8s 1914 Mar.17 NeAmH c.3 Gcrtey a ae i a Boke batt be oe | eae J OVP ab aspect Latin Atte PAN i aed Ey SPE a Megs sph a Aspen wt ee tb lie ye aN aa A Ue ie arene ae és Wii ipen Ra (a Aes Ht ist Rig. Brith is Sool et eee ea 13s hipeplutge Eye deal Niel ft eae fe aid $e 4 ap: ss atin M NNN Hines esS +4 it hep iy ‘* beg ase db if 4 stg Pray sp Oe ieacinvug >: taut 6, eee L on # f i : : : é t i | ng 27 consign ican Art Association fo than a dozen estates and Ss, were put on exhibi- 1 the American Art Gal- Madison Square South, pre- heir dispersal at auction on tive evenings, . beginning sday. The first two sessions ‘be held in the ballroom of the ‘Hotel and the last two in the L f the art. galleries. those who have consigned pic- he estates of the Jate Thomas ‘Edwin R. Perkins, Frank S. > Archer, Henry Hilton and ae , G. Perry. Collectors whose paint- will be sold are Mr. Henry Dalley, “Crist Delmonico, Colonel 8. Har- ‘Mrs. Marks Arnheim and Mrs. ie C. Johnston. Pictures also been consigned by the law firms of Ely and Prince & Nathan. _ American painters are well repre- ed in the collection. /There are ks by George Inness, a large and two smaller works be- ars to his Milton on Hudson period, of My Studio” and “Gossip,” the atter an animated figure piece. There four canvases by A. H. Wyant—"A . Ryder are “The Hill Road” and Mill Pond.” There are three by Julian Rix, two by J. Francis phy and six by George H. McCord. Bastman Johnson's “Freedom Ring” 3 interesting historical associations. It shows “Little Pinky,” the mulatto sirl whom Henry Ward Beecher “soid” “auction in Brooklyn in 1860, looking the ring which some one put in the et of payments and which Mr. she ut on her finger with these s, “With this ring I do wed thee to Sy accipag early ygullipar: Albert Bier-| sta. a large and typical ‘‘Sierra Ne- yada—Morning.”’ en ' Nearly all schools are represented in the ¢ollection, and especially -the Barbizon school. By Corot there is a small ‘‘Land- we pe Sketeh.” ‘The Coming Storm” and : The Winding Road” are by Jules Dupré. “Near Herisson” is by Harpignies. Three Works are by Jacque, ‘‘The- Barnyard,” “Sheep in Stable’ and ‘‘Sheep.” The German school is represented by some fine examples of Schreyer, including “In Flight from the Wolves” and ‘‘Rus- BOD. vai sus wad Who Bid Briskly for Coveted Pictures. The dispersal of paintings by foreign and American artigt§)’in the big ball- room of the Hotel. Plaza last night by the American Art\Association attracted a large throng..ofypersons well known in society and {ié art world of this and other cities. Although the prices for the sixty-nine cativases offered were not high, there was some brisk bidding, and the figures for this first session rolled up a total of $12,610. x “The Barnyard’’—a panel by Jacque— brought the top price. It was sold to W. _C. Andrews for $800. It shows a ram~- bling structure In the country, its stone and woeden walls white and red and gray in the bright sunshine. W. H. Peck gave the next highest price. It was $500 for “The Message,’ a canyas by Zama- cois. For ‘'The Little Fruit Gatherer,” by Meyer (Meyer Von Bremen), from the estate of Thomas Hitchcock, Henry ‘Schultheis gave 3460; George EH. Ruppert! ‘paid the same price for Bogert’s ‘‘After- glow,’’ bought from the Macdonald Art iGallery in 1909. The only Bouguereau of the evening, (‘Cupid's Admiration,’ was sold to Otto 'Bernet, as agent, for $450, and Henry \Schultheis gave $225 for ‘Landscape and | Torrent,” a canvas by Achenbach from | ithe Hitchcock estate. The same buyer lobtained for . $475 Thaulow’s “Winter, | ‘Christiania.’ For ‘‘Marine,’’ by Kaut. | man, M. P. Davis gave $400, and W. W. ‘Seaman paid the same price for “Patu- | rage d’Avril,” by Monchablon. | ‘The titles of the paintings that brought ‘more than $200, with the names of the jartists, buyers and prices, follow: Title, artist and buyer. é “The Message,’’ Zamacois; W. H. Peck... “Venus and Juno,”’ Diaz; G. W- Glarike.:.. . (26 | “The Barnyard,’’ Jacque; W. C. Andrews.. 300 \“Waiting for an Audience,’ Meissonier ; A. Vinton: Clark. ..cccer ese re er nee vetetseeree 3380 “The Buttonhole Bouquet,’’ Jacquet; James { } | | MELVOPSON 5 ve4esefeweerosrsontncnsenerenins tes 200 \‘Marguerite,”” Diaz; A. Benzinger......+.- 220 “The Little Fruit Gatherer,’’ Meyer (Meyer yon Bremen); Henry Schultheis.......-.- 460 ; ‘Cupid's Aamiration,’? Bouguereau; Otto BeERehe civic ren snags eesra ide ae bass teedeesmeneres 450 \“Marine,’”’ Kaufmann; M. P. Davies..-.,.. 400 “Sheep in Pasture,’’ Bonheur; Gus. Le- LECT re he dats k slaiee ba le eiby ye ono lauete’s aids oy vis Milne 400 \*paturage dG’ Avril,” Monchablon; W. W. Séaman® ..t1.-sa04s AU oneal Dyce ATP ee IS 400 “Still Life: Flowers and Fruit,’”? Robie; OftO Bernet cvecesivaraervecseeeserersedeesye 210 l“'Seottish Castle,’”*? Graham; W. C An- { Peat entree Ret ecklit sy aka eipinieilale aire Ms nara manne yaya ee 230 Landscape and ‘Torrent,’’ Achenbach; Flenry Schultheis ....-...seeer esses tresses: 105 lA Lazy Day in Egypt, on the Nile,’’ | Gifford; A. C. Zabriskie......---+.sereene 435 i«¢autumn,’’ Cropsey; W. W. Seaman...... 250 ‘The Hill -Road,’’ Ryder; W. W. Seaman. 370 ‘Winter, Christiania,’’ Thaulow; Henry GChuUltheis .-.c senses eemeveeeccerseeteeerreces 475 “Cupid’s Magic Lantern,’’ Aubert; Hol- F Jand Galleries 2.0. -cecssecsenstecsseerers ess 220 “Gourtiers of Louis XIII,’’ Viry; C. H. ban Fated: Gate care eletere Cie erase P'S P-N Oe CR 8 A) P Le ah aie | Offerman |«*Afterglow,’’ Bogert; George BEB. Ruppert... 460 \«"A Mysterious Corner,’’ Chase; ——~.-.---; 255 ‘“Matinée de Septembre—Franche-Comté,”’ | Boudot; S. G. Bayne-...-.--ersersecterenrs a LLL LL sian Horses in Winter,’ and two Meyer | : von Bremens. The Norwegian, Fritz Thaulow, is represented by three pictures. | - }Of the modern Dutch there are three cat- tile pietures by Van Marcke and ‘“‘Land- |scape and Cattle,’ by Mauve. By the \inelishman, Leader, is a fine and expen- “Summertime, Worcestershire.” Se Ohe. 3RINGS $800 AT SALE I i . ‘ ; 3 aie ae Art and Séciety Among Those FPP Bee Torn The Seyi Charming Little Panel—A | ‘Zamacois Fetches $500. 4 + — $460 FOR A VON BREMEN “Venus and Juno,” by Diaz, Sold for | $260 — 69 Pictures of Hitchcock and Other Estates Bring $12,610. } et There was a general average of low prices at the sale of paintings by for- eign and American artists under the auspices of the American Art Associa- ‘tion at the Plaza last evening, and the | returns for the sixty-nine pictures were $12,610. The highest price of the even- ‘ing was paid by W. G. Andrews, $800, \for a charming Charles Jacque, 2 | panel, ‘The Barnyard,” a small pict- ;ure 8% by 1014 inches. A Zamacois, an- other panel, ‘‘ The Message,’?. a man in | buff jerkin dark bluish-green ** breeks,~ ‘red stockings and sleeves, writing a message to ‘‘ Mathilde” on a shutter, brought $500, going to W. H. Peck. Ready A. Austin and James Elverson, both of Philadelphia, were among the i puyers. The “Venus and June,*>- hy | Diaz, which went to G. W. Clark for $260, brought in a sale about two years ago $1,150, Mr. Kirby said in selling it. Tollowing is' a list of pictures bring- | ing $200 and ‘over, with names of artists, | buyers, and prices: The Buttonhole Bouquet, (Panel) —Gus- tave Jacquet; James WWiverson...--+++» $200 | Marguerite—Diaz; A. Benziger.-+- +24 ¥-' 229 ithe Littl Fruit Gatherer—Meyer yon | Bremen; Henry Schulthels...+..05++ wes AGO | Cupid’s Admiration—Bouguerean, Bernet, | RAB Oia i. asi wala esa eeene cies 5 aka tener iD 450 | Marine; (Panel)=A. Kaufmann; Mo P PADS AV VGA eis slirerass ae wie oie nia lar ear page ia toes AO. |, Sheep. in Pasture—Francois Auguste Bon~ heur: Gus. Le Fevre...-.+.+sggnens nae wt) | The Message (Panel)—Eduarde Zamacois; MAT Bie” PORK! ac ns. tie puplethi Pistere ta ys eee 500 Venus and Juno (Panel)—Diaz; G Ww. Gay a oshics ., elioteiee pach p ale aitecinse oes fel naa hearmeanees 260 The Barnyard (Panel)—Charles Jacque; Wr Cy CANAeE Wistar tau ot Ah epee en eee 860 Waiting for an Audience —Jean Charles Meissonier; A. Vinton Clark .+.---.<.-> 380 } Monchablon, Paturage d’Ayrili—-Ww. W. } Seaman, AGents Octo dee Sheen nee ans 400 pa Baptiste Robie, Still Life: Flowers and Fruit (panel)—Bernet, Agent.-.--- 210 Peter Graham, Scottish ‘Cattle—W. C. AT ATGWS fale ob ba tlh we wnah oe Miwiarae aes = Siarne em 230 Andreas Achenbach, Landseape' and Tor- | rent, (panel)—Henry Schulthets..+.--»+ 425 | Swain Gifford, A. Tazy Day in Hgypt, ; on the Nile — Andrew | Jabrisiie, rOORKLY IT Win + ad aleknereimedp aie ate eat sneer Tat Na 250 Jasper Francis Cropsey, Autumnb-—Sea- | WAN, ASME: Cie dersd aces «tie Aen ain tn week hs 200 Chauncey Foster Ryder, The Hill Road-— Seaman, agent soe... sees ke ese eseeers 870 i Fritz Thaulow, Winter, Christiania, (Pastel) —Henry Schurtheis...---++2+++ 475 Jean’ Aubert, Cupid's Magic. Lantern-~ Holland “Galleries ...).4 005 04 ene bees pes 22) William A. Coffin, Wvening; Paul Viry, Courtiers. of ‘Louis. X1f1,—C. EH: Offer- TEATS Lak alata pe hie Rp ns #SUiaie meth yis aaert 260 George H. Bogert. Afterglow—Georze ¥, RUNperon Wowie sans oe einen Ae tee AGO William M. Chase, A Mysterious Corner. 27 Matinee de Septembre -- Franche-Comté, os Leon Boudot-—S. G. Bayne-.-++-++s70%% The pictures belong to the following: Estate of the late Thomas Hitcheock, estate of the late Wdward R. Perkins, estate of the late Frank 8. Bond, estate Archer of Philadel- Col. S. Harrison, db. Crist Del- Marks Arnheim, and Mrs Johnston. Dalley, monico, Mrs. Adelaide C, j : The sale will be continued this eyen- ing at the Plaza, when some of the most important pictures will be sold. |and it will go on the following twe cs tohta at the American Art Galleries. lof the late Pierce ; | phia, estate of the late Dr. S, GePernys ‘estate of the late Henry Hilton, Henry } Fao Se . z . an An nlf inte iene ar lt i | a he Sone oe | with names ‘see and cacti “ 450° 200 Batre 8 . $500 WAN Hee see ” 260 a ee e, “hips Barn V.0 6, “An ane mee ri -» 800 Ssonier, “Waiting Audience’; A. Vinton ae A ete OS Ta ee eae ena 8 uerite’’; A, Benziger.. 220 von § Bremen, “The Little Y herer’’; Henry chulteis pees 460 Sy 400 200 W. W. Se Andrew®py.-.....i..+... 230 | Z eee Schulteis...... 425 ain Gifford. “‘A Lazy Day EDt, on the Saoeie Andrew é ent eden “The Hill Road”; W. W. Seaman, agent.:........ 370 laulow, ‘winter, | Christi- HERS PICTURE. LD FOR $4,100 re Young Navigators,’ by ~Sontemporary , Artist, Brings | Highest Price at Estates Sale. A JULES DUPRE FOR $3,150 | ee “In Flight from. the _ Wolves” Fetches $3,050—$62,605 | ly > for ‘Seventy-four Paintings. / There was a bigger audience, bigger 220 210 | #; Henry Schulteis.......... 476 “Courtiers of Louis i phere aed Cay 260 “Afterglow’’s pa Fee piares So aNR 460 ae a “A Mysterious Cor- POP AHONYVMOUS..o... s e w 255 son, Boudot, Selina de Sep- 8. G. Bayne.. melee tee Ue Ma: $62, 6 night’ ae by William M.- “Chase, / _ Mysterious’ Corner,” which was. Tewolds| “This brings the total returns for the two. evenings to $74,960. The third aga fourth evenings of the sale will be held at the American Art Galleries, as the Plaza ballroom: couid not be obtained for the four consecutive evenings. The work of a contemporary artist Hy a | brought the highest price of the even- ing, Blommers’s “The Young Navigat- _ ors,’’ a young mother with her baby and teh older oy on the shore well out over eir ankl les.in water in which the chil- dren trying to launch a small shi toe $4,100. Jules Dupre’s ‘‘ T é = Storm” brought the second 1€S ere, $3,150, and Schreyer’s ‘‘ In ht from the Wolves,’’ came near it,. nging $3,050. - Fritz Thaulow’s ‘‘ The vakkening of Spring,’’ which went. to Solland Galleries for $800, cost : 000. The Chase picture of the Royal Acad- emy School Building in Munich, which was resold, had not been claimed by the ae of the first evening. jllowing is a list of the pictures with the names of artists, buyers where given and prices, The higher priced pictures were sie as of them bought through agents The Ries that Cheers—Jules Adolphe MaRS GN Sy 4S TsBANG os tyiaa an reiialoniares ae toy $300 The Flirtation, (Panel)—Zamacois; T. PATENT ed tere Met tede ieee iste sie eee aig te 80 Cupid Quenching His Thirst—Jean Au- WEL eI Nar e IG ITI G oul gees fal dasa 244 lata al cf ave 'are 150 The Pet, (Panel)—Diaz; T.. Roberts...... 400 The Hunter—Ivan Pokitonow: W. W Beaman; ASenti cers wiscicese ee cree 260 The City Girl,. (Panel)—Ludwig Knaus; PP NGCOLAG, MICTIY foi sias Cie wee yc a> wee §2: Mother and Child—Bernard de Hoog; H. s Pe PARR DPBS. Aisi ldaiyy bine. a sikinless ed niobe ares PO Head and Bust of a Young Girl, (Panel) —Henner: M.°Knoedler & Co........ 450 The Halt, (Panel)—Gerome; Mrs. Wal- FACS UMAR E OT . ule pie silieieial vies bierelsla vole 450 Landscape near Fontainbleau, (Panel) — Pe AM th AG SoD EE ws chiea) eld ota e ie sy wilson aks 275; The Baker, (a study “in oil)—Millet; PMOANAIH SAPONT. + 4 5.0 Weare nsianatliawe hsp 1,250 A Bit of Pasture-Alexander H. Wy- Serb se TD NV IVR Aa fale se dary oidl a) Scot 570 A Pool at Fontainbleau, (Panel) — Diaz; | ROTO E a ORES ile Ws os oN od imn eas ae ahs aieliclee 2; At the Saddiler’s—Alberto Pasini; T. BVO ONG sree a tealu ibis p aitis ncrls ve Uh ale wia cowed 500 ‘A’ River Scene at ee (Panel)— Sanchez Perrier; L. BE, Ellis........... 510 Algerian Wastérwomen (wanel)—Promen- URES HECS: CM aie rime Vso 7k Ciba, wel elated 550 Mother and Child—Meyer von Bremen; PME Sy ad eh es aleve as fol iad oid hd ratg hg fad 260 Un Billet- ie (Panel)—Berne- Bellecour; OA PE WY AS RATE Gage Sa) pial w'ckelerale's givietafale 6 425 Still Lite--Flowers’ (Panel)—Hugo Charle- | BVON Ey RIL Ss siielinns pide sia ieee de ct (nse rin 1105 Sheep. in Stable—Charles TeaNes WB, | Soa ih alsieds Be generat Ware, bat ee aunts, BoM iE Aw ay eramn aa 860 | September Landscape — J. Francis a Murphy, lL. 1 OCR ASHIbG bs (Sy Wee enor ee a eka aney 1,025, | A Promisé of Rain—Alexander H. Wyant; J. J. Camphbell..........6:-50. 590 Landscape Sketch—Corot; Rudert; agent. 470 An Indian—Frederic Edwin Church; H. S. ‘Harkness i. obs oe seen Dales 0 ove 150 Landscape and Cattle (Water Color)— Anton Mauve; Andrews 0.2 6 Wee ees 160 Cows at Pasture—Carleton Wiggins: Sea- i! MAN, ASGONT who eee Meee ee keels ose 305 Cornered (panel) — Escosura; Alexander : AISLE EL Aa crea tinea eb es 8 es oie are yer oy 280 Autumn Morning—J. Francis Murphy; _ EP UG tats Ce eee neta occre iv tie ube oReho poe) noayeiaie ak ,050 | Near Herisson (panel)—Henri Harpignies; WOrnet Awe iec sc cies shee cles wes ete > opt 1,000 On the Bos phorus (panel)—Ziem ; Pole le TOE COO: Ailes eee iate, ob biliig wrerblia'igy ete igte, ¢ivienavers ‘ee 500 Cattle (panel)'— Van Marcke; Bernet, 4, MAG Fone hh eevenapialieaiete: a kattets) brielle’'s’ 9! ¢ (Wig ale nitelie (hie a) Onrthe Beach (panel)—Auguste Hagborg; y Frederick C. ROWI1ey.. .. ns bew eee eee ces 260 Cattle—Johannes Hubertus Leonardus de Visage Bide Belang. dieses. ti eee cles em 340 The Cigarette (panel)—Berne-Bellecour; seas OPAT Tira Gir t's GAG loe tcc Shee wont 4 729 Still Life—Flowers (panel)—Robie; Ber- ; TiO ABST Go alpaca nia late ioe ma Wlavele io: aiie 225 Ola Pasture Near New london, Conn. (panel) — Robert C. Minor; Henry Segue SoH wWLEWAUS esses wre ip eins o wks: aceraletpiersest. siih 360 Sunset — Alexander H. Wwiyant; William Macbeths © siices sepewsaciens ee oie CMe vinyate be 8,000 Fishing Vessels off the Preach Coast-- Jules Dupre; AMATEWS..,---- nase e rere 800 The Council of War—Schreyer; Bernet, GROTUE | Sicaley seam ortaete wile age nb, mya aya ole iM 2,850 A Hot Day at Mustapha; Frederick Ar- _ thur Bridgman; Mrs, Wallace Bttinger 330 wis Dancing Brook—Julian Rix; Stephen ake PSHE ST da RIP ones ease cb\e Nietie eS dete 3 Yna Pauverina—Perrault; J. B. Dixon.. 200 Cherbourg--Louis Eugene Boudin; H. R.. 600 | | { | ) ) | werner sane 160 © alerts te vley.. ENS Le marae 360 — cancttaason™ by Sua ty G20 Tae a ness ; RE liana Galléries” Beek PO Ae i "4,42 Willimantic Thread Factory 3 ulian Al- den Weir) He Rots. ate ones sense The Panncisscas (panel) —- G@.. Kuhl; Eenry Semulthelsr se si vse yes sleie owed 230: On the Ohio River—Alexander H. Wyant; MPAITION. HULVOT BOM Ay ss olen cs nid Shalala steitenta _Interieur du Port Ostende—Paul Jean Clays; W. B) Simpson: ...... 0) Bee ore 3.008 ‘Winter Morning—Bruce Crane; Hueh bh Stag: Nee ane RRO IE, el Peet | The Gata Storm—Jules Dupre; Ber= THEVA EUOM Ce sie as ces ae ape coe annaee rage 3, 150° Canal Scene, Holland—Karl Pierre Dawe sx | BieNy s NOrLOM 205420. 4s Selon aie ge eee ‘125 : The Awakening of “Spring—Fritz Thau- -. low; Holland Galleries. -...-.:...05. In Flight from. the Wolves—Adolf Schreyer; Seaman, agent... 0... se. 8,050", The Fisherman’s- Wife, (Water Color) 1 Bvert Pieterss Norton..:- 6... eee 278. Bay of Naples—Carl Vernet; Charles. A. er. Bad hn ie Pe CRON ae BB ArCR air rens ete Ye Pigs! f “Bison “Charles Jacque; “Seaman, % Agent. 850 (The Young Navigators—Bernardus Ke ¢ Blommers; Seaman, Eis sn oer a Cana 4,100 Return from Market—Charles Sprague | (Pearce; James G.' Mims 7.0.4 nee ere | | Landscape—George Inness; M, Knoedler & Co The Cardinal's Birthday: The Toast, (Panel)—Jose Fpappa; Mrs. Wallace ALD aoe st cs eee moe aN ewan yars, (ok 1,750 |Sundown—Bruce Crane; F, W. “‘McDon- CEs Ua, Aa banat ea cere ance WromR ea hs cite teh 880 |At the Bars—Hmile Van Mercke: Ches- Pe DO Fe 5G.citipie ania ost o's pains ag) Rip eleisae poe A 1,125 | Russian Horses in Winter—waolt Schrey- |.er; Mrs, Wallace Httinger...........,. 2,000 | | Savoyard Boy—Bouguereau; H, S. Hark- i PRREVORES Soe icles «st sts sea elt aiuye some « «lateral pin ava 1,025 | | Summertime, Worcestershire — Benjamin ! \) Wi Leader: James’ M, Beck... .05.i.5 610 A Fantasy of the Ruins—Old Italian |. Sehool, Pein einen to Zucearelli;) . C, adh \ Neen 21820; Deetles Par ey hae mero ees Peay ber te) |Passing Shower on the Hudson—Jasper Mae Cropsey i INOLton F535 thie as Gee Bee A Farm Near Htretrat—Hmile Van * Marcke; Mrs. Wallace Bttinger....... 1,350 ‘the Feast of Flora—Giovanni Muzzioli; Be DERI cS cis tBy uy bnaile'tic7y) ania ely are ena atin 7125 ) Sierra, Nevada: Morning—A, Bierstadt: Wee EMOLEQE (Ani crclacari (als /alle migid fat’ le olla ola 6 rarsneete 1,150 | The sale is continued to-night at the peeeescan Art Galleries. |-YOUNGNAVIGATORS BID UP TO $4, 100 | Blommer’s Painting Object of Rivalry at Art Sale — 72 Pictures Bring $62,605. Five hundred. persons gathered in the |} ballroom of the Hotel ‘Plaza last night, some to bid and some to buy, at the sec- ond session of the sale by the American Art Association of the paintings by for- eign and American artists belonging to various estates. The seventy-four can- vases offered brought a total of $62,605; | bringing the total for two evenings up | to $75,215. It was a Blommers canvas—‘‘The Young i Navigators,’ from the estate of Edward | | R. Perkins—that brought the top price of} i the evening, and there was some keen i competition among the collectors and the | } dealers for it. The bidding started at $1,000 and it soon } ran up, by $500 bids, to $3,500, and from that on to, $4,100, at which price it was sold to W. W. Seaman, as agent. The } same buyer’s bid of $3,050 was the highest | for one of the two Schreyers offered. This | one was “In Flight from the Wolves,” | showing a traveller in a small but heavy Russian sleigh, drawn by several horses, pursued by wolves. The other Schreyer, ‘‘The, Council.of War,’’ went to Otto Bernet, as agent, for $2,850. He also gave $2,060 for “A Pool at Fontainebleau,’ by Diaz, and $3,150 for “The Coming Storm,” a Dupré.. Sue Pins eae” louse or the panes | Hotel last night brought together a larger i) Growd of buyers. The ballroom was filled _ j}and the bidding was interested, although record prices were not established. “She eave $2,550 | ‘The best price of th ing Ho ue ; @ eyening was ees) flavigators,” by B. J. Bloomers, a con- temporary Dutch artist. The ‘Sunset,’ ‘ by Alexander H, Wyant, brought. $3, 000, ‘| the top American figure, selling to Will- ,|iam Macbeth, The best Inness was an early example, a landscape peinted in Home, 1873, and it sold to Knoedler & Co. ($2,800. Mrs. Wallace Eddinger, the on the actor, was a frequent pur- Se) Among others she bought a oF $2,500. The total for the session was $62,605. ‘At to-night’s session of the sale, which =" |\ takes place in the American Art Associa- ee sles falleries, on Madison Square South, “500. the Eastrnan Johnson picture, “Freedom Be ag? | Ring,’ will be sold, ad “hame of artist, buyer and price, follows: dciasane Se Knaus, “The city Girl"; 425° | GeOres Derry. fives pce ede $825 ; 80S. B. Millet, ae “paker": Ww. tateeeseetrverce 860. 8 east agent Hing 250 st Sa | Bde. Wigan, “A Bit of Pasture’; seen tes roma eee 5! BTS on ee aieisce ns er eeecic Wyant; 23 ~J. (82—N, Die ne pies at ‘Fontaine- Pe ; ernet, agent. 40 ‘se—Alborte 1 ‘basint AL tne Badalers ”p?? s wake ‘ PRO EI GS b iaiela 9. o)allg ha sire at sles node 500 | 84—Emilio Sanchez Perrier, A River Scene at Guingamp"'; L, H, Wliis,' 510 | BBB Nae aoe tty, “Algerian eh’) 12:53 a = Paeae 5 ear rea (#9—charies mile Jacque, “Sheep in sei 1 table’; W, B. Simpson Usegaages | 860: | Roe ope andia bar shee: OE Bi boat sland sense Landscape’; L Bis... 5. x5 1,025 | ‘91—Alsxander H. Wyant, Le Promise } PATE ip ak of Rain’; J, J. Campbell....... 590 I aad Francis Murphy, “Autumn SHES 2, Pena os Morning”; Mr. F.. See Pee 88-—-Henrl, Horpigales, “Near Heris- 80 ernet, ABert.....-.566 3000 geetiscusece go--Relix Ziem, ae the Bosporus’’; iin? * Moran; M. Knoodler & 00... 65s .0 5 506 | PRES: Untermyer.. so. 0... seen ee etentes 25 409-—-Emile vas Mareke, Cattle” : j (panel); O. Bernet, agent......% 1,500 BES hs 1,800. |108—-H, P, ' Berne-Bellecour, ““T : Cigarette’; Mr. Franklin, 725 2s a neater 1,40 | 106-“H, | Wyant, “Sunset”; William ee ticafules Euipre; MPisning ‘Veascis\'on “River Wyant;" ation ees ‘French iene Mr. An- fees: wesc hes ieeneenence “1a -Adole, Schreyer, cthe Council of 2. eal oC. ernet, agent..:..... 2,85 SF Grane: BN 1050 109—F A. Bridgman, “A Atot Day at ; ah See Mustaphe’’;~Mrae.. W. Eddinger. 539 : vier o sees: | 112, yy, Boudin, ‘Cherbourg’; ‘ te... oe 8.180. | 119-—~Thomas Moran, “Five-mnlle River, ° aay | cig, corre ne, Coser 2/508 so 2 Wolves,” Schreyer. ie ory io; Aiton: one euggon' ;, Seaman..... AeA 5 ames Mlverson. cy Pe es oe or. Blommers; W. 117—George Inness, “Gossip’ | Milton-on see MSD a cAicu de yicleiy eb pe as ose 4,100 Huds6n"’; Holland Galleries...... 1,425 m Pearce; J. seal Alden Weir, se ean Sigh ee sete et tee ents cess tesanen ress 295 Thread Factory’; “H. R.’ 559 Inness: M. Knoedler........ 2,300} 120--A. H. Wyant, Lon the | Ohio cee retire,” Leader; River’; James. Elverson.......- “90.0 Sree 40 | 12i—Paul Jéan Clays, “Interieur du near BHtretrat,’’ Van Marcke; Port, Ostende”; W.-B. Simpson.. 2,050 Ch EPS ER a a a aarti 1,350 fol Olay i Dupre, ‘The Coming, of Flora,’ Muzzioli; J. orm"; O. Bernet, agent........ 8,160: SRR BAe eee Saree 728: | ae—write Thaulow, The Awakening Nevada—Morning, Bierstadt; J. of Spring’; Holland Galleries,.. 800 VES Eee ae 1,150 | 19¢—Adolt Schreyer, “In-Flight: from ool Ere | cen Wolves”; .W. W. Seaman, HA PaRe te hisea a STOP ONE. eA Teles 8,050 loner ec ‘Emile Jacaue, “Sheep; . W, Seaman, agent....-...,- 860 Blommers, ‘“‘The Young Navigators Ws W. Seaman, 4 Bente. eye WAY sy ra dha dw eoetne sare 4,108 : 182Gaoree Innesa, “Landscape” . 3 H Gedler & - COit cer es saed oe te 2,300 a iseedoan Frappa, “Dh 6 Cardinal's | rage saah et The Toast’; Mra, Wal- s ace FIBER T vile miclans brnciy ds suelo & 1,759 es ‘Young Mi vlestors!| SCTE AEG Re tee 4 as 5 wee reteseevisrepeanr ’ 0 Bue | 186—Adolf Schreyer, “Russian H Brings This Amount at 1 Be Winter’; Mrs, Wallace id- | WSN. cis hia aiareink Wee inistose Acree 2,660 $ i\1s7—w. A. Bouguereau, Savoyard | 5 Second Session. i Boy”; H. S. Harkness......... 1,025 ee W. Leader, “Summertime, Worcestershire’; James W, Beck 610 |141—Dmile Ven Marcke, “A Farm § WEXANT SOLD HOR $3. 000 near bisestiar abst eu nes Ed- GAN ROE ccsivenss bia Un ea © hip ant pein oes 1,250 ‘ | lnaa—-Albort bierstaat, aE ce Pa _ by. American Art ae 5 Morning”; Heller...... deagee cae MiUEN | at ike! el ee Modern paintings by the Atherican Art ‘Association in the ballroom of the Plaza $4,100, which was paid for) the “Young | , the “Russian Horses in Winter,” | The lst of the principal paintings, with | | Bring $62,605; - Wyant, $3, 000 t pe “Highest Price at Second Session of Auction at Plaza Is $4,100 ‘oe Blommers’ “Young Navigators.” . £ > . Seventy-four pictures brought $62,605 last lPieht at the second session of the sale of a miscellaneous collection of paintings | by the American Art Association in ‘the ball room of the Plaza Uotel, making 2 | total of $75,220 for the 143 pictures sold so far. |. Three Tnnesses were sold, “Landscape,” ito Messrs. M. Knoedler & Co. for $2,300; | “Gossip—Milton- -on-Hudson,” to the Hol- |fland Galleries for $1,425, and “Back of My Studio—Milton-on-Hudson,”. to Colonel “dames Elverson, Jr., for $1,300. “Sunset,” by Alexander H. Wyant, was bought by lMir. William Macbeth for $3,000. The high- 'est price of the evening was $4,100, paid by jan anonymous buyer, bidding under the linitials “N. FE. B.,’? for “The Young Navi- gators,” by B, J. Blommers, | Other pictures selling for $300 or more, l with the artist’s name, the title, the buyer and the price were as follows:— [wules Adolphe Grison, ‘“The Giass That | | @beers’’ Mr. S. S. Taaird... 255+ - hese ress $300 i Ny Diaz he 'Pety? Mr. “DT. Roberts, +s se 400 Ludwig Knaus, ‘Tbe City Ginl;”” “Dr. (George Derry! sso. e+nsanser here ece ns as S82 | Bernhard de Hoog, “Mother and Ohild;’* | 2 Mr, “H. S. Tlarkness. 6.66.0 nett ess 306 \a J. Henner, ‘iHead and Bust of a Young Girl;’? Messrs. M. Knoedler & Co.....--> 450 '|%. L, Gerome, “Che Fualt;’ Mrs. Wallace ly RBG OI Pa os tale = pis iatecs widiak savers mini na a tie 45 id. FF, Millet, ‘he Baker;” anonymous Pidder! Hive Aa aie deeds ee eae miet 1,256 |’. H. Wyant, “A Bit of Pasture;” Mr. A. H. Wiggins. ........0eseee es ied eee BTC IN. Diaz, ‘A> Pool at Fontainebleau; | | “anohymous! bidder .....y-.000seee se urast 5,05 0| |W. S. Perrier, ‘“‘A. River Scene at Guin- MM gamp;’? Mr. L. BL Wllis...-.ess++.+ees BIC | | Bugene Fromentin, ‘Algerian Washer- women; BS OEE Ride cal ow Mieco ple ot saan mee Bt | {R. P.- Berne-Bellecour, “Un . Billet-donx:’” | | S3iMEr, AD TES? Wiseines <6. oiseae aia eee 425 ©. E, Jacque, ‘Sheep in Stable,” Mri W. BE Simpson sag ies aes sep ee oe S60 lJ. Francis Murphy, ‘September ‘Land- | geape;?? Mr L, BH, Els. 26.5. -+- en ens = 1,025 A.-H. Wyant, “A Promise of Rain,” Mr. \oJp ds CamMppells . coed eos oe gee ete tee 590 (ee By Ci ‘Corot, * )*landseape Sketeh;”’ anonymous bidder. . a wee Me es 47C |Oarleton Wiggins, “Cows in .Pasture; anonymous bidder ......4-+++esesss sens 3TH ¥, Francis Murphy, “‘Autumn Morning ;"’ anonymous pidder ApS SOUL Seatac ok MLB Teg aston ena 00 . Harpignies, ‘Near Hlerisson;’’ anony mous bidder ei atu ake /ade' glade lh «Si Ren IRNe Rae 4,000 Felix Ziem, ‘‘On the Bosphorus;’’ Messrs. | M. Knoedler & Co-....- Side ss NA ogee es 500 \Pmile van Marcke, “Cattle anonymous aS 5 Fi (0 Catena eee rere, Whe IE Toe cre RP It 1,500 \f. HL, de’ Haas, - ‘'Cattles” Mr. 3. a . Te lANS aly cee eins seaman nie eee 346 [9 -C. Minor, “Old Pasture Near New Lon- don, Conn.;”? Mr. Henry Schultheis.....- 360 (Ywles Dupré, ; Rising Vessels Off . the | French Coast;’ ’ Mr. Andrews. .-+-shsee-es 806 | Adolph Schreyer, ‘““The Council of War;’’ anonymous bidder Pipiasle chs steele ahi kent alern . 2,890 \@, ‘A, Bridgman, ‘‘A Mot Day at Mustapha ;’ Mrs, Wallace Bddinger.....csseesereeeeee 520 t. B. Perrault, ‘Una Pauy erina;’’ Mr. J. B. DIGKSOR ae Rs wate ey org er A Neen 304 L. B, Boudin, “Cherbourg:”’ EDS is 5 Hae, Pe 600 Thomas Moran, ‘‘Five Mile River. Long Island;’? Mr. M. S. Untermyer.....+-+-+*- 525 ly. P. Huguet, ‘The Halt in the Desert;’ Mr? ©, El) Bayley .. 28 56 Sadia eee de te ee BBC |\A. H, Wyant, ‘‘On the Ohio River;’ Colonel] James Plverson, Jf.-,---+-+--+- 900 Pan) Jean Clays, ‘‘Interieur du. Port. Ostende:” Mr, W. B. Simpson. ,.~-.+++- 2,050 Bruce Orane, “Winter Morning;’’ Mr. Hugh) MUrray i... gees beanie vee menr eet . 380 @ules Dupré, “The Coming Storm;’’ anony- MOUS. DLAGEL a ions oa 0's ad Ae wile ee wee Ee sa tie B,1W ¥ritz Thaulow, “The Awakening . of Spring;'’ Holland Gallleries....+-.+4*++*- 800 | Oe me ed wee aw | ee rare mee mb ee cole ae She © $8970 Vale Bivie ts aie n Art agents room of Plaza Hotel, wv At the highest price obtained for “Young Navigators,” b porary Dutch artist, B. 3 "Sunset ~ and (Rt aahey actor a Van Marcke, Areyer’s’ “Russian = for ‘$2,550... : abe _ “The . Baker"; Horses 1g’ ‘aes ; dois ‘at, Guingamip’’; ‘lis Promeatin, ei ee Se aes 4 Rigsrian Washer- Wedeptentber’ Sete Sh ope elaine es “Autumn Morning’: Miter tas ts eae eines : MORN sen 657 iar 076 0's evi sielaie soins se 5 : m, ~“‘On-“the ;-Bosporus’’;° MM. MNP TE GTO HT AVI yf 0) ry osceiela 84's.d (neg ears ue Van. ce ae “Cattle” (panel); oO. Oe oe ee a evon r, om P. Berea Be Belle rT. Franklin ee a ee ee ed Wyant, “Sunset”: Willlam Macbeth.. les Dupre, ‘Fishing Vessels off the / french Coast’; Mr. Andfrews ......... Adolf. Schreyer, “‘The Council of War’’; This EAS ea a Fr A. Bridgman, “‘A fot Day at Musta- Due welts, VW. Gadinger ........6... ces: p Ouch Boudin, Sererboure is **T R22... Thomas Moran, ‘‘Five-mile ‘River, Long sienna’; M.S, Untermeyer ...00. 01.0... George Inness, ‘“‘Back of My Studio: ton-on-Hudson’';. James: Elverson George Inress, “Gossip; Milton-on-Hud- Sons tolland. Galleries a c..éc..5602... J.. Alden hile ‘Willimantic Waetory'*; ** 5S Pied PA. FH, Wyant. “On ( MUNI eTHON. 9X olen se des feiseicives saves Paul Jean Clays, ‘‘Interieur du Port, Os- tende’’; W. B, Simpson Jules Dupre, ‘‘The ee | Fritz ‘The Awakening ernet, agent Thaulow, Spring’: Holland Galleries Adolf Schreyer, ‘‘In Flight from the Wolyes’’; W. W. Seaman, agent ........ B. J. Blommers, “The Young Navigators’; W. W. Seaman, agent |George Inness, “Landscape’’; Kneedler MN ee iy re wrens a yoke lew diseases te | J0se Frappa.’ “The Cardinal's Birthday; Mil- the Ohio River’'; Storm’’; (. Phe Toast’: Mrs) Wallace Fddinger.... Bmile. Van Marcke, ‘At the Bars’’; ; SNM Pare Nee SCO Tie Tidal ky ohele oe deka Alodt Schreyer, ‘Russian ‘Horses in Winter’; Mrs, Wallace Eddinger ...w-... pW. A. Bouguereau, ‘‘Savoyard Roy?’ H. MET ON SSS ao bass css ek canine \avolmoebar Emile Wan Marcke, ‘A Farm near feetretrat’; Mrs. W. Wddinger ........+. Albert Bierstadt, ‘‘Sierra Nevada; Morn- SETS) VES So, a a a Ween Sr ae the second session of the Ameri-_ Art Galleries’ dispersal of paintings American and foreign artists, yester- was the ‘ J, Blom- an agent _ ee the canvas. 2,050 3,159 800 2,300 No. ing are South, and will end t9- Canvases ot elie? of in Ball- 1 American work, being William. Macbeth OF | | & Co. took an early Inness, a H i | 1 | } bleau,” 7 dogenits Pictures Dis- posed Of for Total: 334 of $62,605. Higher prices prevailed at the secenne m of the sale of paintings by the | American Art Association in the Hotel | Plaza last night, the seventy-four pie- ‘tures bringing a total of $62,605, and (the. highest individual price being $4,100, ‘paid by an agent for ‘‘The Young Navi- gators” by Blommers. The American paintings in the col- lection, which comes from thirteen. dif- iferent estates and individuals, brought fexcellent prices under the circum- |\staneés, a Bierstadt entitled ‘‘Sierra | Nevada,” going to a man giving the; name of “Heller” for $1,150; a “Land- | \Scape”’ by Inness to Knoedler & Co. ‘for ‘$2,300; Wyant’s ie aiacnes Elverson for $900; another} | Wyant, “Sunset,” to William Macbeth | } for $3,000, and still another by ‘the. same artist, called “A Promise of ' é€ painted in Rome, Italy, ea | Rain,” to J. J. Campbell for $590. ‘Mrs. Wallace Eddinger, wife of | bought among Oates canal | ‘of My Studo Window” went to James for $1,350 “i | hy) The chief pur- Of the other Innesses sold the “Back Elverson for $1,300,’ the “Gossip’’ to the Holland Art Galleries for $1,425. J. Francis Murphy’s “Autumn Morning” went to an anonymous bidder for $1,050 and his “September Landscape” to L. E. Ellis for. $1,025. Dr. George Derry. paid $825 . for Knaus’s “The City Girl,” W. B. Simp-| son. paid $2,050 for Clay’s “Interieur du | Fort,’ the Holland. Art’ Galleries, took | Thaulow’s “Awakening: of Spring” $800 and Mrs, Wallace Eddinger bought; Frappa’s “Cardinals Birthday” $1,750, Schreyer’s ‘Russian Horses in || Winter”:..for $2,550 and Van Marcke’s. “Warm Near Etratat’” for $1,350. } Some of the other paintings. sold—all of which were either bought by: agents or buyers giving meaningless names or initials—were Millet’s ‘The Baker,’ $1,250; Diaz’s “The Pool at Fontaine- $2,050; Van Marcke’s ‘Cattle,’ $1,500; Schreyer’s “Council of War,’ $2,850; Dupre’s “Coming Storm,” $3, 150; and Schreyer’s “Flight from the | Wolves,” $8,050. The sale continues in {the American Art Galleries, in) Hast + Twenty- -third street to-night. 4d PAINTINGS — SELL FOR $75,220 } 4 an ee ee era Art Association Dis- | posing . of Miscellaneous | Collection in New York wh, Highest Price of Second Session . of Sale, $4100, Paid by-Anony- | mous Buyer rem The Inquirer Bureau. | NEW YORK, March i18.—Seventyfour | pictures brought. $62,605 tonight at the second session of the sale of a miscella- Pare ON cried nay SAYS | “On the Ohio River” | Wiggins, $070. f | heots ” collection” of" paintings by. thie’ mnerican Art Association in the ball- ve of the Plaza Hotel, making a total f $75,220 for the 148 pictures sold so far, . | Three Inneses were sold—“Landsca: e,” fo M. Knoelder & Co., for $2800: “Gos- rip, Milton-on-Hudson,” to the Holland ralleries, for $1425, and “Back of My tudio, Muilton-on-Fludson,”’ . to Colonel ames Elverson, Jr., for $1300. Soe set,’ by. Alexander H.Wyant, was bou by William Macbeth for $3000, : ighest price of the evening was $4100, ite by an anonymous buyer bidding: inder the initials “N.S, B.,”7' for “The Young Navigators,” by B. J. Blommers,. | Other pictures selling for $800 or more with the artsit’s name, the title, the uyer and the price were as follows: )-Jules Adolpe -Grison, ‘‘The Glass Cheers,’? S. S. Laird, . $300. | Nv Diaz, ‘‘The Pet,” T. Roberts, $400. ‘Ludwig Knaus, ‘‘The City Girl,” Dr. George Gerri: $825. Berhard de Hoog, EH, Harkness, $300: | J. J. Henner, ‘‘Head and Bust of a Young (Girl,”? M, Knoell & Go... $450. . J. I.’ Gerome, ~ +*the ‘Halt; Mrs. Wallace | Edinger, $450. | J. B. Millet, der, $1250. Ay EL Wyant, that. “Mother and Child,”? HL “The Baker,” anonymous bid: | “A Bit of Pasture,”?? 7A, By | N.:Diaz, ‘‘A Pool of Fontainebleau,” anony~ | mous bidder, $2050. | Alberto Pasini, “‘At-the Saddlen‘’s,*? I, erts, $500. | B.S.” Perrier, “A River gamp,”’ I, EB, Ellis, $510. Hugene Fromentin, ‘Algerian Washerwom- ph Fike 2 Gels paeglayty. 155) 6 } BE. P, Berne-Bellecour, A. -H. Wiggins,” $425. Rob- Scene at Guin- “Un, Billet-Doux,”? OO. ows Jacque, Sheep. in Stable,” Wee aig Staauson, $860, Francis Murphy, “September Landscape,?? 3 Ellis, $1025. » AJUH, Wyant, ‘‘A Promise of Rain,” J. G. Campbell, $590. J. B. C. Corot, ‘‘Landscape Sketch,’? anony~ mous bidder, $470, Carleton | Wiggins, “Cows in © Pastire,*? anonymous bidder, $875. Francis Murphy, ‘“‘Autumn: . Wedding,’? for || i /anénymous bidder, $1050. for | | nidder, §1000. } f } | i | 1§ H. Harkignies, ‘‘Near Herrison,’’ anonymous Felix, Zien, ‘‘On the Bosphorus,’? ler & Co., $500. M, Knoed- Emile Van Marcke, ‘Cattle, anonymous bidder, $1500. J, WH... De Haas, *‘Cattle,’? Fy L. Lelang, St B, 'p. Berne-Bellecour, Franklin $725. ‘Phe Cigarette,’? Mr. Rh. O.- Minor, ‘‘Old Pasture Near New Lon- don,; Conn.,’” Henry Schultheis, $360; ; Jules Dupre, ‘‘Fishing Vessels off the} | Frénch Coast,’? Mr. Andrews, $800. | Adolph Sehreyer, ‘‘The. Council of War,” anonymous bidder, $2850. F. A. Bridgman, ‘“‘A Hote Day at Mustapha,’ | Wallace Keddinger, $520, Julian Rix, ‘‘The Dancing Brook,’’ Stephen | | Birch, $300. L. B.. Perrault, “Ona Pauverina,” J, Be. | Dickson, $300, Il EK. Boudin, ‘Cherbourg, *’ Thomas Moran, ‘‘Five Mile |Island,’? M, 8. Untermyer, $525, Vy. P. Huguet, *“‘The Halt in the Desert,’ H Bayley, $3860, ; Alden Weir, ‘Willimantic’ Thread Face} | tOry “TH. Th. ,7? $550., ACOH Wyanty - On" othe Onis Colone) James Blverson, Jr, $900. yd = ade cae River, $600. Tong I: (River, Paul Jean Clays, ‘‘Interieur du Port, Os- tende,”*? W. 2. Simpson, $2050. ' Bruce @rane, ‘Winter Morning,’’> Hugh Murray, $380. Jules Dupre, ‘*‘fhe Coming Storm,” anony- mous bidder, $3150. Fritz. Thaujow, *‘The Wakening of Spring,”” | Holland Galléries, $800. i §. Schreyer, “In Flight from the Wolves,” } anonymous bidder, $3050. CG. BR, Jacque, **Sheen,’” auonymous bidder, $850, Jose Trippa, ‘lhe Cardinal's Birthday—the | Toast,’’ Mrs, ‘Wallace Bddinger, $1750. | sruce Crane, ‘‘Sundownh,’’? EF. W. MacDonald, | $380. . ( BH. Van Marcke, ‘*At the Bars,’’ Mr, Chest- jer, $1125, S. Schreyer, tussian Horses in Winter,”*) Mrs. Wallace Eadinger, $2550. W. A. Bougnereau, ‘‘Savoyard Boy,’? H. S.) Harkness, $1025. H G. W. Leader, “Summer Time, Worcester. | | shire,’ James W. Beck, $650, : E. Van’ Marecke, ‘A: Farm Near Etretat,”! spa) Place.” : - placed. on, the firstfinger. of. ‘fe nd wears a dark striped skirt and waist da bright red sacque or cape. ighest for ‘Plowing the Ocean,” anvas by Tyler. dore for ‘‘Tree in the Meadows,’ by Me- Dougal Hart. Colonel H. Guinzburg gave $320 for one’ of the gems of the sale—J. G. Brown’s om “The Young Pedler,’’ from the estate of sold. to Mr, Tim- ; athe ns girl, ‘ on the floor look- Be a the pe which some of pay ts and ed. on her finger ith this ring Tdo wed that were sold for $306 the artist's name, the title, the price, were:— for the Hertyman;”? 320 Pee hota scr 310 ixty “six. pictures sold last night $7,990, making a total of $83,170 Pres Bold so far. feet saree ec wese Sale in His r le Pinky,’’ Who ‘Sat for the Picture. 4 —. Kirby, of the age ocigtion, at the Ameri- ought only $7,950, the Poyars present showed e pictures offered. terete auras “The Free- ing,” ‘ther “only one by this Ameri- “artist in-“the collection, which was ‘to. Timothy F. Crowley for $750, the ‘price of the evening, proved par- . interesting, as Henry Ward echer caused it to be made. Venetian Canal, Fritz Phaulow--Col, Fran OTA DURE. ston tiie lei ents Moe ne 1 Daves (The Green Hat, Randolph Epp—J. B. Dick- LON) ee PM aa ee oe Rae Oe Nill) ee meh a neg Vina 109) |The Evenine. Gour, Walter Blackman-— ig CHEGtd’ = MINE EUs A i deste she tbat aie eu eae 206 (Children and, Kid, John T eble—R. oH. Keies Wow nts) ob Ais <<) elt eM Ian any see Lair ene ery x IA Si) |Pleasant Pastures, 1. Van Leemputten 9% Ge ERS Offerman sian awa e eo aaa eager 140 | The total for the sale, was: $7,9% Th Heeeoe total for the. three evenings Js \$83,1 70, The sale will be concluded: thts levening at the American Art Galleries: “THE WINDING ROAD” COVETED BY BY BUYERS Picturebrings $75 $750 a at Nast Sess sion — Total.for Sale $93,205. | The upper gallery of the American Art Association was filled to capacity last jnight with an enthusiastic throng of bid- ‘ders and buyers at the final session of the sale of paintings by foreign and masters, the sixty-seven of- fered bringing $10,290, which rounds up a grand total of $93,205 for the four ses- sions. “The Winding Road,” by Dupré, brought $750, the top figure last night. It was bought by W. W. Seaman as agent. 24. A ACA” COMBINATION SALE. fay; Inthe Plaza Hotel ballroom on Tues- Piday and \Wednesday evenings, and at he American Art Galleries on Thurs- ay night, Mr. Thomas FE, Kirby sold 76 of the paintings of a combination icollection from various estates and owners. The remainder were sold at *the galleries on Friday night, and the results will be given next week. The total of the sale for the three first “nights for 210 paintings was $82,915. Pictures, Buyers and Prices. The following is a list of the paintings sold on Tuesday, the first night, for $300 and ~ over, with the sizes in inches, the first num- ber being the height and the second the length; the names ‘of the buyers where ob- tainable, and the prices; the total for the™ 19 works sold being $12,615. 6—Zamacois, E., “The Message,” 9%x7¥%, ING rie Wir ible POCIS asi catais sore tisssleaten ata aterm $ 500° cn, Cc. E., “Fhe Barnyard,” 8%4x10¥%, We, wAndréwss nce etc ceca er ceee 13-—Meissonier, Tees “Waiting ‘for an Audi- ence,” 16x10%, Mr. A, Vinton Clarke... 380 21—Meyer von Bremen, ‘The Little Fruit Gatherer,” 15x 12, Mr: Henry Schultheis 460 27—Bouguereau, *‘ Cupid’s Admiration,” 18x- 15, W. W. Seaman, agt.c.......... senses 450 34> -Kautman, A., “Marine, 22%4x14%, Mr. M. P. Davies tA. os eae oe ease 400 reen - nd.) 37—Monchablon, F. J., ‘‘Paturage d’Avril, Zz at one side of the. 15x22. W. W. Seaman, agt...<: 25 06 «es 400 Chee Ruppert, _53—Achenbach, 1 nb Cote Landscape and Torrent,” le paid. | 231%4x31%4, Mr. Henry Schultheis comebrare 425 By evder, Crs, “The Hill Road,” 25%x31, W. W. Seaman, Be Laretateree rcs ol are cere athe 370 58—Thaulow, F., “Winter, Christiania,” 32x- 2534, Mr. Henry Schultheis............. 475 66—Bogert, G. H., *‘After Glow,” 27%x45¥, Mr. George EH. TRAPP Etite iene ie ana croton vietey 460 The following is a full list of the paint- ings sold on Wednesday, the second night. 7)-=Grison: J. A., “The Glass that Cheers,” 9x7, Mr. S. S.) Ward see sek eee $ 300 71—Zamacois, E., “‘The Flirtation,” 9%x7, 4 Nia De DROW ETES oe cree seer thane bie exstmane tonal aiakege 280 ; ee se, Jy re Sees © His i fe x : Thirst,” 8%4x6! x. Tee list yaete spared ; A } pine is list of \some é 4 f eens y ph a er x4, Mr. T HEHMons ayo igen Priced pictures, with meget ag spss Vi Hine VEY sent Sie as ae sts, buyers, and: prices: ee8| 74—Pokitonow, I., “The Hunter,” 534x13%, HN: lage de Chatillon, Vosges—Monchabion;_ WLW. Seaman,-azts {Do ".2 |. seem oe 260 . Pai Bias lt Gay 75—Knaus, L., “Phe City Girl? 934x7%, Dr. tis (panel;) 1 George | BY Sap peice Ba ee nO rocket 825 76—Hoog, B. es “Mother and Child,” 1034x- OO: FU Mr teks Ss Elarkmess.ec0% jose ore 300 settee tees Maa| 77—Henner, J. J., ieee and Bust of a Young ay Girl,” 1OYx7 A, M. Knoedler & Co..... 450 q 78—Gérome, ie ae “The Halt,” 1014x8, Mrs. Pe ae ooh ey ‘ Sp-jeeuye eich ays Pe | Wallace Hadinge: {signee Bontains 450 Bade Kon. y ae apes cae en’ Jettels ’ "| 79—Diaz, ._ V.. “Landscape near Fontaine- | be. “Richter; og . so es ut . fn bleau,” 714x9%4, Mr. J.G. Spur rye 275en am ss oeeesen y us ease blew ois famine Sete Hace: a “26Y oe illet, Ans “The a er, ,x8h, f : Arthur Paxfont'8. Strauée “990 + ag W. heey ASE NB Moab ie fe vee is Jane eres 1,250 ; pee dans L Limousin—Troyon; | 81—Wyant, A. H., “A Bit of Pasture,” 9x14, ; SMAI BER We Ui N as ve! oie leis og Mars A.o Jee Wiggins nF : hiisn ie k aeonlev etd tren 570 p Ing Into the Shade—George Henry | 82—Diaz, N. V., “A Pool at Fontainebleau,” 4 shton ; ds ha Recs sais 28 bie 8x10, Bernet, BOTS. wcdpeletctels is ie en ane 2,050 : : Ripe—E. Meunier; T Ff, Crow-) 83—Pasini, A., “At the Saddler’s,” 11x9, Mr. | lige euiciee ohio: paige Ee Biberls aerate gain gaat ; $00 Gales. x betty snr anchez Perrier, E., “ iver Scene a “The Meadow ara ee eae ce ace 430 Guingamp,” 14x9, Mr. es. RNs Bs : aepencra a0 0 te 162—Bridgman, F. eon Lad 14x- 1 cot ee ae J. B.Dixo ae Bey 120 Sigua us rey POI ul — Riche nme atm. Pool,” 1 5 “On the Bosporus,” Wier, ie George S. IRB DeDEes ries fcras 610 gis a 105 i oedler oe tee 500 W2-Bettinger, G., “The Document Bureau,” ck “Cave,” Myx21%4, Ber- 18x1434, Mr.'$._G. agMe face sent. es 200 MORO. Ser aaaee - eae 1,500 eel 73— Pate BBE Lhe Card House,” 1534x- 1934, the eC SO mG oF, Avec wrest bcscss « 150 Pore Ket OW ley. wh, capes c20 + |174—Henry, Mo Waiting: for the Ass ; f J we : man,” 13%4x23, Mr. C: A. Jameson... 310 ra eee aie 7 j177—McCord, G..H., “Autumn Landscape,” 2 ne ae i The coe é 16x20, Mr. M. P. HD) AVES seit tess orelt ee SME ors 230 x 22 Ve oie. emi cade toe 3. hws 725 180—Hart, J. McD., “Tree in the Meadows,” : seve Life—Flowers,” 16x20, aoe na oe Wiese leita ce oc ss ac 420 Bete s a8 —Johnson, E., “The Freedom Ring,” 1 - 4 ; e “Old Pasture near New # 2114, Mr. Timothy F. Crowley ey Ax: 750 ; a i, len Scone Bee Sami ee Beard, WH, “Honie from the Polls” = Sunset,” 16x22, William eacerne cs Mr, W, B. Simpson... 505... ee B20 * oka cerns eet ase cess ; —Rix, J., ‘Road eon the Woods,” 18x: ine ; hing Vessels off the i R. Dudensing & S Super sia 8 275 Fr : : eee ir. Andrews..... 800 /|187—Brown, .J. G., The Young Peddler,’ reyer, A. _Coyncil of War,” 19x. 24x16, Col. H. A...Guinsberg..........2> 320 — 2 Sepiieercimsant «ares: 2,000 |188—Smith, ten Paes sate Afternoon, WY 16x24, igman, “A Hot Day ‘at Musta- ' R. Dudensing SG SOU aera Glen ee iene 180 BUSA “Mrs. Wallace Eddinger... 530 /189—Salentin, H., “The Letter of Recommen- le Dancing Brook,” 18x26, sedation,” nk Wins vAs- Ee Sehmidte.s.« 120 Stephen Eo cities as is aw ¢ 300 190—Laissement, H. A., “The Cardinal’s Pho- pi lat Perrault, L Una- Pauverina,” 13x. tograph,” 2514x2114, Mr. C. H. Offermann 120 : oman oh _ Mr. 5, B. ee aes Jee 8 on a 300 192—Diranian, S.. “The Gin With the Green : ee Cherbour g " 1634x22, = Eyes,” an este Mirai Bo Dickson: wocee 105 «Ey ae Matas veSis dioica ns 36 600 194—Burgess, J. aS anish Letter Writer,” an, '“Bive-mile. River, Long “Isl: 20x28, Mr, Je Dickson raha pon cent arte 210 and,” 1914x29%, mr. M. S. Untermeyer 535 195—Beyschlag, ile me “The Lovers,” 28x21%4 14—Teniers ae to), eae de Village,”’ Nee SC li tordm Miller sess hi oc ake s bosses she he 35 224%4,x28%, Mr. Arthu SE LOT nayene' Sold AS hora Bret /pbype WXKe, LEO HERRMANN FreNcH: CONTEMPORARY No. 2— THE CARDINAL AT LUNCH / 3 fe Height, 91% inches; widthy TD, inches : rf aval : DAR Nveeg Tue cardinal in his brilliant robes and skull-cap is sitting alone at a carved- wood table spread with a silvery white cloth, discussing a crisply roasted bird and succulent green salad. At his elbow are decanters and a bottle, and at the moment he has raised to the light his wine-glass and is viewing its ruby contents with a smile of enthusiastic delight. The floor-covering is a deep turkey red, and the background is dark, in neutral tones of olive and brown, with conventional tree trunks visible. Signed at the upper right, Lro Herrmann. Owner, Estate of the late Franx S. Bonp. 696M» high Tuli, bane OchSGi1 Aah Sxx., bolt AS lomd Aw taf bGf- EDWARD ALLAN SCHMIDT GERMAN: CONTEMPORARY No. 3— THE ARMORER’S SHOP (Panel) 5 (Aer Height, 10 inches J widtha8 inches THE armorer, a man with reddish hair and ar ot s withAleeves rolled up over his sinewy and muscular arms, and wearing a leather He is facing a window on the left, and is seen in profile. He is busily at work, and a suit of armor partly dismembered is on the bench in front of him. Behind him his forge glows, and tools are hanging in orderly lines on the gray and brown walls. Signed at the lower right, Kv, Attax Scumipt, 1889. Owner, Estate of the late Frank S. Bonn. FRIEDRICH VOLTZ German: 1817—1886 No. 4— CATTLE (Panel) on Height, 7 inches; length, 914 ine 4 - ~ We sis &. O O Two bovines with wide-spreading horns are pictured, a red and black one standing across the picture and a tawny one with a white face lying down, in a sunny green pasture. In front of them a gray goat with long curving horns is lying lazily on the sward. To left of the group is a high bank with many trees, whose shadows with those of the animals spot the green grass. Signed at the lower right, Fr. Vourz,| 1878. To be sold to close an Estate. NICOLAAS BASTERT No. 5— » WINTER IN HOLLAND Height, 91, inches; width, 131% inches y oe Hh Owe a roadway marked by deep wagon tracks in the snow a woman is making her way, with slow progress, past a row of pollard willows. The road, as in- dicated by the trees, curves to the right as it advances, and is lost to view. A few tall thin poplars rise in the center of the picture, and at the right a wooden barrier appears. The sky is heavily overcast and ominous. Signed. From the Cottier Collection. 1909- #§. BISS\ By order of Moses Exy, Esa., Attorney for owner. ON Fe NN PAL RS et nee omer Sa Gr a ee a a ee Cte JOHAN HENDRIK Houianp: 1875— No. 7— ao A quay extends back from the left of the foreground. “It is bordered by a line a EDUARDO ZAMACOIS Spaniso: 1843—1871 THE MESSAGE (Panel) — Height, 91%, inches; width, 7% ney YG (? ' oe ‘ ja ee Ricu tapestry in dark tones largely of brown, above a paneled dado, forms the background of a room, and the | light is admitted from a diamond-paned window at the left. Above the window is a dark green drapery, and on a solid shutter below it, turned inward, a mature gallant is writing a message with chalk; he is just finishing the name of Mathilde. He wears a buff jerkin, his sleeves and stockings are red, and his breeks dark bluish-green. He wears a broad white shoulder-collar and a sword is at his side. Signed at the lower left, E. Zamacots, 1864. To be sold to close an Estate. Gere VAN MASTENBROEK OF ROTTERDAM (Water Color) Height, 14 inches; width, 11 inch of olive-brown trees and a lamp post, beyond which appears a row of dull red houses with white casements. Figures dot the quay near two empty push-carts. Alongside the canal wall lies a barge, with its stern, showing a bright green band around the gunwale, turned to the spectator. From the Hermann Schaus Collection. Signed and dated at the lower left, J. H. V. Masrensroek, '98. SYR “4 RUS > pos Mo. Pestissecsecg By order of Moses Exy, Esa., Attorney for owner. - L NARCISSE VIRGILE DIAZ DE LA PENA Frencu: 1808—1876 No. 8— | VENUS AND JUNO ? : ; pay VL ff L Lares Height, 13% inches ¥, inches; width, 91% In a wooded retreat golden-haired Venus reclines half-nude on a rock. Cupid approaches in the company of dark-eyed Juno, jealous loser to Venus in the amorous eyes of Paris, her torso nude. She draws back in some surprise and resentment, while Cupid, master of the hour, leans on his bow with a placid, contented smile. Signed at the lower right, N. Dtaz, 753. Purchased from L. Crist Delmonico. By order of Mosrs Exy, Esa., Attorney for owner. him. Khuchanarr toll S91 ht BF c pllSox he. Hlaudeusung CESARE DETTI Iratian: 1848— No. 9— THE PAINFUL MOMENT (Panel) es ve Height, 121%, inches; width, ae (0 In a brilliant and colorful room with Florentine de¢oration 4 man in breeches, scarlet waistcoat and blue-lined green coat, all his appare stuffs, is seated facing the spectator awaiting the crucial instant when he shall lose a tooth. The operator, in crimson breeks and plum-colored coat lavishly embroidered, stands over him, with a firm grip on the instrument in the victim’s mouth, and a boy in equally elaborate garb has brought water and stands behind a gilded table at one side. Signed at the lower right, Derr, °72; Rota. Owner, Estate of the late Franx S. Bonn. og TR ER OA GR LE ae ere Saw pena isa CHARLES EMILE JACQUE Frencu: 1813—1894 No. 10— : THE BARNYARD (Panel) | ae oP Height, 8%, inches; sales Ye) oe A RAMBLING structure in the country, house and home alike of man and beast and bird, extends back from the left of the picture, its stone and wooden walls white and red and gray in bright sunshine. Its thickly thatched roof is a warm brown, brightened by flowers that have climbed it or sprouted there, and a green vine or bush screens one window. In doorways are chickens and near a pond in the foreground are ducks, and a woman approaches driving ahead of her one of the humble but useful animals of the farmer’s motley array. Signed at the lower left, Cu. Jacque. From the Valuable Modern Paintings Sale, American Art Galleries, New York, 1912; No. 61. - BKIO4 b By order of Prince & NatHan, Attorneys for owner. Bath by Sie.» bo fan Me. Lamenbarren 398 ty i. Tanenbaum Gk t{9par Aahaseg B ESK- FREDERIC EDWIN CHURCH, N.A. | Merion: 1826-1900 No. 11— HARBOR OF KINGSTON, JAMAICA (Panel) gh, ele: Height, 13 inches; length, 19 inches vA ¥ i 4) VY aA : : LAnrti1.anre Tue point of view is high in the hills back a the town, scarcely a building in Kingston being visible, the eye roaming from the hilltops to the harbor, the long peninsula of Port Royal, and on to the’sea. The water is brilliant with reflections of varicolored clouds. A colored woman in a bright red skirt stands in the doorway of a native cottage. Signed at bottom to right of center, F. E. C. (in monogram), 66. Owner, Estate of the late Tuomas Hitcucock, Esa. ETIENNE PROSPER BERNE-BELLECOUR Frencu: 1838—1910 No. 12— FRENCH SOLDIER i MW Sees Height, 15 inches; width, om ‘ A CAVALRYMAN of the French service, unmounted, is alon¢ jn a field, near a small body of water. He is seen in profile. He is in the fainiliar red breeches and cap, blue coat, and black boots spurred, and is smoking a cigar. Signed at the lower right, E. Berne-BeLiecour. Owner, Mrs. Marks ARNHEIM. JEAN CHARLES MEISSONIER (Son of J. L. E. Meissonier) FRENCH: CONTEMPORARY No. 13— WAITING FOR AN AUDIENCE Ghat 0 '— Height, 16 inches; width-30V, rUe hh arfe Panetep French walnut doors, and a tapestried wall—in-dull blues, reds, browns and greens—form the background of the picture, whose foreground is a narrow strip of light sand-brown floor. Here in a broad light a clean- shaven young man with curly brown hair stands leaning against the door jamb, waiting with imposed patience for a summons to the inner room. His colorful costume includes rich stuffs of blue, green, drab, brown, yellow and red, as well as black and white, and he stands cross-legged with figure turned toward the right and face three-quarters to the front. Signed at the lower left, CHartes MeEtssonier, FILS, 1877. To be sold to close an Estate. JEAN LOUIS HAMON Frencu: 1821—1874 Nos 14—"> LOVE’S WHISPERINGS G 4 ~ve si aceie 14 inches; width, 10 Ly ae he figure is sit- Ir is springtime. A young woman of blond complexion and fu ting on a rock out in the fields, against a low mound near some shrubbery that is hardly yet in blossom or leat, She wears a white chiton loosely girdled at a high waistline and exposing freely her full breast, and across her knees a brownish-gray mantle lies in loose folds. She has plucked a branch of early pink buds, holding it idly between her knees, and she looks pensively to one side, while a ad ‘child nestles his curly head against hers, leaning on her epouider. Signed at the lower right, J. L. Hamon, 1869. To be sold to close an Estate. LEONARD OCHTMAN, N.A. AMERICAN: 1854— No. 15— LANDSCAPE 4 H : Sy / a bo Height, 12 inches; length, 16 nt, ae ae frarrrrtdy ur Autumn has claimed her toll of the trees, which rise in scattered’ clumps against a gray sky, before a low and thick wood, their branches stripped or : retaining leaves that are a dead brown or a glowing yellow. Set back among the trees, beyond a rail fence, is a white cottage with green blinds and a red chimney, and the whole deep foreground of the picture is a wild field of cold grayish-green grass thickly grown with brown and yellow weeds and bushes. Signed at the lower left, Leonarp Ocurman, 1887. No. 119.- #775 Iv. Carn aun, From the J. M. Lichtenauer Collection, New York, 1913; By order of Prince & Natuan, Attorneys for owner. . GUSTAVE JACQUET Frencu: 1846—1909 No. 16— THE BUTTONHOLE BOUQUET (Panel) 1-7) oe Height, 15 inches; width. 1 inches by Wiru a sensuous, intent expression, looking /under slightly narrowed eyelids at someone not seen by the spectator, a handsome and vigorous young woman holding a dainty boutonniére in her hand raises it to her just-parted lips to indue it with an added sentiment. She is fair, with pink cheeks and brown hair, and is seen head and bust, facing the left. She is clad in white satin and lace, with a blue ribbon tied about her throat and a black scarf thrown over her shoulders. Signed at the right, above the shoulder, G. Jacquet. ’ By order of Prince & Naruan, Attorneys for owner. 4/35 Miu pow f. Seleca Y htt he 1 deaM§X% + J. PEYROL BONHEUR Frencu: 1830— Na) ae NOONTIME REST i. 4 0 fs Height, 12 inches; length, eee _ A ram standing on an incline at the left, his hind feet on/fnuch lower ground than his forefeet, facing across the picture toward the right, is in position of guardian over two ewes and a lamb which are lying down on soft green grass in the sunshine, taking a noontime rest. They have chosen a sunny place in the lee of a rocky mound on whose grass-grown crown shrubs are blossoming white, one ewe laying its head in the fleece of the other’s shoulder while the lamb lies contentedly at one side. Signed at the lower right, J. Peyvrot Bonuevr. From the J. H. Stebbins sale, New York, 1880. 4 Owner, Mrs. Marxs ARNHEIM. / GEORGE HERBERT McCORD, A.N.A. American: 1840—1909 No. 18— NEAR PORT JEFFERSON vs Height, 12 inches; length, 18 inches () : ae, WY Carre A HaArzor and bit of shore line such as pleases the man who likes to rough it as he will about the salt water and sail his own boat, with never a thought of yachting. A homely and easy bit of low-lying Long Island shore, a point with an old gray building and some trees on it at the left, and dunes or hilly fields on the right, with water between mirroring a brilliant sky filled with clouds. Sailboats are at hand, only one with canvas up, and rowboats of different color, and a few people afloat and ashore. Signed at the lower right, G. H. McCorp, A.N.A, Owner, Mrs. ApeELAIDE C. JOHNSTON. NARCISSE VIRGILE DIAZ DE LA PENA FRENCH: 1807—1876 No. 19— MARGUERITE bale a7 a Height, 151, inches; width, 11 inches Ar the left a church entrance comes into the picture, its css fren and weather-stained, the interior dark in shadow. Beyond the edifice, fextend- ing toward the right and to the distance are thick bushy trees, darkening with fading day, and over them grayish-black, rosy and gray-white clouds are active in a dark blue sky. In the light before the church door a blond young woman stands in deep thought or dejection, one hand raised to close her eyes and keep them closed as she leans her head on the hand. She is hatless and wears a low-necked gown of light material over heavy dark grayish- blue. Signed at the lower left, N. Draz, 65. Owner, Mr. L. Crist DeLmonico. JULIEN DUPRE Frencu: 1851—1910 No. 20— THE PROPOSAL 7. Oo” oe Height, 171% inches; ‘Two French peasants are pondering the old problem in the fields. A man, young and husky, with tousled black hair and a miniature black mustache, in brown clothes and blue blouse with sleeves rolled up, leaning with folded arms on a dilapidated gray rail fence, his legs carelessly crossed as he stands with his weight on one foot, has propounded an earnest request to a young woman. She stands on the hither side of the fence, and having turned irresolutely from him faces the spectator with vacant expression, trying to think matters over. Ban ae 7 On Signed at the lower right, Jut1eN Dupre. Owner, Mrs. Marxs ARNHEIM. JOHANN GEORG MEYER (MEYER VON BREMEN) German: 1813—1886 No. 21— THE LITTLE FRUIT-GATHERER iy 32 Height, 151% inches; PE oe od A cHuBBY, smiling, chestnut-haired little German ren been out in the orchard gathering some rich purple plums or cherries, ad stands before a dark green background of shrubs and foliage, near a tall gray gabled house. She is seen at three-quarter length, in a warm red-brown skirt and buff-brown waist, with white shoulder-sleeves, her plump arms bare, the fruits of her labors wrapped in her apron, which is tucked in at the waist-string, and she looks happily at the spectator as she leans her head on one shoulder and holds a fruit up against her loose tresses. Signed at the lower left, Meyer von Bremen, Berwry, 1875. Owner, Estate of the late Tuomas Hircucock, Esa. LEON BAZILE PERRAULT Frencu: 1832— No. 22— ITALIAN GIRL a, Heap and shoulders portrait of a young Italian girl with dark brown hair and ‘a bright brown eyes, turned toward the right, three-quarters front, her face almost full-front. She wears long earrings and a necklace of three strands of red beads, a white cap or headdress and a gray frock. About her shoulders is a light kerchief, red, brown and green. Dark background. Signed at the upper left, L. Prerraurr, ’75. To be sold to close an Estate. FRIEDRICH VOLTZ GERMAN: 1817—1886 No. 23— A COW 8 g ve Height, 15 inches; width, 1114 igches 5 A cow is standing before the spectator as though quite conscious of the im- portant operation of having her portrait painted. She has a fulvous coat and white face and stands facing the right, turned somewhat toward the front, with eye on the observer. She is on light green grass in bright sunshine and is seen against a dark neutral background. Signed at the lower right, F. V. From the studio effects of the artist. Stamped on the back of the canvas: “Aus dem Nach- lasse des F. Voltz.” Owner, Mr. L. Crisr DeELMonico. WILLIAM VERPLANCK BIRNEY, A.N.A. AMERICAN: 1858—1909 No. 24— THE OLD MUSICIAN 73% Height, 14 inches; length, 16 /idche In a cottage room, whose floor, a few steps below ground level, is of gray flag- ging, mottled with bluish, greenish and mauve reflections, an old man has seated himself on a low stool to play his clarinet awhile, his ancient yellowed music set out on a wooden chair before him. He faces the right and is seen in profile, against the gray wooden wall of the room, light from the music sheets reflected upon his wrinkled features, and he wears a long-tailed old blue coat. Across his back the spectator looks through an open door to a blossoming flower garden, and a slant of sunshine touches the steps leading up to it. Signed at the lower right, Wm. Verrtanck Birney, A.N.A. Owner, Mrs. ApELAIDE C. JOHNSTON. GEORGE HERBERT McCORD, A.N.A. American: 1840—1909 No. 25— MIDSUMMER MORNING J 3 a oc Height, 12 inches; length, 20 inchde Woops on the right and in the distance are a deep green in full midsummer foliage, and grass and field growths on the cleared spaces between the trees bespeak the settled season of maturity. In the middle distance a narrow river crosses the land, emerging from the woods into early morning sunlight and breaking into white ripples as it rushes over some stones. In a rough field road two figures are seen walking. Signed at the lower left, G. H. McCorp, A.N.A. Owner, Mrs. ApELAIDE\C. JoHNSTON. EDWARD PORTIELJ E Betcian: 1859— No. 26— THE CONFIDANT (Panel) a f O os Height, 18 inches; width, 14%, Two merry peasant girls who might be described/as well on in young woman- hood are enjoying a fine heart to heart exchange ef confidences, free and unin- _terrupted, in a tile-walled room of a cottage of the Netherlands. Sunlight floods their happy corner, through a window which looks out upon the in- timate Netherlandish sea and a spur of land beyond, illumining their smiling faces, as one who has dropped in for a call, with a market basket on her arm, shows to her bosom friend a letter or photograph just received. Both young women are clad in soft and homely harmonies of pink, lavender, mauve, green, brown and cream, and the hostess has been caught in the midst of mending a medley of delicately colored materials. Signed at the lower right, Epwarp Porrierse. Owner, Estate of the late Epwarp R. Perkins, Ese., formerly First Vice-President of the New York Life Insurance Company. Se yee a ai le ie moe . ‘ ae ¢ * SS Se eae we > > ’ Sy ' r 7 ey ee i * hon oe i ’ r ~@nJ Tey eal i bi : , " . — > # At ay i A * ‘ ‘ 21 ¥ \ rm ~~ . ss ce Va A ae uP MAS - a h i beg ¥ ) = q — Soecaaiclidomemenratae —— ~ 7 " - Fes BWR EY 7 Ae. Trotle » Son fly 1903+ MNX bed Alec demaw » fe 31/1403 PAEKK os °F itimgd ty Abia tue 3i/sj03-1 ff A OMS ~ — Mlh-% 6. 0, Sersise feo yfyyous BARKA-1 (Panel) 7 an CUPID'S ETON : ef Sd xe Height, 18 inches; width, 15 Mie 4 6 = Height, 134 inches; length, 20 , : Tue full moon, taking its course across a clear blue sk , tering patches of thin cloud, has just risen above the/crests of a mountain chain, and facing the spectator looks down upon a foreground valley, or seamed WILLIAM ADOLPHE BOUGUEREAU FRENCH: 1825—1905 Curip is shown at half length, in the guise of a boy with chestnut curls in close but tousled ringlets, his white wings freely spreading from his shoulders against a back- ground of blue sky spread with white fleece which is touched with pink. He is turned to the left, his face seen little more than in pro- file, and is glancing with cunning simplicity and a _ beatific smile slightly upward, his hands clasped against his nude and mottled chest in exquisite admiration. Signed at the lower left, W. Boucurrgav, with the date, 1903, at the right. Purchased from Arthur Tooth & Sons, New York, 1903. Formerly in the H. O. Seixas Collection. By order. of Prince & Naruan, At- torneys for the owner. SOSCM -y UhiirmmsA by bet eb dasae berth //4ti~ SAOMS-~ JULIAN RIX American: 1851—1903 No. 28— MOONLIGHT AMONG THE MOUNTAINS y revealing only scat- plateau, where bunches of trees we odd shadows and a narrow road wanders , about. From the Julian Rix Sale. /9/3~ Slob fi By order of Moses Exy, Esa@., Attorney for owner. Signed at the lower right, Juttan Rix. areas SP hoaglee. GUSTAVE COURBET FRENCH: 1819—1877 No. 29— AT THE WELL (Charcoal Drawing) Pac nmin Own the right a rounded hillside slopes to a low foreground and to a flat field which occupies the rest of the picture to the left. Bushy trees of the hill, reaching out over the slope and the plain, obscure much of the sky and partly shadow a pump or well in the foreground, where a young woman with sleeves rolled up stands waiting for her large amphora to fill. In the field laborers are at work, and across it in the distance a goods train is making its smoky way. : Signed at the lower right, G. Courser. Owner, Mr. L. Crist DELMONICo. BENJAMIN EGGLESTON AMERICAN: 1867— No. 30— IN OCTOBER Height, 12 inches; length, 16 inche ; —wie Ns if fs He Smee ee ™M- C ees A HeEAvy tree whose best days have long passed but in which foliage persists near the trunk, stands in defiant dignity in a broad, uncared-for field where grass is turning yellow and brush brown, the old tree’s foliage a brilliant red. At either hand are slender trees sharing in the fall colors, a woman seated at the foot of one of them and a few sheep seen near a rock-bordered pool; in the distance are hazy blue hills—a landscape suggestive of Staten Island. Signed at the lower left, Bensamin Eccreston, 1903, with the title. Owner, Mrs. Avetawe C. JoHNsTON. EDOUARD CASTRES Swiss: ConTEMPORARY No. 31— “ASK THE PADRE” (Panel) 3 0 ae Height, 161% inches; width, 12/in¢hes Per. A youne man and woman of the people, dressed gaily in brilliant colors of Spanish prodigality, are coming forward slowly in a shaded/winding path or roadway running at the side of a wood. Along the rustic fences on either hand wild flowers are blossoming. The maiden rests her arm affectionately in that of her admirer, and turning toward him her face is seen in profile. She seems to have hesitated or been in doubt as to something he has asked, or said to her, and pointing with his thumb back over his shoulder toward a priest who is coming behind them, riding an ass and reading the while, he bids her ask the good father. Signed at the lower right, E. Casrres, 1873. To be sold to close an Estate. ALBERT BIERSTADT, N.A. AmeERIcAN: 1830—1902 No. 32— MOUNT HOOD, OREGON y: Z) ae Height, 13 inches; length, Vie Orang L Y bleurats To a low, yellowish-clay or sandy shore, marked by small rocks and’ coarse bunches of sedge, in the left foreground, some Indians are coming Ag canoes over silvery, glistering water, its surface just rippled in a light breeze and filled with color from a sky of gray clouds which glow with dull rose and bright yellow and flaming pink. It would seem to be not sunset but sunrise. A tree stands where one boat-load has landed, and another canoe filled with people is in the stream, back of the second boat on the right a line of green trees rising against the sky on a long point of land projecting into the water. Far beyond, across the water, mountains are dark against the bright horizon behind them, and toward the left Mount Hood raises its majestic cone in silhouette far above them all. Signed at the lower right, A. B. (in monogram), ’68. eeenihs J. Ef. Siebbine sale, 1809. -#* KX + $HOO + fe. Owner, Mrs. Marks ARNHEIM. THOMAS HOVENDEN, ANA AMERICAN: 1840—1895 No. 33— THE CALL FROM LABOR (Water Color) ih /) vs Height, 221% inches; width) 13 (‘3 : In the spring when the grass is green buf while the trees are still leafless, toward the close of day a peasant woman is winding a resonant horn to summon home the laborers in the distant fields. She is young and tall, and clad in black with a brown apron and white shoulder-collar and cap, and wears sabots, and she stands on a stone wall with a green grass patch and a few trees behind her. The crescent moon is high while daylight lingers, and a neighboring chimney sends a thin wisp of gray smoke into the air. Signed at the lower right, T. Hovenpen, 1880. Owner, Estate of the late Tuomas Hircucocx, Esa. A. KAUFMANN GERMAN: CONTEMPORARY No. 34— MARINE (Panel) Wes Vegi, ae Height, 221% inches; width, ‘Ana (~ nie : fo. | A cANAL or basin entering into view from the right in the middle distance— | its origin unseen—turns and comes forward between lines of shipping tied : up at wharves, from the small craft of local and coastwise service to the : large square-riggers of overseas; and the apparent tangle of masts, yards, rigging and canvas extends across the background. At the sides the build- ings of the port are seen, and on the fishing boats of the foreground piles of brown nets under richly colored sails, and many men of the sea and their friends, in brightly colored costumes, working, idling or gossiping. Signed at the lower right, A. KaurmMann. Owner, Estate of the late Epwarp R. Perxrns, Esa., formerly First Vice-President of the New York Life Insurance Company. Dae (Aces Height, 17 inches; length, lore FRANCOIS AUGUSTE BONHEUR Frencu: 1824—1884 No. 35— SHEEP IN PASTURE Four sheep are pictured in the foreground in the sunshine, gn a patch of soft green grass in a country of coarser herbage, interspersed’with boulders and outcroppings of rock. Beyond them shallow water threads the grass-patch. A ewe lies asleep, her horned comrade standing near and gazing stolidly at the spectator—both with thick fleece of a warm brownish-gray—while two brownish-white lambs lie beside the mother, nestling against her and each other. In the distance is a line of mountains, gray against a light sky with cumuli gleaming white above the crests. Signed at the lower right, Aveuste BonHeur. Owner, Henry Datiry, Esa. FRANK DE HAVEN, A.N.A. AMERICAN: 1856— No. 36— BY THE SEA AT EVEN ~ lA 2 oS Height, 16 inches; length, 20 inch@s\ A tow ridge of land, glowing yellow and dotted wifh green, and sur by a scraggly stunted tree, projects from the left ih the middle dista gives a high horizon line against a twilight sky in which the crescent moon appears. At the right the ridge sends out a low arm into a deep blue sea, where occasional sail appear, and some distance off a lighthouse crowns a rock against which the waves break in spray. A field in the foreground is threaded | by a winding shore-line path, and an old man appears to be picking up things in the grass. Signed at the lower left, F. De Haven, 1898. Owner, Mrs. Apvenaipe C. JoHNSTON. eS ay Fey Pee ee er ene Tener ote é | Bughh pow MBleat, Deh ga Ge Lea AUK il f & Mischa le FERDINAND JAN MONCHABLON Frencu: 1855—1903 No. 37— PATURAGE D’AVRIL -j} / a) Bis - Height, 15 inches; length, 4 inches df - FOE A BRILLIANT, delicate and warm picture of the French See in the fragrant days of early spring, when the trees have not yet recovered their color from the purple-browns of winter, while the grass is a fresh and yield- ing green and the bushes are putting forth new leaves. Some cows in meadows traversed by a bubbling brook are tasting the succulence of the vernal herb- age, a solitary sheep appears, and a hatless peasant woman stands watching them in the bright sunshine. Signed at the lower right, Jan Moncnaston, and at the left with the record of the work, QE 80. On the back of the canvas the signature and record are repeated, with the title; and on a paster is written: “Ce tableau peint 4 l’ambre ne doit jamais étre verni.” Purchased from the artist, October, 1893. By order of Prince & Naruan, Attorneys for owner. pho 82 +4 Sahiw re Sale 0 fw Lf 14H1 Slt Ip. tasuntauwe Seay Mlya- oA O5K~ KIO Tn Laban on Jaleo Iyau 25//913-~ Adhareg BPESX- FREDERIK HENDRIK KAEMMERER DutcH: 1839—1892 No. 38— THE HONEYMOON / , 0 eS: Height, 231%, inches; me VI / ] Unper the drooping, swaying branches of a slender tree in a garden a loving couple have been enjoying a luncheon, their green wooden outdoor table accom- panied by green chairs and a green footstool. The table’s white coverlet is spread with fruits and cake and bottled cheer, but the lover has left his chair to seat himself on a grass bank at the adored one’s elbow, and leaning over presses his lips to her neck. He wears a rose-pink coat with lace cuffs, and his face is partly concealed from the observer by his lady-love’s head. She wears a pearl-white décolleté gown with shoulder sleeves, and is hatless, her chestnut hair done high above her head. She is facing the right and is seen with her back three-quarters to the spectator, her face turned in profile. Signed at the lower left, F. H. KaeMMERER. To be sold to close an Estate. ANDREAS ACHENBACH German: 1815—1910 No. 39— LAKE IN SWITZERLAND Height, 23 inches; width, 12% inches Roma Ristne abruptly in the foreground, on the right, a green, yellow and byown cliff looms over the outlet of a lake. The lake itself, broad and tranquil, lies in the middle distance, with castles and cities on its shores, mirroring a brilliant sky. In its narrow outlet—to left of which are ruins of a castle on a tall hill—its waters rush through a tortuous channel and are green and white with foam between rocky interruptions in their course. The foreground bluff on the right affords pasturage for mountain sheep, numbers of which are seen there, and three persons—a man and a woman reclining on the grass and a man standing—all in bright-colored costumes, are seen in a group in the sunlight in front of the shadow of a cluster of trees some of whose foliage has turned pink. Signed at the lower left, A. AcHENBACH, 1855. Owner, Mrs. Marks ARNHEIM. JEAN BAPTISTE ROBIE Bexieiran: 1821—1910 No. 40—- STILL LIFE—FLOWERS AND FRUIT (Panel) ow a/v sa Height, 24 inches; width, 1714 inches VW. Sovaabeg Luscious peaches, downy and red, and succulent plums, ruby-coated and/ dar with bloom, fill a brown basket nd overflow to the soft green grass on es it rests, those in the basket partly overlain by brilliant flowers. Roses, red, pink, white and yellow, full-blown and in the bud, asters and marigolds and green leaves tower above the fruit and are viewed from close to the earth, with the blue sky and soft gray clouds for a background. Signed at the lower left, J. Rostg. To be sold to close an Estate. ROBERT W. VAN BOSKERCK, N.A. AMERICAN: 1855— No. 41— SHEEP AND PASTURE a Height, 19 inches; length, 29% in | /2q — oY Vy. << kta Tu1s shows a wide vista over a gently rolling vale leading to the sea. foreground is all in shadow, and sheep, newly sheared, browse under low “trees beside a curving path. In the sunlit distance are straw-stacks, farm-houses, and the lines of enclosed fields, and far beyond is the blue stretch of the sea, with white sails and a peaceful sky. Signed at the left, R. W. Van BosxKercx. From the David 0. Lyall Collection, S9O3 7 HES, PEO» 4. che + bo By order of Mosrs Exy, Esa., Attorney for owner. ARTHUR QUARTLEY, N.A. AMERICAN: 1839—1886 | No. 42— THE WRECK | ae ves Height, 22 inches; width, 1444 inches (3: THERE has been a violent storm at sea, and a black {torm-cloud hangs low over the tossing waves, whose white foam and spray and a bit of white cloud ’ far down at the distant horizon give the only light notes under the sombre shadow of the tempest. In the foreground are the black rocks of a reef, | rising a little above the billows, and on their outer submerged ledges a ship has gone to wreck, seen bow on with two masts visible and a single yard, in a tangle of rigging. Round about her a swarm of gulls are flying. Signed at the lower right, ArtHuR Quartiey, 1883. | Owner, Mr. L. Crist DELMonico. WILLIAM H. BEARD, N.A. AMERICAN: 1825—1900 No. 43— OVERHAULING THE CASHIER gi y, ee : Height, 16 inches; length, 28 inches Vy- ps of, TEN wise monkeys dressed as men, or more accurately ten men with monk faces of various degrees of putative wisdom, are depicted in an office room more or less deeply engrossed in an affair of figures in which the blame—at least—is put on the cashier—a take-off evidently on a company of directors. While one ancient is shocked, another wise and pious venerable does the calling-down; several industrious ones set themselves to figuring, and easier '-- supine simians warm their hands and feet over a coal fire. Signed at the lower left, W. H. Brarp, 1895. By order of Prince & Naruan, Attorneys for owner. GEORGE H. BOUGHTON, N.A., R.A. AMERICAN: 1834—1905 No. 44— THE WIDOW’S ACRE (LUCCOMBE CHINE, ISLE OF WIGHT) is a oe Height, 22 inches; length, 29% inert eee Suetvine hills, terminating in a bold, flat cliff covered with smooth grass, surround a little bay. On the far side, cottages stand a little above the tide level, on a strip of flat shore that widens as it curves round to the front. Here is a potato patch, in which a girl kneels at work, while an old woman stops to talk to a fisherman, who, in blue jersey and a high hat, leans over the fence, smoking his pipe. : Signed at the right, and dated 1879. From the Henry T. Cow Collection. IGOR 7H G14 pbs. J Offar By order of Moses Exy, Ese., Attorney for owner. BRUCE CRANE, N.A. AmeErican: 1857— No. 45— FALL AFTERNOON - Height, 22 inches; length, 30 inches L A rRpce or line of hills with undulat- ing top gives a high horizon under a light- gray — sky. Sloping irregularly to the middle dis- tance, the flanks are green and_ brown, marked by stone fences and a zigzag gully, and at the. left present the dark shadow of a deep wood. In a stubbly field of the broad brown foreground a fire has been lighted to consume rubbish and refuse, and at the nearer edge of the field sawn logs lie on the ground, some of them having been laid in piles. Signed at the lower right, Bruce Crane, N.A. . By order of Prince & Natuan, Attorneys for owner. JOSEPH H. BOSTON, ANA’ AMERICAN: CONTEMPORARY No. 46—_ - LANDSCAPE 7% eet Height, 20 inches; length, mG A PALE crescent moon is in a pale sky which dyerhead is filled with lavender, gray and pinkish-white clouds, and slanting sunlight below comes over the crest of a middle-distance hill, where two trees and two buildings stand dark in silhouette against the sky’s light. In a rough field of the foreground a broad shallow pool reflects the varied sky colors. | Signed at the lower left, J. H. Boston. Owner, Mrs, Ave.awe C. JoHNstTon. SANFORD ROBINSON GIFFORD, N.A. AMERICAN: 1823—1880 No. 47-—— HUDSON RIVER op NT teen fe ; Height, 17%, inches; length, 3614 inch(és Dy. Yagi dtr. Tue broad Hudson is seen in the gray haze of a ae autumn day. The ‘stream is scarcely rippled, and tall-masted sloops on its broad bosom raise their white canvas only to have it flap idly. Beyond them, on the left, a high indefinite shore appears through the haze. On the right, near the foreground, a low point of the eastern shore projects into the picture, a few people seen on it and two others in a boat just off the point. The trees here are turning pink and yellow and brown, and an old-fashioned engine is pulling a New York Central train along the top of the sea wall. Signed at the lower left, S. R. Grrrorp. To be sold to close an Estate. RENE BILLOTTE Frencu: ConTEMPORARY No. 48— THE FORTIFICATIONS, PARIS by ao Height, 211% inches; length, 28%, a gy Oe lee Tue painter has pictured a wandering stretch of the irregular walls of the old fortifications of Paris, rising gray over the green turf outside their base, extending from the left well back into the distance. The taller roofs of the city mount above them, under a brilliant sky of active gray clouds with a band of pink toward the right. On the broad rough field, green, gray and sandy-brown, of the military zone held free from buildings outside the walls, a number of people are seen, idling. Signed at the lower right, René Biviorre. Purchased from the artist, 1893. By order of Prince & Naruan, Attorneys for owner. 7303 Brag hth fume ltd fw 183 ~ Gt MAXX PETER GRAHAM, R.A. Scotcu: 1836— No. 49— SCOTTISH CATTLE / a Oe Height, 20 inches; length, 30Cimches TRANSLUCENT white cloud-films veil a brillipnt we sky high above Scot- land’s hills, and denser vaporous masses lie white and gray below, closer over the summits, before one of which the moisture seems to be condensing in a light mist, in the distance. In the middleground on a rolling plateau a small — -herd of the long-horned, shaggy-coated West Highland cattle are grazing or ambling in deep grass, under a cloud-shadow. In the foreground in the sun- shine, at the foot of a broad, grassy slope, two members of the herd, one red and one tawny, stand beside a blue-gray brook, their shadows marked upon the verdure before them. Signed at the lower right, Pevzr Granam, 1880. Owner, Estate of the late Tuomas Hircucock, Esa. JERVIS McENTEE, N.A. AMERICAN: 1828—1890 No. 50— ) AUTUMN : cs | Height, 20 inches; length, 36 inches Two children, in red and blue and brown, who have built a small fire ina clearing in the woods, are kneeling on the ground near it with their hands stretched out toward it. They are seen in the foreground, where the earth is brown and strewn with chips and leaves, near some greenish-gray rocks. ‘The woods about them are partly green and partly brown, and some of the trees are bare of leaves, and the sky and the air are cold. : Signed at the lower left, J. McK. (in monogram). Owner, Estate of the late Tuomas Hrrcucocx, Esa. HEINRICH WILHELM SCHLESINGER GERMAN: 1814— : No. 51— READY FOR A RIDE Fa a Height, 2834 inches; width, 23%, shee // p A smitinc young beauty with dark blue eyes and long Nae cheeks kissed with : pink, and powdered hair, is portrayed at three-quarter length, standing and | turned to the right, her face turned toward the observer. She wears a dark | skirt, and a gold-trimmed bright blue sleeveless jacket over a lace-trimmed : white waist of filmy material, and a three-cornered hat; and she is toying with | a riding whip which she holds curled in both hands. She is in strong sun- light against a dark brown background. Signed at the lower left, H. ScutesincEr. To be sold to close an Estate. LOUIS JOSEPH RAPHAEL COLLIN Frencu: 1850— No. 52— AT THE WINDOW / 0 4 mat Ad Height, 30 nel stip (ae _THREE-qUARTER length portrait of a beautiful you a pale-canary lawn dress with short sleeves, its sole ornament a smpll spiay of blossoms at the throat. She is seated at an open window, turned toward the left, her right arm resting on a cross-rail and supporting her head, her face turned almost fully toward the onlooker, and she gazes straight at him with calm brown eyes. Her face is framed in mysterious wavy hair of reddish-brown and is seen against a mass of bright greenery at the beginning of a wood. Signed at the lower right, R. Corrin, 1898. Purchased from the artist, 1899. By order of Prixce & Natuan, Attorneys for owner. $95] Baighh. prow dilich Daw 199» Bi @ 8X o ANDREAS ACHENBACH German: 1815—1910 No. 53— LANDSCAPE AND TORRENT (Panel) a ae mee Height, 231, inches; Lae yy EvipENTLY a commemoration of some catastrophe or memorable event. A richly wooded, wild landscape is presented, the earth seamed, rocky and un- even; in the dim distance are wooded hills. The heavens are overcast and lowering, and far off the air is charged as with persistent rain. In the middle distance some red buildings appear at the border of a body of water only an edge of which is seen, its expanse obscured on the one hand by rocky ledges and on the other by thick trees. Rushing forward from there are the tur- bulent waters of a river in flood or the tremendous spill of a dam-burst, the stream dashing in white tumult through a narrow rock-bound ravine and splashing new courses of its own amongst the trees and grasses of the lower bank. The foliage in places is yellow and brown, and the rocks and mosses are gray and brown and red in the foreground, where the light in the picture is strongest. Signed at the lower left, A. ACHENBACH, 1859; and inscribed at the lower right, Dn, 758. Owner, Estate of the late Tuomas Hircucock, Esa. pals oe Height, 22 inches; length, eee. ROBERT SWAIN GIFFORD, N.A. AMERICAN: 1840—1905 No. 54— A LAZY DAY IN EGYPT, ON THE NILE In the foreground on the left three natives are seated o mud of the low, flat river bank, one of them smoking a long pipe which reaches the ground, a small column of gray smoke going up as from a fire lighted be- tween them. Beyond them in the blue river a dahabeah lies athwart the view, with other Nile boats back of it, all filled with people in bright colored dress, ‘red, yellow, white and blue predominating, and toward the right another smaller boat is sailing slowly away. Beyond the boats, on an island or the farther shore, one of the monumental buildings of the land, with an immense dome, rises against a robin’s-egg sky, detached palm trees growing near it and numer- ous people standing or sitting on the shores about it, the whole seen in the haze of a hot day, the people languid. Signed at the lower left, R. Swain Girrorp, 1872. On the back the signature and date are repeated, with the title. Owner, Estate of the late Tuomas Hircucock, Esa. x JASPER FRANCIS CROPSEY, N.A. American: 1823—1900 NOU 55 AUTUMN ‘ a7 (ae Height, 20 inches; length, 38 inches Wy VW) Y- ee A sroap American landscape appears in typical, Mee autumn coloring, under a sky filled with billowing white, gray-white and brownish clouds of late afternoon. In the distance are high round-topped hills, which come for- ward on the right, bounding a broad valley which spreads across the fore- ground and far back toward the left. In the middle distance is a gray farm- house with long, slanting roof, and sheep graze about the rolling fields. Trees __ dotting the plains and bordering a winding brook in the right foreground are bright in red and yellow, brown and green foliage. Signed at bottom, to left of center, J. F. Cropsry, 1890. Owner, Mrs. Marxs ArnHEIM. BRUCE CRANE, N.A. AMERICAN: 1857— No. 56— OVER THE VALLEY Neg Height, 25 inches; length, 30 inches spring. Rail fences cut its clearings into fields—here and there a plpwed field showing brown amidst the green of flourishing grassy meadows. An oc- casional early apple tree is white with blossoms, while yonder woods have not yet shaken off the winter’s brown. In the distance are white farm buildings and vague rolling hills under the hazy sky of a fair spring day. Signed at the lower right, Brucr Crane. Exhibited at the first annual exhibition of the Society of Landscape Painters. Purchased from the artist. Owner, Mrs. Marks ARNHEIM. CHAUNCEY FOSTER RYDER American: 1868— No. 57— THE HILL ROAD oi 3) 0 ees Height, 25%, inches ; Wy Vy 31 er eo. A Gray road or footway among the si hen up a gentle incline before the eye, taking irregularly a course through a slight hollow between rounded, slowly-sloping grass-covered hillsides, the hillside on the right crowned by a grove of trees with dark dense foliage. In the sunlight in the hollow are slender trees with light green fees leafage, and along the path are scattered figures, walking. Signed at the lower right, CHauncrey F. Rypenr. Purchased from the artist. Exhibited in the eighty-sixth annual exhibition of the National Academy of Design, 1911, under the title, “The Crown of the Hills,” Catalogue No. 314. Owner, Mrs. Marks ARNHEIM. FRITZ THAULOW Norwecian: 1847—1906 No. 58— WINTER, CHRISTIANIA (Pastel) ,) noe Height, 32 oe 253, inches bed tte A narrow river or broad brook, cold and gray, ¢omes into view around a bend from the left, passing forward between snow-¢govered banks and out of the picture, its surface scarcely warmed by a single rosy reflection that comes from a red building—one of a cluster of snow-laden buildings in the near distance. Above the roofs a tall red chimney rises, sending black smoke into the chilly air. Midway of its visible course the stream is partly dammed by a fallen tree, and its surface is marked by eddies. Signed at the lower right, Frrrz Tuaviow. By order of Prince & Naruan, Attorneys for owner. [Bh basegfi fume SI. hak Af 19h Aethusng ) ISIS ERNEST JEAN AUBERT Frencu: 1824—1906 59— CUPID’S MAGIC LANTERN A sMALL gray building occupying the right of the foreground, resembling a booth erected at a pomeliore and with a gay, indefinite scene beyond it on ‘the left, is decorated with amorini and inscribed “Diorama de Amour.” Through a peep-hole in the end a golden-blond young woman of generous proportions is looking within, while Cupid pulls a series of strings. Other fair young women await their turn, their light summer costumes effecting a soft harmony of color, and another Cupid appears among them. @ bbe s Signed at the lower right, Jeax-AvBeERT. Purchased from the wertere 1887. Soh bes -LBXX Sa From M. Knoedler § Co.'s sale, 1893; No. 185. —~B loco - By order of Prince & Naruan, Attorneys for owner. pbs. lsh fumw Seo-b blak Jee 2bf/gy~ $ Sxx.~ a ) “by er Height, 38, inches; ee, OIE © C GOLA ER ? WILLIAM MERRITT CHASE, N.A. AMERICAN: 1849— No. 60— HAPPY HOURS ee ) Goo Height, 40 inches; width, 24 oer | J / f In front of a Japanese screen that is grayish in tone and is bordered in blue and brown, a young mother is seen smiling over a solemn and bald infant, who is seated in a high chair, well buckled in. The baby, in white, is facing the spectator, mouthing a rattle, and has dropped to the floor a toy dog, which lying on its side there keeps company with a toy horse and wagon. The mother stands behind the chair, leaning over the child, both hands on its chair. She is in a black kimono lined with orange-red, and wears an Oriental cap about which her curling black hair projects. Signed at the lower right, Wm. M. Cyasr. To be sold to close an Estate. WILLIAM A. COFFIN, N.A. AMERICAN: 1855— No. 61— EVENING / a9 A vauuey or hollow, with a carpet of luxuriant verdure, extends be eye between low, rolling hills, on or above whose tops trees appear at either side. In the middle distance groups of trees with bushy foliage are growing in the valley, which beyond them is closed in by other trees over which is seen a the distant level top of a horizon ridge. Meandering through the valley is a ____ footpath worn to the brown earth, and over the landscape twilight is settling, ___with the new moon just visible in the still illuminated sky. Height, 30 inches; length, 40 inches CLOT ‘¢ ri 4 bea Signed at the lower right, Wm. A. Corrin. Owner, Grorce J. Corserr, Esa. aa JACQUES RAYMOND BRASCASSAT : Frencu: 1805—1867 No. 62— LANDSCAPE AND CATTLE iy Height, 31 inches; length, 39% > A Oe : /oA — ee A FAR-REACHING agricultural chau is pictured under some curious light effects of a showery day. In the foreground are cattle—black-and-white and red-and-white— grazing or lying lazily in the grass, with other cattle and sheep doing likewise in the fields beyond them. There is a pool in the left foreground Zz where still other cows are coming and going, or drinking. Beyond it, a cot- tage and thatch-roofed barns are sheltered among trees, at the foot of a ridge of hills which border a series of broad meadows, and with them project into | the distance. The hills are in the shadow of a heavy black cloud that has | drawn across a blue sky, while the fields are in a greenish-yellow glow, as the | sun forces his rays out below the cloud’s lower edge. Signed at the bottom, in the center, J. R. Brascassar, 1858. From the Emerson McMillin Collection. 7/Y/3~ ihe pr5or By order of Moses Eny, Esa., Attorney for owner. CHAUNCEY FOSTER RYDER- AMERICAN: 1868— No. 63— THE MILL POND // 0 o6 Height, 32 inches; yp 40 inch ee Vi ror A % = A wipe pond, with baste wavering rather hg eel, # seems, dees a3:) am it is with innumerable reflections yet appearing smooth and calm, nearly fills the foreground and occupies the larger part of the picture. At the left of q the foreground a narrow strip of low shore comes into view, sustaining a few tall slender and irregular trees in light spring foliage. Across the big pond the opposite shore rises in a green and rolling hillside—a white farmhouse appearing at the left, and a further and higher hill or range of hills in the distance, thickly wooded. Close to the shore where the land is level several slim trees grow and a low white building is noted. Signed at the lower left, Cuauncey F. Ryper. Purchased from the artist. Owner, Mrs. Marks ARNHEIM. PAUL VIRY FRENCH: CONTEMPORARY No. 64— COURTIERS OF LOUIS XIII Be, r) 2 Height, 3214 inches; Baer a? ( Two court gallants, their faces expressing smiling self-sAtjsfaction, are de- picted at their ease on a long and elaborately carved bench 4n a court before a brilliantly ornate building. One is seated, examining a medallion portrait which apparently has been handed him by his friend, who les extended at full length on the bench, smoking a delicate long-stemmed pipe. Their costumes are mouse-gray and drab, purple, white, yellow and buff, and their hats have long plumes. One has shot some birds which le on the pavement. Blossoming vines and flowers trail over the balcony of the building and climb its wall, and the entire composition is filled with varied color and intricacy of detail. Pigeons appear before the balcony window, one with a heart-sealed message tied to its neck, Signed at the lower right, Pact, Viry, 1875. To be sold to close an Estate. CHARLES D. WELDON, N.A. AMERICAN: CONTEMPORARY No. 65— OLD DRESSES 2 é re Height, 30 inches; length, e ie ih oars Tue interior of a house in the country is show Bi fee room with a rag carpet and patch-work rug occupying the larger part of the picture, an open door at the left giving upon an entry or hallway in which the head of a staircase and a small arched window are seen. Before an old mahogany dresser a young woman stands in a flowered gown of mother or grandmother, holding out the skirt as though about to take a formal step, while a younger girl with hair down her back is seated on an old leather trunk in front of her, from which has been drawn forth a medley of ancient finery, gowns of silk and satin, em- broideries and laces. Signed at the lower left, C. D. Wetvon, ’89. Owner, Estate of the late Tuomas Hrirercock, Esa. GEORGE H. BOGERT, A.N.A. AMERICAN: 1864— No. 66— AFTERGLOW ] / f = Height, 274% inches; Bore ete One of the artist’s favorite tonal canvases, painted in full, colors with warm, deep browns predominant. The composition pictures a shallow, sluggish stream, coursing through a broad bed which takes a right- angle in the central middle distance, the bank on the right high, and that on the left low with bushy trees; and in the foreground someone in blue blouse and -a white hat is gathering driftwood at the water’s edge. The sun has set and an afterglow brightens some high clouds which shed reflected illumination over the foreground. In the distance are dark hills. : Signed at the lower left, Georce H. Bocrrr. Purchased from the Macdonald Art Gallery, 1909. Owner, Mrs. Marks ARNHEIM. WILLIAM MERRITT CHASE, N.A. AMERICAN: 1849— No. 67— A MYSTERIOUS CORNER G 46 Height, 321, inches; length, 4014 inches a false TF WARE Mysterious it might well be named, for it could be put to various uses and no doubt has been, this out-of-the-way corner of an old European town, and the old building which stands there, the ‘‘quality” in whose ancient bricks and still-clinging plaster and weathered gray stone foundation captured the at- tention of the painter. A corner of the building itself is shown, the walls - rising out of the picture and occupying practically all of it, above a narrow bit of cobblestone pavement of the foreground, the whole effect gray, relieved by the old-red of the bricks where they show, and a bit of green struggling up between the cobbles. Signed at the lower right, Wm. M. Cwase. To be sold to close an Estate. PINCKNEY MARCIUS-SIMONS AMERICAN: 1867—1909 No. 68— THE CLASSIC LAND u mma oe Height, 341, inches; length, 5514 inches See thek. véi : Neg. “A viston of ancient Greece in the heyday of her glory. Statues of Minerva, and Venus unveiling herself, embowered in leafy groves. Her temples placed high on the steep Acropolis.” A phantasy, slightly Turneresque in color, of ‘the realm of ancient greatness. The temples of the Acropolis blaze in white and red under a bright blue sky marked by a mass of rumbling dark clouds. Below is a fanciful garden of more gorgeous coloring, with dark Italian cypress trees to offer a strong contrast, and huge statues of the goddesses at either side. Signed at the lower right, Prnckney Marcrvs-Stmons. Lait Purchased from M. Knoedler & Co., New York. bold, Leb 28/1905" SMX + Lurene ho nll From the Emerson MeMillin Collection 1918-4 #/16 ~ $8 2oo+ He. Sialing By order af Moses Ery, Ese., Attorney for owner. LEON BOUDOT (Pupil of Frangais) FRENCH: CONTEMPORARY No. 69— MATINEE DE SEPTEMBRE—FRANCHE-COMTE ne Height, 53 inches; length, 77 inches ty (ee eee 5 SN (Lary. Across the background a high ridge, in parts thickly wooded and elsewhere exposing cleared grass-grown hillsides, rises boldly against a bright sky, the whole face of the ridge in shadow varying from dark depths to transparency. In front of the ridge the broad, almost level middle distance and foreground is comprised of lush meadows, fresh and green in brilliant sunshine, with numerous scattered trees casting their shadows forward. Into the heart of the landscape projects a stream or inlet largely choked with rushes and lily- . pads; two scows are lying in it, and on the sloping green bank near a couple of pollarded trees a workman is seated on the grass working at a board. Signed at the lower left, Bounor, ’88. Owner, Estate of the late Hon. Henry Hixon. SECOND EVENING’S SALE WEDNESDAY, MARCH 18, 1914 IN THE GRAND BALLROOM OF THE PLAZA FIFTH AVENUE, 58TH TO 59TH STREET BEGINNING aT 8.15 o’cLock it Ce . : f - =e my JULES ADOLPHE GRISON Frencu: 1845— No. 70— THE GLASS THAT CHEERS & 7) pee Height, 91/, inches; width, ee d A merry man of middle life, iron-gray and florid, is sitting comfortably in a warm brown interior, easing and titillating the inner man. He faces the spectator, smiling broadly in solid enjoyment, his hand about a goblet of golden wine on the table at his elbow, a stone jug of replenishment at imme- diate service; and in his other hand is a long-stemmed clay pipe. Behind him a ’cello hangs against the wall. Signed at the lower right, Grison. Owner, Estate of the late Franx S. Bonn. a @ iO iis Height, 9% inches; width, 7 Ae Das EDUARDO ZAMACOIS Spaniso: 1843—1871 No. 71— THE FLIRTATION (Panel) A A eray wall in which dark red bricks show, where the plaster has worn away, extends across the background, the edge of a brown entrance door being seen at the left, admitting to the building beyond. In a green embowered window in the center, a coquettish sefiorita wearing Spanish yellow and a black man- tilla is seated, leaning on the sill and looking out into the patio which forms the foreground. Here two men have been beguiling her with music. One in black remains seated, still lightly thrumming his guitar, while his companion in dark reddish-brown leans at the window, addressing the charmer. Flowers grow near the wall and pigeons are busy about the pavement. Signed at the lower right, Ko. Zamacors, 1865. Owner, Estate of the late Franx S. Bono. ERNEST JEAN AUBERT Frencu: 1824—1906 ————— as CUPID QUENCHING HIS THIRST Height, 8%, inches; width, 6%, inches ae ipa ee Curip with a feminine mass of pale golden hair tousled about his head, and white’ wings sprouting from his shoulder- blades, stands on tiptoe, nude and of the usual pulchritude, facing to the right and seen in profile. He is in the open, with light woods in the background, and with both arms he clasps a bulging brown rock, raising himself to drink of a rill that bubbles over its top to drop into a small pool at his feet. Pe Te a RR a RT AR mo Signed at the lower right, JEAN-AUBERT. To be sold to close an Estate. NARCISSE VIRGILE DIAZ DE LA PENA Frencu: 1807—1876 x No. 73— THE PET (Panel) Ly —C/- : YH} Height, 51, inches; width, 4 inches OY epee ie A YOUNG lady is seated on a green grassy bank, brown at the foot, holding on her lap and fondling a small curly brown and white pet dog. She is turned toward the right, three-quarters front, her face seen in profile as she bends her head downward to look at the dog. She-has-rich brown hair and wears a : loose, flowing, white gown, broadly décolleté. Conventional landscape back- rs 7s round of deep tones, with a glimpse of the sky. : : geri Signed at the lower left, N. D. Owner, Estate of the late Franx S. Bonn. . ot a ve Height, 5%, inches; length, 13%, inches CLINE by ta Sarunbaune Spat 4/419 x taking JOxK«, 5524 . IVAN POKITONOW Russtan: Asour 1840— NO. 745 “THE HUNTER - SLAM Tue fall of the year has come, the scattered nA: a low country with gently, rolling surface have dropped most of their leaves, and the brush over the wil fields is yellow and brown. Approaching a patch of brush, as he threads his way about green marshes traversed by shallow watercourses, a solitary hunter is seen, in the foreground, bending forward with ready gun. Signed at the lower right, 1. Poxrronow, ’86. Guo lalil, fas - Jeo MMAX y/ Purchased $x tz,1887, by M. Knoedler § Co. hold Odete Chau, Ib18 Sf 165% : From the Edwin Thorne Collection. 1918 vw # Tb. PUES. JM. Sanulaun, From the Valuable Paintings Sale, American Art Galleries, New York, 1913; No. 78. By order of Prince & Natruan, Attorneys. LUDWIG KNAUS GERMAN: 1829—1910 We No. 75— THE CITY GIRL (Panel) ff v 5 fs Height, 91% inches; width, 71, KOA Gi herr Heap and shoulders portrait of a pretty girl with blue eyes and wavy, light brown hair. She is turned toward the right, her figure three-quarters from the spectator; her smiling, slightly mischievous face is turned almost squarely over her right shoulder so that it is seen almost full-front. Two red rose- buds deck her hair, and she wears a many-colored waist cut low. Neutral background of light grayish tone. Signed at the upper left, L. Knaus, 1877. To be sold to close an Estate. 2 BERNARD DE HOOG Dutcu: 1866— No. 76— MOTHER AND CHILD 3 ay ‘S Height, 1034 inches; Ne "ANG 7 A youne mother with golden-blond hair, which is largely concealed beneath _ her white Dutch house-cap, is sitting at an open cottage window looking out upon a green garden, holding her chubby baby across her lap. She looks to the left, her face seen three-quarters front, with the sunlight streaming in on her and on her reclining child whose round head is also encased in a small white cap. The mother is full-faced with small dark eyes and pink cheeks, and she wears a reddish-pink peasant’s gown while the babe is in light yellow. On a wooden table in front of her is a glass jar of white flowers. Signed at the lower right, Bernarp pe Hoos. Owner, Estate of the late Eowarp R. Perxins, Esa., formerly First Vice-President of the New York Life Insurance Company. + JEAN JACQUES HENNER (jr Frencu: 1829—1905 No. 77— HEAD AND BUST OF A YOUNG GIRL (Panel) yes & OC So, Height, 10%, inches; width, 7% 4) Uae We OAN xy A youne woman with large, deep eyes, self-possessed in the assurance of knowledge and a controlled nature, looks at the observer steadily, her eyes shaded by the abundant mass of her beautiful, rich red hair. She is facing - the left, three-quarters front, and is seen head and bust, the shoulders nude. Her dark waist, edged with white at the breasts, is almost wholly covered up by a crimson cloak. The wonderful hair hangs loose and full below her shoul- ders, except that over her forehead and temples it is dressed—with a fond carelessness. Signed at the upper left, J. HeENNER. Purchased from Boussod, Valadon § Co., New York. Owner, Henry Dattry, Ese. JEAN LEON GEROME Frencu: 1824—1904 No. 78— THE HALT (Panel) ° ’ g¢ , af aU oe Height, 101 ey ee y SunsHINE brightens the upper wall of a plastered Moorish building, out- lining shadows there, while neighboring buildings throw into transparent shadow a stone-paved court below. Here a black-faced Moor, seated wrapped in his cloak against a wall, holds the bridles of a trio of Arab saddle-horses— a black and a gray with red trappings, and a sorrel with a green saddle and blanket and red headstall. At the left between the walls there is a glimpse of a turquoise sky. Signed at the lower right, J. L. Gtrome. Owner, Estate of the late Evwarp R. Perkins, Esea., formerly First Vice-President of the New York Life Insurance Company. NARCISSE VIRGILE DIAZ DE LA PENA Frencu: 1807—1876 No. 79— LANDSCAPE NEAR FONTAINEBLEAU xk (Panel) . / 0 Cc Height, 141%, inches; length, 22 ey Broap, flat, green meadows spread across the folee & ren land in a familiar aspect of Holland. On the right a few trees are seen, and large-bodied cows—black, white and tawny—are grazing near them. In the immediate fore- ground a red cow with a white face is lying down, looking straight at the spec- tator, and a black and white bull is standing across the picture, stolidly but with eye alert. The sky is blue, spread with vaporous white curtains, and the sunshine is bright. Signed at the lower left, J. H. L. pe Haas, rr. To be sold to close an Estate. 1097 31 Moewnth fw tjob= SLA 600. ETIENNE PROSPER BERNE-BELLECOUR Frencu: 1838—1910 Uffest Morn. pf US... No. 103— THE CIGARETTE . (Panel) Height, 16 inches; length, 22¥; S ie sah Br a wer Casa SEs oo A ae ae ES A FrReEeNcH trooper, un- 4 mounted, is seen in profile to the right in the act of ' lighting a. cigarette, in front of a mounted mem- — ber of the service from whom apparently he has. asked a match, and who, while waiting, turns in his saddle to look behind him toward the right into some woods whence he has. emerged. The road in which the group stands is a dark sandy yellow, and — beyond it toward the left stretch out level green and cultivated fields. Signed at the lower left, E. Berne-Beriecour, 1900. _ Owner, Estate of the late Epwarp R. Perxins, Ese., formerly First . Vice-President of the New York Life Insurance Company. GLH 4» hh ieughh farm Mdliok luly 1908~ Zea MEXK +7 SAA Yat ti 90 - o% Cthmnas Buss: 977K (TE b Othman aa Sila Ia lb, Orwell, nay 4)igoz. £UMS + JEAN BAPTISTE ROBIE Beucian: 1821—1910 No. 104—. STILL LIFE—FLOWERS (Panel) ir tas Go me Height, 16 inches; length, 20/ingh (Brrr Ke A warce, informal bouquet of roses and other flowers, gorgeous in brilliant color in sunlight, is lying on a low, grassy bank bordering a pond or stream which makes the narrow foreground of the picture; the background is dark, as of shadowed underbrush. Rich, dark red and rose-red, glowing pink, white and green make up the chief colors of the bouquet, their tones repeated in softened liquid reflections in the water—where also a petal or two has fallen. Signed at the lower right, J. Rosie. Owner, Henry Dattey, Esa. ¥ ; a Te a OP ee a * EREICD.C.oMINOR:- NAS >< .¢ suck AMERICAN: 1840—1904 | : No. 105— OLD PASTURE NEAR NEW LONDON, CONNECTICUT (Panel) ve S ¢ C Sa Height, 16 ee 20 inches HLBLTL A Brown and rocky hillside of New England is pict ds on the right, a few trees crowning it and bushes growing in clumps along \the slope. At its foot, in the center of the picture, a slight hollow is fertile with fresh green grass and a shallow spring pool, while more gray rocks appear beside the water, and on the left, where they pile up near a short tree. Beyond, the pasture spreads away in sunlight under a blue sky largely filled with white, gray and, yellowed clouds. Signed at the lower right, Minor. Owner, Estate of the late Dr. S. G. Perry, New York. 3 3 p’ , ALEXANDER H. WYANT, N.A. \" SY AMERICAN: 1836—1892 ' ———— ee Nt ee ett eet ert ee aes No. 106— SUNSET , tee AS yy) 3 U oe Height, 16 inches; length, 22 Vie aetetie TC ban: VV Brivuiant bursts of glowing yellow enliven a sky that is filled with active clouds and shows various tones of yellow, purple, gray and blue. In the dis- tance is a building, placed beyond a hill over whose top only the roof and chimney appear, rising dark against the bright horizon glow. At either side are trees, some low and thick, some tall and with the light from the sky pene- trating between their branches, and the open foreground is rough uneven land covered with velvety grasses, dark brownish-green, and weeds that display yellow and brown amongst the green. The field is threaded by a brooklet near whose banks some gray boulders appear. ——————————— — Signed at the lower right, A. H. Wyant. From the Wyant sale, Ortgies Galleries, February, 1894, Catalogue No. 129.- $ a70- Se. Sanfauds i Owner, Estate of the late Dr. S. G. Perry, New York. ee JULES DUPRE Frencu: 1811—1889 No. 107— FISHING VESSELS OFF THE FRENCH COAST UaCUZC ole Height, 18 inches; length, 26 Wan A STERLING painting of action in a seaway, where small fishing boats toss among the cresting waves—one of Dupré’s vigorous marines. There is plenty of wind, as the swirling sky shows, and the small yawl-rigged fishers—there are two of them in the near foreground—are pitching in the petty commotion of the waters. A larger vessel is indicated in the distance, also leaning some. The artist has been interested in the study of light and shadow among the sails, and in the nearer boat he has shown the figures of its easy-going occu- pants. . Signed at the lower left, Jurys Durrt. i By order of Moses Ety, Esa., Attorney for owner. {i ‘ bj Mushanan bolt 1914 B57 fi 1000 + Aire daca i = Ft ADOLF SCHREYER ; c Ce GerMAN: 1828—1899 No. 108— THE COUNCIL OF WAR Height, 19 inches; length, 31 inches on Soo Chit Connie Oy Aras forces, dimly seen in middle distance, are disposed about a city on a/ rough plain and a broadly-sloping hillside which descends from the right. At the left, where the light is strongest, a square tower rises high above the flat roofs of the town, in the sunshine, under a blue sky dotted by a few gray clouds. In the foreground is centered the interest of the composition, in a group of chieftains, mounted, sitting their horses as Arabs can, each man a part of his beast. They are in council, two men arguing or discussing and two listening, while another is observing things taking place elsewhere, and the colors in their abundance of apparel and in their mounts are warm and brilliant. Signed at the lower right, Av. Scureyer. Owner, Henry Dattey, Esa. | FREDERICK ARTHUR BRIDGMAN, N.A. e c AMERICAN: 1847— No. 109— A HOT DAY AT MUSTAPHA | & — ae _ Height, 211% inches; length,,29 inches & 8 30 Vora Vallance Cbd. f A Roomy interior is shown, with a broad double window, wide open, giving upom e an Algerian landscape white under a blazing sun, the vista ending with a glimpse of deep blue sea under a pale robin’s-egg sky. On a divan under the: window a languorous Oriental charmer in diaphanous dress is extended at full length, and on the floor another dark beauty in similarly light apparel is engaged at embroidery, while two children are amusing themselves, and their- | elders are diverted by two Ethiopian women who croon to the accompaniment of strings. | Signed at the lower right, F. A. Brineman.. From the D. S. Miller Collection. By order of Prince & Naruan, Attorneys for owner. i LL pr ya- JULIAN RIX AmeERIcAN: 1851—1903 No. 110— THE DANCING BROOK 3 / 1) Oe Height, 18 inches; nil i A pancrine brook in the central foreground issues the right’ where some stout trees grow, outposts i Rirch sunshine of a wood whose shadowy depths are seen at the edge of the picture. The brook races forward ~ in a series of short, sharp descents, whitening in foam, and spreads more quietly in the foreground where it reflects the clear blue sky and the gray and white cumulus masses that float low in the ether. On the left of the brook a tree casts its shadow towards the Lilliputian “falls,” and on the same bank in the middle distance a group of farm buildings stands overlooking green meadows. . i Signed at the lower right, Juttan Rrx. Purchased from the William Schaus Galleries. Owner, Mrs. Marxs ARNHEIM, LEON BAZILE PERRAULT Frencu: 1832— No. 111— UNA PAUVERINA i se Height, 134 inches; width, 17 inches | (2. Vin Pane A smau Italian girl of beautifully molded features stands barefoot on the _ gray pavement in front of a yellowish-gray wall, playing an accordeon for the pennies of passers-by. She is facing the spectator directly, looking at him quietly with no bitterness of poverty but patient acceptance of the life arranged for her. She has the olive complexion of her people and chestnut- brown hair, and is dressed in dark colors with a touch of red in the kerchief wound about her head. Signed at the lower right, L. Perravrt, 1890. Owner, Henry Dattey, Esa. rom behind a low bank on — LOUIS EUGENE BOUDIN Frencu: 1824—1898 Now112— _ ‘CHERBOURG is oc-U << Height, 161% inches; length, 22 re ; he Tue roadstead that has been made into Cherbourg Harbor is shown here in all the picturesque effect of the busy days of sailing ships, when steamers were fewer, and tall spars, not giant bulk, made the conspicuous feature of a com- mercial waterfront. /The picture was painted in 1883, the year in which the artist was put hors concours at the Salon. The harbor is filled with sailing craft of many kinds. Across the foreground is the water of the broad en- trance, its ceaseless motion slight at the moment, reflecting in many hues the varied colors of the buildings on the shore, the high encircling hills, and the heavy cumulus clouds that are rolling majestically across the sky. The back- ground is the tall hills which partly surround the harbor, mainly green in full summer foliage, here and there russet where the soil is exposed, and dotted with occasional dwellings. At their foot the waterfront of the town curves through the middle distance, thickly clustered buildings showing at the left with red, green and brown tiled roofs of various shapes. At the center and to the right are more buildings, many of them obscured by the craft of many sorts which are grouped there. Square-riggers are so thick that their masts and spars seem almost a tangle in the perspective, while fore-and-afters with sails up add to the lively nautical picture. In front of the closely crowded cargo vessels, two heavy working sloops, their gray sails tinged with red, are making slow way about the harbor mouth. Signed at the right, EB. Sher? *83, CHERBOURG. From the Frederic Bonner Collection. /G/Ra~ BAI p fas By order of Moses Exy, Ese., Attorney for owner. ARIA at a THOMAS MORAN, N.A. AMERICAN: 1837 No. 113— _sFIVE-MILE RIVER, LONG ISLAND aan Cae Height, 191%, inches; ay aye’ mf) )) ae Ir is something of a fisherman’s day—not too brilliant a light. The gray, placid river on the right is mottled by the light and dark gray clouds that fill the sky, and darkened by shadows of shore trees on the left. In the left | foreground a bare-legged boy is fishing from a small private pier, watched by a | little girl in a white sunbonnet, and an older girl is coming down through a meadow in front of a clump of tall green trees behind them. Lilies are blossom- | ing in the stream and a bird is flying over the water. In the middle distance cows | are grazing in a meadow by the waterside—some have come into the water— | and a single-masted boat without sails is lying at the bank. | Signed at the lower right, T. Moran, 1888. ; : Purchased from the artist. Owner, Mrs. Marxs ARNHEIM. ATTRIBUTED TO TENIERS Mee 1.1 A— FETE DE VILLAGE val 0 wang . Height, 22%, inches; length, a Pe. he LES Forty or more men and women of the fat Dutch peasantry are gathered for a celebration in the good old times in the yard of a tavern or house of refresh- ment, in the foreground and toward the left, their costumes full of mellow color. One couple are dancing to the music of a piper who stands on a barrel- head, a company seated about a table are eating and drinking, some of them hilarious; others are grouped about a tree, while on a green common at the right still other persons are coming and going—and anywhere amorous rustics embrace without offense. The painting has been classed as a Teniers, and on the back is a clipping from a catalogue in which it was recorded under the title “La Féte du Village,” by 'Teniers. To be sold to close an Estate. VICTOR PIERRE HUGUET > Frencyu: 1835—1902 No. 115— THE HALT IN THE DESERT ste 6 o° Height, 21 inches; length, 26 inches 4, /3 e, re F A company of native travelers, turbaned, and in whit and brow have halted at an oasis.in the desert under a blazing sun, and ente¥ved wit their horses a shallow stream. Some of the riders remain on their mounts and others have got down to stand in the cool water or to do some light washing, while one man on a white horse is already riding away. Beyond the bounds of the oasis are hot, red-sandy hills. Signed at the lower right, V. Hucuer. Owner, Henry Datrey, Esa. Me 8 oO — Height, 20 inches; length, 3 GEORGE INNESS, N.A. AMERICAN: 1825—1894 No. 116— BACK OF MY STUDIO: MILTON-ON-HUDSON A parntine of Inness greens of rich quality, im a transition period between his early high finishes and later loose impress¥onistic freedom of brush, and when he still held to bold outline of his tree-trunks and branches. The com- position is taken from a luxuriant, overgrown orchard and open wood, allowed to go attractively wild, back of his studio in the country—the grass deep where sunlight can strike it and undergrowth thick. The abundance of foliage and herbage fills the picture, no sky is seen, and against the green and yellow vegetation stand out the brown trunks of low, scraggly trees. In the distance a figure is suggested, approaching under the low branches. Signed at the lower right, G. Innxss, 1878. Purchased at the Inness sale, New York, February 12-14, 1895; Catalogue No. WA he cos Ma. Leatucen Owner, Mrs. Marks ARNHEIM. GEORGE INNESS, N.A. AMERICAN: 1825—1894 NOmal las “GOSSIP”: MILTON-ON-HUDSON We Ene ane Height, 20 inches; length, 30 énghes C : ‘ ELE ee He AD ee plhvrnw Tue grass is a rich green, an Inness green,—on a knoll of gentle rise, which is surrounded by trees ancient and rugged, and trees young and slender, their deep green foliage almost connecting with the shrubbery below and rising quite out of the picture, making with the undergrowth a background of green- ery. A half-light is diffused and scarcely produces shadows. In a path which comes up over the knoll a blond milkmaid stands leaning against a slender tree, talking with an idle youth who is seated on the grass of the easy slope, and who has been whittling a stick. ‘The maid wears a pink waist and gray-white apron and carries her milk-pail. The gray wooden milking-stool is behind her, and two cows can be seen dimly, further away. The young man, who wears no coat, is in gray shirt and black trousers, and wears a black slouch hat, and he has paused in his whittling to pass the time of day idly with the not unwilling maiden. Signed at the lower right, G. Ixwess, 1884. Purchased at the Inness sale, New York, February 12-14, 1895; Catalogue No, 4m. 135- ftio-M Owner, Mrs. Marks ARNHEIM. c ‘VN “SI9DM NAGIY ‘(CP AQ ‘“AUOLOVY AVA], OMLNVWITTIAA “STL ‘ON JULIAN ALDEN WEIR, N.A. _ American: 1852— No. 118— WILLIMANTIC THREAD FACTORY ”~ : ; F Height, 241, inches; length, 3314 inches pee eee Here industry, or the home of industry, is made picturesque. Not expending himself on too much detail of the factory itself, the artist has let the building be seen in a kindly effect of light and line, its grayish-white mass rising beyond a rolling, grass-grown hillside and standing out against the higher, tree-crowned hills, whose green slopes are populous with the houses and other buildings of the bustling New England city. Shapely trees and bushes, and bits of color in the sward, dot the rolling foreground. A severe sky—a narrow strip of it —is seen above the high hills of the town, a few cirrus clouds drifting across the blue. é = ‘ Signed at the left, J. AtbeN Wet. From the Frederic Bonner Collection. (9/2 ~ #. 39-4 Bf boo ~ By order of Moses Ety, Esa. Attorney for owner. eX ‘3 G. KUHL f German: 1850-— st aera aa Re No. 119— THE CONNOISSEUR (Panel) i=. ) S 4) ‘—_ Height, 20 inches; width, ay inches EOC Z, A xapy with a great abundance of red hair dressed in/f high and backward- projecting peach-basket effect, and gowned in varying Yhades of red and pink, is seated in reclining attitude and at her ease, across the picture, facing the right. She holds on her lap a painting at which a man leaning over her shoulder points as he studies it, while an older man in front of them addresses them. He is in blue coat and small-clothes, has one hand behind his waist and the other extended as though with a delicate morsel between thumb and finger, and he bends forward in the pose of one opening new delectable vistas to treasured friends. The gray walls are hung with pictures. High at the re right a mass of green foliage is introduced. All is in bright sunlight. In front of the seated lady a large brown and white hound stands, his back to the spectator, nosing a Japanese fan which his mistress holds idly. y Signed at the lower left, G. Kut, MuncHen. Owner, Henry Dairy, Esa. ALEXANDER H. WYANT, N.A. AMERICAN: 1836—1892 No. 120— ON THE OHIO RIVER (7 oe Height, 22 inches; len In the foreground some reddish-gray ge e end of the picture, where, at the left, a red bull stands at the foot ofa tree looking out over some lands on a lower plane, which are partly covered with thick woods and partly divided into cultivated fields. Below them still the river winds, a pale blue band, in a serpentine course through the valley. On it is a side-wheel steamer, and across the stream a farmhouse is situated at one of the river’s bends. , 34 inches a Signed at the lower right, A. H. Wyant, °67. From the collection of the late Charles H. Stebbins, who obtained the picture from the artist. We 6 From the Emerson McMillin Collection, 1018.< Alok M788 Ml. Llelaeg By order of Moses Ery, Ese., Attorney for owner. | ; ; : | j { i i co oe aes PAUL JEAN CLAYS Berean: 1819—1900 No. 121— INTERIEUR DU PORT, OSTENDE or pe | r dy $7 yo Height, 24 inches; length, 30 inches » /s | v >: Cae ; A Basin of restless water, disturbed by the ceaseless activity of shipping anf its small-boat accessories, is a mottled mirror of varicolored reflections, und¢r a fair blue sky overspread with fleecy patches of white and mauve-gray cloud. From an indefinite somewhere on the right a wharf projects, and shipping clusters around it with sails of many forms and many colors, and hulls heavy and varied and painted at discretion. People throng upon them, and other persons are seen in small boats, and on the left other vessels attach to a lesser wharf. Signed at the lower right, P. J. Crays. Purchased from Arthur Tooth § Sons, New York. We. Owner, Estate of the late Enwarn R. Perxins, Esa., formerly Virst Vice-President of the it New York Life Insurance Company. | BRUCE CRANE, N.A. AmeERIcAN: 1857— No. 122— WINTER MORNING ae Fen ge> Height, 25 inches; length, 30 te oe awe A sroap and level cornfield is seen on a winter day under a mantle of white. It is bounded on the far side by a ridge of highér land whose flat top gives a level horizon against a dull, cold, gray sky. In the foreground toward the right the field is cut by a narrow ditch or streamlet, the water partly frozen and snow-covered. Stubble in the lines of low corn hills projects above the light fall of snow, and the withered cornstalks in the shock stand about the field, the edges of some of the stacks yellowed by the morning sun. Signed at the lower left, Bruce Crane, Exhibited at the first annual exhibition of the Society of Landscape Painters. Purchased from the artist. Owner, Mrs. Marks ARNHEIM. PONT a ESS IN a JULES DUPRE Frencnu: 1812—1889 No. 123— THE COMING STORM ae ce Height, 25 inches; length, 31 BOLL er AN EveryTuine in the picture has been subordinated to the study and represent- ation of a wonderful sky under the approach of a storm. The scene below is in a flat, pastoral country, with green grass and tree-groups, cottages, barns and haystacks, but details are subdued, and merge in low, sombre colors or shadow, and distance is vague.. Only in the foreground, where there is a pond on the border of the rich meadow, is there a strong light, coming from a patch of bright cloud in the midst of the dark storm-forces, the light reflected in the water and from the backs of cows standing in it to drink. The clouds, a menacing deep gray, are swirling and in masses and move with velocity. Only once is the blue of the ether beyond them visible; they have overspread all else of the heavens and exhibit many tones and gradations in their vaporous depths. Signed at the lower left, J. Dupré. Purchased from Williams § Everett, Boston. Owner, Henry Datiry, Esa. KARL PIERRE DAUBIGNY FRENCH: 1846—1886 | No. 124— CANAL SCENE, HOLLAND /d ho Height, 1934 inches; lepgth, KO r Tue waters of the canal are mottled in many colors, from the buildings and trees which line the farther side where they rise in dark shadow against the glow of an after-sunset sky. The whole shore seems lined with windmills, so near together do they rear their tall, dark forms with the long, heavy arms. At the left is a large freight boat, and far at the right more masts are seen in the distance. Signed at the lower left, Kart Davsieny. From the Dun and Morton Estates sale, 1912; No. 117. By order of Prince & Naruan, Attorneys for the owner. /2765', Jahiro tie ade Ip binenbaun Maa G27 FRITZ THAULOW Norwecian: 1847—1906 No. 125— THE AWAKENING OF SPRING : ae Height, 251% inches; nose & = 7) seas a A RIVER variously. branching, and running well up its low banks in the time of spring floods, crosses the landscape and sends a broad arm forward to fill the foreground and pass out of the picture. Its waters are rippled, and reflect _ the gray and white of the sky, the brown of the fall reeds that line the banks and project through the shallows, and the fresh, inviting green of the new season’s grass and budding leaves. Beyond the river are farm buildings and sprouting green fields, and orchard trees in early spring blossoming. Signed at the lower right, Frrrz THavtow. Owner, Estate of the late Epwarp R. Perkins, Esa., formerly First Vice-President of the New York Life Insurance Company. e ADOLF SCHREYER GERMAN: 1828—1899 No. 126— #£=.IN FLIGHT FROM THE WOLVES ‘ ;. y : Height, 24%, inches; length, 3614, inches__/ ie Sos7 Wi Yu. Iw a small but heavy Russian sleigh drawn by several horses, a traveler throug! the winter wilds of the northern country is pursued by wolves that are not seen in the picture. His attendants, mounted on two of the half-dozen horses, are urging them to their best efforts, and the man in the sleigh has wheeled about and aims his gun over the back of his vehicle. He is bundled in furs; the road is steep with snow, and the air is filled with the swirling particles, which obscure the background save where on the right the edge of the wood is seen, Signed at the lower left, Av. Scureyer. To be sold to close an Estate. EVERT PIETERS Dutrcu: 1856— No. 127— THE FISHERMAN’S WIFE (Water Color) oo ) Coe Height, 25 inches; length, ype Sue sits at the left, the fisherman’s wife, on a gray wooden bench at a gate in ‘a gray wooden fence, and is facing the right as she works at her sewing or knitting. She wears a lavender waist and a blue skirt, and sabots, and at her knee a tow-haired child in an orange-brown skirt plays with a blue doll. Be- hind them is a green sand dune and in front of them chickens are feeding, and straightaway past them from the spectator runs a sandy path down to a broad beach where fishing boats have been run up from the distant sea. Signed at the lower right, E. Piervers. Owner, Estate of the late Epwarp R. Perxtns, Ese., formerly First Vice-President of the New York Life Insurance Company. detache ii mn Ir a \ a BB ad sear re a3 ’ { t: ne froeeg CARLE VERNET Frencu: 1758—1836 No. 128— BAY OF NAPLES Ce aoe A FOREGROUND in shadow is made up of rocks along a low, rough shore. Seated, standing or reclining on them are several men and women, some in gay and some in sombre apparel, one muscular man almost nude. One person points out over the blue bay, where it is light, but most of the people are occupied more or less with each other, though lassitude is general. On the right a fishing boat is lying, a small boat near her and people in both, and someone is wading ashore with a shoulder-load of shell-fish. In all there are some twenty figures represented. On the left a blasted tree leans out before a towering crag, above which rises a castellated building. Strong sky of light and dark clouds. 2, Height, 281% inches; lengt Signed at the lower left, Carte VERNET. Authenticated by Dr. W. R. Valentiner, of the Metropolitan Museum, New York. Owner, Mrs. Marxs ARNHEIM. CHARLES EMILE JACQUE | ne Frencu: 1813 1894 | N . No. 129—- SHEEP Nie Height, 2534 inches; length, 32 inches rsd Ty alee Pye: A LARGE flock of sheep, their rich coats a yellowish gray in a subdued light after sundown, are moving slowly across a meadow, or a grassy field in a some- what wild land, some of them nibbling at the grass as they go. They are well bunched together, occasional ones raising their white noses above the dark backs of their companions. ‘They are working toward the left across the fore- ground, and their shepherdess, a sturdy woman of middle age, is standing in front of them, her watchful dog beside her. Across the middle distance a low ridge with rocks in front of it is surmounted by lines of trees which rise dark against a clouded sky, the clouds lightened and tinged with colors by the van- ishing sunset. Signed at the lower left, Cu. Jacque. Owner, Estate of the late Tuomas Hrrercock, Esa. iv -—y ( -_ } ¢ - « A ° Mba aM ea cts ae y ate Wistar the a Signed at the lower right, pp Bensa. ss Owner, Mrs. Apecove C, Jounston. os \ ze ad ea fo ALEXANDRE MARIE GUILLEMIN Frencu: 1817—1880 No. 149— SOLDIER BOY (Panel) , 4 | | Hei res AR We Pe = se eight, 91, inches; width, 74% inche wh | oo” LAA A youne girl “dressed in part of a man’s military uniform is ai feeere yel- lowish-gray and olive walls in the corner of a plastered room. She is barefoot, is in gaiters or leggings and grayish-buff breeches, an open blue waistcoat and & soft white shirt. Her long yellow-brown hair hangs down about her shoulders, and she wears a soft felt hat, the brim turned down all around and a feather in the band. Her red coat is lying crumpled in a broken basket at her feet. She holds in her hands a piece of a loaf of bread which she is about to cut, and she looks with a sad wistfulness up at the picture of an elderly zouave on 4 the wall. ; Signed at the lower right, A. GuiLteMIN. From the Edward M. Knox Collection. 1906 ~ HT x BES Miles Meshes Owner, Mrs. Marxs ARNHEIM. RALPH A. BLAKELOCK, A.N.A. AmeErican: 1847— No. 150— LANDSCAPE q g 2 Height, 8% inches; length, 12i Tue dark green foreground surrounds a little hollowé/in the center of whicll a are indications of puddles. At the right stands a ree whose round-shaped, compact mass of foliage presents a mottle of dark green, grayish-green and ~ cream. Another tree near the center and a third at the left are similarly represented. In the distance lie faint blue hills, over which is a surge of a warm creamy vapor. ia Signed at the lower rahe mare BLaKELocK. © ; a From the Peter A. Schemm Collection. “W/4 EGS PISs Nig Milewe, , By order of Mosrs Exy, Ese., Attorney for owner. OEE ENE POOL EN LIT LRT EN ERO FERDINAND HEILBUTH 7 GERMAN: 1826—1889 No. 151— IN THE FIELDS (Panel) Sao ve Height, 8%, inches; es 13 in tt ee f yy A miu pond, silvery gray, with light and es ¥C reflections of surround- ing thick woods, fills the larger part of the picture, bordered in the foreground by green fields where blossoming wild flowers grow. The trees of the wooded background open to the left of the center, disclosing a red mill beyond the dam, whose hue tints the water lightly, and a bit of gray and blue sky. In the green and flowery foreground a young woman in gray-white and pale blue, carrying a red basket, is walking in the sun, her white parasol folded at her side. Signed at the lower left, F. Heusurn. To be sold to close an Estate, WARREN SHEPPARD - CONTEMPORARY No. 152— MOONLIGHT AT SEA ; f Po. oe Height, 114% inches; width, 91 inches y (Lath A LARGE square-rigged ship with a full spread of canvas is seen coming head-on in a whole-sail breeze on a bright moonlight night. She is in a moderate sea and rolls gently, dipping a little to port with the wind on her starboard quar- ter. Her tall sails rise black against the light of the full moon which is seen _ above and behind her, its reflections brightening the water around her, and her side-lights gleaming above the dark hull. In the shadowy distance is another sail. >| Bs Signed at the lower right, WarreEN SHEPPARD. Owner, Mrs. Marks ARNHEIM. W. B. BAIRD CONTEMPORARY No. 153— SPRINGTIME (Panel) jus 4b Height, 914 inches; ot} ase gia Ol 7 A srout bay mare with black mane and tail and black knees is standin green grass in the sunshine, looking briskly to the right. In front of h her wabbly but frisky colt, of lighter hue, facing the left. And back of them all the way across the picture, bushes and fruit trees are brilliant in white and pink blossoms. - Signed at the lower right, W. B. Barren. Owner, Mrs. AdeLate C. JOHNSTON. WG a pee Height, 91%, inches; length, eo CL Some handsome ducks, white and beautifully colored, are sunning themselves ARTHUR FITZWILLIAM TAIT, N.A. AmeERIcAN: 1819—1905 No. 154— CHICKENS () a2 : Height, 914 inches; length, 131, inches Our in the bright sunshine, in soft feather-grass near some coarser and taller < vegetaons a brood of chicks—black, yellow, white and mottled—are attempt- _ ing a “grown-up’s” dinner of yellow corn, an ear of which they are surrounding in keen infantile interest. One has mounted the ear and eels loosened a kernel raises his head high to see if he can swallow it. + Signed at the lower right, A. F. Tart; N,A.; N. Ws 89. Owner, Mrs. Marks ARNHEIM. ARTHUR FITZWILLIAM TAIT, N.A. American: 1819—1905 No. 155— DUCKS in the sand beside a shallow pond. Beyond them is a background of grass and shrubbery and flowering weeds. Around them are about a dozen fluffy duck- lings of variegated coats, some chasing after some small object floating in the water. Signed at the lower right, A. F. Tarr, N.A.; N. Y., 89. ~ Owner, Mrs. Marxs ARNHEIM. us un sent sahil ; G (/ — Height, 101%, inches; Be 1 GEORGE HERBERT McCORD, A.N.A. AMERICAN: 1840—1909 No. 156— IN HOLFORD VALE, ENGLAND A zarceE plastered cottage, partly with red tile roof and partly thatched, stands in bright sunshine against a background of tall green trees of dense foliage. Its end walls are white in the brilliant sunlight, while those of the front take a pinkish-lavender tone in the clear shadow, and it is fenced in by a high brown stone wall from a sandy-yellow road where black and gray chickens are pecking about and a stodgy English countrywoman adds her brown shadow to the sand. . =} Signed at the lower right, G. H. McCorp, A.N.A. Owner, Mrs. Avetaipe C. Jounston. AUGUSTE TOULMOUCHE Frencu: 1829—1890 No. 157— WAITING as Height, 12% inches; width, 92 inches (3 i In a French room with dark red walls and polished floorYa young woman with languid eyes and large features is seated alone on a sofa. The sofa, uphol- stered in flowered stuffs with blue and gray ground, stands in front of a blue flowered screen, and the young lady sits with her back three-quarters to the spectators, her face seen in scant profile to the right. She is sitting with her back to an arm of the sofa, her feet stretched out upon the seat, and she wears a lavender-pink décolleté gown and holds spread out a white fan. Signed at the lower right, A. 'Toutmoucue, 1873. To be sold to close an Estate. a Anne THEOPHILE EMMANUEL DUVERGER Frencu: 1821— No. 158— “THE CALL” (Panel) 0) ibe Height, 14 inches; width, 1V4/ inches Bi | | Ir is the last great call and has come suddenly to a young woman seated ayfongst | pillows and wrappings in an armchair. Her attendant has dropped her work ~ | upon the floor and falling to her knees offers a cup of medicine, which the in- valid cannot take; and a young man who loves her stands behind her chair, agonized in his helplessness, and looking upward where light streams into the " room from a high window, a final plea on his parted lips. The walls and dra~- peries of the room give an olive-brown and green background. \ a Deere eee SST YT ata ct Signed at the lower left, Duvercrr. — To be sold to close an Estate. HERMANN HERZOG GERMAN: 1832— No. 159— NORWEGIAN MOONLIGHT Cee ve Height, 14 inches; width, 12% mae: (3 a eee A MOUNTAIN stream, narrow and with the forcé of a small eto into view at a high horizon, tumbling over a cliff and rushing forward dewn a gully or natural open flume, in a pinkish-brown and gray-white smother of tossing foam, under the light of a full silver moon. On its banks are three mills, one high on the left and one midway below it, the other at the foot of the fall — on the right in the foreground, each showing a reddish-yellow lamplight through a window. On either side are tall green conifers, and a spire of smoke rises from a chimney. ; Signed at the lower right, H. Herzoe. Owner, Estate of the late Franx S. Bonn. . Amarth 30 = a A : ra or ra: 4 : i . : ae ath ‘ ~! af i ri ne ( al me r n, UNKNOWN No. 160— AT THE WINDOW (Panel) A YOUNG mother in a white satin gown, décolleté, trimmeW with blue and with a wide, lace-bordered Elizabethan ruff, is sitting in a carved armchair uphol- stered in green and gold, before a wide window. She is turned toward the left, three-quarters front, and is seen in a strong light, her face in profile as she looks brightly up with animated expression at a standing cavalier who with his hand resting on the window-sill leans toward her. He is in brave sixteenth century costume, his spurred boots with deep cuffs and lace tops. At the lady’s knee is a child in pink. The window gives upon a park wherein another build- ing 1s seen. | To be sold-to close an Estate. L. BARTOLUZZI ITALIAN: CONTEMPORARY No. 161— - VENICE isha Height, 17 inches; width, 84 oe (24¥ A sTreet and-canal extend straight away from the spectator, the narrow fonda- menta on the left partly in shadow of the houses, the water on the right bright blue under a glowing sky and mottled by Peatctions of yellow and brown sails of various boats. Buildings closing-in the distance are pink and white with green blinds, and trees grow in the gardens. On the sidewalk are various figures. Signed at the lower left, L. Barro.uzzt. Owner, Mr. L. Crist Deimonico. Height, 11 inches; length, 141%, inches ) /9. Noes ype FREDERICK ARTHUR BRIDGMAN, N.A. AMERICAN: 1847— No. 162— MOORISH LADY R eee pacts Height, 14 inches; width, 101%, inches (/ Sue is young and fair, with large, tired eyes which look dreamily at her observer, and sensuous mouth, the lower part — of her face scarcely veiled by the white gauze which enwraps it and winds in many folds about her brown-haired head. She is pice tured at three-quarter length, seated and facing the front, her right elbow resting on a yellow cushion, the hand supporting her leaning head at the temple, while — her left hand crossing her breast — lightly clasps her upper right arm. She wears soft gray and greenish silken robes ornamented in blue, red and green, and is seen with the light falling from © the left and against a dark- * greenish background. Signed at the lower left, F. A. Bripeman. To be sold to close an Estate. LOUIS MOELLER, N.A. AMERICAN: 1855— No. 1632 “NEWS FROM THE FRONT” ] 0 aoe Height, 12 inches; length, 16 inches THREE countrymen are seated lazily on the ground about the foot yy. a (Se only a few feet of whose gray trunk is visible in the picture, a couple of idle shovels leaning against a brush fence at one side. Two of the men are listening while the third reads to them some interesting news from a newspaper, the reader and one of his auditors smiling over it while the other man seems much less happy. The sunlight is bright and the men’s slouch hats partly shadow their faces. Signed at the lower right, Lovuts Morvier, N.A. Owner, Mrs. ADELAIDE C, JOHNSTON. PETRUS VAN SCHENDEL Dutcu: 1806—1870 No. 164—THE APPLE WOMAN—Cayoieuicur Errscr (Panel) ee . — S O . Height, 16 inches; width, 12 inches Sd. = Ir is night, and the seller of apples, a young woman of matronly aspect, has a candle burning over her basket of ripe red fruit, the light from the brilliant flame illuminating not only the apples but as well the features of the merchant and of a woman who is pricing her wares. The apple woman is seated on the left, facing to the right and seen in profile. She is modestly dressed and wears an apron and a string cap. Her customer, in bonnet, veil and dark street cloak, stands facing her, turned three-quarters toward the front. | Signed at the lower right, P. van ScHENDEL, 1862. Owner, Estate of the late Franx S. Bonn. UNKNOWN FiLemMisH: E1GHTEENTH CENTURY No. 165— A SCENE IN THE NETHERLANDS Soe Height, 13 inches; length, 17 inches (ee In the foreground a bush-bordered road skirts a small lake “which expands from a canal or river, and on the left an exquisite in silk and short-clothes is walking with elegant deliberation, while at the right is a bumpkin in charge of three head of cattle, followed by a barking dog. To left of the lake is a park of young trees and numerous figures are seen in that direction. Beyond the lake is an extensive establishment, with houses, stables and windmills, en- closed within brick walls and reached by a brick bridge of many arches. A horseman is coming over the bridge and two persons are out on the lake in a boat. | Owner, Coronet S. Harrison, Kent, England. ARMAND CHARNAY FrencH: CONTEMPORARY No. 166— BOATING PARTY 4 U or Height, 1214 inches; leng 8, # isa Tue foreground is occupied by a pond, lake, or the expansion of a/fiver, below — a broad dam over which the water falls in white foam. In the middle distance, beyond the dam, is an ancient gray mill with slanting roof, seen against a high green and yellow. wooded knoll, and on the right of it some tall trees — whose light foliage is autumn-tinted partly screen round-towered buildings, ~ gray, red and brown. On the lake whose rippling surface is dotted with parti- colored reflections and green leaves of lily pads, a party of eight women and children are out in a long green punt, which a woman in black is poling. A boy _ leaning over the side has just netted a big fish, and a lot of ducks disturbed by the commotion are hastening shoreward, while several persons on the land look on. : ae; Signed at the lower left, A. Cuarnay, To be sold to close an Estate. a — L. M. KILPIN EncuisH: CONTEMPORARY No. 167— ENGLISH LANDSCAPE : (Water Color) 3 So Height, 13 inches; length, 191%, inche (Seryaet ine Turovueu a broad valley which on the right is Whe, y wooded hills of ee gentle slope a sinuous river takes its wandering course amidst fertile meadows. A single sail is seen on the stream, and in one of the green fields haymakers are busy. In the distance an important building group appears in a mild purple haze, and in the foreground a narrow footpath leads through a sloping green field thickly dotted with blooming wild flowers, down to a bend of the river. Signed at the lower right, L. M. Kirrry, ’01. Owner, Estate of the late Epwarp R. Perkins, Ese., formerly First Vice-President of the New York Life Insurance Company. | H ) J. VAN COUVER Dutcu: ConreEMPORARY No. 168— _ THE WINDMILL “ Height, 18 inches; width, 14 gyre Oe oy A ratx windmill of polygonal structure and conical form with roun ke top, rises boldly near the center of the picture, on the left of a canal or river which is gray with reflections of clouds that almost shut out a bright blue sky. The mill has several stories, and its walls are greenish-gray and brown, and rusty, and its dark shadow comes forward across the water. About are boats, and gable-roofed cottages, and in the distance are indicated other buildings of a town. ; 5 Signed at the lower left, J. vax Covuver. Owner, Coronet S. Harrison, Kent, England. LEON RICHET Frencu: 1847—1907 No. 169— A FARM POOL (Panel) / /_ Height, 14 inches; length, 20 wie or ee) RL Iw a clearing in a wild part of France a shallow pond appears in the cen be ye of the picture, its mirror surface almost black in the shade of trees near its borders and bluish-gray where it reflects the clouded sky. To left of it in the middle distance a substantial gray cottage with brown thatch and red tile roofs stands in the shelter of thick trees. Blossoming bushes appear in front of it, and more trees across the line of the horizon, and approach- ing it from the pond is a peasant woman whose blue, red and white costume is mirrored in the water. Signed at the lower right, Lton Ricuer. Owner, Cotonet S. Harrison, Kent, England. OS 1\ iF al i a wh } | ai } i { | RO EE rae Pe HENRY PEMBER SMITH AMERICAN: 1854—1907 No. 170— A SPRING MORNING 5% GS Height, 14 Leer ite 7 Ta rs Yt, é SLENDER trees are sending out fresh young leaves and larger trees are in- fuller leaf, and all is green and luxuriant on a sunny spring day. Grass and weeds and wild flowers flourish in the foreground, and the purple blos- soms of a vine appear against the foliage of a tree. A narrow stream flows across the landscape in the middle distance, and beyond it the land rises © in a low hillside with a cluster of trees growing near the center. Signed at the lower right, Henry P. Smiru. Owner, Estate of the late Dr. S. G. Perry, New York. . WALTER CRANE, R.W5S. Encuisu: 1845— No. 171— THE OLD BRIDGE (Water Color) eee Height, 15 inches; length, 21 inches . 4 g g . Aw old bridge of red and mottled brick extends across the picture, spanning in two low and broad arches a sparkling shallow river. On the bank of a low grassy island that projects into the stream from the foreground a man in outing clothes sits fishing, his dog beside him, and at the left a man has brought two horses into the water to drink, riding one of them. On the bridge an old man stands looking down over the rail and two women are walking away. Signed at the lower left with the artist’s monogram and signature, and dated 1908. Owner, Coronet S. Harrison, Kent, England. eee se oe = ree =G, BETTINGER CoNTEMPORARY “THE DOCUMENT BUREAU (Panel) SS Height, 18 inches; erat, 1434 inche L with long curling brown locks, in all the ae tes of his t i is paying a visit to an elaborately carved cupboard wherdin are mes of parchment documents. He turns to look over his shoulder if, anyone has entered the room, which brings his face into view and ; that study is not exclusively his pursuit and that documents indeed oy good things. From an upper shelf his Eminence is withdrawing Signed at the lower left, G. Brrrincrr. chased from the artist, 1902. Lox. Les ASKX4 order of Prince & Naruan, Attorneys for the owner. » PAUL SEIGNAC Frencu: 1826—1904 No. 173— THE CARD HOUSE (Panel) y, Sue) Ge Height, 1534 inches; length, 19 inches j 7 . Four small French children, three girls and a bé y, are amusing themselves in a cottage room which has gray plastered walls and brown tiled floor. They are gathered about a wooden table, in the light of an open casement window on the left, the boy seated, a dark-haired girl holding a blond baby sister on her lap, opposite, and a brown-haired girl standing behind the table and build- ing a house of playing cards while the others look on. On the walls are military pictures, and sundry utensils of stone and metal arranged in subtle __ harmonious values. Signed at the lower right, Seienac To be sold to close an Estate. EDWARD L. HENRY, N.A. AMERICAN: 1841— | No. 174— WAITING FOR THE FERRYMAN 3 y 4) oe Height, 13% inches; length, 23 eH () ae A HIGH spring carriage with folding side-steps which are let (down, drawn by a team made up of a white and a brown horse, is standing’athwart the view in a country road paralleling a river. Out in the stream a man is labori- ously poling an old flat-boat which is the primitive ferry of the place. An old-fashioned man and ar old-fashioned lady in her finery are standing near the carriage and a boy and a young woman remain seated within it. y WL Signed at the lower left, E. L. Henry, 795. By order of Prince & Natuan, Attorneys for the owner. EK. W. GANNETT AMERICAN: CONTEMPORARY No. 175— STILL LIFE 2 ee j Height, 14 inches; eee ro. e, a SEveERAL large, fine-looking, juicy onions are lying in a small pile on a floor or table—perhaps at the side of a bin. The floor is gray, and the back- ground one of brown boards. The onions themselves, in their own reddish- brown, pale green and white coats, brilliant white where the outer coatings have been removed, lie partly in the sunlight and partly in transparent shadow, and a few of the long bright green leaves or stems by which they have been plucked up remain with them. >} line Owner, Grorce J. Corperr, Esa. Signed at the lower right, E. W. Gannerv. PHILIPPE BENOIST FRENCH No. 176— NAPOLEON’S TOMB i Height, 20 inches; width, 15 inches ae 2 7 . TH picture of a magnificent shrine shows the Rotunda of the church at’ the Invalides at Paris, and is of historic and architectural interest. The people who have gathered here have uncovered their heads, for in the sarcophagus below, guarded by sculptured angels and surrounded ae Dathle ae of Fr ace sleeps —if that active and ambitious spirit can the Man of Destiny. e Signed at the lower right, Pu. Benorsr, 1863. From the William B. Bement and Emerson McMillin Collections. By order of Moses Exy, Ese., Attorney for owner. Wdlaan. 18. Bonin brtt Yur hoth 1899-41274 PISO 7 “é. Siw Sulla Syren Ie bull holt. Just horh 19/8 120-4 BAAS, po. Listing GEORGE HERBERT McCORD, A.N.A. American: 1840—1909 } No. 177— AUTUMN LANDSCAPE ae Height, 16 inches; length, 20 WL, + - * PO aC © AD tae In the left of the foreground the remaining a on a stout but scrag; tree is brown and red after the first frosts, and under the tree a boy and _ girl are nut-gathering. The ground here is in transparent shadow of a small and open wood. Over the tops of the trees the sunlight strikes down on a broad — 4 open yellow-green field in the middle distance, where a large gray farmhouse oe two red chimneys is seen against more distant trees. Signed at the lower right, G. H. McCorp, A.N.A. © a Owner, Mrs. Ape.aipe C. JOHNSTON. . BEN ARTHUR HOEBER, A.N.A. AMERICAN: 1854— No. 178— LOW LANDS (Water Color) ee Height, 15 inches; length, 22 inche (? ae _ Vr. borne Au about, wherever the eye sees, the land is low and quite flat, relieved by gently rolling surfaces. On the right in the foreground a light green meadow comes down to winding water whose surface is bright with reflections of light — grayish-white clouds that overspread all the sky. Across the water white — buildings with red roofs are glimpsed beyond low green banks, and in the right middle distance at a bend in the stream some scraggly trees grow near the © water’s edge. Signed at the lower right, Artuur Hoeser. Owner, Estate of the late Dr. S. G. Perry, New York. / ta eB - t { whe emi sot bremgpabaans Die lea : , ] 1 i i | ] CHARLES WARREN EATON, N.A. AMERICAN: 1857— No. 179— MOONRISE ; = i oe Height, 16 inches; length, 22 eee 2) BROS Pate yellow, and bright, the full moon is rising while yet it is daylight, her golden orb just appearing above a horizon band of purplish-gray cloud tinged with mauve. Her light makes a golden path of reflections across the water of a small pool in the foreground, which lies a cool bluish-gray in the midst of a meadow of long deep grass. Against the cloud bank a house is silhouetted, and on the right shadows deepen amongst trees growing at the foot of a low ridge. | f: Signed at the lower right, Cuas. Warren Eaton. Owner, Estate of the late Dr. S. G. Perry, New York. JAMES McDOUGAL HART, N.A. AmeERIcAN: 1828—1901 No. 180— TREE IN THE MEADOWS Height, 15 inches; length, 23 inchef) of. ) wag ’+ f | oe tecdorg A wIDE-sPREADING tree with graceful branches and near the center of the composition, beside a small pond or shallow wandering brook in a broad meadow tract where many cows have pasturage. They are grazing all around, or lying by the water’s edge, or seek the grateful shade of the tree. Elsewhere are more trees, thick ones which throw the left of the picture into shadow, and detached ones far out across the sunny meadows. Signed at the lower left, James M. Harr. Owner, Mrs. Marks ARNHEIM. KASTMAN JOHNSON, N.A. AmeERican: 1824—1906 No? 18]-— - THE FREEDOM RING +7 Come | Height, 17% inches; ie inches Tuis painting is essentially historical, and of most direct It is a pictorial epitome of Abolition days in the North, a chromatic re cence of one of the most picturesque and forceful figures of the time. Henry Ward Beecher caused it to be made. A few remaining oldsters may remember the intense enthusiasm of that February episode of 1860 when Mr. Beecher “sold” at auction in Plymouth Church, Brooklyn, “Little Pinky”—tinctured daughter of a white father—to prevent her being sold in the far South by her owner. “Rain never fell faster than the tears of the congregation,” and the pretty — child was “bought” many times over. Into the basket of payments was thrown a valuable ring—its giver the later famous writer, Rose Terry Cooke—and Mr. Beecher, picking out the circlet and placing it on Pinky’s finger, made the solemn pronouncement: “With this ring I do wed thee to Freedom!” That the event might be suitably commemorated, Mr. Beecher subsequently — in person took Pinky for sittings to the studio of Eastman Johnson, then in University Place. In the picture a small, bewildered girl is seated on a fur rug on the floor, near an open chest which stands against the wall, and looks wistfully and pensively at a ring so large that it has been placed on the first finger of her right hand. She has a mass of brown hair and wears a dark striped skirt and waist and a bright red sacque or cape. Signed at the lower left, E. JoHwnson. Owner, Estate of the late Tuomas Hrircucocxk, Esa. WILLIAM H. BEARD, N.A. _American: 1825—1900 No. 182— HOME FROM THE POLLS Har27 — —¢ Height, 16 inches; length, 24 ey QB ee One of the series of satirical caricatures in which the artist “made a monkey of man. Home to his dooryard comes an enthusiast who has been to the p if his clothes in tatters, one eye closed, a crowd of hangers-on who have followed him leaning on the board fence in gaping curiosity still unappeased. His old _mother grabs him, shocked, his father stands in judicial pose aside; small brothers and sisters stare ae yawp. With monkey faces terribly human, all. Signed at the upper left, W. H. Brarp, 1895. By order of Prince & Naruan, Attorneys for the owner. M. ANGELO HAYES IrisH: CONTEMPORARY No. 183— -| THE NOONDAY REPAST F (Water Color) 3 Se WS = Diameter, 25%, inches A ptowep field of rolling land extends across the picture beyond it, the top of a farm-house is visible, with smoke chimney. In the foreground a young farmer is seated on a grass patch eating his dinner which has been brough to him by a young woman in a striped waist and wearing a red shawl, who sits beside him. His black and bay team are feeding at the same time. Ber mer , fond at the left, urfing from the ie On the back a certificate with the artist’s signature showing that the picture won a prize at the Dublin Art Union Evhibition, payable at the Royal Hibernian Academy. Owner, Coroner S. Harrison, Kent, England. CHARLES F. PHELAN AMERICAN: 1840— No. 184— SHEEP lA 4] ot. “4 Height, 1534 inches; length, 23%, iy Peeve In a green meadow bordering a yellow grainfield a rail a of sheep are seen in subdued sunlight, on a day when many gray clouds almost conceal a bright blue sky. Half a dozen of the animals, with thick brownish-gray coats, are grazing in the foreground, and others are lying in the grass in the middle distance beyond a bushy and leaning tree. Beyond the grainfield is a group of farm buildings. Signed at the lower left, Cuas. F. PHeran. Owner, Estate of the late Dr. S. G. Perry, New York, JULIAN RIX American: 1851—1903 | No. 185— ROAD ALONG THE WOODS D754 Height, 18 inches; lengt > 6 inch F = AM THE specta or. looks throu clearing, where the uneven ground is green in varied tones, largely dark, and dotted with dark brown patches. On the right, in middle distance, are dark. woods, while nearer at hand on the left a line of trees projects into the picture, strong- ly outlined against a greenish-blue sky filled with active white and tinted clouds. Leading from the foreground a gray earthen road winds past the projecting trees, and in the distance loses itself in the forest. Signed at the lower right, Jutian Rix, 797. Owner, Estate of the late Dr. S. G. Perry, New York. WILLIAM MARK FISHER AMERICAN: CONTEMPORARY No. 186— THE SHEPHERDESS lo () ‘s Height, 16 inches; length, 23% ee ; { J Nee In a somewhat wild and broken country a broad tract slopes gently forward, cut transversely by a narrow brook and supporting various bushy and slender trees and some bunches of field flowers. A flock of gray sheep are grazing toward the right, and in front of them some white ducks are waddling up out of the stream. In the foreground toward the left a stout peasant woman has gathered tenderly into her arms a new lamb, while a ewe sticks close to her side. Signed at the lower left, Marx Fisner. Owner, Henry Dattry, Esa. ’ J. G. BROWN, N.A. 2 American: 1831—1913 No. 187— THE YOUNG PEDDLER Sov = Height, 24 inches; width, 16 aa Gs &, oa : : eee ac le A urtLe black-haired girl with large, dark, tired and wistful yet smiling eyes, whose hands show labor, is seated on a box beside a small fruit stand which she is attending. A red scarf or shawl is thrown over her head and her green skirt is torn. Her figure faces the front, her head is turned slightly toward the left. Her fruit stand contains apples red and green, oranges, grapes and bananas, and an additional supply is in a bas- ket underneath. Signed at the lower left, J. G. Brown, N.A., 1886. Owner, Estate of the late Enwarp R. Prr- Kins, Esa., formerly First Vice-Presi- dent of the New York Life Insurance Company. HENRY PEMBER SMITH AMERICAN: 1854—1907 No. 188— LATE AFTERNOON Height, 16 inches; length, 24 inc i aie. : : ie Ry ow we Tue foreground is in shadow. Just beyond it on the right an ancient oak ~ in the sunshine throws its shade upon a low gray cottage with a brown roof and red chimney, toward which a woman old and bent is moving slowly. Both tree and cottage stand at the head of a body of water which passes out of the picture in the left distance, its shore on the right, beyond the house, lined with trees which share in the sunlight, their forms reflected in the water. Light clouds move in a pale blue sky, and in the shadowed fore- ground a bit of water is gray with reflections from above—an offshoot of the larger body, or the pool of a spring issuing from under a purplish-gray rock in a rough field of wild growths. Signed at the lower left, Henry P. Smirn, ’85. Owner, Estate of the late Tuomas Hircucock, Esa. HUBERT SALENTIN Prussian: 1822— No. 189— THE LETTER OF RECOMMENDATION / ay) Kon Height, 23 inches; Oe pre) tenn Tue interior of a dusky blacksmith’s shop is lighted from a window on the left. An aged smith has turned his back to the window and rests against the — bench under it, to read a letter of recommendation presented by a sturdy youngster who stands with arms behind him bravely awaiting judgment. He wears a green jacket, red waistcoat and brown breeches, and a white cap, and his “duds” are rolled in a plaid bundle that he has set on the floor at his feet. The blacksmith, who is reading the letter intently, has his shirtsleeves rolled up and wears a yellow brown waistcoat, a cap, and a leather apron suspended from his neck and belted. Signed at the lower left, H. Satentin, DvussexporF, 1863. To be sold to close an Estate. HENRI A. LAISSEMENT FRENCH: CONTEMPORARY No. 190— ‘THE CARDINAL’S PHOTOGRAPH /2e0 = Height, 25, inches; width, oe inches 6 BM\_ Unver the arches of a large glass-roo ed ae nd the spreading fronds of palms, a camera is set up on its tripod, pointed“ in the direction of the spectator, and a tall cardinal is making the exposure. He is old and of rugged features and he smiles encouragingly as he bids his sitter look pleasant. His efforts are encouraged by two brother cardinals sitting on a bench amid blossoming flowers beside him, both of whom wear sympathetic smiles. Signed at the lower right, H. LatsseMEent. /1097§ ~ Purchased from the Hust h 1906 ~Mfed, fad av JUASXX% By order of Prince & Naruan, Attorneys for the owner. JAMES G. TYLER AMERICAN: 1855— No. 191— STORM ON LAKE ONTARIO 7, “eS Height, 17 inches; length, 30 ae ay gens pe _ Tue great lake is heaved into rough billows which are driven shoreward in the direction of the spectator, combing in long, irregular lines of white he they come in, and their body hue changing from deep, dark blue to emerald- green. At the left they dash against a pier, the drift and smother reaching high above it, where a man standing near a signal post peers out at a schooner laboring under shortened sail not far off a lee shore. Signed at the lower right, James G. Tyter. “Owner, Mrs. ADELAIDE C. JoHNsTON. AES Ps seni ecsas_innacathdt ees eneinen the tan toe ca canal iead dae teeta eon tate ee 7 ee he ¥ = brs, . = 2, ve pce, mie ed. a b te Tk “ Ke ary See ae SARKIS DIRANIAN AMERICAN: CONTEMPORARY No. 192— THE GIRL WITH THE GREEN EYES ee 4 me attractive young woman is seen at half length “BF inst a conventional back- ground of dark green touched with red-brown and yellow. With her figure turned slightly toward the left and her head poised over her left shoulder i she looks smilingly at the observer from her bright green eyes, her left hand iz raised to her chin. Her long light brown hair is allowed to fall loosely about & her nude shoulders, where it mingles with a flame-colored shawl and her filmy, décolleté waist, and the broad upturned brim of her large hat lets the light fall brightly on face and figure. ~ Height, 28% inches; width, 21 “y Signed at the lower right, Sarkis Drrantan. Misb~ Purchased from the artist, 1907. hor. BNX%X By ordee of Prince & Natuan, Attorneys for the owner. W. BILDARY > No. 193— THE HUNTING PARTY (Panel) = Height, 264, inches; width, 211 jmyhes Peau: THE spectator looks upon a wild country, on the Cea he: tall trees, on the left a wooded knoll; in the distance more wooded hillsides. In the middle distance, coming up a rough road around the corner of the hill on the right, a mallant hunting party in bright costumes are galloping homeward — from the chase, toward a park gate which appears in front of the knoll on ~ the left, the approach to the gate being a narrow bridge over a brook. Here _ an attendant is sounding his horn to announce the return, and others are coming up fetching the falcons and hounds. a oy ae Signed at the lower right, W. Biipary. To be sold to close an Estate. JOHN BAGNOLD BURGESS Encuisyu: 1830— No. 194— SPANISH LETTER WRITER ) via Height, 20 inches; length, 28 (3 he Tue ancient scrivener sits facing the spectaigh yr, behind a table Aton in a paved passage abutting on a crooked Spanish ae The feather end of his quill is poised at his lips as he squints at a love-lorn dark-eyed maiden who is at a loss to tell him what she wants to say. An old wife whispers in the writer’s ear, a young woman offers suggestions to the confused girl, and other young girls and women are enjoying her perplexity, while a young man leans against the neighboring wall, near its corner beyond which some donkeys — i and persons are seen in the street. Nine figures appear in the group about the table, most of them in brilliant Spanish colors. Signed at the lower right, J. B. Burcess. Owner, Estate of the late Tuomas Hitrcucock, Ese. JULIUS ROBERT BEYSCHLAG Durcu: 1838— | (195— THE LOVERS NU 0 da - a a we. ‘ Height, 28 inches; width, Bee 4 UNG man in Betts and velvet cloak and cap, and a fAjr pe lady im ae oe a Book. rest on a rustic bench where the lovers have been ning. He is engaged in carving initials within a heart in the bark of 1 ancient birch, his inamorata leaning affectionately on his shoulder. . WeSe = fi~s Signed at the lower right, Rosert BryscHuac. Be Owner, Estate of the late Tuomas Hrrcucocx, Esa. EK. LOYAL FIELD AMERICAN: CONTEMPORARY 4 No. 196— GLEAM Height, 20 inches; length, 30 i aay ve eee eS ey iC / nth at Sj Humste cottages with thatch and tile roofs are seen at) the left of a quiet country road on the outskirts of a village, a gleam Wf’ the last light of day illumining the face of one and parts of roofs, and a patch of the grass- bordered road where a solitary man in a heavy cart is driving slowly home- ward. In the foreground is shadow, and at the foot of the road the village is dim in the dusk. Signed at the lower right, E. Loyar Frerp. Owner, Mrs. AveLAipe C. JOHNSTON. SARKIS DIRANIAN AMERICAN: ConTEMPoraRY No. 197— AMONG THE ‘FLOWERS Height, 21% ch length, = Ces. 7° BLOND-HAIRED young woman with delicate pink c eels a eyes, is seated before a mass of greenery and flowers, making sleeves of her bright orange-vermilion waist are rolled up— o the she holds in her teeth a string with which she is tying a bun while others lie across the blue apron on her lap. : a By order of Prince & Naruan, Attorneys for the owner. 551 bnighhe from Attics, tov 19074 $NNX JAMES E. GRACE ¢ EneuisH: CONTEMPORARY — No. 198— HENLEY ON THAMES feet yee Height, 20 inches; length, 30 Srtvery birch trees in the right foreground foliage before a sky where mauve clouds mingle with white and gray, bent and graceful branches lean over a back-set of the river which o the rest of the foreground and extends to a middle-distance marshy : Grasses and reeds green and yellow project over the surface of the and ducks are swimming in it, and in a rich meadow beyond cattle are w ing, and blue hills bound the distance. Signed at the lower left, James E. Grace,, Owner, Estate of the late Tuomas Hircucocx, Esa. pa bes spat eat ed felt dia ful Tham i= may " aoe yn ~ ALFRED CORNELIUS HOWLAND, N.A. AMERICAN: 1838—1909 No. 199— AUTUMN LANDSCAPE my /) Be Height, 301% inches; width, 244), ine “ta yy a; ae In a partly shaded foreground a shallow, limpi Brea aetsiets Eebhinig over stones. On the right a young girl is seated on a grassy slope near a group of eu slender trees, a younger child standing beside her, and on the left at the foot of a bank a tall and bushy tree rises dark against a bright sky filled with soft gray clouds. Beyond in a sunlit meadow cows are feeding and in the distance can be seen a white farm building. Signed at the lower right, A. C. Howtann. Owner, Estate of the late Tuomas Hrrcncock, Esa. ALBERT INSLEY AMERICAN: CONTEMPORARY No. 200— THE CLOSING DAY rn 4) 0 Height, 20 inches; length, 32 inch Bice. ~—/ An open stretch of wild land appears in a fading light. At the left. of a wood comes into the picture, with gray rocks at its border, on of a grassy hollow in which a streamlet appears in the immediate The trees of the wood are partly green and partly turned to yellow, and detached trees and surface growths in the dim d out a greenish-yellow against the darkening sky, or reveal dull vee in the deepening shadows. Signed at the lower jee Owner, Estate of the late Dr. S. G. Perry, New York. FRITZ THAULOW Norwecian: 1847—1906 PRAT RER RICE INE BE SOE MRE emt I No. 201— A VENETIAN CANAL (Panel) NX Ces Saree Height, 33 inches; w “Gp lrG re 8 oe Tue dark green water of a canal which fills the 7 and occu c a considerable portion of the picture is dappled broadly and_ heavily with — varicolored reflections of the walls of palaces and houses which extend across — the view, backward in a diagonal line. The ancient walls are cream-yello . —- dark red, rich green, brown and of various purples and pinks. Three : a a the tall picturesque posts of several colors stand near the foreground at t | right, and next them is a gondola, with the gondolier worse in it. brief patch of sky is visible over one of the roofs. Signed at the lower left, Fritz THAvLow. 3 + Owner, Coronex S. Harrison, Kent, England. FRANK DE HAVEN, A.N.A. AMERICAN: 1856— No. 202— DAWN Ba oe Height, 24 inches; length, 39 inches z (3 : / Site, A xarcE but low gray farmhouse with a velvéty green apd brown roof, the house built as an elbow and with an additional wing, is perched on the brow of a hill, and the spectator sees it against a deep blue sky with nebulous clouds, just brightening in the first rays of the morning sun. The house itself and the broad hilltop which forms the foreground remain partly in the dusk, while the dark trunks of scraggly trees are yellowed where the early rays of the rising luminary reach them. Signed at the lower left, F. Dr Haven, 1900. Owner, Mrs. Apetaipe C. Jornston. ( | RUDOLPH EPP GERMAN: 1834— No. 203— THE GREEN HAT Height, 364 inches; width, 22 fiches , we | . (F ee ores) otro A BRicHT-FACED young lady hardly out of girlhood is seen head and bust, her figure turned to the left, three-quarters front, and her head turned to the right as she looks over her left shoulder at something some distance from her. She has large brown eyes and brown hair. Her hair curls about her temples, beneath a large green felt hat trimmed with a red flower and a white feather, and hangs in a long braid which is brought over one shoulder. Her brown waist is trimmed with red and green and she has a striped silk kerchief about her shoulders, loosely knotted and lightly revealing her bust. ee o So we oem " F 3 . é a y we 48 t Signed at the lower right, R. Epp. Owner, Mr. L. Crist DetmMonico. WALTER BLACKMAN American: 1847— | No. 204— THE EVENING HOUR ce finca dl oe Tue waters of a broad harbor are placid at be evening hour, face just rippling sufficiently to split the fading Itght of departi the shimmer of the golden moon, which is rising in the full just | horizon, into multicolor Pe under a sky where strange su linger. A harbor light appears, raised on a clump of spiles, and it tance a low, hazy shore, while here and there lying quietly on the dark boats with lateen sails of red, yellow and gray. Height, 36 inches; une 8 inches Signed at the lower right, Warter Bi Owner, Estate of the late Epwarp R. Perxrns, Esea., formerly First Vice-Pre. the New York Life Insurance Company. JOHN T. PEELE Encuisu: 1822—1897 No. 205— CHILDREN AND KID Height, 281, inches; length, 374 3 Joyg g /: g Two bright little girls, one with reddish-golden and the other brown hair, are out in the fields on a bright summer day whey clouds pass across a deep blue sky. One, kneeling on the groun at the Too of a tree, who wears a rich green skirt, and a gray hat with a feather onda a pink ribbon adorning it, has thrones a chubby arm over the back of a_ brown kid, the other arm encircling its neck, and she looks smilingly over pet’s back at the spectator. Her companion, hatless and in a red dre is reclining on one elbow on the ground, munching an apple which she om holds up to tempt the kid to a nibble. La Signed at the lower right, J. T. Peete, 1862. Back of canvas inscribed: “Children and Kid,” | painted by J. T. Peele, Eastfield Hoi Douglas, Isle of Man, Feb. 1862. 4 Owner, Estate of the late Tuomas Hircucock, Ese. E. VAN LEEMPUTTEN Berean: 1850— Jag 206— PLEASANT PASTURES ag, ae Height, 2514 inches; length, a AYA Y ae pastures of the Lowlands fill the foreground and middie /Aistance, and fat sheep with rich brownish-gray wool—one with a black face—are grazing or lying down comfortably in the deep grass. A shepherdess in black, with blue apron, scarlet shoulder-wrap and white Dutch cap, stands amongst the muttons, looking off to the sea or broad river which skirts the pastures on the left, her dog’s gaze taking the direction of her own. Out there a steamer is moving slowly, and farther off some sail are seen near a distant ___ low point of land. On the right beyond the pastures the distance is taken '- up by the skyline of a large city. The day is sunny, and masses of fleecy cloud tinged with color float before a robin’s-egg sky. Signed at the lower right, EK. Vaw Leempurren. Owner, Mrs. Marks ARNHEIM. CLEMENT A. GRANT AMERICAN: CONTEMPORARY No. 207— | THE OLD WITCH foee ss Height, 28%, inches; length, 48 iyi CCM ob ee Spreap before the spectator is a broad flat ee of hee ry grayish-gréen with stubbly wild growths, here and there colored with the blossoms acy flowers. It is bordered in the distance by bush or low woods, and in the _ foreground on the left the trunks of a bifurcate tree rise out of the picture. A sense of stillness pervades the scene. It is twilight and the crescent moon is in the sky. In a winding road across the moor three young ladies, their gowns blue, white, green, pink and black, stand solemnly in the foregr ound, one trying to comfort a companion, while from the middle distance a bent old woman with a basket on her arm turns and looks with sinister intentness after them. Signed at the lower right, and dated 1877. To be sold to close an Estate. JAMES G. TYLER - American: 1855— _ No. 208— PLOWING THE OCEAN ry, / 0 oe Height, 291% inches; length, “Ye g / THE sea is tossing in heavy billows and the spray is blown from thei The water is full of shifting color in the varied refraction of it movement. Coming on close aboard is a three-master steamship, pl good speed through the waves and heeled well to port with the | mounting above her rail. She has set her fore staysail and topsail spanker, black smoke is issuing from her red-banded SEE 5 and a sea seen at work on the fore mainyard. = Signed at the lower right, James G, 7 By order of Princt & Naruan, Attorneys for the owner. HENRY PETERS GRAY AMERICAN: 1819—1877 No. 209— TITIAN’S MISTRESS—A Copy 3 Se vs Height, 40 ENT 30 eae ae THREE-QUARTER length portrait of a handsome young woman with ovaj/ face,t — large eyes and small mouth, olive complexion with faintly pink cheeks, and pale lips. She is standing, and facing the left, three-quarters front. Her curling chestnut-brown hair is parted in the center and bound about her head — with silken ropes, and she wears jeweled earrings with pearl drops, and a a long linked neck-chain which falls to her waist. Her décolleté gown, lace- A edged, which reveals a full breast, is of rich stuffs, with puffed and slashed sleeves, and its colors are the colors of tapestries and of jewels. Dark neutral background. t 4 0 Signed at the lower left, Gray, rrom Titan. On the back of frame is written: From Signor — Gray to Borgo San Frediano, Firenzi,— 27th. May, 1872. Owner, Estate of the late Tuomas Hircucock, Esa. FOURTH AND LAST EVENING’S SALE FRIDAY, MARCH 20, 1914 AT THE AMERICAN ART GALLERIES BEGINNING AT 8.15 o’cLocK Mere ED DE HAAS, N.A. AMERICAN: 1832—1895 a : ; OO i? oe No. 210— ON A DUTCH BEACH | (Panel) iz 7 — Height, 4 inches; length, 6 inches of. On the left a long low strand projects irregularly into a gray sea, afshallow arm of which comes up to the limits of the foreground, its broad ripples : whitened by reflections of the sunlight. The low beach is a rich red-brown, tinged with green, and seen at low tide, and sailing ships are beached there, with numerous people of the fishing population observed at various pursuits all around. In the distance higher land borders the sea on the left, and the sky is filled with clouds of differing hue. by ays . Signed at the lower left, M. F. H. pr Haas. Owner, Estate of the late Eowarp R. Perkins, Esa., formerly First Vice-President of the New York Life Insurance Company. ROBERT FREDERICK BLUM, N.A. American: 1857—1903 No. 211— THE CRITIC (Water Color) ua iS “S Height, 8 inches; width, SY. inches eG rf , tnn*w : AALW One of the little water colors of the sort which Blum’s a friends always liked, this one in gray tones and green, with mere touches pf other color, but full of artistic expression. A bewigged gentleman in pale green is seated, facing somewhat toward the right but with his back to the spectator, eyeing as a con- noisseur a tall ovoid gray vase which stands against a more or less gray-green tapestry or wall-hanging. : z. aa Signed at the lower right, Brum, 1877. By order of Moses Exy, Esa., Attorney for owner. RUDOLF GUSTAV MULLER GERMAN: CONTEMPORARY No. 212— A MOORISH GATE (Panel) “ ‘al —_ Height, 7 inches; Vi ee A Facade of Moorish architecture crosses the picture, a wall on : the finishing at a tall gate near the center whose superstructure ee the wall, while on the left a lower adjoining building yields a elmpss its roof of spires and towers beyond. The gateway is beneath a p arch, over which its tile-faced wall is rich with varied color. On the } ment below are several turbaned figures, two seated under an awning a merchant’s booth and others in the shadow of the gate, outside which a camel. The sunshine is strong and the sky a deep brilliant azure. Signed at the lower left, Rup. Gusr. Morier, Owner, Mr. L. Crist DetmMontco. : VICTOR CHAVET Frencu: 1822— No. 213-- LA BIBLIOTHEQUE (Panel) ss Height, 13, inches; width,53, inghes In his private library a well-set man of Qi, maturity stands Seda He is clean shaven and bewigged, and clad wholly in greenish-gray, ee a white stock and lavender stockings. He faces the observer, leaning with his’ ba left elbow on the bookcase, one foot carelessly crossed before the other, and P is in a strong interior light. Bookcase and wooden floor are brown, and “a room is brightened by red cushions and draperies and the red, green and — gold bindings of the books. Signed at the lower right, V. Craver. To be sold to close an Estate. ; 7 ~ ————EeEEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEeEEEpaEe=E=>SEeEeEeeEeeeee ee aa aaa... t MAURICE LEVIS FRENCH: CONTEMPORARY No. 214— LE MOULIN DE BOUTIGNY : ; (Panel) ao alle age 51% inches; length, 81% inche pie {3 W444 1K A sHattow mill pond occupies the foreground, grasses Provecting up/through it and white water lilies riding on its smooth surface. The wate} is blue, mirroring a pale turquoise sky, and dappled with brilliant reflections of grass, trees, and the white, yellow, brown and gray buildings which rise on its farther shore. At the left are poplars and in the distance hazy blue and brown hills, and the whole presents a charming bit of French landscape on a lovely summer day. | ax Signed at the lower left, Maurice Livis. Owner, Coronet S. Harrison, Kent, England. GUSTAVE COURBET Frencu: 1819—1877 No. 215— THE LITTLE GOATHERD ag) habs Height, 71/, inches; length, 9% my YY En barte On the mossy and level grass plot of a dell, ek neta a goat has lain down in weary rest and turned to look at the spectator, while her kid grazes behind her. Back of the two animals, at the edge of the brush, a little girl in a white cap and waist and a yellow petticoat is wandering away from her. quiescent charges, with a bundle of flowers, grasses or fagots which she has busied herself. gathering. Signed at the lower right, G. Courser. By order of Moses Ery, Esa., Attorney. Yom Kuch Authanan Coll 191% for fleo-7 Ys. até R. OTTENFELD ConTEMPORARY No. 216— - ARABIAN WARRIOR (Panel) p vee Height, 9 Ta j inches Ce A man of firm " fooeaeee : swarthy complexion stands fac ing the spectator, in a sto paved court surrounded — ornate architecture in brillia colors. The pavement and cer- tain walls are a grayish-brow: while behind the warrior a buil ing is ornamented with blue and bluish-green tiles, and displays a rich topaz- yellow, and in front of it are copings or balus- trades of geometric tracery. The man is clad in red and — adorned with furs and a tall feather, and _ carries hele ~ sword and dagger. ee ot MEAN Signed at the lower right, R. Or- TENFELD, 792. Owner, Estate of the late Franx S. Bono. JEAN LEON GEROME Frencu: 1824—1904 No. 217— FEMME SE TENANT EN REPOS Jr oo Height, 7 inches; length, 9 "a ae Wd) A wWEARY young woman of robust figure is ened ona rote her head agains an arm on the left, and she is seen head and bust. She rests against a cushion with a copper-red covering and gold ornamentation, her head turned full to the front, and the light reaches her from the left and above. Her apple-green waist and white underwaist are lightly open at the breast, and her head is enwrapped in a diaphanous mantle of white over a pink scarf, a fold of the mantle acting as a transparent veil over the lower part of her face. a 4 Owner, Cotonet S. Harrison, Kent, England. i ; | : 1 . : Zz 4 WILLEM VAN DE VELDE Dutcu: SeveNTEENTH CENTURY No. 218— THE MOUTH OF THE RIVER (Panel) Bare £ Height, 7% inches; length, 1034 inches Vere eS A BROAD river occupying the foreground extends on the left to the distant sea, the shore line in the background being a stretch of the Netherlands, dotted _ with the ever-present windmills. The river is in gentle motion, and its bright surface is filled with reflections of sky and billowing clouds, and of sailboats - plying its ape reaches. In the foreground men are rowing a long, heavy boat. a Signed on the boat in the lower left, W. V. D. V. { H Owner, Cotonet S. Harrison, Kent, England. WOUTERUS VERSCHUUR Dutcu: 1812—1874 No. 219— STABLE YARD (Panel) Height, 8 inches; length, 10 inches ze. (Ke ee H/g = A rat and comfortable looking gray and bay team, drawing a canvas-covered load of straw or grain, has entered a gray-walled stable yard, passing under a rustic arch, and a farmer in a green coat is about to take off the harness. A peasant woman in white cap and red skirt stands in front of the horses, and a laden donkey is standing patiently at one side. The sunshine plays on the group, while a part of the loaded wagon is under the shadow of the entrance arch. Signed at the lower left, W. Verscuvvr. Owner, Estate of the late Franx S. Bono. ADRIAAN VAN OSTADE Durcu: 1610—1685- No. 220— THE KNIFE GRINDER (Panel) = Height, 8% inches; length, 10% a an infant in arms, ae at her side another ee child } holds out : knife toward the absorbed grinder. About the floor are chickens and a Signed at center of bottom, AS < Owner, Coronet S. Harrison, Kent, England. BERCHEM AND VAN DE VELDE NICHOLAS BERCHEM ; Dutcu: 1620—1683 ADRIAAN VAN DE VELDE DutcH: 1635—1672 or No. 221— LANDSCAPE AND CATTLE = (Panel) we 0g ee Height, 8% inches; length, a inches Some cattle are depicted in a rough, mountainous country, as they ei making their way down a slight decline from a high and broken foregrout toward a middle distance depression which may be a meadow or might be a lake. Cows black, white and red, and sheep grayish-black and tawny-br are followed by a man who carries his blue coat on a staff over his shoulder, a dog running at his heels. The broken country is green and brown, with — ; gnarled and stunted trees, and in the distance are purplish-brown mountains. — Landscape by Berchem; aes: by Van de Velde. 7 a " Signed at the lower right, Brrcnem. Owner, Coroner S. Harrison, Kent, England. 7 THOMAS BARKER (BARKER OF BATH) Eneuiso: 1769—1847 Nor 222— COWS DRINKING 3 gt ob Height, 9 inches; length, 12 in ie 1 ape al fs Rove ocatains. in the background send some a peaks against a heagiily clouded sky, wherein is a burst of light toward the left. Below is a river, into which a high point of land projects from the left, a group of buildings standing at the water’s edge and two. cows standing in the stream near by. On shore in the foreground a bare-footed boy is watching them. Owner, Coroner S. Harrison, Kent, England. FERDINAND JAN MONCHABLON Frencu: 1855—1903 No. 223— VILLAGE DE CHATILLON (VOSGES) (Panel) =e LL 1) Re. Height, 934 inches; length, 13%, ipches SunsHIneE floods the landscape and a haze of warm early Sainte veils all but the nearest objects, veils without concealing. A pastoral river winds between moist meadows, where the grass is a fresh yellowish-green, spotted with the shadows of feathery trees and hedges, and of cows that are grazing. In one field a woman is watching them. In the middle distance, seen partly against a distant hill of the background, the many-roofed village extends across the picture, spires of smoke issuing from many of the chimneys. Signed at the lower right, Jan Moncuasion; and at the lower left is the record of the 2 work: CE 163. By order of Prixce & Naruan, Attorneys for the owner. 107 bl barighth forms Suuriuatidlra fey [905% Zeke AXKK a GEORGE HERBERT McCORD, AN. \. AMERICAN: 1840—1909 3 No. 224— NOVEMBER LANDSCAPE = F J ot Height, 10 inches; length, poyorer y iN OVEMBER, but not yet the melancholy days, for the Hand | warm color. Trees on the right are rich in autumn red, gr a fresh bright green, and cows under the shadow of | standing lazily in a stream. But in places trees and hi and wind-tossed clouds are swirling in a sky of a cold blue. — Owner, Mrs. Apetaipe C. JoHNSTON. ~ LEON RICHET : FRENCH: 184:7—— Now225—— THE FISHERMAN’S HUT. / ( a ve Height, 101% inches; length inehes A tow, whitewashed cottage, with steep, roughly thatched roof, stands seashore, partly overshadowed by a tall tree and partly surrounded by s trees and bushes. From the foreground a broad, stony road, along advances a fisherwoman with a net over her shoulder, leads to shallow where the waves come tumbling in upon a broad, sandy beach. A strip of sea beyond in the distance is dotted with fishing boats, an sky is filled with great rolling summer clouds. Signed at the lower right, Lion Rr By order of Moses Exy, Esa., Attorney for owner. “ ; ] CESARE DETTI : Iratian: 1848— No. 226— THE VIRTUOSO (Panel) 3 2 oa (4d Height, 14 inches; width, 814 nA (2 aD ; Fi 7 Onn In a room of luxurious furnishings a pleased and proud yet affable man, devotee of the violin, is facing the spectator, turned somewhat toward the right, discoursing music upon his in- _strument. He is in silks and satins, pink knee-breeches and _ low shoes, wears a ruff and stands in somewhat stately manner. His dark hair is ‘long and his face of warm complexion. His music before him is on a table having an intricately ornamental cover- let. Jfocne tables ts ne ia ab tans > Roto Signed at the lower left, C. Deri, 86. Owner, Henry Dattrey, Ese. EE EE Se ee ae eee pe ey Sern) i } a LOUIS RUIPEREZ q : ; : SPANISH: CONTEMPORARY : No. 227— RARE BOOKS | (Panel) - wee 7 = Height, 13 inches; width, 91% inches er ee In the corner of an art gallery and library several gray men of the age of wigs, in brilliant coats and short-clothes, are seen deeply interested in art and bibliography. One, in yellow, with his back to the spectator, is observ- | ing the paintings on the wall, among which hangs a scene galante, while two | in red are studying under a glass a volume which a man in a rare mixture of soft colors has taken from a shelf to show to them. Signed at the lower left, RvIpPerez, 1864. To be sold to close an Estate. i» ETIENNE PROSPER BERNE-BELLECOUR> Frencu: 1838—1910 No. 228— THE SENTINEL . (Panel) ot-7 abe Height, 14°34 inches; width, oe y (>. Eee “ay A TROOPER with helmet and spurs, blue jacket, red breeches dt tedtnee riding . leggings is pictured. in profile to the right, standing alone in a field. His ie hands are clasped over the muzzle of his musket, whose butt rests on the ground. He is standing in the corner of a plowed patch, with grass and other green vegetation between him and large stacks of brown grain or straw. Signed at the lower right, E. Berne-Betiecovr. Owner, Estate of the late Epwarp R. Perkins, Ese., formerly First Vice-President of the New York Life Insurance Company. ARTHUR HOEBER, A.N.A. AMERICAN: 1854— No. 229— TWILIGHT o* ~ ; . a bi ey Height, 10% inches; length, 13%, inches Ly Lhe A : A. (es _ A wanperiIne meadow brook cuts up irregularly a rough field where the grass grows coarse and long, interspersed with patches of shorter and softer lie of lighter green. In the middle distance a line of trees on the left and a single group on the right rise in silhouette before a sunset sky, their masses _ dark, the sky visible below their branches. A band of bright and mottled yellow appears along the horizon, and higher up in the pale sky a deep bank of solid gray clouds whose upper peaks are tinged with pink. . ae { Signed at the lower right, Arruur Horser. Owner, Estate of the late Dr. S. G. Perry, New York. ALFRED STEVENS Betcian: 1828—1906 No. 230— LE BATEAU A VAPEUR (Panel) Height, 13%, inches; width, 10% Oe ff ra) w the immediate foreground at the left a small patch of sh was hie seen, at the border of a wide sea whose green and mottled waves ds they come __ shoreward comb in white foam and reflect darkly their own shadows. In the - middle distance a black steamer with a red flag leaves a long trail of dark smoke in her wake, and beyond her are sailing boats with white, gray, yellow and brown canvas and black hulls, under a sky in which a huge curtain of ~ gray clouds flushed with pink almost shuts out a brilliant deep blue sky. F Signed at the lower left, A. Srrvens. Owner, Cotones, S. Harrison, Kent, England. J. BERCK-HEIJDE Dutcu: SEVENTEENTH CENTURY No. 231— AMSTERDAM (Panel) a ih os Height, 11 inches; ae oi ae Tuis interesting and well-known composition pictures a canal of the famous — Dutch city, with the Oude Kerk and the Groenmarkt on the left, and a line of trees along the bank, or street. Drawn up at the bank are a number of > market boats, with heavy Dutchmen in and about them and others on shore. In the middle distance a bridge crosses the canal—whose waters are a mirror of their green, gray, brown and red surroundings—to a paved street on the right, and numerous figures are seen on the bridge itself and on both sides of the stream. A municipal portrait of an elder oe in a clear and mellow atmosphere. From the H. T. Hope Collection, London. Mentioned in Waagen’s “Art Dreaedy es of Great Britain,” Vol. ie p. 123. From the collection of Sir W. Curtis, Bart., 1847. . From the collection of Lady Page Turner, 1903. From the collection of Arthur Kennedy, Esq., 4 Cambridge Terrace, London. Owner, Coroner S. Harrison, Kent, England. JAN WYNANTS Dutcu: 1615—1680 No. 232— LANDSCAPE WITH FIGURES : [tae Height, uy, inches; length, 1634 ne ae fe Les A vIVERSIFIED landscape is pictured, distant hills, uneven country in the middle distance, and in the foreground a narrow stream winding about a high, ex- posed bank, close behind which are low thick woods. On either side of the stream people are seen, one man on horseback, one or two fishing, while a woman with a basket has thrown herself on the ground for a rest. Signed at the lower left, WyNAntTs. Owner, Cotonen. S. Harrison, Kent, Lngland. WYNANTS AND LINGELBACH JAN WYNANTS Dutcu: 1615—1680 JOHANNES LINGELBACH ? GERMAN: 1623—1674 No. 288— — LANDSCAPE WITH FIGURES : (Panel) . ) sie ae Height, 11 inches; length, 151% "A ACA: Bs ; shorn -t9 Lanpscare by Wa ats hnies by Lingelbach. A gray river in a green - pastoral country comes into the picture in the right foreground. A _ boat with three figures in it is seen, and beyond it a cattle pasture stretches off _ to an indefinite distance, supporting far away a line of trees. On the left _a country road leads over a stone bridge and along the edge of a wood, and on the bridge several persons have paused in idle gossip. Owner, Coroner, S. Harrison, Kent, England. PAUL JEAN CLAYS Betcian: 1819—1900 No. 234— DUTCH FISHING BOATS (Water Color) 2 3 J re Height, 12 inches; length, 17% inches Ge % Har a dozen heavy Dutch sailing craft of the fisher type are shown pretty well in a bunch in a choppy sea. Their hulls are black and brown, and their canvas white, gray, yellow, brown, pinkish-brown, dark red-brown and al- most black, standing up against gray-white clouds spread thickly over a bright blue sky. Signed at the lower right, P. J. Crays. Owner, Coroner S. Harrison, Kent, England. WORTHINGTON WHITTREDGE, N.A. AMERICAN: 1820—1910 No. 235— LANDSCAPE . yo Height, 11 inches; length, 221%, inches Eg Tue sun is setting behind a mountain range of the background, the sky above /(/ the peaks aglow with yellow, and high above float tenuous cloud-patches touched with flame, while below the mountains lines of foothills are partly obscured in a mist of evening which is stealing over the valley and a broad plain. Here in the lowlands, on the border of a river, Indians have set up their tepees in a small grove, squaws are cooking things over a fire built on the earth—one seems to be scratching the ground in a field near by—and a company of braves on horseback are fording the stream on their way home. Signed at the lower left, W. Wurrrrepce, 1867. — Owner, Estate of the late Tuomas Hrrcucock, Esa. ’ GEORGE HERBERT McCORD, A.N.A. - AMERICAN: 1840—1909 No. 236— - OCTOBER EVENING 4 0 “ve j Height, 14 inches; length, Ye W f Aux of sunset that lingers is visible in orange touches at the edges of fleecy clouds high aloft, while a bright twilight keeps the landscape aglow. Woods are in the background on the right, and yellow-brown fields at the left, and in the foreground green grass surrounds a crystal pool and borders a stream. It is a warm October and some cows are drinking in the water, under a tree whose leaves are turned to red and brown. Signed at the lower left, G. H. McCorp, A.N.A. Owner, Mrs. ApetaripE C. JoHNSTON. GIZA VON MESZOLY HunGaArRIAN: CONTEMPORARY 2 ON A A NI A A I I a No. 237— LA FERME (Panel) & ° zo. ‘Se Height, 12 inches; length, 21 ase £ we Z Gray farm buildings with brown thatched roofs stand in the middle distance on the left, in a tract of farming land, and in a wandering field-road leading from the foreground a lot of ducks are making toward them. Several figures are seen along the road, near a clump of trees beside it in the center of the picture, and several other persons are laboring in a field on the right. —| Signed at the lower right, Mrszory. Owner, Henry Datriey, Esa. PS WALTER CRANE, R.W.S. ENGLISH: 1845— No. 238— THE KEEPING ROOM ' (Water Color) c* Height, 15 inches; length, 20% AAV . oe ove Aw attractive English country room—this happens to’ be in a farmhouse in Essex—flooded with the bright light of day from a broad window, or a suc- ~ cession of windows thrown into one. The plastered walls are a rose-pink, the ceiling is heavily beamed and the floor is tiled. A large circular dining table i? holds a green jar of yellow flowers, and at a desk by the window a woman z in white is writing in a large record book with a long quill pen. bt le i Signed at the lower right with the artist's monogram, and dated 1908. Owner, Coroner S. Harrison, Kent, England. EDWARD L. HENRY, N.A. | AMERICAN: 1841 No. 239— A CHIP OF THE OLD BLOCK ¥ / 0 vo Height, 12 inches; lengt VUE. : Up : be a . () 4 A : 7 Twiticut is passing and the hens have gone to roost in a corner of a SH yard enclosed by a gray rail fence. Corners of sheds appear, and a choppirg- block where fire-wood is prepared lies between two small shelters for hens si with chickens. And under the fence rail comes creeping through the gloaming _ a smiling young African, stealthily, on all fours. Signed at the lower left, E. L. Henry, 798. By order of Prince & Natuan, Attorneys for the owner. CHARLES C. CURRAN, N.A. AMERICAN: 1861— No. 240— HEAD OF A YOUNG WOMAN—A Srupy S25 oe Height, 15% inches; width, 154% , inches Heap and shoulders portrait of a young woman with delicate neck and full figure, in the nude. She is pictured as reclining somewhat against a mass| of bluish-green leafage, and she faces the right and is seen in profile, her figure three-quarters front. She has a mass of long copper-red hair, which is let down and curls in waves back of her shoulder and forward over her left arm, and she has lightly bound it over her brow with a laurel chaplet. Her figure is lighted and the nearer side of her face is in transparent shadow, mottled with reflected lights. Signed at the lower left: A srupy, Cuas. C. Curran. Owner, Estate of the late Dr. S. G. Perry, New York. ARTHUR PARTON, N.A. AMERICAN: 1842— No. 241— APPLE BLOSSOMS / 7 Y) ve Height, 12 inches; length, 1734 inches On the right a red-chimneyed white farmhouse with brown roof comes into the picture, standing up against a turquoise-blue sky. From it the land slopes gently toward the left, carpeted in rich green, and in the left fore- ground appears a shallow gray pool. The field contains numerous apple trees, mainly gnarled and bent and low, and they are ablaze with pink and white blossoms in the sunshine, their branches mottling the grass with shadows. In their shade soine cows are resting. Wild flowers dot the grass with bright yellow near the water, and in the distance, beyond the trees, one gets a glimpse of a red barn. Signed at the lower right, ArtHuR Parton, Owner, Estate of the late Dr. S. G. Perry, New York. "5 bey cages fetepeeen > ¢ ta ' hi LOUIS J. M. PERREY Frencu: 1856— No. 242— PORTRAIT HEAD / ° Height, 18 inches; width, 15 inches fol a 3 3 3 VIL p A roune lady with lustrous hazel eyes and wavy black hair is portrayed hea and shoulders facing squarely to the front and looking directly at the ob server, with the implication of a ready smile. Her long tresses are let down and overhang her shoulders, being bound only by a band over her head, and are adorned conspicuously with two rich red roses. Her purplish-brown gown, in classic folds, which exposes her white breast, is bound and ornamented with sapphires and emeralds. She is in a strong light, against a dark and colorful background. Signed at the upper left, L. Prrrey. Owner, Mr. L. Crist DELMOoNICO. burn Rens a ae EMILE MEYER Frencuo: ConTEMPORARY No. 243— THE FESTIVE BOUQUET (Panel) ie Ze J — Height, 18% bgt bge th Beg: inches Gee /} ff A rotTunp cardinal with graying hair and Leh y purpled face has just emerged from one ornate room of a magnificent palace—seen through a half- opened door—and entered another with marble columns and tapestried walls. | Here he stands facing the spectator, in a broad light, halted in surprise and — admiration before a brilliant bouquet of red, pink and yellow roses, piled high in a basin-topped, ormolu-mounted stand. Signed at the lower right, Eire Meyer. By order of See & Narnan, Attorneys for the owner. iheb- Baugh bleh tin, Aeb-teflget » des AS ES FREDERIK HENDRIK KAEMMERER Dutcu: 1839—1892 No. 244— LA MODISTE | — / } 4 ve Height, 20 inches; widt 3 inches eae ; 4 One of the pretty little blond milliners of Paris, of a slightly earlier age. tha i} - this, is portrayed at full length, standing in momentary pause while crossing a street in the direction of the spectator. She is clad in pearl-white from the feathers in her flaring hat to her slippers, the gauze stockings permitting her ankles to appear in flesh tints as she holds her full skirts daintily up on one side, her hat box in the other hand. Behind her persons in the costumes — of an elder day are near the stalls of the bowquinistes on the parapets along the Seine, for the scene is on one of the Paris quais. Signed at the lower right, F. H. Karmoerer. Owner, Henry Datrey, Esa. LOUIS GABRIEL EUGENE ISABEY Frencu: 1804—1886 eR ee ee Ra a : f4¢ Se a) : we No. 245— FLORA oF ee . Sle aS id 0 Ls Height, 213, inches; width, 161, ae Oth’ < _Berore a conventional woodland background with floral details, and a glimpse of a dark greenish-blue sky beyond the leafage, a young woman is depicted in head and shoulders, turned slightly to the right and facing almost fully front. She is of pensive expression, with red lips slightly pursed, and her _ humid gray-green eyes are lined with red, as she sits in a wilting attitude, . * 2) * a oot bball vinsy ets ha her head poised at one side. Her brown hair, parted in the center and wavy, Du is garlanded with flowers, and her filmy dress of soft stuffs is grayish-white and green. | Stamped at lower right, Ventre E. Isapey. Owner, CoLoneL S. E. Harrison, Kent, England. NICOLAAS BASTERT Dutcu No. 246— A WINTER EVENING (Water Color) 3 oy Of Height, 161, inches; length, 24 ene A snow-coverep road with low cottages to right and left; a two-wheeled cart is going away from the spectator and in the distance rises a church spire. The sky is Be yellow with cold gray clouds. Signed at lower left, N. Basrerr. From the Boussod, Valadon Sale, New York, 1902. -# B39 p box % GM. yas gi By order of Moses Exy, Esa., Attorney for owner. SG Maeganun SG AFA I JO4 A Gls LYELL CARR American: 1857—1912 No. 247— IN HIS STUDIO a Height, 16 inches; length, 20 inches ieee ols Vn Vurtre Tue interior of a painter’s studio of the modest sort is shown with walls and floor dark brown and gray, an old-fashioned cylindrical stove boldly in evi- dence, a sketching-box near it and a metal dish lying on the floor. Some sketches of dogs hang from a beam on which a shotgun is suspended, and on a table is a jar of brushes. In front of the table, toward the right, his back to the spectator, the artist is at work on a landscape. He is getting gray and shows a bald spot, wears a gray blouse-shirt and black trousers and is | seated before his easel in a rush-bottomed chair. nee Signed at the lower left, Lyer1 Carr. Owner, Mrs. Marks ARNHEIM. ATTRIBUTED TO ANTOINE WATTEAU Frencu: 1684—1721 No.§248— “TREADING A MEASURE” (Panel) ati), a / teal Height, 17 inches; MA |: es S, Ltn | In the marble court of a palace a brilliantly clad company is bh seated or standing at either hand, watching a gallant in brown velvet and a lady in red and complementary green do a dance in the center of the floor. On a balcony are three musicians who are playing. The walls are rich and mellow in color, and the warm harmony is continued in the foliage and the general landscape which is seen through the open arches of the handsome court. Owner, Coronet S, Harrison, Kent, England. JULES DUPRE Frencu: 1811—1889 No. 249— THE WINDING ROAD J ee Rigcatie ciohess lengilg 21%, inch LO ALO - A MELLOw canvas of full, rich tones, picturing a placid French landscape at evening—a thatched cottage at the left, with a tall tree standing guard over it, as it seems, and a winding road curving gracefully from the foreground about its other side. Lesser trees are seen scattered in the distance, and the surface growths on the level earth at either hand are green and brown and yellow, along the sides of the road. | Signed at the lower left, J. Dupri. By order of Moses Ety, Esa., Attorney for owner. Ibn buchanan, Boll 19h f5's B/l00 24 b-X. sylvectd, ae Austrian: 1845—1901 an ¢ ‘ No. 250— DUTCH LANDSCAPE } (Panel) al A= Height, 14 inches; length, 25 inches - the foot of the road, the sunlight in a bright mist or haze illumines a green EUGEN JETTEL | - In the middle distance, near the center of the picture, an old brown wind-— a mill, its lower story white, rises conspicuously against a grayish-blue sky in which grayish-white clouds abound along the horizon. Near the windmill, — on the right, a white cottage or barn is overtopped by a huge haystack and ‘stands partly in its shadow, while in the distance is another windmill with other neighboring buildings. A pastoral stream, emerging into view near the large windmill, leaves the picture in the right foreground, and a stout Dutch peasant, knee-deep in the water, is fishing in it. The flat land around is green and brown, and cattle and ducks are seen here and there. Signed at the lower right, Eucen Jerret, 1874. Owner, Estate of the late Franx S. Bonn. ARTHUR PARTON, N.A. AMERICAN: 1842— No. 251— . SUNLIT VALE HF 0 ve) Height, 161% inches; length, 23 inches YM LG We » J (j On the left of a country road, which on the right has no fence and is one with the green fields adjoining, a high-gabled farmhouse stands in the shelter of tall and dense trees, just within a gray stone fence. Cottage, trees and the whole broad foreground are in shadow, while in the middle distance, at valley bounded in the distance by rounding hills. Gray rain-clouds of a showery day float low over the vale. Signed at the lower left, ArvHur Parton, N.A. Sap By order of Prince & Naruan, Attorneys for the owner. EMILIO SANCHEZ PERRIER fot SpanisH: 1853—1907 No. 252— BORDS DE L’OISE (CHAPONVAL) (Panel) (RA Height, 16 inches; width, 124%, inches Qua Tue river shown here is nar- row, running from the fore- ground back toward the right, its silvery surface just rippled in a light breeze. The right- hand shore is visible only in a low grassy bit immediately in the foreground, while the op- posite shore on the left is formed of a high bank carry- ing throughout its length a luxuriant growth of thick, fresh green grass and bushes, with various trees. Boats holding fishermen are nosed against the bank, whose green reflection shares the river with reflections of a fair blue sky and white clouds tinged with mauve. PRM PO ars ener Emenee, or ene Soe Signed at the lower right, E. Sancuez Perrier. Owner, Estate of the late Enwarp R. Perkins, Esa., formerly First Vice-President of the New York Life Insurance Company. WILLIAM H. LIPPINCOTT _AMERICAN: CONTEMPORARY No. 253— RENEE A LITTLE lady of French type, a blonde with golden hair falling to her shoul- ders, is dressed in the multicolored and padded garments of an earlier day, beruffed and bejeweled, and is shown at half-length turned toward the right but facing the spectator. She leans against a table with a coverlet of blue, gold-fringed, and wears a purplish-red cap girdled with jewels and adorned with pompons. Signed at the lower left, Wm. H. Lirrrxcorr, Parts, ’81. Owner Estate of the late Tuomas Hircencock, Esa. 4 é > ¢ se Height, 24 inches; width, 13% inches WE aw: brnvty if PIERRE PATEL Frencu: 1605—1676 No. 254— A SCENE IN THE ITALIAN LAKE COUNTRY - Oe r - ye 6” Height, 17 inches; ALA ia @ ve TaLL mountains in sunlight are in the distance, under a blue sky with many gray and white clouds, the sunlight coming from far at the right. At the © foot of the mountains a broad river passes, circling toward the foreground, — and before them a bridge of many arches crosses the stream toward a double- towered church on the left, sailboats being seen at the banks. ‘Trees on both sides of the river and an ancient mill on the right—whose wheel is turning—throw the foreground into partial shadow. Here a man fishing from the bank with rod and line is just taking a fish from the water, while a young woman in blue and white, seated on a rock, is waiting to add it to a basketful at her side. A fisherman is working in his sailboat near at hand, and toward the left other persons are out in boats, fishing. Attribution confirmed by Dr. W. R. Valentiner, of the Metropolitan Museum of Art, New York. Owner, Mrs. Marxs ARNHEIM. CARLETON WIGGINS, N.A. AMERICAN: 1848— No. 255— LATE AFTERNOON fol 0) tees Height, 16 inches; length, 22%, inches ee CL Tue gray river, flowing across the picture, is filled with colorful reflections of gray and white buildings with reddish-brown roofs, deep green grass and tall green trees, which are grouped on the farther side of the stream and all warmed to a yellow glow by the late rays of the summer sun setting behind the spectator. Far at the right a gray bridge of many arches crosses the river, the moon—still white in the light of day—is seen high above it in the sky, and in the cooler shadows on the water near the bridge a man is seen sculling a boat. Signed at the lower right, Carterton WiceGrINs. On the back is the title “Late Afternoon at Meudon, Loing River,” and the artist’s sig- nature. Owner, Mrs. ApeLAIE C. JoHNSTON. ~ CONSTANT TROYON Frencu: 1810—1865 No. 256— FOIRE CHAMPETRE DANS LIMOUSIN ota Height, 19 inches; length, 25%, inches Aw early example of the man who came to be the great cattle painter, and highly interesting as a biographical note. Under a bright blue sky with white and smoky-gray clouds, an ample farmhouse is seen at the left with a brown thatch roof which supports various green growths, its white-plastered walls lined by exterior beams. In front of it is a fruit tree in bearing, with various figures seen beneath its shade, and beyond it on a green lawn are many persons merrymaking, the women and girls picturesque in tall conical white caps. In front of the cottage door in the foreground a man has cap- tured a duck, and two of the revelers there and a stout person in the door- way are waving a welcome to some newcomers not seen in the picture. sf Signed at the lower left, C. Troyon. This early work of Troyon’s is said to date from 1835-38, and to be the last of his compositions that include no animals. From Bernheim, jeune et fils, Paris. Exhibited at Frankfurt-am-Main, No. 4456, From the Laird Collection. Previously in the Mitchell Collection, the owner purchasing it from Maclean, of the Haymarket, London, who bought it in Paris, it is believed direct from the artist. Owner, Coronet S. Harrison, Kent, England. EK. LOYAL FIELD AMERICAN: CONTEMPORARY No. 257— LANDSCAPE — i i ; length, 24 inches e / ais Height, 20 inches; lengt Wes y t Ne Ar the foot of a broad and wandering path leading straight from the shadowed : foreground through a green field left to grow wild, a group of cottages or . farmhouses are seen in the middle distance, in the sunlight. At either hand are trees in the varied colors of autumn, and in the sunshine some cows are feeding. Signed at the lower left, E. Loyay Frexp. Owner, Mrs. ApeLawEe C. JOHNSTON. GEORGE HENRY BOUGHTON, N.A., R.A. AMERICAN: 1884—1905 No. 258— PASSING INTO SHADE 4 7 2 ) - Height, 24 inches; width, 18 inches /) UT eon ee ere ’'wo women, old and wrinkled, in peasant garb, one using a cane, are trudg- ing slowly forward in a leaf-strewn path which has brought them across a field and to the open spaces at the beginning of a wood. The sunlight ap- pears behind them and still touches their wearied but kindly faces, and, in life’s decline together, they are about entering the shaded spaces of the wood, whose brown leaves of autumn crackle under their slow sabots. One is in brown with a black shawl and purple cap; her companion, who smilingly lends her feeble support, is in blue and red with a white cap. Signed at the lower left, G. H. Boveuron, ’84. Owner, Estate of the late Tuomas Hircucock, Ese. a we —_.* a JOSEPH R. WOODWELL AMERICAN: CONTEMPORARY No. 259— - HAVANA HARBOR é 0 te Height, 20 inches; length, 25 inches 7 4 | ye ae STNG _ Tue high point of land at the gateway of Cuba projects from the right an the foreground out into a sea that is blue and green and mottled with ee foam, under a gray sky. Below gray walls of the fortifications the rocks are rich in varied deep color, and the mottled sea at their foot becomes darker. Signed at the lower right, J. R. Woopwei1; and at the lower left inscribed: Havana, 1905; Marcu. Purchased from the, artist, 1905. Wow- B OXK é f By order of Prince & Naruan, Attorneys for the owner. GIUSEPPI SIGNORINI Iranian: 1857— No. 260— THE CARDINALS ; (Water Color) ye Height 19 inches; length, 27% inches By 7) Lees. HREE cardinals in their brilliant, gorgeous robes, are “seated about a table in a magnificently appointed room, drinking their chocolate. ‘Two are shaven and one has a full gray beard; two wear skull-caps and one his biretta. The floor has luxurious rugs, the table an ornate coverlet, and the walls have rich tapestries. Two of the cardinals are giving themselves wholly to the enjoyment of the beverage, and the third interests himself in a book of illustrations as he sips. Signed at the lower right, Giuseppr SigNorint, Pants. Purchased from William Schaus. Owner, Mrs. Marxs ARNHEIM. PIERRE DE CONINCK Roe s 1828 7 No. 261— AT HER STUDIES ae 0 ye Height, 281/, inches; Diane ‘li% ay O. fos. A LarGE-EYED little girl of dark complexion faces the spectator from Rail 4 a green-covered table which crosses the picture. She is seen at half-length, one hand on the pages of an open book lying with several other volumes on — the table, where also are pens and ink, a watch and chain, a coin and a folding measuring-stick. The child’s lone black hair, parted in the center, sweeps down over her forehead and falls back of her shoulders. She is dressed in dark green trimmed with seal-brown, and has one hand up to the light bluish-green bow at her white collar. . Signed at the upper rien} PDs ‘Coumen Owner, Mrs. Marks ARNHEIM. ALBERT DE VRIENDT Betcian: 1843—1900 No. 262— DEVOTION (Panel) VAN aM a he Height, 26 inches; width, 20 phe pe igh 6 Ge OvursipE a large red brick and stone building which forms the background, a small company of pious persons of various station are at their devotions before an outdoor shrine. At the left a young woman in an elaborate, slashed and embroidered, dark brick-red gown kneels on the green grass beside a tree, her hands clasped in prayer before the shrine which is not seen in the picture. Back of her a seated gentleman in rich apparel holds a burning candle, a lady beside him in luxurious garments reads her prayer-book, and behind them a young girl in a huge white headdress is standing. Over them a heavy roof on posts provides shelter. Near at hand a young woman with her head wrapped up holds an infant. { ia — Signed at the lower right, AtBERT DE VrienpT, 1867, ANvERs. Owner, Henry Dattey, Esa. EK. MUNIER FrencuH: CONTEMPORARY | No. 263— CHERRIES RIPE : ye Height, 29 inches; width, 2314 inches he . Lf, ys | AG team : 7 OP AY 4 A youneé woman with very light brown hair and pale blue eyes, her light complexion only slightly warmed by pink, leans against a stone parapet before ( a mass of forest greenery or luxuriant park foliage and herbage. She is seen at little more than half length, with brown skirt or apron, greenish- blue bodice and white underwaist, sleeves rolled up above the elbows, her arms \ enfolding a brown wicker basket filled with freshly gathered red cherries which rests upon the parapet. The cherries are bedded upon fern leaves, | an overflow from the basket lying upon other leaves on the stone. Signed at the lower right, EK. Munter, 1873. Owner, Estate of the late Tuomas Hirencocx, Esa. FRANK DE HAVEN, AN.A.. AMERICAN: 18o6— No. 264— EVENING WALK e Y 1ooe Height, 23 inches; length, Q7 nee a os SHELTERED in a broad hollow among low hills a lonely fermhoneete is seen - oe the right, a single-story wing of it coming forward prominently. This is an ancient frame structure whose weathered boards and shingles are full ae . soft colors, green, gray, mauve and various tints, blending in Nature’s mellow _ harmony with the red, brown and glowing yellow of overhanging autumn foliage, which catches the last rays of the unseen sun setting behind the house. Approaching the rickety gate in a weather-worn fence is a lone woman in ‘a blue sunbonnet, moving slowly away from the spectator in a well- — worn path, and in the distance bushes are turning purple in the evening — shadows. 7s i Signed at the lower left, ¥. De Haven, 1897. — Owner, Mrs. Avetaiwe C. Jounsron. LANFANT DE METZ FRENCH: CONTEMPORARY No. 265— THE NURSERY / / ( boost Height, 24 inches; length, 31 are - LU@ Tren small blond children are in a spacious hall in a eos building where | Catholic sisters are in charge of them. Two of the youngsters are in cots and other are playing with dolls and toys about the floor, amusing them- selves, or at the cribside helping to amuse those in bed. A brown-robed young sister sits among them, knitting, and another is passing with a pot of some beverage. ‘The walls are painted with religious pictures. The whole is characterized by a careful management of light—the daylight—in a large and varied interior. Signed at the lower right, LANrANT ve Metz. Owner, Henry Datrey, Esa. JASPER FRANCIS CROPSEY, N.A. AMERICAN: 1823—1900 No. 266— LANDSCAPE WITH BROOK aa Height, 38 inches; width, 20 inches y) , [? | 4 ja rr eid AV oe ae A Guimpse into a well broken up wooded country when the trees are full of color. In the central distance a narrow brook makes its appearance, coming down a miniature falls in a valley or ravine among the trees and dropping into a pond or small lake, which continues to the foreground be- tween rocky and wooded shores. ‘The lake is so broadened in ‘the middle distance that the whole scene is flooded with light. The water mirrors the gray rocks and the grayish-blue sky, and the pink and brown, green, yel- low and red of the leafage. Signed at the lower left, J. F. Cropsry, 1894. Purchased from the artist. Owner, Mrs. Marks ARNHEIM. HORACE WOLCOTT ROBBINS, N.A. AMERICAN: 1842—1904 is No. 267— | LANDSCAPE s on (= Height, 24 inehde> a 36 inches Rounp-roprep and peaked mountains, with broad slopes, and narrow valley YS, fs = encompass a lake in the wilderness. No building i is in sight, and the only ‘sl ign of hfe 1 is a politany, fisherman, seated lazily in the stern OF his brown: row covered, some in shadow and some taeeds a Selon green in Beis iT water is marked by silvery ripples in a he breeze, and the blue oe is fh of white and light gray clouds. Owner, Estate of the late Tuomas Hircucock, Esa. CLAUDE HAYES 3 es EncuisH: ConTEMPORARY No. 268— HAYMAKING ON CHRISTCHURCH MARSHES f (Water Color) — ¢ & 0 Oe Height, 26/2 inches; length, 37% Ce yy Te Marsu lands spread over a broad space, extending across the picture, and bordered in the distant background by rounded hills of field and wood. The marshy meadows are covered with an abundant growth of hay, green and yellow and gray, and a number of men and women are out gathering it. One wagon already has a large load. In the foreground a man is mounted on one horse of an unhitched team and a woman worker stands beside him. Signed at the lower left, Cuaupe Hayes. Shown at the International Exhibition, Buenos Aires, 1910. Shown at the International Fine Arts Exhibition, Rome, 1911. Owner, Coronet S. Harrison, Kent, England. CHARLES EDOUARD DELORT Frencu: 1814—1894 No. 269— CATCHING BUTTERFLIES 2 3 0 oe Height, 26 inches; length, 361, inches va A Lee VVPA- Fo Ow the left an old man in a red-brown coat with lace cuffs stands in the tall grass at the border of a lily pond, in the act of netting a butterfly. Behind him, near the center of the picture in the foreground, a younger man, like the elder wearing a white wig, and clad in rich green velvets and striped stockings, is seated on the broad green slope leading down to the water, en- grossed with a fair and attentive beauty in pink and white, to whom he is showing some captured butterflies—for he too is an entomologist, his fly-net resting over his shoulder. Signed at the lower left, C. Detort. To be sold to close an Estate. EDUARD GESELSCHAP Durcu: 1814—1878 No. 270— A MUSICAL EVENING pon PAs Height, 321% inches; width, 251% inches . " / 4} SS ie -. f) A woman in a rose-pink waist cut low at the neck and a wide-flowing skirt, ar ar wearing an ornamental cap with broad strings tied in a bow under her chil By is tee in the midst of children gathered at the piano for a short evening's © amusement. She holds a pudgy baby on her lap, who has been “playing” the piano and now watches the antics of a jumping- Jack which a brown-haired boy causes to perform, while a golden-haired girl is clapping her hands and 3 ‘ another child looks at the infant—the faces of all happy. ‘The group is seen aS under the light of an overhead lamp, in an otherwise dark interior of rich a crimson and green draperies. ras by Rg = i My! 3 i if Signed at the lower left, KE. GesetscHap, 1867. Owner, Mrs. Marks ARNHEIM. \ cae GENOESE SCHOOL EIGHTEENTH CENTURY ’ No. 271— JOHN PREACHETH aaes Height, 36 inches; width, 29 incl Sao TAN — . Tue scene is the interior of a temple, the foreground in shadow, the lamp burning overhead. In the background, beyond double pillars, the further walls are seen in subdued daylight, and a sculptured figure of Moses hold- ing the Two Tables of Stone, at which he points with one finger, appears in a niche. In the foreground shadows are gathered a small company of elders and great men, aged for the most part and in rich apparel, studying books and scrolls and in discussion, while a young man in a pulpit declaims to them with gesture and strong emphasis—John the Forerunner making his start- ling announcement. Mary is below him, in a blue mantle, her hands clasped as she looks up at him, and beside her Joseph stands looking at her and marveling, his hands wide apart in amazement and wonder. Owner, Mrs. Marks ARNHEIM. EDOUARD RICHTER Frencu: ConTEMPORARY ne 27 GALLERY OF THE LOUVRE f so ae Height, 39 inches; width, 3114 na DA YL er coe A MIDDLE-AGEp lady in a voluminous gray satin gown in the style of the ’60’s and later, and wearing an expansive black lace shawl-waist over the satin, stands near a door leading from one gallery to another, turned three-quarters away from the spectator with lorgnette raised to her eye. A younger woman in dark red with many flounces, at her left, leans on her shoulder and is seen three-quarters front, facing the right. Across the doorway to right of the couple a guardian of the palace is sitting down, elbow on knee and chin on hand, holding his chapeau on the other knee. The top-light of the first gallery plays upon the women, and directly through the doorway is a large ‘window in front of which a sculptor’s group on a table is seen against the outside light.- 43 te. utes Signed at the lower right, Ep. Ricuter, 1869. 2 From the James H. Stebbins Collection, New York, 1889. -# 324 1 £776" ha. dawn, Owner, Mas. Marks ARNHEIM. CLEMENT A. GRANT AMERICAN: 1849—1893 No. 273— ON THE SHORE ye 7) a Height, 28 inches; length, 47 inches Q Palm ef et Tue whole foreground and middle distance is occupied by a broad, yellow, sandy beach and a bit of the blue sea which rolls up in a low surf at the left. Beyond the water are green and sandy dunes, which in the center fall away to a vague distance, while on the right some low buildings, a tree and a figure or two are seen on the sand-mound. On the expansive shore below are many figures, men, women and children, idling, amusing themselves, and at various occupations collecting products of the sea or shore. At the water’s edge are two dories, men near them, and children paddling about them. Signed at the lower right, C. Grant, “76. Owner, Hexry Datiey, Esa. | JAMES McDOUGAL HART, N.A. American: 1828—1901 No. 274— THE MEADOW OAK Hf 30 oe Height, 334%, inches; ie 6 4514 inches A yavonrire oak tree old and\| of large trunk stands — in a lush meadow, through which a small, shallow and sluggish stream winds, and where cattle are turned out to graze. A few cows are gathered in the shade of the oak and one or two of its neighbors, and more — are in the foreground, | standing idly or feeding, = one red cow with white spots standing in the shal- low water. Across the meadow one gets a glimpse, — between and over other trees, of a farmhouse and the white steeple of a village church. ; ae OE LEAD ND DEBE EL Signed at the lower left, James M. Harr. Owner, Estate of the late Dr. S. G. Perry, New York. WILLIAM L. PICKNELL, A.N.A. American: 1852—1897 No. 275— DESERTED ft RE hee ITeight, 334% inches; length, 43% inch¢s | Buve the sky gleams, with a tropical intensity, and deep blue is the distant sea. Mauve clouds float in the ether, and over the water white gulls are flying. On a broad point of land the hot sun is shining, and the place is deserted, forsaken of man. Scarred ruins are a creamy gray and yellow above a hot red-sandy beach, and there is a variety of rich color in the marine vegetation revealed in the bright light at low tide. | Signed at the lower right, Wm. L. Picknett. Owner, Mrs. ADELAIDE C. JOHNSTON. Sait proud white-crested cock whose hen is eMeteene her him. Tufted pigeons are near by, and to left are game ducks, the background are a gobbler and his mate, and other pigeons are shed on 1 the ridge of a thatch-roofed building. AMERICAN ART ASSOCIATION, MANAGERS. TE OMAS E. KIRBY, AUCTIONEER. = a a nc TR ——— SP . 4 OF ARTISTS REPRESENTED AND THEIR WORKS LIST OF ARTISTS REPRESENTED AND THEIR WORKS ACHENBACH, Awnpreas Lake in Switzerland Landscape and Torrent AUBERT, Ernest JEAN Cupid’s Magic Lantern Cupid Quenching His Thirst BAIRD, W. B. Springtime - BARKER, Tuomas (BARKER- OF BATH) Cows Drinking BARTOLUZZI,_'L. Venice | BASTERT, Nicowaas Winter in Holland A Winter Evening BEARD, Witiuam H., N.A. Overhauling the Cashier Home from the Polls BENOIST, Puitirre Napoleon’s Tomb BENSA, A. DE Sport on the Turf BERCHEM anv VAN DE VELDE Landscape and Cattle BERCK-HEIJDE, J. Amsterdam BERNE-BELLECOUR, Erienne Prosper French Soldier Un Billet-doux The Cigarette The Sentinel CATALOGUE NUMBER 39 53 59 72 153 222 161 221 231 12 87 103 228 BERTZIK, A. Hungarian Girl BETTINGER, G. ~ The Document Bureau BEYSCHLAG, Juuivs Rosert — The Lovers BIERSTADT, Axuserr, N.A. Mount Hood, Oregon Sierra Nevada—Morning BILDARY, W. The Hunting Party BILLOTTE, René The Fortifications, Paris . BIRNEY, Wivuram VeERPLANCK, A.N.A. The Old Musician BLACKMAN, Wa trter The Evening Hour BLAKELOCK, Ratru A., A.N.A. Landscape BLOMMERS, Bernarpus JOHANNES The Young Navigators BLUM, Roserr Freprericx, N.A. The Critic BOGERT, Gerorcre H., A.N.A. Afterglow BONHEUR, Francois Avucustre Sheep in Pasture BONHEUR, J. Pryrrou Noontime Rest BOSTON, Josrru H., A.N.A. Landscape an CATALOGUE NUMBER 112 Henry, N.A, R.A. Acre_ (Luecombe Chine, Isle of Sree N.A. : REDERICK ARTHUR, i... Letter Writer Pyotr. Z In His Studio . QA es, Epouarp | | - “Ask the Padre” 31 | eR EMONT. ie Still Life—Flowers A 88 CHARNAY, Armanp Boating Party 166 CHASE, Wituam Merrirr, N.A. f Happy Hours ; 60 > A Mysterious Corner | 67 CHAVET, Vicror Sei: La Bibliothéque ~ CHURCH, Freperic Epwiy, N.A. Harbor of Kingston, Jamaica An Indian ee ery CLAYS, Pauut JzEan Intérieur du Port, Ostende Dutch Fishing Boats COFFIN, Wiuiuram A., N.A. Evening COLLIN, Louis JosepH Rapnarn At the Window COROT, Jean Baptiste CAMILLE Landscape Sketch COURBET, Gustave At the Well The Little Goatherd CRANE, Bruce, N.A. Fall Afternoon ae Over the Valley Winter Morning Sundown CRANE, Watrter, R.W.S. The Old Bridge The Keeping Room CROPSEY, Jasper Francis, N.A. Autumn Passing Shower on the Hudson Landscape with Brook CURRAN, Cuarzzs C., N.A. Head of a Young Woman—A Study CUVILLON, Rosert ver The Mandolin CATALOGUE NUMBER 124 RLES Epovarp ig Butterflies me Cesare ee. The Painful Moment A - tet Sine Virtuoso - _ - . INDT, ALBERT Devotion és DE LA PENA, Nanxcisse Vircite Venus and Juno 8 Marguerite — : 19 The Pet 2 73 Landscape near Fontainebleau . 79 A Pool at Fontainebleau ae, | 82 3 DIRANIAN » SARKIS ; The Girl with the Green Eyes ~ 192 Among the Flowers 197 . DUPRE, JULES” BACs aot Fishing Vessels off the French Coast : Be at The Coming Storm ai The Winding Road ~ >a DUPRE, JULIEN Li a, ee p ; The Proposal ; rai: + nat ea het DUVERGER, TxHtopHite EmMMANuUEL “'Thes Call” EATON, CuHarLes Warren, N.A. Moonrise EGGLESTON, Bensamin ae an In October rie yn a EPP, Rupo.rx The Green Hat FIELD, E. Loyar Gleam Landscape FISHER, Wiruam Marx The Shepherdess FRAPPA, José The Cardinal’s Birthday—The Toast SORA: Se SS ORY BAM Stn FROMENTIN, EvcEne Algerian Washerwomen GANNETT, E. W. Still Life GENOESE SCHOOL John Preacheth GEROME, Jean Lion The Halt Femme se Tenant en Repos GESELSCHAP, Epvarp A Musical Evening CNOMBER y Day in Egypt, on the Nile 54 E ITERS Mistress—A Copy naira Near Hérisson RT, James Rie Dudeats N.A. Tree in the Meadows © The Meadow Oak _ HAYES, Cravve Haymaking on Christchurch Marshes HAYES, M. Ancero The Noonday Repast HEILBUTH, Ferpinanp 2 et) In the Fields oe Nae Z ae) _ HENNER, Jean JACQUES Head and Bust of a Young Girl | ? HENRY, Epwarp L., NA, Waiting for the Ferryman A Chip of the Old Block HERRMANN, LEO + 3 The Cardinal at Lunch re HERZOG, Hermann | Norwegian Moonlight HOEBER, Arruvur, A.N.A. Low Lands Twilight HONDECOETER, Metcutor Birds of the Farmyard HOVENDEN, Tuomas, A.N.A. ‘ The Call from Labor HOWLAND, Atrrep Cornetius, N.A. Autumn Landscape HUGUET, Vicror Pierre The Halt in the Desert INNESS, Gerorcr, N.A. Back of My Studio: Milton-on-Hudson “Gossip”: Milton-on-Hudson Landscape . INSLEY, ALserrt The Closing Day ISABEY, Lovis Gasrien Tretia Flora iE i e The Connoisseur a NT, Henrr A. s The Cardinal’s Photograph ——— NFANT DE METZ The Nursery \DER, Bensamixy Wriiiam, R.A. Summertime, Worcestershire ane LEON ay: ESCOSURA, IGnacio 7 a... Cornered LEVIS, Maurice ' Le Moulin de Boutigny CATALOGUE NUMBER 10 89 LINGELBACH ayn WYNANTS Landscape with Figures LIPPINCOTT, Wii H. Renée MARCIUS-SIMONS, Piyckney The Classic Land MAUVE, Anton Landscape and Cattle McCORD, Gerorce Hersert, A.N.A. Near Port Jefferson Midsummer Morning In Holford Vale, England Autumn Landscape November Landscape hs tes October Evening. McENTEE, Jervis, N.A. © Autumn MEISSONIER, Jean CnHartes Waiting for an Audience ME SZOLY, GIZA VON La Ferme MEYER, Emine 2 The Festive Bouquet MEYER VON BREMEN, Jouann Geore The Little Fruit-gatherer Mother and Child MILLET, Jean Francors The Baker MINOR, Roserr C., N.A. Old Pasture near New London, Connecticut . MOELLER, Lovts, N.A. “News from the Front” CATALOGUE NUMBER ape bbe i A ey se Avril eal} 37 nil River, Long Island Fs ae —, wois, N.A. ITALIAN SCHOOL (Attributed to ZUCCARELLI) A Fantasy of the Ruins ‘ENFELD, R. Arabian Warrior 2 ARTON, Artuur, N.A. Apple Blossoms Sunlit Vale -PASINI, ALBERTO At the Saddler’s PATEL, Pierre A Scene in the Italian Lake Country PEARCE, Cuartes Spracue, A.N.A. : Return from Market PEELE, Joun. T. Children and Kid PERRAULT, Lion Bazire Italian Girl Una Pauverina PERREY, Louis) JM. Portrait Head PHELAN, Cuaries F. Sheep PICKNELL, Winiam L., A.N.A. Deserted PIETERS, Everr The Fisherman’s Wife POKITONOW, Ivan: Automne prés Pau—Berger The Hunter PORTIELJE, Enpwarp The Confidant QUARTLEY, Arruvr, N.A. The Wreck RICHET, Lton , A Farm Pool The Fisherman’s Hut { RICHTER, Epovarp Gallery of the Louvre RIX, Juin ~ Moonlight among the Mountains The Dancing Brook Road along the Woods ROBIE, Jean Baptiste Still Life—Flowers and Fruit Still Life—Flowers “Scene at Guingamp » POise (Chaponval) : “Flight Most the Wolves Russian Hoses i in Winter ' SEL AUL. ~ Moonlight at Sea N ORINI, Gruseprr The Cardinals sar, Henry PEeMBER A Spring Morning Late Afternoon STEVENS, ALFRED Le Bateau a Vapeur CATALOGUE : Be gt oa acy 267 TAIT, ARTHUR Firzwit1iaM, N.AL a Chickens a = Ducks TENIERS (Attributed) Féte de Village THAULOW, Fairz Winter, Christiania The Awakening of Spring A Venetian Canal TOULMOUCHE, Avcuste Waiting TROYON, _ ConsTANT Foire Champétre dans Limousin TYLER, James G. Storm on Lake Ontario Plowing the Ocean UNKNOWN _At the Window A Scene in the Netherlands VAN BOSKERCK, Roserr W., N.A. Sheep and Pasture VAN COUVER, J. The Windmill VAN DE VELDE, Witiem The Mouth of the River VAN DE VELDE anv BERCHEM Landscape and Cattle VAN LEEMPUTTEN, E. Pleasant Pastures VAN MARCKE, Enite Cattle At the Bars A Farm near Fitretat 2 0 toe ——s. : CATALOGUE F; £- NUMBER Jouan FE ees : 7 : Peeing a Measure” JON, - CHARLES D., N.A. Old Dresses _ Agni ALDEN, ee _ Willimantic Thread Factory _ WHITTREDGE, Worrnineton, N.A. Landscape * _ WIGGINS, Carterton, N.A. Cows at Pasture Late Afternoon WOODWELL, Joseru R. Havana Harbor WOPFNER, Joser . A Difficult Launching 7 tke : ga is no 4 WYANT, ALEexanpeR i, Ay ae Coan : A Bit of Pasture ic hn ed . | A *Promisepot Raine) ile acess - a Sunset is me . On the Ohio River . 7 : WYNANTS, Jan ce Ce Landscape with Tigress | WYNANTS ann LINGELBACH — _ Landscape with Figures fs ean ZAMACOIS, Epvarvo. =i The Message | a ys The Flirtation aa ZI Mie Bicone ee On the Bosphorus a COMPOSITION, PRESSWORK AND BINDING BY a eg a tS Ne ii ete eee F ate: } ¥ es . oat vs rs a y, . ‘ ii ta PY et? ve iy k we # | - * re 5 ee “tos a od os eg $ , th a ts ww Fy; if . : ( H f ; A \ BU ‘ Aras SPR Sa a Welavt gy Gn rere ty aH os te : Wet NAL rt he PREY oy Tampa gy mT NT) END ns BND ea i F : / MME A nase cise hy say ‘ DSi as ay Tas wn 7 i it Sg. ; a Y 2 rele ned i te c ¢ ; 3 Ley 2 4) atu, % ie ate) ahs oe Pats Me HN rae NATE WAS aie i ‘ ey Wa Ry As uae pc OM thi ¥ PE Se Carn tt PESTA 1? na bit 20 M4 irersgeen® ie eet anes foray yuu eh) aM Mb Fethony to Hr Ae ag ME Elite Batti ge ; Fe BUR ten A Witearnica caine att eye behaving HAS US ity he PDEA Re ade LP re ‘ Cat Baty ue ia sal Usa Rab Scu g v ot ih Ge) AN ‘UE, orate a Een ae