1 WHITECHAPEL ART GALLERY M SUMMER. 1912 SCOTTISH ART AND HISTORY Committee : Mr. Charles Aitken, Keeper of the National Gallery, British Art. Mr. J. Craig Annan. Mr. Percy Bate, Director of the Aberdeen Art Gallery. Mr. James Bone. Mr. James L. Caw, Director of the National Galleries of Scotland. Mr. George Clausen, R.A. The Rev. Professor Cooper, D.D. Mr. George Eyre-Todd. The Hon. Walter John James. Mr. Arthur Kay, F.S.A. Mr. Andrew Lang. Mr. John Lavery, A.R.A., R.S.A. Sir John Stirling Maxwell, Bart., F.S.A. Mr. J. Coutts Michie, A. R.S.A. Sir James Balfour Paul, Lyon King of Arms. The Right Hon. The Lord Pentland. Colonel J. L. Rutley. Mr. A. Stodart Walker. Mr. C. E. Whitelaw, F.S.A. Scot. Ap "pointed by the Trustees : The Rev. Canon Barnett. Mrs. Barnett. Mr. W. M. Blyth. Mr. W. H. Davison. Mr. W. C. Johnson, L.C C. Mr. Gilbert A. Ramsay, Director. Mr. C. Campbell Ross, Secretary. WHITECHAPEL ART GALLERY HIGH STREET, WHITECHAPEL SUMMER EXHIBITION, 1912 "SCOTTISH ART AND HISTORY" MAY 31ST to JULY 9TH Open from 12 noon to 9.30 p.m. As the greater number of the exhibits have been brought from Scotland the expenses of the exhibition are very heavy. It is hoped that visitors will place contributions in the boxes provided for that purpose or send subscriptions or donatons to the Secretary, Mr. C. CAMPBELL ROSS, at the Gallery. The main part of the Lower Gallery illustrates Scot- tish History; Scottish Ait is shown in the North end of Lower Gallery, Small Gallery anc, Upper Gallery. The numbering of the exhibits in each Gallery is separate. The numbers in the Lower Gallery begin with the case of loai.s from the King, opposite turnstile, and continue at the maps on the left, follow along the west wall, across the main screen and along the east wall, the cases and other exhibits in the centre coming last. The numbers continue at the \ eginning of tl e S: cottish Art section beyond the main screen. The attributions of the pictures are those of the lenders. Some of the exhibits are for sale; the Director will answer inquiries. INTRODUCTION TO SCOTTISH HISTORY SECTION. An Oxford landlady, whose Scottish lodger was about to return North, said, " Scotland, sir, that's just beyond Car- lisle, isn't it, sir? "; and as he had a pile of luggage, she " hoped they had cabs there." Most of us have more definite knowledge of Scotland than this Englishwoman had, yet are we not rather ignorant of its history ? We are, however, all conscious of certain characteristics which appear in Scots people, and the present exhibition will be of value if it serves as an introduction to the long course of historic events that have caused, or been caused by, these characteristics. The wit who described an acquaintance as c< Very nice in some ways and very Scotch in others, 55 merely put in a neat phrase a point of view that must be abandoned if nations are ever to understand one another. We always notice un- familiar faults in others more than those to which custom has dulled our sensibility, and are usually unconscious of our own unpleasant practices. Everyone must have observed that most Scots retain through life a sense of being Scots, and if they leave their home they become more acutely conscious of the fact, and this makes them interested in other nationalities. The majority of English people, on the other hand, have not the same consciousness of nationality, and take their stand (with old Weller) simply as human-beings. When they come to a knowledge of other types, or when this know- ledge is brought home to them, they are but faintly in- terested in such encounters. This was shown by a lady from the Midlands when living in a German pension. She ad- mitted that much had been done for her comfort, but said, tc Ah ! this is not how we manage in Leamington. 55 This lack of interest does not spring from mental apathy, but is the result of a sense of impregnable security caused by centuries of freedom from serious invasion, and decades of pre-eminence in trade. The troubled history of Scotland, on the other hand, has produced the alertness and adapt- ability of its people. A Chart of Scottish Sovereigns will be found on page 4 of cover. The following books are recommended : " History of Scotland, 55 P. Hume Brown; "A Short History of Scot- land, 55 Andrew Lang; " Scotland, 55 R. S. Rait. It should not be forgotten that the Scottish people is composed of different elements. Roughly speaking, a line drawn from Dumbarton on the Clyde to Aberdeen divides Lowland Scotland (to the south-east of this line) from the Highlands. The people of the lowlands are of mixed Celtic Saxon, and Norman stock. The population of the High- land part is mainly Celtic in origin ; in the county of Caithness and on the Coast from there to Aberdeen most of the people are of Scandinavian descent. Lower Gallery 3 LENDER ARTIST CATALOGUE. LOWER GALLERY. CENTRE OF GALLERY. No. 1. Case of Historical Weapons and a Document LENT BY HIS MAJESTY THE KING. A Basket-hilted Sword, late 17th cent. Belonged to George III. A Basket-hilted Sword, late 17th cent. Belonged to Georg-e III. A Dirk, late 18th cent. A Basket-hilted Sword, first half of 18th cent. Be- longed to George II. A Basket-hilted Sword, third quarter of 18th cent. Belonged to George III. A Bask-et-hilted Sword, third quarter of 18th cent. A Manuscript Granting a Commission in a Scottish Regiment of Foot, signed by Prince Charles Edward Stuart, commonly called the " Young Pretender," when at Holyrood on the eve of his famous march to Derby. ia Indian Shawl of Fine Needlework (Paisley shawls were copied from this type.) Robert Cochran, Esq., R.S.W. ib Plain Centre Shawl (Paisley 1800); pine corner and harness border later. Robert Cochran, Esq., R.S.W. ic Shoulder Shawl, Canton silk fringe, Paisley (circa 18 10) Robert Cochran, Esq., R.S.W. 2 Series of Maps (16 Maps, 32 Sheets) The Royal Scottish Geographical Society (See labels.) 4 Lower Gallery LENDER ARTIST 2A Wallace Memorial, Elderslie Architects, Messrs. Murray and Minty 2B Wallace Memorial, Stirling Messrs. J. Valentine and Sons, Ltd. 3 Family Tree of the Royal House of Stuart •Sir Henry Trotter, K.C.M.G., C.B. 3 A Monument of Mary Queen of Scots, West- minster Abbey, and Engraving of Darnley W. Bowen, Esq. 4 Glove worn by Charles I. Messrs. Fownes Brothers 5 Letter from Mary of Guise, dated February 7th, 1559 Sir J. Stirling Maxwell, Bart. Queen of James V., and Mother of Mary, Queen of Scots. Daughter of Claude, Count of Guise, and brother of the great Duke of Guise and Charles, Cardinal of Lorraine ; married James V., 1538; her celebrated daughter was born 1542, within a few days of James's death ; Regent of Scotland, 1554; died in Edinburgh Castle, 1560. 6 Maria Scot : Regina. St. Francise Dotoria (1580) James Arrow, Esq. Daughter of James V., by his second wife, Mary of Guise ; born at Linlithgow, 1542; Queen in her infancy; sent to France, 1548; married the Dauphin, afterwards Francis II., 1558; returned to Scotland, 1561 ; married Henry, Lord Darnley, 1565 ; her secretary, Rizzio, murdered in her presence, 1566; murder of Darnley, marriage to Earl of Bothwell, defeat at Carberry Hill, imprisonment at Loch- leven, 1567; battle of Langside, 1568; fled to England, where she was imprisoned; beheaded at Fotheringay, 1587. 6a Regent Morton James Arrow, Esq. 7 Princess Frances, Duchess of Richmond and Lenox (1623) James Arrow, Esq. 8 Mary Queen of Scots A. Dick-Cunyngham, Esq Boitard, after Janet 8a Linlithgow Palace (Birthplace of Queen Mary) Messrs. James Connell and Sons /. Affleck 9 Earl of Darnley G. Vertue } after Lucas de He ere A. Dick-Cunyngham, Esq Cower Gallery 5 LENDER ARTIST 10 Royal Letter signed by the Regent Murray, August 27th, 1568 Sir J. Stirling Maxwell, Bart. 11 Letter from Mary Queen of Scots, dated May 6th, 1568 Sir J. Stirling Maxwell, Bart. 12 Engraving of the Darnley Memorial Picture The Corporation of Glasgow 13 Lady Arabella Stuart James Arrow, Esq. 13A James VI. and I. W. Bowen, Esq 14 James VI and I. /. Smith Nos. 14 to 17 inclusive are lent by A. Dick-Cunyngham, Esq. 15 Anne of Denmark Houbraken, after C. Johnson 16 Henry, Prince of Wales Houbraken, after I. Oliver 17 Charles I. Mandel, after Van Dyck 18 James VI. and I. Rt. Hon. Lewis Harcourt, M.P. Gerhardt Born 1566, son of Mary Queen of Scots, and Henry, Lord Darnley ; crowned at Stirling on the enforced abdication of his mother; nominally king, 1567; really so after 1587; carried off in the raid of Ruthven, 1582; married Anne of Denmark, 1589; Charter of Presbytery, 1592; rebellion of the northern earls, 1594; riot against the Octavians, 1596; bishoprics to be bestowed on ministers, 1598; Gowrie con- spiracy, 1600 ; in General Assembly at Burntisland suggests that the Church of Scotland should undertake new trans- lation of the Bible, 1601 ; succeeded to the English throne, 1603; conference at Hampton Court, 1604; illegally forbids General Assembly to sit, 1605; gunpowder plot, 1606; sum- mons Andrew Melville to London, 1606 ; obtains restoration of canonical episcopacy in Church of Scotland, 1610; Authorised Translation of the Bible, 161 1; Articles of Perth, 1618; died 1624. 19 Letter from Charles I., dated June 2nd, 1630 Sir J. Stirling Maxwell, Bart. 6 LENDER Lower Gallery ARTIST 20 Charles I. /. Smith, after Van Dyck NOS. 20 TO 22 INCLUSIVE ARE LENT BY A. Dick-Cunyngham, Esq. 21 Charles I. Jan Meyssens, after Van Dyck 22 Frederick, King of Bohemia P. van Gunst, after Van der Werff 23 Charles I. Sir Robert Strange, after Van Dyck A. P. Trotter, Esq. 24 Charles I. Messrs. Wallis & Son Jamesone Born at Dunfermline, 1600; second son of James VI. and Anne of Denmark ; baptised by David Lindsay, minister of Leith ; created Duke of Albany; after union of the crowns created Duke of York, 1605 ; became heir-apparent on his brother's death, 1612; created Prince of Wales, 1616 ; suc- ceeded to the throne, and married Henrietta Maria, daughter of Henry IV. of France, 1625 ; his decreet arbitral, under which the parish clergy of Scotland still have their stipends, 1627; "petition of right," 1628; crowned King of Scots at Holyrood, 1633; sn ip ni< T. West Carnie, Esq atir^ichRaeburn 4 Lady Hervey The Rt. Hon. The Earl of Ilchester Allan Ramsay 5 Greenwich Hospital and Naval Heroes % John Burnet His Grace The Duke op Wellington,K.G.,G.C.V.O. This picture was painted for the first Duke of Wellington as a pendant to the more famous work by W'ilkie, " Chel- sea Pensioners reading the Gazette of the Battle of Water- loo," which was exhibited, here in autumn, 1909. It is Burnet's best work, and shows much genial vigour. 6 Master Hay (afterwards Captain Hay) John A. Holms, Esq. Sir Henry Raehurn, R.A. A very charming portrait. Raeburn was happy in his rendering of boyish beauty. This picture should be com- Upper Gallery LENDER ARTIST 39 pared with the " Boy with a Rabbit 55 in the Diploma Gallery of the Royal Academy, and " The Leslie Boy " in Lord GLnconner's collection, both of which are shown to the public. 7 Mrs. Copeland, wife of Colonel Copeland Miss Balfour Andrew Geddes-, A R.A. Andrew Geddes was a contemporary of Wilkie ; h^e never attained great popularity. This portrait shows that he was studied human character with great care and. sympathy, and was a master of expressive brushwork. 8 General Sir David Baird Sir David Wilkie, R.A. The Scottish National Portrait Gallery, Edinburgh This shows Wilkie's later style. It is a sketch for the large picture of Sir David Baird finding the body of Tippoo Sultan. Baird distinguished himself at Seringa- patarn. 9 George Thompson of Glasgow His Honour Judge Evans Sir Henry Raebum, R.A. 10 Tanlallon Castle (See note.) Rev. John Thomson, H .R .S.A., of Duddingston The Walker Art Gallery, Liverpool 11 Idleness W. G. Waters, Esq. T . Hope McLachlan 12 The Pursuit of Pleasure Sir Henry Littlejohn, LL.D. David Scott, R.S.A. 12 a Thomas Graham Bonar of Greigston 14 Dunluce Castle Rev. John Thomson, H. R.S.A., of Duddingston Miss E. J. Wilson 15 Seascape Rev. John Thomson, H. R.S.A. , of Duddingston Mrs. Frank Gibson 16 The dark rolling Dee, Kirkcudbright Messrs. James Connell & Sons William Mouncey 17 A Highland Loch James Buchan\n, Esq. James Do chart y ,R.S '.A. 18 Portrait of Sir John Watson Gordon, P.R.S.A., R.A. Sir John Watson Gordon,P.R S.A.,R.A. The Royal Scottish Academy Henry Burgess, Esq. The Wind on the Hill Mrs. Frewen Sir David Wilkie, R.A. T. Hope McLachlan 40 Upper Gallery LENDER ARTIST 19 A Border Castle " Towers and battlements it sees Bosomed high in tufted trees." — Milton. Archibald Smith, Esq. /. C. Wintour, A.R.S.A. 20 The Red Lacquer Ghest W. B. E. Ranken, Esq. W. B. E. Ranken 2 1 Portrait of Horatio McCulloch The Corporation of Glasgow Sir Daniel MacNee 22 A Musician's Reverie John Pettie, R.A. The Aberdeen Corporation Art Gallery 23 Going to Sea James Buchanan, Esq. Wm. M"Taggart s R.S.A. The earliest phase of M'Taggart's art had a good deal in common with that of the Pre-Raphaelites. Like them he does not, in this picture, attempt to show motion, though later (see Nos. 77, 122, Upper Gallery), he fepresented certain of its aspects as beautifully as any artist has ever done. There is much simple pathos in this little picture. His later art deals more joyously with life. 24 The Leader Lear I. Drew, Esq. John Pettie, R.A. 25 Collecting Offerings in a Scottish Kirk The Corporation of York John Phtilif, R.A. Phillip is best known by his Spanish pictures in the National Gallery of Scotland, and the Guildhall, London. This is one of his early works. It recalls those of Holman Hunt or Madox Brown, but is without their passionate in- tensity. Instead, it shows much genial half -humorous observation. 26 A Cateran Lear L Drew, Esq. /. Watson Nicol 27 Portrait of John Pettie, R.A., H. R.S.A. The Royal Scottish Academy G.P.Chalmers, R.S.A. 28 Time surprising Love The Misses Carfrae David Scott, R.S.A. David Scott was born in Edinburgh in 1806, the son of an engraver ; he was early familiar with the prints of William Blake, which had a powerful and lasting influence on his art. He pursued his ideals unswervingly, and never attained wide popularity, as his subjects were often gloomy. His largest extant work is " Vasco da Gama," in the Trinity House, Leith, a very powerful and impressive picture. He made studies for many large decorative schemes that were not carried out. Several fine examples of smaller work Upper Gallery 41 LENDER ARTIST are in the National Gallery, Edinburgh — "Puck fleeing from the Dawn," " Ariel and Caliban," etc. This one and No. 32, Upper Gallery, are among his best pictures. 29 30 Titian preparing for his First Essay in Colouring Miss Ashton Jonson William Dyce, R A. William Dyce was born at Aberdeen in 1806, studied at the Marischal College there ; his parents intended a pro- fessional career f or him ; he studied Art in Edinburgh and London, 1825 ; visited Rome 1825-1827 ; painted portraits and subject pictures in Edinburgh, 1829-1837. His early works are very rich in colour, and are broadly painted in a style not unlike that of Reynolds ; Director of the Govern- ment Schools of Design in London and elsewhere, 18^7- 1850; executed a series of frescoes of subjects from the Arthurian legend in rooms in the House of Lords ; his easel pictures of about 1850 are very minute in style (like the beautiful example here shown). He had been made R A. in 1848. Two fine examples of this style are in the Guild- hall and one in the Tate Gallery ; he died 1864. 31 " Nimrod, the Mighty Hunter " John W arrack, Esq. ' David Scott, R.S.A. 3 2 Cupid The Misses Carfrae David Scott, R.S.A. 33 The Pass of th-e Bowman Stewart Orr, Esq. Stewart Orr 34 A rocky Solitude Frank Gibson, Esq. W. Y. Macgregor 35 Arab Interior, Cairo James L. Caw, Esq. Arthur Melville 36 A An October Storm Miss Lydia P. Kemp serious and imaginative rendering T . Ho-pe McLachlan of autumn, with its threat of winter. 37 West Coast of Scotland Leslie Thomson, Esq. Leslie Thomson 38 The Runaway James Buchanan, Esq. Wm. M'Taggart, R.S.A. This picture (1871) shows that M'Taggart had abandoned the minuteness of his earliest style. In the warm colouring and use of outline, it recalls the work of Pettie and Orchardson. But while these artists remained figure painters all their lives, and retained this method, M'Taggart 42 Upper Gallery LENDER ARTIST took to sea-painting and landscape, and developed a style of brilliant impressionism. 39 Fairy Tales Hugh Reid, Esq. T. B. Blacklock 40 Frost in the Air Andrew Carnegie, Esq. A. K. Brown, R.S.A. 41 The Flocks in Winter WM.D.McKAY,Esq.,R.S.A. Wm.D. McKay, R.S.A. 42 The Blue Pigeon Thomas A. Pauling, Esq. James Torrance A very vivacious and engaging study of young life, which might well be hung with Reynolds's " Age of Innocence " and " The Strawberrv Girl," or Dyce's " Harriet Macono- chie " or his " Portrait of the Artist's Son." 43 A Drawing Room Patrick W. Adam, R.S.A. Patrick W. Adam, Esq., R.S.A. 44 Guddling for Trout R. H. Brechin, Esq. Wm. M'Taggart, R.S.A. 45 Still Life — Harness Grosvenor Thomas, Esq. James Torrance 46 The Lake " A smiling nook of green and golden shade." Hugh Reid, Esq. William Mouncey William Mouncey was a house-painter in Kirkcudbright. He prospered, and was able to retire from business and de- vote himself wholly to Art. In his work, spring subjects and the rich colours of autumn show more often than summer green. When he died in 1901, in early middle life, he had attained to good composition and colour, and was apparently capable of further development. 47 Snowdonia The Rt. Hon. Lord Aberconway Robert Fowler 48 Summer Breezes L\dy McCall Anderson Wm.M'Taggart, R.S.A. Portrait group of the daughters of Sir T. McCall Anderson, M.D. A verv charming example of a form of portraiture that has be^n seldom attempted. There is much in common be- tween the spirit of happv childhood and that of summer shore and sea and skv. This picture (188?) belongs to the middle period of M'Tajjpart's art. It shows much of the brilliance of his late works; the faces, being portraits, are a car°fullv studied as in his early works (No. 23), though painted with less minutesness. Upper Gallery 43 LENDER ARTIST 49 The Carbon Boat, Venice /. Hamilton Mackenzie, R.S.W., A.R.E. J. Hamilton Mackenzie, Esq., R.S.W., A.R.E. 50 Reverie Hugh Duncan, Esq. R. Macaulay Stevenson The work of Mr. Macaulay Stevenson has been seldom seen in recent years. This is a fine example. It shows the influence of Corot, but there is no imitation. 51 The Sailing of the Emigrant Ship James L. Caw, Esq. • Wm.M'Taggart, R.S.A. 52 Early Snow Mrs. Lindsay Wm.M'Taggart,R S.A. . 52A Evening J. LA VERY, Esq., R.S.A., A.R.A. J Lavery, R.S.A. 53 The Red Fez William Strang, Esq., A.R.A. , LL.D. William Strang, A.R.A., LL.D. 54 Moonlight on the Downs Mrs. Alexander Mann Alexander Mann 55 A Tender Chord R. H. Brechin, Esq. W. Q. Orchardson, R.A. 56 Tremadoc Bay Mrs. Alexander Mann Alexander Mann 56A Poinsettias James Howden Hume, Esq. George Henry, A.R.A. 56B Evening Sky R. B. Nisbet, Esq., R.S.A. R. B. Nisbet, R.S.A. 57 Home from the Plough Duncan McLaurin, R.S.IV. Nos. 57 to 95 inclusive are lent by The Scottish Modern Arts Association 58 The Bend of the River R. B. Nisbet, R S.A. 59 Veiled Moonlight 7. Lawton Wingate, R.S.A. 60 Still Life S. J. Pefloe 61 Baby Crawford Bessie McNicol 62 A Lancashire Village William Wells, R.B.A- 44 Upper Gallery LENDER ARTIST 63 Edinburgh's Playground James Pater son, R.S.A. 64 The Storm, Ballantrae Josef h Henderson 6 5 Landscape Alexander Roche, R.S.A. 66 La Musica Veneziana C. H. Mackie, A. R.S.A. 67 October Roses Katherine Cameron, R.S.W. 68 Kirkcudbright Landscape /. Whitelaw Hamilton, A.R S.A. 69 j\ iM-Sty Morning Robert Noble, R.S.A. 70 1 he bignet Library, .bainDurgn Patrick W. Adam, R.S.A. 7 1 La Piazzetta, Venice C. H. Mackie, A. R.S.A. 72 The Gordi Stack James Cadenhead, A. R.S.A. 73 Auld Freens Robert Alexander , R.S.A. 74 Sailmaking Christina Ross, R.S.W . 75 A Winter Morning George Houston, A. R.S.A. 76 Pittenweem Alexander Roche, R.S.A. 77 The Rescue Wm. M'Taggart, R.S.A. 78 Hymn to the Rose John Duncan, A R.S.A. 79 Criffel D. Y. Cameron, A. R.S.A., A.R. A. 80 Salmon Fishers' Leisure Hour Christina Ross, R.S.W. 81 The Flight of the Sw allows /. H. Lorimer, R.S.A. Upper Gallery 45 LENDER ARTIST 82 Meditation Graham Glen 83 Moorland James Cadenhead, A.R.S.A. 84 The Snow Leopard's Toilet William Walls, A.R.S.A. 85 Bairnies Cuddle Doon R. Gemmell Hutchison, R.S.A. 86 Seashore Roses • E. A. Horrid 87 The Valley of the Shadow. Loch Coruisk Robert Burns, R.S.A. 88 Kirkcudbright W. S. MacGeorge, R S.A. 89 Cave-dwellers at Plav ./ William Walls, A.R.S.A. 90 Shadowed Pastures E. A. Walton, R S.A. 91 The Prison Gate. Mogador Alexander Roche, R.S.A. 92 Cabs in Mount Street W . G. Burn-Murdock 93 Silence Bertram McKennal, A.R.A 94 The Gr«eat Tit Edwin Alexander, A.R.S.A 95 The Ship of the Desert Edwin Alexander, A.R.S.A SCREEN L 96 Studies for a Lady's Portrait Allan Ramsay Trustees of the National Gallery of Scotland. 97 Queen Charlotte Allan Ramsay Trustees of the National Gallery of Scotland. 98 Drawing of Old Lady's Head Allan Ramsay Trustees of the National Gallery of Scotland. 46 Upper Gallery LENDER ARTIST 99 Girl's Head John Brown Trustees of the National Gallery of Scotland. 100 Domestic Scene The Corporation of Glasgow David Allan 101 Study of a Head J. Fraser Paton, Esq., N.B.A. David Scott, R.S.A. 1 02 Studv for Small Picture of Evening J. Fraser Paton, Esq., N.B.A. David Scott, R.S A. 103 Study for Full-length Portrait of Augusta. Princess of Wales Allan Ramsay Trustees of the National Gallery of Scotland. 104 (1) Study of a Head (2) Study of Dancing Satyrs John Runciman Trustees of the National Gallery of Scotland. 105 Study for a Portrait (? Mrs. Siddons) David Martin Trustees of the National Gallery of Scotland. 106 Study of Lady's Head Allan Ramsay Trustees of the National Gallery of Scotland. io6a Studies for a Man's Portrait. Allan Ramsay Trustees of the National Gallery of Scotland 107 On the Nith David Ramsay, Esq. David Ramsay 108 Spanish Girl Mrs. Sidey W. E. Lockhart, R.S.A. 109 Altnacraig, Oban, Residence of the late John Stuart Blackie A. Stodart Walker, Esq. Samuel Bough, R.S.A. 1 10 Evening James L. Caw, Esq. /. S. Wintour, A.R S.A. in In the Highlands Mrs. Patrick Ness R. W. Allan, V.P.R.W S. 112 A Morning Breeze Cuthbert Grundy, Esq., R.I. Patrick Downie ,R.S .W . 113 South Queensferrv Mrs. Sidey W. E. Lockhart, R.S.A. Upper GallerV 47 LENDER ARTIST SCREEN II. 114 Portrait of Herself John Keppie, Esq. Bessie McNicol The early death of Bessie McNicol (Mrs. Frew) robbed Scotland of one of the best modern artists of her sex. 115 Scuir of Eigg — Evening G. G. Anderson, Esq. G. G. Anderson 116 Still Life Arthur Kay, Esq., J. P., F.S.A. S. /. Pefloe 117 Wharfedale Leslie Thomson, Esq. T . Ho-pe McLachlan 118 Easter Snow — Goat Fell. Arran' G. G. Anderson, Esq. G . G. Anderson 119 The Kirking of the Incorporated Trades of Kirkcudbright A. S. Hartrick, A.R.S.W. A. S. Hartrick, Esq., A.R.S.W. 120 North Berwick Arthur Kay, Esq., J. P., F.S.A. S J. Pefloe 121 Scu'rofEigg — Morning G. G. Anderson, Esq. G. G. Anderson 122 Westerly Breezes John M.Grierson, Esq. Wm. M'Tag?art, R.S.A. 123 September John McDougal, Esq. A.K.Brown,R.S.A.,R.S .W . 124 Sunny Summer Showers James L. Caw, Esq. Wm. M'Taggart, R.S.A. 125 The Clyde at Lamington William Crosbie, Esq. A. K. Brozvn, R.S.A. 126 Sir George Reid, P. P. R.S.A. (bust in bronze) Pittendrigh MacGillivray, R S.A., LL.D. The Scottish Modern Arts Association 127 A Gipsy Girl (bust in bronze) Pittendrigh MacGillivray, R S.A., LL.D. Pittendrigh MacGilliyray, Esq., R.S.A., LL.D. 128 Portrait H«ead (in bronze) Pittendrigh MacGillivray, R S .A., LL.D. Pittendrigh MacGilliyray, Esq., R.S.A., LL.D. 129 I an the (head in bronze) Pittendrigh MacGillivray, R ^.^4., LL.D Pittendrigh MacGilliyray, Esq., R.S.A., LL.D. 48 Upper GallerV LENDER ARTIST 130 A Young Man Asleep James L. Caw, Esq. Andrew Geddes, A.R.A. 131 Lady Gwendolin Talbot James L. Caw, Esq. Andrew Geddes, A.R.A. 1 32 Market Day Alexander Carse The Trustees of the National Gallery of Scotland ON PLATFORM. 133 Youth a Huntsman Miss Wilson David Scott, R.S.A. 134 Incident from Ossian Alexander Runciman The Trustees of the National Gallery of Scotland 135 Lady Priestley and Miss Janet Chambers A Stodart Walker, Esq. James Archer, R S.A. 136 Mrs. Francis Robertson and her Children Miss Katherine E. Halkett Andrew Robertson 137 Charon Sidney Morse, Esq. David Scott, R.S.A. 138 Man and his Conscience Sidney Morse, Esq. David Scott, R.S.A. 139 Poor Man, Edinburgh David Allan The Trustees of the National Gallery of Scotland 140 Volume of Drawings Miss Courtney Boyd David Scott, R.S.A. 141 Volume of Drawings illustrating the Life of David Scott Miss Courtney Boyd David Scott, R.S.A. IN PASSAGE. 142 Three Frames of Photogravures from Calo- types by D. O. Hill, R.S.A. J. Craig Annan, Esq. The thanks of the Committee are due to the owners who have so generous'y supported the exhibition ry lendine, and to the promoters of the Scottish National Exhibition, Glasgow, icn. for perrrissior to make use of their Historical Catalogue for notes in this Catalogue. PENNY AND HULL, PRINTERS, LEMAN STREET, E. D A CHART OF SCOTTISH AND ENGLISH ' SOVEREIGNS FROM MARGARET TO THE UNION OF THE CROWNS. Scottish Sovereigns. English Sovereigns. Margaret (1286-1290) Edward I. (1272-1307) [Interregnum) (1290-1292) John Balliol (1292-1296) (Sir. Win, Wallace, Guardian, 1296-1305) Robert Bruce (1306-1329) ..' Edward II. (1307-1327) • Edward III. (1327-13.77) David II. (1329-1371) . Robert II. (1371-1390) Richard II. (1377-1399) Robert III. (1390-1406) Henry IV. (1399-1413) (Regency of the Dukes of Albany) (1406-1424) 1 Henry V. (1413-1422) Henry VI. (i422-i46i« James I. (1424-1437) ' James II. (1437-1460) James III. (1460-1488) Edward IV. (1461-148}) Edward V. (148^) Richard III. (1483-148^) Henry VII. (1485-1509) James IV. (1488-1513) Henry VIII. (1509-1547) James V. (1513-1542) V \ Mary Stuart (Regency of Arran) (IS42-ISS4) • Mary Stuart (Regency of Mary of Lorraine) (1554.-1559) Mary Tudor (1553-1558) .-.. Elizabeth (1558-1603) Mary Stuart (1561-1567) • James VI (1567-1603) Union of the Crowns,. 1603. James VI. and I.; 1603-1625. FUTURE EXHIBITIONS AUTUMN, 1912 SPORTS & PASTIMES SPRING, 1913 LITERATURE AND ART EXHIBITION (Probably)