-4 x ‘ aes i‘ a ae at s a a - > 7 = — 7 f en 4 Y r - nee wes ¥ ares . PEE SS ate = yi a Saba = = 7 Ag Puan ik y -$ Ty or alee = > = i laa ‘ r ner : z i 7 oi ‘ , ve 5 ; F: i . j Se = ON kee) LIC VIEW FROM 9 A. M. UNTIL 6 P. M. eet AMERICAN ART GALLERIES BLOCK OF MADISON AVENUE, 56TH TO 57TH STREET, NEW YORK ENTRANCE, 30 EAST 571TH STREET BEGINNING WEDNESDAY, FEBRUARY 28ru, 1923 AND CONTINUING UNTIL THE DAY OF THE SALE THE RARE AND BEAUTIFUL Pek TREASURES COULLEC RED BY THE LATE ENRICO CARUSO TO BE SOLD AT UNRESTRICTED PUBLIC SALE eee beeMERICAN ART GALLERIES ON MONDAY, TUESDAY, WEDNESDAY AND THURSDAY AFTERNOONS, MARCH 518, 61H, 71H ap 81H, AT 2.15 O’CLOCK AND EVENINGS OF MONDAY, MARCH 5ru, AND THURSDAY, MARCH 8rn, AT 8.15 O’ CLOCK % IEDUSERALTED CATALOGUE OF [fare isk ANI BEAUTIFUL ANTIQUE ART TREASURES MANY OF WHICH CAME FROM THE J. PIERPONT MORGAN, SPITZER, BARDAC, MAURICE KANN AND RODOLPHE KANN COLLECTIONS AMERICAN AND FOREIGN GOLD COINS AND MANY OPERATIC COSTUMES THE PROPERTY OF THE LATE ENRICO CARUSO moran OLD AT UNRESTRICTED PUBLIC SALE BY ORDER OF MESSRS. WISE & SELIGSBERG, ATTORNEYS FOR DOROTHY CARUSO, ANCILLARY ADMINISTRATRIX, AND FOR THE FAMILY OF THE LATE ENRICO CARUSO ON THE AFTERNOONS AND EVENINGS HEREIN STATED foie AMERICAN: ART GALLERIES CATALOGUE BY MISS STELLA RUBINSTEIN, MR. ERNEST GOVETT, MR. SAHIM KOUCHAKYJI, MR. DANA H: CARROLE AND: OTHER AUTHORITIES THE-SALE-TO: BE CONDUCTED BY MR. THOMAS E. KIRBY AND His associaTes, Mr. Orro Berner AND Mr. Hiram H. Parke, OF THE AMERICAN ART ASSOCIATION, Manacers ENTRANCE, 30: EAST 57ru STREET NEW YORK 1923 CONDITIONS OF SALE __I. Rejection of bids: Any bid which is not commensurate with the value of the article offered or which is merely a nominal or fractional advance may be rejected by the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. II. The buyer: The highest bidder shall be the buyer, and if any dispute arises between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. Ill. Identification and part payment by buyer: The name of the buyer of each lot shall be given immediately on the sale thereof, and when so required, each buyer shall ate a card giving the lot number, amount for which sold, and his or her name and address. Payment at the actual time of the sale shall be made of all or such part of the purchase prices as may be required. If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option of the auctioneer be put up again and re-sold. IV. Risk after purchase: Title passes upon the fall of the auctioneer’s hammer, and thereafter neither the consignor nor the Association is responsible for the loss or any damage to any article occasioned by theft, fire, breakage or any other cause. V. Delivery of purchases: Delivery of any purchases will be made only upon pay- ment of the total amount due for all purchases at the sale. Deliveries will be made at the place of sale or at the storage warehouse to which purchases may have been removed. Deliveries at the American Art Galleries will be made only between the hours of 9 A. M. and 1 P. M. on sales’ days and on other days—except holidays, when no deliveries will be made—between the hours of 9 A. M. and 5 P. M. Deliveries at places of sale other than the American Art Galleries will be made only during the forenoon following the day of sale unless by special notice or arrange- ment to the contrary. Deliveries at the storage warehouse to which goods may have been sent will be made on any day other than holidays between the hours of 9 and _5. Deliveries of any purchases of small articles likely to be lost or mislaid may be made a the diseretion of the auctioneer during the session of the sale at which they were sold. VI. Storage in default of prompt payment and calling for goods: Articles not paid for in full and either not called for by the purchaser or delivered upon his or her order by noon of the day following that of the sale will be turned over by the Association to some carter to be carried to and stored in some warehouse until the time of the delivery therefrom to the purchaser, and the cost of such cartage and storage will be charged against the purchaser and the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. NOTE: The Limited space of the Delivery Rooms of the Association makes the above requirements necessary, and it is not alone for the benefit of the Association, but also for that of its patrons, whose goods ote a ag would have to be so crowded as to be subject to damage and loss. VII. Shipping: Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. VIII. Guaranty: The Association exercises great care to catalogue every lot cor- rectly and endeavors. therein and also at the actual time of sale to point out any error, defect or imperfection, but guaranty is not made either by the owner or the Association of the correctness of the description, genuineness, authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error of cataloguing or imperfection not noted or pointed out. Every lot is sold “as is’ and without recourse. Every lot is on public exhibition one or more days prior to its sale, and the Association will give consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly catalogued and in its judgment may thereafter sell the lot as catalogued or make mention of the opinion of such expert, who thereby will become responsible for such damage as might result were his opinion without foundation. ; IX. Buying on order: Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph or telephone will be faithfully attended to without charge or commission. Any purchases so made will be subject to the foregoing conditions of sale except that, in the event of a purchase of a lot of one or more books by or for a purchaser who has not through himself or his agent been present at the exhibition or sale, the Association will permit such lot to be returned within ten days from the date of sale and the purchase money will be refunded if the lot in any manner differs from its catalogue description. : 5 Orders for execution by the Association should be written and given with such nlainness as to leave no room for misunderstanding. Not only should the lot number he given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown to the Association, a deposit should be sent or references submitted. Shipping directions should also be given. Priced Catalogues: Priced copies of the catalogue or any session thereof, will be furnished by the Association at charges commensurate with the duties involved in copying the necessary information from the records of the Association. AMERICAN ART ASSOCIATION, New American Art Galleries, Block of Madison Avenue, 56th to 57th Street, Entrance, 30 Hast 57th Street, New York City. INTELLIGENT APPRAISALS FOR UNITED STATES AND STATE TAX INSURANCE AND OTHER PURPOSES AND CATALOGUES OF PRIVATE COLLECTIONS APPRAISALS AND CATALOGUES. Together with the increase in its exhibition and sales rooms, the American Art Association will expand its service of furnishing appraisements, under expert direction, of art and literary property, jewelry and all personal effects, in the settlement of estates, for in- heritance tax, insurance and other purposes. It is prepared also to supplement this work by making catalogues of the contents of homes or of entire estates, such catalogues to be modelled after the finely and intelligently produced catalogues of the Association’s own Sales. The Association will furnish at request the names of many Trust and Insur- ance Companies, Executors, Administrators, Trustees, Attorneys and private individuals for whom the Association has made appraisements which have not only been entirely satisfactory to them, but have been accepted by the United States Revenue Department, State Comptroller and others in interest. THE AMERICAN ART ASSOCIATION AT ITS NEW AMERICAN ART GALLERIES THE BLOCK OF MADISON AVENUE, 56TH To 57TH STREET ENTRANCE, 30 EAST 57TH STREET NEW YORK CITY 4 ¢ ANCIENT GLASS Interest in antique glass is ever growing, but the supply continues small, and hence the collection of representative pieces is daily found more difficult. The average collector of antiques has usually to be content with a dozen or a score of good examples, and considers himself lucky if among these he has secured two or three specimens of the first order, whether in rarity, workman- ship, or beauty. There are no more Gréau collections to be bought and dis- tributed, and the public museums increase rather than diminish their activities. For these reasons the Caruso assembly of old glass, to be sold piece by piece, will excite eager curiosity among: private collectors. It will be observed that the distinguished singer followed no settled plan in forming his collection, except that he practically confined himself to cabinet examples. He was equally interested in a rare alabastron of ancient Egypt, a superb piece of mosaic work made for a Roman patrician, or a small bowl, once plain, but which hoary time has turned to a thing of brilliant lustre. Among the numerous entourage of the central specimens are found examples of every form, and from every quarter of the known world within range of Roman civilization, while from the earliest to the latest piece some fifty generations of men passed away, for the fall of Troy was recent history when the first was fashioned, and the last was blown when Italy was gasping beneath the weight of Attila. If special attention needs to be called to any of the specimens, it must be to the Egyptian series, and particularly Nos. 238, 248, 590, 593, 640 and 651; and to the mosaic work of Rome in the early Imperial days, of which Nos. 77, 221, 574, 603, 604 and 622 form perhaps the most perfect exam- ples. The Roman specimens are particularly interesting, as the production of some of the colors used, notably the delicate blue (by transmitted light) of No. 622, suggests an advanced knowledge of the chemistry of metals in Imperial Roman times which is not generally credited. | As usual in such collections, there has been considerable difficulty in cata- loguing the works. Comparatively little knowledge of the history of ancient glass is available, and in connection with no country can any definite sequen- tial progress be traced. Even as to the very earliest glass known (save for fragments and beads)—that of the 18th Egyptian Dynasty—the industry seems to have started with the art almost at its summit, while with Rome there appears to have been a sudden leap about the time of Augustus, from the imported Alexandrian toilet ware to the superb mosaic work which represents the highest pinnacle ever reached in the art. Moreover, except in a few of the outlying provinces, the locality where the specimens were discovered by no means necessarily indicates the place of their manufacture. For instance, Egyptian glass is found in Greek and Roman tombs, and numerous pieces, unquestionably made in Gaul, are dug up in Syria and Byzantium. These and other difficulties had to be overcome by taking advantage of the records, and by adopting a grouping system when possible, but in many cases the period assigned to the Roman provincial works is necessarily approximate. In the case of Egyptian glass, though it is rarely possible to fix the precise dynasty to which an early piece belongs, there are certain indicators which enable a fairly accurate broad division to be made; these indicators being the colors used, the shapes of the articles, and the technique. Relying upon these points, all the Egyptian examples of the period B.C. have been divided into three sec- tions: namely, from the 19th to the 21st Dynasty; from the 22nd to the 30th Dynasty (including in the latter the short Ochus period) ; and the Ptolemaic epoch. Nevertheless, it must not be forgotten that there are two distinct groups of Egyptian glass belonging to the Ptolemaic period, the first executed more or less in the manner of the very ancient ware, and the second correspond- ing with this only in general shape and style, the details as to colors and finish varying largely. The objects in the second group are sometimes called Roman imitations of Egyptian ware, but this is denied by the chemical nature of the colors used in the known Roman work, and by other facts, and practically alli the heavy alabastron and ampulla types with dragged patterns must be as- signed to Egypt, though those of the second group referred to were probably made at Alexandria, mostly for export. Other than these, examples of obvious Alexandrian origin are so described. EK. Govetr. e e e e e e e e e e ° e e e e e ® e ® e e e e e se e e e e e e e e e e e e e ° e e e e e e e ® e e e THe AMERICAN ART ASSOCIATION MANAGERS SALE AT THE AMERICAN ART GALLERIES ART TREASURES Collected by the Late ENRICO CARUSO Afternoons of March 5 to 8 (inclusive) and Evenings of March 5 and 8, 1923 To save time and to prevent mistakes each Purchaser will oblige the Managers by filling in this slip and handing it to the Record Clerk or Sales Attendant on making the first purchase. Purchaser’s Name Address in Full—_— Amount of Deposit- FIRST AFTERNOON’S SALE MONDAY, MARCH 5, 1923 IN THE ASSEMBLY HALL OF THE AMERICAN ART GALLERIES BEGINNING AT 2.15 O'CLOCK Catalogue Numbers 1 to 255, inclusive GREEK AND ROMAN GLASS, DATING FROM 200 B.C. TO THE FIFTH CENTURY A.D. 1—Smatut Brown Guass Bown Roman, First Century A.D. Oo With purple and blue iridescent surface. . Height, 1% inches. 2—Smatu Bowt Roman, Second Century A.D. 3 ©, With light rib markings; fine iridescence. : Height, 21, inches. 3—Smatu Heavy Bown Roman Provincial, Third Century A.D. AY With ribbed surface decomposed to a brilliant green. Height, 21% inches. 4—SmatL Heavy Bowx Roman Provincial, Third Century A.D. SIS. Decorated with molded diaper pattern; fine iridescence. Height, 2%, inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 5—Smatt Bow. Roman Provincial, Fourth Century A.D. So _ With brilliant iridescence. Height, 2%, inches. Smatt Licut Jue witH Biur Hanne Roman Provincial (Normandy), Fourth Century A.D. Ve Decorated with blue bands and beads in relief. 6 Height, 21% inches. 7—Pair oF PERFUME BotTrLeEs Syrian, Fourth Century A.D. /bo. Molded in the form of dates. Height, 21 inches. 8—Licut BottT Le Roman Provincial, Third Century A.D. £5, Decorated with bars and beads. Iridescent. Height, 23/4, inches. 9—Smatit VasE Syrian, Fourth Century A.D. We: With molded heads; fine iridescence. Height, 21, inches. 10—Smatut Brive Grass Borrie Roman, Third Century A.D. 30. Iridescent. ; Height, 234 inches. 11—Smartt Wuire Iripescent Vase Roman Provincial (Danube), Fourth Century A.D. 28, Decorated with drawn points. Height, 214 inches. 12—AmpuLia IN DeEep Buive Egyptian, Ptolemaic Period WE. Decorated with black lines and yellow zigzag on white. Height, 234 inches. 13—Smauu Vase Egyptian, Ptolemaic Period With reddish ground. Decorated with yellow bands, and blue and white 40, light drag pattern. Height, 2 inches. 14—ViaL StTanp Roman, Second Century A.D. 40 In iridescent bluish glass. Height, 2%, inches. 15—Smatut Bowni Roman Provincial, Fourth Century A.D. bo. With surface decomposed to an iridescent white. Height, 21/, inches. 16—Smatt Buvurt Guass Jue Roman Provincial, Fourth Century A.D. 4S. With white handle; body ribbed. Height, 2%/, inches First Afternoon 17—ALABASTRON Egyptian, Twenty-second to Thirtieth Dynasty b eo In yellow glass; decorated with white and dark zig- "gag drag pattern. Height, 31% inches. (Illustrated) 18—Smartu Bown Roman, Second Century A.D. 20 In blue glass. ; ; Height, 21/, inches. 19—Buve Guass Botrrte Roman, Third Century A.D. ed ae Slightly iridescent. 17 , Height, 21% inches. 20—SMALL JAR Roman Provincial, Third Century A.D. 40 With brilliant iridescence. ; Height, 2%, inches. 21—SmaLu Jar Roman, Second Century A.D. AS. With surface decomposed to brilliant iridescence; neck ribbed. Height, 234 inches. 22—SmatuL Buvue Guass BorrteE Roman Provincial, Third Century A.D. 20 Iridescent. a Height, 2% inches. 23—-Smatut BotTTLe Roman, Second Century A.D. bo In white opaque glass, with blue surface. . : Height, 21%, inches. 24—Smatut Bow. Roman Provincial (Danube), Third Century A.D. Le With brilliant iridescence; decorated with pinched points. Height, 21, inches. 25—Turee MisceLLtaneous PiEecEs S$. Glass bowl; jug with spout; pair handles for an ampulla. (Damaged.) Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 26—Bow.u or Drrer Brown Gtuass Roman, First Century B.C. 2So. Decorated with diagonal dragged inset lines; fine iridescence. Height, 234 inches. (Illustrated) 27—SMatu InpENTED VASE Roman Provincial, Fourth Century A.D. IS, With serpentine decoration round neck. Height, 3 inches. 26 28—Smatyt Vase Roman Provincial (Rhine), Fourth Century A.D. /S . With serpentine decoration. Height, 34, inches. 29—Smatu Botte Roman Provincial (Rhine), Fourth Century A.D. J . With pinched decoration. Inidescent. Height, 334 inches. 30—Smatyt Jar Roman, Third Century A.D. oo) oO Fine iridescence. . Height, 3% inches. 31—Bow.u Roman Provincial (Rhine), Fourth Century A.D. Sys Decorated with plain and zigzag threads in relief; blue ribbon loops. Height and diameter, each 3%4 inches. 32—Jue Egyptian, Ptolemaic Period fo In blue glass; decorated with yellow threads and white drag pattern in 9 relief. Height, 33, inches. 33—SMALL JAR Roman Provincial, Fourth Century A.D. ©. With indented body. Ividescent. Height, 31, inches. 34— Asxkos Roman Provincial, Fourth Century A.D. J/%S- Varied into modern teapot shape. Iridescent. Height, 3%, inches; diameter, 3 inches. (Illustrated) 35—OpaauE WuitE Botrie Palestine, Fourth Century A.D. 4 0. With hexagonal body, bearing molded vases in relief, Height, 3 inches. 36—Brown Guass Botrrue Syrian, Third Century A.D. iS - With molded decorations; iridescent. Height, 3 inches. First Afternoon 37—Smatt Biuer VIAL Roman Provincial, Third Century A.D. )2. S © Decorated with white bands, inset. Height, 3% inches. 388—ALABASTRON Egyptian, Ptolemaic Period 20 In blue glass; decorated with white and yellow feather pattern. Height, 31% inches. 39—Smatu Licutr Juc Roman Provincial, Fourth Century A.D. Zo, With wide ribs on body; iridescent. Height, 334 inches. 40—Buve Grass BorrLe Palestine, Fourth Century A.D. ISO With hexagonal divisions containing molded vases, etc., in relief. Height, 3 inches. 41—Buve Grass Bottle Roman, Second Century A.D. 40 With white rim; iridescent. Height, 3 inches. 42—BorTrTrLe Roman Provincial, Fourth Century A.D. 30 Decorated with bands and zigzag, and ribbon loops. Height, 31% inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 43—BorriLe Roman Provincial (Danube), Third Century A.D. With bowl body and short neck; decorated with pinched points on ribbon in relief. Height, 3 inches. (Illustrated) 44—BorrT Le Syrian, Fourth Century A.D. ie With body formed of two molded heads, the “©. surface decomposed to blue. 43 Height, 3 inches. 45—SMa.LuL BotrTLe Syrian, Fourth Century A.D. L5- In imitation of stone; body formed of two molded heads. Height, 3 inches. 46—BotTrLe Palestine, Fourth Century A.D. With light blue surface, the body hexagonal with molded vases on the 7/0. sides. Height, 3 inches. 47—SmMaL.L Totter FuasKx Roman Provincial, Third Century A.D. XS. With molded designs. Height, 31% inches. 48—Tacur Borrite Roman Provincial (Normandy), Fourth Century A.D. 3, With ribbon handle and decoration. Height, 3%, inches. 49—VasE in CLEAR GLaAss Syrian, Third or Fourth Century, A.D. — With surface decomposed to white, with bright iridescence. Body ©- molded with diaper pattern. Height, 3% inches. 50-—-Smatu BotrLe Syrian, Fourth Century A.D. eS With the body formed of two molded heads; iridescent. ° Height, 3 inches. First Afternoon 51—F uasxk Roman Provincial, Fourth Century A.D. 5 In light brown glass; iridescent. d Height, 33/, inches. 52—Bow.u Roman Provincial (Rhine), Fourth Century A.D. 80. In brown glass, decorated with a zigzag neck guard. Height, 3 inches. 53—Smautui VAsE Roman, Second Century A.D. Zo In blue glass; iridescent. , Height, 31%, inches. 54—_ AMPULLA Egyptian, Ptolemaic Period 50 In thick dark blue glass; decorated with drag pattern, and sunken * threads. Height, 334, inches. 55—Cuear Guass VASE Roman Provincial, Fourth Century A.D. 4s, With molded diaper design. Good iridescence. : Height, 31%, inches. 56—Smauu BotTtTLe Syrian, Fourth Century A.D. Fo With body molded to represent a pineapple. Inidescent. : Height, 33/4, inches. 57—Roman Jue Roman, about Third Century A.D. eee Iridescent glass. BOR AA 58—Green Grass VIAL Roman Provincial, Fourth Century, A.D. J2,SoWith grooved body ; iridescent. RS, 59—Smatt Bive VaAsE Roman Provincial, Third Century A.D. cue With body ribbed. Ividescent. er eH 60—Tvuse Fiask Roman Provincial, Fourth Century A.D. MS. Decorated with spiral threads in relief. aces 61—Smauu Fuask Roman Provincial, Fourth Century A.D. i ! brilliant red and purple. ie Go With surface decomposed to a bruliant r purp see Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 62—Drinxine Guass Alexandrian Second Century A.D. Wy With skeleton feather pattern in partial relief ; re) > ribbon loops. Height, 31%, inches. (Illustrated) 63—CiEaR Grass Jar Roman Provincial, Fourth Century A.D. 3o, With surface decomposed to white; iridescent. Height, 314 inches. 64—Toiter Borrie Roman, Third Century A.D. 4A O In brown glass; decorated with spiral white threads in relief ; iridescent. Height, 31% inches. 65—Smauu Borrie Roman, First Century A.D. g Oo In onyx ware; blue with light drag pattern. : Height, 31%, inches. 66—Smatut Buve Guass Borrie Roman, Second Century A.D. ee Iridescent. Height, 31% inches. 67—Smatu Borris : Syrian, Fourth Century A.D. / 2,80 n brown glass, with hexagonal body bearing molded designs. Height, 31% inches. 68—Brown Grass Jar Roman, Third Century A.D. cee With molded ball decoration. Height, 3%, inches. First Afternoon 69—Tuick Brown Bown Alexandrian, First Century A.D. oo if ©- Decorated with blue and white dragged lines. Slightly iridescent. Height, 3 inches. (Illustrated) 70—BottTLe Syrian, Fourth Century A.D. EVs With body formed of two molded heads; slightly iridescent. 69 Height, 4 inches. 71—Borrie wirH Rispep ParrEerNn 3 Roman Provincial, Fourth or Fifth Century A.D. White handles; iridescent. Height, 414 inches. 72—SMALL Fuaskx Roman, Third Century A.D. 2O Iridescent. Z Height, 414 inches. 73—TortetT Jar Roman Provincial, Third Century A.D. i With diagonal ribs; iridescent. 0. : Height, 434, inches. 74—Parr or Toiter Borries Syrian, Fourth Century A.D. Jo Molded in imitation of dates; iridescent. / 75—Toret Borris Syrian, Fourth Century A.D. — Molded in imitation of a date. NS. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 76—Toitet BotrrLe Roman, Second Century A.D. 7S. Ring pattern; decorated with lightly dragged white bands. Brilliant iridescence. Height, 4 inches. (Illustrated) 77— Bow. Syrian, Fourth Century A.D. Molded with geometrical designs; brilliant irides- /20. cence. Height and diameter, each 4 inches. 76 78—ALABASTRON Egyptian, Ptolemaic Period 3 In deep blue; decorated with spiral white bands and white feather pattern. Height, 4 inches. 79—Syrian LexyTHOs Fourth Century A.D. RS With ribbon decoration ; iridescent. z Height, 434, inches. 80—Licutr Drinxine GLass Roman Provincial, Fifth Century A.D. /Oo. With pear and bead molding. Invidescent. Height, 41, inches. 81—AmpuLia Egyptian, Ptolemaic Period O Dark blue ground with yellow bands, and yellow and brown zigzag in Z * light blue. Height, 2% inches. 82—Syrian LexyTHOos Fourth Century A.D. 20. Decorated with spiral threads in relief. Height, 41%, inches, First Afternoon 83—Syrian LekytHos Fourth Century A.D. Zo. Decorated with heavy threads in relief. Height, 4 inches. 84—StenvER Torter BotrtTie Roman Provincial, Third Century A.D. ER In clear glass, with bright iridescence. Height, 414 inches. 85—Curear Guass Jar Roman, Third or Fourth Century A.D. Jo . With surface decomposed to brilliant iridescence. Height, 4 inches 86—Cuiear Guass Friasx Roman Provincial, Fourth Century A.D. Ta Iridescent. Height, 4°/, inches. 87—BotrLe Roman, Second Century A.D. A In light blue glass, with ribbed body; surface lightly dragged; irides- S. cent. Height, 4 inches. 88—Licut Brown Botrie Roman Provincial, Fourth Century A.D. BAG: With neck decorated with white threads in relief ; iridescent. Height, 4 inches. 89—-BivrE Guass Borrie Roman, First Century A.D. y) So With long neck. 7, Height, 4% inches. 90—Smat.L Borrie Roman Provincial, Second Century A.D. vA In onyx ware; blue, with light flourishes. oO. Height, 21%, imcehes. 91—Smaut Licut Bown Roman Provincial, Fourth Century A.D. With indented body; iridescent. Ms. : Height, 21, inches. 92—AMPULLA Egyptian, Ptolemaic Period AR Dark blue ground, with spiral yellow bands, and yellow and brown zig- zag on blue. Height, 2% inches. 93—OINoCcHOE Egyptian, Twenty-second to Thirtieth Dynasty 45 . Deep blue ground, with white inset threads. Iridescent. je Height, 2% inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 94—Syrian LekyTHOs Fourth Century A.D. PAS With ribbon decoration. Fine iridescence. Height, 4 inches. (Illustrated) 95—AMPULLA ) Egyptian, Twenty-second to Thirtieth 4p Dynasty Dark blue ground, with yellow bands, and yel- low and light blue zigzag markings. Height, 234 inches. 96— Bown Roman Provincial, Fourth Century A.D. With surface decomposed to bright green. Height, 214, inches. 94 9'7—AMPULLA Egyptian, Ptolemaic Period 20 Dark ground, with white zigzag lines. F Height, 2 inches. 98—Smauu Licut BotTLEe Roman Provincial, Fourth Century A.D. ke Molded to imitate a bunch of grapes. Height, 234 inches. 99—Bowu Roman Provincial (Rhine), Fourth Century A.D. LO . With zigzag ribbon decoration and blue zigzag band. Height, 2%, inches. First Afternoon 100—Smatt Brown Bown Roman Provincial, Fourth Century A.D. UD With iridescent surface. . Height, 2%, inches. 101—Smatt Bown Roman Provincial, Fourth Century A.D. Vie With very brilliant iridescence. Height, 2% inches. 102—Smatt Brown Bortrrie Roman, Second Century A.D. 20 Slightly iridescent. : Height, 234 inches. 103—Smaui Vase Syrian, Fourth Century A.D. RG With molded decoration ; iridescent. z Height, 21% inches. 104—ARYBALLOS Roman, Second Century A.D. JSS, In deep blue glass ; iridescent. 5 Height, 2°, inches. 105—Roman Smartt Buack JAR Roman Provincial, about Third Century A.D. 30. With three handles; decorated with three cameos. Height, 214 inches. 106—Smatt Bown Roman, about Second Century A.D. With grooved body; brilliant iridescence. 20 7 5 Z Height, 2°/, inches. 107—Syrian Buve Toretr Borris Syrian, about Third Century A.D. With molded panels. jo: Height, 214 inches. 108—Licut Brive Borrie Roman Provincial, about Fourth Century A.D. With black handles; iridescent. Jo. Height, 2% inches. 109—Smatt Bow. Roman, First Century A.D. 3 Black glaze. . Diameter, 21/, inches. 110—Smatt Bown Roman, about Third Century A.D. With brilliant iridescence. é or Height, 2 inches. 111—Pam or Smart WuitE Curs Roman, First Century A.D. JIO. Diameter, 24%, inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 112—Smartt Moupep Jar Roman, Second Century A.D. ep In bright blue. 4) Ox Height, 21% inches. 113—Pair or Rives Alexandrian, about First Century A.D. 3S. In alternate black and white plates. Diameter, 21, inches. 114—Smatut Borris Roman, Second Century A.D. 2S . With fine iridescence. Height, 234 inches. 115—Smatit Crear Guass Jue Roman, First Century A.D. Be With surface decomposed to bright blue; iridescent. . Height, 3 inches. 116—Licut Buive BotTrTie Alexandrian, Second Century A.D. 240 _ With pinched decoration. Height, 31%, inches. 117—Smaxtt Botte Roman, First Century A.D. Ao, In onyx ware; blue with light blue dragged flourishes. Height, 3 inches. 118—Smatut Bivur Hexaconat Borris N Roman Provincial, Fourth Century A.D. OQ. With sides molded in geometrical designs. Height, 314 inches. 119—Brown Guass Vase Roman Provincial, Third Century A.D. SO. With zigzag ribbon decoration; surface decomposed to bright irides- cence. Height, 3 inches. 120—VasE Roman Provincial, Third Century A.D. Vine With molded diaper pattern on body; surface decomposed to an even iridescent white. Height, 31 inches. 121—Buve Guass Botte Alexandrian, Second Century A.D. /5. With oval ribbed body ; iridescent. Height, 31, inches. First Afternoon 122—BotTLE Roman, First Century A.D. aor In imitation of variegated agate. Height, 334, inches. (Illustrated) 123—BottTLe Roman Provincial, Third Century A.D. 28° With body molded in ball pattern; surface de- composed to light iridescence. Height, 3 inches. 124—Smatt Vase Roman Provincial, Third Century A.D. Le With four handles; surface decomposed to light iridescence. Height, 314, inches. 125—BottT Le Roman, Third Century A.D. 4. a In greenish glass; decorated with pinched bands; brilliant iridescence. ; Height, 31/4, inches. 126—Bow1 Roman Provincial, Fourth Century A.D. 2o. Im green glass; decorated with green threads in relief, and ribbon loops. Height, 314 inches. 127—Curear Bownr Roman Provincial, Fourth Century A.D. WAS Decorated with rings of thread in slight relief ; body indented. Height, 31, inches. 128—Bowu Roman Provincial, Third Century A.D. With surface decomposed to a bright green; molded diaper pattern. /ae. | Height, 344, inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 129—Licut BrownisH VaAsE Roman Provincial (Rhine), Fourth Century A.D. }3, With ribbon handles and band in blue. Height, 314 inches. 130—Brown Guass Bowr Roman Provincial, Third Century A.D. /S . With indented body; light iridescence. Height, 334, inches. 131— Bow Roman Provincial, Third Century A.D. JOq@. Molded with diaper pattern, the surface decomposed to a brilliant green. Height, 3 inches. 132-——Drinxine Cup Roman Provincial, Third Century A.D. JS. Of greenish glass; surface decomposed to bright iridescence. Height, 314, inches. 133—Brown. Guass InDENTED Bown Roman Provincial, Third Century A.D. 20. With light iridescence. Height, 31/, inches. 134—Drinxine Cup Roman, Third Century A.D. 20. Wn greenish glass, with light iridescence. Height, 31%, inches. 1385—Criear Grass Bow. Roman Provincial (Normandy), Fourth Century A.D. 20, Decorated with ribbon loops, and rings and zigzag threads in relief. Height, 31/, inches. 136—-GreEN Grass Cyiinpricat Bow. Roman, Fourth Century A.D. 7S. With rim. Diameter, 81%, inches. 137—BottLE Roman, First Century A.D. 2@. In onyx ware; dark brown with white flourishes inset. Height, 3 inches. 138—Crear Borris Roman Provincial, Fourth Century A.D. Ya: With surface decomposed to light iridescence. a: Height, 33/4 inches. 139—Borrie Syrian, Fourth Century A.D. / Oo. ™ blue with light molded designs. ; Height, 3%, inches. First Afternoon 140—Cup Roman Provincial, Third Century A.D. ys With inverted cup base and three handles; surface decomposed to bright iridescence. Height, 3 inches. 141—BortrLe Roman Provincial (Rhine), Fourth Century A.D. fb. Of greenish glass; decorated with threads and zigzag in relief. Height, 3°34 inches. 142—Bow. Gaul, Fourth Century A.D. Ge In light glass; decorated with ribbon loops and zigzag threads; irides- cent. Height, 31%, inches. 143—Drinxine Guass Roman, Third Century A.D. JS. With iridescent surface. Height, 34, inches. 144—Drinxine Guass Roman, Fourth Century A.D. ne: Sa. With iridescent surface. Height, 3 inches. 145—Parr or Green Grass Tomer Disnes es : Roman Provincial, Fourth Century A.D. Inverted bell shape. Height, 31/, inches; diameter, 5 inches. 146—Smati VasE Roman Provincial, Fourth Century A.D. 2o _ Of clear glass, with a greenish surface molded in diamond diaper pattern. Height, 3%, inches. 147—-Ciear Guass VasE Syrian, Fourth Century A.D. XK is With the body formed of two molded heads; iridescent. Height, 334 inches. 148—Tortet Juc Roman, Third Century A.D. 3S, im greenish glass, with dark surface. K Height, 31% inches. 149—Brown Jue Syrian, Fourth Century A.D. Jo: With molded decoration. : Height, 31% inches. 150—Ot1nocHOE Roman, First Century A.D. In brown glass, with the surface decomposed to a fine green and varie- 7°: gated iridescence. Height, 3%4 inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 151—Inwescent PERFuME FLask Roman Provincial, Fourth Century A.D. VO: Of light glass. Height, 31, inches. 152—Smatu PERFUME FLAskK Roman Provincial, Fourth Century A.D. eee Of light glass; iridescent. Height, 3 inches. 153—Darx Gray Fuasx with SHort, Narrow Neck ¥- Alexandrian, Second Century A.D. o Height, 3 inches. 154—Toretr Borr.e Roman Provincial, Third Century A.D. Tae With brilliant iridescence. : Height, 3 inches 155—A Moupep Heap Probably Late Gaulish JS. Nearly solid. 156—Eecyptian Amputta Egyptian, Twenty-second to Thirtieth Dynasty 3o Black ground, with decorations of yellow bands and white zigzag markings. Height, 21 inches. 157—Smauru Botrie Roman Provincial, Fourth Century, A.D. J? §o Brown glass. 7 xo. Height, 24% inches. 158—Smatu Borris Palestine, Third Century A.D. b Decorated with molded heads. Surface decomposed to a fine blue. O.. Height, 31, inches. 159—Derrr Rep Borrie Syrian, Third Century A.D. ‘To With black enamel surface; hexagonal body, each side having a head ' molded in relief. Height, 3 inches. 160—CiEar Giass JucG Syrian, Fourth Century A.D. OS. With formal molded decoration. j Height, 41, inches. 161—CurEar Grass Jue Roman, Third Century A.D. 4-5. With bright iridescence. Height, 434 inches. First Afternoon 162—Jue wirn Contracted Lip Roman Provincial, Third Century A.D. 2O In clear glass, with blue handle; iridescent. : Height, 4%, inches. 163—Licur Jue Roman Provincial, Fourth Century A.D. JO. With surface faintly iridescent. Height, 41% inches. 164—Jue with Rispep SurraceE Roman Provincial, Third Century A.D. es Decomposed to brilliant iridescence. 3 Height, 41% inches. 165—Totrer Fiask Roman, Third Century A.D. JS. Xn clear glass, with iridescent surface. Height, 4 inches. 166 m O. Iridescent. SmaLyt Guass Disu Roman Provincial, Fourth Century A.D. Diameter, 41/, inches. 167—Licur Guiass Jar Roman Provincial, Fourth Century A.D. J$. With the surface decomposed to light green. Height, 434, inches. 168—Drinxkine Gass Roman Provincial, Third Century A.D. Dat Of greenish hue; iridescent. Height, 4 inches. 169—F ask with TusE Spovur Roman, Fourth Century A.D. J. ridescent. 170—Drinxine Guass Roman, Second Century A.D. 20. With the surface decomposed to an iridescent white. Height, 41, inches. Height, 414 inches. 171—Drrxine Gass Roman, Third Century A.D. 7 With bright green surface. ’ Height, 4 inches. 172—Smauut Guass Basin Roman Provincial, Third Century A.D. Uae With surface decomposed to brilliant green. ‘ Diameter, 414 inches. 173—Cuirar Grass Bow. Roman Provincial, Third Century A.D. Decorated with spiral threads, the surface decomposed to brilliant iri- 2 So - descence. Height and diameter, each 41, inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 174—GREEN Guass VASE Roman, Second Century A.D. Le With body ribbed; slightly iridescent. ‘ Height, 4°, inches. 175—Buve Borris Palestine, Fourth Century A.D. g With hexagonal body, the sides bearing molded vases, etc. ou Height, 4 inches. 176—Drinxine Guass Roman, First Century A.D. 3 With surface decomposed to light green; iridescent. : Height, 4 inches. 177—Smatzt PuatTEe anp Bown Roman Provincial, First Century A.D. 152 In ancient glass. (Damaged.) 178—Terra-cotta Lamp Gaul, Second or Third Century A.D. en With green glaze. 180—Roman Smart Botrie Roman, First Century A.D. 34. With light blue ground, and white irregular bands. Fine iridescence. Height, 3 inches. 181—Smatu Two-HanvLEeD BotTLe Roman, Third Century A.D. ) 5. Of iridescent brown glass. Height, 3 inches. 182—-Smatut GreeEenisH Guass JuG Roman Provincial, Third Century A.D. Lo. With ribbed body ; iridescent. Height, 3 inches. 183—Smatut BorrLe wirh Hexaconat Bopy Palestine, about Third Century A.D. /4 0, The sides decorated with molded vases ; iridescent. Height, 3 inches. First Afternoon 184—Smauu Iripescent Botrrie Probably Gaulish, Fourth Century A.D. J#0. In a glass basket carried by a fantastic horse. Height, 41% inches. (Illustrated) 185—Eeyptian OrnocHoEr Egyptian, Ptolemaic Period Fo. Black ground, decorated with green and yellow zigzag markings. Height, 314, inches. 186—Smatu Brown Frasx Roman Provincial, Fourth Century A.D. 15~ Decorated with indented square diaper. 184 Height, 334, inches. 187—Licut Guass Fiask Roman Provincial, Third Century A.D. IS. Decorated with irregular diaper pattern. Height, 3%, inches. 188—Smat.ut VasE Roman Provincial, Fourth Century A.D. JS. (n brown glass ; iridescent. Height, 3%, inches. 189—Iriwescent Tower Jvc Roman, Second Century A.D. 2d So With trefoil spout. : Height, 3°4 inches. 190—Bow.u Roman, Third Century A.D. Decorated with pinched ribs, the surface decomposed to a brilliant iri- JFO- 4 escence. Height, 41% inches, 191—Brown Bow. Roman, Third Century A.D. 43. With brilliant iridescence. Height, 3 inches. 192—. Jar in GREEN GLASS Gaul, Third or Fourth Century A.D. J60 Decorated with pointed buttons; rich iridescence. : Height, 44% inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 1983—AMPULLA Alexandrian, First Century A.D. Joo. Inblue glass with ribbed body. Height, 41/4, inches. 194_BotTTLE Roman Provincial, Third Century A.D. In pink glass with body ribbed; slightly iridescent. JS. Height, 44, inches. 195—AMPULLA Alexandrian, First Century A.D. Jbo. In blue glass; surface decomposed to a light tone; iridescent. Height, 41. inches. 196—AMPULLA Roman, Second Century A.D. ig ean blue glass, with dark iridescence. t, ; Height, 41, inches. 197—Onyx Botrie Roman, First Century A.D. — In blue, with light drag flourishes. JOS - Height, 4 inches. 198—AMPULLA Roman, First Century A.D. J2 In blue glass, with body ribbed. Dark iridescence. O. Height, 4%, inches. 199— Botte Roman Provincial, Third Century A.D. With brown ground and ribbed body, the surface decomposed to bright ye o- green. Height, 4 inches. 200—BotrTLE Roman Provincial, Third Century A.D. i With brown ground, the surface decomposed to a brilliant light irides- ee cence: Height, 4 inches. 201—Smatut PerrumEe Fuask Roman, Second Century A.D. bo With brilliant blue surface. ; Height, 4 inches. 202—Vasr witH SpueEricaAL Bopy Roman Provincial, Third Century A.D. /40 Decorated with molded geometrical designs. : Height, 4 inches. 203—BorrTLe Roman Provincial (Danube), Fourth Century A.D. ra With body decorated with pinched points. Dark iridescence. Height, 4 inches. First Afternoon 204—A Guass Pic Alexandrian, First Century B.C. Jbo Probably a satirical representation of the Egyptian god Set. Length, 6 inches; height, 3%4 inches. 205—SLenvER Brown Guass PERFUME Botrie > Roman Provincial, Third Century A.D. ° Decorated with inset white bands. Height, 5 inehes. 206—Two-HANDLED Tortet BotrLue So Roman Provincial, Fourth Century A.D. da. Iridescent. Height, 51 inches. 207—AMPULLA Egyptian, Ptolemaic Period ge Blue ground, decorated with white threads and skeleton feather pattern. ’ Height, 534 inches. 208—Syrian LEkyTHOs Fourth Century A.D. I. So In greenish glass, decomposed to bright blue, decorated with threads in j relief. ; Height, 5% inches, 209—AMPULLA Egyptian, Ptolemaic Period In blue glass, decorated with spiral white threads on neck and base, and JOS. white drag thread pattern on body. Height, 514 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 210—-Batsam Fuask Roman Provincial, Fourth Century A.D. ps In clear glass; iridescent. : Height, 5 inches. 211—Prrrume TvusBE Roman, Third Century A.D. SRG With surface decomposed to green. : Height, 51%, inches. 212—Drinkine Guass Roman Provincial, Fifth Century A.D. 3, In hght green, with molded grooves. : Height, 514 inches. 213—Juc 1n BrownisH Guass Roman, Second Century A.D. vale With surface slightly dragged; iridescent. : Height, 514 inches. 214—Jue Roman Provincial, Fourth Century A.D. J2, Se Of greenish glass, with iridescent surface. : Height, 514, inches. 215—AMPULLA Egyptian, Ptolemaic Period 4 In dark ground; neck with spiral yellow threads in relief; body in white © feather pattern. Height, 514, inches. 216—AMPULLA Egyptian, Ptolemaic Period eS In dark blue, with green handles; neck decorated with thick yellow /5 O threads, and body with white and yellow drag pattern. Height, 534, inches. 217—AMPULLA Egyptian, Ptolemaic Period Oe The neck decorated with white spiral thread, and the body with feather pattern and dragged lines. Height, 5 inches. 218—AMPULLA Egyptian, Ptolemaic Period Wie Dark ground, with neck decorated with yellow bands, and the body with "irregular feather pattern in white. Height, 51% inches. 219—AmPuLLa Egyptian, Ptolemaic Period ee With dark ground; neck decorated with yellow spiral threads, and the ~ body with yellow dragged lines. Height, 51% inches. 220—WineE Cup Roman Provincial, Third Century A.D. 50. In greenish glass. Height, 5 inches; diameter, 7 inches. First Afternoon 221—Mitterior1 Bown Roman, First Century A.D. ys VA Ga With red preponderating tone. Diameter, 51/4, inches. 222—VasE Roman, First Century A.D. In greenish glass, the bowl ribbed; surface decomposed to brilliant iri- Cie descence. Height, 5 inches; diameter, 4 inches. 223—Borrie Roman Provincial (Rhine), Fourth Century A.D. ee In light green glass; body indented, and neck decorated with threads : in relief. Height, 5 inches. 224—Crirar Guass Fuask wirh Lone Necx Roman, Third Century A.D. 2 1p) Iridescent. : Height, 61% inches. ~ 225—Two-HANDLED PERFUME FLask Roman Provincial, Third- Century A.D. Jo. Slightly iridescent. Height, 5 inches. 226— AMPULLA Roman Provincial (Normandy), Third Century A.D. C 0 With grooved body; neck decorated with threads; brilliant iridescence. Height, 61% inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 227—CriEar Guass FiLAsk Roman, Third Century A.D. JO With pear-shaped body; slightly iridescent. ‘ Height, 81% inches. 228—Ovat DisH Roman Provincial, Fifth Century A.D. Ls In clear glass; iridescent. oe 91, by 6% inches. 229—Crmar Gass Borris Roman, Second Century A.D. 40 : Iridescent. 230—VasE ee Roman Provincial, Fourth: Century A.D. 35, Of clear glass; iridescent, Height, 714 inches. Height, 834 inches. 231—FuNEREAL JAR Roman, First Century A.D. 2 In greenish glass; iridescent. OO. Height, 11 inches; diameter, 9 inches. 232—Batsam F1ask Roman Provincial, Third Century A.D. Jo In greenish glass, with blue handles ; ribbed. 5 : Height, 6, inches. 233—Syrian LexyTHos Fourth Century A.D. In light green glass; iridescent. JS. gnt £ : Height, 61 inches. 234—Syrian LexytuHos Fourth Century A.D. 29.80 In light green glass; iridescent. : Height, 6 inches. (Illustrated) 235—Syrian LexytTHos Fourth Century A.D. ,7So With triple arch handle, decorated with threads in relief. Bright iri- | descence. Height, 61/4, inches. (Illustrated) 236—Buvr Guass BatsaAm JuG Alexandrian, First Century A.D. 4S. With surface slightly iridescent. : Height, 634 inches. (Illustrated) ‘HV AWQINAD HLUNOT AHL JO IHLAMAT NVIYAG—CEZ-HEZ ‘SON CAV fanquan 18.447) Dap WSIVG SSVI FATY NVIMGNVXATY—9gZ ‘ON S&S 9&6 VES Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 237—-THREE-HANDLED VASE Roman Provincial, Fourth Century A.D. 70 In light glass, with body grooved; iridescent. arta, Height, 7%, inches. 238—AMPULLA Egyptian, Ptolemaic Period In dark blue, the neck decorated with wide spiral threads in slight relief, Jo. and the body with dragged sunken lines. Handles greenish. Height, 7 inches. 239—FuNEREAL JAR Roman, First Century A.D. JOO. In greenish glass ; iridescent. Height and diameter, each 714 inches. 240—Roman Borrie Roman Provincial, Third Century A.D. 30 With long neck; iridescent. . Height, 8 inches. 241—Licur Frask with Lone Neck Roman Provincial, Fourth Century A.D. JO. Iridescent. Height, 7 inches. 242-—BorrLe Roman Provincial (Rhine), Fourth Century A.D. J5a In greenish glass, with ribbon decoration in blue. Height, 7%, inches. 243—Juc Roman Provincial, Second Century A.D. 32 So In clear glass, with iridescent surface. ; Height, 7 inches. 244—Darkx Brive Batsam Frask Alexandrian, First Century A.D. The body formed of the molded head of a girl. 6/0. Height, 71/, inches. (Illustrated) 245—AMPULLA Roman Provincial, Fourth Century A.D. ¢ In light glass, the neck decorated with threads in relief; bright green handles. Height, 914 inches. (Illustrated) 246—Jue Roman Provincial, Third Century A.D. 2 Inlght glass, ribbed diagonally ; iridescent. Height, 91/, inches. (Illustrated) ‘a'V SHIUOINAY) HLYOOY aNV GuIHT, “LSU GHL JO SSV¥TX) TVIONIAOUd NVWOY GNV NVIYONVXATY SVG PVG 9TG Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 24°7—V AsE Roman Provincial, Fourth Century A.D. _. In clear glass; iridescent. JS 2 Height, 61% inches. 248—ViAL Alexandrian, First Century B.C. igs In thick blue glass, with body squared and tapered. Iridescent. oO Height, 6%, inches. 249—ALABASTRON Roman, Second Century A.D. — Inclear glass, with iridescent surface. ibe Height, 6%, inches. 250—Iriwescent VASE Gaul, Third Century A.D. Ws The neck decorated with threads in relief. (ee Height, 61% inches. 251—Syrian LexyTHos Fourth Century A.D. 9 ss In light green glass, with large handle; decorated with threads in relief. /. : Height, 634, inches. 252—Licut Jue Roman Provincial, Fifth Century A.D. With body squared and decorated with molded designs in relief. JOS. Height, 6 inches. 253—Jue Roman Provincial, Third Century A.D. a In greenish glass; surface decomposed to brilliant iridescence. Height, 6 inches. 254—Cirar Guass Bown Roman, Second Century A.D. Sy) 0. With iridescence. Diameter, 614, inches. 255—Borrie Roman Provincial, Fourth Century A.D. ee With surface decomposed to light iridescence. z Height, 634, inches. EVENING SALE MONDAY, MARCH 5, 1923 IN THE ASSEMBLY HALL OF THE AMERICAN ART GALLERIES BEGINNING AT 8.15 O'CLOCK Catalogue Numbers 256 to 555, inclusive COLLECTION ANCIENT AND MODERN FOREIGN AND UNITED STATES GOLD COINS _ CATALOGUED BY HENRY CHAPMAN, NUMISMATIST PHILADELPHIA, PA. Every Coin is guaranteed genuine and I hold myself responsible indefinitely, HENRY CHAPMAN. Address: Nos. 333 & 335 South 16th Street, Philadelphia. (Coins are sold so much each piece) ANCIENT GREEK 256—Tarentum (Taranto). B.C. 340-281. tin. Head of Nymph r. TAPAN (then back to the obverse for the trx completing the word 24. TAPANTIN. Kantharos. Obol; Weight 11 grains. Size 5. Very fine. Extremely rare. PERSIA 257—Arrtaxerxes II. B.C. 405-359. King kneeling to right with bow and So. arrow. Ri Punch mark. Stater, weight 128 grains. Extremely fine, #2. sharply struck and even. Rare. 258—-Arraxerxes III. B.C. 359-338. King kneeling to right, the hair large, bow and arrow in hands. EK Punch mark. Stater, weight 128 grains. 1 Very fine. Evenly struck. Rare. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. EGYPT 259—Protemy I (Soter). B.C. 323-285. Very fine portrait head r; wear- ing fillet around head and tiger skin on the neck. Re BAXIAEQ™ ITTOAEMAIOY Eagle with raised wings standing on a thunderbolt ; ey A in field. 1/10 of a stater. Very fine, but has faint scratches behind — the head and microscopic dents on obverse; planchet not even below bust, four minute nicks on edge where it has been in a mounting. BYZANTINE AMULET, ABOUT TENTH CENTURY 260—Adoration of the Virgin. The Virgin surrounded by the Twelve Apostles, above Christ enthroned and attended by four Angels. Fine 3. 5” work, some blue enamel yet remains on the field; four small holes in outer ‘ edge where it has been mounted at the time. Repoussé, the figures en- graved in outline and drapery. Size 27, thin. A remarkable and very rare object in very fine preservation. HOLY ROMAN EMPIRE 261—Cuartes V, Emperor 1519-1556. The Great, King of Spain. Karotvs . D:G.ROM.IMP:Z. HISPA. REX. Half length in armor, crowned and Jes with great sword and orb. Fi pa . MIHI . VIRTVTE : CONTRA . HOSTES : : Tvos : (Give me strength against thine enemies). Arms on:eagle. One and half ducat. Very fine. 262—Maximitian EMANUEL, 1679-1726. M. E. Vv. B. & P.S. D.C. P. R. S. R.A. & E. L. L. (Maximilianus Emanuel Utriusque Bavaria & Palatinatus Su- perioris Dux Comes Palatinus Rheni Sacri Romani Imperi Archidapifer Iw & Elector Langravius Leuchtenbergensis). Bust with periwig r. CLYPEVS OMNIB IN TE SPERANTIB (Thou art a shield to those believing in Thee). 1717. Virgin and Child, with sceptre and arms. Double ducat 1717. Extremely fine. 263—Marruias II, 1612-1619. Silesia. Breslau. mMaruias . D.G. ROM . IM.S.A.G.H.B. REX . siz . (Matthias by the Grace onG@od Roman Emperor, Semper Augustus Hungary, Bohemia, Silesia, King). oa Fine bust, crowned, and with great ruff, im armor to the right. §& LEGITIME CER-TANTIBVS (For those struggling justly; i.e.—meaning this coin was struck for those who fight for the right). 1617. MoNET vRATIS (Money of Wratislau-Breslau). In center ru, crowned, palm branches below. Square double ducat 1617. Very fine. Very rare. EMPIRES GERMANY All to No. 271 have prutscHrs rEICH, Imperial Eagle, date and denomination on reverse. Evening Sale 264—Annatt. Frederick. FrrepRIcH HERZOG von aNHALT. Head right. [se Twenty marks 1896. Uncirculated. Ones As last. Twenty marks 1901. Brilliant proof. foal Frederick II. FrrepRicH 0, GROSSHERZOG VON BADEN. Head I. 5. Ten marks 1909. Brilliant proof. 267—Saxony. George. GEORG KOENIG VON sACHSEN. Head right. Twenty 9) marks 1903. Brilliant proof. 268—Saxony. Ten marks 1903. As last. Brilliant proof. 69—Saxony. Fred. Augustus. FRIEDRICH AUGUST KONIG Vv. SACHSEN. Head 5. vr. Ten marks 1905. Brillant proof. 270—Saxr-Cozsurc-Gorna. Carl Edward. car~L EDVARD . HERZOG . V . | So SACHSEN . copurc . v . coTHa. Head r. Twenty marks 1905. Bril- lant proof. Rare. 271—Saxr-Copurc-Gorna. As last. Ten marks 1905. Brilliant proof. Rare. tte RUSSIA 272—Perrer I, Tuer Great, 1689-1725. Bust in armor, laureated to right. Kk St. Andrew and Cross. Three roubles 1720. Uncirculated, brilliant. 23. From the Royal Museum at Petrograd about 1907. A wonderful speci- men of this interesting Czar. 273—Euizazeru I, 1741-1761. Bust crowned to r. Ke Eagle and arms. £0 Rouble 1756. Very fine. . 274—Caruertne II, 1762-1796. Splendid portrait bust of this great z Empress, and wicked woman, to right. Bj Five arms form cross. Im- Jo. perial 1768. Uncirculated. Brilliant and seldom seen so beautiful. From the Imperial Museum as first lot. 275—Nicuoras I, 1825-1855. Double headed eagle with arms. KR Ins in /: wreath. Five roubles 1830. Extremely fine. 276—Nicnoias I. Large double headed eagle occupying all of the obverse. $0 FRIns. Five doubles 1839. Extremely fine. 07" —Arrexanper II, 1855-1881. For Finland. rintanp svomt. Eagle. oS 10 markkaa 1879. Very fine. 278—Aztmxanver III, 1881-1896. Head r. I} Eagle. 10 roubles 1894. Eix- tremely fine. 9. KINGDOMS BULGARIA ; 279—Frrpinanp I. Head 1. BR Arms crowned. 20 tesa 1894. Fine. Scarce. DENMARK 280—CurisTIAN V, 1670-1699. cHRISTIANUS REGNORUM DAN . ET . NORV . HERES . NAT . 30. Nov . 1699. Large crown above. JE} spEs . FELICI- ae TATIS . NOvI . sEcUII (Hope of happiness in the new age) in wreath. Double ducat 1699. Very fine. Very rare. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 281—Frepericx IV, 1699-1730. Frip.mt.pd.G.DAN.NOR.VA.G. REX. Bust in armor to right, by 4. Metbus. f. Ti aut . pepir prorrcet 1700 Ps (He who gives protects). Crown, sword, sceptre on altar, radiant Je- ’ hovah in Hebrew above. Coronation medal 1700 (about $6 gold value). Very fine. Minute dent in obverse field. Rare. 282—Curistian VII, 1766-1808. curisTIANUS VII. D.G. REX DAN. NOR. v .«c. Draped bust r. EK crorta ex amore patriz 1783 (Glory from 4 love of Country) xm. mM. Crown in center. Twelve marks 1783 (ducat). Extremely fine. Scarce. EGYPT 283—FaTHIMEE Catipus or Ecypr. El Mustansir 427-487 A.H.—1035-1094. Inscription on both sides but outer line partly off so date cannot be de- fe ciphered. Dinar. Fine. 284—Maumop II, 1808-1839. Thin but diameter of a quarter eagle. Abd-el- Medschia 1839-1861. Four about gold $1% size. Uncirculated. 5 pes. Lee ENGLAND EDWARD III, 1827-1377 285—Noble of the 4th issue, 1360-1369, after the Treaty of Bretigny, with title of Aquitaine, omitting France. EDWARD : DEI : GRA : REX : ANGL : DNS : HyB .:. Z aqir. King with sword and shield standing in a ship 3 having two ropes at the bow, and three at the stern, also flag. KE mc : } AVTEM : TRANCENS : PER : MEDIV : ILLORVM : IBAT : (But Jesus pass- ing through the midst of them went His way, Luke IV :30). Within a tressure of eight arches is a floriated cross with lis terminating each limb; in center c for Calais mint; lion crowned in each angle. Uncir- culated. Sharp even impression and a magnificent example of this beautiful coin. HENRY V, 1413-1422 286—Noble; one rope to bow, two to the stern, otherwise same type as last. wy: Annulet at wrist of sword arm. Uncirculated. Well and evenly struck. 28'7—-Noble, two ropes to bow, three to stern, star at wrist arm and on the reverse trefoil over one of the lions, otherwise as above. Uncirculated. eke Evenly struck. HENRY VI, 1422-1461 288—Noble. Type as above. Extremely fine, well and evenly struck. AS EDWARD IV, 1461-1483 289—Rose Noble or ryal. EDWARD DI . GRA . REX . ANGL Z FRANC DNS1. B. King in a ship, one rope to bow, three to stern, where there is also a flag with © for Edward; on side of the ship, a rose. J Inscription as previous 4. Nobles but in the center a rose superimposed on a sun—the King’s badge which he is said to have adopted in consequence of the appearance of three suns in the heavens immediately before his first battle, that of Evening Sale Mortimers Cross 1460, in which he was successful. Extremely fine, well struck and even. y 290—Angel. EDWARD : DI : GRA : REX ANGL Z FRANC (last three words nearly all off). Archangel St. Michael piercing the dragon. Ei pER crvsE : 22 TVA SALVA NO(s) xpc . RED(EM)ToR (By Thy cross, save us, O Christ, Our Redeemer). The mast of the ship sustains shield of arms and cross at sides of which are kr and arose. Left hand side of the obverse inscrip- tion is only half on, otherwise sharp. Uncirculated. RICHARD III, 1483-1485 291—-Angel. Same type as Jast. Splendid even impression on both sides. Ex- tremely fine and very rare. 3). HENRY VII, 1485-1509 292—-Angel. Type as above. m.m. Lis. Annulet on side of ship. Very fine. 293—Angel. Type as last. m.m. Cross-crosslet. Very fine. a HENRY VIII, 1509-1546 294—Sovereign of the Second Coinage, 1526. m.m. Rose obverse, lis, reverse, a dart. HENRICUS : DEI : GRACIA : REX * ANGLIE : ET : FRANC : DNS : ie uip : The king in robes of state seated on a throne, sceptre in right ‘ hand and globus in left; portcullis at his feet. ) mresvs : avrEm : TRANSIENS : PER : MEDIVM : ILLORVM : 1BIT (But Jesus, passing through the midst of them, went His way. Luke IV:30). Shield of arms on double rose-white and red, symbolical of the union of the houses of York and Lancaster in the persons of Henry VII and his Queen, Elizabeth of York. Very fine, inscription even and all on. A very desirable ex- ample of this highly interesting and very rare coin. 295—Crown struck during the reign of Catharine Parr, 1543. Survived her husband. HENRIC : VIII : RUTILANS : ROSA : SINE : spina : (A dazzling rose i So without a thorn). M.M., rose. Crowned rose with crowned u and x at : sides. FR pel : G : R : AGLIE : Z : FRAN : DNS : Arms of England crowned. Very fine, well struck. Small solder spot on reverse. 296-—Half Sovereign, 4th and 5th coinage 1544-5, with title of King of Treland. MoM. . HENRIC R . DEL. GRA AGL. . . HIB . REX. King enthroned, rose "4 at his feet. J Griffin and lion support arms. Very weakly struck, the in- . scription on left half of the obverse gone and likewise much of that on the reverse. ELIZABETH, 1558-1602 g07—Royal, 1st Coinage, 1560-1572. uiizan 7D \: G > ANG). FR OETA HIB: rEGINA. Three-quarter length of the Queen crowned, great ruff, sceptre and globus, in a ship to left, flag with » at bow and with a high quarter- ag deck; rose on side. Fi 1Hs . AVT . TRANSIENS . PER . MEDIV . ILLORVM .« / 7 rpat (But Jesus, passing through the midst of them, went His way; Luke IV :30). Floriated cross, with rampant lion crowned in each angle; Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. rose on sun in the center, all within tressure with trefoil in each angle. A brilliant perfect example, evenly struck, of this extremely rare coin. 298—Fine Sovereign, 2nd issue, 1584-1601. m.m. Scallop shell. ELizABETH . D.G. ANG. FRA ~- ET HIB REGINA. The Queen enthroned, portcullis at her feet. EX a. DNO. FACTV . EST . ISTVD . ET . EST . MIRAB IN OCYVLIs . oS wrs . (This is the Lord’s doing and it is marvelous in our eyes. Psalms CXVIII:23). Arms on double rose as explained in No. 294. Very fine. Well and evenly struck. 299—Half Sovereign. m.m. Cross crosslet. ELIZABETH . D :G : ANG. FRA . ET . HI. REGINA. Bust of the Queen crowned facing left. Fi scvrvm : JS. FIDEI : PROTEGET : EAM (The shield of faith shall protect her). Crowned arms, E R at sides. Uncirculated. Perfectly struck. 300—Half Sovereign. m.m. Tun. ELIZAB . D . G . ANG . BRA ence REGINA. Large bust of the Queen to left, crowned, the hair in great mass Cas falling loose down the back. R Similar to last, same words. Extremely fine. Sharp, even impression. 301—Crown or quarter sovereign. Same as last. Uncirculated. Sharp, even Lor impression. Rare. 302—Half Crown or eighth of a sovereign. As last. Very fine. Top of the head not fully struck up. Very rare. 303—Angel, 1558-1578. m.m. Cross. ELIZABETH :D :G . ANG . FR ET HI . rEcINA. Archangel St. Michael piercing the dragon with a spear. R IS A :DNO . FACTVM : EST : ISTVD . ET . EST : mrRABI (This is the Lord’s doing and it is marvelous. Psalms, CXVIII:23). Arms on ship, cross on the mast, © and rose at sides. Extremely fine. 304—Half Angel. As last. Planchet over head of St. Michael not quite cir- pe cular. Extremely fine. Very rare. '305—Quert& Angel. As last. m.m. Crescent. Fine. Very rare. x<— 306—Quarter Angel. As last. m.m. Crescent. ELIZABETH (D : G : ANG : FRANCIE . these letters or words are confused on the com). FE (eT) /O. HIBERNIE . REGINA . FIDEI Fine but not sharp. Very rare. 307—Half Sovereign (1567-1570) of the milled coinage which was introduced into England from France by Eloye Mestrell in 1561. m.m. Star. Exiza- He BETH .D.G. ANG. FRA. ET. HIB . REGINA. Bust crowned, of the vig) Queen in very ornate dress, to left. KK scvrvm . FIDEI . PROTEGET . EAM (The shield of faith shall protect her). Crowned arms divide £ r (Eliza- beth Regina). Edge and border milled. Extremely fine, evenly and sharply struck, slightly bent. Very rare. JAMES I, 1603-1625 308—Rose Royal. Third issue, 1605-1619. m.m. rose, 1605-6. 1acosus . D : G : MAG ! BRIT . FRAN. ET .° HIBER > REx. “Lhe King siweeeen 3 robes enthroned, portcullis at his feet. R a . DNO . FACTVM . EST . Evening Sale ISTVD . ET . EST . MIRAB . IN . OCVLIs . NRIs (This is the Lord’s doing and it is marvelous in our eyes; Psalm, CXVIII:23). Arms on double rose as on No. 294. Extremely fine. Evenly struck and a splendid speci- men of this large coin. 309—Rose Royal or Thirty Shilling piece. Fourth issue, 1619-1625. mm. Spur rowel. IAcoOBVS D : G : MA BRI : FR : ET HIB REX. The King en- throned, wearing the robes of the Order of the Garter, sceptre in right b: ie hand, modus in left, his feet resting on a portcullis; the high square back eo of the throne is checkered with roses and lis. R «a pno : ete., as on next preceding. Squared shield on cross fleury within two beaded circles; between which, and in each angle of the cross is a lion between a lis and a rose. Above shield XX X-30 shillings—the first and only time this denomination has been made in England. Uncirculated. Sharp, even magnificent example of this, one of the most beautiful of modern coins. Very rare. CHARLES I, 1625-1648 TOWER MINT 310—Unite or twenty-shillings. 2nd issue. m.m. Negro head on both sides. 1626-1627. CAROLVS :D .G :MAG . BRIT : FRA. ET HI. REX. Bust lL, crowned, in armor with mantle fastened at the shoulder, large ruff, be- hind it X.X-20 shillings. R rrorenr . concorpra . rEGNA (United King- doms flourish). Square-topped shield crowned. Uncirculated. The milling on left edge weak for quarter of an inch, still a beautiful exam- ple—the portrait especially excellent. BRIOT’S COINAGE, 1632-1638 Nicholas Briot was a native of Lorraine, first engaged at the Tower Mint in 1628, chief engraver 1633, also master and chief engraver at the Scottish mint. His neat and finely struck coins were made by machinery and not struck by the hammer. I take the liberty of placing the Scotch Unit here as it and the ten shillings are wonderful examples of this beautiful coinage. 311—Ten Shillings. m.m. B and flower. CAROLVS . D :G . MAG . BRITAN . FRAN . ET . HIB . REX. Bust of the King, crowned, hair long, large falling lace collar; scarf and armor; behind X-10 shillings. Fi cvurores 2 150 _ svi. DEvs . proTEciIT (God protects His worshippers). Square topped ae shield; c R crowned at sides. Extremely fine. Rare. 312—Unite, for Scotland. m.m. B (Briot) and thistle head. caRrotys . D :¢ : MAG : BRITAN . FRAN . BT . BIB . REX. Half length in rich armor, crowned and with sceptre and mundus r._ fi Is . PRESVM . VT . PROSIM (I am set over them, that I may be profitable to them). Arms of Scot- land, England and France quartered, and Ireland, crowned. c. RB crowned at sides. Uncirculated. Brilliant, perfectly struck and a most desirable example of this very beautiful coin. Rare. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. OXFORD MINT, 1642-1646 313—Three pounds, 1643. m.m. Prince of Wales plumes on obv. only. carotLys . D iG. MAGN : BRIT : FRAN : ET : HIB : REx : Half length crowned and in rich armor, sword uplifted in right hand, olive branch in left; plumes in field. R Exvreat : DEVS : DISSIPENTVR : INIMIcI : (Let God 72 So arise (and) let his enemies be scattered. Psalm LXVIII:1). Then con- tinues the following in center RELIG : PROT : LEG : ANG LIBER : PAR 1643. The declaration the king made before the battle of Wellington, Sep- tember 19, 1642, that if successful he would protect the Protestant reli- gion laws of England and liberties of Parliament. Above three plumes and III-8 pounds. This denomination was only coined at this mint and that for years 1642, 1643, 1644. Extremely fine. Sharp, evenly struck not doubled in any part, which is remarkable. Rare and one of the most historically interesting of modern coins. 314—Unite or 20 Shillings 1643. Similar to last, with same inscription and ri device. m.m. Plume. Uncirculated. Sharp, even impression, an un- WA. usually beautiful specimen. REPUBLIC COMMONWEALTH, 1649-1660 315—Twenty shillings 1651. M.M. Sun. THE COMMONWEALTH OF ENGLAND. Shield bearing the arms of St. George between palm and laurel branches. Ty. cop wirn vs 1651. Cojoined shields, one bearing the cross of St. ae George, the other the Irish harp; above xx = 20 shillings. Extremely fine, evenly struck and a splendid example. OLIVER CROMWELL, LORD PROTECTOR, 1656-1658 316—Broad or Sovereign, 1656. oLivakR.D.G.R.P.ANG. SCO. ET. HIB X pro. Undraped, unlaureated bust to left. Ty pax . q@vAERITVR BELLO . 1656 (Peace is sought by War). Edge, milled. Brilliant proof. Sharp even impression; a wonderful specimen of this most interesting and very Jo rare coin—the issuance of which marked an epoch in Numismatic Art and the Coinage of World; they were struck by Cromwell with the consent of the Council, the dies being made by the celebrated engraver, Thomas Simon, and minted by Peter Blondeau, using his new invention of the mill and screw—a benefit to the inhabitants the world over to the present time, as it prevented the clipping off of the metal, a crime much in vogue. CHARLES II, 1660-1685 317—Pattern Broad or Sovereign, 1662, by the great artist, Thomas Simon. CAR.I1.D.G.M. BR. FR.ET. HI. REX. Exquisite bust of the kame laureated, in armor, draped, the hair long and falling down over the 9) So shoulders, facing left, s (Simon’s initial below). Ik rLorENT . CONCORDIA : . REGNA . 1662. (United Kingdoms flourish.) Arms crowned. Ex- / tremely fine. Rare. Evening Sale 318—Two Guineas, 1664. Milled coinage, the dies by Jan Roettier of Ant- werp ; the striking by Peter Blondeau, with the mill and screw. carotys . Il. DEI . GRATIA. Laureated, undraped bust of the King r.; elephant below, the symbol of the African Company who had the privilege of hay- “ ing coins struck at the mint from metal imported by them. The gold came from Guinea (Africa), hence the name applied to these coins, and in use to 1818; still employed in England by art dealers to please the wealthy and gouge them an extra shilling profit for the pleasure. i Mac . BR. FRA.ET. HIB. REX 1664. The shields of England, Scotland, France and Ireland cruciform, sceptres in angles, four interlaced c’s in center. Extremely fine. 319—Guinea, 1683. As last but without the Elephant. The milling not quite even but a brilliant example. Wie JAMES II, 1685-1688 3820—Five Guineas, 1688. taconpvs.. DEI. GRATIA. Laureated, undraped bust 1. FE as last. Edge, pecus rer TVTAMEN ANNO REGNI @vARTO (An ee ornament and a safe guard; Virgil, Aen., V 262—fourth year of the o Reign). Extremely fine, a few minute nicks. WILLIAM AND MARY, 1689-1694 321—F ive Guineas, 1692. cGvIELMVs . ET . MARIA . DEI. GRATIA. Laureated, undraped cojoined busts to r. Ty Mac . BR. FR . ET . HIB . REX. ET. Lees REGINA . 1692. Elaborate floriated arms, crowned. Edge, as last. Semi- proof, brilliant and remarkable condition and as such rare. 322—Guinea, 1689. As last. Very fine. /2°393 Guinea, 1691, with Elephant and Castle below—explained under No. 318. /b.- Uncirculated. Mint lustre. Rare. 324—Half Guinea, 1692. As above but without Elephant. Very fine. Milling off on lower edge. : WILLIAM III, 1694-1702, AFTER DECEASE OF MARY 325—Five Guineas, 1699. cviietmvs m1 Der cra. Rather a small bust, lau- Ss reated and undraped r. Reverse and edge as above. Extremely fine, J 2. ° prilliant. 326—Five Guineas, 1701. As last but the head larger and in higher relief. Uncirculated. Sharp impression. A minute flake in the planchet on the J , jaw bone, hardly perceptible. ANNE, 1701-1714 327—Coronation. Official Medal which was distributed by the Treasurer of the Household at this event. Anne adopted the policy of William III in resisting the power of France and is therefore typified by Pallas wielding a the bolts of Jove. In addressing the Council on the day of William III’s death she declared she would carry out every preparation he had made. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. ANNA .D:G:MAG:BR:FR:ET. HIB . REGINA. Draped bust 1. viczm GERIT . ILLA . TONANTIS. (She is the Vice Regent of the Thunderer.) Exergue INAVGVRAT xxuI AP. mMpccm (Crowned 23 April 1702). Anne as Pallas thunders against a double headed and four armed monster hold- ing clubs and stones and whose lower limbs terminate in snakes. Ex- tremely fine. Slight nick on edge. Size 22. 328—Accession March 8, 1702. Obverse similar to last but bust crowned. i ENTIRELY ENGLISH, on an altar aTavis R1cIBvs (From Royal Ancestors, compare Horace Car. I.iJ.) heart entwined in oak and olive branches Ly crown above. In addressing the two Houses of Parliament on 11th March, 1702, the Queen declared “As I know my own heart to be entirely English I can very sincerely assure you there is not anything you can expect or desire from me which I shall not be ready to do for the happr- ness and prosperity of England.” Extremely fine. Size 22. 329—F ive Guineas, 1705, before the Union with Scotland, 1701-1707. anna. DEI . GRATIA. Bust 1. EF} and edge as before. Fine but numerous minute 4o nicks. Scarce. GEORGE I, 1714-1727 330—Five Guineas, 1717. GEORGIVS . D. G. M. BR. PR. ET. HIB. REX. F. D. (Fidei Defensor—Defender of the Faith.) This title occurs for the first / time on the coinage of George I, though it had been used on the Great FO : Seal since Henry VIII. Also the accession of the House of Brunswick caused a change in the royal arms and legend. Undraped bust r., lau- reated. Ki pRVNET .L. DVX$.R.1.4 :THET .ELI1717. (Brunsvicensis et Lunenburgensis Dux, Sacri Romani Impern Archi-Thesaurarius et Elector.) Four shields of arms divided by sceptres. Extremely fine. Scarce. y 331—Two Guineas, 1720. As above. Edge milled. Fine. F *332—Halt Guinea, 1726. As last. Fine. | 4. vo GEORGE Il, 1727-1760 333—Two Guineas, 1739. Grorcius . m1. DEI cratTia. Old bust of the King, laureated. EX} M. B. F. ET .H. EX. F. D. B. ET. L. D. §. Bela ee (Magnus Britannia, France and Hibernia Rex Fidei Defensor Brunsvicen- LT. sis et Lunenburgensis, Dux. Sacri Romani Imperu Archi Thesaurarius et Elector). Very fine. 334—Two Guineas, 1740. As last. Very good. LS GEORGE III, 1760-1820 335—Spade Guinea, 1791. Laureated bust r. Ei Spade-shaped shield. Ex- 2 tremely fine. Very light scratch below bust. 7: Evening Sale GEORGE IV, 1820-1830 336—-Two Sovereigns, 1823, by Merlen and Pistrucct. GroRGIUS Il D : G : BRITANNIAR : REX F: D: Head 1. R St. George and the dragon. Ex- /} tremely fine. VICTORIA, 18387-1902 337—Pattern Five Pounds, 1839. vicroriA D: G: BRITANNIARUM REGINA F: D: Head |. by Wyon. J piricir pEvs cressus MEos (Direct my steps, O 6 God) Exergue Mpcccxxxtx. w.wyon R.A. The Queen as Una, directing o with her sceptre the British lion left. Plain edge. Brilliant proof, four faint scratches on obverse, hardly noticeable. Very rare. 338—Sovereign and half Sovereign, 1839. Head 1. Hk Arms. Plain edge. Brilliant proofs. Two pieces. 339—Half Sovereign, 1839. As last. Proof, slightly hairmarked. $$ GEORGE V, 1910- 340—Five Pounds, 1911. Head1l. EK St. George and the dragon. Proof. 3S. ANGLO-GALLIC EDWARD III, 1327-1377 341—Guiennois. m.m. R. (Rochelle). ED. D. GRA REX ANGLIE DO AQviTAIE. King in armor walking r, sword and shield in hands, under a Gothic portico, at wae his feet two leopards couchant, guardant. TI} ciia : IN : EXCELISI : DEO : ET :IN : TERRA : PAX : Horus + (Glory be to God in the highest, and in Earth peace towards men). Tressure of arches encloses floriated cross ; in alternate angles lis and leopard. Extremely fine, sharp and even im- pression. Very rare. HENRY VI, 1422-1461. RESTORED 1470-1471 342—Salute; named after the design of this coin. HENRICUS : DEI : GRA : FRANCORV :% : ANGLIE : REX. M.M. lion rampant. Angel saluting the Virgin, type of the Annunciation ; between them ave (Hail) below shields Ve of France and England. R xpc * vincrr * xpc * REGNAT * xPc * IMPERAT ih (Christ conquers, Christ reigns, Christ commands). Cross Calvary with- in arched tressure; at sides leopard and lis, below u. Uncirculated. FRANCE PHILIP IV, 1285-1314 343—Masse d’Or. PHILLIPPVS : DEI : GRA : FRANCIORVM :_REX. King en- throned facing, crowned, sceptre in right hand, trefoil in left. Ti xpc . VINCIT . XPT . REGNAT XPc . IMPERAT (Christ conquers, Christ reigns, Ly Christ commands). Extremely fine, well and evenly struck. Rare. Hoff- man 4. PHILIP VI OF VALOIS, 1328-1350 344—Lion d’Or. pH : DEI : GRA. FRANC : REX. King seated under a Gothic canopy, lion couchant at his feet. Ri Inscription as on last coin ; elaborate 7 vie Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. floriated cross within four tressures, crown in each angle. Extremely fine, sharp beautiful specimen. Rare. 345—Chaise d’Or. PHILIPPVS : DEI : GRA : FRANCORVM : REX : King en- a throned, facing, with sceptre in right hand and shield under his left. F& ype : As last. Uncirculated. Sharp, beautiful example. 346—Franc-a-Pied. pHs . REX . FRAcoR. King crowned standing under a Gothic canopy, holds long spear. [i xpc etc., as before. Extremely fine. Ut JOHN Il, 1350-1364 347—Royal d’Or. King, crowned stands under Gothic canopy. I0HES : DEI : GRA : FRANCORY. REX. J Similar to last, more ornate. Uncirculated. SOx Sharp, beautiful example. CHARLES V, 1364-1380 348—Franc-a-pied. KAROLVS IMPERAT FRANCORV. REX. King standing under ss a Gothic throne; the field on either side filled with fleur-de-lis. i Simi- 7 lar to last. Ex. fine. CHARLES VI, 1380-1422 849—Eau d’Or. KAROLVS : DEI : GRACIA ! FRANCORVM : REX : Shield of France crowned. J Similar to last. Extremely fine. Jf ; LOUIS XII, 1498-1575 350—Ecu au porcupine. LvDOVICVS . OC . FRANCOR : REX BRITORV . Cvs * Crowned arms, crowned darts at sides; Porcupine below. J pervs ete. sh Cross and crowned darts. Ex. fine. Hoffman 9. HENRY II, 1519-1559 Huspanp oF CATHERINE DE Mepicr 1533 351—KEcu, 1561. A remarkable error, as the King died in 1559! HuNRIcvs ti . D.G. FRANC . REX, Bust in armor. I} pvm . TOTVM . COMPLEAT . ORBEM iG Cross formed of H’s crowned, lis and crescents in angles; £ in center, Good. Light dents and scratches. Rare. CHARLES IX, 1560-1574 352—Ecu, 1564. cCAROLVS VIII D.G. FRANC . REX. MDLxu * Arms crowned. £ i curistys etc. Floriated cross. m.m.a. Very fine. LOUIS XIII, 1610-1648 353—Louis d’Or, 1640. tvp . xm. D.G. FR. ET. NAV. REX 1640. Laureated bust r. Ri crrs. rEGN. vINc. Imp. cHRs. (Christ reigns, conquers, domi- i nates.) Addorsed 1’s crowned from cross. a-Paris, m.m. Uncirculated, brilliant, beautiful example. Evening Sale LOUIS XIV, 1643-1715 354—Rheims, 1654. Beautiful medal. tun. xmm. p.c. FR. ET. NAV. REX. CHRIS- Tianissimus. Youthful bust of the King r.; in rich robe and crowned. B Va SO SACRAT.AC. SALVT. REMIS . MAIL. xxxt. 1654. View of the City, Holy /- Dove descending with vase; at bottom rurmis. Extremely fine. Size 1514. 355—Louis d’Or, 1690. Lvp . xm D.c. FR. ET. NAV. REX. Head r. JF BEneE- yh DICTUS QUE VEENIT IN NOMINE DOMINE (Blessed is he who cometh in the name of the Lord). Uncirculated. 356—Louis d’Or, 1715 over 1718. vp. xm. D.c. FR. ET. NAV. REX 1715 a- Paris. Old head laureated r. EK curs, etc., addorsed 1’s crowned, lis a], SO in angles. Sun in the center. Uncirculated, brilliant. LOUIS XV, 1715-1774 357—Louis d’Or, 1747. Lup. xv. D.c. FR. ET. NA. RE. BD. Long bust 1, lily below. FE} curs. REGN. vINc. IMPER. 1747. Arms of France and Navarre g crowned, m.m. a cow. Uncirculated. Shows the planchet file marks across head. LOUIS XVI, 1774-1798 3858—Louis d’Or, 1786. Lup. xvi. D.c. FR. ET NAV. REX. Head left. Fi Similar J: to last. m.m. aa. Very fine. 359—Louis d’Or, 1787. As last. m.m.a. Uncirculated, brilliant. /'360—Double Louis d’Or, 1788. As last. m.m.x. Extremely fine. Dt: NAPOLEON I 361—Medal. Bust 34 r.; of the early style similar to those on the medals of the Egyptian campaign. I} £. JULLIEN 12 RUE PASQUIER PaARis. Artis- f. tic. Extremely fine. Size 12, thick. 362—Medal. Marriage with Marie Louise of Austria. Busts accolated of the v6 two. K Napoleon leading her to the altar. Uncirculated. Size 914. * 363—Twenty francs. an 12-1803. BONAPARTE PREMIER CONSUL. Head l1., on Tiolier. KK rePuBLIQUE FRANCAISE AN 12. 20 francs. mM.m. a. Ex- tremely fine. Scarce. 364—Twenty Francs, 1807. NapoLEoN EMPEREUR. Head to left. R repus- LIQUE FRANCAISE 1807 20 Francs. m.m. A. Uncirculated. A superior Zs specimen of this celebrated “Straddle Coin.” On obverse he styles him- self Emperor but on the reverse it is the Republic of France! NAPOLEON III, 1852-1870 365—Twenty-francs, 1860. NapPoLEoN m1 EMPEREUR. Head r. FE Empire ce FRANCAISE 20 rrANcsS 1860. Uncirculated. 366—Five francs, 1864. Laureated head. Vg. Shank off edge.” V6 Je Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. HOLLAND 367—Ducatoon, 1681. Struck in gold (about $25). HaNc TVEMVR HAC niTIMvR (This we defend, by this we strive). Liberty standing with liberty staff and cap, her left arm resting on a book on an altar. Joo. i Mo : NO : ARGENT : coMIT : HOLL. 1681. Arms crowned. Extremely fine, brilliant. Sharp and beautiful. Excessively rare, as it is stated that only three examples are known. LOUIS NAPOLEON, 1806-1810 368—Ducat, 1809. LopEW Nap. kKoN vAN HOLL. Head |. Jt EENDRAGT MAAKT g mactT. Knight standing r. 1809. Extremely fine. ; PROVINCES 369—Dorprecut. Ducatoon, 1687. Struck in gold (about $25 weight). MO : NO : ARG : CONF : BELG : PRO : HOL. Knight in full armor, with JOE drawn sword on horse, galloping to r. Arms below. J} concorpia RES ahi PARVE CRESCUNT : (By concord small things increase). Arms of Hol- land supported by two lions. Extremely fine, brilliant and very rare. 370—Dorprecut. Ducatoon, 1687. Struck in gold (about $25 weight). MO : ARG : PRO . CONFOE : BELG :c : HOL. M.M. full blown flower, and Na. So shield. Half length in armor, sword and holds out arms of Holland. i concorpra as last. Shield of Holland crowned. Extremely fine, bril- lant and very rare. 371—GeLpERLAND. Philip II, 1556-1598, husband of Mary of England and BA King of Spain. pHs . D.G . HISP.. REX . Dvx . GEL. Arms crowned. oO. Ei poMINus MIOHI. ADIVLOR (God is my help). Bust of Philip r. Ducat. Good. Weak impression. 372—Ho.uzanp. Stiver, 1724. Struck in gold. (Size of U.S. gold dollar.) b Arms crowned. 1s. Ei notztanpia 1724. Extremely fine. 373-—-Hoxiianp. Stiver, 1788. Struck in gold. Slightly larger than a gold . dollar. Seven arrows—the Provinces. 1s. J} Hotvanpia 1738. Uncir- culated. z 374—Hoxitanp. As last but 2 stivers, so double the size. Uncirculated. 7 Beller OA Philip II. Similar to lot 371 of Gelderland. Ducat. Good. '376—Urrecut. Stiver, struck in gold, 1738. Seven arrows. 1s. Ki Tratec- “§ © TUM ILTSS ee rool. 377—West Fresta. Fourteen gulden, 1761 (about $7). BELG . weEsTF . MO . AUR : PRO : conFaD. Knight on horse galloping r. R concorpia JO. etc. Arms. 14 61. Very fine. 378—Zratanp. 380 gulden, 1684 (about $15 gold). Lucror ET EMERGO. 57, Fo (I shine and come forth). Knight standing with drawn sword defends ; shield. Ro Mo . NO . AUR . ORDIN . ZEELANDLE 1684, Seven shields of arms bound together, 30 c. Extremely fine and very rare. Evening Sale o/9—Zworr. Ferdinand and Isabella? pucatvs .R .P.ZWOL. VAL... FERDI. Busts vis a vis s between. J} suB UMBRA ALARUM TUARUM (Pro- 4 Tn tect me under the shadow of thy wings). LucTror ET EMERGO (I shine and oS i come forth). DoMINUS MIDHI ADIVTOR (God is my help). Arms. Ducat. Fair. Verkade pl 220.2. ITALY HUMBERT I, 1878-1900 380—Twenty lire, 1882. umpBrrto 1 rE D’ratia 1882. Head l. B 1 20. 7 Arms in wreath. Uncirculated. INDIA 381—Kusnan Kine. Huvisuxa, A.D. 150-180. Bust of king to left in rich 77 garment, diademed and nimbati, holds ear of corn and spear. J} moro. Sun god to left, radiate. Stater. Uncirculated. British Museum. Catalogue No. 44, plate XXVIII. 1. 382—-Kusuan Kine. Vasu Deva. A.D. 180-220. King in rich dress, hel- J3 meted and nimbati standing left at an altar. Ei Siva standing, facing, at : side of a bull. Stater. Uncirculated. British Museum Catalogue 5. 383—Kipara, Suaus or Nortu West Inpra. 5th and 6th centuries A.D. King SC _ standing. J Ardochso enthroned. Stater. Extremely fine. 384—Mocut Emperor. Shah Jehan. Mohur with inscription on both sides in a central enclosure. Year 20—1056-1684 A.D. Beautiful uncircu- ZS§. lated condition. 885—Mapras. Calcutta mint. George III. ENGLISH EAST INDIA COMPANY. Arms. J Persian inscription translated—‘Ashrafi of the Honorable J. English Company.” Mohur about 1818. Uncirculated. Small flake out on reverse. 386—Eastr Inpvia Company. Surah Mint, 1825-1835. Mohur with native /O©. inscription on either side. Uncirculated. 387—. I. cO. WILLIAM uml, KING 1835. Head r. I} Easr INDIA COMPANY TWO = monvurs. Prowling lion and palm. Milled edge. Brilliant proof. Very JO. vare. 388—r. I. co. VICTORIA QUEEN 1841. Head 1. Bj as last. Mohur. Extremely JO. fine. 389—nr. 1. co. VICTORIA QUEEN. Bust crowned and in rich dress to left. RB So Ornate border encloses FIVE RUPEES INDIA 1870. Brilliant proof. Milled /- edge. - 390—nr. 1. co. As last but pearls around edge of crown instead of plain as b Se previous lot; larger too. 5 Rupees 1870. Brilliant proof. Rare. '39]1—-. 1. co. vicrorIA EMPREss. Bust in rich attire and crowned. Ht Ornate J). border encloses oNE MoHUR INDIA 1879. Extremely fine. 392——Nepaut. Queen Samrajya Laksmi Devi. Characters on both sides, po Thin but diameter of a quarter eagle. Uncirculated. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. JAMES VI, 1567-1625. PROCLAIMED KING OF ENGLAND AS JAS. I, 1602-3 411—Six Pounds or Sword and Sceptre piece, 1602. tacopvs.6.D.6.R. scoToRVM. Arms crowned. J saLvis . POPVILI . SVPREMA’. LEX . / (The safety of the people is the supreme law). Sword and sceptre crossed, crown above; thistle heads at sides. Extremely fine. Well struck. 412—Sovereign. m.m. Thistle. tacopvs . D . G . MAG . BRIT . FRAN . & . HIB . REX. Half length crowned and in armor r, with sword and Mund. Ji FACIAM . EOS . IN . GENTEM . vNAM (I will make them one nation. zekiel XX XVII:22). Very good, weakly struck but readable. This is the first time the term King of Great Britain is used on a coin. CHARLES I, 1625-1649 4138—Unit by Briot. m.m. Thistle head and B . cAROLVs . D :G : MAG . BRITAN . FRAN . ET . HIB . REX. Half length crowned and in rich armor, sceptre and orbtor. Ki His. PRaHsvM . vr . PRosIM. (I am set over them, that I Ph. may be profitable to them). Elaborate shield crowned, cr at either side. A very fine specimen of this beautiful coin. JAMES VIII, PRETENDER 414—Pattern Guinea, 1716. Restrike, as all are. IACcOBVS VIII . DEI . GRATIA. Laureated bust in armor, draped r. I} sco an . FRA ET . HIB REX 1716. Ce) a Cross formed of the arms of the four countries, sceptres divide; thistle in : center. Uncirculated, brilliant. Extremely rare. SWEDEN GUSTAVUS II, ADOLPHUS, 1611-1632 Tue Hero or PROTESTANTISM IN THE THIRTY YEARS WAR Struck by the Municipality of Nuremberg, Germany. No ducats struck in Sweden during his reign. 415—Ducat, 1632. GuSTAVVS ADOLP .D.G&S.vV.G. GOTH : VAND : REX : M.P.F.D.E.E.cC.1.D°. (Maximus Princeps Finlandiz Dux wee Esthonie et Carelie Ingermannie Domine). Laureated bust, in armor and cloak r., the portrait remarkably fine and expressive. Fi pvcatvs NOVVS . REGIS . SwEcIH= 1632 . H. Arms crowned. Very fine. OSCAR II, 1872- 416—Five kronor, 1894. oscar It SVERIGES OCH NORGES KONUNG. 1894. Head by Lea Ahlborn. Fi xronor 5, in wreath. Uncirculated. 2. SPAIN FERDINAND V AND ISABELLA I, 1474, 1504-1516 Patrons of Columbus, and whose support enabled Christopher Columbus to discover America in 1492. Evening Sale 417—Four ducats. FERNANDUS : ET : HELISABET : D : G : REX : ET : REGINA. Crowned busts vis a vis, a behind that of the Queen. Fi svsp : vMpra : ALARVM : TVARVM : PROTESE : NO . (Protect me under the shadow of thy bo wings). Eagle over crowned arms. Very fine. Well and evenly struck and one of the most interesting as well as historical of modern coins! Very rare of this fine work and size. 418—Ducat of Ferdinand alone. FERDINANVS . D : G : REX. Crowned bust r., shield with lion on it behind head. F} cast Elie : aRA : COMES : B (Cas- tile, Aragon, Count of Barcelona). Arms crowned. Very fine. Short /O- light scratch in field before the face. Very rare. PHILIP V, 1700-1746 419—Kight of a doubloon or $2, 1736. pump. vy .D .cG . HISPAN ETIND . rf REX. J} INITIUM SAPIENTI“2 TIMOR DOM (The fear of the Lord is the : beginning of wisdom). Arms crowned. Very fine. JOSEPH NAPOLEON, 1808-1813 Eighty reales, 1813 ($4). tossEPH . NAP . D.G. HISP ETIND.R. 1813. Head filleted]. Boinx . urrog . FELIX . AUSPICE . DEO (Success- JO. ful in both by the favor of God). Arms. 80r. Extremely fine. Rare. BARCELONA Necessity Coin, struck during the War with France, 1808-1814 421—Twenty pesetas, 1812. Arms within a wreath of the deputation from JO Catalonia. FR en . pARcELONA 1813 20 pxEsreTas. Very fine. Rare. FERDINAND VII, 1808-1833 422—Three hundred and twenty reales (about $16), 1822. FERN . 7° . Por LA G . DE DIos v LA const . 1822. Head r. J} rEy DE LAS ESPANAS. ay So Arms crowned within the chain of the Golden Fleece. 320 rs. at sides. 420 Very fine. Rare. ISABELLA II, 1833-1868 423—Hundred reales, 1861 ($5). IsABEL 2A. POR LA G . DE DIOS Y LA COST . 1861. Laureated and draped bust 1. Fi nema dE Las Espanas 100Rs. / Arms crowned. Uncirculated. TURKEY 4.24—Five hundred Piastres (about $25). Shield, arms of various kinds, etc., around floriated border with eight stars. J} Inscription and same bor- der. Very fine. Size 32. Has had a loop removed from edge. Very cee rare. WESTPHALIA JEROME NAPOLEON, 1806-1813 Youngest brother of Napoleon I, who created the kingdom for him in 1806. Dismembered in 18138 an Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 425—Ten thalers, 1813. HiERoNyMus NapotEoN. Laureated head 1. F& z KOENIG VON WESTPHALEN FR. PR (Prince of France) x THALER 1813. B. oe) : Extremely fine, remarkably so for this coin. ANCIENT PRINCELY HOUSES BRABANT PHILIP THE GOOD, 1427-1467 426—Ecu d’Or. Pus . DVX BURG , ELAB . Limp . zi. Half lengtheorsor Peter holding up the keys of Heaven and Hell; shield before hm. F& ee NOBISCUM - PAX - XPI - MANETT - SEMPER (May the peace of Christ remain with you for ever). Floriated Cross. Very fine. ‘Thomsen 3591. BURGUNDY ROBERT II, 1272 427—Gold florin. ropertvs pvx. Lily as on the Florentine coins. Fs . IOHANNES . B. St. John standing. Extremely fine. 4 FLANDERS LOUIS IIT LE MALE, 1346-1384 428—Pavilion d’Or. Lvpovic DEI G . COMES DNS . FLAN DRI. : The Count, crowned, in armor and cloak with sword, stands under a Gothic portico, below FLANDERS. J} BENEDICTVS QUE VENIT : IN : HOMINE DOMINI /} (Blessed is he who cometh in the name of the Lord). Uncirculated. Sharp, even impression. A beautiful coin. 429—Cavalier d’Or. LvpovIC : DEI . GRA . COMES Z DNS FLANDRIE. The Count in full armor, sword drawn, galloping left, his horse richly capari- JO soned. JF} xpc : VINCIT : XPC : REGNAT : xPpc : IMPERAT (Christ con- quers, Christ reigns, Christ commands). Floriated cross. Uncirculated. Splendid, even sharp impression. 430—Mouton. AGN : DEI : QVI : TOL : PCCA : MVDI : MISERERE . Nos. (O Lamb of God; that takest away the sins of the world; have mercy upon us. John I, 29). Paschal lamb 1., m field. 1vp .c. Fr FX xPcwingree XPC : REGNAT . xpc : IMPERAT (Christ conquers, Christ reigns, Christ commands). Floriated cross, eagles in the angles. Uncirculated. Sharp even impression. 431—Guent. Francois d’Alencon, 1554-1584? Noble in the style of the British coins of the period. Mo : AVREA . RESTAVR . METROPOI GAND . FLAND. Duke, crowned, in armor, sword drawn, shield in left hand, stand- / i, ing in a ship. J NIsI . DNS. CVSTOD . CIVITAT . FRVSTRA . VIGILATVE 82. Floriated cross, crowned lions in the angles. Uncirculated. Splen- did example. Evening Sale BRUNSWICK CARL II, 1815-1831 482—Ten thaler, 1828. carn souv . HERZOG V. BRAUNSCH . U . LUENEB. Bust in costume 1. Ri zeHn THALER. Arms on crowned mantle. Very fine. Exceedingly rare, but few struck, it is said, and those intended for 26 , presents, which opportunity he failed to embrace, and their very existence was unknown until his palace in the City of Brunswick was plundered and burned, Sept. 7, 1880, when a few were found. SWITZERLAND 433—HetveTian Repusuic. Sixteen francs, 1800. HELVETISCHE REPUBLIK. Ancient warrior standing, holds flag. 8 (Berne). EK 16 rranxen 1800 JO . in wreath. Proof. 434—Twenty francs, 1873. Pattern by L. Wiener. Helvetia seated to l., Alps before her, oak stump behind; above 22 stars, below HELVETIA. we. Proof. Very rare. 435—CantTon oF UNTERWALDEN. Ducat, 1787. BEAT . NICOL . DE FLUE PAR . HELY. St. Nicholas Von Flue in a hermit’s garb kneeling to right in attitude of prayer; he was born in Saxlen March 20, 1417; died /t: 1487. Through his exertions, in 1481, Freiburg and Solothurn joined the Confederation. He was canonized by Pope Clement IX in 1669. It has been said of him that he lived for twenty years with no other food than the bread of the Eucharist. EK wnarus a° 1417 opnr a®° 1487. XXI MARTY., between palms DUCAT . REI . PUB . SUB . ILV . SUPER 1787. Proof. Very rare. CUBA, CENTRAL AND SOUTH AMERICA | CUBA 436—Twenty Pesos, 1915 ($20). parria y tipeRTAD 1915. 33 . 436.6 . 900m. Head of General Martir. JK REPUBLICA DE CUBA VEINTE PESOS. 2). Arms. Brilliant proof. 437—Twenty Pesos, 1915. As last. Extremely fine, slightly abraded. 2438 Twenty Pesos, 1915. As last. Extremely fine, obverse nicked. 439—Four Pesos, 1915. As above. Brilliant proof. #440 Peso, 1915. As above. Brilliant proof. “441 —Peso, 1915. As last, same condition. jig Peso, 1915. As above. Uncirculated. ; 443—Ten Pesos, 1916. Same design. Uncirculated, slightly chafed. (j44—-Ten Pesos, 1916. Same condition as last. 94:45 Five Pesos, 1916. Same condition. 446—Five Pesos, 1916. Same condition. *'447—Four Pesos, 1916. Brilliant proof. 4.5? Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 448—Four Pesos, 1916. Uncirculated. 2 pieces. ‘449-—Two Pesos, 1916. Brilliant proof. 3 ‘450—Peso, 1916. Uncirculated. Z 451—Pesos, 1916. Uncirculated. Very fine. 2 pieces. 4 NOVA REGNA. Sante Fé de Bogota FERDINAND VII, 1808-1821 452—Hight sueldos, 1817 ($16). FrRDND ym . D.G. HISP . ETIND.R. 1817. Bust of his predecessor Charles tv as they did not have a picture Te to copy of the new king—rather slow—eleven years after his accession. fe Fi AUSPICE . DEO . IN . UTRO@ . FELIX. M.M. N.R. Arms. Very good, BRAZIL JOHN V, 1706-1750 458—Joe, 1730 ($17). m.m. m-Minaes Geraes. IDANNES .V.D.G. PORT. ET . ALG . REx . 1730. Laureated bust r. F} Arms. Extremely fine. d]: Scarce. MARIA I AND PETER III, 1777-1786 454—Half Joe, 1783. Rio mint. mMaRIA .1. ET . PERUS . I .D.G. PORT . ET . ALG . REGES . 1783. Busts accolated r. Fi Arms. Extremely i bs fine. JOHN VI, 1818-1822 455—Half Joe, 1824. sJoANNES . VI. D.G. PORT . BRASIL . ET . ALG . REX oo 1824. Bust, laureated and draped r. FR Arms. Extremely fine. 456—Four thousand reis, 1825. Rio mint. PETRUS .1.D.G. CONST. IMP. ET . PERP . BRAS . DEB . 1825. Bust in uniform 1. JF 1 Hoc steno £/. So vinces (By this sign we conquer). 4000. Arms. Extremely fine. Very rare. CHILE 457—Hight Escudos, 1836 ($16). Santiago mint. REPUBLICA DE CHILE 1836. Arms. J} 1GUALDAD ANTE LA LEI. 8—E .1. 5 . 21es (Equality before 24 the laws). Book—constitution—hand laid upon it, rays above. Ex- ad. tremely fine. Scarce. 458—Twenty Pesos, 1908 ($10). Santiago mint. REPUBLICA DE CHILE. Bust of neat female 1. by Roty. Ti vernre pesos 1908. Arms. Very ‘). fine. Jc COSTA RICA 459-—Half escudo, 1847 ($1). REPUB . DEL CENT . DE AMERICA 1847. Sun — and mountain peaks. HjLiprE crEzcA FEcCUNDO Cc .Rk. J. bk. ‘Tree. Z -/¥ Uncirculated. Evening Sale 460—Escudo, 1848. Same design. Extremely fine. '461—Escudo, 1849. Same design. Counterstamped HABILITADA POR EL GO- BIERNO, lion—all letters do not show. Fine. Z 462—Escudo, 1851. RrErPuBLIcA DE costa ricA 1851. Arms. FE america 3 CENTRAL. Indian Queen rests on pedestal. 15 pEsETE pE 1821 below lz. Extremely fine. ECUADOR 463—Ten Sucres, 1899 ($5). REPUBLICA DEL EcUADOR 1899. Head of Pres. ne %} Arms, etc. The Birmingham issue. Uncirculated. MEXICO 464—Cob Money. So clipped that only ex shows. Arms. KR -+. About So $2 gold value. a REPUBLIC 465—-Escudo, 1831 ($2). mo. REPUBLICA MEXICANA. Eagle. JT) La 1ipeRTAD EN LA LEy (Liberty and the law.) Hand on Constitution. Ex fine. 466—Escudo, 1862. Guanaxuato mint. Type as last. Extremely fine. ae EMPIRE Under Austrian Archduke Ferdinand Maximilian, 1864-1867 (shot at Queretaro, June 19, 1867) 467-—Twenty Pesos, 1866. maximr~rANo EMPERADOR. Head r. J} 1MpPErio MEXICANO. 20 pesos 1866 mo. Very fine. Two small dents on edge. eos REPUBLIC 468—Ten Pesos, 1871. Guanaxvuato mint. REPUBLICA MEXICANA 1871. Eagle on a cactus. J Liberty cap. Scales of Justice scroll rey (law). eke Extremely fine. 469—Peso, 1894. Mo. Eagle. Extremely fine. /: UNITED STATES OF MEXICO 4.70-—Five Pesos, 1906 ($214). EsTADos uUNtDos MExIcANos. Eagle. cinco 2, Pesos 1906. Head 1. Uncirculated. 471—Twenty Pesos, 1917 ($10). EsTADOS UNIDOS MEXICANOS 1917. Eagle devouring snake, standing on a cactus. I} vEINTE PESOS 15 Gr. ORO PURO JO- (Pure gold) (while the U. S. gold coins have 10% alloy). The great stone. Uncirculated. : 472—Dos Pesos, 1920 ($1). Eagle. Uncirculated. v9 NEW GUATEMALA 473—Half Escudo, 1825. REPUB. DEL. CENT. DE AMER. 1825. Sun and mountains. J} LIBRE CRESCA FEC. M.M. N. G. Tree. Very fine. Shows oe planchet file marks badly on both sides. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. PERU FERDINAND VI, 1746-1759 474—Fight Escudos, 1751 ($16). Lima mint. FERND . VI. D. G . HISPAN . ET IND . REX. 1751. Bust in armor r. [F INITIUM SAPIENTIE TIMOR Di 2 pomini. Monogram tmar twice. Arms, Chain of the Golden Fleece. Very fine. UNITED STATES COINS FIFTY DOLLARS 475—1915. $50. Panama-Pacific Commemoration issue. Struck at San Francisco, California. UNITED . STATES . OF . AMERICA . FIFTY DOLLARS. Head of Minerva 1., above in the field. tn cop we TrusT; on part of shield y/ be over left shoulder mM. c.m.x.v (1915). Ei Panama-pPaciric . Ex- POSITION . SAN FRANCISCO. Owl on a pine branch, in the field. — pLURIBUS unum. Rownd. Edge milled. Uncirculated. 476—1915. $50. Octagon. Same design as above. Uncirculated. Ay fake TWENTY DOLLARS 477—1871. $20. Head of liberty left, 13 stars and date. s. 8. u (Longacre, the designer at U. S. Mint) on truncation of the head. Kt unrrep sTatTrEs 55 So OF AMERICA TWENTY D, Eagle, with sunburst above enclosing rn Gop WE : trust. Extremely fine; very slight abrasion on the obverse. 478—1907. $20. St. Gaudens design. Liberty standing with torch and olive branch, the Capitol in the background, from which emanate rays; above an uBpERTy below mcmvu. Around edge forty-three stars. J} unrrep . STATES . OF . AMERICA . TWENTY . DoLLARS. Eagle flying left, rays in background. Wire edge. Uncirculated. 479—1907. $20. As last. Very slight abrasion in the field. 26489 1907. $20. As last. Very slight abrasion in the field. 26481—1907. $20. As last. Same beautiful condition. 28 482—1907. $20. As last and equally fine. 27 483—1907. $20. Same design but with rounded edge. Uncirculated. 23. TEN DOLLARS 484—1795. $10. urserry. Beautiful head of liberty with Phrygian Cap, r.; five stars before and ten behind it; below 1795. EK unirep staTEs or Ue AMERICA. Eagle, with olive wreath in his beak standing on a palm branch. Uncirculated. Mint lustre. Sharp beautiful specimen and one of the finest known. The first U. S. Gold Coin! 485—1799. $10. urpertry. Bust of liberty wearing Phrygian Cap to right; 16 five stars before and eight behind it. Below 1799. i unirep sratzs oF Evening Sale AMERICA. Heraldic eagle with thirteen stars around his head, motto & PLURIBUS UNUM on ribbon in beak, arrows and olive branch in talons. Very fine. 486—1801. $10. Same design as last. Extremely fine. Mint lustre. eee FIVE DOLLARS 487. 1798. $5. Close date, with die cracked below it. Ei Large eagle. 2h Fine. fe. $5. Small stars. Fine. ‘489—1800. $5. Large stars. Very good. ep ic08 $5. Over 1802 as all are, Fine, /§-491—1805. $5. Very fine. Very light bruise on edge. /é 4921806. $5. Blunt 6 with six stars before bust and seven behind it. J 2° Slight dent on the edge. Very fine. 493—1806. $5. Same variety. Very fine, but lower edge shows the file JO. marks in the planchet, not seriously marring the coin. 494—1807. $5. Bust right. Die broken over T in UNITED on reverse. SO. Very fine, but has been rubbed with an eraser. 495—1808. $5. Bust to left. Very fine but has been damaged by same d/h. means as last. 496—1808. $5. Fine. 497—1810. $5. Large date. Very fine, but has been rubbed with an eraser. /A98—1811. $5. Very fine. /$499—1812. $5. Extremely fine. Af 500—1813. $5. Extremely fine. /8501—1813. $5. Very fine, but has been rubbed with an eraser. 73 502—1834. $5. Plain 4. No motto over eagle. Fine. 4 503—1844. ¢5. New Orleans mint. Fine. 425041901. $5. Very fine. 505—1906. $5. Brilliant proof. Desirable condition. £ 506—1909. $5. Very fine. THREE DOLLARS 507—1854. $3. New Orleans mint. Very good. Faint dent in field. Fé —1866. $3. Extremely fine. O509—1866. $3. Very fine. 2 pieces. /é 5101879. $3. Uncirculated. Mint lustre. //’511—1879. $3. Extremely fine. /2°512—1881. $3. Extremely fine. Rare. Deg $3. Fine. Very faint scratch on obverse. Vy Mi Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. QUARTER EAGLES OR $214 514—1798. $214. Extremely fine, but shows some microscopic nicks almost imperceptible to the natural eye. Sharp, even impression. One of the / 20. finest known examples of this extremely rare coin. 515—1805. $214. Fine. Feb. 1861 very lightly pin scratched in field before 29 face. 516—1806. $214. Over 1804. Five stars before the face. As usual the GO. center is not fully struck up. Very fine. Very rare. — 517—1898. $214. Proof, slightly abraded. ~° “518—1915. $214. Panama-Pacific commemorative issue. UNITED STATES oF AMERICA 214 pot., defiant eagle on a sign post inscribed. & . PLURI- ee Bus . uNUM. J} PANAMA-PACIFIC EXPOSITION 1915. Columbia on a sea horse. Uncirculated. Rare. DOLLARS 519—1874. $1. Extremely fine. 520—1883. $1. Uncirculated. 521—1889. $1. Last year of the regular coinage. Uncirculated. 522—1903. $1. Commemorating the purchase of the Louisiana tract from - the French by Thomas Jefferson, 1803. UuNrrED sTATES OF AMERICA. TA. Bust of Jefferson 1. KE LovutsIanNa PURCHASE EXPOSITION ST. LOUIS ONE poLLAR 18038-1903. Same design but with bust of President William McKinley who was President on the 100th anniversary. Uncirculated. 2 pieces. 523—1904. $1. Lewis and Clark Expedition to the Far West, commemora- tive issue. UNITED STATES OF AMERICA ONE DOLLAR. Bust l. FE Lewis- Ve CLARK EXPOSITION PORTLAND, ORE. 1904. Bust J. Extremely fine. Scarce. 524-1915. $1. Commemorating the Panama-Pacific Opening. unNiTED STATES OF AMERICA 1915. Head of Labor to whose efforts the Panama 4. “oO Canal became a reality. J} PANAMA PACIFIC EXPOSITION SAN FRANCISCO ONE DOLLAR, two dolphins indicating the meeting of the Atlantic and the Pacific. Uncirculated. 525—1915. $1. As last. Two pieces. Tee © vas HALF DOLLAR 526—1915. $14. Panama-Pacific Commemorative issue. PANAMA-PACIFIC EXPosITION 1915. Columbia and infant. Ki unirep sTaTEs OF AMERICA. ff. HALF DOLLAR. Eagle standing on U. S. shield, oak and olive branch at the sides, 1x GoD wE TRUST above. Uncirculated. Scarce. Evening Sale HALF CENTS 527—1804. toc. Crossed 4, tongue out variety. i Ends to stems. Plain / 4. I No ends to stems. Good. 2 pieces. PATTERN COINS o2e-1879,o4o0rStella.* 6 *6* .3*s5* .7*c* 7 * e@* ep * a * mM * s * 1879 = Six parts gold, three silver, seven copper, seven grams. Head of liberty 1., diadem inscribed 1t1pErty. FE unrrep sTatTEs OF VOS . AMERICA FOUR DOL. Star inscribed oNE sTELLA 400 cENTs, between the points E PLURIBUS UNUM — DEO Est GLorIA. Uncirculated. Slight proof surface. Very rare. 529-—-1879. $4. As last. Extremely fine. Tf 5380—1879. Dollars. Goloid-Metric and Metric. Very fine. 2 pieces. is MEDALS COMMEMORATING OUR MARTYR PRESIDENTS 531—Lincotn-GarFietp. Fine head on either side. Brillant proof. Gold JO. value $9. Size 16. 532—Lincotn-GarFieitp. As last but smaller, gold value about $2.50. Bril- Pee uant proof, Size 12. oouk PRIVATE, PIONEER AND ASSAYERS’ COINS NORTH CAROLINA. RUTHERFORDTON C. BECHTLER 53838—(1834). $5. c. BECHTLER, ASSAYER. * RUTHERFORD couNnTY. J} NorTH y) CAROLINA comp . * 5 potztars 20 . carats . 150 . G . (grains). 10: Border of dots, edge milled. Very fine. Excessively rare. 534—(1834). $5. c : BECHTLER . AT RUTHERF : * 5 poLiars. J cErorcia Gory . 22 carats , in center 128 .¢@.* . Very fing Rare. It is my As. belief that the czoreia on this coin is to denote its being made of gold brought from or found in that State. A. BECHTLER 5385—(1834). $5. Aa . BECHTLER . RUTHERFORD . * 5 pouuars. i caro- aD) © rrNA GOLD 21 carats 184 . ¢ : Extremely fine. 5386—(1841?). $1. a . BEcHTLER . * 1 pou : BR carorina corp 21 .c., 27 .c. Extremely fine, unbent but has a very hght X on rev. CALIFORNIA KELLOGG & CO. SAN FRANCISCO 587—1855. $20. Type of U. S. regular coinage with different inscription. Head of liberty 1., KELLOGG & co. on diadem; 13 stars and 1855. J} san Uae FRANCISCO CALIFORNIA TWENTY D. Eagle, ete. Good. Considerably nicked. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. AUGUSTUS HUMBERT, U. S. ASSAYER, SAN FRANCISCO 588—1851. $50. unrrep sTaTEs or AMERICA 50 pc Eagle with three arrows in talon supports U. 8. shield, while in his beak a ribbon inscribed LIBERTY, above on label 880 rHovs. Border plain. EK Engine turned, without the 50 punched in the center. Edge, aucustUs HUMBERT UNITED 4 62 STATES ASSAYER OF GOLD CALIFORNIA 1851. Octagonal. Extremely fine, brilliant, sharp even impression with only the most trifling defects which are, two pin point pricks in obverse field; a minute test cut on edge just after the date, two almost invisible hair line scratches hardly noticeable by the natural eye. One of, if not the finest known example of this very rare variety with plain border on obverse, and name and date on the edge—this too has a peculiarity I have not before noticed—i.e.—the word HUMBERT is inverted, indicating the edge was lettered by hand. A gem ! 5389—1851. $50. Same design as last but the aucusTus HUMBERT UNITED STATES ASSAYER OF GOLD CALIFORNIA 1851 is on the face of the coin; the NS edge being milled. 887 rHovs on scroll. Octagonal. Very good. Nicks say and one corner bruised. 540—1851. $50. Same as last. Very good. Two corners bruised, numerous /6o. “minute nicks. Octagonal. 541—1852. $10. unirED sTATES OF AMERICA TEN DoLs. . Eagle as on above. 884 THovs on label. HE Engine turned with tablet across center; on 23 which AUGUSTUS HUMBERT UNITED STATES ASSAYER OF GOLD CALIFORNIA. 1852. Very good. MOFFAT & CO. SAN FRANCISCO 542—1849. $5. Type of regular U. S. coinage but Morrar & co on the dia- dem; around 13 stars and 1849. J s. m. v. CALIFORNIA GOLD FIVE DOL. /6. Eagle. (S. M. V=Standard Mint value). Good. 543—1850. $5. As last but eagle of coarse work and die broken under o1 of pout. Small edge dent. Good. f 3 COLORADO CLARK GRUBER & CO. DENVER 544—1860. $10. pikes PEAK GoLD TEN p. View of Pikes Peak, beneath which SA So is DENVER, place of mintage. Fs crark crupEer x co 1860. Eagle. VA : Minute pin point nick in field. Extremely fine. Very rare. Ys 545—1860. $10. Same as last. Very fine. Very rare. 546—1860. $10. Same as last. Very fine but has been abused, having four- small corroded spots near edge on obverse; light pin scratches over eagle 28. and subjected to a rubbing with an eraser. 547—1861. $10. Type U.S. regular coinage. prxes prax on diadem. J 2) CLARK GRUBER & CO : DENVER * TEN Dp. Fine. Evening Sale 548—1861. $5. Same design as last. Very fine. Has a scraped spot in te the field before the eye. 549—1861. $214. Same design as last. Good. Nick on edge. UTAH COINAGE OF THE MORMONS AT SALT LAKE CITY 550—1849. $5. To THE LorD HoLINEss. Eye of Providence with a Bishop’s Pemmeireaboveit. Ha.s-t.c.vr.cé. (Great Salt Lake City Pure us . Gold) Frve . pouuars. Clasped hands, 1849 below. Fine. Small dent on center of obverse and little nick in center of reverse. Rare. 551—1860. $5. Holiness to the Lord in the Mormon characters. 1860. Re- cumbent lion to left. i pEsERET AssAy OFFICE PURE GoLD 5. pv. Defiant js. eagle standing behind a bee hive, holds olive branch in right talon, three : arrows in left. Extremely fine. Very rare. ALASKA, BRITISH COLUMBIA, ETC. 552—Arasxa, 1898. One Pinch. 1900 14 Pinch, 1909 14 dwt. Miner. British Columbia 1912 dollar size. California 1856 Oct. dollar size. 1852 14 3 size, round. All modern jewelers fakes. Uncirculated. 6 pieces. CANADA 553—Sovereign, 1908. Edward VII. Type of regular British coin but minted in Canada, c on truncation of ground under St. George. Uncirculated, .%© prilliant. Very rare. 554—Teen Dollars, 1912. George V. Bust crowned and in royal robes]. KB JO: CANADA TEN DOLLARS 1912. Shield within maple wreath. Very fine. 555—Five dollars, 1912. As last. Extremely fine. 6 °° Mie SECOND AFTERNOON'S SALE TUESDAY, MARCH 6, 1923 IN THE ASSEMBLY HALL OF THE AMERICAN ART GALLERIES BEGINNING AT 2.15 O'CLOCK Catalogue Numbers 556 to 769, inclusive EARLY ROMAN, EGYPTIAN AND ALEXANDRIAN GLASS 556—Pair Smatt Brack Moxipep Jars Roman, Second Century A.D. a: With handles. We : Height, 134 inches. 557—SMALL Jar Egyptian, Ptolemaic Period Si Black ground with yellow markings. J g.%e Height, 11%, inches. 558—Smatu Bowr Egyptian, Ptolemaic Period With black ground, decorated with white and red zigzag bands. ee Height, 2 inches. 559—Roman Tortet Botrie Roman Provincial, Second Century A.D. DS. In imitation of stone; iridescent. H eight, 2 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 560—BorrLe iy Onyx Ware Roman, First Century A.D. Js Lapis-lazuli, with lighter blue markings. Height, 31/4, inches. 561—Smatu Jue Roman, about Third Century A.D. Y With body molded in divided rib pattern. Good iridescence. Oo: Height, 31% inches. 562—Borttie witH Hexaconat Bopy Palestine, Third Century A.D. The sides decorated with molded patterns in relief. 20. Height, 31 inches. 563—SmaLu Borrue with Brack Neck Aanp Base Egyptian, Ptolemaic Period £5 The body decorated with black and green dragged bands, and lines on yellow ground. Height, 31 inches. 564—SmatuL Brown Botrie Roman, First Century A.D. In onyx ware; black surface, with rings and bands in shades of brown. . Height, 4 inches. /bo (Illustrated) 565—Deerr Disu Roman, First Century A.D. Of dark blue glass with light blue markings. 4o. Diameter, 21/, inches. (Illustrated) 566—CyuinpricaLt Box Alexandrian, First Century A.D. With lid in bright blue with light markings. 4 | Height, 33, inches. & (Illustrated) 567—Smautut Deep Disu Roman, First Century A.D. In bluish-gray and blue; iridescent. . 4e Diameter, 234 inches. (Illustrated) 568—Onyrx BotTrTLEe Roman, First Century A.D. A In brown with markings in lighter tint. Oo. Height, 334 inches. (Illustrated) 565 567 566 564 3 568 Roman anp ALEXANDRIAN GLAss OF THE First Century A.D. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 569—Mi.ueFior1 Cur Early Imperial Roman vo With gray and light blue the preponderating tones. Diameter, 334 inches. 570—Mi.ueFior1 Cup Roman, First Century A.D. With alabaster tone. Bo q Diameter, 334, inches. 571—BorrTLeE In Onyx WARE Roman, First Century A.D. fo Blue ground with light irregular flourishes in pale blue. : Height, 514, inches. (Illustrated) 572—Onyx Ware BottTiE Roman, First Century A.D. In deep brown, with lighter brown markings; iridescent. } O. Height, 5 inches. (Illustrated) 573—Toiter Botte Roman, First Century A.D. With light spiral thread design on brown ground. Height, 3%/, inches. . (Illustrated) 574—Roman Borrie Roman, First Century A.D. In imitation of striped agate. HO Height, 5 inches. , (Illustrated) 575—BortritE or Onyx Ware 1nN BLvE Roman, First Century A.D. _. With decoration in light blue to white drag lines. J A) Height, 51% inches. ; (Illustrated) 576—Tortrer Jue Roman, Second Century A.D. ue With extended lip; iridescent. Height, 33/4, inches. 572 574 573 571 575 Roman Guass or THE First Century A.D. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 577—Cur witu InverTep Cur Base a Roman Provincial, Second Century A.D. Toy Decorated with wide black threads in relief. Brilliant iridescence. Height, 334 inches. 578—ARYBALLOS Roman, Second Century A.D. bo In brilliant green ; iridescent. Height and diameter, each 83, inches. 579--Briack Rinc-sHAPED PERFUME BoTTLeE Egyptian, Twenty-second to Thirtieth Dynasty 200 - Decorated with white dragged bands; rings for suspension. (Illustrated) Height, 6%, inches; diameter, 3°/, inches. 580—Smatt Moxpep GRoovep JAR Roman, Second Century A.D. 50 In onyx ware; red ground wtih black markings. 3 (Illustrated) Height, 1%, inches. 581—AMPULLA Egyptian, Ptolemaic Period Black ground, with yellow and green decoration. Oo. (Illustrated) Height, 3%, inches. 582—AMPULLA Egyptian, Twenty-second to Thirtieth Dynasty Black ground, decorated with yellow bands, and green and yellow drag 4 . markings. (Illustrated) Height, 3 inches. 583—Smatt Moipep Groovep Jar Roman, Second Century A.D. In green. 0. (Illustrated) Height, 2 inches. 584—Buver Guass Borris Roman Provincial, Fourth Century A.D. Lb O With square body; iridescent. Height, 83/, inches. 585—Smatu Brack Borris Egyptian, Twenty-second to Thirtieth Dynasty J, lon With spiral white band and thread, and the body with white drag pat- tern. Height, 334 inches. 583 580 582 581 Eeyprian AND Roman Gtass Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 586—Smatut Jue Roman Provincial, about Fourth Century A.D. IS In light glass; iridescent. Height, 3°, inches. 587—-Drer Disu Roman, Second Century A.D. Blue-gray. 20. Diameter, 31/, inches. 588—Bottite 1x Onyx Ware Roman, First Century A.D. Deep blue ground with light blue markings. 3/0 . Height, 31% inches. 589— ALABASTRON Egyptian, Nineteenth to Twenty-first Dynasty Decorated above with yellow bands on black; center with yellow and /3.0 _ green zigzag; and below with yellow and green bands. Loops for sus- pension. (Illustrated) Height, 6 inches. 590— ALABASTRON Egyptian, Twenty-second to Thirtieth Dynasty Decorated with white zigzag bands on brown ground. Loops for sus- 4 pension. Height, 31/, inches. (Illustrated) 591—ALABASTRON Egyptian, Twenty-second to Thirtieth Dynasty With light feather pattern closely worked on black ground. IS Height, 81, inches. (Illustrated) 592— ALABASTRON Egyptian, Twenty-second to Thirtieth Dynasty With white ground, decorated with zigzag markings. Loops for sus- 4o pension. ' Height, 4 inches. (Illustrated) 593—AMPULLA Egyptian, Twenty-second to Thirtieth Dynasty In green glass with red surface; the neck decorated with spiral white 170. thread and black bands; body with white and black drag pattern, and base with white and black bands. Slightly iridescent. Height, 6 inches. (Illustrated) RAN hoe § Se i Se i Sal 593 592 591 590 589 Eayprian GLAss FROM THE TWENTY-SECOND TO THE Tuirtietu Dynasty Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 594—Roman Cup Roman, First Century A.D. TS: White. Diameter, 31/, inches. 595—Roman Bown Roman, Third Century A.D. 3 Ue In iridescent brown glass. Height, 3, inches. 596—Smatut Botte Roman Provincial, Fourth Century A.D. I? o With button decoration. Height, 34/, inches. 597—Bow.u with Four Hanpues anp Turret FEEt 30 Roman Provincial (Danube), Third Century A.D. Decorated with pinched points in relief; iridescent. Height, 31, inches; diameter, 314 inches. 598—VasE Roman Provincial (Rhine), Third Century A.D, SO. With serpentine decoration in relief. Height, 4 inches. 599—BottTite in Onyx Ware Roman, First Century A.D. 3 < Bright blue ground with shaded blue markings. " Height, 4 inches. 600—AMPULLA Egyptian, Twenty-second to Thirtieth Dynasty 4y Decorated with narrow bands, and irregular zigzag markings in yellow, * blue and green. Height, 4 inches. 601—MitierFior1 Cup Early Imperial Roman 5 With black and red tones. Diameter, 4 inches. 602—Torter Botrte Roman Provincial, Third or Fourth Century A.D. 50 Decorated with crossed zigzag threads in relief. Fine iridescence. Height, 4 inches. 603—BortLte 1n Onyx WARE Roman, Early Imperial Z 0 Dark blue with light blue spiral bands and threads. Height, 4 inches. 604—Mitueriori Cup Roman, First Century A.D. 3 A O With black and variegated tones. Dtameter, 4 inches. Second Afternoon 605 605—-Mixieriorr Cup Early Imperial Roman 22 a With preponderating tones purple and red. Diameter, 4 inches. 606—Mitirrior1 Cur Early Imperial Roman $e 8 With red the preponderating tone of the mosaic work. Diameter, 381% inches. 607—Mi.ueFiori Cup Early Imperial Roman is 7 a With blue and green tones. Diameter, 334, inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 608—Two Does, a4 Lion anp Two Hawrs Egyptian, about Saite Period NINO. In ancient glass. 609—SmaLu STATUETTE OF A WoMAN AND A SmauL Heap Egyptian, about Twenty-second Dynasty 2O- Both in stone. The first in mummy form. 610—Smartt Wuire OpaauE Bortie Syrian, about Third Century A.D. In imitation of stone; hexagonal body, the sides decorated with molded Ko. heads. Height, 3%, inches. 611—NEcKLACE re Of mosaic glass beads alternating with chalcedony beads. 612—Ancient NECKLACE A55 Of cut crystal and red beads. 613—NEcKLACE b. Of blue and gold beads with nine pendants of vase models in ancient .) Egyptian varied colored glass. 614—NEcKLACE Of ancient Egyptian variegated beads of iridescent glass. With six AS pendants of model vases. 615—NEcKLACE b Of ancient Egyptian mosaic glass beads, alternating with chalcedony and 40. gold beads. Lh 616—Smatt WuitEe Opaque BotTLte Syrian, About Third Century A.D. — In imitation of stone. Hexagonal body, the sides decorated with molded heads. Height, 34, inches. 620—AMPULLA Roman Provincial, Third Century A.D. As In imitation of white stone; handles of light blue. : Height, 41/4, inches. 621—Licut Biue AmPuLia Roman, First Century A.D. With stone surface. /S- Height, 414, inches. Second Afternoon 622—SLENDER GREEN Grass. VASE Roman, First Century A.D. With dark blue surface, decorated with divided rib pattern, and inlaid Z YO * white and red bars. Height, 4% inches. 623—PrrrumMe Lape Alexandrian, Early Imperial S50 cn With tube handle; very fine iridescence. Length, 41 inches. 624—Lone Necx Fuask 1x Deer Buvur Roman Provincial, Second Century A.D. /S- With fine iridescence. Height, 43, inches. 625—Toi1Let BotTLe Roman Provincial, Second Century A.D. 1s Green glass. Height, 434 inches. 626—Licut Grass Juc Roman, Fourth Century A.D. age Slightly iridescent. Height, AY, inches. 627—BorrLe with Hexaconat Bopy Syrian, Third Century A.D. The sides with molded decorations. Brilliant iridescence. 4-0 Height, 414 inches. 628—Vasr 1n Licut Guass Alexandrian, First Century A.D. _ Decorated with blue ribbon and spiral threads; rings for suspension. a ‘ ‘ Height, 5 inches. 629—VaseE 1n Piatn Guass Roman, First Century A.D. /$0 With bright iridescence. Height, 5 inches. 630—Toiter BorrLe Egyptian, Second Century A.D. Black ground, decorated with yellow bands on neck, and heavy feather 40. pattern in same color on body. Height, 5 inches. 631-—-AmpuLLa witH WuitTEe GrouND Egyptian, Twenty-second to Thirtieth Dynasty 6 &. Decorated with white drag lines on black, and zigzag markings. Height, 5 inches. 632—Two-HANDLED F.LAsk Roman, about Second Century A.D. we - With fine iridescence. Height, 514 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 633—Darx Guass Friasx Alexandrian, Third Century A.D. With black enamel surface. Decorated with molded scroll and diaper 2 ©. designs; white threads in relief on the neck. Loops for suspension. Height, 5%, inches, 634—Tor1Let Jue Roman, Second Century A.D. o With extended lip; iridescent. Rare Height, 51, inches. 635—-Roman Bow. Roman, about Third Century A.D. With brilliant iridescence. D380 ° Diameter, 51/ inches. 636—BortrtrLe witH SLENDER NEcK Roman Provincial, Second Century A.D. /OO . In brown glass; iridescent. Height, 51 inches. 637—CriEar Guass SEcTIONAL BoTTLe Roman, Fourth Century A.D. 4 O ; Height, 51%, inches. 638—Bortie in Licut Guass Roman Provincial, Fourth Century A.D. ple Slightly iridescent. : Height, 51% inches. 639—Beti-SHarepd Borrie Alexandrian, Second Century A.D. So In deep reddish brown glass, with blue surface. Fine iridescence. Height, 514, inches. 640—AMPULLA Egyptian, Ptolemaic Period y fp Decorated with a delicate feather pattern, and having the surface decom- posed to a brilliant iridescent green. Height, 5% inches. 641—Buve Exuirsomw Frasx Roman Provincial, about Second Century A.D. JS * With short, narrow neck; iridescent. Height, 614, inches. 642—Roman Jue Roman Provincial, Fourth Century A.D. With rich blue ground; iridescent. ESE Height, 7 inches. Second Afternoon 643—Batsam FLasxk Alexandrian, about Second Century A.D. In deep red glass with black enamel surface. On each side a molded mask J 20. in relief. Height, 7 inches. 644—Jue with Hexaconat Bopy Syrian, Third Century A.D. J 7 O The sides molded with geometrical designs. Fine iridescence. Height, 7%, inches. 645—Licur Borris Roman Provincial, Third Century A.D. Fo Blue handle and ribbon decoration. : Height, 71, inches. 646—Licut Guass BotrrTue Roman Provincial, Third Century A.D. 2 With long neck, decorated with blue and brown spiral threads in relief. % Height, 7 inches. 647—AmMPULLA Alexandrian, First Century A.D. x In blue glass; iridescent. OF Height, 8 inches. 648—Fuask SuHaprep as A ComposiTE ANIMAL Roman Provincial, Third Century A.D. 15 0. Bull’s head; body of fish; flat tail, and four small feet. Length, 8 inches; height, 31% inches. 649—PaTERA Roman, First Century A.D. ie In clear glass with bright iridescence. Oo. Diameter, 81% inches. 650—Prrrume Howuper or TEar-BoTTLE SHAPE Egyptian, Ptolemaic Period ae In light blue glass, decorated with sunken white threads. Height, 81% inches. 651—ALABASTRON Egyptian, Twenty-second to Thirtieth Dynasty The neck decorated with spiral yellow band; the body with yellowish J 4 Q-. drag pattern tinged here and there with red; and the base with white bands. Slight iridescence. Height, 914, inches. 652—Horn Frask | Gaul, about Third Century A.D. q With bright iridescence. ; O : Length, 91% inches. eg SES St Lek Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. RARE FAIENCES, MINIATURES AND BRONZES Purchased largely from the collections of Mr. Thomas B. Clarke and Mr. J. Pierpont Morgan of New York, Messrs. Kouchakji Fréres of New York and Paris, Mr. C. Filippo of Italy, Messrs. Emile Tabbagh & Company of New York and Paris, and Messrs. C. & E. Canessa of New York and Paris. 653—Perrsian Prar-sHapepD VasE Seventeenth Century With short foot, raised shoulder and short trumpet neck. Shoulder a white, the remainder glazed in a soft and vaporous sky-blue, with a floral band encircling the body etched in white reserve. Height, 5 inches. 654—Perrsian Lustre Borris Fifteenth Century JO. Globular, broadly expanded from a short foot to a cylindrical and © fluted band and rounding to a short and small neck (with metal lip). Decoration, varied flower and leaf sprays in copper lustre on a ground of rich white. Height, 51/4, inches. From the Tabbagh Collection, New York. 655—Raxxa PircHEer Ninth Century £5. Pear-shape on a spreading foot, with short, wide neck and loop handle, on which a thumb-button is modeled in low relief. Entirely coated with a creamy and silvery iridescence, over a glaze conjecturally, from occa- sional outcropping hints, of blue-green with black ornamentation. Height, 5 inches. 656—Raxxa PircHEer Ninth Century we Broad pear-shape on a bold foot; short cylindrical neck and loop handle. Turquoise glaze with scroll decoration in black. The greater part of the surface a mass of rich and brilliant iridescence. Height, 5% inches. 657—Raxka PiTrcHER Twelfth Century 4 JO. Pear-shape on spreading foot, with wide neck slightly contracting, and recurving loop handle. Brilliant white glaze, with real or simulated Arabic inscription in blue around the body, overlaid by a scroll in black. Height, 534, inches. From the Tabbagh Collection, New York. Second Afternoon 658—Perrstan Pottery PircHEer Siateenth Century Ovoid on a bold foot, with short and slightly contracting neck, cup-lip es and pinched spout, and recurving loop handle. Turquoise-green glaze, / crackled, stopping in a welter short of the foot, and bearing an eccentric decoration of scroll and leaf motives painted in black. Height, 6 inches. From the Tabbagh Collection, New York. 659—Raxxa Lustrep Jar Ninth Century Nearly cylindrical, contracting slightly from a broad base above a bold To but withdrawn foot, and finishing with a narrow flaring rim. Cream glaze, decorated in brown lustre with an inscription on a ground of vermiculate scrolls. Patches of pearly iridescence. Diameter, 61/, inches. From the Tabbagh Collection, New York. 660—Ruacrs Porrery Mortar anp PESTLE Twelfth Century Mortar cylindrical with molded lip and foot, and two pierced handles J4; below the lip. Exterior studded wtih diamond and half-diamond bosses Ce ay high relief. Glazed in rich turquoise-blue of moderate brilliancy and lightly crackled, the same glaze coating the septagonal pestle. Unique and interesting example. Diameter, 61/ inches. 661—Ruacrs Decorated Bow. Thirteenth Century Ovoid on bold foot. Pale yellow and brownish decorations of varied a JO and confused scroll designs, both boldly drawn and lightly penciled, on a cream glaze showing a light crackle. (Repaired.) Diameter, 7 inches. From the Filippo Collection, New York, 1918. 662—SvurtanasaDd Bow. Twelfth Century Ovoidal expanding from a short foot, and contracting slightly at top to a short upright lip. Peacock-blue glaze, with a stellate decoration So , in black in the interior, the alternate rays penciled with single columns of bold scroll on plain ground and a less vigorous serpentine scroll on stippled ground. Borders on exterior and interior and panels on the exterior. Numerous areas of silvery iridescence. Diameter, 7 inches. From the Canessa Collection, New York. 663—Raxxa VaAsE Ninth Century Broad pear-shape on a short foot, with abrupt and wide mouth. Cream 50 glaze, decorated in lustrous brown with bands and vermicular scrolls, and the scrolled ground traversed by Arabic characters in a soft blue. Delicate frostings of an incipient iridescence. Diameter, 114, inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 664—Ruacrs Bow. Twelfth Century Ovoid with a delicate lip, and on the exterior a light molding under it; low, spreading foot. At bottom of interior an equestrian figure, which 2 #0 is six times repeated about the sides, in turquoise, russet, gray and black : on an ivory glaze, the side figures within enclosures involving floral scrolls and the endless knot. Around the exterior a Cufic band. From the Tabbagh Collection, New York. Diameter, Si inches. 665—Perstan (Kirman) Jar Siateenth Century Cylindrical, with withdrawn foot lightly spreading, short contracting /§ neck and everted lip. Monochrome glaze of brilliant turquoise-blue. From the Tabbagh Collection, New York. Height, 8 inches. 666—Svutranasap Bown Twelfth Century Ovoidal on a bold foot, the upper sides rounding in slightly to a short lip. Gray-white glaze, crackled, the exterior ringed in brown and car- rying a band of bold diaper in deep blue. In the interior, fan-shaped i 30 : panels with floral ornamentation in two shades of blue, in brown and in white reserve, the stellate arms separating them being in rich lapis- blue. Soft silvery iridescence. Diameter, 11/, inches. From the Canessa Collection, New York. Second Afternoon 667—Ruacrs Bown Twelfth Century Ovoidal on a low and slightly spreading foot. Delicate structure, with 32 glaze of soft creamy-white. On edge of rim a tongue border and below 7) this an animalistic segmental border. The rest of the decoration, occu- pying the cavetto, includes an equestrian at the centre, four sphinxes and four scroll devices, painted in blue and black and red-brown and gold. Around the exterior a cursive border. Diameter, 8 inches. 668—Ruopian PircHer Stateenth Century Pear shape with spreading foot and full expanding neck and recurving is hase loop handle. White glaze, decorated in turquoise-green and lapis-blue, and rich copper-red enamel, with growing shrubbery and swaying tulips. Height, 81/4, inches. 669—SvutTanaBapd Bow. Thirteenth Century Flaring from a deep and slightly spreading foot, and contracting s ey abruptly and very slightly to a wide mouth. Green-blue crackled glaze with simple decorations in black. Silvery iridescence. (Restored.) Diameter, 814 inches. From the Filippo Collection, New York, 1918. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 670—Ruacres Rosk Water SprinkLER Twelfth Century bo. Pear shape with slender and tapering neck. Lattice, floral and endless- knot decoration in two bands and eight panels, executed in brown, tur- quoise and gray on a cream-white ground. Height, 81% inches. 671—Raxxa Bown Ninth Century La Inverted bell shape, flaring, on a deep foot unglazed. Both interior and exterior of bowl glazed in greenish turquoise-blue, the interior finely penciled in rich black with medallions and scrolls of highly formal design. Areas of iridescence on the exterior. Rim rolled inward and upward on one side of the bowl. (Restorations at rim.) Diameter, 8 inches. 672—Ruopian PircHER Sieteenth Century Al0, Pear shape with full expanding neck and recurving loop handle, on a bold foot. Decorated with sprigs of flowers swaying in graceful curves, every other one done in deep lapis-blue, the alternates executed in green with touches of copper enamel. Height, 81/4, inches. From the Thomas B. Clarke Collection, New York. Second Afternoon 673—Ruopian PircHEer Sixteenth Century Pear shape with short foot, full neck with molded lp, and recurving loop 240 handle. Cream-white ground, both neck and body encircled by bands of graceful floral scroll in deep blue, the blossoms heightened with copper enamel and lightly touched with green. Height, 8 inches. 674—Ruopiran Puiate Sixteenth Century Polyfoliate medallions outlined in green on a greenish-white ground DD: enclose vermicular scrolls in black, which encompass primitive blossom forms touched with red enamel. Diameter, 91/, inches. From the Tabbagh Collection, New York. 675—Raxka Bown Ninth Century Coniform, flaring broadly; deep unglazed foot. Creamy and greenish- 3 Le white glaze, decorated in brown lustre with scrolls, conventional floral forms and simulated inscriptions, the interior sides divided into panels by four strokes in a pale lapis-blue. (Restored.) Diameter, 91, inches. 676—Ruopian PircHErR Sixteenth Century _ Pear shape on a low, spreading foot, the neck wide and lightly expand- /$o ing; recurving loop handle. Cream-white glaze, with a decoration of ‘ tulips and other flowers springing upward to different heights and in sinuous lines, one set of the flowers adorning the body and another set the neck. They appear in a soft green, lapis-blue, and copper enamel. From the Tabbagh Collection, New York. Height, 83, inches. Kindly read the Conditions wnder_which every item is offered and sold. They are printed in the forepart of the Catalogue. 677—Raxka VASE Ninth Century Inverted pear shape on convex foot, with short cylindrical neck and HM 0. lightly expanding molded lip. Turquoise glaze, with a simple decora- tion of black diagonal broad stripes, and ring borders, the greater part of the surface now encrusted with a silvery, golden and fiery iridescence. Height, 83/, inches. 678—Grarco-Roman VAsE Second Century B.C. Slightly ovoidal contracting to a low foot and a full cylindrical neck with lightly everted lip; two angular loop handles. Incised decoration = of crude design, with rings encircling the shoulder, and about the handles 200. roundels in relief, under a turquoise-blue glaze iridescent and bearing grayish earthy attachments. Height, 934 inches. From the Tabbagh Collection, New York. 679—Kuorassan Botrie-ForM VASE Stateenth Century Globular with spreading foot and wide cylindrical neck and molded lip, b §. the neck polygonal and the body modeled in accord. Brilliant turquoise- 2 blue glaze, with a body border of foliate medallions in relief and orna- mented with flower sprays in polychrome, and a pendent border in relief below the lip. (Restored.) Height, 91% inches. From the Filippo Collection, New York, 1918. Second Afternoon 680—Raxxa VasE Ninth Century Inverted pear shape with convex foot, and short cylindrical neck expand- 3 /o. ing in a heavily molded lip. Glaze of greenish turquoise-blue with con- ventional floral scroll decoration in black, the glaze ceasing well above é the foot. Nearly all of the surface converted to a brilliant iridescence. Height, 914, inches. 681—Raxxa Bow. Twelfth Century xe Oviform cavetto and flattened rim, on a short foot. White glaze, Jo: crackled. Decorated with four rings, below the rim, two in a rich emerald-green and two in a soft lapis-blue. Diameter, 934 inches. From the Tabbagh Collection, New York. 682—Grarco-Roman VasE _ First Century B.C. Ovoidal body of graceful proportions, on a spreading foot; wide neck V/s @. very slightly incurvate, and boldly flanged lip. Two broad loop handles. Below the handles incised palm leaves, the decoration being continued in vertical incisions around the body. Lustrous greenish-turquoise glaze, with light grayish earthy incrustations and hints of iridescence. Height, 12 inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 683—Ruopian PircHer Sixteenth Century Pear shape with full neck and large recurving loop handle, on a bold 200 cylindrical foot. Brilliant white glaze, with a decoration on both body and neck of tulips blossoming in lapis-blue between green leaves, up- springing from simple borders, and alternating sprays of other flowers in blue and green enhanced by touches of copper enamel. From the Thomas B. Clarke Collection, New York. Height, 8’, inches. 684—Ispanan Wine Borrie Siateenth Century Broad arched form with the two faces flat, sides and rounded shoulder i bulbous, bulbous neck and flat foot. Greenish-turquoise glaze. On a4 0 obverse a girl dancing before a prince, and on reverse a musician, mod- eled in relief, and on the rest of the body a primitively designed deco- ration incised and modeled in the paste, beneath the glaze. From the Filippo Collection, New York, 1918. Height, 9, inches. 685—Ruopian Fracon - Siateenth Century Cylindrical with bracket handle. Rich cream-white glaze broadly and lightly crackled. Decoration, large and smaller foliated medallions, 40, themselves carrying floral and conventional ornamentation, in emerald- green and lapis-blue and in copper enamel, with the cream reserve, while intervening spaces bear small and detached four-petal blossoms in emerald. Height, 8%/, inches. From the Thomas B. Clarke Collection, New York. Second Afternoon 686—Ruopian FLacon Sixteenth Century Cylindrical with bracket handle. Brilliant white ground decorated with nn __ serolled floral figures and medallions in turquoise-green and grayish lapis- blue, and rich copper enamel. Floral borders at lip and base. Height, 81/, inches. From the Thomas B. Clarke Collection, New York, 1917. 687—Ruopian PircHer Sixteenth Century Pear shape on a bold foot, with full neck lightly expanding and a recurving loop handle. 'Turquoise-green imbrications outlined in black, a : on a sort of matt surface of varying white, this decoration interrupted by trefoils outlined in black and spotted with green, and by reserved pomegranate medallions each bearing three copper enamel pellets. Height, 81/, inches. From the Thomas B. Clarke Collection, New York, 1917. 688—Ruop1an PircHer Sivteenth Century Globular on spreading foot, with wide neck lightly expanding and recurving loop handle. Lapis-blue imbricated ground with sparse S/O. emerald accents, interrupted by pomegranate reserves of creamy white pelleted in red enamel. Height, 8 inches. From the Tabbagh Collection, New York. 689—Kurais PrrcHEer Sixteenth Century Oviform, with full, short neck, lightly expanding, and loop handle, Jo - twisted. Brilliant peacock-blue glaze, and a finely distributed decoration of leafless tree forms penciled in black. Two simple borders of similar execution. Height, 8%, inches. From the Kouchakji Collection, New York. 690—Raxka VASE Ninth Century Inverted pear shape with convex foot, and short neck lightly expanding. Green glaze, with a simple and conventional geometrical decoration in LOO black, largely obscured by an iridescence of sunset splendor and patches of light grayish earthy incrustation. ; ; Height, 8%, inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 691—Raxxa Bown Numth Century Ovoidal cavetto with a flat and flaring rim, on a bold foot. Glaze of rich greenish turquoise-blue, with crackle and brilliance, decorated in a VED . fine black with simulated inscriptions on a spotted ground, divided into three panels or compartments surrounding a small central medallion. (Repaired. ) Diameter, 10%, inches. (Illustrated ) 692—Raxxa Bow Ninth Century Flat and flaring rim embracing a semi-globular cavetto; low foot. Tur- quoise glaze. Decoration in rich black. On the rim a border of small oS. detached leaf forms, at bottom of cavetto a small conventional floral ; medallion, and between these a band of conventional floral scroll, inter- rupted by seven oval medallions simply stroked with crude pointed leaf forms. Areas of golden iridescence. y Diameter, 1014, inches. (Illustrated ) 693—-Raxxa Bown Ninth Century Broadly coniform, flaring from a deep cylindrical unglazed foot. Rich //O. green-blue brilliant glaze, penciled in black with Arabic imscriptions in a band around the interior and a medallion at the bottom. Patches of iridescence. (Repaired.) Diameter, 914 inches. (Illustrated ) RARE SPECIMENS OF RAKKA FAIENCE Second Afternoon 694—Ruopian Friacon Sixteenth Century Cylindrical, with bracket handle. Luminous glaze of soft grayish lapis- lazuli blue, interrupted by a bold and highly conventional floral display /2 at ; reserved in a cream-white and enriched with touches of copper-red enamel and deep emerald-green. The display is of liliform, lanceolate and serrated leaves and numerous quatrefoil blossoms. Height, 934 inches. From the Tabbagh Collection, New York. 695—Ruopian Prats Siateenth Century Deep cavetto with narrow flaring rim. Decoration, stems of tulips branching in pairs, four of the large blossoms being seen in lapis-blue, ZO oO. with touches of red enamel, above green leaves. The inner pair of stems are spanned by a trefoil figure resembling the Chinese sceptre-head. Rim border of overlapping blossoms reserved in white in a blue ground and touched with red enamel. Diameter, 111% inches. From the Tabbagh Collection, New York. 696—Spaniso Derp Puiate Sixteenth Century Ovoidal on low foot. Cream glaze, with enameled decoration in deep oo blue; within the rim a border of grape clusters, and at bottom of cavetto a medallion in vine and leaf motive with basketry border. Diameter, 1014 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 697—Ruopian PuatTe Sixteenth Century Ovoidal cavetto with narrow flaring rim, the rim showing a cheyron enamel. In the cavetto a peacock, with a single tulip and sprays of 240 border with half-blossoms, in blue, black and green, touched with red other flowers, in similar colors. Diameter, 1184, inches. 698—Raxxa InxstTanp Ninth Century Oblong, on four short circular and molded legs, the top pierced by two orifices each two and three-quarters inches in diameter. Decoration in 3 cavo-relievo, on the two faces scrolls of floral derivation and inscriptions /$ Oe invoking Allah, on the ends balustraded panels, and on top scrolls. Turquoise glaze with traces of black ornamentation, almost the entire surface now covered by silvery and golden iridescence. Said to have been exhumed from ruins of the palace of Haroun-al-Raschid, at his favorite abode, Rakka. Height, 8 inches; length, 11 inches; width, 6 inches. From the Tabbagh Collection, New York. Second Afternoon 699—Ruopian Puate Sixteenth Century Ovoidal with flaring rim, the rim decorated with a border of vermiculate scrolls in blue, interrupted by S-scroll reserves. Within the cavetto a er . medallion of brilliant emerald ground, bearing the figures of a dog, a hare and an antelope, of birds, reserved in white and touched with copper enamel. Diameter, 12 inches. From the Tabbagh Collection, New York. 700—Kovusatcua PLATE Stateenth Century Shallow with expanding rim. Turquoise-blue glaze, brilliant, and ses broadly crackled, painted in brilliant black with a crudely naturalistic VO ; floral decoration in the cavetto, within an outline medallion, and on the rim with a floral scroll border, the cavetto sides being left plain. Diameter, 1114 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 701—PerrsIAN QUADRILATERAL BorrTLE Sixteenth Century Rounded shoulder and short neck with lightly molded lip. Brilliant Vi kow glaze, with equestrian figures, floral sprays and ovate leaf designs in green, cobalt-blue and auwbergine-brown on a white ground. | Height, 101% inches. From the Tabbagh Collection, New York. 702—Ruopian PuatTe Siateenth Century Shallow ovoidal form. An emerald festooning outlined in black encom- 5 passes a lapis-blue medallion, which is decorated with six stems of flowers 4 : issuing from a common base, the flowers and stems reserved in white with the leaves touched in in green and the blossoms centred by drops of red enamel. Diameter, 114% inches. From the Tabbagh Collection, New York. 703—Ruopian PLATE Sixteenth Century In the deep cavetto a boldly executed floral medallion gracefully 30 designed, displaying details in emerald-green and white reserve in a cobalt-blue ground, with heightening of red enamel. On the narrow flaring rim a coarse diaper of vermicular scrolls. Diameter, 113, inches. From the Tabbagh Collection, New York. Second Afternoon 704—Perrstan PiTcHER Sixteenth Century Globular body, with a tall conical neck broadly expanding, and very slightly contracting to a short upright lip. Loop handle (and three fo smaller loop handles) from lower neck to shoulder. Brilliant white glaze with floral decoration in cobalt-blue and brown. Height, 1134 inches. From the Tabbagh Collection, New York. 705-—Ruopian PLATE Siateenth Century Deep cavetto, with flaring rim having a festooned edge. Within the cavetto four flower clusters and as many highly conventional floral S, ae o figures, surrounding a floral medallion, executed in copper color, green ‘ and dark blue, on a white ground. Rim bordered with scrolls vermiculées in black embraced in blue and variously arranged. Diameter, 1134 inches. From the Tabbagh Collection, New York. 706—-Boxuara PLATE Seventeenth Century Shallow cavetto with conventional foliations and cross-hatchings in blue “ AG and brown on white ground. Rim with checkered border in white and blue. Diameter, 12 inches. From the Tabbagh Collection, New York. 707—Grarco-Roman VasE First Century B.C. Ovoidal on a lightly spreading foot; cylindrical neck with heavily molded He lip; two loop handles with bolt-heads in low relief. Simple decoration J O crudely incised on body and shoulder, and below the shoulder a girdle of thumb-pressed discs in relief, beneath a turquoise glaze of deep tone. Height, 12 inches. From the Tabbagh Collection, New York. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 708—Ruopian PLATE Stateenth Century x0 Shallow ovoidal cavetto with narrow flaring rim, the rim bordered with }f overlapping blossoms. In the cavetto a lapis-blue medallion bordered by green arched panels, the lapis ground of the medallion interrupted by tulips, carnations and a palmette reserved in white and heightened by coral enamel, and relieved by touches of green. Diameter, 12 inches. From the Thomas B. Clarke Collection, New York. (Illustrated) 709—Ruopian Borrie-rorm Vase Sixteenth Century Globular on convex foot, with neck tapering to a bulbous midband, and ie above this lightly expanding. Lustrous glaze of soft white, with deco- / HH LO, rations in cobalt-blue, turquoise-green, a coppery-red enamel and gilding, exhibiting carnations, hyacinths, tulips and other floral forms. On the neck a paneled band. Minor borders in black. Height, 1534 inches. From the Charles Mannheim Collection. From the Thomas B. Clarke Collection, New York. From the Tabbagh Collection, New York. From the Canessa Collection, New York. (Illustrated) 710—Ruopian PLATE Stvteenth Century Shallow and ovoidal, and wearing a lustrous glaze of soft creamy-white. Rich floral decoration in emerald-green and lapis-blue, with red and 0 black overglaze enamels. Two long and sinuous serrate leaves in blue H} Wa ; and green branch from a low green liliform growth and embrace four red roses issuing from a jar, while two more of the roses bend below them. Narrow border of formal floral design. Diameter, 12 inches. From the Filippo Collection, New York, 1918. (Illustrated) TINAIV] NVIGOHY 40 sNaWIDaag AUVY 602 Second Afternoon 711—Ruopian PLate Sixteenth Century ay Ovoidal cavetto and flaring rim. In the cavetto a cluster of ten blos- dO, soms on their stems is within the embrace of two long and scrolling serrated leaves, which spring from between two tulips and are them- selves paralleled by sprays of blossoms, the whole executed in lapis-blue, rich green, and glistening copper-red enamel on a white ground. Diameter, 1214 inches. 712—Ruopian PLate Sixteenth Century Deep cavetto with palmette and floral spray decoration in cobalt and S 0). emerald in underglaze on a white ground, and accented in dull red enamel relief. Border in accord. Diameter, 12 inches. 713—Boxuara PLATE Seventeenth Century Oviform with slightly upeurling rim. Below a rim border of circlets reserved in white in a blue ground, the whole interior is given to a variety LE O. of highly conventional floral designs in the same coloring. Diameter, 12 inches. 714—Kovusatcua PuatTE Saiteenth Century A broad and open lattice of palmate design on the rim extends down a 0 the cavetto sides to a medallion of double-rings, which enclose a con- " ventional growth of flowers springing from a common base and spreading toward the rings, the ornamentation being in black on turquoise and the glaze brilliant. Diameter, 10/, inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 715—Ruopian Prate Sixteenth Century DI A. Deep cavetto, and flaring rim with festooned edge. Within the cavetto a display of four tulips and a like number of roses, with intermingling leaves and stems, boldly executed in greenish turquoise-blue, grayish lapis-blue, and copper-red enamel. Rim bordered with black vermicu- late scrolls and ornamental white reserves in a blue ground. Diameter, 1234 inches. 716—Ruopian PLare Sixteenth Century Shallow cavetto and rolling rim. Principal decoration the standing -— figure of a man facing the observer, his right arm akimbo with hand 5 oo resting at hilt of his dagger, which is stuck in his belt, and left hand . raised above his shoulder and holding a tulip. He wears an emerald coat and red trousers and hat. At either side palmettes in lapis and emerald, flanked by sprays of blossoms in copper enamel. From the Tabbagh Collection, New York. Diameter, 12% tnches. 717—Damascus PuLaTE Sixteenth Century Ovoidal cavetto with flaring rim. White glaze, decorated in two tones = 0 of blue with floral scrolls, arched figures, and at centre a medallion. From the Filippo Collection, New York, 1918. Diameter, 11 inches. Second Afternoon 718—Boxuara Pirate Seventeenth Century ganese on a cream-white crackled ground, and at either side are long leaf designs, two of which take the appearance of curved knives with pointed blades. Wide lattice border in green, and a simple narrow border in blue. Diameter, 121/, inches. From the Thomas B. Clarke Collection, New York. LO A covered ewer of hour-glass pattern is executed in deep blue and man- 719—Ruopian Pate Sixteenth Century Shallow cavetto with flaring rim. On the rim, braces of tulip sprays “). ety in copper enamel, green and black, alternating with blossom medallions in dark blue and green. In the cavetto a foliated medallion in lapis-blue outlined in green, and adorned with flower sprays in white reserve. Diameter, 1214, inches. From the Tabbagh Collection, New York. 3 720—Hispano-Moresaut PLaaue Sixteenth Century modeled as the petals of a flower. Decoration in copper lustre and turquoise-blue, on a cream ground, following and emphasizing the petals and ornamenting them with floral and vermiculate scrolls. - om 5 Small and shallow cavetto with a bald umbo, and broad flaring rim id Diameter, 121/, inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. WS an -S 4 5, NG “ So 721—Boxuara Prats Seventeenth Century xe Flaring rim and shallow ovoidal cavetto. White glaze, crackled, painted in blue and brown with crude geometrical and floral designs in concentric medallions and borders. Diameter, 13 inches. 722—Boxnara PiatE Seventeenth Century 120: Ovoidal, recurving in the expanding rim. At centre a stellate medallion from which spring four ovate leaf figures, the spandrels between them occupied by scrolls and the whole executed in lapis-blue, emerald-green and manganese. Chevron and checkered borders. Diameter, 12%, inches. From the Tabbagh Collection, New York. 723—Boxnara PxLatTe Seventeenth Century 50. Cavetto centred by a dice medallion from which spring four leaf pat- terns, the intervening spaces decorated with scrolls and crude blossom designs, the whole in rich blue, vivid green and manganese-brown on a white ground. Rim with checkerboard border in blue and white. Diameter, 1234 inches. From the Tabbagh Collection, New York. Second Afternoon 724—Kovurnatrcua PLATE Sixteenth Century lightly crackled. An open lattice of wavy lines enclosing florets extends over rim and cavetto sides to a large double-ringed medallion. Within this a sinuous tree and flowering shrubs at its foot appear, the decora- tion throughout being in turquoise and black with red and wan yellow enamels. Shallow and flaring, both surfaces encased in a creamy-white glaze Diameter, 131% inches. From the Tabbagh Collection, New York. 725—Boxuara PLate Seventeenth Century Shallow ovoidal form, the spreading rim recurving. Rim border of freely executed checkered design in rich lapis-blue, cream-white and 130 manganese. In the cavetto the same colors are used with the addition . of a rich emerald, in the execution of various scrolls, medallions and leaf designs. From the Tabbagh Collection, New York. Diameter, 13 inches. 726—KovsarcHa PuLate ~ Sivteenth Century Ovoidal cavetto with flaring rim. Brilliant glaze of greenish turquoise- blue heavily crackled. Decoration in black with manganese touches, | 46 on the rim a floral scroll border, and in the cavetto a large floral medal- g lion with the scrolling floral stems and sprays radiating from a small carnation medallion at centre. Diameter, 131% inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 727—Hispano-Moresaurt ALBARELLO Siateenth Century Cylindraceous, the sides slightly incurvate, with short sloping shoulder 4 of 0. and cylindrical neck with everted lip; withdrawn foot. Creamy-white glaze, profusely ornamented in grayish lapis-blue and delicate brown lustre with stripes, Saracenic designs, and pseudo Cufic inscriptions. From the Tabbagh Collection, New York. Height, 12 inches. 728—Prrsian JAR Sixteenth Century Inverted pear shape on a deep and slightly spreading foot; wide neck /§o slightly contracting, and lightly molded lip. Four loop handles. Incised ornamentation of crude execution, in panels; lapis-lazuli glaze. From the Tabbagh Collection, New York. Height, 187A tekea: 729—Kovusatcua PLATE Sixteenth Century Deep ovoidal form with rim flaring. Vivid blue-green glaze coarsely y Fi 0 and boldly crackled, ornamented in a rich and brilliant ebony black with freely drawn floral and vermiculate scrolls. Diameter, 131/, inches. From the Tabbagh Collection, New York. Second Afternoon 730—Hispano-Morersaut ALBARELLO Sixteenth Century S 30 Slightly incurvate body, sloping shoulder and bottom, short cylindrical y neck with lightly molded lip; convex foot. Cream glaze, with a delicate lustre decoration of floral scroll, and a bold leaf and bud scroll reserved and glazed in dark lapis-blue. Height, 11 inches. 731—-BoxuHara Pate Seventeenth Century Ovoidal cavetto, spanned by a Greek cross in cream-white crackled in SS. O café-au-lait, reserved in a blue cross-hatched ground, and decorated in blue with floral designs. Between the arms, foliations in blue on white. From the Tabbagh Collection, New York. Diameter, 13%, inches. 732—KovusatTcHa PLATE - Siateenth Century Ovoid cavetto on broad and bold foot, with flat rim foliated. All sur- y. 2) QO faces glazed in green varying from pale to rich in tone, and both exterior and interior decorated in rich, deep black. In the cavetto a medallion of two fishes and panels of inscriptions. Border of scrolling leaves. From the Tabbagh Collection, New York. Diamater, 14 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 733—Kovnatcnua PLare Sixteenth Century y Ip Ivory-white glaze with spacious café-au-lait crackle, covering both supe- re) rior and inferior surfaces. Cavetto bottom occupied by a large and complex circular medallion in which conventional and somewhat natural- istic floral motives predominate, a quadrilateral figure overlying its centre. The decoration is in lapis-blue and emerald, with yellow and red enamels, and on the rim a single broad splash of deep aubergine. From the Tabbagh Collection, New York. Diameter, 1434, inches. 734—KovuspatcHa PuatE Sixteenth Century Ovoidal cavetto recurving in an expanding rim. Creamy glaze with café-au-lait crackle. In a large medallion filling the bottom, birds and FO. flowers, and rocks like obelisks, with other conventional designs, in gray- ish lapis-blue. On the rim a highly conventional border of indefinite design, in lapis, showing deeper notes and with slight accents in brown. From the Tabbagh Collection, New York. Diameter, 14 inches. 735—Boxuara Bown Seventeenth Century Oviform broadly expanding from a bold foot, the rim still further ip 5. spreading. Interior and exterior decorated in blue, green, and white : reserve, with conventional floral designs closely patterned and running- scroll borders. Diameter, 1414 inches. Second Afternoon 736—Hispano-Moreseue Prater Sixteenth Century Large and shallow ovoidal cavetto, plain, interrupted by a deep saucer- shaped umbo, its obtruding sides fluted in curling petal form and its medallion face adorned with fleurs-de-lis. Broad and flaring rim modeled with petals in relief. Decoration in conventional floral motives and diaper, in copper lustre on the cream glaze. Diameter, 18%, inches. 737—Boxuara Prate Seventeenth Century 70. Shallow ovoidal form with expanding rim. The rim checkered in cobalt- blue, emerald-green and white, the same colors with the addition of eggplant-brown being used in an overlapping circular fanleaf design which fills the cavetto. Diameter, 15 inches. 738—KovuratrcHa Piate } Sivteenth Century 19 0. Narrow rim, foliated and flat, spreading from an ovoid cavetto. All surfaces glazed in emerald green and adorned in brilliant black. On the rim a festooned border of leaf and fruit suggestion, below which the sides of the cavetto support a band of floral scroll in which pentafoil blossoms and morning-glory designs appear. ‘The same motives freely drawn furnish the ornamentation of the bottom medallion, enclosed by three rings. Diameter, 14 inches. From the Tabbagh Collection, New York. 150 60. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 739—Kovusatcua PLATE Steteenth Century Shallow with flaring rim. White glaze with bold crackle. In the cavetto four bell-shaped figures in outline, enclosing primitive floral designs done in turquoise-blue and in a pale red and paler yellow enamel. Same colors used in enclosures of imbricated designs on the rim. Diameter, 1234 inches. From Kouchakjt Freres, New York. 740—Hisprano-Moresqurt Piaaue Sixteenth Century Shallow and with a broad recurving rim. Cream glaze, with a conven- tional decoration in yellow lustre, the decoration on the umbo being of floral derivation. At the edge of the cavetto a single band of blue. _ Diameter, 12%, inches. 741—PeErsiaAn Jar Sixteenth Century Ovoid with low foot lightly spreading, short and broad neck with everted lip, and six strap-loop handles with rivets at the lower ends represented by bosses. Crudely incised decoration of successive cross-hatched bands and one deep band of diamond figures. Height, 12%, inches. 742—-Damascus Derr Disx Sixteenth Century Circular, of ovoid contour, glazed in cream-white and decorated in green and blue, at bottom of cavetto with bunches of grapes pendent from stems and leaves, and on both exterior and interior of rim with borders of leaf-and-blossom scroll. (Repaired.) Diameter, 13 inches. From the Filippo Collection, New York, 1918. 743—Prrsian Groputar Borrie Sivteenth Century Tall cylindrical neck. Glazed in a clouded bleu-de-ciel, boldly crackled in café-au-lait, interrupted by four quatrefoils in dark lapis-blue bearing animal figures in cream-white relief, the design suggestive of Chinese influences. On neck and shoulder stellate figures in similar relief. Height, 13 inches. 744—Boxuara PiLatE Seventeenth Century Shallow cavetto spanned by a cross reserved in white and penciled in two tones of blue with daisy-form and trifoliate designs, the spaces between the arms given to floral pencilings in blue confined by foliated outlines also in blue, with spandrels touched in in manganese and emerald. From the Tabbagh Collection, New York. Diameter, 18 inches. Second Afternoon 745—Boxnara PLate Seventeenth Century Broad and shallow ovoidal cavetto with flaring rim, the rim and inner St Se edge of cavetto decorated with conventional borders in blue and man- . ganese on a white crackled ground, and the cavetto occupied by a large checker-board medallion in the same colors. Inferior surface incised with an unusual scroll border under a rich turquoise-blue glaze. Diameter, 151% inches. From the Tabbagh Collection, New York. e 746—Perrsian (Kirman) Vase Sivteenth Century Oviform with a molded foot, molded lip, and two ear-loop handles. Glaze Fo. of rich turquoise-blue, mottled and crackled, and ceasing in a welter above the foot. Height, 15 inches. From the Tabbagh Collection, New York. 747—I Taian PLAQuE Flaring broadly from a moderate foot; lip lightly molded. Sides of the cavetto decorated with trophies ornamented in crude motives of bd . eastern suggestion, in a creamy grayish and crackled glaze within a dark blue ground. At the bottom a yellow shield. Diameter, 15 inches. ITALIAN AND SYRIAN TERRA-COTTAS 748—Smauutut VasE oF TERRA-COTTA Greek, Second Century B.C. ie With the body formed of the head of a goddess. Height, 5/ inches. 749—Smartu Vase oF TERRA-COTTA Italian, Second Century A.D. With the body formed of the head of a woman in colors. jen _ Height, 6% inches. 750—SraTvuETTE oF A Kine Egyptian, Twenty-second Dynasty Representing his mummy, carrying the insignia of Osiris. In terra- 6 cotta, coated with a fine green glaze. An inscription in hieroglyphics y is cut down the front. Height, 8 inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 751—ARRETINE TErRRA-cotTta Two-HANDLED Cup Italian, End of First Century A.D. LENE Decorated with a procession of cupids in relief round the bowl. Height, 314 inches; diameter, 3% inches. (Illustrated) 752—Two-HANDLED Cup In GREEN GuazeD TERRA-COTTA Found at Maara, Syria, First Century A.D. p o Decorated with vine leaves and grapes in relief. S e 3 4 Height, 27% inches; diameter, 31/, inches. (Illustrated) 1583—-Two-HANDLED CuPr In GREEN GLAZED TERRA-COTTA Found at Maara, Syria, First Century A.D. y, Decorated with laurel in relief. Af a O. Height, 8 inches; diameter, 31% inches. (Illustrated) 751 752 7538 Arretine Terra-corra Cups (Italian and Syrian First Century A.D.) Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 754—Pair Iratian Farence Lance Ewerrs Siateenth Century 755— Ovoid, with short spreading foot and lip, short straight tubular spout high on the shoulder, and loop-scroll and mask handle. Luminous glaze of soft creamy tone, decorated with a large medallion wreathed in mot- tled emerald, rich canary-yellow and dark orange, and circling from the high spout to the foot. Within the wreath the Coronation of the Virgin, executed in a varied use of the same colors with the addition of a soft cobalt-blue. The scene a church building flanked by cherubim, and above the roof the Virgin in half-figure, holding the nude Child, who is in the attitude of blessing the beholder. Above the Mother’s head a crown held by angels in the clouds. Inscription on one ewer: ADM@IRAN. On the other: ADTTIBVIT. Height, 1314, inches. (Illustrated) Iranian Farence Larcre Botrie-rorm VAsE Sixteenth Century Large inverted pear shape with broad foot very short and _ slightly spreading; the high shoulder contracting gently in a tapering neck which expands lightly again to a beveled lip. Gray-white glaze of soft luminosity, with a symbolic and mythological ornamentation in poly- chrome largely in deep tones, soft and rich. Seated on a rock on a green mound a youthful figure soothing animals of the field with the balm of music—with a guitar-shaped viola played with a rustic bow. Above, the pharmaceutical inscription: A MELISSE. Enclosing the scene a conventional trophied wreath or garland; the reverse of the bottle semé with primitive scrolling sprays of floral derivation. Height, 1914 inches. (Illustrated) 754 754 Irarian Farence Ewers anp VAsE OF THE SIXTEENTH CENTURY Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. DECORATED TILES 756—Ruacres Wau. Tite Thirteenth Century Hexagonal. Invested with a lustrous glaze of pure turquoise-blue. TO. Beneath the glaze foliage and an animal in bold relief. (Repaired.) Diameter, 7 inches. From the Filippo Collection, New York, 1918. 757—Damascus TILE IN Carvep anp Intaip FRAME Sixteenth Century — Rectangular, exhibiting a bottle-form vase with bulbous neck and lip, JO. amid naturalistic and conventional leaf and flower scrolls and other devices, in turquoise-green and manganese on a white ground. Height, 8144 inches; width, 8 inches. 758—Turee YezpD Mosque Tires (Persian) 1n FRAME Thirteenth Century Cruciform figure decorated with foliage in relief and glazed in turquoise- 0. blue, flanked by two eight-pointed stars showing flowers and a bird in relief reserved in white on yellow lustre ground. One bordered by Neshkhi inscriptions in brown on white ground, and one with Cufic inscriptions in white on blue ground. ( Restored.) Diameters, 8 inches and 81%, inches. From the Filippo Collection, New York, 1918. 759—Damascus TILE in Carvep anv Intaip FRAME Sixteenth Century — Rectangular, displaying a globular vase with expanding neck and /S spreading foot in turquoise-green, on a rich lapis-blue ground. Both vase and the surrounding ground carry floral ornamentation reserved in white, including the hyacinth, tulip and carnation and other flowers. Height, 9 inches; width, 9 inches. 760—-SuLtranaBaAD Wau TILE In FRAME Thirteenth Century Rectilinear, picturing an elephant pursued by a lion, in relief, on a plain ree surface, beneath an intricately wrought frieze. Turquoise-blue glaze. 3 (Repaired. ) Height, 8% inches; length, 10 inches. From the Filippo Collection, New York, 1918. Second Afternoon 761—Two Damascus Watt Tites 1n Frame Siateenth Century bo. Decorated in dark and light blue on white ground with foliar and highly ornate medallions, carefully placed, amid a scroll of pointed and sinuous leaves accented by blossom forms. Scroll borders at two sides. Height, 11% inches; length, 231/, inches. From the Filippo Collection, New York, 1918. 762—Two Damascus 'TILEs Sixteenth Century EO. Rectilinear, with a rich and brilliant glaze, the ground a clouded lapis- lazuli blue. On this floral medallions in which traces of the Far Eastern lotus motive appear, smaller floral medallions and serrate leaves are finely executed in white, with details in red enamel and in turquoise and black. (Shght chips at edges.) Height, 5 inches and 5% inches; length, 113%, inches and 12 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 763—Damascus Tite iv Carvep anp Intai Frame Stateenth Century / OO. Rectangular. Cream-white ground, with decoration in dark lapis-lazuli blue, rich turquoise-blue and a pale greenish-turquoise, and manganese, the composite design a rather close interlacement of scrolling floral forms and rigid medallions, the medallions polyfoliate, the blossoms including the tulip and carnation forms. Height, 1014, inches; length, 1034 inches. 764—Ruaces Wau Tite 1x Frame Thirteenth Century Yd. Rectangular, displaying the upper part of a trifoliate arch, bearing Neshkhi inscriptions in low relief, with flying birds occupying the span- drels. Across the top an ornate frieze. The whole under a brilliant glaze of rich turquoise blue. Height, 9 inches; length, 101% inches. From the Filippo Collection, New York, 1918. 765—Damascus Tite in Carvep anp Inia Frame Siateenth Century MW Rectangular. Adorned in turquoise and dark lapis blue with poly- foliate, petal and other floral medallions, and conventional leaf scrolls, in a broad and open interlacement, on a creamy white ground. Height, 1034 inches; width, 1034 inches. 766—Ruaces Patace Wari Tite 1n Frame Thirteenth Century ee Rectangular, the entire surface given to a varied relief ornamentation, including a floral frieze with incidental birds, below which are highly conventionalized animalistic scrolls in the spandrils above a polyfoil arch, all in a creamy glaze on a copper lustre ground. The arch is in double outline of turquoise blue, with Neshkhi inscriptions enclosed, in lapis-blue on a lustred ground. Height, 11%, inches; width, 1114 inches. From the Filippo Collection, New York, 1918. 767—Kasuan Toms Tite 1x FRAME Fifteenth Century /00. Rectilinear, displaying a tall pointed arch with knobbed supports which are carried up to a lintel above, all in high relief, and embraced within a Neshkhi inscription in low relief. Within the arch floral scrolls in relief. All under a brilliant turquoise glaze. Height, 16 inches; width, 12 inches, From the Filippo Collection, New York, 1918. Second Afternoon 768—Portion oF KasHan Tite Mruraps In Frame Thirteenth Century & Rectilinear; formed of seven tiles, all with lustred grounds, displaying St 6) * floral ornamentation in white reserve. Across the centre, Koranic let- tering, and at top and bottom, Cufic inscriptions, all in bold relief and glazed in grayish lapis-blue. Above the Koranic letters a bold frieze of highly conventional scroll. Height, 201%, inches; length, 31 inches. From the Filippo Collection, New York, 1918. 769—BronzeE Suow Casinet witH Exectric REFLECTOR Rectangular; fitted with glazed door and ends. Interior arranged with ‘ 3 0. five glass shelves and lined with rose-du-Barry silk. On high oak base. Height, 5 feet 3 inches; width, 4 feet 3 inches. Base, height, 2 feet. THIRD AFTERNOON’S SALE WEDNESDAY, MARCH 7, 1923 IN THE ASSEMBLY HALL OF THE AMERICAN ART GALLERIES BEGINNING AT 2.15 O'CLOCK Catalogue Numbers 770 to 962, inclusive FRENCH AND ORIENTAL PORCELAIN 770—Two Empire Porcetain Cups AnD SAUCERS (a) Large gadrooned cup and saucer. Decorated in reserve with medallion of bird, on gilded gray grounds. Interior gilded. (2) Decorated with bands of flowers alternating with others of gilded pale green. (Chipped.) 771—Two Empire Porcretain Larce Cours ig (a) Faceted round body; alternately decorated with gilded green bands and reserved bouquets of flowers. (8) Decorated with gilded panels of clustered ae flowers. 772—Empire PorceLtaAin Covered Bovuitton Cur Bowl-shape, with rustic handle; dome cover, with similar rustic entwined de handle. Decorated with sprays of conventionalized flowers in gilding. Diameter, 61, inches. Kindly read the Conditions wnder which every item is offered and sold. They are printed in the forepart of the Catalogue. 773—DEeEcoRATED PoRCELAIN Té&TE-A-TETE CoFFEE SET if R fo) Eighteenth Century is Consisting of coffee-pot, sucrier, creamer, two cups and saucers and tray. Richly decorated with rustic subjects, floral medallions and scroll-gilded royal blue borders. 774— Decorated PorceLaIn TE&TE-A-TETE COFFEE SET Eighteenth Century YS. Consisting of coffee-pot, sucrier, creamer, two cups and saucers and tray. Decorated with oval medallions of cupidons, sprigs of flowers and bandings in blue and gilding. 775—Emprre Porceitain InpivipuaL CHocoLaTE SET 50 Consisting of pot, covered sucrier, creamer, cup, saucer and tray. Dec- one orated with “Shooting Scenes” reserved on Empire green grounds; gilded. 776—InpivipvuaL DecorateD PorceLain CorFEE SET Italian, Empire Period bd. Consisting of pot, covered sucrier, creamer, cup, saucer and tray. Decorated with classic panels depicting the “Muses” and “Venus and Adonis” in colors and gilding. 177—GILDED SILVER ENAMEL SET oF Spoons eagles of Germany. The bowls with portraits of the late Royal family, Wagner and other artists. (Twelve spoons.) In case. 7. 50 Elliptical bowls, with molded balustered handles displaying double 2 v Note: “A Presentation Set.” ' 1778 —GitpEp Sitver Enamet SEet oF Spoons we), FO Similar to the preceding; the bowls depicting monarchs of the world and important statesmen. (Twelve spoons.) In case. Note: “A Presentation Set.” 779—Two Lear CanpELABRA Italian Late Eighteenth Century ae cE Leaf-motived gadrooned shaft; enriched with winged amorini. On richly molded and scrolled round base. Five arms of scrolling acanthus leaves for lights. Height, 2034, inches. Third Afternoon 780—CuinesE Porcetain Cup anp Saucer Ch’ien-lung cq Delicate semi-eggshell porcelain, both saucer and cup decorated in enamel 7 colors with figure groups apparently copied from European engravings mounted on Chinese scrolls, and colored after paintings. (Slight repair at saucer rim.) Diameter of saucer, 41% inches, From the J. Pterpont Morgan Collection. 781—Curnese Porcetain Tray (or “BrusH-wasHER’’ ) K’ang-hsi / vi $0 In form of a curling lotus leaf holding a seed-pod, a frog and a crab, and glazed in turquoise, aubergine, yellow and white. Length, 5 inches. From the J. Pierpont Morgan Collection. 782—Pair CHinesE PorceLaiIn AMPHORAS K’ang-hsi Slender, invested with a monochrome glaze of delicate lavender-blue, S/; on one of mirror brilliancy, and almost clair-de-lune quality. (Slight ° repair at lip of one.) Height, 51% inches. From the J. Pierpont Morgan Collection. 783— CHINESE PorcELAIN Box wirH Cover Ch’ien-lung — Lanceolate-leaf shape, with floral decoration in polychrome enamels on Wh JO a brilliant white ground. On the leaf-shape cover, glazed in green, a young mother, recumbent, suckling her man-child, modeled in high relief and glazed in white, with flowered robes in polychrome enamels. Length, 6 inches. 784— Bianc-DE-CHINE STATUETTE 50 Seated figure of Kuan-yin, in robes and cowl and with high headdress, } W hands palm outward upon her right knee, in her right hand a scroll, a necklace crossing her breast. (Finger tips chipped.) Height, 834 inches. 785—Buanc-DE-CHINE STATUETTE D Figure of Kuan-yin, seated, right hand resting upon her right knee and a q) J left hand above it clasping a scroll (end slightly chipped) ; in her fore- head the all-seeing eye. é Height, 834, inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. MISCELLANEOUS OBJECTS 786—ALBANIAN DacGGER AND SCABBARD Eighteenth Centur g Y Aa Ss 0 Curved blade; horn handle carved with fluting, and having silver mounts, oe Sy jeweled. Wood scabbard encased in silver, with repoussé ornamentation | p in floral designs. Length, 161, inches. From the Filippo Collection. 787—PeErsiAn DaccER AND SCABBARD Seventeenth Century d Curved blade, engraved with carnivores making prey of gazelles, gilded. nt ; ei Damascened handle exhibiting floral ornamentation and Neshkhi inserip- J tions. Contemporary scabbard in red velvet. Length, 151%, inches. From the Filippo Collection. 788—Four Bronze anv PorceLaIn AMULETS (a) Seated figure in bronze of the Egyptian god Setski. lp, (x) Aztec; soft stone figure of a god. ; (c) Green hard stone bust of a dignitary (Aztec). (>) Blue porcelain Egyptian fish. (The All-seeing eye.) 789—Two Bronze Presentation Mepats (Aztec) 0 Circular, with plain reverses, inscribed “Club Tris al comendador Enrico ‘ Caruso, Homenaje.” Observes with symbolic Aztec motives most care- fully reproduced. Diameter, 3% inches, 790—ScutrptureD Ivory CruciFix Italian, Seventeenth Century a e “Our Lord Nude Save a Loin-cloth.” Nailed to an ebony cross; sup- / A ported on an oblong molded base. Mounted in silver, with nimbus, floral scrollings and festoons. Height, 251% inches. 791—Sitver Icon Russian, Seventeenth Century , Oblong silver repoussé cover ; enriched with two figures of saints standing / Ne at right and left of the sacred cross. Height, 3 inches. Third Afternoon 792—SILVER-MOUNTED ToRTOISE-SHELL COFFRET 5d Italian, Eighteenth Century So Round hinged cover and body inlaid with red tortoise-shell. Mounted in silver, with scrolled corners, hasp, lock plate and bird-claw feet. Height, 614, inches; length, 7%, inches. 793—Two Konti Bronzrk Boox Enps “The Thinker.” Youth seated at a pedestal wearing a meditative air. 3 fi JO On molded base. Red-brown patina. Signed and dated 1914. Height, 8% inches. 794—Perrstan Brass Crrcurar Disu or Derr Tray Ovoidal body, with curving and widely flaring festooned rim of eighteen poe. points. Incised decoration throughout the rim and covering the supe- rior surface of the bottom, disclosing floral panels and brocade borders, and quatrefoils enclosing animals and conventional figures and flowers, on a diapered ground. Diameter, 1834 inches. TEXTILES 795—Go.p-emprowrred Linen Borper Mitylenian, Eighteenth Century Ivory linen lawn; enriched in gold threads and ivory linen threads with is 0 beautiful scrollings of flowers and pomegranate motives having drawn- work centers. Festooned medallioned border at foot. Length, 214 yards; depth, 14 inches. 796—As1a Minor GoLp-EMBROIDERED COovER / Olive-green satin; enriched in gold threads, pink, blue and yellow silks, oy with cruciform floral medallion and borders of scrolling flowers. 20 inches square. 797—TorkisH GOLD-EMBROIDERED LINEN CoveER Si D Tyrian-red linen; enriched in gold with three bandings of inscriptions ey. interrupted by narrower bands of mock inscriptions. Trimmed with gold lace. 2 yards by 20 inches. 798—Asia Minor EmproirErep Linen Cover Deep ivory linen; solidly embroidered in crimson, blue, pink, yellow, / dD ‘ green and ivory, with scrollings of large varied flowers. All, inches by 36 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 799—Boxunara Goup-BrocapED Linen Cover Vay Ivory linen; woven with varied gold, green and pink stripes of floral and geometric motives. 83 yards 8 inches by 29 inches. 800—Asta Minor Goup-EMBROIDERED LineN Cover SO Ivory linen; enriched in gold threads with inscribed center, bouquets of / ok flowers and crescents. Deep border of interlacing floral scrollings. . 87 inches square. 801—Turkisu Gotp AND Sitver EmproweErep LiInEN Cover Displaying inscribed center and borders in silver and gold threads on old ) a red linen. Paneled and trimmed with gold lace. 39 inches by 36 inches. 802—-ALBANIAN GOLD-EMBROIDERED CrotH CovEeR Crimson cloth, scrolled and fitted with ivory cloth border. Enriched Me with scrolled medallions and fanlike motives. 29 inches by 12%, inches. 803—JAPANESE GOLD-EMBROIDERED S1LK CusHION 50 Deep blue silk; enriched in raised gold threads with sacred tortoise amid /r wave motives. ‘Trimmed with tassels; lined with old red silk. 31 inches by 26 inches. 804—As1a Minor GoLpd-EMBROIDERED VELVET Cover Royal blue velvet; enriched in raised gold threads with scrolled medal- 2) J. lion and baskets of flowers at corners, birds and scrollings of blossoms. Trimmed with gold fringe. Lined with purple velvet. 38 inches square. 805—Asta Minor Gonp-EMBROIDERED VELVET CUSHION We Ivory velvet; enriched in varied stitches of gold threads, with birds and baskets of flowers. Trimmed with fringe. 18 inches square. 806—GoLD-EMBROIDERED Crimson VELVET CusHION /%. Lustrous velvet; enriched in raised gold with varied birds and baskets of flowers at corners. Trimmed with gold fringe. t=] 19 inches square, 807—Asita Minor GoLp-EMBROIDERED VELVET CusHION ae Similar to the preceding. Blue velvet. / ‘ Third Afternoon 808—TurkisH GOLD-EMBROIDERED Si1uK Cover Re Pale blue satin center medallion and border; enriched with mock inscrip- . tions. Crimson satin ground with scrolled palmette motives having green silk centers. 36 inches by 34 inches. 809—Asi1a Minor Gop-EMBROIDERED Linen Cover ine Ivory linen; enriched in solid gold threads with florally paneled center ; : wheat and angular scrollings in border. Trimmed with gold lace. 35 inches by 19 inches. 810—Japanese Sinver AND Gotp Emproimrerep VeLver Cover $6 Uustrous amber-toned velvet; enriched in gold and silver threads with at os passages of pink, displaying birds amid growing bamboo. Floral scroll border. 1 yard B4 inches by 1 yard 8 inches. 811—. JAPANESE GOLD-EMBROIDERED VELVET CovER Soft amber-toned velvet; displaying in ivory silk and gold threads cranes 2 0. flying and perched amid lotus flowers. Border of further scrolling lotus flowers. 1 yard 22 inches by 32 inches. 812—TurkxisH GOLD-EMBROIDERED SATIN CoveR RY) Olive-green satin; enriched with symbolic motives, pale blue medallion / 7 and bracket corners having pineapple and dragon-fly motives. Inseribed medallion border of red satin. 2 yards by 19 inches. 813—TurkisH GOLD-EMBROIDERED SATIN CovER pl §Q Similar to the preceding; with pale blue satin ground, crimson medal- / lion and corners; olive-green border. 814—Asta Minor GoLp-EMBROIDERED SILK Cover In the form of a prayer rug. Crimson silk mihrab enriched in green / / bd, and gold with vase of flowers. Green silk spandrils, with scrollings of flowers. The mihrab flanked by old pink floral panels. Green border adorned with crimson silk medallions bearing inscriptions in gold. 2 yards 33 inches by 1 yard 34 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. = 815—NEEDLE-PAINTED PicTURE By Sparacino 2 /' vo The “Apotheosis of Caruso.” The head of the famous tenor rising from the waves; bordered by scrollings. Inscribed: ‘“Gielo E Mar.” Signed and dated 1920. Framed. Height, 22 inches; width, 16 inches. 816—Cnuinese Paintine on SILK Ming Period / d “The Apotheosis of Buddha.” 'The apostle of patience seated enthroned Lf ; in a rocky landscape; occupied by many devotees and followers. Framed with gold brocaded deep blue mat. Height, 61 inches; width, 81 inches. 817— CuInEsE ParntTine on SILK Ming Period / Ly dD. Similar to the preceding. Height, 61 inches; width, 81 inches, 818—CuineEsE ParInTine on SILK Ming Period rm “Buddha Enthroned.” The apostle of patience enthroned within a 0: medallion of brocade motives; enriched at foot with wave devices: at_ crown with cloud scrolls. Framed with mat of tapestry-woven silk patterned with geometric brocade in rich colors. Height, 411%, inches; width, 27 inches. 819—Two Japanese Paintines on SILK VE “White Heron and Iris” and “Bird on Branch.” In soft colorings, 2 realistically portrayed. Framed. Heights, 101% and 11 inches; widths, 84% and 9 inches. 820—Two JapanesE PAINTINGS ON PAPER / “Plover” and “Hawk on Pine Branch.” The former amid narrow-leafed He ‘ grasses; the latter interestedly watching other flying birds. Fujiyama in the distance. Framed. Heights, 10% and 8%, inches; widths, 814%, and 11 inches. 821—GoLpD-EMBROIDERED Siuk Court Rose or QuEEN Maria CAROLINA OF NapLes /b0 Consisting of bodice, skirt and court train. The bodice and skirt of heavy ribbed flame-crimson silk embroidered in pure gold threads with vertical bandings of floral motives interrupting grounds semé with fleurs-de-lis and finished at foot with imbricated scallop shells, the device of Naples. The train of royal blue silk finished with floral border of gold threads and bullion fringe. Length of train, 8% yards. Note: Queen Maria Carolina, of Naples, was the close friend of the famous Lady Hamilton, and of the naval hero, Lord Nelson. Third Afternoon 822—Two ANTIQUE SILVER Stace Rines 2) Db (a) Oval Egyptian beetle scarab, inscribed at back; simple band mounting. (zs) Amethystine, in scrolled mounting. 823—Sitver Poison Rine Turkish Eighteenth Century /3 Inscribed circular screw bezel, with compartment for poison or pungent. ‘ Reeded ring, with grotesque scrollings supporting bezel. Costumes and Accessories worn by Mr. Caruso in the various Operas in which he appeared. In instances there are several portions of different costumes grouped, as the famous tenor loved occasionally to change his costume for each character when possible. In other instances there are parts for the same character, but for different acts of the same opera. 824—Oprra CosTuME FOR THE CHARACTER OF “SMANnRICO” So Opera, “Il Trovatore,” by Verdi. Consisting of large lavender broad- = aay cloth mantle with velvet collar, cream silk smock, silk shorts, tights, embroidered lavender silk velvet coat finished with collar and sleeves of chain mail, and gray suéde top-boots having embroidered velvet tops. 825—Orera CosTuME FOR THE CHARACTER OF “SMAnrICcO” Opera, “Il Trovatore,” by Verdi. Consisting of gold-embroidered gray- /D, blue silk coat, rose-pink silk shorts, pale blue shorts, and blue leather shoes. The coat slashed at sleeves, handsomely embroidered with spangled V at throat and bands in gold. 826—Orerra CostuME For THE CHaRAcTER oF “THE Monk” Opera, “La Favorita,” by Verdi. Consisting of two gold brocade 20. chasubles. One gray with floral scrollings in gold, bearing a crimson velvet cross and jewelled gold-embroidered silver border with coronetted shield at base. The other similarly enriched on cloth-of-gold and green velvet borders. 827—Oprra CosTUME FoR THE CHARACTER OF “Don Josk”’ 6] 0 Opera, “Carmen,” by Bizet. Consisting of embroidered brown broad- , cloth jacket and shorts, multicolored scarf patterned with zigzags, black calf military top-boots, the famous old and worn tan suéde shoes, and two pairs of high leggings in brown leather. 30. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 828—OprErA CosTUME FoR THE CHARACTER oF “Don Jost” Opera, “Carmen,” by Bizet. Consisting of embroidered bottle-green toreador jacket and shorts, multicolored striped cloth scarf trimmed with lattice ball fringe, pair of green suéde boots and pair of green suede high leggings. 829—OrrrA CosTUME FoR THE CHaRAcTER oF “In Duca” Opera, “Rigoletto,” by Verdi. Consisting of gray striped brocaded velvet court coat trimmed with rhinestone buttons, similar velvet shorts, particolored tights, lawn ruff, gray velvet bonnet-hat and gray kid shoes trimmed with rhinestone rosettes. 830—OrprErA CosTUME FoR THE CHARACTER oF “It Duca” Opera, “Rigoletto,” by Verdi. Consisting of embroidered velvet and damask doublet, shorts and cloak, lawn ruff, two amber and golden yellow bonnet-caps, high black calf military top-boots, gray suéde shoes and blue tights. The doublet of cream floral damask striped with changeable blue and amber velvet; richly embroidered with gold scroll- ings and spangles. The cloak and shorts of similar velvet, enriched with scrollings in silver and gold. 831—-Orrra CosTUME For THE CHARACTER oF “It Duca” Opera, “Rigoletto,” by Verdi. Consisting of deep old-yellow doublet, shorts and plumed bonnet-cap, silk stockings, old-red tights, velvet shoes and old-yellow velvet shoes. The doublet striped with old silver and velvet on deeper toned broadcloth. 832—Orprra CosTUME FOR THE CHARACTER OF “It Duca” Opera, “Rigoletto,” by Verdi. Consisting of embroidered silk doublet and shorts, emerald-green velvet bonnet-cap, puffed green suéde shoes and dagger having crimson velvet sheath and belt. Doublet and shorts of apple-green ribbed silk enriched with bands of silver lace, scrollings, many cut-steel buttons and crimson velvet belt. 833—OprEra CosTUME FoR THE CHARACTER OF “In Duca” Opera, “Rigoletto,” by Verdi. Consisting of embroidered velvet and silk doublet and shorts, bleu-de-ciel mantle and bonnet-cap, flesh-colored tights and gray velvet shoes. Doublet and shorts of gray corded silk and deeper toned velvet, variously enriched in gold, silver threads and cut-steel beads, with scrollings and curious chevrons. The velvet mantle in gold threads and spangles, with collar and deep borders of varied floral scrollings. Third Afternoon 834—Orrra CostTUME FOR THE CHARACTER OF “It Duca” [§ Opera, “Rigoletto,” by Verdi. Consisting of embroidered leather and velvet doublet, wine-crimson velvet bonnet-cap, green silk tights and high black leather boots buttoning to thighs. Brown suéde leather doublet, with green velvet collar and sleeves, enriched with scrollings of silver threads and appliqués of wine-red velvet. 8385—Orera CosTuME FOR THE CHARACTER OF “RICCARDO” aS? Opera, “Ballo in Maschera,” by Verdi. Consisting of deep steel-gray velvet coat, gray satin shorts and richly brocaded orange pink and gold waistcoat. The coat and vest trimmed with faceted steel buttons, silver lace and numerous frogs. 836—OrerrA CostTUME FOR THE CHARACTER OF “RICCARDO” 5: Opera, “Ballo in Maschera,” by Verdi. Consisting of wine-crimson velvet coat, velvet bordered cloth mantle, ribbed plum-colored silk shorts, trunks and two pairs of varicolored lavender tights. The coat trimmed with numerous gold frogs, buttons and deep lace in sleeves. 837—EMBROIDERED VELVET MAnTLE FoR THE CHARACTER OF “RICCARDO” Opera, “Ballo in Maschera,” by Verdi. Rich purple silk velvet with silk collar, enriched with scrolled and geometric bandings in silver threads and faceted steel motives. 838—EmpBrompERED VELVET CAPE FOR THE CHARACTER OF “RiccaRDO”’ Opera, “Ballo in Maschera,” by Verdi. Lustrous ruby red velvet, enriched in applique velvet of lighter tone, gold threads and spangles with floral jardiniére, bandings and ogivals; similar collar with gold cords and tassels. 839—OrrerA CosTUME FoR THE CHARACTER OF “RICCARDO” Opera, “Ballo in Maschera,” by Verdi. Consisting of rich amber velvet and silk coat, shorts and gold-brocaded gray silk waistcoat. Ribbed silk coat, enriched with stripes of velvet scrolled with spangles and silver threads; the shorts of velvet, with silk and silver enrichment. 840—Orrra CostuME FoR THE DisauisED CHARACTER OF “RICCARDO” Opera, “Ballo in Maschera,” by Verdi. Long black silk domino-cowled habit with old-rose ribbon and velvet mask. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 841—-OrrraA CosTUME FOR THE CHARACTER OF “RICCARDO” oe Opera, ‘‘Ballo in Maschera,” by Verdi. Consisting of velvet and broad- (2° cloth jacket and shorts, and black silk tights. Deep blue cloth jacket, enriched with slashings of velvet worked with stripes. and rosettes of blue beads. Collar and cuffs of old ivory floral lace. Velvet shorts, with similar enrichment in cloth and dark blue ribbons. 842—OpERA CosTUME FOR THE CHARACTER OF “RiccaRDOo” Opera, “Ballo in Maschera,” by Verdi. Consisting of velvet and silk jacket and shorts, blue points to pin on, ivory and gray silk stockings 2 O, and gray suéde shoes. Honeycomb patterned gray-blue silk jacket, enriched with slashings and bandings of similar colored velvet adorned in gold with floral scrollings; collar and deep cuffs of Venetian Gothic lace. Shorts of gray-blue velvet trimmed with silk and gold embroidery and many ribbon points. 843—Opera CosTUME FOR THE CHARACTER OF “RiccARDO” 50 Opera, “Ballo in Maschera,” by Verdi. Consisting of various portions 4: of costumes; long gray cloth mantle, red linen cape, brown cloth helmet- / shaped cap, green gray shorts and embroidered blue cloth sleeveless jacket. 844—Oprra CostUME FoR THE CHARACTER OF “Des GriEvUXx” Opera, “Manon,” by Massenet. Consisting of brown broadcloth coat, 56 trimmed with tortoise-shell buttons; deep russet-brown satin shorts and [T golden-yellow silk waistcoat, very richly embroidered with scrollings of large flowers and fruit in colors and gold threads. 845—Orera CostuME FoR THE CHARACTER OF “Drs GrIEUX” Opera, “Manon,” by Puccini. Consisting of rich russet-brown velvet hase coat, frogged with similar colored cords and trimmed with large silk ; buttons, gray brocaded floral patterned silk waistcoat and another of sprigged golden-yellow silk. 846—Orrra CosTUME FOR THE CHARACTER OF “Drs GRrIEUX” ae Opera, “Manon,” by Massenet. Black broadcloth cassock and mantle, / i black corded silk coat, trimmed with jet buttons, black silk sash and two pairs of patent leather shoes, trimmed with silver and rhinestone buckles. Third Afternoon 847—Oprra CosTuME FoR THE CHARACTER oF “Drs GriEUX” 2) nS: Opera, ‘““Manon,” by Puccini. Consisting of embroidered dove-gray cloth coat, gray silk shorts, figured ivory silk waistcoat, pair of buttoned high top-boots in gray suéde and deeper gray suéde shoes. The coat enriched in cordonnet with large scrollings on fronts, pockets and tails. 848—Oprra CosTUME FoR THE CHARACTER oF “Des Grizux” 50 Opera, ““Manon,” by Massenet. Consisting of rich gold-brocaded coat 4): trimmed with rhinestone buttons, pale yellow satin shorts with similar buttons, gold-medallioned brocaded old-pink waistcoat, dove-gray cloak with three capes and pair of gray suéde shoes. 849—Oprra CosTUME FOR THE CHARACTER oF “Drs Grizvx” 50 Opera, “Manon,” by Puccini. Consisting of bottle-green coat, trimmed 92 with lighter velvet cuffs, pockets and frogs, velvet waistcoat, velvet shorts and another pair in bottle-green cloth, deep russet-brown mantle and green suéde three-buckled shoes. 850—Orrra CosTUME FOR THE CHARACTER OF “Des GRrRIEUX”’ court coat, lavender satin shorts, trunks and deep lavender suéde shoes. The coat embroidered in gold and deeper tones of lavender, with floral scrolls at fronts, pockets and tails; trimmed with rhinestone and enam- eled buttons. fe Opera, “Manon,” by Puccini. Consisting of embroidered lavender velvet /%, 851—Orrra CostumME For THE CHaArRAcTER oF “Des Grieux” Opera, ‘““Manon,” by Massenet. Consisting of black corded silk long 15. mantle, waistcoat, shorts and tights, ivory silk blouse trimmed with jabot of floral lace and black patent leather shoes haying red heels and rhine- stone buckles. 852—Orrra CostuME For THE CHARACTER oF “Faust” 5S Opera, “Faust,” by Gounod. Consisting of blue cloth and velvet jacket, ie shorts. blue velvet bonnet-cap, gray silk tights and gray suéde shoes. ; Cloth jacket and shorts enriched with deeper blue velvet slashings ; trimmed with beaded floral motives. 853—Orrra CostTuME FoR THE CHARACTER oF “Faust” SF Opera, “Faust,” by Gounod. Consisting of gold-embroidered doublet, i 7: shorts and bonnet-cap, pink silk tights and slashed green velvet shoes. Green cloth doublet and shorts enriched with yoke and bands of green velvet, embroidered with gold scrollings; the sleeve-slashings caught with rhinestones. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 854—OrperA CosTuME FoR THE CHARACTER OF “FausT” 56 Opera, “Faust,” by Gounod. Consisting of embroidered lavender cloth ? 2: jacket, shorts and extra trunks of slashed velvet, pair of silk tights and jeweled pailletted lavender silk and velvet bonnet-cap. The jacket and shorts enriched with slashings of deeper toned lavender velvet, silver buttons and frogs. 855—Orrra CostTuME FoR THE CHARACTER OF “NEMORINO” Opera, “Elisir d’Amore,” by Donizetti. Consisting of rich russet-brown /d. velvet jacket, trimmed with guipure frogs and mother-of-pearl buttons, velvet shorts, old-red woollen stockings and yellow kid high boots having roll-over tops. 856—OrpeEra CosTUME FOR THE CHARACTER OF CHENIER Opera, “Andrea Chénier,” by Giordano. Consisting of tailcoat and [d. shorts of striped olive-green silk; the coat trimmed with velvet collar and cuffs, plain silk revers and corded frogs. 857—Orrra CosTUuME FOR THE CHARACTER OF “EDGARDO” Opera, “Lucia di Lammermoor,” by Donizetti. Consisting of embroi- [s. dered black velvet jacket, similarly enriched velvet mantle, shorts, beaded belt and shoes, and an extra pair of slashed black suéde shoes. The jacket is slashed over an ivory corded silk blouse and is richly embroi- dered with scrolled-beaded bands. ‘Trimmed with round enameled and gilded buttons. 858—-Orrra CosTUME FOR THE CHARACTER OF “TuRIDDU” Opera, “Cavalleria Rusticana,” by Mascagni. Consisting of black velvet / } jacket trimmed with gray braids and mother-of-pearl buttons, long gray : cloth trousers flaring toward boots and there trimmed with black velvet and further mother-of-pearl buttons, black cloth cloak, two red cloth fezzes and gray suéde shoes banded with black patent leather. 859—Orrra CostuME FoR THE CHARACTER OF “JULIEN” 56 Opera, “Julien,” by Charpentier. Consisting of warm tortoise-shell / velours coat trimmed with brown braid, knee-trousers, gray velours waistcoat and brown felt quilted hat. Third Afternoon 860-——-OrEra CostuME FoR THE CHARACTER OF “JULIEN” /0, Opera, “Julien,” by Charpentier. Consisting of dark gray-blue coat, trimmed with dark blue velvet collar and braid, long trousers to match, knee-trousers in gray-black cloth and high-crowned purple felt hat. finished with cut-steel band. 861—Oprrra CostuME For THE CHARACTER OF “JULIEN” NSD Opera, “Julien,” by Charpentier. Consisting of gray cloth coat with : velvet collar, similar colored long trousers, blue knee-trousers, green quilted cloth soft hat and high-crowned green felt hat trimmed with cut-steel and velvet band. 862—Orrra CostTUME FoR THE CHARACTER oF “‘EDGARDO” is Opera, “Lucia di Lammermoor,” by Donizetti. Consisting of black ; velvet jacket with buff leather scalloped collar and cuffs; trimmed with braided and frogged pockets, square silvered buttons and Brussels lace jabot. High buttoned gray suéde top boots. 863—-Orrra CostuME FoR THE CHARACTER OF “*FLAMEN” ‘]. 5 Opera, “‘Ladoletta,” by Mascagni. Consisting of dark blue cloth dress coat, trimmed with velvet collar and cuffs and black horn buttons, sim- ilar cloth trousers widely braided at sides and turquoise-blue waistcoat. 864—Orrra CosTUME FoR THE CHARACTER OF “FLAMEN” Rf) Opera, “Ladoletta,” by Mascagni. Consisting of dark brown cloth WE trimmed with seal-black velvet collar, cuffs and buttons, long trousers of similar cloth and gray velours waistcoat. 865—Orrra CostuME For THE CHARACTER oF “Vasco pI Gama” 50 Opera, “L’Africana,” by Meyerbeer. Consisting of buff leather jerkin z 2 showing shirt of mail at arms and skirt over paneled crimson velvet, crimson silk shorts and two pair of tights, large burnt-orange cloth mantle, crimson velvet bonnet-cap and two pairs of russet-brown suéde top-boots. 866—Orrra CostuME ror THE CHaractTEer oF “Dick JoHNSON” Opera, “The Girl of the Golden West.” Consisting of five blue flannel / D. shirts, red woolen vest, tan cloth riding breeches, long black calf top- boots, Mexican carved leather belt and holster. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 867—OprrA CosTUME FOR THE CHARACTER OF “ENnz0” Opera, “La Gioconda,” by Ponchielli. Consisting of brocade and velvet 16. doublet, embroidered velvet short jacket, ivory silk skirted shorts, bro- cade fez with rhinestone medallion, embroidered blue velvet fez, velvet shoes and brown suéde top-boots. The doublet of blue velvet with panels of spangles. Rhinestones, braided and gold scrollings; yoke of spangled floral embroidery. Short jacket of wine-purple velvet paneled with silver braid and patterned galloon. 868—OrerraA CosTUME FOR THE CHARACTER OF “ENZO” cloth coat, lavender gray silk trunks, ivory silk tights, round cloth cap trimmed with velvet band and cut-steel medallions, and purple suéde shoes having cut-steel scrollings at front. Wine-purple cloth coat slashed and trimmed with similar colored velvet, cloth-of-silver and silver cords in the slashings ; belt with cut-steel medallion. qo" Opera, “La Gioconda,” by Ponchielli. Consisting of velvet-enriched f 869—-OrEra CosTUME FOR THE CHARACTER OF “RaovuL” re Opera, ‘‘Les Huguenots,” by Meyerbeer. Consisting of green and lay- VW, ender large broadcloth mantles. The green with scalloped edges, trimmed with border of green and ivory brocade. ‘The lavender, with deep col- lar and inner and outer borders embroidered in purple and ivory with bands of scrolling flowers and detached blossoms. 870—Orprra CosTUME FOR THE CHARACTER OF “RaAovuL” Opera, “Les Huguenots,” by Meyerbeer. Consisting of jetted purple {%, velvet doublet, two pairs of similar velvet trunks, purple silk tights, two pairs of purple velvet and suéde shoes and high purple riding boots in suede, laced at sides. Velvet doublet is enriched with slashed silk sleeves, cloth waist and broad rich bands of silver braid and motives in small jet beads; the trunks with jetted bands of velvet over purple silk. 871—Orrera CostUME FOR THE CHARACTER OF “RAOUL” Opera, “Les Huguenots,” by Meyerbeer. Consisting of rich green velvet fe) 0. and silk doublet, two pair shorts, cape, bonnet-cap and bag, green suéde ; shoes and long laced riding boots. The doublet and other velvet gar- ments are richly embroidered with gold cords and jet bead bandings. YS. 7° Lf 0. 20, /0. o12— 873— Third Afternoon OprerA CosTUME FOR THE CHARACTER oF ‘‘RADAMES” Opera, “Aida,” by Verdi. Consisting of embroidered Egyptian long robe, blue silk cap with silvered ring ornamentation, striped cap with silver swan and red leather high strapped boots inlaid with gilded bands. Robe of yellow cloth enriched at neck, cuff of sleeves and foot with silk embroidery ; on breast with brown leather medallion bearing scarab and plates of gilded brass; striped skirt below and long central panel of blue and pink silk studded with many-colored mock jewels, and fringed. OpreRA CosTUME FOR THE CHARACTER OF “RaDAMES” Opera, “Aida,” by Verdi. Consisting of long jeweled robe, head-dress, coronet, short sword with crimson velvet sheath and jeweled hilt, six tooled leather armlets and brown strapped shoes. Robe of ivory cloth at yoke and arms embroidered in silk and enriched with pendent turquoise plaquettes; breast medallion of red suéde leather studded with symbolic lotus, sphinx and leonic heads in gilded brass; short skirt of green and ivory striped cloth below and central long panel heavily studded with mock jeweled scrollings and birds. 874—Orrra CosTUME FOR THE CHARACTER OF “RaADAMES”’ Opera, “Aida,” by Verdi. Consisting of short-sleeved embroidered robe, embroidered girdle with red and gold-sheathed sword, yellow silk jacket, eleven varied armlets and collars, embroidered red silk and yellow linen mantle, brown shoes and silver and gold helmet-shaped head-dress. The robe, imbricated with gold lobes and studded with bosses, is of deep blue, crimson, orange and green satin; finished with crimson silk skirt fringed in gold and printed with scenes from Egyptian mythology. 875—Orrra CostTuME FOR THE CHARACTER OF “RADAMES” Opera, “Aida,” by Verdi. Consisting of skirted robe of gray cloth embroidered in ivory satin, blue and orange silks with flowers and lotus bandings; loose white leather girdle with jeweled bands and symbols in gold threads; brown laced leather sandals. 876—Orrra CosTuME FoR THE CHARACTER OF “RODOLFO” Opera, “La Bohéme,” by Puccini. Consisting of dark brown broadcloth dress coat having velvet collar and cuffs, yellow floral brocade waistcoat, gray and brown long tweed trousers, soft brown felt hat and black calf boots. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 877—OreraA CosTUME FOR THE CHARACTER OF “RODOLFO”’ ') Opera, “a Bohéme,” by Puccini. Consisting of gray cloth dress coat : with velvet collar, striped gray tweed trousers, gray and green muffler, and eight brown and black silk ties. 878—OrerA CosTuME FOR THE CHARACTER OF “LIONEL” CY) Opera, “Marta,” by Von Flotow. Consisting of wine-red skirted coat a} having velvet collar and cuffs, oval miniature on black ribbon, long skirted waistcoat and shorts of dark yellow cloth, three high-crowned black felt hats, brown leather belt, pair of black patent leather shoes, gray suede slippers and gray cloth cloak. 879—OrrrA CosTUME FOR THE CHARACTER OF “CANIO” Opera, “Pagliacci,” by Leoncavallo. Consisting of tan smock and 25, trousers trimmed with black and white rosettes, tan lawn ruff, three white linen ruffs and jabot, two pairs white leather shoes, and one pair of tan canvas shoes with black and tan rosettes. 880—OperA CosTUME FoR THE CHARACTER oF “THE Monk” § Opera, “La Favorita,” by Verdi. Gold and silver embroidered chasuble; at - field with blue and silver floral motives bearing crimson velvet cross and jeweled border of gold and silver cloth. 881—Two Croaxs Worn sy Enrico Caruso In OPERA (4) Ruby-crimson velvet trimmed with galloon on one side and dove- 30. gray velvet on other, embroidered in silver with scrollings. (sn) Deep brown hooded broadcloth cloak, embroidered in gay colors with squares and borders of scrollings. 882—Buacx Vetvet Coat, Ticuts anp Waistcoats Worn sy EwNrRIco S, Caruso In OPERA 4 (a) Black velvet dinner packet for “La Bohéme.” (3) Two pairs silk tights; pale blue and dark green. (c) Five waistcoats, variously of pink cloth, ivory and pink striped silk with rhinestone buttons; orange cloth trimmed in gold and dotted lavender silk. 883—Trn AssortTED Wics Worn sy Enrico Caruso IN OPERA Pee Brown and gray perukes and eight varied colored close-fitting wigs. Third Afternoon 884— Tren Assortep Wigs Worn sy Enrico Caruso 1x Opera 1§0 One brown and two gray perukes and seven varied colored close-fitting wigs. 885—Tern AssortED Wics Worn sy Enrico Caruso In OPERA 75° Gray, white and brown perukes and seven varicolored close-fitting wigs. 886—Tern Assortep Wics Worn spy Enrico Caruso In OPERA Two gray and two brown perukes and six varied colored close-fitting 750 wigs. 887—-T wo Parr or RHINESTONE Buckies Worn By Enrico Caruso In OPERA 93° Oblong, in two sizes; one pair with black leather thongs. (Two stones / missing. ) 888—Two RuINEsTONE SHOE BuckitEs Worn By Enrico Caruso In OPERA /d. Curved oval; with four rows of stones in silvered settings. 889—Two RHINESTONE SHOE BucxiEs Worn sy Enrico Caruso IN OPERA 750 Oblong, with round corners; three bands of stones in silvered setting; : blue silk and gold leather thongs. 890—T wo JEwreLteD Fors Worn By Enrico Caruso in OPERA /2.%° One, silvered setting; other, gilded. Set with varicolored mock jewels. 891—-Four JEWEL Breuts anp NecxuaAce with MEpatition Worn By Enrico Caruso IN OPERA 25. (a) Two silvered, variously linked and enriched. (3) Two good galloon, one with coral medallions, other with circular medallions. (Both slightly imperfect.) (c) Curiously linked gilded chain terminating in medallioned head of a Roman warrior. 892—Scorcu Sitver Broocu By Forsyth of Glasgow covey Round; with runic bands and five similarly enriched bosses. In black leather case. Worn in the character of Edgardo in “Lucia di Lam- mermoor.” 893—Six Brass ARMLETS FOR THE CHARACTER OF “SAMSON” Opera, “Samson and Delilah,” by Meyerbeer. Variously paneled and /0. enriched with brown leather. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 894—-Four Patrs or SHors Worn sy Enrico Caruso In OPERA 50 (a) White suéde used by the character “Le Prophete.” vk (sn) High-lace green suéde, also for same character. (c) Maroon morocco, used by the character “La Juive.” (p) Black patent leather, used by the character “Turiddu.” 895—THreEE Partrs or SHors Worn sy Enrico Caruso in OPERA if (a) Brown suéde with spring sides used by the character “Jon José.” ? (se) Black patent leather, with engraved silvered buckles; used by the character ‘*Edgardo.” (c) Blue velvet, puffed with silk and gold at front of ankles; used in the character “Faust.” 896—TuHreEE Pairs or SHoEs Worn By Enrico Caruso IN OPERA 4 £0 (a) Gold open lattice leather high shoes; used in the character of ‘‘Le i Prophéte.” (s) Amber velvet; trimmed with gold and velvet rosettes; used in the character of “Ferdinando.” (c) Black kid; used in the character of “Des Grieux.” 897—Turee Parrs or SHors Worn sy Enrico Caruso In OPERA (a) Blue leather, embroidered in gold, used in the opera ‘‘Pescatori di : Berle (s) Gray suéde; used in the opera “La Traviata.” (c) Black kid; used in the character of “Lionel.” (a) Blue velvet; used in the character of “Il Duca.” (8) Two pairs of black kid; used in the character of ‘Manrico.” 45 898—Turee Parrs or SHors Worn By Enrico Caruso In OPEra 899—Turer Paras or SHors Worn By Enrico Caruso In Opera ay (a) Blue velvet, jetted and slashed with blue cloth; used in the char- acter of “Il Duca.” (zs) Russet latticed high shoes; used in the character of “Samson.” (c) Russet sandals; used in the opera “Pescatori di Perle.” Third Afternoon 900—TxHreEE Parrs oF SHoEs Worn sy Enrico Caruso In OPEra (a) Patent leather, with gilded buckles and red heels. H, (ws) Russet leather, laced in front. (c) Gray suéde; with gilded buckles. All used in the character of “Des Grieux” in the opera “Manon.” 901—TuHree Pairs or SHors Worn sy Enrico Caruso In OpEra a Brown suéde and two black kid; one having silvered buckles and red heels. All used in the character of “Des Grieux” in the opera “Manon.” 902—Four Pairs oF SHors Worn sy Enrico Caruso in OpEera (a) Silver brocaded blue silk. yo (3) Two calf and patent leather, with red heels. 5 (c) Brown suéde, with three straps in front. All used in the character of “Des Grieux” in the opera of “Manon.” 903—Two Pairs or Top-soots Worn sy Enrico Caruso In OPERA 5S: Black kid, one with russet leather tops; the other with gray cloth tops; 4 used in the character of ‘‘Manrico.”’ 904—Two Parrs or Tor-soots Worn sy Enrico Caruso In OPERA (a) Black patent leather, liberally slashed and heeled with turquoise- ‘ blue leather. (s) Ivory kid, open in front and buckled. Trimmed and heeled with russet brown leather. Both used in the character of “Manfred” in the opera “L’Amore dei Tre Re.” 905—Two Parr LEATHER AND CitotH LEeccincs Worn By Enrico Caruso IN S OPERA Black calf, buttoning up sides; other pair similar, in black cloth. 906—Turer Pairs or EmMpromerED Leccincs Worn sy Enrico Caruso In OPERA gl 6) (a) Crimson velvet, embroidered in gold with scrollings and trimmed 7, with filigree gilded buttons. (s) Lavender leather, embroidered with silver paneled scrollings. Lace up sides. (c) Blue cloth, embroidered with elaborate all-over scrollings in gold; trimmed with gilded buttons at sides. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 907—Turee Pairs or LeatrHER Leccincs Worn By Enrico Caruso 1n OPERA 3 Two pair brown leather, buttoning up at sides; one pair embroidered e with gold spangles and scrollings. Third pair buff suéde trimmed with scrolled panels of yellow morocco leather. 908—Two Vetiver Hats Worn sy Enrico Caruso 1x Opera (a) Black velvet tricorne, trimmed with gold galloon and crimson i D. feathers. ; (8) Brown duvetyn, with flat crown and broad brim; trimmed with pink velvet ribbons. 9094-TuHREE EmpromwERED Cars Worn sy Caruso IN OPERA (a) Red cloth fez, embroidered with scrollings in gold threads and pail- lettes ; long black tassel. (s) Crimson velvet fez, with silver braid embroidery and blue tassel. (c) Red cloth Albanian cap; embroidered with silver scrollings and silk medallions; black tassel at back. 910—Inp1an EMBROIDERED Crimson TurBAN Worn sy Caruso IN OPERA 5 Crimson silk, embroidered with diamond trellis enclosing blossoms. 911—“THreE Fett anp Citotru Sorr Hats Worn sy Enrico Caruso 1n Oprra Q Two of brown felt; other ight blue cloth trimmed with blue velvet. [ 9124-TuHree HicH-crownep Fett Hatrs Worn sy Enrico Caruso 1s OPERA Gray, green and tan; two with embroidered velvet bands, the green with lavender cord bowknotted. For the character of “Julien.” rc 913—Turee Pair LeatHerR GauntTLETs Worn sy Enrico Caruso in OPERA ) : ; : fa White, red and gray leather, variously embroidered on the gauntlets. 914—Turee Parr or LeatHer GAuNTLETS Worn By Enrico Caruso IN » & OPERA J ‘ Purple, gray and white, the two latter embroidered in gold threads with scrollings on the gauntlets. 915—Fovur Parr or LreratrHeR GAUNTLETS Worn sy Enrico Caruso IN | f ; OPERA Two white, gray and brown; two embroidered; the brown slashed with crimson silk at gauntlets. Third Afternoon 916—-Eicut Ostrich Prumres Worn on Harts sy Enrico Caruso in OPERA Two long white, one gray-black, one pale blue, one pink, one gray and . two small green plumes. 917—Five Sirk SasHoes Worn sy Enrico Caruso In Opera (a) Blue silk, trimmed with bullion fringe. 30, (8) Crimson and pink, with floral squares and gold fringe. (c) Liberty green and gold water motived silk; fringed. (>) Dark gray crépe silk, trimmed with silver galloon and cut-steel fringe. (z) Old-red crépe silk, with silver galloon and fringe. 918—Five Lace anp Lawn Buovuses Worn sy Enrico Caruso tn Opera (x) Two lawn blouses, with Renaissance lace jabot. fo (a) Lawn blouse, with deep lace cuffs. & (c) Tan silk band, with floral lace jabot and cuffs attached to cross- bands. (>) Oval lace and lawn jabot, with bands and flap. 919—FEicut Lacr anp Lawn Jazots Worn By Enrico Caruso In OPEra (a) Two cream silk banded jabots, with lace fronts and cuffs. [0 (s) Two Brussels net jabots, with bands. (c) Three lace jabots on long lawn bands. (p) Lace jabot, with lawn apron and tieing bands. 920—Five Lace Rurriep Biouses Worn sy Enrico Caruso 1x Opera 5d (a) Two cream silk blouses, with long sleeves and ivory lace floral we ruffles. (zw) White silk crépe blouse, with long sleeves and deep ivory silk lace ruffles. (c) Two white lawn blouses, with long sleeves and deep floral ivory lace ruffles. 921—Five Lace Japots AND Sink BuiovusE Worn By Enrico Caruso In ; OPERA eae (a) Three lawn fronted jabots, enriched with ruffles of varied floral Renaissance lace. (s) White silk blouse, with long sleeves finished with deep silk floral lace. (c) Two lawn banded jabots, with lace at ends. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 922—-Four Linen anp Lacrt anv Sitxk Biovusrts Worn sy Enrico Caruso IN OPERA FS. (a) Four linen lawn blouses, three trimmed with lace ruffles, other with lawn ruffles, (s) Cream silk blouse, trimmed with floral lace jabot and Venice lace ruffles. 923—Turere LeatrHer Betts Worn spy Enrico Caruso In Opera ie Two brown suede. Mounted with pierced heart-shaped buckles. One e in green suede with large open silver oblong buckle. 924—Turee Buack LEatHEeR Betts Worn spy Enrico Caruso IN OPERA Broad patent leather, with holster; enriched with engraved silver-plated aJ¥ buckle, loop and tip. Cartridge belt quilled with red leather. Patent leather belt with large engraved silver-plated buckle. 925—Turee SuHounper Knots anp THrEE Betts Worn sy Enrico Caruso IN OPERA 5) Shoulder knots variously of gold and silver galloon and gold and black cord finished with gilded points. Belts of silver embroidered yellow vel- vet, black velvet with blued steel ornaments and red cloth having gilded buttons. 926—Four Decorate Beitr PoucHrs Worn sy Enrico Caruso In OPERA n (a) Pale green velvet, enriched with gilded medallions, studs and 3 ‘ borders. (x) Brown leather, enriched with rose-pink velvet panels, straps and borders; trimmed with steel. (c) Purple velvet; embroidered in silks and silver with stellate flowers. (p) Yellow silk, trimmed with galloon, tassels and gilded open floral medallion, | 927—Turee Mountep VELVET Sworp Breutrs Worn spy Enrico Caruso IN RY NY OPERA | 3 Purple and green velvet, elaborately mounted in polished steel with leonic medallion buckles and faceted rosettes. The third pale blue, embroidered with scrollings in gold and spangles. Mounted in gilded brass with buckles, leonic heads and honeysuckle plaquettes. Third Afternoon 928—-MEXICAN SILVER-HANDLED LEATHER-THONGED WHIP FOR THE CHARAC- 56 TER OF “Dick JOHNSON” ° Opera, “The Girl of the Golden West.” 'Tapering handle of corded twine, interrupted by collars of silver and ferrules; broad leather thong. 929——Larcr Horn-HANDLED COUTEAU FOR THE CHARACTER OF “Don Jost” 1S Opera, “Carmen,” by Bizet. Curved horn handle and blade with spring i back. 930—Two Antiqurt LEATHER-SHEATHED Daccrrs Worn sy Enrico Caruso 9 ray IN OPERA [Th (a) Broad channeled spear-shaped blade with brass guard and bone grip ruffed with diamond lattice. (zs) Spear-shaped blade, with silvered guard and spirally twisted grip terminating in scrolled medallions. 931—Turee EvasoraTE Daccers Worn sy Enrico Caruso in OPERA (a) Renaissance style, with lavender velvet sheath, brass cruciform grip 50. and guard enriched with openwork bosses. (se) Curved blade, with gray leather sheath, brass scroll guard and painted grip. (c) Renaissance style, with curved blade in crimson velvet sheath and silvered notched grip enriched with floral scrollings. 932—Scorcu SinvER AND Esnony Mountep SKkeNE DuHv For THE CHARACTER a) of ““EpGarpo” By Forsyth of Glasgow yf : Opera, “Lucia di Lammermoor,” by Donizetti. Black leather sheath, mounted in engraved silver and fitted with fork, knife, long dagger; separate small coup-de-grace dagger. Grips of ebony carved with entwined cord motives. In black leather case. 933—Six Sworp SHEATHS WorN By Enrico Caruso IN OPERA 30. Variously mounted and covered in crimson, pink, black and green vel- vets; one with black leather. ‘Two fitted with swords having no hilts. 934—TureE LeaTHER-SHEATHED Sworps Worn By Enrico Caruso in OPERA (a) White leather sheath; mounted in silver plate. Long tapering 56 . blade, wire grip, scrolled round pommel and spirally twisted guards. (3) Curved blade in black leather sheath; gilded empire scrolled grip. (c) Tapering walking sword in black leather sheath. -Silvered wire grip; oval and angular guards. Chain for suspension to belt. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. Sb 935—STEEL Sworp, PurpLe SuHeatH Povucu Anp Brett Worn sy Enrico ff. Caruso IN OPERA } Tapering triangular blade; with wire grip, scalloped and basketed hilt, expanding cross guards and curved knuckle guard. Velvet belt and pear-shaped pouch, enriched with cut steel, gadrooned bosses and open medallions. 9386—Court Sworp, VELVET SHEATH AND SHOULDER Brett Worwn By Enrico $O Caruso IN OPERA JQ: Tapering slender oval blade, with mounted turquoise velvet sheath, hooped and scrolled hilt and guards enriched with shell motives and scrolls; lozenge-shaped grip with pear-shaped pommel. Narrow tur- quoise velvet belt and lighter velvet shoulder strap embreviea as in gold threads with scrolled diamond motives. 937—Court Sworp anp Brett Worn sy Enrico Caruso in OPERA $0 Slender tapering diamond blade, with gilded lobed hilt, looped and | T scrolled guards and round pommel enriched with military trophies; wire grip. Gold galloon belt having large gilded buckle. 938—Court Sworp ano Brett Worn sy Enrico Caruso In Oprra Tapering diamond blade, with polished and engraved steel basket hilt, 30. elaborately scrolled guards, wire grip and fluted oval pommel. Sheath covered in brown suéde leather. Lavender velvet belt adorned with gilded scrolled plaquettes and buckles. 939—Covurt Sworp AND Brett Worn sy Enrico Caruso In OPERA $6 Tapering triangular channeled blade, with curious polished steel basket 2} hilt, scrolled guards, wire grip and spirally twisted round pommel. Mounted sheath of light brown leather. Leather belt, enriched with polished steel plaquettes and faceted bosses. 940—Two Parr Stree, Spurs For CHaracter “Dick JOHNSON” IN “THE 7.50 GirL oF THE GOLDEN WEsT”’ Both with large stellate rowels and black leather thongs at back and over boots. 941—TureEEe Pairs or Spurs Worn By Enrico Caruso 1n OPERA si 0 (a) Gilded; with balustered pinnacles instead of rowels. | Je (3) With small round rowels and patent leather bands. (c) Cut steel, with curiously angled stellate rowels. Third Afternoon 942—Two Pairs or Spurs Worn sy Enrico Caruso 1n OpEra /2 50d (a) Gilded; with scrolled hoops and supports having stellate rowels. e JS. | 0. (ws) Cut steel; with angled arms having stellate rowels. PAINTINGS IN OIL AND PASTEL JOHN W. CASILEAR, N.A. AMERICAN: 1811-1893 944—A SUMMER AFTERNOON Height, 8°34 inches; length, 14 inches Level green fields of early summer—the time of the first haying—extend across the picture, with a farmhouse and other farm buildings and numerous trees observed in the middle distance, in sunshine and shadow, and beyond them in the distance a range of mountains grayish in a vague haze. In the foreground at right a wagon heaped high with freshly mown hay, and drawn by a yoke of red oxen, led by a man astride a white animal. Other men are at work about the hay-load and elsewhere in the fields. Signed at lower right, J. W. C., 778. ITALIAN SCHOOL NINETEENTH CENTURY 945—INDEPENDENCE OF NAPLES, SEPTEMBER 7, 1860 Height, 101% inches; length, 1584 inches In the foreground a great square, and entering from the right a triumphant procession of carriages filled with citizens, who are waving flags and banners and their hats and arms. Going and coming through a winding street leading to the background are other citizens, in a dense throng, while in windows and balconies of the many-storied buildings at either side still more of the citizenry join in the joyous celebration and hearty acclaim. YO. 10. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. MODERN ITALIAN SCHOOL 946—THE SEA: ISCHIA (Pastel) Height, 174% wmches; length, 1914 inches In the foreground the gray-green waters of the bay moving in from the left, and the receding waves marking with white loops of foam the low sandy shore at the right, where Neapolitans in vivid colors are seated in groups or indi- vidually paddling in the waves. In the middleground a higher shore crowned by green trees at right and sending a bare and rocky projection into the water toward the left. In the distance the buildings of a town. Signature (undeciphered) at lower right. MODERN ITALIAN SCHOOL 947—SCENE FROM THE OPERA “AIDA” Height, 16 mches; length, 20 inches The observer faces the stage, where singers in dramatic attitudes appear in a strong light before a landscape setting. In the foreground the darkened auditorium is filled, the figures of the audience indefinite in the darkness, save that the shoulders of ladies in evening dress make themselves visible in the row nearest the observer; and against the soft glow of the musicians’ lights there rises the figure of the conductor, arms raised, baton in hand. MEXICAN SCHOOL NINETEENTH CENTURY 948—AN ANCIENT SPANISH MONASTERY (Mill-board, peaked at crown) Height, 47 inches; length, 4714/2 inches A vista of ancient conventional buildings situated at the foot of blue and lavender mountains; seen through a valley between two green hills crested by tropical trees and vegetation. Third Afternoon- ANTIQUE ITALIAN FURNITURE 949—Two SIxTEENTH CENTURY ITALIAN Watxnut Cuarrs [ (9. Sgabello character. Shaped backs, with scrolled sides enclosing a crowned shield carved with the coat-of-arms of the Albergotti family of Arezzo. Octagonal molded seat, and lyre-shaped front support _carved with side scrollings and a large grotesque mask. 950—Two SixrrEntH Century Iranian Watnut Cuarrs Similar to the preceding. | 4 oF From the Davanzati Collection. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 951-—Two SixreenrH Century Umsrian Waxtnutr Armcuairs RO Straight backs, with square side supports ending in turned finials and : with plain horizontal splats supporting, by an arcade of four turned spindles, shaped top rails carved with the coat-of-arms of the Vitelli di Citta Castello family, surmounted by a bishop’s hat. The straight arms are supported on turned columns, the straight legs are square, the broad front-rails are pierced by a geometrical design and the side and back rails are square. Remarkable patina due to age. With small cushions of antique red brocade. From the Davanzati Palace. (Illustrated) 952—Two SrxTEENTH CENTURY UmBRiAN Watnut ARMCHAIRS je Similar to the preceding. Third Afternoon 953—Two Carvep WaLnut STATE CHAIRS Italian Renaissance with open scrollings and cartouche. Open scrolled arms having balus- tered supports; molded wood seat. On square legs having similar tab- leted stretcher to pediment and minor scrolled stretcher under. [30 Open back, with scroll-mask terminals, two tableted cross splats enriched 954—SixTEENTH CENTURY ITALIAN BEEcHWoop MownastTEryY CHAIR ‘) 5. Folding type. Formed of square supports and with shaped head rail incised with radiating lines and square base rails. 955—SIxTEENTH CENTURY ITALIAN BrEcHWoop Monastery CHAIR Folding type. Formed of square supports and with shaped head rail 3 0 ‘ incised with radiating lines and square base rails. From the Volpi Collection. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 956—SIxTEENTH CENTURY ITaLIAN WatnuTt “SavonNaroLa” CHAIR Curved sides and legs formed of eight square interlacing supports pivoted /4. so as to fold. Straight scrolled arms, shaped back and straight base rails. From the Davanzati Palace. 957—Setr or Four SIxtEENTH Century Irarian Watutnut ARMCHAIRS Straight square backs with acanthus carved finials and arcaded head 0. rail supported by six spindles turned in baluster form. Molded wooden seats with arcaded apron and supported by turned spindle, straight square legs and square front rails. Will be sold with the privilege of the purchaser taking two or four chairs. From the Volpi Collection. 958—SIxTEENTH CENTURY FLORENTINE Rounpasour Watnut ARMCHAIR Semicircular shape. Open back, formed of seven turned spindles with oD flat head rail and shaped wooden seat with molded and fluted edge. On ; three spreading straight turned legs of baluster shape. From the Volpi Sale. (Illustrated) 959—Carvep Waxtnour Center Taste Spanish Late Seventeenth Century Oblong top; supported on lyre-scrolled framed ends. Enriched with leaf [40 : and scroll motives. Reinforced by balustered scrolled iron brackets from stretchers to underneath top. 4 Height, 31 inches; length, 42% inches. (Illustrated) No. 958 No. 959 Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 960—Carvep Watnut Draw Extension Tasie Italian Renaissance Framed oblong top; with end draw-extensions, molded frieze with finely 500. turned pendants at corners and bracketed vase enrichments at ends. Supported on leaf-adorned end baluster-legs having scrolled cross feet and central stretcher beautifully arcaded. Height, 2 feet 5 inches; length, 4 feet 4 inches; extended, 8 feet. (Illustrated) 961—SixtEENTH CrentTuRY Bresctan WaLNuT CABINET Rectangular shape. Molded and dentelled top, the frieze fitted with rl ERS three drawers having paneled fronts and bronze knobs. Separated and flanked by voluted medallions with imbricated fronts. Below, the body is arranged as a cupboard with three hinged doors, having molded pan- eled fronts, each with two raised panels inlaid in a design of Renais- sance arabesques, separated and flanked by Ionic pilasters with shafts of female caryatids having acanthus-leaf and tapering imbricated ter- minations. Plain plinth and molded base. Height, 4 feet 4 inches; width, 6 feet 10 inches; depth, 2 feet 2 inches. From the Volpi Collection. (Illustrated) 962—Carvep Watnut Fovurrost Trster Bev ann Lace Cover.Let Italian Renaissance As ‘e) Oblong paneled headboard, enriched with oval medallion occupied by a ; figure allegorical of “Pomona,” standing beside a cornucopia of fruit, a sickle in her upraised right hand; flanked by arabesque scrollings. Open leaf-scrolled pediment, centered with a winged cupidon head. Sup- ported on expanding reeded posts with cupidons at rail-heads and bossed vase-shaped legs. Leaf and spirally gadrooned rails. Large molded tester, adorned with further spiral gadroons, leaf and husk motives. Covered and valanced with florally patterned crimson damask. Gothic and Milanese lace coverlet, developing broad bands of Milanese floral lace interrupted by chevroned linen bands. Finished with Vandyked Gothic lace. Point d’esprit net curtains, boxspring and mattress for same. Height, 9 feet 1 inch; length, 7 feet 31 inches; width, 5 feet 5 inches. No. 960 No. 961 INTRODUCTION TO THE CATALOGUE OF ENAMELS AND BRONZES FROM THE COLLECTION OF THE LATE ENRICO CARUSO The collection of Enamels and Bronzes here described is of the finest. There are assembled pieces of great artistic beauty and finish. Most of them formed part of the J. Pierpont Morgan Collection, and a great number of them have formerly belonged to very famous collections, such as the Spitzer Collection, the Bardac, the Schevitch and others. In the collection of Enamels are grouped not only some of the best pieces of the Limoges productions of the late fifteenth and early sixteenth centuries, but the examples represented are varied in kind and character, representative of the workmanship of a number of artists of the time, and they display specimens beginning with the primitive school of painted enamels, down to the late sixteenth century. There is the charming little Annunciation cf the last quarter of the fifteenth century, by Monvaerni; there is the Adoration of the Magi attributed to Nardon Pénicaud; there are the two famous plaques representing the Descent from the Cross and the Entombment, by Pierre Rey- - mond, coming from the Schevitch Collection, and among the best examples of the artist’s work; there are equally two other plaques by Jean III Pénicaud from the Spitzer and Maurice Kann Collections, which figured at the exhibition in Paris in 1900, and were always spoken of as masterpieces of the enameler’s art; there are also two plaques of marvelous coloring by Léonard Limousin, formerly in the J. Pierpont Morgan Collection, and a number of other pieces, all of great interest and beauty. The collection of Bronzes is none the less interesting. It includes pieces of great importance, such as the equestrian figure formerly in the Pfungst and J. Pierpont Morgan Collections, or the beautiful statuette of a bear by Riccio from the Bardac and J. Pierpont Morgan Collections, which is the best specimen of its kind, and is far above in quality from the statuettes represent- ing the same subject, in the National Museum in Florence and in the Berlin Museum. There is also a fine example of the famous figure of Morgante, the Court Dwarf of Cosimo I de’ Medici; an interesting pair of candlesticks by Alessandro Vittoria, formerly in the Rodolphe Kann and the J. Pierpont Mor- gan Collections. There are also two lamps from the workshop of Riccio, a fine example of the Spinario statuette and many other specimens of fine bronzes of the fifteenth and sixteenth centuries. Both in the field of the enameler’s art of French origin, as of Italian Renaissance Bronzes, the collection here assembled offers famous and represen- tative examples. STELLA RUBINSTEIN. FOURTH AFTERNOON’S SALE THURSDAY, MARCH 8, 1923 IN THE ASSEMBLY HALL OF THE AMERICAN ART GALLERIES BEGINNING AT 2.15 0’CLOCK Catalogue Numbers 963 to 1137, inclusive EARLY GREEK AND EGYPTIAN BRONZES Including Specimens from the J. Pierpont Morgan, Kann and Other Celebrated Collections 963—BronzE STATUETTE Etruscan or Archaic Greck Of a Greek Satyr, with tail and hoofs of a horse. He carries an amphora / fo. over his shoulder. On a marble stand. Height, 3% inches. 964—Trrra-corta Hrap or APHRODITE Greek, Second Century B.C. On a marble stand. / ou) Height, 3% inches. ® 965—Bronze Ecyptian SPHINX Egyptian, Saite Period With human head and arms, and the body of a lion. On the forehead b £o is a ureus. The arms are held out from the elbows, each hand holding ‘ a piece of metal. This fine little work is no doubt a contemporary work after the stone portrait Sphinx of King Apries (589-570 B.C.), now in the Louvre, and from this example we may conclude that on the pieces of metal noted was once fastened a large patera. Length, 4 inches. Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 966—BronzE STATUETTE Egyptian, Saite Period Of the Egyptian goddess Ubasti, with the head of a cat. She wears at /0, her breast the lon egis. Height, 51%, inches. (Illustrated) 967—BronzE STATUETTE Archaic Greek % a Of a Greek Satyr, with tail and hoofs of a horse; with a fine green a e patina. Height, 414 inches. (Illustrated) 968—BronzE STATUETTE Egyptian, Saite Period Of the Egyptian god Anubis. /0 Height, 51% inches. : (Illustrated) 7 969—Sranpinc Bronze Mummy Ficure Egyptian, Ptolemaic Period Of Osiris. / C0 Height, 1034 inches. é 970—Bronze Ficure Of a man with his arms held forward, and wearing a short skirt falling ”) Zz) 5S from the waist. The figure is obviously of Semitic origin, and must date some considerable time B.C. Statuettes of a similar type have been excavated in Mesopotamia, to which region this figure evidently belongs, but it would be unsafe at present to ascribe to it a particular national origin. The patina does not suggest a pre-Assyrian period, which is often assigned to such figures. Height, 1434 inches. 968 966 967 EaGyptiaAN AND GREEK Bronze STATUETTES Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 971 972 971—SiLvER STATUETTE oF APOLLO Roman, First Century A.D. 528. On a lapis-lazuli stand. Height, 4% inches. 972-—BronzE STATUETTE Gallo-Roman, about Second Century A.D. s) 50 Of a nude woman holding up her left leg with her right hand. There was a Greek statue of this figure, and some Roman copies of it have come down to us. On a lapis-lazuli globe. Height, 5%, inches. Fourth Afternoon 973 974 973—NuveE Bronze Ficure or Minerva Roman, about Third Century A.D. | oF She wears a helmet and holds a fold of drapery over her right arm. Height, 534 inches. 974—Bronzre STATUETTE OF VENUS ANADYOMENE Gallo-Roman, about Second Century A.D. / b 0 After the celebrated painting of Apelles (which was in Rome during the greater part of the first century A.D.). On a lapis-lazuli base. Height, 5%, inches. Kindly read the Conditions under which every item 1s offered and sold. They are printed in the forepart of the Catalogue. EARLY ITALIAN RENAISSANCE BRONZES 975—SIxTEENTH Century Iratian Mepa o On the obverse the head of Lodovico Gonzaga; on the reverse, the figure he of a knight with the signature, “Opus Posani Pictoris.” Diameter, 3°34 inches. From the Countess Stroganoff Collection of Rome. From the Davanzati Sale. (Illustrated) 976—FirTEENTH Century Iratian Bronze Mepatuion sy BEL Oval shape, with molded border. Modeled, in low relief, with a subject of an “Entombment.” Signed below: “vatERIvs DEcIUS VICEN.” By / loys) Valerio Belli, known as Vicentius (1465-1546). Height, 31/, inches; width, 4 inches. (Illustrated) 977—FirTEENTH Century Iranian Bronze Meparrion Circular shape, with beveled rim. Modeled, in low relief, with a “‘Pieta.” At the foot of the cross the Virgin, assisted by Angels, is supporting on /£6 _her knees the body of Christ, which has been lowered from the cross. Diameter, 3% inches. (Illustrated) 977 Merpa.uions FIFTEENTH AND SIXTEENTH CENTURY BRONZE 975 Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. 978—Mepat RepresentTiING Ranutivs II Farnese, Duxe or Parma Anp PIACENZA Italian Seventeenth Century The Duke is represented turned toward the right with long floating hair, wearing a richly ornate armor over which is draped a mantle. Around O. his neck is a lace necktie. A running inscription reads: RANUTIUS . II. PARMAE , ET , PLACENTIAE . DUX . ET. Under the arm at the left is an unreadable signature. | Diameter, 41, inches. (Illustrated) 979-—Mrpaut Representine Francis IV, Duce or Mantua Made by Guillawme Dupré m 1612 The Duke is represented turned to the right in a richly ornate armor. A running inscription reads: FRAN . III] . D.G.DUX-MANTU - MONT - FER . III. I. AET . XXVI._ Its complete meaning is: ‘Ove Franciscus IV, Dei Gratia, Dux Mantuae, Montis Ferrati, tertius, anno primo, aetatis XXVI. Signed under arm at left: G. Dupré . F . 1612. Dupré (Guillaume). Born about 1576-1643. Active between 1597-1643. Was general controller of designs at the Paris Mint under the reign of Henry IV and Louis XIII. Diameter, 6%, inches. (Illustrated) 980—Mepar Representine Louis XII (1462-1515) anp Anne or Brirrany (1477-1514) By Nicolas Leclerc, Jean de Saint Priest and Jean Lepere; French, 1500 Louis XII is represented against a background of fleurs-de-lis. He is seen turned to the right, wearing a soft hat with a turned-up rim, over which is placed the royal crown. Around his neck is suspended the collar of the Order of Saint Michael. ‘The border shows a lion turned to the EB Aes left, which are the arms of the city of Lyons, and a running inscription which reads FELICE . LUDOVICO . REGNATE . DUODECIMO . CESARE .. ALTERO . GAUDET . OMNIS . NACIO. The other side of the medal shows Anne of Brittany against a background of fleurs-de-lis and of ermine (the latter is the emblem of Brittany). She is turned toward the left and wears the royal crown over a head- dress falling loose to her shoulders. A necklace is around her neck. On the border is the same lion as on the other side, and a running inscription which reads: LUGDUN.REPUBLICA.GAUDETE.BIS. ANNA.REGNANTE.BENIGNE.SIC.FUI.CONFLATA. 1499. Diameter, 4%, inches. This medal, of which there are many examples in museums and private collections, was made in honor of the visit which Anne of Brittany and Louis XII paid to the city of Lyons in 1499. The first medal, presented to the queen, March 15, was made in gold, and does not exist any more. Other examples in silver and gold are still extant. Bibliogr—Mazerolles: Les médailleurs francais du 15 au 17 siécle. (Illustrated) 978 Iratian AND FrenNcH Bronze MEDALS OF THE FIFTEENTH AND SEVENTEENTH CENTURIES Kindly read the Conditions under which every item is offered and sold. They are printed in the forepart of the Catalogue. ANDREA BRIOSCO cattep IL RICCIO Born about 1470; died in 1582 981—Bronze PLaQuETTE Paduan Early Sixteenth Century Representing the triumph of a hero. In the center is standing the naked hero, his right hand resting on a horn of plenty. At his left is a vase with laurel leaves from which issues a serpent, the symbol of envy. a