IUvLLOYB \ ' IFH ue-i ic. * CA.TA.XjOOXTE OF THE VALUABLE COLLECTION OF ENGRAVINGS, OF Deceased (Sold by Order of the Executors), Comprising Engravings by and after the Old Masters, Mezzo¬ tint Portraits and Choice Proofs after Sir E. Landseer; ALSO IHepatmt mrir Coloured dhtgrabings After Sir J. Reynolds, G. Morland, and others, THE PROPERTY OF A GENTLEMAN, Deceased; and MODERN ETCHINGS AND ENGRAYINCS, FROM OTHER PRIVATE SOURCES: —1 WHICH Mill be 3olb bij Euctton bp Messrs. CHRISTIE, MANSON & WOODS, AT TMIR ©&EAT ROOMS, 8 KING STREET, ST. JAMES’S SQUARE, On TUESDAY, JUNE 12, 1894, AT ONE O’CLOCK PRECISELY. May be viewed Saturday and Monday preceding, and Catalogues had, at Messrs. Christie, Manson and VVoods’ Offices, 8 King Street , St. James's Square , S.W. CONDITIONS OF SALE. - 0 - I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. II. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. Y. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Chbistie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot, and making no warranty whatever. YI. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely bo paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited ; all Lots un¬ cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. CATALOGUE. Oa TUESDAY, JUNE 12, 1894 AT ONE O’CLOCK PRECISELY. The Property of SIR HUGH HUME CAMPBELL , Bart., deceased. Sold by Order of the Executors. ENGRAVINGS— In the Folio. 1 Lithographs, &c., after Old Masters, a parcel 2 Simplicity, after Keynolds, by Bartolozzi: La Joconda, after Leonardo da Vinci, by Bridoux— -first proof 2 3 The Shepherd’s Chief Mourner ; and The Shepherd’s Grave, after Landseer, by Gibbon— proofs on India paper 2 4 Lithographs, after the Old Masters, by Hanfstaengl 7 From the Dresden Gallery 5 A similar lot 7 6 Benvenuto Cellini, after Vasari, by Jesi— proof; and others 5 7 Liber Studiorum: Norham Castle, by C. Turner — beautiful impression, signed by the engraver 8 Ditto : The Chain of Alps, by Say—equally fine 9 The Massacre of the Innocents, by Marc Antonio 3 10 The Jews’ Synagogue, by Kembrandt— fine 11 Another impression— less fine 4 DRAWINGS. 12 Head of a Young Woman, Vandyck ; An Antique Vase ; &c. 13 Johannes Waverius, by Yandyck—in a fine tortoiseshell frame ENGRAVINGS— Framed. 14 Sir Thomas Wharton, by Y. Green and Van der Borcht, after Vandyck 3 15 The Duke of Richmond, by Earlom— proof; The Marquis of Huntly ; and others, all after Vandyck 3 16 The Duke of Buckingham, after Vandyck, by McArdell 2 17 Archibald, Duke of Argyll, by Van der Banc; George, Earl of Linlithgow, by R. White 2 18 Alexander, Earl of Murray ; The Duke of Schomberg, both after Kneller, by Van der Banc 2 19 Lord Maitland, by Van der Banc; Crauford of Kilburny, by J. Smith 2 20 Viscount Dundee, by R. Williams— very fine and very rare 21 The Duke of Lauderdale, after Riley, by Beckett; Patrick, Earl of Marchmont, after Kneller, by Smith 2 22 George, Viscount Tarbat, after Medina, by Van der Banc ; John, Duke of Roxburgh, after Richardson, by Faber 2 23 The Duchess of Portsmouth, after Lely, by Valck 2 24 Mary II., Queen of William III., after Van der Vaart, by Smith (Smith, No, 176) 25 William III., by W. Faithorne ; Mary, his Queen, by J. Smith, both after Kneller 2 26 The same personages, after J. Brandon, by Gunst 27 I he Old Chevalier, after De Troy, by Edelinck 2 5 CLAESSENS. 28 The Descent from the Cross, after Rubens DESNOYERS. 29 La Vierge au Linge, after Raffaelle —fine proof 30 La Belle Jardiniere, after ditto— -fine open lettered proof ALBERT DURER. 31 The Coat-of-Arms, with the death’s head— good impression , gwith a large margin 32 The Coat-of-Arms, with the cock— fine R. ESTEVE. 33 Moses Striking the Rock— fine proof with artists' names A. GHISI. 34 Servitude T. HOLLOWAY. 35 Raffaelle’s Cartoons —fine old set, on India paper 7 G. LONGHI. 36 La Madonna del Lago— proof on India paper , artist’s name only 37 The Sposalizio, after Raffaelle R. MORGHEN. 38 Madonna della Seggiola —fine open lettered proof 39 The Aurora, after Guido— fine old impression 40 The Marquis of Moncada, after Vandyck— proof 41 The Transfiguration, after Raffaelle —proof 42 The Last Supper, after Leonardo da Vinci— proof 6 F. MULLER. 43 La Madonna di San Sisto, after Raffaelle MARC ANTONIO RAIMONDI. 44 The Dance of Cupids —fine and very rare 45 The Cassolette REMBRANDT. 46 THE COTTAGE WITH WHITE PALES —first state C. J. SAUNDERS. 47 The Lucca Madonna, after Fra Bartolomeo J. R. SMITH. Portrait of a Man in a Furred Dress, after Vandyck —proof M. STEINLA. 49 The Meyer Family, after Holbein R. STRANGE. 50 Charles I. with the Duke of Hamilton ; Henrietta Maria, after Vandyck 2 51 Charles I. with the Duke of Hamilton, after Vandyck —beautiful proof , first state P. TOSCIII. 52 The Spasimo, after Raffaelle —proof 53 Leo X., after Raftaelle, by Jesi ; and An Interior, after Terburg, by Francois 2 7 AFTER SIR E. LANDSEER. 54 Suspense, by B. P. Gibbon 55 The Sleeping Bloodhound, by T. Landseer, A.R.A. 56 Feeding Rabbits, by ditto— 'proof 57 Beauty’s Bath, by S. Cousins, R.A.— signed by the painter and engraver 58 The Sutherland Children, by ditto— proof before letters 59 The Return from Hawking, by ditto 60 The Highland Drover’s Departure, by J. H. Watt— proof 61 Bolton Abbey, by S. Cousins, R.A.— proof, dated May 9th. 62 Heads of Deerhounds, by C. W. Wass; and The Lost Sheep— proofs 2 63 Cavalier’s Pets, by Outrun ; and Protection, by C. G. Lewis— ditto 2 64 Waiting for the Deer to Rise, by H. T. Ryall— artist’s proof 65 Breeze, by C. G. Lewis— proof 66 The Stag at Bay, by T. Landseer, A.R.A. 67 Beauty’s Bath, by S. Cousins, R.A.— signed by the painter and the engraver 68 The Hawk ; and The Peregrine Falcon, by C. G. Lewis— first published state 2 69 The Return from Deer-stalking, by W. Finden— before all letters 70 The Challenge, by J. Burnet— first state 71 The Sanctuary, by C. G. Lewis— ditto 72 “None but the Brave,” by T. Landseer, A.R.A.— artist'sproof 73 Children of the Mist, by ditto— artist's proof ’ signed by the painter 74 The Drive of Deer, by ditto— artist's proof 75 The Monarch of the Glen, by T. Landseer, A.R.A.— artist's proof, signed by the painter 8 Sold by Order of the Executors of MRS. HEMMING , deceased , late of Grosvenor Place. AFTER SIR E. LANDSEER. 76 A Fatal Stab ; At Bay, by T. Landseer, A.R.A.— artist's proofs 4 77 Saved, by S. Cousins, R.A. — artist's proof 78 There’s Life in the Old Dog Yet, by H. T. Ryall — artist's proof 79 The Poacher’s Bothie, by C. Fox — proof before letters From the Buccleuch Sale 80 The Challenge, by J. Burnet — before all letters From the Buccleuch Sale The following are the Property of A GENTLEMAN , deceased. Sold by Order of the Executors. Framed. 81 The Bathers, after F. Walker, A.R.A., by R. Macbeth, A.R.A.— artist's proof 82 Frye’s head (female), by T. Frye —;first state 83 Frye’s Head (man’s portrait), by T. Frye—first state 84 Portrait of a lady, after T. Frye —first state 85 Frye’s Head : man with a candle, by T. Frye—first state 86 Studies from Nature, by J. Ward 87 Cupid and Psyche ; and Companion —a pair, coloured 88 Rembrandt’s Portrait, after Rembrandt, by C. Turner 9 89 Rembrandt’s Portrait, after Rembrandt 90 Tobit and the Angel, after Rembrandt— first state 91 Ruben’s Children, after Rubens— first state 92 The Village School, after Jan Steen, by W. Ward— first state 93 A Dutch Interior, after Metsu, by J. Watson— first state 94 The Enthusiast, after H, Morland, by P. Dame—; first state 95 A Tigress, after Stubbs, by J. Murphy 96 A Maid, engraved by J. R. Smith 97 Miss Chambers, by J. R. Smith 98 Portrait of McArdell, by R. Earlom— first state 99 Oyster Girl, after Mercier, by R. Houston— first state 100 The Duke and Duchess of York, after Hoppner, by W. Dicken¬ son— coloured—a pair 101 Queen Charlotte, after Sir W. Beechy, by T. Ryder— coloured 102 Marchioness of Sligo, after Hoppner, by C. Turner— first state 103 Blind Beggar of Bethnal Green, after W. Owen, by W. Ward 104 Carlini Bartolozzi and Cipriani, after F. Rigaud, by J. R. Smith —first state 105 White Heifer, after Collins, by W. Ward— first state 106 The Blacksmith’s Shop, after Wright, by R. Earlom 107 Miss Trimmer, after C. Read— proof with burr 108 Amelia, Countess of Ossery, after Sir P. Lely, by T. Watson— first state 109 Lady Whitmore, after ditto, by T. Watson 110 Duchess of Newcastle, after Sir T. Lawrence, by S. W. Reynolds —proof 111 A Sleeping Nymph, after Opie— first state 112 The Clavering Children, after G. Romney, by J. R. Smith 10 113 Philip and Catherine Howard, after J. Northcote, R.A., by W. Saye— 'proof 114 Mrs. Lovibond, after J. R. Smith, by Kingsbury 115 Mrs. Edwards, after Lawranson, by J. Jones— first state 116 Going to the Well, after T. Gainsborough, R.A.— first state 117 The Mouse’s Petition, after J. Ward, by W. Ward 118 The Children of George III., after B. Zest, by V. Green 119 Queen Charlotte and The Princess Royal, after ditto, by Y. Green 120 The Young Volunteer; and Little Sailors, a pair, after Paj’ne, by J. Young 121 Compassionate Children, after J. Ward, by W. Ward 122 Omai, a native of the Island of Otaheite, after Sir J. Reynolds, by J. Jacobi 123 Lady Mary Leslie, after ditto, by J. Spilsbury— first state 124 Master Wynn, after ditto, by J. Dean 125 Miss Greville and Brother, after ditto, by J. McArdell— first state 126 A Shepherdess, after ditto, by J. Grozer— first state 127 The Cottager; and The Woodman, after G. Morland— a pair, coloured 128 The Squire’s Door, after ditto, by B. Duterrau 129 The Farmer’s Door, after ditto— coloured 130 Rubbing down the Post Horse, after ditto— ditto 130a Lady Leicester, after Sir T. Lawrence, by C. Turner —proof 11 ANOTHER PROPERTY. 131 The Duchess of Rutland, after Sir J. Reynolds, by V. Green —second state 132 Lady Louisa Manners, after ditto, by ditto— third state 133 Barbara, Ducbess of Cleveland, after Sir P. Lely, by T. Watson 134 Mary, Lady Boynton, after F. Cotes, R.A., by J. Watson 135 Lady Elizabeth Keppel, after Sir J. Reynolds, by E. Fisher 136 The Duchess of Manchester and George, Viscount Mandeville, after ditto, by J. Watson 137 The Eddystone Lighthouse, after Turner, by T. Lupton— proof 138 Sheep Shearing ; and The Companion, after W. Hamilton, R.A., by Bartolozzi 2 I 139 La Cigale, after Lefebvre— artist's proof 140 La Source, after E. Munier, by A. Lamotte— artist's proof 141 “ Mabel,” after Gaunt, by T. L. Atkinson— remarque proof 142 Musidora, after Gainsborough, by Laguillermie— artist's proof 143 The Cornfield, after J. Constable, R.A., by D. Lucas 144 The Lock, after ditto, by ditto 145 Salisbury Cathedral (The Rainbow), after ditto, by ditto 146 The Vale of Dedham, after ditto, by ditto— proof before letters 146a The Chandos Portrait of Shakespeare, by S. Cousins, R.A.— director's proof, signed 12 THE PROPERTY OF A GENTLEMAN , ■ deceased. ETCHINGS —In the Folio. 147 Etchings in London, by Brunet Desbaines— artist's proofs 12 148 Thomas Carlyle, after G. F. Watts, R.A., by Rajon— remarque proofs 2 149 A French Dragoon, by Detaille— proof ; &c. 5 BY F. SEYMOUR HADEN. 150 Amstelodamum ; &c.— unframed 2 151 Mytton Hall— ditto FRAMED. 152 Shere Mill Pond 153 Whistler’s House, old Chelsea 154 Kensington Gardens (small plate) 155 Battersea Reach 156 Fulham 157 Sunset on the Thames 158 Egham 159 Egham Lock ETCHINGS — Framed. 160 The Lesson in Anatomy, after Rembrandt, by L. FI among; and The Syndics of the Drapers’ Guild, by ditto 2 161 The Surrender of Breda, after Velasquez, by Guillermie— artist's proof on vellum (No. 3) 162 A Farm Scene, with cattle, after Van Marcke, by Courtry \ and Cattle Watering— proofs 2 163 On the Seine, near Paris, by Delattre • and A Wood Scene 2 13 164 On the Marshes at Pisa, by J. H. Bradley; and A Coast Scene, by F. Perrin 2 165 Netting a River ; and A River Scene, by Appian— proofs on vellum 2 166 Thomas Carlyle, after G. F. Watts, R.A., by Rajon— remarque proof 167 Soldiers, by Detaille— a pair ; and The Bohemian, after Steinlial, by Rajon 168 Card Players, after Meisonnier— proof ; and “ Ils s’en Allerent,” &c., after ditto 2 169 Le Liseur, after ditto, by Jacquemart; and The Standard Bearer, by Dupont —proofs 2 170 La Reprimande, after Schlosser; La Muezzin, after Groome, by Rajon; &c. 3 171 Portrait of a lady, by P. Thomas— proof 172 A River Scene, by Gaucherel; ten etchings, by Delattre— in one frame ; &c„ 3 173 Birds of Prey, by Bracquemond— proof ; and A River Scene 2 174 Etchings after De Hooch, Terburg, Rembrandt, &c. 5 175 Ditto, ditto 6 ENGRAVINGS. 17 6 The Aurora, after Guido, by R. Morghen 177 The Last Supper, after L. da Vinci, by ditto 178 Diana and Nymphs, after Domenichino, by ditto 179 The Transfiguration, after Raffaelle, by ditto 180 The Madonna del Foligno, after ditto, by Marchetti —proof before letters 181 La Madonna del Coneglia, after Correggio, by C. Muller ; and The Reading Magdalen, by Longhi 2 14 182 The Madonna della Sedia, after Raffaelle, by R. Morgheu ; and The Holy Family, after ditto, by Longhi 2 183 Hope, after Guido, by R. Morghen —before all letters 184 Beatrice Cenci, after Guido, by Salandri; and Dante, by R. Morghen FINIS. London: Printed by William Clowes & Sons, Limited, Stamford Street and Charing Cross. , GETTY CENTER LIBRARY