Digitized by the Internet Archive in 2020 with funding from Getty Research Institute https://archive.org/details/catalogueofimporOOhenr_O V / I I /V v U65. 15 Leeds Art Galleries, 817 & 819 Broadway. Henry H, Leeds & Miner, AUCTIONEERS, Salesrooms, 95 Chambers and * 77 Reads Streets AHiBH Bi KHflilj (' A V A I* o iVB OF AN IMPORTANT SALE OF PAGINAL plf^ST pLASS _ 'S> BEING THE ENTIRE COLLECTION OF Mr. A. D'HUY VETTER, OF ANTWERP, , \ • M ' 1V h/m"from the Artists E tl L i S ip0rted - a - nd 2 0ver 1)efore exhibited ; purchased and ordered by ^favorite FO m'x S A ne exani Ples of many of the best and most ta^onte El ROPEAA MASIeRS. Also, a number of fine Pictures by our well-known AMERICAN ARTISTS. TO BE AT' MOTION, POSITIVELY WITHOUT RESERVE, BY Elf HIT H* lilll A Kllil AT THE LEEDS ART GALLERIES, Nos, 817 AND 819 BROADWAY. 9 t S. W. Corner of 12th St. , Thursday & Friday Evenings, June 2d & 3d. f « • # • 0 : m :Q:M SZHlgmSH F1IS, TERMS CASH—CURRENT FUNDS. deposit will be required from all purchasers, at the option of the Auctioneer which •sit shall apply to all goods purchased at this sale. vrfnlfi!rj C o^ e fv^»!i be f)ai n f ? r wit l lin twenty-four hours from the day of sale, or the deposit will rfeited and the sale annulled or the goods resold for account of purchaser, at the option of the All Claims for reclamations must be made on or before 12 o'clock A. M. of the dav after the sale. CL. A* NO. . 1 5 ACC. library M.KNOEDLER & GO. 556-8 Fifth Ave. New York NOTICE. We wish to assure purchasers that these Pictures belonging to Mr. D’Huyvetter, of Antwerp, are guar¬ anteed by him original in every instance , many of them having been painted to his order during this year and the year past, the great majority of his invoice having only been received by us from the Custom House within the past two weeks. We have his or¬ ders to sell without reserve. HENRY H. LEEDS & MINER. CATALOGUE. C. LENORE. 1 Innocence. O. CONNOR. U 4 2 3 4 5 6 7 8 Landscape. UNKNOWN. I Landscape. GEO. L. BROWN. i \ Landscape. 191 A\~ HOGARTH. X Kitty Fisher. S. CORRENE. Reverie. W. MORRISON. Miniature on Ivory. UNKNOWN. Landscape. 9 io 11 12 ] 3 l 4 l 5 16 l 7 18 l 9 4 UNKNOWN. The Coquette. R. JONES. Nahant. UNKNOWN. The Invalid. E. SAYCOAL. Landscape and Figs. A. BIERSTADT. Moonlight. UNKNOWN. A Lady, Florentine. BLACKMAN. Landscape. UNKNOWN. Grecian Coquette. / \'V F. C. S. MELBYE (deceased). Marine Coast Scene. UNKNOWN. Fish. Game. ) v Compani anions. 5 20 21 J. WAGNER (Antwerp). Female Head. GRIGGS. Vase and Fruit. V CARLO DOLCI. 22 Poesy (Copy). R. CRABEELS (Paris). 23 French Scenery. \y X 2 4 2 5 SILVIA. “ On the Beach at Long Branch.” A Misty Morning on the Mass. Coast. H. O. YOUNG. 26 On the Parsumpsic River, Vt. ) > Companions. 27 Scene on Echo Lake, White Mts. j . PAUL CRAYON. 28 Lake in the Adirondacks. N. BUSH. 29 San Juan River, Nicarauga. J. C. MERTZ (Paris). 30 The Letter. 6 A L> 70 P 3 1 F. KRUSEMAN (Brussels) Winter Scene—Ruins. GEO. INNESS. 32 Landscape. 33 EMILE WATTIER (Paris) Interior Grand Opera. L. PLAS (Amsterdam). 34 Scenery near the Hague. W. ANGUS (Antwerp). 55 The Lovers. F. C. S MELBYE (deceased). 36 Marine—On the Coast. J. H. DOLPH. 37 Hook Mountain on the Hudson R. MAES (Brussels). 38 Barnyard and Chickens j y 39 d ° i n / i 1 Companions. P. VANDERVIN (Brussels). 40 Interior Stable, with Horses. J. B. BRISTOL. 41 View nean Great Barrington, V , 4 2 43 44 45 46 47 48 49 50 5 l 7 F. C. S. MELBYE (deceased.) Marine View. A. D. SHATTUCK (N. A.) Landscape. A. WUST (N. Y. and Antwerp). Norwegian Waterfall by Moonlight. DINGLE. Scene in Wales, The Old Mill. L. SMETS (deceased). Winter, j V Companions. Winter. ) B. F. TRYON (Boston). Autumn Landscape. A. D. HILLEVELD, Jr. On the Coast of Holland. J. D. BARROW. Among the Thousand River. Lawrence R. KUMMER. Sunset. 8 L. JULLIARD. 52 Allesonia Mills, Tenn. JNO. ANGUS (Brussels). 53 The Fortune Teller. T. A. RUST (Amsterdam) 54 River Scene in Holland. G. VAN MELLAERT (Antwerp).^ 55 A Fox Preparing for Christmas. \*/ 56 57 KUWASSEG FILS (Brussels). Q f Harbor of Nantes. ) , / >- Companions. Harbor of Tecamp. ) J. H. DOLPH. Still Life—Pineapples, &c. J. HARVEY YOUNG (Boston). 59 The Masquerade. H. SCHAEP. 60 A Stiff Breeze. GEERTS (Antwerp). 61 Spanish Soldiers XVIth Century. 62 Companion. 9 C. DIEBOLD (deceased, Paris). 63 Bay of Naples. 64 Marine. Companions. Fine in color; vigorous and artistic in treatment. F. DE BACKER (deceased). 65 The Shepherd’s Story. DE VOS (Courtrai). 66 Dog’s Head. T H. B. KOEK KOEK (Amsterdam). 67 Harbor of Scheveningen. F. VAN LEEMPUTTEN. 68 Interior—Chickens. P. WILLIOT (Ghent). 69 The Wreck. P. G. VERTIN (The Hague). 70 Street Scene, 1 >- Companions. 71 do ) THOS. GAYLOR. 7 2 The Butcher. 10 L. ROBBE (Brussels). 73 Interior—Stable, Goat and Sheep. Painted in his very best manner ; pictures of this date (1847) are seldom offered at auction, and in Europe they are highly valued. Fully as tine as any Verboecklioven ever imported into this country. J. H. DOLPH. 74 View in Ulster Co., N. Y. PORTIELJE (Antwerp). 75 Interior — The Library. Most thoroughly and delicately executed. A painting of actual life of the highest order of merit. The two figures are deliciously and firmly painted. GEO. H. BOUGHTON (N. Y.and London). 76 On the Hudson, Sunset. A very realistic picture by this celebrated artist. DE LA HOESE (Antwerp). 77 Boys at Play. BERLIN (Mechlin.) 78 Canal Scene in Ghent. THEO. DeHEUVEL (Brussels.) 79 Feeding the Ducks. ALBERT NEUHUYS (Antwerp). 80 The Consultation. 11 81 82 VAN DIEGHEM (Brussels). Interior of a Stable, Sheep. ) f Companions. Exterior “ “ ' H. HERZOG (Dusseldorf). 83 Marine—Coast Scene. L. SCHAEFELS (Antwerp), Professor of the Academy of Antwerp. 84 Still Life. CHAS. LIECKERT (Amsterdam). 85 Winter Scene — Skating in Holland. R. MAES (Brussels). 86 Interior — Chickens. A. ZELIS (Antwerp), pupil of David Col. 87 The Playful Kitten. P. G. SEBES ( Antwerp). 88 Sunshine. C. VAN LEEMPUTTEN (Brussels). 89 Exterior — Sheep and Chickens. J. GYSELINCKX (Brussels). 90 The Happy Mother 12 H. VAARBERG (Amsterdam). 91 Rather too Hot 1 >- Companions. 92 Feeding the Bird ) RIEGEN (Amsterdam). 93 River Scene in Holland. A. EVERSEN (Amsterdam). 94 Winter Street Scene. \ > Companions. 95 do ) MAROHN (Paris). 96 Charity. FL. CRABEELS (Antwerp). 97 Sunday Morning—Going to Church. J. H. DOLPH. 98 Sheep Feeding—Winter Twilight WYAN. 99 Landscape. GUISEPPE GHERARDI (Florence). 100 View of Florence. C. G. THOMPSON. 101 Portrait Wm. Cullen Bryant. Painted when the Poet was a young man, and is considered very truthful. /] f , , . . j 102 i ° 3 104 !°5 106 107 108 109 1 10 III 112 13 MELBYE (deceased). Marine. \ > Companions, do ) M. GARCIA. Sampson and Delilah. E. D. LEWIS (Phila.) NewEngland Scenery. M. KOEK KOEK (Amsterdam). Winter Scene. JNO. RUYTEN (Antwerp). Street Scene in Antwerp. UNKNOWN. Landscape. J. KUMMER. Evening. CHAMPNEY. Artist Guy Sketching. GOODALL. The Priest’s Visit. PAUL CRAYON. Twilight. to ^ 14 G. GRAHN. 113 Beggar Girl. 1 - Companions. 114 The Snow Shoveler. ) W. CARLTON (Boston). 115 Some Pumpkins. Illustrates Whittier’s Poem. PAUL CRAYON. 116 Hunters’Camp. UNKNOWN. 117 At the Bath. E. HOPLEY. 118 Wood Nymph listening to the Nightingale. JNO. S COPLEY, R. A. 119 Portait Miss Barry. MARCIO CIGOLI. 120 Music. BODDINGTON. 121 Coast Scene — Shipwreck. CHAS. J. WRIGHT. 122 Baker’s Falls, on the Hudson. After TITIAN. 123 Venus. An excellent copy. R. MAES (Brussels). 124 Interior—Chickens. JNO. RUYTEN (Antwerp). 125 In the Park. A. FRANCONI (deceased). The Mother’s Prayer. MELBYE. / / Marine — Sunset. J. W. HAWKSETT. T Monarch Mills, Scotland. E. D. LEWIS (Philadelphia). 129 Scene in the Green Mountains — Old Mills. J. WAGNER (Antwerp). 130 Kitchen — Interior. J. C. MERTZ (Paris) 131 Why Don’t he Come. 126 12 7 128 F. KREUTZER (Dusseldorf). 132 Early Morning—Antwerp *33 *34 *35 *3 6 *37 138 *39 140 H 1 H 2 H3 16 J. SORIEUL (Paris Battle Scene. A. STOVER. Morning in Massachusetts. SEYFERT. Landscape and Waterfall. E. D. LEWIS (Philadelphia). ., Sunset on the Juniata River. \ ( Companions. Morning on the Susquehanna. ) L. SMETS (deceased), j ? Winter Scene. UNKNOWN. Judgment of Paris. J. H. DOLPH. Distant View of the Catskills. FL. CRABEELS (Antwerp). Return from the Christening. BENTIFFE. Composition of Flowers. C. LENORE. j Girl with Flowers, / 17 MARCELLUS OTTO. 144 Flower Piece—Poppies. y This very elaborate canvass was one of the works most specially prized by the celebrated connoisseur Michael Path It is grandly painted. A. LION (Antwerp). 145 The Lace Worker. H7 L. PLAS (Brussels). 146 Landscape and Cattle. do j Companions J. WALRAVEN (Brussels). 148 The Watering Place. R. MAES. 149 Going to market—Winter. J. H. DOLPH. 150 The Watering Trough. / / A ■ *■ 15 1 152 F. GEERTS. Interior Soldiers. do do -'b > Companions.- L. DE BEUL (Brussels). 153 Winter, with Sheep. Approaching Storm IS C. & F. VAN LEEMPUTTEN (Brussels). Interior—Chickens. ) > Companions. Exterior—Fowls ) H. VON SEBEN (Brussels). Skating. \ > Companions. Coming from School. ) COENE & ROBBE (Brussels). Landscape and Cattle. G. VAN MELLAERT. The Refusal. AUGUST COOMANS. (After Joseph Coomans, liis brother.) The Reprimand. H. HOLLANDER (Amsterdam). The Sisters. P. WILLIOT (Ghent). Marine — Glimpse of Hope. HERBERT McCORD. Sunset on the Tappanzee. J. H. C. SPOHLER (Amsterdam.) Winter Scene — The Windmill. 19 A. DeBRACKELEER. 165 Interior and Figures. EUGENE VERBOECKHOVEN. 166 A Study. Head of a Sheep. J. RUYTEN (Antwerp). School Out. MELLAERT. 168 The Chess Players. 1 70 R. MAES (Brussels). Barnyard Fowls. h vf GUISEPPE GHERARDI (Florence), Knight Commander and Chevalier, etc., etc. The Isle of Elba, Napoleon’s place of Banish¬ ment. The works of this artist are extremely scarce, and few are seen in this country, but are to be found in the Royal Galleries on the Continent. Cost 10,000 francs. C. VAN LEEMPUTTEN (Brussels). 171 Herdsman and Flock, in Belgium. A very tine canvass, by an Artist whose larger pictures have rarely been seen in America. Tts greys are exquisitely felt, and its detail alike vigorous and graceful. DAVID DE NOTER. 172 Anticipating the Guests. * l A— F. ATHANASE (Paris). 173 Napoleon at Beaumont. 174 Fall in Norway. Broadly and vigorously painted. WILMS. 175 Fruit. GRELLET (Paris). Saint Dominique. C. VAN MELLAERT (Antwerp) 177 Landscape and Cattle. O'o l 19 A. DILLENS. At the Toilet. GYSELINCKX. Fowls. WM. HART. Ruins of an Old Castle. B. C. KOEK KOEK (deceased). A 181 Landscape. Genuinely and honestly painted—a very tine picture—by an artist whose works are considered invaluable in Europe, and have always com¬ manded large prices in this country. 21 G. HEEREBAART. 182 Landscape and Figures. Very luminous, and exquisitely finished. A. EVERSEN (Amsterdam). 183 Village Scene. R. MAES (Brussels). 184 Interior—Stable, Sheep. / > L 187 188 189 J. H. DOLPH. 185 Old Dutch House in Jersey. A. EVERSEN (Amsterdam). 186 Street Scene—Winter. O J E. F. BEAULIEU. Landscape. AUGUST COOMANS (After his brother Joseph). Pompeian Woman. At the Fountain. j- Companions. ij? L. LAMPE (Brussels). 190 In the Park— tk I am Engaged.” DE VOS (Courtray). 191 Dog and Duck. \ ( Companions. 192 Dog and Rabbit. ) 22 M. A. KOEK KOEK AND EUGENE VER- BOECKHOVEN. Landscape, with Sheep and Figures. The landscape and foliage superbly painted. l 94 l 9 5 GEERTS. At the Window, j Companion. ^ 200 EUGENE VERBOECKHOVEN. Cabinet Landscape, with Cattle and Sheep. R. MAES. Fowls. N. CALYO. Italian Peasant Girl. ROOSDORP (Amsterdam). Street Scene. L. DeBEUL (Brussels). > Landscape, with She^p, &c. R. A. BLAKELOCK. Landscape. KREMER (Antwerp). John Van Huysum in his Studio. 23 203 204 205 J. SPOHLER. Winter Sports in PORTIELJE. Children Playing. W. H. WHEELWRIGHT ^London). The Return. GUTHRIE. 206 Mischief. 207 E. LANE. Autumn in Vermont. 208 209 RIEGER (Munich). Madonna. (On porcelain). METZIE (Dusseldorf). Interior. F. MU SIN (Brussels ). 210 Near Stelin. MELOS. / \ 1 211 A Peasant Girl. UNKNOWN. 212 Swiss Landscape. 24 21 3 214 21 5 216 RIEGER (Munich). Madonna. (On porcelain). J. O. B. INMAN. Grapes. L. SMETS (deceased). Winter Scene. ) - Companion, do ) R. A. WARD. 217 Saint Sebastian. 218 i 219 H. HOLLANDER. The Family Pet. CRABEELS. The Reception. N MELBYE (deceased). Moonlight. LACROIX. Fruit. \ - Companions. Fruit. ) 22 Y 2 2 4 JNO. RUYTEN (Antwerp). The Spanish Gondola. 1 Companions. Winter Scene. ’ A. EVERSEN. Street Scene. 25 225 VAN DER RLYK (deceased). 226 Marine—On the Coast. R. L. PYNE. 227 Evening. A fine landscape, full of color. 0 u S VERSCHUUR, Jr. .< 228 The Blacksmith’s Shop. Very charmingly treated, with great breadth and delicacy. A. JONNES. 229 The Lesson. L. SMETS (deceased). 232 Winter near Amsterdam. GEO. H. McCORD. )\t 233 The Blacksmith Shop. H. VAARBERG 234 The Ancient Velocipede. i3 t 26 BREUGNER. 235 Landscape and Figures. 236 n/\ V Companions, do do ) / H. VON SEBEN (Brussels). 237 Going to Market. S. CARABAIN. 238 Interior—The Visitor. £ %l H. DE BEUL. 239 Feeding the Bird. H. VAARBERG. 240 The Messenger. P. VERREYDT. 241 Thos. More receiving his Death Warrant A. DeBRACKELEER. 242 The Conversation. The effect of this small canvass by the Master is admirable, and the finish all that conld be desired — a genuinely fine cabinet painting. LEROY. 243 The Pet Doves. Admirably painted, and in tone exquisite. J. WAGNER. 244 Domestic Happiness. ft I j W f A. DeLEEUW (Brussels). 247 The Poachers. P. WILLIOT. 246 Winter near Rotterdam. C. VOLKMAN. 247 In the Forest of Fontainbleau. ) Companions. A. LION. 248 The Doctor’s Visit. L. SMETS. 249 W inter in Belgium. 250 do do * C. VOLKMAN. 291 On the River Seine. J. H. DOLPH. 252 On the Hudson, near Piermont. C. PECRUS (Paris). 253 Conversation. CHIEFLARDT. 254 Leda and the Swan. A 37 J / ■/af r Companions. 25^ The March ot Silenus. ' Two very excellent cabinet pictures. The March of Silenus is singu larly fine in color. 2j6 2 57 The Dice Players. R. MAES (Brussels). 258 Barnyard—Fowls 1 ■ Companions. 259 do do ) Two fine cabinet pictures, exquisitely finished. SPELTDEORN (Pupil of Gerard). 260 The Lunch. Fresh and charming in color. 261 262 P. WILLIOT. Coast Scene. 1 - Companions. Marine View. ’ C. PETIT (Pupil of Gerard). The Young Aspirant. W. VESTER. Winter. VERSCHUUR, Jr. Horses on the Beach. DAMSCHROEDER. The Critics. 1 267 268 Interior—Stable, Sheep, do do Companions. !/ SCHNEIDER (Paris). 269 The Empress Eugenie Visiting the Hospital during the Cholera. H. SCHAEP. 270 Marine. LESSENGER. 271 Maternal Affection. LeBRET. 272 Landscape, with Sheep, Fowls, &c. PORTIELJE. y± - --- 273 Mamma’s Jewels. A very charming painting of the modern Belgian School, executed with thorough honesty, and designed with a pure feeling and tone. A. MAUVE & DAVID COL. 274 Landscape, with Cattle and Figures. C. J. ROSENBERG. 275 Niagara. (Entrance to the Cave of the Winds, from the Foot of Goat Island). The Canadian branch of the stream is concealed by the dense cloud which is sweeping over it. It is a remarkably vigorous transcript of a section of the American Fall, taken from a new point of view. / A \*s n 1 t r — iC>v„ y / vXv ( X ^ / 4 30 KUWASSEG FILS (Paris). 276 Souvenir of Palermo. \ Companions. £ / (Z 277 Harbor of Brittany. ^ Two very choice specimens by this favorite artist AUGUST COOMANS. £ c ? / 278 Love’s Melancholy. . ^ C. F. D£ VOGEL, F. LE BRET and ‘ F. VAN SEVERDONCK. 279 Forest Scene, with Cattle, Sheep, &c. A combined painting by the above well known Artists. The foliage is very ably painted, and the cattle and figure finely finished. TOUSSAINT (Dusseldorf). 280 Pins Down. J 0 / H. DE BEUL (Brussels). 281 The Shepherdess 1/ /1 n A. DE KEYSER (Antwerp). * 282 Teaching the Dog. A brilliant Flemish painting, singularly fine in force and delicacy of color. LACROIX. 283 Fruit and Still Life. RENE MENARD. 284 Landscape and Cattle. r V /; 31 ( C. PECRUS. 285 Lady Embroidering. JT) Jr\ I F. ROFFIAEN AND EUGENE VERBOECK- HOVEN. t 286 Swiss Cottage in the Mountains, with Sheep and Figures. A delicious cabinet specimen by the above eminent artists, and a valuable acquisition to any collection. K F. VAN LEEMPXJTTEN. 287 Interior, with Fowls. \ > Companions. 288 Exterior, with Fowls. ) A. BIERSTADT. 289 Harbor and City of Boston—Evening. Remarkably vigorous and true in handling, and a very fine example by this talented artist. H. VON SEBEN (Brussels). . 290 The Alarm—Faggot Gatherers. An excellent specimen by this pleasing artist. J. B. HUYSMANS (Antwerp), Chevalier of the Holy Sepulchre, Artist by Title of the Patriarch of Jerusalem. 291 Albanian Pilgrims at the Tomb of St. James the Minor, in the Armenian Church of Jeru¬ salem. A remarkably fine example of modern pre-Raphaelism, very carefully and thoroughly painted, with far more richness of color than is usual with paintings of this school. The figures are specially fine. 32 v/ F. LeBRET (Antwerp). 292 Landscape and Cattle. JACOB JACOBS, Professor and Member of the Council of the Royal Academy of Antwerp, and Chevalier of the Order of Leopold of Belgium, &c., &c. 293 Waterfall on the River Glommen, Norway. Broadly and magnificently treated, with a splendid sweep and vigor of brush, showing the hand of a master. A. NEETESON (pupil of the above). 294 On the Scheldt. V. DeGRONCKEL. 295 Italian Mother Paying Adoration to the Madonna. WM. HART. 296 Lake George, near Hague. One of this celebrated artist’s latest works. A. F. TAIT. 297 Ducks and Young. T. CERIEZ. 298 The Bon Vivant. C. VAN LEEMPUTTEN. 299 Sheep, Rabbits and Fowls. A capital cabinet gem. 33 /! H. MAES (Ghent), 300 The Reckoning. /f) f A. EVERSEN (Amsterdam). 301 Street Scene. J. H. DOLPH. 302 The HudsonTrom Piermont. M.JCOEKKOEK. 303 Landscape and Cattle. / VERMEL PEN. X 304 Winter Sports—Evening in Holland G. G. HAANEN (deceased). 305 Interior of a Cathedral. / / 1 /J R. MAES. 206 Fowls. / H. F. SCHAEFELS (Antwerp), elected Honorary Academician of the City of Rotterdam in 1869. 307 Rattle of Walcheron. Very splendidly composed, and painted in a most masterly manner. The following quotation from J. Lotlirop Motley’s “ Rise of the Dutch Republic” gives the incident rendered by the painter: “ The great Lisbon fleet followed in the wake of the Biscayans. Totally ignorant of the rev- f 34 olution whieh had occurred in the Isle of Walcheron, it obeyed the sum¬ mons of the rebel fort to come to anchor, and with the exception of three or four, the vessels were all taken. It was the richest booty which the insurgents had yet acquired. The fleet was laden with spices, money, jewelry, and the richest merchandise. Five hundred thousand crowns of gold were taken. One thousand Spanish soldiers and a good amount of ammunition were also captured.” FIJNCK (Amsterdam). 308 Marine—A Calm. A. NEETESON (Pupil of Jacob Jacobs). 309 River View. KLUYVER. 310 Winter—Gathering Wood. VAN OS. 311 Harvest Time. POUOIJEROLLE. 312 Currants. A EVERSEN (Amsterdam). 313 Street Scene — Winter. VERMEULEN. 314 Market Scene at the Hague-Candlelight. W. J. BOOGAERD. 31 J Feeding the Horse. A. DeBRAECKELEER (Antwerp). 316 Helping the Poor F. VAN LEEMPUTTEN. 317 Fowls. 318 do Companions. CHAS. LEICKERT (Amsterdam). 319 Canal Scene. A. DeBRAECEKLEER (Antwerp V 320 The Armorer’s Shop. J. W. BOOGAERD (Amsterdam). 321 At the Well. SCHEERS. 322 Interior—The Armorers. GEO. WASHINGTON. 323 An autograph Letter dated Valley Forge, March 16th, 1778, addressed to General McDougal, nicely mounted and Leather Case. R H. PARK. 324 Marble Bust—“ Little Nell.'’ J. T. HARTELE. 323 Marble Bust—Morning. LEEDS ART GALLERIES, Nos. 817 & 819 Broadway. / H enry H. Leeds & Miner, Auctioneers, Salesrooms, 95 Chambers & 77 Reade Sts. 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