At,. ..,, 0-A.T,A.XjOOXJE OF VALUABLE MODERN ENGRAVINGS, After Sir E. Landseer, Rosa Bonheur, Sir J. iVIiiiais, etc., FROM THE COLLECTION OF HENEY C. BIECH, ESQ., Of Norwood ; IProofe from (Tonetablc'^ lEnolisF) Xaiibscapce, By DAVID LUCAS, Choice Proofs after J. M. W. Turner, R.A., Etchingfs by A. H. Haig:, Portraits after Sir T. Lawrence, and iVIodern Artist's Proof Engraving^s, FROM VARIOUS PRIVATE SOURCES: WHICH mm he ^oih bg glutton h^ L-^'i Col Messrs. CHRISTIE, MANSON & WOODS, 8 KING STREET, ST. JAMES'S SQUARE, On WEDNESDAY, APRIL 12, 1899, AN ONE o'clock PRECISELY. May be viewed Two Days preceding, and Catalogues had, at Messrs. Christie, Manson and Woods' Offices, 8 Jung Street, St. James s Square, S. W. CONDITIONS OF SALE. I. THE highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, tho Lot so in dispute shall be immediately put up again and 3 e sold. If. No person to advance less than Is.; above Five Pounds, 5s.; and so on in proportion. III. In the case of Lots upon which there is a reserve, the Auctioneer shall have tho right to bid on behalf of the Seller, IV. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the Pound, or more, in part of payment, or the whole of the Purchase-Money, if required ; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. v''. The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer's expense and risk, within Two days from the Sale; Messrs. Christie, Manson and Woods not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot ; and making no warranty whatever. VI To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale ; and the remainder of the Purchase-Money must absolutely be paid on the delivery. VII. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited ; all Lots un- cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale, CATALOGUE. On WEDNESDAY, APRIL 12, 1899, AT ONE O CLOCK PRECISELY. Ill the Folio. — /I 2, 9 2- i- / 2- • / /O / . r ^ P ^ /u- / /d / /$ / /o - ENGLISH LANDSCAPES, Aftee J. CONSTABLE, R.A., by DAVID LUCAS. 1 East Bergholt (No. 1) — India proofs 2 Spring, Hail Squalls (No. 2) — engraver s proof 3 Ditto — ditto, before the birds 4 Summer Evening (No. 7)— engraver s proof 5 Ditto — ditto, before the birds 6 Dell at Helmington (No. 8) — ditto, before the cow 7 Hampstead Heath, Sand-pits (No. 9) — engraver's proof 8 Stoke by Neyland (No. 10) — engraver's proof 9 Sea Beach, Brighton (No. I i) —engraver's proof , before the rock 10 Ditto— fiti/o 11 Ditto — ditto, with alteration to man R 2 ' / - 12- ' ' 9 ' 12 A Summer-laud (No. lb) - imjravcrs j/roof 13 Ditto— - - S • 32 Atalanta's Eace, after Sir E. J. Poynter, by Joubert — proof ^^^^^^-^^.^^^^^1^ C> - 33 The Maid of Saragossa, after Wilkie, by S. Cousins, E.A. — proof before letters __ /Z- • 34 Train up a Child, after T. Faed, E.A., by J. Scott — artist's proof . / '35 Sunday Afternoon, after ditto — artist's proofs I '//f ' ^^ Crossing a Stream, after Constable — artisCs-proof "*^^^-«-*l-— .,-*>t . , Z .37 Eefreshment, after Herring — artist's proof /'^'f-^rv^iz.^ //f* ■ ^^ Watering Horses ; and Another, after Herring — proofs 2 -<2^.»,_>' ^ y^ 39 Hunt the Slipper, after E. Douglas, by J. B. Pratt — artist's proof ; ^ " and A Hunter and Hounds — ditto 2 ^^ I ,5^^ 40 The Wayfarers, after F. Walker, A.E.A., by Waltner— arfisfs ^'^/^o^^ proof * ' ' 41 The Aecheks of St. Geoege, after F. Hals, by Koepping — ^<^-iJcc-^ artist's proof . j> . 42 New Laid Eggs, after Sir J. Millais, by S. Cousins, E.A. — artist's -<^<^-»-»^->.,..^.^,_^ proof, signed ' - 2 ' ^3 The Minuet, after ditto, by ditto — artist's proof, signed cis ^m . 44 Yes or No ? after ditto, by ditto — ditto *<^a-«-^^Cr~ 45 The Black Brunswicker, after ditto, by T. L. Atkinson — artist's ^J^ ' prooj 46 Ophelia, after ditto, by J. Stephenson — artist's proof B 3 ^ ' 47 Head of a Lion, after Eosa Bonheur, by Gilbert — artist's proof ; ^^^^^^^^^.^^^^i^fc;: /4- //^ / / r ^ • 2- V/^'^ /^^ 1. %- ' L_ /2, \ ■ /^ ' 7 • r - Z^ ' %- \ ■ S^' ^ //^ Your Humble Servant, after ditto — proof 48 Rosa Bonheur and Bull, after ditto — yroof 49 On the Alert, after ditto, by Gilbert — artist's proof 50 Brittany Cattle, after ditto, by C. Motham — artist's proof 51 Brittany Sheep, after ditto, by Lobel — ditto After SIR E. LANDSEER. 62 The Reaper, by H. T. Ryall— ^roo/ 53 Beauty's Bath, by S. Cousins, R.A. — proof hef ore letters 54 Connoisseurs, by ditto — artist's proof 55 Piper and Pair of Nutcrackers, by ditto — ditto 56 The Same — artist's proof 57 Children of the Mist, by T. Landseer — proof before letters 58 The Hawk ; and The Peregrine Falcon, by C. G. Lewis state 59 Crossing the Bridge, by J. T. Willmore — artist's proof 60 Night and Morning, by T. Landseer, A.R.A. — proof before 61 Geneva, by ditto — artist's proof 62 The Return from Hawking, by S. Cousins, B,.A.— first state 63 The Shoeing, by C. G. Lewis — artist's proof 64 Alexander and Diogenes, by T. Landseer — artist's proof 65 The Forester's Family, by T. L. Atkinson — artist's proof 66 The Otter Hunt, by C. G. hewis— artist's proof 67 A Midsummer Night's Dream, by S. Cousins, R.A. — artist's 68 Br^mae, by T. Landseer, A.R.A. — artist's proof 69 " There's life in the old dog yet," by H. T. Bjall— proof 70 Drive of Deer, by T. Landseer, A.R.A. — artist's proof 71 " None but the Brave," by ditto — ditto 72 The Deer Pass, by ditto — ditto J^/Cc^^^e-^L^ proof ^^^i/^£A.^ THE PROPERTY OF A GENTLEMAN. • " 73 St. John/ after Guido, by K. Morghen— proo/; and The Educa- /^ • tion of Cupid 2 ^^^ ^^^^e^- ^ a 74 Engravings, after the Old Masters — unframed 7 zSL^f-^^^^ t. 3 75 Sporting Prints, after H. Aiken — unframed 35 (x^-^ ^^^^ ^76 Views of Dundee, after Andrews — proofs 6 -"St,.^ /o • C77 The Tuilleries, after Elmore ; and two others 3 IP"' 78 The Dunce — oval, in hrown ; and Portrait of a Lady, after ^^^^-C-'A.,^^^^.^, Lawrence, by Phillips — proof; and one other 3 — //f- - 79 The Laundry Maid, after H. Morland, by P. Dawe // • 80 The Marquis of Buckingham, after Jackson, by W. Ward ; and The Duke of "Wellington, after Lucas 2 . /«5 • 81 La Source, after Munier, by La Motte — artist's proof; and Girl C/^^'^--^^ Sleeping, after Chaplin 2 /f^ ■ 82 Faust and Marguerite, by C. 0. Murray — remarque proof; and 1^^^^,^^ / An Apodyterium, after AlmaTadema 2 ^^-^-c • ^ • 83 " 1807," after J. L. E. Meissonier, by J. Jacquet— arfisf's proof, yi/UK.^^.>CJU-^^ signed ■ 6"^ ' 84 Eel-bucks at Goring, after MuUer, by B. Debaines — artist's proof '^^v^v-t<.^>^ ___ .m _ 85 The Windmill, after Linnell, by D. Law — remarque proof; and ^ y Scene on the Thames, by W. L. Wyllie — proof 2 ^^'^ _ • %_ • 86 Fulham, by Seymour Haden ; and other Etchings — unframed 7 J _ .f^ 87 Hon. Mrs. Graham, after Gainsborough, by T. G. Appleton — artist's proof • S^ ' 88 Isabel, after Eaeburn, by ditto — ditto * ^S-^z^^t^-t^rv-.-^ ■ / ' 89 Miss Grant, by H. Herkomer, K.A. — remarque proof ^r/^y /I . 90 A Portfolio, on stand /%.c--^^t— ^ .1^, 91 Mill on the Yare, after Crome, by W. Hole — artist's proof; and Jj/^ / / ' ' Eton in the Olden Days 2 "^^-^^ 8 1^ - 92 A Scramble, after A. Dodd— arfisi's^jroo/; &c. 3 -<2^t,.„,.^i:,^^ / ' 93 Eton College, after T. H. Hemy — a set of three 3 -^^<^^-^- , /^"^ ' 94 Brentford Terry; and A Water Wheel, by Sir F. Seymour •_ Haden 2 / J'^^ ' 95 A Sea Piece ; and A Man Fishing, by ditto 2 ^^ ' 96 A Mill, with men in a punt, by ditto 'tJ^^^-^ I ' 97 Crossing the Bridge, after Landseer, by Willmore — artist's '^<^^,'^\ proof ' /^ - 98 The Shoeing, after ditto, by S. Cousins, E. A.— ariis^'s _proo/ /^-^Vt^-^-^^ , A . 99 The Rainbow (Salisbury Cathedral), after J. Constable, E.A., by D. Lucas y /f 100 Lady Dover and Son ; and The Countess of Wilton, after Sir ^^"^■y-y-'-C*^ T. Lawrence, by J. H. Phillips — proofs /%- ■ 101 The Rosebud (Lady Ashley), after Sir T. Lawrence, by "^^^^^^^^ J. R. Jackson — proof /S • 102 Two Duchesses, after Downman, by E. Tiley — artist's proof, in AJ-t--^-t< colours ^ '103 Crossing the Brook, after Turner, by R. Brandard — proof ^ - 104 Mercury and Herse, after ditto, by J. Cousen — proof / ' 105 Modern Italy, after ditto, by MuUer — lettered proof w^^ */ , 106 Dido Building Carthage, after ditto, by T. A. Prior — artist's X»,,„.,,-,.,.e-«/ pre of 107 The Lost Sheep ; and An Event in the Foeest, after Sir E./^^^*^-rV<^^ Landseer, by T. Landseer, A.R.A. — artist's proofs 2 -- /A. ' 103 A Herd of Deer, after Rosa Bonheur, by C. J. Lewis — artist's ,/C^^ ^^^ proof . y,^ , 109 Caligula's Palace and Bridge, after Turner, by E. Goodall — first y^^^y^ state ' . O . 110 Ancient Carthage, after ditto, by W. R. Smith— di«o /^^^(M^^^^ /r /4^ ■ z- - /2^ By A. H. HAIG. 111 The North Transept, Eheims 112 Wftshing Day, Chartres 113 San Maria di Capitol ; and Washing Day, Chartres ■ 114 The Exterior of Burgos Cathedral . 115 In the Aisles, Amiens Cathedral ^116 Vespers 11.7 San Juan, Toledo 118 The Pilgrims' Aisle, Canterbury 119 The Exterior of Burgos Cathedral 1-0 A Corner of Seville Cathedral '2- After SIR T. LAWKENCE. 121 Countess Grosvenor, by S. Cousins, R.A. ; and The Queen of />--i^,<-,,-»_^ Portugiil, by J. Lucas — ')^roof 2 122 Lady Dover ; and Lady Wallscourt, by G. H. Phillips — 'proofs ,-,^i^^s6^C^-i..,<^ 2 123 Lady Georgiana Fane ; and Little Red Riding Hood, by J. R. Jackson 2 124 The Rose Bud, by ditto; and The Faithful Friend, by Giller— p-oofs 2 125 Duchess of Sutherland ; and Countess of Wilton, by G. 11. Philii2> s* \^^J^^ ^ ^-proofs 2 126 Master Lambtou ; and Miss Murray, by ditto— jproo/s 2 U^^>x.<_^f^_^^^^^ 127 The Dnke of Wellington ; and the Dew Branch, by Mclnnes proofs 128 Sir Walter Scott ; and Master Lock, by W. Humphreys— 2>roo/s 2 '^^^'^iS'"^^^^ 129 The Duchess of Northumberland, by Burgess ; and The Gipsy, S^.^.,^^ by S. W. Reynolds — proofs i^ ^ 10 1^ ' 130 Head of a Girl, by Bartolozzi— m colours; and Man with the /^// Pink, after Van Eyck, by Gaillard— proo/ 2 . y-"^ •• 131 Foire de Village ; and Menuet de la mariee, after De Bcucourt ^ — a pair, in colours 2 132 Cries of London, after Wheatley : " New Mackrel " ; and f^^l^ " Oranges," by Schiavonetti 2 . £ . 133 Ditto : " Chairs to Mend " ; and " Knives and Scissors," by ^ Vendramini 2 • ^ ' 134 Ditto: "Matches," by A. Garden ^ ~~- /6^ O 135 The Mother's Bribe; and Clean Face Rewarded, by and after t^^ J, Ward — proofs, a pair 2 ' 2- - (U 136 La SoKPfiisE, after Dubuffe, by S. Cousins, U.A..— proof ,/^le.^^^^yi I /^ ' 137 Lake Nemi; and Obeuwesel, after Turner, by Willmore—^r«i - states 2 ^^^^^^^-^ - /^ " 138 Grand Canal, Venice, after ditto, by W. MuUer— ^rsf state f^lZ^Uu^K^ '- — . ^' . 139 La Source, after Ingres, by Calamatta — proof; and The Same, y^ / ^v after Meunier, by Lamotte — remarque proof 2 ' . ^ . 110 Eeturning to the Fold, after Lerolle, by Oudart — remarque proof , -^^^^^>^^ on vellum ^ • 141 Dame's School, after Webster, by L, Stocks — artist's proof ^^ f . /^^ ' 142 The Eubber, after Webster, by F. Stocks — artist's proof ^/^ ^^^^^^^ / 143 The Wolf and the Lamb, after Mulrcady, by J. H. Robinson — «^ ^ yy ' proof, with arms ' 144 'Victory' towed into Gibraltar, after C. Stantield, R.A., by ^v -^ Cousen — proof before letters 145 Atalanta's Race, after Sir E. Poyntor, by Jouhert— artist's proof f0<^^^'^^ 146 Conquered but not Subdued, by T. Faed, R.A. — artist's proof -■t4^''!4L-4rP / 147 Three Jolly Post-Boys, after H. S. Marks, by L'huillier— f7/l^,JM^ ' remarque proof I • ( d> - 148 Thisbe, after E. Long, R. A., by Bertinot— ariisi's proo/ ^^^x*--^^^^ 2^ • 149 Strygils and SpoDges, after L. Alma-Tadcma, R.A. by Rajon — ^ remarque proof, signed .y'y^-^gu^*^--^^-^ 1^ I 11 '/^ 150 Aa Apodyterium, after L. Alma-Tadcmn, R.A., by Lowenstam — remarque proof • ^ • 151 The Vintage Festival, after ditto, by A. Blanchavd— artist's O/^^ proof ^^ * 152 Cbopaii-as Galloy, aftor ditto— ditto J^4«-*^.*--*-^>^ /^ ' 153 Limburg on the Labn, by A. H. Haig (^^^^<^iV.A^.n-^ • /A ' 154 Charity, after Briton Eiviere, R.A., by Stacpoole — artist's proof ^y\ , f Im^ ' 155 The Farm Yard, after J. F. Herring, by Paterson — artist's proof f^'ti'.^/^-*^ ■—^ K-"^ 156 Highland Drover's Departure, after Sir E. Laudseor, by J. ^^ •-f/^ju.^/^.jf^ Watt — proof 157 The Otter Hunt, after ditto, by C. G. Lewis— ar//s<'s proof J?^^tr^^-^^^>^ . JT^ 158 The Horse Fair, after Rosa Bonheur, liy T. Landscer— proo/"/^^*— ^"^ before letters FINIS. London : Printed by William Clowes & Sons, Limited, Stamford Street and Cliarinor Cross. iLft^-^- uHCQ