Digitized by the Internet Archive in 2017 with funding from Getty Research Institute https://archive.org/details/victorianeraexhi00vict_1 DIRECTOR GENERAL ImreKiraify. PRIC O n PURE WOOL UNDERWEAR, HOSE, PYJAMAS, SHEETS, BLANKETS, DRESSING GOWNS, SHAWLS, CORSETS, BOOTS AND SHOES, HATS AND GAPS; &c., &c. 3 & 4, Princes Street, Cavendish Square (near Regent Circus). 126, Regent Street (near the Quadrant). 30, Sloane Street (adjoining M’Pherson’s Gymnasium). 456, Strand (near Trafalgar Square). 85 & 86, Cheapside (near King Street). TAILORING (only):— 42, Conduit St., New Bond Street, W. £ 0 Q. 1 HI 3 uj2 01 S h- w 2 D ASK YOUR GROCER FOR SAMPLE JAR, 7id. or Is. 3d., Post frtt, from PLUMTREE, SOUTHPORT. DLUMTREE’S I |(0ME'P0TTED MEATS For BREAKFAST, LUNCHEON, TEA, or SUPPER. DELICATE IK FLAVOUR. SUPERIOR IN QUALITY. Of all Grocers and Confectioners, at 6d- or is., in Earthenware Jars bearing Registered Label and Signature. c 2 C0=J gS X u o H SOUTHALL’S PATENT BOOTS. No Seams or Laces with their disadvantages. Put on in a moment. Fasten quickly and firmly. Strap supports the Ankles. Comfort and Elegance secured, combined with Durability and Economy in wear. Made in all qualities. Essentially the Boot of the future, whether for Ordinary Wear, the Moors, Qolf, or Cricket. THE GRANDEST BOOT EVER INVENTED, and will give the wearer entire satisfaction. Send fob Catalogue with Designs, Prices, and Self-Measurement Forms dibect to the Makers : SOUTHALL & CO., 187 ’ K ™ S LL Ro - Please Name this Publication !Ell| a! 0 III j CAPS, irciiii, j irmly. THE ESMOND SADDLE The Rider moves the Saddle. Not the Saddle the Rider. THE ESMOND SADDLE is not immovably fixed to the Cycle, but is slung from an elliptical bar attached to the |_ pi n » so that the rider glides over all obstacles, and the vibra- tion and shocks sustained by the machine are not communicated to him. In addition to this swinging motion from back to front it has a slight rock from side to side which allows it to yield to the pressure of the leg muscles in making the stroke on the Pedals, permitting the full weight of the rider to bear on them, giving greatly increased power. NO VIBRATION. NO PERINEAL PRESSURE. NO FRICTION. NO SADDLE SORENESS. See it at Stall No. 42, Western Arcade. THE ESMOND CYCLE SADDLE CO., LTD., 10 & 12, EASTCHEAP, LONDON, E.C. FOR INFANTS AND INVALIDS. When prepared is similar to Breast Milk. Samples post free from MELLIN’S FOOD WORKS, PECKHAM, S.E, THURSTON & CO. Alone in 1814. The Parent House of The Trade. LTD. Foremost in 1897. BILLIARD TABLES Sole Warrant of Her Majesty, The Queen. By Appointment to H.R.H. The Prince of Wales. Visitors should see the Royal Billiard Tables, Thurston’s Exhibit, in the Ducal Hall THURSTON & CO. are the Patentees and introducers of ALL the chief and permanent improvements in Billiard Tables, from the original Rubber Cushions and Slate Bed early in the Century to the “PERFECT” LOW CUSHION, now in use on Her Majesty’s Tables at Windsor Castle, Buckingham Palace and Osborne. Billiard Requisites of Best Quality and Finish. Prices Moderate. Show Ijo#m : 16, CATHERINE ST. STRAND W.G. ERADICATES SCURF AND DANDRIFF. PREVENTS HAIR FALLING . PROMOTES GROWTH. KOKO STRENGTHENS THE R30TS. CLEANSES THE SCALP. I/-. 2/6 l 3/6 SIZES. SOLD EVERYWHERE. Victorian £ra Exhibition, -*• 1897 , Earl's Court, London, S.W. Director=QeneraI : IMRE KIRALFY. CATALOGUE, FINE AFT sections. Conbon : RIDDLE & COUCHMAN, 22, Southwark Bridge Road, S.E, Copyrighted, 1897 . From a Photo by W. & D. Downey. 7 THE VICTORIAN ERA EXHIBITION, 18 3 7 - 1897 , EAEL’S COURT, S.W. proprietors. THE LONDON EXHIBITIONS, LTD., Exhibition Buildings, Earl's Court, S.W. / directors PAUL CREMIEU-JAVAL, J.P., Chairman. IMRE KIRALFY, Managing Director. HAROLD T. HARTLEY. JAMES MARSHALL FRESHWATER. HERMAN HART. Secretary : R. CLAUDE GARNETT Bankers THE LONDON & COUNTY TANKING Co., Limited. 2lu$ltors : Messrs. WOODTHORPE BEVAN & CO., Leadenhall Buildings, E.C. Solicitors: Messrs. LINKLATER, ADDISON, BROWN & JONES 2, Bond Court, Walbrook, E.C. N Earls Court , London , S.W Victorian Era Exhibition . 1897 . Scientific Section. Economic Section. Cloak Room. Commercial and Industrial Section (1st Division). Floral Fountain. New Music Pavilion, Lake. Electric Boat Station. Jubilee Bridge. Jubilee Garden. Island. Rookery. West Brompton Entrance. Victoria Bridge. Victorian Garden. Belvedere Tower. Historical & Commemorative Section (1st Division). General Fine Art Seotion. Musio Room. Old Bridge. Polios and Fire Station. Central Hall. Musioal Instruments Divi- sion of Musio Section. Musioal Publications Divi- sion of Musio Seotion. Music and Drama Sections. Empress Theatre Promenade. Company’s Offices. Lillie Road Entrance. Dist. Rly. Booking Offices. Eleotric Power House. Womau'x Work Section (His- torical Sub-Division). Do. (District Nursing Sub- Division), Do. (Hospital Work Snb- Divisiou). Do. (Fiue Art Sub- Division). Do. do. Do. do. Do. (Ladies' Committee Boom and Secretary's Offioe). Do. (Art Schools Division). Do. (Patents by Women and Philanthropy). Do. (Music Room), Do. (Role of Honor). Do. (Mrs. Meredith's Prison Mission). Do. (Philanthropy). (Do. (Applied Arts Sub-Divl- ) sion. Do. ( General Educational Sub-Division. Do. (Kindergarten i. Do. (Demonstration Room). Do. (Industrial Division). Post Offioe. Commercial and Industrial Seotion l2nd Division). Music Pavilion. Picturesque England. Commercial and- Industrial Section (3rd Division). Sports Seotion. 2nd Division of Historical and Com. memorative Seotion. A. Quadrant Restaurant E. Western Bar. Ga. Theatre Bar. L, B. Weloome Club. F, Theatre Bar. H. Refreshment Bar. M. Fair Bar, C. Rotunda Bar. Fa. Do. I. Refreshment Bar. N. Canteen. D. Chop House. G. Do. J. 0, Bridge Bi Coronation Fair. Marionette Theatre. Richardson's Show. Ride Range. Show. Show (Illusionist). | Pepper's Ghost Show. Show. Eooentric Photographer. Show. Show. Illusion d'Art. J. Fair Booths. Ore Extraction, j- Exhibits. Rollason's Wind Motor. West Kensington Entrauoe. Elysia Bridge, Sanger’s Cirous. Scientific Show Entrance to Switohbaok Rly. Infant Incubator. Panorama of Auoiont Rome. Lecture Hall, Women's Work Seotion APantoraimograph. North End Road Entranoe. Arcade Bazaar. Welcome Club. ^Gentlemen's Musio Pavilion. Lavatory, Electrophone. ^ Fair Bridge. "V Ladies’ Lavatory. P. Viotoria Bar. Q. Grill Room. R. Viotoria Restaurant. r. S. Loggia Bar. T. Lager RESTAURANTS and REFRESHMENT BARS. 4 . 5. C. 8 . 9. 10 . 11 . 12 . 13. 14. 15. 16. 17. 18. 19. 20 . 21 . 22 . THE Island of Montserrat, W.I. Barquentine “ Hilda ” Loading: Lime Juice in Montserrat. Island of Redonda on Horizon Considerable attention has been drawn to the above beautiful little Island, on account )f the disastrous floods and the distress caused thereby, and for which the Secretary of State for the Colonies, the Right Hon. J. Chamberlain, made a public appeal. “MONTSERRAT” is the source of PURE Lime Fruit Juice. “MONTSERRAT” Lime Fruit Juice is the most Refreshing, Cooling, and Healthful Beverage. “MONTSERRAT” Lime Fruit Juice and Cordials have imitations, therefore CAUTION should be exercised to see that the Trade Mark is on capsule and label of each bottle, as well as name of Sole Consignees — EVANS, SONS & CO., Liverpool, Also LONDON , SYDNEY, MELBOURNE, PARIS , ic. EVANS & SONS, Ltd., Montreal u.s.a. From all Chemists, Grocers, Wine Merchants, &c., everywhere. Victorian Era Exhibition, 1597 . Earls Court, London . Copyrighted, 1897, by the London Exhibitions, Limited. 9 Victorian Era Exhibition, 1837 - 1897 , EARL’S COURT. HONORARY COMMITTEE OF ADVICE. President. His Royal Highness The DUKE of CAMBRIDGE, K G Vice-Presidents. The Right Hon. The MARQUIS of LORNE, K.T., M.R The Right Hon. The LORD MAYOR of LONDON. Sir EDWARD J, The Rt. Hon. The Earl of Meath. Field-Marshal The Lord Roberts of Kandahar, G.C.B., G.C.S.I., G.G.I.E., Y.C. The Rt. Hon. The Lord Burton. The Hon. Sir H. Stafford Northcote, Bart., C.B., M.P. The Rt. Hon. A. J. Mundella, M.P. The Rt. Hon. Sir Bernard Samuelson, Bart., F.R.S. The Rt. Hon. Professor F. Max Muller. The Rt. Hon. Sir John Kennaway, Bart., M.P. Sir J. S. Barrington Simeon, Bart., M.P. Sir Daniel Cooper, Bart., G.C.M G. Sir William Agnew, Bart. Sir Edward Burne Jones. Sir Richard Webster, Q.C., G.C.M. G., M.P. Captain Sir Douglas Galton, R.E., K.C.B., F.R.S. Admiral Sir F. Leopold M'Clintock, K.C.B., F.R.S , D.C.L., L.L.D. Colonel Sir Edward S. Hill, K.C.B., M.P. Major-General Sir John Donnelly, R.E., K.C.B. Sir Augustus W. Franks, K C.B., F.R.S. Sir Clements Markham, K.C.B. , F.R.S., President Royal Geographical Society. Sir Charles E. Bernard, K. C.S.I. Major-General Sir Oliver R. Newmarch, K.C.S.I. Sir Benjamin Baker, K.C.M.G. Sir David Evans, K.C.M.G. Sir C. M. Kennedy, K.C.M.G., C.B. POYNTER, P R. A Sir George Birdwood, K.C.I.E., C.S.I., M.D., L.L.D, Sir Edwin Arnold, K.C.I.E., C.S.I. Sir Arthur Sullivan, Mus. Doc., Hon. R A.M. Colonel Sir C. Howard Vincent, C.B., M.P. Sir William Anderson, D.C.L., K.C.B. Sir Philip Magnus. Sir A. C. Mackenzie, Mus. Doc., P.R.A.M. Sir Owen Roberts, M.A., D.C.L., F.S.A. Sir Arthur W. Blomfield, M.A., A.R.A. Sir H. Trueman Wood, M.A. Sir Henry Waring. Sir James D. Linton, P.R I. Sir Henry Irving. I The Rev. Norman Macleod Ferrers D.D., F.R.S., Master of Gonville and Caius College, Cambridge, j The Rev. Bartholomew Price, D.D., F.R.S., Master of Pembroke College, Oxford, and Canon of Gloucester, The Rev. James H. Rigg, D.D., Principal of the Westminster Training College. Professor W. C. Roberts-Austen, C.B., , F.R.S. R. Thorne Thorne, Esq., M.D., C.B., F R S W. H. Preece, Esq., C.B., F.R.S. ’ J. C. Lamb, Esq., C.B., C.M.G. R. E. Sprague Oram, Esq., C.B. General James Michael, C.S.I. A. J. R. Trendell, Esq., C.M.G. Walter H. Harris, Esq., C.M.G. 10 HONORARY COMMITTEE OF ADVICE — continued. C. Purdon Clarke, Esq., C.I.E. Arthur N. Woolaston, Esq., C.I.E. Edmund Neel, Esq., C.I.E. Robert Farquharson, Esq., M.D., M.P. Charles Harrison, Esq., M.P. James W. Lowther, Esq., M.P. C. J. Monk, Esq., M.P. Thomas Brock, Esq., R.A. J. B. Burgess, Esq., R.A. E. Onslow Ford, Esq., R.A. W. P. Frith, Esq., R.A. Peter Graham, Esq., R.A. Professor Hubert Herkomer, R.A. J. C. Horsley, Esq , R.A. H. Stacey Marks, Esq., R.A. J. MacWhirter, Esq., R.A. W. Q. Orchardson, Esq., R.A. Valentine C. Prinsep, Esq., R.A. Briton Riviere, Esq., R.A. G. F. Watts, Esq., R.A. Frank Bramley, Esq., A. R.A. George Clausen, Esq., A.R.A. E. J. Gregory, Esq., A.R.A. Arthur Hacker, Esq., A.R.A. Colin Hunter, Esq., A.R.A. Seymour Lucas, Esq., A.R.A. David Murray, Esq., A.R.A. John Sargent, Esq., A.R.A. Solomon J. Solomon, Esq., A.R.A. G. A. Storey, Esq., A.R.A. John M. Swan, Esq., A.R.A. W. L. Wyllie, Esq., A.R.A. Professor W. E. Ayrton, F.R.S. George Alexander, Esq. S. B. Bancroft,. Esq. Edward Baring-Gould, Esq. Oscar Barrett, Esq. Wilson Barrett, Esq. W. A. Baskcomb, Esq. W. Bendall, Esq. D. J. Blaikley, Esq. J. F. Bridge, Esq., Mus. Doc., Gresham Professor. F. Travers Birdwood, Esq. C. I. Boosey, Esq. T. Craig Brown, Esq. J. Comyns Carr, Esq. J. S. Clarke, Esq. F. H. Cowen, Esq., Hon. R.A.M. F. Cellier, Esq. T. Chappell, Esq. R. M. Cocks, Esq. Major Craigie, F.S.S. W. H. Cummings, Esq,, F.S.A., Hon. R.A M., Principal of the Guildhall School of Music. J. Spencer Curwen, Esq., F.R.A.M., President Tonic- Sol-Fa College. G. Donaldson, Esq. James Dredge, Esq. T. Arthur Duncan, Esq., J.P. George Edwardes, Esq. Francis Elgar, Esq., F.R.S. , L.L.D. T. H. Elliott, Esq., F.S.S. E. Enoch, Esq. Charles S. Fagan, Esq., F.R.G.S. C. Le. Neve Foster, Esq., D.Sc. W. Ganz, Esq. Algernon Graves, Esq., F.S.A. W. S. Gilbert, Esq. Stefano Gatti, Esq. Otto Goldschmidt, Esq., Hon. R.A.M. , R C.O. J. Grego, Esq. J. M. Garrard, Esq., Edward German, Esq. Professor D. E. Hughes, F.R.S. Arthur G. Hill, Esq., M.A., F.S.A. Arthur Frederick Hill, Esq. A. J. Hipkins, Esq; G. T. Harper, Esq., J.P. Victor Horsley, Esq., F.R.S. Marcus B. Huish, Esq. Rudolf Lehmann, Esq. Alfred Littleton, Esq. Arthur J. Lewis, Esq. Hamish MacCunn, Esq. W. R. Mallett, Esq. J. M. McLaren, Esq., J.P, Dr. W. G. McNaught. C. Lloyd Morgan, Esq., Principal University College, Bristol. Sir Herbert S. Oakeley, Mus. Doc. Edmund Oldfield, Esq., F.S.A. Jonathan Peate, Esq. J.P. Hubert Parry, Esq., Mus., Doc., Director of the Royal College of Music. J. Paxman, Esq. A. W. Pinero, Esq. A. W. Rucker, Esq., M A., F.R S. Cav. A. Randegger, Hon. R.A.M. George Rose, Esq. Edwin 0. Sachs, Esq. Horace A. D. Seymour, Esq. G. R. Sims, Esq. Clement Scott, Esq. R. Phene Spiers, Esq. Alexander Siemens, Esq. C. E. Spagnoletti, Esq. W. Barclay Squire, Esq. G. A. Storey, Esq., A.R.A. C. Villiers Stanford, Esq., Mus. Doc., Professor of University of Cambridge. Professor S. P. Thompson, F.H.S. W. A. Tilden, Esq., D.Sc., F.R.S. Edward Terry, Esq. H. Beerbohm Tree, Esq. W. P. Viccars, Esq. Albert Visetti, Esq. Mark Whitwell. Esq. Henry J. Wood, Esq. Charles Wyndham, Esq. 11 I CHAMPAGNE Louis roederer. 1 892, CUYEE E, EXTRA DRY & BRUT. 1889, CUYEE P, EXTRA DRY & BRUT. T HIS CELEBRATED CHAMPAGNE used formerly to be somewhat sweet, but, to meet the public taste, its style was altered early in 1894, since when it has only been shipped either VERY DRY or BRUT. The above-mentioned Cuvees Vintages 1889 and 1892, will be found to be of unsurpassed quality, and are strongly recommended. Consumers who wish to obtain the genuine LOUIS ROEDERER Champagne are earnestly requested to ascertain that the name of LOUIS ROEDERER is on the Label and the Corks branded iTroederer. 12 FINE ART SECTION. J. MacWHIRTER, Esq., R.A., Chairman. Sir J D. LINTON, P.R.I., Vice-Chairman. THOMAS BROOK, Esq., R.A. C. PURDON CLARKE, Esq., C.I.E. E. J. GREGORY, Esq., A.R.A. J. C. HORSLEY, Esq., R.A. ALGERNON GRAVES, Esq. H. STACEY MARKS, Esq., R.A. W. Q. ORCHARDSON, Esq., R.A. SOLOMON J. SOLOMON, Esq., A.R.A. G. A. STOREY, Esq., A.R.A. DOUGLAS H. GORDON, Esq., J.P., Ron. Secretary. THE VICTORIAN ERA OF BRITISH ART. The British School of Painting may be said to have existed for two hundred years, for its founder, William Hogarth, was born in 1679. He it was who struck the first note of independence which has been the keynote of the finest British art ever since. During the sixty years of Her Majesty’s reign it has shown an ever increasing vitality, because it is founded more on the love and study of Nature than on the art of other countries. Hence, with perhaps many shortcomings and even crudities, it has struck out a line of its own, and has exhibited beauty and originality quite distinct though not apart from the other great Schools of Painting. Sir Joshua Reynolds, born in 1723, was the first President of the Royal Academy, and also the foremost figure in a group of painters which comprised some of the greatest masters of our school. The art of the Continent had died out, and its animating spirit having passed from Italy, Spain, Flanders, Holland, and France, had at last set her foot in England, calling forth such artists as Gainsborough, Wilson, Romney, Ramsey, George Morland, and many others ; all having a strongly marked individuality and, what is so delightful to the painter and the connoisseur, an unerring sense of colour and a true appreciation of nature, of human nature as well as external nature ; and who shall say that the works of these artists cannot hang side by side with those of any other artists of any school ? As they are anterior to the Victorian period, they are not included in the present exhibition ; but ranged along the centre gallery is a fine display of the engraver’s art, which includes many beautiful renderings of them, and where those visitors who are interested may find them out for themselves. As these painters passed from the scene, others of note appeared who carried on the traditions of the school well into the earlier part of the present reign. John Constable, born in 1776, died in 1837, the very year of Her Majesty’s accession. He may be taken as an eminent example of the independence inaugurated by Hogarth, and that closer imitation of Nature which freed the school, to a great extent, from the domination of 14 : the Dutch painters, an influence, however, which, in its initial stage, is certainly not to be regretted. But the works of Constable were so new in aspect, and so original, that his contemporaries, with the excep- tion of a few artists, could not appreciate them, and they seldom found purchasers. Yet his influence has survived to the present day, not only here but on the Continent, and his pictures are now bought at fabulous prices. The first name which greets us as we enter on the Victorian period is that of Joseph Mallord William Turner, certainly the most original and perhaps the greatest of all our painters — but this I must leave to others to decide. He was born in London in 1775 — a year before Constable — but lived on to produce a prodigious quantity of grand and beautiful work till 1851. So much has been said and written of the genius of Turner that it is quite unnecessary here to say more. I will only point out that in him, again, we have a truly British artist, who, although he copied nearly every school from Titian to Claude Lorraine — perhaps to show what he could do — was nevertheless one of the most independent painters who ever lived, and the most assiduous student of sky and land and water in all their aspects ; his great aim appearing to be to paint light and space, not only for the eye but for the mind — a great poet whose harmonious couplets were drawn with the brush. It is to be regretted that the work of Turner is only represented by one oil painting, “ Port Ruysdael,” which seems to have suffered terribly at the hands of the cleaner ; but among the engravings may be found reproductions of many of his finest pictures, and notably a collection in a perfect condition from his “ Liber Studiorum,” of which it is said that this work alone would have made the reputation of any other artist. To make up for the deficient representation of Turner, there will be found in Room No. 1 (a room devoted to deceased masters) an interesting collection of the Norwich School — including some of the very finest pictures of John Sell Cotman, born in 1782. His work seems to me, second only to Turner and Crome, so strong, harmonious and com- plete is it. Note especially the seapiece No. 50. Cotman died in 1842. Two specimens by James Stark, who was born in 1794, come next in order of date, one of which, No. 37, is an excellent example, but is more like an imitation of Hobbema than the work of an original master, and does not possess those particular qualities which characterise English art, still it is a beautiful piece of colour ; note how it sets off the David Cox next to it, which is purely English and looks like Nature herself seen through an open window, 15 Of George Vincent, also born at Norwich, in 1796, there are two specimens in this room both good in colour, and a beautiful marine subject by George Chambers, No. 30. Clarkson Stanfield, born in Sunderland, 1793, began life as a sailor, but left the navy to take to art. His pictures show his complete knowledge of everything connected with ships and the sea, and in addition to that, a fine sense of their pictorial element. See Nos. 48 and 66. He died in 1867. One of the finest works in this room is “The Village School,” by Sir David Wilkie, bom in 1785. He came to London when he was twenty-one, entered the Royal Academy as a student, soon to emerge from it one of the greatest masters that Scotland has produced, and added not only strength but a peculiar charm to the British School by his delineation of human expression and kindly humour. The “ Village School ” is so slight in treatment, many parts being only faint suggestions of figures, that it may be called a sketch, but is so complete that one feels no further touching could improve it. Up to Wilkie’s time only a few Scotchmen had joined the ranks of the English painters, so they may be said to have come over with Wilkie, and have certainly been a welcome reinforcement. One has but to turn to the picture by John Phillip, which hangs as a pendant to the Wilkie, to be convinced of this. It is called “ The Lottery Ticket,” and is one of those powerful renderings of Spanish life for which this artist was so celebrated. He was born in Aberdeen in 1817, and died in 1867. While the old school of colourists was dying out, a somewhat dull period of historic genre and costume painting set in, fostered in a great measure by the nouveau riche and the picture dealer. The exhibitions of the Academy, however, about the middle of the century were interesting from the story-telling point of view, and were in accordance with the taste, or rather the fashion of the day ; but the attractiveness of the pictures lay too much in the displays of the costumier, and not sufficiently on the finer requirements of art. But as if this lethargy were but the passing away of Winter to make way for Spring, at the very time when British art had ceased to be natural, and had become theatrical, two or three bold and original spirits, endowed with genius and talent, came to the front, and by what was at first looked upon as an eccentric innovation, recalled the English painters to their old watchwords, and bade them again turn to Nature for their inspirations. Foremost in this group were Sir John Millais, Holman Hunt, and Dante Gabriel Rossetti. These three artists were the founders of { the so-called pre-Raphaelite 16 School. The costumier was not altogether discarded, but truth and earnestness, and intensity of expression, combined with almost religious painstaking in rendering the details of Nature, gave a strange air of novelty to their productions, which startled the public and critic alike. Laughter and abuse were poured forth on this little band of brothers, yet they recalled our young painters to their old landmarks, and our School in consequence has been advancing ever since. In the centre of the wall on the left of Room No. 1 hangs a picture of a little girl dancing a minuet, which is certainly not pre-Raphaelite, for it does not recall the fifteenth century ; nor is it at all like the early efforts of the Brotherhood, but it is the result of it. The little face that lives and looks at you with the simple expression of childhood, and little feet that are ready to dance to you, are not those of either a saint or a Madonna, but of a dear little English girl. She won’t let you think of paint, or talent, or chiaroscuro, or colour or composition, but only of her own small self. Now this seems to me to be the triumph of art, since it is Art which conceals Art. One sad reflection we cannot suppress in looking at this delightful picture, which is that it hangs in the gallery of deceased British painters. Sir John Everett Millais, who occupied the presidential chair of the Academy for so brief a space, was born at Southampton in 1829. He was universally beloved by his brother artists, and has left behind him a noble record of his truth, his industry, and his kindliness. That he could paint men as well as he could paint little girls may be seen by his portrait of Lord Salisbury which hangs in another department. Opposite to the “ Minuet ” is a work by another President of the Royal Academy who was with us but a short time ago — namely, Lord Leighton. He, too, has left a noble record of his life’s work, as shown by the fine exhibition last winter at Burlington House. This grand classical figure, though differing so much in subject and treatment from its opposite neighbour, possesses those qualities of distinction which its author was ever anxious to implant on the English School, hoping thereby to raise it to more dignity. How far he has succeeded remains yet to be seen ; but, curiously enough, when Leighton relaxed for a moment in his self-imposed duty, and painted simple domestic subjects, such as “ The Music Lesson,” or when, as it were, for rest, he sat far away from the studio making landscape studies, he became as true and characteristic a British painter and as fine a colourist as the best of them. There are other fine works here which awake a melancholy interest as being by artists who have recently died, such as Henry Moore, John Pettie, and Hamilton Macallum. But we must pass on. 17 OUR LIVING PAINTERS. Turning to our living painters, one is delighted to find that they are not only actuated by the same spirit as those of the past— that is, of independence and truth — but they bid fair to even outdo their own old masters. On every side will be seen work full of health and vitality, and evidences that the British School still maintains its reputation for colour ; only a few false notes jar with the others here and there, consisting chiefly of white chalky pictures, which are a great source of trouble in arranging an exhibition, as they will sometimes throw out a whole wall, especially when they are large. There are, however, many pictures by young men which show they are working out new problems in colour and other important elements of their craft. Among the landscape painters we still see the same fondness for Nature and the same truthful delineation of her beauties, but with a tendency to degenerate into copies of bits, and mere studies, rather than works which appeal to the imagination and the poetic sentiment — works which, in other words, express the soul of Nature as well as her outward guise. And these studies are often on enormous canvases, which arfe quite out of proportion to the smallness of interest in the subject. The older men painted large pictures, with miles of distance and vast space in them, on modest canvases that could hang in an ordinary room, whereas the modern man too often finds that he wants a cloth eight or ten feet long to paint half an acre of grass and a tree. I do not propose to speak of our living painters individually, but perhaps I may be allowed to refer to the veteran Thomas Sidney Cooper, who though still with us may almost be considered an old master, for he was contemporary with most of those represented in Room No. 1. His picture of “ Canterbury Meadows ” in Room No. 7, which is full of the glow of life and light spread over the calm of an English rural scene, has so much interest and beauty in it, that, although a good size, is not an inch too large ; whereas I could point to a seapiece by a very celebrated man that is more like scene-painting than delicate art, clever as it is. Among the younger painters one welcomes a great advance in the workmanship of their pictures ; a broad style of handling is combined with good drawing, an element in which the School was so faulty some years ago. Indeed, a good deal more of the dexterity of the French artist is apparent. All the good we can import from our lively neigh- bours must be ever welcome and must add to our strength ; it is only to be hoped that their worst qualities will be left behind — such as their blood- o 18 thirstiness and unwholesomeness ; should these find their way across the Channel, there is little doubt that the east winds, the sunless skies, and the dense fogs of Perfidious Albion will soon make an end of them. But we cannot be too grateful to our French friends for as much of their taste and elegance as they can spare us, or for their intelligent criticism and artistic sympathy. WATER-COLOUR PAINTING. The beautiful art of water-colour painting, as now practised, was introduced by a few English artists at the end of the last century. John Robert Cozens, a landscape painter of great taste and poetic feeling, was the first to tint his drawings. He was born in 1752, and died in 1799. With him came Paul Sandby, Wm. Payne, and notably Thomas Girtin and J* M. W. Turner. Girtin, born in 1773 and dying in 1802, does not, of course belong to the Victorian era ; but two of his works are here exhibited as specimens of the art when it first made its appearance, and as leading up to its full development, as seen in the splendid show of Wm. Hunt’s work, which occupies the centre of the left wall in Room No. 3. Note the 44 Summertime — Roses in a Basket,” an exquisite picture in the highest key of colour ; and to the left and right of it, 44 The Young Salts,” and 44 a boy with a lighted candle ” — both perfect in their rendering of boyhood. 44 The Blessing ” is another excellent example, and the portrait of the artist, presiding over his own productions, gives additional interest to them. To the left of this group are many beautiful drawings by David Cox (1783-1859). This great artist may be said to have begun at the very bottom of the ladder, for his first occupation was that of colour- grinder to a scene painter. He passed much of his life in giving lessons, and is a teacher still, for artists, young and old, may always learn some- thing by looking at his fresh, pure rendering of the atmosphere and colour of nature combined with the consummate art of composition. Note 44 The Pastoral with horses,” 44 Bolsover Castle,” “Welsh scene with figures,” 44 Lane scene, felled timber,” 44 The Hayfield,” 44 The Water Mill,” and the grand sombre 44 Welsh Funeral.” Peter de Wint (1784-1849), another true artist, has a fine drawing of 44 Ulvester,” full of space and grandeur ; 44 A View of London from Greenwich,” “The Isle of Wight,” 44 A View in Kent,” and others. George Barret, in his beautiful pictures of 44 Morning ” and 44 Plvening,” 44 A Pastoral Scene,” and 44 Barge on Lake,” though 19 reminding us somewhat of Claude, fills his small frames with vast space and miles of distance. Passing some masterly sketches by William Muller (whose richly- coloured oil picture hangs in No. 1 Room) we came to “ Farm Buildings,” by Girtin, and some beautiful women by Sir James Linton, who, however, we are glad to say, is not a deceased artist. On the opposite wall is a goodly show of water-colours by John Sell Cotman, well worth our study ; he has eight fine oil pictures in Room No. 1, showing that he is a master in either medium. It is the mind and not the method that makes the painter. But space will not allow me to say much more of the works in this gallery ; small as it is, it contains subject for a volume, and I have dwelt upon it because it is so thoroughly English, and because we English are so constantly taught by our critics to be ashamed of our own artists, especially if they happen to be living. I must leave the visitor to find out other interesting works of our older water-colour painters, such as Copley Fielding, Sam Prout, J. B. Pyne, J. D. Harding, George Cattermole, J. Chalon, Linnell, G. A. Fripp, and John Thirtle, a pupil of Old Crome, whose “ View on the Yare with the first steamboat plying between Yarmouth and Norwich ” has a double interest. In the centre of the wall on the right is “ A Sea Beach,” by the late Henry Moore, full of breeze and movement ; and over it, a pastel, “ Summer Lightning,” by Albert Moore, his brother, which is full of grace and delicious tenderness of colour. Most interesting also are three drawings by Pinwell, one by Sir John Millais, and two brilliant pieces of work by the late Hamilton Macallum. The great regret we have is, that Frederick Walker is not represented in this otherwise very complete collection. In the next gallery, devoted to water-colours, will be found many beautiful works by living men, but these I must leave to the tender mercies of the critic. BRITISH SCULPTURE. The foregoing remarks on British painting apply equally to our sculpture. It has gradually emerged from the so-called classical style or modern antique, that was in vogue about the middle of the century, and developed . into a living art. Indeed, some of the statues now produced may be said almost to breathe ; thus a closer adherence to Nature has had the beneficial effect of bringing out original thought and fresh forms of beauty. o 2 20 The modern school of sculpture has perhaps made even a more marked advance than painting, for it cannot, except in the case of Flaxman and one or two others, point to its old masters with the same pride that the painter can point to Reynolds, Gainsborough, and many more ; and it is to be regretted that Alfred Stevens, Bailey, and Foley are not represented. But on the other hand, we may congratulate ourselves on the strength of our new men. Their work is full of life and decorative quality and even colour, and placed as it is in the picture galleries, one is only too pleased to witness how the sister arts agree. So fine a collection of modern British sculpture has rarely if ever been brought' together, and one of the subjects of congratulation at the present time is the great advance which has been made in this branch of art during Her Majesty’s reign. THE GREAT GALLERY. It is a source of regret that several well known artists of the Victorian period are unrepresented, not, however, from any want of effort on the part of the Committee to obtain them. Among these are C. R. Leslie, Thos. Webster, Wm. Mulready, and others ; and we have only two small works (lent at the last moment) by our great colourist Etty. But there are some fine things in the large gallery by Sir Edwin Landseer, who was certainly one of our most distinctly Victorian painters, and also many engravings from his pictures. But he is too well known, and is still so great a favourite, that it is needless here to say more of him. Three large compositions by John Martin — the last he painted — are full of interest, but have had to be placed too high for inspection owing to their enormous size. They are better studied in the engrav- ings, for which purpose they were produced. Three pictures by the late Edwin Long will, no doubt, be as popular here as they were when exhibited elsewhere. They possess great bold- ness of design, and appeal to a large class of admirers. CONCLUSION. It was a happy thought on the part of the Directors of the Earl’s Court Exhibition that, at a place ostensibly one of popular amusement, a collection of art should be brought together, and one' which is not the mere showy display that is supposed to be in accordance with the taste of the multitude, but is representative of the British school of the last sixty years. 21 It is an experiment well worth the responsibility and expense it involves, and one which will prove whether the general public is still so unappreciative as some of its critics are constantly asserting. For my part I do not believe that this is the case ; but if it is, then surely the best means of improving it is the opening of such exhibitions as the present one. For art teaches art, and inculcates a love for it ; and it will be a source of great satisfaction if the picture galleries are crowded with visitors. If the British public would make more use of their own eyes and less of their ears in looking at pictures, and depend less on their self-elected guides, the artist would be relieved of a heavy burden; and I will venture to say that if the governing authorities spent a little more on art and a little less on art-masters, they would benefit the whole community. If any of these results can be brought about, or even partly brought about, by the present display, I think we shall all owe the Directors of the Victorian Era Exhibition a hearty vote of thanks. G. A. Storey, A.R.A. 22 LIST OF EXHIBITS ROOM No. 1. 1. — The Village School. Sir David Wilkie. R. A. 2. — Loch Lomond. Horatio McCulloch, R.S.A. *3. — Original Study for “ The Huff.” John Phillip, R.A. 4. — Peasant and Dog. J. A. O’Connor. 5. — Lane Scene. J. Stark. 6. — A River Scene. George Chester. 7. — Landscape. T. Creswick, R.A. 8 — Study of a Girl’s Head. M. Etty, R.A. 9. — The Original Sketch for the Red Cap. G. Lance. 10. — The Milkmaid. Sir E. Landseer, R.A, 11. — Thorpe, near Norwich. Geo. Vincent. 12. — Eventide at Matlock. George Mason, A.R. A. 13. — Bailie Macwheeble at Breakfast. J. Eckford Lauder, R.S.A. 14. — Landscape. Sam Bough, R S.A. 15. — Chilston Lane, near Torquay. G. BVVillcock. *16. — Meditation. Frank Holl, R.A. 17. — Port Ruysdael. J. M. W. Turner, R.A. 18. — Stonehaven. Sir W. Fettes Douglas, P.R.S.A. 19. — Venus at the Bath. M. Etty, R.A. 20. — Gorleston Harbour. A. Stannard. 21. —St. Alban’s Race. Henry Moore, R.A. 22. — The Minuet. Sir J. Millais, P.R.A. 23. — Holy Isle— Arran. Sir Geo. Harvey, P.R.S.A. 24. — Kilmun. J. Milne Donald, R.S.A. 25. — Alder Car on the Yare. J. Stannard. 26. — Calm before a Storm. Henry Moore, R.A. 27. — “ Disbanded.” John Pettie, R.A., H. R.S.A. Lent by J. M. Keiller, Esq. Lent by A. G. Macdonald , Esq. Lent by Tom Nickalls, Esq. Lent by Dowager Countess of Nor- manion. Lent by J. J. Colman, Esq. Lent by Mrs. Ada S. Baltin. Lent by Sir Robert Rawlinson. Lent by Sir James Linton , P.R.I. Lent by Miss Ada C. Lance. Lent by J. J. Colman , Esq. Lent by J. J. Colm r m, Esq. Lent by His Grace the Dulce oj Westminster. Lent by Lady Dawson Brodie. Lent by Dowager Countess Nor- manton. Lent by H. Howard , Esq. Lent by Mrs. M. G. Luck. Lent by Sir J. W. Kelk, Bart. Lent by Arthur Sanderson , Esq. Lent by Sir J. D. Linton, P.R.T. Lent by J. J. Colman, Esq. Lent by Miss Moore. Lent by Sir J. W. Kelk. Lent by the Albert Institute, Dundee. Lent by James Cowan, Esq. Lent by J. J. Colman, Esq. Lent by Miss Moore. Lent by the Albert Institute , Dundee. Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 23 28 , 29 , 30 , 31 , 32 , * 33 , 31 , 35 . * 36 , 37 . 39 . 40 . 41 . 42 . 43 . 44 . 45 . 46 . 47 . 48 . 49 . 50 . 51 . 52 . ' 53 . 54 . 55 . 56 . * 57 . 58 .— * 59 . 60 , * 61 . * 62 . 63 . Lent by Algernon Graves , Esq. Albert Institute, —Summer Evening at Wootton, Isle of Wight. Lent by Dowager Countess of Nor- Alfred Vickers. manton. —Portrait of a Lady, “ Winter.” Sir Francis Lent by Thos. H. Woods , Esq. Grant, P.R.A. —Entrance to the River Mersey — the Emi- Lent by Dowager Countess of Nor- grants. Geo. Chambers. manton. —A Highland Whisky Still. Sir Edwin Lent by His Grace the Dulce of Landseer, R.A. Wellington. —Brittany Peasant. G. Paul Chalmers, R.S. A. Lent by James G. Orchar, Esq. —The Young Falconer. Solomon Hart, R.A. —Grandmother’s Gown. Sir W.Fettis Douglas, Lent by the P.R.S.A. Dundee. —Wood Scene. J. Stark. Lent by J. J. Colman, Esq. —Going to the Hayfield. David Cox, R.A. Leyit by Tom Nickalls, Esq. —Sheep Washing. J. Stark. Lent by J. J. Colman, Esq. —Edinburgh from the Canal. Samuel Bough, Lent by Robert F. Brechin , Esq • R.S.A. — Chilston Lane, near Torquay. G. B. Willcock. — Spanish Farm. James Ward, R.A. — The Baggage Waggon. John Sell Cotman. —Sea piece. John Sell Cotman. — After the Storm. John Sell Cotman. — The Heirloom. G. Lance. — The Mishap. John Sell Cotman. — A Norfolk Wherry. John Sell Cotman. — Durham. Henry Dawson. — Tilbury Fort — “ Wind against Tide.” Clarkson Stanfield, R.A. — Fishing Boats on the Medway. M. E. Cotman. — Sea piece. John Sell Cotman. — Old Houses at Gorleston. John Sell Cotman. —Cattle. James Ward, R.A. — Bathford Mill, near Bathampton, Bath. G. B. Willcock. — “Idol Mine.” J. R. Herbert, R.A. — Dutch Pincks coming ashore. E. W. Cooke, R.A. — Harvest Time — Men Bathing. J. J. Chalon. —Windsor Castle — Morning. Alfred W. Hunt, R.W.S. Pilgrims arriving in sight of Rome. Sir C. L. Lent by Henry Graves & Co., Ltd. Eastlake, P.R.A. Barmouth, North Wales. J.W. Oakes, A.R.A. ■Trowse Meadows, Norwich. Geo. Vincent. Phryne at Eleusis. Lord Leighton, P.R.A. The Fallow Field. J. W. Oakes, A.R.A. River Scene — Moonlight. James Webb. Lent by H. Howard, Esq • Lent by Sir P. FitzWygram. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by Sir Tollemache Sinclair. Lent by Lord Burton. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by J. J. Colman, Esq. Lent by Sir P. Fitz Wygram. Lent by H. Howard, Esq. Lent by W. V. Herbert, Esq. Lent by Lord Burton. Lent by Chas. D. Crews, Esq. Lent by Mrs. Alfred Hunt. Lent by Thos. Richardson & Co. Lent by J. J. Colman , Esq. Lent by Leggatt Bros. Lent by A. E. Pier point, Esq. Lent by Martin H. Colnaghi, Esq Those pictures marked with an asterisk are for Sale. For prices apply to the Attendant in the Gallery. 24 *64. — Windsor Castle — Evening. Alfred W. Hunt, R.W.S. 65. — The Traitor. John Pettie, R.A. 66. — Island of Ischia. Clarkson Stanfield, R.A. 67. — Portrait of Wyke Bay liss, F.S.A., P.R.S.B.A. John Burr, P.R.S.B.A. *68. — The Mail Coach. Sam Bough, R.S.A. 69. — The Carpet Bazaar. W. J. Muller. 70. — Old Letters. G. P. Chalmers, R.S.A. 71. — La Loteria Nacional — The Spanish Lottery. John Phillip, R.A. 72. — Loch Slapin and the Coolin Mountains. Horatio McCulloch, R.S.A. *73. — Deal Beach — Storm Clearing Oft'. James Holland. Lent by Mrs. Alfred Hunt. Lent by Patrick Ness, Esq. Lent by Sir J. W. Kelk, Hart. Lent by Wyke Bayliss, Esq., P.R.S.B.A. Lent by Leonard Gow, Esq. Lent by Alfred East , Esq., R.l. Lent by J. Maclauchlan, Esq. Lent by Holbrook Gaskell , Esq. Lent by A. G. MacDonald , Esq. Lent by Leggatt Bros. SCULPTURE. 74. — Bust of the late Lord Leighton, P.R.A. Lent by Thomas Brock, Esq., R.A. Thomas Brock, R.A. 75. — Bust of the late Sir J. E. Millais, P.R.A. Lent by E. Onslow Ford, R.A. E. Onslow Ford, R.A. ROOM No. 2. *76.- *77.- 78.- *79.- 80.- *81.- 82.- *83.- *84.- *85.- 86 .- *87. 88 .- 89. - 90. - -Tea-time. Haynes King, R.B.A. Lent by Haynes King, Esq., R.B.A. -Scarboro’ Fishing Smack entering Harbour. Lent by Edwin Hayes, Esq., Edwin Hayes, R.H.A., R.l. -Portrait of Zoe Thomson, wife of the late Most Reverend William Thomson, D.D., Archbishop of York. G. F. Watts, R.A. -The Meadow’s Brook, Steyning. Mark Fisher. -“ Oh swallow, flying from the golden woods, fly to her, and pipe, and woo her, and make her mine, and tell her, tell her that I follow thee. ’ J. M. Strudwick. -A Cottage Garden. Yeend King, R.l. -Inventor of Sails. F. Smallfield, R.W.S. -“The Faerie Wood.” William Stott, Oldham. -Salome. G. A. Storey, A.R.A. -Rye Yale, Yorkshire. Frank Walton, R.l. -Queen Mary, after Langside. James Lavery -The First Parting. T. Graham. -Dawn. E. J. Gregory, A.R.A. -Cattle. T. Sidney Cooper, R.A. -Boys Bathing. Wra. McTaggart, R.S.A. R.H.A., R.L Lent by Mrs. F. W. Goodwyn. Lent by Leopold Mtfgret. Lent by Mrs. Geo. Holt. Lent by Yeend King, Esq., R.l. Lent by the Earl of Pembroke. of Lent by William Stott, Esq., of Oldham. Lent by G. A. Storey, A.R.A. ljent by Frank Walton, Esq , R.T. Lent by James Mylie, Esq. Lent by T. Graham, Esq. Lent by Charles D. Galloway. Lent by Sir Fred. Milner, Bart. Lent by Robert H. Brechin, Esq. Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 25 91. — “ Pensioned Off.” J. B. Burgess, K.A. 92. — Portrait of Mrs. Chas. Wyllie. Alma Tadema, K.A. 93. — “ Outward Bound.” Sir E. J. Poynter, P.R. A. 94. — Finished sketch for “ Honeywood intro- ducing the bailiffs as his friends.” W. P. Frith, R.A. 95. — Portrait of Miss MacWhirter. L. Alma Tadema, R.A. 96. — Rembrandt in his Studio. Sir John Gilbert, R.A. Lent by H. J. Allcroft. Lent by Charles Wyllie , Esq. Lent by H. Evans , Esq. Lent by Harold T. Hartley , Esq. Lent by J. MacWhirter , Esq., R.A. Lent by Lieut.-Col. Bindley. 97. — The Pass of Leny, Perthshire. John Smart, Lent by the Albert Institute, R.S.A. Dundee. “ When hill-tops are whitened wi’ winter’s first suaw An’ the leaves o’ the simmer are fadin’ awa’.” *98. — The Connoisseur. G. A. Storey, A.R.A. Lent by G. A. Storey, Esq- 99. — “ Pandora.” J. W. Waterhouse, R.A. Lent by Alfred de Pass, Esq. 100. — Dutch Home Life. Hugh Carter, R.L Lent by Hugh Carter, Esq , R.I. 101. — A Venetian Fruit Stall. G. C. Haite, R.B.A. Ijent by Peter Owen, Esq. 102. — Evening among the Lonely Hills. Alfred Lent by Dr. Leon Williams. East. 103. — Cardinal Manning. W. W. Ouless, R.A. Lentby W. W. Ouless, Esq., R.A. *104. — Hammersmith Mall. E. F. Brewtnall, R.I. Lent by E. F. Brewtnall, Esq., R.L 105. — The Confessional. E. Blair Leighton. Lent by Lieut.-Col. Bindley. *106. — When Early Falls the Dew. Ernest A. Lent by E. A. Waterloiv, Esq., Waterlow, A.R.A. 107. — Dolly Varden. W. P. Frith, R.A. 108. — Villa Madama. M. R. Corbett 109. — Portrait of Miss Muriel Wylie Hill. Walton. *110. — Wayfarers. Thos. Graham. *111. — The Age of Innocence. Robt. W. A.R.A. Lent by Sir R. Rawlinson. Lent by M. R. Corbett, Esq. E. A. Lent by Robt. \fylie Hill , Esq. Lent by Messrs. H. Graves & Co., Ltd. Mac- Lent by Robt. W. Macbeth, Esq., beth, A.R.A. A.R A. 112. — Portrait of Barry Pain, Esq. Rudolf Lehmann, Esq. 113. — Morning of the 12th of August. Basil Bradley. 114. — Portrait of G. A. Holmes, Esq. William Carter. 115. — The Apothecary. H. S. Marks, R.A. 116. — Portrait of Miss Sims. Charles Sims. *117. — Lord Roberts of Candahar. Charles W. Furse. *118. — The Tomb of Theodoric, Ravenna. Frank Dillon. 119.— The Witch. Hon. John Collier. Lent by Barry Pain, Esq. Lent by John Cockshut, Esq. Lent by William Carter, Esq. Lent by Henry James Turner , Esq. Lent by Charles H. Sims, Fsq. Lent by Charles W. Furse, Esq. Lent by Frank Dillon, Esq. Lent by Hon. John Collier. * Those 'pictures marked with an asterisk are for sale. For prices apply to the Attendant in the' Gallery. 26 120 , * 121 . 122 . *123.- *124, 125, *126. Lentby the Liverpool Corporation. Thomas Lent by Thomas Tyne, Esq., R.I. *127, 128. 129. — 130. - *131.- 132. - 133. 134. - 135- *136.- Peonies. C. E. Perugini. On the Borders of Suffolk. Pyne, R.I. “ A Frosty Morning.” Joseph Farquharson. Lent by Joseph Farquharson, Esq. “ Oil for the Lamp.” F. W. W. Topham. Lent by Arthur Kennedy, Esq. -Launched in Life. E. Blair Leighton. Lent by Samuel Isherwood, Esq. His Serene Highness Prince Alexander Lent by H.R.H Princess Mary George of Teck. William Carter. Adelaide Duchess of Tech. “ And with his foot and with his wing-feathers He swept the spring that watered my heart’s drouth. Then the dark ripples spread to waving hair, And as I stooped, her own lips rising there Bubbled with brimming kisses at my mouth.” — D. G. Rossetti. Gerald E. Moira. Lent by Gerald E. Moira, Esq. Lyndale, Devon. Yeeml King, R.I. Lent by Yeend King, Esq., R.I. The Rev. Andrew Gardiner, D.D. James Lent by James Gardiner , Esq. Guthrie. Edward Heron Allen, Esq. Rudolf Leh- mann. Maternal Anxiety. Edwin Douglas. Time of the Overflow, Egypt. F. Goodall, R.A. Portrait of Miss Grey. William Carter. Lord Leighton. J. Hanson Walker. Seeking Sanctuary. Lent by E. Heron Allen, Esq. Lent by Edwin Douglas, Esq. Lent by C. J. Lucas, Esq. Lent by Robert Grey, Esq. Lent by J. Hanson Walker, Esq. G. Sheridan Knowles. Lent by the Municipal Art Gallery , Oldham. -The Hush of Twilight. Wellwood Rattray, Lent by Wellwood Raitray, Esq., A.R.S.A. A.R.S.A. -Marauders from the Moor. Robert Macbeth, Lent by Robert Macbeth, Esq, A.R.A A. R.A. 137. — Portrait of Dr. Malecki. Hugh Carter, R.I. Lew by Hugh Carter, Esq., R.I. *138. — “After a Night of Rain.” Robert Carrick. Lent by Robert Carrich, Esq. 139. — “ Teutonic,” under inspection by the Lent by Messrs. Ismay, Imrie ft German Emperor and Prince of Wales Co. at Spithead, 4th August, 1889. W. L. Wyllie, A.R.A. 140. — Les Miserables. J. C. Dollman. Lent by John C. Scrimgeour, Esq : 141. — Faithful unto Death (Auto da Fe'). W. S. Lent by W. S. Burton, Esq. Burton. In the Auto da Fe procession of the condemned to the place of execution, those about to be burnt alive had to wear a san benito covered with forked flames shooting upwards, together with grotesque figures of demons. The Coroza was painted in a similar manner. “ Justitia et Misericordia ” was the motto of the Holy Inquisition. * Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 27 *142. — The Hag Picker’s Home in Paris. Chas. P. Lent by W. Badger, Esq. Sainton. 143. — Spoils of Opportunity. E. J. Gregory, Lent by Chas. D. Galloway, Esq. A.R.A. 144. — Ravello. No. 1. Joseph Farquharson. Lent by Joseph Farquharson, Esq. 145. — Birchwood Corrie— Isle of Arran. J. Lent by Lieut.-Col. Bindley. MacWhirter, R.A. 146. — “Loch Scavaig.” J. MacWhirter, R.A. Lent by Lord Burton. 147. — Ravello. No. 2. Joseph Farquharson. Lent by Joseph Farquharson, Esq. 148. — Adversity. Fred H til. Lent by Captain Perkins. SCULPTURE. 149. — The Spinning Girl. Paul R. Montford. Lent by Paul R. Montford, Esq. 150. — The Genius of Poetry. T. Brock, R.A. Lent by T. Brock, Esq., R.A. *151. — Nymph Finding the Head of Orpheus. Lent by F. W. Pomeroy, Esq. F. W. Pomeroy. ROOM No. 3. WATER COLOURS.— DECEASED PAINTERS. 152. — Devil’s Tower. John Thirtle. 153. — River Yare at Thorpe, Norwich, with first steamboat plying between Yarmouth and Norwich. John Thirtle. 154. — Study for Seat in St. James’s Park. G. J. Pinwell, A.R.W.S. 155. — Solitude. G. J. Pinwell, A.R.W.S. 156. — Florence. J. D. Harding. 157. — By the River. G. J. Pinwell, A.R.W.S. 158. — The First Snow. Tom Collier. 159. — On the East Coast. Tom Collier. 160. — Church near Arundel. Tom Collier. 161. — Cumberland Fells. Tom Collier. 162. — Pineapple, Plums, and Grapes. William Hunt. 163. — In Wales. Tom Collier. 164. — Dee Sands. Tom Collier. 165. — A Common. Tom Collier. 166. — South Dosvns. Tom Collier. 167. — Tunbridge Wells. Sir John E. Millais, P.R.A. 168. — Returning from Labour. Tom Collier. 169. — Moorland Scene, Between Showers. Tom Collier. 170. — Common, Scene in Surrey. Tom Collier. 171. — Lane Scene — felled timber, &c. David Cox. Lent by J. J. Colman, Esq. Lent by J. J. Colman , Esq. Lent by Harold T. Hartley, Esq. Lent by Chas. D. Dalziel, Esq. Lent by J. Or rock, Esq. Lent by Chas. D. Dalziel, Esq. Lent by J. Or rock. Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by W. Harding Smith, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by Jas. G. Orchar, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 28 172. — Through the Green Corn. David. Cox. 173. — Welsh Scene, with figures. David Cox. 174. — “ Kenilworth.” David Cox. 175. — Lane Scene — figures, &c. David Cox. 176. — Windsor. David Cox. 177. — Spiers Cox. David Cox. 178. — Hayfield. David Cox. 179. — Hayfield. David Cox. 180. — “ Changing Pastures.” David Cox. 181. — Haddon Hall in the Olden Times. David Cox. 182. — Welsh Funeral. David Cox. 183. — Bolsover. Castle. David Cox. 184. — Mill, with waterwheel. David Cox. 185. — Pastoral, with horses, &c. David Cox. 186. — Windsor. David Cox. 187. — Lane Scene, with hovel. David Cox. 188. — Carting Sand. David Cox. 189. — Highland Cattle. H. B. Willis. 190. — Common Scene — figures, &c. David Cox. 191. — Lane Scene in North Wales. David Cox. 192. — Rustic Courtship. David Cox. 193. — Ploughing. David Cox. 194. — At Rowsley. David Cox. 195. —“ The Blessing.” William Hunt. 196. — Apple and Black Grapes. William Hunt. 197. — “ A Fresh Breeze.” G. Chambers. 198. — Lane Scene — figures, &c. John Yarley. 199. — “ A Midday Rest.” W. Callow. 200. — Near Lewes. H. Hine. 201. — Plums. William Hunt. 202. — The “ Young Salts.” William Hunt. 203. — Black Grapes and Pear. William Hunt. 204. — Bird’s Nest and Primroses, William Hunt. 205. — Summer Time — Roses in a Basket. William Hunt. 206. — Quinces. William Hunt. 207. — The Garland — Mayday. William Hunt. 208. — Portrait of the Artist. William Hunt. 209. — A Breezy Day on the Warren. John Steeple. 210. — Near Brighton. H. Hine. 211. — Oyster Shell, Onion, &c. William Hunt. 212. —“ Good Night.” William Hunt. 213. — Grapes and Pear. William Hunt. 214. — A Mulatto. William Hunt. 215. — Apple and Shell. William Hunt. 216. — At the Nore. G. Chambers. Lent by J. Orrock, Esq. Lent by J. Orrock , Esq. Lent by J. Orrock , Esq. Lent by J. Or rode. Esq. Tjent by J. Orrock, Esq. Ijent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock , Esq. Len' by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock , Esq. Lent by Sir R. Rawlinson. Lent by J. Orrock, Esq Lent by J. Orrock, Esq Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq Tjent by Gilbert Cooke, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock , Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by H. Riviere, Esq. Lent by Miss Ethel M. Cook. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Lent by J. Orrock, Esq. Those 'pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 29 217. — North Wales — Cornfield. John Varley. 218. — In Kent Hovels — Cattle. P. De Wint. 219. — Landscape, with rainbow. P. De Wint. 220. — Lane Scene — Old Houses. P. De Wint. 221. — Ulverston. P. De Wiut. 222. — London, from Greenwich Hill. P. De Wint. 223. — Whitby Abbey. P. De Wint. 224. — Isle of Wight. P. De Wint. 225. — Classical Subject. G. Barret. 226. — Evening. G. Barret. 227. — “ Jack o' Nants ” — North Wales William Muller. 228. — Boy Eating Porridge. William Hunt. 229. — The Timber Waggon. G. Barret. 230. — Pastoral Scene, with sheep, &c. G. Barret 231. — Barge on Lake. G. Barret. 232. — Pastoral. G. Barret. 233. — Waggon and Horses. G. Barret. 234. — Morning. G. Barret. 235. — Study in the Bed of a Stream. William Muller. 236. — Old Man’s Head. William Hunt. 237. — Girl’s Head. William Hunt. 238. — The Tower of St. Benton. R. P. Bon ington. 239. — Windsor. John Yarley. 240. — The Arrest. G. Cattermole. 241. — Cottage near Bettws. William Muller. 242. — Farm Buildings. Thomas Girtin. 243. — The Carol Singers. G Dodgson. 244. — River Scene. John Yarley. 245. — Wallflowers. Sir J. D. Linton. 246. — The Guard Room. Sir J. D. Linton. 247. — Alice Bridgenorth Sir J. D. Linton. 248. — The Beautiful Sitter. Sir J. L). Linton. 249. — Divine Service in the Baron’s Chapel. G. Cattermole. 250. — Harlech Castle, Wales. John Yarley 251. — The Mandoline. Sir J. D. Linton. 252. — The Reverie. Sir J. D. Linton. 253. — Off Margate. J. M. W. Turner, R.A. 254. — On the Yare. J. S. Cotman. 255. — Ruins of an Old Abbey. 256. — Rock Tombs, Lycia. William Muller. 257. — “ Cornfield.” Vicat Cole, R.A. 258. —“ Eel Bucks.'’ G. A. Fripp, R.W.S. 259. — A Capri Boy. Hamilton McCallum, R.I. 260. — Field of Poitiers. John Absolon, R.I. Lent by J. Orroch, Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by J. Orroch , Esq. Lent by H. Riviere, Esq. Lent by J. Orroch, Esq . Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J Orroch , Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by H. Riviere, Esq. Lent by 11. Riviere, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch , Esq. Lent by J. Orroch, Lsq. Lent by J. Orroch, Esq . Lent by J. Orroch, Esq. Lent by J. Orroch, Esq Lent by J. Orroch, Esq. Lent by J. Orroch, Esq . Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by J. Orroch, Esq. Lent by Sir F. Milner, Bart , M.P. Lent by Sir R. Rawlinson. Lent by E. Homan, Esq. Lent by Sir R. Rawlinson. * Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 30 261. — Gipsies. John Linnell. Lent by James Guthrie Orcliar Esq. 262. — Portrait of Harriet, wife of the First Earl Lent by the Dowager Countess o j of Ellesmere, &c. R. Thorburn, A.R. A. Ellesmere. 263. — Oure Ladie of Good Children. Ford Lent by Alfred A. de Pass , Esq. Madox Brown. 264. — Study in the Lake District. J. B. Pyne. Lent by Sir R. Rawlinson. 265. — Gathering Seaweed. Hamilton Macallum. Lent by E. Homan, Esq. 266. — Road Scene and Sheep. G. A. Fripp, R.W.S. Lent by Sir R. Rawlinson. 267. — Field of Cressy. John Absolon, R.I. Lent by Sir R. Rawlinson. 268. — “A Welsh Stream.” J. D. Harding. Lent by W. Harding Smith, Esq. 269. -'-Bridge of the “Rialto,” Venice. S. Prout. Lent by Holbrook Gaskell, Esq. 270. — The Queen and the Prince fording the Ijent by Her Majesty the Queen. Poll Tarf, Oct. 9th, 1861. Carl Haag. 271. — Seaforth Cliffs and Sea, Sussex. Copley Lent by Holbrook Gaskell, Esq. Fielding. *272. — Portrait of the Duchess of Kent, Mother Lent by A. Smith, Esq. of H.M. the Queen. A. E. Chalon, R.A. 273. — Whitekirk Sands. Sam Bough, R.S.A. Lent by Jas. Guthrie Orcliar, Esq. 274. — Scene from “ Quintin Durward.” G. Lent by H. Riviere , Esq. Cattermole. 275. — Lightning aud Light (Pastel). Albert Lent by Miss Moore. Moore. 276. — Waiting for the Boats at Scheveniugeu. Lent by Miss Moore. Henry Moore, R.A. 277. — The Baron’s Hall. G. Cattermole. Lent by Holbrook Gaskell, Esq. *278. St. George’s Chapel, Windsor, 15th January, Lent by Sydney N. Castle, Esq., 1842 ; the Christening of H.R.H. the J.P. Prince of Wales. Louis Haghe. 279. — Countess Guicoli. A. E. Clialon, R.A. Ltnt by Sir R. Rawlinson. 280. — Ben Vorlich, Perthshire. Copley Fielding. Lent by Holbrook Gaskell, Esq. 281. — Soldiers Baiting. F. Tayler. Lent by Sir Robt. Rawlinson. 282. — Evening at Balmoral Castle : the Stags Lent by Her Majesty the Queen. brought Home. Carl Haag, R.W.S. 283. — Windy Day, Guildford. Sam. Bough, Lent by Alexander S. Stevenson. R.S.A. 284. — McLean’s Cross, Iona, N.B. Sam. Lent by Jas. Guthrie Orchar, Esq. Bough, R.S.A. *285.— Sonning — Early Summer. Alfred W. Lent by Mrs. Alfred Hunt. Hunt. 286. — An Interior. William Hunt. Lent by H. Riviere, Esq. 287. — Gateway of Abbey, Aumale, Normandy. Lent by J. J. Colman, Esq. J. S. Cotman. 288. — Classical Subject. John Sell Cotman. Lent by J. J. Colman, Esq. 289. — The Hay Barge. John Sell Cotman. Lent by J. J. Colman, Esq. 290. — Crosby Hall, Bishopsgate Street, E.C. Lent by J. J. Colman, Esq. John Sell Cotman. 291. — Abbatial House, Rouen. John Sell Cotman. Lent by J. J. Colman, Esq. * Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 31 292. — The Monk. William Hunt. 293. — “Height and Depth,” via Mala. John Sell Cotman. 294. — Classical Subject. John Sell Cotman. 295. — View of Hastings. S. Prout. 296. — The Toilet. Sir John E. Millais, P.R.A. *297.— On the Beach. David Cox. Lent by H. Riviere , Esq . Lent by J. J. Colman , Esq. Lent by J. J. Colman, Esq. Lent by Harold T. Hartley, Esq. Lent by James G. Orcliar, Esq. Lent by Mrs. Ada S. Ballin. SCULPTURE. 298. — A Boy at Play. W. Goscombe John. Lent by W. Goscombe John, Esq. HOOM No. 4. LARGE GALLERY. 299. — Sunday Afternoon Parade. Hamilton Lent by Mrs. Hamilton McCallum. Macallum. 300. — Dipping for Sprats. Hamilton Macallum. Lefitby Mrs. Hamilton McCallum. *301. — “Soul’s Struggle with Sin.” Sigismund Lent by Sigismund Goetze, Esq. Goetze. *302. — Broken and Forsaken. C. E. Holloway. Lent by Bongers de Rath & Co. 303. — The Trial of Sir William Wallace. Daniel Lent by the Corporation of London. Maclise, R.A. *304. — The Madness of Orestes. R. Sauber. Lent by Robt. Sauber, Esq. 305. — Dog. James Ward, R.A. Lent by Sir Percy FitzWygram. 306. — Lion and Dash. Sir Edwin Landseer, R.A. Lent by His Grace the Duke of Beaufort. 307. — Hunters at Grass. Sir Edwin Landseer, Lent by Sir Percy FitzWygram R.A. 308. — “Van Amburgh.” Sir Edwin Landseer, Lent by His Grace the Duke of R.A. Wellington. 309. — The Twins. Sir E. Landseer, R.A. Lent by the Rt. Hon. Lord Burton. 310. — Hunter and Cob. Sir Edwin Landseer, Lent by Sir Percy FitzWygram. R.A. 311. — The Old Church Yard. Mark Antony. Lent by M. Colnaghi, Esq. 312. — Portrait of Prof. John Wilson (Christopher Lent by Messrs. Blackwood & Sons. North). Sir John Watson Gordon, R.A., and P.R.S.A. 313. — The Return of the Wanderer. H. O’Neil. 314. — “The Land of the Leal.” Alex. Johnston. 315. — A Shire Horse. John Charlton. *316. — Waiting for the Verdict. A. Solomon. 317. — The Judgment. John Martin. 318. — Dancing before the Inquisition. Edwin Long, R.A. 319. — The Plains of Heaven. John Martin. 320. — Anno Domini. Edwin Long, R.A. 321. — Diana or Christ. Edwin Long, R.A. * Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. Lent by Sir R. Rawlinson. Lent by Pelham Bullivant, Esq. Lent by John Charlton, Esq. Lent by C. J. Lucas, Esq. Lent by T. Carew Martin, Esq. Lent by D. H. Evans, Esq. Lent by T. Carew Martin, Esq. Lent by D. H. Evans , Esq. Lent by D. H. Evans, Esq. 32 322. — The Day of Judgment. John Martin. *323. — The Acquittal. A. Solomon, A.R.A. *324.—“ The Broken Lamp.” W. H. Margetson. *325. — A Fight for the Championship : End of First Bound. Charles Stuart. 326. — Portrait of the Countess of Mar and Kellie. Ellis Roberts. *327. — Vivisection. Maclure Hamilton. 328. — Quarrying on the Hillside. Henry Wells, R.A. Lent by T. Carew Martin, Esq. Lent by C. J. Lucas, Esq. Lent by Alfred Sutro, Esq. Lent by Charles Stuart, Esq. Lent by Ellis Roberts, Esq. Lent by Messrs. H. Graves & Co., Ltd. T. Lent by H. T. Wells, Esq., R.A. 329. — Portrait Hon. Mr. Justice Gorell Barnes. Lent by Hon. Mr. Justice Gorell W. Llewellyn. Barnes. *330. — “ Gentlemen, The Queen.” A. Chevallier Lent by A. Chevallier Tayler, Esq. Tayler. *331. — The Burning of the Kent. Thomas M. Lent by Messrs. H. Graves & Co., Hemy. Ltd. 332. — Portrait of Tom Nickalls, Esq. Henry T. Lent by Tom Nickalls, Esq. Wells, R.A. 333. — Quarrymen of Purbeck. Henry T. Wells, Lent by H. T. Wells, Esq., R.A. R.A. 334. — Portrait of Mrs. Nicholson. H. A. Olivier. *335. — Lioness Watching. J. T. Nettleship. *336. — Sunrise. Charles P. Sainton. *337. — Venus and Tannhauser. Laurence Koe. 338. — Disillusioned. T. B. Kenuington. *339. — St. Agnes, the first Christian Martyr. James Archer, R.S.A. *340. — Prisoners of War. William F. Yeames, R.A. Lent by H. A. Olivier, Esq. Lent by W. Badger, Esq. Lent by W. Badger, Esq. Lent by Laurence Koe, Esq. Lent by T. B. Kennington, Esq. Lent by James Archer, Esq., R.S.A. Lent by W. F. Yeames, Esq., R.A. SCULPTURE. 341. — “Teucer.” A cost from the bronze statue Lent by Hamo Thornycroft, Esq., in Chantrey Collection Hamo Thorny- R.A. croft, R.A. 312. — Shelley Memorial in University College, Lentby E. Onslow Ford, Esq., R.A. Oxford. E. Onslow Ford, R.A. *343. — “ Circe.” Bertram Mackennal. Lent by Bertram Mackennal, Esq. 314. — Hounds in Leash. Harry Bates, A.R.A. Lent by Harry Bates, Esq., A. R.A. *345. — q'he Joy of Life. Hamo Thornycroft, R.A. Lent by Hamo Thornycroft, Esq., R.A. 346. — “ A Moment of Peril.” Thomas Brock, R.A. Lent by Thomas Brock, Esq., R.A. 347. — “ Circe.” Alfred Drury. Lent by Alfred Drury, Esq. *347a. — Ideal Head (a Puritan). A. C. Lucchesi. Lent by A. C. Lucchesi, Esq. *347b. — Rt. Hon. W. E. Gladstone. Albert Toft. Lent by Albert Toft, Esq. 347c. — Briton Riviere, Esq., R.A. E. Onslow Lentby E. Onslow Ford, Esq , R.A. Ford, R.A. 347d.— W. Q. Orchardson, Esq., R.A. E. Onslow Lent by E. Onslow Ford, Esq., R.A. Ford, R.A. 347e. — Gen. Sir Andrew Clarke, R.E. E. Onslow Lent by E. Onslow Ford, Esq., R.A. Ford, R.A. * Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 33 ROOM JSTo. 5. WATER-COLOUR DRAWINGS. *348. — The Royal Jubilee Procession, 1887, from Haymarket. Robert W. Little, A.R.W.S. 349. — “ Warkworth,” near Elsted, Surrey. James Orrock, R.I. *350. — In Cairo. Wilfrid Ball. 351. — En route for the Tilt-yard. Edward H. Corbould, R.I. 352. — Dam on the Tay. J. W. North, A.R.A. (Figure by Fred. Walker, A.R.A.) *353. — Town Hall, Kampen, Holland. Thomas R. Macquoid, R.I. 354. — Salome dancing before Herod. E, Henry Corbould, R.I. *355. — Lord Chesterfield’s Garden. Robert Little, A.R.W.S. 356. — Old Bridge in Surrey. James Orrock. *357. — Mosque of Yusef-Gamali, Cairo. Wilfrid Ball. 358. — Winter — Sheep in Snow. T. Sidney Cooper, R.A. *359. — “ Ti e Ball at Dr. Blimber’s Establishment.” Dombey & Son. H. R. Steer, R.I. *360. — Winter Morning on the road to Kendal Market. Cuthbert Rigby. *361. — Flatford Lock, Suffolk. Thos. Pyne, R.I. 362. — Cattle and Landscape. T. Sidney Cooper, R.A. 363. —“ Vera.” W. C. T. Dobson, R.A. 364. — Cattle and Sheep. T. Sidney Cooper, R.A. *365.— A Glass of Wine. C. Green. *366. — Winter Night. Cuthbert Rigby. Lent by Robt. W. Little, Esq., A.R.W.S. Lent by W. W. Lewis , Esq. Lent by Wilfrid Rail, Esq. Lent by Mrs. F. J. Corbould. Lent by Harold T. Hartley, Esq. Lent by Thomas R. Macquoid, Esq., R.I. Lent by the Misses Harley. Lent by Robt. -Little, Esq., A.R.W.S. Lent by James Orrock, Esq. Lent by Wilfrid Rail, Esq. Lent by Sir R. Rawlinson. Lent by H. R. Steer, Esq., R.I. Lent by Cuthbert Rigby, Esq., A.R.W.S. Lent by Thos. Pyne, Esq., R.I. Lent by Sir Frederick Milner, Ra>t., M.P. Lent by W. C. T. Dobson, Esq., R.A. Lent by Sir R. Rawlinson. Lent by Chas. Green, Esq., R.I. Lent by Cuthbert Rigby, Esq., A.R.W.S. 367. — Speed Reading Launce’s Love Letter. Lent by W. Harding Smith, Esq. Sir John Gilbert, R.A., P.R.W.S. 368. — The Court Scene from “ The Merchant of Lent by Lady Milner . Venice.” Sir John Gilbert, R.A. 369. — Surrender of Mary Queen of Scots. Sir Lent by Sir Frederick Milner, John Gilbert, R.A. Part, M.P. 370. — The Battle of the Standard, Northallerton. Lent by the Corporation of London. Sir John Gilbert, R.A. 371. — The Enchanted Forest. Sir John Gilbert, Lentbytlie Corporation of London. R.A. * Those pictures marked with an asterisk are for sale. Attendant in the Gallery. For prices apply to the D 34 Lent by A. F. Pococh, Esq. Lent by the Corporation of London. 372. — Freigja’s First Task. J. Scott. 373. — “ An armed host drawn up below A battle in the sky.” Sir John Gilbert, R.A. 374. — Well at Hastings. Birket Foster. 375. — The Moor Hen’s Nest. Birket Foster. 376. — Fruit Market at Toulon. Birket Foster. 377. — On the Thames. Birket Foster. 378. — The Fir Wood. Birket Foster. 379. — Florence, Cologne, Venice. Birket Foster. *380. — Luther’s Abstraction. C. Gregory. When writing his Commentary on the 22nd Psalm he shut himself up for three days with nothing but bread and salt, until at last his wife had to send for a locksmith to break open the door, when they found him absorbed in meditation. *381. — Entrance to the Grand Canal, Venice. Lent by W. Callow, Esq., R.W.S., William Callow, R.W.S. F. R G. S. 382. — Solway Sands. A. K. Brown, A.R.S.A. Lent by John P. Slater , Esq. *383. — Entrance to the Harbour, Treport, Nor- Lent by W. Callow, Esq., R.W S., mandy. William Callow, R.W.S., F.R.G.S . F.R.G.S. 384. — Salwick Bay, Whitby. S. P. Jackson, Lent by J. L. Roeckel, Esq. R.W.S. *385. — Many Happy Returns of the Day. W. Lent by W. Rainey, Esq., R.B.S. Rainey, R.B.S. 386. — An Important Message. Carl Haag. Lent by the Countess Compton. *387. — Her Mother’s Voice. Robert Little, Lent by Robert Little, Esq., A.R.W.S, A.U.W.S. *388. — Innsbruck, Tomb of the Emperor Maxi- Lent by S. J. Hodson, Esq., milian. Samuel J. Hodson, R.W.S. R. W.S. 389. — Happy Moments, On the Quai de la Gare, Lent by James Cockshut , Esq. Paris. B. Bradley, R.I., R.W.S. 390. — Westminster. Herbert Marshall. Lent by Lord Herschell. 391. — Early Spring. Wilmot Pilsbury, A.R.W.S. Lent by Stanton W. Preston, Esq. 392. — Sir James D. Linton, P.R.I. T. Walter Lent by the Royal Institute of Wilson, R.I. Painters in Water Colours. *393. — Water Carriers at a Well in Spain. Lent by Thomas Macquoid, Esq., Thomas Macquoid, R.I. R.I. 394. — Psyche. E. J. Gregory, A.R.A., R.I. Lent by Chas. F. Galloway , Esq. 395. — St. George. E. J. Gregory, A.R.A., Lent by Chas. F. Galloway, Esq. R.I. *396. — Temple of Der-el-Bahari, Thebes, Egypt. Lent by R. Plienf-Spiers, Esq., R. Phene-Spiers, F.S.A. F.S.A. Lent by H. Riviere, Esq Lent by H. Riviere, Esq Lent by II. Riviere, Esq Lent by II. Riviere, Esq Lent by II. Riviere , Esq Lent by H. Riviere, Esq Lent by J. Goodwin King, Esq Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 35 *397. — An Old Gateway at Zarajoza. Thomas Lent by Thomas R. Macquoid , R. Macquoid, R.I. Esq., R.I. 398. — Jezebel’s Question to Jehu: “HadZimri Lent by Mrs. George H. Strutt. peace, who slew his master ? ” Edward Henry Corbould, R.I. *399, — Stable Yard, Normandy. Thomas R. Lent by Thomas R. Macquoid, Macquoid, R.I. Esq,, R.I. 400. — Sunset, Lucerne. William L. Thomas, R.I. Lent by W. L. Thomas, Esq., R.I. *401, — Poets’ Corner, Westminster Abbey. James Lent by James Cafe, Esq. Cafe. 402. — “ Spells.” Henry M. Rlieam, R.I. Lent by the Corporation of Liverpool. *403. — A November Day. E. Davies, R.I. Lent by E. Davies, R.I. *404. — On the Peak, Derbyshire. Edward H. Lent by E. H. Fahey, Esq., R.I. Fahey, R.I, *405. — Venice — Expecting the English Fleet. Lent by Samuel J. Hodson, Esq., Samuel J. Hodson, R.W.S. R.W.S. 406. — Serving Brother. W. J. Wainwright, Lent by Daniel Hedges, Esq. A.R.W.S. 407. — Mount Pilatus, from Weggis, Lake of Lent by W. Harding Smith , Esq. Lucerne. Collingwood Smith, R.W.S. 408. — Le Jardin d’Amour. Walter Duncan, Lent by Thos. Phelps, Esq. A.R.W.S. 409. — Bism, Illah receiving a Deputation from Lent by H. J. Allcroft, Esq. the Desert. Carl Haag. *410. — Harbingers of Spring. J. Jessop Hardwick, Lent by J. Jessop Hardwick , Esq., R.W.S. R. W.S. 411. — A Breezy Moorland. R. B. Nisbet, A.R.S.A. Lent by W. H. Wood, Esq. *412. — Recruiting for Savonarola — “ Ye cannot Lent by F. W. W. Topham, Esq., serve God and Mammon.” Frank W.W. R.I. Topham, R.I. 413. — Her Daily Bread. H. R. Hopwood, R.W.S. Lent, by M. J. Adams, Esq. *414. — Ely Cathedral. John Fulleylove, R.I. Lent by John Fulleylove, Esq., R.I. *415. — AtBuibage, Buxton. Edwd. H. Fahey, R.I. Lent by E. H. Fahey, Esq., R.I. *416. — Aros Fall, Mull Walter Severn. Lent by Walter Severn, Esq. 417. — “A Winter Sunset.” H. Collins Cane. Lent by H. Collins Cane, Esq. 418. — Dedham Church. Wilfrid Ball. Lent by Mrs. Douglas Gordon. *419. — Music hath Charms. Percy Macquoid, R.I. Lent by Percy Macquoid, Esq., R.I. *420. — The Council Chamber, Palais de Justice, Lent by W. Harding Smith, Esq., Bruges. W. Harding Smith, R.B.A. 421. — The Foster Mother. Arthur Barrington, R.I. Lent by C. T. Dent, Esq. 422. — Once Upon A Time. William L. Thomas, Lent by W. L. Thomas, Esq., R.I. R.I. 423. — Harrowing. Sir Francis Powell. *424. — “ Among the Breakers.” H. Caffieri, R.I. 425. — The King’s Daughter. J. Scott. 426. — Gloucester Cathedral. Harry Hine, R.I. 427. — The Great Wall of China. William Simpson, R I. Lent by Edwd. A. Gruning, Esq. Lent by H. Caffieri, Esq., R.I. Lent by Mrs. Lawrence. Lent by R. Howard, Esq. Lent by Patrick Ness, Esq. * Those pictures marked with an asterisk are for sale. Attendant in the Gallery. For prices apply to the D 2 36 SCULPTURE GALLERY. *428. — “ Summer,” bronze statue. Lent by Geo. A. Lawson , Esq. *429. — The Goblet of Life. Albert Toft. Lent by Albert Toft, Esq. *430. — Dawn of Womanhood. Thomas Stirling Lent by Thomas Stirling Lee, Esq. Lee. *431. — Robert Browning, medallion in bronze. Lent by Gustav Natorp, Esq. Gustav Natorp. 432. — The Last Song, relief. Henry A. Pegram. Lent by Henry A. Pegram , Esq. 433. — Prof. Erichsen, F.R.S. Hamo Thornycroft, Lent by Hamo Thornycroft , Esq., R.A. R.A. 434. — Herbert Spencer, Esq. E. Onslow Ford, Lent by E. Onslow Ford, Esq., R.A. R.A. 435. — “ Narcissus,” bronze statuette. Herbert Lent by Herbert Hampton, Esq. Hampton. 436. — Study of a Head. E. Onslow Ford, R.A. LentbyE. Onslow Ford, Esq., R.A. 437. — Plaster relief, Aphrodite. H. Montford. Lent by H. Montford, Esq. *438. — Going to School, group in bronze. Fredk. Lent by Fredk. Callcoit , Esq. Callcott. 439. — Robert Louis Stevenson. D. W. Stevenson, Lent by D. W. Stevenson, Esq., R.S.A. R.S.A. 440. — Christopher Pond, Esq. Sir Edgar Boehm, Lent by Messrs. Spiers & Pond. Bart., R.A. 441. — Esau and Isaac, “ Bless me, even me, also, Lent by E. R. Mullins, Esq. Oh ! my father.” E. R. Mullins. *442. — Bas Relief, Childhood of Justice I. ; 1st Lent by Thos. Stirling Lee, Esq. panel of a series illustrating the “ Growth of Justice ” for St. George’s Hall, Liverpool. Thos. Stirling Lee. 443. — M. Ridley Corbet, Esq. E. Onslow Ford, Lent by E. Onsloiv Ford, Esq., R.A. R.A. *444 445. 446. 447. 448. *449. *450. 451. 452. *453. 454. —Chivalry. Gilbert Bayes. —Truth. Being one of six panels for the decoration of New Town Hall, Sheffield. F. W. Pomeroy. — Study for the Strathnairn Statue. E. Onslow Ford, R.A. - Arthur Hacker, Esq. E. Onslow Ford. R.A. — Sleeping Beauty. W. Reynolds-Stephens. — Fleur des Champs. T. Nelson MacLean. — “Fleur de la Ville.” T. Nelson MacLean. — Ideal Bust, “Love Thoughts.” A. C. Lucchesi. — St. Agnes, bronze. Alfred Drury. — ■“ Loyalty.” Fredk. Callcott. — “ The Singer.” “ Our sweetest songs are those that tell of saddest thoughts.” Arthur Geo. Walker. Lent by Gilbert Bayes , Esq. Lent by F. W. Pomeroy, Esq Lent by E. Onslow Ford, Esq., R.A. Lentby E. Onsloiv Ford, Esq., R.A- Lent by W. Reynolds-Stephens, Esq. Lent by Mrs. T. Nelson MacLean. Lent by Mrs. T. Nelson MacLean. Lent by A. C. Lucchesi, Esq. Lent by Alfred Drury, Esq Lent by Fredh. Callcott , Esq . Lent by A. G. Walker , Esq. Those exhibits marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 37 *455. — “ Britannia ” Edgar Anderson. *456. — Ideal Head — “A Woman.” A. C. Lucchesi. 457. —Mrs. Myer Salaman. Tlios. Brock, R.A. 458. — L. Alma Tadema, Esq., R.A. E. Onslow Ford, R.A. *459.— The Fountain. Gilbert Bayes. 460. — Case of Medals, containing Portraits of Her Majesty and other Medals commemora- ting events of her reign. Frank Bowcber. *461. — Door Knocker, in bronze — “ Fortuna.” Chas. J. Allen. *462. — “ A Fairy Tale.” Gilbert Bayes. 463.— Mother and Child. George Frampton, A.R.A. *464. — The First Death — Adam and Eve finding the body of Abel. Tlios. Stirling Lee. 465. — Oblivion. A. C. Lucchesi. *466. — “ Maternal Care.” Adrian Jones. 467. “Out in the Fields.” Arthur G. Atkinson. *468. — “ Cain.” “ Mine iniquity is greater than I can bear.” Thos. Stirling Lee. 469. — “ Goddess Gerd.” The Scandinavian Aurora. George Simonds. 470. — “From Bleeding Sin to Sorrow” — Byron. Geo. A. Lawson, H.R.S.A. 471. — A Bacchante. H. Montford. 472. — “ My Queen.” Alfred Drury. *473. — “ Griselda.” Alfred Drury. 474. — Bas Relief, “Dead Christ with Angels.” Arthur Geo. Walker. 475. — “ Conquerors.” E. Roscoe Mullins. *476. — “In the Sere and Yellow Leaf.” Albert Toft. 477. — Her Majesty the Queen.” John Hutchinson, R.S.A. Lent by Edgar Anderson, Esq. Lent by A. C. Lucchesi, Esq. Lent by Thos. Brock, Esq., R.A. Lent by E. Onslow Ford, Esq., R.A. Lent by Gilbert Bayes, Esq. Lent by Frank Bowcher , Esq. Lent by Chas. J. Allen, Esq. Lent by Gilbert Bayes, Esq. Lent by Geo. Frampton, Esq. A.R.A Lent by Thos. Stirling Lee, Esq. Lent by A. C. Lucchesi , Esq. Lent by Adrian Jones, Esq. Lent by A. G. Atkinson , Esq. Lent by Thos. Stirling Lee, Esq. Lent by Mrs. Stephen Ralli. Lent by Geo. A. Lawson, Esq., H.R.S.A. Lent by H. Montford, Esq. Lent by Alfred Drury, Esq. Lent by Alfred Drury , Esq. Lent by A. G. Walker, Esq. Lent by E. Roscoe Mullins, Esq. Lent by Albert Toft, Esq. Lent by John Hutchinson, Esq., R.S.A. *478. — The Mower, Bronze Statuette. Hamo Lent by Hamo Thornycroft, Esq., Thornycroft, R.A. R.A. *479. — “ Britannia” — “ with firmness, culture, Lent by H. R. Hope-Pinker, Esq. love and valour rule.” H. R. Hope- Pinker. *480. — Overthrow of Pharaoh and his Host in the Lent by George Tinworth, Esq. Red Sea. George Tinworth. *481. — “ The First Flight.” A. Bruce-Joy. Lent by A. Bruce-Joy, Esq., R.H.A. 482. — The Oracle. Alfred Toft. Lent by Albert Toft, Esq. * Those exhibits marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 38 *483. — The Entry into Jerusalem. George Tin- Lent by George Tinworth, Esq worth. 484. — “ The Deluge.” Arthur George Walker. *485. — “ Wellington at Waterloo.” “ Picton’s Bri- gade about to advance.” In Bronze. Adrian Jones. 486. — Small Model for the Statue of General Gordon erected in Trafalgar Square, 1888. Hamo Thornycroft, R.A. *487.— “ A Young Yulcan.” Albert Toft. 488. — Portrait Bust of Mrs. Pegram. Henry A. Lent by A. G. Walker, Esq. Ljent by Adrian Jones , Esq. Lent by Hamo Thornycroft, Esq., R.A. Lent by Albert Toft, Esq. Lent by Henry A. Pegram , Esq. 489.— “ Triumph.” Sketch Model for decorating a Public Building. Adrian Jones. *490. — Marietta, a Roman girl. John Hutchison, R.S.A. 491. — William Allen, M.P. (Engineer). William R. Colton. 492. — “ Fountain erected in Hyde Park by order of H.M. Commissioners of Wd. W. H. Margetson 665. — The Arrival of the Mail Coach. W. Hatherill. 666. — “ When a Hussar dashed up.” G. Browne. 667. — Snow on Cader Idris. E. Davis, R.I. 668. — Patagonian Sea-lion (Octaria jubata ). Joseph Wolf. Lent by Messrs. Cassell Ac Co. Lent by Messrs. Cassell & Co. Lent by Messrs. Cassell Ac Co. Lent by Messrs. Cassell Ac Co. Lent by G. Brown, Esq., R.I. Lent by Messrs. Cassell Ac Co. Lent by Miss Ethel M. Malet- Jjent by Harold T. Hartley , Esq. Lent by G Brown, Esq., R.T. Lent by Messrs. Cassell Ac Co. Lent by Messrs. Cassell Ac Co- . Lent by Messrs. Cassell Ac Co. Lent by Messrs. Cassell Ac Co. Lent by Messrs. Cassell Ac Co. Lent by D. Dyce Brown, Esq., M.D. Ijent by the Zoological Society of London. Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 44 669. — Saddle-billed Stork ( Xenorhynchus sene- Lent by the Zoological Society of galensis). Joseph Wolf. London. 670. — Cemetery at Scutari. Lent by Sir R. Rawlinson. *671. — Sketch. Robert Sauber, R.B.A. Lentby Robert Sauber, Esq., B.B. A- *672. — Down in a Darksome Glen. Alfred W. Lent by Mrs. Alfred Hunt. Hunt. 673. — River Dart, near Buckland Beacon, Devon- Lent by W. T. Richardson , Esq. shire. Edmund Warren. *674.— “The Hills and Dales of the Cold North Lent by Miss F. Gibbs. Sea.” G. H. Andrews, R.W.S. 675. — Midnight on the Atlantic. S. P. Jackson, Lent by J. L. Roeckel , Esq - R.W.S. 676. — One of Cromwell’s “ Ironsides.” Frederick Taylor, P.W.S. 677. — The Shepherd’s Meal. F. W. Topham. 678. — Jour Maigre, Caen. E. M. Ward, R.A. 679. — The New Pet. E. K. Johnson. *680. — Sketch. Robert Sauber, R.B.A. *681. — Original drawing, Mont Blanc. Prof. John Ruskin. 682. — Early Autumn in the New Forest. Edward Warren, R.I. *683. — The Siege of Strasbourg. G. H. Andrews, R.W.S. *684.— Wild Nature. A. W. Weedon, R.I. *685. — Original drawing, “ Hanover.” Prof. John Ruskin. 686. — Caracal ( Felis caracal). Joseph Wolf. 687. — A Call for Help. J. Giilich. 688. — The Gamekeeper’s Cottage. J. W. North, A. R.A. 689. — Village Politicians. F. Pegram. 690. — He behaved in a most unclerical manner. 691. — The Road to Glory — a rough impression of a battlefield. Irving Montague. 692. — Hampstead, Feb., 1895 Lucien Davies, R.I. 693. — The Gossips. G. J. Piuwell, A. R.W.S. 694. — Zouaves Attacking the Rifle Pits. A. M. Paget. 695. — The Grand Fleet of Spain. Wal Paget. 696. — Evacuation of Sevastopol. H. M. Paget. 697. — The Quarrel. G. J. Pinwell, A.R.W.S. 698. — The Prussian Guard attacking St. Privat. Wal Paget. 699. — The Kmdhearted Old Housekeeper. A. Hopkins. Lent by W. Harding Smith, Esq. Lent by the Corporation of London. Lent by Harold T. Hartley, Esq. Lent by R. Rawlinson , Esq. Lent by Robert Sauber, Esq., R.B.A. Lent by F. Ryman Hall, Esq. Lent by Sir Edwin Saunders. Lent by Miss E. Gibbs. Lent by A. W. Weedon, Esq., R.I- Lent by F. Hyman Hall, Esq. Lent by the Zoological Society of London. Lent by Messrs. Cassell & Co. Lent by Harold T. Hartley, Esq. Lent by Messrs. Cassell & Co. Lent by Messrs. Cassell & Co. Lent by Irving Montague, Esq. Lent by Lucien Davies, Esq., R.I. Lent by Harold T. Hartley, Esq. Lent by Messrs. Cassell & Co. Lent by Messrs. Cassell & Co. Lent by Messrs. Cassell & Co. Lent by Harold T. Hartley, Esq. Lent by Messrs. Cassell & Co. Lent by Messrs. Cassell & Co. Those pictures marked with an asterisk are for sale. For prices apply to the Attendant in the Gallery. 45 ENGRAVINGS. The various engravings, all in the finest proof states, enumerated herein, have been collected, arranged, and classified, at the direction of the Fine Arts Committee of Advice, by Mr. Algernon Graves, F.S.A., who has endeavoured to hang them, so far as space would permit, in such a manner as to fully illustrate the progress of the Art of Engraving during Her Majesty’s reign. The works of deceased engravers have as nearly as possible been arranged chronologically ; those of living ones alphabetically, and by their positions, comparison between the various schools is rendered easy. Whilst the Committee tender their very sincere thanks to the various collectors and publishers by whose kind loans this very excellent section of the Exhibition has been gathered together, they would especially do so to W. G. Rawlinson, Esq., for his selection of Liber Studiorum, and to General Sir James Browne, K.C.B., for his examples after Landseer ; whilst to Stanley Brown, Esq., and H, S. Theobald, Esq., they are indebted for exceedingly fine selections of the works of David Lucas, Samuel Cousins, R.A., and Mr. Whistler. A Steel Plate (No. 904) has been included in the collection, in order to give visitors an idea of the appearance of an engraved plate, and specimens of the recently revived Art of Colour Printing are also shown. The collection has been made representative so far as is possible (this remark applying also to the Wood Engravings exhibited), and it may be fairly assumed to be by far the most complete and important Exhibition of its kind which has been brought together during Her Majesty’s reign. r 46 DECEASED ENGRAVERS. WILLIAM BROMLEY, A.R.A. Born 1769, died 184?. 700. — The Duke of Wellington on Copenhagen, Lent by Henry Graves & Co., Ltd. 1830, after Sir T. Lawrence, P.R.A. 701 . — Charge of the Lifeguards at Waterloo, 1819, Lent by Henry Graves & Co., Ltd. after Luke Clennell. ABRAHAM RAIMBACH. Born 1766, died 1843. 702. — Blind Man’s Buff, 1826, after Sir David Lent by Henry Graves & Co , Ltd. Wilkie, R.A. 703. — I he Rent Day, 1817, after Sir David Wilkie, Lent by Henry Graves & Co., Ltd. R.A. 704. — Distraining for Rent, 1828, after Sir David Lent by Henry Graves & Co., Ltd. Wilkie, R.A. JOHN LANDSEER, A R.A. Born 1769, died 1852. 705. — High Force, Fall of the Tees, 1821, after J. Lentby Henry Graves & Co., Ltd. M. W. Turner, R.A. 706. — Alpine Mastiffs rescuing Traveller, 1831, Lentby Gen. Sir James Browne, after Sir Edwin Landseer, R.A. K.C.B., R.E. WILLIAM FINDEN. Born 1787, died 1852. 707. — The Naughty Boy, 1841, after Sir E. Land- Lentby Henry Graves & Co., Ltd. seer, R.A. 708. — George IV., 1829, after Sir Tlios. Lawn nee, Lent by Mrs. A. Graces. P.R.A. JOHN PYE. Born 1782, died 1874. 709— The Rialto, 1820, after J. M. W. Turner, R.A. 710. — Junction of the Greta and the Tees, 1819, after J. M. W. Turner, R.A. 711. — Temple of Jupiter, 1827, after J. M. W. Turner, R.A. 712. — All that remains of the glory of William Smith, 1836, afRr Sir E. Landseer, R.A. 713. — Hardraw Fall, 1818, after J. M. W. Turner, R.A. 714. — Ehrenbreitstein, 1845, after J. M. W. Turner, R.A. L> nt by Henry Graves y the Art Unionof London. R.A. 1152. — Ramsgate Sands, 1859, after W. P. Frith, Lent by the Art Union of London. R.A. 1153. — The Death of Nelson, 1874, after Daniel Lent by the Art Union of London. Maclise, R.A. C. W. SHERBORN. Lent by Arthur Lucas, Esq. Tjent by Arthur Luca*, Esq. Lent by Arthur Lucas, Esq. Lent by the Fine Art Society. Lent by T. McLean, Esq. m Lent by F. Coolt, Esq Lent by F. Cook, Esq. 1154. — Venus, 1876, original etching. 1155. — Sir F. Seymour Haden, P.R.P.E., 1880, original etching. 1156. — Selection of Eight Book Plates, 1877- 1891, original etchings. 1157. — The Thames at Battersea, , original etching. 1158. — Apollo, 1880, original etching. 1159. — Shakespeare, 1876, original etching. FRANK SHORT. 1160. — Diana and Endymion, 1891, after G. F. Watts, R.A. HOI — Flatford Lock, 1889, after J. Constable, R.A. 1162.— Orpheus and Eurydice, i, after G. F. Watts, R.A. Lent by C. W. Sherborn, Esq. Lent by C. W. Sherborn, Esq. Lent by C. W. Sherborn, Esq. Lent by Mrs. A. Graves. Lent by C. W. Sherborn, Esq. Lent by C. W. Sherborn, Esq. Lent by F. Short, Esq. Lent by S. T. Gooden, Esq. Lent by F. Short, Esq 67 EDWARD SLOCOMBE. 1163. — Selection of three origiual etchings, 1889. 1164. — Selection of five original etchings, 1897. 1165. — Amiens Cathedral, 1889, original etching. 1166. — La Grosse Horloge, 1889, original etching. 1167. — Nature’s White Robe, 1889, original etching. Lent by E. Slocombe, Esq. Lent by E. Slocombe, Esq. Lent by the Fine Art Society. Lent by E. Slocombe, Esq. Lent by E. Slocombe, Esq. FREDERICK SLOCOMBE. 1168. — Green Pastures and Still Waters, 1886, Lent by F. Slocombe, Esq. original etching. 1169. — The Road to Bolton, 1888, original etching. Lent by F. Slocombe, Esq. 1170. — Where Many Branches Meet, 1888, original Lent by F. Slocombe , Esq. etching. FREDERICK STACPOOLE, A.R.A. 1171. — Circe, 1874, after B. Riviere, R.A. 1172. — The Roll Call, 1874, after Lady Butler. 1173. — Worn Out, 1871, after T. Faed, R.A. 1174. — Quatre Bras, 1876, after Lady Butler. 1175. — The Night Watch, 1882, after B. Riviere, R.A. Lent by T. Agnew & Sons. Lent by the Fine Art Society. Lent by L. H. Lefevre, Esq. Lent by the Fine Art Society. Lent by T. Agnew & Sons. M76.— Scotch Gamekeeper, 1858, after R. Ansdell, Lent by Henry Graves & Co., Ltd. R.A. 1177. — Pensioners, 1870, after Sir E. Landseer, R.A. Lent by Henry Graves & Co., Ltd. 1178. — Sympathy, 1879, after B. Riviere, R.A. Lent by T. Agnew & Sons. 1179. — Persepolis, 1879, after B. Riviere, R.A. Lent by T. Agnew & Sons. 1180. — English Gamekeeper, 1858, after R. Ansdell, Lent by Henry Graves & Co., Ltd. R.A. FRANK .STERNBERG. 1181. — Sophia, 1891, after S. Shelley. Lent by Henry Graves & Co., Ltd. 1182. — Bacchante, , after G. F. Watts, R.A. Lent by F. Sternberg, Esq. * WILLIAM STRANG. 1183. — Christ at the Column, 1888, after Velasquez. 1184. — Mercury and Venus, 1888, after Correggio. 1185. — Rembrandt, 1888, after Rembrandt. Lent by C. E. Clifford & Co. Lent by C. j E. Clifford & Co. Lent by C. E. Clifford & Co. CHARLES ALGERNON TOMKINS. 1186. — Andromeda, 1888, after F. Goodall, R.A. Lent by Henry Graves & Co., Ltd. 1187. — Maidens at the Well, 1892, after Herman Lent by Mrs. A. Graves. Phillips. 1188. — The Madonna, 1857, after J. Sant, R.A. Lent by Henry Graves & Co., Ltd. 1189. — Eucharis, 1896, after Lord Leighton, P.R. A. Lent by Henry Graves & Co., Ltd. CHARLES JOHN TOMKINS. 1190. — Lady Hamilton as Miranda, 1896, after G. Lent by T. McLean, Esq. Romney. 1191. — Ariadne, 1895, after C. J. Tomkins. Lent by C. J. Tomkins, Esq. 1192. — Vivisection, 1883, after McClure Hamilton. Lent by Henry Graves & Co., Ltd. 68 ARTHUR TURRELL. 1193. — The Last Muster, 1878, after H. Herkomer,' Lent by Boussod, Valedon & Co. R.A. JOHN ALFRED VINTER. 1194— H.R.H. Princess Beatrice, 1859, after F. Lent by J. A. Vinter, Esq. Winterhalter. 1 1 95. — H.R.H. Prince Consort, , after F. Lent by J. A. Vinter , Esq. Winterhalter. 1196. — Her Majesty the Queen, , after F. Lent by J. A. Vinter, Esq. Winterhalter. The above are private plates belonging to Her Majesty. CHARLES WENTWORTH WASS. 1197. — Pharaoh’s Horses, 1849, after J. F. Herring, Lent by C. W. Wass, Esq. Senior. 1198. — Waiting for the Countess, 1850, after Sir E. Lent by C. W. Wass, Esq. Landseer, R.A. 1199. — The Judgment of Paris, 1847, after W. Etty, Lent by C. W. Wass, Esq. R.A. FRANCIS S. WALKER, R.H.A. 1200. — St. Paul’s, 1889, original etching. Lent by F. S. Walker, Esq. 1201. — Milton’s Cottage, 1893, original etching. Lent by Henry Graves & Co., Ltd. 1202. — Shakespeare’s House, 1893, original etching. Lent by Arthur Lucas, Esq. JOHN COTHER WEBB. 1203. — Madeline, 1892, after W. Wontner. Lent by T. Agnew & Sons. 1204. — Enid, 1897, after W. Wontner. Jjent by Henry Graves & Co., Ltd. 1205. — Florcat Etona, 1889, after Lady Butler. Lent by Henry Graves & Co., Ltd. 1206. — The First Snowstorm, 1882, after .Sir E. Lent by Henry Graves & Co., Ltd. Landseer, R.A, 1207. — Some of the best Harts in the Forest, 1883, Jjent by Henry Graves & Co., Ltd. after Sir E. Landseer, R.A. DANIEL ALBERT WEHR SCHMIDT. 1208. — The Love Letter, 1891, after Luke Fildes, R.A. Lent by the Fine Art Society. JAMES A. McNEIL WHISTLER. 1209. — Speke Shore, 1861, original etching. 1210. — Black Lion Wharf, 1859, original etching. 1211. — J. A. McN. Whistler, 1859, original etching. 1212. — Billingsgate, 1859, original etching 1213. — Finette, 1859, original etching. 1214. — The Pool, 1859, original etching. 1215. — Elinor Leyland, , original etching. 1216. — Iyzac Whitcley & Co., 1859, original etching. 1217. — Florence Leyland, , original etching. 1218. — The Big Forge, 1861, original etching. 1219. — Ponte Piova, , original etching. Lent by H. S. Theobald , Esq. Lent by H. S. Theobald , Esq. Jjent by H. S. Theobald, Esq. Lent by H. S. Theobald, Esq. Lent by II. S. Theobald, Esq. Lent by H. S. Theobald , Esq. Lent by II. S. Theobald, Esq. Lent by H. S. Theobald, Esq. Lent by H. S. Theobald, Esq. Lent by H. S. Theobald, Esq. Lent by Dowdeswells , Ltd. W. L. WYLLIE, A.R.A. 1220. — Portels Fisher Folk, , original etching. Lent by Mrs. A. Graves. 69 WOOD ENGRAVINGS. WILLIAM CHESHIRE. 1221. — Nine Wood Engravings Lent by William Cheshire , Esq. DALZIEL BROTHERS. 1222. — Thirteen Wood Engravings. Lent by Dalziel Brothers. EDMUND EYANS. 1223. — Eight Wood Engravings, after Birket Foster. Lent by E. Evans, Esq. W. BISCOMBE GARDNER. 1224. — The Recording Angel, after G. F. Watts, R.A. 1225. — Right Hon. W. E. Gladstone, after W. B. Gardner. 1226. — George Meredith, after G. F. Watts, R.A. 1227. — Lord Tennyson, after W. B. Gardner. Lent by W. B. Gardner , Esq. Lent by W. B. Gardner , Esq. Lent by W. B. Gardner, Esq. Lent by W. B. Gardner , Esq. J. M. JOHNSTONE. 1228. — Golden Light, , wood engraving, after Ernest Parton. 1229. — F. H. Hcnshaw, , Wood Engravings. 1230. — Wood Engraving. 1231. *— Nine Wood Engravings. Lent by J. M. Johnstone, Esq. Lent by J. M. Johnstone, Esq. Lent by J. M. Johnstone, Esq. Lent by J. M. Johnstone, Esq. W. J. LINTON. 1232. — Two Wood Engravings. 1233. — Five Wood Engravings. 1234. — Two Wood Engravings. 1235. — Three Wood Engravings. • Lent by B. F. Stevens, Esq. Lent by B. F. Stevens , Esq. Lent by B. F. Stevens, Esq. Lent by B. F. Stevens, Esq. GEORGE E. LODGE. 1236. — Thirteen Wood Engravings. Lent by G. E. Lodge, Esq. ROBERT PATERSON. 1237.— Twenty Wood Engravings. Lent by B. Paterson, Esq. JOHN SWAIN. 1238.— Fifteen Wood Engravings. Lent by John Swain, Esq. WILLIAM L. THOMAS. 1239 — Eight Wood Engravings. Lent by W. L. Thomas, Esq. 70 COLOUR PRINTING. By THOMAS ROSS & SON. 1240. — Children Bathing, 1897, after J. Hoppner, Lent by Henry Graves & Co., Ltd. R.A. 1241. — Juvenile Retirement, 1897, after J. Lent by Henry Graves & Co., Ltd. Hoppner, R.A. 1242. — Birds’-nesting, 1895, after G. Morland. Lent by Henry Graves & Co., Ltd. 1243. — The Reckoning, 1892, after G. Morland. Lent by T. Ross & Son. 1244. — Ada Rehan. Ijent by T. Ross & Son. 1245. — Phoebe Hoppner, , after J. Hoppner, Lent by T. Ross & Son. R.A. 1 246. — The two Duchesses of Devonshire, 1 897, Lent by Henry Graves & Co., Ltd. after J. Downman, A. R.A MARBLE FLOORS, DADO LININGS AND STAIRCASES. Designs and Prices forwarded on Application. 101 & 105, Fulham Rd. London, S.W. (Opposite Pelham Crescent and Three Minutes’ Wall from South Kensington Station,) Works— MARLBOROUGH ST., CHELSEA THE 11 RIVAL” RANGE. ye OLDE CHEL8EA ORATE. The Most Perfect Rising Fire. BOILER CAPABLE OF GIVING A GREATER QUANTITY OF HOT WATER THAN ANY OTHER. ALL KINDS OF KITCHEN RANGES. Hot Water fitted to Baths, Lavatories, &c. CHIMNEY PIECES, STOVES and FENDERS TILES and MARBLE WORK FOR ALL KINDS OF Decorative Purposes. Every description of Memorial Work, in Marble, Stone and Granite, executed on the shortest notice. ncjbnc’ com ;» .. carl in nil Hniilinn’c I nx/ntnrioo t h rnilflrhnilt fhp Pyhlhltinn "CLEANLINESS IS NEXT TO GODLINESS.” Specially drawn for the proprietors of PEARS’ SOAP BY H. STACY MARKS, R.A. PEARS SOAP is used in all Doulton’s Lavatories throughout the Exhibition. I $■ I Vr. i > # / ^ 'YL, fy)f> sr^*7 •:' /' HW V # V'rr. jjpwju*, «| \ 'y r\J u wC^ fs yijp^ T Tv A ^v-iwdflrG jsjjw Wffn fk \V fejX K\\ \ \ V*' .x } ' *A ■ * 4 A r v mwFW * " TWm /• ■ /' U i' ” . */vr J- Jll&m r* s x i_^ MNgEgjj 1 \at toft BBSP lire *\r:; : T'