The script, gothic, and upright capital lettering strengthened and made slightly thick and thin. The word Proof erased. Mr. F. B. Daniell. V. The printer's name erased. 96. CANNING, GEORGE. After Sir T. Lawrence. Nearly to knees, sitting, dir. and facing f ; plain dark dress, buttoned coat; 1. elbow on edge of table to r., 1. hand raised and almost touching cheek; curtain background. ii|by9i I. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence, Prin- 60 CATALOGUE OF PORTRAITS cipal Painter in Ordinary to His Majesty, P.R.A. &c &c Engraved by Charles Turner Mezzotinto Engraver in Ordinary to His Majesty &c. &c." Sale at Puttick's, Nov^ 30, 1906. II. With additional inscription. In fine script: "To His Most Excellent Majesty This Portrait of" In light open upright capitals: "The Right Honorable George Canning, M.P." In fine script: "First Lord of the Treasury, &c. &c. &c. Is by His Gracious Permission Dedicated By His Majesty's very humble Subjcfts and obliged Servants Colnaghi Son & C° " In fine small italics: " Pall Mall East, London, Pub<* July 20, 1 827, by Colnaghi, Son & C° Printsellers to His Majesty, M"" Turner, N° 50, Warren Street, Fitzroy Square, in Paris by Giraldon, Bovinet Passage, Vivienne, N° 26, and Mess" Allen, Printsellers, Dublin." To 1. in fine italics: "Proof" B.M.; V. and A. III. The inscription slightly strengthened; a second line added on the r. of each letter of the upright open capitals. The word Proo/" erased. C. IV. The plate retouched. The entire inscription erased. The line of publication re- engraved as in State II; but for Pall Mall East ^London, Pub'^July 20, 1827, by read "Pall Mall East, Published by" Sale at Christie's^ March 28, 1905. V. The remainder of the inscription restored in imitation of that in State II. B.M. VI. The inscription strengthened, and the word Proof erased, in imitation of State III. C; Mr. J, Charrington. Note. The words of the inscription in State V are not in exaftly the same position to one another as in State II; and to distinguish between the states it will be sufiicient to mention that in State II a verticle line drawn downwards from the r. lower corner of the subjeft would leave the word "Son" of the dedication signature "Colnaghi Son & C° " entirely on the 1. of that line; while in State V the line would cut through the first stroke of the letter n. CAPEL, LADY ELIZABETH. See MALDEN. 97. CARPUE, JOSEPH CONSTANTINE. After Charles Turner. Born 1764, died 1846; anatomist. Surgeon to the Duke of York's School, Chelsea; advocate of vaccination. Nearly w.l., sitting, dir. and facing towards r.; dark dress, dark stockings, 1. knee crossed over r., r. arm on arm of chair, 1. hand on table to r. on which are books, writing materials, and watch j fluted pillar and curtain in background, landscape in distance to r. i6|- by 12^. Engraved on copper. Before any inscription. Mr. F. B. Daniell. In fine upright upper and lower lettering under centre of subjeft: "Painted & Engraved by C. Turner." In Hght open upright capitals: "J. C. Carpue Esq"" F.R.S." In fine upper and lower italics: "London, Pub** May 20. 1822, by C. Turner, 50 Warren Street, Fitzroy Square." B.M.; C; F. and A. Born 1786, died 1833. To knees, sitting, dir. towards r., facing towards f. ; high shirt collar, white neckerchief, black robe over plain dark dress; 1. hand on knee, r. hand holding closed book upright 98. CARR, JOHN. After J. Hastings. 9i by 7i. CHARLES TURNER, A.R.A. In fine upright upper and lower lettering: " Painted by J. Hastings Esq. Engraved by C. Turner A.R.A." In light open upright capitals: "The Rev" John Carr, M.A." In fine script: " late Fellow of Trinity College, Cambridge, Master of the Grammar School Durham, and Professor of Mathematics in the University of Durham." In fine upright capitals: "Ob*^ 1833. ^''47." In fine upright upper and lower: "London. Published Sep*' i^' 1836 for the Proprietor by M" C. Turner, N° 50. Warren S* Fitzroy Square.". To 1. in fine italic capitals: " Proof." B.M.; C; Mr. H. W. Bruton. 99. CARREL, GENERAL. To knees, standing, dir. and facing towards 1., looking f. ; curly hair. by lof. Engraved on copper. An early engraver's proof ; the body portion quite unfinished, the head nearly finished. B.M. 100. CARTWRIGHT, JOSEPH. After T. Phillips. Died 1811. Nearly to knees, sitting, dir. towards r., looking f.; short wig, bands, black gown; arms on arms of chair, r. hand holding book on knee, forefinger placed between leaves ; shelves of books and curtain in background. ^4 by 11. In light open upright upper and lower, and upper, lettering: " Painted by T. Phillips Engraved by C. Turner. The Rev*^ Joseph Cartwright A.B. late Vicar of Dudley," In fine script: "and one of His Majesty's Justices of the Peace for the Counties of Worcester & Stafi^ord " In fine upper and lower italics: "London, Published March i. 1813, by C. Turner 50 Warren Street, Fitzroy Square," B.M. ; C. CASTLEREAGH, ROBERT, VISCOUNT. See LONDONDERRY. 1 01. CATHCART, ROBERT. Jfter Sir H. Raeburn. Nearly w.l., sitting, facing and looking f. ; frill, dark coat; hands placed on open book, supported on another book, which lies on table before him to r., ring on r. little finger; curtain in background. 16 by I2-|. In light open upright upper and lower, and upper, lettering: "Painted by H. Raeburn Esq'' A.R.A. Engraved by Cha^ Turner. Robert Cathcart of Drum," In fine script: "Writer to the Signet Born 22-June-i773 — died i8-November, 1812." In fine upper and lower italics: "Edinburgh Pub** August 14*'' 1813, by M'' Constable." B.M.; Mr. J. Charrington. 102. CHAMPION, ANTHONY. After Benjamin Wilson. Born at Croydon. Poet. To knees, standing, dir. slightly 1., looking f. ; short wig, frill and ruffles, plain dark dress; 1. arm by his side, r. arm on cloak on table to 1., on which are writing materials and two books, scroll in r. hand. lyf by 13^. Before any inscription. C. In fine upper and lower italic lettering: " Benj Wilson Pinx* Anno 1766. Cha* Turner Sculp*" In light open upright capitals: " Antonius Champion," In fine script: "Domus hujusce Socius Natus 5*^ die Mens. Febr. 1725. Obiit 22''° die Mens. Febr. 1801. Desideratissimus. Tabulam hanc, Ob beneficia in ilium collata, Sumptibus suis cere incidi curavit Societas Medii Temple." In fine upper and lower italics: "London, PubHshed Dec"" i. 1807, by the Engraver, N" 50, Warren Street, Fitzroy Square." B.M.; C. 62 CATALOGUE OF PORTRAITS 103. CHANTREY, SIR FRANCIS LEGGATT. j^fter Sir H. Raeburn. Born 1781, died 1842. Of humble origin; rose to eminence as a sculptor; knighted 1835. To waist, dir. f., facing towards I. ; head nearly bald, frill, plain dark coat and vest. 9i by 8i. Engraved on steel. I. In fine upright capitals: "Painted by Sir H'' Raeburn. Engraved by C. Turner, A.R.A." Facsimile of autograph to 1.: "F Chantrey " In fine upright capitals: "London: Published Feb^ 2, 1843, by M"^ Turner, 50, Warren St. Fitzroy Square." F. and A. II. With additional inscription. In fine script: "This Plate of Sir Francis Chantrey, [the last three words in light open upright capitals] RA. &c. &c. &c. Is with permission dedicated to Lady Chantrey, by her Ladyship's obedient hum'''*' Servant " In facsimile of autograph: " C. Turner." BM. CHARLES, PRINCE OF WALES. See PORTRAITS OF ROYAL PER- SONAGES. No. 470. CHARLES II. See PORTRAITS OF ROYAL PERSONAGES. No. 473. 104. CHARLES X OF FRANCE. After Sir T. Lawrence. Born 1757, died 1836. Brother of Louis XVI; ascended the throne of France 1824; deposed 1830. Died at Goritz. W.L., standing, dir. f., facing slightly r, ; French marshal's uniform, orders, sash ; cocked hat on 1. arm, r. arm by his side; three curved steps and curtain behind him, palace in background to 1. Seven bordering lines surround the subject. 24^ by i6|-. Artist's proof, before the bordering lines. C. Turner sale catalogue. Artist's proof, with the bordering lines. C. Turner sale catalogue. I. In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence, P.R.A. Principal Painter in Ordinary to His Majesty. Engraved by Charles Turner, Mezzotinto Engraver in Ordinary to His Majesty." In fine upper and lower italics near foot of plate: "London, Published May 10, 1828, by M'' Turner, 50, Warren Street, Fitzroy Square." To r. " Printed by J. Lahee." B.M.; C. II. With title in open and italic lettering. Dedicated to George IV. " London, Published June 24* 1829 by Colnaghi Son & Co. Printsellers to the King Pall Mall East." French publisher's address also. Note by Dr. Singer, Dresden. At the Charles Turner sale, in February 1858 (lots 72-74) were sold: "17 artist's proofs before the border ", " 5 artist's proofs with the border ", and " 6 proofs before letters." 105. CHARLOTTE, PRINCESS. Born 1796, died 1817; daughter of George IV. Married Prince Leopold of Saxe- Coburg, May, 18 1 6. To waist, dir. f., facing towards 1. ; three roses in hair, low-necked dress cut square and edged with lace, high w^aist-band with brooch, jewel suspended at throat, a miniature of the Prince Leopold also suspended from neck. The portrait is in an oval which rests on a tablet on which is a representation of the apotheosis of the Princess. The mezzo- tint work covers almost the whole plate. 13^ by 9I-. At top of entablature, in upright open thick and thin capitals: "Her R.H. Princess Charlotte of Saxe Coburg" In fine upright capitals on base of tablet: " Born Jan^ 7. 1796. Married May 2. 1816. Died Nov'' 6. 18 17." Beneath, in fine upper and lower 63 CHARLES TURNER, A.R.A. italics: "Engraved by. C. Turner, from an original Drawing by a Lady. London Pub. Dec^ 25. 1817, by C. Turner, 50, Warren Fitzroy Square." B.M.; C. CHARLOTTE, PRINCESS. See APOTHEOSIS OF PRINCESS CHAR- LOTTE. Catalogue of Subjedls, No. 719. Jfter A. W. Devis. 106. CHASE, PHILANDER. After J. G. Strutt. Born 1775, died 1852. To waist, dir. and facing towards r., dark hair, dark dress ; 1. arm on edge of closed book, hand holding paper lettered : "Appeal on behalf of e Diocese of Ohio in the Western Territory r. hand on 1. wrist. lOf by 8f. I. In fine upper and lower italics: "Engraved by C. Turner, from a Painting by J. G. Strutt, presented to the Theological Seminary in the Diocese of Ohio, by Contributors in England to the said Seminary — 1824." In light open upright capitals: "The Right Reverend Philander Chase, D.D." In fine script: "Bishop of the Protestant Episcopal Church in the State of Ohio." In fine upper and lower italics: "London, PubHsh'd Aug. I'* 1824, by J. C. (sic) Strutt, Percy Street, Rathbone Place." B.M.; Mr. H. W. Bruton. II. The inscription strengthened and made thick and thin. Mr. L. B. Mozley. 107. CHATHAM, JOHN PITT, 2nd EARL OF. After J. Hoppner. Born 1756, died 1835. Elder brother of William Pitt. General; Governor of Gibraltar from 1820 till his death. To waist, dir. towards 1., looking f. ; hair powdered, frill, braided coat with high collar, star, sash under coat; curtain in background. ii|- by 10. Masked proof. Mr. H. W. Bruton. In fine upper and lower italic lettering: "J, Hoppner Esq'' R.A. pinx* C. Turner sculp* London Published Aug^* 31 1809 by Mess"'^ Colnaghi & C° Printsellers Cockspur Street Hay Market." To 1., scratched: "Proof." B.M.; V.andA. C. Turner sale catalogue mentions " artist's proofs " and " proofs before letters." 108. CHATTERLEY, WILLIAM SIMMONS. After Chater. Born 1787, died 1822; aftor. Member of the Drury Lane Company, and also performed in the Provinces. As Justice Woodcock, in " Love in a Village." The print is mentioned in Evans' Catalogue of Portraits, N° 14164*. 109. CHIFFNEY, SAMUEL, JUN^ After C. Turner. Born 1786, died 1854; jockey. He won the Oaks five times, and the Derby twice. W.L., standing, dir. slightly r., looking f. ; wearing jockey's costume, and carrying whip and saddle; weighing scales to r., horse and two men behind him, open heath in distance. it^ by I2f. Preliminary etching. C Turner sale catalogue. In light open upright upper and lower lettering: "Engraved by C. Turner." In light open upright capitals: " M"" Sam' ChifFney." In fine upper and lower italics: "London Published Oft' 12, 1807, by C. Turner 50, Warren Str* Fitzroy Square." B.M.; V. and A.; Mr. C. M Prior. 64 MARCHIONESS CHOLMONDELEY AND SON 1805 CATALOGUE OF PORTRAITS no. CHOLMONDELEY, GEORGIANA CHARLOTTE (BERTIE), MAR- CHIONESS, AND HER SON. After J. Hoppner. Born 1764, died 1838; wife of George James, ist Marquess Cholmondeley. Theson was William Henry Hugh, who became 3rd Marquess in 1870; born 1800, died 1884. W.L., standing, dir. and facing towards f.; light-coloured dress with low neck, short sleeves and high waist; 1. foot crossed over r., r. arm by her side, 1. hand on the shoulder of her son who stands on the r., looking f., wearing a light-coloured frock ; she leans against a pedestal supporting a large vase ; trees in background, distant view to r. In r. lower corner of subjedt, scraped: " C Turner." 22^ by I4f. In fine upper and lower italics: "Painted by J. Hoppner, Esq"" R.A. Engraved by C. Turner" In fine script: "Charlotte Countess Cholmondeley, and the Hon"^ Henry Cholmondeley." In fine upper and lower italics: "London Published July 15, 1805, by the Engraver, N° 50, Warren Street, Fitzroy Square." B.M.; C; Mr. H. S'.TIheobald, K.C. C. Turner sale catalogue, lot 1062, says: "in two states." 111. CHOLMONDELEY, MISS. After J. Hoppner. W.L,, a young girl, standing in a landscape, dir. and looking f. ; white frock, shoes; holding flowers in frock with 1. hand, r. arm extended, 1. foot advanced. 13I- by 10^. Engraved on copper. Before any inscription. Mr. H. P. Home. I. In light open upright upper and lower lettering: "Painted by J J \stc\ Hoppner Esq' R.A. Engraved by C. Turner" In fine upper and lower italics: "London Published March i" 1804. by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; C; Mr. E. E. Leggatt. II. Retouched ; modern. This state can be recognized by a number of fine etched lines that have been added on her r. cheek. Sale at Christie's, Feb^ 13. 1906 {printed on India paper"). Jan. 27, 1804. "Began to scrape Miss Cholmondley" Feb. 21, 1804. "Mr. Hoppner's with Miss C." Feb. 22, 1804. " Mr. Hoppner's, Mr. Cholmondeley's & home." April 4, 1804. "Sold 10 Miss Cholmondleys. \zs. £6.0.0." — C. Turner's diary. 112. CHRISTIAN VIII OF DENMARK. Born 1786, died 1848. King of Denmark from 1839. He had previously reigned over Norway. To waist, dir. 1., facing more towards and looking f ; curly hair, military coat with epaulette and orders; house in distant landscape to 1. 9|- by 8f. In fine upright upper and lower lettering under centre of subjeft: "Engraved by Charles Turner." In fine upper and lower italics at foot of plate: "London, Publihed [j/V] Nov- ember I. 1 8 14, by Mess" Colnaghi & C° Cockspur Street, Haymarket." C; Mr. H. W. Bruton. 113. CHUNDU LAL, MAHARAJA OF HAIDARABAD. After J. Williams. To knees, sitting, dir. towards r., looking f. ; dark moustache, no beard; jewels in head-dress, several necklaces with jewels covering body, amulets, bracelets, rings on third and little fingers of r, hand. io|- by 8|. In fine upright upper and lower lettering: "Painted by J. Williams Esq"" Engraved by C. Turner A.R.A." In upright thick and thin upper and lower lettering: " Maha Rajah Chundoo Lai Bahadoor Dewan-Peshear Hyderabad " To 1., in thick and thin upper and lower italics : " Rajah of Rajahs. Rajah Chundoo Lai Maha Rajah Bahadoor. the devoted Servant of Asuf Jah. who is the Roostum of his Age, the Aristotle of his time, the Conqueror of Countries, the Administrator of States, the Governor of 65 K CHARLES TURNER, A.R.A. Realms." [This portion of the inscription repeated on r., in Persian charafters.] At foot, in fine upright upper and lower lettering: "London, Published Feb'' i8'*^ 1841, for the Proprietor, by M"" Turner N° 50, Warren St* Fitzroy Square." B.M.; C. CHURCHILL, FRANCIS ALMERIC SPENCER, ist BARON. See SPEN- CER, LORD FRANCIS. 114. CLARE, JOHN FITZGIBBON, ist EARL OF. ^fter J. Hoppner. Born 1748, died 1802. Lord Chancellor of Ireland from 1789. Atthe Union of 1801, became a peer of the United Kingdom. To waist, dir. f , facing slightly r. ; head uncovered, white kerchief, plain dark buttoned coat; curtain background. ii|- by 10. Before any inscription. B.M. In small fine script: "J. Hoppner R.A. pinx* C. Turner sculp*" In fine upright upper and lower, under centre of subjeft: "London, Published April 20. 1 802, by John JefFryes, Clapham Road." In 'light open upright capitals: "Lord Clare." B.M.; C; Mr. H. W. Bruton. April 8, 1802. "Finish'd L" Clare." April 13. "Delivered L"* Clare." April 20. "Mr. Jeffrey's Note for 2 Months, j^io. 10. o." — C. Turner's Diary. 115. CLARKE, JOHN, M.D. After W. Wood. Born 1761, died 181 5; physician. Eminent praftitioner in midwifery, and published several works upon the subject. Head and shoulders; dir. f. ; buttoned coat. The portrait has a very slight background and is surrounded by a line-engraved frame. Frame size, 7^ by 6^. Plate size, \o\ by 8f. Portrait engraved in stipple. In fine upper and lower italics: "W. Wood pinx* C. Turner sculp*" In light open upright capitals: "John Clarke Esq"" M.D." In fine upper and lower italics: "London: Pub'' Dec'' 17. 1 81 3, for the Proprietor, by C. Turner, 50, Warren Street, Fitzroy Sq® " BM. 116. CLARKE, RICHARD. After Lady Bell. Born 1739, died 1830. Treasurer of Bridewell and Bethlehem Hospitals, Chamberlain of London, died at Chertsey. Nearly w.l., sitting, dir. and facing towards f ; lace frill and ruffs, plain dark dress with fur-edged robe over; 1. arm on arm of chair, r. hand holding roll on table 1. on which are inkstand and book; books, curtain and pillar in background, building in distance 1. 16 J by I2f. In fine upright upper and lower lettering: "Painted by Lady Bell. Engraved by C. Turner." In fine script: "Richard Clark Esq'' Chamberlain of London, F.S.A." In fine upper and lower italics: "London, Published April 18, 1820, by C. Turner, 50, Warren Str* Fitzroy Square." To r. in fine italics: "Proof" B.M.; C. 117. CLARKSON, THOMAS. After A. E. Chalon. Born 1760, died 1846. Slave abolitionist; published a number of his writings. W.L., sitting, dir. towards 1., facing f.; frill, plain dark dress, shoes; arms resting on arms of chair, pen in r. hand ; African implements and articles of produce in foreground to r., table in background to 1. on which are papers, inkstand, and "Map of Africa"; curtain r., busts of Wilberforce and Granville Sharp on mantelpiece 1. ly^ by 14. 66 CATALOGUE OF PORTRAITS Before any inscription, or bordering lines to subjeft; and before names on busts, and the words " Manufaftures of Africa" "African Produce" on objedls in r. foreground. B.M.; V. and A.; Mr. J. Charrington. I. With nine fine bordering lines round subjedl, and with the names and words mentioned above. In fine upright upper and lower lettering: — " Painted by A. E. Chalon, Esq"" R.A. Engraved by C. Turner, Mezzotinto Engraver, in Ordinary to His Majesty." In fine upper and lower italics at foot of plate: "Ipswich, Published April 19 1828, by S Piper, Bookseller Colnaghi, Son & C° Pall Mall East, & Darton & Harvey, Grace Church Street, London." C. II. With additional inscription. In very slightly thick and thin script lettering: "To His Royal Highness William Frederick Duke of Gloucester, &c. &c. &c." In slightly thick and thin italic capitals: "This Portrait" In open upright thick and thin capitals: "Of Thomas Clarkson, Esq'''^ M.A." In very slightly thick and thin script lettering: "Is Dedicated with permission by His Royal Highness's Most Obedient Obliged & very humble Servant, S. Piper, Ipswich. [5. Piper in open italic thick and thin capitals]." BM.; Mr. J. S. Earle. 118. CLARKSON, THOMAS. This plate is mentioned in the C. Turner sale catalogue: Lot 191. "Clarkson (Mr.) half-length, new plate. Artist's proofs, 2. Steel." [Plate size] 9 in. by 5. 119. CLAYTON, GEORGE. After W. McCall Born 1783, died 1862. Minister of Walworth Chapel. Published a number of his sermons. " Memorials of the Clayton Family " were written by T. W. B. Aveling. To waist, dir. and facing very slightly 1., looking f.; bands, black gown over black coat; curtain background. 10^ by In fine upright upper and lower lettering: "Painted by W. M'^Call. Engraved by C. Turner, A.R.A. &c. &c." B.M. C. Turner sale catalogue mentions " artist's proofs " and " proofs before letters 120. CLAYTON, JOHN, SEN^^. After W. McCall. Born 1754, died 1843. Minister of Weigh House Chapel. A number of his sermons were published. To waist, dir. very slightly r., looking f. ; white hair, bands, black gown over black coat, curtain in background. lof by 8f . In fine upright upper and lower lettering: "Painted by W. M'^Call. 15, Norton Street, [the address in italics] Engraved by C. Turner, A.R.A." In fine upper and lower italics: "London, Published Aug* i, 1831, by Geo. Clayton Bookseller, &c. 4, Cornhill & 88, Lombard Street." B.M. 121. CLAYTON, JOHN, JUN^ After W. McCall. Born 1780, died 1865. Minister of the Poultry Chapel. To waist, dir. very slightly towards 1., looking f. ; nearly bald; bands, black gown over plain black coat. lof by 8f. In fine upright upper and lower lettering: "Painted by W. M^'Call. 15, Norton Street, [the address in italics] Engraved by C. Turner, A.R.A. &c. &c." In fine upper and lower italics at foot of plate: "London, Published July 12, 1 831, by Geo. Clayton, Bookseller &c. 4, Cornhill & 88, Lombard Street." B.M.; C. C. Turner sale catalogue mentions " artist's proofs," " proof before letters " and " prints ". 67 CHARLES TURNER, A.R.A. 122. CLERK, JOHN (LORD ELDIN). After Sir H. Raeburn. Born 1757, died 1832. Scotch Lord of Session 1823-28. Nearly w.l., sitting, dir. r,, facing towards f ; plain dark dress, r. arm resting on arm of chair, speflacles in right hand, 1. hand holding open book edgeways on table to r. on which papers are scattered. by 14. I. In fine upright upper and lower lettering: " Painted by H. Raeburn Esq'' A.R.A. En- graved by C. Turner, Warren Street, Fitzroy Square." In light open upright capitals: "John Clerk Esq''" In fine script: " of Edinburgh, Advocate" In fine upper and lower italics: "Edinburgh, Published Feb^ 11. 181 5, by A. Elder, Carver & Gilder, 12, Green- side Place." B.M. II. The first "A" A.R.A. erased. C. 123. COBB, REV''. THOMAS. After J. Simpson. To waist, dir. f., facing towards 1.; plain white neckerchief, plain dark double-breasted coat, buttoned ; curtain in background, 1 1 1^ by gf. I. In fine upright upper and lower lettering: " Painted by J. Simpson. Engraved by C. Turner." In fine script: "Rev** Thomas Cobb, M.A. ^t. 44. Virtuti, Pietati, Benevolentiae, eheu ! jam nimium immature extindlis, hanc efiigiem, amicitise ergo insculptam, jure merito datur, dicatur, dedicatur. Ob* Nov' 26. 1 817." In fine upper and lower italics: "London, Published June 12. l8i8, for the Proprietor, by C. Turner, 50 Warren S' Fitzroy Square." C. II. The height of subjeft reduced by ^ in. at bottom. The inscription, except line of publication, erased; instead, in fine upright upper and lower lettering: " Painted by J. Simpson. Engraved by C. Turner." In fine script: " Rev** Thomas Cobb, M.A. ^t. 44. Virtuti, Pietati, Bcnevolentias, eheu! extinftis, Haec Effigies, amicitiae ergo insculpta, jure merito datur, dicatur, dedicatur. Ob* Nov' 26. 1 8 17." [Publication as in State I.] B.M.; C; Mr. H. W. Bruton. COCHRANE. SIR ALEXANDER FORRESTER INGLIS. See BRENTON'S NAVAL HISTORY. No. 65. 124. COCHRANE. THOMAS, LORD. After G. E. Stroehling. Born 1775, died i860; admiral. Gained a high naval reputation, and dealt a crushing blow to Napoleon's naval force in 1809. Succeeded, as lOth Earl of Dundonald, 1831. W.L., standing on deck of a ship, dir. f, facing 1.; naval uniform, light trousers; r. hand within breast of coat, 1. hand on hilt of long sword which reaches to the ground; 1. foot placed on step of gun carriage to r.; his hat on deck to 1.; background composed of mast, rigging, and smoke. 24!^ by l8f. In thick and thin upper and lower italics: " Painted by G. E. Stroehling Historical Painter to H.R.H. the Prince of Wales. Engraved by Cha^ Turner." In partly filled-in upright capitals: "Lord Cochrane" In slightly thick and thin script: "Captain in his Majesty's Navy, and One of the Representatives in Parliament of the City of Westminster." In upper and lower italics: "London Published Jan^ 24, 1809, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 68 CATALOGUE OF PORTRAITS 125. COCKBURN, SIR GEORGE. G.C.B. After J.J. Halls. Born 1772, died 1853; admiral. Conveyed Napoleon to St. Helena 1815; Governor of St. Helena 1815-16; Admiral of the Fleet 1851. W.L,, standing, dir. tow^ards f., facing r.; cocked hat, uniform, epaulettes, Hessian boots, spurs, seal hanging from fob; 1. hand on hip, r. hand on sw^ord, the point of v^^hich touches the ground; flat ground with houses behind him, buildings in flames to r. 22f by I4f. Engraved on copper. In fine upright upper and lower lettering: "Painted by I. J. Halls Esq"" Engraved by C. Turner," In thick and thin script: "To the Earl S' Vincent this Portrait of Sir George Cockburn, G.C.B. [-S/r to G.C.B. in open upright thick and thin capitals] Rear Admiral of the Red & one of His Majesty's Lords of the Admiralty Is with permission dedicated by his Lordship's most obed* hum''''' Serv' C. Turner." In fine upper and lower italics: "London, Pub. March i. 1819, by C. Turner, 50 Warren Street, Fitzroy Square." B.M. COCKBURN, SIR GEORGE. See BRENTON'S NAVAL HISTORY. No. 64. 126. COCKBURN, SIR WILLIAM, BART. After Thomas Barker. Born 1768, died 1835; lieutenant-general. Served in the American War 1779-83; and in India, 1 790-1802. W.L., standing in foreground of a flat landscape, dir. f., facing very slightly 1.; uniform, medal suspended by broad ribbon from neck, scarf round waist, Hessian boots, spur; 1. hand on hilt of sword, r. arm by his side, plumed hat in hand, camp in distance. 23i by 141 In fine upright upper and lower lettering: "Painted by Thomas Barker Esq'' Bath Published by J Selamone May 19*'' 1836 in London by Mess™ Paul & Dominic Colnaghi & Co Printsellers N° 14 Pall Mall East [the three last words in capitals] Engraved by C Turner A R A." In light open upright capitals: Lieut' Gen' Sir William Cockburn of Cockburn & Ryslaw, Bar' N.S." In light open upright upper and lower: "Ob' ig"' March 1835. Mt^ 66." In fine script: " By his Son this Portrait is dedicated to his many friends." B.M.; C. 127. COCKS, EDMUND CHARLES. After G. Engleheart. Born 1786, died 18 12. Eldest son of John, ist Earl Somers. To waist, dir. very slightly r., facing f.; black hair, uniform with braided tunic, scarf round waist, military cloak across 1. shoulder. lof by 8^. In light open upright upper and lower lettering: "Painted by G. Engleheart Esq"" En- graved by C. Turner, Warren S' Fitzroy Sq-^ " In fine script: "The Hon""' Major Cocks who fell at the Seige [j/V] of Burgos" In Hght open upright upper and lower: "Odf 8"^ 1812." In fine upper and lower italics: "London, Published Feb^ 11, 1813, by C. Turner, N° 50. Warren Street, Fitzroy Square." B.M.; C. 128. CODRINGTON, SIR EDWARD. After Sir T. Lawrence. Born 1770, died 1851; admiral. Saw much a£tive service; commanded a ship at Trafalgar; present at the Battle of Navarino 1827. To waist, dir. f., facing and looking 1.; head bald at top; uniform, sash, medal, stars. loi by 8f. Engraved on steel. Before any inscription. Mr. H. W. Bruton. In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence. Engraved 69 CHARLES TURNER, A.R.A. by C. Turner, A.R.A. Engraver in Ordinary to His Majesty." In fine script: "Vice Admiral" In light open upright capitals: "Sir Edward Codrington," In fine script: "G C B.— G C S* L.— K S' G." In fine upper and lower italics: "London, Published June I, 1830, by Mess" Colnaghi, Son & C° Printsellers to His Majesty, Pall Mall, East." To r., in fine italics: "Proof" B.M.; Mr. Burdett-Coutts; C. The C. Turner sale catalogue, lot 920, mentions " large and small plates " ; but the above is the only one that has been seen. 129. COKE, THOMAS WILLIAM. Jfter T. Barber. Born 1752, died 1842. M.P. for Norfolk from 1776 to 1832, with intervals; created Earl of Leicester, 1837. To waist, dir. slightly r., facing and looking more to r.; white neckerchief, plain dark coat having the two upper buttons fastened and the next two unfastened. The subject is surrounded by a square border of ruled lines. Arms in centre of inscription space, motto: "Ne Cede Malis." Inside border iif by 9^. I. On bottom band of border, in fine script lettering: " Tho® William Coke Esq' M.P. for Norfolk." Beneath border, in fine upright upper and lower lettering: " Painted by T. Barber, Nottingham. Engraved by C. Turner, London." In fine script: "To the R' Hon""" The Earl of Albermarle [sic] This Plate, from a Portrait in the possession of Martin Folks Richter Esq'' Is inscribed by his Lordship's most obed* & humble Serv'' " In light open italic capitals: "T.Barber." In fine upper and lower italics: "Nottingham, Published June 24*'' 18 16, by T. Barber, & by C. Turner, 50, Warren S* Fitzroy Square, London." BM.; C; Mr. L. B. Mozley. II. The name of the possessor of the pidlure altered from Martin Folks Richter to " Martin Folkes Rishton," Some slight retouchings noticeable on the subjeft. C. 130. COKE, THOMAS WILLIAM. After Sir T. Lawrence. W.L., standing, dir. f., facing towards 1.; dark coat fastened by one button, breeches, light stockings, shoes; 1. hand to hip, r. hand on papers lettered "Magna Charta" "Bill" on table to 1.; curtain and pillar in background to 1., trees in distance to r. 24 by I4f Before any inscription except lettering on papers; not quite finished. A deep shadow in r. lower corner of subjeft. B.M.; C. I. The shadow removed. In fine upper and lower italics: "Painted by Th'* Lawrence Esq R.A. Painter in Ordinary to His Majesty Published 14^'' July 18 14 by J & W. Freeman 2 London Lane Norwich. Engraved by C Turner Warren Street Fitzroy Square " In fine script: " This Portrait of Tho' W™ Coke Esq'' M.P." In light open upright capitals: "For the County of Norfolk," In fine script: "Is humbly Dedicated to the Agricul- turists of the United Kingdom [the last five words in open gothic] by their obed* Serv*^ " In open italic capitals: "J & W. Freeman." To r. in light open upright capitals: "Proof" To 1., in fine italics: "First 50." Mr. J. Charrington; Mr. E. Layton. II. First 50 erased. B.M.; V. and A. III. The word Proof erased. The inscription strengthened and made thick and thin; the open upright capitals and open gothic lettering filled in with a pattern. 131. COKE, THOMAS WILLIAM. After Sir T. Lawrence. To waist, sitting, dir. towards 1., looking f.; scant white hair, light waistcoat with the upper buttons unfastened, plain dark open coat. The subject is surrounded by a border of ruled lines. ^7 9f. Engraved on copper. I, In fine upright upper and lower lettering: "Painted by Sir Tho' Lawrence R.A. Prin- 70 CATALOGUE OF PORTRAITS cipal Painter in Ordinary to His Majesty, Member of the Roman Academy of S* Luke & of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square." In fine script: "Tho' Will"" Coke Esq^ M.P. for Norfolk." In fine upper and lower italics: "London Published i. July 1818, by the Engraver, 50 Warren S* Fitzroy Square." C. II. For Norfolk erased and re-engraved in light open italic capitals. With additional in- scription in fine script: "This Plate is with permission rcspeftfully dedicated to the R* Hon''''' Viscountess Anson by her Ladyship's most ob* & hum. Serv* C. Turner." The date of publication altered to " 14. July 18 19" C. III. The inscription from TSo^ Will"" Coke to the end of dedication strengthened and made thick and thin. B.M. 132. COLDHAM, GEORGE. After Wm. Artand. To waist, dir. and facing very slightly tow^ards r., looking f.; own hair, white necker- chief, plain dark double-breasted coat, fastened by one button. ii|- by 10. In fine upright upper and lower lettering: "W" Artand pinxit. C. Turner sculpsit." In light open upright capitals: " M"" George Coldham." In fine upper and lower italics: "London, Published Feb^ 14, 18 16 by C. Turner, N° 50 Warren S* Fitzroy Square." BM. 133. COLLARD, FREDERICK WILLIAM. After James Lonsdale. Born 1772, died i860. Pianoforte manufacturer; partner in the firm of Collard and Collard. Fully to waist, sitting, dir. f., facing towards r.; white neckerchief and frill, plain dark dress, reading glass suspended by ribbon from neck, seal hanging from fob; arms on arms of chair. lO-i. by 8f. In fine small upright upper and lower lettering: " Painted by James Lonsdale Esq^ En- graved by C Turner A R A Engraver in Ordinary to His Majesty London Published July 6^" 1829 by M-- Clay Printseller Ludgate Hill." B.M. C. Turner sale catalogue mentions "artist's proofs," "proofs before letters" and "prints". 134. COLLINGWOOD. CUTHBERT COLLINGWOOD, BARON. Born 1748, died 1810; admiral. Saw much aClive service; commanded at Trafalgar on the death of Nelson. Buried in St. Paul's Cathedral. Nearly to knees, standing, dir. towards r., looking towards f.; bare headed, naval uniform, badge suspended from neck, two medals; r. hand by his side, 1. hand holding hilt of presentation sword; he is standing on board a ship, and in background are rigging, a sail, and a foreshortened cannon; sea fight in distance to r. 17^ by 13!^. I. In light open upright capitals: "The R* Hon*'''' Lord Collingwood," In fine script: "Vice Admiral of the Red, Major General of Marines and Commander in Chief of His Majesty's Ships in the Mediterranean. Engraved by Charles Turner, from an original Painting in the possession of Lady Collingwood. To whom this Print is most respeftfully dedicated by Her Ladyships obed* & very h''"' Serv* J. Colnaghi " In fine upper and lower italics: "London Published July i*' 181 1, by Mess" Colnaghi, & C° Printsellers, Cockspur Street, Hay Market." B.M.; C; V. and A. II. The open upright capitals of title strengthened and made thick and thin. Sale at Sothebfs, July 18, 1905. COLLINGWOOD. CUTHBERT COLLINGWOOD, BARON. See BREN- TON'S NAVAL HISTORY. No. 59. 71 CHARLES TURNER, A.R.A. 135. COMBE, HARVEY CHRISTIAN. After J. Opie. Born 1752, died 1818. Alderman of London; Lord Mayor 1800. Nearly w.l., sitting, dir. towards f., facing towards 1.; robe and collar of office over dark dress; arms resting on arms of chair, mace and documents on table to l.j curtain and window in background. 17^ ^7 ^3f* Engraved on copper. Masked proof. B.M.; V. and A. In light open upright upper and lower lettering: "Painted by J. Opie Esq'' R.A. En- graved by Charles Turner." In fine script: "To the Court of Assistants of the New Plantation in Ulster within the Realm of Ireland," In light open upright upper and lower: "This Print of" In light open upright capitals: " Harvey Christian Combe Esq*" M,P." In fine script: "Governor of the Hon*^'® the Irish Society, London, From the original Pifture, in the Irish Chamber, Guildhall, London, Is by permission dedicated by their obedient & humble Serv* C. Turner." In fine upper and lower italics: "London, Published June 12. 1812, by C. Turner, N" 50, Warren Street, Fitzroy Square, M'' Lee, S' Martins le Grand & Mess" Wade & Merle, Aldgate." BM.; C; Mr. E. Layton. (On the impressions can be seen slight traces of a former inscription. In these impressions the signature to the dedication is %% in. away from the plate mark on r.; but it would appear that in the former inscription it is only \ in. away.) 136. COMBERMERE, STAPLETON COTTON, ist VISCOUNT. After T. Heaphy. Born 1773, died 1865; Field Marshal. Commanded the British Cavalry in the Peninsular 1811-14; in France 1815-16; Commander-in-Chief in Ireland 1822-25; Constable of the Tower of London 1852. Created Baron Combermere 1814; advanced to the dignity of a Viscount 1827. W.L., on horseback, advancing towards r., facing towards 1.; hussar uniform, sash, three stars; 1. hand holding reins, r. arm extended behind him, forefinger pointing up- wards ; on 1. a troop of hussars advancing towards r. ; in distance to r., a hilly landscape. 25|- by 23^. Before any inscription, bottom edge not cleared. Sir Walter Gilbey. In fine upright upper and lower lettering: "Painted by T. Heaphy Esq"" Engraved by Charles Turner, Member of the American Academy of Fine Arts." In fine script: "The Right Honourable" In light open upright capitals: "Stapleton Baron Combermere of Combermere " In fine script : " in the County Palatine of Chester and Baronet. Knight Grand Cross of the Most Honourable Military Order of the Bath, Knight Grand Cross of the Royal Hanoverian Guelphic Order and Knight Grand Cross of the Royal Portuguese Military Order of the Tower and Sword, a Lieutenant General in His Majesty's Service, Colonel of the Third or King's own Regiment of Light Dragoons and Governor of Sheerness, &c. &c." In fine upper and lower italics: "London, Published March I** 1823, by Mess''' Colnaghi & C" Cockspur Street, Haymarket." B.M.; C; V. and A. 137. CONST, FRANCIS. After J. Jackson. Born 1 7 51, died 1839. Lawyer, and writer on legal subjects. Chairman of the West- minster Sessions. To waist, in an oval frame, dir. towards 1., looking f.; gray hair, white neckerchief, dark coat and waistcoat. i by 8f . Engraved on copper. Before any inscription. C. In fine upper and lower italic lettering: " Painted by J Jackson Esq'' R A Engraved by 72 JOHN HOPPNER, R.A. 1805 AFTER HOPPNRR CATALOGUE OF PORTRAITS C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: "Francis Const, Esq""" In fine upper and lower italics: "London, Published Feby 1 6, 1824, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C; Mr. H. W. Bruton; Mr. L. B. Mozley. 138. CONST, FRANCIS. After B. Marshall. W.L., on horseback, advancing to r., looking towards f.; riding dress; riding whip in r. hand, reins in 1.; dog running in foreground to r., sea in distance. The subje6l covers the entire surface of the plate. 22 by 26\. Engraved on copper. In upper and lower italics at foot of subjeft: "Painted by B. Marshall. London, Published Dec"" 25. 1 806, by C. Turner, N° 50, Warren Street, Fitzroy Square. Engraved by C. Turner." B.M.; Sir Walter Gilbey. C. Turner sale catalogue (lot 734) mentions "proof prints" and "prints". 139. COOKE, HENRY, D.D., LL.D. ^fterj. Syme. Born 1788, died 1868. Irish Presbyterian leader; President of Assembly's College, Belfast; published sermons, hymns, and pamphlets. To waist, dir. f., facing and looking towards r.j bands, plain black gown over dark coat and waistcoat. lof by 8f. Before any inscription. B.M. C. Turner sale catalogue mentions " artist's proofs " and " proof prints ". 140. COOKE, JOHN, D.D. After J. Hoppner. Born 1734, died 1823. Nearly w.l, sitting, dir. f., facing towards 1.; short wig, bands, black robes; arms resting on arms of chair, papers on table r.; curtain in background to 1.; college build- ing in background to r. Across the inscription space a horizontal line tint has been ruled. 17I- by I3|-. I. In fine upper and lower italic lettering: " Painted by J. Hoppner, Esq"" R A. Engraved by C. Turner, Warren Street, Fitzroy Square." In light open upright capitals: "John Cooke D.D." In fine script: "President of Corpus Christi College, Oxford." In fine upper and lower italics: " Oxford Pub** Oft' 30* 181 1, by J. Wyatt, Printseller, & Frame Maker, High Street." B.M.; C. II. The lettering of title strengthened and made thick and thin. Sale at Sothiy's, Nov. 28, 1906. 141. CORNWALLIS, CHARLES CORNWALLIS, 2nd MARQUESS. Born 1774, died 1823; Master of the Buckhounds 1807. To waist, in a square border of ruled lines, dir. slightly r., looking f. ; bareheaded, uniform, frill, star, epaulettes. Inside border, 7 by 6. Before any inscription. B.M. [written on in pencil^ " Private plate C.T."\ 142. COTTON, JOSEPH. After Sir T. Lawrence. Born 1747, died 1825; an Elder Brother of Trinity House 1 788-1 808; Diredor of the East India Company 1 795-1 823. Wrote a "Memoir on the Origin and In- corporation of the Trinity House of Deptford Strond," 18 18. 73 L CHARLES TURNER, A.R.A. Nearly to knees, standing, dir. towards r., looking f. ; light waistcoat, dark buttoned coat; both hands holding a paper before him; on table to r. two books and a plan lettered "Map of the East India Doc 1803", etc.; curtain in background to r., fluted pillar to 1. I7f by 13I-. Before any inscription, and before lettering on the plan. Mr. E. Layton; Dr, J. S. Joule. In fine upright upper and lower lettering: "Painted by Sir Tho' Lawrence R.A. Principal Painter in Ordinary to His Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square." In fine script: "Joseph Cotton Esq'' F.R.S. Deputy Master of the Trinity House & a Direftor of the East India Company." In fine upper and lower italics: "London Pub*^ Jan'' 14. 1818, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C; Mr. J. Charrington. 143. COTTON, MRS. After Sir T. Lawrence. ? The wife of Joseph Cotton. Nearly w.l., sitting, dir. f., facing towards 1.; white cap, black dress with long sleeves and white collar, hands holding light shawl in lap; table to r. on which lie casket, jar of flowers and book; curtain in background r. and 1. 17^ by 13^. Engraver's trial proof; with Charles Turner's note in pencil: "First Proof CT." Truman Sale, April 27, 1906. Before any inscription. Truman Sale, April 27, 1906. In fine upper and lower italic lettering: "Painted by Sir Tho^ Lawrence Principal Painter in Ordinary to His Majesty P.R.A. &c. &c. &c. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty. London, Pub"* Sep'' 20**^ 1825, by C. Turner 50, Warren Street, Fitzroy Square." B.M.; C; Mr. J. Charrington. 144. COURTENAY, WILLIAM, VISCOUNT. After R. Cosway. Born 1768, died 1835. Succeeded as 3rd Viscount Courtenay, Deer. 14, 1788; claimed the earldom of Devon, and declared Earl of Devon by the House of Lords, March 15, 1 83 1; never took his seat; died at his residence in the Place Vendome, Paris. W.L., a young man in richly ornamented costume with bows at knees of breeches and rosettes on shoes; r. hand holding plumed hat to hip, 1. hand on pedestal on side of which is a dolphin surmounted by a coronet; steps, fountain, trees, etc., in back- ground. 23 by 17I-. Mr. Fred'' B. Daniell in his " Catalogue of the Engraved Works of Richard Cosway " (p. 12), considers this mezzotint to be by Charles Turner; but Chaloner Smith ("British Mezzotinto Portraits," vol. iii, p. 944, N" 3) describes the plate as by John Murphy, and gives a state inscribed: "R. Cosway Esqr R A. Pinxit. J. Murphy Sculpsit. William, III. Viscount Courtenay, 1809." An impression in this state was sold at Christie's, December 4, 1906, A proof before any inscription is in the British Museum. It appears from Charles Turner's Diary and Work Book that he commenced engraving a portrait of Lord Courtenay, December 31, 1799, was working upon it during January, and finished it February 4, 1800. And the following entries occur in the diary: Feb. 18, 1800, "R" a Note of Mr. Murphy, 3 weeks 15. 15. o." March 14, "R** Mr, Murphy's Bill 15. 15. o." "Lord Courtenay 10 days Satd=^ Ap' 25, 1801." April 27, "Lord Courtenay." May 17, "Carried home L** Courtenay." It would therefore appear that Charles Turner engraved the plate for Murphy, and Murphy's name was inscribed upon it as that of the engraver. 74 CATALOGUE OF PORTRAITS CROMWELL, ELIZABETH. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 444. CROMWELL, OLIVER. See PORTRAITS OF ROYAL PERSONAGES. No. 472. CROWLE, CHARLES. See DILETTANTI SOCIETY. No. 159. CUMBERLAND, GEORGE CLIFFORD, EARL OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 445. 145. CUMBERLAND, GEORGE FREDERICK, 2nd DUKE OF. ^ Born 1 81 9, died 1878. Succeeded as 2nd Duke of Cumberland, and to the Crown of Hanover, as King George V, Novr. 18, 1851. Deposed by Prussian decree, Septr. 20, 1866. General in the British Army 1876. To waist, a boy, dir. and facing very slightly towards 1. ; straight hair, coat with low neck, edged with lace; neither hand seen; curtain in background. The portrait is surrounded by a border of engraved lines. Inside border, 9 by 7^. Before any inscription. Mr. H. W. Bruton. In fine upright upper and lower lettering: " Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open gothic with flourishes: " Prince George." In fine script: "Son of their Royal Highnesses The Duke & Duchess of Cumberland." In fine upper and lower italics: "London, Published July 19. 1825, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 146. CURWEN, JOHN CHRISTIAN. After J. J. Halls. Born 1756, died 1828; agriculturist. High Sheriff and M.P. for Cumberland; M.P. for Carlisle; writer on agriculture and the Poor Laws. Died at Workington Hall, Cumberland. To knees, standing, dir. f , facing slightly 1. ; frill, plain dark dress, seal hanging from fob; arms by his sides, 1. hand holding paper lettered " Ele6l'* for the City [This word seems to have been altered on the plate so as to appear as an abbreviation of Countyl of Cumb^ and City of Carlisle March 1820"; r. hand on book on table 1., on which lie ink-bottle, two pens, paper and letter addressed "J. C. Curwen, Esq." i6f by 13. Before any inscription. Mr. J. Charrington. In fine upright upper and lower lettering: "Painted by J. J. Halls. Engraved by C. Turner." In fine upper and lower italics: "London, Published Nov"' 8, 1820, by M'' Turner, 50, Warren Street, Fitzroy Square." B.M.; C. 147. CURWEN, JOHN CHRISTIAN. Jfter J. J. Halls. To waist, sitting, dir. and facing slightly r. ; white neckerchief, plain dark coat with high collar and fastened by one button; r. hand just seen at foot of subject. I If by9|. In fine upper and lower italics: "I. J. Halls pinx* C. Turner sculp'." In light open upright capitals: "John Christian Curwen Esq"" M.P." In fine upper and lower italics: "London: Publish'd May 7. 1809, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; Mr. H. W. Bruton. 148. DALRYMPLE, SIR HEW WHITEFOORD, BART. After J. Jackson. Born 1750, died 1830; general. Knighted, 1779; created a baronet, 1815, 75 CHARLES TURNER, A.R.A. To waist, dir. and facing very slightly r., looking f.; bareheaded, frill, uniform with military cloak over. io|^ by 8|^. In fine upright upper and lower lettering: "J. Jackson, Esq. R.A. pinx* 1829, C. Turner, A.R.A. sculp*" In light open gothic, with flourishes: "General" In light open upright capitals: "Sir Hew Whiteford Dalrymple, Bar'." In fine upper and low^er italics: "London, Published for the Proprietor, Jan^ 24, 1831, by M"' Turner, 50, Warren Street, Fitzroy Square." To r., in fine italics: "Proof." B.M.; C; Mr. H. W. Brum. 149. DALTON, JOHN, F.R.S. After J. Lonsdale. Born 1766, died 1844; natural philosopher. Published a number of his writings. To waist, dir. f., facing towards 1.; spedlacles, white neckcloth, dark coat and vest; r. arm on block to 1., r. fingers placed within waistcoat. 10 by 8|^. Engraved on steel. In fine upright upper and lower lettering: "Painted by J. Lonsdale, Esq"'" Engraved by C. Turner, A.R.A." In light open upright capitals: " D"" Dalton, F.R.S." In fine script: " President of the Literary & Philosophical Society, Manchester, &c. &c. &c." In light open gothic: "From a Pidlure in the possession of J. Thomson, Esq." In fine upper and lower italics: "London, Published Oftober l, 1834, by M' Turner, 50, Warren S' Fitzroy Sq"'^ Mess" Colnaghi, Son & C° Pall Mall East; & M"" Grundy, Exchange St. Manchester." To 1., in fine italics: "Proof." B.M.; C; Mr. H. W. Brum. C. Turner sale catalogue mentions " artist's proofs," " proof prints," and " prints ". DALYELL [DALZELL], THOMAS. See PORTRAITS OF ILLUS- TRIOUS CHARACTERS. No. 446. 1 50. DANCE, SIR NATHANIEL. After R. Westall. Born 1748, died 1827. Commander under the East India Company; knighted 1804. To waist, dir. f., facing towards 1.; powdered hair, white neckerchief, uniform, coat fastened by one button. i if by 9!^. Fine impression with inscription space masked. B.M. I. In light open upright upper and lower lettering: " R. Westall Esq'' R.A. pinx' C. Turner sculp'." In light open upright capitals: "Sir Nathaniel Dance," In fine script: " To the Society of East India Commanders, This Print is respeftfully dedicated by their oblig'd & obed' Serv' Rob' Cribb." In fine upper and lower itahcs: " London Published July 24, 1805, by R. Cribb, 288, Holborn." Mr. H. W. Bruton; Mr. E. Layton. II. The inscription strengthened and made thick and thin; the open upright capitals partly filled in. F. and A. 151. D'ARBLAY, FRANCES. After E. Burney. Fanny Burney. Born 1752, died 1840; writer. Married General D'Arblay, 1793. Published "Evelina," 1778; "Cecilia," 1782; "Camilla," 1796; "The Wanderer," 18 14. Her " Diary and Letters " were published, 1842-6. Fully to waist, sitting, dir. and facing towards r. ; dark hat with feathers, powdered hair, white stomacher; hands crossed in lap. by I. In fine upright capitals: " Painted by E. Burney, Esq. Engraved by C. Turner, A.R.A." In fine upper and lower italics: "London, Published May i6'*' 1840, for the Proprietor, by Mess" Paul, Dominic Colnaghi & C° N° 14, Pall Mall East." B.M.; V. and A.; Mr. H. S. Theobald, K.C. 76 CATALOGUE OF PORTRAITS II. With additional inscription. In slightly thick and thin script: " Madame d'Arblay." In small fine italic capitals: "From a pifture painted in 1782." C.; Mr. H. W. Bruton. C. Turner sale catalogue mentions "artist's proofs", "proofs before letters" and "prints". 152. DAVENPORT, WILLIAM YELVERTON. After Thomas Weaver. Born 1750, died 1834. W.L., sitting, dir. towards r., looking f.; dark coat, light waistcoat and trousers; arms resting on arms of chair, handkerchief in r. hand; light greyhound looking up in his master's face, dark greyhound beneath chair; table r. with inkstand, pen and letter upon it, curtain and fluted pillar in background. Arms in centre of inscription space, motto : " Audaces Fortuna Juvat," 24^ by 1 7f . Engraved on copper. In fine upright upper and lower lettering: "Painted by Thomas Weaver. Engraved by C. Turner A.R.A." In fine script: "To the Members of the Morfe Coursing Club, and other Lovers of the Leash, this Print of." In light open upright capitals: "William Yelverton Davenport Esq™ Of Davenport House, Shropshire." In fine script: "Father of the Morfe, & Member of the Ashdown Park Derbyshire, and other Coursing Clubs, this Print is by permission respeftfully inscribed, by their Obliged Humble Servant, Thomas Weaver." In light open upright upper and lower: "Published March 31^'^ 1832, by Thomas Weaver, Shrewsbury." To r., in fine italics: "Proof". B.M. DAVISON, MARIA REBECCA. See DUNCAN. 153. DAVY, SIR HUMPHRY. After H. Howard. Born 1778, died 1829; natural philosopher. Created baronet 181 8; President of the Royal Society 1820. Celebrated as the inventor of the safety lamp 181 5. To waist, sitting, dir. and facing f.; rough hair, frill, dark dress; 1. elbow on table r., 1. hand closed and raised to chin. by 4I-. Frontispiece to " Memoirs of the life of Sir Humphry Davy, Bart.," by John Davy, 1836. Before any inscription. B.M. I. In fine upright upper and lower lettering: "Painted by H. Howard, Esq. R.A. En- graved by C. Turner, A.R.A." In fine script: "Sir Humphry Davy, Bar*." In fine upper and lower italics: "London, Published Nov'' 21, 1835, t>7 Mess" Longman, Rees, Orme, Brown, & C° Booksellers, Paternoster Row." B.M. II. The title erased. Instead, in facsimile of autograph: "H. Davy" In light open up- right lettering: " ./Etatis xxiii." Memoirs of Sir H. Davy. 154. DE BLAQUIERE, JOHN DE BLAQUIERE, ist BARON. After y. y. Masquer'ier. Born 1732, died 1812. Secretary to the Lord Lieutenant of Ireland 1772-1777; created a baronet 1784; elevated to the peerage of Ireland 1800. To waist, dir. slightly 1., facing towards r., head uncovered, robes, star with motto : "Tria Junda In Uno," collar and badge; r. hand to breast holding cloak. Three bordering lines round subjedl. gi. by 8|^. Engraved on copper. I. In light open upright upper and lower lettering: "Painted by I. J. Masquerier En- graved by C. Turner" In fine upper and lower italics under centre of subjeft: " Published 77 CHARLES TURNER, A.R.A. July I. 1803. by C. Turner, N° 50, Warren Street, Fitzroy Square." In fine script: " lohn Lord de Blaquiere." B.M.; Mr. H. W. Bruton. II. The script lettering of title made very slightly thick and thin. C. DENHAM, MARGARITE (BROOKE), LADY. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 447. 155. DENMAN, THOMAS DENMAN, ist BARON. After J. J. Halls. Born 1779, died 1854. Solicitor-General to Queen Caroline 1820 ; drafted the Reform Bill; Lord Chief Justice 1832; resigned 1850. To waist, dir. and facing very slightly towards 1.; high shirt collar, frill, plain coat buttoned over light waistcoat. A stippled background to the portrait, which is in the centre of a plate. Plate size, 13!^ by 10. Stipple Engraving. In fine upper and lower italics: "J. J. Halls, pinx* C. Turner, sculp* " In open upright thick and thin capitals: "Thomas Denman Esq"" M.P." In thick and thin script: " Her Majesty's Solicitor General. To Thomas Denman Esq'" this Print is Inscribed by his Sincere Friend J. J. Halls." In fine upper and lower italics: "London, Pub Oft'' 3, 1820, for the Proprietor by M"" Turner, 50, Warren S' Fitzroy Square, & M'' Molteno, Printseller, Pall Mall." BM. C. Turner sale catalogue mentions " proof prints," and " prints 156. D'EON DE BEAUMONT, CHEVALIER. Born 1728, died 1810. The famous chevalier, the secret of whose sex was preserved until his death. Minister from France in London ; pensioned by the French Govern- ment on condition that he wore women's clothes. Towards the end of his life earned a livelihood by exhibitions of fencing. There is a stipple engraving by V. M. Picot representing the " Fencing-Match which took place between Mademoiselle La Chevaliere D'Eon de Beaumont and Monsieur de Saint George, on the 9*** of April, 1787, at Carlton House," in the presence of the Prince of Wales. A stipple engraving from a mask placed upright in profile to 1. The mask has a slight background, the rest of the plate remaining blank. Plate size, 9 by 7. Stipple Engraving. In open upright thick and thin capitals : " The Chevalier D'Eon." In thick and thin script: "Engraved by C. Turner from the Cast taken May 24* 1810, in the presence of I. C. Carpue Esq'' & D'' Pearson." In small upper and lower italics: "London, Pub- lished June 29* 1 8 10, by C. Turner 50. Warren Str*. Fitzroy Square." B.M. Charles Turner engraved a portrait of Joseph Constantine Carpue mentioned in the inscription. DERBY, CHARLOTTE, COUNTESS OF. See PORTRAITS OF ILLUS- TRIOUS CHARACTERS. No. 448. DE SAUMAREZ, JAMES SAUMAREZ, ist BARON. See BRENTON'S NAVAL HISTORY. No. 62. 157. DEVONSHIRE, W^ILLIAM SPENCER CAVENDISH, 6th DUKE OF. After George Sanders. Born 1790, died 1858, Succeeded to the dukedom 181 1; Ambassador to St. Peters- burg 1826; Lord Chamberlain 1827-28 and 1830-34. 78 CATALOGUE OF PORTRAITS To knees, a youth, standing, dir. towards f., facing slightly r.; fancy costume; r. hand holding cloak which passes round back and over 1. arm; curtain to 1., trees in distance to r. i6 by I2f. In fine script lettering: "Painted by George Sanders. Engraved by Charles Turner. William Spencer, Duke of Devonshire." In fine upper and lower italics: "London, Published March 17. 1813, by C. Turner, Warren Street, Fitzroy Square." B.M.; C; Mr. L. B. Mozley. 158. DICKSON, ROBERT, D.D. After Sir H. Raeburn. Died 1 824, aged 66. Nearly w.l., sitting, dir. slightly r., looking f.; white hair, bands, black gown over plain dark dress; arms resting on arms of chair; books and papers on table r., curtain overhead and to 1. 16^ by I2|^. In fine upright upper and lower lettering: "Painted by Henry Raeburn Esq"" R.A. Engraved by Cha' Turner." In fine script: "Robert Dickson D.D. First Minister of South Leith." In fine upper and lower italics: "London, Published May 20"* 1822 for the Proprietor by C. Turner 50 Warren Street, Fitzroy Square." B.M.; C. The original pifture, which was exhibited at the Raeburn Exhibition in Edinburgh, in 1876, belongs to the Kirk Session of South Leith. DIGGES, SIR DUDLEY. See PORTRAITS OF ILLUSTRIOUS CHAR- ACTERS. No. 449. 159. DILETTANTI SOCIETY. Jfter Sir J. Reynolds. A group representing Lord Mulgrave, Lord Dundas, Lord Seaforth, Honble. Charles Greville, Charles Crowle, Duke of Leeds and Sir Joseph Banks at a table, drinking wine and examining finger rings; curtain in background to r., pillars to 1. i8f by I4f. "Before any letters." Dr. Hami/ton's catalogue. I. In slightly thick and thin script lettering: "Sir Joshua Reynolds pinx' Turner sculp." Under subjeft, from 1. to r., in same lettering: "Lord Mulgrave. Lord Dundas. Lord Seaforth Hon''''' Charles Greville. Charles Crowle Esq'' Duke of Leeds. Sir Joseph Banks." B.M.; C; V. and A,; Sir Walter Gilbey. II. Modern impression. C The plate is still in the possession of the Dilettanti Society. A second plate of Members of the Dilettanti Society was engraved by William Say. 160. DINGWALL, JOHN. Jfter J. Opie. Third son of William Dingwall of Brucklay, and Anna Gordon; carried on business of a jeweller in London; succeeded to the family estates in 1803; married Patience Huddart; had no family. He left over ^250,000 in trust and invested in land round the family place. Lived chiefly at Croydon, where he was buried. Nearly to knees, sitting; dir. and facing f.; rough bushy hair, plain dark dress; arms resting on arms of chair, spedtacles in 1. hand. I2f by 10. In light open upright upper and lower lettering: "Painted by J. Opie Esq"" R.A. En- graved by C. Turner Warren Str' Fitzroy Sq''." In fine script: "John Dingwall of Brucklay Esq""." In light open upright upper and lower: "Born 22 January 1724, Died 28 May 18 1 2." In fine upper and lower italics: " Published September 4, 18 12, London." To r.: "Proof" B.M. 79 CHARLES TURNER, A.R.A. i6i. DINGWALL, JOHN. After J. Holmes. Born 1 815, died 1840; only son of John Dingwall and Mary Gordon. Took the name of DufF on succeeding to Corsindae in Aberdeenshire, and always known as John DufF Dingwall. Married, September 14, 1837, Fanny Bridges, daughter of Sir Henry Bridges of Beddington House, Surrey, and is supposed to have been murdered by his valet, in Carlisle, October 26, 1840. W.L., a boy, standing, dir. and looking f.; Highland costume, plumed bonnet, r. foot crossed over 1., 1, hand to w^aist; head leaning on r. arm which rests on trunk of a tree ; flowers, thistles, etc., in foreground, trees and hills in distance to 1. ; the portrait is surrounded by a frame of lines. At foot a stag surrounded by a Garter inscribed " In Arduis Fortis." Inside frame, 8f by b\. Preliminary etching. C. Turner sale catalogue (14 impressions). Before the stag and garter, and before any inscription. Mr. S. S, Savery. In fine upright upper and lower lettering: "J. Holmes Esq"" pinx* C. Turner sculp*." In fine script: "John Dingwall Younger [this word in light open upright capitals] of Brucklay, Born at Brucklay Castle, 11. Oftober, 181 5." In fine upper and lower italics: "London, Published Dec"" 15. 1819, by C. Turner, 50 Warren Street, Fitzroy Square." B.M. The original painting is in the possession of Mr. J. H. Bridges, Ewell Court, near Epsom. 162. DONEGALL, GEORGE AUGUSTUS CHICHESTER, 2nd MAR- QUESS OF. After J. J. Masquerier. Born 1769, died 1844. K.P.j Lord Lieutenant of the County of Donegal. W.L., standing, dir. very slightly 1., looking f.; peer's robe over plain dark dress, breeches, stockings, shoes; 1. arm at his side, hand drawing back robe, r. hands on papers on table 1. where also lie books, ink-bottle, and pen; curtain overhead, tops of trees in distance to r. The subjeft covers the whole plate. 24 by 14^. Engraved on copper. I. At foot of subjedl, in fine script lettering: "J Masquerier pinx* C. Turner sculp*." In light open upright capitals: "Marquis of Donegall." In fine upright upper and lower: "Published December, i, 1800, by C. Turner, 56 [w] Warren Street, Fitzroy Square." C; Dr. J. S. Joule. II. The inscription strengthened and made thick and thin; the upright capitals filled in. B.M. First mentioned in C. Turner's diary, July 20, 1800: "Outline L'' Donegall." 163. DONKIN, ARMORER. After James Ramsay. Nearly w^.L, sitting, dir. towards r., looking f.; plain dress, pin in neckerchief; arms resting on arms of chair, r. hand holding letter ; corner of cloth-covered table seen to 1. I4f by In fine upright upper and lower lettering: "Painted by James Ramsay, Esq. Engraved by C. Turner, A. R. A." In fine script: "Armorer Donkin, Esq™." In facsimile of auto- graph: " Armorer Donkin " In fine upper and lower italics: "London, Published April Iff" 1845, for the Proprietor, by C. Turner, N°. 50, Warren St. Fitzroy Square." B.M. DUCKWORTH, SIR JOHN THOMAS. See BRENTON'S NAVAL HIS- TORY. No. 61. 80 AUGUSTUS, THIRD DUKE OF GRAFTON 1805 AFTER HOPPNER CATALOGUE OF PORTRAITS 164. DUNCAN, ADAM DUNCAN, ist VISCOUNT. Jfter D. Orme. Born 1 73 1, died 1804; admiral. Defeated De Winter, the Dutch Admiral, at the Battle of Camperdown, 1797, in which year he was created a Viscount. W.L., standing on deck of man of war, dir. towards f., facing more towards r.; bareheaded, naval uniform, shoes, sash, sword, star, medal suspended from neck, frill, rufFs; telescope in r. hand, 1. arm extended, finger pointing to r.; man behind him; ships in distance to 1. 24^ by 18. In thick and thin upper and lower script lettering: " D. Orme Pinx* Orme Exec** Turner Sculp* Lord Viscount Duncan. Sold & Publish'd March i'* 1798 by M"" Orme 23 Holies Street Cavendish Sq"^ & E. Orme 25 Conduit St* Hanover Sq<"' BM. Dec. 28, 1797, "Began L'' Duncan." June 20, 1798, "Began relaying the head of Lord Duncan. Went to Mr. Orme's to work on it." — C Turner diary. 165. DUNCAN, MARIA REBECCA. After G. H. Harlow. Born about 1780, died 1858; aftress. While quite young played children's parts in the Provinces; performed at Drury Lane from 1804. The print may represent her as "Juliana" in the " Honeymoon," a part she created in 1805. Married James Davison, Oftober, 1 812. Fully to waist, sitting, dir. and facing f.; hair dressed close, low-necked dress with high waist and short sleeves, brooch at bosom, waistband; part of archway in back- ground to 1. The subje6t is surrounded by a plain wide aquatint border. lof by 9. I. In fine script lettering on border under centre of subjeft: "Miss Duncan Engraved by C. Turner from a Picture by G H Harlow." Beneath border, in fine italic upper and lower lettering: "London, Published Feb'' 11. 1809, by John P. Thompson, G' Newbort [sic] Street, Printseller to His Majesty, and the Duke & Duchess of York." B. M.; Mr. H. W. Bruton. II. The script lettering strengthened so as to become thick and thin. Netvbort corrected to "Newport." C; Mr. Burdett-Coutts. A smaller print of this subjedl, engraved by J. Rogers, is entitled "M"'* Davison, as 'Julia.'" 166. DUNDAS, LAWRENCE, LORD; HARRIOT LADY DUNDAS; and JOHN CHARLES DUNDAS. Jfter C. W. Pegler. Lawrence Dundas (born 1766; died 1839) succeeded as 2nd Baron Dundas in 1820, and was created Earl of Zetland, 1838. He married Harriot, 3rd daughter of General John Hale, in 1794. She died in 1834. John Charles Dundas was their fourth and youngest son, born 1808, died 1866. Lady Dundas sits on 1. wearing wide hat trimmed with feathers, and a large lace collar; she holds a drawing on lap with 1. hand, and glasses in r.; Lord Dundas sits on r.; faces to 1. and holds a snuflF box in 1. hand; John Charles Dundas stands behind Lord Dundas, leans with 1. arm on pedestal, and holds a high hat in 1. hand. 13^ by iif. Engraved on steel. In fine upright upper and lower lettering: "Painted by C. W. Pegler. Engraved by C. Turner A.R.A." In light open upright capitals: "Harriot Lady Dundas, Lawrence Lord Dundas, and the [these two words in fine script] Hon"''' John Charles Dundas." In fine upper and lower italics: "London, Published March 8, 1832, by M'" Turner, 50, Warren Street, Fitzroy Square." B.M. DUNDAS, LORD. DILETTANTI SOCIETY. No. 159. 81 M CHARLES TURNER, A.R.A. 167. DUNDAS, THOMAS, ist BARON. After Sir T. Lawrence. Born 1 741, died 1820. Lieutenant and Vice-Admiral of Orkney. To waist, dir. f., facing slightly r.; gray hair, white neckerchief, frill, dark buttoned coat. I It by 9i. Engraved on copper. Before any inscription. B.M. In fine upright upper and lower lettering: "Painted by Sir Tho* Lawrence P.R.A, Principal Painter in Ordinary to His Majesty. Member of the Roman Academy of S' Luke & of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square." In fine script: " Tho^ Lord Dundas ^tatis 78." In fine upper and lower italics: "London. Published, February. 14*'' 1822, by C.Turner, 50, Warren Str* Fitzroy Square." Mr. E. Layton. DUNDONALD, THOMAS COCHRANE, ioth EARL OF. See COCHRANE. 168. DUNLOP, ROBERT BUCHANAN. After J. Jackson. Born 1757, died 1837. To knees, standing, dir. f., facing towards r.; nearly bald; uniform, sash passing over 1. shoulder; 1. hand on hip and holding gloves; r. hand on drawn sword; background of clouds. 151 by iif. Engraved on copper. Before any inscription. Note by Mr. f. Charrington. In fine upright upper and lower lettering: "Painted by J. Jackson Esq"" R.A, Engraved by C. Turner Member of the American Academy of Fine Arts." In fine script: "Lieut* Colonel Robert Buchanan Dunlop, of the Light Horse Volunteers of London and Westminster." In fine upper and lower italics: "London, Published June 2, 1823, by M'' Turner 50 Warren Street, Fitzroy Square." B.M. 169. DUPPA, RICHARD. After H. Edridge. Born 1770, died 1831; biographer. Published "The Life and Literary Works of Michael Angelo Buonarotti," in 1806. Nearly w.l., sitting, dir. towards f., facing towards r.; dark dress and stockings, black gown; reading glass suspended from neck; 1. knee crossed over r., r. arm on arm of chair, pen in hand, 1. elbow on table to r. on which are books and writing materials, roll of paper in 1. hand; curtain in background. Arms in centre of inscription space. 9f by 7|. Masked impression. Sale at Sotheby^s, May 20, 1905. I. In fine upright upper and lower lettering: " H. Ederidge [«V] Esq' Pinx* C. Turner Sculp*" In partly filled-in gothic: "Richard Duppa, L.L.B." In fine upper and lower italics: "London, PubHshed Nov"" 18. 1819, by C. Turner, 50, Warren S* Fitzroy Square." B.M.; C; Mr. H. W. Bruton. II. The painter's name correfted to " Edridge." Mr. F. B. Daniell. 170. DUPUIS, THOMAS SANDERS. After J . Russell. Born 1733, died 1796; organist to the Chapel Royal, 1779-96; Mus. Doc. Oxon., 1790. 82 CATALOGUE OF PORTRAITS To waist, dir. towards 1., looking f.; wig, bands, musical doctor's gown; a single stippled line surrounds the subjedl. 8|- by 6|-. In thick and thin script lettering: "J.Russell R.A. pinx* C.Turner sculp'^ T. S. Dupuis, Mus. Doc. Oxon; Organist & Composer to his Majesty. Engraved from the original Pidlure In the Possession of S'' Cha* Grave Hudson Bar^" In thick and thin upper and lower italics: "Published April 29"' 1797, at N" 331, Oxford Street." B.M.; Mr. H. W. Brum; Mr. L. B. Mozley. 171. DURHAM, JOHN GEORGE LAMBTON, ist EARL OF. After Sir T. Lawrence. Born 1792, died 1840. Lord Keeper of the Privy Seal 1 830-1 833; Trustee of the British Museum 1830-1833; Governor-General of Canada 1838. To waist, dir. slightly 1., facing slightly r.; coat edged with fur, cloak (with chain on 1. shoulder) thrown loosely round him and held in f. by 1. hand; ring on 1. little finger; pillars in background, tree in distance to 1. io|- by 8f. Engraver's unfinished proof, with rough edges. C Before any inscription. B.M.; C. I. In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence En- graved by C Turner A R A" In fine upright upper and lower: "London Published April 28**" 1 83 I by Colnaghi Sen"" Dominick Colnaghi & C° Printsellers to their Majesties and the Royal Family Pall Mall East " [the last three words in capitals]. Sak at Christie's, March 28, 1905; Mr. E. Lay ton. II. With additional inscription. In light open upright capitals: "The Right Hon'''® John George Lord Durham," In fine script: "Lord Privy Seal " In open upright: "&c. &c. &c." To r., "Proof" B.M.; V. and A.; Mr. H. W. Bruton. III. The whole of the title erased. Instead, in thick and thin script: " The Right Honor- able John, George," In open upright thick and thin capitals: "Earl of Durham, &c. &c. &c." The word Pm/ erased. B.M. DYSART, LOUISA (TOLLEMACHE) COUNTESS OF. See MANNERS. 172. EBRINGTON, HUGH VISCOUNT. After J. Ramsay. Born 1783, died 1861. M.P. for Buckingham and Devonshire, 1812-1839; Baron Fortescue, 1839; Lord Lieutenant of Ireland, 1 839-1841 ; succeeded as 2nd Earl Fortescue, 1841. To waist, sitting, dir. slightly r., facing and looking towards 1,; slight side whiskers, plain dress; r. arm placed across back of chair; curtain in background. i if by 9^. Engraved on steel. In fine upright upper and lower lettering: "Painted by I. Ramsay Esq™ Engraved by C. Turner. A.R.A." In fine script: " Hugh Viscount Ebrington. &c. &c. &c." In fine upright upper and lower: "London, Published Jan^ 23. 1835. by M"" Turner 50. Warren Street Fitzroy Square & Mess''^ Domenic \sic\ Colnaghi & C° Pall Mall East." B.M; C. 173. EBRINGTON, HUGH, VISCOUNT. Nearly to waist, dir. and facing in profile to r. Plate size, 8|^ by 7f . Engraved lightly in stipple. In fine script lettering: " Lord Viscount Ebrington. Engraved by C. Turner from an original Drawing." In fine upper and lower italics: "Published July 24. 1 8 16, by C. Turner, Warren S' Fitzroy Square, London." B.M. 83 CHARLES TURNER, A.R.A. 174. EDMONSTONE, SIR ARCHIBALD. After J. Hoppner. Born 1718, died 1807. Created a baronet, 20 May, 1774. M.P. for Dumbarton county, and the Ayr and Irvine burghs, 1 761-1795. Fully to waist, sitting, dir. slightly 1., looking f. ; powdered hair, frill, dark coat; arms resting on arms of chair, 1. arm holding hat to body; curtain background. In 1. lower corner of subje£l, scraped: " aet: 89: 1807" Arms in centre of inscription space, motto: "Virtus Auget Honorem." 12 by 9|-. In fine upper and lower italic lettering: "J. Hoppner Esq"" R.A. pinx* C. Turner sculp*. In light open italic capitals: " Sir Archibald Edmonstone " In fine script: "ofDuntreath Bar' Stirlingshire." In fine upper and lower italics: "London, Published June 14, 1807, by C. Turner, N° 50, Warren Street Fitzroy Square." B.M.; C. 175. EGAN, PIERCE. Jfter George Sharpies. Born 1 772, died 1849. Author of " Life in London " and numerous other social works. "Life in London" was published in 1821. Nearly w.l., sitting, dir. r., facing towards f.; dark dress, r. knee crossed over 1., r. hand holding paper on knee, 1. elbow on table to r., on which lie papers, inkstand and pen, 1. hand raised to temple; shelves with books in background to 1. 10^ by 8|^. I. In fine upright upper and lower lettering: "Drawn by George Sharpies. Engraved on Steel by C. Turner." In light open upright capitals: "Pierce Egan," In fine upper and lower italics, and fine upright capitals: "Author of Life in London; Tom and Jerry, a Musical Drama; Boxiana; Pifture of the Fancy, &c." In fine upper and lower italics: "London, Published by P. Egan, Feb. i, 1823, at 71, Chancery Lane." B.M. II. All inscription beneath name of personage erased. Instead, in fine upright capitals, and fine upright upper and lower lettering: "Author of the Original Works of Life in London, also Tom and Jerry, Life of an Aftor, Trip to Ascot Races, Boxiana; Show Folks, Walks through Bath, Book of Sports, &c. &c. and Life in Dublin, produced at the Theatre Royal, Hawkins Street, Dublin, on Tuesday, Feb'' 18. 1834, with the most decided success. Printed for Pierce Egan, Jun"" June i*' 1832, 4, Paget Place, Waterloo Road, London." C; V. and A.; Mr. H. W. Bruton. 176. EGERTON, WILLIAM TATTON EGERTON, ist BARON. After John Bostock, Born 1806, died 1883. M.P. for Lymington; and afterwards for twenty-six years one of the members for Cheshire. Raised to the peerage May 15, 1859. To knees, standing, dir. towards f., facing towards r.; side whiskers; plain dark dress; r. hand placed within waistcoat, 1. hand placed on table to r.; curtain to 1. Crest in centre of inscription space. 16^ by I2|^. I. In fine upright capitals: "Painted by M' John Bostock. Engraved by C. Turner, A.R.A. Published by Thomas Agnew, Repository of Arts, Exchange St. Manchester, Nov' 5. 1839." Towards r., in facsimile of autograph: "W Tatton Egerton " C II. The date of publication altered to: "Sept' i^* 1840." B.M. 177. EGREMONT, GEORGE O'BRIEN WYNDHAM, 3RD EARL OF. After William Derby. Born 1 75 1, died 1837; art patron; one of the first to appreciate J. M. W. Turner. Among other artists whom he encouraged were Flaxman and Constable. A Vice- President and Director of the British Institution. Nearly w.l., sitting, dir. and facing towards r.; light waistcoat, open coat, dark breeches, striped stockings; r. arm on arm of chair, spectacles in r. hand, 1. arm on table r., on which lie writing materials and a letter addressed: "To The Earl of Egremont Lord 84 CATALOGUE OF PORTRAITS Leiutenant [sic] County Sussex"; letter in 1. hand commencing "My Lord," and dated " London Jan^ 1825 "; dog to 1. with his forepaws on seat of chair and looking up into his master's face. i6f by 131 Before any inscription, and before the words on letter in 1. hand or on the one on table. B. M.; C. In light open upright upper and lower lettering: *' Painted by William Derby Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty " In fine upper and lower italics under centre of subje6l: "Published Dec"" i. 1825. by John Phillips, Petworth, Sussex " C. ELDIN, LORD. See CLERK, JOHN [LORD ELDIN]. ELIZABETH, QUEEN. See PORTRAITS OF ROYAL PERSONAGES. No. 467. 178. ELLENBOROUGH, EDWARD LAW, ist BARON. After Sir T. Lawrence. Born 1750, died 18 18. Leading counsel for Warren Hastings; Lord Chief Justice of England and created Baron Ellenborough, 1802. Nearly w.l., sitting, dir. towards f., facing towards I.; long wig, bands, judge's robes, chain; r. arm on arm of chair, 1. hand on desk to r.; curtain in background. Arms in centre of inscription space, motto: " Compositum Animi Jus Pasqui." i7t by I3|. I. In fine upper and lower italic lettering: " Painted by T. Lawrence Esq'' R.A. Principle [sic] Painter in Ordniary [jzV] to his Majesty. London Published by R. Cribb, 288 Holborn. Jan^ 2. 1809. Engraved by Charles Turner." In light open upright capitals: "Edward Lord Ellenborough " B.M.; V. and A. II. In inscription of painter, Principle corrected to " Principal," and Ordniary changed to "Ordiniary." Mr. H. S. Iheobald, K.C. 179. ELLISTON, ROBERT WILLIAM. After G. H. Harlow. Born 1774, died 1831; adlor and manager. He had a varied career as an a£lor; per- formed at Bath, and at the Hay market, Covent Garden and Drury Lane Theatres; created Drury Lane's reputation for elaborate scenery. To waist, dir. towards I., looking f.; rough hair, white neckerchief, fur edged coat. Beyond the subjedl is a wide border of very light aquatint. Dimensions of subjedl: loi by 8f. Outside dimensions of border: I5f by iif. Before any inscription. B.M. I. In thick and thin script lettering on aquatint border: "Elliston. Engraved by C. Turner, from a Picture by G. H. Harlow." In fine italics immediately under border: "London, Published July g*** 1808, by John P. Thompson G* Newport Street Printseller to His Majesty and the Duke & Duchess of York." B.M.; C; Mr. H. W. Bruton; Mr. Burdett-Coutts. II. The aquatint border removed. F. and A. 180. ELPHINSTONE, MARGARET MERCER. After Geo. Sanders. Born 1788, died 1867. In 181 7 married Auguste Charles, Comte de Flahault de la 85 CHARLES TURNER, A.R.A. Billarderie during his exile in this country. She was heiress to her father, Lord Keith, and succeeded to the peerages of the United Kingdom and Ireland upon his death in 1823. eldest daughter Emilie married, as his second wife, Henry Thomas, 4th Marquess of Lansdowne, by whom she had two sons, the present Marquess of Lans- downe, and Lord Fitzmaurice, Nearly w.l., sitting, facing and looking f.; curls, turban, loose robes; leaning with both arms on ornamental circular table to 1.; curtain in background to r. i2|- by 16. Trial proof, head portion only. Mr. S. S, Savery. Before any inscription. Mr. H. S. Theobald, K.C.; Mr. E. E. Leggatt. In fine script lettering: "Painted by George Sanders. Engraved by Charles Turner. The Hon'''^ Margaret Mercer Elphinstone From a Pifture in the possession of George Keith Lord Keith, K.B. K.C. Admiral, &c. &c. &c." In fine upper and lower italics: "London, Published May 3. 181 3, by C. Turner, Warren Street, Fitzroy Square." B.M.; C. 181. ELPHINSTONE, MOUNTSTUART. J/ter Sir T. Lawrence. Born 1779, died 1859; Indian statesman. Governor of Bombay, 1819-27. PubHshed "An Account of the Kingdom of Caubul," 1815; and "The History of India," 1841. W.L., sitting on carved chair, dir. slightly r., looking f.; white waistcoat, dark coat and trousers, shoes; r. foot on stool, arms on arms of chair, 1. hand holding letter; table to 1. on which lie inkstand and paper, two books beneath table, one lettered " Affairs of India Vol. II."; high hat on floor to r., Indian landscape in distance to r. 24! by i6i. Before any inscription. B.M.; C. In fine upright upper and lower lettering: " Engraved by C Turner A R A " In light open italic capitals: "The Honorable Mount Stuart Elphinstone," In light open gothic with flourishes: "Governor of Bombay" In fine script: "From a Painting by Sir Tho^ Lawrence and M'' Simpson for the Bombay National Education Society 1833 " C; l^. and A. ( The impressions have been cut at bottom, and a publication line may have been cut off. ) 182. EMERSON, WILLIAM. After Sikes. Born 1701, died 1782; mathematician. Published a number of works upon subjedls connefted with his profession, astronomy, and navigation. To waist, an oval in a square, dir. and facing slightly r., looking f.; own hair, plain coat fastened at throat and waist and bulging open, showing shirt. ii|- by 9^. Engraver's unfinished proof; inscription space not quite cleaned. Truman Sale, April 27, 1906. Masked proof. Mr. H. W. Bruton. Before any inscription. V. and A. In light open upright upper and lower lettering: "Painted by Sikes Engraved by Turner" In light open upright capitals: "Emerson," In fine script: "Born 14"' May 1701 died 21^' May 1782." In fine upper and lower Italics: "London, Published 20'** June 1 81 2, by the Engraver N° 50, Warren Street Fitzroy Square." To r., in fine italics: "Proof" B.M.; C. 183. EMERY, JOHN. y^/ter De Wilde. Born 1777, died 1822; a£lor. Performed in the " Heir-at-Law " at the Haymarket in 1 800; joined the Covent Garden Company in 1801, and remained with it till his death. "The School of Reform; or How to rule a Husband," by Thomas Morton, was produced at Covent Garden with great success in 1805. 86 CATALOGUE OF PORTRAITS W.L., standing in a room with feet apart, dir. towards f., facing towards 1.; striped waistcoat, long light coat, top boots, hat in 1. hand; in a niche behind table in back- ground to 1. a figure of Justice. I9f by i5f . Engraved on copper. Before the engraver's name: Engraved by C. Turner. Mr. H. W. Bruton. I. In fine upper and lower italic lettering: "Painted by De Wilde. Engraved by C. Turner" In open upright capitals: " M"" Emery as Tyke" In fine script: "in the School of Reform." In fine upper and low^er italics: "London Published June 14. 1808, by C. Turner, N<* 50, Warren Street, Fitzroy Square " BM.; C. II. The script lettering strengthened and made slightly thick and thin. V. and A.; Mr. Burdett-Coutts. 184. ENGLEFIELD, SIR HENRY CHARLES. After T. Phillips. Born 1752, died 1822; antiquary. President of the Society of Antiquaries for a short time; published several works. Nearly to knees, sitting, dir. and facing 1.; white neckerchief, plain dark dress; arms resting on arms of chair, small circular obje6t in r. hand; vase and dish on table in background to 1., lattice window behind; portfolio leaning against chair in foreground to r. I2f by 9I-. Before any inscription. V. and A. In fine upright upper and lower lettering: "Painted by T. Phillips Esq'" R.A. Engraved by C. Turner, Warren Street, Fitzroy Square." In fine script: "Sir Henry Charles Englcfield Bar*" In fine upper and lower italics: "London, Published OQ^ 20. 1821, by M'' Turner, 50 Warren St' Fitzroy Square." B.M.; C; Mr. H. W. Bruton. 185. ERSKINE. THOMAS ERSKINE, ist BARON. After Sir T. Lawrence. Born 1750, died 1823; Lord Chancellor. Obtained the acquittal of Lord George Gordon, 1781; became Lord Chancellor and created Baron Erskine, 1806. To waist, dir. and looking f.; rough hair, dark buttoned coat, star; 1. arm extended. I If by 10. Masked proof, before the star. B.M. I. In very slightly thick and thin script: " Painted by T. Lawrence Esq'' R.i!\. Engraved by Cha^ Turner." In fine upper and lower italics: "London, Published Nov"" 26, 1806, by the Proprietor." C; Dr. J. S. Joule; Mr. H. S. Theobald, K.C. II. Star added on 1. breast. In light open upright capitals: "Thomas Lord Erskine." Line of publication erased; instead, in fine upper and lower italics: "London, Pub*^ May S*'' 181 5, by C. Turner, 50, Warren Street, Fitzroy Square." From C. Turner sale catalogue there appears to be a state with the star but before the title. 186. ERSKINE. THOMAS ERSKINE, ist BARON. To waist, sitting, dir. f., facing very slightly r.; long wig, lace cravat, chancellor's robe; curtain in background. iif by 9|^. In light open upright capitals: "The Right Honorable Thomas Lord Erskine." In fine script: "Lord High Chancellor of England." In fine upright capitals: "Published by E & A. Evans, 403, Strand, London, 1858." B.M. 87 CHARLES TURNER, A.R.A. 187. ESSEX, GEORGE CAPEL-CONINGSBY, 5TH EARL OF. After J. Hoppner. Born 1757, died 1839; M.P. for Westminster, 1779; for Lostwithiel, 1781; for Oak- hampton, 1784; succeeded as 5th Earl of Essex, 1799; D.C.L.; F.R.S. To knees, standing, dir. towards f., facing towards r.; peer's robe over dark coat; I. hand to hip, r. elbow on pedestal of circular pillar to L; branches of tree overhead, landscape in distance to r. I7f by I3f. Before any inscription. C; Mr. E. Layton. I. In fine upper and lower italic lettering: "Painted by I. Hoppner Esq"" R.A. 1806. Engraved by Cha^ Turner. London: Pub. Feb^ i. 181 2, by C. Turner, 50, Warren Street, Fitzroy Square " B.M.; C. II. Arms added in centre of inscription space. Title added in light open upright capitals: " George Earl of Essex " C. ESSEX, GEORGE, 5th EARL OF. See MALDEN. 188. ESSEX, SARAH, COUNTESS OF. Jfter Rt. Pagan. Daughter of Henry Bazett, of St. Helena. Married George, 5th Earl of Essex, 6 June, 1786; died 16 January, 1838. To waist, dir. and facing towards 1.; turban, long hair, earrings, necklace, light dress with lace edging, broad waistband, scarf loosely across 1. arm. lof by 9. In fine upright upper and lower lettering: " Fagan Pinx*^ a Romae 1790. C. Turner Sculp' 1 8 16." In fine upper and lower italics: "London, Pub"^ Aug* 28. 18 16, by C. Turner, Warren S* Fitzroy Square." BM.; Mr. H. S. TMa/d, K.C. An impression has been seen with the date " 1792 " after the word Romas. 189. EXMOUTH, EDWARD PELLEW, ist VISCOUNT. After Sir W. Beechey. Born 1757, died 1833; admiral. During a long naval service, behaved with distin£lion upon a number of occasions, for which he was knighted 1793; created a baronet 1796; elevated to the peerage 1814; and finally advanced to a Viscounty, 18 16, after his bombardment and destrudion of the fleet and arsenal of Algiers in that year. W.L., standing on deck of a ship, dir. towards f., facing slightly upwards to r.; uniform, two sashes, sword, orders; r. arm by his side, telescope in hand; 1. arm raised and ex- tended, issuing instructions as described in the inscription; cannon, cannon balls, and coil of rope to r., mast and rigging to 1.; a background of smoke. 23I by i6f. I. In fine upright upper and lower lettering: "Painted by Sir W" Beechey R.A. Painter to Her Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square." In fine upper and lower italics under centre of subjeft: "London, Published April i. 181 8. for the Proprietor by C. Turner, 50, Warren Street, Fitzroy Square." In light open upright capitals: "The Right Honourable Edward Lord Viscount Exmouth " In fine script: " Baron Exmouth of Canonteign, a Baronet & L.L.D. Admiral of the Blue Squadron of his Majesty's Fleet, Knight Grand Cross of the most Honourable Military Order of the Bath, Knight Grand Cross of the Royal Sicilian Order of Saint Ferdinand and Merit, Knight Grand Cross of the Military Order of Saint Maurice and Lazare of Sardinia, Knight of the most Honourable & Ancient Order of the Annunciation of Savoy and Sardinia, Knight Grand Cross of the Military Order of William of the Netherlands, and Knight Grand Cross of the Royal and distinguished Order of Charles the 3*^ of Spain, towards the close of the evening, ordering the sails of the Queen Charlotte to be hauled in, in con- sequence of the burning of an Algerine Vessel immediately under her stern." B.M.; C; Dr. J. S. Joule. 88 JOHN ROBISON, LL.D. 1805 AFTER RAEBURN CATALOGUE OF PORTRAITS II. A worn impression cut down to iji by iz^, showing the figure down to the knees; laid down to make it appear as from a metal plate 19^^ by 15. Round the subjeft two bordering lines. In fine upright upper and lower lettering: "Sir Beechey, R.A. London: Published by Welch & Gwynne, 24, S' James's Street, 1843. C. Turner, A.R.A." In fine script: "The R* Hon*"« Edward Lord Viscount Exmouth, G.C.B. &c. &c" C. 190. EXMOUTH, EDWARD PELLEW, ist VISCOUNT. After Sir T. Lawrence. To waist, dir. f., facing towards r.; white neckerchief, frill, naval uniform.- iif by 9f. I. In fine upright upper and lower lettering: "Painted by Tho' Lawrence Esq"^ R.A. Engraved by C. Turner." In fine script: "The Right Honourable Edward Pellew, Baron Exmouth [the word Exmouth in open italic capitals] & a Baronet, Knight Com- mander of the most Honourable Military Order of the Bath and of the Sardinian Order of S*^ Maurice & Lazare, Admiral of the Blue and Commander in Chief of the Mediter- ranean Fleet. From a pifture in the possession of Edward Hawke Locker Esq'' F.R.S. F.S.A." In fine upper and lower italics: "London, Published Odl*" 12, 1815 by Mess" Colnaghi & C° Cockspur Street, Haymarket." B.M.; V. and A. II. The inscription strengthened and made thick and thin. B.M.; C; Mr. H. W. Bruton. EXMOUTH, EDWARD PELLEW, ist VISCOUNT. See BRENTON'S NAVAL HISTORY. No. 63. FAIRFAX, ANNA (VERE), LADY. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 450. 191. FALDER, JO. After J. Sutton. To waist, dir. and facing towards r., looking slightly downwards; plain coat fastened by one button. 8 by 6|-. In fine upper and lower italic lettering: "Painted by J. Sutton. Engraved by C. Turner." In open upright thick and thin capitals: "Jo. Falder." In fine upper and lower italics: "Publish'd, Aug. 11, 1824, by M' Sutton, Rogerscale, Cockermouth, Cumberland." C. FALKLAND, LETITIA, VISCOUNTESS. See PORTRAITS OF ILLUS- TRIOUS CHARACTERS. No. 452. FALKLAND, LUCIUS CARY, 2nd VISCOUNT. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 451. 192. FANE, LADY CECILY JANE GEORGIANA. After Sir T. Lawrence. Youngest daughter of John, loth Earl of Westmorland, by his second wife Jane (mar- ried 1800) daughter of R. H. Saunders, M.D. Died December 4, 1874. W.L., a young girl, standing, leaning with her back against a bank, her toes just immersed in a stream, facing and looking upwards towards r.; arms, 1. shoulder, and legs bare, r. arm on tub beside her, 1. hand on bank; kid in water to r., landscape in distance to 1. I3-| by 9!^. Before any inscription. Note by Mr. E. O. Schneider. I. In small upright upper and lower lettering: "Painted by Sir Tho^ Lawrence, Principal Painter in Ordinary to His Majesty P. R.A. &c. &c. &c. Engraved by C. Turner, 89 N CHARLES TURNER, A.R.A. Mezzotinto Engraver in Ordinary to His Majesty." At foot of plate, in same lettering: "London, Pub'' March 20*'' 1826, by Hurst, Robinson & C Printsellers to His Majesty 5, Pall Mall." C. II. Line of publication erased. Instead, in fine upper and lower italics: "London, Pub- lished Jan^ I, 1828, by Mess" Colnaghi, Son & C° Printsellers to the King, Pall Mall East." B.M.; Mr. J. Charrington. III. With additional inscription. In slightly thick and thin script: " The Lady Georgiana Fane Daughter of The R* Hon""' the Earl of Westmorland" To r. in fine italics: " Printed by J. Lahee." BM. IV. The plate worn and retouched; a border of ruled lines added round subjedl. The title and line of publication erased; instead, in light open upright capitals, with a line along the centre of each letter: "The Bud of Promise." In fine upright capitals at foot of plate: "London, Published March 1" 1844, by Thomas Boys, XI Golden Square, Regent Street." Mi-. E. Layton. C. Turner sale catalogue, lot 961, mentions an "approved proof, with the alteration on the hill." 193. FARADAY, MICHAEL. After Charles Turner. Born 1791, died 1867; chemist. Assistant to Sir Humphry Davy; discovered benzol, 1825; magneto-electricity, 1831. Died at Hampton Court. Nearly to the knees, standing, dir. tow^ards f., facing tow^ards 1.; dark neckcloth, dark dress, seals hanging from fob; 1. hand on jar w^hich vi^ith book etc. lies on table r., r. hand raised, forefinger pointing upv^^ards; eledlrical instrument to 1., curtain in upper 1. corner. 14I- by iif. Engraved on steel. Before any inscription, y. and A. I. In fine upright capitals under centre of subjedl: "Drawn & Engraved by C. Turner, A.R.A." At foot, in fine upper and lower italics: "London, Published 061'' 20, 1838, by M' Turner, N" 50, Warren Street, Fitzroy Square." Sale at Sothebfs, May 20, 1905. II. The line "Drawn .... A.R.A." erased, and re-engraved in light open upright capitals. The date of publication altered to: "Jan^ 12, 1839." To r., facsimile of auto- graph: "M Faraday" B.M.; C. 194. FFOLKES, SIR MARTIN BROWNE. After T. Barber. Created a baronet. May, 1774; married Fanny, daughter of Sir John Turner, Bart., of Warham, Norfolk; died December, 1821. Fully to waist, sitting, dir. and facing tow^ards f.; rough hair, frill, light waistcoat, coat fastened by one button, seal hanging from fob; 1. arm resting on corner of table to r. on which lie papers; rings on third and little fingers of 1. hand; curtain in back- ground. I li by 9i Engraved on copper. In fine upright upper and lower lettering: "Painted by T. Barber. Engraved by C. Turner." In light open upright capitals: "Sir Martin Browne Ffolkes Bar* M.P." In light open upright upper and lower: "For Kings Lynn." In fine script: "To Thomas William Coke Esq'". This Print is with Permission inscribed by his most ob* & hum"'^ Serv* T.Barber." In fine upper and lower italics: "Nottingham, Published Sept'' 24. 1 816, by T. Barber; & may be had at M' Piggs, Lynn." B.M. 90 CATALOGUE OF PORTRAITS 195. FIELD, HENRY. After S. Lane. Born 1755, died 1837; apothecary. Apothecary to Christ's Hospital; one of the City of London officers appointed to deal with the threatened outbreak of cholera in 1831. Nearly w.l., sitting, dir. f., looking slightly r.; plain dark dress, coat fastened by one button; 1. knee crossed over r., arms on arms of chair, letter in 1. hand; table to 1. on which are book, one paper inscribed: "The London Anuity \}ic'\ Society Instituted A.D. 1765 "; another: "Samuel Lane p*", and writing materials; curtain and pillar in background. 15 by i if. Engraved on steel. Before any inscription. B.M. In fine upright upper and lower lettering: "Painted by S. Lane, Esq' Engraved by C. Turner, A.R.A." In light open upright capitals: " Henry Field, Esq''^ ^t: 81." In fine script: "Treasurer of the London Annuity Society for the benefit of the Widows of Members. From a Pidlure painted by order of the Society for their Court Room, A.D. 1836." In fine upper and lower italics: "London, Published May 13* 1837, by M-" Turner, N° 50, Warren Street, Fitzroy Sq^' M' W. Cribb, N° 34, King Street, Covent Garden, & Mess" Dom<= Colnaghi & C° Pall Mall East." To L, "Proof." C. 196. FIELD, WILLIAM. After Henry Wyatt. Born 1768, died 1851. Minister of the Presbyterian Chapel in High Street, War- wick, 1 790- 1 843; started the first Sunday School in Warwick, which provoked a controversy with the local Anglican clergy; author of " An historical account of the town and castle of Warwick," 181 5. Nearly to knees, sitting, dir. and facing towards 1.; white neckcloth, plain black dress; 1. arm on arm of chair, r. hand holding book in lap with thumb between leaves; country house and trees in distance to 1. iif by C)\. Engraved on steel. In light open upright capitals: " Painted by Henry Wyatt, Esq. Engraved by C. Turner, A.R.A." In fine script: "The Rev'^ William Field." In fine upper and lower italics: "London, Published April 16, 1839, ^y M'' Turner, N° 50, Warren Street, Fitzroy Square." To r., in fine italic capitals: "Private Plate" BM. 197. FINGALL, ARTHUR JAMES PLUNKETT, 8th EARL OF. After T. C. Thompson. Born 1759, died 1836. Created an English Peer, by the title of Baron Fingall, 1831; married Frances, daughter of John Donelan, of Bally Donelan, Galway, 1785. W.L., standing, dir. towards 1., looking f ; dark coat, breeches and stockings, light waistcoat; r. arm by his side, letter in r. hand, 1. hand leaning on table to r. on which lie papers, books, inkstand and pen; a cloth covers part of the table and reaches to the ground; curtain and pillars in background. by i6f. Engraved on copper. In fine upright upper and lower lettering: "Painted by T. C. Thompson. Engraved by C. Turner." In fine script: "Earl of Fingol." In fine upper and lower italics: "Dublin Published Dec' 14, 1 816, by Jo' D-^' Vechio, Printseller, &c. &c. &c." B.M. 198. FITZWILLIAM, RICHARD FITZWILLIAM, 7TH VISCOUNT. After H. Howard. Born 1745, died unmarried 1816; founder of the Fitzwilliam Museum, Cambridge. Author of the " Letters of Atticus." Edition in French, 181 1; in English, 1826. 91 CHARLES TURNER, A.R.A. Nearly w.l., sitting in armchair, dir. towards r., facing f.; bareheaded, open collar, dark coat edged with fur; r. arm on arm of chair, 1. hand on open book on table to r., knees crossed; pilasters and curtain in background. Arms in centre of inscription space, motto: "Deo Juvante." 15^ by I2|. Unfinished proof before tl;e margins of the plate were cleaned. B.M. In thick and thin upper and lower italics: " H. Howard Esq' R.A. Pinx* Cha' Turner, Sculp'" In partly filled-in gothic lettering surrounded by flourishes: "Richard Viscount Fltzwilliam " In open upright thick and thin capitals: "Anno JEt. LXIV. Anno Dom. MDCCCIX." B.M.; C; V. and A.; Mr. H. W. Bruton. FITZWYGRAM. See WIGRAM. 199. FLAXMAN, JOHN. After J. Jackson. Born at York, 1755; died 1826; buried at St. Giles's, London. Sculptor and draughts- man. Drew illustrations to Homer, Dante, etc.; was the sculptor of a great number of monuments; first professor of sculpture to the Royal Academy. To waist, dir. towards 1., looking f.; plain black dress. 10 by 8 J. Engraved on copper. Before any inscription. C. In fine upright upper and lower lettering: "Painted by I. Jackson Esq'' R.A. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: " John Flaxman Esq™ R.A." In fine script: "From the original Pifture in the Colleftion of the Hon^'^ George Agar Ellis to whom this print is with permission dedicated by his obedient & very humble Serv*^ C. Turner." In fine upper and lower italics: "London, Published May i. 1827 by M"" Turner 50 Warren Street, Fitzroy Square." B.M.; V. and A.; Mr. H. W. Bruton. 200. FLETCHER, MR. After Charles Ambrose. Musician of Birmingham. To waist, sitting, dir. towards 1,, facing tov/ards f ; white hair, light neckerchief, dark coat; r. hand holding roll lettered: " A Selec of Sacre by Moza Arrang "; curtain in background. io|- by Sf. Engraved on copper. In fine upright upper and lower lettering: "Painted by M"" C. Ambrose. Engraved by C. Turner, A.R.A." In fine script: "To the numerous Friends" In fine italic capitals: "Of" In light open upright capitals: " M"" Fletcher," In light open italic capitals: "Of Birmingham." In fine script: "This Print is respeftfully dedicated by their Obedient Servant Cha° Ambrose." In fine upper and lower italics: "London, Published Nov'" 20, 1830, by M'' C. Ambrose, N° 75, Newman Street." To 1., in upper and lower italics: "Proof" B.M.; C; Mr. H. W. Bruton; Mr. L. B. Mozley. 201. FORD, THOMAS. After J. Ferneley. Died 1821. Nearly w.l., sitting, dir. very slightly 1., looking f.; light hair, bands, dark robes; 1, arm on arm of chair, r. elbow on corner of table, r. hand raised; " Holy Bible" and papers on table 1., interior of chapel seen through doorway to 1.; curtain to r. 14! by 12. In fine upright upper and lower lettering: "Painted by J. Ferneley. Engraved by C. Turner." In light open upright capitals: "The Rev^ Tho" Ford L.L.D," In fine 92 CATALOGUE OF PORTRAITS script: "Aged 78 Years. 46 Years Vicar of Melton Mowbray Leicestershire.' In fine upper and lower italics: "Melton, Mowbray, Leicestershire, Published Dec'' 25, 1820, by J. Ferneley." Tor.: "Proof" B.M.; C. 202. FORSTER, EDWARD. After J. Hoppner. Born 1730, died 181 2. Banker and antiquary. For many years governor of the Russia Company. Resided at Walthamstow. Nearly w.l., sitting, facing slightly 1., looking f.; white hair, light waistcoat, plain dark coat fastened by three large buttons, breeches; r. knee crossed over 1., r. hand on knee, 1. hand closed, 1. elbow on table to r. on which are writing materials and a paper headed: "Remarks on the Charter"; curtain in background. 17 by 13!^. Masked proofs, before any inscription except that on paper. C; Dr. J. S. Joule. In fine upper and lower italic lettering: "Painted by J J Hoppner Esq^'RA, Engraved by Cha' Turner " In light open upright capitals: " Edward Forster Esq'' " In fine script: "Governor of the Royal Exchange Assurance" In fine upper and lower italics: "London Published March, 24, i8io, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C. 203. FORSYTH, THOMAS. After Sir W. Beechey. Fully to the waist, sitting, dir. and facing towards 1.; white hair, plain dark coat — the high-lights of the buttons very prominent; 1. elbow leaning on arm of chair, 1. hand raised to cheek bone, ring on 1. little finger; curtain in background to r. iif by 9f. Before any inscription. Mr. F. B. Daniell. In light open upright upper and lower lettering: "Painted by Sir W™ Beechey R. A: Painter to her Majesty Engraved by C. Turner, Warren S' Fitzroy Squ^" In light open upright capitals: "Tho' Forsyth Esq^" B.M.; C; Mr. H. W. Bruton; Mr. L. B. Mozley; Mr. F. B. Daniell. FORTESCUE, HUGH, 2nd EARL. See EBRINGTON. FORTUNE TELLER, THE. See SPENCER. No. 537. 204. FOX, CHARLES JAMES. Born 1749, died at Chiswick 1806 ; celebrated Whig statesman ; opponent of William Pitt; buried in Westminster Abbey. To waist, sitting, dir. towards r., looking f.; cravat, light waistcoat, dark coat fastened across chest by one button; pilaster in background to r., curtain to 1. 12 by 9!^. I. In light open upright capitals: "The R' Hon"'' Cha' James Fox," In fine script: " Principal Secretary of State for the Foreign Department &c. &c. &c. Engraved by Cha^ Turner from an original Drawing in the possession of the Hon*'^'' M" Fox to whom by permission this Print is dedicated by her respeftful & obliged humble Serv* Rob' Cribb." In fine upper and lower italics: "London Published, May i^' 1806, by R. Cribb. N° 288 Holborn." C. II. The upright capitals filled in; the script lettering made slightly thick and thin. B.M. 205. FOX, HON. HENRY EDWARD. After T. Phillips. Born 1755, died 1811; youngest son of Henry Fox, first Lord Holland; general; Lieutenant-Governor of Gibraltar 1804. 93 CHARLES TURNER, A.R.A. To waist, facing and looking towards 1.; slight side whiskers; frill, uniform with epaulettes. i if by g^. Engraved on copper. In light open upright upper and lower lettering: "T. Phillips A. pinx* C. Turner sculp." In light open upright capitals: "Lieu*^ General the Honorable Henry Edward Fox," In fine script: "Lieu* Governor of Gibralter [sic] &c. &c. &c." In fine upper and lower italics: "London Published Aug^' 17, 1805, by Colnaghi, & C" Cockspur Street," B.M.; C; Mr. H. W. Brum. 206. FRANCIS I. Born 1494, died 1547. Ascended the throne of France 1515. A W.I., emblematical standing figure, representing Francis I wearing or carrying the attributes of Minerva, Mars, Diana, Cupid, and Mercury. He is standing on an ornamental tablet, inscribed in light open upright upper and lower lettering: " Francoys en guerre est vn Mars furieux En paix Minerue & diane a la chasse A bien parler Mercure copieux A bien aymer vray Amour plein de grace O france heureuse honore done la face De ton grand Roy qui surpasse Nature Car I'honorant tu sers en niesme place Minerue, Mars, Diane, Amour, Mercure." Aquatint and Etching. 121 by 8-^. Preliminary etching, before any aquatint work. B.M. The finished plate. B.M. 207. FRANKLIN, BENJAMIN. After M. Chamherlin. Born at Boston, U.S.A., 1706; died 1790. One of the founders of American Independ- ence; inventor of the lightning conductor. Nearly w.l., sitting, dir. towards r., facing towards L; short wig, cravat, ruffles, plain dress with long waistcoat, and breeches; 1. hand holding paper on edge of table to r., r. arm on arm of chair, pen in hand; through window to r. a flash of hghtning is seen to strike a building. 5f by 4^. L In fine upright capitals: "M. Chamberlin, Pinx* C. Turner, Sculp* A.R.A." In light open upright capitals: " B. Franklin, of Philadelphia," In fine script: "L.L.D, F,R,S." In fine upright capitals: "Published for Bancroft's History of America," B.M. II, From two light knobs on back of chair, two lines are drawn upwards to a point touching a hanging cup. Two warts added on face. Inscription, except artists' names, erased; instead, in facsimile of autograph: " Benj'' Franklin" Frontispiece to vol. Hi History of the United States" by G. Bancroft, Boston, 1840, 208. ERASER, LUKE. ^ After G. Watson. Nearly w.l., sitting, dir. towards r., facing towards and looking f.; own hair, frill, plain dark dress, dark stockings; arms on arms of chair, speitacles in 1. hand, two books on table to 1., one of them open and turned over. 17I- by 14. I, In fine upper and lower italic lettering: "Painted by G, Watson Esq''® Edinburgh, Published Sept' i, 18 10, by John Steell, Printseller, N° 2, Lower Terrace, Leith Street, Engraved by C, Turner" In light open upright capitals: " M'' Luke Fraser," In light open italic capitals: "Late one of the Masters of the High School of Edinburgh," In fine 94 CATALOGUE OF PORTRAITS script: "To the Gentlemen who attended the successive Classes of the High School of Edinburgh, taught by M^'^Fraser, including a period of 40. Years. — This Plate Engraved by their diredlion and inscribed to them, by their most obedient Serv' John Steell." B.M.; C. II. The upright, and italic, capitals made thick and thin, the former partly filled in. C. 209. FRASER, REV. To waist, dir. towards 1., looking f.; gray hair, slight side whiskers, bands, gown. 91 by 7. Engraved on steel. Before any inscription. B.M. 210. FREELING, SIR FRANCIS. Jfter George Jones. Born 1764, died 1836. Secretary to the Post Office for more than thirty years. Created a baronet 1828. W.L., sitting in a room, dir. towards 1., facing towards f.; light waistcoat, plain dark coat, seals hanging from fob; arms resting on arms of chair, 1. hand holding roll of paper; open box on floor to r. containing books, bookcase in background to r.; table in background to 1. on which lie inkstand, books, letters and seal; vase on pedestal behind table. 22^ by i6f. Engraved on steel. Before any inscription. Mr. J. Charrlngton. In fine upright upper and lower lettering: "Painted by George Jones, Esq. R.A. En- graved by Cha' Turner, A.R.A." In fine script: " Sir Francis Freeling, Bar* &c. &c. &c." In fine upper and lower italics: "London, Published Dec"" 26, 1834, ^y M"" Turner, 50, Warren Street, Fitzroy Square; Mess" Colnaghi, Son & C° Pall Mall East; & Mess" Ackermann, Strand." B.M.; C. 211. FULLE R, JO H N. Jfter H. Singleton. Born 1757, died 1834. Nearly w.l., sitting, dir. towards 1., looking f.; frill, plain dark dress, high boots; glove on 1, hand and glove held by r. hand; 1. elbow leaning on table to r. on which are a book, and a letter addressed "J. Fuller Esq*" M.P. Rose Hill Sussex. June 10 1806 curtain and pillar in background to r., tops of trees and distant view to 1. I7f by I3f. In slightly thick and thin script lettering: "Painted by H. Singleton. Engraved by C. Turner." In fine upper and lower italics: "London Published July 18. 1808, by C. Turner N° 50, Warren Street, Fitzroy Square." B.M. 212. GAM A, VASCO DA. Born 1469 (?), died 1524. Celebrated Portuguese navigator. Discovered the route to India via the Cape of Good Hope, in 1498. W.L., standing, dir. and looking f. ; beard, hat, long cloak; r. hand holding baton to hip, 1. hand on helmet on table to r. Two bordering lines to subjeft. 6f by 5. Stipple Engraving. In upper and lower italics: "C. Turner sculp*" In thick and thin script: " Vasco de Gama." In upper and lower italics: "London, Published May l^* 1800, by the R"* D"^ Vincent, Deans Yard, Westminster." B.M. First mentioned in C. Turner's diary Feb. 4, 1800: "Outline Dr. Vincent's portrait." 95 CHARLES TURNER, A.R.A. 213. GARNETT, JOHN, D.D. After J. J. Halls. Born 1748; appointed Dean of Exeter in 1810. He died in March, 18 13, and the mezzotint was published seven months later. Nearly w,l., sitting, dir. very slightly 1., facing f.; w^hite hair, bands, black robes; arms resting on arms of chair, hands on kneesj curtain in background to r., Exeter cathedral in distance to 1. 17^ by 13!^. Before any inscription. Mr. J . Charrington. I. In fine upper and lower italic lettering: " Painted by J. J. Halls. Engraved by C. Turner." In fine script: "The Rev'' D'' John Garnett " In light open upright capitals: "Late Dean of Exeter." In fine upper and lower italics: "London: Pub*^ 21. 181 3 for the Proprietor, by C Turner, 50 Warren Street, Fitzroy Square." To r., in light open upright capitals: "Proof" B.M.;C. II. The lettering strengthened and made thick and thin. The word Proof erased. C 214. GARNOCK, REV. HENRY. After J. Shells. To waist, dir. f., facing towards 1. ; scant dark hair, bands, black gown with corded ornamentation, ii|- by 9!^. In fine upright upper and lower lettering: " Painted by I. Shells. Engraved by C. Turner." In light open upright capitals: "The Rev*^ Henry Garnock," In fine script: "First Minister of Canongate, Edinburgh." In fine upper and lower italics: "Edinburgh, Published 1^* May, 1821, by H. Dunlar, 171, Canongate." To r.: "Proof" B.M. 215. PGASCOIGNE, THOMAS. Head and shoulders, dir. and facing in profile to 1. ; side whiskers, two buttons of coat seen. Engraved in stipple, the portrait and a small amount of background occupying the centre of the plate, the rest being left white. Plate size 5^ by 4^. At bottom of portrait, in fine upper and lower italics: " C. Turner, sculp." Biblioth^que Nationale, Paris. This print is mentioned in Evans' Catalogue, No. 4234: "private plate, 410"; and in the Biblioth^que Nationale catalogue of portraits, No. 17602. 216. GEORGE m. Born 1738; ascended the throne 1760; died January 29, 1820. The print was published a month after the King's death. An aged man, blind. To the knees, sitting in an armchair surmounted by a crown and a laurel branch, dir. and facing towards l.j cap, short white beard, loose coat; arms on arms of chair; curtain overhead to 1. io|- by "j^. Engraved in a mixed style, on copper. In fine upright upper and lower lettering under centre of subjeft: "Engraved by C. Turner." In light open upright capitals: " His Most Gracious Majesty George the Third," In fine script: "This print is by permission humbly dedicated to his Royal Highness the Duke of York, by his Highnesses most Obd* & very hum"" Serv* C. Turner." In fine upper and lower italics: "London, Published March l^' 1820, by C. Turner, 50, Warren S' Fitzroy Square." B.M.; C. GEORGE III IN HIS TRAVELLING CHARIOT. See No. 710. 96 Jfter R. B. Davis. THOMAS TOMKINS 1 80s AFTF.R REYNOLDS CATALOGUE OF PORTRAITS 217. GEORGE IV., WHEN PRINCE REGENT. After J. Singleton Copley. Born 1762; became Prince Regent 181 1; ascended the throne 1820; died 1830, W.L., on horseback, advancing towards 1., facing more towards f., followed by his staff; uniform, hat, sash, star, 1. hand holding reins, r. hand pointing before him; trees to r., cavalry and artillery in distance. 26|- by 22-^. Preliminary etching. C. Turner sale catalogue (14 impressions). I. In fine script lettering: "Painted by J. Singleton Copley Esq'' R.A. Engraved by Charles Turner, Warren Street, Fitzroy Square. To Her Royal Highness The Princess Charlotte [the last word in open fancy capitals] of Wales. This Print of" In light open upright capitals: "His Royal Highness The Prince Regent" In fine script: " Is with permission most humbly dedicated By Her Royal Highness's [the last four words in light open gothic with flourishes] most devoted & obedient Servant, J. Singleton Copley." In fine upper and lower italics: "London, Published Jan^ i*' 18 13, by Copley, N° 25, George Street, Hanover Sq"" & sold, at Mess" Colnaghi & C° Printsellers, Cockspur Street, Haymarket." B.M.; C; Sir Walter Gilbey. II. The inscription strengthened and made thick and thin. Mr. F. B. Daniell. 218. GEORGE IV. After Sir T. Lawrence. To waist, facing and looking f; dark braided coat with fur collar. Order of the Golden Fleece, star. Eight bordering lines surround the subje£t. Royal arms and mottoes in centre of inscription space, 12^ by ()\. I. In fine upright upper and lower lettering: "Painted by Sir Tho® Lawrence, Principal Painter in Ordinary to His Majesty, & President of the Royal Academy &c. &c. &c. Engraved by Cha^ Turner Esq' Mezzotinto Engraver in Ordinary to His Majesty &c. &c. &c." In fine upper and lower italics: "London, Published Jan^ i, 1824, by Hurst, Robinson & C° Printsellers to His Majesty, N° 8 Pall Mall, & 90 Cheapside." B.M. II. In line of painter's name, from ^ to last Sifr. erased; instead, "P.R.A. Sec. &c. &c." The line of engraver's name erased, and re-engraved omitting Esq^ and ^c. i^c. i^c. The number of bordering lines increased from eight to ten. A laurel wreath added just above the arms under centre of subjeft, and in it the date " 1823." In r. lower corner, in fine upright upper and lower lettering: "Printed by Ja* Lahee." B.M.; C; Mr. L. B. Mozley. C. Turner sale catalogue says: "Of this portrait three plates were engraved owing to its successful sale." Two of the plates are here described: Nos. 218 and 219. 219. GEORGE IV. After Sir T. Lawrence. Another plate, as close a copy as possible (subje6l, inscription, wreath, etc.) of State II of the preceding, and the same size. This plate can be distinguished from No. 218 State II by (i) the last ^c. at end of line of painter's name, almost touches the wreath instead of being |^ in. away, and (2) the printer's name: Printed by fa^ Lahee^ is in italic instead of upright lettering. I. As described above. C; Mr. H. W. Bruton. II. With additional inscription in slightly thick and thin script: "His most gracious Majesty King George the Fourth." C. 220. GEORGE IV. After Sir T. Lawrence? A large plate on which the ground has been laid, but only the face portion has been scraped. It represents the king turned and looking towards 1., wearing a high linen collar and white neckerchief. 27^ by 1 8|-. Engraved on copper. As described. B.M. 97 o CHARLES TURNER, A.R.A. 221. GEORGE IV. ^fter T. a Ihompson. To waist, dir. f., facing towards 1.; cravat, plain buttoned coat with high collar, star on 1. breast, Order of the Golden Fleece suspended from neck. The subjed is sur- rounded by a line-engraved border. I2|- by 9A Early proof, not quite finished ; before any inscription, and before the border round subjea. B.M. In fine small upright upper and lower lettering: "Painted by T. C. Thompson, Esq'' R.H.A. London, Published April 3'''' 1826, by J Watson 7, Vere Street, Cavendish Square. Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." C. 222. GILLON, JOSEPH. After G. Watson. Probably the Joseph Gillon, who, in 18 14, published a Memorial with regard to "An AGt for the Relief of Insolvent Debtors in England." To waist, dir. very slightly r., looking f.; rough hair, plain dark coat, seal hanging from fob; arms folded. I2 by lO. I. In fine upper and lower italics: "Painted by G. Watson. Published March 10 1808 by John Steell, N" 2, Leith Street, Lower Terrace, Edingborough. [sic] Engraved by C. Turner." In fine script: "This Print of Joseph Gillon Esq*' [the last three words in light open upright capitals] &c. &c. &c. Is humbly inscribed to Sir Alex'' Don Bar* of Newton By his most obed* Serv* John Steell " Mr. Wilbraham V. Cooper. II. The letters of title partly filled in. Mr. W. V. Cooper. 223. GILLOW, JOHN. After J. Ramsay. Born 1753, died 1828. For twenty years in charge of the Catholic Mission at York. President of Ushaw College from 1811 till his death. To waist, dir. and facing f.; white hair, frill, plain dark coat fastened by one button; curtain background, I2f by 10. In fine upright upper and lower lettering: "J. Ramsay Pinx' C. Turner Sculp*" In light open upright capitals: "The Rev'' John Gillow," In fine script: "President of Ushaw College, near Durham, & late Catholic Missionary in the City of York." In fine upper and lower italics: "Published June 24. 1814, in York by M. Walker, and in London by James Daniell, Engraver & Printseller, 480, Strand." B.M. 224. GILLRAY, JAMES. After J. Gillray. Born 1757, died 1815; caricaturist. Between the years 1780 and 1811 produced a great number of political satires. From 1811 he became insane. To waist, in an oval, dir. L, facing more towards f.; own hair, frill, dark buttoned coat with high collar; curtain in background. The subje6l is surrounded by a border of parallel ruled lines. Size of oval: gf by 8. Outside dimensions of border: 12^ by io|-. I. On bottom of border, in light open upright capitals: " M"" James Gillray." Beneath, in fine script: "From a Miniature painted by himself & Engraved by Cha® Turner." Near foot of plate, in fine upper and lower italics: "London, Published April 19. 1819 by G. Humphrey, 27, S* James's Street." B.M.; C; V. and A. II. The lettering of title strengthened so as to be thick and thin. In thick and thin script and italics immediately beneath: "From a Miniature painted by himself & Engraved by Cha^ Turner. London, Published April 19. 1819, by G. Humphrey, 27 S* James's Street." All the lettering beneath border erased. B.M.; C; Mr. H. W. Bruton. GLENELG, CHARLES GRANT, BARON. See GRANT. 98 CATALOGUE OF PORTRAITS 225. GOODALL, JOSEPH, D.D. After J. Jackson. Born 1760, died 1840. Re£tor of West Holeyj Canon of Windsor; Provost of Eton, where he died. Nearly w.l., sitting, dir. slightly 1., looking f.j short wig, bands, gown ; r. hand on knee, 1. arm on arm of chair, 1. hand holding book on knee. 15-^ by 1 if. Before any inscription. V. and A. In fine upright upper and lower lettering: "Painted by John Jackson, Esq' R.A, En- graved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: " Rev'' Joseph Goodall, D.D." In fine upper and lower italics: " London, Published Sept' 8, 1828, by M'' Turner, 50, Warren Street, Fitzroy Square." To 1. in fine italic capitals: "Proof" BM.; C. 226. GOODE, REV. FRANCIS. After W. E. Frost. Born about 1797, died 1842. Published several of his sermons, etc. To waist, dir. very slightly r., looking f. ; bands, black gown ; r. hand on open book before him, ring on r. little finger. io|- by 8f. Engraved on steel. In fine upright capitals: " Painted by W. E. Frost, Esq' Engraved by C. Turner, A.R.A." In light open upright capitals: "The Rev** Francis Goode, M.A." In fine script: " Lefturer of the Parish of Clapham, and Morning Preacher at the Female Orphan Asylum, Westminster Road." In fine upright capitals: "London, Published May 20'^'' 1843, by M' Turner, N" 50, Warren Street, Fitzroy Square." To 1., in fine italic capitals: "Proof" B.M.; C. C. Turner sale catalogue mentions "artist's proofs", "proof prints" and "prints". 227. GORDON, GEORGE GORDON, 5th DUKE OF. After J. McKenzie. Born 1770, died 1836; general. Served in Flanders 1793; raised and commanded the regiment known as the Gordon Highlanders; succeeded to the dukedom 1827. Nearly w.l., sitting in a chair covered with a fur cloak, dir. towards 1., looking f.j dark buttoned coat, light trousers; r. hand on knee, 1. elbow on arm of chair, watch in 1. hand; curtain and fluted pillar to 1. I2|- by lof. Engraved on steel. Before any inscription. C. I. In fine upright upper and lower lettering: "Painted by J. McKenzie. Engraved by C. Turner, A.R.A." In fine upper and lower italics: "London, Published Sept' i, 1830, by M' Turner, 50, Warren Street, Fitzroy Square, Mess" Colnaghi & Son, Pall Mall East, & M' Macintoch, Printseller, Princes Street, Edinburgh." B.M.; C; F. and A.; Mr. H. W. Bruton. II. Title added in light open upright capitals: "His Grace the Duke of Gordon, &c. &c. &c." To r., in fine upper and lower italics: "Proof" C 228. GORE, LIEUTENANT-COLONEL. After S. F. Downman. To waist, dir. and facing towards 1.; cocked hat with white feather, black neckerchief, military coat with epaulettes. A very narrow dotted border round subjedt. 3|- by 3. In fine upper and lower italic lettering: " S. F. Downman. pinx* C. Turner, sculp*^ " In light open italic capitals: "Lieu* Col" Gore," In light open upright lower : "of the" In fine script: "Royal Bristol Volunteers." In fine upper and lower italics: "Published as the A£l direfts June. 4. 1804. by S. F. Downman. Bath." B.M. 99 CHARLES TURNER, A.R.A. 229. GRAFTON, AUGUSTUS HENRY FITZ-ROY, 3RD DUKE OF. After J. Hoppner. Born 1735, died 1811. Succeeded to the dukedom 1757; Prime Minister 1766-70; K.G. 1769; Trustee of the British Museum 1793. To waist, dir. f., facing towards 1.; white hair, plain coat edged with fur, star on 1. breast; trees and sky in distance. i if by 10. Masked proof; probably an engraver's proof, B.M. I. In light open upright upper and lower lettering: " J. Hoppner Esq"" R.A pinx* C. Turner sculp*" In fine script: "The Most Noble, Augustus, Henry" In light open upright capitals: "Duke of Grafton, K.G. &c. &c. &c." In fine upper and lower italics: "London Published i^' Sept" 1805 by R. Cribb 288 Holborn." B.M.; Mr. H. W. Bruton. II. The inscription strengthened and made thick and thin; the open upright capitals filled in with a pattern. 230. GRAHAM, ROBERT, D.D. Head and shoulders, in an oval, dir. and looking in profile to 1.; short full wig, plain coat. Round the subjeft is a light border engraved in line. Inside border; i li by 8|^. In fine upper and lower italics under centre of subjeft: "Engraved by C, Turner." In light open upright capitals: "The Reverend Robert Graham D.D." In fine script: "of Netherby, in the County of Cumberland," B.M. 231. GRANT, CHARLES. After T. C. Thompson. Born 1778, died 1866. Entered Parliament in 1807; filled several government posts, including those of Chief Secretary for Ireland, and Secretary for the Colonies. " The Canadian rebellion (1838), proved fatal to his reputation, and he resigned his office, January, 1839." Raised to the peerage as Baron Glenelg, 1835. To knees, standing, dir. towards 1., looking f,; long dark coat fastened by two buttons; 1. hand to waist, r, hand holding book (lettered " Ireland (5) ") upright on table to 1,, where lie inkstand, pen and papers; curtain to r., fluted pillar to 1., archway in distance. i6f by 13. In fine upright upper and lower lettering: "Painted by T. C. Thompson. 7, Henrietta Str* Cavendish Sq'"" Engraved by C. Turner." In light open upright capitals: "The Right Hon'^^'^ Charles Grant." In fine upper and lower italics: "London, Published March 14, 1820, by Colnaghi, & M"" Allen, Printseller, Dame Str* Dublin." B.M.; C; V. and A. 232. GRATTAN, HENRY. After J. Ramsay. Born 1746, died 1820; statesman, orator, and lawyer. Strongly opposed the legislative union of Great Britain with Ireland; M.P. for Dublin 1806-20. Died in London and buried in Westminster Abbey. Nearly w.l., sitting, dir. and facing slightly r.; cravat, plain dark coat fastened by three buttons, breeches; r. knee crossed over 1., r. arm on arm of chair, 1. hand on papers on table r. on which are pen and ink-bottle; curtain and fluted pillar in background. 1 71 by I3f Engraved on copper. In fine upper and lower italic lettering: " Painted by J, Ramsay. Engraved by C. Turner." In light open upright capitals: "The R' Hon'''^ Henry Grattan, M.P." In fine script: "This Print is with permission Dedicated to the R* Hon**'^ Earl Fitzwilliam by his ob* & very h"^^® Serv*^ J. Ramsey [j/^"]." In fine upper and lower italics: "London Pub. Off 100 CATALOGUE OF PORTRAITS 25. 1806; by J. Ramsey, N° 23, Great Pultney Street, Golden Square, & by C Turner (for the proprietor) 50, Warren Street, Fitzroy Square." B.M.; V . and A. C. Turner sale catalogue mentions " proof prints " and " prints 233. GREENWOOD, CHARLES. After Sir T. Lawrence. ? An army banker of the firm of Cox and Greenwood. To knees, sitting, dir. slightly 1., looking f.; white neckerchief, coat fastened by two buttons, light breeches; r. knee crossed over 1., arms resting on arms of chair, curtain and fluted pillar in background. I5f by 12. Before any inscription. B.M. I. In small fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence, Principal Painter in Ordinary to His Majesty, P.R.A. &c. &c. &c. Engraved by Charles Turner, Mezzotinto Engraver, in Ordinary to His Majesty." In fine upper and lower italics: "London, Published Feb^ i, 1828, by M"" Turner, 50, Warren Street, Fitzroy Square." B.M.; Mr. J. Charrington. II. With title added in light open upright capitals: "Cha^ Greenwood, Esq^'V Mr. L. B. Mozley. 234. GREG, SAMUEL. After Massot. A mill-owner of Manchester. To waist, dir. slightly r., facing towards f.; frill, plain dark dress. 11 by 8f. In light open upright upper and lower lettering: " Painted by Massot Esq''® Engraved by C. Turner, A.R.A." In light open upright capitals: "Samuel Greg Esq''^ " In fine upright upper and lower: " London Published July 16'^'^ 1835 ^y Colnaghi Son & C° Print- sellers to the Royal Family Pall Mall East [the last three words in capitals]." B.M. 235. GRENVILLE, THOMAS. After J. Hoppner. Born 1755, died 1846; book colle£tor. M.P. for Aldborough and Buckingham; minister to Vienna. In 1 800 appointed Chief Justice in Eyre, South of Trent, a sinecure office worth about ^2,000 a year. Retired from Parliament in 18 18, and devoted the remainder of his life to the forming of a library of over 20,000 volumes of first and best editions — some of great rarity — which he bequeathed to the British Museum, of which institution he was a Trustee. To waist, dir. and facing towards 1.; sitting; plain dark buttoned coat with high collar; curtain in background. ii|- by 10. Masked early proofs. B.M.; C; Mr. H. W. Bruton. I. In light open upright upper and lower lettering: "J. Hoppner Esq'' R.A. pinx* C. Turner sculpV In fine script: "The R* Hon"® Tho^ Grenville M P. 1805" In small upper and lower italics at foot of plate: "London, Published Nov'" 18, 1805, by C. Turner, N°. 50, Warren Street Fitzroy Square " C. II. The script lettering strengthened and made thick and thin. The line of publication erased; instead, in small italics: "Published by Reeve & Jones, N° 7 Vere Street, Bond Street, Nov^ i. 1808." B.M.; V. and A. GREVILLE, HON. CHARLES. See DILETTANTI SOCIETY. No. 159. 236. GREY, CHARLES GREY, 2nd EARL. After T. Phillips, R.A. Born 1764, died 1845. M.P. between 1786 and 1807; Managers for the lOI CHARLES TURNER, A.R.A. House of Commons Trial of Warren Hastings, April 3, 1787; succeeded to the earl- dom 1807; Prime Minister 1830-34; carried the Reform Bill; K.G. 1831. To waist, dir. r., facing towards and looking f.; light neckerchief, plain dark buttoned coat. iifbygi. Before any inscription. B.M.; C. I. In fine upper and lower italic lettering: "T. Phillips Esq R.A. Pinx* C. Turner sculp*" In fine script: " The Right Hon*""^ " In light open upright capitals: "Charles Earl Grey" In fine upper and lower italics: "London: Pub** May 28. 181 1. by A. Molteno Printseller to H.R.H. the Dutchess of York 29, Pall Mall." C; Mr. H. W. Bruton. II. Retouched. The inscription strengthened and made thick and thin, the open capitals of title filled in with lines. B.M.; C. 237. GROSVENOR, ELIZABETH MARY, COUNTESS. j^fter Sir T. Lawrence. Born 1797, died 1891. Daughter of George, ist Duke of Sutherland; married, in 1819, Richard, Viscount Belgrave, who, in 1845, succeeded as 2nd Marquess of Westminster. Fully to waist, an oval in a square, dir. f., facing towards r.; light dress with low neck and long muslin sleeves; jewel at bosom. 10^ by 9!^. Before any inscription. B.M. In fine small upright upper and lower lettering: "Sir T. Lawrence, pinx* C. Turner, sculp*." In fine script: "Lady Grosvenor." In fine upper and lower italics: "London, Published July 27, 1833, by M'' Tho' M'Lean, N° 26, Haymarket." To 1., in fine upper and lower italics: "Proof" C. A mezzotint of this subject was also engraved by Samuel Cousins. 238. GROSVENOR, JOHN. After T. Leeming. Born 1742, died 1823; surgeon. House surgeon to Lock hospital; removed to Oxford where he died. Proprietor and editor of the " Oxford Journal." Successful in treat- ment by friction, and published " A full account of the system of fridlion, as adopted by John Grosvenor." Nearly w.l., sitting, dir. and facing towards f.; own hair, white neckerchief, light waistcoat and stockings; r. knee crossed over 1., r. hand holding closed book upright on knee, 1. arm on table r. on which are letter addressed to himself, books, papers, pen, and watch with seals attached; pilaster, fluted pillars and curtain in background. 1 71 by 13I-. I. In fine upper and lower italic lettering: "Painted by T. Leeming Oxford. Engraved by C. Turner Warren Str* Fitzroy Sq*^ " In light open upright capitals: "John Grosvenor, Oxford." In fine upper and lower italics: "Oxford, Published Nov'' i. 181 2, by M' Leeming, High Street, & by M'' Smith, Printseller, High Street." B.M.; C. II. A line added along the centre of each letter of the open upright capitals. 239. GROSVENOR, RICHARD, EARL. After William Jones. Born 1795, died 1869. Viscount Belgrave 1802-1831; Earl Grosvenor 1831-45. Succeeded as second Marquess of Westminster 1845. Nearly to knees, standing, dir. r., facing towards f.; side whiskers, plain dress; r. hand on hip drawing back coat, 1. hand on back of chair. 10^ by 8|^. 102 CATALOGUE OF PORTRAITS I. In fine upright upper and lower lettering: "Painted by William Jones. Engraved by C.Turner, A.R.A." In fine script: "The Right Honorable Richard" In light open upright capitals: "Earl Grosvenor, M.P." In fine upper and lower italics: "Published November 20, 1833, by John Seacome, Chester; & Mess" Ackermann & C° London." B.M. II. The lettering of the two lines of title strengthened and made thick and thin. Mr. H. W. Brum. 240. GUILFORD, FRANCIS NORTH, 4TH EARL OF. After Sir T. Lawrence. Born 1761, died 1817. Lieutenant of Dover Castle, 1795; Captain of Deal Castle, 1799; succeeded to the earldom, 1802. In 181 7 J. P. Kemble published an essay on "Macbeth and King Richard the Third," a copy of v^^hich lies on the table in the print. Nearly w.l., sitting, dir. towards 1., looking f.; ow^n hair, dark coat, light breeches and stockings; 1. arm on arm of chair, ring on little finger; snuffbox in r. hand; book ("Kemble on Macbeth") on table 1.; tree in background. 17! by I3f. Engraved on copper. In fine upright upper and lower lettering: "Painted by Sir Tho° Lawrence, P.R.A. Prin- cipal Painter in Ordinary to His Majesty. Member of the Roman Academy of S* Luke, of the Academy of Florence, & of the American Academy of the Fine Arts &c. &c. &c. Engraved by Charles Turner, Warren Street, Fitzroy Square." In fine script: "Francis Earl of Guilford." In fine upper and lower italics: "London, Published March 3. 1820, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C. 241. GULLY, JOHN. Born 1783, died 1863. Pugilist, horse-racer, and M.P. for Pontefra£t. Winner of the Derby on three occasions; and also of other important races. W.L., standing, dir. and facing slightly 1.; frill, dark coat, light breeches and stockings; 1. hand behind him, r. arm by his side, hand holding hat; statuary group of two nude men fighting on pedestal to 1., fluted pillars in background. 22f by I7f. ? Engraved by Charles Turner. In light open upright capitals: "M"" Gully." In fine script: "From the Original Pifture in the possession of Sir H. Smith Bar*." B.M.; Mr. C. M. Prior. 242. GUTIERREZ DE LOS RIOS, DON CARLOS JOSE. After H. Grevedon. Nearly to knees, standing, dir. f., looking slightly r.; dark curly hair, side whiskers, uniform, sash. Order of the Golden Fleece and two others; 1. arm holding hat to body, hand holding glove; r. hand on bank to 1. where lies his r. glove. Arms in centre of inscription space, motto: " Fluminum Familia Go To Rum Ex Sangue Ne Regum." iSf by 141. Before any inscription, and before the arms. In fine upright upper and lower lettering: "Drawn by Henry Grevedon. Engraved by Charles Turner." In fine script: "Don Carlos Jose Gutierrez de los Rios y Sarmiento Conde de Fernan-Nunez y de Barajas, Marques de Castelmoncayo, Duque de Mon- tellano y del Arco, Grande de Espana de primera Clase : Embajador Extraordinario y Plenipotenciario de 8. M. C. cerca de S. M. B. &^" In fine upper and lower italics: "London, Published Dec"" 6. 181 5, by C. Turner, 50, Warren Street, Fitzroy Square." BM. 243. HALFORD, SIR HENRY, BART., M.D. After Sir T. Lawrence. Born 1766, died 1844. Son of James Vaughan; changed his name on inheriting 103 \ CHARLES TURNER, A.R.A. property. Physician to George IV, William IV, and Queen Viftoria; President of the College of Physicians, 1820-44. Published a number of works connected with his profession, and, in 1813, " An account of what appeared on opening the coffin of King Charles I." Created a baronet in 1809. Nearly w.l, sitting, dir. towards r., facing f.; dark dress, star on 1. breast, seals hanging from fob, cloak across back of chair; r. arm on arm of chair, 1. hand on papers on table r.; curtain and pillars in background between which trees are seen. i5|^ by 12^. Engraved on steel. I. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence. En- graved by C. Turner, A.R.A. Engraver in Ordinary to His Majesty." In fine upper and lower italics at foot of plate: "London, Published June 24, 1830, by C. Turner, 50, Warren Street, Fitzroy Square, & Mess™ Colnaghi, Son & C° Pall Mall East." F. and A.; Mr. E. Layton. II. With additional inscription. In light open gothic: "To His Most Gracious Majesty William the Fourth." In fine upright capitals : " This Print of" In light open upright capitals: "Sir Henry Halford, Bar'." In fine script: "Physician in Ordinary to His Majesty, President of the Royal College of Physicians, &c. &c. is with permission humbly dedicated by His Majesty's very humble and dutiful Subjedl and Servant," In light open italic capitals: "C.Turner." To r. in fine italics: "Proof" B.M.; C. III. The inscription (except artists' names and publication) strengthened and made thick and thin; the word Proof erased. C. 244. HAMILTON, ARCHIBALD. After Sir H. Raeburn. To waist, dir. towards r., facing towards f ; light hair, frill, dark coat fastened by one button. 13! by lof. In fine upper and lower italic lettering: " Painted by H. Raeburn Esq'' A.R.A, Engrav'd by C. Turner." In light open upright capitals: " Hamilton," In fine script: "Physician to the Royal Infirmary F.R.S.E." In fine upper and lower italics: " Publish'd July 18. 18 1 3. by A. Elder. Carver & Gilder, 37, North Bridge, Edinburgh." B.M.; Mr. E. Layton. 245. HAMILTON, REV. RICHARD WINTER. After C. H. Schwanfelder. Born 1794, died 1848, Chairman of the Congregational Union 1847. Published a number of his sermons, and other religious works. Fully to waist, sitting, dir. towards f., facing very slightly 1.; dark curly hair, speftacles, white neckcloth, stud in shirt front, loose robe over plain dark coat with velvet collarj r. arm on arm of chair, 1. arm on book on table to r., shelves of books and curtain in background to r. io|- by 8f. In fine upright upper and lower lettering: "Painted by C. H. Schwanfelder, Esq"" En- graved by C. Turner A.R.A." In fine script: "The Rev** Richard Winter Hamilton, Minister of Belgrave Chapel, Leeds." In fine upright upper and lower: "Leeds, Pub- lished Sept"" zo*'^ 1836. by M' Schwanfelder, N° 15, East Parade." To 1., in fine itahc capitals: "Proof" B.M.; Mr. H. W. Bruton. 246. HAMILTON, MRS. After M. Cregan. To knees, an old lady, sitting, dir. towards r., facing towards f.; muslin cap tied under chin, white stomacher, dark dress, dark shawl around shoulders; hands wearing mittens and placed in lap, r. hand on letter, 1. hand holding speftacles; pens and ink to r., curtain in background to 1. by 9J. Before any inscription. C, 104 ELIZABETH, EMPRESS OF RUSSIA 1805 AFTER MONJER - . .J CATALOGUE OF PORTRAITS In fine upright upper and lower lettering: "Painted by M. Cregan. Engraved by C. Turner." In fine script: " M''^ Hamilton." B.M.; C; Mr. H. W. Bruton. HAMPDEN, JOHN. See PORTRAITS OF ILLUSTRIOUS CHARAC- TERS. No. 454. 247. HANDEL, GEORG FRIEDERICH. After W. Hogarth. Born 1685, died 1759. The celebrated musical composer. To knees, standing, dir. towards 1., looking f.; cap, long coat, cloak across r. shoulder, r. hand holding sheet of music, 1. hand to waist; pillar in background to r. I4fbyii|. Engraved on copper. Before any inscription. B.M. In fine upright upper and low^er lettering: "From an Original Painting by Hogarth. Engraved by C. Turner." In fine script: "To The Noblemen, Direftors, & Patrons, of The Antient Music, This Plate of Handel. [The word Handel in light open upright capitals] Is with Permission Dedicated to their Lordships by their Ob* & Hum''''' Serv*. C. Turner." In fine upper and lower italics: "London Published April 4* 1821, by for [sic] the Proprietor, by C. Turner, 50, Warren Str* Fitzroy Square." BM. 248. HARDINGE, HENRY HARDINGE, ist VISCOUNT. After E. U. Eddis. Born 1785, died 1856; field-marshal; actively engaged throughout the Peninsular War; filled many high ministerial offices; Chief Secretary for Ireland 1830 and 1834; Governor General of India 1844; created a viscount 1846. To waist, dir. and facing f.; head uncovered, uniform, decorations and medals; cloak thrown loosely around shoulders and held in f. by r. hand. lof by 8|^. Engraved on steel. I. In fine upright upper and lower lettering: "Painted by E. U. Eddis. Engraved by C. Turner, A.R.A." In fine script: "To His Grace the Duke of Wellington," In light open upright upper and lower: "this Print of" In light open gothic: "Major General The Right Honorable" In light open upright capitals: "Sir Henry Hardinge, K.C.B. &c. &c. &c." In fine script: "Is humbly dedicated by his most Obedient & very humble Serv* C. Turner." In fine upper and lower italics: "London, Pub** March 20, 1833, by M' Turner, 50, Warren St. Fitzroy Sq™ Mess" Colnaghi Son '& C° Pall Mall East, & all other Printsellers." To 1., in fine upper and lower italics: "Proof" B.M. II. To His Grace the Duke of Wellington erased; instead, in light open italic capitals: "To the Honorable"; in fine script: "The Court of Direftors of The East India Company," From Is humbly to humble Serv^ erased; instead, in light open gothic: "Governor General of India,"; in fine script: "Is with their Permission humbly dedicated by their most obedient & very humble Servant," The line of publication erased; instead, in fine upright capitals: "London, Published Jan=^ 1845, by M'' Turner, 50, Warren Street, Fitzroy Square." C. 249. HARGREAVES, JOHN. After Thos. Henry Illidge. Nearly w.l., sitting, dir. slightly 1., looking f.; frill, plain dark dress; r. knee crossed over 1., arms resting on arms of chair, fingers of r. hand placed within waistcoat; table to 1. on which lie books, papers and inkstand; shelves of books and curtain in back- ground. 17-1. by 14. Before any inscription. Truman Sale, April 27, 1906. 105 P CHARLES TURNER, A.R.A. In fine upright upper and lower lettering: " Painted by Thomas Henry Illidge, Esq"" Engraved by C, Turner, A.R.A." In fine script: "John Hargreaves, Esq'"" In fine upper and lower italics: "London, Published July 2°'' 1836, by Hodgson & Graves; & W. H. Morrice, Blackburn." To r., in fine italics: "Proof" B.M.; C. 250. HARINGTON, HENRY. Jfter T. Beach. Born at Kelston, Somerset, 1727, died 1816; physician and musical composer j Mayor of Bath. To waist, sitting, dir. slightly r., facing £; short full wig, plain dress, coat fastened by one button; writing with pen on paper on table before him, two books and geometrical diagram, inscribed "Harmologon Trivnvm." also on table; 1. arm by his side; curtain and shelves of books in background. The mezzotint ground is not cleared from inscrip- tion space. 171^ by 14. In thick and thin script lettering: "Painted by Thomas Beach, 1799. Engraved by Charles Turner." In open thick and thin italic capitals: "Henry Harington, M.D." In thick and thin script: " Publish'd Nov' 5* 1799, by T. Beach, Bath." B.M.; C. C. Turner sale catalogue, lot 1048, notes: "The first plate engraved by C. Turner, after leaving Mr. Jones." " Dined Mrs. Jones & Rec*^ ^9. o. o. being the remainder for Mr. Beach's Portrait." — C. Turner diary, Deer. i. 1799. 251. HARMER, HARRY. After G. Sharpies. Born 1784, died 1834; pugilist. Nearly w.l., sitting, turned to 1.; r. arm on table 1., hand holding boxing glove, the other glove on table. 9|- by 7^. In thick and thin upright capitals with a line along the centre: " Harry Harmer," In thick and thin script: "Born Jan'' 28. 1783; at Horse Fair, S' James's, Bristol, cousin to the late Jem Belcher, in height 5 feet, 1 1 inches, weighing 1 1 stones 6 lbs." In open upright thick and thin capitals: " Fought with " In small upper and lower italics: " Maltby . . . June 12, 1812, at Wilsdon Green ... 37 minutes ... 15 rounds. Ford . . . Aug*' 23, 1 81 3, ... at S* Nicholas in Kent, 35 minutes ... 23 rounds. Shelton — April 18, 1815 . . . at Hounslow Heath ... 35 minutes ... 28 rounds. London, Published March 28, 18 17, by H. Harmer, at M' T. Belcher's, Holborn." B.M. 252. HARRISON, SIR GEORGE. Jfter T. Barber. Secretary to the Treasury; auditor for life of the duchies of Cornwall and Lancaster; made a knight of the grand cross of the Royal Hanoverian Order 1831. Died at Spring Gardens, London, 1841. To knees, sitting, dir. f., facing towards r.; frill, light waistcoat, dark buttoned coat, seals hanging from fob; r. arm on arm of chair, 1. elbow on table r. on which are letter and an open despatch box on the f. of which are a crown and the letters "G.R."; two large books in foreground to r., lettered "Finance Reports" and " Humes History of England "; curtain and fluted pillar in background, 171 by 14. Before any inscription, and before the lettering on the two books. Truman Sale, April 27, 1906. I. In fine upright upper and lower lettering: "Painted by T. Barber. Engraved by C. Turner." In fine script lettering: "George Harrison Esq""" In fine italic upper and lower: "Published Nov' li. 18 16, by Mess" Colnaghi & C° Printsellers, Cockspur London; & by M' Barber, Nottingham." B.M.; C. II. George Harrison Esq^ altered, in fine script, to " Sir George Harrison K.C.H " 106 CATALOGUE OF PORTRAITS 253. HARVEY, CHARLES, M.P. After Sir T. Lawrence. Recorder of Norwich; M.P. for Carlow and Norwich; assumed the surname of Savill-Onley on succeeding to the estates of the Rev. C. Onley. Died 1843. W.L., standing with I. foot advanced, dir. and facing f.; frill, dark coat, cloak thrown around him and held by r. hand, 1. hand on papers on table r.; large book in r. fore- ground, curtain and fluted pillar in background. 23f by 15. In fine upright upper and lower lettering : *' Painted by Sir Tho^ Lawrence P.R.A. Principal Painter in Ordinary to His Majesty, Member of the Roman Academy of S* Luke & of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square." In fine script: "Charles Harvey Esq"" M.P. F.R.S. F.A.S. F.L.S. Recorder of Norwich." In fine upper and lower italics: "London, Published March 3. 182c, by C. Turner, 50 Warren Fitzroy Square." B.M.; C. 254. HASTED, HENRY. After J. G. Strutt. Reftor of Horningsheath and Braisworth, Suffolk. Died 1853. Nearly w.l, sitting, dir. towards 1., looking f.; bands, black gown; arms resting on arms of chair, r. hand in lap; table to 1. on which are books, inkstand and letter; curtain in background r., trees in distance 1. i7f ^7 I3t* Masked proof. Note by Mr. J. Charrington. I. In fine upright upper and lower lettering: "Painted by J. G. Strutt. Engraved by C. Turner." In fine script lettering: " The Rev'^ Henry Hasted, A.M." In fine italic upper and lower lettering: "London, Published March 29. 1820, by J. G. Strutt, N° 34, Percy Street, Bedford Square." B.M.; C. II. The script lettering strengthened, making it thick and thin. Mr. J. S. Earle. HASTINGS, 1ST MARQUESS OF. See MOIRA. HATHERTON, HYACINTHE MARY, LADY. See LITTLETON. . 255. HAWARDEN, EDWARD, D.D. Fully to waist, sitting, dir. slightly r., looking f.; short full wig, bands, robes fastened by a chain; r. hand placed on closed book lettered: "Church of Christ." 12 by 9-|. I. In fine upright upper and lower lettering: "Engraved by C. Turner." In light open upright capitals: " Rev** Edward Hawarden, D.D." In fine script: "& Professor in the English College at Douay. \pouay in light open italic capitals] Died 23'''' April, 1735." In fine upper and lower italics: "London, Published Feb^ i*' 18 16 by Joseph Booker, 61 New Bond Street." B.M. II. The inscription (except line of publication) strengthened and made thick and thin. A line added along the centre of each letter of title line. HAY, CHARLES. See NEWTON, LORD. 256. HEAD, SIR FRANCIS BOND. After Nelson Cook. Born 1793, died 1875; Major royal engineers; served at Waterloo; Lieutenant- Governor of Upper Canada 1835-7; created a baronet 1836. To waist, dir. f., facing towards 1.; curly hair, dark coat with star on 1. breast, white neckerchief, light waistcoat, chain; curtain background. by gi. Engraved on steel. 107 CHARLES TURNER, A.R.A. I. In fine upright upper and lower lettering: " Painted by Nelson Cook, Esq""® Engraved by C. Turner, A.R.A." In light open upright capitals: "His Excellency Sir Francis Bond Head, Bart: K.C.H." In fine script: "Lieutenant Governor of Upper Canada, &c. &c. &c." From an Original Pifture painted at the solicitation of the Inhabitants of the City of Toronto, This Plate is respeftfully dedicated to Her Most Gracious Majesty's Loyal Canadian Subjefts, by their fellow Citizen & most ob* hum''' Serv* Frederick Chase Capreol. In small fine italics: "Published Sept"" i, 1837, by Fred. C. Capreol, Toronto, Upper Canada. & in London, for the Proprietor, by Mess" Dominic Colnaghi & C° Printsellers, 14, Pall Mall East, & M'' Leggatt, Printseller, 85, Cornhill." C. II. The inscription from His Excellency to i^c. ^c. iffc. strengthened and made thick and thin. The date of publication altered to: " Od;'' 10, 1837," To 1., added in fine script: "Print" B.M.; C. 257. HEARD, SIR ISAAC. J/ter J. W. Devis. Born 1730, died 1822; Garter king-of-arms 1784; knighted 1794. To waist, dir. slightly r., looking f.; rough dark hair, frill, dark coat and waistcoat, Garter badge suspended by broad ribbon from neck; curtain in background. The sub- je ^^^d died in consequence of his wounds. This Print is with Permission Dedicated to John Schank Esq"" Captain in the Royal Navy, by his much obliged & obedient Servant C. Turner." * One of 16 Guns the other 14 Guns & 140 Men each." Mr. Burdett-Coutts. II. The inscription strengthened and made thick and thin. B.M. See also under Subjedls, No. 795. 387. MOSTYN, EDWARD PRICE LLOYD, ist BARON. After Mrs. Charles Pearson. Born 1768, died 1854. Raised to the peerage as Baron Mostyn of Mostyn, co. Flint, Sept, 10, 1 83 1. To knees, standing, dir. slightly 1., looking f,; robes; 1. arm by his side, roll in 1. hand headed: "To the Right Hon^'^ The Lords Spiritual & Temporal in Parliament as- sembled"; r. hand touching paper on pedestal to 1. where are also ink-bottle and pen; pillar in background to 1., curtain behind, landscape in distance to r. Arms in centre of inscription space, motto: " Dial Gwaed Cymro." i6|- by I2|-. Before any inscription or the arms, and before lettering on the roll, C. I, In fine upright capitals: "Painted by M" Charles Pearson, Engraved by C. Turner Esq^ A.R.A " In fine italic capitals under centre of subjeft: " Published by Edward Parry, Chester, Dec'' 31, 1840." In thick and thin upright capitals with a line along the centre of each letter: " The Right Hon"'* Edward Pryce Baron Mostyn, Of Pengwern Flint- shire," In slightly thick and thin script: "From the Portrait presented to his Lordship on the 19*^ of March 1840 by his numerous Friends and admirers in testimony of the high sense entertained by them of his long career of Public and Parliamentary usefulness and as a grateful tribute to his Private Virtues," To r,, facsimile of autograph: "Mostyn:" To 1., in fine upright capitals: "Proof" *' For Subscribers Only " B.M. II. The word "Proof" erased. Sale at Pattick's^ April 28, 1905. 388. MOUNTAIN, JACOB, D.D. After H. Edridge. Born 1749, died 1825; first Bishop of Quebec, 1793. Nearly w.l., sitting, dir. towards 1., looking f.; short wig, bands, ecclesiastical robes; 1. arm on arm of chair, r. arm on table 1. on which are book and papers; curtain in background to r., interior of church to 1. i if by 8|-. Engraved on copper. In fine upright upper and lower lettering: "Painted by H. Edridge Esq"" 1819, En- graved by C. Turner," In light open upright capitals: "The R' Rev*^ Jacob Mountain, D,D," In fine script: "Lord Bishop of Quebec," In fine upper and lower italics: "Lon- don Published Feb'' 14. 1820 by C, Turner, 50, Warren Street, Fitzroy Square," B.M.; C. H7 CHARLES TURNER, A.R.A. 389. MOUNTAIN, ROSOMAN. ' After J. J. Masquerier. Born 1768, died 1841 ; wife of John Mountain, violinist. One of the leading singers of her day. Fully to waist, standing, dir. f, facing towards r,, looking upwards; rough hair, light low-necked dress with small jewel at bosom and strap round waist, dark fur-edged cloak passing over 1. shoulder and r. arm. Four bordering lines round subjeft. 9i by 8i. Before any inscription. C. I. In open upright upper and lower lettering: " Painted by I. J. Masquerier Engraved by C. Turner " In large fine script lettering: " M" Mountain " In fine italic upper and lower lettering: "Published Jan^ 3. 1804. by C. Turner. 50. Warren Street. Fitzroy Square." BM. II. The script lettering of title strengthened so as to become thick and thin. B.M.; Mr. Burdett-Coutts. III. Under line of publication, in upper and lower italics: "Republished by John P. Thompson, G' Newport Street, London." Irving Sale, December 19, 1905; Mr. H. W. Brut on {in colours). " Finish'd Mrs. Mountain & Paid for Aquatinting the Border. 10/6" — C. Turner diary, March 3. 1803. " Mrs. Mountain, new plate." — C. Turner diary, August 16. 1803. 390. MUIR, WILLIAM, D.D. After J. Graham. Born 1787, died 1869; Scottish divine. Moderator of the General Assembly; Dean of the Thistle; Chaplain to Queen Viftoria. Nearly w. 1., sitting, dir. slightly r., looking f. ; dark hair, bands, black robe with corded ornamentation ; r. knee crossed over 1., r. arm on knee, 1. arm on table to r. on which lies a large open book; curtain, pillar and church tracery in background. I7f by 14. Before any inscription. Note by Mr. J. Charrington. In fine upright upper and lower lettering: "Painted by J. Graham. Engraved by C. Turner." In fine script: "William Muir, D.D." In fine upper and lower italics: "London, Published July i. 1822 by M"" Graham, 63, Upper Charlotte Street, Fitzroy Square." B.M.; C. 391. MULGRAVE, CONSTANTINE HENRY PHIPPS, EARL OF. After H. P. Briggs. Born 1797, died 1863. Lord Lieutenant of Ireland 1835-39; Home Secretary 1839-41 ; Ambassador at Paris 1846-52; Envoy Extraordinary to Florence 1854-58. Created Marquess of Normanby 1838. To knees, standing, dir. towards f., facing towards r. ; long frock coat fastened by three buttons, cloak thrown loosely around shoulders, held by J. hand at his side, and passing under r. arm which rests on pedestal to 1.; pillar to 1. 15 by ii-|. I. In fine upright upper and lower lettering: " Painted by H. P. Briggs, Esq'* R.A. Engraved by Charles Turner, A.R.A." In fine upper and lower italics: "London, Pub- lished Jan'' 2, 1836, by Colnaghi & Company, Printsellers in Ordinary to His Majesty, & H.R.H. the Duchess of Kent, 23, Cockspur Str, Charing Cross." C. II. With additional inscription. In light open upright capitals: " Constantine-Henry, Earl of Mulgrave." In light open gothic: "Viscount Normanby." In fine script: "Lord 148 CATALOGUE OF PORTRAITS Lieutenant General, and General Governor of Ireland, &c. &c. &c." To 1., in fine italics: " i"' Proofs." B.M. III. i" Proofs changed to " Proof" V. and A. 392. MULGRAVE. HENRY PHIPPS, ist EARL OF. After Sir T. Lawrence. Born 1755, died 1831 ; statesman. Held a number of government offices, including that of Foreign Secretary; created an earl i8i2; patron of Sir David Wilkie and other artists. To waist, dir. towards r., looking f. ; white neckerchief, plain dark coat ; curtain back- ground, iifbygi- Engraver's masked proof. B.M. I, In fine upper and lower italic lettering: " Painted by Tho' Lawrence Esq"" R.A. prin- cipal Painter in Ordinary to His Majesty. Engraved by Cha* Turner," In light open upright capitals: "The R* Hon"^ Henry Lord Mulgrave," In fine script: "First Lord Commissioner of the Admiralty. &c. &c. &c." In fine upper and lower italics: " London, Published Aug'' 13. 1808, by C. Turner N° 50, Warren Street, Fitzroy Square." B.M.; V.andA. n. Date altered from Aug'' 13. 1808, to: "Nov^ 23'' 1808." B.M.; C. ; Mr. H. W. Bruton. MULGRAVE, LORD. DILETTANTI SOCIETY, No. 159. 393. MUNDY, EDWARD MILLER. After J. Hoppner. Born 1750, died 1822. Nearly to knees, standing, dir. f., facing towards 1. ; light waistcoat, plain dark coat fastened by two buttons; 1. arm leaning on bank to r., r. arm by his side, gloves in hand; tree in background to r., landscape in distance to 1. i']^ by I3|-. I. In fine upper and lower italic lettering: "J. Hoppner Esq"" R.A. pinx* C. Turner sculp*" In fine upper and lower italics: "London Published May i. 1808 by C. Turner 50 Warren Street Fitzroy Square." B.M. II. With additional inscription. In light open upright capitals: "Edward Miller Mundy Esq® M.P." In fine script: "One of the Representatives of Derby, his native County, during a period of thirty-eight successive years, from 1784, when first elefted, till the time of his decease in 1822." C. 394. MUNDY. FRANCIS NOEL CLARKE, and WILLIAM MUNDY. After R. R. Reinagle. Francis, born 1739, died 18 15, author of "Needwood Forest," 1776, and other poems. His grandson, William, born 1801, died 1877. He is sitting on 1., dir. towards r., looking f., white neckerchief, plain dark coat, and with his hands clasped before him ; in front of him a table on which are books, papers, spedlacles, inkstand and pen. His grandson stands on r., dir. 1., wears a white frill round his neck, is inclined forward, and leans with both arms on table before him, reading from a book on the table. A horizontal line tint is ruled over the inscription space. 1 31 by 16^. Masked proof before any lettering on the papers on table. B.M. Before any inscription, and before the horizontal line tint; but with the lettering on the paper and book as in state I. C; Mr. E. Layton. 149 CHARLES TURNER, A.R.A. I. Inscription on upper paper on table: "The Fall of Needwood"; one book lettered: "Burns Justice." Beneath subjeft, in fine upper and lower italic lettering: "Painted by M'' R R Reinagle Engraved by Charles Turner." In light open upright capitals: "Francis Noel Clarke Mundy Esq""" In fine script: "and His Grandson William Mundy, of Markeaton near Derby." In fine upper and lower italics: "London, Published May 12, 18 10, by M"" R R Reinagle, N" i, Upper Conway Street, Fitzroy Square." £.M. [cut]; Mr. J. Charrington. II. The inscription strengthened and made thick and thin. C. 395. NAGLE, NANO [or HONORA]. Born 1728, died 1784; devoted herself to work among the poor in Ireland. She is seen, nearly w. 1., sitting, dir. and facing f., her 1. hand holding a book open on her knee, teaching three girls, one of whom stands on 1., and the other two on r. ; landscape seen through window to r. A single stippled line surrounds the subjedl. 4 by 3i. Stipple Engraving. In upper and lower italics: "Engraved by C. Turner." In open upright thick and thin capitals: "Miss Nano Nagle," In thick and thin script: "Foundress of the Ursuline and Visitation Convents in Cork." In upper and lower italics: "London Pub. as the Aft direfts, by the Proprietor, Oft. 25, 1809." B.M. 396. NAPOLEON 1. After David- Born 1769, died 1821. To waist, dir. f., facing 1. ; lock of hair falling on middle of forehead j military coat, two stars on 1. breast. A line tinted border surrounds the subject. 9 by 6^. In fine italic upper and lower lettering: " David pinx* C. Turner sculp*" In light open upright capitals: "Bonaparte;" In fine script: "from a Pifture in the possession of the Right Hon'''^ Lord Brooke." In fine upper and lower italics: "London: Pub. June 28. 1 8 14, for the Proprietor, by Thompson, 28 S* Jamess Street." To r. in light italic capitals: "Proof." Sale at Puttick's, March 31, 1905. 397. NAPOLEON 1. After Sir C. L. Eastlake, W. L., standing at the gangway of the Bellerophon, dir. f , looking slightly 1., with thoughtful expression; hat, uniform, light breeches and stockings, decorations; 1. arm by his side, r. arm leaning on edge of ship. 24I- by 18-^. Engraved on copper. Brilliant proof, before any inscription, and with the height of the subjeft 25! inches. Mr. Harvey. I. Mezzotinting at the bottom of subjeft erased, reducing the height to 24!- inches. In fine upright upper and lower lettering: " Painted by Charles Lock Eastlake. Engraved by C. Turner." In large open light italic capitals: "Napoleon Bonaparte." In fine script: "As he presented himself at the gangway of His Majesty's ship Bellerophon, in Plymouth Sound, in the month of August 181 5." In light open gothic lettering: "To His Royal Highness the Prince Regent." In fine script: " This Print, as commemorating the result of the persevering resistance of Great Britain to the Ambition of Napoleon, and as exhibiting one of the immediate and most important consequences of the Viftory of Waterloo Is, with his Royal Highness's gracious permission humbly and respeftfuUy dedicated by his Royal Highness's most faithful and devoted Servant, Charles Lock Eastlake." In fine upper and lower italics: "Published June 26. 1816, by Mr. Eastlake Plymouth." Messrs. Ellis ^ Smith. 150 CATALOGUE OF PORTRAITS II. The lettering strengthened and made thick and thin. Painted by Charles Lock Eastlake altered to " Painted by C. L. Eastlake." Sale at Puttick's, July 21, 1905. III. The line of publication erased; instead, in fine upper and lower italics: "London, Published Aug* 26. 1816, by C. Turner, 50, Warren Fitzroy Square." BM. 398. NAPOLEON L After J. J. Masquerier. When First Consul. To waist, in a square mezzotint frame, dir. and facing towards 1., looking f. ; black neckerchief, buttoned coat with high collar, and with edging of leaves. Including frame, 17I- by 14. In thick and thin script lettering: " Painted by I. J. Masquerier, Paris, from life. Engraved by Cha^ Turner, London." In partly fiUed-in upright capitals: "Napoleone Buonaparte," In partly filled-in italic capitals: "First Consul of France." In thick and thin script: "Born at Calvi in Corsica, Department of the Golo, August 15. 1769." In small upper and lower italics: "London, Published as the Aft direfts March 21. 1801. for the Pro- prietors, & may be had at N° 22 Piccadilly." B.M.; Mr. S. S. Savery. C. Turner sale catalogue mentions "proofs" and "prints". Feb. 23. 1801 "Laid Ground for Bonaparte head." Feb 24 "Began to scrape Bonaparte " — C. Turner diary. NAPOLEON L After y. y. Masquerier. See BONAPARTE REVIEWING THE CONSULAR GUARDS. CATA- LOGUE OF SUBJECTS, No. 794. 399. NAPOLEON 1. After T. Phillips. As First Consul. Head and shoulders, in an oftagon, dir. to f., facing and looking towards r. ; black neckerchief, buttoned coat with high collar. 8f by 7. In fine script: "Napoleon Buonaparte First Consul. Painted in 1802 by T. Phillips Esq. R.A, Engraved by C. Turner." In fine upper and lower italics: "Published Feb. 23. — by M'' Turner 50 Warren Street, Fitzroy Square, London." B.M.; C. C. Turner sale catalogue mentions " artist's proofs " and " prints ". 400. NEALE, SIR HARRY BURRARD, BART. After M. Brown. Born 1765, died 184OJ admiral. Commander-in-chief of the Mediterranean 1823-26. To waist, dir. slightly r., looking f; bareheaded, frill, coat with bright braiding, epaulettes, and buttons with an anchor. 1 1 1 by 9!^. In light open upright upper and lower lettering: " Painted by Mat* Brown. Engraved by C. Turner." In fine script: "Sir Harry Neale Bar*" In fine upper and lower italics: "London, Published Nov' 19, 18 12, by Mess" Colnaghi & C° Printsellers, Cockspur Street, Hay Market." B.M.; C. 401. NELSON, HORATIO NELSON, VISCOUNT. Jfter J. Hoppner. Born 1758, fell at Trafalgar 1805. The print was published on the day Nelson was buried in St. Paul's Cathedral. W. L., standing by the sea shore, his r. foot raised on a stone, his 1. hand leaning on rock behind him, dir. very slightly 1., looking f.; bareheaded, uniform, sash, orders, r. coat-sleeve attached to sash; a fleet of warships in distance to 1. fighting. 23! by i6f. Before any inscription in inscription space, but in r. lower corner of subjeft scraped: "J. Hoppner Esq pinx C Turner sculp " B.M.; C; Mr. H. S. Theobald, K.C. I. In light italic upper and lower lettering: "Painted by I. Hoppner Esq'' R.A. Portrait Painter to H.R.H. the Prince of Wales Engraved by C. Turner" In light open upright capitals: "Admiral Lord Nelson " In fine script: " From a Pifture in the Possession of His CHARLES TURNER, A.R.A. Royal Highness the Prince of Wales, To whom by Permission, this Print is most humbly dedicated by His Royal Highness's very grateful and devoted Servant," In light open italic capitals: "J. Hoppner." In fine italic upper and lower: "London: Pub. Jan. 9. 1806, by Colnaghi & Co \Colnaght tff Co in capitals] &c. &c. &c. N° 23 Cockspur Street, opposite Suffolk Street, Charing Cross " Sir Walter Gilbey. II. The inscription strengthened. The open upright letters of title line partly filled in. A line along the centre of each letter of Hoppner's name at end of dedication. For Jan. 9. 1 806, read: " Jan^ 9. 1806," III. Modern. All inscription erased. The subjeft reduced \ in. at sides and top. Artists' names not visible in r. foreground. The plate as it still exists [Sept. 27, 1905). NELSON, HORATIO NELSON, VISCOUNT. See BRENTON'S NAVAL HISTORY, No. 58. NELSON, LORD. See "ENGLAND EXPECTS EVERY MAN TO DO HIS DUTY." No. 807. After J. Parry. 402. NEWCASTLE, HENRY PELHAM-CLINTON, 4th DUKE OF. After Sir T. Lawrence. Born 1785, died 1851. W.L., standing, dir. f., facing slightly r.; uniform, star, sash, garter; r. arm by his side, 1. hand on document addressed " To The Hon'^^^ George Edward Arnold " and signed " Newcastle" on high pedestal to r., cocked hat also on pedestal; pillar in background to r., landscape in distance to 1. by I4-|. Engraver's proof, unfinished. Before lettering on document, except the word " To ", and before any inscription. Sale at Sotheby^s, April 10, 1905. I. In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence En- graved by C Turner A R A Engraver in Ordinary to His Majesty London Published April 21'* 1830 by Mess" Colnaghi Son & Co Printsellers to His Majesty Pall Mall East" B. M. II. With additional inscription. In light open upright capitals: "Henry Pelham, Duke of Newcastle, &c. K, G." In fine script: "Lord Lieutenant of the County of Nottingham &c &c" To r., in fine upright upper and lower: "Proof" C. C. Turner sale catalogue mentions: "artist's proofs in different states, 10". NEWCASTLE, WILLIAM CAVENDISH, ist DUKE OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS, No. 459. 403. NEWTON, LORD (CHARLES HAY). After Sir H. Raeburn. Born about 1740, died 181 1; called to the Bar 1768; became Lord of Session 1806. To waist, sitting, dir. towards 1., looking f. ; wig, cravat with long ends, dark robe. i6i by I4i. Engraved on copper. Before any inscription. Mr. R. J. Ford, Enfield. In open upright slightly thick and thin upper and lower lettering: "Painted by Henry Raeburn Esq"" A,R.A. Engraved by Cha' Turner." In light open gothic with flourishes: "Lord Newton." In fine upper and lower italics: "Published, March i"* 1814, by John Marnoch, Carver & Gilder, Princes Street, Edinburgh." To r., in light open italic capitals: " Proof" B.M.; Mr. J. Charrington. C. Turner sale catalogue mentions: "artist's proofs" and "proof prints". The original pifture is in the National Gallery of Scotland, Edinburgh. 152 Pi! Q n o Q H j e^; On ►-'WO > pq oo , ^ l-H l-l H H h-1 I CATALOGUE OF PORTRAITS 404. NOEL, SIR GERARD NOEL. After Sir W. Beechey. Born 1759, died 1838. Banker in Westminster; M.P. for Rutland and Maidstone. To waist, dir. and facing slightly 1., looking f.; white neckerchief, dark coat with four bright buttons. lof by 9. Before any inscription. B.M. I. In light open upright capitals: "Sir Gerard Noel Noel Bar* M.P." In fine script letter- ing: " From an Original Pifture in the Possession of W"" Leeke Esq"* M P." In fine italic upper and lower lettering: "London Published Feb^ 10. 1821, for the Proprietor. by Cribb, King Str* Covent Garden." Mr. H. W. Bruton. II. The inscription, except lines of publication, made thick and thin. Leeke altered to "Leake." BM, 405. NOLLEKENS, JOSEPH, R.A. After Sir W. Beechey. Born 1737, died 1823. Sculptor; R.A. in 1772. To waist, standing, dir. slightly 1., looking f. ; frill, plain dark dress; r. arm on table to 1. on which stands a statuary group, r. hand holding tool. ii|- by 9|-. I. In fine upper and lower italic lettering: "London: Pub. Dec' 24, 18 14, by A. Wivell, [the name in capitals] 57, G* Portland Street, Mary le bone." In light open upright capitals: "Joseph Nollekens Esq' R.A," In light open upright upper and lower: "En- graved by Charles Turner from the Original Picture Painted by Sir W. Beechey R.A." In fine script: "To whom this Plate is by permission respeftfully Dedicated by his Obliged humble Serv* Ab" Wivell." C; V. and A. II. The letters of title line filled in by horizontal lines. B.M. III. The plate worn, and with a number of scratches over the inscription space. Mr. L. B. Mozley. NORFOLK, HENRY HOWARD, 6th DUKE OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS, No. 461. NORFOLK, THOMAS HOWARD, 4TH DUKE OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS, No. 460. NORMANBY, CONSTANTINE, ist MARQUESS OF. See MULGRAVE. 406, NORTHMORE, THOMAS. After Wm. Brockedon. Born 1766, died 1851. Writer and inventor; devoted himself to mechanics, literature, and science. To waist, dir. and facing towards 1.; frill, plain dark buttoned coat; curtain in back- ground to r. A border of lines surrounds the subjedt. iif by 9^. In fine upright upper and lower lettering: " Painted by W™ Brockedon. Engraved by C.Turner." In fine script: "This Print of Thomas Northmore Esq'" [the last three words in light open upright capitals] Is respeftfully dedicated to the Admirers of his Patriotism, Independance [/zV] & public Spirit, by their most ob* & humble Serv* James Taylor." In fine upper and lower italics: "Published July 14. 1818, by James Taylor, N" 246, High Street, Exeter." B.M.; C; Mr. L. B. Mozley. 407. NORTHUMBERLAND, HUGH PERCY, 2nd DUKE OF. After Stuart. Born 1742, died 1817. General in America 1776; K.G. 1788; Colonel of the Horse Guards 1806-12, CHARLES TURNER, A.R.A. To waist, in square frame, dir. f., facing!.; powdered hair, uniform, sash, star. I7i by 13-; Before any inscription, Mr. J. Charrington. I. In fine small script lettering: "Stuart, pinx* Cha* Turner, sculp*" In fine script, an light open italic capitals: "His Grace the Duke of Northumberland, K.G. &c. &c. & From an original Pifture in the possession of Alex'' Davison Esq' " In fine upper and lowf italics: "London Pub^ Nov' 18. 1804 by G. Andrews, N° 7 Charing Cross." C; M J. Charrington. II. The inscription strengthened and made thick and thin; the open capitals filled in wit horizontal lines. The line of publication erased, and re-engraved immediately under centj of subjeft, except, for G. Andrews read " C. Andrews " C. 408. O'HIGGINS, DON BERNARDO. During the Revolution in Chili (18 10-17), when the country secured its independenc from Spain, O'Higgins was one of the military leaders; and in 1817 he becam Supreme Director of Chili. To waist, dir. and looking f, facing slightly r.; curly hair, side whiskers, uniform, sta, sash; hat in r. lower corner. 5i by 4. In fine upright upper and lower lettering: " C. Turner Sculp*" In light open uprigl capitals: "O'Higgins." In fine upper and lower italics: "London, Published 1829 b Longman & Co." Frontispiece to Vol. II. Memoirs of General Miller" by John Mille, second edition, London, 1829. The frontispiece to Vol. I of the " Memoirs of General Miller " is a portrait of Williai Miller, q.v. 409. O'NEIL, ELIZA. After C. Renru. Born 1791, died 1872; adlress. Her most celebrated charadter, "Juliet," which sb performed in Dublin, and afterwards at Covent Garden. In 181 9 married Mr., afte- wards Sir, William Wrixon-Becher, and retired from the stage. Nearly w.l., sitting, dir. slightly r., looking 1.; necklace, light dress, scarf over r. arn; r. arm resting on balustrade. Plate size, i if by 8.. The Plate is lightly engraved in Stipple with some stipple shading; oi copper. I. In partly filled-in italic capitals: " Miss O'Neil " In thick and thin script: "in Juliet' In fine upper and lower italics: "London Published Dec' 16. 1814, by C. Turner, 51, Warren S* Fitzroy Square." To r., in italics: "Proof" Mr. Burdett-Coutts. II. The word Proi?/' erased; instead: "Print" B.M. III. The word Print erased. With additional inscription in thick and thin script lettering "Drawn by C. Renrut. Engraved by C. Turner." Sale at Sotheby's, May 19, 1905. ORANGE, WILLIAM ("THE SILENT"), PRINCE OF. See PORTRAIT^ OF ROYAL PERSONAGES, No. 475. 410. ORANGE, WILLIAM VII, PRINCE OF. Jfter J. S. Cople. William Frederick, eldest son of William I, King of the Netherlands. Aide-de-cani to the Duke of Wellington in the Peninsular War. Became King of the Netherlanc (as William II) in 1840, on the abdication of his father, and died March 17, 1849. To waist, dir. f., facing towards r.; uniform, hat, medal; r. hand holding sabre witi point raised above his head. by 9-^. Engraved on copper. CATALOGUE OF PORTRAITS I. In small fine upper and lower italics: " I. S Copeley [sic] Esq'' R.A. pinx* F.A.A. M.A.A.A. Cha* Turner sculp' " In fine script : " His Serene Highness " In light open upright capitals : "The Hereditary Prince of Orange" In fine upper and lower italics: "London: Pub"* Dec'' 4*" 1 813, by C. Turner, 50, Warren Street, Fitzroy Square & Colnaghi & C° Cock- spur Street" To r., in light open italic capitals: "Proof." B.M.; C; Mr. H. W. Bruton. II. The inscription strengthened, the open letters of title line filled in with shading, a full stop added after Orange, the word Proof erased. B.M. 411. ORFORD, HORATIO WALPOLE, EARL OF. After Henry Walton. Born 1723, died 1809; cousin of Horace Walpole, the author and collector, whom he succeeded in 1797. To waist, sitting, dir. and facing towards r.; hair in short curls, coat with high collar and fastened by one button. I2|- by 10. I. In r. lower corner of subjeft, scraped: "set: 83: 1806." Under, in fine italic upper and lower lettering: " Henry Walton pinx' C. Turner sculp'" In light open upright capitals: "The Right Hon""' The Earl of Orford." In fine script: "This Print is Dedicated by permission to the R' Hon''''' Lady Katherinc Walpole, by her obed' & very humble Serv' Henry Walton." In fine italic upper and lower: "London, Published May 1806, for the Proprietor by R. Cribb, N° 288, Holborn." B.M.; Mr. J. S. Earle; C; Mr. H. W. Bruton. II. The lettering strengthened and made thick and thin. A line added in the centre of each letter of the open capitals. C. ORLEANS, HENRIETTA, DUCHESS OF. See PORTRAITS OF IL- LUSTRIOUS CHARACTERS, No. 455. 412. ORLOFF, COUNT ALEXIS FCEDOROVITCH. After A. E. Chalon. Born 1788, died at St. Petersburg 1861. Created a count on the accession of the Emperor Nicholas I, 1825; President of the Council of the Empire; Plenipotentiary Ht the Congress of Paris, 1855. Fully to waist, dir. f., facing towards r.; uniform, a number of decorations, sash; cloak across r. arm, 1. arm laent, hat in 1. hand. The corners of subjedt taken ofF, making it ;m irregular o£lagon. Five bordering lines round subjedt at a distance of f in. from the work. I5i by iif. Preliminary etching, by John Bull. B.M. Finished. Before any inscription, and before the bordering lines. B.M. I. The bordering lines added. In fine small upright capitals: "Drawn by A. E. Chalon, Esq. R.A. Engraved by C. Turner, A.R.A. London Published April 5'^ 1841, by F. G. Moon, Her Majesty's Publisher, 20, Threadneedle Street." B.M. II. Title added in fine script lettering: " Count OrlofF." B.M. 413. PACK, SIR DENIS, K.C.B. After Saunders. Born about 1772, died 1823; general. Engaged on adlive service in Flanders, at the Cape of Good Hope, and in the Peninsular; commanded a brigade of Pidlon's division at Waterloo. Appointed Lieutenant Governor of Plymouth, August 12, 1819. To waist, dir. f., facing slightly r.; bareheaded, uniform with cording at r. shoulder, medals and decorations; in background wall with archway. lof by 8f. I. Inscription as in State II, but before the " " between the words by and Saunders, Mr. H. W. Bruton. II. In fine upright upper and lower lettering: "Painted by Saunders Esq' En- graved by C. Turner A.R.A." In fine script: "Major General" In Hght open upright CHARLES TURNER, A.R.A. capitals: "Sir Denis Pack, K. C. B." In light open gothic: " Lieu* Governor of Plymouth &c. &c. &c." In fine upper and lower italics: "London, Published Jan^ I. 1834, by M"" Turner, 50, Warren Street, Fitzroy Square." B.M. PALMER, JANE. See BOWLES, Nos. 52 and 53. 414. PARISOT, MADEMOISELLE. Jfter J. J. Masquerier. A celebrated dancer at the London Opera House w^hen, in 1798, Shute Barrington, Bishop of Durham, made his protest against the licentiousness of the ballet. She was one of the three dancers in Gillray's caricature, "La Danse i I'Ev^que." In 1807, Mile. Parisot married Mr. Hughes of Golden Square. W.L., in an oval, in foreground of a landscape, dancing, with 1. toes touching the ground, lightly clothed, r. breast bare, arms raised and swinging a garland over her head. A stippled line surrounds the subject. 8-|- by 6|-. Stipple Engraving. I, In fine script : " I. J. Masquerier pinx* C. Turner sculp' Mademoiselle Parisot." In fine upper and lower italics : " Published as the Aft direfts Jan'' 17. 1799, by C. Turner, N° 40, Castle Street, Oxford Market." B.M. II. The inscription strengthened and made thick and thin. In line of publication the words after direSis erased; instead, in manuscript: "P. R. Grellier 11 Coventry S*." Mr. Burdett-Coutts imprinted in colours). Nov. 20. 1798. " Began the outline Parisot." Nov. 22. "Began the etching Parisot." Nov. 25. "Aqua Fortis all day." Jan. 12. 1 799. " Regrav'd the flowers of Parisot." Jan. 31. "Morning to M'' Dixon to see Parisot Plate printing." — C. Turner diary. 415. PARR, REV. SAMUEL, LL.D. After J. J. Halls. Born 1747, died 1825; scholar and critic. Schoolmaster at Harrow, Stanmore, Col- chester, and Norwich. Curate at Hatton, Warwickshire. His writings were issued in a coUecSted form in 1828. Nearly w.l., sitting in large chair, dir. and facing f.; short wig, bands, gown, over which is a dark coat with black braiding; 1. hand within waistband, r. hand in lap. I7i by I3f. Masked proof. Mr. J. Charrington. I. In fine upper and lower italic lettering: "Painted by I. J. Halls. Engraved by C.Turner." In light open gothic: "To Her Royal Highness the Princess of Wales," In light open upright upper and lower: "this Print." In light open upright capitals: "Of the Rev^ Samuell \sic\ Parr, L.L.D." In fine script : " Is humbly dedicated by her Royal Highness' most obedient & devoted Servant" In light open italic capitals: "I. I. Halls." In small upper and lower italics: "London: Pub. March i. 18 14, by J. Halls, 46, Great Marlboro Street, Oxford Street." B.M.; C; V. and A. II. The lettering, except artists' names and publication, made thick and thin. C. 416. PAXA. W.L., dir. f., facing slightly r., in oriental costume and wearing a short sword attached to a belt slung over r. shoulder; 1. arm by his side, r. hand placed within breast of coat. He is walking under the veranda of a building, followed by two attendants in uniform. i6i by I2f. Aquatint. In open upright thick and thin capitals: "Raja Paxa," In thick and thin script: "Chief of the Cast \sic\ of Cinnamon-Peelers, in the Island of Ceylon. A zealous Promoter of •56 CATALOGUE OF PORTRAITS the Establishment of Schools, and the Abolition of Slavery, in Ceylon, and generally es- teemed by Natives and Europeans, for his Hospitality, Urbanity, Learning and enlightened Views." In fine upright upper and lower lettering: "Engraved by M'' Charles Turner, from an original Drawing by a Native of Ceylon." In thick and thin script: " For a very detailed account of Raja Paxa's plan for the establishment of Schools in the Island of Cey- lon, and for his history of his own Cast, see the Appendix to the Seventeenth Anniversary Report of the Church Missionary Society, as also the Colonial Journal." In fine upper and lower italics: "London, Published Sept'' 20. 1 8 19 by C. Turner (for the Proprietor) at N" 50 Warren S' Fitzroy Square." B.M. 417. PAYNE, PHILIP. Jfter T. R. Davis. W.L., on horseback, turned to 1,, wearing huntsman's dress, and surrounded by the pack of Pytchley hounds, some of them marked " B park in distance. i8|- by 26^. Preliminary etching. C. Turner sale catalogue. In light open upright upper and lower lettering: "Painted by T. R. Davis Esq"". Student of the Royal Academy, London. Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: " Philip Payne." In fine script: "Huntsman to His Grace the Duke of Beaufort on his favorite Horse (Cherring- ton) with hounds This Print [the word Print in light open italic capitals] is dedicated by permission to His Grace by his most Obd' Humble Servant " In facsimile of auto- graph: "Tho° R Davis" In fine upper and lower italics: "Published Dec"" 8"" 1826, by Ackerman, Strand, London, M'' Thompson & M' Parker, Oxford. — & Duffield & Weller, at Cheltenham, & Bath." B.M. C. Turner sale catalogue (lot 731) mentions "artist's proofs," "proof prints" and " prints ", 418. PEARCE, WILLIAM, D.D. Jfter T. Kerrich. Born 1744, died 1820. To waist, dir. towards f., facing very slightly 1.; short wig, bands, black gown. Arms in centre of inscription space. ii|^ by 10. In fine upright upper and lower lettering: "T. Kerrich del* C. Turner sculp' " In light open upright capitals: "William Pearce, D.D. F.R.S. Dean of Ely, Master of Jesus Coll. Cambridge, Late Master of the Temple." In fine upper and lower italics: "London, Published April 12, 1818, by M"" Turner 50 Warren Street, Fitzroy Square." B. M.; C; Mr. H. W. Bruton. 419. PEEL, SIR ROBERT. After Sir T. Lawrence, Born 1788, died 1850; second baronet. First elefted M.P. in 1809; held several offices. Became Prime Minister in 1834, and again in 1 841, with "seven past or future Prime Ministers, and five Viceroys of India, members of his party." ( Di£l. Nat. Biog.) To knees, standing, dir. f., facing towards r.; high shirt collar, white neckerchief, plain dark dress, watch-chain; 1. hand on hip, r. fingers on table to 1. on which is a despatch box; curtain in background to 1. Eight bordering lines surround the subject. i6i by I2f. I. With publication line only, as in State II. Mr. J. Charrington. II. In small upright upper and lower lettering: " Painted by Sir Thomas Lawrence, Principal Painter in Ordinary to His Majesty, P.R.A. &c. &c. &c. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In fine upper and lower italics: "Pall Mall East, London, Published Dec' 26, 1827, by Mess" Colnaghi, Son, & C° Printsellers to the King, &c. &c." To r.: " Printed by J. Lahee." B.M.; C. '57 CHARLES TURNER, A.R.A. III. With additional inscription. In light open gothic lettering: "To the Kings Most Excellent Majesty." In open upper and lower script: "This Portrait of" In light open upright capitals: "The Right Honorable Robert Peel, M.P." In fine script: "Secretary of State for the Home Department &c. &c. &c. Is Dedicated with Gracious permission by His Majesty's very humble and much obliged Subjefts and Servants" In light open italic capitals: " Colnaghi, Son & C°." Date of publication altered to: " March 20, 1 828," After {ffc. i^c.j in line of publication, added: "and C. Turner, 50, Warren Str. Fitzroy Square." To 1., in small italic capitals: "Proof." B.M.; C. IV. All inscriptions erased, except the lines of painter and engraver's names. Instead, in upright filled-in capitals: "The Right Hon"" Sir Robert Peel, Bar*" In italic filled-in capitals: "First Lord of the Treasury." In thick and thin script: "Chancellor of the Exchequer, &c. &c." In fine upright upper and lower: "London Published Jan^ i^' 1835 by Colnaghi, Son & Co. Printsellers to the Royal Family, 14, Pall Mall East." [the last three words in capitals]. B.M. V. All inscriptions again erased except the lines of painter and engraver's names. Instead, in fine upright upper and lower lettering immediately under centre of subjeft: " Published at 14, Pall Mall East, by Paul & Dominic Colnaghi & C° Publishers to Her Majesty &c. &c. Odlober 2"^ 1841." In open upright thick and thin capitals with a line along the centre of each letter: "The Right Hon"^^ Sir Robert Peel Bar' M.P." In similar gothic lettering: "First Lord of the Treasury." To r., in facsimile of autograph: "Robert Peel." C. 420. PEEL, SIR ROBERT. Jfter Sir T. Lawrence, To waist, dir. f., facing towards r.; high shirt collar, white neckerchief, plain dark coat and waistcoat, watch chain. by 9^. I. In light open upright upper and lower lettering: "Painted by Sir Thomas Lawrence. P.R.A. Engraved by C. Turner, A.R.A." In fine upright capitals under centre of sub- jeft: "P. & D. Colnaghi & Co. 14, Pall Mall East." In facsimile of autograph: "Robert Peel" In light open upright upper and lower lettering: "London. Published March 26, 1836, by Paul & Dominic Colnaghi & Co. Printsellers to the Royal Family 14, Pall Mall East." [the last three words in capitals]. B.M.; C. II. The lettering of the artists' names made slightly thick and thin. The autograph erased; instead, in thick and thin script: "The Right Hon"'' Sir Robert Peel, Bar* M.P. dedicated by Permission to Lady Peel." B.M. 421. PEMBROKE AND MONTGOMERY, ELIZABETH, COUNTESS OF. After Sir G. Hayter. Elizabeth, second daughter of Charles Spencer, 3rd Duke of Marlborough; in 1756 married Henry lOth Earl of Pembroke, and died 1831. Nearly to knees, an old lady, sitting, dir. and facing slightly r., looking f.; lace cap and collar, short curls, dark dress, shawl, r. arm on arm of chair, 1. arm on table to r. on which lie letter and watch, handkerchief in 1. hand; curtain in background to r. I Of by 9. Engraved on copper. Before any inscription. C. In fine upper and lower italics: " Painted by George Hayter, Esq'&c. &c. Engraved by. C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: " Elizabeth Countess of Pembroke," In fine script: " From the original Painting in the colledlion of Lord Churchill," In light open upright capitals: "At Cornbury Park." In fine upper and lower italics: "London Pub^ Oft"" i 1824 by C Turner 50 Warren Street Fitzroy Squ'" B.M.; C; Mr. H. W. Bruton. 158 CATALOGUE OF PORTRAITS PENN, WILLIAM. See PORTRAITS OF ILLUSTRIOUS CHARACTERS, No. 462. 422. PENN FAMILY, THE. After Sir J. Reynolds, Children of Thomas Penn (born 1702, died 1775) of Stoke Park, Bucks; joint pro- prietor, with his brother, of Pennsylvania. Four children. One stands on stone towards 1., and reaches up to pluck a bunch of grapes from tree, other grapes held in skirt by 1. hand; a younger child, in centre, offers bunch of grapes to an infant who sits on pedestal of large vase to r. and is held by the eldest girl; a turban on ground towards 1. Arms in centre of inscription space; a line border encloses the subjeft, and the inscription space is also lined. I9f by I4f. Before any inscription, Mr. Fritz Reiss. I. In fine upright upper and lower lettering: "Painted by Sir Joshua Reynolds. Engraved by C. Turner, Warren Street." In fine upper and lower italics as a key to the persons represented: "Louisa Hannah Penn B" 1756, D** 1766. John Penn B° 1760. Juliana Penn B" 1753, M** 1771, D'^ 1772. Granville Penn B° 1761." In fine script: "This Print of the Penn Family is with Permission dedicated to John Penn Esq'' by his obliged & humble Serv* C. Turner." In fine upper and lower italics: "London, Published Dec' 25. 18 19, by C. Turner, N° 50 Warren Street, Fitzroy Square." II. The script lettering strengthened and made thick and thin. B.M.; Mr. J. Char- rington. 423. PERCEVAL, SPENCER. After G. F. Joseph. Born 1762, died i8i2; statesman. Prime Minister 1809. Assassinated by John BeUingham in the lobby of the House of Commons, iith May, 181 2. To waist, sitting; dir. and facing towards 1.; white neckerchief, dark buttoned coat with high collar, 1. arm on arm of chair, paper in 1. hand; curtain background. The surface of the plate beyond the portrait is covered with a horizontal line tint. by 9|. Engraved on copper. In light open upright upper and lower lettering: "Painted by G. F. Joseph Engraved by C. Turner" In fine script: "The Right Hon"'*" In light open upright and italic capitals: " Spencer Perceval, First Lord of the Treasury," In fine script: "and Chan- cellor of the Exchequer. &c. &c. &c." In fine upper and lower italics: "Died by the Hand of an Assassin 1 1*^ May 181 2. London, Published for the Proprietor Aug" I. 1812. by C. Turner N° 50. Warren Street Fitzroy Square." B.M.; C. 424. PETTY, LORD HENRY. After Henry Walton. Lord Henry Petty-Fitzmaurice ; born 1780, died 1863. Chancellor of the Exchequer 1806-7; succeeded as third Marquess of Lansdowne 1809; Home Secretary 1827- 28; trustee of the British Museum, National Gallery, and National Portrait Gallery, Lord President of the Council 1830-34, 1835-41, and 1846-52. To waist, an oval in a square, sitting, dir. f., facing towards r.; rough hair, white neckerchief, frill, buttoned coat. by 10. Engraver's touched proof, before any inscription. C. I. In light open upright upper and lower lettering: "Henry Walton Pinx* C.Turner sculp*" In light open upright capitals: "The R* Hon"* Lord Henry Petty." In light open gothic, etc.: "Chancellor of the Exchequer &c. &c." In fine script: "This Print is with permission humbly didicated [sic) to his Brother The most Noble Marquis of Lans- CHARLES TURNER, A.R.A. downe, by his obedient & very humble Serv* Henry Walton." In fine upper and lower italics: "London, Published April. 19. 1806, (for the Proprietor) by R. Cribb 288, Holborn." B.M.; Mr. J. Charrington; Mr. H. W. Bruton. II. The letters of title line partly filled in. 425. PHILIPPS, JAMES. After G. Sharpies. Schoolmaster at Haverfordwest, and afterv^rards Congregational minister at Grafton Square, Clapham. Began his ministry there in 1807, and died 1824. The print v^^as published in the year of his death. To knees, sitting, dir. towards r., looking f.; white neckerchief, plain dark dress; arms resting on arms of chair, both hands holding small open book before him. 9i by 8f . I. In fine upper and lower italics: "London, Published Sep*' l" 1824, by Hurst, Robin- son & C° 90, Cheapside." B.M. II. With additional inscription. In fine upper and lower italics: "Painted byG Sharpies Engraved by C. Turner Mezzotinto Engraver in Ordinary to his Majesty." In open upright slightly thick and thin capitals: "Rev^ James Philipps," In open italic slightly thick and thin capitals: "Clapham, Surry." 426. PHILLIPS, HENRY. J/ter J. W. Wright. Born 1801, died 1876; bass singer and adtor. The Freebooters was an English ver- sion of F. Paer's "I Fuorisciti," performed at the English Opera House (Lyceum Theatre) about 1827 or 1829. W.L., as Uberto in the opera of The Freebooters, standing, advancing towards f.; clad as a robber with dagger and pistol in belt, cloak on 1. arm, gun in r. hand; open landscape background. ii|- by 8|-. Engraved on copper. Before any inscription. C. In fine upright upper and lower lettering: "Painted by J. W. Wright. Engraved by C. Turner, A.R.A. Engraver in Ordinary to His Majesty." In fine upper and lower italics: " London, Published March i, 1829, by M"" Turner, 50 Warren Street, Fitzroy Square." B.M. C. Turner sale catalogue also mentions "proof prints" {i.e. with title). 427. PHIPPS, HONBLE. EDMUND. After J. Jackson. Born 1760, died 1837; general. To waist, dir. towards r., looking f.; bareheaded, uniform with cording on and depending from r. shoulder. lOf by 8f. Engraved on copper. In fine upright upper and lower lettering: " Painted by J. Jackson Esq"" R.A. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In fine script: " General The Hon"^ Edmund Phipps, Colonel Commandant of the L* Infantry Bat- talion 60**^ Reg* and One of the Representatives in Parliament for the Borough of Scarborough." In fine upper and lower italics: "London, Published lo**^ Feb^ 1824, by C. Turner, 50 Warren Street, Fitzroy Square." B.M.; Mr. H. W. Bruton; Mr. L. B. Mozley. 160 INTERIOR OF A COTTAGE 1809 AFTER GAINSBOROUGH CATALOGUE OF PORTRAITS 428. PIAZZI, GIUSEPPE. Born 1746; died 1826. Monk and mathematician; director-general of the observa- tories at Naples and Palermo. Nearly to waist, dir. and facing in profile to 1., skull cap, curly hair, quite plain coat. Beyond the subjedl is a border of horizontal lines. 9f by yf. In fine upper and lower italics : " Engraved by C. Turner." In light open upright capitals: "Joseph Piazzi," In fine script: "ne a Ponte dans la Valteline en 1746." In fine upper and lower italics: "London: Pub" Sept'' i. 1813 by Mess" Colnaghi & C° Cockspur Street, Haymarket." B.M. 429. PICTON, LT.-GENL. SIR THOMAS. Jfter Sir M. A. Shee. Born 1758, died 1815; general. Savi^ much aftive service; G.C.B., 1815; wounded at Ouatre Bras, and fell while leading his brigade to the charge at Waterloo. W.L., standing, dir. f., facing slightly 1. ; black neckerchief, uniform, sash, scarf round waist, high boots, spurs, medals and decorations, 1. arm by his side, plumed hat in hand, r. hand holding sword pointing upwards; battle in progress in distance, with attack on a fortress to 1. 26^ by 18. I. In fine upright upper and low^er lettering: " Painted by M. A. Shee Esq' R.A. En- graved by C. Turner." In fine script : " Lieu*. General Sir Thomas Pifton, G.C.B. and K°* of the Portuguese Order of the Tower and Sword." In fine upper and lower italics: "London, Published Oft' 20. 18 18, by C. Turner, 50 Warren Street, Fitzroy Square." B.M. II. The line of publication erased; instead, under centre of subjedl, in fine upright upper and lower: "London, Published May 2"** 1842, by Welch & Gwynne, Printsellers to the Royal Family, 24 S* James's Street." Sale at Puttick's, Nov. 23. 1906. 430. PICTON, LT.-GENL. SIR THOMAS. After Sir M. A. Shee. To knees, standing, dir. f., facing towards 1. ; bareheaded, black neckerchief, uniform, decorations, sash, scarf round waist ; r. hand holding sword with point upraised, 1. arm by his side, 1. hand gloved and holding hat. Two bordering lines surround subjeft. I5ibyi3i. Before any inscription. F. and A. In fine upright upper and lower lettering: " Sir M. A. Shee, P. R.A. London: Published by Welch & Gwynne, 24,8* James's Street, 1843. C. Turner, A. R.A." In fine script: "Lieu* General Sir Thomas Pifton G.C.B. &c. &c. &c." B.M. 431. PILFOLD, JAMES. After T. Walton. To waist, dir. f., facing slightly r. ; short wig, light neckerchief, dark double-breasted buttoned coat. 10^ by I. In fine upper and lower italic lettering: "Painted by T. Walton. Engraved by C. Turner" In light open upright capitals: "James Pitfold," [jzV] In fine script: "Aged 80. — And 50 Years a Messenger, in the Auditors Office, Exchequer." In fine upper and lower italics: "London, Published Dec' 25*'' 1809, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C. II. The inscription strengthened; the letters of the title ("James Pitfold ") partly filled in. B.M. {in the impression, the T of Pitfold has been made into an L). 432. PILLANS, JAMES, LL.D. After Sir H. Raeburn. Born 1778, died 1864; educational professor and reformer at Edinburgh. 161 Y CHARLES TURNER, A.R.A. Nearly w. 1., sitting, dir. towards 1., looking f. ; frill, dark dress, reading-glass suspended from neck, black gown ; 1. hand on knee, r. hand holding book with fore- finger between leaves; r. arm on table to 1. on which lie four books; curtain in back- ground to r. i5f by 12^. In fine upright upper and lower lettering: "Painted by Sir Henry Raeburn R.A. Engraved by C. Turner, Member of the American Academy of Fine Arts." In fine upper and lower italics under centre of subjeft: "Published Sept'' i, 1823, by David Hatton, Printseller to his Majesty, Princes Street, Edinburgh." In fine script: "Jacobus Pillans, Scholae Regiae Edinensis, per undecim annos, Reftor. E Tabula pifta, quam, caritatis ergo, ibi ponendam curaverunt Discipuli MDCCCXXI." B.M.; C; V. and A. 433. PITT, WILLIAM. After Sir T. Lawrence. Born 1759, died 1806. Entered Parliament as member for Appleby 1781; became Prime Minister at the age of twenty-four, " the announcement being received with laughter in the House of Commons." — DiSl. Nat. Biog. Nearly to knees, standing, dir. towards r., facing towards 1. ; white neckerchief, plain dark dress ; r. arm by his side, hand holding roll of paper, 1. forefinger pointing on large sheet of paper on table behind him to r. ; curtain behind table ; pillar and cord with tassel to 1. 18^ by 14I-. Engraved on copper. An early masked proof. BM. In fine upright upper and lower lettering: "Painted by Sir T. Lawrence Engraved by C. Turner, A.R.A." In fine script: "To the Noblemen and Gentlemen Members of" In light opengothic: "The Carlton Club." In light open italic capitals: "This Print of" In light open upright capitals: "The Right Honorable William Pitt." In fine script: " Is with permission respeftfully dedicated by their most obedient & very humble Ser- vant C. Turner." In fine upper and lower italics: " London, Published March l" 1837, by M"" Turner, N° 50, Warren Street, Fitzroy Square." To 1., in fine itaUcs : " Proof" Mr. J. Charrington; C. C. Turner sale catalogue mentions "artist's proofs" "proofs before letters" " proof prints" and "reduced prints". 434. PITT, WILLIAM. After Sir T. Lawrence. Nearly to the knees, standing, dir. f., facing and looking towards 1.; frill, plain dark coat with high collar and with three buttons fastened; 1. hand on hip, r. fingers touching large paper on table to 1. on which are writing materials; curtain and pillar in background. 17^ by I3|-. ? Engraved by Charles Turner. A brilliant masked proof which just shows that the inscription space had not been cleared. On the back of impression is written in pencil: " Plate destroyed only 6 impressions taken off." Sale at Christie^ March 28, 1905. In light open upright capitals: "The Right Hon"® Will"" Pitt." In fine upper and lower italics: "Cambridge, Publish'd Feb' 28, 1 8 14, by W. D. Jones, at his Repository of Arts, Market Hill." BM. 435. PLOWDEN, REV. ROBERT. After Mather Brown. To waist, dir. very slightly r., looking f.; white hair, white neckerchief, plain dark coat fastened by one button; curtain in background. I2 by 9|-. In fine upright upper and lower lettering: *' Painted by Mather Brown. Engraved by 162 CATALOGUE OF PORTRAITS Charles Turner." In light open upright capitals : " Rev** Robert Plowden, S.J." In fine upper and lower italics: " London, Published July 19. 1815, by Mess" Colnaghi & C" Cockspur Street, Haymarket." B.M. 436. PLUMER, WILLIAM. After Sir T. Lawrence. Born 1737, died 1822. W.L., standing, dir. f., looking slightly r. ; powdered hair, slight waistcoat, breeches and stockings, dark coat fastened by one button; r. hand holding walking stick on which he leans, 1. hand on book " List of Subscribers," on paper on cloth-covered table to r., book lettered "Magna Charta" beneath table; large vase on pedestal in background to r., fluted column to 1. 24f by 14!^. Engraved on copper. Unfinished proof before any inscription; before lettering on the two books; vase and table-cloth not finished; face apparently complete. Mr. J. Charrington. Masked proof before any inscription on the vase, and before the lettering on the books. Truman Sale, April 27. 1906. I. In fine upright upper and lower lettering: "Painted by Sir Tho' Lawrence R.A. Principal Painter in Ordinary to his Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square." In light open upright capitals: "William Plumer Esq'"" In fine script: " One of the Representatives of the County of Hertford in Eight successive Parlia- ments. At the request of a numerous body of his Constituents by whom he was pre- sented with an elegant Vase in Memory of his long and faithful Services." In fine upper and lower italics: " London Pub^ May I. 1 8 17, by C. Turner, 50 Warren S* Fitz- roy Square." BM. II. Some indistinft inscription added on vase, beginning: "To William Plumer" and with the date: " MDCCCVIII." Truman Sale, April 27. 1906. III. The date of publication altered to: "Oft" i. iSiS." B.M.; Mr. J. Charrington; C; Mr. E. Layton. 437. PLUMER-WARD, ROBERT. After H. Briggs. This plate is mentioned in the C. Turner sale catalogue: Lot 658. "Ward (R. Plumer) half-length, after H. Briggs. Artist's proofs, 5; proofs before letters, 4; print, I. [Plate size] 9 by 5." 438. POLAND, JOHN III (SOBIESKI), KING OF. Born 1629, died 1696. Ascended the throne of Poland 1674. " An illustrious warrior, whose viftories over the Cossacks, Turks, and Tartars procured him the crown." To waist, in an oval, dir. f., facing towards r., head uncovered, moustache, fur cloak with jewelled strap. A single stippled line surrounds the oval. 3f by 3. Stipple Engraving, on copper. In fine upright upper and lower lettering: "C.Turner sculp'" In light open upright capitals: "John Sobieski, King of Poland." In fine small upper and lower italics: "Lon- don, Published Feb. 20. 181 5, by Longman, Hurst, Rees, Orme & Brown, Paternoster Row; and Miller, Albemarle Street." B.M. POLE, SIR CHARLES MORICE. See BRENTON'S NAVAL HISTORY, No. 60. 439. PORSON, RICHARD. After T. Kirkby. Born 1759, died 1808; Greek scholar, and a man of remarkable memory. 163 CHARLES TURNER, A.R.A. Nearly w.l., sitting, dir. slightly and facing more to 1. ; hair over forehead, white neckcloth, black gown over plain dark coat; arms on arms of chair, paper in 1. hand; curtain and pillar in background to 1. I7f ^7 '4' Before any inscription. C. I. In fine upper and lower italic lettering: "Painted by T. Kirkby in the Possession of the Rev*^ E. D. Clarke. Engraved by C. Turner " In light open upright capitals: "Richard Person, M.A." In fine script: "Late Greek Professor in the University of Cambridge." In fine upper and lower italics: "Published Oftober 1812, by R. Harraden and Son, Cambridge. Publishers of a History of the University & Town ot Cambridge, Illustrated with 36 Views of Colleges, Halls, Public Buildings, &c. &c. Price 4. 4. o. also a Fine Print from the Statue of Sir I. Newton in Trinity College Chapel, Cambridge." To r. in fine upper and lower italics: "Proof" B.M.; C; V. and A. II. The lettering strengthened. The name and description of personage made thick and thin. The word Prco/" erased. 440. PORTER, JOHN, D.D. After Sir T. Lawrence. Fellow of Trinity College, Cambridge; chaplain to Earl Camden when Viceroy of Ireland; Bishop of Killala, 1795; and of Clogher, 1798. Died 1819, To waist, dir. f., facing towards 1. ; short wig, bands, ecclesiastical robes ; curtain in background. lof by Sf. In fine upper and lower italics: "Painted by Sir Tho' Lawrence Principal Painter in Ordinary to His Majesty P.R.A. &c. &c. &c. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: "John Porter, D.D." In fine script: "Lord Bishop of Clogher" In fine upper and lower italics: " London, Pub" Oft"" 10"' 1825, by C. Turner, 50 Warren Street Fitzroy Square." BM. 441. PORTEUS, BEILBY, D.D. After J. Hoppner. Born 1 73 1, died 1808; chaplain to George IIL Bishop of Chester, 1776 ; of London, 1787. Nearly w. 1., sitting, dir. towards 1., looking f. ; short wig, bands, ecclesiastical robes; arms on arms of chair, r. hand holding cap on knee; inkstand and open book on table to 1., the book leaning against book shelves; curtain to 1. and overhead. 17^ by I3f. Before any inscription. C. I. In fine upper and lower italics: " Painted by J. Hoppner Esq"" R.A. Engraved by C. Turner." In fine script: " Beilby Porteus, D.D. [these two initials in light open italics] Bishop of London." In fine upper and lower italics: "Published May 16. 1807, by C. Turner, N° 50, Warren Street, Fitzroy Square, London." BM.; C; V. and A. II. The lettering of title strengthened and made thick and thin. Publication erased; instead: "London, Published 24 July, 1808, by R. Cribb 288, Holborn." Sale at Sothebfs^ Nov. 27. 1906. 442-466. PORTRAITS OF CHARACTERS ILLUSTRIOUS IN BRITISH HISTORY. Engraved title page: Portraits/ of/ Charafters Illustrious/ in/ British History/ from the/ Beginning of the Reign of Henry the Eighth/ To the end of the Reign of James the Second/ Engraved in Mezzotinto/ By/ Richard Earlom & Charles Turner,/ From Original Pictures, Miniatures &c./ Vol. 1./ London/ Published by S. Woodburn 112 S* Martin's Lane/ Tomkins Scr* Girtin sculp*^ Charles S* Soho./ 4°. 164 CATALOGUE OF PORTRAITS About i8 10-12 a volume was issued, with the above title-page, containing sixty por- traits with inscriptions in light and fine lettering. There was no letterpress except a list of the plates, [British Museum, ^33 /■ 'SO In about 1815, the portraits, worn, retouched, and with the inscriptions strengthened, were re-issued, their number increased to 100. Each portrait was accompanied by a page of letterpress. In the re-issue " Vol. I." was removed from the engraved title page. {ViSioria and Albert Museum, 73 G.) The numbering of the plates is taken from the 18 15 edition. Besides Earlom and Turner, Robert Dunkarton engraved a number of the plates. The following plates are by Charles Turner: 442. BLAKE, ROBERT. To waist, an oval in a square, dir. 1., facing more towards f.; long hair, lace cravat, cuirass. 51" ^7 4i' Plate 7. I. In fine upper and lower italics, light open capitals, and upper and lower lettering: "J. Bulfinch delin. C. Turner sculp' Robert Blake Admiral. Born 1598 Died 1657 From a Drawing by Bulfinch taken from the same Painting Engraved by Preston. Lon- don Published by S Woodburn 1 8 1 o." First edition. II. The inscription strengthened and made thick and thin. Second edition. 443. BUCKINGHAM, GEORGE VILLIERS, ist DUKE OF. After Corn, yanssen. To waist, in a mezzotint frame, dir. towards r., looking f.; moustache, pointed beard, wide lace collar, coat with slashed sleeves and ornamented with pearls; sash embellished with pearls. Including frame 5f by 4|-. Plate II. I. In fine upper and lower italics: "Corn. Janssen pinx* C. Turner sculp'" In light open upright capitals: " George Villers Duke of Buckingham" In light open upright upper and lower lettering: "Born 1593 Obit 1628 from an Original Pifture by C. Janssen late in the Possession of General Stibbert London Published by [the last two words in italics] S. Woodburn 1 8 1 o " First edition. II. The inscriptions strengthened and made thick and thin. Second edition; B.M, 444. CROMWELL, ELIZABETH. Died 1654. To waist, in a square mezzotint border, dir. slightly r., looking f.; dark cap tied under chin, fur-trimmed cloak. Inside border, 4f by 3f. Plate 21. I. In fine upper and lower italic lettering: "C. Turner sculp*" In light open upright capitals: " EHzabeth Steward Mother of Oliver Cromwell" In fine upper and lower italics: "From a Miniature in the Possession of" In light open upright upper and lower: "Sir M. M. Stykes [sic] Bar' London Published by S. Woodburn, 1 8 10." [the words Published by in fine italics]. First edition; B.M.; Mr. J. Charrington. II. The plate retouched. The lettering slightly strengthened and made thick and thin. Second edition. B.M. 445. CUMBERLAND, GEORGE CLIFFORD, EARL OF. After I. Oliver. Born 1558, died 1605; champion of Queen Elizabeth. 165 CHARLES TURNER, A.R.A. To waist, dir. very slightly 1., looking f.; long hair, beard, large flat collar, George suspended from neck, dark coat. The subjedt is enclosed in a mezzotint frame. Including frame, 5f by 4^. Plate 25. I. In fine upper and lower italics: " J. Oliver pinx' Charles Turner sc*" In light of en upright capitals: "George Clifford Earl of Cumberland" In fine upper and lower itali:s: "from an original miniature in the possession of" In light open upright upper and lower: " Henry Constantine Jennings Esq"" London PubHshed by [the last two words in itali:s] S. Woodburn, 1 8 1 1 " First edition; B.M. II. The inscription strengthened, making it slightly thick and thin. Second edition; C. 446. DALYELL [ DALZELL], THOMAS. j^fter D. Pattm. Born about 1599, died 1685. To waist, in an oval, dir. towards 1., looking f.; long white hair and beard, armour. 5i by Plate 26. I. In fine upper and lower italics: "C. Turner sculp." In light open upright capitas: "General Dalyell " In light open upright upper and lower: "Major General of Chares ^nds Army at the Battle of Worcester afterwards served the Emperor of Russia till 16)5 when he was recalled and made Lieutenant General of Scotland Died 1685." I" ^'^^ upper and lower italics: "From an extreme rare Print Engraved by Vandrebane \sic In upright open and fine italics: "London Published by S. Woodburn 1810" Fi'st edition. B.M. II. The lettering strengthened and made slightly thick and thin. For Vandrebane reid " Vandrebank." Second edition; C. 447. DENHAM, MARGARITE (BROOKE), LADY. Born 1646, died by poison, 1667; second wife of Sir John Denham. To waist, an oval in a square, dir. 1., looking f.; curls, pearls in hair, pearl earring aid necklace, bodice with low neck. 5|- by f. Plate 30. I. In fine italic, light open upright capitals, and upper and lower lettering: "C. Turrer sc* Miss Brook afterwards Lady Denham Vide Grammont From an origiral Miniature in the possession of Henry Constantine Jennings Esq' London Publishid by S. Woodburn 181 1 " First edition, II. The lettering strengthened and made thick and thin. Second edition. 448. DERBY, CHARLOTTE, COUNTESS OF. Born 1601, died 1664; wife of James Stanley, 7th Earl of Derby. To waist, an oval in a square, dir. and facing r., looking f.; short curls, narrow dak ribbon round neck, bodice with low neck and tapering to a point at waist. 5^ by 4-. Plate 31. I. In fine italics, light open upright capitals, and upper and lower lettering: "Engravd by C Turner Charl. De La Tremouille Countess of Derby from an Original MinatUE [//f] in the possesion [;zV] of Charles Kemys Tynte Esq' London Published by S Woodburn 1810" First edition. II. The inscription strengthened and made thick and thin. Second edition. 166 CATALOGUE OF PORTRAITS 449. DIGGES, SIR DUDLEY. Born 1583, died 1639. To waist, in an oval, dir. very slightly r., looking f.; black hair, pointed beard, shirt with wide collar and edged with lace; dark fur cloak around shoulders. 4|- by 3-|. Plate 33. I. In fine small upper and lower italics: " G. Harding del* C. Turner sc*" In light open upright capitals: " S'' Dudley Digges Knight" In light open upright upper and lower, and in fine italics: "Master of the Rolls From a drawing by Harding after the Original Painting in the colleftion of William Hammond Esq"" at S' Albans Court near Canterbury Kent. London Published by S. Woodburn 181 3. First edition; B.M. II. The inscription strengthened and made slightly thick and thin. Second edition; C. 450. FAIRFAX, ANNE (VERE), LADY. Jfter Zoust. To waist, dir. towards r., looking f.; strings of pearls in hair, pearl earrings and neck- lace, dark dress trimmed with pearls; rock in background to 1., distant view to r. Round the subject is a border of mezzotint. Including border, 5^ by 4. Plate 40. I. In fine upper and lower italics: "Zoust pinx* C. Turner sculp*" In light open up- right capitals: "Lady Fairfax Wife of [Wife of in upper and lower] Tho^ Lord Fairfax " In fine upper and lower italics: "Vide Clarendon From an Original Painting by Zoust \Zoust in upright letters] in the possession of" In light open upright upper and lower: "John Fyche Palmer Esq"" Ickwell Bedfordshire London Published by [the last two words in fine italics] S. Woodburn, 1 8 1 1 " First edition; B.M.; Mr. H. W. Bruton. II. The lettering strengthened and made thick and thin. Second edition. 451. FALKLAND, LUCIUS GARY, 2nd VISCOUNT. After Corn. Janssen. Born about 1610, fell at Newbury, 1643. To waist, dir. towards r., looking f.; long hair, slight moustache, wide lace collar, slashed coat, sash. The subjedl is surrounded by a border of mezzotint. Including border, 5|- by 4^. Plate 41. I. In small upper and lower italic lettering: "Corn. Janssen pinx* Charles Turner sculp* " In light lettering — open upright capitals, open upright upper and lower, and upper and lower italics: "Lucius Viscount Falkland, Obit 1643, From an Original Pifture by C. Janssen in the Possession of Tho° Lloyd Esq® London Published by S. Woodburn 181 1 " First edition. II. The inscription strengthened and made thick and thin. Second edition; B.M.; C. 452. FALKLAND, LETITIA, VISCOUNTESS. Jfter Corn. Janssen. Wife of Lucius Cary, 2nd Viscount. To waist, in a square with a bordering of light mezzotint, dir. f., facing slightly 1.; short curls, pearl earring and necklace, wide lace collar, bodice elaborately trimmed vith pearls. With border, 5-^ by 4|-. Plate 42. I. In fine itaUcs, light open upright capitals, and upper and lower lettering: "Corn. Janssen pinx* Charles Turner sculp' Leticia Viscountess Falkland Obit 1646 ^t 36 From an Original Pifture by C. Janssen in the Possession of Tho* Lloyd Esq' London Published by S. Woodburn, 181 1." First edition. II. The lettering strengthened and made thick and thin. Second edition. 167 CHARLES TURNER, A.R.A. 453. TANKERVILLE, FORD GREY, EARL OF. Born 1654, died 1701. To waist, standing, dir. 1., facing more towards f.; long wig, lace cravat, loose robes. 4f by 3f . Plate 48. I. In various styles of light open, and fine, lettering: "Engraved by C. Turner Ford Lord Grey from an original Miniature in the Possession of the Publisher. London Published by S. Woodburn 1813" First edition; BM. II. The inscription strengthened and made thick and thin. Second edition. 454. HAMPDEN, JOHN. Born 1594, died 1643. To waist, dir. slightly r., looking f.; long hair, armour, linen collar. A border of light mezzotinting surrounds the subject. Inside border, 41 by 3^. Plate 51. I. In fine upper and lower italics: "Charles Turner sculp*" In light open upright capitals, upper and lower, and fine upper and lower italics: "John Hampden killed at the Battle of Chalgrave Field, Oxfordshire From an Original Painting the size of Life In the Colleftion of Charles Kemys Tynte Esq'" London Published by S Woodburn 1 810" First edition; B.M.; Mr. J . Charrington. II. The inscription strengthened and made thick and thin. Second edition; C. 455. ORLEANS, HENRIETTA, DUCHESS OF. J/ter Mignard. Fully to waist, dir. and facing towards 1.; short curls, pearl earrings and necklace, low- necked dress ornamented with pearls, cloak with fleur-de-lis pattern across 1. arm, bracelet on 1. wrist, 1. hand holding floral wreath. 4f by 3f . Plate 53. I. In fine upper and lower italics: "Mignard P* Turner, sculp." In light open up- right capitals: " Henrietta Dutchess of Orleans " In light open upright upper and lower: "daughter of Charles the First Obit 1670. ^t. 25." In open upright and italics: "London Published by S. Woodburn 181 2" First edition; B.M.; C. II. The plate retouched. Second edition. 456. HOLLAND, HENRY RICH, ist EARL OF. After Sir A. Vandyck. Born about 1589, beheaded 1649. To waist, in an oval, dir. towards r., looking f. ; long wig, moustache and small pointed beard, wide lace collar, cuirass, badge suspended from neck. Mezzotint grounding extends beyond the oval. 5f by 4^. Plate 55. I. In fine upper and lower italic lettering: "Vandyke pinx* Charles Turner sculp*" In light open upright capitals, upper and lower, and fine italics: "Henry Rich Earl of Holland, From an Original Pifture the size of Life by Vandyke, Formerly in the possession of Lenthall, Speaker of the House of Commons, Now in the Colleftion of Jeremiah Harman, Esq"" London Published by S Woodburn 18 10" To 1.,: "Obit 1649" First edition; B.M.; C. II. The plate retouched. Second edition. 168 SIR WALTER SCOTT 1810 AFTER RAEBURN CATALOGUE OF PORTRAITS 457. HUNTLY, GEORGE GORDON, 2nd MARQUESS OF. After Sir A. Vandyck. To . waist, dir. towards 1., looking f. ; long dark wig, moustache, pointed beard, wide lace collar, armour. Beyond the subjeft is a light border of mezzotint ground. Including border, 5f by 4-|-. Plate 56. I. In fine upper and lower italic, light open upright capitals, and lower lettering: "Van Dyck deP C. Turner sculp* George Gordon, Marquis of Huntley Obit 1649. graved from a drawing by Luttrell after the Original by Van Dyck. London Published by S. Woodburn, 1 8 1 1 " First edition. II. The inscription strengthened and made thick and thin. Second edition; B.M.; Mr, J. Charrington. 458. MORE, SIR THOMAS. After H. Holbein. Born 1478, died 1535; Lord Chancellor. To waist, in a square frame of mezzotint, dir. and facing towards r. ; black cap, robes, chain round neck, r. hand holding paper, ring on 1. forefinger, curtain in background. Including frame, by 4-|-. Plate 66. I. In small upper and lower italics: "C.Turner sculp*" In light open upright capitals: "Sir Thomas More" In several styles of small fine and open lettering: " Natus 1482 Obit 1535 From a drawing by Bulfinch after the Original Pifture by H. Holbein. London Published by S. Woodburn, 181 1 " First edition. II. The inscription strengthened and made thick and thin. Second edition ; B.M.; C. 459. NEWCASTLE, WILLIAM CAVENDISH, ist DUKE OF. To waist, dir. towards L, looking f.; long hair, moustache, wide linen collar, dark buttoned coat. The subject is surrounded by a border of mezzotint. Including border, 5-| by 4.^. Plate 67. I. In light open upright capitals, open upper and lower, and fine upper and lower italics: " Ch' Turner sculp* William Marquis of Newcastle Obit 1676 JEt 84 From an Original Miniature in the possession of the Publisher. London Published by S. Wood- burn, 1 811" First edition; B.M. II. The inscription strengthened and made thick and thin. Second edition. 460. NORFOLK, THOMAS HOWARD, 4TH DUKE OF. After Holbein. Nearly to waist, facing towards 1., looking f. ; short beard, cap, linen collar, chain round neck, cloak ; his r. hand appears from under cloak and touches chain. A light mezzotint border surrounds the subjeft. 4I. by 3^. Plate 68. I. In fine italic upper and lower lettering: " H. Holbein pinx. C Turner sculp." In light open upright capitals: " Tho^ Howard Duke of Norfolk " In light open upright upper and lower: "beheaded A.D. 1572 " In light italics: "from an Original Pifture by Hans Holbein" [the last two words in capitals]. In light open upright upper and lower: " formerly in the Colleftion of Lady Hyde now in the Possession of M'' R. Grave London Published by [the last two words in upper and lower italics] S. Woodburn 1 8 10" First edition; B.M.; Mr. J . Charrington. II. The lettering strengthened and made thick and thin. Second edition; C. 169 Z CHARLES TURNER, A.R.A. 461. NORFOLK, HENRY HOWARD, 6th DUKE OF. To waist, in an oval, dir. towards r., looking f. ; long wig, slight moustache, lace cravat, armour. Beyond the oval is a border of mezzotint. Including border, 5f by 4|-. Plate 69. I. In several styles of light lettering — open upright capitals, open upright upper and lower, and italics: " Henry Duke of Norfolk Hereditary Earl Marshal of England Obit 1 701 Engraved by C. Turner from an Original Painting London Published by S. Wood- burn, 1 8 1 o " First edition. II. The inscription strengthened and made thick and thin. Second edition; B.M. 462. PENN, WILLIAM. After Sir P. Lely. Born 1 62 1, died 1670. To waist, dir. and facing slightly I. ; long hair, white cravat with black tie over it, close fitting buttoned coat. by 3f . Plate 73. I. In various styles of light lettering — italics, open upright capitals, and upper and lower: " S"" P. Lely pinx* R. Earlom sculp' Admiral Penn One of Cromwell's Admiral's who took Jamaica from the Spaniards from the Original Pifture London Published by S. Woodburn, i8n." First edition. II. The inscription strengthened and made thick and thin. R. Earlom sculpt erased; instead: "C. Turner, sculp." Second edition. As impressions of the two states have not been compared, they may be from two different plates. 463. RICHMOND, FRANCES THERESA (STUART), DUCHESS OF. After Sir P. Lely. Wife of Charles Stuart, 3rd Duke of Richmond. To waist, in an oval, dir. slightly r., looking f. ; curls — one curl falling on 1. shoulder, loose low-necked robe. Beyond the oval is a border of mezzotinting. Including border, 5^ by 3f. Plate 81. I. In fine upper and lower italics: " P. Lely pinx* C. Turner sculp*" In light open upright capitals, upright upper and lower, and upper and lower italics: " Frances Stuart Dutchess of Richmond ob 1702 from an Original Painting by S"" Peter Lely Lon- don: Published by S. Woodburn 1 810." First edition. II. The inscription strengthened and made thick and thin. Second edition. 464. STAYNER, SIR RICHARD. Died 1662. To waist, in an oval, dir. towards r., looking f. ; long dark wig, moustache, lace cravat, armour. Beyond the oval is a border of mezzotinting. Including border, 5f by Plate 90. I. In fine upper and lower italics, light open upright capitals, and light open upright upper and lower lettering : " C. Turner sculp' Sir Rich*^ Stayner Kn' Adm' Distinguished Himself under Blake against a Spanish Flota at Stanta Cruz created Rear Adm^ by 170 CATALOGUE OF PORTRAITS Charles the 2""* Vide Naval Biog, From an Original Painting in the Possession of R* Holford Esq"" London Published by S, Woodburn, 18 10" First edition; B.M.; C. II. The inscription strengthened and made thick and thin. Second edition. 465. STRANGEWAYS, GILES. After D. Loggan. Died 1675. To waist, in an oval, dir. towards r., looking f. ; slight moustache, lace cravat, armour ; head uncovered. Size of oval 4f by 3f . Plate 92. I. In various styles of hght open, and fine, lettering: " D Loggan delin* Charles Turner sc* Giles Strangeways from an original drawing by D. Loggan in the possession of M"" Robert Grave London Published by S. Woodburn, 1811 " First edition; B.M.; C. XL The lettering slightly strengthened and made thick and thin. Second edition; B.M. 466. TWISDEN, SIR THOMAS. Nearly to waist, dir. towards r., looking f. ; skull cap, bands, judge's robes. 4^ by 3-^. Plate 94. I. With inscription in light lettering — italic and open upright: " C. Turner sculp' Sir Thomas Twisden Bar' 1666 Just, of K. B. 1660 resigned 1680 Obit 1682 London Published by S. Woodburn, 1 8 1 2 " First edition. II. The inscription strengthened and made thick and thin. Second edition; B.M. 467-476. PORTRAITS OF ROYAL PERSONAGES. A series of fifteen portraits, engraved by Charles Turner, R. Earlom, and R. Dun- karton. London: Printed by J. M'Creery, Black Horse Court, Fleet Street, and published by S. Woodburn, 18 16. Retouched and re-issued by J. B. Nichols & Son, 25, Parliament Street, London, in 1830. A copy of the first edition is in the Vi6loria and Albert Museum, and of the re-issue in the Cheylesmore Colleftion, British Museum. The following plates are by Charles Turner, and they are placed in the order they appear in the book. 467. ELIZABETH, QUEEN. J/ter Isaac Oliver. Born 1533, ^'^'^ i6o3' W. L., standing, wearing ruff and long veil, coronet and jewels on head, necklace, holding sceptre in r. hand, orb in 1., and attired in the dress in which it is said she went to St. Paul's Cathedral to return thanks after the defeat of the Spanish Armada. A table to r. on which are a sword and a book, placed upon a cushion. Curtain to 1. I2i by 9. Preliminary etching. B.M. Before any inscription, finished. B.M. I. In open upright capitals: " Her Sacred Majesty Queen Elizabeth, [the last two words in open gothic upper and lower lettering] in the Superb Dress, in which she went to S* Paul's, to return thanks for the defeat of the Spanish Armada." In open upright 171 CHARLES TURNER, A.R.A. upper and lower lettering: " Engraved by Charles Turner, from the extreme rare Print by Crispin de Passe, after a Drawing by Isaac Oliver. London: Published by S. Wood- burn, 112 S* Martin's Lane." To r. in open italic capitals: "Proof" Mr. J. S. Earle. n. The word Proof erased ; the inscription strengthened and made slightly thick and thin. From the 1816 edition; B.M.; Mr. L. B. Mozley. 111. The plate worn. From the 1830 edition. 468. JAMES I. After F. Delaram. Born 1566, died 1625. W. L., on horseback, turned to I. ; lace frill and ruffles and embroidered dress ; 1. hand touching waistband ; the horse's fore-legs are raised ; in the background a view of the River Thames with London and London Bridge. iif by 8|-. Before any inscription. B.M.; V. and A.; Mr. F. B. Daniell. I. In open upright thick and thin gothic lettering: "James the First, King of Great Britain" In open upright thick and thin upper and lower: "Engraved by Charles Turner from an extreme rare print by Delaram. London: Published by S. Woodburn, 112, S' Martin's Lane." From the 18 16 edition; Mr. L. B. Mozley. II. The plate worn. From the 1830 edition. 469. JAMES I AND FAMILY. After W. Passe. The King, in royal robes, wearing crown, and with sceptre in r. hand, sits on a raised seat, and around him are fourteen members of his family. On each side a flying cupid displays a drapery bearing the legends : Progenies laco et: An: RR; Mag Britan: A Henricus C Carolus Pr B D. Elizabeth D D. Maria E D. Sophia Preliminary etching. C. Turner sale catalogue. Before any inscription below subjeft. B.M.; Mr. F. B. Daniell. I. In light open gothic lettering: "His Majesty James the First, King of England," In light open upright capitals: "And His Royal Progeny; Together with the Family of the King of Bohemia." In light open upright upper and lower lettering: " Engraved by Charles Turner from an extreme rare Print by Passe. London: Pub*^ 1 8 14, by S. Wood- burn, 112, S* Martin's Lane." To r. in light open italic capitals: " Proof" F. and A. II. The lettering strengthened and made thick and thin. From the 1816 edition; B.M.; C. III. The plate damaged in upper 1. corner. From the 1830 edition. 470. CHARLES, PRINCE OF WALES. After Delaram. Born 1600, died 1649. Ascended the throne as King Charles I, 1625. On horseback, turned to r., looking f. ; hat with plumes, rufF, embroidered dress, badge suspended by ribbon round neck; r. hand holding long baton, end of which rests on 172 Progenies RR: Bohemiae 1 Frederick 2 Carolus 3 Elisabeth , 4 Robbertus. 5 Mauritius 6 Louisa Holbindina 7 Lodovicus I of by I4f. CATALOGUE OF PORTRAITS thigh ; the horse has ornamented harness, with feathers at forehead and tail ; landscape background, with Richmond Palace in distance to r. I2 by 9|-. Before any inscription. B.M.; F. and A. I. In open upright upper and lower lettering under centre of subjeft: " Charles Turner sculpsit 1813." In open gothic upper and lower: "Charles Prince of Wales " In open upright capitals: "Second Son of James i^' afterwards King" In open upright upper and lower: "Engraved by Charles Turner from a unique print by Delaram. London: Published by S. Woodburn, 112 S* Martin's Lane." To r., in open upright capitals: "Proof" Mr. J. S. Earle. II. The word Prco/" erased. From the 1^16 edition. III. The plate worn. From the 1830 edition. 471. BOHEMIA, FREDERICK V, KING OF. Born 1596, died 1632. Married Elizabeth, daughter of James I, 1613. W. L., on horseback, dir. towards r., looking f. ; head uncovered, ruff, armour ; I. hand holding reins, r. arm outstretched, hand holding baton; the horse is plunging with its forefeet raised; a battle is raging in background. 12% by 9^. Preliminary etching. C. Turner sale catalogue. Before any inscription. B.M.; V. and A. I. Inscription as in State II, but before it was made thick and thin. Mr. L. B. Mozley. II. In open slightly thick and thin gothic lettering: " Frederick V. of Simmerin, Eleflor Palatine 16 10," In open thick and thin upright capitals: "Titular King of Bohemia 1619. K. G. Obit 1632. 7^1.36." In similar upper and lower lettering: "Engraved by Charles Turner, from an authentic original. London: Published by S. Woodburn, 112, S' Martin's Lane, 181 3." From the 18 16 edition; Sir Walter Gilbey. III. The plate worn. From the 1830 edition. 472. CROMWELL, OLIVER. After W, Faithome. Born 1599, died 1658. An emblematical print. Cromwell in armour, and holding an open book in 1. hand and a sword in r., stands between two pillars, his 1. foot on a serpent, his r. on a prostrate woman. From the pillar on 1. hang four flags, from that on r. three. Emblematical figures and subjeils are crowded upon the plate. 13^ by 9|-. Preliminary etching, with the four Greek words; and at foot of subjeft: " C. Turner fecit." Mr. F. B. Daniell. The subjcdl finished. Before any inscription, except the Greek words: "MONft TH 0EX1 AO^A" [sic] at top of subjeft. B.M.; V. and A. I. With a number of inscriptions added in different parts of the subjeft. Beneath, in light open gothic: " Oliver Cromwell," In light open upright capitals: "Lord Proteftor of England, Scotland, France and Ireland, And the territories thereunto belonging." In light open upright upper and lower: " Engrav'd by Cha* Turner, from the celebrated print by W. Faithorne. London: Published by S. Woodburn, 112 S' Martin's Lane." To r., in light open italic capitals: " Proof" II. The inscriptions strengthened and made thick and thin, the word Proof erased. From the 1 8 16 edition. III. The plate worn. From the 1830 edition. CHARLES TURNER, A.R.A. 473. CHARLES II. After Sir P. Lely. Born 1630, died 1685. W. L., seated in a richly carved chair, dir. towards 1., looking f. ; long dark wig, cravat, robes, Garter, collar and George ; 1. hand on arm of chair, r. arm on table on which are the crown and sceptre; Windsor Castle in distance to 1. 1 1|- by Sf. Preliminary etching. C. Turner sale catalogue. Before any inscription. B.M.; V. and A. I. In light open upright gothic lettering: "Charles II. King of England.'* In light open upright capitals: " Natus 1630. Obit 1685." In light open upright upper and lower: " Engraved by Charles Turner." From the 1 8 1 6 edition; B. M. II. The plate worn. From the 1830 edition. 474. MAXIMILIAN L After Ham Burgkmair. Born 1459, died 15 19. Emperor of Germany from 1493. On horseback, turned in profile to 1. ; elaborately ornamented helmet with high plume of peacock feathers, armour, 1. hand holding end of baton, rich armour on horse ; an archway in background. I2|- by 8|-. Preliminary etching. C. Turner sale catalogue. Before any inscription. B.M.; V. and A.; Mr. F. B. Daniell. I. In light open gothic upper and lower lettering : " Maximilian Emperor of Germany &c. &c." In light open upright capitals: "Drest for a Tournament He was installed Knight of the Garter in the reign of Henry the Seventh, Obit 1519." In light open upright upper and lower lettering: "Engraved by Charles Turner from an extreme rare Print by Hans Burgkmair. London: Pub** 1814, by S. Woodburn, Ii2, Martin's Lane." B.M. II. The lettering strengthened, making it thick and thin. From the 18 16 edition; B.M.; Mr. J. S. Earle; Mr. L. B. Mozley. III. The plate worn. From the 1830 edition. 475. ORANGE, WILLIAM I ("THE SILENT") PRINCE OF. After y. Wierix. Born 1533, died 1584. W.L., standing, dir. f., facing very slightly r.; head uncovered, frill, cuirass, breeches, light stockings, sword; r. hand holding truncheon to hip, 1. hand on corner of table to r. on which lie gauntlets and helmet; archway to 1. 12^ by 8|^. Preliminary etching. C. Turner sale catalogue. Before any inscription. B.M.; Mr. F. B. Daniell. I. In open thick and thin gothic lettering: "William the First, Prince of Orange, &c. &c." In open upright thick and thin capitals: " Shot with a pistol at Delft, July lo**' 1584, by Balthazar Gerards." Same lettering, but upper and lower: " Engraved by Charles Turner from an original by J. Weirix. [/zV] London: Pub** 18 14 by S. Woodburn, 112 S* Martin's Lane." From the 1816 edition; B.M. II. The plate worn. In inscription space a scratch noticeable between the words By and Balthazar. From the 1830 edition. CATALOGUE OF PORTRAITS 476. HENRY IV OF FRANCE. After R. Elstracke. Born 1553, succeeded to the throne 1589, assassinated by Ravaillac 1610. W.L., on caparisoned horse, turned towards r., facing f. ; wreath on head, armour, scarf; r. hand holding truncheon to thigh; battle raging in background between opposing cavalry. 12 by 9|-. Preliminary etching. C. Turner sale catalogue. Before any inscription. F. and A.; Mr. F. B. Darnell. I. In open thick and thin gothic lettering: "Henry the Fourth, King of France," In open upright thick and thin capitals; "Called the Great." In similar upper and lower lettering: "Obit 1610. Engraved by Charles Turner from a Unique Print by Renold Elstracke, London: Pub'' 1814, by S. Woodburn, 112, S' Martin's Lane." From the 1816 edition. II. The plate worn. From the 1830 edition. 477. PORTUGAL, MARIA II, DA GLORIA, QUEEN OF. After Sir T. Lawrence. Born 1819, died 1853. Daughter of Pedro, Emperor of Brazil, who succeeded to the throne of Portugal in 1826, but resigned it to his daughter. To knees, sitting, dir. slightly 1., facing towards r. ; short curls, light low-necked dress with short sleeves, scarf, orders ; 1. hand on r. hand on 1. arm of chair ; pillar in back- ground to 1., curtain to r. 8f by 6^. Before any inscription. B.M.; C. 478. POWER, TYRONE. After John Simpson. Born 1797, died 1841; adtor. Leading Irish comedian at Drury Lane Theatre, 1826. Wrecked in the " President " during her voyage from New York to Liverpool. To waist, dir. very slightly r., looking f ; rough dark hair, dark neckerchief, dark buttoned coat; 1. hand holding reading-glass which is suspended by ribbon from neck. lo-l by 8f. Engraved on copper. In fine upright upper and lower lettering: "Painted by John Simpson, Esq. Engraved by C. Turner, A.R.A." In facsimile of autograph: "Tyrone Power 1833" In fine upper and lower italics: "London, Published May 18, 1833, by M"" Charles Simpson, N° 10, Carlisle Street, Soho Square." B.M.; Mr. H. W. Bruton. 479. POWER, MR. To waist, sitting, dir. f., facing 1. ; frill, plain dark buttoned coat ; arms crossed before him, L hand holding open book. 6f by 5f. Before any inscription. B.M. 480. PRAED, WILLIAM. After W. Owen. Born 1750, died 1833. Banker in London, Truro and Falmouth. M.P. for St. Ives and Banbury. To knees, sitting, dir. towards f., facing towards 1.; frill, coat fastened by two upper buttons, 1. arm on arm of chair, speftacles in 1. hand; r. hand on portfolio on table to 1. on which are pen and inkstand; curtain in background. I7f by I3|-. Engraver's proof; head portion only. C. CHARLES TURNER, A.R.A. Before any inscription. Truman Sale, April 27, 1906 In fine upright upper and lower lettering: "Painted by W. Owen Esq' R.A. Portrait Painter to His Royal Highness the Prince Regent. Engraved by C. Turner Warren S* Fitzroy Square." In fine script: "William Praed Esq''" In fine upper and lower italics: "London, Published March 28. 1816, by C. Turner, 50 Warren Street, Fitzroy Square." BM.; C. 481. PRATT, SAMUEL JACKSON. After J. J. Masquerier. Born 1749, died 1814. Poet and novelist; wrote under the pseudonym "Courtney Melmoth." From 1774 devoted himself to literature as a profession. To waist, in a square mezzotinted frame, dir. f., facing slightly r.; white neckcloth, plain dark coat fastened by one button. The mezzotint ground covers the entire plate. Including frame, by 10. Engraved on copper. I. In fine script lettering: " I. J. Masquerier pinx* C. Turner sculp' " In light open script: " M'' Pratt" In fine upper and lower italics: "London, Published Feb^ 6. 1802, by C. Turner, N° 56 [sic] Warren Street, Fitzroy Square." B.M.; C. II. The lettering slightly strengthened. A line of inscription added under title, in thick and thin script: "Author of Sympathy, Gleanings, the Poem on the Poor or Bread, &c. &c." B.M. 482. PRICE, SIR CHARLES. After Rd. Carruthers. Born 1748, died 1818. Banker; M.P. for London, and Lord Mayor, 1803. Colonel of the 4th Regiment of City Volunteers. To knees, sitting, dir. slightly r., looking f,; lace frill and rufFs, civic robe and chain; r. arm on arm of chair, 1. hand on paper on table to r. on which are two books, ink- stand and pen; curtain in background. I4f by iii. In fine upright upper and lower lettering: " Painted by R*^ Carruthers. Engraved by C. Turner." In fine script: "Sir Charles Price Bar*" In fine upper and lower italics: "London, Published March 9. 1819, by C.Turner 50 Warren Street, Fitzroy Square." B.M. 483. PRICE, THEODORE. After J. J. Masquerier. W.L., standing in a room, dir. slightly 1., looking f ; plain dark dress, dark stockings, shoes; eyeglass suspended by ribbon from neck; r. foot crossed over 1., 1. hand on hip, r. arm leaning on mantelshelf of fireplace to 1. over which is a large looking-glass; r. hand holding letter; screen behind him to r. 23^ by i6|-. Before any inscription. Mr. J . Charrington; Dr. J. S. foule. In fine upright upper and lower lettering: "Painted by John James Masquerier Esq'' Engraved by C Turner ARA Engraver in Ordinary to His Majesty " In light open upright capitals: " Theodore Price Esq^ " In fine upright upper and lower: "London Published November 23 1829 by M"" Turner 50 Warren Street Fitzroy Square." To r., in fine italic capitals: "Proof" B.M.; C; Mr. Burdett-Coutts. 484. PRIESTLEY, JOSEPH. After H. Fuseli. Born 1733, died 1804; natural philosopher and theologian. Librarian to the Earl of Shelburne; contributed to the study of electricity; emigrated to New York, 1794. Nearly w.l., sitting, dir. and facing towards r.; powdered hair, plain dark dress, three large buttons on coat, r. hand on knee, 1. elbow on table to r. on which are books and papers; r. knee crossed over 1.; curtain in background to 1. ^7 ^t* 176 THE WATER-MILL 1812 AFTER CALLCOTT CATALOGUE OF PORTRAITS Before any inscription. B.M. In fine upright upper and lower lettering: "Painted by — Fuseli, Esq"" Engraved by C. Turner, A.R.A." In fine upper and lower italics near foot of plate: "London, Pub- lished OA' 1836, by Richard Taylor, Red Lion Court, Fleet Street." B.M. 485. RAE, ALEXANDER. Jfter J. Pocock. Born 1782, died 1820; aftor. Appeared as Hamlet at Bath in 1806; first performed at Drury Lane in 18 12, a short time before the print was published. As Hamlet. To waist, dir. towards 1., facing towards r.; dark hair, Vandyck collar, badge suspended by broad ribbon from neck, cloak with star near 1. shoulder. An aquatint border surrounds the subje£l. 10^ by 8^. In light open upright upper and lower lettering: "Painted by j. Pocock Engraved by C. Turner." In fine script: " M"" Rae in the [the last two words in light open upright lower lettering] Charafter of Hamlet." In fine upper and lower italics: "London Published Jan^ 20. 18 13, by C. Turner, Warren Street, Fitzroy Square." To r., in fine upper and lower italics: "Proof" B.M.; C; Mr. H. W. Bruton; Mr. Burdett-Coutts. 486. RAFFLES, THOMAS, D.D. After Wm. Scott. Born 1788, died 1863. Independent minister at Hammersmith, 1809-11; afterwards at Liverpool, as indicated in State II, 18 11-62. Gained a high reputation as a pulpit orator. Author of a number of literary works. Fully to waist, standing in a pulpit, dir. very slightly 1., looking f.; bands, gownj \. hand placed on open book on cushion before him, r. hand raised, forefinger pointing upwards; fluted pillar in background to r. by 12. I. In fine upright upper and lower lettering: "Painted by W™ Scott, Esq. Engraved by C. Turner, A.R.A." In fine upper and lower italics at foot of plate: "London, Published June 23, 1835, by M'' Scott, Sussex Cottage, Park Village, Regents Park." B.M. II. With additional inscription. In light open upright capitals: "The Rev** Thomas Raffles, D.D. L.L.D. &c. &c. &c." In fine script: "Minister of Great George Street Chapel Liverpool." F. and A. RAINIER, PETER. See BRENTON'S NAVAL HISTORY, No. 66. To waist, sitting, dir. f., facing towards r.; own hair, white neckerchief, plain dark dress. 7f by b\. In fine upright upper and lower lettering: "Painted by James Ramsay, Esq'"" Engraved by C. Turner, A.R.A," In facsimile of autograph: "John Ramsay, M.D." \M.D. in script] In slightly thick and thin script: "Newcastle upon Tyne." In fine upper and lower italics: "London, Published June 18, 1834, for the Proprietors, by M"^ Turner, 50, Warren Street, Fitzroy Square." B.M. 488. RAMSDEN, JESSE. After H. Edridge. Born 1735, died 1800 ; celebrated maker of astronomical instruments, for which he patented important improvements. Resided in the Haymarket and Piccadilly, London. Fully to knees, sitting at a table, dir. and facing towards 1.; his 1. hand on a paper on the table, his r. hand holding a small pair of compasses and measuring on the paper. His 1. knee crossed over r. A narrow stipple border surrounds the subjeft. 6f by Stipple Engraving. 487. RAMSAY, JOHN, M.D. After fames Ramsay. 177 A A CHARLES TURNER, A.R.A. In thick and thin script lettering: " H. Edridge del' C. Turner sculp* Jesse Ramsden F.R.S." In upper and lower italics: " Published May 20. 1801, by Cha' Turner, N° 56, Warren Street, Fitzroy Square." B.M. 489. RANDOLPH, JOHN, D.D. After J. Hoppner. Born 1749, died 1813. Bishop of Oxford 1799; of Bangor 1807; and of London 1809. Nearly w.l., sitting, dir. towards f., facing slightly 1.; short wig, bands, ecclesiastical robes ; r. arm on arm of chair, 1. hand on open book on table to r.; shelves of books, fluted pillars and curtain in background. 17I- by 13I-. Masked proof. C. I. In fine upper and lower italics: "Painted by J. Hoppner Esq"" R. A, Engraved by C. Turner" In fine script: *' lohn Randolph D.D." In light open upright capitals: "Bishop of London. 1809." In fine upper and lower italics: "London Published Feb^ 10**^ 181 1, by W. Richardson 31. Strand." B.M. II. The script lettering strengthened and made thick and thin. The open upright capitals filled in with a line. Mr. H. W. Bruton. 490. RAYA40ND, JAMES GRANT. After W. H. Bate. Born at Strathspey, 1771, died before 18 18; aftor. Nearly to waist, in a line-engraved border, dir. f., facing slightly upwards towards r.; dark curly hair, wide embroidered collar with tassels, slashed coat. io\ by 8f . In fine upright upper and lower lettering: "Painted by W. H. Bate Esq'' Engraved by C. Turner." In fine script lettering: "The late James Grant Raymond Esq''" In fine italic upper and lower lettering: "London, Published Jan^ 14. 181 8, by M' Bate, 43, Berners Street." B.M.; C; Mr. H. W. Bruton; V. and A.; Mr. Burdett-Coutts. 491. REMBRANDT. After Rembrandt. Born at Leyden, 1606, died 1669. Famous as a painter, and the greatest of etchers. To waist, dir. r., looking f.; white turban, dark cloak with hilt of sword protruding at breast; r. hand holding papers partly rolled. i6|- by 14^. Before any inscription. Mr. J. Charrington; Mr. H. S. Theobald^ K.C. In fine upper and lower italics: " Rembrant Pinx* London: Published Jan: 1809, by Edw^ Orme, [the last two words in capitals] Printseller to the King; Engraver & Pub- lisher, Bond Street, corner of Brook Str* Cha° Turner Sculp*" In light open upright capitals: "Rembrant" In light open italic capitals: "Proof" B.M.; Mr. H. P. Home. 492. RENDLESHAM, ANDALUSIA, LADY. After G. Enghheart. Mary Andalusia, daughter of Lieut-General Samuel Trevor Dickens; in 1809 married John, 2nd Baron Rendlesham, and died 18 14. To waist, dir. and looking f., facing very slightly r.; short dark curls, dark dress with low neck cut square and edged with narrow lace, lace shawl around arms ; glimpse of distant landscape to r. lof by 8^. In fine upright upper and lower lettering: "Painted by G. Engleheart. Engraved by C. Turner." In fine upper and lower italics: "London Published for the Proprietor, by C. Turner, 50, Warren Street, Fitzroy Square." C 178 CATALOGUE OF PORTRAITS 493. REYNOLDS, SIR JOSHUA. After Sir J. Reynolds. Born 1723, died 1792. First President of the Royal Academy. Nearly to waist, in an oval, dir. towards 1., looking towards f.; hat, powdered hair, lace frill, gown. A single stippled line surrounds the oval. Size of plate, 4f by i\. Size of oval, 3I- by 2^. Stipple Engraving. In fine upper and lower italics: " Cha" Turner, F.S.A. sculp* 1797." In fine script: "Sir Joshua Reynolds, K»— P.R.A." B.M. 494. RICHARDS, REV. GEORGE. After C. Ross. Born 1767, died 1837. D.D. 1820; Vicar of St. Martin's-in-the Fields from 1824 till his death. Nearly w.l, sitting, dir. and facing towards f.; bands, black gown; elbows resting on arms of chair, 1. hand holding small book in lap, forefinger between leaves. I Si by 12. In fine upright upper and lower lettering: " Painted by C. Ross. Engraved by C. Turner, A. R.A." In fine script: "The Rev'* George Richards, D.D. F.A.S. M.R.S.L " In light open upright capitals: "Vicar of Martin in the Fields, Westminster," In fine script: "This Portrait was engraved by the desire and at the expense of the following Members of S' Martins Vestry, as a testimony of their affectionate regard, and well deserved respefl for their excellent Vicar." [Then follows a list of forty-two names, all but four arranged in six columns, in fine script: "His Grace the Duke of Northumberland, . . . James Deville."] In fine upper and lower italics: "London, Published Nov' i'' 1832, by Colnaghi Sen'' Dominic Colnaghi & C° Printsellers to their Majesties, Pall Mall East." B. M.; C; V. and A. 495. RICHARDSON, ROBERT. After Samuel Howell. Nearly w.l., sitting, dir. very slightly r., looking f.; black neckcloth, plain dress, seals hanging from fob; arms resting on arms of chair, spedlacles in r. hand, 1. knee crossed over r.; table to r. on which are writing materials, a letter addressed "Sir Will" A. Ingilby B* Ripley Castle. R.R.", and a paper inscribed " Harrogate Bath Hospital. Erected 1824. President Robert Richardson, Esq""," etc.; curtain and shelves of books in background. 14I- by ii^. In fine upright capitals: "Painted by Sam' Howell, Esq. Engraved by C. Turner, A.R.A." In facsimile of autograph: "Rob* Richardson" In fine upright capitals: "London, Published by M' Turner, (for the Proprietor) August 10''' 1842, N" 50 Warren Street, Fitzroy Square." To 1., in fine italic capitals: "Proof." In upper and lower: "Private Plate." B.M.; C; Mr. H. W.Bruton; Mr.Burdett-Coutts. 496. RICHMOND, CHARLES GORDON-LENNOX, 5th DUKE OF. After F. Wilkin. Born 1 791, died i860. Aide-de-Camp to the Duke of Wellington in the Peninsular, and present at Waterloo. Postmaster-General 1830-34. To waist, dir. f., facing towards 1.; wearing peer's robe over uniform on coat of which a medal is seen; curtain in background to r., fluted pillar to 1. 13I- by io\. In fine upright upper and lower lettering: "Painted by F, Wilkin Esq"" Engraved by Cha^ Turner, Mezzotinto Engraver in Ordinary to His Majesty." In fine script: " Charles 5*'^ Duke of Richmond, Lennox, and Aubigny." In fine upper and lower italics: " London, Published Oft' 12. 1824, by Mess" Colnaghi & C° Printsellers— Pall Mall East." B.M.; C; Mr. H. W. Bruton; Mr. L. B. Mozley. 179 CHARLES TURNER, A.R.A. RICHMOND, FRANCES THERESA (STUART), DUCHESS OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 463. RIPON, FREDERICK, ist EARL OF. See ROBINSON. 497. RIVADAVIA, BERNARDINO. After T. Phillips. To knees, sitting, dir f., facing r.; dark hair, white neckcloth, dark dress, seal hanging from fob ; r. hand on knee, 1. arm on table, hand holding paper lettered : " Reforma celesiasteca Buenos Ayres 1822 " ; inkstand on the table, and another paper lettered: "Systema Representative"; curtain background. I5|- by 12^. Before any inscription; and before lettering on papers. C. I. In fine upper and lower italic lettering: "Painted by T. Phillips, Esq"" R.A. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty. London, Published Oft"" 24, 1825, by Turner, 50, Warren Street, Fitzroy Square." B.M.; C; Mr. L. B. Mozley. II. With additional inscription. In light open upright upper and lower lettering: "His Excellency" In light open upright capitals: "Don Bernardino Rivadavia," In fine script: "President of the Republic of the United Provinces, of" In light open upright capitals: " Rio de la Plata." C. 498. ROBINSON, FREDERICK JOHN. After Sir T. Lawrence. Born 1782, died 1859; statesman. Occupied several important Government posts. Created Viscount Goderich 1827; and Earl of Ripon 1833. Has been described as " one of the weakest Prime Ministers who ever held office." To waist, dir. f , facing slightly r. ; white neckerchief, plain buttoned coat ; 1. hand wearing glove and holding r. glove. ii|- by 9-|-. Engraver's proof before any inscription, Mr. F. B. Daniell. In fine upright upper and lower lettering: " Painted by Sir T. Lawrence Principal Painter in Ordinary to His Majesty P.R.A. &c. &c. &c. Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty" In light open upright capitals: "The Right Hon'^^* Frederick John Robinson," In fine script: "Chancellor of the Exchequer" In fine upper and lower italics: "London, Pub'* May 24. 1824 by Geo. Lawford Saville Place Burlington Gardens." To r., in fine italics: "Proof" B.M.; C; F. and A. 499. ROBISON, JOHN, LL.D. After Sir H. Raeburn. Born 1739, died 1805. Mathematician and natural philosopher; pubHshed scientific works. Nearly w.l., sitting, dir. slightly 1., facing towards r. ; striped vest, long striped coat, frill; arms on arms of chair, open book on table to r., globe and telescope to 1. I7i by 14. Masked proof. B.M. I, In light open upright upper and lower lettering: " H, Raeburn Esq'pinx* C. Turner sculp*" In light open upright capitals: "John Robison, L,L,D." In fine script: " Professor of Natural Philosophy in the University of Edinburgh, Sc"^*^ Sc*^* " In fine upper and lower itaHcs: "Edinburgh Published by the Proprietor Oft"" 27, 1805." B.M.; C. II, The inscription strengthened and made thick and thin, A line added along the centre of each letter of the open upright capitals. 180 CATALOGUE OF PORTRAITS 500. ROLLE, JOHN ROLLE, BARON. After Sir T. Lawrence. Born 1750, died 1842. M.P. for Devonshire and a strong supporter of Pitt; raised to the peerage in 1 796. The barony expired at his death. W.L,, sitting, dir. towards f., facing 1. ; robes, arms on arms of chair, r. hand holding coronet ; pillars in background, landscape with river in distance to r. Arms in centre of inscription space, motto: "Nec Rege Nec Populo Sed Utroque." 22f by I4f. Before the arms, and before any inscription. B.M.; C; Mr. y. Charrington. I. The arms and motto added. In fine upright upper and lower lettering: "Painted by Sir Tho^ Lawrence Principal Painter in Ordinary to His Majesty. P.R.A. &c. &c. &c. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In fine script: "The Right Hon'''® lohn Lord Rolle, Baron Rolle of Stevenstone." In fine upper and lower italics: "London [this word in capitals], Published April 24. 1826, by the Pro- prietor, M"" Turner 50, Warren Street, Fitzroy Square." B.M.; Mr. j. Charrington. II. The script lettering of title strengthened and made thick and thin. Sale at Sotheby's, July 18. 1905 {cut impression). 501. ROUS, JOHN LORD. After Sir W. Beechey. Born 1750, died 1827. M.P. for Suffolk between 1780 and 1796, when he was created Baron Rous; created Earl of Stradbroke, 1821. To waist, dir. towards r., looking f.; head uncovered, frill, robes; tops of trees in distance to r. ii|- by 9|-. In fine upper and lower italics: "Painted by Sir W™ Beechey, Painter to Her Majesty. Engraved by C. Turner, Warren Street, Fitzroy Square." In light open upright capitals: "The R*^ Hon"'' John Lord Rous," In fine script: "Baron Rous of Dennington in the County of Suffolk." In fine upper and lower italics: "London Published Oft"^ I. 181 1, by C. Turner, Warren Street, Fitzroy Square." B.M.; C. C. Turner sale catalogue mentions "proof prints" and "prints." 502. ROUS, MR. After Sir T. Lawrence. To waist, sitting, dir. very slightly 1., facing f.; light neckerchief, dark coat fastened by one button; arms resting on arms of chair, papers on table to 1. w^hy Masked proof. C. Before any inscription. B.M.; Mr. H. W. Bruton. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence R.A. Principal Painter in Ordinary to His Majesty. Engraved by C. Turner." In fine upper and lower italics at foot of plate: "London, Published Nov' 28. 181 5, by C. Turner, 50, Warren Street, Fitzroy Square." B.M.; Mr. J. Charrington; C; Mr. E. Lay ton. 503. RUSSIA, ALEXANDER I, EMPEROR OF. After M. Houdon. Born 1777; ascended the Russian throne 1801; died 1825. A sculptured bust, turned to f.; coat with epaulettes, sash, medal and three stars; black background. I2|- by 10. In light open upright capitals: "Alexander." In similar upper and lower: " copied from a Bust Modeled [sic] at Paris by M. Houdon." In fine upper and lower italics: "Pub. Aug* I. 1 8 14, at R. Ackermann's Repository of Arts, loi, Strand." To r,, in light open italic capitals: "Proof" B.M. 181 CHARLES TURNER, A.R.A. 504. RUSSIA, ELIZABETH, EMPRESS OF. After Monier. Born 1779, died 1825. Daughter of Charles, Prince of Baden; married Alexander, afterwards Alexander I, Czar of Russia, 1 793. Nearly W.I., standing, dir. 1., looking f.; short curls, jewelled band across forehead, light low-necked dress; r. hand plucking flower from a vase on table to 1. An antique lamp also on table. Her refleftion seen in a mirror behind table. The Russian eagle in centre of inscription space. 18 by 14. I. Before the eagle. In light open upright upper and lower lettering: "Painted by Monier. Engraved by Cha' Turner " In fine upper and lower italics under centre of subjeft: "Published by the Proprietor, London, 1805." C. II. The artists' names erased, and re-engraved in fine upright upper and lower letters. The Russian eagle introduced. On right of it, in thick and thin script: "Elizabeth Con- sort of Alexander I. Emperor of all the Russias." This script inscription is repeated on the 1. of the eagle, in Russian; and there is some further inscription, in Russian, beneath. BM. III. The plate re-touched. A fold of the dress in r. lower corner taken away and made into background. In State II, from the r. edge of work to commencement of the dress measures |- in.; in State III, i in. A series of horizontal strokes added on 1. of the reservoir of lamp on table. B.M. {a masked impression, in which the inscription can be seen blind"). IV. The plate further reworked. This state can be identified by a series of oblique "rock- ings" from 1. downwards towards r., in lower 1. corner of plate. B.M. {impression in colours). 505. RUTLAND, JOHN HENRY MANNERS, sth DUKE OF. After y. Hoppner. Born 1778, died 1857. Succeeded to the dukedom 1787. Recorder of Cambridge and of Grantham. A Trustee of the British Museum 181 5. W.L., standing in a wooded landscape, dir. towards f., facing towards 1.; uniform, scarf round waist, sword, long boots, spurs, short fur cloak around shoulders; 1. hand to hip, r. arm by his side, plumed helmet in r. hand, 1. foot drawn slightly back. Arms in centre of inscription space, motto: "Pour Y Parvenir". 23!^ by 14^. I. At foot of subjeft to 1., lightly scraped: "J. Hoppner pinx R.A."; to r.: " C. Turner sculp" Beneath subjedt, in fine upper and lower italics: "J. Hoppner R.A. pinxit C. Turner sculp*." In light open upright capitals: "His Grace the Duke of Rutland." In fine upright upper and lower: "London Published 16 April, 1801, by John Jefiryes, Clapham Road." B.M.; Dr. J. S. Joule; Sir Walter Gilbey. II. The inscription strengthened, the letters of title line filled in with a pattern. The line of publication erased; instead, in upright thick and thin upper and lower: "London Published June 4**^ 1804 by John. P. Thompson Newport Str*." C. Turner's Diary, Sept. 8, 1800: "Went to Clapham; horse & turnpikes lo.o". This was evidently a visit to John JefFryes, the publisher of the above, to arrange to engrave this, Turner's first portrait after Hoppner, which he commenced Sept. 21st. March 13, 1801: " Deliver'd the Plate Duke of Rutland. Note for 2 Months from JefFryes. ^^i 5. 15. o ". 506. RUTLAND, MARY ISABELLA (SOMERSET), DUCHESS OF. After Mrs. Mee. Youngest daughter of Charles, 4th Duke of Beaufort, married Charles, 4th Duke of Rutland, 1775; died 1831. To waist, in a line engraved border surmounted by a coronet, dir. and facing slightly 1., looking f.; tiara, low-necked light-coloured dress with high waist; armlets, bracelet on 1. wrist. 4 J by 3^. 182 CATALOGUE OF PORTRAITS In light open upright upper and lower lettering: "Painted by M" Mee. Engraved in Mezzotinto by C. Turner." In fine script: "Mary Isabella" In light open gothic, with flourishes: Dutchess of Rutland." In fine upper and lower italics: " London Published July. lo. 1804. by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M. {printed in colours); Mr. J. Charrington. ST. ALBANS, DUCHESS OF. See MELLON. ST. CLAIR, MISS. See EMILY. No. 804. 507. SAINT SIMON, CLAUDE ANNE, MARQUIS DE. Born 1740, died 18 19. Fully to waist, in an oval, dir. and facing very slightly tovi^ards r.; head uncovered, uniform, sash; r. hand holding sword; hills in background r. and 1. A single stippled line surrounds the oval. 4 by 3-|-. Stipple Engraving. In fine upright upper and lower lettering: "C. Turner sculp*" In fine script: "Le Marquis de Saint Simon Grand d'Espagne de p''*' classe; Comd'^ de I'ordre de S* Louis: Lieutenant-general des armees de S. M. C. Colonel de la Legion Royale des Pyrenees 1793- C'est le cceur de Bayard, et ce sont ses services, Saint-Simon sur la gloire acquiert un droit de plus. Dans I'horrible siecle des vices il montre toutes les vertus." In fine upper and lower italics: "London Pub* Dec'' 31. 1818, by C. Turner, 50 Warren S* Fitzroy Square." BM. 508. ST. VINCENT, JOHN JERVIS, EARL OF. After Sir W. Beechey. Born 1735, died 1823; admiral. Defeated the Spanish fleet off* Cape St. Vincent, February 14, 1797, for which he received a pension and was created an Earl; retired in 1807. W.L., standing, dir. towards f, facing downwards towards r.; robe over naval uniform, medal, collar, and badge; 1. arm by his side, hand holding sword; Naval Bill in r. hand; cloth-covered table to 1., on which are books, papers, and terrestrial globe; naval battle in distance to 1. 22^ by i6i. Before any inscription. Sale at PutticlCs, March 30, 1906. In fine upright upper and lower lettering: "Painted by Sir W. Beechey, R A. Engraved by C, Turner." In fine script: "John Earl of S* Vincent, Admiral of the Red & Gen' of Marines, F.R.S. &c. &c. &c. \F.R.S. in open italic capitals]. In fine upper and lower itaHcs: "London Pub"* Nov'' ii. 1 8 16, by C.Turner, 50, Warren S' Fitzroy Square." BM.; C; V. and A.; Dr. J. S. Joule. ST. VINCENT, JOHN JERVIS, EARL. See BRENTON'S NAVAL HISTORY. No. 57. 509. SALOMONS, SIR DAVID. After Mrs. C. Pearson. Born 1797, died 1873. ^ founder of the London and Westminster Bank; Lord Mayor of London, 1855; created a baronet, 1869. To knees, standing, dir. very slightly r., looking f.; frill, ruffs, dark dress, civic robe and chain; 1. hand on hip, r. hand on paper lettered "Sheriffs Declaration Bill 5** 183 After W. Owen. CHARLES TURNER, A.R.A. Will'" IV That the" on corner of table to l.j curtain and pillar in background, landscape in distance to r. i6|- by 13. Before any inscription. Note by Mr. J. Charrington. I. In fine upright upper and lower lettering: "Painted by M""' C, Pearson. Engraved by C. Turner, A.R.A," In fine upper and lower italics at foot of plate: "London, Published March i'* 1837, (for the Proprietor) by F. G. Moon, Printseller to the King, N°. 20, Threadneedle Street." C. II. With additional inscription. In open upright thick and thin capitals: ** David Salomons, Esq*"^ ". In thick and thin script : " Sheriff of London and Middlesex, 1835-6." BM.; V. and A. SAUMAREZ, SIR JAMES. See BRENTON'S NAVAL HISTORY. No. 62. 510. SAUNDERS, P. After Richard Evans, This plate is mentioned in the C. Turner sale catalogue, Lot 554: "Saunders (P.) Esq. half-length, after Rd. Evans. Proof prints, 3, before the plate was reduced. Copper, [plate size] 9 in. by 6." 511. SAVILL, REV. JOHN. After J. J. Halls. To waist, sitting, dir. f., facing very slightly 1.; own hair, white frill, plain dark coat; r. elbow on tabic to 1., r. hand placed within coat; curtain in background. A line-tint border surrounds the subjedt. by 8|-. On bottom edge of border, in fine script lettering: "The Rev*^ lohn Savill." Under border, in fine upright upper and lower lettering: "Painted by I. J. Halls. Engraved by C. Turner." Between artists' names, in fine italic upper and lower lettering: "Colchester, Published by R. Tabor Jun' & H. Budden Jan^ i. 1817." B.M.; Mr. H. W. Bruton; Mr. J. S. Earle. 512. SCHANCK, JOHN. After J. J. Masquerier. Born 1740, died 1823. Naval captain 1783; vice-admiral 1810; admiral 1821. To waist, dir. towards 1., looking f.; frill, ruffles, uniform, epaulettes, coat fastened by one button; r. hand placed within waistcoat. A mezzotint ground covers the inscrip- tion space. I2f by 11. Engraved on copper. In thick and thin script lettering: " I. J. Masquerier pinx* C.Turner sculp* Capt"^ Schank," In thick and thin italic capitals: " Royal Navy." In thick and thin upper and lower italics: "London, Published Oft"" 19. 1799, by C. Turner, N° 40, Castle Street, Oxford Road." B.M.; C; Mr. Burdett-Coutts. Sept. 14, 1799: "Began to scrape Cap* Schank." — C. Turner's diary. 513. SCOTT, JAMES. After Henry Howard. Surgeon, of Bromley, Kent. To waist, dir. slightly 1., looking f.; dark hair, white neckerchief, plain dark coat and vest; curtain in background. 11 by 9. Before any inscription. C. In fine upper and lower italics: "Painted by Henry Howard Esq' R.A. Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In very slightly thick and thin script: "James Scott, Esq"" " In fine upper and lower italics: "Published July I, 1825, by C. Turner, 50 Warren Street, Fitzroy Square." B.M.; C; Mr. H. W. Bruton. 184 MRS. STRATTON 1813 AFTER LAWRENCE CATALOGUE OF PORTRAITS 514. SCOTT, SIR WALTER. After Sir H. Raebum. Born 1 77 1, died 1832; novelist. In the year of the print (18 10), Scott published " The Lady of the Lake." W.L., sitting on stone with wall behind him, dir. and facing towards 1.; head un- covered, light waistcoat, Hessian boots; arms on knees, pencil in r. hand, book in 1.; dog lying in r. lower corner, landscape in distance to 1. 18 by 14I-. An impression cut close to the work. B.M. In large open upright thick and thin block-letter capitals: " Walter Scott, Esq"^ " In thick and thin script: "Engraved by C. Turner from the Original Pifture, by Raeburn, in the possession of Archibald Constable, Esq'"" In upper and lower thick and thin italics: "London, Published Jan^ 18'" 18 10, by R. H. Cromek, 64, Newman Street." V. and A.; Mr. H. S. Theobald, K.C.; Mr. Fritz Reus. C. Turner sale catalogue mentions "proof prints". 515. SCOTT- WARING, [MAJOR] JOHN. ^fierj. J. Masquerier. Born 1747, died 18 19. Friend of Warren Hastings, "whose affairs he conduced with great industry and small judgment." Added Waring to his surname in 1798. To waist, in a square mezzotint frame, sitting, dir. r., facing rather more to f ; white neckerchief, plain dark coat fastened by one button. A hght mezzotint ground covers the inscription space. Including frame, 12 by 9|^. In fine script lettering: "I. J. Masquerier pinx"^ C Turner sculp' To Warren Hastings Esq"" This Portrait of his Friend Major Scott Waring, [the last three words in light open upright capitals] Is, with Permission, Dedicated by his obedient & obliged humble Servant, I J Masquerier." In fine upper and lower italics: "London, Published Feb. 27. 1802, by C. Turner, N° 56, Warren S' Fitzroy Sq'^" B.M.; Mr. H. W. Bruton. 516. SCOTT-WARING, MRS. MARIA, AND CHILDREN. After J. Russell. Maria, daughter of Jacob Hughes of Cashel; second wife of Major John Scott-Waring. She gave a masked ball at Peterborough House, in honour of the Prince Regent, 3rd February, 1812, and was found the next morning at the bottom of her own stair- case with her neck broken. See Compton Reade's " A Record of the Redes of Barton Court, Berks." 1899. W.L., standing, dir. towards r., facing towards and looking f ; hair in short curls tied with ribbon, light dress with high waist and short sleeves; hands holding younger child, who is about to spring towards her from pedestal of pillar to r.; the elder child, to 1., is carrying a basket of flowers over his head; dog in foreground to r.; balustrade, pillar, and curtain in background, trees in distance to 1. I9f by I4f. Engraved on copper. I. In light open upright upper and lower lettering: " Painted by J. Russell R.A. En- graved by C. Turner" In fine script: " M" Scott Waring and [and in light open upright] Children." In fine upper and lower italics: "London Pub*^ Jan^ 2. 1804, by C. Turner, N° 50, Warren Street, Fitzroy Sq^" B.M.; C. II. The inscription strengthened and made thick and thin. Mr. L. B. Mozley. "Mrs. Scott all day. Rece** of M'' Scott on acc' j^42. 10. o." — C. Turner's diary. Oil. 7, 1803. "Began Mrs. Scott plate again." — November 5, 1803. "Finished Mrs. Scott's plate. Amen." — December 30, 1803. "Mrs. Scott's portrait. £e)2. 10. o" — Jan. 12, 1804. 185 B B CHARLES TURNER, A.R.A. SEAFORTH, LORD. See DILETTANTI SOCIETY. No. 159. 517. SHAFTESBURY, CROPLEY ASHLEY-COOPER, 6th EARL OF. After Sir T. Lawrence. Born 1768, died 1851. M.P. for Dorchester; succeeded as 6th Earl of Shaftesbury, 181 1 ; Chairman of Committees in the House of Lords 1814. Nearly to knees, standing, dir. r,, facing more towards and looking f.; long dark coat trimmed with fur; r. hand holding hat and walking stick; fluted column on a base to 1., with a thistle in f. of it. 16^ by 13. Before any inscription. B.M.; C; Mr. S. S. Savery. I. In fine upright upper and lower lettering: "Painted by The* Lawrence Esq'' R.A. Principal Painter in Ordinary, to His Majesty. Engraved by C. Turner." In fine script: " Cropley Earl of Shaftesbury &c. &c. &c." In fine upper and lower italics: "London Published Sept"" 20, 18 12, by C. Turner, N° 50, Warren Street, Fitzroy Square." BM.; C; Mr. L. B. Mozley. II. The script lettering of title strengthened and made slightly thick and thin. Note by Mr. J. Charrington. 518. SHAKESPEARE, WILLIAM. Born 1564, died 1616. Nearly to waist, dir. and looking f., facing very slightly 1.; slight beard and moustache, earring, large linen collar, plain dark coat. 15 by 12. Before any inscription. C. In fanciful capital letters: " W" Shakspeare." In slightly thick and thin script: "En- graved by C. Turner, from the newly discovered Pidlure painted from the Life, now in the possession of the Publisher." In open upright slightly thick and thin upper and lower: "London Published May 22, 181 5, by Ja° Dunford Newport Str* " B.M. 519. SHAKESPEARE, WILLIAM. Similar to preceding, but with lace collar instead of plain collar, and without earring. 5f by 4f . In fine upper and lower italics: "Engraved by Cha^ Turner Mezzotinto Engraver in ordinary to His Majesty." In light open upright capitals: " William Shakespear " Mr. F. B. Dame// (a pub/ication may be cut off). 520. SHARP, GRANVILLE. After L. Abbott. Born 1735, died 1813; slave trade abolitionist; helped to found the British and Foreign Bible Society, 1804. To waist, dir. slightly r., looking f.; hair powdered and tied, lace frill and rufFs, plain dark coat and waistcoat; 1. arm leaning on four books to r., paper in 1. hand lettered: "The Claims of the People of England." • 12 by 10. I. In light open upright upper and lower lettering: " Painted by L. Abbot Esq' En- graved by C. Turner." In light open upright capitals: "Granville Sharp Esq'" In fine upper and lower italics: "London Published Nov' 2. 1805, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; V. and A. II. The lettering on paper in 1. hand changed to: "Trafts against Slavery". Mr. H. W. Bruton. III. The inscription strengthened and made thick and thin ; a line added in each letter of the title. The line of publication erased; instead, in upper and lower italics: "London Published 24. July, 1808, by R. Cribb 288, Holborn." C. 186 CATALOGUE OF PORTRAITS 521. SHARP, WILLIAM. After J. Abbot. Born 1729, died 1810; surgeon. Praftised in Londoni retired to Fulham, where he died. To waist, dir. and facing towards f.; powdered hair, lace frill and ruffle, dark coat and vest with narrow white edging; r. hand placed within vest. 12^ by g-g-. Before any inscription. C. In fine upper and lower italic lettering: "Painted by J. Abbot Engraved by C. Turner " In light open upright capitals: "W" Sharp Esq""" In fine script: "Taken from a Pifture, Painted in the year 1784" In fine small upper and lower italics: "London, Published May 10, 1810, by C. Turner, 50, Warren Street, Fitzroy Square" B.M.; C; Mr. H. W. Brut on. 522. SHELDON, WILLIAM. After Sir M. A. Shee. Born at Weston, Warwickshire, 1744, died in Chapel Street, Grosvenor Square, 1830. To waist, dir. f., facing towards r.; black neckcloth, uniform, head uncovered. lOf by 9. In fine upright upper and lower lettering: " Painted by M. A. Shee Esq'' RA. Engraved by C. Turner." In fine script: " William Sheldon Esq''" In fine upper and lower italics: "London, Pub" Jan^ 20. 1817, by C. Turner, 50, Warren S* Fitzroy Square." B.M.; C; Mr. H. W. Bruton. 523. SHELLEY, JOHN. After E. U. Eddis. Of Yarmouth. To waist, sitting, dir. towards f., facing towards r.; white neckerchief, plain dark dress; r. arm over back of chair. lof by 8|-. Before any inscription. C. I. In fine upright upper and lower lettering: "Painted by E. U. Eddis. Engraved by C. Turner, A.R.A." In fine small italic capitals: "Born 31'* Dec' 1781, — Died 28*" July, 1835." In fine upper and lower italics: "London, Published for the Proprietor, Nov"" 20*% 1835, by M"" C. Turner, N° 50, Warren S* Fitzroy Square." B.M.; Mr. H. W. Bruton. II. Facsimile of autograph added: " John Shelley " C. 524. SHERIDAN, RICHARD BRINSLEY. After Sir J. Reynolds. Born 1 75 1, died 18 16; dramatist, politician and orator. To waist, dir. towards 1., looking f ; powdered hair, white neckerchief, dark coat fastened by two buttons; curtain in background. by 4^. In fine upper and lower italics: "Painted by Sir Joshua Reynolds. Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In fine script: "The Right Honour- able" In light open upright capitals: " Richard Brinsley Sheridan." B.M. 525. SIDDONS, SARAH. After Sir T. Lawrence, Born 1755, died 1831; celebrated aftress. To waist, dir. and facing towards f.; veil tied on head, light dress with open neck, high waistband; curtain in background. Three bordering lines roimd subje(3:. Si by 4f . Engraved on steel. 187 CHARLES TURNER, A.R.A. In fine upper and lower italic lettering: " Painted by Sir Tho* Lawrence, Principal Painter in Ordinary to His Majesty Engraved by C. Turner, Mezzotinto Engraver in Ord^ to His Majesty. In light open upright capitals: " M""* Siddons." In fine upper and lower italics: "Published Nov' 20, 1826, by Henry Colburn, London." B.M. The C. Turner sale catalogue (lot 952) notes an impression "before the alteration was made for engraving the second plate, rare." 526. SIMMONS, C. Jfter Sir E. Landseer. This plate is mentioned by Mr. Algernon Graves in his Catalogue of the works of Sir Edwin Landseer, as follows: Item No. 13 of catalogue. "C. Simmons, Esq., on a Pony. Engraved by C. Turner, A.R.A. 1826. There is an impression of this in the colleftion of His Grace the Duke of Buccleuch, K.G." 527. SIMS, WILLIAM. After J. Lonsdale. To knees, sitting, dir. towards f., facing towards I.; white hair, speftacles, rufFs, plain dark dress; 1. hand on thigh, r. arm on table to I. on which are inkstand, pens, and a letter; curtain to r. 17A by 14. In fine upright upper and lower lettering: "Painted by J. Lonsdale. Engraved by C. Turner." In fine script : " William Sims Esq'' Late CoUeftor of His Majesty's Customs at the Port of London." In fine upper and lower italics: "London, Published Dec' 16. 1 81 6, by I. Clay Printseller, Ludgate Hill." B.M. 528. SKINNER, JOHN. After A. Robertson. Born 1744, died 18 16. Bishop of Aberdeen from 1786 till his death. To waist, dir. and facing towards 1.; white hair, bands, black gown. Heraldic device in centre of inscription space with gothic initial A in centre of shield. Three bordering hnes surround the subje£l. 8| by 7. Before any inscription, heraldic device, or bordering lines. C. As described. In fine upper and lower italics : " Painted by A. Robertson, Miniature Painter, to H.R.H. the Duke of Sussex. Engraved by C.Turner." In fine script: "The Right Rev*^ John Skinner " In light open upright capitals: "Bishop of Aberdeen." In fine upper and lower italics: "London, Published Aug*'' 23, 18 10, by A. Robertson, Gerrard Street, Soho." B.M. 529. SLEATH, WILLIAM BOULTBEE, D.D. After Thomas Barber. Born 1763, died 1842. Head Master of Repton; Vicar of Willington; and Master of Etwall Hospital, Derbyshire. Nearly w.l., sitting, dir. f., facing slightly I.; speftacles, bands, black gown; 1. arm on arm of chair, r. hand on book on table to I. on which are papers, inkstand and pen ; curtain and shelves of books in background. I7f by I3f. I. In light open upright upper and lower lettering: " Painted by Tho* Barber Notting- ham. Engraved by C. Turner London." In fine script lettering: "The Rev** W. B. Sleath, D.D." In fine italic upper and lower lettering: "Derby, Published July i** 18 13, by Mess" Moseley & Tunniclifi^ Carvers & Gilders." B.M.; C. II. The line of publication erased. B.M. 530. SOANE, SIR JOHN, R.A. After Sir F. Chantrey. Born 1753, died 1837. Archite6l of the Bank of England; elefted R.A. in i8o2; formed the Soane Museum in a house in Lincoln's Inn Fields, London, and, in 1833, presented it, with the house, to the nation. Knighted in 1831. 188 CATALOGUE OF PORTRAITS A sculptured bust, resting on a block, dir. f., facing very slightly r.; robe loosely around shoulders. The mezzotint ground does not extend beyond the bust and block. Plate size, 14.^ by io|-. In light open upright capitals and fine upright capitals, on block: "Sir John Soane, R.A. Professor of Architefture in the Royal Academy; One of the Architefts attached to His Majesty's Office of Works; Architeft to the Bank of England and College of Surgeons; F.R.S. F.S.A. Grand Superintendent of the Works of the United Fraternity of Free And Accepted Masons of England; Member of the Academies of Painting, Sculpture and Architedlure, In Parma and Florence. Engraved by Charles Turner, A.R.A. From a Bust by Francis Chantrey, Esq. R.A. Sculptor. 1831." At foot of plate, in fine upper and lower italics: "Published Jan^ 1832, by M'' Turner, 50, Warren Street, Fitzroy Square. London." B.M.; C. 531. SOANE, SIR JOHN, R.A. J/ter Sir T. Lawrence. Nearly w.l., sitting, dir. and facing towards f. ; frill, dark dress; 1. knee crossed over r., arms on arms of chair, spectacles in 1. hand; curtain in background. 16 by I2f . Before any inscription. B.M.; Mr. J. Charrington; Mr. S. S. Savery. I. With the line of publication (as in State II) only. C; V. and A. II. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence P R A Principal Painter in Ordinary to His Majesty Engraved by C Turner ARA Engraver in Ordinary to His Majesty" In fine upper and lower italics under centre of subjeft: "London Published Jan^ 18 1830 by M"" Turner 50 Warren Street Fitzroy Square" In open upright capitals: "John Soane," In light open gothic: "Professor of Architedlure in the Royal Academy," In fine script: "One of the Architedls attatched \sic\ to His Majesty's Office of Works," In light open gothic: "Architedl to the Bank of England," In light open italic capitals: "F.R.S. R.A. F.S.A." In fine script: "Member of the Academies of Painting, Sculpture, and Architefture," In light open upright capitals: "In Parma and Florence." To r., in fine italic capitals: "Proof" B.M. 532. SOTHERON, ADMIRAL FRANK. After Sir T. Lawrence. Born 1765 (?), died 1839. Nearly to knees, standing, dir. f., facing towards r.; bare-headed, white neckerchief, uniform with bright facings, epaulettes ; 1. arm by his side, r. hand on hilt of sword. 15 by I If. In fine upright capitals: "Painted by Sir Thomas Lawrence. Engraved by C. Turner, A.R.A." In light open upright capitals: "Admiral Sotheron," In fine script: "From a Portrait by Sir Thomas Lawrence, painted in the Year 1 809." In fine upright upper and lower: "London, Published July 18, 1839, for the Proprietor, by M' C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; Mr. Burdett-Coutts. 533. SOUTHWORTH, REV. THOMAS. Born 1749, died 181 6. To waist, dir. slightly r., looking f.j short wig, frill, plain dark coat and waistcoat. I if by 10. In fine upright upper and lower lettering: "Engraved from the original Pifture by C.Turner." In fine script: "This Portrait, of the Rev*^ Thomas Southworth, [the last three words in light open upright capitals] late President of Sedgley Park School, is respeftfully inscribed by his Friends, to the well wishers of that Establishment." In fine upright upper and lower: " Obiit 9 Junii 1816, ^t: 67." In fine upper and lower italics: "London Published June 24. 1817, for Jo^ Booker, 61 New Bond Street." B.M. 189 CHARLES TURNER, A.R.A. 534. SPENCER, LORD CHARLES. After H. Ashby. Born 1740, died 1820. Son of Charles, 2nd Duke of Marlborough. Postmaster- General. Nearly w.l., sitting in an armchair, dir. towards r., looking f.; powdered hair, plain double-breasted coat with high collar, cravat, breeches, light stockings; hands in lap 1. over r.; curtain and fluted pillar in background. 15 by In light open upright upper and lower lettering: " Painted by H Ashby Engraved by C. Turner " In fine upper and lower italics under centre of subjeft: "London Published Nov'' 20. 1803, by C. Turner N° 50, Warren Street, Fitzroy Square." In fine script: " The Right Hon"'' Lord Charles Spencer " B.M.; C; Mr. H. W. Bruton; Mr. L. B. Mozley. 535. SPENCER, LADIES CHARLOTTE AND ANNE (The Mask). After Sir J. Reynolds. Daughters of George, Duke of Marlborough. Lady Charlotte (born 1769, died 1802) married Edward Nares, D.D., Regius Professor of Modern History at Oxford, 1797. Lady Anne (born 1772, died 1865) married Cropley, 6th Earl of Shaftesbury, 1796 {q.v.). Two children, in a circle, nearly w.l, wearing white frocks ; the one on 1. holds a mask, and the one on r. grasps a curtain behind her with her 1. hand. Two figures from the portrait group of the Marlborough Family, q.v. 8|- by 8f . Before any inscription; not quite finished. B.M. I. In fine upper and lower italic lettering: "From a Pifture by Sir J. Reynolds. En- graved on Steel by C. Turner." In open upright slightly thick and thin capitals: "The Mask." In fine upper and lower italics: "London Pub*^ June 19 1823, by C. Turner, 50, Warren Street, Fitzroy Square." To r., scratched: " Proof " B.M. II. Engraved on Steel by C. Turner erased; instead: "Engraved by C.Turner." The word Proof erased. C. 536. SPENCER, LORD FRANCIS ALMERIC. After W. Owen. Born 1779, died 1845. Second son of George, Duke of Marlborough. M.P. for Wilts. Created Baron Churchill, 1815. To waist, dir. towards 1., looking f.; head uncovered, black neckerchief, uniform, dark braided overcoat edged with fur. io|^ by 9. Engraved on copper. Before any inscription, not quite finished. B.M. I. The height of subjeft reduced ^ in. In fine upper and lower italics: "Painted by W. Owen. Esq*" R.A. Portrait Painter to H.R.H. the Prince of Wales. Engraved by C. Turner." In light open upright capitals: "The R* Hon"^ Lord, Francis Spencer." In fine script: "To the Members of the Loyal Oxfordshire Troop of Yeomanry Cavalry, This Print of their Captain, from the Original Pifture in the possession of the Hon'''® Cropley Ashley Cooper MP Is respeftfully dedicated by their most obedient & very humble Servant, C.Turner." In fine upper and lower italics: " London, Published Oft"" I. 1 8 ID. by C. Turner, N° 50, Warren Street, Fitzroy Square. and T. Bennet, Woodstock, M' Archer, & M' Wyatt, High Street, Oxford." Mr. H. W. Bruton. II. At beginning of second line of publication and T Bennet altered to "M' Bennet" B.M.; C. SPENCER, GEORGIANA (POYNTZ), COUNTESS. See TRIMMER. 190 CATALOGUE OF PORTRAITS 537. SPENCER, LORD HENRY AND LADY CHARLOTTE (The Fortune Teller). After Sir J. Reynolds. Children of George, Duke of Marlborough, Lord Henry John Spencer (born 1770, died 1795) was M.P. for Woodstock, and Envoy to Stockholm and Berlin. For Lady Charlotte Spencer, see No. 535. Two children, in a circle, in fanciful costumes, the girl telling her brother's fortune; tree in background to 1., building to r, by 8|^. Masked proof. B.M. I. In fine upper and lower italic lettering: "From a Pifture by Sir J. Reynolds En- graved on Steel by C. Turner" In open upright slightly thick and thin capitals: "The Fortune Teller." In fine upper and lower italics: " London, Published June 19, 1823, by C. Turner 50, Warren Street, Fitzroy Square." To r., scratched: "Proof" Mr. E. E. Leggatt. II. Engraved on Steel by C. Turner erased; instead: " Engraved by C. Turner." B.M. SPENCER, JOHN CHARLES SPENCER, 3RD EARL. See ALTHORP. <2S. SPENCER, LAVINIA (BINGHAM), COUNTESS. J/ter Sir M. A. Shee. Born 1762, died 1831. Eldest daughter of Sir Charles Bingham, ist Earl of Lucan. Married, March 1781, George John, 2nd Earl Spencer, K.G. To waist, dir. towards r., facing towards f ; earrings, light-coloured dress with narrow waistband, dark cloak; fur rug on lap. i if by . I. In fine script: "Painted by M. A. Shee Esq'' R.A. Engraved by C. Turner" In light open upright capitals: "Lavinia Countess Spencer." In fine upper and lower italics: "London, Published 24 July 1804, by R. Cribb & Son, 288 Holborn." BM.; C; Mr. H. W. Bruton; Mr. H. P. Home. II. The inscription strengthened and made thick and thin; the open letters of title filled in with horizontal lines. 539. STAFFORD, ELIZABETH, MARCHIONESS OF. After T. Phillips. Elizabeth (Sutherland), Countess-Duchess of Sutherland; born 1765, died 1839. In 1785 married George Leveson-Gower, who became Marquess of ^Stafford, and was created Duke of Sutherland in 1833. To waist, in a square mezzotinted border, dir. towards r., facing towards f.; turban, pearl earring and necklace, low-necked dress, shawl with border; 1. arm on table to r. on which stands glass vase with flowers. Including border, i']^ by I3|-. Dimensions of subjedt, 12^ by io|^. Before any inscription. Sale at Puttick's, December 8, 1904. I. In open upright upper and lower thick and thin lettering: "T. Phillips A. R.A. pinx' C. Turner sculp* " In open thick and thin script capitals: "Elizabeth" In similar upper and lower: " Marchioness of Stafford" In upper and lower italics: "London, Published Feb^ 11. 1807, by C, Turner, N° 50, Warren Street, Fitzroy Square." B.M.; C. II. Line of publication erased; instead, in upper and lower italics: "London, Published I Jan'' 1 8 10 by Ant^ Molteno, Printseller to her Royal Highness the Dutchess of York N° 29 Pall Mall." Sale at Christie's, March 21, 1906 {^printed in colours). 191 CHARLES TURNER, A.R.A. 540. STAFFORD, GEORGE GRANVILLE LEVESON-GOWER, MAR- QUESS OF. After Wm. Owen. Born 1758, died 1833, M.P, for Staffordshire between 1787 and 1799; joint Post- master-General 1 799-1801 ; Marquess of Stafford 1803; created Duke of Suther- land 1833. To waist, dir. and facing towards 1.; rough hair, frill, plain dark braided coat. 12 by 10. Two masked proofs, unfinished; one of them touched. C. In fine italic, and open upright thick and thin, lettering: "Painted by Owen, Esq'' R.A. Engraved by C. Turner." In fine upright upper and lower lettering: "Engraver in Ordinary to His Majesty." In open upright thick and thin capitals: "The Most Honorable The Marquess of Stafford, K.G. &c. &c. &c." In small script thick and thin lettering: "London, Published by W. Sams, \W. Sams in thick and thin italic capitals] Book & Printseller to the Royal Family, opposite S' James's Palace, July i^' 1825." To r. in fine italics: "Proof" BM.; Mr. J. S. Earle; C. C. Turner sale catalogue, lot 858, says "before the alterations." STAYNER, SIR RICHARD. See PORTRAITS OF ILLUSTRIOUS CHAR- ACTERS, No. 464. 541. STEPHENSON, GEORGE. After H. P. Briggs. Born 1781, died 1848; engineer. Founder of Railways. To knees, sitting, dir. and facing towards 1.; plain dress, coat fastened by one button; 1. arm across back of chair, r. hand on knee and holding compasses; table to 1. on which lie a drawing lettered : " Weaver Viaduft G Stevenson ", and the star and ribbon of an order. 12-^ by 9^. In fine upright capitals: "Painted by H. P. Briggs, Esq: R.A. Engraved by C. Turner, A.R.A" In facsimile of autograph: "Geo: Stephenson Engineer" In fine upper and lower italics: "London, Published for the Proprietor June 7, 1838, by M"" Turner, 50, Warren Street, Fitzroy Square." To 1., in fine italic capitals: "Proof" B.M.; C. STEWARD ELIZABETH. See CROMWELL, ELIZABETH. No. 444. 542. STEWART, DUGALD. After Sir H. Raeburn. Born 1753, died 1828; eminent philosopher; published several philosophical works. A monument was ere£led to him on Calton Hill, Edinburgh. To waist, diredled towards r., looking f.; frill, plain dark buttoned coat. I2f by lo-g-. With inscription in thick and thin lettering. In open upright upper and lower: "Henry Raeburn Pinx* C. Turner Sculp*" In upper and lower italics: "Published June 20. 1808, by D. Hatton 56, Princes Street, Edinbro." In upright partly filled-in capitals: "Dugald Stewart Esq''" In script: "Professor of Moral Philosophy in the University of Edinburgh." . . . M*" Wilbraham Cooper {some inscription is cut off at foot). 543. STEWART, JAMES. After M. Cregan. To waist, sitting, dir. towards 1., looking f.; high shirt collar, frill, plain dark buttoned coat; books to 1. 9^ by 8. I. In fine upright upper and lower lettering: "Painted by M. Cregan. Engraved by C.Turner." In fine script: "James Stewart, Esq' M.P. County of Tyrone." C. II. County of Tyrone erased. In fine upper and lower Italics at foot of plate: "London Published, March i, 1822 by C. Turner, 50, Warren Street, Fitzroy Squ*" B.M. 192 DEVOTION 1813 AFTER LE RRUN ■ CATALOGUE OF PORTRAITS 544. STEWART, CAPTAIN JOHN. After J. Northcote. Born 1775, died 1811. To waist, dir. f., facing towards r.; rough hair, white neckcloth, naval coat with epaulettes — buttoned, light waistcoat. I2|- by 10. Engraved on copper. In light open upright upper and lower lettering: "Engraved from an original Pidlure by C. Turner." In light open upright capitals: "John Stewart Esq''" In fine script: "Captain of His Majesty's Ship Sea Horse." In fine upper and lower italics: "London, Published Sept' 30, 1 81 2, by C. Turner 50, Warren Street Fitzroy Square." B.M.; C; Mr. H. W. Bruton. 545. STOWELL, WILLIAM SCOTT, BARON. After T. Phillips. Born 1745, died 1836. Knighted 1788; judge of the High Court of Admiralty 1798- 1828; created a peer 1821. Nearly w.l,, sitting, dir. f, facing towards r.; long wig, lace cravat and ruffles, judge's robes; arms resting on arms of chair; curtain in background to r. I5|- by 12\. Engraved on copper. Before any inscription. B.M.; Mr. H. S. Theobald, K.C. I. In fine upright upper and lower lettering: "Painted by Thomas Phillips, Esq'* R.A. Engraved by Charles Turner, Mezzotinto Engraver in Ordinary to His Majesty." In fine upper and lower italics at foot of plate: "London, Published June 2, 1828, by M' Turner, 50, Warren Street, Fitzroy Square." C; V. and A. II. With additional inscription. In light open upright capitals: " The Right Hon"® William Lord Stowell." In fine script: "Judge of the High Court of Admiralty of England." To 1. in fine italic capitals: "Proof." B.M.; Dr. J. S. Joule. STRADBROKE, JOHN ROUS, ist EARL OF. See ROUS. 546. STRANGE, SIR THOMAS ANDREW LUMISDEN, LL.D. After Sir T. Lawrence. Born 1756, died 1841; son of Sir Robert Strange, the well-known engraver; Chief Justice of Nova Scotia 1791; Recorder of Madras 1798; Chief Justice 1801. Pub- lished " Elements of Hindu Law." W.L., standing, dir. towards f., facing slightly r.; bareheaded, bands, judge's robes, shoes; r. hand on paper which with inkstand lies on table to 1., 1. arm by his side, paper in 1. hand; curtain in background. 2\\ by 15. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence P. R.A. Painter in Ordinary to His Majesty. Member of the Roman Academy of S* Lukes & of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square." In fine script: "Sir Thomas Strange, Knight L.L.D. Recorder, afterwards Chief Justice of Madras." In fine upper and lower italics: "London, Pub- lished Feb^ I. 1820, by C. Turner, 50, Warren S*^ Fitzroy Square." B.M. The original painting hangs in the Government House, Madras. STRANGEWAYS, GILES. See PORTRAITS OF ILLUSTRIOUS CHAR- ACTERS. No. 465. 193 c c CHARLES TURNER, A.R.A. 547. STRATTON, MRS. Afier Sir T. Lawrence, ? Wife of G. F. Stratton. W.L.. sitting, dir. slightly 1., looking towards f.; short curls, dark dress with high waist and girdle; 1. hand on arm of large chair over which a cloak has been thrown, toe of one foot touches the ground; r. hand on head of large dog by her r. knee; curtain and pillars in background. 23f by 14I-. Before any inscription; a sheet of paper, in lower 1. corner, lies on a footstool and extends 2^ in. beyond, to the r, B.M.,- Mr. E. E. Leggatt; Mr. H. S. Theobald, K.C. I. The sheet of paper has been shortened and now curves round the edge of the footstool. In light open upright upper and lower lettering: "Painted by Tho^ Lawrance [jzV] Esq' R.A. Painter in Ordinary to his Majesty. Engraved by C. Turner Warren Str Fitzroy Squ*" C. II. The painter's name correfled from Lawrance to *' Lawrence." A line of publication added in small upper and lower italics at foot of plate: "London, Publish'd Jan^ 1 1^'^ 181 3 by C. Turner N° 50, Warren Street Fitzroy Square." B.M. III. The line of publication erased. Title added in fine script lettering: "Lady and Dog" At foot of plate, in fine upper and lower italics: "London Published Jan*^ 1^* 1833 by Paul & Dominic Colnaghi & Co Printsellers to the Royal Family Pall Mall East." [the last three words in fine upright capitals] B.M. 548. SUSSEX, H.R.H. AUGUSTUS FREDERICK, DUKE OF. After Chester Harding. Born 1773, died 1843; sixth son of George III. To waist, dir. f., facing towards 1.; high collar, white neckerchief, plain buttoned double-breasted coat, star. Two bordering lines round subje£l. Royal arms with mottoes in centre of inscription space. iif by 9-^. Engraved on steel. Before any inscription, and before the bordering lines and arms. Height of subjedl li|^in. Mr. H. W. Bruton. As described. In light open upright upper and lower lettering: "Painted by Chester Harding Engraved by C. Turner Warren Street, Fitzroy Squ*" In light open italic capitals: " This Print of" In light open upright capitals: " His Royal Highness The Duke of Sussex K.G." In fine script: "is with Permission Dedicated to his Grace the Duke of Hamilton & Brandon by his Obd* & very humble Servant Chester Harding " In fine upper and lower italics: "London, Published Aug^' i. 1825, by M'' John Miller, N° 5, New Bridge Street, Blackfriars " B.M.; C. SUTHERLAND, ELIZABETH, COUNTESS-DUCHESS OF. See STAF- FORD. SUTHERLAND, GEORGE ist DUKE OF. See STAFFORD. 549. SUTTON, CHARLES MANNERS, D.D. After J. Hoppner. Born 1755, died 1828. Bishop of Norwich 1 792-1 805; Archbishop of Canterbury from 1805. Nearly to knees, standing, dir. towards 1., looking f ; short wig, bands, ecclesiastical robes, robe of the Garter, badge suspended by chain from neck; 1. arm by his side, 1. hand holding robe, r. hand holding roll of paper; curtain overhead and to r., inside of cathedral seen in background to 1. 16 by 12. Before any inscription. Mr. J . Charrington. 194 CATALOGUE OF PORTRAITS I. In fine upright upper and lower lettering: "Painted by John Hoppner Esq* RA The Pifture in possession of His Majesty Engraved by Charles Turner ARA Engraver in Ordinary to His Majesty" At foot of plate, in same lettering: "London Published Nov' 16**^ 1829 by Mess" Colnaghi Son & Co Pall Mall East." B.M.; C. II. With additional inscription. In light open upright capitals: "The Most Reverend Charles Manners Sutton, D.D." In fine script: "Late Archbishop of Canterbury &c &c &c." The date altered to: "Janu^ i'' 1830," and under line of pubHcation added: "Print- sellers to His Majesty" To r. in fine italic capitals: "Proof" B.M.; Mr. R. D. Thomas. III. The open capitals and script lettering made very slightly thick and thin; the word Proof erased. C; V. and A. 550. SWEDEN, CHARLES JOHN, CROWN PRINCE OF. After Rota. Born 1764, died 1844. Adopted as successor to Charles XIII of Sweden, 1810; suc- ceeded to the throne as Charles XIV, 181 8. To waist, in an oval, dir. towards 1., looking f. ; high collar, military coat with epaulettes, sash, stars. ^\ by I. In upper and lower italic lettering: "Rota pinx* C. Turner sculp*" In filled-in gothic, with flourishes: "Charles Jean" In filled-in upright capitals: "Prince Royal de Suede." In upper and lower italics: "London Pub*^ Jans' 28. 181 3 by the Proprietor" To r., in light open italic capitals: "Proof" B.M. II. The inscription from Charles to Proprietor erased; instead, in light open gothic, with flourishes: "Charles John" In light open upright capitals: " Crown Prince of Sweden," In fine script : " from an original drawing in the possession of His Excellency Count Lieven, Lieu* General & Aide de Camp General to H M the Emperor of all the Russias, His extraordinary & Plenipotentiary Ambassador at the Court of Great Britain." In fine upper and lower italics: "Pub** Feb^ 16. 18 13, by Colnaghi & C° 23 Cockspur Str* London" B.M. 551. SWINBURNE, SIR JOHN EDWARD. After J. Ramsay. Born 1762, died i860. Succeeded as 6th baronet 1786. President of the Artists' Benevolent Fund. To waist, dir. f., facing 1.; white neckcloth, plain dark coat and waistcoat; seated in a chair on the r. arm of which his elbow leans; a black band round head with shade to r. eye. lof by 8|-. In fine upright upper and lower lettering : " Painted by I. Ramsay. Engraved by C. Turner." In light open upright capitals: " Sir John Edw** Swinburne Bar*" In fine upper and lower italics: "London, Pub. 3'''' April 1821 for the Proprietor, by Mess" Colnaghi & Sons, Cockspur Str* & M'' Molteno Pall Mall." To r., in upper and lower italics: "Proof." B.M.; C. TANKERVILLE, FORD GREY, EARL OF. See PORTRAITS OF ILLUSTRIOUS CHARACTERS. No. 453. 552. TAYLOR, EDGAR, F.S.A. After E. U. Eddis. Born 1793, died 1839; lawyer and author. The works mentioned in the inscription were published respeftively in 1837, 1833, and 1825. Nearly to knees, sitting, dir. towards f., facing towards 1.; dark neckerchief, frill, dark dress; 1. arm on arm of chair, r. hand holding book on knee with forefinger between leaves. iif by g^-. Engraved on steel. CHARLES TURNER, A.R.A. Before any inscription. C. (a touched impression). I. In fine upright upper and lower lettering: "Painted by E W Eddis Esq^ Engraved by C Turner A.R.A." In light open upright capitals: "Edgar Taylor Esq. F.S.A" In light open italic capitals: "Author of" In fine script: " Waces Chronicle of the Norman Conquest, The Book of Rights, Lays of the Minnesingers, &c. &c." In fine upright upper and lower: "London Published August lo**" 1841, by M"" Turner N° 50, Warren St. Fitzroy Squ* " C. II. For E W Eddis read " E U Eddis " BM.; Mr. H. W. Bruton; V. and A. 553. TAYLOR, JOHN. After Sir T. Lawrence. Nearly w.L, sitting, dir. slightly r., looking f.; frill, plain dress; r. hand clasping 1., 1. elbow on edge of table to r. on which is an inkstand. I5f by 12\. Two early proofs; head portion only. C. In fine upright upper and lower lettering: "Painted by Sir Thomas Lawrence, P.R.A. Engraved by Charles Turner, A.R.A." In light open upright capitals: "John Taylor, Esq'® F.R.S. &c. &c. &c." In fine upper and lower italics: "London, Published January 17, 183 1, by M'' Turner, 50, Warren Street, Fitzroy Square." B.M.; C. 554. TENTERDEN, CHARLES ABBOTT, ist BARON. After J. W. Wright. Born 1762, died 1832. Recorder of Oxford 1801; judge in the Court of Common Pleas and King's Bench 1816; Lord Chief Justice 1818; created a peer 1827. Nearly w.l., sitting, dir. towards r., looking towards f.; long wig, bands, collar of office, judge's robes; arms resting on arms of chair, corner of table to 1. with a letter upon it; pillar in centre of background. Arms in centre of inscription space, motto: "Lahore". lo^- by 8^. Before any inscription, and before the arms. Mr. H. W. Bruton. I. Before the arms. In fine upright upper and lower lettering: "Painted by John Henry Wright Engraved by C Turner ARA London Published January z^^ 1832 by Colnaghi Sen'' Dominic Colnaghi & Co Printsellers to their Majesties Pall Mall East [the last three words in fine upright capitals]. B.M. II, The arms and motto added. For John Henry Wright read "John Will™ Wright." Title added in light open upright capitals: "Charles Lord Tenderden " \jic\ B.M. 555. THOMASON, REV. THOMAS. After Hume. Born 1774, died 1829. Fully to waist, sitting, dir. towards r., facing towards f.; speftacles, bands, black gown. iofby8|. Before any inscription. B.M. In fine upright upper and lower lettering: "Painted by — Hume, Esq'' Calcutta. En- graved by C. Turner, A.R.A. Engraver in Ordinary to His Majesty." In light open upright capitals: "The Rev*^ Tho* Thomason, A.M." In fine script: "Chaplain to the Hon''''^ The East India Company." In fine upper and lower italics: "London, Published April 12, 1830, by L. B. Seeley & Sons, N° 169, Fleet Street." C; Mr. H. W. Bruton. 556. THOMPSON, GEORGE. After George Evans. To knees, standing, dir. towards r., looking f.; dark neckcloth; long dark buttoned coat, arms folded; to 1. a table on which are inkbottle, pen, paper and three books: " Oriental Herald ", " Friend of India ", and " American Antislave Magazine." 12 by 9-^. Engraved on steel. 196 CATALOGUE OF PORTRAITS I. In fine upright capitals: "Painted by George Evans, Esq'' London: Published Nov"" iz**" 1842, by M"" G. Evans, N° 15, S* Martin's Street, Leicester Square. Engraved by C. Turner, A.R.A." In facsimile of autograph: "Geo: Thompson" F. and A. II. With additional inscription. In front of autograph in fine script: "This Print of" Following autograph in fine script: "Esq''® is with permission, dedicated to The British India Society, by their very obedient humble Servant, George Evans." B.M.; C. 557. THORNTON, SAMUEL. Jfter Thos. Phillips. Born 1755, died 1838. Direftor of the Bank of England from 1780 to 1833. M.P. for Kingston-upon Hull, and Surrey; President of Guy's Hospital. Nearly w.l., sitting, facing and looking towards r.; white neckcloth, frill, plain dress, reading glass suspended by ribbon from neck; arms resting on arms of chair, letter in r. hand; letter on table to 1. addressed "To S. Thornton Bank"; curtain and pillar in background. 15-I by 12^. Before any inscription; and before the wording on letter. Truman Sale, April 27. 1906. In fine upright upper and lower lettering: "Painted by Thomas Phillips, Esq"" R.A. En- graved by C, Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: " Samuel Thornton, Esq'''^" In fine upper and lower italics: "London Published Dec' 19, 1827, by M'' Martin Colnaghi, Cockspur Street, Charing Cross." To 1., in fine italic capitals: "Proof" B.M.; C. 558. THORNTON, WILLIAM, M.P. After Madame Varillat. Born 1763, died 1841. Nearly to knees, standing, dir. slightly r., looking f.; black neckerchief, uniform' with cording at r. shoulder; plumed hat under 1. arm, 1. hand on hilt of sword, r. forefinger pointing to paper and open book lettered: "An Aft to abolish the Punishment of public whipping of female offenders 7**^ July 1 8 1 7." " Speech of nt General Thornton His Motion in use of Commons 7* of May 181 8 Declarations" which with other papers and books lie on table to r.; books, papers and curtain in background to 1. Arms in centre of inscription space, with names of families represented engraved at the sides. 17I- by 14. In fine upright upper and lower lettering: "Painted by Madame Varillat. Engraved by C.Turner." In fine script: " Lieutenant General William Thornton First elefted Repre- sentative in ParHament for New Woodstock J*** 061'" 1812. To the Corporation and Freemen of which Borough This Portrait is gratefully inscribed" In fine upper and lower italics: "London, Pub** Dec'' 29. 18 18, by C. Turner, 50 Warren S' Fitzroy Square." B.M.; C. 559. THURLOW, EDWARD THURLOW, ist BARON. Jfter T. Phillips. Born 1 731, died 1806. Lord Chancellor and created Baron Thurlow 1778; presided at the trial of Warren Hastings 1788. "His political principles were merely a high view of royal prerogative and an aversion to change." [" Didt. Nat. Biog."] Nearly w.l., sitting, dir. very slightly r., facing f ; short wig, frill, ruffs, coat fastened by two buttons, breeches; arms on arms of chair, r. elbow touching table to 1. on which lie books, paper and hat; curtain in background to 1., window to r. In r. lower corner of subjeft, scraped: "aet: 74: 1806." i6|- by 13I-. Masked proof. Mr. H. P. Home. 1. In fine upper and lower italics: " Painted by T. Phillips. A. Engraved by C. Turner." In light open upright capitals: "Edward Lord Thurlow" In fine upper and lower italics: "London Published April 20. 1807, by C. Turner 50, Warren Street Fitzroy Square." BM.; C; Mr. H. S. Theobald, K.C. 197 CHARLES TURNER, A.R.A. II. The open letters of the title filled in. The line of publication erased ; instead, in fine upper and lower italics: "London. Published 24, July 1808. by R. Cribb 288 Holborn." Sale at Christie's, Ju/y 18, 1805. 560. TITCHFIELD, WILLIAM HENRY CAVENDISH-BENTINCK, MARQUESS OF. Jfter John Harrison. Born 1797; eldest son of William, 4th Duke of Portlandj died during his father's life- time, March 4, 1824. See note at end of State II. To waist, dir. f., facing 1.; dark hair, bigh collar, white neckerchief, plain dark double- breasted coat, showing two buttons fastened. lof by 8|-. Engraved on copper. Early proof; inscription space not quite cleaned. Truman Sale, April 27, 1906. Masked proof. Truman Sale, April 27, 1906. Before any inscription. Mr. H. W. Bruton. I. In fine upper and lower italics near foot of plate : " Pall Mall East, London, Published for the Proprietor June 14. 1827, by Mess" Colnaghi & Son Printsellers to His Majesty &c. &c. &c." B.M. II. With additional inscription. In fine upright upper and lower lettering: "Painted by John Harrison. Engraved by C. Turner." In light open upright upper and lower: " "Non, Torquate, genus, non te facundia, non te Restituet pietas ! " " In fine script: "William Henry Marquis of Titchfield, March 4, 1824. [the date in open italic capitals] From a Pidlure in the possession of Charles Tennyson Esq'' M.P. F.S.A. & S.A. This Engraving is dedicated by permission to The Hon'*''' George Agar Ellis, M.P. F.R.S. &c. &c. &c. by his much obliged and obedient Servant, lohn Harrison." B.M.; C. {from impressions the word '■^ Died" has been erased before the date ''March 4, 1824"). 561. TOMKINS, THOMAS. After Sir J. Reynolds. Born 1743, y 9i- Before any inscription, B.M.,' C. 610. WIGRAM, FAMILY OF SIR ROBERT. After Smart. Sir Robert Wigram, ist Baronet, was born at Wexford, 1743, and died 1830 He attained eminence as a merchant, and was created a baronet in 1805. He had i large family, and his eldest son changed the surname of Wigram to Fitzwygram. A group containing twenty-four persons, from about the age of one year upvards, sitting and standing; a group of six children standing at a table where atop is spiining, and close by a girl sitting beside a harp; on 1., a framed portrait of a lady )ver a mantelpiece. 20 Dy 36. Preliminary stipple etching, with some aquatinting. In fine upright upper and lower lettering: "From a Pifture painted by M' Smart. En- graved by C. Turner, Engraver in Ordinary to His Majesty." In light open ipright capitals: "The Family of Sir Robert Wigram, Bar*" In fine upper and lower Italics: "London Published March i^' 1826, by C. Turner, 50, Warren Street, Fitzroy S(uare." B.M. 611. WIGRAM, SELINA (HAYES), LADY. After A. Chalon. Wife of the foregoing (No. 609). Died 1 866. To waist, in a square border engraved in line, dir. f., facing slightly r.; bonne- with long white feathers and edged with pearls, short curls, long pearl necklace, dres with low neck and short sleeves and with jewel at bosom, cloak around back and arm;. Inside border 4^ by 3!-. In fine upright upper and lower lettering: " Painted by A. Chalon Esq'" Engra/ed by C. Turner, Mezzotinto Engraver, in Ord^ to His Majesty." In fine script: 'Lady Wigram, Daughter of Sir John Hayes, Bar*" In fine upper and lower itaUcs: 212 CATALOGUE OF PORTRAITS « London, Published March 1826, by C. Turner, 50, Warren Street, Fitzroy Sq«" BM. C. Turner sale catalogue mentions "artist's proofs", "proofs before letters", and " proof prints ". 612. WIGRAM, SELINA (HAYES), LADY. After Mrs. Anne Mee. This plate is mentioned in the C. Turner sale catalogue: Lot 668. " Small portrait of the same Lady [Lady Wigram], after Mrs. Mee, with 8 impressions." Lot 1060. " Lady Wigram, after Mee, with the original drawing, highly finished." 613. WILCOX, REV. JOHN. After H. W. Pickersgill. Born at Gloucester 1780, died 1835. Besides the appointments mentioned in the print, he was reftor of Little Stonham, Suffolk; and minister of Broad Court Chapel, Drury Lane, London. To waist, dir. f., facing towards 1.; speftacles, bands, black gown; both hands holding closed book on cushion before him. 13!^ by 10^. I. In fine upright upper and lower lettering: "Painted by W. H. Pickersgill. En- graved by C. Turner." In light open upright capitals: "Rev^ John Wilcox, M.A." In fine script: " Minister of Ely Chapel, Leflurer of S* George the Martyr, Southwark, & Chaplain to the Right Hon"" the Earl of Kingston." In fine upper and lower italics : "London, Published by R. S. Cribb, N° 288 Holborn." C. II. In publication line London, Published erased; instead: "London, Published 'Jan^ 15. 181 5," BM. III. The upright capitals and script lettering strengthened and made thick and thin; a line added along the centre of each letter of the upright capitals. IV. The line of publication erased; instead, immediately under centre of subjeft, in fine upper and lower italics: "London, Published 1829, by Charles Sweet, Carver & Gilder, 117, Chancery Lane, (opposite Serjeant's Inn.)" BM. 614. WILKS, COLONEL. ?Mark Wilks, born about 1760, died 1831, who was lieutenant-colonel in the Madras army, and Governor of St. Helena 18 13-15. This plate is mentioned in the C. Turner sale catalogue: Lot 579. " Wilks (Colonel), half-length. Artist's proofs, 21. Steel. [Plate size] 10 in. by 7," 615. WILLIAM IV. After Sir M. A. Shee. Born 1765; ascended the throne June 26, 1830; died 1837. W.L., standing, dir. f., facing towards 1.; robes of the Garter, collar and George; 1. hand on hip, r. holding hilt of sword the point of which touches the ground; crown and sceptre on cushion on table to 1., curtain above, high archway to r. through which Windsor Castle is seen. 25 by i6i. I. In fine upright capitals: "Painted by Sir Martin Archer Shee, P.R.A. Engraved by Charles Turner, A.R.A." In fine script: "To Her Most Excellent Majesty The Queen [the last two words in light open gothic] of Great Britain and Ireland," In light open italic capitals: "This Portrait of" In light open upright capitals: "King William The Fourth," In fine script: "Is with special permission humbly dedicated by Her Majesty's most devoted servants The Publishers." In fine upright capitals: "London, Published Jan^ 2. 1836, by Colnaghi & Company, Printsellers in Ordinary To His Majesty, & To 213 CHARLES TURNER, A.R.A. H. R. H. the Duchess of Kent, 23, Cockspur Street, Charing Cross." To 1., in fine smill italics: " Printed by Lahee & C°" To r., in fine italic capitals: "Proof" C. II. The script and gothic lettering made slightly thick and thin, a line added along tie centre of each letter of the title line. Fot Proof rend: "F.P.B."... B.M. 616. WILLIAM IV. Jfier Sir M. A. Sh>e, Nearly to waist, dir. f., facing towards 1., head uncovered, robes of the Garter. iii^by 9L. Before any inscription. C; Mr. H. W. Bruton. I. In fine upright upper and lower lettering: "Painted by Sir M. A. Shee, P.R.A. Ei- graved by C. Turner, A.R.A." In same lettering, at foot of plate: "London, Publishtd November 4^'' 1836 by Fr. Graves & C late Colnaghi & C° 23, Cockspur Street, Chariig Cross." BM. II. The line of publication erased, and re-engraved immediately under centre of subjei, in fine upper and lower italics. With additional inscription. In slightly thick and thn script: "His Most Gracious Majesty," In open upright slightly thick and thin capital: "William IV." In open slightly thick and thin gothic: "King of Great Britain, Irelaid & Hanover." C. 617. WILLIS, JOHN, M.D. After J. Peglr. Born 1751, died 1835. To knees, standing, dir. and facing f.; dark coat, light trousers, walking stick under r. arm, gloves in r. hand, 1. hand placing high hat on table to r.; curtain to 1. and in upptr r. corner, landscape seen through opening to r. 15!^ by I2g. Engraved on copper. Before any inscription. C; Mr. J. Charrington. I. In fine upright upper and lower lettering: "Painted by J. Pegler. Engraved ly C. Turner. A.R.A." In open upright slightly thick and thin capitals: "Dofter [jf] John Willis." In slightly thick and thin script: "of Greatford, near Stamford, Lincoli- shire." In fine upper and lower italics: "London, Published August 12, 1834, by N*^ Turner, 50, Warren Street, Fitzroy Square." B.M. II. For Doaer read " Doftor." C. 618. WILLIS, REV. THOMAS, LL.D. After C. W. Pegle; Died 1827. To knees, sitting, dir. and facing f. ; black velvet cap, plain dark dress ; arms restiig on arms of chair, speflacles in r. hand, handkerchief in 1. ; two large volumes in fore- ground to 1., table with inkstand upon it to r. 15I- by i:. Engraved on copper. I. In fine upright upper and lower lettering: "Painted by C. W. Pegler. Engraved ly C. Turner, Mezzotinto Engraver in Ordinary to His Majesty " In light open upriglt capitals: "Thomas Willis, L.L.D." In fine script: " Prebendary of Rochester, & Reftir of S' George's Bloomsbury, &c. &c." In fine upper and lower italics: "London, Pul- lished Jan^ i. 1828, by M' Pegler, 35, London Street, Fitzroy Square." To 1., in fire italic capitals: "Proof" BM. II. The word Proof erased. C. 619. WILTON, THOMAS EGERTON, ist EARL OF. After J. Hoppne-. Born 1749, died 18 14. M.P. for Lancaster between 1772 and 1784; createl Viscount Grey de Wilton, and Earl of Wilton, June, 1801. 214 CATALOGUE OF PORTRAITS W.L., standing, dir. towards 1., looking f.; frill, uniform, sash, scarf round waist, sword, gloves; hat in r. hand, cane in L, the point of which touches the ground; wooded undulating landscape background. 24^ by 14!^. Before any inscription. C. I, In fine small script: "John Hoppner R.A. pinx*. C, Turner sculp*." In fine upper and lower italics: "Published Sept' ii. 1802, by C. Turner N° 56, Warren Street, Fitzroy Square." C. II. Title added in light open upright capitals: " The Earl of Wilton." B.M. 620. WILTON, THOMAS EGERTON, 2nd EARL OF. AfterJ.Bostock. Born 1799, died 1882; grandson of the ist Earl. Succeeded as 2nd Earl of Wilton, 1814. G.C.H., 1835. To knees, standing, dir. towards f., facing towards r.; slight beard; plain dark dress and loose cloak with fur collar; r. arm by his side, 1. hand on pedestal to r., on which stands a large vase; curtain to 1. Arms in centre of inscription space; motto; "Nec Aspera Terrent." 16^ by I2|-. I. In fine upright capitals: " Painted by J. Bostock. Engraved by C. Turner, A.R.A." In fine italic capitals under centre of subjeft: "London, Published Sept'' 23, 1835, by Fra' Grah" Moon, Printseller to the King, 20, Threadneedle Street." In fine script: " Thomas, Earl of Wilton, G. C. H." In fine upright capitals: " Manchester, Thomas Sowler, N°4, S' Anns Square." To 1., in fine upper and lower italics: " Printed by Lloyd & C°" To r.: "Proof" C. II. The script lettering made slightly thick and thin. The arms strengthened. The word Proof erased. B.M. C. Turner sale catalogue mentions " proofs with autograph 621. WODEHOUSE, APOLLONIA. J/ter Sir J. Reynolds. Apollonia Nourse; married Rev. Philip Wodehouse, Prebendary of Norwich; died 1817. To waist, an oval in a square, dir. and facing in profile 1.; strings of pearls in hair, pearl necklace, light flowered dress. 7f t>y 6^. In fine upright upper and lower lettering: " Painted by Sir Joshua Reynolds. Engraved on Steel by C. Turner. Member of the American Academy of Fine Arts." In fine upper and lower italics: "London, Published February 20. 1823, by M"^ Turner, 50, Warren Street, Fitzroy Square." B.M. C. Turner sale catalogue mentions " artist's proofs ", " proofs before letters ", and " proof prints ". 622. WOODCOCK, REV. J/ter A. W. Devis. To waist, sitting, dir. towards 1., looking f.; white cravat, frill, plain dark buttoned coat; 1. hand on upright book lettered "Baxter"; on the 1. three books, one lettered "Holy Bible," another " Coke "; curtain in background towards r. 12 by 9|^. Before any inscription. B.M. In fine upright upper and lower lettering: "Painted by A. W. Devis. Engraved by C. Turner" In fine upper and lower italics at foot of plate: "London, Published Oft' 1820, by C. Turner, 50, Warren Str' Fitzroy Square." C. 623. WOODFORD, SIR RALPH JAMES. Born 1784, died 1828. 215 After Sir T, Lawrence. CHARLES TURNER, A.R.A. To waist, dir. f., facing towards r.; white neckerchief, frill, uniform, 1. arm holding hat; pillar and curtain in background to r. io|^ by 9. I. In light open upright upper and lower lettering: " From a Copy by H.Howard Esq^'R.A. of the Whole Length Portrait by Sir Thomas Lawrence, P.R.A. &c. &c. &c. Engraved by C. Turner Esq'' A.R.A. Engraver in Ordinary to His Majesty." In fine upright upper and lower at foot of plate: "London Published June 4* 1829 by M"^ Shaw 72 George Street Euston Square." C. II. With additional inscription. In fine script: "His Excellency the late" In light open upright capitals: "Sir Ralph James Woodford Bar*" In fine script: "Governor and Commander in Chief of the Island of Trinidad." Mr. F. B. Daniell. III. The inscription strengthened and made slightly thick and thin. Commas added in line of publication. B.M. 624. WOODYATT, GEORGE. After A. W. Devis. To waist, in a square frame engraved in line, sitting, dir. slightly 1., looking f.; light hair, frill, plain dark buttoned coat; hands placed on closed book, " Morgagni Opera", before him; curtain in background. iii by 9;^^. In fine script lettering: "Painted by A. W. Devis, Esq"" Engraved by C. Turner. George Woodyatt, M.D. From a Pifture in the Possession of the Biddulph Family." In fine upper and lower italics: "London, Pub'^ Aug" 14, 18 17, by C. Turner, for the Proprietor 50, Warren Street, Fitzroy Square." B.M.; C. 625. WOOLL, JOHN, D.D. After Sir T. Lawrence. Born 1767, died 1833. Headmaster of Midhurst Free Grammar School, 1799; of Rugby, 1807-28, Nearly to knees, sitting, dir. towards r., looking to f ; bands, black robe; arms resting on arms of chair; shelves of books and curtain in background. 1 1|- by 9^. I. In light open upright upper and lower lettering: " Painted by Tho^ Lawrence Esq' R.A. Painter in Ordinary to His Majesty. Engraved by C. Turner Warren Street Fitzroy Square." In light open italic capitals: "The Rev^ John Wooll D.D." In fine script: "Master of Rugby School" In fine upper and lower italics: "London: Pub'' Nov"" 24. 18 1 3, by Mess" Colnaghi & C° Cockspur Str* Hay Market." To r., in open italic capitals: "Proof" B.M.; C; Mr. H. W. Bruton. II. The inscription strengthened and made thick and thin. The italic capitals of title line filled in. The word Proof erased. B.M. 626. WOOLMORE, JOHN, F.R.S. [CAPT.]. After Sir M. A. Shee. Resided at Bruton Street, London; and Hampton, Middlesex. Charles Turner twice mentions him as Sir John Woolmore. W.L., standing, dir. and facing f.; black neckcloth, dark coat with bright buttons and light lining, light trousers; r. hand and 1. forearm holding telescope to body; high hat and gloves on stone to r., rock behind him, ship and cliffs in distance to 1. Arms in centre of inscription space, motto: " Trinitas In Unitate." 28f by 19. Before any inscription. Mr. J. Charrington. In fine upright upper and lower lettering: " Painted by Sir Martin A. Shee, P.R.A. Engraved by C. Turner, A.R.A." In open upright slightly thick and thin capitals: "Captain John Woolmore, F.R.S." In similar italic capitals: "Deputy Master of The Trinity House." In fine script: "From a Painting which was presented to that Corpora- tion by the Merchant Elder Brethren. In testimony of their Appreciation of his Public 216 VISCOUNT CASTLEREAGH 1814 AFTER LAWRENCE f I i 1 CATALOGUE OF PORTRAITS and Private Worth." In fine upright upper and lower lettering: "London, Published July 20, 1833, for the Proprietor, by M"" C. Turner, 50, Warren Street, Fitzroy Square." B.M.; C. 627. WORONZOW, COUNTESS MICHEL. After G. Dawe. Her husband was a Russian Field Marshal, Aide-de-camp to the Emperor of Russia, and Governor of New Russia, who died in London in 1852. To waist, in an oval, dir. towards 1., looking f.; short curls, pearl earrings and necklace, low-necked dress with slashed sleeves, cloak loosely around shoulders. Size of oval, by Size of plate, 10 by 8. Before any inscription. Mr. S. S. Savery. In fine upright upper and lower lettering: " Painted by George Dawe Esq"" R A &c &c &c Engraved by C. Turner Esq'' A R A Engraver in Ordinary to His Majesty " In fine script: "La Comtesse Michel Woronzow nee Comtesse Branicka 1829" In fine upright upper and lower: "London Published June 22°'' 1829 by M'' Turner 50 Warren Street Fitzroy Square." B.M.; C. 628. WRIGHT, ICHABOD. After E. U. Eddis. Born 1767, died 1862. To waist, dir. very slightly 1., looking f ; black neckerchief, frill, plain dark buttoned coat. loi by 8|. I. In fine upright upper and lower lettering: "Painted by E. U. Eddis Esq' Engraved by C. Turner A.R.A." In light open upright capitals: " Ichabod Wright Esq*"." In fine upright upper and lower: "London. Published Nov'' c^^^ 1840. for the Proprietor, by M' Turner N° 50, Warren S* Fitzroy Square." B.M. II. With additional inscription in facsimile of autograph: " Ichabod Wright Mopperley Novem 16''^ 1840." WRIXON-BECHER. See O'NEIL. 629. WYATT, JAMES, R.A. After M. C. Wyatt. Born 1746, died 1813; archite6l. R.A. 1 785. Surveyor of Westminster Abbey; architeft of the Royal Military College, Woolwich. To waist, sitting, dir. and facing in profile r.; hair brushed back and tied, light necker- chief, dark coat. i if by 9I-. Before any inscription. Szr J. Tuke. I. In fine upper and lower italics: " Painted by M. C. Wyatt. Engraved by C Turner " In light open upright capitals: "James Wyatt Esq"" In fine script: "S. G. H. M.W. R.A. F.R.S. F.S.A. &c. &c." In fine upper and lower italics: "London Published (for the Proprietors,) May. i. 1809." B.M.; Mr. H. W.Bruton; V. and A. II. The open upright capitals made thick and thin, and a line added along the centre of each letter. The initials 5. G. H.M.W. . . . l^c. &c. erased. C; Mr. L. B. Moz/ey. 630. YATES, EDMUND. After J. Lonsdale. W.L., sitting, dir. very slightly 1., looking f. ; plain dark dress, dark stockings, shoes; hat on small table to r., dog to 1. looking up at his master, walking stick on ground to 1.; curtain and fluted pillar in background to r., balustrade in background to 1., landscape in distance to 1. 22i by 14. 217 F F CHARLES TURNER, A.R.A. Before any inscription. B.M.; Mr. J. Charrington; Mr. E. Layton. In fine upright upper and lower lettering: "Painted by James Lonsdale, Esq'' Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In fine upper and lower italics under centre of subjeft: "London, Published Nov'' 28*^ 1826, by M"" Lonsdale, 8, Berner Street, Oxford Street." In light open upright capitals: "Edmund Yates, Esq'." C; Mr. L. B. Mozley. 631. YORK, WHITTELL. After Sir T. Li awrence. To waist, sitting, dir. and facing f ; frill, dark coat and vest, dark fur-edged gown; curtain in background. Arms in centre of inscription space. i i-i- by 9|-. Masked proof. It can just be seen that when the impression was printed, the inscription space had not been cleaned. B.M. In light open upright upper and lower lettering: "Painted by Tho* Lawrence Esq'' R.A. Painter in Ordinary to his Majesty. Engraved by Cha* Turner." In light open upright capitals: "Whittell York Esq'." In fine script: "A Magistrate in & for the Borough of Leeds and an Eminent Merchant there for more than 50 years " In fine upper and lower italics: "London Published Jan^ 4, 1814, by C Turner, 50, Warren Street, Fitzroy Square." B.M.; Mr J. Charrington. 632. YORK AND ALBANY, H.R.H. FREDERICK, DUKE OF. After Sir JV. Beechey. Born 1763, died 1827; second son of George III.; Commander-in-Chief from 1798 to 1809. W.L., standing, dir. towards f., facing towards 1.; uniform, star, scarf round waist, sword; r. arm by his side, hat in r. hand; 1. forefinger placed within scarf at waist. 23i by i6|. Masked proof. Dr. J. S. Joule. I. With artists' names as in State II. No other inscription, except, at foot, in fine upper and lower italics: "London: Pub^ Feb'' 1 812, by Mess'* Colnaghi & C° Printsellers, Cockspur Street, Hay Market." Mr. f . Charrington; C. II. In fine italic upper and lower lettering: " Painted by Sir W'" Beechey R.A. Portrait Painter to Her Majesty Engraved by C Turner Warren Str* Fitzroy Sq^ " In fine script: "His Royal Highness the Duke of York " In light open upright capitals: "Com- mander in Chief &c. &c. &c. &c." In small fine script: "This Print engraved from a Pifture in the Military Asylum by Sir William Beechey is most respeftfully dedicated to The British Army, by Colnaghi & C° " [the words Military Asylum and S/r William Beechey in fine italic capitals; Ihe British Army in light open upright capitals]. To 1. in fine italic upper and lower lettering: "London: Pub"* Feb^ i. 18 12, by Colnaghi & C° Cockspur St* Hay Market." B.M.; C. III. A cut impression showing the inscription down to the word York, the lettering strengthened so as to be thick and thin. Mr. J. S. Earle. 633. YORK AND ALBANY, H.R.H. FREDERICK, DUKE OF. After Sir T. Lawrence, To knees, standing, dir. f, facing 1.; uniform, collars of the Garter and Bath, cloak around him and held by r. hand to hip. The subjeft is enclosed by a border engraved in line, with, at foot, the royal arms. Inside border, 18 by Engraved on copper. I. In fine upright upper and lower lettering: " Painted by Sir Tho* Lawrence, P. R.A. Principal Painter in Ordinary to His Majesty, Member [of] the Roman Academy of 218 CATALOGUE OF PORTRAITS S* Luke, of the Academy of Florence, & of the American Academy of Fine Arts, &c. &c. Engraved by Charles Turner, Warren Street, Fitzroy Square, from an Original Pifture in the Possession of Major Gen^ Sir R. Brownrigg Bar* G.C.B." In light open gothic: " To the Kings most Excellent Majesty," In fine script: "This Plate of His Royal Highness [the last three words in light open upright capitals] the Duke of York, [the last three words in light open upright capitals] Commander in Chief, &c. &c. &c. Is with His Gracious Permission humbly Dedicated by His Majesty's most dutiful Subjeft & Servant C. Turner." In fine upper and lower italics: "London, Published Feb^ 13* 1821, by C. Turner, N° 50, Warren Street, Fitzroy Square." To 1.: "Printed by J. Lahee." To r.: " Proof, Fir* 50." BM. II. The of, missing from the inscription of painter's name, inserted. Fir' 50. erased. F. and A.; Mr. L. B. Moz/ey. III. The word Proof erased. IV. The open and script lettering strengthened and made thick and thin. C. 634. YORKE, JAMES, D.D. J/ter Monier. Born 1730, died 1808. Bishop of Gloucester, 1779-81; of Ely from 1781. Nearly w.l, sitting, dir. very slightly 1., facing f.; short wig, bands, ecclesiastical robes; 1. arm by his side, college cap in 1. hand, r, arm on book on table to 1., open book also on table; curtain in background, cathedral in distance to 1. 17!^ by I3|-. I. In fine upper and lower italics: "Painted by Monier, 1792. Engraved by C. Turner " In light open upright capitals: "The Hon**'^ James Yorke, D.D." In light open italic capitals: " Bishop of Ely." In fine upper and lower italics: "London Published Aug" 12, 1 8 10 by M'" Colnaghi, Printseller, Cockspur Street, Hay Market. B.M.; C. II. The open upright and italic capitals filled in with lines. Sale at Sotheby's April 18, 1905. 635. YOUNG, CHARLES MAYNE. After G. H. Harlow. Born 1777, died 1856; aitor. Was with J. P. Kemble in the Covent Garden Company; and with Kean at Drury Lane. Retired from the stage, 1832. To waist, dir. slightly r., facing f.; rough hair, open shirt collar, cloak. The subjeft is surrounded by a wide aquatint border. lOf by 8f. I. In fine script lettering: " M'' Young Engraved by C. Turner from a Pifture by G. H. Harlow." In fine upper and lower italics beneath the aquatint border: "London, Published July i'* 1809, by John P. Thompson, G' Newport Street, Printseller to His Majesty & the Duke and Duchess of York." B.M.; C. II. The line of publication erased; instead, in small upper and lower italics: "London Published December i^* 181 2, by James Dunford, Great Newport Street." f. L. Toole Sale, Nov*'. 8, 1906. III. The aquatint border removed; the plate reworked. To 1., in fine italic capitals: " Proof " B.M.; Mr. Burdett Coutts. IV. The word " Proof" erased. Sale at Puttick's, April 28. 1905. 636. YOUNG, THOMAS, M.D. After Sir T. Lawrence. Born 1773, died 1829; physician and Egyptologist. Physician to St. George's Hospital, London, 181 1-29; assisted in the translation of the inscription on the Rosetta Stone. Nearly to knees, sitting, dir. f., facing towards r.; white neckcloth and frill, plain dark dress, reading glass attached by ribbon from neck and lodged within coat; r. elbow on arm of chair, r. hand holding spe6lacles; curtain in background. 1 1|- by 9^. 219 CHARLES TURNER, A.R.A. Before any inscription, B.M. I. In fine upright upper and lower lettering: " Painted by Sir Thomas Lawrence. P.R.A. Engraved by C. Turner, A.R.A. Engraver in Ordinary to His Majesty" In fine upper and lower italics at foot of plate: " London, Published April 6, 1830, by Mess" Colnaghi, Son & C" Printsellers to His Majesty, Pall Mall East." Mr. J. Charrington; C; V. and A. II. With additional inscription. In light open upright capitals: "Thomas Young, M.D. F.R.S." In fine script: " Foreign Associate of the Royal Institute of Paris" Mr. H. W. Bruton. III. With P.R.A. erased after painter's name. B.M. IV. The open capitals and script lettering made slightly thick and thin. C. ZETLAND, LAWRENCE DUNDAS, ist EARL OF. See DUNDAS. 637. PORTRAIT OF A CLERGYMAN. After J. J. Masquerier. Fully to waist, sitting, dir. and facing towards r.; spedlacles placed above forehead, dark coat with large buttons, and two buttons on wrist; apron under coat; r. hand on walking stick before him. lof by Sf. In fine upright upper and lower lettering: " Painted by I. J. Masquerier Esq"" Engraved by C. Turner A.R.A. London Published Jan^ 16*'' [the 6 engraved in reverse] 1841, (for the Proprietor) by M'" Turner N° 50, Warren Street, Fitzroy Square." Mr. H. W. Bruton. 638. PORTRAIT OF A MAN. To waist, dir. f., facing and looking slightly 1.; light or powdered hair, frill, dark coat fastened by one button, neither hand seen; curtain background. 7I by 6-^. Before any inscription. C 220 CATALOGUE OF SUBJECTS CATALOGUE OF SUBJECTS 639. DASH. After Jacques L, Agasse. Portrait of a dog, standing, turned towards 1., facing f.j trees, ferns, and park in back- ground. 25i by 19^. I. In open upright upper and lower dotted lettering: "Painted by J L Agasse Engraved by C. Turner " In same style of lettering, but much larger: " Dash," B.M. II. With inscription in thick and thin lettering. In upright upper and lower: "Painted by J. L. Agasse, Engraved by C. Turner." In upper and lower italics: "London Published by R. Ackermann, Jun'' at his Eclipse Sporting Gallery, 191 Regent Street (between Con- duit St. & New Burlington St) " In fanciful capitals: " Dash " Bibliotheque Nationale, Paris. C. Turner sale catalogue mentions " proof print," and " a print painted in oil." 640. HARE AND YOUNG ONES. After J. L. Agasse. A hare, in a startled attitude, looking to front and with pricked-up ears, standing among bracken at the base of a large tree-trunk. In front are the four young ones. i8i by 24i. In fine upper and lower italics: "Painted by J. L. Agasse. Engraved by C. Turner," In light open italic capitals: "Hare And . . . Young Ones," B.M. (from impression the middle words of the title line have been erased). C. Turner sale catalogue mentions: "artist's proofs," "proof prints," and "print painted in oil." 641. HORSES TAKING THEIR GALLOP. After J. L. Agasse. In foreground four horses, turned to L, are exercising; three horses and two horses, in middle distance, similarly occupied. In distance other horses on the crest of a hill. In centre of inscription space an odtagonal tablet lettered " N° i." 8-|- by 11^. Etching. In italic lettering: "Drawn by J, L, Agasse. Engraved by C. Turner." In open upright thick and thin capitals : " Horses Taking Their Gallop " In fine italics : " London, Pub, June I 18 14, by Hassell & Rickards, 344, Strand" Sale at Christie^ s, April 4. 1905. 642. PREPARING TO START. After J. L. Agasse. Scene on a race-course. One jockey stands by his horse, another is being helped into the saddle, and a third, on 1., is being weighed. A few spectators around, some looking down from a stand on 1. 16-^ by 24f. Preliminary etching, C. Turner sale catalogue. In upper and lower italic lettering: "The Horses Painted by J. L, Agasse, Sketch'd by C. Turner, on Port Meadow, near Oxford, from the Hunters Stakes Run for Aug'* 4 [? 14], 1802, Engraved by C, Turner." In thick and thin script: "To the Right Hon^ * Lord Francis Spencer, & G F Stratton Esq"^ This Plate, representing Preparing to Start, [the last three words in filled-in upright capitals] is with Permission, respedt- 223 CHARLES TURNER, A.R.A. fully dedicated by their most obedient humble Serv* C Turner " In fine upper and lower italics: "London Published Jan^ 20 1803, by C. Turner, N° 56, [sic] Warren Street, Fitzroy Square." To 1., in upper and lower italics: " i^*^ Plate." B.M.; Sir Walter Gilbey. The date of the race appears to have been first engraved as August i^*'' 1802. From the impression in the British Museum the " i " of 14 has been erased; while in a later impression sold at Christie's, May 30, 1905, the " I " had been erased from the metal plate before printing, and only a trace of it remained. 643. COMING IN. After J. L. Agasse. The finish of a horse race. Three horses are galloping towards r. in front of two stands filled with spectators, and a fourth horse, on 1., is being stopped by his jockey; a few spe£lators in foreground. 15!^ by 24f. Preliminary etching. C. Turner sale catalogue. In upper and lower italic lettering: "The Horses Painted by J. L. Agasse. Sketch'd by C. Turner, on Port Meadow, near Oxford, from the Hunters Stakes, Run for Aug**^ 4. 1802. Engraved by C. Turner." In thick and thin script: "To the Right Hon'"''' Lord Francis Spencer, & G F Stratton Esq"" This Plate, representing Coming In, [the last two words in filled-in upright capitals] is with permission, respedlfully dedicated by their most obedient humble Serv*^ C Turner " In upper and lower italics: "London Pub- lished Jan'' 20. 1803, by G. [jzV] Turner N" 56, [w] Warren Street, Fitzroy Square." To 1., in upper and lower italics: " 2"** Plate " B.M.; Sir Walter Gilbey. Charles Turner in his diary gives some particulars of the cost of this plate and its com- panion: " Pay'd Mr. Agasse for Painting the horses ,^5. 5. o." "Painting, my time, 14 days " " Copper ^^3 . 14 . o " " Grounds . 5 . o " " Printing 160 in Plain. jC3 . 3 . o " " Paper for Do. f^z . 12 . 6." " Writing [i.e. inscriptions] for Both Plates. 14 . o." " My time on Engraving both plates. 1 1 Weeks." 644. WELLESLEY. After J. L. Agasse. Portrait of an Arabian horse. He stands towards 1. in a stable, and faces towards r. ; towards the r. stand two men, one with a horsecloth over his 1. arm, the other wearing a high hat, and carrying a whip under 1. arm. i by I. With publication only, as in State II. II. Under subjeft, to r., in fine italic upper and lower lettering: " Engraved by C. Turner from the Original Pifture by J. L. Agasse." In very small italics at foot of plate : "London, Published Aug'* 19. 1810 by J. L. Agasse & [w] Newman S* Oxford S*" B. M. C. Turner sale catalogue mentions " artist's proofs," and " proofs before letters." 645. YOUNG SNOWBALL. After J. L. Agasse. A greyhound standing in the foreground of an open landscape, turned to r. Two bordering lines round subjeft. 9|- by iif. Engraved in mixed style — aquatint and etching. In open upright thick and thin upper and lower lettering: "Painted by I L Agesse. [jzV] Engraved by C. Turner." In open upright thick and thin capitals: "Young Snow Ball" In fine upper and lower italics, with names of the publishers in capitals: "London: Pub- lished by C. Turner 50 Warren Str* Fitzroy Square M'' Ackermann loi Strand M'' Cutter Warwick S* Golden Sq." B.M. 646. GALATEA. After ? F. Albani. This plate is mentioned in the C.Turner sale catalogue, lot 924 : "Galatea, after Albano." [? after Francesco Albani.] 224 THE MARLBOROUGH FAMILY 1815 CATALOGUE OF SUBJECTS 647-649. ILLUSTRATIONS TO GEORGE ARNALD'S "THE RIVER MEUSE," London, 1828. 647. WALZEN. After G. Amald. A view along a road, with, on 1., a gabled house, at the door of which stand a woman and a child; in 1. foreground a group of three children; in the road a dog runs towards a bird that has started from a bush amid a clump of trees on r. 7-1- by 9 |. I. Before the line of publication, and the word "Proof." Sale at Sotheby^s, May 14. 1906. II. In fine upper and lower italics: "Painted & Etched by W. F. Witherington, from a Drawing by G. Arnald, A.R.A. Engraved by C. Turner " In light open upright capitals: " Walzen." In fine upper and lower italics: "London, Published by Rodwell & Martin, & by J & A. Arch, Cornhill. Proof" B.M. 648. DINANT. After G. Arnald. View up a river spanned by a bridge ; houses and a church on further bank, with high cliffs behind them; in foreground a boat and groups of people. 7f by 10^. In fine upper and lower italics: "Painted by G.Arnold [/zV], A.R.A. Engraved by C. Turner." In fine script: " Dinant. 2 From a Piflure in the possession of the Rev^ Arch^" Markam." In fine upper and lower italics: "London, Pub by Rodwell & Martin, & by J. & A. Arch, Cornhill. Proof" B.M. e^g. BRANCH OF THE MEUSE, LIEGE. After G. Arnald. View up a narrow river spanned by a bridge of a single arch; quaint houses on each side close to the stream, those in foreground to 1. overhanging. 7|- by io|. In fine upright upper and lower lettering: "Drawn & Etched by G. Arnald A.R.A. Engraved by C. Turner." In fine script: "Branch of the Meuse, Liege." In fine upper and lower itaHcs: "London, Published by Rodwell & Martin, & by J. & A. Arah [jzV], Cornhill. Proof" B.M. 650. DURHAM TV^IN STEERS. After James Barenger. This plate is mentioned in the C. Turner sale catalogue: Lot 519. "Durham Twin Steers, painted by J. Barenger. Artist's proof, i; proof prints, 3. [plate size] 23 in. by 19." An impression in colours was sold at Puttick's January 9. 1906. 651. REUBENS, A RACE-HORSE. After J. Barenger. This plate is mentioned in the C. Turner sale catalogue : Lot 510. "Reubens, a celebrated race horse, painted by J. Barenger. Artist's proofs, 5; proof prints, 3. [plate size] 24 in. by 21." 652. WORCESTERSHIRE EWE. After J. Barenger. This plate is mentioned in the C. Turner sale catalogue : Lot 520. "Worcestershire Ewe, painted by J. Barenger. Artist's proof, i; proof prints, 3. [plate size] 23 in. by 18." 653. PARTRIDGES. After J. Barenger. Two partridges, one on 1. standing, the other on r. sitting; behind them stretches a moor, with a town just seen in distance to 1. 13I" t>y I7l- Before any inscription. Sale at Puttick's, July 13. 1906. 225 G G CHARLES TURNER, A.R.A. I. In upper and lower italic lettering: "Beringer, Pinx* C.Turner, Sculp*" In upright filled-in capitals: "Partridges." In upright upper and lower thick and thin lettering: " I** Plate of the British Feather Game." In upper and lower italics: "London Pub. Jan. I, 1810, at R, Ackermann's Repository of Arts, 1 01, Strand." To 1. scratched: "Proof." B.M. II. The word Proof erased. Sale at Christie'' s, April 4. 1905. 654. PHEASANTS. After J. Barenger. A pair of pheasants; the male bird is turned to 1., its tail reaching to r. lower corner of plate; the female bird is slightly further ofF, and is pursuing a butterfly; landscape background, the ground sloping up towards r. ^4 by lyf. Before any inscription. Sale at Puttick^s July 13. 1906. In fine upper and lower itaHcs: " Beringer Pinx* C. Turner, Sculp*^" In upright filled- in capitals : " Pheasants," In upright thick and thin upper and lower lettering : " 2"* Plate of the British Feather Game" In upper and lower italics: "London Published Jan, I, 1810, at R. Ackermann's Repository of Arts loi, Strand." To 1., scratched: "Proof" B.M. 655. WILD DUCKS. After J. Barenger, A pair of wild ducks among rushes at the water's edge, one standing, the other sitting. About 14 by lyf. I, In fine upper and lower italic lettering: "Baringer [sic] del. C. Turner sculp." In upright filled-in capitals: " Wild Ducks." In open upright upper and lower thick and thin lettering: " 5*'' Plate of the British Feather Game." In upper and lower italics: " London, Published May i, 1810, at R. Ackermann's Repository of Arts, loi, Strand." Sale at Christie's, April 4, 1905. II. Baringer correfted to " Barenger." Sale at PutticFs, March 18, 1907. 656. BALD COOT. After J. Barenger. A pair of birds, one swimming in narrow strip of water, the other on the near bank pecking at a worm ; a hill rises from the further bank, and water in distance to r. i3f by 171 In upper and lower italics: " Barrenger del. C. Turner sculp." In almost filled-in upright capitals: "Bald Coot," In open upright thick and thin upper and lower: "nth Plate of the British Feather Game." In upper and lower italics: "London Publish'd Nov"" I, 1 8 ID, at R. Ackermann's Repository of Arts, loi, Strand." Sale at Puttick's Feb. 2, 1906. 657. DAB CHICK. After J. Barenger. Two birds amid rushes, one in water, and the other standing on a piece of ground flapping its wings. About 14 by 17I. In upper and lower italic lettering: " Berringer {sic] Pinx* Turner Sculp' " In upright filled-in capitals: "Dab Chick," In upright upper and lower thick and thin lettering: " 14* Plate of the British Feather Game." In upper and lower italics: "London Published Jan I, 181 1, at R. Ackermann's Repository of Arts loi Strand." Sale at Christie's, April 4. 1905. 658. MOOR HEN. After J. Barenger. Two birds in water among rushes; the one on 1. with its head below the surface and its legs in the air. About 14 by 17-^. 226 CATALOGUE OF SUBJECTS In upper and lower italics: "Berringer Pinx* Turner Sculp*" In upright almost filled- in capitals: "Moor Hen," .... Sale at Puttick's, July 13, 1906 {impression cut below title). 659. PLOVERS. After J. Barenger. Two birds standing in the foreground of a flat open moor. About 14 by 1"]^. In upper and lower italics: "Barrenger pinx* Turner sculp*" In upright almost fiUed- in capitals: "Plovers." . . . Sale at Puttick^s, July 13 1906 {impression cut below title). 660. QUAILS. Jfter J. Barenger. Two birds in foreground of an undulating landscape, the one on r. sitting, the one on 1. standing and facing towards its mate; both looking to r. About 14 by 17^. In upper and lower italics: " Barrenger pinx* Turner sculp*" In upright almost filled- in capitals: "Quails." . . . Sale at Puttick's, July 13, 1906 {impression cut below title). 661. TEAL. After J. Barenger. Two birds swimming; the one on 1. turning its head and with its beak open; distant landscape with trees. About 14 by i']^. In upper and lower italics: "Barrenger del. C. Turner sculp." In upright almost fiUed- in capitals: "Teal," . . . Sale at Puttick's, July 13, 1906 {impression cut below title). 662. WIDGEONS. After J. Barenger. Two birds, one swimming near rushes, the other standing on bank in foreground drinking. About 14 by 17^. In upper and lower italics : " Barenger pinx* C. Turner sculp* " In upright almost filled-in capitals: "Widgeons." . . . Sale at Puttick's, July 13. 1906 {impression cut below title). For others of this series, see Nos. 835 and 836. 663. BADGERS. After T. Bennet. Two badgers, one lying towards r., the other standing towards 1., with a bank and foliage near them, and trees in distance towards 1. Arms in centre of inscription space, motto: " Non Haec Sine Numine." i5 by 19I-. I. In fine italic upper and lower lettering: "Painted by Tho' Bennet, Woodstock. En- graved by C. Turner " In upright filled-in capitals: " Badgers " In thick and thin script lettering: "To the Honourable George WelboreAgar Ellis, This Plate is by permission most humbly inscribed by his most truly obliged & obedient Servant, Tho. Bennet, Woodstock." In fine italic upper and lower lettering: "London, Published May 15, 181 5, by C. Turner, N° 50 Warren S* Fitzroy Square." To r. in fine italics: " Proof" B.M. II. The inscription and arms erased; instead, in thick and thin italic lettering: "Painted by Tho* Bennet, Woodstock. London, Published March i*' 1 831, by R. Ackermann, Jun"" at his Eclipse Sporting Gallery, 191 Regent Street; (between Conduit St. & New Burlington St.) Engraved by C. Turner." In fanciful filled-in capitals: "Badgers." B.M. {in colours). 664. BEAUTY: A CART STALLION. After T. Bennet. Standing in a stable, in profile to 1., a door to r. of which the upper part is open. i3f by i8i. Engraved on copper. Preliminary etching. C Turner sale catalogue. Before any inscription. B.M. 227 CHARLES TURNER, A.R.A. 665. BITCH AND PUPS. After T. Bennet. The bitch and three pups lie on straw in a flat wide wicker basket; behind them are a wooden partition and a bass broom, and to 1. a landscape with a white obelisk. 1 0|- by 12 Preliminary etching. C. Turner sale catalogue. In open upright thick and thin upper and lower lettering: "Painted by T. Bennet. Engraved by C. Turner." In open upright thick and thin capitals: " Bitch and Pupps." In fine upper and lower italics: "Published Nov'" 16"^ 1825 by Thompson Carver & Gilder, S» Aldates Oxford." BM. 666. DOG BEAUTY. After T. Bennet. This plate is mentioned in the C. Turner sale catalogue: Lot 736. " Dog Beauty, the property of the Countess of Normanton, painted by T. Bennet. Coloured plates, 3. Copper. [plate size] 13 in. by 12." 667. FOX AND CUBS. After T. Bennet. The vixen sits towards 1., dir. towards r., a cub lies curled up at her tail, and four other cubs (one of whom has a bone in its mouth and another yawns) towards r.; background of trees and bracken. Arms of Sir Thomas Adostyn in centre of inscription space. i8f by 23^. I, In fine italic upper and lower lettering: "Painted by Tho^ Bennet. Engraved by C.Turner" In upright open capitals: "Fox & Cubs." In fine script lettering: "To Sir Thomas Moslyn [jic] Bar* This Print is by, permission, most respedlfully Dedicated by his obliged & very obedient Servant Thomas Bennet." In fine italic upper and lower lettering: " Published April 1 807, by R. Archer High Street Oxford." B.M. II. The word Moshn corredled to " Mostyn." Mr. C. M. Prior. 668. FOX AND CUBES. After T. Bennet. The vixen sits on the ledge of a bank, turned to 1., and looks towards five cubs in fore- ground; a sixth cub peeps out of a hole in the bank. i6f by 20f. I. In fine upright upper and lower lettering: "Painted by I. Bennet, Woodstock. En- graved by C. Turner, Fitzroy Square." In light open upright capitals: " Fox and Cubbs." In fine upper and lower italics: "London, Published Feb^ 27, 1821, by C. Turner, 50. Warren Street, Fitzroy Square." To r., in fine italics: "Proof." B.M. II. The word Proof erased. Mr. R. D. Thomas. 669. FOX HOUND AND WHELPS. After T. Bennet. The bitch, standing in a stable, dir. to 1., is surrounded by her five whelps, one of whom is looking with curiosity at a beetle in the straw. Arms of Sir Thomas Mostyn in centre of inscription space. i8|- by 24. I. In fine upper and lower italics: " Painted by Tho* Bennet. Engraved by C. Turner." In light open upright capitals: "Fox Hound and Whelps," In fine script: "To Sir Thomas Mostyn Bar' this Print of that well known Fox Hound, Lady, is, by permission, most respeflful'y inscribed by his most obliged & very obedient Servant Thomas Bennet." In fine upper and lower italics: "Published March 181 1 by R. Archer, High Street, Oxford." To r. in fine upper and lower italics: "Proof." Mr. C. M. Prior; Mr. R. M. Thomas. Mr. R. D. Thomas, of Bicester, informs the writer that this fox-hound "Lady " came into the possession or" Sir Thomas Mostyn from Lord Lonsdale. She was praftically mute; and 228 CATALOGUE OF SUBJECTS as her numerous offspring took after her, the pack became very short of music. She was a remarkable bitch, and a stone obelisk without inscription was eredled in a field near Bainton, about miles from Bicester, to mark the spot where she is said to have fallen dead when close to her fox at the end of a severe run. 670. HARES. Jfter T. Bennet, Three hares in the foreground of an open landscape, the one in the centre turned to 1. and with its ears pricked up. I5 by 19-I. In fine upper and lower italics: "Painted by Tho^ Bennet, Woodstock. Engraved by C. Turner." In open upright thick and thin capitals with a line along the centre of each letter: "Hares" In thick and thin script: "To the Most Noble George Marquis of Blandford, This Print is by permission inscribed by his Lordship's obliged & hum'''® Serv* C. Turner." In fine upper and lower italics: "London, Published May 15, 181 5, by C. Turner, N° 50 Warren S* Fitzroy Square," To r.: " Proof" BM. 671. WEST HIGHLAND HEIFER KYLOE. After Bewick, The heifer is black and white, and stands turned in profile to 1.; trees r., open land- scape in distance 1. I5|- by 20f. In fine italic upper and lower lettering: "Painted by M*" Bewick. Engraved by C. Turner." In script lettering: "This Print of the" In open upright thick and thin capitals: "West Highland Heifer Kyloe." In script lettering: "Is dedicated with per- mission to the Right Honourable Lord Redesdale [the last two words in italic open thick and thin capitals] &c. &c. by his much obliged and obedient humble Servant Hilton Middleton. [the last two words in italic capitals]." In fine small italic upper and lower lettering: "This extraordinary Animal, 5 years old, — bred in the Isle of Skye, fed by M"" H. Middleton of Newton near Darlington in the County of Durham, measures only 3 feet 5 inches in height, and weighs upwards of 105 Stone 8"^ to the Stone. This breed of Cattle stands unrivalled as the first in the Kingdom for quickness of grazing and superior quality of beef, and at all markets one third more is given for them unfed (according to their weight) than any other breed whatever. The Newton Heifer was fed with the view of bringing the breed into more general notice, and is allowed by the first judges to be the fattest ever seen, with the least coarse beef to its weight. London, Published for the Proprietor, Feb^ 12, 1823, by M'' Bewick, N'' 15 Nassau Street, Middlesex Hospital." BM. C. Turner sale catalogue mentions "artist's proofs " and "proof prints." 672-679. POACHER'S PROGRESS, THE. After C. Blake. "The/ Poacher's Progress;/ In Eight Plates,/ From Paintings by C. Blake./ Engraved, in Colours, and Published by C. Turner, No. 50, Warren Street,/ Fitzroy Square./ Price Twelve Shillings each, or ^^4: 12 the Set./ Bound in Boards, ^^5: 5./ 1826." About 13^ by 18. Aquatints, on copper. The artists' names are in open upright upper and lower thick and thin lettering; the titles in open upright thick and thin capitals and thick and thin script; and the line of publica- tion in small upper and lower italics. The subjedls are sufficiently described by their titles. 672. " Painted by I. L. Turner from a Sketch by C. Blake. Engraved by C. Turner. N° I. Poachers setting the Snare. London, Published Nov'' 2 1 . 1 82 5, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 673. "Painted by I. L. Turner, from a Sketch by C. Blake. Engraved by C. Turner. N° 2. Poachers taking the struggling Hare from the Noose." [publication as in N° i], BM. 229 CHARLES TURNER, A.R.A. 674. " Painted by C. Blake. Engraved by C. Turner. N° 3. Poachers stalking for Partridges. London, Published Jan^ z*"* 1826, by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 675. "Painted by C. Blake. Engraved by R. Havell Jun'' N° 4. Poachers Snaring Pheasants. London, Pub'' Feb'' i*' 1826, by C. Turner, 50, Warren Street, Fitzroy Square" B.M. 6j6. *' Painted by I. L. Turner from a Sketch by C. Blake. Engraved by C. Turner N° 5. Poachers Meeting the Keepers. London, Published Nov'" 21, 1825 by C. Turner, 50 Warren Str' Fitzroy Sq*"' B.M. Gjj. " Painted by C. Blake. Engraved by C. Turner. N" 6. Poachers. Scuffling with the Constables in the Skittle Ground. London, Published Feb^ i^* 1826, by C. Turner, 50, Warren Street, Fitzroy Squ^ " B.M. SyS. "Painted by C. Blake. Engraved by C. Turner N° 7, Poachers before the Magistrates. London, Published Sep' i. 1826 by C. Turner, 50, Warren Street, Fitzroy Square." B.M. 679. " Painted by C. Blake Engraved by C. Turner N° 8. Poachers in Prison (the Pardon.") London, Published Sep'' i, 1826, by M"" Turner, 50, Warren Street, Fitzroy Square." B.M. 680. "INTERIOR OF THE FIVES COURT WITH RANDALL AND TURNER SPARRING." Jfter T. Blake. Scene in a large bare building containing a great number of figures. Towards 1., on a raised platform fenced in with ropes, two men are boxing. High up on r. is a gallery with more spectators. 18^ by 26. Aquatint and Etching. Preliminary etching. C. Turner sale catalogue. L In fine upright upper and lower lettering: "Painted by T. Blake. Engraved by C. Turner." In upright open capitals slightly shaded on 1. side of each letter: "The In- terior of the Fives Court." In filled-in upright capitals, and thick and thin upper and lower italics: "With Randall and Turner Sparring." In thick and thin upper and lower italics: "To the Noblemen, Gentlemen, Patrons & Lovers of the Art of Self Defence, this print is Inscribed by their obliged & humble Servant, T. Blake. London, Pub- lished Sept'' I. 1 82 1, by C. Turner, 50 Warren Street, Fitzroy Square." To r. : "Printed by M'^Queen & C°." B.M. II. The inscription strengthened. The letters of top line of the title filled in. For Printed by M'^een 8c C% read "Printed by McQueen." Sale at Sotl^eiy's, April 18, 1905. A drawn key to some of the persons represented was sold at Messrs. Sotheby's, April 18, 1905. The persons include : Lennox, J. Ward, Larkin, Spring, Sutton, Cribb, Richmond, B. Byrn, Shelton and Jackson. 681. LAMBS, THE. After T. Blake. This plate is mentioned in the C. Turner sale catalogue : Lot 738. "The Lambs, from a pidture by T. Blake, new plate. Proof prints, 2. Steel." [plate size] 13 in. by 10. 682. DUELLISTS, THE. After T. Blake. A subjeft with monkeys adding as men. The principals face each other with pistols ; the second on the r. is trying to encourage his principal; the second on the 1. is load- 230 CATALOGUE OF SUBJECTS ing a pistol. On the ground lies a signboard bearing the inscription : " Rubbish may be shot here, by order of the ..." io-| by 13. Engraved on steel. Before any inscription. B.M. In fine upright upper and lower lettering: " Painted by T. Blake. Engraved by C. Turner." In light open upright capitals : " The Du'ellists," In open upper and lower lettering: "Now Sir!!!" In fine script: "From a Pifture in the possession of James Cockburn, Esq'^'' to whom this plate is dedicated by his obedient & very humble Servant, C.Turner." In small fine upper and lower italics: "London, Published March 24, 1828, by C. Turner, 50, Warren Street, Fitzroy Square, Mess" Colnaghi & Son, Pall Mall East, & Mess" Moon, Boys & Graves, Pall Mall." To 1., in fine italic capitals: "Proof." B. M. C. Turner sale catalogue mentions "artist's proofs," "proofs before letters," "proof prints," and " prints." 683. PUG-ILISTS, THE. After J. Bristow. Monkeys fighting in an ale-house= The moment depidled is an interval betw^een the rounds. The principal on r. is being refreshed by his seconds; the one on 1. has collapsed and is being revived by his seconds ; the timekeeper sits on a table behind and is looking intently at a watch. lof by 13. Engraved on steel. Before any inscription. B.M. I. In fine upright upper and lower lettering: " Painted by J. Bristow. Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In light open upright capitals: " The Pug-ilists." Upper and lower: "Time!!!" In fine script: "From a pifture in the Colledtion of the Honorable George Agar Ellis, M.P. F.R.S. &c. &c. &c. to whom this plate is dedicated by his Obedient and very Humble Servant, C. Turner." In small fine upper and lower italics: "London, Published Jan'' i^' 1828, by M'' Turner, 50, Warren Street, Fitzroy Square, & Mess" Colnaghi, & C° Pall Mall East." In fine italic capitals, to 1. : "Proof." B.M. II. The inscription of the title, and the script lettering, strengthened and made thick and thin. Sale at Puttick's, April 28. 1905. 684. RAPHAEL PAINTING LA BELLA FORNARINA. After Wm. Brockedon. Raphael is sitting with palette and brushes in 1. hand, his r. arm embracing his model who stands on his r.; easel to r. with the painting of his model; fruit on carved table to 1. I9i by I5f. Before any inscription. Mr. S. S. Savery. I. In light open upright upper and lower lettering: "Painted by William Brockedon Member of the Academy of Fine Arts at Florence &c Engraved by Charles Turner Mezzotinto Engraver in Ordinary to His Majesty" In fine upper and lower italics: "London, Published Jan^ 2"'^ 1826, by Hurst, Robinson, & C° N" 6, Pall Mall." B.M. II. Title added in open upright capitals with a line along the centre of each letter: " Raphael Painting the Portrait of La Bella Fornarina." 685. HEADS OF TWO OLD MEN. After W. Brockedon. Heads of two old men with short beards and curly hair, turned towards 1., in a circular frame. lof by 9|-. Engraved on copper. Before any inscription. B.M. 231 CHARLES TURNER, A.R.A. 686-689. SCOTTISH VIEWS. After W. Brown. A set of four coloured views. About by 8. Aquatints. Each print is inscribed with the artists' names in fine upright upper and lower letter- ing; the title in open upright thick and thin capitals, and script lettering; and the line of publication in upper and lower italics. 686. LOCHGOILHEAD. The view is up the loch, with a high peak in distance; in foreground trees on each side, and cattle lying on grass. " Drawn from Nature by W. Brown. Engraved by C. Turner Lochgoilhead from Lettermay. Glasgow, Pub"* May l'' 1826, by R. Finlay, Printseller." B.M. 687. ST. CATHERINE'S FERRY. A wide stretch of water, bordered by hills; in the foreground towards r. two boats, and a man carrying a load from the boat nearest the shore to a cart. " Drawn from Nature by W. Brown. Engraved by C. Turner. S* Catherine's Ferry & Loch fine head. Glasgow Pub"^ May i'* 1826, by R Finlay, Printseller." B.M. 688. CORRIN. In middle distance towards r. rises a rocky hill, and the loch stretches away on 1., enclosed by high hills ; several small craft on the water towards foreground. " Drawn from Nature by W. Brown Engraved by C. Turner. Corrin & the Entrance to Lochgoil. Glasgow Pub<* May 1'* 1826, by R. Finlay, Printseller," B.M. 689. THE FOOT OF LOCH-LONG AND LOCH-GOIL. The view is up the loch with hills on each side ; in the foreground is a boat with two occupants. " Drawn from Nature by W™ Brown Engraved by C. Turner. The Foot of Loch- Long & Loch-Goil. Published Sep' i. 1826, by M"" Rob* Finlay, Printseller, Glasgow." B.M. 690. WATER MILL, THE. After A. W. Callcott. An upright landscape with a large amount of sky-space. The tiled buildings of the mill are on the further bank of a stream towards 1., and in the foreground towards r. two persons are engaged washing clothes ; ducks in the water. In middle distance a waggon is seen coming down a hill. 23I- by i6|^. Engraved on copper. I. In light open upright upper and lower lettering: " Painted by A. W. Callcott Esq'' R.A. Engraved by C. Turner Warren Street, Fitzroy Square." In light open upright capitals: "The Water Mill," In fine script: "From the original Pifture in the possission of William Chamberlayne Esq"" To whom this Print is respeftfully Dedicated by his most obed' & h'"''' Scrv* C.Turner." In fine upper and lower italics: " London, Published April 16* 18 12 by C. Turner N° 50, Warren Street, Fitzroy Square." B.M.; V. and A. II. Shading lines added in the letters of the title. Line of publication erased; instead, in fine upright capitals: "London: Published by W. Tegg, Pancras Lane." Sale at Sothebys, April 14. 1905. C. Turner sale catalogue, lot 926, says "in three states." 232 VISCOUNT MALDEN AND LADY E. CAPEL 1817 AFTER REYNOLDS CATALOGUE OF SUBJECTS 691. FRUIT GIRL, THE. After A. E. Chalon. A young girl, seen nearly to knees, standing, turned to r., looking to f., holding up a dish of fruit with both hands. Two bordering lines round subjedt. 9f by 8. In open upright upper and lower thick and thin lettering: "Painted by A E Chalon Engraved by C. Turner" In upper and lower italics: "Published Sept'' i. 1803. by C. Turner, N° 50, Warren Street, Fitzroy Square." In slightly thick and thin script lettering: " The Fruit Girl." B.M. (printed in colours). Companion to N° 692. June 14. 1803 "Began Fruit Girl" — C. Turner's diary. 692. SPANISH BOY, THE. After A. E. Chalon. Fully to waist, his back turned almost to the speftator, facing towards his 1. shoulder and looking to f.; hat with feather, sash round waist, playing a guitar. Three bordering lines round subjedl. 10 by 8 In open upright upper and lower thick and thin lettering: "Painted by A. E. Chalon. Engraved by C. Turner." . . . Sale at Puttick's, OSiober 16. 1906 {the impression printed in colour Sy and in a frame covering the rest of the inscription). Companion to N° 691. July 27. 1803. "Began Spanish Boy." — C. Turner's diary. 693. MARMION, DEATH OF. After A. E. Chalon. Marmion on the ground, with wild staring eyes, has raised himself upon his 1. hand, and with his r. is holding aloft a broken sword ; close by are a priest and a woman, and in the background a cross; two bordering lines surround the subjeft. iif by \ Aquatint. In fine upper and lower italics: " Engraved by C. Turner from a Sketch by Alfred Chalon." In open upright thick and thin capitals: "Death of Marmion" Eight lines from Sir Walter Scott's poem, in slightly thick and thin script: " " The war that for a space did fail (six lines) .... " And shouted " Viftory ! — Canto VI. 4*° Edition Page 366 Stanza 32." In thick and thin script: "To M""® Tarleton, [the last two words in italic capitals, partly filled in] this Plate is dedicated with Permission, by her much obliged and most obedient Servant, Alfred Chalon." [the last two words in italic capitals, partly filled in] In fine upper and lower itahcs: "Pub'' July i. 1810, by A. Chalon, 43, Titchfield Street." Tor., in light open italic capitals: "Proof" B.M. 694. NEWFOUNDLAND DOG. After H. B. Chalon. The head, shoulders, and part of forelegs of a Newfoundland dog; the head is turned towards r. The subjed: is surrounded by two bordering lines, which also enclose the title. 29 by lyf. In fine upper and lower italics: " H. B. Chalon pinx' Animal painter to the Duke & Duchess of York. Published Jan^ 1805, by Edw'^ Orme, His Majestys Printseller, Bond Street, London. C. Turner, sculp." In light open upright capitals: "A Famous New- foundland Dog." B.M. 695. WELTER STAKES, 1801. After H. B. Chalon. A race course showing seven horses galloping towards the 1. ; in r. foreground a lady and gentleman in a gig upon high springs. The Prince of Wales's crest in centre of inscription space. 21 J by 34f. 233 HH CHARLES TURNER, A.R.A. Preliminary etching. C. Turner sale catalogue. In upper and lower italic lettering: "Painted by H. B. Chalon, Painter of Horses &c. to their R. H. the Duke and Dutchess of York. Engraved by C. Turner." In thick and thin script: "To His Royal Highness the Prince of Wales, the Noblemen and Gentlemen Members of the Bibery Club, this Print representing the Welter Stakes, on the 16**^ June 1 801, Is, with Permission, respeftfully Dedicated By their most devoted & obedient humble Servant, H. Barnard Chalon. [The dedication and title repeated in French]. In upper and lower italics: "London, Published as the Aft direfts, Aug*^ 5, 1802, by H. B. Chalon, 24, Winchester Row, Paddington; & to be had of M'" Weatherby, Oxendon Street; & Colnaghi. N° 23 Cockspur Street, near the Haymarket." Sir Walter Gilbey. March 16. ^.^^^j ^ /oT-- J -• Received of Mr. H. B. Chalon £\z, being the remaining sum of 80 guineas for the Bibery Races ^^84. o. o " — C. Turner's diary. Charles Turner was working on this plate during March, April and May 1802. IV " R*^ of Mr. H. Chalon for the Bibery Races half the Am' ^^42. o. o." June i . " 696. TURNPIKE GATE, THE. After J. J. Chalon. A two-horse cart containing a man, a woman and a child, stopping at a turnpike gate, the man paying the toll to the gate keeper; a foal stands beside the mare attached to the cart ; behind the cart two men — one with a spade, the other with a pickaxe across his shoulder. lyf by 22f. Preliminary etching, before any inscription. B.M. In thick and thin italic lettering: "Painted by I. I. Chalon. Engraved by C. Turner" In upright filled-in capitals: " The Turnpike Gate " In thick and thin script: "To Major lohn Samuel Torriano this Print taken from the original Painting in his Possession, is humbly Dedicated by his obliged & obed' Serv*^ C Turner " In fine upper and lower italics: "London, Published July i. 1803, by Edw'' Orme His Majesty's Printseller, 59 New Bond Street." Sale at Christie^ s March 7. 1905. Sept. 24. 1803. "Received of Mr. Orme, Note for Turnpike Gate & C° [Companion] o o" — C. Turner's diary. ec^-j. ALE HOUSE DOOR, THE. After J. J. Chalon. Scene outside a country inn which has on its signboard a portrait of George HI, with " T. E. Jones " above, and " Fine Amber Ale &c." below. By the door are two rustics, a young woman serving a soldier with ale, and a child ; an old woman looks out from a lattice window. To 1., a horse drinking at a trough. i8 by 22f. Preliminary etching, before any inscription. B.M. Inscription as in The Turnpike Gate (N° 696), with title in upright filled-in capitals: "The Alehouse Door" Sale at Christie' s^ March 7. 1905. 698. SUNRISE. After Claude Lorraine. An oval subjedt depidling a sea-view. In foreground a man reclining and holding a fishing-rod, another man standing near by; to r. a clump of trees on a bank, to 1. a ship with two men in the rigging; in middle distance towards r. the buildings of a harbour or fort, just to 1. of which the sun is rising above the sea. Size of oval, I2f by I5f. The subjedl is described in Smith's Catalogue Raisonn6," No. 309. Before any inscription. B.M. 699. COUNTRY SCENE. After Collins. This plate is mentioned in the C. Turner sale catalogue : Lot 935. " Country Scene, after Collins, three artist's proofs, one touched by Collins." CATALOGUE OF SUBJECTS 700. LADY ON HORSEBACK (Morning Ride). After Abraham Cooper. A white horse stepping towards the r., ridden by a young woman holding a whip in her 1. hand ; a spaniel running by the side of the horse. This was Charles Turner's horse, and the rider, his servant Betty. loi by 8. Before any inscription. An unpublished plate. The original painting by Abraham Cooper, and the copper plate, are in the possession of Miss M. Savery, Hollington, Hastings. 701. TWO DOGS FIGHTING. After A. Cooper. The dogs are a light one and a dark one, and behind them is a fountain of blocks of stone; to 1. a glimpse of open country. lof by I2f. Preliminary etching. C. Turner sale catalogue. In fine upright upper and lower lettering: "Painted by A. Cooper. Engraved by C. Turner." In fine upper and lower italics: "London, Published June i, 18 16, by A. Cooper N° 10 Robert Street, Bedford Row." To r.: "Printed by J. Lahee." B.M. 702. GOAT IN A STABLE, A. After J. C. Cooper. A goat standing in a stable, turned to l; around are seen a spade, a pitcher, a ladder, a pair of shoes, and a pail bearing the monogram "J. C. C." 10 by 'j^. Engraved on copper. Preliminary etching. B.M. {on impression is written in pencil " ^ery if etched hy J. C. Cooper "). The subjeft finished. In fine upright upper and lower lettering: "J. C. Cooper Pinx* C. Turner Sculpt" In fine upper and lower italics: "London Published March 17. 1817, by C. Turner, 50, Warren Fitzroy Square." B.M.; Mr. S. S. Savery. 703. SHOT. After J. S. Cooper. Portrait of a dog, trotting towards r.j in distance a field sloping upw^ards, with sheaves of corn. 24! by igf. I. In fine upright upper and lower lettering: "Painted by J. S. Cooper. Engraved by C. Turner." In open upright thick and thin partly filled-in capitals: "Shot." In thick and thin script: "The property of Charles Holland Esq'' bred at Hurstborn Park Hants, the Seat of the Earl of Portsmouth." In fine upper and lower italics : " London, Published May 20. 18 18, by M"" Turner, 50 Warren Street, Fitzroy Square." B.M. {printed in colours). II. With line of publication in thick and thin upper and lower italics under centre of subjeft: "London, Published March i*' 1831, by R. Ackcrmann, Jun"" at his Eclipse Sporting Gallery 191 Regent Street (between Conduit Street & New Burlington S*)." Sir Walter Gilbey {cut impression). 704. ST. CATHERINE. After Correggio. She is seen fully to waist, dir. and facing r. ; 1. hand touching broken wheel and hilt of large sword, r. hand to breast ; on r. a cherub crowns her with a wreath, and on 1. another cherub holds a palm. Arms in centre of inscription space; motto: "Dulcis Amor Patriae." I9|- by 16. Engraved on copper. I. In fine upper and lower italics: "Painted by Corregio. Engraved by C. Turner." In fine script: "From a Pifture in the Colleftion of Robert Wigram Esq*" M.P. To whom this Plate is dedicated by his obedient Servant C. Turner." In fine upper CHARLES TURNER, A.R.A. and lower italics: "London, Published Jan^ i8. 1810, by C. Turner N° 50, Warren Street, Fitzroy Square." II. The date altered to: "June 4*^^ 181 3" B.M. 705. CUPID WRITING A SERENATA. After R. Cosway, Cupid, seated on clouds, is writing with an arrow at the foot of a scroll headed "Serenata" and covered with music and words; over the Cupid hovers a dove. The vignette is engraved in stipple and forms the headpiece of a plate having at the top the word " Arie " in open thick and thin gothic letters with flourishes. At the foot of the vignette, in fine upper and lower italics : " Cosway del. M. of Blandford invenit. Turner sculp," Beneath the vignette, in thick and thin script, are eight lines of poetry in Spanish; and at the bottom: " Con Accompagnamento Composte Da'l Marchese di Blandford." This Marquis of Blandford was George Spencer-Churchill, afterwards 4th Duke of Marlborough. Size of the plate, 1 by 8f . Stipple Engraving, on copper. The plate forms the frontispiece to a volume of music (108 pp.) comprising songs, ballads, duets, etc., set to words in English, French, and Italian. Printed about the year 18 12 for private distribution. 706. PRESENTATION OF COLOURS TO THE KENSINGTON VOLUN- TEERS. After F. Countz. On a dais to 1. stand a number of ladies the foremost of whom has just handed the colour to an officer on horseback ; another officer, on foot, carries a second flag ; the corps is ranged up in background to r. 21^ by 25|-. In thick and thin engraved script lettering: " F. Countz pinx* Turner sculp* The Presentation of Colours to the Kensington Volunteers [the words Presentation, Colours, and Kensington Volunteers in italic filled-in capitals] Dedicated to Major John Samuel Torriano, Commanding Officer of the Corps By his much obliged & most obedient Servant, Frederick Countz," In upper and lower italics: "Member of the Corps. Published Feb^ 21. 1801, by F. Countz, N° 6, High Street, Kensington." B.M. Oa. 15. 1800. "Went to Kensington for the Volunteer Pifture " Oft. 18. "R'' of Mr. Countz half for his pifture, £-^1 . 10 . o." Oft. 24. " Began Mr. Countz' Volunteers." — C. Turner's diary. 707. VIEW OF THE FORT OF JOUX (Interior). Jfter Wm. Marshall Craig. Interior of a dungeon furnished with three bedsteads, two chairs and a table ; a man sitting and reading from a book headed " Baron Trench " and three others listening ; a kettle is on a fire in fireplace to 1., and a dog sits in foreground. 9 by 12^. Aquatint, coloured. Above subjeft, in fine upper and lower italics: "Shake thy neck from this ignoble chain and boldly say thou art Free!!" Beneath: "From a drawing by W. M. Craig. En- graved by C. Turner." In open upright slightly thick and thin capitals: "View of the Fort of Joux " In slightly thick and thin script: "in which Col^ Moulin, and Captains de Frotte, Girod, & d'Hauteroche, were confined for eleven months and fourteen days, at the end of which, they efFefted their escape, by working a passage through the walls of their dungeon. It was excessively damp and dark, and received so little light, that often they were obliged to have the candles lighted at midday. Their food was brought to them every twenty four hours, they were by great favor allowed to walk in a court yard of the Fort, once or twice a week, surrounded by a Serjeant & six Men, with loaded Firelocks and fixed Bayonets! ! " In fine upper and lower italics: "London Pub'' for the Proprietors, Off 16. 1809, by E. Orme, Printseller, Bond Street." B.M. 236 CATALOGUE OF SUBJECTS 708. VIEW OF THE FORT OF JOUX (Exterior). After Wm. Marshall Craig. The fort is situated at the summit of a snow-clad crag, amid mountain peaks. The four prisoners can be seen making their escape by means of a rope. 8 g- by 12^. Aquatint. Abovesubjeft, in fine upper and lower italics: " Audaces fortuna juvat " Beneath: "From a Drawing by J. \sic\ M. Craig Engraved by C, Turner " In open upright slightly thick and thin capitals: "View of the Fort of Joux in Franche Comte on the Frontiers of France & Switzerland " In slightly thick and thin script: "Out of which Col. Moulin & Captains de Frotte, Girod & d'Hauteroche, effefted their miraculous escape, on the 27''' of January, 1805, after a severe Captivity of eleven months & 14 days. They resolved to obtain their liberty, & succeeded by making a hole in the wall of their cell, which was 3 feet \ thick and then had to work through another wall 9 feet thick & after ten nights of anxiety & fatigue they descended the Rock almost perpendicular on which the Fort stands near 700 feet in height, by the help of a rope they made with their linen & bed cloathes after having proceeded on foot to Neufchatel, they separated, and journeied [xzV] to Vienna, and from thence set off on their way to England, where three of them arrived safely two months after their escape! " In fine upper and lower italics: "London, Pub'* for the Proprietors, Oft"" 16*"^ 1809, by E. Orme, Printseller, Bond Street." BM. 709. DURBAR AT POONAH, August 6, 1790. After T. Daniell. A large Indian court crowded with Indian and English figures, and in the centre Sir Charles Warre Malet handing the treaty to the Indian prince as related in the inscription. 24|- by 35f . Preliminary etching. C. Turner sale catalogue (7 impressions). In light open upright upper and lower lettering: "Painted by T. Daniell Esq'" R.A. Engraved by Cha* Turner." In fine upper and lower italics: "London, Published March 24, 1807, by R. Cribb, N° 288, Holborn." In fine script, with some of the proper names in light open upright capitals: "A representation of the delivery of the Ratified Treaty of 1790 by Sir Cha^ Warre Malet B* to his Highness Souae Madarow Narrain Peshwa in full Durbar or Court as held upon that occasion at Poonah in the East Indies on the 6*"^ Aug^' ^79° From the original pifture in the possession of Sir Charles Warre Malet Bar* to whom this print is by permission dedicated by his much obliged & obed* humble Serv* Rob' Cribb." B.M. 710. GEORGE III IN HIS TRAVELLING CHARIOT. After R. B. Davis. The chariot is drawn towards the 1. by four horses with two postilions and two out- riders, and is escorted by cavalry; in distance a view of Windsor Castle, and in fore- ground to r. a peasant group. 21 by 28 f. Engraved on copper. Preliminary etching. C. Turner sale catalogue. In fine upper and lower italics: "Painted by R. B. Davis London, Published Feb^ 20, 1806, by M"" Davis, 41, Great Portland Street (for the proprietor) and C. Turner, 50, Warren Street, Fitzroy Square. Engraved by C. Turner." In light open upright capitals: "His Majesty " In fine script: "In his Travelling Chariot returning to Town from Windsor, accompanied with his usual Escort of Guards, Riders, & Attendants, This Print is with permission humbly Dedicated to his Royal Highness the Duke of Cumber- land, [Duke and Cumberland in light open italic capitals] by his most obedient, devoted, & very humble Serv* R. B. Davis" In fine upper and lower italics: "From an Original Painting in the possession of Her Majesty." B.M.; C; Sir Walter Gilbey. BEAUFORT HOUNDS, THE {After R. B, Davis). See PORTRAIT OF PHILIP PAYNE, No. 417. CHARLES TURNER, A.R.A. 7 1 1-7 1 8. VIEWS IN SAVOY, SWITZERLAND, AND ON THE RHINE. By John Dennis. London, 1820. 711. VIEW FROM LAUSANNE. After John Dennis. A view over trees and houses to the lake beyond, w^ith mountains in the distance. 5f by 8i. In fine upper and lower italics: "Drawn & Etched by John Dennis. Engraved by Cha* Turner." In light open upright capitals, and upper and lower: "View from Lausanne, Switzerland." In fine upper and lower itaHcs: "Published, 16, Oft"" 1820, by John Dennis, Hackney Grove." To 1. :" Proof." BM. 'J12. VIEW FROM MONT ALBIS. After John Dennis. An undulating foreground with firs and a man seated looking at the view; beyond the foreground a precipitous descent to a flat wooded valley, the view closing with distant mountains. 6 by 10^. In fine upper and lower italics: "Drawn & Etched by John Dennis Engraved by Charles Turner" In light open upright capitals, and upper and lower: "View from Mont Albis Switzerland." In fine upper and lower italics: " Published i^*^ March 1822, by John Dennis Hackney Grove." B.M. 713. CONVENT OF KONIGSFELDEN. After John Dennis. A woman walks with a load on her head, along an undulating road on 1., with trees on each side; in the distance the convent can be seen on the summit of a hill, and in the extreme distance a range of mountains. 5|- by 8i. In fine upper and lower italics: "Drawn & Etched by lohn Dennis. Engraved by- Charles Turner." In light open upright capitals: " Convent of Konigsfelden," In light open upright upper and lower: "Switzerland." In fine upper and lower italics: "Pub- lished by John Dennis, Hackney Grove, i^' July 1820." B.M. 714. SCENE AT MEILLERIE. After John Dennis. A cottage on 1. behind trees, and a road passing along r., with a man carrying a basket; and on 1. of road, vines, with two women gathering grapes. A lake and mountains in distance. by 8f. In fine upper and lower italics: "Drawn & Etched by John Dennis. Engraved by Cha* Turner." In light open upright capitals, and upper and lower: "Scene at Meillerie, Savoy." In fine upper and lower italics: "Published 16, Odf 1820, by John Dennis, Hackney Grove." To 1.: " Proof." 715. CASTLE OF SONNECK. After John Dennis. View up the Rhine, with precipitous mountains on each bank, and the castle on the summit of a crag on 1.; a small sailing boat in foreground in centre. 6^ by 9. In fine upper and lower italics: "Drawn & Etched by John Dennis Engraved by Charles Turner" In light open upright capitals, and upper and lower: "Castle of Sonneck on the Rhine." In fine upper and lower italics: "Published 1'* March 1822, by John Dennis Hackney Grove." To 1.: "Proof." B.M. 716. LIEBENSTEIN & STERNFELS. After John Dennis. View up the Rhine, with a man standing in a boat in foreground. Mountains rise from both sides of the river, with trees and a church on each bank. 4!^ by 7. In fine upper and lower italics: "Drawn & Etched by John Dennis. Engraved by Charles Turner." In light open upright capitals, upper and lower, and fine upper and lower italics: "Liebenstein & Sternfels called the Brothers on the Rhine. Pub- lished 16*'' July 1820 by John Dennis Hackney Grove." To 1.: "Proof" B.M. 238 CATALOGUE OF SUBJECTS 717. CASTLE OF HAMMERSTEIN. , After John Dennis. View up the Rhine with precipitous crags on each side, and a rock in the middle of the river in middle distance. A sailing boat, and two flying birds in foreground. 5i by 7. In fine upper and lower italics: "Drawn & Etched by John Dennis. Engraved by Cha^ Turner." In light open upright capitals, and upper and lower: "Castle of Hammerstein on the Rhine." In fine upper and lower italics: "Published, 16, Odf 1820, by John Dennis, Hackney Grove." To 1.: "Proof" BM. 718. ROLANDSECK AND DRACHENFELS. After John Dennis. A building stands on a small island in the middle of the Rhine bounded by mountains; a rowing boat on 1. towards foreground. 6|- by 9^. In fine upper and lower italics: "Drawn & Etched by John Dennis Engraved by Charles Turner" In light open upright capitals, and upper and lower: " Rolandseck and Drachenfels, on the Rhine." In fine upper and lower italics: " Published i^^ March 1822, by John Dennis Hackney Grove." B.M. In the British Museum library (1786. b, 7) is a copy of the book, in which most of the views are inscribed with the word " Proof," The impressions in the Print Room copy appear to show that the word /rc^ has been erased from the plates. 719. APOTHEOSIS OF PRINCESS CHARLOTTE. After A. W. Devis. The Princess is seen amid clouds ascending to heaven, nursing her infant, and sur- rounded by angels who hold flowers, a wreath, and the serpent emblem of eternity; in r. lower corner a mausoleum. Royal arms with mottoes in centre of inscription space. 23f by i6|-. Preliminary etching. C. Turner sale catalogue (19 impressions). Artist's proofs. C. Turner sale catalogue. In fine upright upper and lower lettering: "Painted by A. W. Devis. Engraved by C. Turner." In fine italics: "London, Published March i. 18 19, by M'' Devis, 12 Caro- line Street, Bedford Square; M"" Turner, 50 Warren Street, Fitzroy Square; & I. R. Harrison late of the Firm of Boydell & C° removed to 78 Cornhill " In fine script: " To His Royal Highness the Prince Leopold of Saxe Cobourg K.G. &c. &c. &c." In upright open letters: "This Commemorative Print of" In light open gothic: "Her Late Royal Highness The Princess Charlotte Augusta;" In fine script: "Is by Permission, most respedtfully dedicated, by His Royal Highnesses most obedient & obliged humble Serv* Arthur William Devis." In fine itahcs under coat of arms: " Tho^ Williment Jun'" del." To 1.: " Printed by J. Lahee." BM.; Mr. J. S. Earle. C. Turner sale catalogue, lot 990, mentions a " proof with publisher's address only." Princess Charlotte died November 6, 1817. 720. MADONNA, THE. After Carlo Dolci. She is seen, head and shoulders, leaning forward towards 1. and looking downwards ; a thumb is seen holding a cloak which passes over her head. Arms in centre of inscription space, motto: " Dulcis Amor Patriae." I2|^ by 9^. In fine upper and lower italics: "Painted by Carlo Dolce. Engraved by C. Turner." In fine script: " From a Pifture in the Colleftion of Robert Wigram Esq'* M.P. To whom this Plate is dedicated by his obedient Servant, C. Turner." In fine upper and lower italics: "London Published Jan^ 10. 1 8 10, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M. (printed in colours). CHARLES TURNER, A.R.A. 721. LANDSCAPE. After Domenichino . In 1. foreground a group of four persons round a tree, near a pond, on the further side of which is a thatched barn with three figures near the door ; in middle distance a group of buildings on a hill. I4f by 19. Engraved on copper. Engraver's unfinished proof before any inscription. B.M. In fine upper and lower italics: " Painted by Dominichino. Engraved by C. Turner." In fine script: " From a Pifture in the Colleftion of Robert Wigram Esq"" M.P. To whom this Plate is dedicated by his obedient Servant Cha^ Turner." In fine upper and lower italics: "London, Published Jan^ 18. 1810, by C. Turner, N° 50, Warren Street, Fitzroy Square." Mr. F. B. Daniell. 722. BANDIT OF THE APENNINES. After Sir C. L. Eastlake. He stands in the foreground of a landscape, dir. f., looking intently to r. ; wearing hat, and cloak over his native costume; holding his gun ready for use. 9f by 7|^. Before any inscription. B.M. {on impression is written in pencil " Proof shewn to Messrs. Hurst & Robinson, Nov"- 12. 1824 C.T.") In fine upper and lower italic lettering: " Painted by C. L. Eastlake Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty." In open upright very slightly thick and thin capitals: " The Bandit of the Apennines." B.M. {A line of publica- tion may have been cut from the bottom of the impression); V. and A. {cut impression). 723. ITALIAN GOAT-HERDS. After Sir C. L. Eastlake. A man is reclining against some ruins on 1., holding a long stick, and on r. a boy is playing a pipe, with two goats beside him ; a hilly landscape in distance. Ill by i5|. In fine upper and lower italics: "Painted by C. L. Eastlake, Rome. Engraved by C.Turner, Mezzotinto Engraver in Ordinary to His Majesty. London, Pub^ Jan^ I. 1825, by Mess" Hurst, Robinson, & C° Printsellers to His Majesty N° 8, Pall Mall, and 90, Cheapside." B.M. 724. WIFE OF A BRIGAND CHIEF. After Sir C. L, Eastlake. She stands on r., on a high ledge of earth, holding on to a bough of a tree with her 1, hand, while she leans forward and looks down at a party of brigands climbing a hill towards her; sea in distance. 9f by Before any inscription. B.M. (on impression is written in pencil: " Proof shewn to Mess" Hurst &' Robinson, N" 12. 1824, C.T.") C. Turner sale catalogue mentions " artist's proofs " and " proof prints." 725. RECRUIT, THE. After John Eckstein. Scene outside a cottage. The recruit is about to sheathe a sword, while a young woman is leaning on his 1. shoulder; towards 1. an old couple, a soldier, and a boy are grouped near a small table, under which is a dog; and close by a soldier stands and blows a trumpet. I9f by I5f. I. In fine upper and lower italics: "Eckstein pinx. Published & Sold Jan^ 1803, by Edw*' Orme, 59 New Bond Street, London. C. Turner sculp." In light open upright capitals: "The Recruit." B.M. II. The line of publication erased ; the rest of inscription made thick and thin; the letter of title filled in with a pattern. Sale at Puttick's November 2. 1906. 240 LADY GEORGIANA FANE 1826 AFTER LAWRENCE CATALOGUE OF SUBJECTS 726. BLACK GAME. After S. Elmer. A black cock and a gray hen in the foreground of a moor, the male bird with head raised as though listening, the female pecking on the ground. I3-| by i6f. I. In light open upright upper and lower lettering: "Painted by Elmere. Engraved by Cha^ Turner." In light open gothic: "Black Game." In fine upper and lower italics: "Published Oa.' 16, 1807, by W. D. Jones High Street, Oxford." B.M. II. The inscription strengthened. That of artists' names made thick and thin, that of title partly filled in. B.M.; Sir Walter Gilbey. 727. RED GAME. After S. Elmer. A brace of red grouse in foreground of a moor with hills r. and 1.; the male bird stands on 1., the female sits on r.; two birds in the air on r. 13^ by 16^. I. In light open upright upper and lower lettering: "Painted by Elmere. Engraved by Cha' Turner." In light open gothic: "Red Game." In fine upper and lower italics: " Published OO" 16. 1807, by W. D. Jones High Street, Oxford." B.M. II. The inscription strengthened. The artists' names made thick and thin, the lettering of the title partly filled in. Sir Walter Gilbey. 728. ROWTON, A RACE-HORSE. After J. Femeley. The horse is seen standing, turned to 1., ridden by a jockey j on the 1. is a pony with a man in high hat standing beside it. i2f by i6f. Preliminary etching. Mr. S. S. Savery {two impressions, one of them touched, and marked with correSlions). C. Turner sale catalogue mentions: "artist's proofs," "proof prints," and "prints." 729. EARL OF LEICESTER'S VISIT TO AMY ROBSART, THE. After H. Fradelle. The Earl, richly dressed, is sitting on an elaborate seat, over which is a coat of arms and a canopy, and Amy Robsart kneels beside him, her hands toying with his collar of the Order of the Garter j in an inner room to r. a man and a woman. Arms in centre of inscription space, motto: " Au Bon Droit." 15 by 19!^. Before any inscription. Mr. L. B. Mozley. I. In fine upright upper and lower lettering: " Painted by Henry Fradelle Engraved by C. Turner, Mezzotinto Engraver in Ordinary to His Majesty. London, Published June 15''' 1826, by H. Fradelle 8 Somerset Street Portman Square a Paris chez Chaillouy Portrelle Rue S* Honore." B.M. II. With additional inscription. In gothic lettering (with a line along the centre of each letter): "The Earl of Leicester's Visit to Amy Robsart, at Canmor Place," In fine script: *' This Print from a Pifture in the Colleftion of the Earl of Egremont, Is with Per- mission dedicated to his Lordship by his Most Obed' Hum^^^ Servant H. Fradelle." [the words This Print, Earl, and Egremont in italic filled-in capitals]. Under arms, in fine upright upper and lower: "Vide, Kenilworth by the Author of Waverley Vol i** page 150." To 1., in fine italics: " Printed by J. Lahee." B.M. 730-734. HUNTING SUBJECTS. After Sir Robert Frankland. A set of five humorous subjedls. Coloured, chiefly by hand. AqUATINTS. 730. A party of four men and one lady riding along a road towards 1., accompanied by a dog; to r. a signpost: "To Coverley Hall" 8i by lof. 241 II CHARLES TURNER, A.R.A. In open thick and thin italic capitals: "The Southern Hounds, or Hunting in its In- fancy." In upper and lower italics: "London, Pub. July 31. 181 3, by, C Turner Warren Street, Fitzroy Square." B.M.; Mr. S. S. Savery. 731. The huntsmen are galloping towards r., across a field, and in foreground a horse and its rider have fallen in taking a hurdle, which a second huntsman is in the a6l of jumping. 8^ by lof . In upper and lower italics : " Taking a Lead, by which is understood Securing the Privilege of breaking your neck first, and when you fall, of being rode over by a Hundred & Ninety nine of the best fellows upon earth to a dead certainty." London, Published July 181 3 by C Turner Warren Street, Fitzroy Square." B.M.; Mr. S. S. Savery. 732. A fox is seen in foreground running towards a rustic who stands in wonderment on 1., where a second rustic has climbed a short tree. The huntsmen and hounds are coming forward from middle distance on r. 8^ by lof. In open upright thick and thin capitals: "Heading the Fox." In thick and thin script: '"My eye here he coomes"' In upper and lower italics: "London, Pub. Oft* 21, 1 814. by C. Turner, 50 Warren St' Fitzroy Square." B.M.; Mr. S. S. Savery. 733. A huntsman, in foreground, has pulled up and is looking over a hedge to see if there is a ditch; the rest of the huntsmen are galloping across the field beyond towards r. ^ by lof. In open upright thick and thin capitals: "Craning." In thick and thin script: '"Come along, there's no ditch."' In upper and lower italics: "London. Pub. Od: 21, 1814. by C. Turner, 50 Warren St' Fitzroy Square." B.M.; Mr. S. S. Savery. 734. A huntsman, left behind on a country road, is speaking to an old woman who stands towards the r. 7^ by io|^. In open upright thick and thin capitals: "Thrown Out." In thick and thin scrip:: '"I say Misses, which way are the hounds? Haoounds ? " ' In upper and lower italics: "London: Pub. Oft"" 21. 1814, by C. Turner, 50, Warren Street, Fitzroy Squ*=" B.M.; Mr. S. S. Savery. 735-740. DELIGHTS OF FISHING. Jfter Sir R. Frankland. A set of six humorous illustrations to Izaak Walton. Coloured, chiefly by hand. About 8 bj^ loi Aquatints. Each print is before any engraved inscription, except, in fine upper and lower italics: "London, Published June 18, 1823 by C. Turner 50, Warren Street, Fitzroy Square." On each print a quotation from Virgil, and another from Horace has been written in ink. B.M.; Mr. S. S. Savery. 735. Two anglers on river bank; the one on r. has fallen asleep, and a dog is stealing a fowl from his basket of provisions; the one on 1. has caught his hook in the bez.k of a duck swimming in the water. 736. On r., an angler has brought a small bough to the surface and his assistant is trying to capture it in a landing net; on 1. bank a man is being dragged into the water by some large objeft to which he has become attached by a line. 737. On 1., an angler is winding in his line and stepping back towards a cow ly ng on the ground; six sheep are approaching him chased by a dog; and beyond, a second angler has just hooked a fish. 242 CATALOGUE OF SUBJECTS 738. An angler is being swarmed by bees, his hook is caught in the calf of his leg, and a dog is running to him followed by a bull. 739. On the r. bank, an angler has fallen backwards to the ground, breaking his rod and his line, thus allowing a pike to fall back into the water j ahttle further off, a man, punting, has broken his pole, and is falling overboard backwards. 740. In foreground, an angler has got his line, with a fish attached to it, entangled in the foliage of a tree; beyond, his companion has got his hook fixed in a branch in the river, and, having taken his stockings off, is commencing to wade towards the branch. 741. HELPLESS CHILD. After Sir R. Frankland. A child has fallen down in a country road, and from behind it a cart is approaching, the driver apparently asleep; the child's mother is running to the rescue from a cottage on 1. 4f by 7|^. Aquatint, coloured by hand. In fine upper and lower italics: "London Pub'' June 5, 181 5, by C. Turner, 50, Warren S* Fitzroy Square." B.M. 742. CHECK MATE. After Sir R. Frankland. This plate is mentioned in the C. Turner sale catalogue: Lot 764. " Check Mate, humorous subjedl, after Sir Rob* Frankland. Copper, [plate size] 8 by 6." Companion plate to N° 741. 743. 744. ENGLISH IN PARIS (two plates). After Sir R. Frankland. These plates are mentioned in the C. Turner sale catalogue: Lot 340. " English in Paris, pair of humorous subje61:s, drawn by Sir Rob* Frankland, prints coloured, 28 [Plate size] 11 in. by 8." 745. INTERIOR OF A COTTAGE. After T. Gainsborough, ^j/i^ (^^^ A child, scantily clad, stretches out his hands to warm himself at a wood fire on L, another child sits on floor with a bowl on knee and a wooden spoon in r. hand; lattice window in upper r. corner. 20^ by 15^. Fine masked impression. Louis Huth Sale {Christie^ s). May 24. 1905. Before any inscription. Mr. D. Meinertxhagen; Mr. Fritz, Reiss. In fine upper and lower italics: "Painted by T. Gainsborough Esq'" Engraved by C. Turner" In fine script: "Interior of a Cottage." In fine upper and lower italics: "London Published March 6. 1809, by Miss Lenwood, Leicester Square " Sir Walter Gilbey. 746. LITTLE COTTAGER, THE. After T. Gainsborough. A young child, scantily dressed, standing with his 1. hand raised to his head, a cat on his r., and dilapidated palings behind him; landscape in distance to r, 19^ by 15!^. Early masked proof. Mr. D. Meinertzhagen. Before any inscription. Mr. Fritz Reiss. In fine upper and lower italic lettering: " Painted by Tho' Gainsborough Esq' Engraved by C. Turner." In light open upright capitals: "The Little Cottager." In fine upper and lower italics: "London Published for the Proprietor July 22. 1809." B.M. CHARLES TURNER, A.R.A. COTTAGE GIRL, THE. See GEMS OF ART, No. 814. After T. Gainsborough. RAINBOW: A SCENE ON THE RIVER EXE. See GEMS OF ART, No. 816. After T. Girtin. 747. BAISER ENVOYE, LE. After J. B. Greuxe. A young woman, seen fully to waist, standing behind a window opening, dir. to f., wearing loose robe which leaves her bosom uncovered, her 1. hand turning page of a letter on window sill, her r. hand raised and throwing a kiss; to 1. a hanging curtain which hides her r, elbow, to r., on sill, a flowering plant in an ornamental vase. In r. lower corner of subjedl: "J: B Greuze. C. Turner." 19^ by i5f. (Plate size, 22f by 16.) With painter's name, but before "C. Turner" in r. lower corner of subjeft. Before any lettering in inscription space. Mr. E. E. Leggatt. I. Artists' names in lower r. corner of subjeft as described. In fine script: "From an original Pifture by Greux [sic] in the Colleftion of Robert Wigram Esq'' M P. a Direftor of the Bank. &c. &c. &c." Mr. A. Goldner; Mr. H. P. Home [impressions cut at foot). No uncut impression of this state has been seen. II. From an . . . ColleSlion of erased; instead, in fine script: "Engraved by Cha' Turner from an original Pifture by Greux [j/V], in the Colleftion of" In second line of inscrip- tion M P. erased, and re-inserted in fine italic capitals, followed by the word "and " in fine script. Beneath, in fine upper and lower italics: "London Published May i*' 1807 by C. Turner. N° 50, Warren Street, Fitzroy Square." B.M. {This is the only uncut lettered impression from the plate that has been seen.) III. The work much worn so that the etched lines about the eyes and nose show very prominently. The impression seen was cut, leaving only \ in. between the bottom of the subject and the edge of the paper; but as no strokes of the inscription could be seen, it would seem that the inscription had been erased from the plate. It was probably a private plate; and as all known impressions, except two, are cut at foot, it is believed there was some special reason for this mutilation. In the C. Turner sale catalogue (lots 153 and 925) the plate is called the "Billet Doux." 748. WITCH SAILING TO MECCA, THE. After J. J. Halls. The witch is seated in a tub in a crouching attitude, her chin upon her hands which rest on her r. knee, a sheet blowing over her head; the tub is sweeping along on a wave; the moon can be seen in a cloudy sky. 2i|- by i']^. In light open upright upper and lower lettering: "I. J. Halls pinx* C. Turner sculp." In fine upper andlower italics: "London, Published Dec"" i, 1807, by C. Turner (for the Proprietor) N° 50, Warren Street, Fitzroy Square." B.M. In the C. Turner sale catalogue this subjeft is called " The Witch sailing to Aleppo"; and there are mentioned: "artist's proofs", "proofs before letters", and "proof prints". 749-757. GREECE, A POEM. ILLUSTRATIONS TO. After Wm. Haygarth. Nine illustrations to the poem, written by William Haygarth, engraved from drawings by himself The book, published by G. & W. Nicol, Pall Mall, 18 14. Each plate is inscribed with the artists' names in fine upper and lower italics; the title in fine script; and a line of publication, in fine upper and lower italics: "London, Published May 2"*^ 1 814, by G. & W. Nicol, Pall Mall." Engraved in mezzotint, with occasionally some aquatint, over a foundation of strong etching. About 7 by 10. 244 CATALOGUE OF SUBJECTS 749. SUMMIT OF MOUNT PINDUS. In foreground four travellers climbing upwards, and near them, the shattered trunk of a tree, and a fir. The subjeft represents precipitous declivities. B.M. 750. THERMOPYLiE. In foreground a cart is being drawn along a road by an ox. Beyond, a sheet of water and distant mountains. B.M. 751. PARNASSUS AND DELPHI. In middle distance a village near the base of two peaks, the ground shelving off to a pre- cipitous descent on r. B.M. 752. VIEW OF THE PNYX AND ACROPOLIS AT ATHENS. The Acropolis is seen on the summit of the hill to 1,, and the Pnyx, a square stone plat- form, in foreground to r. 753. TEMPLE OF THESEUS. The Temple, in good preservation, is towards the 1., and in the distance, a town with hills beyond; in the foreground towards r. a group of six people. B.M.; V. and A. 754. VIEW OF THE ACROPOLIS, PARTHENON, AND COLUMNS OF ADRIAN FROM THE ILISSUS. The various ruins are seen in different parts of the composition, and in the foreground are two goatherds following their flock. B.M. 755. ANTIENT GATE OF MYCENAE. The gate, in a wall, in the midst of a ruin, is surmounted by a device with two headless animals; towards the foreground are figures of four shepherds. B.M. 756. RUINS OF A TEMPLE NEAR ANDRUZZENA, IN ARCADIA. The ruin consists of a long colonnade, and is seen with a background of high hills; in fore- ground to r. three men are resting at the foot of a tree. B.M. 757. SPARTA. On a steep slope in 1. foreground stands a ruined tower; the general view is of a flat land- scape, with snow-covered mountains in distance. A group of figures in foreground. B.M. 758. "MY HORSE." After Guy Head. A horse's head, in large size, turned to 1.; harness. 29!^ by 17^. Under centre of subjeft, in filled-in upright capitals: " My Horse," In upper and lower italic lettering: "Painted by Guy Head Engraved by C. Turner Published & Sold June 4, 1804, by Edw"* Orme His Majesty's Printseller, 59, New Bond Street, London." Sale at Sotheby^s, April 18. 1905. CHARLES TURNER, A.R.A. 759. YORKSHIRE ROSE, THE. Ajter G. Horner. Portrait of a cow, turned to 1., standing in foreground of a hilly landsape. I7i by 23i. Aquatint. In fine upright capitals: " Painted by G. Horner, Manchester. Engraved by C. Turner, A.R.A." In open upright thick and thin capitals: "The Yorkshire Rcse." In thick and thin script: "This Wonderful Animal was Bred by the late John /.insley, Esq''^ of Otterington House, near Northallterton, Yorkshire, and Fed by Medd Scar.h, Esq. Carlton, near Stokesley." In thick and thin italic capitals: "Her astonishing dimensions are as under, viz." In small upright thick and thin capitals: " Length from the nose to the rump 1 1 feet 3 in. Height at the rump 6 „ o „ Do. at the shoulder .... 5 „io^„ Girth of the body .... 1 1 feet o in. D°. of the fore leg below the knte 7f „ Square on the back .... 3 » sl » " In thick and thin italics: "Her Weight is 221 Stones, of 14 Pounds to tie Stone or 386 Stones 6 Pounds, of 8 Pounds to the Stone, She is 4 Years & 7 months Olc, is very healthy & in an improving state, what is most surprising Her only food from 6 mcnths Old to the Age of 3 Years and 5 months was Grass and Hay, notwithstanding Her amazing weight She is very aftive." In slightly thick and thin script: "This Plate, is by permission, most respeftfully dedicated to John Hutton, Esq™ Sober Hill, by his very Obedient Servant Henry Nicholson, Jun''" In fine small upright capitals: "Published Maich 17, 1838, by M' Henry Nicholson, Bedale, Yorkshire." B.M. C. Turner sale catalogue mentions "artist's proofs" and "proof prints." 760. HAWKING. Jfter J. Howe. A landscape scene with a distant view on r. Towards 1. a gentleman on horseback turned to r. and carrying a hawk on 1. fist ; near head of horse a man standing, and carrying two hawks, one of whom is pecking a dead bird; on r. a man sits on trunk of a tree and has two hawks on his 1. fore-arm; six dogs in foreground, and in a field to r. two horses. Arms in centre of inscription space. 19^ by 23I-. The three figures are presumably portraits. I. No motto in arms. In fine upright upper and lower lettering: "Painted by J. Howe, Edinburgh. Engraved by C. Turner, London." In light open uprigtt capitals over arms: "Hawking." In fine script: "To Sir John Maxwell, of Pollock, Bar' This Plate taken from a Pidlurc, in the possession of M"" Fleming of Barochan, ;s most respeft- fully Dedicated, By His, most obliged and humble Servant Alex'' Finlay." [The first word To and the abbreviation Bar' in open gothic; and the words Sir, P/ae, PiSlure, and Dedicated, in open capitals]. In fine upper and lower italics: "Published Oft"" 24. 1816, by Alex"" Finlay, Carver, Gilder, & Printseller to her Majesty, Glasgow." B.M. II. For Servant Alex"" FzW^j, read " Servants R. & J. Finlay." Publication altered to: "Published Jan'' 1834, by R. & J. Finlay, Carvers, Gilders & Printsellers to His Majesty, Glasgow." The lettering of title, and of the words Sir, Plate, PiSturi, and Dedicated partly filled in. Mr. W. V. Cooper. C. Turner sale catalogue (507) says: "Hawking, with portrait of Sir John Maxwell, of Pollock." 761. HEBE. After F. Huet-VilUers. To waist, amid clouds, on r., holding in 1. hand a chalice from which the neftar is spilling, her r. hand on the back of an eagle, to I., whose beak is diredled towards the chalice. 26f by igf. I. In light open italic capitals: "Drawn by Huet Villiers Engraved by C Turner" In fine upper and lower italics: "London Published June 181 1, by Huet VilHers, 36, G' Malborough [j/V] Street, & by Mess™ Colnaghi & C° Cockspur Street, Charing Cross." B.M. 246 CATALOGUE OF SUBJECTS II. The inscription erased. Instead, in thick and thin upper and lower italics: "Drawn by Huet Villiers Miniature Painter to their Royal Highnesses the Duke & Duchess of York Exhibited in 1809 at the Associated Painters in Water Colours, Bond Street En- graved by C. Turner, Warren Street, Fitzroy Square." In large ornamental script capitals: " Hebe " In thick and thin upper and lower italics: " London Published by Huet Villiers 36 G* Marlborough Street, and Sold by R. Ackermann loi, Strand, and Colnaghi & C° Cockspur Street, Charing Cross." To 1., in scratched italics: "Proof." Mr. E. Layton. C.Turner sale catalogue mentions: "artist's proofs", "proofs before letters", "proof prints", and "prints." 762. HEBE. After F, Huet-Villiers, Similar to preceding, smaller. 18^ by I3f. Before any inscription: Sale at Christie'' Feb, 21, 1905. I. In light italic upper and lower lettering: "Drawn by Huet Villiers Miniature Painter to their Royal Highnesses the Duke & Duchess of York, London, Published July 1^* 1 8 14, by T. Macdonald 39 Fleet Street. Engraved by C. Turner, Warren Street, Fitzroy Square." In large ornamental script capitals: "Hebe" In light italics to r.; " Proof." B.M. II. The lettering strengthened. For July i'' i%i\,by T. Macdonald XQzd " Feb^ 13*'' 1817, by Alex'' Smith," The word Proof erased. Sale at Sotheby's, May 8, 1905. 763. HEBE. After F. Huet-Filliers. Similar to preceding, still smaller. Impression, 13^ by 9f. An impression in colours, cut close to the work, was sold at Puttick's as a mezzotint by Charles Turner, February 2. 1906. There is another mezzotint of this " Hebe " subjedl after Huet-Villiers, but on the only impression seen (Mr. E. E. Leggatt's) the name of the engraver does not appear. It is 16 by 12 in., and is surrounded by a line-engraved border an inch wide. The impression is inscribed with the one word " Hebe " in open upright capitals. 764.. LUNA. After F. Huet-Villiers. A woman's head, turned in profile to r., in a moon in a cloudy sky with several stars shining. A single border line surrounds the subjedl. 10^ by 8 J. In upper and lower slightly thick and thin italics: "Huet Villiers deP Charles Turner sculp*" In fanciful capitals: "Luna" Eight lines of poetry in thick and thin script: " When Night her sable mantle spreads, (six lines) He calls the Moon his Friend." In upper and lower slightly thick and thin italics: " Pub. Jan'' 2. 1809 by R. Ackermann Repository of Arts loi Strand " B.M. 765. VENUS. After F. Huet-Villiers. The head of a woman, full face, in the centre of a six-pointed star, among clouds. A single border line surrounds the subjedl. 10 J by 8^. In upper and lower slightly thick and thin italics: " Hiiet Villiers del' Charles Turner sculp*" In fanciful capitals: "Venus" Eight lines of poetry in thick and thin script: " Among the Stars tho' Luna Shine (six lines) .... And Av'rice leaves his Gold." In upper and lower slightly thick and thin italics: "Pub. Jan. 2 1809, by R. Ackermann, Repository of Arts, 10 1 Strand" B.M. 247 CHARLES TURNER, A.R.A. 766. IRIS. After F. Huet-VilUers. A female winged figure, seen to the waist amid clouds, dir. r., facing more towards f.; light drapery at r. shoulder and held in front of her by 1. hand; r. hand raised above head; rainbow in upper r. corner. Impression, 13^ by 9-|. An impression in colours, cut close to the work, was sold at Puttick's as a mezzotint by Charles Turner, February 2. 1906. 767. BARBER, THE. After W. H. Hunt. A man cutting the hair of a boy who stands before him with eyes tightly closed. i9i by I3f. Engraved on steel. Preliminary etching. C. Turner sale catalogue. In fine upright capitals: "Painted by W. Hunt, Esq. Engraved by C. Turner, A.R.A." In fine script: "To The Right Honorable Lady Rolle, this Print of The Barber, [the title in light open upright capitals] Engraved from the original Drawing in the possession of her Ladyship, is with permission, dedicated to her Ladyship, by her obedient humble Servant, C. Turner." In fine upright capitals: "London, PubHsh'd June 19"" 1841, by M"" C. Turner, N° 50, Warren Street, Fitzroy Square." To 1., in fine italic capitals: "Proof" In upper and lower: "Printed by Brooker & Harrison" B.M. {with Turner'' s autograph signature.) C. Turner sale catalogue (lot 747) mentions "artist's proofs", "proof prints", and "re- duced prints." 768. CASTLE STREET, ABERDEEN. After Hugh Irvine. View up a wide street, with a church on r.; many people of the working classes moving about in the roadway. 16 by 23^^. Aquatint. With thick and thin letter incription. In open upright upper and lower: "Painted by Hugh Irvine. Engraved by C. Turner, Warren Street Fitzroy Square." In script: "To James Byres Esq' of Tonley" In open upright upper and lower: "This View of" In filled-in gothic: " Castle Street — Aberdeen." In script: "as a mark of esteem and regard, is Dedicated by his obliged humble Servant, Hugh Irvine." In upper and lower italics: "London, Published April 8. 18 12, by Mess. Colnaghi & C° Cockspur Street John Ewen, Aberdeen, and John Steell Edinburgh." B.M. 769. PRINCE REGENT (THE) RECEIVED BY THE UNIVERSITY AND CITY OF OXFORD. After George Jones. A view up High Street, crowded with people, city officers, university men and yeomanry; and in the foreground the Prince Regent is being received by a man carrying a mace. 20 by 271. Preliminary etching. C. Turner sale catalogue. In fine upright upper and lower lettering: "Painted by George Jones Esq'' Engraved by C. Turner." In fine script: "His Royal Highness the Prince Regent received by the University & City of Oxford June 14. 1814." [The words Prince Regent., University, and City of Oxford in light open italic capitals.] B.M. {some inscription has probably been cut off the foot of impression). 770-777. WATERLOO. After Captain George Jones. A series of seven views (coloured by hand) of places and the country in the neighbour- hood of Waterloo, preceded by a vignette. The plates bear inscriptions in fine upper and lower italics, fine upright upper and lower, 248 I CATALOGUE OF SUBJECTS and the title word Hougomont^ La Belle Alliance^ or Waterloo in open upright thick and thin capitals. Aquatints, except the vignette, which is an etching. 770. Vignette representing Wellington and a few officers galloping towards 1.; three dead soldiers in foreground. Plate size 10^ by 13. Inscribed: " G. Jones Esq-" deP Etched by C. Turner London, Published May 16, 1 816, by C. Turner 50 Warren Street, Fitzroy Square." BM. 771. HOUGOMONT. A view of a block of houses, with a clump of four trees on r. by a wall. 8f by Inscribed: "Drawn on the Spot by Capt° Jones. Engraved by C. Turner. Hougo- mont. London, Pub** May 20. 1816, by C. Turner, 50, Warren S* Fitzroy Square, & J. Booth." BM. 772. LA BELLE ALLL^NCE. Three sold iers marching away from r. foreground towards a house by the side of a road along which travels a baggage waggon with its military escort. Sf by \ \\. Before any inscription. Mr. S. S. Savery. Inscribed: "Painted on the Spot by Capt° Jones. Engraved by C. Turner. La Belle Alliance. English Baggage on the road to Paris London, Published May 20, 18 16, by C. Turner, Warren Street, Fitzroy Square & J. Booth, Duke Street, Portland Place." B.M. 773. WATERLOO. A range of houses on r., one house displaying the sign " Au grand quarter [wV] general du Due de Wellington," and on 1. a wood; between, runs a road on which is a two-horse vehicle. by Inscribed: "Drawn on the Spot by Capt" Jones. Engraved by C. Turner. Waterloo The Duke of Wellington's Head Quarters in the Village the Night preceding the battle. London, Published May 20, 18 16, by C. Turner 50 Warren Street, Fitzroy Square & J. Booth, Duke Street, Portland Place." B.M. 774. WATERLOO. An open view of fields with harvesting in progress, woods, etc. In distance to 1. the observatory, in centre the neighbourhood of Hougomont, and on r. the position occupied by the "right of the British line." 8-| by 13^. Inscribed: "Observatory. Hougomont. Right of the British Line. Drawn on the Spot by Capt" Jones. Engraved by C. Turner. Waterloo. London, Pub** May 20. 1816, by C. Turner, 50, Warren S' Fitzroy Square; & J. Booth, Duke S' Portland Place." B.M. 775' WATERLOO. An open view of fields, with a road passing away across the centre of the composition. To 1. a cluster of houses — La Haye Sainte. by I3f. Inscribed: " La Haye Sainte. Planchnoit. La belle Alliance. Observatory, Drawn on the Spot by Capt" Jones, Engraved by C. Turner, Waterloo. London, Pub'' May 20, 1 8 16 by C. Turner, 50 Warren S* Fitzroy Square & J. Booth Duke S' Portland Place," B.M. 776. WATERLOO. A view of open country. On 1. a road passes up a hill with a man trudging along it; towards r. a woman walking with a child in her arms and a boy by her side. 91. by 13I, 249 K K CHARLES TURNER, A.R.A. Inscribed: "Drawn on the Spot by Capt" Jones. Engraved by C. Turner. Waterloo London, Published May 20, 1816, by C. Turner, Warren Street, Fitzroy Square & J Booth, Duke Street, Portland Place." B.M. 777. WATERLOO. In right foreground a tree ("Wellington Tree") by the side of a road which stretches away to the distance. Near the tree is a man carrying a load on his back. On 1. of the composition an open view. 9 by I3-|-. Inscribed: "Drawn on the Spot by Capt"^ Jones. Engraved by C. Turner Wellington Tree. Waterloo London, Published May 20, 18 16, by C. Turner 50 Warren Street, Fitzroy Square & J. Booth, Duke Street, Portland Place." B.M. 778. COURSING. After Richard Jones. Hare, hounds, and horsemen crossing an open country from left to right; a mansion in distance to 1. 13-!^ by i8|^. Mezzotint and aquatint. In small thick and thin script : " Rich'' Jones pinx* Ch. Turner sculp* " In fine upper and lower italics under centre of subjeft: "London, Published Jan'' i, 182 1, at R. Acker- mann's Repository of Arts, loi. Strand." In upright fanciful capitals: "Coursing." B.M. 779. GOING OUT. After Richard Jones. Three huntsmen starting out with greyhounds, a groom rather further off to 1. ; open landscape in distance. 13I- by 18^. Mezzotint and aquatint. In small thick and thin script: "Rich'' Jones pinx' Ch. Turner sculp*" In upright fanciful capitals: "Going Out." In fine upper and lower italics beneath title: "London, Published Jan'' i, 1821, at R. Ackermann's Repository of Arts, loi, Strand." B.M. 780. FINDING. After Richard Jones. A scene in an open landscape; in foreground towards r. a man holds two greyhounds in leash; a little further off towards 1. stands a rustic with 1. arm raised; the huntsmen in middle distance move towards 1. 13I- by 18^. Mezzotint and aquatint. In small thick and thin script: " Rich^ Jones pinx* Ch. Turner sculp*" In upright fanciful capitals: "Finding." In fine upper and lower italics beneath title: "London, Published Jan'' i** 1821, at R. Ackermann's Repository of Arts, loi. Strand." B.M. 781. DEATH, THE. After Richard Jones. In foreground a dismounted huntsman holds up the hare, near by a second huntsman on his horse looks down at two panting greyhounds; two horsemen in middle distance. 13^ by 18^. Mezzotint and aquatint. In small thick and thin script: "Rich'' Jones pinx* Ch® Turner sculp*." In upright fanciful capitals: "The Death." In fine upper and lower italics beneath title: "London, Published Jan^ i'* 1821, at R. Ackermann's Repository of Arts, loi, Strand." B.M. 782. DOG PINCHER. After Sir E. Landseer. The dog is seen, head and shoulders, turned to 1., looking eagerly forward ; a chain with a ring round his neck. 11 by 15I-. In fine upper and lower italics: "From a Drawing by Savery, after a Pidlure by E. Landseer Esq'= R.A. Engraved by C. Turner, A R A " Mr. S. S. Savery. 250 CATALOGUE OF SUBJECTS BUD OF PROMISE. See FANE. No. 192. After Sir T. Lawrence. 783. DEVOTION. After C. Le Brun. A woman, turned towards 1., seen to the waist, with drapery loosely around her leaving her bosom exposed; hands clasped in front of her, face and eyes raised. Arms in centre of inscription space; motto: "Dulcis Amor Patriae." igf by i5-|-. Before any inscription. C. \cut impression^ I. In fine script: "From an original Pidlure by Le Brun, in the Colleftion of (the rest of inscription cut off). II. In fine upper and lower italic lettering: "Painted by Le Brun. Engraved by C. Turner" In open slightly thick and thin capitals: "Devotion" In fine script: ■ '■ From a Pidlure in the Collcftion of Robert Wigram Esq'' M P To whom this Plate is dedicated by his obedient Servant, Cha' Turner." In fine upper and lower italics: "London, Published June 4*'' 181 3 by I. Jenkins, 48, Strand." Sale at Sothebfs, Feb. 7. 1906. This has been called a portrait of the Duchesse de la Valliere. 784. SPANISH CONTRABANDIST, THE. After J. F. Lewis. The contrabandist, standing by his two caparisoned donkeys towards r., has before him on the ground an open case with his wares displayed; on I. a young woman reclines by a well and admires a necklace she holds up with her 1. hand ; near her stands a monk, and behind is an archway beneath which a monk is sitting on a donkey. 20f by 26A. Preliminary etching, with the subjeft 21 in. high. In fine upright capitals: "Painted by J. F. Lewis. Engraved by C. Turner." In light open upright upper and lower lettering under centre of subjeft: "London, Published March i*'' 1835, by Ackermann & Co. 96, Strand." B.M. The inscription erased, the subjeft reduced to 2o|- in. high. In fine upright capitals: " Painted by J. F. Lewis. London, Published March i'*^ 1836, By Ackermann & C° 96, Strand. Engraved by Cha' Turner, A.R.A." B.M. 785. READING OF A WILL. After W. H. Lizars. A scene in a room, with a number of figures, some grouped about a table, at a corner of which a man, wearing spe£lacles, reads the will. Towards the 1. a Scotchman leans against the back of a chair, in 1. foreground a cat and a dog contend for a bone, and in foreground towards r. is an open chest, the contents from which are scattered on the floor. 20|- by 26|-. Preliminary etching. B.M. The subjeft finished. In fine upper and lower italic lettering: "Painted by W. H. Lizars Engraved by Cha' Turner " In light open upright capitals: "Reading of a Will " In fine script: " To John Clerk Esq"" of Eldon this print from the original pidlure in his possession is most respedlfully dedicated by their \jic\ much obliged obed' Serv*' " In light open italic capitals: " The Publishers " In fine upper and lower italics: "Edinburgh, Pub- lished Dec"" I*' 1 81 3 by W. H. Lizars, Parliament Square, John Marnoch, 32, Princes St* & Mess" Boydell & C° 90, Cheapside, London." Sale at Puttick's, OSiober 27, 1905. 786. SCOTTISH WEDDING, A. After W. H. Lizars. A scene of merrymaking, in a large room. On 1., around and near a table, guests are drinking; and a man is bringing forward a tray of glasses of wine. On r. an intoxi- cated man is lying on the floor by an overturned table ; and near by a man is standing 251 CHARLES TURNER, A.R.A. on a tub playing a fiddle to the music of which several people at the back of the room are dancing. 20^ by 26f. Preliminary etching. The subjeft finished. In fine upper and lower italic lettering: " Painted by W. H. Lizars Engraved by Cha^ Turner." In light open upright capitals: "A Scottish Wedding " In fine script : " To the R* Hon"^ the Earl of Buchan &c this print from the original pifture in the possession of John Clerk Esq' of Eldon is most respeftfully dedicated by his Lord- ships much obliged & very obed* Serv*" " In light open italic capitals: "The Publishers" In fine upper and lower italics: "Edinburgh, Published Dec*" l^' 18 1 3 by W. H. Lizars, Parliament Square, John Marnoch, 32, Princes St* & Mess" Boydell & C° 90, Cheapside, London." Sale at Puttick's, OSiober 27, 1905. 787. COCK IN FEATHER, THE. A/ier Benjamin Marshall The bird, turned towards 1., and facing to r., stands by a wall; and beyond, on 1., a man is seen thrashing with a flail. i8|^ by I5f. I. In light open upright upper and lower lettering: "Painted by B. Marshall En- graved by C. Turner." In fine script: "The Cock in Feather" In fine upper and lower italics: "London. Published March 28. 181 2. by C. Turner N° 50. Warren Street Fitzroy Square " B.M. II. The plate entirely re-worked with aquatint, the man thrashing obscured by a plain background. The size of subjeft reduced to i8y by Inscription erased except artists' names. Title added in open upright thick and thin block-letter capitals: " Peace." Mr. C. M. Prior. 788. TRIMMED COCK, THE. J/ter B. Marshall. The bird, trimmed and with spurs attached, stands, dir. towards r. i8|^ by I5f. I. In light open upright upper and lower lettering: "Painted by B. Marshall. Engraved by C. Turner" In fine script: "The Trimm'd Cock." In fine upper and lower italics: "London, Published March 28''' 18 12, by C. Turner, N° 50, Warren Street, Fitzroy Square." BM. II. The plate entirely reworked with aquatint. The size of subjeft reduced to 18^ by 14^. Inscription erased except artists' names. Title added in open upright thick and thin block-letter capitals: "War." Mr. C. M. Prior. 789. SIR TEDDY. J/ter B. Marshall. Portrait of a race-horse, turned to 1., standing outside a stable, at a door of which stands a dog. 10^ by 14. In light open upright upper and lower lettering: " Painted by B. Marshall, London Engraved by C. Turner, Warren Str. Fitzroy Square" In light open upright capitals: "Sir Teddy," In fine italic capitals: "Aged 7 Years 12 Hands High." In fine upper and lower italics: "That beat the Mail Coach 27. August 1808, From London to Exeter, being One Hundred and Seventy-Six Miles, and performed that distance in Twenty Three Hours and Twenty Minutes; and arrived at Exeter Fifty Nine Minutes before the Mail. Published Dec"" 31^* 1808, by the late Whitakers Widow 25, Beaumont Street Marylebone " B.M. 790. SANCHO. Jfter B. Marshall. Portrait of a pointer, standing in the foreground of a wood, dir. to r., carrying a pheasant in its mouth. I2f by igf. Mixed style — stipple, etching, and graver work. 252 CATALOGUE OF SUBJECTS I, In fine upper and lower italics: "Painted by Benj" Marshall. Engraved by C. Turner." In light open italic capitals, and fine script: "To Sir John Shelley Bar* This Print of his Celebrated Pointer (Sancho.) Is with permission, humbly dedicated, by his most obedient & very humble Serv*^ C. Turner." In fine upper and lower italics: "London, Published March 20. 1808, by Mess"^ Random & Sneath, at their Sporting Gallery, N° 5 Hart Street Bloomsbury ; where a variety of Shooting subjedts are ready for Publication." B.M. II. The inscription strengthened; the open lettering partly filled in. Mess^^ Random Sneath . . . Bloomsbury erased; instead: "C. Random D.B. at His Sporting Gallery, N° 65 Pall Mall " Mr. R. D. "Thomas. 791. DICK ANDREWS, A RACE-HORSE. After B. Marshall. This plate is mentioned in the C. Turner sale catalogue: Lot 512. " Dick Andrews, a famous race-horse, with portrait of his Jockey, painted by Marshall, artist's proofs, 4. [plate size] 24 in. by 19." 792. JOSHUA COMMANDING THE SUN TO STAND STILL. Jfter yohn Martin. An elaborate landscape with rain and lightning, and an elaborate city with palaces situated on crags to r. From the city gate issues a long procession of warriors, which wends its way to the plains below on 1. Joshua, with priests and the ark, stands on a peak in foreground and raises his r. hand towards the sun. 16^ by 24^}. Preliminary etching. C. Turner sale catalogue. Before any inscription. B.M. John Martin himself mezzotinted a plate of this subjeft 17! by 26|-. 793. INTERIOR OF AN ENGLISH COTTAGE. After William Martin. On 1. an infant in a large bed ; next, to r., a child kneeling in the attitude of prayer at the knee of his mother who suckles an infant ; near her a boy, on the floor, taking off a stocking; next, to r., a chair on which is a candle (not seen) that illuminates the room; through a doorway is seen an inner room where the father is sitting smoking, and by him is a pot suspended over a fire. 1 2f by 1 5f . Engraved on steel. In fine upright upper and lower lettering: "Painted by W"* Martin Esq""^ Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In light upright block-letter capitals: "The Interior of an English Cottage" . . . [impression cut]. Mr. J. S. Earle ; B.M. [cut]. 794. BONAPARTE REVIEWING THE CONSULAR GUARDS. After J. J. Masquerier. Napoleon appears on his charger. La Styrie, in general's uniform, and in the gray over- coat worn at the Battle of Marengo ; a little to r. is General Lasne with back turned to the spectator; and between them are General Durocq and General Berthier. Other generals can be seen, and on the r. a young Mameluke Chief who accompanied Napoleon from Egypt. In background is the Court of the Consular Palace (the Tuileries) where the fatal attack was made on the Swiss Guards on August 10, 1792, which date can be seen inscribed on several parts of the building. Many of the windows are broken, caused by the explosion of the machine which was to assassinate Napoleon as he went to the Opera, December 24, 1800. 2ii by 26. Engraved on copper. Preliminary etching, inscribed in scratched lettering: "I. J. Masquerier pinx* Ch^ Turner" ... B.M. {some inscription has been cut off). CHARLES TURNER, A.R.A. I. In fine upper and lower italics: "Painted in Paris by I. J, Masquerier. Engraved in London by C.Turner." In fine script: "Bonaparte Reviewing the Consular Guards. La Revue du Quintidi." In fine upper and lower italics: "London, Published as the Aft direfts, Jan^ i 1802, by C. Turner N° 56 Warren Street, Fitzroy Square ; & I. J. Mas- querier, N° 41 Tottenham Street, Fitzroy Square." B.M. II. The inscription very slightly strengthened and made thick and thin. B.M. The original painting was exhibited at " 22 Piccadilly, opposite the Green Park," from March 9, 1801, admission one shilling; and in the Print Room of the British Museum, is a copy of a pamphlet "Description of the Great Historical Pifture," "price sixpence," containing an etched key to the principal figures. This copy belonged to Charles Turner, who has annotated it with the following manuscript notes : " This was one of the first Catalogues that was ever charged [for] in England at Private Exhibitions." Masquerier in the pamphlet says : " Being in Paris, during the Months of December and January, he was not only present at the above mentioned Review, but obtained a Permission, never granted to any British Artist, except himself, to paint a Portrait of the First Consul, with the full Advantage of drawing him from the Life . . . and it is with great deference, submitted to the consideration of the Public, that this is the Only Likeness, in London, painted from the Life." To this statement Charles Turner makes the following autograph comment : " Masquerier obtain'd the composition of this Piflure by giving the Valet of Isabey the Painter a premium to let him trace His drawing of the same subjeft from which tracing a small pidlure was made here, & the large one painted from that. The head of Napoleon was from a small china bust ; all the officers were copied from Prints he brought over. He never saw Buonaparte or any of his Generals. The large Pifture was painted in my Room in Warren Street, & I painted all the Bridles, Saddles ; & M'" H. B. Chalon the horses. C. Turner We clear'd a Thousand Pounds by the Pifture one 3*^ was my share." At the end of the pamphlet are the proposals for publishing the mezzotint by Charles Turner ; the prices to subscribers to be — Four Guineas for Proofs, and Two Guineas for Prints, " Half to be Paid at the Time of Subscribing and the other on delivery, which will be as early as possible." The following entries appear in Charles Turner's diary : Nov. 22. 1800 "Made an Engagement with Mr. Masquerier for a Whole height Portrait of B te. Borrowed of M"" Orme j^io to defray the expenses to Paris." Deer. 23. „ "Went Transport Office. Sent Masquerier j^io. o. o. to Paris." Jan 28. 1 801. "Masquerier came from Paris." 29 „ " Out all day with Masquerier " 31 „ " Put up the canvas & sketch'd out the Pifture " Sunday Feb. i „ " Sketch'd Pifture for Mr. Masquerier " 2 „ " Mr. Chalon Began the Pidlure of Bone." 4 „ " Painting all day " Feb — „ "Worked at the Pifture of Bonaparte." 21 „ "Went to Piccadilly & hung up the Pifture" 22-27 55 " Worked at Piccadilly " Mar. I „ Do. Painting the Pifture of Buonaparte." [Pifture exhibited from 9"" of March.] 16 „ "Painted on the Pifture." 795. DEFENCE OF THE WAR SLOOP WOLVERINE. -^fter y. y. Masquerier. This plate is mentioned in the C. Turner sale catalogue : Lot 330. " Defence of the War Sloop Wolverine, painted by J. Masquerier. Proof prints, 2; etchings, 3. [Plate size] 26 in. by 20." A portrait of Captain Mortlock, who defended the Wolverine and was mortally wounded, will be found under Portraits, No. 386. 254 CATALOGUE OF SUBJECTS 796. IMMACULATE CONCEPTION. After Murillo. The Virgin, w.L, her r. foot standing on a crescent with beneath it a serpent and the upper part of a globe ; flowing robes, both hands to her breast, a nimbus fringed with stars J a background of cloud, with on r. a group of three cherub heads. 10^ by 8^. Engraved on copper. In several styles of fine, thick and thin, and shaded lettering — upright and italic : " En- graved by C. Turner A R A. A Great Wonder In Heaven. Revelation. C. 12 V. i. From a Painting by Murillo. In the Possession of L*^ General Thornton, Exhibited at the British Gallery in Pall Mall, in 1840. London, Published by M'" Turner, Aug' 1840. N° 50, Warren Street, Fitzroy Square. & Mess" Dom'= Colnaghi & C° Pall Mall East." B.M. 797. VIRGIN AND CHILD. After Murillo. The Virgin, in dark flowing robes, sits on a stone bench, dir. and facing f. ; the Child, nude, sits on her I. arm, and with her r. hand, the Virgin holds a linen drapery to the Child's waist. Three bordering lines surround the subje6l. 17^ by I2f. Before any inscription. B.M. In fine upper and lower italic lettering: "Murillo pinx* C. Turner sculp*" In light open upright capitals: "Virgin and Child " In fine upper and lower italics : " Publishd & Sold May i. 1809 by Edw*^ Orme Printseller to the King, Engraver & Publisher Bond Street corner of Brook S' London " To r. in light open italic capitals : " Proof" B.M. 798. CORONATION OF GEORGE IV. After Frederick Nash. A view representing the interior of Westminster Abbey crowded with figures on the floor and in the temporary galleries ; rays of the sun stream down from the windows in Poets' Corner. 14 by 12. Preliminary etching. C. T urner sale catalogue. Before any inscription and before a bordering line. B.M. {On this impression is written: " There is no other of this plate, nor is it possible to obtain one in this state. It is in none of the copies of the work.) A bordering line added round subjeft, enclosing a series of numbers evidently for a key to the persons represented. In fine upright upper and lower lettering : " Painted by Frederick Nash. Engraved by Charles Turner." In light open upright capitals: "The Choir of Westminster Abbey during the Coronation of his Most Gracious Majesty George IV. July 19. 182 1." The impression seen may have been cut at foot. The above plate is not included in Sir George Naylor's published work on the Coronation of George IV. In 1824 Fred'' Nash exhibited at the British Institution (N° 138) "A general View of the Inthronation of His Most Excellent Majesty King George the Fourth." 799. MADONNA. After J. Northcote. To the knees, sitting, dir. and facing f., looking upwards ; an open book on her knees, her fingers joined in the attitude of prayer. 25 by 19!^. Engraved on copper. In fine and dotted upright upper and lower lettering : " Painted by James Northcote. Esq"" R.A. Engraved by Charles Turner." In light open upright capitals : " Madona." In fine and dotted script : " From the original Pifture in possession of Richard Newman Esq*" Brighton." In fine upper and lower italics : " London. Published November I. 18 19 by C Turner. 50 Warren S* Fitzroy Square " B.M. CHARLES TURNER, A.R.A. 800. REDEEMER. After J. Northcote- To waist, sitting on further side of a table, dir. f., eyes raised; on the table are a chalice and a loaf, and His hands are slightly raised blessing the elements. 25 by 20|^. Engraved on copper. In fine and dotted upright upper and lower lettering : " Painted by James Northcote Esq'' RA, Engraved by Charles Turner." In light open upright capitals : "Redeemer." In fine and dotted upper and lower italics: "London. Published November 1. 1 819. by C Turner. 50 Warren S' Fitzroy Square." B.M. 801. LION AND HERDSMAN'S DAUGHTER. After J. Northcote. The herdsman is cutting ofF the lion's claws with a pair of scissors, and behind them is the daughter with a pair of doves. On the ground is a document lettered " Marriage Articles " " Teeth & Claws." 22 by 2.1^. Preliminary etching. B.M. A subjedt with above title, after Northcote, is mentioned in Charles Turner's list; and this may be the plate. Under the title " Lion in Love " the plate was scraped during March-May, 1799, when it was frequently mentioned in Turner's diary. 802. TIGER AND CROCODILE. After J. Northcote. The tiger, w.l., is on r., turned to 1.; and the head of the crocodile is seen emerging from rushes in lower 1. corner. 1 9 1^7 23^. Preliminary etching. C. Turner sale catalogue. The inscription is engraved towards foot of subjeft. In upright partly fiUed-in capitals : "Tiger & Crocodile" In upright thick and thin upper and lower: "J. Northcote R.A. pinx' C. Turner sculp*^ London Published Dec"" 7. 1799, by James Daniell & C° N° 6, Great Charlotte Street, Blackfriars Road." B.M. August 23-Septeraber 12 1799. "Scraping the Tiger". Oft"" 22. "Finished the Tiger" — C. Turner's diary. 803. BEGGARS. After William Owen. An old woman standing behind a kneeling child, who holds a hat in his right hand; she rests her r. hand on his r. shoulder, and with her 1. hand holds a stick. i9f by i5|. I. In open upright thick and thin upper and lower lettering: " W™ Owen Esq"^ A. pinx*. Cha^ Turner sculp*^ " In filled-in gothic with flourishes: "Beggars" In thick and thin script : " Hard is the fate of the infirm and poor" " From an original Pifture in the posses- sion of Tho^ Heathcote Esq'' " In upper and lower thick and thin italics : " Published May 10*'' 1805, by the Engraver, N° 50, Warren Street, Fitzroy Square." B.M. II. For W" Owen Esqf A.fmx' read " W" Owen Esq' R.A. pinx»" The line of publica- tion erased; instead, in thick and thin upper and lower italics under centre of subjed:: "London, Published 12, March 1809, by R. Cribb & Son 288, Holborn." The inscription from Beggars to poor erased; instead, in partly filled-in gothic with flourishes: "The Orphan " Sale at Christie's^ April 24, 1 906. 804. "EMILY." After W. Owen. A young lady, fully to waist, dir. towards 1.; low neck dress; pearl necklace, fur-edged cloak; holding a watch towards her r. ear. The surface of the plate beyond the subjeft is covered with a light aquatint ground. lof by 9. Engraved on copper. 256 WILLIAM, LORD STOWELL 1828 AFTER PHILLIPS CATALOGUE OF SUBJECTS Before any inscription. B.M. {a cut impression); C. In small upper and lower italic lettering: " Painted by W. Owen Esq"" R. A. Engraved by C. Turner." In fine script capitals: "Emily" In fine upper and lower script "From a Pifture in the possession of Sir John Leicester Bar* to whom this Print is Dedicated by his obedient & very humble Serv* C. Turner." B.M.; Mr. H. S. Theobald, K.C. This is a portrait of Miss St. Clair. The subjedl is also known by the title " Expeftation ". 805. FORTUNE TELLER, THE. After W. Owen. An old woman sits on 1. and with r. hand holds the r. hand of a young woman who stands in centre with her 1. elbow leaning on a spinning wheel before her, her 1. hand raised to chin; the wall of a cottage in background, distant trees to r. 20^ by 16^. I. In open upright thick and thin upper and lower lettering: "Painted by W. Owen Esq"" R.A. Engraved by C. Turner." In upper and lower italics under centre of subjeft: "London, Published Jan^ 18, 1810, by R. Cribb & Son 288 High Holborn." In partly filled-in gothic lettering, surrounded by flourishes: "The Fortune Teller." In upper and lower italics: "Whilst black-ey'd Susan ply'd her murmuring task, A rural prophetess by chance pass'd by: (10 lines) Mongst anxious girls, for ever in employ. She tells a sweeter tale, and all their dreams are dreams of future joy." In sHghtly thick and thin script: " From the original Pifture, in the possession of Sir John Leicester Bar' [the last four words in open thick and thin italic capitals] to whom this plate, is with permission. Dedicated by his most obed*^ h'''® Serv* Rob* Cribb." To r. in light italics: "Proof" BM. II. The word Proof erased. Sale at Christie's, April 24. 1906. ORPHAN, THE. See BEGGARS. No. 803. After W. Owen, 806. VIRGIN AND CHILD. After Parmegiano. They are seen, little more than head and shoulders, the Child in front of His mother, both turned almost in profile to r., looking downwards; in background high up to r,, a figure holding a flag. Arms in centre of inscription space, motto: " Dulcis Amor Patriae." I7i by I If Engraved on copper. In fine upper and lower italics: "Painted by Parmegiano. Engraved by C. Turner." In fine script: "From a Pifture in the Colleftion of Robert Wigram Esq'' M.P. To whom this Plate is dedicated by his obedient Servant Cha* Turner." In fine upper and lower italics: "London, Published Jan^ 18. 1810, by C. Turner N° 50, Warren Street Fitzroy Square." B.M. 807. "ENGLAND EXPECTS EVERY MAN TO DO HIS DUTY." After J. Parry. The scene on the deck of the Vidtory. Nelson, the central figure, is falling wounded. I Si by 23f. I. In fine upper and lower italics : " Painted by J. Parry. Engraved by Ch* Turner. Pub- lished as the Aft direfts, Nov' 21, 1806. by Vittore Zanetti, N° 87, Market Str* Lane, Manchester." In light open italic capitals: " "England Expefts Every Man To Do His Duty." " In fine upper and lower italics: "Nelson Oft"" 21^' 1805." Tor.: "Proof" B.M. II. The inscription strengthened and made thick and thin. A Hne added along the centre of each letter of the title. The word Proof erased. Sale at Puttick^s, June 21, 1907. 257 LL CHARLES TURNER, A.R.A. 808. MILK MAID, THE. After Wm. Pearce. W.L., standing, dir. and looking f,, carrying a pail with her 1. arm, and a stool with her r. hand; to r. one cow lying down, and another standing; farm buildings in back- ground to 1. 22f by 16. Unfinished proof; before any sky. B.M. In thick and thin upper and lower italic lettering: "Painted by W™ Pearce. Engraved by C. Turner." In filled-in upright capitals: " The Milk Maid." Sale at PutticVs, May 12. 1905 {the publication line erased from impression). 809. VENUS. After Pelegrina. W.L., a nude figure, lying on a couch with her head to the 1.; pearls in hair, bracelet on r. wrist; curtain overhead, distant landscape seen through opening to r. I3f by i9t- In fine upper and lower italics : " Pelegrina, pinx. Turner sculp." In light open upright capitals: "Venus." In fine upper and lower italics: "London, Published March I. 1809, by Reeve & Jones N° 7, Vere Street, New Bond Street." Sale at Christie's Feb. 20. 1906. 810. DON QUIXOTE BROUGHT HOME BY THE PEASANT. After J. Porter. Scene at the door of a house. Don Quixote is being assisted from his jaded horse by two men and a lady; a riderless horse is in background; and on the r. two boys are looking on. 12 by 17I-. Before any inscription. B.M. In light open upright upper and lower lettering: "John Porter Pinx* Cha^ Turner Sculp*^" On 1., in open upright thick and thin capitals: "Don Quixote," In thick and thin script: "Brought home by the Peasant after his first Adventure." In fine upright upper and lower: "Vol. I Chap. 5." [This portion of the inscription repeated on r., in Spanish.] At foot, in fine upper and lower italics: "London, Published April, 1827, at R. Ackermann's Repository of Arts, 96, Strand." Sale at Puttick's, July 21, 1905 {printed in colours). 811. DON QUIXOTE RELIEVED OF HIS ARMOUR. After J. Porter. Scene in a room. Several ladies are assisting Don Quixote by relieving him of his armour, sword, etc., while Sancho Panza stands on the 1., rubbing his head with his 1. hand. 1 by 18. Before any inscription. B.M. In light open upright upper and lower lettering: "John Porter pinx' Cha° Turner sculp*" On 1., in open upright thick and thin capitals: "Don Quixote," In thick and thin script: "Relieved of his Armour by Six Young Damsels." In fine upright upper and lower: "Vol. Ill, Chap. 31." [This portion of the inscription repeated on r., in Spanish.] At foot, in fine upper and lower italics: "London, Pub'^ April, 1827, at R. Ackermann's Repository of Arts, 96, Strand." Sale at Puttick's, July 21. 1905 {^printed in colours). 812-816. GEMS OF ART. After Rembrandt and others. Gems of Art. | Forming | A Choice CoUeftion | Engraved from | Pictures of Acknow- ledged Excellence j Beauty and Variety | Painted by Esteemed Masters | of all ages and all Countries. | London, | Published by W. B. Cooke, 9 Soho Square. | 1823. The above engraved title-page, lettered: "Davies sculp*." The volume contains 30 plates (mezzotints) by W. Ward, A.R.A., S. W. Reynolds, Tho^ Lupton, and John Bromley, and the following by Charles Turner: 258 CATALOGUE OF SUBJECTS 812. REMBRANDT'S MILL. After Rembrandt. On the summit of a mound, a windmill and a cottage; several figures near foreground; a river on r. vv^ith bow of boat in r. corner, 5f by 7. I. In light scratched italic lettering: "Painted by Rembrandt. Engraved by Ch^ Turner. Rembrandt's Mill. Gems of Art, Plate, i. Published by W B Cooke 9 Soho Square Jan^ I, 1823." BM.; Mr. J. S. Earle. II. Inscription erased. Instead, in fine upright upper and lower lettering: "Painted by Rembrandt. Engraved on Steel by Cha* Turner." In upright capitals filled in with horizontal lines: "Rembrandt's Mill." In fine upper and lower italics: "The Pifture in the possession of the Marquess of Lansdowne." In fine small upright capitals: "Gems of Art. Plate I." In fine upright upper and lower: "London, Published Jan^ i^* 1823; by W. B. Cooke, 9 Soho Square." F. and A.; Mr. J. S. Earle. 813. M^CENAS' VILLA. After Richard Wilson. An Italian landscape. In foreground is a figure seated at an easel with a woman standing by; further off to the 1'. is a large waterfall, and beyond is the villa on a high wooded eminence. 5f by 7. I. In fine scratched upper and lower italic lettering: "Painted by Richard Wilson,' R. A, Engraved on Steel by Ch^ Turner. Mecsenas's Villa. Gems of Art. Plate 2. Pub- lished March I. 1823. by W. B Cooke 9. Soho Square" B.M. II. The plate further worked upon and details and high lights introduced, and a tree inserted towards r. The inscription erased ; instead, in fine upright upper and lower lettering: " Painted by Richard Wilson, R.A." In fine scratched italics: " Mecenas' Villa" B.M. III. The title erased. The plate further reworked. In fine upright upper and lower lettering: "Engraved on Steel by Cha* Turner." In upright capitals filled in with horizontal lines: "Mecaenas' Villa." In fine small upright capitals: "Gems of Art. Plate 2." In fine upright upper and lower: "London, Published March i'' 1823, by W. B. Cooke, 9 Soho Square." V. and A. 814. COTTAGE GIRL, THE. After T. Gainsborough. She carries a broken pitcher in r. hand, and hugs a dog with her 1. arm; landscape background. by 6^. Before any inscription. B.M. I. In scratched italic lettering: "Painted by Thomas Gainsborough, in the possession of the R' Hon""' Lord De Dunstanville Engraved on Steel by Ch' Turner. The Cottage Girl. "Gems of Art" Plate 5. Published July i« 1823 by W. B. Cooke 9. Soho Square." B.M. II. The inscription erased. Instead, in fine upright upper and lower lettering: "Painted by Tho* Gainsborough R.A. Engraved on Steel by Cha^ Turner." In upright capitals filled in with horizontal lines: " The Cottage Girl." In slightly thick and thin italics: "From a Pidlure in the possession of The Right Hon'^'^ Lord De Dunstanville." In small upright capitals: "Gems of Art. Plate V." In fine upright upper and lower: "London, Published July i, 1823; by W. B. Cooke, 9 Soho Square." B.M.; V. and A.; Mr. J. S. Earle. 815. COTTAGE DOOR, THE. After R. Westall. A young barefooted girl leaning upon a half-door at the entrance to a cottage; inside the cottage a woman can be seen sewing. 8 by 6f, Before any inscription. B.M. 259 CHARLES TURNER, A.R.A. In fine upright upper and lower lettering; "Painted by Richard Westall R.A. Engraved by Charles Turner, Eng^ in Ordinary to his Majesty." In upright capitals filled in with horizontal lines: "The Cottage Door," In fine upper and lower italics: "from a Pifture in the possession of W, Chamberlayne Esq'' M.P." In fine small upright capitals: " Gems of Art. Plate 17." In fine upright upper and lower: "London, Published Aug* l'* 1824, by W. B. Cooke, 9, Soho Square." F. and J.; Mr. J. S. Earle. 816. RAINBOW: A SCENE ON THE RIVER EXE. After Thomas Girtin. Three figures are walking along the bank on 1. near a clump of trees ; beyond the river is a flat landscape. The rainbow, towards r., is reflefted in the water. 5^ by 9. I. In fine upper and lower italics: "Drawn by Thomas Girtin, Engraved on Steel by Ch* Turner, Rainbow, a Scene on the River Exe. Gems of Art. Plate 4. Published May 1823. by W. B. Cooke 9. Soho Square," B.M. II. The inscription erased. Instead, in fine upright upper and lower lettering : " Drawn by Thomas Girtin. Engraved on Steel by Cha^ Turner." In upright capitals filled in with horizontal lines : "Rainbow." In fine upper and lower italics: "A Scene on the River Exe, Devonshire." In fine small upright capitals : "Gems of Art Plate, 4." In fine upright upper and lower: "London, Published May i^* 1823, by W. B. Cooke, 9 Soho Square." F. and A.; Mr. L. B. Mozley; Mr. J. S. Earle. A copy of the " Gems of Art" is in the British Museum, and another is in the Viftoria and Albert Museum. The plates in the two copies are not quite the same. This Rainbow Scene is in the latter copy, but not in the former. REMBRANDT'S MILL. See GEMS OF ART, No. 812. After Rembrandt. 817. AGE OF INNOCENCE, THE. After Sir J. Reynolds. A young girl sitting on the ground, dir. and facing in profile to r. ; white frock, ribbon in hair; hands clasped to her bosom, her feet just showing from under her frock; trees behind her to 1., landscape in distance to r. by 8. Before any inscription. Mr. F. Sabin {on this impression the engraver has written in pencil *' Sixth proof. C. Turner "). I. In fine upper and lower italics at foot of plate : "London, Published Aug* 6, 1836, for the Proprietor by Mess''^ Dominic Colnaghi, & C° Pall Mall East, & C. Turner, 50, War- ren Street, Fitzroy Square," B.M.; Mr. H. S. Theobald, K.C. II. The inscription erased. Instead, in fine upright upper and lower lettering : "Painted by Sir Joshua Reynolds. Engraved by C. Turner, A.R.A" In fine script: "The Age of Innocence From the Original Pifture in the possession of Rob* Vernon, Esq""^ London, Published by Henry Graves & Comp'' Printsellers to the Queen, 6, Pall Mall, July I'* 1847." Mr. E. Layton. 818. CHILDREN CRYING FORFEITS. After Sir J. Reynolds. Four girls, w.l's, ; one sitting on 1., a second kneeling and hiding her face in the lap of the first, a third laughing and holding up a snail, and the fourth standing on r. with r. forefinger raised ; trees in background. 9 by 7. Before any inscription, B.M. I. Inscription as in State II, but before the words " from . . , Reynolds," Miss M. Savery. II. In fine upright upper and lower lettering : " Engraved by C, Turner, Engraver in Ordinary to His Majesty. from an original Painting by Sir Joshua Reynolds." In fine upper and lower italics at foot of plate: "London, Published Feb^ i. 1826, by Arthur Parsey, 10 & 11 Burlington Arcade." 260 CATALOGUE OF SUBJECTS FORTUNE TELLER, THE. See SPENCER. No. 537. After Sir J. Reynolds. JUVENILE AMUSEMENT. See BOWLES. Nos. 52 and 53. Jfter Sir J. Reynolds. MASK, THE. See SPENCER. No. 535. After Sir J. Reynolds. 819. THE VILLAGE SCHOOL IN AN UPROAR. Jfter Henry Richter. The boys have turned the school-room into confusion. One boy in a raised chair on 1. is pretending to be master, while the master himself, cane in hand, is entering the room by a door on r. lyf by 23 J. In open upright upper and lower thick and thin lettering : " Painted by Henry Richter. Engraved by C. Turner Mezzotinto Engraver in Ordinary to His Majesty." In upper and lower italics under centre of subjeft : "London Published April ii'*^ 1825, by Mess" Hurst, Robinson, & C° N° 8 Pall Mall, & Robert Jennings, Poultry " Jn thick and thin script : " The Village School " In partly filled-in upright capitals : " In an uproar " In thick and thin script : " From the Original Pifture in the possession of W™ Chamber- layne Esq"" M.P." Sale at PutticFs April 28. 1905; Sir Wilfrid Lawson sale, March 1907. In C. Turner sale catalogue are mentioned "artist's proofs," and "proofs with publishers' address." 820. HEAD OF ST. FRANCIS. After Salvator Rosa. To waist, turned in profile to 1., head bending forward; short beard, hands clasped in the attitude of prayer ; loose cloak. In r. lower corner of subject, scraped in upright capitals: "C: Turner 1805." I9i t)y i5|. Before any lettering on inscription space. B.M.; Mr. Fritz Reiss. 821-832. WELLINGTON'S CAMPAIGNS IN SPAIN AND PORTUGAL. After Major T. St. Clair. A set of twelve views of places and occurrences of the campaigns — coloured by hand. The prints bear inscriptions, with artists' names, in various styles of thick and thin lettering, which as a rule describe the subje6ls. About 13^ by 20. Aquatints, on copper. 821. " N° I, Of a Series of Views of the principal occurrences of the Campaigns in Spain & Portugal. To His Royal Highness the Duke of Kent, Strathearn &c. Sec. His Ex- cellency the Marquis of Wellington, &c. &c. and His Excellency the Marshal Sir W. C. Berresford, \sic\ &c. &c. This View of the Fording of the River Mondego by the Allied Army, on the 21^* Sept' 18 10 Is humbly inscribed by His Royal Highness's & their Exellencies [jzV] most obliged & very humble Serv* T.S.S* Clair. London, Published Oft'' 10. 1 81 2, by C. Turner 50, Warren Street, Fitzroy Square Mess''^ Colnaghi Cockspur Str* M' Molteno Pall Mall Mess" Boydell Cheapside & M'' Booth Duke Street Portland Chapel." B.M. 822. No. 2 [The inscription to end of " Berresford's " name in dedication, as in N° i] " This View of the Pass of the Tagus at Villa Velha into the Alemtejo, by the Allied Army, on the 20^'' May, 1811," [The conclusion of dedication, and the line of publication as in N° I, but dated: " Oft"" 16, 18 12."] B.M. 823. " N° 3 of a Series of Views in Spain and Portugal. Battle of Foentes D'Onor, Taken from the Right of the Position occupied by the i" 3"^ and 7*^ Divisions on the 5"" May 181 1. [Line of publication as in N° i] B.M. 261 CHARLES TURNER, A.R.A. 824. " N° 4 of a Series of Views in Spain and Portugal Badajos during the Siege of June 1 81 1. shewing the working parties of the 3''* Division, British and General Hamil- ton's Portuguese Division, opening the first parallel on the left bank of :he Guadiana. and the Batteries erefted by the 7**^ Division on the right of the River against Fort St. Christopher." [Line of publication as in N° i]. B.M. 825. "N° 5 Troops Bevouack'd \_sic] near the Village of Villa Velha, on the Evening of the 19*^^ of May, 181 1. shewing the various occupations of an Encampment." [Line of publication as in N° i, but dated: "June 12, 181 3."] B.M. 826. "A View of the Serra de Busacco at S* Antonio de Cantaro, shewing the Attack by Marshal Reigniers upon that part of the Position occupied by the 3'''* Division British and Portuguese under L* Gen^ Sir Thomas Pidton, zf^ Sept'' 1810. The 88^'^ British and Portuguese Reg*^ in the aft of engaging with the Enemy." [Line of publication as in N° i, but dated: "August 18* 181 5," and instead of Molteno : " M'' Ackerman, Strand "]. B.M. 827. " N° 7 The Village of Pombal in flames, as evacuated by the French Army under Marshal Massena, and the advance of the Allied Army, on the morning of the ii*** of March, 1811 ; Lord Wellington in person diredling the movement." [Line af publication as in N° i, but dated: "Nov. i, 18 14,"] B.M. 828. " City of Coimbra." [Line of publication as in N° 6.] B.M. 829. " Subugal on the River Coa." [Line of publication as in N° 6.] B.M. 830. "N" 10. A distant View of Cuidad Rodrigo, taken From the Oak-wood, near the Village of Espeja, With a Troop of Spanish Guerilhas." [Line of publication as in N° I, but dated: "May 24, 1813."] B.M. 831. "11 Serra de Estrella or De Neve. The March of Baggage following the Army — May 16*'' 181 1." [Line of publication as in N° 6.] B.M. 832. "N° 12 Pena Macor, an ancient Fortress on the Frontier of Portugal. Portu- guese Troops on the march to Castello Branco, iS*** March, i8i i." [Line of publication as in N° i, but dated: "Nov. i. 1814."] B.M. 833. MONS. After C. H. Schwanf elder. Portrait of a setter, seen in the foreground of an open moor, advancing to 1,, a dead bird on ground in front of him. 13!^ by 19!^. In fine upper and lower italic lettering: "Painted by C. H. Schwanfelder Engraved by C. Turner " In light open upright capitals, italic capitals, upright upper ar.d lower, and script lettering : " Mons, A Celebrated Setter belonging to Tho* Walker, Esq"" of Leeds, to whom this Print is dedicated by his obliged and obedient Servant, C. H. Schwanfelder. Pub** Jan'' 10. i 810, by C. H. Schwanfelder, at Leeds, R, Ackermann, N° loi Strand, London & S. Wolstenholme, York." B.M. 834. FROSTY MORNING, THE. After M. W. Sharp. A man, in dressing-gow^n and night-cap, sitting before a looking-glass at a table, shaving. Through a window to r. can be seen the roof of a house covered with snow. 10 by 8i Preliminary etching. C. Turner sale catalogue (10 impressions). In fine upper and lower italics: "Painted by W. Sharp. London, Published Aug* I, 1825, by W. J. White, [the name in light open italic capitals] 14, Brownlow Street, Holborn. Engraved by C. Turner." In upright partly filled-in capitals : •' The Frosty Morning." In fine upper and lower italics : " a Paris, chez Giraldon, Bovinet & C'^ Rue Pavee, S' Andre." To. 1. : " Depose a la direftion " B.M. 262 CATALOGUE OF SUBJECTS 835. BLACK GROUSE. After James Sillett A pair of grouse, the male bird standing on 1., the female among rushes towards r. ; open landscape background with a castle on eminence in distance to 1. I3f by I'j^. In upper and lower italics : " Sillet, pinx* Turner, sculp* " In almost filled-in upright capitals : " Black Grouse." In open upright thick and thin upper and lower : " y**" Plate of the British Feather Game." In upper and lower italics: "London Publish'd July I. 1 8 10, at R. Ackermanns Repository of Arts 101 Strand." Sale at Puttick's, Feb. 2. 1906. 836. RED GROUSE. After James Sillett. A pair of birds, one standing towards r., the other, a little further off towards 1., pecking with beak close to the ground; sea and hill in distance to 1. 13I by 17I-. In upper and lower italics : " Sillett, pinx' Turner, sculp* " In almost filled-in upright capitals: "Red Grouse." In open upright thick and thin upper and lower : " S*'^ Plate of the British Feather Game." In upper and lower italics : "London Publish'd July i, 1810, at R Ackermann's Repository of Arts loi Strand." Sale at Puttiers, Feb. 2. 1906. For others of this series, see No. 653 et seq. 837. FAIRING, THE. After H. Singleton. A group consisting of a mother, turned to 1., and wearing white cap and dress, with leading strings leading her young child who looks at a toy windmill held by a boy, a girl looking at the child over the boy's shoulder; on r. sits a young girl nursing a doll; wall and trees in background. A stippled line surrounds the subject. 17I by 14. Stipple engraving. Before any inscription. B.M. In upper and lower thick and thin italics: " H. Singleton Pinx* C. Turner Sculp*" In thick and thin script: "The Fairing" In upper and lower thick and thin italics: " London, Pub"^ April 9"" 1 800, by Mess' Colnaghi, Sala, & C° Cockspur Str* & E. Jones, N° 74, Great Portland Str* Marylebone." Sale at Christie's, June 12. 1906. Jan. 3. 1798. "Received from M" Jones (Making ;^2i) for Mother's Fayring ^^3. 10. o" — C. Turner diary. 838. SAVOYARDS, THE. After H. Singleton. The Savoyard stands on r., dir. to 1., and turns the handle of a hurdy-gurdy with his 1. hand; beside him a young girl plays a triangle, and listening to the music are two school- boys, and a girl carrying an infant. A stippled line surrounds the subjedl. 17I- by 14. Stipple engraving. Before any inscription. B.M. In upper and lower thick and thin italics: " H. Singleton Pinx* C. Turner, Sculp*" In thick and thin script: "The Savoyards" In upper and lower thick and thin italics: "London, Pub** April 9*^ 1800, by Mess^ Colnaghi, Sala, & C° Cockspur Str* & E. Jones, N° 74 Great Portland Str* Marylebone." Sale at Christie's, June 12. 1906. "Clear'd the Ballad Singers for Mrs. Jones. 7.0." — C. Turner diary, Feb. 9. 1798. 839. HIGHLAND PIPER, THE. After H. Singleton. A young boy playing a pipe, his sister standing behind him holding her brother's cap in her r. hand; landscape background. 191 by 14, Before any inscription. Mr. Fritz Reiss. 263 CHARLES TURNER, A.R.A. I. In fine upper and lower italic lettering: "H. Singleton pinx. C. Turner sculp. 1799." " London, Pub: Nov" 1 5. 1799, by R. Cribb, N» 288, Holborn." Sir Wilfrid Lawson Sale, March 14. 1907. II. The lettering strengthened; the title added in open upright thick and thin capitals: "The Highland Piper, Le Petit Musicien Ecossois." B.M. May 9. 1798. "Bought plate of Copper for the Blind Boy [evidently above subjeft] 14/3. Began to lay the Ground." Oft. 26. 1799. "Sold Mr. Cribb the Blind Boy for 20 guineas." — C. Turner'' s diary. 840. INDUSTRIOUS COTTAGE WIFE, THE. After H. Singleton. She is sitting on a stool outside a cottage, a distaff in 1. hand, a spool in r., looking downwards towards I. at a boy who carries a bowl of milki at the boy's feet several pigs; landscape with church in distance to 1. 23^ by 1"]^. In fine script lettering: "Painted by H. Singleton. Engraved by C. Turner." In fine upper and lower italics under centre of subjeft: "Published June i. 1803, by H. Sass, 120, High Holborn." In fine script: "The Industrious Cottage Wife." B.M. This plate is mentioned in C. Turner's diary sometimes as " Woman & Piggs ", sometimes as "Boy and Piggs". Feb. 4. 1803. " R"^ of Mr. Sass 2 Notes — one for 4 months & one for 6 months ^^20 each ^^40. o. o." May 11. " Finish'd Boy & Piggs." 841. YOUNG HANNIBAL SWEARING ENMITY TO THE ROMANS. After H. Singleton. Young Hannibal stands by a flaming altar on 1., and behind him a soldier with his r. hand raised and grasping the hilt of his sword with his 1.; a priest behind the altar, and spe6tators in background to r. 24I- by 18. Preliminary etching. C. Turner sale catalogue. Engraver's proof, unfinished, Mr. S. S. Savery, In thick and thin script lettering: "Painted by H. Singleton. Engraved by C.Turner." In thick and thin italics under centre of subjeft: "London, Published Jan^ 22 1803, by H. Sass, N° 120, High Holborn." In partly filled-in upright capitals: " Young Hannibal" In thick and thin script: "Swearing Enmity to the Romans." B.M, Sept. 27. 1802. "Began to scrape Hannibal" Dec. 18. "Finished Hannibal".-— C. Turner's diary. 842. ALEXANDER. After H. Singleton. This plate is mentioned in the C. Turner sale catalogue : Lot 775. "Alexander, a large historical plate, after H. Singleton. Prints, 2. Copper. [plate size] 33 in. by 25." 843. HAMPSHIRE HUNT, THE. After T. Smith. This plate is mentioned in the C. Turner sale catalogue: Lot 732. " The Hampshire Hunt, from a pidure by T. Smith. Prints, coloured, 3. Copper. [plate size] 31 in. by 22." 844. P^OX DISTURBED. After F. Snyders. At the approach of a dog whose head can be seen on 1., a fox is making off towards r., leaving a dying chicken on the ground. i"]^ by 23f. Before any inscription. B.M. 264 CATALOGUE OF SUBJECTS 845. FOX AND RABBIT. After F. Snyders. This plate is mentioned in the C. Turner sale catalogue, lot 1069. 846. GOING TO SCHOOL. After Maria Spilsbury. Scene at a cottage door. In the doorway stand two women, one of whom is bidding good-bye to a boy and a girl who are leaving for school. A young child on 1. is feeding fowls and chicks. To r., a distant landscape. 1 4 by 1 6|-. In engraved italic lettering: " Maria Spilsbury Pinx* Edw^ Orme Excu* Cha' Turner Sculp*^" In filled-in upright capitals: " Going to School " Sale at Christie's, April 4^, K^Ofy Q a cut impression). 847. AFTER SCHOOL. After Maria Spilsbury. Scene outside a cottage. Two women sit at needlework in the porch; close by a girl stands reading, and a boy sits on the ground with an open book on his lap; to 1. at a window a child plucks a bunch of grapes. 14 by i6|^. Before any inscription. B.M. In engraved italic lettering: "Maria Spilsbury Pinx* Edw** Orme Excu* Cha^ Turner Sculp*" In filled-in upright capitals: " After School" In thick and thin script: " From a Pidlure in the Possession of Sir Carnaby Haggerston Bar*" Sale at Puttied s, July 14. 1905 [a line of publication may have been cut off the impression^ . 848. READING. After Maria Spilsbury. A family gathered round a table in a rustic kitchen, the son, on 1., reading from the Bible; one infant in a cradle on r., another standing on the table, held by its grandfather. A single dotted line surrounds the subject. ^3 ^7 ^^i"- In upper and lower thick and thin italics: "Maria Spilsbury pinx Edw'' Orme Ex- cudit Cha* Turner sculp." In light open upright capitals: "Reading." In upper and lower thick and thin italics: "Sold & Published. July I. 1802, by Edw'' Orme, Printseller to the King & Royal Family, N° 59, New Bond Street, corner of Brook Street, London." B.M. 849. SINGING. After Maria Spilsbury. A family gathered in a room and singing to the music of a flute played by a boy; the room is lighted by a window on 1. The subje6l is surrounded by a single dotted line. I2f by 18. In upper and lower thick and thin italics: "Maria Spilsbury pinx. Edw"* Orme Ex- cudit Cha' Turner sculp." In light open upright capitals: "Singing." In upper and lower thick and thin italics: "Sold & Published July i. 1802, by Edw"* Orme, Printseller to the King & Royal Family, N° 59, New Bond Street, corner of Brook Street, London." B.M. 850. SURRENDER OF THE CHILDREN OF TIPPOO SULTAUN, THE. After T. Stothard. Scene at the palace of Tippoo Sultaun. Major Allen, standing towards the r,, has his 1. hand on the shoulder of one of the boys, and another officer holds the 1. hand of the other, while Major Allen is speaking to several young women, who appear distressed at the departure of the two boys. 20^ by 2%\. Before any inscription. B.M. In small thick and thin script lettering: "Stothard R.A. pinx* C. Turner sculp*" Under centre of subjeft, in upper and lower italics: " Se Vend a Londres chez les Pro- prietaires, James Daniell, Graveur, & Comp'*^" In fine script and light open upright capitals: 265 M M CHARLES TURNER, A.R.A. "The Surrender of the Children of Tippoo Sultaun, on the 4''' of May 1799" To 1., in small thick and thin script: "As soon as the valour of the British troops, and their Allies, had gained them possession of the town. Major Allen accompanied by two other officers, by the orders of Gen^ Baird, entered the Sultaun's palace, with a flag of truce, brought away the two remaining sons of Tippoo Saib and condufted them immediately to camp." [This descriptive sentence repeated on r., in French] At foot, in upper and lower italics: "London, Published Aug'' 15"" 1800, by James Daniell & C° N° 6 Great Charlotte Street, Blackfriars Road." B.M. Mar. I. 1800. "Tippoo after 3 weeks work Mr Gathard." April 30. "Taking out a Portrait of the Tippo ". May i . " Laying the Ground & Preparing D° " May 2. " Finished D° Proov'd in the Morning." — C. Turner's diary. 851. DICE PLAYERS. After T. Stothard. This plate is mentioned in the C. Turner sale catalogue : Lot 772. " Dice Players, from a pi£ture by T. Stothard, new plate. Artist's proofs, 2. Steel [plate size] 10 in. by 7." 852. SETTERS. After R. Syer. Two dogs, standing, turned towards one another; bank in background to r., open country in distance to 1. 13I- by ig^. In upper and lower thick and thin italics: "C. Turner, Sculp* R. Syer, Pinx* " In up- right partly filled-in capitals: "Setters." In upper and lower thick and thin italics: "London, Publish'd Jan'' i, 181 1, at R. Ackermann's Repository of Arts, loi, Strand." Sa/e at Sotheby's, April 3, 1906. 853. BALL. After Charles Turner. Portrait of a bulldog, standing, turned to 1., in foreground of a wide open landscape. Three bordering lines surround the subjedl. by i if. Stipple and aquatint. In open upright thick and thin capitals, and upper and lower: " Painted and Engraved by C. Turner. Ball. Bred by M' J"° Lovell." In thick and thin italic capitals, and upper and lower: "London: Pub* by C. Turner, 50, Warren Street, Fitzroy Sq" M"" Ackermann loi Strand M"- Cutter Warwick S* Golden Sq^" B.M. 854. BERKELEY HUNT, THE. After C. Turner. Impression sold at Puttick and Simpson's, December 5. 1905, Lot 219. Aquatint, in colours. 855. FISHERMAN, THE. After C. Turner. W.L., walking towards r., carrying his net over 1. shoulder, and a basket in r. hand ; in background is a winding river with a fishing boat on 1., and a cottage, a little further off, on r. In fine letters in 1. lower corner of subject : " C. Turner Aqua Fortis 1800" i8-|- by I4i. Mixed engraving. In thick and thin script lettering: "Turner delin* Turner sculp*" In filled-in upright capitals: "The Fisherman." In open upright upper and lower thick and thin lettering: "Published & Sold Jan^ 1801, by Edw*^ Orme Printseller to the King, 59, the Corner of Bond Street & Brook Street, London. B.M. First mentioned in C. Turner's diary, June 5, 1800, "Outline Fisherman's Return." 266 < CATALOGUE OF SUBJECTS 856. PEDLAR. After C. Turner. This plate is mentioned in the C. Turner sale catalogue, lot 939, as a companion to "The Fisherman." June 22, 1800. "Making drawing Pedlar". Aug. 25. "Etch'd Pedlar". Aug. 26. " Aquafortis Pedlar ". — C. Turner'' s diary. 857. MONKEYS IN A WATCH HOUSE. After C. Turner. Scene in a room at night with monkeys masquerading as men. A prisoner monkey is being brought in by two others, and is being received by a monkey official supported by three attendants; the room is lighted by a torch. 15 by 13^. Engraved on steel. Before any inscription. B.M. 858. WOODMAN'S REPAST. After C. Turner. The woodman, holding a bill-hook with r. hand, his wife and a child are grouped at the foot of a tree r.; a boy approaches from the 1., carrying a keg and a basket; river and houses in distance to 1. A narrow stipple border surrounds the subjeil. i8| by 16. This plate was engraved by G. Frailing after Charles Turner. It is in mezzotint with a free use of etching, which latter would seem to have been done by C. Turner: Jan. i. 1799, " Began an etching of the Wood Cutter for G. Frayling." In thick and thin script lettering: C. Turner Pinxit G. Frailing Sculpsit. The Woodman's Repast." In upper and lower italics: "London Published Dec"" 11. 1799, by G. Frailing, at M"" Murphy's, N° 2, Great Newport Street, Long Acre." Sale at Sotheby's, May 8. 1905. The above plate is mentioned from time to time in Turner's diary during 1799. G. Frailing appears to have worked as Charles Turner's assistant and he is frequently mentioned in Turner's diary, e.g., Jan. 3. 1800. "Paid Mr. Frayling for 3 days Assistance 12/-" 859. TRUE BRITON EAST INDIAMAN, THE. After C. Turner. A ship, under full sail, moving towards r.; a port in distance. 15^ by 25. Mezzotint and aquatint. In fine upper and lower italic lettering under centre of subjeft: "Drawn & Engraved by C. Turner." In light open upright capitals: "The True Briton East Indiaman," In fine script: "Sailing from the Outward bound East India Dock. To Robert Wigram Esq'' Managing Owner M.P. F.R.S. &c [the initials in open italic capitals] This plate is respeftfully dedicated by his obedient & humble Serv*^ C. Turner." In fine upper and lower italics: "London, Published Jan^ 30. 1807, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M. {printed in colours). 860. WINDHAM AND WEXFORD EAST INDIAMEN, THE. After C. Turner. The ships, with bare masts, are in dock; and on the quay, in foreground, are two large box waggons and horses. 15^ by 25^ Mezzotint and aquatint. In fine upper and lower italic lettering under centre of subjeft: "Drawn & Engraved by C. Turner." In light open upright capitals: "The Windham & Wexford East India- men" In fine script: "Unloading in the Homeward-bound East India Dock To Robert Wigram Esq"' M.P. F.R.S. &c. [the initials in open italic capitals] This plate 267 CHARLES TURNER, A.R.A. is respeftfully dedicated by his obedient & humble Serv* C. Turner." In fine upper and lower italics: "London Published Jan'' 30. 1807, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M. {printed in colours). 861. LANDSCAPE, "SUN RISE." After C. Turner. This plate is mentioned in the C. Turner sale catalogue: Lot 762. Landscape, " Sun Rise ", from a drawing by C. Turner, new plate. Artist's proofs, 2. Steel. [plate size] 10 in. by 8." 862. SHIPWRECK, A. After J. M. W. Turner. A very stormy sea with a large vessel, only partly seen, on the point of foundering; to r. a foreshortened boat with sail up and inscribed at the stern: "jasnc VGNCS . . . ."; other boats are seen tossing on the waves, laden with passengers and boatmen. 23!^ by 32^. The first engraving made from an oil painting by J. M. W. Turner. I. The subjeft covers almost the entire surface of the plate. In the centre at foot of sub- je£l, in fine upper and lower italics: "London Pub*^ Jan'' [altered from July] i^' 1807 [altered from 1806], by C. Turner, N" 50, Warren Str' Fitzroy Square." B.M. II. The subjeft reduced at foot making it 22^ in. high, so as to leave an inscription space. In fine upper and lower italics under centre of subjeft: "London, Published Jan'' I. 1807, by C. Turner, N" 50, V/arren Street, Fitzroy Square." In fine upper and lower italics: "J. M. W. Turner Esq'' R.A. pinx* C. Turner sculp." In light open italic capitals: "A Shipwreck" In fine upper and lower italics: "with Boats endeavouring to save the Crew. This Print is with permission engraved from the original Piflure in the possession of Sir John Leicester Bar* to whom it his [jzV] humbly Dedicated by his most ob* & very h"® Serv* C Turner." Mr. C. Mallard Turner. III. The line of publication erased. The rest of the inscription slightly strengthened and made thick and thin. The words A Shipwreck partly filled in. Mr. C. Mallord Turner. IV. The subjeft reduced to 2o\ in. by 30 in. All inscriptions erased. Sir E. Tennant. V. Inscribed in fine upright capitals: " Painted by J. M. W. Turner Esq'' R.A. London, Published Jan'' 16*'' 1837, by Ackermann & C° 96, Strand. Engraved by C. Turner A.R.A." In upright capitals with a line along the centre of each letter: "A Shipwreck." Mr. S. S. Savery possesses one of the impressions elaborately coloured by J. M. W.Turner. On the back is written the date: " 27 April 1817", and the name " Sir John Woolmore Bar* F.R.S." The subjeft was aquatinted by Theodore Fielding, November i. 1825 (i6| by 22 j). " Proposal for publishing by subscription with permission of Sir John Leicester, Bart., a print from that celebrated pifture of A SHIPWRECK, with boat endeavouring to save the crew, By J. M. W. Turner, Esq., R.A. To be seen at his Gallery, N*' 64 Harley Street, until July i, 1805; and after at No 50 Warren Street, Fitzroy Square. To be engraved inmezzotinto by C. Turner. Size of the plate will be 33 inches by 23^- inches. Prints, 2I. 2s.; proofs, 4I. 4s. Those in colours to be under the diredlion of the artist. Half of the money to be paid on subscribing, and the other on delivery, which will be in December next, 1805. C. Turner has the pleasure to inform his friends, as it will be the first engraving ever pre- sented to the public from any of Mr. W. Turner's pictures, the print will be finished in a 268 CATALOGUE OF SUBJECTS superior style; and, as only fifty proofs will be taken, gentlemen desirous of fine impressions are requested to be early in their application, as they will be delivered in order as subscribed for. Subscriptions received by the engraver. No. 50 Warren Street, Fitzroy Square. Terms of Contraft [between the Painter and the Engraver.] 1. To receive the 31st of Sept. 25 guineas for the loan of the pifture. 2. To pay Mr C. Turner the price of il. 6s., or trade price, for all I want to colour. 3. The price of the print two guineas, proofs double size of the plate, viz: — [sic] 4. For J. M. W. T. not to part with any coloured print under four months after the pub- lishing the proofs. The plate to be finished by the end of Dec. 1805. il, 12s. trade price for 2I. 2S." — Thorn- bury's '■^ Life of J. M. W. Turner" 1877 edition, p. 193. Copy of Letter in the possession of Lady Leighton Warren, Tabley House, Knutsford. ''March. 1807* Mr Turner 2 Proofs. Storm Pd. £6. 6. o. " C. Turner presents his respefts to Sr. John Leicester, and agreeable to his request has enclosed two proofs of his Shipwreck, & begs leave to observe that the dedication is not under the first 50 impressions, of which number the enclosed are. T. cannot but embrace the oppertunity [sic] to return his thanks to Sir J. Leicester for the loan of so fine a Pifture Warren St. Fitzroj^ Square Wen" Mor. 10 o'clock." * The words in italics are in Sir John Leicester's handwriting. 863. VESUVIUS IN ERUPTION (BURNING MOUNTAIN). After J. M. W. Turner. A night scene. The volcano is throwing up flames and lava, and fragments of the latter are dropping in all diredlions; rocks and water in foreground, and towards r. a small boat containing four figures. The mezzotinting covers the entire plate. 23t by 32. In centre, at foot of subje£l, within the work, in upper and lower italics: "London, Pub- lished Nov"" 6. 1815, by C. Turner, 50, Warren Street, Fitzroy Square." B.M, {printed in colours). On the impression is the following note written in pencil: "Charles Turner says that he engraved this for a gentleman who took it — copper plate, impressions and all — abroad with him. They have not since been heard of. Only 3 impressions were left in England of which this is one, and one of the other two is much damaged. Sept. 1852." 864-887. LIBER STUDIORUM. After J. M. W. Turner. Charles Turner engraved the following 24 plates of this series. The reference R. is to Mr. W. G. Rawlinson's Catalogue, second edition, 1906. The engraver's working proofs have not been set forth in detail, as Mr. Rawlinson has described them fully. The copper plates (broken) of all these Liber Studiorum subjeds, except Nos. 885, 886, and 887, are in the possession of Mr. C. Mallord Turner. 864. BRIDGE AND COWS, THE {R. 2). After J. M. W. Turner. Six cows are in and beside a stream flowing on r.; the bank rises on 1., and from the 269 CHARLES TURNER, A.R.A. top the rustic bridge crosses the water; three figures on the bank near the bridge, and two in 1. foreground. 7^ by 10^. Preliminary etching, before any inscription. B.M.; Mr. C. Mallord Turner, Engraver's proofs. R. I. Above centre of subjeft, |-" from border line, a light open upright initial " P " Be- neath subjeft, in fine upper and lower italics: "Drawn & Etched by J. M. W. Turner. R.A. Engraved by C, Turner. Published as the Aft direfts by J. M. W. Turner Harley Street." BM.; Mr. C. Mallord Turner. II. The initial P filled in with vertical lines. R. III. The initial erased, and re-engraved as in State I but shorter and broader. R. IV. A dot added in the bow of the initial. B.M. 865. WOMAN AND TAMBOURINE, THE {R. 3). After J. M. W. Turner. In a classical landscape a river, partly crossed by a ruined bridge, flows from foreground on r. away to the distance; on r. bank, houses and ruins; on 1. bank goats grazing, and a woman standing and holding a tambourine level with her head, near to three figures. 7^ by loi Preliminary etching, before any inscription, B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, y^" from border line, two light open upright Initials: "E.P" Beneath subje6l, in fine upper and lower italics: "Drawn & Etched by J. M. W. Turner R.A. Engraved by C. Turner. Published as the Aft direfts by J. M. W, Turner Harley Street." B.M.; Mr. C. Mallord Turner. II. The initials " E.P " filled in. B.M. III. The initials erased, and re-engraved as in State I, but shorter and broader, and j-^" above border line. R. IV. A dot added in the bow of the P. B.M. 866. FLINT CASTLE— VESSELS UNLOADING {R. 4). Jfter J. M. W. T urner. In foreground on r., close to shore, a vessel is moored and unloading into carts along- side; on the beach to 1. a group of men with horses at work with bales and casks; the castle is seen away in the distance. by io|-. Preliminary etching, before any inscription. B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, from border line, a light open upright initial " M " Be- neath subjeft, in fine upper and lower italics: "Drawn & Etched by J. M. W. Turner R.A. Engraved by C. Turner. Published as the Aft diredls by J. M. W. Turner Harley Street." B.M.; Mr. C. Mallord Turner. II. The initial " M " filled in. R. III. The initial erased, and re-engraved as in State I, but shorter and broader, and -I" above border line. B.M. IV. The plate reworked, darker and duller. R. 867. BASLE {R. 5). After J. M. W. Turner. The town with the two spires of its cathedral is seen chiefly on the r. bank of the 270 CATALOGUE OF SUBJECTS river crossed by a light wooden bridge over which vehicles and a man on horseback are passing; men engaged with boats in foreground on the river and on the r. shore. The sun amid clouds sheds its rays from above. by lo^. Preliminary etching, with, light open scratched lettering: " Basle Switzerland " B.M.; Mr. C. Mallard burner. Preliminary etching with slight differences in the spires of the cathedral. Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjeft, from border line, a light open upright initial '* A " Be- neath subjedt, in light slender open upright capitals: "Basle" In fine upper and lower italics: "Drawn & Etched by J. M. W. Turner R.A. Engraved by C. Turner. Pub- lished as the Kdi direfts by J M. W. Turner, Harley Street." B.M.; Mr. C. Mallard Turner. II. The initial, and the letters of title filled in. R. III. The initial and title erased and re-engraved as in State I, but the letters shorter and broader, and the initial A -g-" above border line. B.M. IV. A dot added in upper bow of B in title. B.M. V. A dot added in lower bow of B in title. R. 868. JASON {R. 6). Jfter J. M. W. Turner. Jason, clad in armour, is moving over large fallen tree trunks to the attack of a great serpent near the mouth of a cavern in hill-side on r. 7^ by lo^. Preliminary etching before any inscription. B.M.; Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjedl, about ^t" f^oni border line, a light open upright initial " H " Beneath, in similar capitals: "Jason." In fine upper and lower italics: " Drawn & Etched by J. M. W. Turner R.A. Engraved by C. Turner. Published as the Aft diredls by J. M. W. Turner Harley Street." B.M.; Mr. C. Mallard Turner. II. The initial H filled in ; the letters of title strengthened and made thick and thin. B. M. III. The initial and title erased and re-engraved as in State I but the letters shorter and slightly broader and the initial nearly above border line. After yason, in light italics: " 3 by 4 " To 1. in upper and lower italics: " Pic* 3 F* by 4." B.M. IV. The subjeft reworked and many high lights added. B.M. V. A dot added in the O of title. B.M. 869. STRAW YARD, THE {R. 7). After J. M. W. Turner. On r., near a barn with open doors, two men are engaged taking straw from a rick, with which a third man is loading a cartj horses close by, and on the I. a pond, and two farm labourers near a gate. by 9|^. Preliminary etching, before any inscription. B.M.; Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjeft, fro^n border line, a light open upright initial " P " Be- neath subjedl, in fine upper and lower italics: "Drawn & Etchd \sic\ by J. M. W. Turner Esq"" R.A.P.P. Engraved by Cha" Turner. London Published Feby 20. 1808, by C. Turner, N° 50, Warren Street Fitzroy Square." B.M.; Mr. C. Mallard Turner. 271 CHARLES TURNER, A.R.A. II. A line added inside the strokes of the initial P. B.M. III. The initial erased, and re-engraved as in State I, but with a dot in the bow. B.M. IV. Worn and pale throughout, and reworked. R. 870. CASTLE ABOVE THE MEADOWS, THE {R. 8). J/ter J. M. W. Turner. The foreground is occupied by a road, flanked on each side with trees, where cattle are browsing, and a boy on r. is playing a pipe; away in middle distance is the ruined castle at the summit of a rocky eminence. 7 by io-|-. Preliminary etching, before any inscription. B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, two light open upright initials: "E P" Beneath subjeft in fine upper and lower italics: "Drawn & Etch'd by J. M. W. Turner Esq'' R.A.P.P. En- graved by Cha* Turner. London, Published Feb'' 10, 1808, by C. Turner, N° 50, Warren Street, Fitzroy Square." Mr. C. Mallord Turner. II. A line added inside the strokes of the initials "E P " R. III. These added inside lines erased, but traces of them still to be seen. B.M. IV. A dot added in the bow of the initial " P " R. 871. MT. ST. GOTHARD {R. 9). After J. M. W. Turner. On 1. a road is tunneled through the rocky mountain side, and on it stands a laden mule; beside the road is a steep gorge with crags on r., and in the distance are moun- tain peaks, some covered with snow. 6|- by io|-. Preliminary etching. In open scratched lettering: " S* Gothard " B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. The scratched lettering erased. Above centre of subjeft, two light open upright initials: " M. S " Beneath subjeft, in similar capitals: " M* S' Gothard." In fine upper and lower italics: "Drawn & Etchd by J. M. W. Turner Esq"" R.A.P.P. Engraved by Cha^ Turner. London Published Feb^ 20. 1808, by C. Turner N° 50, Warren Street Fitzroy Square." B.M.; Mr. C. Mallord Turner. II. Initial letters and title filled in. R. III. The filling removed, but traces of it remain. R. IV. A dot added in right stroke of the initial "M." B.M. V. The dot removed from the " M.", and one added in centre of the letter " O " of Gothard. B.M. 872. SHIPS IN A BREEZE {R. 10). After J. M. JV. Turner. A choppy sea on which five vessels are sailing, and a sixth can be seen in distance to r.; in foreground to 1. the end of a wooden pier with three men upon it; rays of light slant downwards towards r. from a cloudy sky. ']\ by io-|-. Preliminary etching, inscribed in fine scratched lettering: "In the Possession of the Earl ofEgremont." B.M.; Mr. C. Mallord Turner. Engraver's proofs, with above lettering. R. I. The lettering erased. Above centre of subjeft a light open upright initial "M " Be- 272 THE AGE OF INNOCENCE 1836 AFTER REYNOLDS CATALOGUE OF SUBJECTS neath, in fine script: "In the possession of the Earl of Egremont." In fine upper and lower italics: " Drawn & Etchd by J. M. W. Turner Esq" R.A.P.P. Engraved by Cha^ Turner. London Published Feb^ 20. 1808, by C. Turner N° 50, Warren Street Fitzroy Square." B.M.; Mr. C. Mallord Turner. II. A line added inside the open strokes of the initial *'M." R. III. The two additional lines erased, but traces of them still to be seen. After Egremont^ in fine italics: " 6 by 5 " B.M. IV. A dot added in the centre of each " o " in the two " of 's " in title. B.M. 873. HOLY ISLAND CATHEDRAL {R. 11). After J. M. W. Turner. A near view of the three rows of roman arches with windows over, of the ruined cathedral; a rough foreground of stones and foliage. by 10^. Preliminary etching. In open upright scratched lettering: "Holy-Island North*^" B.M.; Mr. C Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, alight open upright initial "A" Beneath, in light open upright capitals: " Holy Island Cathedral." In fine upper and lower italics: "Drawn & Etch'd by J. M. W. Turner, Esq"" R.A.P.P. Engraved by Cha' Turner. London, Published Feb^ 20, 1808, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; Mr. C. Mallord Turner. II. A line added along the centre of the initial A, and along the centre of each letter of the title. B.M. III. The inside lines erased from the open lettering, but traces of them can be detefted. R. IV. A dot added in centre of " O " of Holy. B.M. 874. PEMBURY MILL, KENT {R. 12). After J. M. W. Turner. The entrance to the mill is seen on the further side of a wooden bridge on which a dog is lying, and there, standing in a beam of light, a man is working with sacks of flour; outside the mill to r., two men are loading a cart with sacks; the water wheel, with water dripping from it, is against the building on 1. 7^ by lof. Preliminary etching, before any inscription. B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, a light open upright initial "P" Beneath, in light open upright capitals: " Pembury Mill, Kent." In fine upper and lower italics: "Drawn & Etchd by J. M. W. Turner Esq-" R.A.P.P. Engraved by C. Turner. London, Pub- lished June 10, 1808, by C. Turner, N° 50, Warren Street, Fitzroy Square." The word "Proof" appears in lightly scratched letters above the initial P, and in lower 1. corner of plate. B.M.; Mr. C. Mallord Turner. II. The initial letter, and the letters of title filled in. The word Proof erased. R. III. The initial and title erased and re-engraved as in State I, but Pembury altered to " Penbury." B.M. 875. BRIDGE IN MIDDLE DISTANCE, THE {R. 13). After J. M. W. Turner. The bridge, of a number of arches, crosses the landscape over a wide river that meanders through a flat country; several tall trees in foreground have their shadows 273 N N CHARLES TURNER, A.R.A. cast forward by the setting sun opposite the spectator; in foreground to 1. three seated figures. 7^ by lof. Preliminary etching, before any inscription. B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, fron^ border line, two light open upright capitals "E P " Beneath, in fine upper and lower italics: "Drawn & Etched by. J. M. W. Turner Esq'' R.A.P.P. Engraved by C. Turner. London Published June lo. 1808, by C. Turner N° 50, Warren Street, Fitzroy Square." To l.,in light scratched roman letters: " Proof" B.M.; Mr. C. Mallord Turner. II. The two initials filled in; the word Proof erased. B.M. III. The initials erased, and re-engraved as in State I, but smaller, and above border line. R. IV. The sky reworked; two rays of light flash upwards from the sun. B.M. 876. DUNSTANBOROUGH CASTLE {R. 14). Jfter J. M. W. Turner. The ruined castle stands at the top of a slope which rises up from the foreground where are water and two cottages beside rocky boulders. 7^ by lof. The upper half of the plate is engraved in aquatint, the lower half in mezzotint. Preliminary etching. In roughly etched open lettering: "In the Possession of W™ Penn Esq^ " B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I, Above centre of subjeft, y from border line, a light open upright initial "A" Beneath, in fine script: " Duntanborough [«V] Castle, the Pidlure in the possession of W, Penn Esq*"" In fine upper and lower italics: "Drawn & Etched by J. M. W. Turner Esq' R.A.P.P. Engraved by C. Turner. London Published June 10. 1808, by C. Turner N° 50, Warren Street, Fitzroy Square." To 1., in lightly scratched roman letters: "Proof" B.M.; Mr. C. Mallord Turner. n. The initial "A" filled in. R. III. The initial erased and re-engraved as in State I, but smaller; the PiSiure altered to "a Pifture." After JV. Penn Esq^ added, in fine italics: " 3 by 4 " B.M. 877. LAKE OF THUN [R. 15). ^fier J. M. W. Turner. By the near side of the lake men with a cart engaged with bales of goods; more to 1. a man with a gun ; the mountains rise from the further side of the lake, lightning playing about the peak on 1., and a flash zigzagging from a dark cloud and striking a low peak in centre of the picture. 7^ by lof. Preliminary etching, with roughly etched title: "Lac. du Thun " B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, from border line, a light open upright initial " M " Beneath, in light open upright capitals: "Lake of Thun, Swiss." In fine upper and lower italics: "Drawn & Etchd by J. M. W. Turner Esq' R.A.P.P. Engraved by C. Turner. London Published June 10. 1808 by C. Turner N° 50 Warren Street Fitzroy Square." Above initial M, and in lower 1. corner of plate, in fine scratched roman letters: "Proof" B.M.; Mr. C. Mallord Turner. II. The initial " M " and the letters of title filled in. The word Proof erased. R. III. The initial and title erased, and re-engraved as in State I, the initial from border line, and the title without a comma after "Thun " B.M. 274 CATALOGUE OF SUBJECTS 878. FIFTH PLAGUE OF EGYPT, THE {R. 16). Jfter J. M. W, Turner. The flat landscape shows three pyramids with the buildings of a distant town partly in flames, while from a stormy sky flashes of lightning strike down. In the foreground a man and a horse on the ground and two figures bewailing. 7i" ^7 ^°t* Preliminary etching. Roughly scratched inscription above subjeft: " Late in the Possession of W. Becford \sic\ Esq-"' Beneath: " 5*'^ Plague of Egypt " BM.; Mr. C. Mallard Turner. Engraver's proof. R. \. Above centre of subjeft, i" from border line, a light open upright initial " H " Beneath, in fine script: "The Plague of Egypt the Pifture late in the possession of W. Beckford Esq'" In fine upper and lower italics: "Dravv^n & Etched by J. M. W. Turner Esq'' R.A.P.P. Engraved by C. Turner. London Published June 10. 1808, by C. Turner N° 50, Warren Street, Fitzroy Square." To 1., in light scratched roman letters: "Proof." B.M.; Mr. C. Mallard Turner. II. The initial H filled in; the word "Proof" erased. The down-strokes of the capital letters of the title thickened. R. IIL The initial and title erased, and re-engraved as in State I. After W. Beckford Esf, in fine italics: " 6 by 5 " B.M.; Mr. C. Mallard Turner. 879. FARM-YARD WITH THE COCK {R. 17). After J. M. W. Turner. In the farm-yard are pigs feeding from a trough, two carts, and a group of fowls on a dung-heap, including a crowing cock; a little further off two men are talking leaning one on either side of a fence. 7 ^7 Preliminary etching, before any inscription. B.M.; Mr. C. Mallard Turner. Engraver's proofs. R. I, Above centre of subjeft, a light open upright initial <'P" Beneath, in fine upper and lower italics: "Drawn and Etched by J. M. W. Turner, Esq'" R.A.P.P. Engraved by Cha' Turner. London, Published March 29, 1809, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; Mr. C. Mallard Turner. n. The inscription below subjeft strengthened and made slightly thick and thin, B.M. 880. DRAWING OF THE CLYDE {R. 18). After J. M. W. Turner. The river is flanked on either side with high rocks crowned with trees; and at a little distance, on 1., the water dashes down in a foaming cascade. On rocks in foreground to 1. a group of nude figures. 7^- by lof. 3 F* 5 In. Preliminary etching. With roughly etched inscription: "Drawing 2 „ 6 high Cylde \sic\ Possession of J. M. W. T" B.M.; Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjeft, two light open upright initials " E.P." Beneath, in fine upper and lower italics: "Drawn & Etched by J. M. W. Turner Esq"" R.A.P.P. Engraved by C. Turner. Drawing of the Clyde, [the last word in light open upright capitals] In the possession of J. M, W. Turner. 3^ 4' London, Published March 29. 1809, by 2 3 C, Turner, N° 50, Warren Street, Fitzroy Square," B.M.; Mr. C. Mallard Turner. II. The 1. strokes of the letters in "E.P." and " Clyde " strengthened, B.M.; Mr. C. Mallard Turner. III. Reworked, and weaker. B.M. 275 CHARLES TURNER, A.R.A. 881. LITTLE DEVIL'S BRIDGE [R. 19). ^/terj. M. W. Turner. The bridge of a single arch spans a ravine; pine trees in foreground, some with withered trunks; a skeleton of a mule on rock towards r. 7 by 10^. Preliminary etching, before any inscription. B.M.; Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjeft, in light open upright capitals: "M^" Beneath, in fine upper and lower italics, and light open upright capitals: ''Drawn and Etched by J. M. W. Turner Esq'' R.A.P.P. Engraved by Cha^ Turner. Little Devils Bridge over the Russ above Altdorft Swiss'' London Published March 29, 1809, by C. Turner, N° 50, Warren Street Fitzroy Square." B.M.; Mr. C. Mallard Turner. II. The inscription slightly strengthened, the open letters made thick and thin. B.M. III. The plate worn and reworked. B.M. 882. LEADER SEA PIECE {R. 20). After J. M. W. Turner. An open sea showing a man-of-war with sails furled, and rather nearer, a small sailing boat bending to the breeze. Other vessels in distance. In foreground to r. two gulls on a buoy. 7 by 10^. Preliminary etching, inscribed in roughly etched letters: " Possession of Leader Esq' " B.M; Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjeft a light open upright initial "M" Beneath, in fine script: "Original Sketch of a Pifture for W. Leader Esq"" " In fine upper and lower italics: "Drawn & Etched by J. M. W. Turner Esq"" R.A.P.P. Engraved by Cha' Turner. London Published March 29, 1809, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; Mr. C. Mallard Turner. II. The initial, and the script lettering strengthened and made thick and thin. B.M. III. Worn; sky reworked. B.M. 883. MORPETH {R. 21). After J. M. W. Turner. The scene shows a bridge over which a woman is leading forward a horse, and a man is leaning against a parapet. On r., a house, with scaffolding, is undergoing repairs. Beyond the bridge are houses, and still further off, a ruined building on a hill. 7 by loi Preliminary etching, inscribed in roughly etched letters: "Morpeth North''^ " B.M.; Mr. C. Mallard Turner. Engraver's proofs. R. I. Above centre of subjeft, alight open upright initial "A" Beneath, in light open upright capitals : " Morpeth North'' " In fine upper and lower italics : " Drawn & Etched by J. M. W. Turner Esq"" R.A.P.P. Engraved by Cha' Turner. London, Published March 29. 1809, by C. Turner, N° 50, Warren Street, Fitzroy Square." B.M.; Mr. C. Mallard Turner. II. The initial "A " and the letters of title strengthened and made slightly thick and thin. B.M. III. The sky reworked, the general efFeft duller. B.M. 884. LONDON FROM GREENWICH [R. 26). After J. M. W. Turner. The view is from Greenwich Hill showing the Hospital at foot, and in distance, 276 CATALOGUE OF SUBJECTS beyond the windings of the river, London with St. Paul's Cathedral, Westminster Abbey, and many spires and towers. Deer in foreground. 7 by 10^. Preliminary etching. In open upright upper and lower scratched lettering: "In the Possession of Walter Fawkes Esq"^ Farnley." Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subje£l,'an open upright thick and thin initial " A " Beneath, in light open upright capitals: "London from Greenwich" In fine upper and lower italics: " Pidlure in the possession of Walter Fawkes Esq'" of Farnley." In fine upper and lower italics: "Drawn & Etched by J M W Turner R A P P Engraved by C. Turner. Pub- lished Jan'^ I 181 1 by M'' Turner Queen Ann Street West" To 1.: " 3" by 4"" BM.; Mr. C. Mallord T urner. II. A mark resembling a capital H added in lower 1. corner of plate. B.M. III. A dot added in centre of the first " O " of London. B.M. Mrs. Turner of Bath possesses an impression of this plate printed on satin. 885. NORHAM CASTLE ON THE TWEED {R. 57). Jfter J. M. W. Turner. A view up the river with a boat, two men, and three cows in foreground. Some dis- tance away, in the centre of the composition, rises a hill, and on its summit stand the ruins of the castle, with rays of the setting sun behind. 7 by 10^. Preliminary etching. Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjeft, a light open upright initial "P" Beneath, in light open up- right capitals: "Norham Castle on the Tweed." In similar upper and lower: "the Drawing in the Possession of the late Lord Lascells " In fine upper and lower italics : "Drawn & Etched by I. M. W. Turner Engraved by C Turner Publish'd Jan i, 18 16, by I. M. W. Turner, Q^een Ann Street West " B.M.; Mr. C. Mallord Turner. II. A single diagonal stroke added at r. lower corner of plate. R. III. A second diagonal stroke added close to and parallel with the one in State II. B.M. 886. INVERARY CASTLE AND TOWN {R. 65). After J. M. W. Turner. In foreground on 1., near the water's edge, a number of men are engaged with boats. In distance across a bay where are several craft, is seen the town with hilly country beyond it. 71 by loi. Preliminary etching, before any inscription. B.M.; Mr. C. Mallord Turner. Engraver's proofs. R. I. Above centre of subjedl, a light open upright initial " M " Beneath, in hght open upright capitals: " Inverary Castle and Town, Scotland." In similar upper and lower: " the Drawing in the Possession of the Duke of Argyle." In fine upper and lower italics: "Drawn & Etched by I M W Turner Engraved by C Turner Pub Jan I. 1 816. by I. M. W. Turner Queen Anne Street West " B.M.; Mr. C. Mallord Turner. II. Two dots added in r. lower corner of plate. B.M. III. Two parallel horizontal strokes in r. lower corner of plate. B.M. 887. SHEEP-WASHING, WINDSOR {R. 74). After J. M. W. Turner. In centre, a sheet of water in which three men are engaged washing a flock of sheep. 277 CHARLES TURNER, A.R.A. On 1. a man and a boy are looking on, over a v^all, with a dog beside them. Straight away in the distance is Windsor Castle. 7I by io-|-. Unpublished plate. Preliminary etching. B.M.; Mr. C. Mallard burner. Engraver's proofs. R. Modern impressions. B.M.; Mr. C. Mallard Turner. The mezzotinting removed so as to leave only the preliminary etching. Lines added in the foreground. B.M.; Mr. C. Mallard Turner. 888-892. RIVERS OF ENGLAND. After J. M. W. Turner. Charles Turner engraved the following five plates of this series: 888. SHIELDS ON THE TYNE. After J. M. W. Turner. Moonlight scene looking down the river; ships on each side, and on the r., men at work at the side of a vessel by the light of a brasier ; other figures grouped in r. fore- ground. 6 by 8i. Rivers of England. Plate i. I. With inscription as in State II, but in fine italics, and without the word Landan in publication, Mr. C. Mallard Turner. II. In fine upright upper and lower lettering: "Drawn by J. M. W. Turner R.A. En- graved on Steel by Cha' Turner," In open upright slightly thick and thin capitals: "Shields on the River Tyne," In fine upright capitals: "Rivers of England Plate i." In fine upright upper and lower: "London Published June 2 1823, by W. B. Cooke 9, Soho Square." B.M. III. Date, and Cooke's name and address erased from pubHcation line; instead: " Nov"" 3, 1830, by Jones & C° Finsbury Sq'''=" B.M. 889, MORE PARK, NEAR WATFORD. After J. M. W. Turner. A view showing a canal with a lock in foreground, and an undulating wooded land- scape with a mansion in distance; in foreground to 1. two girls fishing, and near them a man sitting on the lock gate. 6|- by 8f . Rivers of England. Plate 4. Before any inscription. B.M. I. In light scratched italics to 1.: " I M W Turner's Copies " Mr. C. Mallard Turner. II. In fine upright upper and lower lettering: "Drawn by J. M. W. Turner, R.A. En- graved on Steel by Cha^ Turner. Engraver in Ordinary to His Majesty." In light open upright capitals: " More Park, near Watford, on the River Colne." In fine small upright capitals: "Rivers of England: Plate 4." In fine upright upper and lower: "London, Published Jan i, 1824; by W. B. Cooke, 9 Soho Square," B.M. III. The plate retouched; e.g., some new rocking appears just over the centre of the lock gates, and the trunks of the trees on the left of the seated man are strengthened. B.M. 890. NORHAM CASTLE ON THE TWEED. After J. M. W. Turner. The ruined castle is seen in the centre of the composition, on the summit of a high bank, with rays of the setting sun behind it. The river occupies the foreground with cattle wading on r. 6 by 8^. Rivers of England. Plate 6, 278 CATALOGUE OF SUBJECTS Before any inscription. B.M. I. In light scratched italics to 1.: " I M W Turner's Copies." Mr. C. Mallard Turner. II. In fine upright upper and lower lettering: "Drawn by J. M. W. Turner, R.A. En- graved on Steel by Cha* Turner; Engraver in Ordinary to His Majesty." In light open upright capitals: " Norham Castle, on the River Tweed." In fine small upright capitals: "Rivers of England: Plate 6." In fine upright upper and lower: "London, Published Jany I, 1824; by W. B. Cooke, 9 Soho Square." B.M. III. The plate retouched, the outlines of the cattle, etc., made stronger. This state may be recognized as follows: In State II the body of the man on bank on extreme 1, is almost white; in this State it has been partly worked over. B.M. 891. OKEHAMPTON CASTLE. After J. M. W. Turner. The ruined castle is seen on the summit of a steep wooded hill. In the foreground lie trunks of trees among which are seen a woodcutter with his wife and child ; and on the 1. is a fast running stream. 6^ by 8|. Rivers of England. Plate 10. Engraver's proof touched by J. M. W. Turner in pencil with an addition to top of the central portion of ruin, etc. Mr. C. Mallard Turner. Before any inscription. The alterations made. B.M. I. In light scratched italics to r. : " I M W Turner's Copies " Mr. C. Mallard Turner. II. In fine upright upper and lower lettering: "Drawn by J. M. W. Turner R.A. En- graved by Charles Turner." In light open upright capitals: " Okehampton Castle on the River Okement." In fine small upright capitals: "Rivers of England, Plate 10." In fine upright upper and lower: "London, Published March, i, 1825, by W. B. Cooke, 9, Soho Square." B.M. III. The plate retouched. This State may be recognized by the faft that the two white spots on the dark patch on the trunk of the tree on r., have been worked over and dark- ened. B.M. 892. TOTNES ON THE RIVER DART. After J. M. W. Turner. Beyond the view of the river rises a sharply undulating country with a town and the square tower of a church; clumps of trees here and there, and in foreground on I., a sailing boat, and on r., at the water's edge, a group of birds. 6f by 9. Rivers of England. Plate 11. Before any inscription. B.M. I. In light scratched italics to r.: " J M W Turner's Copies" Mr. C. Mallard Turner. II. In fine upright upper and lower lettering: "Drawn by J. M. W. Turner, R.A. En- graved by Charles Turner." In light open upright capitals: "Totness on the River Dart." In fine small upright capitals: " Rivers of England, Plate 11." In fine upright upper and lower: "London, Published March, i, 1825, by W. B. Cooke, 9, Soho Square." B.M. III. The plate retouched. This State can be recognized by the darkening of the shadows and outlines in and around the sailing boat. C. 893. JACK'S RETURN. This plate is mentioned in the C. Turner sale catalogue. Lot 927: "Jack's Return, the background after J. M. W. Turner." "Jack's Return" is mentioned frequently in C. Turner's diary, the first entry being on Nov. 12. 1798, " Copper for Jack's Return i8j. 4^." 279 CHARLES TURNER, A.R.A. 894, 895. COAST SCENE AND SHIPPING PIECE. After Van de Velde. These two plates are mentioned in the C. Turner sale catalogue, as follows: Lot 763. *' Coast Scene, and Shipping Piece, a pair, from pidures painted by Vande- velde, new plates, unpublished. Artist's proofs, 8. Steel. [plate size] 8 in. by 10." Coast Scene. There is, in the Print Room of the British Museum, a mezzotint after W. Van de Velde, which may be the Coast Scene : In the foreground towards r. two men are carrying an objedl towards a boat at the water's edge, and a little further olF is a group of vessels; the coast continues in the distance to r., and overhead is a heavy sky. Dimensions of the work 6^ by 7-|. Before any inscription, perhaps not quite finished. BM. Shipping piece. Towards 1. a boat is sailing away from the foreground; in middle distance to r. is a ship with sails furled; nearer, a small sailing boat and a buoy. Dimensions of the work 6 by 8|-. Before any inscription. Mr. S. S. Savery. 896. DENHAM OXEN, TWO. After mUiam Weaver. The two oxen are standing outside a building in the foreground of an open landscape; on the r. stands a man pointing with r. hand to the animal nearest him. Arms in centre of inscription space, motto: "Sans Mai Desir" 2if by 28. In fine upright upper and lower lettering: "Painted by W" Weaver, Shrewsbury. En- graved by C. Turner, London." In fine upright capitals, and fine upper and lower italics: Weights. lb. Weights. lb. Two fore Quarters . . 1127 Two fore Quarters . . 11 88 Two hind Quarters . . 850 Two hind Quarters , . 867 Rough fat 275 Rough Fat 252 Hide 120 Hide 130 2472 {sic) 2437 In fine script: " To Sir Clifford Constable, Bar* of Tixall, in the County of Stafford, This print of Two Denham Oxen is with permission humbly dedicated by his very Obliged and Obedient Servant, Benjamin A, Bond." In fine upper and lower italics: "The above Oxen, were descended from the Stock of Edw'* Blount, Esq'' of Bellamore, Rear'd and Fed by M'' John Bond, of Brancott, near Stafford. And Slaughtered to celebrate the coming of Age of Sir Thomas Astore Clifford Constable, Bar* on the 3"'*^ of May 1827. Published July 29. 1828, by Benjamin A. Bond, Brancott, Staffordshire." To 1., in fine italics: "Proof" B.M. LUDLOW, HUNT. See PORTRAIT OF WILLIAM ADAMS. No. 6. After W. Weaver. 897. SHEPHERD BOY ASLEEP. After R. WestalL He sits on the ground leaning against a bank, with his crook beneath him; on the r. lies his dog, and on the 1. two sheep. 7f by 6j. Engraver's touched proof before any inscription. B.M. COTTAGE DOOR. See GEMS OF ART. No. 815. After R. WestalL 898. GOING OUT MILKING. After F. Wheatley. A milkmaid, carrying a pail, and with her 1. hand leading a young girl, is stepping forward, followed by a boy; trees and a rick in background. 19^^ by i6i. 280 CATALOGUE OF SUBJECTS Before any inscription. Sir E. lennant. In thick and thin script: "F. Wheatley pinx* C. Turner sculp'" In thick and thin upper and lower italics under centre of subjeft: " Se vend chez James Daniell, Graveur ^ Londres." In upright partly lilled-in capitals: "Going Out Milking Le Depart De La Laitiere " In upper and lower italics: "London. Published Jan^ i" 1800, by James Daniell N° 6 Great Charlotte Street, Blackfriars Road." B.M. 899. RETURN FROM MILKING, THE. After F. Wheatley. A milkmaid, dir to f., carrying a pail of milk with r. hand; on her 1. a young girl is holding her 1. arm, and on her r. a boy is opening a rustic gate for her to pass ; a dog in r. foreground, and in background, trees, a rick, etc. 19I- by i6|-. Before any inscription. Sir E. Teiinant. In thick and thin script: " F. Wheatley pinx* C. Turner sculp*" In upper and lower italics under centre of subjeft: " Se vend chez James Daniell, Graveur a Londres." In upright partly filled-in capitals : " The Return From Milking. Le Retour De La Laitiere." In upper and lower italics: " London, Published Jan^ 1^* 1 800, by James Daniell, N° 6 Great Charlotte Street, Blackfriars Road." BM. April II. 1799 "Made an outline for Mr. Daniell. Milk Girl." July 8 "Began M'Daniell's Milk Girl " — and many subsequent entries in Charles Turner's diary. 900. ALEXANDRIA, THE BATTLE OF. After Lieut. Willermin. A wide field showing the battle at its height; to r. a battered wall; in the centre of foreground Sir Ralph Abercromby is the object of determined attack. Beneath the subjedt are two tablets for inscription, and between them a plan of the battle. 1 71- by 26f . By C. Turner and J. Mitan, in mixed style — mezzotint, aquatint, and etching. Preliminary etching. C. Turner sale catalogue. I. In small upper and lower italic lettering: " Lieu' Willermin delin. Royal Staff Corps. Edw'' Orme excudit J. Mitan & C. Turner sculp' " In inscription tablet on 1., in light open upright capitals, and upper and lower lettering: "The Battle of Alexandria, March 21" 1801." In thick and thin script: "Representing the exaft situation of that Gallant and much lamented General Sir R. Abercrombie K.B. at the time of the Attack on the Corps of reserve. To His Royal Highness Field Marshal Frederick Duke of York, Commander in Chief, This Print is with permission dedicated by His Royal High- ness's most obedient humble Servant, W™ Willermin " [In tablet to r. is a repetition, in French, of the inscription in that to 1.] At foot of plan, in small upper and lower italics: " Plan of the Battle " Beneath: " Published & Sold June, 4, 1804, by Edw** Orme, His Majesty's Printseller, 59, New Bond Street, London." B.M. II. The open lettering of title (English and French) filled in. B.M. 901. GLEN OF THE TROSSACHS. After H. W. Williams. A hilly view, with a mountain in distance on 1.; nearer are clumps of trees and a sheet of water with two stags; on a bank in foreground to 1. sit two men with guns and two dead birds. 20f by 25I. Aquatint. In open upright thick and thin upper and lower lettering: " H. W. Williams del. C. Turner sculp." In light open upright capitals: " Glen of the Trosachs." In light open gothic: "To William Douglas of Almerness & Younger of Orchardton Esquire M.P. F.R.S.L. &c. &c." In fine script: "This Print is inscribed, in testimony of admiration of his highly cultivated taste & encouragement of the Arts, as well as affeftionate gratitude for his friendship, by his faithful & obedient Servant, H. W. Williams." W. Williami in 281 O O CHARLES TURNER, A.R.A. light open italic capitals]. In fine upper and lower italics: "Edinburgh, Published Dec' I. 1813, by M' Williams, 13, Duke Street." B.M. There is probably a later state as in N° 903. 902. VIEW ON THE CLYDE. After H. W. Williams. A man and woman sitting on tree-trunk in conversation in foreground; near by, a clump of tall trees under which three sheep are grazing; the river, seen beyond houses and trees and having several boats sailing upon it, stretches away to the distance, and the view is closed by distant hills. 20f by 25|-. Aquatint. In open upright upper and lower thick and thin lettering: " H. W. Williams del. C. Turner sculp" In light open upright capitals: "View on the Clyde." In light open gothic: "Dedicated to the Hon"'''' M" Erskine of Almonsdale " In fine script: "with every sentiment of sincere & perfeft esteem by her most faithful Servant " In light open italic capitals: " Hugh William Williams." In fine upper and lower italics: "Edinburgh Publish'd Dec' i 181 3, by M' Williams, 13, Duke Street." B.M. There is probably a later state as in No. 903. 903. VIEW OF DUNKELD. After H. W. Williams. The river Tay runs from r. to 1., and on the further bank stands the ancient cathedral with a square tower at its western end; woods and hills in distance. 20|- by 2^\. Aquatint. I. In open upright upper and lower thick and thin lettering: H. W. Williams del. C. Turner sculp." In light open gothic: " To her Grace the Duchess Dowager of Buccleugh &Queensbury" In light open upright capitals: " This View of Dunkeld," In fine script: " is dedicated with the highest respedl by Her Graces very obliged & obedient Servant " In light open italic capitals: "Hugh William Williams." In fine upper and lower italics: " Edinburgh Publish'd Dec' i. 181 3, by M' Williams 13, Duke Street." B.M. II. The open letters filled in with shading, the script lettering strengthened. Dr. J . S. Joule. 904. KENMORE ON LOCH TAY. After H. W. Williams. A view up the loch, bounded on all sides by high hills; in middle distance the loch is spanned by a bridge of three arches, and on the 1. bank is a church with a square tower; in foreground are two men sitting by the roadside, cattle and goats. 20 by 25I-. Aquatint. Before any inscription. B.M. There are probably two states as in No. 903. MAECENAS' VILLA. See GEMS OF ART, No. 813. After R. Wilson. 905. QUIET ENJOYMENT. After T. Woodward. A shaggy dog, lying in his kennel, with head and one paw hanging out of the door, is looking lazily at the remnants of his meal on a dish to r., to which a robin is helping itself. by 1 7f. Etching and aquatint. Preliminary etching. — C. Turner sale catalogue. In upright capitals: " T. Woodward Pinx* London. PubHshed January i^'^ 1839. by R. 282 CATALOGUE OF SUBJECTS Ackermann, at his Eclipse Sporting Gallery, 191. Regent Street. C. Turner, A.R.A. Sculp*" In open upright capitals: "Quiet Enjoyment." To r., in italics: " Printed by Lahee & C° " Colle£lion Friedrich August II, Dresden (information kindly supplied by Professor Hans W. Singer of Dresden), 906. SKETCH FROM A RACE GROUND. Towards 1. a stand, at the foot of which are a pair of scales and a jockey being weighed; a number of men grouped around, many on horseback. 8|- by 11^. AqUATINT. Under centre of subjeft, in italic lettering: "Engraved by C. Turner." Sale at Cbrisiie's, April 4, 1905 (the impression framed and covered by a mount, showing only inscription as given). 907. SKETCH FROM A RACE GROUND. No. 3. A number of booths are seen, including one lettered " Saunders Grand Troop." To- wards 1. an officer and others at a roulette table in a tent. The subje61: contains many figures. 8|- by ii^. Aquatint. Under centre of subjeft in fine italic lettering: "Engraved by C. Turner" In open up- right thick and thin capitals: " Sketch From A N" 3 Race Ground " In fine upper and lower italics: "London Published Oft' 19. 1807. by C. Turner 50, Warren Street Fitzroy Square, & to be continued." BM. 908. PEASANTS COMING TO THE RACE. No. 4. To 1. the back view of a high stand on which three spectators can be seen; and on the r. two tents. Figures and resting horses in foreground. %\ by 11^. Aquatint. Under centre of subjeft in italic lettering: "Engraved by C. Turner " In open upright thick and thin capitals: "Peasants Coming N° 4, To The Race" In upper and lower italics: "London Published Oft' 19'^'' 1807, by C, Turner N° 50, Warren Str* Fitzroy Sq'^ & to be continued." Sale at Puttick's, Nov. 23. 1906. 909. BACKSWORDS. Two men fencing with swords, seconds and others standing around, and a ring of spectators beyond; cottage and trees in background. 8 by ii. Aquatint. In upper and lower italics under centre of subjeft: "C. Turner Fecit" In upright partly fiUed-in capitals: "Backswords." In upper and lower italics: "Published Nov' 16, 1825 by W"" Thompson, Carver & Gilder S* Aldates, Oxford," Sale at Puttick's, April 12. 1907. 910. CUPID SEATED ON A CLOUD. Cupid, seated on a cloud, with back turned towards speClator, a drapery depending from r, shoulder, holds a caduceus with 1. hand, and with r. hand raised holds a circular tablet, surrounded by a laurel wreath, on which is scratched in script lettering the word " Wigram." A single border line round subject. 4f by 4|^. Before any lettering in inscription space. B.M. 911. GARDE A VOUS. A cupid, seated, leaning his head on 1. arm which rests on his quiver of arrows placed on block to r.; his r. forefinger raised to his mouth. 4|^ by 4^. 283 CHARLES TURNER, A.R.A. In light scratched open upright capitals: "Garde A Vous! " B.M. March 19. 1804 "Garde a Vous " March 20. "Do" March 21 "Do" March 22. " Do. Finished " C. Turner's diary. 912. LADY READING A BOOK. To waist, dir. and facing towards r.; flowing robe; r. hand on 1. wrist, r. hand holding open book which she is reading. 19^ by I5f. Before any inscription. B.M. 913. VESTAL VIRGIN, A. To knees, standing with back towards speftator, dir. and looking downwards to 1.; ribbons in hair, dress with low neck and short sleeves, scarf across 1. shoulder; hands holding a rod from which depends a smoking censer; altar in background. I2f by 9f. Before any inscription. B.M. {printed in colours). 914. INTERIOR OF A PACKET. This plate is mentioned in the C. Turner sale catalogue as follows: Lot 340. " Interior of a Packet, 6 plates [probably impressions] [plate size] 1 1 in. by 8." Lot 773. " Interior of a Packet, from a humourous sketch. Artist's proofs, 2. Copper, [plate size] 10 in. by 7." The discrepancy between the dimensions given in the two lots may probably be accounted for by the faft that in the sale catalogue dimensions are given only to the nearest inch. The aftual dimensions of the plate may therefore He somewhere midway between those given. 915. VILLAGE DANCE. In foreground two large figures of a young man and woman joining hands and dancing to the music of a violin played by a man who sits at a table on 1. having near him an old woman and a young child; in background to r. young people dancing round a maypole, and in distance a church tower and spire. 13I by 12. Companion to No. 916. Stipple engraving. Before any inscription. B.M. In thick and thin script: "Village Dance." In upright thick and thin upper and lower lettering: "London, Published, 18 14" 916. MASQUERADE. In centre, a lady wearing light dress and carrying a mask in 1. hand and a small basket of fruit in r., is being addressed by a man in cloak and cocked hat; on r. the open door of a carriage, and a link boy standing by; several figures in background. 14 by 12. Companion to No. 915. Stipple engraving. In thick and thin script: "Masquerade." In upright upper and lower thick and thin lettering: "London. Published 1814." 917. COIN OF MACEDONIA. In the upper part of the plate is a view of the obverse of the coin, with the head of 284 CATALOGUE OF SUBJECTS Alexander the Great and a Greek inscription. Beneath the coin, in small upper and lower italics : " C. Turner fecit " ; and in open upright thick and thin capitals : " Aperiam Terras Gentibus." Lower down the plate are views of both sides of the coin, the reverse having a figure of Athena. At foot of plate, in upper and lower italics : " Published Jan^ 14. 1797, by D' Vincent." The coin is of the third century after Christ. Size of plate, 7f by 5f . Engraved in Stipple. 918. ILLUSTRATIONS TO AN ACCOUNT OF TWO SUCCESSFUL OPERATIONS FOR RESTORING A LOST NOSE. Five plates illustrating the above account, written by J. C. Carpue (see his portrait. No. 97) and published in 18 16. The first four plates are inscribed in italics: " C. Turner fecit ", and have the publica- tion: "London, Published October 20*^ 1815 for the Proprietors by C. Turner, N° 50 Warren Street, Fitzroy Square." The last plate is inscribed: "C. Turner sc." and "Pub^ Nov' 21, 1815, by C. Turner, 50, Warren S^ Fitzroy Sq""^ " Dimensions of the plates 8f (to 9f ) by (to 7I-). Plate I. Head of the patient before the operation. Stipple, chiefly in outline. „ 2. The patient sitting in bed, 1. arm strapped to nose. Etching. „ 3. Showing a new nose from flesh taken from fore- head. Stipple, chiefly in outline. „ 4. Showing a front view of nose, and two side views. Stipple, „ „ 5. Showing a patient's nose before the operation, and two views of noses. Stipple, „ In the C. Turner sale catalogue (lot 774) the series is said to consist of six plates; but in the three copies of the book in the British Museum there are only the above five, and the text mentions only these five. 919-921. SEA VIEWS (3 plates). These plates are mentioned in the C. Turner sale catalogue as follows: Lot 768. "Sea Views, set of three plates of shipping, in outline. Proof prints, 6. Copper. [plate size] 20 in. by 1 5." From Charles Turner's Diary and Work Book (i 798-1 804) it would appear that the engraver did a number of "odd jobs" for publishers and others, or engraved plates that were not issued with his name upon them, as well as executed commissions for paintings and drawings. Some of the entries cannot be interpreted with certainty, as from time to time plates seem to be mentioned only under the name of the owner or publisher, as — " Worked Mr. Daniel's plate," But the following entries would seem to refer to plates by Turner that have not been seen or recorded, and are not described in the foregoing catalogue: 1798. April 20. Began to scrape Mr. Young. Whole height. July 3. Went to Mr. Daniell's. Brought home whole sheet plate Com'^^'^ Nelson. 6. [and subsequent days] Worked on Nelson. Aug. II. Relaid Mr. Daniell's plate of Nelson Sc began to scrape the dead body. 1799. Jan. 19. Began to etch Grave Diggers. Aug. 12. Began Jerusalem. June 26. 1800 Daniel came and took Jerusalem away. 285 CHARLES TURNER, A.R.A. 1800. Jan. 2. Began to scrape Mr. Chalon's Portrait. July 21. Began to etch The Mine. 24. Began to scrape the Mine. 25. Began to etch Burning Mountain. 28. Scraped Mountain. Nov. 15. Laid the Ground to Mr. O. Alchymist. 1802. Sept. 30. Sold Mr. Orme two plates — Joe's Departure and Jack's Return. j^25 each. As described in the Memoir (page 5), Charles Turner engraved many of the plates for Edward Orme's "Transparencies" ; and of the plates published by Orme and enumerated by him at the end of his " Essay on Transparencies," the following are mentioned by Turner in his diary at the time he was engraving them: Sir Bertrand in the Haunted Castle. The Castle Spe£tre. The Temple of the Sun, from Pizarro. The Convent of St. Clare, from De Montford. The Witches in Macbeth. The Tomb of Juliet. The Smugglers. A Cottage on Fire. The Inside of a Church. View of Mount Etna. Outside of a Castle. Inside of a Glass House. Burning of L'Orient. Mount Vesuvius. Large Mount Vesuvius. Mars and L'Hercule. Six Ovals, Circles, and O£lagons, on one sheet. Evening and Night, circles. Blacksmith's Shop, and the Tomb of Rosicrucius. 286 INDEX TO PAINTERS Abbot, J., 521 Abbott, Lemuel Francis (born 1760(2), died 1803), 79, 520 Agasse, Jacques Laurent (d. about 1806), 639-645 Albani, Francesco? (b. 1578, d. 1660), 646 Ambrose, Charles, 200 Arnald, George, A.RA. (b. 1763, d. 1841), 647-649 Artaud, William, 132 Ashby, H., 273, 534 Back, C, 47 Ball, J., 371 Barber, Thomas (b. 1768, d. 1843), 129, 194, 252, 529 Barenger, James (b. 1780, d. 1831), 650- 662 Barker, Thomas (b. 1769, d. 1847), 126 Barlow, 336 Bate, W. H., 490 Bauzit, 599, 600, 601 Beach, Thomas (b. 1738, d. 1806), 250 Beechey, Sir William, R.A, (b. 1753, d. 1839). 39» 60, 61, 63, 65, 189, 203, 301, 311, 343» 366, 404, 405, 501, 508, 596, 632 Bell, Lady, 116 Bennet, Thomas, 663-670 Bewick, 671 Blake, C, 672-679 Blake, T., 680-682 Bostock, John, 176, 620 Bowyer, Robert (b. 1758, d. 1834), 5^ Briggs, Henry Perronet, R.A. (b. 1 793, d. 1844), 391, 437, 541 Bristow, J., 683 Brockedon, William (b. 1787, d. 1854), 300, 406, 684, 685 Brown, Mather (b. about 1763, d. 1831), 435 Brown, Matt., 400 Brown, W., 686-689 Burgkmair, Hans (b, 1473, d. 1 531), 474 Burney, Edward Francis (b. 1760, d. 1848), 2 Callcott, Sir Augustus Wall, R.A. (b. 1779, d. 1844), 690 Carbonnier, C, 57, 62 Carruthers, Rd., 482 Chalon, Alfred Edward, R.A. (b. 1780, d. i860), 117, 412, 611, 691-693 Chalon, Henry Bernard (b. 1770, d. 1849), 694, 695 Chalon, John James, R.A. (b. 1778, d. 1854), 696, 697 Chamberlin, Mason, R.A. (d. 1787), 207 Chantrey, Sir Francis Legatt, R.A, (b. 178 1, d. 1842), 530 Chater, 108 Chinnery, George C. (b. about 1775, d. 1857), 373> 385. Clarke, Theophilus, A.R.A. (b. 1776.?, d. 1831?), 589 Claude Lorraine (b. 1600, d. 1682), 698 Clint, George (b. 1770, d. 1854), 35^ Clover, L, 3 1 Collins, 699 Cook, Nelson, 256 Cooper, Abraham, R.A. (b. 1787, d. 1868), 700, 701 Cooper, J. C, 702 Cooper, J. S., 703 Copley, John Singleton, R.A. (b. 1737, d. 1815), 217, 410 Corbett, John, 258 Correggio, Antonio (b. about 1494, d. 1534), 704 Cosway, Richard, R.A. (b. 1740, d. 1821), 144, 705 Countz, Frederick, 706 Craig, William Marshall, 707, 708 Cregan, M., 246, 543 Cruickshank, F., 22 Cuming, William, 17 Daniell, Thomas (b. 1749, ^- ^840), 709 David, Jacques Louis (b. 1748, d. 1825), 396 Davis, Richard Barrett (b. 1782, d. 1854), 710 Davis, Thomas R., 417 Dawe, George, R.A. (b. 1781, d. 1829), 627 CHARLES TURNER, A.R.A. Decaisne, Henri (b. 1779, ^- 1852), 345 Delaram, Francis, 468, 470 Dennis, John, 71 1-7 18 Derby, William (b. 1786, d. 1847), 177 Devis, Arthur William (b. 1763, d. 1822), 257, 357, 622, 624, 719 De Wilde, Samuel (b. 1748, d. 1832), 183 Dolci, Carlo (b. 1616, d. 1686), 720 Domenichino (b. 1581, d. 1641), 721 D'Orsay, Alfred G., Count (b. i8oi,d. 1852), 574 Downman, J., 264 Downman, S. F., 228 Dupont, Gainsborough (b. 1767, d. 1797), 377 Eastlake, Sir Charles Locke, P.R.A. (b. 1793, d. 1865), 41, 397, 722-724 Eckstein, John, 725 Eddis, Eden Upton (b. 18 12, d. 1901), 248, 523, 552, 628 Edridge, Henry, A.R.A. (b. 1769, d. 1821), 84, 169, 302, 349, 388, 488 Ellerby, Thomas, 50 Elmer, Stephen, A.R.A. (d. 1796), 726, 727 Elstracke, R., 476 Engleheart, George (b. 1752, d. 1839), 127, 492 Evans, George, 556 Evans, Richard, 510 Fagan, Robert (d. 1816), 188 Faithorne, William (b. 1616, d. 1691), 472 Ferneley, John E, (b. 178 1, d. i860), 201, 728 Fowler, William (b. 1761, d. 1832), 324, 584 Fradelle, Henry (b. 1778, d. 1865), 729 Frankland, Sir Robert, 730-744 Frost, William Edward, R.A. (b. i8io, d. 1877), 226 Fuseli, Henry, R.A. (b. 1741, d, 1825), 484 Gainsborough, Thomas, R.A. (b. 1727, d. 1788), 745» 746, 814 Geddes, Andrew, A.R.A. (b. 1783, d. 1844), 35o» 351 Gil, 49 Gillray, James (b. 1757, d. 1815), 224 Girtin, Thomas (b. 1775, d. 1802), 816 Graham, John (b. 1754, d. 1817), 83, 390 Green, James (b. 1771, d. 1834), 59" Greuze, Jean Baptiste (b. 1725, d. 1806), 747 Grevedon, Henry (b. 1776, d. i860), 242, 378 Guest, Thomas Douglass (b. 1781), 33 Haines, William (b. 1778, d. 1848), 339 Halls, John James, 70, 125, 146, 147, 155, 213, 259, 281, 283, 284, 382, 415, 511, 575, 576, 577, 578, 748 Hamilton, H., 71 Harding, Chester, 548 Harlow, George Henry (b. 1787, d. 18 19), 165, 179, 635 Harrison, John, 560 Hartley, T., 319 Hastings, E., 68 Hastings, J., 98 Hayes, John (b. 1786.?, d. 1866), 73 Haygarth, William, 749-757 Hayter, Sir George (b, 1792, d. 1871), 32, 365, 421 Hazlitt, John (b. 1768, d. 1837), 280 Head, Guy (d. 1800), 758 Heaphy, Thomas (b. 1775, d. 1835), 136 Hogarth, William (b. 1697, d. 1764), 247 Holbein, Hans (b. 1497, d. 1543), 458, 460 Hollins, John (b. 1798, d. 1855), 272 Holmes, James (b. 1777, d. i860), 161 Home, Robert (d. about 1836), 602 Hoppner, John, R.A. (b. 1758, d. 1 8 10), 23, 43, 56, 107, no. III, 114, 140, 174, 187, 202, 229, 235, 267, 303, 306, 308, 309, 347, 393, 401,441, 489* 505, 549, 583, 619 Horner, G., 759 Houdon, Jean Antoine (b. 1741, d. 1828), 503 Howard, Henry, R.A. (b. 1769, d. 1847), 153, 198, 288, 513, 566, 569, 585 Howe, James, 760 Howell, Samuel, 495 Huet-Villiers, Fran9ois (b. 1772, d. 181 3), 15, 16, 328, 76i-y66 Hume, 555 Hunt, William Henry (b. 1790, d. 1864), 767 lllidge, Thomas Henry (b. 1799, d, 1851), 249 Irvine, Hugh, 768 Jackson, John, R.A. (b. 1778, d. 1831), 137, 148, 168, 199, 225, 427 Janssens, Cornells (b. 1590, d. about 1663), 443, 451, 452 Jenour, Charles, 13 Johnson, V., 335 Jones, George, R.A. (b. 1786, d. 1869), 210, 769 Jones, Capt. George, 770-777 Jones, Richard (b. 1767, d. 1840), 778-781 Jones, William, 239, 341 INDEX TO PAINTERS Joseph, George Francis (b. 1764, d. 1846), 423, 568 Keenan, J., 590 Ker, Sophia, 289 Kerrich (Rev.), Thomas (b. 1747, d. 1828), 418 Kirkby, Thomas, 439, 565 Lamb, Lady Caroline, 85 Landseer, Sir Edwin Henry, R.A. (b, 1802, d. 1873), 526, 782 Lane, Samuel (b. 1780, d. 1859), 72> 81, 195, 605 Lawrence, Sir Thomas, P.R.A. (b. 1769, d. 1830), I, 5, 12, 14, 24, 25, 38, 42, 45, 95, 96, 104, 128, 130, 131, 142, 143, 167, 171, 178, 181, 185, 190, 192, 218, 219, 220, 233, 237, 240, 243, 253, 261, 269, 287, 295, 307, 314, 315, 322, 323, 338, 368, 369, 383, 384, 392, 402, 419, 420, 433, 434, 436, 440, 477, 498, 500, 502, 517, 525, 531, 532, 546, 547, 553, 563^ 595> 598, 607,608, 623, 625, 631, 633, 636 Le Brun, Charles (b. 1619, d. 1690), 783 Leeming, T., 238 Lely, Sir Peter (b. 1618, d. 1680), 462, 463, 473 Lewis, John Frederick, R.A. (b. 1805, d. .1876), 784 . Linsell, Cornelius, 364 Lizars, William Home (b. 1788, d. 1859), 785, 786 Loggan, David (b. 1635, d. about 1700), 465 Lonsdale, James (b, 1777, d. 1839), 74' 75' 80, 88, 133, 149, 262, 263, 286, 320, 326, 333' 348, 361, 527' 570, 630 M'^Call, William, 119-121 M'^Kenzie, J., 227 Marshall, Benjamin (b. 1767?, d. 1835), 91, 138, 277, 787-791 Martin, David (b. 1736, d. 1798), 94 Martin, John (b. 1789, d. 1854), 792 Martin, William, 793 Masquerier, John James (b. 1778, d. 1855), 154, 162, 292, 386, 389, 398, 414, 481, 483, 512, 515, 637, 794, 795 Massot, 234 Mee, Mrs. Anne (d. 1851), 506, 612 Mignard, Pierre (b. 161 2, d. 1695), 455 Moir, J., 355 Monier, 504, 634 Murillo (b. 1617, d. 1682), 796, 797 Nash, Frederick (b. 1782, d. 1856), 798 2 Nedham, William, 581 Newton, Gilbert Stuart, R.A. (b. 1794, d. 1835), 275 Northcote, James, R.A. (b. 1746, d. 1831), 76, 77' 544' 799-802 Oliver, Archer James, A.R.A. (b. 1774, d. 1842), 268, 579 Oliver, Isaac (b. about 1556, d. 1617), 445, 467 O'Neill, H., 317 Opie, John, R.A. (b. 176 1, d. 1807), 135, 160, 580 Orme, Daniel (b. 1766?, d. 1832?), 164, 318 Osborne, C, 375 Owen, William, R.A. (b. 1769, d. 1825), 35, 276, 480, 536, 540, 586, 803-805 Parker, Henry Perlee (b. 1795, d. 1873), 55 Parmegiano (b. 1504, d. 1540), 806 Parris, Edmund Thomas (b. 1793, d. 1873), 594 Parry, J., 807 Partridge, John (b. 1790, d. 1872), 92 Passe, Willem van der (b. 1597(8), d. before 1637), 469 Patton, D., 446 Pearce, William, 808 Pearson, Mrs. Charles (b. 1799, d. 1871), 290, 321, 387, 509 Pegler, Charles William (b. 1802, d. 1832), 2, 166, 312, 618 Pegler, J., 617 Pelegrina, 809 Phillips, Thomas, R.A, (b. 1770, d. 1845), 10, 18, 20, 29, 100, 184, 205, 236, 329, 370, 399, 497, 539, 545, 557, 559, 587, 606, 609 Phillips, 270 Pickersgill, Henry William, R.A. (b. 1782, d. 1875), 28, 260, 359, 613 Pingret, Edvs^ard H. T. (b. 1788, d. 1875), 297 Pocock, Isaac (b. 1782, d. 1835), 485 Porter, John, 810, 811 Raeburn, Sir Henry, R.A. (b. 1756, d. 1823), 4, loi, 103, 122, 158, 244, 271, 274, 376, 403, 432, 499, 514, 542 Ramsay, James (b. 1786, d. 1854), ^9' '63, 172, 223, 232, 340, 342, 374, 487, 551, 593' 597 Rand, John, 40, 367 Reinagle, Ramsay Richard, R.A. (b. 1775, d. 1862), 394 Rembrandt (b. 1606, d. 1669), 37, 491, 812 Q P P CHARLES TURNER, A.R.A. Renrut, C. [Turner spelt backwards], 82, 409 Reynolds, Sir Joshua, P.R.A. (b. 1723, d. 1792), 52, 53, 159, 344, 352, 353, 422. 493, 5H» 535> 537, 561, 567, 621, 817, 818 Richter, Henry James (b. 1772, d. 1857), 819 Robertson, Andrew (b. 1777, d. 1845), 296, 528 Romney, George (b. 1734, d. 1802), 51 Rosa, Salvator (b. 161 5, d. 1673), 820 Ross, C, 494 Ross, Sir William Charles, R.A, (b. 1794, d. i860), 8 Rota, 550 Rothwell, Richard (b. 1800, d. 1868), 89 Russell, John, R.A. (b. 1745, d. 1806), 170, 516 St. Clair [Major], T., 821-832 Sanders, George (b. 1774, ^^46), ^57, 180 Saunders, 291, 413 Saxon, 363 Schwanfelder, Charles Henry (b. 1773, d. 1837), 30, 245, 833 Scott, William, 486 Scriven, M[?], 588 Sharp, Michael William (d, 1840), 834 Sharpe, 372 Sharpies, George, 21, 34, 175, 251, 279, 310, 425 Shee, Sir Martin Archer, P.R.A. (b. 1769, d. 1850), 3, 7, 27, 332, 429, 430, 522, 538, 582, 615, 616, 626 Shells, J., 214 Shiels, William (b. 1785, d. 1857), 330 Sikes, 182 Sillett, James (b. 1764, d. 1840), 835, 836 Simpson, John (b. 1782, d. 1847), 123, 478 Singleton, Henry (b. 1766, d. 1839), 2^^» 298, 837-842 Smart, 610 Smith, John Raphael (b. 1752, d. 1812), 36, 356, 379 Smith, T., 843 Snyders, Frans (b. 1579, d, 1657), 844, 845 Spilsbury, Maria (d. 1820?), 846-849 Stothard, Thomas, R.A. (b. 1755, d. 1834), 850, 851 Stroehling, P. E., 124 Strutt, Jacob George, 106, 254, 282, 354 Stuart, 407 Sutton, J., 191 Syer, R., 852 Syme, John (b. 1795, d. 1861), 139 Taylor, J. H., 9 Taylor, Mrs., 362 Thompson, Thomas Clement, 197, 221, 231, 334, 380 Thompson, 46 Thomson, Henry, R.A. (b. 1773, d. 1843), 93 Turner, Charles, A.R.A. (b. 1774, d. 1857), II, 64, 69, 82, 97, 109, 193, 278, 293, 294, 304, 305, 313, 316,409, 572, 573, 574, 604, 853-861 Turner, J. M. W., R.A. (b. 1775, ^- 185 1), 862-893 Turnerelli, Peter (b. 1774, d. 1839), 59^' 603 Van de Velde, Willem (b. 1633, d. 1707), 894, 895 Vandyck, Sir A. (b. 1599, d. 1641), 456, 457 Varillat, Madame, 558 Walton, Henry (b. about 1720, d. about 1795), 4", 424 Walton, T., 431 Ward, James, R.A. (b. 1769, d. 1859), ^99 Watson, George (b. 1767, d. 1837), 54, 7^, 208, 222, 266, 337 Weaver, Thomas, 152 Weaver, William, 6, 896 West, William E., 86 Westall, Richard, R.A. (b. 1765, d. 1836), 87, 150, 815, 897 Wheatley, Francis, R.A. (b. 1747, d. 1801), 898, 899 White, J., 562 Wierix, Jan (b. 1549, ^^^^^ ^615), 475 Wilkin, Francis William (d. 1842), 496 Willermin, Lieut. William, 900 Williams, Hugh William (b. 1773, d. 1849), 901-904 Williams, J., 113 Williams, R., 44 Wilson, Benjamin (b. 1 721, d. 1788), 102 Wilson, Richard, R.A. (b. 1714, d. 1782), 813 Wood, W., 115 Woodward, Thomas (b. 1801, d. 1852), 905 Wright, John William (b. 1802, d. 1848), 426, 554 Wyatt, Henry (b. 1794, d. 1840), 196 Wyatt, Matthew Coates (b. 1777, d. 1862), 629 Zoffany, Johann, R.A. (b. 1733, d. 18 10), 285 Zoust, Gerard (b. 1637, d. 1 681), 450 290 INDEX TO SUBJECTS Aberdeen, Castle Street, 768 Acropolis, The, 752, 754 Adrian, Columns of, 754 Age of Innocence, The, 8 1 7 Albis, View from Mont, 712 Ale House Door, The, 697 Alexander, 842 Alexandria, Battle of, 900 Andruzzena, Temple near, 756 Athens, The Pnyx and Acropolis at, 752 Backswords, 909 Badajos, 824 Badgers, 663 Baiser Envoye, Le, 747 Bald Coot, 656 Ball, 853 Bandit of the Apennines, 722 Barber, The, 767 Basle, 867 Beaufort Hounds, The, 417 Beauty: a Cart Stallion, 664 Beggars, 803 Belle Alliance, La, 772 Bitch and Pups, 665 Bonaparte reviewing the Consular Guards, 794 Brenton's Naval History, 57-66 Bridge and Cows, The, 864 Bridge in middle distance. The, 875 Bud of Promise, 192 Burning Mountain, 863 Castle above the meadows. The, 870 Charlotte, Apotheosis of Princess, 719 Check Mate, 742 Ciudad Rodrigo, 830 Clyde, Drawing of the, 880 Clyde, View of the, 902 Coast Scene, 894 Cock in Feather, 787 Cock, The trimmed, 788 Coimbra, City^of, 828 Coin of Macedonia, 917 Coming in, 643 Contrabandist, The Spanish, 784 Corrin, 688 Cottage, Interior of a, 745 Cottage, Interior of an English, 793 Cottage Door, 815 Cottage Girl, The, 814 Cottager, The Little, 746 Country Scene, 699 Coursing, 778 Cupid seated on a cloud, 910 Cupid writing a serenata, 705 Dab Chick, 657 Dance, Village, 915 Dash, 639 Death, The, 781 Devotion, 783 Dice players, 851 Dick Andrews: a race-horse, 791 Dilettanti Society, 159 Dinant, 648 Dog Beauty, 666 Dog Pincher, 782 Dogs Fighting, Two, 701 Dogs, 639, 645, 665, 669, 694, 703, 7 833, 852, 853 Don Quixote, 810, 811 Drachenfels, 718 Ducks, Wild, 655 Duellists, The, 682 Dunkeld, View of, 903 Dunstanborough Castle, 876 Durbar at Poonah, 709 Durham Twin Steers, 650 " Emily," 804 " England expefts every man to do his du 807 English in Paris, 743, 744 Exe, River, 816 Expeftation, 804 Fairing, The, 837 Farm-yard with the Cock, The, 879 Finding, 780 Fisherman, The, 855 Fishing, Delights of, 735-740 Fives Court, Interior of, 680 Flint Castle, vessels unloading, 866 291 CHARLES TURNER, A.R.A. Foentes D'Onor, Battle of, 823 Forfeits, Children crying, 818 Fortune, Teller, The, 537, 805 Fox disturbed, 844. Fox and Cubs, 667 Fox and Cubbs, 668 Fox and Rabbit, 845 Fox Hound and Whelps, 669 Frosty Morning, The, 834 Fruit Girl, The, 691 Galatea, 646 Game, Black, 726 Game, Red, 727 Garde a vous, 91 1 Gems of Art, 812-816 George III. in his Travelling Chariot, 710 George IV., Coronation of, 798 Goat-herds, Italian, 723 Goat in a Stable, A, 702 Going out, 779 Greece, a Poem, 749-757 Grouse, Black, 835 Grouse, Red, 836 Hammerstein, Castle of, 717 Hannibal (Young) swearing enmity to the Romans, 841 Hare and Young Ones, 640 Hares, 670 Hawking, 760 Heads of two old men, 685 Hebe, 761-763 Helpless Child, 741 Holy Island Cathedral, 873 Horses taking their gallop, 641 Horses, 644, 651,664, 728, 758, 789, 791 Hougomont, 771 Hunt, The Berkeley, 854 Hunt, The Hampshire, 843 Hunt, Ludlow, 6 Hunting Subjeds, 730-734 Immaculate conception, 796 Industrious Cottage Wife, The, 840 Inverary Castle and Town, 886 Iris, 766 Jack's Return, 893 Jason, 868 Joshua commanding the sun to stand still, 792 Joux, Fort, 707, 708 Juvenile Amusement, 52, 53 Kenmore on Loch Tay, 904 Konigsfelden, Convent of, 713 Kyloe: a West Highland Heifer, 671 Lady and Dog, 547 Lady on Horseback, 700 Lady reading a book, 912 Lambs, The, 681' Landscape, 72 1 Lausanne, View from, 71 1 Leader Sea Piece, 882 Leicester's (Earl of) visit to Amy Robsart, 729 Liber Studiorum, 864-887 Liebenstein, 716 Liege, 649 Lion and Herdsman's Daughter, 801 Little Devil's Bridge, 881 Loch Goil, 689 Lochgoilhead, 686 Loch Long, 689 London from Greenwich, 884 Luna, 764 Madonna, 720, 799 Mzecenas's Villa, 813 Marmion, Death of, 693 Mask, The, 535 Masquerade, 916 Meillerie, Scene at, 714 Meuse, The River, 647-649 Milking, Going out, 898 Milking, The return from, 899 Milk Maid, The, 808 Mondego, Fording the River, 821 Monkeys in a Watch House, 857 Mons, 833 Moor Hen, 658 More Park, near Watford, 889 Morning Ride, 700 Morpeth, 883 Mycenae, Antient Gate of, 755 " My horse," 758 Newfoundland Dog, 694 Norham Castle, 885, 890 Nose, Operations on a, 918 Okehampton Castle, 891 Orphan, The, 803 Oxen, Two Denham, 896 Oxford, Reception of the Prince Regent, 769 Packet, Interior of a, 914 Parnassus and Delphi, 751 Parthenon, The, 754 Partridges, 653 Pedlar, The, 856 Pembury Mill, Kent, 874 Pena Macor, an ancient fortress, 832 Pheasants, 654 292 INDEX TO SUBJECTS Pindus, Summit of Mount, 749 Piper, The Highland, 839 Plague of Egypt, The Fifth, 878 Plovers, 659 Poacher's Progress, The, 672-679 Pombal, Village of, in Flames, 827 Preparing to start, 642 Pugilists, The, 683 Quails, 660 Quiet Enjoyment, 905 Race Ground, Sketches from, 906, 907 Race, Peasants coming to the, 908 Rainbow, Scene on the Exe, 8l6 Raphael painting La Bella Fornarina, 684 Reading, 848 Recruit, The, 725 Redeemer, 800 Regent (Prince) : reception at Oxford, 769 Rembrandt's Mill, 812 Reubens, a race-horse, 651 Rivers of England, 888-892 Robsart, Amy, 729 Rolandseck, 718 Rowton, a race-horse, 728 St. Catherine, 704 St. Catherine's Ferry, 687 St. Francis, Head of, 820 St. Gothard, Mount, 871 Sancho : a pointer, 790 Savoyards, The, 838 School, After, 847 School, Going to, 846 School in an uproar, The village, 8 1 9 Scottish Views, 686-689 Sea Views, 919-921 Serra de Busacco, View of the, 826 Serra de Estrella, or De Neve, 831 Setters, 852 Sheep-washing, Windsor, 887 Shepherd boy asleep, 897 Shields on the Tyne, 888 Shipping Piece, 895 Ships in a breeze, 872 Shipwreck, A, 862 Shot : a dog, 703 Singing, 849 Sir Teddy, a race-horse, 789 Snowball, Young, 645 Sonneck, Castle of, 715 Spanish Boy, The, 692 Sparta, 757 Sternfels, 716 Straws Yard, The, 869 Subugal on the River Coa, 829 Sunrise, 698, 861 Teal, 661 Thermopylae, 750 Theseus, Temple of, 753 Thun, Lake of, 877 Tiger and Crocodile, 802 Tippoo Sultaun, Surrender of the Children of, 850 Totnes, 892 Trossachs, Glen of the, 901 True Briton East Indiaman, 859 Turnpike Gate, The, 696 Venus, 765, 809 Vesuvius in Eruption, 863 Villa Velha, Bivouac near, 825 Villa Velha, Pass of the Tagus at, 822 Virgin and Child, 797, 806 Virgin, A vestal, 913 Volunteers, Kensington, 706 Walzen, 647 Waterloo, 770-777 Water Mill, The, 690 Wedding, A Scottish, 786 Wellesley : an Arabian horse, 644 Wellington's campaigns in Spain and Portu- gal, 821-832 Welter Stakes, 1801, 695 Widgeons, 662 Wife of a brigand Chief, 724 Will, Reading of a, 785 Windham and Wexford East Indiamen, 860 Witch saiHng to Mecca, The, 748 Wolverine, Defence of the, 795 Woman and Tambourine, The, 865 Woodman's Repast, 858 Worcestershire Ewe, 652 Yorkshire Rose, The, 759 CHISWICK PRESS: CHARLES WHITTINGHAM AND CO. TOOKS COURT, CHANCERY LANE, LONDON. r GETTY CENTER LIBRARY NE 642 T94 W61 C, 1 Charles Turner. MAIN wiltnan. Alfred BKS 186 3 3125 00183 7331