ifp: ' }/ /crn^^ - _ j it , ■) * * /O — ■ ■■"• '■ «L EXHIBITION OF PICTURES ANCIENT AND MODERN BY ARTISTS OF THE British and Continental Schools INCLUDING A /; SPECIAL SELECTION FROM THE WORKS MKraw BKy foAy.fe.»C t V ; r :’ . ’ .F ;i. . .x , 0F DANTE GABRIEL ROSSETTI THE NEW GALLERY REGENT STREET f l 8()7 — 8 PRICE ONE SHILLING THE NEW GALLERY C. E. HALLE. directors. | J. W. COMYNS CARR. Consulting Committee* L. ALMA-TADEMA, R.A. j J. W. NORTH, A.R.A. SIR EDWARD BURNE-JONES, Bart. ! ALFRED PARSONS, A.R.A. ALFRED GILBERT, R.A. H. A. GRUEBER, F.S.A. W. HOLMAN HUNT, R.W.S. E. ONSLOW FORD, R.A. C. H. READ, F.S.A. SIR W. B. RICHMOND, R.A., K.C.B. E. R. ROBSON, F.S.A. ISIDORE SPIELMANN, F.S.A. G. F. WATTS, R.A. Secretary. LEONARD C. LINDSAY, F.S.A. Assistant Secretary. MISS THOMAS. RULES FOR THE SUMMER EXHIBITIONS. A RTISTS who arc desirous of offering examples of their work for exhibition at the New Gallery may send them in on the first two Saturdays in March, such works to be* removed whether accepted or otherwise on the following Tuesdays. To prevent disappointment on the part of those who may choose to avail them- selves of this opportunity, the Directors of the New Gallery think it only right to add that a great part of the space at their disposal is pledged beforehand, and that the non- acceptance of any work docs not therefore imply any kind of judgment as to its fitness for exhibition. Water-colour drawings sent in for approval must be framed in gold mounts. No more than two works may be submitted for approval, and no works are eligible which have been previously exhibited in London. Every work must be accompanied by a note addressed to the Secretary, and con- taining the name and address of the artist. But these particulars will be considered by the Directors as strictly confidential, and no mention will afterwards be made of any work submitted to them. All works must be sent and removed at the artist’s expense, and those from the country or from abroad must be delivered and removed by an agent, as cases cannot be received at the Gallery. No work can be removed until after the close of an Exhibition. A commission of ten per cent, is charge’d on all works sold in the Gallery. EXHIBITION OF PICTURES ANCIENT AND MODERN BY ARTISTS OF THE British and Continental Schools INCLUDING A SPECIAL SELECTION FROM THE WORKS OF DANTE GABRIEL ROSSETTI THE NEW GALLERY REGENT STREET Richard Clay and Sons, Limited, LONDON AND BUNGAY. ~2> M ? ^ I93J* C 0 USl’t&siA&cf Jr'W sf? "" '^cMiGtsug^* THE NEW GALLERY directors. C. E. HALLE. | J. W. COMYNS CARR. * Consulting Committee. L. ALMA-TADEMA, R.A. SIR EDWARD BURNE-JONES, Bart. ALFRED GILBERT, R.A. H. A. GRUEBER, F.S.A. W. HOLMAN HUNT, R.W.S. E. ONSLOW FORD, R.A. G. F. W A J. W. NORTH, A. R.A. ALFRED PARSONS, A.R.A. C. H. READ, F.S.A. E. R. ROBSON, F.S.A. SIR W. B. RICHMOND, K.C.B., R.A. ISIDORE SPIELMANN, F.S.A. TS, R.A. architect. E. R. ROBSON, F.S.A. Secretary. LEONARD C. LINDSAY, F.S.A. assistant Secretary. Miss THOMAS. PREFATORY NOTE. The Directors and the Secretary of the New Gallery desire to tender their most grateful thanks to all those who have kindly lent their pictures for exhibition, thus enabling them to offer to the public the present collection of works by artists of the British and Foreign schools. The Exhibition will be open from January ist to April 2nd. The prices of such works as may be for sale can be obtained from the Secretary. A commission of ioper cent is charged on all works sold through the agency of the New Gallery. Leonard C. Lindsay, Secretary . arrangement of tbe lEybibition SOUTH ROOM. Works by Dante Gabriel Rossetti. WEST ROOM. Schools of Italy and the Netherlands. NORTH ROOM. The British School. BALCONY. Photographic Reproductions of the Works of D. G. Rossetti, and of Drawings of the Old Masters at Windsor, etc., and of Pictures Exhibited in former Winter Exhibitions. CATALOGUE. The works are catalogued under the names given to them by the Contributors . The Directors cannot be responsible for the attributions. The Numbers co?nmence in the South Room , and continue from left to right. Throughout the Catalogue , in describing the pictures , the right and left mean those of the spectator facing the picture. SOUTH ROOM. WORKS BY DANTE GABRIEL ROSSETTI. 1 . Portrait of Dante Gabriel Rossetti, by Himself. Bust to right ; dated “ Sept. 20, 1855.” Pen and ink, 5J X 4J in. By D. G. Rossetti. Lent by the Lord Battersea. 2 . Portrait of Dante Gabriel Rossetti, by Himself. Bust, towards right, looking at the spectator. Signed with monogram and dated 1870. Pencil, 4 X in. By D. G. Rossetti. Lent by M. H. N. Spielmann, Esq. 3 . Portrait of Mrs. Rossetti (the Painter’s Mother). Small bust, facing, in white cap and black dress. Dated “July, 1854.” Pencil, 6 J X 5i in. By D. G. Rossetti. Lent by William Rossetti, Esq. 4 . Dante. Full-length figure walking to right; his left arm outstretched, his right hand on his breast. Signed with monogram and dated 1874. Pencil, 36 X 14 in. By D. G. Rossetti. Lent by Francis W. Buxton, Esq. 8 Exhibition of [south room. 5 . Portrait of Miss Elizabeth Eleanor Siddal. Small full-length figure seated to left, her head supported by a cushion ; her hands are folded on her lap. Signed with monogram, and dated “ Weymouth, October, 1856.” Pencil, 8f x 6J in. By D. G. Rossetti. Lent by William Rossetti, Esq. 6 . Mnemosyne: A Study. Female head, full face, with long dark hair; drapery over shoulders. Signed with monogram, and dated 1876. Chalk drawing, 22 x 17I in. A study for the oil picture entitled Mnemosyne , or The Lamp of Memory. By D. G. Rossetti. Lent by the Lord Battersea. 7 . Pandora. Half-length female figure, facing, with long dark hair, in red drapery, holding in her hand a casket from which issues a flame. Signed with a monogram and dated 1869. Red chalk, 38 X 26 in. A study for the picture of Pandora, see No. 32. By D. G. Rossetti. Lent by Charles Butler, Esq. 8 . Portrait of Ford Madox Brown. Small head turned to left ; on right in monogram, “ D. G. R. to E. I. C. A. 55 and dated u Jan., 1867.” Pencil, n in. (circular). By D. G. Rossetti. Lent by William Rossetti, Esq. 9 . Portrait of Gaetano Polidori (the Painter’s Grandfather). Small bust, to left ; inscribed “ G. C. R., June, /48.’’ Pencil, 10J x 8| in. By D. G. Rossetti. Lent by William Rossetti, Esq. 10. Study of a Head. Head and bust of a woman facing, head turned to right, and looking down ; monogram in right corner. Pencil, 9J x 8 in. By D. G. Rossetti. Lent by Constantine A. Ionides, Esq. 11 . Portrait of Mrs. Aglaia Coronio. Head and bust, three-quarter, to left, head turned to right ; white dress, monogram and date 1870 in upper right corner. Crayons, 2of X 17! in. By D. G. Rossetti. Lent by Constantine A. Ionides, Esq. south room.] Ancient and Modern Pictures . 9 12 . Desdemona’s Death Song: a Sketch. Head and shoulders bent downwards to left. Pencil, 16 x 19 in. The frame is inscribed : — “ The poor soul sat singing by a sycamore tree, Sing all a green willow : Her hand on her bosom, her head on her knee, Sing willow, willow, willow : The fresh streams ran by her, and murmur’d her moans ; Sing willow, willow, willow. Her salt tears fell from her, and softened the stones Sing, willow, willow, willow : Sing all a green willow must be my garland.” — Othello , Act iv. Sc. 2. By D. G. Rossetti. Lent by Miss Horniman. 13 . Three Designs for the Title-page of “The Rose Garden.” Pen and ink. By D. G. Rossetti. Lent by J. C. Holder, Esq. 14 . Portrait of Miss Elizabeth Eleanor Siddal. Small full length, seated to right in a chair, reading. Pencil, 10J X 7 J in. By D. G. Rossetti. Lent by F. G. Stephens, Esq. 15 . Portrait of Mrs. Rossetti (the Painter’s Mother). Bust, life size, to left, looking down ; black dress and black lace head-dress. Crayons, 17 x 14 in. By D. G. Rossetti. Lent by William Rossetti, Esq. 16 . Cassandra. According to the description of the artist himself, “ The subject shows Cassandra prophesying among her kindred, as Hector leaves them for the last battle. They are on the platform of a fortress, from which the Trojan troops are marching out. Helen is arming Paris ; Priam soothes Hecuba, and Andromache holds the child to her bosom.” Pen and ink, 13 x 18J. Drawn in 1861, retouched in 1867. By D. G. Rossetti. Lent by Colonel W. Gillum. 17 . “The Maids of Elfin-Mere.” Small full-length figure of a youth seated at a table and listening in rapt mood to the chaunt of four mystic or supernatural women in shadowy forms before him. Pen and ink, 9 X 8J in. A design made by Rossetti for the frontispiece of Mr. William Allingham’s volume, Day and Night Songs. By D. G. Rossetti. Lent by Mrs. Allingham. io Exhibition of [south room. 18 . The Queen’s Page. Small full-length figures, to left ; the page holds up the train of the Queen, who, walking at the side of the King, glances back at him ; building in the background. Inscribed below “June 9, /54 ” and monogram. Sepia, 6J X 4J in. A sketch made by the artist in a writing book of Mr. William Allingham opposite a translation of Heine’s poem “ The Queen’s Page.” By D. G. Rossetti. Lent by Mrs. Allingham. 19 . Hesterna Rosa. The scene represents two gamblers ; one seated, the other kneeling, throwing the dice on a stool in front of them ; the kneeling one is kissing the hand of a female seated on a sofa behind him, and who is holding her hand before her face, as if in shame — the “Hesterna Rosa” of the design ; while another female, with a joyous expression of face, throws her arms around the other gambler ; near them on the left is a young girl playing a lute ; and in the right background is seen an ape scratching himself. Signed and dated, “ Dante Rossetti, 1853.” Inscribed below with two verses of “ Elena’s Song ” (Sir Henry Taylor’s Philip von Artevelde , Part ii. Act v., Sc. 1) ; and the words, “Composed, 1850. Drawn and given to his P. R. brother, Frederic G. Stephens, 1853.” Pen and ink, 7^X95 in. By D. G. Rossetti. Lent by F. G. Stephens, Esq. 20 . Study of a Head. Head, life size, of a girl, turned three-quarters to left. Crayons, 20 x 13J in. By D. G. Rossetti. Lent by Constantine A. Ionides, Esq. 2 1 . Proserpine. Half-length figure of Proserpine as Empress of Hades in a* blue robe, long black hair, standing to left ; her right hand clasps the left wrist, and in the left hand she holds a pomegranate ; in the lower left corner is a burning censer ; in the upper right corner a scroll, inscribed with the sonnet from which the picture is painted. The ivy branch in the background may be taken as a symbol of clinging memory, Signed and dated, “ Dante Gabriele Rossetti, ritrasse nel capo d’ anno del 1874.” Panel 49 X 22 in. Proserpine, carried away by Pluto to the infernal regions, was sought by her mother, Ceres, who prevailed on Jupiter to consent to her return, provided only that she had not partaken of any of the fruit of Hades. It was found, however, that she had eaten one grain of a pomegranate, and this enchained her to her new empire and destiny. By D. G. Rossetti. Lent by Charles Butler, Esq. south room.] Ancient and Modern Pictures. 1 1 22 . Portrait Head— Mrs. Vernon Lusiiington. Three-quarter face to left ; green background. Monogram and date 1865 on right. Water colour, 8^x7 in. (oval). By D. G. Rossetti. Lent by His Honour Judge Lushington. 23 . The Meeting of Dante and Beatrice in the Purgatorio. Dante, with hands upraised, stands weeping before Beatrice, who, accompanied by two angels, playing on musical instruments, unveils her face to him ; green landscape behind. Inscribed on left corner, “ D. G. R.” in monogram. Water colour, 11JX9J in. By D. G. Rossetti. Lent by Philip Webb, Esq. 24 . Queen Guinevere. Small full-length figure to left, wearing pink embroidered white dress with red sleeves, a wreath of flowers on her head ; she stands before a toilet table, and is putting on a girdle ; in the background is a bed, on which sleeps a dog ; and on the right a man playing a lute. Canvas, 28 X 19J in. This is the only painting by William Morris. By William Morris. Lent by Mrs. William Morris. 25 . The Holy Grail. Scene from the Morte d’ Arthur. Size 11 x 10 in. By D. G. Rossetti. Lent by Arthur Severn, Esq. 26 . La Donna della Finestra. Half-length female figure, in white drapery over green, seated towards left, leaning on a balcony, over which trail clusters of fig-leaves ; on the balcony is a rosebud, and roses are seen on either side of her ; the sky seen through pillars in the back- ground. Signed and dated “ D. G. ROSSETTI, 1879.” Panel, 39 x 29 in. The subject is taken from a passage in the Vita Nuova, inscribed on the frame, in which Dante describes how, after the death of Beatrice, while weeping with grief for her loss, so that he was afraid the passers-by would notice it, he looked up and saw a young and beautiful lady gazing at him with eyes full of pity. By D. G. Rossetti. Lent by W. R. Moss, Esq. 27 . The Girlhood of the Virgin Mary. On the right the Virgin and St. Anne seated at an embroidery frame, on a balcony beneath an overhanging vine ; on the floor in front of them are six books, one above the other, each inscribed with the name of a Virtue ; on the top of these is a vase. 12 Exhibition of [south room. out of which grows a lily, which a little angel with rose-coloured wings is watering ; near the books lie a seven-thorned briar and a seven-leaved palm branch, surrounded by a scroll inscribed, “Tot dolores tot gaudia” ; St. Joachim is seen outside pruning a vine, on one of the supports of which roosts a dove, surrounded by a golden halo, and symbolical of the Holy Spirit ; distant landscape seen through trellis-work ; behind the Virgin and St. Anne is a curtain, partly drawn ; at the back of the Virgin is a musical instrument, inscribed with the initial “ M.” and “ Sis laus Deo.” St. Anne is a portrait of the artist’s mother, and the Virgin of his sister, Christina Rossetti. On the frame are two sonnets descriptive of the picture. Signed and dated, “ Dante Gabriele Rossetti, P. R. B., 1849.” Panel, 33X25 in. By D. G. Rossetti. Lent by the Hon. Mrs. Jekyll. 28 . Lucrezia Borgia. Small full-length female figure, in a white and gold embroidered dress, washing her hands in a basin ; on a table behind her is a decanter of wine and a rose ; in the distance behind are seen two figures approaching ; orange-tree to the right. Signed with monogram and dated 1871. Water colour, 16J X 15 \ in. By D. G. Rossetti. Lent by William Colt art, Esq. 29 . Lady Lilith. Small full-length figure seated to left, in white dress, and blue cloak lined with white ; she combs her golden hair and looks in a mirror, held in her left hand ; behind are white roses ; and on the left a table with mirror, candles and flowers ; in the mirror is reflected a garden scene ; in the lower right hand corner a glass with a single red rose. Signed with monogram and dated 1867. Water colour, 20 X 17 in. The Talmudists say that Adam had a wife before he married Eve. The following sonnet is inscribed on the frame of No. 42, a representation of the same subject. It differs slightly from the published text. " Of Adam’s first wife, Lilith, it is told (The witch he loved before the Gift of Eve) That, ere the snake's, her sweet tongue could deceive, And her enchanted hair was the first gold. And still she sits, young while the Earth is old, And, subtly of herself contemplative, Draws men to watch the bright net she can weave, Till heart and body and life are in its hold. Rose, foxglove, poppy are her flowers ; for where Is he not found, O Lilith, where shed scent And soft-shed fingers and soft sleep shall snare ? Lo ! as that youth’s eyes burned at thine, so went Thy spell through him, and left his straight neck bent, And round his heart one strangling golden hair.” By D. G. Rossetti. Lent by William Coltart, Esq. south room.] Ancient and Modern Pictures . 1 3 30 . The Gate of Memory. A woman standing leaning against an arch and watching children at play, who are seen through another archway on the left, above which hangs a lamp ; houses in the background ; inscribed in left corner, “ The Gate of Memory,” and on left mono- gram and date 1864. Water colour, ii£ x 10J in. By D. G. Rossetti. Lent by Moncure D. Conway, Esq. 31 . Launcelot and Queen Guinevere at the Tomb of King Arthur. Small full-length figures ; Sir Launcelot in armour leans forward over the effigied tomb of King Arthur towards Guinevere, who kneels at the side of the tomb, and raises her left hand as if to ward him off. Signed with monogram and dated 1854. Water colour, 9 x 14^ in. By D. G. Rossetti. Lent by S. Pepys Cockerell, Esq. 32 . Pandora. Three-quarter-length female figure facing, with long dark auburn hair, in red drapery, holding in her hand a jewelled casket which is inscribed “Nescitur Ignescitur,” and from which issues a flame. Signed with a monogram and dated 1871. Panel, 51^X31 in. When Prometheus had stolen fire from heaven, Zeus, in revenge, caused Hephaestus to make a woman out of earth, who, by her charms and beauty should bring misery upon the human race. Aphrodite adorned her with beauty, Hermes gave her boldness and eloquence, and’the gods called her Pandora, as each of the Olympians had given her some power, by which she was to work the ruin of men. Hermes took her to Epimetheus, who forgot the advice of his brother Prometheus not to accept any gift from Zeus, and from that moment all miseries came down upon men. Zeus also gave Pandora a vessel containing all the blessings of the gods, which would have been preserved for the human race had she not opened it, so that they all escaped irrecoverably. By D. G. Rossetti. Lent by Charles Butler, Esq. 33 . Hamlet and Ophelia. Hamlet facing, kneeling on a sculptured seat, his arms outstretched, looking at Ophelia, who is seated on the right, her head turned aside ; in her right hand she holds out to him letters, an open book on her lap. The seat is sculptured with the tree of knowledge, a crucifix with books at base and other figures ; view of buildings in the background. (See Hamlet , Act. iii., Sc. i.). Signed with monogram. Pen and ink, 12J X ioi in. By D. G. Rossetti. Lent by Colonel W. Gillum. Exhibition of [south room. *4 34 . Taurello’s First Sight of Fortune. The scene is on the ramparts of a castle, with the city of Messina in the distance. Taurello as a young man holds a bow, and receives from his dog an arrow ; Henry, King of the Romans (afterwards the Emperor Henry II.), is in the act of pinching the cheek of his guest with the right hand, while he is about to receive with the other “ the silk glove of Constance,” which the Queen herself is drawing off in order that it may be laid, according to the ancient mode of investiture, upon the head of Taurello ; Ecclin is on the right of the group ; Retruda, who became the first wife of Taurello, looks over the shoulder of Constance. Inscribed below, “ Frederic G. Stephens, from his P. R. brother — Dante G. Rossetti/’ Pen and ink 9J x io£in. This drawing is believed to be the sole illustration of Mr. Browning’s poem, “ Sordello.” By D. G. Rossetti. Lent by F. G. Stephens, Esq. 35 . The Couch. A lady reclining on a couch ; her left elbow resting on a cushion ; dated “29 Nov., 1870.” Pen and ink, 6J X 8 in. By D. G. Rossetti. Lent by the Lord Battersea. 36 . Found. The scene is laid at early dawn near one of the bridges over the Thames. In the foreground is the figure of a girl crouching by a wall, and a young countryman in a smock grasping her by the hand, near them a cart in which is a calf. Signed with monogram and dated 1853. Pen and ink, 8 x 7J in. An early study for the large oil picture of the same subject. The frame is inscribed, “ I remember the kindness of thy youth, the love of thy betrothed,” Jerem. ii., 2. By D. G. Rossetti. Lent by Colonel W. Gillum. 37 . Regina Cordium (Mrs. Elizabeth Eleanor Rossetti). Head and shoulders of a girl, facing, leaning on a parapet, covered with lace, purple and gold embroidered dress ; in her right hand a lily ; her left rests on the parapet and holds a chain to which is attached a heait-shaped ornament ; a scroll inscribed REGINA cordivm ; background, a green curtain. Signed with monogram of “ D. G. R.” Water colour, 16 x 13 in. By D. G. Rossetti. Lent by T. S. Oldfield, Esq. 38 . Portrait of Miss Christina Rossetti (the Painter’s Sister). Small head, facing. Signed “ c. G. R. by D. G. R., 1848.” Canvas, 6 x 6 in. By D. G. Rossetti. Lent by William Rossetti, Esq. south room.] Ancient and Modern Pictures . 15 39 . Fra Pace. Small full-length figure of a monk in his cell, kneeling at a desk, and engaged in painting a missal ; behind him is a boy tickling a cat asleep on the monk’s robe ; a rose tree is seen growing up on the right. Signed with monogram. Water colour, 14 x 13 in. By D. G. Rossetti. Lent by the Hon. Mrs, Jekyll. 40 . The Borgia Family. Lucrezia Borgia is seated on a couch, playing a lute, to the sound of which a boy and a girl are dancing ; on either side behind her are the Pope (Alexander VI.) and her brother Caesar ; the latter blowing the rose-petals from her hair, and beating time with his dagger on a half-filled wine-glass by his side ; behind him is a female attendant, and a monkey in a red coat is seen on the right ; on the right is a girl looking in at the window. Signed with monogram, and dated 1863. Water colour, 9J x 10 in. By D. G. Rossetti. Lent by William Coltart, Esq. 41 . Dante’s Dream. The scene is in a chamber of dreams strewn with poppies, where Beatrice is seen lying on a couch as if fallen back in death ; the winged figure of Love in blue drapery leads by the hand Dante, who walks as in sleep ; in his other hand Love carries a bow and arrow, and bending over Beatrice bestows on her the kiss, which Love has never given her ; two green-clad dream ladies hold the pall full of May-blossom suspended for an instant before it covers her face for ever ; on either side are two arches, in one of which is a staircase, and through which is seen the outer world of reality represented by a view of the city of Florence. Water colour, i8§ X 25! in. Painted in 1855. By D. G. Rossetti. Lent by Beresford R. Heaton, Esq. 42 . Lady Lilith. Another version of No. 29, which see for description. By D. G. Rossetti. Lent by Alexander Stevenson, Esq. 43 . Rosa Triplex. Small half-figures of three girls with long fair hair, in red drapery, leaning on a balustrade, each with a rose in the left hand ; background of roses. Inscribed on a scroll on the balustrade, “ Rosa Triplex,” and signed and dated “ D. G. ROSSETTI, 1874.” Water colour, 19 X 23 in. This is a version in triplicate of the portrait of Miss May Morris. By D. G. Rossetti. Lent by W. Graham Robertson, Esq. i6 Exhibition of [south room. 44 . The Passover. The scene is laid at the porch of the house of the Holy Family ; Zacharias is sprink- ling the posts and the lintel from a bowl of blood, which Christ is holding ; St. John is fastening the shoe of the right foot of Christ, and Mary is gathering wild herbs. Unfinished. Water colour, 16 X 17 in. By D. G. Rossetti. Lent by Professor John Ruskin. 45 . The Virgin in the House of St. John. The scene is laid in a room ; near an open window, the bars of which form a cross, stands the Virgin pouring oil into a lamp ; in front of her sits St. John, striking a light from a flint ; through the open window are seen the buildings of Nazareth on its hilly slopes. Water colour, 18 X 14 in. In lower left corner monogram and date 1859. By D. G. Rossetti. Lent by Beresford R. Heaton, Esq. 46 . Paolo and Francesca. Paolo and Francesca seated before a window and embracing ; on his knee rests an open book ; roses at their feet ; rose tree on the left ; musical intruments on the right. Danti , Inferno , Canto V. Signed with monogram. Panel, 16 X 13 J in. By D. G. Rossetti. Lent by W. R. Moss, Esq. 47 . Mariana. From Shakespeare’s Measure for Measure , Act iv., Sc. 1. Three-quarter figure of a lady in a blue robe seated to right, engaged in embroidery ; beside her stands her page playing on a lute, and singing the song from the play beginning— “ Take, O take those lips away, That so sweetly were foresworn.” Signed with monogram and dated 1870. Canvas 43 x 35 in. By D. G. Rossetti. Lent by Francis W. Buxton, Esq. 48 . Bethlehem Gate. The Holy Family are being led away to the right by one angel, while another is closing a door, through which can be seen the slaughter of the children ; before the first angel is the Holy Dove. Signed with monogram, and dated 1862. Water colour, 18 x 15^ in. By D. G. Rossetti. Lent by Beresford R. Heaton, Esq. south room.] Ancient and Modern Pictures . i / 49 . St. George. St. George in armourjand bare-headed, kneeling on his right knee, in the act of thrusting his sword through the dragon's throat ; behind him the Princess Sabra, nude to the waist, tied to a tree. Signed with a monogram, and dated 1863. Water colour, 13* 17 in. By D. G. Rossetti. Lent by H. Virtue Tebbs, Esq. 50 . Leah and Rachel. Rachel seated at the side of a well, against which Leah leans ; Dante walking in landscape background. Water colour, 13J X I2§ in. By D. G. Rossetti. Lent by Beresford R. Heaton, Esq. 51 . Sir Galahad, Sir Bors, and Sir Percival, fed by the Sanc- GREAL. Small full-length figures, Sir Galahad, Sir Bors, and Sir Percival, their hands joined, bowing before the Sancgreal, which is held by a figure in the likeness of a girl in blue dress and vestment of red and gold ; at her feet grows a lily, and behind her, on the altar, stands the Holy Dove ; at the feet of the Knights, and slightly in the background, lies the body of Sir Percival's sister, her hands folded in prayer ; in the background a choir of angels. Inscribed with monogram, and dated 1864. Water colour, 11^ X 16J in. By D. G. Rossetti. Lent by Beresford R. Heaton, Esq. 52 . The Loving Cup. Three-quarter length figure of a lady towards left, red coloured dress, green veil ; she is holding the “ Loving Cup ” in her right hand and its lid in her left ; diapered lace background, against which is fixed a row of golden salvers. Signed with monogram of “ D. G. R.” and dated 1867. Water colour, 17J X 14 j. By D. G. Rossetti. Lent by A. S. Stevenson, Esq. 53 . The Annunciation. The Virgin, stooping, with half upraised head, is bathing her feet in a rivulet ; the Dove is hovering over her head ; the angel with arms outspread and wings crossed has descended towards her amidst the trees and flowers. Water colour, 14J x 9j in. Inscribed on the frame by the artist, “ My beloved is mine, and I am his : he feedeth among the lilies ” ; " Hail, thou that art highly favoured : blessed art thou among women.” By D. G. Rossetti. Lent by Mrs. George Boyce. i8 Exhibition of [south room. 54 . Beatrice at the Marriage Feast. Beatrice and her companions in blue dresses and green robes in a bridal proces- sional. On the right, leaning against a porch, is Dante, clad in red with a dark hood ; behind Dante and the friend who holds his arm is a fresco with white angels on a blue ground ; in the left foreground is seen a corner of the vineyard with grape- cutters. Water colour, 13I X i6f in. By D. G. Rossetti. Lent by H. T. Wells, Esq., R.A. 55 . “JOLI CCEUR.” Small half-length figure of a girl slightly turned to the right, rich auburn hair, and wearing purple over-dress edged with brown fur, which her right hand grasps ; her left plays with a coral necklace, to which is attached a coral heart ; deep peacock- blue background. Inscribed on left, “ Joli cceur,” and on right with monogram of painter and date 1867. Panel 15 x 12 in. By D. G. Rossetti. Lent by Miss Horniman. 56 . Portrait of Algernon C. Swinburne. Small bust, facing, head turned slightly to left ; blue coat, and yellow tie ; green background. Signed in top right corner with monogram and date, 1861. Water colour, 7 X 6 in. By D. G. Rossetti. Lent by the Lord Battersea. 57 . The Donna della Finestra. Another version of No. 26. Half-length figure of a lady, seated to left, at a balcony on which her hands rest, her right holding a chain which is around her neck ; foliage above her head and before her ; landscape background. Crayons, 30 X 24 in. By D. G. Rossetti. Lent by the Lord Battersea. 58 . The Salutation of Beatrice. Three-quarter length life-size, female figure, facing, in white drapery, a book in her right hand, the left holding her robe ; behind, at a well-head are seen Dante and a figure of Love with scarlet robe and wings ; in the background buildings and belfry; in the foreground, flowers. Painted 1881. Unfinished. Panel, 59x34m. From the Leyland collection. The subject is taken from a passage in the Vita Nuova in which Dante commemorates in a sonnet a salutation given him by Beatrice : — " My lady looks so gentle and so pure When yielding salutation by the way,” &c. Lent by J. C. HOLDER, Esq. By D. G. Rossetti. south room.] Ancient and Modern Pictures . *9 59 . Design for the Altar-Piece of Llandaff Cathedral. In three compartments. In the centre one is represented the Adoration of the Magi ; in the left one, the youthful David as a shepherd, with a crook and a sling ; in the right one David older and as a king, clad in armour and playing on a musical instru- ment. Painted, 1860-61. Water colour, centre, 28 x 11J in. ; sides, 11 x 5 in. By D. G. Rossetti. Lent by His Honour Judge Lushington. 60 . Borgia. Similar design, with slight variations, to No. 40 ; signed with monogram, and dated 1851. Watercolour, 9J x 10 in. From the Boyce Collection. By D. G. Rossetti. Lent by L. Hacon, Esq. 61 . Regina Cordium (Mrs. Elizabeth Eleanor Rossetti). Small head and shoulders of a woman, with long auburn hair, leaning against a parapet, on which rests her right hand holding a pansy ; coral necklace with pendant heart; the parapet is inscribed “Regina Cordium”; in background, a design in brown and gold. Panel 10 x 8 in. By D. G. Rossetti. Lent by Arthur Severn, Esq. 62 . Carlisle Tower. Two lovers embracing on the top of a tower. Signed and dated “ D. G. R. (mono- gram), Carlisle, 1853.” Water colour, 9 x 6J in. By D. G. Rossetti. Lent by H. Virtue Tebbs, Esq. 63 . The Blessed Damozel. The Blessed Damozel, of whom only the head and shoulders are visible, is represented in a white veil and green drapery, leaning on the bar of heaven, looking downward, and holding a lily ; above are three red- winged cherubs, and below are two angels’ heads. In the predella beneath is represented the lover lying in the twilight in a landscape, looking upwards, his hands clasped behind his head. Canvas 43 X 32 in. ; predella 14 X 32 in. The subject is taken from the painter’s poem of the same title ; the following verses are those which most directly illustrate it : — “ The blessed damozel leaned out From the gold bar of heaven ; Her eyes were deeper than the depth Of waters stilled at even : She had three lilies in her hand, And the stars in her hair were seven. * * * * B 2 20 Exhibition of [south room. Herseemed she scarce had been a day One of God’s choristers ; The wonder was not yet quite gone From that still look of hers ; Albeit, to them she left, her day Had counted as ten years. *• * * * Around her, lovers, newly met ’Mid deathless love’s acclaims, Spoke evermore among themselves Their heart-remembered names ; * * * * 1 1 wish that he were come to me, For he will come, 5 she said. * Have I not prayed heaven ? on earth, Lord, Lord, has he not prayed ? Are not two prayers a perfect thought ? And shall I feel afraid ? 5 ” By D. G. Rossetti. Lent by the Hon. Mrs. O’Brien. 64 . HOW THEY MET THEMSELVES. Two lovers walking in a wood are suddenly confronted by their own apparitions ; the lady, sinking to the ground, stretches out her arms, as *if appealing for mercy ; her lover has drawn his sword, but seems overawed. Inscribed “ How they met themselves,” and signed with monogram and dated 1864. Water colour, 11 \ X 9J in. By D. G. Rossetti. Lent by S. Pepys Cockerell, Esq. 65 . Portrait of Miss E. Siddall. Small full-length figure, seated on the ground, nearly full face, pale mauve dress, green background. Inscribed in lower left corner, “July 18 — 55.” Water colour, 6§ X 6 in. By D. G. Rossetti. Lent by H. T. Wells, Esq., R.A. 66 . Venus Verticordia. Half-length nude figure of a woman facing, with long auburn hair, holding in her left hand an apple, on which a butterfly has alighted, and in her right a dart to which another butterfly clings ; she is surrounded by roses and honeysuckle. Signed with monogram, and dated 1868. Panel, 26^x 23 in. The subject is from a sonnet by the artist, which is inscribed on the base of the frame. By D. G. Rossetti. Lent by Mrs. Kenneth Muir Mackenzie. south room.] Ancient and Modern Pictures . 21 67 . A Vision of Fiammetta. Three-quarter-length figure in red drapery, turned towards the left, and surrounded by apple-blossoms, a branch of which she holds with her right hand, and upon which a crimson bird is perched. Signed and dated “ D. G. Rossetti, 1878.” Canvas, 56 x 35 in. The subject is from a poem by Boccaccio, and described by the painter himself in a sonnet, which is inscribed on the base of the frame. By D. G. Rossetti. Lent by Charles Butler, Esq. 68 . Mary Magdalene at the Door of Simon the Pharisee. Mary has left a festal procession and is ascending by a sudden impulse the steps of the house where she sees the Christ ; her lover has followed her and is trying to lure her back. Signed with monogram and dated 1870. Pencil drawing, 32 X 27 J in. The subject is taken from the painter’s poem, Mary Magdalene. “ Oh loose me ! seest thou not my Bridegroom’s face That draws me to Him ? For His feet my kiss, My hair, my tears He craves to-day : — and oh ! What words can tell what other day and place Shall see me clasp those blood-stained feet of His ? He needs me, calls me, loves me : let me go ! ” By D. G. Rossetti. Lent by the Lord Battersea. 69 . Study of a Head. Female head, three-quarters turned to left, looking downward. Monogram and date 1868. Red chalk, 20 X 16 in. From the Leyland Collection. By D. G. Rossetti. Lent by J. C. Holder, Esq. 70 . Portrait of Miss Christina Rossetti. Three-quarter length figure seated to the left before a table on which is an open book ; hands clasped under chin. Inscribed in upper right comer “ Christina Rossetti, D. G. R. ” (monogram) del. September, 1866.” Crayons (blue ground), 32 x 26 in. By D. G. Rossetti. Lent by W. M. Rossetti. 71 . Study for the Little Dancing Girl in the picture called the Borgia Family. See Nos. 40 and 60. Pencil, 19 x ioj in. By D. G., Rossetti. Lent by C. J. Holmes, Esq. 22 Exhibition of [south room. 72. Three Studies of Heads. Pencil. By D. G. Rossetti. Lent by the Lord Battersea. 73. Lady Lilith. Finished study for the large oil picture of the same title. See Nos. 29 and 42. Crayons, 37 Jx 31 in. By D. G. Rossetti. Lent by Herbert H. Trist, Esq. 74. Cabinet, “ King RenL’s Honeymoon.” (In Central Hall.) This cabinet, designed by John P. Seddon, is made of oak inlaid with “purple” and other richly coloured woods, and is decorated with paintings illustrating King Rent’s honeymoon, by Dante G. Rossetti, Ford Madox Brown, and Sir Edward Burne- Jones. The panel to the left, representing “ Architecture,” is by Ford Madox Brown ; the two central panels, “ Sculpture ” and “ Painting,” are by Sir Edward Burne-Jones ; and the fourth, “ Music,” is the work of Dante G. Rossetti, who also painted two of the small upper panels, “ Gardening ” and “ Embroidery.” King Rend, titular King of Naples, Sicily, Jerusalem, and Cyprus, and father of the unfortunate Margaret, Queen of Henry VI. of England, was a skilled amateur in various arts. Lent by Mrs. Walter de Hoghton Birch. west room.] Ancient ana Modern Pictures. 2 3 WEST ROOM. SCHOOLS OF ITALY AND THE NETHERLANDS. 79 . The Finding of Christ in the Temple. Christ standing on the right before the Blessed Virgin, who is seated ; at his side St. Joseph, who is remonstrating with him. Inscribed “SYMON DE SENIS ME PINXIT. Svb a.d. mcccxl.il” Panel, 19 X 14 in. By Simone di Martino, called Memm i. Lent by the Trustees of the Royal Institution, Liverpool. 80 . Virgin and Child Enthroned. The Virgin enthroned, seated facing, in red dress, supporting with her right arm the Child, who raises Himself to embrace her ; her left hand holds a purple mantle. The throne is richly embellished with sculpture and inlaid marbles ; at the foot of the throne is a tesselated marble pavement. Panel, 23 x 16J in. By Jan Gossaert, called “ Mabuse,” Lent by the Earl of Northbrook. 81 . A Village Festival. Villagers dancing, drinking and talking in front of an inn ; beyond, rising ground with a village church in the distance. Signed in the left corner “ D. Teniers fee.” Panel, iof X 14J in. By David Teniers. Lent by the Earl of Northbrook. 82 . The Virgin and Child. Small three-quarter length figure of the Virgin seated facing, blue 'dress, red mantle lined with green, holding the Child on her knee ; landscape in the background. Panel, nj X 9§in. By Marco Belli. Lent by Charles Butler, Esq. 24 Exhibition of [west room. 83 . Landscape. A landscape with trees on the right and rivulet on the left ; in the foreground a horse feeding ; moonlight scene. Canvas, 25J X 35 in. By Sir Peter Paul Rubens. Lent by Ludwig Mond, Esq. 84 . Thomas Howard, Earl of Arundel, and his Grandson. Three-quarter figures, life-size ; the Earl bareheaded to right, in armour, holding a baton in his right hand ; his left being placed on the shoulder of his grandson, a youth of about nine years old, clad in a red frock and holding a paper in his right hand ; rich tent hangings and rocks in the background ; cloudy sky. Canvas, 57 X 47 in. Son of Philip, Earl of Arundel, born 1586, married Aletheia, daughter of the seventh Earl of Shrewsbury, was the first collector of works of art in England ; the famous collec- tion of inscriptions known as the Arundel marbles was brought by him to England ; died 1646. His grandson, Thomas, afterwards fifth Duke of Norfolk, was the child of his second son, Henry Frederick, Earl of Arundel. ( See No. 120.) By Sir Anthony Vandyck. Lent by the Duke of Norfolk, E.M., K.G. 85 . Triumphal Procession of Vanity (a Cassone Front). On a low car is seated Vanity holding up a mirror in which her face is reflected ; the car is drawn by two female figures and in front of it is perched a peacock on the stump of a tree, which is decorated with a chain of coral ; before the car is seen a female figure holding by the hand Cupid, and a youth with upraised hands glancing at his own reflection in a fountain ; behind follow a band of youths and others, the foremost of whom holds up a comb. Panel, 51 \ x 17 J in. From the Bromley- Davenport Collection. Florentine School. Lent by Charles Butler, Esq. 86 . The Cornaro Family. Full-length figures ; the mother, in dark red dress with pearl-studded girdle to head- dress, and necklace of pearls with pendant jewel, stands facing ; with her left hand she holds the right hand of one child, who has on her left a goldfinch ; her right is placed on the shoulder of another child, in front of whom stands a third ; in the background on the left is the father in black dress and hat and white ruff ; and on the right a landscape with buildings. Canvas, 74X44J. Venetian School. Lent by the Right Hon. Evelyn Ashley. 87 . Portrait of a Lady and Child. Three-quarter length, life-size, to left, seated in an arm-chair ; black dress, lace ruff and cuffs, gold embroidered stomacher ; pearl ear-rings and head-dress, jewelled bracelets ; she holds a pair of embroidered gloves in her left hand ; her right arm rests upon the arm of a chair ; the child, in a white dress and cap, holds some cherries. Inscribed “ ;etatis SVM 24. anno 1624” Panel, 47 x 36 in. By Cornelius de Vos. Lent by Charles Butler. Esq. west room.] Ancient and Modern Pictures . 25 88 . Sea Piece. A calm, with numerous barges, and sailing, fishing, and ferry boats, off a town, the church of which is seen in the background. Signed on the ferry boat to left, “ J. Rvysdael,” and dated 1668. Canvas, 29 X 40 in. By Jacob van Ruysdael. 89 . The Crucifixion. View of Mount Calvary with Christ crucified between the two thieves ; at the foot of the cross are grouped the disciples, the three Marys, and others : in the fore- ground are numerous spectators, men, women and children ; on the left a group quarrelling over the raiment of Christ ; mountainous background. Panel, 19J x 16J in. By Peeter Breughel. Lent by the Duke of Norfolk, E.M., K.G. 90 . Landscape. Flat country ; in the foreground a man walking along a road, accompanied by two dogs, one of which is leading him by a string ; at the side of the road is seated a woman holding a child, and near her stands a man ; in advance is seen a man driving sheep ; town and water in the distance. Panel, 14J x 20 in. By P. de Koningh. Lent by Constantine A. Ionides, Esq. 91 . The Annunciation. Within a room, on the left the Virgin kneeling before a priedieu, on which is an open book ; on the right the angel Gabriel standing, holding a sceptre, and uttering the words on a scroll, “ Ave Gratia Plena Dominus tecum ” ; the Holy Dove is descending towards the Virgin ; in the left corner is the Virgin’s couch, and near her a pot of lilies ; in the centre through an arch is a corridor, with the view of a church beyond. Panel, 19 x 13J in. Early Flemish School. Lent by Colonel F. Goff. 92 . Portrait of a Lady. Half-length life-size figure to left, wearing green dress, white muslin cape and white embroidered muslin cap ; coral necklace with jewelled pendant, a white flower in her sash. Panel, 20 X I2jin. By Piero della Francesca. Lent by Ludwig Mond, Esq. 93 (a and b). The Palace at the Hague. The left entrance to the palace, with three courtiers standing under the portico ; a lady and gentleman are seen at a window and looking out into the park on the left. These and Nos. 148 ( a and b) are evidently decorations for panels of the room in which Nos. 101, 121, and 143 were hung. By Otto van Veen, called “ Venius.” Lent by Cyril Sloane Stanley, Esq. 26 Exhibition of [west room. 94 . The Descent from the Cross. A Triptych. In the centre compartment, Christ taken down from the cross by His disciples ; on the left are St. John, the Blessed Virgin, and the two Marys ; above angels ; on the outer panels are the two thieves with the donor Mary Magdalene and others ; outside the panels are St. John the Baptist and St. Julian. Panel, centre compartment, 24 x 24 in. ; outer ones, 24 X 9 in. By Roger van der Weyden. Lent by the Trustees of the Royal Institution, Liverpool. 95 . Portrait of a Man. Half-length, life-size, turned slightly to left, in red dress with black surcoat ; black hat ; his left thumb is thrust in his belt. Panel, 26 x 19J in. By Jan Mostaert. Lent by Messrs. Dowdeswell and Dowdeswell. 96 . Still Life. On a table glasses, goblets and plates, and a white napkin falling over. Signed on the napkin “ Heda, 1644.” Panel 30 X 25 in. By Willem K. Heda. Lent by Arthur Kay, Esq. 97 . Sea Piece. View of the sea from the shore, with fishing boats and sailing vessels ; houses in the distance on the left. Signed on the left, “ V. Cappelle.” Canvas, 22 x 24 in. By Jan van der Cappelle. Lent by Martin Colnaghi, Esq. 98 . River Scene by Moonlight. Panel, 18 x 23 in. By A. van der Neer. Lent by Henry J. Pfungst, Esq. 99 . A Cavalry Skirmish. A steep hill covered with combatants on horse-back and on foot ; among them is a man on a grey horse about to discharge his musket, and another on a brown charger, which is kicking, is firing a pistol ; behind them are a standard-bearer and two other men engaged in combat. Signed below, “ P. W.” Canvas, 42 x 54 in. Lent by Charles Butler, Esq. By Philip Wouvermans. west room.] Ancient and Modern Pictures . 2 7 100. Peasants Playing Cards. Around a table are seated two men and two women, the men playing cards ; the man on the left shows his cards to another one who stands behind him ; the other player shows his to a woman seated near him, holding a child ; another companion stands at the back ; on the right, a woman drawing water from a well. Signed “ H. M. Sorgh, 1657.” Panel, 19 x 24 in. Formerly at Knole House. By Hendrik M. Sorgh. Lent by Henry J. Pfungst, Esq. 101. Frederick, Count Palatine, King of Bohemia, and Eliza- beth, his Queen, at the Hague. This picture and No. 143 evidently illustrate some incident connected with the sojourn of Frederick and Elizabeth, daughter of James I. of England, in Holland on or after 1620, which was the year of the Battle of Prague, so disastrous to their fortunes. After the defeat at Prague Frederick and Elizabeth took refuge at Berlin, but their residence not being a congenial one, they proceeded to the Hague, where they were received by Maurice, Prince of Orange, with as much splendour as the Dutch Court could display. A palace at Rheten, near Arnheim, was assigned to them as a residence (See No. 121). Though now forming two pictures, it is probable that the scenes represented illustrate one incident, viz., the reception at the Hague. Whether the event recorded is that of their first arrival at the Hague does not seem quite clear from the position of the various personages. In the centre of the picture, under a portico, is Elizabeth, Queen of Bohemia, advancing to left, surrounded by numerous courtiers and attendants, accompanied by dogs ; she wears a gold embroidered robe, with deep purple over-dress, deep falling lace collar, and aigrette of pearls in her hair ; in her right hand she holds a handker- chief, her left resting on her hip ; on the left is a messenger-boy running as if to announce the Queen’s arrival ; through the portico is seen a park with fountain and trees, and on the left a coach and horses. Canvas, 120X 138 in. ( See also No. 143.) This and the other pictures (Nos. 93, 143, and 148) were purchased by the late Lord Palmerston at Brussels. By Otto van Veen, called “ Venius.” Lent by Cyril Sloane Stanley, Esq. 102 . A Breeze on the Dollart. View of the entrance to the Dollaert ; in the foreground a fishing smack, a ketch and other boats. Canvas, 19 X 26 in. By Ludolf Backhuysen. Lent by Henry J. Pfungst, Esq. 103 . Portrait of Colonel Cornelis Backer. Small three-quarter length figure, seated towards left, head facing, in black velvet dress, yellow sash, white ruff and black hat ; in his right hand a stick ; his left holds his sword; on right, curtain. Panel, 18 x 15J in. By Pieter C. Soutman. Lent by Constantine A. Ionides, Esq. 28 Exhibition of [west room. 104 . View of a Canal. In the foreground is a ferry-boat filled with passengers, and in the distance other boats, some with sails ; on the farther bank on the right is a windmill and a house ; church in the distance with other houses, trees, &c. Canvas, 31 X 43 in. By Solomon van Ruysdael. Lent by Charles Butler, Esq. 105 . SlBILLA PERSICA. Half-length under life-size female figure turned towards left, holding an open book with both hands ; she wears a rich fur-lined red velvet dress with green sleeves, trimmed with lace and pearls, pearl ornament with chain on her breast ; her cap is white, and is decorated with a jewelled coronet ; a lake and mountain in the back- ground ; in front of her is an inscribed scroll. Panel, 22 J X 13^ in. Early German School. Lent by Constantine A. Ionides, Esq. 106 . Winter Scene. Men skating on a canal ; in the background a town. Signed with a monogram “ avdn.” Canvas, 21 x 24 in. By A art van der Neer. Lent by Martin Colnaghi, Esq. 107 . Judith. Half-length figure, life-size, towards left, head looking up to right ; black dress with white sleeves ; in her right hand she holds a sword and in her left the head of Holofernes ; on the left is seen the figure of a woman with white head-dress holding a napkin ; on right, curtain. Canvas, 34J x 32 in. By Sir Peter Lely. Lent by T. Humphrey Ward, Esq. 108 . Fruit and Flowers. A cut melon, peaches, grapes, and pine apple, with poppies and other flowers. Signed “ P. van Os.” Canvas, 26 X 23 in. By P. Van Os. Lent by Martin Colnaghi, Esq. 109 . The Wild Boar Hunt. Landscape ; in the foreground on the right are men on horseback and dogs pursuing a wild boar which rushes towards a man holding a spear, who stands behind a fallen dead tree ; two other figures with spears stand on either side of the tree ; on the left is a man blowing a horn and another holding a dog ; further in the background are seen youths and dogs pursuing another boar. Canvas, 62-J x 80 in. By Sir Peter Paul Rubens. Lent by Sir Charles Robinson. west room.] Ancient and Modern Pictures . 29 HO. The Boar Hunt. To left of the composition, Diana, having discharged her arrow at the boar, is leaping over a fallen tree, surrounded by her dogs ; in the centre is the boar brought to bay, whilst on the right a man attacks it with a spear ; in the background are horseman and a nymph blowing a horn. Canvas, 9 x 20 in. By Sir Peter Paul Rubens. Lent by Sir Francis Cook, Bart. 111 . Portrait of a Young Man. Small three-quarter length, to right ; he wears a black doublet slashed with red, and on his head a black cap ; in his right hand he holds a book ; the handle of his dagger is seen. Panel, 15x11 in. Probably a member of the Fugger family. By Hans Holbein. Lent by Sir Francis Cook, Bart. 112 . The Procession to Calvary. A composition of many figures. Near the centre, but somewhat to the right, is the Saviour bearing the Cross ; He has fallen on His knees, and is dragged along, kicked and buffeted by surrounding soldiers ; His head is turned towards His mother, who stands on the right of the picture with Mary Magdalene, St. John, St. Veronica, and other personages ; heading the procession are soldiers on horseback, one of whom carries the imperial banner ; in the background the gate and walls of a city. « Below on a scroll is inscribed “ albertvs dvrer svper tabvla hac coloris cinericii FORTVITO ET CITRA VLLAM A VERIS IMAGINIBVS DELINIATIONEM FACIEBAT ANNO SALVTis mdxxvii. /ETATIS vero SVtE lvi. a.d. [Monogram].” Panel, njx 17J in. Painted in grisaille. Another and different version is at Bergamo, and a copy in the Dresden Gallery. By Albert Durer. Lent by Sir Francis Cook, Bart. 113 . Venice. View of the Grand Canal, with the Doge’s Palace. Canvas, 21 J X 32^ in. By Michele Marieschi. Lent by Messrs. Dowdeswell and Dowdeswell. 114 . Interior of the Artist’s Studio. On the right, a man sitting for his portrait, wearing black coat, slashed with white, and holding a glass in his left hand ; on the left stands the artist at work in the painting. Canvas, 35 x 27 in. By Symon Kick. Lent by Messrs. Dowdeswell and Dowdeswell. 115 . Virgin and Child Enthroned with Angels. The Virgin, enthroned under a richly sculptured canopy, seated facing, in blue robe with white veil, supporting the Child, who, seated on a linen cloth, looks down at a 30 Exhibition of [west room, cherub who offers flowers ; in front is another cherub, playing on a clarionet ; oppo- site are four others playing and singing from a book ; through the arch on the left is an ox, near the wall of a garden, on which is represented the scene of the Annunci- ation ; on the right, St. Joseph, in a garden, and, beyond, an angel on steps leading down to water, and a swan ; distant buildings. Panel, 13J x 9j in. By Jan Gossaert, called “ Mabuse. 5 ’ Lent by the Earl of Northbrook. 116 . The Virgin and Child Enthroned with Angels. A Triptych. In the centre panel under a rich canopy the Virgin and Child enthroned ; on either side are cherubim with musical instruments. On the outer panels, St. Catherine on the left and St. Dorothy on the right. On the reverse of the wings are Adam and Eve in the Garden. A copy of the famous triptych in Palermo by Mabuse. Lent by the Earl of Northbrook. 117 . Flowers. An assemblage of flowers consisting of roses, anemones, ranunculuses, hyacinths, tulips, &c., disposed in an elegant vase, adorned with a bas relief of nymphs and cupids, placed on a sienna-marble table, on which are also a chaffinch’s nest with four eggs in it, and a bunch of flowers composed of a rose-bud, honeysuckles, and convolvuluses ; the whole painted on a light ground. Signed and dated 1722. Canvas, 31 x 24 in. A companion picture to No. 128. {See Smith’s Catalogue Raisonne vol. vi.) By Jan van Huysum. Lent by Alfred de Rothschild, Esq. 118 . Portrait of Peter Paul Rubens, by Himself. Half-length life size, three-quarters to right ; black coat and hat, white collar, Canvas, 29 x 21 \ in. By Sir Peter Paul Rubens. Lent by the Duke of Norfolk, E.M., K.G. 119 . Peasants Returning from Market. A hilly and richly-wooded scene, on the right of which are a woman on a mule and a man on foot, with cattle ; the former, wearing a blue skirt, is seen in a side view and the latter is arranging her stirrup board ; behind is a mule heavily laden with packages, they appear to have passed a narrow stream, through which a herdsman is about to drive a cow ; the background shows an extent of broken country, dotted with travellers and buildings situate near a river ; on the left are masses of rock with trees and bushes. Canvas, 27^ x 24 in. A companion to No. 126. {See Smith’s Catalogue Rai sound, Suppl.) By Nicholas Berghem. Lent by Alfred de Rothschild, Esq. west room.] Ancient and Modern Pictures. 3i 120. Portrait of Henry Frederick Howard, Lord Mowbray AND MALTRAVERS. Half-length figure, life-size, standing in front, nearly full face ; black dress with white slashed sleeves ; his right hand holds his mantle, which covers his left shoulder ; brownish background. Canvas, 41 x 33 in. Son of Thomas Howard, Earl of Arundel ( See No. 84), born 1608 ; summoned to Parliament as Baron Mowbray and Maltravers, 1639 J succeeded his father as Earl of Arundel, 1646; died 1652. By Sir Anthony Vandyck. Lent by the Duke of Norfolk, E.M., K.G. 121. Elizabeth, Queen of Bohemia, and the Earl of Craven (?) at Rheten. Interior of a room ; in the centre the Queen and Lord Craven in conversation ; she wears black dress, with white lace collar and cuffs, and holds a fan in her left hand ; Lord Craven, in long brown coat, the sleeves slashed with yellow, and deep lace collar, raises his right as if to betoken silence ; a youth (Prince Rupert) in white dress and pink hose stands in the foreground, holding a bird on his right hand ; on the left are a lady and gentlemen facing, and a dining party ; on the right in the doorway stands a courtier ; the room is hung with pictures, two of which are portraits of Elizabeth and her husband Frederick. Canvas, 90J X 124 in. This picture appears to record the arrival or a visit of Lord Craven to Rheten, where Elizabeth resided ( See No. 101). As the Queen is dressed in black the time represented was probably after the death of her husband Frederick on the 17th November, 1632. Flemish School. Lent by Cyril Sloane Stanley, Esq. 122. An Interior. A woman seated in the middle of a room, nursing a child ; on the floor is a cradle, on which is lying a lace pillow. Panel, 21 x 18 in. By Nicholas Maas. Lent by Mrs. Samuel Joseph. 123 . Abraham and Melchisedech. A composition of about twenty figures, in the centre of which Abraham, bareheaded, clad in armour, and wearing a crimson mantle, advances up a step towards Mel- chisedech, who presents him with two loaves ; Melchisedech wears a crown of olive and a yellow robe lined with ermine, the train of which is held by a page ; behind him stands a man with a basket of bread on his back, and on his right are four persons, two of whom are distributing bread to some soldiers ; behind these are two more soldiers and a youth holding Abraham’s horse. (Smith, Catalogue Raisonne , ii. 184, ,No. 641, ix. 323, No. 288. Waagen, ii. 182.) By Sir Peter Paul Rubens. Lent by the Earl of Northbrook. 32 Exhibition of [west room. 124 . A Singing Practice. Interior of a room ; a lady in white dress standing at a spinet ; beside her is seated another lady in a red skirt, blue jacket, and white cap, holding a music-book in her hand ; in the background a third lady is clapping her hands and conversing with a gentleman ; in the foreground is a spaniel. Canvas, 22 X 17^ in. By Jan Ochterveldt. Lent by Mrs. Samuel Joseph. 125 . Portrait of a Lady. Three-quarter length, life size, to left ; black silk dress, with white lace sleeves and collar ; pearl ornament in her hair, pearl necklace and bracelets. Canvas, 39 x 32 in. By Cornelius Janssens. Lent by Martin Colnaghi, Esq. 126 . The Musical Peasants. The scene shows a hilly country with a river extending over a great portion of the view, bounded by a succession of hills. On the right are a young woman on a grey horse and a youth on an ass, the former is singing from a ballad which she holds, whilst the latter accompanies her on the flute ; the sound of the instrument having caused his beast to bray ; with them are a boy on foot conducting two cows, four sheep, and a goat, the whole of which are passing a ford ; on the left is a clump of trees beyond which is a peasant on a mule, with a herd of cattle also passing a river ; both groups are receding from the spectator. Signed and dated 1645 Canvas, 28 x 33J in. A companion to No. 119. By Nicholas Berghem. Lent by Alfred de Rothschild, Esq. 127 . Portrait of Katherine Brandt (Wife of the Painter). Half-length life size, seated towards the left, looking at the spectator ; in her right hand a book ; her left holds a dress ; black low cut dress with gold embroidered bodice ; necklace. Panel, 29 X 29J in. By Sir Peter Paul Rubens. Lent by the Duke of Norfolk, E.M., K.G. 128 . Fruit. A rich variety of fruit, consisting of white and purple grapes, peaches, plums, and raspberries, tastefully mingled with a few flowers, the most conspicuous of which are the hollyhock and scarlet lychnis and these conceal in part an elegant vase ; a drone- fly, a bunch of hazel-nuts and a broken pomegranate are seen on the right on the marble slab ; a faint indication of a grove forms the background. Signed and dated 1722. Canvas, 31 X 24 in. A companion picture to No. 117. By Jan van Huysum. Lent by Alfred de Rothschild, Esq. west room.] Ancient and Modern Pictures. 33 129 . Landscape. View looking over a flat country, with buildings of a town in the distance ; in the foreground is a man with a bundle on his back, and beyond him a coach and four is going along a road towards a bridge over a stream which flows on the left ; a mill just above the bridge among the trees ; cloudy sky. Panel, 8 x 1 1 J in. By Rembrandt. Lent by the Earl of Northbrook. 130 . Ecce Homo! In the foreground Christ taking leave of His mother, a group of nine figures ; in the middle ground Jews assembled; beyond, on a terrace, Pilate and Christ, with att endant figures ; view of a town in the background. Panel, 17 X 13 in. By Lucas van Leyden. Lent by the Earl of Northbrook. 131 . The Village Market. A girl standing behind a tub full of vegetables, others scattered on the ground ; before her a customer wearing long cloak ; in the background are houses and other figures. Signed. Canvas, 24 X 28J in. By P. Angelis. Lent by Martin Colnaghi, Esq. 132 . A Landscape in Holland. Wooded landscape, with house in the distance ; sheep and two figures. Canvas, 39 x 33 in. From the Galitzin, Verstoelk de Soelen, Baillie, Meens-Peeters and Koninckx collections. Smith, Catalogue Raisonne , vol. xi., p. 76 ; No. 243. By Jacob van Ruysdael. Lent by Messrs. Dowdeswell and Dowdeswell. 133 . A Thunder Squall. A coast scene, with ships and boats in a squall. Canvas, 53 x 71 in. By Jan Van Goyen. Lent by Arthur Kay, Esq. 134 . “An Interior.” W ithin a room is a girl in blue dress, white cape and headdress, standing facing behind a tub in which is meat ; her right hand holds a hatchet, her left rests on the tub ; bunch of parsnips in the foreground and on the right a large flagon. Signed on the right, “A. Cyp.” Canvas, 24 X 19^ in. By Albert Cuyp. Lent by Hugh P. Lane, Esq. C 34 Exhibition of [west room. 135 . Portrait of a Man. Half -length life size figure to left, black coat slashed with white and black cap ; his left hand is thrust into his vest. Panel, 24 x 19 in. By Giovanni Antonio Beltraffio. Lent by Ludwig Mond, Esq. 136 . Shipping in a Calm. View of the mouth of a river ; in the foreground a rowing boat leaving a sailing boat, the passengers of which are saluting each other ; sailing and other boats around. Canvas, 28 x 37 in. By Jan van de Capelle. Lent by the Earl of Northbrook. 137 . Portrait of a Lady. Small three-quarter length, standing towards right, head facing, her left arm rests on the back of chair ; brown dress. Signed Maes. Canvas, 27 x 34 in. By N. Maes. Lent by Martin Colnaghi, Esq. 138 . A PlETA. The dead Christ lies supported on the knees of the Virgin, who is wrapped in a large black cloak, and seated on the tomb hewn out of the rock. In the distance, the Crucifixion and numerous figures ; on her right lies the crown of thorns. Panel, 13 X ii£ in. This Piet&, together with two pictures now in the Dresden Gallery, was once in the Church of S. Giovanni in Monte at Bologna. Vasari says that these three small works, forming the predella of the altar-piece in this church, was painted by Ere ole. The two pictures at Dresden represent Christ being led to the cross between two thieves, and Christ betrayed by Judas. By Ercole de’ Roberti. Lent by the Trustees of the Royal Institution, Liverpool. 139 . Portrait of Philip Le Bel. Small half length facing ; embroidered dress, open at neck, fur trimmed robe, black velvet cap with medallion ; a gold chain is round his neck, and he wears the collar and order of the Golden Fleece ; blue background. Panel, 14x11 in. By Jan Gossaert, called “ Mabuse.” Lent by Mrs. Percy Macquoid. 140 . Bullock and Sheep. Landscape, with bullock in the foreground ; on the left sheep and hut. Signed on the left, Paul Potter. Panel, 13 x nj in. By Paul Potter. Lent by the Earl of Crawford, K.T. WEST ROOM.] Ancient and Modern Pictures. 35 141 . A Cassone Front. Representing a battle scene ; and on the left, a group of figures weigh ing a sword ; coat of arms at either end. Panel, 16 x 51 in. Florentine School. Lent by Charles Butler, Esq. 142 . The City of Venice in Adoration before the Virgin and Child. The City of Venice, represented by a lady in rich gold and white dress and yellow mantle fastened with jewelled chain, pearls in her hair, in adoration before the Virgin and Child, her left hand placed on her breast, her right touching the lion’s head ; above, a cherub descending with crown. Canvas, 40 x 54 in. By Paolo Veronese. Lent by the Lady Milford. 143 . Frederick, Count Palatine, King of Bohemia, and Eliza- beth, his Queen, at the Hague. In a court-yard, in front of a high portico with buildings on either side, stands Maurice, Prince of Orange, in gold embroidered coat and hose, and wearing high hat with feathers, and around his neck a ribbon, to which is suspended the George ; he extends his right to deliver, or receive, a paper held by a messenger ; on the right of the Prince stands Frederick, King of Bohemia, in gold embroidered dress, dark green overcoat, and falling lace collar; his left hand holds the hilt of his sword; the King and the Prince are surrounded by numerous courtiers and attendants ; through the portico is seen a park, with avenue of trees and a cavalcade. Canvas, 120 x 138 in. ( See also No. 101.) By Otto van Veen, called “ Venius.” Lent by Cyril Sloane Stanley, Esq. 144 . A PREDELLA. Divided into five unequal portions, the outside parts corresponding ; the centre and largest compartment represents, apparently, the woman taken in adultery. The other compartments represent visions of Saints. Panel, 11J x 82 in. By Luca Signorelli. Lent by Ludwig Mond, Esq. 145 . Poultry. Landscape with poultry ; on the right is a hen with its young ; on the left ducks, one diving ; behind are peacocks ; and on a wall are other birds ; a pigeon flies down on the right ; distant view of trees and hilly country. Signed on the parapet, N. D. Hondecoeter. Canvas, 50 X 62 in. By Melchior de Hondecoeter. Lent by Martin Colnaghi, Esq. C 2 36 Exhibition of [west room. 146 . The Intercession. Christ and the Virgin kneeling to right and left on a platform, and interceding on behalf of the donor and his family to the Father above in a mandorla, from whom descends the Ho’y Dove. The Virgin places her hand on the shoulder of the donor ; in the foreground kneels a monk, who points towards an inscribed scroll, which he holds with his left hand ; in the background a city and mountainous and rocky country. Panel, 34J x 21 J in. Florentine School. Lent by R. H. Benson, Esq. 147 . The Card Players. Three boys and a girl seated or standing around a tub and playing cards ; the girl holds an earthenware flagon. Panel, 14 X 22 in. By Jan Miense Molenaer. Lent by Henry J. Pfungst, Esq. 148 a and b. The Palace at the Hague. The right entrance to the palace, with a lady and three gentlemen standing under the portico ; another gentleman appears at a side window ; in the foreground, two pea- cocks ; on the right is seen the park with a man carrying a basket and accompanied by a dog. Canvas, 130 x 47 in. each. These and Nos. 93 ( a and b ) are evidently decorative panels of the room in which Nos. 1 01, 121 and 143 were hung. Lent by Cyril Sloane Stanley, Esq. north room.] Ancient and Modem Pictures. 37 NORTH ROOM. BRITISH SCHOOL . 151 . Portrait of Henry Duncombe, of Copgrove, Yorks. Small full length figure, standing to left, beneath a tree, and resting his right arm on a pedestal on which is his hat ; his left hand is placed on his hip ; drab coat, black breeches and tie wig. Canvas, 36 x 27 in. By Johann Zoffany, R.A. Lent by the Earl of Crawford , K.T. 152 . Portrait of Mrs. Gabriele Rossetti (the Painter’s Mother). Half-length, life size, to r ight, hands clasped ; black dress, white cap ; red background and ivy leaves. Signed with monogram and dated 1866. Canvas, 29J x 24J in. By D. G. Rossetti. Lent by William Rossetti, Esq. 153 . The Gander. Landscape ; in the foreground is seen a gander, with geese, rushing at a girl, who raises both her hands to frighten them off ; behind her is another girl breaking sticks, and in the background other geese ; brilliant sunset. Canvas, 19 X 33 in. By George H. Mason, A.R.A. Lent by William Coltart, Esq. 154 . A Waterfall on the Lynn. A stream, the bed of which is filled with boulders and rocks, and the banks c overed with trees and bushes ; in the foreground is a boy fishing, and near him is seated on the ground a girl, who has before her a basket of fish. Canvas, 54J x 39 in. By William J. Muller. Lent by Thomas J. Barratt, Esq. 38 Exhibition of [north room. 155 . Portrait of Mrs. Whitelock. Half-length, life-size, to left, head turned towards the spectator, white dress, blue shawl, and black hat with white feather. Canvas, 39 X 24J in. Mrs. Whitelock was a sister of Mrs. Siddons ; she acted very little, but had a great reputation in America. By John Opie. Lent by Mrs. Henry Evans Gordon. 156 . The Piggery. “ Some must watch whilst some must sleep? A boy in a blue jacket and knee-breeches, collecting straw with a fork ; before him a child, who leans on a wooden paling ; behind the boy on the ground lies a sow with its young ; in the background the sty and a tree. Canvas, I7^x 23 J in. By George Morland. Lent by Messrs. Dowdeswell and Dowdeswell. 157 . Landscape. Foreground of trees with cottages in the background. Canvas, 32 X 24^in. By John E. Crome, called “Old Crome.” Lent by Charles Butler, Esq. 158 . A Garden in Perthshire. A lady in brown dress, seated in a garden, near a sun-dial ; at her feet lies a grey- hound, buildings in the background. Water-colour, 16 X 22 in. By Frederick Walker, A.R.A. Lent by Mrs. William Graham. 159 . The New Book. Within a room ; a priest and a lady in evening costume standing before a table and looking at an open book, which he holds ; in the background is seated a man, also in evening dress, who is watching them. Water colour, 5 x 6J in. In Illustration of Dickens’s Uncommercial Traveller. By George J. Pinwell. Lent by Mrs. Samuel Joseph. 160 . Mamma’s Watch. In a room, a little girl listening to the ticking of a watch, which is held by her mother to her ear. Water-colour, 6 x 6 in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 161 . Portraits of a Lady and Gentleman. Two three-quarter-length life-size figures in a landscape ; on the left the lady seated to right looking at the spectator ; she wears a white dress and headdress, and holds a glove in her right hand ; behind her stands a gentleman in a red coat, looking to right, with his right arm resting on the back of the seat. Canvas, 48 x 38J in. By Sir Henry Raeburn, R.A. Lent by Sir William Agnew, Bart. north room.] Ancient and Modern Pictures . 39 162 . The Plough. Landscape, a warm autumn glow upon a hill-side ; in the foreground ploughers with two white horses and rivulet ; on the left a horseman. Canvas, 56 X 82 in. By Frederick Walker, A.R.A. Lent by The Marquis de Misa. 163 . Portrait of Master Locke. Full-length life-size figure of a boy to left in his shirt standing in a rocky landscape, and playing with a St. Bernard dog. Canvas, 50x39 in. By Sir Thomas Lawrence, P.R.A. Lent by the Lord Wallscourt. 164 . Lilies. A garden scene ; a girl watering flowers. Water colour, 13 x18 m. By Frederick Walker, A.R.A. Lent by Mrs. William Graham. 165 . “Old Time and his Wife.” In a churchyard an old couple raking up grass ; they both hold the same rake ; hi s hat is placed on a tombstone. Water colour, 6^ x 4J in. This and the next picture are in illustration of Dickens’s ZJncomviercial Traveller. By George J. Pinwell. Lent by Mrs. Samuel Joseph. 166 . The Vagrants. Two vagrants, a man and a woman, approaching a cottage, at the door of which stand a woman and a child ; on the right, a dog half out of his kennel and barking ; flowers in the foreground. Signed G. J. P., 71. Water colour, 6J x 5^ in. By George J. Pinwell. Lent by Mrs. Samuel Joseph. 167 . Landscape. A landscape ; in the foreground are two donkeys with a foal, and two youths standing or seated near a tree ; in the background, ruins of an abbey ; and in the far distance a village. Canvas, 24 x by 29 in. By Thomas Gainsborough, R.A. Lent by Sir Charles Robinson. 168 . The Bather. Small full-length nude figure of a woman seated on the edge of a bath, her right leg bent up ; coral necklace. Canvas, 18x19 in. (oval). By William Etty, R.A. Lent by Sir James Linton, P.R.I. 40 Exhibition of [north room 169 . Study of a Head. A child’s head to left, in a white poke bonnet with reddish ribbon. Canvas, 13 x 11 J in. By William Etty, R.A. Lent by Sir James Linton, P.R.I. 170 . Landscape. Landscape, with distant view of hills and waterfall ; in the foreground, two people under an umbrella, and a horseman. Canvas, 26 x 32 in. By Richard Wilson. Lent by Sir Charles Robinson. 171 . The Tarpeian Rock. Figure of a naked man falling headlong from the rock ; drapery around his right arm ; above is a shrub, and in the background clouds. Canvas, 43 x 33 \ in . By William Etty, R.A. Lent by Sir James Linton, P.R.I. 172 . The Witch’s Cave (Sketch in Oils). A half-naked girl with long black hair standing before a cave, at the entrance of which is seated a witch, leaning both arms on a table ; in front a brazier ; within the cave are seen men drinking. Signed G.J.P. Canvas 21 x 36 in. By George J. Pinwell. Lent by Harold P. Hartley, Esq. 1 73 . A Coast Scene. Fishing boats at anchor under a high cliff ; in the foreground on the left a woman and three children with fish baskets . Canvas, 215 x 29^ in. By W. Collins, R.A. Lent by R. H. Benson, Esq. 174 . Landscape. Hilly landscape, with village on the left ; the church is seen over the hill. Canvas, 7i X I 3 in - By George H. Mason, A.R.A. Lent by Mrs. Henry Evans Gordon. 175. The Calves. Children in a landscape returning from milking and followed by calves. Canvas, 7 x 11 in. Painted shortly after the artist’s return from Italy, and the original of the well-known etchings. By George H. Mason, A.R.A. Lent by Mrs. Henry Evans Gordon. north room.] Ancient and Modern Pictures . 4i 176 . Scene on the Stour. Landscape with the river Stour on the right and farmhouse and trees in the centre ; in the foreground a youth with fishing rod. Canvas, 23 X 32 in. By John Constable, R.A. Lent by James Orrock, Esq. 177 . Out of Tune. A lad seated on the steps of a village cross and tuning his fiddle ; a quarrel has evidently taken place with a girl, who is seated on the other sid e of the cross, in brown dress, holding flowers and watching some sheep, on the back of one of which is perched a rook ; trees and a cottage in the background, with a view of distant hill. Signed “ G. J. Pinwell.” Canvas, 30 x 50J in. By George J. Pinwell. Lent by Sir Cuthbert Quilter, Bart., M.P. 178 . Portrait of an Actor. Half-length, life-size, facing, head turned to right, white silk dress, black cloak over left shoulder. Canvas, 30 x 24 in. By John Hudson. Lent by Paul Vacani, Esq. 179 . An Eastern Scene. By William J. Muller. Lent by Messrs. Dowdeswell and Dowdeswell. 180 . Portrait of Frederick, Lord North, afterwards Earl of Guilford. Half-length figure seated to right, three-quarter face, holding a paper in both hands ; blue coat and wig ; grey background. Canvas, 29 X 24 in. Eldest son of the first Earl ; born, 1732 ; M.P. 1754; Chancellor of the Exchequer, 1767 ; First Lord of the Treasury, 1770-82 ; succeeded his father, 1790 ; died, 1792. By Thomas Gainsborough, R.A. Lent by Sir William Agnew, Bart. 181 . The Chess Players. The scene is laid in the street of an Eastern city ; on the left are seated on the ground two men playing at chess ; one of them is attended by a black slave, the other by a companion wearing a turban and a dark red robe ; behind stand a group of men watching the players, and in the distance are buildings with towers, under the shadow of which are resting a camel and camel drivers. Signed “ W. Muller,” 1843. Canvas, 23J x 32 in. By William J. Muller. Lent by James Mason, Esq. 42 Exhibition of [north room. 182 . Portrait of Lady Brooke. Three-quarter-length figure, life-size, seated to left, looking at the spectator ; her hands, folded, rest on her knees ; white dress and mantle ; black hat with feathers and veil ; landscape background. Canvas, 29J x 24 in. By George Romney. Lent by George Donaldson, Esq. 183 . The Wayfarers. A blind man with wallet proceeding along a road ; his left hand resting on the shoulder of a boy ; in his right hand a stick ; water and trees in the background. Canvas, 35 x 50 in. By Frederick Walker, A.R.A. Lent by Sir'William Agnew, Bart. 184 . The Duchess de Mazarin. Half- length life-size figure to left, head turned and looking at the spectator, wearing white embroidered dress, pale brown silk mantle trimmed with black lace, white fichu and bonnet and black veil; red background. Canvas, 35 J x 24 in. By John Hoppner, R.A. Lent by George C. Raphael, Esq. 185 . View in Geneva. A court, with high houses ; groups of figures on the right and left ; through an archway in the centre is seen the lake, on which is a sailing boat. Canvas, 24J x 30 in. By Richard P. Bonington. Lent by Constantine A. Ionides, Esq. 186 . Girl at a Stile. Small full-length of a girl leaning against a stile and reading a letter ; she wears a brown dress and holds over her head a green umbrella. Water colour, 7 x 10 in. By Frederick Walker, A.R.A. Lent by the Marquis de Misa. 187 . Landscape. In a landscape a youth seated on a bridge fishing; at his side is a girl holding a baby ; houses on a slope in the distance. Canvas, 7 x 10J in. By David Cox. Lent by A. T. Hollingsworth, Esq. 188 . Sea-piece. View off Spithead, with man-of-war and sailing boat on the right, and an old hulk in shears on the left ; vi ew of Portsmouth in the distance. Canvas, 30 x 39 in. By John Sell Cotman. Lent by James Orrock, Esq. north room.] Ancient and Modern Pictures . 43 189 : Landscape. Woodland scene near Norwich ; view of a wood with large trees ; a man and a dog on a path, under a large oak, in the foreground ; cloudy sky. Panel, 35 x 54 in. By John Crome, called “ Old Crome.” Lent by James Orrock, Esq. 190 . The Gentle Shepherd. Two women standing before a cottage and watching a shepherd, who is seated on a bench and playing his pipe ; at his side are his dog and his crook. Canvas, ii£ X 15 J in. Painted in 1823 for Mr. Gibson Craig. A scene from Alan Ramsay’s Gentle Shepherd. By Sir David Wilkie, R.A. Lent by Charles Butler, Esq. 191 . The Young Anglers. Two girls and a boy fishing on the far side of a stream which runs across the picture ; ducks in the foreground. Canvas, 10 x 17 in. By George H. Mason, A.R.A. Lent by Sir William Agnew, Bart. 192 . “The Broken Egg.” A landscape : on the right are a horse and a cart with calves, the driver of which is seen kissing a maiden, who holds a basket of eggs, one of which has fallen to the ground and is broken ; in the centre is a man with wallet and staff, and on the left a cottage, at the door of which stands a woman and before which are pigs ; distant view of a church. Canvas, 37J X 49J in. By Thomas Gainsborough, R.A. Lent by Sir Charles Robinson. 193 . An Old Mill in Suffolk. Landscape, with a windmill on the right amidst trees ; in the foreground, cattle and a road. Canvas, 11 x 10 in. By John Constable, R.A. Lent by A. T. Hollingsworth, Esq. 194 . The Fruitsellers. A fruitseller standing behind a low wall, on which is displayed fruit ; on his left stands a man in Eastern dress, accompanied by a negro ; on the right, a retreating male figure, with buildings in the distance; on the left, a building with trees. Canvas, 12 x 10J in. By William J. Muller. Lent by A. T. Hollingsworth, Esq. 44 Exhibition of [north room. 195. The Blackberry Gatherers. Three children dim bing a steep hill : the one in advance is carrying a large red pan ; trees and shru bs in the background. Canvas, 40 X 22 J in. By George H. Mason, A.R.A. Lent by Sir William Agnew, Bart. 196. Portrait of Miss Katherine Edgar. Half-length life-size in an oval, to right, head facing ; blue dress, blue ribbon round her neck ; flowers in her hair ; tree and sky background. Canvas, 29J x 24 in. By Thomas Gainsborough, R.A. Lent by George Donaldson, Esq. 197. View at Hampstead. Hilly landscape with groups of cattle and figures. Canvas, 15 X 18 in. By James Ward, R.A. Lent by A. T. Hollingsworth, Esq. 198. Portrait of Romney by Himself. Half-length, life-size, figure to left, looking at the spectator, powdered hair and black coat. Age about 35. Canvas, 31^ X 24 in. This picture was obtained from a member of the painter’s family. By George Romney. Lent by Charles Butler, Esq. 199. View of Arundel and the Castle, with the Valley of the Arun. A landscape ; in the foreground are seen three youths, one seated on a donkey, the others on the trunk of a fallen tree ; on the left a road is leading around a wood, and along which a shepherd with his dog is driving a flock of sheep ; another flock is seen on rising ground on the right ; in the distance is the river Arun, winding its course through the valley, and beyond the town of Arundel with the Castle amidst trees. Canvas, 44 x 55J in. By John Constable, R.A. Lent by James Orrock, Esq. 200. Portrait of the Painter. Half-length life-size, facing the spectator, head turned to left ; blue coat, striped vest, powdered hair ; dark background. Canvas, 29 x 17 in. (oval). The celebrated landscape and portrait painter ; born at Sudbury, Suffolk, 1727 ; was chosen an original member of the Academy, 1768 ; died 1788. By Thomas Gainsborough, R.A. Lent by Sir William Agnew, Bart. north room.] Ancient and Modern Pictures . 45 201 . The Villa Emilia. Landscape with view of a villa amidst trees and surrounded by a wall on the right, on the left a house, on the steps of which is a peasant placing clothes on a rail ; in the centre an ancient sarcophagus near a tree and a peasant seated on the ground ; distant view of river and hills. Canvas, 14J X 17J in. By Richard Wilson, R.A. Lent by James Orrock, Esq. 202 . The Ruins of Castle Acre Priory. Ruins in a landscape ; cows feeding ; distant hills ; in the foreground a boy bathin g in a pool. Canvas, 36 x 25 in. By John E. Crome, called “ Old Crome.” Lent by James Orrock, Esq. 203 . The Labourers’ Repast. Two men seated on a bank under a tree ; the one on the right drinks from a mug ; the other, anxiously watching him, places his hand on his food, and holds a knife in his left ; before him stands a dog, and at his side a child, eating ; sheep and a shed on the left in the background. Canvas, 14J x 11J in. By George Morland. Lent by A. T. Hollingsworth, Esq. 204 . The Potato Field. Several figures engaged in digging potatoes ; cottage and high trees on the left ; distant landscape on the right. Signed and dated, “J . Linn ell, 1829/’ Panel, 11x13 in. By John Linnell. Lent by A. T. Hollingsworth, Esq. 205 . The Mill at Bergholt. A landscape with view of a mill on the left ; stormy sky and rainbow. Canvas, 34 X 44 in. By John Constable, R.A. Lent by James Orrock, Esq. 206 . The Evening Hymn. A group of six peasant girls, one of whom is accompanied by her lover, clad in coloured or white cotton dresses and gipsy bonnets, advancing along a path and singing the evening hymn ; on the right are two shepherds with their dog ; and in the distance is the church from which issues the congregation ; a rich golden light suffuses the scene. Canvas, 31 X 73 in. By George H. Mason, A.R.A. Lent by the Hon. Percy Wyndham. 46 Exhibition of [north room. 207 . A Village Festival: A Study. Various buildings ; in the foreground are groups of villagers dancing and feasting. Canvas, nj x 17 in. By Sir David Wilkie, R.A. Lent by Charles Butler, Esq. 208 . Francis I. and Marguerite de Valois. Small full-length figures ; Francis seated with dogs at his feet, and Marguerite de Valois standing behind him and resting her arm on his shoulder ; both are looking towards a window on which has been written with a diamond — " Souvent femme varie Bien fol est qui s’y fie.” Canvas, 13 J x 10J in. By Richard P. Bonington. Lent by James Orrock, Esq. 209 . Landscape. View over a wooded valley ; on a slope in the foreground are two figures, one h olding a child ; on the left is seen a man driving a horse along a road which leads through a wood ; hills on each side of the valley ; blue sky with clouds. Canvas, 15J x 20J in. By Thomas Gainsborough, R.A. Lent by R. H. Benson, Esq. 210 . Landscape. A landscape, with river ; in the foreground two peasants ; on the right bank trees with ruin ; distant view of houses. Canvas, 24 x 34 in. By Richard Wilson, R.A. Lent by Hugh P. Lane, Esq. 211 . The Quartette. Four Roman musicians playing violins, violoncello, &c., seated facing on a stone bench ; before them stand three women ; above, on a plinth, are a violoncello, pots, with may-blossom, and an earthenware vessel. Canvas, 24 x 34 in. By Albert Moore. Lent by William Coltart, Esq. 212 . The Toilette, Small full-length figure of a woman in white drapery, seated towards right on ' a couch and arranging her hair ; vase with flowers at her feet. Canvas, i6£ x 9 in. Painted in 1866. By Albert Moore. Lent by W. Graham Robertson, Esq. north room.] Ancient and Modern Pictures . 47 213 . “An Embroidery.” Small full-length figure of a woman, standing to right and looking at the spectator, in a white embroidered dress ; her left hand is placed against the door of a cup- board. Canvas, 12^ X4| in. By Albert Moore. Lent by the Hon. Sir Charles J. Day. 214 . Midsummer. Full-length figures of three girls in bright orange and white draperies ; the centre one reclines in a chair, wreathed with flowers ; the others, standing on either side, are fanning her. Canvas, 59 X 62 in. By Albert Moore. Lent by William Connal, Jun., Esq. 215 . “White Hydrangeas.” Full-length nude female figure proceeding from the bath, her right hand raised and touching a door ; her left holding white drapery on her shoulder ; on the right, hydrangeas ; above, a lamp. Canvas, 14J x 35^ in. By Albert Moore. Lent by William Connal, Jun., Esq. 48 Exhibition of [central hall. IN CENTRAL HALL. 216 . Reading Aloud. A girl lying on a couch reading a book ; another seated at her feet rests her head on her elbow ; a third seated on the ground to right is also lis tening ; decorative scene is black, grey and pink. Canvas, 41 x 80 in. By Albert Moore. Lent by William Connal, Jun., Esq. 217 . A Study for “The Elixir of Love.” Water colour, 6J x nj in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 218 . First Sketch for “The Last Load.” Water colour, 5J x 8J in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 219 . In a Garden.] A child with its mother standing in a garden in front of a cottage. Water colour, 7^x6 in. By George J. Pinwell, Lent by Harold T. Hartley, Esq. 2 20 . By the River. A lady standing on the bank of a river, on which are two girls in a boat. Water colour, 8J x 7 1 in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 221 . A Study for “The Elixir of Love” Water-colour, 7 x 11 in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. central hall.] Ancient and Modern Pictures . 49 222a. Seat in St. James’s Park. A man, a soldier and a girl, and a woman with a child seated on a bench ; before stands a child with a doll’s perambulator ; other figures and trees in the background. Water-colour, 8x12 in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 223 . A Study for “The Pied Piper of Hamelin.” Water colour, 7 X 11 in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 224 . First Sketch for “The Haymakers.” Water colour, 7f X 6J in. By George J. Pinwell. Lent by Harold T. Hartley, Esq. 50 Exhibition of [balcony. BALCONY. PLAT/NO TYPE REPRODUCTIONS OF WORKS BY DAN7E GABRIEL ROSSETTI For prices apply to the Secretary. X. Ecce Ancilla Domini. 2 . The Blessed Damozel. 3 . Beata Beatrix. 4 . The Boat of Love. 5 . An Angel. 6. Dante’s Dream. 7 . Rosa Triplex. 8. The Lady of the Golden Chain. 9. Beata Beatrix. 12 . Ecce Ancilla Domini. 13 . Rosa Triplex. BALCONY.] Ancient a7id Modern Pictures . 5i 14. Found. 16. King Arthur’s Tomb. 17. How THEY MET THEMSELVES. 18. Algernon Swinburne. 19. D. G. Rossetti. 20 . Mary Magdalene. 22 . Our Lady of Pity. 23. Do. do. (fragment) 24. Blessed Damozel, Study for. 25. Mariana in the South. 26. Pomona, Study for. 27. Salutation, Study for. 29. Study. 30. Study. 31. Study. 32. Study. 33. Study. 34. La Donna Della Finiestra. 35. Dante’s Dream. 52 Exhibition of [balcony, 36. Francesca da Rimini. 38. Sir Launcelot in the Queen’s Chamber. 41. Joli Cceur. 42. The Question. 43. La Donna Della Finiestra. 44. Lucretia Borgia. 45. Do. 46. The Borgia Family. 47. Lady Lilith. 56. Jeanne d’Arc. 62. Aggie (pencil head). 63. Head of Christ (a circle). 64. Sir Tristran and La Belle Yseult. 65. Fair Rosamond. 66 . Proserpina. 69. David the Shepherd.' 70. The Nativity. 71. David the King. 73. Burd Alane. a (Triptych in Llandafif Cathedral). BALCONY.] Ancient and Modern Pictures . 53 74 . Jeanne d’Arc. 76 . Salutatio Beatricis in Terra. 77 . a , „ in Eden. 78 . Paolo and Francesca (Triptych). 82 . The Gate of Memory. 83 . The Bower Garden. 84 . Proserpina. 85 . Christina Rossetti and her Mother. 86. Beata Beatrix. 87 . Mrs. William Morris. 54 Exhibition of [balcony. PHOTOGRAPHS OF DRAWINGS BY THE OLD MASTERS IN THE WINDSOR AND CHRIST CHURCH COLLECTIONS AND OF PICTURES EXHIBITED IN FORMER WINTER EXHIBITIONS AT THE NEW GALLERY. For Prices apply to the Secretary . 93. Campanile of St. Mark’s, Venice. By Canaletto. Pen washed with Indian ink. Windsor Collection. 94. Virgin and Child with Angels. By Ratfaelino del Garbo. Early Italian Art Exhibition, No. ii8. 95. The Infant Christ Asleep. By Murillo. Framed, ys. 6 d. Spanish Art Exhibition, No. 62. 96. James IV. with a Falcon. Stuart Exhibition, No. ii. 97. Two Studies of Fruit and Foliage. By Lionardo da Vinci. Windsor Collection. 98. Virgin and Child with Angels. By Piero della Francesca. Early Italian Art Exhibition, No. 106. BALCONY.] Ancient and Modern Pictures . 55 99 . 100. 101. 102 . 103 . 104 . 105 . 106 . 107 . 108 . 109 . HO. Landscape with Pedlar. By Titian. Chatsworth Collection, No. 859. Three Studies for an Equestrian Statue. By Lionardo da Vinci. Windsor Collection. Virgin and Child. By Matteo da Siena. Early Italian Art Exhibition, No. 49. Rape of Europa. By Giorgione. Venetian Art Exhibition, No. 94. Mary Queen of Scots. (Le Deuil Blanc.) By Janet. Stuart Exhibition, No. 39. f -* 3 / URE. Study of Half-Length Draped Kneeling Figure. By Lionardo da Vinci. Windsor Collection. Triumph of Love. By Titian. Venetian Art Exhibition, No. 160. Portrait of a Man. By Velazquez. Spanish Art Exhibition, No. 107. Ancient Sacrifice. School of Mantegna. Finished pen drawing. Christ Church Collection. The Virgin of the Immaculate Conception. By Murillo. Spanish Art Exhibition, No. 92. A Girl. By Murillo. Spanish Art Exhibition, No. 20. Mary Queen of Scots (Memorial Picture). By D. Mytens. Stuart Exhibition, No. 39. /jf *, £ . 56 Exhibition of [balcony. 111. James V. and Mary of Lorraine. Stuart Exhibition, No. 16. 112 . Study of Draped Arm. By Lionardo da Vinci. Windsor Collection. 113 . Virgin and Child. By Botticelli. Early Italian Art Exhibition, No. 121. 114 . Ecce Homo. By Antonello da Messina. Venetian Exhibition, No. 131. 115 . Reginald Cardinal Pole. By Annibale Carracci. Tudor Exhibition, No. 216. 116 . Head of the Virgin, perhaps a study for a picture by Perugino. By Raphael. Silver point heightened with white. Windsor Collection. 117 . William Warham, Archbishop of Canterbury. By Hans Holbein. Tudor Exhibition, No. 107. 118 . Profile of an Old Man. By Lionardo da Vinci. Drawing in black chalk. Windsor Collection. 119 . Pope Innocent X. By Velazquez. Spanish Art Exhibition, No. 54. 120 . James I. and VI. By G. Jamesone. /? \ /]. ' / Stuart Exhibition, No. 62. 121 . Landscape with Man Fishing. By D. Campagnola. Chatsworth Collection, No. 848. BALCONY.] Ancient and Modern Pictures. 57 122 . Virgin and Child with St. John. By And. del Sarto. Early Italian Art Exhibition, No. 217. 123 . f 124 . Portrait of a Young Man. By Ambrogio de Predis. Early Italian Art Exhibition. Henry Prince of Wales. By G. Jamesone. Stuart Exhibition, No. 73. 125 . Study of Hands Clasped. By Lionardo da Vinci. Windsor Collection. 126 . Study of Hand, Pointing. By Lionardo da Vinci. Windsor Collection. 127 . St. Catherine of Siena. By Cosimo Rosselli. Early Italian Art Exhibition, No. 3. 128 . Don Baltasar Carlos on Horseback. By Velazquez. Spanish Art Exhibition, No. 59. 129 . Landscape with Town. By D. Campagnola. Duke of Devonshire’s Collection, Chatsworth, No. 865. 1 30 . Portrait of a Boy. By Giov. Bellini. Venetian Art Exhibition, No. 2. 131 . Landscape with Shepherd and Flocks. By Claude Lorraine. Windsor Collection. 132 . Study for the Figure of St. George. By Donatello. Silver point heightened with white. Windsor Collection. 58 Exhibition of [balcony. 133 . CATTARINA CORNARO. By Titian. Venetian Art Exhibition, No. 252. 134 . Vision of St. Hubert. By Pisano. Early Italian Art Exhibition, No. 163. 135 . An Armed Knight on Horseback. Early Florentine School. Christ Church Collection. 136 . Virgin and Child with Saints. By Pesellino. Early Italian Art Exhibition, No. 10 7. 137 . Virgin and Child with St. John. By Rafifaelino del Garbo. Early Italian Art Exhibition, No. 140. 138 . St. Mary Magdalen. By Solario. Early Italian Art Exhibition. 139 . Portraits of Carondelet and Secretary. By Raphael. Early Italian Art Exhibition. 140 . Queen Elizabeth. Tudor Exhibition, No. 269. 141 . A Saint Reading. By Carpaccio. Venetian Art Exhibition, No. 49. 142 a , James III. of Scotland. By Van der Goes. Stuart Exhibition, No. 8a. b The Vision of the Holy Trinity. By Van der Goes. Stuart Exhibition, No. 8b. c Margaret of Denmark. By Van der Goes. Stuart Exhibition, No. 8c. d Sir Edward Bonkle. By Van der Goes. Stuart Exhibition, No. 8d. BALCONY.] A ncient and Modern Pictures. 59 143 . 144 . 145 . 146 . 147 . 149 . 150 . 151 . 152 . 153 . 154 . 155 . 156 . William Wilberforce. By F. Rising. Guelph Exhibition, No. 91. Richard Brinsley Sheridan. By Sir Joshua Reynolds, P.R.A. Guelph Exhibition, No. 149. David Garrick and his Wife. Murillo. By Himself. By W. Hogarth. Guelph Exhibition, No. 252. Spanish Art Exhibition, No. 103. Sir Joshua Reynolds, P.R.A. By Himself. Guelph Exhibition, No. 276. Portrait of a Lady. By Titian. Venetian Art Exhibition, No. 140. John Hoppner, R.A. By Himself. Guelph Exhibition, No. 278. Virgin and Child. By Murillo. Spanish Art Exhibition, No. 40. Elizabeth Howard, Duchess of Rutland. Byjohn Hoppner, R.A. Guelph Exhibition, No. 338. The Holy Family in a Landscape. By Cima. Venetian Art Exhibition, No. 53. Margaret Plantagenet, Countess of Salisbury. Tudor Exhibition, No. 301. Christ Bearing His Cross. By Ribalta. Spanish Art Exhibition, No. 50. Princess Amelia. By Sir W. Beechey, R.A. Guelph Exhibition, No. 53. 6o Exhibition of [balcony. 157 . Shepherd with a Flute. By Giorgione. Venetian Art Exhibition, No. 112. 158 . Princess Sophia. By Sir W. Beechey, R.A. Guelph Exhibition, No. 55. 159 . Lady Professor of Bologna. By Giorgione. Venetian Art Exhibition, No. 91. 160 . Uja Anne Linley (Mrs. Meridan) and Her Brother. By T. Gainsborough. Guelph Exhibition, No. 167. 161 . Study of A Head. By Lionardo da Vinci. Early Italian Art Exhibition, No. 189. 162 . 163 . 164 . 165 . 166 . 167 . Jane, Duchess of Gordon, and Her Son George, Marquess of Huntley. By G. Romney. Guelph Exhibition, No. 131. Man WITH a Staff. By V. Carpaccio. Venetian Art Exhibition, No. 323. SIR John More. By Hans Holbein. Tudor Exhibition, No. ioo. Dr. Johnson. Guelph Exhibition, No. 205. Leslie Stephen. By G. F. Watts, R.A. Figure of a Man. By V. Carpaccio. Venetian Art Exhibition, No 333. 168 . William Morris. G. F. Watts, R.A. Watts Exhibition, No. BALCONY.] Ancient and Modern Pictures . 61 169. Charles II (Miniature. By T. Cooper. Stuart Exhibition, No. 278. 1 70. Sir Richard Burton. By G. F. Watts, R.A. Watts Exhibition, No. 132. 171. Lord Tennyson. By G. F. Watts, R.A. Watts Exhibition, No. 15. 172. Venerable Philip Howard. By F. Zucchero. Tutor Exhibition, No. 286. 7^173. Prince Charles Edward. By T. Blanchet. Sr J Patf / Stuart Exhibition, No. 160. 2 >/l < r * < -a 7^174. Prince Henry Cardinal York. By T. Blanchet. V 7S - Prince Henry Cardinal York. /v; -2 Stuart Exhibition, No. 176." ' J Stuart Exhibition 176. Henrietta Maria. By Sir Ant. Vandyck. J Stuart Exhibition, No. 88. 7 177. Chaucer. 178. Katharine of Arragon (?) By Hans Holbein. C2) Tudor Exhibition, No. 98; n- 179. Charles I. By Sir Ant. Vandyck. Stuart Exhibition, No. 68. 180. Mary of Modena. By Sir P. Lely. ^ . f / N, No. 121. | y. Stuart Exhibition 181. PORTRAIT OF a Lady. By Ghirlandaio. Early Italian Art Exhibition, No. 159. 182. Boy’s Head. \ >By Lionardo da Vinci. 183. Study of Drapery. J Windsor Collection. Hi — 62 Exhibition of [balcony. 184 . 185 . 186 . 187 . 188 . 189 . 190 . 191 . 192 . 193 . 194 . 195 . 196 . Large Female Head and Bust. By Lionardo da Vinci. Windsor Collection. Holy Family with St. John. By Botticelli. Early Italian Art Exhibition, No. io8. Landscape with Shepherd and Flocks. By Claude Lorraine. Windsor Collection. Head of a Youth wearing a Biretta. By V. Carpaccio. Silver point heightened with white. Library of Christ Church, Oxford. Virgin and Child, St. Clare, and St. Agatha. By Filippino Lippi. Early Italian Art Exhibition, No. 113. Holy Family. By Giorgione. Venetian Art Exhibition, No. 148. JAMES II. By Sir P. Lely. Stuart Exhibition, No. 122. An Angel with Fluttering Drapery, Florentine School. Bistre heightened with white. Windsor Collection. The Flower Girl. By Murillo. Spanish Art Exhibition, No. 35. St. Catharine. By Bart. Veneziano Venetian Art Exhibition, No. 8. Study of a Tree. By Lionardo da Vinci. Windsor Collection. Group of “The Three Graces,” for the fresco of the “ Feast of the Gods ” in the Palazzo Farnese, Rome. By Raphael. Red chalk. Windsor Collection. The Presentation in the Temple. By Giotto. Early Italian Art Exhibition, No. 24. BALCONY.] Ancient and Modern Pictures. 63 197 . 198 . 199 . 200 . 201 . 202 . 203 . 204 . 205 . 206 . 207 . Death of Lucretia. By Boticelli. Early Italian Art Exhibition, No. 160. Head of a Young Man, silver point heightened with white. By Fra Angelico. Windsor Collection. Lady Mary Sidney, Countess of Pembroke. By Marc Gheraedts. Tudor Exhibition, No. 309. Charles I., Henrietta Maria and Two Children. By Sir A. Vandyck. ^ Stuart Exhibition. No. 67. The Virgin and St. Leo IX. Florentine School. Early Italian Art Exhibition, No. 53. Head of an Old Man. By Lorenzo di Credi. Executed with the point of the brush ; heightened with white. Windsor Collection. Edward VI. cctdD /o, yv fyi/or f Tudor Exhibition, No. 175. Study for the Heads of Homer, Virgil, and Dante, in the fresco of Parnassus in the Stanza della Segnatura of the Vatican. By Raphael. Pen and ink. Windsor Collection. Crucifixion and Pieta. By Ambrogio Lorenzetti. Early Italian Art Exhibition, No. 30. Classical Landscape with Figures. By Claude Lorraine. Windsor Collection. Holy Family. By Gaudenzio Ferrari. Early Italian Art Exhibition, No. 216. 64 Exhibition of Ancient and Modern Pictures . [balcony. 208 . Study of a Lily. By Lionardo da Vinci. Windsor Collection. 209 . Two PEASANTS (A Kitchen Scene). By Velazquez. Spanish Art Exhibition, No. 351. 210 . Maximilian Sforza, Duke of Milan. By Bramantino. Early Italian Art Exhibition, No. 253. 211 . Prince James Francis Edward. By T. Blanchet. ' ft 0 -'/ / f/) li Stuart Exhibition, No. 177. 212 . Virgin and Child. By Perugino. Early Italian Art Exhibition, No. 251. 213 . St. Sebastian and St. Jerome. By Perugino. Early Italian Art Exhibition, No. 252. 214 . Departure of the Argonauts. By Filippino Lippi. Early Italian Art Exhibition, No. 112. 215 . Fall of Phaeton. By Michel Angelo. Black chalk. Windsor Collection. 216 . Design for the Resurrection: Composition of fourteen figures. By Michel Angelo. Black chalk. Windsor Collection. 217 . The Argonauts in Colchis. By Benozzo Gozzoli. Early Italian Art Exhibition, No. 117. 218 . Study FOR Horses. By Lionardo da Vinci. Windsor Collection. INDEX OF PAINTERS. Angelis, Pierre (1685-1734), 131 Backhuysen, Ludolph (1631-1708), 102 Belli Marco, (early 16th century), 82 Beltraffio- Giovanni Antonio (1467-1516), 135 Berghem, Nicholas (1624-1683), 119, 126 Bonington, Richard P. (1801-1828), 185, 208 Breughel, Peeter (1530-1569), 89 Cappelle, Jan van der (1650-1680), 97, 136 Collins, William, R.A. (1788-1847), 173 Constable, John, R.A. (1776-1857), 176, 193, 199, 205 Cotman, John Sell (1782-1842), 188 Cox, David (1785-1859), 187 Crome John, called Old Crome (1769-1821), 157, 189, 202 Cuyp, Albert (1605-1691), 134 Dtirer, Albert (1471-1528), 112 Etty, William, R.A. (1787-1849), 168, 169, 171 Flemish School, 91, 121 Florentine School, 85, 141, 146 Francesca, Piero della (c. 1416-1492), 92 Gainsborough, Thomas, R.A. (1727-1788), 167, 180, 192, 196, 200, 209 German School, 105 Goyen, Jan van (1596-1666), 133 Gossaert, Jan, called Mabuse (c. 1470-1552), 80, IR5> 139 Heda, William Klaasz (1594-aft. 1638), 96 Holbein, Hans (1498- 1543), ill Hondecoeter, Melchior de (1636-1695), 145 Hoppner, John, R.A. (1758-1810), 184 Hudson, Thomas (1701-1779), 178 Huysum, Jan van (1682-1749), 117, 128 Janssens, Cornelius (1590-c. 1663), 125 Kick, Symon (early 17th century), 114 Koninck, Philip de (1619-1689), 90 Lawrence, Sir Thomas, P.R.A. (1769-1830), 163; Lely, Sir Peter (1618-1680), 107 Leyden, Lucas van (1494-1553), 130 Linnell, John (1792-1882), 204 Maas, Nicholas (1632-1693), 122 Mabuse. See Jan Gossaert Martino, Simone di (Memmi), 1288-aft. 1339),. 79 Mason, George H., A. R.A. (1818-1872), 153, 174, 175, 191, 195, 206 Memmi. See Simone di Martino Marieschi, Michele (d. 1773), 1 1 3 Molenaer, Jan Miense (d. 1668), 147 Morland, George (1763-1801), 156, 203 Mostaert, Jan (1474-1555), 95 Muller, William J. (1812-1845), 154, 179, i8i r 194 Moore, Albert (1841-1893), 211-216 Neer, Aart van der (1603 ?— 1677), 98, 106 Ochterveldt, Jan (c. 1670), 124 Opie, John, R.A. (1761-1807), 155 Os, Jan van (1744-1808), 108 E 66 Index of Painters . Pinwell, George (1842-1875), 159, 160, 165, 166, 172, 177, 217-224 Potter, Paul (1625-1654), 140 Raeburn, Sir Henry, R.A. (1756-1823), 161 Rembrandt, van Rhyn (1607-1669), 129 Romney, George (1734-1802), 182, 198 Rossetti, Dante Gabriel (1828-1882), 1-23, 25-74, 152 Rubens, Peter Paul (1577-1640), 83, 109, no, 118, 123, 127 Ruysdael, Jacob van (c. 1630-1682), 88, 132 Ruysdael, Solomon van (c. 1600-1670), 104 Roberto, Ercole de’ Roberto Grandi (1450-1496), 138 Signorelli, Luca (1441-1523), 144 Soutman, Pieter C. (1590 - ), 103 Sorgh, Hendrik M. (1621-1682), 100 Teniers, David (1610-1694), 81 Van Dyck, Sir Anthony (1599-1641), 84, 120 Venetian School, 86 Venius, Otto van Veen, called (c. 1558-1629), 93, 101, 143, 148 Veronese, Paolo Cagliari, called (1528-1588), 142 Vos, Cornelius de (1584 ?— 165 1 ), 87 Walker, Frederick, A. R.A. (1840-1875), 158, 162, 164, 183, 186 Ward, James, R.A. (1769-1859), 197 Weyden, Roger van der (1400-1464), 94 Wilkie, Sir David, R.A. (1785-1841), 190, 207 Wilson, Richard, R.A. (1714-1782), 170, 201, 210 Wouvermans, Philip (1614-1668), 99 Zoffany, Johann, R.A. (1733-1810), 15 1 INDEX OF EXHIBITORS Agnew, Sir William, Bart., 161, 180, 183, 191, 195, 200 Allingham, Mrs., 17, 18 Ashley, Rt. Hon. Evelyn, 86 Barratt, Thomas J., Esq., 154 Battersea, The Lord, 1, 6, 35, 56, 57, 68, 72 Benson, R. H., Esq., 146, I 73 > 20 9 Birch, Mrs. Walter de Hoghton, 74 Boyce, Mrs. George, 53 Butler, Charles, Esq., 7, 21, 32, 67, 82, 85, 87, 99, 104, 141, 157, 190, 198, 207 Buxton, Francis W., Esq., 4, 47 Cockerell, S. Pepys, Esq., 31, 64 Colnaghi, Martin, Esq., 97 , 106, 108, 125, 131, 137 , 145 Coltart, William, Esq., 28, 29, 40, 153, 21 1 Connal, William, jun., Esq., 214, 215, 216 Conway, Moncure D., Esq., 30 Cook, Sir Francis, Bart., no, nr, 112 Crawford, Earl of, K.T., 140, 15 1 Day, The Hon. Sir J. Charles, 213 De Misa, Marquis, 162, 186 Donaldson, George, Esq., 182, 196 Dowdeswell and Dowdeswell, Messrs., 95, 113, 114, 132, 156, 179 Gillum, Colonel W., 16, 33, 36 Golf, Colonel F., 91 Gordon, Mrs. Henry Evans, 155, 174, 175 Graham, Mrs. William, 158, 164 Hacon, L., Esq., 60 Hartley, Harold T., Esq., 160, 172, 217, 224 Heaton, Bereslord R., Esq., 41, 45, 48, 50, 51 Holder, J. C., Esq., 13, 58, 69 Hollingsworth, A. T., Esq., 187, 193, 194, 197, 203, 204 Holmes, C. J., Esq., 71 Horniman, Miss, 12, 55 Ionides, Constantine A., Esq., 10, n, 20, 90, 103, 105, 185 Jekyll, The Hon. Mrs., 27, 39 Joseph, Mrs. Samuel, 122, 124, 159, 165, 166 Kay, Arthur Esq., 96, 133 Lane, Hugh P., Esq., 134, 210 Linton, Sir James D., P.R.I., 168, 169, 171 Liverpool, Royal Institution of, 79, 94, 138 Lushington, His Honour Judge, 22, 59 Mackenzie, Mrs. Kenneth Muir, 66 Macquoid, Mrs. Percy, 139 Mason, James, Esq., 18 1 Milford, The Lady, 142 Mond, Ludwig, Esq., 83, 92, 135, 144 Morris, Mrs. William, 24 Moss, W. R., Esq., 26, 46 Norfolk, The Duke of, E.M., K.G., 84, 89, 118, 120, 127 Northbrook, The Earl of, 80, 81, 115, 116, 123, 129, 130, 136 O’Brien, The Hon. Mrs., 63 Oldfield, T. S., Esq., 37 Orrock, James, Esq., 176, 188, 189, 199, 201, 202, 205, 208 Pfungst, Henry J., Esq., 98, 100, 102, 147 Quilter, Sir William Cuthbert, Bart., M.P., 177 Raphael, George C., Esq., 184 Robertson, William Graham, Esq., 43, 212 Robinson, Sir Charles, 109, 167, 170, 192 Rossetti, William, Esq., 3, 5, 8, 9, 15, 38, 70, 152 Rothschild, Alfred de, 1 1 7, 119, 126, 128 Ruskin, Prof. John, 44 Severn, Arthur, Esq., 25, 61 Spielmann, M. H. N., Esq., 2 Stanley, Cyril Sloane, Esq., 93, ici, 121, 143, 148 Stephens, Frederic G., Esq., 14, 19, 34 Stevenson, Alexander, Esq., 42, 52 Tebbs, H. Virtue, Esq., 49, 62 Trist, Herbert H., Esq., 73 Vacani, Paul, Esq., 178 Wallscourt, The Lord, 163 Ward, T. Humphrey, Esq., 107 Webb, Philip, Esq., 23 Wells, H. T., Esq., R.A., 54, 65 Wyndham, The Hon. Percy, 206 Richard Clay and Sons, Limited. LONDON AND BUNGAY. New Gallery Publications DRAWINGS BY THE OLD MASTERS IN THE ROYAL LIBRARY AT WINDSOR, AND AT CHRIST CHURCH, OXFORD pHOTOGRAPHIC Reproductions of one hundred and seventy- six examples from the designs of Lionardo da Vinci, Raphael, Michelangelo, and other Masters of the Italian, German, Dutch, and French Schools in the Windsor Collection, and also seventy-eight examples from the Collection at Christ Church, Oxford, may be obtained at the New Gallery. For particulars apply to the Secretary. Catalogues of the Tudor, Guelph, Victorian, Early Italian, and Venetian Art Exhibitions may be obtained, price 2s. 6 d., bound 5 j>. Illustrated Catalogue of the Tudor Exhibition thirty^ shillings, of the Guelph Exhibition, two guineas. IRew (3aller^ JMibltcatlons PHOTOGRAPHS HTHE following Photographs may be obtained from the Secretary of the New Gallery : — A Portfolio containing Photographic Reproductions in Collo- type of twenty-eight Pictures selected from the Early Italian Exhibition, price two guineas. V' Photographs in Silver Print and Platinotype of some of the Pictures and Drawings exhibited in the Early Italian, Venetian, and Spanish Art Exhibition. Photographs in Permanent Carbon of some of the Portraits exhibited in the Stuart, Tudor and Guelph Exhibitions. ~ Platinotype Reproductions of the works of G. F. Watts, R.A., Sir Edward Burne-Jones, Bart., and D. G. Rossetti. A complete List will be forwarded on application.